WEBVTT - 106: Death Becomes Her with The Bechdel Cast

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<v Speaker 1>It's twelve thirty two am in the Ebel of Los

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<v Speaker 1>Angeles and you're listening to Nightcall. Hello, and welcome back

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<v Speaker 1>to Night Call, a call in show for our dystopian reality.

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<v Speaker 1>I am Test Lynch in Los Angeles and with me

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<v Speaker 1>are Emily Osida and Molly Lambert. Guys, welcome back. It

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<v Speaker 1>is still Plastic Surgery April. So today we will be

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<v Speaker 1>talking about the cosmetic surgery black comedy Death Becomes Her

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<v Speaker 1>with special guest Jamie Loftus and Caitlin Durante from the

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<v Speaker 1>Bechdel Cast, as well as taking some questions from listeners.

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<v Speaker 1>Can't wait, it's a great conversation. Spoiler, we already had it.

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<v Speaker 1>Everything's topsy turvy. How can everybody's classic Surgery April going

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<v Speaker 1>pretty good? I know it's not Spring break March anymore,

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<v Speaker 1>but did anyone read the story about how Gwyneth Paltrow

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<v Speaker 1>got fired from her first job a bit a toy

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<v Speaker 1>store because she went on spring break? Oh my god,

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<v Speaker 1>do tell It's just amazing because there's a bunch of

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<v Speaker 1>magazines coming out that were finished before COVID happened, so

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<v Speaker 1>they all have a disclaimer. That's like this story was

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<v Speaker 1>conducted before the pandemic. But they just like for press

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<v Speaker 1>tours that aren't happening anymore, like Gal Gado Lady Gaga.

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<v Speaker 1>So there's a Gwyneth Paltrow one that's the header is

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<v Speaker 1>Gwyneth Paltrow accepts your apology. Oh my god. Anyway, it's

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<v Speaker 1>super on brand, including that she was like, well, I

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<v Speaker 1>have to go on spring break. I mean talking about

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<v Speaker 1>like a rich person he has a job, like and

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<v Speaker 1>she talked about how she could get into the expensive

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<v Speaker 1>bars because she was tall, but not the like college

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<v Speaker 1>bars because she was too she was too upscale. They

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<v Speaker 1>just didn't think she could hang. Oh god, I think

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<v Speaker 1>maybe because the fancy places don't care if teenagers come in. Yeah,

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<v Speaker 1>so we're going to take a bunch of calls. We

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<v Speaker 1>actually have gotten a lot of night calls and emails

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<v Speaker 1>from from y'all so far, so let's keep them coming. Yeah,

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<v Speaker 1>keep them coming. We love them. So perhaps you should

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<v Speaker 1>take this first call from a listener about See Me

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<v Speaker 1>and Hayes. Hi. This is Emily Um. I listened to

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<v Speaker 1>your podcast about classic surgery and immediately I'm fastened by

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<v Speaker 1>it too, and immediately see Me in Hayes came to mind,

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<v Speaker 1>there are those twin DJ girls that hang out with

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<v Speaker 1>all the Kardashian girls and the Calabasa's crew, and um,

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<v Speaker 1>they basically changed their entire appearance. They're super wealthy, and

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<v Speaker 1>I think their parents paid for them to get a

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<v Speaker 1>new face when they were like sixteen. It's pretty gnarly

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<v Speaker 1>if you if you be cool there before see Me

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<v Speaker 1>and Hayes before old floored. Okay, so I had never

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<v Speaker 1>heard of See Me and Hayes before they said, you guys.

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<v Speaker 1>I had because I follow all those seleb plastic surgery blogs,

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<v Speaker 1>which also cover influencers micro celebs, so I only knew

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<v Speaker 1>about them from that. But why don't we explain who

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<v Speaker 1>they are? Why don't you explain who they are? You're

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<v Speaker 1>you're the see me any expert over it? They're twins

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<v Speaker 1>and they got matching plastic surgery and apparently, and they

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<v Speaker 1>used to be like sort of cute. Nicole Kidman asked, uh, beauties,

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<v Speaker 1>and now they look like everybody else but also Dakota Johnson,

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<v Speaker 1>I think. But they had like big, frizzy red hair

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<v Speaker 1>like yours, truly, and now they have like sleek brown hair.

