WEBVTT - All Ball - Pt 2. ‘Predator’ Actor Dane DeLiegro on Overseas Pro Experience, ‘Prey’ Big Break

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<v Speaker 1>Hey, we welcome in. I'm done. Godly, this is all ball,

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<v Speaker 1>all basketball, all the time, sort of. We talk a

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<v Speaker 1>lot of other stuff as well, including part two of

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<v Speaker 1>our of our talk with the new Predator, Dane de

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<v Speaker 1>Legro UH. He joins me in studio. We got a ton,

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<v Speaker 1>a ton of great stories that he's already told us

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<v Speaker 1>in in uh part one and more here in part two.

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<v Speaker 1>Really really fun and interesting stuff. Before we get to

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<v Speaker 1>part two with Dane, I did want to give you

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<v Speaker 1>my thoughts on on the unwinding of the nineteen year

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<v Speaker 1>age limit for the NBA draft. Uh. This is something

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<v Speaker 1>that's long been discussed, long been desired by the NBA,

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<v Speaker 1>p a and the NBA. Whether they want it or

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<v Speaker 1>don't want it, it's just been a leverage point where

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<v Speaker 1>they said we get to it. Now it feels like

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<v Speaker 1>they're going to get to it. So what does it do? Well,

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<v Speaker 1>the college basketball coaches forever have said, why don't we

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<v Speaker 1>just have the baseball rule, you know, college baseball while

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<v Speaker 1>you go out of high school or you gotta stay

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<v Speaker 1>for three years. That works. Here's the problem with it.

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<v Speaker 1>College Baseball, and I get I get that basketball is

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<v Speaker 1>an inherently different sport. Um, I totally understand that. I

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<v Speaker 1>understand that. Basketball is why are differently. That the tradition,

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<v Speaker 1>the pomp, circumstances, all of those things, and what you're

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<v Speaker 1>gonna do when you have, and you know, I know these.

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<v Speaker 1>They want more draft picks as well, which of course

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<v Speaker 1>will create a bigger influx of young players who go

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<v Speaker 1>directly to the minor leagues, to the to the g league.

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<v Speaker 1>There's a there's a lack of sustainability, I believe, to

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<v Speaker 1>the whole thing. I could be wrong because obviously gatorade

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<v Speaker 1>changing from the D League to the g league is

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<v Speaker 1>a big proponent of it. The League wants to stay alive.

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<v Speaker 1>It helps the teams, but they have don't get me wrong,

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<v Speaker 1>they lose money. This is not a money maker. Um,

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<v Speaker 1>for for the most part, I would guess it's a

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<v Speaker 1>little different with the gatorade money, but not much different.

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<v Speaker 1>The G League, ignite, is not a money maker. It's

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<v Speaker 1>just not. And the weird thing that I haven't heard

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<v Speaker 1>anybody say, at least in front of a microphone, is

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<v Speaker 1>you know, it doesn't matter that the players are better

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<v Speaker 1>than g league than they are in college basketball. People

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<v Speaker 1>don't watch minor league sports. So the caution to to

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<v Speaker 1>college basketball is this idea that we like the college

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<v Speaker 1>baseball model. Sounds Great, but does Anybody Watch College Baseball

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<v Speaker 1>outside the College Baseball World Series? The answer is no,

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<v Speaker 1>and you don't want to. You don't want that to

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<v Speaker 1>be your sport, that you don't want that to be

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<v Speaker 1>your m O, that nobody cares. On the other hand,

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<v Speaker 1>the cautionary tale for the NBA is it doesn't matter

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<v Speaker 1>how good the talent is in the g league. We

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<v Speaker 1>don't watch minor league sports. We just don't. And I

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<v Speaker 1>think turning college football or basketball in a minor league

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<v Speaker 1>sport is a mistake. And depending upon a minor league sport,

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<v Speaker 1>a True Minor League sport, to to to draw a

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<v Speaker 1>number on a TV writing is an ill fated concept.

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<v Speaker 1>I don't know. It seemed to work for a long

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<v Speaker 1>time the way that we used to do it, and

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<v Speaker 1>now that you have name, image and likeness, guys should

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<v Speaker 1>stay longer than our borderline. I I don't love this rule,

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<v Speaker 1>but I would especially not like this rule. If you

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<v Speaker 1>can come out of college, go back in. Come out

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<v Speaker 1>of college, go back in. Now you get compensated with

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<v Speaker 1>N I l. Now you can transfer right away without

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<v Speaker 1>sitting out, all of which is not great for college basketball,

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<v Speaker 1>but it's great for the student athlete. I think expanding

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<v Speaker 1>the draft pool Um and, frankly, lowing the age limit,

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<v Speaker 1>it's just gonna make more people charge into this thing headlong,

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<v Speaker 1>and that doesn't make it a great decision. All right,

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<v Speaker 1>let's get you to Dante Legro. Here's part two of

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<v Speaker 1>my discussion with the new star of the new dangelegro.

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<v Speaker 1>So you have you finally got this passport, you get

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<v Speaker 1>done playing. So then all these like all these European

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<v Speaker 1>agents start coming out of the world facebook. They just,

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<v Speaker 1>I don't the same thing with the Jew the Jew

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<v Speaker 1>basketball radar. They just find you, I don't know. They

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<v Speaker 1>look up stats, they look up Division One. How many

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<v Speaker 1>Division One schools are there? So they you know, the

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<v Speaker 1>hundred and fifty, four now, I think, but back then

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<v Speaker 1>there was probably, you know, there's three. So if you

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<v Speaker 1>if you have like a hard working, relatively smart agent,

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<v Speaker 1>he can he can find these graduating seniors who could

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<v Speaker 1>go play overseas. And I don't know if it's public

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<v Speaker 1>information or not that I have my passport, but there

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<v Speaker 1>are people who are starting to pursue me now and

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<v Speaker 1>it's it's a little bit of a factory. Like you know.

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<v Speaker 1>They're a guy from Germany came and did his rounds

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<v Speaker 1>on the East Coast and met with me at New

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<v Speaker 1>Hampshire and my numbers weren't bad, but I started for

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<v Speaker 1>four years, so I think that stands out. Um, I graduated,

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<v Speaker 1>I was the second all time leading rebounder in school history.

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<v Speaker 1>Oh that's another I was I could have been the

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<v Speaker 1>all time leading reboundersquistory. I got suspended for what I had.

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<v Speaker 1>I used a fake parking pass. That are S I

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<v Speaker 1>D who? But by the way, our S I d

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<v Speaker 1>on the road was my roommate. His name, his name

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<v Speaker 1>doesn't matter. I'm not even gonna his name is Eric,

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<v Speaker 1>but Um uh, he copied his like faculty parking pass

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<v Speaker 1>photocopy and gave it to me so that I could

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<v Speaker 1>park um closer to the field house so I wouldn't

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<v Speaker 1>have to walk. Amazing our athletic trainer saw me one

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<v Speaker 1>day and snitched on me, reported it not to my

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<v Speaker 1>head coach but to the athletic director and I got

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<v Speaker 1>suspended for three games for extra benefits and he instiduably

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<v Speaker 1>forced me to pay one hundred dollars to a charity

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<v Speaker 1>of my choice, like, first of all, looking back. No,

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<v Speaker 1>the instable. You cannot fucking do that. You can't force. Okay, well,

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<v Speaker 1>I'm not paying. Well, you can't play. That's you can't

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<v Speaker 1>do that. I certainly can't. I don't know, but that

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<v Speaker 1>ship wouldn't fly today, I can tell you that much.

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<v Speaker 1>All that extra benefits ship. Well, yeah, that that stuff

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<v Speaker 1>as good. Well, for parking pass, I got suspended for

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<v Speaker 1>three games. People thought I was doing I'm in New Hampshire.

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<v Speaker 1>I me at Vermont there, like, were you doing drugs?

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<v Speaker 1>I heard you're doing dealing drugs. N Fake Parking Pass. Crazy.

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<v Speaker 1>Three Games, three games, three. And so I was the

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<v Speaker 1>average trainer. Did the trainer understand what he she was? No,

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<v Speaker 1>she did not know. She was just no, she didn't

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<v Speaker 1>choose from North Shore Massachusetts and just wanted to snitch

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<v Speaker 1>on me. And that's it. And I was averaging eight

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<v Speaker 1>point out. How many rebounds short are you of being

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<v Speaker 1>the all time leader rebound? So I was averaging eight

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<v Speaker 1>point eight rebounds a game that season and I missed

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<v Speaker 1>three games and I missed the all time leading rebound

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<v Speaker 1>record by twenty four rebounds. Women close but very likely.

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<v Speaker 1>If I knew, and who are the team? If you knew,

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<v Speaker 1>you would have got more. If I knew, I would

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<v Speaker 1>have dedicated these games to rebounding. It's since changed. The

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<v Speaker 1>record has been broken by now. You know, I would

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<v Speaker 1>have been I don't even know, Um, because they played

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<v Speaker 1>more games now too. Well, they play more games and

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<v Speaker 1>like the yeah, there there are like better those. Those

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<v Speaker 1>records are so fragile because we never had players at

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<v Speaker 1>New Hampshire anyways. So you bring one guy in who's

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<v Speaker 1>capable of doing a lot of things and you know

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<v Speaker 1>that they were going to break all the records. So

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<v Speaker 1>I was seventh all timesis when I when I finished,

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<v Speaker 1>but I finished three short of Greg Anthony and then

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<v Speaker 1>Aaron Miles is, uh was how many? Way, he's seven

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<v Speaker 1>short of him. Um, I'm nine short of Tony Miller

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<v Speaker 1>at Marquette and thirteen short of Sherman Douglas. And these

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<v Speaker 1>are all the time. Great, I'm forty six. Oh, you

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<v Speaker 1>didn't play with Travis Deiner Against Travis Deiner? No, here's

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<v Speaker 1>my point guard. So so my point is, my my

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<v Speaker 1>story is I wasn't suspended, but one UM, Notre Dame,

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<v Speaker 1>did not help because one. We lost in the first

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<v Speaker 1>game in the Big East Tournament. We didn't play any

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<v Speaker 1>postseason play and we played pretty slow. Right that that

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<v Speaker 1>that that didn't help. But I did start that year,

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<v Speaker 1>so I probably got more than most guys. But then

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<v Speaker 1>in Oaklhama state. So my the year I aloud led

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<v Speaker 1>the country one time, a second the other time. But

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<v Speaker 1>when the year I let it Um, two things one.

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<v Speaker 1>So I was averaging like twelve and ten. We play

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<v Speaker 1>out here play. That's crazy. And I had gotten a

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<v Speaker 1>technical foul against Florida Gulf coast. So here's the here's

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<v Speaker 1>the here's the story. Okay, UM, my sophomore year we

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<v Speaker 1>we were picked last in the League and UM at

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<v Speaker 1>Oakham state. So I sat out of year side of

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<v Speaker 1>Oaklham state and Um really was there was a bunch

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<v Speaker 1>of other schools that's going to go to and it

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<v Speaker 1>just kind of all fell into place. Plus, they badly

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<v Speaker 1>need a point card. If you watch their team play

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<v Speaker 1>like they're actually really good. They just are playing way

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<v Speaker 1>too slow because they don't have a point guard and

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<v Speaker 1>they don't have anybody who makes everybody else better like

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<v Speaker 1>they had really like Joe Atkins was my two guard.

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<v Speaker 1>He averaged like four and a half sister game our

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<v Speaker 1>senior year. He was a great passer and score. He

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<v Speaker 1>just wasn't a point guard right, like he didn't think

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<v Speaker 1>of getting everybody else involved. Deson Mason was was playing

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<v Speaker 1>a wing and you know, when I got there we

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<v Speaker 1>moved into the four, we played small and he was,

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<v Speaker 1>you know, like as a he it was just a

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<v Speaker 1>constant mismatch, right. So, anyway, we had a really good

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<v Speaker 1>sophomore year. We got a bad draw. We lose the

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<v Speaker 1>Duke in the N C a tournament, kind of similarly

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<v Speaker 1>to your Yukon story where we were tied with Duke

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<v Speaker 1>with two and a half ago. We get home but

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<v Speaker 1>we got no. I meant not the officiating, which wasn't great,

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<v Speaker 1>but it was more that you get home and people

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<v Speaker 1>are celebrating. You're like we lost, like Oh, would you

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<v Speaker 1>almost be Duke? Like we lost, like no, you almost

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<v Speaker 1>bed it, like we fucking lost. We should have won

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<v Speaker 1>the game, like, dude, have a beer. So it was

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<v Speaker 1>a hard fought battle and it was I'm sure it

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<v Speaker 1>was great to watch, but the end result is what

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<v Speaker 1>was really plus. Like, you know, if you're in the moment,

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<v Speaker 1>you're like we shouldn't want to. It was a tight

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<v Speaker 1>game with two haive minutes ago and we made a

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<v Speaker 1>couple of shots and they scored, like we should have

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<v Speaker 1>won the game. So Um. So, my junior year we

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<v Speaker 1>were picked when we were top preseason, top ten, because

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<v Speaker 1>we had everybody back except our starting center again, Brett Robisch. Brett,

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<v Speaker 1>his dad played in the NBA. His brother was on

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<v Speaker 1>the team to his brother ultimately transferred to Butler. He

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<v Speaker 1>played like six years but like fifty games because he's

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<v Speaker 1>just always had these always hurt. Brett was really good.

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<v Speaker 1>But plus Brett was like a he took a lot

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<v Speaker 1>of bullets for all the rest of the guys, you know,

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<v Speaker 1>like he stood up for people, he talked back to

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<v Speaker 1>coaches just because he knew we couldn't play without him

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<v Speaker 1>and like he just didn't take ship from anybody. So

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<v Speaker 1>when he was gone it kind of changed the dynamic.

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<v Speaker 1>And then we had we didn't have enough eligible guards.

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<v Speaker 1>We lost Florida Atlantic. I could, I could do a

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<v Speaker 1>whole podcast on it, but I got so anyway, I

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<v Speaker 1>got a t in the I got thrown out of

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<v Speaker 1>the U C L A game. Again, another pot. You

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<v Speaker 1>want to just boil it down. Well, I got it

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<v Speaker 1>the first tea I got. So it's the only game

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<v Speaker 1>I ever played in the state of California and from California.

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<v Speaker 1>We played in Orange County. I'm from Orange County and

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<v Speaker 1>we played against US silly. My brother and sister used

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<v Speaker 1>a lambs. I was the U C L, a ticket

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<v Speaker 1>hold of one, I would say I was. I was

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<v Speaker 1>a ball boy for a time, you know. And UH, well,

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<v Speaker 1>Jim Herrick recruited me but I turned down. And then

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<v Speaker 1>Steve Labin was the coach we lost to. So Um.

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<v Speaker 1>So I turned them down in a high school Um.

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<v Speaker 1>And then why went to know dame and then when

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<v Speaker 1>I when I was sitting out in between, had baron

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<v Speaker 1>Davis not gone there, I would have gone there would

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<v Speaker 1>be a better player than me right. So they were

0:12:06.280 --> 0:12:09.760
<v Speaker 1>like wait, waiting on barren. So Baron it was his

0:12:09.800 --> 0:12:11.800
<v Speaker 1>first game off of the A C L tear from

0:12:11.800 --> 0:12:14.400
<v Speaker 1>the end of his freshman year. So he was heavy.

0:12:14.440 --> 0:12:17.080
<v Speaker 1>He wasn't very good, but I got a tea where.

0:12:17.440 --> 0:12:20.120
<v Speaker 1>I mean the officiating was awful. There's got named Charlie range.

