WEBVTT - Irrationally angry at minor inconveniences.

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<v Speaker 1>Well, come back to another episode of your host Kevin

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<v Speaker 1>p Like, Yes, that Kevin Polo that contrary to modern belief,

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<v Speaker 1>you should not, in fact put the line in the coconut.

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<v Speaker 1>But I digress. Let's meet it, should I wait, in

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<v Speaker 1>no particular order, looks quickly checking with Gary Anthony Williams

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<v Speaker 1>for his driving etiquette tips. Captain, First of all, God

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<v Speaker 1>and disagree with the line in the coconut, even though

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<v Speaker 1>I know medically you're not supposed to. I will literally,

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<v Speaker 1>literally never ever have coconut without the line insured it

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<v Speaker 1>forcibly inserted into it. Driving tips, Uh, do what I do.

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<v Speaker 1>As soon as I buy a new car, I rip

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<v Speaker 1>off the rear view mirrors and the side view mirrors

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<v Speaker 1>because I'm not a dude who looks in the past.

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<v Speaker 1>Don't right. I will never look in the past. I

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<v Speaker 1>don't care what's back there. Look forward, straight ahead, a

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<v Speaker 1>little to the side, just a little, just to let

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<v Speaker 1>him know you you can't. Yeah, And to help people.

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<v Speaker 1>Sometimes I take a ball peen hammer, never a hook hammer,

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<v Speaker 1>just a regular ball peen and I go break people,

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<v Speaker 1>uh side view mirrors, just so they're not tempted to

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<v Speaker 1>look back. Don't be tempted folks. That's all he's trying

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<v Speaker 1>to say. And now, please welcome back Jackie gonzalat the

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<v Speaker 1>Ruth Jackie, never Jacqueline. When you travel by air, what

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<v Speaker 1>is the most important item you must have with you? Gosh? Um,

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<v Speaker 1>I'm gonna say headphones. Uh. Yes, I have been in

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<v Speaker 1>that position where I'm like, I don't have or like

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<v Speaker 1>and you need the plug in headphones because if my phone,

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<v Speaker 1>I don't want to look at my program on my

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<v Speaker 1>little tiny phone. I want to watch the program on

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<v Speaker 1>the TV in front of me. Ah, you still have

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<v Speaker 1>a little tiny phone. And she watched his programs my program. Hey,

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<v Speaker 1>look there's James Cheney, Jango and Jimmy. What's that thing

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<v Speaker 1>you always do before you fall asleep at night? Well,

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<v Speaker 1>I guess I guess it's it's just doom scrolling through

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<v Speaker 1>Netflix possibilities and never settling on something like and then

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<v Speaker 1>I'll Usually my favorite thing to fall asleep to is

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<v Speaker 1>Neil deGrasse Tyson in the universe. Um, I'd like to

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<v Speaker 1>try to mix it up. And I spend so much

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<v Speaker 1>time just looking instead of choosing. I have an indecision

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<v Speaker 1>problem something. Oh yeah, usually, and it's usually a documentary,

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<v Speaker 1>because otherwise it's gonna be something I care about. Like

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<v Speaker 1>I just finished Severance, which I love the show, but

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<v Speaker 1>it's like you gotta stop before you're falling asleep, so

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<v Speaker 1>you don't ruin an episode for yourself. Yeah, like crazy,

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<v Speaker 1>you guys don't do that. No, No, you're not crazy.

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<v Speaker 1>Too many people I would say, do it. Look over there,

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<v Speaker 1>it's cold Strappon. Hello, America's pastime celebrator. In less than

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<v Speaker 1>eleven words, what are the Detroit Tigers chances this year?

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<v Speaker 1>They are actually pretty darn good to compete in the division? Yeah?

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<v Speaker 1>Wait a minute, hold on, that was eleven word? Yeah,

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<v Speaker 1>I asked Kevin Pollock, did you say less than eleven?

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<v Speaker 1>I said lesson? So yeah, the guy at the grocery store. Look,

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<v Speaker 1>I go to that the item, So yeah, he's that guy.

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<v Speaker 1>I just needed everyone to know it. And last, but

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<v Speaker 1>no more rollos for you. If you think of leaves,

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<v Speaker 1>it's a tool. Sing Mastro's enthusiasts. What sides would you

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<v Speaker 1>like with your steak tonight? Uh, I'm big broccolini if

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<v Speaker 1>they have it. If it's a fancy steakhouse, Broccolini, I'll

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<v Speaker 1>take broccoli as well, mushrooms okay, sure, potatoes, any kind

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<v Speaker 1>of potatoes. You can scalp him, you can mash them,

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<v Speaker 1>it doesn't matter. I'll take him on the side. Um,

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<v Speaker 1>doesn't matter. Yeah, yeah, I'll take potatoes anyway. Um a

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<v Speaker 1>chef choice. If if I can say that too, wha

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<v Speaker 1>what then if he if they agree with that statement,

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<v Speaker 1>then I'll go with it. Thank you for most of that.

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<v Speaker 1>Let's do a damn show. All of our scene suggestions

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<v Speaker 1>are gathered from your listener emails or from our Patreon

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<v Speaker 1>v I p s. What's that Well to become a

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<v Speaker 1>patron support of the show in joy exclusive content like

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<v Speaker 1>standalone bonusing videos of our recording sessions, or at the

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<v Speaker 1>highest level of support alcomaniac, we will have you in

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<v Speaker 1>a zoom with us, as in right now. Yeah, we've

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<v Speaker 1>had several and already it's been amazing. We'll have more. Um,

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<v Speaker 1>I'm gonna say as early as next week. Don't push

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<v Speaker 1>it's not good for anyone. Head on over the patroon

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<v Speaker 1>dot com slash I can be this. If you'd like

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<v Speaker 1>to submit a scene suggestion by email, please right to

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<v Speaker 1>the podcast that are new not no longer new, but

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<v Speaker 1>our email address alcomy this email at gmail dot com.

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<v Speaker 1>That's our seen one comes to patron v I P.

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<v Speaker 1>Jesse Han or Han, who wrote hello again. One of

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<v Speaker 1>my previous suggestions is zen temple next to the pot shop.

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<v Speaker 1>Was aired on Mr Alvarado's hosting debut, which was such

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<v Speaker 1>a gift. Well done, buddy. I'll pass that along. Unrelated

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<v Speaker 1>Joey and Caroline yelling at each other will never not

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<v Speaker 1>be funny. Also not here pass that along the suggestion

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<v Speaker 1>ah finally, irrationally angry at minor inconveniences. Yes, Jesse, Uh,

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<v Speaker 1>do you need all those stamps? Sir? What? What that that?

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<v Speaker 1>That that that that depends on your your your definition

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<v Speaker 1>of need, sir, That depends on your definition of need.

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<v Speaker 1>Whether I need all these stamps? Must I have them? Yes? Okay,

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<v Speaker 1>good to know. What about the salad ware? What now

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<v Speaker 1>the salad ware? Do I need the salad wear? Let

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<v Speaker 1>me hold on, let me let me allow you to

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<v Speaker 1>speak to my wife on this, because I am this

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<v Speaker 1>close and I don't know if you can see my

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<v Speaker 1>fingers from where you're standing this close from slapping the

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<v Speaker 1>taste out of your mouth. Honey, honey, m hmmmm, excuse me, babe.

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<v Speaker 1>I'm sorry to disturb you in the middle of what

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<v Speaker 1>you're doing, but this man had the nerve to ask

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<v Speaker 1>me two questions. One do I need the stamps? And

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<v Speaker 1>number two do I need the salad? Where do you

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<v Speaker 1>want to talk to him? Or should I continue? Did

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<v Speaker 1>you let me take care of it? And in the

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<v Speaker 1>meantime pin between these two totes? Oh my mama, all

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<v Speaker 1>about these totes. Between these two totes. Hello, sir, I

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<v Speaker 1>understand that you were talking to my husband who would

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<v Speaker 1>like to buy some stamps about salad war. That's right.

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<v Speaker 1>My name is Thomas Fur and um, you know we

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<v Speaker 1>have various items in the salad ware department. Well, here's

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<v Speaker 1>the thing, Mr Fur, Sir, he didn't ask for that,

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<v Speaker 1>and you're bringing it up. Is a source subject for

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<v Speaker 1>my husband, who's actually spent a lot of time and

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<v Speaker 1>effort working on his physique. Ah, and you implying that

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<v Speaker 1>he needs salad where it's offensive and hurtful. Maybe I

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<v Speaker 1>chose the bluetote. Did you explain to him how offended

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<v Speaker 1>and hurt I get by his asking me questions that

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<v Speaker 1>apply to my weight? I didn't. I did in a

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<v Speaker 1>calm manner. I I felt thank you for your calmness,

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<v Speaker 1>and I stand corrected, And how may I be of

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<v Speaker 1>service the stamps? Did we did we go far afoot?

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<v Speaker 1>Excuse me? You're out of ice at this found machine? Um?

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<v Speaker 1>What kind of what kind of establishment are you trying

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<v Speaker 1>to run here? All right? Well, we're the Ice Brothers,

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<v Speaker 1>and um, this is kind of embarrassing because pride ourselves

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<v Speaker 1>on having our fountain things always full of ice. And

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<v Speaker 1>that's the thing. Everything at Ice Brothers is cold. Everything

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<v Speaker 1>you order here is cold. And now I feel like

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<v Speaker 1>your drink will not be cold enough. And which one

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<v Speaker 1>of you is Trevor Ice? Oh, I'm Trevor. I'm Trevor.

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<v Speaker 1>That makes you Louis Ice? Realis Ice? Yeah? Please call

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<v Speaker 1>me Louis. All right, Louis Ice. Let me tell you

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<v Speaker 1>I can take my business over to the Ice family

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<v Speaker 1>that's across the street. Tell him no, Luise, No, don't

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<v Speaker 1>please please do? I mean that's that's that's that's the

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<v Speaker 1>big the big ice store. And they say their family,

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<v Speaker 1>but they're not. They have lots of funding and they

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<v Speaker 1>have they're franchised. And we're just a mom and pop

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<v Speaker 1>I shop. Your your mom and pop I stop shop

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<v Speaker 1>is what that's our advertising? And if he's the only

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<v Speaker 1>I stop shop I go to. Alright, let look up

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<v Speaker 1>introduced me to this ice stop shop, sir, come right here.

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<v Speaker 1>I understand that you had a situation with Trevor and Lewis.

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<v Speaker 1>Yes across the street. Yes, I'm just we're welcome to

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<v Speaker 1>our family establishment. Let me explain something. You will never

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<v Speaker 1>ever find dissatisfaction here without ice. This is is that

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<v Speaker 1>is that one block of ice. There's one block of ice.

