1 00:00:02,080 --> 00:00:05,840 Speaker 1: Well, come back to another episode of your host Kevin 2 00:00:05,880 --> 00:00:09,479 Speaker 1: p Like, Yes, that Kevin Polo that contrary to modern belief, 3 00:00:09,560 --> 00:00:12,719 Speaker 1: you should not, in fact put the line in the coconut. 4 00:00:12,720 --> 00:00:15,600 Speaker 1: But I digress. Let's meet it, should I wait, in 5 00:00:15,640 --> 00:00:18,759 Speaker 1: no particular order, looks quickly checking with Gary Anthony Williams 6 00:00:18,800 --> 00:00:24,160 Speaker 1: for his driving etiquette tips. Captain, First of all, God 7 00:00:24,200 --> 00:00:26,040 Speaker 1: and disagree with the line in the coconut, even though 8 00:00:26,079 --> 00:00:29,560 Speaker 1: I know medically you're not supposed to. I will literally, 9 00:00:30,280 --> 00:00:34,360 Speaker 1: literally never ever have coconut without the line insured it 10 00:00:34,520 --> 00:00:40,880 Speaker 1: forcibly inserted into it. Driving tips, Uh, do what I do. 11 00:00:41,400 --> 00:00:43,280 Speaker 1: As soon as I buy a new car, I rip 12 00:00:43,320 --> 00:00:46,400 Speaker 1: off the rear view mirrors and the side view mirrors 13 00:00:46,400 --> 00:00:49,000 Speaker 1: because I'm not a dude who looks in the past. 14 00:00:49,360 --> 00:00:51,919 Speaker 1: Don't right. I will never look in the past. I 15 00:00:52,000 --> 00:00:55,840 Speaker 1: don't care what's back there. Look forward, straight ahead, a 16 00:00:55,880 --> 00:00:59,120 Speaker 1: little to the side, just a little, just to let 17 00:00:59,200 --> 00:01:01,480 Speaker 1: him know you you can't. Yeah, And to help people. 18 00:01:01,560 --> 00:01:04,440 Speaker 1: Sometimes I take a ball peen hammer, never a hook hammer, 19 00:01:04,480 --> 00:01:07,080 Speaker 1: just a regular ball peen and I go break people, 20 00:01:07,560 --> 00:01:11,120 Speaker 1: uh side view mirrors, just so they're not tempted to 21 00:01:11,200 --> 00:01:14,839 Speaker 1: look back. Don't be tempted folks. That's all he's trying 22 00:01:14,840 --> 00:01:17,480 Speaker 1: to say. And now, please welcome back Jackie gonzalat the 23 00:01:17,600 --> 00:01:22,160 Speaker 1: Ruth Jackie, never Jacqueline. When you travel by air, what 24 00:01:22,319 --> 00:01:26,440 Speaker 1: is the most important item you must have with you? Gosh? Um, 25 00:01:26,480 --> 00:01:31,360 Speaker 1: I'm gonna say headphones. Uh. Yes, I have been in 26 00:01:31,400 --> 00:01:34,520 Speaker 1: that position where I'm like, I don't have or like 27 00:01:34,600 --> 00:01:38,480 Speaker 1: and you need the plug in headphones because if my phone, 28 00:01:38,800 --> 00:01:40,600 Speaker 1: I don't want to look at my program on my 29 00:01:40,600 --> 00:01:43,160 Speaker 1: little tiny phone. I want to watch the program on 30 00:01:43,200 --> 00:01:45,480 Speaker 1: the TV in front of me. Ah, you still have 31 00:01:45,480 --> 00:01:57,240 Speaker 1: a little tiny phone. And she watched his programs my program. Hey, 32 00:01:57,280 --> 00:02:01,200 Speaker 1: look there's James Cheney, Jango and Jimmy. What's that thing 33 00:02:01,280 --> 00:02:06,280 Speaker 1: you always do before you fall asleep at night? Well, 34 00:02:07,080 --> 00:02:11,160 Speaker 1: I guess I guess it's it's just doom scrolling through 35 00:02:11,200 --> 00:02:16,000 Speaker 1: Netflix possibilities and never settling on something like and then 36 00:02:16,040 --> 00:02:18,959 Speaker 1: I'll Usually my favorite thing to fall asleep to is 37 00:02:19,040 --> 00:02:23,280 Speaker 1: Neil deGrasse Tyson in the universe. Um, I'd like to 38 00:02:23,320 --> 00:02:25,919 Speaker 1: try to mix it up. And I spend so much 39 00:02:25,960 --> 00:02:30,000 Speaker 1: time just looking instead of choosing. I have an indecision 40 00:02:30,040 --> 00:02:37,480 Speaker 1: problem something. Oh yeah, usually, and it's usually a documentary, 41 00:02:38,400 --> 00:02:40,560 Speaker 1: because otherwise it's gonna be something I care about. Like 42 00:02:40,560 --> 00:02:43,760 Speaker 1: I just finished Severance, which I love the show, but 43 00:02:43,840 --> 00:02:46,400 Speaker 1: it's like you gotta stop before you're falling asleep, so 44 00:02:46,400 --> 00:02:53,160 Speaker 1: you don't ruin an episode for yourself. Yeah, like crazy, 45 00:02:53,280 --> 00:02:56,560 Speaker 1: you guys don't do that. No, No, you're not crazy. 46 00:02:57,120 --> 00:03:00,680 Speaker 1: Too many people I would say, do it. Look over there, 47 00:03:00,720 --> 00:03:06,440 Speaker 1: it's cold Strappon. Hello, America's pastime celebrator. In less than 48 00:03:06,480 --> 00:03:11,160 Speaker 1: eleven words, what are the Detroit Tigers chances this year? 49 00:03:11,960 --> 00:03:20,320 Speaker 1: They are actually pretty darn good to compete in the division? Yeah? 50 00:03:20,800 --> 00:03:23,080 Speaker 1: Wait a minute, hold on, that was eleven word? Yeah, 51 00:03:23,160 --> 00:03:26,200 Speaker 1: I asked Kevin Pollock, did you say less than eleven? 52 00:03:26,320 --> 00:03:29,839 Speaker 1: I said lesson? So yeah, the guy at the grocery store. Look, 53 00:03:29,880 --> 00:03:35,320 Speaker 1: I go to that the item, So yeah, he's that guy. 54 00:03:35,600 --> 00:03:37,680 Speaker 1: I just needed everyone to know it. And last, but 55 00:03:37,800 --> 00:03:40,080 Speaker 1: no more rollos for you. If you think of leaves, 56 00:03:40,120 --> 00:03:44,600 Speaker 1: it's a tool. Sing Mastro's enthusiasts. What sides would you 57 00:03:44,640 --> 00:03:48,840 Speaker 1: like with your steak tonight? Uh, I'm big broccolini if 58 00:03:48,840 --> 00:03:51,360 Speaker 1: they have it. If it's a fancy steakhouse, Broccolini, I'll 59 00:03:51,360 --> 00:03:55,000 Speaker 1: take broccoli as well, mushrooms okay, sure, potatoes, any kind 60 00:03:55,000 --> 00:03:57,560 Speaker 1: of potatoes. You can scalp him, you can mash them, 61 00:03:57,680 --> 00:04:00,400 Speaker 1: it doesn't matter. I'll take him on the side. Um, 62 00:04:00,560 --> 00:04:05,920 Speaker 1: doesn't matter. Yeah, yeah, I'll take potatoes anyway. Um a 63 00:04:06,000 --> 00:04:08,560 Speaker 1: chef choice. If if I can say that too, wha 64 00:04:08,680 --> 00:04:11,960 Speaker 1: what then if he if they agree with that statement, 65 00:04:12,000 --> 00:04:16,760 Speaker 1: then I'll go with it. Thank you for most of that. 66 00:04:16,839 --> 00:04:19,600 Speaker 1: Let's do a damn show. All of our scene suggestions 67 00:04:19,600 --> 00:04:23,320 Speaker 1: are gathered from your listener emails or from our Patreon 68 00:04:23,600 --> 00:04:26,400 Speaker 1: v I p s. What's that Well to become a 69 00:04:26,400 --> 00:04:28,640 Speaker 1: patron support of the show in joy exclusive content like 70 00:04:29,120 --> 00:04:33,160 Speaker 1: standalone bonusing videos of our recording sessions, or at the 71 00:04:33,240 --> 00:04:37,960 Speaker 1: highest level of support alcomaniac, we will have you in 72 00:04:38,000 --> 00:04:42,200 Speaker 1: a zoom with us, as in right now. Yeah, we've 73 00:04:42,200 --> 00:04:46,120 Speaker 1: had several and already it's been amazing. We'll have more. Um, 74 00:04:46,120 --> 00:04:48,119 Speaker 1: I'm gonna say as early as next week. Don't push 75 00:04:48,240 --> 00:04:50,560 Speaker 1: it's not good for anyone. Head on over the patroon 76 00:04:50,600 --> 00:04:52,120 Speaker 1: dot com slash I can be this. If you'd like 77 00:04:52,160 --> 00:04:54,240 Speaker 1: to submit a scene suggestion by email, please right to 78 00:04:54,279 --> 00:04:56,800 Speaker 1: the podcast that are new not no longer new, but 79 00:04:56,880 --> 00:05:00,000 Speaker 1: our email address alcomy this email at gmail dot com. 80 00:05:00,080 --> 00:05:05,120 Speaker 1: That's our seen one comes to patron v I P. 81 00:05:05,600 --> 00:05:09,520 Speaker 1: Jesse Han or Han, who wrote hello again. One of 82 00:05:09,560 --> 00:05:12,480 Speaker 1: my previous suggestions is zen temple next to the pot shop. 83 00:05:12,880 --> 00:05:16,719 Speaker 1: Was aired on Mr Alvarado's hosting debut, which was such 84 00:05:16,839 --> 00:05:21,279 Speaker 1: a gift. Well done, buddy. I'll pass that along. Unrelated 85 00:05:21,400 --> 00:05:23,960 Speaker 1: Joey and Caroline yelling at each other will never not 86 00:05:24,040 --> 00:05:27,920 Speaker 1: be funny. Also not here pass that along the suggestion 87 00:05:28,160 --> 00:05:38,240 Speaker 1: ah finally, irrationally angry at minor inconveniences. Yes, Jesse, Uh, 88 00:05:38,360 --> 00:05:42,039 Speaker 1: do you need all those stamps? Sir? What? What that that? 89 00:05:42,040 --> 00:05:44,560 Speaker 1: That that that that depends on your your your definition 90 00:05:44,800 --> 00:05:48,920 Speaker 1: of need, sir, That depends on your definition of need. 91 00:05:49,000 --> 00:05:56,040 Speaker 1: Whether I need all these stamps? Must I have them? Yes? Okay, 92 00:05:56,240 --> 00:06:00,880 Speaker 1: good to know. What about the salad ware? What now 93 00:06:01,120 --> 00:06:06,800 Speaker 1: the salad ware? Do I need the salad wear? Let 94 00:06:06,839 --> 00:06:09,039 Speaker 1: me hold on, let me let me allow you to 95 00:06:09,120 --> 00:06:11,200 Speaker 1: speak to my wife on this, because I am this 96 00:06:11,400 --> 00:06:13,120 Speaker 1: close and I don't know if you can see my 97 00:06:13,200 --> 00:06:16,520 Speaker 1: fingers from where you're standing this close from slapping the 98 00:06:16,600 --> 00:06:23,719 Speaker 1: taste out of your mouth. Honey, honey, m hmmmm, excuse me, babe. 99 00:06:23,760 --> 00:06:26,600 Speaker 1: I'm sorry to disturb you in the middle of what 100 00:06:26,640 --> 00:06:29,200 Speaker 1: you're doing, but this man had the nerve to ask 101 00:06:29,200 --> 00:06:32,440 Speaker 1: me two questions. One do I need the stamps? And 102 00:06:32,560 --> 00:06:36,000 Speaker 1: number two do I need the salad? Where do you 103 00:06:36,040 --> 00:06:39,720 Speaker 1: want to talk to him? Or should I continue? Did 104 00:06:39,800 --> 00:06:41,880 Speaker 1: you let me take care of it? And in the 105 00:06:41,960 --> 00:06:46,840 Speaker 1: meantime pin between these two totes? Oh my mama, all 106 00:06:46,839 --> 00:06:51,120 Speaker 1: about these totes. Between these two totes. Hello, sir, I 107 00:06:51,240 --> 00:06:54,680 Speaker 1: understand that you were talking to my husband who would 108 00:06:54,680 --> 00:07:00,640 Speaker 1: like to buy some stamps about salad war. That's right. 