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Speaker 1: Springtime tips and fun facts from Paul Kristen and Dexter

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Speaker 1: at Total Wine and More. It's peak season for asparagus,

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Speaker 1: which pairs perfectly with a light and crisp rose. Many

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Speaker 1: bottles of champagne and sparkling wines are perfect for adult

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Speaker 1: Easter baskets, and they're really cute too. My perfect brunch

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Speaker 1: Belgian waffles with extra whip cream and a holiday poor

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Speaker 1: or your sweetest rose, whether you're hosting or just bring

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Speaker 1: the wine. We love to share, are always low prices

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Speaker 1: and ridiculous selection this spring at Total Wine a More, cheers, Hey,

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Speaker 1: Drink Champs Army. Make sure you let your friends and

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Speaker 1: family know which podcast you're listening to by hashtagging tripod.

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Speaker 1: That's hashtag t r y p o D. Let them

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Speaker 1: know you listen to Drink Champs and whatever else you're

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Speaker 1: listening to out there. The legendary Queen's rapper Hang Seges.

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Speaker 1: Your Boy's a Miami hip hop pioneer. What up is

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Speaker 1: d J E f N? Together they drink it up

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Speaker 1: with some of the biggest players in music and sports.

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Speaker 1: You know what I mean? The most professional, unprofessional podcast,

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Speaker 1: and you're number one source for drunk facts. This is

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Speaker 1: drinks Champ reading where every day is New Year's Eve.

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Speaker 1: That's right, Hey, Hanks, grip us your boy and put

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Speaker 1: up his DJ e f and his drink chest Mother

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Speaker 1: podcast Max, You've got some of that presents you guys

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Speaker 1: on behalf of CBS. Okay, okay, if that's what they

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Speaker 1: want to congratulate you on twenty five million listening world. Woamn,

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Speaker 1: you know this is going down that you didn't tell

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Speaker 1: me you and doing it him high and that's we're

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Speaker 1: doing the hip hop. So I would like to introduce

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Speaker 1: if you into hip hop, If you if this is

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Speaker 1: something that you say you love and this is something

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Speaker 1: to say you adapted, and you don't know these two brothers,

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Speaker 1: and you don't know how these brothers shaped and molded

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Speaker 1: the culture for everything that you love right now, If

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Speaker 1: it wasn't for these two people that standing beside me

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Speaker 1: in front of me, rather what hip hop is, it's

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Speaker 1: because of them. They singlehandedly had their hands on the

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Speaker 1: best artists ever. When you think about all matic, think

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Speaker 1: about reasonable doubt, and think about Biggie, they worked with

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Speaker 1: the three top of the best. They continuously out here

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Speaker 1: looking young, They out here and then and then the

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Speaker 1: beat battle had just took place, and a lot of

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Speaker 1: people are with Swiss Beats bigging him up and is

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Speaker 1: gonna just blaze. But a lot of people don't know

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Speaker 1: that these brothers been doing this for years, for years,

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Speaker 1: they started it, and I am so proud to introduce

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Speaker 1: and to represent people that I look up to personally,

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Speaker 1: Pete Rocket, motherfucker DJ your listen brothers who I'm gonna

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Speaker 1: be honest. The fact that both of you brothers had

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Speaker 1: worked on my favorite hip hop album of all times,

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Speaker 1: which is All matic Um. Now, I just want to

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Speaker 1: take it from there because was it because we had

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Speaker 1: q tip on here? And I believe q Tip I

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Speaker 1: think he said he suggested that that he worked with

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Speaker 1: them or so how did yeah? So was it? Large?

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Speaker 1: Large confessors? He oh, chief in command actual the chief

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Speaker 1: in commander of Elmatic. Get then you're telling me you

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Speaker 1: never heard of not both your brothers and the thing

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Speaker 1: is back. You know Queen's artist, including yourself for one.

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Speaker 1: Y'all wrapped longer than any other with no hooks, no

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Speaker 1: and you know law of Professor is so New York

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Speaker 1: like he'd be like yo, like yo, like like world

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Speaker 1: like yo. He do that for like ten minutes before

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Speaker 1: you saying senate and he was like, yo, yo, prem

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Speaker 1: I got just do name the rapper Nasa. It wasn't

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Speaker 1: Nat Wrapper. He was trolling his lyrics, so he wasn't

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Speaker 1: even that rappers. Yeah he does it on hanging Out,

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Speaker 1: hang Out, he said, like the wrapper nas yeah, you know,

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Speaker 1: and so even wrapping big noise, I figured, that's just

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Speaker 1: a thing. That's a queen's sing. That's a queen's sing.

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Speaker 1: And we got we got peat Rock. I mean, we

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Speaker 1: got Premier drinking jim Bean out his motherfucker. I want

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Speaker 1: to glasses, baby, I think it sho someone open one

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Speaker 1: for me, please. You're just so y'all know that's how

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Speaker 1: y'all know. Y'all been y'all. Y'all personally raised me and

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Speaker 1: you probably didn't know that, but um, it was so

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Speaker 1: honor to work with both for you brothers. Your brothers

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Speaker 1: are hip hop. When I think of hip hop, your name.

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Speaker 1: I know both of your names start with a P,

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Speaker 1: but it feels like it feels like your name should

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Speaker 1: be a you know, the first time I met you,

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Speaker 1: D and D. Let's go to D and D Studios

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Speaker 1: front door. You know what he's saying yo from me.

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Speaker 1: It was something man, Yo, my name is Jose Luise

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Speaker 1: like and the thing is the L A L A

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Speaker 1: regular h okay, we got him drinking. I'm fifty years old, man,

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Speaker 1: I know, I know, I know you an experience. You

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Speaker 1: gonna do one whiskey or even nobody. You're trying to

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Speaker 1: give him that shot and then you call another one.

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Speaker 1: But but the crazy thing is when I heard l

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Speaker 1: A l A right for you opened up blands Luise, Luise,

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Speaker 1: that's how we do. That's like some ye rock. I

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Speaker 1: used to hanging queens with Flush. I heard you play

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Speaker 1: unreleased Reasons one on me, Casina. What's that unreleased Flush versus?

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Speaker 1: That was worldwide remix? I never put at that beat.

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Speaker 1: That beat. We got to do that back for y'all.

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Speaker 1: I owe you're right it for y'all. I gotta do

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Speaker 1: that beat for y'all. I owe you. I also pick

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Speaker 1: you off for me in the supreme. How people don't

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Speaker 1: know Rocks the person that plugged me in? What's the crame?

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Speaker 1: Let's make some You don't smoke right? Yeah I do,

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Speaker 1: but I don't care. Just don't care. Hard I did.

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Speaker 1: I didn't mind, you know, ninety two. So let's let

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Speaker 1: her still. Now, let's take let's take it from the

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Speaker 1: beginning premiere. How did you and and and Google even

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Speaker 1: me I met Guru because um it goes back to

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Speaker 1: nineteen eighties seven into eighty eight. My good friend who's

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Speaker 1: still my man, Carlos Garza in Houston, Texas, helped me

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Speaker 1: get a job at He's he's a Boston so Wild

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Speaker 1: Pitch Records is a husband and wife label. Shout the

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Speaker 1: Stu finding a Search was later surgeries later it was

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Speaker 1: just Stu finding his wife. No one else. They're now

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Speaker 1: the rap permotion Guru was a person that would go

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Speaker 1: over to their house every day and then listen to

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Speaker 1: every demo that came in. They had Lott already signed

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Speaker 1: whose Apache recipes that Patty's brother and latt did a

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Speaker 1: lot of writing, you know with Latifa and the Flavor Unit,

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Speaker 1: and he had a record called This Got Flavor which

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Speaker 1: was big in New York at the time. Dad in

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Speaker 1: putting on the his That's how forty five King came

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Speaker 1: into doing the Wild Pitch work. And then Chill rob

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Speaker 1: g came along who was also part of Lattis crew

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Speaker 1: in the Flavor Unit, and he got signed the Wild Pitch.

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Speaker 1: Gang Star got signed after that, and so they had

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Speaker 1: a red called the Lesson. I wasn't in the group.

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Speaker 1: Then uh three, Gangster goes to three different chambers. The

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Speaker 1: first chamber was Big Sugar and Google Gang Star. It

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Speaker 1: was Big Sugar Google when Google when Google was going

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Speaker 1: to school at Morehouse. So they they're both from Boston. Yeah, yeah,

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Speaker 1: And it was Shug brother swab D. They were the

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Speaker 1: first gang Star. Then swab D stepped out and it

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Speaker 1: became to him Sees Damon d Ski, but Gurgle wrote

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Speaker 1: all the rhymes and it was Guru and then DJ

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Speaker 1: Mike D but he was just called DJ want to

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Speaker 1: be Down, but DJ one the number two name let

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Speaker 1: her be and want to be down. It was one

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Speaker 1: of the number two letter being and down one will

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Speaker 1: be down. So he, uh, he has a brother named Gangstar.

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Speaker 1: T you know what I'm saying. Yea, So all that

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Speaker 1: trickled down into the name. But Sugar and Gurgle originated Sugar.

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Speaker 1: Everything he's doing the thing the movies now like yeah,

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Speaker 1: we're working with Larry David all that stuff. So so

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Speaker 1: from there, um, when grew moved in New York and

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Speaker 1: the rest of the members didn't. She got locked up

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Speaker 1: for a while, so not now it's just grew on

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Speaker 1: his own. But any time work wasn't involved with any money,

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Speaker 1: no one would come up to New York to help

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Speaker 1: him doing any movement around, hopping around to get getting

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Speaker 1: the club, get on the radio. They weren't. They weren't

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Speaker 1: really gettingradio played until they dropped their second single called

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Speaker 1: Buster Move Boy, which is when I heard him. I

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Speaker 1: was in New York at the time for the summer

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Speaker 1: and read Alert was cutting it up, Molly Marl was

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Speaker 1: cutting it up. And if they're playing it, I thought

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Speaker 1: they were called game stop because of his Boston accent.

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Speaker 1: He's his gang style, the knowledge, that's a positivity, that's yeah.

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Speaker 1: But this is right just right before how anything in

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Speaker 1: control was just about to stop bubbling, but before Magic left.

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Speaker 1: But uh and chilei Q used to be up there

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Speaker 1: and and and the Kevy Cab so when and YouTube.

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Speaker 1: Of course, when I met with group, I met you

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Speaker 1: had the reds the mic. Yeah. Yeah, He's like he's like, no,

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Speaker 1: keep it going, Yeah, he'll keep going, He'll keep going.

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Speaker 1: So from that point, uh, those three artists were the

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Speaker 1: label Cheer Rob Glatt and Gangstar and forty five King

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Speaker 1: was the only producer that worked after that after Donald

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Speaker 1: D produced the first single. So from there, uh, Google

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Speaker 1: used to go through a box of the demos when

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Speaker 1: every time mail came in, because back then it was

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Speaker 1: about mailing your stuff, walking it in Carlos snugging my

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Speaker 1: my my demo over to STU just be you know.

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Speaker 1: I was in a group called mcas and Control and

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Speaker 1: Textas and my m C was from Boston's name was

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Speaker 1: top Ski. We were we're uh, we was keeno at

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Speaker 1: top Ski Sugar Pop. They heard my demo, but they

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Speaker 1: didn't like my m C. They're like me and they

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Speaker 1: were like, we really want you. But I was like

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Speaker 1: basically seen the beats and my scratching. They were bugging

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Speaker 1: off my sus huge back. So I didn't really want

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Speaker 1: to leave my group, so I said I can't do it.

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Speaker 1: I gotta stay stay doing what I do. Time passed.

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Speaker 1: My MC pretty much got frustrated after going shopping other deals.

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Speaker 1: We're gonna get a deal, so he said, I'm joining

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Speaker 1: the military. I thought he was just bluffed. One day

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Speaker 1: we're at the house, shout to Gordon Franklin. The whole

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Speaker 1: Franklin family, Gary Art and Recipes and Marland Franklin. We

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Speaker 1: were staying at that house. I thought we were going

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Speaker 1: to college together. That's how I met them. And next thing,

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Speaker 1: you know, the bell rings on the weekend and the

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Speaker 1: recruiting officers at the door. Yeah. Man, yeah, I'm looking

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Speaker 1: for Theodore Campbell and I'm like for what he said,

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Speaker 1: he signed he's joined the baby and I thought I

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Speaker 1: was like, I thought he was lying, and I'm like,

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Speaker 1: your top the other on the basement cause we all

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Speaker 1: lived together, and he's like, yo, I'm out. He has

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Speaker 1: his backpacked already, Like how long did you did you?

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Speaker 1: Did you join? He said for four years? M yeah,

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Speaker 1: he said four years and already met Top everything. I'm

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Speaker 1: like four years, so I'm not gonna wait for you know,

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Speaker 1: four years he said, yo'ut do your thing and that's

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Speaker 1: not called back to the wild. Fish said, yo, my man,

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Speaker 1: my man left are now I'm available to now he

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Speaker 1: lived in the group because that's my front man and

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Speaker 1: the groups. I gotta want you in the group. So

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Speaker 1: that's how I joined Gangstar. Google on my tape and

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Speaker 1: Lord fer Nessus tape that's our's got signed to wild

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Speaker 1: pitch and that's how I end up. That's the first

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Speaker 1: artist I ever produced was besides, let's take some noise

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Speaker 1: for that mans like that? Okay, so now, p Yeah,

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Speaker 1: how did you meet cr y'all went to school together

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Speaker 1: through some street guys, and um, you know when I

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Speaker 1: heard you know, there was timing he could wrap or whatever,

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Speaker 1: and when I heard his voice in high school because

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Speaker 1: he was always a producer. He was a producer. Yeah,

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Speaker 1: well England hood. I started doing my high school parties dans.

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Speaker 1: You know, I became a DJ in my front motherfucker's

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Speaker 1: you know, flocked to so I met C. He got

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Speaker 1: a distinctive voice. We did like fifty sixty demos in

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Speaker 1: my basement, four tracks, four track like and got signed

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Speaker 1: off that ship. I mean, like who's taking like dance

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Speaker 1: to the drummers beat and making songs, you know, taking

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Speaker 1: the break beats? That man Lenny from the Bronx was

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Speaker 1: street beat and I would make beats out of them

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Speaker 1: sens just normal ship. And then because my girl is

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Speaker 1: like it's like the Bronx being the place of hipp

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Speaker 1: and birthplaces, right, mont Vernon is like next this cousin.

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Speaker 1: Yeah yeah, so y'all had to have hip hop justice

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Speaker 1: originally from the Bronx bro. You know, when I was young,

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Speaker 1: I went to Bronx Room Park, not knowing what was

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Speaker 1: gonna know what I'm saying, Oh, I know as I've

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Speaker 1: seen a bunch of cool dudes smoking, drinking and listening

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Speaker 1: to hip hop and had me. And then when I

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Speaker 1: turned seven years old, I met James Brown. What and

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Speaker 1: I that's gonna change it? Rock your cousin heavy dr

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Speaker 1: It was my cousin of course family. That's some peace, bro.

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Speaker 1: And you know he took me under this wing. And

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Speaker 1: that's how I learned everything. That's why I meant everybody.

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Speaker 1: Before I even became who I Watch, I was Teddy Wiley.

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Speaker 1: I was in the studio how we teach reminisces Old

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Speaker 1: Were You? Which is such an iconic song for iconic song,

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Speaker 1: but now that is about actual person, correct, my man?

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Speaker 1: Can we bring that down? Troy right? Just tour have

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Speaker 1: you being the boards him and kid plays road managers

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Speaker 1: playing around you know who's always be on tour plane

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Speaker 1: what I mean? And they were playing with empty guards

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Speaker 1: kids and throwing them, throwing them, trying to hit each other.

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Speaker 1: And you don't never hurt. You know, I missed the steps.

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Speaker 1: He was at the edge of the stage. I didn't

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Speaker 1: know what's going to and have called me and started crying,

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Speaker 1: and you know, the whole all up. I don't even today,

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Speaker 1: to this day, I don't even know how I was

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Speaker 1: able to listen to a record and make a beat

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Speaker 1: because I was so distraught that man in the whole

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Speaker 1: hood was he was infamous in the hood. But you

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Speaker 1: know how legendary that. So I didn't do it. You know,

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Speaker 1: you can do that. And when I spent the sample,

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Speaker 1: you know, I was with extra p wounds in Queens.

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Speaker 1: We would dig in and I found a record, damn mean,

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Speaker 1: and we you know, took it home, fun with it,

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Speaker 1: you know, and next thing, you know, I put you know,

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Speaker 1: after the beat was made and everything like that, we

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Speaker 1: got in the Stuco came with the lyrics and like,

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Speaker 1: but he didn't have the beat, like he already had

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Speaker 1: the rhymes rope, but he needed the beat to match

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Speaker 1: the rhymes. And that's very like it's not easy to

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Speaker 1: do that. So it mild a raid in and it's

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Speaker 1: just like classically talked about his aunt and you did

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Speaker 1: you know that was going to be as classic as

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Speaker 1: it is when you when I had Charlie Brown for

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Speaker 1: me to Sais and he was there for a mixtap

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Speaker 1: and we were just all that right, I just let

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Speaker 1: it out like I ain't even care if he you know,

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Speaker 1: who was around, because I was thinking about Troy and

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Speaker 1: he started crying, and then the engineers darting, and I said,

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Speaker 1: I think we got something, and I think, you know,

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Speaker 1: the only thing I don't I don't like about that

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Speaker 1: record is that I wish I made Like, wait, what

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Speaker 1: what are you say? It's wrong about it? It's a

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Speaker 1: lot of I'm so now I gotta take it to

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Speaker 1: one of my favorite games back the Massive Pill one

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Speaker 1: of us. I got old night on it. Okay, so

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Speaker 1: Massive Hill, what drugs was you smoking? You know it's

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Speaker 1: crazy because I mean everybody has the rors of of

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Speaker 1: getting lifted. I mean now to pay because the early

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Speaker 1: young kids. It's not my thing, but I mean we

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Speaker 1: all have ways of escaping and and uh music and

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Speaker 1: and drugs and drinking and sex and all that sports.

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Speaker 1: It has always been in a twine. But it's all

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Speaker 1: about how strong your mind is or how weak your

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Speaker 1: mind is. I've always kept your wrong mind to know

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Speaker 1: how to turn the switch off and get back to

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Speaker 1: manage it properly. I'm glad I made Yeah, yeah, you

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Speaker 1: were hot, good with you know what. I've heard that

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Speaker 1: it's happening that it was a good old day at

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Speaker 1: ninety three in a ninety four that came bout ninety

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Speaker 1: four song came by ninety three. But I mean, those

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Speaker 1: are the good old days of just yeah, you know,

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Speaker 1: you know you were torched before you go on the

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Speaker 1: lab and start cooking something off and and he was

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Speaker 1: with them without I mean, my mind approach is still

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Speaker 1: the same. So I think Goodness said that it is

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Speaker 1: because I'm still active, even if fifty years old, does

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Speaker 1: the work is still coming. We're still active, which we

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Speaker 1: still are addicted to making beats and we're forming a

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Speaker 1: DJ and we're like, we're but but Master Hill was

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Speaker 1: a really was. We was actually making it as a

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Speaker 1: google to radio because we wouldn't getting regular rotation on

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Speaker 1: radio as an improper group. But like who always said

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Speaker 1: we got platinum, respect Like all the platinum artists are

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Speaker 1: loving us, but we can't sell some of records. But

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Speaker 1: everybody that that's platinum and selling millions loved Gangsters we

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Speaker 1: were like, let's making radio, making fun of radio. When

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Speaker 1: I said, I want to make something that sounds like

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Speaker 1: you're on an elevator, gonna pere and so that was

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Speaker 1: my mind stage. I wanted to make the records. You know,

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Speaker 1: I'm thinking about your logic to the closest to what

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Speaker 1: that's what. There's a lot of times I pre hear

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Speaker 1: the song and I'm looking for the stuff that matches

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Speaker 1: my what I'm looking for. That's why the drums usually

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Speaker 1: come first. But you know, because it's like, you know,

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Speaker 1: it's going whatnots on this one, I'm going in pizza

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Speaker 1: on this one, going sub on this you know, we

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Speaker 1: kind of already know where we're gonna go. In the

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Speaker 1: early days of my gangs Are career, there's three people

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Speaker 1: that really taught me how to get to the level

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Speaker 1: of actually four of the level of that where I

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Speaker 1: should now I'll take anybody on our any He taught

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Speaker 1: me how to feel to show biz some dr TC

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Speaker 1: show biz, g taught me to thinking about how to chop.

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Speaker 1: I learned how shopping show biz. And then large Professor

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Speaker 1: just showed me crazy traits that each come of miles

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Speaker 1: and show with us because we we met and we

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Speaker 1: just go to Ms. Mackenzie's Ausodes who was the d

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Speaker 1: j's mom stir cutting k scratch, I mean k cutting

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Speaker 1: such scratch. So we just go to the house. So

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Speaker 1: I was around large and Pete a lot in they

336
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Speaker 1: were way more advanced on the programming from from me.

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Speaker 1: We all way to the records of the sampling, but

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Speaker 1: my skill didn't really get to a point until around

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Speaker 1: ninety two, you know what I'm saying, when I started

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Speaker 1: working on Boom Bad with ca Arres, because the original

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Speaker 1: rap were not that, not that song, but the majority

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Speaker 1: of again Mortal thought, yeah, out of here. Mortal thought

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Speaker 1: carrots want to tacks and you did? You got killed?

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Speaker 1: That you killed was just a laugh at radio for

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Speaker 1: not playing us, and then it turned out to be

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Speaker 1: our biggest that you do it. You know, you know

347
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Speaker 1: what else I gotta I gotta go straight into it.

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Speaker 1: I'm so sorry, stick kids. That was a true story,

349
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Speaker 1: just to get a rep. We just got idea. We

350
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Speaker 1: were living in the Bronx and where the Third Street

351
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Speaker 1: had moved out of East New York and I was

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Speaker 1: living in the Yea. We moved to the Bronx one

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Speaker 1: of a Third Street that's how I met. That's how

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Speaker 1: I met. That's how that Tenancy from the n Y Jeez, well,

355
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Speaker 1: that's why I met Smiley to get town Nutcracker from

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Speaker 1: the Nutcracker. I lived on a third and Andrews and

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Speaker 1: they all that they all live down the hill on

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Speaker 1: Andrews was hood. So having was we got our first check.

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Speaker 1: I was moving into brew And with grand from my sellers. Uh.

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Speaker 1: He was about to be the um music director for

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Speaker 1: the Tonight Show with Jay Leno, so he his life

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Speaker 1: and Hiss something still still living there before they moved

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Speaker 1: to l A. They you know, so they were kind

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Speaker 1: of back and forth. So around the time before he

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Speaker 1: may officially moved, he we all moved together. So now

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Speaker 1: as brand for his wife, his son, me and Google

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Speaker 1: all living together on three seventy for Washington and Brooklyn.

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Speaker 1: So we moved back to Brooklyn. We both bought our

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Speaker 1: first brand new cause and you know, I had a

370
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Speaker 1: whip already, but I'm up to the MPV in the

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Speaker 1: cars for the time for sure. But it was very

372
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Speaker 1: famous everyone. It was one of a mind boy cars

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Speaker 1: because it was the sound system everybody knew me for.

374
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Speaker 1: So when when that happened, grew about a four runner.

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Speaker 1: These went the four Runners style body style grew got

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Speaker 1: into a problem with some dudes in Brooklyn, and uh,

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Speaker 1: he tried to stick him dead. Yeah, and then and

378
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Speaker 1: they took the car. They took the time toime pass

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Speaker 1: looking for cats, looking cats, couldn't find a car. One day,

380
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Speaker 1: we're just four gps. Yeah, okay. One day we're moving around.

381
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Speaker 1: We see the car start chasing after the guy going

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Speaker 1: after him. He's high speed chase. Cops see us start

383
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Speaker 1: chasing too, going after him. He's like, that's how called.

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Speaker 1: That's our call because they want to pull us over.

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Speaker 1: They go after car. He keeps on driving. He the

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Speaker 1: driver hits an ice cream truck and dies. Yeah. And

387
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Speaker 1: it's crazy because grew at a picture of the day

388
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Speaker 1: he got the car and he's in front of it

389
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Speaker 1: going like like, yeah, I got my car going to

390
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Speaker 1: the precinct. When they brought the car, it was all

391
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Speaker 1: swistin and everything from the from the crash and it

392
00:23:12,280 --> 00:23:14,240
Speaker 1: was all Smich stuff and groups, I gotta take a

393
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Speaker 1: picture body standing by going first before. He said I'm

394
00:23:21,440 --> 00:23:24,840
Speaker 1: writing a song about this, and we wrote the song Anti.

395
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Speaker 1: The album only has two verses. When we came out

396
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Speaker 1: with the video with Fat Freddie and did that. He said,

397
00:23:29,760 --> 00:23:33,360
Speaker 1: we need was on that. That's me scratching their dead hook.

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Speaker 1: I mean they did voice on whatever funding for you,

399
00:23:36,160 --> 00:23:40,919
Speaker 1: they're gonna so so Fat Freddie said, we need a

400
00:23:41,000 --> 00:23:43,720
Speaker 1: closing way of the video, and being that the guy

401
00:23:43,760 --> 00:23:46,119
Speaker 1: did die in the end, he said, we gotta do

402
00:23:46,160 --> 00:23:48,119
Speaker 1: a third verse of Greup wrote the third verse and

403
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Speaker 1: that's why the twelve inch has a definitely type of

404
00:23:50,119 --> 00:23:55,199
Speaker 1: bounce and it's been re recorded as three verses. So

405
00:23:55,400 --> 00:23:57,480
Speaker 1: that yeah, and that crazy that we actually found the

406
00:23:57,560 --> 00:24:00,520
Speaker 1: dude to took off after cops go after after us

407
00:24:00,600 --> 00:24:02,399
Speaker 1: and once we say no, we're trying to get our

408
00:24:02,480 --> 00:24:05,240
Speaker 1: call back, and the dudes running and crashed on the

409
00:24:05,600 --> 00:24:08,680
Speaker 1: camp for your ice cream trunk. That's why you gotta

410
00:24:08,760 --> 00:24:10,960
Speaker 1: love game Star. This is why you got a little

411
00:24:10,960 --> 00:24:17,720
Speaker 1: true star. You got now Pete right, the world is young?