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<v Speaker 1>But they also just have sort of different faces. Were

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<v Speaker 1>a lot of highlighter they. I guess the reason there's

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<v Speaker 1>so many before photos of them is they're rich and

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<v Speaker 1>their mom took them to art auctions or something, and

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<v Speaker 1>that's they're also before photos are from they're also DJs.

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<v Speaker 1>I should point this out. I don't think that that's

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<v Speaker 1>that's not why they're rich, but they are DJs. UM,

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<v Speaker 1>So there are lots of pictures of them kind of

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<v Speaker 1>like just sitting or like standing or posing by their

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<v Speaker 1>DJ booths at like scenes, story parties. Um, since they've

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<v Speaker 1>had a bunch of plastic surgery, I preferred them before

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<v Speaker 1>f y I. They are twin fluencers. Twin fluencers. They great,

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<v Speaker 1>they have a great they had a great look earlier,

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<v Speaker 1>I thought, Um, so other twin fluencers that I think

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<v Speaker 1>of when this idea comes up, or obviously the Olsen twins,

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<v Speaker 1>but also the Claremont twins who were on Bad Girls

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<v Speaker 1>Club and then Test and I once saw them doing

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<v Speaker 1>a photo shoot off Melrose. When I forgot about that

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<v Speaker 1>because I like fanned, I've freaked out, you freaked out.

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<v Speaker 1>I had no idea. I was like, he's just obsessed

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<v Speaker 1>with like she sees twins. It's notable to her. It's like, no,

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<v Speaker 1>they're they're special. They are famous on the internet. Um

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<v Speaker 1>and also yeah, famous for being these twins who sort

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<v Speaker 1>of got matching plastic surgery to each other. That's just

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<v Speaker 1>the weirdest thing. I guess you kind of have to.

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<v Speaker 1>He's very obvious. What's what you've done like this to

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<v Speaker 1>be in a pact with somebody. This is a common

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<v Speaker 1>thing and also weird because I am very addicted recently

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<v Speaker 1>to watching ninety Day Fiance Pillow Talk episodes, um, which

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<v Speaker 1>I love so much. But there there's a twin on

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<v Speaker 1>ninety Day Fiance, and she and her her sister have

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<v Speaker 1>like different, slightly different plastic surgery, Like they've both done

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<v Speaker 1>a lot, but it's different, and it's so transfixing because

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<v Speaker 1>you're like, she she opted not to do that, and

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<v Speaker 1>like she decided to do that, and you wonder like

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<v Speaker 1>did they get the plastic surgery? And then the next

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<v Speaker 1>you know, they'll your sister or whatever. We'll see her

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<v Speaker 1>sister and be like, oh, I'm not getting that done.

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<v Speaker 1>It looks terrible on her. I'll do something else. It's

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<v Speaker 1>just such a like psychological horror movie playing out before

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<v Speaker 1>your eyes. A twin is so weird. I imagine just

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<v Speaker 1>for there to be another person who looks like you.

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<v Speaker 1>This isn't plastic surgery. But I don't know. If you

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<v Speaker 1>guys have watched the Whitmer Thomas special on HBO, I

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<v Speaker 1>really recommend it. It's super good. Uh. It's like a

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<v Speaker 1>half stand up show, half documentary about his life involving

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<v Speaker 1>reconciling with his aunt he's estranged from, who is his

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<v Speaker 1>his dead mom's twin sister, and his dead mom and

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<v Speaker 1>his aunt had a band together, a hair metal band

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<v Speaker 1>in Florida called sin Twister, and there's footage of it

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<v Speaker 1>in the show. But it's also just this moment where

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<v Speaker 1>he's like, I have to go see my aunt, who

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<v Speaker 1>also like looks just like my mom. It's got to

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<v Speaker 1>be so weird. I would never have even thought of

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<v Speaker 1>something like that. It's a really good it's it's really good.