0:12:20.160 --> 0:12:22.720
<v Speaker 1>Anybody listen to podcast just from western United States are

0:12:22.720 --> 0:12:25.080
<v Speaker 1>a high a college basketball coach like Oh, Charlie range,

0:12:25.480 --> 0:12:30.480
<v Speaker 1>borderline criminals official, fucking horrible. Okay, but he would always

0:12:30.520 --> 0:12:32.720
<v Speaker 1>do the big west coast game when somebody from the

0:12:32.720 --> 0:12:34.440
<v Speaker 1>East would come and play or midwest to come and

0:12:34.440 --> 0:12:36.880
<v Speaker 1>play and low behold, like they would get calls like

0:12:37.080 --> 0:12:41.240
<v Speaker 1>Charlie range. Dave Libby was a better official but also

0:12:41.280 --> 0:12:43.320
<v Speaker 1>could be a merciless prick if you if you looked

0:12:43.360 --> 0:12:46.280
<v Speaker 1>at him, weird like he would. He hed t coach

0:12:46.320 --> 0:12:52.280
<v Speaker 1>and my last game ever for nothing anyway. So Um,

0:12:52.400 --> 0:12:54.839
<v Speaker 1>I go and I'm, you know, again kind of like you,

0:12:54.920 --> 0:12:57.240
<v Speaker 1>like I'm in college. I probably run my mouth more

0:12:57.280 --> 0:13:01.079
<v Speaker 1>than that ship. So we start the game and it's

0:13:01.120 --> 0:13:03.680
<v Speaker 1>like six Oh and six Oh and fouls, and so

0:13:03.720 --> 0:13:05.280
<v Speaker 1>I flipped the ball to him after they call us

0:13:05.320 --> 0:13:07.240
<v Speaker 1>like a little nickel diamond. I was like come on,

0:13:07.320 --> 0:13:09.240
<v Speaker 1>charl leaving him up a little bit. He bangs me.

0:13:10.360 --> 0:13:14.120
<v Speaker 1>You know. That's the first so end of the first half,

0:13:15.160 --> 0:13:18.080
<v Speaker 1>like we're holding for the last shot and I probably

0:13:18.120 --> 0:13:20.720
<v Speaker 1>went early off a highball screen. I go in and

0:13:20.720 --> 0:13:25.280
<v Speaker 1>I shoot a floater over Jerome Moiso, French kid, and

0:13:25.400 --> 0:13:28.200
<v Speaker 1>Dan get's reach. I don't know how you remember all these.

0:13:28.360 --> 0:13:30.160
<v Speaker 1>I don't remember half of the dudes I played again. Well,

0:13:30.200 --> 0:13:33.240
<v Speaker 1>they were both pros and that ship came out so hard.

0:13:33.360 --> 0:13:37.840
<v Speaker 1>They were like. And then baron like I went by him,

0:13:38.320 --> 0:13:41.080
<v Speaker 1>so instead of trying to get back defensively, like, he

0:13:41.160 --> 0:13:43.520
<v Speaker 1>leaked out. He gets a layup, lays it in. I

0:13:43.520 --> 0:13:45.520
<v Speaker 1>think it was only two points of the night and

0:13:45.559 --> 0:13:50.120
<v Speaker 1>he comes back like talking ship. Yeah, motherfucker, yeah, yeah, motherfucker,

0:13:50.600 --> 0:13:52.959
<v Speaker 1>and he like bumped shoulders to me. I was like,

0:13:53.000 --> 0:13:55.240
<v Speaker 1>get the funk off me, dude, right, and he takes

0:13:55.240 --> 0:13:59.760
<v Speaker 1>a dive. Oh No, takes so they call it in

0:14:00.000 --> 0:14:03.520
<v Speaker 1>tensional foul, but then they go back and the intentional

0:14:03.520 --> 0:14:08.600
<v Speaker 1>foul was after the halftime Buzzer had expired. Consider technical foul.

0:14:09.040 --> 0:14:10.599
<v Speaker 1>So I have to stay in the locker room in

0:14:10.600 --> 0:14:14.079
<v Speaker 1>the second half. We lose by three points. So we

0:14:14.160 --> 0:14:20.600
<v Speaker 1>had we had a player sitting out. Um, I promised

0:14:20.600 --> 0:14:22.360
<v Speaker 1>my teammates I would not I would not say his

0:14:22.480 --> 0:14:25.480
<v Speaker 1>name aloud because he's the one guy who's not in

0:14:25.520 --> 0:14:28.640
<v Speaker 1>the circle. But his name is Glenn and Alexander. He's

0:14:28.680 --> 0:14:33.720
<v Speaker 1>had some he's had an interesting post career career life whatever.

0:14:33.840 --> 0:14:35.840
<v Speaker 1>He's the all time leaning scored in the State of Texas.

0:14:36.000 --> 0:14:38.080
<v Speaker 1>He was a transfer from Arkansas, so he was eligible

0:14:38.120 --> 0:14:41.720
<v Speaker 1>the next game. So uh, and that's really what kind

0:14:41.720 --> 0:14:44.120
<v Speaker 1>of unsettled our whole team. We had terrible chemistry because

0:14:44.760 --> 0:14:48.880
<v Speaker 1>he thought he should play right away and like we

0:14:48.880 --> 0:14:50.280
<v Speaker 1>were all we all started the year before we were

0:14:50.320 --> 0:14:53.000
<v Speaker 1>really good. So somebody was gonna sit and ended up

0:14:53.040 --> 0:14:54.560
<v Speaker 1>being him and him coming out the bench and ended

0:14:54.600 --> 0:14:56.600
<v Speaker 1>up kind of settling and working itself out. But the

0:14:56.640 --> 0:14:59.760
<v Speaker 1>next eight games I was in the doghouse and he

0:15:00.000 --> 0:15:04.160
<v Speaker 1>had enough. Dud. Don't you know, if you get as

0:15:04.200 --> 0:15:06.560
<v Speaker 1>you punch somebody. I don't know if the rules changed.

0:15:06.600 --> 0:15:07.920
<v Speaker 1>I don't know. If you get thrown out now you

0:15:07.960 --> 0:15:11.000
<v Speaker 1>have to sit, but but I played like eight minutes,

0:15:11.600 --> 0:15:14.160
<v Speaker 1>nine minutes, like I was like I'm out of here,

0:15:14.560 --> 0:15:17.520
<v Speaker 1>like this dude is doghouse and me for some bullshit.

0:15:17.840 --> 0:15:20.320
<v Speaker 1>And those are also the games against the SHITTY teams

0:15:20.320 --> 0:15:23.560
<v Speaker 1>like Southeast Missouri State right like Dude, I would have

0:15:23.600 --> 0:15:27.240
<v Speaker 1>had fifteen assists. So the net net is at the

0:15:27.320 --> 0:15:29.000
<v Speaker 1>end of that year we end up turning around, having

0:15:29.000 --> 0:15:30.360
<v Speaker 1>a good year, having a good run at the end

0:15:30.360 --> 0:15:34.520
<v Speaker 1>of the season and losing to Auburn Um Bruceton Coachter

0:15:34.640 --> 0:15:38.640
<v Speaker 1>then Um um losing to Auburn in the second round

0:15:38.640 --> 0:15:42.520
<v Speaker 1>of the tournament. But I lead the country and assists,

0:15:43.120 --> 0:15:45.200
<v Speaker 1>but I only played twenty six minutes of game, which

0:15:45.240 --> 0:15:48.000
<v Speaker 1>is the lowest number of minutes per gamebably the highest

0:15:48.040 --> 0:15:51.520
<v Speaker 1>efficiency rating, no question, like through the like per forty, forty,

0:15:51.800 --> 0:15:54.720
<v Speaker 1>I was insane. This system. Like, look at everybody else

0:15:54.720 --> 0:15:56.360
<v Speaker 1>who leaves the country and sists. They all average like

0:15:56.400 --> 0:15:58.840
<v Speaker 1>thirty five, thirty six minutes. Again, and now part of

0:15:58.840 --> 0:16:01.080
<v Speaker 1>it was my own doing, with like retrow shooting took

0:16:01.080 --> 0:16:03.560
<v Speaker 1>me out of games late. That hurt my scoring average

0:16:03.560 --> 0:16:09.400
<v Speaker 1>as well. Oh, terrible, like forty something really. Yeah, well,

0:16:09.440 --> 0:16:11.320
<v Speaker 1>I thought I was bad. I was like fifty six

0:16:11.360 --> 0:16:12.880
<v Speaker 1>and that's bad. But I would go, I would I

0:16:12.880 --> 0:16:14.920
<v Speaker 1>would start good and then I would always hit, like

0:16:14.960 --> 0:16:17.160
<v Speaker 1>some mental thing. And it's such a mental thing. Oh,

0:16:17.200 --> 0:16:20.520
<v Speaker 1>it's the worst. So, especially if it was a game

0:16:20.520 --> 0:16:23.080
<v Speaker 1>where like so hit. My point is there was a

0:16:23.120 --> 0:16:25.800
<v Speaker 1>really long way of getting around to like I completely understand.

0:16:25.880 --> 0:16:29.040
<v Speaker 1>Like had I I I find three assists short and

0:16:29.080 --> 0:16:32.600
<v Speaker 1>at the time, like now, I'm like no, I'm eleventh.

0:16:33.360 --> 0:16:37.440
<v Speaker 1>But like, had that doghouse not occurred, there's eight games

0:16:37.440 --> 0:16:42.840
<v Speaker 1>stretch there, I'm probably third all time and assist in

0:16:42.920 --> 0:16:47.320
<v Speaker 1>the third fucking third, like dude, third, nobody could, nobody

0:16:47.360 --> 0:16:49.640
<v Speaker 1>will catch you anymore because, with the exception of like

0:16:49.680 --> 0:16:52.520
<v Speaker 1>a covid guy, nobody plays long enough. Like I was

0:16:52.520 --> 0:16:54.040
<v Speaker 1>like T J fourd. I was like, Bro, you gotta,

0:16:54.040 --> 0:16:56.240
<v Speaker 1>you gotta go pro. Yeah, yeah, yeah, that's funny. I

0:16:56.480 --> 0:17:00.400
<v Speaker 1>just like, for me, I mean you, you only means

0:17:00.400 --> 0:17:01.720
<v Speaker 1>a lot more to you than it does me, but

0:17:02.080 --> 0:17:04.119
<v Speaker 1>like it just it bugs me that for the rest

0:17:04.119 --> 0:17:06.280
<v Speaker 1>of my life. Now I have to say I graduated

0:17:06.280 --> 0:17:08.919
<v Speaker 1>the second all time leading rebounder and I wish I

0:17:08.920 --> 0:17:11.919
<v Speaker 1>could just have it, I mean listen it. Having my

0:17:12.040 --> 0:17:15.480
<v Speaker 1>my high school, I'm my boy, David Laalas Arian. He

0:17:15.880 --> 0:17:19.119
<v Speaker 1>surpassed me and I was second, and I was second

0:17:19.160 --> 0:17:22.879
<v Speaker 1>all time and scoring down third. I had I had

0:17:23.040 --> 0:17:26.199
<v Speaker 1>for everything else, scoring an assist, and he like what

0:17:26.400 --> 0:17:30.680
<v Speaker 1>up me his senior years. But the only other way

0:17:30.680 --> 0:17:32.679
<v Speaker 1>to look as well second. It could be worse, like

0:17:32.720 --> 0:17:34.919
<v Speaker 1>I could be I'm on the I'm on the on

0:17:34.960 --> 0:17:38.200
<v Speaker 1>the list. Fox Sports radio has the best sports talk

0:17:38.280 --> 0:17:40.919
<v Speaker 1>lineup in the nation. Catch all of our shows at

0:17:41.000 --> 0:17:44.359
<v Speaker 1>Fox sports radio DOT COM and within the I heart

0:17:44.440 --> 0:17:48.280
<v Speaker 1>radio APP, Search F S R to listen live. Okay,

0:17:48.280 --> 0:17:50.720
<v Speaker 1>so you get done playing, these guys are searching out

0:17:50.720 --> 0:17:53.679
<v Speaker 1>to you facebook. Um, how did you just? How did

0:17:53.680 --> 0:17:57.720
<v Speaker 1>you pick an agent? UH, Jim Norton was, I think,

0:17:58.560 --> 0:18:01.359
<v Speaker 1>connected to me through my add my my father worked

0:18:01.359 --> 0:18:05.359
<v Speaker 1>for Nike for thirty one years. He Um, he started

0:18:05.400 --> 0:18:08.639
<v Speaker 1>with them when they were blue ribbon sports and I

0:18:08.680 --> 0:18:11.439
<v Speaker 1>think he was employee number two, oh four. He was

0:18:11.560 --> 0:18:18.439
<v Speaker 1>very early. He started with Nike in the seventies and Um, uh,

0:18:18.480 --> 0:18:21.159
<v Speaker 1>he made a lot of contacts through the years and

0:18:21.240 --> 0:18:24.399
<v Speaker 1>one of one of his people like connected him with

0:18:24.440 --> 0:18:26.959
<v Speaker 1>this Guy Jim, Jim notton out of Texas, who was

0:18:27.040 --> 0:18:33.080
<v Speaker 1>a sports agent in Europe for Europe European players. and Um, yeah,

0:18:33.119 --> 0:18:36.440
<v Speaker 1>I just I remember standing outside the library in Durham

0:18:36.640 --> 0:18:39.000
<v Speaker 1>and like Jim's pitch was the best one I heard.

0:18:39.040 --> 0:18:42.119
<v Speaker 1>So I just signed with him. So, uh, where's your

0:18:42.160 --> 0:18:44.800
<v Speaker 1>first team? Oh, stuny, Italy. That was also during the

0:18:44.840 --> 0:18:49.840
<v Speaker 1>lockout until eleven. So like the European teams were like bolstered.

0:18:49.920 --> 0:18:52.560
<v Speaker 1>So it kind of all the NBA guys came over

0:18:52.920 --> 0:18:58.120
<v Speaker 1>and it kind of pushed everyone down. Um Division, second division.

0:18:58.600 --> 0:19:01.280
<v Speaker 1>Where's the stunny? It was stunts in Pulia. It's in

0:19:01.280 --> 0:19:02.760
<v Speaker 1>this it's in the south. It's in the heel of

0:19:02.800 --> 0:19:05.200
<v Speaker 1>the boot of Italy. I've never heard of it. It's

0:19:05.200 --> 0:19:07.520
<v Speaker 1>called Lech Ta Bianca, which means the white city. It's

0:19:07.520 --> 0:19:10.960
<v Speaker 1>all white washed limestone buildings. It's a great place to

0:19:11.000 --> 0:19:13.440
<v Speaker 1>go on vacation. It's it's really amazing, the whole city.

