1 00:00:00,080 --> 00:00:02,480 Speaker 1: Too Much Information is a production of iHeartRadio. 2 00:00:09,240 --> 00:00:12,520 Speaker 2: Hello everyone, and welcome to Too Much Information, the show 3 00:00:12,560 --> 00:00:15,480 Speaker 2: that gives you the secret histories and little known fascinating 4 00:00:15,520 --> 00:00:19,000 Speaker 2: facts and figures behind your favorite TV shows, movies, music, 5 00:00:19,040 --> 00:00:24,160 Speaker 2: and more. We're not gonna do that today, Well we will. 6 00:00:23,800 --> 00:00:27,000 Speaker 1: But we will und around to it. Yeah, we'll get 7 00:00:27,000 --> 00:00:27,680 Speaker 1: a round to it. 8 00:00:27,880 --> 00:00:30,680 Speaker 2: I'm Alex Heigel and I'm Jordan run Tug and Jordan. 9 00:00:30,760 --> 00:00:34,159 Speaker 2: Today we are bringing back out of a combination of 10 00:00:34,520 --> 00:00:40,640 Speaker 2: ad hoc need and laziness and listener feedback, we're bringing 11 00:00:40,680 --> 00:00:44,680 Speaker 2: back a beloved installment. I can say beloved right. We 12 00:00:44,720 --> 00:00:46,199 Speaker 2: had one of them and it went over well, went 13 00:00:46,240 --> 00:00:47,120 Speaker 2: over really well. I loved that. 14 00:00:47,159 --> 00:00:49,199 Speaker 1: I've been pushing for us for a while. I'm so excited. 15 00:00:49,520 --> 00:00:52,720 Speaker 2: That's true, you have. Yeah, so our inaugural stumped the Buff. 16 00:00:53,280 --> 00:00:58,000 Speaker 2: Jordan was doing Beatles trivia and I was doing horror 17 00:00:58,080 --> 00:00:59,840 Speaker 2: movie trivia, and Stump of the Buff is just what 18 00:00:59,840 --> 00:01:00,440 Speaker 2: it sounds like. 19 00:01:00,440 --> 00:01:02,320 Speaker 1: You know, you were asking each other trivia. 20 00:01:02,080 --> 00:01:05,920 Speaker 2: Questions about our pet obsessions, about our pet obsessions of 21 00:01:06,000 --> 00:01:09,840 Speaker 2: increasingly not increasingly. Jordan puts a lot of thought into this. 22 00:01:09,920 --> 00:01:15,000 Speaker 2: I don't but a very granular nature, and so we've 23 00:01:15,040 --> 00:01:16,640 Speaker 2: been trying to pitch another one that would have the 24 00:01:16,720 --> 00:01:20,880 Speaker 2: same kind of hilarious dichotomy as horror movies and the Beatles. 25 00:01:22,480 --> 00:01:24,600 Speaker 2: I don't know if we quite nailed the brief as much. 26 00:01:25,200 --> 00:01:29,160 Speaker 2: I disagree. Okay, okay, So this week on Stumped Above, 27 00:01:29,800 --> 00:01:32,760 Speaker 2: Jordan is going to be testing his knowledge of the 28 00:01:32,800 --> 00:01:35,000 Speaker 2: Titanic ship and movie. 29 00:01:35,440 --> 00:01:37,039 Speaker 1: I don't know, you tell me he came up with 30 00:01:37,040 --> 00:01:38,959 Speaker 1: the questions for me. Okay, it's gonna be both. It's 31 00:01:38,959 --> 00:01:42,080 Speaker 1: both good good good, And I'm gonna be testing Haigel 32 00:01:42,160 --> 00:01:44,360 Speaker 1: on his knowledge about punk rock. 33 00:01:45,200 --> 00:01:47,640 Speaker 2: Yes, I mean, I have to give the caveat that 34 00:01:47,720 --> 00:01:50,000 Speaker 2: I kind of tune out by the late nineties. So 35 00:01:50,000 --> 00:01:52,800 Speaker 2: we're gonna be doing what you know, many people of 36 00:01:52,840 --> 00:01:56,240 Speaker 2: our demo and Above would consider the classic era. I know. 37 00:01:56,920 --> 00:02:00,280 Speaker 2: I mean, dude, people consider Blanquinity too classic punk now. 38 00:02:00,280 --> 00:02:02,040 Speaker 2: But for all intents and purposes, we're going to be 39 00:02:02,040 --> 00:02:04,000 Speaker 2: talking about, you know, the birth of it from the 40 00:02:04,040 --> 00:02:06,440 Speaker 2: late seventies into the mid nineties. 41 00:02:06,720 --> 00:02:08,160 Speaker 1: I mean, you don't know that this is punk rock 42 00:02:08,200 --> 00:02:10,680 Speaker 1: as defined by me, So you might be like, what 43 00:02:10,720 --> 00:02:12,440 Speaker 1: the hell's this? That's also true? 44 00:02:12,520 --> 00:02:15,280 Speaker 2: That could happen so we have not seen each other's 45 00:02:15,360 --> 00:02:21,560 Speaker 2: questions in advance. We are off to the races. And 46 00:02:21,800 --> 00:02:24,560 Speaker 2: that is as much of an intro as I'm going 47 00:02:24,600 --> 00:02:28,520 Speaker 2: to summon at this exact moment. Thank you for listening. 48 00:02:28,919 --> 00:02:39,480 Speaker 2: I say that at the end after a great start, George, 49 00:02:39,480 --> 00:02:41,080 Speaker 2: do you want to go ahead? Or should I give 50 00:02:41,120 --> 00:02:41,720 Speaker 2: you a launch? 51 00:02:41,919 --> 00:02:44,160 Speaker 1: Yeah? Let me start, unless you don't can follow me, 52 00:02:44,280 --> 00:02:47,080 Speaker 1: because I did try to put this into some form 53 00:02:47,120 --> 00:02:51,440 Speaker 1: of a shape. I have seven rounds for a total 54 00:02:51,440 --> 00:02:52,520 Speaker 1: of fifty questions. 55 00:02:52,680 --> 00:02:55,800 Speaker 2: Jesus Christ. Some of them are themed rounds. Some of 56 00:02:55,800 --> 00:02:58,960 Speaker 2: them are bag We're not doing that, We're not doing that. 57 00:02:59,000 --> 00:03:02,000 Speaker 1: Well, I've already done it. 58 00:03:03,280 --> 00:03:04,919 Speaker 2: It's gonna be like an a clockwork orange. 59 00:03:04,919 --> 00:03:07,440 Speaker 1: I'm just gonna gonna tie you down, pry your eyes 60 00:03:07,480 --> 00:03:09,440 Speaker 1: open so you can see me on the zoom, and 61 00:03:09,480 --> 00:03:12,079 Speaker 1: I'm just gonna pummel you with questions about punk rock 62 00:03:12,120 --> 00:03:13,120 Speaker 1: bodily functions. 63 00:03:13,800 --> 00:03:17,960 Speaker 2: Okay, okay, Well, here's your inaugural, here's your here's your 64 00:03:18,040 --> 00:03:20,400 Speaker 2: here's your opener, and tell me this is if this 65 00:03:20,480 --> 00:03:21,680 Speaker 2: is too granular, and. 66 00:03:21,639 --> 00:03:22,640 Speaker 1: I will adjust. 67 00:03:23,320 --> 00:03:28,040 Speaker 2: On April tenth, the Titanic left the Southampton Dock narrowly 68 00:03:28,240 --> 00:03:30,560 Speaker 2: escaped a collision with another ship. 69 00:03:30,600 --> 00:03:36,640 Speaker 1: SS New York. Yeah, it was really crazy. The ship 70 00:03:36,760 --> 00:03:39,040 Speaker 1: was so big that the suction it drew from its 71 00:03:39,040 --> 00:03:42,920 Speaker 1: propellers caused all these other ships that it was steaming 72 00:03:43,000 --> 00:03:46,600 Speaker 1: past to break free of their moorings. And it was 73 00:03:46,680 --> 00:03:49,440 Speaker 1: just drawn to the Titanic like a giant magnet, much 74 00:03:49,520 --> 00:03:54,000 Speaker 1: like me as a child. And the ship grew terrifyingly 75 00:03:54,120 --> 00:03:57,480 Speaker 1: close and nearly rammed the side of the Titanic before 76 00:03:57,800 --> 00:04:00,520 Speaker 1: it left the dock at Southampton. So it's made the 77 00:04:00,600 --> 00:04:04,280 Speaker 1: voyage was nearly over before it started, which you know, 78 00:04:04,440 --> 00:04:07,720 Speaker 1: in retrospect you could say if it had a collision 79 00:04:07,760 --> 00:04:10,160 Speaker 1: and needed to be brought back in the dock for repairs, 80 00:04:10,520 --> 00:04:12,240 Speaker 1: it wouldn't have gone out into the North Atlantic and 81 00:04:12,280 --> 00:04:14,160 Speaker 1: it wouldn't have struck the iceberg. So if the ship 82 00:04:14,200 --> 00:04:15,960 Speaker 1: had hit the Titanic, you know, we might not be 83 00:04:15,960 --> 00:04:20,080 Speaker 1: talking about the Titanic today. And also the ship was 84 00:04:20,120 --> 00:04:22,440 Speaker 1: called the New York, which is where the Titanic was headed. 85 00:04:22,520 --> 00:04:24,600 Speaker 1: So it's very It's a lot of a lot of fate, 86 00:04:24,640 --> 00:04:26,480 Speaker 1: a lot of questions of fate wrapped up in that. 87 00:04:26,560 --> 00:04:28,080 Speaker 1: Sorry I should have let you finished the question. 88 00:04:29,640 --> 00:04:31,520 Speaker 2: No, I anticipate that's how a lot of these will 89 00:04:31,560 --> 00:04:34,640 Speaker 2: be going. Here is your official scorecard. Sound am I 90 00:04:34,640 --> 00:04:39,720 Speaker 2: living mas? Yeah? All right, there we go. One point 91 00:04:39,720 --> 00:04:40,159 Speaker 2: for Jordan. 92 00:04:40,240 --> 00:04:42,720 Speaker 1: Okay, okay, I'm not keeping score. 93 00:04:42,800 --> 00:04:46,960 Speaker 2: Jordan. You did that last time and I won, But 94 00:04:48,000 --> 00:04:52,400 Speaker 2: you did you? Oh, okay, I win in the in 95 00:04:52,440 --> 00:04:53,760 Speaker 2: the spirit, if not the letter. 96 00:04:54,080 --> 00:04:56,080 Speaker 1: Well yeah, you went in the fact that you're married 97 00:04:56,120 --> 00:05:00,520 Speaker 1: with a nicer apartment. All right, all right, we're not okay. 98 00:05:00,640 --> 00:05:02,520 Speaker 2: I'm just gonna give me, give me a round of 99 00:05:02,520 --> 00:05:06,000 Speaker 2: several Okay, okay, okay, we do clusters. What was the 100 00:05:06,080 --> 00:05:10,280 Speaker 2: name of the Titanic crewman deserted at Queenstown? 101 00:05:10,839 --> 00:05:14,440 Speaker 1: Oh, man, that's a great question. I don't know his name, 102 00:05:14,920 --> 00:05:16,960 Speaker 1: but I know that, you know, there's a part of 103 00:05:17,000 --> 00:05:19,120 Speaker 1: me that wonders if he was just a random guy 104 00:05:19,240 --> 00:05:21,880 Speaker 1: who said that he was like, you know, had a 105 00:05:21,880 --> 00:05:24,240 Speaker 1: bad feeling about that ship and I got up. You know, 106 00:05:24,279 --> 00:05:25,640 Speaker 1: it was a part of me that wonders if it's 107 00:05:25,680 --> 00:05:27,520 Speaker 1: actually true. I don't know his. 108 00:05:27,520 --> 00:05:32,200 Speaker 2: Name, though, Can you let me know of what about 109 00:05:32,200 --> 00:05:33,440 Speaker 2: his position on the ship? 110 00:05:33,800 --> 00:05:36,920 Speaker 1: I think he was a stoker. He was a relative. 111 00:05:36,960 --> 00:05:38,359 Speaker 1: I mean, not to be awful, but I think he 112 00:05:38,400 --> 00:05:41,200 Speaker 1: was a relatively low ranking member of the crew who 113 00:05:41,360 --> 00:05:44,880 Speaker 1: just jumped ship. Because the Titanic had several stops to 114 00:05:44,920 --> 00:05:46,600 Speaker 1: make before it went out to the North Atlantic. It 115 00:05:46,720 --> 00:05:51,120 Speaker 1: left from Southampton, England. Later that night it arrived at Sherburg, France, 116 00:05:51,520 --> 00:05:55,640 Speaker 1: and then the next morning it arrived at Queensland, Ireland, 117 00:05:55,760 --> 00:05:58,040 Speaker 1: where a few passages departed. 118 00:05:58,360 --> 00:06:00,480 Speaker 2: I want to say not many. I want to say something. 119 00:06:00,279 --> 00:06:04,800 Speaker 1: Like twelve passengers departed, and one of whom was a 120 00:06:04,880 --> 00:06:09,440 Speaker 1: Franciscan priest and father, Francis Brown, and he was an 121 00:06:09,480 --> 00:06:11,719 Speaker 1: amateur photographer, and he took a lot of photos on 122 00:06:11,760 --> 00:06:14,080 Speaker 1: board of shipboard life, and they're some of the only 123 00:06:14,120 --> 00:06:19,520 Speaker 1: pictures we have of the Titanic's interiors. Plus, you know, 124 00:06:19,600 --> 00:06:22,320 Speaker 1: the only pictures I really have of shipboard life. Him 125 00:06:22,520 --> 00:06:24,640 Speaker 1: and another family who disembarked, I think they're called the 126 00:06:24,640 --> 00:06:28,120 Speaker 1: Odell's also had a few amateur you know, because it 127 00:06:28,160 --> 00:06:31,000 Speaker 1: was the early days of porest photography. 128 00:06:31,760 --> 00:06:33,680 Speaker 2: So I was gonna say like silver, like. 129 00:06:36,080 --> 00:06:39,440 Speaker 1: Yeah, something like that. Now, So the answer is. 130 00:06:39,760 --> 00:06:46,040 Speaker 2: Fireman John Coffee, Okay, yeah, And his previous ship had 131 00:06:46,040 --> 00:06:46,799 Speaker 2: been the Olympic. 132 00:06:47,240 --> 00:06:49,720 Speaker 1: It was the Titanic sister ship. He was paid six 133 00:06:49,800 --> 00:06:50,599 Speaker 1: pounds a month. 134 00:06:50,760 --> 00:06:53,919 Speaker 2: The ship that he joined after disembarking the Titanic was 135 00:06:53,960 --> 00:06:59,039 Speaker 2: the Mauritania, and he remained a fireman at sea, but 136 00:06:59,360 --> 00:07:03,120 Speaker 2: he would have another aquatic accident befall him in nineteen 137 00:07:03,160 --> 00:07:03,640 Speaker 2: forty one. 138 00:07:03,680 --> 00:07:06,080 Speaker 1: He was rescued after falling into the river Hull. 139 00:07:07,560 --> 00:07:10,280 Speaker 2: He died in fifty seven and is buried in Hull 140 00:07:11,160 --> 00:07:14,400 Speaker 2: in an unmarked grave. So, oh that's not that's not 141 00:07:14,440 --> 00:07:16,520 Speaker 2: Good's well? That ends well for John Coffey. 142 00:07:17,000 --> 00:07:20,120 Speaker 1: Was his death maritime related or aquatic related? 143 00:07:20,840 --> 00:07:25,400 Speaker 2: I does not say, good question, good question, Well, thank. 144 00:07:25,160 --> 00:07:26,320 Speaker 1: You, thank you? Okay. 145 00:07:26,440 --> 00:07:30,160 Speaker 2: So, which was the first lifeboat to be lowered from 146 00:07:30,200 --> 00:07:34,240 Speaker 2: the Titanic. That's really good, you know, I don't know. 147 00:07:34,840 --> 00:07:38,119 Speaker 1: I'm not sure. I mean, okay, these are the kinds 148 00:07:38,120 --> 00:07:40,000 Speaker 1: of facts that I am not good at. 149 00:07:40,120 --> 00:07:42,080 Speaker 2: I know, And that's what you warned me. And so 150 00:07:42,240 --> 00:07:44,760 Speaker 2: now i'm I'm you shouldn't let me know. That's true. 151 00:07:44,880 --> 00:07:47,400 Speaker 2: That never let him, never let him know your weak 152 00:07:47,480 --> 00:07:52,760 Speaker 2: point before competition boat twelve. So good guess number seven 153 00:07:53,680 --> 00:07:56,200 Speaker 2: lowered at twelve fifty six a m. 154 00:07:56,720 --> 00:07:59,360 Speaker 1: So it was about an hour and about an hour 155 00:07:59,440 --> 00:08:02,080 Speaker 1: or twenty minutes after the ship struck the Iceberg. 156 00:08:01,800 --> 00:08:05,480 Speaker 2: And it was only filled with nineteen yes out of 157 00:08:05,520 --> 00:08:07,640 Speaker 2: a capacity of I. 158 00:08:07,680 --> 00:08:12,160 Speaker 1: Believe somewhere between sixty to seventy sixty five. 159 00:08:12,560 --> 00:08:16,480 Speaker 2: Very good, very good. And do you know which prominent 160 00:08:16,680 --> 00:08:22,120 Speaker 2: film actress and later socialite and activist was on board that. 161 00:08:23,160 --> 00:08:25,920 Speaker 1: I forget a first time somebody Gibson, Dorothy and Dorothy 162 00:08:25,960 --> 00:08:29,560 Speaker 1: gibbson Yes. And then within weeks I think if the 163 00:08:29,600 --> 00:08:32,600 Speaker 1: Titanic sank in April fifteenth, nineteen twelve, I think by 164 00:08:32,600 --> 00:08:35,320 Speaker 1: the end of the month, like April thirtieth, something like that, 165 00:08:35,760 --> 00:08:39,640 Speaker 1: she made a QUICKI cheapy, silent movie called like Escape 166 00:08:39,640 --> 00:08:41,280 Speaker 1: from Titanic or Rescue from. 167 00:08:41,120 --> 00:08:45,240 Speaker 2: Titanic Saved from the Titanic YEP, released a month after sinking. 168 00:08:45,440 --> 00:08:48,280 Speaker 1: Incredible. Yeah, don't let them tell you that, like you know, 169 00:08:48,600 --> 00:08:51,960 Speaker 1: Craven attempts to cash in on tragedies is a recent phenomenon, 170 00:08:51,960 --> 00:08:53,720 Speaker 1: because it's we've been doing it for doing it for 171 00:08:53,720 --> 00:08:57,240 Speaker 1: a long time. Let's not be too judgeful of Dorothy. 172 00:08:57,280 --> 00:09:00,600 Speaker 2: It was the last film she supposedly suffered the nervous 173 00:09:00,600 --> 00:09:03,560 Speaker 2: breakdown after completing it. 174 00:09:04,120 --> 00:09:06,719 Speaker 1: Well, I'm sure making that movie wasn't her idea. I'm 175 00:09:06,800 --> 00:09:10,560 Speaker 1: sure some some cigar chopping executives. All right, honey, are 176 00:09:10,600 --> 00:09:11,959 Speaker 1: you still got the clothes from that night? 177 00:09:12,000 --> 00:09:12,280 Speaker 3: All right? 178 00:09:12,320 --> 00:09:12,600 Speaker 2: Great? 179 00:09:12,880 --> 00:09:13,160 Speaker 3: All right? 180 00:09:13,200 --> 00:09:16,199 Speaker 1: Who do we got under contract? Who survived the Titanic? 181 00:09:18,720 --> 00:09:20,600 Speaker 2: Deep exhale of cigar smoke? 182 00:09:21,200 --> 00:09:23,320 Speaker 1: Yeah, and she was pilloried over it. 183 00:09:23,559 --> 00:09:26,640 Speaker 2: I'm just saying about how oh yeah, I mean her performance. 184 00:09:26,679 --> 00:09:27,760 Speaker 2: So the fact that she did. 185 00:09:27,559 --> 00:09:30,480 Speaker 1: It, the fact that it was even released. 186 00:09:31,360 --> 00:09:33,160 Speaker 2: I think it's what as a lost film? Now, Oh, 187 00:09:33,160 --> 00:09:34,880 Speaker 2: I'm sorry. That was not the correct That was not 188 00:09:34,920 --> 00:09:37,679 Speaker 2: her last film. She starred in one more film called 189 00:09:37,800 --> 00:09:40,640 Speaker 2: Roses and Thorns, released in May of nineteen twelve, but 190 00:09:40,720 --> 00:09:43,040 Speaker 2: probably filmed around the same time, and then she had 191 00:09:43,040 --> 00:09:46,920 Speaker 2: a reported nervous breakdown, retired from acting, and pursued a 192 00:09:46,960 --> 00:09:48,440 Speaker 2: career as a chorus singer. 193 00:09:48,480 --> 00:09:50,120 Speaker 1: Who I hate to think of what that really means. 194 00:09:50,320 --> 00:09:55,440 Speaker 2: Well, it gets worse. She moved to Paris after the 195 00:09:55,440 --> 00:09:58,280 Speaker 2: dissolution of her marriage, and she eventually became a Nazi 196 00:09:58,320 --> 00:10:03,440 Speaker 2: sympathizer and of their alleged spies. She decided to quit 197 00:10:03,960 --> 00:10:08,400 Speaker 2: in nineteen forty four and was jailed and escaped, but 198 00:10:08,800 --> 00:10:11,280 Speaker 2: two years later would die of a heart attack, and indeed, 199 00:10:11,320 --> 00:10:13,720 Speaker 2: all known prints have saved the Titanic perished in a 200 00:10:13,800 --> 00:10:15,479 Speaker 2: fire in nineteen fourteen. 201 00:10:15,880 --> 00:10:17,240 Speaker 1: The Prince perished. 202 00:10:18,880 --> 00:10:21,880 Speaker 2: The prints were tragically died of diabetes related to common 203 00:10:22,080 --> 00:10:26,520 Speaker 2: Oh too soon, Yeah to sou rimp, Shelley de Vall, 204 00:10:27,080 --> 00:10:27,600 Speaker 2: How could you? 205 00:10:28,480 --> 00:10:30,839 Speaker 1: I'm so sorry. Well I'm one for three. 206 00:10:31,400 --> 00:10:33,600 Speaker 2: Geez, you want to do? You wanna change over? Give 207 00:10:33,640 --> 00:10:39,280 Speaker 2: me two more, give me, give me one more, two more. Okay, 208 00:10:39,360 --> 00:10:43,240 Speaker 2: so let's see what we got here. 209 00:10:43,520 --> 00:10:46,160 Speaker 1: Mine are so much easier than yours. I mean I 210 00:10:46,320 --> 00:10:48,959 Speaker 1: looked for hard stuff. Oh no, good, of course. 211 00:10:49,160 --> 00:10:52,079 Speaker 2: Like I was like, do you know which lifeboat the 212 00:10:52,160 --> 00:10:53,800 Speaker 2: unsinkable Molly Brown was in? 213 00:10:54,160 --> 00:10:54,760 Speaker 1: I want to say? 214 00:10:54,800 --> 00:10:55,000 Speaker 2: Eight? 215 00:10:55,880 --> 00:11:01,679 Speaker 1: Am I about to live Moss? Six? Yeah, there was 216 00:11:01,720 --> 00:11:04,880 Speaker 1: a fact about Molly Brown in my Titanic thread I 217 00:11:04,920 --> 00:11:06,319 Speaker 1: sent to you, and I'm trying remember what it is 218 00:11:06,600 --> 00:11:07,280 Speaker 1: when it is now. 219 00:11:07,400 --> 00:11:09,440 Speaker 2: Yeah, you did a lot about Molly Brown, as I recall, 220 00:11:09,520 --> 00:11:12,160 Speaker 2: or at least a graph something like that. Oh yeah. 221 00:11:12,200 --> 00:11:15,560 Speaker 1: She was credited for inventing or at least popularizing buffet 222 00:11:15,640 --> 00:11:16,440 Speaker 1: style eating. 223 00:11:19,520 --> 00:11:24,400 Speaker 2: It's true, that's amazing. What was the How long did 224 00:11:24,440 --> 00:11:25,920 Speaker 2: it take the Titanic to sink? 225 00:11:26,040 --> 00:11:31,160 Speaker 1: Jordan struck the iceberg at approximately eleven forty night, and 226 00:11:31,559 --> 00:11:34,000 Speaker 1: it's believed to have gone under it about two twenty. 227 00:11:34,240 --> 00:11:37,160 Speaker 2: Damn, that is right on the money, exact time stamps. 228 00:11:37,600 --> 00:11:39,920 Speaker 1: Well, we know the time because when a lot of 229 00:11:39,920 --> 00:11:44,520 Speaker 1: the bodies were recovered, the watches that they had had 230 00:11:44,559 --> 00:11:47,440 Speaker 1: stopped at that point. And there's still been some watches 231 00:11:47,480 --> 00:11:50,800 Speaker 1: that were brought up from the seafloor where some of 232 00:11:50,840 --> 00:11:52,560 Speaker 1: them are stopped at that time, and some of them 233 00:11:52,559 --> 00:11:55,719 Speaker 1: were the hands have disintegrated the vanished, but there's like 234 00:11:55,760 --> 00:12:00,839 Speaker 1: a watermark scar at two twenty. Yeah, it's really it's 235 00:12:00,880 --> 00:12:02,320 Speaker 1: really eerie. 236 00:12:02,720 --> 00:12:11,119 Speaker 2: Good lord, Okay, what about here's a gimme upon surfacing 237 00:12:11,160 --> 00:12:14,640 Speaker 2: from one of his Titanic dives, who was James Cameron 238 00:12:14,720 --> 00:12:16,960 Speaker 2: informed of nine to eleven. 239 00:12:16,840 --> 00:12:24,360 Speaker 1: By Bill Paxton? That is my beloved Bill Paxton. 240 00:12:24,040 --> 00:12:31,040 Speaker 2: As recovered in our Titanic episode. It was indeed, it 241 00:12:31,080 --> 00:12:36,559 Speaker 2: was indeed Bill Paxton who had the honor or burden 242 00:12:36,760 --> 00:12:40,360 Speaker 2: of informing James Cameron that nine to eleven had occurred. 243 00:12:40,760 --> 00:12:47,800 Speaker 1: Jim, Jim, nine to eleven just happened. And also you'll 244 00:12:47,800 --> 00:12:48,720 Speaker 1: know what that means later. 