WEBVTT - Episode 4: Mint Condition

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<v Speaker 1>This is an I Heart original picture this. You're a

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<v Speaker 1>resident of Hailey, Idaho, population of five thousand. Small town

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<v Speaker 1>life is treating you well, but sometimes you don't want

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<v Speaker 1>another quiet night. Sometimes you want to get loud. You

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<v Speaker 1>want to see some live music. There are a couple

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<v Speaker 1>of late night hangouts, like the Red Elephant Saloon, and

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<v Speaker 1>some of them have live bands, mostly local talent, nothing

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<v Speaker 1>wrong with that. They sound good. For bigger names, you've

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<v Speaker 1>got to head to catch them. Or Sun Valley, the

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<v Speaker 1>big ski resort destination about fifteen miles outside of town.

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<v Speaker 1>Hailey isn't necessarily the best place to turn the volume up,

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<v Speaker 1>but in June things change all of a sudden. You

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<v Speaker 1>can go see George Clinton, B. B. King, Bo Diddley

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<v Speaker 1>legends of blues and rock and funk on stage in

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<v Speaker 1>front of maybe a hundred other people in a small,

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<v Speaker 1>intimate setting. They jam and play late into the night

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<v Speaker 1>and into the wee hours of the morning. Haley has

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<v Speaker 1>never seen anything like it. Like most of the development

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<v Speaker 1>happening around this time, this is the work of Haley

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<v Speaker 1>resident and movie star Bruce Willett. He's turning the volume up,

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<v Speaker 1>way up. He bought which was just a seedy little

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<v Speaker 1>dive of a bar in Haley. That's Steve Kerns, then

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<v Speaker 1>the mayor of Haley, and he bought it and completely

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<v Speaker 1>remodeled it. What he didn't just remodey towards Pargolan down

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<v Speaker 1>and built the whole new building with an entertainment lounge upstairs.

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<v Speaker 1>And they brought in some quite a few naturally known

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<v Speaker 1>acts to play them in with a first class restaurant

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<v Speaker 1>downstairs as well. And that was a big deal for

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<v Speaker 1>Haley to have that sort thing happening. Of all the

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<v Speaker 1>Bruce Willis projects on Haley's main street. The mint is

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<v Speaker 1>the crown jewel, the pst Resistance. It costs millions and

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<v Speaker 1>it's fitting. Willis, after all, worked in a bar for

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<v Speaker 1>years before making it in Hollywood. Now he owns one.

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<v Speaker 1>It's a concentrated dose of Willis's urban New York lifestyle

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<v Speaker 1>injected directly into the veins of small town Haley, and

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<v Speaker 1>that mixture will soon prove to be combustible. This one

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<v Speaker 1>time cowboy bar would soon be the site of an

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<v Speaker 1>old school wild West showdown for I Heart Radio. This

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<v Speaker 1>is Haleywood. I'm your host, Danish Schwartz, and this is

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<v Speaker 1>episode four mint condition. The mint was easily Willis's most

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<v Speaker 1>ambitious project to date in Haley, since going on a

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<v Speaker 1>real estate buying spree under the veil of an umbrella corporation,

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<v Speaker 1>the Xnay Investment Trust. He purchased the ailing property for

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<v Speaker 1>two hundred thousand dollars from its owner, a man named

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<v Speaker 1>Wally Young, and set about reimagining it with the cat

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<v Speaker 1>out of the bag. Willis and his employees at Valley Entertainment,

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<v Speaker 1>which looked after his business interests in Haley, didn't deny

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<v Speaker 1>newspaper reports Willis was spending millions of dollars to take

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<v Speaker 1>the Rundown Dive Bar into a new era, one that

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<v Speaker 1>would showcase his love of music, with live act and

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<v Speaker 1>lots of Bruce Willis jamming with his own band, the Accelerators.

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<v Speaker 1>But if this was going to work, Willis needed a

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<v Speaker 1>little help managing the details, someone he could trust, and

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<v Speaker 1>Joe McAllister, Willis's friend and business associate, knew just the guy.

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<v Speaker 1>So Joe was actually doing some work on Bruce's house

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<v Speaker 1>on seventy Street in Central Park West when I really

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<v Speaker 1>started to get connected with Bruce. That's Rick Oliver, who

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<v Speaker 1>would go on to become heavily involved with the men.

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<v Speaker 1>I was Pedal corporate security for Paulo Ralph Lauren in

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<v Speaker 1>New York for close to ten years. Bluddy of mine

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<v Speaker 1>was one of his top designers, Kenny Thomas, but he

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<v Speaker 1>wanted to get some of that product out to celebrities,

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<v Speaker 1>and I said, well, you know, I can probably give

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<v Speaker 1>Bruce Willis into some of these clothes. He goes great,

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<v Speaker 1>you know, and I made it happen. Um, Bruce, Uh,

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<v Speaker 1>you know, he liked the thought. He you know, he

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<v Speaker 1>loved the clothes, and he said, you know, hey, who's

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<v Speaker 1>this Rick guy? I want to meet him. Uh. And

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<v Speaker 1>that's what a connection was made. I met him a

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<v Speaker 1>planet Hollywood. Uh. Mid nineties. Willis liked Rick, and Rick

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<v Speaker 1>liked Willis. A little later on, Willis even gave Rick's

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<v Speaker 1>friends a big surprise, Bruce do me a bachelor party

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<v Speaker 1>after I got married, and he actually barking it for me.