412
00:24:18,960 --> 00:24:25,439
Speaker 1: How was I hating that? Now? That meant still when

413
00:24:25,480 --> 00:24:28,840
Speaker 1: you heard hold on, hold that holder for a second,

414
00:24:28,880 --> 00:24:33,960
Speaker 1: because I want to say, arguably might be my favorite

415
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Speaker 1: record on Back's my favorite album of all time in

416
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Speaker 1: mine too, not because I'm on it either. It would

417
00:24:39,720 --> 00:24:42,399
Speaker 1: have been my favorite even if I ain't on it

418
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Speaker 1: at all, Glad. I just want you to describe. He

419
00:24:49,680 --> 00:24:54,119
Speaker 1: was there just to watch, all right. So now you

420
00:24:54,200 --> 00:24:57,960
Speaker 1: meet this kid that last professor correct brings you to them,

421
00:24:58,280 --> 00:24:59,560
Speaker 1: and then they say they want you to work on

422
00:24:59,640 --> 00:25:02,800
Speaker 1: Hi Mound burning. And there's a story where I had

423
00:25:02,880 --> 00:25:05,680
Speaker 1: not waiting. I didn't even realize. I don't even remember.

424
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Speaker 1: He said that I was in the car talking to

425
00:25:08,080 --> 00:25:10,959
Speaker 1: a girl and he was behind me. But you know,

426
00:25:11,320 --> 00:25:15,000
Speaker 1: he's behind me to get out, like you know what

427
00:25:15,000 --> 00:25:17,919
Speaker 1: I mean, But he waited. He just stood in the

428
00:25:18,000 --> 00:25:23,159
Speaker 1: car shot exactly. But still we got it together. We

429
00:25:23,240 --> 00:25:25,600
Speaker 1: got that stairs, right. I go through a couple of

430
00:25:25,640 --> 00:25:30,280
Speaker 1: as twelve hundred dicks, right, the first three, the second

431
00:25:30,280 --> 00:25:33,159
Speaker 1: one I put disc I put in. When I played it,

432
00:25:33,520 --> 00:25:36,080
Speaker 1: he just said, oh wait, wait, wait, wait wait and

433
00:25:36,240 --> 00:25:40,000
Speaker 1: just stood in close. And I'm like, okay, that means

434
00:25:40,000 --> 00:25:42,920
Speaker 1: he likes it. But I just knew it, man, And

435
00:25:43,200 --> 00:25:44,800
Speaker 1: this is the world as yours you're saying. He's like, yo,

436
00:25:44,920 --> 00:25:46,359
Speaker 1: he wanted the same one, but I want you to

437
00:25:46,400 --> 00:25:55,600
Speaker 1: do the world some hip hop saying. And then we

438
00:25:55,720 --> 00:25:58,320
Speaker 1: got in the studio, went to battery. That's where we

439
00:25:58,359 --> 00:26:02,399
Speaker 1: did it. You know, mixed assuming alf job records. I

440
00:26:02,480 --> 00:26:05,120
Speaker 1: watch you later scratches one tape Premore came in there

441
00:26:05,560 --> 00:26:09,399
Speaker 1: and I did the scratch. I think as a quiet

442
00:26:09,400 --> 00:26:11,679
Speaker 1: as I've ever been to. I just standings like this

443
00:26:12,000 --> 00:26:14,800
Speaker 1: looking and I was just like, what the world don't know?

444
00:26:15,240 --> 00:26:21,800
Speaker 1: Does the world know who nas is? Like? Again? Half

445
00:26:21,800 --> 00:26:24,360
Speaker 1: time was half time? What about back to the grill again?

446
00:26:24,400 --> 00:26:28,880
Speaker 1: Was back to the grill before happening? Yeah? Yeah? Yeah,

447
00:26:29,040 --> 00:26:31,520
Speaker 1: it was half building at this point, right, so yeah,

448
00:26:31,560 --> 00:26:35,399
Speaker 1: the buzz already this was crashed through Matic because Super

449
00:26:35,720 --> 00:26:40,800
Speaker 1: was out when it was done and finished. Man, but man, yeah,

450
00:26:41,600 --> 00:26:48,199
Speaker 1: what's this? Three jobs on the half three at the

451
00:26:48,200 --> 00:26:52,840
Speaker 1: time that I only had represented, but not the one

452
00:26:52,880 --> 00:26:54,920
Speaker 1: on the album. The one is on the Atmatic is

453
00:26:54,960 --> 00:26:57,560
Speaker 1: a remix? I was not the one on the vinyl

454
00:26:57,600 --> 00:26:59,320
Speaker 1: on the single, No, just the one that's the one

455
00:26:59,400 --> 00:27:02,199
Speaker 1: was on the album. One is only a period? Is

456
00:27:02,200 --> 00:27:07,280
Speaker 1: the remax at the baseline? Hold on? What's the originals?

457
00:27:09,520 --> 00:27:16,080
Speaker 1: I don't have to up do? Yeah, but I can't

458
00:27:16,080 --> 00:27:20,280
Speaker 1: believe I'm make that story because I still can't believe

459
00:27:20,400 --> 00:27:26,320
Speaker 1: what is this? We celebrate overs being congratulated by Yeah,

460
00:27:33,160 --> 00:27:35,439
Speaker 1: I don't wanted another FLAQ I just didn't know I

461
00:27:35,440 --> 00:27:39,600
Speaker 1: was gonna get it a podcast. Thank you, hip Hop,

462
00:27:39,840 --> 00:27:42,639
Speaker 1: Thank you. It's the fact that you know, um, I

463
00:27:42,640 --> 00:27:45,520
Speaker 1: don't know if you guys know what. We only interview legends,

464
00:27:45,560 --> 00:27:48,520
Speaker 1: not because we don't have love for the new generation,

465
00:27:48,560 --> 00:27:51,680
Speaker 1: because we do. But I feel like in hip hop,

466
00:27:51,760 --> 00:27:54,760
Speaker 1: hip hop is the only place that you get ten

467
00:27:54,840 --> 00:27:57,040
Speaker 1: years in, you get fifteen years in and they say

468
00:27:57,119 --> 00:28:01,359
Speaker 1: you oh, and that right. We're all older, but we

469
00:28:01,440 --> 00:28:05,040
Speaker 1: have old Thomas music. But we are true to what

470
00:28:05,080 --> 00:28:08,520
Speaker 1: we did. Absolutely were leaving. So I just want to

471
00:28:08,600 --> 00:28:11,119
Speaker 1: keep the interviewing legends and for us to have a

472
00:28:11,160 --> 00:28:17,440
Speaker 1: twenty five million flat congratulations. Congratulations and I hate you

473
00:28:16,880 --> 00:28:20,600
Speaker 1: why he knew he had? Man, it was supposed to be.

474
00:28:20,680 --> 00:28:25,760
Speaker 1: When did you get hey listen man? Yeah, like I

475
00:28:25,760 --> 00:28:31,440
Speaker 1: didn't know to And then on the sidebar my boy

476
00:28:32,920 --> 00:28:38,040
Speaker 1: DJ Heron DJ Herond definitely bad. You know what I

477
00:28:38,040 --> 00:28:40,520
Speaker 1: gotta You always gotta big up a wrong because if

478
00:28:40,520 --> 00:28:42,720
Speaker 1: you go to a hair wrong party, be come around.

479
00:28:42,760 --> 00:28:45,600
Speaker 1: It's a real hip hop. The bitches are going to

480
00:28:45,680 --> 00:28:49,600
Speaker 1: be there with the sneaker Scott. That's real. When the

481
00:28:49,680 --> 00:28:52,760
Speaker 1: chicks got their hell's on, that's not hip hop like

482
00:28:53,040 --> 00:28:56,160
Speaker 1: you gotta your sneakers, gotta be dirty to a certain

483
00:28:56,160 --> 00:29:08,400
Speaker 1: next day, you know, to be real hip hop. Welcome

484
00:29:08,480 --> 00:29:11,760
Speaker 1: to play a new podcast network featuring radio and TV

485
00:29:11,880 --> 00:29:16,240
Speaker 1: personalities talking business, sports, tech, entertainment, and more. Play it

486
00:29:16,440 --> 00:29:21,040
Speaker 1: at play dot It. We're back to Drink Champs Radio

487
00:29:21,200 --> 00:29:27,800
Speaker 1: with rapper and R and d J. Then now, so

488
00:29:27,920 --> 00:29:31,920
Speaker 1: you do the world as yours. They said after you

489
00:29:31,920 --> 00:29:34,840
Speaker 1: did the record, he was just happy for happy. But

490
00:29:34,960 --> 00:29:37,880
Speaker 1: did you did You had the full sight just to

491
00:29:37,960 --> 00:29:45,640
Speaker 1: think that this guy would actually like you know this guy.

492
00:29:45,760 --> 00:29:47,440
Speaker 1: There was a lot of anticipation even when you guys

493
00:29:47,440 --> 00:29:50,040
Speaker 1: were working on the project. Nobody in the game rap

494
00:29:50,480 --> 00:29:54,200
Speaker 1: that it was like rock him again, right right? Yeah,

495
00:29:54,320 --> 00:29:56,440
Speaker 1: he stood in his own light, but he was in

496
00:29:56,520 --> 00:30:00,720
Speaker 1: probably inspired by the rap rock him question you know

497
00:30:00,920 --> 00:30:03,880
Speaker 1: question but it's open. Yeah, that was that was That

498
00:30:04,000 --> 00:30:07,000
Speaker 1: was the one. This is new and I've been coming

499
00:30:07,120 --> 00:30:11,160
Speaker 1: and we were confident and he was confident. I was

500
00:30:11,200 --> 00:30:12,680
Speaker 1: happy were There are a lot of records on that

501
00:30:12,720 --> 00:30:14,680
Speaker 1: project that that didn't make the project that you guys

502
00:30:14,720 --> 00:30:16,840
Speaker 1: are that it was that the only beat you made.

503
00:30:17,680 --> 00:30:21,040
Speaker 1: Oh so it'll be one and done. One hit the

504
00:30:21,120 --> 00:30:26,120
Speaker 1: repeet that going, uh, they're all flowing away for and

505
00:30:26,560 --> 00:30:31,160
Speaker 1: then you took it the remix and hold yeah talking

506
00:30:31,200 --> 00:30:34,040
Speaker 1: about okay, yeah, yeah too. Remixes had me all the

507
00:30:34,200 --> 00:30:39,280
Speaker 1: same wait oh wait wait wait wait it was oh

508
00:30:40,160 --> 00:30:42,880
Speaker 1: like in a good way, but like damn, my actually said,

509
00:30:42,920 --> 00:30:48,080
Speaker 1: have just did a quick remix, you know, but they're

510
00:30:48,120 --> 00:30:52,560
Speaker 1: both amazing and it totally totally different, you know, different approaches.

511
00:30:52,720 --> 00:30:57,480
Speaker 1: His talents are amazing. Que tip shout out to him.

512
00:30:58,000 --> 00:31:02,480
Speaker 1: So now you did, said, three joints represent the Memory

513
00:31:02,560 --> 00:31:06,560
Speaker 1: Lane and New York State of Mind. Memory Lane, Memory Lane,

514
00:31:07,520 --> 00:31:10,720
Speaker 1: Memory memory Lane, Me, Me and me and NAS. We

515
00:31:10,800 --> 00:31:12,560
Speaker 1: had a debate on that one because I actually didn't

516
00:31:12,640 --> 00:31:15,080
Speaker 1: like that one. This is prime. This is the crazy

517
00:31:15,120 --> 00:31:17,840
Speaker 1: shot I've been in the studio with three roll. Yo.

518
00:31:17,920 --> 00:31:20,280
Speaker 1: You're really a perfection this, yo, because I do it

519
00:31:20,320 --> 00:31:23,120
Speaker 1: on the spot. Ye, you really affected, yo. I went

520
00:31:23,200 --> 00:31:25,760
Speaker 1: to six times. We couldn't get to beat right, and

521
00:31:26,040 --> 00:31:28,040
Speaker 1: he said he came to me. He came to me

522
00:31:28,080 --> 00:31:32,000
Speaker 1: and said, what's your room, nickel? I said, no, front

523
00:31:32,080 --> 00:31:38,520
Speaker 1: drop glasses. I believe that's an incredible juice. Then you

524
00:31:38,680 --> 00:31:43,800
Speaker 1: made the beat in two fucking seconds. Black that No,

525
00:31:43,920 --> 00:31:45,720
Speaker 1: that's a lot of big records when I performed no.

526
00:31:46,360 --> 00:31:49,080
Speaker 1: But the thing about it is is that what you happen,

527
00:31:49,360 --> 00:31:52,600
Speaker 1: you have to hear the votes first time, because but

528
00:31:52,840 --> 00:31:58,360
Speaker 1: what Armaticul is one of the best hip hop albums

529
00:32:00,120 --> 00:32:03,320
Speaker 1: for so much from understanding, I wasn't on the report

530
00:32:03,640 --> 00:32:07,000
Speaker 1: and now you got me on another and all that.

531
00:32:07,440 --> 00:32:10,160
Speaker 1: This was the year Reunion merged as a solo artist too.

532
00:32:10,960 --> 00:32:13,720
Speaker 1: I mean, your first, your first nor y'all. I was sick.

533
00:32:14,000 --> 00:32:17,400
Speaker 1: That was like, it's sick thinking. I mean like that,

534
00:32:17,640 --> 00:32:20,880
Speaker 1: like to this day, don't want to get back to

535
00:32:20,920 --> 00:32:24,560
Speaker 1: baby more. What happened was we wanted to promote be

536
00:32:24,680 --> 00:32:30,440
Speaker 1: so bad everybody we for some reason, our schedules was

537
00:32:30,520 --> 00:32:32,320
Speaker 1: messed up. And then we went to D and D.

538
00:32:32,480 --> 00:32:34,920
Speaker 1: We went to D n D and I felt like

539
00:32:35,000 --> 00:32:38,400
Speaker 1: he needed something from us and we just kept wasn't

540
00:32:38,440 --> 00:32:42,400
Speaker 1: given to And then you just the sixth second I

541
00:32:42,440 --> 00:32:47,960
Speaker 1: remember the sixth secon he said and screened on and

542
00:32:47,960 --> 00:32:50,640
Speaker 1: I was like, yo, and I'm I'm as saying I

543
00:32:50,760 --> 00:32:53,040
Speaker 1: gotten too. I was like, yo, just meet me this,

544
00:32:55,800 --> 00:33:00,080
Speaker 1: you know, I know he's on. He was like go

545
00:33:00,480 --> 00:33:04,440
Speaker 1: feeling like you know you And then and then that

546
00:33:04,520 --> 00:33:13,400
Speaker 1: day and you can't even like not sorry the crazy ship.

547
00:33:14,200 --> 00:33:17,360
Speaker 1: He said, what's your opening line? And I said that

548
00:33:17,480 --> 00:33:19,680
Speaker 1: So you had that rhyme already. Really, I had the

549
00:33:19,760 --> 00:33:22,360
Speaker 1: rhyme already. I just was waiting for something perfect to

550
00:33:22,360 --> 00:33:27,800
Speaker 1: go perfectly said, and he said say it again. He

551
00:33:27,920 --> 00:33:33,840
Speaker 1: made the whole. I was like, right my mind, I

552
00:33:33,920 --> 00:33:38,480
Speaker 1: was like day to be at the television. Yeah, my

553
00:33:38,520 --> 00:33:41,760
Speaker 1: turntable set up on a big old nineteen seventies television

554
00:33:42,360 --> 00:33:44,520
Speaker 1: with the with the wood and everything with the record

555
00:33:44,560 --> 00:33:46,800
Speaker 1: player on the two and I got the turntable in

556
00:33:46,840 --> 00:33:49,200
Speaker 1: the mix on their pulse. That right there, but going yo,

557
00:33:49,360 --> 00:33:55,280
Speaker 1: I still can't believe turn table on a television seven

558
00:33:55,360 --> 00:34:01,160
Speaker 1: And that's what fair with the pan of sis to

559
00:34:01,200 --> 00:34:03,400
Speaker 1: everybody in the hood and the projects have them on radio.

560
00:34:03,880 --> 00:34:07,000
Speaker 1: We gotta do right now. Promote is described in these

561
00:34:07,000 --> 00:34:13,799
Speaker 1: studios because I'm not hip hopcast on the studios was

562
00:34:13,880 --> 00:34:17,960
Speaker 1: actually not nowhere in neighbor hood, but it was motherfucker

563
00:34:18,000 --> 00:34:21,160
Speaker 1: was in the city. But once you get in the

564
00:34:21,320 --> 00:34:23,960
Speaker 1: D n D, you're in the project. But that was

565
00:34:23,960 --> 00:34:27,279
Speaker 1: an automatic that was that was a heroin block. When

566
00:34:27,320 --> 00:34:30,080
Speaker 1: we started working there in ninety two. That was a

567
00:34:30,080 --> 00:34:34,520
Speaker 1: heroin block. So during that time, a relevant private before

568
00:34:34,600 --> 00:34:37,279
Speaker 1: y'all try to come. It was drugs central and there

569
00:34:37,320 --> 00:34:39,920
Speaker 1: was no lights so it was very dark, and ran

570
00:34:39,960 --> 00:34:42,520
Speaker 1: a newspaper right across the street. So we was always

571
00:34:42,560 --> 00:34:44,080
Speaker 1: beat with them. And then there was a lot of

572
00:34:44,120 --> 00:34:46,640
Speaker 1: fighting and threats and and I'm gonna get my gun

573
00:34:46,719 --> 00:34:48,759
Speaker 1: and all this crazy stuff back then, and and it

574
00:34:48,920 --> 00:34:52,120
Speaker 1: was just I remember a heavy decan came by and said,

575
00:34:52,480 --> 00:34:56,400
Speaker 1: do we really gotta finish the sid But you demanded

576
00:34:56,440 --> 00:35:01,680
Speaker 1: that people get everything, So so how am I had

577
00:35:01,719 --> 00:35:03,360
Speaker 1: to go? I went? I went and went over to

578
00:35:03,400 --> 00:35:05,520
Speaker 1: Hip Factory to finished working for him. And he was like, yo,

579
00:35:05,920 --> 00:35:08,520
Speaker 1: this is grimy brame and I was like, Yo, that's

580
00:35:08,520 --> 00:35:11,759
Speaker 1: how I do it. You had a machine that had

581
00:35:11,920 --> 00:35:22,000
Speaker 1: Philly cigars and what is it called? With bamboo and Philly?

582
00:35:22,560 --> 00:35:24,359
Speaker 1: Did you have called living there as well? I think

583
00:35:24,360 --> 00:35:27,920
Speaker 1: you're hid car. It was all kind of weird. It was.

584
00:35:27,640 --> 00:35:31,440
Speaker 1: It was. It was in the dude. We had to

585
00:35:31,440 --> 00:35:37,919
Speaker 1: restock at least every week whatever were being bought. You know, kid,

586
00:35:37,960 --> 00:35:39,480
Speaker 1: you not. I used to be like, because you know,

587
00:35:39,520 --> 00:35:41,440
Speaker 1: every time we used to go to the studio, we

588
00:35:41,680 --> 00:35:44,600
Speaker 1: always stopped the cigars. But we went to Dnja, we

589
00:35:44,719 --> 00:35:47,400
Speaker 1: never stopped. We said just go straight there. It was

590
00:35:47,440 --> 00:35:50,200
Speaker 1: a little bit like like more expensive, but it was

591
00:35:50,239 --> 00:35:58,279
Speaker 1: like worth it. It was that recently Pete, Kanye and

592
00:35:58,400 --> 00:36:03,480
Speaker 1: jay Z just you to do with joy describe what

593
00:36:04,280 --> 00:36:07,600
Speaker 1: was that like? Going to win mean Black Sea? Sorry

594
00:36:07,600 --> 00:36:15,960
Speaker 1: I didn't. So he was being a kid in a

595
00:36:16,040 --> 00:36:19,279
Speaker 1: candy store to me, gotten his new whip brand new

596
00:36:19,280 --> 00:36:23,720
Speaker 1: whip tags. Don't meet him kid cutting in Hawaii, burning

597
00:36:23,760 --> 00:36:28,440
Speaker 1: the road, come zero to sixty in less than three seconds.

598
00:36:28,440 --> 00:36:32,719
Speaker 1: That's that's how hot that got pulled over. Police let

599
00:36:32,800 --> 00:36:37,600
Speaker 1: him go. But now when he gives you that call,

600
00:36:38,880 --> 00:36:42,000
Speaker 1: because at the end of the day, you represent the

601
00:36:42,040 --> 00:36:44,480
Speaker 1: purest form of hip hope. So when you get a

602
00:36:44,480 --> 00:36:47,560
Speaker 1: call from Kanye, what is your first reaction. I'm just

603
00:36:47,600 --> 00:36:50,879
Speaker 1: gonna bring on my knowledge around And when I got there,

604
00:36:50,960 --> 00:36:54,000
Speaker 1: he actually impressed me with what he knew what I'm

605
00:36:54,000 --> 00:36:56,960
Speaker 1: saying and from my interludes to just like music in

606
00:36:57,000 --> 00:37:01,320
Speaker 1: general and how he respects it. I knew we was

607
00:37:01,400 --> 00:37:03,959
Speaker 1: onto something good from the start. So I started helping

608
00:37:04,000 --> 00:37:07,280
Speaker 1: him out, like run away or last me in the bathroom,

609
00:37:07,280 --> 00:37:12,839
Speaker 1: helping him out doing little beats, you know, you know,

610
00:37:13,280 --> 00:37:16,239
Speaker 1: just getting the popping. But when we got together into

611
00:37:16,360 --> 00:37:18,960
Speaker 1: the Joy. I didn't know jay Z was gonna be on.

612
00:37:20,480 --> 00:37:25,320
Speaker 1: My engineer at the time was young Gurgle Gurgle that

613
00:37:25,400 --> 00:37:28,600
Speaker 1: was young at the time at that time. So I

614
00:37:28,640 --> 00:37:31,359
Speaker 1: was working with him and you know, he called me

615
00:37:31,560 --> 00:37:34,799
Speaker 1: and he said, yo, listen to this. And I was

616
00:37:34,880 --> 00:37:38,920
Speaker 1: driving at the time and he eats Boye Scott on there.

617
00:37:39,000 --> 00:37:43,640
Speaker 1: That was familiar to me because Familie pulled over soun

618
00:37:45,640 --> 00:37:50,240
Speaker 1: who that who that be? He's like, listen, listenariculated again

619
00:37:50,560 --> 00:37:53,839
Speaker 1: and I had He's like, jay Z, is that jay

620
00:37:53,920 --> 00:38:01,200
Speaker 1: Zy get something together and find only he finally gets

621
00:38:01,239 --> 00:38:07,200
Speaker 1: on the feat and it happened through Kande, So let

622
00:38:07,280 --> 00:38:10,600
Speaker 1: the racket drive get it really good. I was happy

623
00:38:10,640 --> 00:38:13,759
Speaker 1: for that, even though Premo was already you know, deep

624
00:38:13,800 --> 00:38:22,520
Speaker 1: into jay Z. Let now premon you will actually on

625
00:38:22,640 --> 00:38:25,560
Speaker 1: a reason moved out correct, Okay, lot was done to

626
00:38:25,680 --> 00:38:29,160
Speaker 1: dn D. That's correct. Credits sate dn D. So now

627
00:38:29,640 --> 00:38:32,880
Speaker 1: this kid comes. Now you already worked with NAS albums

628
00:38:32,880 --> 00:38:38,480
Speaker 1: already out. Uh, you already crowned the top producer. But

629
00:38:38,520 --> 00:38:41,520
Speaker 1: now this guy comes to you. It got some Brad,

630
00:38:42,560 --> 00:38:44,719
Speaker 1: But I know you. You don't give a funk about Brad.