245 00:12:49,000 --> 00:12:49,680 Speaker 2: Well, we gotta talk. 246 00:12:49,559 --> 00:12:52,560 Speaker 1: About Bill Paxton was also also watched the Motorcade with 247 00:12:52,679 --> 00:12:54,760 Speaker 1: JFK on the day that he was assassinated too. 248 00:12:54,880 --> 00:12:57,760 Speaker 2: That's correct, he has, in fact a real life Forrest Gun. 249 00:12:57,920 --> 00:13:01,080 Speaker 1: Yes, yes, he is all right, So I have a 250 00:13:01,120 --> 00:13:04,000 Speaker 1: fifty percent success ratio. I got three right and three wrong. 251 00:13:05,440 --> 00:13:08,240 Speaker 1: Let's let's see how you do with round one. This 252 00:13:08,360 --> 00:13:10,959 Speaker 1: is a just a grab background and the relatively easy, 253 00:13:11,000 --> 00:13:13,040 Speaker 1: although this first one's not, but I think you can 254 00:13:13,080 --> 00:13:17,319 Speaker 1: figure it out. Which punk Icon and then being generous 255 00:13:17,360 --> 00:13:20,000 Speaker 1: with the term Icon was fond of breaking and entering, 256 00:13:20,440 --> 00:13:23,559 Speaker 1: ultimately stealing Ronnie Wood's fur coat, Rodney Wood of the 257 00:13:23,600 --> 00:13:26,559 Speaker 1: Faces and the Rolling Stones, and in an unrelated incident, 258 00:13:26,640 --> 00:13:30,600 Speaker 1: Keith Richard's Color TV and in a further unrelated incident, 259 00:13:31,080 --> 00:13:32,920 Speaker 1: David Bowie's PA system. 260 00:13:33,760 --> 00:13:36,280 Speaker 2: These were all in I'm guessing these were all in London. 261 00:13:36,600 --> 00:13:38,520 Speaker 1: That's correct, or thereabouts. 262 00:13:38,840 --> 00:13:42,559 Speaker 2: Okay, it's got to be one of the sex Pistols 263 00:13:42,640 --> 00:13:45,840 Speaker 2: or the Clash. The Clash were except for Joe Strummer, 264 00:13:45,840 --> 00:13:47,880 Speaker 2: who is the son of a diplomat like Paul Simon, 265 00:13:47,920 --> 00:13:50,800 Speaker 2: and in the Clash grew up in like project housing, 266 00:13:50,880 --> 00:13:54,000 Speaker 2: council housing, and they were all a bit The other 267 00:13:54,080 --> 00:13:58,000 Speaker 2: three members of the Clash were actually like considerably more 268 00:13:58,040 --> 00:14:00,120 Speaker 2: rough and tumble than Joe Strummer. In fact, you talk 269 00:14:00,160 --> 00:14:02,559 Speaker 2: about the first time that he met them. They were 270 00:14:02,559 --> 00:14:05,439 Speaker 2: in the Dole Line and he thought that they were 271 00:14:05,480 --> 00:14:09,120 Speaker 2: sizing him up to fight him, but they recognized him 272 00:14:09,160 --> 00:14:11,760 Speaker 2: from his previous band, the one oh one Ers, and 273 00:14:11,800 --> 00:14:12,720 Speaker 2: were like trying to. 274 00:14:12,600 --> 00:14:15,000 Speaker 1: Get up their nerve to approach him. 275 00:14:15,160 --> 00:14:18,400 Speaker 2: And so he hes talked about interviews about being like yeah, 276 00:14:18,400 --> 00:14:21,680 Speaker 2: and so I figured I'd take out Paul first because 277 00:14:21,680 --> 00:14:24,440 Speaker 2: he looked like he was the most tasty, like he 278 00:14:24,520 --> 00:14:26,040 Speaker 2: used that word. And then he was like, no, it's 279 00:14:26,080 --> 00:14:28,600 Speaker 2: probably going to go for Mick because he was the skinniest. 280 00:14:29,240 --> 00:14:36,560 Speaker 2: But I I, I that sounds so laddish. I'm just 281 00:14:36,560 --> 00:14:37,880 Speaker 2: gonna say it was one of the sex pistols. I 282 00:14:37,920 --> 00:14:39,520 Speaker 2: don't know which one, you know, I'll give it to 283 00:14:39,640 --> 00:14:41,720 Speaker 2: Steve Jones. Okay, okay. 284 00:14:41,960 --> 00:14:46,400 Speaker 1: He broke into Ronnie Wood's Richmond Hill mansion in the 285 00:14:46,400 --> 00:14:49,040 Speaker 1: winter of nineteen seventy two to seventy three and stoles 286 00:14:49,080 --> 00:14:52,360 Speaker 1: fur coat, and then a short time later to Keith 287 00:14:52,440 --> 00:14:54,920 Speaker 1: Richards's house on Cheney Walk. I think that's how you 288 00:14:54,920 --> 00:14:58,680 Speaker 1: say that in London and stole his color TV and 289 00:14:58,760 --> 00:15:02,680 Speaker 1: some of his quote hip clothes, and in a passage 290 00:15:02,680 --> 00:15:06,000 Speaker 1: written by the writer John Savage said, Steve Jones's gang's 291 00:15:06,040 --> 00:15:08,880 Speaker 1: greatest coup came in July nineteen seventy three when David 292 00:15:08,880 --> 00:15:11,560 Speaker 1: Bowie was playing his big concert at the Hammersmith Odeon, 293 00:15:11,560 --> 00:15:14,440 Speaker 1: filmed by d A. Penny Baker. That was Bowie's famous 294 00:15:14,600 --> 00:15:17,720 Speaker 1: It was the it was the ziggy starred Us Farewell Show. 295 00:15:18,440 --> 00:15:20,800 Speaker 1: The boys slipped in easily since it was their local, 296 00:15:20,880 --> 00:15:24,400 Speaker 1: and hid until nighttime. There was a security guard a sleep. 297 00:15:24,520 --> 00:15:26,480 Speaker 1: One of the gangs said, we walked on stage with 298 00:15:26,520 --> 00:15:29,160 Speaker 1: a pair of pliers snipping the wires. We took the 299 00:15:29,160 --> 00:15:32,400 Speaker 1: whole pa every single one of their microphones RCU were 300 00:15:32,440 --> 00:15:35,400 Speaker 1: recording it. So there were Neuman microphones about five hundred 301 00:15:35,440 --> 00:15:36,120 Speaker 1: pounds apiece. 302 00:15:36,240 --> 00:15:40,400 Speaker 2: Pounds the money, not the weight. Yeah, Neiman's are not cheap. Yeah. 303 00:15:40,680 --> 00:15:42,480 Speaker 1: Prior to that, Steve had gone out and nicked a 304 00:15:42,560 --> 00:15:44,960 Speaker 1: minivan to cart the stuff away. Say that you're just 305 00:15:45,040 --> 00:15:45,960 Speaker 1: stole a minivan. 306 00:15:46,400 --> 00:15:49,680 Speaker 2: It was me. It was me and Steve Jones. Paul, 307 00:15:49,920 --> 00:15:52,800 Speaker 2: that's Paul Cook, the drummer man. That is impressive. He 308 00:15:52,960 --> 00:15:55,560 Speaker 2: was like a genuine cat burglar. 309 00:15:55,840 --> 00:15:58,400 Speaker 1: And the belief was that was the stuff that was used, 310 00:15:58,520 --> 00:16:01,200 Speaker 1: you know, the sex Pistols use that as they were forming, 311 00:16:01,800 --> 00:16:03,720 Speaker 1: you know, with that was the basis of the sex 312 00:16:03,760 --> 00:16:06,360 Speaker 1: Pistols in a way, theft from. 313 00:16:06,120 --> 00:16:08,360 Speaker 2: A glam rocker. That makes sense. I thought they punk 314 00:16:08,360 --> 00:16:11,400 Speaker 2: guys loved David Bowie. They did like Bowie. I remember 315 00:16:11,520 --> 00:16:15,440 Speaker 2: in reading Actually funny enough, I remember reading a book 316 00:16:15,440 --> 00:16:18,720 Speaker 2: about the sex Pistols first American tour. Twelve days on 317 00:16:18,760 --> 00:16:23,320 Speaker 2: the road, they heard that Elvis had died, and Johnny 318 00:16:23,360 --> 00:16:27,160 Speaker 2: Rotten said, Oh, that's kind of sad. It's a bit 319 00:16:27,200 --> 00:16:31,680 Speaker 2: like hearing like your old uncle died. It's a shame 320 00:16:31,680 --> 00:16:35,920 Speaker 2: it couldn't have been Mick Jagger. And so yeah, So 321 00:16:35,960 --> 00:16:38,760 Speaker 2: Steve Jones and Paul Cook were actually the foundation of 322 00:16:38,800 --> 00:16:41,680 Speaker 2: the sex Pistols. They'd been in another band. So and 323 00:16:41,720 --> 00:16:45,000 Speaker 2: you're like, they did Nick all their shit. But they 324 00:16:45,120 --> 00:16:50,480 Speaker 2: hung out at Malcolm McLaren's and Vivian Westwood's shop, which 325 00:16:50,600 --> 00:16:56,880 Speaker 2: was hilariously surfing whatever trends they could. It had opened 326 00:16:56,880 --> 00:16:59,840 Speaker 2: as lead It Rock, and they were trying to cap 327 00:16:59,880 --> 00:17:03,640 Speaker 2: it lies on the teddyboy trend, which Jordan, do you 328 00:17:03,680 --> 00:17:05,200 Speaker 2: want to try and explain teddy boys? 329 00:17:06,160 --> 00:17:11,639 Speaker 1: Teddy boy is like an English hood in the fifties, 330 00:17:11,720 --> 00:17:14,040 Speaker 1: there wasn't really greaser culture. 331 00:17:13,840 --> 00:17:16,239 Speaker 2: Sort of dovetails with mods, right, like they were like 332 00:17:16,359 --> 00:17:19,639 Speaker 2: Natalie dressed and into like really and into R and B. 333 00:17:21,000 --> 00:17:23,400 Speaker 1: Yeah, they were. They were earlier that they were fifties. 334 00:17:23,480 --> 00:17:26,440 Speaker 1: Mods were sixties. It was sort of pre greaser culture. 335 00:17:26,600 --> 00:17:30,720 Speaker 1: In the fifties. They would wear these long Edwardian coats 336 00:17:30,800 --> 00:17:35,320 Speaker 1: hence teddy boy and word teddy, these big thick crape 337 00:17:35,320 --> 00:17:39,520 Speaker 1: soled shoes, brothel creepers, brothel creepers, yes, and these big 338 00:17:39,760 --> 00:17:43,679 Speaker 1: slicked back basically ducks ass haircuts. Like it was this 339 00:17:43,760 --> 00:17:47,639 Speaker 1: weird English equivalent of greasers, but like minus the leather. 340 00:17:48,080 --> 00:17:50,720 Speaker 1: And then they would have things like I'm sorry, I'm 341 00:17:50,760 --> 00:17:53,880 Speaker 1: about to sound really named droppy, but I remember interviewing 342 00:17:53,880 --> 00:17:54,600 Speaker 1: Bringo Star. 343 00:17:54,560 --> 00:17:56,399 Speaker 2: Once and he was he very much was in a 344 00:17:56,440 --> 00:17:57,400 Speaker 2: teddyboy style in. 345 00:17:57,359 --> 00:18:00,399 Speaker 1: The fifties, and he was telling me about how guys 346 00:18:00,440 --> 00:18:05,160 Speaker 1: would put razor blades in their jacket collars. So when 347 00:18:05,600 --> 00:18:07,560 Speaker 1: you know, hoods would try to grab them by their 348 00:18:07,640 --> 00:18:09,320 Speaker 1: jacket collars and pin them up against the wall, their 349 00:18:09,320 --> 00:18:11,480 Speaker 1: fingers would get cut, so it's like a safety measure, 350 00:18:12,080 --> 00:18:13,120 Speaker 1: which is interesting. 351 00:18:13,240 --> 00:18:18,120 Speaker 2: Yeah, yeah, a little terrified. You imagine Ringo cutting somebody. 352 00:18:18,359 --> 00:18:20,240 Speaker 1: Well, the reason I remember that exchange so well was 353 00:18:20,280 --> 00:18:23,200 Speaker 1: because he demonstrated it on me by grabbing my jacket collar, 354 00:18:23,640 --> 00:18:25,280 Speaker 1: and I didn't know he was about to do that. 355 00:18:25,320 --> 00:18:27,960 Speaker 1: So to suddenly have one of the beatles pinning you 356 00:18:28,000 --> 00:18:31,439 Speaker 1: against the wall by your jacket collar made an impression. 357 00:18:32,200 --> 00:18:32,960 Speaker 1: Did you come. 358 00:18:35,960 --> 00:18:40,000 Speaker 2: Sorry? Malcolm mclarnin and Vivian Westwood had this shop that 359 00:18:40,080 --> 00:18:42,040 Speaker 2: was originally called Let It Rock to capitalize on the 360 00:18:42,080 --> 00:18:44,680 Speaker 2: teddies it was it was renamed Too Fast to Live, 361 00:18:44,960 --> 00:18:49,400 Speaker 2: Too Young to Die, and then it was then renamed Sex, 362 00:18:51,560 --> 00:18:57,920 Speaker 2: which like good marketing guys, and so the Paul Cook 363 00:18:57,960 --> 00:19:01,359 Speaker 2: and Steve Jones meant Glenn Matt there, who is the 364 00:19:01,400 --> 00:19:04,840 Speaker 2: original bassist of the Sex Pistols, who's fired for either 365 00:19:04,920 --> 00:19:12,680 Speaker 2: being too well fed or too talented. And Malcolm McLaren 366 00:19:13,119 --> 00:19:15,600 Speaker 2: much like I mean, he was basically like Lou Pearlman 367 00:19:15,680 --> 00:19:17,760 Speaker 2: or one of these guys. He knew that Jones and 368 00:19:17,800 --> 00:19:21,840 Speaker 2: Cook could play, and he steveus Steve Vicious. 369 00:19:22,720 --> 00:19:23,720 Speaker 1: It would not have worked. 370 00:19:24,160 --> 00:19:30,600 Speaker 2: It's like when Freddie Mercury called said vicious Simon ferocious. Yeah, 371 00:19:30,640 --> 00:19:33,360 Speaker 2: So so McLaren knew that he had at least half 372 00:19:33,400 --> 00:19:36,280 Speaker 2: a band who could actually play and or three quarters 373 00:19:36,280 --> 00:19:40,320 Speaker 2: of one, and he auditioned Johnny Rotten by having him 374 00:19:40,440 --> 00:19:45,119 Speaker 2: sing or lip sync Alice Cooper's I'm eighteen into a 375 00:19:45,320 --> 00:19:48,120 Speaker 2: shower head in the shop. Never let it be said 376 00:19:48,119 --> 00:19:51,359 Speaker 2: that the sex pistols were a musical concern first and foremost. 377 00:19:52,320 --> 00:19:55,920 Speaker 1: You've actually led perfectly into my next question. Oh go on, 378 00:19:56,480 --> 00:19:59,639 Speaker 1: because Johnny Rotten made an impression on Malcolm McLaren on 379 00:19:59,680 --> 00:20:03,800 Speaker 1: the fu at the sex shop, not that kind of 380 00:20:03,840 --> 00:20:06,920 Speaker 1: sex shop, by a T shirt he would wear. 381 00:20:06,840 --> 00:20:08,359 Speaker 2: Johnny Rutten, I hate Pink Floyd. 382 00:20:09,080 --> 00:20:10,159 Speaker 1: Okay, yeah, there you go. 383 00:20:10,240 --> 00:20:12,800 Speaker 2: Yeah, it was funny because Pink Floyd were God. They 384 00:20:12,800 --> 00:20:15,240 Speaker 2: would have been coming off of the wall. No, not 385 00:20:15,320 --> 00:20:15,760 Speaker 2: the wall. 386 00:20:16,520 --> 00:20:19,040 Speaker 1: Pink Floyd would have been wish you were here if 387 00:20:19,080 --> 00:20:20,639 Speaker 1: it was what seventy five, wish you were here with 388 00:20:20,680 --> 00:20:23,640 Speaker 1: seventy four. Yeah, so they would have been coming off 389 00:20:23,640 --> 00:20:24,280 Speaker 1: which you were here. 390 00:20:24,320 --> 00:20:28,399 Speaker 2: And he described that shirt as like, you know, to 391 00:20:28,440 --> 00:20:31,439 Speaker 2: attack Pink Floyd at the time in British music was 392 00:20:31,480 --> 00:20:34,840 Speaker 2: like coming after the Queen, which they also did. But yeah, 393 00:20:34,880 --> 00:20:37,479 Speaker 2: it was famously an Pink Floyd shirt that he had 394 00:20:37,520 --> 00:20:42,800 Speaker 2: simply scrawled I hate over the front. Funnily punk rock 395 00:20:42,840 --> 00:20:46,120 Speaker 2: t shirts get people in trouble. There's the famous Legs 396 00:20:46,160 --> 00:20:49,320 Speaker 2: McNeil oral history or the first first wave of New 397 00:20:49,400 --> 00:20:51,800 Speaker 2: York punk rock called Please Kill Me. One of the 398 00:20:51,840 --> 00:20:56,000 Speaker 2: guys recalls wearing a homemade please Kill Me shirt to 399 00:20:56,080 --> 00:21:00,879 Speaker 2: CBGB's and this gang member on the Bowery was like, really, Oh. 400 00:21:00,800 --> 00:21:04,160 Speaker 1: It was Bob Gruen, who I actually was having dinner 401 00:21:04,240 --> 00:21:07,720 Speaker 1: with last night, which is the second dickish nap drop. 402 00:21:08,080 --> 00:21:10,880 Speaker 2: Sorry, trying and keep him to like one every five minutes, all. 403 00:21:10,800 --> 00:21:12,639 Speaker 1: Right, Sorry, sorry, sorry, but yeah, he was like, that 404 00:21:12,760 --> 00:21:14,920 Speaker 1: was one of the most shocking things I'd ever seen, 405 00:21:15,080 --> 00:21:20,000 Speaker 1: and I was just kind of like, really, like, you 406 00:21:20,320 --> 00:21:22,240 Speaker 1: have some other anecdotes from you and in this very 407 00:21:22,280 --> 00:21:24,120 Speaker 1: episode that are more shocking. 408 00:21:24,200 --> 00:21:24,320 Speaker 2: Uh. 409 00:21:24,680 --> 00:21:28,560 Speaker 1: My favorite Johnny Rotten fashion quote or quote about his 410 00:21:28,640 --> 00:21:30,600 Speaker 1: fashions to say is actually from Ladys McNeil. 411 00:21:31,040 --> 00:21:31,359 Speaker 2: Uh. 412 00:21:31,400 --> 00:21:35,240 Speaker 1: He said that he'd seen Johnny Rotten backstage at the 413 00:21:35,280 --> 00:21:39,960 Speaker 1: Sex Pistole's final Winterland concert, and he said its McNeil 414 00:21:40,000 --> 00:21:42,840 Speaker 1: wrote of Johnny Rotten, he looked like a duck on crack, 415 00:21:43,080 --> 00:21:45,719 Speaker 1: except he wore a long overcoat, so that he actually 416 00:21:45,720 --> 00:21:50,600 Speaker 1: resembled a French duck on crack. Amazing. 417 00:21:50,840 --> 00:21:53,119 Speaker 2: Yeah, I forgot that. The I Hate Pink Floyd T 418 00:21:53,240 --> 00:21:57,160 Speaker 2: shirt also had the band member's eyes scratched out, which 419 00:21:57,200 --> 00:22:01,400 Speaker 2: is such a wonderfully unhinged touch. Can you see Pink 420 00:22:01,440 --> 00:22:05,080 Speaker 2: Floyd is going through the change? Do you see this 421 00:22:05,160 --> 00:22:05,840 Speaker 2: is my design? 422 00:22:09,280 --> 00:22:09,440 Speaker 3: Well? 423 00:22:09,480 --> 00:22:12,000 Speaker 1: This is good, this is good. I get to sprawl. Yeah, 424 00:22:12,400 --> 00:22:14,680 Speaker 1: on the topic of things that suck or things that 425 00:22:14,720 --> 00:22:17,719 Speaker 1: people think suck. Who recorded the song sca sucks? 426 00:22:18,920 --> 00:22:21,000 Speaker 2: Oh? Good question. 427 00:22:21,920 --> 00:22:24,960 Speaker 1: I can give you a multiple choice if you want. Yeah, 428 00:22:25,119 --> 00:22:32,280 Speaker 1: could you tilt no use for a name? MXPH or Propagandhi. 429 00:22:32,640 --> 00:22:36,520 Speaker 1: It's Propagandhi. You're correct. Propagandhi is a great name. That's 430 00:22:36,520 --> 00:22:37,160 Speaker 1: a great name. 431 00:22:37,680 --> 00:22:39,879 Speaker 2: Yeah. They'rey incredible. They are. I mean, I think like 432 00:22:39,960 --> 00:22:41,760 Speaker 2: every one of these guys they had some kind of 433 00:22:41,800 --> 00:22:43,920 Speaker 2: they stuck their foot in their mouth about something at 434 00:22:43,960 --> 00:22:48,320 Speaker 2: some point during the pandemic or in the identity politics 435 00:22:48,400 --> 00:22:52,520 Speaker 2: peak era. But they Yeah, they're an incredibly just a 436 00:22:52,680 --> 00:22:59,880 Speaker 2: legendary DIY fiercely leftist band. MxPx would not have said 437 00:23:00,000 --> 00:23:03,480 Speaker 2: Scott sucks. They I think they were like peers with 438 00:23:03,560 --> 00:23:05,960 Speaker 2: a lot of nineties punk bands. Actually, who are the 439 00:23:06,000 --> 00:23:06,520 Speaker 2: other people? 440 00:23:06,840 --> 00:23:11,800 Speaker 1: No use for a name and tilt. 441 00:23:11,520 --> 00:23:12,840 Speaker 2: Those are blind spots for me. 442 00:23:13,160 --> 00:23:16,760 Speaker 1: Moving on. This isn't strictly sca, but it feels Scott Jason. 443 00:23:16,880 --> 00:23:18,040 Speaker 1: So that's why I felt. 444 00:23:17,880 --> 00:23:19,760 Speaker 2: I didn't know you were going to be bringing in Scott. No, 445 00:23:19,920 --> 00:23:21,280 Speaker 2: this isn't Scott, This isn't Scott. 446 00:23:21,280 --> 00:23:26,359 Speaker 1: I'm sorry, I'm sorry. What legendary punk has alter ego? 447 00:23:27,080 --> 00:23:35,280 Speaker 1: Buster Poindexter of Hot Hot Hot Fame. 448 00:23:40,280 --> 00:23:44,080 Speaker 2: Oh that's my boy, I know, That's why I asked it. 449 00:23:44,520 --> 00:23:47,960 Speaker 2: God by my blank on, his name's New York Dolls frontman. Oh, 450 00:23:48,000 --> 00:23:51,000 Speaker 2: come on, god, what the fuck is that dude's name? 451 00:23:51,960 --> 00:23:52,720 Speaker 2: David Johansen. 452 00:23:52,840 --> 00:23:55,280 Speaker 1: Yes, I didn't know that until very recently. 453 00:23:55,840 --> 00:23:56,440 Speaker 2: Oh yeah, I. 454 00:23:56,400 --> 00:23:57,800 Speaker 1: Saw him as Buster Pointdster. 455 00:23:58,040 --> 00:24:00,560 Speaker 2: What yeah? Do this? 456 00:24:00,680 --> 00:24:02,159 Speaker 1: Why? Why? Because? 457 00:24:02,400 --> 00:24:05,760 Speaker 2: Well? So, first of all, I mean he is truly 458 00:24:06,040 --> 00:24:13,879 Speaker 2: a repository of twentieth century American music. I mean he's no, yes, no, no, 459 00:24:13,920 --> 00:24:16,359 Speaker 2: I mean he's way more into like Delta blues, also 460 00:24:16,440 --> 00:24:20,200 Speaker 2: Calypso music, and like because the. 461 00:24:20,160 --> 00:24:22,560 Speaker 1: Song was written by like a Monserrat Soca artist. 462 00:24:22,720 --> 00:24:25,840 Speaker 2: Right, Yeah, he's that's so, That's that's what I'm saying. 463 00:24:26,000 --> 00:24:28,879 Speaker 2: He he like New York Dolls, was like a total 464 00:24:29,000 --> 00:24:32,800 Speaker 2: laugh when you consider his wider interests. I mean, he's 465 00:24:32,880 --> 00:24:36,320 Speaker 2: sung with a lot of famous blues groups. He knows 466 00:24:36,359 --> 00:24:40,280 Speaker 2: all kinds of obscure pre war stuff, and Buster Poinsacer 467 00:24:40,400 --> 00:24:43,400 Speaker 2: was like an outlet for this. And I saw him 468 00:24:43,560 --> 00:24:46,439 Speaker 2: at the Cafe Carlisle, and I had been pitched an 469 00:24:46,480 --> 00:24:48,200 Speaker 2: interview with him, so I did get to interview him. 470 00:24:48,560 --> 00:24:50,640 Speaker 2: Now my turn to name drop. But I saw him 471 00:24:50,640 --> 00:24:52,760 Speaker 2: and he was just he First of all, his band 472 00:24:52,840 --> 00:24:59,040 Speaker 2: was amazing, like all jazz players, and so he did 473 00:24:59,280 --> 00:25:02,000 Speaker 2: all these lipso songs, he did a bunch of early 474 00:25:02,160 --> 00:25:05,199 Speaker 2: like R and B jump music, and he was just 475 00:25:05,320 --> 00:25:08,320 Speaker 2: he's he's a character, like he's truly not David Johansson 476 00:25:08,359 --> 00:25:10,280 Speaker 2: when he's Buster Poindexter. And he was doing all of 477 00:25:10,320 --> 00:25:13,399 Speaker 2: these like hilarious ad libs and long introduction. 478 00:25:12,920 --> 00:25:13,879 Speaker 1: Into between songs. 