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Speaker 1: Treating myself to my second ever quote unquote vampire facial.

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Speaker 1: I say quote unquote because that's kind of the nickname

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Speaker 1: for them.

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Speaker 2: Because because it makes you look like a vampire.

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Speaker 3: A little bit, just a little bit, but it does

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Speaker 3: involve blood.

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Speaker 1: So I remember learning about this years and years ago

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Speaker 1: when I worked with someone who had the most radiant

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Speaker 1: skin I've ever seen in my life, and I was like, wow,

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Speaker 1: your skill. First of all, this beautiful woman was also

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Speaker 1: very young, in her early twenties, but still she had

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Speaker 1: gorgeous skin. And I was like, wow, your skin is

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Speaker 1: so beautiful. And she was like, oh, yeah, it's the

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Speaker 1: vampire facial.

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Speaker 3: And I was like, I'm sorry what.

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Speaker 1: And she explained that they basically numb your face and

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Speaker 1: then they go over your face with like a roller

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Speaker 1: thing that has tons of needles in it. Oh god,

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Speaker 1: and it just pokes all these tiny holes in your

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Speaker 1: skin and they do your forehead, They do all over

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Speaker 1: your face and neck.

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Speaker 3: If you want to have.

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Speaker 1: Your neck done, Does it hurt so because of the

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Speaker 1: numbing cream which they put on my face for thirty minutes, No,

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Speaker 1: it doesn't hurt.

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Speaker 3: I would say, there's a little bit of stinging.

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Speaker 1: Now, the from the multiple from the multiple needle jab.

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Speaker 1: The only time it did kind of hurt is I

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Speaker 1: did have my neck done too, and at the very

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Speaker 1: bottom of my neck. They didn't put the they didn't

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Speaker 1: put numbing cream all that far down. But the numbing

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Speaker 1: cream is wiped off before they do the treatment, so

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Speaker 1: she can't see exactly where the numbing treatment had gone,

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Speaker 1: so she went a little lower than the numbing cream

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Speaker 1: had gone. So I'd be like, not painful, not painful,

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Speaker 1: ollou not painful, not painful, not painful oo. And I

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Speaker 1: could tell like, oh, there wasn't no numbing cream there,

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Speaker 1: So the numbing cream really works.

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Speaker 4: I think.

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Speaker 2: So it sounds like, isn't this the same process of

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Speaker 2: getting a tattoo.

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Speaker 3: It's basically a tattoo the same time.

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Speaker 2: You could just dye your whole face. Correct.

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Speaker 5: They don't numb your leg when you get numb your body.

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Speaker 5: When you get a tattoo, it's just what do you want.

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Speaker 3: And it's one needle over and over again.

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Speaker 1: This is a lot of them at the same time,

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Speaker 1: like the whole the whole process with the thirty minutes

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Speaker 1: of numbing and the process of the micro needling and

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Speaker 1: then the second part, which I haven't gotten to yet,

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Speaker 1: is before while you're having your face numbed, they come

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Speaker 1: and draw your blood, and then they take a vial

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Speaker 1: of your blood back to a back room and they

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Speaker 1: spin it in a machine and it separates the plasma

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Speaker 1: from your blood. And so then they come back in

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Speaker 1: with a vial of your blood where all the bread

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Speaker 1: blood cells are at the bottom, and then there's like

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Speaker 1: fat on top of that, and then there's like liquid

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Speaker 1: goo that's the plasma.

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Speaker 3: And then they take.

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Speaker 1: That plasma in a surrey and so after all the

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Speaker 1: little holes are in your skin, they pour your plasma

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Speaker 1: on to your skin and it basically hardens and you

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Speaker 1: can't wash your face for like four to six hours.

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Speaker 1: You leave there with like a very tight feeling face,

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Speaker 1: and you are and then you are also pretty red

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Speaker 1: and bloody, but not as bad as you think. The

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Speaker 1: greatest part is that the next day you look almost

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Speaker 1: kind of normal, a little bit red, just a little

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Speaker 1: bit red, and then the day after that you can

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Speaker 1: put makeup on, so then you can pretty well hide it.

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Speaker 1: And then for the next few days you have some

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Speaker 1: skin shedding and a little bit of tightening, and then

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Speaker 1: about a week after your micro needling. Glorious, glorious, gorgeous skin.

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Speaker 5: Well, you know there's a new one though. Have you

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Speaker 5: tried the wolf man facial. That's where they just shave

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Speaker 5: your head and glue it your face. That's like the

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Speaker 5: new thing. It's amazing.

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Speaker 2: I do that. I'll do that. I'll do it. Yeo.

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Speaker 2: So that's incredible.

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Speaker 1: Anyway, I loved it so much. I'm about ready to

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Speaker 1: do it a second time. Because when you first do them,

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Speaker 1: they said the most effective thing is to do two

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Speaker 1: of them within six weeks of each other, and then

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Speaker 1: if you want to maintain it, you really only need

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Speaker 1: to do it about once a year.

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Speaker 2: Are are doctors involved? Like, do you have to be

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Speaker 2: a medical doctor? Trish is going to help you out? Yeah, exactly.

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Speaker 1: The dermatologist that is that is doing it has a

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Speaker 1: degree in that, but they're not like mds.

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Speaker 5: But speaking of mds, if you want to read an

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Speaker 5: amazing story based on what you're talking about, the man

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Speaker 5: who invented the of the separating of the blood into

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Speaker 5: plasma is a doctor named doctor Charles Drew.

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Speaker 2: He's one of the He started it was an African

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Speaker 2: American man.

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Speaker 5: Back in the thirties, and his story is absolutely unbelievable really,

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Speaker 5: just how he worked in the war and started a

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Speaker 5: college just for African American doctors.

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Speaker 2: I mean it was.

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Speaker 5: It's a really stunning story this man. So yeah, go

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Speaker 5: check out the story of doctor Charles Drew. Sorry, just

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Speaker 5: a little history in interjection, because I have very little

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Speaker 5: to say about vampire needling and you might like to

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Speaker 5: be involved in the conversation.

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Speaker 2: Well, there's a news article that three people got HIV

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Speaker 2: from it.

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Speaker 3: Where did you? Where is this news article?

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Speaker 2: It's on New York Times right now, I have I

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Speaker 2: send it to me. Where were the people? Where did

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Speaker 2: it happen? It was an unlicensed bawn, New Mexico.

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Speaker 1: Oh okay, mine's in the back of a seven eleven.

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Speaker 1: So I feel fine, right, fine, I feel good. Seven

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Speaker 1: eleven is everywhere it is. They have a very serious reputation,

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Speaker 1: and I do. I have told you the story about

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Speaker 1: food at seven Eleven's right.

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Speaker 2: No about how awesome it is.

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Speaker 3: Well, it is pretty good.

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Speaker 1: And so I used to eat egg salad sandwiches there,

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Speaker 1: and I would and they're delicious.

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Speaker 5: You'd get an egg salad sandwich from seven eleven really, well.

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Speaker 2: They're so good.

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Speaker 1: Have you never had one. No, Oh my gosh, they're

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Speaker 1: so good. So one time they're so good. They're some

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Speaker 1: of the best. You just put a little bit of sir. Oh, well,

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Speaker 1: they're great. So one time Jensen and I were in

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Speaker 1: a seven eleven and the guy was there changing out

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Speaker 1: the food, you know, like bringing in the new food

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Speaker 1: and know what we had. I end up having a

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Speaker 1: conversation with them, and I was like, you know, happy

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Speaker 1: to see you here changing out the.

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Speaker 3: Food because some people have acted like it's crazy for

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Speaker 3: me to be eating out of a seven eleven.

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Speaker 1: And he said, oh no, the regulations we have about

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Speaker 1: maintaining the freshness of the food here is way more

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Speaker 1: than anywhere else.

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Speaker 2: You're far safe for eating.

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Speaker 1: Seven eleven food than you are like almost anywhere else.

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Speaker 1: Like we have to we have very strict regulations. We

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Speaker 1: have to change these out every few hours.

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Speaker 2: Oh my god, use so many preservatives. You're basically eating plastic.

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Speaker 2: You're eating plastic with a little bit of sarratcha. It's delicious.

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Speaker 5: I just have this vision of Danielle turning around and

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Speaker 5: seeing a customer. Her face is covered in caked on

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Speaker 5: blood as she's slowly eating an egg salad sandwiches.

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Speaker 2: In my true form exactly.

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Speaker 1: Oh wow, just peeling back the curtain a little bit

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Speaker 1: on my life. Writer, Please send me the HIV article.

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Speaker 1: I am interested to learn.

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Speaker 2: The last line of the article is the biggest takeaway

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Speaker 2: is that licensing is super important. Yes, yes, that of

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Speaker 2: course is.

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Speaker 1: And my my place that I go to has all

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Speaker 1: the licenses.

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Speaker 3: Right when, like readily available for you to see on the.

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Speaker 2: Graduator from their online course.

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Speaker 5: They also Upstairs College, Upstairs College. They you know, I'm

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Speaker 5: a I'm a graduate.

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Speaker 2: We're good.

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Speaker 3: No, that is true.

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Speaker 1: One of my best friends is dating a plastic surgeon,

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Speaker 1: and he said that some of those things, like especially

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Speaker 1: in plastic surgery, you can be a dentist and then

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Speaker 1: go to a weekend course or that course and start

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Speaker 1: start performing plastic surgery.

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Speaker 2: I a dentists who started doing bottox for his wife

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Speaker 2: and all his wife's friends because he could get license

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Speaker 2: in a weekend or whatever. Yeah.

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Speaker 1: Yeah, yeah, And then you just need need the hours

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Speaker 1: to practice, which you know everyone needs to start somewhere.

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Speaker 3: I mean you have to.

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Speaker 1: I don't necessarily want to be the guinea pig for that,

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Speaker 1: but if you are learning how.

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Speaker 3: To do it. You're going to have to practice somewhere.

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Speaker 5: Yeah, still a bunch of needles on your face, then

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Speaker 5: your face covered in blood?

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Speaker 3: Uh seven eleven exactly?

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Speaker 5: Well, no, I was going to say that between that

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Speaker 5: and a plastic surgeon only taking a weekend course and

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Speaker 5: then being a plastic, the scariest thing to me about

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Speaker 5: this entire conversation is still the egg salad sandwich from

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Speaker 5: seven That's still the thing that throws me the most.

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Speaker 2: I'll be honest with you.

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Speaker 1: Well, you, of all people, should be on board with

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Speaker 1: this with me. I feel a little offended that I.

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Speaker 2: Have and I've said, baby, and you've said, You've.

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Speaker 3: Said absolutely nothing.

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Speaker 5: Sanch underneath this, it's got in seven eleven excelled sandwich

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Speaker 5: waiting to be eaten.

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Speaker 1: I feel I feel personally attacked that Will is not

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Speaker 1: I would not, and still he still loves me, and

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Speaker 1: he you know.

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Speaker 2: Stick, I get all that egg salad. It's so good.

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Speaker 2: Will do you like egg salad?

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Speaker 5: I love egg sound? Who makes the best egg salad

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Speaker 5: in the planet? Egg salad tune a fish combination? We

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Speaker 5: never even had that? Please in might be over for

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Speaker 5: lunch when Sue makes that. But also, let's go to

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Speaker 5: seven eleven later. What are you doing today?

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Speaker 2: I'll totally do it. I absolutely will do that micro

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Speaker 2: needling and egg salad. I'm in. Welcome to Pond Meets World.

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Speaker 2: I'm Danielle Fischel. I'm right or strong Will Ferdell.

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Speaker 1: When we recently interviewed Hillary Tuck for the podcast, a

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Speaker 1: movie was mentioned that continues to come up here on

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Speaker 1: Pod meets World over and over, and we quickly reali

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Speaker 1: none of us hosts had seen it. The film has

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Speaker 1: one of those folklore like reputations where some of the

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Speaker 1: coolest kid actors got to spend weeks together for a

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Speaker 1: movie about a ragtag summer camp, and at the same

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Speaker 1: time they filmed in an almost real ragtag summer camp,

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Speaker 1: and so the gauntlet was thrown.

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Speaker 3: We would watch the.

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Speaker 1: Movie Camp Nowhere, currently available for you to watch as

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Speaker 1: well on Disney Plus with one of its stars and

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Speaker 1: one of our favorite people. And so now someone you

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Speaker 1: should never trust when it comes to skinny dipping, Hillary Tuck.

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Speaker 2: Hi, Hillary, nice to see you.

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Speaker 1: Thank you so much for joining us and letting us

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Speaker 1: talk about your past work.

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Speaker 3: Today.

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Speaker 6: Oh my gosh, thanks so much for having me back.

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Speaker 1: But also this movie is really good, so it's actually

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Speaker 1: not that hard to look back and talk about it.

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Speaker 3: What did you think watching it now as an adult?

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Speaker 2: Well?

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Speaker 6: I had It's interesting because I had watched it as

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Speaker 6: I'd watched it about eight months ago with my kids,

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Speaker 6: and then in anticipation.

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Speaker 4: Of this, I watched it again.

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Speaker 6: Yesterday by myself and those were two different.

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Speaker 3: Okay, how old are your kids again?

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Speaker 4: They are almost ten and seven?

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Speaker 2: Okay, okay.

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Speaker 6: And my son Jasper, who is almost ten, he will

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Speaker 6: be going away for his third year.

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Speaker 4: Of summer camp.

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Speaker 2: So kind of camp.

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Speaker 6: It's an old boys summer camp. So he he goes

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Speaker 6: starting when he was eight years old. He just turned

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Speaker 6: eight and he he left for two months for summer camp.

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Speaker 5: Do you know for sure the camp that he's going to.

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Speaker 2: Is there a parents' day?

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Speaker 4: It's a fair question.

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Speaker 6: I do know, only because my husband went to the

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Speaker 6: same case camp and my father in law went to

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Speaker 6: the same camp.

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Speaker 2: Oh wow, okay, tradition, yes.

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Speaker 6: And the in order to get him there because I

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Speaker 6: didn't grow up in summer camp. So the idea of

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Speaker 6: sending my child away for two months to the furthest

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Speaker 6: place you can be in America from me, where is it.

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Speaker 6: It's in Maine.

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Speaker 5: Wow, oh it's got to be. It's but those are

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Speaker 5: the camps I grew up with, and they are the best.

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Speaker 6: Yes, So if you went to East Coast summer camp,

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Speaker 6: it's a it's you know, it's like this culture.

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Speaker 2: Ye, it is the best thing. It is.

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Speaker 5: It is canoeing, it is learning how to build fires.

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Speaker 5: It is the greatest thing ever. It's yeah, it's.

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Speaker 6: Awesome and it's and it and it's really I think

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Speaker 6: growing up what I see it is when you're growing

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Speaker 6: up with trying to raise children in a really urban

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Speaker 6: environment where you kind of I have to be a

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Speaker 6: bit of a helicopter parent just to make it work.

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Speaker 6: Like you know, I grew up in a small town

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Speaker 6: in Texas. My mom like opened the door and she

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Speaker 6: was like be back by dark, and that.

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Speaker 4: Was the only rule. That's not possible. So it's kind

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Speaker 4: of a way.

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Speaker 6: I see it as like a kind of a way

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Speaker 6: to learn autonomy and sort of survival skills in a

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Speaker 6: safe and sort of safe environment.

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Speaker 4: We hope safe environment, so yes, But.

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Speaker 6: The only way I was when they said go away

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Speaker 6: for eight weeks, I'm like, you're out of your mind, right,

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Speaker 6: there's no way. But what we did was my husband,

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Speaker 6: who is a history teacher, but he also teaches tennis.

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Speaker 6: We came up for a week. He taught tennis to

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Speaker 6: the boys. I taught acting for the boys. So I

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Speaker 6: sort of got a.

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Speaker 3: I was able to art it.

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Speaker 4: I was able to be there for a little bit

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Speaker 4: of it.

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Speaker 2: So that's cool.

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Speaker 6: Yes, yes, but he loves it. It is a huge

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Speaker 6: part of who he is.

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Speaker 5: Well, especially at that age. Camp represented a second life,

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Speaker 5: so well set.

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Speaker 1: Well, we're reviewing this at the perfect time, and I

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Speaker 1: figured we could start with a pretty incredible review I

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Speaker 1: found online. This is from Movie Guide, a family guide

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Speaker 1: to movies and entertainment. Parents beware of this Animal House

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Speaker 1: for teens. Extremely dangerous ideas and images exist in Camp nowhere,

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Speaker 1: and due to its seemingly harmless PG rating, this movie

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Speaker 1: may wind up in the hands of unsuspecting.

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Speaker 3: Neighbors or babysitters.

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Speaker 1: With foul language, sexual innuendo, use of pornography by children,

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Speaker 1: adults buying beer for children, strong pagan o overtones, and

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Speaker 1: a theme that suggests no consequences for illegal actions.

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Speaker 3: This is a movie that should be seen nowhere.

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Speaker 2: Wow Man. In all fairness, a lot of that isn't wrong.

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Speaker 2: It's not a bad thing, but a lot of it

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Speaker 2: isn't wrong. Yeah, But I actually I was surprised how

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Speaker 2: sweet the movie was, Like it's so not an edgy

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Speaker 2: film to me, you know, to its detriment. I was like, oh,

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Speaker 2: it's gonna get like crazy, and then I was.

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Speaker 5: Like, oh no, it's actually pretty Yeah. Like the kid

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Speaker 5: buying the beer, I thought buying the beer the same thing.

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Speaker 5: I was like, Oh, now we're going kind of a

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Speaker 5: different way where they're buying alcohol.

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Speaker 2: For the kids. I know, I kept wait.

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Speaker 1: I did keep waiting for that to be like you

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Speaker 1: think I was gonna let you keep the beer, and

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Speaker 1: that he ended up taking.

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Speaker 3: It, but we never actually see what he needs to

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Speaker 3: the beer.

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Speaker 2: But he's just buying the beer to protect the kid

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Speaker 2: from getting arrested. I know, but it right then did

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Speaker 2: he get to keep it?

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Speaker 5: He should have said something like beer, what do you

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Speaker 5: can't again, it's Monday morning quarterbacking the kid's movie.

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Speaker 2: We're supposed to.

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Speaker 1: Be there, no problem with him stepping in and not

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Speaker 1: getting the kid in trouble and just buying the beer.

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Speaker 1: But then I expected there to be a joke of

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Speaker 1: like something, oh, thanks.

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Speaker 3: For the bear, you know, like something.

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Speaker 2: Okay, before we get into details, were already jumping in.

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Speaker 2: I want to know what will And Danielle, what your

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Speaker 2: what you thought this movie was versus what it was like?

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Speaker 2: What you know? What your expectations were going in? Because

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Speaker 2: I was completely blown away based on my perception of

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Speaker 2: this movie before I went into it. Where were you guys?

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Speaker 1: I think it's exactly what I thought it was going

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Speaker 1: to be, except I expect. I did expect there to

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Speaker 1: be more consequences. I thought it was probably I know,

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Speaker 1: and that is the I guess in agreement with.

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Speaker 3: A little bit of the review.

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Speaker 1: The only thing that is that I thought it was

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Speaker 1: going to be a movie about kids who somehow are

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Speaker 1: able to pull off going to camp with all their

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Speaker 1: friends without their parents knowing, and then of course they

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Speaker 1: will get caught and there but there will. I did

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Speaker 1: think there would be some emotional you know, there'd be

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Speaker 1: lessons learned, and then there would be consequences. And that's

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Speaker 1: all I thought the movie was going to be. It

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Speaker 1: was just like a friend, and it kind of was,

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Speaker 1: with the exception of there.

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Speaker 2: Were no no consequence. I was not ready for the paganism. Yeah,

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Speaker 2: so much. I was not ready for it ure to

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Speaker 2: be honest with you.

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Speaker 5: As I'm watching it, I realized this movie was so

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Speaker 5: good for what it did that it was completely and

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Speaker 5: totally ripped off.

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Speaker 2: So I've seen this movie before. It was Justin Laan's accepted.

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Speaker 5: This movie was exactly accepted, which doesn't even have never

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Speaker 5: heard of it. Justin So Justin Long, the Justin Long

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Speaker 5: movie accepted. It's Justin Long.

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Speaker 2: H Lewis Black.

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Speaker 5: So Justin Long doesn't get into college, so he invents

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Speaker 5: a fake college. Then all these other people come to.

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Speaker 5: He goes and gets Lewis Black, the old drunken teacher,

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Speaker 5: to come and pretend to be the teacher. I mean,

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Speaker 5: it's like it was one thing. So somebody saw camp

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Speaker 5: nowhere and when I'm writing accepted, I mean when the

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Speaker 5: same movie way later than this movie, really late nineties,

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Speaker 5: early two thousands, I mean later, but it is almost

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Speaker 5: beat for beats. Sometimes I was like, oh, this is

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Speaker 5: oh accepted, just ripped this movie off. So I had

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Speaker 5: seen this movie without knowing that I'd seen this movie.

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Speaker 5: But first of all, the kids are adorable, the acting's good,

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Speaker 5: Christopher Lloyd Tom Wilson.

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Speaker 2: The budget looked amazing. So it was.

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Speaker 5: But I'm like Danielle, and it was exactly what I thought,

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Speaker 5: minus at the scene where there were no consequences whatsoever

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Speaker 5: for their actions, like none.

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Speaker 3: Did you think it was?

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Speaker 2: Well, I guess I thought, I get in my mind,

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Speaker 2: I mean, I think we should because Hillary probably doesn't

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Speaker 2: know that. We've watched two other movies on this podcast

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Speaker 2: sometimes one that I was in, which was a summer

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Speaker 2: camp movie called Summertime Switch was a TV movie that

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Speaker 2: I did, which was not good. And then we watched

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Speaker 2: Munchie two She Strikes Back because Natanya Ross, who was

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Speaker 2: on our show, was in it and we were like,

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Speaker 2: what is this mounchy movie which had a puppet, like

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Speaker 2: you know, they were scrappy little movies and so and

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Speaker 2: I don't know why in my mind I thought Camp

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Speaker 2: Nowhere was like I think I got it confused with

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Speaker 2: Salute your Shorts. Like I thought it was like this

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Speaker 2: like kind of cheap, little like scrappy movie. This is

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Speaker 2: a big studio film. This is like, you know, it's

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Speaker 2: a movie they had it was like aiming for home

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Speaker 2: alone style, like it was like a big you know.

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Speaker 2: And we brought brought this up with munchies, Like this

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Speaker 2: is so clearly the era of like three Ninja's Home Alone,

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Speaker 2: where like the kids get all the power and money

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Speaker 2: and get to like run wild, and that was the

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Speaker 2: whole like let's you know, and they there were so

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Speaker 2: many successful examples of that before, you know, and then

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Speaker 2: they put a lot of money into this movie. So

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Speaker 2: I couldn't believe how slick it was, how glossy it looked.

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Speaker 2: I thought it looked amazing, and so I was just

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Speaker 2: blown away. I was like, Oh, this is like and

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Speaker 2: then Andrew Keekan is like the star of this movie.

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Speaker 2: I had no idea in my mind like Andrew because

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Speaker 2: we talked about when he was on the show. I think,

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Speaker 2: will you brought it up that he was like this

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Speaker 2: teen heartthrob and all the magazines but kind of never

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Speaker 2: had a show. And I was like, yeah, but if

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Speaker 2: you had seen this movie, Andrew was a movie star.

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Speaker 2: And I never knew that, Like I just never. I

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Speaker 2: was like, Oh, Andrew Keegan's popularity makes so much sense

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Speaker 2: because he's like the heart of this whole movie. And

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Speaker 2: that was just amazing to me that I was like

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Speaker 2: Andrewson every scene. I didn't know that I thought it

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Speaker 2: was like an.

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Speaker 5: Ensemble was really really, really good. All the kids were

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Speaker 5: really good.

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Speaker 3: Writer, the budget did surprise me. I had no right shock.

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Speaker 2: It shocked me.

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Speaker 3: And as someone who's directed a movie and writer can

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Speaker 3: say the same thing, how did they do it?

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Speaker 2: Yeah? A lot of it was forty kids. Forty kids.

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Speaker 2: I mean, even with the money you guys had, this

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Speaker 2: must have been a nightmare for your production team. There's

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Speaker 2: no way this was easy.

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Speaker 6: It couldn't have been easy. I mean, it's so I love.

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Speaker 6: I love hearing that. The the perception is that the

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Speaker 6: acting was really good and it was so slick because

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Speaker 6: of course I look at it.

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Speaker 4: From my.

