1 00:00:01,000 --> 00:00:03,600 Speaker 1: You can watch the original episode we'll be discussing in 2 00:00:03,720 --> 00:00:07,440 Speaker 1: every other episode of HBO's Curby Your Enthusiasm, including the 3 00:00:07,520 --> 00:00:09,520 Speaker 1: new and final season, on Max. 4 00:00:09,720 --> 00:00:10,840 Speaker 2: You can also watch. 5 00:00:10,640 --> 00:00:13,680 Speaker 1: The video version of the history of Curby Your Enthusiasm 6 00:00:13,720 --> 00:00:17,319 Speaker 1: podcast on Max and YouTube, as well. Links available in 7 00:00:17,360 --> 00:00:28,200 Speaker 1: the episode description. Here we are again, Jeff. 8 00:00:28,200 --> 00:00:29,200 Speaker 3: We are here again. 9 00:00:29,560 --> 00:00:30,880 Speaker 2: I'm Susie Espen. Who are you? 10 00:00:31,520 --> 00:00:34,040 Speaker 3: I was sitting with bad posture. I'm Jeff Garland. Now 11 00:00:34,040 --> 00:00:36,880 Speaker 3: I don't know if you're telling my voice started when 12 00:00:36,880 --> 00:00:39,720 Speaker 3: I was talking bad pasture. Now I'm in good pasta. 13 00:00:39,800 --> 00:00:42,480 Speaker 1: And you know what, because you're speaking from your diaphragm. 14 00:00:43,159 --> 00:00:45,560 Speaker 1: Can you take a voice thing when you were acting 15 00:00:45,960 --> 00:00:46,360 Speaker 1: a voice? 16 00:00:46,760 --> 00:00:49,880 Speaker 3: No, God, my voice were not one. It's the one 17 00:00:49,880 --> 00:00:52,680 Speaker 3: thing I can say is pretty unique to me, is 18 00:00:52,720 --> 00:00:55,320 Speaker 3: the way I talk. I know they can be irritating 19 00:00:55,360 --> 00:00:57,760 Speaker 3: to some people, and I apologize if you're one of them. 20 00:00:57,800 --> 00:00:59,800 Speaker 3: Not you, Susie. But if you're listening and you're like, oh, 21 00:01:00,000 --> 00:01:02,680 Speaker 3: this guy makes me crazy, all I can do is apologize. 22 00:01:02,840 --> 00:01:05,360 Speaker 1: Here's what I say. If they don't like your voice, Yeah, 23 00:01:05,600 --> 00:01:06,520 Speaker 1: don't tune. 24 00:01:06,200 --> 00:01:09,199 Speaker 3: In, don't listen. Yeah, that's always the Okay, we are. 25 00:01:09,040 --> 00:01:11,959 Speaker 2: On season two, episode eight, Shack. 26 00:01:12,280 --> 00:01:16,080 Speaker 1: Shack Shack, which is self explainable, which is self explanatory. 27 00:01:16,080 --> 00:01:17,080 Speaker 2: There's only one shack. 28 00:01:17,440 --> 00:01:19,880 Speaker 1: We begin dining out, now here's what struck me, and 29 00:01:20,080 --> 00:01:23,680 Speaker 1: they're at a restaurant. From the first ten seconds, it's 30 00:01:23,720 --> 00:01:25,480 Speaker 1: so clear that it's Cheryl's friends. 31 00:01:25,800 --> 00:01:27,560 Speaker 2: Well, by the way, you know what I mean. 32 00:01:27,440 --> 00:01:31,839 Speaker 3: My marriage, you know, to Marla, we went out to dinner. 33 00:01:32,200 --> 00:01:34,440 Speaker 3: I can count on one hand in a twenty five 34 00:01:34,520 --> 00:01:37,839 Speaker 3: year marriage that it wasn't her friends one hand. 35 00:01:37,920 --> 00:01:38,200 Speaker 4: Really? 36 00:01:38,280 --> 00:01:40,600 Speaker 2: Oh god, yes, interesting. 37 00:01:40,200 --> 00:01:42,039 Speaker 3: My friends were meant to be lunch one on one 38 00:01:42,040 --> 00:01:42,240 Speaker 3: with me. 39 00:01:42,680 --> 00:01:46,000 Speaker 2: We're kind of the opposite you and Jimmy. I mean, yeah, 40 00:01:46,080 --> 00:01:48,320 Speaker 2: Jimmy and I. It's almost always my friends. 41 00:01:48,800 --> 00:01:51,240 Speaker 3: Why is that the opposite? I just said it's almost always. 42 00:01:50,920 --> 00:01:53,760 Speaker 1: Her friends, right, But I'm saying it's almost always my friends. 43 00:01:54,640 --> 00:01:57,000 Speaker 1: Well yeah, but that's oh, you're saying the wife's friends. 44 00:01:57,120 --> 00:01:58,080 Speaker 3: Yeah, the wife rules. 45 00:01:58,360 --> 00:01:58,560 Speaker 2: Yeah. 46 00:02:00,240 --> 00:02:02,040 Speaker 1: Let me ask you this, when you would go out 47 00:02:02,040 --> 00:02:05,160 Speaker 1: with Marla's friends, were they boring? 48 00:02:05,640 --> 00:02:06,400 Speaker 3: Almost always? 49 00:02:06,520 --> 00:02:06,640 Speaker 4: Uh? 50 00:02:06,680 --> 00:02:09,040 Speaker 2: Huh okay, Because Cheryl's by the way a. 51 00:02:10,040 --> 00:02:13,960 Speaker 3: Party and Larry walked in and he has such a 52 00:02:14,000 --> 00:02:19,440 Speaker 3: sense of relief when he's you. Of course way, we're carniefolk. 53 00:02:19,880 --> 00:02:22,520 Speaker 3: Let's admit it. We are Carney folks. We can only 54 00:02:22,600 --> 00:02:26,480 Speaker 3: really talk with other Carnifolk people. It comes easy. We 55 00:02:26,600 --> 00:02:28,320 Speaker 3: understand each other, and. 56 00:02:28,440 --> 00:02:31,200 Speaker 1: So depends on what the carnie is like, not the 57 00:02:31,200 --> 00:02:33,400 Speaker 1: guy who's operating the roller coaster. 58 00:02:33,600 --> 00:02:35,560 Speaker 3: By the way, I want to, I want to about 59 00:02:35,600 --> 00:02:39,120 Speaker 3: half the people we ate dinner with I found terribly boring. 60 00:02:39,480 --> 00:02:43,440 Speaker 1: But the other half, because clearly these people Cheryl's friends, 61 00:02:43,520 --> 00:02:45,040 Speaker 1: Larry's bored out of his mind. 62 00:02:45,160 --> 00:02:46,800 Speaker 3: Well, by the way, this is a whole other level 63 00:02:46,800 --> 00:02:50,760 Speaker 3: of boredom. This is like you almost can feel Larry 64 00:02:50,840 --> 00:02:53,280 Speaker 3: saying at the beginning of these dinner scenes, especially the 65 00:02:53,320 --> 00:02:56,840 Speaker 3: group ones with all people, we've never seen that. Within 66 00:02:56,919 --> 00:02:59,480 Speaker 3: the first ten seconds of him and the scene, he 67 00:02:59,560 --> 00:03:02,520 Speaker 3: wants to stand up and go I'm leaving. Yes, you know, 68 00:03:02,560 --> 00:03:03,320 Speaker 3: because he is right. 69 00:03:03,400 --> 00:03:07,720 Speaker 2: He doesn't because he's married. It doesn't because good for it. No, No, 70 00:03:07,880 --> 00:03:10,760 Speaker 2: even in real life, the husband knows what's good for them. 71 00:03:11,040 --> 00:03:14,120 Speaker 1: I guess I have a note here bottom of the 72 00:03:14,160 --> 00:03:15,440 Speaker 1: broccoli cauliflower. 73 00:03:15,680 --> 00:03:16,880 Speaker 2: No idea what that means to you? 74 00:03:17,639 --> 00:03:20,880 Speaker 3: Maybe someone I don't remember someone was saying something about it, 75 00:03:20,960 --> 00:03:23,040 Speaker 3: but the thing I remember of this. First off, it 76 00:03:23,120 --> 00:03:26,880 Speaker 3: was a venison restaurant. They're ordering normal food. It was 77 00:03:26,880 --> 00:03:32,079 Speaker 3: a location in the hills around Malibu that they serve 78 00:03:32,240 --> 00:03:36,200 Speaker 3: only venison and vegetables, I'm sure. And also it was 79 00:03:36,200 --> 00:03:36,960 Speaker 3: my birthday. 80 00:03:37,360 --> 00:03:39,080 Speaker 2: Oh so it was June. 81 00:03:39,120 --> 00:03:42,040 Speaker 3: June fifth, and I'm not you know. 82 00:03:42,200 --> 00:03:43,960 Speaker 2: For our audience, I want you to know Jeff and 83 00:03:44,040 --> 00:03:45,160 Speaker 2: I are both geminis. 84 00:03:45,400 --> 00:03:48,200 Speaker 3: Yeah we are, and we get along with both sides. 85 00:03:49,240 --> 00:03:50,960 Speaker 3: Who doesn't matter which side we're currently at. 86 00:03:51,080 --> 00:03:52,360 Speaker 2: I have less sides than you. 87 00:03:53,000 --> 00:03:56,400 Speaker 3: Well, I'm an. I don't even know how to answer that. 88 00:03:56,440 --> 00:03:58,840 Speaker 3: But what I wanted to say was it's my birthday 89 00:03:59,040 --> 00:04:01,360 Speaker 3: and we always would sell great birthdays, and I said, 90 00:04:01,840 --> 00:04:03,360 Speaker 3: no one even mentioned my birth There. 91 00:04:03,280 --> 00:04:05,240 Speaker 2: Was not like a one time with ad. 92 00:04:06,200 --> 00:04:07,880 Speaker 3: That was the one time in the history of our 93 00:04:07,920 --> 00:04:11,680 Speaker 3: show where my birthday has occurred on a day of work. 94 00:04:11,800 --> 00:04:15,800 Speaker 1: But we forgot in two thousand and one, and you remember, 95 00:04:15,880 --> 00:04:17,839 Speaker 1: So it hurt, by the way it hurts. 96 00:04:18,279 --> 00:04:21,039 Speaker 3: It was disappointing. I was sad. I don't know how 97 00:04:21,040 --> 00:04:24,159 Speaker 3: deep it hurt. I still remember after all these years. 98 00:04:24,200 --> 00:04:25,480 Speaker 3: But nonetheless, so. 99 00:04:25,560 --> 00:04:28,120 Speaker 1: They're at dinner, yeah, and it's a big round table 100 00:04:28,160 --> 00:04:31,919 Speaker 1: a lot of people, and Jeremy has something he wants 101 00:04:31,960 --> 00:04:32,799 Speaker 1: to ask Larry. 102 00:04:33,680 --> 00:04:37,280 Speaker 5: It's really no big deal. It's you know, I'm applying 103 00:04:37,320 --> 00:04:37,880 Speaker 5: for a fellowship. 104 00:04:37,920 --> 00:04:39,600 Speaker 4: I want to switch classes with me? Is that it? 105 00:04:42,360 --> 00:04:44,600 Speaker 4: I like the whole clock tenth thing you got happening there. 