WEBVTT - SYSK’s Summer Movie Playlist: How Stuntmen (and -women) Work

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<v Speaker 1>Hi, everybody. Back to the Stuff you Should Know Summer

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<v Speaker 1>Movie playlist, and this one is from January twenty thirteen.

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<v Speaker 1>It's our House Stuntmen and Women Work episode. I think

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<v Speaker 1>your socks are gonna be knocked off by how hard

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<v Speaker 1>these people work for our movie viewing Enjoyment. You enjoy too.

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<v Speaker 2>Welcome to Stuff you Should Know Fromhoustuffworks dot com.

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<v Speaker 1>Hey, and welcome to the podcast. I'm Josh Clark. There's

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<v Speaker 1>Charles W. Chuck Bryant, and this is Stuff you Should Know.

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<v Speaker 3>Old Jerry had an itchy trigger finger today. Age you

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<v Speaker 3>here in there?

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<v Speaker 1>Yeah, she's ready to go home.

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<v Speaker 3>Yeah, she's like, come on, three, do you want to go?

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<v Speaker 1>You guys aren't my entire life.

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<v Speaker 3>I know we like to think we are, but that is,

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<v Speaker 3>we're like zero point one percent of Jerry's life. Yeah,

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<v Speaker 3>she's giggling in there. She's quite the adventurer. How you doing, man,

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<v Speaker 3>I'm great, man. I'm ready to jump from a tall

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<v Speaker 3>building or roll a brand new car.

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<v Speaker 1>Man. Sorry, that's what I was gonna ask you. So,

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<v Speaker 1>I guess you did the intro for us.

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<v Speaker 3>Go ahead, let's pretend like that didn't happen. No, it's

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<v Speaker 3>fine Okay, you were just.

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<v Speaker 1>Doing what the theme from The Fall Guy starring Lee

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<v Speaker 1>Majors nineteen eighties, awesome TV show with probably the best

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<v Speaker 1>truck ever featured in a TV show.

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<v Speaker 3>That gmc man. That thing is sweet. Yeah, you know,

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<v Speaker 3>dudes recreate that truck if you google it. There's a

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<v Speaker 3>lot of guys that have like made that truck for themselves.

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<v Speaker 1>For good reason too. It's a cool truck.

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<v Speaker 3>Yeah, And it's interesting that The Fall Guy points out

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<v Speaker 3>a couple of the show itself points out a very

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<v Speaker 3>important things as far as stuntman go. One is that

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<v Speaker 3>he had to moonlight as a bounty hunter, and that's

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<v Speaker 3>kind of one of the things we'll learn is that

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<v Speaker 3>there's not a lot of work out there and to

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<v Speaker 3>go around, you know, like, it's tough to make it

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<v Speaker 3>as a stunt man.

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<v Speaker 1>Yeah, you get punched.

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<v Speaker 3>And b he's if you look at the lyrics to

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<v Speaker 3>that theme song man, he is really salty about not

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<v Speaker 3>getting the glo, glory and the.

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<v Speaker 1>Girls, mainly the girls and the glory. He uh well,

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<v Speaker 1>when he winds up in the hey, it's only hey,

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<v Speaker 1>hey hey.

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<v Speaker 3>Uh So the song complains about not getting glory or women,

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<v Speaker 3>and that is One of the hallmarks, though, of the

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<v Speaker 3>stunt person is to remain anonymous.

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<v Speaker 1>And to be bitter about it.

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<v Speaker 3>I guess so very few stunt people you've ever heard of?

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<v Speaker 1>Well, yeah, they're the Academy of Arts and Sciences. They

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<v Speaker 1>give out the Academy Awards.

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<v Speaker 3>Motion Picture Arts and Sciences.

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<v Speaker 1>Yeah, they don't have a category for stunt people. Nope,

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<v Speaker 1>never have. And the reason some people give is because

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<v Speaker 1>they like to maintain the anonymity and the illusion. Sure

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<v Speaker 1>that's provided by stunt people filling in his doubles for stars.

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<v Speaker 3>Yeah, but you can win a What Will See Award.

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<v Speaker 1>You can win an Emmy for Best Stunt Coordinator.

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<v Speaker 3>True, or the Stunt Award. They had their own Stunt Awards.

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<v Speaker 1>Oh yeah, the Taurus World Stunt Awards.

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<v Speaker 3>Yeah, you can win a Tory.

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<v Speaker 1>They took a hiatus. I saw that there was twenty

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<v Speaker 1>ten and then they're having stuff for twenty twelve. Couldn't

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<v Speaker 1>find anything about twenty eleven. Really, Yeah, so if you

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<v Speaker 1>know what happened to the Tourist World Stunt Awards for

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<v Speaker 1>twenty eleven, we are curious.

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<v Speaker 3>Interesting, let us know, So thanks for listening.

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<v Speaker 1>So anyway, well, let's talk about the history of stunt people.

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<v Speaker 1>They pretty much have only been around as long as

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<v Speaker 1>you've had motion pictures. Right, Yeah, there wasn't much of

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<v Speaker 1>a need for him before then. No, I mean maybe

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<v Speaker 1>for like a show or something like that, like a

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<v Speaker 1>wild Bill Hickcock show. Oh, I guess you call them

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<v Speaker 1>stunt men, but really you kind of want to differentiate

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<v Speaker 1>because you can also say, all right, so people who

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<v Speaker 1>ride horses on standing up on a horse's back, that's

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<v Speaker 1>a stunt person. Yeah, right, A guy who likes in

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<v Speaker 1>the X Games, those extreme sports kids, sure that all

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<v Speaker 1>the kids are into these days, that's a stunt. These

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<v Speaker 1>are by, you know, technically stunt people. What we're talking

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<v Speaker 1>about are movie stunt people, sure. And the whole point

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<v Speaker 1>to their craft isn't to, like, you know, do a

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<v Speaker 1>five to eighty on a bike unless somebody asks them to.

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<v Speaker 1>What they want to do is create what you would

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<v Speaker 1>just take for granted, like, oh, that guy just got clocked, right, No,

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<v Speaker 1>he didn't actually get clocked. That was a stunt man

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<v Speaker 1>who knows what he's doing, and that was a carefully

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<v Speaker 1>choreographed scene that just flew right past you. But it's

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<v Speaker 1>still your brain still just absorbed it as that man

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<v Speaker 1>just got punched even though they didn't really happen.

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<v Speaker 3>That's right, And we will probably slip into the word

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<v Speaker 3>stuntman here and there instead of stunt people. Of course,

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<v Speaker 3>there were tons and tons of stunt women, but we'll

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<v Speaker 3>say stunt persons are stunt man and like luckily there

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<v Speaker 3>are women now. In the back in the day, they

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<v Speaker 3>would dress men as women to do stunts many times.

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<v Speaker 1>Yeah, there's a lot of cross dressing back in the day, there.

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<v Speaker 3>Was until they decided, hey, women are people too, can

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<v Speaker 3>act and do stunts right, just like guys can.

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<v Speaker 1>We could put them in danger just as much as well. Exactly, so,

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<v Speaker 1>so there wasn't much call for stunt people for movies

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<v Speaker 1>before movies just by definition. Sure, don't be ridiculous, but

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<v Speaker 1>right out of the gate when we started making movies,

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<v Speaker 1>we started needing people to do stunts. And the earliest

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<v Speaker 1>people who were doing stunts were actually comedians, slapstick comedians

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<v Speaker 1>like Buster Keaton had a very famous early.

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<v Speaker 3>Stunt steamboat Bill Junior.

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<v Speaker 1>Is that what it was in?

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<v Speaker 3>Yeah, the very famous you've probably seen it in like

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<v Speaker 3>you know, Hollywood legends of screen clips and things like that.

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<v Speaker 3>On AMC. Yeah, it is the famous shot where the

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<v Speaker 3>front facade of a house falls down and on well

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<v Speaker 3>would have been on Buster Keaton, but he is saved

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<v Speaker 3>because the attic window or attic door was open, so

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<v Speaker 3>it just falls all around him. And there was some

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<v Speaker 3>careful measuring in place, because if he would have been

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<v Speaker 3>off by a few inches, he would have been dead.

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<v Speaker 1>Yeah, and that was a real thing, Like the earliest

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<v Speaker 1>dunts were nothing, but the real thing. Like apparently if

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<v Speaker 1>you had I don't know, somebody hanging from like the

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<v Speaker 1>construction the skeleton of a steel skyscraper, yeah, you needed

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<v Speaker 1>that shot. That's what the guy did.

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<v Speaker 3>Yeah, and they ed the grabster wrote this one, of course,

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<v Speaker 3>and Ed points out that back in the day before

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<v Speaker 3>they were like, you know, before they called them stuntmen,

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<v Speaker 3>they were just like, let me go find someone crazy

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<v Speaker 3>enough to go do this exactly, and that guy, that

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<v Speaker 3>guy craft Service, looks crazy enough to do it, and

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<v Speaker 3>let's go see if he wants an extra twenty bucks.

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<v Speaker 1>Yeah, and he does. Yeah, because Beck, you know, in

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<v Speaker 1>nineteen oh two, twenty bucks was a lot.

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<v Speaker 3>Sure.

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<v Speaker 1>So as the film industry grew and grew early in

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<v Speaker 1>the twentieth century, we went from just nothing but slapstick

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<v Speaker 1>comedies to things like westerns and action flicks, and all

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<v Speaker 1>of a sudden, those people who really can ride on

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<v Speaker 1>the back of a horse standing out became stunt people

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<v Speaker 1>as well. And as stunts became more and more complex,

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<v Speaker 1>the idea of having somebody whose job and specialty was

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<v Speaker 1>to just do the stunt and make it look like

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<v Speaker 1>the actor the star sure was doing it started to

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<v Speaker 1>really develop.

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<v Speaker 3>Yeah, and then flash forward even more the sixties and

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<v Speaker 3>seventies is when things really came to their own as

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<v Speaker 3>far as stunt technology developing. Things like squibs, which we

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<v Speaker 3>will talk about for gunshots and air rams. Is that

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<v Speaker 3>what they're called.

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<v Speaker 1>Yeah, it's like a like a hydratic lift. Yeah, it's pneumatic,

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<v Speaker 1>just shoots you up into the air like with a

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<v Speaker 1>human cannonball.

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<v Speaker 3>Right.

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<v Speaker 1>But like so if somebody, if a grenade blows up

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<v Speaker 1>by somebody and you see the dude fly through the air,

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<v Speaker 1>he was on a ram, that's right.