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<v Speaker 1>Take your shared off, Take your shared off. Um, it's

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<v Speaker 1>gonna be cold, I'll be cold. You'll be surprised at

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<v Speaker 1>the just slight coolness of eyes. Why am I fighting

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<v Speaker 1>this here? You go? Oh yeah, I don't feel much colder,

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<v Speaker 1>but I feel cool cool. Look look, I know that

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<v Speaker 1>you've probably done ice business for years with Trevor and Lewis.

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<v Speaker 1>And I hate to say this, and this is gonna

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<v Speaker 1>sound gross, but all of the ice is made out

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<v Speaker 1>of their own space. It here. We don't want we

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<v Speaker 1>wouldn't do such a thing, you know. They said, And

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<v Speaker 1>I don't like to bring up what competitors say, but

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<v Speaker 1>they said that you're not a family business. Is that true?

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<v Speaker 1>I'm not a family business. Let me get my wife, sir,

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<v Speaker 1>hold on, darling, darling, Yes, would you come in here

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<v Speaker 1>and explain to this man while I go choose between

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<v Speaker 1>these two ice cubemakers, would you explain to him the

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<v Speaker 1>familiarity of our business. I put my shirt on before

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<v Speaker 1>your wife. Oh no, you don't have to put your

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<v Speaker 1>shirt on. I mean it can. It depends on your

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<v Speaker 1>comfort level. I'm certainly comfortable with what I'm looking at.

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<v Speaker 1>Familiarity yes, well, family, no, no, thank you. I've seen children.

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<v Speaker 1>I'm sure it all works out on paper. But we're

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<v Speaker 1>not what you call braids, my husband, but you're it's hey,

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<v Speaker 1>you're married. That's that's that's that's great, that's that's family.

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<v Speaker 1>And I just want to bring my business to a family.

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<v Speaker 1>You know, I don't want to wear a family. We

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<v Speaker 1>have seven cats, one puppy, and a bird. Bird. Wow. Yeah,

0:11:09.440 --> 0:11:13.040
<v Speaker 1>it's a it's kind of a loud bird. I don't

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<v Speaker 1>know if you want me to introduce to you. Well,

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<v Speaker 1>if i'm here, i'd like to meet them if I'm

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<v Speaker 1>gonna give my business to this store. Have you ever

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<v Speaker 1>spoken with a bird before? I have not. Oh, this

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<v Speaker 1>is exciting, sweetie, sweetie. Uh, this is mr. Oh, so,

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<v Speaker 1>I'm sorry, my Ted did Rosie is much much bigger

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<v Speaker 1>than I thought. Look at the wingspan. Yeah, sweetie is

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<v Speaker 1>a five footer. Sweetie, Ted, say hello to Ted b I. Um,

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<v Speaker 1>that's a sweet dad. Wow, it's all right. Do you

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<v Speaker 1>have any questions for sweet because I'll take a fourteen

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<v Speaker 1>blocks of two inch ice? Sweetie? Do you want to

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<v Speaker 1>help with the blocks of ice? Pa? That's a hard pass, um, Carrie.

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<v Speaker 1>I called this roommate meeting because I've seen you opening

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<v Speaker 1>up the fridge and the freezer, and I've seen you

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<v Speaker 1>eyeballing my chicken nuggets. Uh uh, and then today I

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<v Speaker 1>go to eat them and they're not there? Oh my god,

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<v Speaker 1>what happened to them? You fucking ate them? I didn't, you, liar,

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<v Speaker 1>I'm your gaslighting me. Carry, you're gaslighting me. I have

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<v Speaker 1>a chicken allergy. It's chicken. You see how much that's

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<v Speaker 1>very important to me. I was hungry. It was late

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<v Speaker 1>the story. Carry. Do you have an allergy? Or were

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<v Speaker 1>you hungry? And I do have an allergy and that's

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<v Speaker 1>why my wrists are all read nitchy. I don't think,

0:13:11.320 --> 0:13:14.800
<v Speaker 1>I don't think. I don't think this is working out. Please,

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<v Speaker 1>please please, I can't afford this. Please for myself. Please

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<v Speaker 1>don't leave, Please don't leave time that this has happening.

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<v Speaker 1>I swear to myself I would not let it happen again. Okay,

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<v Speaker 1>are you too ready to appear in front of Judge

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<v Speaker 1>Steve Harvey? Mm hmm, Okay, here we go. Just follow me,

0:13:38.520 --> 0:13:42.559
<v Speaker 1>d d and Danton Judge Harvey Show. Just go to

0:13:42.679 --> 0:13:47.360
<v Speaker 1>your prospective spots where we showed you during rehearsal. Okay, okay, ladies,

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<v Speaker 1>Dorman going now stand up for Judge Harvey. Thank you,

0:13:52.720 --> 0:13:55.079
<v Speaker 1>thank god, thank god, thank god. I just got this

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<v Speaker 1>new suit. Downtown. They playtiff and the defendant. One is

0:14:00.440 --> 0:14:04.319
<v Speaker 1>the plaine defend? Which one is the defend? And I've

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<v Speaker 1>been defended because I didn't do what is being accused me.

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<v Speaker 1>And I'm upset and I'm upset Steve. She always complains,

0:14:15.960 --> 0:14:19.920
<v Speaker 1>so I'm sure she's been complained to. We've been roommates

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<v Speaker 1>for two and a half years. Two and a half years.

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<v Speaker 1>Just down the drain, Hold on, hold on, just one moment, yo, yo,

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<v Speaker 1>I hate hate Timmy. Get my agent on the phone

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<v Speaker 1>and get my agent. Yeah, of course, sorry, Hold on, people,

0:14:37.240 --> 0:14:42.160
<v Speaker 1>I have Steve Harvey holding for you, right, okay, yeah,

0:14:42.440 --> 0:14:46.080
<v Speaker 1>Tecent tempercent okay, yeah, go ahead, sure, sure, put him on.

0:14:48.400 --> 0:14:50.280
<v Speaker 1>Thank you, Thank you. Man. Hey, look, I'm in the middle,

0:14:50.360 --> 0:14:54.000
<v Speaker 1>like literally, we're taping live right now. The play defended,

0:14:54.120 --> 0:14:56.520
<v Speaker 1>defending or standing in front of me live right now.

0:14:56.560 --> 0:14:58.560
<v Speaker 1>We're taping live right now. I'm on live right now.

0:14:58.800 --> 0:15:00.440
<v Speaker 1>But I wanted to take this more. What to call

0:15:00.560 --> 0:15:05.360
<v Speaker 1>you to tell you to get me out of this contract. Man, Look,

0:15:06.400 --> 0:15:09.720
<v Speaker 1>you've just got to do three more episodes, Steve, stand,

0:15:09.760 --> 0:15:11.600
<v Speaker 1>but I feel like I feel like I've reached I've

0:15:11.680 --> 0:15:14.440
<v Speaker 1>reached my level of hearing people complain about the most

0:15:14.480 --> 0:15:18.600
<v Speaker 1>insignificant bullshit. No, I get that, Steve. I understand it's

0:15:18.680 --> 0:15:21.520
<v Speaker 1>not the dream gig. But you know you've you've hosted shows.

0:15:21.520 --> 0:15:23.400
<v Speaker 1>I mean, you've done family a few for twenty three

0:15:23.520 --> 0:15:25.920
<v Speaker 1>years now. I mean, this is just three more episodes

0:15:25.960 --> 0:15:31.040
<v Speaker 1>of this, Okay, Okay, Okay, I'm gonna go back out there.

0:15:31.040 --> 0:15:32.560
<v Speaker 1>I'm gonna try to put my heart into it, but

0:15:32.600 --> 0:15:36.120
<v Speaker 1>I gotta tell you, my heart's not in it. My

0:15:36.240 --> 0:15:38.040
<v Speaker 1>heart's not in it. In it along, just don't let

0:15:38.080 --> 0:15:41.920
<v Speaker 1>that show, Steve, Just don't let it show. Okay, you're

0:15:42.040 --> 0:15:44.720
<v Speaker 1>pro did you do a favorite? Could you call Trevor

0:15:45.200 --> 0:15:47.760
<v Speaker 1>and Louis ice and have them to bring me over

0:15:47.920 --> 0:15:50.360
<v Speaker 1>right now, just to hunk of ice with salt like

0:15:50.440 --> 0:15:53.280
<v Speaker 1>a salted ice, hunk like a salt lip for ice.

0:15:53.840 --> 0:15:55.840
<v Speaker 1>You gotta, Steve, I'll make that call. That's the only

0:15:55.880 --> 0:15:58.000
<v Speaker 1>way I'm gonna get through this man. Yeah, I understand,

0:15:58.040 --> 0:15:59.400
<v Speaker 1>I understand. I'll make sure that they think of that

0:15:59.440 --> 0:16:03.440
<v Speaker 1>ice to you. Judge. We're still we're still on the air, Judge,

0:16:03.480 --> 0:16:05.720
<v Speaker 1>I know we live, right, We'll take them alive, right. Yes,

0:16:09.760 --> 0:16:14.680
<v Speaker 1>I've heard your complaints. I understand your complaints. Uh, and

0:16:14.840 --> 0:16:18.680
<v Speaker 1>I do not care about your complaints. God that has

0:16:18.720 --> 0:16:25.040
<v Speaker 1>seen one, that has seen one, ladies and jews seen two.

0:16:25.280 --> 0:16:28.480
<v Speaker 1>Comes from patron VP Ben b, who wrote scene suggest

0:16:28.600 --> 0:16:32.440
<v Speaker 1>small time grocery store cashier desperate for gossip reads way

0:16:32.600 --> 0:16:36.520
<v Speaker 1>too much into the ordinary items people are buying. You, guys,

0:16:36.600 --> 0:16:40.880
<v Speaker 1>are the cats mewing pajamas? Ben, Hey, baby, when you

0:16:40.920 --> 0:16:42.840
<v Speaker 1>go to the grocery store, will you just bring back

0:16:42.880 --> 0:16:47.280
<v Speaker 1>some so no, please Sweden, they're unsweetened. The unsweetened. I

0:16:47.440 --> 0:16:50.000
<v Speaker 1>don't believe in sugar anymore. I literally don't believe that

0:16:50.120 --> 0:16:58.160
<v Speaker 1>it exists in it, right, okay? Anything else? No? No? No? People?

0:16:58.920 --> 0:17:03.280
<v Speaker 1>How's it going today? Good? Great? I mean I just

0:17:03.400 --> 0:17:07.600
<v Speaker 1>came to get one item, so you know, we'll just

0:17:07.640 --> 0:17:09.280
<v Speaker 1>to let you know. There is a line that we

0:17:09.400 --> 0:17:11.840
<v Speaker 1>do have that is ten items or less you can use.

0:17:12.720 --> 0:17:14.840
<v Speaker 1>I know, it's crazy, right, and I didn't want to

0:17:14.920 --> 0:17:18.040
<v Speaker 1>do that because why the ten items are less? Line

0:17:18.240 --> 0:17:21.040
<v Speaker 1>is wide open. The ten items are less line is

0:17:21.960 --> 0:17:24.360
<v Speaker 1>people can go to it. And I'm already first in line.