106 00:04:44,680 --> 00:04:47,280 Speaker 5: Thanks, thanks, It works at the Gay you know. So 107 00:04:48,320 --> 00:04:51,200 Speaker 5: I'm applaying for a fellowship at La County Museum of 108 00:04:51,320 --> 00:04:55,159 Speaker 5: Art and yeah, yeah, I'm really excited, but I need 109 00:04:55,160 --> 00:04:59,919 Speaker 5: a letter of recommendation. And I would absolutely be indebted 110 00:05:00,240 --> 00:05:01,760 Speaker 5: to you forever if you could do for me. 111 00:05:03,200 --> 00:05:07,280 Speaker 1: Jeremy asked Larry something about he's got some job at 112 00:05:07,320 --> 00:05:09,600 Speaker 1: the new La County of Art Museum. 113 00:05:09,920 --> 00:05:11,960 Speaker 3: I think he's a do a docent. 114 00:05:13,960 --> 00:05:16,120 Speaker 2: Yes, I do. They're the people that give the tours. 115 00:05:16,440 --> 00:05:20,520 Speaker 1: And he wants a letter of recommendation from Larry. Larry, 116 00:05:20,680 --> 00:05:23,720 Speaker 1: Larry's like, you know, he doesn't know anything about art. 117 00:05:23,760 --> 00:05:25,000 Speaker 1: He barely knows Jeremy. 118 00:05:25,560 --> 00:05:25,880 Speaker 4: Uh. 119 00:05:26,520 --> 00:05:28,560 Speaker 2: You could see that. Larry's put out, but. 120 00:05:28,560 --> 00:05:30,760 Speaker 3: Doesn't he mention it in the scene, like I don't 121 00:05:30,800 --> 00:05:31,960 Speaker 3: know what I know about that. 122 00:05:32,480 --> 00:05:36,560 Speaker 1: He tries to get Jeremy does the geometric circles and thinks, 123 00:05:36,800 --> 00:05:39,039 Speaker 1: you know, once I asked Larry when I was buying 124 00:05:39,080 --> 00:05:41,520 Speaker 1: a co op to give me a letter of recommendation 125 00:05:41,520 --> 00:05:43,719 Speaker 1: because you have to give recommendations for the co op board. 126 00:05:44,040 --> 00:05:45,880 Speaker 2: And he was they wanted from my employer. 127 00:05:45,960 --> 00:05:48,039 Speaker 1: He was the only employer I could even think of, 128 00:05:48,160 --> 00:05:50,440 Speaker 1: you know, I'm employers. And he just said to me, 129 00:05:50,880 --> 00:05:53,440 Speaker 1: you write it. Whatever you write, I'll just sign. It 130 00:05:53,520 --> 00:05:56,279 Speaker 1: was fine, It was easy. And they all toast to 131 00:05:56,400 --> 00:05:58,680 Speaker 1: Larry and to the Lakers because they know that Larry's 132 00:05:58,680 --> 00:06:01,440 Speaker 1: a Knicks fan. We're established Larry's a Knicks fan, and 133 00:06:01,480 --> 00:06:03,720 Speaker 1: they were all Lakers fans. And he says, he's going 134 00:06:03,760 --> 00:06:06,479 Speaker 1: to the game tomorrow night court side seats. You have 135 00:06:06,560 --> 00:06:07,640 Speaker 1: the court side seats. 136 00:06:07,920 --> 00:06:09,240 Speaker 3: Oh I do, but I can't go. 137 00:06:09,440 --> 00:06:11,560 Speaker 2: You can't go. But we haven't established that yet. 138 00:06:11,720 --> 00:06:13,719 Speaker 1: You have the court side and he can't stand the 139 00:06:13,800 --> 00:06:16,359 Speaker 1: Lakers that they have Shack, the best player in the 140 00:06:16,520 --> 00:06:17,120 Speaker 1: entire world. 141 00:06:17,600 --> 00:06:18,480 Speaker 2: They can't leave. 142 00:06:19,360 --> 00:06:21,719 Speaker 1: Bob, who's one of the guests, gets up to go 143 00:06:21,760 --> 00:06:24,880 Speaker 1: to the bathroom and Bob's wife tells them all to 144 00:06:24,920 --> 00:06:26,520 Speaker 1: do a birthday page. 145 00:06:27,279 --> 00:06:29,200 Speaker 2: Now, anna ask me, is that a real thing? A 146 00:06:29,240 --> 00:06:29,800 Speaker 2: birthday pay? 147 00:06:30,880 --> 00:06:34,200 Speaker 3: I don't know, and I actually if I know, the person. 148 00:06:34,480 --> 00:06:36,720 Speaker 3: I have trouble getting it in if I don't know 149 00:06:36,760 --> 00:06:38,080 Speaker 3: the person, I don't even. 150 00:06:37,920 --> 00:06:40,920 Speaker 1: Know basically what it is is. It's a book where 151 00:06:40,960 --> 00:06:43,520 Speaker 1: everybody gives a page. Maybe it's a poem, maybe it's 152 00:06:43,520 --> 00:06:46,240 Speaker 1: a recollection, maybe it's a letter, or maybe it's a 153 00:06:46,320 --> 00:06:48,360 Speaker 1: drawing or something. 154 00:06:48,720 --> 00:06:50,040 Speaker 2: And you see Larry's face. 155 00:06:50,320 --> 00:06:52,839 Speaker 3: Believe one of those I just drew a pumpkin and 156 00:06:52,880 --> 00:06:56,200 Speaker 3: didn't explain it in one of those birthday books. I'm 157 00:06:56,200 --> 00:07:00,120 Speaker 3: remembering that now. Pumpkin just drew a pumpkin, and so 158 00:07:00,160 --> 00:07:02,760 Speaker 3: they saw a pumpkin, and I'm sure they were confused, 159 00:07:02,760 --> 00:07:05,000 Speaker 3: which is what I wanted, because I don't know that. 160 00:07:05,120 --> 00:07:07,160 Speaker 2: But you did it. And you see Larry. 161 00:07:07,200 --> 00:07:09,840 Speaker 1: First, he's asked for a letter of recommendation from somebody 162 00:07:09,840 --> 00:07:12,280 Speaker 1: he doesn't know. Then he's asked for a birthday page. 163 00:07:12,440 --> 00:07:15,320 Speaker 1: And people do this to people who are funny. They think, oh, 164 00:07:15,360 --> 00:07:17,880 Speaker 1: you just make it funny, like it's just so easy, 165 00:07:17,920 --> 00:07:19,240 Speaker 1: you know what I mean, You just write something. 166 00:07:19,360 --> 00:07:20,160 Speaker 2: It'll be by the way. 167 00:07:20,200 --> 00:07:22,400 Speaker 3: I had that once in a movie. I did a 168 00:07:22,400 --> 00:07:26,520 Speaker 3: movie called Jacob's Ladder, and there was a party scene 169 00:07:26,560 --> 00:07:28,720 Speaker 3: with all the postal people and he worked in the 170 00:07:28,760 --> 00:07:32,040 Speaker 3: post office, and Adrian Lyne said something to me, because 171 00:07:32,080 --> 00:07:34,679 Speaker 3: it's you know, when I auditioned, I improvised a lot, 172 00:07:34,880 --> 00:07:37,160 Speaker 3: and he said to me, Jeff, go out there and 173 00:07:37,200 --> 00:07:42,200 Speaker 3: be witty. Just be witty with no substance and what direction. 174 00:07:42,400 --> 00:07:44,320 Speaker 3: Be witty. So I'm in the middle of these scenes, 175 00:07:44,440 --> 00:07:47,120 Speaker 3: and so what I would be doing in those scenes 176 00:07:47,200 --> 00:07:51,160 Speaker 3: is forcing myself in and saying something that was not 177 00:07:51,280 --> 00:07:53,680 Speaker 3: really funny. And guess what cut. 178 00:07:53,600 --> 00:07:56,800 Speaker 2: Out of the mind out And frequently it's a very 179 00:07:56,840 --> 00:07:57,559 Speaker 2: dour movie. 180 00:07:57,760 --> 00:08:00,840 Speaker 3: And I was Jacob's funny friend, and so there was 181 00:08:00,880 --> 00:08:02,560 Speaker 3: no I'm gone, you're funny. 182 00:08:02,600 --> 00:08:05,000 Speaker 2: I was supposed to be in that movie. I think 183 00:08:05,200 --> 00:08:05,800 Speaker 2: I forgot what. 184 00:08:05,720 --> 00:08:07,119 Speaker 3: Happened on a popcorn stand? 185 00:08:07,160 --> 00:08:10,360 Speaker 1: I remember, yeah, okay, So Larry and chall are getting 186 00:08:10,400 --> 00:08:12,400 Speaker 1: up to leave, and Larry goes to put down money. 187 00:08:12,680 --> 00:08:14,920 Speaker 4: I don't know how much is this sixty? 188 00:08:17,280 --> 00:08:17,840 Speaker 3: What did you have? 189 00:08:18,120 --> 00:08:21,800 Speaker 6: I mean we just had some turkey, turkey and a 190 00:08:22,120 --> 00:08:24,160 Speaker 6: glass of wine. I don't even know what to put 191 00:08:24,200 --> 00:08:27,200 Speaker 6: down here. I mean, I'm ninety how's that is that? 192 00:08:27,240 --> 00:08:27,440 Speaker 3: Good? 193 00:08:27,560 --> 00:08:32,440 Speaker 6: Think it's ninety good sweets. 194 00:08:32,600 --> 00:08:36,320 Speaker 2: It's like a three layer I have to get that. 195 00:08:36,320 --> 00:08:38,679 Speaker 6: You talked about hundred and fifteen when'd you have chicken 196 00:08:38,720 --> 00:08:39,800 Speaker 6: and turkey and a glass? 197 00:08:39,880 --> 00:08:41,200 Speaker 4: I got one hundred and fifteen dollars. 198 00:08:41,280 --> 00:08:43,439 Speaker 1: That cool, And he keeps on putting it in another 199 00:08:43,480 --> 00:08:45,960 Speaker 1: twenty twenty and another twenty. 200 00:08:46,520 --> 00:08:49,600 Speaker 3: As he did it, it was a little exaggerated, but 201 00:08:49,679 --> 00:08:52,080 Speaker 3: I've been there that you keep putting. 202 00:08:51,760 --> 00:08:53,000 Speaker 4: More and more and more. 203 00:08:53,200 --> 00:08:55,040 Speaker 3: It was no one's looking at you. 204 00:08:55,200 --> 00:08:56,360 Speaker 2: Because they wanted to keep going. 205 00:08:56,520 --> 00:08:59,920 Speaker 3: Yeah, So he keeps going for the whole dinner. 206 00:08:59,720 --> 00:09:01,680 Speaker 1: And then they're in the car and the way home 207 00:09:01,720 --> 00:09:04,120 Speaker 1: and go out to dinner. I end up with homework assignments, 208 00:09:04,320 --> 00:09:06,959 Speaker 1: and he carries on. 209 00:09:06,320 --> 00:09:10,559 Speaker 3: That line alone is so great homework assignments because that's 210 00:09:10,640 --> 00:09:13,640 Speaker 3: what it feels like. That's exactly what it feels like. 211 00:09:13,800 --> 00:09:16,320 Speaker 2: It does. Yeah, I don't like homework assignments. 