WEBVTT - Episode 68 w/ DJ Premier & Pete Rock

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<v Speaker 1>Springtime tips and fun facts from Paul Kristen and Dexter

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<v Speaker 1>at Total Wine and More. It's peak season for asparagus,

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<v Speaker 1>which pairs perfectly with a light and crisp rose. Many

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<v Speaker 1>bottles of champagne and sparkling wines are perfect for adult

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<v Speaker 1>Easter baskets, and they're really cute too. My perfect brunch

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<v Speaker 1>Belgian waffles with extra whip cream and a holiday poor

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<v Speaker 1>or your sweetest rose, whether you're hosting or just bring

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<v Speaker 1>the wine. We love to share, are always low prices

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<v Speaker 1>and ridiculous selection this spring at Total Wine a More, cheers, Hey,

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<v Speaker 1>Drink Champs Army. Make sure you let your friends and

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<v Speaker 1>family know which podcast you're listening to by hashtagging tripod.

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<v Speaker 1>That's hashtag t r y p o D. Let them

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<v Speaker 1>know you listen to Drink Champs and whatever else you're

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<v Speaker 1>listening to out there. The legendary Queen's rapper Hang Seges.

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<v Speaker 1>Your Boy's a Miami hip hop pioneer. What up is

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<v Speaker 1>d J E f N? Together they drink it up

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<v Speaker 1>with some of the biggest players in music and sports.

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<v Speaker 1>You know what I mean? The most professional, unprofessional podcast,

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<v Speaker 1>and you're number one source for drunk facts. This is

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<v Speaker 1>drinks Champ reading where every day is New Year's Eve.

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<v Speaker 1>That's right, Hey, Hanks, grip us your boy and put

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<v Speaker 1>up his DJ e f and his drink chest Mother

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<v Speaker 1>podcast Max, You've got some of that presents you guys

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<v Speaker 1>on behalf of CBS. Okay, okay, if that's what they

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<v Speaker 1>want to congratulate you on twenty five million listening world. Woamn,

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<v Speaker 1>you know this is going down that you didn't tell

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<v Speaker 1>me you and doing it him high and that's we're

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<v Speaker 1>doing the hip hop. So I would like to introduce

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<v Speaker 1>if you into hip hop, If you if this is

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<v Speaker 1>something that you say you love and this is something

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<v Speaker 1>to say you adapted, and you don't know these two brothers,

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<v Speaker 1>and you don't know how these brothers shaped and molded

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<v Speaker 1>the culture for everything that you love right now, If

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<v Speaker 1>it wasn't for these two people that standing beside me

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<v Speaker 1>in front of me, rather what hip hop is, it's

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<v Speaker 1>because of them. They singlehandedly had their hands on the

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<v Speaker 1>best artists ever. When you think about all matic, think

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<v Speaker 1>about reasonable doubt, and think about Biggie, they worked with

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<v Speaker 1>the three top of the best. They continuously out here

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<v Speaker 1>looking young, They out here and then and then the

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<v Speaker 1>beat battle had just took place, and a lot of

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<v Speaker 1>people are with Swiss Beats bigging him up and is

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<v Speaker 1>gonna just blaze. But a lot of people don't know

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<v Speaker 1>that these brothers been doing this for years, for years,

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<v Speaker 1>they started it, and I am so proud to introduce

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<v Speaker 1>and to represent people that I look up to personally,

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<v Speaker 1>Pete Rocket, motherfucker DJ your listen brothers who I'm gonna

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<v Speaker 1>be honest. The fact that both of you brothers had

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<v Speaker 1>worked on my favorite hip hop album of all times,

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<v Speaker 1>which is All matic Um. Now, I just want to

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<v Speaker 1>take it from there because was it because we had

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<v Speaker 1>q tip on here? And I believe q Tip I

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<v Speaker 1>think he said he suggested that that he worked with

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<v Speaker 1>them or so how did yeah? So was it? Large?

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<v Speaker 1>Large confessors? He oh, chief in command actual the chief

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<v Speaker 1>in commander of Elmatic. Get then you're telling me you

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<v Speaker 1>never heard of not both your brothers and the thing

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<v Speaker 1>is back. You know Queen's artist, including yourself for one.

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<v Speaker 1>Y'all wrapped longer than any other with no hooks, no

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<v Speaker 1>and you know law of Professor is so New York

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<v Speaker 1>like he'd be like yo, like yo, like like world

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<v Speaker 1>like yo. He do that for like ten minutes before

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<v Speaker 1>you saying senate and he was like, yo, yo, prem

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<v Speaker 1>I got just do name the rapper Nasa. It wasn't

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<v Speaker 1>Nat Wrapper. He was trolling his lyrics, so he wasn't

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<v Speaker 1>even that rappers. Yeah he does it on hanging Out,

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<v Speaker 1>hang Out, he said, like the wrapper nas yeah, you know,

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<v Speaker 1>and so even wrapping big noise, I figured, that's just

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<v Speaker 1>a thing. That's a queen's sing. That's a queen's sing.

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<v Speaker 1>And we got we got peat Rock. I mean, we

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<v Speaker 1>got Premier drinking jim Bean out his motherfucker. I want

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<v Speaker 1>to glasses, baby, I think it sho someone open one

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<v Speaker 1>for me, please. You're just so y'all know that's how

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<v Speaker 1>y'all know. Y'all been y'all. Y'all personally raised me and

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<v Speaker 1>you probably didn't know that, but um, it was so

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<v Speaker 1>honor to work with both for you brothers. Your brothers

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<v Speaker 1>are hip hop. When I think of hip hop, your name.

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<v Speaker 1>I know both of your names start with a P,

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<v Speaker 1>but it feels like it feels like your name should

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<v Speaker 1>be a you know, the first time I met you,

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<v Speaker 1>D and D. Let's go to D and D Studios

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<v Speaker 1>front door. You know what he's saying yo from me.

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<v Speaker 1>It was something man, Yo, my name is Jose Luise

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<v Speaker 1>like and the thing is the L A L A

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<v Speaker 1>regular h okay, we got him drinking. I'm fifty years old, man,

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<v Speaker 1>I know, I know, I know you an experience. You

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<v Speaker 1>gonna do one whiskey or even nobody. You're trying to

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<v Speaker 1>give him that shot and then you call another one.

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<v Speaker 1>But but the crazy thing is when I heard l

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<v Speaker 1>A l A right for you opened up blands Luise, Luise,

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<v Speaker 1>that's how we do. That's like some ye rock. I

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<v Speaker 1>used to hanging queens with Flush. I heard you play

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<v Speaker 1>unreleased Reasons one on me, Casina. What's that unreleased Flush versus?

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<v Speaker 1>That was worldwide remix? I never put at that beat.

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<v Speaker 1>That beat. We got to do that back for y'all.

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<v Speaker 1>I owe you're right it for y'all. I gotta do

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<v Speaker 1>that beat for y'all. I owe you. I also pick

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<v Speaker 1>you off for me in the supreme. How people don't

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<v Speaker 1>know Rocks the person that plugged me in? What's the crame?

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<v Speaker 1>Let's make some You don't smoke right? Yeah I do,

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<v Speaker 1>but I don't care. Just don't care. Hard I did.

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<v Speaker 1>I didn't mind, you know, ninety two. So let's let

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<v Speaker 1>her still. Now, let's take let's take it from the

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<v Speaker 1>beginning premiere. How did you and and and Google even

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<v Speaker 1>me I met Guru because um it goes back to

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<v Speaker 1>nineteen eighties seven into eighty eight. My good friend who's

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<v Speaker 1>still my man, Carlos Garza in Houston, Texas, helped me

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<v Speaker 1>get a job at He's he's a Boston so Wild

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<v Speaker 1>Pitch Records is a husband and wife label. Shout the

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<v Speaker 1>Stu finding a Search was later surgeries later it was

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<v Speaker 1>just Stu finding his wife. No one else. They're now

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<v Speaker 1>the rap permotion Guru was a person that would go

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<v Speaker 1>over to their house every day and then listen to

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<v Speaker 1>every demo that came in. They had Lott already signed

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<v Speaker 1>whose Apache recipes that Patty's brother and latt did a

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<v Speaker 1>lot of writing, you know with Latifa and the Flavor Unit,

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<v Speaker 1>and he had a record called This Got Flavor which

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<v Speaker 1>was big in New York at the time. Dad in

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<v Speaker 1>putting on the his That's how forty five King came

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<v Speaker 1>into doing the Wild Pitch work. And then Chill rob

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<v Speaker 1>g came along who was also part of Lattis crew

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<v Speaker 1>in the Flavor Unit, and he got signed the Wild Pitch.

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<v Speaker 1>Gang Star got signed after that, and so they had

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<v Speaker 1>a red called the Lesson. I wasn't in the group.

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<v Speaker 1>Then uh three, Gangster goes to three different chambers. The

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<v Speaker 1>first chamber was Big Sugar and Google Gang Star. It

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<v Speaker 1>was Big Sugar Google when Google when Google was going

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<v Speaker 1>to school at Morehouse. So they they're both from Boston. Yeah, yeah,

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<v Speaker 1>And it was Shug brother swab D. They were the

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<v Speaker 1>first gang Star. Then swab D stepped out and it

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<v Speaker 1>became to him Sees Damon d Ski, but Gurgle wrote

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<v Speaker 1>all the rhymes and it was Guru and then DJ

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<v Speaker 1>Mike D but he was just called DJ want to

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<v Speaker 1>be Down, but DJ one the number two name let

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<v Speaker 1>her be and want to be down. It was one

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<v Speaker 1>of the number two letter being and down one will

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<v Speaker 1>be down. So he, uh, he has a brother named Gangstar.

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<v Speaker 1>T you know what I'm saying. Yea, So all that

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<v Speaker 1>trickled down into the name. But Sugar and Gurgle originated Sugar.

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<v Speaker 1>Everything he's doing the thing the movies now like yeah,

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<v Speaker 1>we're working with Larry David all that stuff. So so

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<v Speaker 1>from there, um, when grew moved in New York and

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<v Speaker 1>the rest of the members didn't. She got locked up

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<v Speaker 1>for a while, so not now it's just grew on

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<v Speaker 1>his own. But any time work wasn't involved with any money,

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<v Speaker 1>no one would come up to New York to help

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<v Speaker 1>him doing any movement around, hopping around to get getting

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<v Speaker 1>the club, get on the radio. They weren't. They weren't

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<v Speaker 1>really gettingradio played until they dropped their second single called

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<v Speaker 1>Buster Move Boy, which is when I heard him. I

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<v Speaker 1>was in New York at the time for the summer

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<v Speaker 1>and read Alert was cutting it up, Molly Marl was

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<v Speaker 1>cutting it up. And if they're playing it, I thought

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<v Speaker 1>they were called game stop because of his Boston accent.

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<v Speaker 1>He's his gang style, the knowledge, that's a positivity, that's yeah.

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<v Speaker 1>But this is right just right before how anything in

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<v Speaker 1>control was just about to stop bubbling, but before Magic left.

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<v Speaker 1>But uh and chilei Q used to be up there

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<v Speaker 1>and and and the Kevy Cab so when and YouTube.

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<v Speaker 1>Of course, when I met with group, I met you

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<v Speaker 1>had the reds the mic. Yeah. Yeah, He's like he's like, no,

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<v Speaker 1>keep it going, Yeah, he'll keep going, He'll keep going.

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<v Speaker 1>So from that point, uh, those three artists were the

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<v Speaker 1>label Cheer Rob Glatt and Gangstar and forty five King

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<v Speaker 1>was the only producer that worked after that after Donald

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<v Speaker 1>D produced the first single. So from there, uh, Google

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<v Speaker 1>used to go through a box of the demos when

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<v Speaker 1>every time mail came in, because back then it was

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<v Speaker 1>about mailing your stuff, walking it in Carlos snugging my

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<v Speaker 1>my my demo over to STU just be you know.

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<v Speaker 1>I was in a group called mcas and Control and

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<v Speaker 1>Textas and my m C was from Boston's name was

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<v Speaker 1>top Ski. We were we're uh, we was keeno at

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<v Speaker 1>top Ski Sugar Pop. They heard my demo, but they

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<v Speaker 1>didn't like my m C. They're like me and they

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<v Speaker 1>were like, we really want you. But I was like

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<v Speaker 1>basically seen the beats and my scratching. They were bugging

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<v Speaker 1>off my sus huge back. So I didn't really want

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<v Speaker 1>to leave my group, so I said I can't do it.

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<v Speaker 1>I gotta stay stay doing what I do. Time passed.

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<v Speaker 1>My MC pretty much got frustrated after going shopping other deals.

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<v Speaker 1>We're gonna get a deal, so he said, I'm joining

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<v Speaker 1>the military. I thought he was just bluffed. One day

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<v Speaker 1>we're at the house, shout to Gordon Franklin. The whole

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<v Speaker 1>Franklin family, Gary Art and Recipes and Marland Franklin. We

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<v Speaker 1>were staying at that house. I thought we were going

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<v Speaker 1>to college together. That's how I met them. And next thing,

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<v Speaker 1>you know, the bell rings on the weekend and the

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<v Speaker 1>recruiting officers at the door. Yeah. Man, yeah, I'm looking

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<v Speaker 1>for Theodore Campbell and I'm like for what he said,

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<v Speaker 1>he signed he's joined the baby and I thought I

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<v Speaker 1>was like, I thought he was lying, and I'm like,

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<v Speaker 1>your top the other on the basement cause we all

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<v Speaker 1>lived together, and he's like, yo, I'm out. He has

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<v Speaker 1>his backpacked already, Like how long did you did you?

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<v Speaker 1>Did you join? He said for four years? M yeah,

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<v Speaker 1>he said four years and already met Top everything. I'm

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<v Speaker 1>like four years, so I'm not gonna wait for you know,

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<v Speaker 1>four years he said, yo'ut do your thing and that's

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<v Speaker 1>not called back to the wild. Fish said, yo, my man,

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<v Speaker 1>my man left are now I'm available to now he

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<v Speaker 1>lived in the group because that's my front man and

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<v Speaker 1>the groups. I gotta want you in the group. So

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<v Speaker 1>that's how I joined Gangstar. Google on my tape and

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<v Speaker 1>Lord fer Nessus tape that's our's got signed to wild

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<v Speaker 1>pitch and that's how I end up. That's the first

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<v Speaker 1>artist I ever produced was besides, let's take some noise

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<v Speaker 1>for that mans like that? Okay, so now, p Yeah,

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<v Speaker 1>how did you meet cr y'all went to school together

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<v Speaker 1>through some street guys, and um, you know when I

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<v Speaker 1>heard you know, there was timing he could wrap or whatever,

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<v Speaker 1>and when I heard his voice in high school because

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<v Speaker 1>he was always a producer. He was a producer. Yeah,

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<v Speaker 1>well England hood. I started doing my high school parties dans.

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<v Speaker 1>You know, I became a DJ in my front motherfucker's

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<v Speaker 1>you know, flocked to so I met C. He got

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<v Speaker 1>a distinctive voice. We did like fifty sixty demos in

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<v Speaker 1>my basement, four tracks, four track like and got signed

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<v Speaker 1>off that ship. I mean, like who's taking like dance

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<v Speaker 1>to the drummers beat and making songs, you know, taking

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<v Speaker 1>the break beats? That man Lenny from the Bronx was

0:13:14.840 --> 0:13:16.600
<v Speaker 1>street beat and I would make beats out of them

0:13:16.600 --> 0:13:20.040
<v Speaker 1>sens just normal ship. And then because my girl is

0:13:20.080 --> 0:13:23.200
<v Speaker 1>like it's like the Bronx being the place of hipp

0:13:23.080 --> 0:13:28.160
<v Speaker 1>and birthplaces, right, mont Vernon is like next this cousin.

0:13:28.320 --> 0:13:32.359
<v Speaker 1>Yeah yeah, so y'all had to have hip hop justice

0:13:32.480 --> 0:13:37.640
<v Speaker 1>originally from the Bronx bro. You know, when I was young,

0:13:38.240 --> 0:13:40.480
<v Speaker 1>I went to Bronx Room Park, not knowing what was

0:13:40.480 --> 0:13:42.880
<v Speaker 1>gonna know what I'm saying, Oh, I know as I've

0:13:42.920 --> 0:13:46.600
<v Speaker 1>seen a bunch of cool dudes smoking, drinking and listening

0:13:46.640 --> 0:13:49.320
<v Speaker 1>to hip hop and had me. And then when I

0:13:49.360 --> 0:13:51.960
<v Speaker 1>turned seven years old, I met James Brown. What and

0:13:51.960 --> 0:13:59.880
<v Speaker 1>I that's gonna change it? Rock your cousin heavy dr

0:14:00.360 --> 0:14:05.120
<v Speaker 1>It was my cousin of course family. That's some peace, bro.

0:14:05.640 --> 0:14:08.360
<v Speaker 1>And you know he took me under this wing. And

0:14:08.400 --> 0:14:11.199
<v Speaker 1>that's how I learned everything. That's why I meant everybody.

0:14:11.240 --> 0:14:15.960
<v Speaker 1>Before I even became who I Watch, I was Teddy Wiley.

0:14:16.000 --> 0:14:21.280
<v Speaker 1>I was in the studio how we teach reminisces Old

0:14:21.280 --> 0:14:24.880
<v Speaker 1>Were You? Which is such an iconic song for iconic song,

0:14:24.960 --> 0:14:29.960
<v Speaker 1>but now that is about actual person, correct, my man?

0:14:30.120 --> 0:14:33.800
<v Speaker 1>Can we bring that down? Troy right? Just tour have

0:14:33.960 --> 0:14:38.280
<v Speaker 1>you being the boards him and kid plays road managers

0:14:38.360 --> 0:14:41.360
<v Speaker 1>playing around you know who's always be on tour plane

0:14:41.640 --> 0:14:43.880
<v Speaker 1>what I mean? And they were playing with empty guards

0:14:44.040 --> 0:14:46.160
<v Speaker 1>kids and throwing them, throwing them, trying to hit each other.

0:14:46.200 --> 0:14:50.200
<v Speaker 1>And you don't never hurt. You know, I missed the steps.

0:14:50.480 --> 0:14:52.600
<v Speaker 1>He was at the edge of the stage. I didn't

0:14:52.600 --> 0:14:56.720
<v Speaker 1>know what's going to and have called me and started crying,

0:14:56.800 --> 0:15:01.320
<v Speaker 1>and you know, the whole all up. I don't even today,

0:15:01.360 --> 0:15:04.120
<v Speaker 1>to this day, I don't even know how I was

0:15:04.200 --> 0:15:07.120
<v Speaker 1>able to listen to a record and make a beat

0:15:07.120 --> 0:15:09.840
<v Speaker 1>because I was so distraught that man in the whole

0:15:09.880 --> 0:15:12.680
<v Speaker 1>hood was he was infamous in the hood. But you

0:15:12.720 --> 0:15:16.680
<v Speaker 1>know how legendary that. So I didn't do it. You know,

0:15:16.880 --> 0:15:19.040
<v Speaker 1>you can do that. And when I spent the sample,

0:15:19.320 --> 0:15:22.240
<v Speaker 1>you know, I was with extra p wounds in Queens.

0:15:22.920 --> 0:15:25.040
<v Speaker 1>We would dig in and I found a record, damn mean,

0:15:25.800 --> 0:15:27.800
<v Speaker 1>and we you know, took it home, fun with it,

0:15:27.920 --> 0:15:32.160
<v Speaker 1>you know, and next thing, you know, I put you know,

0:15:32.320 --> 0:15:34.400
<v Speaker 1>after the beat was made and everything like that, we

0:15:34.720 --> 0:15:38.240
<v Speaker 1>got in the Stuco came with the lyrics and like,

0:15:38.360 --> 0:15:40.360
<v Speaker 1>but he didn't have the beat, like he already had

0:15:40.440 --> 0:15:43.000
<v Speaker 1>the rhymes rope, but he needed the beat to match

0:15:43.080 --> 0:15:46.560
<v Speaker 1>the rhymes. And that's very like it's not easy to

0:15:46.640 --> 0:15:52.640
<v Speaker 1>do that. So it mild a raid in and it's

0:15:52.680 --> 0:15:57.320
<v Speaker 1>just like classically talked about his aunt and you did

0:15:57.360 --> 0:15:59.400
<v Speaker 1>you know that was going to be as classic as

0:15:59.440 --> 0:16:02.240
<v Speaker 1>it is when you when I had Charlie Brown for

0:16:02.360 --> 0:16:06.640
<v Speaker 1>me to Sais and he was there for a mixtap

0:16:06.840 --> 0:16:10.280
<v Speaker 1>and we were just all that right, I just let

0:16:10.280 --> 0:16:12.120
<v Speaker 1>it out like I ain't even care if he you know,

0:16:12.160 --> 0:16:15.160
<v Speaker 1>who was around, because I was thinking about Troy and

0:16:15.240 --> 0:16:20.480
<v Speaker 1>he started crying, and then the engineers darting, and I said,

0:16:20.520 --> 0:16:23.720
<v Speaker 1>I think we got something, and I think, you know,

0:16:24.360 --> 0:16:25.880
<v Speaker 1>the only thing I don't I don't like about that

0:16:25.920 --> 0:16:36.560
<v Speaker 1>record is that I wish I made Like, wait, what

0:16:36.560 --> 0:16:38.880
<v Speaker 1>what are you say? It's wrong about it? It's a

0:16:38.880 --> 0:16:42.280
<v Speaker 1>lot of I'm so now I gotta take it to

0:16:42.360 --> 0:16:48.440
<v Speaker 1>one of my favorite games back the Massive Pill one

0:16:48.520 --> 0:16:53.040
<v Speaker 1>of us. I got old night on it. Okay, so

0:16:53.640 --> 0:17:08.520
<v Speaker 1>Massive Hill, what drugs was you smoking? You know it's

0:17:08.520 --> 0:17:11.000
<v Speaker 1>crazy because I mean everybody has the rors of of

0:17:11.040 --> 0:17:13.000
<v Speaker 1>getting lifted. I mean now to pay because the early

0:17:13.119 --> 0:17:16.080
<v Speaker 1>young kids. It's not my thing, but I mean we

0:17:16.200 --> 0:17:19.560
<v Speaker 1>all have ways of escaping and and uh music and

0:17:19.560 --> 0:17:22.200
<v Speaker 1>and drugs and drinking and sex and all that sports.

0:17:22.600 --> 0:17:25.040
<v Speaker 1>It has always been in a twine. But it's all

0:17:25.040 --> 0:17:27.560
<v Speaker 1>about how strong your mind is or how weak your

0:17:27.560 --> 0:17:29.840
<v Speaker 1>mind is. I've always kept your wrong mind to know

0:17:29.880 --> 0:17:31.960
<v Speaker 1>how to turn the switch off and get back to

0:17:32.119 --> 0:17:35.040
<v Speaker 1>manage it properly. I'm glad I made Yeah, yeah, you

0:17:35.160 --> 0:17:40.440
<v Speaker 1>were hot, good with you know what. I've heard that

0:17:42.320 --> 0:17:48.199
<v Speaker 1>it's happening that it was a good old day at

0:17:48.240 --> 0:17:50.359
<v Speaker 1>ninety three in a ninety four that came bout ninety

0:17:50.359 --> 0:17:52.720
<v Speaker 1>four song came by ninety three. But I mean, those

0:17:52.760 --> 0:17:54.800
<v Speaker 1>are the good old days of just yeah, you know,

0:17:54.880 --> 0:17:56.359
<v Speaker 1>you know you were torched before you go on the

0:17:56.480 --> 0:17:59.000
<v Speaker 1>lab and start cooking something off and and he was

0:17:59.119 --> 0:18:01.000
<v Speaker 1>with them without I mean, my mind approach is still

0:18:01.040 --> 0:18:03.240
<v Speaker 1>the same. So I think Goodness said that it is

0:18:03.280 --> 0:18:05.680
<v Speaker 1>because I'm still active, even if fifty years old, does

0:18:05.680 --> 0:18:07.920
<v Speaker 1>the work is still coming. We're still active, which we

0:18:08.040 --> 0:18:10.639
<v Speaker 1>still are addicted to making beats and we're forming a

0:18:10.760 --> 0:18:15.560
<v Speaker 1>DJ and we're like, we're but but Master Hill was

0:18:15.600 --> 0:18:18.199
<v Speaker 1>a really was. We was actually making it as a

0:18:18.320 --> 0:18:22.399
<v Speaker 1>google to radio because we wouldn't getting regular rotation on

0:18:22.560 --> 0:18:25.720
<v Speaker 1>radio as an improper group. But like who always said

0:18:25.760 --> 0:18:29.600
<v Speaker 1>we got platinum, respect Like all the platinum artists are

0:18:29.680 --> 0:18:32.000
<v Speaker 1>loving us, but we can't sell some of records. But

0:18:32.200 --> 0:18:35.760
<v Speaker 1>everybody that that's platinum and selling millions loved Gangsters we

0:18:35.840 --> 0:18:39.320
<v Speaker 1>were like, let's making radio, making fun of radio. When

0:18:39.359 --> 0:18:40.720
<v Speaker 1>I said, I want to make something that sounds like

0:18:40.720 --> 0:18:44.320
<v Speaker 1>you're on an elevator, gonna pere and so that was

0:18:45.080 --> 0:18:48.000
<v Speaker 1>my mind stage. I wanted to make the records. You know,

0:18:51.040 --> 0:18:59.159
<v Speaker 1>I'm thinking about your logic to the closest to what

0:18:59.520 --> 0:19:01.800
<v Speaker 1>that's what. There's a lot of times I pre hear

0:19:01.920 --> 0:19:04.439
<v Speaker 1>the song and I'm looking for the stuff that matches

0:19:04.520 --> 0:19:07.080
<v Speaker 1>my what I'm looking for. That's why the drums usually

0:19:07.119 --> 0:19:09.800
<v Speaker 1>come first. But you know, because it's like, you know,

0:19:09.960 --> 0:19:12.480
<v Speaker 1>it's going whatnots on this one, I'm going in pizza

0:19:12.520 --> 0:19:14.919
<v Speaker 1>on this one, going sub on this you know, we

0:19:15.000 --> 0:19:21.480
<v Speaker 1>kind of already know where we're gonna go. In the

0:19:21.520 --> 0:19:25.359
<v Speaker 1>early days of my gangs Are career, there's three people

0:19:25.359 --> 0:19:27.640
<v Speaker 1>that really taught me how to get to the level

0:19:27.640 --> 0:19:29.680
<v Speaker 1>of actually four of the level of that where I

0:19:29.760 --> 0:19:33.800
<v Speaker 1>should now I'll take anybody on our any He taught

0:19:33.840 --> 0:19:37.800
<v Speaker 1>me how to feel to show biz some dr TC

0:19:38.440 --> 0:19:40.560
<v Speaker 1>show biz, g taught me to thinking about how to chop.