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<v Speaker 3>And then other things like airbags and and you know,

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<v Speaker 3>more technology with cars with the cages, like it just

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<v Speaker 3>got more and more complex, right, And now of course

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<v Speaker 3>we have CGI which replaces a lot of stunts in

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<v Speaker 3>many cases.

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<v Speaker 1>Not necessarily to a better effect. Like all I have

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<v Speaker 1>to say is Kingdom of the Crystal Skull. Yeah, where

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<v Speaker 1>it was like they suddenly cut to drawings of Harrison

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<v Speaker 1>Ford swinging on a lasso.

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<v Speaker 3>He's famous for doing his own stunts, though.

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<v Speaker 1>He didn't do him And Kingdom of the Crystal Skull.

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<v Speaker 3>Well, this's because he's eighty nine years old. Then he

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<v Speaker 3>would die.

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<v Speaker 1>He was awesome in Bruno.

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<v Speaker 3>I didn't see that. Was he Harrison Borders in that?

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<v Speaker 1>Yeah for about two seconds.

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<v Speaker 3>Did they do like gay jokes to him or something?

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<v Speaker 1>They didn't even get that far?

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<v Speaker 3>Okay, yeah, did he just shut it down?

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<v Speaker 1>Yeah? All it's hilarious. But anyway, so stunts like the

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<v Speaker 1>I guess throughout this progression of the field of stunt people,

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<v Speaker 1>safety has gotten better and better, is what I think

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<v Speaker 1>we were just trying to say. To the point now

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<v Speaker 1>where they're not even used it's gi Yeah, but there's

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<v Speaker 1>there's always going to be room for stunt people.

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<v Speaker 3>Oh yeah.

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<v Speaker 1>Uh. And the fact that it's gotten safer is much better.

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<v Speaker 1>But there's still there's an element of risk to it

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<v Speaker 1>no matter what it's grabs or points out. If a

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<v Speaker 1>stunt didn't present some sort of risk, there'd be no

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<v Speaker 1>need for stunt people at all, as tractors would do it. Yeah,

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<v Speaker 1>but the actors can't always do it.

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<v Speaker 3>That's right. Uh. And when you want to call in

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<v Speaker 3>a stunt person is when they either have a specific

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<v Speaker 3>skill that they're really good at, like fake martial arts

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<v Speaker 3>or I mean real martial arts, but fake hitting and kicking, or.

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<v Speaker 1>Fake marshals like chew kwong like stuff you just made up.

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<v Speaker 1>It's a lot of like just front kits in the air.

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<v Speaker 3>That's what you practice.

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<v Speaker 1>That's a quong.

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<v Speaker 3>Sword fighting, stage combat, like we've talked about stuff like that.

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<v Speaker 3>They are trained to fall, they are trained to you know,

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<v Speaker 3>safely fall. I guess I should point out. And it

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<v Speaker 3>just basically it's a safety factor on one and it's

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<v Speaker 3>a financial factor on the other, because you can't have

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<v Speaker 3>your main actor actress going down with a broken leg,

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<v Speaker 3>yeah for four weeks, So you put your stunt person

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<v Speaker 3>in there and keep your actor all license safe in

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<v Speaker 3>their trailer.

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<v Speaker 1>Yeah.

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<v Speaker 3>Or you want to be shooting two things at once,

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<v Speaker 3>so you have your second unit out there shooting the

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<v Speaker 3>fast cars whizzing by in the car chase. Then you

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<v Speaker 3>have your first unit shooting the actor inside the car

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<v Speaker 3>driving a lot slower and acting like it's really.

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<v Speaker 1>Fast but shouting and like moving the steering wheel back

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<v Speaker 1>and forth a lot. Yeah, maybe there's somebody rocking the car.

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<v Speaker 1>What's that called.

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<v Speaker 3>Poor men's process?

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<v Speaker 1>Yeah?

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<v Speaker 3>Is yeah, so when you, I guess we should say this,

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<v Speaker 3>when you're in a car, you either have a camera

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<v Speaker 3>rig on your car where it's the real car with

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<v Speaker 3>cameras attached to it. We've done that, or the cars

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<v Speaker 3>on a process trailer, which means a lot of these

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<v Speaker 3>shots you see with someone driving and you're like, they're

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<v Speaker 3>not even paying attention to the road. Yeah, it's because

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<v Speaker 3>the car sitting on a trailer being pulled by a.

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<v Speaker 1>Truck, right, Or it's got a little rock to it.

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<v Speaker 3>A little rock to it, or you do the poor

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<v Speaker 3>man's process was when the car is not going anywhere and.

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<v Speaker 1>You have PA's pushing on the outside.

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<v Speaker 3>Pushing on the outside, little tricks with lighting to make

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<v Speaker 3>it look like headlights going by.

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<v Speaker 1>We've done that.

0:11:11.760 --> 0:11:13.800
<v Speaker 3>It's really neat in the end to look at a

0:11:13.840 --> 0:11:16.880
<v Speaker 3>scene that's poor man's process and think, wow, they're really

0:11:16.920 --> 0:11:18.280
<v Speaker 3>not even moving and it looks so good.

0:11:18.400 --> 0:11:20.120
<v Speaker 1>Yeah. Yeah, see if you can pick it out and

0:11:20.200 --> 0:11:23.199
<v Speaker 1>the stuff you should know TV series, they can probably

0:11:23.200 --> 0:11:28.480
<v Speaker 1>pick it up. So yeah, it's financial. It makes sense. Also,

0:11:28.840 --> 0:11:30.840
<v Speaker 1>one of the other reasons people use stunt people is

0:11:30.880 --> 0:11:33.720
<v Speaker 1>they come with a set of skills that the average

0:11:33.760 --> 0:11:36.480
<v Speaker 1>actor doesn't have a particular set of skills exactly. That

0:11:36.559 --> 0:11:40.360
<v Speaker 1>makes them very dangerous to you. And so you can

0:11:40.400 --> 0:11:43.559
<v Speaker 1>either hire a stuntman who looks like your star to

0:11:43.600 --> 0:11:46.319
<v Speaker 1>carry out like a combat scene or sort of look

0:11:46.400 --> 0:11:48.960
<v Speaker 1>like your star, or you can teach your star, you know,

0:11:49.080 --> 0:11:52.080
<v Speaker 1>spend all this extra money and time to training the

0:11:52.120 --> 0:11:55.199
<v Speaker 1>star to the skill in a crash course. So it

0:11:55.360 --> 0:11:57.040
<v Speaker 1>just most of the time it makes sense to just

0:11:57.080 --> 0:11:58.560
<v Speaker 1>hire a stunt person. Yeah.

0:11:58.559 --> 0:12:00.360
<v Speaker 3>And you know, chances are these days you're going to

0:12:00.400 --> 0:12:02.080
<v Speaker 3>get a mix in a big action movie, you're gonna

0:12:02.080 --> 0:12:04.040
<v Speaker 3>get a mix of all three. You're gonna get some CGI,

0:12:04.640 --> 0:12:07.160
<v Speaker 3>you're gonna get some stunt people, and these days you're

0:12:07.160 --> 0:12:10.600
<v Speaker 3>gonna get real actors doing some of the real fake fighting.

0:12:10.760 --> 0:12:12.720
<v Speaker 1>Doesn't Tom Cruise do a lot of his own stunts?

0:12:12.880 --> 0:12:14.800
<v Speaker 3>Yeah, I got a list of actors who prefer to

0:12:14.800 --> 0:12:16.880
<v Speaker 3>do us. I don't mean to jump the gun No,

0:12:17.360 --> 0:12:18.400
<v Speaker 3>the Cruse is famous for that.

0:12:18.480 --> 0:12:20.520
<v Speaker 1>I was reading this and I was like, I wonder

0:12:20.559 --> 0:12:22.880
<v Speaker 1>if I would do my own stunts. I would do some.

0:12:23.800 --> 0:12:25.720
<v Speaker 1>I would say, sure, I want to learn how to

0:12:25.800 --> 0:12:28.080
<v Speaker 1>sword fight. Teach me that's something I want to know,

0:12:28.120 --> 0:12:30.200
<v Speaker 1>and I'm certainly not going to shell out for it myself, ever,

0:12:30.280 --> 0:12:32.720
<v Speaker 1>so let's go ahead and learn.

0:12:32.760 --> 0:12:35.040
<v Speaker 3>Now, that's a good point. I would do my own stunts.

0:12:35.800 --> 0:12:37.079
<v Speaker 1>It depends the heights.

0:12:37.679 --> 0:12:39.240
<v Speaker 3>No way I would do that. I would jump off

0:12:41.679 --> 0:12:45.520
<v Speaker 3>so California state law. And of course they shoot movies

0:12:45.520 --> 0:12:48.120
<v Speaker 3>all over the place now and the union rules in

0:12:48.120 --> 0:12:52.000
<v Speaker 3>Hollywood have really made it pretty safe these days. But

0:12:52.040 --> 0:12:55.559
<v Speaker 3>you're still going to find injuries in your occasional death

0:12:55.679 --> 0:12:57.400
<v Speaker 3>on set, which is really awful.

0:12:57.520 --> 0:13:00.560
<v Speaker 1>Yeah. Well, there always have been, pretty much from the beginning,

0:13:00.920 --> 0:13:02.000
<v Speaker 1>deaths and injuries.

0:13:02.640 --> 0:13:03.240
<v Speaker 3>Howard Hughes.

0:13:03.720 --> 0:13:07.040
<v Speaker 1>Yeah, the movie Hell's Angels, which we must have talked

0:13:07.040 --> 0:13:10.480
<v Speaker 1>about in the Hell's Angels podcast. I'm sure we did,

0:13:10.520 --> 0:13:12.439
<v Speaker 1>because I think we talked about the origin.

0:13:12.080 --> 0:13:14.079
<v Speaker 3>Of the name, which was from the air combat.

0:13:14.360 --> 0:13:16.480
<v Speaker 1>It was, you know, that's what they think the fighting.

0:13:16.960 --> 0:13:20.400
<v Speaker 1>I think that was one of the theories. But there

0:13:20.440 --> 0:13:24.760
<v Speaker 1>were three, maybe four fatalities yeah, because they were doing

0:13:24.760 --> 0:13:27.000
<v Speaker 1>like real dog fights with airplanes and there were a

0:13:27.040 --> 0:13:30.240
<v Speaker 1>lot of crashes. Yeah, so that was a movie where

0:13:30.240 --> 0:13:30.920
<v Speaker 1>people died.