109 00:07:00,680 --> 00:07:03,520 Speaker 1: My name is Thomas Fur and um, you know we 110 00:07:03,600 --> 00:07:07,080 Speaker 1: have various items in the salad ware department. Well, here's 111 00:07:07,080 --> 00:07:10,840 Speaker 1: the thing, Mr Fur, Sir, he didn't ask for that, 112 00:07:11,920 --> 00:07:14,880 Speaker 1: and you're bringing it up. Is a source subject for 113 00:07:15,000 --> 00:07:18,040 Speaker 1: my husband, who's actually spent a lot of time and 114 00:07:18,080 --> 00:07:24,480 Speaker 1: effort working on his physique. Ah, and you implying that 115 00:07:24,560 --> 00:07:32,560 Speaker 1: he needs salad where it's offensive and hurtful. Maybe I 116 00:07:32,680 --> 00:07:36,400 Speaker 1: chose the bluetote. Did you explain to him how offended 117 00:07:36,520 --> 00:07:40,520 Speaker 1: and hurt I get by his asking me questions that 118 00:07:40,600 --> 00:07:43,160 Speaker 1: apply to my weight? I didn't. I did in a 119 00:07:43,560 --> 00:07:46,600 Speaker 1: calm manner. I I felt thank you for your calmness, 120 00:07:47,080 --> 00:07:51,040 Speaker 1: and I stand corrected, And how may I be of 121 00:07:51,080 --> 00:07:56,240 Speaker 1: service the stamps? Did we did we go far afoot? 122 00:07:56,920 --> 00:08:02,440 Speaker 1: Excuse me? You're out of ice at this found machine? Um? 123 00:08:02,800 --> 00:08:04,960 Speaker 1: What kind of what kind of establishment are you trying 124 00:08:04,960 --> 00:08:08,280 Speaker 1: to run here? All right? Well, we're the Ice Brothers, 125 00:08:08,640 --> 00:08:12,920 Speaker 1: and um, this is kind of embarrassing because pride ourselves 126 00:08:12,920 --> 00:08:15,880 Speaker 1: on having our fountain things always full of ice. And 127 00:08:15,920 --> 00:08:18,840 Speaker 1: that's the thing. Everything at Ice Brothers is cold. Everything 128 00:08:18,840 --> 00:08:21,240 Speaker 1: you order here is cold. And now I feel like 129 00:08:21,280 --> 00:08:24,960 Speaker 1: your drink will not be cold enough. And which one 130 00:08:24,960 --> 00:08:30,360 Speaker 1: of you is Trevor Ice? Oh, I'm Trevor. I'm Trevor. 131 00:08:31,040 --> 00:08:34,600 Speaker 1: That makes you Louis Ice? Realis Ice? Yeah? Please call 132 00:08:34,640 --> 00:08:37,360 Speaker 1: me Louis. All right, Louis Ice. Let me tell you 133 00:08:37,520 --> 00:08:40,240 Speaker 1: I can take my business over to the Ice family 134 00:08:40,520 --> 00:08:44,640 Speaker 1: that's across the street. Tell him no, Luise, No, don't 135 00:08:44,679 --> 00:08:47,000 Speaker 1: please please do? I mean that's that's that's that's the 136 00:08:47,040 --> 00:08:49,600 Speaker 1: big the big ice store. And they say their family, 137 00:08:49,640 --> 00:08:51,880 Speaker 1: but they're not. They have lots of funding and they 138 00:08:51,960 --> 00:08:55,240 Speaker 1: have they're franchised. And we're just a mom and pop 139 00:08:55,320 --> 00:08:58,480 Speaker 1: I shop. Your your mom and pop I stop shop 140 00:08:58,600 --> 00:09:02,120 Speaker 1: is what that's our advertising? And if he's the only 141 00:09:02,200 --> 00:09:04,760 Speaker 1: I stop shop I go to. Alright, let look up 142 00:09:04,760 --> 00:09:07,880 Speaker 1: introduced me to this ice stop shop, sir, come right here. 143 00:09:08,280 --> 00:09:11,840 Speaker 1: I understand that you had a situation with Trevor and Lewis. 144 00:09:12,920 --> 00:09:16,080 Speaker 1: Yes across the street. Yes, I'm just we're welcome to 145 00:09:16,160 --> 00:09:19,160 Speaker 1: our family establishment. Let me explain something. You will never 146 00:09:19,679 --> 00:09:25,600 Speaker 1: ever find dissatisfaction here without ice. This is is that 147 00:09:25,720 --> 00:09:28,120 Speaker 1: is that one block of ice. There's one block of ice. 148 00:09:30,040 --> 00:09:34,400 Speaker 1: Take your shared off, Take your shared off. Um, it's 149 00:09:34,440 --> 00:09:37,319 Speaker 1: gonna be cold, I'll be cold. You'll be surprised at 150 00:09:37,320 --> 00:09:41,520 Speaker 1: the just slight coolness of eyes. Why am I fighting 151 00:09:41,520 --> 00:09:46,840 Speaker 1: this here? You go? Oh yeah, I don't feel much colder, 152 00:09:46,840 --> 00:09:50,640 Speaker 1: but I feel cool cool. Look look, I know that 153 00:09:50,720 --> 00:09:54,440 Speaker 1: you've probably done ice business for years with Trevor and Lewis. 154 00:09:54,480 --> 00:09:57,120 Speaker 1: And I hate to say this, and this is gonna 155 00:09:57,160 --> 00:09:59,240 Speaker 1: sound gross, but all of the ice is made out 156 00:09:59,240 --> 00:10:01,439 Speaker 1: of their own space. It here. We don't want we 157 00:10:01,480 --> 00:10:04,520 Speaker 1: wouldn't do such a thing, you know. They said, And 158 00:10:04,559 --> 00:10:06,280 Speaker 1: I don't like to bring up what competitors say, but 159 00:10:06,280 --> 00:10:08,760 Speaker 1: they said that you're not a family business. Is that true? 160 00:10:09,000 --> 00:10:12,520 Speaker 1: I'm not a family business. Let me get my wife, sir, 161 00:10:12,640 --> 00:10:18,240 Speaker 1: hold on, darling, darling, Yes, would you come in here 162 00:10:18,280 --> 00:10:21,439 Speaker 1: and explain to this man while I go choose between 163 00:10:21,480 --> 00:10:25,000 Speaker 1: these two ice cubemakers, would you explain to him the 164 00:10:25,040 --> 00:10:29,199 Speaker 1: familiarity of our business. I put my shirt on before 165 00:10:29,200 --> 00:10:31,600 Speaker 1: your wife. Oh no, you don't have to put your 166 00:10:31,600 --> 00:10:33,400 Speaker 1: shirt on. I mean it can. It depends on your 167 00:10:33,400 --> 00:10:36,640 Speaker 1: comfort level. I'm certainly comfortable with what I'm looking at. 168 00:10:37,920 --> 00:10:43,320 Speaker 1: Familiarity yes, well, family, no, no, thank you. I've seen children. 169 00:10:43,400 --> 00:10:46,160 Speaker 1: I'm sure it all works out on paper. But we're 170 00:10:46,160 --> 00:10:50,680 Speaker 1: not what you call braids, my husband, but you're it's hey, 171 00:10:50,800 --> 00:10:54,480 Speaker 1: you're married. That's that's that's that's great, that's that's family. 172 00:10:54,800 --> 00:10:57,840 Speaker 1: And I just want to bring my business to a family. 173 00:10:57,920 --> 00:11:00,400 Speaker 1: You know, I don't want to wear a family. We 174 00:11:00,520 --> 00:11:08,520 Speaker 1: have seven cats, one puppy, and a bird. Bird. Wow. Yeah, 175 00:11:09,440 --> 00:11:13,040 Speaker 1: it's a it's kind of a loud bird. I don't 176 00:11:13,040 --> 00:11:15,880 Speaker 1: know if you want me to introduce to you. Well, 177 00:11:15,920 --> 00:11:17,400 Speaker 1: if i'm here, i'd like to meet them if I'm 178 00:11:17,400 --> 00:11:21,360 Speaker 1: gonna give my business to this store. Have you ever 179 00:11:21,360 --> 00:11:24,400 Speaker 1: spoken with a bird before? I have not. Oh, this 180 00:11:24,480 --> 00:11:34,240 Speaker 1: is exciting, sweetie, sweetie. Uh, this is mr. Oh, so, 181 00:11:34,480 --> 00:11:42,000 Speaker 1: I'm sorry, my Ted did Rosie is much much bigger 182 00:11:42,000 --> 00:11:46,000 Speaker 1: than I thought. Look at the wingspan. Yeah, sweetie is 183 00:11:46,040 --> 00:11:54,280 Speaker 1: a five footer. Sweetie, Ted, say hello to Ted b I. Um, 184 00:11:54,320 --> 00:11:58,679 Speaker 1: that's a sweet dad. Wow, it's all right. Do you 185 00:11:58,840 --> 00:12:03,160 Speaker 1: have any questions for sweet because I'll take a fourteen 186 00:12:03,200 --> 00:12:07,000 Speaker 1: blocks of two inch ice? Sweetie? Do you want to 187 00:12:07,000 --> 00:12:16,000 Speaker 1: help with the blocks of ice? Pa? That's a hard pass, um, Carrie. 188 00:12:18,440 --> 00:12:24,000 Speaker 1: I called this roommate meeting because I've seen you opening 189 00:12:24,080 --> 00:12:27,199 Speaker 1: up the fridge and the freezer, and I've seen you 190 00:12:28,880 --> 00:12:36,599 Speaker 1: eyeballing my chicken nuggets. Uh uh, and then today I 191 00:12:36,840 --> 00:12:41,560 Speaker 1: go to eat them and they're not there? Oh my god, 192 00:12:42,720 --> 00:12:48,959 Speaker 1: what happened to them? You fucking ate them? I didn't, you, liar, 193 00:12:49,960 --> 00:12:55,079 Speaker 1: I'm your gaslighting me. Carry, you're gaslighting me. I have 194 00:12:55,240 --> 00:12:58,120 Speaker 1: a chicken allergy. It's chicken. You see how much that's 195 00:12:58,280 --> 00:13:01,680 Speaker 1: very important to me. I was hungry. It was late 196 00:13:02,720 --> 00:13:04,760 Speaker 1: the story. Carry. Do you have an allergy? Or were 197 00:13:04,840 --> 00:13:08,000 Speaker 1: you hungry? And I do have an allergy and that's 198 00:13:08,040 --> 00:13:11,160 Speaker 1: why my wrists are all read nitchy. I don't think, 199 00:13:11,320 --> 00:13:14,800 Speaker 1: I don't think. I don't think this is working out. Please, 200 00:13:15,440 --> 00:13:18,800 Speaker 1: please please, I can't afford this. Please for myself. Please 201 00:13:18,840 --> 00:13:23,680 Speaker 1: don't leave, Please don't leave time that this has happening. 202 00:13:23,800 --> 00:13:28,800 Speaker 1: I swear to myself I would not let it happen again. Okay, 203 00:13:28,880 --> 00:13:32,000 Speaker 1: are you too ready to appear in front of Judge 204 00:13:32,040 --> 00:13:36,480 Speaker 1: Steve Harvey? Mm hmm, Okay, here we go. Just follow me, 205 00:13:38,520 --> 00:13:42,559 Speaker 1: d d and Danton Judge Harvey Show. Just go to 206 00:13:42,679 --> 00:13:47,360 Speaker 1: your prospective spots where we showed you during rehearsal. Okay, okay, ladies, 207 00:13:47,400 --> 00:13:52,199 Speaker 1: Dorman going now stand up for Judge Harvey. Thank you, 208 00:13:52,720 --> 00:13:55,079 Speaker 1: thank god, thank god, thank god. I just got this 209 00:13:55,240 --> 00:14:00,400 Speaker 1: new suit. Downtown. They playtiff and the defendant. One is 210 00:14:00,440 --> 00:14:04,319 Speaker 1: the plaine defend? Which one is the defend? And I've 211 00:14:04,360 --> 00:14:07,679 Speaker 1: been defended because I didn't do what is being accused me. 212 00:14:09,840 --> 00:14:15,880 Speaker 1: And I'm upset and I'm upset Steve. She always complains, 213 00:14:15,960 --> 00:14:19,920 Speaker 1: so I'm sure she's been complained to. We've been roommates 214 00:14:20,120 --> 00:14:23,960 Speaker 1: for two and a half years. Two and a half years. 