0:19:13.600 --> 0:19:15.960
<v Speaker 1>It's up on a hill. It's surrounded by alive trees

0:19:16.240 --> 0:19:19.360
<v Speaker 1>like it's something out of like game of thrones. Um,

0:19:19.359 --> 0:19:21.640
<v Speaker 1>it's a great place to visit. Just you know you're

0:19:21.680 --> 0:19:24.920
<v Speaker 1>living there for ten months now and I'm holy Shit,

0:19:25.040 --> 0:19:28.119
<v Speaker 1>I'm in Italy and I think my first contract was

0:19:28.200 --> 0:19:32.520
<v Speaker 1>like forty dollars. Wasn't much, but it's it's tax free

0:19:32.520 --> 0:19:33.720
<v Speaker 1>and they give you a house, to give you a

0:19:33.920 --> 0:19:37.560
<v Speaker 1>give you a car. Pretty good deal. And the car

0:19:37.600 --> 0:19:41.280
<v Speaker 1>they gave me was a Fiat Marea. It was terrible

0:19:41.840 --> 0:19:45.240
<v Speaker 1>stick shift. Aaron Johnson, who was U A B Guy,

0:19:45.280 --> 0:19:49.440
<v Speaker 1>you might know him. He was assist leader into A. Yeah,

0:19:49.440 --> 0:19:53.480
<v Speaker 1>he was my point guard. Playing with Aaron Johnson was

0:19:53.520 --> 0:19:56.520
<v Speaker 1>one of the most pleasant experiences of my life that

0:19:56.520 --> 0:19:59.720
<v Speaker 1>that dude got me the ball. He would just drive

0:19:59.720 --> 0:20:02.280
<v Speaker 1>into traffic and then disappear and then the ball just

0:20:02.359 --> 0:20:04.080
<v Speaker 1>be in my hands. I don't know how he did it,

0:20:04.160 --> 0:20:09.360
<v Speaker 1>but Um, yeah, we they went bankrupt with like four

0:20:09.400 --> 0:20:12.159
<v Speaker 1>months left of the season. Didn't tell us. We kept playing.

0:20:12.200 --> 0:20:14.640
<v Speaker 1>When we realized that, the team started, you know something,

0:20:14.640 --> 0:20:17.240
<v Speaker 1>the guys started striking. For me, I didn't care. It

0:20:17.280 --> 0:20:18.879
<v Speaker 1>wasn't about the money. For me, I just wanted to

0:20:18.880 --> 0:20:22.879
<v Speaker 1>put on display what I was capable of, and I

0:20:22.880 --> 0:20:25.879
<v Speaker 1>think I lost like half my contract that season because

0:20:26.080 --> 0:20:28.600
<v Speaker 1>they just stopped paying and like they that's the thing

0:20:28.640 --> 0:20:30.600
<v Speaker 1>about Europe. was like, yeah, it's tax free, it's great.

0:20:30.720 --> 0:20:32.760
<v Speaker 1>They pay you when they want to pay you. They

0:20:32.760 --> 0:20:34.480
<v Speaker 1>pay if they want to pay you, and they have

0:20:34.800 --> 0:20:37.119
<v Speaker 1>they have your Feba contract and then they have this

0:20:37.160 --> 0:20:39.840
<v Speaker 1>thing called the image contract, and the image contract is

0:20:39.880 --> 0:20:44.000
<v Speaker 1>that black money. It's that untaxed envelope that you get

0:20:44.040 --> 0:20:47.040
<v Speaker 1>at the end of, you know, every month, and it

0:20:47.160 --> 0:20:50.560
<v Speaker 1>comes wrapped in like ankle taping pre wrap and uh,

0:20:50.600 --> 0:20:53.600
<v Speaker 1>there you go. Um, and you know you can make

0:20:53.640 --> 0:20:56.280
<v Speaker 1>more money signing a bigger image contract, but you're putting

0:20:56.280 --> 0:20:58.919
<v Speaker 1>yourself at risk because if the team fails, then you

0:20:58.960 --> 0:21:03.560
<v Speaker 1>are owed less money because it's not in the books. Um,

0:21:03.720 --> 0:21:05.840
<v Speaker 1>played well, you know, obviously it didn't matter that we

0:21:05.880 --> 0:21:09.560
<v Speaker 1>went bankrupt. Then I signed with Sassery and Sassaries in

0:21:09.560 --> 0:21:13.600
<v Speaker 1>Sardinia and I went from I went from Italy Sign

0:21:13.600 --> 0:21:19.080
<v Speaker 1>Division to First Division. Um, a team consisting of travis diner,

0:21:19.760 --> 0:21:25.640
<v Speaker 1>Drake Deaner, bootsy Thornton. Um. Who else was on that team? Tony? Easily,

0:21:26.160 --> 0:21:28.760
<v Speaker 1>we were we. I went from like they gave me

0:21:28.800 --> 0:21:32.120
<v Speaker 1>a BMW x six, like we it just like we're

0:21:32.160 --> 0:21:34.760
<v Speaker 1>in European Cup, we're in Euro Euro Cup. Now we're

0:21:34.760 --> 0:21:36.720
<v Speaker 1>going to Serbia, we're going to Spain, we're going to

0:21:36.760 --> 0:21:42.719
<v Speaker 1>France and man what and that playing for Sassary, just

0:21:42.800 --> 0:21:48.720
<v Speaker 1>seeing Travis deaner manage everything on and off the court,

0:21:48.960 --> 0:21:54.120
<v Speaker 1>was amazing. This dude is so talented it doesn't matter.

0:21:54.200 --> 0:21:57.480
<v Speaker 1>You could make a game of flipping beer bottle caps

0:21:57.560 --> 0:22:00.240
<v Speaker 1>into a trash can across him. He's going to get

0:22:00.240 --> 0:22:03.239
<v Speaker 1>a competition. He's going to be better than you at it.

0:22:03.440 --> 0:22:05.480
<v Speaker 1>Travis Deiner is the most, one of the most talented

0:22:06.080 --> 0:22:08.520
<v Speaker 1>dudes I've ever met in my life. And you know,

0:22:08.920 --> 0:22:10.800
<v Speaker 1>I don't know how tally is and he's not the

0:22:10.800 --> 0:22:12.600
<v Speaker 1>biggest athlete in the world, and you look at him

0:22:12.600 --> 0:22:14.760
<v Speaker 1>you're like he's just a normal dude. He's just so

0:22:14.840 --> 0:22:19.199
<v Speaker 1>skilled at everything and I've never the way he carries himself,

0:22:19.240 --> 0:22:20.840
<v Speaker 1>the way he talks to the coaches, the way he

0:22:20.880 --> 0:22:23.320
<v Speaker 1>talks to the refs, the way he manages the floor.

0:22:23.680 --> 0:22:28.679
<v Speaker 1>It was like, maybe next to bootsy, no other player

0:22:28.720 --> 0:22:31.399
<v Speaker 1>has impacted me that much in my entire life playing

0:22:31.680 --> 0:22:35.720
<v Speaker 1>with Travis Deaner. Um, just his general demeanor towards life

0:22:35.920 --> 0:22:39.960
<v Speaker 1>and and competition and being a fucking man like to

0:22:40.080 --> 0:22:43.640
<v Speaker 1>this day we still talk, we're still Um, we're still

0:22:43.680 --> 0:22:45.760
<v Speaker 1>good friends and he's just he I don't even think

0:22:45.760 --> 0:22:50.120
<v Speaker 1>he realizes how much he inspired me. When, Um, when

0:22:50.240 --> 0:22:55.560
<v Speaker 1>you tell me the Israel story with your knee. Oh

0:22:55.560 --> 0:22:58.440
<v Speaker 1>Oh wait, I mean, yeah, it's not. There's not really

0:22:58.520 --> 0:23:00.639
<v Speaker 1>much to tell that. I went. So I year what

0:23:00.880 --> 0:23:04.200
<v Speaker 1>you go? So that was year when Ostoony Sassery Trie

0:23:04.320 --> 0:23:08.439
<v Speaker 1>Este up in the northeast. That was cool city. It was.

0:23:08.720 --> 0:23:12.880
<v Speaker 1>It was like it's the last city before he hits Slovenia. Um,

0:23:13.000 --> 0:23:15.400
<v Speaker 1>back to second division. I averaged like twelve and eight

0:23:15.440 --> 0:23:18.720
<v Speaker 1>that season. We weren't that good but um, we saved

0:23:18.760 --> 0:23:21.240
<v Speaker 1>ourselves from relegation because the bottom team in the league

0:23:21.280 --> 0:23:24.560
<v Speaker 1>goes down to division and we saved ourselves. Uh. And

0:23:24.600 --> 0:23:27.320
<v Speaker 1>then from there I went to Israel. I signed with

0:23:27.320 --> 0:23:33.280
<v Speaker 1>Gilboa Gilio, first division, in my agent, obvis Zilberman Oman,

0:23:33.359 --> 0:23:38.440
<v Speaker 1>don't worry, like you. Then you saw it was Jim's partners.

0:23:38.640 --> 0:23:41.520
<v Speaker 1>Don't wor we put you on Gilbo. You average him

0:23:41.640 --> 0:23:44.160
<v Speaker 1>ten in seven. Next year I put you McCoy Televiv.

0:23:44.240 --> 0:23:47.200
<v Speaker 1>No problem, easy, easy, you'll do set the screen then

0:23:47.280 --> 0:23:50.520
<v Speaker 1>Riman and everybody will be happy, you know, and like okay, Great.

0:23:50.560 --> 0:23:54.199
<v Speaker 1>So I have to go to Gilboa, do decent and

0:23:54.200 --> 0:23:55.840
<v Speaker 1>then I'll play from a copy next year and then

0:23:56.119 --> 0:23:58.159
<v Speaker 1>Nokia arena. I'll be living in Tel Aviv, I mean

0:23:58.200 --> 0:24:01.639
<v Speaker 1>a celebrity in in Israe. Was gonna be amazing. And

0:24:01.760 --> 0:24:03.480
<v Speaker 1>second game of the season I tore my a C

0:24:03.680 --> 0:24:07.639
<v Speaker 1>L against Jerusalem. Um. I went up for a rebound

0:24:08.440 --> 0:24:10.199
<v Speaker 1>and I just came down on my knee funny and

0:24:10.200 --> 0:24:15.320
<v Speaker 1>it went. It went too far in. Um. No, nothing,

0:24:15.359 --> 0:24:17.560
<v Speaker 1>it just it just. I just remember coming down and

0:24:17.600 --> 0:24:19.760
<v Speaker 1>being like Whoa, my name went too far in and

0:24:19.840 --> 0:24:23.960
<v Speaker 1>I I stood up because I was playing well, and

0:24:24.440 --> 0:24:27.679
<v Speaker 1>remember the Tony Gaffney on their team. Who Else is

0:24:27.680 --> 0:24:29.439
<v Speaker 1>on that team? But I stood up and I was like,

0:24:29.440 --> 0:24:31.080
<v Speaker 1>don't be a bitch, don't be a bitch, keep playing.

0:24:31.080 --> 0:24:33.520
<v Speaker 1>You're you're like this is like this is a big

0:24:33.520 --> 0:24:36.359
<v Speaker 1>opportunity to Jerusalem, and I started to walk in my

0:24:36.440 --> 0:24:39.359
<v Speaker 1>knee just like wasn't working right, and then I was

0:24:39.359 --> 0:24:40.920
<v Speaker 1>like I gotta come out of the game. So funny said,

0:24:40.920 --> 0:24:44.119
<v Speaker 1>don't be a bitch. I was. I hung out with

0:24:44.119 --> 0:24:47.159
<v Speaker 1>the University of Texas and their their first rule on

0:24:47.200 --> 0:24:49.040
<v Speaker 1>their team is don't be a bit, don't be a bit.

0:24:49.320 --> 0:24:51.560
<v Speaker 1>It's it's like, I mean you, you could throw that.

0:24:51.560 --> 0:24:53.840
<v Speaker 1>That's saying that a lot of things in life. Absolutely,

0:24:53.880 --> 0:24:57.560
<v Speaker 1>I completely agree. And it's it's actually I had my

0:24:57.560 --> 0:25:00.639
<v Speaker 1>my my son with the workout last night and we

0:25:00.760 --> 0:25:04.480
<v Speaker 1>only had seven shop at our practice whatever, and so

0:25:04.800 --> 0:25:06.680
<v Speaker 1>I had him at the end playing three on three full.

0:25:07.080 --> 0:25:09.960
<v Speaker 1>Oh No, and so he was dying and he was

0:25:10.000 --> 0:25:13.160
<v Speaker 1>like I can't even think. I go, do you know why?

0:25:13.520 --> 0:25:16.359
<v Speaker 1>Because I'm just stupid, and I go no, dude, because

0:25:16.400 --> 0:25:20.159
<v Speaker 1>you're tired. You're fucking tired, and when you're tired you

0:25:20.200 --> 0:25:23.520
<v Speaker 1>can't think, you can't you can't make shots, you can't

0:25:23.520 --> 0:25:27.200
<v Speaker 1>do anything. You know, he's like he's like. So I's

0:25:27.240 --> 0:25:29.439
<v Speaker 1>just like stop. I was like no, he cannot be

0:25:29.480 --> 0:25:31.800
<v Speaker 1>a bit. You'll be a bit. Like it's a good

0:25:31.880 --> 0:25:33.760
<v Speaker 1>rule at Um, like just if he just hey, I'm

0:25:33.880 --> 0:25:35.920
<v Speaker 1>being a bit right. So I'm not a big technical guy,

0:25:36.000 --> 0:25:38.199
<v Speaker 1>but you know, I can't give him the manual, but

0:25:38.720 --> 0:25:41.800
<v Speaker 1>just just figure it out, Dude. I don't know, like

0:25:41.840 --> 0:25:44.320
<v Speaker 1>there's no just be tough. I have one tattoo on

0:25:44.359 --> 0:25:47.000
<v Speaker 1>my wrist. It says that's it. Work Harder. It's not

0:25:47.000 --> 0:25:51.840
<v Speaker 1>going anywhere. That's it. Okay, just work harder. That's all, um. So, yeah,

0:25:51.880 --> 0:25:56.160
<v Speaker 1>so then my knee. So whatever, ten month recovery and

0:25:56.359 --> 0:25:59.560
<v Speaker 1>UH yeah, the whole knee situation. I mean, I don't know,

0:25:59.840 --> 0:26:02.000
<v Speaker 1>I think so. So here's what I here's what I

0:26:02.000 --> 0:26:04.600
<v Speaker 1>recall you telling me, because I tried to get you

0:26:04.600 --> 0:26:07.359
<v Speaker 1>to come to play the Maccabi Games with me in

0:26:07.480 --> 0:26:10.119
<v Speaker 1>thirteen and you were like I can't. I was like

0:26:10.320 --> 0:26:12.240
<v Speaker 1>what I mean? You can't? You're still playing. No, I

0:26:12.320 --> 0:26:15.560
<v Speaker 1>can't play in Israel because I get benefits. I tore

0:26:15.640 --> 0:26:18.440
<v Speaker 1>my knee as an Israeli citizen. That's correct. So there

0:26:18.560 --> 0:26:21.360
<v Speaker 1>was there. I'm not get any in trouble. By the way,

0:26:21.359 --> 0:26:23.280
<v Speaker 1>by by this spot. No, no, no, it's true. And like,

0:26:23.280 --> 0:26:28.879
<v Speaker 1>do you still get the benefits? I do because it

0:26:29.000 --> 0:26:32.600
<v Speaker 1>altered my career. But it wasn't, didn't you get determined

0:26:32.640 --> 0:26:36.560
<v Speaker 1>to be a career inting injury? Well, no, career altering injury.