0:13:31.320 --> 0:13:35.640
<v Speaker 3>Yes, very famously the Twilight Zone, the movie Jennifer Jason

0:13:35.679 --> 0:13:40.160
<v Speaker 3>Lee's father, Vic Morrow, and two little Vietnamese kids died

0:13:40.920 --> 0:13:44.240
<v Speaker 3>when a helicopter crashed into the water where they were

0:13:44.679 --> 0:13:49.200
<v Speaker 3>crossing a river. That's on YouTube, by the way.

0:13:49.320 --> 0:13:50.760
<v Speaker 1>I know, it's pretty awful.

0:13:50.480 --> 0:13:52.560
<v Speaker 3>It is, and I saw it recently because I was

0:13:52.640 --> 0:13:56.080
<v Speaker 3>just curious. I'd always wondered how it went down in

0:13:56.080 --> 0:13:57.840
<v Speaker 3>my head because I've heard the story since the movie

0:13:57.880 --> 0:14:00.200
<v Speaker 3>came out, since I was a kid, and I was wondering, like,

0:14:00.280 --> 0:14:02.680
<v Speaker 3>exactly what was the logistics and how did that go down.

0:14:02.880 --> 0:14:05.400
<v Speaker 1>It's pretty bad to watch, it is, because it just

0:14:05.440 --> 0:14:06.679
<v Speaker 1>goes totally out of control.

0:14:06.920 --> 0:14:10.680
<v Speaker 3>It does, so I would not recommend that, but you

0:14:10.679 --> 0:14:12.720
<v Speaker 3>do have to enter your age, by the way to

0:14:12.760 --> 0:14:17.600
<v Speaker 3>watch that video I saw. Yeah, And on set, the

0:14:17.679 --> 0:14:22.560
<v Speaker 3>ad is ultimately responsible the assistant director for everyone's safety,

0:14:23.400 --> 0:14:25.280
<v Speaker 3>and in fact, on our own little TV show, when

0:14:25.280 --> 0:14:28.920
<v Speaker 3>we had fake guns on set just as props. Yeah,

0:14:28.960 --> 0:14:31.240
<v Speaker 3>like we didn't even use them in the scene, but

0:14:31.400 --> 0:14:33.000
<v Speaker 3>just to have a fake gun on set, the ad

0:14:33.040 --> 0:14:35.800
<v Speaker 3>has to announce to the whole crew and show them

0:14:35.840 --> 0:14:38.480
<v Speaker 3>the gun. Say it's fake, it's not real. Look at

0:14:38.480 --> 0:14:41.000
<v Speaker 3>the barrel. There's no bullets, there's no nothing. It will

0:14:41.040 --> 0:14:44.480
<v Speaker 3>not be fired. We will not be shooting blanks or

0:14:44.560 --> 0:14:47.840
<v Speaker 3>dummy cartridges. And it's just you know, even on a stupid,

0:14:47.920 --> 0:14:50.680
<v Speaker 3>little silly show like ours, you gotta be really careful

0:14:50.680 --> 0:14:51.240
<v Speaker 3>with that stuff.

0:14:51.520 --> 0:14:58.440
<v Speaker 1>Yeah, so chuck. Because of this incredibly high risk profession work,

0:14:59.320 --> 0:15:02.960
<v Speaker 1>some people to be paid out the yin yang true

0:15:03.000 --> 0:15:03.400
<v Speaker 1>or false.

0:15:03.960 --> 0:15:08.560
<v Speaker 3>Well, they make a good rate, but like we said earlier,

0:15:08.560 --> 0:15:10.800
<v Speaker 3>there's not a ton of work for the amount of

0:15:10.840 --> 0:15:13.560
<v Speaker 3>stunt people trying to get work. Oh okay, And that

0:15:13.760 --> 0:15:16.600
<v Speaker 3>was when I used to work out in la as

0:15:16.640 --> 0:15:19.320
<v Speaker 3>a Pa. I would always try and talk to the

0:15:19.320 --> 0:15:21.080
<v Speaker 3>stunt people when I worked on jobs where they had

0:15:21.080 --> 0:15:25.520
<v Speaker 3>stunt people, because they're just really interesting. Yeah, and to

0:15:25.560 --> 0:15:28.760
<v Speaker 3>say the least, and they would usually bemoan the fact

0:15:28.760 --> 0:15:30.640
<v Speaker 3>that there's not a ton of work, and you know,

0:15:30.640 --> 0:15:32.480
<v Speaker 3>they're all kind of scrapping for the same piece of cheese.

0:15:32.480 --> 0:15:34.880
<v Speaker 3>But that's like everyone in the film business, sure, from

0:15:34.920 --> 0:15:37.680
<v Speaker 3>crew to the lead actor. You're all after that same

0:15:37.680 --> 0:15:38.360
<v Speaker 3>piece of cheese.

0:15:38.480 --> 0:15:42.040
<v Speaker 1>Yep. We've worked with some stunt people too.

0:15:43.200 --> 0:15:45.720
<v Speaker 3>Yeah, you'd be surprised when you need to call in

0:15:45.760 --> 0:15:48.560
<v Speaker 3>a stunt person. I worked on this one commercial where

0:15:48.560 --> 0:15:51.120
<v Speaker 3>the was just like bad traffic on the highway that

0:15:51.160 --> 0:15:53.440
<v Speaker 3>the shot was and cars had to just sort of

0:15:53.440 --> 0:15:55.360
<v Speaker 3>pull over to the side while another car came through.

0:15:56.000 --> 0:15:57.640
<v Speaker 3>All the cars that pulled over to the side of

0:15:57.640 --> 0:15:59.000
<v Speaker 3>the road had to have stunt drivers.

0:16:00.040 --> 0:16:00.200
<v Speaker 1>Yeah.

0:16:00.200 --> 0:16:03.680
<v Speaker 3>I was like, I could do that, but then I'd

0:16:03.680 --> 0:16:05.800
<v Speaker 3>be taking bread off the table at a stunt person.

0:16:05.600 --> 0:16:07.840
<v Speaker 1>Right, and then the whole production was shut down.

0:16:08.280 --> 0:16:08.960
<v Speaker 3>That's true.

0:16:09.680 --> 0:16:15.040
<v Speaker 1>Okay, So the most stunt people, you say, because there's

0:16:15.120 --> 0:16:17.760
<v Speaker 1>just so little work for so many people. It's not

0:16:17.800 --> 0:16:20.000
<v Speaker 1>a high paying job. A lot of people do it

0:16:20.040 --> 0:16:21.240
<v Speaker 1>for the love of it, right, Yeah.

0:16:21.280 --> 0:16:23.840
<v Speaker 3>I mean you can make money if you're experienced and

0:16:23.880 --> 0:16:27.240
<v Speaker 3>get tons of work, obviously, but right I'd say those

0:16:27.240 --> 0:16:28.720
<v Speaker 3>are the few and far between.

0:16:28.840 --> 0:16:30.920
<v Speaker 1>But you'd have to love it because the hours are

0:16:31.040 --> 0:16:35.080
<v Speaker 1>usually very very long. Yeah, to do a stunt is

0:16:35.120 --> 0:16:37.160
<v Speaker 1>not You don't just walk up and get in the

0:16:37.200 --> 0:16:38.680
<v Speaker 1>car and drive it and all of a sudden it

0:16:38.680 --> 0:16:42.200
<v Speaker 1>flips and there's an explosion and you're hoping for the best.

0:16:42.800 --> 0:16:45.800
<v Speaker 1>Like when you see a stunt, these things are rehearsed

0:16:45.960 --> 0:16:49.200
<v Speaker 1>over and over again. Say for a car chase, they'll

0:16:49.200 --> 0:16:51.240
<v Speaker 1>go through the entire car chase, but they'll do it

0:16:51.280 --> 0:16:55.240
<v Speaker 1>at a low speed so that it's choreographed, rehearsed, and

0:16:55.280 --> 0:16:58.560
<v Speaker 1>everybody knows what's going to happen when. Yeah, that takes

0:16:58.560 --> 0:17:02.240
<v Speaker 1>a very long time. If you need to flip a car,

0:17:02.440 --> 0:17:06.800
<v Speaker 1>you need to do measurements. The pyrotechnics guys are probably involved. Yeah,

0:17:06.880 --> 0:17:08.760
<v Speaker 1>there's a lot of standing around, there's a lot of practicing,

0:17:08.800 --> 0:17:10.560
<v Speaker 1>there's a lot of measuring, there's a lot of talking.

0:17:11.080 --> 0:17:14.919
<v Speaker 1>And then if, for say you're doing something like in water,

0:17:15.560 --> 0:17:18.120
<v Speaker 1>you're probably standing in water the whole time, So you're

0:17:18.119 --> 0:17:21.320
<v Speaker 1>doing that for fourteen hours. Yeah, it sounds like some

0:17:21.560 --> 0:17:23.320
<v Speaker 1>you would have to love your work to do this.

0:17:23.480 --> 0:17:26.800
<v Speaker 3>Yeah, it's definitely not a glory job, especially factoring in

0:17:26.840 --> 0:17:28.280
<v Speaker 3>the anonymity factor.

0:17:28.480 --> 0:17:31.199
<v Speaker 1>Right when you do all this and you do it

0:17:31.440 --> 0:17:34.280
<v Speaker 1>absolutely perfectly, no one notices.

0:17:34.080 --> 0:17:34.640
<v Speaker 3>That's the goal.

0:17:34.880 --> 0:17:35.240
<v Speaker 1>Yeah.

0:17:35.359 --> 0:17:37.080
<v Speaker 3>In fact, one of my biggest pet peeves is when

0:17:37.080 --> 0:17:39.960
<v Speaker 3>you do notice and you see that one shot of

0:17:40.600 --> 0:17:43.080
<v Speaker 3>the dude with a wig on, it's supposed to be

0:17:43.480 --> 0:17:46.040
<v Speaker 3>Clint Eastwood. Right, Yeah, just disappointing.

0:17:46.200 --> 0:17:49.360
<v Speaker 1>So you were saying the second unit director handles this.

0:17:50.400 --> 0:17:53.000
<v Speaker 1>The second unit director is in charge of shooting stunts,

0:17:53.320 --> 0:17:55.720
<v Speaker 1>but the person who's in charge in like of the

0:17:55.760 --> 0:17:59.760
<v Speaker 1>stunts themselves, is the stunt coordinator. Yeah, and that person

0:17:59.800 --> 0:18:04.720
<v Speaker 1>high hires the stunt people, plans the stunts, oversees the stunts, execution,

0:18:05.240 --> 0:18:08.080
<v Speaker 1>does everything, but actually sets up the camera and all that,

0:18:08.240 --> 0:18:10.480
<v Speaker 1>or handles the camera shooting it. Right.