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Speaker 6: Critical eye and I think, I mean, it was like personally,

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Speaker 6: it was my second job. So like I'm watching it

435
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Speaker 6: and I see my first time you see me, and

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Speaker 6: I'm like, oh there, I am looking for my mark

437
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Speaker 6: like I can of course, of course, of course, and

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Speaker 6: like I think it's so interesting. I mean, I saw

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00:21:36,040 --> 00:21:40,919
Speaker 6: as I'm watching these kids too, many of them it

440
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Speaker 6: was their first job, and so I can see there's

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Speaker 6: these scenes where I'm like, wow, that was way overacted

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Speaker 6: and really and then there's other scenes where I'm like, oh, yeah,

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Speaker 6: I see them sort of finding themselves and that felt

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Speaker 6: grounded and but I love but obviously I'm going to

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Speaker 6: be the worst critic because of course, well we love

446
00:22:08,640 --> 00:22:09,640
Speaker 6: hearing that it.

447
00:22:11,160 --> 00:22:13,879
Speaker 1: We will help bring you back to a to a

448
00:22:13,920 --> 00:22:16,080
Speaker 1: more reasonable place, because you know, I'm.

449
00:22:15,960 --> 00:22:20,000
Speaker 2: Ready, I'm going to rip it apart, but I'm joking apart.

450
00:22:20,080 --> 00:22:21,840
Speaker 2: But here's the other thing though. Here's the other thing though.

451
00:22:21,880 --> 00:22:23,199
Speaker 5: So and I'm going to give a shout out to

452
00:22:23,200 --> 00:22:26,040
Speaker 5: my other podcast, because I do another podcast called Magical

453
00:22:26,080 --> 00:22:28,000
Speaker 5: Rewind where all we do is we watch Disney Channel

454
00:22:28,040 --> 00:22:30,840
Speaker 5: original movies. And one of the things you have to

455
00:22:30,920 --> 00:22:34,320
Speaker 5: do is you have to try to watch the movie

456
00:22:34,600 --> 00:22:36,760
Speaker 5: as if you're a kid. You have to try to

457
00:22:36,800 --> 00:22:40,000
Speaker 5: watch it for what the movie was intended to be.

458
00:22:40,560 --> 00:22:43,040
Speaker 5: Because if you're sitting there as a forty five year

459
00:22:43,040 --> 00:22:46,560
Speaker 5: old filmmaker, then watching camp nowhere is different than if

460
00:22:46,560 --> 00:22:48,800
Speaker 5: you're twelve and you had got to go to the

461
00:22:48,800 --> 00:22:50,760
Speaker 5: theater or you ran home from school, and so it

462
00:22:51,160 --> 00:22:54,119
Speaker 5: really is two completely different things. So you really have

463
00:22:54,160 --> 00:22:57,560
Speaker 5: to put yourself in the eyes of the body of

464
00:22:57,600 --> 00:22:59,640
Speaker 5: a twelve year old and say I'm going to sit

465
00:22:59,640 --> 00:23:00,960
Speaker 5: here and watch this movie like that.

466
00:23:01,080 --> 00:23:02,720
Speaker 2: It really does make a difference when you do that.

467
00:23:02,880 --> 00:23:06,280
Speaker 6: Absolutely well that you spoke so well, because my experience

468
00:23:06,320 --> 00:23:08,400
Speaker 6: watching it with my kids was fun.

469
00:23:08,480 --> 00:23:09,560
Speaker 4: It was very different.

470
00:23:09,840 --> 00:23:13,240
Speaker 6: I was they were loving it, and so I was

471
00:23:13,320 --> 00:23:15,320
Speaker 6: loving it, and I was excited for them to see

472
00:23:15,359 --> 00:23:17,160
Speaker 6: the next scene and like, you.

473
00:23:17,119 --> 00:23:19,600
Speaker 2: Know, they yeah, I'm bummed, Indian and watch this with me.

474
00:23:19,680 --> 00:23:21,080
Speaker 2: I couldn't get him to watch it with me because

475
00:23:21,119 --> 00:23:24,280
Speaker 2: I think he would really enjoy it. But yeah, and

476
00:23:24,280 --> 00:23:26,440
Speaker 2: I'll tell him to watch it now. But yeah, whenever

477
00:23:26,480 --> 00:23:29,760
Speaker 2: I recommend something, he doesn't do it. Let's that's amazing.

478
00:23:30,400 --> 00:23:34,320
Speaker 2: I am Indy. Oh my god, you're right, I am

479
00:23:34,400 --> 00:23:39,720
Speaker 2: raising wilfordill Is. It boggles my mind. I cannot believe

480
00:23:39,720 --> 00:23:41,800
Speaker 2: how often that that has struck me.

481
00:23:41,920 --> 00:23:46,879
Speaker 1: Yeah, so let's jump into the real synopsis. Morris mud

482
00:23:46,960 --> 00:23:50,480
Speaker 1: Himmel spends every summer at computer camp, but he hates it.

483
00:23:50,680 --> 00:23:53,160
Speaker 1: So Mud and his friends devise a plan to finally

484
00:23:53,200 --> 00:23:56,040
Speaker 1: have a fun summer by bribing an ex teacher to

485
00:23:56,080 --> 00:23:58,600
Speaker 1: help create a fake camp where the kids can run

486
00:23:58,640 --> 00:24:01,639
Speaker 1: them up all as well until their parents want to

487
00:24:01,640 --> 00:24:04,840
Speaker 1: come for a visit. The movie was released August twenty fourth,

488
00:24:04,960 --> 00:24:09,479
Speaker 1: nineteen ninety four, in theaters under Disney's Hollywood Pictures, marking

489
00:24:09,520 --> 00:24:13,399
Speaker 1: it as its first family film, depending on what you

490
00:24:13,480 --> 00:24:16,000
Speaker 1: let your family watch. I guess for those people who

491
00:24:16,000 --> 00:24:17,800
Speaker 1: wrote that industry, Yeah.

492
00:24:17,560 --> 00:24:20,680
Speaker 2: That's so interesting because I remember Disney had all these

493
00:24:20,720 --> 00:24:22,840
Speaker 2: different divisions, right, So the fact that this was a

494
00:24:22,920 --> 00:24:26,240
Speaker 2: Disney production but then didn't get the Disney right, like

495
00:24:26,280 --> 00:24:28,840
Speaker 2: it's a Hollywood picture. I remember Hollywood Pictures was like,

496
00:24:28,880 --> 00:24:31,560
Speaker 2: you know, and then eventually they bought Mirrormax. So Disney

497
00:24:31,600 --> 00:24:33,600
Speaker 2: was doing a bunch of different things. That's interesting that

498
00:24:33,640 --> 00:24:36,520
Speaker 2: they chose to not release this under the Disney banner,

499
00:24:36,560 --> 00:24:38,440
Speaker 2: but under that Hollywood film.

500
00:24:38,320 --> 00:24:41,800
Speaker 5: Was Touchtone and Buena Vista. Were those only TV?

501
00:24:42,240 --> 00:24:42,480
Speaker 2: Yeah?

502
00:24:42,720 --> 00:24:45,360
Speaker 3: Yeah, they were, okay, Touchtone maybe not.

503
00:24:45,400 --> 00:24:49,040
Speaker 2: Touch Stone was yeah, that's a good question. Those were

504
00:24:49,040 --> 00:24:51,560
Speaker 2: all Disney companies, right, They were all like little shell

505
00:24:51,640 --> 00:24:53,959
Speaker 2: companies for Disney to like our labels, I guess you'd

506
00:24:53,960 --> 00:24:54,600
Speaker 2: call them. Yeah.

507
00:24:54,880 --> 00:24:57,119
Speaker 1: So it was then released on VHS in June the

508
00:24:57,160 --> 00:25:00,200
Speaker 1: following year. It was originally supposed to be a Disney movie,

509
00:25:00,200 --> 00:25:03,960
Speaker 1: but once the studio saw the subject matter, they punted

510
00:25:03,960 --> 00:25:05,200
Speaker 1: it to the different.

511
00:25:04,960 --> 00:25:07,600
Speaker 2: More mature division. There it is.

512
00:25:07,400 --> 00:25:10,720
Speaker 1: Coming in at ninety six minutes. It ended up grossing

513
00:25:10,960 --> 00:25:15,200
Speaker 1: ten million, four hundred and seventy one thousand dollars.

514
00:25:15,440 --> 00:25:18,200
Speaker 2: Budget of what is there a budget there? I bet

515
00:25:18,240 --> 00:25:21,600
Speaker 2: you was twenty million. You think no, it wasn't listed.

516
00:25:22,320 --> 00:25:24,600
Speaker 5: Trojan War, which was a big movie, only was only

517
00:25:24,680 --> 00:25:27,240
Speaker 5: twelve and that was around the same time like ninety.

518
00:25:26,920 --> 00:25:30,159
Speaker 2: Seven Jensen, this was twenty million. I was going to

519
00:25:30,200 --> 00:25:34,800
Speaker 2: say ten Do you have no idea? Hillary? Huh, I don't.

520
00:25:35,000 --> 00:25:36,359
Speaker 4: I mean I do remember.

521
00:25:39,119 --> 00:25:42,040
Speaker 6: I remember, like now that you talk about punting it

522
00:25:42,200 --> 00:25:48,199
Speaker 6: to Hollywood Films, Hollywood Pictures or whatever. I remember the

523
00:25:48,320 --> 00:25:53,880
Speaker 6: punt like I remember it was definitely when we were

524
00:25:53,960 --> 00:26:00,240
Speaker 6: auditioning and in there was a lot of buzz and

525
00:26:00,440 --> 00:26:06,320
Speaker 6: height and it felt big. And then I remember that

526
00:26:06,440 --> 00:26:15,080
Speaker 6: our premiere was at the lot and it was I mean,

527
00:26:15,080 --> 00:26:18,280
Speaker 6: there was basically no premiere. It was basically all the

528
00:26:18,400 --> 00:26:21,600
Speaker 6: kids showed up and we watched the theater.

529
00:26:21,760 --> 00:26:24,040
Speaker 4: We watched it in the theater at the studio.

530
00:26:24,600 --> 00:26:25,000
Speaker 1: Wow.

531
00:26:25,119 --> 00:26:29,320
Speaker 4: So I feel that punt. I feel it feels like.

532
00:26:29,320 --> 00:26:31,440
Speaker 2: Yeah, I think it got downgraded. I think that they

533
00:26:31,440 --> 00:26:34,600
Speaker 2: said it was going to be this big like Disney's

534
00:26:34,680 --> 00:26:37,639
Speaker 2: Home Alone. Nowhere Disney's Home Alone, you know, and then

535
00:26:37,680 --> 00:26:40,359
Speaker 2: they were like, Uh, okay, let's you know, you know,

536
00:26:40,400 --> 00:26:42,359
Speaker 2: I guess because of the subject matter or whatever, but

537
00:26:42,520 --> 00:26:45,680
Speaker 2: or internal politics that we don't know about, right Yeah.

538
00:26:45,720 --> 00:26:48,920
Speaker 2: I mean I think making ten million at the box office,

539
00:26:48,920 --> 00:26:51,520
Speaker 2: I mean, nowadays that'd be huge, but I think for

540
00:26:51,560 --> 00:26:54,480
Speaker 2: this movie that was not a big probably not. I agree,

541
00:26:54,880 --> 00:26:57,080
Speaker 2: And I think this movie lived on home video, right,

542
00:26:57,080 --> 00:26:59,120
Speaker 2: I mean, that's where it found its audience.

543
00:26:59,040 --> 00:27:02,600
Speaker 6: And that's where it found like the real following, because

544
00:27:02,600 --> 00:27:05,240
Speaker 6: there's definitely there's definitely.

545
00:27:04,760 --> 00:27:05,679
Speaker 4: A following for that.

546
00:27:06,080 --> 00:27:08,320
Speaker 6: I'd be interested to ask Jonathan Jackson the director, I

547
00:27:08,359 --> 00:27:09,720
Speaker 6: mean Jonathan Prince the director.

548
00:27:09,960 --> 00:27:11,000
Speaker 2: I was just gonna say.

549
00:27:11,000 --> 00:27:14,040
Speaker 1: Directed by Jonathan Prince, an established writer director with some

550
00:27:14,119 --> 00:27:17,000
Speaker 1: fun credits, including the script for eighteen Again, which was

551
00:27:17,040 --> 00:27:19,880
Speaker 1: the George Burns body switch film from nineteen eighty eight.

552
00:27:20,400 --> 00:27:22,800
Speaker 1: He helped create the Sweet Valley High TV show, as

553
00:27:22,840 --> 00:27:26,520
Speaker 1: well as American Dreams and American Soul. It was written

554
00:27:26,520 --> 00:27:29,359
Speaker 1: by Andrew Kurtzman and Elliott Walld, a duo that wrote

555
00:27:29,400 --> 00:27:32,040
Speaker 1: for SNL in the eighties and also wrote the Richard

556
00:27:32,040 --> 00:27:35,359
Speaker 1: Pryor Gene Wilder movie See No Evil Here No Evil,

557
00:27:35,840 --> 00:27:39,240
Speaker 1: as well as the nineteen ninety six Kelsey Grammar comedy

558
00:27:39,400 --> 00:27:40,359
Speaker 1: Down Periscope.

559
00:27:41,320 --> 00:27:42,600
Speaker 2: Okay, all right.

560
00:27:42,520 --> 00:27:46,160
Speaker 1: So it stars Christopher Lloyd as Dennis van Welker, which

561
00:27:46,200 --> 00:27:46,720
Speaker 1: I never knew.

562
00:27:46,760 --> 00:27:48,840
Speaker 2: By the way Christopher Lloyd showed up, I was like,

563
00:27:48,840 --> 00:27:56,200
Speaker 2: oh my god, true legend, legend. It works hard in

564
00:27:56,359 --> 00:28:00,640
Speaker 2: this movie. He does working.

565
00:28:02,080 --> 00:28:02,280
Speaker 6: Day.

566
00:28:02,760 --> 00:28:05,080
Speaker 2: So here's my take. I was like, oh, this is

567
00:28:05,359 --> 00:28:09,840
Speaker 2: this is the studio and Chris Lloyd kind of having uh,

568
00:28:10,440 --> 00:28:13,360
Speaker 2: can we make Chris Lloyd Jim Carrey moment? Yes, right,

569
00:28:13,480 --> 00:28:16,440
Speaker 2: Like they were like, you know this this this carry guy,

570
00:28:16,480 --> 00:28:20,600
Speaker 2: which because acevan Ury passed Pet Detective would already come

571
00:28:20,680 --> 00:28:22,879
Speaker 2: out and been a huge hit. And I feel like

572
00:28:22,920 --> 00:28:24,679
Speaker 2: they were like, well, Lloyd could do this, right, and

573
00:28:24,720 --> 00:28:26,960
Speaker 2: he was probably like I could do this, and he's

574
00:28:27,040 --> 00:28:28,440
Speaker 2: acting his asshole.

575
00:28:28,800 --> 00:28:31,720
Speaker 5: I mean Christopher Lloyd, I mean well before Jim Carrey

576
00:28:32,040 --> 00:28:35,320
Speaker 5: was Kramer or Jim Carrey on taxis, right, I mean

577
00:28:35,359 --> 00:28:38,280
Speaker 5: that was the character that he did, was this crazy, wacky,

578
00:28:38,640 --> 00:28:39,360
Speaker 5: amazing carry.

579
00:28:39,400 --> 00:28:41,680
Speaker 2: Yeah. But it's like, I mean, the pitch is so good, right,

580
00:28:42,520 --> 00:28:45,200
Speaker 2: any version of this pitch is it's like the ultimate

581
00:28:45,320 --> 00:28:49,520
Speaker 2: studio package pitch. You know. It's like when we need

582
00:28:49,560 --> 00:28:51,720
Speaker 2: a wacky grown up who's the guy who's going to

583
00:28:51,760 --> 00:28:54,880
Speaker 2: play the like the drunk failed whatever. Let's get him

584
00:28:54,880 --> 00:28:56,760
Speaker 2: in there. And you know, you had your options and

585
00:28:56,840 --> 00:28:59,960
Speaker 2: Chris Lloyd is huge. That's a huge get and like

586
00:29:00,080 --> 00:29:01,840
Speaker 2: you could see this and be like, oh, yeah, Chris

587
00:29:01,920 --> 00:29:05,080
Speaker 2: Lloyd's gonna have like a big leading man comedy, like

588
00:29:05,160 --> 00:29:08,040
Speaker 2: a big funny man leading moment, and it kind of

589
00:29:08,080 --> 00:29:09,200
Speaker 2: didn't happen.

590
00:29:09,520 --> 00:29:12,680
Speaker 1: Right, Like, yeah, Well, by this point in his career,

591
00:29:12,720 --> 00:29:14,960
Speaker 1: he was doctor Emmett Brown in the Back to the

592
00:29:15,000 --> 00:29:19,920
Speaker 1: Future movies, Judge Doom and Roger Rabbit, Professor Plumb and Clue,

593
00:29:20,120 --> 00:29:25,080
Speaker 1: Reverend Jim Ignatowski on Taxi, and Uncle Fester and Adams Family.

594
00:29:25,200 --> 00:29:27,840
Speaker 2: So he was massive. Yep.

595
00:29:28,280 --> 00:29:36,400
Speaker 3: Do you what do you remember about working with him? Hillary?

596
00:29:34,640 --> 00:29:39,520
Speaker 4: I remember he didn't like kids, right.

597
00:29:40,440 --> 00:29:41,640
Speaker 2: That makes sense that.

598
00:29:43,160 --> 00:29:45,920
Speaker 4: Really it was it was he.

599
00:29:46,200 --> 00:29:50,160
Speaker 6: I know, he had like he had an assistant slash

600
00:29:50,200 --> 00:29:54,960
Speaker 6: handler who like in between every take if there I

601
00:29:55,680 --> 00:29:58,840
Speaker 6: can't I don't know what. Obviously he had a lot

602
00:29:58,920 --> 00:30:02,440
Speaker 6: of scenes with just him and Jonathan, but as far

603
00:30:02,560 --> 00:30:05,480
Speaker 6: as when it was all a group of us, like

604
00:30:05,720 --> 00:30:11,800
Speaker 6: in between every take he was being taken out, Yeah,

605
00:30:11,840 --> 00:30:14,280
Speaker 6: Like there was sitting around and.

606
00:30:15,240 --> 00:30:16,880
Speaker 4: To be honest, I don't.

607
00:30:17,080 --> 00:30:19,720
Speaker 6: I love children, and I don't know how I would

608
00:30:19,760 --> 00:30:26,600
Speaker 6: feel about we were lunatics. Of course, it was twenty

609
00:30:26,760 --> 00:30:30,239
Speaker 6: kids on set. I was one of the oldest and

610
00:30:30,400 --> 00:30:31,320
Speaker 6: I was fifteen.

611
00:30:31,840 --> 00:30:34,760
Speaker 2: Oh it was like twenty kid actors.

612
00:30:34,800 --> 00:30:38,360
Speaker 5: By the way, that kind of energy around. I mean, man, that.

613
00:30:38,280 --> 00:30:41,680
Speaker 3: Theater kid energy must have been through the rooms.

614
00:30:41,760 --> 00:30:46,080
Speaker 6: Yes, so I remember that about him.

615
00:30:46,280 --> 00:30:51,200
Speaker 4: I also remember he rolled his own cigarettes.

616
00:30:51,720 --> 00:30:53,840
Speaker 2: Oh it was your strong style.

617
00:30:54,200 --> 00:30:58,480
Speaker 6: Yes, yes, very cool in him, and.

618
00:30:59,840 --> 00:31:02,840
Speaker 4: That at most of what I remember him.

619
00:31:02,880 --> 00:31:06,520
Speaker 6: I just remember him being very very hands off, and

620
00:31:06,560 --> 00:31:12,520
Speaker 6: that the the production sort of you know, they treated

621
00:31:12,640 --> 00:31:17,280
Speaker 6: him as the number one and the rest of us, right,

622
00:31:17,320 --> 00:31:18,120
Speaker 6: you know what I'm saying.

623
00:31:18,520 --> 00:31:21,040
Speaker 4: Yeah, yeah, that's right. I remember.

624
00:31:21,160 --> 00:31:23,360
Speaker 2: Yeah. I mean he had to protect that boundary. I think,

625
00:31:23,400 --> 00:31:25,040
Speaker 2: you know. I mean it kind of makes sense. It's

626
00:31:25,080 --> 00:31:28,760
Speaker 2: a bummer that he but so much work. He's in

627
00:31:28,840 --> 00:31:32,080
Speaker 2: every scene. He has to carry so many different tones,

628
00:31:32,160 --> 00:31:34,520
Speaker 2: like he has to have like a love story, and

629
00:31:34,560 --> 00:31:36,760
Speaker 2: then he has to you know, be the goofy actor

630
00:31:36,840 --> 00:31:39,840
Speaker 2: guy who's completely different character in all these different scenes.

631
00:31:40,120 --> 00:31:42,760
Speaker 2: And yeah, I can imagine him just being protective of

632
00:31:42,800 --> 00:31:44,560
Speaker 2: his energy and his time and being like no, no,

633
00:31:44,560 --> 00:31:46,040
Speaker 2: I'm going back to my trailer, and I do not

634
00:31:46,120 --> 00:31:49,560
Speaker 2: want to be like actually a camp counselor on this set.

635
00:31:49,640 --> 00:31:52,160
Speaker 5: Well, we love Bill Daniels like a family member. He

636
00:31:52,240 --> 00:31:54,320
Speaker 5: wasn't hanging out with us in the town scenes. He

637
00:31:54,360 --> 00:31:56,440
Speaker 5: was going to his dressing rooms, like all right, love

638
00:31:56,480 --> 00:31:56,960
Speaker 5: you bye.

639
00:31:57,040 --> 00:32:00,400
Speaker 1: All right, let's get their energy. I gets through the

640
00:32:00,440 --> 00:32:01,280
Speaker 1: rest of our cast.

641
00:32:01,320 --> 00:32:03,640
Speaker 3: Here, we've got Jonathan Jackson.

642
00:32:04,280 --> 00:32:05,720
Speaker 1: Will never I mean I still have a page and

643
00:32:05,760 --> 00:32:08,760
Speaker 1: a half of just naming the cast, so we'll never

644
00:32:08,800 --> 00:32:12,560
Speaker 1: get to it. Jonathan Jackson as Morris mud Himmel, his

645
00:32:12,600 --> 00:32:15,880
Speaker 1: first ever job. He would later appear in two episodes

646
00:32:15,880 --> 00:32:19,920
Speaker 1: of Boy Meets World, almost four hundred episodes of General Hospital,

647
00:32:20,160 --> 00:32:23,240
Speaker 1: the Christopher Nolan movie Insomnia, and he was one of

648
00:32:23,280 --> 00:32:25,560
Speaker 1: the stars of the TV show Nashville.

649
00:32:25,960 --> 00:32:29,520
Speaker 2: This was his first movie. Was great, He was great,

650
00:32:29,600 --> 00:32:32,440
Speaker 2: He's amazing. I think it's so funny because I had

651
00:32:32,480 --> 00:32:34,880
Speaker 2: in my mind that he was a great actor, like

652
00:32:35,120 --> 00:32:38,400
Speaker 2: and I guess maybe I just knew that from like

653
00:32:38,480 --> 00:32:39,320
Speaker 2: hearing about this.

654
00:32:39,200 --> 00:32:41,240
Speaker 1: Movie, or he had he won emmys. He won Emmys

655
00:32:41,240 --> 00:32:44,160
Speaker 1: for General Hospital. So but this was his first ever job.

656
00:32:44,440 --> 00:32:46,320
Speaker 1: And then and then later when.

657
00:32:46,240 --> 00:32:47,880
Speaker 2: I've never seen him in anything other than when he

658
00:32:47,920 --> 00:32:49,360
Speaker 2: came on our show, and I remember he was great

659
00:32:49,360 --> 00:32:52,040
Speaker 2: on our show, like he was so natural. But watching this,

660
00:32:52,160 --> 00:32:54,800
Speaker 2: I'm like, oh my god. Like, especially in the scenes

661
00:32:54,840 --> 00:32:57,320
Speaker 2: where it's just him and Chris Lloyd where they're kind

662
00:32:57,360 --> 00:32:59,240
Speaker 2: of like stressed out and like working together, was like,

663
00:32:59,320 --> 00:33:02,600
Speaker 2: that's that's a real actor. Like going toe to toe

664
00:33:02,640 --> 00:33:05,920
Speaker 2: with Chris Lloyd, who has like an improvy vibe to it.

665
00:33:05,920 --> 00:33:09,560
Speaker 2: It was just great. I was like, that's he's so solid, solid,

666
00:33:09,720 --> 00:33:10,120
Speaker 2: so good.

667
00:33:10,440 --> 00:33:12,440
Speaker 3: And then there's Andrew Keegan as Zach Dell.

668
00:33:12,680 --> 00:33:15,760
Speaker 1: We know him well and have waxed poetic about this

669
00:33:15,800 --> 00:33:17,680
Speaker 1: cool guy's career, so no need to do it again.