0:19:41.240 --> 0:19:44.400
<v Speaker 1>I learned how shopping show biz. And then large Professor

0:19:44.520 --> 0:19:46.960
<v Speaker 1>just showed me crazy traits that each come of miles

0:19:47.320 --> 0:19:50.359
<v Speaker 1>and show with us because we we met and we

0:19:50.480 --> 0:19:52.399
<v Speaker 1>just go to Ms. Mackenzie's Ausodes who was the d

0:19:52.520 --> 0:19:56.200
<v Speaker 1>j's mom stir cutting k scratch, I mean k cutting

0:19:56.200 --> 0:19:57.680
<v Speaker 1>such scratch. So we just go to the house. So

0:19:57.960 --> 0:20:00.439
<v Speaker 1>I was around large and Pete a lot in they

0:20:00.440 --> 0:20:03.119
<v Speaker 1>were way more advanced on the programming from from me.

0:20:03.200 --> 0:20:05.440
<v Speaker 1>We all way to the records of the sampling, but

0:20:05.520 --> 0:20:08.040
<v Speaker 1>my skill didn't really get to a point until around

0:20:08.119 --> 0:20:10.520
<v Speaker 1>ninety two, you know what I'm saying, when I started

0:20:10.560 --> 0:20:14.360
<v Speaker 1>working on Boom Bad with ca Arres, because the original

0:20:14.640 --> 0:20:18.960
<v Speaker 1>rap were not that, not that song, but the majority

0:20:18.960 --> 0:20:24.560
<v Speaker 1>of again Mortal thought, yeah, out of here. Mortal thought

0:20:25.080 --> 0:20:30.000
<v Speaker 1>carrots want to tacks and you did? You got killed?

0:20:30.080 --> 0:20:37.119
<v Speaker 1>That you killed was just a laugh at radio for

0:20:37.280 --> 0:20:39.080
<v Speaker 1>not playing us, and then it turned out to be

0:20:39.080 --> 0:20:44.119
<v Speaker 1>our biggest that you do it. You know, you know

0:20:44.160 --> 0:20:46.000
<v Speaker 1>what else I gotta I gotta go straight into it.

0:20:46.080 --> 0:20:51.000
<v Speaker 1>I'm so sorry, stick kids. That was a true story,

0:20:51.880 --> 0:20:55.119
<v Speaker 1>just to get a rep. We just got idea. We

0:20:55.119 --> 0:20:56.879
<v Speaker 1>were living in the Bronx and where the Third Street

0:20:56.880 --> 0:20:59.040
<v Speaker 1>had moved out of East New York and I was

0:20:59.080 --> 0:21:00.879
<v Speaker 1>living in the Yea. We moved to the Bronx one

0:21:00.920 --> 0:21:03.399
<v Speaker 1>of a Third Street that's how I met. That's how

0:21:03.400 --> 0:21:07.760
<v Speaker 1>I met. That's how that Tenancy from the n Y Jeez, well,

0:21:08.040 --> 0:21:10.560
<v Speaker 1>that's why I met Smiley to get town Nutcracker from

0:21:10.560 --> 0:21:14.720
<v Speaker 1>the Nutcracker. I lived on a third and Andrews and

0:21:14.760 --> 0:21:16.879
<v Speaker 1>they all that they all live down the hill on

0:21:16.920 --> 0:21:27.320
<v Speaker 1>Andrews was hood. So having was we got our first check.

0:21:27.520 --> 0:21:30.880
<v Speaker 1>I was moving into brew And with grand from my sellers. Uh.

0:21:31.440 --> 0:21:34.439
<v Speaker 1>He was about to be the um music director for

0:21:34.480 --> 0:21:37.520
<v Speaker 1>the Tonight Show with Jay Leno, so he his life

0:21:37.520 --> 0:21:39.720
<v Speaker 1>and Hiss something still still living there before they moved

0:21:39.720 --> 0:21:41.600
<v Speaker 1>to l A. They you know, so they were kind

0:21:41.600 --> 0:21:43.760
<v Speaker 1>of back and forth. So around the time before he

0:21:43.840 --> 0:21:46.399
<v Speaker 1>may officially moved, he we all moved together. So now

0:21:46.440 --> 0:21:48.720
<v Speaker 1>as brand for his wife, his son, me and Google

0:21:49.040 --> 0:21:51.439
<v Speaker 1>all living together on three seventy for Washington and Brooklyn.

0:21:51.480 --> 0:21:53.800
<v Speaker 1>So we moved back to Brooklyn. We both bought our

0:21:53.880 --> 0:21:56.720
<v Speaker 1>first brand new cause and you know, I had a

0:21:56.760 --> 0:22:00.199
<v Speaker 1>whip already, but I'm up to the MPV in the

0:22:00.240 --> 0:22:02.880
<v Speaker 1>cars for the time for sure. But it was very

0:22:02.920 --> 0:22:09.160
<v Speaker 1>famous everyone. It was one of a mind boy cars

0:22:09.359 --> 0:22:11.680
<v Speaker 1>because it was the sound system everybody knew me for.

0:22:13.400 --> 0:22:16.720
<v Speaker 1>So when when that happened, grew about a four runner.

0:22:16.760 --> 0:22:21.080
<v Speaker 1>These went the four Runners style body style grew got

0:22:21.080 --> 0:22:24.399
<v Speaker 1>into a problem with some dudes in Brooklyn, and uh,

0:22:24.680 --> 0:22:26.800
<v Speaker 1>he tried to stick him dead. Yeah, and then and

0:22:26.880 --> 0:22:29.600
<v Speaker 1>they took the car. They took the time toime pass

0:22:29.960 --> 0:22:33.480
<v Speaker 1>looking for cats, looking cats, couldn't find a car. One day,

0:22:34.080 --> 0:22:37.680
<v Speaker 1>we're just four gps. Yeah, okay. One day we're moving around.

0:22:38.960 --> 0:22:42.400
<v Speaker 1>We see the car start chasing after the guy going

0:22:42.440 --> 0:22:46.040
<v Speaker 1>after him. He's high speed chase. Cops see us start

0:22:46.119 --> 0:22:48.160
<v Speaker 1>chasing too, going after him. He's like, that's how called.

0:22:48.200 --> 0:22:50.160
<v Speaker 1>That's our call because they want to pull us over.

0:22:50.600 --> 0:22:54.399
<v Speaker 1>They go after car. He keeps on driving. He the

0:22:54.480 --> 0:23:00.320
<v Speaker 1>driver hits an ice cream truck and dies. Yeah. And

0:23:00.359 --> 0:23:03.560
<v Speaker 1>it's crazy because grew at a picture of the day

0:23:03.560 --> 0:23:04.879
<v Speaker 1>he got the car and he's in front of it

0:23:04.960 --> 0:23:08.159
<v Speaker 1>going like like, yeah, I got my car going to

0:23:08.200 --> 0:23:09.880
<v Speaker 1>the precinct. When they brought the car, it was all

0:23:09.880 --> 0:23:12.200
<v Speaker 1>swistin and everything from the from the crash and it

0:23:12.280 --> 0:23:14.240
<v Speaker 1>was all Smich stuff and groups, I gotta take a

0:23:14.240 --> 0:23:21.399
<v Speaker 1>picture body standing by going first before. He said I'm

0:23:21.440 --> 0:23:24.840
<v Speaker 1>writing a song about this, and we wrote the song Anti.

0:23:25.000 --> 0:23:27.560
<v Speaker 1>The album only has two verses. When we came out

0:23:27.560 --> 0:23:29.720
<v Speaker 1>with the video with Fat Freddie and did that. He said,

0:23:29.760 --> 0:23:33.360
<v Speaker 1>we need was on that. That's me scratching their dead hook.

0:23:33.560 --> 0:23:36.159
<v Speaker 1>I mean they did voice on whatever funding for you,

0:23:36.160 --> 0:23:40.919
<v Speaker 1>they're gonna so so Fat Freddie said, we need a

0:23:41.000 --> 0:23:43.720
<v Speaker 1>closing way of the video, and being that the guy

0:23:43.760 --> 0:23:46.119
<v Speaker 1>did die in the end, he said, we gotta do

0:23:46.160 --> 0:23:48.119
<v Speaker 1>a third verse of Greup wrote the third verse and

0:23:48.160 --> 0:23:50.000
<v Speaker 1>that's why the twelve inch has a definitely type of

0:23:50.119 --> 0:23:55.199
<v Speaker 1>bounce and it's been re recorded as three verses. So

0:23:55.400 --> 0:23:57.480
<v Speaker 1>that yeah, and that crazy that we actually found the

0:23:57.560 --> 0:24:00.520
<v Speaker 1>dude to took off after cops go after after us

0:24:00.600 --> 0:24:02.399
<v Speaker 1>and once we say no, we're trying to get our

0:24:02.480 --> 0:24:05.240
<v Speaker 1>call back, and the dudes running and crashed on the

0:24:05.600 --> 0:24:08.680
<v Speaker 1>camp for your ice cream trunk. That's why you gotta

0:24:08.760 --> 0:24:10.960
<v Speaker 1>love game Star. This is why you got a little

0:24:10.960 --> 0:24:17.720
<v Speaker 1>true star. You got now Pete right, the world is young?

0:24:18.960 --> 0:24:25.439
<v Speaker 1>How was I hating that? Now? That meant still when

0:24:25.480 --> 0:24:28.840
<v Speaker 1>you heard hold on, hold that holder for a second,

0:24:28.880 --> 0:24:33.960
<v Speaker 1>because I want to say, arguably might be my favorite

0:24:33.960 --> 0:24:37.119
<v Speaker 1>record on Back's my favorite album of all time in

0:24:37.240 --> 0:24:39.720
<v Speaker 1>mine too, not because I'm on it either. It would

0:24:39.720 --> 0:24:42.399
<v Speaker 1>have been my favorite even if I ain't on it

0:24:42.440 --> 0:24:49.560
<v Speaker 1>at all, Glad. I just want you to describe. He

0:24:49.680 --> 0:24:54.119
<v Speaker 1>was there just to watch, all right. So now you

0:24:54.200 --> 0:24:57.960
<v Speaker 1>meet this kid that last professor correct brings you to them,

0:24:58.280 --> 0:24:59.560
<v Speaker 1>and then they say they want you to work on

0:24:59.640 --> 0:25:02.800
<v Speaker 1>Hi Mound burning. And there's a story where I had

0:25:02.880 --> 0:25:05.680
<v Speaker 1>not waiting. I didn't even realize. I don't even remember.

0:25:06.200 --> 0:25:08.000
<v Speaker 1>He said that I was in the car talking to

0:25:08.080 --> 0:25:10.959
<v Speaker 1>a girl and he was behind me. But you know,

0:25:11.320 --> 0:25:15.000
<v Speaker 1>he's behind me to get out, like you know what

0:25:15.000 --> 0:25:17.919
<v Speaker 1>I mean, But he waited. He just stood in the

0:25:18.000 --> 0:25:23.159
<v Speaker 1>car shot exactly. But still we got it together. We

0:25:23.240 --> 0:25:25.600
<v Speaker 1>got that stairs, right. I go through a couple of

0:25:25.640 --> 0:25:30.280
<v Speaker 1>as twelve hundred dicks, right, the first three, the second

0:25:30.280 --> 0:25:33.159
<v Speaker 1>one I put disc I put in. When I played it,

0:25:33.520 --> 0:25:36.080
<v Speaker 1>he just said, oh wait, wait, wait, wait wait and

0:25:36.240 --> 0:25:40.000
<v Speaker 1>just stood in close. And I'm like, okay, that means

0:25:40.000 --> 0:25:42.920
<v Speaker 1>he likes it. But I just knew it, man, And

0:25:43.200 --> 0:25:44.800
<v Speaker 1>this is the world as yours you're saying. He's like, yo,

0:25:44.920 --> 0:25:46.359
<v Speaker 1>he wanted the same one, but I want you to

0:25:46.400 --> 0:25:55.600
<v Speaker 1>do the world some hip hop saying. And then we

0:25:55.720 --> 0:25:58.320
<v Speaker 1>got in the studio, went to battery. That's where we

0:25:58.359 --> 0:26:02.399
<v Speaker 1>did it. You know, mixed assuming alf job records. I

0:26:02.480 --> 0:26:05.120
<v Speaker 1>watch you later scratches one tape Premore came in there

0:26:05.560 --> 0:26:09.399
<v Speaker 1>and I did the scratch. I think as a quiet

0:26:09.400 --> 0:26:11.679
<v Speaker 1>as I've ever been to. I just standings like this

0:26:12.000 --> 0:26:14.800
<v Speaker 1>looking and I was just like, what the world don't know?

0:26:15.240 --> 0:26:21.800
<v Speaker 1>Does the world know who nas is? Like? Again? Half

0:26:21.800 --> 0:26:24.360
<v Speaker 1>time was half time? What about back to the grill again?

0:26:24.400 --> 0:26:28.880
<v Speaker 1>Was back to the grill before happening? Yeah? Yeah? Yeah,

0:26:29.040 --> 0:26:31.520
<v Speaker 1>it was half building at this point, right, so yeah,

0:26:31.560 --> 0:26:35.399
<v Speaker 1>the buzz already this was crashed through Matic because Super

0:26:35.720 --> 0:26:40.800
<v Speaker 1>was out when it was done and finished. Man, but man, yeah,

0:26:41.600 --> 0:26:48.199
<v Speaker 1>what's this? Three jobs on the half three at the

0:26:48.200 --> 0:26:52.840
<v Speaker 1>time that I only had represented, but not the one

0:26:52.880 --> 0:26:54.920
<v Speaker 1>on the album. The one is on the Atmatic is

0:26:54.960 --> 0:26:57.560
<v Speaker 1>a remix? I was not the one on the vinyl

0:26:57.600 --> 0:26:59.320
<v Speaker 1>on the single, No, just the one that's the one

0:26:59.400 --> 0:27:02.199
<v Speaker 1>was on the album. One is only a period? Is

0:27:02.200 --> 0:27:07.280
<v Speaker 1>the remax at the baseline? Hold on? What's the originals?

0:27:09.520 --> 0:27:16.080
<v Speaker 1>I don't have to up do? Yeah, but I can't

0:27:16.080 --> 0:27:20.280
<v Speaker 1>believe I'm make that story because I still can't believe

0:27:20.400 --> 0:27:26.320
<v Speaker 1>what is this? We celebrate overs being congratulated by Yeah,

0:27:33.160 --> 0:27:35.439
<v Speaker 1>I don't wanted another FLAQ I just didn't know I

0:27:35.440 --> 0:27:39.600
<v Speaker 1>was gonna get it a podcast. Thank you, hip Hop,

0:27:39.840 --> 0:27:42.639
<v Speaker 1>Thank you. It's the fact that you know, um, I

0:27:42.640 --> 0:27:45.520
<v Speaker 1>don't know if you guys know what. We only interview legends,

0:27:45.560 --> 0:27:48.520
<v Speaker 1>not because we don't have love for the new generation,

0:27:48.560 --> 0:27:51.680
<v Speaker 1>because we do. But I feel like in hip hop,

0:27:51.760 --> 0:27:54.760
<v Speaker 1>hip hop is the only place that you get ten

0:27:54.840 --> 0:27:57.040
<v Speaker 1>years in, you get fifteen years in and they say

0:27:57.119 --> 0:28:01.359
<v Speaker 1>you oh, and that right. We're all older, but we

0:28:01.440 --> 0:28:05.040
<v Speaker 1>have old Thomas music. But we are true to what

0:28:05.080 --> 0:28:08.520
<v Speaker 1>we did. Absolutely were leaving. So I just want to

0:28:08.600 --> 0:28:11.119
<v Speaker 1>keep the interviewing legends and for us to have a

0:28:11.160 --> 0:28:17.440
<v Speaker 1>twenty five million flat congratulations. Congratulations and I hate you

0:28:16.880 --> 0:28:20.600
<v Speaker 1>why he knew he had? Man, it was supposed to be.

0:28:20.680 --> 0:28:25.760
<v Speaker 1>When did you get hey listen man? Yeah, like I

0:28:25.760 --> 0:28:31.440
<v Speaker 1>didn't know to And then on the sidebar my boy

0:28:32.920 --> 0:28:38.040
<v Speaker 1>DJ Heron DJ Herond definitely bad. You know what I

0:28:38.040 --> 0:28:40.520
<v Speaker 1>gotta You always gotta big up a wrong because if

0:28:40.520 --> 0:28:42.720
<v Speaker 1>you go to a hair wrong party, be come around.

0:28:42.760 --> 0:28:45.600
<v Speaker 1>It's a real hip hop. The bitches are going to

0:28:45.680 --> 0:28:49.600
<v Speaker 1>be there with the sneaker Scott. That's real. When the

0:28:49.680 --> 0:28:52.760
<v Speaker 1>chicks got their hell's on, that's not hip hop like

0:28:53.040 --> 0:28:56.160
<v Speaker 1>you gotta your sneakers, gotta be dirty to a certain

0:28:56.160 --> 0:29:08.400
<v Speaker 1>next day, you know, to be real hip hop. Welcome

0:29:08.480 --> 0:29:11.760
<v Speaker 1>to play a new podcast network featuring radio and TV

0:29:11.880 --> 0:29:16.240
<v Speaker 1>personalities talking business, sports, tech, entertainment, and more. Play it

0:29:16.440 --> 0:29:21.040
<v Speaker 1>at play dot It. We're back to Drink Champs Radio

0:29:21.200 --> 0:29:27.800
<v Speaker 1>with rapper and R and d J. Then now, so

0:29:27.920 --> 0:29:31.920
<v Speaker 1>you do the world as yours. They said after you

0:29:31.920 --> 0:29:34.840
<v Speaker 1>did the record, he was just happy for happy. But

0:29:34.960 --> 0:29:37.880
<v Speaker 1>did you did You had the full sight just to

0:29:37.960 --> 0:29:45.640
<v Speaker 1>think that this guy would actually like you know this guy.

0:29:45.760 --> 0:29:47.440
<v Speaker 1>There was a lot of anticipation even when you guys

0:29:47.440 --> 0:29:50.040
<v Speaker 1>were working on the project. Nobody in the game rap

0:29:50.480 --> 0:29:54.200
<v Speaker 1>that it was like rock him again, right right? Yeah,

0:29:54.320 --> 0:29:56.440
<v Speaker 1>he stood in his own light, but he was in

0:29:56.520 --> 0:30:00.720
<v Speaker 1>probably inspired by the rap rock him question you know

0:30:00.920 --> 0:30:03.880
<v Speaker 1>question but it's open. Yeah, that was that was That

0:30:04.000 --> 0:30:07.000
<v Speaker 1>was the one. This is new and I've been coming

0:30:07.120 --> 0:30:11.160
<v Speaker 1>and we were confident and he was confident. I was

0:30:11.200 --> 0:30:12.680
<v Speaker 1>happy were There are a lot of records on that

0:30:12.720 --> 0:30:14.680
<v Speaker 1>project that that didn't make the project that you guys

0:30:14.720 --> 0:30:16.840
<v Speaker 1>are that it was that the only beat you made.

0:30:17.680 --> 0:30:21.040
<v Speaker 1>Oh so it'll be one and done. One hit the

0:30:21.120 --> 0:30:26.120
<v Speaker 1>repeet that going, uh, they're all flowing away for and

0:30:26.560 --> 0:30:31.160
<v Speaker 1>then you took it the remix and hold yeah talking

0:30:31.200 --> 0:30:34.040
<v Speaker 1>about okay, yeah, yeah too. Remixes had me all the

0:30:34.200 --> 0:30:39.280
<v Speaker 1>same wait oh wait wait wait wait it was oh

0:30:40.160 --> 0:30:42.880
<v Speaker 1>like in a good way, but like damn, my actually said,

0:30:42.920 --> 0:30:48.080
<v Speaker 1>have just did a quick remix, you know, but they're

0:30:48.120 --> 0:30:52.560
<v Speaker 1>both amazing and it totally totally different, you know, different approaches.

0:30:52.720 --> 0:30:57.480
<v Speaker 1>His talents are amazing. Que tip shout out to him.

0:30:58.000 --> 0:31:02.480
<v Speaker 1>So now you did, said, three joints represent the Memory

0:31:02.560 --> 0:31:06.560
<v Speaker 1>Lane and New York State of Mind. Memory Lane, Memory Lane,

0:31:07.520 --> 0:31:10.720
<v Speaker 1>Memory memory Lane, Me, Me and me and NAS. We

0:31:10.800 --> 0:31:12.560
<v Speaker 1>had a debate on that one because I actually didn't

0:31:12.640 --> 0:31:15.080
<v Speaker 1>like that one. This is prime. This is the crazy

0:31:15.120 --> 0:31:17.840
<v Speaker 1>shot I've been in the studio with three roll. Yo.

0:31:17.920 --> 0:31:20.280
<v Speaker 1>You're really a perfection this, yo, because I do it

0:31:20.320 --> 0:31:23.120
<v Speaker 1>on the spot. Ye, you really affected, yo. I went

0:31:23.200 --> 0:31:25.760
<v Speaker 1>to six times. We couldn't get to beat right, and

0:31:26.040 --> 0:31:28.040
<v Speaker 1>he said he came to me. He came to me

0:31:28.080 --> 0:31:32.000
<v Speaker 1>and said, what's your room, nickel? I said, no, front

0:31:32.080 --> 0:31:38.520
<v Speaker 1>drop glasses. I believe that's an incredible juice. Then you

0:31:38.680 --> 0:31:43.800
<v Speaker 1>made the beat in two fucking seconds. Black that No,

0:31:43.920 --> 0:31:45.720
<v Speaker 1>that's a lot of big records when I performed no.

0:31:46.360 --> 0:31:49.080
<v Speaker 1>But the thing about it is is that what you happen,

0:31:49.360 --> 0:31:52.600
<v Speaker 1>you have to hear the votes first time, because but

0:31:52.840 --> 0:31:58.360
<v Speaker 1>what Armaticul is one of the best hip hop albums

0:32:00.120 --> 0:32:03.320
<v Speaker 1>for so much from understanding, I wasn't on the report

0:32:03.640 --> 0:32:07.000
<v Speaker 1>and now you got me on another and all that.

0:32:07.440 --> 0:32:10.160
<v Speaker 1>This was the year Reunion merged as a solo artist too.

0:32:10.960 --> 0:32:13.720
<v Speaker 1>I mean, your first, your first nor y'all. I was sick.

0:32:14.000 --> 0:32:17.400
<v Speaker 1>That was like, it's sick thinking. I mean like that,

0:32:17.640 --> 0:32:20.880
<v Speaker 1>like to this day, don't want to get back to

0:32:20.920 --> 0:32:24.560
<v Speaker 1>baby more. What happened was we wanted to promote be

0:32:24.680 --> 0:32:30.440
<v Speaker 1>so bad everybody we for some reason, our schedules was

0:32:30.520 --> 0:32:32.320
<v Speaker 1>messed up. And then we went to D and D.

0:32:32.480 --> 0:32:34.920
<v Speaker 1>We went to D n D and I felt like

0:32:35.000 --> 0:32:38.400
<v Speaker 1>he needed something from us and we just kept wasn't

0:32:38.440 --> 0:32:42.400
<v Speaker 1>given to And then you just the sixth second I

0:32:42.440 --> 0:32:47.960
<v Speaker 1>remember the sixth secon he said and screened on and

0:32:47.960 --> 0:32:50.640
<v Speaker 1>I was like, yo, and I'm I'm as saying I

0:32:50.760 --> 0:32:53.040
<v Speaker 1>gotten too. I was like, yo, just meet me this,

0:32:55.800 --> 0:33:00.080
<v Speaker 1>you know, I know he's on. He was like go

0:33:00.480 --> 0:33:04.440
<v Speaker 1>feeling like you know you And then and then that

0:33:04.520 --> 0:33:13.400
<v Speaker 1>day and you can't even like not sorry the crazy ship.

0:33:14.200 --> 0:33:17.360
<v Speaker 1>He said, what's your opening line? And I said that

0:33:17.480 --> 0:33:19.680
<v Speaker 1>So you had that rhyme already. Really, I had the

0:33:19.760 --> 0:33:22.360
<v Speaker 1>rhyme already. I just was waiting for something perfect to

0:33:22.360 --> 0:33:27.800
<v Speaker 1>go perfectly said, and he said say it again. He

0:33:27.920 --> 0:33:33.840
<v Speaker 1>made the whole. I was like, right my mind, I

0:33:33.920 --> 0:33:38.480
<v Speaker 1>was like day to be at the television. Yeah, my

0:33:38.520 --> 0:33:41.760
<v Speaker 1>turntable set up on a big old nineteen seventies television

0:33:42.360 --> 0:33:44.520
<v Speaker 1>with the with the wood and everything with the record

0:33:44.560 --> 0:33:46.800
<v Speaker 1>player on the two and I got the turntable in

0:33:46.840 --> 0:33:49.200
<v Speaker 1>the mix on their pulse. That right there, but going yo,

0:33:49.360 --> 0:33:55.280
<v Speaker 1>I still can't believe turn table on a television seven

0:33:55.360 --> 0:34:01.160
<v Speaker 1>And that's what fair with the pan of sis to

0:34:01.200 --> 0:34:03.400
<v Speaker 1>everybody in the hood and the projects have them on radio.

0:34:03.880 --> 0:34:07.000
<v Speaker 1>We gotta do right now. Promote is described in these

0:34:07.000 --> 0:34:13.799
<v Speaker 1>studios because I'm not hip hopcast on the studios was

0:34:13.880 --> 0:34:17.960
<v Speaker 1>actually not nowhere in neighbor hood, but it was motherfucker

0:34:18.000 --> 0:34:21.160
<v Speaker 1>was in the city. But once you get in the

0:34:21.320 --> 0:34:23.960
<v Speaker 1>D n D, you're in the project. But that was

0:34:23.960 --> 0:34:27.279
<v Speaker 1>an automatic that was that was a heroin block. When

0:34:27.320 --> 0:34:30.080
<v Speaker 1>we started working there in ninety two. That was a

0:34:30.080 --> 0:34:34.520
<v Speaker 1>heroin block. So during that time, a relevant private before

0:34:34.600 --> 0:34:37.279
<v Speaker 1>y'all try to come. It was drugs central and there

0:34:37.320 --> 0:34:39.920
<v Speaker 1>was no lights so it was very dark, and ran

0:34:39.960 --> 0:34:42.520
<v Speaker 1>a newspaper right across the street. So we was always

0:34:42.560 --> 0:34:44.080
<v Speaker 1>beat with them. And then there was a lot of

0:34:44.120 --> 0:34:46.640
<v Speaker 1>fighting and threats and and I'm gonna get my gun

0:34:46.719 --> 0:34:48.759
<v Speaker 1>and all this crazy stuff back then, and and it

0:34:48.920 --> 0:34:52.120
<v Speaker 1>was just I remember a heavy decan came by and said,

0:34:52.480 --> 0:34:56.400
<v Speaker 1>do we really gotta finish the sid But you demanded

0:34:56.440 --> 0:35:01.680
<v Speaker 1>that people get everything, So so how am I had

0:35:01.719 --> 0:35:03.360
<v Speaker 1>to go? I went? I went and went over to

0:35:03.400 --> 0:35:05.520
<v Speaker 1>Hip Factory to finished working for him. And he was like, yo,

0:35:05.920 --> 0:35:08.520
<v Speaker 1>this is grimy brame and I was like, Yo, that's

0:35:08.520 --> 0:35:11.759
<v Speaker 1>how I do it. You had a machine that had

0:35:11.920 --> 0:35:22.000
<v Speaker 1>Philly cigars and what is it called? With bamboo and Philly?