0:18:10.640 --> 0:18:13.480
<v Speaker 3>Yeah, it's basically it's like a film crew is broken

0:18:13.560 --> 0:18:15.760
<v Speaker 3>up into many departments, and that's just sort of its

0:18:15.760 --> 0:18:18.200
<v Speaker 3>own little department headed by the coordinator.

0:18:18.320 --> 0:18:18.639
<v Speaker 1>Gotcha.

0:18:18.720 --> 0:18:20.600
<v Speaker 3>Like they'll have a budget to work with and all

0:18:20.640 --> 0:18:22.560
<v Speaker 3>that kind of stuff, just like any other department.

0:18:22.640 --> 0:18:24.639
<v Speaker 1>So let's talk about how they do some stunts.

0:18:26.040 --> 0:18:28.600
<v Speaker 3>Okay, and actually the second unit director a lot of

0:18:28.640 --> 0:18:31.800
<v Speaker 3>times is a former stunt person or stunt coordinator. Right,

0:18:32.400 --> 0:18:36.240
<v Speaker 3>it makes sense, comes in handy. Sure, let's talk about

0:18:36.320 --> 0:18:37.480
<v Speaker 3>stunts without fire.

0:18:37.880 --> 0:18:38.760
<v Speaker 1>How about punches?

0:18:39.840 --> 0:18:43.159
<v Speaker 3>How about them? Stage fighting man something we have not

0:18:43.240 --> 0:18:43.800
<v Speaker 3>learned yet.

0:18:44.000 --> 0:18:46.680
<v Speaker 1>That's pretty much a must if you want to become

0:18:46.720 --> 0:18:50.160
<v Speaker 1>a stunt man. That's less than one is go take

0:18:50.320 --> 0:18:52.000
<v Speaker 1>stage fighting courses.

0:18:51.720 --> 0:18:53.560
<v Speaker 3>Yep, learn how to sell a punch as the giver

0:18:53.720 --> 0:18:56.320
<v Speaker 3>and as the receiver mm hmm, without looking corny and

0:18:56.359 --> 0:18:57.840
<v Speaker 3>hoky and fake like pro wrestling.

0:18:58.040 --> 0:19:01.360
<v Speaker 1>Right, But it's very much similar to pro wrestling, especially

0:19:01.600 --> 0:19:04.200
<v Speaker 1>if you've ever seen somebody throw a punch in pro

0:19:04.240 --> 0:19:07.480
<v Speaker 1>wrestling and you can hear the skin slap, Yeah, that's

0:19:07.480 --> 0:19:09.400
<v Speaker 1>because that person was actually just punched.

0:19:09.480 --> 0:19:09.800
<v Speaker 3>Yeah.

0:19:09.880 --> 0:19:12.439
<v Speaker 1>The key is they weren't punched very hard, certainly not

0:19:12.480 --> 0:19:15.000
<v Speaker 1>as hard as there the jerk of their head would

0:19:15.119 --> 0:19:15.879
<v Speaker 1>would say.

0:19:16.240 --> 0:19:19.520
<v Speaker 3>Yeah, you've got camera angles and you've got sound effects,

0:19:19.680 --> 0:19:22.720
<v Speaker 3>and through the art of movie magic, it looks like

0:19:22.760 --> 0:19:25.200
<v Speaker 3>a good knockdown, drag out brawl.

0:19:25.080 --> 0:19:26.880
<v Speaker 1>Right, And if you've got it like a really good

0:19:26.920 --> 0:19:30.840
<v Speaker 1>stunt coordinator, they'll be like a punch that's sold and

0:19:30.960 --> 0:19:33.040
<v Speaker 1>the person who's being punched is on a ramp so

0:19:33.080 --> 0:19:34.040
<v Speaker 1>they fly through the air.

0:19:35.000 --> 0:19:40.879
<v Speaker 3>Yeah, that's awesome, all right. Gunshots, we talked about squibs.

0:19:41.400 --> 0:19:45.960
<v Speaker 3>A squib is basically you're gonna have a chest metal

0:19:46.040 --> 0:19:47.639
<v Speaker 3>chest plate with a squib on the front of it,

0:19:47.800 --> 0:19:51.800
<v Speaker 3>right to protect your body. And it's it's basically a

0:19:51.800 --> 0:19:57.480
<v Speaker 3>little blood packet that's rigged electronically to explode when it's

0:19:57.480 --> 0:19:58.040
<v Speaker 3>supposed to.

0:19:58.760 --> 0:20:00.640
<v Speaker 1>And so the plate in between this gribbing and chest

0:20:00.640 --> 0:20:04.080
<v Speaker 1>protects you. Sure, and maybe you are in charge of you,

0:20:04.160 --> 0:20:06.280
<v Speaker 1>the stuntman are in charge that you have a little button.

0:20:06.520 --> 0:20:09.560
<v Speaker 3>Yeah, maybe to explode.

0:20:09.040 --> 0:20:12.200
<v Speaker 1>The charge or there's somebody else doing it remotely. And

0:20:12.359 --> 0:20:16.280
<v Speaker 1>it's pretty awesome. Releases theater blood opens a hole in

0:20:16.320 --> 0:20:18.280
<v Speaker 1>the shirt. Yeah, pretty awesome.

0:20:18.400 --> 0:20:19.280
<v Speaker 3>It is very awesome.

0:20:19.480 --> 0:20:23.000
<v Speaker 1>This I didn't realize though, how they make bullet holes

0:20:23.119 --> 0:20:26.760
<v Speaker 1>in like a wall, like a stuck a wall. Yeah,

0:20:27.040 --> 0:20:29.600
<v Speaker 1>I thought this was pretty ingenious. They drill the hole

0:20:30.040 --> 0:20:32.919
<v Speaker 1>ahead of time and then they cover it up with

0:20:32.960 --> 0:20:36.800
<v Speaker 1>like putty or paper or something and paint with a

0:20:36.920 --> 0:20:39.720
<v Speaker 1>squib in there. Yeah, and they blow that squib out

0:20:40.080 --> 0:20:41.280
<v Speaker 1>and it makes a bullet hole.

0:20:41.359 --> 0:20:42.000
<v Speaker 3>It's pretty cool.

0:20:42.080 --> 0:20:45.160
<v Speaker 1>It's ingenious. It's simple, it seems like, but it's very ingenious.

0:20:45.240 --> 0:20:48.120
<v Speaker 3>Well, especially when you watch a movie. Ideally you're getting

0:20:48.160 --> 0:20:50.040
<v Speaker 3>lost in the movie not paying attention, but if you

0:20:50.080 --> 0:20:52.560
<v Speaker 3>watch like a John woufilm or something, and you see

0:20:52.640 --> 0:20:55.200
<v Speaker 3>just like a wall get riddled with bullets, just think

0:20:55.240 --> 0:20:58.080
<v Speaker 3>about all the time. Yeah, it took to set up

0:20:58.119 --> 0:20:59.320
<v Speaker 3>all those squibs.

0:20:58.960 --> 0:21:01.320
<v Speaker 1>And like what if the act trips. In the middle

0:21:01.320 --> 0:21:03.280
<v Speaker 1>of it, you're just like, ah, we have to do

0:21:03.320 --> 0:21:04.000
<v Speaker 1>it again.

0:21:03.960 --> 0:21:06.640
<v Speaker 3>Yeah, which is no good. And in fact, big stunts

0:21:07.480 --> 0:21:09.840
<v Speaker 3>they go with many mini cameras on stunts that you

0:21:09.880 --> 0:21:13.040
<v Speaker 3>don't or can't recreate because of either danger or money. Yeah,

0:21:13.080 --> 0:21:15.320
<v Speaker 3>and like some of these shots have like you know,

0:21:15.400 --> 0:21:17.160
<v Speaker 3>a dozen more camera shooting.

0:21:17.000 --> 0:21:19.240
<v Speaker 1>Right time, which makes a lot of sense, of course,

0:21:19.400 --> 0:21:22.760
<v Speaker 1>and Grabster points out that another reason why you don't

0:21:22.760 --> 0:21:24.320
<v Speaker 1>want to do a big take like that more than

0:21:24.359 --> 0:21:26.720
<v Speaker 1>once is because every time you do, the danger for

0:21:26.760 --> 0:21:30.000
<v Speaker 1>the stunt person multiplies. Yeah, And I was like, how,

0:21:30.040 --> 0:21:32.200
<v Speaker 1>and then I thought, oh, well doing it more right,

0:21:32.840 --> 0:21:36.000
<v Speaker 1>your your chances of injury are increased the more you

0:21:36.080 --> 0:21:38.640
<v Speaker 1>carry out the more times you carry out a dangerous act.

0:21:38.760 --> 0:21:40.639
<v Speaker 1>So yeah, that's how it multiplies.

0:21:41.320 --> 0:21:43.960
<v Speaker 3>Getting back to squibs, these days, a lot of directors

0:21:43.960 --> 0:21:51.440
<v Speaker 3>are opting for CGI blood and bullet wounds. But supposedly

0:21:51.520 --> 0:21:54.320
<v Speaker 3>Quentin Tarantino and this is out. By the time this comes.

0:21:54.080 --> 0:21:56.320
<v Speaker 1>Out, Jango and chain Man, I can't wait to see it.

0:21:56.359 --> 0:22:01.760
<v Speaker 3>Supposedly he had one percent real squibs and the blood

0:22:02.240 --> 0:22:04.440
<v Speaker 3>like they're supposed to be the bloodiest, nastiest quibs that

0:22:04.480 --> 0:22:05.639
<v Speaker 3>hollywould have seen in years.

0:22:05.760 --> 0:22:06.200
<v Speaker 1>Is that right?

0:22:06.280 --> 0:22:07.679
<v Speaker 3>Yeah, it's supposed to be pretty awesome.

0:22:07.960 --> 0:22:11.600
<v Speaker 1>Huh. Yeah, have you seen a machete? Yeah that was

0:22:11.640 --> 0:22:14.199
<v Speaker 1>pretty bloody. Yeah that was bad though I didn't like

0:22:14.240 --> 0:22:16.280
<v Speaker 1>I agree it was, but it was still pretty bloody.

0:22:16.920 --> 0:22:20.040
<v Speaker 3>They also blanks. If you were firing a gun on set,

0:22:20.119 --> 0:22:23.800
<v Speaker 3>it is probably a blank, you would hope. So it's

0:22:23.800 --> 0:22:26.359
<v Speaker 3>not the same as a dummy cartridge. No, a blank

0:22:26.400 --> 0:22:31.200
<v Speaker 3>actually fires gunpowder, has gunpowder and fires what's called a wad.