631
00:38:44,880 --> 00:38:48,399
Speaker 1: I know you and did you know him from Original Flavor. Yeah,

632
00:38:48,440 --> 00:38:50,920
Speaker 1: I know before that, before that day, I knew Jay

633
00:38:50,960 --> 00:38:54,680
Speaker 1: probably about eighties seven because Jazz was on E M

634
00:38:54,719 --> 00:38:56,920
Speaker 1: MY and then even when we got signed T M I,

635
00:38:57,120 --> 00:39:00,040
Speaker 1: which was the Christmas the same distribution, JA was so

636
00:39:00,360 --> 00:39:03,440
Speaker 1: would always come up there with Jazz. Oh so, anytime

637
00:39:03,520 --> 00:39:05,640
Speaker 1: Jazz will show up to any club or whatever, Jay

638
00:39:05,719 --> 00:39:07,400
Speaker 1: was always with him. And back then Jay had the

639
00:39:07,520 --> 00:39:10,640
Speaker 1: big long dukiek. Then we're gonna we're gonna get squashed

640
00:39:10,680 --> 00:39:16,160
Speaker 1: with Ja. We were talking about that yesterday. Just drink

641
00:39:16,239 --> 00:39:22,840
Speaker 1: chance squash beats and uh so, being a character you

642
00:39:22,920 --> 00:39:25,600
Speaker 1: what did he say to you? He says Prem because

643
00:39:25,600 --> 00:39:28,439
Speaker 1: you've seen him in the industry. And one thing about

644
00:39:28,480 --> 00:39:32,320
Speaker 1: Green Prem don't give everybody a beat. No, you gotta

645
00:39:32,400 --> 00:39:37,120
Speaker 1: prove yourself real MC to get a beat. Complain. So

646
00:39:37,200 --> 00:39:40,239
Speaker 1: what did jay Z do that you said, I'm gonna fun. Well,

647
00:39:40,600 --> 00:39:43,000
Speaker 1: even when it got to the point of him hanging

648
00:39:43,040 --> 00:39:44,759
Speaker 1: with lit Prigonal Flavor, that's when I was selling in

649
00:39:44,760 --> 00:39:48,560
Speaker 1: the Bronze and Chop down the block and so that

650
00:39:48,680 --> 00:39:51,400
Speaker 1: down University down there, down the other way down the

651
00:39:51,440 --> 00:39:53,680
Speaker 1: hill from from where we were, uh you know, but

652
00:39:53,760 --> 00:39:55,799
Speaker 1: then it goes up hill, down everything down the hill,

653
00:39:55,880 --> 00:39:57,640
Speaker 1: up the hill were the they were down the hill

654
00:39:57,680 --> 00:40:00,520
Speaker 1: from from where I was, and uh so, um so,

655
00:40:01,640 --> 00:40:05,480
Speaker 1: being I knew j already, it's crazy because Big L

656
00:40:06,320 --> 00:40:09,360
Speaker 1: was already saying, Yo, you know if you know this

657
00:40:09,440 --> 00:40:11,680
Speaker 1: a big L with with with J a lot, but

658
00:40:11,760 --> 00:40:16,880
Speaker 1: also j R. Yeah, yeah, they were. They were merging

659
00:40:16,920 --> 00:40:18,920
Speaker 1: into doing some work, which is how the rock Fellers

660
00:40:19,520 --> 00:40:22,640
Speaker 1: situation was about to happen. But but I knew Jay

661
00:40:23,000 --> 00:40:25,480
Speaker 1: also aside from the jazz ole when he threw king

662
00:40:26,080 --> 00:40:29,160
Speaker 1: So I said, we came about Mr Mr C's from

663
00:40:29,320 --> 00:40:34,359
Speaker 1: LG Projects, and then Mr C moved in. I think

664
00:40:34,360 --> 00:40:36,359
Speaker 1: it was just hard to somebody's house right there, People

665
00:40:37,160 --> 00:40:44,239
Speaker 1: to your home, come on family affair story. I'm so

666
00:40:44,320 --> 00:40:55,040
Speaker 1: sorry we spread love shot down the flight. Well, I'm

667
00:40:52,840 --> 00:40:58,080
Speaker 1: getting people that about the high contact because I've seen

668
00:40:58,120 --> 00:41:02,040
Speaker 1: people go and I'm like, hey, you know told me,

669
00:41:02,120 --> 00:41:03,719
Speaker 1: you know told me to and I want you to

670
00:41:03,760 --> 00:41:07,440
Speaker 1: finish your story please because fans your fans against all, right,

671
00:41:07,680 --> 00:41:10,839
Speaker 1: But I was actually drinking with Joe Pashi one night.

672
00:41:11,680 --> 00:41:15,960
Speaker 1: He wouldn't he just stunning on us right now, you

673
00:41:16,040 --> 00:41:30,000
Speaker 1: didn't just the fans like finish, but he would not

674
00:41:30,200 --> 00:41:32,360
Speaker 1: let me take a shot without looking at And this

675
00:41:32,520 --> 00:41:37,839
Speaker 1: is old school because the nineties, so everybody else from

676
00:41:37,920 --> 00:41:40,680
Speaker 1: Queens moved to Long Island. I was the only fucking

677
00:41:40,719 --> 00:41:43,360
Speaker 1: asshole to moved to Jersey, and so I was, you know,

678
00:41:43,480 --> 00:41:46,279
Speaker 1: I was like Almonkst you know, the tie. For some reason,

679
00:41:46,320 --> 00:41:48,360
Speaker 1: I don't know why, but I always moved next to

680
00:41:48,400 --> 00:41:51,600
Speaker 1: the tie of mafia. I'm sorry, but it's always something

681
00:41:51,719 --> 00:41:56,839
Speaker 1: I lived. You look at the Queens, you gotta look

682
00:41:56,880 --> 00:42:05,839
Speaker 1: at I point, oh yeah, yeah, yeah. I always take

683
00:42:05,880 --> 00:42:09,719
Speaker 1: a hardcore Italians and and they just went and I say,

684
00:42:09,840 --> 00:42:12,600
Speaker 1: why why I gotta look out? They said, because in

685
00:42:12,640 --> 00:42:14,799
Speaker 1: the mafia, the person can't look at the eye when

686
00:42:14,800 --> 00:42:16,600
Speaker 1: they take a show. If that's the person is gonna

687
00:42:16,640 --> 00:42:20,239
Speaker 1: shoot you. And you know, back then it was like that,

688
00:42:20,440 --> 00:42:24,000
Speaker 1: you know what I mean, it's not normal. Yeah, I've

689
00:42:24,040 --> 00:42:26,279
Speaker 1: been living about that and I've been aiming one. Somebody,

690
00:42:26,280 --> 00:42:28,160
Speaker 1: don't do it. I would say, hey, excuse me, just

691
00:42:28,320 --> 00:42:31,359
Speaker 1: always look at me, and it's a it's a very

692
00:42:31,520 --> 00:42:33,880
Speaker 1: very fun thing. Well in general, look at you. In

693
00:42:33,920 --> 00:42:37,920
Speaker 1: the period, his reason moved out off, so by the

694
00:42:38,040 --> 00:42:41,080
Speaker 1: time he got to read did reson three? I did,

695
00:42:41,320 --> 00:42:43,880
Speaker 1: and I did the Evils. Wait, wait a minute, he

696
00:42:43,960 --> 00:42:47,160
Speaker 1: just three for three and everybody man sucking illmatic and

697
00:42:47,400 --> 00:42:56,640
Speaker 1: three yea and you gotta by that time me and

698
00:42:56,760 --> 00:42:59,880
Speaker 1: James Lee does it so well. Um, But I was

699
00:43:00,000 --> 00:43:03,120
Speaker 1: on WBLS at the time and I was doing radio,

700
00:43:03,239 --> 00:43:06,520
Speaker 1: so Clark Kent brought jay Z up there to let

701
00:43:06,560 --> 00:43:10,640
Speaker 1: me here in my lifetime the single that they remember themselves,

702
00:43:11,000 --> 00:43:14,040
Speaker 1: the original, because they had the one that I can't

703
00:43:14,040 --> 00:43:16,320
Speaker 1: get with that sause money that's I'm met sauce. So

704
00:43:17,120 --> 00:43:19,279
Speaker 1: when they brought it up during my commercial break and

705
00:43:19,400 --> 00:43:20,799
Speaker 1: I heard it, I was like, yeah, I'm gonna play

706
00:43:20,840 --> 00:43:23,120
Speaker 1: this out out of commercial break. They're like, but you

707
00:43:23,239 --> 00:43:25,560
Speaker 1: just listen to you you don't play it now. I'm like, yeah,

708
00:43:25,880 --> 00:43:28,640
Speaker 1: open the show with it. Next thing, you know, Jay's like,

709
00:43:28,880 --> 00:43:30,520
Speaker 1: I got something before you get me about the Crystal.

710
00:43:30,719 --> 00:43:32,439
Speaker 1: I didn't know what crystal was because he was still

711
00:43:32,520 --> 00:43:36,359
Speaker 1: drinking ball and he's like, this is the real deal

712
00:43:36,640 --> 00:43:38,920
Speaker 1: champagne right here. There's a big, big ball of stuff.

713
00:43:39,200 --> 00:43:43,640
Speaker 1: I was like, cool one for years and years, say yeah,

714
00:43:43,960 --> 00:43:46,719
Speaker 1: I finally dranking you know that Athos, you know Jane

715
00:43:46,719 --> 00:43:51,480
Speaker 1: on Pumper Crystal. But if we don't, I don't. So yeah,

716
00:43:51,840 --> 00:43:56,160
Speaker 1: so now with the space now, so shop not the best,

717
00:43:56,320 --> 00:44:03,440
Speaker 1: but it's okay. Did I say that the birthday party?

718
00:44:03,960 --> 00:44:06,040
Speaker 1: Um was the first time I tasted his space because

719
00:44:06,120 --> 00:44:08,200
Speaker 1: JA came to the birthday party and like, I think

720
00:44:08,239 --> 00:44:10,319
Speaker 1: I've never tastes that. He said, all no, he pot

721
00:44:10,360 --> 00:44:13,239
Speaker 1: brought me a glass and we had slammed down. I'm all,

722
00:44:13,360 --> 00:44:16,319
Speaker 1: whiskey John a Brown look a guy. Whiskey guy. Now

723
00:44:16,600 --> 00:44:20,800
Speaker 1: let me before we get into this into the interview.

724
00:44:20,960 --> 00:44:25,600
Speaker 1: So so Dame approach well, j approached me about us

725
00:44:25,600 --> 00:44:27,880
Speaker 1: since we had had a friendship already, and then he

726
00:44:27,920 --> 00:44:29,880
Speaker 1: inclives me the Dame. I used to see Dame and

727
00:44:29,960 --> 00:44:32,800
Speaker 1: the Brons walking his dogs all the time. Yeah, he

728
00:44:32,840 --> 00:44:34,600
Speaker 1: always had his dogs and he was walking around cause

729
00:44:34,600 --> 00:44:36,279
Speaker 1: he's gonna see Chubb each other and Steve because he

730
00:44:36,320 --> 00:44:40,839
Speaker 1: was aniling and you never Chu Chu dz J Yes,

731
00:44:40,920 --> 00:44:43,279
Speaker 1: d chump each other from Rental Flavor as it's a

732
00:44:43,280 --> 00:44:48,479
Speaker 1: big DJ in Boston bosses. So so Dames being around

733
00:44:48,480 --> 00:44:50,560
Speaker 1: there walking the dogs all the time. So we met then,

734
00:44:51,080 --> 00:44:52,800
Speaker 1: but it was just small talk and we were just

735
00:44:52,920 --> 00:44:54,640
Speaker 1: you know, everybody knew gangs I was at the time.

736
00:44:54,719 --> 00:44:57,520
Speaker 1: We are we were not enough. So from there, Jay said,

737
00:44:57,640 --> 00:45:00,520
Speaker 1: this gotta handles the business. So I went doll with him,

738
00:45:00,600 --> 00:45:03,719
Speaker 1: told him how much. I said, because it's Jay, it's

739
00:45:03,760 --> 00:45:06,640
Speaker 1: all love, I'm only gonna charge you four thousand dollars,

740
00:45:06,719 --> 00:45:10,040
Speaker 1: which was very, very very lucky. And I don't believe

741
00:45:10,080 --> 00:45:12,120
Speaker 1: in luck, but that's a blessing for me to give

742
00:45:12,160 --> 00:45:14,319
Speaker 1: you that type of number. We went in the back

743
00:45:14,440 --> 00:45:16,719
Speaker 1: and they gave me the cash and I started getting busy.

744
00:45:16,800 --> 00:45:30,959
Speaker 1: Now Jacob and and and just Ja called me and said,

745
00:45:30,960 --> 00:45:33,600
Speaker 1: I got this song called to he will. He explained

746
00:45:33,640 --> 00:45:37,760
Speaker 1: it to me and oh my god, explained he explained

747
00:45:37,800 --> 00:45:39,440
Speaker 1: it to me. Then he wrapped the whole song on

748
00:45:39,760 --> 00:45:42,240
Speaker 1: the phone. And after he wrapped it on the phone,

749
00:45:42,840 --> 00:45:45,560
Speaker 1: then he gave me the scratch idea and said, I

750
00:45:45,840 --> 00:45:48,320
Speaker 1: what do you mean? He said, I want to? So

751
00:45:48,400 --> 00:45:51,560
Speaker 1: he had it all mapped up. Can you save me?

752
00:45:53,600 --> 00:45:56,440
Speaker 1: Got my mind? Yeah? I can't die. I can't even know,

753
00:45:56,520 --> 00:45:58,359
Speaker 1: he said, make it go. I can't gave you that. Yeah,

754
00:45:58,760 --> 00:46:01,360
Speaker 1: he knew that. He knew the same order not to

755
00:46:01,400 --> 00:46:04,120
Speaker 1: sample to make the beat. He just he gave me

756
00:46:04,200 --> 00:46:06,560
Speaker 1: the idea of how to He said, this is the atmosphere.

757
00:46:06,600 --> 00:46:09,560
Speaker 1: I want musically, but I want you to, no matter

758
00:46:09,600 --> 00:46:12,759
Speaker 1: what you make, do these scratches. And I went down there.

759
00:46:12,800 --> 00:46:14,600
Speaker 1: I said, yeah, I'll be ready by time you get there.

760
00:46:14,640 --> 00:46:16,319
Speaker 1: And it was ready when he walked in. I saw

761
00:46:20,360 --> 00:46:22,680
Speaker 1: he picked the rap. That's what I'm saying that he

762
00:46:23,160 --> 00:46:27,320
Speaker 1: samples for the cut. He said, hey, yeah, samples for

763
00:46:27,360 --> 00:46:32,480
Speaker 1: the cut. He picked that already on the Phone's on

764
00:46:32,600 --> 00:46:35,480
Speaker 1: the phone. So so he had that well thought out,

765
00:46:35,480 --> 00:46:38,479
Speaker 1: and you know, so crazy him and Biggie's always later

766
00:46:38,760 --> 00:46:41,839
Speaker 1: cup vocals. And then they both leave and go, all right,

767
00:46:41,880 --> 00:46:44,640
Speaker 1: do the premier thing. And they both said the same thing,

768
00:46:44,760 --> 00:46:46,719
Speaker 1: do the premier thing. When you sit there like, I

769
00:46:46,719 --> 00:46:49,359
Speaker 1: gotta watch you, man, I gotta make sure right, he said,

770
00:46:49,400 --> 00:46:50,960
Speaker 1: do the Premierre thing. We're going out, and they would

771
00:46:51,000 --> 00:46:52,640
Speaker 1: leave and let me just do my thing. I might

772
00:46:52,680 --> 00:47:00,279
Speaker 1: have said in the first drop. You know I'm good now,

773
00:47:01,239 --> 00:47:07,320
Speaker 1: Pete Rock. You established your super producer. You you've done everything,

774
00:47:07,400 --> 00:47:10,480
Speaker 1: you work with the best. What makes you say I

775
00:47:10,719 --> 00:47:13,560
Speaker 1: want to do a whole album? First off, for duck

776
00:47:13,640 --> 00:47:16,799
Speaker 1: Down before Smoke diesn't because you you did a whole

777
00:47:17,360 --> 00:47:21,320
Speaker 1: He did the last Smith and Western. So if some

778
00:47:21,520 --> 00:47:30,879
Speaker 1: survivor too with with ute. Yeah, everybody an the best

779
00:47:30,920 --> 00:47:35,000
Speaker 1: of the you know, it was crazy. And then the

780
00:47:35,040 --> 00:47:38,279
Speaker 1: best labor we're making, say, you know what, I'm gonna

781
00:47:38,280 --> 00:47:41,239
Speaker 1: do a whole project with Smith and Wesson. I think

782
00:47:41,280 --> 00:47:43,840
Speaker 1: it was just the r of whing On and it

783
00:47:44,080 --> 00:47:45,719
Speaker 1: just made me say, you know what, Damn, I love

784
00:47:45,880 --> 00:47:48,080
Speaker 1: only and they could do if I could make a

785
00:47:48,160 --> 00:47:51,120
Speaker 1: joint with him. Then I went to Steve with the idea.

786
00:47:51,840 --> 00:47:54,080
Speaker 1: I knew he could make make it happen. You know.

787
00:47:54,360 --> 00:47:57,200
Speaker 1: Then I was on the label they signed me. I

788
00:47:57,280 --> 00:48:00,480
Speaker 1: was like, wow, okay, they one album deal, but I said, no,

789
00:48:00,520 --> 00:48:03,640
Speaker 1: I'm gonna make this one real good what I'm saying.

790
00:48:03,719 --> 00:48:05,880
Speaker 1: And then look, I got the talent of round me.

791
00:48:06,320 --> 00:48:08,680
Speaker 1: Let me just see what's happen. And then boom, I'm

792
00:48:08,719 --> 00:48:11,920
Speaker 1: just going to stop thinking it half And now you

793
00:48:12,080 --> 00:48:14,680
Speaker 1: got the joint. It's funny to shoot with me and

794
00:48:14,760 --> 00:48:18,319
Speaker 1: you house strange real clothes with each other, Like are

795
00:48:18,360 --> 00:48:20,560
Speaker 1: we talking strange fruit right now? You know I'm talking.

796
00:48:22,080 --> 00:48:26,520
Speaker 1: We're talking the fat abut John Yeah, the ship on Sufia.

797
00:48:26,560 --> 00:48:31,960
Speaker 1: But you yeah, I had such a great time. Was

798
00:48:32,000 --> 00:48:36,640
Speaker 1: a green studio? Yeah you st yeah, you know you

799
00:48:36,719 --> 00:48:38,960
Speaker 1: need to look at my memory remember I used to

800
00:48:39,040 --> 00:48:45,080
Speaker 1: come of Pete, but that was way down. That was

801
00:48:45,640 --> 00:48:50,160
Speaker 1: that was, That was like jamie S friends in my house. Yeah,

802
00:48:52,040 --> 00:48:54,320
Speaker 1: I came in right after that and then talking the

803
00:48:54,360 --> 00:49:09,320
Speaker 1: whole story about the zame. I missed it, but bulleholes

804
00:49:09,320 --> 00:49:11,600
Speaker 1: in the wall. It's still in the wall. Goddamn. Let

805
00:49:16,520 --> 00:49:18,920
Speaker 1: from comments. You know. It was a great time and

806
00:49:19,200 --> 00:49:21,880
Speaker 1: great times with my home. So who was it? It

807
00:49:22,000 --> 00:49:26,440
Speaker 1: was me? Punning comment, Me punning comment. What a combination,

808
00:49:26,520 --> 00:49:30,680
Speaker 1: that's it? Yeah, got real tight, you know what I mean. No, listen, Pete,

809
00:49:30,760 --> 00:49:32,399
Speaker 1: let me just tell you something. We were so hard

810
00:49:32,640 --> 00:49:38,160
Speaker 1: to come back. We had a ball. You ordered pieces

811
00:49:40,080 --> 00:49:42,560
Speaker 1: there's Green Street Studios. I could never forget it because

812
00:49:43,280 --> 00:49:45,080
Speaker 1: you know, Pete showed me and I remember I had

813
00:49:45,120 --> 00:49:47,759
Speaker 1: the card their frames on at that time too, and

814
00:49:47,840 --> 00:49:50,840
Speaker 1: I also and I also had a very important sweater

815
00:49:50,960 --> 00:49:54,800
Speaker 1: on and I Miami. It was called um because this

816
00:49:54,880 --> 00:49:57,319
Speaker 1: is a guy who designed Iceberg. But then he went

817
00:49:57,400 --> 00:49:59,120
Speaker 1: and did his own thing and I forgot what it

818
00:49:59,239 --> 00:50:01,880
Speaker 1: was called, but it was some fly ship and I

819
00:50:01,960 --> 00:50:04,719
Speaker 1: bought from about Harbor and I only wore the peat rocks.

820
00:50:09,719 --> 00:50:15,439
Speaker 1: So now you guys, you work with knobs. He worked

821
00:50:15,480 --> 00:50:18,080
Speaker 1: with jail. Have you ever worked the bad You never

822
00:50:18,120 --> 00:50:20,680
Speaker 1: worked a bad um. He's been to my crib if

823
00:50:21,040 --> 00:50:25,000
Speaker 1: he was picking my inn the loud beats, He's like,

824
00:50:25,200 --> 00:50:27,840
Speaker 1: you know, and then you know he heard the idea

825
00:50:27,920 --> 00:50:31,040
Speaker 1: of juicy in my base. You know, came with the

826
00:50:31,120 --> 00:50:33,080
Speaker 1: one that brought Big to the to my house. You

827
00:50:33,160 --> 00:50:38,759
Speaker 1: know we are from Puffers from Della Avenue and my

828
00:50:39,080 --> 00:50:42,319
Speaker 1: Nion and go up Big to a crib and he's

829
00:50:42,360 --> 00:50:44,200
Speaker 1: just like, hell Big, He's like, yeah, I just want

830
00:50:44,200 --> 00:50:47,360
Speaker 1: to see how you make a beat. And then I

831
00:50:47,440 --> 00:50:50,160
Speaker 1: made the speak called U that's a song called in

832
00:50:50,239 --> 00:50:53,000
Speaker 1: the Flesh on the Maining Green, and I made that.

833
00:50:54,320 --> 00:50:58,040
Speaker 1: He wanted it, you know, but it didn't happen somehow,

834
00:50:58,239 --> 00:51:00,960
Speaker 1: but I ended up using it one album. But he

835
00:51:01,160 --> 00:51:04,080
Speaker 1: was there and saw the process. But would now describe

836
00:51:04,120 --> 00:51:07,480
Speaker 1: that because now you know profits from around Burner, so

837
00:51:07,560 --> 00:51:10,279
Speaker 1: you look at him like a pair. But now do

838
00:51:10,360 --> 00:51:12,560
Speaker 1: you do you realize that this guy that he just

839
00:51:12,640 --> 00:51:16,279
Speaker 1: broke to your studio is the most legendary person in

840
00:51:16,360 --> 00:51:18,960
Speaker 1: the world. Already you knew, you do already. The area

841
00:51:19,120 --> 00:51:21,399
Speaker 1: was there because I think Buff came on the show

842
00:51:21,440 --> 00:51:24,319
Speaker 1: and he was scribing Big as disrupted like his look

843
00:51:24,440 --> 00:51:27,640
Speaker 1: was dead. Yeah, did you get that feeling when I

844
00:51:27,640 --> 00:51:29,800
Speaker 1: didn't even pay attention to that? I was skilled. I

845
00:51:29,880 --> 00:51:35,279
Speaker 1: was about to scare Holy rap, I got to beat

846
00:51:35,360 --> 00:51:39,040
Speaker 1: the match. No mean, let's get something poppets. But he

847
00:51:39,160 --> 00:51:42,160
Speaker 1: heard the idea of juicy and just you know, I

848
00:51:42,239 --> 00:51:45,160
Speaker 1: didn't actually do that actual rigiment. I didn't ended up

849
00:51:45,200 --> 00:51:47,799
Speaker 1: doing the remix, and that was the only thing. You mean,

850
00:51:47,920 --> 00:51:51,759
Speaker 1: big Gun. But you know, if you know he did

851
00:51:51,840 --> 00:51:56,080
Speaker 1: pick beats, you know he just didn't need a chance star. Yeah,

852
00:51:56,080 --> 00:51:58,560
Speaker 1: he knew what he wanted to wrap to. Yeah, he

853
00:51:58,680 --> 00:52:02,799
Speaker 1: was now premo. Um, how did you first meet there?

854
00:52:03,400 --> 00:52:07,160
Speaker 1: I met big Um when we moved back to Brooklyn's

855
00:52:07,480 --> 00:52:10,600
Speaker 1: for Green when we're living with Branford, looking a lot

856
00:52:10,640 --> 00:52:14,480
Speaker 1: of rough places. Yea, yeah, we were just this falk

857
00:52:14,520 --> 00:52:20,359
Speaker 1: grady when when brand Valley officially moved out and went

858
00:52:20,400 --> 00:52:23,880
Speaker 1: to California, we turned this place into a frad house

859
00:52:24,000 --> 00:52:30,279
Speaker 1: party house. Rizzon was like Washington between had in Green

860
00:52:30,440 --> 00:52:34,319
Speaker 1: and Brooklyn. Yeah, Brooke, it's old school Brooklyn. Yeah, that's

861
00:52:35,320 --> 00:52:39,680
Speaker 1: not yet so that you get killed every other store,

862
00:52:41,080 --> 00:52:45,279
Speaker 1: think it's shot coming out. He's like that, this is

863
00:52:45,400 --> 00:52:48,399
Speaker 1: you that was to shoot him up corner and it's

864
00:52:48,440 --> 00:52:51,360
Speaker 1: not this is not this is not um the vegans, No,

865
00:52:52,600 --> 00:52:56,480
Speaker 1: this is this is hipster, hipster for old English. One

866
00:52:56,520 --> 00:53:00,640
Speaker 1: of you know, let's get to this is when Biggie

867
00:53:00,680 --> 00:53:04,560
Speaker 1: wore the same green, because when Biggie the Biggie one

868
00:53:04,600 --> 00:53:07,720
Speaker 1: the same green, all me jacking and the sleeves about

869
00:53:07,719 --> 00:53:13,480
Speaker 1: the right. So but board all the time I knew

870
00:53:13,520 --> 00:53:18,520
Speaker 1: Needo Chico sees Kim, they bring you this guy no missing.

871
00:53:18,560 --> 00:53:21,520
Speaker 1: I gotta give him to see the credit when he's

872
00:53:21,520 --> 00:53:24,799
Speaker 1: from the beginning with he was annoying me like yo,

873
00:53:25,800 --> 00:53:28,440
Speaker 1: he wouldn't know I g yet he was Biggie Smalls

874
00:53:28,960 --> 00:53:31,400
Speaker 1: and and every somebody else had Biggie small so that

875
00:53:31,480 --> 00:53:33,520
Speaker 1: he just yeah, man, But um, I used to do

876
00:53:33,520 --> 00:53:35,160
Speaker 1: a lot of shoulder Kane, and there was time that

877
00:53:35,760 --> 00:53:38,840
Speaker 1: I couldn't. My turntables got damaged. Back then you carried

878
00:53:38,880 --> 00:53:45,920
Speaker 1: your equipment on tour and uh j he want he

879
00:53:45,960 --> 00:53:49,960
Speaker 1: wanted to still bring his you Mr c let me

880
00:53:50,320 --> 00:53:53,600
Speaker 1: his turntables right before Kane took the stage. So the

881
00:53:53,680 --> 00:53:56,440
Speaker 1: gang Stalker performed so well again. He lived right down

882
00:53:56,480 --> 00:53:57,880
Speaker 1: the block for all the weeks when I said, we

883
00:53:58,000 --> 00:54:00,239
Speaker 1: knew and so you gotta go out and to see house.