670
00:33:17,880 --> 00:33:22,000
Speaker 1: And then Marnette Patterson as Trisha Prescott. You might recognize

671
00:33:22,000 --> 00:33:24,200
Speaker 1: her from the movie American Sniper or.

672
00:33:24,560 --> 00:33:27,840
Speaker 3: Boy Meets World. She was in season two's Turnaround No.

673
00:33:27,880 --> 00:33:28,960
Speaker 4: Way, Yes.

674
00:33:30,520 --> 00:33:33,120
Speaker 2: Didn't she go by Marnie back then? Barnie Yeah, Marnie Yeah.

675
00:33:33,240 --> 00:33:35,360
Speaker 2: When I saw her, I was like, oh, yeah, I

676
00:33:35,440 --> 00:33:37,840
Speaker 2: know her. And then I was like, wait, Marnette, and

677
00:33:37,840 --> 00:33:45,360
Speaker 2: I was like, oh, it's Marne which ones Turnaround.

678
00:33:42,520 --> 00:33:46,360
Speaker 1: The Dan Yeah, Natania Ross okay yeah. And then there's

679
00:33:46,360 --> 00:33:50,280
Speaker 1: Peter Scalari as Donald Himmel, another legend, best known as

680
00:33:50,320 --> 00:33:53,360
Speaker 1: the guy who Isn't Tom Hanks in Bosom Buddies. But

681
00:33:53,720 --> 00:33:56,160
Speaker 1: you might also know him from That Thing You Do

682
00:33:56,440 --> 00:33:58,560
Speaker 1: or Girls. He also played the Dad and Honey I

683
00:33:58,600 --> 00:34:02,840
Speaker 1: Shrunk the Kids TV show alongside Hillary here yep, oh wow.

684
00:34:02,880 --> 00:34:06,880
Speaker 1: He unfortunately passed away in twenty twenty one from leukemia.

685
00:34:06,920 --> 00:34:09,719
Speaker 2: He was a phenomenal actor. Oh yeah.

686
00:34:09,760 --> 00:34:11,520
Speaker 5: I mean you go back, especially sitcom wise, you go

687
00:34:11,560 --> 00:34:13,719
Speaker 5: back and you watch Bus and Buddies. He's not only

688
00:34:13,760 --> 00:34:15,719
Speaker 5: throwing with Tom Hanks, but at a lot of times

689
00:34:15,760 --> 00:34:18,080
Speaker 5: stealing the scenes. I mean they were best friends for

690
00:34:18,440 --> 00:34:19,719
Speaker 5: years and years and years. This is why he was

691
00:34:19,719 --> 00:34:21,480
Speaker 5: in all the Tom Hanks and stuff. But he's one

692
00:34:21,520 --> 00:34:25,439
Speaker 5: of those underrated comedic actors where he was just really good.

693
00:34:25,719 --> 00:34:27,160
Speaker 2: So, Hillary, did you get to work with him at

694
00:34:27,200 --> 00:34:30,799
Speaker 2: all during this movie? You didn't, right, I was.

695
00:34:30,840 --> 00:34:34,960
Speaker 4: Around him in this movie, like in big scenes.

696
00:34:34,640 --> 00:34:35,960
Speaker 2: Right, like at the end, so when you have the

697
00:34:36,040 --> 00:34:36,960
Speaker 2: parents day and all that.

698
00:34:37,120 --> 00:34:40,080
Speaker 6: Yeah, So I knew of him and I remember, I

699
00:34:40,080 --> 00:34:41,960
Speaker 6: mean we talked about this last time I was on

700
00:34:42,080 --> 00:34:45,200
Speaker 6: Like the thing about Peter. One of his many wonderful

701
00:34:45,280 --> 00:34:48,719
Speaker 6: qualities was he was just the classiest. He was just

702
00:34:48,760 --> 00:34:52,960
Speaker 6: so classical of that and really taught me how to

703
00:34:53,040 --> 00:34:58,120
Speaker 6: be on set. And so when I booked Honey, we

704
00:34:58,120 --> 00:35:02,040
Speaker 6: were having our like first meeting. We'd all arrived in Canada,

705
00:35:02,640 --> 00:35:05,440
Speaker 6: and I remember thinking like, is he's not going to

706
00:35:05,480 --> 00:35:05,960
Speaker 6: remember me?

707
00:35:06,080 --> 00:35:08,719
Speaker 4: Is it going to be awkward? Whatever? And he walks in.

708
00:35:08,880 --> 00:35:13,040
Speaker 4: He goes, Hillary Tuck, Oh my gosh, you.

709
00:35:13,600 --> 00:35:17,480
Speaker 6: Are just as lovely and beautiful as when I saw

710
00:35:17,520 --> 00:35:21,359
Speaker 6: you on camp nowhere, like just and for me as

711
00:35:21,400 --> 00:35:25,440
Speaker 6: a whatever, seventeen year old, my first series, all those things,

712
00:35:25,520 --> 00:35:26,800
Speaker 6: just to have that sort.

713
00:35:26,680 --> 00:35:30,239
Speaker 2: Of welcome, yeah, it was just it's great, like this.

714
00:35:30,200 --> 00:35:35,600
Speaker 6: Is before IMDb. He doesn't know and he was just classy, yeah,

715
00:35:35,640 --> 00:35:38,040
Speaker 6: which is which is my posm of who he was

716
00:35:38,160 --> 00:35:38,640
Speaker 6: for sure.

717
00:35:39,680 --> 00:35:43,480
Speaker 1: And then Tom Wilson plays Lieutenant Hendrix, known to all

718
00:35:43,520 --> 00:35:45,880
Speaker 1: as Biff Tanner from the Back to the Future movies,

719
00:35:46,160 --> 00:35:48,320
Speaker 1: in a bit of a reunion here with Christopher Lloyd.

720
00:35:48,600 --> 00:35:52,640
Speaker 1: But it's even deeper than you'd think. Christopher Lloyd, who

721
00:35:52,920 --> 00:35:56,799
Speaker 1: didn't love the script, originally allegedly said he'd only do

722
00:35:56,960 --> 00:35:59,759
Speaker 1: the movie if they cast his friend in this.

723
00:36:00,760 --> 00:36:03,000
Speaker 2: And I was wondering why they did that because it

724
00:36:03,320 --> 00:36:05,480
Speaker 2: is kind of weird. The second they showed up on

725
00:36:05,520 --> 00:36:07,799
Speaker 2: screen together, I was like, wait, wait, what are we

726
00:36:08,360 --> 00:36:10,360
Speaker 2: Is this a director? And then they don't reference it

727
00:36:10,360 --> 00:36:13,279
Speaker 2: at all? And I do that kind of stuff.

728
00:36:13,360 --> 00:36:15,400
Speaker 4: Yeah, I do too, And he was great in it.

729
00:36:15,480 --> 00:36:17,480
Speaker 6: I was just sad they cast him in it because

730
00:36:17,719 --> 00:36:20,240
Speaker 6: there's a couple of moments was like, oh, that's funny.

731
00:36:20,840 --> 00:36:24,920
Speaker 1: David Graff, who was Officer Tackleberry in the Police Academy movies,

732
00:36:25,040 --> 00:36:28,920
Speaker 1: was originally offered the part. So and then we have

733
00:36:29,239 --> 00:36:32,640
Speaker 1: m Emmett Walsh as t R. Polk, another legend who

734
00:36:32,680 --> 00:36:36,600
Speaker 1: recently passed in March. He was in classic movies like Blood, Simple,

735
00:36:36,840 --> 00:36:40,880
Speaker 1: Blade Runner, The Jerk, and Knives Out. Kate Mulgrew as

736
00:36:40,960 --> 00:36:44,160
Speaker 1: Rachel Prescott, best known as Captain Catherine Janeway from Star

737
00:36:44,239 --> 00:36:47,360
Speaker 1: Trek Voyager, the first female captain ever.

738
00:36:47,800 --> 00:36:49,120
Speaker 3: Yep, Will's nodding his head.

739
00:36:49,160 --> 00:36:52,320
Speaker 2: He of course I am, it's Jane. But people swear

740
00:36:52,400 --> 00:36:54,359
Speaker 2: that that's like one of the best Star Treks ever.

741
00:36:54,680 --> 00:36:57,440
Speaker 5: It absolutely is, and she kills it as the captain

742
00:36:57,560 --> 00:36:58,000
Speaker 5: kills it.

743
00:36:58,360 --> 00:37:02,200
Speaker 1: Burgess Meredith as Fan This is a surprise cameo A

744
00:37:02,320 --> 00:37:05,320
Speaker 1: legendary actor who played the penguin in the original Batman

745
00:37:05,360 --> 00:37:08,880
Speaker 1: TV series of the sixties and trainer Mickey Goldmill in

746
00:37:08,920 --> 00:37:11,480
Speaker 1: the Rocky Movies, but he is now best known, probably

747
00:37:11,520 --> 00:37:14,279
Speaker 1: as the man who has time enough at last and

748
00:37:14,400 --> 00:37:17,839
Speaker 1: some glasses in the classic Twilight Zone episode about the

749
00:37:17,960 --> 00:37:18,760
Speaker 1: end of the world.

750
00:37:19,160 --> 00:37:19,960
Speaker 3: Do you know that episode?

751
00:37:19,960 --> 00:37:20,160
Speaker 6: Writer?

752
00:37:20,560 --> 00:37:22,640
Speaker 2: No? No? Oh, wow, you'd love it.

753
00:37:22,880 --> 00:37:24,960
Speaker 5: Oh, you would love it. It's that he's in the library.

754
00:37:25,000 --> 00:37:30,560
Speaker 5: I'll buy himself. Still He'll always be he watched the

755
00:37:30,760 --> 00:37:32,640
Speaker 5: Murder you rock He'll always be Rock.

756
00:37:45,520 --> 00:37:49,640
Speaker 6: I remember whom we shot that scene, and I maybe

757
00:37:49,640 --> 00:37:51,600
Speaker 6: because I was older, I don't know, but I had

758
00:37:51,600 --> 00:37:53,520
Speaker 6: seen Rocky, so he was.

759
00:37:54,320 --> 00:37:55,400
Speaker 4: A big deal to me.

760
00:37:55,520 --> 00:38:00,600
Speaker 6: Yeah, right, And the rest of the cast other than

761
00:38:00,600 --> 00:38:02,520
Speaker 6: me and and Devin Oatway, we were the ones who

762
00:38:02,600 --> 00:38:05,360
Speaker 6: knew him and no one else did. And I remember

763
00:38:05,480 --> 00:38:09,520
Speaker 6: like being very nervous in that scene and kids like

764
00:38:09,840 --> 00:38:13,960
Speaker 6: messing around and how it was just like gotch I'm

765
00:38:14,000 --> 00:38:22,000
Speaker 6: so Meredith, guys accordingly so funny.

766
00:38:22,360 --> 00:38:25,520
Speaker 3: Heather Deloche as Eileen. She was the iconic bee girl

767
00:38:25,640 --> 00:38:28,239
Speaker 3: in the Blind Melon video for No Rain, which in

768
00:38:28,280 --> 00:38:31,520
Speaker 3: the nineties was maybe as famous as you could possibly

769
00:38:31,600 --> 00:38:35,400
Speaker 3: get yes, and then Jessica Alba as Gail. She was

770
00:38:35,400 --> 00:38:38,239
Speaker 3: originally cast as an extra with no lines, but had

771
00:38:38,239 --> 00:38:41,000
Speaker 3: to fill in as a principal, and that is.

772
00:38:40,960 --> 00:38:43,840
Speaker 1: Her first credit ever. She would go on to play

773
00:38:43,880 --> 00:38:46,839
Speaker 1: Sue Storm in the Fantastic Four movies Nancy in Sin

774
00:38:46,960 --> 00:38:49,520
Speaker 1: City and the lead in Dark Angel, which she got

775
00:38:49,520 --> 00:38:52,400
Speaker 1: a Golden Globe nomination for. And now she has the

776
00:38:52,400 --> 00:38:56,640
Speaker 1: Baby care and Household Goods Empire, the Honest Company, recently

777
00:38:56,760 --> 00:38:59,640
Speaker 1: valued at one billion by Forbes.

778
00:38:59,680 --> 00:39:01,880
Speaker 4: Magaze, you gad, she didn't make anything of her.

779
00:39:02,880 --> 00:39:10,040
Speaker 5: She wasn't even Jessica Alba. She was Jessica Maria could

780
00:39:10,040 --> 00:39:11,399
Speaker 5: have done.

781
00:39:11,520 --> 00:39:16,080
Speaker 1: And last but not least, Hillary Tuck as Betty Stoleer,

782
00:39:16,520 --> 00:39:19,840
Speaker 1: another Boy Meets World alum, also known for The Honey

783
00:39:19,840 --> 00:39:22,920
Speaker 1: I Shrunk, The Kids TV show Roseanne, and Hangtime.

784
00:39:24,239 --> 00:39:26,200
Speaker 3: So let's jump, I mean.

785
00:39:26,200 --> 00:39:29,000
Speaker 2: Huge, huge, You haven't even started the movie yet.

786
00:39:29,040 --> 00:39:31,640
Speaker 3: Nope, just had to go through all those now.

787
00:39:31,840 --> 00:39:37,240
Speaker 1: The movie opens with some perfect nineties credits, just almost

788
00:39:37,280 --> 00:39:39,800
Speaker 1: toying with the wing dings font of it.

789
00:39:39,960 --> 00:39:40,680
Speaker 2: Did you notice that?

790
00:39:40,840 --> 00:39:42,680
Speaker 3: I was like, Oh, there's some wing dings in here?

791
00:39:44,320 --> 00:39:48,520
Speaker 1: Or how Taylor Swift hides uh messages in song titles

792
00:39:49,360 --> 00:39:54,000
Speaker 1: and on Disney Plus we got a nicotine warning? Does

793
00:39:54,040 --> 00:39:56,799
Speaker 1: anyone did anyone notice any nicotine in the movie? I

794
00:39:56,880 --> 00:39:59,200
Speaker 1: kept waiting for there to be some sort of smoking

795
00:39:59,760 --> 00:40:02,320
Speaker 1: some thing and didn't notice.

796
00:40:02,920 --> 00:40:05,439
Speaker 2: Where will tell us? It's literally just this.

797
00:40:06,320 --> 00:40:09,000
Speaker 5: The husband is smoking a cigar when she goes over

798
00:40:09,040 --> 00:40:10,160
Speaker 5: and says, we're going to the camp.

799
00:40:10,280 --> 00:40:12,239
Speaker 2: You're right, that's all it is.

800
00:40:12,360 --> 00:40:13,280
Speaker 3: You are one hundred.

801
00:40:14,200 --> 00:40:17,680
Speaker 2: I forgot the cigar. Yep, that's all it takes.

802
00:40:17,800 --> 00:40:19,080
Speaker 3: That's exactly right. Okay.

803
00:40:19,320 --> 00:40:22,040
Speaker 1: And then we meet young Morris mud Himmel who is

804
00:40:22,080 --> 00:40:24,720
Speaker 1: being pitched a summer computer camp with his family at home.

805
00:40:25,640 --> 00:40:29,160
Speaker 1: Is this how you found out about camps before the Internet?

806
00:40:29,520 --> 00:40:32,800
Speaker 2: Did you come to your house and pitched you camp? Really?

807
00:40:33,200 --> 00:40:33,439
Speaker 4: Yes?

808
00:40:33,560 --> 00:40:39,160
Speaker 6: I only know this because my because of Camp Wigwam

809
00:40:39,239 --> 00:40:43,759
Speaker 6: and this lineage that it's been now three generations, and

810
00:40:44,080 --> 00:40:49,799
Speaker 6: myt the camp director of WIGWAM, would used to fly

811
00:40:50,080 --> 00:40:56,919
Speaker 6: out to Los Angeles and stay at alumni houses, including

812
00:40:57,040 --> 00:41:02,400
Speaker 6: my my father in law, in laws, and they.

813
00:41:02,280 --> 00:41:06,120
Speaker 4: Would then like recruit like a salesman, yeah.

814
00:41:06,120 --> 00:41:10,279
Speaker 6: Or like colleges living rooms and have a pitch man.

815
00:41:10,320 --> 00:41:12,879
Speaker 2: That's a fun job. Can you imagine that job?

816
00:41:13,200 --> 00:41:15,239
Speaker 4: Yeah, it's real. That is That is how they do

817
00:41:15,320 --> 00:41:15,600
Speaker 4: tell me.

818
00:41:15,640 --> 00:41:20,840
Speaker 5: That is not a Christopher Guest mockumentary. I know about camp.

819
00:41:21,000 --> 00:41:22,400
Speaker 5: You know, can't pitching and everything.

820
00:41:22,400 --> 00:41:24,400
Speaker 2: It's always set up for exactly what happens.

821
00:41:24,480 --> 00:41:24,640
Speaker 6: You know.

822
00:41:24,680 --> 00:41:27,040
Speaker 2: Then when Chris Lloyd has to pitch all the different camps,

823
00:41:27,080 --> 00:41:30,319
Speaker 2: you're like, well, that's why you make this movie such

824
00:41:30,360 --> 00:41:33,520
Speaker 2: a great set of scenes, Like you just a montage

825
00:41:33,520 --> 00:41:33,880
Speaker 2: built in.

826
00:41:34,080 --> 00:41:38,600
Speaker 5: Kevin Bacon goes and pitches Sean Aston's family in Whitewater summer.

827
00:41:38,640 --> 00:41:40,920
Speaker 2: That's this. It's the same thing there, right, Yeah, you

828
00:41:41,320 --> 00:41:43,960
Speaker 2: go and you pitch. Wow. Interesting, Let's bring it back.

829
00:41:44,239 --> 00:41:44,719
Speaker 3: Let's do it.

830
00:41:44,719 --> 00:41:46,439
Speaker 2: Should there should be a summer camp that you can't

831
00:41:46,440 --> 00:41:51,000
Speaker 2: find any information about it online. It's really exclusive. It's yes,

832
00:41:51,360 --> 00:41:52,160
Speaker 2: hipster summer.

833
00:41:52,320 --> 00:41:54,719
Speaker 1: That should honestly, that should be what new travel that's

834
00:41:54,760 --> 00:41:57,719
Speaker 1: the new version of travel Agents is Like, listen, I

835
00:41:57,800 --> 00:41:59,640
Speaker 1: want to go on a vacation. Here are some things

836
00:41:59,680 --> 00:42:02,000
Speaker 1: I'm saying, gang Like, I just texted writer recently and said,

837
00:42:02,000 --> 00:42:04,280
Speaker 1: I want to go somewhere just just Jensen and I.

838
00:42:04,320 --> 00:42:07,560
Speaker 1: Here's the things. I want stars, some nature, but also bougie.

839
00:42:07,600 --> 00:42:10,080
Speaker 1: I want five star hotel and good food. What should

840
00:42:10,080 --> 00:42:12,760
Speaker 1: I do if I if I could pay a travel

841
00:42:12,760 --> 00:42:14,680
Speaker 1: agent to like come to my house and then do

842
00:42:14,800 --> 00:42:17,319
Speaker 1: a demonstration of the different options, And then I'm.

843
00:42:17,280 --> 00:42:22,360
Speaker 5: Jo by the way, Iceland is the answer to that, Daniel,

844
00:42:24,160 --> 00:42:24,959
Speaker 5: can I have three days?

845
00:42:25,000 --> 00:42:25,279
Speaker 2: Got you?

846
00:42:25,400 --> 00:42:25,840
Speaker 6: Got you?

847
00:42:25,880 --> 00:42:26,880
Speaker 2: Not Iceland? Forget.

848
00:42:27,760 --> 00:42:30,400
Speaker 1: So then we get a very early fourth wall break

849
00:42:30,440 --> 00:42:32,840
Speaker 1: when Mud, who is so bummed to be going to

850
00:42:32,920 --> 00:42:35,600
Speaker 1: dork camp, looks at the camera and says, I'm in

851
00:42:35,680 --> 00:42:41,200
Speaker 1: hell shoot me not your parents, kid movie, here's.

852
00:42:40,960 --> 00:42:42,319
Speaker 2: A couple looking at the camera moment.

853
00:42:42,800 --> 00:42:44,719
Speaker 3: Yeah, they do need to be.

854
00:42:46,239 --> 00:42:48,799
Speaker 5: It's kind of fun, though, it's that fun kid breaking.

855
00:42:48,480 --> 00:42:51,160
Speaker 2: The fourth wall. Yeah, yeah, I mean even before I

856
00:42:51,800 --> 00:42:53,719
Speaker 2: found it interesting that the movie starts with the like,

857
00:42:54,280 --> 00:42:57,160
Speaker 2: you know, the the video first and then does this

858
00:42:57,239 --> 00:43:00,640
Speaker 2: like dramatic pullback. And that's where I was like, Oh,

859
00:43:00,719 --> 00:43:03,520
Speaker 2: this movie's this is a movie, you know, because I

860
00:43:03,560 --> 00:43:05,799
Speaker 2: thought it was gonna look like the video, do you

861
00:43:05,800 --> 00:43:07,640
Speaker 2: know what I mean? Like that's kind of what in

862
00:43:07,719 --> 00:43:10,319
Speaker 2: my mind was like, can't nowhere was the scrape because

863
00:43:10,320 --> 00:43:13,880
Speaker 2: that's what Summertimes Switch looked like. That's what I was imagining.

864
00:43:14,000 --> 00:43:15,640
Speaker 2: And then I was like, oh, this is big and

865
00:43:15,680 --> 00:43:17,759
Speaker 2: it's a good move. I mean, it's sort of it

866
00:43:18,520 --> 00:43:20,640
Speaker 2: sets you up for like, oh, this is, you know,

867
00:43:20,719 --> 00:43:24,239
Speaker 2: a bigger world, a slicker world. We have actual camera gear.

868
00:43:24,480 --> 00:43:26,520
Speaker 2: It's gonna, you know, be a real movie. And I

869
00:43:26,560 --> 00:43:28,239
Speaker 2: was totally on it. I was like, oh, we're in

870
00:43:28,280 --> 00:43:31,239
Speaker 2: for it. And then I thought the DP was incredible,

871
00:43:31,360 --> 00:43:35,000
Speaker 2: so good, so good. Every the lighting in this movie.

872
00:43:35,120 --> 00:43:38,280
Speaker 2: It's such a nitpicky point, but I was like struck

873
00:43:38,520 --> 00:43:41,000
Speaker 2: time and time again by how good the lighting was.

874
00:43:41,400 --> 00:43:43,200
Speaker 3: I thought the exact same thing.

875
00:43:43,320 --> 00:43:43,799
Speaker 2: I really you know.

876
00:43:43,800 --> 00:43:45,440
Speaker 1: What I really noticed it too, is in some of

877
00:43:45,480 --> 00:43:49,680
Speaker 1: the scenes with the love interest and Christopher Lloyd and

878
00:43:49,760 --> 00:43:50,879
Speaker 1: Jonathan Jackson in.

879
00:43:50,800 --> 00:43:55,919
Speaker 2: The beautiful or Andrew Keegan scenes in the in the

880
00:43:55,960 --> 00:43:58,719
Speaker 2: garage so well. I mean, and you know, this is

881
00:43:58,760 --> 00:44:02,080
Speaker 2: a hard movie because you're dealing with so many characters,

882
00:44:02,920 --> 00:44:06,399
Speaker 2: and yeah, it's it's but also some of the exteriors too,

883
00:44:06,440 --> 00:44:09,520
Speaker 2: like near the end when Mud is approached by the

884
00:44:09,560 --> 00:44:12,360
Speaker 2: love interest, and like on the log I was just

885
00:44:12,400 --> 00:44:16,000
Speaker 2: struck by how it's so well lit and friends, pretty

886
00:44:16,160 --> 00:44:17,000
Speaker 2: beautiful movie.

887
00:44:17,080 --> 00:44:19,160
Speaker 1: So this is the first of three wall breaks that

888
00:44:19,200 --> 00:44:22,000
Speaker 1: we'll have in the movie. And it appears MUD's friends,

889
00:44:22,120 --> 00:44:26,080
Speaker 1: which includes his leather jacket wearing school bully Zach all

890
00:44:26,120 --> 00:44:29,280
Speaker 1: have camps they don't want to attend. Zach who pretends

891
00:44:29,320 --> 00:44:32,560
Speaker 1: to flush MUD's head in a toilet but really depends

892
00:44:32,600 --> 00:44:33,520
Speaker 1: on him for homework.

893
00:44:33,840 --> 00:44:35,120
Speaker 2: And I'm a great twist.

894
00:44:35,760 --> 00:44:40,440
Speaker 1: I was just gonna say that, literally twist.