0:22:31.760 --> 0:22:36.400
<v Speaker 3>It's like paper or wood or plastic. But it does

0:22:36.440 --> 0:22:38.439
<v Speaker 3>not obviously have shot or a bullet.

0:22:38.640 --> 0:22:43.000
<v Speaker 1>No, but there's sometimes when the bullet explodes, bits of

0:22:43.040 --> 0:22:45.119
<v Speaker 1>metal can end up being shot out as well.

0:22:45.240 --> 0:22:45.480
<v Speaker 3>Yeah.

0:22:45.560 --> 0:22:47.960
<v Speaker 1>That's how Brandon Lee died when they were filming The Crow.

0:22:48.400 --> 0:22:50.600
<v Speaker 3>Yeah. His was actually an accident. There was a bullet

0:22:50.680 --> 0:22:53.040
<v Speaker 3>lodged in the barrel that they didn't know about what

0:22:53.520 --> 0:22:53.960
<v Speaker 3>I thought.

0:22:54.160 --> 0:22:56.119
<v Speaker 1>Okay, well then I'm thinking of somebody else who like

0:22:56.240 --> 0:22:57.480
<v Speaker 1>was messing around with a gun.

0:22:57.600 --> 0:22:59.560
<v Speaker 3>That was oh man, I can't remember his name, put

0:22:59.560 --> 0:23:00.680
<v Speaker 3>it to his Yeah.

0:23:00.520 --> 0:23:03.360
<v Speaker 1>Pulled the trigger and like the water like the gases

0:23:03.480 --> 0:23:04.880
<v Speaker 1>or something killed them.

0:23:05.000 --> 0:23:07.800
<v Speaker 3>Yeah, that was h I can't remember his name, but

0:23:07.840 --> 0:23:09.240
<v Speaker 3>it was on a TV show set and he like

0:23:09.280 --> 0:23:11.080
<v Speaker 3>goofing around, put it to his head as a joke.

0:23:11.600 --> 0:23:13.600
<v Speaker 3>So you should never mess around with blanks. No, it's

0:23:13.640 --> 0:23:16.080
<v Speaker 3>very dangerous. Still No, but there was a bullet in

0:23:16.119 --> 0:23:18.600
<v Speaker 3>the Yeah, there was a bullet. They got the guns

0:23:18.640 --> 0:23:20.879
<v Speaker 3>mixed up and there was a real bullet slug lodged

0:23:20.880 --> 0:23:22.919
<v Speaker 3>in the barrel that they didn't know about. So it

0:23:23.000 --> 0:23:26.919
<v Speaker 3>fired a blank, but it ejected that other thing and

0:23:27.000 --> 0:23:27.760
<v Speaker 3>Brandon Lee died.

0:23:27.880 --> 0:23:29.040
<v Speaker 1>Wow, I didn't know that.

0:23:29.119 --> 0:23:32.480
<v Speaker 3>Yeah, man, it was one of the biggest oops is

0:23:32.720 --> 0:23:33.919
<v Speaker 3>probably in Hollywood history.

0:23:34.400 --> 0:23:36.159
<v Speaker 1>Yeah, you know, I guess you could call it that.

0:23:36.520 --> 0:23:38.840
<v Speaker 3>And I think he they thought he was still acting

0:23:39.040 --> 0:23:41.359
<v Speaker 3>and continued to roll cameras for a bit afterwards.

0:23:41.400 --> 0:23:41.960
<v Speaker 1>Oh geez.

0:23:42.000 --> 0:23:47.639
<v Speaker 3>Even Yeah, very sad, tragic. Are we to falling?

0:23:48.080 --> 0:23:50.080
<v Speaker 1>Yeah, which you'll do I won't do.

0:23:50.240 --> 0:23:52.200
<v Speaker 3>Yeah, I'll jump off of stuff. I've always done that.

0:23:52.240 --> 0:23:54.520
<v Speaker 1>Well, they use these huge, huge air bags right.

0:23:55.080 --> 0:23:56.760
<v Speaker 3>Well, back in the day they did, and if you

0:23:56.840 --> 0:23:59.720
<v Speaker 3>and if you're doing a fall today, they still will sometimes,

0:23:59.720 --> 0:24:03.200
<v Speaker 3>but generally these days they have like a bungee type contraption.

0:24:03.440 --> 0:24:07.600
<v Speaker 1>I would still demand an air bag. Yeah, they apparently

0:24:07.600 --> 0:24:11.919
<v Speaker 1>also for shorter falls, they'll take some cardboard boxes and

0:24:11.920 --> 0:24:14.240
<v Speaker 1>they'll cut the sharp corners off. Yeah, and then you

0:24:14.320 --> 0:24:16.520
<v Speaker 1>jump onto that. Did you do that when you were

0:24:16.520 --> 0:24:17.440
<v Speaker 1>a kid? No?

0:24:17.440 --> 0:24:19.280
<v Speaker 3>No, no, I always would jump into water.

0:24:19.720 --> 0:24:22.240
<v Speaker 1>I would jump like onto the ground off like the

0:24:22.240 --> 0:24:25.600
<v Speaker 1>credenza or whatever. And now I'm like, I wouldn't even

0:24:25.600 --> 0:24:27.160
<v Speaker 1>do that. It's dangerous.

0:24:28.119 --> 0:24:30.560
<v Speaker 3>Falls used to be the thing. Like I'm sure you

0:24:30.560 --> 0:24:33.160
<v Speaker 3>remember as a kid, falls were a really big deal

0:24:33.200 --> 0:24:36.679
<v Speaker 3>for stuntmen and Dar Robinson. Remember that guy. No, he

0:24:36.720 --> 0:24:39.720
<v Speaker 3>did the Sharkis Machine fall okay in Atlanta and the

0:24:39.720 --> 0:24:42.680
<v Speaker 3>Burt Reynolds movie. Nope, it's very famous fall out of

0:24:42.680 --> 0:24:43.800
<v Speaker 3>the Peachtree Plaza Hotel.

0:24:43.840 --> 0:24:45.880
<v Speaker 1>I was up in Toledo at a time.

0:24:46.359 --> 0:24:48.840
<v Speaker 3>It was still it was released in Toledo in Toledo,

0:24:49.320 --> 0:24:50.239
<v Speaker 3>Sharky's Machine one.

0:24:50.359 --> 0:24:53.240
<v Speaker 1>Yeah, uh off the off the Witch Hotel.

0:24:53.400 --> 0:24:56.360
<v Speaker 3>He went through a window of the Peachtree Plaza and

0:24:56.480 --> 0:24:58.960
<v Speaker 3>uh into onto an airbag. And it's just it was

0:24:59.000 --> 0:25:01.879
<v Speaker 3>one of the famous early and or not early falls,

0:25:01.920 --> 0:25:02.879
<v Speaker 3>but one of the famous falls.

0:25:02.920 --> 0:25:04.080
<v Speaker 1>What Florida did he jump out of?

0:25:04.560 --> 0:25:05.560
<v Speaker 3>Oh man, I can't remember.

0:25:05.720 --> 0:25:06.440
<v Speaker 1>Was it pretty high?

0:25:06.520 --> 0:25:08.359
<v Speaker 3>Yeah? I mean it was over over like one hundred

0:25:08.359 --> 0:25:09.080
<v Speaker 3>and fifty feet I know.

0:25:09.080 --> 0:25:11.080
<v Speaker 1>Oh wow, Yeah that's nuts.

0:25:11.119 --> 0:25:11.800
<v Speaker 3>That's pretty cool.

0:25:11.920 --> 0:25:15.200
<v Speaker 1>But see, so imagine planning that stunt. How many times

0:25:15.200 --> 0:25:18.800
<v Speaker 1>they measured, yeah, everything to figure out where the air

0:25:18.800 --> 0:25:21.439
<v Speaker 1>bags needed to go, and then they probably supplemented it

0:25:21.440 --> 0:25:24.280
<v Speaker 1>with additional airbags. And if they loved the guy at all,

0:25:24.320 --> 0:25:24.919
<v Speaker 1>they did all this.

0:25:25.400 --> 0:25:27.840
<v Speaker 3>Yeah, stuntman, When you go to talk to one, if

0:25:27.840 --> 0:25:29.760
<v Speaker 3>you're on set, you'll be disappointed by the fact that

0:25:29.800 --> 0:25:32.119
<v Speaker 3>they aren't these crazy dudes like you want them to be.

0:25:32.560 --> 0:25:35.760
<v Speaker 3>They're actually really sensible because they want to work and

0:25:35.800 --> 0:25:38.920
<v Speaker 3>earn money, so they want to be really, really sure

0:25:38.920 --> 0:25:40.920
<v Speaker 3>that no one gets hurt. It's a little more boring

0:25:40.960 --> 0:25:42.879
<v Speaker 3>than you would think talking to them. Sure, but there

0:25:42.920 --> 0:25:43.639
<v Speaker 3>are little nuts.

0:25:43.840 --> 0:25:48.200
<v Speaker 1>Yeah, well you'd have to be at what else, chuck fire?

0:25:48.720 --> 0:25:49.480
<v Speaker 1>How about fire?

0:25:50.080 --> 0:25:52.920
<v Speaker 3>I just saw Anchorman the other night, Remember when they

0:25:52.960 --> 0:25:56.040
<v Speaker 3>had the street brawl and got on fire just walks by.

0:25:57.160 --> 0:25:59.840
<v Speaker 1>Yeah, that's a pretty serious stunt, like when you are

0:26:00.160 --> 0:26:03.040
<v Speaker 1>when you set yourself on fire. Yeah, and there's a

0:26:03.040 --> 0:26:06.600
<v Speaker 1>lot of safety precautions, but even still, it's you're on fire,

0:26:07.119 --> 0:26:08.119
<v Speaker 1>whether you like it or not.

0:26:08.920 --> 0:26:11.760
<v Speaker 3>Yeah, you're wearing all kinds of fire protective clothing and

0:26:11.840 --> 0:26:14.480
<v Speaker 3>fire retardant, and then you're smeared with the flammable gel.