0:26:36.160 --> 0:26:39.280
<v Speaker 1>I lost money. I lost I lost money from that

0:26:39.359 --> 0:26:43.639
<v Speaker 1>injury and I like, so we have. They had a lawyer,

0:26:44.520 --> 0:26:46.800
<v Speaker 1>my team stopped paying me and my payment went into

0:26:46.840 --> 0:26:49.840
<v Speaker 1>the this like Israelly Fund or whatever. But we we

0:26:50.000 --> 0:26:52.840
<v Speaker 1>just we asserted that, like, if I never got hurt,

0:26:53.320 --> 0:26:55.439
<v Speaker 1>I would have gone on to keep playing in Israel

0:26:55.440 --> 0:26:59.520
<v Speaker 1>heavy stead. I was going to pay and and you

0:26:59.520 --> 0:27:02.919
<v Speaker 1>know in the you know. So, yeah, but it's true, like,

0:27:02.960 --> 0:27:05.200
<v Speaker 1>I mean even to this day I still feel the

0:27:05.280 --> 0:27:08.880
<v Speaker 1>lasting effects from that injury on my knee. And when

0:27:08.880 --> 0:27:10.920
<v Speaker 1>I got back, I went to see I went to

0:27:10.960 --> 0:27:14.400
<v Speaker 1>play in Sienna Um and then I went to play

0:27:14.400 --> 0:27:17.600
<v Speaker 1>in Verona and like I still like my knee definitely

0:27:17.640 --> 0:27:20.000
<v Speaker 1>affected me. So we we launched this case. That just

0:27:20.080 --> 0:27:24.040
<v Speaker 1>like it, that it changed my career and I might

0:27:24.080 --> 0:27:26.960
<v Speaker 1>still be under deliberation exactly how it all. It's all

0:27:27.840 --> 0:27:31.080
<v Speaker 1>working out. But uh, I mean, if I never got hurt, man,

0:27:31.119 --> 0:27:35.440
<v Speaker 1>I would like probably still be playing in Israel right

0:27:35.480 --> 0:27:41.080
<v Speaker 1>now in some capacity. Um, your your last two years

0:27:41.119 --> 0:27:44.800
<v Speaker 1>you played, Um. So. Then I so from the Verona

0:27:44.800 --> 0:27:47.240
<v Speaker 1>and then there was the last one, four Lee. Yeah,

0:27:47.440 --> 0:27:51.520
<v Speaker 1>four Lee is uh near Bologna. It's in Romagna. Um.

0:27:52.040 --> 0:27:56.480
<v Speaker 1>So I played there. And then what's what's interesting, is

0:27:56.520 --> 0:27:59.480
<v Speaker 1>I had a one plus one in four lead and

0:27:59.680 --> 0:28:03.160
<v Speaker 1>they they cut it. They released me after my first year. Okay, fine.

0:28:03.160 --> 0:28:04.720
<v Speaker 1>So I went home and I'm like, I want to

0:28:04.760 --> 0:28:08.080
<v Speaker 1>play in Japan. Japan is good money. Once a week.

0:28:08.359 --> 0:28:13.439
<v Speaker 1>What's yeah, yeah, and the the Americans just run the

0:28:13.440 --> 0:28:16.199
<v Speaker 1>show over there. It's good, like technology money, all that.

0:28:16.280 --> 0:28:18.159
<v Speaker 1>You know, I've never been to Japan. I want to

0:28:18.160 --> 0:28:21.520
<v Speaker 1>play in Osaka, the food capital Japan. So I hired

0:28:21.560 --> 0:28:27.920
<v Speaker 1>this Um Italian um agent. Her name was Deborah, and

0:28:28.440 --> 0:28:30.080
<v Speaker 1>met she sent me to she sent me to l

0:28:30.160 --> 0:28:33.240
<v Speaker 1>a for this tryout and I did really well and then,

0:28:33.320 --> 0:28:36.720
<v Speaker 1>like when it's coming around as signing time, late August,

0:28:36.880 --> 0:28:40.320
<v Speaker 1>she just like disappeared. She went a vacation and I

0:28:40.400 --> 0:28:44.760
<v Speaker 1>was like, well, I'm not signed, it's not and there

0:28:44.840 --> 0:28:47.520
<v Speaker 1>a whole falling out and I had been pushing away

0:28:47.560 --> 0:28:49.560
<v Speaker 1>Italian teams because I was so hell bent up playing

0:28:49.600 --> 0:28:54.320
<v Speaker 1>in Japan that now it's September and the Italian teams

0:28:54.320 --> 0:28:57.320
<v Speaker 1>are full. You know, I've fired this woman and we're

0:28:57.360 --> 0:29:00.800
<v Speaker 1>not working together anymore, and now I'm stuck. So I

0:29:01.000 --> 0:29:06.040
<v Speaker 1>trained for until I didn't sign until February. I went

0:29:06.120 --> 0:29:09.760
<v Speaker 1>back to four Lee, who essentially waives me the year before,

0:29:10.720 --> 0:29:14.280
<v Speaker 1>and it's like you dumbasses, might just keep me on

0:29:14.320 --> 0:29:18.440
<v Speaker 1>the team like now, because they were struggling. Um, yeah,

0:29:18.480 --> 0:29:21.920
<v Speaker 1>and then I played from February to May and then

0:29:21.920 --> 0:29:24.080
<v Speaker 1>at the I was just done. I was just like,

0:29:24.400 --> 0:29:28.080
<v Speaker 1>I was like, how are you I at the time? Oh, man,

0:29:28.400 --> 0:29:32.600
<v Speaker 1>thirty thirty, I think thirty one. Okay, so you so

0:29:32.760 --> 0:29:37.800
<v Speaker 1>you're flying back middle flying back, but like, so, okay,

0:29:38.120 --> 0:29:41.440
<v Speaker 1>before all of this, I want to host culinary travel

0:29:41.480 --> 0:29:45.240
<v Speaker 1>television when I'm done playing basketball. That was my unscripted

0:29:45.320 --> 0:29:48.320
<v Speaker 1>you and I should do this show, but I'm listen,

0:29:48.840 --> 0:29:53.600
<v Speaker 1>I'm all ears for for this. Um. So when I

0:29:54.320 --> 0:29:56.840
<v Speaker 1>it started, when I went to Israel in two fourteen,

0:29:56.960 --> 0:30:00.600
<v Speaker 1>I started creating food content overseas, because are going to

0:30:00.640 --> 0:30:03.200
<v Speaker 1>go into eat things, both both cooking things and then

0:30:03.200 --> 0:30:06.360
<v Speaker 1>like getting lost finding food and just like that, like

0:30:06.720 --> 0:30:09.600
<v Speaker 1>street food and all that stuff because, like, to the

0:30:09.600 --> 0:30:12.120
<v Speaker 1>American audience, who doesn't get who don't get to go

0:30:12.160 --> 0:30:14.040
<v Speaker 1>to Europe? Who Don't get to go to Israel and

0:30:14.080 --> 0:30:18.640
<v Speaker 1>Experience Rathschild Boulevard or or you know whatever, Europe is

0:30:18.680 --> 0:30:21.200
<v Speaker 1>easy because it shoots itself. Do you don't like America?

0:30:21.200 --> 0:30:23.360
<v Speaker 1>You'RE gonna get real creative, because everyone's seen this ship.

0:30:23.400 --> 0:30:25.240
<v Speaker 1>When you go to Europe, do you just show what's there?

0:30:25.680 --> 0:30:29.320
<v Speaker 1>It's amazing, you know. So I'm building this content thing.

0:30:30.040 --> 0:30:33.280
<v Speaker 1>I want to host unscripted culinary travel television. So I

0:30:33.280 --> 0:30:36.960
<v Speaker 1>start making all this content and then so when my

0:30:36.960 --> 0:30:41.840
<v Speaker 1>my final season in four Lee, I like I still

0:30:42.560 --> 0:30:45.040
<v Speaker 1>this throughout this whole process. I'm I'm trying to figure

0:30:45.040 --> 0:30:46.960
<v Speaker 1>out what am I gonna do once basketball and that

0:30:47.000 --> 0:30:49.280
<v Speaker 1>was my question about your ride home, and I'm looking

0:30:49.440 --> 0:30:52.520
<v Speaker 1>for that thing to do. What am I going to

0:30:52.680 --> 0:30:55.880
<v Speaker 1>so like I want something that's different projects all the time. So,

0:30:55.960 --> 0:30:58.480
<v Speaker 1>like for basketball, it's different seasons, which is which is nice.

0:30:58.760 --> 0:31:00.400
<v Speaker 1>I want to do something that require us, me to

0:31:00.560 --> 0:31:04.240
<v Speaker 1>stay in shape all the time. Okay, just like pro basketball,

0:31:04.440 --> 0:31:08.000
<v Speaker 1>and I want something as equal or as good of

0:31:08.160 --> 0:31:13.440
<v Speaker 1>pay as playing professional basketball. Right. So I'm home in

0:31:13.520 --> 0:31:16.200
<v Speaker 1>Boston and I'm I'm like, I still don't have anything set.

0:31:16.200 --> 0:31:19.320
<v Speaker 1>So I'm training for the next season of basketball and

0:31:19.360 --> 0:31:23.840
<v Speaker 1>I got a phone call in July from Boston casting

0:31:24.240 --> 0:31:28.000
<v Speaker 1>who had my information because I think I sent in

0:31:28.040 --> 0:31:29.920
<v Speaker 1>a video. I saw an ad in the newspaper of

0:31:29.920 --> 0:31:33.080
<v Speaker 1>few years before my mom did for Slenderman, the movie

0:31:33.080 --> 0:31:35.320
<v Speaker 1>slender man, and I sent in an audition tape. So

0:31:35.360 --> 0:31:39.080
<v Speaker 1>they just had my information from years before and they

0:31:39.120 --> 0:31:40.920
<v Speaker 1>called me and said, hey, we're shooting this movie in

0:31:40.960 --> 0:31:44.360
<v Speaker 1>Boston called Free Guy With Ryan Reynolds and the big

0:31:44.400 --> 0:31:47.840
<v Speaker 1>bad guys, this six FT eight muscle man, and we

0:31:47.920 --> 0:31:50.800
<v Speaker 1>need you as a stand in. And I'm thinking, what

0:31:50.840 --> 0:31:54.040
<v Speaker 1>the Hell's a stand in? And so I go down

0:31:54.080 --> 0:31:56.600
<v Speaker 1>a set and I've never been on a movie set

0:31:56.640 --> 0:31:59.320
<v Speaker 1>before and I'm thinking, okay, I don't know what this

0:31:59.480 --> 0:32:02.200
<v Speaker 1>is or what her and while I'm there. So what

0:32:02.280 --> 0:32:07.120
<v Speaker 1>time of years? This is July and I'm still training

0:32:07.120 --> 0:32:10.520
<v Speaker 1>every day. I go to Harvard by what's that? Yeah, Oh,

0:32:10.600 --> 0:32:13.600
<v Speaker 1>no question. Um, I'm still training every day at Harvard

0:32:13.680 --> 0:32:16.960
<v Speaker 1>University preparing for the next season. But every time I'd

0:32:16.960 --> 0:32:20.040
<v Speaker 1>see Tommy America Walk Through the gym into the office.

0:32:20.080 --> 0:32:22.960
<v Speaker 1>You Go, Dane Man, I wish we could have had

0:32:23.000 --> 0:32:25.840
<v Speaker 1>you like Tommy. You could have. I would have went

0:32:25.880 --> 0:32:29.640
<v Speaker 1>to Harvard in a heartbeat. I wish like but they

0:32:29.680 --> 0:32:32.480
<v Speaker 1>never offered me at the time. But, like is, he

0:32:32.480 --> 0:32:34.240
<v Speaker 1>always hung that over my head and it's still to

0:32:34.320 --> 0:32:36.040
<v Speaker 1>this day bugs me. I would have loved to go

0:32:36.080 --> 0:32:40.160
<v Speaker 1>to Harvard, but Um, so, yeah, so, and while I

0:32:40.200 --> 0:32:43.320
<v Speaker 1>was there, the stunt coordinator comes up and he goes, look,

0:32:43.800 --> 0:32:47.040
<v Speaker 1>I don't know who you are, but your size, the

0:32:47.080 --> 0:32:51.120
<v Speaker 1>way you're built, the way you move, like you need

0:32:51.160 --> 0:32:53.920
<v Speaker 1>to be an actor. You just because you're you're tall,

0:32:53.960 --> 0:32:57.840
<v Speaker 1>but you're proportionately tall and dad, DA, Da Da, and

0:32:57.960 --> 0:33:00.880
<v Speaker 1>I you know, Oh wow, and interesting. I never thought

0:33:00.880 --> 0:33:04.200
<v Speaker 1>about that. And so like a standing. Okay, so you're

0:33:04.360 --> 0:33:07.160
<v Speaker 1>a standing as someone who stands there. I know I

0:33:07.160 --> 0:33:10.600
<v Speaker 1>mean listener for the listener some but I think people

0:33:10.640 --> 0:33:13.479
<v Speaker 1>know right. You just stand it. But again, how about this?

0:33:13.720 --> 0:33:15.479
<v Speaker 1>So tell me what like the day of a standing

0:33:15.640 --> 0:33:18.240
<v Speaker 1>that you're actually so it's interesting because you're very close

0:33:18.240 --> 0:33:20.479
<v Speaker 1>to the main actors on set, whereas if you're an

0:33:20.520 --> 0:33:23.160
<v Speaker 1>extra in a movie, they kind of like corral you,

0:33:23.280 --> 0:33:27.640
<v Speaker 1>like like steer like cows and like, Oh, like like

0:33:27.720 --> 0:33:30.760
<v Speaker 1>background holding like you're. The goal of my life has

0:33:30.760 --> 0:33:32.720
<v Speaker 1>to never be in a place called holding. They have

0:33:32.760 --> 0:33:35.440
<v Speaker 1>background holding, where they're like and they're like they are,

0:33:35.760 --> 0:33:38.040
<v Speaker 1>they're standing. You're right there on set with the directors,

0:33:38.040 --> 0:33:40.680
<v Speaker 1>with the producer, with the main actors, because when they

0:33:40.680 --> 0:33:42.120
<v Speaker 1>need you to, when they set up the lights for

0:33:42.160 --> 0:33:45.840
<v Speaker 1>the scene, and you stand there while they set up

0:33:45.840 --> 0:33:48.360
<v Speaker 1>the lights. Because how dare the main actors stand there

0:33:48.400 --> 0:33:51.080
<v Speaker 1>when they're not shooting or anything? They go and sit

0:33:51.120 --> 0:33:54.280
<v Speaker 1>down and rest, and which I appreciate and I understand

0:33:55.000 --> 0:33:56.800
<v Speaker 1>it's also part of the union thing, right. There's only

0:33:56.800 --> 0:33:59.840
<v Speaker 1>certain em vows are at something like that potentially. So

0:34:00.080 --> 0:34:01.800
<v Speaker 1>have to know the actor's lines. You have to know

0:34:01.840 --> 0:34:06.240
<v Speaker 1>they're blocking and they're blocking well, because they're you're they

0:34:06.400 --> 0:34:09.040
<v Speaker 1>shoot with the stand ins to figure out the lighting

0:34:09.640 --> 0:34:13.120
<v Speaker 1>before and you have to know exactly what that actor

0:34:13.280 --> 0:34:14.680
<v Speaker 1>so how do you how do you deal with the lines?

0:34:14.800 --> 0:34:17.800
<v Speaker 1>They never used me. They never used me that day.

0:34:18.000 --> 0:34:21.000
<v Speaker 1>I stood one day. One day I stood on the side.

0:34:21.040 --> 0:34:23.279
<v Speaker 1>Did you meet Ryan Rayls? I saw him. Yeah, I

0:34:23.360 --> 0:34:24.799
<v Speaker 1>saw him. Or do you meet him? I did not

0:34:24.840 --> 0:34:27.040
<v Speaker 1>talk to him here. I got I was standing too

0:34:27.040 --> 0:34:29.080
<v Speaker 1>close to him because his daughter was there. On set.

