WEBVTT - Fan Mini airs 7-17 5p

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<v Speaker 1>Hey, they're fan Ritos. Welcome back to an all new

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<v Speaker 1>episode of How Rude Tanner Ritos. Today, we're dedicating this

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<v Speaker 1>minisode to the fans that have reached out to us

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<v Speaker 1>through email, whether it be a question you're dying to

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<v Speaker 1>know the answer to or a fun fact that you've

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<v Speaker 1>wanted to send our way. We love reading your emails

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<v Speaker 1>and we want to highlight some of our favorites today.

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<v Speaker 1>Our Fana Ritos are so like smart and thoughtfuls are amazing.

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<v Speaker 2>They ask such great questions, They're so sweet, so kind. Yeah,

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<v Speaker 2>we the fan of Ritos are I mean of this podcast,

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<v Speaker 2>but also just like full House fans in general are

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<v Speaker 2>really really just lovely and wonderful.

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<v Speaker 1>So so lovely. Was this was great, great question grab

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<v Speaker 1>bag of questions and anecdotes and I really really enjoyed this.

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<v Speaker 1>So let's start out with some questions, shall we.

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<v Speaker 3>Yeah, let's go for it.

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<v Speaker 1>So first we have from Annie Nason. As you wrap

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<v Speaker 1>up recapping the first half of the series, I was

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<v Speaker 1>wondering what your thoughts are on your character's development so far.

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<v Speaker 1>What do you hope to see for Stephan Kimmy as

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<v Speaker 1>the show progresses. Having not seen these future episodes that

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<v Speaker 1>are to come. Oh oh, great question, really great question.

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<v Speaker 3>Yes, yeah, we're we.

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<v Speaker 1>Just started season five, so we've only seen four seasons

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<v Speaker 1>of our characters developing.

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<v Speaker 3>Like halfway through.

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<v Speaker 1>We've got it's halfway through. Well and for the kids too.

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<v Speaker 1>I mean, you started at five, now you're nine. Nine

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<v Speaker 1>is ten years old, and I started at ten and

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<v Speaker 1>now I'm probably eighteen on the on the show, so that.

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<v Speaker 2>These are ye, But I also feel like our characters

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<v Speaker 2>are pretty set.

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<v Speaker 3>In who they are.

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<v Speaker 2>I mean also because it's a sitcom, it's not like

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<v Speaker 2>you have terribly huge like character arcs, you know what

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<v Speaker 2>I mean, right, But I I mean I feel like

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<v Speaker 2>I hope we see Steph really keep up her you know,

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<v Speaker 2>her sass and her independence, and I think we see

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<v Speaker 2>that she does.

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<v Speaker 1>So yeah, yeah, that's the best part about Steph is

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<v Speaker 1>her sassiness, and yeah, she knows who she is.

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<v Speaker 2>And Kimmy, yes, they're just I appreciate that.

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<v Speaker 3>Well though Stuph have.

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<v Speaker 2>Some moments where she's like trying to kind of find herself,

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<v Speaker 2>you know, the gas of it all.

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<v Speaker 3>Yeah, totally normal.

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<v Speaker 1>Normal childhood development. So that's great. Well, Kimmy, I mean

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<v Speaker 1>up until season five yeah, Kimmy is a supporting character

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<v Speaker 1>like a guest star. So I mean, my character development

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<v Speaker 1>has been fine for for a guest star, but now,

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<v Speaker 1>starting in season five, you're going to see me a

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<v Speaker 1>lot more in the show as every episode. But I

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<v Speaker 1>think that's also that also marks the change of when

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<v Speaker 1>Kimmy becomes extra annoying and.

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<v Speaker 3>Well, because you're now you're there all the time.

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<v Speaker 1>Now I'm there all the time, and I'm a teenager

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<v Speaker 1>and not just sassy but kind of.

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<v Speaker 2>Just rude and so rude, but yeah, rude, and then

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<v Speaker 2>the adults sort of serve it back to you in

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<v Speaker 2>a way that you might not.

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<v Speaker 1>So I don't know how I feel about that. I

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<v Speaker 1>I mean, you always need like a wacky neighbor. I mean,

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<v Speaker 1>this character is needed for a sitcom. But I don't know,

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<v Speaker 1>I just I like more of the ditsy. I like

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<v Speaker 1>season like three and four a little bit. She's oblivious

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<v Speaker 1>and ditsy, but she's not like just so mean all

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<v Speaker 1>the time and mean, you know. So, I don't know,

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<v Speaker 1>I'm interested, and I'm also apprehensive to watch as my

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<v Speaker 1>character progresses over the next Yes, and I don't, we don't,

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<v Speaker 1>but I wish we would learn more about her backstory.

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<v Speaker 1>We get these little t bits like my mom roller

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<v Speaker 1>Derby's on.

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<v Speaker 3>Saturday night in our house apparently, or something with.

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<v Speaker 1>A yeah, I mean there's yeah, but we don't ever

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<v Speaker 1>learn like why why is the Gibbler family that way?

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<v Speaker 1>Why just Kimmy? Why is kim Me not welcomely in

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<v Speaker 1>her own home?

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<v Speaker 3>Yeah?

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<v Speaker 2>Because if they're having roller Derby night and Kimmy's not

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<v Speaker 2>welcome in her own home, like.

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<v Speaker 3>What is Kimmy doing at home? Or what's wrong with

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<v Speaker 3>these people?

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<v Speaker 1>You know?

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<v Speaker 2>Right?

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<v Speaker 1>Is it Kimmy or is it the parents? And I

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<v Speaker 1>know that might be a little too deep for a sitcom,

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<v Speaker 1>but I wish I was a little bit yeaper with that.

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<v Speaker 3>Yeah, And I wish we had.

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<v Speaker 2>I don't well, no, I guess we do with I

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<v Speaker 2>was like, I wish we had seen Steph kind of

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<v Speaker 2>deal with more about missing Pam, but you know, a

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<v Speaker 2>drag it down.

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<v Speaker 1>No, But it seems like it would affect you or

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<v Speaker 1>Stephanie more than the other two because Michelle was too young,

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<v Speaker 1>she was an infant, so she doesn't remember her mom.

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<v Speaker 1>And then DJ had more time with her mom, more

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<v Speaker 1>memories with my mom before she died. But you were

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<v Speaker 1>four or five when Pam died, so you probably don't

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<v Speaker 1>have many memories of her. Isn't that an episode of

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<v Speaker 1>Fuller House. We're like, I can't.

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<v Speaker 3>Remember the one? Yeah, my mom? Right, So we get there,

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<v Speaker 3>we get there, eventually, we get.

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<v Speaker 1>There, but it's like thirty years later that we get.

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<v Speaker 3>Well as the show progresses, you know, thirty years later.

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<v Speaker 2>Yeah, so all right, let's I don't know if we

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<v Speaker 2>answered that for you, Annie, but but you found out

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<v Speaker 2>a lot of things that we were thinking that you

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<v Speaker 2>probably didn't really care about.

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<v Speaker 3>Okay.

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<v Speaker 2>Our next question is from Becca Ballbridge. What a name

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<v Speaker 2>right like that just has great That's a great name name,

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<v Speaker 2>like a Buldridge.

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<v Speaker 3>Yeah, okay, she said.

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<v Speaker 2>I started attending cons a few years ago, like conventions,

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<v Speaker 2>not like con artists. I started attending cons a few

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<v Speaker 2>years ago, and I started wondering, what would you say

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<v Speaker 2>is proper fan etiquette for celebrity interactions? As my friends

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<v Speaker 2>and I have started participating in meet and greet opportunities,

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<v Speaker 2>we've struggled as self conscious introverts wanting to chat with

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<v Speaker 2>the guest celebrities, but we don't want to monopolize time

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<v Speaker 2>from other fans. How would you recommend fans approach these opportunities?