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<v Speaker 1>It's not even just a stand up special. It's just

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<v Speaker 1>like a really good thing, and I recommend it. Check

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<v Speaker 1>it out because like weirdly, like being a twin, like

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<v Speaker 1>being an identical twin, feels like a much more uncanny

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<v Speaker 1>thing than you know, I mean, like celeb face, which

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<v Speaker 1>we mentioned on last week's episode often has these things.

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<v Speaker 1>Or it's just like, look at these people who basically

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<v Speaker 1>look the same. Now, like everybody's gotten this matching face,

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<v Speaker 1>and like, what is having even having a sibling. I'm

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<v Speaker 1>just gonna say, for all my only children co host,

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<v Speaker 1>uh huh, it is weird to be like, oh, here's

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<v Speaker 1>a different blend of my parents faces. Yeah you know. Um.

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<v Speaker 1>But also, people thought my brother and I were twins

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<v Speaker 1>a lot when we were kids because we both stingers. Yeah,

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<v Speaker 1>you just have like the exact same coloring as each other.

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<v Speaker 1>Like my kids too, they have the exact same color

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<v Speaker 1>hair and like the same complexion, and they I mean,

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<v Speaker 1>you can tell that they're related. They don't look like twins. Um,

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<v Speaker 1>But I always wonder what it would be like to

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<v Speaker 1>have like a sibling who looked a lot like me.

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<v Speaker 1>I would hate it, hate it. There can only be one. Yeah,

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<v Speaker 1>it's it's it's a nerving But I do think if

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<v Speaker 1>I was going to get work done, I would want

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<v Speaker 1>to get it done with my twin in this very hypothetical,

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<v Speaker 1>this double hYP hypothetical situation. What are your guys feelings

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<v Speaker 1>about the Olsen twins. I mean, I know that they

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<v Speaker 1>obviously have gotten stuff done, like work done, if you're

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<v Speaker 1>talking about the works side of it. But like, I

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<v Speaker 1>don't think that they've gone to the weird place with

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<v Speaker 1>it yet, Like they still basically look recognizable to me.

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<v Speaker 1>I I respect their privacy. That's that's what I'll saying.

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<v Speaker 1>They can do whatever they want. I kind of respect

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<v Speaker 1>that they've opted out of being like tabloid people. Well,

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<v Speaker 1>I feel like it must also be so weird to

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<v Speaker 1>be so famous in a brand that your face is

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<v Speaker 1>literally on products, you know, as a child, right, Yeah,

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<v Speaker 1>And I could see also just as a psychological device

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<v Speaker 1>wanting to distance yourself from the way you looked as

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<v Speaker 1>an eight year old, especially if you're a person who

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<v Speaker 1>just looks like you always look like you do. However, Ever,

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<v Speaker 1>since somebody pointed out that they probably allegedly allegedly could

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<v Speaker 1>have had bookle fat removal, which is the thing I

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<v Speaker 1>just learned about, which is where they like suck fat

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<v Speaker 1>out of your cheeks to give you, give you a cheekbone,

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<v Speaker 1>give you like a high fashion cheekbone. You don't think

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<v Speaker 1>that's just like a diet and smoking ten thousand cigarettes?

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<v Speaker 1>Smoking face, Yeah, it's smoking face more than anything else.

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<v Speaker 1>I think the boocle fat removal is like very popular

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<v Speaker 1>among Asian people because like Asian people tend to have

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<v Speaker 1>a round your face and tend to have more They're

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<v Speaker 1>speaking for myself and so, but like speaking for the

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<v Speaker 1>whole round face crew, you're on the pot. Don't you

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<v Speaker 1>think that that's like a good thing to have a

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<v Speaker 1>round e face makes you look younger? Yes? Yeah, um yeah,

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<v Speaker 1>I think it's again like totally depends on what you're

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<v Speaker 1>going for. But I do think in their cases, they're

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<v Speaker 1>like there's such obvious chain smokers, and like, I mean

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<v Speaker 1>that's the one documented thing you can say for sure.

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<v Speaker 1>And I think that that kind of sunk in cheekbone

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<v Speaker 1>look as like both being skinny and and the smoking thing,

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<v Speaker 1>I think that really contributes. But I kind of love

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<v Speaker 1>them for not giving a ship about like what anyone

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<v Speaker 1>thinks of them anymore. I love that. I love that

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<v Speaker 1>they smoke millions of cigarettes and like clear glower at

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<v Speaker 1>anyone who's, like, you know, taking a picture of them.