0:34:29.600 --> 0:34:33.799
<v Speaker 1>I was standing apparently too close to him because, excuse me,

0:34:33.840 --> 0:34:36.640
<v Speaker 1>I was behind him and I saw him look back

0:34:36.680 --> 0:34:38.040
<v Speaker 1>at me and I was a little too close and

0:34:38.080 --> 0:34:41.279
<v Speaker 1>he he called the p a over and a p

0:34:41.440 --> 0:34:44.200
<v Speaker 1>a he whispered something to him and then Pa went

0:34:44.280 --> 0:34:45.719
<v Speaker 1>right at me, he goes, it seems there. Can you

0:34:45.760 --> 0:34:49.239
<v Speaker 1>back up about ten paces, and I was just like paces, yeah,

0:34:49.320 --> 0:34:52.480
<v Speaker 1>like just like I understand, but they actually used the

0:34:52.480 --> 0:34:55.560
<v Speaker 1>word paces. I don't know, steps, paces. I'm just I'm

0:34:55.600 --> 0:34:58.080
<v Speaker 1>in fascinating, like who uses the word paces? I don't know,

0:34:58.120 --> 0:35:00.359
<v Speaker 1>but this there was just some like seven teen year

0:35:00.400 --> 0:35:08.080
<v Speaker 1>old day a kid that like Ryan. Okay, so back up.

0:35:08.280 --> 0:35:10.360
<v Speaker 1>So that and I go and I sit in the

0:35:10.440 --> 0:35:15.759
<v Speaker 1>producer's chair because I'm thinking like who's this gigantic funk up?

0:35:16.320 --> 0:35:18.839
<v Speaker 1>WHO's this? WHO's this giant WHO's sitting in my chair?

0:35:18.960 --> 0:35:21.239
<v Speaker 1>So the P A, who had just walked away from

0:35:21.239 --> 0:35:24.279
<v Speaker 1>me after he give me orders, looks, glances over his

0:35:24.280 --> 0:35:27.360
<v Speaker 1>shoulder and sees me sitting down and like Sean Levy's

0:35:27.400 --> 0:35:30.600
<v Speaker 1>seed or whatever, and sprints as police sir, can you

0:35:30.680 --> 0:35:33.840
<v Speaker 1>get up and just get away from this area? And

0:35:34.120 --> 0:35:37.279
<v Speaker 1>I learned real quick never sit in uh someone's chair

0:35:37.320 --> 0:35:39.279
<v Speaker 1>that has their name on it. That is like a

0:35:39.360 --> 0:35:41.520
<v Speaker 1>big I didn't know. I know, I've never been on

0:35:41.520 --> 0:35:45.200
<v Speaker 1>the movie set before. I'm like, I'm from Lexington Massachusetts,

0:35:45.239 --> 0:35:47.200
<v Speaker 1>on a six eight white Jewish guy who went to

0:35:47.200 --> 0:35:49.400
<v Speaker 1>New Hampshire. I've never been on a movie set. I

0:35:49.400 --> 0:35:53.439
<v Speaker 1>don't know how it works. Um. So, anyway, so the sun,

0:35:53.680 --> 0:35:55.560
<v Speaker 1>you know, I start I'm board. So I started talking

0:35:55.600 --> 0:35:58.560
<v Speaker 1>to Ryan Reynolds, stunt double, his name is Daniel Stevens,

0:35:58.560 --> 0:36:01.400
<v Speaker 1>and the sun coordinator's names Christal Harah, and we're just

0:36:01.640 --> 0:36:04.920
<v Speaker 1>chip chatting shooting the ship about basketball and blah, blah blah,

0:36:05.080 --> 0:36:07.160
<v Speaker 1>and that's when the suggestion came look, you should look

0:36:07.160 --> 0:36:10.719
<v Speaker 1>into acting. You have a you know. So I was

0:36:10.800 --> 0:36:13.480
<v Speaker 1>going to l a the next week anyway, to pitch

0:36:13.640 --> 0:36:16.279
<v Speaker 1>culinary travel television. I wrote a treatment and there was

0:36:16.320 --> 0:36:20.000
<v Speaker 1>a producer that I was working with and while I

0:36:20.040 --> 0:36:23.359
<v Speaker 1>was there, I reached out to some producers and, you know,

0:36:23.480 --> 0:36:25.120
<v Speaker 1>people in the Biz and I said, Hey, you know,

0:36:25.160 --> 0:36:28.839
<v Speaker 1>I'm Dangelegro, six eight basketball player, getting me in town

0:36:28.880 --> 0:36:31.600
<v Speaker 1>pitching a show. Would love to meet with you, and

0:36:32.040 --> 0:36:34.160
<v Speaker 1>cutting a lot of stuff out because it's a long story,

0:36:34.160 --> 0:36:38.360
<v Speaker 1>but I ended up booking a Netflix show two weeks

0:36:38.440 --> 0:36:44.320
<v Speaker 1>later called sweet home. Um, it was it was a

0:36:44.440 --> 0:36:46.640
<v Speaker 1>Korean it was the it was the squid game the

0:36:46.719 --> 0:36:50.759
<v Speaker 1>year before squid game came out. So, yeah, I played

0:36:50.840 --> 0:36:53.800
<v Speaker 1>muscle monster in this show and I'm like, Huh, acting,

0:36:53.840 --> 0:36:56.400
<v Speaker 1>this is interesting. So when I flew home from that

0:36:56.480 --> 0:36:59.359
<v Speaker 1>initial l a trip, I told my mom I'm going

0:36:59.360 --> 0:37:01.600
<v Speaker 1>back to l a the next week to talk to

0:37:01.680 --> 0:37:05.440
<v Speaker 1>more producers, and that's when I booked this show. It

0:37:05.600 --> 0:37:08.960
<v Speaker 1>was like and then, yeah, it was a crazy thing.

0:37:09.000 --> 0:37:10.799
<v Speaker 1>And then I'm like, okay, I guess I'm talking to

0:37:10.800 --> 0:37:12.239
<v Speaker 1>my brother's like why don't you just live in l

0:37:12.280 --> 0:37:14.480
<v Speaker 1>a for a month and try out this acting thing

0:37:14.480 --> 0:37:17.240
<v Speaker 1>and then you just go back to basketball? Sure, no problem.

0:37:17.440 --> 0:37:20.640
<v Speaker 1>So I go and I end up going to Korea

0:37:20.719 --> 0:37:23.160
<v Speaker 1>for a month to shoot this Netflix show and I

0:37:23.200 --> 0:37:25.960
<v Speaker 1>did a really good job and I came back and

0:37:25.960 --> 0:37:29.239
<v Speaker 1>then the pandemic hit and now I can't go back

0:37:29.280 --> 0:37:33.640
<v Speaker 1>to basketball and I'm stuck in this tiny l a

0:37:33.640 --> 0:37:36.600
<v Speaker 1>apartment that I thought I'd be here for, you know,

0:37:36.719 --> 0:37:40.239
<v Speaker 1>a month or whatever. and Um, do you make good

0:37:40.239 --> 0:37:41.840
<v Speaker 1>money when you're doing that? When you did this the

0:37:41.960 --> 0:37:44.919
<v Speaker 1>Netflix show, like yeah, that was a non union job.

0:37:45.000 --> 0:37:48.360
<v Speaker 1>So they gave him a number and they took it.

0:37:48.440 --> 0:37:53.960
<v Speaker 1>So I had a stunt Um agent advising me on

0:37:54.000 --> 0:37:56.839
<v Speaker 1>some of this stuff. But yeah, I mean even as

0:37:56.880 --> 0:38:01.080
<v Speaker 1>a union actor in just the normal acting whether if

0:38:01.080 --> 0:38:04.440
<v Speaker 1>you're making scale, that's that's like a thousand, one thousand

0:38:04.520 --> 0:38:06.719
<v Speaker 1>thirty dollars a day. Now, if you're working every day

0:38:06.760 --> 0:38:11.120
<v Speaker 1>as a scale actor, making pretty good money. Um, no

0:38:11.239 --> 0:38:13.279
<v Speaker 1>complaints there. So it's yeah, it's decent money. If you

0:38:13.640 --> 0:38:15.360
<v Speaker 1>what was the what was the language barrier? Like you

0:38:15.400 --> 0:38:18.239
<v Speaker 1>had to Korea. I had three translators. Oh, this is

0:38:18.280 --> 0:38:20.680
<v Speaker 1>a funny story. So I go to Korea and I'm

0:38:20.680 --> 0:38:25.040
<v Speaker 1>playing this character called muscle monster. I'm wearing this, you know,

0:38:26.280 --> 0:38:28.880
<v Speaker 1>pound foam late text costume that has four inches of

0:38:28.880 --> 0:38:33.200
<v Speaker 1>foam late texts around. He's like a mutated bodybuilder. Um,

0:38:33.320 --> 0:38:36.279
<v Speaker 1>and the creature shop that built this suit sent three

0:38:36.320 --> 0:38:39.040
<v Speaker 1>people over with me to kind of manage these suits

0:38:39.080 --> 0:38:43.200
<v Speaker 1>that I'm wearing. I think that I have two suits Um,

0:38:43.320 --> 0:38:50.560
<v Speaker 1>and they netflix provided these two translators for us, Kevin

0:38:50.680 --> 0:38:54.839
<v Speaker 1>and David, and I just remember Kevin. He was like

0:38:55.120 --> 0:38:57.520
<v Speaker 1>he looked like the Korean Harry Potter, but Kevin and

0:38:57.600 --> 0:38:59.920
<v Speaker 1>David grew up in New Zealand, so they were they

0:39:00.000 --> 0:39:05.560
<v Speaker 1>were Kiwi Koreans. Okay, the director, who was amazing, could

0:39:05.600 --> 0:39:08.759
<v Speaker 1>not speak English and I didn't understand the process of

0:39:08.800 --> 0:39:11.360
<v Speaker 1>acting and being on set and shooting a TV show.

0:39:12.120 --> 0:39:14.520
<v Speaker 1>Typically you get your when you come in in the morning.

0:39:14.680 --> 0:39:17.520
<v Speaker 1>They give you your sides, your like your lines, they

0:39:17.520 --> 0:39:19.239
<v Speaker 1>give you a call sheet and you go over all

0:39:19.239 --> 0:39:20.960
<v Speaker 1>of your lines and all of your action, everything you

0:39:20.960 --> 0:39:22.520
<v Speaker 1>have to do. So you can read that. When I

0:39:22.560 --> 0:39:25.239
<v Speaker 1>came in the morning, nothing, just go, go to make up,

0:39:25.280 --> 0:39:27.640
<v Speaker 1>get ready, Blah, blah, and I had my little tent

0:39:27.760 --> 0:39:31.520
<v Speaker 1>on set in this sound stage with like this huge

0:39:31.520 --> 0:39:33.880
<v Speaker 1>air conditioning tube that would go up my stomach to

0:39:33.960 --> 0:39:36.799
<v Speaker 1>keep me cool. And then they would say, okay, Dane, well,

0:39:36.840 --> 0:39:39.000
<v Speaker 1>we're gonna we're shooting the scene now. You're gonna go,

0:39:39.360 --> 0:39:41.520
<v Speaker 1>Um uh, she's gonna hit you in the nuts with

0:39:41.600 --> 0:39:44.120
<v Speaker 1>a baseball bat and then you're gonna turn and smash

0:39:44.120 --> 0:39:47.160
<v Speaker 1>her into a wall. Sure, great, let's go do it. Awesome,

0:39:47.640 --> 0:39:49.920
<v Speaker 1>and you know, then you go shoot the scene or whatever,

0:39:50.520 --> 0:39:53.520
<v Speaker 1>but it was just it was interesting the way the

0:39:53.600 --> 0:39:58.399
<v Speaker 1>Korean hierarchy worked. So, Kevin, I could tell that let's

0:39:58.400 --> 0:40:00.160
<v Speaker 1>get ad, no business being on set. His Dad was

0:40:00.160 --> 0:40:04.719
<v Speaker 1>like a producer or something. He so Kiwi, Korean. So

0:40:04.960 --> 0:40:08.680
<v Speaker 1>we'd be on set and the director would tell him

0:40:08.680 --> 0:40:11.960
<v Speaker 1>something and he didn't understand that. Like, as a translator,

0:40:12.080 --> 0:40:15.000
<v Speaker 1>you have to tell me exactly what the director is saying,

0:40:15.040 --> 0:40:18.160
<v Speaker 1>because it's hard enough there's a director to explain to

0:40:18.200 --> 0:40:21.359
<v Speaker 1>your actor what you want. So this director will talk

0:40:21.360 --> 0:40:24.480
<v Speaker 1>to him cream and then he'd be everything started off

0:40:24.520 --> 0:40:32.040
<v Speaker 1>with basically, and he'd go so basically, the director like, okay,

0:40:32.239 --> 0:40:36.040
<v Speaker 1>so you're really angry and you're chosing this guy, but

0:40:36.120 --> 0:40:39.120
<v Speaker 1>you're hungry, but you can't show you angry because you're hungry.

0:40:39.160 --> 0:40:42.840
<v Speaker 1>So you turn the corner and you smash into the Kevin.

0:40:42.960 --> 0:40:45.640
<v Speaker 1>What the wait, wait, wait, what? You can't give me

0:40:45.680 --> 0:40:47.440
<v Speaker 1>the basics? You gotta tell me exactly what I have

0:40:47.520 --> 0:40:52.040
<v Speaker 1>to do with this guy. So okay, there, Shannon, my

0:40:52.239 --> 0:40:54.920
<v Speaker 1>was my liaison from L A. I gotta get another

0:40:54.920 --> 0:40:57.080
<v Speaker 1>translator because this is not I don't know what to do,

0:40:57.840 --> 0:40:59.600
<v Speaker 1>because I'd shoot a scene in the director like no, no no, no,

0:40:59.760 --> 0:41:01.440
<v Speaker 1>you can't it. So it was a whole it was

0:41:01.440 --> 0:41:05.680
<v Speaker 1>a whole thing. But now I have like Kevin's like Um,

0:41:05.920 --> 0:41:10.279
<v Speaker 1>New Zealand accent ingrained in my head basically from here.

0:41:10.320 --> 0:41:13.520
<v Speaker 1>So you basically Um, and so it was just but

0:41:13.640 --> 0:41:16.520
<v Speaker 1>I ended up doing a really good job and it

0:41:16.600 --> 0:41:19.120
<v Speaker 1>was a lot of fun. And so I come back

0:41:19.239 --> 0:41:22.080
<v Speaker 1>and like they were like you, you can do this,

0:41:22.160 --> 0:41:25.560
<v Speaker 1>you should. You know, it's about playing monsters, essentially, and

0:41:25.600 --> 0:41:28.640
<v Speaker 1>I always figured playing monsters is great because I can

0:41:28.719 --> 0:41:31.360
<v Speaker 1>leverage my athleticism to becoming an actor and then I

0:41:31.400 --> 0:41:34.239
<v Speaker 1>can leverage that into becoming an actual actor as a

0:41:34.280 --> 0:41:39.239
<v Speaker 1>backdoor into acting. Um. And I came back the pandemic hit.

0:41:39.280 --> 0:41:44.960
<v Speaker 1>Everything shutdown. Couldn't go back to basketball, obviously. Uh, you know,

0:41:45.000 --> 0:41:47.040
<v Speaker 1>Italy was going through their own thing at the time.

0:41:47.920 --> 0:41:51.000
<v Speaker 1>And Yeah, I'm now I'm in L A. The streets

0:41:51.040 --> 0:41:53.239
<v Speaker 1>are empty. I bought a road bike and I just

0:41:53.280 --> 0:41:55.640
<v Speaker 1>start riding to Manhattan beach and back every day from

0:41:55.640 --> 0:42:01.799
<v Speaker 1>West Hollywood. Fifty yeah, they're and back. Yeah, they're and back.