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<v Speaker 1>Well, I love this guy, and the fact that you

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<v Speaker 1>have even thought of this question means that you're doing right.

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<v Speaker 2>Yes, And here's what I will say is that there's

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<v Speaker 2>different types. If you're at a convention and we're there

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<v Speaker 2>as you know, celebs and guests, we the it's understood

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<v Speaker 2>that like when you're walking across the floor to your

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<v Speaker 2>booth or whatever, people are going to stop and.

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<v Speaker 3>Be like, oh my god and take a picture of it.

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<v Speaker 2>Like that's you're you're kind of prep for that, and

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<v Speaker 2>you're it's that's fine at a convention.

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<v Speaker 3>I when you're.

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<v Speaker 2>Out in the wild, you know, and just in normal

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<v Speaker 2>I will say the best way people handle it is

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<v Speaker 2>just discreetly, or they'll just say something and be like

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<v Speaker 2>and just slowly, you know, sort of lean by and

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<v Speaker 2>be like I'm a really huge fan, or hey, I

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<v Speaker 2>don't want to you know bother you like, could we

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<v Speaker 2>get a selfie? And like just sort of quietly, don't

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<v Speaker 2>you know, because sometimes you do feel a bit like

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<v Speaker 2>a zoo animal when people are.

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<v Speaker 3>Like, oh, come here, honey, look, oh my god, You're like,

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<v Speaker 3>I don't should I just stand here.

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<v Speaker 2>I don't know, this feels weird, But for conventions, like

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<v Speaker 2>I know, you know, and it depends on how long

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<v Speaker 2>the line is. It depends on who you're talking to.

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<v Speaker 2>But you know, most of us when we're at conventions

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<v Speaker 2>are pretty happy to like chat for a minute.

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<v Speaker 3>I love it. I love chatting it up with the fans.

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<v Speaker 2>Sometimes I'll be like, I'm sorry, I have talked to

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<v Speaker 2>your ear off for four minutes and these other people

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<v Speaker 2>are staring at me. But now I think true, I think,

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<v Speaker 2>you know. It depends like are you doing the photo

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<v Speaker 2>op at a convention, because that's kind of a quick like, hey,

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<v Speaker 2>let's do a picture, Okay, thank you, there's not in

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<v Speaker 2>the line there or something you're signing something or whatever.

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<v Speaker 3>I'd say usually like keep it.

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<v Speaker 2>A minute, or under like that's one with a minute,

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<v Speaker 2>or under ask a relatively like simple or the most

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<v Speaker 2>important question you want to ask, and and then be like,

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<v Speaker 2>thank you so much for your time and continue on.

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<v Speaker 2>Not because we don't want to talk to you as celebs,

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<v Speaker 2>but because I know for us, like sometimes we're in

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<v Speaker 2>the awkward position of like, oh, I really want to

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<v Speaker 2>keep talking to you, but I also have these other people,

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<v Speaker 2>But I don't want you to feel like I'm cutting

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<v Speaker 2>you off or like ruin the moment with being like

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<v Speaker 2>okay bye.

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<v Speaker 1>You know.

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<v Speaker 2>So, I think sometimes if people are just kind of

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<v Speaker 2>cognizant of like, Okay, I'm gonna I have a quick

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<v Speaker 2>thing to say, or I want to say something really important,

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<v Speaker 2>and then we're gonna you know, right, it's more just

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<v Speaker 2>about being considerate of others behind you in line, and

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<v Speaker 2>you know, sometimes like totally by Sunday, your line's a

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<v Speaker 2>little bit light and you're like, Okay, I can spend

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<v Speaker 2>more time talking to people.

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<v Speaker 3>It's not quite as bad.

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<v Speaker 1>Absolutely, but absolutely no, that's great advice.

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<v Speaker 2>Write it down, to write down your question that you

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<v Speaker 2>want to ask, because I will tell you and particularly

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<v Speaker 2>like you said, your self conscious introverts, oftentimes you'll just

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<v Speaker 2>get really nervous and forget what you wanted to ask,

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<v Speaker 2>and then you're then you're like, oh, and then I

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<v Speaker 2>just stammered or I did you know, and which is

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<v Speaker 2>totally normal and okay. But if you have a question

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<v Speaker 2>and you tend to be more somebody that's like gets

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<v Speaker 2>in your head about interactions, then write it down and

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<v Speaker 2>then look at it right before you go meet them

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<v Speaker 2>and then have your moment.

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<v Speaker 1>You know, that's a great tip for all sorts of

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<v Speaker 1>life situations.

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<v Speaker 3>Write it down.

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<v Speaker 1>Yeah, yeah, yeah, here here's the thing. What was I

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<v Speaker 1>going to say? Oh yeah, just know here, think of

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<v Speaker 1>the Yeah, what do you want to ask us or

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<v Speaker 1>say to us? What's the most important thing? Think of

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<v Speaker 1>one or two and that's it. But if you can't

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<v Speaker 1>think of anything to say, that's fine. So to guide

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<v Speaker 1>the conversation, we will. We will ask you some things ourselves.

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<v Speaker 1>So yeah, whatever, just regardless, don't stress about it because

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<v Speaker 1>if you can't think of anything to say, we will

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<v Speaker 1>think of something to say. So that's fine. But also, yeah,

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<v Speaker 1>we hear a lot. My daughter loves your show, and

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<v Speaker 1>that's great, but we also know that's why you're at

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<v Speaker 1>this convention. Bought tickets for this convention because.

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<v Speaker 3>You love love the show, right, and that's and we

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<v Speaker 3>love it.

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<v Speaker 1>So what is it that like? I don't know. I

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<v Speaker 1>would say, be more specific, like, do you have a

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<v Speaker 1>specific question for us? What's our favorite episode? What is

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<v Speaker 1>our you know, just something very or tell us your

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<v Speaker 1>favorite episode.

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<v Speaker 2>I would like I love hearing yeah, I love hearing

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<v Speaker 2>things from.

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<v Speaker 1>Your favorite episode, your favorite episode, you know, reference a

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<v Speaker 1>joke or something like. That's what I love the most

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<v Speaker 1>because it's very specific. Yeah, it's not just my daughter

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<v Speaker 1>loves your show and I'm like, that's great. But it

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<v Speaker 1>doesn't like there's nothing. What do I respond to that

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<v Speaker 1>except thanks? I don't know. So that's what I would

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<v Speaker 1>say is just be specific and if you forget everything,

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<v Speaker 1>that's fine. We will guide them.

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<v Speaker 2>My biggest thing is just just be cognizant of the

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<v Speaker 2>line and the world around you.

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<v Speaker 3>That's all.

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<v Speaker 2>And most people are most yeah, most people are super Yeah,

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<v Speaker 2>and even you know, most people, like if someone's taking

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<v Speaker 2>a really long time, everybody else in the line is like, oh,

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<v Speaker 2>we get it, Like there's you know, that's me with

0:11:13.600 --> 0:11:16.160
<v Speaker 2>so and so or like you know, people are very forgiving.

0:11:16.160 --> 0:11:20.200
<v Speaker 2>But it's just more a matter of like keeping keeping

0:11:20.200 --> 0:11:23.880
<v Speaker 2>it moving and because you know, and I don't want

0:11:23.880 --> 0:11:25.360
<v Speaker 2>to have to tell people to move along because.

0:11:25.160 --> 0:11:28.080
<v Speaker 1>I like channing right right, No, it is awkward, and

0:11:28.400 --> 0:11:29.199
<v Speaker 1>usually yeah.

0:11:29.520 --> 0:11:33.000
<v Speaker 2>Write it down and keep it to a brief interaction

0:11:33.080 --> 0:11:36.880
<v Speaker 2>and be aware if someone's trying to, you.

0:11:36.840 --> 0:11:39.959
<v Speaker 1>Know, excuse a life no life stories. We don't want

0:11:39.960 --> 0:11:42.720
<v Speaker 1>to hear your whole life history. I mean I do,

0:11:43.000 --> 0:11:45.880
<v Speaker 1>but not we do, but not a conveyor.