884
00:54:00,239 --> 00:54:03,040
Speaker 1: And in the dope weak spots right there, the new one,

885
00:54:03,120 --> 00:54:06,480
Speaker 1: the one is like on that was dead one, so

886
00:54:08,520 --> 00:54:13,080
Speaker 1: the nice Franklin av So then during that time, Mrs

887
00:54:13,120 --> 00:54:16,879
Speaker 1: Steves a calming, go Prem Biggie small, Biggie small. I'm like, see,

888
00:54:16,920 --> 00:54:19,000
Speaker 1: I'm gonna listen to it, like, just give me some

889
00:54:19,120 --> 00:54:22,960
Speaker 1: time weeks past, yo, Prem, Biggie small. That's why I'm like, yo,

890
00:54:23,120 --> 00:54:26,600
Speaker 1: see before unsun hype. Yeah right yeah, just Biggie small,

891
00:54:26,640 --> 00:54:28,600
Speaker 1: Biggie small, thig. I'm like, dude, I'm gonna listen to

892
00:54:28,680 --> 00:54:30,840
Speaker 1: it because we're pretty busy that that time. I read it.

893
00:54:31,320 --> 00:54:33,480
Speaker 1: One day, I listened to it, liked it like the

894
00:54:33,560 --> 00:54:35,920
Speaker 1: demos that I heard. And then I met Big on

895
00:54:36,000 --> 00:54:37,640
Speaker 1: the corner. I was going to the corner store me

896
00:54:37,840 --> 00:54:40,920
Speaker 1: Google Big Sugar Dad, and Dad was in love with

897
00:54:40,960 --> 00:54:44,279
Speaker 1: little Kim and little him like yeah yeah, yeah kind

898
00:54:44,280 --> 00:54:51,040
Speaker 1: of yea, yeah, I'm never got the bunny that's to

899
00:54:51,120 --> 00:54:56,759
Speaker 1: this very day. Yeah, and that's family. Melkolako got locked

900
00:54:56,760 --> 00:55:00,560
Speaker 1: before many's homes. Welcome Melancho. You know we all connect

901
00:55:00,560 --> 00:55:02,200
Speaker 1: to me, j Rue. All of us is still good.

902
00:55:02,560 --> 00:55:06,440
Speaker 1: So uh So, then Big was like, yo, she she

903
00:55:06,600 --> 00:55:08,640
Speaker 1: told you. He told me he's been stressing you. I

904
00:55:08,719 --> 00:55:11,279
Speaker 1: was like, yeah, family heard it. I said, we gotta

905
00:55:11,320 --> 00:55:13,960
Speaker 1: get something in. And then he goes Joe Puffings and

906
00:55:14,080 --> 00:55:16,560
Speaker 1: this is what he said, puffings interesting and signing me.

907
00:55:17,120 --> 00:55:22,560
Speaker 1: So this is how far back up too, they said,

908
00:55:22,560 --> 00:55:24,719
Speaker 1: Puffers addressing and sign him. I said, dude, go with him.

909
00:55:24,760 --> 00:55:27,719
Speaker 1: And I said, puff Puff not only has money, he

910
00:55:27,840 --> 00:55:30,200
Speaker 1: got a vision. He's gonna blow you up. He said,

911
00:55:30,200 --> 00:55:31,880
Speaker 1: we I don't know, man, you know, I want to

912
00:55:31,960 --> 00:55:34,360
Speaker 1: keep his hood. I'm like, yo, he don't want to

913
00:55:34,360 --> 00:55:36,439
Speaker 1: go with go with puff, you know. And then boom,

914
00:55:36,560 --> 00:55:39,120
Speaker 1: next thing you know, Puff started coming around. And actually

915
00:55:39,160 --> 00:55:42,160
Speaker 1: I tell people this Puff was the first one. I'm sorry,

916
00:55:42,200 --> 00:55:47,239
Speaker 1: I'm because Puff is the first. Remember his stick? Yeah?

917
00:55:47,480 --> 00:55:50,000
Speaker 1: But so what was the first? Making? You actually worked

918
00:55:50,000 --> 00:55:57,400
Speaker 1: on a little big Unbelievable. This is actually what trigger.

919
00:55:58,440 --> 00:56:01,440
Speaker 1: This is what trickled. That was a single trickled down

920
00:56:01,480 --> 00:56:04,480
Speaker 1: into why I gave jay Z and them the price

921
00:56:04,960 --> 00:56:11,640
Speaker 1: for lower price, for reasonable doubt. Because when we did Unbelievable, duh,

922
00:56:12,400 --> 00:56:15,759
Speaker 1: the the budget had run out for Big and I

923
00:56:15,880 --> 00:56:17,640
Speaker 1: told Big, I don't have time to make a beat.

924
00:56:17,960 --> 00:56:20,000
Speaker 1: And he goes Joe, I got five thousand dollars. I

925
00:56:20,120 --> 00:56:24,800
Speaker 1: was like, you know, but we were already cool with

926
00:56:24,880 --> 00:56:27,239
Speaker 1: each other, but I felt weird telling them no. But

927
00:56:27,360 --> 00:56:29,120
Speaker 1: I really didn't have the time, and I'm a person.

928
00:56:29,680 --> 00:56:32,040
Speaker 1: Then Pete'll tell you this. I make the beat on

929
00:56:32,080 --> 00:56:35,480
Speaker 1: the spot. And now that's something that people don't realize.

930
00:56:35,480 --> 00:56:37,279
Speaker 1: I don't have like twenty beats and go you'll pick one,

931
00:56:37,360 --> 00:56:44,239
Speaker 1: like take number six and number before and that they

932
00:56:44,239 --> 00:56:46,040
Speaker 1: said that that's what they do. They make it to

933
00:56:46,160 --> 00:56:49,080
Speaker 1: the artist. So I didn't have nothing for big that

934
00:56:49,200 --> 00:56:50,440
Speaker 1: was dope. You know a lot of people like, you know,

935
00:56:50,600 --> 00:56:52,399
Speaker 1: come on, man, I know you've got something like I don't,

936
00:56:52,480 --> 00:56:54,920
Speaker 1: I really don't. You come here, we can make it

937
00:56:55,719 --> 00:56:58,120
Speaker 1: big old, I don't care if you taking pizza president

938
00:56:58,520 --> 00:57:01,080
Speaker 1: and just some funny staff sounds, and you know he

939
00:57:01,320 --> 00:57:04,640
Speaker 1: knew the slip slap. Yeah, and you know what staff

940
00:57:04,800 --> 00:57:07,759
Speaker 1: was what we say in production in the production era.

941
00:57:08,120 --> 00:57:10,280
Speaker 1: So he said, I don't care if it's some staff,

942
00:57:10,360 --> 00:57:14,000
Speaker 1: that's our word. So coming up tonight, then that's what happened.

943
00:57:14,000 --> 00:57:16,880
Speaker 1: He comes up. I'll take the five thousand, I said,

944
00:57:16,960 --> 00:57:19,520
Speaker 1: but if you get a deal and you go platinum,

945
00:57:20,080 --> 00:57:25,160
Speaker 1: I want thirty five thousand dollars per track. After after

946
00:57:25,360 --> 00:57:31,160
Speaker 1: him going by the way, we did the song crazy

947
00:57:31,320 --> 00:57:35,880
Speaker 1: and there's ninety five. He comes in, we do the song.

948
00:57:36,360 --> 00:57:39,600
Speaker 1: It becomes the B side of Juicy. It was like

949
00:57:39,640 --> 00:57:43,280
Speaker 1: the Street singles was my first gold singles. All that. Wow.

950
00:57:43,800 --> 00:57:45,800
Speaker 1: As soon as he got the deal to up the money.

951
00:57:46,160 --> 00:57:48,600
Speaker 1: I remember he goes, Joe, I got to check for it.

952
00:57:48,680 --> 00:57:50,840
Speaker 1: He said thirty five right, he said, I got. I

953
00:57:50,920 --> 00:57:54,000
Speaker 1: got two of them, brought me to check and Puffy

954
00:57:54,040 --> 00:57:56,160
Speaker 1: gave me the checking out. Like wow, he kept his word.

955
00:57:56,720 --> 00:57:59,160
Speaker 1: Oh so this wasn't on paper this word. It was

956
00:57:59,320 --> 00:58:06,200
Speaker 1: like handshake ship. Yeah, that's big, d You learned so

957
00:58:06,280 --> 00:58:11,520
Speaker 1: much hip hop history getting dirty back then. No, that's

958
00:58:11,600 --> 00:58:17,280
Speaker 1: the best triple. That's ninety Let me ask you because

959
00:58:17,760 --> 00:58:21,680
Speaker 1: you um, the reputation is like the most hip hop

960
00:58:22,040 --> 00:58:25,280
Speaker 1: of hip hop. But now Janet Jackson, you work with

961
00:58:25,360 --> 00:58:32,080
Speaker 1: Janet Jackson, you work with Christine Million, work did you

962
00:58:32,160 --> 00:58:37,560
Speaker 1: work with Britney Spirits as well? So just crazy as

963
00:58:37,600 --> 00:58:40,320
Speaker 1: a hip hop producing you get this call, What is

964
00:58:40,360 --> 00:58:43,320
Speaker 1: your first thing to say for Christina? Yeah, because you

965
00:58:43,400 --> 00:58:45,760
Speaker 1: know that that wasn't hurt dude, that put her onto

966
00:58:45,840 --> 00:58:48,200
Speaker 1: her ex husband Jordy had put her on some of

967
00:58:48,280 --> 00:58:50,520
Speaker 1: my stuff, but she liked it, so she called me

968
00:58:50,520 --> 00:58:52,480
Speaker 1: and go, Joe, I just heard the group home out.

969
00:58:52,680 --> 00:59:02,200
Speaker 1: Oh that's not what Christine. She just heard. I met

970
00:59:02,440 --> 00:59:05,360
Speaker 1: the Shateau Mama down the hill on sunset, you kind

971
00:59:05,360 --> 00:59:15,320
Speaker 1: of front mama shot in Germany, shout to my mom's

972
00:59:15,360 --> 00:59:17,200
Speaker 1: with a lot of a lot of wigs, big wigs,

973
00:59:17,560 --> 00:59:22,440
Speaker 1: lamp and drinking and getting enough money. Because it's right

974
00:59:22,480 --> 00:59:24,920
Speaker 1: down the hill. It's right before tower, like right after you.

975
00:59:25,000 --> 00:59:27,680
Speaker 1: That's Tower Records or any little little big Tower Records

976
00:59:27,760 --> 00:59:30,040
Speaker 1: right now. And it's got a big knee on side

977
00:59:30,080 --> 00:59:32,040
Speaker 1: and shot to mama with bushes so you can't really

978
00:59:32,040 --> 00:59:35,760
Speaker 1: see the spot. And she said, my rolls Royce is outside.

979
00:59:35,840 --> 00:59:38,800
Speaker 1: I saw the white the white fantom. I said, she's here,

980
00:59:39,360 --> 00:59:41,560
Speaker 1: walk in. She's sitting there with Jordy. She goes, so

981
00:59:41,720 --> 00:59:48,360
Speaker 1: I love group, like that's pin point group. The Grimy

982
00:59:48,440 --> 00:59:54,080
Speaker 1: is out there like this like the jazz samples that

983
00:59:54,240 --> 00:59:57,840
Speaker 1: used on some of the games. So she liked. She

984
00:59:58,000 --> 01:00:03,800
Speaker 1: liked jazz Thing't she like work? She like, yeah, she said,

985
01:00:03,920 --> 01:00:06,280
Speaker 1: works like you know my steeds. Even though that was

986
01:00:07,880 --> 01:00:10,000
Speaker 1: but the song she was naming with joints, like, wow,

987
01:00:10,440 --> 01:00:12,480
Speaker 1: if that attracted you don't want to work with me,

988
01:00:13,000 --> 01:00:16,280
Speaker 1: let's go in. And then we ended up we'repoth do

989
01:00:16,360 --> 01:00:18,560
Speaker 1: one record, which was called We called back in the day.

990
01:00:19,240 --> 01:00:20,920
Speaker 1: Next thing you know, she was like, y'all stay here

991
01:00:20,920 --> 01:00:22,680
Speaker 1: a couple more weeks and we just started banging out

992
01:00:22,680 --> 01:00:24,960
Speaker 1: and turned into five records. And then that was the

993
01:00:25,040 --> 01:00:27,680
Speaker 1: first Grammy I ever got for a single. Whereas you know,

994
01:00:27,800 --> 01:00:29,400
Speaker 1: not for the for being on the al I gotta

995
01:00:29,400 --> 01:00:32,000
Speaker 1: Grammy for the Angelo being working on the album and

996
01:00:32,040 --> 01:00:34,080
Speaker 1: for jay Z on how Not Life, but to get

997
01:00:34,120 --> 01:00:37,600
Speaker 1: one for the single is singles out all the other

998
01:00:37,680 --> 01:00:39,840
Speaker 1: songs on the album. It's like, for that one song,

999
01:00:40,000 --> 01:00:42,560
Speaker 1: you gotta gramm me. So that was a big monument

1000
01:00:42,840 --> 01:00:49,720
Speaker 1: with my career. It's dope. It was that goddamn it. Now,

1001
01:00:49,800 --> 01:00:54,160
Speaker 1: who was it that you said you work with him,

1002
01:00:54,760 --> 01:00:57,360
Speaker 1: but you wanted to see them right to Rob in

1003
01:00:57,640 --> 01:01:02,680
Speaker 1: the big face Tom it was somebody I forget. I'll

1004
01:01:02,760 --> 01:01:04,360
Speaker 1: work with him, but I want to see them right

1005
01:01:04,400 --> 01:01:06,120
Speaker 1: the rock, right the rock. I think it was like

1006
01:01:06,200 --> 01:01:12,400
Speaker 1: a Justin Bieber all right, yeah, you know the sipher

1007
01:01:13,040 --> 01:01:16,280
Speaker 1: what I've been doing. We didn't know the speer for

1008
01:01:16,400 --> 01:01:19,320
Speaker 1: BT hip hop was gonna even get this big. It

1009
01:01:19,440 --> 01:01:23,320
Speaker 1: was an idea. Shot to Jesse Collins, and congratulations to

1010
01:01:23,400 --> 01:01:27,360
Speaker 1: Jesse Collins for doing real well with a new edition story.

1011
01:01:27,440 --> 01:01:29,760
Speaker 1: That was his idea and it blew up and did

1012
01:01:30,080 --> 01:01:32,480
Speaker 1: really really well their big numbers. And Jesse's a good

1013
01:01:32,520 --> 01:01:35,280
Speaker 1: friend of mine. We argue and fight a lot over

1014
01:01:35,680 --> 01:01:37,480
Speaker 1: no it's wrong if you do it this way, you

1015
01:01:37,560 --> 01:01:39,480
Speaker 1: know it's right if you do it this way. We

1016
01:01:39,640 --> 01:01:41,240
Speaker 1: fight a lot, but he's such a good friend that

1017
01:01:41,360 --> 01:01:44,040
Speaker 1: we always find a compromise. When he brought up the

1018
01:01:44,120 --> 01:01:45,919
Speaker 1: idea of during the site for it was a one

1019
01:01:46,040 --> 01:01:52,000
Speaker 1: time thing. It was Papoose Styles, p Remy um, who

1020
01:01:52,080 --> 01:01:55,480
Speaker 1: else was in it? Um rom Fest And then there

1021
01:01:55,560 --> 01:01:58,240
Speaker 1: was a second one and those two I couldn't make

1022
01:01:58,280 --> 01:02:00,120
Speaker 1: it because I was on tour, so I had they

1023
01:02:00,200 --> 01:02:01,840
Speaker 1: scratched fill in for me. I just gave him the

1024
01:02:01,880 --> 01:02:04,840
Speaker 1: beat and said, let's keep it break beat. Only you

1025
01:02:04,880 --> 01:02:07,040
Speaker 1: know because something now that's they elevate. If you're like, yo, man,

1026
01:02:07,080 --> 01:02:08,440
Speaker 1: I need them to turn up to It's like, no,

1027
01:02:09,200 --> 01:02:10,880
Speaker 1: this is the pure form of how we're doing with

1028
01:02:11,000 --> 01:02:13,120
Speaker 1: keeping the breaking Are you a producer on my pick

1029
01:02:13,200 --> 01:02:15,680
Speaker 1: specific thing. I picked the beat a loop it, I'll

1030
01:02:15,720 --> 01:02:18,680
Speaker 1: do it maybe four James Brown loop break beat from Ultimate,

1031
01:02:18,680 --> 01:02:21,360
Speaker 1: Breaks the Beach, whatever, and I'll send those and whatever.

1032
01:02:21,400 --> 01:02:23,439
Speaker 1: One Jesse's like, yeah, I like this one. We'll clear

1033
01:02:23,520 --> 01:02:25,880
Speaker 1: it with whoever owned it, and then we'll send it

1034
01:02:25,960 --> 01:02:29,440
Speaker 1: to all the artists and we tell them sixteen bars

1035
01:02:29,600 --> 01:02:32,880
Speaker 1: and quick, so anybody's got ninety bars everything, And it's

1036
01:02:32,920 --> 01:02:35,560
Speaker 1: like they never follow the rules, and then they get mad, like, yo,

1037
01:02:35,640 --> 01:02:38,160
Speaker 1: they edited my stuff. It's like, no, he told you

1038
01:02:38,280 --> 01:02:42,160
Speaker 1: sixteen and quit and again it was one time. Only

1039
01:02:42,680 --> 01:02:45,680
Speaker 1: second year comes around over the set cipher, they're like,

1040
01:02:45,840 --> 01:02:48,120
Speaker 1: we want to do it again. Now that they've got

1041
01:02:48,200 --> 01:02:51,880
Speaker 1: three ciphers. Then that turn in the Forthsifer's after that.

1042
01:02:52,440 --> 01:02:54,520
Speaker 1: Now it's starting to get ciphers where they're starting to

1043
01:02:54,560 --> 01:02:57,280
Speaker 1: put a lot of artists that I'm like, na, na,

1044
01:02:57,560 --> 01:03:00,240
Speaker 1: they can't rhyme, don't put them in there. And it's

1045
01:03:00,280 --> 01:03:03,000
Speaker 1: going into that stage of it now it's like whether

1046
01:03:03,040 --> 01:03:07,000
Speaker 1: they're popular, they're no more known than the skilled them. See,

1047
01:03:07,120 --> 01:03:09,400
Speaker 1: I'm like, yeah, but if you're taking away the skill,

1048
01:03:09,680 --> 01:03:13,480
Speaker 1: that that causes problems with the authenticity. And that's where

1049
01:03:13,480 --> 01:03:16,640
Speaker 1: I have a problem because I wanted to stay aft ending. Yeah,

1050
01:03:16,720 --> 01:03:18,800
Speaker 1: but all the fans love them, and they're on TV

1051
01:03:18,920 --> 01:03:21,400
Speaker 1: and they're on every video, and he's other guys. Nobody's

1052
01:03:21,400 --> 01:03:23,840
Speaker 1: being attention to them, Like, well, you know what, They're

1053
01:03:23,840 --> 01:03:25,480
Speaker 1: gonna pay attention to some when they see how dope

1054
01:03:25,520 --> 01:03:29,600
Speaker 1: they speach beat. So we always have that fight. One year,

1055
01:03:30,560 --> 01:03:32,640
Speaker 1: they said, Yo, what do you think of Justin Bieber

1056
01:03:32,760 --> 01:03:34,919
Speaker 1: spitting on the side? I said, I don't know, can

1057
01:03:35,040 --> 01:03:38,440
Speaker 1: with it as long as he writes the round, and

1058
01:03:38,520 --> 01:03:41,480
Speaker 1: if it's a dope round, let's do. He said, what

1059
01:03:41,600 --> 01:03:46,360
Speaker 1: if somebody else rights there? I said, no, blew into

1060
01:03:46,400 --> 01:03:51,360
Speaker 1: it with the rumors being saying that I mentioned this

1061
01:03:51,440 --> 01:03:54,920
Speaker 1: person this person. No, it was just that simple. If

1062
01:03:55,080 --> 01:03:57,280
Speaker 1: he's gonna do it, let him spit. And and so

1063
01:03:57,440 --> 01:04:00,800
Speaker 1: the next thing you know, it's like next he's going

1064
01:04:00,880 --> 01:04:03,200
Speaker 1: to turn to the whole campaign is showing him spitting

1065
01:04:03,360 --> 01:04:06,000
Speaker 1: versus on radio stations and all that, and I'm like, yo,

1066
01:04:06,080 --> 01:04:08,680
Speaker 1: I work with Justin Bieber. As long as it's authentic,

1067
01:04:09,200 --> 01:04:11,040
Speaker 1: let's rock. I don't care if it's just people, I

1068
01:04:11,040 --> 01:04:14,120
Speaker 1: don't care if it's Mary Poppins. If it's authentic, let's rock.

1069
01:04:14,240 --> 01:04:18,200
Speaker 1: That's how important is that's? You, guys, very important problem

1070
01:04:18,240 --> 01:04:22,160
Speaker 1: with that. I was like, yes, but just you wanted

1071
01:04:22,240 --> 01:04:24,160
Speaker 1: him to write that, yeah, And they didn't say that

1072
01:04:24,200 --> 01:04:26,280
Speaker 1: he wasn't gonna write. They say, what if he doesn't,

1073
01:04:26,400 --> 01:04:28,800
Speaker 1: And I'm like that No, it's he shows on the

1074
01:04:28,840 --> 01:04:32,120
Speaker 1: blog d the premier bands justin peoples like, how could

1075
01:04:32,320 --> 01:04:34,480
Speaker 1: I banned nobody? Because if it was my ciphers, You're

1076
01:04:34,480 --> 01:04:39,320
Speaker 1: gonna see Kane there, the Rock, Kim there, d I T.

1077
01:04:39,520 --> 01:04:42,360
Speaker 1: C during the whole cipher with a G and Diamond

1078
01:04:42,440 --> 01:04:44,760
Speaker 1: and and and the old see and all of them.

1079
01:04:44,800 --> 01:04:48,760
Speaker 1: It's gonna be people like that, you know, because he

1080
01:04:48,920 --> 01:04:53,120
Speaker 1: was you see one shady cipher it was eminem you know,

1081
01:04:53,200 --> 01:04:58,600
Speaker 1: people with skills them Royce, Joe buden Uh crooking eyes skills.

1082
01:04:58,960 --> 01:05:01,760
Speaker 1: Know how important is that for you? For you guys,

1083
01:05:01,880 --> 01:05:04,959
Speaker 1: You guys, I have the integrity. You guys are top

1084
01:05:05,000 --> 01:05:07,520
Speaker 1: of the line of producers when it when we're speaking

1085
01:05:07,600 --> 01:05:11,200
Speaker 1: real rail wild hip hop, you guys name has to

1086
01:05:11,280 --> 01:05:14,960
Speaker 1: be brought up now. Is Is it ever a time

1087
01:05:15,720 --> 01:05:19,280
Speaker 1: where you sit back and say, you know, I'm gonna

1088
01:05:19,320 --> 01:05:22,000
Speaker 1: do it for the money this time, or you say

1089
01:05:22,760 --> 01:05:26,840
Speaker 1: I'm gonna always stay who I am always say, and

1090
01:05:26,960 --> 01:05:35,040
Speaker 1: I've been tempted. A good example, but it's in our

1091
01:05:35,120 --> 01:05:38,200
Speaker 1: hearts today passionate about when we do man do it

1092
01:05:38,320 --> 01:05:41,280
Speaker 1: for the love saying it's like it's just that's who

1093
01:05:41,320 --> 01:05:47,040
Speaker 1: we are. Staying on was a good example because when

1094
01:05:47,120 --> 01:05:50,160
Speaker 1: my manager kept pressing me to do it Patrick Marxy

1095
01:05:50,240 --> 01:05:52,760
Speaker 1: at the time, I was like nah, because I said,

1096
01:05:52,800 --> 01:05:55,000
Speaker 1: Fred Dust can't wrap it in my eyes on the

1097
01:05:55,120 --> 01:05:57,600
Speaker 1: level of what people, I don't want my fans going

1098
01:05:57,720 --> 01:06:00,280
Speaker 1: damn Preme you work with him and and I like

1099
01:06:00,480 --> 01:06:03,040
Speaker 1: left Biscuit for what they do, but if you're gonna

1100
01:06:03,040 --> 01:06:05,360
Speaker 1: get with me, that's not what you do. And that's

1101
01:06:05,400 --> 01:06:07,680
Speaker 1: to get a lot more inkor you know what I'm saying.

1102
01:06:08,680 --> 01:06:11,960
Speaker 1: And that's the bottom line. They go, well method man

1103
01:06:12,120 --> 01:06:14,600
Speaker 1: is on the song. I said, oh word, I said,

1104
01:06:14,640 --> 01:06:16,800
Speaker 1: then send me the rough. He sent me the rough

1105
01:06:16,880 --> 01:06:19,080
Speaker 1: and Metho was on and I was like, then, okay,

1106
01:06:19,160 --> 01:06:21,760
Speaker 1: then I'll do it. And it was a big check,

1107
01:06:22,040 --> 01:06:24,480
Speaker 1: a huge check. He was one of the biggest checks

1108
01:06:24,520 --> 01:06:28,400
Speaker 1: I've ever gotten. So the good thing I liked about

1109
01:06:28,440 --> 01:06:31,480
Speaker 1: fred Durst was he called me and said I need

1110
01:06:31,560 --> 01:06:34,320
Speaker 1: to talk to train and he was just becoming one

1111
01:06:34,360 --> 01:06:37,400
Speaker 1: of the new executives that Interscope with Jimmy Ivien and

1112
01:06:37,640 --> 01:06:41,120
Speaker 1: he said, yo, man, this is recently when we were

1113
01:06:41,520 --> 01:06:44,280
Speaker 1: back when when they popping and we were doing but

1114
01:06:44,400 --> 01:06:47,400
Speaker 1: he had respect for what. Yeah, and we had a

1115
01:06:47,480 --> 01:06:50,320
Speaker 1: dope conversation and it was to the point he said,

1116
01:06:50,360 --> 01:06:52,320
Speaker 1: the best you can get out of me, I'll do it.