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<v Speaker 1>I think they totally earned that, right. Yeah. I mean

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<v Speaker 1>I both never had any affection for them as a

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<v Speaker 1>brand because I feel like we were slightly too old

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<v Speaker 1>to get like the Mary Kayton Ashley videos. You know,

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<v Speaker 1>I knew them from a full house as one person

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<v Speaker 1>Michelle Tanner. But I think any child actors who like

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<v Speaker 1>come out of the child acting conveyor belt and decide

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<v Speaker 1>to never do anything again, that's fine with me. Yeah. Well, also,

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<v Speaker 1>like it's such a choice for them to you know,

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<v Speaker 1>continue to have careers that are semi public facing, but

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<v Speaker 1>to really do it in an intentional way where it's

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<v Speaker 1>like also, you know, like the row is so expensive,

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<v Speaker 1>like nobody like it's not like Juicy couture or something

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<v Speaker 1>where like influencers can afford it, our kids in the

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<v Speaker 1>suburbs can afford it. It's like so far removed from

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<v Speaker 1>just like what the average person comes in contact with

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<v Speaker 1>that it's sort of like opting out of being a

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<v Speaker 1>household name in a way and really like setting yourself like.

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<v Speaker 1>But it's also it made them a household name in Vogue,

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<v Speaker 1>which was also a very weird move to me, but

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<v Speaker 1>I understand it. I guess they're just like, we're rich people,

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<v Speaker 1>let's have a fashion line. Well, if you're a Vogue fixture,

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<v Speaker 1>I think you probably get treated better than if you're

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<v Speaker 1>like a People fixture or last Weekly fixture. I mean,

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<v Speaker 1>it's all funked up and bad. But like I think,

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<v Speaker 1>if if if I had to choose, if I was

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<v Speaker 1>in their position, I would rather be the kind of

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<v Speaker 1>first news like you know, just you know, coddled by

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<v Speaker 1>Vogue then whatever. I also think that if you're a

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<v Speaker 1>Vogue kind of celebrity, you actually ironically get more privacy

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<v Speaker 1>than if you're you know, because when you're like mid level,

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<v Speaker 1>you have to there's like a symbiotic relationship, whereas when

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<v Speaker 1>you ascend to the like fancy rich person level of celebrity,

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<v Speaker 1>you can just shut everybody out. I interviewed hot jug

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<v Speaker 1>head uh, who's a twin. Cole Sprouse and Dylan Sprouse

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<v Speaker 1>were like the boy Olsen twins, and they also did

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<v Speaker 1>a smart kind of like like Cole Sprouse is a

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<v Speaker 1>fashion photographer, you know, so he's totally on the Vogue thing.

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<v Speaker 1>And then Dylan Sprouse started a metery in Brooklyn where

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<v Speaker 1>he makes mead. Isn't They're like, don't you have to

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<v Speaker 1>be like sixty years old at least to make meat.

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<v Speaker 1>That's the whole thing is like I'm bringing he like

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<v Speaker 1>dates a supermodel and it's like I'm I'm bringing back

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<v Speaker 1>the ancient art of mead means hilarious. Well, Um, speaking

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<v Speaker 1>of choosing what kind of fancy are going to be,

0:13:05.840 --> 0:13:09.800
<v Speaker 1>let's take a night email. Um. This night email comes

0:13:09.800 --> 0:13:13.360
<v Speaker 1>to us from Patrick, who writes a comment Emily that's

0:13:13.400 --> 0:13:16.520
<v Speaker 1>me made on this week's pod about quarantine being a

0:13:16.520 --> 0:13:19.160
<v Speaker 1>great time to have plastic surgery procedures done. Reminded me

0:13:19.240 --> 0:13:21.520
<v Speaker 1>of this story from a few weeks ago in the

0:13:21.520 --> 0:13:26.239
<v Speaker 1>Houston Chronicle about how Houston's wealthy are handling social distancing.