0:11:46.240 --> 0:11:49.440
<v Speaker 2>Right right right, because I can't give you the attention

0:11:49.480 --> 0:11:52.200
<v Speaker 2>that it deserves, and and chances are I will and

0:11:52.280 --> 0:11:54.800
<v Speaker 2>I'll stop and then we are like here we are

0:11:55.000 --> 0:11:59.000
<v Speaker 2>having a Michelle Tanner therapy session, and yeah, so.

0:11:59.080 --> 0:12:01.319
<v Speaker 1>No therapy session, and yeah we got to keep the.

0:12:01.280 --> 0:12:03.840
<v Speaker 3>Line even asking about that. But I will say, if

0:12:03.880 --> 0:12:06.640
<v Speaker 3>you see celebrities out and about, like doing their thing.

0:12:07.520 --> 0:12:10.720
<v Speaker 2>Just low key, they just want to be on the down,

0:12:10.840 --> 0:12:11.920
<v Speaker 2>just want to be people.

0:12:19.559 --> 0:12:21.520
<v Speaker 1>This is so timely because when I go to new

0:12:21.559 --> 0:12:23.600
<v Speaker 1>kids events, that is our demographic.

0:12:23.880 --> 0:12:26.640
<v Speaker 3>Oh yeah, that is the same.

0:12:26.800 --> 0:12:29.120
<v Speaker 1>So I've start and I hate it, but I hate

0:12:29.120 --> 0:12:32.080
<v Speaker 1>that I have to say no, like in the concert hall,

0:12:32.160 --> 0:12:33.600
<v Speaker 1>like I have to say no because if I say

0:12:33.679 --> 0:12:37.439
<v Speaker 1>yes once once right, there's a line forty people deep instantly,

0:12:37.480 --> 0:12:39.600
<v Speaker 1>And I'm like, that's distracting to the new kids. Like

0:12:39.679 --> 0:12:41.560
<v Speaker 1>that's just really awkward to new kids.

0:12:41.559 --> 0:12:44.040
<v Speaker 2>And also it's like there I have that hat of

0:12:44.080 --> 0:12:46.720
<v Speaker 2>mine is off right now, and I just I'm going

0:12:46.760 --> 0:12:48.640
<v Speaker 2>to enjoy my thing. So I get that, and I

0:12:48.640 --> 0:12:49.560
<v Speaker 2>think most people understand.

0:12:49.600 --> 0:12:51.240
<v Speaker 1>If I see it in an elevator or something, or

0:12:51.280 --> 0:12:53.840
<v Speaker 1>it's more private, or you just do it discreetly, like oh,

0:12:54.040 --> 0:12:56.160
<v Speaker 1>just take a little subt be like we're friends, that's fine,

0:12:56.240 --> 0:12:57.439
<v Speaker 1>but don't scream a lot.

0:12:57.520 --> 0:12:59.920
<v Speaker 3>Tanner Rito's get over here.

0:13:00.320 --> 0:13:02.080
<v Speaker 1>Like that is the worst thing you can do.

0:13:02.160 --> 0:13:06.120
<v Speaker 2>Is I just always feel really conspicuous where I'm like,

0:13:09.120 --> 0:13:12.520
<v Speaker 2>you know, yes, Grandma's coming over with it, you know,

0:13:12.600 --> 0:13:13.600
<v Speaker 2>as quick as she can't.

0:13:13.640 --> 0:13:16.040
<v Speaker 3>And you're like, I so I don't know it, and

0:13:16.040 --> 0:13:17.640
<v Speaker 3>then other people are like why are they still? Oh

0:13:17.679 --> 0:13:18.040
<v Speaker 3>my god?

0:13:18.240 --> 0:13:21.839
<v Speaker 2>Yeah, you're like, oh shit, so covers blown anyway, So

0:13:22.480 --> 0:13:22.760
<v Speaker 2>it is.

0:13:22.800 --> 0:13:25.160
<v Speaker 1>We all have stories, we all have stories of fans

0:13:25.240 --> 0:13:28.079
<v Speaker 1>like that. But uh yeah, just be discreet, that's all.

0:13:28.120 --> 0:13:30.400
<v Speaker 1>But that's for outside of conventions. Yeah, there's different rules

0:13:30.400 --> 0:13:33.160
<v Speaker 1>for conventions versus outside of conventions. Yes, this was a

0:13:33.160 --> 0:13:36.080
<v Speaker 1>great question. We could do a whole freaking episode just

0:13:36.200 --> 0:13:41.760
<v Speaker 1>on I mean almost did. Yeah, Okay, moving right along.

0:13:42.960 --> 0:13:47.360
<v Speaker 1>This is from R. J. Farina between both the original

0:13:47.360 --> 0:13:49.600
<v Speaker 1>full House set and the Fuller House set.

0:13:50.240 --> 0:13:50.760
<v Speaker 3>Exactly.

0:13:50.840 --> 0:13:54.199
<v Speaker 1>How is a set built? How is a set stored?

0:13:54.720 --> 0:13:58.480
<v Speaker 1>Is it stored as is or is it kept disassembled somewhere?

0:13:58.720 --> 0:14:01.240
<v Speaker 1>What happens to the set once a show officially wraps?

0:14:02.640 --> 0:14:04.080
<v Speaker 1>Another great detailed question.

0:14:04.240 --> 0:14:06.720
<v Speaker 2>Another great detailed question, and I have a prop for

0:14:06.760 --> 0:14:08.000
<v Speaker 2>this one that we can use.

0:14:08.040 --> 0:14:08.440
<v Speaker 3>Hold on.

0:14:08.640 --> 0:14:11.760
<v Speaker 1>Jody has visual aids for this audio podcast.

0:14:13.840 --> 0:14:16.600
<v Speaker 2>So this right here, and for those of you that

0:14:17.600 --> 0:14:19.320
<v Speaker 2>can't see it, which would be everyone because this is

0:14:19.360 --> 0:14:27.600
<v Speaker 2>a podcast, I have a three D schematic from Fuller

0:14:27.640 --> 0:14:31.720
<v Speaker 2>House of the interior, upstairs, bedrooms.

0:14:31.160 --> 0:14:32.680
<v Speaker 3>And hall So basically what.

0:14:34.320 --> 0:14:38.000
<v Speaker 2>This season is Joey's room, DJ and Staff's room and

0:14:38.080 --> 0:14:41.720
<v Speaker 2>the hallway with the stairs and the entry to the bathroom,

0:14:41.760 --> 0:14:45.200
<v Speaker 2>et cetera. But I have that here and this is

0:14:45.360 --> 0:14:47.080
<v Speaker 2>like a three D model of it. And this is

0:14:47.200 --> 0:14:50.120
<v Speaker 2>something that they actually construct before.

0:14:50.640 --> 0:14:55.160
<v Speaker 3>It's just like architecture. They you know, plan it out.

0:14:55.200 --> 0:14:57.840
<v Speaker 2>They have an idea of maybe what the exterior looks like,

0:14:57.880 --> 0:15:00.480
<v Speaker 2>so they plan the interior, but it's all, you know,

0:15:00.520 --> 0:15:02.840
<v Speaker 2>they have a three D model like this and before

0:15:02.880 --> 0:15:05.560
<v Speaker 2>they build any of the sets or anything. But as

0:15:05.600 --> 0:15:09.120
<v Speaker 2>far as like storage and stuff, I don't know. I

0:15:09.200 --> 0:15:12.960
<v Speaker 2>know they used to keep, like you keep some they'd

0:15:12.960 --> 0:15:15.320
<v Speaker 2>have some basic flat sets, and I know a lot

0:15:15.360 --> 0:15:19.200
<v Speaker 2>of what they call swing sets, not the kind that

0:15:19.240 --> 0:15:20.400
<v Speaker 2>you ride in and go weed, but.