479 00:25:13,920 --> 00:25:16,800 Speaker 2: The one that stuck with me was my doctor told 480 00:25:16,840 --> 00:25:18,800 Speaker 2: me to keep it to one drink a day. So 481 00:25:18,960 --> 00:25:25,680 Speaker 2: this one's from April fourteenth, twenty six forty. Yeah. And 482 00:25:25,760 --> 00:25:28,280 Speaker 2: when I he, I mean I was kind of green 483 00:25:28,560 --> 00:25:32,280 Speaker 2: when I interviewed him, and he got me. I asked 484 00:25:32,359 --> 00:25:34,440 Speaker 2: him what I thought was a quite reasonable question, which 485 00:25:34,480 --> 00:25:36,520 Speaker 2: is like, you're one of the you know, more famous 486 00:25:36,720 --> 00:25:40,320 Speaker 2: New York celebrities who's elected to stay in Staten Island, 487 00:25:40,320 --> 00:25:42,640 Speaker 2: and like live in Staten Island. Staten Island's your home base, 488 00:25:42,680 --> 00:25:45,520 Speaker 2: and I wonder if you could, you know, tell me 489 00:25:45,600 --> 00:25:47,119 Speaker 2: why that is what you love about it. And he 490 00:25:47,240 --> 00:25:50,240 Speaker 2: just there's a brief pause and he just goes, well, 491 00:25:50,240 --> 00:25:59,240 Speaker 2: I hear the Fairyes, nice, like a really reasonable question. 492 00:25:59,400 --> 00:26:01,800 Speaker 2: I was, yeah, I don't think this is anything else. 493 00:26:01,840 --> 00:26:06,959 Speaker 2: From that interview, he was cool man, He was pretty generous. 494 00:26:07,000 --> 00:26:08,480 Speaker 2: He said at one point he was like, well, I 495 00:26:08,520 --> 00:26:10,480 Speaker 2: don't know that you. I don't know if you know this, 496 00:26:10,560 --> 00:26:13,000 Speaker 2: but Staten Island's actually home to many of the great 497 00:26:13,640 --> 00:26:18,040 Speaker 2: think tanks in American politics. And I was like really 498 00:26:18,080 --> 00:26:22,360 Speaker 2: and he was like no, but yeah, I mean he's 499 00:26:22,400 --> 00:26:25,439 Speaker 2: in Scrooge. He's the cab driver in Scrooge. We mentioned 500 00:26:25,440 --> 00:26:27,760 Speaker 2: he has a cameo and Adventures of Pete and Pete. 501 00:26:28,359 --> 00:26:31,160 Speaker 2: He has a great solo record that he performs songs 502 00:26:31,200 --> 00:26:33,959 Speaker 2: off of. I think the one song on there is 503 00:26:34,000 --> 00:26:38,000 Speaker 2: called Heart of Gold, just a great song. Yeah. So 504 00:26:38,160 --> 00:26:41,479 Speaker 2: he does Harry belly Fonty songs, He does country He 505 00:26:41,520 --> 00:26:43,000 Speaker 2: also does English music Hall. 506 00:26:43,040 --> 00:26:44,760 Speaker 1: He did Lydia the Tattooed Lady. 507 00:26:45,920 --> 00:26:50,440 Speaker 2: He does Rocket eighty eight, which was many people think 508 00:26:50,480 --> 00:26:53,399 Speaker 2: is the first rock and roll song. And when I 509 00:26:53,440 --> 00:26:56,480 Speaker 2: asked him about this breadth of material, he says, I 510 00:26:56,600 --> 00:27:01,119 Speaker 2: dig stuff. I defined myself. I just found this interview. 511 00:27:01,160 --> 00:27:03,480 Speaker 2: I defined myself largely through what I dig, and I 512 00:27:03,480 --> 00:27:06,080 Speaker 2: don't pay much attention to anything that doesn't turn me on. 513 00:27:06,359 --> 00:27:09,080 Speaker 1: Well you know what he doesn't dig these days, Hot 514 00:27:09,119 --> 00:27:12,200 Speaker 1: Hot Hot, which he's asking an interview with MPR as 515 00:27:12,280 --> 00:27:13,919 Speaker 1: quote the bane of my existence. 516 00:27:14,320 --> 00:27:16,720 Speaker 2: Yeah, yeah, he said. Sometimes you get saddled. He told me, 517 00:27:16,800 --> 00:27:19,480 Speaker 2: sometimes you get saddled with a hit. You go through phases. 518 00:27:19,840 --> 00:27:21,639 Speaker 2: But one time I went to my nephew's wedding and 519 00:27:21,680 --> 00:27:23,560 Speaker 2: the band played it and they made me get up 520 00:27:23,560 --> 00:27:26,280 Speaker 2: and sing it, and I thought, oh God, this thing 521 00:27:26,359 --> 00:27:29,440 Speaker 2: is an albatross around my neck. And if you ever 522 00:27:29,480 --> 00:27:34,520 Speaker 2: want to know what you know, Buster Porndexter ak David 523 00:27:34,600 --> 00:27:40,399 Speaker 2: Johansson's most romantic song because I interviewed him around Valentine's 524 00:27:40,480 --> 00:27:43,080 Speaker 2: Day and he says, Billy Ward in the Dominoes do 525 00:27:43,280 --> 00:27:45,600 Speaker 2: something for me, And he had that right at the 526 00:27:45,640 --> 00:27:59,360 Speaker 2: top of his tongue, tip of his tongue sore. 527 00:28:01,600 --> 00:28:13,800 Speaker 3: And baby, can't you see you? 528 00:28:14,520 --> 00:28:25,760 Speaker 2: What something for me? Here's my David Johanson's story. Love him, 529 00:28:25,800 --> 00:28:29,800 Speaker 2: great guy, obviously New York Dolls whip. But he's so interesting. 530 00:28:29,840 --> 00:28:32,960 Speaker 2: It's like if Joey Ramone was like fixated on I 531 00:28:32,960 --> 00:28:36,240 Speaker 2: don't know light opera, which. 532 00:28:36,000 --> 00:28:37,800 Speaker 1: He may well have been. Well, here's one I know 533 00:28:37,840 --> 00:28:39,800 Speaker 1: you have the answer to. But it's an interesting story 534 00:28:39,800 --> 00:28:41,720 Speaker 1: and I want to hear you kill it, so I 535 00:28:41,760 --> 00:28:45,400 Speaker 1: will take the ill. What's unique about the vocal track 536 00:28:46,000 --> 00:28:47,960 Speaker 1: on Bad Brains Sacred Love? 537 00:28:48,120 --> 00:28:50,480 Speaker 2: Oh, it's one of the classic done through phone line songs. 538 00:28:50,480 --> 00:28:53,160 Speaker 2: It was done while HR was in jail. That's correct. Yeah, 539 00:28:53,520 --> 00:28:57,560 Speaker 2: HR is a tempestuous man. I mean he there's lots 540 00:28:57,560 --> 00:29:00,840 Speaker 2: of Bad Brains are pretty contentious. Themsells actually, I mean 541 00:29:00,840 --> 00:29:03,400 Speaker 2: they like are a foundational hardcore band. 542 00:29:04,280 --> 00:29:04,800 Speaker 1: You know, they. 543 00:29:04,720 --> 00:29:09,040 Speaker 2: Inspired the Beastie Boys name and performances, like Yeah, Beastie 544 00:29:09,040 --> 00:29:11,680 Speaker 2: Boys named themselves BEB because they wanted a BB name 545 00:29:11,760 --> 00:29:14,760 Speaker 2: because of Bad Brands and Bad Brains are incredible. I 546 00:29:14,760 --> 00:29:21,240 Speaker 2: mean Daryl Jennifer, Earl Hudson and Doctor No bassist, guitarist, bassist, 547 00:29:21,320 --> 00:29:22,760 Speaker 2: drummer and guitarist, respectively. 548 00:29:23,000 --> 00:29:25,680 Speaker 1: They were jazz freaks. 549 00:29:24,720 --> 00:29:28,840 Speaker 2: Like serious fusion hits, doing like Weather Report and all 550 00:29:28,920 --> 00:29:32,520 Speaker 2: this stuff. And then they heard Ramones and punk rock 551 00:29:32,560 --> 00:29:34,360 Speaker 2: and we're like, oh, we should do this now. And 552 00:29:34,600 --> 00:29:37,520 Speaker 2: Hr was kind of the live wire. His voice is 553 00:29:37,560 --> 00:29:41,760 Speaker 2: obviously insane, and he would do like backflips on stage 554 00:29:41,800 --> 00:29:44,200 Speaker 2: like it really just a one of those front men 555 00:29:44,240 --> 00:29:46,080 Speaker 2: that's just like touched by lightning. 556 00:29:46,720 --> 00:29:48,280 Speaker 1: And that's a reference to their one album cover. 557 00:29:48,440 --> 00:29:53,280 Speaker 2: But if you read American hardcore, which is think Stephen 558 00:29:53,320 --> 00:29:57,160 Speaker 2: Blush is an oral history because they were Rastafarian, they 559 00:29:57,160 --> 00:30:01,960 Speaker 2: were deeply homophobic, and they we're coming through Texas and 560 00:30:02,120 --> 00:30:06,640 Speaker 2: they stayed at the home of a Texas, very important 561 00:30:06,680 --> 00:30:10,080 Speaker 2: Texas queer punk band named Big Boys, and they asked 562 00:30:10,080 --> 00:30:13,120 Speaker 2: them to score weed and then they did the classic 563 00:30:13,440 --> 00:30:16,000 Speaker 2: you know, we'll leave the money on the desk and 564 00:30:16,960 --> 00:30:19,440 Speaker 2: had left it like left an envelope and peeled out 565 00:30:19,480 --> 00:30:22,880 Speaker 2: of town with the weed. And they opened the envelope 566 00:30:22,920 --> 00:30:25,920 Speaker 2: and there was a note that said fire burn all 567 00:30:26,040 --> 00:30:31,960 Speaker 2: blood clot f slur, thanks for the weed, like later 568 00:30:32,080 --> 00:30:35,280 Speaker 2: or something. Blood clot is a this is another digression, 569 00:30:35,320 --> 00:30:37,440 Speaker 2: but do what blood clot is I do it a lot, 570 00:30:37,480 --> 00:30:41,400 Speaker 2: and like in like any Jamaican music. Really it's a 571 00:30:41,440 --> 00:30:47,680 Speaker 2: homophobic slur that is derived from blood cloth, which was 572 00:30:47,760 --> 00:30:51,200 Speaker 2: like pre sanitary napkins, and so they started calling each 573 00:30:51,240 --> 00:30:54,840 Speaker 2: other that as a denigrative thing because it was, you know, 574 00:30:55,040 --> 00:30:56,360 Speaker 2: connected with women. 575 00:30:57,720 --> 00:30:59,280 Speaker 1: So yeah, after that incident, in. 576 00:30:59,240 --> 00:31:03,640 Speaker 2: Particular, because hardcore was such a closely knit network, really 577 00:31:03,720 --> 00:31:08,560 Speaker 2: linked by phone and like tape trading, like literal letter writing. 578 00:31:08,560 --> 00:31:10,800 Speaker 2: E Maikai would just talk about it just like write 579 00:31:10,840 --> 00:31:13,080 Speaker 2: letters and trade tapes with people. Same with thrash metal, 580 00:31:13,520 --> 00:31:16,240 Speaker 2: people were like yo, bad brains are like deeply homophobic 581 00:31:16,280 --> 00:31:21,160 Speaker 2: and dickheads. So they really did not achieve anything that 582 00:31:21,200 --> 00:31:23,600 Speaker 2: they're not like, they didn't get like a breakthrough. They 583 00:31:23,600 --> 00:31:27,680 Speaker 2: weren't pumped into like epitaph or any of these like 584 00:31:27,760 --> 00:31:30,200 Speaker 2: major like feeder bands. I mean they had some they 585 00:31:30,360 --> 00:31:32,600 Speaker 2: kept going, but I think it was kind of always 586 00:31:32,600 --> 00:31:36,200 Speaker 2: came down to hr and his sort of instability. And 587 00:31:36,720 --> 00:31:40,120 Speaker 2: it was reviewed a couple years ago that he was 588 00:31:40,160 --> 00:31:43,320 Speaker 2: suffering from some rare neurological condition that gave him like 589 00:31:43,440 --> 00:31:46,000 Speaker 2: intense cluster headaches and all this stuff, and I think 590 00:31:46,040 --> 00:31:49,600 Speaker 2: some of his behavior was sort of explained away by that. 591 00:31:49,800 --> 00:31:52,640 Speaker 2: But yeah, they're a really interesting case just and like 592 00:31:52,760 --> 00:31:57,320 Speaker 2: the music obviously rips. I mean, they are a superlative 593 00:31:57,360 --> 00:32:02,440 Speaker 2: band of musicians, great songs. Just you know that that 594 00:32:02,640 --> 00:32:05,360 Speaker 2: specific incident and those years of their lives, which I 595 00:32:05,360 --> 00:32:08,520 Speaker 2: think Darryl Jennifer has like apologized for in interviews, like 596 00:32:08,560 --> 00:32:10,680 Speaker 2: he's been like, yeah, that was really of us, but 597 00:32:11,080 --> 00:32:13,760 Speaker 2: it really caused the community to close ranks around them. 598 00:32:13,760 --> 00:32:17,600 Speaker 2: And really because they were also obviously all black guys, 599 00:32:17,600 --> 00:32:19,400 Speaker 2: and which is like such a rarity in that era 600 00:32:19,520 --> 00:32:26,120 Speaker 2: of hardcore. It was like, so, yeah, anyway, sorry, as 601 00:32:26,160 --> 00:32:28,600 Speaker 2: you meditate on that, we'll be right back with more 602 00:32:28,640 --> 00:32:42,160 Speaker 2: too much information after these messages? Was that was that enough? 603 00:32:42,200 --> 00:32:43,080 Speaker 2: I just met back to me. 604 00:32:43,400 --> 00:32:46,520 Speaker 1: I think it's back to you. Yeah, okay, you have 605 00:32:46,560 --> 00:32:47,400 Speaker 1: a perfect score. 606 00:32:47,480 --> 00:32:51,200 Speaker 2: By the way, well, I'm willing to take a half 607 00:32:51,200 --> 00:32:54,280 Speaker 2: point for the for the Steve Jones sex pistols. No no, no, no, 608 00:32:54,640 --> 00:32:55,120 Speaker 2: it's not. 609 00:32:57,000 --> 00:32:58,640 Speaker 1: Do you how should we should. 610 00:32:58,440 --> 00:33:00,240 Speaker 2: We give you like an easier one? 611 00:33:00,280 --> 00:33:01,800 Speaker 1: But no, no, absolutely not. 612 00:33:01,960 --> 00:33:02,000 Speaker 3: No. 613 00:33:02,680 --> 00:33:03,040 Speaker 1: Okay. 614 00:33:03,280 --> 00:33:06,560 Speaker 2: One man missed the Titanic because his car broke down 615 00:33:06,720 --> 00:33:09,080 Speaker 2: en route to meet the ship at Cherbourg. 616 00:33:10,440 --> 00:33:13,400 Speaker 1: That's not a question, what was his name? 617 00:33:14,240 --> 00:33:15,520 Speaker 2: I've actually never heard this. 618 00:33:15,760 --> 00:33:16,400 Speaker 1: I don't know this. 619 00:33:17,240 --> 00:33:22,280 Speaker 2: Oh, okay, his name on the passenger list, Frank Carlson 620 00:33:22,520 --> 00:33:27,400 Speaker 2: was the man's name. He was booked on the passenger list, 621 00:33:27,400 --> 00:33:31,200 Speaker 2: and we indeed that's his name. But he was one 622 00:33:31,240 --> 00:33:33,880 Speaker 2: of the ones who missed it by circumstance. And I 623 00:33:33,920 --> 00:33:36,719 Speaker 2: assume you have a list of others who were notable 624 00:33:36,760 --> 00:33:38,520 Speaker 2: others who were booked and missed. 625 00:33:40,320 --> 00:33:44,280 Speaker 1: JP Morgan was very famous the the Yes, a famous 626 00:33:44,280 --> 00:33:49,440 Speaker 1: American finance here who owns the parent company that owns 627 00:33:49,600 --> 00:33:52,920 Speaker 1: the Titanic. If I phrase that right, International Mercantile or Marine. 628 00:33:53,000 --> 00:33:57,920 Speaker 1: I amm just a huge power player. Wasn't there a 629 00:33:58,040 --> 00:34:02,000 Speaker 1: story that Hershey or Hershey's wife, Milton Hershey's wife was 630 00:34:02,040 --> 00:34:03,440 Speaker 1: supposed to be on it or something. 631 00:34:04,080 --> 00:34:07,120 Speaker 2: I have a few here. What was Henry clay Frick, 632 00:34:07,800 --> 00:34:10,200 Speaker 2: who is an American steel magnate. 633 00:34:10,120 --> 00:34:17,520 Speaker 1: Who coined the praise friggin that's not true, George Vanderbilt. 634 00:34:18,040 --> 00:34:22,200 Speaker 2: Ah, they canceled on April ninth, and one of their 635 00:34:22,239 --> 00:34:26,360 Speaker 2: servants had already boarded. It went down with their luggage 636 00:34:26,400 --> 00:34:30,200 Speaker 2: and the ship. US Ambassador to France, Robert Bacon, had 637 00:34:30,239 --> 00:34:33,840 Speaker 2: reserved passage. Their departure was delayed by the tardy arrival 638 00:34:34,880 --> 00:34:39,480 Speaker 2: of the new ambassador who was taking over, and they missed. 639 00:34:39,680 --> 00:34:42,960 Speaker 1: Milton Hershey, Yeah, I'm on. In the Hershey Archives, one 640 00:34:42,960 --> 00:34:45,640 Speaker 1: of the most intriguing moments of Milton Hershey's life was 641 00:34:45,680 --> 00:34:48,200 Speaker 1: his narrow escape from the sinking of the Armis Titanic. 642 00:34:48,560 --> 00:34:50,680 Speaker 1: Milton Hershey had originally booked a passage on the o 643 00:34:50,800 --> 00:34:53,319 Speaker 1: fated liner, but a last minute change in plans saved 644 00:34:53,400 --> 00:34:56,400 Speaker 1: us life. In our collection the Hershey Community Archives, as 645 00:34:56,440 --> 00:34:59,239 Speaker 1: a canceled check for three hundred dollars written to the 646 00:34:59,239 --> 00:35:03,200 Speaker 1: White Star Line the Titanic's line on December eighteenth, nineteen eleven, 647 00:35:05,680 --> 00:35:08,279 Speaker 1: ten percent deposit to reserve a room which went for 648 00:35:08,920 --> 00:35:12,520 Speaker 1: three grand. Three grand in nineteen twelve is an absurd 649 00:35:12,520 --> 00:35:16,640 Speaker 1: amount of money. That's like fifty sixty grand today. Mister 650 00:35:16,800 --> 00:35:18,880 Speaker 1: Hershey and his wife had spent a significant amount of 651 00:35:18,920 --> 00:35:20,880 Speaker 1: time in Europe. Much of that time has spent seeking 652 00:35:20,960 --> 00:35:24,520 Speaker 1: relief from Kitty's health problems. We stemmed from a chronic illness. 653 00:35:25,120 --> 00:35:27,480 Speaker 1: The illness was never fully diagnosed, but it appears to 654 00:35:27,480 --> 00:35:31,400 Speaker 1: have been progressive and neurological in nature. Hershey's been wintering 655 00:35:31,440 --> 00:35:35,280 Speaker 1: in France. Nice France. But in early nineteen twelve, Milton 656 00:35:35,280 --> 00:35:37,600 Speaker 1: Hershey determined he needed to return to his business in 657 00:35:37,640 --> 00:35:40,880 Speaker 1: the town of Hershey, Pennsylvania, earlier than his booking on 658 00:35:40,960 --> 00:35:44,520 Speaker 1: the Titanic would accommodate, so he changed his reservation. 659 00:35:45,040 --> 00:35:47,920 Speaker 2: Okay, all right, let's see if this is too niche 660 00:35:48,080 --> 00:35:53,239 Speaker 2: can you name the Belfast or Belfast shipyard or the 661 00:35:53,360 --> 00:35:57,960 Speaker 2: number at which the Titanic was designed and constructed. 662 00:35:58,160 --> 00:36:00,600 Speaker 1: It was the Harlan and Wolf Shipyard. The number I 663 00:36:00,600 --> 00:36:03,080 Speaker 1: think you're referring to is the ship's number that was 664 00:36:03,120 --> 00:36:06,680 Speaker 1: given to the hull that was being built, because the 665 00:36:06,680 --> 00:36:09,280 Speaker 1: ship's names can change, but the whole number is consistent, 666 00:36:09,320 --> 00:36:10,840 Speaker 1: and that was four to oh one. 667 00:36:11,800 --> 00:36:15,680 Speaker 2: And double double whammy. I'm fine with the wording you 668 00:36:16,400 --> 00:36:19,040 Speaker 2: two live mass for that, I need the two. 669 00:36:19,440 --> 00:36:21,959 Speaker 1: And there's this whole conspiracy theory, and it's a dumb 670 00:36:22,000 --> 00:36:26,240 Speaker 1: conspiracy theory that the Titanic was switched with her sister 671 00:36:26,320 --> 00:36:29,680 Speaker 1: ship who had been damaged in a collusion at sea 672 00:36:29,840 --> 00:36:32,120 Speaker 1: and some I don't even want to get into it 673 00:36:32,120 --> 00:36:35,600 Speaker 1: because it's not that interesting, but basically an insurance fraud 674 00:36:35,760 --> 00:36:38,520 Speaker 1: scheme that they were going to try to sink the 675 00:36:39,040 --> 00:36:43,480 Speaker 1: damaged Titanic sister ship by pretending I google the. 676 00:36:43,400 --> 00:36:44,439 Speaker 2: Titanic switch theory. 677 00:36:44,440 --> 00:36:47,880 Speaker 1: It's not that interesting. But anyway, when divers went down 678 00:36:47,960 --> 00:36:52,040 Speaker 1: to the Titanic, they could see the ship's propeller which 679 00:36:52,080 --> 00:36:54,440 Speaker 1: is still attached to the ship's stern and you can 680 00:36:54,560 --> 00:36:57,239 Speaker 1: actually see etched in the propeller four to oh one, 681 00:36:57,440 --> 00:37:00,279 Speaker 1: which proves that it was still the Titanic, not the 682 00:37:00,320 --> 00:37:01,359 Speaker 1: Titanic sister ship. 683 00:37:01,680 --> 00:37:04,960 Speaker 2: Yes, that was all very correct. Can you for bonus points? 684 00:37:04,960 --> 00:37:05,040 Speaker 3: Oh? 685 00:37:05,080 --> 00:37:06,080 Speaker 1: I need bonus points? 686 00:37:07,600 --> 00:37:11,920 Speaker 2: Named the marine architect who work with chief designer Thomas Andrews. 687 00:37:12,560 --> 00:37:15,400 Speaker 1: Oh man, you're gonna say his name and I'll remember. 688 00:37:15,400 --> 00:37:16,440 Speaker 1: I can't remember off hand. 689 00:37:17,320 --> 00:37:18,839 Speaker 2: I'll give you a hand. Yeah. 690 00:37:19,040 --> 00:37:24,640 Speaker 1: His initials are A C. Alexander Carlyle bam. 691 00:37:24,840 --> 00:37:27,239 Speaker 2: Yeah, bonus. Where's my hang on? 692 00:37:27,280 --> 00:37:27,600 Speaker 3: I got it? 693 00:37:28,480 --> 00:37:28,880 Speaker 2: There you go. 694 00:37:29,760 --> 00:37:33,280 Speaker 1: I don't have any real interesting stories about Alexander Carlyle, 695 00:37:33,320 --> 00:37:37,640 Speaker 1: but Thomas Andrews is famous to most people who are 696 00:37:37,760 --> 00:37:40,120 Speaker 1: you know, are in any way interested in the Titanic 697 00:37:40,160 --> 00:37:43,120 Speaker 1: because he's played by Victor Garber in the Titanic movie 698 00:37:43,200 --> 00:37:43,880 Speaker 1: and he's. 699 00:37:44,200 --> 00:37:45,440 Speaker 2: Character actor Victor Garber. 700 00:37:45,520 --> 00:37:48,000 Speaker 1: Yes, he's the guy who in the ship's going down. 701 00:37:48,040 --> 00:37:50,960 Speaker 1: He gives Rose his life belt and says, I wish 702 00:37:51,000 --> 00:37:53,600 Speaker 1: I could have built Chabetta ship Rose, and he's last seen. 703 00:37:54,160 --> 00:37:58,200 Speaker 1: According to Titanic lore, he spent the ship's last moments 704 00:37:58,239 --> 00:38:00,840 Speaker 1: just kind of wandering around in shaw and he was 705 00:38:00,920 --> 00:38:05,200 Speaker 1: last seen in the Titanic smoking room, just standing by 706 00:38:05,239 --> 00:38:11,520 Speaker 1: the fireplace. In reality, he worked very hard to try 707 00:38:11,520 --> 00:38:16,279 Speaker 1: to save people. He was seen running around throwing deck 708 00:38:16,400 --> 00:38:19,359 Speaker 1: chairs and basically anything that floated overboard so that people 709 00:38:19,360 --> 00:38:21,480 Speaker 1: could have kind of make shift rafts and stuff. And 710 00:38:21,520 --> 00:38:23,960 Speaker 1: he made no attempt to get into a lifeboat himself 711 00:38:24,040 --> 00:38:28,160 Speaker 1: or save himself. So no, he's somebody who. And he 712 00:38:28,200 --> 00:38:30,200 Speaker 1: was very well liked by the crew too. He was 713 00:38:30,239 --> 00:38:33,680 Speaker 1: always he was famous for making just little nods to 714 00:38:33,719 --> 00:38:36,600 Speaker 1: their comfort, like installing extra water bubblers. 715 00:38:36,719 --> 00:38:39,280 Speaker 2: That's my new England coming through water bubblers, water. 716 00:38:39,120 --> 00:38:42,799 Speaker 1: Fountains for the ship's firemen and crew down in the 717 00:38:42,920 --> 00:38:45,520 Speaker 1: in the boiler rooms and stuff. And yeah, he was 718 00:38:45,560 --> 00:38:49,440 Speaker 1: a very well liked man. Oh yeah, no, I'm sad. 719 00:38:49,680 --> 00:38:53,760 Speaker 1: Oh no, give me a question about like the potato 720 00:38:53,800 --> 00:38:56,160 Speaker 1: peeling room or something. On the Titanic, there was a 721 00:38:56,239 --> 00:38:57,840 Speaker 1: room dedicated to peeling potatoes. 