215 00:14:24,160 --> 00:14:29,360 Speaker 1: Just down the drain, Hold on, hold on, just one moment, yo, yo, 216 00:14:29,480 --> 00:14:31,360 Speaker 1: I hate hate Timmy. Get my agent on the phone 217 00:14:31,400 --> 00:14:34,400 Speaker 1: and get my agent. Yeah, of course, sorry, Hold on, people, 218 00:14:37,240 --> 00:14:42,160 Speaker 1: I have Steve Harvey holding for you, right, okay, yeah, 219 00:14:42,440 --> 00:14:46,080 Speaker 1: Tecent tempercent okay, yeah, go ahead, sure, sure, put him on. 220 00:14:48,400 --> 00:14:50,280 Speaker 1: Thank you, Thank you. Man. Hey, look, I'm in the middle, 221 00:14:50,360 --> 00:14:54,000 Speaker 1: like literally, we're taping live right now. The play defended, 222 00:14:54,120 --> 00:14:56,520 Speaker 1: defending or standing in front of me live right now. 223 00:14:56,560 --> 00:14:58,560 Speaker 1: We're taping live right now. I'm on live right now. 224 00:14:58,800 --> 00:15:00,440 Speaker 1: But I wanted to take this more. What to call 225 00:15:00,560 --> 00:15:05,360 Speaker 1: you to tell you to get me out of this contract. Man, Look, 226 00:15:06,400 --> 00:15:09,720 Speaker 1: you've just got to do three more episodes, Steve, stand, 227 00:15:09,760 --> 00:15:11,600 Speaker 1: but I feel like I feel like I've reached I've 228 00:15:11,680 --> 00:15:14,440 Speaker 1: reached my level of hearing people complain about the most 229 00:15:14,480 --> 00:15:18,600 Speaker 1: insignificant bullshit. No, I get that, Steve. I understand it's 230 00:15:18,680 --> 00:15:21,520 Speaker 1: not the dream gig. But you know you've you've hosted shows. 231 00:15:21,520 --> 00:15:23,400 Speaker 1: I mean, you've done family a few for twenty three 232 00:15:23,520 --> 00:15:25,920 Speaker 1: years now. I mean, this is just three more episodes 233 00:15:25,960 --> 00:15:31,040 Speaker 1: of this, Okay, Okay, Okay, I'm gonna go back out there. 234 00:15:31,040 --> 00:15:32,560 Speaker 1: I'm gonna try to put my heart into it, but 235 00:15:32,600 --> 00:15:36,120 Speaker 1: I gotta tell you, my heart's not in it. My 236 00:15:36,240 --> 00:15:38,040 Speaker 1: heart's not in it. In it along, just don't let 237 00:15:38,080 --> 00:15:41,920 Speaker 1: that show, Steve, Just don't let it show. Okay, you're 238 00:15:42,040 --> 00:15:44,720 Speaker 1: pro did you do a favorite? Could you call Trevor 239 00:15:45,200 --> 00:15:47,760 Speaker 1: and Louis ice and have them to bring me over 240 00:15:47,920 --> 00:15:50,360 Speaker 1: right now, just to hunk of ice with salt like 241 00:15:50,440 --> 00:15:53,280 Speaker 1: a salted ice, hunk like a salt lip for ice. 242 00:15:53,840 --> 00:15:55,840 Speaker 1: You gotta, Steve, I'll make that call. That's the only 243 00:15:55,880 --> 00:15:58,000 Speaker 1: way I'm gonna get through this man. Yeah, I understand, 244 00:15:58,040 --> 00:15:59,400 Speaker 1: I understand. I'll make sure that they think of that 245 00:15:59,440 --> 00:16:03,440 Speaker 1: ice to you. Judge. We're still we're still on the air, Judge, 246 00:16:03,480 --> 00:16:05,720 Speaker 1: I know we live, right, We'll take them alive, right. Yes, 247 00:16:09,760 --> 00:16:14,680 Speaker 1: I've heard your complaints. I understand your complaints. Uh, and 248 00:16:14,840 --> 00:16:18,680 Speaker 1: I do not care about your complaints. God that has 249 00:16:18,720 --> 00:16:25,040 Speaker 1: seen one, that has seen one, ladies and jews seen two. 250 00:16:25,280 --> 00:16:28,480 Speaker 1: Comes from patron VP Ben b, who wrote scene suggest 251 00:16:28,600 --> 00:16:32,440 Speaker 1: small time grocery store cashier desperate for gossip reads way 252 00:16:32,600 --> 00:16:36,520 Speaker 1: too much into the ordinary items people are buying. You, guys, 253 00:16:36,600 --> 00:16:40,880 Speaker 1: are the cats mewing pajamas? Ben, Hey, baby, when you 254 00:16:40,920 --> 00:16:42,840 Speaker 1: go to the grocery store, will you just bring back 255 00:16:42,880 --> 00:16:47,280 Speaker 1: some so no, please Sweden, they're unsweetened. The unsweetened. I 256 00:16:47,440 --> 00:16:50,000 Speaker 1: don't believe in sugar anymore. I literally don't believe that 257 00:16:50,120 --> 00:16:58,160 Speaker 1: it exists in it, right, okay? Anything else? No? No? No? People? 258 00:16:58,920 --> 00:17:03,280 Speaker 1: How's it going today? Good? Great? I mean I just 259 00:17:03,400 --> 00:17:07,600 Speaker 1: came to get one item, so you know, we'll just 260 00:17:07,640 --> 00:17:09,280 Speaker 1: to let you know. There is a line that we 261 00:17:09,400 --> 00:17:11,840 Speaker 1: do have that is ten items or less you can use. 262 00:17:12,720 --> 00:17:14,840 Speaker 1: I know, it's crazy, right, and I didn't want to 263 00:17:14,920 --> 00:17:18,040 Speaker 1: do that because why the ten items are less? Line 264 00:17:18,240 --> 00:17:21,040 Speaker 1: is wide open. The ten items are less line is 265 00:17:21,960 --> 00:17:24,360 Speaker 1: people can go to it. And I'm already first in line. 266 00:17:24,400 --> 00:17:27,960 Speaker 1: This is terrific, and how are you? I'm so sorry, 267 00:17:28,280 --> 00:17:30,280 Speaker 1: I'm so sorry. Do you mind if I go ahead 268 00:17:30,320 --> 00:17:32,240 Speaker 1: of her? Since she could use the open one and 269 00:17:32,280 --> 00:17:35,040 Speaker 1: I can't. And I've got all these groceries, So you'd 270 00:17:35,080 --> 00:17:36,680 Speaker 1: like to go in front of me with my one 271 00:17:36,720 --> 00:17:40,480 Speaker 1: item and your thirty seven items? Because why because there's 272 00:17:40,520 --> 00:17:43,399 Speaker 1: a whole line dedicated to people just like you, and 273 00:17:43,840 --> 00:17:47,359 Speaker 1: I gotta wait. Anyways, So are you where? If you 274 00:17:47,440 --> 00:17:50,200 Speaker 1: had just kept to your peace and cueues, I'd be 275 00:17:50,359 --> 00:17:53,480 Speaker 1: long on my way by now. The ten items are less, 276 00:17:53,560 --> 00:17:56,159 Speaker 1: line is wide open. In fact, we're now giving away 277 00:17:56,280 --> 00:18:00,800 Speaker 1: free groceries if anyone uses our ten item or last line. 278 00:18:01,080 --> 00:18:05,120 Speaker 1: I mean, I'm tempted, but I'm already here, and you've 279 00:18:05,119 --> 00:18:07,359 Speaker 1: already got my autem in your hand. If you just 280 00:18:07,480 --> 00:18:11,919 Speaker 1: go come on so you can see the situation. I mean, 281 00:18:11,960 --> 00:18:14,800 Speaker 1: this is ridiculous. Let me go first, No, sir, I'm 282 00:18:14,880 --> 00:18:20,200 Speaker 1: just gonna discuss most here first. Four thirty eight, break 283 00:18:20,240 --> 00:18:27,920 Speaker 1: the silks, drinking my husband's milk, calling grocery security to 284 00:18:28,160 --> 00:18:30,920 Speaker 1: counter three, grocery security to counter three. So you just 285 00:18:31,040 --> 00:18:33,200 Speaker 1: wanted this to move along? And look who's taking forever 286 00:18:33,320 --> 00:18:37,120 Speaker 1: because of their own insanity? What is your nap? Hey, 287 00:18:37,240 --> 00:18:41,040 Speaker 1: what's the problem here? Um? This gentleman was checking out. 288 00:18:41,920 --> 00:18:45,760 Speaker 1: I'm Peter, and he was forcibly trying to tell the 289 00:18:45,880 --> 00:18:49,200 Speaker 1: silk milk purchaser that he wanted to go first. So 290 00:18:49,320 --> 00:18:52,920 Speaker 1: he then ripped the silk milk. Um, that's a low spill. 291 00:18:53,040 --> 00:18:55,320 Speaker 1: We now, don't you have cameras and whatnot? Can you 292 00:18:56,040 --> 00:18:58,240 Speaker 1: let's go to the video. I've always wanted to say 293 00:18:58,280 --> 00:19:00,600 Speaker 1: that you're ripping, You're rip and say milks out of 294 00:19:00,600 --> 00:19:05,320 Speaker 1: people's hands. Let me save everybody time. Ten items are less. 295 00:19:05,400 --> 00:19:08,560 Speaker 1: Line right there, that was open. That's my crime, that's 296 00:19:08,600 --> 00:19:11,639 Speaker 1: my crime. I got into the wrong line. Charleston, Charleston, 297 00:19:11,720 --> 00:19:14,160 Speaker 1: I just heard them asking for the They were gonna 298 00:19:14,160 --> 00:19:16,240 Speaker 1: want the video of an event that just happened in 299 00:19:16,280 --> 00:19:19,280 Speaker 1: the store, and Charleston, I literally forgot to hook up 300 00:19:19,320 --> 00:19:21,760 Speaker 1: the video cameras. There's any way you can get in 301 00:19:21,800 --> 00:19:24,200 Speaker 1: there and just just we can shoot a fake video 302 00:19:24,240 --> 00:19:26,560 Speaker 1: of whatever they think that just happened. That would really 303 00:19:26,600 --> 00:19:29,520 Speaker 1: save my ass, really save my job, Charleston, Eric, Frank, Look, 304 00:19:29,600 --> 00:19:33,680 Speaker 1: I did one hour film festival one time, and you 305 00:19:33,760 --> 00:19:37,119 Speaker 1: were great. I don't work that fast normally. I like 306 00:19:37,280 --> 00:19:40,760 Speaker 1: to compose shots. I like to rehearse with the cast 307 00:19:40,840 --> 00:19:43,160 Speaker 1: and the crew. I like to do it correct. Here 308 00:19:43,320 --> 00:19:46,520 Speaker 1: here in my house, Keith, it means that much to me. 309 00:19:47,040 --> 00:19:48,920 Speaker 1: I will let you have my house for the entire 310 00:19:49,040 --> 00:19:51,200 Speaker 1: summer and a portion of the fall if you will 311 00:19:51,240 --> 00:19:53,600 Speaker 1: do me this one solid. It means a lot, Charleston. 