0:15:20.520 --> 0:15:25.120
<v Speaker 3>The kind that like come in and out like the smash.

0:15:24.800 --> 0:15:31.080
<v Speaker 2>Club or the room or whatever. Right, those are typically

0:15:31.240 --> 0:15:37.280
<v Speaker 2>more like not prefab necessarily, but kind of a basic

0:15:37.440 --> 0:15:41.000
<v Speaker 2>shape or whatever, and then they can paint and add

0:15:41.720 --> 0:15:43.280
<v Speaker 2>stuff around it, you know what I mean. That's why

0:15:43.320 --> 0:15:48.560
<v Speaker 2>sometimes you'll see Becky's apartment looks a lot like the

0:15:48.600 --> 0:15:51.760
<v Speaker 2>apartment where DJ was babysitting. They can because it's kind

0:15:51.800 --> 0:15:54.640
<v Speaker 2>of a prefab Okay, we just need an apartment set

0:15:54.680 --> 0:15:56.360
<v Speaker 2>and they have a couple options, and they come and

0:15:56.400 --> 0:15:58.880
<v Speaker 2>build that, and then you can paint it and set

0:15:58.920 --> 0:16:01.800
<v Speaker 2>deck it and however you want. But but yeah, it's

0:16:01.880 --> 0:16:03.880
<v Speaker 2>much like architecture. It starts with the you know, it

0:16:03.920 --> 0:16:05.400
<v Speaker 2>starts with the plan, starts with that.

0:16:05.640 --> 0:16:08.560
<v Speaker 3>They build a schematic and yeah, our art.

0:16:08.480 --> 0:16:12.240
<v Speaker 2>Director Jerry Dunn on on Fuller House, Yeah, Jerry Dunn

0:16:12.320 --> 0:16:14.400
<v Speaker 2>gave me this and I have it sitting up on

0:16:14.440 --> 0:16:14.760
<v Speaker 2>my shelf.

0:16:14.800 --> 0:16:17.000
<v Speaker 3>It's very cool. And so anyway, that's.

0:16:16.880 --> 0:16:19.520
<v Speaker 1>I have the attic I have which was Kimmy's room,

0:16:19.560 --> 0:16:21.720
<v Speaker 1>and that's right, it's not in my office right now,

0:16:21.760 --> 0:16:23.960
<v Speaker 1>but I have it. And yeah, it's just so cool

0:16:23.960 --> 0:16:25.680
<v Speaker 1>to have that little three D skim.

0:16:25.960 --> 0:16:27.160
<v Speaker 3>Yeah, yeah, I love that.

0:16:27.160 --> 0:16:29.160
<v Speaker 1>We should get a set deck, or we should get

0:16:29.160 --> 0:16:30.760
<v Speaker 1>I don't know Jerry, I don't know who was on

0:16:30.920 --> 0:16:34.200
<v Speaker 1>Full House, but we should get maybe Jerry or somebody

0:16:34.200 --> 0:16:36.760
<v Speaker 1>that does set design right on the show. We can

0:16:36.800 --> 0:16:38.320
<v Speaker 1>ask them all these questions like that.

0:16:38.440 --> 0:16:40.040
<v Speaker 2>Oh yeah, that would be yeah, that would be really

0:16:40.080 --> 0:16:43.520
<v Speaker 2>interesting because yeah, I don't I don't know specifically.

0:16:42.880 --> 0:16:43.560
<v Speaker 3>But I do know.

0:16:44.200 --> 0:16:47.080
<v Speaker 2>You know, that's what a lot of the like, you know,

0:16:47.960 --> 0:16:48.880
<v Speaker 2>set departments do.

0:16:49.840 --> 0:16:50.120
<v Speaker 1>Uh.

0:16:50.560 --> 0:16:53.200
<v Speaker 3>You'd walk around a lot and you'll hear.

0:16:53.720 --> 0:16:55.920
<v Speaker 2>The wood shop over in the you know, a corner

0:16:56.040 --> 0:17:00.360
<v Speaker 2>where they're cutting wood, building sets, installing fake windows, you know,

0:17:00.480 --> 0:17:02.640
<v Speaker 2>doing all of it. You'll see a truck pulling a

0:17:02.680 --> 0:17:05.760
<v Speaker 2>bunch of you know, flat set pieces walls, and they

0:17:05.760 --> 0:17:08.880
<v Speaker 2>basically like all connect together like like a building set,

0:17:08.920 --> 0:17:10.760
<v Speaker 2>you know what I mean. They start flat and then

0:17:10.800 --> 0:17:13.040
<v Speaker 2>you just make walls out of them Lincoln.

0:17:12.760 --> 0:17:13.639
<v Speaker 1>Law or something.

0:17:14.280 --> 0:17:14.480
<v Speaker 3>Yeah.

0:17:15.160 --> 0:17:17.000
<v Speaker 1>But yeah, and then I don't know about other shows,

0:17:17.000 --> 0:17:20.800
<v Speaker 1>but after our shows rap all the stuff just goes

0:17:20.800 --> 0:17:22.639
<v Speaker 1>to John Stamos's house because he's steals.

0:17:23.520 --> 0:17:26.560
<v Speaker 2>John Samos has everything from every sitcom that's ever wrapped.

0:17:27.160 --> 0:17:28.280
<v Speaker 1>He's got the front door.

0:17:28.520 --> 0:17:33.119
<v Speaker 2>He's coming out, I mean, you know, smart, because who's

0:17:33.160 --> 0:17:36.560
<v Speaker 2>the Smithsonian gonna come knock into the door of mister Stamos,

0:17:36.600 --> 0:17:39.440
<v Speaker 2>you know what I mean. But plus I'm glad because

0:17:39.480 --> 0:17:43.520
<v Speaker 2>sometimes you know, this stuff doesn't get kept. No, there's

0:17:44.119 --> 0:17:48.400
<v Speaker 2>in fact, the original blueprints for the house, the full

0:17:48.400 --> 0:17:53.600
<v Speaker 2>House house. Just maybe a year or two before we

0:17:54.359 --> 0:17:58.840
<v Speaker 2>uh started Fuller House, they had destroyed the original blueprints

0:17:58.840 --> 0:18:00.320
<v Speaker 2>because it had been long enough I think it's like

0:18:00.320 --> 0:18:01.720
<v Speaker 2>twenty five years and they're like, oh, we won't.

0:18:01.520 --> 0:18:04.200
<v Speaker 3>Need these again, we won't need these, right.

0:18:03.960 --> 0:18:09.480
<v Speaker 2>And then lah, yeah, but yeah, it's uh, they keep

0:18:09.480 --> 0:18:11.000
<v Speaker 2>some of that stuff, and then some of it's just

0:18:11.040 --> 0:18:13.399
<v Speaker 2>you know, and obviously like for films and stuff like that,

0:18:13.440 --> 0:18:17.080
<v Speaker 2>you're creating all kinds of stuff, it's just all AI.

0:18:17.200 --> 0:18:19.880
<v Speaker 1>If it's a really famous set, they will just keep it,

0:18:20.000 --> 0:18:22.720
<v Speaker 1>like I know, the Friends Couch. They have the little

0:18:22.720 --> 0:18:26.199
<v Speaker 1>coffee shop set up at the one Yeahther's tour center.

0:18:26.400 --> 0:18:32.000
<v Speaker 2>And also if you're on a set and you're shooting

0:18:32.240 --> 0:18:35.639
<v Speaker 2>for what used to be six seven, eight months of

0:18:35.680 --> 0:18:37.879
<v Speaker 2>the year, nine months of the year, your set stays

0:18:37.880 --> 0:18:40.320
<v Speaker 2>this up all the time, so even on your hiatus breaks,

0:18:40.359 --> 0:18:43.080
<v Speaker 2>it's there and all this kind of stuff. But it

0:18:43.160 --> 0:18:46.760
<v Speaker 2>really depends on if you're and sometimes in the summer.