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<v Speaker 1>That's a good story to say. I had Bruce Barchen

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<v Speaker 1>for me. You know, Willis told him what he was

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<v Speaker 1>planning in Haley. And while you might expect Rick to

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<v Speaker 1>be excited about the opportunity to get into the burgeoning

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<v Speaker 1>Bruce Willis Industry. Rick was noncommittal. Joe invited me, I

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<v Speaker 1>don't know, probably twenty times, and I was like, you

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<v Speaker 1>know what, I'm not I'm not into this. You know,

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<v Speaker 1>I didn't know much about Idaho. The only thing I

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<v Speaker 1>know about Idaho was you know, skinheads and potatoes, right,

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<v Speaker 1>which happened that then? That wasn't the truth, right, It

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<v Speaker 1>was just just my perception, you know, living in Manhattan

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<v Speaker 1>at that time. The other thing that gave Rick pause

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<v Speaker 1>was that, well, not too many people looked like him

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<v Speaker 1>in Haley. There wasn't a lot of black people up there.

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<v Speaker 1>And initially I thought Joe was doing it to kind

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<v Speaker 1>of you know, uh, bring some ethnics city, bring culture

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<v Speaker 1>into the community, right, But Joe apparently wore Rick down.

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<v Speaker 1>Bruce always has something going on during the holidays, like

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<v Speaker 1>the fourth of July, he had a big fireworks show

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<v Speaker 1>at the Rodeo, and he always did a New Year's party,

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<v Speaker 1>which was you know, they bought everybody out, you know,

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<v Speaker 1>John Kennedy, um, his fiance, just a lot of major

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<v Speaker 1>Hollywood people and celebrities in general. So I would come

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<v Speaker 1>out to some of those events, um and uh and

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<v Speaker 1>visit when I wind up, you know, staying. I fell

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<v Speaker 1>in love with the place. Everyone seemed to fall in

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<v Speaker 1>love with Haley. It was just so idyllic, and Rick

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<v Speaker 1>had plenty of reasons to stay. Beyond the beautiful scenery.

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<v Speaker 1>He was proving useful to Willis's growing enterprise. I helped

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<v Speaker 1>him with talent, you know, by the talent, recommended talent,

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<v Speaker 1>and work with the artists when they got here, just

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<v Speaker 1>making sure that they were okay and they needed anything

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<v Speaker 1>artist relations if if you will, you know, I was

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<v Speaker 1>Joe's right here man, and people are trying to get

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<v Speaker 1>to me, to get to Joe, to get to Bruce,

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<v Speaker 1>right because Bruce isn't you know, he's really not approachable.

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<v Speaker 1>I mean you could see him, but he's not approachable,

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<v Speaker 1>especially from a business standpoint. So you know, talk to Joe.

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<v Speaker 1>And if they couldn't get to Joe, they would tell

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<v Speaker 1>me stuff to tell Joe or they want to meet

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<v Speaker 1>with Joe. And everything was kind of layered. There was

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<v Speaker 1>always something happening. But even though The Mint was set

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<v Speaker 1>to be Hayley's flashiest new hangout, not everyone would be welcome.

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<v Speaker 1>After eighteen months of renovation work, the Mint's grand opening

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<v Speaker 1>finally came in July five. The first floor was a

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<v Speaker 1>spacious square feet accented with dark red brick and green

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<v Speaker 1>awnings that blended into the nearby buildings, including the Haley

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<v Speaker 1>Town Center across the street. Haley had never seen anything

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<v Speaker 1>like it. If you're coming in from the street, off

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<v Speaker 1>to the left, it's like it is a couple of

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<v Speaker 1>small steps. You go up, and that's like the dining

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<v Speaker 1>area right. The bar would be to your right, and

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<v Speaker 1>the kitchen would be to the left of that, and

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<v Speaker 1>if you kept going straight you walk out the back door.

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<v Speaker 1>The ambience it was, it was it was pretty nice.

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<v Speaker 1>It wasn't like fine dining or anything. If you walk

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<v Speaker 1>to the right, there will be a staircase and an elevator,

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<v Speaker 1>so you can take either the elevator up or you

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<v Speaker 1>can take the stairway. Uh, And that's where the nightclub

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<v Speaker 1>would be. Two floors, both typically packed. Was good for

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<v Speaker 1>Willis and good for Haley, but not everyone was enthusiastic

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<v Speaker 1>about the change. As the old Mint was demolished, regulars

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<v Speaker 1>of the one time dive bar lamented its passing. Some

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<v Speaker 1>asked to take vintage bricks and playfully throw them through

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<v Speaker 1>an old window. A tribute to the bar's reputation as

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<v Speaker 1>a tough drinking spot for the tough miners that once

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<v Speaker 1>populated the town. The new Mint was definitely different. Here's

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<v Speaker 1>Rick Oliver again. So the original Mint was just like

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<v Speaker 1>an old cowboy that bar. Right, they carried down and

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<v Speaker 1>they really rebuilded. I think Bruce had like a five

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<v Speaker 1>star French chef in there cooking, so we haven't a

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<v Speaker 1>testing with the French chef. And Bruce is there and

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<v Speaker 1>to me is there Joe was sitting across from me,

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<v Speaker 1>and the French chef is bringing out all this really

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<v Speaker 1>good food. Right. Bruce goes, you know, when I was

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<v Speaker 1>a struggling uh actor an in Hell's kitchen, he us

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<v Speaker 1>to buy a big bag of frozen chicken wings, right,

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<v Speaker 1>and I go, frozen chicken wings. He goes yeah, he

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<v Speaker 1>goes Rick, and then you know, he goes and I

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<v Speaker 1>get this tomato sauce that go like Hines go no, no, no,

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<v Speaker 1>no no. He goes, like, came in a can. I go, Contadina,

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<v Speaker 1>goes that's it, Contadina. He goes, put that put that

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<v Speaker 1>on a men. He goes, chicken, I want the chicken

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<v Speaker 1>cooked in the Contadina tomato and you can see the

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<v Speaker 1>you can see the French chef like just getting red right.