0:26:14.720 --> 0:26:17.879
<v Speaker 1>Yep, you have a hood on that protects you as well,

0:26:18.440 --> 0:26:21.200
<v Speaker 1>and there's an oxygen tank in there, so you're basically

0:26:21.240 --> 0:26:24.800
<v Speaker 1>just completely wrapped in this outfit. Yeah, but yeah, the

0:26:24.840 --> 0:26:28.879
<v Speaker 1>flammable gels on. And they liked you and then film

0:26:28.960 --> 0:26:32.840
<v Speaker 1>you and you're going, oh, it's always.

0:26:32.480 --> 0:26:35.640
<v Speaker 3>The wavy and this kind of looks the same.

0:26:35.800 --> 0:26:39.000
<v Speaker 1>And then the people run over and put you out

0:26:39.000 --> 0:26:39.960
<v Speaker 1>with fire extinguisher.

0:26:40.080 --> 0:26:40.480
<v Speaker 3>That's right.

0:26:40.720 --> 0:26:43.400
<v Speaker 1>But they time it very closely as well. Oh, I'm sure,

0:26:43.440 --> 0:26:45.240
<v Speaker 1>because I think it's kind of like, well, if we

0:26:45.320 --> 0:26:48.399
<v Speaker 1>go twelve seconds, he actually will catch on fire, so

0:26:48.480 --> 0:26:49.360
<v Speaker 1>we can shoot.

0:26:49.040 --> 0:26:53.160
<v Speaker 3>For eleven eleven point five. Explosions are a big deal,

0:26:53.240 --> 0:26:56.520
<v Speaker 3>obviously these days. There are so many explosions in movies.

0:26:58.040 --> 0:27:00.560
<v Speaker 3>Sometimes they cheat a little bit what's called a technique

0:27:00.560 --> 0:27:03.040
<v Speaker 3>called force perspective to make it look like the actor

0:27:03.119 --> 0:27:06.640
<v Speaker 3>is closer to the explosion, and if there's an explosion,

0:27:06.680 --> 0:27:09.679
<v Speaker 3>you're probably also going to be propelled with the air

0:27:09.760 --> 0:27:13.240
<v Speaker 3>ram that we were talking about. It's very it's almost

0:27:13.280 --> 0:27:15.000
<v Speaker 3>I would call it a Hollywood trope. At this point

0:27:15.200 --> 0:27:17.159
<v Speaker 3>the explosion and the dudes flying like twenty feet in

0:27:17.160 --> 0:27:17.359
<v Speaker 3>the ear.

0:27:17.400 --> 0:27:20.800
<v Speaker 1>Oh yeah, yeah, yeah, that was big in a commando.

0:27:21.240 --> 0:27:23.600
<v Speaker 1>Oh yes, I went there a lot of air rams using.

0:27:23.480 --> 0:27:25.680
<v Speaker 3>Commanda, many more than I can count.

0:27:26.640 --> 0:27:30.920
<v Speaker 1>That such a good movie. Car chases and crashes, yeah,

0:27:30.960 --> 0:27:33.199
<v Speaker 1>they use rams as well. They may be attached to

0:27:33.240 --> 0:27:36.199
<v Speaker 1>the car. So if a car needs to flip, you

0:27:36.280 --> 0:27:39.959
<v Speaker 1>see people like going up on a ramp or whatever. Yeah,

0:27:40.000 --> 0:27:41.680
<v Speaker 1>and I they'd probably use that if you're just trying

0:27:41.720 --> 0:27:43.679
<v Speaker 1>to stay on two wheels. But if you're trying to flip,

0:27:43.800 --> 0:27:46.919
<v Speaker 1>there's usually a ram that pushes the car, pushes it

0:27:46.960 --> 0:27:49.760
<v Speaker 1>off to the ground and it flips, or if you

0:27:49.760 --> 0:27:52.760
<v Speaker 1>haven't coming out of the rear, it'll make it jump

0:27:52.960 --> 0:27:53.560
<v Speaker 1>really high.

0:27:53.600 --> 0:27:55.199
<v Speaker 3>Oh true. Like in Hooper.

0:27:56.320 --> 0:27:58.480
<v Speaker 1>I don't know all these movies you're talking about.

0:27:58.560 --> 0:28:01.240
<v Speaker 3>Oh dude. Hooper was the stuff man movie with Burt Reynolds.

0:28:01.320 --> 0:28:02.000
<v Speaker 1>I didn't see it.

0:28:02.240 --> 0:28:07.000
<v Speaker 3>Oh my god. Hal neaedam very famous stuntman turned director directed.

0:28:06.840 --> 0:28:09.040
<v Speaker 1>Founder of The Cannonball Run well.

0:28:08.920 --> 0:28:11.040
<v Speaker 3>Yeah, and director of the movie The Cannonball Run and

0:28:11.119 --> 0:28:14.439
<v Speaker 3>Smoking the Bandit and Hooper. Hooper was about an aging

0:28:14.480 --> 0:28:17.600
<v Speaker 3>stuntman Burt Reynolds who was challenged by the up and

0:28:17.640 --> 0:28:21.880
<v Speaker 3>comer Jan Michael Vincent. And of course there's the love

0:28:21.920 --> 0:28:25.160
<v Speaker 3>relationship with Sally Field choosing that too. And it was good.

0:28:25.160 --> 0:28:27.240
<v Speaker 3>It was like the best. It's sort of the best

0:28:27.240 --> 0:28:29.800
<v Speaker 3>stunt movie ever because it was about stunts, huh. And

0:28:29.840 --> 0:28:31.280
<v Speaker 3>he had a rocket car and that one that was

0:28:31.280 --> 0:28:34.000
<v Speaker 3>a big rocket car jump. It was the big climax.

0:28:34.400 --> 0:28:35.440
<v Speaker 1>I did not see Hooper.

0:28:35.680 --> 0:28:36.679
<v Speaker 3>D you need to see Hooper?

0:28:36.720 --> 0:28:38.880
<v Speaker 1>What was I watching back then?

0:28:39.640 --> 0:28:41.479
<v Speaker 3>What were you? You're probably watching TV and stuff.

0:28:41.680 --> 0:28:43.480
<v Speaker 1>I guess, Yeah, it.

0:28:43.440 --> 0:28:48.520
<v Speaker 3>Was a little before your time. Secret of nim And

0:28:48.560 --> 0:28:51.640
<v Speaker 3>like I said earlier, stunt drivers, it's not all like

0:28:51.680 --> 0:28:53.000
<v Speaker 3>a lot of this stuff you're going to see on

0:28:53.080 --> 0:28:55.720
<v Speaker 3>TV is stunt driving, even though you might not think

0:28:55.760 --> 0:28:56.680
<v Speaker 3>it's necessary.

0:28:56.920 --> 0:28:58.720
<v Speaker 1>Yeah, apparently does this pull off of the.

0:28:58.840 --> 0:29:03.120
<v Speaker 3>Sometimeway sometimes not. How do you become a stuntman.

0:29:02.840 --> 0:29:07.840
<v Speaker 1>Josh, Well, apparently, as far as Grabanowski says, you basically

0:29:07.920 --> 0:29:10.520
<v Speaker 1>have to start off as an extra on the set.

0:29:11.080 --> 0:29:12.120
<v Speaker 3>That's not necessarily true.

0:29:12.200 --> 0:29:14.560
<v Speaker 1>Okay, if you want to, if you want to go

0:29:14.720 --> 0:29:18.480
<v Speaker 1>from the absolutely from from zero to stuntman in the

0:29:18.520 --> 0:29:21.400
<v Speaker 1>slowest way possible, then you would start out as an

0:29:21.400 --> 0:29:23.520
<v Speaker 1>extra on the set. You have to be a screen

0:29:23.520 --> 0:29:24.880
<v Speaker 1>act You have to be a member of the Screen

0:29:24.920 --> 0:29:28.560
<v Speaker 1>Actors Guild in most cases. Yeah, and when you're hanging

0:29:28.600 --> 0:29:31.280
<v Speaker 1>around the set, you identify who the second unit director

0:29:31.400 --> 0:29:34.280
<v Speaker 1>or stunt coordinator is and you hand them your headshot.

0:29:36.120 --> 0:29:38.880
<v Speaker 3>This ad painted a path to becoming a stunt person

0:29:38.960 --> 0:29:41.600
<v Speaker 3>that we've kind of laughed at. It is not the

0:29:41.640 --> 0:29:45.320
<v Speaker 3>only path, but one thing is for sure. To become

0:29:45.320 --> 0:29:48.080
<v Speaker 3>a stunt person, you need to get to know someone

0:29:48.080 --> 0:29:52.440
<v Speaker 3>else in that department. And that's really with every film department.

0:29:52.720 --> 0:29:54.200
<v Speaker 3>If you want to be in a wardrobe you should

0:29:54.600 --> 0:29:56.160
<v Speaker 3>get a job as a BA and start hanging out

0:29:56.160 --> 0:29:58.280
<v Speaker 3>with the wardrobe people. If you want to be in makeup,

0:29:58.320 --> 0:30:00.320
<v Speaker 3>start hanging out with the makeup people. And that's just

0:30:00.360 --> 0:30:02.280
<v Speaker 3>how it works in Hollywood. There is no degree. You

0:30:02.320 --> 0:30:04.960
<v Speaker 3>can get a film degree, but come on, let's wasted money.

0:30:05.680 --> 0:30:07.480
<v Speaker 3>Just go to work on a set. You get to

0:30:07.480 --> 0:30:10.280
<v Speaker 3>know the people in the department and then start bugging

0:30:10.280 --> 0:30:12.160
<v Speaker 3>them a little bit when they're not busy. Stunt coordinators

0:30:12.160 --> 0:30:14.760
<v Speaker 3>are a little testy because there's a lot on the line,

0:30:14.800 --> 0:30:18.200
<v Speaker 3>you know, sure, so you know if you're a new

0:30:18.240 --> 0:30:20.480
<v Speaker 3>pa on set. Don't run over the stunt coordinator, start

0:30:20.480 --> 0:30:23.680
<v Speaker 3>bugging them right away. Pick and choose right your time,

0:30:23.960 --> 0:30:25.800
<v Speaker 3>and then give them your headshot and then give him

0:30:25.840 --> 0:30:26.480
<v Speaker 3>your head shot.

0:30:26.560 --> 0:30:30.000
<v Speaker 1>But yeah, what you're saying is that it's apprentice based.

0:30:30.280 --> 0:30:30.600
<v Speaker 3>It is.

0:30:30.760 --> 0:30:31.280
<v Speaker 1>Basically.