895
00:44:42,320 --> 00:44:43,600
Speaker 3: I thought it was really great.

896
00:44:43,800 --> 00:44:47,200
Speaker 2: Yeah, so clever and so cool, and like it was

897
00:44:47,239 --> 00:44:49,240
Speaker 2: funny because I watch it, I was like, that's awesome,

898
00:44:49,640 --> 00:44:53,439
Speaker 2: and then I started thinking, like, that's more clever than

899
00:44:53,800 --> 00:44:57,160
Speaker 2: bullies nowadays, and TV shows and movies are so straightforward.

900
00:44:57,239 --> 00:45:00,600
Speaker 2: This is such a nuanced relationship and I really love it.

901
00:45:00,640 --> 00:45:02,279
Speaker 2: Just makes you fall in love with both of them,

902
00:45:02,480 --> 00:45:04,640
Speaker 2: like I'm on board with these kids.

903
00:45:04,680 --> 00:45:07,560
Speaker 4: Yeah, agree with Yeah.

904
00:45:07,400 --> 00:45:11,000
Speaker 1: Yeah, I loved it. So he is being sent off

905
00:45:11,000 --> 00:45:14,360
Speaker 1: to military boarding school. The cool girl Trish, who appears

906
00:45:14,400 --> 00:45:16,400
Speaker 1: to be she looks ten years older.

907
00:45:16,440 --> 00:45:17,120
Speaker 2: When we saw her.

908
00:45:17,000 --> 00:45:19,200
Speaker 1: Walking down the on the sidewalk, I was like, who's

909
00:45:19,200 --> 00:45:19,800
Speaker 1: the twenty seven.

910
00:45:19,719 --> 00:45:20,240
Speaker 2: Year old.

911
00:45:21,560 --> 00:45:24,719
Speaker 5: Here's the teacher. The teachers arrived now thankfully, I.

912
00:45:24,719 --> 00:45:25,719
Speaker 2: Know I was. It was.

913
00:45:25,760 --> 00:45:29,160
Speaker 1: It was rather shocking, so I thought so too. Okay,

914
00:45:30,120 --> 00:45:33,080
Speaker 1: she is off to camp Broadway for Young Actresses, and

915
00:45:33,280 --> 00:45:36,439
Speaker 1: Gabby is going to a fact.

916
00:45:36,440 --> 00:45:41,520
Speaker 2: Can't let's say it yeah, which is not? Which fly no?

917
00:45:41,520 --> 00:45:41,600
Speaker 4: No.

918
00:45:41,800 --> 00:45:44,240
Speaker 5: They also the fat jokes were one after another.

919
00:45:44,280 --> 00:45:49,239
Speaker 2: In the one after another that was absolutely oh yeah, no,

920
00:45:49,280 --> 00:45:54,279
Speaker 2: not not. She is not even slightly remotely close an

921
00:45:54,280 --> 00:45:56,480
Speaker 2: interesting choice, Like, I mean, I guess that's kind of

922
00:45:56,520 --> 00:45:58,799
Speaker 2: the point, right, is that like she shouldn't feel this

923
00:45:58,840 --> 00:46:01,279
Speaker 2: way and that we're kind of on her side. But

924
00:46:01,320 --> 00:46:04,880
Speaker 2: it's it is interesting to the conversation.

925
00:46:04,440 --> 00:46:07,480
Speaker 5: With him where he says to her, well, you know,

926
00:46:07,719 --> 00:46:10,799
Speaker 5: you'll lose some weight in some and you'll fill out.

927
00:46:10,920 --> 00:46:13,400
Speaker 5: It's like so Eve. He even pointed out to her,

928
00:46:13,520 --> 00:46:15,200
Speaker 5: quote unquote, that she was annoyed.

929
00:46:15,320 --> 00:46:18,400
Speaker 1: I would you think we were supposed to buy agreed

930
00:46:18,480 --> 00:46:19,879
Speaker 1: she was over weight?

931
00:46:21,640 --> 00:46:22,319
Speaker 4: A fat suit?

932
00:46:23,719 --> 00:46:24,080
Speaker 6: She was?

933
00:46:24,400 --> 00:46:30,440
Speaker 2: She was, yes, I'm sorry, what whoa through she's wearing

934
00:46:30,440 --> 00:46:31,000
Speaker 2: a fat suit?

935
00:46:31,120 --> 00:46:33,439
Speaker 6: I don't understand is the first half that she had

936
00:46:33,520 --> 00:46:38,360
Speaker 6: three I know she had no There are scenes for

937
00:46:38,480 --> 00:46:41,160
Speaker 6: she has no fat suit. There are scenes where she

938
00:46:41,320 --> 00:46:43,920
Speaker 6: has like a middle fat suit, and then there's scenes

939
00:46:43,920 --> 00:46:45,080
Speaker 6: where she has a fat suit.

940
00:46:45,360 --> 00:46:47,440
Speaker 2: So the idea is that when her mom shows up,

941
00:46:47,480 --> 00:46:50,279
Speaker 2: she was actually supposed to be dinner. I couldn't tell

942
00:46:50,280 --> 00:46:50,760
Speaker 2: any difference.

943
00:46:50,760 --> 00:46:57,320
Speaker 1: I did think they're dressing her in clothes to try

944
00:46:57,480 --> 00:47:00,000
Speaker 1: and make it appear as though she could be thinking

945
00:47:00,160 --> 00:47:03,440
Speaker 1: under them. Yeah, I did think they tried with wardrobe.

946
00:47:03,600 --> 00:47:06,440
Speaker 1: I had no idea she was wearing a fat suit.

947
00:47:06,520 --> 00:47:07,640
Speaker 2: That's nuts.

948
00:47:07,680 --> 00:47:10,319
Speaker 1: She still looks so tiny. And there's a scene where

949
00:47:10,320 --> 00:47:12,480
Speaker 1: she's like arriving at the camp and she's got shorts

950
00:47:12,520 --> 00:47:16,920
Speaker 1: on and her little legs and so Anyway, I also

951
00:47:17,239 --> 00:47:20,640
Speaker 1: truly cannot believe there were such things as fat camps

952
00:47:20,640 --> 00:47:21,120
Speaker 1: for kids.

953
00:47:21,520 --> 00:47:24,640
Speaker 2: Yeah, I think there still kind of are. They're just like, yeah,

954
00:47:24,640 --> 00:47:26,560
Speaker 2: there's they just call them something else, you know, the

955
00:47:27,000 --> 00:47:29,839
Speaker 2: fitness health camp or whatever. But I mean you think

956
00:47:29,840 --> 00:47:34,000
Speaker 2: about it, like for parents that that wanted, you know,

957
00:47:34,160 --> 00:47:36,640
Speaker 2: they want their kid to lose weight and they're having this,

958
00:47:36,760 --> 00:47:38,400
Speaker 2: I mean, what a a.

959
00:47:38,400 --> 00:47:40,799
Speaker 5: Fitness But a fitness thing isn't necessarily a bad thing.

960
00:47:40,840 --> 00:47:42,439
Speaker 5: If you've got a kid who's just sitting in front

961
00:47:42,440 --> 00:47:45,239
Speaker 5: of a video game the entire time and you want

962
00:47:45,280 --> 00:47:46,640
Speaker 5: to get outside.

963
00:47:46,480 --> 00:47:51,000
Speaker 1: A loves athletic challenges, you show him somebody jumping from

964
00:47:51,000 --> 00:47:53,560
Speaker 1: one thing to another thing and slinging wildly out o

965
00:47:53,680 --> 00:47:55,440
Speaker 1: theres like I think I need to he might be

966
00:47:55,480 --> 00:47:57,360
Speaker 1: scared then when he actually goes to do it, but

967
00:47:57,400 --> 00:47:58,759
Speaker 1: he's he's going to be in for that.

968
00:47:58,880 --> 00:47:59,200
Speaker 6: Yeah.

969
00:47:59,320 --> 00:48:01,960
Speaker 1: Yeah, So I could see sending my kid to like

970
00:48:01,960 --> 00:48:04,279
Speaker 1: an athletic camp or they're going to burn all this

971
00:48:04,400 --> 00:48:05,279
Speaker 1: energy and have fun.

972
00:48:05,280 --> 00:48:07,360
Speaker 3: But man, anyway, this is this is different.

973
00:48:07,400 --> 00:48:11,640
Speaker 6: I mean she talks about it's clearly diet diet food. Yeah.

974
00:48:12,880 --> 00:48:15,719
Speaker 1: Yeah, and again we can't watch it through the lens

975
00:48:15,760 --> 00:48:17,840
Speaker 1: of twenty twenty four. And it'spect a movie to be

976
00:48:18,280 --> 00:48:20,799
Speaker 1: you know, it was at the time that was that

977
00:48:20,920 --> 00:48:23,000
Speaker 1: was talked about, and it was talked about in that

978
00:48:23,080 --> 00:48:24,520
Speaker 1: way regularly.

979
00:48:24,560 --> 00:48:27,880
Speaker 2: And there's a not bad ben Stiller movie that's very

980
00:48:27,880 --> 00:48:30,960
Speaker 2: funny called Heavyweights and ben Stiller is incredible, and it's

981
00:48:30,960 --> 00:48:33,399
Speaker 2: an early ben Stiller movie that's that he's the camp

982
00:48:33,400 --> 00:48:36,560
Speaker 2: counselor at a fat camp and it's it's pretty good,

983
00:48:36,640 --> 00:48:39,520
Speaker 2: and he's hysterical because he's like the kid who was

984
00:48:39,800 --> 00:48:41,719
Speaker 2: heavy when he was younger, who went to fat camp,

985
00:48:41,760 --> 00:48:46,000
Speaker 2: and now he's like psychotic health nut running a fat

986
00:48:46,000 --> 00:48:47,360
Speaker 2: camp for kids. It's really funny.

987
00:48:47,680 --> 00:48:49,320
Speaker 3: That actually sounds funny.

988
00:48:49,520 --> 00:48:51,480
Speaker 2: No, this was a thing, and I still think it

989
00:48:51,560 --> 00:48:54,000
Speaker 2: is a thing. It's just been rebranded, right, you know.

990
00:48:55,239 --> 00:48:59,600
Speaker 1: Well, anyway, these four are in for a terrible summer.

991
00:49:00,200 --> 00:49:02,840
Speaker 1: And then at the mall we meet MUD's very nerdy

992
00:49:02,880 --> 00:49:07,520
Speaker 1: sweater wearing and great mustache having dad, played perfectly by

993
00:49:07,520 --> 00:49:10,440
Speaker 1: Peter Scalari. They are at the mall and Mud continues

994
00:49:10,480 --> 00:49:12,600
Speaker 1: to complain about being sent away to computer camp and

995
00:49:12,680 --> 00:49:15,160
Speaker 1: all the other things he could do with three thousand dollars.

996
00:49:15,200 --> 00:49:17,920
Speaker 2: Can we take a moment to talk about Jonathan Jackson's hair?

997
00:49:18,440 --> 00:49:20,120
Speaker 2: Oh this is god.

998
00:49:20,320 --> 00:49:22,640
Speaker 6: I really I didn't want to say it because I'm like,

999
00:49:22,760 --> 00:49:25,600
Speaker 6: how honest can we be here?

1000
00:49:25,680 --> 00:49:27,040
Speaker 3: We can be as honest as we want.

1001
00:49:27,200 --> 00:49:28,160
Speaker 4: What's happening?

1002
00:49:28,800 --> 00:49:33,840
Speaker 2: Well, I was just it. It's a glorious evolution on

1003
00:49:33,880 --> 00:49:36,000
Speaker 2: the me That's the word I was looking for. It

1004
00:49:36,080 --> 00:49:41,440
Speaker 2: is a combination of the boy meets world popular middle

1005
00:49:41,520 --> 00:49:45,919
Speaker 2: part with a mullet. We think about that. I've never

1006
00:49:46,040 --> 00:49:49,680
Speaker 2: known such a thing existed in the wild, let alone

1007
00:49:49,760 --> 00:49:51,560
Speaker 2: in a movie where we have to look at it

1008
00:49:51,600 --> 00:49:55,920
Speaker 2: for so long. It is. It is such a bold choice.

1009
00:49:56,360 --> 00:49:59,360
Speaker 2: It was like party in the Front, but like nineties

1010
00:49:59,440 --> 00:50:05,680
Speaker 2: party in the Front, and then just late eighties, early nineties. Yeah, yeah,

1011
00:50:05,800 --> 00:50:13,279
Speaker 2: it's a muddle part. Oh what muddle it? A muddle lit.

1012
00:50:13,560 --> 00:50:15,920
Speaker 2: I've been thinking for a while, it's a you know

1013
00:50:15,960 --> 00:50:16,399
Speaker 2: what I think.

1014
00:50:16,520 --> 00:50:18,400
Speaker 1: What I think it is is that it's it's a

1015
00:50:18,400 --> 00:50:20,600
Speaker 1: party in the front and a party in the back.

1016
00:50:20,920 --> 00:50:24,759
Speaker 2: Yeah, every year, there's no business anywhere with this kid.

1017
00:50:24,800 --> 00:50:27,880
Speaker 2: But the two don't really go together. So depending on

1018
00:50:27,920 --> 00:50:30,279
Speaker 2: the camera angle, I would be like, wait, which little

1019
00:50:30,280 --> 00:50:33,640
Speaker 2: girl is that? Oh wait, no, that's that's Jonathan. And

1020
00:50:33,680 --> 00:50:36,240
Speaker 2: then from the front I'd be like, oh, yeah, this

1021
00:50:36,239 --> 00:50:38,560
Speaker 2: this this kind of works maybe, but if you saw

1022
00:50:38,600 --> 00:50:40,800
Speaker 2: the whole package from the side, it was shocking.

1023
00:50:41,600 --> 00:50:45,799
Speaker 6: It's just yeah, yeah, it's.

1024
00:50:45,760 --> 00:50:48,680
Speaker 2: It's a lot. It's a lot.

1025
00:50:48,960 --> 00:50:52,120
Speaker 1: So his dad wants him to fulfill his potential, and

1026
00:50:52,239 --> 00:50:54,880
Speaker 1: Mud just wants to see what's up with Shaye Cheese,

1027
00:50:55,040 --> 00:50:58,479
Speaker 1: a food court adjacent shop with a yelling salesman giving a.

1028
00:50:58,400 --> 00:51:00,520
Speaker 3: Loud spiel about his dairy goods.

1029
00:51:00,840 --> 00:51:04,759
Speaker 1: It's Christopher Lloyd doing the best Christopher Lloyd he can

1030
00:51:04,840 --> 00:51:05,560
Speaker 1: possibly do.

1031
00:51:05,840 --> 00:51:07,200
Speaker 2: Yep uh.

1032
00:51:07,239 --> 00:51:09,799
Speaker 1: And so the next day, at their lowest point but

1033
00:51:09,920 --> 00:51:13,160
Speaker 1: the best moment to introduce the movie's plot, Mud, Gabby,

1034
00:51:13,320 --> 00:51:16,080
Speaker 1: Zach and Trish have an idea. They are going to

1035
00:51:16,160 --> 00:51:18,680
Speaker 1: take the money their parents are spending on camps and

1036
00:51:19,360 --> 00:51:22,759
Speaker 1: rent their own camp. They love the idea they can

1037
00:51:22,800 --> 00:51:24,520
Speaker 1: pull a fast one on their parents and have the

1038
00:51:24,560 --> 00:51:27,440
Speaker 1: greatest time ever. But they need an adult to make

1039
00:51:27,480 --> 00:51:31,919
Speaker 1: it happen. And that's when Mud pitches the cheese Guy.

1040
00:51:31,960 --> 00:51:34,919
Speaker 2: Okay, so this is the first plot point where because

1041
00:51:34,960 --> 00:51:36,920
Speaker 2: I have a I have a theory.

1042
00:51:37,239 --> 00:51:37,600
Speaker 3: Okay.

1043
00:51:37,680 --> 00:51:40,960
Speaker 2: I think the original draft for this script was that

1044
00:51:41,080 --> 00:51:44,720
Speaker 2: Mud was an actor, that Mud wanted to be an actor,

1045
00:51:45,239 --> 00:51:48,680
Speaker 2: and that because there's no reason that he is intrigued

1046
00:51:48,719 --> 00:51:52,759
Speaker 2: by the cheese guy. Why he's a computer geek is

1047
00:51:52,800 --> 00:51:54,959
Speaker 2: the idea, right, Like he wants to go to computer camp,

1048
00:51:55,239 --> 00:51:56,319
Speaker 2: but actually if.

1049
00:51:56,239 --> 00:51:58,040
Speaker 3: He likes well, he's kind of go to computer camp.

1050
00:51:58,200 --> 00:52:01,760
Speaker 2: He's supposed No, he's fastening by computers. He loves Cebee rohms,

1051
00:52:01,760 --> 00:52:02,960
Speaker 2: and he wants to go to the camp that his

1052
00:52:02,960 --> 00:52:05,560
Speaker 2: buddy's going to. He just can't afford it. So he's

1053
00:52:05,600 --> 00:52:08,719
Speaker 2: into computers. He's a geek, like he calls himself a geek. So,

1054
00:52:09,239 --> 00:52:11,480
Speaker 2: but I think the original draft of the script, because

1055
00:52:11,760 --> 00:52:14,200
Speaker 2: time and time again, all the major plot points are

1056
00:52:14,239 --> 00:52:17,400
Speaker 2: about him being a good actor keeping up with Chris Lloyd.

1057
00:52:17,520 --> 00:52:19,920
Speaker 2: So in the scene where they go he pretends to

1058
00:52:19,960 --> 00:52:22,160
Speaker 2: be a son. Then he pretends to be a son again,

1059
00:52:22,400 --> 00:52:24,120
Speaker 2: and then he gets him out of situation, and the

1060
00:52:24,160 --> 00:52:27,080
Speaker 2: two of them and why he's attracted to this guy

1061
00:52:27,239 --> 00:52:30,000
Speaker 2: pitching cheese would make so much more sense if he

1062
00:52:30,080 --> 00:52:31,839
Speaker 2: was like, I want to be a comedian, I want

1063
00:52:31,840 --> 00:52:34,359
Speaker 2: to be an actor, and I like this guy, and

1064
00:52:34,400 --> 00:52:35,719
Speaker 2: now I want to go to a camp where I

1065
00:52:35,719 --> 00:52:37,960
Speaker 2: could be with this guy. Would make so much more sense.

1066
00:52:38,080 --> 00:52:40,040
Speaker 2: So I think they wrote the script like that, and

1067
00:52:40,080 --> 00:52:42,239
Speaker 2: then they were like, no, no, no, can't just be a

1068
00:52:42,320 --> 00:52:45,400
Speaker 2: kid actor. That's too weird. And they've made this choice

1069
00:52:45,440 --> 00:52:48,640
Speaker 2: to like sort of probably make it more contemporary by

1070
00:52:48,640 --> 00:52:51,000
Speaker 2: making it, like put a kid's into these days computers.

1071
00:52:51,080 --> 00:52:53,320
Speaker 2: We'll just make him a computer kid. But it actually

1072
00:52:53,520 --> 00:52:56,560
Speaker 2: the plot keeps moving forward with him, not that computers

1073
00:52:56,560 --> 00:52:58,880
Speaker 2: don't play any part of the actual plot.

1074
00:52:58,960 --> 00:53:00,759
Speaker 5: But again, I don't think he wanted to be He

1075
00:53:00,840 --> 00:53:02,520
Speaker 5: hated the fact that he was a geek. That's why

1076
00:53:02,520 --> 00:53:05,000
Speaker 5: he was talking about like I'm a geek. Nobody likes it, and.

1077
00:53:05,040 --> 00:53:07,960
Speaker 1: He's talking about his potential and he's like, sure, I

1078
00:53:08,040 --> 00:53:09,400
Speaker 1: might be good at it, but I don't.

1079
00:53:09,280 --> 00:53:10,120
Speaker 2: Like I don't like it.

1080
00:53:10,520 --> 00:53:12,120
Speaker 4: I just want to be a kid. I want to.

1081
00:53:13,760 --> 00:53:16,799
Speaker 2: He's good at acting, he's good at improv he keeps

1082
00:53:16,880 --> 00:53:19,120
Speaker 2: saving the day by you know, and if he had

1083
00:53:19,160 --> 00:53:20,799
Speaker 2: been I don't know, it just makes more sense to him,

1084
00:53:20,920 --> 00:53:21,600
Speaker 2: wasn't Christopher.

1085
00:53:21,840 --> 00:53:24,440
Speaker 5: Christopher Lloyd was also an ex teacher at their school

1086
00:53:24,520 --> 00:53:26,480
Speaker 5: as a teacher, so that was the thing is I

1087
00:53:26,560 --> 00:53:29,680
Speaker 5: think they also know that. It's like it's an adult

1088
00:53:29,719 --> 00:53:31,960
Speaker 5: that can also be trusted with kids that they have

1089
00:53:32,040 --> 00:53:33,239
Speaker 5: some kind of a history with.

1090
00:53:33,760 --> 00:53:37,080
Speaker 1: And it explains why he's so good at being characters.

1091
00:53:37,239 --> 00:53:39,759
Speaker 3: He's a drama teacher, he's a theater guy.

1092
00:53:40,120 --> 00:53:43,080
Speaker 1: So yes, jumping back into the storyline, Christopher Lloyd was

1093
00:53:43,080 --> 00:53:45,600
Speaker 1: actually a drama teacher at their school who was fired

1094
00:53:45,640 --> 00:53:49,280
Speaker 1: for suggesting Silence of the Lambs as the school music.

1095
00:53:49,320 --> 00:53:51,400
Speaker 2: Great pitch, great musical.

1096
00:53:52,200 --> 00:53:55,480
Speaker 1: And just like that, the plan is set. And I

1097
00:53:55,520 --> 00:54:00,480
Speaker 1: loved how fast and clean we were into the movie. Yeah,

1098
00:54:00,760 --> 00:54:03,960
Speaker 1: like there, it's all set, the kids all they all.

1099
00:54:04,120 --> 00:54:06,360
Speaker 1: I feel like it just happened so quickly. I was

1100
00:54:06,400 --> 00:54:08,919
Speaker 1: like that and seamlessly. I was like, that's pretty darn good.

1101
00:54:09,320 --> 00:54:11,439
Speaker 5: Oh god, I'm already writing lyrics for the for the

1102
00:54:11,480 --> 00:54:12,880
Speaker 5: Silence of the Lamb songs.

1103
00:54:13,000 --> 00:54:15,120
Speaker 3: Sorry you share them as you come up here them.

1104
00:54:15,160 --> 00:54:17,720
Speaker 5: Please, Well, how about you know, I'll wear your face

1105
00:54:17,760 --> 00:54:19,759
Speaker 5: so I can't be seen. I'll eat your liver with

1106
00:54:19,840 --> 00:54:23,839
Speaker 5: Kanti and Farva Bean so that I mean, it's just they,

1107
00:54:23,960 --> 00:54:25,399
Speaker 5: just itself.

1108
00:54:26,000 --> 00:54:38,160
Speaker 2: You're in a ballad in a ballad.

1109
00:54:33,640 --> 00:54:36,600
Speaker 3: Dad, silence of the Lamb's musical.

1110
00:54:39,440 --> 00:54:44,239
Speaker 5: Let's go, Oh my God, I see you through the

1111
00:54:44,239 --> 00:54:47,880
Speaker 5: bars because you're my darling, You're the Southern my girl starling.

1112
00:54:48,000 --> 00:54:49,799
Speaker 2: I mean, there's so many ways to do this.

1113
00:54:50,239 --> 00:54:51,240
Speaker 3: Listen, if we can get.

1114
00:54:51,080 --> 00:54:53,080
Speaker 2: Post an afternoon.

1115
00:54:54,239 --> 00:54:59,960
Speaker 5: Some tunes alone, do that.

1116
00:54:57,960 --> 00:54:58,719
Speaker 4: With that right now?

1117
00:54:59,360 --> 00:55:02,560
Speaker 3: He's really it's unbelievable. Just stick with us, Hillary, You'll

1118
00:55:02,600 --> 00:55:03,080
Speaker 3: be impressed.

1119
00:55:03,080 --> 00:55:05,959
Speaker 4: I'm on the train. I don't want to.

1120
00:55:05,880 --> 00:55:06,359
Speaker 2: Make at all.

1121
00:55:18,520 --> 00:55:20,560
Speaker 1: Okay, I actually have a question for you, Hillary, about

1122
00:55:21,440 --> 00:55:24,600
Speaker 1: you teach acting? So are you as impressed with everyone

1123
00:55:24,960 --> 00:55:27,000
Speaker 1: at this point in the movie the same way we are?

1124
00:55:27,800 --> 00:55:30,400
Speaker 1: Or are you where have been your hiccups?