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<v Speaker 1>I don't know if he was playing, if he was serious,

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<v Speaker 1>but I'm thinking he had to have been playing. But

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<v Speaker 1>Willis wasn't always joking. Early on, it seemed like Haley

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<v Speaker 1>might be stubborn when it came to the rules. Work

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<v Speaker 1>on the mint was briefly halted when Willis insisted on

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<v Speaker 1>putting in heated sidewalks, an amenity that ran a foul

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<v Speaker 1>of Hayley's city code. This wasn't a heated sidewalk kind

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<v Speaker 1>of town. Willis grew a little impatient. He said Haley

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<v Speaker 1>was making him follow every letter of the law, that

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<v Speaker 1>it was, in his words, getting ridiculous. He just wanted

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<v Speaker 1>to get things going, make as big an impact in

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<v Speaker 1>Haley as he had made in Hollywood. He wanted big acts.

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<v Speaker 1>We used to bring in acts like BB King, Junior, Wealth,

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<v Speaker 1>Charlie Daniel band. Uh. It was. It was a place

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<v Speaker 1>to be. But Willis's taste in music wasn't necessarily Haley's

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<v Speaker 1>taste in music. And while you think Willis would try

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<v Speaker 1>to cater to the locals, he seemed to be more

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<v Speaker 1>interested in what Bruce Willis wanted to hear, and he

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<v Speaker 1>brought in an act of various kinds from the East. Well,

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<v Speaker 1>most of it was jazz and the type of music

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<v Speaker 1>that you know you would find in the inner cities

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<v Speaker 1>on the East coast. Well, I shouldn't city from his area,

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<v Speaker 1>Lee Slander one time, Hailey resident lawyer and amateur music critic.

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<v Speaker 1>And it didn't go over at all with the locals

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<v Speaker 1>because they didn't understand it, or you know, it just

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<v Speaker 1>wasn't there. Uh, they're back at all. They still liked

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<v Speaker 1>um western. If he had a Western band, the place

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<v Speaker 1>would be packed, but he rarely did. Of course Bruce

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<v Speaker 1>would get up there wasn't a while it was harmonic

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<v Speaker 1>and try to ruin it all. I'm just kidding, but

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<v Speaker 1>I didn't. I'm not a big uh a big lover

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<v Speaker 1>of that of that kind of music. But just because

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<v Speaker 1>you showed up didn't mean you were getting in. The

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<v Speaker 1>mint may have been a public place, but it was

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<v Speaker 1>still subject to Willis's demand for privacy. He never permitted

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<v Speaker 1>any outside professional photography inside the building, and he sometimes

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<v Speaker 1>dictated who could be allowed on the dance floor. An

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<v Speaker 1>area firefighter who was ribbing Willis about his old sea

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<v Speaker 1>groom's wine cooler commercials ejected. Someone who wanted to bother

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<v Speaker 1>Willis or Demi Moore not allowed. He would slip me

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<v Speaker 1>a grand and say, hey, watching me, give me on stage,

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<v Speaker 1>give me on stage, but I want you to watch

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<v Speaker 1>to me, and you know, and I would you know,

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<v Speaker 1>go alright, cool, you know, I just sit fire. You know,

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<v Speaker 1>she had to go to bathroom whatever, I'd walk her

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<v Speaker 1>way outside the bathroom door, you know, stuff like that,

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<v Speaker 1>or hey, Rick, I got some people coming in tonight,

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<v Speaker 1>or don't let this person in door, so I just

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<v Speaker 1>covered the door. And they were times he would just

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<v Speaker 1>hang out, you know, but yeah, it was. It was

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<v Speaker 1>more like that than like, hey, I'll be on payroll

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<v Speaker 1>for security. He which is you know, like everything else,

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<v Speaker 1>you know, like his shows, like hey Rick, I need

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<v Speaker 1>you and I helped me out at the top of

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<v Speaker 1>the new entry list. Reporter Willis's longtime arch Nemeses. Definitely,

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<v Speaker 1>if if he knew reporters or something or someone you

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<v Speaker 1>know who was only to be a nuisance or pain

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<v Speaker 1>in the ass, he would see him and say, hey,

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<v Speaker 1>make sure that got in come in, But v I

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<v Speaker 1>p s like John F. Kennedy Jr. And Daryl Hannah.

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<v Speaker 1>They could waltz right in and maybe slip off. Some

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<v Speaker 1>were more private. That's because the Mint had some secrets

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<v Speaker 1>that were known to only a handful of people. You

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<v Speaker 1>know the old movies where they had the bookshelves and

0:14:22.440 --> 0:14:26.640
<v Speaker 1>you pushed the bookshelf and it turns into another room. Well,

0:14:26.680 --> 0:14:28.520
<v Speaker 1>there was another room, you know. You push that and

0:14:28.520 --> 0:14:31.400
<v Speaker 1>that's where the bathrooms are. And he's got a steam

0:14:31.480 --> 0:14:35.640
<v Speaker 1>room and seats about eight people. Willis had a hidden

0:14:35.720 --> 0:14:38.640
<v Speaker 1>room where he and his famous friends and his big

0:14:38.760 --> 0:14:43.000
<v Speaker 1>name X could gather in total privacy. We're not sure

0:14:43.080 --> 0:14:46.120
<v Speaker 1>if Haley's city code allowed for it, but it was there.

0:14:47.000 --> 0:14:52.000
<v Speaker 1>I remember we had George Clinton there and it was

0:14:52.240 --> 0:14:55.800
<v Speaker 1>time for the should start. What else says? Everyone's looking

0:14:55.840 --> 0:14:58.960
<v Speaker 1>for George Clinton in his band? And I'm like, what

0:14:59.200 --> 0:15:01.400
<v Speaker 1>the hell? We're all where where are they? Where could

0:15:01.400 --> 0:15:04.000
<v Speaker 1>they possibly be? As you know what, we hadn't check

0:15:04.080 --> 0:15:07.400
<v Speaker 1>one place? And I pushed open the door. I know,

0:15:07.680 --> 0:15:10.600
<v Speaker 1>all in a in that steam room, just smoking weed.