312 00:19:55,760 --> 00:19:58,240 Speaker 1: Do you even know what happened? If I had to 313 00:19:58,320 --> 00:20:01,720 Speaker 1: reenact this, I need to know. There was something about milk, 314 00:20:01,840 --> 00:20:03,639 Speaker 1: and there was a line. There was a line and 315 00:20:03,720 --> 00:20:06,800 Speaker 1: there was something about milk. Your work is so amazing. 316 00:20:06,800 --> 00:20:08,440 Speaker 1: I'm sure, I'm sure you can fill in the gap. 317 00:20:08,920 --> 00:20:10,959 Speaker 1: All right, Frank. Look, I've got a couple, I've got 318 00:20:10,960 --> 00:20:14,000 Speaker 1: a little acting troop on speed dial. I'll see if 319 00:20:14,000 --> 00:20:18,000 Speaker 1: they're available, if they can come down. Of yes, I 320 00:20:18,080 --> 00:20:20,000 Speaker 1: am free, of course I can do it for you. 321 00:20:20,880 --> 00:20:23,400 Speaker 1: Is this so we're going to be doing anything from 322 00:20:23,440 --> 00:20:27,119 Speaker 1: the board's collection. Uh, this isn't a Shakespeare work. This 323 00:20:27,240 --> 00:20:32,359 Speaker 1: is a grocery store re enactment. Perhaps it's not a 324 00:20:32,440 --> 00:20:35,720 Speaker 1: Christopher Marlowe thing. Uh, it's not to rang, it's not 325 00:20:35,840 --> 00:20:39,399 Speaker 1: Neil Simon. In fact, it's we're going to contemporary. Is 326 00:20:39,480 --> 00:20:44,159 Speaker 1: it Neil Simon? I just said it was not Neil Simon. 327 00:20:45,400 --> 00:20:49,119 Speaker 1: I'm a listening actor. First I do I apologize for 328 00:20:49,359 --> 00:20:54,440 Speaker 1: the error. All right, you're gonna be portraying the customer 329 00:20:54,600 --> 00:21:00,639 Speaker 1: with thirty seven items. Uh, customer, I'm married, four kids, 330 00:21:01,240 --> 00:21:04,200 Speaker 1: I live in a suburban home, and I've decided today 331 00:21:04,320 --> 00:21:06,600 Speaker 1: is the day that i leave my job. But on 332 00:21:06,720 --> 00:21:11,879 Speaker 1: the way home, I've decided to get grocery items. You know, 333 00:21:11,920 --> 00:21:15,720 Speaker 1: I'm just gonna call Steve instead. But thank you for 334 00:21:15,840 --> 00:21:20,080 Speaker 1: being available. Thank you. I'm still equit you. By the way, Great, 335 00:21:20,200 --> 00:21:22,879 Speaker 1: this isn't a stage production, so it doesn't Darling. Pick 336 00:21:22,960 --> 00:21:24,400 Speaker 1: up the phone. Come on, baby, pick up the phone. 337 00:21:24,440 --> 00:21:26,680 Speaker 1: I need that soap. Pick up the phone. So we 338 00:21:26,760 --> 00:21:30,960 Speaker 1: need pick up the Hello, where are you with the soap? Milk? 339 00:21:31,119 --> 00:21:34,080 Speaker 1: I'm sitting here with a bowl of very dry cheios? 340 00:21:34,119 --> 00:21:38,639 Speaker 1: And and they misshapp down at the grocery store. What 341 00:21:38,760 --> 00:21:45,040 Speaker 1: kind of mishappened? Well? I was first in line by milk. Okay, 342 00:21:45,359 --> 00:21:51,800 Speaker 1: everything was going. Then a truly insane individual came up 343 00:21:51,800 --> 00:21:54,000 Speaker 1: behind me and started yelling at me about going out 344 00:21:54,040 --> 00:21:58,320 Speaker 1: of line, getting into another Linearly, are you aware of this? 345 00:21:58,440 --> 00:22:01,480 Speaker 1: There's a ten items or less. I never heard of it, 346 00:22:01,560 --> 00:22:06,359 Speaker 1: never heard of it? So so how long? How long 347 00:22:06,400 --> 00:22:10,240 Speaker 1: should I mean? What? What should let me ask? The officer? 348 00:22:10,320 --> 00:22:14,920 Speaker 1: Hold on? How long? How much longer will this be? Uh? 349 00:22:16,119 --> 00:22:20,920 Speaker 1: In terms of me getting out away home from Sorry, 350 00:22:21,000 --> 00:22:23,159 Speaker 1: here's the tape. Here's the tape. Here's the tape of 351 00:22:23,200 --> 00:22:29,840 Speaker 1: the incident. Accurate? Okay, yeah, I'll watch. I'll watch the tape. 352 00:22:30,000 --> 00:22:31,920 Speaker 1: Do you see me? They're standing at the front of 353 00:22:31,960 --> 00:22:35,240 Speaker 1: the line. I see like the back of someone's head. 354 00:22:35,359 --> 00:22:38,520 Speaker 1: It's a little different, longer hair, trust me, it's me. 355 00:22:38,720 --> 00:22:41,680 Speaker 1: And then the gentleman there's ringing up my one item. 356 00:22:41,720 --> 00:22:44,320 Speaker 1: And then I'm not wearing that frilly outfit. Whatever that 357 00:22:44,400 --> 00:22:46,679 Speaker 1: thing is around that person's neck that's not me. It's 358 00:22:46,720 --> 00:22:55,520 Speaker 1: an ascot at lunatic right in the ascot. Listen, this 359 00:22:55,840 --> 00:22:58,600 Speaker 1: is I don't know what to tell you. My job 360 00:22:58,840 --> 00:23:01,040 Speaker 1: is hold on coming about an act break. This is 361 00:23:02,000 --> 00:23:06,840 Speaker 1: this is good. I did that. Wow. And the Emmy 362 00:23:07,000 --> 00:23:12,840 Speaker 1: for Best Actor and a Short goes to Convenience Story 363 00:23:12,920 --> 00:23:25,560 Speaker 1: re enactment and Philip Harald say something, say something, Speach, 364 00:23:25,720 --> 00:23:30,080 Speaker 1: say something, say something, Philip, feel free to say a 365 00:23:30,160 --> 00:23:36,720 Speaker 1: few words. Um. Sorry, sorry, I don't usually get to 366 00:23:36,840 --> 00:23:41,840 Speaker 1: speak out loud. The piece was obviously only video, so 367 00:23:42,080 --> 00:23:45,520 Speaker 1: I debated doing my work when I was pulling this character. 368 00:23:45,640 --> 00:23:48,240 Speaker 1: But if you look closely, I am actually talking. There's 369 00:23:48,320 --> 00:23:54,200 Speaker 1: just no audio. And I want to thank the committee, 370 00:23:54,600 --> 00:23:59,600 Speaker 1: the the group of well well wait wait wait, I 371 00:23:59,640 --> 00:24:02,200 Speaker 1: got it. But there's a lot of people have forbidden 372 00:24:03,160 --> 00:24:06,920 Speaker 1: on the stage. Hey, orchestra, I couldn't help, but notice 373 00:24:06,960 --> 00:24:12,879 Speaker 1: you're playing people off with the commencement music. Pumping circumstance. Yes, um, 374 00:24:13,960 --> 00:24:17,000 Speaker 1: we have a whole catalog of actual songs from TV 375 00:24:17,119 --> 00:24:20,760 Speaker 1: and film. Yeah, it's just a pumping circumstances is our favorite. 376 00:24:21,080 --> 00:24:24,359 Speaker 1: Al Right, guys, yeah, hey guys, I'm sorry to interrupt 377 00:24:24,440 --> 00:24:26,960 Speaker 1: the meeting. Uh have you guys seen the ratings, the 378 00:24:27,119 --> 00:24:30,080 Speaker 1: ratings doing up seven thousand percent because of I didn't 379 00:24:30,080 --> 00:24:31,560 Speaker 1: get to see the show. By the way, whatever the 380 00:24:31,680 --> 00:24:35,199 Speaker 1: music that they were playing last night, seven we hit 381 00:24:35,240 --> 00:24:39,399 Speaker 1: the demographic. We finally hit that jackpot demographic. What what what? 382 00:24:39,840 --> 00:24:43,120 Speaker 1: What you know? And itways, whatever happened, just keep it going. 383 00:24:43,200 --> 00:24:45,560 Speaker 1: I got to go back to the car. Steve Harvey's 384 00:24:45,560 --> 00:24:48,280 Speaker 1: out in my car. He's looking at a job change. 385 00:24:48,280 --> 00:24:49,440 Speaker 1: He wants to show for me for the rest of 386 00:24:49,520 --> 00:24:53,000 Speaker 1: his life. I gotta go. Oh yeah, I had to 387 00:24:53,040 --> 00:24:54,880 Speaker 1: hand it to here. I really for me. I thought 388 00:24:54,920 --> 00:24:56,399 Speaker 1: that's when the stim when he jumped the shark, But 389 00:24:56,480 --> 00:24:59,200 Speaker 1: I guess this when he just found it for real footing. Um, 390 00:25:00,040 --> 00:25:03,159 Speaker 1: here's another list of a bunch of traditional songs we 391 00:25:03,240 --> 00:25:07,800 Speaker 1: could use green sleeves. Um, there's the thing you play 392 00:25:07,840 --> 00:25:15,840 Speaker 1: at weddings, wedding march. Um. I think, hello, hello, hello, yeah, 393 00:25:15,840 --> 00:25:21,800 Speaker 1: I'm looking at Mr Pumping Circumstance one moment. Please could 394 00:25:21,800 --> 00:25:25,160 Speaker 1: at least have some whole music in here. This is hello, yeah, 395 00:25:25,359 --> 00:25:29,080 Speaker 1: Mr Pumping Circumstance. You can call me pump Okay, Yeah, 396 00:25:29,760 --> 00:25:35,240 Speaker 1: my name is Philip. See more hofly Philip see more hofly. 397 00:25:36,640 --> 00:25:39,520 Speaker 1: Can I call you Philip? Please do? I am an attorney, 398 00:25:39,520 --> 00:25:42,359 Speaker 1: I'm a very litigious one. It appears that some of 399 00:25:42,480 --> 00:25:45,639 Speaker 1: your music may have been used with and or without 400 00:25:45,760 --> 00:25:49,639 Speaker 1: your knowledge, and I would like to represent you. What 401 00:25:49,760 --> 00:25:51,280 Speaker 1: do you take? What's your what's your take on this 402 00:25:52,840 --> 00:25:56,480 Speaker 1: firm handshake? Is payment enough for me? Is that payment enough? 403 00:25:57,119 --> 00:26:00,680 Speaker 1: Yes for me? Okay, So so thank you first of 404 00:26:00,720 --> 00:26:04,920 Speaker 1: all very much. Now give me a couple of credits, 405 00:26:05,160 --> 00:26:09,600 Speaker 1: credentials previous cases before I take you as a new 406 00:26:09,760 --> 00:26:12,479 Speaker 1: lawyer for free. Of course. Of course, have you ever 407 00:26:12,560 --> 00:26:16,720 Speaker 1: seen the television show versus I? Have they named the 408 00:26:16,880 --> 00:26:19,920 Speaker 1: show because of the legal things that I do in 409 00:26:20,000 --> 00:26:27,600 Speaker 1: the courtroom versus? Yes? That was that was you? Yes? Wow, wow, 410 00:26:27,600 --> 00:26:32,440 Speaker 1: wow wow wow. Just one more though, just yes? Of course? 411 00:26:32,840 --> 00:26:36,080 Speaker 1: Do you remember the seventies when streaking was so popular? 