1125
00:55:31,280 --> 00:55:35,840
Speaker 6: I think for me, I wish again this is watching

1126
00:55:35,880 --> 00:55:39,640
Speaker 6: it when I watched it this week, not with my kids,

1127
00:55:40,200 --> 00:55:45,040
Speaker 6: like I wish they would have let I thought it

1128
00:55:45,080 --> 00:55:48,480
Speaker 6: was so interesting what Will said about that They wanted

1129
00:55:48,560 --> 00:55:50,840
Speaker 6: him to be sort of a Jim Carrey and I

1130
00:55:50,920 --> 00:55:56,120
Speaker 6: totally see that, and I wish Monday Morning quarterbacking. I

1131
00:55:56,200 --> 00:56:01,320
Speaker 6: wish they would have let him just like when Chris

1132
00:56:01,480 --> 00:56:04,799
Speaker 6: Lloyd is the funniest is when he's coming at the

1133
00:56:04,880 --> 00:56:10,600
Speaker 6: comedy under not over, if that makes sense, and when

1134
00:56:10,680 --> 00:56:13,759
Speaker 6: he's like sitting back in it instead of like.

1135
00:56:15,640 --> 00:56:17,120
Speaker 4: And I think they.

1136
00:56:16,960 --> 00:56:19,680
Speaker 6: Were trying to let him be that, but I thought

1137
00:56:19,719 --> 00:56:23,879
Speaker 6: he was the funniest. I wish they would have let

1138
00:56:23,960 --> 00:56:28,320
Speaker 6: him do that, because the scenes where he is being big,

1139
00:56:29,400 --> 00:56:33,560
Speaker 6: purposely big, I find a little cringe worthy. And maybe

1140
00:56:33,560 --> 00:56:36,320
Speaker 6: it's because they thought that's what kids want, and kids

1141
00:56:36,360 --> 00:56:41,359
Speaker 6: do want that. But the scenes that I enjoyed the

1142
00:56:41,400 --> 00:56:44,160
Speaker 6: most and that I found the funniest were the ones

1143
00:56:44,239 --> 00:56:49,680
Speaker 6: where he was doing what I think is Chris Lloyd,

1144
00:56:49,719 --> 00:56:54,040
Speaker 6: which is like an underplayed quirk as opposed to this

1145
00:56:54,320 --> 00:56:56,200
Speaker 6: overt in your face quirk.

1146
00:56:56,680 --> 00:56:56,879
Speaker 4: Right.

1147
00:56:57,040 --> 00:57:00,480
Speaker 5: So it was also very charming when he was sitting

1148
00:57:00,480 --> 00:57:02,239
Speaker 5: with the doctor and it was the two of them

1149
00:57:02,280 --> 00:57:03,520
Speaker 5: kind of having the quiet moments.

1150
00:57:03,920 --> 00:57:07,279
Speaker 2: He's actually leading man qualities that I don't think have

1151
00:57:07,360 --> 00:57:10,240
Speaker 2: ever really been exploited like he was always he's always

1152
00:57:10,239 --> 00:57:13,799
Speaker 2: either the villain or the and this was his this

1153
00:57:13,960 --> 00:57:16,840
Speaker 2: was a stab at a leading role that could still

1154
00:57:16,880 --> 00:57:21,000
Speaker 2: be characters. It's a per you understand exactly why his

1155
00:57:21,080 --> 00:57:23,960
Speaker 2: agent and everybody was like, do this, do this, Chris,

1156
00:57:24,000 --> 00:57:25,720
Speaker 2: this will make you a movie star, like a real

1157
00:57:25,800 --> 00:57:28,800
Speaker 2: leading man. And he, you know, was going for it.

1158
00:57:28,840 --> 00:57:31,400
Speaker 2: And I think he's great. I you know, but I agree.

1159
00:57:31,440 --> 00:57:33,919
Speaker 2: I I want to hear more about the director. What

1160
00:57:33,920 --> 00:57:35,959
Speaker 2: what's what's what's his deal? Are you still in touch?

1161
00:57:36,360 --> 00:57:37,720
Speaker 2: What was he like? I?

1162
00:57:38,120 --> 00:57:42,040
Speaker 6: Well, I'm not I'm not still in touch, but I

1163
00:57:42,160 --> 00:57:45,480
Speaker 6: know that if we saw each other on the street,

1164
00:57:46,400 --> 00:57:48,600
Speaker 6: it would be a very big.

1165
00:57:48,480 --> 00:57:49,760
Speaker 4: Wonderful reunion.

1166
00:57:50,120 --> 00:57:51,320
Speaker 2: So what was he like on set?

1167
00:57:51,800 --> 00:57:54,800
Speaker 4: He was friggin fantastic.

1168
00:57:54,680 --> 00:58:02,600
Speaker 6: Like he was really whatever were with the kids that

1169
00:58:02,800 --> 00:58:06,400
Speaker 6: it worked because of because of Jonathan, Like he was

1170
00:58:06,680 --> 00:58:11,120
Speaker 6: such an actor's director, to be fair. I also worked

1171
00:58:11,120 --> 00:58:13,680
Speaker 6: with him in The Great Mom Swap. I also worked

1172
00:58:13,680 --> 00:58:16,960
Speaker 6: with American Dreams. Like I'm a very big fan of

1173
00:58:17,000 --> 00:58:20,320
Speaker 6: his and an tie of me, I like to think,

1174
00:58:22,000 --> 00:58:23,640
Speaker 6: but he he.

1175
00:58:24,000 --> 00:58:29,120
Speaker 4: Was so wonderful too. He was just so great with

1176
00:58:29,160 --> 00:58:29,800
Speaker 4: the kids.

1177
00:58:30,480 --> 00:58:34,480
Speaker 6: He really, i think coached them in a lovely way.

1178
00:58:35,080 --> 00:58:36,160
Speaker 2: It's a huge job.

1179
00:58:36,360 --> 00:58:37,320
Speaker 4: It's a huge job.

1180
00:58:38,440 --> 00:58:40,640
Speaker 2: It is imagine choreography.

1181
00:58:41,200 --> 00:58:45,880
Speaker 6: Yes, such a fine line to keep everyone on task

1182
00:58:46,600 --> 00:58:52,040
Speaker 6: and on schedule and focused while also keeping it.

1183
00:58:52,040 --> 00:58:54,160
Speaker 3: Fun fun exactly and not being like.

1184
00:58:54,600 --> 00:58:56,800
Speaker 2: Guys, please get settled in.

1185
00:58:58,680 --> 00:59:00,720
Speaker 4: Yes, because it's the end of the day.

1186
00:59:01,000 --> 00:59:05,320
Speaker 6: If you don't get us having fun in the movie's debt.

1187
00:59:05,200 --> 00:59:08,000
Speaker 5: It doesn't Why are we watching? Did you shoot during

1188
00:59:08,000 --> 00:59:09,760
Speaker 5: the summer so you didn't have to do school?

1189
00:59:10,600 --> 00:59:11,520
Speaker 4: No, we did school.

1190
00:59:11,640 --> 00:59:13,440
Speaker 5: Oh you did school, okay, see the man you had

1191
00:59:13,440 --> 00:59:14,880
Speaker 5: to also juggle school on the set too.

1192
00:59:15,040 --> 00:59:16,919
Speaker 4: And where was it? S? What?

1193
00:59:17,400 --> 00:59:18,040
Speaker 2: Where? Where?

1194
00:59:18,080 --> 00:59:18,400
Speaker 5: Did where?

1195
00:59:18,440 --> 00:59:19,040
Speaker 2: What was local?

1196
00:59:19,080 --> 00:59:23,440
Speaker 6: Shot all of the camp stuff on Disney Ranch?

1197
00:59:24,080 --> 00:59:25,200
Speaker 2: Oh that's right, you said that.

1198
00:59:25,400 --> 00:59:27,960
Speaker 4: Yeah, so fun. Yeah it was.

1199
00:59:28,160 --> 00:59:30,600
Speaker 6: It was awesome because it really was like it really

1200
00:59:30,800 --> 00:59:31,720
Speaker 6: was like summer camp.

1201
00:59:32,040 --> 00:59:34,040
Speaker 4: Yeah, you were out in the middle of nowhere.

1202
00:59:34,800 --> 00:59:37,960
Speaker 1: So the group enlists Lloyd's Dennis van Welker, who was

1203
00:59:38,000 --> 00:59:40,400
Speaker 1: living in a trailer and hiding from a debt collector

1204
00:59:40,480 --> 00:59:44,560
Speaker 1: played by Emmett Walsh. After watching him rub his toothbrush

1205
00:59:44,600 --> 00:59:47,640
Speaker 1: on the trailer door which really gave me the eck

1206
00:59:48,280 --> 00:59:50,560
Speaker 1: and then putting it back in his mouth, they offer

1207
00:59:50,680 --> 00:59:53,720
Speaker 1: Van Welker, your face is okay, Oh yeah, it's my blood.

1208
00:59:53,720 --> 00:59:55,880
Speaker 1: I'm fine with that. Blood doesn't bother me. But but

1209
00:59:56,800 --> 00:59:59,960
Speaker 1: rubbing your toothbrush in Sorry, we talked about vampire facials before.

1210
01:00:00,240 --> 01:00:03,320
Speaker 1: Oh yeah, yeah, You're like, why would she be rubbing back?

1211
01:00:04,880 --> 01:00:12,720
Speaker 4: I was going to have a little grace. You do you?

1212
01:00:12,200 --> 01:00:15,520
Speaker 1: You, you do you, Danielle, whatever is going on there.

1213
01:00:16,840 --> 01:00:20,040
Speaker 1: So they offer Van Welker money and help to avoid Walsh,

1214
01:00:20,040 --> 01:00:22,880
Speaker 1: and he's committed to being the front for the camp. Now,

1215
01:00:23,000 --> 01:00:26,520
Speaker 1: during this this scene we get the term piss yellow

1216
01:00:27,080 --> 01:00:30,640
Speaker 1: and earlier the bullies use the M word when referring

1217
01:00:30,640 --> 01:00:34,760
Speaker 1: to little people. And in those moments, I realize, how

1218
01:00:35,000 --> 01:00:38,640
Speaker 1: was Disney ever involved in.

1219
01:00:39,600 --> 01:00:44,760
Speaker 6: You know, uh, well I feel I mean again, I

1220
01:00:44,880 --> 01:00:52,120
Speaker 6: wonder if then that word was what it is now. Yeah,

1221
01:00:52,240 --> 01:00:54,440
Speaker 6: I don't know, I mean no, obviously not.

1222
01:00:57,280 --> 01:00:59,800
Speaker 4: The thing to me that I was shocked by was

1223
01:01:00,040 --> 01:01:04,040
Speaker 4: when I can't remember his name, Alvin or whatever his

1224
01:01:04,160 --> 01:01:07,959
Speaker 4: character's name was, opens the bag of porn I.

1225
01:01:07,920 --> 01:01:10,600
Speaker 5: Was right, Yeah, the play pens, which is what it

1226
01:01:10,640 --> 01:01:16,880
Speaker 5: always was, that was TV porn was playpen Yeah, I know, I.

1227
01:01:18,320 --> 01:01:20,160
Speaker 6: Was gobsmacked when I watched it.

1228
01:01:20,560 --> 01:01:24,760
Speaker 1: Yes, And so when you watched it with your kids,

1229
01:01:24,960 --> 01:01:28,960
Speaker 1: did you feel like, oh, gosh, I need to explain that,

1230
01:01:29,200 --> 01:01:31,160
Speaker 1: or oh, let's just pretend that never happened.

1231
01:01:31,160 --> 01:01:32,600
Speaker 3: How did you feel then when you watched it with

1232
01:01:32,640 --> 01:01:33,120
Speaker 3: your kids?

1233
01:01:33,320 --> 01:01:38,520
Speaker 6: Well, I with my daughter, she didn't catch it, like

1234
01:01:38,560 --> 01:01:41,080
Speaker 6: it wasn't enough of a thing. And with my son

1235
01:01:42,440 --> 01:01:46,720
Speaker 6: because he goes to summer camp. It's a boys summer camp.

1236
01:01:47,080 --> 01:01:50,600
Speaker 6: Like I explained porn to him before he left for

1237
01:01:50,640 --> 01:01:56,240
Speaker 6: his first summer okay, because I didn't want his first exposure.

1238
01:01:56,560 --> 01:01:58,280
Speaker 4: I wanted me to get ahead of it.

1239
01:01:59,000 --> 01:02:00,960
Speaker 1: So then he was eight and the first went right,

1240
01:02:01,120 --> 01:02:04,120
Speaker 1: so that when he sees it, Yeah, because camp with

1241
01:02:04,160 --> 01:02:04,800
Speaker 1: like twelve year.

1242
01:02:04,720 --> 01:02:10,240
Speaker 2: Old boys, it's also every you know. I actually I

1243
01:02:10,320 --> 01:02:12,680
Speaker 2: had the reaction of, like, I think I wanted more

1244
01:02:13,360 --> 01:02:17,440
Speaker 2: edge because I think this movie is in some ways,

1245
01:02:17,560 --> 01:02:20,160
Speaker 2: you know, it could have gone more into the John

1246
01:02:20,240 --> 01:02:23,800
Speaker 2: Hughes tradition, which is a little edgier, right, like and

1247
01:02:23,800 --> 01:02:26,600
Speaker 2: and the movie keeps making nons towards that, like characters

1248
01:02:26,640 --> 01:02:30,920
Speaker 2: are kissing at the end and talking about dating and

1249
01:02:30,920 --> 01:02:32,960
Speaker 2: and and there is porn and there you know, and

1250
01:02:32,960 --> 01:02:36,600
Speaker 2: and also just the whole conceit is pretty edgy if

1251
01:02:36,600 --> 01:02:40,040
Speaker 2: you actually think about it. And I felt like, probably

1252
01:02:40,040 --> 01:02:42,680
Speaker 2: because of Disney. There was a lot of pulling back

1253
01:02:42,880 --> 01:02:45,960
Speaker 2: of those things, and you know, but you watch like Goonies,

1254
01:02:46,280 --> 01:02:48,480
Speaker 2: it's edgy like they actually, you know, the kids are

1255
01:02:48,720 --> 01:02:51,080
Speaker 2: are are much edgier than these kids. I felt like

1256
01:02:51,120 --> 01:02:53,720
Speaker 2: the tension in this movie was like so, I think

1257
01:02:53,760 --> 01:02:56,960
Speaker 2: there was a lot of politics going on between probably

1258
01:02:57,000 --> 01:02:59,760
Speaker 2: the director and the writers and the studio. I felt

1259
01:02:59,800 --> 01:03:02,400
Speaker 2: like there's probably too many producers on this movie because

1260
01:03:02,480 --> 01:03:05,200
Speaker 2: I felt like there were so many ideas and of

1261
01:03:05,280 --> 01:03:07,800
Speaker 2: what it was, and it kind of gets lost in

1262
01:03:07,800 --> 01:03:10,680
Speaker 2: the middle. It becomes like like it's actual identity as

1263
01:03:10,720 --> 01:03:14,600
Speaker 2: a as a film feels like too slick in a way,

1264
01:03:14,600 --> 01:03:16,440
Speaker 2: too glossy. It feels like too much of a studio

1265
01:03:16,520 --> 01:03:19,760
Speaker 2: movie to be like one thing. You know, if like

1266
01:03:20,040 --> 01:03:22,640
Speaker 2: ten movies kind of crammed into one and it's like

1267
01:03:22,640 --> 01:03:24,720
Speaker 2: on one hand, you're like, oh, that sequence works, and

1268
01:03:24,800 --> 01:03:27,720
Speaker 2: that sequence works, but then together where are we? That

1269
01:03:27,840 --> 01:03:29,880
Speaker 2: was my you know, So when I saw the porn,

1270
01:03:29,920 --> 01:03:31,480
Speaker 2: I was like, Oh, is it gonna go that way?

1271
01:03:31,520 --> 01:03:33,840
Speaker 2: Is it going to be this like kind of raunchy,

1272
01:03:34,040 --> 01:03:37,240
Speaker 2: edgy version of them. It's like, no, there's gonna be.

1273
01:03:37,440 --> 01:03:40,040
Speaker 2: But that's why, that's why that initial review.

1274
01:03:40,240 --> 01:03:43,160
Speaker 5: Actually part of it was was interesting because it could

1275
01:03:43,200 --> 01:03:45,640
Speaker 5: have been pitched like and may have been pitched like

1276
01:03:46,040 --> 01:03:49,360
Speaker 5: Animal House at a camp for kids, Yes, which is

1277
01:03:49,440 --> 01:03:51,919
Speaker 5: really yeah, which you know if you think we're saying

1278
01:03:51,960 --> 01:03:52,560
Speaker 5: it's like that.

1279
01:03:52,600 --> 01:03:54,920
Speaker 2: I think they were trying to appeal to everybody eighteen

1280
01:03:55,160 --> 01:03:58,160
Speaker 2: under or family, and it's like, actually, go for the

1281
01:03:58,560 --> 01:04:00,800
Speaker 2: go for the eighteen plus audio, go for the people

1282
01:04:00,800 --> 01:04:03,120
Speaker 2: who just left teens who are like, imagine if I

1283
01:04:03,160 --> 01:04:05,680
Speaker 2: could go to sie, you know, or go for the

1284
01:04:05,720 --> 01:04:08,040
Speaker 2: eight year old audience. But it's trying to get everybody,

1285
01:04:08,040 --> 01:04:08,320
Speaker 2: and it's a.

1286
01:04:08,320 --> 01:04:10,400
Speaker 5: Little Yeah, doesn't he do the same thing though we

1287
01:04:10,440 --> 01:04:13,120
Speaker 5: were talking about home Alone? Doesn't he find his brother's

1288
01:04:13,480 --> 01:04:15,080
Speaker 5: playboys or whatever? And Home Alone?

1289
01:04:15,080 --> 01:04:15,840
Speaker 2: It's that same.

1290
01:04:15,920 --> 01:04:17,920
Speaker 5: I think they're hitting all those same tropes. It's the

1291
01:04:18,720 --> 01:04:21,000
Speaker 5: stuff swinging from the ceilings, it's finding the porn.

1292
01:04:21,080 --> 01:04:21,600
Speaker 2: It's different.

1293
01:04:21,640 --> 01:04:23,360
Speaker 5: I mean, the only thing that was missing was the spider,

1294
01:04:23,720 --> 01:04:25,280
Speaker 5: So I think they are kind of hitting all those

1295
01:04:25,320 --> 01:04:26,160
Speaker 5: same things as well.

1296
01:04:26,720 --> 01:04:29,760
Speaker 1: Well. The second Emmett Walsh leaves, the kids pull up

1297
01:04:29,800 --> 01:04:31,440
Speaker 1: in the car literally.

1298
01:04:31,120 --> 01:04:33,280
Speaker 3: These second he leaves.

1299
01:04:33,080 --> 01:04:34,200
Speaker 2: The car pulls up.

1300
01:04:34,640 --> 01:04:38,400
Speaker 1: Christopher Lloyd then brilliantly plays four different camp directors to

1301
01:04:38,440 --> 01:04:41,840
Speaker 1: convince the friend's families that these camps exist. One for

1302
01:04:41,880 --> 01:04:44,120
Speaker 1: the computer camp, one for the acting camp in a

1303
01:04:44,240 --> 01:04:48,280
Speaker 1: very fresh Phantom of the opera Satin Jacket, one for

1304
01:04:48,360 --> 01:04:51,479
Speaker 1: the military school, and as a Richard Simmons look alike

1305
01:04:51,720 --> 01:04:53,200
Speaker 1: for the fat camps.

1306
01:04:53,840 --> 01:04:58,360
Speaker 6: Which of these four was your favorite of his characters?

1307
01:04:58,920 --> 01:05:01,920
Speaker 6: Mine was for sure the camp director. I loved him

1308
01:05:01,960 --> 01:05:06,080
Speaker 6: in that. Wait wait, I'm sorry, I'm sorry the theater

1309
01:05:06,200 --> 01:05:07,320
Speaker 6: director there.

1310
01:05:07,560 --> 01:05:12,000
Speaker 3: Oh yeah, theater director is great. I love I hit you.

1311
01:05:12,040 --> 01:05:15,920
Speaker 1: But it was Richard Simmons one, Richard Simmons, the fat

1312
01:05:16,000 --> 01:05:16,440
Speaker 1: camp one.

1313
01:05:16,640 --> 01:05:20,040
Speaker 2: It was is so I like that one, and the.

1314
01:05:20,600 --> 01:05:22,320
Speaker 4: Teeth were hysterical.

1315
01:05:25,280 --> 01:05:28,480
Speaker 1: So as they try to keep their little planned secret,

1316
01:05:28,840 --> 01:05:32,720
Speaker 1: we q young Betty Stoler aka Hillary Tuck, who not

1317
01:05:32,800 --> 01:05:36,720
Speaker 1: only finds out, she tells basically an entire class, and

1318
01:05:36,760 --> 01:05:38,960
Speaker 1: they show up wanting to know more and ready to pay.

1319
01:05:39,040 --> 01:05:43,160
Speaker 2: It's all because of Walter's crush. All these problems are

1320
01:05:43,160 --> 01:05:47,960
Speaker 2: because Walter told the redhead in biology is it? He

1321
01:05:48,080 --> 01:05:50,840
Speaker 2: told you? And you couldn't keep your mouth shut.

1322
01:05:50,760 --> 01:05:52,520
Speaker 4: Lose lip sink ships.

1323
01:05:54,760 --> 01:05:57,800
Speaker 2: So I had this weird experience where I mean I

1324
01:05:57,840 --> 01:05:59,720
Speaker 2: knew I had auditioned for this movie. I had it

1325
01:05:59,760 --> 01:06:01,960
Speaker 2: like somewhere in the back of my mind, but I

1326
01:06:01,960 --> 01:06:05,680
Speaker 2: didn't remember the experience other than I think I did

1327
01:06:06,120 --> 01:06:09,680
Speaker 2: a lot of auditions. And then there was a line.

1328
01:06:09,720 --> 01:06:13,800
Speaker 2: There was a scene with Chris Lloyd and Jonathan Jackson

1329
01:06:13,880 --> 01:06:17,400
Speaker 2: near the end and he says something about like you're

1330
01:06:17,440 --> 01:06:19,440
Speaker 2: gonna in a couple of years, you're gonna grow an

1331
01:06:19,520 --> 01:06:22,240
Speaker 2: unfortunate mustache on your face. And I was like, I

1332
01:06:22,280 --> 01:06:24,040
Speaker 2: know this line. I know these lines. It's like that

1333
01:06:24,160 --> 01:06:26,320
Speaker 2: was my audition scene at some point, and it was

1334
01:06:26,400 --> 01:06:28,280
Speaker 2: like it went right into it, which is funny because

1335
01:06:28,280 --> 01:06:30,400
Speaker 2: it's actually not that great of a scene for Jonathan Jackson.

1336
01:06:30,600 --> 01:06:33,640
Speaker 2: But what I remembered and what struck me watching this

1337
01:06:34,040 --> 01:06:38,680
Speaker 2: is that they were shuffling characters constantly during the audition process,

1338
01:06:38,840 --> 01:06:42,320
Speaker 2: and I think they decided, let's just mix and match

1339
01:06:42,800 --> 01:06:44,880
Speaker 2: and try and find the best actors we can and

1340
01:06:44,920 --> 01:06:47,960
Speaker 2: then find roles for them, and that's kind of the

1341
01:06:48,040 --> 01:06:50,720
Speaker 2: vibe I felt. That's why I think, like, Jonathan Jackson

1342
01:06:50,840 --> 01:06:53,160
Speaker 2: isn't that geeky of a kid. He's kind of like

1343
01:06:53,480 --> 01:06:58,120
Speaker 2: pretty straightforward, mainstream, and the fat girl is clearly not

1344
01:06:58,240 --> 01:07:00,320
Speaker 2: overweighted at all and it was like I feel like

1345
01:07:00,360 --> 01:07:03,160
Speaker 2: they were just kind of auditioning people with like generic

1346
01:07:03,240 --> 01:07:05,560
Speaker 2: scenes and mix and matching, and then they were like you,

1347
01:07:05,560 --> 01:07:07,160
Speaker 2: you and you and you, let's go and it was

1348
01:07:07,200 --> 01:07:09,600
Speaker 2: just let's find the most talented kids and then build

1349
01:07:09,640 --> 01:07:12,440
Speaker 2: the characters around them, which and smart.

1350
01:07:12,720 --> 01:07:16,760
Speaker 1: Yeah yeah, okay, did you have any did you have

1351
01:07:16,800 --> 01:07:18,120
Speaker 1: any onset romances?

1352
01:07:18,160 --> 01:07:19,160
Speaker 2: Did everybody kiss?