0:15:10.680 --> 0:15:13.080
<v Speaker 1>It was hysterical. I was like, man, you just need

0:15:13.120 --> 0:15:15.720
<v Speaker 1>to get on stage. Man, what are you doing? And

0:15:15.720 --> 0:15:18.080
<v Speaker 1>they're like, oh, sorry, And the amount of smoke that

0:15:18.200 --> 0:15:20.720
<v Speaker 1>came out. It was, it was. It was pretty funny.

0:15:21.760 --> 0:15:24.360
<v Speaker 1>But the real draw of the Mint wasn't the out

0:15:24.400 --> 0:15:28.840
<v Speaker 1>of town as it was Bruce Willis, who frequently appeared

0:15:28.880 --> 0:15:32.480
<v Speaker 1>on stage with his band, the Accelerators. You could just

0:15:32.560 --> 0:15:34.920
<v Speaker 1>be having a beer at the Mint and Willis would

0:15:35.000 --> 0:15:39.200
<v Speaker 1>just show up harmonica in hand. He wouldn't announce it

0:15:39.240 --> 0:15:42.160
<v Speaker 1>in advance. So if he would have done that, that

0:15:42.200 --> 0:15:44.760
<v Speaker 1>would have been a line around the block. Maybe he

0:15:44.800 --> 0:15:49.000
<v Speaker 1>didn't want the undue attention, but it's also hard to

0:15:49.040 --> 0:15:53.000
<v Speaker 1>be a performing artist on stage and not have undue attention.

0:15:53.480 --> 0:15:55.240
<v Speaker 1>Every time he did one of these you know on

0:15:55.360 --> 0:15:58.640
<v Speaker 1>the fly things, the place was packed. I mean, we

0:15:58.640 --> 0:16:00.960
<v Speaker 1>couldn't believe it. I mean, remember we were over at

0:16:01.440 --> 0:16:04.880
<v Speaker 1>Joe's house from morning and Bob kat Goldthwick, the comedian,

0:16:05.400 --> 0:16:07.240
<v Speaker 1>you know, he came over and he was like, hey,

0:16:07.280 --> 0:16:10.640
<v Speaker 1>I'm you know, looking for you know, Bruce Willis's house,

0:16:10.640 --> 0:16:12.320
<v Speaker 1>and you know, he's looking at me like as the

0:16:12.360 --> 0:16:15.240
<v Speaker 1>first black guy saw out there too, which probably was true.

0:16:15.680 --> 0:16:18.080
<v Speaker 1>We said, what's happening, Well, we're doing the show tonight.

0:16:18.840 --> 0:16:21.200
<v Speaker 1>Brucey called him and just said, you know, hey, let's

0:16:21.200 --> 0:16:26.960
<v Speaker 1>do a show. I believe it was a Sunday morning

0:16:27.400 --> 0:16:30.040
<v Speaker 1>because we were like, how is he gonna put this

0:16:30.040 --> 0:16:32.040
<v Speaker 1>this together? You know, we're gonna put it up on

0:16:32.080 --> 0:16:35.560
<v Speaker 1>a marquee, And sure enough put it up on the marquee.

0:16:35.600 --> 0:16:39.280
<v Speaker 1>And and that night it was it was at Blobcat

0:16:39.360 --> 0:16:42.280
<v Speaker 1>opened up with comedy and Bruce and Accelerators came up

0:16:42.320 --> 0:16:45.320
<v Speaker 1>and did their things. But that was that was normal

0:16:45.400 --> 0:16:47.880
<v Speaker 1>that and and Bruce Willis is Bruce Willis right, So

0:16:48.200 --> 0:16:50.840
<v Speaker 1>you know at the time his name, you know alone,

0:16:51.320 --> 0:16:53.280
<v Speaker 1>you know you hear Bruce Willis is there, and you're

0:16:53.280 --> 0:16:57.440
<v Speaker 1>gonna show up if you're in town. Willis and his

0:16:57.560 --> 0:17:00.720
<v Speaker 1>crew performed songs like show Me and who has a

0:17:00.720 --> 0:17:05.000
<v Speaker 1>Good Woman? Good Morning, Little school Child, The spirit is willing,

0:17:05.040 --> 0:17:08.560
<v Speaker 1>but the flesh is weak and more building out tune

0:17:08.640 --> 0:17:12.440
<v Speaker 1>after tune, in a style that was less singing and

0:17:12.600 --> 0:17:16.840
<v Speaker 1>more well. Willis had a name for it. In an interview,

0:17:17.040 --> 0:17:22.639
<v Speaker 1>Willis once described his singing style as quote coloring. He was,

0:17:22.840 --> 0:17:27.880
<v Speaker 1>in his words, someone who could holler loudly and in key,

0:17:28.080 --> 0:17:30.919
<v Speaker 1>but maybe his singing was beside the point. Bruce is

0:17:31.080 --> 0:17:34.280
<v Speaker 1>very very talented. I mean not just a good actor. Um,

0:17:34.320 --> 0:17:37.359
<v Speaker 1>he's a great musician as well. I'll be honest with you.

0:17:37.440 --> 0:17:40.400
<v Speaker 1>At the time, I was more impressed with him being

0:17:40.440 --> 0:17:43.160
<v Speaker 1>a performer on stage and and and playing the harp.

0:17:43.240 --> 0:17:46.359
<v Speaker 1>And you know, Bruce has got this flag about you know,

0:17:46.560 --> 0:17:50.359
<v Speaker 1>he's cool, he has swaged and and I was just

0:17:50.600 --> 0:17:53.560
<v Speaker 1>in aunt. I thought as a musician he was he

0:17:53.640 --> 0:17:56.800
<v Speaker 1>was better to be a musician than being an actor.