0:35:22.560 --> 0:35:24.359
<v Speaker 1>Did you have called living there as well? I think

0:35:24.360 --> 0:35:27.920
<v Speaker 1>you're hid car. It was all kind of weird. It was.

0:35:27.640 --> 0:35:31.440
<v Speaker 1>It was. It was in the dude. We had to

0:35:31.440 --> 0:35:37.919
<v Speaker 1>restock at least every week whatever were being bought. You know, kid,

0:35:37.960 --> 0:35:39.480
<v Speaker 1>you not. I used to be like, because you know,

0:35:39.520 --> 0:35:41.440
<v Speaker 1>every time we used to go to the studio, we

0:35:41.680 --> 0:35:44.600
<v Speaker 1>always stopped the cigars. But we went to Dnja, we

0:35:44.719 --> 0:35:47.400
<v Speaker 1>never stopped. We said just go straight there. It was

0:35:47.440 --> 0:35:50.200
<v Speaker 1>a little bit like like more expensive, but it was

0:35:50.239 --> 0:35:58.279
<v Speaker 1>like worth it. It was that recently Pete, Kanye and

0:35:58.400 --> 0:36:03.480
<v Speaker 1>jay Z just you to do with joy describe what

0:36:04.280 --> 0:36:07.600
<v Speaker 1>was that like? Going to win mean Black Sea? Sorry

0:36:07.600 --> 0:36:15.960
<v Speaker 1>I didn't. So he was being a kid in a

0:36:16.040 --> 0:36:19.279
<v Speaker 1>candy store to me, gotten his new whip brand new

0:36:19.280 --> 0:36:23.720
<v Speaker 1>whip tags. Don't meet him kid cutting in Hawaii, burning

0:36:23.760 --> 0:36:28.440
<v Speaker 1>the road, come zero to sixty in less than three seconds.

0:36:28.440 --> 0:36:32.719
<v Speaker 1>That's that's how hot that got pulled over. Police let

0:36:32.800 --> 0:36:37.600
<v Speaker 1>him go. But now when he gives you that call,

0:36:38.880 --> 0:36:42.000
<v Speaker 1>because at the end of the day, you represent the

0:36:42.040 --> 0:36:44.480
<v Speaker 1>purest form of hip hope. So when you get a

0:36:44.480 --> 0:36:47.560
<v Speaker 1>call from Kanye, what is your first reaction. I'm just

0:36:47.600 --> 0:36:50.879
<v Speaker 1>gonna bring on my knowledge around And when I got there,

0:36:50.960 --> 0:36:54.000
<v Speaker 1>he actually impressed me with what he knew what I'm

0:36:54.000 --> 0:36:56.960
<v Speaker 1>saying and from my interludes to just like music in

0:36:57.000 --> 0:37:01.320
<v Speaker 1>general and how he respects it. I knew we was

0:37:01.400 --> 0:37:03.959
<v Speaker 1>onto something good from the start. So I started helping

0:37:04.000 --> 0:37:07.280
<v Speaker 1>him out, like run away or last me in the bathroom,

0:37:07.280 --> 0:37:12.839
<v Speaker 1>helping him out doing little beats, you know, you know,

0:37:13.280 --> 0:37:16.239
<v Speaker 1>just getting the popping. But when we got together into

0:37:16.360 --> 0:37:18.960
<v Speaker 1>the Joy. I didn't know jay Z was gonna be on.

0:37:20.480 --> 0:37:25.320
<v Speaker 1>My engineer at the time was young Gurgle Gurgle that

0:37:25.400 --> 0:37:28.600
<v Speaker 1>was young at the time at that time. So I

0:37:28.640 --> 0:37:31.359
<v Speaker 1>was working with him and you know, he called me

0:37:31.560 --> 0:37:34.799
<v Speaker 1>and he said, yo, listen to this. And I was

0:37:34.880 --> 0:37:38.920
<v Speaker 1>driving at the time and he eats Boye Scott on there.

0:37:39.000 --> 0:37:43.640
<v Speaker 1>That was familiar to me because Familie pulled over soun

0:37:45.640 --> 0:37:50.240
<v Speaker 1>who that who that be? He's like, listen, listenariculated again

0:37:50.560 --> 0:37:53.839
<v Speaker 1>and I had He's like, jay Z, is that jay

0:37:53.920 --> 0:38:01.200
<v Speaker 1>Zy get something together and find only he finally gets

0:38:01.239 --> 0:38:07.200
<v Speaker 1>on the feat and it happened through Kande, So let

0:38:07.280 --> 0:38:10.600
<v Speaker 1>the racket drive get it really good. I was happy

0:38:10.640 --> 0:38:13.759
<v Speaker 1>for that, even though Premo was already you know, deep

0:38:13.800 --> 0:38:22.520
<v Speaker 1>into jay Z. Let now premon you will actually on

0:38:22.640 --> 0:38:25.560
<v Speaker 1>a reason moved out correct, Okay, lot was done to

0:38:25.680 --> 0:38:29.160
<v Speaker 1>dn D. That's correct. Credits sate dn D. So now

0:38:29.640 --> 0:38:32.880
<v Speaker 1>this kid comes. Now you already worked with NAS albums

0:38:32.880 --> 0:38:38.480
<v Speaker 1>already out. Uh, you already crowned the top producer. But

0:38:38.520 --> 0:38:41.520
<v Speaker 1>now this guy comes to you. It got some Brad,

0:38:42.560 --> 0:38:44.719
<v Speaker 1>But I know you. You don't give a funk about Brad.

0:38:44.880 --> 0:38:48.399
<v Speaker 1>I know you and did you know him from Original Flavor. Yeah,

0:38:48.440 --> 0:38:50.920
<v Speaker 1>I know before that, before that day, I knew Jay

0:38:50.960 --> 0:38:54.680
<v Speaker 1>probably about eighties seven because Jazz was on E M

0:38:54.719 --> 0:38:56.920
<v Speaker 1>MY and then even when we got signed T M I,

0:38:57.120 --> 0:39:00.040
<v Speaker 1>which was the Christmas the same distribution, JA was so

0:39:00.360 --> 0:39:03.440
<v Speaker 1>would always come up there with Jazz. Oh so, anytime

0:39:03.520 --> 0:39:05.640
<v Speaker 1>Jazz will show up to any club or whatever, Jay

0:39:05.719 --> 0:39:07.400
<v Speaker 1>was always with him. And back then Jay had the

0:39:07.520 --> 0:39:10.640
<v Speaker 1>big long dukiek. Then we're gonna we're gonna get squashed

0:39:10.680 --> 0:39:16.160
<v Speaker 1>with Ja. We were talking about that yesterday. Just drink

0:39:16.239 --> 0:39:22.840
<v Speaker 1>chance squash beats and uh so, being a character you

0:39:22.920 --> 0:39:25.600
<v Speaker 1>what did he say to you? He says Prem because

0:39:25.600 --> 0:39:28.439
<v Speaker 1>you've seen him in the industry. And one thing about

0:39:28.480 --> 0:39:32.320
<v Speaker 1>Green Prem don't give everybody a beat. No, you gotta

0:39:32.400 --> 0:39:37.120
<v Speaker 1>prove yourself real MC to get a beat. Complain. So

0:39:37.200 --> 0:39:40.239
<v Speaker 1>what did jay Z do that you said, I'm gonna fun. Well,

0:39:40.600 --> 0:39:43.000
<v Speaker 1>even when it got to the point of him hanging

0:39:43.040 --> 0:39:44.759
<v Speaker 1>with lit Prigonal Flavor, that's when I was selling in

0:39:44.760 --> 0:39:48.560
<v Speaker 1>the Bronze and Chop down the block and so that

0:39:48.680 --> 0:39:51.400
<v Speaker 1>down University down there, down the other way down the

0:39:51.440 --> 0:39:53.680
<v Speaker 1>hill from from where we were, uh you know, but

0:39:53.760 --> 0:39:55.799
<v Speaker 1>then it goes up hill, down everything down the hill,

0:39:55.880 --> 0:39:57.640
<v Speaker 1>up the hill were the they were down the hill

0:39:57.680 --> 0:40:00.520
<v Speaker 1>from from where I was, and uh so, um so,

0:40:01.640 --> 0:40:05.480
<v Speaker 1>being I knew j already, it's crazy because Big L

0:40:06.320 --> 0:40:09.360
<v Speaker 1>was already saying, Yo, you know if you know this

0:40:09.440 --> 0:40:11.680
<v Speaker 1>a big L with with with J a lot, but

0:40:11.760 --> 0:40:16.880
<v Speaker 1>also j R. Yeah, yeah, they were. They were merging

0:40:16.920 --> 0:40:18.920
<v Speaker 1>into doing some work, which is how the rock Fellers

0:40:19.520 --> 0:40:22.640
<v Speaker 1>situation was about to happen. But but I knew Jay

0:40:23.000 --> 0:40:25.480
<v Speaker 1>also aside from the jazz ole when he threw king

0:40:26.080 --> 0:40:29.160
<v Speaker 1>So I said, we came about Mr Mr C's from

0:40:29.320 --> 0:40:34.359
<v Speaker 1>LG Projects, and then Mr C moved in. I think

0:40:34.360 --> 0:40:36.359
<v Speaker 1>it was just hard to somebody's house right there, People

0:40:37.160 --> 0:40:44.239
<v Speaker 1>to your home, come on family affair story. I'm so

0:40:44.320 --> 0:40:55.040
<v Speaker 1>sorry we spread love shot down the flight. Well, I'm

0:40:52.840 --> 0:40:58.080
<v Speaker 1>getting people that about the high contact because I've seen

0:40:58.120 --> 0:41:02.040
<v Speaker 1>people go and I'm like, hey, you know told me,

0:41:02.120 --> 0:41:03.719
<v Speaker 1>you know told me to and I want you to

0:41:03.760 --> 0:41:07.440
<v Speaker 1>finish your story please because fans your fans against all, right,

0:41:07.680 --> 0:41:10.839
<v Speaker 1>But I was actually drinking with Joe Pashi one night.

0:41:11.680 --> 0:41:15.960
<v Speaker 1>He wouldn't he just stunning on us right now, you

0:41:16.040 --> 0:41:30.000
<v Speaker 1>didn't just the fans like finish, but he would not

0:41:30.200 --> 0:41:32.360
<v Speaker 1>let me take a shot without looking at And this

0:41:32.520 --> 0:41:37.839
<v Speaker 1>is old school because the nineties, so everybody else from

0:41:37.920 --> 0:41:40.680
<v Speaker 1>Queens moved to Long Island. I was the only fucking

0:41:40.719 --> 0:41:43.360
<v Speaker 1>asshole to moved to Jersey, and so I was, you know,

0:41:43.480 --> 0:41:46.279
<v Speaker 1>I was like Almonkst you know, the tie. For some reason,

0:41:46.320 --> 0:41:48.360
<v Speaker 1>I don't know why, but I always moved next to

0:41:48.400 --> 0:41:51.600
<v Speaker 1>the tie of mafia. I'm sorry, but it's always something

0:41:51.719 --> 0:41:56.839
<v Speaker 1>I lived. You look at the Queens, you gotta look

0:41:56.880 --> 0:42:05.839
<v Speaker 1>at I point, oh yeah, yeah, yeah. I always take

0:42:05.880 --> 0:42:09.719
<v Speaker 1>a hardcore Italians and and they just went and I say,

0:42:09.840 --> 0:42:12.600
<v Speaker 1>why why I gotta look out? They said, because in

0:42:12.640 --> 0:42:14.799
<v Speaker 1>the mafia, the person can't look at the eye when

0:42:14.800 --> 0:42:16.600
<v Speaker 1>they take a show. If that's the person is gonna

0:42:16.640 --> 0:42:20.239
<v Speaker 1>shoot you. And you know, back then it was like that,

0:42:20.440 --> 0:42:24.000
<v Speaker 1>you know what I mean, it's not normal. Yeah, I've

0:42:24.040 --> 0:42:26.279
<v Speaker 1>been living about that and I've been aiming one. Somebody,

0:42:26.280 --> 0:42:28.160
<v Speaker 1>don't do it. I would say, hey, excuse me, just

0:42:28.320 --> 0:42:31.359
<v Speaker 1>always look at me, and it's a it's a very

0:42:31.520 --> 0:42:33.880
<v Speaker 1>very fun thing. Well in general, look at you. In

0:42:33.920 --> 0:42:37.920
<v Speaker 1>the period, his reason moved out off, so by the

0:42:38.040 --> 0:42:41.080
<v Speaker 1>time he got to read did reson three? I did,

0:42:41.320 --> 0:42:43.880
<v Speaker 1>and I did the Evils. Wait, wait a minute, he

0:42:43.960 --> 0:42:47.160
<v Speaker 1>just three for three and everybody man sucking illmatic and

0:42:47.400 --> 0:42:56.640
<v Speaker 1>three yea and you gotta by that time me and

0:42:56.760 --> 0:42:59.880
<v Speaker 1>James Lee does it so well. Um, But I was

0:43:00.000 --> 0:43:03.120
<v Speaker 1>on WBLS at the time and I was doing radio,

0:43:03.239 --> 0:43:06.520
<v Speaker 1>so Clark Kent brought jay Z up there to let

0:43:06.560 --> 0:43:10.640
<v Speaker 1>me here in my lifetime the single that they remember themselves,

0:43:11.000 --> 0:43:14.040
<v Speaker 1>the original, because they had the one that I can't

0:43:14.040 --> 0:43:16.320
<v Speaker 1>get with that sause money that's I'm met sauce. So

0:43:17.120 --> 0:43:19.279
<v Speaker 1>when they brought it up during my commercial break and

0:43:19.400 --> 0:43:20.799
<v Speaker 1>I heard it, I was like, yeah, I'm gonna play

0:43:20.840 --> 0:43:23.120
<v Speaker 1>this out out of commercial break. They're like, but you

0:43:23.239 --> 0:43:25.560
<v Speaker 1>just listen to you you don't play it now. I'm like, yeah,

0:43:25.880 --> 0:43:28.640
<v Speaker 1>open the show with it. Next thing, you know, Jay's like,

0:43:28.880 --> 0:43:30.520
<v Speaker 1>I got something before you get me about the Crystal.

0:43:30.719 --> 0:43:32.439
<v Speaker 1>I didn't know what crystal was because he was still

0:43:32.520 --> 0:43:36.359
<v Speaker 1>drinking ball and he's like, this is the real deal

0:43:36.640 --> 0:43:38.920
<v Speaker 1>champagne right here. There's a big, big ball of stuff.

0:43:39.200 --> 0:43:43.640
<v Speaker 1>I was like, cool one for years and years, say yeah,

0:43:43.960 --> 0:43:46.719
<v Speaker 1>I finally dranking you know that Athos, you know Jane

0:43:46.719 --> 0:43:51.480
<v Speaker 1>on Pumper Crystal. But if we don't, I don't. So yeah,

0:43:51.840 --> 0:43:56.160
<v Speaker 1>so now with the space now, so shop not the best,

0:43:56.320 --> 0:44:03.440
<v Speaker 1>but it's okay. Did I say that the birthday party?

0:44:03.960 --> 0:44:06.040
<v Speaker 1>Um was the first time I tasted his space because

0:44:06.120 --> 0:44:08.200
<v Speaker 1>JA came to the birthday party and like, I think

0:44:08.239 --> 0:44:10.319
<v Speaker 1>I've never tastes that. He said, all no, he pot

0:44:10.360 --> 0:44:13.239
<v Speaker 1>brought me a glass and we had slammed down. I'm all,

0:44:13.360 --> 0:44:16.319
<v Speaker 1>whiskey John a Brown look a guy. Whiskey guy. Now

0:44:16.600 --> 0:44:20.800
<v Speaker 1>let me before we get into this into the interview.

0:44:20.960 --> 0:44:25.600
<v Speaker 1>So so Dame approach well, j approached me about us

0:44:25.600 --> 0:44:27.880
<v Speaker 1>since we had had a friendship already, and then he

0:44:27.920 --> 0:44:29.880
<v Speaker 1>inclives me the Dame. I used to see Dame and

0:44:29.960 --> 0:44:32.800
<v Speaker 1>the Brons walking his dogs all the time. Yeah, he

0:44:32.840 --> 0:44:34.600
<v Speaker 1>always had his dogs and he was walking around cause

0:44:34.600 --> 0:44:36.279
<v Speaker 1>he's gonna see Chubb each other and Steve because he

0:44:36.320 --> 0:44:40.839
<v Speaker 1>was aniling and you never Chu Chu dz J Yes,

0:44:40.920 --> 0:44:43.279
<v Speaker 1>d chump each other from Rental Flavor as it's a

0:44:43.280 --> 0:44:48.479
<v Speaker 1>big DJ in Boston bosses. So so Dames being around

0:44:48.480 --> 0:44:50.560
<v Speaker 1>there walking the dogs all the time. So we met then,

0:44:51.080 --> 0:44:52.800
<v Speaker 1>but it was just small talk and we were just

0:44:52.920 --> 0:44:54.640
<v Speaker 1>you know, everybody knew gangs I was at the time.

0:44:54.719 --> 0:44:57.520
<v Speaker 1>We are we were not enough. So from there, Jay said,

0:44:57.640 --> 0:45:00.520
<v Speaker 1>this gotta handles the business. So I went doll with him,

0:45:00.600 --> 0:45:03.719
<v Speaker 1>told him how much. I said, because it's Jay, it's

0:45:03.760 --> 0:45:06.640
<v Speaker 1>all love, I'm only gonna charge you four thousand dollars,

0:45:06.719 --> 0:45:10.040
<v Speaker 1>which was very, very very lucky. And I don't believe

0:45:10.080 --> 0:45:12.120
<v Speaker 1>in luck, but that's a blessing for me to give

0:45:12.160 --> 0:45:14.319
<v Speaker 1>you that type of number. We went in the back

0:45:14.440 --> 0:45:16.719
<v Speaker 1>and they gave me the cash and I started getting busy.

0:45:16.800 --> 0:45:30.959
<v Speaker 1>Now Jacob and and and just Ja called me and said,

0:45:30.960 --> 0:45:33.600
<v Speaker 1>I got this song called to he will. He explained

0:45:33.640 --> 0:45:37.760
<v Speaker 1>it to me and oh my god, explained he explained

0:45:37.800 --> 0:45:39.440
<v Speaker 1>it to me. Then he wrapped the whole song on

0:45:39.760 --> 0:45:42.240
<v Speaker 1>the phone. And after he wrapped it on the phone,

0:45:42.840 --> 0:45:45.560
<v Speaker 1>then he gave me the scratch idea and said, I

0:45:45.840 --> 0:45:48.320
<v Speaker 1>what do you mean? He said, I want to? So

0:45:48.400 --> 0:45:51.560
<v Speaker 1>he had it all mapped up. Can you save me?

0:45:53.600 --> 0:45:56.440
<v Speaker 1>Got my mind? Yeah? I can't die. I can't even know,

0:45:56.520 --> 0:45:58.359
<v Speaker 1>he said, make it go. I can't gave you that. Yeah,

0:45:58.760 --> 0:46:01.360
<v Speaker 1>he knew that. He knew the same order not to

0:46:01.400 --> 0:46:04.120
<v Speaker 1>sample to make the beat. He just he gave me

0:46:04.200 --> 0:46:06.560
<v Speaker 1>the idea of how to He said, this is the atmosphere.

0:46:06.600 --> 0:46:09.560
<v Speaker 1>I want musically, but I want you to, no matter

0:46:09.600 --> 0:46:12.759
<v Speaker 1>what you make, do these scratches. And I went down there.

0:46:12.800 --> 0:46:14.600
<v Speaker 1>I said, yeah, I'll be ready by time you get there.

0:46:14.640 --> 0:46:16.319
<v Speaker 1>And it was ready when he walked in. I saw

0:46:20.360 --> 0:46:22.680
<v Speaker 1>he picked the rap. That's what I'm saying that he

0:46:23.160 --> 0:46:27.320
<v Speaker 1>samples for the cut. He said, hey, yeah, samples for

0:46:27.360 --> 0:46:32.480
<v Speaker 1>the cut. He picked that already on the Phone's on

0:46:32.600 --> 0:46:35.480
<v Speaker 1>the phone. So so he had that well thought out,

0:46:35.480 --> 0:46:38.479
<v Speaker 1>and you know, so crazy him and Biggie's always later

0:46:38.760 --> 0:46:41.839
<v Speaker 1>cup vocals. And then they both leave and go, all right,

0:46:41.880 --> 0:46:44.640
<v Speaker 1>do the premier thing. And they both said the same thing,

0:46:44.760 --> 0:46:46.719
<v Speaker 1>do the premier thing. When you sit there like, I

0:46:46.719 --> 0:46:49.359
<v Speaker 1>gotta watch you, man, I gotta make sure right, he said,

0:46:49.400 --> 0:46:50.960
<v Speaker 1>do the Premierre thing. We're going out, and they would

0:46:51.000 --> 0:46:52.640
<v Speaker 1>leave and let me just do my thing. I might

0:46:52.680 --> 0:47:00.279
<v Speaker 1>have said in the first drop. You know I'm good now,

0:47:01.239 --> 0:47:07.320
<v Speaker 1>Pete Rock. You established your super producer. You you've done everything,

0:47:07.400 --> 0:47:10.480
<v Speaker 1>you work with the best. What makes you say I

0:47:10.719 --> 0:47:13.560
<v Speaker 1>want to do a whole album? First off, for duck

0:47:13.640 --> 0:47:16.799
<v Speaker 1>Down before Smoke diesn't because you you did a whole

0:47:17.360 --> 0:47:21.320
<v Speaker 1>He did the last Smith and Western. So if some

0:47:21.520 --> 0:47:30.879
<v Speaker 1>survivor too with with ute. Yeah, everybody an the best

0:47:30.920 --> 0:47:35.000
<v Speaker 1>of the you know, it was crazy. And then the

0:47:35.040 --> 0:47:38.279
<v Speaker 1>best labor we're making, say, you know what, I'm gonna

0:47:38.280 --> 0:47:41.239
<v Speaker 1>do a whole project with Smith and Wesson. I think

0:47:41.280 --> 0:47:43.840
<v Speaker 1>it was just the r of whing On and it

0:47:44.080 --> 0:47:45.719
<v Speaker 1>just made me say, you know what, Damn, I love

0:47:45.880 --> 0:47:48.080
<v Speaker 1>only and they could do if I could make a

0:47:48.160 --> 0:47:51.120
<v Speaker 1>joint with him. Then I went to Steve with the idea.

0:47:51.840 --> 0:47:54.080
<v Speaker 1>I knew he could make make it happen. You know.

0:47:54.360 --> 0:47:57.200
<v Speaker 1>Then I was on the label they signed me. I

0:47:57.280 --> 0:48:00.480
<v Speaker 1>was like, wow, okay, they one album deal, but I said, no,

0:48:00.520 --> 0:48:03.640
<v Speaker 1>I'm gonna make this one real good what I'm saying.

0:48:03.719 --> 0:48:05.880
<v Speaker 1>And then look, I got the talent of round me.

0:48:06.320 --> 0:48:08.680
<v Speaker 1>Let me just see what's happen. And then boom, I'm

0:48:08.719 --> 0:48:11.920
<v Speaker 1>just going to stop thinking it half And now you

0:48:12.080 --> 0:48:14.680
<v Speaker 1>got the joint. It's funny to shoot with me and

0:48:14.760 --> 0:48:18.319
<v Speaker 1>you house strange real clothes with each other, Like are

0:48:18.360 --> 0:48:20.560
<v Speaker 1>we talking strange fruit right now? You know I'm talking.

0:48:22.080 --> 0:48:26.520
<v Speaker 1>We're talking the fat abut John Yeah, the ship on Sufia.

0:48:26.560 --> 0:48:31.960
<v Speaker 1>But you yeah, I had such a great time. Was

0:48:32.000 --> 0:48:36.640
<v Speaker 1>a green studio? Yeah you st yeah, you know you

0:48:36.719 --> 0:48:38.960
<v Speaker 1>need to look at my memory remember I used to

0:48:39.040 --> 0:48:45.080
<v Speaker 1>come of Pete, but that was way down. That was

0:48:45.640 --> 0:48:50.160
<v Speaker 1>that was, That was like jamie S friends in my house. Yeah,

0:48:52.040 --> 0:48:54.320
<v Speaker 1>I came in right after that and then talking the

0:48:54.360 --> 0:49:09.320
<v Speaker 1>whole story about the zame. I missed it, but bulleholes

0:49:09.320 --> 0:49:11.600
<v Speaker 1>in the wall. It's still in the wall. Goddamn. Let

0:49:16.520 --> 0:49:18.920
<v Speaker 1>from comments. You know. It was a great time and

0:49:19.200 --> 0:49:21.880
<v Speaker 1>great times with my home. So who was it? It

0:49:22.000 --> 0:49:26.440
<v Speaker 1>was me? Punning comment, Me punning comment. What a combination,

0:49:26.520 --> 0:49:30.680
<v Speaker 1>that's it? Yeah, got real tight, you know what I mean. No, listen, Pete,

0:49:30.760 --> 0:49:32.399
<v Speaker 1>let me just tell you something. We were so hard

0:49:32.640 --> 0:49:38.160
<v Speaker 1>to come back. We had a ball. You ordered pieces

0:49:40.080 --> 0:49:42.560
<v Speaker 1>there's Green Street Studios. I could never forget it because

0:49:43.280 --> 0:49:45.080
<v Speaker 1>you know, Pete showed me and I remember I had

0:49:45.120 --> 0:49:47.759
<v Speaker 1>the card their frames on at that time too, and

0:49:47.840 --> 0:49:50.840
<v Speaker 1>I also and I also had a very important sweater

0:49:50.960 --> 0:49:54.800
<v Speaker 1>on and I Miami. It was called um because this

0:49:54.880 --> 0:49:57.319
<v Speaker 1>is a guy who designed Iceberg. But then he went

0:49:57.400 --> 0:49:59.120
<v Speaker 1>and did his own thing and I forgot what it

0:49:59.239 --> 0:50:01.880
<v Speaker 1>was called, but it was some fly ship and I

0:50:01.960 --> 0:50:04.719
<v Speaker 1>bought from about Harbor and I only wore the peat rocks.