1117
01:06:52,400 --> 01:06:55,080
Speaker 1: He came to D and D and he tried. He

1118
01:06:55,240 --> 01:07:00,480
Speaker 1: tried with nobody, nobody got no, nothing, and they were

1119
01:07:00,520 --> 01:07:02,840
Speaker 1: big at the time. This is a sex second album

1120
01:07:03,640 --> 01:07:05,800
Speaker 1: and he was like, Yo, get the best you can

1121
01:07:05,840 --> 01:07:07,000
Speaker 1: get out of me. I don't care if you don't

1122
01:07:07,040 --> 01:07:08,960
Speaker 1: like it. Whatever, I'll do it. And he that was

1123
01:07:08,960 --> 01:07:11,440
Speaker 1: the best I can get what's on the song. But

1124
01:07:11,760 --> 01:07:13,480
Speaker 1: the fact he put the effort in. I like the

1125
01:07:13,480 --> 01:07:15,480
Speaker 1: fact he put in the effort and he knocked it out.

1126
01:07:15,800 --> 01:07:17,479
Speaker 1: Next thing, you know, he said, Yo, we're doing a video.

1127
01:07:18,160 --> 01:07:20,720
Speaker 1: Flew us out. We had a big video shoot. We

1128
01:07:20,800 --> 01:07:22,960
Speaker 1: had a good time and it was just just a

1129
01:07:23,080 --> 01:07:25,240
Speaker 1: really really fun session and and me and Me and

1130
01:07:25,320 --> 01:07:28,480
Speaker 1: Fred were cool after them. Before the thing is today

1131
01:07:28,560 --> 01:07:31,480
Speaker 1: you guys mentioned Dwick and we didn't go back to

1132
01:07:31,560 --> 01:07:36,040
Speaker 1: do it because Troy is one of the biggest ever

1133
01:07:36,200 --> 01:07:39,400
Speaker 1: be and it's one of the biggest hip hop records.

1134
01:07:40,680 --> 01:07:45,040
Speaker 1: We need to hear. We need to hear the story

1135
01:07:45,240 --> 01:07:49,040
Speaker 1: of Dwicks. The only reason why Dwick happened, because that's

1136
01:07:49,040 --> 01:07:51,560
Speaker 1: all of our summer anthems. By the way, like we

1137
01:07:51,720 --> 01:07:54,360
Speaker 1: all the Nicest Mood did a song called on the End,

1138
01:07:54,560 --> 01:07:57,000
Speaker 1: Ain't a damn thing change called down the Line. It

1139
01:07:57,120 --> 01:07:59,000
Speaker 1: was with a whole bunch of mcs bass blast big

1140
01:07:59,080 --> 01:08:00,960
Speaker 1: up to him, a whole bunch of Auto MC he said,

1141
01:08:01,000 --> 01:08:04,640
Speaker 1: bass blaster, yeah from Connecticut, including and shout the ray

1142
01:08:04,720 --> 01:08:07,760
Speaker 1: pouncey and uh ray Pousse and uh and then uh,

1143
01:08:08,000 --> 01:08:10,240
Speaker 1: Google's also on it. He said, I want to loop

1144
01:08:10,320 --> 01:08:12,880
Speaker 1: the Manifest beat into my home version because a lot

1145
01:08:12,880 --> 01:08:15,120
Speaker 1: of people don't know most of the nicest move hits.

1146
01:08:15,280 --> 01:08:18,800
Speaker 1: Greg Knights does all the beats. Yeah, wow, I didn't

1147
01:08:18,800 --> 01:08:21,800
Speaker 1: know that. I've seen him doing. He he for all

1148
01:08:21,840 --> 01:08:38,080
Speaker 1: that stuff, hippop, John Kies every every yeah, sorry, all

1149
01:08:38,120 --> 01:08:40,920
Speaker 1: that kicking wicked rounds like a fort time had a

1150
01:08:41,000 --> 01:08:44,280
Speaker 1: dog on this old Yeah, he did all that stuff. Yeah,

1151
01:08:44,400 --> 01:08:50,720
Speaker 1: the knife for me to make him right now like

1152
01:08:55,600 --> 01:08:59,360
Speaker 1: Punky bu all that stuff. Lets plays at. I know

1153
01:08:59,400 --> 01:09:01,640
Speaker 1: he doesn't play a tax remember brand from myself and

1154
01:09:02,120 --> 01:09:06,360
Speaker 1: played a fucking sack. It worked a little to Max.

1155
01:09:06,439 --> 01:09:09,160
Speaker 1: You know, he did all those beats so is a

1156
01:09:09,240 --> 01:09:15,800
Speaker 1: dope beat making. Yeah, so he took the Manifest instrumental

1157
01:09:15,920 --> 01:09:18,639
Speaker 1: May the beat. And all we were doing was because

1158
01:09:18,640 --> 01:09:21,599
Speaker 1: we just hang tough. It was nicest fool gangstar riding

1159
01:09:21,600 --> 01:09:24,320
Speaker 1: a d train. We go to the castle which was

1160
01:09:24,439 --> 01:09:27,200
Speaker 1: grimy and the bronze and this was when they had

1161
01:09:27,200 --> 01:09:28,880
Speaker 1: to shoot. That was like Greg all that time, like

1162
01:09:29,000 --> 01:09:33,880
Speaker 1: we were around all that stuff. Boom, next thing, you know. Uh,

1163
01:09:34,320 --> 01:09:36,080
Speaker 1: we we said, well, let's return the favor into a

1164
01:09:36,160 --> 01:09:38,479
Speaker 1: record fuss. So that's all. It was, just y'all do

1165
01:09:38,560 --> 01:09:39,960
Speaker 1: one for us. We're gonna do one for you. Hunt

1166
01:09:40,680 --> 01:09:42,360
Speaker 1: that's doing on there. That's why it was the B

1167
01:09:42,600 --> 01:09:44,840
Speaker 1: side and it wasn't on the album. I remember people

1168
01:09:44,840 --> 01:09:47,280
Speaker 1: are like, oh yeah, y'all left you off the albums, Like, nah,

1169
01:09:47,439 --> 01:09:49,479
Speaker 1: the album was already done. We're just doing it for fun,

1170
01:09:49,840 --> 01:09:55,000
Speaker 1: right we was, and that became a huge right now.

1171
01:09:55,040 --> 01:09:56,760
Speaker 1: We didn't know it's gonna be the huge. We're just

1172
01:09:56,840 --> 01:10:03,240
Speaker 1: doing it in I remember you'd be shout, yeah, I know,

1173
01:10:03,640 --> 01:10:06,960
Speaker 1: shout to dub C. He was there. Aren't you related

1174
01:10:07,000 --> 01:10:09,240
Speaker 1: to to somebody on the west like that. No, we're

1175
01:10:09,280 --> 01:10:11,120
Speaker 1: just good friends. We're just good friend. But you did

1176
01:10:11,120 --> 01:10:13,400
Speaker 1: album m c A recently. Yeah, that's coming out of

1177
01:10:13,479 --> 01:10:18,519
Speaker 1: huh and that's a track let's go back and most wanted.

1178
01:10:19,080 --> 01:10:21,760
Speaker 1: He did two of the uh theme records for Boys

1179
01:10:21,800 --> 01:10:24,760
Speaker 1: in the Hood. He did and he did She's on

1180
01:10:24,840 --> 01:10:29,040
Speaker 1: my own everybody side, So yeah, we haven't we haven't

1181
01:10:29,040 --> 01:10:32,240
Speaker 1: out hit, we haven't want hite. We have which way

1182
01:10:32,280 --> 01:10:35,160
Speaker 1: is west camera that's coming soon and also think about

1183
01:10:37,040 --> 01:10:43,560
Speaker 1: yeah yet out of the connoss and we you know,

1184
01:10:44,000 --> 01:10:48,080
Speaker 1: people know uh and then uh shout to Tory Wolf

1185
01:10:48,200 --> 01:10:50,720
Speaker 1: and also shout to Miguel. We have a single out

1186
01:10:50,840 --> 01:10:54,439
Speaker 1: right now called to Loving You. Now. What happened was

1187
01:10:54,520 --> 01:10:58,559
Speaker 1: where we wherehere we do wick so dub she was there. Wow,

1188
01:10:58,680 --> 01:11:04,439
Speaker 1: that's Don Aaron from the Masses of Sundre. Yeah, because

1189
01:11:04,479 --> 01:11:06,160
Speaker 1: he was a good friends with Greg Night. Question though,

1190
01:11:06,640 --> 01:11:09,400
Speaker 1: how did the horny version happen? To the wick I

1191
01:11:09,520 --> 01:11:11,960
Speaker 1: was just doing that, just sucking out and to the

1192
01:11:12,040 --> 01:11:19,640
Speaker 1: horny version, horny version but as a vocal version had

1193
01:11:19,640 --> 01:11:21,639
Speaker 1: a glitch. And remember you when you go to dad

1194
01:11:22,080 --> 01:11:29,200
Speaker 1: the dada. So when we bounced, we stay quiet, let

1195
01:11:29,280 --> 01:11:36,240
Speaker 1: them and had to remember glitches we couldn't. I was like,

1196
01:11:36,280 --> 01:11:38,640
Speaker 1: we can't put it out like that's why I just

1197
01:11:38,680 --> 01:11:41,479
Speaker 1: put the instrumental on that on the B side of

1198
01:11:41,520 --> 01:11:55,679
Speaker 1: A twelve. Wow. When did y'all know you had something

1199
01:11:55,760 --> 01:11:59,080
Speaker 1: with Dwick? Like, I mean immediately when that ship came

1200
01:11:59,080 --> 01:12:01,760
Speaker 1: out when we finishing it was crazy because like I said,

1201
01:12:02,120 --> 01:12:05,720
Speaker 1: dove C is from the West Coast, wearing scullies all

1202
01:12:06,080 --> 01:12:14,040
Speaker 1: in the heat of its connection and and khakis and

1203
01:12:14,240 --> 01:12:16,519
Speaker 1: and Pendleton's all hot and I'm just like, yo, you

1204
01:12:16,600 --> 01:12:19,000
Speaker 1: ain't hotting all that stuff, because that's how it is

1205
01:12:19,040 --> 01:12:20,960
Speaker 1: in the West Coast. And that's how I learned about

1206
01:12:20,960 --> 01:12:24,200
Speaker 1: the West Coast. It was night nine. Master As had

1207
01:12:24,280 --> 01:12:27,920
Speaker 1: just joined our states was heavy doing the car show

1208
01:12:28,000 --> 01:12:30,080
Speaker 1: stuff on the web. I knew Sun Night already back

1209
01:12:30,120 --> 01:12:38,920
Speaker 1: then nine he was and he was hanging over. So

1210
01:12:38,960 --> 01:12:41,160
Speaker 1: I was there with J J Fan, the n w

1211
01:12:41,360 --> 01:12:43,640
Speaker 1: A all that stuff, Me and He's he came to

1212
01:12:43,720 --> 01:12:46,400
Speaker 1: the first Gang Star release party in nineteen eighty nine

1213
01:12:49,760 --> 01:12:54,559
Speaker 1: with the kids. Yeah, rescipes, So we met them back

1214
01:12:54,560 --> 01:12:57,519
Speaker 1: in eighty nine, so you know the dove C to

1215
01:12:57,600 --> 01:13:00,600
Speaker 1: be there back then. That shows we go to and

1216
01:13:00,720 --> 01:13:04,439
Speaker 1: recipes or his brother who passed on January. Now Ice Cubes, DJ,

1217
01:13:04,920 --> 01:13:09,519
Speaker 1: Crazy Tunes, that stuff. When we set them off right here,

1218
01:13:09,560 --> 01:13:15,080
Speaker 1: we had an incredible homegoing service and family man, seeing

1219
01:13:15,080 --> 01:13:17,479
Speaker 1: all these west goes on from King t and then

1220
01:13:17,520 --> 01:13:20,840
Speaker 1: seeing you know, Chuck dn l L then and everybody

1221
01:13:20,920 --> 01:13:24,639
Speaker 1: and and you know, just every artist and hip hop family.

1222
01:13:25,720 --> 01:13:28,320
Speaker 1: It was so packed in and they just did it right,

1223
01:13:28,400 --> 01:13:30,439
Speaker 1: you know what I'm saying, playing dope music in the church,

1224
01:13:30,840 --> 01:13:33,400
Speaker 1: playing flashlight and doing a whole college of all the

1225
01:13:33,439 --> 01:13:36,600
Speaker 1: people he's been around on a video screen. And and

1226
01:13:36,800 --> 01:13:39,160
Speaker 1: and then even when it did to everybody's got a

1227
01:13:39,280 --> 01:13:42,960
Speaker 1: little signed the show tunes, throwing up the w looking

1228
01:13:43,000 --> 01:13:45,679
Speaker 1: up to the style with it with clouds and wings

1229
01:13:45,760 --> 01:13:48,439
Speaker 1: and all that stuff. And I was like, yeah, yeah,

1230
01:13:48,520 --> 01:13:58,639
Speaker 1: you see, No, he's trying to get two year fifty.

1231
01:13:59,240 --> 01:14:02,320
Speaker 1: You're very smart about how you do things on TV.

1232
01:14:13,720 --> 01:14:17,120
Speaker 1: Welcome to play It, a new podcast network featuring radio

1233
01:14:17,200 --> 01:14:21,360
Speaker 1: and TV personalities talking business, sports, tech, entertainment, and more.

1234
01:14:21,680 --> 01:14:26,160
Speaker 1: Play it at play dot It. We're back to Drink

1235
01:14:26,280 --> 01:14:30,080
Speaker 1: Champs Radio with Rapper and R and d Jes. Then

1236
01:14:32,200 --> 01:14:35,040
Speaker 1: we are with two of the best producers of Walls,

1237
01:14:35,479 --> 01:14:38,760
Speaker 1: the best in my best and um, I'm going to

1238
01:14:38,880 --> 01:14:41,880
Speaker 1: celebrate you guys life, hey man, which I'm gonna get

1239
01:14:41,920 --> 01:14:45,880
Speaker 1: to I can't believe, like I continue, I gotta come

1240
01:14:45,960 --> 01:14:53,040
Speaker 1: back and a little black because it's is. This guy

1241
01:14:53,360 --> 01:14:57,519
Speaker 1: is a vinal guy. He's a real hip hop person.

1242
01:14:58,640 --> 01:15:03,000
Speaker 1: I am hip hop persons. For us to come together

1243
01:15:03,600 --> 01:15:07,840
Speaker 1: and want to commemorate hip hop, salute hip hop, and

1244
01:15:07,920 --> 01:15:10,360
Speaker 1: for it to get twenty five million. Shout to Revolt

1245
01:15:10,439 --> 01:15:19,360
Speaker 1: Man for big. I'm CBS, TBS, CBS first, your boys

1246
01:15:19,360 --> 01:15:28,400
Speaker 1: been and they're coming home, all coming crazy. When you go,

1247
01:15:28,600 --> 01:15:31,280
Speaker 1: you go to l A, you gotta prepare. Know. I'm

1248
01:15:31,320 --> 01:15:36,000
Speaker 1: doing screening screening at the l A Film School March ninth,

1249
01:15:36,560 --> 01:15:40,839
Speaker 1: but March on Revolt As is the premier Coming Home Vietnam.

1250
01:15:41,120 --> 01:15:43,880
Speaker 1: I'm going to different countries and exploring hip hop different.

1251
01:15:45,439 --> 01:15:48,160
Speaker 1: The dope thing is, I've been watching Drink Champs for

1252
01:15:48,240 --> 01:15:53,519
Speaker 1: a minute. You don't feel like I've been checking on

1253
01:15:53,640 --> 01:15:57,920
Speaker 1: Drink for a minute. And Uh, it's just ill how

1254
01:15:59,120 --> 01:16:02,799
Speaker 1: how the two of y'all are from really different, totally

1255
01:16:02,880 --> 01:16:06,240
Speaker 1: different direction. I've known Nori from the streets, like we've

1256
01:16:06,280 --> 01:16:11,599
Speaker 1: been streating for so long I've seen him elevate from

1257
01:16:12,400 --> 01:16:17,400
Speaker 1: the street level of ramen to the sharper version of

1258
01:16:17,479 --> 01:16:20,679
Speaker 1: writing rhymes. Even when you and Bubby had jump drama

1259
01:16:20,760 --> 01:16:23,320
Speaker 1: and then we end up doing a record together and

1260
01:16:23,640 --> 01:16:26,840
Speaker 1: me together. And even when that happened, it wasn't even

1261
01:16:26,920 --> 01:16:28,759
Speaker 1: if this he was just like, yo, I'm a band

1262
01:16:28,840 --> 01:16:31,519
Speaker 1: of Nori. He did want him to elevate it ROMs

1263
01:16:31,520 --> 01:16:36,040
Speaker 1: because I'm a band and where everybody knows Freddie Fox

1264
01:16:36,200 --> 01:16:40,840
Speaker 1: and being where he is more into. There's certain people

1265
01:16:40,880 --> 01:16:44,040
Speaker 1: he's attracted to for what they represented, and he loves

1266
01:16:44,120 --> 01:16:47,439
Speaker 1: Noria and and more than this MC as a person,

1267
01:16:48,040 --> 01:16:50,439
Speaker 1: he's a big, big fan of you. Pick him up.

1268
01:16:51,120 --> 01:16:53,800
Speaker 1: Pick him up because he pushed me. He told me

1269
01:16:53,840 --> 01:16:56,080
Speaker 1: from the beginning of like if he had mentioned my

1270
01:16:56,160 --> 01:16:58,400
Speaker 1: name and the record, he told me, like, I just

1271
01:16:58,840 --> 01:17:01,000
Speaker 1: I don't want you to say what but I'm gonna

1272
01:17:01,040 --> 01:17:06,800
Speaker 1: be honest keep it when I would call it super thug,

1273
01:17:07,320 --> 01:17:12,200
Speaker 1: all right, That's how I used to count bars. I

1274
01:17:12,320 --> 01:17:14,400
Speaker 1: used to say what what what what? What? What? What?

1275
01:17:15,200 --> 01:17:19,920
Speaker 1: He said, what what what? What? What? What? What? What? What? What? Three?

1276
01:17:20,120 --> 01:17:22,599
Speaker 1: Because I'm from the resource from you know what I'm

1277
01:17:22,600 --> 01:17:31,400
Speaker 1: saying education, I told for real, I said, they're gonna

1278
01:17:31,520 --> 01:17:35,439
Speaker 1: laughing me. He said, that's the hook. But he was

1279
01:17:35,479 --> 01:17:39,960
Speaker 1: a genius. He was because was take out the ones

1280
01:17:40,479 --> 01:17:43,519
Speaker 1: like when I said what what what what? What? What wanted?

1281
01:17:44,080 --> 01:17:46,760
Speaker 1: All he did was muted and then so that I

1282
01:17:46,880 --> 01:17:50,880
Speaker 1: gotta give it to the real Yeah, he muted that.

1283
01:17:51,320 --> 01:17:53,880
Speaker 1: So now when you listen to it, you're here and

1284
01:17:54,000 --> 01:17:56,640
Speaker 1: you say what what what? What? What? What? What? What?

1285
01:17:58,120 --> 01:18:00,680
Speaker 1: Just but yeah, this day you don't even gotta go

1286
01:18:00,680 --> 01:18:05,479
Speaker 1: to the verse that tears the club. Yeah, was important.

1287
01:18:06,240 --> 01:18:09,080
Speaker 1: And when I was trying to say was when I

1288
01:18:09,320 --> 01:18:12,960
Speaker 1: did it, I felt what Buppy felt. That's why I

1289
01:18:13,560 --> 01:18:16,880
Speaker 1: took it personal, because I felt I told for I

1290
01:18:16,960 --> 01:18:20,800
Speaker 1: said it for brow all we need is hard. I said,

1291
01:18:20,880 --> 01:18:22,799
Speaker 1: all we need is because, you know, for the research.

1292
01:18:23,520 --> 01:18:26,680
Speaker 1: So you know, I'm sorry. I used to tell up

1293
01:18:26,840 --> 01:18:30,160
Speaker 1: and he said relax. We didn't say relaxed, but in

1294
01:18:30,240 --> 01:18:37,640
Speaker 1: my mind and I would never forget that we were

1295
01:18:37,680 --> 01:18:45,920
Speaker 1: in right track recording studios. But this chain was choking him, choker,

1296
01:18:47,120 --> 01:18:51,000
Speaker 1: like you gotta release because it was just so tight

1297
01:18:51,080 --> 01:18:58,000
Speaker 1: on this click. I love him, Hello, who knows for real?

1298
01:18:58,600 --> 01:19:03,600
Speaker 1: I'm very upset, but I love you and me and

1299
01:19:03,720 --> 01:19:09,439
Speaker 1: Mr Lead Chicks. So I remember, I'm going upstairs. What

1300
01:19:09,560 --> 01:19:12,560
Speaker 1: I saying, You remember right track? Remember right? So I

1301
01:19:12,680 --> 01:19:14,720
Speaker 1: what I'm saying, and I said, all we need is

1302
01:19:14,800 --> 01:19:17,120
Speaker 1: the hook and were good. He said we got the

1303
01:19:17,200 --> 01:19:20,200
Speaker 1: hook already, and I looked at him. I was like,

1304
01:19:20,560 --> 01:19:24,360
Speaker 1: because I had previously did that every other record before.

1305
01:19:24,479 --> 01:19:27,800
Speaker 1: Then we got mad. But Joe, the first time I

1306
01:19:27,800 --> 01:19:31,840
Speaker 1: ever heard you do a y and just the whole

1307
01:19:31,920 --> 01:19:35,760
Speaker 1: blah blah, my wife, it's like, that's your stands. No

1308
01:19:35,880 --> 01:19:39,000
Speaker 1: one knows that your owner. But that's the reason why

1309
01:19:39,040 --> 01:19:43,600
Speaker 1: I gotta give it, because he was the nigger like

1310
01:19:43,720 --> 01:19:46,240
Speaker 1: I did that as ball because because remember back then.

1311
01:19:46,520 --> 01:19:53,040
Speaker 1: You gotta remember back then, we couldn't punch in the

1312
01:19:53,920 --> 01:20:03,720
Speaker 1: record in one day. And it was even ye out here.

1313
01:20:06,240 --> 01:20:14,960
Speaker 1: But listen, I'll be fifty one one and you so,

1314
01:20:15,880 --> 01:20:19,719
Speaker 1: so I did this ship. That's how I always recorded.

1315
01:20:19,760 --> 01:20:21,840
Speaker 1: My record was all the way too, because we remember

1316
01:20:21,920 --> 01:20:31,799
Speaker 1: we had the eight inch rails back the two whatever

1317
01:20:31,840 --> 01:20:37,320
Speaker 1: you think it wasn't. So I was trained to just

1318
01:20:37,520 --> 01:20:41,080
Speaker 1: late everything altogether. So I came out and then he

1319
01:20:41,160 --> 01:20:43,439
Speaker 1: had the girl coming, and then the girl was saying,

1320
01:20:44,040 --> 01:20:47,000
Speaker 1: which is not kellless because everybody does everybody think it's Kalisi?

1321
01:20:47,160 --> 01:20:53,760
Speaker 1: It's not Colliso? What everybody? It's not? Get she was

1322
01:20:53,800 --> 01:20:56,080
Speaker 1: around during that time, Yeah, but everybody thought was it.

1323
01:20:57,360 --> 01:21:00,960
Speaker 1: I'm so sorry that for the Remember her tammy is

1324
01:21:01,040 --> 01:21:07,320
Speaker 1: definitely a tammy. Sounds like something like that, right, that

1325
01:21:07,439 --> 01:21:11,960
Speaker 1: was like that that We were all cool, Calice, but

1326
01:21:12,160 --> 01:21:16,160
Speaker 1: look a little come back out and I'll say, all

1327
01:21:16,240 --> 01:21:18,479
Speaker 1: we need is a hook? Have we done? And he

1328
01:21:18,600 --> 01:21:22,200
Speaker 1: said we got dog? And I said, where is it that?

1329
01:21:23,320 --> 01:21:27,800
Speaker 1: And then he flayed what they're gonna laugh at me?

1330
01:21:28,560 --> 01:21:31,080
Speaker 1: So I Freddy vos name at me. He's like, I

1331
01:21:31,160 --> 01:21:34,160
Speaker 1: don't want to hit the what but he didn't know

1332
01:21:34,479 --> 01:21:39,920
Speaker 1: that wasn't it literally wasn't me. So I was literally mad, mona,

1333
01:21:39,960 --> 01:21:45,040
Speaker 1: what's going on? Tam on that drink? Chance, God, damn

1334
01:21:45,080 --> 01:21:50,439
Speaker 1: it on them damn in my mind shout out to

1335
01:21:50,520 --> 01:21:57,240
Speaker 1: damn near. So. Now listen, you gotta see hip hop.

1336
01:21:57,760 --> 01:22:04,200
Speaker 1: You worked with cool Arts, you worked with C. L. Smooth.

1337
01:22:06,000 --> 01:22:13,760
Speaker 1: Now I'm going in So now what makes y'all say

1338
01:22:14,000 --> 01:22:19,120
Speaker 1: I'm gonna work with people outside? Oh? Because the thing

1339
01:22:19,200 --> 01:22:23,479
Speaker 1: about hip hop back then was one producer did the

1340
01:22:23,520 --> 01:22:27,960
Speaker 1: whole album. I'm working on going back to that one

1341
01:22:28,040 --> 01:22:31,920
Speaker 1: producer did the whole album Now You Got, You Got,

1342
01:22:31,960 --> 01:22:39,000
Speaker 1: You Got Almatic where it's Pete Rock, Chip Lars, Professor Ellis.

1343
01:22:40,000 --> 01:22:52,960
Speaker 1: Then you're going to at the big LB Lord for ness.

1344
01:22:53,479 --> 01:22:57,720
Speaker 1: Uh So what makes y'all? What makes y'all say I'm

1345
01:22:57,720 --> 01:23:01,599
Speaker 1: gonna work with people outside of my group because we're

1346
01:23:01,720 --> 01:23:04,759
Speaker 1: not just We're just not in a hip hop box.

1347
01:23:05,200 --> 01:23:07,840
Speaker 1: We're in a music box, and the music box has

1348
01:23:07,960 --> 01:23:13,200
Speaker 1: all styles that we appreciate based on the cloths were

1349
01:23:13,240 --> 01:23:17,320
Speaker 1: cut from a pioneers that opened the door when it's fired.