0:17:24.400 --> 0:17:27.960
<v Speaker 1>This is terrific, and how are you? I'm so sorry,

0:17:28.280 --> 0:17:30.280
<v Speaker 1>I'm so sorry. Do you mind if I go ahead

0:17:30.320 --> 0:17:32.240
<v Speaker 1>of her? Since she could use the open one and

0:17:32.280 --> 0:17:35.040
<v Speaker 1>I can't. And I've got all these groceries, So you'd

0:17:35.080 --> 0:17:36.680
<v Speaker 1>like to go in front of me with my one

0:17:36.720 --> 0:17:40.480
<v Speaker 1>item and your thirty seven items? Because why because there's

0:17:40.520 --> 0:17:43.399
<v Speaker 1>a whole line dedicated to people just like you, and

0:17:43.840 --> 0:17:47.359
<v Speaker 1>I gotta wait. Anyways, So are you where? If you

0:17:47.440 --> 0:17:50.200
<v Speaker 1>had just kept to your peace and cueues, I'd be

0:17:50.359 --> 0:17:53.480
<v Speaker 1>long on my way by now. The ten items are less,

0:17:53.560 --> 0:17:56.159
<v Speaker 1>line is wide open. In fact, we're now giving away

0:17:56.280 --> 0:18:00.800
<v Speaker 1>free groceries if anyone uses our ten item or last line.

0:18:01.080 --> 0:18:05.120
<v Speaker 1>I mean, I'm tempted, but I'm already here, and you've

0:18:05.119 --> 0:18:07.359
<v Speaker 1>already got my autem in your hand. If you just

0:18:07.480 --> 0:18:11.919
<v Speaker 1>go come on so you can see the situation. I mean,

0:18:11.960 --> 0:18:14.800
<v Speaker 1>this is ridiculous. Let me go first, No, sir, I'm

0:18:14.880 --> 0:18:20.200
<v Speaker 1>just gonna discuss most here first. Four thirty eight, break

0:18:20.240 --> 0:18:27.920
<v Speaker 1>the silks, drinking my husband's milk, calling grocery security to

0:18:28.160 --> 0:18:30.920
<v Speaker 1>counter three, grocery security to counter three. So you just

0:18:31.040 --> 0:18:33.200
<v Speaker 1>wanted this to move along? And look who's taking forever

0:18:33.320 --> 0:18:37.120
<v Speaker 1>because of their own insanity? What is your nap? Hey,

0:18:37.240 --> 0:18:41.040
<v Speaker 1>what's the problem here? Um? This gentleman was checking out.

0:18:41.920 --> 0:18:45.760
<v Speaker 1>I'm Peter, and he was forcibly trying to tell the

0:18:45.880 --> 0:18:49.200
<v Speaker 1>silk milk purchaser that he wanted to go first. So

0:18:49.320 --> 0:18:52.920
<v Speaker 1>he then ripped the silk milk. Um, that's a low spill.

0:18:53.040 --> 0:18:55.320
<v Speaker 1>We now, don't you have cameras and whatnot? Can you

0:18:56.040 --> 0:18:58.240
<v Speaker 1>let's go to the video. I've always wanted to say

0:18:58.280 --> 0:19:00.600
<v Speaker 1>that you're ripping, You're rip and say milks out of

0:19:00.600 --> 0:19:05.320
<v Speaker 1>people's hands. Let me save everybody time. Ten items are less.

0:19:05.400 --> 0:19:08.560
<v Speaker 1>Line right there, that was open. That's my crime, that's

0:19:08.600 --> 0:19:11.639
<v Speaker 1>my crime. I got into the wrong line. Charleston, Charleston,

0:19:11.720 --> 0:19:14.160
<v Speaker 1>I just heard them asking for the They were gonna

0:19:14.160 --> 0:19:16.240
<v Speaker 1>want the video of an event that just happened in

0:19:16.280 --> 0:19:19.280
<v Speaker 1>the store, and Charleston, I literally forgot to hook up

0:19:19.320 --> 0:19:21.760
<v Speaker 1>the video cameras. There's any way you can get in

0:19:21.800 --> 0:19:24.200
<v Speaker 1>there and just just we can shoot a fake video

0:19:24.240 --> 0:19:26.560
<v Speaker 1>of whatever they think that just happened. That would really

0:19:26.600 --> 0:19:29.520
<v Speaker 1>save my ass, really save my job, Charleston, Eric, Frank, Look,

0:19:29.600 --> 0:19:33.680
<v Speaker 1>I did one hour film festival one time, and you

0:19:33.760 --> 0:19:37.119
<v Speaker 1>were great. I don't work that fast normally. I like

0:19:37.280 --> 0:19:40.760
<v Speaker 1>to compose shots. I like to rehearse with the cast

0:19:40.840 --> 0:19:43.160
<v Speaker 1>and the crew. I like to do it correct. Here

0:19:43.320 --> 0:19:46.520
<v Speaker 1>here in my house, Keith, it means that much to me.

0:19:47.040 --> 0:19:48.920
<v Speaker 1>I will let you have my house for the entire

0:19:49.040 --> 0:19:51.200
<v Speaker 1>summer and a portion of the fall if you will

0:19:51.240 --> 0:19:53.600
<v Speaker 1>do me this one solid. It means a lot, Charleston.

0:19:55.760 --> 0:19:58.240
<v Speaker 1>Do you even know what happened? If I had to

0:19:58.320 --> 0:20:01.720
<v Speaker 1>reenact this, I need to know. There was something about milk,

0:20:01.840 --> 0:20:03.639
<v Speaker 1>and there was a line. There was a line and

0:20:03.720 --> 0:20:06.800
<v Speaker 1>there was something about milk. Your work is so amazing.

0:20:06.800 --> 0:20:08.440
<v Speaker 1>I'm sure, I'm sure you can fill in the gap.

0:20:08.920 --> 0:20:10.959
<v Speaker 1>All right, Frank. Look, I've got a couple, I've got

0:20:10.960 --> 0:20:14.000
<v Speaker 1>a little acting troop on speed dial. I'll see if

0:20:14.000 --> 0:20:18.000
<v Speaker 1>they're available, if they can come down. Of yes, I

0:20:18.080 --> 0:20:20.000
<v Speaker 1>am free, of course I can do it for you.

0:20:20.880 --> 0:20:23.400
<v Speaker 1>Is this so we're going to be doing anything from

0:20:23.440 --> 0:20:27.119
<v Speaker 1>the board's collection. Uh, this isn't a Shakespeare work. This

0:20:27.240 --> 0:20:32.359
<v Speaker 1>is a grocery store re enactment. Perhaps it's not a

0:20:32.440 --> 0:20:35.720
<v Speaker 1>Christopher Marlowe thing. Uh, it's not to rang, it's not

0:20:35.840 --> 0:20:39.399
<v Speaker 1>Neil Simon. In fact, it's we're going to contemporary. Is

0:20:39.480 --> 0:20:44.159
<v Speaker 1>it Neil Simon? I just said it was not Neil Simon.

0:20:45.400 --> 0:20:49.119
<v Speaker 1>I'm a listening actor. First I do I apologize for

0:20:49.359 --> 0:20:54.440
<v Speaker 1>the error. All right, you're gonna be portraying the customer

0:20:54.600 --> 0:21:00.639
<v Speaker 1>with thirty seven items. Uh, customer, I'm married, four kids,

0:21:01.240 --> 0:21:04.200
<v Speaker 1>I live in a suburban home, and I've decided today

0:21:04.320 --> 0:21:06.600
<v Speaker 1>is the day that i leave my job. But on

0:21:06.720 --> 0:21:11.879
<v Speaker 1>the way home, I've decided to get grocery items. You know,

0:21:11.920 --> 0:21:15.720
<v Speaker 1>I'm just gonna call Steve instead. But thank you for

0:21:15.840 --> 0:21:20.080
<v Speaker 1>being available. Thank you. I'm still equit you. By the way, Great,

0:21:20.200 --> 0:21:22.879
<v Speaker 1>this isn't a stage production, so it doesn't Darling. Pick

0:21:22.960 --> 0:21:24.400
<v Speaker 1>up the phone. Come on, baby, pick up the phone.

0:21:24.440 --> 0:21:26.680
<v Speaker 1>I need that soap. Pick up the phone. So we

0:21:26.760 --> 0:21:30.960
<v Speaker 1>need pick up the Hello, where are you with the soap? Milk?

0:21:31.119 --> 0:21:34.080
<v Speaker 1>I'm sitting here with a bowl of very dry cheios?

0:21:34.119 --> 0:21:38.639
<v Speaker 1>And and they misshapp down at the grocery store. What

0:21:38.760 --> 0:21:45.040
<v Speaker 1>kind of mishappened? Well? I was first in line by milk. Okay,

0:21:45.359 --> 0:21:51.800
<v Speaker 1>everything was going. Then a truly insane individual came up

0:21:51.800 --> 0:21:54.000
<v Speaker 1>behind me and started yelling at me about going out

0:21:54.040 --> 0:21:58.320
<v Speaker 1>of line, getting into another Linearly, are you aware of this?

0:21:58.440 --> 0:22:01.480
<v Speaker 1>There's a ten items or less. I never heard of it,

0:22:01.560 --> 0:22:06.359
<v Speaker 1>never heard of it? So so how long? How long

0:22:06.400 --> 0:22:10.240
<v Speaker 1>should I mean? What? What should let me ask? The officer?

0:22:10.320 --> 0:22:14.920
<v Speaker 1>Hold on? How long? How much longer will this be? Uh?

0:22:16.119 --> 0:22:20.920
<v Speaker 1>In terms of me getting out away home from Sorry,

0:22:21.000 --> 0:22:23.159
<v Speaker 1>here's the tape. Here's the tape. Here's the tape of

0:22:23.200 --> 0:22:29.840
<v Speaker 1>the incident. Accurate? Okay, yeah, I'll watch. I'll watch the tape.

0:22:30.000 --> 0:22:31.920
<v Speaker 1>Do you see me? They're standing at the front of

0:22:31.960 --> 0:22:35.240
<v Speaker 1>the line. I see like the back of someone's head.

0:22:35.359 --> 0:22:38.520
<v Speaker 1>It's a little different, longer hair, trust me, it's me.

0:22:38.720 --> 0:22:41.680
<v Speaker 1>And then the gentleman there's ringing up my one item.