0:17:57.480 --> 0:18:01.399
<v Speaker 1>I mean, the diehard roles and stuff didn't him. Bruce

0:18:01.520 --> 0:18:06.240
<v Speaker 1>was okay as a musical performer. Let's put it that way.

0:18:07.280 --> 0:18:10.320
<v Speaker 1>He's a better actor than he used a musician. So

0:18:10.520 --> 0:18:15.440
<v Speaker 1>the reviews weren't unanimous. Even so, Bruce and his Accelerators

0:18:15.480 --> 0:18:19.600
<v Speaker 1>were easily the highest profile act in town, and that

0:18:19.720 --> 0:18:22.440
<v Speaker 1>made them a little bit of a target. There were

0:18:22.440 --> 0:18:26.439
<v Speaker 1>other local groups like the Barnet's, a risque for women

0:18:26.520 --> 0:18:30.560
<v Speaker 1>group that performed a gently salacious show. They like to

0:18:30.600 --> 0:18:34.320
<v Speaker 1>poke a little fun at Willis singing He's a Local

0:18:34.520 --> 0:18:37.960
<v Speaker 1>to the tune of He's a Rebel, Willis, they said,

0:18:38.200 --> 0:18:44.120
<v Speaker 1>just ignored it. The Mint also started holding outlandish events

0:18:44.200 --> 0:18:48.040
<v Speaker 1>like homespun versions of seventies game shows like The Dating

0:18:48.080 --> 0:18:51.440
<v Speaker 1>Game or The Gong Show, shows Willis might have watched

0:18:51.440 --> 0:18:56.320
<v Speaker 1>as a teenager area residents competed to win dinner at

0:18:56.320 --> 0:18:59.440
<v Speaker 1>the Mint. The Gong Show was like an early version

0:18:59.520 --> 0:19:02.679
<v Speaker 1>of America can Idol, where if the performers were terrible,

0:19:04.080 --> 0:19:09.920
<v Speaker 1>they were gone. I was in the Gong Show with Bruce. Yeah,

0:19:10.000 --> 0:19:12.440
<v Speaker 1>we did a Gong show thing I was. I wasn't

0:19:12.600 --> 0:19:14.840
<v Speaker 1>had a holy field and I had a piece of

0:19:14.880 --> 0:19:16.760
<v Speaker 1>taper in my hair, and you know, and and and

0:19:16.760 --> 0:19:18.880
<v Speaker 1>Bruce has come around with the broom, you know, when

0:19:18.880 --> 0:19:20.960
<v Speaker 1>somebody gets goned, and he'd come down and you know,

0:19:21.760 --> 0:19:24.160
<v Speaker 1>um yeah, and he'd sweep, you know, he'd go around

0:19:24.200 --> 0:19:27.880
<v Speaker 1>doing this thing. He's actually, he's incredibly funny. Where else

0:19:27.880 --> 0:19:30.120
<v Speaker 1>in the world are you going to see Bruce Willis

0:19:30.200 --> 0:19:35.760
<v Speaker 1>dismissing bad entertainers like a prototype Simon Cowell with a broom.

0:19:35.800 --> 0:19:39.160
<v Speaker 1>In his performances with the Accelerators and the Gong Show,

0:19:39.800 --> 0:19:43.640
<v Speaker 1>it was obvious that this was a Willis playground. Even

0:19:43.680 --> 0:19:47.760
<v Speaker 1>the Mint's restaurant disappeared, replaced with a series of pool

0:19:47.800 --> 0:19:52.720
<v Speaker 1>tables that better fit the leisurely hangout atmosphere. But it

0:19:52.800 --> 0:19:56.399
<v Speaker 1>also seemed like Willis couldn't decide whether the Mint should

0:19:56.400 --> 0:20:00.400
<v Speaker 1>be a business or just a glorified man Cave. An

0:20:00.400 --> 0:20:03.760
<v Speaker 1>employee told a reporter that Willis once declared the bar

0:20:03.880 --> 0:20:08.000
<v Speaker 1>open and free for everyone. The next day, the employee

0:20:08.000 --> 0:20:12.240
<v Speaker 1>said he came storming in scolding employees because the mint

0:20:12.320 --> 0:20:16.920
<v Speaker 1>was losing money. The original mint had been a rowdy

0:20:17.000 --> 0:20:20.720
<v Speaker 1>drinking spot full of ordinary miners who wanted to blow

0:20:20.760 --> 0:20:24.000
<v Speaker 1>off steam with a little drinking and maybe some fighting.

0:20:24.760 --> 0:20:31.680
<v Speaker 1>The new mint was more civilized. But any combination of alcohol, jealousy, music,

0:20:31.920 --> 0:20:35.720
<v Speaker 1>and late nights is bound to end in trouble. Rick

0:20:35.760 --> 0:20:46.600
<v Speaker 1>Oliver found that out firsthand. Most people at the Mint

0:20:46.720 --> 0:20:50.159
<v Speaker 1>were therefore a party to have a good time, but

0:20:50.280 --> 0:20:55.399
<v Speaker 1>not everyone was on their best behavior. Here's leash Slender again,

0:20:56.040 --> 0:20:57.639
<v Speaker 1>water or two of these guys, and I don't want

0:20:57.640 --> 0:21:00.320
<v Speaker 1>to get too close to the names because don't want

0:21:00.359 --> 0:21:02.719
<v Speaker 1>to get anybody in trouble, but a couple of them

0:21:02.800 --> 0:21:08.040
<v Speaker 1>had been in brawls and raising hell downtown late at night,

0:21:08.119 --> 0:21:12.960
<v Speaker 1>which was really unusual for us. It's a quiet little town.