0:18:47.400 --> 0:18:49.000
<v Speaker 3>Well, I know, I feel like in the summer our.

0:18:48.960 --> 0:18:52.360
<v Speaker 2>Set stayed because it was it was already established.

0:18:52.400 --> 0:18:54.920
<v Speaker 3>So I think we had that set for the whole year.

0:18:55.000 --> 0:18:58.560
<v Speaker 2>I agree, Yeah, But like when we did Fuller, they

0:18:58.600 --> 0:19:02.160
<v Speaker 2>had to strike it every time because we had such shortened,

0:19:02.400 --> 0:19:05.040
<v Speaker 2>truncated seasons that there was a lot more shows that

0:19:05.080 --> 0:19:07.040
<v Speaker 2>could come in and do stuff in between stuff.

0:19:07.200 --> 0:19:10.080
<v Speaker 1>Right. Yes, I'm very possessive of Stage twenty four. I

0:19:10.080 --> 0:19:13.240
<v Speaker 1>get very upset one other shows fit in there, like yeah,

0:19:13.440 --> 0:19:15.679
<v Speaker 1>in my dressing room, Who's who's in my parking spot?

0:19:15.800 --> 0:19:17.840
<v Speaker 1>I kid, Yeah, it makes me kind of Yeah, I'm

0:19:17.880 --> 0:19:20.000
<v Speaker 1>a little possessive of it. But that was a great question.

0:19:20.040 --> 0:19:20.760
<v Speaker 1>That was really it was.

0:19:20.760 --> 0:19:22.800
<v Speaker 3>A really great question. Great question. All right.

0:19:23.040 --> 0:19:26.720
<v Speaker 2>Our next question is from Helen BArch. I hope I'm

0:19:26.720 --> 0:19:31.119
<v Speaker 2>saying that right, Bart s H. Barsh BArch Uh you.

0:19:31.480 --> 0:19:33.919
<v Speaker 2>She says you have stated that Sea Cruise is not

0:19:34.040 --> 0:19:35.080
<v Speaker 2>your favorite episode.

0:19:35.800 --> 0:19:39.240
<v Speaker 3>I agree that. She said that. She agrees, how would

0:19:39.320 --> 0:19:41.600
<v Speaker 3>you rewrite? I don't know why.

0:19:41.600 --> 0:19:45.720
<v Speaker 2>I can never say that rewrite rewrite.

0:19:46.080 --> 0:19:46.560
<v Speaker 1>We wat this.

0:19:46.600 --> 0:19:49.920
<v Speaker 2>Episode to fit the full house theme while still allowing

0:19:49.960 --> 0:19:51.080
<v Speaker 2>the episode.

0:19:50.640 --> 0:19:52.480
<v Speaker 3>To be called Sea Cruise.

0:19:53.480 --> 0:19:54.359
<v Speaker 1>Such a good question.

0:19:55.080 --> 0:19:56.359
<v Speaker 3>How would I rewrite.

0:19:56.040 --> 0:19:58.520
<v Speaker 2>The episode to fit the full house theme?

0:19:58.760 --> 0:20:01.560
<v Speaker 1>Well, the problem sea Cruise is there's too many.

0:20:01.720 --> 0:20:04.040
<v Speaker 2>One of them would have to be a teacher, right,

0:20:05.080 --> 0:20:07.280
<v Speaker 2>Danny's date, one of them, right, one of them, one

0:20:07.280 --> 0:20:09.840
<v Speaker 2>of them had to be DJ's teacher, right, So the

0:20:09.920 --> 0:20:11.240
<v Speaker 2>kids are along for them business.

0:20:11.240 --> 0:20:15.639
<v Speaker 1>It's true. No, I think that the the pro if

0:20:15.640 --> 0:20:17.679
<v Speaker 1>I can remember, the problem with Sea Cruise was a

0:20:18.000 --> 0:20:21.200
<v Speaker 1>the exclusion of the family unit. The girls weren't even

0:20:21.240 --> 0:20:23.160
<v Speaker 1>in it, right, And then there were just too many

0:20:23.200 --> 0:20:26.480
<v Speaker 1>sexual innuendos and stuff for on the boat for the family.

0:20:26.520 --> 0:20:28.400
<v Speaker 3>But how would we how do we get the kids

0:20:28.440 --> 0:20:29.720
<v Speaker 3>on the boat? Why are the kids on the boat?

0:20:29.760 --> 0:20:30.600
<v Speaker 1>They don't need to be on the boat.

0:20:30.640 --> 0:20:31.960
<v Speaker 3>They're gonna be No, but that's what we're saying.

0:20:32.000 --> 0:20:33.840
<v Speaker 2>How would we rewrite this episode to fit the full

0:20:33.840 --> 0:20:35.560
<v Speaker 2>house theme? And the full house theme is this family

0:20:35.600 --> 0:20:38.400
<v Speaker 2>is always together. So if they're always together, you still

0:20:38.400 --> 0:20:40.600
<v Speaker 2>call it sea cruise? Why are they on the boat?

0:20:41.040 --> 0:20:42.640
<v Speaker 1>Oh? I see I was picturing.

0:20:42.880 --> 0:20:50.040
<v Speaker 2>Maybe maybe one of them is DJ's biology teacher. And

0:20:50.359 --> 0:20:53.960
<v Speaker 2>the kids are going out to San Francisco Bay to

0:20:54.760 --> 0:20:59.520
<v Speaker 2>go on a marine biology tour because they're looking at

0:20:59.560 --> 0:21:01.840
<v Speaker 2>different and stuff, which is like something you do in

0:21:01.880 --> 0:21:02.880
<v Speaker 2>like six or seventh grade.

0:21:02.880 --> 0:21:03.880
<v Speaker 3>What about DJ's agent.

0:21:03.880 --> 0:21:06.640
<v Speaker 2>Okay, and one of them is a biology teacher, and

0:21:06.760 --> 0:21:10.520
<v Speaker 2>the three dads all agree the thinks she's cute, and

0:21:10.600 --> 0:21:14.160
<v Speaker 2>all three agreed to be chaperones on the boat. And

0:21:15.880 --> 0:21:20.320
<v Speaker 2>Michelle can come because she's little enough, and Stephanie decides

0:21:20.359 --> 0:21:21.520
<v Speaker 2>to tag along or whatever.

0:21:22.480 --> 0:21:24.760
<v Speaker 3>And that's and then you see creuse. You're still on

0:21:24.800 --> 0:21:25.160
<v Speaker 3>the boat.

0:21:25.520 --> 0:21:28.719
<v Speaker 2>You still have the idea of like, maybe there's an

0:21:28.760 --> 0:21:31.440
<v Speaker 2>attractive woman they can be all flirting with. Maybe it's

0:21:31.440 --> 0:21:33.240
<v Speaker 2>all three of them, and then you have the kids

0:21:33.280 --> 0:21:33.680
<v Speaker 2>on the boat.

0:21:34.400 --> 0:21:37.320
<v Speaker 1>Okay, I like that. That's better than my idea.

0:21:37.359 --> 0:21:40.720
<v Speaker 2>And then a giant whale comes and just breaches right

0:21:40.760 --> 0:21:42.600
<v Speaker 2>on top of the boat and it becomes a disaster

0:21:42.720 --> 0:21:43.840
<v Speaker 2>film and now they're saving the.

0:21:43.880 --> 0:21:55.600
<v Speaker 1>Children empty house, right, Yeah, no, that's good. I like

0:21:55.680 --> 0:21:57.879
<v Speaker 1>that way better than I was just thinking that just

0:21:58.480 --> 0:22:00.520
<v Speaker 1>put the girls at home, like DJ is in charge

0:22:00.520 --> 0:22:03.320
<v Speaker 1>of the girls, and everything goes wrong, everything goes awry

0:22:03.480 --> 0:22:06.000
<v Speaker 1>and it's a mess, and but the guys can still

0:22:06.040 --> 0:22:08.840
<v Speaker 1>go on their like boy, you know, their boy cruise.