0:22:41.720 --> 0:22:44.320
<v Speaker 1>And then I'm not wearing that frilly outfit. Whatever that

0:22:44.400 --> 0:22:46.679
<v Speaker 1>thing is around that person's neck that's not me. It's

0:22:46.720 --> 0:22:55.520
<v Speaker 1>an ascot at lunatic right in the ascot. Listen, this

0:22:55.840 --> 0:22:58.600
<v Speaker 1>is I don't know what to tell you. My job

0:22:58.840 --> 0:23:01.040
<v Speaker 1>is hold on coming about an act break. This is

0:23:02.000 --> 0:23:06.840
<v Speaker 1>this is good. I did that. Wow. And the Emmy

0:23:07.000 --> 0:23:12.840
<v Speaker 1>for Best Actor and a Short goes to Convenience Story

0:23:12.920 --> 0:23:25.560
<v Speaker 1>re enactment and Philip Harald say something, say something, Speach,

0:23:25.720 --> 0:23:30.080
<v Speaker 1>say something, say something, Philip, feel free to say a

0:23:30.160 --> 0:23:36.720
<v Speaker 1>few words. Um. Sorry, sorry, I don't usually get to

0:23:36.840 --> 0:23:41.840
<v Speaker 1>speak out loud. The piece was obviously only video, so

0:23:42.080 --> 0:23:45.520
<v Speaker 1>I debated doing my work when I was pulling this character.

0:23:45.640 --> 0:23:48.240
<v Speaker 1>But if you look closely, I am actually talking. There's

0:23:48.320 --> 0:23:54.200
<v Speaker 1>just no audio. And I want to thank the committee,

0:23:54.600 --> 0:23:59.600
<v Speaker 1>the the group of well well wait wait wait, I

0:23:59.640 --> 0:24:02.200
<v Speaker 1>got it. But there's a lot of people have forbidden

0:24:03.160 --> 0:24:06.920
<v Speaker 1>on the stage. Hey, orchestra, I couldn't help, but notice

0:24:06.960 --> 0:24:12.879
<v Speaker 1>you're playing people off with the commencement music. Pumping circumstance. Yes, um,

0:24:13.960 --> 0:24:17.000
<v Speaker 1>we have a whole catalog of actual songs from TV

0:24:17.119 --> 0:24:20.760
<v Speaker 1>and film. Yeah, it's just a pumping circumstances is our favorite.

0:24:21.080 --> 0:24:24.359
<v Speaker 1>Al Right, guys, yeah, hey guys, I'm sorry to interrupt

0:24:24.440 --> 0:24:26.960
<v Speaker 1>the meeting. Uh have you guys seen the ratings, the

0:24:27.119 --> 0:24:30.080
<v Speaker 1>ratings doing up seven thousand percent because of I didn't

0:24:30.080 --> 0:24:31.560
<v Speaker 1>get to see the show. By the way, whatever the

0:24:31.680 --> 0:24:35.199
<v Speaker 1>music that they were playing last night, seven we hit

0:24:35.240 --> 0:24:39.399
<v Speaker 1>the demographic. We finally hit that jackpot demographic. What what what?

0:24:39.840 --> 0:24:43.120
<v Speaker 1>What you know? And itways, whatever happened, just keep it going.

0:24:43.200 --> 0:24:45.560
<v Speaker 1>I got to go back to the car. Steve Harvey's

0:24:45.560 --> 0:24:48.280
<v Speaker 1>out in my car. He's looking at a job change.

0:24:48.280 --> 0:24:49.440
<v Speaker 1>He wants to show for me for the rest of

0:24:49.520 --> 0:24:53.000
<v Speaker 1>his life. I gotta go. Oh yeah, I had to

0:24:53.040 --> 0:24:54.880
<v Speaker 1>hand it to here. I really for me. I thought

0:24:54.920 --> 0:24:56.399
<v Speaker 1>that's when the stim when he jumped the shark, But

0:24:56.480 --> 0:24:59.200
<v Speaker 1>I guess this when he just found it for real footing. Um,

0:25:00.040 --> 0:25:03.159
<v Speaker 1>here's another list of a bunch of traditional songs we

0:25:03.240 --> 0:25:07.800
<v Speaker 1>could use green sleeves. Um, there's the thing you play

0:25:07.840 --> 0:25:15.840
<v Speaker 1>at weddings, wedding march. Um. I think, hello, hello, hello, yeah,

0:25:15.840 --> 0:25:21.800
<v Speaker 1>I'm looking at Mr Pumping Circumstance one moment. Please could

0:25:21.800 --> 0:25:25.160
<v Speaker 1>at least have some whole music in here. This is hello, yeah,

0:25:25.359 --> 0:25:29.080
<v Speaker 1>Mr Pumping Circumstance. You can call me pump Okay, Yeah,

0:25:29.760 --> 0:25:35.240
<v Speaker 1>my name is Philip. See more hofly Philip see more hofly.

0:25:36.640 --> 0:25:39.520
<v Speaker 1>Can I call you Philip? Please do? I am an attorney,

0:25:39.520 --> 0:25:42.359
<v Speaker 1>I'm a very litigious one. It appears that some of

0:25:42.480 --> 0:25:45.639
<v Speaker 1>your music may have been used with and or without

0:25:45.760 --> 0:25:49.639
<v Speaker 1>your knowledge, and I would like to represent you. What

0:25:49.760 --> 0:25:51.280
<v Speaker 1>do you take? What's your what's your take on this

0:25:52.840 --> 0:25:56.480
<v Speaker 1>firm handshake? Is payment enough for me? Is that payment enough?

0:25:57.119 --> 0:26:00.680
<v Speaker 1>Yes for me? Okay, So so thank you first of

0:26:00.720 --> 0:26:04.920
<v Speaker 1>all very much. Now give me a couple of credits,

0:26:05.160 --> 0:26:09.600
<v Speaker 1>credentials previous cases before I take you as a new

0:26:09.760 --> 0:26:12.479
<v Speaker 1>lawyer for free. Of course. Of course, have you ever

0:26:12.560 --> 0:26:16.720
<v Speaker 1>seen the television show versus I? Have they named the

0:26:16.880 --> 0:26:19.920
<v Speaker 1>show because of the legal things that I do in

0:26:20.000 --> 0:26:27.600
<v Speaker 1>the courtroom versus? Yes? That was that was you? Yes? Wow, wow,

0:26:27.600 --> 0:26:32.440
<v Speaker 1>wow wow wow. Just one more though, just yes? Of course?

0:26:32.840 --> 0:26:36.080
<v Speaker 1>Do you remember the seventies when streaking was so popular?

0:26:37.280 --> 0:26:39.440
<v Speaker 1>Can I just say I was just discussing this with

0:26:39.680 --> 0:26:42.560
<v Speaker 1>my son, trying to explain to him that this actually

0:26:42.680 --> 0:26:44.760
<v Speaker 1>took place. Can you believe just the whole generation that

0:26:44.880 --> 0:26:47.760
<v Speaker 1>doesn't know? Maybe these four generations, Well, the reason most

0:26:47.800 --> 0:26:50.680
<v Speaker 1>of those people were streaking is because literally I had

0:26:50.800 --> 0:26:57.720
<v Speaker 1>sued the pants off of them. I'm very good, very litigious, Wow, Hey, Philip,

0:26:58.200 --> 0:27:00.520
<v Speaker 1>I couldn't have a notice that you've been passing on

0:27:00.640 --> 0:27:07.080
<v Speaker 1>these other pro bono cases to represent music usage without permission. Uh?

0:27:07.400 --> 0:27:10.000
<v Speaker 1>There these three. This this guy here was accused of

0:27:10.600 --> 0:27:14.080
<v Speaker 1>of of killing his wife. He didn't do it. He

0:27:14.119 --> 0:27:17.800
<v Speaker 1>wouldn't take that one. Uh. This, this one here had

0:27:17.840 --> 0:27:21.199
<v Speaker 1>his rights violated by an officer. You wouldn't take that one,

0:27:21.600 --> 0:27:24.480
<v Speaker 1>touch it. But this you took the one of the

0:27:24.600 --> 0:27:32.399
<v Speaker 1>guy who's music was used briefly as playoff on a ceremony. Philip,

0:27:32.480 --> 0:27:34.719
<v Speaker 1>There's so many more cases you could take that are

0:27:34.760 --> 0:27:38.240
<v Speaker 1>so much more worthy. I don't understand. Did someone use

0:27:38.640 --> 0:27:42.200
<v Speaker 1>music when you were a kid that you didn't give

0:27:42.240 --> 0:27:46.000
<v Speaker 1>permission for? Is this a personal quest that someone? Uh?

0:27:47.320 --> 0:27:51.639
<v Speaker 1>Did someone use music? When are you asking me if

0:27:51.680 --> 0:27:59.000
<v Speaker 1>I haven't been hurt music thief? That is exactly what

0:27:59.080 --> 0:28:02.960
<v Speaker 1>I'm asking, Philip. Come to dinner. I'm gonna play the

0:28:03.000 --> 0:28:08.160
<v Speaker 1>dinner music. Daddy, bum bum bum bum bum bum bum

0:28:08.560 --> 0:28:13.600
<v Speaker 1>bum bum bum bum bum. Why is mamma getting mad

0:28:13.680 --> 0:28:19.240
<v Speaker 1>and leaving the house? Daddy, she's mad because I I'd

0:28:19.280 --> 0:28:21.640
<v Speaker 1>like to use music in every part of my life. Sure,

0:28:21.680 --> 0:28:24.359
<v Speaker 1>I don't have the rights, but who does it really hurt.

0:28:25.200 --> 0:28:33.400
<v Speaker 1>Hurt me, Daddy, she walked out. It hurt me. Wow,

0:28:33.560 --> 0:28:37.400
<v Speaker 1>that's I didn't know. I mean, I've ever come back

0:28:37.520 --> 0:28:39.920
<v Speaker 1>or and she never came back. Just like in the

0:28:40.000 --> 0:28:43.600
<v Speaker 1>re enactment video. I just showed you she stomed out

0:28:43.680 --> 0:28:48.240
<v Speaker 1>and she never returned. That the guy that played your mom,

0:28:48.320 --> 0:28:50.040
<v Speaker 1>he's in a way because he is he equity because

0:28:50.120 --> 0:28:52.280
<v Speaker 1>I'm doing the stage production later. I think he could

0:28:52.280 --> 0:28:56.560
<v Speaker 1>be good for Absolutely, he's equity. He's equity. Great because

0:28:56.600 --> 0:28:59.120
<v Speaker 1>my our town thing, I need above the board actors

0:28:59.200 --> 0:29:02.440
<v Speaker 1>to do this rectly like I'm sorry, I didn't. I

0:29:02.520 --> 0:29:04.680
<v Speaker 1>misunderstood that this is a personal thing, and I you know,

0:29:04.800 --> 0:29:06.719
<v Speaker 1>I'm just gonna go ahead and I'll try to represent

0:29:06.760 --> 0:29:09.360
<v Speaker 1>all these other cases by myself. You you take advantage

0:29:09.600 --> 0:29:12.440
<v Speaker 1>of the of the ones that speak to you, and

0:29:12.880 --> 0:29:15.480
<v Speaker 1>I won't get in the way. Order order in the court.