212 00:09:16,320 --> 00:09:18,080 Speaker 3: Oh, I can't stand him. One of the. 213 00:09:17,960 --> 00:09:20,760 Speaker 1: Reasons why we love doing this show so much, right 214 00:09:21,000 --> 00:09:23,520 Speaker 1: is we don't have the homework assignment of memorizing line. 215 00:09:23,559 --> 00:09:25,280 Speaker 3: We just have to I'm at a point now where 216 00:09:25,320 --> 00:09:28,840 Speaker 3: Jeff Shaeffer, our director, literally and I've done this for 217 00:09:28,880 --> 00:09:31,760 Speaker 3: a number of years with him now I read the 218 00:09:31,760 --> 00:09:34,840 Speaker 3: outline once when Larry first sends him to us, and 219 00:09:34,880 --> 00:09:38,240 Speaker 3: this is before the season. After that, I don't read 220 00:09:38,400 --> 00:09:41,640 Speaker 3: anything like the day's pages. I literally will enter a 221 00:09:41,679 --> 00:09:44,640 Speaker 3: scene and stay to Jeff Shaeffer and he loved he 222 00:09:44,760 --> 00:09:46,280 Speaker 3: like I don't know if he loves it, but he 223 00:09:46,400 --> 00:09:49,840 Speaker 3: certainly appears to be very affable about it. He'll tell 224 00:09:49,840 --> 00:09:52,160 Speaker 3: me what the scene's about and what I did before 225 00:09:52,280 --> 00:09:54,800 Speaker 3: and what I do after, and that's all I use. 226 00:09:55,080 --> 00:09:56,160 Speaker 3: That's it him telling me. 227 00:09:56,360 --> 00:09:59,040 Speaker 1: And I think we've discussed this before. I always read 228 00:09:59,080 --> 00:10:01,200 Speaker 1: it ahead of time. I know, I always look at it. 229 00:10:01,240 --> 00:10:02,880 Speaker 1: I like to know. I like to know what my 230 00:10:03,000 --> 00:10:04,959 Speaker 1: day is. I like to know what I'm wearing that day. 231 00:10:05,080 --> 00:10:09,520 Speaker 1: Especially Leslie tell me the night before what am I 232 00:10:09,559 --> 00:10:10,120 Speaker 1: wearing tomorrow? 233 00:10:10,200 --> 00:10:12,080 Speaker 2: She tells me what I'm wearing, she says me a picture. 234 00:10:12,600 --> 00:10:14,600 Speaker 3: I just like to get into the outfit that you've 235 00:10:14,600 --> 00:10:17,040 Speaker 3: worn a couple of times that I've commented on it 236 00:10:17,160 --> 00:10:21,720 Speaker 3: is sublime because anyone else in the world wearing that outfit, 237 00:10:22,040 --> 00:10:25,000 Speaker 3: people would go, that is the most ridiculous thing I've 238 00:10:25,040 --> 00:10:25,640 Speaker 3: ever seen. 239 00:10:25,760 --> 00:10:26,240 Speaker 2: Not on me. 240 00:10:26,600 --> 00:10:28,720 Speaker 3: You wear it and it's the calmest thing. 241 00:10:29,080 --> 00:10:30,600 Speaker 2: And that it was subtle. 242 00:10:30,760 --> 00:10:34,480 Speaker 3: It was. It was insane yet subtle, And. 243 00:10:34,920 --> 00:10:37,679 Speaker 1: Yeah, it was and when in many, many months or 244 00:10:37,720 --> 00:10:40,040 Speaker 1: maybe even years from now, when we get to season twelve, 245 00:10:40,200 --> 00:10:41,080 Speaker 1: we'll discuss it. 246 00:10:41,280 --> 00:10:45,320 Speaker 3: Okay, well no, no, maybe you think I'm not going 247 00:10:45,360 --> 00:10:46,199 Speaker 3: to discuss it. 248 00:10:46,320 --> 00:10:49,360 Speaker 2: Okay, all right, Okay. 249 00:10:49,440 --> 00:10:52,840 Speaker 1: They go home and Cheryl's parents are there visiting, and 250 00:10:52,880 --> 00:10:58,240 Speaker 1: they're playing scategories, and that whole scene is hilarious. The Arabia, 251 00:10:58,480 --> 00:11:00,840 Speaker 1: everything with the two them are hilarious. 252 00:11:00,840 --> 00:11:04,440 Speaker 3: One of my heroes, Paul, had a running role on 253 00:11:04,480 --> 00:11:07,199 Speaker 3: the show. He really All I see him is a 254 00:11:07,240 --> 00:11:10,040 Speaker 3: movie many of you have not seen, Breaking Away Away. 255 00:11:10,120 --> 00:11:14,720 Speaker 3: So the one line refund refund because his son tells 256 00:11:14,760 --> 00:11:16,559 Speaker 3: me he was a car dealership and his son gave 257 00:11:16,600 --> 00:11:18,920 Speaker 3: a refund, and all they can bring up out of 258 00:11:18,960 --> 00:11:22,800 Speaker 3: himself is refund with a question mark and an exclamation. 259 00:11:23,160 --> 00:11:25,080 Speaker 2: Barbara Barry's terrific movie. 260 00:11:25,840 --> 00:11:28,840 Speaker 3: If you walk Breaking Away, you'll enjoy it. Young Dennis Quaid, 261 00:11:29,520 --> 00:11:33,679 Speaker 3: Young Daniel Stern. Yeah, I mean it's really quite beautiful. 262 00:11:33,720 --> 00:11:35,560 Speaker 3: It's it's worth seeing, very much so. 263 00:11:36,000 --> 00:11:38,719 Speaker 1: And then Larry goes upstairs and Paul says, don't you 264 00:11:38,760 --> 00:11:39,280 Speaker 1: say good night? 265 00:11:40,000 --> 00:11:42,160 Speaker 2: He comes a running over by the way. 266 00:11:42,280 --> 00:11:44,680 Speaker 3: In that moment, Larry just says good night and goes 267 00:11:44,720 --> 00:11:46,520 Speaker 3: on his way. He did. At this point, he's not 268 00:11:46,559 --> 00:11:49,040 Speaker 3: even reacting to it. It's a father in law. I'll 269 00:11:49,080 --> 00:11:51,080 Speaker 3: go and say it like that. When he does, it 270 00:11:51,080 --> 00:11:53,640 Speaker 3: doesn't even I'm sure he shook it off when he 271 00:11:53,720 --> 00:11:54,520 Speaker 3: first happens. 272 00:11:55,040 --> 00:11:56,800 Speaker 1: Then he's lying in bed, he's trying to read, and 273 00:11:56,840 --> 00:11:59,800 Speaker 1: you just hear them in the background, occidental and screaming 274 00:11:59,840 --> 00:12:02,280 Speaker 1: and yelling. And he turns to show, say what do 275 00:12:02,320 --> 00:12:04,400 Speaker 1: you about know about this page? And he starts this 276 00:12:04,440 --> 00:12:05,400 Speaker 1: is where he does he. 277 00:12:05,400 --> 00:12:08,840 Speaker 3: Yell, hold on? Doesn't he yell an answer? I believe 278 00:12:08,840 --> 00:12:14,320 Speaker 3: so he yells an answer, and then the mother Julius 279 00:12:14,360 --> 00:12:16,960 Speaker 3: says it but doesn't acknowledge that Larry just yelled at. 280 00:12:17,080 --> 00:12:19,679 Speaker 1: Okay, yeah, And this is where he's in bed with you, 281 00:12:19,840 --> 00:12:22,960 Speaker 1: and he starts to go on and on about these 282 00:12:23,000 --> 00:12:27,080 Speaker 1: homework assignments, A dear La County Museum Jeremy, who is 283 00:12:27,160 --> 00:12:30,920 Speaker 1: somewhat of an acquaintance, you know, just constant on and 284 00:12:30,960 --> 00:12:31,319 Speaker 1: on about it. 285 00:12:31,440 --> 00:12:33,959 Speaker 3: I'm not mistaken. Isn't she facing away from him when 286 00:12:34,000 --> 00:12:36,600 Speaker 3: he I think so, which is unique to the show. 287 00:12:36,880 --> 00:12:40,480 Speaker 3: And she's at this point, really she's had it. And 288 00:12:41,000 --> 00:12:42,880 Speaker 3: you know, by the way, those are the kind of 289 00:12:42,960 --> 00:12:45,400 Speaker 3: things that he's naming that you really want to do 290 00:12:45,520 --> 00:12:48,120 Speaker 3: for some like I would never ask Larry to write 291 00:12:48,160 --> 00:12:50,960 Speaker 3: a page. You know, we have a thing and I 292 00:12:51,040 --> 00:12:54,319 Speaker 3: did this with my sons. Larry said, you know, I 293 00:12:54,400 --> 00:12:56,560 Speaker 3: knew why we felt like, Larry, you're not invited to 294 00:12:56,600 --> 00:12:59,120 Speaker 3: either one of my sons, bar mitzvahs. Thank you. 295 00:12:59,240 --> 00:13:01,800 Speaker 2: Yeah, well say with me, did we had the same thing? 296 00:13:02,640 --> 00:13:02,840 Speaker 4: Yeah? 297 00:13:02,920 --> 00:13:04,000 Speaker 2: Yeah, no, yeah, the same thing? 298 00:13:04,400 --> 00:13:06,880 Speaker 3: And he is so grateful. And if you're a real 299 00:13:06,920 --> 00:13:09,200 Speaker 3: friend with somebody and you know them, you can't have 300 00:13:09,280 --> 00:13:10,679 Speaker 3: bullshit expectations. 301 00:13:11,280 --> 00:13:16,920 Speaker 1: However, yes, yes, however my sixty fifth birthday and your 302 00:13:17,040 --> 00:13:20,640 Speaker 1: sixtieth birthday, Larry did do videos for both of us. 303 00:13:20,760 --> 00:13:23,840 Speaker 3: Oh, by the way, but that's Larry. He enjoys that. 304 00:13:24,000 --> 00:13:26,680 Speaker 1: Though I also think that he loves us, so we 305 00:13:26,880 --> 00:13:27,480 Speaker 1: enjoys that. 306 00:13:27,640 --> 00:13:30,000 Speaker 3: And by the way, acquaintances, did you receive mine? 307 00:13:30,400 --> 00:13:32,680 Speaker 2: Hilarious? Did a good night moon? 308 00:13:32,840 --> 00:13:35,760 Speaker 3: Yeah, a good night moon with good good night nurse 309 00:13:35,800 --> 00:13:37,559 Speaker 3: and he's wearing a good night nurse and he's wearing 310 00:13:37,600 --> 00:13:41,240 Speaker 3: a costume, yeah, a cape a hat. It was so 311 00:13:41,440 --> 00:13:45,120 Speaker 3: it was always on the ground that yes, we'll. 312 00:13:45,000 --> 00:13:46,400 Speaker 2: Be right back, stay tuned. 