412 00:26:37,280 --> 00:26:39,440 Speaker 1: Can I just say I was just discussing this with 413 00:26:39,680 --> 00:26:42,560 Speaker 1: my son, trying to explain to him that this actually 414 00:26:42,680 --> 00:26:44,760 Speaker 1: took place. Can you believe just the whole generation that 415 00:26:44,880 --> 00:26:47,760 Speaker 1: doesn't know? Maybe these four generations, Well, the reason most 416 00:26:47,800 --> 00:26:50,680 Speaker 1: of those people were streaking is because literally I had 417 00:26:50,800 --> 00:26:57,720 Speaker 1: sued the pants off of them. I'm very good, very litigious, Wow, Hey, Philip, 418 00:26:58,200 --> 00:27:00,520 Speaker 1: I couldn't have a notice that you've been passing on 419 00:27:00,640 --> 00:27:07,080 Speaker 1: these other pro bono cases to represent music usage without permission. Uh? 420 00:27:07,400 --> 00:27:10,000 Speaker 1: There these three. This this guy here was accused of 421 00:27:10,600 --> 00:27:14,080 Speaker 1: of of killing his wife. He didn't do it. He 422 00:27:14,119 --> 00:27:17,800 Speaker 1: wouldn't take that one. Uh. This, this one here had 423 00:27:17,840 --> 00:27:21,199 Speaker 1: his rights violated by an officer. You wouldn't take that one, 424 00:27:21,600 --> 00:27:24,480 Speaker 1: touch it. But this you took the one of the 425 00:27:24,600 --> 00:27:32,399 Speaker 1: guy who's music was used briefly as playoff on a ceremony. Philip, 426 00:27:32,480 --> 00:27:34,719 Speaker 1: There's so many more cases you could take that are 427 00:27:34,760 --> 00:27:38,240 Speaker 1: so much more worthy. I don't understand. Did someone use 428 00:27:38,640 --> 00:27:42,200 Speaker 1: music when you were a kid that you didn't give 429 00:27:42,240 --> 00:27:46,000 Speaker 1: permission for? Is this a personal quest that someone? Uh? 430 00:27:47,320 --> 00:27:51,639 Speaker 1: Did someone use music? When are you asking me if 431 00:27:51,680 --> 00:27:59,000 Speaker 1: I haven't been hurt music thief? That is exactly what 432 00:27:59,080 --> 00:28:02,960 Speaker 1: I'm asking, Philip. Come to dinner. I'm gonna play the 433 00:28:03,000 --> 00:28:08,160 Speaker 1: dinner music. Daddy, bum bum bum bum bum bum bum 434 00:28:08,560 --> 00:28:13,600 Speaker 1: bum bum bum bum bum. Why is mamma getting mad 435 00:28:13,680 --> 00:28:19,240 Speaker 1: and leaving the house? Daddy, she's mad because I I'd 436 00:28:19,280 --> 00:28:21,640 Speaker 1: like to use music in every part of my life. Sure, 437 00:28:21,680 --> 00:28:24,359 Speaker 1: I don't have the rights, but who does it really hurt. 438 00:28:25,200 --> 00:28:33,400 Speaker 1: Hurt me, Daddy, she walked out. It hurt me. Wow, 439 00:28:33,560 --> 00:28:37,400 Speaker 1: that's I didn't know. I mean, I've ever come back 440 00:28:37,520 --> 00:28:39,920 Speaker 1: or and she never came back. Just like in the 441 00:28:40,000 --> 00:28:43,600 Speaker 1: re enactment video. I just showed you she stomed out 442 00:28:43,680 --> 00:28:48,240 Speaker 1: and she never returned. That the guy that played your mom, 443 00:28:48,320 --> 00:28:50,040 Speaker 1: he's in a way because he is he equity because 444 00:28:50,120 --> 00:28:52,280 Speaker 1: I'm doing the stage production later. I think he could 445 00:28:52,280 --> 00:28:56,560 Speaker 1: be good for Absolutely, he's equity. He's equity. Great because 446 00:28:56,600 --> 00:28:59,120 Speaker 1: my our town thing, I need above the board actors 447 00:28:59,200 --> 00:29:02,440 Speaker 1: to do this rectly like I'm sorry, I didn't. I 448 00:29:02,520 --> 00:29:04,680 Speaker 1: misunderstood that this is a personal thing, and I you know, 449 00:29:04,800 --> 00:29:06,719 Speaker 1: I'm just gonna go ahead and I'll try to represent 450 00:29:06,760 --> 00:29:09,360 Speaker 1: all these other cases by myself. You you take advantage 451 00:29:09,600 --> 00:29:12,440 Speaker 1: of the of the ones that speak to you, and 452 00:29:12,880 --> 00:29:15,480 Speaker 1: I won't get in the way. Order order in the court. 453 00:29:15,680 --> 00:29:22,080 Speaker 1: Oh if it isn't Philip Seamore, halfly hell for the defendant, Hello, 454 00:29:22,640 --> 00:29:25,400 Speaker 1: your honor, If I may be so bold as to 455 00:29:25,480 --> 00:29:30,040 Speaker 1: call you that you may after all these years, you 456 00:29:30,120 --> 00:29:34,920 Speaker 1: still have that bruise from my leg wrestling incident. It's healed, Philip, 457 00:29:35,400 --> 00:29:38,920 Speaker 1: it's healed, but the scar inside my heart. It's not 458 00:29:39,760 --> 00:29:42,960 Speaker 1: you know, that's actually dangerous. It could be black and ventrical. 459 00:29:44,080 --> 00:29:49,320 Speaker 1: Oh well, we'll take a look, um. And for the plaintiff, 460 00:29:49,480 --> 00:29:54,120 Speaker 1: who do we have in front of us? Um? Hi? Yeah, 461 00:29:54,240 --> 00:30:00,920 Speaker 1: Sarah elliption, Sarah lip shit elption elliption. Sorry about that, Sarah, 462 00:30:01,640 --> 00:30:06,640 Speaker 1: just kind of the perma plainment plaintiffs from appointiff m 463 00:30:06,840 --> 00:30:09,479 Speaker 1: hm tera. I want you to know that my previous 464 00:30:09,560 --> 00:30:13,720 Speaker 1: relationship with Philip Seymour Halfley won't bar me for giving 465 00:30:13,800 --> 00:30:19,280 Speaker 1: a fair and unbiased final decision. You're before you continue, 466 00:30:19,320 --> 00:30:22,959 Speaker 1: here's the chocolate bar that I promised I remember, remember 467 00:30:25,240 --> 00:30:31,400 Speaker 1: dark with nuts yet nuts? All right? Before we commence 468 00:30:31,640 --> 00:30:38,560 Speaker 1: opening arguments, will play our ceremonial opening commencement song, Oh great, 469 00:30:41,520 --> 00:30:48,280 Speaker 1: dent dent Entent You running? Yes, I'm afraid I'm going 470 00:30:48,360 --> 00:30:51,400 Speaker 1: to have to not only sue for the case that 471 00:30:51,480 --> 00:30:54,360 Speaker 1: I came in here, but I'm afraid I'll also have 472 00:30:54,520 --> 00:31:00,080 Speaker 1: to sue the court today. Excuse me, you're running? You 473 00:31:00,160 --> 00:31:04,960 Speaker 1: are using that music I'm sure without proper you see rights, 474 00:31:05,520 --> 00:31:08,840 Speaker 1: I'd like to submit into evidence my rights to Now 475 00:31:09,280 --> 00:31:13,200 Speaker 1: this is what I call music three and I have 476 00:31:13,440 --> 00:31:21,360 Speaker 1: the rights to all these songs. Take a look. Um. 477 00:31:21,880 --> 00:31:26,760 Speaker 1: I don't mean to interrupt, but can I get like 478 00:31:28,920 --> 00:31:35,560 Speaker 1: a finalization on my first case? My roommate Carrie, she left, 479 00:31:36,640 --> 00:31:39,560 Speaker 1: but I'm persistent and I want to make sure the 480 00:31:40,560 --> 00:31:44,080 Speaker 1: chicken nuggets case. If I'm correct, I'm the Chicken nuggets case. 481 00:31:44,760 --> 00:31:48,200 Speaker 1: Oh yes, yes, I see it was passed over here. 482 00:31:48,200 --> 00:31:51,880 Speaker 1: From Judge Harvey, sorry to hear about his retirement. Well, 483 00:31:51,960 --> 00:31:57,240 Speaker 1: i'm me too. He's really a king of comedy and 484 00:31:57,320 --> 00:32:01,360 Speaker 1: he's self. I really like watching him, and I'm I'm 485 00:32:01,400 --> 00:32:04,800 Speaker 1: really upset. I'm going to find for the defendant on 486 00:32:04,880 --> 00:32:07,640 Speaker 1: this one. It's chicken nuggets, not the end of the world. 487 00:32:08,200 --> 00:32:18,400 Speaker 1: What that is? Scene too three from listener Milton J. 488 00:32:18,680 --> 00:32:22,680 Speaker 1: Who wrote, Hello, I recently had to refrain from donating 489 00:32:22,760 --> 00:32:26,440 Speaker 1: my life savings to your patron because of the quadrupled 490 00:32:26,600 --> 00:32:31,360 Speaker 1: price of electricity here in Sweden. I'm confused if it's 491 00:32:31,640 --> 00:32:35,640 Speaker 1: suggestions you want sent in or my life story. Anyways, 492 00:32:36,360 --> 00:32:39,719 Speaker 1: you guys are one of few reasons to stay alive. 493 00:32:41,480 --> 00:32:48,520 Speaker 1: The suggestion door to door salesman named hungry yours truly 494 00:32:49,840 --> 00:32:56,040 Speaker 1: Milton bing Bong, Hello, Hello, are you are you outside 495 00:32:56,120 --> 00:33:01,280 Speaker 1: the door? Bing Bong? Can you see I'm trying to 496 00:33:01,360 --> 00:33:04,800 Speaker 1: look through the peeping hole. Can you not see my eye? Hello? 497 00:33:05,120 --> 00:33:09,360 Speaker 1: You are there? Shout. I guess I'm gonna have to 498 00:33:09,440 --> 00:33:13,880 Speaker 1: just let him in, Honey, who's a don't open the door. 499 00:33:14,320 --> 00:33:16,760 Speaker 1: We don't know who's out there, honey. But he keeps bing, 500 00:33:16,880 --> 00:33:20,520 Speaker 1: banging so persistently, darling, Let me try to peek out 501 00:33:20,560 --> 00:33:23,200 Speaker 1: the hole. Look at the hole. Let me lift your 502 00:33:23,200 --> 00:33:25,800 Speaker 1: own because I know you're not. Don't let me lift 503 00:33:25,840 --> 00:33:27,840 Speaker 1: you up, step onto my back. But why don't we 504 00:33:28,000 --> 00:33:36,960 Speaker 1: lift each other up? Honey? Good one to It must 505 00:33:37,000 --> 00:33:39,720 Speaker 1: be a child, they must be They must be a child. 506 00:33:41,440 --> 00:33:45,280 Speaker 1: Don't open that door. Oh good, you're nice and tall. 507 00:33:45,600 --> 00:33:48,120 Speaker 1: Look through that people, and if you see something I 508 00:33:48,160 --> 00:33:51,600 Speaker 1: don't need a boost, don't don't. Is part of this 509 00:33:51,760 --> 00:33:55,400 Speaker 1: being in the family. We're gonna get you and one baby, remember, 510 00:33:55,560 --> 00:34:06,680 Speaker 1: lift with your neck one and three? Oh down, there's 511 00:34:06,720 --> 00:34:09,520 Speaker 1: no one. There must be a child or or somebody shorter. 512 00:34:10,040 --> 00:34:13,640 Speaker 1: Then let's just open the door and let it here 513 00:34:13,719 --> 00:34:26,120 Speaker 1: we go. Yeah, yeah, thanks, I'm hungry. Okay, well I've 514 00:34:26,680 --> 00:34:30,360 Speaker 1: I've recently fried a salad. If you're interested in fried salad, 515 00:34:30,400 --> 00:34:35,480 Speaker 1: i'd like to Yeah, I offer you some of that, honey, 516 00:34:35,560 --> 00:34:37,720 Speaker 1: I don't know that we want to invite this little 517 00:34:37,800 --> 00:34:41,480 Speaker 1: being inside. His skin is bright redd and he's got horns. 