0:29:15.680 --> 0:29:22.080
<v Speaker 1>Oh if it isn't Philip Seamore, halfly hell for the defendant, Hello,

0:29:22.640 --> 0:29:25.400
<v Speaker 1>your honor, If I may be so bold as to

0:29:25.480 --> 0:29:30.040
<v Speaker 1>call you that you may after all these years, you

0:29:30.120 --> 0:29:34.920
<v Speaker 1>still have that bruise from my leg wrestling incident. It's healed, Philip,

0:29:35.400 --> 0:29:38.920
<v Speaker 1>it's healed, but the scar inside my heart. It's not

0:29:39.760 --> 0:29:42.960
<v Speaker 1>you know, that's actually dangerous. It could be black and ventrical.

0:29:44.080 --> 0:29:49.320
<v Speaker 1>Oh well, we'll take a look, um. And for the plaintiff,

0:29:49.480 --> 0:29:54.120
<v Speaker 1>who do we have in front of us? Um? Hi? Yeah,

0:29:54.240 --> 0:30:00.920
<v Speaker 1>Sarah elliption, Sarah lip shit elption elliption. Sorry about that, Sarah,

0:30:01.640 --> 0:30:06.640
<v Speaker 1>just kind of the perma plainment plaintiffs from appointiff m

0:30:06.840 --> 0:30:09.479
<v Speaker 1>hm tera. I want you to know that my previous

0:30:09.560 --> 0:30:13.720
<v Speaker 1>relationship with Philip Seymour Halfley won't bar me for giving

0:30:13.800 --> 0:30:19.280
<v Speaker 1>a fair and unbiased final decision. You're before you continue,

0:30:19.320 --> 0:30:22.959
<v Speaker 1>here's the chocolate bar that I promised I remember, remember

0:30:25.240 --> 0:30:31.400
<v Speaker 1>dark with nuts yet nuts? All right? Before we commence

0:30:31.640 --> 0:30:38.560
<v Speaker 1>opening arguments, will play our ceremonial opening commencement song, Oh great,

0:30:41.520 --> 0:30:48.280
<v Speaker 1>dent dent Entent You running? Yes, I'm afraid I'm going

0:30:48.360 --> 0:30:51.400
<v Speaker 1>to have to not only sue for the case that

0:30:51.480 --> 0:30:54.360
<v Speaker 1>I came in here, but I'm afraid I'll also have

0:30:54.520 --> 0:31:00.080
<v Speaker 1>to sue the court today. Excuse me, you're running? You

0:31:00.160 --> 0:31:04.960
<v Speaker 1>are using that music I'm sure without proper you see rights,

0:31:05.520 --> 0:31:08.840
<v Speaker 1>I'd like to submit into evidence my rights to Now

0:31:09.280 --> 0:31:13.200
<v Speaker 1>this is what I call music three and I have

0:31:13.440 --> 0:31:21.360
<v Speaker 1>the rights to all these songs. Take a look. Um.

0:31:21.880 --> 0:31:26.760
<v Speaker 1>I don't mean to interrupt, but can I get like

0:31:28.920 --> 0:31:35.560
<v Speaker 1>a finalization on my first case? My roommate Carrie, she left,

0:31:36.640 --> 0:31:39.560
<v Speaker 1>but I'm persistent and I want to make sure the

0:31:40.560 --> 0:31:44.080
<v Speaker 1>chicken nuggets case. If I'm correct, I'm the Chicken nuggets case.

0:31:44.760 --> 0:31:48.200
<v Speaker 1>Oh yes, yes, I see it was passed over here.

0:31:48.200 --> 0:31:51.880
<v Speaker 1>From Judge Harvey, sorry to hear about his retirement. Well,

0:31:51.960 --> 0:31:57.240
<v Speaker 1>i'm me too. He's really a king of comedy and

0:31:57.320 --> 0:32:01.360
<v Speaker 1>he's self. I really like watching him, and I'm I'm

0:32:01.400 --> 0:32:04.800
<v Speaker 1>really upset. I'm going to find for the defendant on

0:32:04.880 --> 0:32:07.640
<v Speaker 1>this one. It's chicken nuggets, not the end of the world.

0:32:08.200 --> 0:32:18.400
<v Speaker 1>What that is? Scene too three from listener Milton J.

0:32:18.680 --> 0:32:22.680
<v Speaker 1>Who wrote, Hello, I recently had to refrain from donating

0:32:22.760 --> 0:32:26.440
<v Speaker 1>my life savings to your patron because of the quadrupled

0:32:26.600 --> 0:32:31.360
<v Speaker 1>price of electricity here in Sweden. I'm confused if it's

0:32:31.640 --> 0:32:35.640
<v Speaker 1>suggestions you want sent in or my life story. Anyways,

0:32:36.360 --> 0:32:39.719
<v Speaker 1>you guys are one of few reasons to stay alive.

0:32:41.480 --> 0:32:48.520
<v Speaker 1>The suggestion door to door salesman named hungry yours truly

0:32:49.840 --> 0:32:56.040
<v Speaker 1>Milton bing Bong, Hello, Hello, are you are you outside

0:32:56.120 --> 0:33:01.280
<v Speaker 1>the door? Bing Bong? Can you see I'm trying to

0:33:01.360 --> 0:33:04.800
<v Speaker 1>look through the peeping hole. Can you not see my eye? Hello?

0:33:05.120 --> 0:33:09.360
<v Speaker 1>You are there? Shout. I guess I'm gonna have to

0:33:09.440 --> 0:33:13.880
<v Speaker 1>just let him in, Honey, who's a don't open the door.

0:33:14.320 --> 0:33:16.760
<v Speaker 1>We don't know who's out there, honey. But he keeps bing,

0:33:16.880 --> 0:33:20.520
<v Speaker 1>banging so persistently, darling, Let me try to peek out

0:33:20.560 --> 0:33:23.200
<v Speaker 1>the hole. Look at the hole. Let me lift your

0:33:23.200 --> 0:33:25.800
<v Speaker 1>own because I know you're not. Don't let me lift

0:33:25.840 --> 0:33:27.840
<v Speaker 1>you up, step onto my back. But why don't we

0:33:28.000 --> 0:33:36.960
<v Speaker 1>lift each other up? Honey? Good one to It must

0:33:37.000 --> 0:33:39.720
<v Speaker 1>be a child, they must be They must be a child.

0:33:41.440 --> 0:33:45.280
<v Speaker 1>Don't open that door. Oh good, you're nice and tall.

0:33:45.600 --> 0:33:48.120
<v Speaker 1>Look through that people, and if you see something I

0:33:48.160 --> 0:33:51.600
<v Speaker 1>don't need a boost, don't don't. Is part of this

0:33:51.760 --> 0:33:55.400
<v Speaker 1>being in the family. We're gonna get you and one baby, remember,

0:33:55.560 --> 0:34:06.680
<v Speaker 1>lift with your neck one and three? Oh down, there's

0:34:06.720 --> 0:34:09.520
<v Speaker 1>no one. There must be a child or or somebody shorter.

0:34:10.040 --> 0:34:13.640
<v Speaker 1>Then let's just open the door and let it here

0:34:13.719 --> 0:34:26.120
<v Speaker 1>we go. Yeah, yeah, thanks, I'm hungry. Okay, well I've

0:34:26.680 --> 0:34:30.360
<v Speaker 1>I've recently fried a salad. If you're interested in fried salad,

0:34:30.400 --> 0:34:35.480
<v Speaker 1>i'd like to Yeah, I offer you some of that, honey,

0:34:35.560 --> 0:34:37.720
<v Speaker 1>I don't know that we want to invite this little

0:34:37.800 --> 0:34:41.480
<v Speaker 1>being inside. His skin is bright redd and he's got horns.

0:34:42.000 --> 0:34:45.160
<v Speaker 1>Remember page fifty two of the Bible, Thou shalt not

0:34:45.480 --> 0:34:49.480
<v Speaker 1>deny the entrance for a man who is empty of stomach,

0:34:49.560 --> 0:34:54.640
<v Speaker 1>for he may be full of heart. He's fifty two baby, alright, alright,

0:34:55.080 --> 0:34:59.000
<v Speaker 1>he just looks a little scarier than most. It's a

0:34:59.360 --> 0:35:03.560
<v Speaker 1>bitt people. Five. If I can introduce you in the

0:35:03.719 --> 0:35:10.640
<v Speaker 1>latest greatest knife collection, and again, I'm hungry. I understand

0:35:10.680 --> 0:35:13.279
<v Speaker 1>you're hungry. If you you you should probably have that

0:35:13.440 --> 0:35:16.840
<v Speaker 1>salad before, Darling, I'm gonna let you make this knife decision.

0:35:16.960 --> 0:35:19.720
<v Speaker 1>You know that I'm always dangerous when it comes to shop,

0:35:19.880 --> 0:35:24.360
<v Speaker 1>and all pointed out, we've agreed that our our grandson

0:35:24.440 --> 0:35:27.160
<v Speaker 1>would take care of all of our finances. Now, I

0:35:27.280 --> 0:35:29.640
<v Speaker 1>don't know that it's a good call for me to

0:35:29.719 --> 0:35:33.240
<v Speaker 1>make this. How much, Mr Hungary? How much are these knives?

0:35:34.400 --> 0:35:38.160
<v Speaker 1>Thank you? Well, there's the layweight program, and there's also uh.

0:35:39.040 --> 0:35:41.520
<v Speaker 1>You can write a check today. You can pay me

0:35:41.640 --> 0:35:44.440
<v Speaker 1>cash today. You can venmo me, you can paypalt me.

0:35:44.960 --> 0:35:48.360
<v Speaker 1>You can hold on, Mr Hungary. No one tries to

0:35:48.480 --> 0:35:52.040
<v Speaker 1>swindle my gran Who is this tall drink of water?

0:35:53.960 --> 0:35:55.600
<v Speaker 1>But you're gonna saw us some knife. You have to

0:35:55.680 --> 0:36:02.000
<v Speaker 1>tell me about five something on five eleven? Five eleven,

0:36:02.520 --> 0:36:07.719
<v Speaker 1>damn near six ft? Yeah? What can you show? How

0:36:07.760 --> 0:36:13.800
<v Speaker 1>would you guess? I? Um? Come on five? Two? Ha

0:36:14.000 --> 0:36:22.520
<v Speaker 1>ha ha oh if I only three eight? Thank you? Hungry?

0:36:23.120 --> 0:36:26.800
<v Speaker 1>How did it go? Did you bring back money? Don't

0:36:26.880 --> 0:36:37.439
<v Speaker 1>be grumpy stinky? Is everyone doing good stuff? I need money? Yeah? Yeah,

0:36:37.560 --> 0:36:40.400
<v Speaker 1>you need? You need? You need? Where funk am I figuring? No?