0:13:26.679 --> 0:13:30.520
<v Speaker 1>Topics covered include expanded use of private jets, hiring newly

0:13:30.559 --> 0:13:33.400
<v Speaker 1>available high profile chefs for private dinners with friends, and

0:13:33.440 --> 0:13:37.520
<v Speaker 1>opting for plastic surgery. As the article says, social distancing is,

0:13:37.600 --> 0:13:42.080
<v Speaker 1>after all, the perfect opportunity to recover inconspicuously. This article

0:13:42.200 --> 0:13:44.040
<v Speaker 1>is disturbing for a lot of reasons, and I'm still

0:13:44.040 --> 0:13:46.560
<v Speaker 1>surprised it didn't go viral so those of us fortunate

0:13:46.679 --> 0:13:49.280
<v Speaker 1>enough to stay at home could collectively mock it. It

0:13:49.360 --> 0:13:52.400
<v Speaker 1>was originally published on March eighteen, so I imagine that

0:13:52.480 --> 0:13:54.640
<v Speaker 1>part of the reason was that we didn't yet know

0:13:54.720 --> 0:13:56.960
<v Speaker 1>how bad the situation was going to get, especially for

0:13:57.000 --> 0:13:59.720
<v Speaker 1>the most vulnerable. I also think it doesn't help it.

0:13:59.760 --> 0:14:01.880
<v Speaker 1>He's doesn't exactly have a ton of writer types with

0:14:01.920 --> 0:14:05.280
<v Speaker 1>big national social media reaches with which to share something

0:14:05.320 --> 0:14:09.280
<v Speaker 1>like this. Maybe y'all can start something retroactively. So this

0:14:09.360 --> 0:14:14.200
<v Speaker 1>is about the real Housewives of Houston. Yeah, allow me

0:14:14.280 --> 0:14:17.440
<v Speaker 1>to say, we'll talk about Death Becomes Her later and

0:14:17.679 --> 0:14:23.000
<v Speaker 1>Beverly Hills plastic surgery culture, but Man, Texas plastic surgery culture,

0:14:23.840 --> 0:14:27.520
<v Speaker 1>that's scarious to me. So I have to say that

0:14:27.640 --> 0:14:31.360
<v Speaker 1>UM as not a fan of plastic surgery. Even despite this,

0:14:31.600 --> 0:14:34.560
<v Speaker 1>I have had a lot of conversations with people who's

0:14:34.840 --> 0:14:38.440
<v Speaker 1>um like parents and and older sisters and people who

0:14:38.480 --> 0:14:41.320
<v Speaker 1>are a little bit older have traveled to the South

0:14:41.440 --> 0:14:46.280
<v Speaker 1>specifically because they claim the plastic surgery looks better and

0:14:46.400 --> 0:14:50.560
<v Speaker 1>more natural than Los Angeles plastic surgery and New York

0:14:50.560 --> 0:14:53.120
<v Speaker 1>plastic surgery. Yes, and I don't know what it is.

0:14:53.160 --> 0:14:55.640
<v Speaker 1>I mean, first of all, just being in the South,

0:14:55.680 --> 0:14:58.880
<v Speaker 1>you have more humidity, you know, I'm just like, you're

0:14:58.920 --> 0:15:01.160
<v Speaker 1>just gonna look better, or if you live in a

0:15:01.160 --> 0:15:04.480
<v Speaker 1>place like Houston. Um, but yeah, it's I think that

0:15:04.520 --> 0:15:07.680
<v Speaker 1>they have like a slightly different aesthetic and maybe because

0:15:07.880 --> 0:15:10.480
<v Speaker 1>we're so used to the l a plastic surgery phase

0:15:10.600 --> 0:15:13.280
<v Speaker 1>or the New York plastic surgery phase. It's harder to

0:15:13.400 --> 0:15:16.560
<v Speaker 1>identify right off the bat unless it's something that's so

0:15:17.000 --> 0:15:21.200
<v Speaker 1>that would have been so exaggerated anyway. I actually think

0:15:21.280 --> 0:15:23.600
<v Speaker 1>if I had to say as a as A as

0:15:23.640 --> 0:15:26.080
<v Speaker 1>a regular user of real self, I would say that

0:15:26.160 --> 0:15:29.360
<v Speaker 1>New York has the most natural work on the whole.