518 00:34:42,000 --> 00:34:45,160 Speaker 1: Remember page fifty two of the Bible, Thou shalt not 519 00:34:45,480 --> 00:34:49,480 Speaker 1: deny the entrance for a man who is empty of stomach, 520 00:34:49,560 --> 00:34:54,640 Speaker 1: for he may be full of heart. He's fifty two baby, alright, alright, 521 00:34:55,080 --> 00:34:59,000 Speaker 1: he just looks a little scarier than most. It's a 522 00:34:59,360 --> 00:35:03,560 Speaker 1: bitt people. Five. If I can introduce you in the 523 00:35:03,719 --> 00:35:10,640 Speaker 1: latest greatest knife collection, and again, I'm hungry. I understand 524 00:35:10,680 --> 00:35:13,279 Speaker 1: you're hungry. If you you you should probably have that 525 00:35:13,440 --> 00:35:16,840 Speaker 1: salad before, Darling, I'm gonna let you make this knife decision. 526 00:35:16,960 --> 00:35:19,720 Speaker 1: You know that I'm always dangerous when it comes to shop, 527 00:35:19,880 --> 00:35:24,360 Speaker 1: and all pointed out, we've agreed that our our grandson 528 00:35:24,440 --> 00:35:27,160 Speaker 1: would take care of all of our finances. Now, I 529 00:35:27,280 --> 00:35:29,640 Speaker 1: don't know that it's a good call for me to 530 00:35:29,719 --> 00:35:33,240 Speaker 1: make this. How much, Mr Hungary? How much are these knives? 531 00:35:34,400 --> 00:35:38,160 Speaker 1: Thank you? Well, there's the layweight program, and there's also uh. 532 00:35:39,040 --> 00:35:41,520 Speaker 1: You can write a check today. You can pay me 533 00:35:41,640 --> 00:35:44,440 Speaker 1: cash today. You can venmo me, you can paypalt me. 534 00:35:44,960 --> 00:35:48,360 Speaker 1: You can hold on, Mr Hungary. No one tries to 535 00:35:48,480 --> 00:35:52,040 Speaker 1: swindle my gran Who is this tall drink of water? 536 00:35:53,960 --> 00:35:55,600 Speaker 1: But you're gonna saw us some knife. You have to 537 00:35:55,680 --> 00:36:02,000 Speaker 1: tell me about five something on five eleven? Five eleven, 538 00:36:02,520 --> 00:36:07,719 Speaker 1: damn near six ft? Yeah? What can you show? How 539 00:36:07,760 --> 00:36:13,800 Speaker 1: would you guess? I? Um? Come on five? Two? Ha 540 00:36:14,000 --> 00:36:22,520 Speaker 1: ha ha oh if I only three eight? Thank you? Hungry? 541 00:36:23,120 --> 00:36:26,800 Speaker 1: How did it go? Did you bring back money? Don't 542 00:36:26,880 --> 00:36:37,439 Speaker 1: be grumpy stinky? Is everyone doing good stuff? I need money? Yeah? Yeah, 543 00:36:37,560 --> 00:36:40,400 Speaker 1: you need? You need? You need? Where funk am I figuring? No? 544 00:36:40,760 --> 00:36:45,359 Speaker 1: Winky took him, Winky took his ship. Come on a bit, 545 00:36:45,520 --> 00:36:49,880 Speaker 1: doesn't even smell the keen? Yeah? Here we she needs 546 00:36:50,120 --> 00:36:52,759 Speaker 1: money and it's happed us to get it for where 547 00:36:53,200 --> 00:36:56,120 Speaker 1: I gotta get out of it? Yeah good, I gotta 548 00:36:56,200 --> 00:37:03,720 Speaker 1: get out of this wood. Imagine hunting, just renting, maybe 549 00:37:03,760 --> 00:37:07,920 Speaker 1: a studio, maybe even a bachelor and that one has 550 00:37:07,960 --> 00:37:12,359 Speaker 1: a tiny kitchen. That's maybe another profession other than being 551 00:37:12,440 --> 00:37:14,919 Speaker 1: a pant. No, when you find a new place to live, 552 00:37:15,000 --> 00:37:17,719 Speaker 1: will you bring us along with you? Yeah? Will we 553 00:37:17,800 --> 00:37:21,520 Speaker 1: get to come? Will we get to come? Get to come? 554 00:37:22,000 --> 00:37:29,320 Speaker 1: I can't wait to come? Who um? Listen, guys, I 555 00:37:29,680 --> 00:37:32,440 Speaker 1: didn't want to talk to you about this until I 556 00:37:32,640 --> 00:37:36,399 Speaker 1: secured myself a place in the big old city, right, 557 00:37:36,960 --> 00:37:46,640 Speaker 1: But when I do, it's just gonna be mesh dirty 558 00:37:46,840 --> 00:37:49,839 Speaker 1: is really upset about this is the first time I've 559 00:37:49,920 --> 00:37:54,320 Speaker 1: ever spoken. I have been silent the whole time because 560 00:37:54,400 --> 00:37:57,600 Speaker 1: I thought you'd always be Here's no much You're moving 561 00:37:57,719 --> 00:38:02,040 Speaker 1: to the city without lovingness for likely. It feels so bad, 562 00:38:02,400 --> 00:38:08,960 Speaker 1: and I had to talk. I'm sorry, but I'm bored. 563 00:38:09,880 --> 00:38:13,319 Speaker 1: I'm just a little bit bored. I want a little 564 00:38:13,360 --> 00:38:19,200 Speaker 1: more hustle, bustle, a little more flash, paint bizas, more 565 00:38:19,360 --> 00:38:22,560 Speaker 1: people to talk to you sing songs with every activity 566 00:38:22,640 --> 00:38:26,000 Speaker 1: we ever do. That's not enough for you, alright, Sorry, 567 00:38:26,200 --> 00:38:29,480 Speaker 1: are you realized? Sorry you're such a little fellow. And 568 00:38:29,560 --> 00:38:32,160 Speaker 1: I know you're new to speaking, but please lay down 569 00:38:32,200 --> 00:38:34,719 Speaker 1: on my couch or sit up. Some patients are more 570 00:38:34,760 --> 00:38:38,880 Speaker 1: comfortable with sitting up. So you say that this snow 571 00:38:39,239 --> 00:38:44,520 Speaker 1: deserted you in your hour of need. Yeah, I mean, look, 572 00:38:44,640 --> 00:38:50,200 Speaker 1: I'm painfully, awkwardly shy. Everybody knows that. And and uh, look, 573 00:38:50,239 --> 00:38:52,480 Speaker 1: I just live with all my brothers and and are 574 00:38:52,640 --> 00:38:56,600 Speaker 1: adopted brother who I'm pretty sure is the devil. We 575 00:38:56,800 --> 00:38:59,160 Speaker 1: live out in the forest, and you know, we just 576 00:38:59,400 --> 00:39:01,320 Speaker 1: we just we you odd jobs, we were going to 577 00:39:01,440 --> 00:39:03,840 Speaker 1: call mine. We do other things just to make her happy. 578 00:39:04,320 --> 00:39:08,040 Speaker 1: And then finally, like we keep providing, providing, providing, and 579 00:39:08,200 --> 00:39:12,600 Speaker 1: she leaves, she just leaves. Normally I would say that 580 00:39:12,760 --> 00:39:14,680 Speaker 1: you have some issues that you need to get in 581 00:39:14,840 --> 00:39:18,600 Speaker 1: touch with, but this seems like her problem. It seems 582 00:39:18,640 --> 00:39:23,600 Speaker 1: like she is the cause of this problem. Oh so 583 00:39:23,760 --> 00:39:28,360 Speaker 1: we're done. Here, we're done, You're good. Ms White. This 584 00:39:28,560 --> 00:39:31,040 Speaker 1: is a this is a one bedroom, so it comes 585 00:39:31,080 --> 00:39:34,960 Speaker 1: with a kitchen, a bathroom, and a separate room. Um. 586 00:39:35,000 --> 00:39:38,040 Speaker 1: You're overlooking the train tracks here, so you're right close 587 00:39:38,080 --> 00:39:41,200 Speaker 1: to the metro. Get you right into downtown if you'd 588 00:39:41,239 --> 00:39:44,160 Speaker 1: like to go there. Um, it can also take you uptown, 589 00:39:44,280 --> 00:39:46,439 Speaker 1: take it to the east side, to the west side 590 00:39:46,480 --> 00:39:49,680 Speaker 1: as well. Great station right here. Um, just need to 591 00:39:50,560 --> 00:39:55,839 Speaker 1: ask you a few questions. Current occupation yes, m hm, yes, 592 00:39:56,520 --> 00:39:59,880 Speaker 1: great and uh um will you be co signing this 593 00:40:00,040 --> 00:40:01,719 Speaker 1: with anybody or you'll be taking on the All right, 594 00:40:01,800 --> 00:40:05,440 Speaker 1: Mr Charming? If I could show you into this what fun? 595 00:40:06,120 --> 00:40:09,120 Speaker 1: Sorry I'm showing this right now. Yeah, I'm showing this 596 00:40:09,280 --> 00:40:13,720 Speaker 1: to a Mr Charming. I've only got a thirty minute window. Guys, 597 00:40:13,880 --> 00:40:19,239 Speaker 1: good looking. Yeah, I guess we could rochem bodis he 598 00:40:19,360 --> 00:40:22,960 Speaker 1: who gets this department? But Mr Charming was ready to 599 00:40:23,040 --> 00:40:25,839 Speaker 1: make a big move in his life here. Yeah, miss Way, 600 00:40:25,920 --> 00:40:27,560 Speaker 1: he was doing the same thing. She's actually moving from 601 00:40:27,600 --> 00:40:31,560 Speaker 1: the suburbs into the city. Uh huh, Yeah, well I'm 602 00:40:31,640 --> 00:40:34,960 Speaker 1: moving from the castle with my parents to the city. 603 00:40:35,800 --> 00:40:37,640 Speaker 1: Why don't we let them just sort it out instead 604 00:40:37,640 --> 00:40:39,279 Speaker 1: of us. Why don't we let them sort it out? 605 00:40:39,320 --> 00:40:41,640 Speaker 1: And in the meantime, you and I can leg wrestle 606 00:40:41,800 --> 00:40:45,200 Speaker 1: just for old time sake. Huh. You want to lose again? 607 00:40:45,320 --> 00:40:46,839 Speaker 1: Is that what happened? Of course I want to lose 608 00:40:46,880 --> 00:40:52,760 Speaker 1: again in the bedroom. Let's go, let's go. Yeah, I'm sorry. 