722 00:38:58,920 --> 00:39:00,200 Speaker 2: Why did you need a whole? I guess there were 723 00:39:00,239 --> 00:39:04,239 Speaker 2: a lot of potatoes. Yeah, you know. Uh name the 724 00:39:04,400 --> 00:39:09,440 Speaker 2: youngest surviving passenger of the Titanic. She's got a weird 725 00:39:09,840 --> 00:39:14,279 Speaker 2: twentieth century American name, Melvie and a Dean bam one 726 00:39:14,360 --> 00:39:15,880 Speaker 2: more live moss for Georgie. 727 00:39:17,480 --> 00:39:21,160 Speaker 1: And she was the last surviving Titanic survivor. She died 728 00:39:21,200 --> 00:39:23,759 Speaker 1: in I think two thousand and nine. I think she 729 00:39:23,880 --> 00:39:26,000 Speaker 1: was like something like nine months old when the ship sank, 730 00:39:26,120 --> 00:39:28,840 Speaker 1: so she would have been what ninety nine weeks old? 731 00:39:29,120 --> 00:39:34,760 Speaker 2: Nine weeks old? Oh man, Okay, that's crazy. Yeah. Yeah. 732 00:39:34,800 --> 00:39:37,320 Speaker 1: Although there are stories and I don't remember their names, 733 00:39:37,320 --> 00:39:41,439 Speaker 1: but there are people whose mothers were pregnant with them 734 00:39:41,480 --> 00:39:45,000 Speaker 1: aboard the Titanic who were then saved, or at least 735 00:39:45,080 --> 00:39:48,319 Speaker 1: they claim, I mean, I guess it's verifiable. So there 736 00:39:48,360 --> 00:39:50,759 Speaker 1: are I don't know, if I can't imagine there are 737 00:39:50,760 --> 00:39:52,760 Speaker 1: any fetuses. No, they would be one hundred and twelve, 738 00:39:52,880 --> 00:39:56,080 Speaker 1: So no, there are probably no people who were alive 739 00:39:56,120 --> 00:40:00,319 Speaker 1: as fetuses unborn fetuses on the type Tic. 740 00:40:00,400 --> 00:40:03,319 Speaker 2: At this point, she was a cartographer working for the 741 00:40:03,360 --> 00:40:04,879 Speaker 2: British government during World War Two. 742 00:40:05,640 --> 00:40:09,000 Speaker 1: Cool, yeah, give me one more. 743 00:40:09,640 --> 00:40:18,239 Speaker 2: Okay, name the US based firm who is claiming ownership 744 00:40:18,239 --> 00:40:20,879 Speaker 2: of the Titanic, RMS Titanic Incorporated. 745 00:40:21,400 --> 00:40:24,839 Speaker 1: Yes, which bex Is just announced. AA. 746 00:40:26,000 --> 00:40:28,640 Speaker 2: It's kind of a gimme. But I know that you 747 00:40:29,120 --> 00:40:33,839 Speaker 2: knew that because you loved ship sunk in ship lore. Yeah, 748 00:40:33,880 --> 00:40:35,160 Speaker 2: I mean there's not a lot of lore. 749 00:40:35,280 --> 00:40:38,280 Speaker 1: I think it was just like a consortium got together 750 00:40:38,360 --> 00:40:43,000 Speaker 1: and once it was discovered and named itself fat Well. 751 00:40:43,040 --> 00:40:47,000 Speaker 2: Admiralty law claims that sunken vessels in international waters are 752 00:40:47,920 --> 00:40:51,080 Speaker 2: you know, not able to be claimed. 753 00:40:51,440 --> 00:40:53,320 Speaker 1: That's interesting. Yeah. 754 00:40:53,520 --> 00:40:58,279 Speaker 2: Yeah. White Star Lane had obviously evaporated by the time 755 00:40:58,400 --> 00:41:00,480 Speaker 2: the ship was discovered in nineteen eighty five. There was 756 00:41:00,680 --> 00:41:06,879 Speaker 2: literally no paper trail left, but no insurance company. Liverpool 757 00:41:06,960 --> 00:41:10,640 Speaker 2: and London, who paid out on some of the passenger policies, 758 00:41:11,160 --> 00:41:16,440 Speaker 2: actually took RMS Titanic Ink to court settled. Nothing beats 759 00:41:16,480 --> 00:41:17,560 Speaker 2: an insurance company. 760 00:41:17,920 --> 00:41:20,520 Speaker 1: I think that the biggest insurance claim that was taken 761 00:41:20,560 --> 00:41:25,240 Speaker 1: out for an item lost on Titanic was for a painting. 762 00:41:25,360 --> 00:41:27,319 Speaker 2: It was one of those terms of like a fat 763 00:41:27,400 --> 00:41:28,120 Speaker 2: kid and a dog. 764 00:41:28,520 --> 00:41:33,680 Speaker 1: It was a painting by Mary Joseph Blondell called La 765 00:41:34,000 --> 00:41:38,239 Speaker 1: circusan Albaan. I don't know what that means, but it's 766 00:41:38,320 --> 00:41:41,239 Speaker 1: it's a picture of a woman in a some kind 767 00:41:41,239 --> 00:41:45,920 Speaker 1: of outdoor shower, and it is the most valuable item 768 00:41:46,000 --> 00:41:50,000 Speaker 1: lost aside from you know, human life. The insurance claims 769 00:41:50,000 --> 00:41:52,880 Speaker 1: for one hundred thousand dollars, which is about three million 770 00:41:52,920 --> 00:41:57,839 Speaker 1: dollars today, okay, which is very crazy. So it's the 771 00:41:57,880 --> 00:42:01,279 Speaker 1: most highly valued item lost. And in terms of just 772 00:42:01,360 --> 00:42:03,840 Speaker 1: a recovery, artifact recovery, and it's getting back to the 773 00:42:03,840 --> 00:42:08,920 Speaker 1: Titanic incorporated stuff. They are not allowed to through some 774 00:42:09,040 --> 00:42:12,239 Speaker 1: kind of law. I don't really know specifically what it is. 775 00:42:12,360 --> 00:42:15,440 Speaker 1: They're not allowed to recover items from inside the wreck itself, 776 00:42:15,520 --> 00:42:19,879 Speaker 1: presumably because it's it's some way that it's classified either 777 00:42:19,960 --> 00:42:23,319 Speaker 1: as an historic place or as a grave site, or 778 00:42:23,400 --> 00:42:26,200 Speaker 1: some combination of the two. So they're only able to 779 00:42:26,200 --> 00:42:29,000 Speaker 1: recover items that are from the debris field because the 780 00:42:29,000 --> 00:42:30,799 Speaker 1: ship broke in two and it sank and it just 781 00:42:30,880 --> 00:42:35,600 Speaker 1: spilled out all the stuff. The technical term in a 782 00:42:35,840 --> 00:42:37,680 Speaker 1: you know, I think it's a called I want to 783 00:42:37,719 --> 00:42:39,799 Speaker 1: say it's like a mile So it's just like a 784 00:42:39,840 --> 00:42:44,719 Speaker 1: mile space just strewn with you know, a boiler with 785 00:42:44,760 --> 00:42:48,520 Speaker 1: a china teacup on top, and a piece of you know, 786 00:42:48,840 --> 00:42:51,880 Speaker 1: a staircase, and then a suitcase, and then I mean 787 00:42:52,239 --> 00:42:54,560 Speaker 1: a piece right I do I own a piece of 788 00:42:54,920 --> 00:42:56,200 Speaker 1: deck wid from the Titanic. 789 00:42:56,280 --> 00:42:59,160 Speaker 2: Guess all right? All right, so that's I got five 790 00:42:59,160 --> 00:43:01,480 Speaker 2: out of six, got a good bonus. We have come 791 00:43:01,520 --> 00:43:02,040 Speaker 2: and thank you. 792 00:43:02,120 --> 00:43:04,240 Speaker 1: It was very generous if you. We have now arrived 793 00:43:04,280 --> 00:43:06,120 Speaker 1: at a round that I like to call what's in 794 00:43:06,160 --> 00:43:10,520 Speaker 1: a name? Now, most of these are probably pretty easy, 795 00:43:10,600 --> 00:43:15,120 Speaker 1: but at least but we'll start. We'll start soft, which 796 00:43:15,160 --> 00:43:18,600 Speaker 1: punk rock band named themselves after a term from Aldus 797 00:43:18,680 --> 00:43:20,600 Speaker 1: Huxley's book Brave New World. 798 00:43:21,080 --> 00:43:25,959 Speaker 2: Oh, I mean the thing that's coming to me immediately is. 799 00:43:28,160 --> 00:43:36,600 Speaker 1: The doors. Obviously that's doors of perception. But I'll give 800 00:43:36,600 --> 00:43:40,600 Speaker 1: you the broadest hint imaginable that probably barely registers as 801 00:43:40,600 --> 00:43:45,880 Speaker 1: a hint. Aldus Huxley famously died November twenty second, nineteen 802 00:43:45,920 --> 00:43:49,000 Speaker 1: sixty three. His death was out shone by the death 803 00:43:49,040 --> 00:43:54,640 Speaker 1: of JFK. I believe his last words were written down. 804 00:43:54,719 --> 00:43:57,520 Speaker 1: He asked his wife or caregiver to shoot him up 805 00:43:57,520 --> 00:44:01,800 Speaker 1: with some heroic dose of LSD to send them out, 806 00:44:02,080 --> 00:44:05,600 Speaker 1: which which I appreciate. Somebody who also died on this 807 00:44:05,840 --> 00:44:07,799 Speaker 1: very day, whose death was also over shown by the 808 00:44:07,840 --> 00:44:12,319 Speaker 1: death of JFK was C. S. Lewis, whose books The Lion, 809 00:44:12,360 --> 00:44:14,680 Speaker 1: the Witch and the Wardrobe and the Chronicles of Narnia 810 00:44:14,840 --> 00:44:18,040 Speaker 1: were known as religious allegories. 811 00:44:18,400 --> 00:44:23,080 Speaker 2: Yeah, oh yeah, religion is allegories. I actually had a 812 00:44:23,080 --> 00:44:26,759 Speaker 2: book of letters between who was C. S. Lewis and 813 00:44:27,360 --> 00:44:30,200 Speaker 2: I'm trying to help you teenage Jesus in the Jerks 814 00:44:30,280 --> 00:44:35,440 Speaker 2: Lyddy Lunches first band. Bad religion, bad religion. Okay, okay, 815 00:44:35,640 --> 00:44:38,239 Speaker 2: did not know that? Do I get minus points? This 816 00:44:38,320 --> 00:44:40,359 Speaker 2: isn't like Jeopardy, right, you don't take no, no, no, 817 00:44:41,920 --> 00:44:42,200 Speaker 2: all right. 818 00:44:42,239 --> 00:44:44,160 Speaker 1: This one's a little easy one because I a little 819 00:44:44,200 --> 00:44:46,239 Speaker 1: easier because I think I've heard you speak of this. 820 00:44:47,080 --> 00:44:50,200 Speaker 1: The scott punk band was named after a nuclear bomb test. 821 00:44:50,239 --> 00:44:55,400 Speaker 2: Oh Operation IVY. Yes, yeah, my boys, oh Man. Operation IVY, 822 00:44:55,520 --> 00:45:01,320 Speaker 2: famously the band that would spawn Rancid. Basist Matt Freeman, 823 00:45:01,560 --> 00:45:04,640 Speaker 2: who was easily the best punk rock bassist of all 824 00:45:04,680 --> 00:45:08,960 Speaker 2: time and frontman Tim Armstrong, who was then going by 825 00:45:09,000 --> 00:45:14,000 Speaker 2: the nom du punk Lint, formed Operation IVY with Jesse 826 00:45:15,680 --> 00:45:21,120 Speaker 2: Matthews and forget the drum Dave Mellow is the drummer. 827 00:45:21,200 --> 00:45:22,960 Speaker 2: I think they taught him to play drums in like 828 00:45:23,040 --> 00:45:28,360 Speaker 2: a week for that band. Yeah, And so they were Berkeley, 829 00:45:28,680 --> 00:45:32,360 Speaker 2: they big Gilman kids. And then the band basically broke 830 00:45:32,480 --> 00:45:36,080 Speaker 2: up after their first and only tour just because they 831 00:45:36,080 --> 00:45:39,120 Speaker 2: were I mean, first of all, they were literal children. 832 00:45:40,000 --> 00:45:43,839 Speaker 2: And then Tim Armstrong spent like a couple of years 833 00:45:43,840 --> 00:45:47,280 Speaker 2: in the gutter. Literally, it's probably why he talks all weird, 834 00:45:47,320 --> 00:45:49,280 Speaker 2: and it's definitely where he gets most of the material 835 00:45:49,360 --> 00:45:54,960 Speaker 2: from this music from. And then Matt Freeman, who just 836 00:45:55,000 --> 00:45:57,560 Speaker 2: seems like the sweetest guy. I follow him in on Instagram. 837 00:45:57,600 --> 00:46:00,400 Speaker 2: He just posts about his dogs and taking motorcycle rides 838 00:46:00,440 --> 00:46:04,480 Speaker 2: through like the Bay Area mountains. He said that he 839 00:46:04,480 --> 00:46:07,080 Speaker 2: would form a band, a new band with Tim if 840 00:46:07,160 --> 00:46:12,040 Speaker 2: Tim got sober. Oh yeah, and that band became Rancid 841 00:46:12,520 --> 00:46:16,399 Speaker 2: or a different band that then became Ransom anyway, man, Yeah, 842 00:46:16,480 --> 00:46:18,840 Speaker 2: operation I was great. That's probably as far as I 843 00:46:18,880 --> 00:46:21,799 Speaker 2: get into skat actually, other than like the Specials and 844 00:46:21,840 --> 00:46:25,279 Speaker 2: maybe the Toasters, and I like like one or two 845 00:46:25,320 --> 00:46:29,920 Speaker 2: real big Fish song and maybe a mighty mighty Boston 846 00:46:30,080 --> 00:46:34,560 Speaker 2: song and the Scottilits and the Slackers can you. 847 00:46:34,480 --> 00:46:36,600 Speaker 1: Give us a pick it up? 848 00:46:36,640 --> 00:46:36,960 Speaker 2: Pick it up? 849 00:46:37,000 --> 00:46:37,400 Speaker 3: Pick it up? 850 00:46:40,000 --> 00:46:45,160 Speaker 2: Kle Danny Elfman. That's what's funny about skat, is that 851 00:46:45,239 --> 00:46:48,080 Speaker 2: like because there's that same emphasis on the upbeat if 852 00:46:48,120 --> 00:46:54,720 Speaker 2: you're white, which shocker. So many SKA bands were Uh 853 00:46:54,760 --> 00:46:57,560 Speaker 2: it sounds like PoCA because you're super square and you 854 00:46:57,600 --> 00:47:00,480 Speaker 2: can't play it right. Scott of Lights are Jamaican or 855 00:47:00,719 --> 00:47:03,520 Speaker 2: I think they were Jamaican studio musicians. Yeah, they were 856 00:47:03,600 --> 00:47:08,040 Speaker 2: legitimately a just sixties Jamaican band, and so obviously, like 857 00:47:08,880 --> 00:47:11,120 Speaker 2: you know, they have a different rhythmic feel that doesn't 858 00:47:11,120 --> 00:47:15,799 Speaker 2: make it sound so cloyingly relentless. 859 00:47:16,920 --> 00:47:18,840 Speaker 1: All right, this one, this one's. 860 00:47:18,600 --> 00:47:19,239 Speaker 2: An easy one. 861 00:47:19,480 --> 00:47:22,640 Speaker 1: Before they were renamed in nineteen eighty nine, what were 862 00:47:22,680 --> 00:47:24,160 Speaker 1: Green Day originally called? 863 00:47:24,920 --> 00:47:28,560 Speaker 2: Ah? 864 00:47:28,840 --> 00:47:30,960 Speaker 1: What was Primordial green Day called? 865 00:47:31,920 --> 00:47:35,760 Speaker 2: I know all of their stupid original like EP names 866 00:47:36,320 --> 00:47:42,440 Speaker 2: like ten thousand smoothed out slappy hours? Is it like. 867 00:47:44,719 --> 00:47:45,160 Speaker 3: You know it? 868 00:47:45,200 --> 00:47:47,480 Speaker 2: Because I sort of dimly knew it. 869 00:47:47,480 --> 00:47:53,719 Speaker 1: It's something children right, No, but it sounds very childlike. 870 00:47:55,320 --> 00:47:55,800 Speaker 1: I don't know it. 871 00:47:55,880 --> 00:48:01,320 Speaker 2: Then the Nimrods, Oh, that is interesting. Let me do 872 00:48:01,360 --> 00:48:02,680 Speaker 2: a quick let me do a quick. 873 00:48:02,480 --> 00:48:03,680 Speaker 1: Google circum check check me. 874 00:48:03,719 --> 00:48:07,279 Speaker 2: Oh, yeah, yeah, you're like, uh, Green Day original band 875 00:48:07,320 --> 00:48:11,000 Speaker 2: name blood Rage and then Sweet Children. 876 00:48:11,360 --> 00:48:12,279 Speaker 1: Is there Nonmrods. 877 00:48:12,480 --> 00:48:15,040 Speaker 2: I'm not seeing that. Uh uh it might be one 878 00:48:15,040 --> 00:48:17,319 Speaker 2: of their weird side project things. All right, we can 879 00:48:17,360 --> 00:48:22,000 Speaker 2: toss that question out. Okay, okay, there is on discogs 880 00:48:22,080 --> 00:48:29,120 Speaker 2: there's something called the Nimrods, but I do not, for 881 00:48:29,200 --> 00:48:32,279 Speaker 2: the life of me, understand what this actually is. 882 00:48:32,800 --> 00:48:37,360 Speaker 1: Sorry, I'm I'm challenging it. All right, Okay, that's okay, Okay, 883 00:48:37,400 --> 00:48:39,520 Speaker 1: we'll take it over to the UK. Which punk band 884 00:48:39,600 --> 00:48:42,760 Speaker 1: named their debut album, City Baby Attacked by. 885 00:48:42,760 --> 00:48:47,160 Speaker 2: Rats g GBH, charge or charge GBH. They're one of 886 00:48:47,200 --> 00:48:51,080 Speaker 2: those bands. They're they're that is correct, they were famous 887 00:48:51,120 --> 00:48:53,680 Speaker 2: for They're one of their guys calling I think either 888 00:48:53,680 --> 00:48:58,200 Speaker 2: invented or was like super famous for the liberty spikes hairstyle, Yes, 889 00:48:59,560 --> 00:49:01,440 Speaker 2: that was it, or adopted by one of the sexual 890 00:49:01,480 --> 00:49:06,000 Speaker 2: predators in the casualties or hey, uh what else do 891 00:49:06,080 --> 00:49:07,799 Speaker 2: I know about GBA? Oh? 892 00:49:07,840 --> 00:49:09,200 Speaker 1: Man, I just know that song. 893 00:49:09,080 --> 00:49:11,600 Speaker 2: City Baby, City Baby, City Baby tak by. 894 00:49:11,600 --> 00:49:16,200 Speaker 1: Rats, so good for bonus points. What does GBH stand for? 895 00:49:16,920 --> 00:49:19,279 Speaker 2: It's it like a hair treatment or something. It's some 896 00:49:19,440 --> 00:49:19,719 Speaker 2: kind of. 897 00:49:21,600 --> 00:49:23,880 Speaker 1: No, not what I have on the card. 898 00:49:24,560 --> 00:49:25,839 Speaker 2: Okay, what do you have in the card? 899 00:49:26,280 --> 00:49:27,600 Speaker 1: Grievous bodily harm? 900 00:49:28,040 --> 00:49:31,000 Speaker 2: Oh yeah, I should have known that, because it's like 901 00:49:31,320 --> 00:49:31,799 Speaker 2: it's like. 902 00:49:31,719 --> 00:49:33,719 Speaker 1: A it's like a police code or something. 903 00:49:33,800 --> 00:49:36,080 Speaker 2: Yeah, it like it's a nine nine nine code or something. Yeah. 904 00:49:36,160 --> 00:49:38,239 Speaker 2: There's also a punk band called nine nine nine of course, 905 00:49:38,480 --> 00:49:41,960 Speaker 2: just the English nine month long correct. Oh good stuff, 906 00:49:42,000 --> 00:49:46,560 Speaker 2: good stuff? All right? Baby about rats here? You're like, 907 00:49:46,600 --> 00:49:49,600 Speaker 2: we just drive around in my saturn blasting that song. 908 00:49:51,760 --> 00:49:52,840 Speaker 2: You'll enjoy this one. 909 00:49:53,000 --> 00:49:55,000 Speaker 1: This New York City band's name was taken from a 910 00:49:55,080 --> 00:50:00,640 Speaker 1: hypnotic sedative also known as ap stumped me. 911 00:50:00,880 --> 00:50:05,040 Speaker 2: They may be obscure. I genuinely don't know gorilla biscuits. 912 00:50:06,080 --> 00:50:09,960 Speaker 2: Oh yeah, gorilla biscuits. They're not that obscure. They're they're 913 00:50:10,160 --> 00:50:12,840 Speaker 2: you know, in New York hardcore, once it kind of 914 00:50:12,840 --> 00:50:15,080 Speaker 2: got out of the seventy seven punk influence, you started 915 00:50:15,120 --> 00:50:17,840 Speaker 2: to get all these like preppy kind of guys, like preppy, 916 00:50:17,960 --> 00:50:24,120 Speaker 2: posy guys like Youth of Today, Youth and gorilla biscuits. 917 00:50:24,120 --> 00:50:25,520 Speaker 2: I might be showing my ass a little bit here. 918 00:50:25,560 --> 00:50:29,120 Speaker 2: I never really liked this offset of hardcore. I was 919 00:50:29,160 --> 00:50:32,840 Speaker 2: more into chromags. But uh, they were like all about 920 00:50:32,880 --> 00:50:35,840 Speaker 2: like positivity and like staying clean from drugs and like 921 00:50:35,880 --> 00:50:37,840 Speaker 2: loving your bros. And they would dress in like they 922 00:50:37,960 --> 00:50:40,960 Speaker 2: literally dressed in like letterman jackets, like they were just 923 00:50:41,080 --> 00:50:45,560 Speaker 2: so they were so wholesome. Gorilla biscuits. That's so funny. 924 00:50:46,560 --> 00:50:51,080 Speaker 2: I remember, I'm just going on tangents now, but disco 925 00:50:51,120 --> 00:50:55,919 Speaker 2: biscuits is British slang right for something. I think it's 926 00:50:55,920 --> 00:50:56,680 Speaker 2: in snatch. 927 00:50:57,200 --> 00:50:59,960 Speaker 1: No, disco biscuits was just another word for a kuailude 928 00:51:00,200 --> 00:51:03,200 Speaker 1: from our Studio fifty four episode. I think unless there's 929 00:51:03,200 --> 00:51:04,560 Speaker 1: a different meeting over there, then I'm. 930 00:51:04,480 --> 00:51:06,960 Speaker 2: Gonna take umbrage with guy Ritchie because I can I 931 00:51:06,960 --> 00:51:11,759 Speaker 2: can hear Jason Statham saying this about the Russian guy 932 00:51:11,800 --> 00:51:14,479 Speaker 2: took too many disco Russian disco biscuits to the head 933 00:51:14,920 --> 00:51:19,120 Speaker 2: and eat Russian disputations. Is that some kind of Cockney 934 00:51:19,120 --> 00:51:23,120 Speaker 2: slang thing, That's what I thought, Jason Statham. I don't know, 935 00:51:23,160 --> 00:51:25,240 Speaker 2: maybe they had a different kind of biscuit over in Britain, 936 00:51:25,520 --> 00:51:29,080 Speaker 2: or maybe it's just anything sounds good coming out of 937 00:51:29,120 --> 00:51:30,200 Speaker 2: Jason Stath and is really. 938 00:51:30,080 --> 00:51:31,160 Speaker 1: The more whole of that story? 939 00:51:31,320 --> 00:51:35,280 Speaker 2: All right, Great gorilla biscuits that's funny. But their logo 940 00:51:35,480 --> 00:51:38,200 Speaker 2: is amazing. I forgot about the other crucial aspect of 941 00:51:38,280 --> 00:51:43,080 Speaker 2: their iconography, which is champion. They were like so defined 942 00:51:43,120 --> 00:51:46,640 Speaker 2: by like champion hoodies, like on this cover, on this 943 00:51:46,719 --> 00:51:49,120 Speaker 2: cover of this one release, the Gorilla, he's got a 944 00:51:49,239 --> 00:51:55,360 Speaker 2: very prominent champion logo on his on his hoodie. Yeah, 945 00:51:55,440 --> 00:51:56,200 Speaker 2: that's so funny. 946 00:51:56,280 --> 00:51:58,680 Speaker 1: All right, all right, last question for the What's in 947 00:51:58,680 --> 00:51:59,000 Speaker 1: a Name? 948 00:51:59,080 --> 00:51:59,400 Speaker 2: Round? 949 00:52:00,120 --> 00:52:02,160 Speaker 1: So, just because I find this humorous, I want to 950 00:52:02,160 --> 00:52:03,879 Speaker 1: hear you say it was. 951 00:52:03,840 --> 00:52:06,239 Speaker 2: Henry Rowlands real name Henry Garfield. 