313 00:13:57,360 --> 00:13:58,280 Speaker 4: Okay, we're back. 314 00:13:58,520 --> 00:13:58,920 Speaker 2: Okay. 315 00:13:59,000 --> 00:14:01,200 Speaker 1: So next scene, you're in the locker room with the 316 00:14:01,200 --> 00:14:04,160 Speaker 1: golf club and you're there and you can't go to 317 00:14:04,240 --> 00:14:06,360 Speaker 1: the Laker game, and you're supposed to go to with Larry, 318 00:14:06,559 --> 00:14:10,600 Speaker 1: and you say take Richard Lewis fine, and then Albert 319 00:14:10,720 --> 00:14:13,120 Speaker 1: mail Shack's agent walks by. 320 00:14:13,400 --> 00:14:17,760 Speaker 3: Yeah, Mark de Carlo. I've known Mark de Carlo for 321 00:14:17,920 --> 00:14:21,120 Speaker 3: one hundred years from Chicago. I have never seen him 322 00:14:21,200 --> 00:14:25,480 Speaker 3: do better work to his other works. But he was 323 00:14:25,560 --> 00:14:28,600 Speaker 3: playing something that was so, you know, right up his 324 00:14:28,680 --> 00:14:31,160 Speaker 3: alley he can hit, but he could hit that out 325 00:14:31,200 --> 00:14:33,840 Speaker 3: of the park with his joy and like, come on, 326 00:14:34,000 --> 00:14:35,120 Speaker 3: we'll do this. It was just so. 327 00:14:35,960 --> 00:14:39,560 Speaker 1: And he tells Larry that Shaq love Seinfeldt and he 328 00:14:39,680 --> 00:14:41,600 Speaker 1: says to you to look at this thing on his back. 329 00:14:41,920 --> 00:14:44,960 Speaker 1: He's got some kind of a yeah whatever, some skin 330 00:14:45,080 --> 00:14:47,520 Speaker 1: thing on his back. And he asked you to look 331 00:14:47,520 --> 00:14:49,720 Speaker 1: at it in his back. And is it you that say, 332 00:14:49,800 --> 00:14:53,200 Speaker 1: ask Doc Wiggins or is it the agent who says no. 333 00:14:53,240 --> 00:14:55,200 Speaker 3: I think it's me, but I'm not sure. 334 00:14:55,360 --> 00:15:00,400 Speaker 2: Okay, it's me. I'm encouraging him, ask Doc Wiggins. Wiggans 335 00:15:00,480 --> 00:15:02,520 Speaker 2: is sitting over there. He's the Lakers doctor. 336 00:15:03,000 --> 00:15:09,280 Speaker 4: Hey, doctor Wiggins. Hey, how you doing. I'm sorry to 337 00:15:09,280 --> 00:15:11,960 Speaker 4: body with this. I got a little thing on my 338 00:15:12,080 --> 00:15:13,080 Speaker 4: back and I. 339 00:15:13,000 --> 00:15:16,240 Speaker 6: Was hoping you could save me a visit to a dermatologist. 340 00:15:16,600 --> 00:15:17,880 Speaker 3: I'm sorry, I'm running a little later. 341 00:15:19,200 --> 00:15:21,000 Speaker 4: Well, it's only take a second, take a quick look 342 00:15:21,000 --> 00:15:23,160 Speaker 4: at it. I'm I'm sure it's nothing. And you know, 343 00:15:23,200 --> 00:15:24,040 Speaker 4: you could just tell me what. 344 00:15:24,120 --> 00:15:25,720 Speaker 3: You're gonna make an appointment and just come on down 345 00:15:25,800 --> 00:15:26,200 Speaker 3: the office. 346 00:15:26,200 --> 00:15:29,000 Speaker 4: I'll be happy to look at it there. I mean, 347 00:15:29,000 --> 00:15:30,680 Speaker 4: it would just take a second. Really, I mean, just 348 00:15:30,720 --> 00:15:32,960 Speaker 4: says it's something or nothing. You know, it's like looking 349 00:15:33,000 --> 00:15:33,520 Speaker 4: at your watch. 350 00:15:33,600 --> 00:15:35,960 Speaker 3: Really, what do you do for a living? 351 00:15:36,720 --> 00:15:37,280 Speaker 4: I'm a writer. 352 00:15:38,160 --> 00:15:39,680 Speaker 3: Next time you're in a big hurry, wy, don't you 353 00:15:39,680 --> 00:15:42,080 Speaker 3: write me a bunch of shit for free? Is he 354 00:15:42,160 --> 00:15:44,800 Speaker 3: an high doctor something that has nothing to do with rashes? 355 00:15:45,000 --> 00:15:47,280 Speaker 2: Well, if he's the Lakers doctor, he's probably an orthopedist. 356 00:15:47,440 --> 00:15:48,520 Speaker 3: Yeah, that's what he is. 357 00:15:48,720 --> 00:15:49,160 Speaker 2: Yeah. 358 00:15:49,200 --> 00:15:51,640 Speaker 1: So he goes to ask Doc Wiggins, and Wiggins is 359 00:15:51,920 --> 00:15:52,760 Speaker 1: having none of it. 360 00:15:53,960 --> 00:15:56,280 Speaker 3: By the way, that's like someone is saying, do that 361 00:15:56,400 --> 00:15:57,760 Speaker 3: voice you do or whatever. 362 00:15:57,560 --> 00:15:59,400 Speaker 2: To us something funny? 363 00:15:59,720 --> 00:16:02,480 Speaker 3: Yes, infan, But also I get out of it with 364 00:16:02,520 --> 00:16:04,720 Speaker 3: a smile. I do it. I don't go why the 365 00:16:04,720 --> 00:16:05,560 Speaker 3: fuck would you ask me? 366 00:16:05,720 --> 00:16:06,600 Speaker 2: Wiggins was? 367 00:16:06,760 --> 00:16:08,440 Speaker 3: He was really angry. 368 00:16:08,160 --> 00:16:10,520 Speaker 1: And he says, Larry, next time you're in a hurry, 369 00:16:10,640 --> 00:16:12,680 Speaker 1: why don't you write me a bunch of shit for free? 370 00:16:12,880 --> 00:16:15,280 Speaker 1: He basically said, you know, so that's basically it. And 371 00:16:15,320 --> 00:16:17,160 Speaker 1: you see he's a hard ass. He's a you know, 372 00:16:17,480 --> 00:16:21,240 Speaker 1: not a good guy. Cut to sitting courtside. Now I 373 00:16:21,240 --> 00:16:23,480 Speaker 1: have questions about this because I was not there for 374 00:16:23,520 --> 00:16:24,160 Speaker 1: this episode. 375 00:16:24,640 --> 00:16:27,960 Speaker 2: What how was that shot? Was that an actual Lakers game? 376 00:16:28,040 --> 00:16:28,160 Speaker 4: Now? 377 00:16:28,360 --> 00:16:32,320 Speaker 2: The sitting court side, right next to the bench. 378 00:16:32,480 --> 00:16:34,880 Speaker 1: They're playing the Timberwolves, and it's Larry and Richard Lewis 379 00:16:34,880 --> 00:16:36,440 Speaker 1: sitting courtside at a Lakers game. 380 00:16:36,520 --> 00:16:37,600 Speaker 2: Tell me about that, Well. 381 00:16:37,520 --> 00:16:42,720 Speaker 3: It's a combo actually, talk about technically that was done magnificently. 382 00:16:42,880 --> 00:16:46,040 Speaker 3: Yea by probably Steve Rash, I'm guessing, or John Corny. 383 00:16:46,120 --> 00:16:48,680 Speaker 2: Steve Rash and John Corn were our editors. 384 00:16:48,400 --> 00:16:51,600 Speaker 3: And I worked with Corn. 385 00:16:51,880 --> 00:16:54,160 Speaker 1: Corn was an matter for many seasons. But Steve Rash 386 00:16:54,200 --> 00:16:55,600 Speaker 1: has been from the beginning right right. 387 00:16:55,600 --> 00:16:57,720 Speaker 3: But Corn knows how to do it, and he's gotten 388 00:16:57,800 --> 00:17:01,000 Speaker 3: hired to do a similar thing. He's not a couple 389 00:17:01,040 --> 00:17:01,680 Speaker 3: of my movies. 390 00:17:02,000 --> 00:17:04,439 Speaker 2: I couldn't say tell me about how that. 391 00:17:04,520 --> 00:17:06,680 Speaker 3: I don't remember who edited it, but how was it shot? 392 00:17:06,840 --> 00:17:09,480 Speaker 3: It was shot at a real game. They were wired 393 00:17:10,119 --> 00:17:13,600 Speaker 3: and we're shooting from far away with long lenses and 394 00:17:14,119 --> 00:17:16,320 Speaker 3: it's a real game, all the stuff. And when he 395 00:17:16,359 --> 00:17:19,400 Speaker 3: walked out and people were booing, I think that that 396 00:17:19,680 --> 00:17:23,560 Speaker 3: was fake set up. Like they were also cutouts behind 397 00:17:23,560 --> 00:17:25,960 Speaker 3: them that you couldn't see. They're in the dark, like 398 00:17:26,000 --> 00:17:28,160 Speaker 3: the way it was lit, so it feels like there's 399 00:17:28,160 --> 00:17:31,439 Speaker 3: a lot of people. There were always real people, you know, 400 00:17:32,119 --> 00:17:34,639 Speaker 3: a good amount of way behind them. We had a 401 00:17:34,640 --> 00:17:37,080 Speaker 3: lot of background in that, but it was shuffled in 402 00:17:37,119 --> 00:17:40,040 Speaker 3: and out to where I'm watching, and I don't know, 403 00:17:40,440 --> 00:17:43,040 Speaker 3: I don't know. I do know when they're walking in 404 00:17:43,119 --> 00:17:45,720 Speaker 3: and they're saying shit to each other, no one, you know. 405 00:17:45,920 --> 00:17:49,159 Speaker 3: At this point people might have noticed Richard Lewis and 406 00:17:49,280 --> 00:17:51,520 Speaker 3: a long shot Larry, so it's not like. 407 00:17:51,520 --> 00:17:54,919 Speaker 2: It's really Larry was not as famous. 408 00:17:54,960 --> 00:17:57,960 Speaker 1: He was known for doing sign that was behind the camera, 409 00:17:58,800 --> 00:17:59,679 Speaker 1: so his face was not. 410 00:18:00,160 --> 00:18:03,320 Speaker 2: Richard Lewis is well known, but he. 411 00:18:03,320 --> 00:18:07,720 Speaker 3: Was never a mass comedian like Funny Smart People, Doug Richie. 412 00:18:07,760 --> 00:18:13,240 Speaker 3: He was a comedian and so they're walking down no one, no, no, 413 00:18:13,320 --> 00:18:15,639 Speaker 3: he was more than a cult. But nonetheless, yes, definitely 414 00:18:15,720 --> 00:18:18,040 Speaker 3: up that alley. But like when they're walking down to 415 00:18:18,080 --> 00:18:21,280 Speaker 3: their seats, we're shooting from across the arena. Uh huh, 416 00:18:21,320 --> 00:18:24,280 Speaker 3: and no one knows we're there. And that's why no 417 00:18:24,320 --> 00:18:27,240 Speaker 3: one is even looking at them as they're talking and walking. 418 00:18:27,320 --> 00:18:28,360 Speaker 2: And what about the sound. 