0:50:09.719 --> 0:50:15.439
<v Speaker 1>So now you guys, you work with knobs. He worked

0:50:15.480 --> 0:50:18.080
<v Speaker 1>with jail. Have you ever worked the bad You never

0:50:18.120 --> 0:50:20.680
<v Speaker 1>worked a bad um. He's been to my crib if

0:50:21.040 --> 0:50:25.000
<v Speaker 1>he was picking my inn the loud beats, He's like,

0:50:25.200 --> 0:50:27.840
<v Speaker 1>you know, and then you know he heard the idea

0:50:27.920 --> 0:50:31.040
<v Speaker 1>of juicy in my base. You know, came with the

0:50:31.120 --> 0:50:33.080
<v Speaker 1>one that brought Big to the to my house. You

0:50:33.160 --> 0:50:38.759
<v Speaker 1>know we are from Puffers from Della Avenue and my

0:50:39.080 --> 0:50:42.319
<v Speaker 1>Nion and go up Big to a crib and he's

0:50:42.360 --> 0:50:44.200
<v Speaker 1>just like, hell Big, He's like, yeah, I just want

0:50:44.200 --> 0:50:47.360
<v Speaker 1>to see how you make a beat. And then I

0:50:47.440 --> 0:50:50.160
<v Speaker 1>made the speak called U that's a song called in

0:50:50.239 --> 0:50:53.000
<v Speaker 1>the Flesh on the Maining Green, and I made that.

0:50:54.320 --> 0:50:58.040
<v Speaker 1>He wanted it, you know, but it didn't happen somehow,

0:50:58.239 --> 0:51:00.960
<v Speaker 1>but I ended up using it one album. But he

0:51:01.160 --> 0:51:04.080
<v Speaker 1>was there and saw the process. But would now describe

0:51:04.120 --> 0:51:07.480
<v Speaker 1>that because now you know profits from around Burner, so

0:51:07.560 --> 0:51:10.279
<v Speaker 1>you look at him like a pair. But now do

0:51:10.360 --> 0:51:12.560
<v Speaker 1>you do you realize that this guy that he just

0:51:12.640 --> 0:51:16.279
<v Speaker 1>broke to your studio is the most legendary person in

0:51:16.360 --> 0:51:18.960
<v Speaker 1>the world. Already you knew, you do already. The area

0:51:19.120 --> 0:51:21.399
<v Speaker 1>was there because I think Buff came on the show

0:51:21.440 --> 0:51:24.319
<v Speaker 1>and he was scribing Big as disrupted like his look

0:51:24.440 --> 0:51:27.640
<v Speaker 1>was dead. Yeah, did you get that feeling when I

0:51:27.640 --> 0:51:29.800
<v Speaker 1>didn't even pay attention to that? I was skilled. I

0:51:29.880 --> 0:51:35.279
<v Speaker 1>was about to scare Holy rap, I got to beat

0:51:35.360 --> 0:51:39.040
<v Speaker 1>the match. No mean, let's get something poppets. But he

0:51:39.160 --> 0:51:42.160
<v Speaker 1>heard the idea of juicy and just you know, I

0:51:42.239 --> 0:51:45.160
<v Speaker 1>didn't actually do that actual rigiment. I didn't ended up

0:51:45.200 --> 0:51:47.799
<v Speaker 1>doing the remix, and that was the only thing. You mean,

0:51:47.920 --> 0:51:51.759
<v Speaker 1>big Gun. But you know, if you know he did

0:51:51.840 --> 0:51:56.080
<v Speaker 1>pick beats, you know he just didn't need a chance star. Yeah,

0:51:56.080 --> 0:51:58.560
<v Speaker 1>he knew what he wanted to wrap to. Yeah, he

0:51:58.680 --> 0:52:02.799
<v Speaker 1>was now premo. Um, how did you first meet there?

0:52:03.400 --> 0:52:07.160
<v Speaker 1>I met big Um when we moved back to Brooklyn's

0:52:07.480 --> 0:52:10.600
<v Speaker 1>for Green when we're living with Branford, looking a lot

0:52:10.640 --> 0:52:14.480
<v Speaker 1>of rough places. Yea, yeah, we were just this falk

0:52:14.520 --> 0:52:20.359
<v Speaker 1>grady when when brand Valley officially moved out and went

0:52:20.400 --> 0:52:23.880
<v Speaker 1>to California, we turned this place into a frad house

0:52:24.000 --> 0:52:30.279
<v Speaker 1>party house. Rizzon was like Washington between had in Green

0:52:30.440 --> 0:52:34.319
<v Speaker 1>and Brooklyn. Yeah, Brooke, it's old school Brooklyn. Yeah, that's

0:52:35.320 --> 0:52:39.680
<v Speaker 1>not yet so that you get killed every other store,

0:52:41.080 --> 0:52:45.279
<v Speaker 1>think it's shot coming out. He's like that, this is

0:52:45.400 --> 0:52:48.399
<v Speaker 1>you that was to shoot him up corner and it's

0:52:48.440 --> 0:52:51.360
<v Speaker 1>not this is not this is not um the vegans, No,

0:52:52.600 --> 0:52:56.480
<v Speaker 1>this is this is hipster, hipster for old English. One

0:52:56.520 --> 0:53:00.640
<v Speaker 1>of you know, let's get to this is when Biggie

0:53:00.680 --> 0:53:04.560
<v Speaker 1>wore the same green, because when Biggie the Biggie one

0:53:04.600 --> 0:53:07.720
<v Speaker 1>the same green, all me jacking and the sleeves about

0:53:07.719 --> 0:53:13.480
<v Speaker 1>the right. So but board all the time I knew

0:53:13.520 --> 0:53:18.520
<v Speaker 1>Needo Chico sees Kim, they bring you this guy no missing.

0:53:18.560 --> 0:53:21.520
<v Speaker 1>I gotta give him to see the credit when he's

0:53:21.520 --> 0:53:24.799
<v Speaker 1>from the beginning with he was annoying me like yo,

0:53:25.800 --> 0:53:28.440
<v Speaker 1>he wouldn't know I g yet he was Biggie Smalls

0:53:28.960 --> 0:53:31.400
<v Speaker 1>and and every somebody else had Biggie small so that

0:53:31.480 --> 0:53:33.520
<v Speaker 1>he just yeah, man, But um, I used to do

0:53:33.520 --> 0:53:35.160
<v Speaker 1>a lot of shoulder Kane, and there was time that

0:53:35.760 --> 0:53:38.840
<v Speaker 1>I couldn't. My turntables got damaged. Back then you carried

0:53:38.880 --> 0:53:45.920
<v Speaker 1>your equipment on tour and uh j he want he

0:53:45.960 --> 0:53:49.960
<v Speaker 1>wanted to still bring his you Mr c let me

0:53:50.320 --> 0:53:53.600
<v Speaker 1>his turntables right before Kane took the stage. So the

0:53:53.680 --> 0:53:56.440
<v Speaker 1>gang Stalker performed so well again. He lived right down

0:53:56.480 --> 0:53:57.880
<v Speaker 1>the block for all the weeks when I said, we

0:53:58.000 --> 0:54:00.239
<v Speaker 1>knew and so you gotta go out and to see house.

0:54:00.239 --> 0:54:03.040
<v Speaker 1>And in the dope weak spots right there, the new one,

0:54:03.120 --> 0:54:06.480
<v Speaker 1>the one is like on that was dead one, so

0:54:08.520 --> 0:54:13.080
<v Speaker 1>the nice Franklin av So then during that time, Mrs

0:54:13.120 --> 0:54:16.879
<v Speaker 1>Steves a calming, go Prem Biggie small, Biggie small. I'm like, see,

0:54:16.920 --> 0:54:19.000
<v Speaker 1>I'm gonna listen to it, like, just give me some

0:54:19.120 --> 0:54:22.960
<v Speaker 1>time weeks past, yo, Prem, Biggie small. That's why I'm like, yo,

0:54:23.120 --> 0:54:26.600
<v Speaker 1>see before unsun hype. Yeah right yeah, just Biggie small,

0:54:26.640 --> 0:54:28.600
<v Speaker 1>Biggie small, thig. I'm like, dude, I'm gonna listen to

0:54:28.680 --> 0:54:30.840
<v Speaker 1>it because we're pretty busy that that time. I read it.

0:54:31.320 --> 0:54:33.480
<v Speaker 1>One day, I listened to it, liked it like the

0:54:33.560 --> 0:54:35.920
<v Speaker 1>demos that I heard. And then I met Big on

0:54:36.000 --> 0:54:37.640
<v Speaker 1>the corner. I was going to the corner store me

0:54:37.840 --> 0:54:40.920
<v Speaker 1>Google Big Sugar Dad, and Dad was in love with

0:54:40.960 --> 0:54:44.279
<v Speaker 1>little Kim and little him like yeah yeah, yeah kind

0:54:44.280 --> 0:54:51.040
<v Speaker 1>of yea, yeah, I'm never got the bunny that's to

0:54:51.120 --> 0:54:56.759
<v Speaker 1>this very day. Yeah, and that's family. Melkolako got locked

0:54:56.760 --> 0:55:00.560
<v Speaker 1>before many's homes. Welcome Melancho. You know we all connect

0:55:00.560 --> 0:55:02.200
<v Speaker 1>to me, j Rue. All of us is still good.

0:55:02.560 --> 0:55:06.440
<v Speaker 1>So uh So, then Big was like, yo, she she

0:55:06.600 --> 0:55:08.640
<v Speaker 1>told you. He told me he's been stressing you. I

0:55:08.719 --> 0:55:11.279
<v Speaker 1>was like, yeah, family heard it. I said, we gotta

0:55:11.320 --> 0:55:13.960
<v Speaker 1>get something in. And then he goes Joe Puffings and

0:55:14.080 --> 0:55:16.560
<v Speaker 1>this is what he said, puffings interesting and signing me.

0:55:17.120 --> 0:55:22.560
<v Speaker 1>So this is how far back up too, they said,

0:55:22.560 --> 0:55:24.719
<v Speaker 1>Puffers addressing and sign him. I said, dude, go with him.

0:55:24.760 --> 0:55:27.719
<v Speaker 1>And I said, puff Puff not only has money, he

0:55:27.840 --> 0:55:30.200
<v Speaker 1>got a vision. He's gonna blow you up. He said,

0:55:30.200 --> 0:55:31.880
<v Speaker 1>we I don't know, man, you know, I want to

0:55:31.960 --> 0:55:34.360
<v Speaker 1>keep his hood. I'm like, yo, he don't want to

0:55:34.360 --> 0:55:36.439
<v Speaker 1>go with go with puff, you know. And then boom,

0:55:36.560 --> 0:55:39.120
<v Speaker 1>next thing you know, Puff started coming around. And actually

0:55:39.160 --> 0:55:42.160
<v Speaker 1>I tell people this Puff was the first one. I'm sorry,

0:55:42.200 --> 0:55:47.239
<v Speaker 1>I'm because Puff is the first. Remember his stick? Yeah?

0:55:47.480 --> 0:55:50.000
<v Speaker 1>But so what was the first? Making? You actually worked

0:55:50.000 --> 0:55:57.400
<v Speaker 1>on a little big Unbelievable. This is actually what trigger.

0:55:58.440 --> 0:56:01.440
<v Speaker 1>This is what trickled. That was a single trickled down

0:56:01.480 --> 0:56:04.480
<v Speaker 1>into why I gave jay Z and them the price

0:56:04.960 --> 0:56:11.640
<v Speaker 1>for lower price, for reasonable doubt. Because when we did Unbelievable, duh,

0:56:12.400 --> 0:56:15.759
<v Speaker 1>the the budget had run out for Big and I

0:56:15.880 --> 0:56:17.640
<v Speaker 1>told Big, I don't have time to make a beat.

0:56:17.960 --> 0:56:20.000
<v Speaker 1>And he goes Joe, I got five thousand dollars. I

0:56:20.120 --> 0:56:24.800
<v Speaker 1>was like, you know, but we were already cool with

0:56:24.880 --> 0:56:27.239
<v Speaker 1>each other, but I felt weird telling them no. But

0:56:27.360 --> 0:56:29.120
<v Speaker 1>I really didn't have the time, and I'm a person.

0:56:29.680 --> 0:56:32.040
<v Speaker 1>Then Pete'll tell you this. I make the beat on

0:56:32.080 --> 0:56:35.480
<v Speaker 1>the spot. And now that's something that people don't realize.

0:56:35.480 --> 0:56:37.279
<v Speaker 1>I don't have like twenty beats and go you'll pick one,

0:56:37.360 --> 0:56:44.239
<v Speaker 1>like take number six and number before and that they

0:56:44.239 --> 0:56:46.040
<v Speaker 1>said that that's what they do. They make it to

0:56:46.160 --> 0:56:49.080
<v Speaker 1>the artist. So I didn't have nothing for big that

0:56:49.200 --> 0:56:50.440
<v Speaker 1>was dope. You know a lot of people like, you know,

0:56:50.600 --> 0:56:52.399
<v Speaker 1>come on, man, I know you've got something like I don't,

0:56:52.480 --> 0:56:54.920
<v Speaker 1>I really don't. You come here, we can make it

0:56:55.719 --> 0:56:58.120
<v Speaker 1>big old, I don't care if you taking pizza president

0:56:58.520 --> 0:57:01.080
<v Speaker 1>and just some funny staff sounds, and you know he

0:57:01.320 --> 0:57:04.640
<v Speaker 1>knew the slip slap. Yeah, and you know what staff

0:57:04.800 --> 0:57:07.759
<v Speaker 1>was what we say in production in the production era.

0:57:08.120 --> 0:57:10.280
<v Speaker 1>So he said, I don't care if it's some staff,

0:57:10.360 --> 0:57:14.000
<v Speaker 1>that's our word. So coming up tonight, then that's what happened.

0:57:14.000 --> 0:57:16.880
<v Speaker 1>He comes up. I'll take the five thousand, I said,

0:57:16.960 --> 0:57:19.520
<v Speaker 1>but if you get a deal and you go platinum,

0:57:20.080 --> 0:57:25.160
<v Speaker 1>I want thirty five thousand dollars per track. After after

0:57:25.360 --> 0:57:31.160
<v Speaker 1>him going by the way, we did the song crazy

0:57:31.320 --> 0:57:35.880
<v Speaker 1>and there's ninety five. He comes in, we do the song.

0:57:36.360 --> 0:57:39.600
<v Speaker 1>It becomes the B side of Juicy. It was like

0:57:39.640 --> 0:57:43.280
<v Speaker 1>the Street singles was my first gold singles. All that. Wow.

0:57:43.800 --> 0:57:45.800
<v Speaker 1>As soon as he got the deal to up the money.

0:57:46.160 --> 0:57:48.600
<v Speaker 1>I remember he goes, Joe, I got to check for it.

0:57:48.680 --> 0:57:50.840
<v Speaker 1>He said thirty five right, he said, I got. I

0:57:50.920 --> 0:57:54.000
<v Speaker 1>got two of them, brought me to check and Puffy

0:57:54.040 --> 0:57:56.160
<v Speaker 1>gave me the checking out. Like wow, he kept his word.

0:57:56.720 --> 0:57:59.160
<v Speaker 1>Oh so this wasn't on paper this word. It was

0:57:59.320 --> 0:58:06.200
<v Speaker 1>like handshake ship. Yeah, that's big, d You learned so

0:58:06.280 --> 0:58:11.520
<v Speaker 1>much hip hop history getting dirty back then. No, that's

0:58:11.600 --> 0:58:17.280
<v Speaker 1>the best triple. That's ninety Let me ask you because

0:58:17.760 --> 0:58:21.680
<v Speaker 1>you um, the reputation is like the most hip hop

0:58:22.040 --> 0:58:25.280
<v Speaker 1>of hip hop. But now Janet Jackson, you work with

0:58:25.360 --> 0:58:32.080
<v Speaker 1>Janet Jackson, you work with Christine Million, work did you

0:58:32.160 --> 0:58:37.560
<v Speaker 1>work with Britney Spirits as well? So just crazy as

0:58:37.600 --> 0:58:40.320
<v Speaker 1>a hip hop producing you get this call, What is

0:58:40.360 --> 0:58:43.320
<v Speaker 1>your first thing to say for Christina? Yeah, because you

0:58:43.400 --> 0:58:45.760
<v Speaker 1>know that that wasn't hurt dude, that put her onto

0:58:45.840 --> 0:58:48.200
<v Speaker 1>her ex husband Jordy had put her on some of

0:58:48.280 --> 0:58:50.520
<v Speaker 1>my stuff, but she liked it, so she called me

0:58:50.520 --> 0:58:52.480
<v Speaker 1>and go, Joe, I just heard the group home out.

0:58:52.680 --> 0:59:02.200
<v Speaker 1>Oh that's not what Christine. She just heard. I met

0:59:02.440 --> 0:59:05.360
<v Speaker 1>the Shateau Mama down the hill on sunset, you kind

0:59:05.360 --> 0:59:15.320
<v Speaker 1>of front mama shot in Germany, shout to my mom's

0:59:15.360 --> 0:59:17.200
<v Speaker 1>with a lot of a lot of wigs, big wigs,

0:59:17.560 --> 0:59:22.440
<v Speaker 1>lamp and drinking and getting enough money. Because it's right

0:59:22.480 --> 0:59:24.920
<v Speaker 1>down the hill. It's right before tower, like right after you.

0:59:25.000 --> 0:59:27.680
<v Speaker 1>That's Tower Records or any little little big Tower Records

0:59:27.760 --> 0:59:30.040
<v Speaker 1>right now. And it's got a big knee on side

0:59:30.080 --> 0:59:32.040
<v Speaker 1>and shot to mama with bushes so you can't really

0:59:32.040 --> 0:59:35.760
<v Speaker 1>see the spot. And she said, my rolls Royce is outside.

0:59:35.840 --> 0:59:38.800
<v Speaker 1>I saw the white the white fantom. I said, she's here,

0:59:39.360 --> 0:59:41.560
<v Speaker 1>walk in. She's sitting there with Jordy. She goes, so

0:59:41.720 --> 0:59:48.360
<v Speaker 1>I love group, like that's pin point group. The Grimy

0:59:48.440 --> 0:59:54.080
<v Speaker 1>is out there like this like the jazz samples that

0:59:54.240 --> 0:59:57.840
<v Speaker 1>used on some of the games. So she liked. She

0:59:58.000 --> 1:00:03.800
<v Speaker 1>liked jazz Thing't she like work? She like, yeah, she said,

1:00:03.920 --> 1:00:06.280
<v Speaker 1>works like you know my steeds. Even though that was

1:00:07.880 --> 1:00:10.000
<v Speaker 1>but the song she was naming with joints, like, wow,

1:00:10.440 --> 1:00:12.480
<v Speaker 1>if that attracted you don't want to work with me,

1:00:13.000 --> 1:00:16.280
<v Speaker 1>let's go in. And then we ended up we'repoth do

1:00:16.360 --> 1:00:18.560
<v Speaker 1>one record, which was called We called back in the day.

1:00:19.240 --> 1:00:20.920
<v Speaker 1>Next thing you know, she was like, y'all stay here

1:00:20.920 --> 1:00:22.680
<v Speaker 1>a couple more weeks and we just started banging out

1:00:22.680 --> 1:00:24.960
<v Speaker 1>and turned into five records. And then that was the

1:00:25.040 --> 1:00:27.680
<v Speaker 1>first Grammy I ever got for a single. Whereas you know,

1:00:27.800 --> 1:00:29.400
<v Speaker 1>not for the for being on the al I gotta

1:00:29.400 --> 1:00:32.000
<v Speaker 1>Grammy for the Angelo being working on the album and

1:00:32.040 --> 1:00:34.080
<v Speaker 1>for jay Z on how Not Life, but to get

1:00:34.120 --> 1:00:37.600
<v Speaker 1>one for the single is singles out all the other

1:00:37.680 --> 1:00:39.840
<v Speaker 1>songs on the album. It's like, for that one song,

1:00:40.000 --> 1:00:42.560
<v Speaker 1>you gotta gramm me. So that was a big monument

1:00:42.840 --> 1:00:49.720
<v Speaker 1>with my career. It's dope. It was that goddamn it. Now,

1:00:49.800 --> 1:00:54.160
<v Speaker 1>who was it that you said you work with him,

1:00:54.760 --> 1:00:57.360
<v Speaker 1>but you wanted to see them right to Rob in

1:00:57.640 --> 1:01:02.680
<v Speaker 1>the big face Tom it was somebody I forget. I'll

1:01:02.760 --> 1:01:04.360
<v Speaker 1>work with him, but I want to see them right

1:01:04.400 --> 1:01:06.120
<v Speaker 1>the rock, right the rock. I think it was like

1:01:06.200 --> 1:01:12.400
<v Speaker 1>a Justin Bieber all right, yeah, you know the sipher

1:01:13.040 --> 1:01:16.280
<v Speaker 1>what I've been doing. We didn't know the speer for

1:01:16.400 --> 1:01:19.320
<v Speaker 1>BT hip hop was gonna even get this big. It

1:01:19.440 --> 1:01:23.320
<v Speaker 1>was an idea. Shot to Jesse Collins, and congratulations to

1:01:23.400 --> 1:01:27.360
<v Speaker 1>Jesse Collins for doing real well with a new edition story.

1:01:27.440 --> 1:01:29.760
<v Speaker 1>That was his idea and it blew up and did

1:01:30.080 --> 1:01:32.480
<v Speaker 1>really really well their big numbers. And Jesse's a good

1:01:32.520 --> 1:01:35.280
<v Speaker 1>friend of mine. We argue and fight a lot over

1:01:35.680 --> 1:01:37.480
<v Speaker 1>no it's wrong if you do it this way, you

1:01:37.560 --> 1:01:39.480
<v Speaker 1>know it's right if you do it this way. We

1:01:39.640 --> 1:01:41.240
<v Speaker 1>fight a lot, but he's such a good friend that

1:01:41.360 --> 1:01:44.040
<v Speaker 1>we always find a compromise. When he brought up the

1:01:44.120 --> 1:01:45.919
<v Speaker 1>idea of during the site for it was a one

1:01:46.040 --> 1:01:52.000
<v Speaker 1>time thing. It was Papoose Styles, p Remy um, who

1:01:52.080 --> 1:01:55.480
<v Speaker 1>else was in it? Um rom Fest And then there

1:01:55.560 --> 1:01:58.240
<v Speaker 1>was a second one and those two I couldn't make

1:01:58.280 --> 1:02:00.120
<v Speaker 1>it because I was on tour, so I had they

1:02:00.200 --> 1:02:01.840
<v Speaker 1>scratched fill in for me. I just gave him the

1:02:01.880 --> 1:02:04.840
<v Speaker 1>beat and said, let's keep it break beat. Only you

1:02:04.880 --> 1:02:07.040
<v Speaker 1>know because something now that's they elevate. If you're like, yo, man,

1:02:07.080 --> 1:02:08.440
<v Speaker 1>I need them to turn up to It's like, no,

1:02:09.200 --> 1:02:10.880
<v Speaker 1>this is the pure form of how we're doing with

1:02:11.000 --> 1:02:13.120
<v Speaker 1>keeping the breaking Are you a producer on my pick

1:02:13.200 --> 1:02:15.680
<v Speaker 1>specific thing. I picked the beat a loop it, I'll

1:02:15.720 --> 1:02:18.680
<v Speaker 1>do it maybe four James Brown loop break beat from Ultimate,

1:02:18.680 --> 1:02:21.360
<v Speaker 1>Breaks the Beach, whatever, and I'll send those and whatever.

1:02:21.400 --> 1:02:23.439
<v Speaker 1>One Jesse's like, yeah, I like this one. We'll clear

1:02:23.520 --> 1:02:25.880
<v Speaker 1>it with whoever owned it, and then we'll send it

1:02:25.960 --> 1:02:29.440
<v Speaker 1>to all the artists and we tell them sixteen bars

1:02:29.600 --> 1:02:32.880
<v Speaker 1>and quick, so anybody's got ninety bars everything, And it's

1:02:32.920 --> 1:02:35.560
<v Speaker 1>like they never follow the rules, and then they get mad, like, yo,

1:02:35.640 --> 1:02:38.160
<v Speaker 1>they edited my stuff. It's like, no, he told you

1:02:38.280 --> 1:02:42.160
<v Speaker 1>sixteen and quit and again it was one time. Only

1:02:42.680 --> 1:02:45.680
<v Speaker 1>second year comes around over the set cipher, they're like,

1:02:45.840 --> 1:02:48.120
<v Speaker 1>we want to do it again. Now that they've got

1:02:48.200 --> 1:02:51.880
<v Speaker 1>three ciphers. Then that turn in the Forthsifer's after that.

1:02:52.440 --> 1:02:54.520
<v Speaker 1>Now it's starting to get ciphers where they're starting to

1:02:54.560 --> 1:02:57.280
<v Speaker 1>put a lot of artists that I'm like, na, na,

1:02:57.560 --> 1:03:00.240
<v Speaker 1>they can't rhyme, don't put them in there. And it's

1:03:00.280 --> 1:03:03.000
<v Speaker 1>going into that stage of it now it's like whether

1:03:03.040 --> 1:03:07.000
<v Speaker 1>they're popular, they're no more known than the skilled them. See,

1:03:07.120 --> 1:03:09.400
<v Speaker 1>I'm like, yeah, but if you're taking away the skill,

1:03:09.680 --> 1:03:13.480
<v Speaker 1>that that causes problems with the authenticity. And that's where

1:03:13.480 --> 1:03:16.640
<v Speaker 1>I have a problem because I wanted to stay aft ending. Yeah,

1:03:16.720 --> 1:03:18.800
<v Speaker 1>but all the fans love them, and they're on TV

1:03:18.920 --> 1:03:21.400
<v Speaker 1>and they're on every video, and he's other guys. Nobody's

1:03:21.400 --> 1:03:23.840
<v Speaker 1>being attention to them, Like, well, you know what, They're

1:03:23.840 --> 1:03:25.480
<v Speaker 1>gonna pay attention to some when they see how dope

1:03:25.520 --> 1:03:29.600
<v Speaker 1>they speach beat. So we always have that fight. One year,

1:03:30.560 --> 1:03:32.640
<v Speaker 1>they said, Yo, what do you think of Justin Bieber

1:03:32.760 --> 1:03:34.919
<v Speaker 1>spitting on the side? I said, I don't know, can

1:03:35.040 --> 1:03:38.440
<v Speaker 1>with it as long as he writes the round, and

1:03:38.520 --> 1:03:41.480
<v Speaker 1>if it's a dope round, let's do. He said, what

1:03:41.600 --> 1:03:46.360
<v Speaker 1>if somebody else rights there? I said, no, blew into

1:03:46.400 --> 1:03:51.360
<v Speaker 1>it with the rumors being saying that I mentioned this

1:03:51.440 --> 1:03:54.920
<v Speaker 1>person this person. No, it was just that simple. If

1:03:55.080 --> 1:03:57.280
<v Speaker 1>he's gonna do it, let him spit. And and so

1:03:57.440 --> 1:04:00.800
<v Speaker 1>the next thing you know, it's like next he's going

1:04:00.880 --> 1:04:03.200
<v Speaker 1>to turn to the whole campaign is showing him spitting

1:04:03.360 --> 1:04:06.000
<v Speaker 1>versus on radio stations and all that, and I'm like, yo,

1:04:06.080 --> 1:04:08.680
<v Speaker 1>I work with Justin Bieber. As long as it's authentic,

1:04:09.200 --> 1:04:11.040
<v Speaker 1>let's rock. I don't care if it's just people, I

1:04:11.040 --> 1:04:14.120
<v Speaker 1>don't care if it's Mary Poppins. If it's authentic, let's rock.