952 00:52:08,080 --> 00:52:08,440 Speaker 1: I love. 953 00:52:08,640 --> 00:52:12,719 Speaker 2: Yeah, Rollins is so interesting. Uh, you know he had 954 00:52:13,160 --> 00:52:15,840 Speaker 2: he was like a military kid. He got sent to 955 00:52:15,920 --> 00:52:17,719 Speaker 2: some kind of uh I mean he looks like G 956 00:52:17,880 --> 00:52:18,040 Speaker 2: I R. 957 00:52:18,160 --> 00:52:18,399 Speaker 3: Joe. 958 00:52:19,120 --> 00:52:22,520 Speaker 2: Well, yeah, Henry Lawrence Garfield born in d c. 959 00:52:23,040 --> 00:52:23,160 Speaker 1: Oh. 960 00:52:23,239 --> 00:52:25,640 Speaker 2: Yeah, he went to the Bullets School, which is an 961 00:52:25,680 --> 00:52:29,359 Speaker 2: all male prep school in Potomac, Maryland. Yeah, he got 962 00:52:29,440 --> 00:52:32,520 Speaker 2: really into weightlifting there and and he said that's what 963 00:52:32,680 --> 00:52:34,800 Speaker 2: that's what credit setted him on that track and credited 964 00:52:34,880 --> 00:52:40,239 Speaker 2: him with learning discipline. John Phillips of The Mama's and 965 00:52:40,280 --> 00:52:44,720 Speaker 2: the Papas is an alum of the Bullets School. Possible 966 00:52:44,719 --> 00:52:50,880 Speaker 2: c I A plant. John Phillips possible. Uh, never mind, Okay. 967 00:52:51,239 --> 00:52:53,359 Speaker 1: My favorite fact about Henry Rollins was that he worked 968 00:52:53,360 --> 00:52:54,160 Speaker 1: at a Hagen Das. 969 00:52:55,040 --> 00:52:57,320 Speaker 2: Yes with with Ian Mackay. 970 00:52:57,760 --> 00:52:58,960 Speaker 1: That is right, That is right. 971 00:52:59,120 --> 00:52:59,480 Speaker 2: Uh. 972 00:53:00,040 --> 00:53:04,440 Speaker 1: Other famous indie punk figure who was known for his 973 00:53:04,520 --> 00:53:07,880 Speaker 1: ice cream capabilities Thurst and More was an ice cream 974 00:53:07,920 --> 00:53:12,319 Speaker 1: man specializing in chip witches in the Lower East Side 975 00:53:12,520 --> 00:53:16,000 Speaker 1: or before. I bet I don't know. That's funny. 976 00:53:16,320 --> 00:53:20,640 Speaker 2: Okay, all right, back to the Titanic. Who headed the 977 00:53:20,800 --> 00:53:26,800 Speaker 2: US inquiry into the Titanic's disaster. He was a senator, 978 00:53:28,920 --> 00:53:32,520 Speaker 2: got his correct three part name, very white. Well, he's a. 979 00:53:32,480 --> 00:53:36,520 Speaker 1: Senator in nineteen twelve. I don't remember. 980 00:53:37,480 --> 00:53:42,640 Speaker 2: William Alden Smith. Yes, yes, The inquiry into the Titanic 981 00:53:42,719 --> 00:53:45,680 Speaker 2: led to a led to major reforms in maritime. 982 00:53:45,320 --> 00:53:49,719 Speaker 1: Safety, including the ice patrols. Where the ice patrol come from? 983 00:53:50,400 --> 00:53:54,680 Speaker 2: And he was also a big railroad safety guy. He 984 00:53:54,760 --> 00:53:57,800 Speaker 2: was a leading advocate for universal safety standards on railroads, 985 00:53:57,800 --> 00:54:03,600 Speaker 2: which made him an enemy of actually the Vanderbilts. Yeah, 986 00:54:03,680 --> 00:54:05,680 Speaker 2: this is this is great. Here's a wonderful thing from 987 00:54:05,680 --> 00:54:09,720 Speaker 2: his Wikipedia. Smith was laughed at in the British press 988 00:54:09,800 --> 00:54:13,840 Speaker 2: because uh he was He was nicknamed watertight Smith in 989 00:54:13,880 --> 00:54:17,560 Speaker 2: the British Press because he asked whether the water tight 990 00:54:17,680 --> 00:54:20,520 Speaker 2: compartments which were made to keep the ship afloat, were 991 00:54:20,520 --> 00:54:24,480 Speaker 2: meant to shelter passengers. And then he asked the ship's 992 00:54:24,480 --> 00:54:27,640 Speaker 2: fifth officer, Harold Low, what an iceberg was made of, 993 00:54:28,640 --> 00:54:31,520 Speaker 2: and Low responded, ice I suppose. 994 00:54:31,280 --> 00:54:34,160 Speaker 1: Sir, oh, yes, yes, yes, yes. 995 00:54:35,719 --> 00:54:37,759 Speaker 2: All right, keeping in. I'm gonna I'm gonna stick with 996 00:54:37,760 --> 00:54:40,319 Speaker 2: the politics theme for at least one more. Which US 997 00:54:40,400 --> 00:54:44,160 Speaker 2: president had a close friend, Major Archie Butt, a passenger 998 00:54:44,200 --> 00:54:45,719 Speaker 2: on the Titanic who died. 999 00:54:46,040 --> 00:54:50,359 Speaker 1: Taft it was easy, he was the president at the time. 1000 00:54:51,280 --> 00:54:56,320 Speaker 2: But yeah, Taft was wept openly at butts memorial service. 1001 00:54:56,560 --> 00:54:58,719 Speaker 2: He called him his younger brother, and he had to 1002 00:54:58,760 --> 00:55:00,880 Speaker 2: be led from the podium. 1003 00:55:01,040 --> 00:55:02,839 Speaker 1: You don't think he even smiled a little bit when 1004 00:55:02,840 --> 00:55:04,160 Speaker 1: he said the name Archie Butt. 1005 00:55:04,600 --> 00:55:08,480 Speaker 2: His body was never found, bomber. The only two federal officers, well, 1006 00:55:08,520 --> 00:55:09,319 Speaker 2: the only two, get it. 1007 00:55:10,000 --> 00:55:10,880 Speaker 1: Yeah, that's good stuff. 1008 00:55:13,040 --> 00:55:16,759 Speaker 2: The only two US officers lost on the Titanic were 1009 00:55:17,800 --> 00:55:22,880 Speaker 2: this gentleman, Major Archie Butt and Frank Millet. And Taft 1010 00:55:22,960 --> 00:55:26,960 Speaker 2: has ordered the construction or supported the construction of Memorial 1011 00:55:27,000 --> 00:55:29,040 Speaker 2: Fountain to two of them in President's Park. 1012 00:55:29,239 --> 00:55:34,680 Speaker 1: I visited the grave at Woodlawn Cemetery of Colonel Archibald Gracie, 1013 00:55:35,000 --> 00:55:37,120 Speaker 1: who is a Titanic survivor. But he was in the 1014 00:55:37,160 --> 00:55:40,800 Speaker 1: water for a really long time and suffered. I forget 1015 00:55:40,960 --> 00:55:43,560 Speaker 1: how he was saved. I think he I believe he 1016 00:55:43,640 --> 00:55:45,399 Speaker 1: was one of the men who just climbed the board 1017 00:55:45,440 --> 00:55:49,040 Speaker 1: and overturned lifeboat and just was like on the backside 1018 00:55:49,040 --> 00:55:51,759 Speaker 1: of it as it as there's an air bubble keeping 1019 00:55:51,800 --> 00:55:54,080 Speaker 1: it afloat, and the air just seeped. 1020 00:55:53,760 --> 00:55:55,799 Speaker 2: Out throughout the night. See these guys like. 1021 00:55:56,880 --> 00:56:00,520 Speaker 1: Surfing on this overturned lifeboat as it sunk lower and 1022 00:56:00,560 --> 00:56:05,600 Speaker 1: lower lower into the freezing water all night. Horrifying. He 1023 00:56:05,719 --> 00:56:08,759 Speaker 1: suffered health effects from that for the rest of his 1024 00:56:08,920 --> 00:56:10,640 Speaker 1: very short life. I think he died and I want 1025 00:56:10,640 --> 00:56:13,520 Speaker 1: to say October November nineteen twelve, just a few months 1026 00:56:13,520 --> 00:56:15,240 Speaker 1: after the Titanic sank. 1027 00:56:15,400 --> 00:56:19,120 Speaker 2: Wonderful, and he's buried in Woodlawn. Yeah, let's see what 1028 00:56:19,239 --> 00:56:25,279 Speaker 2: we have for more questions regarding the Titanic. This is 1029 00:56:25,320 --> 00:56:28,680 Speaker 2: an easy one. What was the name of the ship 1030 00:56:28,719 --> 00:56:32,440 Speaker 2: that responded to the Titanic's distress call. 1031 00:56:31,800 --> 00:56:37,439 Speaker 1: The Carpathia, which steamed through an ice field at night 1032 00:56:37,520 --> 00:56:40,680 Speaker 1: at basically top speed. Act's not basically at top speed, 1033 00:56:41,280 --> 00:56:46,360 Speaker 1: putting herself in her passengers at risk to try to 1034 00:56:46,360 --> 00:56:49,080 Speaker 1: make it in time. But by the time they got 1035 00:56:49,120 --> 00:56:53,560 Speaker 1: to meet the lifeboats, they learned that there was nothing left. 1036 00:56:54,960 --> 00:56:58,000 Speaker 1: Carpathia would later be sunk, I believe by a German 1037 00:56:58,080 --> 00:57:00,360 Speaker 1: U boat in World War One in nineteen eighteen. 1038 00:57:01,120 --> 00:57:04,840 Speaker 2: What was the name of the only black man on 1039 00:57:04,880 --> 00:57:05,560 Speaker 2: the Titanic. 1040 00:57:06,280 --> 00:57:09,600 Speaker 1: He had his wife with him too, right, because his family, Yeah, 1041 00:57:09,600 --> 00:57:10,280 Speaker 1: this whole family. 1042 00:57:11,600 --> 00:57:13,040 Speaker 2: I don't know his name. 1043 00:57:13,040 --> 00:57:16,000 Speaker 1: I know there was either a documentary or some kind 1044 00:57:16,040 --> 00:57:19,080 Speaker 1: of a long profile on him. There was something came 1045 00:57:19,120 --> 00:57:22,840 Speaker 1: out about him recently, but I don't know his name. 1046 00:57:22,920 --> 00:57:27,520 Speaker 2: No, his name is Joseph Laroche. He was a Haitian man. 1047 00:57:28,080 --> 00:57:31,280 Speaker 2: He was born into some degree of privilege in Haiti, 1048 00:57:31,640 --> 00:57:33,960 Speaker 2: so he was multi lingual. He was sent to study 1049 00:57:34,000 --> 00:57:39,680 Speaker 2: in France. He spoke English, French and Creole. But in France, 1050 00:57:40,280 --> 00:57:43,400 Speaker 2: where their racist is hell, he wasn't really given many 1051 00:57:43,400 --> 00:57:49,040 Speaker 2: opportunities there, and so he was going to return to 1052 00:57:49,120 --> 00:57:55,080 Speaker 2: Haiti via the Titanic, and apparently the White Star was 1053 00:57:55,760 --> 00:57:58,240 Speaker 2: White Star line was moved to issue a public apology 1054 00:57:58,280 --> 00:58:00,800 Speaker 2: about the racism that some of these people faced on 1055 00:58:00,880 --> 00:58:04,160 Speaker 2: the Titanic with darker skin. He was the only person 1056 00:58:04,160 --> 00:58:06,800 Speaker 2: who spoke English in his family, so he had to 1057 00:58:07,720 --> 00:58:09,520 Speaker 2: he had to relate what was happening to his. 1058 00:58:09,600 --> 00:58:11,400 Speaker 1: Entire family and did he survive? 1059 00:58:12,000 --> 00:58:14,240 Speaker 2: No, so he couldn't follow his family, his wife and 1060 00:58:14,320 --> 00:58:21,240 Speaker 2: daughters into the life boat. And then that family subsequently 1061 00:58:21,280 --> 00:58:24,600 Speaker 2: returned to France just in time for World War One, 1062 00:58:24,840 --> 00:58:27,840 Speaker 2: and his story was largely overlooked until nineteen ninety five 1063 00:58:27,880 --> 00:58:33,560 Speaker 2: when a researcher named Olivier Mendez interviewed his daughter for 1064 00:58:33,640 --> 00:58:37,400 Speaker 2: the Titanic Historical Society, and then June of two thousand, 1065 00:58:37,480 --> 00:58:40,800 Speaker 2: Ebony ran a profile on him, which was probably the 1066 00:58:40,800 --> 00:58:44,560 Speaker 2: first time any publication naturally had paid any attention to him. 1067 00:58:44,720 --> 00:58:47,120 Speaker 2: So that is the story of the lone black man 1068 00:58:47,440 --> 00:58:50,560 Speaker 2: on the Titanic. Wow, what else we got? 1069 00:58:51,040 --> 00:58:51,200 Speaker 3: Um? 1070 00:58:53,680 --> 00:58:55,960 Speaker 1: You did a great job of picking questions that yielded 1071 00:58:56,000 --> 00:58:59,960 Speaker 1: like cool stories. Well, I was really just cheating for horror. 1072 00:59:00,960 --> 00:59:04,560 Speaker 2: This is an interesting one which Officer told White Star 1073 00:59:04,720 --> 00:59:09,120 Speaker 2: President Bruce ismay Off when he kept getting in charge 1074 00:59:09,120 --> 00:59:11,440 Speaker 2: of launching Lightboat number five. 1075 00:59:12,080 --> 00:59:14,520 Speaker 1: Sounds like Officer light taller fifth. 1076 00:59:14,280 --> 00:59:16,000 Speaker 2: Officer, Harold Harold Low. 1077 00:59:16,080 --> 00:59:19,880 Speaker 1: That was my second choice. Harold Low was kind of 1078 00:59:20,080 --> 00:59:26,000 Speaker 1: a spitfire. I believe he to keep people from swamping 1079 00:59:26,000 --> 00:59:29,480 Speaker 1: the boat. He fired his service revolver into the air, 1080 00:59:30,120 --> 00:59:33,720 Speaker 1: I believe. But well, as far as we know, to 1081 00:59:33,760 --> 00:59:36,640 Speaker 1: try to, you know, keep people at bay. And I 1082 00:59:36,680 --> 00:59:40,400 Speaker 1: think he swore at somebody. He swore at some there's 1083 00:59:40,400 --> 00:59:44,360 Speaker 1: some issue with him swearing that raised eyebrows. Or so 1084 00:59:44,480 --> 00:59:47,439 Speaker 1: get back or I'll shoot you all like dogs? 1085 00:59:48,440 --> 00:59:51,560 Speaker 2: Nice? Is that in the movie? Did that make it 1086 00:59:51,560 --> 00:59:52,720 Speaker 2: into the movie? Yeah? Did? 1087 00:59:53,040 --> 00:59:53,240 Speaker 1: Hell? 1088 00:59:53,360 --> 00:59:59,920 Speaker 2: Yeah? In twenty thirteen, a violin belonging to the Titan 1089 01:00:00,440 --> 01:00:02,200 Speaker 2: band leader sold. 1090 01:00:03,360 --> 01:00:08,040 Speaker 1: I will accept the price or the name of the 1091 01:00:08,080 --> 01:00:13,440 Speaker 1: band leader, what about both? Great Wallace Hartley was the 1092 01:00:13,440 --> 01:00:17,640 Speaker 1: band leader and there was an engraved plaque on it. 1093 01:00:17,640 --> 01:00:21,160 Speaker 1: It was a gift from his future wife. I think 1094 01:00:21,200 --> 01:00:22,920 Speaker 1: it was his fiance at the time. I want to say. 1095 01:00:22,920 --> 01:00:27,320 Speaker 1: Her name was Maria and was very sweet. And it 1096 01:00:27,400 --> 01:00:30,480 Speaker 1: was found on his body. I believe his body was 1097 01:00:30,520 --> 01:00:33,040 Speaker 1: recovered and it was like a small case that was 1098 01:00:33,040 --> 01:00:35,840 Speaker 1: still strapped to him, and so it was floating in 1099 01:00:35,880 --> 01:00:38,640 Speaker 1: the water. So it was it was damaged by the water. 1100 01:00:39,440 --> 01:00:42,520 Speaker 1: And I don't know specifics, but because it was damaged 1101 01:00:42,560 --> 01:00:44,240 Speaker 1: in such a way, it could never be played again, 1102 01:00:44,320 --> 01:00:50,560 Speaker 1: so the song can submergent. Well no, I mean, okay, 1103 01:00:50,720 --> 01:00:52,760 Speaker 1: So the last song that was played on it was 1104 01:00:52,800 --> 01:00:55,000 Speaker 1: the last song that was played on the Titanic as 1105 01:00:55,000 --> 01:00:58,120 Speaker 1: it went down. The name of that song has been 1106 01:00:58,160 --> 01:01:02,840 Speaker 1: hotly debated for over one hundred since it happened. Basically, 1107 01:01:02,920 --> 01:01:05,400 Speaker 1: some people believe we got into this in the our 1108 01:01:05,480 --> 01:01:09,520 Speaker 1: Titanic episode. Some people believe it was near My God 1109 01:01:09,640 --> 01:01:13,320 Speaker 1: to the that's kind of the more famous version. And 1110 01:01:13,360 --> 01:01:16,520 Speaker 1: it's also I think he was asked by a friend 1111 01:01:16,560 --> 01:01:17,960 Speaker 1: what he would do if he was stuck on a 1112 01:01:18,000 --> 01:01:19,680 Speaker 1: ship that was sinking, and he told his friend he 1113 01:01:19,680 --> 01:01:22,280 Speaker 1: would play that song as the last song, so that 1114 01:01:22,280 --> 01:01:26,600 Speaker 1: that unlike the Titanic, that holds some water. But there 1115 01:01:26,600 --> 01:01:29,360 Speaker 1: are other people who believe they heard a hymn called 1116 01:01:29,480 --> 01:01:33,040 Speaker 1: song de Tom, which I believe I think translates to 1117 01:01:33,160 --> 01:01:35,680 Speaker 1: song of Autumn. My eight years of friends are failing 1118 01:01:35,680 --> 01:01:41,120 Speaker 1: me right now. So yeah, and I believe it sold 1119 01:01:41,120 --> 01:01:43,960 Speaker 1: for I want to say, two point three million. It 1120 01:01:44,040 --> 01:01:46,200 Speaker 1: was so absurd amount of money, it was like, really 1121 01:01:46,680 --> 01:01:49,520 Speaker 1: one point seven Oh, well, that's a bargain. 1122 01:01:50,000 --> 01:01:51,240 Speaker 2: I've bargain at any price. 1123 01:01:53,560 --> 01:01:55,800 Speaker 1: We're gonna take a quick break, but we'll be right 1124 01:01:55,840 --> 01:01:58,440 Speaker 1: back with more too much information in just a moment. 1125 01:02:10,680 --> 01:02:12,080 Speaker 2: How many more? One more? 1126 01:02:12,200 --> 01:02:16,000 Speaker 1: Okay, you're destroying me, by the way. 1127 01:02:16,040 --> 01:02:20,840 Speaker 2: Finally, here's a question that's it might be too hard 1128 01:02:20,880 --> 01:02:25,640 Speaker 2: for you. How many bathtubs were available for third class? 1129 01:02:25,960 --> 01:02:29,080 Speaker 1: There is a lot of talk about schools have thought 1130 01:02:29,120 --> 01:02:33,520 Speaker 1: about it. No, I mean there's a whole the short answers. 1131 01:02:33,560 --> 01:02:36,160 Speaker 1: I want to say two. I think it was two. 1132 01:02:36,320 --> 01:02:39,760 Speaker 1: That is correct. Yes, okay, you should really be giving 1133 01:02:39,760 --> 01:02:40,720 Speaker 1: me like two points for. 1134 01:02:40,720 --> 01:02:42,840 Speaker 2: That, one for men and one for women. 1135 01:02:43,160 --> 01:02:47,320 Speaker 1: Yes, but I might be having this wrong. I think 1136 01:02:47,960 --> 01:02:52,920 Speaker 1: there were showers or the equivalent of showers on board, 1137 01:02:52,960 --> 01:02:54,200 Speaker 1: and there were, I. 1138 01:02:54,120 --> 01:02:56,120 Speaker 2: Mean, it was just different back then. 1139 01:02:56,800 --> 01:02:59,360 Speaker 1: You kind of you had like places to sort of 1140 01:02:59,560 --> 01:03:04,680 Speaker 1: wash up, and that was kind of that past. They 1141 01:03:04,680 --> 01:03:07,800 Speaker 1: also weren't that many toilets either, because this was in 1142 01:03:07,840 --> 01:03:13,280 Speaker 1: the age when cabins aboard ships didn't have bathrooms in them, 1143 01:03:13,480 --> 01:03:16,080 Speaker 1: and that you had shared bathrooms in the hallway. And 1144 01:03:16,160 --> 01:03:18,000 Speaker 1: that was actually one of the things that doomed the 1145 01:03:18,040 --> 01:03:21,480 Speaker 1: Titanic Sister ship that survived into the thirties, was that 1146 01:03:21,520 --> 01:03:23,960 Speaker 1: she was kind of seen as really outdated because she 1147 01:03:24,040 --> 01:03:26,560 Speaker 1: didn't have these bathrooms and you know what they called 1148 01:03:26,640 --> 01:03:30,280 Speaker 1: en suite bathrooms. If she'd have built maybe like even 1149 01:03:30,600 --> 01:03:32,600 Speaker 1: a couple of years later, two or three years later, 1150 01:03:32,720 --> 01:03:37,400 Speaker 1: she probably would have There's a video by I consider 1151 01:03:37,440 --> 01:03:39,960 Speaker 1: them kids, at least in the realm of Titanic researchers, 1152 01:03:39,960 --> 01:03:42,680 Speaker 1: where you usually have people that are in their sixties, seventies, eighties, 1153 01:03:42,880 --> 01:03:45,880 Speaker 1: they're maybe, you know, in their twenties, early thirties that 1154 01:03:45,960 --> 01:03:49,920 Speaker 1: have spent the last twelve, thirteen, fourteen years trying to 1155 01:03:49,960 --> 01:03:55,040 Speaker 1: make a digitally perfect rendering of the Titanic for VR. 1156 01:03:55,200 --> 01:03:58,080 Speaker 1: You could basically travel through it. It's fully interactive. You 1157 01:03:58,080 --> 01:04:01,479 Speaker 1: can open every drawer, every door, or anything you want. 1158 01:04:01,560 --> 01:04:04,000 Speaker 1: You can change the time of day so that the 1159 01:04:04,480 --> 01:04:06,840 Speaker 1: sky looks different on the outside and the lights are 1160 01:04:06,880 --> 01:04:10,080 Speaker 1: on to the inside. They are truly crazy in a 1161 01:04:10,080 --> 01:04:12,960 Speaker 1: way that I can't even fathom, but they are amazing. 1162 01:04:13,000 --> 01:04:15,800 Speaker 1: They're called Honor and Glory is the name of the program, 1163 01:04:15,880 --> 01:04:17,680 Speaker 1: and they have a YouTube account and they have all 1164 01:04:17,720 --> 01:04:21,200 Speaker 1: these really crazy videos, and one of them is answering 1165 01:04:21,240 --> 01:04:23,480 Speaker 1: the question of how many toilets are on the Titanic, 1166 01:04:24,040 --> 01:04:26,640 Speaker 1: and the answer is not many. I want to say 1167 01:04:26,640 --> 01:04:29,960 Speaker 1: it's something like thirty something. I don't have that figure 1168 01:04:29,960 --> 01:04:33,120 Speaker 1: directly my tips. Oh sorry, I was wrong. There are 1169 01:04:33,480 --> 01:04:37,080 Speaker 1: two hundred and eighty five toilets and some with automatic 1170 01:04:37,160 --> 01:04:42,080 Speaker 1: flushing in third class cabins because a lot of people 1171 01:04:42,120 --> 01:04:46,240 Speaker 1: traveling in third class didn't know what a toilet was, 1172 01:04:46,680 --> 01:04:50,440 Speaker 1: and there were a lot of horror stories from third 1173 01:04:50,480 --> 01:04:55,439 Speaker 1: class stewards of just finding what all politely described as 1174 01:04:55,600 --> 01:05:01,360 Speaker 1: piles in the darkened corners of certain hallways because that 1175 01:05:01,680 --> 01:05:05,920 Speaker 1: was gross. Yes, okay, it's just gross. Let's just say 1176 01:05:05,920 --> 01:05:08,280 Speaker 1: it's gross. What you know, what you've I wish you 1177 01:05:08,280 --> 01:05:11,440 Speaker 1: could actually see this right now. My next category is 1178 01:05:11,480 --> 01:05:16,400 Speaker 1: called that's gross. And there's only six of these questions 1179 01:05:16,440 --> 01:05:20,320 Speaker 1: because they just got two gross. The first one, although 1180 01:05:20,320 --> 01:05:22,920 Speaker 1: this wasn't isn't strictly speaking, all that gross, But the 1181 01:05:23,000 --> 01:05:27,200 Speaker 1: guy who it's about assuredly is. And we'll talk more 1182 01:05:27,240 --> 01:05:30,680 Speaker 1: about that after you answer the question. What was buried 1183 01:05:30,720 --> 01:05:35,160 Speaker 1: with punk outlaw gg Allen, as requested in his country 1184 01:05:35,200 --> 01:05:36,280 Speaker 1: song When I Die? 1185 01:05:36,760 --> 01:05:41,320 Speaker 2: Uh yeah, I think wasn't his grave like desecrated? Constantly 1186 01:05:41,360 --> 01:05:45,080 Speaker 2: constant yes, with fecal matter. Yeah, I can give you 1187 01:05:45,120 --> 01:05:49,720 Speaker 2: a multiple choice if you want. Yeah, okay, was he 1188 01:05:49,760 --> 01:05:54,200 Speaker 2: buried with all his money? His boy scout uniform, a photo. 1189 01:05:53,880 --> 01:05:57,000 Speaker 1: Of Hank Williams or a bottle of Jim Beam And 1190 01:05:57,080 --> 01:06:02,040 Speaker 1: again this is as requested in his country song when I. 1191 01:06:00,880 --> 01:06:04,880 Speaker 2: I mean, if that's if it's in song, I'm assuming 1192 01:06:04,960 --> 01:06:08,439 Speaker 2: it's whiskier the Hank Williams picture. 1193 01:06:12,560 --> 01:06:13,040 Speaker 1: Jim Beam. 1194 01:06:13,320 --> 01:06:16,040 Speaker 2: That is correct. Ah. I was really hoping it was 1195 01:06:16,080 --> 01:06:19,880 Speaker 2: gonna be the Hank Williams thing. To get that one wrong. Yeah. 1196 01:06:19,920 --> 01:06:24,440 Speaker 2: G g Allen Man, what a just a hilarious provocateur. 