0:21:13.440 --> 0:21:17.640
<v Speaker 1>Nine ten o'clock, it's locked up, everybody goes home, And

0:21:17.680 --> 0:21:20.920
<v Speaker 1>that did really get everybody's attention, he said, what's going on?

0:21:22.920 --> 0:21:26.280
<v Speaker 1>While people in Haley were mostly low key, there was

0:21:26.320 --> 0:21:30.040
<v Speaker 1>a contingent that didn't like being pushed around, and that

0:21:30.160 --> 0:21:34.159
<v Speaker 1>led to some real problems, not because of Willis, but

0:21:34.280 --> 0:21:40.119
<v Speaker 1>Willis's associate. There was that clash between perhaps one or

0:21:40.119 --> 0:21:44.280
<v Speaker 1>two or maybe more Bruce's hanger on is. It run

0:21:44.320 --> 0:21:48.680
<v Speaker 1>into a little problem with some of our local younger guys.

0:21:48.720 --> 0:21:52.359
<v Speaker 1>Sometimes these melee's got a little out of hand. A

0:21:52.440 --> 0:21:55.080
<v Speaker 1>man named Johnny Rolling told the press that he was

0:21:55.160 --> 0:21:58.639
<v Speaker 1>visiting Haley from out of town when he claimed a

0:21:58.760 --> 0:22:01.640
<v Speaker 1>Mint employee choked him and dragged him out by the neck.

0:22:03.359 --> 0:22:07.880
<v Speaker 1>He lodged a complaint with the Hailey District Court. Another patron,

0:22:08.080 --> 0:22:11.040
<v Speaker 1>Dale Disher, said he was also dragged out by his

0:22:11.119 --> 0:22:14.919
<v Speaker 1>neck and pushed down the stairs. In both cases, the

0:22:15.000 --> 0:22:20.919
<v Speaker 1>Mint security staff were the alleged culprit. Willis, of course,

0:22:21.119 --> 0:22:25.399
<v Speaker 1>rarely commented to the press about anything, much less accusations

0:22:25.440 --> 0:22:29.760
<v Speaker 1>of his customers getting knocked around, but spokespeople for Valley

0:22:29.920 --> 0:22:34.280
<v Speaker 1>Entertainment asserted that anyone pursuing legal action against the bar

0:22:34.800 --> 0:22:40.720
<v Speaker 1>was simply an opportunist looking to dip into Willis's deep pocket. Look,

0:22:41.080 --> 0:22:45.040
<v Speaker 1>there are fights in bars. It's certainly nothing the Mint encouraged.

0:22:45.600 --> 0:22:48.720
<v Speaker 1>But like in any bar, there were times when things

0:22:48.720 --> 0:22:52.200
<v Speaker 1>seemed like they were going to go further, much further.

0:22:52.960 --> 0:22:55.280
<v Speaker 1>And it was during one of those times that Rick

0:22:55.359 --> 0:22:58.359
<v Speaker 1>Oliver had to step up in a big way, and

0:22:58.440 --> 0:23:03.320
<v Speaker 1>not against one irate friend, but a whole bunch of them.

0:23:03.480 --> 0:23:06.359
<v Speaker 1>I kind of got into something one night. There was

0:23:06.400 --> 0:23:08.640
<v Speaker 1>a kid and he was I don't know, is its

0:23:08.760 --> 0:23:11.240
<v Speaker 1>proper to us the word gay, you know? But I

0:23:11.280 --> 0:23:13.320
<v Speaker 1>knew the kid because he owned a business. And catch

0:23:13.400 --> 0:23:16.600
<v Speaker 1>them a group of cowboys giving him a hard time.

0:23:16.640 --> 0:23:19.119
<v Speaker 1>I mean like, and they follow him into the bathroom.

0:23:19.240 --> 0:23:21.040
<v Speaker 1>When I saw him following into the bathroom, I go,

0:23:21.320 --> 0:23:23.240
<v Speaker 1>let me go, and I bet that you know they're

0:23:23.280 --> 0:23:26.239
<v Speaker 1>gonna give a hard time. Rick didn't like where this

0:23:26.359 --> 0:23:30.959
<v Speaker 1>was going. It's not that Haley was inherently prejudiced, because

0:23:30.960 --> 0:23:34.680
<v Speaker 1>they weren't. But this was the es when people might

0:23:34.720 --> 0:23:38.240
<v Speaker 1>be more prone to let bigotry slide but not wreck.

0:23:38.880 --> 0:23:41.200
<v Speaker 1>And sure enough then it's seizing him and I go, hey, man,

0:23:41.320 --> 0:23:43.959
<v Speaker 1>leave the guy alone, and they're like, you know, you know,

0:23:44.119 --> 0:23:46.080
<v Speaker 1>f you you want somebody, Yeah, let's go to take

0:23:46.119 --> 0:23:48.560
<v Speaker 1>it outside, just to get him away from him. You know.

0:23:49.400 --> 0:23:51.120
<v Speaker 1>It was a group of them, and I remember going

0:23:51.160 --> 0:23:54.000
<v Speaker 1>to my car and I had my casiled weapons permitting

0:23:54.040 --> 0:23:57.400
<v Speaker 1>everything they did. It was like something out of a Western.

0:23:58.520 --> 0:24:01.199
<v Speaker 1>There was wreck So sing off with a group of

0:24:01.200 --> 0:24:05.440
<v Speaker 1>homophobic cowboys in the middle of Hayley's main street, wondering

0:24:05.480 --> 0:24:07.359
<v Speaker 1>if he might need to reach for the gun that

0:24:07.480 --> 0:24:10.399
<v Speaker 1>was tucked in his pants. Well I didn't flash it,

0:24:10.480 --> 0:24:13.119
<v Speaker 1>but it was in my my belt, right, so you know,

0:24:13.160 --> 0:24:14.960
<v Speaker 1>I was like, well, what do you guys want to do?

