1 00:00:00,120 --> 00:00:06,320 Speaker 1: This Day in History Class is a production of iHeartRadio. 2 00:00:06,600 --> 00:00:10,400 Speaker 1: Hello and welcome to This Day in History Class, a 3 00:00:10,520 --> 00:00:13,720 Speaker 1: show that flips through the pages of history to deliver 4 00:00:13,880 --> 00:00:17,840 Speaker 1: old news in a new way. I'm Gay Bluesier and 5 00:00:18,040 --> 00:00:21,320 Speaker 1: today we're looking back on the life of Robert Burns, 6 00:00:21,600 --> 00:00:24,479 Speaker 1: the bard of Scotland, who made it his life's work 7 00:00:24,640 --> 00:00:28,680 Speaker 1: to preserve and popularize the rich history and culture of 8 00:00:28,760 --> 00:00:39,840 Speaker 1: the land he held so dear. The day was January 9 00:00:39,920 --> 00:00:45,839 Speaker 1: twenty fifth, seventeen fifty nine. Celebrated poet Robert Burns was 10 00:00:45,920 --> 00:00:49,960 Speaker 1: born in Alloway, Scotland. He was the eldest of seven 11 00:00:50,080 --> 00:00:54,560 Speaker 1: children born to tenant farmers William Burns and Agnes Brown. 12 00:00:55,320 --> 00:00:57,760 Speaker 1: The family struggled to make a living on a farm 13 00:00:57,840 --> 00:01:00,720 Speaker 1: with poor soil, and for the first seven years of 14 00:01:00,840 --> 00:01:04,039 Speaker 1: Robert's life they lived side by side with their farm 15 00:01:04,080 --> 00:01:08,759 Speaker 1: animals in a four room cottage built by William. Despite 16 00:01:08,800 --> 00:01:13,319 Speaker 1: their hardships, William and Agnes insisted that their children be educated. 17 00:01:13,760 --> 00:01:17,640 Speaker 1: In seventeen sixty five, Robert and his brother Gilbert began 18 00:01:17,680 --> 00:01:21,600 Speaker 1: attending a school two miles away at Alloway Mill. Then 19 00:01:21,959 --> 00:01:25,399 Speaker 1: William and three other local families pulled their money and 20 00:01:25,520 --> 00:01:28,600 Speaker 1: hired a private tutor to teach their kids English grammar. 21 00:01:29,520 --> 00:01:32,639 Speaker 1: Robert Burns became an avid reader from an early age, 22 00:01:32,840 --> 00:01:36,320 Speaker 1: but he also heard plenty of traditional stories and songs 23 00:01:36,480 --> 00:01:39,480 Speaker 1: from a neighbor who sometimes helped out on the farm. 24 00:01:39,720 --> 00:01:43,039 Speaker 1: Her name was Betty Davidson, and according to Burns, he 25 00:01:43,120 --> 00:01:47,240 Speaker 1: owed his initial interest in poetry to her lyrical storytelling. 26 00:01:47,920 --> 00:01:50,920 Speaker 1: In a well known letter from his adulthood, Burns paid 27 00:01:51,000 --> 00:01:55,400 Speaker 1: tribute to this early influence, writing, in my infant and 28 00:01:55,480 --> 00:01:58,520 Speaker 1: boyish days, I owed much to an old maid of 29 00:01:58,560 --> 00:02:03,680 Speaker 1: my mother's, remarkable for her ignorance, credulity, and superstition. She 30 00:02:03,880 --> 00:02:07,640 Speaker 1: had I suppose the largest collection in the county of 31 00:02:07,760 --> 00:02:15,600 Speaker 1: tales and songs concerning devils, ghosts, fairies, brownies, witches, warlocks, spunkies, kelpies, 32 00:02:15,919 --> 00:02:22,840 Speaker 1: elf candles, dead lights, wraiths, apparitions, cantrips, giants, enchanted towers, dragons, 33 00:02:22,880 --> 00:02:27,399 Speaker 1: and other trumpery. This cultivated in me the latent seeds 34 00:02:27,600 --> 00:02:32,440 Speaker 1: of posey. Those seeds began to bore fruit when Burns 35 00:02:32,560 --> 00:02:36,120 Speaker 1: was a teenager. He penned his first composition in seventeen 36 00:02:36,240 --> 00:02:39,640 Speaker 1: seventy four, when he was just fifteen years old. It 37 00:02:39,720 --> 00:02:42,600 Speaker 1: was a romantic ode to a local farm girl named 38 00:02:42,639 --> 00:02:47,120 Speaker 1: Nellie Kilpatrick, or as she's called in the title, Handsome Nell. 39 00:02:48,240 --> 00:02:51,840 Speaker 1: For the next decade, Burns continued to casually make up 40 00:02:51,919 --> 00:02:57,000 Speaker 1: new poems and songs, usually while working on his family's farm. However, 41 00:02:57,320 --> 00:03:00,000 Speaker 1: after the death of his father in seventeen eighty five 42 00:03:00,120 --> 00:03:03,239 Speaker 1: four he began to take his writing much more seriously. 