1197 01:06:25,200 --> 01:06:27,320 Speaker 2: There's a famous picture of him handing one of his 1198 01:06:27,400 --> 01:06:32,800 Speaker 2: records to Johnny Cash, whoa who looks like bewildered. Oh 1199 01:06:32,840 --> 01:06:35,200 Speaker 2: his shirt T shirt? Oh, the band was called The 1200 01:06:35,200 --> 01:06:40,360 Speaker 2: band was called gg Allen and the Murder Junkies. Yeah. 1201 01:06:40,400 --> 01:06:43,360 Speaker 2: I mean he was initially like just this insane provocateur, 1202 01:06:43,840 --> 01:06:46,920 Speaker 2: songs like bite It, you scum, and famous for like 1203 01:06:47,800 --> 01:06:50,760 Speaker 2: rolling in blood and encouraging people to piss on him 1204 01:06:50,800 --> 01:06:53,600 Speaker 2: and all this just awful scatological stuff. But then he 1205 01:06:53,640 --> 01:06:56,680 Speaker 2: actually has a rather delightful pivot to country music. There 1206 01:06:56,680 --> 01:06:59,640 Speaker 2: are many people myself included who prefer his country his 1207 01:06:59,680 --> 01:07:02,520 Speaker 2: country music. I guess. 1208 01:07:02,720 --> 01:07:05,600 Speaker 1: For years he used to threaten to commit suicide on 1209 01:07:05,720 --> 01:07:10,520 Speaker 1: stage on Halloween, but he was always in jail on Halloween, 1210 01:07:10,640 --> 01:07:12,920 Speaker 1: so he was never able to so he was never 1211 01:07:12,960 --> 01:07:14,280 Speaker 1: able to really make good on that. 1212 01:07:16,080 --> 01:07:16,480 Speaker 2: I guess. 1213 01:07:16,520 --> 01:07:19,360 Speaker 1: On the last night of his life, he was playing 1214 01:07:19,400 --> 01:07:21,800 Speaker 1: a show at a New York club called the Gas Station. 1215 01:07:22,040 --> 01:07:24,720 Speaker 1: It's film, this is on video. He did a few 1216 01:07:24,720 --> 01:07:28,600 Speaker 1: songs before the power went out, and then he trapped 1217 01:07:28,680 --> 01:07:32,280 Speaker 1: the venue, fled the police, and walked the city streets 1218 01:07:32,320 --> 01:07:36,640 Speaker 1: covered in fecal matter and blood, surrounded by adoring girls 1219 01:07:37,400 --> 01:07:41,040 Speaker 1: whom he embraced. He then went to a friend's apartment, 1220 01:07:41,720 --> 01:07:45,320 Speaker 1: snorted reportedly three bags of heroin, and discussed plans for 1221 01:07:45,360 --> 01:07:50,040 Speaker 1: an upcoming recording before nodding out. Several party guests posed 1222 01:07:50,040 --> 01:07:52,520 Speaker 1: for photos with the singer, who they believed to just 1223 01:07:52,560 --> 01:07:56,440 Speaker 1: be unconscious, unaware that he was already dead. His girlfriend 1224 01:07:56,440 --> 01:07:58,680 Speaker 1: at the time, who had actually written to him as 1225 01:07:58,680 --> 01:08:01,280 Speaker 1: a thirteen year old when he was in prison, she 1226 01:08:01,480 --> 01:08:04,880 Speaker 1: was on the roof chatting with a friend about her 1227 01:08:04,920 --> 01:08:07,640 Speaker 1: plans to marry Gig at the moment that he was 1228 01:08:07,680 --> 01:08:10,880 Speaker 1: down below dead. It was not until morning that friends 1229 01:08:10,920 --> 01:08:15,480 Speaker 1: realized that he was in fact dead. Par Gg's instructions, 1230 01:08:15,840 --> 01:08:19,200 Speaker 1: his brother put on his band's album Suicide Tapes while 1231 01:08:19,200 --> 01:08:20,160 Speaker 1: he lay in his coffin. 1232 01:08:20,200 --> 01:08:22,360 Speaker 2: Did you know that I didn't? I mean with a 1233 01:08:22,400 --> 01:08:23,320 Speaker 2: suicide on stage? 1234 01:08:23,320 --> 01:08:23,680 Speaker 1: Thing is? 1235 01:08:23,960 --> 01:08:27,439 Speaker 2: I immediately thought of Darby Crash from The Germs, and Germs 1236 01:08:27,439 --> 01:08:32,160 Speaker 2: are lauded as an la hardcore band. I never found 1237 01:08:32,240 --> 01:08:35,240 Speaker 2: very much musically to like about them, but they're famous 1238 01:08:35,240 --> 01:08:39,160 Speaker 2: for performance. In his Decline of Western Civilization the Penoblic 1239 01:08:39,200 --> 01:08:44,760 Speaker 2: Spears film, Darby Crash was intentionally going to commit suicide 1240 01:08:44,880 --> 01:08:47,880 Speaker 2: via a heroin overdose, and he chose the day John 1241 01:08:47,960 --> 01:08:51,400 Speaker 2: Lenning got shot to do so. 1242 01:08:50,280 --> 01:08:55,040 Speaker 1: He chose poorly. Speaking of music that punk guys listened 1243 01:08:55,080 --> 01:08:57,640 Speaker 1: to as they were dead or dying, Joey Ramone as 1244 01:08:57,640 --> 01:08:59,640 Speaker 1: he was dying in the hospital but on the U 1245 01:08:59,680 --> 01:09:03,760 Speaker 1: two song in a little while, and Kurt Cobain apparently 1246 01:09:03,800 --> 01:09:07,240 Speaker 1: listened to Automatic for the People by Rim before he 1247 01:09:07,360 --> 01:09:13,639 Speaker 1: shot himself. Okay, next question. In the That's Gross Round 1248 01:09:14,840 --> 01:09:17,200 Speaker 1: on tour in nineteen seventy seven, Joe Strummer of The 1249 01:09:17,240 --> 01:09:19,320 Speaker 1: Clash caught hepatitis. 1250 01:09:19,439 --> 01:09:20,320 Speaker 2: How did this occur? 1251 01:09:21,000 --> 01:09:24,639 Speaker 1: Was it a sleeping in a garbage bin, b someone 1252 01:09:24,760 --> 01:09:28,280 Speaker 1: spatted him and he accidentally swallowed it, c eating a 1253 01:09:28,320 --> 01:09:32,559 Speaker 1: bad curry, or d using a bathtub previously used by 1254 01:09:32,560 --> 01:09:33,559 Speaker 1: one of his rodies. 1255 01:09:33,920 --> 01:09:37,040 Speaker 2: I don't think you can get hepatitis through I mean, 1256 01:09:37,080 --> 01:09:38,960 Speaker 2: now I'm just showing my ass about hepatitis, but I 1257 01:09:38,960 --> 01:09:43,360 Speaker 2: don't think you can get hepatitis from food or bathtubs, right, 1258 01:09:44,120 --> 01:09:44,559 Speaker 2: I mean. 1259 01:09:44,560 --> 01:09:45,080 Speaker 1: I don't know. 1260 01:09:45,640 --> 01:09:48,479 Speaker 2: The thing about this time was that the spitting thing 1261 01:09:48,640 --> 01:09:51,960 Speaker 2: was insanely pot like that was just like a rite 1262 01:09:51,960 --> 01:09:55,960 Speaker 2: of passage for British punk bands, and it was disgusting. 1263 01:09:56,200 --> 01:09:59,599 Speaker 2: And the American bands that came over, like the Ramones, 1264 01:09:59,600 --> 01:10:02,120 Speaker 2: were just like mind boggled to the point of like 1265 01:10:02,200 --> 01:10:04,759 Speaker 2: physical altercation. I'm gonna say it's this bit one. 1266 01:10:05,120 --> 01:10:08,960 Speaker 1: That is correct. Wasn't Johnny Ramone like in Tears when 1267 01:10:09,000 --> 01:10:12,400 Speaker 1: he was like, why are they spitting us? 1268 01:10:12,439 --> 01:10:14,720 Speaker 2: I don't know's there's a lot of weird there's a 1269 01:10:14,720 --> 01:10:17,760 Speaker 2: lot of funny stories about that. Yeah, he's quoted as 1270 01:10:17,760 --> 01:10:19,080 Speaker 2: saying they got it on my guitar. 1271 01:10:19,160 --> 01:10:23,200 Speaker 1: He said. This is a quote from Flaming Groovies Chris Wilson. 1272 01:10:23,200 --> 01:10:25,280 Speaker 1: When they came off the stage, Johnny Ramone was in 1273 01:10:25,320 --> 01:10:28,160 Speaker 1: floods of tears because the punks had been spinning on 1274 01:10:28,200 --> 01:10:31,120 Speaker 1: the band. That was purely a London thing. Nobody did 1275 01:10:31,120 --> 01:10:33,320 Speaker 1: that in New York. I remember him saying, they got 1276 01:10:33,360 --> 01:10:33,800 Speaker 1: it on my. 1277 01:10:33,800 --> 01:10:36,080 Speaker 2: Guitar, they got it on my pick. 1278 01:10:37,320 --> 01:10:41,240 Speaker 1: Oh poor and Joey still didn't know if they had 1279 01:10:41,320 --> 01:10:44,280 Speaker 1: gone down well or not. Did they like us, did 1280 01:10:44,320 --> 01:10:48,400 Speaker 1: they hate us? He couldn't tell because the whole spitting 1281 01:10:48,439 --> 01:10:51,599 Speaker 1: thing really threw him. I read that the spinning thing 1282 01:10:51,680 --> 01:10:55,320 Speaker 1: started apparently because Johnny Rodden had like a sinus problem 1283 01:10:55,360 --> 01:10:57,840 Speaker 1: that led him to like spit a lot, because he 1284 01:10:57,920 --> 01:11:00,559 Speaker 1: was always really congested in the nose and throat, so he. 1285 01:11:00,560 --> 01:11:05,240 Speaker 2: Did have often sinus infections. Yes, the uh, I'm just 1286 01:11:05,240 --> 01:11:09,759 Speaker 2: reading now that Spin magazine. Actually, in May of two thousand, 1287 01:11:09,960 --> 01:11:14,280 Speaker 2: Douglas Woke wrote a Brief History of Gobbing. Adam Ant 1288 01:11:14,280 --> 01:11:18,200 Speaker 2: reportedly wore an eyepatch than to cover up conjuncti vitis 1289 01:11:18,240 --> 01:11:23,760 Speaker 2: he got. Susie Sue got both. Steve Jones rat scabies 1290 01:11:23,960 --> 01:11:27,920 Speaker 2: of the Damned blamed Steve Jones of the sex pistols 1291 01:11:28,680 --> 01:11:32,000 Speaker 2: polystyrene of x ray specs, one of the early trailblazing 1292 01:11:32,120 --> 01:11:36,480 Speaker 2: female fronted punk bands blamed sid Vicious. 1293 01:11:36,680 --> 01:11:37,880 Speaker 1: Do you know how rat scabies go? 1294 01:11:38,000 --> 01:11:38,519 Speaker 2: His name. 1295 01:11:40,880 --> 01:11:44,519 Speaker 1: Showed up to an audition for the damned, scratching at 1296 01:11:44,520 --> 01:11:48,920 Speaker 1: his skin condition and the rat. So that was the scabies, 1297 01:11:49,240 --> 01:11:53,479 Speaker 1: and the rat came when he wore presume I read 1298 01:11:53,520 --> 01:11:57,639 Speaker 1: it was a dead rat as an earring Jesus Christ. 1299 01:11:58,680 --> 01:12:01,680 Speaker 2: Yeah, well that's enough about that's really gross or I'm 1300 01:12:01,720 --> 01:12:06,760 Speaker 2: sorry gobbing. I have a grocer story, oh wonderful. 1301 01:12:07,960 --> 01:12:11,720 Speaker 1: In Johnny Rotten's autobiography, he writes, it was laughable when 1302 01:12:11,720 --> 01:12:15,200 Speaker 1: Glenn Mattlock was in the band. When Steve Jones would masturbate. 1303 01:12:15,360 --> 01:12:18,559 Speaker 1: He'd pour hot water down a hollowed French loaf, chuck 1304 01:12:18,640 --> 01:12:21,679 Speaker 1: some raw liver in it, and then it the hot water. 1305 01:12:22,160 --> 01:12:28,240 Speaker 1: The hot water would cook the liver, and I suppose 1306 01:12:28,280 --> 01:12:31,759 Speaker 1: he's cooked it too, and then he then set it aside. 1307 01:12:32,360 --> 01:12:34,599 Speaker 1: I would turn up and Steve would say, I'm sorry, 1308 01:12:34,640 --> 01:12:37,639 Speaker 1: I've done it again. Should we make Glenn Mattlock a sandwich? 1309 01:12:38,880 --> 01:12:41,320 Speaker 1: I particularly remember how he used to love how soft 1310 01:12:41,360 --> 01:12:42,000 Speaker 1: the bread was. 1311 01:12:43,040 --> 01:12:46,200 Speaker 2: All Right, that's it. That's the line. I will not 1312 01:12:46,280 --> 01:12:47,120 Speaker 2: go further than. 1313 01:12:47,439 --> 01:12:54,439 Speaker 1: Okay, next question, speaking of bodily fluids, which punk rocker 1314 01:12:54,560 --> 01:12:57,880 Speaker 1: played so ferociously that blood and sweat would leak into 1315 01:12:57,880 --> 01:12:59,960 Speaker 1: his guitar, causing it to short circuit. 1316 01:13:02,920 --> 01:13:03,479 Speaker 2: A problem. 1317 01:13:04,160 --> 01:13:10,880 Speaker 1: A problem is a problem he resolved by turning the 1318 01:13:10,960 --> 01:13:14,080 Speaker 1: volume knob up to ten and soldering it in place 1319 01:13:14,439 --> 01:13:16,280 Speaker 1: and installing a waterproof switch. 1320 01:13:17,280 --> 01:13:20,479 Speaker 2: Yeah, that's correct, that's Greg Ginn. He was playing an 1321 01:13:20,479 --> 01:13:22,960 Speaker 2: old Dan Armstrong. I think the plex one of the 1322 01:13:22,960 --> 01:13:27,240 Speaker 2: plexiglass guitars was also played by Keith Richards. And that's 1323 01:13:27,280 --> 01:13:30,439 Speaker 2: why so many Black Flag recordings just start with a 1324 01:13:30,479 --> 01:13:33,840 Speaker 2: squall of hainous feedback because there was no longer any 1325 01:13:34,040 --> 01:13:35,920 Speaker 2: it was on or off, and he played so loud 1326 01:13:35,920 --> 01:13:37,640 Speaker 2: that he would just flip it on, would just go 1327 01:13:37,680 --> 01:13:41,799 Speaker 2: immediately over. Fine. Yeah, Greg Ginn is such an interesting figure. 1328 01:13:42,560 --> 01:13:48,040 Speaker 2: He found it, s ST. Yeah, he was a real 1329 01:13:48,160 --> 01:13:51,160 Speaker 2: he He was a real tinkerer and also a huge 1330 01:13:51,200 --> 01:13:55,439 Speaker 2: grateful dead fan. Hilariously, But and SST, you know, their 1331 01:13:55,479 --> 01:13:59,280 Speaker 2: importance cannot be overstated. Uh, not just Black Flag, but 1332 01:13:59,680 --> 01:14:06,840 Speaker 2: Sonny Youth, I think Minute Men, Dinosaur Junior. And but 1333 01:14:06,880 --> 01:14:11,320 Speaker 2: the problem is is that gin has famously become like insane, 1334 01:14:11,320 --> 01:14:14,599 Speaker 2: the paranoid and controlling of all those master recordings and 1335 01:14:14,640 --> 01:14:19,240 Speaker 2: they all sound like dog because you know, the engineer 1336 01:14:19,280 --> 01:14:23,880 Speaker 2: they had spot was not super familiar. He did a 1337 01:14:23,880 --> 01:14:28,040 Speaker 2: perfectly serviceable job. But like they should all be remastered 1338 01:14:28,080 --> 01:14:32,000 Speaker 2: and remixed from the master tapes because they sound horrible 1339 01:14:32,200 --> 01:14:34,920 Speaker 2: and oh Hohoskar Do in particular, God, those Whoskar Do 1340 01:14:35,000 --> 01:14:39,800 Speaker 2: records sound like a hive of bees, which is so 1341 01:14:39,840 --> 01:14:45,080 Speaker 2: annoying because the songs are amazing. But yeah, Gin has 1342 01:14:45,120 --> 01:14:48,960 Speaker 2: famously reformed Black Flag with like a drum machine and 1343 01:14:49,400 --> 01:14:53,559 Speaker 2: whoever vocalist is ego deadened enough to take the job, 1344 01:14:54,120 --> 01:14:56,959 Speaker 2: and I believe it is also like a straight up abuser, 1345 01:14:57,439 --> 01:15:01,040 Speaker 2: a child abuser. So yeah, he sucks. But you know, 1346 01:15:01,160 --> 01:15:05,360 Speaker 2: the architect of one of the most foundational bands in 1347 01:15:05,840 --> 01:15:07,280 Speaker 2: punk history. So what are you going to do? 1348 01:15:08,760 --> 01:15:12,400 Speaker 1: Well, we're on the topic of blood. Just sort of 1349 01:15:12,600 --> 01:15:17,160 Speaker 1: a blood side bar as a story told from legendary 1350 01:15:17,240 --> 01:15:20,280 Speaker 1: rock photographer Bob Grewin. He's most famous to me as 1351 01:15:20,320 --> 01:15:22,400 Speaker 1: the guy who took all those pictures of John Lennon 1352 01:15:22,439 --> 01:15:24,040 Speaker 1: to New York City, you know, with the New York 1353 01:15:24,080 --> 01:15:26,280 Speaker 1: City T shirt and I think over by the Statue 1354 01:15:26,320 --> 01:15:30,040 Speaker 1: of Liberty and all those really iconic mid seventies John Lennon, 1355 01:15:30,080 --> 01:15:32,840 Speaker 1: New York shots. He was traveling with the Sex Pistols 1356 01:15:32,880 --> 01:15:35,960 Speaker 1: and one night the tour stopped on our roadside truck 1357 01:15:36,000 --> 01:15:39,640 Speaker 1: stop and sit had ordered steak and eggs and he 1358 01:15:39,760 --> 01:15:44,040 Speaker 1: was starting to eat right when a local show we say, 1359 01:15:45,040 --> 01:15:48,559 Speaker 1: came by his table and said, you're vicious. Huh, yeah, 1360 01:15:48,560 --> 01:15:50,880 Speaker 1: you're so tough. Let me do this. And the guy 1361 01:15:50,920 --> 01:15:53,759 Speaker 1: burned his own hands with a cigarette and Sid replied, 1362 01:15:54,000 --> 01:15:54,920 Speaker 1: can I hurt myself? 1363 01:15:55,560 --> 01:15:58,479 Speaker 2: Yeah? He took a steak knife, made a deep cut 1364 01:15:58,520 --> 01:16:01,799 Speaker 2: into his hand, blood dripped into his eggs and steak, 1365 01:16:01,880 --> 01:16:05,000 Speaker 2: which he kept on eating without missing a beat, and 1366 01:16:05,040 --> 01:16:11,360 Speaker 2: the guy watched and grabbed his family and fled the restaurant. Yeah, 1367 01:16:10,880 --> 01:16:14,600 Speaker 2: that's one of the stories recounted in Twelve Days on 1368 01:16:14,640 --> 01:16:18,200 Speaker 2: the Road. He also, at one point, I think, carved 1369 01:16:18,240 --> 01:16:21,519 Speaker 2: the words gimme a fix into his chest because he 1370 01:16:21,680 --> 01:16:25,240 Speaker 2: was obviously fiending from heroin, and they would basically he 1371 01:16:25,280 --> 01:16:29,439 Speaker 2: had a full time minder on that tour, and that 1372 01:16:29,520 --> 01:16:33,640 Speaker 2: guy's job was to keep Sid from scoring, because as 1373 01:16:33,720 --> 01:16:36,120 Speaker 2: literally as soon as the bus stopped, he would sprint 1374 01:16:36,200 --> 01:16:38,560 Speaker 2: out and go to try and find heroin. And the 1375 01:16:39,000 --> 01:16:41,559 Speaker 2: compromise that they accepted was he could drink as much 1376 01:16:41,600 --> 01:16:45,479 Speaker 2: peppermin schnops as he wanted, but not heroin. 1377 01:16:45,960 --> 01:16:50,200 Speaker 1: His mother bought him the fatal fix of heroin. Isn't 1378 01:16:50,200 --> 01:16:52,880 Speaker 1: that right? Because he was in jail at Riker's Island 1379 01:16:53,160 --> 01:16:55,920 Speaker 1: for the murder of Nancy and he was released and 1380 01:16:55,920 --> 01:16:58,920 Speaker 1: while he was in prison, he detoks and as soon 1381 01:16:58,920 --> 01:17:00,479 Speaker 1: as he but he was in jail, I want to say, 1382 01:17:00,520 --> 01:17:02,439 Speaker 1: for months and months and months. Yeah, I mean that's 1383 01:17:02,479 --> 01:17:03,880 Speaker 1: the problem. He That's what happens. 1384 01:17:04,200 --> 01:17:05,080 Speaker 2: Tallerance went down. 1385 01:17:05,160 --> 01:17:10,200 Speaker 1: Yeah, and his mother bought it for him, and I 1386 01:17:10,280 --> 01:17:14,000 Speaker 1: believe even shot him up. I could be wrong. There's 1387 01:17:14,000 --> 01:17:17,120 Speaker 1: a Final twenty four documentary Final twenty four about his 1388 01:17:17,160 --> 01:17:21,200 Speaker 1: life that gets into the forensics of that, if you 1389 01:17:21,520 --> 01:17:25,639 Speaker 1: care about such things. Okay, back to something a little, 1390 01:17:25,680 --> 01:17:30,040 Speaker 1: a little more lighter. Vomit, who was inspired to form 1391 01:17:30,040 --> 01:17:32,840 Speaker 1: his first band after seeing a Lex Interior of The 1392 01:17:32,880 --> 01:17:34,320 Speaker 1: Cramps Vomit on stage. 1393 01:17:34,439 --> 01:17:39,799 Speaker 2: Lux Interior, what I say, Lex? Oh yeah? Lux Interior 1394 01:17:40,240 --> 01:17:44,559 Speaker 2: took his name from a car ad Oh well yeah. 1395 01:17:44,680 --> 01:17:49,880 Speaker 2: Famously married to poison Ivy Rorshak, who they one of 1396 01:17:49,880 --> 01:17:54,120 Speaker 2: the most enduring and cute as hell punk rock marriages. 1397 01:17:54,560 --> 01:17:59,080 Speaker 2: They met at university of Akron and bonded over basically 1398 01:17:59,160 --> 01:18:02,400 Speaker 2: just being records. They were both into like Hazel Atkins 1399 01:18:02,439 --> 01:18:06,160 Speaker 2: and really weird obscure rockabilly, and they're credited with using 1400 01:18:06,240 --> 01:18:09,000 Speaker 2: the term psychobilly, inventing the term psychobilly, which has become 1401 01:18:09,040 --> 01:18:15,880 Speaker 2: its own demented subgenre of punk. And Yeah, Lux's trademark 1402 01:18:16,000 --> 01:18:20,760 Speaker 2: move poison ivy is still alive. Lux's trademark move was 1403 01:18:21,640 --> 01:18:23,840 Speaker 2: fitting the entire head of an s M fifty eight 1404 01:18:23,880 --> 01:18:26,679 Speaker 2: into his mouth, so that may have backfired and caused 1405 01:18:26,760 --> 01:18:28,400 Speaker 2: him to vomit, But I do not know the person 1406 01:18:28,400 --> 01:18:29,400 Speaker 2: you're referring. 1407 01:18:29,040 --> 01:18:30,879 Speaker 1: To, a young m McKay. 1408 01:18:31,240 --> 01:18:33,800 Speaker 2: Really, that is so funny. I would not have I 1409 01:18:33,800 --> 01:18:36,800 Speaker 2: would not have credited Ian with that. I guess that's 1410 01:18:36,840 --> 01:18:42,720 Speaker 2: probably somewhere in either American hardcore or I want to say, 1411 01:18:42,720 --> 01:18:46,200 Speaker 2: our band could be your life, but that escaped me. 1412 01:18:46,439 --> 01:18:48,960 Speaker 2: I e. It is just generally considered such a like 1413 01:18:49,680 --> 01:18:53,560 Speaker 2: upright example of like punk ethics and this that the 1414 01:18:53,680 --> 01:18:56,080 Speaker 2: other through all of his work with Minor Threat and 1415 01:18:56,120 --> 01:18:59,320 Speaker 2: Fugazi and the record label Discord, which is probably up 1416 01:18:59,360 --> 01:19:02,240 Speaker 2: there with I mean, it is up there with SST 1417 01:19:02,520 --> 01:19:05,920 Speaker 2: and Epitaph is like they're probably the Big three of 1418 01:19:06,000 --> 01:19:07,639 Speaker 2: American punk record labels. 1419 01:19:10,040 --> 01:19:12,880 Speaker 1: That's gross. Wow, this was so gross, Thank you so much. 1420 01:19:14,439 --> 01:19:17,240 Speaker 1: He also threw up at a music festival in Leeds, 1421 01:19:17,320 --> 01:19:19,960 Speaker 1: England in September nineteen eighty one, and he would later 1422 01:19:19,960 --> 01:19:22,240 Speaker 1: say that's when I knew I was a success. I 1423 01:19:22,320 --> 01:19:26,519 Speaker 1: got paid fifteen grand to throw up. So let's move 1424 01:19:26,560 --> 01:19:27,240 Speaker 1: off this now. 1425 01:19:27,400 --> 01:19:30,200 Speaker 2: I love the Cramps. You would probably actually like the Crams. 1426 01:19:30,200 --> 01:19:31,840 Speaker 2: I mean, I don't know how you feel about rockabilly, 1427 01:19:31,840 --> 01:19:36,080 Speaker 2: but they're like, I know that song from Wednesday Poison five, 1428 01:19:36,160 --> 01:19:36,759 Speaker 2: that's the Cramps. 