419 00:18:28,920 --> 00:18:32,280 Speaker 3: The sound was the actual game scenes that were contained. 420 00:18:32,480 --> 00:18:34,520 Speaker 3: We just used the sound from the actual thing. 421 00:18:34,600 --> 00:18:36,320 Speaker 2: So it was a hybrid, kind of a hybrid. 422 00:18:36,680 --> 00:18:38,960 Speaker 1: Okay, so another question about that, But I want to 423 00:18:38,960 --> 00:18:42,640 Speaker 1: get a little further along. So Larry, you know, Larry's 424 00:18:42,680 --> 00:18:45,560 Speaker 1: long and lanky, and they're sitting court side, and I'll 425 00:18:45,560 --> 00:18:47,080 Speaker 1: tell you a story about when I was sitting court 426 00:18:47,080 --> 00:18:47,520 Speaker 1: side once. 427 00:18:47,560 --> 00:18:49,320 Speaker 2: You think he's so cool sitting courtside. 428 00:18:49,720 --> 00:18:51,400 Speaker 3: Courtside together in a nixt We did. 429 00:18:51,600 --> 00:18:51,960 Speaker 2: We did. 430 00:18:52,160 --> 00:18:54,600 Speaker 3: And by the way, that was the night where I 431 00:18:54,760 --> 00:18:57,280 Speaker 3: watched you. People said, oh, I love you on the show. 432 00:18:57,320 --> 00:18:59,560 Speaker 3: Whatever they said to you, they wanted you to yell 433 00:18:59,600 --> 00:19:02,119 Speaker 3: at them, right, I mean, but I was when we 434 00:19:02,119 --> 00:19:04,959 Speaker 3: were riding the train out of there actually, and I'm like, 435 00:19:05,000 --> 00:19:07,840 Speaker 3: how the fuck do you deal with that? That's insane? 436 00:19:07,920 --> 00:19:10,320 Speaker 1: People just constantly want me to tell them to go 437 00:19:10,359 --> 00:19:14,639 Speaker 1: fuck themselves. Now, yes, of course, yeah, thank god Pandemic 438 00:19:14,760 --> 00:19:17,560 Speaker 1: masks has been a delight in that way. One time, 439 00:19:17,640 --> 00:19:19,639 Speaker 1: Jimmy and I were, of course, we were under the 440 00:19:19,680 --> 00:19:24,080 Speaker 1: basket at the end, and a ball comes at my 441 00:19:24,240 --> 00:19:27,960 Speaker 1: face really really fast. I just saw it in slow mo. 442 00:19:28,400 --> 00:19:30,360 Speaker 1: If it would have hit my face, I would. 443 00:19:30,119 --> 00:19:31,080 Speaker 3: Have broken your nose. 444 00:19:31,240 --> 00:19:33,000 Speaker 1: I would have had a concussion. I would have flipped. 445 00:19:33,000 --> 00:19:34,800 Speaker 1: I might have been dead. I would have flipped back. 446 00:19:35,200 --> 00:19:36,800 Speaker 3: He wouldn't have been It. 447 00:19:36,800 --> 00:19:39,360 Speaker 2: Was really I mean, I would have been There's. 448 00:19:39,200 --> 00:19:43,200 Speaker 3: A game called bombardment or dodgeball, where people whip balls. 449 00:19:43,359 --> 00:19:44,639 Speaker 2: I played dodgeball. 450 00:19:44,720 --> 00:19:48,479 Speaker 3: Okay, I've gotten hit in the face and dodgeball it hurts. 451 00:19:48,800 --> 00:19:51,720 Speaker 3: You could break your nose. For you to die, you'd 452 00:19:51,720 --> 00:19:53,920 Speaker 3: have to have some weird pre existing conditions, all. 453 00:19:53,880 --> 00:19:54,320 Speaker 2: Right, Well I did. 454 00:19:55,200 --> 00:19:57,760 Speaker 1: My husband saw it through the corner of his eye 455 00:19:58,040 --> 00:20:00,600 Speaker 1: and deflected the ball quickly with his arm and pushed 456 00:20:00,600 --> 00:20:02,080 Speaker 1: it out a way so it didn't hit my face, 457 00:20:02,320 --> 00:20:04,200 Speaker 1: and he hurt his arm for like three years. 458 00:20:04,200 --> 00:20:07,120 Speaker 2: It heard after that. Wow, yeah, because it was coming. 459 00:20:07,119 --> 00:20:09,720 Speaker 1: So fast and I just it's like I was just 460 00:20:09,760 --> 00:20:11,359 Speaker 1: sitting there in slow mean look. 461 00:20:11,240 --> 00:20:13,320 Speaker 3: At him and go my hero. Of course I did, Yeah, 462 00:20:13,359 --> 00:20:15,280 Speaker 3: you always, but by the way, on a normal day. 463 00:20:15,400 --> 00:20:15,840 Speaker 2: He's my hero. 464 00:20:16,040 --> 00:20:20,000 Speaker 1: But my point is, sitting courtside is a dangerous proposition. 465 00:20:20,440 --> 00:20:24,480 Speaker 1: And there's Larry, and Larry sticks his long, lanky legs 466 00:20:24,520 --> 00:20:26,280 Speaker 1: out crosses them. 467 00:20:26,560 --> 00:20:29,720 Speaker 3: My friend Steve Moscow was sitting with George Shapiro, who 468 00:20:29,960 --> 00:20:30,679 Speaker 3: was Jerry. 469 00:20:30,400 --> 00:20:33,080 Speaker 2: Seinfeld's man, and so many others. 470 00:20:33,240 --> 00:20:35,760 Speaker 3: Andy Kaufman, and as far. 471 00:20:35,640 --> 00:20:38,280 Speaker 2: As I'm concerned, and a beloved man, he was. 472 00:20:38,280 --> 00:20:41,639 Speaker 3: A dear friend of mine, and I truly look at 473 00:20:41,720 --> 00:20:44,240 Speaker 3: him as the kindest man who's ever lived. I really 474 00:20:44,480 --> 00:20:48,359 Speaker 3: so at George's memorial, Steve had this clip of the 475 00:20:48,480 --> 00:20:51,359 Speaker 3: two of them sitting where you say you were sitting. 476 00:20:51,600 --> 00:20:54,240 Speaker 3: I don't believe you. I'm kidding. Well, obviously I'm kidding. 477 00:20:54,440 --> 00:20:59,199 Speaker 3: And Shack plows into them. I forget the ball and 478 00:20:59,240 --> 00:21:02,479 Speaker 3: the whole row goes over. Everyone's fine, you know, but 479 00:21:02,600 --> 00:21:04,359 Speaker 3: it was Shack, actually Shack. 480 00:21:04,440 --> 00:21:06,040 Speaker 2: And Shack is quite large. 481 00:21:06,040 --> 00:21:09,879 Speaker 1: He's not just tall, he's a big he's a mask. 482 00:21:10,080 --> 00:21:11,520 Speaker 2: He's a mass. 483 00:21:11,560 --> 00:21:13,920 Speaker 1: And the other thing, when you think the sweat gets 484 00:21:13,920 --> 00:21:16,560 Speaker 1: all over you, you feel the sweat on your faces. 485 00:21:16,920 --> 00:21:17,960 Speaker 3: What are you talking about? 486 00:21:19,040 --> 00:21:23,720 Speaker 1: Players you, Yes, they do know the h I feel 487 00:21:23,760 --> 00:21:26,000 Speaker 1: it there, What are you talking about? I feel it? 488 00:21:30,600 --> 00:21:35,119 Speaker 1: And he trips Shack and Doc Wigins runs into Shack 489 00:21:35,480 --> 00:21:37,879 Speaker 1: and they take him off the court and the whole 490 00:21:37,960 --> 00:21:51,959 Speaker 1: stadium starts to bowl Larry. 491 00:21:52,840 --> 00:21:56,159 Speaker 3: And so when Larry's doing this, I'm pretty sure that 492 00:21:56,240 --> 00:21:58,679 Speaker 3: it's just the fans on the side there that it 493 00:21:58,720 --> 00:22:01,520 Speaker 3: wasn't a real game. But we could have. But I 494 00:22:01,600 --> 00:22:05,320 Speaker 3: think because people were yelling back so strongly, it couldn't 495 00:22:05,320 --> 00:22:07,080 Speaker 3: have been a regular crowd because they have no way. 496 00:22:07,160 --> 00:22:08,960 Speaker 3: They would look at him like why is this sky point? 497 00:22:09,480 --> 00:22:12,399 Speaker 3: They would there'd be strange looks, not looks of So 498 00:22:12,440 --> 00:22:13,280 Speaker 3: that's another. 499 00:22:13,040 --> 00:22:14,480 Speaker 2: Thing that was a hybrid kind of a. 500 00:22:14,440 --> 00:22:17,240 Speaker 3: Thing right there. But then when you go to wide, 501 00:22:17,480 --> 00:22:19,400 Speaker 3: if he's taking a step, you may show him why 502 00:22:19,560 --> 00:22:23,080 Speaker 3: take a step, But when you're tighter, it's him getting 503 00:22:23,160 --> 00:22:23,600 Speaker 3: yelled at. 504 00:22:23,760 --> 00:22:27,080 Speaker 1: You know, he's getting booted and he's screaming it was 505 00:22:27,080 --> 00:22:28,520 Speaker 1: an accident, and it was an accident. 506 00:22:28,960 --> 00:22:30,520 Speaker 2: And then Cheryl's on the phone. 507 00:22:30,760 --> 00:22:34,000 Speaker 1: It becomes a big cause to lab everybody saw it. 508 00:22:33,960 --> 00:22:38,359 Speaker 3: It's let's also establish something else. When Richard and Larry 509 00:22:38,520 --> 00:22:42,080 Speaker 3: are sitting there. Kobe stretches right in front of them. 510 00:22:42,200 --> 00:22:42,879 Speaker 3: It's on camera. 511 00:22:43,280 --> 00:22:44,480 Speaker 2: Didn't notice that's. 512 00:22:44,240 --> 00:22:47,480 Speaker 3: Kobe the player I know, by the way. I did 513 00:22:47,520 --> 00:22:50,840 Speaker 3: a Nintendo commercial with Kobe his rookie year, and he 514 00:22:50,960 --> 00:22:54,560 Speaker 3: was so sweet, speaking of every nonsense thing that I 515 00:22:54,560 --> 00:22:57,159 Speaker 3: asked him to tell somebody else. He loved it. Couldn't 516 00:22:57,200 --> 00:23:00,480 Speaker 3: wait to tell them that he collects lotion or whatever nonsense. 517 00:23:00,560 --> 00:23:03,760 Speaker 3: It was God, that was fun. God, that was fun. 518 00:23:03,920 --> 00:23:05,679 Speaker 3: I always wanted to meet him again and go, do 519 00:23:05,720 --> 00:23:09,600 Speaker 3: you remember that? And guys like that, they don't forget anything. 520 00:23:09,640 --> 00:23:12,000 Speaker 2: They almost have like this comedians. 521 00:23:12,320 --> 00:23:16,920 Speaker 1: The people that impress us are sports stores generally. Yeah, yeah, yeah, 522 00:23:16,960 --> 00:23:19,399 Speaker 1: you know. So Shack is now out for what is 523 00:23:19,400 --> 00:23:20,440 Speaker 1: it two months or three months? 