1353
01:07:19,200 --> 01:07:25,400
Speaker 6: Andrew Keegan kind of yeah?

1354
01:07:25,480 --> 01:07:25,720
Speaker 5: Yeah.

1355
01:07:26,040 --> 01:07:28,320
Speaker 2: Wait were you guys all staying in hotels? Where were

1356
01:07:28,320 --> 01:07:29,360
Speaker 2: you actually sleeping?

1357
01:07:29,920 --> 01:07:33,640
Speaker 4: We were coming in and we were from.

1358
01:07:33,440 --> 01:07:36,720
Speaker 2: Home, so you were all like living in la oh wow. Yeah.

1359
01:07:36,760 --> 01:07:39,680
Speaker 6: So it was like I definitely remember a lot of

1360
01:07:40,440 --> 01:07:44,280
Speaker 6: very late nights, my aunt driving me home and me

1361
01:07:44,520 --> 01:07:48,600
Speaker 6: like you know, sleeping on the way home. But it

1362
01:07:48,760 --> 01:07:53,840
Speaker 6: was I remember there were so many romances. Of course, yes,

1363
01:07:54,000 --> 01:07:58,800
Speaker 6: I remember for a while it was Andrew Keegan and Marnie.

1364
01:07:59,360 --> 01:08:04,960
Speaker 6: There was definitely a Jonathan Jackson and I'm blanking on

1365
01:08:05,000 --> 01:08:10,280
Speaker 6: her name the other fourth lead Okay, Melody k Well

1366
01:08:10,320 --> 01:08:11,000
Speaker 6: we actually.

1367
01:08:10,760 --> 01:08:15,439
Speaker 2: Partnered up as they then for a while.

1368
01:08:16,600 --> 01:08:24,320
Speaker 6: Uh, Marnie was with someone else on set and Jonathan.

1369
01:08:24,479 --> 01:08:27,760
Speaker 6: Jonathan had like four romances.

1370
01:08:27,840 --> 01:08:29,920
Speaker 2: I mean, it was it was like number two on

1371
01:08:29,960 --> 01:08:31,559
Speaker 2: the call sheet. You know what, what do you think?

1372
01:08:31,840 --> 01:08:34,080
Speaker 2: Come on, come on.

1373
01:08:34,080 --> 01:08:38,160
Speaker 4: Yes, I definitely remember remember that. And I.

1374
01:08:39,960 --> 01:08:44,400
Speaker 5: By the way, the two of them together are adorable.

1375
01:08:43,520 --> 01:08:44,479
Speaker 4: Aren't they so cute?

1376
01:08:44,560 --> 01:08:47,160
Speaker 2: I mean they are just at the end is like

1377
01:08:47,160 --> 01:08:51,440
Speaker 2: one of my favorite moments of the movie because it's adorable.

1378
01:08:51,520 --> 01:08:54,200
Speaker 5: It reminded me of My Girl, where they just work

1379
01:08:54,320 --> 01:08:58,280
Speaker 5: together on screen and they just are phenomenal together as

1380
01:08:58,280 --> 01:08:59,120
Speaker 5: that young little couple.

1381
01:08:59,160 --> 01:09:01,760
Speaker 2: They're great. They really The real way to fix it

1382
01:09:01,800 --> 01:09:05,080
Speaker 2: is to give him a haircut, poor kid. Yeah, my god, Well,

1383
01:09:05,080 --> 01:09:06,800
Speaker 2: it'd be so much better if it just did every

1384
01:09:06,800 --> 01:09:08,200
Speaker 2: time it cut though, he was like, oh, there it

1385
01:09:08,240 --> 01:09:08,679
Speaker 2: is again.

1386
01:09:09,760 --> 01:09:12,400
Speaker 6: So you love the kiss at the end. Because the

1387
01:09:12,520 --> 01:09:15,000
Speaker 6: kiss at the end grossed me out.

1388
01:09:15,560 --> 01:09:17,920
Speaker 2: I don't care about the kiss. It was the leading

1389
01:09:18,000 --> 01:09:19,680
Speaker 2: up to it where they're looking at each other and

1390
01:09:19,720 --> 01:09:22,320
Speaker 2: it was like clearly shot with two cameras because it

1391
01:09:22,360 --> 01:09:27,880
Speaker 2: felt very real that these two kids were nervous and insecure. Yeah,

1392
01:09:27,880 --> 01:09:30,240
Speaker 2: and I just thought like, oh, there's you know, like

1393
01:09:30,560 --> 01:09:33,880
Speaker 2: there's some reality here between these actors that is just palpable.

1394
01:09:34,439 --> 01:09:34,600
Speaker 6: You know.

1395
01:09:34,680 --> 01:09:37,240
Speaker 2: The actual kiss itself, yeah, I mean, all the kissing whenever,

1396
01:09:38,880 --> 01:09:42,360
Speaker 2: God watching kids. Kiss is just so weird. And did

1397
01:09:42,400 --> 01:09:45,360
Speaker 2: you notice Andrew's lips are all when the scene started,

1398
01:09:46,200 --> 01:09:49,000
Speaker 2: His lips are all smeared with her stuff, with whatever

1399
01:09:49,080 --> 01:09:52,720
Speaker 2: chapstick lipstick she had on, and he breaks. Andrew is

1400
01:09:52,760 --> 01:09:55,760
Speaker 2: breaking when that scene first starts. I was like watching him,

1401
01:09:55,760 --> 01:09:57,280
Speaker 2: and it was because they had already done a take.

1402
01:09:57,439 --> 01:09:59,360
Speaker 2: He had already done the kiss and was clearly like

1403
01:09:59,760 --> 01:10:01,800
Speaker 2: all like weirdo, you're all like.

1404
01:10:01,880 --> 01:10:05,880
Speaker 5: French kiss, which is really bizarre for kids, like just weird.

1405
01:10:06,520 --> 01:10:08,880
Speaker 2: They were really dating. They were really dating.

1406
01:10:09,880 --> 01:10:10,719
Speaker 4: It's too much.

1407
01:10:10,800 --> 01:10:14,759
Speaker 6: And John and Jackson, if you notice before he kisses,

1408
01:10:15,120 --> 01:10:16,240
Speaker 6: he licks his lips.

1409
01:10:16,479 --> 01:10:19,360
Speaker 2: Yes, yes, I saw that too. I can't.

1410
01:10:19,760 --> 01:10:29,200
Speaker 4: I couldn't, and I feel terrible because you know he

1411
01:10:29,360 --> 01:10:31,479
Speaker 4: was in real life what twelve or thirteen.

1412
01:10:31,640 --> 01:10:36,120
Speaker 6: I know might have very well been kiss yes, but

1413
01:10:36,240 --> 01:10:40,160
Speaker 6: it was I can't with the licking. And he has

1414
01:10:40,200 --> 01:10:44,240
Speaker 6: such beautiful, like women model lips.

1415
01:10:44,640 --> 01:10:46,240
Speaker 3: No, he doesn't have fully.

1416
01:10:45,960 --> 01:10:49,280
Speaker 4: Red and then they licked them. I don't know. It

1417
01:10:49,400 --> 01:10:50,240
Speaker 4: was just too much.

1418
01:10:50,520 --> 01:10:53,960
Speaker 1: So now we see the birth of Camp Nowhere, which

1419
01:10:54,040 --> 01:10:56,960
Speaker 1: was all shot at Walt Disney's Golden Oak Ranch, an

1420
01:10:57,000 --> 01:11:01,080
Speaker 1: eight hundred and ninety acre ranch still owned by the company.

1421
01:11:01,360 --> 01:11:04,320
Speaker 1: It is just outside of New Hall, about an hour

1422
01:11:04,400 --> 01:11:07,120
Speaker 1: away from Los Angeles. They still use the property for

1423
01:11:07,160 --> 01:11:10,439
Speaker 1: filming now with residential sets and a business district. And

1424
01:11:10,479 --> 01:11:13,160
Speaker 1: here's just some of the things that have filmed there.

1425
01:11:13,479 --> 01:11:17,479
Speaker 1: Pete's Dragon, the Muppet Movie, The A Team, Joe Dirt,

1426
01:11:17,960 --> 01:11:21,840
Speaker 1: The Dukes of Hazzard, the Office, It was Dwight's Farm,

1427
01:11:22,120 --> 01:11:25,920
Speaker 1: Pirates of the Caribbean at World's End, and the Jordan

1428
01:11:26,000 --> 01:11:28,400
Speaker 1: Sparks video for a song called Battlefield.

1429
01:11:29,479 --> 01:11:33,240
Speaker 5: I Heard Nothing after a Team. That's all you can,

1430
01:11:33,240 --> 01:11:35,160
Speaker 5: That's all. I've never been there.

1431
01:11:35,200 --> 01:11:37,400
Speaker 2: I would love to go away. It must be the

1432
01:11:37,760 --> 01:11:40,920
Speaker 2: coolest place because you know, it's like completely rigged with

1433
01:11:41,720 --> 01:11:44,639
Speaker 2: like you know, plugs everywhere, and like it's just it's

1434
01:11:44,640 --> 01:11:47,799
Speaker 2: built for filming, and yet it still looks so natural

1435
01:11:47,880 --> 01:11:50,400
Speaker 2: and gorgeous from the Disney ranch.

1436
01:12:01,720 --> 01:12:04,639
Speaker 3: So now they've rented the camp from an old man.

1437
01:12:05,200 --> 01:12:08,200
Speaker 1: The few minute cameo from Burgess Meredith and realized it's

1438
01:12:08,200 --> 01:12:11,120
Speaker 1: apparently right next to a military plane.

1439
01:12:10,840 --> 01:12:12,599
Speaker 3: Runway, but all is good.

1440
01:12:12,720 --> 01:12:15,280
Speaker 1: The camp has a hippie bus and a lake and

1441
01:12:15,400 --> 01:12:18,479
Speaker 1: mattresses to jump on from a roof. The former drama

1442
01:12:18,520 --> 01:12:20,479
Speaker 1: teacher leaves them be, he'll be at a lake house

1443
01:12:20,520 --> 01:12:21,799
Speaker 1: on the other side of the property.

1444
01:12:21,920 --> 01:12:23,479
Speaker 3: He'll see them in eight weeks.

1445
01:12:24,120 --> 01:12:26,920
Speaker 1: The rules are set by Mud letters home to parents

1446
01:12:26,960 --> 01:12:29,280
Speaker 1: once a week so they don't get suspicious if anyone

1447
01:12:29,320 --> 01:12:31,960
Speaker 1: in town talks to you you don't speak English. And lastly,

1448
01:12:32,320 --> 01:12:35,519
Speaker 1: report to Mud immediately if you find a taco bell.

1449
01:12:35,960 --> 01:12:38,400
Speaker 2: Now, at this point, Mud is telling all the kids

1450
01:12:38,439 --> 01:12:41,479
Speaker 2: everything right, like he is clearly the one in charge. Yes,

1451
01:12:42,000 --> 01:12:45,280
Speaker 2: So it didn't make any sense. I didn't make yes.

1452
01:12:45,280 --> 01:12:48,360
Speaker 2: Se when Andrew Keegan has the like he's actually been

1453
01:12:48,360 --> 01:12:50,320
Speaker 2: in charge the whole time, I was like, what doesn't

1454
01:12:50,400 --> 01:12:51,479
Speaker 2: everybody know that?

1455
01:12:51,600 --> 01:12:55,719
Speaker 1: Hold on, realize that it started with Andrew getting everybody's attention.

1456
01:12:55,960 --> 01:13:00,920
Speaker 1: Andrew's standing up there, going, guys, stop up here, and

1457
01:13:00,960 --> 01:13:04,000
Speaker 1: then everybody stops us, like geez, and then he hoists

1458
01:13:04,080 --> 01:13:06,200
Speaker 1: Jonathan up to give the instructions.

1459
01:13:06,320 --> 01:13:08,760
Speaker 2: Then Jonathan has all the money. So like when they

1460
01:13:08,760 --> 01:13:11,280
Speaker 2: come to Mud, they do the money Mud money, right,

1461
01:13:11,360 --> 01:13:12,120
Speaker 2: But they didn't know.

1462
01:13:12,439 --> 01:13:14,280
Speaker 5: They didn't know that he had collected all the money.

1463
01:13:14,280 --> 01:13:16,160
Speaker 5: He that's when they found out where It's like, where's

1464
01:13:16,160 --> 01:13:17,000
Speaker 5: the money and He's.

1465
01:13:16,840 --> 01:13:20,080
Speaker 2: Like, I've never really counted it. Which, by the way,

1466
01:13:20,160 --> 01:13:22,200
Speaker 2: is he have with all the stuff they buy? Is

1467
01:13:22,200 --> 01:13:24,479
Speaker 2: he rocking one hundred thousand dollars in cash? How much

1468
01:13:24,479 --> 01:13:27,040
Speaker 2: money lost? You know? I know he was.

1469
01:13:27,200 --> 01:13:29,559
Speaker 1: Yeah, and then he still has he still has four

1470
01:13:29,600 --> 01:13:32,160
Speaker 1: grand or something left over or whatever he had to

1471
01:13:32,240 --> 01:13:32,840
Speaker 1: pay off the guy.

1472
01:13:32,920 --> 01:13:33,920
Speaker 3: He's a little short.

1473
01:13:33,880 --> 01:13:36,200
Speaker 2: From making it rain at that camp.

1474
01:13:36,479 --> 01:13:37,679
Speaker 3: Oh yeah, very hip.

1475
01:13:37,800 --> 01:13:39,519
Speaker 2: That's a thing, right, didn't I say a thing? You

1476
01:13:39,680 --> 01:13:40,160
Speaker 2: did that?

1477
01:13:40,280 --> 01:13:42,120
Speaker 3: A thing from from twenty years ago?

1478
01:13:42,479 --> 01:13:42,759
Speaker 6: Yeah?

1479
01:13:42,880 --> 01:13:46,320
Speaker 2: Is that twenty Is that really? Damn it? God, damn,

1480
01:13:46,479 --> 01:13:49,960
Speaker 2: I thought I had something. Oh God, so close.

1481
01:13:50,760 --> 01:13:53,080
Speaker 1: The first day ends with the campfire and the kids

1482
01:13:53,120 --> 01:13:55,880
Speaker 1: are already having a blast living somewhere in between the

1483
01:13:55,920 --> 01:13:58,040
Speaker 1: Lost Boys from Hook and Lord of the Flies.

1484
01:13:58,800 --> 01:14:02,040
Speaker 2: Nowhere near Lord of the Fly, I kind of. They

1485
01:14:02,040 --> 01:14:04,519
Speaker 2: don't have a fight for like another hour, like they

1486
01:14:04,640 --> 01:14:06,719
Speaker 2: in an hour they have a fight, and Jonathan says,

1487
01:14:06,840 --> 01:14:09,360
Speaker 2: I've become my parents, you know, like that scene, I

1488
01:14:09,400 --> 01:14:14,320
Speaker 2: was like, these kids are actually really good kids. Everybody's like,

1489
01:14:14,320 --> 01:14:16,800
Speaker 2: they're all just so positive. They all get along with

1490
01:14:16,800 --> 01:14:17,040
Speaker 2: each other.

1491
01:14:17,040 --> 01:14:19,720
Speaker 1: Bikes spinning around the fire is probably one of the

1492
01:14:19,760 --> 01:14:27,599
Speaker 1: pagan references. Yeah, So the kids end up using the

1493
01:14:27,640 --> 01:14:31,320
Speaker 1: money to buy big screen TVs from Circuit City and

1494
01:14:31,439 --> 01:14:38,960
Speaker 1: electric guitar motorbikes, jet skis, super soakers tend to chainsawk trivia.

1495
01:14:39,200 --> 01:14:44,160
Speaker 5: Anybody remember what the Circuit City tagline was Circuit City?

1496
01:14:46,400 --> 01:14:50,519
Speaker 2: No, nope, I remember. Good guys, we gotta be good.

1497
01:14:50,960 --> 01:14:53,080
Speaker 2: That's that's it. But that's not the question, sir.

1498
01:14:53,280 --> 01:14:58,320
Speaker 5: I know Circuit City where services stay of the art.

1499
01:15:01,120 --> 01:15:05,040
Speaker 1: So we also learned about Michael Carson incessant, horned up

1500
01:15:05,160 --> 01:15:08,160
Speaker 1: need to skinny dip with young Hillary.

1501
01:15:08,640 --> 01:15:12,240
Speaker 3: Yeah, he just can't let it go, he can't.

1502
01:15:12,320 --> 01:15:16,160
Speaker 4: It was really Yeah, it was a thing.

1503
01:15:17,240 --> 01:15:21,720
Speaker 6: And I think that's that dancing around the idea that

1504
01:15:21,760 --> 01:15:25,160
Speaker 6: we were talking about, that sort of dancing between family

1505
01:15:25,840 --> 01:15:28,439
Speaker 6: and edgy or I think that was another one of those.

1506
01:15:28,880 --> 01:15:36,000
Speaker 2: I was shocked by how mean you were. Your character

1507
01:15:36,400 --> 01:15:42,559
Speaker 2: is always mean, yes, which is so not you. Like

1508
01:15:42,600 --> 01:15:44,280
Speaker 2: if you told if you asked me and having never

1509
01:15:44,280 --> 01:15:46,040
Speaker 2: seen the movie or knowing anything about it, like what

1510
01:15:46,080 --> 01:15:49,320
Speaker 2: part does Hillary play? I never would have been like, oh,

1511
01:15:49,400 --> 01:15:53,080
Speaker 2: she's like the super meany like always putting the guy

1512
01:15:53,160 --> 01:15:55,519
Speaker 2: down and turn. I was like wow, But that every

1513
01:15:55,520 --> 01:15:57,960
Speaker 2: single line you were, you were.

1514
01:15:58,840 --> 01:16:02,200
Speaker 4: And then loved it. That's what they wanted.

1515
01:16:03,200 --> 01:16:05,559
Speaker 3: Every group of kids needs that character.

1516
01:16:06,000 --> 01:16:08,280
Speaker 2: But was this or was that what you got cast

1517
01:16:08,320 --> 01:16:13,160
Speaker 2: as often? Because not on Boy Me's World, No, I don't.

1518
01:16:14,680 --> 01:16:15,519
Speaker 4: It really wasn't.

1519
01:16:15,600 --> 01:16:18,799
Speaker 6: It was what I got cast in in Camp Nowhere.

1520
01:16:19,120 --> 01:16:22,920
Speaker 6: And then I remember, I think it's what Jonathan Prince

1521
01:16:23,000 --> 01:16:27,280
Speaker 6: cast me in, because I remember coming in for the

1522
01:16:27,280 --> 01:16:30,640
Speaker 6: Great mom Swap and it's about like two it's a

1523
01:16:31,200 --> 01:16:34,759
Speaker 6: movie of the Week and they're two girls, the nice,

1524
01:16:35,439 --> 01:16:39,000
Speaker 6: quiet girl and then the popular bitch girl and they

1525
01:16:39,800 --> 01:16:43,479
Speaker 6: fight and so the punishment is they have to switch homes.

1526
01:16:44,360 --> 01:16:48,519
Speaker 6: And I remember coming into the audition and doing my

1527
01:16:48,800 --> 01:16:52,760
Speaker 6: version of this character and Jonathan saying, Hillary, this is

1528
01:16:54,040 --> 01:16:57,360
Speaker 6: the beginning of the movie. You're not this nice. And

1529
01:16:57,360 --> 01:17:00,760
Speaker 6: then I did it again and I saw like all

1530
01:17:00,800 --> 01:17:04,479
Speaker 6: the producers and Jonathan Blix because I was. I was,

1531
01:17:05,280 --> 01:17:07,720
Speaker 6: and and I think he knew he brought me in

1532
01:17:07,760 --> 01:17:09,439
Speaker 6: because he's like, Oh, I've got the girl who can

1533
01:17:09,479 --> 01:17:09,680
Speaker 6: do that.

1534
01:17:09,840 --> 01:17:13,200
Speaker 2: She can do the snark, I can. That's awesome. All right,

1535
01:17:13,280 --> 01:17:16,479
Speaker 2: Let's talk about the hats. So what was going on

1536
01:17:16,560 --> 01:17:20,040
Speaker 2: with the hat choices, because there's like four or five

1537
01:17:20,120 --> 01:17:22,120
Speaker 2: different hats that you wear. Was that you was that

1538
01:17:22,200 --> 01:17:24,920
Speaker 2: Jonathan who was was like, let's give her a hat.

1539
01:17:25,120 --> 01:17:26,080
Speaker 2: Who's a hat wrangler?

1540
01:17:26,520 --> 01:17:27,759
Speaker 3: Was that truly sun protection?

1541
01:17:28,439 --> 01:17:29,479
Speaker 4: That was one?

1542
01:17:32,520 --> 01:17:35,120
Speaker 2: There was like a beret at one point. It's it's

1543
01:17:35,160 --> 01:17:35,599
Speaker 2: a choice.

1544
01:17:35,680 --> 01:17:41,280
Speaker 6: I think that the that the costume designer really loved

1545
01:17:42,320 --> 01:17:48,240
Speaker 6: dressing me because everyone had their own not that you

1546
01:17:48,280 --> 01:17:51,519
Speaker 6: can tell in the movie other than Marnette wearing a

1547
01:17:51,600 --> 01:17:56,880
Speaker 6: lot of bikinis. That there's each character had their own

1548
01:17:57,040 --> 01:17:59,839
Speaker 6: look and their own style. And mine was like bohe

1549
01:18:00,120 --> 01:18:02,520
Speaker 6: mean buy it at crossroads?

1550
01:18:02,880 --> 01:18:08,320
Speaker 1: Yeah, it's like and Blossom was sad, yes, blowsome yeo.

1551
01:18:09,040 --> 01:18:18,240
Speaker 2: Yeah, Twilt, her name is Wilt, Wilts Blossom, We're sad.

1552
01:18:18,880 --> 01:18:19,160
Speaker 6: Yes.

1553
01:18:19,920 --> 01:18:24,320
Speaker 2: Actually a nineties TV show just called Wilt started the Saddest.

1554
01:18:23,960 --> 01:18:25,400
Speaker 3: Girl, right or strong?

1555
01:18:28,160 --> 01:18:31,120
Speaker 6: Yeah, So I think that was that was the idea,

1556
01:18:31,280 --> 01:18:34,280
Speaker 6: was that she I remember her being always very excited

1557
01:18:34,360 --> 01:18:37,479
Speaker 6: about my costumes and like that was sort of part

1558
01:18:37,560 --> 01:18:41,759
Speaker 6: of my My deal was that I wore hats and

1559
01:18:41,760 --> 01:18:43,599
Speaker 6: and yeah, I mean.

1560
01:18:43,840 --> 01:18:46,360
Speaker 2: I gotta make you pop somehow. Yeah, because there's so

1561
01:18:46,360 --> 01:18:49,200
Speaker 2: many kids, so many characters, you got one thing and

1562
01:18:49,240 --> 01:18:51,559
Speaker 2: you need to know exactly who that person is and

1563
01:18:51,640 --> 01:18:53,760
Speaker 2: get it out. Yeah, it's it's a lot of work man.

1564
01:18:54,040 --> 01:18:57,240
Speaker 1: So this massive delivery of stuff catches the attention of

1565
01:18:57,280 --> 01:18:59,920
Speaker 1: the local policeman, who has suspicions about what's going on

1566
01:19:00,080 --> 01:19:03,160
Speaker 1: and complaints from neighbors. But Mud and Van Welker are

1567
01:19:03,280 --> 01:19:06,120
Speaker 1: very good at hiding the truth and they're having a blast.

1568
01:19:06,439 --> 01:19:08,920
Speaker 1: The twin girls are playing video games, eating very long

1569
01:19:09,000 --> 01:19:12,000
Speaker 1: sub sandwiches, playing in the lank playing in the lake

1570
01:19:12,040 --> 01:19:15,759
Speaker 1: with fireworks. On July fourth, and Andrew Keegan even jumped

1571
01:19:15,800 --> 01:19:18,880
Speaker 1: his bike into the water with a very obvious grown

1572
01:19:18,960 --> 01:19:21,080
Speaker 1: man stunt double exactly.

1573
01:19:20,840 --> 01:19:23,479
Speaker 2: With the forty year old man actually doing it. Yes,

1574
01:19:23,720 --> 01:19:27,000
Speaker 2: that's right, so fun. But then the next kid does

1575
01:19:27,040 --> 01:19:28,720
Speaker 2: it on rollerblade and it's actually.

1576
01:19:28,400 --> 01:19:30,639
Speaker 6: The kid I was just about to say, and notice

1577
01:19:30,720 --> 01:19:32,439
Speaker 6: Devin Oatway did not use a stunt man.

1578
01:19:32,640 --> 01:19:37,360
Speaker 4: Yes, and face, you gotta protect the money maker.