0:22:08.960 --> 0:22:12.280
<v Speaker 1>Just don't have like all of the debauchery. Like, they

0:22:12.280 --> 0:22:15.119
<v Speaker 1>can still go on their cruise. It doesn't have to

0:22:15.119 --> 0:22:17.280
<v Speaker 1>be a decrepit boat. It can just be like a

0:22:17.480 --> 0:22:20.080
<v Speaker 1>like a cruise like the seventies crew he went on, right,

0:22:20.200 --> 0:22:22.560
<v Speaker 1>But as they do their shuffle board and their concerts

0:22:22.600 --> 0:22:24.000
<v Speaker 1>and stuff, they're like, you know what, we really just

0:22:24.040 --> 0:22:26.240
<v Speaker 1>missed the girls, and we really would rather they go

0:22:26.280 --> 0:22:29.480
<v Speaker 1>one of the three days. Yeah, but were instead of

0:22:29.560 --> 0:22:31.520
<v Speaker 1>doing like drunken things. There's like, no, we'd rather just

0:22:31.560 --> 0:22:33.080
<v Speaker 1>be at home because we miss the girls so much.

0:22:33.080 --> 0:22:35.040
<v Speaker 1>And they go home and have a reunion and DJ

0:22:35.200 --> 0:22:38.199
<v Speaker 1>and Stephanie and Michelle try to hide all of the

0:22:38.280 --> 0:22:39.680
<v Speaker 1>damage that they've done to the house.

0:22:39.800 --> 0:22:43.080
<v Speaker 3>I don't know, true, but secrews we were young with

0:22:43.280 --> 0:22:44.280
<v Speaker 3>ten and five.

0:22:44.080 --> 0:22:45.800
<v Speaker 1>And it wasn't enough to watch.

0:22:45.880 --> 0:22:48.080
<v Speaker 2>I don't know that you'd leave them alone. Well, I

0:22:48.119 --> 0:22:51.840
<v Speaker 2>mean that's true. Well then in the state of California anyway,

0:22:51.880 --> 0:22:54.199
<v Speaker 2>I don't think you can leave them to go on

0:22:54.200 --> 0:22:54.679
<v Speaker 2>a cruise.

0:22:55.000 --> 0:22:58.120
<v Speaker 1>That's true. Only Michelle by herself. They can only leave her,

0:22:57.920 --> 0:23:01.200
<v Speaker 1>right right, Michelle's fine, fine, any and DJ that need.

0:23:01.280 --> 0:23:02.200
<v Speaker 3>Can't be trusted.

0:23:03.119 --> 0:23:05.320
<v Speaker 2>While you saw what happened, they're dancing on speakers somebody

0:23:05.400 --> 0:23:05.679
<v Speaker 2>leaves the.

0:23:05.680 --> 0:23:07.600
<v Speaker 1>House, they're putting holes in the wall.

0:23:08.000 --> 0:23:17.800
<v Speaker 2>Yeah, exactly, but yeah, that's how I would rewrite. Yeah,

0:23:14.240 --> 0:23:19.560
<v Speaker 2>rewrite seacrews.

0:23:19.640 --> 0:23:25.000
<v Speaker 1>Yeah, okay, we'll do our mouth palasthenics after this episode. Well,

0:23:25.000 --> 0:23:27.600
<v Speaker 1>those were great questions and now great question. We want

0:23:27.640 --> 0:23:30.440
<v Speaker 1>to give some shout outs to some fans. These aren't

0:23:30.600 --> 0:23:33.760
<v Speaker 1>these aren't fan questions, but these are just cool little

0:23:33.800 --> 0:23:36.520
<v Speaker 1>anecdotes or facts or things that they wanted to share

0:23:36.520 --> 0:23:40.600
<v Speaker 1>with us that we thought were so cool. So let

0:23:40.640 --> 0:23:44.440
<v Speaker 1>me tell you about Faith and Everly. They are two

0:23:44.520 --> 0:23:49.760
<v Speaker 1>fifth graders who did their own Fuller House podcast for

0:23:49.880 --> 0:23:52.639
<v Speaker 1>their media class, which so awesome.

0:23:52.680 --> 0:23:53.600
<v Speaker 3>This is so great.

0:23:53.920 --> 0:23:56.960
<v Speaker 1>They're huge fans of the show and our podcast, and

0:23:57.000 --> 0:24:00.920
<v Speaker 1>their media teacher, mister Seybert, even reached out to tell

0:24:00.960 --> 0:24:02.840
<v Speaker 1>us about this assignment, and.

0:24:02.880 --> 0:24:05.000
<v Speaker 3>We are honored.

0:24:05.160 --> 0:24:08.120
<v Speaker 1>So cute. It's like a two minute little podcast. Maybe

0:24:08.119 --> 0:24:10.359
<v Speaker 1>you can link it in the show notes. Yeah, I

0:24:10.560 --> 0:24:13.520
<v Speaker 1>listened to it before we started recording. It is so cute,

0:24:13.560 --> 0:24:16.600
<v Speaker 1>Like they give us a review, like they review DJ's

0:24:16.680 --> 0:24:17.880
<v Speaker 1>last name, and you just.

0:24:17.840 --> 0:24:20.240
<v Speaker 2>Hear your robe and I'm like, yes, they did the

0:24:20.359 --> 0:24:22.160
<v Speaker 2>same things that we do, where they're like, let's talk

0:24:22.200 --> 0:24:23.800
<v Speaker 2>about the weird silly little things.

0:24:23.880 --> 0:24:26.760
<v Speaker 3>Yeah, it was great and so honored and.

0:24:27.040 --> 0:24:31.000
<v Speaker 1>They're more professional than we are, like by far, I

0:24:31.000 --> 0:24:31.760
<v Speaker 1>mean the bar is low.

0:24:32.040 --> 0:24:36.280
<v Speaker 2>You know, the bar is low, but they know they were.

0:24:36.359 --> 0:24:39.000
<v Speaker 2>This was great you guys. Yeah, you have a future

0:24:39.040 --> 0:24:40.320
<v Speaker 2>as a podcasting duo.

0:24:40.840 --> 0:24:43.000
<v Speaker 1>I heard radio is gonna be calling you. Yeah.

0:24:43.080 --> 0:24:44.919
<v Speaker 3>Yeah, I already has a deal for you.

0:24:45.920 --> 0:24:48.600
<v Speaker 1>We should do a crossover episode, invite Faith and Everley

0:24:48.640 --> 0:24:50.960
<v Speaker 1>to be on the podcast they show.

0:24:51.160 --> 0:24:55.320
<v Speaker 2>Yeah, yeah, I just go host there and get credit

0:24:55.359 --> 0:24:56.000
<v Speaker 2>for the assignment.

0:24:56.359 --> 0:24:59.080
<v Speaker 1>Well, if we do it, we're gonna get d's and

0:24:59.200 --> 0:25:01.080
<v Speaker 1>that's true. Yeah, I don't want to on your mansion

0:25:01.160 --> 0:25:03.639
<v Speaker 1>for you got a's, but yeah, they Faith in Everally.

0:25:03.680 --> 0:25:04.880
<v Speaker 1>You did such a good job.

0:25:04.920 --> 0:25:07.520
<v Speaker 3>Thank you so much. You guys were excellent and what.

0:25:07.560 --> 0:25:10.600
<v Speaker 1>A great assignment from mister Cybert for I mean, other

0:25:10.680 --> 0:25:13.960
<v Speaker 1>kids did other other podcasts on different topics, but I

0:25:14.000 --> 0:25:15.639
<v Speaker 1>think this is great for a media class.