524 00:23:20,640 --> 00:23:21,120 Speaker 3: Three months? 525 00:23:21,200 --> 00:23:23,960 Speaker 1: He's out for three months, and people think that Larry 526 00:23:24,000 --> 00:23:25,760 Speaker 1: had a motive and did it on purpose because he's 527 00:23:25,800 --> 00:23:28,600 Speaker 1: a Knicks fan and he's walking down the street and 528 00:23:28,600 --> 00:23:31,840 Speaker 1: people are screaming at him. 529 00:23:32,240 --> 00:23:34,600 Speaker 4: Yeah you're what saw your fuck? 530 00:23:35,720 --> 00:23:41,920 Speaker 3: No? What the fuck? 531 00:23:42,520 --> 00:23:43,200 Speaker 2: What the fuck? 532 00:23:43,840 --> 00:23:46,359 Speaker 4: It was an accident. I stretching my legs out and 533 00:23:46,960 --> 00:23:47,480 Speaker 4: he tripped. 534 00:23:47,760 --> 00:23:51,080 Speaker 3: They took away my tickets. The Laggers took away my tickets. 535 00:23:51,680 --> 00:23:52,840 Speaker 4: Yeah, they can't do that. 536 00:23:52,880 --> 00:23:53,320 Speaker 2: I share. 537 00:23:53,400 --> 00:23:57,439 Speaker 3: They cancers the bottom ticket. I'm responsible forever since in 538 00:23:57,480 --> 00:24:01,919 Speaker 3: my seat, and for what reason you're in the first 539 00:24:02,040 --> 00:24:05,800 Speaker 3: row for my performance to be real? Per se, I 540 00:24:05,880 --> 00:24:09,080 Speaker 3: actually walked through traffic. They were gonna stop traffic for me, 541 00:24:09,119 --> 00:24:11,879 Speaker 3: and I go no. I have to feel the anxiety 542 00:24:11,920 --> 00:24:15,320 Speaker 3: of all that was. That was like old on. That 543 00:24:15,440 --> 00:24:17,399 Speaker 3: was me choosing to do my own stunts. Who am 544 00:24:17,440 --> 00:24:20,800 Speaker 3: I Tom Cruise? That's insanity. But anyhow, you fucked me. 545 00:24:20,840 --> 00:24:24,400 Speaker 3: You fucked me. By the way scene the other day, 546 00:24:24,400 --> 00:24:27,080 Speaker 3: you remember you fucked me. I didn't realize that that 547 00:24:27,200 --> 00:24:30,520 Speaker 3: might be a yeah, But I mean, after all these years, 548 00:24:30,520 --> 00:24:31,080 Speaker 3: you fucked me. 549 00:24:31,320 --> 00:24:34,120 Speaker 1: Okay, you tell them to buy the team. They took 550 00:24:34,160 --> 00:24:37,080 Speaker 1: away your tickets. You're very upset. Everybody's upset with him. 551 00:24:37,200 --> 00:24:40,720 Speaker 1: He goes to his office, he's confronted by Chuck the janitor. 552 00:24:41,040 --> 00:24:44,640 Speaker 3: And by the way, I only wanted to He appeared 553 00:24:44,640 --> 00:24:49,000 Speaker 3: in a few episodes, but his conversations with Larry I 554 00:24:49,040 --> 00:24:53,200 Speaker 3: could not. I was beaming because he's being so sweet. 555 00:24:53,760 --> 00:24:57,160 Speaker 3: Would you do that, Shack? Why would you? 556 00:24:57,200 --> 00:24:58,639 Speaker 2: Who does that? At Shack? 557 00:24:58,840 --> 00:25:01,159 Speaker 3: And it was so swee the way he played it, 558 00:25:01,400 --> 00:25:04,200 Speaker 3: which worked with Larry defending himself, because the guy never 559 00:25:04,240 --> 00:25:06,760 Speaker 3: got mad at Larry. At one point he was really 560 00:25:06,840 --> 00:25:09,040 Speaker 3: just confused about all of it. I thought that was 561 00:25:09,040 --> 00:25:09,880 Speaker 3: a great tape. 562 00:25:09,680 --> 00:25:13,119 Speaker 7: Ye, and terrific actor. Will be right back, Stay tuned, 563 00:25:24,160 --> 00:25:25,000 Speaker 7: and we're back. 564 00:25:25,680 --> 00:25:29,399 Speaker 1: He gets to the office and even his secretary is 565 00:25:29,440 --> 00:25:32,359 Speaker 1: harassing and Larry says, I want to send Shaq Seinfeld tapes, 566 00:25:32,760 --> 00:25:36,959 Speaker 1: which is again a dated He sent him tapes VHS tape. Right, 567 00:25:36,960 --> 00:25:40,040 Speaker 1: wait again a dated thing heme on over the three quarter. 568 00:25:40,400 --> 00:25:45,119 Speaker 3: No, they were VHS tapes, but they were all labeled. 569 00:25:45,160 --> 00:25:48,240 Speaker 3: They weren't even like pre made tapes, which I thought 570 00:25:48,280 --> 00:25:51,679 Speaker 3: was actually I'm sure that wasn't done on purpose, but 571 00:25:51,920 --> 00:25:53,520 Speaker 3: I thought that was so funny to have a big 572 00:25:53,520 --> 00:25:57,439 Speaker 3: plastic tub. And by the way, speaking of Seinfeld tapes, 573 00:25:58,119 --> 00:26:00,879 Speaker 3: so back when Larry and I were first working on 574 00:26:01,000 --> 00:26:06,320 Speaker 3: the show, on the hour and everything afterwards, Laura, Larry's 575 00:26:06,320 --> 00:26:07,280 Speaker 3: assistant at the. 576 00:26:07,240 --> 00:26:08,960 Speaker 2: Time, now our executive producer. 577 00:26:09,040 --> 00:26:11,320 Speaker 3: She's one of the producers. Yeah, and by the way 578 00:26:11,640 --> 00:26:15,560 Speaker 3: earned it. You know, we're talking over a twenty year period, 579 00:26:15,920 --> 00:26:17,560 Speaker 3: and I think she's a great producer, which I think 580 00:26:17,560 --> 00:26:19,119 Speaker 3: I've said on the show before because a lot of 581 00:26:19,119 --> 00:26:22,879 Speaker 3: people move up because of stupidness. It just happens. But anyhow, 582 00:26:23,480 --> 00:26:26,720 Speaker 3: Laura would always say to me, I mean all the time, Hey, 583 00:26:27,600 --> 00:26:30,320 Speaker 3: you want some Seinfeld tapes. I have every episode of 584 00:26:30,359 --> 00:26:33,000 Speaker 3: every season and it was a box set and I 585 00:26:33,080 --> 00:26:36,800 Speaker 3: took them. Then I switched to DVDs. Same thing. You 586 00:26:36,840 --> 00:26:39,200 Speaker 3: want the DVDs and I took them. And what I 587 00:26:39,240 --> 00:26:41,120 Speaker 3: would do with a lot of them is have us 588 00:26:41,359 --> 00:26:41,760 Speaker 3: have them. 589 00:26:42,480 --> 00:26:44,760 Speaker 2: I may in a box somewhere. 590 00:26:44,840 --> 00:26:47,360 Speaker 3: Yeah, but I got rid of most of them because 591 00:26:47,400 --> 00:26:50,000 Speaker 3: what I would do is have all of us sign them. Yes, yeah, 592 00:26:50,080 --> 00:26:53,199 Speaker 3: we've given the charity, but it was an endless supply. 593 00:26:53,359 --> 00:26:55,280 Speaker 3: They couldn't get rid of them fast enough. 594 00:26:55,320 --> 00:26:58,040 Speaker 1: But it's also you know, I mean I have I 595 00:26:58,119 --> 00:27:03,560 Speaker 1: have tons of curb DVTs. What to do even wants 596 00:27:03,560 --> 00:27:04,240 Speaker 1: them anymore? 597 00:27:04,440 --> 00:27:06,560 Speaker 3: Beloney, let me tell you something. You get all of 598 00:27:06,640 --> 00:27:10,240 Speaker 3: us to sign them. Specifically Larry. Obviously, people will want 599 00:27:10,320 --> 00:27:12,840 Speaker 3: that as a keepsake to put on their shelf with 600 00:27:13,000 --> 00:27:15,080 Speaker 3: their adult male laingerie. 601 00:27:15,520 --> 00:27:25,280 Speaker 1: So he goes into I acknowledged you, yeah, yeah, yeah. 602 00:27:22,760 --> 00:27:24,520 Speaker 3: And by the way, that was a dumb one. So 603 00:27:24,520 --> 00:27:25,280 Speaker 3: I'm acknowledging that. 604 00:27:25,840 --> 00:27:28,240 Speaker 1: So he goes he wants to get Jack Seinfeldt tapes, 605 00:27:28,400 --> 00:27:31,560 Speaker 1: and then he's got to work on his page, his 606 00:27:31,680 --> 00:27:34,919 Speaker 1: birthday page for what was his name, Bob Jim something 607 00:27:34,960 --> 00:27:36,400 Speaker 1: like that, And. 608 00:27:36,680 --> 00:27:39,160 Speaker 3: He leaves the laquer fan guy by the way. 609 00:27:39,240 --> 00:27:46,640 Speaker 1: Yes, and his assistant Antoinette right says no goodbye. Then 610 00:27:46,920 --> 00:27:50,359 Speaker 1: we are on the street and nothing could go wrong 611 00:27:50,440 --> 00:27:51,080 Speaker 1: for Larry. 612 00:27:51,240 --> 00:27:52,960 Speaker 3: So it starts with a splash. 613 00:27:53,480 --> 00:27:56,399 Speaker 2: Who was at the time our prop master, by. 614 00:27:56,280 --> 00:27:59,320 Speaker 3: The way, such a beautiful thing that it occurs to 615 00:27:59,400 --> 00:28:03,280 Speaker 3: him after the shack thing that oh, maybe my luck 616 00:28:03,320 --> 00:28:03,960 Speaker 3: has changed it. 617 00:28:04,760 --> 00:28:06,960 Speaker 2: In disguise, not knowing how much is. 618 00:28:07,000 --> 00:28:09,520 Speaker 3: Luck would And by the way, every one of those 619 00:28:09,640 --> 00:28:12,960 Speaker 3: luck changing things that we're about to talk about is believable, 620 00:28:13,240 --> 00:28:15,240 Speaker 3: because I've seen it happen to me. I've seen it 621 00:28:15,240 --> 00:28:18,600 Speaker 3: happen to other people. People get smell that you smell, 622 00:28:18,680 --> 00:28:20,840 Speaker 3: or you've done something wrong, they run for the hills. 623 00:28:20,920 --> 00:28:23,040 Speaker 3: If they're pissed at you, run for the hills. This 624 00:28:23,240 --> 00:28:26,919 Speaker 3: was such a city wide thing. I've touched everybody. 