1429 01:19:37,040 --> 01:19:40,360 Speaker 1: Oh Google muck, Yeah that's a cover. But yeah. 1430 01:19:40,360 --> 01:19:43,320 Speaker 2: They were obsessed with all this stuff, man, like really 1431 01:19:43,560 --> 01:19:44,839 Speaker 2: deep crate diggers. 1432 01:19:45,760 --> 01:19:47,040 Speaker 1: And if you go into their home. 1433 01:19:47,120 --> 01:19:49,479 Speaker 2: There's like a documentary of on Poison Ivy that has 1434 01:19:49,520 --> 01:19:51,880 Speaker 2: footage of the interior of her home, of their home, 1435 01:19:52,439 --> 01:19:56,559 Speaker 2: and it looks like the museum just all this vintage 1436 01:19:56,600 --> 01:20:01,000 Speaker 2: e femera from the music music industry, Coney Island, free 1437 01:20:01,040 --> 01:20:05,400 Speaker 2: show stuff, California, like drag culture. Poison Ivy is I believe, 1438 01:20:05,800 --> 01:20:09,400 Speaker 2: a three time champion of some racing competition. 1439 01:20:10,240 --> 01:20:11,360 Speaker 1: In this documentary, she. 1440 01:20:11,439 --> 01:20:13,800 Speaker 2: Just like hold it pans over like a series of 1441 01:20:13,840 --> 01:20:15,719 Speaker 2: trophies that she won for racing. 1442 01:20:16,080 --> 01:20:19,920 Speaker 1: I knew Miriam Lena a little bit. She was the 1443 01:20:19,960 --> 01:20:23,760 Speaker 1: founding drummer of the Cramps. I believe because she went 1444 01:20:23,800 --> 01:20:26,360 Speaker 1: on to run Norton Records, which is like a reissue 1445 01:20:26,400 --> 01:20:30,040 Speaker 1: label that has a lot of like obscure fifties and sixties, 1446 01:20:30,160 --> 01:20:33,439 Speaker 1: like proto grunge garage type stuff and a lot of 1447 01:20:33,439 --> 01:20:37,320 Speaker 1: weird stuff I used to DJ out. And she later 1448 01:20:37,360 --> 01:20:41,080 Speaker 1: wrote a book about the death and I believe murder 1449 01:20:41,120 --> 01:20:43,640 Speaker 1: of Bobby Fuller, who sang I fought the law and 1450 01:20:43,680 --> 01:20:47,639 Speaker 1: the law won. She wrote a book with Bobby's brother, 1451 01:20:48,240 --> 01:20:51,799 Speaker 1: and that's a story that is fascinating me for years. 1452 01:20:51,840 --> 01:20:56,240 Speaker 1: Bobby Fuller wound up dead and his mother locked inside 1453 01:20:56,240 --> 01:20:59,760 Speaker 1: his mother's car, covered in gasoline and bruises, with a 1454 01:20:59,760 --> 01:21:02,840 Speaker 1: broken finger, and cops refused. 1455 01:21:02,400 --> 01:21:05,200 Speaker 2: To investigate further. They said they marked it a suicide. 1456 01:21:05,600 --> 01:21:07,960 Speaker 1: And when his family was like, he didn't beat himself 1457 01:21:08,040 --> 01:21:10,840 Speaker 1: up and cover himself with gasoline, somebody clearly did this 1458 01:21:10,880 --> 01:21:14,360 Speaker 1: to him, they said, oh, you shouldn't ask any questions 1459 01:21:14,360 --> 01:21:16,439 Speaker 1: about this or else you might get hurt. And that 1460 01:21:16,600 --> 01:21:19,840 Speaker 1: was nineteen sixty six, so almost sixty years ago, and 1461 01:21:20,640 --> 01:21:24,240 Speaker 1: his death is still marked a suicide and no one 1462 01:21:24,280 --> 01:21:25,080 Speaker 1: knows what happened. 1463 01:21:25,280 --> 01:21:26,400 Speaker 2: Okay, that's it. 1464 01:21:26,600 --> 01:21:29,320 Speaker 1: Well, let me ask you one more that's not gross. 1465 01:21:29,360 --> 01:21:32,320 Speaker 1: We need a palette cleanser off of that. This one's 1466 01:21:32,360 --> 01:21:35,479 Speaker 1: more fun. Please name it's a two parter sort of 1467 01:21:35,880 --> 01:21:37,640 Speaker 1: or a six parter depingdon on how you view it. 1468 01:21:38,040 --> 01:21:41,680 Speaker 1: Please name three things that the ramones want to do 1469 01:21:42,520 --> 01:21:45,000 Speaker 1: and three things that ramones don't want to do. 1470 01:21:46,800 --> 01:21:52,599 Speaker 2: Be your girlfriend, sniff some glue, be sedated, walk around 1471 01:21:52,640 --> 01:21:58,160 Speaker 2: with you, go down to the basement. Hear it. I 1472 01:21:58,160 --> 01:22:01,000 Speaker 2: don't want to hear it? Is that one. That's the 1473 01:22:01,080 --> 01:22:03,200 Speaker 2: last one. I'm the third. Don't want to is the 1474 01:22:03,200 --> 01:22:04,760 Speaker 2: one I'm blanking on. But I'm pretty sure I got 1475 01:22:04,760 --> 01:22:07,599 Speaker 2: the rest of those, Oh grow up are you? Including 1476 01:22:07,640 --> 01:22:08,720 Speaker 2: I don't want to grow up in there? 1477 01:22:11,160 --> 01:22:13,360 Speaker 1: The ramones don't want to songs are I don't want 1478 01:22:13,360 --> 01:22:15,479 Speaker 1: to be learned, I don't want to be tamed. I 1479 01:22:15,479 --> 01:22:17,240 Speaker 1: don't want to die in the basement. I don't want 1480 01:22:17,280 --> 01:22:18,880 Speaker 1: to get involved with you, and I don't want to 1481 01:22:18,920 --> 01:22:21,519 Speaker 1: walk around with you. But the ramones do want to 1482 01:22:21,560 --> 01:22:25,040 Speaker 1: be sedated, be well, be your boyfriend, want to live 1483 01:22:25,640 --> 01:22:27,760 Speaker 1: and now I want to sniff some glue. 1484 01:22:28,000 --> 01:22:30,240 Speaker 2: So there's I don't want to grow up, which Tom 1485 01:22:30,280 --> 01:22:34,439 Speaker 2: Waits covered, and then there's it's not be killed in 1486 01:22:34,439 --> 01:22:36,640 Speaker 2: the basement, it's go down to the basement because we 1487 01:22:36,640 --> 01:22:38,800 Speaker 2: talked about that's on the debut record, and that's like, 1488 01:22:39,439 --> 01:22:42,640 Speaker 2: that's the one famous to me because it's about like 1489 01:22:42,680 --> 01:22:43,880 Speaker 2: early slasher movies. 1490 01:22:44,560 --> 01:22:47,000 Speaker 1: All right, all right, one more round the piece, even 1491 01:22:47,000 --> 01:22:49,320 Speaker 1: though I'm not I have no chance of coming back. 1492 01:22:49,720 --> 01:22:54,040 Speaker 2: As the Titanic saying, which wealthy passenger changed into formal 1493 01:22:54,120 --> 01:22:58,320 Speaker 2: attire and is attributed with the quote we're dressed up 1494 01:22:58,320 --> 01:23:01,680 Speaker 2: in our best and are prepared to go down like gentlemen. 1495 01:23:01,360 --> 01:23:06,280 Speaker 1: But we would like a brandy at least that's what 1496 01:23:06,400 --> 01:23:09,719 Speaker 1: James Cameron had him say. Benjamin Guggenheim, who is related 1497 01:23:09,760 --> 01:23:11,600 Speaker 1: to the famous Guggenheim family. 1498 01:23:11,680 --> 01:23:15,800 Speaker 2: Correct for bonus point, who is he traveling with on the. 1499 01:23:15,760 --> 01:23:22,080 Speaker 1: Show his They would refer to them at the time 1500 01:23:22,080 --> 01:23:23,960 Speaker 1: as his valet, his man's servant. 1501 01:23:24,320 --> 01:23:27,720 Speaker 2: I no, not just the valet. Oh yeah, oh, I'm 1502 01:23:28,479 --> 01:23:32,160 Speaker 2: not sure who you're referring to. A French singer Leontine 1503 01:23:32,360 --> 01:23:39,479 Speaker 2: o'bert mistress. I didn't know that she is portrayed in 1504 01:23:39,520 --> 01:23:40,240 Speaker 2: the film. 1505 01:23:40,439 --> 01:23:43,360 Speaker 1: Oh yeah, that kind of she's got a big old hat, 1506 01:23:43,640 --> 01:23:45,759 Speaker 1: big old hat. 1507 01:23:46,160 --> 01:23:50,639 Speaker 2: What was the final message sent from the Titanic's wireless room. 1508 01:23:50,960 --> 01:23:56,360 Speaker 1: Oh, this is creepy, Okay, So it was two v's. 1509 01:23:56,680 --> 01:24:00,920 Speaker 1: There's morse code v's. But the sound of that sounds 1510 01:24:00,960 --> 01:24:05,960 Speaker 1: like Beethoven's fifth Dunt dun dun duh dun dundu du 1511 01:24:06,400 --> 01:24:09,920 Speaker 1: It was the rhythm of dun dun dundun dot dot 1512 01:24:09,960 --> 01:24:11,799 Speaker 1: dot dot dash uh. 1513 01:24:11,840 --> 01:24:13,639 Speaker 2: And so, I mean, no one. 1514 01:24:13,600 --> 01:24:17,360 Speaker 1: Knows, but it's thought that that was some kind of 1515 01:24:17,360 --> 01:24:20,559 Speaker 1: weird bit of Gallows humor because all the all the 1516 01:24:20,600 --> 01:24:24,080 Speaker 1: wireless operators at this time that were like basically the 1517 01:24:24,720 --> 01:24:28,880 Speaker 1: computer it nerds of the era, they all had their 1518 01:24:28,880 --> 01:24:31,840 Speaker 1: own senses of humors. They would all refer to each 1519 01:24:31,880 --> 01:24:34,719 Speaker 1: other when talking to each other over wireless as old 1520 01:24:34,800 --> 01:24:37,439 Speaker 1: man like you know, as like as like a fake 1521 01:24:37,560 --> 01:24:41,439 Speaker 1: upper crust, like like teasing one another. Yeah, and so 1522 01:24:42,120 --> 01:24:44,080 Speaker 1: they all had like their own slang and lingo. 1523 01:24:44,200 --> 01:24:45,160 Speaker 2: And then they were nerds. 1524 01:24:45,200 --> 01:24:47,240 Speaker 1: I mean again, they were like the the equivalent of 1525 01:24:47,280 --> 01:24:50,320 Speaker 1: like our current day like it people. And so there's 1526 01:24:50,360 --> 01:24:52,320 Speaker 1: a thought that that was like a last little bit 1527 01:24:52,360 --> 01:24:57,439 Speaker 1: of Gallows humor, which is weird because right before there 1528 01:24:57,439 --> 01:25:00,360 Speaker 1: were two wireless operators, Jack Phillips who died and Harold 1529 01:25:00,360 --> 01:25:03,559 Speaker 1: Bride who survived. Right before they fled the wireless room, 1530 01:25:04,280 --> 01:25:07,360 Speaker 1: some guy came into the room and tried to steal 1531 01:25:07,400 --> 01:25:10,240 Speaker 1: one of their life fests, and they had to beat 1532 01:25:10,320 --> 01:25:14,960 Speaker 1: him up quite badly. So that whips. 1533 01:25:15,280 --> 01:25:19,360 Speaker 2: Yeah, I actually I did. I'm taking your word for 1534 01:25:19,439 --> 01:25:22,360 Speaker 2: that because I have here. The final message was CQD 1535 01:25:22,520 --> 01:25:25,200 Speaker 2: Titanic calling, come at once, we have struck a burg. 1536 01:25:25,800 --> 01:25:27,599 Speaker 1: So the last thing that's kind of the first thing 1537 01:25:27,640 --> 01:25:29,960 Speaker 1: they said, Okay. 1538 01:25:29,560 --> 01:25:33,840 Speaker 2: Well take that trivia dot FYI. So yeah, I'm gonna 1539 01:25:33,840 --> 01:25:36,960 Speaker 2: call that for you. Here's an obscure one. Provide me 1540 01:25:37,080 --> 01:25:40,679 Speaker 2: with either the name or the writer's name of the 1541 01:25:40,800 --> 01:25:45,160 Speaker 2: eighteen eighty nine novel with a number of eerie similarities 1542 01:25:45,240 --> 01:25:47,160 Speaker 2: to the tragedy of the Titanic. 1543 01:25:47,920 --> 01:25:51,839 Speaker 1: Yes, we talked about this on the Titanic movie episode 1544 01:25:52,960 --> 01:25:57,280 Speaker 1: Morgan Robertson, MARYL. Robertson. It was called Futility the Wreck 1545 01:25:57,360 --> 01:26:00,280 Speaker 1: of the titan Yeah, and it was written. 1546 01:26:00,240 --> 01:26:02,920 Speaker 2: You know, what did you say, eighteen ninety eighteen eighty nine. 1547 01:26:03,040 --> 01:26:06,200 Speaker 1: Yeah, okay, so more than twenty years before the Titanic sank. 1548 01:26:06,439 --> 01:26:08,839 Speaker 1: The ship was called the titan It struck an iceberg 1549 01:26:08,880 --> 01:26:11,280 Speaker 1: in the North Atlantic and went down by the head, 1550 01:26:11,320 --> 01:26:13,640 Speaker 1: which the same way the Titanic sank, and it was 1551 01:26:13,640 --> 01:26:15,840 Speaker 1: a great loss of life because it weren't enough lifeboats. 1552 01:26:16,160 --> 01:26:18,920 Speaker 2: Both sailed in April. Both could carry three thousand people. 1553 01:26:19,520 --> 01:26:22,080 Speaker 2: Titan was eight hundred feet long, the Titanic was eight 1554 01:26:22,200 --> 01:26:24,120 Speaker 2: hundred and eighty two and a half feet long, and 1555 01:26:24,200 --> 01:26:27,400 Speaker 2: both ships could reach speeds of twenty five knots. 1556 01:26:27,920 --> 01:26:28,719 Speaker 1: It's pretty weird. 1557 01:26:29,080 --> 01:26:30,000 Speaker 2: It is super weird. 1558 01:26:30,160 --> 01:26:32,360 Speaker 1: And then he was interviewed after the Titanic sank. You know, 1559 01:26:32,400 --> 01:26:35,680 Speaker 1: everyone was just like, what are you psychic? What's going on? 1560 01:26:35,760 --> 01:26:38,479 Speaker 1: He's like, no, I just really like boats. I just 1561 01:26:39,080 --> 01:26:40,800 Speaker 1: and he said something to the effect of, I really 1562 01:26:40,840 --> 01:26:43,400 Speaker 1: am interested in boats, and I just follow boating trends 1563 01:26:43,640 --> 01:26:46,679 Speaker 1: and like, this is just that's what happens. 1564 01:26:46,800 --> 01:26:49,200 Speaker 2: I predicted this. Yeah, that's so creepy. 1565 01:26:49,360 --> 01:26:51,280 Speaker 1: By just knowing a lot about boats, I guess he 1566 01:26:51,400 --> 01:26:53,400 Speaker 1: just knew like all the stuff that could go wrong 1567 01:26:54,200 --> 01:26:57,799 Speaker 1: and the way ships were being built, and yeah, this might. 1568 01:26:57,640 --> 01:26:59,479 Speaker 2: Be another gimme. But what was the name of the 1569 01:26:59,560 --> 01:27:03,599 Speaker 2: ship received The Titanic's distress call and elected not to help. 1570 01:27:04,640 --> 01:27:08,759 Speaker 1: It didn't receive, okay, the SS Californian, it didn't receive. 1571 01:27:10,240 --> 01:27:13,680 Speaker 1: So this was in the era when wireless was not 1572 01:27:13,960 --> 01:27:17,480 Speaker 1: seen as a safety feature on a boat. A wireless 1573 01:27:17,520 --> 01:27:21,240 Speaker 1: was installed as basically a luxury item to allow people 1574 01:27:21,320 --> 01:27:24,200 Speaker 1: to contact relatives on land, so it was not a 1575 01:27:24,240 --> 01:27:27,479 Speaker 1: twenty four hour a day service. Ships only frequently only 1576 01:27:27,520 --> 01:27:30,760 Speaker 1: had one wireless operator who would work office hours and 1577 01:27:30,800 --> 01:27:33,479 Speaker 1: then go to sleep. So that's what happened on this ship. 1578 01:27:34,040 --> 01:27:37,200 Speaker 1: In fact, this ship, the Californian, had tried to get 1579 01:27:37,200 --> 01:27:40,560 Speaker 1: in touch with the Titanic shortly before it struck the iceberg, 1580 01:27:41,200 --> 01:27:45,160 Speaker 1: and the Titanic's wireless operator literally said to him these 1581 01:27:45,200 --> 01:27:47,799 Speaker 1: are exact words, shut up, shut up. I am busy 1582 01:27:49,000 --> 01:27:52,679 Speaker 1: because the Titanic's wireless system had broken down the night before, 1583 01:27:52,760 --> 01:27:54,479 Speaker 1: and they'd been up all night trying to fix it. 1584 01:27:54,760 --> 01:27:58,000 Speaker 1: So there was a huge backlog of like, you know, hi, 1585 01:27:58,160 --> 01:28:01,040 Speaker 1: we're having a wonderful time on the Titanic, notes from 1586 01:28:01,120 --> 01:28:03,880 Speaker 1: rich passengers to just get out there. So he had 1587 01:28:04,360 --> 01:28:06,120 Speaker 1: a run. He hadn't slept the night before because he 1588 01:28:06,160 --> 01:28:09,040 Speaker 1: was fixing this wireless set, had a ton of work 1589 01:28:09,080 --> 01:28:09,360 Speaker 1: to do. 1590 01:28:09,439 --> 01:28:10,919 Speaker 2: Do you know the name of the man. 1591 01:28:12,840 --> 01:28:13,320 Speaker 1: Groves? 1592 01:28:14,160 --> 01:28:17,440 Speaker 2: No, maybe on the Titanic, on the on the Californian, 1593 01:28:17,560 --> 01:28:18,839 Speaker 2: it was Cyril Evans. 1594 01:28:18,920 --> 01:28:22,400 Speaker 1: Cyril I did know that, actually, so yeah, he so 1595 01:28:22,600 --> 01:28:26,000 Speaker 1: the Titanic told him shut up, I'm busy, so basically said, okay, 1596 01:28:26,200 --> 01:28:28,559 Speaker 1: he turned off his wireless set and went to sleep. 1597 01:28:30,320 --> 01:28:34,720 Speaker 1: It gets a little thorny when apparently the officers on 1598 01:28:34,760 --> 01:28:38,800 Speaker 1: the Californian and the captain, Stanley Lord, saw rockets on 1599 01:28:38,840 --> 01:28:42,759 Speaker 1: the horizon and rockets at sea means distress that Titanic 1600 01:28:42,800 --> 01:28:48,719 Speaker 1: was shooting off basically distressed flares, and they reportedly did 1601 01:28:48,800 --> 01:28:53,840 Speaker 1: see these rockets but elected to not pursue the matter further. 1602 01:28:53,920 --> 01:28:56,360 Speaker 1: And I'm not totally sure off the top of my 1603 01:28:56,400 --> 01:28:58,960 Speaker 1: head why that was. And it ruined this man's life, 1604 01:28:59,000 --> 01:29:01,760 Speaker 1: the captain of the Californian, Stanley Lord. I think he 1605 01:29:01,840 --> 01:29:05,040 Speaker 1: was fired and he was pilloried in the press. He 1606 01:29:05,120 --> 01:29:06,559 Speaker 1: was kind of a broken man for the rest of 1607 01:29:06,560 --> 01:29:10,680 Speaker 1: his life, which I don't necessarily yeah, I don't necessarily 1608 01:29:10,760 --> 01:29:14,400 Speaker 1: think it was deserved. I don't know offhand too much 1609 01:29:14,400 --> 01:29:18,080 Speaker 1: about In the press, it was seen as if he 1610 01:29:18,320 --> 01:29:20,400 Speaker 1: just you know, left these people to die. I'm sure 1611 01:29:20,439 --> 01:29:23,160 Speaker 1: there was some kind of reason because he was tired 1612 01:29:23,240 --> 01:29:27,080 Speaker 1: and wanted to nap. I think they were ten miles away, 1613 01:29:27,120 --> 01:29:29,439 Speaker 1: which wasn't that far, and the Carpathia was like fifty 1614 01:29:29,479 --> 01:29:32,960 Speaker 1: miles away. Yeah, that's not a great look. 1615 01:29:33,439 --> 01:29:38,400 Speaker 2: No, okay, here's a weird This is only tangentially Titanic related, 1616 01:29:38,439 --> 01:29:40,360 Speaker 2: so this might be a bit of a gotcha. But 1617 01:29:41,600 --> 01:29:44,559 Speaker 2: this is according to a January twenty fifth, two thousand 1618 01:29:44,600 --> 01:29:50,560 Speaker 2: and one article from United Press International Akaupi, which country 1619 01:29:51,080 --> 01:29:58,639 Speaker 2: and their highly conservative religious sect of violent rulers were 1620 01:29:58,840 --> 01:30:05,640 Speaker 2: jailing barbers for giving them the Leo haircut from the Titanic. 1621 01:30:07,760 --> 01:30:13,320 Speaker 2: They movie, they have previously, they have previously outlawed the 1622 01:30:13,320 --> 01:30:14,120 Speaker 2: Beatles cut. 1623 01:30:15,520 --> 01:30:19,040 Speaker 1: Iran. I have no idea. Afghanistan in the Taliban. 1624 01:30:19,400 --> 01:30:24,160 Speaker 2: Uhh, that's close. Yeah, oh Man jailed barbers. 1625 01:30:24,120 --> 01:30:26,240 Speaker 1: For eight hundred Alex damn. 1626 01:30:26,960 --> 01:30:30,880 Speaker 2: Twenty eight barbers in Kabul were arrested for giving the 1627 01:30:30,920 --> 01:30:35,760 Speaker 2: Leo cut. All right, here's here's a fun one. I'm 1628 01:30:35,800 --> 01:30:38,680 Speaker 2: looking up conspiracy theories about it. Well, this is a 1629 01:30:38,720 --> 01:30:42,920 Speaker 2: deeply bizarre one. The Titanic's hull was stamped with three 1630 01:30:43,040 --> 01:30:44,320 Speaker 2: nine nine. 1631 01:30:44,280 --> 01:30:46,559 Speaker 1: Oh four Oh, that's a good one. 1632 01:30:46,680 --> 01:30:51,080 Speaker 2: What phrase does that allegedly spell backwards? And how does 1633 01:30:51,120 --> 01:30:55,240 Speaker 2: it tie into two contentious sects of Christianity. 1634 01:30:56,280 --> 01:31:01,240 Speaker 1: Supposedly the reflection of it spelled no Pope, and it 1635 01:31:01,400 --> 01:31:07,200 Speaker 1: supposedly cursed the ship, it angered the Catholics don't believe 1636 01:31:07,600 --> 01:31:10,960 Speaker 1: in the pope. And the ship was built in Belfast, Ireland. 1637 01:31:11,080 --> 01:31:16,360 Speaker 1: So you had it played on the whole the troubles. Yeah, yes, yes, 1638 01:31:16,640 --> 01:31:19,880 Speaker 1: that's good. I did not expect to get lord good stuff. 1639 01:31:19,960 --> 01:31:23,519 Speaker 1: Huh okay, yeah, one more on you. 1640 01:31:24,120 --> 01:31:27,200 Speaker 2: I got one more in me. Let's see, this one 1641 01:31:27,240 --> 01:31:28,759 Speaker 2: is absurdly hard. 1642 01:31:29,000 --> 01:31:29,800 Speaker 1: We'll do this one. 1643 01:31:29,920 --> 01:31:33,360 Speaker 2: And since there's absolutely no way you will possibly get it, 1644 01:31:33,439 --> 01:31:38,240 Speaker 2: I'll have a backup. What was the name of the 1645 01:31:38,320 --> 01:31:44,559 Speaker 2: new bacteria found and identified in the ocean microbes that 1646 01:31:44,960 --> 01:31:48,800 Speaker 2: were sampled from the Titanic's hall. It's named for the Titanic. 1647 01:31:48,840 --> 01:31:50,799 Speaker 2: It's something like Titanica or something. 1648 01:31:51,280 --> 01:31:51,559 Speaker 3: Yes. 1649 01:31:52,960 --> 01:31:57,040 Speaker 2: Found in twenty ten, scientists discovered a new bacteria found 1650 01:31:57,080 --> 01:32:04,719 Speaker 2: in samples of these rusticles, dubbed Hollo Monus Titanic ha. Yeah, wow, damn, 1651 01:32:04,880 --> 01:32:06,080 Speaker 2: what a good one to go out on. 1652 01:32:06,200 --> 01:32:07,800 Speaker 1: That was That was good? That was good. 1653 01:32:08,120 --> 01:32:08,439 Speaker 2: All right. 1654 01:32:08,520 --> 01:32:13,839 Speaker 1: This round or final round is a themed round famous people, 1655 01:32:14,160 --> 01:32:16,800 Speaker 1: so they all involve people who are are sort of 1656 01:32:16,880 --> 01:32:20,479 Speaker 1: bigger than the punk meal u U. I should probably 1657 01:32:20,479 --> 01:32:23,080 Speaker 1: phrase this question differently to fit the category better. But 1658 01:32:23,560 --> 01:32:27,400 Speaker 1: how did Blink one eighty two get their name? Oh? 1659 01:32:27,439 --> 01:32:29,760 Speaker 2: It was just Blink and then they were sued by 1660 01:32:29,920 --> 01:32:34,080 Speaker 2: I want to say, an Irish band and they added 1661 01:32:34,080 --> 01:32:34,599 Speaker 2: one A two. 1662 01:32:34,720 --> 01:32:37,439 Speaker 1: What is the one eighty two though, is it? I mean, 1663 01:32:37,439 --> 01:32:38,160 Speaker 1: that's what I don't know. 1664 01:32:38,280 --> 01:32:41,400 Speaker 2: Is it I don't know, public indecency or public exposure 1665 01:32:41,479 --> 01:32:41,840 Speaker 2: or something. 