1:04:14.240 --> 1:04:18.200
<v Speaker 1>That's how important is that's? You, guys, very important problem

1:04:18.240 --> 1:04:22.160
<v Speaker 1>with that. I was like, yes, but just you wanted

1:04:22.240 --> 1:04:24.160
<v Speaker 1>him to write that, yeah, And they didn't say that

1:04:24.200 --> 1:04:26.280
<v Speaker 1>he wasn't gonna write. They say, what if he doesn't,

1:04:26.400 --> 1:04:28.800
<v Speaker 1>And I'm like that No, it's he shows on the

1:04:28.840 --> 1:04:32.120
<v Speaker 1>blog d the premier bands justin peoples like, how could

1:04:32.320 --> 1:04:34.480
<v Speaker 1>I banned nobody? Because if it was my ciphers, You're

1:04:34.480 --> 1:04:39.320
<v Speaker 1>gonna see Kane there, the Rock, Kim there, d I T.

1:04:39.520 --> 1:04:42.360
<v Speaker 1>C during the whole cipher with a G and Diamond

1:04:42.440 --> 1:04:44.760
<v Speaker 1>and and and the old see and all of them.

1:04:44.800 --> 1:04:48.760
<v Speaker 1>It's gonna be people like that, you know, because he

1:04:48.920 --> 1:04:53.120
<v Speaker 1>was you see one shady cipher it was eminem you know,

1:04:53.200 --> 1:04:58.600
<v Speaker 1>people with skills them Royce, Joe buden Uh crooking eyes skills.

1:04:58.960 --> 1:05:01.760
<v Speaker 1>Know how important is that for you? For you guys,

1:05:01.880 --> 1:05:04.959
<v Speaker 1>You guys, I have the integrity. You guys are top

1:05:05.000 --> 1:05:07.520
<v Speaker 1>of the line of producers when it when we're speaking

1:05:07.600 --> 1:05:11.200
<v Speaker 1>real rail wild hip hop, you guys name has to

1:05:11.280 --> 1:05:14.960
<v Speaker 1>be brought up now. Is Is it ever a time

1:05:15.720 --> 1:05:19.280
<v Speaker 1>where you sit back and say, you know, I'm gonna

1:05:19.320 --> 1:05:22.000
<v Speaker 1>do it for the money this time, or you say

1:05:22.760 --> 1:05:26.840
<v Speaker 1>I'm gonna always stay who I am always say, and

1:05:26.960 --> 1:05:35.040
<v Speaker 1>I've been tempted. A good example, but it's in our

1:05:35.120 --> 1:05:38.200
<v Speaker 1>hearts today passionate about when we do man do it

1:05:38.320 --> 1:05:41.280
<v Speaker 1>for the love saying it's like it's just that's who

1:05:41.320 --> 1:05:47.040
<v Speaker 1>we are. Staying on was a good example because when

1:05:47.120 --> 1:05:50.160
<v Speaker 1>my manager kept pressing me to do it Patrick Marxy

1:05:50.240 --> 1:05:52.760
<v Speaker 1>at the time, I was like nah, because I said,

1:05:52.800 --> 1:05:55.000
<v Speaker 1>Fred Dust can't wrap it in my eyes on the

1:05:55.120 --> 1:05:57.600
<v Speaker 1>level of what people, I don't want my fans going

1:05:57.720 --> 1:06:00.280
<v Speaker 1>damn Preme you work with him and and I like

1:06:00.480 --> 1:06:03.040
<v Speaker 1>left Biscuit for what they do, but if you're gonna

1:06:03.040 --> 1:06:05.360
<v Speaker 1>get with me, that's not what you do. And that's

1:06:05.400 --> 1:06:07.680
<v Speaker 1>to get a lot more inkor you know what I'm saying.

1:06:08.680 --> 1:06:11.960
<v Speaker 1>And that's the bottom line. They go, well method man

1:06:12.120 --> 1:06:14.600
<v Speaker 1>is on the song. I said, oh word, I said,

1:06:14.640 --> 1:06:16.800
<v Speaker 1>then send me the rough. He sent me the rough

1:06:16.880 --> 1:06:19.080
<v Speaker 1>and Metho was on and I was like, then, okay,

1:06:19.160 --> 1:06:21.760
<v Speaker 1>then I'll do it. And it was a big check,

1:06:22.040 --> 1:06:24.480
<v Speaker 1>a huge check. He was one of the biggest checks

1:06:24.520 --> 1:06:28.400
<v Speaker 1>I've ever gotten. So the good thing I liked about

1:06:28.440 --> 1:06:31.480
<v Speaker 1>fred Durst was he called me and said I need

1:06:31.560 --> 1:06:34.320
<v Speaker 1>to talk to train and he was just becoming one

1:06:34.360 --> 1:06:37.400
<v Speaker 1>of the new executives that Interscope with Jimmy Ivien and

1:06:37.640 --> 1:06:41.120
<v Speaker 1>he said, yo, man, this is recently when we were

1:06:41.520 --> 1:06:44.280
<v Speaker 1>back when when they popping and we were doing but

1:06:44.400 --> 1:06:47.400
<v Speaker 1>he had respect for what. Yeah, and we had a

1:06:47.480 --> 1:06:50.320
<v Speaker 1>dope conversation and it was to the point he said,

1:06:50.360 --> 1:06:52.320
<v Speaker 1>the best you can get out of me, I'll do it.

1:06:52.400 --> 1:06:55.080
<v Speaker 1>He came to D and D and he tried. He

1:06:55.240 --> 1:07:00.480
<v Speaker 1>tried with nobody, nobody got no, nothing, and they were

1:07:00.520 --> 1:07:02.840
<v Speaker 1>big at the time. This is a sex second album

1:07:03.640 --> 1:07:05.800
<v Speaker 1>and he was like, Yo, get the best you can

1:07:05.840 --> 1:07:07.000
<v Speaker 1>get out of me. I don't care if you don't

1:07:07.040 --> 1:07:08.960
<v Speaker 1>like it. Whatever, I'll do it. And he that was

1:07:08.960 --> 1:07:11.440
<v Speaker 1>the best I can get what's on the song. But

1:07:11.760 --> 1:07:13.480
<v Speaker 1>the fact he put the effort in. I like the

1:07:13.480 --> 1:07:15.480
<v Speaker 1>fact he put in the effort and he knocked it out.

1:07:15.800 --> 1:07:17.479
<v Speaker 1>Next thing, you know, he said, Yo, we're doing a video.

1:07:18.160 --> 1:07:20.720
<v Speaker 1>Flew us out. We had a big video shoot. We

1:07:20.800 --> 1:07:22.960
<v Speaker 1>had a good time and it was just just a

1:07:23.080 --> 1:07:25.240
<v Speaker 1>really really fun session and and me and Me and

1:07:25.320 --> 1:07:28.480
<v Speaker 1>Fred were cool after them. Before the thing is today

1:07:28.560 --> 1:07:31.480
<v Speaker 1>you guys mentioned Dwick and we didn't go back to

1:07:31.560 --> 1:07:36.040
<v Speaker 1>do it because Troy is one of the biggest ever

1:07:36.200 --> 1:07:39.400
<v Speaker 1>be and it's one of the biggest hip hop records.

1:07:40.680 --> 1:07:45.040
<v Speaker 1>We need to hear. We need to hear the story

1:07:45.240 --> 1:07:49.040
<v Speaker 1>of Dwicks. The only reason why Dwick happened, because that's

1:07:49.040 --> 1:07:51.560
<v Speaker 1>all of our summer anthems. By the way, like we

1:07:51.720 --> 1:07:54.360
<v Speaker 1>all the Nicest Mood did a song called on the End,

1:07:54.560 --> 1:07:57.000
<v Speaker 1>Ain't a damn thing change called down the Line. It

1:07:57.120 --> 1:07:59.000
<v Speaker 1>was with a whole bunch of mcs bass blast big

1:07:59.080 --> 1:08:00.960
<v Speaker 1>up to him, a whole bunch of Auto MC he said,

1:08:01.000 --> 1:08:04.640
<v Speaker 1>bass blaster, yeah from Connecticut, including and shout the ray

1:08:04.720 --> 1:08:07.760
<v Speaker 1>pouncey and uh ray Pousse and uh and then uh,

1:08:08.000 --> 1:08:10.240
<v Speaker 1>Google's also on it. He said, I want to loop

1:08:10.320 --> 1:08:12.880
<v Speaker 1>the Manifest beat into my home version because a lot

1:08:12.880 --> 1:08:15.120
<v Speaker 1>of people don't know most of the nicest move hits.

1:08:15.280 --> 1:08:18.800
<v Speaker 1>Greg Knights does all the beats. Yeah, wow, I didn't

1:08:18.800 --> 1:08:21.800
<v Speaker 1>know that. I've seen him doing. He he for all

1:08:21.840 --> 1:08:38.080
<v Speaker 1>that stuff, hippop, John Kies every every yeah, sorry, all

1:08:38.120 --> 1:08:40.920
<v Speaker 1>that kicking wicked rounds like a fort time had a

1:08:41.000 --> 1:08:44.280
<v Speaker 1>dog on this old Yeah, he did all that stuff. Yeah,

1:08:44.400 --> 1:08:50.720
<v Speaker 1>the knife for me to make him right now like

1:08:55.600 --> 1:08:59.360
<v Speaker 1>Punky bu all that stuff. Lets plays at. I know

1:08:59.400 --> 1:09:01.640
<v Speaker 1>he doesn't play a tax remember brand from myself and

1:09:02.120 --> 1:09:06.360
<v Speaker 1>played a fucking sack. It worked a little to Max.

1:09:06.439 --> 1:09:09.160
<v Speaker 1>You know, he did all those beats so is a

1:09:09.240 --> 1:09:15.800
<v Speaker 1>dope beat making. Yeah, so he took the Manifest instrumental

1:09:15.920 --> 1:09:18.639
<v Speaker 1>May the beat. And all we were doing was because

1:09:18.640 --> 1:09:21.599
<v Speaker 1>we just hang tough. It was nicest fool gangstar riding

1:09:21.600 --> 1:09:24.320
<v Speaker 1>a d train. We go to the castle which was

1:09:24.439 --> 1:09:27.200
<v Speaker 1>grimy and the bronze and this was when they had

1:09:27.200 --> 1:09:28.880
<v Speaker 1>to shoot. That was like Greg all that time, like

1:09:29.000 --> 1:09:33.880
<v Speaker 1>we were around all that stuff. Boom, next thing, you know. Uh,

1:09:34.320 --> 1:09:36.080
<v Speaker 1>we we said, well, let's return the favor into a

1:09:36.160 --> 1:09:38.479
<v Speaker 1>record fuss. So that's all. It was, just y'all do

1:09:38.560 --> 1:09:39.960
<v Speaker 1>one for us. We're gonna do one for you. Hunt

1:09:40.680 --> 1:09:42.360
<v Speaker 1>that's doing on there. That's why it was the B

1:09:42.600 --> 1:09:44.840
<v Speaker 1>side and it wasn't on the album. I remember people

1:09:44.840 --> 1:09:47.280
<v Speaker 1>are like, oh yeah, y'all left you off the albums, Like, nah,

1:09:47.439 --> 1:09:49.479
<v Speaker 1>the album was already done. We're just doing it for fun,

1:09:49.840 --> 1:09:55.000
<v Speaker 1>right we was, and that became a huge right now.

1:09:55.040 --> 1:09:56.760
<v Speaker 1>We didn't know it's gonna be the huge. We're just

1:09:56.840 --> 1:10:03.240
<v Speaker 1>doing it in I remember you'd be shout, yeah, I know,

1:10:03.640 --> 1:10:06.960
<v Speaker 1>shout to dub C. He was there. Aren't you related

1:10:07.000 --> 1:10:09.240
<v Speaker 1>to to somebody on the west like that. No, we're

1:10:09.280 --> 1:10:11.120
<v Speaker 1>just good friends. We're just good friend. But you did

1:10:11.120 --> 1:10:13.400
<v Speaker 1>album m c A recently. Yeah, that's coming out of

1:10:13.479 --> 1:10:18.519
<v Speaker 1>huh and that's a track let's go back and most wanted.

1:10:19.080 --> 1:10:21.760
<v Speaker 1>He did two of the uh theme records for Boys

1:10:21.800 --> 1:10:24.760
<v Speaker 1>in the Hood. He did and he did She's on

1:10:24.840 --> 1:10:29.040
<v Speaker 1>my own everybody side, So yeah, we haven't we haven't

1:10:29.040 --> 1:10:32.240
<v Speaker 1>out hit, we haven't want hite. We have which way

1:10:32.280 --> 1:10:35.160
<v Speaker 1>is west camera that's coming soon and also think about

1:10:37.040 --> 1:10:43.560
<v Speaker 1>yeah yet out of the connoss and we you know,

1:10:44.000 --> 1:10:48.080
<v Speaker 1>people know uh and then uh shout to Tory Wolf

1:10:48.200 --> 1:10:50.720
<v Speaker 1>and also shout to Miguel. We have a single out

1:10:50.840 --> 1:10:54.439
<v Speaker 1>right now called to Loving You. Now. What happened was

1:10:54.520 --> 1:10:58.559
<v Speaker 1>where we wherehere we do wick so dub she was there. Wow,

1:10:58.680 --> 1:11:04.439
<v Speaker 1>that's Don Aaron from the Masses of Sundre. Yeah, because

1:11:04.479 --> 1:11:06.160
<v Speaker 1>he was a good friends with Greg Night. Question though,

1:11:06.640 --> 1:11:09.400
<v Speaker 1>how did the horny version happen? To the wick I

1:11:09.520 --> 1:11:11.960
<v Speaker 1>was just doing that, just sucking out and to the

1:11:12.040 --> 1:11:19.640
<v Speaker 1>horny version, horny version but as a vocal version had

1:11:19.640 --> 1:11:21.639
<v Speaker 1>a glitch. And remember you when you go to dad

1:11:22.080 --> 1:11:29.200
<v Speaker 1>the dada. So when we bounced, we stay quiet, let

1:11:29.280 --> 1:11:36.240
<v Speaker 1>them and had to remember glitches we couldn't. I was like,

1:11:36.280 --> 1:11:38.640
<v Speaker 1>we can't put it out like that's why I just

1:11:38.680 --> 1:11:41.479
<v Speaker 1>put the instrumental on that on the B side of

1:11:41.520 --> 1:11:55.679
<v Speaker 1>A twelve. Wow. When did y'all know you had something

1:11:55.760 --> 1:11:59.080
<v Speaker 1>with Dwick? Like, I mean immediately when that ship came

1:11:59.080 --> 1:12:01.760
<v Speaker 1>out when we finishing it was crazy because like I said,

1:12:02.120 --> 1:12:05.720
<v Speaker 1>dove C is from the West Coast, wearing scullies all

1:12:06.080 --> 1:12:14.040
<v Speaker 1>in the heat of its connection and and khakis and

1:12:14.240 --> 1:12:16.519
<v Speaker 1>and Pendleton's all hot and I'm just like, yo, you

1:12:16.600 --> 1:12:19.000
<v Speaker 1>ain't hotting all that stuff, because that's how it is

1:12:19.040 --> 1:12:20.960
<v Speaker 1>in the West Coast. And that's how I learned about

1:12:20.960 --> 1:12:24.200
<v Speaker 1>the West Coast. It was night nine. Master As had

1:12:24.280 --> 1:12:27.920
<v Speaker 1>just joined our states was heavy doing the car show

1:12:28.000 --> 1:12:30.080
<v Speaker 1>stuff on the web. I knew Sun Night already back

1:12:30.120 --> 1:12:38.920
<v Speaker 1>then nine he was and he was hanging over. So

1:12:38.960 --> 1:12:41.160
<v Speaker 1>I was there with J J Fan, the n w

1:12:41.360 --> 1:12:43.640
<v Speaker 1>A all that stuff, Me and He's he came to

1:12:43.720 --> 1:12:46.400
<v Speaker 1>the first Gang Star release party in nineteen eighty nine

1:12:49.760 --> 1:12:54.559
<v Speaker 1>with the kids. Yeah, rescipes, So we met them back

1:12:54.560 --> 1:12:57.519
<v Speaker 1>in eighty nine, so you know the dove C to

1:12:57.600 --> 1:13:00.600
<v Speaker 1>be there back then. That shows we go to and

1:13:00.720 --> 1:13:04.439
<v Speaker 1>recipes or his brother who passed on January. Now Ice Cubes, DJ,

1:13:04.920 --> 1:13:09.519
<v Speaker 1>Crazy Tunes, that stuff. When we set them off right here,

1:13:09.560 --> 1:13:15.080
<v Speaker 1>we had an incredible homegoing service and family man, seeing

1:13:15.080 --> 1:13:17.479
<v Speaker 1>all these west goes on from King t and then

1:13:17.520 --> 1:13:20.840
<v Speaker 1>seeing you know, Chuck dn l L then and everybody

1:13:20.920 --> 1:13:24.639
<v Speaker 1>and and you know, just every artist and hip hop family.

1:13:25.720 --> 1:13:28.320
<v Speaker 1>It was so packed in and they just did it right,

1:13:28.400 --> 1:13:30.439
<v Speaker 1>you know what I'm saying, playing dope music in the church,

1:13:30.840 --> 1:13:33.400
<v Speaker 1>playing flashlight and doing a whole college of all the

1:13:33.439 --> 1:13:36.600
<v Speaker 1>people he's been around on a video screen. And and

1:13:36.800 --> 1:13:39.160
<v Speaker 1>and then even when it did to everybody's got a

1:13:39.280 --> 1:13:42.960
<v Speaker 1>little signed the show tunes, throwing up the w looking

1:13:43.000 --> 1:13:45.679
<v Speaker 1>up to the style with it with clouds and wings

1:13:45.760 --> 1:13:48.439
<v Speaker 1>and all that stuff. And I was like, yeah, yeah,

1:13:48.520 --> 1:13:58.639
<v Speaker 1>you see, No, he's trying to get two year fifty.

1:13:59.240 --> 1:14:02.320
<v Speaker 1>You're very smart about how you do things on TV.

1:14:13.720 --> 1:14:17.120
<v Speaker 1>Welcome to play It, a new podcast network featuring radio

1:14:17.200 --> 1:14:21.360
<v Speaker 1>and TV personalities talking business, sports, tech, entertainment, and more.

1:14:21.680 --> 1:14:26.160
<v Speaker 1>Play it at play dot It. We're back to Drink

1:14:26.280 --> 1:14:30.080
<v Speaker 1>Champs Radio with Rapper and R and d Jes. Then

1:14:32.200 --> 1:14:35.040
<v Speaker 1>we are with two of the best producers of Walls,

1:14:35.479 --> 1:14:38.760
<v Speaker 1>the best in my best and um, I'm going to

1:14:38.880 --> 1:14:41.880
<v Speaker 1>celebrate you guys life, hey man, which I'm gonna get

1:14:41.920 --> 1:14:45.880
<v Speaker 1>to I can't believe, like I continue, I gotta come

1:14:45.960 --> 1:14:53.040
<v Speaker 1>back and a little black because it's is. This guy

1:14:53.360 --> 1:14:57.519
<v Speaker 1>is a vinal guy. He's a real hip hop person.

1:14:58.640 --> 1:15:03.000
<v Speaker 1>I am hip hop persons. For us to come together

1:15:03.600 --> 1:15:07.840
<v Speaker 1>and want to commemorate hip hop, salute hip hop, and

1:15:07.920 --> 1:15:10.360
<v Speaker 1>for it to get twenty five million. Shout to Revolt

1:15:10.439 --> 1:15:19.360
<v Speaker 1>Man for big. I'm CBS, TBS, CBS first, your boys

1:15:19.360 --> 1:15:28.400
<v Speaker 1>been and they're coming home, all coming crazy. When you go,

1:15:28.600 --> 1:15:31.280
<v Speaker 1>you go to l A, you gotta prepare. Know. I'm

1:15:31.320 --> 1:15:36.000
<v Speaker 1>doing screening screening at the l A Film School March ninth,

1:15:36.560 --> 1:15:40.839
<v Speaker 1>but March on Revolt As is the premier Coming Home Vietnam.

1:15:41.120 --> 1:15:43.880
<v Speaker 1>I'm going to different countries and exploring hip hop different.

1:15:45.439 --> 1:15:48.160
<v Speaker 1>The dope thing is, I've been watching Drink Champs for

1:15:48.240 --> 1:15:53.519
<v Speaker 1>a minute. You don't feel like I've been checking on

1:15:53.640 --> 1:15:57.920
<v Speaker 1>Drink for a minute. And Uh, it's just ill how

1:15:59.120 --> 1:16:02.799
<v Speaker 1>how the two of y'all are from really different, totally

1:16:02.880 --> 1:16:06.240
<v Speaker 1>different direction. I've known Nori from the streets, like we've

1:16:06.280 --> 1:16:11.599
<v Speaker 1>been streating for so long I've seen him elevate from

1:16:12.400 --> 1:16:17.400
<v Speaker 1>the street level of ramen to the sharper version of

1:16:17.479 --> 1:16:20.679
<v Speaker 1>writing rhymes. Even when you and Bubby had jump drama

1:16:20.760 --> 1:16:23.320
<v Speaker 1>and then we end up doing a record together and

1:16:23.640 --> 1:16:26.840
<v Speaker 1>me together. And even when that happened, it wasn't even

1:16:26.920 --> 1:16:28.759
<v Speaker 1>if this he was just like, yo, I'm a band

1:16:28.840 --> 1:16:31.519
<v Speaker 1>of Nori. He did want him to elevate it ROMs

1:16:31.520 --> 1:16:36.040
<v Speaker 1>because I'm a band and where everybody knows Freddie Fox

1:16:36.200 --> 1:16:40.840
<v Speaker 1>and being where he is more into. There's certain people

1:16:40.880 --> 1:16:44.040
<v Speaker 1>he's attracted to for what they represented, and he loves

1:16:44.120 --> 1:16:47.439
<v Speaker 1>Noria and and more than this MC as a person,

1:16:48.040 --> 1:16:50.439
<v Speaker 1>he's a big, big fan of you. Pick him up.

1:16:51.120 --> 1:16:53.800
<v Speaker 1>Pick him up because he pushed me. He told me

1:16:53.840 --> 1:16:56.080
<v Speaker 1>from the beginning of like if he had mentioned my

1:16:56.160 --> 1:16:58.400
<v Speaker 1>name and the record, he told me, like, I just

1:16:58.840 --> 1:17:01.000
<v Speaker 1>I don't want you to say what but I'm gonna

1:17:01.040 --> 1:17:06.800
<v Speaker 1>be honest keep it when I would call it super thug,

1:17:07.320 --> 1:17:12.200
<v Speaker 1>all right, That's how I used to count bars. I

1:17:12.320 --> 1:17:14.400
<v Speaker 1>used to say what what what what? What? What? What?

1:17:15.200 --> 1:17:19.920
<v Speaker 1>He said, what what what? What? What? What? What? What? What? What? Three?

1:17:20.120 --> 1:17:22.599
<v Speaker 1>Because I'm from the resource from you know what I'm

1:17:22.600 --> 1:17:31.400
<v Speaker 1>saying education, I told for real, I said, they're gonna

1:17:31.520 --> 1:17:35.439
<v Speaker 1>laughing me. He said, that's the hook. But he was

1:17:35.479 --> 1:17:39.960
<v Speaker 1>a genius. He was because was take out the ones

1:17:40.479 --> 1:17:43.519
<v Speaker 1>like when I said what what what what? What? What wanted?

1:17:44.080 --> 1:17:46.760
<v Speaker 1>All he did was muted and then so that I

1:17:46.880 --> 1:17:50.880
<v Speaker 1>gotta give it to the real Yeah, he muted that.

1:17:51.320 --> 1:17:53.880
<v Speaker 1>So now when you listen to it, you're here and

1:17:54.000 --> 1:17:56.640
<v Speaker 1>you say what what what? What? What? What? What? What?

1:17:58.120 --> 1:18:00.680
<v Speaker 1>Just but yeah, this day you don't even gotta go

1:18:00.680 --> 1:18:05.479
<v Speaker 1>to the verse that tears the club. Yeah, was important.

1:18:06.240 --> 1:18:09.080
<v Speaker 1>And when I was trying to say was when I

1:18:09.320 --> 1:18:12.960
<v Speaker 1>did it, I felt what Buppy felt. That's why I

1:18:13.560 --> 1:18:16.880
<v Speaker 1>took it personal, because I felt I told for I

1:18:16.960 --> 1:18:20.800
<v Speaker 1>said it for brow all we need is hard. I said,

1:18:20.880 --> 1:18:22.799
<v Speaker 1>all we need is because, you know, for the research.

1:18:23.520 --> 1:18:26.680
<v Speaker 1>So you know, I'm sorry. I used to tell up

1:18:26.840 --> 1:18:30.160
<v Speaker 1>and he said relax. We didn't say relaxed, but in

1:18:30.240 --> 1:18:37.640
<v Speaker 1>my mind and I would never forget that we were

1:18:37.680 --> 1:18:45.920
<v Speaker 1>in right track recording studios. But this chain was choking him, choker,

1:18:47.120 --> 1:18:51.000
<v Speaker 1>like you gotta release because it was just so tight

1:18:51.080 --> 1:18:58.000
<v Speaker 1>on this click. I love him, Hello, who knows for real?

1:18:58.600 --> 1:19:03.600
<v Speaker 1>I'm very upset, but I love you and me and

1:19:03.720 --> 1:19:09.439
<v Speaker 1>Mr Lead Chicks. So I remember, I'm going upstairs. What

1:19:09.560 --> 1:19:12.560
<v Speaker 1>I saying, You remember right track? Remember right? So I

1:19:12.680 --> 1:19:14.720
<v Speaker 1>what I'm saying, and I said, all we need is

1:19:14.800 --> 1:19:17.120
<v Speaker 1>the hook and were good. He said we got the

1:19:17.200 --> 1:19:20.200
<v Speaker 1>hook already, and I looked at him. I was like,

1:19:20.560 --> 1:19:24.360
<v Speaker 1>because I had previously did that every other record before.