625 00:28:27,240 --> 00:28:29,600 Speaker 2: So his luck has changed. The guy next to him 626 00:28:29,640 --> 00:28:31,640 Speaker 2: gets splashed. Larry doesn't. 627 00:28:32,080 --> 00:28:35,360 Speaker 1: Cheryl's parents are leaving because there's too much commotion going 628 00:28:35,440 --> 00:28:37,639 Speaker 1: on because the shack thing that's a delight. 629 00:28:37,920 --> 00:28:40,280 Speaker 3: Hold on by the way. After they leave, Larry goes, 630 00:28:40,320 --> 00:28:41,320 Speaker 3: you're not going to say goodbye. 631 00:28:41,560 --> 00:28:44,680 Speaker 1: As they drive, Paul Duley says, we'll leave you and 632 00:28:44,760 --> 00:28:47,520 Speaker 1: you're chaos, and Larry says, don't you say goodbye? 633 00:28:48,000 --> 00:28:49,760 Speaker 2: The wife who wants him to write the people by. 634 00:28:49,760 --> 00:28:53,320 Speaker 3: The way an improviser from Chicago, wonderfully talented. She did 635 00:28:53,320 --> 00:28:54,640 Speaker 3: a lot of stuff on Mister Show. 636 00:28:54,800 --> 00:28:57,120 Speaker 2: Brett Paizel, who plays the wife. 637 00:28:57,240 --> 00:28:59,640 Speaker 1: Yes, and she comes up and she tells Larry, you 638 00:28:59,680 --> 00:29:02,400 Speaker 1: know what I decided, I'm not going to do the page. 639 00:29:02,600 --> 00:29:04,240 Speaker 3: And what did Larry say that he did? 640 00:29:04,640 --> 00:29:06,680 Speaker 2: I was going to write my memories from the two 641 00:29:06,720 --> 00:29:07,720 Speaker 2: times we had dinner. 642 00:29:07,800 --> 00:29:08,600 Speaker 3: Whatever you say. 643 00:29:09,040 --> 00:29:12,520 Speaker 1: I drew a beautiful rainbow, yes, and I was going 644 00:29:12,600 --> 00:29:14,680 Speaker 1: to write my memories from the two times we had 645 00:29:14,720 --> 00:29:15,360 Speaker 1: dinner together. 646 00:29:16,120 --> 00:29:19,920 Speaker 2: Beautiful rainbow. I love you. Bob So Bob was his name, 647 00:29:20,360 --> 00:29:21,360 Speaker 2: and he's Larry's sister. 648 00:29:21,480 --> 00:29:24,200 Speaker 1: How did the other acquaintances take it when you told 649 00:29:24,240 --> 00:29:25,120 Speaker 1: them that you weren't going. 650 00:29:25,040 --> 00:29:27,400 Speaker 2: To do the page anymore? This is the kind of thing. 651 00:29:27,960 --> 00:29:28,400 Speaker 3: Damn well. 652 00:29:28,480 --> 00:29:33,160 Speaker 2: Why knows why? He knows? He loves it. 653 00:29:33,600 --> 00:29:38,360 Speaker 1: He's tap dancing and Jeremy then shows up Larry, Katy glad. 654 00:29:38,360 --> 00:29:39,040 Speaker 3: I caught off to you. 655 00:29:39,640 --> 00:29:41,680 Speaker 5: Housekeeper said, you be down and I want to talk to. 656 00:29:41,680 --> 00:29:42,280 Speaker 3: You real quick. 657 00:29:44,400 --> 00:29:46,480 Speaker 4: Let me take a guess. Well all right, all right, 658 00:29:46,520 --> 00:29:47,360 Speaker 4: can I take a guess? 659 00:29:47,440 --> 00:29:47,640 Speaker 2: Yeah? 660 00:29:47,680 --> 00:29:47,920 Speaker 3: Sure? 661 00:29:48,040 --> 00:29:52,040 Speaker 4: Sure. You don't want me to write the letter of recommendation? 662 00:29:52,680 --> 00:29:52,960 Speaker 3: Wow? 663 00:29:53,320 --> 00:29:55,960 Speaker 5: Yeah, Holy what, it's a load off my mind. 664 00:29:56,000 --> 00:29:57,560 Speaker 3: I'll tell you it's a shame though. 665 00:29:57,600 --> 00:30:00,239 Speaker 6: It's a shame because I wrote some really laudatory thing. 666 00:30:00,240 --> 00:30:01,440 Speaker 4: He's about your work with. 667 00:30:01,440 --> 00:30:06,800 Speaker 6: The geometric shapes, the triangles and the trapezoids and all that. 668 00:30:08,280 --> 00:30:11,160 Speaker 6: I don't know about that, but they're very compelling figures 669 00:30:11,200 --> 00:30:12,360 Speaker 6: for triangle. 670 00:30:12,240 --> 00:30:14,520 Speaker 5: Square and well, thank you. 671 00:30:14,640 --> 00:30:16,560 Speaker 4: Hey, you take care of yourse. All right, okay, maybe 672 00:30:16,560 --> 00:30:17,120 Speaker 4: some other time. 673 00:30:17,320 --> 00:30:20,200 Speaker 6: Yeah, I'm available for any any kind of favor that 674 00:30:20,240 --> 00:30:25,200 Speaker 6: you need. Okay, thanks a lot, by by Now, coffee 675 00:30:25,280 --> 00:30:29,400 Speaker 6: on me, ladies and gentlemen, freak coffee and doughnuts and 676 00:30:29,520 --> 00:30:32,320 Speaker 6: danish and bagels, anything you want on me. 677 00:30:32,640 --> 00:30:33,080 Speaker 4: I got it. 678 00:30:33,440 --> 00:30:35,800 Speaker 6: Everybody, Come on, come on up, get some coffee. 679 00:30:35,720 --> 00:30:39,800 Speaker 2: Yes, and he's just everything on me. Milk and coffee. 680 00:30:39,840 --> 00:30:42,760 Speaker 2: Who would have thought a latte milk and coffee? 681 00:30:43,040 --> 00:30:45,560 Speaker 3: Who would have thought vanilla bullshit things. 682 00:30:45,640 --> 00:30:46,960 Speaker 2: Yeah, vanilla bullshit things. 683 00:30:47,000 --> 00:30:49,320 Speaker 1: I had that also, okay, And then he's at the 684 00:30:49,360 --> 00:30:53,440 Speaker 1: hospital and he sees the guy in green scrubs. He 685 00:30:53,480 --> 00:30:56,840 Speaker 1: clearly looks like a doctor, yes, surgeon, and he goes 686 00:30:56,920 --> 00:30:58,719 Speaker 1: up to him and he asks him to look at 687 00:30:58,720 --> 00:30:59,520 Speaker 1: the thing on his back. 688 00:30:59,800 --> 00:31:01,440 Speaker 2: And the guy who was played by. 689 00:31:01,600 --> 00:31:03,720 Speaker 3: Barry Diamond, a comedian, a. 690 00:31:03,720 --> 00:31:06,600 Speaker 2: Comedian that you know, I love Barry. It was a 691 00:31:07,520 --> 00:31:08,480 Speaker 2: I mean, I don't. 692 00:31:08,280 --> 00:31:09,680 Speaker 1: Know if he's still doing his stand up, but he 693 00:31:09,800 --> 00:31:12,400 Speaker 1: was really funny. 694 00:31:13,000 --> 00:31:16,280 Speaker 3: I remember very clearly in the early days of MTV. 695 00:31:16,720 --> 00:31:20,280 Speaker 3: He was like the MTV comedian and he would do 696 00:31:20,320 --> 00:31:22,800 Speaker 3: bits and he recorded an album and he was like, 697 00:31:23,280 --> 00:31:25,200 Speaker 3: who's this guy going to be this big star? 698 00:31:25,480 --> 00:31:28,240 Speaker 1: I remember that, and very funny stand up. Yeah, his 699 00:31:28,320 --> 00:31:29,920 Speaker 1: stand up was very funny. 700 00:31:29,880 --> 00:31:31,400 Speaker 3: Delightful, gentleman. I love adding. 701 00:31:31,560 --> 00:31:33,200 Speaker 1: And he and he looks at the thing on on 702 00:31:33,280 --> 00:31:36,320 Speaker 1: Larry's back. It's a solar carratosis. He says it very convincingly, 703 00:31:36,680 --> 00:31:38,560 Speaker 1: as though he's a doctor's the solar cartosis. 704 00:31:38,560 --> 00:31:39,040 Speaker 2: It's nothing. 705 00:31:39,560 --> 00:31:42,440 Speaker 1: And then how the agent comes by and he brings 706 00:31:42,520 --> 00:31:45,080 Speaker 1: Larry into Shack's room, and he's very affable aw the agent. 707 00:31:45,280 --> 00:31:49,600 Speaker 2: He's not angry at Larry and by. 708 00:31:49,520 --> 00:31:52,600 Speaker 3: The wayhow but by the way, they had stopped him 709 00:31:52,640 --> 00:31:56,680 Speaker 3: the hospital from bringing the videos. And then the agent 710 00:31:56,720 --> 00:31:58,240 Speaker 3: comes by and goes, no, come. 711 00:31:58,080 --> 00:32:00,480 Speaker 2: On and bring him. It's his favorite show, Bring love 712 00:32:00,520 --> 00:32:00,959 Speaker 2: to see you. 713 00:32:01,680 --> 00:32:05,120 Speaker 1: And we go into the room and Shaquille O'Neil is 714 00:32:05,120 --> 00:32:07,720 Speaker 1: there playing scategories with his girlfriend, who I believe was 715 00:32:07,760 --> 00:32:11,240 Speaker 1: Alisha Tyler Aisha Tyler, Yes Tyler, and Doc Wiggins. 716 00:32:11,480 --> 00:32:16,360 Speaker 3: Here's a sidebar about Shaquille O'Neal. First Off, Shaquille O'Neill 717 00:32:16,440 --> 00:32:18,960 Speaker 3: when he did this had no idea what the show. 718 00:32:18,840 --> 00:32:21,360 Speaker 2: Was, what curb was, what curb? 719 00:32:21,960 --> 00:32:24,160 Speaker 3: He had heard of Seinfeld And I think Seinfeld's the 720 00:32:24,160 --> 00:32:27,000 Speaker 3: reason he did the show because it was done by 721 00:32:27,120 --> 00:32:30,480 Speaker 3: the guy who wrote Seinfeld and he wanted to do it. 722 00:32:30,520 --> 00:32:32,760 Speaker 2: So was he a seinfeldt fan in real life? I 723 00:32:32,800 --> 00:32:34,000 Speaker 2: believe so, Okay. 724 00:32:34,240 --> 00:32:35,880 Speaker 3: I think that's why he did the show like it 725 00:32:35,920 --> 00:32:39,480 Speaker 3: was like. However, his real life manager. 726 00:32:39,400 --> 00:32:42,040 Speaker 2: Was furious that he accepted it that he. 727 00:32:42,000 --> 00:32:45,080 Speaker 3: Did the show. And I know this because a close 728 00:32:45,160 --> 00:32:48,920 Speaker 3: friend of mine who was in that industry, the sports industry, 729 00:32:48,960 --> 00:32:53,040 Speaker 3: per se. The manager knew that he and I were friends, 730 00:32:53,240 --> 00:32:55,000 Speaker 3: and he said, you tell him he was lucky to 731 00:32:55,080 --> 00:32:58,040 Speaker 3: get Shack that piece of shit show like he slammed 732 00:32:58,080 --> 00:33:01,400 Speaker 3: the show, really biggest mistake Shack ever made, like all 733 00:33:01,440 --> 00:33:04,400 Speaker 3: of that, which is really funny. At the time, I 734 00:33:04,480 --> 00:33:07,240 Speaker 3: actually laughed because it was just absurd. But he did 735 00:33:07,280 --> 00:33:08,800 Speaker 3: the show and he was fucking great. 