0:25:15.720 --> 0:25:17.480
<v Speaker 3>I mean again, it's a media class. This is the

0:25:17.480 --> 0:25:19.000
<v Speaker 3>media that kids are listening to these things.

0:25:19.480 --> 0:25:24.200
<v Speaker 1>Yeah, fantastic. Bravo to the fifth grader. I'm very proud

0:25:24.200 --> 0:25:26.680
<v Speaker 1>of you and very honored. Yes, loved it.

0:25:27.119 --> 0:25:30.760
<v Speaker 2>All right, and our next little bit of wonderful fan

0:25:30.880 --> 0:25:32.000
<v Speaker 2>info and shout outs.

0:25:32.320 --> 0:25:33.360
<v Speaker 3>This is from Alden.

0:25:33.560 --> 0:25:40.800
<v Speaker 2>Goheen, she says, or they say she okay she Last spring,

0:25:40.960 --> 0:25:44.159
<v Speaker 2>in my History of American Television class, I wrote a

0:25:44.280 --> 0:25:46.800
<v Speaker 2>twenty page paper about Full House.

0:25:47.560 --> 0:25:50.880
<v Speaker 3>I was supposed to write five pages. Wow.

0:25:51.560 --> 0:25:54.359
<v Speaker 2>This semester, I'm an agender in film and Media class,

0:25:54.359 --> 0:25:56.480
<v Speaker 2>and my final exam is to make.

0:25:56.359 --> 0:25:58.240
<v Speaker 3>A podcast episode about.

0:25:58.000 --> 0:26:00.560
<v Speaker 2>Anything as long as it relates to something we've learned

0:26:00.600 --> 0:26:01.120
<v Speaker 2>in class.

0:26:02.359 --> 0:26:05.920
<v Speaker 3>So naturally I chose full House. Oh my gosh. I'm

0:26:05.920 --> 0:26:06.840
<v Speaker 3>focusing on.

0:26:06.800 --> 0:26:10.159
<v Speaker 2>Becky and how she was only introduced to be a

0:26:10.200 --> 0:26:13.520
<v Speaker 2>love interest, which I learned from your podcast, and I'm

0:26:13.600 --> 0:26:16.199
<v Speaker 2>hopeful my professor will enjoy it and give me an

0:26:16.240 --> 0:26:17.720
<v Speaker 2>a update.

0:26:18.400 --> 0:26:20.400
<v Speaker 3>She received an A on this project.

0:26:20.520 --> 0:26:22.679
<v Speaker 1>Oh my gosh, this.

0:26:23.119 --> 0:26:28.720
<v Speaker 2>Is so Good's got first of all, the history of

0:26:28.760 --> 0:26:30.720
<v Speaker 2>American television class we're in.

0:26:30.760 --> 0:26:34.800
<v Speaker 1>That that's amazing, that's awesome. This is I want to

0:26:34.840 --> 0:26:38.160
<v Speaker 1>take these classes. These classes sound fantastic. Well that's the thing.

0:26:38.200 --> 0:26:41.280
<v Speaker 2>Once you're out of school and you're an adult, you go, oh, actually,

0:26:41.320 --> 0:26:43.040
<v Speaker 2>I would like to just go back to take to

0:26:43.080 --> 0:26:43.760
<v Speaker 2>my classes.

0:26:43.880 --> 0:26:47.080
<v Speaker 3>Yeah, I know, but yeah, these are amazing classes.

0:26:47.119 --> 0:26:51.640
<v Speaker 2>And al didn't like, Wow what I First of all,

0:26:51.640 --> 0:26:53.520
<v Speaker 2>I want like page paper on full house.

0:26:53.600 --> 0:26:54.919
<v Speaker 3>I want to that was.

0:26:55.080 --> 0:26:57.480
<v Speaker 1>I want Alden to email us again if you don't mind.

0:26:57.480 --> 0:26:59.760
<v Speaker 1>And then oh my gosh, she's attached the twenty page.

0:26:59.520 --> 0:27:01.840
<v Speaker 3>Please to want to read that fascinating.

0:27:01.880 --> 0:27:03.960
<v Speaker 1>And then when you're your podcast, I want I want

0:27:03.960 --> 0:27:07.200
<v Speaker 1>all of it, the the Gender and Film Podcast episode.

0:27:07.280 --> 0:27:10.960
<v Speaker 1>I want to listen to that or whatever, like please please.

0:27:11.119 --> 0:27:11.760
<v Speaker 3>Please send it.

0:27:11.840 --> 0:27:15.159
<v Speaker 2>We want we want to uh to just hear it

0:27:15.240 --> 0:27:18.240
<v Speaker 2>and and and read what twenty pages about? I don't

0:27:18.240 --> 0:27:20.360
<v Speaker 2>even know that I could write twenty pages about. Yeah,

0:27:21.080 --> 0:27:23.520
<v Speaker 2>that's incredible, and you were supposed to write five and

0:27:23.600 --> 0:27:26.440
<v Speaker 2>you got to twenty. So I just that's I'm really

0:27:26.480 --> 0:27:27.840
<v Speaker 2>impressive and honored.

0:27:28.320 --> 0:27:32.240
<v Speaker 1>This is amazing. I'm sure Jeff Franklin would love as

0:27:32.240 --> 0:27:34.520
<v Speaker 1>well and listen to it like he would just it

0:27:34.560 --> 0:27:36.600
<v Speaker 1>would blow his mind. Yeah, he's he would be so

0:27:36.680 --> 0:27:38.959
<v Speaker 1>tickled by this. Yeah, at least all of us are

0:27:39.000 --> 0:27:39.480
<v Speaker 1>still like.

0:27:39.440 --> 0:27:42.679
<v Speaker 2>Oh my gosh, this is like it's like a touchstone

0:27:42.720 --> 0:27:45.479
<v Speaker 2>in cultural pop history.

0:27:45.560 --> 0:27:46.439
<v Speaker 3>Yeah, that was wild.

0:27:46.720 --> 0:27:48.920
<v Speaker 1>That was amazing that that maybe we can do that

0:27:48.960 --> 0:27:50.840
<v Speaker 1>after this podcast, you and I can go teach a

0:27:50.840 --> 0:27:54.960
<v Speaker 1>class at Chapman University in their film there Like, here's

0:27:54.960 --> 0:27:57.280
<v Speaker 1>a class.

0:27:57.560 --> 0:27:59.040
<v Speaker 3>Yeah, you know me, you love me?

0:27:59.240 --> 0:28:02.959
<v Speaker 2>Come on, forget about that first Semester's how rude?

0:28:03.000 --> 0:28:06.560
<v Speaker 1>One O one baby, I love it?

0:28:07.080 --> 0:28:09.119
<v Speaker 3>Uh oh our next and final, one.

0:28:08.960 --> 0:28:13.560
<v Speaker 1>Next and final. From Donna Martinez, she says, this is

0:28:13.600 --> 0:28:16.399
<v Speaker 1>how I told my staff that I was pregnant. I

0:28:16.640 --> 0:28:19.560
<v Speaker 1>was twenty twenty four and it was my first pregnancy,

0:28:19.920 --> 0:28:22.399
<v Speaker 1>so I knew I wanted to do something special to

0:28:22.440 --> 0:28:25.760
<v Speaker 1>share the news. I decided to use the pictionary method

0:28:26.000 --> 0:28:30.199
<v Speaker 1>like Becky Didow. Here is the picture below. I was

0:28:30.280 --> 0:28:33.080
<v Speaker 1>wondering if anyone else has announced their pregnancy this way,

0:28:33.280 --> 0:28:36.320
<v Speaker 1>it would be cool to hear other stories like mine.

0:28:36.960 --> 0:28:39.360
<v Speaker 1>And the picture that she attached is exactly.

0:28:39.440 --> 0:28:44.520
<v Speaker 3>It's the gee and half the ink and then the.

0:28:44.400 --> 0:28:46.880
<v Speaker 1>Weird little baby that looks that looks like a hot dog.