1579
01:19:37,560 --> 01:19:39,960
Speaker 2: Come on, they don't break the money maker. I mean

1580
01:19:39,960 --> 01:19:42,640
Speaker 2: it's I think it's probably because Andrew was taller and

1581
01:19:42,720 --> 01:19:45,760
Speaker 2: they could they thought seal the fact that it was

1582
01:19:46,439 --> 01:19:47,200
Speaker 2: a grown person.

1583
01:19:47,320 --> 01:19:50,719
Speaker 1: Yeah, so we established Van Welker's love interest in nearby

1584
01:19:50,840 --> 01:19:53,719
Speaker 1: doctor Dunbar, who has to help Mud when he injures himself,

1585
01:19:54,040 --> 01:19:56,200
Speaker 1: and they use more lies to cover up the real

1586
01:19:56,240 --> 01:19:58,720
Speaker 1: situation over at the camp with her too, and then

1587
01:19:58,880 --> 01:20:03,920
Speaker 1: unfortunately it rains very very heavily in.

1588
01:20:03,960 --> 01:20:06,559
Speaker 4: July, long time rain.

1589
01:20:08,240 --> 01:20:10,840
Speaker 1: The kids are depressed and they want to go home,

1590
01:20:10,880 --> 01:20:13,080
Speaker 1: but then they decide to just embrace the storm and

1591
01:20:13,120 --> 01:20:14,360
Speaker 1: create the rain Olympics.

1592
01:20:14,600 --> 01:20:17,439
Speaker 2: And this was this must have been like, this is

1593
01:20:17,439 --> 01:20:21,800
Speaker 2: like kid actor heaven, Oh, rain machines and mud and

1594
01:20:21,920 --> 01:20:24,520
Speaker 2: let's go. I mean, it's probably stressful.

1595
01:20:24,520 --> 01:20:27,759
Speaker 1: But also so I know, how was this shooting outside

1596
01:20:27,760 --> 01:20:29,080
Speaker 1: and how did they create all this rain?

1597
01:20:29,680 --> 01:20:34,000
Speaker 6: So they I mean, yes, you're absolutely right. You can

1598
01:20:34,200 --> 01:20:36,120
Speaker 6: see everyone is having so much fun.

1599
01:20:36,360 --> 01:20:36,640
Speaker 4: It is.

1600
01:20:36,880 --> 01:20:41,400
Speaker 6: So they just let the cameras having so much fun

1601
01:20:42,479 --> 01:20:46,599
Speaker 6: because it is it's a kid's dream. Yeah, And so

1602
01:20:46,680 --> 01:20:51,360
Speaker 6: how they made the they had these like big rain things.

1603
01:20:51,439 --> 01:20:59,440
Speaker 6: It was just pouring cold, cold water on us in January,

1604
01:21:01,240 --> 01:21:04,040
Speaker 6: so it was not heated. What I thought everyone did

1605
01:21:04,080 --> 01:21:06,880
Speaker 6: such a good job of is really staying in the

1606
01:21:06,920 --> 01:21:11,880
Speaker 6: fun of it and show that they're freezing.

1607
01:21:12,560 --> 01:21:15,240
Speaker 4: You know that they're literally you were literally shivering.

1608
01:21:15,520 --> 01:21:17,479
Speaker 2: Oh, but it.

1609
01:21:17,560 --> 01:21:20,760
Speaker 6: Was so all I thought to me, the most fun

1610
01:21:20,760 --> 01:21:24,559
Speaker 6: in the movie is all the montages of the playing

1611
01:21:24,640 --> 01:21:28,400
Speaker 6: in the rain, of the fireworks, you know, fourth of

1612
01:21:28,479 --> 01:21:30,960
Speaker 6: July of the like the sub sandwich.

1613
01:21:32,439 --> 01:21:35,720
Speaker 4: What ten year old doesn't dream of?

1614
01:21:35,800 --> 01:21:38,439
Speaker 6: Like just the I mean I wish it had been

1615
01:21:38,960 --> 01:21:40,920
Speaker 6: I don't know, doughnuts or cake or something.

1616
01:21:41,040 --> 01:21:44,360
Speaker 1: I know, because I was like, kids love giant sub sandwiches.

1617
01:21:46,320 --> 01:21:48,720
Speaker 2: I think they do. I think this is no. I mean,

1618
01:21:48,800 --> 01:21:50,880
Speaker 2: this is why the movie exists, right, Like the movie

1619
01:21:51,000 --> 01:21:53,000
Speaker 2: was film it well, and so it was like let's

1620
01:21:53,080 --> 01:21:54,479
Speaker 2: just you know that they were just in a room

1621
01:21:54,520 --> 01:21:57,120
Speaker 2: being like, all right, tell me everything the kids want,

1622
01:21:57,200 --> 01:21:58,560
Speaker 2: and they just wrote them all down and they're like,

1623
01:21:58,560 --> 01:22:00,680
Speaker 2: we're going to shoot all of these knock him out

1624
01:22:00,680 --> 01:22:02,080
Speaker 2: into a montage and it's great.

1625
01:22:02,520 --> 01:22:05,519
Speaker 1: Yeah, yeah, Well then we get another love story between

1626
01:22:05,600 --> 01:22:08,479
Speaker 1: Mud and a fellow dorcas Gabby, while Van Welker and

1627
01:22:08,520 --> 01:22:11,320
Speaker 1: doctor Dunbar are getting closer and even have a dinner

1628
01:22:11,360 --> 01:22:13,960
Speaker 1: date where Mud has to create a whole scenario where

1629
01:22:13,960 --> 01:22:16,160
Speaker 1: they are father and son maybe.

1630
01:22:16,040 --> 01:22:20,439
Speaker 2: Just throws them outside. Yeah, it was great.

1631
01:22:20,720 --> 01:22:21,639
Speaker 3: It's so funny.

1632
01:22:21,840 --> 01:22:24,920
Speaker 1: Then Andrew Keegan tries to buy to buy beer, you know,

1633
01:22:25,040 --> 01:22:28,040
Speaker 1: like they do in every Disney Kids movie, but his

1634
01:22:28,120 --> 01:22:28,719
Speaker 1: fake ID.

1635
01:22:28,760 --> 01:22:31,360
Speaker 3: Says he's thirty one and no one is buying it.

1636
01:22:31,920 --> 01:22:34,040
Speaker 2: See I'm sorry, what year was this shot? And where

1637
01:22:34,080 --> 01:22:36,840
Speaker 2: are they supposed to be that the drinking age was nineteen?

1638
01:22:37,160 --> 01:22:38,479
Speaker 2: I know it must be.

1639
01:22:38,720 --> 01:22:41,760
Speaker 5: Yeah, he's twenty one is federal, isn't it? And it's

1640
01:22:41,840 --> 01:22:46,880
Speaker 5: and it's from it like his seventies. Yeah, so they

1641
01:22:46,920 --> 01:22:49,400
Speaker 5: must they must have taken place in Canada like it

1642
01:22:49,439 --> 01:22:51,599
Speaker 5: was supposed to be, because there's nowhere you can buy.

1643
01:22:51,400 --> 01:22:53,719
Speaker 2: Beer, which is strange because most things shoot in Canada

1644
01:22:53,920 --> 01:22:58,439
Speaker 2: and pretend to take place in exactly exactly. Yeah, so weird.

1645
01:22:58,720 --> 01:23:00,800
Speaker 1: So to save him from the store, were calling the cops,

1646
01:23:00,840 --> 01:23:03,760
Speaker 1: Christopher Lloyd pretends to be his dad and fixes it all.

1647
01:23:03,800 --> 01:23:07,360
Speaker 1: But also, does that mean they believe that Christopher Lloyd

1648
01:23:07,439 --> 01:23:08,760
Speaker 1: is thirty one?

1649
01:23:09,360 --> 01:23:11,760
Speaker 2: I was like, I was like, wait, Andrew Keagan's not

1650
01:23:11,800 --> 01:23:12,320
Speaker 2: thirty one.

1651
01:23:12,479 --> 01:23:16,559
Speaker 5: But also, yeah, he still tried to use the fake ID,

1652
01:23:16,920 --> 01:23:19,200
Speaker 5: even if he tried to buy it for somebody older,

1653
01:23:19,400 --> 01:23:20,719
Speaker 5: Like that even makes sense.

1654
01:23:20,800 --> 01:23:23,200
Speaker 2: Yeah, but at least they got beer.

1655
01:23:23,600 --> 01:23:26,479
Speaker 1: Yeah, Christopher Lloyd may have had some early fears about

1656
01:23:26,520 --> 01:23:28,920
Speaker 1: the script, but he deserves that extra money as he

1657
01:23:29,120 --> 01:23:31,679
Speaker 1: walks through a car wash.

1658
01:23:31,920 --> 01:23:34,760
Speaker 2: Yeah, and this was a set piece that made no

1659
01:23:34,800 --> 01:23:39,479
Speaker 2: sense to me. Why I was caught in the door. Sorry.

1660
01:23:39,520 --> 01:23:41,000
Speaker 2: This is why I felt like the script had been

1661
01:23:41,040 --> 01:23:43,880
Speaker 2: rewritten like fifty times, and some studio exec was like,

1662
01:23:43,960 --> 01:23:46,680
Speaker 2: you know what's funny car washes? Maybe guy walked through

1663
01:23:46,680 --> 01:23:48,320
Speaker 2: a car washes, Like, how do we get that into

1664
01:23:48,360 --> 01:23:48,719
Speaker 2: our camp?

1665
01:23:48,720 --> 01:23:48,880
Speaker 4: Move?

1666
01:23:49,240 --> 01:23:52,400
Speaker 2: Okay, and they just crammed it in. You're like, yeah,

1667
01:23:52,760 --> 01:23:55,160
Speaker 2: it's not even that funny, but okay.

1668
01:23:56,000 --> 01:23:58,200
Speaker 4: The twenty million. But on one condition.

1669
01:23:58,120 --> 01:24:00,519
Speaker 2: Exactly a wash. I want to say, we need like

1670
01:24:00,520 --> 01:24:02,360
Speaker 2: a Jim Carrey guy going through a car wash. Can

1671
01:24:02,360 --> 01:24:04,559
Speaker 2: you make that happen? That'll be funny? What have you got?

1672
01:24:04,560 --> 01:24:05,439
Speaker 2: Spray in wax go?

1673
01:24:06,960 --> 01:24:09,680
Speaker 1: So we also have to address now that when the

1674
01:24:09,760 --> 01:24:13,840
Speaker 1: kids were writing letters home, apparently they were using the

1675
01:24:13,880 --> 01:24:19,600
Speaker 1: real camp's return address, because that is how Emmett Walsh

1676
01:24:19,640 --> 01:24:23,719
Speaker 1: tracks down Van Welker and eventually why their parents want

1677
01:24:23,760 --> 01:24:24,200
Speaker 1: to visit.

1678
01:24:24,560 --> 01:24:26,280
Speaker 3: And that was a dumb idea.

1679
01:24:26,439 --> 01:24:26,719
Speaker 2: Kids.

1680
01:24:27,040 --> 01:24:30,680
Speaker 5: You can't just you're this smart to make all these

1681
01:24:30,680 --> 01:24:33,200
Speaker 5: thousands of dollars start your own camp, but you can't

1682
01:24:33,200 --> 01:24:34,679
Speaker 5: mail it from somewhere else.

1683
01:24:34,600 --> 01:24:36,920
Speaker 3: Exactly, do a false address here.

1684
01:24:37,040 --> 01:24:39,839
Speaker 4: Yes, Look, they can be smart and still act stupid.

1685
01:24:40,160 --> 01:24:43,240
Speaker 3: Bingo, thank you. The whole point of the movie it

1686
01:24:43,280 --> 01:24:43,760
Speaker 3: was a good line.

1687
01:24:43,760 --> 01:24:44,720
Speaker 2: Disagree, I know.

1688
01:24:44,760 --> 01:24:47,439
Speaker 6: It is not a good line came out.

1689
01:24:47,479 --> 01:24:48,760
Speaker 2: I was like, that's a nice way to that's a

1690
01:24:48,800 --> 01:24:51,280
Speaker 2: good line. It's a little generic. You could use it

1691
01:24:51,280 --> 01:24:53,440
Speaker 2: in a lot of movies, but it actually.

1692
01:24:54,160 --> 01:24:55,080
Speaker 4: It's liked it too.

1693
01:24:55,280 --> 01:24:58,840
Speaker 1: Yeah, so the dunbar date goes well, I guess, and

1694
01:24:58,920 --> 01:25:00,840
Speaker 1: apparently she sleeps over.

1695
01:25:01,040 --> 01:25:03,240
Speaker 2: She sleeps over when she got out when the jeep

1696
01:25:03,320 --> 01:25:04,400
Speaker 2: was like driving out in the morning.

1697
01:25:04,439 --> 01:25:07,360
Speaker 1: I was like, wait, wait, she seemed I said, I

1698
01:25:07,479 --> 01:25:10,880
Speaker 1: first said, and then she come back and then I go, oh,

1699
01:25:17,960 --> 01:25:18,639
Speaker 1: so she.

1700
01:25:18,560 --> 01:25:19,679
Speaker 2: Apparently sleeps over.

1701
01:25:19,800 --> 01:25:22,839
Speaker 1: And then she accidentally sees all the kids in total

1702
01:25:22,920 --> 01:25:26,160
Speaker 1: camp chaos in the morning. She approaches the fake father

1703
01:25:26,320 --> 01:25:28,439
Speaker 1: son and she is furious that these kids have lied

1704
01:25:28,479 --> 01:25:31,080
Speaker 1: to their parents and they could get hurt. All this

1705
01:25:31,280 --> 01:25:33,960
Speaker 1: at the same time, all the parents have decided to

1706
01:25:34,040 --> 01:25:37,040
Speaker 1: visit the camp with all their false assumptions about what's

1707
01:25:37,040 --> 01:25:37,639
Speaker 1: happening there.

1708
01:25:37,720 --> 01:25:42,360
Speaker 7: It's breaking back three here, folks and the jigs create

1709
01:25:42,560 --> 01:25:47,800
Speaker 7: a multi tiered, insanely elaborate plan to produce parents Day

1710
01:25:48,080 --> 01:25:49,519
Speaker 7: and get together.

1711
01:25:50,280 --> 01:25:54,240
Speaker 6: Yes, see what we can do when we all come together?

1712
01:25:54,920 --> 01:25:58,599
Speaker 2: Now, did you need four different ways to change the sign?

1713
01:25:59,360 --> 01:26:01,320
Speaker 5: I thought it was cool, But couldn't this sign just

1714
01:26:01,360 --> 01:26:03,120
Speaker 5: be changed the same way every time?

1715
01:26:03,280 --> 01:26:06,200
Speaker 2: Like you needed rocket it's got to be super complicated

1716
01:26:06,320 --> 01:26:08,479
Speaker 2: and every time you see it. To me, that's the

1717
01:26:08,560 --> 01:26:10,760
Speaker 2: kind of thing everything pull it, everything pull it. That's

1718
01:26:10,760 --> 01:26:13,719
Speaker 2: the kind of thing that you know, as a eleven

1719
01:26:13,800 --> 01:26:15,599
Speaker 2: year old, you do think is kind of cool when

1720
01:26:15,600 --> 01:26:18,479
Speaker 2: you're watching a movie. Contraption is always good a contraption.

1721
01:26:18,600 --> 01:26:23,280
Speaker 2: But also this was the era of like production value

1722
01:26:23,479 --> 01:26:25,759
Speaker 2: was in being able to pull off these kinds of things.

1723
01:26:25,800 --> 01:26:29,719
Speaker 2: Because nowadays, you know, you it would be all CG.

1724
01:26:29,880 --> 01:26:31,240
Speaker 2: You could just you know, so it wouldn't be as

1725
01:26:31,280 --> 01:26:34,479
Speaker 2: impressive to kids. But like back then, to see you know,

1726
01:26:34,600 --> 01:26:36,559
Speaker 2: like I mean think about goonies like the booby traps,

1727
01:26:36,600 --> 01:26:39,400
Speaker 2: you know, like whenever you had like this, the Rube

1728
01:26:39,400 --> 01:26:42,800
Speaker 2: Goldberg level of machines like that was so satisfying to

1729
01:26:42,800 --> 01:26:44,920
Speaker 2: watch in a film and very hard to pull off.

1730
01:26:45,040 --> 01:26:47,400
Speaker 5: I'm just saying, why change it four times? When I

1731
01:26:47,520 --> 01:26:49,200
Speaker 5: have four rockets or four sides?

1732
01:26:50,800 --> 01:26:55,200
Speaker 2: The creativity you are four times? But the thing to

1733
01:26:55,240 --> 01:26:56,800
Speaker 2: me that was like crazy, I mean, it was all

1734
01:26:56,920 --> 01:26:59,400
Speaker 2: very convenient, the way it all like there's actually no problems.

1735
01:26:59,439 --> 01:27:01,400
Speaker 2: It all kind of worked out. But the thing to

1736
01:27:01,439 --> 01:27:03,439
Speaker 2: me that that drove me crazy was the way that

1737
01:27:03,680 --> 01:27:07,120
Speaker 2: the traps went off on the two cop characters. When

1738
01:27:07,160 --> 01:27:10,960
Speaker 2: they went it was like, because the kids didn't plan that, right, right,

1739
01:27:11,320 --> 01:27:12,439
Speaker 2: that just happens.

1740
01:27:13,080 --> 01:27:15,160
Speaker 5: Oh, I know that was a mistake because he stepped

1741
01:27:15,200 --> 01:27:16,360
Speaker 5: on the large rat trap.

1742
01:27:18,040 --> 01:27:19,960
Speaker 2: It was like, oh, we got to have the home alone. See,

1743
01:27:20,439 --> 01:27:23,200
Speaker 2: but there was like that kids that alone set these traps.

1744
01:27:23,200 --> 01:27:26,920
Speaker 2: So it's not satisfying. It's just a series of misadventures.

1745
01:27:26,920 --> 01:27:29,599
Speaker 2: I was like, I mean, I but so much work.

1746
01:27:29,960 --> 01:27:32,120
Speaker 2: That's like a month of filming right there to just

1747
01:27:32,200 --> 01:27:33,880
Speaker 2: be like insert this insert.

1748
01:27:34,000 --> 01:27:36,479
Speaker 6: It wasn't satisfying to you. But I have to tell

1749
01:27:36,560 --> 01:27:39,080
Speaker 6: you my kids love.

1750
01:27:41,920 --> 01:27:43,960
Speaker 2: They were they.

1751
01:27:44,040 --> 01:27:45,920
Speaker 6: I mean when I was even I when I watch

1752
01:27:45,920 --> 01:27:47,799
Speaker 6: it with my kids, I'm like, what with the bear?

1753
01:27:47,960 --> 01:27:51,160
Speaker 4: What is happening? He's on the back of the well.

1754
01:27:51,240 --> 01:27:53,760
Speaker 1: I think what writer missed is that what what was

1755
01:27:53,760 --> 01:27:56,320
Speaker 1: happening is those were the things they had to hide,

1756
01:27:56,800 --> 01:27:58,719
Speaker 1: Those were the things they had to get ridden.

1757
01:27:58,640 --> 01:28:00,720
Speaker 2: I guess, but it was in the come up and

1758
01:28:00,920 --> 01:28:02,640
Speaker 2: because I mean, it's just just like it was just

1759
01:28:02,640 --> 01:28:04,479
Speaker 2: so random, you know, it was just like they had

1760
01:28:04,520 --> 01:28:07,920
Speaker 2: no relation to a plan or characters choices. It was

1761
01:28:07,960 --> 01:28:10,440
Speaker 2: purely just hijas haphazards.

1762
01:28:10,439 --> 01:28:12,320
Speaker 5: Well yeah, I think it was that they were done,

1763
01:28:12,720 --> 01:28:14,200
Speaker 5: like they got away with everything.

1764
01:28:14,400 --> 01:28:16,200
Speaker 2: All the stuff was up at the ceiling. Now they

1765
01:28:16,280 --> 01:28:20,440
Speaker 2: got it. But everything happens.

1766
01:28:20,200 --> 01:28:35,200
Speaker 1: Yeah yeah, okay, so it involves this whole plan involves

1767
01:28:35,200 --> 01:28:40,400
Speaker 1: security cameras, moving walls, walkie talkies, and always changing signs.

1768
01:28:40,439 --> 01:28:43,599
Speaker 1: The best to me was the military camp sign of

1769
01:28:43,720 --> 01:28:47,679
Speaker 1: to Saigon turning into the Broadway camp sign of miss.

1770
01:28:48,800 --> 01:28:51,000
Speaker 2: When they when they came up with that, they were

1771
01:28:51,600 --> 01:28:55,480
Speaker 2: I feel like the whole reason they did this movie. Wait,

1772
01:28:55,520 --> 01:29:00,400
Speaker 2: they have to go from military to theater. Let's do it? Really? God,

1773
01:29:02,240 --> 01:29:04,479
Speaker 2: I mean it's a little disturbed. Is the point of

1774
01:29:04,520 --> 01:29:08,320
Speaker 2: the military camp, Like, let's play on Dad's I know,

1775
01:29:08,600 --> 01:29:11,800
Speaker 2: was Dad in Vietnam and and we're just gonna really

1776
01:29:11,880 --> 01:29:12,759
Speaker 2: bring him back there?

1777
01:29:12,960 --> 01:29:13,200
Speaker 5: I know.

1778
01:29:13,320 --> 01:29:16,560
Speaker 1: I also expected there to be like he wasn't anymore.

1779
01:29:16,880 --> 01:29:19,559
Speaker 1: He wasn't You think when you're sending your kid to camp,

1780
01:29:19,560 --> 01:29:22,040
Speaker 1: it's because you want him to learn respect, and he

1781
01:29:22,080 --> 01:29:22,439
Speaker 1: would have.

1782
01:29:22,520 --> 01:29:24,599
Speaker 3: They also mentioned the haircut thing.

1783
01:29:24,600 --> 01:29:28,799
Speaker 2: That wanted him to be an assassin. Yeah, just torture

1784
01:29:28,920 --> 01:29:32,040
Speaker 2: wanted him to be tortured, tortured in Vietnam, and then

1785
01:29:32,080 --> 01:29:35,840
Speaker 2: he has flashbacks in that they stuck and well, I

1786
01:29:35,840 --> 01:29:39,040
Speaker 2: think because he's the only there's only two or three

1787
01:29:39,120 --> 01:29:40,960
Speaker 2: kids that were supposed to go to the military camp,

1788
01:29:41,280 --> 01:29:43,680
Speaker 2: so it's essentially the only one Dad is coming. So

1789
01:29:43,720 --> 01:29:45,320
Speaker 2: we just have to keep him in this hole just

1790
01:29:45,360 --> 01:29:48,520
Speaker 2: torture flashbacks.

1791
01:29:48,760 --> 01:29:51,360
Speaker 5: Yeah, just being in the hole wasn't but they had

1792
01:29:51,360 --> 01:29:54,080
Speaker 5: to make the whole cold and wet too, Like that

1793
01:29:54,320 --> 01:29:55,479
Speaker 5: wasn't necessary for anything.

1794
01:29:55,479 --> 01:29:56,840
Speaker 2: But they just wanted him to leave.

1795
01:29:57,000 --> 01:29:58,599
Speaker 3: They wanted him to they wanted.

1796
01:30:00,040 --> 01:30:01,680
Speaker 1: So Also, when the kids are getting ready for this

1797
01:30:01,760 --> 01:30:04,519
Speaker 1: with a super fun montage, they are wearing Done Edwards

1798
01:30:04,560 --> 01:30:07,360
Speaker 1: paint shirts and hats. Do you know was Done Edwards

1799
01:30:07,400 --> 01:30:10,080
Speaker 1: a sponsor? Did you guys have like sponsorship money?

1800
01:30:10,840 --> 01:30:13,839
Speaker 6: I had no idea, but you're right, that's a very

1801
01:30:13,920 --> 01:30:15,240
Speaker 6: odd choice.

1802
01:30:15,360 --> 01:30:18,000
Speaker 3: I was like, oh, someone got some Done Edwards.

1803
01:30:17,680 --> 01:30:19,400
Speaker 2: Money and maybe Circuit City.

1804
01:30:19,520 --> 01:30:22,920
Speaker 5: I mean again, Disney was not big at putting brands

1805
01:30:22,960 --> 01:30:25,760
Speaker 5: in their movies, so for free, for free, So I

1806
01:30:25,760 --> 01:30:28,439
Speaker 5: mean you had Circuit City, you had Done Edwards. I

1807
01:30:28,439 --> 01:30:30,960
Speaker 5: mean there were four or five there that were pretty recognizable.

1808
01:30:31,160 --> 01:30:32,280
Speaker 4: Yeah, you're probably right.