0:42:01.840 --> 0:42:04.880
<v Speaker 1>A home and home. Um, yeah, you ride to like

0:42:04.920 --> 0:42:07.319
<v Speaker 1>the Manhattan beach. Peering back, it's it's about fifty miles,

0:42:07.440 --> 0:42:09.600
<v Speaker 1>something like that. So I just did that. I would hike,

0:42:09.600 --> 0:42:11.560
<v Speaker 1>I would alternate. I'd hike one day, I'd bike the

0:42:11.600 --> 0:42:15.440
<v Speaker 1>next day and I laid down artificial grass in my

0:42:15.520 --> 0:42:19.240
<v Speaker 1>living room. It became my gym. Very functional, very functional

0:42:19.280 --> 0:42:21.400
<v Speaker 1>living room. Wasn't too hot with the ladies, but it

0:42:21.680 --> 0:42:23.839
<v Speaker 1>was good for me. I could do all my could

0:42:23.840 --> 0:42:28.359
<v Speaker 1>do all my movements in my training and everything. and Um,

0:42:28.480 --> 0:42:33.480
<v Speaker 1>then I booked uh to be master chief in the

0:42:33.600 --> 0:42:37.200
<v Speaker 1>xbox commercials for Halo and like you see, a fixed

0:42:37.200 --> 0:42:41.239
<v Speaker 1>built of one of one custom moll in your armor

0:42:41.320 --> 0:42:44.160
<v Speaker 1>for me to be master chief. And then things just

0:42:44.160 --> 0:42:47.600
<v Speaker 1>started moving. Walking dead looking dead was interesting. I just

0:42:47.640 --> 0:42:50.759
<v Speaker 1>walked in a circle for six hours in Calabasas. It

0:42:50.880 --> 0:42:55.480
<v Speaker 1>was really not that trying or difficult. Um, and then, yeah,

0:42:55.600 --> 0:42:58.520
<v Speaker 1>just like things start moving, the pandemics starting to I

0:42:58.560 --> 0:43:00.960
<v Speaker 1>was I was at the water world on show universal

0:43:01.000 --> 0:43:05.360
<v Speaker 1>studios to learn stunts and stuff like that. and Um,

0:43:05.400 --> 0:43:09.160
<v Speaker 1>and then I got a like a phone call. Meanwhile,

0:43:09.160 --> 0:43:11.600
<v Speaker 1>I don't have a real theatrical agent. I'm doing everything.

0:43:12.640 --> 0:43:15.080
<v Speaker 1>Have your a real theatrical agent and you're looking for

0:43:15.120 --> 0:43:19.600
<v Speaker 1>a guy with incredible potential. His name is Dane, or

0:43:19.600 --> 0:43:24.200
<v Speaker 1>a manager or manager. Yeah, yeah, so I'm doing this all.

0:43:24.320 --> 0:43:27.759
<v Speaker 1>I'm getting all these jobs on my own, essentially. and Um,

0:43:28.160 --> 0:43:30.880
<v Speaker 1>this stunt agents helping me look over contracts, but essentially,

0:43:30.920 --> 0:43:33.000
<v Speaker 1>you know, I'm garnering everything on my own. How did

0:43:33.000 --> 0:43:36.200
<v Speaker 1>you get the Predator Gig? Okay, so then. Well, then

0:43:36.520 --> 0:43:38.719
<v Speaker 1>there was American horror stories. Is First. They named the

0:43:38.760 --> 0:43:41.160
<v Speaker 1>episode after me. That was just most of the stuff

0:43:41.239 --> 0:43:43.839
<v Speaker 1>is just on instagram. Someone a D M me big hey,

0:43:43.920 --> 0:43:47.279
<v Speaker 1>do you have a like? Are you around in May? Yeah,

0:43:47.320 --> 0:43:49.919
<v Speaker 1>I'm an. Do you want to be an American horror stories? Yeah, sure,

0:43:50.600 --> 0:43:52.919
<v Speaker 1>and that's how that's how, that's how it goes. There's

0:43:52.960 --> 0:43:58.880
<v Speaker 1>no there's really no audition, there's no like vetting process. Um,

0:43:58.920 --> 0:44:03.880
<v Speaker 1>in January of one I got a message on Instagram

0:44:03.920 --> 0:44:07.400
<v Speaker 1>from a guy named Alec Gillis, who who runs the

0:44:07.440 --> 0:44:11.279
<v Speaker 1>former studio a d I, and he said we need you,

0:44:11.400 --> 0:44:13.439
<v Speaker 1>I need you to come in for a design pitch

0:44:13.480 --> 0:44:18.000
<v Speaker 1>for a project, Um, we're working on in Canada, and

0:44:18.040 --> 0:44:20.560
<v Speaker 1>I'm thinking interesting and he, I think he offered me

0:44:20.680 --> 0:44:24.080
<v Speaker 1>launch or like two hundred bucks or something, and I

0:44:24.120 --> 0:44:27.040
<v Speaker 1>said keep keep your money, just whatever. The job has

0:44:27.080 --> 0:44:29.800
<v Speaker 1>put me in for it. Yeah, they're shooting in Canada.

0:44:30.280 --> 0:44:32.160
<v Speaker 1>L A's bringing in an L A guy. It's a

0:44:32.200 --> 0:44:34.600
<v Speaker 1>bad spend. You know that. You get tax relief when

0:44:34.600 --> 0:44:37.600
<v Speaker 1>you use a Canadian whatever. So I drive out to

0:44:38.719 --> 0:44:42.600
<v Speaker 1>Chatsworth to the studio and what's going to happen is

0:44:42.640 --> 0:44:45.960
<v Speaker 1>that he wants me to they're designing us a creature

0:44:46.000 --> 0:44:49.080
<v Speaker 1>suit for a show, a movie, and the director, the

0:44:49.120 --> 0:44:51.480
<v Speaker 1>director of photography and the producer going to come in

0:44:51.560 --> 0:44:55.440
<v Speaker 1>and watch how this suit moves and the design of

0:44:55.480 --> 0:44:57.799
<v Speaker 1>this head. And Alec told me he wanted me to

0:44:57.920 --> 0:45:04.279
<v Speaker 1>bring a balletics seltness to this character. Okay, what the

0:45:04.280 --> 0:45:06.000
<v Speaker 1>Hell is boletics felt this? So it's my job to

0:45:06.040 --> 0:45:09.560
<v Speaker 1>figure that out what that is. I get there and

0:45:09.640 --> 0:45:11.720
<v Speaker 1>there it is, laid on the table as the Predator

0:45:11.800 --> 0:45:14.520
<v Speaker 1>costume from the last movie. Now, did you? Did you?

0:45:14.560 --> 0:45:17.359
<v Speaker 1>Were you a Predator fan? Yeah, sure, absolutely. I mean

0:45:17.440 --> 0:45:20.800
<v Speaker 1>old school. You watched the old yes, of course. No,

0:45:20.960 --> 0:45:24.120
<v Speaker 1>when I when I moved to Los Angeles to do

0:45:24.160 --> 0:45:27.080
<v Speaker 1>this creature acting thing either. These are quotes, because I

0:45:27.400 --> 0:45:29.920
<v Speaker 1>do not want to be branded as a creature actor

0:45:30.040 --> 0:45:34.840
<v Speaker 1>because once you get put into that whole yes, but

0:45:34.880 --> 0:45:37.160
<v Speaker 1>I had two roles in mind that I wanted one.

0:45:37.680 --> 0:45:40.080
<v Speaker 1>Number two was to be a predator. I thought that

0:45:40.080 --> 0:45:43.000
<v Speaker 1>would have been the coolest thing of all time. Number

0:45:43.040 --> 0:45:45.920
<v Speaker 1>one is to be Jason Vorhees, because that he is

0:45:45.960 --> 0:45:50.160
<v Speaker 1>my ultimate horror icon. But to be a predator. I

0:45:50.200 --> 0:45:52.400
<v Speaker 1>was a Predator Fan. I knew all the actors, I

0:45:52.440 --> 0:45:55.239
<v Speaker 1>knew all the movies, I knew all the culture. I

0:45:55.400 --> 0:45:58.359
<v Speaker 1>was very excited. So I come in and there it is.

0:45:58.440 --> 0:46:00.799
<v Speaker 1>There's the Predator costume from the last movie laying out

0:46:00.800 --> 0:46:03.960
<v Speaker 1>in this table and Oh my God, and they had

0:46:04.000 --> 0:46:07.680
<v Speaker 1>this three d iteration of a Predator had they printed

0:46:07.680 --> 0:46:11.319
<v Speaker 1>out and they used like ropes as the dreads and

0:46:11.360 --> 0:46:14.560
<v Speaker 1>I'm thinking that's kind of a Predator. It's kind of not.

0:46:14.760 --> 0:46:17.840
<v Speaker 1>It's gross, it's weird. It looks like an insect, it

0:46:17.880 --> 0:46:20.799
<v Speaker 1>looks like a bug. So they suited me up in

0:46:20.800 --> 0:46:22.759
<v Speaker 1>this suit that was way too small for me. I

0:46:22.760 --> 0:46:24.920
<v Speaker 1>remember it was cutting off circulation in my hands. My

0:46:24.960 --> 0:46:28.400
<v Speaker 1>hands were ballooning up and I was losing feeling in

0:46:28.440 --> 0:46:32.080
<v Speaker 1>my fingers and I couldn't see anything out of this gray,

0:46:32.120 --> 0:46:36.760
<v Speaker 1>three d printed plastic head. But Dan Trachtenberger, director, Jeff Cutter,

0:46:36.760 --> 0:46:39.799
<v Speaker 1>Marta young they all come into the shop and I

0:46:39.880 --> 0:46:42.600
<v Speaker 1>gave what I thought was Baltic smelting this and I'm

0:46:42.600 --> 0:46:47.719
<v Speaker 1>thinking for Um. So this is like like like a Ballerina,

0:46:47.800 --> 0:46:51.040
<v Speaker 1>like smooth and graceful, but like smelting, this is like

0:46:51.160 --> 0:46:55.480
<v Speaker 1>lean and dynamic. Right. So I'm thinking like feline, something

0:46:55.520 --> 0:46:59.080
<v Speaker 1>like a cat Um, and I'm jumping up on tables,

0:46:59.160 --> 0:47:01.960
<v Speaker 1>I'm getting really low, I'm like shifting my weight from

0:47:02.000 --> 0:47:04.440
<v Speaker 1>side to side, I'm running through the shop, I'm sliding

0:47:04.480 --> 0:47:07.840
<v Speaker 1>all over the place, I'm running through the parking lot. Um,

0:47:07.880 --> 0:47:09.520
<v Speaker 1>there are a couple of I think people that were

0:47:09.520 --> 0:47:12.000
<v Speaker 1>surrounding businesses were taking pictures because this was a scene.

0:47:12.040 --> 0:47:15.600
<v Speaker 1>It was a big scene. Um, and at the end

0:47:15.600 --> 0:47:18.560
<v Speaker 1>of the thing, Marty, they go I'll tell you. I said, well,

0:47:18.760 --> 0:47:21.040
<v Speaker 1>six nine. I'm six eight and a half. I danced

0:47:21.080 --> 0:47:24.399
<v Speaker 1>between six eight and six nine. Six Nine, when you're

0:47:24.520 --> 0:47:28.680
<v Speaker 1>monster role, you're six nine. It's better to be bigger. Oh,

0:47:28.760 --> 0:47:30.560
<v Speaker 1>six nine. That is the height we're looking for. And

0:47:30.640 --> 0:47:33.160
<v Speaker 1>in my head I'm like, they don't have anyone fucking

0:47:33.160 --> 0:47:36.880
<v Speaker 1>cast for this role. And I go listen, guys, here's

0:47:36.880 --> 0:47:41.760
<v Speaker 1>the deal. I will do anything to be your Predator,

0:47:42.520 --> 0:47:44.759
<v Speaker 1>like I would kill for this role. I Want I

0:47:44.800 --> 0:47:47.520
<v Speaker 1>want to be your Predator. I used to play professional basketball.

0:47:48.120 --> 0:47:50.360
<v Speaker 1>This is what I do. I trained to be an actor.

0:47:50.400 --> 0:47:53.359
<v Speaker 1>I trained to be a monster, like I'm gonna give

0:47:53.360 --> 0:47:55.839
<v Speaker 1>you blood. Yeah, all right, we'll see. We'll see. We'll

0:47:55.880 --> 0:47:57.480
<v Speaker 1>keep you in mind, Marty say, we'll figure out a

0:47:57.520 --> 0:48:00.520
<v Speaker 1>way to get you in there. So, yeah, so, yeah,

0:48:00.640 --> 0:48:03.360
<v Speaker 1>and I ended up, you know, being the guy to

0:48:04.000 --> 0:48:07.279
<v Speaker 1>play this role and I, you know, it just worked out.

0:48:07.760 --> 0:48:11.640
<v Speaker 1>What is what was the premiere like? When you're Oh,

0:48:11.840 --> 0:48:14.040
<v Speaker 1>we're not gonna talk about filming or anything, well, we'd

0:48:14.080 --> 0:48:16.279
<v Speaker 1>have a filming and stuff, or just was filming it.

0:48:16.440 --> 0:48:19.520
<v Speaker 1>Like we shot in Calgary for three months in Canada.

0:48:19.680 --> 0:48:23.960
<v Speaker 1>It was this time last year, beautiful September. I flew home.

0:48:23.960 --> 0:48:26.880
<v Speaker 1>What's Today? September three, literally a year ago today, I

0:48:26.920 --> 0:48:30.600
<v Speaker 1>flew home from Calgary. What was it like? It was crazy.

0:48:30.640 --> 0:48:33.680
<v Speaker 1>It was hot. Um, you were another foam. So Foam

0:48:33.760 --> 0:48:36.200
<v Speaker 1>Lake Texas an interesting thing. It's a sponge and you're

0:48:36.200 --> 0:48:40.120
<v Speaker 1>wearing it. We had six suits and four heads. Um

0:48:40.239 --> 0:48:43.759
<v Speaker 1>The heads there were two stunt heads, two amatronic kids.

0:48:43.760 --> 0:48:47.520
<v Speaker 1>These amatronic kids have thirty servos where little motors instide

0:48:47.640 --> 0:48:51.600
<v Speaker 1>controlling the face. There's four people puppeteering the face of

0:48:51.640 --> 0:48:56.279
<v Speaker 1>this character. So when we were doing a scene, I

0:48:56.360 --> 0:48:58.920
<v Speaker 1>have to do what the predators doing. But I have

0:48:59.040 --> 0:49:02.600
<v Speaker 1>to let my puppeteer is know what this exactly this

0:49:02.640 --> 0:49:05.280
<v Speaker 1>Predator is doing, because they're controlling the emotions the face.

0:49:05.800 --> 0:49:08.560
<v Speaker 1>So when I'm roaring, I have to cue them on

0:49:08.680 --> 0:49:11.719
<v Speaker 1>exactly how I'm going to do that. I don't know.

0:49:11.760 --> 0:49:13.719
<v Speaker 1>I would like lift my arms up before I swing

0:49:13.760 --> 0:49:16.040
<v Speaker 1>them back or something. We would go over that before

0:49:16.080 --> 0:49:19.680
<v Speaker 1>every every scene. It's really like Bluetooth with these people.

0:49:19.920 --> 0:49:23.439
<v Speaker 1>It's like it's crazy the synergy that's required to make

0:49:23.480 --> 0:49:28.120
<v Speaker 1>this character. Um. It's interesting. I listened Dan, our director,

0:49:28.160 --> 0:49:29.960
<v Speaker 1>went on BBC The other day and he was saying

0:49:30.000 --> 0:49:32.279
<v Speaker 1>like there are so many things you have to do

0:49:32.760 --> 0:49:36.360
<v Speaker 1>just to not make just to make it look like

0:49:36.400 --> 0:49:38.880
<v Speaker 1>you're not a door in a suit, and then you

0:49:38.960 --> 0:49:41.839
<v Speaker 1>have to act so like the Predator's head was sitting

0:49:41.880 --> 0:49:43.600
<v Speaker 1>on top of my head and it weighs fifteen pounds.