43 00:03:03,720 --> 00:03:06,640 Speaker 1: In a departure from his earlier work, he started writing 44 00:03:06,680 --> 00:03:10,000 Speaker 1: in the Scots language, using words he heard locally in 45 00:03:10,120 --> 00:03:14,720 Speaker 1: everyday speech. This new approach helped him find his true voice, 46 00:03:14,800 --> 00:03:18,560 Speaker 1: and over the next three years he penned dozens of verses, 47 00:03:18,960 --> 00:03:21,639 Speaker 1: the best of which he published in his first collection, 48 00:03:22,000 --> 00:03:26,400 Speaker 1: titled Poems Chiefly in the Scottish Dialect. The book was 49 00:03:26,440 --> 00:03:29,840 Speaker 1: released in the summer of seventeen eighty six, when Burns 50 00:03:29,960 --> 00:03:32,560 Speaker 1: was twenty seven years old, and it was paid for 51 00:03:32,720 --> 00:03:35,920 Speaker 1: by subscriptions from people in the region who were already 52 00:03:35,960 --> 00:03:39,400 Speaker 1: familiar with his work. The collection was a labor of love, 53 00:03:39,680 --> 00:03:43,360 Speaker 1: but also a financial necessity, as the farm his father 54 00:03:43,440 --> 00:03:46,160 Speaker 1: had left him was doing quite poorly under he and 55 00:03:46,200 --> 00:03:50,200 Speaker 1: his brother's management. Things got so bad that Burns even 56 00:03:50,280 --> 00:03:53,560 Speaker 1: considered running off to Jamaica. To work as a bookkeeper 57 00:03:53,600 --> 00:03:58,000 Speaker 1: at a sugar plantation. Luckily, his poetry collection turned out 58 00:03:58,000 --> 00:04:00,760 Speaker 1: to be an instant hit, and the success convinced him 59 00:04:00,800 --> 00:04:05,360 Speaker 1: to stick around in Scotland. One person who surely appreciated 60 00:04:05,400 --> 00:04:09,640 Speaker 1: that decision was Jean Armor, Burns's lifelong lover and the 61 00:04:09,720 --> 00:04:14,240 Speaker 1: eventual mother to nine of his thirteen children. The couple 62 00:04:14,280 --> 00:04:16,960 Speaker 1: had gotten off to a rocky start due to Burns's 63 00:04:17,040 --> 00:04:21,000 Speaker 1: reputation as a womanizer. Jean's father didn't want his daughter 64 00:04:21,040 --> 00:04:23,880 Speaker 1: to have anything to do with the philandering poet, but 65 00:04:23,960 --> 00:04:27,159 Speaker 1: by the time Burns's first collection was released, she was 66 00:04:27,200 --> 00:04:30,560 Speaker 1: already pregnant with his twins. With the matter more or 67 00:04:30,640 --> 00:04:33,679 Speaker 1: less settled, the young couple tied the knot two years 68 00:04:33,760 --> 00:04:37,640 Speaker 1: later and promptly moved to their own farm, Ellisland, just 69 00:04:37,800 --> 00:04:42,279 Speaker 1: northwest of Dumfries. By that point, Burns was being hailed 70 00:04:42,320 --> 00:04:46,320 Speaker 1: throughout Scotland and England as a great peasant poet, or, 71 00:04:46,360 --> 00:04:50,920 Speaker 1: as he came to be known, the heaven taught plowman. Unfortunately, 72 00:04:51,240 --> 00:04:54,440 Speaker 1: neither poetry nor farming were paying the bills like they 73 00:04:54,520 --> 00:04:56,840 Speaker 1: used to, and Burns had to take a job as 74 00:04:56,880 --> 00:05:01,160 Speaker 1: an excise officer or tax collector, he didn't walk away 75 00:05:01,160 --> 00:05:04,279 Speaker 1: from writing, though. In fact, it was during this period 76 00:05:04,360 --> 00:05:07,039 Speaker 1: that he embarked on one of the most important literary 77 00:05:07,120 --> 00:05:11,240 Speaker 1: projects of his life, collecting folk songs for an anthology 78 00:05:11,320 --> 00:05:16,040 Speaker 1: called the Scott's Musical Museum. The project was the brainchild 79 00:05:16,080 --> 00:05:20,080 Speaker 1: of Scottish engraver and music seller James Johnson, who sought 80 00:05:20,080 --> 00:05:23,760 Speaker 1: to catalog the country's rich library of traditional folk songs. 81 00:05:24,440 --> 00:05:28,400 Speaker 1: Burns's contribution, which he made without seeking payment, was to 82 00:05:28,440 --> 00:05:31,840 Speaker 1: write lyrics to the mostly wordless tunes and to compose 83 00:05:31,960 --> 00:05:35,320 Speaker 1: new songs in the traditional Scottish style. It was a 84 00:05:35,440 --> 00:05:38,200 Speaker 1: chance to return to the old stories and songs that 85 00:05:38,279 --> 00:05:41,400 Speaker 1: it sparked his imagination as a child, and to make 86 00:05:41,440 --> 00:05:45,359 Speaker 1: his own additions to his country's cultural song book. The 87 00:05:45,520 --> 00:05:49,279 Speaker 1: endeavor would occupy the last decade of Burns's life, with 88 00:05:49,400 --> 00:05:53,840 Speaker 1: his personal output amounting to some two hundred pieces. Among 89 00:05:53,880 --> 00:05:57,240 Speaker 1: them were some of the poet's most celebrated works, including 90 00:05:57,400 --> 00:06:00,880 Speaker 1: tam O'Shanter, a Man's a Man for Awe that a 91 00:06:00,960 --> 00:06:05,160 Speaker 1: red red Rose, and Old lang Zi, the unofficial anthem 92 00:06:05,279 --> 00:06:08,840 Speaker 1: of New Year's Eve. Burns claimed that the latter song 93 00:06:09,000 --> 00:06:11,919 Speaker 1: was pre existing and that he merely quote took it 94 00:06:12,000 --> 00:06:15,479 Speaker 1: down from an old man, but literary experts suspect that 95 00:06:15,520 --> 00:06:19,479 Speaker 1: he put his own unique spin on the lyrics. In total, 96 00:06:19,800 --> 00:06:22,440 Speaker 1: Robert Burns is thought to have penned more than seven 97 00:06:22,520 --> 00:06:26,719 Speaker 1: hundred works in his lifetime, an impressive feat, especially in 98 00:06:26,800 --> 00:06:30,080 Speaker 1: light of how brief his life was. The poet had 99 00:06:30,120 --> 00:06:33,359 Speaker 1: suffered from a weak heart for decades, possibly as a 100 00:06:33,400 --> 00:06:36,960 Speaker 1: consequence of the backbreaking farm labor he performed in his youth. 101 00:06:37,680 --> 00:06:41,359 Speaker 1: In seventeen ninety six, the condition was exacerbated by a 102 00:06:41,360 --> 00:06:44,560 Speaker 1: bout of rheumatic fever, and he passed away not long 103 00:06:44,600 --> 00:06:49,160 Speaker 1: after at the age of thirty seven. In a bittersweet coincidence, 104 00:06:49,440 --> 00:06:53,159 Speaker 1: Gene Armour gave birth to their last son, Maxwell, on 105 00:06:53,240 --> 00:06:57,360 Speaker 1: the same day as Burns's funeral. Although he died young, 106 00:06:57,839 --> 00:07:00,839 Speaker 1: Robert Burns's body of work in shrew Ord, his legacy 107 00:07:00,880 --> 00:07:04,039 Speaker 1: would live on not only in Scotland but all over 108 00:07:04,080 --> 00:07:07,920 Speaker 1: the world because although his cultural identity as a Scotsman 109 00:07:08,160 --> 00:07:11,680 Speaker 1: is ever present in his poetry, so too are universal 110 00:07:11,720 --> 00:07:17,080 Speaker 1: themes such as injustice, oppression, hypocrisy, the hardships of rural life, 111 00:07:17,360 --> 00:07:21,400 Speaker 1: and of course, romantic passion. His work was cited as 112 00:07:21,400 --> 00:07:24,320 Speaker 1: a direct inspiration by many of the great poets who 113 00:07:24,400 --> 00:07:29,360 Speaker 1: followed him, including William Wordsworth, Samuel Coleridge and Percy bish Shelley. 