0:24:15.080 --> 0:24:17.760
<v Speaker 1>You know? And they were all mouth and they were

0:24:17.760 --> 0:24:20.600
<v Speaker 1>they were kids, and they were just being drunk and obnoxious. Right.

0:24:21.240 --> 0:24:25.880
<v Speaker 1>Someone called the police. The police arrived and they saw

0:24:25.920 --> 0:24:28.959
<v Speaker 1>a black man with a gun in a heated scene

0:24:29.000 --> 0:24:32.800
<v Speaker 1>with a group of white guys. And Rick was taken

0:24:32.840 --> 0:24:36.840
<v Speaker 1>into custody. Yeah yeah, so you know, and they came

0:24:36.880 --> 0:24:39.320
<v Speaker 1>and even with the consteal weapon prevent you know, this

0:24:39.400 --> 0:24:42.719
<v Speaker 1>is so Idaho, they took me in and it was

0:24:42.840 --> 0:24:45.600
<v Speaker 1>you know, you know, I had a decent attorney in

0:24:46.400 --> 0:24:49.320
<v Speaker 1>I was released the next day on bail. But you know,

0:24:49.800 --> 0:24:56.120
<v Speaker 1>it wasn't like it shouldn't have happened. Thankfully, the Mint

0:24:56.160 --> 0:24:59.080
<v Speaker 1>had a few nights that were that intense, but when

0:24:59.119 --> 0:25:02.960
<v Speaker 1>they did happen, it caught people's attention. And because of that,

0:25:03.000 --> 0:25:05.880
<v Speaker 1>there's a kind of irony that exists within the Mint

0:25:06.000 --> 0:25:10.720
<v Speaker 1>that's worth mentioning. In retreating to Haley, Willis was looking

0:25:10.760 --> 0:25:14.399
<v Speaker 1>for an escape from the spotlight, but the Mint brought

0:25:14.440 --> 0:25:17.959
<v Speaker 1>it right to his proverbial front door. There was always

0:25:18.080 --> 0:25:20.919
<v Speaker 1>someone trying to get a good story. I remember, you know,

0:25:21.040 --> 0:25:22.879
<v Speaker 1>one guy came out coming from out of town. I

0:25:22.880 --> 0:25:25.000
<v Speaker 1>didn't really know what was going on, and he wanted

0:25:25.040 --> 0:25:27.160
<v Speaker 1>to have breakfast. And at the time I was doing

0:25:27.200 --> 0:25:30.119
<v Speaker 1>some p I security stuff, so I didn't know if

0:25:30.119 --> 0:25:31.760
<v Speaker 1>it was a case he was working on or what

0:25:31.800 --> 0:25:34.320
<v Speaker 1>have you. But as it turned out, he was with

0:25:34.480 --> 0:25:38.640
<v Speaker 1>you know, was his Star magazine. Yes, Star magazine. Star

0:25:38.920 --> 0:25:41.400
<v Speaker 1>for those who may not remember, was one of those

0:25:41.400 --> 0:25:45.000
<v Speaker 1>big tabloids in the nineties next to the National Enquirer

0:25:45.480 --> 0:25:49.520
<v Speaker 1>headlines like killer mom in secret romance with hunky prison guard.

0:25:50.240 --> 0:25:53.159
<v Speaker 1>It wasn't the New York Times. People are making up

0:25:53.200 --> 0:25:55.040
<v Speaker 1>stories and stories, you know, they just want to confirm

0:25:55.080 --> 0:25:57.919
<v Speaker 1>blah blah blah. You know, there was one, you know,

0:25:57.920 --> 0:26:00.760
<v Speaker 1>if I can recall correctly, something A got a mobster's

0:26:00.800 --> 0:26:03.439
<v Speaker 1>wife in New York and the mobster was, you know,

0:26:03.560 --> 0:26:05.560
<v Speaker 1>gonna put a hit on Bruce or something like that,

0:26:05.640 --> 0:26:08.600
<v Speaker 1>and we like, you know what, Bruce's probably got more

0:26:08.600 --> 0:26:13.280
<v Speaker 1>money in their whole mob family, the occasional potential shootout

0:26:13.400 --> 0:26:16.880
<v Speaker 1>and running with Tabloid's aside. Rick had a good time

0:26:16.920 --> 0:26:20.040
<v Speaker 1>with Willis with the men to and in Haley, but

0:26:20.160 --> 0:26:22.640
<v Speaker 1>after a few years there it was time to move on.

0:26:23.520 --> 0:26:27.040
<v Speaker 1>Rick eventually found life in Boise, Idaho, to be more

0:26:27.080 --> 0:26:30.639
<v Speaker 1>to his liking. He's still there today. I'm still an

0:26:30.720 --> 0:26:34.720
<v Speaker 1>artist management for a company called the Goal Agency Talent Buyer.

0:26:35.480 --> 0:26:38.720
<v Speaker 1>You know, I just finished came off a big summer

0:26:38.760 --> 0:26:44.760
<v Speaker 1>concert series here. Uh it's Expo Idaho. Ric also got

0:26:44.760 --> 0:26:46.840
<v Speaker 1>a taste of what it meant to be as famous

0:26:46.880 --> 0:26:50.320
<v Speaker 1>as Willis, even in a town as small as Haley.

0:26:50.440 --> 0:26:52.520
<v Speaker 1>I can remember being with him, me and him and

0:26:52.520 --> 0:26:54.920
<v Speaker 1>the girls. You know. It was like a Saturday afternoon

0:26:55.000 --> 0:26:58.119
<v Speaker 1>and we're at the Mint first and obviously it's closed

0:26:58.119 --> 0:27:00.360
<v Speaker 1>because it's it's the nightclub. It's in the the noon.