0:36:40.760 --> 0:36:45.359
<v Speaker 1>Winky took him, Winky took his ship. Come on a bit,

0:36:45.520 --> 0:36:49.880
<v Speaker 1>doesn't even smell the keen? Yeah? Here we she needs

0:36:50.120 --> 0:36:52.759
<v Speaker 1>money and it's happed us to get it for where

0:36:53.200 --> 0:36:56.120
<v Speaker 1>I gotta get out of it? Yeah good, I gotta

0:36:56.200 --> 0:37:03.720
<v Speaker 1>get out of this wood. Imagine hunting, just renting, maybe

0:37:03.760 --> 0:37:07.920
<v Speaker 1>a studio, maybe even a bachelor and that one has

0:37:07.960 --> 0:37:12.359
<v Speaker 1>a tiny kitchen. That's maybe another profession other than being

0:37:12.440 --> 0:37:14.919
<v Speaker 1>a pant. No, when you find a new place to live,

0:37:15.000 --> 0:37:17.719
<v Speaker 1>will you bring us along with you? Yeah? Will we

0:37:17.800 --> 0:37:21.520
<v Speaker 1>get to come? Will we get to come? Get to come?

0:37:22.000 --> 0:37:29.320
<v Speaker 1>I can't wait to come? Who um? Listen, guys, I

0:37:29.680 --> 0:37:32.440
<v Speaker 1>didn't want to talk to you about this until I

0:37:32.640 --> 0:37:36.399
<v Speaker 1>secured myself a place in the big old city, right,

0:37:36.960 --> 0:37:46.640
<v Speaker 1>But when I do, it's just gonna be mesh dirty

0:37:46.840 --> 0:37:49.839
<v Speaker 1>is really upset about this is the first time I've

0:37:49.920 --> 0:37:54.320
<v Speaker 1>ever spoken. I have been silent the whole time because

0:37:54.400 --> 0:37:57.600
<v Speaker 1>I thought you'd always be Here's no much You're moving

0:37:57.719 --> 0:38:02.040
<v Speaker 1>to the city without lovingness for likely. It feels so bad,

0:38:02.400 --> 0:38:08.960
<v Speaker 1>and I had to talk. I'm sorry, but I'm bored.

0:38:09.880 --> 0:38:13.319
<v Speaker 1>I'm just a little bit bored. I want a little

0:38:13.360 --> 0:38:19.200
<v Speaker 1>more hustle, bustle, a little more flash, paint bizas, more

0:38:19.360 --> 0:38:22.560
<v Speaker 1>people to talk to you sing songs with every activity

0:38:22.640 --> 0:38:26.000
<v Speaker 1>we ever do. That's not enough for you, alright, Sorry,

0:38:26.200 --> 0:38:29.480
<v Speaker 1>are you realized? Sorry you're such a little fellow. And

0:38:29.560 --> 0:38:32.160
<v Speaker 1>I know you're new to speaking, but please lay down

0:38:32.200 --> 0:38:34.719
<v Speaker 1>on my couch or sit up. Some patients are more

0:38:34.760 --> 0:38:38.880
<v Speaker 1>comfortable with sitting up. So you say that this snow

0:38:39.239 --> 0:38:44.520
<v Speaker 1>deserted you in your hour of need. Yeah, I mean, look,

0:38:44.640 --> 0:38:50.200
<v Speaker 1>I'm painfully, awkwardly shy. Everybody knows that. And and uh, look,

0:38:50.239 --> 0:38:52.480
<v Speaker 1>I just live with all my brothers and and are

0:38:52.640 --> 0:38:56.600
<v Speaker 1>adopted brother who I'm pretty sure is the devil. We

0:38:56.800 --> 0:38:59.160
<v Speaker 1>live out in the forest, and you know, we just

0:38:59.400 --> 0:39:01.320
<v Speaker 1>we just we you odd jobs, we were going to

0:39:01.440 --> 0:39:03.840
<v Speaker 1>call mine. We do other things just to make her happy.

0:39:04.320 --> 0:39:08.040
<v Speaker 1>And then finally, like we keep providing, providing, providing, and

0:39:08.200 --> 0:39:12.600
<v Speaker 1>she leaves, she just leaves. Normally I would say that

0:39:12.760 --> 0:39:14.680
<v Speaker 1>you have some issues that you need to get in

0:39:14.840 --> 0:39:18.600
<v Speaker 1>touch with, but this seems like her problem. It seems

0:39:18.640 --> 0:39:23.600
<v Speaker 1>like she is the cause of this problem. Oh so

0:39:23.760 --> 0:39:28.360
<v Speaker 1>we're done. Here, we're done, You're good. Ms White. This

0:39:28.560 --> 0:39:31.040
<v Speaker 1>is a this is a one bedroom, so it comes

0:39:31.080 --> 0:39:34.960
<v Speaker 1>with a kitchen, a bathroom, and a separate room. Um.

0:39:35.000 --> 0:39:38.040
<v Speaker 1>You're overlooking the train tracks here, so you're right close

0:39:38.080 --> 0:39:41.200
<v Speaker 1>to the metro. Get you right into downtown if you'd

0:39:41.239 --> 0:39:44.160
<v Speaker 1>like to go there. Um, it can also take you uptown,

0:39:44.280 --> 0:39:46.439
<v Speaker 1>take it to the east side, to the west side

0:39:46.480 --> 0:39:49.680
<v Speaker 1>as well. Great station right here. Um, just need to

0:39:50.560 --> 0:39:55.839
<v Speaker 1>ask you a few questions. Current occupation yes, m hm, yes,

0:39:56.520 --> 0:39:59.880
<v Speaker 1>great and uh um will you be co signing this

0:40:00.040 --> 0:40:01.719
<v Speaker 1>with anybody or you'll be taking on the All right,

0:40:01.800 --> 0:40:05.440
<v Speaker 1>Mr Charming? If I could show you into this what fun?

0:40:06.120 --> 0:40:09.120
<v Speaker 1>Sorry I'm showing this right now. Yeah, I'm showing this

0:40:09.280 --> 0:40:13.720
<v Speaker 1>to a Mr Charming. I've only got a thirty minute window. Guys,

0:40:13.880 --> 0:40:19.239
<v Speaker 1>good looking. Yeah, I guess we could rochem bodis he

0:40:19.360 --> 0:40:22.960
<v Speaker 1>who gets this department? But Mr Charming was ready to

0:40:23.040 --> 0:40:25.839
<v Speaker 1>make a big move in his life here. Yeah, miss Way,

0:40:25.920 --> 0:40:27.560
<v Speaker 1>he was doing the same thing. She's actually moving from

0:40:27.600 --> 0:40:31.560
<v Speaker 1>the suburbs into the city. Uh huh, Yeah, well I'm

0:40:31.640 --> 0:40:34.960
<v Speaker 1>moving from the castle with my parents to the city.

0:40:35.800 --> 0:40:37.640
<v Speaker 1>Why don't we let them just sort it out instead

0:40:37.640 --> 0:40:39.279
<v Speaker 1>of us. Why don't we let them sort it out?

0:40:39.320 --> 0:40:41.640
<v Speaker 1>And in the meantime, you and I can leg wrestle

0:40:41.800 --> 0:40:45.200
<v Speaker 1>just for old time sake. Huh. You want to lose again?

0:40:45.320 --> 0:40:46.839
<v Speaker 1>Is that what happened? Of course I want to lose

0:40:46.880 --> 0:40:52.760
<v Speaker 1>again in the bedroom. Let's go, let's go. Yeah, I'm sorry.

0:40:52.840 --> 0:40:55.120
<v Speaker 1>I really need this place. My parents are kings and

0:40:55.719 --> 0:40:59.600
<v Speaker 1>king and queen. They're really They're just super imposing. And

0:40:59.640 --> 0:41:02.360
<v Speaker 1>I'm trying to go out on my own. I know

0:41:03.960 --> 0:41:10.360
<v Speaker 1>you've actually met. That's bullshit. I remember somebody like you. No,

0:41:10.560 --> 0:41:14.400
<v Speaker 1>I just look a little different and my different outfit

0:41:14.680 --> 0:41:20.120
<v Speaker 1>and I'm wearing pentaloons. But it's it's me. We danced

0:41:20.239 --> 0:41:24.400
<v Speaker 1>once by a fountain. I think I don't know I

0:41:24.640 --> 0:41:30.359
<v Speaker 1>was I drinking perhaps some if you were. I mean

0:41:30.800 --> 0:41:34.239
<v Speaker 1>I don't remember that. I don't remember that at all. Well,

0:41:34.400 --> 0:41:40.439
<v Speaker 1>I have to say this working, Philip is working. Pantaloon's

0:41:40.440 --> 0:41:44.040
<v Speaker 1>a forgetness of working. As long as she wears them,

0:41:44.280 --> 0:41:53.520
<v Speaker 1>people will remember in the kingdom, will be ours bakers, doesn't.

0:41:53.880 --> 0:42:00.279
<v Speaker 1>I'm going to keep watching the ball. You know. I'm here,

0:42:00.320 --> 0:42:02.279
<v Speaker 1>and and and I and I'm and I want to

0:42:02.320 --> 0:42:04.600
<v Speaker 1>be here. So I'm going to be here. Thank you

0:42:04.719 --> 0:42:07.040
<v Speaker 1>so much, just like I'm ready to put a deposit

0:42:07.160 --> 0:42:09.840
<v Speaker 1>down and no offense. But those pantaloons don't look like

0:42:09.920 --> 0:42:15.160
<v Speaker 1>they're full of money, and I come from the charming family. Well,

0:42:16.239 --> 0:42:20.640
<v Speaker 1>these pantaloons are said to be full of forgiveness. And

0:42:21.520 --> 0:42:24.399
<v Speaker 1>I for you know, and I forgive you for being

0:42:24.480 --> 0:42:27.520
<v Speaker 1>a little bit I'm sorry. Who who are you? We're

0:42:27.560 --> 0:42:30.800
<v Speaker 1>just seven brothers. We don't have room for another roommate. Lady,

0:42:31.800 --> 0:42:36.360
<v Speaker 1>I'll have room. This is a funny joke. This is

0:42:36.360 --> 0:42:40.480
<v Speaker 1>such a funny joke. Oh that's so great. I love it.

0:42:40.719 --> 0:42:43.080
<v Speaker 1>Singing sounds familiar, but we have no idea who you are.

0:42:43.160 --> 0:42:48.960
<v Speaker 1>I'm sorry you'll have to leave immediately. I forgive you

0:42:49.120 --> 0:42:53.360
<v Speaker 1>for your ruteness, but this is my home, and I honestly,

0:42:53.400 --> 0:42:56.239
<v Speaker 1>don't have anywhere else to go. Oh now you got

0:42:56.360 --> 0:42:58.160
<v Speaker 1>no place to go. I'm not cigarette you get any

0:42:58.160 --> 0:43:04.160
<v Speaker 1>of them. No, I um oh, I have this here.