1350
01:23:17,560 --> 01:23:23,559
Speaker 1: James Brown boots the whole Parliament funk. Yeah, just any

1351
01:23:23,640 --> 01:23:28,479
Speaker 1: of that from parlt the Brothers, anything, Bootsy anything, Parliament anything,

1352
01:23:28,520 --> 01:23:32,839
Speaker 1: George Clinty, that's an error. After James Brown, that's so funky,

1353
01:23:34,000 --> 01:23:36,080
Speaker 1: you know a lot like like that. That's a funk

1354
01:23:36,400 --> 01:23:39,000
Speaker 1: that that enough funking, Like he says, funk not only

1355
01:23:39,240 --> 01:23:42,880
Speaker 1: moves it could remove. We come from that, you know.

1356
01:23:43,040 --> 01:23:45,760
Speaker 1: So I read the Franklin, Natalie Cole, Gladys Night in

1357
01:23:45,800 --> 01:23:49,320
Speaker 1: the Pivos, Curtis Mayfield, all that stuff, the Mac all

1358
01:23:49,400 --> 01:23:52,760
Speaker 1: that stuff. That's my childhood. I don't know about the

1359
01:23:52,960 --> 01:23:55,960
Speaker 1: hip hop to hippie hippie. I'm on that. I'm seeing

1360
01:23:56,000 --> 01:24:01,439
Speaker 1: my mom playing back to Yeah, Dinna rules, anything about Town, Tamler,

1361
01:24:01,600 --> 01:24:05,920
Speaker 1: Gordy Soul records, any of the stuff. My mama A

1362
01:24:06,200 --> 01:24:19,720
Speaker 1: time you want to make he Rooster saying but my

1363
01:24:19,920 --> 01:24:26,480
Speaker 1: child his platform shoes Afros this big Afro, Shane commercials,

1364
01:24:26,520 --> 01:24:34,360
Speaker 1: but Johnson Um good times, the Jefferson's all in the family.

1365
01:24:34,640 --> 01:24:41,160
Speaker 1: You know the monsters, that's my mom. Uns, that's my mom. Yeah,

1366
01:24:41,760 --> 01:24:44,360
Speaker 1: I'm gonna throw something in there. What's happening? That's my

1367
01:24:44,680 --> 01:24:50,960
Speaker 1: my racking stuff all that, you know, all that, Yeah,

1368
01:24:51,360 --> 01:24:55,479
Speaker 1: roller skating, we run, we run, That's what I know.

1369
01:24:56,520 --> 01:24:59,000
Speaker 1: This is no rapping and scratching. Yet, what is Pete

1370
01:24:59,080 --> 01:25:04,320
Speaker 1: Rock's favorite studio session of all these years? My favorite

1371
01:25:04,320 --> 01:25:07,280
Speaker 1: studio session that I've ever had, ever happened. It was

1372
01:25:07,320 --> 01:25:13,120
Speaker 1: probably had been with run DMC. Down with the shout

1373
01:25:13,280 --> 01:25:19,160
Speaker 1: with the king, Oh, down with the light. That's how

1374
01:25:20,080 --> 01:25:29,439
Speaker 1: it was crazy. That's the owner of this club and

1375
01:25:29,560 --> 01:25:33,960
Speaker 1: he's not gonna like and we had to like, so

1376
01:25:34,080 --> 01:25:37,920
Speaker 1: ill yo, we want the gang start tour last day

1377
01:25:38,560 --> 01:25:42,080
Speaker 1: and right and run called us and said hurry up

1378
01:25:42,120 --> 01:25:44,439
Speaker 1: and get hit. We did twenty five million trees while

1379
01:25:44,520 --> 01:25:46,519
Speaker 1: was I like one that we did not and we

1380
01:25:46,640 --> 01:25:57,200
Speaker 1: did not into and it ain't even perfect. And we

1381
01:25:57,560 --> 01:25:59,719
Speaker 1: came over the way y'all was and everybody was gone.

1382
01:26:00,400 --> 01:26:03,880
Speaker 1: You know. I gave CBS this idea, though, come on, bro,

1383
01:26:04,040 --> 01:26:08,599
Speaker 1: I give him that idea. You gotta relax, came them.

1384
01:26:08,640 --> 01:26:11,920
Speaker 1: I said, we need a streaming clack. No, we sat

1385
01:26:12,080 --> 01:26:15,439
Speaker 1: in the podcast, buddy, We just said podcast. I gotta

1386
01:26:15,479 --> 01:26:19,760
Speaker 1: go with him. He feels more sober than me. Yeah,

1387
01:26:20,320 --> 01:26:25,640
Speaker 1: I don't know if it's a d J thingy. You

1388
01:26:25,680 --> 01:26:30,599
Speaker 1: can we have a memory jay Z. Jay Z saw

1389
01:26:30,720 --> 01:26:32,840
Speaker 1: me one day. Jay Z said, Yeo, I'm gonna call

1390
01:26:32,840 --> 01:26:37,120
Speaker 1: you memory man. You remember every sort you're seeing jay

1391
01:26:37,200 --> 01:26:39,880
Speaker 1: Z and he'll he'll go, but you remember this time,

1392
01:26:39,880 --> 01:26:42,639
Speaker 1: I'll say, I remember we went and we were in Paris.

1393
01:26:44,000 --> 01:26:46,320
Speaker 1: We had a show like two in the morning and

1394
01:26:46,439 --> 01:26:48,839
Speaker 1: he was doing the uh this after the justin Timberlake

1395
01:26:48,840 --> 01:26:50,920
Speaker 1: tour and watch the throw who was doing the Holy

1396
01:26:51,000 --> 01:26:54,080
Speaker 1: Grail tour. We found out he was in town. Me

1397
01:26:54,200 --> 01:26:56,720
Speaker 1: and Keeble or whatever Keebler was at. I said, you'll

1398
01:26:56,720 --> 01:26:59,080
Speaker 1: want to go see jay Z before reach out. That's

1399
01:26:59,080 --> 01:27:02,759
Speaker 1: when he was still no. Now this in Paris, Paris,

1400
01:27:03,560 --> 01:27:05,519
Speaker 1: and we got a little to a couple of little time.

1401
01:27:05,560 --> 01:27:07,639
Speaker 1: Once I want to go to the show, I reached

1402
01:27:07,680 --> 01:27:09,479
Speaker 1: out to the proper people, and it was like, Yo,

1403
01:27:09,560 --> 01:27:13,240
Speaker 1: John when he was a Johan nearly reached out to

1404
01:27:13,280 --> 01:27:15,800
Speaker 1: John and nearly he's handling everything. I reached out to John,

1405
01:27:16,080 --> 01:27:17,720
Speaker 1: send him an email. I'm like, I'm out of here.

1406
01:27:17,920 --> 01:27:19,320
Speaker 1: Anyway we can go to the show. I'm thinking I

1407
01:27:19,360 --> 01:27:21,840
Speaker 1: ain't gonna respond. I think blipped in like two minutes.

1408
01:27:21,840 --> 01:27:24,040
Speaker 1: He said, Yo, there's gonna be passes waiting for you.

1409
01:27:24,160 --> 01:27:31,880
Speaker 1: All access. Come backstage. I'm gonna spot for you. We

1410
01:27:31,960 --> 01:27:35,280
Speaker 1: go backstage after the show. Uh because Timberland was d

1411
01:27:35,400 --> 01:27:38,599
Speaker 1: dam form. We go back stage after the show. Jay

1412
01:27:38,680 --> 01:27:42,240
Speaker 1: Z goes, all right, we'll remember you got this time

1413
01:27:43,080 --> 01:27:47,360
Speaker 1: because I introduced him to keep my tour man. He goes, yeah,

1414
01:27:47,439 --> 01:27:51,519
Speaker 1: he did. Like he's like, how are you doing? He's like,

1415
01:27:51,520 --> 01:27:53,200
Speaker 1: how you doing? Keep it? Nice to meet you. You'll

1416
01:27:53,240 --> 01:27:55,600
Speaker 1: know what you gotta memory this time? I said, you

1417
01:27:55,760 --> 01:27:59,519
Speaker 1: met Keebler before he goes, oh, no, how I said,

1418
01:27:59,640 --> 01:28:05,160
Speaker 1: we were at battery, uh Baseline Studios and uh Loupe

1419
01:28:05,160 --> 01:28:09,160
Speaker 1: if Fiasco was auditioning for you and he had on

1420
01:28:09,400 --> 01:28:11,840
Speaker 1: big chain. There's a Loupe I Fiasco had a big

1421
01:28:11,960 --> 01:28:13,800
Speaker 1: chain on with a big metal which he would never

1422
01:28:13,880 --> 01:28:15,800
Speaker 1: do right, and he was rapping for you know. Then

1423
01:28:16,040 --> 01:28:19,880
Speaker 1: he eat much more focused on another level. But come on,

1424
01:28:20,000 --> 01:28:25,880
Speaker 1: drink to shout the first and fifteen. So he goes,

1425
01:28:27,040 --> 01:28:30,599
Speaker 1: he's auditioning for J. Jay's listen all these rhymes. Lupe

1426
01:28:30,680 --> 01:28:33,240
Speaker 1: puts on a beat in the CD player. The CD

1427
01:28:33,360 --> 01:28:36,599
Speaker 1: starts to go do do you know when they skipped?

1428
01:28:37,280 --> 01:28:43,320
Speaker 1: Loupe goes and then it's finally stops skipping because I

1429
01:28:43,680 --> 01:28:49,200
Speaker 1: goes back into the rhyme. We're like, right there, Jay goes,

1430
01:28:49,240 --> 01:28:53,840
Speaker 1: I totally remember that day and you know him and

1431
01:28:53,920 --> 01:28:56,280
Speaker 1: keep loving. They're going to talking about sports, you know,

1432
01:28:56,800 --> 01:29:03,479
Speaker 1: makes for that. Now there's a deal like we're not

1433
01:29:03,560 --> 01:29:06,479
Speaker 1: in to view people. I like to, you know, dig

1434
01:29:06,600 --> 01:29:10,200
Speaker 1: into their life when I know the people. The people

1435
01:29:10,680 --> 01:29:12,479
Speaker 1: I don't dig into their life because I know them.

1436
01:29:12,479 --> 01:29:14,760
Speaker 1: I record both of you guys. I know all right now,

1437
01:29:16,000 --> 01:29:18,400
Speaker 1: I know exactly what to ask you. But the thing

1438
01:29:18,479 --> 01:29:23,360
Speaker 1: about y'all which surprised me is y'all both come and

1439
01:29:23,520 --> 01:29:28,920
Speaker 1: y'all both do your own sound check mandatory, And so

1440
01:29:30,680 --> 01:29:34,599
Speaker 1: what I'm asking, is I always what I always should think,

1441
01:29:35,040 --> 01:29:37,600
Speaker 1: like you guys who have a DJ, but he don't do.

1442
01:29:37,880 --> 01:29:40,920
Speaker 1: So we were talking about this and yeah, I was

1443
01:29:41,120 --> 01:29:49,080
Speaker 1: so like, He's like, they're doing that's sound we've done. Joe.

1444
01:29:49,160 --> 01:29:51,720
Speaker 1: I'm like, y'all make sure that even everything, he's gonna

1445
01:29:51,760 --> 01:29:57,880
Speaker 1: make it right. Every show speakers somehow they got a bull.

1446
01:29:58,240 --> 01:30:01,280
Speaker 1: I got to do sound check. I don't care even

1447
01:30:01,320 --> 01:30:06,040
Speaker 1: if I don't get to eat sleep, I'm starving, take

1448
01:30:06,040 --> 01:30:11,719
Speaker 1: a nap. I will not miss sound they produced because

1449
01:30:11,880 --> 01:30:14,840
Speaker 1: a lot of festivals you gotta just plug in check.

1450
01:30:15,400 --> 01:30:17,640
Speaker 1: I'm like, yo, it's got a bang, and I'm going

1451
01:30:17,680 --> 01:30:20,720
Speaker 1: to deliver what you paid to get. Get what you

1452
01:30:20,840 --> 01:30:23,040
Speaker 1: paid for. You're gonna pay to get me again. And

1453
01:30:23,160 --> 01:30:24,880
Speaker 1: you want your beat to be heard right, so you

1454
01:30:24,960 --> 01:30:28,479
Speaker 1: don't never sing like your assistant or nobody you. You

1455
01:30:28,800 --> 01:30:32,240
Speaker 1: guys said, we'll check it again before we start tonight.

1456
01:30:33,200 --> 01:30:37,320
Speaker 1: But other than that, now I wouldn't even see the

1457
01:30:37,360 --> 01:30:39,800
Speaker 1: working rumlers like, so, I already have a picture of

1458
01:30:39,920 --> 01:30:42,080
Speaker 1: what I'm stepping into when the crowd is here. But

1459
01:30:42,760 --> 01:30:44,439
Speaker 1: but you gotta let him in. Do what you gotta

1460
01:30:44,479 --> 01:30:47,280
Speaker 1: do if you want to do it. He wanted to

1461
01:30:47,360 --> 01:30:55,120
Speaker 1: do it. I see if if premoted in. Yeah, he

1462
01:30:55,240 --> 01:30:58,160
Speaker 1: was like yo, he said, he said, you didn't stay there,

1463
01:30:59,680 --> 01:31:08,960
Speaker 1: he would hip open up for himself. He wouldn't. He wouldn't, dude,

1464
01:31:09,000 --> 01:31:10,920
Speaker 1: he would have done another hour and we would like, Yo, Pete,

1465
01:31:11,000 --> 01:31:14,600
Speaker 1: come on is a bad thing? Yo, Pee, come on

1466
01:31:15,600 --> 01:31:17,519
Speaker 1: on the road where I'll get mad and not in

1467
01:31:17,600 --> 01:31:21,920
Speaker 1: a bad ways like Pete. I'm at the record store.

1468
01:31:22,520 --> 01:31:24,960
Speaker 1: We were here. We were in Tokyo one time and

1469
01:31:25,120 --> 01:31:27,880
Speaker 1: we're about to miss our plane and he goes, I

1470
01:31:29,120 --> 01:31:32,600
Speaker 1: gotta get this record. You're like, I'm not missing my

1471
01:31:32,760 --> 01:31:34,760
Speaker 1: play for you, especially on the day you're finally going

1472
01:31:34,840 --> 01:31:37,080
Speaker 1: on and you know, the day you're going home. You're

1473
01:31:37,080 --> 01:31:39,080
Speaker 1: just so ready to go back home. And we've been

1474
01:31:39,120 --> 01:31:42,800
Speaker 1: out for like a week in another country, and he's like, yo,

1475
01:31:42,840 --> 01:31:45,600
Speaker 1: I gotta get this record. I'm like, dogs, if we

1476
01:31:45,960 --> 01:31:48,800
Speaker 1: do not make this plane because of you, we're gonna

1477
01:31:48,880 --> 01:31:51,920
Speaker 1: And that's actually how the whole Pete Rock versus Premiere

1478
01:31:51,960 --> 01:31:54,880
Speaker 1: things started because of that day we got on the

1479
01:31:54,920 --> 01:31:56,760
Speaker 1: bugle said, you know what, man, we need to make

1480
01:31:56,800 --> 01:31:58,599
Speaker 1: an album. When we get our attention now to make

1481
01:31:58,640 --> 01:32:01,479
Speaker 1: an album. Going at the other making Hills, y'all doing

1482
01:32:01,520 --> 01:32:03,920
Speaker 1: the album. We're gonna do an album called p p

1483
01:32:04,120 --> 01:32:10,559
Speaker 1: VP P goddamnts record that record. We're doing that about.

1484
01:32:14,920 --> 01:32:17,320
Speaker 1: I have a website that let's carry the hats. So

1485
01:32:17,439 --> 01:32:20,960
Speaker 1: now say the website again. Premiere was here dot com

1486
01:32:22,200 --> 01:32:24,360
Speaker 1: dot com to ye and just go to the shop section.

1487
01:32:25,560 --> 01:32:30,360
Speaker 1: It has all official has all official gang Shot products,

1488
01:32:30,640 --> 01:32:33,880
Speaker 1: all official Google products, all official Premiere products. And me

1489
01:32:33,960 --> 01:32:37,639
Speaker 1: and Pete share the hats and we have green, red, blue, black,

1490
01:32:37,760 --> 01:32:40,479
Speaker 1: grand black. We have two t So what happened when

1491
01:32:40,560 --> 01:32:46,400
Speaker 1: y'all saw this battle individually and japan Us? No, no,

1492
01:32:46,479 --> 01:32:48,560
Speaker 1: I'm talking about when y'all saw the just blades and

1493
01:32:50,720 --> 01:32:54,600
Speaker 1: honestly everybody acting like that was the first you know

1494
01:32:54,640 --> 01:32:57,560
Speaker 1: what because we've been doing it so much. Yeah, it

1495
01:32:57,680 --> 01:32:59,120
Speaker 1: was more like, alright, cool, and this is ain't the

1496
01:32:59,240 --> 01:33:01,240
Speaker 1: first battles again, other they've done it before. No, no,

1497
01:33:01,400 --> 01:33:06,920
Speaker 1: not no, this is the first one. Kanye. Yeah, some

1498
01:33:07,040 --> 01:33:09,479
Speaker 1: of you it's a drink chance because they don't drink.

1499
01:33:10,680 --> 01:33:14,760
Speaker 1: That's different from yeah, no, y'alls is like y'alls is like, yeah,

1500
01:33:15,520 --> 01:33:17,559
Speaker 1: the couture, but the next day they trying to post

1501
01:33:17,600 --> 01:33:18,760
Speaker 1: in that me and you need to do it. I'm like,

1502
01:33:18,840 --> 01:33:21,479
Speaker 1: we've been doing you've been doing it. It's like y'all missed.

1503
01:33:21,520 --> 01:33:23,439
Speaker 1: They need to do a normal hip hop and story.

1504
01:33:23,479 --> 01:33:26,519
Speaker 1: And I know, but what did you and what was

1505
01:33:26,560 --> 01:33:28,479
Speaker 1: your first thing when you when you heard that they

1506
01:33:28,520 --> 01:33:33,559
Speaker 1: battle and swiss? I have the phone. Who's my phone

1507
01:33:33,600 --> 01:33:39,439
Speaker 1: that I'll show you to come? Yes, kay, we believe it.

1508
01:33:40,120 --> 01:33:44,160
Speaker 1: Actually we are. We're waiting. I forgot, I got, we

1509
01:33:44,280 --> 01:33:48,080
Speaker 1: got y'all man drink n close until day to nine.

1510
01:33:48,360 --> 01:33:58,439
Speaker 1: I remember when you did the remix to it. I

1511
01:33:58,640 --> 01:34:05,560
Speaker 1: got them. I don't know, but but it's from the

1512
01:34:05,600 --> 01:34:07,920
Speaker 1: perspective of what we think is hot. And I remember

1513
01:34:07,960 --> 01:34:11,240
Speaker 1: when you did the remix to Uh Jose he's calling

1514
01:34:11,280 --> 01:34:15,560
Speaker 1: the name picking up you did with with uh what

1515
01:34:15,600 --> 01:34:20,519
Speaker 1: was the name? City board d Look at you? You

1516
01:34:20,600 --> 01:34:24,479
Speaker 1: did Veron, you did the first I gotta stop. That's

1517
01:34:27,280 --> 01:34:34,479
Speaker 1: definitely definitely more passed to me. Now, Yes, yes, yes,

1518
01:34:37,600 --> 01:34:44,360
Speaker 1: I played. I said I played your version more than

1519
01:34:44,400 --> 01:34:50,320
Speaker 1: fab shops Fabuse Fat. Fabris is a dope lyricist and

1520
01:34:50,400 --> 01:34:53,280
Speaker 1: knows how to do club records, radio records, and still

1521
01:34:53,520 --> 01:34:56,960
Speaker 1: have a really clever way of writing his rhyme love

1522
01:34:57,080 --> 01:34:59,519
Speaker 1: fab and I'm a big fan of his, but your

1523
01:34:59,640 --> 01:35:02,000
Speaker 1: version fit more of the format of what I represent

1524
01:35:02,840 --> 01:35:08,439
Speaker 1: the most grimeest money, Like you said, clean shoes, I

1525
01:35:08,439 --> 01:35:11,160
Speaker 1: don't like. Your version was the one I played. So

1526
01:35:11,720 --> 01:35:14,559
Speaker 1: we're on every Friday night from Temper on the midnight

1527
01:35:15,000 --> 01:35:18,360
Speaker 1: Serious X. I like radio Channel forty four, hit by Nation,

1528
01:35:19,360 --> 01:35:24,160
Speaker 1: and uh, what I represent is the era of the

1529
01:35:24,320 --> 01:35:30,280
Speaker 1: eighties with Molly Marl, reddlers, chill out. Also imagine Mi justin, yeah,

1530
01:35:31,000 --> 01:35:34,600
Speaker 1: just chucking, like just in the two thousand era or

1531
01:35:34,720 --> 01:35:37,360
Speaker 1: whatever year we're in. I still keep it to that.

1532
01:35:37,439 --> 01:35:39,720
Speaker 1: And there's so many artists to have hot stuff out

1533
01:35:40,120 --> 01:35:42,360
Speaker 1: that will never get played anywhere else. So I'm like,

1534
01:35:42,560 --> 01:35:44,880
Speaker 1: I'll play it, send it to me if I like it,

1535
01:35:44,960 --> 01:35:47,280
Speaker 1: and it's on at that level, it's gonna get broken

1536
01:35:47,880 --> 01:35:51,040
Speaker 1: and and and that way, not only do you trust me,

1537
01:35:51,680 --> 01:35:54,160
Speaker 1: you also start to focus on you know what, if

1538
01:35:54,200 --> 01:35:57,000
Speaker 1: he's playing it, it's got to be real and that's

1539
01:35:57,040 --> 01:36:00,479
Speaker 1: really what it is. So all of that, but now

1540
01:36:01,160 --> 01:36:07,840
Speaker 1: the just blades Swiss beasts. So it happens, I acting,

1541
01:36:08,880 --> 01:36:10,680
Speaker 1: I'm on my way to the show and Swiss is

1542
01:36:10,760 --> 01:36:12,680
Speaker 1: texting me saying, Yo, I like you to come check

1543
01:36:12,760 --> 01:36:15,320
Speaker 1: this out. My shows on from ten to midnight. They're

1544
01:36:15,320 --> 01:36:17,840
Speaker 1: starting at ten o'clock. He's like, yo, man, I really

1545
01:36:17,840 --> 01:36:20,080
Speaker 1: like and I would have gone definitely. I definitely would

1546
01:36:20,080 --> 01:36:23,000
Speaker 1: have gone. But I'm not abandoned my show because again

1547
01:36:23,040 --> 01:36:26,479
Speaker 1: it's live. It's my favos. Prerecorded cool. Live is a

1548
01:36:26,680 --> 01:36:30,960
Speaker 1: whole different animal. A lot. Live is when you have

1549
01:36:31,439 --> 01:36:34,200
Speaker 1: when I scripted nothing, We just roll. You know what

1550
01:36:34,240 --> 01:36:36,760
Speaker 1: I'm saying, And when it comes to how we do it,

1551
01:36:37,680 --> 01:36:41,320
Speaker 1: everything just flows from minute to minute, second and second beat,

1552
01:36:41,360 --> 01:36:45,959
Speaker 1: two beat, voice to voice him on just the realness

1553
01:36:46,000 --> 01:36:48,800
Speaker 1: of hip hop from my perspective. So when it came

1554
01:36:48,880 --> 01:36:53,599
Speaker 1: to Swiss Beats and uh, just blades doing doing the show.

1555
01:36:54,080 --> 01:36:56,960
Speaker 1: As soon as I got off the air, I checked

1556
01:36:57,040 --> 01:36:59,120
Speaker 1: my Instagram and saw they were live. I don't want

1557
01:36:59,120 --> 01:37:02,320
Speaker 1: to Swiss Beats. I clicked on it. I want to

1558
01:37:02,360 --> 01:37:04,080
Speaker 1: see my man d d Rectangle, who was one of

1559
01:37:04,120 --> 01:37:08,840
Speaker 1: the dopest Battle dus ever. You make the Scratch final. Yeah.

1560
01:37:09,160 --> 01:37:12,120
Speaker 1: I go to his show to watch him do a

1561
01:37:12,640 --> 01:37:15,720
Speaker 1: body gig and I'm in there with my phone going,

1562
01:37:17,840 --> 01:37:21,360
Speaker 1: um yeah, two in the morning. I'm like, just still

1563
01:37:21,439 --> 01:37:25,920
Speaker 1: on from clock and I'm doing this looking at him

1564
01:37:25,920 --> 01:37:29,800
Speaker 1: a little bit and they switched it over. Now I

1565
01:37:29,920 --> 01:37:38,720
Speaker 1: just got the bell me and the guy said, yo,

1566
01:37:39,240 --> 01:37:41,360
Speaker 1: just plazing them still battling. It's almost two in the

1567
01:37:41,479 --> 01:37:44,880
Speaker 1: morning and I'm sitting there doing this in a corner

1568
01:37:44,920 --> 01:37:47,840
Speaker 1: and the club where it looks like I'm like a

1569
01:37:48,680 --> 01:37:50,760
Speaker 1: sort of thumb, but I'm like, no, I'm watching and

1570
01:37:50,840 --> 01:37:52,479
Speaker 1: check it out because I want to see what they're

1571
01:37:52,560 --> 01:37:56,519
Speaker 1: doing to battle, because they started pulling our beats. So

1572
01:37:56,680 --> 01:37:59,439
Speaker 1: that's what I'm like, Well, you're still a fan of

1573
01:37:59,520 --> 01:38:02,240
Speaker 1: the coach. You like that. I will remain because you

1574
01:38:02,280 --> 01:38:04,800
Speaker 1: know why, I think. I guess being from Texas, I

1575
01:38:04,920 --> 01:38:07,040
Speaker 1: wanted to be accepted by New York because at the

1576
01:38:07,120 --> 01:38:09,920
Speaker 1: time I came, if New York didn't except you, it

1577
01:38:09,920 --> 01:38:11,840
Speaker 1: didn't matter where you were from at that time. Being

1578
01:38:12,000 --> 01:38:15,479
Speaker 1: that acceptance. I got that acceptance from the greats. I

1579
01:38:15,600 --> 01:38:17,920
Speaker 1: wanted E. P. M D To love me. I wanted

1580
01:38:18,320 --> 01:38:23,080
Speaker 1: Big Daddy came up Camp Arrest one. I wanted Grandmaster Flash,

1581
01:38:23,240 --> 01:38:30,040
Speaker 1: Molly All Motherfucker's better be on there. It was DJ

1582
01:38:30,160 --> 01:38:34,280
Speaker 1: J d J, you became Jazzy, jeff Um, Cash Money,

1583
01:38:34,479 --> 01:38:40,479
Speaker 1: d J Scratch, and I just wanted how E t S. Yeah,

1584
01:38:41,000 --> 01:38:44,839
Speaker 1: I smoked. I did earlier. No, let's just say earlier

1585
01:38:44,960 --> 01:38:51,600
Speaker 1: was to work. That was recent. Sorry, this guy, I

1586
01:38:51,640 --> 01:38:58,320
Speaker 1: told you fifty years old, you stay shot. Shoot, you

1587
01:38:58,400 --> 01:39:02,280
Speaker 1: gotta look at this is when you know you're on point.