1:19:24.479 --> 1:19:27.800
<v Speaker 1>Then we got mad. But Joe, the first time I

1:19:27.800 --> 1:19:31.840
<v Speaker 1>ever heard you do a y and just the whole

1:19:31.920 --> 1:19:35.760
<v Speaker 1>blah blah, my wife, it's like, that's your stands. No

1:19:35.880 --> 1:19:39.000
<v Speaker 1>one knows that your owner. But that's the reason why

1:19:39.040 --> 1:19:43.600
<v Speaker 1>I gotta give it, because he was the nigger like

1:19:43.720 --> 1:19:46.240
<v Speaker 1>I did that as ball because because remember back then.

1:19:46.520 --> 1:19:53.040
<v Speaker 1>You gotta remember back then, we couldn't punch in the

1:19:53.920 --> 1:20:03.720
<v Speaker 1>record in one day. And it was even ye out here.

1:20:06.240 --> 1:20:14.960
<v Speaker 1>But listen, I'll be fifty one one and you so,

1:20:15.880 --> 1:20:19.719
<v Speaker 1>so I did this ship. That's how I always recorded.

1:20:19.760 --> 1:20:21.840
<v Speaker 1>My record was all the way too, because we remember

1:20:21.920 --> 1:20:31.799
<v Speaker 1>we had the eight inch rails back the two whatever

1:20:31.840 --> 1:20:37.320
<v Speaker 1>you think it wasn't. So I was trained to just

1:20:37.520 --> 1:20:41.080
<v Speaker 1>late everything altogether. So I came out and then he

1:20:41.160 --> 1:20:43.439
<v Speaker 1>had the girl coming, and then the girl was saying,

1:20:44.040 --> 1:20:47.000
<v Speaker 1>which is not kellless because everybody does everybody think it's Kalisi?

1:20:47.160 --> 1:20:53.760
<v Speaker 1>It's not Colliso? What everybody? It's not? Get she was

1:20:53.800 --> 1:20:56.080
<v Speaker 1>around during that time, Yeah, but everybody thought was it.

1:20:57.360 --> 1:21:00.960
<v Speaker 1>I'm so sorry that for the Remember her tammy is

1:21:01.040 --> 1:21:07.320
<v Speaker 1>definitely a tammy. Sounds like something like that, right, that

1:21:07.439 --> 1:21:11.960
<v Speaker 1>was like that that We were all cool, Calice, but

1:21:12.160 --> 1:21:16.160
<v Speaker 1>look a little come back out and I'll say, all

1:21:16.240 --> 1:21:18.479
<v Speaker 1>we need is a hook? Have we done? And he

1:21:18.600 --> 1:21:22.200
<v Speaker 1>said we got dog? And I said, where is it that?

1:21:23.320 --> 1:21:27.800
<v Speaker 1>And then he flayed what they're gonna laugh at me?

1:21:28.560 --> 1:21:31.080
<v Speaker 1>So I Freddy vos name at me. He's like, I

1:21:31.160 --> 1:21:34.160
<v Speaker 1>don't want to hit the what but he didn't know

1:21:34.479 --> 1:21:39.920
<v Speaker 1>that wasn't it literally wasn't me. So I was literally mad, mona,

1:21:39.960 --> 1:21:45.040
<v Speaker 1>what's going on? Tam on that drink? Chance, God, damn

1:21:45.080 --> 1:21:50.439
<v Speaker 1>it on them damn in my mind shout out to

1:21:50.520 --> 1:21:57.240
<v Speaker 1>damn near. So. Now listen, you gotta see hip hop.

1:21:57.760 --> 1:22:04.200
<v Speaker 1>You worked with cool Arts, you worked with C. L. Smooth.

1:22:06.000 --> 1:22:13.760
<v Speaker 1>Now I'm going in So now what makes y'all say

1:22:14.000 --> 1:22:19.120
<v Speaker 1>I'm gonna work with people outside? Oh? Because the thing

1:22:19.200 --> 1:22:23.479
<v Speaker 1>about hip hop back then was one producer did the

1:22:23.520 --> 1:22:27.960
<v Speaker 1>whole album. I'm working on going back to that one

1:22:28.040 --> 1:22:31.920
<v Speaker 1>producer did the whole album Now You Got, You Got,

1:22:31.960 --> 1:22:39.000
<v Speaker 1>You Got Almatic where it's Pete Rock, Chip Lars, Professor Ellis.

1:22:40.000 --> 1:22:52.960
<v Speaker 1>Then you're going to at the big LB Lord for ness.

1:22:53.479 --> 1:22:57.720
<v Speaker 1>Uh So what makes y'all? What makes y'all say I'm

1:22:57.720 --> 1:23:01.599
<v Speaker 1>gonna work with people outside of my group because we're

1:23:01.720 --> 1:23:04.759
<v Speaker 1>not just We're just not in a hip hop box.

1:23:05.200 --> 1:23:07.840
<v Speaker 1>We're in a music box, and the music box has

1:23:07.960 --> 1:23:13.200
<v Speaker 1>all styles that we appreciate based on the cloths were

1:23:13.240 --> 1:23:17.320
<v Speaker 1>cut from a pioneers that opened the door when it's fired.

1:23:17.560 --> 1:23:23.559
<v Speaker 1>James Brown boots the whole Parliament funk. Yeah, just any

1:23:23.640 --> 1:23:28.479
<v Speaker 1>of that from parlt the Brothers, anything, Bootsy anything, Parliament anything,

1:23:28.520 --> 1:23:32.839
<v Speaker 1>George Clinty, that's an error. After James Brown, that's so funky,

1:23:34.000 --> 1:23:36.080
<v Speaker 1>you know a lot like like that. That's a funk

1:23:36.400 --> 1:23:39.000
<v Speaker 1>that that enough funking, Like he says, funk not only

1:23:39.240 --> 1:23:42.880
<v Speaker 1>moves it could remove. We come from that, you know.

1:23:43.040 --> 1:23:45.760
<v Speaker 1>So I read the Franklin, Natalie Cole, Gladys Night in

1:23:45.800 --> 1:23:49.320
<v Speaker 1>the Pivos, Curtis Mayfield, all that stuff, the Mac all

1:23:49.400 --> 1:23:52.760
<v Speaker 1>that stuff. That's my childhood. I don't know about the

1:23:52.960 --> 1:23:55.960
<v Speaker 1>hip hop to hippie hippie. I'm on that. I'm seeing

1:23:56.000 --> 1:24:01.439
<v Speaker 1>my mom playing back to Yeah, Dinna rules, anything about Town, Tamler,

1:24:01.600 --> 1:24:05.920
<v Speaker 1>Gordy Soul records, any of the stuff. My mama A

1:24:06.200 --> 1:24:19.720
<v Speaker 1>time you want to make he Rooster saying but my

1:24:19.920 --> 1:24:26.480
<v Speaker 1>child his platform shoes Afros this big Afro, Shane commercials,

1:24:26.520 --> 1:24:34.360
<v Speaker 1>but Johnson Um good times, the Jefferson's all in the family.

1:24:34.640 --> 1:24:41.160
<v Speaker 1>You know the monsters, that's my mom. Uns, that's my mom. Yeah,

1:24:41.760 --> 1:24:44.360
<v Speaker 1>I'm gonna throw something in there. What's happening? That's my

1:24:44.680 --> 1:24:50.960
<v Speaker 1>my racking stuff all that, you know, all that, Yeah,

1:24:51.360 --> 1:24:55.479
<v Speaker 1>roller skating, we run, we run, That's what I know.

1:24:56.520 --> 1:24:59.000
<v Speaker 1>This is no rapping and scratching. Yet, what is Pete

1:24:59.080 --> 1:25:04.320
<v Speaker 1>Rock's favorite studio session of all these years? My favorite

1:25:04.320 --> 1:25:07.280
<v Speaker 1>studio session that I've ever had, ever happened. It was

1:25:07.320 --> 1:25:13.120
<v Speaker 1>probably had been with run DMC. Down with the shout

1:25:13.280 --> 1:25:19.160
<v Speaker 1>with the king, Oh, down with the light. That's how

1:25:20.080 --> 1:25:29.439
<v Speaker 1>it was crazy. That's the owner of this club and

1:25:29.560 --> 1:25:33.960
<v Speaker 1>he's not gonna like and we had to like, so

1:25:34.080 --> 1:25:37.920
<v Speaker 1>ill yo, we want the gang start tour last day

1:25:38.560 --> 1:25:42.080
<v Speaker 1>and right and run called us and said hurry up

1:25:42.120 --> 1:25:44.439
<v Speaker 1>and get hit. We did twenty five million trees while

1:25:44.520 --> 1:25:46.519
<v Speaker 1>was I like one that we did not and we

1:25:46.640 --> 1:25:57.200
<v Speaker 1>did not into and it ain't even perfect. And we

1:25:57.560 --> 1:25:59.719
<v Speaker 1>came over the way y'all was and everybody was gone.

1:26:00.400 --> 1:26:03.880
<v Speaker 1>You know. I gave CBS this idea, though, come on, bro,

1:26:04.040 --> 1:26:08.599
<v Speaker 1>I give him that idea. You gotta relax, came them.

1:26:08.640 --> 1:26:11.920
<v Speaker 1>I said, we need a streaming clack. No, we sat

1:26:12.080 --> 1:26:15.439
<v Speaker 1>in the podcast, buddy, We just said podcast. I gotta

1:26:15.479 --> 1:26:19.760
<v Speaker 1>go with him. He feels more sober than me. Yeah,

1:26:20.320 --> 1:26:25.640
<v Speaker 1>I don't know if it's a d J thingy. You

1:26:25.680 --> 1:26:30.599
<v Speaker 1>can we have a memory jay Z. Jay Z saw

1:26:30.720 --> 1:26:32.840
<v Speaker 1>me one day. Jay Z said, Yeo, I'm gonna call

1:26:32.840 --> 1:26:37.120
<v Speaker 1>you memory man. You remember every sort you're seeing jay

1:26:37.200 --> 1:26:39.880
<v Speaker 1>Z and he'll he'll go, but you remember this time,

1:26:39.880 --> 1:26:42.639
<v Speaker 1>I'll say, I remember we went and we were in Paris.

1:26:44.000 --> 1:26:46.320
<v Speaker 1>We had a show like two in the morning and

1:26:46.439 --> 1:26:48.839
<v Speaker 1>he was doing the uh this after the justin Timberlake

1:26:48.840 --> 1:26:50.920
<v Speaker 1>tour and watch the throw who was doing the Holy

1:26:51.000 --> 1:26:54.080
<v Speaker 1>Grail tour. We found out he was in town. Me

1:26:54.200 --> 1:26:56.720
<v Speaker 1>and Keeble or whatever Keebler was at. I said, you'll

1:26:56.720 --> 1:26:59.080
<v Speaker 1>want to go see jay Z before reach out. That's

1:26:59.080 --> 1:27:02.759
<v Speaker 1>when he was still no. Now this in Paris, Paris,

1:27:03.560 --> 1:27:05.519
<v Speaker 1>and we got a little to a couple of little time.

1:27:05.560 --> 1:27:07.639
<v Speaker 1>Once I want to go to the show, I reached

1:27:07.680 --> 1:27:09.479
<v Speaker 1>out to the proper people, and it was like, Yo,

1:27:09.560 --> 1:27:13.240
<v Speaker 1>John when he was a Johan nearly reached out to

1:27:13.280 --> 1:27:15.800
<v Speaker 1>John and nearly he's handling everything. I reached out to John,

1:27:16.080 --> 1:27:17.720
<v Speaker 1>send him an email. I'm like, I'm out of here.

1:27:17.920 --> 1:27:19.320
<v Speaker 1>Anyway we can go to the show. I'm thinking I

1:27:19.360 --> 1:27:21.840
<v Speaker 1>ain't gonna respond. I think blipped in like two minutes.

1:27:21.840 --> 1:27:24.040
<v Speaker 1>He said, Yo, there's gonna be passes waiting for you.

1:27:24.160 --> 1:27:31.880
<v Speaker 1>All access. Come backstage. I'm gonna spot for you. We

1:27:31.960 --> 1:27:35.280
<v Speaker 1>go backstage after the show. Uh because Timberland was d

1:27:35.400 --> 1:27:38.599
<v Speaker 1>dam form. We go back stage after the show. Jay

1:27:38.680 --> 1:27:42.240
<v Speaker 1>Z goes, all right, we'll remember you got this time

1:27:43.080 --> 1:27:47.360
<v Speaker 1>because I introduced him to keep my tour man. He goes, yeah,

1:27:47.439 --> 1:27:51.519
<v Speaker 1>he did. Like he's like, how are you doing? He's like,

1:27:51.520 --> 1:27:53.200
<v Speaker 1>how you doing? Keep it? Nice to meet you. You'll

1:27:53.240 --> 1:27:55.600
<v Speaker 1>know what you gotta memory this time? I said, you

1:27:55.760 --> 1:27:59.519
<v Speaker 1>met Keebler before he goes, oh, no, how I said,

1:27:59.640 --> 1:28:05.160
<v Speaker 1>we were at battery, uh Baseline Studios and uh Loupe

1:28:05.160 --> 1:28:09.160
<v Speaker 1>if Fiasco was auditioning for you and he had on

1:28:09.400 --> 1:28:11.840
<v Speaker 1>big chain. There's a Loupe I Fiasco had a big

1:28:11.960 --> 1:28:13.800
<v Speaker 1>chain on with a big metal which he would never

1:28:13.880 --> 1:28:15.800
<v Speaker 1>do right, and he was rapping for you know. Then

1:28:16.040 --> 1:28:19.880
<v Speaker 1>he eat much more focused on another level. But come on,

1:28:20.000 --> 1:28:25.880
<v Speaker 1>drink to shout the first and fifteen. So he goes,

1:28:27.040 --> 1:28:30.599
<v Speaker 1>he's auditioning for J. Jay's listen all these rhymes. Lupe

1:28:30.680 --> 1:28:33.240
<v Speaker 1>puts on a beat in the CD player. The CD

1:28:33.360 --> 1:28:36.599
<v Speaker 1>starts to go do do you know when they skipped?

1:28:37.280 --> 1:28:43.320
<v Speaker 1>Loupe goes and then it's finally stops skipping because I

1:28:43.680 --> 1:28:49.200
<v Speaker 1>goes back into the rhyme. We're like, right there, Jay goes,

1:28:49.240 --> 1:28:53.840
<v Speaker 1>I totally remember that day and you know him and

1:28:53.920 --> 1:28:56.280
<v Speaker 1>keep loving. They're going to talking about sports, you know,

1:28:56.800 --> 1:29:03.479
<v Speaker 1>makes for that. Now there's a deal like we're not

1:29:03.560 --> 1:29:06.479
<v Speaker 1>in to view people. I like to, you know, dig

1:29:06.600 --> 1:29:10.200
<v Speaker 1>into their life when I know the people. The people

1:29:10.680 --> 1:29:12.479
<v Speaker 1>I don't dig into their life because I know them.

1:29:12.479 --> 1:29:14.760
<v Speaker 1>I record both of you guys. I know all right now,

1:29:16.000 --> 1:29:18.400
<v Speaker 1>I know exactly what to ask you. But the thing

1:29:18.479 --> 1:29:23.360
<v Speaker 1>about y'all which surprised me is y'all both come and

1:29:23.520 --> 1:29:28.920
<v Speaker 1>y'all both do your own sound check mandatory, And so

1:29:30.680 --> 1:29:34.599
<v Speaker 1>what I'm asking, is I always what I always should think,

1:29:35.040 --> 1:29:37.600
<v Speaker 1>like you guys who have a DJ, but he don't do.

1:29:37.880 --> 1:29:40.920
<v Speaker 1>So we were talking about this and yeah, I was

1:29:41.120 --> 1:29:49.080
<v Speaker 1>so like, He's like, they're doing that's sound we've done. Joe.

1:29:49.160 --> 1:29:51.720
<v Speaker 1>I'm like, y'all make sure that even everything, he's gonna

1:29:51.760 --> 1:29:57.880
<v Speaker 1>make it right. Every show speakers somehow they got a bull.

1:29:58.240 --> 1:30:01.280
<v Speaker 1>I got to do sound check. I don't care even

1:30:01.320 --> 1:30:06.040
<v Speaker 1>if I don't get to eat sleep, I'm starving, take

1:30:06.040 --> 1:30:11.719
<v Speaker 1>a nap. I will not miss sound they produced because

1:30:11.880 --> 1:30:14.840
<v Speaker 1>a lot of festivals you gotta just plug in check.

1:30:15.400 --> 1:30:17.640
<v Speaker 1>I'm like, yo, it's got a bang, and I'm going

1:30:17.680 --> 1:30:20.720
<v Speaker 1>to deliver what you paid to get. Get what you

1:30:20.840 --> 1:30:23.040
<v Speaker 1>paid for. You're gonna pay to get me again. And

1:30:23.160 --> 1:30:24.880
<v Speaker 1>you want your beat to be heard right, so you

1:30:24.960 --> 1:30:28.479
<v Speaker 1>don't never sing like your assistant or nobody you. You

1:30:28.800 --> 1:30:32.240
<v Speaker 1>guys said, we'll check it again before we start tonight.

1:30:33.200 --> 1:30:37.320
<v Speaker 1>But other than that, now I wouldn't even see the

1:30:37.360 --> 1:30:39.800
<v Speaker 1>working rumlers like, so, I already have a picture of

1:30:39.920 --> 1:30:42.080
<v Speaker 1>what I'm stepping into when the crowd is here. But

1:30:42.760 --> 1:30:44.439
<v Speaker 1>but you gotta let him in. Do what you gotta

1:30:44.479 --> 1:30:47.280
<v Speaker 1>do if you want to do it. He wanted to

1:30:47.360 --> 1:30:55.120
<v Speaker 1>do it. I see if if premoted in. Yeah, he

1:30:55.240 --> 1:30:58.160
<v Speaker 1>was like yo, he said, he said, you didn't stay there,

1:30:59.680 --> 1:31:08.960
<v Speaker 1>he would hip open up for himself. He wouldn't. He wouldn't, dude,

1:31:09.000 --> 1:31:10.920
<v Speaker 1>he would have done another hour and we would like, Yo, Pete,

1:31:11.000 --> 1:31:14.600
<v Speaker 1>come on is a bad thing? Yo, Pee, come on

1:31:15.600 --> 1:31:17.519
<v Speaker 1>on the road where I'll get mad and not in

1:31:17.600 --> 1:31:21.920
<v Speaker 1>a bad ways like Pete. I'm at the record store.

1:31:22.520 --> 1:31:24.960
<v Speaker 1>We were here. We were in Tokyo one time and

1:31:25.120 --> 1:31:27.880
<v Speaker 1>we're about to miss our plane and he goes, I

1:31:29.120 --> 1:31:32.600
<v Speaker 1>gotta get this record. You're like, I'm not missing my

1:31:32.760 --> 1:31:34.760
<v Speaker 1>play for you, especially on the day you're finally going

1:31:34.840 --> 1:31:37.080
<v Speaker 1>on and you know, the day you're going home. You're

1:31:37.080 --> 1:31:39.080
<v Speaker 1>just so ready to go back home. And we've been

1:31:39.120 --> 1:31:42.800
<v Speaker 1>out for like a week in another country, and he's like, yo,

1:31:42.840 --> 1:31:45.600
<v Speaker 1>I gotta get this record. I'm like, dogs, if we

1:31:45.960 --> 1:31:48.800
<v Speaker 1>do not make this plane because of you, we're gonna

1:31:48.880 --> 1:31:51.920
<v Speaker 1>And that's actually how the whole Pete Rock versus Premiere

1:31:51.960 --> 1:31:54.880
<v Speaker 1>things started because of that day we got on the

1:31:54.920 --> 1:31:56.760
<v Speaker 1>bugle said, you know what, man, we need to make

1:31:56.800 --> 1:31:58.599
<v Speaker 1>an album. When we get our attention now to make

1:31:58.640 --> 1:32:01.479
<v Speaker 1>an album. Going at the other making Hills, y'all doing

1:32:01.520 --> 1:32:03.920
<v Speaker 1>the album. We're gonna do an album called p p

1:32:04.120 --> 1:32:10.559
<v Speaker 1>VP P goddamnts record that record. We're doing that about.

1:32:14.920 --> 1:32:17.320
<v Speaker 1>I have a website that let's carry the hats. So

1:32:17.439 --> 1:32:20.960
<v Speaker 1>now say the website again. Premiere was here dot com

1:32:22.200 --> 1:32:24.360
<v Speaker 1>dot com to ye and just go to the shop section.

1:32:25.560 --> 1:32:30.360
<v Speaker 1>It has all official has all official gang Shot products,

1:32:30.640 --> 1:32:33.880
<v Speaker 1>all official Google products, all official Premiere products. And me

1:32:33.960 --> 1:32:37.639
<v Speaker 1>and Pete share the hats and we have green, red, blue, black,

1:32:37.760 --> 1:32:40.479
<v Speaker 1>grand black. We have two t So what happened when

1:32:40.560 --> 1:32:46.400
<v Speaker 1>y'all saw this battle individually and japan Us? No, no,

1:32:46.479 --> 1:32:48.560
<v Speaker 1>I'm talking about when y'all saw the just blades and

1:32:50.720 --> 1:32:54.600
<v Speaker 1>honestly everybody acting like that was the first you know

1:32:54.640 --> 1:32:57.560
<v Speaker 1>what because we've been doing it so much. Yeah, it

1:32:57.680 --> 1:32:59.120
<v Speaker 1>was more like, alright, cool, and this is ain't the

1:32:59.240 --> 1:33:01.240
<v Speaker 1>first battles again, other they've done it before. No, no,

1:33:01.400 --> 1:33:06.920
<v Speaker 1>not no, this is the first one. Kanye. Yeah, some

1:33:07.040 --> 1:33:09.479
<v Speaker 1>of you it's a drink chance because they don't drink.

1:33:10.680 --> 1:33:14.760
<v Speaker 1>That's different from yeah, no, y'alls is like y'alls is like, yeah,

1:33:15.520 --> 1:33:17.559
<v Speaker 1>the couture, but the next day they trying to post

1:33:17.600 --> 1:33:18.760
<v Speaker 1>in that me and you need to do it. I'm like,

1:33:18.840 --> 1:33:21.479
<v Speaker 1>we've been doing you've been doing it. It's like y'all missed.

1:33:21.520 --> 1:33:23.439
<v Speaker 1>They need to do a normal hip hop and story.

1:33:23.479 --> 1:33:26.519
<v Speaker 1>And I know, but what did you and what was

1:33:26.560 --> 1:33:28.479
<v Speaker 1>your first thing when you when you heard that they

1:33:28.520 --> 1:33:33.559
<v Speaker 1>battle and swiss? I have the phone. Who's my phone

1:33:33.600 --> 1:33:39.439
<v Speaker 1>that I'll show you to come? Yes, kay, we believe it.

1:33:40.120 --> 1:33:44.160
<v Speaker 1>Actually we are. We're waiting. I forgot, I got, we

1:33:44.280 --> 1:33:48.080
<v Speaker 1>got y'all man drink n close until day to nine.

1:33:48.360 --> 1:33:58.439
<v Speaker 1>I remember when you did the remix to it. I

1:33:58.640 --> 1:34:05.560
<v Speaker 1>got them. I don't know, but but it's from the

1:34:05.600 --> 1:34:07.920
<v Speaker 1>perspective of what we think is hot. And I remember

1:34:07.960 --> 1:34:11.240
<v Speaker 1>when you did the remix to Uh Jose he's calling

1:34:11.280 --> 1:34:15.560
<v Speaker 1>the name picking up you did with with uh what

1:34:15.600 --> 1:34:20.519
<v Speaker 1>was the name? City board d Look at you? You

1:34:20.600 --> 1:34:24.479
<v Speaker 1>did Veron, you did the first I gotta stop. That's

1:34:27.280 --> 1:34:34.479
<v Speaker 1>definitely definitely more passed to me. Now, Yes, yes, yes,

1:34:37.600 --> 1:34:44.360
<v Speaker 1>I played. I said I played your version more than

1:34:44.400 --> 1:34:50.320
<v Speaker 1>fab shops Fabuse Fat. Fabris is a dope lyricist and

1:34:50.400 --> 1:34:53.280
<v Speaker 1>knows how to do club records, radio records, and still

1:34:53.520 --> 1:34:56.960
<v Speaker 1>have a really clever way of writing his rhyme love

1:34:57.080 --> 1:34:59.519
<v Speaker 1>fab and I'm a big fan of his, but your

1:34:59.640 --> 1:35:02.000
<v Speaker 1>version fit more of the format of what I represent

1:35:02.840 --> 1:35:08.439
<v Speaker 1>the most grimeest money, Like you said, clean shoes, I

1:35:08.439 --> 1:35:11.160
<v Speaker 1>don't like. Your version was the one I played. So

1:35:11.720 --> 1:35:14.559
<v Speaker 1>we're on every Friday night from Temper on the midnight

1:35:15.000 --> 1:35:18.360
<v Speaker 1>Serious X. I like radio Channel forty four, hit by Nation,

1:35:19.360 --> 1:35:24.160
<v Speaker 1>and uh, what I represent is the era of the

1:35:24.320 --> 1:35:30.280
<v Speaker 1>eighties with Molly Marl, reddlers, chill out. Also imagine Mi justin, yeah,

1:35:31.000 --> 1:35:34.600
<v Speaker 1>just chucking, like just in the two thousand era or

1:35:34.720 --> 1:35:37.360
<v Speaker 1>whatever year we're in. I still keep it to that.

1:35:37.439 --> 1:35:39.720
<v Speaker 1>And there's so many artists to have hot stuff out

1:35:40.120 --> 1:35:42.360
<v Speaker 1>that will never get played anywhere else. So I'm like,

1:35:42.560 --> 1:35:44.880
<v Speaker 1>I'll play it, send it to me if I like it,

1:35:44.960 --> 1:35:47.280
<v Speaker 1>and it's on at that level, it's gonna get broken

1:35:47.880 --> 1:35:51.040
<v Speaker 1>and and and that way, not only do you trust me,

1:35:51.680 --> 1:35:54.160
<v Speaker 1>you also start to focus on you know what, if

1:35:54.200 --> 1:35:57.000
<v Speaker 1>he's playing it, it's got to be real and that's

1:35:57.040 --> 1:36:00.479
<v Speaker 1>really what it is. So all of that, but now

1:36:01.160 --> 1:36:07.840
<v Speaker 1>the just blades Swiss beasts. So it happens, I acting,

1:36:08.880 --> 1:36:10.680
<v Speaker 1>I'm on my way to the show and Swiss is

1:36:10.760 --> 1:36:12.680
<v Speaker 1>texting me saying, Yo, I like you to come check

1:36:12.760 --> 1:36:15.320
<v Speaker 1>this out. My shows on from ten to midnight. They're

1:36:15.320 --> 1:36:17.840
<v Speaker 1>starting at ten o'clock. He's like, yo, man, I really

1:36:17.840 --> 1:36:20.080
<v Speaker 1>like and I would have gone definitely. I definitely would

1:36:20.080 --> 1:36:23.000
<v Speaker 1>have gone. But I'm not abandoned my show because again

1:36:23.040 --> 1:36:26.479
<v Speaker 1>it's live. It's my favos. Prerecorded cool. Live is a

1:36:26.680 --> 1:36:30.960
<v Speaker 1>whole different animal. A lot. Live is when you have

1:36:31.439 --> 1:36:34.200
<v Speaker 1>when I scripted nothing, We just roll. You know what

1:36:34.240 --> 1:36:36.760
<v Speaker 1>I'm saying, And when it comes to how we do it,

1:36:37.680 --> 1:36:41.320
<v Speaker 1>everything just flows from minute to minute, second and second beat,

1:36:41.360 --> 1:36:45.959
<v Speaker 1>two beat, voice to voice him on just the realness

1:36:46.000 --> 1:36:48.800
<v Speaker 1>of hip hop from my perspective. So when it came

1:36:48.880 --> 1:36:53.599
<v Speaker 1>to Swiss Beats and uh, just blades doing doing the show.