0:49:44.360 --> 0:49:46.960
<v Speaker 1>I had to shrug my shoulders and shorten my neck

0:49:47.040 --> 0:49:49.480
<v Speaker 1>and look at the ground to make the Predator look

0:49:49.520 --> 0:49:54.800
<v Speaker 1>forward right like. So I shot this movie essentially blind.

0:49:54.840 --> 0:49:56.879
<v Speaker 1>I was looking out through two holes in the neck

0:49:57.040 --> 0:49:59.600
<v Speaker 1>straight at the ground. So all my fighting scenes, all

0:49:59.600 --> 0:50:03.920
<v Speaker 1>my act scenes, all everything, I can't see anything and

0:50:04.320 --> 0:50:06.080
<v Speaker 1>we had to lay sticks on the ground for me

0:50:06.160 --> 0:50:08.200
<v Speaker 1>to follow so I knew where to walk. I had

0:50:08.520 --> 0:50:10.560
<v Speaker 1>a speaker in my ear so my first ad could

0:50:10.640 --> 0:50:14.120
<v Speaker 1>cue me on things that I couldn't see, and then

0:50:14.160 --> 0:50:18.560
<v Speaker 1>my fighting scenes, I. I we just had to rehearse

0:50:18.600 --> 0:50:21.719
<v Speaker 1>it and I couldn't hit any of my cast castmates.

0:50:21.840 --> 0:50:25.080
<v Speaker 1>You know it is. It was scary. You're fighting amber

0:50:25.120 --> 0:50:28.480
<v Speaker 1>mid thunder in a fight and she did most of

0:50:28.520 --> 0:50:33.880
<v Speaker 1>her stunts. And if she doesn't duck when I'm swinging

0:50:33.880 --> 0:50:37.680
<v Speaker 1>my spear, it's my fault. If she's in the way

0:50:37.680 --> 0:50:40.560
<v Speaker 1>when I'm swinging my spear, it's my fault. If it's

0:50:40.600 --> 0:50:44.480
<v Speaker 1>her fault, it's my fault. So because I'm the number three,

0:50:44.560 --> 0:50:47.880
<v Speaker 1>she's the number one and I'm also like the dirty Grimmy,

0:50:48.160 --> 0:50:50.080
<v Speaker 1>you know monster guy that you don't see his face,

0:50:50.480 --> 0:50:53.120
<v Speaker 1>it's my fault always. Ten out of ten. She could

0:50:53.200 --> 0:50:54.960
<v Speaker 1>literally be like I'm going to get hit in the

0:50:55.000 --> 0:50:59.120
<v Speaker 1>face intentionally and it's my fault. So terrifying. I can't

0:50:59.120 --> 0:51:02.600
<v Speaker 1>see her and Um, it was just insane. There was

0:51:02.600 --> 0:51:07.799
<v Speaker 1>a day my you know, my atronic head caught on fire, uh,

0:51:07.960 --> 0:51:11.680
<v Speaker 1>because the battery pack short circuited. Just all the scenes

0:51:11.719 --> 0:51:15.319
<v Speaker 1>the mud. That mud smells so bad. You've you've seen

0:51:15.360 --> 0:51:19.239
<v Speaker 1>the movie. Have you seen? Okay, yeah, the mud. The

0:51:19.320 --> 0:51:21.280
<v Speaker 1>mud pit was only supposed to be there for two weeks.

0:51:21.320 --> 0:51:24.279
<v Speaker 1>We were shooting on week eight. What are you doing?

0:51:24.440 --> 0:51:26.040
<v Speaker 1>When you said you had sticks in the ground, though,

0:51:26.080 --> 0:51:27.759
<v Speaker 1>but now there's just all this mud. Like, how do

0:51:27.840 --> 0:51:29.560
<v Speaker 1>you how do you know where to move when there's

0:51:30.160 --> 0:51:32.080
<v Speaker 1>the mud pit and the final scene? I understand, but

0:51:32.120 --> 0:51:35.040
<v Speaker 1>how do you like, how do you're? You're describing it

0:51:35.080 --> 0:51:39.440
<v Speaker 1>as you're operating blind, but you're essentially blind. I can

0:51:39.480 --> 0:51:41.799
<v Speaker 1>see my feet. I can look at my feet still, though,

0:51:41.800 --> 0:51:44.000
<v Speaker 1>but you're also doing all this other stuff with your body. Yes,

0:51:44.120 --> 0:51:45.919
<v Speaker 1>now you're throwing a mud pit. How does that work?

0:51:46.719 --> 0:51:50.440
<v Speaker 1>The mudpit was I was like lower, you know, above

0:51:50.520 --> 0:51:54.200
<v Speaker 1>my waist and the mud and it was what are

0:51:54.200 --> 0:51:58.400
<v Speaker 1>you looking at? There? The ground, the nothing. Nothing. So

0:51:58.440 --> 0:52:00.759
<v Speaker 1>how do you know what to do? They cue me.

0:52:00.840 --> 0:52:03.200
<v Speaker 1>So my first a D was in my ear, with

0:52:03.239 --> 0:52:05.399
<v Speaker 1>the with the with the speaker. He had a god

0:52:05.400 --> 0:52:07.080
<v Speaker 1>Mike on him and he would tell me where to

0:52:07.160 --> 0:52:10.480
<v Speaker 1>point the gun because I'm looking straight at the ground right.

0:52:10.520 --> 0:52:12.440
<v Speaker 1>So he do you like bring the tip down, you

0:52:12.480 --> 0:52:14.880
<v Speaker 1>know a little bit to the left little bit. Hold it.

0:52:14.960 --> 0:52:17.520
<v Speaker 1>Hold it and you're sitting up cameras if you're holding something,

0:52:17.960 --> 0:52:21.879
<v Speaker 1>keeping your arm out, and it's you. It's only head

0:52:21.920 --> 0:52:24.520
<v Speaker 1>to yeah, fifteen pounds. So I'm pulling a lot of levers.

0:52:24.600 --> 0:52:27.080
<v Speaker 1>It's like it's like a little alien inside this giant body.

0:52:27.840 --> 0:52:29.880
<v Speaker 1>They loved the breathing. I had to really focus on.

0:52:30.480 --> 0:52:33.319
<v Speaker 1>I had to actually breathe, show breathing, because they loved

0:52:33.360 --> 0:52:36.400
<v Speaker 1>how tight the foam latex was to the suit and

0:52:36.400 --> 0:52:38.799
<v Speaker 1>I did this kind of breathing thing that showed that, like,

0:52:39.320 --> 0:52:41.880
<v Speaker 1>I have to think. I'm telling a story nonverbally, right.

0:52:41.880 --> 0:52:44.200
<v Speaker 1>I don't have the luxury of using words like you know,

0:52:44.239 --> 0:52:46.880
<v Speaker 1>amber and Dakota's characters have. I have to tell a

0:52:46.920 --> 0:52:50.279
<v Speaker 1>story through posture and through movement. So, like I have

0:52:50.360 --> 0:52:52.839
<v Speaker 1>to think about what are my hands doing? So, like

0:52:52.840 --> 0:52:56.840
<v Speaker 1>are my hand so you know, even like sometimes you

0:52:56.920 --> 0:52:59.239
<v Speaker 1>catch frozen hands. So you have to do this with

0:52:59.280 --> 0:53:00.799
<v Speaker 1>your hands. You have to open your hands, you have

0:53:00.880 --> 0:53:03.120
<v Speaker 1>to kind of fan your hands out. So I have

0:53:03.160 --> 0:53:05.239
<v Speaker 1>to think about what my hands are doing. How am

0:53:05.239 --> 0:53:07.840
<v Speaker 1>I walking? Where's my posture? I also have to remember

0:53:07.840 --> 0:53:09.680
<v Speaker 1>to shorten my neck and look at the ground. I

0:53:09.719 --> 0:53:12.239
<v Speaker 1>also remember to do this breathing thing. I also have

0:53:12.280 --> 0:53:14.480
<v Speaker 1>to remember I have four people relying on me to

0:53:14.520 --> 0:53:17.239
<v Speaker 1>do cues if I make a big action. So that's

0:53:17.280 --> 0:53:21.560
<v Speaker 1>just to look normal. Then I have to act. Then

0:53:21.600 --> 0:53:24.000
<v Speaker 1>I have to remember choreography and blocking. Then I have

0:53:24.040 --> 0:53:27.759
<v Speaker 1>to remember fighting. So you, so, you, you go through

0:53:27.800 --> 0:53:31.359
<v Speaker 1>this whole thing. It was unbelievable. Okay, do you know?

0:53:31.680 --> 0:53:35.319
<v Speaker 1>Are you? Do you know what it actually looks like? No,

0:53:35.520 --> 0:53:37.239
<v Speaker 1>I when we wrapped the movie, I told dance, I

0:53:37.280 --> 0:53:38.600
<v Speaker 1>can't wait to see this thing. I haven't seen a

0:53:38.640 --> 0:53:41.160
<v Speaker 1>damn thing this whole fucking shoot. Okay, so it was

0:53:41.200 --> 0:53:43.120
<v Speaker 1>up there in ninety days or whatever. So you come

0:53:43.120 --> 0:53:45.760
<v Speaker 1>back to when do you? When do you? When's the premiere?

0:53:46.120 --> 0:53:50.160
<v Speaker 1>The premier's August three. So there's like did you? Did

0:53:50.160 --> 0:53:54.160
<v Speaker 1>you see anything before then? Yes, so I. So at

0:53:54.280 --> 0:53:58.840
<v Speaker 1>first we had we had additional photography in February. So

0:53:58.880 --> 0:54:01.400
<v Speaker 1>I went into so we let's get a little deeper.

0:54:01.680 --> 0:54:04.080
<v Speaker 1>I went into this like post production depression when I

0:54:04.080 --> 0:54:07.439
<v Speaker 1>got back because for three months I was relied on.

0:54:07.520 --> 0:54:11.440
<v Speaker 1>I was the main antagonist of this major motion picture.

0:54:12.120 --> 0:54:16.440
<v Speaker 1>Whatever seventy million dollars. I was I was accountable every

0:54:16.520 --> 0:54:20.319
<v Speaker 1>day I was needed. I was like, you know, you're

0:54:20.360 --> 0:54:22.759
<v Speaker 1>in this sort there's the three crew members around you,

0:54:22.800 --> 0:54:24.600
<v Speaker 1>and then you're in that inner circle of twelve people

0:54:24.640 --> 0:54:26.719
<v Speaker 1>setting up a shot and it's like, Oh my God, right,

0:54:26.920 --> 0:54:29.200
<v Speaker 1>you get home and get home, and now I'm like

0:54:29.840 --> 0:54:35.239
<v Speaker 1>taking out my trash and collecting mail and like grossery

0:54:35.320 --> 0:54:38.480
<v Speaker 1>and I don't have anything booked. I like barely scratched

0:54:38.480 --> 0:54:42.080
<v Speaker 1>this job, like and now, do you get paid then,

0:54:42.160 --> 0:54:44.640
<v Speaker 1>or do you you get paid when it releases? You get paid,

0:54:44.680 --> 0:54:47.719
<v Speaker 1>then you get paid then you sign a flat, flat rate,

0:54:47.760 --> 0:54:51.160
<v Speaker 1>flat contract and Um, yeah, and then there's like overtime

0:54:51.160 --> 0:54:54.560
<v Speaker 1>and stuff. But Um, I wasn't. I didn't have anything

0:54:54.600 --> 0:54:56.680
<v Speaker 1>book I came home, I had nothing going on. NOPE,

0:54:56.680 --> 0:54:58.960
<v Speaker 1>no one knows who I am. I like I got

0:54:59.040 --> 0:55:01.600
<v Speaker 1>lucky with this job through instagram. That wasn't like, Oh,

0:55:01.640 --> 0:55:04.920
<v Speaker 1>we gotta have Dane, his prowess, isn't you know. So,

0:55:04.920 --> 0:55:07.800
<v Speaker 1>so the premiere so like. So we did a digital

0:55:07.840 --> 0:55:10.040
<v Speaker 1>photography in February. We added a couple of scenes, we

0:55:10.120 --> 0:55:14.080
<v Speaker 1>changed things around and then in March I saw a cut,

0:55:15.160 --> 0:55:19.200
<v Speaker 1>a version of the film Dan Had Dakota, and I

0:55:19.280 --> 0:55:22.040
<v Speaker 1>come to twentieth century and we sat in the theater

0:55:22.080 --> 0:55:24.280
<v Speaker 1>and watched it and he had to go through everything

0:55:24.320 --> 0:55:28.440
<v Speaker 1>what we thought and what our ideas were. And, Um,

0:55:28.600 --> 0:55:30.880
<v Speaker 1>when we shot this thing there there was no title

0:55:31.520 --> 0:55:35.879
<v Speaker 1>like it shifted a little bit through time. The movie

0:55:35.920 --> 0:55:38.480
<v Speaker 1>kind of evolved and when we were shooting this no

0:55:38.520 --> 0:55:41.239
<v Speaker 1>one really knew what this was gonna be. You know,

0:55:41.239 --> 0:55:44.000
<v Speaker 1>obviously a period piece, adventure story with a little sci

0:55:44.040 --> 0:55:48.319
<v Speaker 1>fi sprinkled and interesting Um. And then I saw the

0:55:48.360 --> 0:55:51.560
<v Speaker 1>movie in March I was like, that's pretty good. Do

0:55:51.600 --> 0:55:52.799
<v Speaker 1>you think you were good, or do you do you

0:55:52.840 --> 0:55:55.360
<v Speaker 1>think I I'm in this stuff? Well, it's interesting because

0:55:57.719 --> 0:56:00.879
<v Speaker 1>for a character like that, there's a lot of things

0:56:00.880 --> 0:56:03.680
<v Speaker 1>that go on in the movie that that don't really

0:56:04.040 --> 0:56:08.920
<v Speaker 1>require like for me it's like a basketball game. First

0:56:08.920 --> 0:56:12.360
<v Speaker 1>of all, acting and and pro sports are so similar,

0:56:12.760 --> 0:56:17.560
<v Speaker 1>are so ridiculously similar. You come in every morning, you

0:56:17.640 --> 0:56:21.480
<v Speaker 1>got your coach, you got your director, you got your GM,

0:56:21.560 --> 0:56:23.920
<v Speaker 1>you have your producer, you have your teammates, you have

0:56:23.960 --> 0:56:27.640
<v Speaker 1>your castmates. One common goal, make a nice picture. Okay.

0:56:27.800 --> 0:56:31.600
<v Speaker 1>How about role player? Okay, role in a movie. You

0:56:31.680 --> 0:56:34.280
<v Speaker 1>come in, the bigger, the bigger the production, the bigger

0:56:34.320 --> 0:56:37.000
<v Speaker 1>the jigsaw puzzle you're just a piece in the jigsaw puzzle.

0:56:37.560 --> 0:56:40.040
<v Speaker 1>Show Up, keep your head down, keep your nose clean,

0:56:40.200 --> 0:56:44.040
<v Speaker 1>do your fucking job, smile, say yes, be happy. Same

0:56:44.080 --> 0:56:46.160
<v Speaker 1>thing at practice. Hey, I need you to sprint harder,

0:56:46.200 --> 0:56:49.160
<v Speaker 1>I need you to set the screen. Do Your job.