609 00:40:52,840 --> 00:40:55,120 Speaker 1: I really need this place. My parents are kings and 610 00:40:55,719 --> 00:40:59,600 Speaker 1: king and queen. They're really They're just super imposing. And 611 00:40:59,640 --> 00:41:02,360 Speaker 1: I'm trying to go out on my own. I know 612 00:41:03,960 --> 00:41:10,360 Speaker 1: you've actually met. That's bullshit. I remember somebody like you. No, 613 00:41:10,560 --> 00:41:14,400 Speaker 1: I just look a little different and my different outfit 614 00:41:14,680 --> 00:41:20,120 Speaker 1: and I'm wearing pentaloons. But it's it's me. We danced 615 00:41:20,239 --> 00:41:24,400 Speaker 1: once by a fountain. I think I don't know I 616 00:41:24,640 --> 00:41:30,359 Speaker 1: was I drinking perhaps some if you were. I mean 617 00:41:30,800 --> 00:41:34,239 Speaker 1: I don't remember that. I don't remember that at all. Well, 618 00:41:34,400 --> 00:41:40,439 Speaker 1: I have to say this working, Philip is working. Pantaloon's 619 00:41:40,440 --> 00:41:44,040 Speaker 1: a forgetness of working. As long as she wears them, 620 00:41:44,280 --> 00:41:53,520 Speaker 1: people will remember in the kingdom, will be ours bakers, doesn't. 621 00:41:53,880 --> 00:42:00,279 Speaker 1: I'm going to keep watching the ball. You know. I'm here, 622 00:42:00,320 --> 00:42:02,279 Speaker 1: and and and I and I'm and I want to 623 00:42:02,320 --> 00:42:04,600 Speaker 1: be here. So I'm going to be here. Thank you 624 00:42:04,719 --> 00:42:07,040 Speaker 1: so much, just like I'm ready to put a deposit 625 00:42:07,160 --> 00:42:09,840 Speaker 1: down and no offense. But those pantaloons don't look like 626 00:42:09,920 --> 00:42:15,160 Speaker 1: they're full of money, and I come from the charming family. Well, 627 00:42:16,239 --> 00:42:20,640 Speaker 1: these pantaloons are said to be full of forgiveness. And 628 00:42:21,520 --> 00:42:24,399 Speaker 1: I for you know, and I forgive you for being 629 00:42:24,480 --> 00:42:27,520 Speaker 1: a little bit I'm sorry. Who who are you? We're 630 00:42:27,560 --> 00:42:30,800 Speaker 1: just seven brothers. We don't have room for another roommate. Lady, 631 00:42:31,800 --> 00:42:36,360 Speaker 1: I'll have room. This is a funny joke. This is 632 00:42:36,360 --> 00:42:40,480 Speaker 1: such a funny joke. Oh that's so great. I love it. 633 00:42:40,719 --> 00:42:43,080 Speaker 1: Singing sounds familiar, but we have no idea who you are. 634 00:42:43,160 --> 00:42:48,960 Speaker 1: I'm sorry you'll have to leave immediately. I forgive you 635 00:42:49,120 --> 00:42:53,360 Speaker 1: for your ruteness, but this is my home, and I honestly, 636 00:42:53,400 --> 00:42:56,239 Speaker 1: don't have anywhere else to go. Oh now you got 637 00:42:56,360 --> 00:42:58,160 Speaker 1: no place to go. I'm not cigarette you get any 638 00:42:58,160 --> 00:43:04,160 Speaker 1: of them. No, I um oh, I have this here. 639 00:43:04,840 --> 00:43:07,359 Speaker 1: It's a it's a it's a it's my only piece 640 00:43:07,440 --> 00:43:11,520 Speaker 1: of money. And you could roll it up and and 641 00:43:11,640 --> 00:43:15,200 Speaker 1: I suppose you could light it on fire and inhale 642 00:43:15,280 --> 00:43:19,520 Speaker 1: that and charming. This is your place, dude. This is 643 00:43:19,680 --> 00:43:23,320 Speaker 1: a ship. Oh yeah, but then we don't have to 644 00:43:23,400 --> 00:43:27,239 Speaker 1: really like take care of it because it's super cheap. Charming, dude, 645 00:43:27,320 --> 00:43:31,080 Speaker 1: you lived in that castle. This is a ship. Oh yeah, 646 00:43:31,360 --> 00:43:35,320 Speaker 1: but we can treat it like a ship whole. Dude, 647 00:43:35,680 --> 00:43:38,560 Speaker 1: what don't you get it? Like? I wanted to get 648 00:43:38,560 --> 00:43:41,160 Speaker 1: out of the castle. I want to have a party. 649 00:43:41,400 --> 00:43:43,200 Speaker 1: I want to have a gigger. I want to have 650 00:43:43,560 --> 00:43:47,560 Speaker 1: a good time. What you have good? You can come 651 00:43:47,640 --> 00:43:52,399 Speaker 1: to my castle, dude, with your parents. Yeah, my parents 652 00:43:52,440 --> 00:43:58,759 Speaker 1: are pretty cool. How they aren't They're overwhelming? Dude, this 653 00:43:58,920 --> 00:44:03,480 Speaker 1: place is a ship all it smells. Doctor. I'd like 654 00:44:03,640 --> 00:44:07,279 Speaker 1: to lay down this session, if that's okay. Some of 655 00:44:07,320 --> 00:44:09,759 Speaker 1: the patients have been lying down, so I'm sitting up. 656 00:44:10,080 --> 00:44:11,759 Speaker 1: A lot of them are even just doing a deep 657 00:44:11,840 --> 00:44:14,400 Speaker 1: squad during the session, but if you likely down, we 658 00:44:14,480 --> 00:44:20,000 Speaker 1: can do that. Um okay, great, Um, I'm sorry I've 659 00:44:20,080 --> 00:44:25,040 Speaker 1: never met you before. Forgive me no. Yeah, I've been 660 00:44:25,120 --> 00:44:29,719 Speaker 1: coming to you for a year. Don't recognize you at home. 661 00:44:31,320 --> 00:44:35,440 Speaker 1: This is a good exercise as this actually hasn't happening 662 00:44:35,480 --> 00:44:38,080 Speaker 1: to me a lot, and I need to control what 663 00:44:38,239 --> 00:44:42,600 Speaker 1: I end up doing. In return. I'm very upset. One 664 00:44:42,680 --> 00:44:48,840 Speaker 1: of my best friends brothers, I would call him. Finally 665 00:44:48,880 --> 00:44:52,000 Speaker 1: feels like we know we're not officially family. But hold 666 00:44:52,040 --> 00:44:54,160 Speaker 1: on just one second. I just checked my calendar on 667 00:44:54,239 --> 00:44:56,759 Speaker 1: my computer. It's no bridges at work day. Let me 668 00:44:56,840 --> 00:45:00,359 Speaker 1: just ship me out of my bridges here, much more 669 00:45:00,400 --> 00:45:02,640 Speaker 1: comfortable and feel free. I never look at a lady 670 00:45:02,680 --> 00:45:04,799 Speaker 1: from the waist down. If you'd like to shimmy out 671 00:45:04,840 --> 00:45:08,440 Speaker 1: of yours, that's fine. Now go ahead, Stranger, what were 672 00:45:08,480 --> 00:45:13,480 Speaker 1: you saying? Well, oh, I don't know what to do. 673 00:45:15,440 --> 00:45:19,920 Speaker 1: On one hand, I love a breeze. It's it's up 674 00:45:19,960 --> 00:45:24,760 Speaker 1: to you. Another, I'm very comfortable as I go ahead. Then, Strange, 675 00:45:24,800 --> 00:45:29,480 Speaker 1: you continue your story. I got in the kind of 676 00:45:29,680 --> 00:45:32,560 Speaker 1: I don't know. I it wasn't a fight. I don't 677 00:45:32,640 --> 00:45:35,520 Speaker 1: know what it was. But basically I'm sorry. On just 678 00:45:35,600 --> 00:45:40,040 Speaker 1: one second. Oh, this breeze feels so good. Yes, go ahead. 679 00:45:40,320 --> 00:45:42,880 Speaker 1: So it wasn't a fight, it with something something go ahead, 680 00:45:44,520 --> 00:45:48,399 Speaker 1: basically one of my you know, it's like family. That's 681 00:45:48,440 --> 00:45:50,680 Speaker 1: not officially, it's not like we have the same blood, 682 00:45:50,760 --> 00:45:52,919 Speaker 1: but it's like we grew up together. So I feel 683 00:45:52,960 --> 00:45:55,600 Speaker 1: like it and I gave him a doom. I'm so sorry. 684 00:45:55,640 --> 00:45:57,480 Speaker 1: It's like a hot and I'm itchy and I'm getting 685 00:45:57,520 --> 00:45:59,359 Speaker 1: a little bit of an itche Yes. If I were 686 00:45:59,480 --> 00:46:04,520 Speaker 1: you strange here, I would look just shimmy and you're 687 00:46:04,600 --> 00:46:12,319 Speaker 1: not gonna look. Hey, I read your new manuscript, and uh, 688 00:46:13,400 --> 00:46:16,399 Speaker 1: it looks like you're I mean, first of all, your 689 00:46:16,440 --> 00:46:19,440 Speaker 1: first book for us No I was huge hit, huge hit. 690 00:46:19,640 --> 00:46:24,560 Speaker 1: But it looks like you're saying that women shouldn't wear pants. 691 00:46:25,000 --> 00:46:28,400 Speaker 1: It looks like you're making the point that women shouldn't 692 00:46:28,440 --> 00:46:31,239 Speaker 1: wear pants, that they should stay in dresses and be 693 00:46:31,400 --> 00:46:35,120 Speaker 1: at their homes. I don't and it gets oddly erotic. 694 00:46:35,520 --> 00:46:39,040 Speaker 1: I don't understand with the target audience is this feels 695 00:46:39,080 --> 00:46:45,720 Speaker 1: really dated. It's just a plot point, a plot point 696 00:46:46,080 --> 00:46:49,640 Speaker 1: to us to get you the next level of the 697 00:46:49,760 --> 00:46:53,399 Speaker 1: chapter of the story. In um um, so it's it's 698 00:46:53,480 --> 00:46:55,719 Speaker 1: not Eurotica. I have a whole set of rotica. I 699 00:46:55,800 --> 00:46:58,800 Speaker 1: have these books here if you'd like many scripts. Physically. 700 00:46:59,239 --> 00:47:01,680 Speaker 1: Are you from France or do you just talk that 701 00:47:01,840 --> 00:47:05,279 Speaker 1: way to know I'm actually I'm just outside Luxembourg. You've 702 00:47:05,320 --> 00:47:09,920 Speaker 1: heard I have heard of Luxembourg. Yes, be all different 703 00:47:10,000 --> 00:47:16,839 Speaker 1: spelling families. Yeah, they are the kings and queens of Luxembourg. 704 00:47:17,680 --> 00:47:19,480 Speaker 1: All right, Well, look I'm gonna finish out. There's like 705 00:47:19,560 --> 00:47:23,399 Speaker 1: two pages left in this and I should have probably finished. Sorry, 706 00:47:23,400 --> 00:47:27,279 Speaker 1: I'm sorry, sir, forget forgive me. Oh, oh my god, 707 00:47:27,360 --> 00:47:29,839 Speaker 1: he's here. I just he just brought in some new 708 00:47:29,880 --> 00:47:34,759 Speaker 1: manuscripts and you've got to hear his words. Ah, there 709 00:47:34,920 --> 00:47:37,960 Speaker 1: is a town outside of France, it seems to say, 710 00:47:38,520 --> 00:47:41,680 Speaker 1: where the women And here's a real kick in the well, 711 00:47:41,800 --> 00:47:44,320 Speaker 1: not a kick in the pants, where the women where 712 00:47:45,320 --> 00:47:49,160 Speaker 1: no pants? Uh, sir? This is his new manuscript And 713 00:47:49,239 --> 00:47:52,320 Speaker 1: I just I just researched this town right outside of France. 714 00:47:52,400 --> 00:47:56,640 Speaker 1: And in fact, oh god, the women are literally running 715 00:47:56,680 --> 00:48:00,080 Speaker 1: around pantless, sir. That is because of the pantaloons that 716 00:48:00,239 --> 00:48:03,040 Speaker 1: help you forget. So if you don't wear the pantaloons. 