0:30:31.400 --> 0:30:36.400
<v Speaker 3>There are schools. One recommended driving school, the Rick Seaman

0:30:36.600 --> 0:30:40.720
<v Speaker 3>Stunt Driving School. There's also the International Stunt School that

0:30:40.800 --> 0:30:42.680
<v Speaker 3>sounds pretty serious, and this is where you can learn

0:30:42.720 --> 0:30:44.000
<v Speaker 3>to do some of the stuff. But it's not like

0:30:44.040 --> 0:30:46.800
<v Speaker 3>you exit with a degree and then show up and

0:30:46.840 --> 0:30:48.440
<v Speaker 3>say now I'd like to do stunt work.

0:30:48.480 --> 0:30:50.120
<v Speaker 1>Right, all the rest of you are fired. I have

0:30:50.160 --> 0:30:52.640
<v Speaker 1>a degree from the International Stunt School.

0:30:53.920 --> 0:30:57.040
<v Speaker 3>And Grabster points out that you should have a large

0:30:57.200 --> 0:30:59.240
<v Speaker 3>area of specialty rather than one thing.

0:30:59.360 --> 0:31:00.600
<v Speaker 1>I thought it's a very good point.

0:31:00.720 --> 0:31:02.920
<v Speaker 3>Yeah, but that this is not necessarily true. I've talked

0:31:02.920 --> 0:31:06.440
<v Speaker 3>to some stunt dudes that say, eventually you would like

0:31:06.480 --> 0:31:08.440
<v Speaker 3>to have a wide range of skills, but a good

0:31:08.440 --> 0:31:10.840
<v Speaker 3>way to get in is to have one really specific

0:31:10.880 --> 0:31:13.560
<v Speaker 3>skill that you're great at. And you might get that

0:31:13.680 --> 0:31:17.120
<v Speaker 3>call like this guy's good with wirework or water work,

0:31:17.920 --> 0:31:21.440
<v Speaker 3>and or he's a hell of a driver or a

0:31:21.480 --> 0:31:25.040
<v Speaker 3>really good motorcycle guy, yeah, or a great skier if

0:31:25.040 --> 0:31:27.600
<v Speaker 3>you're doing like, what was that for your eyes only?

0:31:28.560 --> 0:31:28.800
<v Speaker 1>Yeah?

0:31:29.000 --> 0:31:30.560
<v Speaker 3>Is that the one that over had ski chase?

0:31:30.720 --> 0:31:31.720
<v Speaker 1>Never say never again?

0:31:32.680 --> 0:31:34.200
<v Speaker 3>I know it's definitely Roger Moore.

0:31:34.440 --> 0:31:36.640
<v Speaker 1>Okay, I think it's for your eyes only, all right.

0:31:36.520 --> 0:31:38.160
<v Speaker 3>But it helps to have these skills, Like a lot

0:31:38.160 --> 0:31:43.200
<v Speaker 3>of stunt people are former motorcycle motocross racers or car

0:31:43.840 --> 0:31:48.720
<v Speaker 3>enthusiasts or you know, how to stupid stand the forest

0:31:48.760 --> 0:31:49.280
<v Speaker 3>back riding.

0:31:49.400 --> 0:31:50.480
<v Speaker 1>Yeah, so a lot of.

0:31:50.400 --> 0:31:52.520
<v Speaker 3>Them had these skills just anyway, and they're like, hey,

0:31:52.800 --> 0:31:55.080
<v Speaker 3>I can I've been driving dirt track for twenty years

0:31:55.560 --> 0:31:56.400
<v Speaker 3>as well make some money.

0:31:56.480 --> 0:31:57.440
<v Speaker 1>Yeah, film me.

0:31:58.840 --> 0:32:01.360
<v Speaker 3>There's books out there, are there? So you want to

0:32:01.400 --> 0:32:03.000
<v Speaker 3>be a stunt Man? By Mark Aspitt?

0:32:03.240 --> 0:32:05.320
<v Speaker 1>Oh, that's a great name for a book like.

0:32:05.240 --> 0:32:09.360
<v Speaker 3>That, The Full Burn by Kevin Conley, Fight Choreography The

0:32:09.440 --> 0:32:12.600
<v Speaker 3>Art of Nonverbal Dialogue by John Kring, and then Hall

0:32:12.680 --> 0:32:18.480
<v Speaker 3>Needham's biography Stuntman with a exclamation.

0:32:18.680 --> 0:32:22.040
<v Speaker 1>Had to be had to be you got You said

0:32:22.080 --> 0:32:24.760
<v Speaker 1>you have a list of actors that do their own stunts.

0:32:25.560 --> 0:32:28.800
<v Speaker 3>Yeah. I think most people know this. People like Jason Statham,

0:32:29.080 --> 0:32:31.200
<v Speaker 3>famous for doing his own stunts, Huh.

0:32:31.560 --> 0:32:33.600
<v Speaker 1>I see Zoe Bells on there. I thought she was

0:32:33.640 --> 0:32:34.360
<v Speaker 1>a stunt person.

0:32:34.520 --> 0:32:37.080
<v Speaker 3>Well she is, and she was in Death Proof though

0:32:37.080 --> 0:32:39.800
<v Speaker 3>as an actor, right, And they were like, I guess

0:32:39.800 --> 0:32:42.680
<v Speaker 3>they include her now because she did that awesome hanging

0:32:42.720 --> 0:32:43.480
<v Speaker 3>onto the hood scene.

0:32:43.520 --> 0:32:46.520
<v Speaker 1>I was watching that earlier and it is just nut.

0:32:46.520 --> 0:32:47.280
<v Speaker 3>It's pretty cool.

0:32:47.560 --> 0:32:49.960
<v Speaker 1>It's like she's when she's hanging on it looks like

0:32:50.000 --> 0:32:53.280
<v Speaker 1>by belts or whatever. Yeah, and then she's she's kind

0:32:53.280 --> 0:32:55.760
<v Speaker 1>of sliding still across the hood.

0:32:55.920 --> 0:32:56.360
<v Speaker 3>Yeah.

0:32:56.400 --> 0:32:58.560
<v Speaker 1>All it would take is like half an inch, and

0:32:58.600 --> 0:33:01.160
<v Speaker 1>then all of a sudden she's gone too far and

0:33:01.200 --> 0:33:03.840
<v Speaker 1>she's off the side of the car. Yeah, that was it.

0:33:04.040 --> 0:33:05.640
<v Speaker 3>She's one of the best in the business apparently.

0:33:05.720 --> 0:33:06.560
<v Speaker 1>Man, that's scary.

0:33:08.480 --> 0:33:10.400
<v Speaker 3>Burt Reynolds used to do a lot of his stunts.

0:33:10.400 --> 0:33:13.560
<v Speaker 3>In fact, he got injured pretty bad. That led to

0:33:13.600 --> 0:33:16.560
<v Speaker 3>some bad health problems on set. Oh yeah, a city Heat,

0:33:16.600 --> 0:33:20.160
<v Speaker 3>the Clint Easwood movie. Burt Lancaster, he used to do

0:33:20.240 --> 0:33:20.880
<v Speaker 3>his on stunts.

0:33:21.080 --> 0:33:23.720
<v Speaker 1>He's a tough guy. Yeah, remember the movie Tough Guys.

0:33:24.000 --> 0:33:26.040
<v Speaker 3>Yes, in that Yeah. Yeah, I don't think we mentioned

0:33:26.200 --> 0:33:28.040
<v Speaker 3>Ben hur either. That's one of the famous stunts ever.

0:33:28.120 --> 0:33:29.360
<v Speaker 3>The Chariot race.

0:33:29.400 --> 0:33:30.440
<v Speaker 1>Yeah, you want to tell him about it?

0:33:31.680 --> 0:33:32.480
<v Speaker 3>Go ahead, what do you got.

0:33:32.600 --> 0:33:36.360
<v Speaker 1>Oh, well, there's a stuntman named Joe Canutt and he

0:33:36.480 --> 0:33:39.240
<v Speaker 1>was doubling for Charlton Heston and during the chariot race,

0:33:39.600 --> 0:33:45.200
<v Speaker 1>this big, long, intense race. Yeah, he falls off the

0:33:45.280 --> 0:33:49.000
<v Speaker 1>chariot and it's about to be run over, but in

0:33:49.120 --> 0:33:52.960
<v Speaker 1>true stuntman fashion, grabs it is being dragged, Yeah, pulls

0:33:53.000 --> 0:33:55.400
<v Speaker 1>himself back up and continues on.

0:33:56.400 --> 0:33:57.600
<v Speaker 3>And I think that made it on screen.

0:33:57.800 --> 0:34:00.280
<v Speaker 1>Yeah, it's in the movie. But that was a real thing,

0:34:00.320 --> 0:34:03.320
<v Speaker 1>Like it wasn't a planned stunt. Like the guy saved

0:34:03.320 --> 0:34:03.960
<v Speaker 1>his own life.

0:34:04.600 --> 0:34:08.120
<v Speaker 3>That's awesome, Dad, Harrison Ford. We mentioned as far as

0:34:08.120 --> 0:34:11.399
<v Speaker 3>the ladies go, Angelina Jolee and Cameron Diaz are known

0:34:11.440 --> 0:34:16.759
<v Speaker 3>for doing stunts. Arnie Schwartz and Niagata and Jackie Chan

0:34:17.160 --> 0:34:19.560
<v Speaker 3>of course very famous for doing his own stunts.

0:34:19.600 --> 0:34:19.799
<v Speaker 1>Sure.

0:34:19.920 --> 0:34:21.760
<v Speaker 3>And it makes a difference, man, when you can tell

0:34:22.800 --> 0:34:25.160
<v Speaker 3>it's Tom Cruise on the side of that mountain.

0:34:25.400 --> 0:34:27.600
<v Speaker 1>Man that was scary. Is that really him?

0:34:27.840 --> 0:34:30.600
<v Speaker 3>Yeah, Emily worked on that shoot on there, just that

0:34:30.680 --> 0:34:34.239
<v Speaker 3>segment in mo Ab, the rock climbing segment, and that's

0:34:34.239 --> 0:34:36.560
<v Speaker 3>when famously Tom Cruise was like four hours late and

0:34:36.560 --> 0:34:39.600
<v Speaker 3>flies in on a helicopter and like the whole crew

0:34:39.680 --> 0:34:40.879
<v Speaker 3>was waiting around all day for him.

0:34:41.160 --> 0:34:42.000
<v Speaker 1>I hadn't heard that.

0:34:42.080 --> 0:34:46.080
<v Speaker 3>And then oh, yeah, I mean famous in my family. Yeah,

0:34:46.160 --> 0:34:48.120
<v Speaker 3>and now I guess famous to the podcast community.