0:56:49.480 --> 0:56:53.840
<v Speaker 1>You're good at screening. Actually keeping your head down. Literally. Yeah, literally,

0:56:53.920 --> 0:56:58.839
<v Speaker 1>keeping my head down literally. Um, it's like coming in

0:56:58.920 --> 0:57:02.040
<v Speaker 1>not complaining, knowing you have to do for this one

0:57:02.080 --> 0:57:07.240
<v Speaker 1>common goal. I would rather work with eleven other less

0:57:07.239 --> 0:57:09.600
<v Speaker 1>talented guys who are easy to be around, who I

0:57:09.640 --> 0:57:13.279
<v Speaker 1>know I can rely on, than super super talented people

0:57:13.320 --> 0:57:17.240
<v Speaker 1>who just suck being around. You know, something so like

0:57:17.680 --> 0:57:19.680
<v Speaker 1>you're on set for, you know, a number of months

0:57:19.680 --> 0:57:21.600
<v Speaker 1>with these people. You're with them every single day. The

0:57:21.600 --> 0:57:23.080
<v Speaker 1>same thing on a team. You're in the locker room

0:57:23.080 --> 0:57:26.440
<v Speaker 1>with these people every single day. It's like being a

0:57:26.440 --> 0:57:28.840
<v Speaker 1>good person to be around. It goes so much further

0:57:28.880 --> 0:57:32.800
<v Speaker 1>than being super super talented. Um. And, like I said,

0:57:32.840 --> 0:57:36.439
<v Speaker 1>pros like the transition from you know, other than off

0:57:36.440 --> 0:57:40.080
<v Speaker 1>the court stuff, the politics of sports and and entertainment

0:57:40.360 --> 0:57:42.520
<v Speaker 1>that come into play, but when you're in it, when

0:57:42.520 --> 0:57:48.080
<v Speaker 1>you're working, it's so similar and Um, I don't even

0:57:48.120 --> 0:57:50.960
<v Speaker 1>know where I was going with this. But your depression.

0:57:51.240 --> 0:57:53.440
<v Speaker 1>Oh yeah, yeah, so, like, you know, the same thing

0:57:53.440 --> 0:57:55.320
<v Speaker 1>with the sea season ends. You come you come home

0:57:55.640 --> 0:57:58.480
<v Speaker 1>and it's just like what am I doing? Like you

0:57:58.920 --> 0:58:01.000
<v Speaker 1>missed that, you missed that energy, missed like connection with people,

0:58:01.040 --> 0:58:02.920
<v Speaker 1>you miss being on a team. It's the hardest. There's

0:58:02.960 --> 0:58:05.720
<v Speaker 1>the hardest thing about team sports and going into workplaces.

0:58:05.800 --> 0:58:07.960
<v Speaker 1>You're you're used to being told what to do and

0:58:08.000 --> 0:58:10.400
<v Speaker 1>be part of a team and you know, all of

0:58:10.400 --> 0:58:11.880
<v Speaker 1>a sudden you have all this freedom, which you think

0:58:12.000 --> 0:58:13.200
<v Speaker 1>is what you want, and you're like, you know what,

0:58:13.240 --> 0:58:15.160
<v Speaker 1>I actually really like being told what to do. It's

0:58:15.160 --> 0:58:17.200
<v Speaker 1>almost like a it's it's a low level form of

0:58:17.240 --> 0:58:22.120
<v Speaker 1>like institutionalization. And, Um, I listen and I know how

0:58:22.200 --> 0:58:24.120
<v Speaker 1>lucky and fortunate I am to be able to have

0:58:24.160 --> 0:58:26.680
<v Speaker 1>a job that kind of replicates what I got from

0:58:26.760 --> 0:58:30.959
<v Speaker 1>basketball and everything I did, and now this is something

0:58:31.000 --> 0:58:32.560
<v Speaker 1>that I can do for quite some time if I

0:58:32.760 --> 0:58:37.240
<v Speaker 1>continue to experience success with it. Um, but I I

0:58:37.280 --> 0:58:40.640
<v Speaker 1>was like really just going through a very strange time.

0:58:40.720 --> 0:58:44.040
<v Speaker 1>I was in a doja cap music video in October.

0:58:44.880 --> 0:58:49.840
<v Speaker 1>I Um, it was just get into it, okay. I

0:58:49.960 --> 0:58:52.440
<v Speaker 1>was the main alien overlord. I steal her cat. She

0:58:52.560 --> 0:58:55.080
<v Speaker 1>comes in and slaps me in the face takes her

0:58:55.080 --> 0:58:58.200
<v Speaker 1>cap back. Yeah, all right, this, this, this has to

0:58:58.200 --> 0:58:59.400
<v Speaker 1>be we're gonna we have to do we have to

0:58:59.400 --> 0:59:01.640
<v Speaker 1>do more. Did more of them, more of the okay,

0:59:01.680 --> 0:59:05.920
<v Speaker 1>so I'll wrap on this. Okay, you go to the premiere.

0:59:06.200 --> 0:59:09.240
<v Speaker 1>Let's go to the premiere. And it was unbelievable. We

0:59:09.240 --> 0:59:11.200
<v Speaker 1>went to like six premieres that we went to comic con,

0:59:11.520 --> 0:59:13.560
<v Speaker 1>Sandel Comic Con. We premiered the movie there for the

0:59:13.560 --> 0:59:15.400
<v Speaker 1>first time. So I see it on screen for the

0:59:15.440 --> 0:59:18.720
<v Speaker 1>first time at Comic Con, the finished product, and I

0:59:18.760 --> 0:59:21.960
<v Speaker 1>was like, holy sh it, this movie is good. Two

0:59:22.000 --> 0:59:25.440
<v Speaker 1>standing ovations. When this movie, when the credits start rolling

0:59:25.880 --> 0:59:27.480
<v Speaker 1>and I look over and amber's right next to me

0:59:27.920 --> 0:59:30.440
<v Speaker 1>and she's tearing up and I'm I'm getting goosebumps now

0:59:30.520 --> 0:59:33.640
<v Speaker 1>talking about it, but I started crying. This is real.

0:59:33.840 --> 0:59:37.960
<v Speaker 1>Not to mention not to mention they gave me like

0:59:38.000 --> 0:59:40.040
<v Speaker 1>a single card crediting out. I don't know if you

0:59:40.080 --> 0:59:43.600
<v Speaker 1>know about crediting or like how the crediting works in Hollywood.

0:59:43.840 --> 0:59:49.200
<v Speaker 1>It's insane how contractually, how important credits are. Okay, yes,

0:59:49.240 --> 0:59:51.360
<v Speaker 1>your position in the rolling credits, yes, very important. But

0:59:51.400 --> 0:59:53.959
<v Speaker 1>they have these things called like the cards, single card,

0:59:54.040 --> 0:59:57.360
<v Speaker 1>multi card, shared card. A single card is like at

0:59:57.360 --> 0:59:59.800
<v Speaker 1>the end of the movie, Tom Cruise's name comes in

0:59:59.840 --> 1:00:02.680
<v Speaker 1>and comes out the order of the names, like if

1:00:02.720 --> 1:00:04.720
<v Speaker 1>you if there's three names on the on the list,

1:00:04.760 --> 1:00:07.680
<v Speaker 1>like top position, middle position, lower position, you know, and

1:00:07.720 --> 1:00:11.400
<v Speaker 1>then there's the with Robert De Niro and will Farrell.

1:00:11.480 --> 1:00:14.920
<v Speaker 1>These are all it's a very like crazy science behind

1:00:14.920 --> 1:00:18.640
<v Speaker 1>all this. And they century gave me the single card

1:00:18.800 --> 1:00:22.640
<v Speaker 1>and Dandelegro as the Predator at the end. That's for

1:00:22.800 --> 1:00:25.960
<v Speaker 1>like Robert De Niro, that your predators. I understand that,

1:00:26.000 --> 1:00:28.080
<v Speaker 1>but you don't like you don't see my face. Did

1:00:28.080 --> 1:00:30.919
<v Speaker 1>you kill it? What do you mean? Like when you watched,

1:00:31.320 --> 1:00:33.800
<v Speaker 1>like I was good, that was good. So for me

1:00:33.960 --> 1:00:37.400
<v Speaker 1>it was like it's like it's less the movies could

1:00:37.400 --> 1:00:39.920
<v Speaker 1>have been bad, which it's not. It's amazing, but just

1:00:40.240 --> 1:00:42.760
<v Speaker 1>I just wanted the Predator to be scary. I wanted

1:00:42.760 --> 1:00:46.120
<v Speaker 1>the predators convincing, and I feel like it was got

1:00:46.160 --> 1:00:48.920
<v Speaker 1>great reception and I was super happy about that and

1:00:48.960 --> 1:00:52.520
<v Speaker 1>I just remember crying at the at the World Premiere

1:00:52.600 --> 1:00:55.680
<v Speaker 1>Comic Con, looking at amber during the end credit. It's

1:00:55.720 --> 1:00:57.680
<v Speaker 1>not just like, holy sh it, there's like the big

1:00:57.720 --> 1:01:00.840
<v Speaker 1>pinch me moment Um. I just could believe it, and

1:01:00.840 --> 1:01:04.400
<v Speaker 1>they started chanting like make one more the crowd. What

1:01:04.480 --> 1:01:07.280
<v Speaker 1>the Hell is it like? That happens a can or Venice.

1:01:07.760 --> 1:01:10.760
<v Speaker 1>So you'RE gonna YOU'RE gonna double your right next time. Yeah, well,

1:01:11.080 --> 1:01:13.200
<v Speaker 1>let's I don't know. I don't know about that. That's

1:01:13.240 --> 1:01:16.960
<v Speaker 1>if twenty century calls me for another one. But very

1:01:17.040 --> 1:01:20.480
<v Speaker 1>last thing. Yes, UM, the next goal is the culinary

1:01:20.520 --> 1:01:24.520
<v Speaker 1>show or to book legit acting roles. Legit acting rules

1:01:24.880 --> 1:01:27.200
<v Speaker 1>the culinary thing. I feel like you can always, can

1:01:27.240 --> 1:01:29.439
<v Speaker 1>always happen. Yeah, the more you grow as an actor

1:01:29.520 --> 1:01:33.960
<v Speaker 1>than yeah, like that's the culinary Predator goes. The Predator

1:01:34.040 --> 1:01:36.960
<v Speaker 1>goes to Italy and tries all the monster in the kitchen. Yeah,

1:01:37.840 --> 1:01:40.000
<v Speaker 1>but yeah, I mean that would be I imagine myself

1:01:40.040 --> 1:01:42.480
<v Speaker 1>in like a bigfoot sasquatch suit in the back of

1:01:42.480 --> 1:01:45.560
<v Speaker 1>it like a Japanese kitchen, folding dumplings with tiny with

1:01:45.600 --> 1:01:49.280
<v Speaker 1>tiny women, you know, something like that. Um, but yeah,

1:01:49.320 --> 1:01:51.280
<v Speaker 1>the reason why I couldn't get a cooking or travel

1:01:51.320 --> 1:01:54.320
<v Speaker 1>show was because I essentially wasn't famous enough. So you

1:01:54.600 --> 1:01:59.320
<v Speaker 1>that brand. Anyone could do a cooking show. Exactly exactly.

1:01:59.400 --> 1:02:02.920
<v Speaker 1>But okay, so the one you did, the Predator. Yeah,

1:02:03.080 --> 1:02:06.360
<v Speaker 1>Jason Vorhees would be my next that's like if if,

1:02:06.960 --> 1:02:09.720
<v Speaker 1>or like a Xeno morphrom the movie alien, but I

1:02:09.760 --> 1:02:13.800
<v Speaker 1>wanted to be humans, i. i. You know the can

1:02:13.800 --> 1:02:15.400
<v Speaker 1>you confirm or deny? There are some reports on the

1:02:15.440 --> 1:02:18.720
<v Speaker 1>Internet about gardens of Galaxy Three. Can you confirm or deny?

1:02:19.000 --> 1:02:21.000
<v Speaker 1>I can confirm it. There are reports on the Internet

1:02:21.040 --> 1:02:23.600
<v Speaker 1>about gardens of the Galaxy. I. I don't I don't

1:02:23.600 --> 1:02:28.760
<v Speaker 1>know anything. I all you're mumbling, you're stuttering. Okay, we're

1:02:28.800 --> 1:02:31.280
<v Speaker 1>gonna do this again. Is that cool? Yeah, okay, and

1:02:31.360 --> 1:02:34.040
<v Speaker 1>so the next time, next time we do it. Okay,

1:02:34.200 --> 1:02:37.760
<v Speaker 1>I want to do places you've been, stuff you've eaten,

1:02:37.840 --> 1:02:42.600
<v Speaker 1>so I'll remember the things you've eaten. Okay. And then

1:02:43.440 --> 1:02:45.880
<v Speaker 1>I didn't even talk about my butchery. And then the

1:02:45.920 --> 1:02:49.200
<v Speaker 1>whole my my apprenticeship at the butcher shop in Tuscany.

1:02:49.400 --> 1:02:51.520
<v Speaker 1>Even talk about that? You did not talk about that. No,

1:02:51.680 --> 1:02:54.919
<v Speaker 1>that's a whole because we didn't go down the culinary path.

1:02:54.920 --> 1:02:56.440
<v Speaker 1>WE'RE gonna go down the culinary path. This was like

1:02:56.800 --> 1:02:59.400
<v Speaker 1>and and we're gonna do is, we're gonna we need

1:02:59.440 --> 1:03:03.240
<v Speaker 1>to pick them movie and but we we broke down

1:03:03.280 --> 1:03:06.919
<v Speaker 1>your movie. You did. No, I mean a little bit,

1:03:07.400 --> 1:03:09.160
<v Speaker 1>not enough. We want to go back to it. I

1:03:09.160 --> 1:03:10.640
<v Speaker 1>mean we could, you could watch it and you can

1:03:10.680 --> 1:03:13.080
<v Speaker 1>ask me question. You could ask me anything about the movie.

1:03:13.080 --> 1:03:15.840
<v Speaker 1>I'll tell you. Okay, let's do that. Let's let's let's

1:03:15.960 --> 1:03:20.360
<v Speaker 1>that'll be our next part two is culinary and behind

1:03:20.360 --> 1:03:23.680
<v Speaker 1>the scenes. and behind the scenes, Dane Lego, thanks for jam.

1:03:24.040 --> 1:03:29.480
<v Speaker 1>Thank you. Awesome stuff there, I mean really, really fascinating.

1:03:29.480 --> 1:03:30.440
<v Speaker 1>By the way, if you want to listen to the

1:03:30.480 --> 1:03:33.240
<v Speaker 1>Doug Gotlieb show, you can download it and podcast form

1:03:33.280 --> 1:03:36.200
<v Speaker 1>all three hours. Just type in Doug Gotlieb show listen

1:03:36.240 --> 1:03:40.840
<v Speaker 1>to it live at was it three o'clock Eastern, noon,

1:03:41.000 --> 1:03:44.760
<v Speaker 1>Pacific coast time, on your Fox sports radio station, your

1:03:44.760 --> 1:03:47.200
<v Speaker 1>I heart radio affiliate or the I heart radio APP

1:03:47.720 --> 1:03:49.480
<v Speaker 1>in the meantime. Thanks so much for listening and don't

1:03:49.480 --> 1:03:51.800
<v Speaker 1>forget to download, subscribe and right. I'm Doug Gotlieb. This

1:03:51.960 --> 1:04:09.880
<v Speaker 1>is all BALLP