0:28:47.000 --> 0:28:50.280
<v Speaker 2>Yes, I mean full Yeah she really yeah, And it says,

0:28:50.280 --> 0:28:54.760
<v Speaker 2>guess the admin pictionary announcement. When you guess, don't tell anyone.

0:28:54.840 --> 0:28:57.200
<v Speaker 2>It'll be announced at three pm. But yeah, she's half

0:28:57.240 --> 0:28:58.400
<v Speaker 2>ink a baby.

0:28:58.560 --> 0:29:01.600
<v Speaker 1>This is brilliant, Like, this is so cute. I want

0:29:01.600 --> 0:29:03.880
<v Speaker 1>to hear the reactions of your cowork.

0:29:03.560 --> 0:29:06.720
<v Speaker 2>Yes, Oh my goshd people get the joke, like where

0:29:06.720 --> 0:29:09.000
<v Speaker 2>people like, oh my gosh, like the full House episode, or.

0:29:08.960 --> 0:29:11.120
<v Speaker 3>They were they like, why did you do that? Yeah?

0:29:11.320 --> 0:29:13.560
<v Speaker 1>Yeah, we need to look to Donna. We need follow

0:29:13.640 --> 0:29:14.120
<v Speaker 1>up to I.

0:29:14.040 --> 0:29:16.160
<v Speaker 2>Need to follow up and I'm not gonna lie though, Donna.

0:29:16.240 --> 0:29:18.920
<v Speaker 2>I thought that piece of cheese. I thought it was dice,

0:29:19.800 --> 0:29:24.320
<v Speaker 2>and I was like, at dice, having dice.

0:29:24.480 --> 0:29:27.160
<v Speaker 3>Oh and then I was like, cheese, cheese, cheese, cheese.

0:29:27.560 --> 0:29:28.120
<v Speaker 3>You very.

0:29:29.520 --> 0:29:32.200
<v Speaker 2>If it was dice, it would be severely uh lopsided.

0:29:32.320 --> 0:29:37.680
<v Speaker 1>So yeah, maybe maybe she died like die am having

0:29:37.680 --> 0:29:38.920
<v Speaker 1>a baby. I'm having a baby.

0:29:38.960 --> 0:29:44.800
<v Speaker 3>I'm having Yeah, there we go. I don't know. Yeah yeah,

0:29:45.440 --> 0:29:46.160
<v Speaker 3>no cheese.

0:29:46.280 --> 0:29:46.480
<v Speaker 2>Yeah.

0:29:46.680 --> 0:29:49.280
<v Speaker 3>Well now we see how I do in dictionary.

0:29:49.640 --> 0:29:51.000
<v Speaker 1>This is why Jesse didn't get it.

0:29:51.320 --> 0:29:54.600
<v Speaker 2>Yeah. See, you know what. We gave him all that.

0:29:54.760 --> 0:29:57.440
<v Speaker 2>We gave him all that crap for not getting it,

0:29:57.480 --> 0:29:59.720
<v Speaker 2>and here we are. I'm looking at it thinking dice,

0:30:00.040 --> 0:30:01.800
<v Speaker 2>and I've seen the episode, so.

0:30:03.360 --> 0:30:04.240
<v Speaker 3>I take it all back.

0:30:04.400 --> 0:30:05.200
<v Speaker 1>We take it all back.

0:30:05.280 --> 0:30:05.480
<v Speaker 2>Yeah.

0:30:05.600 --> 0:30:09.120
<v Speaker 1>Oh well that was so cool, so much fun.

0:30:09.320 --> 0:30:14.000
<v Speaker 2>I learned so many great, lovely sweet things from our

0:30:14.040 --> 0:30:16.080
<v Speaker 2>fan of ritos and like such.

0:30:15.880 --> 0:30:19.000
<v Speaker 3>Great questions these are great questions. Yes, questions.

0:30:19.040 --> 0:30:22.760
<v Speaker 2>I don't think I have ever been asked the never

0:30:22.800 --> 0:30:24.000
<v Speaker 2>been asked, never.

0:30:23.840 --> 0:30:26.120
<v Speaker 1>Been asked these questions before, which is impressive.

0:30:26.280 --> 0:30:27.600
<v Speaker 3>That is super impressive.

0:30:27.640 --> 0:30:31.040
<v Speaker 2>Thank you guys, because like it's really interesting to think

0:30:31.040 --> 0:30:31.880
<v Speaker 2>about stuff like that.

0:30:32.000 --> 0:30:33.400
<v Speaker 3>Yeah, I love it. I love it.

0:30:33.600 --> 0:30:36.920
<v Speaker 1>No, these were inventive questions, creative.

0:30:37.160 --> 0:30:37.760
<v Speaker 3>We love it.

0:30:38.040 --> 0:30:42.600
<v Speaker 2>Another fabulous minisode from our fabulous fan of ritos.

0:30:42.800 --> 0:30:44.040
<v Speaker 3>So thank you guys so much.

0:30:44.720 --> 0:30:47.880
<v Speaker 2>And again, make sure you're listening to the podcast and

0:30:47.960 --> 0:30:51.120
<v Speaker 2>liking and subscribing to it. Send us an email with

0:30:51.320 --> 0:30:54.760
<v Speaker 2>questions like these or you know, just more simple quese whatever, whatever,

0:30:55.080 --> 0:30:56.760
<v Speaker 2>don't want to you know, freak out.

0:30:56.640 --> 0:30:59.080
<v Speaker 1>Well or little stories like this.

0:30:59.240 --> 0:31:02.520
<v Speaker 2>Yeah, please tell us, like any stories about it, how

0:31:02.520 --> 0:31:04.560
<v Speaker 2>the show has impacted your life and just we love

0:31:04.600 --> 0:31:06.720
<v Speaker 2>hearing this kind of stuff. And the email is how

0:31:06.800 --> 0:31:10.840
<v Speaker 2>Rude Tanner Rito's at gmail dot com or you can

0:31:10.880 --> 0:31:13.480
<v Speaker 2>find us on Instagram and leave comments and messages there,

0:31:14.080 --> 0:31:14.720
<v Speaker 2>which is.

0:31:14.680 --> 0:31:16.160
<v Speaker 3>At how Rude podcast.

0:31:16.920 --> 0:31:19.480
<v Speaker 2>Uh and yeah, I head to the merch store Howard

0:31:19.560 --> 0:31:20.280
<v Speaker 2>Meerch dot com.

0:31:20.320 --> 0:31:21.440
<v Speaker 3>We've got some new stuff up.

0:31:21.360 --> 0:31:24.960
<v Speaker 2>There and we will we will see you next time

0:31:25.400 --> 0:31:26.959
<v Speaker 2>here on how Rude Tana Rito's.

0:31:28.320 --> 0:31:32.880
<v Speaker 3>And remember the world is small. The house is full.

0:31:34.120 --> 0:31:38.560
<v Speaker 2>Of excellent questions, full of excellent questions. Today just brimming

0:31:38.640 --> 0:31:39.000
<v Speaker 2>with them.

0:31:39.280 --> 0:31:43.400
<v Speaker 1>Yes, it was. It's hard to it's hard to get.

0:31:43.440 --> 0:31:46.120
<v Speaker 1>It's hard to present us with questions we've never heard

0:31:46.160 --> 0:31:47.840
<v Speaker 1>before and true, you guys did it.

0:31:47.960 --> 0:31:49.760
<v Speaker 3>Yeah, yeah, yeah, you did it. You did it. It

0:31:49.800 --> 0:31:50.800
<v Speaker 3>can be a little dicey.

0:31:52.280 --> 0:31:52.480
<v Speaker 1>Yeah.

0:31:52.560 --> 0:31:54.480
<v Speaker 3>Okay, now sorry, I just had to throw that in. Okay,

0:31:54.560 --> 0:31:56.840
<v Speaker 3>we're leaving now, goodbye bye,