0:34:48.160 --> 0:34:50.719
<v Speaker 1>Yea Cruiz is not punctual.

0:34:51.040 --> 0:34:51.879
<v Speaker 3>Well he wasn't that day.

0:34:53.320 --> 0:34:54.440
<v Speaker 1>Wow, stunts.

0:34:54.880 --> 0:34:58.439
<v Speaker 3>Have you seen Haywire, the Soderberg movie? Huh huh, it's

0:34:58.440 --> 0:35:04.520
<v Speaker 3>about h assassinate assassins. Basically, it's an action movie, Soderberg's

0:35:04.560 --> 0:35:07.520
<v Speaker 3>take on an action movie. But Gina Karana was a

0:35:07.560 --> 0:35:12.080
<v Speaker 3>former mixed martial artist and she she's awesome and does

0:35:12.160 --> 0:35:14.560
<v Speaker 3>her own stunts. What's her name, Gina Carano.

0:35:14.719 --> 0:35:15.839
<v Speaker 1>I don't believe I know her.

0:35:15.920 --> 0:35:17.600
<v Speaker 3>She plays the lead. I she I think that was

0:35:17.600 --> 0:35:20.880
<v Speaker 3>her first, like legit movie known for mixed martial arts.

0:35:21.200 --> 0:35:22.800
<v Speaker 3>But yeah, she does her own stunts.

0:35:22.920 --> 0:35:27.279
<v Speaker 1>She's b a hey wy hey, I'll check it out.

0:35:27.480 --> 0:35:28.480
<v Speaker 3>I got nothing else.

0:35:28.360 --> 0:35:28.919
<v Speaker 1>I don't either.

0:35:29.000 --> 0:35:29.800
<v Speaker 3>Pretty straightforward.

0:35:30.560 --> 0:35:32.600
<v Speaker 1>If you want to learn more about stunts, you can

0:35:32.640 --> 0:35:36.920
<v Speaker 1>type stunts into the house stuff works search bar. And

0:35:37.000 --> 0:35:39.680
<v Speaker 1>I said search bar, which means it's time for listener.

0:35:39.719 --> 0:35:45.319
<v Speaker 3>May Josh, I'm gonna call this, uh things we I

0:35:45.320 --> 0:35:49.319
<v Speaker 3>guess say a lot. Oh no, yeah, like no, no, no,

0:35:49.320 --> 0:35:51.200
<v Speaker 3>that's not in there. Okay, everyone says like.

0:35:51.160 --> 0:35:54.160
<v Speaker 1>Though, I know, but I've people have pointed out here

0:35:54.200 --> 0:35:55.839
<v Speaker 1>They're like, you guys say like a lot. And I've

0:35:55.920 --> 0:35:58.920
<v Speaker 1>started to notice. And when I say it when I

0:35:59.080 --> 0:36:01.520
<v Speaker 1>hear the podcast, I don't hear it when I'm saying it,

0:36:01.560 --> 0:36:03.879
<v Speaker 1>only later on when I can't do anything about it.

0:36:04.080 --> 0:36:07.120
<v Speaker 3>Don't beat yourself up. Everybody says that, like, there are

0:36:07.200 --> 0:36:11.200
<v Speaker 3>articles written in the New Yorker about the use of

0:36:11.239 --> 0:36:13.200
<v Speaker 3>the word like in the twenty first century.

0:36:13.360 --> 0:36:15.400
<v Speaker 1>Okay, so you're part of that crowd.

0:36:16.560 --> 0:36:17.960
<v Speaker 3>I know you're no millennial.

0:36:18.560 --> 0:36:23.640
<v Speaker 1>I'm not. I'm an aged person. Sorry, what's wrong with

0:36:23.680 --> 0:36:24.160
<v Speaker 1>me today?

0:36:24.400 --> 0:36:27.239
<v Speaker 3>Guys? Before I start, I feel like I should get

0:36:27.239 --> 0:36:29.400
<v Speaker 3>out my adoration of the podcast. Always listen as I'm

0:36:29.440 --> 0:36:34.080
<v Speaker 3>walking my dog, Chloe keeps me entertained for hours. I

0:36:34.120 --> 0:36:36.520
<v Speaker 3>love that you guys are still going strong, and I'm

0:36:36.600 --> 0:36:39.520
<v Speaker 3>very thankful. I've comprised a list, however, of words and

0:36:39.520 --> 0:36:43.320
<v Speaker 3>phrases used most often in the show. Besides obvious ones

0:36:43.680 --> 0:36:46.279
<v Speaker 3>like Chuck or Josh or search bark, let's hear them

0:36:46.280 --> 0:36:48.960
<v Speaker 3>in no particular order. About it being a bout a boom.

0:36:49.000 --> 0:36:53.120
<v Speaker 1>Sure he left off the bon Jovi she oh.

0:36:52.960 --> 0:36:55.879
<v Speaker 3>She, we'll talk about this later or we'll get to.

0:36:55.880 --> 0:36:57.880
<v Speaker 1>That, and then a lot of times we don't.

0:36:58.080 --> 0:36:59.399
<v Speaker 3>Yeah, I feel like I say that a lot.

0:36:59.520 --> 0:37:02.160
<v Speaker 1>I think it's hilarious when we say that we're going

0:37:02.200 --> 0:37:04.440
<v Speaker 1>to talk about something later and then we just forget too.

0:37:04.880 --> 0:37:06.960
<v Speaker 3>Yeah, or I say all the time, I think we

0:37:06.960 --> 0:37:08.480
<v Speaker 3>should point out and she didn't put that in here,

0:37:08.480 --> 0:37:09.839
<v Speaker 3>but I'll go ahead and throw my own on there.

0:37:09.960 --> 0:37:17.560
<v Speaker 3>Oh yeah, I'm making air quotes. Yeah, I E E G. Yeah,

0:37:17.600 --> 0:37:21.200
<v Speaker 3>that's one of yours. That's a good band name, and

0:37:21.280 --> 0:37:27.400
<v Speaker 3>that's usually me. Sure, because that's not just sweat. You

0:37:27.440 --> 0:37:30.399
<v Speaker 3>just talk about sweat a lot because of me. That's

0:37:30.440 --> 0:37:32.400
<v Speaker 3>a stand up guy. I don't remember her saying that

0:37:32.440 --> 0:37:34.799
<v Speaker 3>a lot. Do you say that a lot? All right,

0:37:34.800 --> 0:37:37.120
<v Speaker 3>I'm gonna take at you with that one, Katherine on

0:37:37.200 --> 0:37:41.640
<v Speaker 3>the up and up. I don't know' CoA. Of course

0:37:41.680 --> 0:37:42.359
<v Speaker 3>you say that a lot.

0:37:42.440 --> 0:37:42.760
<v Speaker 1>Definitely.

0:37:42.800 --> 0:37:44.160
<v Speaker 3>People always ask it what it means.

0:37:44.239 --> 0:37:44.879
<v Speaker 1>We never tell.

0:37:45.000 --> 0:37:49.560
<v Speaker 3>They never tell, And then have you seen the movie? Ironically?

0:37:49.640 --> 0:37:50.399
<v Speaker 1>That's about right.

0:37:50.520 --> 0:37:52.920
<v Speaker 3>Yeah, And those are ten things that we say a lot,

0:37:52.960 --> 0:37:55.200
<v Speaker 3>and that is she says she thinks these are great

0:37:55.600 --> 0:37:58.320
<v Speaker 3>comforts her and she smiles, and that is Catherine Phillips.

0:37:58.719 --> 0:38:02.120
<v Speaker 1>Thanks a lot, Katherine. That's pretty cool. Somebody's out there

0:38:02.160 --> 0:38:05.000
<v Speaker 1>like writing lists of things we say.

0:38:06.239 --> 0:38:08.880
<v Speaker 3>It's nicer to hear people say like, I take comfort that.

0:38:08.920 --> 0:38:10.480
<v Speaker 3>And except for the emails when we get like you

0:38:10.520 --> 0:38:11.320
<v Speaker 3>guys always.

0:38:11.040 --> 0:38:13.919
<v Speaker 1>Say this and you usually like too much. That's John

0:38:13.960 --> 0:38:19.600
<v Speaker 1>Travolta taking against the task. Or if you want to

0:38:19.640 --> 0:38:22.879
<v Speaker 1>take us the task, whether John Travolta or anybody else,

0:38:23.040 --> 0:38:24.919
<v Speaker 1>or you just want to say, hey, here's the list

0:38:24.960 --> 0:38:29.120
<v Speaker 1>of things I noticed because the podcast or whatever, you

0:38:29.200 --> 0:38:34.200
<v Speaker 1>can join us on Twitter. Actually, first, before we sign off,

0:38:34.400 --> 0:38:36.560
<v Speaker 1>let's remind everybody that we're going to be on the

0:38:36.600 --> 0:38:40.840
<v Speaker 1>TV again the TV. Yeah, Saturday night on Science Channel

0:38:40.840 --> 0:38:43.800
<v Speaker 1>at ten pm would be the premiere of another Stuff

0:38:43.800 --> 0:38:44.800
<v Speaker 1>you Should Know episode.

0:38:44.880 --> 0:38:46.760
<v Speaker 3>You can watch us each and every week, Yeah.

0:38:46.680 --> 0:38:50.240
<v Speaker 1>TV show Stuff you Don't Should Know TV show ten pm, or.

0:38:50.120 --> 0:38:53.680
<v Speaker 3>Get it on iTunes the following day on Sunday. That's right, Chuck,

0:38:53.800 --> 0:38:55.439
<v Speaker 3>Just go to iTunes and type in stuff you Should

0:38:55.440 --> 0:38:55.600
<v Speaker 3>Know and.

0:38:55.719 --> 0:38:58.440
<v Speaker 1>Two it comes off all right, So now we'll sign off, right, Yep,

0:38:58.520 --> 0:39:00.640
<v Speaker 1>you can get in touch with us on Twitter at

0:39:00.680 --> 0:39:02.680
<v Speaker 1>s y s K podcast. You can join us on

0:39:02.680 --> 0:39:05.160
<v Speaker 1>Facebook dot com slash w should Know, and you can

0:39:05.200 --> 0:39:07.960
<v Speaker 1>send us a good old fashioned email too. Stuff Podcast

0:39:08.160 --> 0:39:14.560
<v Speaker 1>at Discovery dot com.

0:39:14.680 --> 0:39:17.200
<v Speaker 2>For more on this and thousands of other topics, visit

0:39:17.239 --> 0:39:25.719
<v Speaker 2>HowStuffWorks dot com