736 00:33:09,080 --> 00:33:11,320 Speaker 2: Yeah, he was terrific. That was my side and this 737 00:33:11,440 --> 00:33:12,280 Speaker 2: was really enjoying. 738 00:33:13,400 --> 00:33:15,800 Speaker 3: Do you like a good sidebar? You played like you 739 00:33:15,880 --> 00:33:18,560 Speaker 3: played a defense attorney on Law and Order? Did you 740 00:33:18,600 --> 00:33:21,960 Speaker 3: ever have a sidebar? Ah, your honor? Can I approached 741 00:33:21,960 --> 00:33:23,600 Speaker 3: the bench? Have you ever said that on the show? 742 00:33:25,080 --> 00:33:30,520 Speaker 1: Maybe one time? One time? My judge was Sandy Duncan. 743 00:33:30,920 --> 00:33:33,680 Speaker 3: All right, well hold on a sick here. Why was 744 00:33:33,720 --> 00:33:36,720 Speaker 3: that never discussed with me? You know? The joy I 745 00:33:36,840 --> 00:33:39,120 Speaker 3: get out of that. One of my non sequitur of 746 00:33:39,120 --> 00:33:41,200 Speaker 3: famous people names that I use all the time is 747 00:33:41,360 --> 00:33:45,440 Speaker 3: I'll see it Sandy Duncan's barbecue, Molly Ringwall too. Remember 748 00:33:45,520 --> 00:33:47,480 Speaker 3: earlier I just said to somebody, I'll see you next 749 00:33:47,480 --> 00:33:51,400 Speaker 3: week at Molly Never judge, you just said that. 750 00:33:51,480 --> 00:33:53,719 Speaker 2: No, No, Sandy Duncan was Molly Ringwold was never? 751 00:33:54,080 --> 00:33:57,960 Speaker 3: Okay, But I'm saying Sandy Duncan, Peter Pan the Sandy 752 00:33:58,040 --> 00:34:01,360 Speaker 3: Duncan show Wheat things. You played a judge, So what 753 00:34:01,440 --> 00:34:02,040 Speaker 3: happened with you in. 754 00:34:02,040 --> 00:34:06,640 Speaker 1: Sandy I don't remember, Jeff, I'm sorry, but by the way. 755 00:34:06,440 --> 00:34:08,520 Speaker 3: You could have mentioned that to me. That's big information. 756 00:34:08,560 --> 00:34:10,200 Speaker 3: Well now you know, why don't you call me after 757 00:34:10,200 --> 00:34:12,920 Speaker 3: your film that? What are you smoking? All right? Go ahead? 758 00:34:13,080 --> 00:34:17,280 Speaker 1: So Shack was terrific In the scene he's playing scategories 759 00:34:17,560 --> 00:34:20,480 Speaker 1: and he wants to claim that peanut butter is a 760 00:34:20,560 --> 00:34:21,680 Speaker 1: dairy product. 761 00:34:22,280 --> 00:34:26,360 Speaker 4: Listen, oh, categories dairy products, peanut butter. 762 00:34:27,080 --> 00:34:30,240 Speaker 3: Peanut butter would be considered a dairy product. Am I correct? 763 00:34:30,480 --> 00:34:31,160 Speaker 4: Absolutely? 764 00:34:35,680 --> 00:34:40,440 Speaker 6: I've got Pendant, Porsche, Popeye, Pago. 765 00:34:42,080 --> 00:34:47,160 Speaker 1: Killing us and he's winking peanut butter butter and he's winking, 766 00:34:47,760 --> 00:34:51,560 Speaker 1: and Larry apologizes, peanut butter is a dairy product. He 767 00:34:51,600 --> 00:34:54,879 Speaker 1: agrees with Shaq, and then Doc Wiggins gives his list 768 00:34:54,880 --> 00:34:57,359 Speaker 1: and then crumples it up and then goes to the bathroom. Right, 769 00:34:57,880 --> 00:35:02,040 Speaker 1: and Larry looks at Doc's list and there's no Pago 770 00:35:02,120 --> 00:35:05,120 Speaker 1: Pago and there's no proof alone on the list. Doc 771 00:35:05,200 --> 00:35:08,000 Speaker 1: Wiggins is a cheetah, right, And a cheetah is. 772 00:35:07,960 --> 00:35:10,359 Speaker 2: A Cheetah Jeff as I know, yes. 773 00:35:10,280 --> 00:35:12,560 Speaker 1: And he made up time after he ran out, and 774 00:35:12,640 --> 00:35:16,440 Speaker 1: Shaq confronts Doc and fires him when Doc comes out 775 00:35:16,480 --> 00:35:18,719 Speaker 1: of the bathroom. So Larry feels great about that because 776 00:35:18,719 --> 00:35:21,000 Speaker 1: he hates his fucking Doc Wiggins. 777 00:35:20,680 --> 00:35:23,640 Speaker 3: And Shaq clearly at this point loves Larry. 778 00:35:23,680 --> 00:35:27,520 Speaker 1: Yes, despite what happened, and Larry's like, you cheated, and 779 00:35:27,680 --> 00:35:30,280 Speaker 1: Doc Wiggins walks out and Larry says, don't you say goodbye? 780 00:35:30,880 --> 00:35:32,960 Speaker 2: I know, so that's just a running That's just what 781 00:35:33,080 --> 00:35:33,359 Speaker 2: I think. 782 00:35:33,440 --> 00:35:37,920 Speaker 1: One call and Shaq says his favorite show is the contest? 783 00:35:38,200 --> 00:35:39,880 Speaker 1: Do you have that one? Why don't you pop that 784 00:35:39,960 --> 00:35:45,480 Speaker 1: tape in? I'll let bygones beat bygones. And then another orthopedist. 785 00:35:45,560 --> 00:35:49,120 Speaker 3: Michael Racy's another actor from Chicago, Yes, who came in 786 00:35:49,560 --> 00:35:53,240 Speaker 3: the other doctor right, who tells him nothing to worry about. 787 00:35:53,239 --> 00:35:55,040 Speaker 3: We thought it was more serious words. You should be 788 00:35:55,080 --> 00:35:58,640 Speaker 3: back in a few weeks exactly. Yes, what happens. 789 00:35:59,000 --> 00:36:03,000 Speaker 1: Larry leaves and get splashed all on the street. His 790 00:36:03,120 --> 00:36:06,120 Speaker 1: luck has run out, so then he sees the doctor 791 00:36:06,320 --> 00:36:08,800 Speaker 1: that told him it was a solo caratosis, Barry Diamond. 792 00:36:09,520 --> 00:36:13,600 Speaker 3: I'm sorry, could you give me a ride the doctor, 793 00:36:14,400 --> 00:36:16,919 Speaker 3: Yes from upstairs? Yeah, yes, how's your back? 794 00:36:17,760 --> 00:36:20,200 Speaker 2: Oh okay, Barry, come on, let's go. 795 00:36:22,680 --> 00:36:24,279 Speaker 3: But stay out of the sun. 796 00:36:25,239 --> 00:36:29,800 Speaker 4: He is not a doctor, six floor psychiatric. 797 00:36:29,320 --> 00:36:30,920 Speaker 2: So his luck is really run out. 798 00:36:31,480 --> 00:36:34,040 Speaker 1: He doesn't know if it's a solo caratosis or whatever, 799 00:36:34,560 --> 00:36:36,120 Speaker 1: and that's the end. 800 00:36:36,480 --> 00:36:38,759 Speaker 3: Yes. But also I wanted to point out because I 801 00:36:38,800 --> 00:36:43,560 Speaker 3: realized Dean Parasoe directed that episode. Who directed Gallaxy Quest 802 00:36:43,840 --> 00:36:46,040 Speaker 3: and he directed me in Fun with Dick and Jane. 803 00:36:46,239 --> 00:36:49,439 Speaker 3: Delightful man, very talented. I think he did a few 804 00:36:49,480 --> 00:36:50,399 Speaker 3: episodes with us. 805 00:36:50,440 --> 00:36:52,319 Speaker 2: Did he, because I don't recall ever working with him. 806 00:36:52,360 --> 00:36:53,880 Speaker 2: He never did one that, I'll be honest with you. 807 00:36:54,160 --> 00:36:58,239 Speaker 3: His request was anything but And I don't know why 808 00:36:58,239 --> 00:37:03,360 Speaker 3: I wrote down Megan Murphy post supervisor for years and 809 00:37:03,480 --> 00:37:07,279 Speaker 3: also get all my movies. Yeah, a lovely person. But 810 00:37:07,640 --> 00:37:11,640 Speaker 3: that being said, I think that between her and the editors, 811 00:37:11,960 --> 00:37:16,000 Speaker 3: that whole section of being at the game, I couldn't believe. 812 00:37:17,080 --> 00:37:17,960 Speaker 2: We'll see you next time. 813 00:37:18,040 --> 00:37:20,240 Speaker 3: I have no point. I think you've noticed that. Thanks 814 00:37:20,239 --> 00:37:23,120 Speaker 3: for the air kiss, and everyone out there just know 815 00:37:23,200 --> 00:37:26,520 Speaker 3: I'm not air kissing you, but I'm air kissing I guess. 816 00:37:26,560 --> 00:37:30,120 Speaker 3: Henry Kissinger used to air kissing, but I. 817 00:37:30,040 --> 00:37:34,399 Speaker 1: Am saying sounds like a kiddish word, doesn't kissingen. 818 00:37:35,840 --> 00:37:38,160 Speaker 3: But the point I want to make is, and I've 819 00:37:38,200 --> 00:37:41,320 Speaker 3: said this before and I'll continue saying it, the fact 820 00:37:41,320 --> 00:37:44,680 Speaker 3: that you're listening to this is a complete honor and 821 00:37:44,719 --> 00:37:47,520 Speaker 3: I can't thank you and not it is. It makes 822 00:37:47,600 --> 00:37:49,400 Speaker 3: my life. I have a bounce in my step. 823 00:37:49,960 --> 00:37:50,319 Speaker 4: That is. 824 00:37:50,360 --> 00:37:52,920 Speaker 3: We're recording these in advance, so I'm hoping that people 825 00:37:52,920 --> 00:37:55,279 Speaker 3: are actually listening. I would love for iHeart to come 826 00:37:55,280 --> 00:37:59,799 Speaker 3: to us. Weirdest thing about this podcast, no one is. 827 00:38:00,520 --> 00:38:03,880 Speaker 1: Can horror pooh poo poo. We'll see you next time. 828 00:38:11,800 --> 00:38:13,680 Speaker 1: The History of Curb Your Enthusiasm is. 829 00:38:13,600 --> 00:38:15,120 Speaker 2: A production of iHeart Radio. 830 00:38:15,280 --> 00:38:20,400 Speaker 1: For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, 831 00:38:20,480 --> 00:38:22,360 Speaker 1: or wherever you listen to your favorite shows.