0:43:04.840 --> 0:43:07.359
<v Speaker 1>It's a it's a it's a it's my only piece

0:43:07.440 --> 0:43:11.520
<v Speaker 1>of money. And you could roll it up and and

0:43:11.640 --> 0:43:15.200
<v Speaker 1>I suppose you could light it on fire and inhale

0:43:15.280 --> 0:43:19.520
<v Speaker 1>that and charming. This is your place, dude. This is

0:43:19.680 --> 0:43:23.320
<v Speaker 1>a ship. Oh yeah, but then we don't have to

0:43:23.400 --> 0:43:27.239
<v Speaker 1>really like take care of it because it's super cheap. Charming, dude,

0:43:27.320 --> 0:43:31.080
<v Speaker 1>you lived in that castle. This is a ship. Oh yeah,

0:43:31.360 --> 0:43:35.320
<v Speaker 1>but we can treat it like a ship whole. Dude,

0:43:35.680 --> 0:43:38.560
<v Speaker 1>what don't you get it? Like? I wanted to get

0:43:38.560 --> 0:43:41.160
<v Speaker 1>out of the castle. I want to have a party.

0:43:41.400 --> 0:43:43.200
<v Speaker 1>I want to have a gigger. I want to have

0:43:43.560 --> 0:43:47.560
<v Speaker 1>a good time. What you have good? You can come

0:43:47.640 --> 0:43:52.399
<v Speaker 1>to my castle, dude, with your parents. Yeah, my parents

0:43:52.440 --> 0:43:58.759
<v Speaker 1>are pretty cool. How they aren't They're overwhelming? Dude, this

0:43:58.920 --> 0:44:03.480
<v Speaker 1>place is a ship all it smells. Doctor. I'd like

0:44:03.640 --> 0:44:07.279
<v Speaker 1>to lay down this session, if that's okay. Some of

0:44:07.320 --> 0:44:09.759
<v Speaker 1>the patients have been lying down, so I'm sitting up.

0:44:10.080 --> 0:44:11.759
<v Speaker 1>A lot of them are even just doing a deep

0:44:11.840 --> 0:44:14.400
<v Speaker 1>squad during the session, but if you likely down, we

0:44:14.480 --> 0:44:20.000
<v Speaker 1>can do that. Um okay, great, Um, I'm sorry I've

0:44:20.080 --> 0:44:25.040
<v Speaker 1>never met you before. Forgive me no. Yeah, I've been

0:44:25.120 --> 0:44:29.719
<v Speaker 1>coming to you for a year. Don't recognize you at home.

0:44:31.320 --> 0:44:35.440
<v Speaker 1>This is a good exercise as this actually hasn't happening

0:44:35.480 --> 0:44:38.080
<v Speaker 1>to me a lot, and I need to control what

0:44:38.239 --> 0:44:42.600
<v Speaker 1>I end up doing. In return. I'm very upset. One

0:44:42.680 --> 0:44:48.840
<v Speaker 1>of my best friends brothers, I would call him. Finally

0:44:48.880 --> 0:44:52.000
<v Speaker 1>feels like we know we're not officially family. But hold

0:44:52.040 --> 0:44:54.160
<v Speaker 1>on just one second. I just checked my calendar on

0:44:54.239 --> 0:44:56.759
<v Speaker 1>my computer. It's no bridges at work day. Let me

0:44:56.840 --> 0:45:00.359
<v Speaker 1>just ship me out of my bridges here, much more

0:45:00.400 --> 0:45:02.640
<v Speaker 1>comfortable and feel free. I never look at a lady

0:45:02.680 --> 0:45:04.799
<v Speaker 1>from the waist down. If you'd like to shimmy out

0:45:04.840 --> 0:45:08.440
<v Speaker 1>of yours, that's fine. Now go ahead, Stranger, what were

0:45:08.480 --> 0:45:13.480
<v Speaker 1>you saying? Well, oh, I don't know what to do.

0:45:15.440 --> 0:45:19.920
<v Speaker 1>On one hand, I love a breeze. It's it's up

0:45:19.960 --> 0:45:24.760
<v Speaker 1>to you. Another, I'm very comfortable as I go ahead. Then, Strange,

0:45:24.800 --> 0:45:29.480
<v Speaker 1>you continue your story. I got in the kind of

0:45:29.680 --> 0:45:32.560
<v Speaker 1>I don't know. I it wasn't a fight. I don't

0:45:32.640 --> 0:45:35.520
<v Speaker 1>know what it was. But basically I'm sorry. On just

0:45:35.600 --> 0:45:40.040
<v Speaker 1>one second. Oh, this breeze feels so good. Yes, go ahead.

0:45:40.320 --> 0:45:42.880
<v Speaker 1>So it wasn't a fight, it with something something go ahead,

0:45:44.520 --> 0:45:48.399
<v Speaker 1>basically one of my you know, it's like family. That's

0:45:48.440 --> 0:45:50.680
<v Speaker 1>not officially, it's not like we have the same blood,

0:45:50.760 --> 0:45:52.919
<v Speaker 1>but it's like we grew up together. So I feel

0:45:52.960 --> 0:45:55.600
<v Speaker 1>like it and I gave him a doom. I'm so sorry.

0:45:55.640 --> 0:45:57.480
<v Speaker 1>It's like a hot and I'm itchy and I'm getting

0:45:57.520 --> 0:45:59.359
<v Speaker 1>a little bit of an itche Yes. If I were

0:45:59.480 --> 0:46:04.520
<v Speaker 1>you strange here, I would look just shimmy and you're

0:46:04.600 --> 0:46:12.319
<v Speaker 1>not gonna look. Hey, I read your new manuscript, and uh,

0:46:13.400 --> 0:46:16.399
<v Speaker 1>it looks like you're I mean, first of all, your

0:46:16.440 --> 0:46:19.440
<v Speaker 1>first book for us No I was huge hit, huge hit.

0:46:19.640 --> 0:46:24.560
<v Speaker 1>But it looks like you're saying that women shouldn't wear pants.

0:46:25.000 --> 0:46:28.400
<v Speaker 1>It looks like you're making the point that women shouldn't

0:46:28.440 --> 0:46:31.239
<v Speaker 1>wear pants, that they should stay in dresses and be

0:46:31.400 --> 0:46:35.120
<v Speaker 1>at their homes. I don't and it gets oddly erotic.

0:46:35.520 --> 0:46:39.040
<v Speaker 1>I don't understand with the target audience is this feels

0:46:39.080 --> 0:46:45.720
<v Speaker 1>really dated. It's just a plot point, a plot point

0:46:46.080 --> 0:46:49.640
<v Speaker 1>to us to get you the next level of the

0:46:49.760 --> 0:46:53.399
<v Speaker 1>chapter of the story. In um um, so it's it's

0:46:53.480 --> 0:46:55.719
<v Speaker 1>not Eurotica. I have a whole set of rotica. I

0:46:55.800 --> 0:46:58.800
<v Speaker 1>have these books here if you'd like many scripts. Physically.

0:46:59.239 --> 0:47:01.680
<v Speaker 1>Are you from France or do you just talk that

0:47:01.840 --> 0:47:05.279
<v Speaker 1>way to know I'm actually I'm just outside Luxembourg. You've

0:47:05.320 --> 0:47:09.920
<v Speaker 1>heard I have heard of Luxembourg. Yes, be all different

0:47:10.000 --> 0:47:16.839
<v Speaker 1>spelling families. Yeah, they are the kings and queens of Luxembourg.

0:47:17.680 --> 0:47:19.480
<v Speaker 1>All right, Well, look I'm gonna finish out. There's like

0:47:19.560 --> 0:47:23.399
<v Speaker 1>two pages left in this and I should have probably finished. Sorry,

0:47:23.400 --> 0:47:27.279
<v Speaker 1>I'm sorry, sir, forget forgive me. Oh, oh my god,

0:47:27.360 --> 0:47:29.839
<v Speaker 1>he's here. I just he just brought in some new

0:47:29.880 --> 0:47:34.759
<v Speaker 1>manuscripts and you've got to hear his words. Ah, there

0:47:34.920 --> 0:47:37.960
<v Speaker 1>is a town outside of France, it seems to say,

0:47:38.520 --> 0:47:41.680
<v Speaker 1>where the women And here's a real kick in the well,

0:47:41.800 --> 0:47:44.320
<v Speaker 1>not a kick in the pants, where the women where

0:47:45.320 --> 0:47:49.160
<v Speaker 1>no pants? Uh, sir? This is his new manuscript And

0:47:49.239 --> 0:47:52.320
<v Speaker 1>I just I just researched this town right outside of France.

0:47:52.400 --> 0:47:56.640
<v Speaker 1>And in fact, oh god, the women are literally running

0:47:56.680 --> 0:48:00.080
<v Speaker 1>around pantless, sir. That is because of the pantaloons that

0:48:00.239 --> 0:48:03.040
<v Speaker 1>help you forget. So if you don't wear the pantaloons.

0:48:03.160 --> 0:48:07.480
<v Speaker 1>Then nobody forgets Hi. Welcome to sans pants. How can

0:48:07.520 --> 0:48:12.000
<v Speaker 1>I help? I'm just looking for a top, right, Yeah

0:48:12.239 --> 0:48:15.920
<v Speaker 1>we got we got another butt tops. Yeah. Yeah, You've

0:48:15.920 --> 0:48:18.439
<v Speaker 1>come to the right place. I have to say, I'm

0:48:18.480 --> 0:48:22.400
<v Speaker 1>just visiting. I'm just visiting for the week, okay, and

0:48:23.719 --> 0:48:27.040
<v Speaker 1>no in town, just visiting. But yeah, this is my

0:48:27.160 --> 0:48:29.520
<v Speaker 1>second day in town. I arrived late last night, so

0:48:29.600 --> 0:48:32.120
<v Speaker 1>that doesn't really count. Um, just kind of slept and

0:48:32.160 --> 0:48:35.520
<v Speaker 1>then woke up. And um, you must have some other

0:48:36.239 --> 0:48:40.200
<v Speaker 1>unnecessary information for this visit that you can share with me.

0:48:41.360 --> 0:48:50.480
<v Speaker 1>You like to gossip? Yes, I need to gossip. Busted busted? Yeah, Actually, um,

0:48:50.920 --> 0:48:55.920
<v Speaker 1>my ex husband he's actually a French citizen and um

0:48:56.440 --> 0:49:00.399
<v Speaker 1>he took our child and it sounds like he wears

0:49:00.480 --> 0:49:10.600
<v Speaker 1>the pants. Wow. Um this I enjoyed this one. This

0:49:10.760 --> 0:49:13.239
<v Speaker 1>one was pretty good. I mean to think that there

0:49:13.320 --> 0:49:17.000
<v Speaker 1>is a place in France where the naked ladies dance,

0:49:17.160 --> 0:49:20.239
<v Speaker 1>and there's and to be honest with you, sir, and

0:49:20.880 --> 0:49:22.759
<v Speaker 1>forgive me, And then I really have to go get

0:49:22.840 --> 0:49:25.759
<v Speaker 1>a coffee. They just got silk milked back at the

0:49:25.840 --> 0:49:29.880
<v Speaker 1>coffee shop. Uh. This is a place that's right outside

0:49:29.920 --> 0:49:32.920
<v Speaker 1>of France, All right, outside of France? Yeah, all right?