717 00:48:03,160 --> 00:48:07,480 Speaker 1: Then nobody forgets Hi. Welcome to sans pants. How can 718 00:48:07,520 --> 00:48:12,000 Speaker 1: I help? I'm just looking for a top, right, Yeah 719 00:48:12,239 --> 00:48:15,920 Speaker 1: we got we got another butt tops. Yeah. Yeah, You've 720 00:48:15,920 --> 00:48:18,439 Speaker 1: come to the right place. I have to say, I'm 721 00:48:18,480 --> 00:48:22,400 Speaker 1: just visiting. I'm just visiting for the week, okay, and 722 00:48:23,719 --> 00:48:27,040 Speaker 1: no in town, just visiting. But yeah, this is my 723 00:48:27,160 --> 00:48:29,520 Speaker 1: second day in town. I arrived late last night, so 724 00:48:29,600 --> 00:48:32,120 Speaker 1: that doesn't really count. Um, just kind of slept and 725 00:48:32,160 --> 00:48:35,520 Speaker 1: then woke up. And um, you must have some other 726 00:48:36,239 --> 00:48:40,200 Speaker 1: unnecessary information for this visit that you can share with me. 727 00:48:41,360 --> 00:48:50,480 Speaker 1: You like to gossip? Yes, I need to gossip. Busted busted? Yeah, Actually, um, 728 00:48:50,920 --> 00:48:55,920 Speaker 1: my ex husband he's actually a French citizen and um 729 00:48:56,440 --> 00:49:00,399 Speaker 1: he took our child and it sounds like he wears 730 00:49:00,480 --> 00:49:10,600 Speaker 1: the pants. Wow. Um this I enjoyed this one. This 731 00:49:10,760 --> 00:49:13,239 Speaker 1: one was pretty good. I mean to think that there 732 00:49:13,320 --> 00:49:17,000 Speaker 1: is a place in France where the naked ladies dance, 733 00:49:17,160 --> 00:49:20,239 Speaker 1: and there's and to be honest with you, sir, and 734 00:49:20,880 --> 00:49:22,759 Speaker 1: forgive me, And then I really have to go get 735 00:49:22,840 --> 00:49:25,759 Speaker 1: a coffee. They just got silk milked back at the 736 00:49:25,840 --> 00:49:29,880 Speaker 1: coffee shop. Uh. This is a place that's right outside 737 00:49:29,920 --> 00:49:32,920 Speaker 1: of France, All right, outside of France? Yeah, all right? 738 00:49:33,480 --> 00:49:36,120 Speaker 1: Can I bring anything back from the coffee place? Uh? 739 00:49:37,040 --> 00:49:39,120 Speaker 1: You know? Actually, could you pick me up a big 740 00:49:39,360 --> 00:49:41,960 Speaker 1: chunk of ice with salt on it from Louis and 741 00:49:42,120 --> 00:49:49,040 Speaker 1: his brother? They thereat? I love that? Uh okay, So 742 00:49:49,360 --> 00:49:52,840 Speaker 1: outside of France? Is there is there a hole in 743 00:49:52,960 --> 00:49:55,279 Speaker 1: the wall where the men can see at all? Is that? 744 00:49:55,719 --> 00:49:57,800 Speaker 1: Is that going to happen in the second book? Or 745 00:49:58,840 --> 00:50:01,759 Speaker 1: did you want to read that? You WoT you read it? No? 746 00:50:01,960 --> 00:50:03,960 Speaker 1: I just I just it just seems like that's where 747 00:50:04,000 --> 00:50:06,520 Speaker 1: it was going. Yes, it's a while. It's simple books. 748 00:50:06,520 --> 00:50:10,239 Speaker 1: There are simple books for simple minds, but they activate 749 00:50:10,320 --> 00:50:13,880 Speaker 1: the mind. Um, it's because of my childhood. My parents 750 00:50:14,920 --> 00:50:18,880 Speaker 1: never let me have music, and well I had to 751 00:50:18,960 --> 00:50:22,120 Speaker 1: come up with my own sing song, lyrics and words. 752 00:50:23,520 --> 00:50:26,680 Speaker 1: Your parents never let you have music. We have music 753 00:50:26,719 --> 00:50:29,160 Speaker 1: playing all the time here. Don't you hear pomp and circumstances? 754 00:50:29,200 --> 00:50:32,920 Speaker 1: But under us the whole time? No? Not's that's really 755 00:50:33,880 --> 00:50:40,800 Speaker 1: you can't hear music either. It's playing right now, do 756 00:50:40,920 --> 00:50:46,680 Speaker 1: you not? No? No I hear it? Oh what a beautiful, 757 00:50:46,760 --> 00:50:53,120 Speaker 1: joyous place to work. Unlike my last job recreating scenes 758 00:50:53,280 --> 00:50:58,160 Speaker 1: from life stories or acting as they would call it. 759 00:51:00,560 --> 00:51:03,040 Speaker 1: That was your last job. You're you're an actor? Equity 760 00:51:03,160 --> 00:51:07,680 Speaker 1: actually yes, yes, yes, who equity wow? Because I was 761 00:51:07,719 --> 00:51:11,840 Speaker 1: in the production of Our Town Picnic, mostly outdoor settings, 762 00:51:13,480 --> 00:51:18,080 Speaker 1: Shakespeare in the parking lot, many times in the parking lot. Yes, yes, 763 00:51:18,800 --> 00:51:24,480 Speaker 1: we did this. Just end on your Outside of France news. 764 00:51:25,880 --> 00:51:29,240 Speaker 1: A group of construction workers have gone to work overnight 765 00:51:29,320 --> 00:51:34,960 Speaker 1: and plugged the holes in every wall between here and Luxembourg. 766 00:51:35,760 --> 00:51:44,280 Speaker 1: We'll have moralness at eleven. Brian, Oh, thank goodness, Brian, 767 00:51:44,400 --> 00:51:47,960 Speaker 1: just in time. Let's thank all our alchemist please for 768 00:51:48,160 --> 00:51:53,880 Speaker 1: this incredible episode, starting with of course Jackie freshly stretched, 769 00:51:54,360 --> 00:51:57,320 Speaker 1: ruth oh fell good, thank you for having me? What 770 00:51:57,480 --> 00:52:01,520 Speaker 1: a blast? Always can folks find you on the socials? 771 00:52:02,600 --> 00:52:07,359 Speaker 1: I'm at Jackie, Druthy and new episode knew me. If 772 00:52:07,480 --> 00:52:11,560 Speaker 1: you're watching the NBA these days, you're gonna see me 773 00:52:11,680 --> 00:52:16,279 Speaker 1: in a Draft Kings commercial. Look out teased it last 774 00:52:16,440 --> 00:52:21,000 Speaker 1: up and now you know exactly the product more nice 775 00:52:21,040 --> 00:52:25,560 Speaker 1: and I really actually quite liked the products. And they 776 00:52:25,640 --> 00:52:27,960 Speaker 1: knew you were a big fan of the Draft Kings. 777 00:52:28,040 --> 00:52:29,960 Speaker 1: You've been using them for a number of years. Right, 778 00:52:30,400 --> 00:52:35,200 Speaker 1: That's how you get commercial gigs. You gotta be able 779 00:52:35,200 --> 00:52:38,440 Speaker 1: to speak, to speak, just use the product. Gary Anthony Williams, 780 00:52:38,520 --> 00:52:43,040 Speaker 1: thank you, Thank you, my friend. Always the pleasure. I'm 781 00:52:43,160 --> 00:52:47,759 Speaker 1: at Gary Anthony Williams uh on the Instagram. And if 782 00:52:47,800 --> 00:52:50,040 Speaker 1: you're in a town uh and you want to see 783 00:52:50,080 --> 00:52:54,640 Speaker 1: someone who's live anyway? Which is the roadbirst of whose line? 784 00:52:54,920 --> 00:52:58,200 Speaker 1: I'll be doing that most of mate. Whenever this comes out, Kevin, 785 00:52:58,320 --> 00:53:00,839 Speaker 1: I don't know, is there a website or something can Yeah, 786 00:53:01,360 --> 00:53:06,000 Speaker 1: it's Who's live dot com. Who's live dot com. You 787 00:53:06,080 --> 00:53:10,279 Speaker 1: see all the tour dates there. Go check it out immediately, 788 00:53:10,400 --> 00:53:14,160 Speaker 1: folks if you can and a tool sing thank you 789 00:53:14,360 --> 00:53:17,600 Speaker 1: as well well. Thank you for having me. It's always 790 00:53:17,680 --> 00:53:21,279 Speaker 1: a pleasure to be amongst a very talented company. Um. 791 00:53:21,480 --> 00:53:24,799 Speaker 1: You can find me at a tool time on all 792 00:53:24,840 --> 00:53:28,480 Speaker 1: the socials and my website. We'll try to keep that 793 00:53:28,640 --> 00:53:32,120 Speaker 1: posted with all the shows and happenings. So thanks again. 794 00:53:32,440 --> 00:53:36,440 Speaker 1: When you say you'll try, yeah, I'm going to. I 795 00:53:36,520 --> 00:53:39,879 Speaker 1: just like the current thing is not it's not there yet, 796 00:53:39,920 --> 00:53:41,160 Speaker 1: so I just need to put that in. There's some 797 00:53:41,239 --> 00:53:43,840 Speaker 1: future dates already set up, but that's felt like a disclaimer. 798 00:53:43,920 --> 00:53:47,799 Speaker 1: I just Collstrott and thank you so much for being 799 00:53:47,840 --> 00:53:51,160 Speaker 1: an alchemist and not a guest host. Yeah. Thanks, It's 800 00:53:51,440 --> 00:53:53,120 Speaker 1: it's weird being on the other side, but I love 801 00:53:53,200 --> 00:53:55,759 Speaker 1: doing that time of time. You can follow me at 802 00:53:55,800 --> 00:53:58,800 Speaker 1: col Stratton on Twitter at Stratton Cole on Instagram. A 803 00:53:58,880 --> 00:54:01,239 Speaker 1: lot of shows at the west Side Comedy Theater, Coburnots 804 00:54:01,239 --> 00:54:03,400 Speaker 1: have been running the show called TV Reunion Show with 805 00:54:03,480 --> 00:54:07,320 Speaker 1: Coburnats and Friends, where we do a fictitious TV reunion 806 00:54:07,400 --> 00:54:09,719 Speaker 1: show based on a show that never existed that the 807 00:54:09,719 --> 00:54:12,080 Speaker 1: audience helps us built together. It's really fun. That's twice 808 00:54:12,080 --> 00:54:14,600 Speaker 1: a month on Monday, so check out schedule there. Uh, 809 00:54:14,680 --> 00:54:16,680 Speaker 1: pretty pretty pony first Thursday of the month at ten 810 00:54:16,880 --> 00:54:19,320 Speaker 1: and Grifter which I direct, which the Tool is in. 811 00:54:20,120 --> 00:54:23,640 Speaker 1: Uh coming up pretty soon to April and then again 812 00:54:23,680 --> 00:54:27,839 Speaker 1: in May or on the same time. Head on over 813 00:54:27,960 --> 00:54:31,920 Speaker 1: to west Side Comedy dot com for that calendar of events. 814 00:54:32,000 --> 00:54:34,799 Speaker 1: Depending on when you're hearing this, James Heney Brant Home. 815 00:54:36,239 --> 00:54:38,480 Speaker 1: You know, I really had hoped that I could start 816 00:54:38,560 --> 00:54:42,520 Speaker 1: off my goodbyes with a review from the reviews, but 817 00:54:42,680 --> 00:54:45,319 Speaker 1: I got zero, So instead I'll just say on May 818 00:54:45,440 --> 00:54:47,719 Speaker 1: one at eight pm at the west Side Comedy Theater 819 00:54:48,040 --> 00:54:50,920 Speaker 1: in addition to all the other great curated content. On 820 00:54:51,040 --> 00:54:53,839 Speaker 1: May first, at a PM, you can see Alchemy This live. 821 00:54:54,480 --> 00:54:56,759 Speaker 1: I love them to be there. Yeah, and then you 822 00:54:56,840 --> 00:54:59,320 Speaker 1: could write on paper a review and I'll find a 823 00:54:59,400 --> 00:55:02,800 Speaker 1: way to get it into the internet. Please, anytime you 824 00:55:03,000 --> 00:55:05,959 Speaker 1: find James Heenee in the wild, give him a piece 825 00:55:06,000 --> 00:55:08,000 Speaker 1: of paper with a review on it. It would be 826 00:55:08,080 --> 00:55:11,480 Speaker 1: greatly appreciated. Let's thank our producer engineer to the stars, 827 00:55:11,600 --> 00:55:19,960 Speaker 1: Mr doug Bane. Fine, folks that I hurt media. I'm 828 00:55:20,000 --> 00:55:22,960 Speaker 1: your host, Kevin Pollock reminding you please be kind of 829 00:55:23,040 --> 00:55:25,160 Speaker 1: each other. Thank you so much for giving a damn 830 00:55:25,200 --> 00:55:32,360 Speaker 1: about what the hell this is? Until next time, She