1:36:54.080 --> 1:36:56.960
<v Speaker 1>As soon as I got off the air, I checked

1:36:57.040 --> 1:36:59.120
<v Speaker 1>my Instagram and saw they were live. I don't want

1:36:59.120 --> 1:37:02.320
<v Speaker 1>to Swiss Beats. I clicked on it. I want to

1:37:02.360 --> 1:37:04.080
<v Speaker 1>see my man d d Rectangle, who was one of

1:37:04.120 --> 1:37:08.840
<v Speaker 1>the dopest Battle dus ever. You make the Scratch final. Yeah.

1:37:09.160 --> 1:37:12.120
<v Speaker 1>I go to his show to watch him do a

1:37:12.640 --> 1:37:15.720
<v Speaker 1>body gig and I'm in there with my phone going,

1:37:17.840 --> 1:37:21.360
<v Speaker 1>um yeah, two in the morning. I'm like, just still

1:37:21.439 --> 1:37:25.920
<v Speaker 1>on from clock and I'm doing this looking at him

1:37:25.920 --> 1:37:29.800
<v Speaker 1>a little bit and they switched it over. Now I

1:37:29.920 --> 1:37:38.720
<v Speaker 1>just got the bell me and the guy said, yo,

1:37:39.240 --> 1:37:41.360
<v Speaker 1>just plazing them still battling. It's almost two in the

1:37:41.479 --> 1:37:44.880
<v Speaker 1>morning and I'm sitting there doing this in a corner

1:37:44.920 --> 1:37:47.840
<v Speaker 1>and the club where it looks like I'm like a

1:37:48.680 --> 1:37:50.760
<v Speaker 1>sort of thumb, but I'm like, no, I'm watching and

1:37:50.840 --> 1:37:52.479
<v Speaker 1>check it out because I want to see what they're

1:37:52.560 --> 1:37:56.519
<v Speaker 1>doing to battle, because they started pulling our beats. So

1:37:56.680 --> 1:37:59.439
<v Speaker 1>that's what I'm like, Well, you're still a fan of

1:37:59.520 --> 1:38:02.240
<v Speaker 1>the coach. You like that. I will remain because you

1:38:02.280 --> 1:38:04.800
<v Speaker 1>know why, I think. I guess being from Texas, I

1:38:04.920 --> 1:38:07.040
<v Speaker 1>wanted to be accepted by New York because at the

1:38:07.120 --> 1:38:09.920
<v Speaker 1>time I came, if New York didn't except you, it

1:38:09.920 --> 1:38:11.840
<v Speaker 1>didn't matter where you were from at that time. Being

1:38:12.000 --> 1:38:15.479
<v Speaker 1>that acceptance. I got that acceptance from the greats. I

1:38:15.600 --> 1:38:17.920
<v Speaker 1>wanted E. P. M D To love me. I wanted

1:38:18.320 --> 1:38:23.080
<v Speaker 1>Big Daddy came up Camp Arrest one. I wanted Grandmaster Flash,

1:38:23.240 --> 1:38:30.040
<v Speaker 1>Molly All Motherfucker's better be on there. It was DJ

1:38:30.160 --> 1:38:34.280
<v Speaker 1>J d J, you became Jazzy, jeff Um, Cash Money,

1:38:34.479 --> 1:38:40.479
<v Speaker 1>d J Scratch, and I just wanted how E t S. Yeah,

1:38:41.000 --> 1:38:44.839
<v Speaker 1>I smoked. I did earlier. No, let's just say earlier

1:38:44.960 --> 1:38:51.600
<v Speaker 1>was to work. That was recent. Sorry, this guy, I

1:38:51.640 --> 1:38:58.320
<v Speaker 1>told you fifty years old, you stay shot. Shoot, you

1:38:58.400 --> 1:39:02.280
<v Speaker 1>gotta look at this is when you know you're on point.

1:39:03.280 --> 1:39:06.519
<v Speaker 1>Never has any drugs that I've ever used defeated me

1:39:07.680 --> 1:39:11.439
<v Speaker 1>and very important. At fifty, I'm on my level. You

1:39:11.520 --> 1:39:17.720
<v Speaker 1>got to take a Molley though. Let's take a momy broid.

1:39:17.920 --> 1:39:25.519
<v Speaker 1>That was junior. No, no, no, no, that was eighty

1:39:25.560 --> 1:39:27.519
<v Speaker 1>one when they was called Black Molly and that was

1:39:27.600 --> 1:39:31.360
<v Speaker 1>the own. Oh my god, this black Molly. What didn't

1:39:32.200 --> 1:39:36.880
<v Speaker 1>you put us on like I would like a black

1:39:38.800 --> 1:39:41.400
<v Speaker 1>all that stuff Now it's just it's like that's not

1:39:42.160 --> 1:39:44.120
<v Speaker 1>mobile jumble stuff now, you know what I'm saying. So,

1:39:44.720 --> 1:39:47.479
<v Speaker 1>like I said, this is my high school days. So

1:39:47.520 --> 1:39:50.639
<v Speaker 1>my high school days. I graduated in high school eight four, okay,

1:39:51.160 --> 1:39:54.599
<v Speaker 1>So imagine our era of of getting lifted and you're

1:39:54.640 --> 1:39:56.880
<v Speaker 1>looking good and we're gonna respect you. I just started

1:39:56.920 --> 1:40:00.760
<v Speaker 1>training again, the big black. I'm getting my You know

1:40:00.880 --> 1:40:06.000
<v Speaker 1>I love food, man, I love I love ice cream. Shot.

1:40:06.560 --> 1:40:11.320
<v Speaker 1>That's the first time the podcast, that's all. And that's

1:40:12.200 --> 1:40:16.680
<v Speaker 1>when you go to ice cream, you go the best

1:40:17.040 --> 1:40:19.599
<v Speaker 1>when you get coops in the coup. It ain't official

1:40:19.640 --> 1:40:24.760
<v Speaker 1>to you take the Hersey syrup. You can't when you

1:40:25.000 --> 1:40:27.160
<v Speaker 1>when you make a wooler, you don't want to see

1:40:27.200 --> 1:40:29.599
<v Speaker 1>no green. But you know the green is in the blood.

1:40:30.280 --> 1:40:34.960
<v Speaker 1>That's how you do it. Let's go. That's the level drugs,

1:40:35.080 --> 1:40:41.640
<v Speaker 1>you know. So I just make it the only thing

1:40:41.760 --> 1:40:45.160
<v Speaker 1>I listened to. Maybe just from that, we've lost, and

1:40:45.360 --> 1:40:48.040
<v Speaker 1>we've lost to all different things from being shot, being

1:40:48.160 --> 1:40:51.160
<v Speaker 1>the bad disease and eating bad health, all that stuff.

1:40:51.680 --> 1:40:54.080
<v Speaker 1>It let me know I'm here for a reason. I

1:40:54.280 --> 1:40:57.120
<v Speaker 1>love your life and fix your life to be able

1:40:57.160 --> 1:41:00.320
<v Speaker 1>to have a longer life. My parents at eight years annoys.

1:41:00.680 --> 1:41:05.800
<v Speaker 1>My parents, my dad's ad eight They got and they

1:41:05.880 --> 1:41:08.639
<v Speaker 1>got issues, but they're still kicking. My father makes all

1:41:08.680 --> 1:41:11.280
<v Speaker 1>the food. He's like, get away from stay out of

1:41:11.320 --> 1:41:13.920
<v Speaker 1>my kitchen, let me stay, get on my way. I

1:41:14.040 --> 1:41:16.200
<v Speaker 1>want to be eight doing that. But I guarantee they

1:41:16.320 --> 1:41:19.360
<v Speaker 1>never did the black Molley. You don't know that just

1:41:19.640 --> 1:41:26.400
<v Speaker 1>this way with the black Molley. Im I was in school.

1:41:26.880 --> 1:41:36.040
<v Speaker 1>When I was in high school, you get talking about

1:41:36.080 --> 1:41:41.600
<v Speaker 1>black Molly was sixteen and I was sixteen. That was

1:41:41.680 --> 1:41:52.240
<v Speaker 1>only one ecstasy, only one way two that was already Yeah, okay, yeah,

1:41:54.360 --> 1:42:00.639
<v Speaker 1>I'm forty one. Damn, what the fun a white man?

1:42:01.040 --> 1:42:04.920
<v Speaker 1>But you're about cool over here? Bro? Why is that

1:42:05.000 --> 1:42:08.760
<v Speaker 1>a surprise? Yo? Dude? There was only one ecstasy was

1:42:08.880 --> 1:42:12.320
<v Speaker 1>called this uh, this would right, this would yeah, and

1:42:12.400 --> 1:42:16.360
<v Speaker 1>it was it was called ecstasy. Yes, but DA wasn't popping,

1:42:16.439 --> 1:42:20.560
<v Speaker 1>So I didn't know that you weren't around during that time. No, no, no,

1:42:20.720 --> 1:42:23.960
<v Speaker 1>I was talking about I'm ten years older than you,

1:42:24.560 --> 1:42:30.160
<v Speaker 1>so you gotta relax. Eighty one. I graduated high school

1:42:30.200 --> 1:42:36.600
<v Speaker 1>in eighty four three. I listen, listen. There was like

1:42:36.720 --> 1:42:40.040
<v Speaker 1>one style of stc one style of milley. That was it.

1:42:40.240 --> 1:42:43.240
<v Speaker 1>There wasn't all twenty and there was all that. There

1:42:43.400 --> 1:42:47.080
<v Speaker 1>wasn't really bear and cherry cherry juice and all these

1:42:47.120 --> 1:42:51.519
<v Speaker 1>funny names. And you smoke cocato. Cocaine was more of

1:42:51.760 --> 1:42:56.000
<v Speaker 1>smoking cocaine. But it's called cool. It's called crack, no wool,

1:42:56.160 --> 1:42:59.880
<v Speaker 1>it's crack. And we also a cool cooly. It's cool

1:43:00.080 --> 1:43:07.479
<v Speaker 1>cop cigarette. How are you yell? It's yeah, seventy seven,

1:43:07.600 --> 1:43:10.800
<v Speaker 1>it's all goods. Having the blackout. I was there in

1:43:10.840 --> 1:43:15.280
<v Speaker 1>my grandom, but I was there staying with my grandfather.

1:43:15.720 --> 1:43:21.320
<v Speaker 1>Got during those days, it was only one of each side.

1:43:21.360 --> 1:43:24.280
<v Speaker 1>That's why when I see what's going on now, it's like, damn, man,

1:43:24.360 --> 1:43:27.680
<v Speaker 1>these people were so lost because there's all kinds of

1:43:27.760 --> 1:43:29.559
<v Speaker 1>weird ship flow. Now I don't want to be around

1:43:29.600 --> 1:43:32.360
<v Speaker 1>none of that. You know, we're around the pure. And

1:43:32.439 --> 1:43:36.000
<v Speaker 1>again that that's kind of like the hippie seventies hallucinogens.

1:43:36.120 --> 1:43:37.840
<v Speaker 1>It was the time and all that the the the

1:43:38.360 --> 1:43:41.120
<v Speaker 1>but those beat you was making the bit of the

1:43:41.400 --> 1:43:44.719
<v Speaker 1>body called give the drugs a little bit of props.

1:43:46.320 --> 1:43:48.960
<v Speaker 1>We just have to be in. You know, you're the

1:43:49.040 --> 1:43:58.759
<v Speaker 1>only guy that makes for draws. I'm not making no drugs.

1:43:59.280 --> 1:44:02.600
<v Speaker 1>But but again, I'm glad that drink. I'm glad that

1:44:02.640 --> 1:44:06.160
<v Speaker 1>I understand the concept of that era because understanding it

1:44:06.280 --> 1:44:10.080
<v Speaker 1>and understanding where your cut off point is, you don't

1:44:10.080 --> 1:44:13.559
<v Speaker 1>need to rehab. You rehab yourself with your mind. I've

1:44:13.600 --> 1:44:17.840
<v Speaker 1>always said that to control yourself. And I know when

1:44:18.640 --> 1:44:21.559
<v Speaker 1>can't controlling to draw myself, that's too much. Go back

1:44:21.600 --> 1:44:24.240
<v Speaker 1>to normal. And then that that that's how people can

1:44:24.400 --> 1:44:27.800
<v Speaker 1>wonder about you. But they can't say, yo, my man

1:44:28.000 --> 1:44:30.599
<v Speaker 1>is lost, he's gone. You can never say I'm gone.

1:44:30.960 --> 1:44:39.519
<v Speaker 1>I'm always here. That now he was recently beefing with Time.

1:44:41.360 --> 1:44:50.960
<v Speaker 1>What from you don't even know who all of us

1:44:51.080 --> 1:44:56.479
<v Speaker 1>from my times describe what happened. Ain't you dissatisfied with

1:44:56.640 --> 1:45:02.640
<v Speaker 1>the um He's not, He's not. I'll say this. I

1:45:02.720 --> 1:45:04.400
<v Speaker 1>had a little I listened. I had a little coosy

1:45:04.520 --> 1:45:10.960
<v Speaker 1>verse situation. Oh that was you. Yeah, But first I

1:45:11.120 --> 1:45:13.600
<v Speaker 1>wasn't offended by that, right, I be offended that he

1:45:13.600 --> 1:45:15.000
<v Speaker 1>don't want to wrap to that. If that's not what

1:45:15.080 --> 1:45:18.360
<v Speaker 1>you want to rap mass Field, that's not really a

1:45:18.400 --> 1:45:21.439
<v Speaker 1>big and it don't make sense for no makes sense

1:45:21.479 --> 1:45:24.000
<v Speaker 1>for him, don't make sense for him. I have other

1:45:24.160 --> 1:45:28.479
<v Speaker 1>games I beat you can wrap to freestyle about. It

1:45:28.600 --> 1:45:31.840
<v Speaker 1>wasn't massive pill it was it was it was it

1:45:31.960 --> 1:45:36.439
<v Speaker 1>was memory man in there. I saw it too, and

1:45:36.640 --> 1:45:39.600
<v Speaker 1>what happened described because I'm not rapping to that. So

1:45:40.160 --> 1:45:44.880
<v Speaker 1>he said, why is that wrapping the breakbeat? Listen? Twitter

1:45:44.960 --> 1:45:47.840
<v Speaker 1>started blowing up on my Twitter. He started to get

1:45:47.920 --> 1:45:51.240
<v Speaker 1>out of hand. Everybody disinal. Then he joins him, So

1:45:51.280 --> 1:45:52.720
<v Speaker 1>I want to see what he says. So I checked

1:45:52.760 --> 1:45:55.120
<v Speaker 1>his traffic because I gotta make sure I'm on point

1:45:55.520 --> 1:45:58.080
<v Speaker 1>before I do anything. You always got to stay focused

1:45:58.120 --> 1:46:00.400
<v Speaker 1>on being on point. I know who I am. I

1:46:00.439 --> 1:46:01.920
<v Speaker 1>don't never want to be looked as a person I

1:46:01.960 --> 1:46:04.160
<v Speaker 1>got played ever and are not going to be looked

1:46:04.200 --> 1:46:08.080
<v Speaker 1>that way. Absolutely. So when I checked the thread, I

1:46:08.280 --> 1:46:10.320
<v Speaker 1>was like, yo, yeah, because it's getting out of hand.

1:46:10.479 --> 1:46:13.960
<v Speaker 1>My fans are going hard on him, like, yo, you

1:46:14.040 --> 1:46:17.760
<v Speaker 1>know that they're doing with this? Yeah, they want to

1:46:17.840 --> 1:46:20.840
<v Speaker 1>kill him. Yeah. So I'm like yo, out there, I'm like, listen,

1:46:21.880 --> 1:46:24.600
<v Speaker 1>pick up to him. Man, he ain't get around to that.

1:46:25.040 --> 1:46:26.639
<v Speaker 1>If he don't like that, he doesn't like that, that's

1:46:26.680 --> 1:46:29.960
<v Speaker 1>what I put He's then wrap what he feels like.

1:46:30.000 --> 1:46:32.439
<v Speaker 1>It's comfortable. So that made him join in and said, yo,

1:46:32.840 --> 1:46:35.840
<v Speaker 1>d m me. We damned each other. He said, listen, man,

1:46:36.680 --> 1:46:39.960
<v Speaker 1>anything I can learn from you put me on. And

1:46:44.160 --> 1:46:46.479
<v Speaker 1>I said, you know what, really know, I said, I'm

1:46:47.120 --> 1:46:49.840
<v Speaker 1>join with you. My fans may get mad, but the

1:46:49.960 --> 1:46:53.360
<v Speaker 1>only none because the difference is the same thing. I'm

1:46:53.400 --> 1:46:55.920
<v Speaker 1>not gonna make a record that's that I can't let

1:46:56.040 --> 1:46:58.760
<v Speaker 1>leave the studio to me and him on the same level.

1:46:58.920 --> 1:47:01.759
<v Speaker 1>It's like, yo, wait today, better, You're not gonna compromise yourself.

1:47:01.800 --> 1:47:05.200
<v Speaker 1>You're gonna work. No. But but that's the let me

1:47:05.240 --> 1:47:06.920
<v Speaker 1>tell you something let me tell you something. When you

1:47:07.040 --> 1:47:11.439
<v Speaker 1>work with Pream, you work with Pete. These brothers are

1:47:11.600 --> 1:47:15.439
<v Speaker 1>so professional. All you gotta do is sending the vocals

1:47:15.560 --> 1:47:22.080
<v Speaker 1>and then relax. Skills that I turned into my own skill.

1:47:22.520 --> 1:47:24.920
<v Speaker 1>It's not biting them. But he's like, you know, that's

1:47:24.920 --> 1:47:27.320
<v Speaker 1>how you do it. And I was like, how do

1:47:27.680 --> 1:47:29.200
<v Speaker 1>you reminisce? I was like yo, but I was like,

1:47:29.360 --> 1:47:32.280
<v Speaker 1>how are you making that? I was like, how are

1:47:32.320 --> 1:47:36.439
<v Speaker 1>you making the base get fuller and mimic the sample?

1:47:36.760 --> 1:47:38.840
<v Speaker 1>He said, it's the same sample, but I feel it.

1:47:39.040 --> 1:47:41.200
<v Speaker 1>I'm like, but how do you do that's come up?

1:47:41.280 --> 1:47:44.560
<v Speaker 1>I'll show you, but don't show him. He showed him, like,

1:47:45.400 --> 1:47:49.080
<v Speaker 1>so you turned it to that same thing we have.

1:47:49.680 --> 1:47:52.439
<v Speaker 1>But I never knew that part of the equipment he said,

1:47:52.520 --> 1:47:55.160
<v Speaker 1>turned into that. I started doing it ex Girl, the

1:47:55.280 --> 1:48:04.360
<v Speaker 1>next girl. That's my joints to all my relationships. So

1:48:04.439 --> 1:48:06.839
<v Speaker 1>when he goes in that part, where does it go muffled?

1:48:09.400 --> 1:48:11.439
<v Speaker 1>I sent it to Pete to make sure I was

1:48:11.560 --> 1:48:13.760
<v Speaker 1>doing it right. I love my wife, I believe in

1:48:13.840 --> 1:48:15.479
<v Speaker 1>myself and all that stuff, but I wanted to make

1:48:15.479 --> 1:48:16.760
<v Speaker 1>sure I was doing it right, so I sent it

1:48:16.880 --> 1:48:19.120
<v Speaker 1>to him for approval. I go yo, Did I do

1:48:19.240 --> 1:48:21.040
<v Speaker 1>it right? He goes low. That's gonna be a hit.

1:48:21.320 --> 1:48:25.720
<v Speaker 1>It was a hit, big hit. So when you come

1:48:25.760 --> 1:48:30.000
<v Speaker 1>back right there shows you that the respect for what

1:48:30.160 --> 1:48:32.120
<v Speaker 1>he was doing. Before I even knew how he was

1:48:32.200 --> 1:48:35.439
<v Speaker 1>doing it, he was willing to show me the trick

1:48:36.000 --> 1:48:38.240
<v Speaker 1>because he knew. He didn't take it like all, No,

1:48:38.400 --> 1:48:41.559
<v Speaker 1>he wouldn't beat my fight my style. Let me let

1:48:41.600 --> 1:48:44.559
<v Speaker 1>me ball that tool. And then when I applied that tool,

1:48:45.040 --> 1:48:48.240
<v Speaker 1>it wasn't a fight. It's just another another extension of

1:48:48.360 --> 1:48:51.320
<v Speaker 1>what he taught me. That's why him law professor show

1:48:51.640 --> 1:48:55.280
<v Speaker 1>is all my three mentors. And again Molly mar didn't

1:48:55.280 --> 1:49:00.439
<v Speaker 1>show me anything in person, just what he did commusic

1:49:00.520 --> 1:49:04.479
<v Speaker 1>with your mouth BIS. Nobody beats the BIS road to

1:49:04.520 --> 1:49:06.640
<v Speaker 1>the ridges. A lot of people in the circle have

1:49:06.720 --> 1:49:09.320
<v Speaker 1>said they've given them them the I gave him that record.

1:49:09.479 --> 1:49:17.759
<v Speaker 1>That's all good. He did the that's what it's all about.

1:49:18.120 --> 1:49:20.719
<v Speaker 1>Who made it bounce that way? Who made your echo

1:49:20.840 --> 1:49:24.000
<v Speaker 1>sound that way? Who made your voice sound funky that way?

1:49:24.520 --> 1:49:27.160
<v Speaker 1>Molly did it, And that's all that matters to me

1:49:27.680 --> 1:49:31.280
<v Speaker 1>because that's what makes me be premier in order to

1:49:31.560 --> 1:49:33.200
<v Speaker 1>be to stay doing it the way you do it

1:49:33.280 --> 1:49:35.799
<v Speaker 1>for the rest of my life and in my past.

1:49:35.880 --> 1:49:39.360
<v Speaker 1>And it's because of how I study a great one.

1:49:39.479 --> 1:49:41.400
<v Speaker 1>So whatever you brought to him is what you brought

1:49:41.439 --> 1:49:44.400
<v Speaker 1>to him. He still made it glow. The gurus always

1:49:44.439 --> 1:49:48.360
<v Speaker 1>say that you and Eddie Sancho make everything glow. He said,

1:49:48.439 --> 1:49:50.320
<v Speaker 1>I just laid my part down, but you make it

1:49:50.479 --> 1:49:53.080
<v Speaker 1>light up. Molly makes things light up. So when no

1:49:53.200 --> 1:49:55.639
<v Speaker 1>matter what you bring him or you gave him everything,

1:49:56.040 --> 1:49:58.439
<v Speaker 1>he made it light up. Or without the light, there's darkness.

1:49:58.600 --> 1:50:00.599
<v Speaker 1>I want to be in light. What don't think about

1:50:00.680 --> 1:50:03.680
<v Speaker 1>like the separation of sampling and hip hop? So now,

1:50:04.760 --> 1:50:07.400
<v Speaker 1>I mean does it matter We understand the rules and

1:50:07.479 --> 1:50:09.839
<v Speaker 1>the sample of all. I mean, I understand the sampling

1:50:09.960 --> 1:50:14.439
<v Speaker 1>and financial you just it takes away the soul me personally,

1:50:14.479 --> 1:50:17.120
<v Speaker 1>I think sometimes it don't you just get illow with

1:50:17.200 --> 1:50:21.200
<v Speaker 1>your sample well now and cutting it so nobody knows

1:50:21.240 --> 1:50:23.799
<v Speaker 1>what it is and if it's bad, but it's still sampling.

1:50:24.080 --> 1:50:27.840
<v Speaker 1>Is you might go and just get you're still sampling, Yeah,

1:50:28.720 --> 1:50:35.320
<v Speaker 1>following jo booprint, which is what? Yeah, I mean we're

1:50:35.400 --> 1:50:38.679
<v Speaker 1>lost because we're not records in little little movies. Oh

1:50:39.439 --> 1:50:44.840
<v Speaker 1>like we know now that the safety zones versions, and

1:50:44.920 --> 1:50:46.479
<v Speaker 1>then there's just the point where we gotta do it.

1:50:46.560 --> 1:50:51.760
<v Speaker 1>And it's really that that that had important. Now I

1:50:52.640 --> 1:50:54.960
<v Speaker 1>just now, no, we got no money, we can't clear anything.

1:50:59.680 --> 1:51:04.000
<v Speaker 1>Don't tell me that you're in trouble. Like I said,

1:51:04.040 --> 1:51:06.000
<v Speaker 1>he taught me scratch. Folks. If you just listen to

1:51:06.160 --> 1:51:10.240
<v Speaker 1>a lot of my joints, this is me scratching that

1:51:10.400 --> 1:51:15.080
<v Speaker 1>crazy you were doing radio already with Molly Mall. I'm like, damn,

1:51:15.760 --> 1:51:20.040
<v Speaker 1>this new guy, Pete Rob he's nasty because Molly had

1:51:20.040 --> 1:51:23.559
<v Speaker 1>a certain scratched hour show. This out there kind of foul.

1:51:23.680 --> 1:51:26.679
<v Speaker 1>N I'm gonna smoke with camel crush in our face

1:51:29.160 --> 1:51:35.400
<v Speaker 1>because no good. Just give us cancer people win, White

1:51:35.439 --> 1:51:38.880
<v Speaker 1>people like lucky strikes. You got moornaments. You gotta funk

1:51:38.920 --> 1:51:42.880
<v Speaker 1>with the white monaments. Twhen you leave it, you're good

1:51:44.840 --> 1:51:48.479
<v Speaker 1>is white and the white person. When we did the record,

1:51:48.680 --> 1:51:52.040
<v Speaker 1>the record that we did together, I say, I think

1:51:52.120 --> 1:51:54.320
<v Speaker 1>that I was the first person to ask you to

1:51:54.600 --> 1:51:58.840
<v Speaker 1>cut up Gurus vocals. Wasn't see me everything right? Was

1:51:59.160 --> 1:52:02.880
<v Speaker 1>the person? I don't know? No jay z j Z

1:52:03.040 --> 1:52:05.120
<v Speaker 1>did you don't know, But after his death, that's what

1:52:05.200 --> 1:52:10.360
<v Speaker 1>I'm saying. Oh yeah, yeah, okay, said you sent me everything?