0:49:33.480 --> 0:49:36.120
<v Speaker 1>Can I bring anything back from the coffee place? Uh?

0:49:37.040 --> 0:49:39.120
<v Speaker 1>You know? Actually, could you pick me up a big

0:49:39.360 --> 0:49:41.960
<v Speaker 1>chunk of ice with salt on it from Louis and

0:49:42.120 --> 0:49:49.040
<v Speaker 1>his brother? They thereat? I love that? Uh okay, So

0:49:49.360 --> 0:49:52.840
<v Speaker 1>outside of France? Is there is there a hole in

0:49:52.960 --> 0:49:55.279
<v Speaker 1>the wall where the men can see at all? Is that?

0:49:55.719 --> 0:49:57.800
<v Speaker 1>Is that going to happen in the second book? Or

0:49:58.840 --> 0:50:01.759
<v Speaker 1>did you want to read that? You WoT you read it? No?

0:50:01.960 --> 0:50:03.960
<v Speaker 1>I just I just it just seems like that's where

0:50:04.000 --> 0:50:06.520
<v Speaker 1>it was going. Yes, it's a while. It's simple books.

0:50:06.520 --> 0:50:10.239
<v Speaker 1>There are simple books for simple minds, but they activate

0:50:10.320 --> 0:50:13.880
<v Speaker 1>the mind. Um, it's because of my childhood. My parents

0:50:14.920 --> 0:50:18.880
<v Speaker 1>never let me have music, and well I had to

0:50:18.960 --> 0:50:22.120
<v Speaker 1>come up with my own sing song, lyrics and words.

0:50:23.520 --> 0:50:26.680
<v Speaker 1>Your parents never let you have music. We have music

0:50:26.719 --> 0:50:29.160
<v Speaker 1>playing all the time here. Don't you hear pomp and circumstances?

0:50:29.200 --> 0:50:32.920
<v Speaker 1>But under us the whole time? No? Not's that's really

0:50:33.880 --> 0:50:40.800
<v Speaker 1>you can't hear music either. It's playing right now, do

0:50:40.920 --> 0:50:46.680
<v Speaker 1>you not? No? No I hear it? Oh what a beautiful,

0:50:46.760 --> 0:50:53.120
<v Speaker 1>joyous place to work. Unlike my last job recreating scenes

0:50:53.280 --> 0:50:58.160
<v Speaker 1>from life stories or acting as they would call it.

0:51:00.560 --> 0:51:03.040
<v Speaker 1>That was your last job. You're you're an actor? Equity

0:51:03.160 --> 0:51:07.680
<v Speaker 1>actually yes, yes, yes, who equity wow? Because I was

0:51:07.719 --> 0:51:11.840
<v Speaker 1>in the production of Our Town Picnic, mostly outdoor settings,

0:51:13.480 --> 0:51:18.080
<v Speaker 1>Shakespeare in the parking lot, many times in the parking lot. Yes, yes,

0:51:18.800 --> 0:51:24.480
<v Speaker 1>we did this. Just end on your Outside of France news.

0:51:25.880 --> 0:51:29.240
<v Speaker 1>A group of construction workers have gone to work overnight

0:51:29.320 --> 0:51:34.960
<v Speaker 1>and plugged the holes in every wall between here and Luxembourg.

0:51:35.760 --> 0:51:44.280
<v Speaker 1>We'll have moralness at eleven. Brian, Oh, thank goodness, Brian,

0:51:44.400 --> 0:51:47.960
<v Speaker 1>just in time. Let's thank all our alchemist please for

0:51:48.160 --> 0:51:53.880
<v Speaker 1>this incredible episode, starting with of course Jackie freshly stretched,

0:51:54.360 --> 0:51:57.320
<v Speaker 1>ruth oh fell good, thank you for having me? What

0:51:57.480 --> 0:52:01.520
<v Speaker 1>a blast? Always can folks find you on the socials?

0:52:02.600 --> 0:52:07.359
<v Speaker 1>I'm at Jackie, Druthy and new episode knew me. If

0:52:07.480 --> 0:52:11.560
<v Speaker 1>you're watching the NBA these days, you're gonna see me

0:52:11.680 --> 0:52:16.279
<v Speaker 1>in a Draft Kings commercial. Look out teased it last

0:52:16.440 --> 0:52:21.000
<v Speaker 1>up and now you know exactly the product more nice

0:52:21.040 --> 0:52:25.560
<v Speaker 1>and I really actually quite liked the products. And they

0:52:25.640 --> 0:52:27.960
<v Speaker 1>knew you were a big fan of the Draft Kings.

0:52:28.040 --> 0:52:29.960
<v Speaker 1>You've been using them for a number of years. Right,

0:52:30.400 --> 0:52:35.200
<v Speaker 1>That's how you get commercial gigs. You gotta be able

0:52:35.200 --> 0:52:38.440
<v Speaker 1>to speak, to speak, just use the product. Gary Anthony Williams,

0:52:38.520 --> 0:52:43.040
<v Speaker 1>thank you, Thank you, my friend. Always the pleasure. I'm

0:52:43.160 --> 0:52:47.759
<v Speaker 1>at Gary Anthony Williams uh on the Instagram. And if

0:52:47.800 --> 0:52:50.040
<v Speaker 1>you're in a town uh and you want to see

0:52:50.080 --> 0:52:54.640
<v Speaker 1>someone who's live anyway? Which is the roadbirst of whose line?

0:52:54.920 --> 0:52:58.200
<v Speaker 1>I'll be doing that most of mate. Whenever this comes out, Kevin,

0:52:58.320 --> 0:53:00.839
<v Speaker 1>I don't know, is there a website or something can Yeah,

0:53:01.360 --> 0:53:06.000
<v Speaker 1>it's Who's live dot com. Who's live dot com. You

0:53:06.080 --> 0:53:10.279
<v Speaker 1>see all the tour dates there. Go check it out immediately,

0:53:10.400 --> 0:53:14.160
<v Speaker 1>folks if you can and a tool sing thank you

0:53:14.360 --> 0:53:17.600
<v Speaker 1>as well well. Thank you for having me. It's always

0:53:17.680 --> 0:53:21.279
<v Speaker 1>a pleasure to be amongst a very talented company. Um.

0:53:21.480 --> 0:53:24.799
<v Speaker 1>You can find me at a tool time on all

0:53:24.840 --> 0:53:28.480
<v Speaker 1>the socials and my website. We'll try to keep that

0:53:28.640 --> 0:53:32.120
<v Speaker 1>posted with all the shows and happenings. So thanks again.

0:53:32.440 --> 0:53:36.440
<v Speaker 1>When you say you'll try, yeah, I'm going to. I

0:53:36.520 --> 0:53:39.879
<v Speaker 1>just like the current thing is not it's not there yet,

0:53:39.920 --> 0:53:41.160
<v Speaker 1>so I just need to put that in. There's some

0:53:41.239 --> 0:53:43.840
<v Speaker 1>future dates already set up, but that's felt like a disclaimer.

0:53:43.920 --> 0:53:47.799
<v Speaker 1>I just Collstrott and thank you so much for being

0:53:47.840 --> 0:53:51.160
<v Speaker 1>an alchemist and not a guest host. Yeah. Thanks, It's

0:53:51.440 --> 0:53:53.120
<v Speaker 1>it's weird being on the other side, but I love

0:53:53.200 --> 0:53:55.759
<v Speaker 1>doing that time of time. You can follow me at

0:53:55.800 --> 0:53:58.800
<v Speaker 1>col Stratton on Twitter at Stratton Cole on Instagram. A

0:53:58.880 --> 0:54:01.239
<v Speaker 1>lot of shows at the west Side Comedy Theater, Coburnots

0:54:01.239 --> 0:54:03.400
<v Speaker 1>have been running the show called TV Reunion Show with

0:54:03.480 --> 0:54:07.320
<v Speaker 1>Coburnats and Friends, where we do a fictitious TV reunion

0:54:07.400 --> 0:54:09.719
<v Speaker 1>show based on a show that never existed that the

0:54:09.719 --> 0:54:12.080
<v Speaker 1>audience helps us built together. It's really fun. That's twice

0:54:12.080 --> 0:54:14.600
<v Speaker 1>a month on Monday, so check out schedule there. Uh,

0:54:14.680 --> 0:54:16.680
<v Speaker 1>pretty pretty pony first Thursday of the month at ten

0:54:16.880 --> 0:54:19.320
<v Speaker 1>and Grifter which I direct, which the Tool is in.

0:54:20.120 --> 0:54:23.640
<v Speaker 1>Uh coming up pretty soon to April and then again

0:54:23.680 --> 0:54:27.839
<v Speaker 1>in May or on the same time. Head on over

0:54:27.960 --> 0:54:31.920
<v Speaker 1>to west Side Comedy dot com for that calendar of events.

0:54:32.000 --> 0:54:34.799
<v Speaker 1>Depending on when you're hearing this, James Heney Brant Home.

0:54:36.239 --> 0:54:38.480
<v Speaker 1>You know, I really had hoped that I could start

0:54:38.560 --> 0:54:42.520
<v Speaker 1>off my goodbyes with a review from the reviews, but

0:54:42.680 --> 0:54:45.319
<v Speaker 1>I got zero, So instead I'll just say on May

0:54:45.440 --> 0:54:47.719
<v Speaker 1>one at eight pm at the west Side Comedy Theater

0:54:48.040 --> 0:54:50.920
<v Speaker 1>in addition to all the other great curated content. On

0:54:51.040 --> 0:54:53.839
<v Speaker 1>May first, at a PM, you can see Alchemy This live.

0:54:54.480 --> 0:54:56.759
<v Speaker 1>I love them to be there. Yeah, and then you

0:54:56.840 --> 0:54:59.320
<v Speaker 1>could write on paper a review and I'll find a

0:54:59.400 --> 0:55:02.800
<v Speaker 1>way to get it into the internet. Please, anytime you

0:55:03.000 --> 0:55:05.959
<v Speaker 1>find James Heenee in the wild, give him a piece

0:55:06.000 --> 0:55:08.000
<v Speaker 1>of paper with a review on it. It would be

0:55:08.080 --> 0:55:11.480
<v Speaker 1>greatly appreciated. Let's thank our producer engineer to the stars,

0:55:11.600 --> 0:55:19.960
<v Speaker 1>Mr doug Bane. Fine, folks that I hurt media. I'm

0:55:20.000 --> 0:55:22.960
<v Speaker 1>your host, Kevin Pollock reminding you please be kind of

0:55:23.040 --> 0:55:25.160
<v Speaker 1>each other. Thank you so much for giving a damn

0:55:25.200 --> 0:55:32.360
<v Speaker 1>about what the hell this is? Until next time, She