1588
01:39:03,280 --> 01:39:06,519
Speaker 1: Never has any drugs that I've ever used defeated me

1589
01:39:07,680 --> 01:39:11,439
Speaker 1: and very important. At fifty, I'm on my level. You

1590
01:39:11,520 --> 01:39:17,720
Speaker 1: got to take a Molley though. Let's take a momy broid.

1591
01:39:17,920 --> 01:39:25,519
Speaker 1: That was junior. No, no, no, no, that was eighty

1592
01:39:25,560 --> 01:39:27,519
Speaker 1: one when they was called Black Molly and that was

1593
01:39:27,600 --> 01:39:31,360
Speaker 1: the own. Oh my god, this black Molly. What didn't

1594
01:39:32,200 --> 01:39:36,880
Speaker 1: you put us on like I would like a black

1595
01:39:38,800 --> 01:39:41,400
Speaker 1: all that stuff Now it's just it's like that's not

1596
01:39:42,160 --> 01:39:44,120
Speaker 1: mobile jumble stuff now, you know what I'm saying. So,

1597
01:39:44,720 --> 01:39:47,479
Speaker 1: like I said, this is my high school days. So

1598
01:39:47,520 --> 01:39:50,639
Speaker 1: my high school days. I graduated in high school eight four, okay,

1599
01:39:51,160 --> 01:39:54,599
Speaker 1: So imagine our era of of getting lifted and you're

1600
01:39:54,640 --> 01:39:56,880
Speaker 1: looking good and we're gonna respect you. I just started

1601
01:39:56,920 --> 01:40:00,760
Speaker 1: training again, the big black. I'm getting my You know

1602
01:40:00,880 --> 01:40:06,000
Speaker 1: I love food, man, I love I love ice cream. Shot.

1603
01:40:06,560 --> 01:40:11,320
Speaker 1: That's the first time the podcast, that's all. And that's

1604
01:40:12,200 --> 01:40:16,680
Speaker 1: when you go to ice cream, you go the best

1605
01:40:17,040 --> 01:40:19,599
Speaker 1: when you get coops in the coup. It ain't official

1606
01:40:19,640 --> 01:40:24,760
Speaker 1: to you take the Hersey syrup. You can't when you

1607
01:40:25,000 --> 01:40:27,160
Speaker 1: when you make a wooler, you don't want to see

1608
01:40:27,200 --> 01:40:29,599
Speaker 1: no green. But you know the green is in the blood.

1609
01:40:30,280 --> 01:40:34,960
Speaker 1: That's how you do it. Let's go. That's the level drugs,

1610
01:40:35,080 --> 01:40:41,640
Speaker 1: you know. So I just make it the only thing

1611
01:40:41,760 --> 01:40:45,160
Speaker 1: I listened to. Maybe just from that, we've lost, and

1612
01:40:45,360 --> 01:40:48,040
Speaker 1: we've lost to all different things from being shot, being

1613
01:40:48,160 --> 01:40:51,160
Speaker 1: the bad disease and eating bad health, all that stuff.

1614
01:40:51,680 --> 01:40:54,080
Speaker 1: It let me know I'm here for a reason. I

1615
01:40:54,280 --> 01:40:57,120
Speaker 1: love your life and fix your life to be able

1616
01:40:57,160 --> 01:41:00,320
Speaker 1: to have a longer life. My parents at eight years annoys.

1617
01:41:00,680 --> 01:41:05,800
Speaker 1: My parents, my dad's ad eight They got and they

1618
01:41:05,880 --> 01:41:08,639
Speaker 1: got issues, but they're still kicking. My father makes all

1619
01:41:08,680 --> 01:41:11,280
Speaker 1: the food. He's like, get away from stay out of

1620
01:41:11,320 --> 01:41:13,920
Speaker 1: my kitchen, let me stay, get on my way. I

1621
01:41:14,040 --> 01:41:16,200
Speaker 1: want to be eight doing that. But I guarantee they

1622
01:41:16,320 --> 01:41:19,360
Speaker 1: never did the black Molley. You don't know that just

1623
01:41:19,640 --> 01:41:26,400
Speaker 1: this way with the black Molley. Im I was in school.

1624
01:41:26,880 --> 01:41:36,040
Speaker 1: When I was in high school, you get talking about

1625
01:41:36,080 --> 01:41:41,600
Speaker 1: black Molly was sixteen and I was sixteen. That was

1626
01:41:41,680 --> 01:41:52,240
Speaker 1: only one ecstasy, only one way two that was already Yeah, okay, yeah,

1627
01:41:54,360 --> 01:42:00,639
Speaker 1: I'm forty one. Damn, what the fun a white man?

1628
01:42:01,040 --> 01:42:04,920
Speaker 1: But you're about cool over here? Bro? Why is that

1629
01:42:05,000 --> 01:42:08,760
Speaker 1: a surprise? Yo? Dude? There was only one ecstasy was

1630
01:42:08,880 --> 01:42:12,320
Speaker 1: called this uh, this would right, this would yeah, and

1631
01:42:12,400 --> 01:42:16,360
Speaker 1: it was it was called ecstasy. Yes, but DA wasn't popping,

1632
01:42:16,439 --> 01:42:20,560
Speaker 1: So I didn't know that you weren't around during that time. No, no, no,

1633
01:42:20,720 --> 01:42:23,960
Speaker 1: I was talking about I'm ten years older than you,

1634
01:42:24,560 --> 01:42:30,160
Speaker 1: so you gotta relax. Eighty one. I graduated high school

1635
01:42:30,200 --> 01:42:36,600
Speaker 1: in eighty four three. I listen, listen. There was like

1636
01:42:36,720 --> 01:42:40,040
Speaker 1: one style of stc one style of milley. That was it.

1637
01:42:40,240 --> 01:42:43,240
Speaker 1: There wasn't all twenty and there was all that. There

1638
01:42:43,400 --> 01:42:47,080
Speaker 1: wasn't really bear and cherry cherry juice and all these

1639
01:42:47,120 --> 01:42:51,519
Speaker 1: funny names. And you smoke cocato. Cocaine was more of

1640
01:42:51,760 --> 01:42:56,000
Speaker 1: smoking cocaine. But it's called cool. It's called crack, no wool,

1641
01:42:56,160 --> 01:42:59,880
Speaker 1: it's crack. And we also a cool cooly. It's cool

1642
01:43:00,080 --> 01:43:07,479
Speaker 1: cop cigarette. How are you yell? It's yeah, seventy seven,

1643
01:43:07,600 --> 01:43:10,800
Speaker 1: it's all goods. Having the blackout. I was there in

1644
01:43:10,840 --> 01:43:15,280
Speaker 1: my grandom, but I was there staying with my grandfather.

1645
01:43:15,720 --> 01:43:21,320
Speaker 1: Got during those days, it was only one of each side.

1646
01:43:21,360 --> 01:43:24,280
Speaker 1: That's why when I see what's going on now, it's like, damn, man,

1647
01:43:24,360 --> 01:43:27,680
Speaker 1: these people were so lost because there's all kinds of

1648
01:43:27,760 --> 01:43:29,559
Speaker 1: weird ship flow. Now I don't want to be around

1649
01:43:29,600 --> 01:43:32,360
Speaker 1: none of that. You know, we're around the pure. And

1650
01:43:32,439 --> 01:43:36,000
Speaker 1: again that that's kind of like the hippie seventies hallucinogens.

1651
01:43:36,120 --> 01:43:37,840
Speaker 1: It was the time and all that the the the

1652
01:43:38,360 --> 01:43:41,120
Speaker 1: but those beat you was making the bit of the

1653
01:43:41,400 --> 01:43:44,719
Speaker 1: body called give the drugs a little bit of props.

1654
01:43:46,320 --> 01:43:48,960
Speaker 1: We just have to be in. You know, you're the

1655
01:43:49,040 --> 01:43:58,759
Speaker 1: only guy that makes for draws. I'm not making no drugs.

1656
01:43:59,280 --> 01:44:02,600
Speaker 1: But but again, I'm glad that drink. I'm glad that

1657
01:44:02,640 --> 01:44:06,160
Speaker 1: I understand the concept of that era because understanding it

1658
01:44:06,280 --> 01:44:10,080
Speaker 1: and understanding where your cut off point is, you don't

1659
01:44:10,080 --> 01:44:13,559
Speaker 1: need to rehab. You rehab yourself with your mind. I've

1660
01:44:13,600 --> 01:44:17,840
Speaker 1: always said that to control yourself. And I know when

1661
01:44:18,640 --> 01:44:21,559
Speaker 1: can't controlling to draw myself, that's too much. Go back

1662
01:44:21,600 --> 01:44:24,240
Speaker 1: to normal. And then that that that's how people can

1663
01:44:24,400 --> 01:44:27,800
Speaker 1: wonder about you. But they can't say, yo, my man

1664
01:44:28,000 --> 01:44:30,599
Speaker 1: is lost, he's gone. You can never say I'm gone.

1665
01:44:30,960 --> 01:44:39,519
Speaker 1: I'm always here. That now he was recently beefing with Time.

1666
01:44:41,360 --> 01:44:50,960
Speaker 1: What from you don't even know who all of us

1667
01:44:51,080 --> 01:44:56,479
Speaker 1: from my times describe what happened. Ain't you dissatisfied with

1668
01:44:56,640 --> 01:45:02,640
Speaker 1: the um He's not, He's not. I'll say this. I

1669
01:45:02,720 --> 01:45:04,400
Speaker 1: had a little I listened. I had a little coosy

1670
01:45:04,520 --> 01:45:10,960
Speaker 1: verse situation. Oh that was you. Yeah, But first I

1671
01:45:11,120 --> 01:45:13,600
Speaker 1: wasn't offended by that, right, I be offended that he

1672
01:45:13,600 --> 01:45:15,000
Speaker 1: don't want to wrap to that. If that's not what

1673
01:45:15,080 --> 01:45:18,360
Speaker 1: you want to rap mass Field, that's not really a

1674
01:45:18,400 --> 01:45:21,439
Speaker 1: big and it don't make sense for no makes sense

1675
01:45:21,479 --> 01:45:24,000
Speaker 1: for him, don't make sense for him. I have other

1676
01:45:24,160 --> 01:45:28,479
Speaker 1: games I beat you can wrap to freestyle about. It

1677
01:45:28,600 --> 01:45:31,840
Speaker 1: wasn't massive pill it was it was it was it

1678
01:45:31,960 --> 01:45:36,439
Speaker 1: was memory man in there. I saw it too, and

1679
01:45:36,640 --> 01:45:39,600
Speaker 1: what happened described because I'm not rapping to that. So

1680
01:45:40,160 --> 01:45:44,880
Speaker 1: he said, why is that wrapping the breakbeat? Listen? Twitter

1681
01:45:44,960 --> 01:45:47,840
Speaker 1: started blowing up on my Twitter. He started to get

1682
01:45:47,920 --> 01:45:51,240
Speaker 1: out of hand. Everybody disinal. Then he joins him, So

1683
01:45:51,280 --> 01:45:52,720
Speaker 1: I want to see what he says. So I checked

1684
01:45:52,760 --> 01:45:55,120
Speaker 1: his traffic because I gotta make sure I'm on point

1685
01:45:55,520 --> 01:45:58,080
Speaker 1: before I do anything. You always got to stay focused

1686
01:45:58,120 --> 01:46:00,400
Speaker 1: on being on point. I know who I am. I

1687
01:46:00,439 --> 01:46:01,920
Speaker 1: don't never want to be looked as a person I

1688
01:46:01,960 --> 01:46:04,160
Speaker 1: got played ever and are not going to be looked

1689
01:46:04,200 --> 01:46:08,080
Speaker 1: that way. Absolutely. So when I checked the thread, I

1690
01:46:08,280 --> 01:46:10,320
Speaker 1: was like, yo, yeah, because it's getting out of hand.

1691
01:46:10,479 --> 01:46:13,960
Speaker 1: My fans are going hard on him, like, yo, you

1692
01:46:14,040 --> 01:46:17,760
Speaker 1: know that they're doing with this? Yeah, they want to

1693
01:46:17,840 --> 01:46:20,840
Speaker 1: kill him. Yeah. So I'm like yo, out there, I'm like, listen,

1694
01:46:21,880 --> 01:46:24,600
Speaker 1: pick up to him. Man, he ain't get around to that.

1695
01:46:25,040 --> 01:46:26,639
Speaker 1: If he don't like that, he doesn't like that, that's

1696
01:46:26,680 --> 01:46:29,960
Speaker 1: what I put He's then wrap what he feels like.

1697
01:46:30,000 --> 01:46:32,439
Speaker 1: It's comfortable. So that made him join in and said, yo,

1698
01:46:32,840 --> 01:46:35,840
Speaker 1: d m me. We damned each other. He said, listen, man,

1699
01:46:36,680 --> 01:46:39,960
Speaker 1: anything I can learn from you put me on. And

1700
01:46:44,160 --> 01:46:46,479
Speaker 1: I said, you know what, really know, I said, I'm

1701
01:46:47,120 --> 01:46:49,840
Speaker 1: join with you. My fans may get mad, but the

1702
01:46:49,960 --> 01:46:53,360
Speaker 1: only none because the difference is the same thing. I'm

1703
01:46:53,400 --> 01:46:55,920
Speaker 1: not gonna make a record that's that I can't let

1704
01:46:56,040 --> 01:46:58,760
Speaker 1: leave the studio to me and him on the same level.

1705
01:46:58,920 --> 01:47:01,759
Speaker 1: It's like, yo, wait today, better, You're not gonna compromise yourself.

1706
01:47:01,800 --> 01:47:05,200
Speaker 1: You're gonna work. No. But but that's the let me

1707
01:47:05,240 --> 01:47:06,920
Speaker 1: tell you something let me tell you something. When you

1708
01:47:07,040 --> 01:47:11,439
Speaker 1: work with Pream, you work with Pete. These brothers are

1709
01:47:11,600 --> 01:47:15,439
Speaker 1: so professional. All you gotta do is sending the vocals

1710
01:47:15,560 --> 01:47:22,080
Speaker 1: and then relax. Skills that I turned into my own skill.

1711
01:47:22,520 --> 01:47:24,920
Speaker 1: It's not biting them. But he's like, you know, that's

1712
01:47:24,920 --> 01:47:27,320
Speaker 1: how you do it. And I was like, how do

1713
01:47:27,680 --> 01:47:29,200
Speaker 1: you reminisce? I was like yo, but I was like,

1714
01:47:29,360 --> 01:47:32,280
Speaker 1: how are you making that? I was like, how are

1715
01:47:32,320 --> 01:47:36,439
Speaker 1: you making the base get fuller and mimic the sample?

1716
01:47:36,760 --> 01:47:38,840
Speaker 1: He said, it's the same sample, but I feel it.

1717
01:47:39,040 --> 01:47:41,200
Speaker 1: I'm like, but how do you do that's come up?

1718
01:47:41,280 --> 01:47:44,560
Speaker 1: I'll show you, but don't show him. He showed him, like,

1719
01:47:45,400 --> 01:47:49,080
Speaker 1: so you turned it to that same thing we have.

1720
01:47:49,680 --> 01:47:52,439
Speaker 1: But I never knew that part of the equipment he said,

1721
01:47:52,520 --> 01:47:55,160
Speaker 1: turned into that. I started doing it ex Girl, the

1722
01:47:55,280 --> 01:48:04,360
Speaker 1: next girl. That's my joints to all my relationships. So

1723
01:48:04,439 --> 01:48:06,839
Speaker 1: when he goes in that part, where does it go muffled?

1724
01:48:09,400 --> 01:48:11,439
Speaker 1: I sent it to Pete to make sure I was

1725
01:48:11,560 --> 01:48:13,760
Speaker 1: doing it right. I love my wife, I believe in

1726
01:48:13,840 --> 01:48:15,479
Speaker 1: myself and all that stuff, but I wanted to make

1727
01:48:15,479 --> 01:48:16,760
Speaker 1: sure I was doing it right, so I sent it

1728
01:48:16,880 --> 01:48:19,120
Speaker 1: to him for approval. I go yo, Did I do

1729
01:48:19,240 --> 01:48:21,040
Speaker 1: it right? He goes low. That's gonna be a hit.

1730
01:48:21,320 --> 01:48:25,720
Speaker 1: It was a hit, big hit. So when you come

1731
01:48:25,760 --> 01:48:30,000
Speaker 1: back right there shows you that the respect for what

1732
01:48:30,160 --> 01:48:32,120
Speaker 1: he was doing. Before I even knew how he was

1733
01:48:32,200 --> 01:48:35,439
Speaker 1: doing it, he was willing to show me the trick

1734
01:48:36,000 --> 01:48:38,240
Speaker 1: because he knew. He didn't take it like all, No,

1735
01:48:38,400 --> 01:48:41,559
Speaker 1: he wouldn't beat my fight my style. Let me let

1736
01:48:41,600 --> 01:48:44,559
Speaker 1: me ball that tool. And then when I applied that tool,

1737
01:48:45,040 --> 01:48:48,240
Speaker 1: it wasn't a fight. It's just another another extension of

1738
01:48:48,360 --> 01:48:51,320
Speaker 1: what he taught me. That's why him law professor show

1739
01:48:51,640 --> 01:48:55,280
Speaker 1: is all my three mentors. And again Molly mar didn't

1740
01:48:55,280 --> 01:49:00,439
Speaker 1: show me anything in person, just what he did commusic

1741
01:49:00,520 --> 01:49:04,479
Speaker 1: with your mouth BIS. Nobody beats the BIS road to

1742
01:49:04,520 --> 01:49:06,640
Speaker 1: the ridges. A lot of people in the circle have

1743
01:49:06,720 --> 01:49:09,320
Speaker 1: said they've given them them the I gave him that record.

1744
01:49:09,479 --> 01:49:17,759
Speaker 1: That's all good. He did the that's what it's all about.

1745
01:49:18,120 --> 01:49:20,719
Speaker 1: Who made it bounce that way? Who made your echo

1746
01:49:20,840 --> 01:49:24,000
Speaker 1: sound that way? Who made your voice sound funky that way?

1747
01:49:24,520 --> 01:49:27,160
Speaker 1: Molly did it, And that's all that matters to me

1748
01:49:27,680 --> 01:49:31,280
Speaker 1: because that's what makes me be premier in order to

1749
01:49:31,560 --> 01:49:33,200
Speaker 1: be to stay doing it the way you do it

1750
01:49:33,280 --> 01:49:35,799
Speaker 1: for the rest of my life and in my past.

1751
01:49:35,880 --> 01:49:39,360
Speaker 1: And it's because of how I study a great one.

1752
01:49:39,479 --> 01:49:41,400
Speaker 1: So whatever you brought to him is what you brought

1753
01:49:41,439 --> 01:49:44,400
Speaker 1: to him. He still made it glow. The gurus always

1754
01:49:44,439 --> 01:49:48,360
Speaker 1: say that you and Eddie Sancho make everything glow. He said,

1755
01:49:48,439 --> 01:49:50,320
Speaker 1: I just laid my part down, but you make it

1756
01:49:50,479 --> 01:49:53,080
Speaker 1: light up. Molly makes things light up. So when no

1757
01:49:53,200 --> 01:49:55,639
Speaker 1: matter what you bring him or you gave him everything,

1758
01:49:56,040 --> 01:49:58,439
Speaker 1: he made it light up. Or without the light, there's darkness.

1759
01:49:58,600 --> 01:50:00,599
Speaker 1: I want to be in light. What don't think about

1760
01:50:00,680 --> 01:50:03,680
Speaker 1: like the separation of sampling and hip hop? So now,

1761
01:50:04,760 --> 01:50:07,400
Speaker 1: I mean does it matter We understand the rules and

1762
01:50:07,479 --> 01:50:09,839
Speaker 1: the sample of all. I mean, I understand the sampling

1763
01:50:09,960 --> 01:50:14,439
Speaker 1: and financial you just it takes away the soul me personally,

1764
01:50:14,479 --> 01:50:17,120
Speaker 1: I think sometimes it don't you just get illow with

1765
01:50:17,200 --> 01:50:21,200
Speaker 1: your sample well now and cutting it so nobody knows

1766
01:50:21,240 --> 01:50:23,799
Speaker 1: what it is and if it's bad, but it's still sampling.

1767
01:50:24,080 --> 01:50:27,840
Speaker 1: Is you might go and just get you're still sampling, Yeah,

1768
01:50:28,720 --> 01:50:35,320
Speaker 1: following jo booprint, which is what? Yeah, I mean we're

1769
01:50:35,400 --> 01:50:38,679
Speaker 1: lost because we're not records in little little movies. Oh

1770
01:50:39,439 --> 01:50:44,840
Speaker 1: like we know now that the safety zones versions, and

1771
01:50:44,920 --> 01:50:46,479
Speaker 1: then there's just the point where we gotta do it.

1772
01:50:46,560 --> 01:50:51,760
Speaker 1: And it's really that that that had important. Now I

1773
01:50:52,640 --> 01:50:54,960
Speaker 1: just now, no, we got no money, we can't clear anything.

1774
01:50:59,680 --> 01:51:04,000
Speaker 1: Don't tell me that you're in trouble. Like I said,

1775
01:51:04,040 --> 01:51:06,000
Speaker 1: he taught me scratch. Folks. If you just listen to

1776
01:51:06,160 --> 01:51:10,240
Speaker 1: a lot of my joints, this is me scratching that

1777
01:51:10,400 --> 01:51:15,080
Speaker 1: crazy you were doing radio already with Molly Mall. I'm like, damn,

1778
01:51:15,760 --> 01:51:20,040
Speaker 1: this new guy, Pete Rob he's nasty because Molly had

1779
01:51:20,040 --> 01:51:23,559
Speaker 1: a certain scratched hour show. This out there kind of foul.

1780
01:51:23,680 --> 01:51:26,679
Speaker 1: N I'm gonna smoke with camel crush in our face

1781
01:51:29,160 --> 01:51:35,400
Speaker 1: because no good. Just give us cancer people win, White

1782
01:51:35,439 --> 01:51:38,880
Speaker 1: people like lucky strikes. You got moornaments. You gotta funk

1783
01:51:38,920 --> 01:51:42,880
Speaker 1: with the white monaments. Twhen you leave it, you're good

1784
01:51:44,840 --> 01:51:48,479
Speaker 1: is white and the white person. When we did the record,

1785
01:51:48,680 --> 01:51:52,040
Speaker 1: the record that we did together, I say, I think

1786
01:51:52,120 --> 01:51:54,320
Speaker 1: that I was the first person to ask you to

1787
01:51:54,600 --> 01:51:58,840
Speaker 1: cut up Gurus vocals. Wasn't see me everything right? Was

1788
01:51:59,160 --> 01:52:02,880
Speaker 1: the person? I don't know? No jay z j Z

1789
01:52:03,040 --> 01:52:05,120
Speaker 1: did you don't know, But after his death, that's what

1790
01:52:05,200 --> 01:52:10,360
Speaker 1: I'm saying. Oh yeah, yeah, okay, said you sent me everything?

1791
01:52:10,520 --> 01:52:13,000
Speaker 1: Yeah no, he had hosted mad Men States from me

1792
01:52:14,760 --> 01:52:21,240
Speaker 1: and I was honored. Yeah yeah no DJ yeah no

1793
01:52:21,400 --> 01:52:26,160
Speaker 1: if it was Google, DJ was damn you remember really

1794
01:52:26,320 --> 01:52:31,160
Speaker 1: isn't back that ship. I have nothing against him, have

1795
01:52:31,280 --> 01:52:41,320
Speaker 1: ill memories. I apologize fact, but there's no apology needed

1796
01:52:41,720 --> 01:52:47,400
Speaker 1: when you had this, So apologies policies don't get that

1797
01:52:48,080 --> 01:52:51,519
Speaker 1: only sold one million records, so you have twenty You

1798
01:52:51,640 --> 01:52:58,280
Speaker 1: think it's about to stop listening, Jessy, but Google, who

1799
01:52:58,439 --> 01:53:04,720
Speaker 1: passes away? Yeah? What's what? What's this man head name

1800
01:53:05,560 --> 01:53:10,120
Speaker 1: you gotta saying? I can't say because no, no, no, no,

1801
01:53:10,400 --> 01:53:14,280
Speaker 1: not even the yeah, holy ship. I don't know what's

1802
01:53:14,280 --> 01:53:17,080
Speaker 1: going on right now. You helped me out. He don't

1803
01:53:17,080 --> 01:53:19,519
Speaker 1: deserve he don't deserve to be it said from it's

1804
01:53:19,560 --> 01:53:25,960
Speaker 1: not a good person in France. No, No, that's two

1805
01:53:26,000 --> 01:53:31,439
Speaker 1: different Ones's solar as so LUs another solo. He's from friend,

1806
01:53:31,520 --> 01:53:34,040
Speaker 1: he's dope, that's my dude, right, so it's another solar

1807
01:53:34,240 --> 01:53:36,479
Speaker 1: together of course, all right, so we got to clarify that.