1:52:10.520 --> 1:52:13.000
<v Speaker 1>Yeah no, he had hosted mad Men States from me

1:52:14.760 --> 1:52:21.240
<v Speaker 1>and I was honored. Yeah yeah no DJ yeah no

1:52:21.400 --> 1:52:26.160
<v Speaker 1>if it was Google, DJ was damn you remember really

1:52:26.320 --> 1:52:31.160
<v Speaker 1>isn't back that ship. I have nothing against him, have

1:52:31.280 --> 1:52:41.320
<v Speaker 1>ill memories. I apologize fact, but there's no apology needed

1:52:41.720 --> 1:52:47.400
<v Speaker 1>when you had this, So apologies policies don't get that

1:52:48.080 --> 1:52:51.519
<v Speaker 1>only sold one million records, so you have twenty You

1:52:51.640 --> 1:52:58.280
<v Speaker 1>think it's about to stop listening, Jessy, but Google, who

1:52:58.439 --> 1:53:04.720
<v Speaker 1>passes away? Yeah? What's what? What's this man head name

1:53:05.560 --> 1:53:10.120
<v Speaker 1>you gotta saying? I can't say because no, no, no, no,

1:53:10.400 --> 1:53:14.280
<v Speaker 1>not even the yeah, holy ship. I don't know what's

1:53:14.280 --> 1:53:17.080
<v Speaker 1>going on right now. You helped me out. He don't

1:53:17.080 --> 1:53:19.519
<v Speaker 1>deserve he don't deserve to be it said from it's

1:53:19.560 --> 1:53:25.960
<v Speaker 1>not a good person in France. No, No, that's two

1:53:26.000 --> 1:53:31.439
<v Speaker 1>different Ones's solar as so LUs another solo. He's from friend,

1:53:31.520 --> 1:53:34.040
<v Speaker 1>he's dope, that's my dude, right, so it's another solar

1:53:34.240 --> 1:53:36.479
<v Speaker 1>together of course, all right, so we got to clarify that.

1:53:37.600 --> 1:53:42.120
<v Speaker 1>So Long I'm so sorry to actually, as you say,

1:53:42.280 --> 1:53:45.840
<v Speaker 1>but so Long makes these claims and then with his

1:53:45.920 --> 1:53:51.800
<v Speaker 1>premier standing on all the type of stuff put to

1:53:51.880 --> 1:53:56.519
<v Speaker 1>you like this, um people could yeah, say what they

1:53:56.600 --> 1:53:58.519
<v Speaker 1>want to say and all that type of stuff. That's

1:53:58.520 --> 1:54:00.320
<v Speaker 1>all cool because I don't have nothing to say when

1:54:00.360 --> 1:54:04.480
<v Speaker 1>it comes to that. But if old Boy does anything,

1:54:05.320 --> 1:54:08.559
<v Speaker 1>then I'll have a lot to problem symbol and play.

1:54:09.720 --> 1:54:13.320
<v Speaker 1>That's my Belichick moment. Heard you, that was Bill Belichick.

1:54:13.479 --> 1:54:20.599
<v Speaker 1>Anything was done, Chris Green, we love you, we love

1:54:20.640 --> 1:54:23.240
<v Speaker 1>you back, and we love you and everything you meant

1:54:23.280 --> 1:54:25.240
<v Speaker 1>to hip hop and then you know it was it

1:54:25.360 --> 1:54:28.640
<v Speaker 1>was a funny moment. Everything I mean that I'm you know,

1:54:28.880 --> 1:54:33.400
<v Speaker 1>everything you I apologize, you mean the hip hop and

1:54:33.520 --> 1:54:35.960
<v Speaker 1>you know, it was a funny moment for us in

1:54:36.160 --> 1:54:39.240
<v Speaker 1>hip hop when we got to hear like you know

1:54:39.760 --> 1:54:43.839
<v Speaker 1>that's like yo gangster and you know, and the intention

1:54:44.000 --> 1:54:47.440
<v Speaker 1>then this guy and we never because we It's similar

1:54:47.560 --> 1:54:50.920
<v Speaker 1>to how Pun like when Pun died, I walked to

1:54:51.040 --> 1:54:54.600
<v Speaker 1>his casket and they told me, I said, all the jewels,

1:54:56.080 --> 1:54:59.240
<v Speaker 1>because I thought the most funeral homes the caskets at

1:54:59.280 --> 1:55:01.600
<v Speaker 1>the front up. His was in the middle of the

1:55:01.680 --> 1:55:04.280
<v Speaker 1>middle of the middle of the lord. So when I

1:55:04.360 --> 1:55:06.520
<v Speaker 1>walk in, was like, oh, he's right there, right there,

1:55:06.600 --> 1:55:10.600
<v Speaker 1>And the casket was I've never seen a casket like this. Okay,

1:55:10.720 --> 1:55:15.560
<v Speaker 1>I've never seen the cas casket was short and super duper,

1:55:16.640 --> 1:55:18.920
<v Speaker 1>and he had all his TSS chained around his hands

1:55:19.720 --> 1:55:21.640
<v Speaker 1>and it looked like he was kissing the sky because

1:55:21.680 --> 1:55:25.680
<v Speaker 1>the lip would puck it up like. That's my point.

1:55:25.960 --> 1:55:29.160
<v Speaker 1>My point of bringing this up was when I when

1:55:29.240 --> 1:55:31.960
<v Speaker 1>I went to punts casket, people told me that punching

1:55:32.080 --> 1:55:36.440
<v Speaker 1>suff that something up punched suffering, and that now he's

1:55:36.440 --> 1:55:38.360
<v Speaker 1>in a better place. And I didn't. I didn't know

1:55:38.480 --> 1:55:43.960
<v Speaker 1>what people meant. So when I heard, you know, Google pass, yeah,

1:55:44.360 --> 1:55:49.920
<v Speaker 1>and never I've never seen Google suffer. Nah, so either either.

1:55:50.680 --> 1:55:54.760
<v Speaker 1>So everything was just a strange not just me, everybody,

1:55:54.880 --> 1:55:58.879
<v Speaker 1>and not like if not the fans, who we are massive,

1:55:59.600 --> 1:56:02.760
<v Speaker 1>it's ains to everybody. Is strange to me, the strange

1:56:02.800 --> 1:56:06.040
<v Speaker 1>to the fans because oh boy, don't know my man

1:56:06.200 --> 1:56:11.120
<v Speaker 1>like I know my man. We know him. Well. If

1:56:11.160 --> 1:56:16.800
<v Speaker 1>I really wanted to grade dude on a five quiz question, there,

1:56:17.840 --> 1:56:23.440
<v Speaker 1>I guarantee you'll fail. Every answer simple and plain because

1:56:23.520 --> 1:56:27.520
<v Speaker 1>you had to really really really really really really really

1:56:27.680 --> 1:56:31.560
<v Speaker 1>really know my duty. So you will fail. I can

1:56:31.640 --> 1:56:34.879
<v Speaker 1>watch you right now and make every little sad simple questions.

1:56:35.400 --> 1:56:39.400
<v Speaker 1>Not hard on simple questions, He's going to fail. And

1:56:39.480 --> 1:56:44.200
<v Speaker 1>it's gonna also be multiple choice ABC A D. I'm

1:56:44.320 --> 1:56:46.560
<v Speaker 1>not gonna pick the right answer. And I know this

1:56:46.920 --> 1:56:49.160
<v Speaker 1>because I know this and I know him. I know

1:56:49.320 --> 1:56:53.080
<v Speaker 1>both of them. So that's why I don't entertain them.

1:56:53.680 --> 1:56:57.320
<v Speaker 1>Because anytime he wants to ever go there, I'm here.

1:56:57.600 --> 1:57:01.360
<v Speaker 1>If I'm not here, I'm here. Um you feel me

1:57:01.480 --> 1:57:06.560
<v Speaker 1>damning premier right now. And now we'll not say his name.

1:57:06.680 --> 1:57:10.640
<v Speaker 1>It's not worthy of because hip hop needed to hear

1:57:10.720 --> 1:57:14.040
<v Speaker 1>that show. Hi, Hey pop really need this. How can

1:57:14.120 --> 1:57:17.040
<v Speaker 1>we make them do that? When things is the right move?

1:57:17.480 --> 1:57:19.360
<v Speaker 1>I know what it is. How about the right people

1:57:19.440 --> 1:57:23.160
<v Speaker 1>around me, from legal to my management to my artists,

1:57:23.600 --> 1:57:26.160
<v Speaker 1>for me even being in the street, I have a

1:57:26.280 --> 1:57:29.960
<v Speaker 1>stream mentality that keeps me grounded. And I have a dog,

1:57:30.200 --> 1:57:32.800
<v Speaker 1>mom and dad and sisters and niece and nephews like

1:57:33.040 --> 1:57:36.240
<v Speaker 1>five year old son, who's my dude? Shout to his mother.

1:57:36.400 --> 1:57:41.720
<v Speaker 1>She's point everybody like, we're that connected on making sure

1:57:41.840 --> 1:57:44.880
<v Speaker 1>we don't ever funk up with the social media stuff

1:57:45.120 --> 1:57:47.880
<v Speaker 1>making us up like we're fools. Ain't going out like that.

1:57:48.480 --> 1:57:57.640
<v Speaker 1>I'm premier that the mother. Yeah, listen, I'm gonna be honest.

1:57:57.720 --> 1:58:00.280
<v Speaker 1>I'm gonna be honest with me and this guy to

1:58:00.360 --> 1:58:03.800
<v Speaker 1>the right of me started this. We sat down and

1:58:03.960 --> 1:58:08.240
<v Speaker 1>we said, we want the only give love to the legends,

1:58:09.600 --> 1:58:13.600
<v Speaker 1>the legends at hip hop. You guys are the impitot

1:58:13.680 --> 1:58:16.960
<v Speaker 1>me of let this is, this is the pinnacle, and

1:58:17.360 --> 1:58:19.560
<v Speaker 1>I can't. I can't thank you enough, Like you know,

1:58:19.720 --> 1:58:23.680
<v Speaker 1>both of you guys that gave me beats and that's

1:58:23.880 --> 1:58:30.800
<v Speaker 1>crazy about this thing about it. I still can't do that. Still, yeah, yeah,

1:58:32.160 --> 1:58:36.000
<v Speaker 1>I still owe you both because I love you. You

1:58:36.120 --> 1:58:43.640
<v Speaker 1>don't nah, I love you guys because I've been starting.

1:58:44.200 --> 1:58:47.920
<v Speaker 1>I'm starting to give yourself with that beating that mean tonight.

1:58:48.040 --> 1:58:52.760
<v Speaker 1>Please give me that crazy man, y'a dude, I was

1:58:52.800 --> 1:59:00.240
<v Speaker 1>kind to Pege. You got here. Give me because I

1:59:00.360 --> 1:59:07.320
<v Speaker 1>want Pete to know, so up the club. I really

1:59:07.400 --> 1:59:10.480
<v Speaker 1>want to do this for your album, Pete. For man.

1:59:10.880 --> 1:59:13.280
<v Speaker 1>If it wasn't for you, guys, I probably wouldn't have

1:59:13.400 --> 1:59:16.520
<v Speaker 1>a childhood, no doubt. And this is real ship. And

1:59:16.600 --> 1:59:19.880
<v Speaker 1>that's real ship. I really love joints that we love.

1:59:20.400 --> 1:59:32.560
<v Speaker 1>I want the first time I heard it, Okay, it's

1:59:33.440 --> 1:59:40.160
<v Speaker 1>don't swish not only killed that smash everybody on that song.

1:59:42.800 --> 1:59:45.720
<v Speaker 1>I wanted to do a posse cut. You know what happened.

1:59:46.160 --> 1:59:51.160
<v Speaker 1>I wanted to do a posse cut your body that open.

1:59:51.400 --> 1:59:54.000
<v Speaker 1>Whoever gets crazy ship, whoever goes first to me, and

1:59:54.080 --> 1:59:57.640
<v Speaker 1>whoever goes last has the most. I wouldn't last. That

1:59:57.800 --> 2:00:01.720
<v Speaker 1>was that or because right now listen, really do have

2:00:01.840 --> 2:00:06.240
<v Speaker 1>to punt. It was nature pun cam What what you wanted?

2:00:06.360 --> 2:00:09.440
<v Speaker 1>I'm the last? Yeah? What what all you wanted? That's

2:00:09.440 --> 2:00:11.960
<v Speaker 1>what I wanted to do, dude. But you know what,

2:00:12.640 --> 2:00:15.520
<v Speaker 1>my whole life, my whole career makes sense. I have

2:00:15.600 --> 2:00:17.360
<v Speaker 1>a question if it wasn't for you, I have a

2:00:17.440 --> 2:00:19.840
<v Speaker 1>question on that song. He said, that's why I'll never

2:00:19.960 --> 2:00:22.680
<v Speaker 1>do a song with you. Was that directed anybody? Or

2:00:22.680 --> 2:00:27.720
<v Speaker 1>was that just hat you're talking about somebody? Bro, he's

2:00:27.760 --> 2:00:31.880
<v Speaker 1>super fatty. I know he was. Somebody was directing somebody, oh,

2:00:32.400 --> 2:00:35.400
<v Speaker 1>because you know, it can also be universal just somebody

2:00:35.440 --> 2:00:39.520
<v Speaker 1>I know this guy. That's why I'm not it was

2:00:39.600 --> 2:00:43.360
<v Speaker 1>like Joseph on the block. It's very true because the

2:00:43.400 --> 2:00:49.400
<v Speaker 1>thing about it is this, I'm very pretty prim I'm sorry.

2:00:50.280 --> 2:00:54.480
<v Speaker 1>Sometimes you gotta beat. I'm very preddy, so I don't

2:00:54.520 --> 2:00:57.640
<v Speaker 1>get ready time If you're trying to come up and

2:00:57.760 --> 2:01:00.880
<v Speaker 1>you take a slight shot at me. I'm coming to

2:01:01.000 --> 2:01:04.280
<v Speaker 1>fuck us my body. You want the rack, which is

2:01:04.400 --> 2:01:09.280
<v Speaker 1>very just might go that's what That's who I am

2:01:09.680 --> 2:01:12.000
<v Speaker 1>when I met him. This is how he looked at

2:01:12.760 --> 2:01:17.280
<v Speaker 1>and all these twisting ban on. He's at the front door. Yo,

2:01:17.360 --> 2:01:19.440
<v Speaker 1>we got session up at d N d Yo for

2:01:19.600 --> 2:01:24.600
<v Speaker 1>me and look your stuffy Jose Luise not weeks. How

2:01:24.640 --> 2:01:32.880
<v Speaker 1>you doing. He's like, yeah, l A R l A

2:01:33.200 --> 2:01:34.680
<v Speaker 1>l A was really bumping with a lot of d

2:01:34.800 --> 2:01:37.640
<v Speaker 1>J at that time. It was early, so we don't

2:01:37.640 --> 2:01:39.880
<v Speaker 1>really know who he is yet. We just know who

2:01:40.120 --> 2:01:49.800
<v Speaker 1>Littui's got that rock him around like m rules and

2:01:49.960 --> 2:01:56.120
<v Speaker 1>around l A l A. That's my first meeting in him,

2:01:56.200 --> 2:02:00.440
<v Speaker 1>not Pa Jose Louis to Noriega. He goes, who was

2:02:00.480 --> 2:02:04.400
<v Speaker 1>in the wheats like like, don't forget a little dip

2:02:04.840 --> 2:02:08.240
<v Speaker 1>is the reason why you got around and shoulder but

2:02:08.360 --> 2:02:10.360
<v Speaker 1>the song was already out where like that's to do

2:02:10.760 --> 2:02:18.640
<v Speaker 1>different and that's the verse that made me. I can't

2:02:18.680 --> 2:02:22.720
<v Speaker 1>believe you know I got We just did a beat

2:02:22.760 --> 2:02:25.560
<v Speaker 1>for you right now. Yea, let me tell you something.

2:02:25.600 --> 2:02:27.280
<v Speaker 1>You know what we gotta do something where we make

2:02:27.320 --> 2:02:32.840
<v Speaker 1>a beat together, which we've never done. We start things

2:02:32.880 --> 2:02:37.040
<v Speaker 1>that dreat near that right now, because you know, you know,

2:02:37.440 --> 2:02:40.040
<v Speaker 1>you know, you don't know if you're not you know,

2:02:40.400 --> 2:02:41.880
<v Speaker 1>I don't know if you know. I don't know if

2:02:41.880 --> 2:02:44.480
<v Speaker 1>you know. But wherever state you at, I'll fly there

2:02:44.880 --> 2:02:48.800
<v Speaker 1>like that and I would just like thank you for

2:02:49.080 --> 2:02:53.400
<v Speaker 1>lace and black poets out the black print. No no

2:02:53.600 --> 2:02:59.920
<v Speaker 1>problems body that verse. But this is the reason why

2:03:00.400 --> 2:03:04.200
<v Speaker 1>you're so much of important producer. You can go and

2:03:04.360 --> 2:03:07.240
<v Speaker 1>you can work with Caristina and I got and then

2:03:07.240 --> 2:03:10.640
<v Speaker 1>you can turn around and you still care. I love music. Listen,

2:03:10.920 --> 2:03:19.080
<v Speaker 1>I love music. I love listen. I love That's what

2:03:19.160 --> 2:03:25.040
<v Speaker 1>it is. I like I like messing with all styles

2:03:25.080 --> 2:03:31.160
<v Speaker 1>of music because I am into country, blues, gospel, rock, past, yeah, prave.

2:03:31.280 --> 2:03:35.040
<v Speaker 1>You is the tea you ever drink? Leans? Yeah? Yeah,

2:03:36.040 --> 2:03:41.440
<v Speaker 1>screw by the way, but but the Leans. But even that,

2:03:42.520 --> 2:03:46.360
<v Speaker 1>that's when it was like now's an epidemic. Was an

2:03:46.480 --> 2:03:49.200
<v Speaker 1>epidemic then, and it was something that you just did

2:03:49.360 --> 2:03:52.240
<v Speaker 1>every occasion, like going out to a bar in Heaven.

2:03:52.600 --> 2:03:54.320
<v Speaker 1>I don't drink every day, you know, I got I

2:03:54.320 --> 2:03:55.680
<v Speaker 1>got work to do it, a business, a hand or

2:03:55.760 --> 2:03:58.200
<v Speaker 1>I stay focused from a five year old son. I'm focused,

2:03:58.760 --> 2:04:11.040
<v Speaker 1>but I'm still question. We're about to open the car,

2:04:12.800 --> 2:04:16.560
<v Speaker 1>finish his story. So I mean so a lot of

2:04:16.600 --> 2:04:19.240
<v Speaker 1>the things again that are just out of control, are

2:04:19.320 --> 2:04:23.520
<v Speaker 1>just way uh publicized, are promoted on a higher pedestal.

2:04:24.320 --> 2:04:28.040
<v Speaker 1>Already did all that stuff. It's about living past that

2:04:28.680 --> 2:04:32.360
<v Speaker 1>and being able to still function on what's the matters

2:04:32.400 --> 2:04:35.520
<v Speaker 1>that keep you in the longevity bucket. I want to

2:04:35.560 --> 2:04:37.360
<v Speaker 1>be in the longevity bucket. I don't want to be

2:04:37.480 --> 2:04:40.280
<v Speaker 1>in the you know you had your time bucket. My

2:04:40.400 --> 2:04:42.560
<v Speaker 1>bucket want. I want to go all the way even

2:04:42.840 --> 2:04:46.000
<v Speaker 1>again when I'm gone, it's still hot. The gang starts

2:04:46.040 --> 2:04:50.160
<v Speaker 1>still hot, start still hot because I care about not

2:04:50.480 --> 2:04:53.000
<v Speaker 1>just his legacy and a high legacy as as a team,

2:04:53.400 --> 2:04:55.120
<v Speaker 1>but his son. He has a sixteen year old son.

2:04:55.480 --> 2:04:57.680
<v Speaker 1>I'm making sure his son to eating. I'm making sure

2:04:57.680 --> 2:05:01.320
<v Speaker 1>your son getting everything that's his father, Tad. I don't

2:05:01.320 --> 2:05:06.800
<v Speaker 1>think you the bone. I wouldn't deal right that. My

2:05:07.040 --> 2:05:10.160
<v Speaker 1>motto is this, I can sleep at night. That's my

2:05:10.320 --> 2:05:12.960
<v Speaker 1>mom That's the most important thing. Sleeping at night. Yeah,

2:05:13.040 --> 2:05:15.040
<v Speaker 1>I can sleep at night. A lot of people you can.

2:05:15.200 --> 2:05:19.840
<v Speaker 1>You don't understand that I don't have nightmares like anybody else,

2:05:20.240 --> 2:05:23.640
<v Speaker 1>but my nightmares are clear from how I analyzed what

2:05:23.760 --> 2:05:25.920
<v Speaker 1>I woke up to. You hand your business. Yeah, you

2:05:25.960 --> 2:05:28.800
<v Speaker 1>can sleep and love man. My mind is strong man.

2:05:28.960 --> 2:05:33.120
<v Speaker 1>So I'm gonna end this podcast, but I can't thank

2:05:33.160 --> 2:05:39.760
<v Speaker 1>you brother helping helping me. Both of you both routed

2:05:39.800 --> 2:05:43.880
<v Speaker 1>me personally because my career couldn't be complete. I could

2:05:43.920 --> 2:05:46.720
<v Speaker 1>never complete my career without having a peat rock beat,

2:05:47.600 --> 2:05:51.680
<v Speaker 1>premier beat appreciation. Hip hop is what I want to

2:05:51.800 --> 2:05:55.040
<v Speaker 1>continue to represent. I want to continue to stand by it.

2:05:55.160 --> 2:05:58.880
<v Speaker 1>I can't believe twenty five million and I hate this

2:05:59.040 --> 2:06:02.160
<v Speaker 1>guy right here a me Brouse. You knew you had

2:06:04.120 --> 2:06:06.560
<v Speaker 1>let me act. You should have told me on Wednesday. No,

2:06:09.000 --> 2:06:15.080
<v Speaker 1>you just good friend. You deserve surprise, you Broser, you

2:06:15.160 --> 2:06:23.320
<v Speaker 1>don't know that. Yeah, I love you. I can't believe

2:06:23.480 --> 2:06:27.040
<v Speaker 1>just from him. You ask everything I do outside of

2:06:27.120 --> 2:06:30.640
<v Speaker 1>hip hop. When I do hip hop, I keep it hud,

2:06:31.120 --> 2:06:34.200
<v Speaker 1>keep it hood. Everything else I could do balance, slow songs,

2:06:34.200 --> 2:06:36.280
<v Speaker 1>pop songs doesn't matter because I like that music too.

2:06:37.080 --> 2:06:40.720
<v Speaker 1>Hip hop. I keep it, keep it hood because that's

2:06:40.720 --> 2:06:42.600
<v Speaker 1>why I like to listen to it. When I buy it.

2:06:42.840 --> 2:06:45.840
<v Speaker 1>Drive to it or have my radio if you'll always

2:06:45.880 --> 2:06:49.280
<v Speaker 1>either my radio. You guys are the bed rock. Please

2:06:49.600 --> 2:06:52.960
<v Speaker 1>stay listen. If it wasn't for you too, brothers, I

2:06:53.000 --> 2:06:56.920
<v Speaker 1>wouldn't have a childhood. Brothers. That's well deserved. What you got.

2:06:57.880 --> 2:07:00.280
<v Speaker 1>It's better and you could say it was ain't on.

2:07:00.440 --> 2:07:03.400
<v Speaker 1>Let's be on rap. This is a podcast. They should

2:07:03.440 --> 2:07:10.280
<v Speaker 1>make it platinum though, why they make it go steps,

2:07:10.400 --> 2:07:19.240
<v Speaker 1>it's not twenty five right, Let's let you know what

2:07:21.760 --> 2:07:26.760
<v Speaker 1>you know what he actual's right, it should be, It's

2:07:26.800 --> 2:07:30.600
<v Speaker 1>should be. I'm just happy to be here right now,

2:07:32.920 --> 2:07:36.640
<v Speaker 1>and let's give thanks man. The best producers of all

2:07:36.800 --> 2:07:40.440
<v Speaker 1>times have just now sat down absolutely all to drink.

2:07:40.560 --> 2:07:45.640
<v Speaker 1>Champs and Jim being jam. You're picking up Jim bumping,

2:07:45.840 --> 2:07:48.640
<v Speaker 1>can't Chase cut the check and we would have one

2:07:48.680 --> 2:07:52.880
<v Speaker 1>more shot yet shot. I'm saying he's going to because

2:07:54.920 --> 2:07:56.680
<v Speaker 1>at the end of the day and we're gonna say

2:07:56.800 --> 2:08:00.240
<v Speaker 1>and watching the battle, thank you. Because when I seen

2:08:00.320 --> 2:08:02.960
<v Speaker 1>the battle and when I seen that this they said,

2:08:03.040 --> 2:08:09.640
<v Speaker 1>this is the first time excuse me, the whole thing. Yeah,

2:08:09.680 --> 2:08:14.920
<v Speaker 1>I definitely have a shot. When they said that this

2:08:15.080 --> 2:08:22.520
<v Speaker 1>is the first time, uh new stance is battled terrible.

2:08:23.080 --> 2:08:25.040
<v Speaker 1>I felt terrible. They said that this is the first

2:08:25.080 --> 2:08:27.400
<v Speaker 1>time to produce is first all, and I knew that

2:08:27.560 --> 2:08:29.840
<v Speaker 1>you'all guys have done this. I knew that just Blaze

2:08:29.960 --> 2:08:33.280
<v Speaker 1>actually had done it with Alchemists before, and so how

2:08:33.360 --> 2:08:37.240
<v Speaker 1>want I wanted to actually big you brothers up because

2:08:37.600 --> 2:08:41.440
<v Speaker 1>I understand what it is. But I also understand that

2:08:41.560 --> 2:08:48.000
<v Speaker 1>Swiss also knows the game. He's the student of the game.

2:08:49.120 --> 2:08:54.000
<v Speaker 1>He never said that. He never said I love you, brothers.

2:08:55.000 --> 2:08:58.240
<v Speaker 1>If you motherfucker's can't, if your motherfucker's gool don't work,

2:08:58.320 --> 2:09:03.520
<v Speaker 1>you need to relax because these are two look up

2:09:03.880 --> 2:09:12.080
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