1809
01:30:32,960 --> 01:30:35,760
Speaker 1: So Parents' Day is a huge success with so many

1810
01:30:35,800 --> 01:30:38,479
Speaker 1: moving parts and close calls, but all the parents bought it,

1811
01:30:38,520 --> 01:30:41,800
Speaker 1: and it's all written and directed so well. There's also

1812
01:30:41,920 --> 01:30:45,200
Speaker 1: a great tie in with the fighter jets that we

1813
01:30:45,280 --> 01:30:46,599
Speaker 1: saw at the beginning of the movie.

1814
01:30:47,320 --> 01:30:53,760
Speaker 2: To oh yeah, Kids Delivering Tennessee Williams, I was like,

1815
01:30:53,960 --> 01:30:57,559
Speaker 2: I love that. I love watching like kid Theater, bad Theater.

1816
01:30:57,640 --> 01:30:58,840
Speaker 2: I love it. It's like my favorite.

1817
01:30:59,080 --> 01:30:59,880
Speaker 4: I love that scene.

1818
01:31:00,160 --> 01:31:02,519
Speaker 3: Well, yeah, so, Hillary, I wanted to ask you.

1819
01:31:02,560 --> 01:31:06,280
Speaker 1: Alison mack is in this movie I realized as Heather,

1820
01:31:07,520 --> 01:31:09,960
Speaker 1: and she had spent two years of a three year

1821
01:31:10,040 --> 01:31:12,599
Speaker 1: jail sentence in twenty twenty one for racketeering and her

1822
01:31:12,600 --> 01:31:14,360
Speaker 1: alleged involvement in a cult.

1823
01:31:15,000 --> 01:31:16,920
Speaker 3: What do you remember about her? Did you too keep

1824
01:31:16,920 --> 01:31:17,320
Speaker 3: in touch?

1825
01:31:18,760 --> 01:31:20,559
Speaker 4: We didn't.

1826
01:31:20,880 --> 01:31:23,960
Speaker 6: I mean, I remember her being she was one of

1827
01:31:24,000 --> 01:31:30,200
Speaker 6: the youngest cast members, so I remember the older cast

1828
01:31:30,240 --> 01:31:35,400
Speaker 6: members being like very protected, like sort of taking her

1829
01:31:35,479 --> 01:31:40,599
Speaker 6: under our wing. And I remember her being just much

1830
01:31:40,720 --> 01:31:41,680
Speaker 6: like her character in.

1831
01:31:41,600 --> 01:31:45,280
Speaker 4: This movie, just cute as a button.

1832
01:31:45,360 --> 01:31:46,760
Speaker 2: Yeah, she's very sweet in the film.

1833
01:31:46,840 --> 01:31:50,400
Speaker 6: Yeah, so just do you want to pinch your little cheeks?

1834
01:31:51,439 --> 01:31:54,120
Speaker 4: That's what I remember. Yeah, that's what I remember.

1835
01:31:54,200 --> 01:31:55,799
Speaker 2: So she didn't ask you to brand your crotch.

1836
01:31:56,680 --> 01:32:02,360
Speaker 6: Well, I mean she did until several weeks into the production.

1837
01:32:03,400 --> 01:32:05,360
Speaker 4: You know, it's just.

1838
01:32:05,400 --> 01:32:07,360
Speaker 2: It's just a c N for Camp Nowhere.

1839
01:32:07,840 --> 01:32:08,280
Speaker 4: It's just.

1840
01:32:11,560 --> 01:32:13,479
Speaker 2: They all have those. They all have those.

1841
01:32:14,640 --> 01:32:15,240
Speaker 3: Showed us his.

1842
01:32:17,600 --> 01:32:19,840
Speaker 2: Wish you guys didn't. I can't nowhere tattoo. That would

1843
01:32:19,840 --> 01:32:20,400
Speaker 2: be awesome.

1844
01:32:20,520 --> 01:32:21,320
Speaker 4: It would be awesome.

1845
01:32:21,400 --> 01:32:23,760
Speaker 6: That would be kind of like the Lord of the

1846
01:32:23,840 --> 01:32:26,479
Speaker 6: Rings cast how they did their tattoo.

1847
01:32:26,560 --> 01:32:28,000
Speaker 4: We could do a Camp Nowhere.

1848
01:32:28,160 --> 01:32:30,120
Speaker 2: I'm trying to get them to do pod meets all tattoos.

1849
01:32:30,120 --> 01:32:32,360
Speaker 2: They won't do them with me. You would do it tomorrow.

1850
01:32:33,439 --> 01:32:34,760
Speaker 2: We did about this.

1851
01:32:34,880 --> 01:32:37,519
Speaker 5: We talked about this Eddie convention and Daniel's like, I

1852
01:32:37,560 --> 01:32:39,720
Speaker 5: had tattoos of never doing it again, and Rider you

1853
01:32:39,720 --> 01:32:41,400
Speaker 5: were like, it doesn't really mean we had.

1854
01:32:41,400 --> 01:32:42,320
Speaker 2: We talked about this at a.

1855
01:32:42,320 --> 01:32:45,400
Speaker 1: Dinner, okay, just like ill he asked, and I just

1856
01:32:45,439 --> 01:32:47,000
Speaker 1: apparently don't remember, because Jensen was there.

1857
01:32:47,000 --> 01:32:48,599
Speaker 2: He said he did ask on Yes I will.

1858
01:32:48,760 --> 01:32:50,760
Speaker 5: I'll go right now, get those damn things and then

1859
01:32:50,760 --> 01:32:54,599
Speaker 5: we'll get vampire facials and call it a day.

1860
01:32:55,360 --> 01:32:58,200
Speaker 1: So the parents leave all happy with what they've seen.

1861
01:32:58,240 --> 01:33:01,920
Speaker 1: That is until the debt, electing Emmett Walsh arrives to

1862
01:33:02,080 --> 01:33:06,080
Speaker 1: spoil everything. He exposes the truth to the parents, making

1863
01:33:06,160 --> 01:33:09,519
Speaker 1: everything literally come apart at the seams. Van Welker runs

1864
01:33:09,560 --> 01:33:12,799
Speaker 1: away to avoid punishment, leaving Mud defend for himself. Everything

1865
01:33:12,840 --> 01:33:16,439
Speaker 1: is doomed, except Van Welker ends up finding his heart

1866
01:33:16,600 --> 01:33:19,080
Speaker 1: and attempts to take all the blame for the camp

1867
01:33:19,560 --> 01:33:22,320
Speaker 1: Mud is touched by the gesture, but admits it was him,

1868
01:33:22,720 --> 01:33:26,080
Speaker 1: the lowly dweebo, who was the mastermind. But in a

1869
01:33:26,120 --> 01:33:28,559
Speaker 1: bit of a trope ending seen in movies like Disney's

1870
01:33:28,640 --> 01:33:32,400
Speaker 1: Radio Rebel or Spartacus, all the campers pretend to be

1871
01:33:32,479 --> 01:33:37,560
Speaker 1: the mastermind because you can't bust everyone, can you. Everyone

1872
01:33:37,640 --> 01:33:40,360
Speaker 1: says they are smart enough to act stupid.

1873
01:33:41,120 --> 01:33:41,400
Speaker 2: Ah.

1874
01:33:41,880 --> 01:33:44,800
Speaker 1: The parents appear mad at first, but then they get

1875
01:33:44,840 --> 01:33:48,280
Speaker 1: over it. While watching the Gesture of Unity, leaving no

1876
01:33:48,439 --> 01:33:52,960
Speaker 1: real consequences for the campers now whatsoever. Van Welker Mud

1877
01:33:53,040 --> 01:33:55,479
Speaker 1: uses the leftover money to pay off the debt collector.

1878
01:33:55,720 --> 01:33:58,280
Speaker 1: And I am saying it now, I would watch a

1879
01:33:58,320 --> 01:34:01,040
Speaker 1: spin off of Emmett Walsh's character as he retires in

1880
01:34:01,040 --> 01:34:01,719
Speaker 1: Boca Raton.

1881
01:34:02,439 --> 01:34:04,240
Speaker 3: Yes, I don't think that would be.

1882
01:34:04,240 --> 01:34:06,840
Speaker 6: A favorite favorite line of the whole movie is when

1883
01:34:06,840 --> 01:34:08,040
Speaker 6: he says you're a little short.

1884
01:34:08,200 --> 01:34:10,519
Speaker 4: He says, we're a little fat.

1885
01:34:12,840 --> 01:34:16,200
Speaker 3: The kids leave camp having had the best of their lives.

1886
01:34:16,240 --> 01:34:19,559
Speaker 2: The car that pulls up when they different world car

1887
01:34:20,120 --> 01:34:22,720
Speaker 2: is that the host? Is that the car that Andrews

1888
01:34:22,760 --> 01:34:29,920
Speaker 2: been fixing up? Yes? He also painted it? Wow he

1889
01:34:29,960 --> 01:34:34,400
Speaker 2: didn't they done Edwards restaurant. Edwards helps me? They Yeah,

1890
01:34:34,439 --> 01:34:37,120
Speaker 2: I mean that was like an a a major restoration

1891
01:34:37,200 --> 01:34:39,040
Speaker 2: on top of all the other things they were doing

1892
01:34:39,080 --> 01:34:40,920
Speaker 2: that summer. He restored that car.

1893
01:34:41,040 --> 01:34:42,840
Speaker 5: I think it's a fifty five Chevy that he like

1894
01:34:42,840 --> 01:34:45,439
Speaker 5: put together himself in the Yes, in the.

1895
01:34:45,400 --> 01:34:46,599
Speaker 2: In the painting.

1896
01:34:46,640 --> 01:34:48,719
Speaker 1: I did not put that together. I was like, where

1897
01:34:48,760 --> 01:34:51,439
Speaker 1: did this car come from together?

1898
01:34:52,920 --> 01:34:55,240
Speaker 2: He guess when he's eighteen. Apparently that's what he said.

1899
01:34:55,240 --> 01:34:58,559
Speaker 1: I you heard the story of Andy and Danny. We

1900
01:34:58,640 --> 01:35:01,640
Speaker 1: rode around in a car he helped fix up and

1901
01:35:02,200 --> 01:35:03,880
Speaker 1: it was a real it was a real passion of his.

1902
01:35:04,000 --> 01:35:07,320
Speaker 1: So uh, So Van Welker ends up with the doctor

1903
01:35:07,439 --> 01:35:10,679
Speaker 1: Andrew Keagan has made necklaces of car parts for him

1904
01:35:10,720 --> 01:35:13,639
Speaker 1: and Trish as they share a I know that necklace.

1905
01:35:13,680 --> 01:35:16,320
Speaker 1: I was like, oh wow, it's awful.

1906
01:35:16,760 --> 01:35:19,759
Speaker 4: It was like, do you think they had a smaller necklace?

1907
01:35:19,960 --> 01:35:21,120
Speaker 4: And they were like making it and they were like,

1908
01:35:21,160 --> 01:35:21,960
Speaker 4: we can't see this.

1909
01:35:22,479 --> 01:35:28,240
Speaker 1: Yeah, need to be bigger, bigger. It looked a flintstone's necklace,

1910
01:35:28,320 --> 01:35:32,439
Speaker 1: like made of dinosaur bones, but this was car parts.

1911
01:35:32,640 --> 01:35:33,559
Speaker 2: Oh that's the best.

1912
01:35:35,520 --> 01:35:40,320
Speaker 1: So Trish and Andrew Keagan share a very tongue heavy kiss.

1913
01:35:40,400 --> 01:35:46,240
Speaker 2: Oh my god, full on some more sound effects, just

1914
01:35:46,280 --> 01:35:48,040
Speaker 2: get a and stir it up.

1915
01:35:48,080 --> 01:35:53,960
Speaker 1: While even it's a lot even Mud and Gabby are

1916
01:35:54,080 --> 01:35:57,360
Speaker 1: swapping spit and some of the most awkward kids kissing

1917
01:35:57,400 --> 01:35:58,519
Speaker 1: in a movie scenes ever.

1918
01:35:59,479 --> 01:36:00,400
Speaker 4: Those lips gonna what?

1919
01:36:02,080 --> 01:36:06,000
Speaker 1: And finally before our music video like ending credits, it's

1920
01:36:06,040 --> 01:36:09,840
Speaker 1: our girl Hillary in the tag, finally addressing the running

1921
01:36:09,920 --> 01:36:12,800
Speaker 1: joke about Walter always wanting to skinny dip with it.

1922
01:36:12,920 --> 01:36:15,040
Speaker 2: I'm glad you got this tag because this is like,

1923
01:36:15,160 --> 01:36:18,040
Speaker 2: this locks you in as like a major plot point.

1924
01:36:18,080 --> 01:36:20,800
Speaker 2: It's a it's a nice payoff. He's great, You're great.

1925
01:36:20,840 --> 01:36:22,280
Speaker 2: I was like, ah, this is fun.

1926
01:36:22,640 --> 01:36:25,519
Speaker 6: Yeah, I was really glad that I that I got

1927
01:36:25,560 --> 01:36:27,559
Speaker 6: that because we shot there were so many scenes that

1928
01:36:27,600 --> 01:36:32,840
Speaker 6: didn't make the movie, I bet and the we shot

1929
01:36:32,880 --> 01:36:40,479
Speaker 6: that in January. The water was Oh, I mean it

1930
01:36:40,680 --> 01:36:46,120
Speaker 6: was freezing, and I remember I was very proud of

1931
01:36:46,160 --> 01:36:51,640
Speaker 6: myself because Joshua was like very tipically.

1932
01:36:51,280 --> 01:36:53,200
Speaker 4: Walking in and he was like, oh, it's no gold.

1933
01:36:53,040 --> 01:36:55,800
Speaker 3: It's cool, which is totally acceptable.

1934
01:36:56,080 --> 01:36:59,000
Speaker 6: Right, He's a twelve year old boy walking into twenty

1935
01:36:59,000 --> 01:37:02,799
Speaker 6: degree water and in a bathing suit and he's walking

1936
01:37:02,840 --> 01:37:06,400
Speaker 6: in and I just was like I just marched in

1937
01:37:06,520 --> 01:37:11,360
Speaker 6: with no hesitation, and the whole crew started applotting for me.

1938
01:37:11,600 --> 01:37:14,200
Speaker 4: Oh yeah, it was really sweet.

1939
01:37:14,320 --> 01:37:18,320
Speaker 6: And then we do this scene, which again is like

1940
01:37:18,360 --> 01:37:23,559
Speaker 6: a skinny dipping thing but very fun. And I've had

1941
01:37:24,240 --> 01:37:28,040
Speaker 6: I'm kidding you not, I've had more than one person

1942
01:37:28,320 --> 01:37:32,200
Speaker 6: walk up to me and just start quoting me that line,

1943
01:37:33,600 --> 01:37:37,200
Speaker 6: Like what like they're quoting me that you know, do

1944
01:37:37,280 --> 01:37:38,200
Speaker 6: you have the guts?

1945
01:37:40,400 --> 01:37:41,240
Speaker 4: That's so cool?

1946
01:37:42,200 --> 01:37:44,760
Speaker 1: Well you trick him into removing his pants and you

1947
01:37:44,920 --> 01:37:47,080
Speaker 1: leave him in the lake alone.

1948
01:37:49,040 --> 01:37:49,680
Speaker 3: Payback.

1949
01:37:49,840 --> 01:37:53,600
Speaker 2: He's naked and alone and cold, apparently.

1950
01:37:53,360 --> 01:38:02,800
Speaker 1: Exactly, So that's camp nowhere. What our final thoughts? I mean,

1951
01:38:03,360 --> 01:38:07,640
Speaker 1: I enjoyed it so much. I want my kids to

1952
01:38:07,680 --> 01:38:10,599
Speaker 1: be a little older. They're only you know, for almost

1953
01:38:10,640 --> 01:38:12,960
Speaker 1: five and almost three, but when they get to be

1954
01:38:13,040 --> 01:38:16,040
Speaker 1: a little older, I think they're gonna love this movie.

1955
01:38:16,120 --> 01:38:18,599
Speaker 2: Indy will love it. Writer, Yeah, I think so. Yeah,

1956
01:38:18,640 --> 01:38:19,760
Speaker 2: I think you will. Yeah.

1957
01:38:19,800 --> 01:38:22,200
Speaker 6: It is the right age, I think in I think

1958
01:38:22,240 --> 01:38:25,880
Speaker 6: back in the day, you know, twelve thirteen was the

1959
01:38:25,920 --> 01:38:28,800
Speaker 6: time to watch it, but nowadays it is. I think

1960
01:38:28,880 --> 01:38:33,400
Speaker 6: I is younger. It's a younger film, because otherwise you

1961
01:38:33,400 --> 01:38:36,400
Speaker 6: get into twelve and thirteen and I don't I think

1962
01:38:36,439 --> 01:38:40,679
Speaker 6: it feels a little crated, yeah, whereas this feels fun

1963
01:38:40,720 --> 01:38:41,439
Speaker 6: at this age.

1964
01:38:42,479 --> 01:38:46,120
Speaker 1: Well, Hillary, thank you so much for spending your very

1965
01:38:46,200 --> 01:38:49,360
Speaker 1: valuable time with us. This was so fun to watch,

1966
01:38:49,640 --> 01:38:52,040
Speaker 1: so fun to recap. You are just one of our

1967
01:38:52,080 --> 01:38:54,320
Speaker 1: absolute favorite people. So thank you for coming back and

1968
01:38:54,360 --> 01:38:55,240
Speaker 1: spending time with us.

1969
01:38:55,479 --> 01:38:57,880
Speaker 6: Oh my gosh, I'm crazy about all three of y'all.

1970
01:38:57,920 --> 01:39:02,240
Speaker 6: I am so y'all are so funny and so quick,

1971
01:39:02,880 --> 01:39:05,240
Speaker 6: and I just want to be can I just I

1972
01:39:05,280 --> 01:39:06,400
Speaker 6: just want to be around y'all.

1973
01:39:06,520 --> 01:39:10,160
Speaker 4: Listen to funny. I'll come up with the all backs.

1974
01:39:10,800 --> 01:39:14,440
Speaker 6: It's so it's it's so impressive.

1975
01:39:15,520 --> 01:39:16,160
Speaker 4: So thank you.

1976
01:39:16,280 --> 01:39:20,240
Speaker 6: I love doing this anytime. I'm I'm I just I

1977
01:39:20,280 --> 01:39:21,320
Speaker 6: think you guys are awesome.

1978
01:39:21,600 --> 01:39:23,400
Speaker 3: Well, thank you. We feel the same way about you.

1979
01:39:23,520 --> 01:39:24,080
Speaker 2: We love you.

1980
01:39:24,520 --> 01:39:26,120
Speaker 3: And uh, yeah, thank you for being here with us.

1981
01:39:26,120 --> 01:39:27,080
Speaker 3: We hope to see you again soon.

1982
01:39:27,280 --> 01:39:29,080
Speaker 4: Yes, absolutely, I'll have a great.

1983
01:39:29,000 --> 01:39:29,760
Speaker 2: Day you too.

1984
01:39:30,280 --> 01:39:33,080
Speaker 3: Hi so much fun. I've never been in a big

1985
01:39:33,080 --> 01:39:33,759
Speaker 3: budget movie.

1986
01:39:34,120 --> 01:39:37,240
Speaker 2: Nope, me neither. What would a big budget be considered?

1987
01:39:37,840 --> 01:39:38,040
Speaker 4: Yeah?

1988
01:39:38,080 --> 01:39:39,840
Speaker 2: For ten million? Okay? Then yeah, I mean I did

1989
01:39:39,880 --> 01:39:41,760
Speaker 2: a twelve million dollar movie. I guess that counts. No

1990
01:39:41,800 --> 01:39:42,880
Speaker 2: one saw it, but I did it.

1991
01:39:43,240 --> 01:39:44,559
Speaker 3: You did it, you know what. It's like.

1992
01:39:44,720 --> 01:39:47,519
Speaker 2: They were they were filming The Amazing Spider Man downtown

1993
01:39:47,600 --> 01:39:50,840
Speaker 2: LA one time, and I walked through with my friend

1994
01:39:50,920 --> 01:39:52,840
Speaker 2: Chris love It as you guys know, and like we

1995
01:39:52,880 --> 01:39:55,599
Speaker 2: walked in, I was like, oh my god. Yeah, I

1996
01:39:55,600 --> 01:39:57,479
Speaker 2: have never been on a film set. I thought I've

1997
01:39:57,520 --> 01:39:59,320
Speaker 2: been on film sets, but like when you get to

1998
01:39:59,439 --> 01:40:03,240
Speaker 2: that scale where there's like multiple units and yeah, the

1999
01:40:03,360 --> 01:40:06,639
Speaker 2: trailers and the it was it's just insane. I was like, well,

2000
01:40:06,720 --> 01:40:10,080
Speaker 2: my my film experience is really limited, you know, as

2001
01:40:10,080 --> 01:40:12,720
Speaker 2: far as you know, low budget stuff. I think this was.

2002
01:40:12,960 --> 01:40:15,559
Speaker 2: I definitely think this was a big budget film, way

2003
01:40:15,560 --> 01:40:18,599
Speaker 2: bigger than I've ever been on saying. But they really

2004
01:40:18,640 --> 01:40:22,320
Speaker 2: stretched it. Yeah, really did a great job. Oh it's

2005
01:40:22,320 --> 01:40:23,280
Speaker 2: a movie. It's a movie.

2006
01:40:23,320 --> 01:40:25,640
Speaker 5: Movie, if this was not not a d com, it

2007
01:40:25,760 --> 01:40:27,599
Speaker 5: was not a not not singles are bad.

2008
01:40:27,680 --> 01:40:30,320
Speaker 2: But yeah, no, I think that's what I imagined a d com.

2009
01:40:30,360 --> 01:40:31,960
Speaker 2: You know, that's sort of what I was thinking. It's

2010
01:40:32,400 --> 01:40:34,040
Speaker 2: it's a camp dcom movie.

2011
01:40:34,560 --> 01:40:36,640
Speaker 5: But no, well that's why the second I started doing

2012
01:40:36,680 --> 01:40:38,479
Speaker 5: any research and I looked at it and I was like, wait,

2013
01:40:38,560 --> 01:40:40,960
Speaker 5: it grossed eleven million to oh this was in the theater.

2014
01:40:41,120 --> 01:40:42,800
Speaker 2: Like I had no idea this was even in the theater.

2015
01:40:42,920 --> 01:40:45,559
Speaker 1: So yeah, well, thank you all for joining us for

2016
01:40:45,600 --> 01:40:47,439
Speaker 1: this episode of Pod Meets World. As always, you can

2017
01:40:47,439 --> 01:40:49,680
Speaker 1: follow us on Instagram pod meets World Show. You can

2018
01:40:49,680 --> 01:40:51,960
Speaker 1: send us your emails pod meets World Show at gmail

2019
01:40:51,960 --> 01:40:52,519
Speaker 1: dot com.

2020
01:40:52,720 --> 01:40:53,599
Speaker 3: And we have merch.

2021
01:40:54,320 --> 01:40:56,880
Speaker 2: I have escaped now, so I'm the winner. Talk to

2022
01:40:56,920 --> 01:40:59,400
Speaker 2: you later. Having an old friend for dinner. You can't

2023
01:40:59,439 --> 01:41:02,400
Speaker 2: find me. Oh you can search, but until I see you,

2024
01:41:02,479 --> 01:41:07,040
Speaker 2: buy some merch. We got to have the musical. We

2025
01:41:07,120 --> 01:41:10,720
Speaker 2: gotta do music. We can't be at a movie.

2026
01:41:11,320 --> 01:41:14,320
Speaker 3: Podmeetsworldshow dot com writer send us out.

2027
01:41:14,479 --> 01:41:19,160
Speaker 2: We love you all, pod dismissed. Pod Meets World is

2028
01:41:19,160 --> 01:41:22,439
Speaker 2: an iHeart podcast producer hosted by Danielle Fischel Wilfredell and

2029
01:41:22,560 --> 01:41:26,519
Speaker 2: Ryder Strong executive producers, Jensen Karp and Amy Sugarman, Executive

2030
01:41:26,520 --> 01:41:30,679
Speaker 2: in charge of production, Danielle Romo, producer and editor, Tarasubasch producer,

2031
01:41:30,760 --> 01:41:34,000
Speaker 2: Maddie Moore, engineer and boy meets World Superman Easton Allen.

2032
01:41:34,120 --> 01:41:37,280
Speaker 2: Our theme song is by Kyle Morton of Typhoon. Follow

2033
01:41:37,360 --> 01:41:40,160
Speaker 2: us on Instagram at Podmeats World Show or email us

2034
01:41:40,200 --> 01:41:46,160
Speaker 2: at Podmeats World Show at gmail dot com