114 00:07:30,280 --> 00:07:33,200 Speaker 1: Many of his poems and songs are still as popular 115 00:07:33,240 --> 00:07:36,560 Speaker 1: in Scotland today as they were when first written, and 116 00:07:36,640 --> 00:07:39,960 Speaker 1: one of the clearest examples of Burns's impact on Scottish 117 00:07:39,960 --> 00:07:44,400 Speaker 1: culture is the memorial celebration known as Burns Night. The 118 00:07:44,440 --> 00:07:47,440 Speaker 1: first of these events was held on the fifth anniversary 119 00:07:47,520 --> 00:07:50,200 Speaker 1: of Burns's death and was attended by nine of his 120 00:07:50,280 --> 00:07:54,880 Speaker 1: closest friends. Gathered at the poet's birthplace in Alloway. They 121 00:07:55,040 --> 00:07:58,880 Speaker 1: ate a supper of hackis, recited his poetry, and toasted 122 00:07:58,920 --> 00:08:02,200 Speaker 1: their departed friend with glasses of whiskey and a speech 123 00:08:02,440 --> 00:08:06,400 Speaker 1: that's now known as the Immortal Memory. The following year, 124 00:08:06,680 --> 00:08:10,040 Speaker 1: the celebration was moved to Burns's birthday, and as time 125 00:08:10,080 --> 00:08:14,320 Speaker 1: went on, more and more people began to participate. Today, 126 00:08:14,600 --> 00:08:18,680 Speaker 1: Burns Night is practically a national holiday in Scotland, though 127 00:08:18,680 --> 00:08:22,080 Speaker 1: the celebrations now take place in many other countries as well. 128 00:08:22,760 --> 00:08:25,560 Speaker 1: For the most part, the proceedings are about the same, 129 00:08:25,760 --> 00:08:28,200 Speaker 1: beginning with the saying of a short prayer called the 130 00:08:28,240 --> 00:08:32,000 Speaker 1: Selkirk Grace followed by a meal of haggis, accompanied by 131 00:08:32,040 --> 00:08:36,000 Speaker 1: bagpipe music and a recitation of Burns's poem honoring the 132 00:08:36,080 --> 00:08:40,680 Speaker 1: national dish address to a haggis. Once the meal is finished, 133 00:08:40,880 --> 00:08:44,200 Speaker 1: the Immortal Memory is given along with more readings of 134 00:08:44,240 --> 00:08:47,880 Speaker 1: Burns's work, and the whole event concludes with everyone singing 135 00:08:47,920 --> 00:08:52,760 Speaker 1: a round of old Lang sign. These raucous yet sentimental 136 00:08:52,800 --> 00:08:56,800 Speaker 1: celebrations are a fitting tribute to Scotland's best loved poet, 137 00:08:57,440 --> 00:09:00,680 Speaker 1: a lifelong pleasure seeker and man of the peace who 138 00:09:00,720 --> 00:09:04,120 Speaker 1: sought to preserve his country's heritage and wound up becoming 139 00:09:04,200 --> 00:09:09,760 Speaker 1: one of the most treasured parts of it. I'm Gabe 140 00:09:09,760 --> 00:09:13,280 Speaker 1: Bluesier and hopefully you now know a little more about 141 00:09:13,320 --> 00:09:17,319 Speaker 1: history today than you did yesterday. You can learn even 142 00:09:17,400 --> 00:09:20,600 Speaker 1: more about history by following us on Twitter, Facebook, and 143 00:09:20,679 --> 00:09:25,360 Speaker 1: Instagram at TDI HC Show, and if you have any 144 00:09:25,400 --> 00:09:28,400 Speaker 1: comments or suggestions you'd like to share, feel free to 145 00:09:28,440 --> 00:09:31,120 Speaker 1: send them my way by writing to this Day at 146 00:09:31,200 --> 00:09:35,839 Speaker 1: iHeartMedia dot com. Thanks to Chandler Mays for producing the show, 147 00:09:35,960 --> 00:09:38,480 Speaker 1: and thanks to you for listening. I'll see you back 148 00:09:38,520 --> 00:09:42,720 Speaker 1: here again tomorrow for another day in History Class