0:27:01.040 --> 0:27:02.600
<v Speaker 1>So we're in there with the girls and you know,

0:27:02.640 --> 0:27:04.359
<v Speaker 1>we're just in there dance and just me and him

0:27:04.359 --> 0:27:08.760
<v Speaker 1>and the girls, the girls referring of course to his daughters.

0:27:08.880 --> 0:27:10.600
<v Speaker 1>And we turn on the music and we danced and

0:27:10.600 --> 0:27:13.560
<v Speaker 1>then these people walk in, right, and we're like, you know, hey,

0:27:13.560 --> 0:27:16.600
<v Speaker 1>this is clothes today left, we got'm leaving. Then you know,

0:27:16.640 --> 0:27:18.199
<v Speaker 1>we do that for a little bit, you know, and

0:27:18.200 --> 0:27:20.800
<v Speaker 1>then we go next to the shorties to get I

0:27:20.840 --> 0:27:22.640
<v Speaker 1>think we'll get a nice pain or something like that.

0:27:23.480 --> 0:27:25.720
<v Speaker 1>And the same people they walk in and they're just

0:27:25.800 --> 0:27:28.439
<v Speaker 1>staring and and you know, I get a glimpse of

0:27:28.480 --> 0:27:30.119
<v Speaker 1>this right and I'm like, you know, what are you

0:27:30.160 --> 0:27:32.520
<v Speaker 1>guys doing it? And today started like try and talk

0:27:32.560 --> 0:27:34.639
<v Speaker 1>and this is like, you know what, I'm here with

0:27:34.680 --> 0:27:37.919
<v Speaker 1>friends and family and you know, what are you doing here? Like?

0:27:38.720 --> 0:27:40.160
<v Speaker 1>So I got a sense of that, and I got

0:27:40.200 --> 0:27:43.000
<v Speaker 1>that with just from being around, you know, working for

0:27:43.080 --> 0:27:46.560
<v Speaker 1>celebrities and and being in that kind of circle. Someone

0:27:46.600 --> 0:27:49.880
<v Speaker 1>always wants something, you know, It's it's a tough it's

0:27:49.880 --> 0:27:53.440
<v Speaker 1>a tough business. So now everybody knows that, you know, hey,

0:27:53.440 --> 0:27:57.000
<v Speaker 1>Bruce Willis live and de memor live and you know Hayley, Idaho. Right,

0:27:57.040 --> 0:28:02.879
<v Speaker 1>So people are coming out of woodwork for whatever reason. Increasingly,

0:28:03.160 --> 0:28:07.040
<v Speaker 1>Willis was realizing that he could still be found in Haley,

0:28:07.200 --> 0:28:10.040
<v Speaker 1>could still have people coming out of the woodwork, and

0:28:10.080 --> 0:28:12.960
<v Speaker 1>no matter what he did, his every move was going

0:28:13.000 --> 0:28:17.040
<v Speaker 1>to be subject to scrutiny. The bubble of privacy he

0:28:17.080 --> 0:28:20.639
<v Speaker 1>had wrapped himself in, had wrapped Haley in, was in

0:28:20.680 --> 0:28:25.720
<v Speaker 1>real danger of bursting. So Willis decided to lean into it.

0:28:26.119 --> 0:28:29.919
<v Speaker 1>Instead of being a quiet Haley resident, he opted to

0:28:30.000 --> 0:28:35.760
<v Speaker 1>get political and the result was a disaster of nuclear proportions.

0:28:36.760 --> 0:28:39.120
<v Speaker 1>The guy who had been sort of boost his money

0:28:39.160 --> 0:28:42.240
<v Speaker 1>guy was someone that people who were intimidated by. He

0:28:42.280 --> 0:28:46.160
<v Speaker 1>was apparently like a big dude, and he was still

0:28:46.200 --> 0:28:48.920
<v Speaker 1>around on the streets of Haley sometimes and people were

0:28:49.680 --> 0:28:51.800
<v Speaker 1>I don't think, like physically afraid of the guy, but

0:28:51.840 --> 0:28:59.040
<v Speaker 1>they were intimidated by him. If you're enjoying Haleywood so far,

0:28:59.200 --> 0:29:02.880
<v Speaker 1>remember to eight review and subscribe. It helps other people

0:29:02.920 --> 0:29:05.560
<v Speaker 1>who might want to find the podcast, and it really

0:29:05.560 --> 0:29:08.520
<v Speaker 1>helps us, the people who have made the podcast. Thank

0:29:08.520 --> 0:29:14.520
<v Speaker 1>you so much. Haileywood is hosted by Danis Schwartz. This

0:29:14.560 --> 0:29:18.720
<v Speaker 1>show is written by Jake Rawson, editing by Derrick Clements,

0:29:19.000 --> 0:29:23.000
<v Speaker 1>Mary Do and me Josh Fisher. Sound design and mixing

0:29:23.160 --> 0:29:27.840
<v Speaker 1>by Jeremy Thal, Derrek Clemens, and me Josh Fisher. Original

0:29:27.920 --> 0:29:32.800
<v Speaker 1>music by Natasha Jacobs. Research and fact checking by Jake Rawson,

0:29:33.080 --> 0:29:37.800
<v Speaker 1>Austin Thompson and Marissa Brown. Show logo by Lucy Quentinia.

0:29:38.360 --> 0:29:41.880
<v Speaker 1>Our senior producer is Ryan Murdoch and our executive producer

0:29:41.960 --> 0:29:45.200
<v Speaker 1>is Jason English. Special thanks to the people of Hailey,

0:29:45.240 --> 0:29:49.520
<v Speaker 1>Idaho and all those who've shared their stories. Haileywood is

0:29:49.560 --> 0:29:52.840
<v Speaker 1>a production of I Heart Radio. Until Next Time.