1808
01:53:37,600 --> 01:53:42,120
Speaker 1: So Long I'm so sorry to actually, as you say,

1809
01:53:42,280 --> 01:53:45,840
Speaker 1: but so Long makes these claims and then with his

1810
01:53:45,920 --> 01:53:51,800
Speaker 1: premier standing on all the type of stuff put to

1811
01:53:51,880 --> 01:53:56,519
Speaker 1: you like this, um people could yeah, say what they

1812
01:53:56,600 --> 01:53:58,519
Speaker 1: want to say and all that type of stuff. That's

1813
01:53:58,520 --> 01:54:00,320
Speaker 1: all cool because I don't have nothing to say when

1814
01:54:00,360 --> 01:54:04,480
Speaker 1: it comes to that. But if old Boy does anything,

1815
01:54:05,320 --> 01:54:08,559
Speaker 1: then I'll have a lot to problem symbol and play.

1816
01:54:09,720 --> 01:54:13,320
Speaker 1: That's my Belichick moment. Heard you, that was Bill Belichick.

1817
01:54:13,479 --> 01:54:20,599
Speaker 1: Anything was done, Chris Green, we love you, we love

1818
01:54:20,640 --> 01:54:23,240
Speaker 1: you back, and we love you and everything you meant

1819
01:54:23,280 --> 01:54:25,240
Speaker 1: to hip hop and then you know it was it

1820
01:54:25,360 --> 01:54:28,640
Speaker 1: was a funny moment. Everything I mean that I'm you know,

1821
01:54:28,880 --> 01:54:33,400
Speaker 1: everything you I apologize, you mean the hip hop and

1822
01:54:33,520 --> 01:54:35,960
Speaker 1: you know, it was a funny moment for us in

1823
01:54:36,160 --> 01:54:39,240
Speaker 1: hip hop when we got to hear like you know

1824
01:54:39,760 --> 01:54:43,839
Speaker 1: that's like yo gangster and you know, and the intention

1825
01:54:44,000 --> 01:54:47,440
Speaker 1: then this guy and we never because we It's similar

1826
01:54:47,560 --> 01:54:50,920
Speaker 1: to how Pun like when Pun died, I walked to

1827
01:54:51,040 --> 01:54:54,600
Speaker 1: his casket and they told me, I said, all the jewels,

1828
01:54:56,080 --> 01:54:59,240
Speaker 1: because I thought the most funeral homes the caskets at

1829
01:54:59,280 --> 01:55:01,600
Speaker 1: the front up. His was in the middle of the

1830
01:55:01,680 --> 01:55:04,280
Speaker 1: middle of the middle of the lord. So when I

1831
01:55:04,360 --> 01:55:06,520
Speaker 1: walk in, was like, oh, he's right there, right there,

1832
01:55:06,600 --> 01:55:10,600
Speaker 1: And the casket was I've never seen a casket like this. Okay,

1833
01:55:10,720 --> 01:55:15,560
Speaker 1: I've never seen the cas casket was short and super duper,

1834
01:55:16,640 --> 01:55:18,920
Speaker 1: and he had all his TSS chained around his hands

1835
01:55:19,720 --> 01:55:21,640
Speaker 1: and it looked like he was kissing the sky because

1836
01:55:21,680 --> 01:55:25,680
Speaker 1: the lip would puck it up like. That's my point.

1837
01:55:25,960 --> 01:55:29,160
Speaker 1: My point of bringing this up was when I when

1838
01:55:29,240 --> 01:55:31,960
Speaker 1: I went to punts casket, people told me that punching

1839
01:55:32,080 --> 01:55:36,440
Speaker 1: suff that something up punched suffering, and that now he's

1840
01:55:36,440 --> 01:55:38,360
Speaker 1: in a better place. And I didn't. I didn't know

1841
01:55:38,480 --> 01:55:43,960
Speaker 1: what people meant. So when I heard, you know, Google pass, yeah,

1842
01:55:44,360 --> 01:55:49,920
Speaker 1: and never I've never seen Google suffer. Nah, so either either.

1843
01:55:50,680 --> 01:55:54,760
Speaker 1: So everything was just a strange not just me, everybody,

1844
01:55:54,880 --> 01:55:58,879
Speaker 1: and not like if not the fans, who we are massive,

1845
01:55:59,600 --> 01:56:02,760
Speaker 1: it's ains to everybody. Is strange to me, the strange

1846
01:56:02,800 --> 01:56:06,040
Speaker 1: to the fans because oh boy, don't know my man

1847
01:56:06,200 --> 01:56:11,120
Speaker 1: like I know my man. We know him. Well. If

1848
01:56:11,160 --> 01:56:16,800
Speaker 1: I really wanted to grade dude on a five quiz question, there,

1849
01:56:17,840 --> 01:56:23,440
Speaker 1: I guarantee you'll fail. Every answer simple and plain because

1850
01:56:23,520 --> 01:56:27,520
Speaker 1: you had to really really really really really really really

1851
01:56:27,680 --> 01:56:31,560
Speaker 1: really know my duty. So you will fail. I can

1852
01:56:31,640 --> 01:56:34,879
Speaker 1: watch you right now and make every little sad simple questions.

1853
01:56:35,400 --> 01:56:39,400
Speaker 1: Not hard on simple questions, He's going to fail. And

1854
01:56:39,480 --> 01:56:44,200
Speaker 1: it's gonna also be multiple choice ABC A D. I'm

1855
01:56:44,320 --> 01:56:46,560
Speaker 1: not gonna pick the right answer. And I know this

1856
01:56:46,920 --> 01:56:49,160
Speaker 1: because I know this and I know him. I know

1857
01:56:49,320 --> 01:56:53,080
Speaker 1: both of them. So that's why I don't entertain them.

1858
01:56:53,680 --> 01:56:57,320
Speaker 1: Because anytime he wants to ever go there, I'm here.

1859
01:56:57,600 --> 01:57:01,360
Speaker 1: If I'm not here, I'm here. Um you feel me

1860
01:57:01,480 --> 01:57:06,560
Speaker 1: damning premier right now. And now we'll not say his name.

1861
01:57:06,680 --> 01:57:10,640
Speaker 1: It's not worthy of because hip hop needed to hear

1862
01:57:10,720 --> 01:57:14,040
Speaker 1: that show. Hi, Hey pop really need this. How can

1863
01:57:14,120 --> 01:57:17,040
Speaker 1: we make them do that? When things is the right move?

1864
01:57:17,480 --> 01:57:19,360
Speaker 1: I know what it is. How about the right people

1865
01:57:19,440 --> 01:57:23,160
Speaker 1: around me, from legal to my management to my artists,

1866
01:57:23,600 --> 01:57:26,160
Speaker 1: for me even being in the street, I have a

1867
01:57:26,280 --> 01:57:29,960
Speaker 1: stream mentality that keeps me grounded. And I have a dog,

1868
01:57:30,200 --> 01:57:32,800
Speaker 1: mom and dad and sisters and niece and nephews like

1869
01:57:33,040 --> 01:57:36,240
Speaker 1: five year old son, who's my dude? Shout to his mother.

1870
01:57:36,400 --> 01:57:41,720
Speaker 1: She's point everybody like, we're that connected on making sure

1871
01:57:41,840 --> 01:57:44,880
Speaker 1: we don't ever funk up with the social media stuff

1872
01:57:45,120 --> 01:57:47,880
Speaker 1: making us up like we're fools. Ain't going out like that.

1873
01:57:48,480 --> 01:57:57,640
Speaker 1: I'm premier that the mother. Yeah, listen, I'm gonna be honest.

1874
01:57:57,720 --> 01:58:00,280
Speaker 1: I'm gonna be honest with me and this guy to

1875
01:58:00,360 --> 01:58:03,800
Speaker 1: the right of me started this. We sat down and

1876
01:58:03,960 --> 01:58:08,240
Speaker 1: we said, we want the only give love to the legends,

1877
01:58:09,600 --> 01:58:13,600
Speaker 1: the legends at hip hop. You guys are the impitot

1878
01:58:13,680 --> 01:58:16,960
Speaker 1: me of let this is, this is the pinnacle, and

1879
01:58:17,360 --> 01:58:19,560
Speaker 1: I can't. I can't thank you enough, Like you know,

1880
01:58:19,720 --> 01:58:23,680
Speaker 1: both of you guys that gave me beats and that's

1881
01:58:23,880 --> 01:58:30,800
Speaker 1: crazy about this thing about it. I still can't do that. Still, yeah, yeah,

1882
01:58:32,160 --> 01:58:36,000
Speaker 1: I still owe you both because I love you. You

1883
01:58:36,120 --> 01:58:43,640
Speaker 1: don't nah, I love you guys because I've been starting.

1884
01:58:44,200 --> 01:58:47,920
Speaker 1: I'm starting to give yourself with that beating that mean tonight.

1885
01:58:48,040 --> 01:58:52,760
Speaker 1: Please give me that crazy man, y'a dude, I was

1886
01:58:52,800 --> 01:59:00,240
Speaker 1: kind to Pege. You got here. Give me because I

1887
01:59:00,360 --> 01:59:07,320
Speaker 1: want Pete to know, so up the club. I really

1888
01:59:07,400 --> 01:59:10,480
Speaker 1: want to do this for your album, Pete. For man.

1889
01:59:10,880 --> 01:59:13,280
Speaker 1: If it wasn't for you, guys, I probably wouldn't have

1890
01:59:13,400 --> 01:59:16,520
Speaker 1: a childhood, no doubt. And this is real ship. And

1891
01:59:16,600 --> 01:59:19,880
Speaker 1: that's real ship. I really love joints that we love.

1892
01:59:20,400 --> 01:59:32,560
Speaker 1: I want the first time I heard it, Okay, it's

1893
01:59:33,440 --> 01:59:40,160
Speaker 1: don't swish not only killed that smash everybody on that song.

1894
01:59:42,800 --> 01:59:45,720
Speaker 1: I wanted to do a posse cut. You know what happened.

1895
01:59:46,160 --> 01:59:51,160
Speaker 1: I wanted to do a posse cut your body that open.

1896
01:59:51,400 --> 01:59:54,000
Speaker 1: Whoever gets crazy ship, whoever goes first to me, and

1897
01:59:54,080 --> 01:59:57,640
Speaker 1: whoever goes last has the most. I wouldn't last. That

1898
01:59:57,800 --> 02:00:01,720
Speaker 1: was that or because right now listen, really do have

1899
02:00:01,840 --> 02:00:06,240
Speaker 1: to punt. It was nature pun cam What what you wanted?

1900
02:00:06,360 --> 02:00:09,440
Speaker 1: I'm the last? Yeah? What what all you wanted? That's

1901
02:00:09,440 --> 02:00:11,960
Speaker 1: what I wanted to do, dude. But you know what,

1902
02:00:12,640 --> 02:00:15,520
Speaker 1: my whole life, my whole career makes sense. I have

1903
02:00:15,600 --> 02:00:17,360
Speaker 1: a question if it wasn't for you, I have a

1904
02:00:17,440 --> 02:00:19,840
Speaker 1: question on that song. He said, that's why I'll never

1905
02:00:19,960 --> 02:00:22,680
Speaker 1: do a song with you. Was that directed anybody? Or

1906
02:00:22,680 --> 02:00:27,720
Speaker 1: was that just hat you're talking about somebody? Bro, he's

1907
02:00:27,760 --> 02:00:31,880
Speaker 1: super fatty. I know he was. Somebody was directing somebody, oh,

1908
02:00:32,400 --> 02:00:35,400
Speaker 1: because you know, it can also be universal just somebody

1909
02:00:35,440 --> 02:00:39,520
Speaker 1: I know this guy. That's why I'm not it was

1910
02:00:39,600 --> 02:00:43,360
Speaker 1: like Joseph on the block. It's very true because the

1911
02:00:43,400 --> 02:00:49,400
Speaker 1: thing about it is this, I'm very pretty prim I'm sorry.

1912
02:00:50,280 --> 02:00:54,480
Speaker 1: Sometimes you gotta beat. I'm very preddy, so I don't

1913
02:00:54,520 --> 02:00:57,640
Speaker 1: get ready time If you're trying to come up and

1914
02:00:57,760 --> 02:01:00,880
Speaker 1: you take a slight shot at me. I'm coming to

1915
02:01:01,000 --> 02:01:04,280
Speaker 1: fuck us my body. You want the rack, which is

1916
02:01:04,400 --> 02:01:09,280
Speaker 1: very just might go that's what That's who I am

1917
02:01:09,680 --> 02:01:12,000
Speaker 1: when I met him. This is how he looked at

1918
02:01:12,760 --> 02:01:17,280
Speaker 1: and all these twisting ban on. He's at the front door. Yo,

1919
02:01:17,360 --> 02:01:19,440
Speaker 1: we got session up at d N d Yo for

1920
02:01:19,600 --> 02:01:24,600
Speaker 1: me and look your stuffy Jose Luise not weeks. How

1921
02:01:24,640 --> 02:01:32,880
Speaker 1: you doing. He's like, yeah, l A R l A

1922
02:01:33,200 --> 02:01:34,680
Speaker 1: l A was really bumping with a lot of d

1923
02:01:34,800 --> 02:01:37,640
Speaker 1: J at that time. It was early, so we don't

1924
02:01:37,640 --> 02:01:39,880
Speaker 1: really know who he is yet. We just know who

1925
02:01:40,120 --> 02:01:49,800
Speaker 1: Littui's got that rock him around like m rules and

1926
02:01:49,960 --> 02:01:56,120
Speaker 1: around l A l A. That's my first meeting in him,

1927
02:01:56,200 --> 02:02:00,440
Speaker 1: not Pa Jose Louis to Noriega. He goes, who was

1928
02:02:00,480 --> 02:02:04,400
Speaker 1: in the wheats like like, don't forget a little dip

1929
02:02:04,840 --> 02:02:08,240
Speaker 1: is the reason why you got around and shoulder but

1930
02:02:08,360 --> 02:02:10,360
Speaker 1: the song was already out where like that's to do

1931
02:02:10,760 --> 02:02:18,640
Speaker 1: different and that's the verse that made me. I can't

1932
02:02:18,680 --> 02:02:22,720
Speaker 1: believe you know I got We just did a beat

1933
02:02:22,760 --> 02:02:25,560
Speaker 1: for you right now. Yea, let me tell you something.

1934
02:02:25,600 --> 02:02:27,280
Speaker 1: You know what we gotta do something where we make

1935
02:02:27,320 --> 02:02:32,840
Speaker 1: a beat together, which we've never done. We start things

1936
02:02:32,880 --> 02:02:37,040
Speaker 1: that dreat near that right now, because you know, you know,

1937
02:02:37,440 --> 02:02:40,040
Speaker 1: you know, you don't know if you're not you know,

1938
02:02:40,400 --> 02:02:41,880
Speaker 1: I don't know if you know. I don't know if

1939
02:02:41,880 --> 02:02:44,480
Speaker 1: you know. But wherever state you at, I'll fly there

1940
02:02:44,880 --> 02:02:48,800
Speaker 1: like that and I would just like thank you for

1941
02:02:49,080 --> 02:02:53,400
Speaker 1: lace and black poets out the black print. No no

1942
02:02:53,600 --> 02:02:59,920
Speaker 1: problems body that verse. But this is the reason why

1943
02:03:00,400 --> 02:03:04,200
Speaker 1: you're so much of important producer. You can go and

1944
02:03:04,360 --> 02:03:07,240
Speaker 1: you can work with Caristina and I got and then

1945
02:03:07,240 --> 02:03:10,640
Speaker 1: you can turn around and you still care. I love music. Listen,

1946
02:03:10,920 --> 02:03:19,080
Speaker 1: I love music. I love listen. I love That's what

1947
02:03:19,160 --> 02:03:25,040
Speaker 1: it is. I like I like messing with all styles

1948
02:03:25,080 --> 02:03:31,160
Speaker 1: of music because I am into country, blues, gospel, rock, past, yeah, prave.

1949
02:03:31,280 --> 02:03:35,040
Speaker 1: You is the tea you ever drink? Leans? Yeah? Yeah,

1950
02:03:36,040 --> 02:03:41,440
Speaker 1: screw by the way, but but the Leans. But even that,

1951
02:03:42,520 --> 02:03:46,360
Speaker 1: that's when it was like now's an epidemic. Was an

1952
02:03:46,480 --> 02:03:49,200
Speaker 1: epidemic then, and it was something that you just did

1953
02:03:49,360 --> 02:03:52,240
Speaker 1: every occasion, like going out to a bar in Heaven.

1954
02:03:52,600 --> 02:03:54,320
Speaker 1: I don't drink every day, you know, I got I

1955
02:03:54,320 --> 02:03:55,680
Speaker 1: got work to do it, a business, a hand or

1956
02:03:55,760 --> 02:03:58,200
Speaker 1: I stay focused from a five year old son. I'm focused,

1957
02:03:58,760 --> 02:04:11,040
Speaker 1: but I'm still question. We're about to open the car,

1958
02:04:12,800 --> 02:04:16,560
Speaker 1: finish his story. So I mean so a lot of

1959
02:04:16,600 --> 02:04:19,240
Speaker 1: the things again that are just out of control, are

1960
02:04:19,320 --> 02:04:23,520
Speaker 1: just way uh publicized, are promoted on a higher pedestal.

1961
02:04:24,320 --> 02:04:28,040
Speaker 1: Already did all that stuff. It's about living past that

1962
02:04:28,680 --> 02:04:32,360
Speaker 1: and being able to still function on what's the matters

1963
02:04:32,400 --> 02:04:35,520
Speaker 1: that keep you in the longevity bucket. I want to

1964
02:04:35,560 --> 02:04:37,360
Speaker 1: be in the longevity bucket. I don't want to be

1965
02:04:37,480 --> 02:04:40,280
Speaker 1: in the you know you had your time bucket. My

1966
02:04:40,400 --> 02:04:42,560
Speaker 1: bucket want. I want to go all the way even

1967
02:04:42,840 --> 02:04:46,000
Speaker 1: again when I'm gone, it's still hot. The gang starts

1968
02:04:46,040 --> 02:04:50,160
Speaker 1: still hot, start still hot because I care about not

1969
02:04:50,480 --> 02:04:53,000
Speaker 1: just his legacy and a high legacy as as a team,

1970
02:04:53,400 --> 02:04:55,120
Speaker 1: but his son. He has a sixteen year old son.

1971
02:04:55,480 --> 02:04:57,680
Speaker 1: I'm making sure his son to eating. I'm making sure

1972
02:04:57,680 --> 02:05:01,320
Speaker 1: your son getting everything that's his father, Tad. I don't

1973
02:05:01,320 --> 02:05:06,800
Speaker 1: think you the bone. I wouldn't deal right that. My

1974
02:05:07,040 --> 02:05:10,160
Speaker 1: motto is this, I can sleep at night. That's my

1975
02:05:10,320 --> 02:05:12,960
Speaker 1: mom That's the most important thing. Sleeping at night. Yeah,

1976
02:05:13,040 --> 02:05:15,040
Speaker 1: I can sleep at night. A lot of people you can.

1977
02:05:15,200 --> 02:05:19,840
Speaker 1: You don't understand that I don't have nightmares like anybody else,

1978
02:05:20,240 --> 02:05:23,640
Speaker 1: but my nightmares are clear from how I analyzed what

1979
02:05:23,760 --> 02:05:25,920
Speaker 1: I woke up to. You hand your business. Yeah, you

1980
02:05:25,960 --> 02:05:28,800
Speaker 1: can sleep and love man. My mind is strong man.

1981
02:05:28,960 --> 02:05:33,120
Speaker 1: So I'm gonna end this podcast, but I can't thank

1982
02:05:33,160 --> 02:05:39,760
Speaker 1: you brother helping helping me. Both of you both routed

1983
02:05:39,800 --> 02:05:43,880
Speaker 1: me personally because my career couldn't be complete. I could

1984
02:05:43,920 --> 02:05:46,720
Speaker 1: never complete my career without having a peat rock beat,

1985
02:05:47,600 --> 02:05:51,680
Speaker 1: premier beat appreciation. Hip hop is what I want to

1986
02:05:51,800 --> 02:05:55,040
Speaker 1: continue to represent. I want to continue to stand by it.

1987
02:05:55,160 --> 02:05:58,880
Speaker 1: I can't believe twenty five million and I hate this

1988
02:05:59,040 --> 02:06:02,160
Speaker 1: guy right here a me Brouse. You knew you had

1989
02:06:04,120 --> 02:06:06,560
Speaker 1: let me act. You should have told me on Wednesday. No,

1990
02:06:09,000 --> 02:06:15,080
Speaker 1: you just good friend. You deserve surprise, you Broser, you

1991
02:06:15,160 --> 02:06:23,320
Speaker 1: don't know that. Yeah, I love you. I can't believe

1992
02:06:23,480 --> 02:06:27,040
Speaker 1: just from him. You ask everything I do outside of

1993
02:06:27,120 --> 02:06:30,640
Speaker 1: hip hop. When I do hip hop, I keep it hud,

1994
02:06:31,120 --> 02:06:34,200
Speaker 1: keep it hood. Everything else I could do balance, slow songs,

1995
02:06:34,200 --> 02:06:36,280
Speaker 1: pop songs doesn't matter because I like that music too.

1996
02:06:37,080 --> 02:06:40,720
Speaker 1: Hip hop. I keep it, keep it hood because that's

1997
02:06:40,720 --> 02:06:42,600
Speaker 1: why I like to listen to it. When I buy it.

1998
02:06:42,840 --> 02:06:45,840
Speaker 1: Drive to it or have my radio if you'll always

1999
02:06:45,880 --> 02:06:49,280
Speaker 1: either my radio. You guys are the bed rock. Please

2000
02:06:49,600 --> 02:06:52,960
Speaker 1: stay listen. If it wasn't for you too, brothers, I

2001
02:06:53,000 --> 02:06:56,920
Speaker 1: wouldn't have a childhood. Brothers. That's well deserved. What you got.

2002
02:06:57,880 --> 02:07:00,280
Speaker 1: It's better and you could say it was ain't on.

2003
02:07:00,440 --> 02:07:03,400
Speaker 1: Let's be on rap. This is a podcast. They should

2004
02:07:03,440 --> 02:07:10,280
Speaker 1: make it platinum though, why they make it go steps,

2005
02:07:10,400 --> 02:07:19,240
Speaker 1: it's not twenty five right, Let's let you know what

2006
02:07:21,760 --> 02:07:26,760
Speaker 1: you know what he actual's right, it should be, It's

2007
02:07:26,800 --> 02:07:30,600
Speaker 1: should be. I'm just happy to be here right now,

2008
02:07:32,920 --> 02:07:36,640
Speaker 1: and let's give thanks man. The best producers of all

2009
02:07:36,800 --> 02:07:40,440
Speaker 1: times have just now sat down absolutely all to drink.

2010
02:07:40,560 --> 02:07:45,640
Speaker 1: Champs and Jim being jam. You're picking up Jim bumping,

2011
02:07:45,840 --> 02:07:48,640
Speaker 1: can't Chase cut the check and we would have one

2012
02:07:48,680 --> 02:07:52,880
Speaker 1: more shot yet shot. I'm saying he's going to because

2013
02:07:54,920 --> 02:07:56,680
Speaker 1: at the end of the day and we're gonna say

2014
02:07:56,800 --> 02:08:00,240
Speaker 1: and watching the battle, thank you. Because when I seen

2015
02:08:00,320 --> 02:08:02,960
Speaker 1: the battle and when I seen that this they said,

2016
02:08:03,040 --> 02:08:09,640
Speaker 1: this is the first time excuse me, the whole thing. Yeah,

2017
02:08:09,680 --> 02:08:14,920
Speaker 1: I definitely have a shot. When they said that this

2018
02:08:15,080 --> 02:08:22,520
Speaker 1: is the first time, uh new stance is battled terrible.

2019
02:08:23,080 --> 02:08:25,040
Speaker 1: I felt terrible. They said that this is the first

2020
02:08:25,080 --> 02:08:27,400
Speaker 1: time to produce is first all, and I knew that

2021
02:08:27,560 --> 02:08:29,840
Speaker 1: you'all guys have done this. I knew that just Blaze

2022
02:08:29,960 --> 02:08:33,280
Speaker 1: actually had done it with Alchemists before, and so how

2023
02:08:33,360 --> 02:08:37,240
Speaker 1: want I wanted to actually big you brothers up because

2024
02:08:37,600 --> 02:08:41,440
Speaker 1: I understand what it is. But I also understand that

2025
02:08:41,560 --> 02:08:48,000
Speaker 1: Swiss also knows the game. He's the student of the game.

2026
02:08:49,120 --> 02:08:54,000
Speaker 1: He never said that. He never said I love you, brothers.

2027
02:08:55,000 --> 02:08:58,240
Speaker 1: If you motherfucker's can't, if your motherfucker's gool don't work,

2028
02:08:58,320 --> 02:09:03,520
Speaker 1: you need to relax because these are two look up

2029
02:09:03,880 --> 02:09:12,080
Speaker 1: reducers of all fucking time and premiere of best reduces

2030
02:09:12,120 --> 02:09:49,720
Speaker 1: of all fun leake up find all your favorite movies

2031
02:09:49,760 --> 02:09:52,440
Speaker 1: and shows factor with Accinity just speaking to the excellent

2032
02:09:52,520 --> 02:09:55,160
Speaker 1: voice for most to search across live CD, on demand,

2033
02:09:55,280 --> 02:09:59,000
Speaker 1: even Netflix and Prime Video. Now that's simple, easy, awesome.

2034
02:09:59,640 --> 02:10:02,280
Speaker 1: Switch to Excenity today and get a great offer. You'll

2035
02:10:02,360 --> 02:10:04,520
Speaker 1: enjoy an Infinity X one, which gives you access to

2036
02:10:04,560 --> 02:10:08,440
Speaker 1: your favorite streaming apps like Netflix, YouTube and now Prime Video.

2037
02:10:08,800 --> 02:10:12,440
Speaker 1: Go to Exfinity dot com, Callinity or visit the store

2038
02:10:12,480 --> 02:10:14,440
Speaker 1: today to learn more. Restrictions of blind