1666 01:32:42,360 --> 01:32:45,120 Speaker 1: No, getting cold, getting cold? No, it's not a code. 1667 01:32:46,000 --> 01:32:46,439 Speaker 2: I don't know. 1668 01:32:46,800 --> 01:32:49,479 Speaker 1: It is the number of f bombs that al Pacino 1669 01:32:49,600 --> 01:32:54,240 Speaker 1: drops in scarface? Is that incredible? That makes me like 1670 01:32:54,280 --> 01:32:54,639 Speaker 1: them more? 1671 01:32:54,840 --> 01:32:58,080 Speaker 2: Yeah? Yeah, that actually happened to Dinosaur Junior as well, 1672 01:32:58,120 --> 01:33:03,479 Speaker 2: who brought brought up as SST. I loved Dinosaur Junior, 1673 01:33:03,800 --> 01:33:06,479 Speaker 2: but they initially just called themselves Dinosaur and then they 1674 01:33:06,520 --> 01:33:10,920 Speaker 2: were sued by like a band formed by a bunch 1675 01:33:10,960 --> 01:33:16,360 Speaker 2: of like also rans in a band called Dinosaur. H 1676 01:33:17,200 --> 01:33:19,519 Speaker 2: What was the name of this band or what was 1677 01:33:19,560 --> 01:33:21,760 Speaker 2: the thing of this band? I thought it was something hilarious. 1678 01:33:21,800 --> 01:33:27,880 Speaker 2: How it was like, Yes, Dinosaurs, a supergroup formed in 1679 01:33:27,920 --> 01:33:32,920 Speaker 2: the Bay Area, actually consisting of members of Big Brother 1680 01:33:32,960 --> 01:33:36,680 Speaker 2: and the Holding Company, Quicksilver Messenger Service, Jefferson Airplane, The 1681 01:33:36,720 --> 01:33:40,759 Speaker 2: Grateful Dad Country, Joe and the Fish and keyboardist Merle 1682 01:33:40,840 --> 01:33:45,360 Speaker 2: Saunders of the Jerry Garcia Band In Time, a guy 1683 01:33:45,360 --> 01:33:49,720 Speaker 2: from Hot Tuna, another guy from Jefferson Airplane, Nicky Hopkins 1684 01:33:49,760 --> 01:33:55,720 Speaker 2: Session legend Nicki Hopkins Country, Joe MacDonald and member of Moby. 1685 01:33:55,439 --> 01:33:58,040 Speaker 1: Grape began touring. 1686 01:33:58,200 --> 01:34:02,960 Speaker 2: That is Wild studio album released in nineteen eighty eight. Wow, 1687 01:34:03,520 --> 01:34:04,320 Speaker 2: what else we got? 1688 01:34:05,439 --> 01:34:07,400 Speaker 1: Which band? On the topic of band names, I know 1689 01:34:07,479 --> 01:34:09,760 Speaker 1: we already had a category for that. Which band is 1690 01:34:09,840 --> 01:34:13,920 Speaker 1: named for Marilyn Monroe's final film? Oh, that's the Pride 1691 01:34:13,920 --> 01:34:15,000 Speaker 1: of Lodi, New Jersey. 1692 01:34:15,760 --> 01:34:19,559 Speaker 2: Misfits baby Glenn Danzig one of my man, just one 1693 01:34:19,560 --> 01:34:24,559 Speaker 2: of the all time Italian Americans? Is he like me? 1694 01:34:24,720 --> 01:34:28,599 Speaker 1: Is he half Italian and half Eastern European? Danzig seems Oh? 1695 01:34:28,720 --> 01:34:31,600 Speaker 1: I don't think Danzig is his real name. Oh is 1696 01:34:31,640 --> 01:34:33,960 Speaker 1: that like a German tank or something. His name is. 1697 01:34:33,880 --> 01:34:39,400 Speaker 2: Glenn Allen Anzeloni. Yeah, all the Misfits guys had fake names. 1698 01:34:39,720 --> 01:34:41,960 Speaker 2: Do you know that Jerry Only who is the bass player. 1699 01:34:42,840 --> 01:34:49,280 Speaker 2: His name, his born given name is Gerald Kayaffah, and 1700 01:34:49,520 --> 01:34:52,960 Speaker 2: he got so tired of correcting people that mispronounced his 1701 01:34:53,080 --> 01:34:57,040 Speaker 2: name that he would just say just Jerry only, and 1702 01:34:57,080 --> 01:35:00,360 Speaker 2: that's what he started getting called. Glenn Danzig. Don't know 1703 01:35:00,400 --> 01:35:09,000 Speaker 2: how he got that name, but there's another reference to 1704 01:35:09,640 --> 01:35:13,839 Speaker 2: his I mean, he just referenced everything in the Misfits 1705 01:35:13,920 --> 01:35:18,960 Speaker 2: logo is itself actually taken from the Crimson Ghost, which 1706 01:35:19,000 --> 01:35:23,479 Speaker 2: was one of those old like cereals from the nineteen fifties. 1707 01:35:24,760 --> 01:35:26,960 Speaker 2: If you look up this thing, it is literally just 1708 01:35:27,120 --> 01:35:30,160 Speaker 2: that skull like but as like a as like a 1709 01:35:30,280 --> 01:35:32,479 Speaker 2: cheap mask, and then he just like ran it through 1710 01:35:32,479 --> 01:35:37,840 Speaker 2: a photocopier and Danzig's horn with skull like his demon horn. 1711 01:35:38,040 --> 01:35:42,679 Speaker 2: Skull logo is taken from I want to say a. 1712 01:35:42,560 --> 01:35:43,720 Speaker 1: Code in the Barbarian. 1713 01:35:44,800 --> 01:35:45,920 Speaker 2: Oh yeah, comic. 1714 01:35:47,880 --> 01:35:49,920 Speaker 1: Yeah he's got He's so funny. 1715 01:35:50,880 --> 01:35:54,599 Speaker 2: There's just a number of I implore everyone to just go 1716 01:35:54,720 --> 01:35:57,840 Speaker 2: onto YouTube and look up Danzig home movies, because there 1717 01:35:57,920 --> 01:36:00,360 Speaker 2: was at one point like a LaserDisc dish in or 1718 01:36:00,479 --> 01:36:04,599 Speaker 2: like an extraordinarily lavish box set of his stuff that 1719 01:36:04,640 --> 01:36:06,519 Speaker 2: came with a bunch of black and white home movies 1720 01:36:06,560 --> 01:36:09,799 Speaker 2: of him pacing like around his house and los flies, 1721 01:36:11,000 --> 01:36:16,280 Speaker 2: bare chested, just talking about his book collection of like, oh, he's. 1722 01:36:16,120 --> 01:36:20,160 Speaker 4: Like, there's one hundred and fifty documented cases of Werewolve's 1723 01:36:20,400 --> 01:36:24,040 Speaker 4: chronicle to his book All true, All true. There's one 1724 01:36:24,040 --> 01:36:26,800 Speaker 4: of them where you know they're hunting this werewolf in 1725 01:36:27,000 --> 01:36:29,800 Speaker 4: Germany and this guy comes out of the comes out 1726 01:36:29,800 --> 01:36:32,120 Speaker 4: of the forest shaking a baby in his teeth. 1727 01:36:32,800 --> 01:36:36,720 Speaker 2: Pretty cool, pretty cool danzigcilaris. There's so many Danzig ephemeros. 1728 01:36:36,760 --> 01:36:38,960 Speaker 2: I note one is that he used someone used to 1729 01:36:38,960 --> 01:36:42,519 Speaker 2: see him in his backyard with a giant ornate like 1730 01:36:42,680 --> 01:36:46,639 Speaker 2: full length mirror watching himself lift weights to his own music. 1731 01:36:49,320 --> 01:36:55,559 Speaker 2: There is a story about his bricks, most famously that 1732 01:36:55,640 --> 01:36:58,960 Speaker 2: he had a large pile of bricks in the front 1733 01:36:59,040 --> 01:37:02,240 Speaker 2: yard of his Los Fhela, Los Phillies home, and his 1734 01:37:02,240 --> 01:37:04,920 Speaker 2: neighbors were getting upset with him, and so one day 1735 01:37:06,200 --> 01:37:09,759 Speaker 2: he was out in the front yard hurling bricks into 1736 01:37:09,800 --> 01:37:12,400 Speaker 2: a dumpster he had rented, saying here I am cleaning 1737 01:37:12,439 --> 01:37:15,599 Speaker 2: up my mother bricks, bitch like screaming over and over. 1738 01:37:16,439 --> 01:37:17,320 Speaker 1: Obviously he got. 1739 01:37:17,160 --> 01:37:21,599 Speaker 2: Punched out one time by that dude, but just a 1740 01:37:21,640 --> 01:37:24,559 Speaker 2: tremendous voice man and a pretty great songwriter too. I 1741 01:37:24,560 --> 01:37:28,640 Speaker 2: mean he wrote actually a really beautiful song sung by 1742 01:37:28,720 --> 01:37:33,760 Speaker 2: Roy Orbison for the Less Than Zero soundtrack. Yeah, he 1743 01:37:33,800 --> 01:37:36,400 Speaker 2: wrote a song that was later recorded by Johnny Cash 1744 01:37:36,439 --> 01:37:38,800 Speaker 2: called thirteen Man. 1745 01:37:39,000 --> 01:37:39,200 Speaker 1: Yeah. 1746 01:37:39,200 --> 01:37:42,240 Speaker 2: I love Glenn dancing. He's so funny, tiny little guy, 1747 01:37:42,360 --> 01:37:42,840 Speaker 2: so short. 1748 01:37:44,400 --> 01:37:48,839 Speaker 1: Well, speaking of punk guys doing songs with rock legends, 1749 01:37:49,600 --> 01:37:52,599 Speaker 1: the Ramones, when they recorded their covers album Acid Eaters 1750 01:37:52,640 --> 01:37:56,120 Speaker 1: in nineteen ninety three, specifically a tribute to their favorite 1751 01:37:56,120 --> 01:37:58,240 Speaker 1: sixties bands, they got one of their heroes to sing 1752 01:37:58,280 --> 01:37:59,120 Speaker 1: backing vocals. 1753 01:38:00,040 --> 01:38:00,800 Speaker 2: Who was it? 1754 01:38:01,280 --> 01:38:05,240 Speaker 1: Who did get? Getting total sense? It makes total sense. 1755 01:38:05,880 --> 01:38:06,760 Speaker 1: You have to give me a hint. 1756 01:38:06,800 --> 01:38:07,559 Speaker 2: What song was it? 1757 01:38:07,680 --> 01:38:10,479 Speaker 1: Oh, it'll give it, It'll give it away, Okay, because 1758 01:38:10,520 --> 01:38:15,160 Speaker 1: it's a covers album. Yes, that's true. I don't know. Pass. 1759 01:38:16,400 --> 01:38:23,880 Speaker 2: Pete Townsend sang back the cover of Substitute Substitute, one 1760 01:38:23,880 --> 01:38:26,160 Speaker 2: of my favorite songs of the I'm just gonna pull 1761 01:38:26,280 --> 01:38:29,439 Speaker 2: up the this uh this wiki page real quick and 1762 01:38:29,479 --> 01:38:30,600 Speaker 2: find this out. 1763 01:38:31,160 --> 01:38:35,920 Speaker 1: Oh there are several guest singers actually, Tracys the the 1764 01:38:36,000 --> 01:38:37,639 Speaker 1: adult film actress sings. 1765 01:38:38,000 --> 01:38:43,719 Speaker 2: Sebastian Bach of skid Row singing on Rolling Stones cover, 1766 01:38:45,040 --> 01:38:46,920 Speaker 2: So technically I could have said any one of those. 1767 01:38:46,800 --> 01:38:50,280 Speaker 1: Three, although I said one of the rock heroes, and 1768 01:38:50,360 --> 01:38:51,520 Speaker 1: Tracy Lord's. 1769 01:38:51,439 --> 01:38:57,920 Speaker 2: Could have been a rock hero. She had a music career. Actually, 1770 01:38:57,920 --> 01:39:01,840 Speaker 2: I don't believe she did. Oh yeah, she did her 1771 01:39:01,880 --> 01:39:04,600 Speaker 2: song love Never. This is how they knew her actually 1772 01:39:05,000 --> 01:39:10,160 Speaker 2: because she was featured on the soundtrack to Pet Cemetery too. 1773 01:39:10,640 --> 01:39:15,920 Speaker 2: I'm guessing yeah, and Ramones did the song to the 1774 01:39:15,920 --> 01:39:18,240 Speaker 2: first one, which is one of my favorite of those songs. 1775 01:39:18,760 --> 01:39:24,760 Speaker 2: I don't want to be Baby pet Cemetery, So she 1776 01:39:24,800 --> 01:39:27,000 Speaker 2: had already been putting out right. That's so funny, that 1777 01:39:27,040 --> 01:39:31,800 Speaker 2: little connection. Here's a hilarious tidbit from Johnny Ramone's autobiography, 1778 01:39:32,800 --> 01:39:37,040 Speaker 2: Commando Townsend. Pete Townsend was a half an hour late 1779 01:39:37,040 --> 01:39:39,960 Speaker 2: for his session, resulting in Johnny giving up and leaving 1780 01:39:40,000 --> 01:39:43,760 Speaker 2: the studio to watch a Yankees game. Well, speaking of 1781 01:39:45,200 --> 01:39:50,000 Speaker 2: Tracy Lord's and pornography, I would say New York punk 1782 01:39:50,040 --> 01:39:53,960 Speaker 2: to English punk crossover, which New York Punk Icon was 1783 01:39:54,000 --> 01:39:58,240 Speaker 2: briefly considered to be a sex pistols vocalist. Which New 1784 01:39:58,320 --> 01:40:04,240 Speaker 2: York City Icon punk Icon punk Icon sex pistols vocalist. 1785 01:40:04,400 --> 01:40:07,840 Speaker 1: After Johnny rotten quit, I believe, so. I don't think 1786 01:40:07,840 --> 01:40:11,559 Speaker 1: there's a chance in hell of you getting this Richard Hell. 1787 01:40:12,080 --> 01:40:14,120 Speaker 2: Yes, yeah, did you google that? 1788 01:40:14,240 --> 01:40:15,639 Speaker 1: I saw your figures move. 1789 01:40:17,120 --> 01:40:19,240 Speaker 2: I didn't. I just threw out a guess because he's 1790 01:40:19,280 --> 01:40:21,760 Speaker 2: the only other famous singer I could mention I thought 1791 01:40:21,760 --> 01:40:25,120 Speaker 2: of other than Joey Ramone or like. No, it actually 1792 01:40:25,120 --> 01:40:30,320 Speaker 2: makes sense though, because Richard Hell of television by the way, Yeah, 1793 01:40:30,320 --> 01:40:34,040 Speaker 2: but he also uh he was kicked out of television. 1794 01:40:34,120 --> 01:40:35,720 Speaker 2: But he's like one of the only guys I can 1795 01:40:35,760 --> 01:40:39,080 Speaker 2: think of that is like that early that the British 1796 01:40:39,080 --> 01:40:41,400 Speaker 2: punks would have been familiar with. I mean, they wouldn't 1797 01:40:41,439 --> 01:40:44,360 Speaker 2: have picked David Byrne, although yeah, can you imagine how 1798 01:40:44,400 --> 01:40:48,519 Speaker 2: funny that would have been? God's God Save the Queen. 1799 01:40:51,840 --> 01:40:55,639 Speaker 1: Apparently Malcolm McLaren was obsessed with Richard Hell's look. 1800 01:40:56,080 --> 01:41:00,360 Speaker 2: Yes, Richard Hell was one of the Yes that that 1801 01:41:00,360 --> 01:41:02,760 Speaker 2: that tracks, And that's what I remember about that is 1802 01:41:02,800 --> 01:41:06,200 Speaker 2: that Richard Hall was considered one of the archetypal early 1803 01:41:06,280 --> 01:41:08,439 Speaker 2: punks in terms of having like rip closed that was 1804 01:41:08,479 --> 01:41:12,840 Speaker 2: safety pinned back together, sort of the disheveled Johnny Thunder's hair. 1805 01:41:13,160 --> 01:41:15,680 Speaker 1: I guess Paul Cook and Glenn Matlock refused because they 1806 01:41:15,720 --> 01:41:18,560 Speaker 1: wanted an English singer to be the sex Pistols and 1807 01:41:18,560 --> 01:41:23,920 Speaker 1: new singer. Yeah, well let's see now. David Byrne even 1808 01:41:23,920 --> 01:41:28,120 Speaker 1: inspired me to other kind of nerdy punk adjacent people, 1809 01:41:28,160 --> 01:41:31,120 Speaker 1: the Modern Lovers. Oh yes, this is a gameme. Their 1810 01:41:31,120 --> 01:41:34,000 Speaker 1: first album was produced by a former member of the 1811 01:41:34,040 --> 01:41:35,639 Speaker 1: Velvet Underground. Who was it? 1812 01:41:35,800 --> 01:41:38,280 Speaker 2: John Cale was the only one who did any production work, right, 1813 01:41:38,400 --> 01:41:41,840 Speaker 2: unless it was lou Reid, because I know Richmond idolized 1814 01:41:42,160 --> 01:41:45,400 Speaker 2: lou Reed that was inspired to write road Runner and 1815 01:41:45,479 --> 01:41:47,160 Speaker 2: like a bunch of different songs by kind of that 1816 01:41:47,240 --> 01:41:50,720 Speaker 2: talk singing thing. But if lou Reid produced it at 1817 01:41:50,720 --> 01:41:53,800 Speaker 2: that time, I don't think that would have actually translated 1818 01:41:53,880 --> 01:41:56,040 Speaker 2: into any work. 1819 01:41:56,360 --> 01:41:59,520 Speaker 1: So I'm gonna say John Cale, that is correct. Okay, 1820 01:42:00,040 --> 01:42:02,240 Speaker 1: I have I have a Modern Lovers follow up question. 1821 01:42:02,320 --> 01:42:05,400 Speaker 1: Speaking of the Modern Lovers, two of the members were 1822 01:42:05,479 --> 01:42:09,360 Speaker 1: later in famous and popular new wave bands, which were 1823 01:42:09,400 --> 01:42:11,120 Speaker 1: the bands Oh. 1824 01:42:10,840 --> 01:42:17,240 Speaker 2: It's Talking Heads and Blondie. Oh you got one, Tom 1825 01:42:17,280 --> 01:42:20,160 Speaker 2: Tom Club? Now I know it's it's that Jerry Harrison 1826 01:42:20,479 --> 01:42:25,040 Speaker 2: and Talking Heads and like proper new wave or like. 1827 01:42:25,160 --> 01:42:31,439 Speaker 1: Yeah, the the prototypical like the Wikipedia page landing photo 1828 01:42:32,120 --> 01:42:33,240 Speaker 1: for the New Wave. 1829 01:42:34,680 --> 01:42:39,120 Speaker 2: American Yes, Culture Club. No, No, I don't know. I 1830 01:42:39,520 --> 01:42:40,400 Speaker 2: don't know the second one. 1831 01:42:40,640 --> 01:42:42,680 Speaker 1: David Robinson later went on to be a drummer for 1832 01:42:42,800 --> 01:42:43,439 Speaker 1: the Cars. 1833 01:42:43,880 --> 01:42:47,800 Speaker 2: Oh far out. Yeah, that's wild man. Those guys must 1834 01:42:47,800 --> 01:42:50,280 Speaker 2: have been really way more plugged into the punk roxy 1835 01:42:50,320 --> 01:42:53,840 Speaker 2: and than we really give them credit for. Because famously, 1836 01:42:54,080 --> 01:42:59,599 Speaker 2: Rick Okasik produced one of the brad Brains records. Yes, yes, 1837 01:43:00,360 --> 01:43:03,760 Speaker 2: Rior is the label, but that's amazing. They must have 1838 01:43:03,840 --> 01:43:07,599 Speaker 2: been way like actually down in the bowery seeing this stuff. 1839 01:43:07,640 --> 01:43:09,439 Speaker 2: That's so cool. It was cool. 1840 01:43:09,680 --> 01:43:15,240 Speaker 1: Rick Okasek whips Weezer producer, Rick Okay s and okay, 1841 01:43:15,960 --> 01:43:18,599 Speaker 1: last question, because I have a factoid about Patti Smith. 1842 01:43:18,800 --> 01:43:21,720 Speaker 1: What member of the Motor City five MC five did 1843 01:43:21,720 --> 01:43:23,040 Speaker 1: Patty Smith Mary. 1844 01:43:23,040 --> 01:43:24,880 Speaker 2: Oh Fred Sonic Smith baby? 1845 01:43:25,479 --> 01:43:29,599 Speaker 1: That is correct. They were married until Fred's sudden death 1846 01:43:29,640 --> 01:43:32,679 Speaker 1: in nineteen ninety five from heart failure. They had two children. 1847 01:43:33,120 --> 01:43:36,920 Speaker 1: The elder Jackson grew up to marry White Stripes drummer 1848 01:43:36,960 --> 01:43:40,400 Speaker 1: Meg White in two thousand and nine. That is crazy, 1849 01:43:40,439 --> 01:43:42,040 Speaker 1: and I thought that would be a good one to 1850 01:43:42,120 --> 01:43:45,880 Speaker 1: end on because Patty Smith was the last person to 1851 01:43:45,920 --> 01:43:49,679 Speaker 1: perform at CBGB's before it closed in October two thousand 1852 01:43:49,680 --> 01:43:50,000 Speaker 1: and six. 1853 01:43:50,800 --> 01:43:53,919 Speaker 2: Patti Smith, if you read Please Kill Me, the punching 1854 01:43:53,960 --> 01:43:58,400 Speaker 2: bag of that book, yeah, derided as like an incredible 1855 01:43:58,479 --> 01:44:02,240 Speaker 2: clout chaser. There's obviously a whiff of misogyny there, a 1856 01:44:02,280 --> 01:44:04,759 Speaker 2: lot of that was a similar complaints were also lodged 1857 01:44:04,840 --> 01:44:08,840 Speaker 2: against Sonic Youth and you know Kim Gordon and Thurston Moore, 1858 01:44:08,880 --> 01:44:11,080 Speaker 2: where I think the quote about them is that they 1859 01:44:11,120 --> 01:44:14,000 Speaker 2: were very conscious of being seen at the right parties 1860 01:44:14,040 --> 01:44:17,479 Speaker 2: and like talking to the right people, you know. But yeah, 1861 01:44:17,560 --> 01:44:22,960 Speaker 2: Please Kill Me is very very stacked against Patty Smith 1862 01:44:23,720 --> 01:44:25,679 Speaker 2: sort of one of the only things that runs counter 1863 01:44:25,840 --> 01:44:27,120 Speaker 2: to her like deification. 1864 01:44:28,920 --> 01:44:31,639 Speaker 1: Well you know, I think it looks like we tied. 1865 01:44:32,280 --> 01:44:36,000 Speaker 2: Oh hell yeah, oh man, that's the that's the best 1866 01:44:36,040 --> 01:44:36,960 Speaker 2: possible outcome. 1867 01:44:37,360 --> 01:44:40,160 Speaker 1: So there are no winners, but two losers. 1868 01:44:41,320 --> 01:44:44,799 Speaker 2: Or two winners and the best friends. That is true. 1869 01:44:44,840 --> 01:44:45,519 Speaker 1: That was fun. 1870 01:44:45,600 --> 01:44:47,000 Speaker 2: I like doing these folks. 1871 01:44:47,160 --> 01:44:51,479 Speaker 1: You actually, if I shra you've actually enjoyed That's how 1872 01:44:51,560 --> 01:44:54,120 Speaker 1: it's gonna phrase that. Folks, if you enjoyed that, please 1873 01:44:54,160 --> 01:44:55,719 Speaker 1: let us know. We can do more of these types 1874 01:44:55,760 --> 01:44:58,000 Speaker 1: of episodes every now and then. I thought that was 1875 01:44:58,000 --> 01:45:00,280 Speaker 1: really fun, you know. I mean you always joke about 1876 01:45:00,320 --> 01:45:03,559 Speaker 1: doing oops all digressions episode and that's pretty much. 1877 01:45:03,479 --> 01:45:06,320 Speaker 2: What this was. Yeah, true, I mean it's because it's 1878 01:45:06,320 --> 01:45:09,400 Speaker 2: difficult to find like overlapping, because my tastes only get 1879 01:45:09,640 --> 01:45:13,280 Speaker 2: like more granular and less like pre war delta blues 1880 01:45:13,560 --> 01:45:15,519 Speaker 2: or just broadly speaking, jazz. 1881 01:45:18,560 --> 01:45:22,920 Speaker 1: Well, I just knew this would yield like scatological anecdotes and. 1882 01:45:23,240 --> 01:45:27,240 Speaker 2: Yeah, yeah, that says more about you than me, it does, 1883 01:45:27,400 --> 01:45:30,479 Speaker 2: you know very much. So well, folks, thank you. This 1884 01:45:30,520 --> 01:45:34,000 Speaker 2: has been the second stump the buff episode of Too 1885 01:45:34,040 --> 01:45:37,160 Speaker 2: Much Information. We will be back whenever the hell we 1886 01:45:37,240 --> 01:45:39,600 Speaker 2: want with a regular episode. 1887 01:45:39,960 --> 01:45:40,799 Speaker 1: Thanks for listening. 1888 01:45:41,080 --> 01:45:43,439 Speaker 2: I said that at the top of the episode. 1889 01:45:44,240 --> 01:45:45,719 Speaker 1: We'll catch you next time, folks. 1890 01:45:45,960 --> 01:45:46,439 Speaker 2: There it is. 1891 01:45:51,560 --> 01:45:54,080 Speaker 1: Too Much Information was a production of iHeartRadio. 1892 01:45:54,320 --> 01:45:57,519 Speaker 2: The show's executive producers are Noel Brown and Jordan Runkok. 1893 01:45:57,720 --> 01:46:00,599 Speaker 1: The show's supervising producer is Michael all June. 1894 01:46:00,840 --> 01:46:03,920 Speaker 2: The show was researched, written, and hosted by Jordan Rundog 1895 01:46:04,000 --> 01:46:05,160 Speaker 2: and Alex Heigel. 1896 01:46:04,920 --> 01:46:08,160 Speaker 1: With original music by Seth Applebaum and the Ghost Funk Orchestra. 1897 01:46:08,479 --> 01:46:10,519 Speaker 2: If you like what you heard, please subscribe and leave 1898 01:46:10,600 --> 01:46:11,080 Speaker 2: us a review. 1899 01:46:11,360 --> 01:46:15,640 Speaker 1: For more podcasts and iHeartRadio, visit the iHeartRadio app, Apple podcasts, 1900 01:46:15,880 --> 01:46:17,599 Speaker 1: or wherever you listen to your favorite shows.