0:15:29.440 --> 0:15:32.880
<v Speaker 1>Really wants to go to New York right now. N

0:15:33.480 --> 0:15:37.720
<v Speaker 1>I thought Korea was the the international capital of of

0:15:37.880 --> 0:15:41.720
<v Speaker 1>like subtle plastic surgery. I would say that's the international capital,

0:15:41.960 --> 0:15:44.760
<v Speaker 1>but let's talk about the national capitals. Right Growing up

0:15:44.760 --> 0:15:46.360
<v Speaker 1>in New York, I saw a lot of really terrible

0:15:46.360 --> 0:15:48.560
<v Speaker 1>plastic surgery. But that was a long time ago, so

0:15:48.640 --> 0:15:51.480
<v Speaker 1>that also could have been that. I don't know. I mean,

0:15:51.600 --> 0:15:54.840
<v Speaker 1>I've seen so many places where it's like like in

0:15:54.880 --> 0:15:57.360
<v Speaker 1>places in New York, where it's like you can opt

0:15:57.440 --> 0:16:00.960
<v Speaker 1>for different like lips. For example, there's like the New

0:16:01.080 --> 0:16:04.520
<v Speaker 1>York lip versus the l A lip, and the l

0:16:04.600 --> 0:16:07.560
<v Speaker 1>A lip is the one that looks insane like the

0:16:07.680 --> 0:16:10.080
<v Speaker 1>l A lip is the is the Simpsons lip, where

0:16:10.080 --> 0:16:13.160
<v Speaker 1>it's a large upper lip. US might respect the l

0:16:13.200 --> 0:16:16.200
<v Speaker 1>A lip for just you know, putting it out there.

0:16:16.640 --> 0:16:20.880
<v Speaker 1>But again, these are choices. These are choices. I wouldn't

0:16:20.880 --> 0:16:22.480
<v Speaker 1>think I would. I mean, I I don't know. I

0:16:22.480 --> 0:16:25.120
<v Speaker 1>watched a little bit of what they had a short

0:16:25.160 --> 0:16:29.880
<v Speaker 1>lift Dallas Housewise, did they not? Oh it's still going.

0:16:29.400 --> 0:16:33.120
<v Speaker 1>The one who was like the incredible villain just left

0:16:33.160 --> 0:16:35.920
<v Speaker 1>because she was very racist on the last season and

0:16:36.040 --> 0:16:39.920
<v Speaker 1>she like left to save her pride. The Dallas Housewives

0:16:40.520 --> 0:16:44.920
<v Speaker 1>is incredible. They all get all the stuff done for sure.

0:16:45.120 --> 0:16:49.000
<v Speaker 1>That's where I learned the phrase mommy makeover. Oh yeah, yeah,

0:16:49.360 --> 0:16:53.760
<v Speaker 1>I gotta know about a mommy makeover? Um, like what

0:16:53.920 --> 0:16:57.680
<v Speaker 1>like your you get your hair done? Well. The one

0:16:57.720 --> 0:17:00.000
<v Speaker 1>thing that kind of jumped out to me about this article,

0:17:00.040 --> 0:17:02.240
<v Speaker 1>it was the private jet thing, because there was this

0:17:02.480 --> 0:17:06.560
<v Speaker 1>story that came out recently about um, I believe it

0:17:06.600 --> 0:17:10.959
<v Speaker 1>was Goldman's Sacks purchasing a private jet or multiple private

0:17:11.040 --> 0:17:14.200
<v Speaker 1>jets like in the middle of this, like as recently

0:17:14.200 --> 0:17:17.080
<v Speaker 1>as like a week or two ago, And that was

0:17:17.240 --> 0:17:21.920
<v Speaker 1>very and I was thinking, I was like, how how tacky. Obviously,

0:17:22.160 --> 0:17:24.360
<v Speaker 1>like like somebody was going to find out about this,

0:17:24.480 --> 0:17:27.679
<v Speaker 1>like the shamelessness with which you would do this, But

0:17:27.760 --> 0:17:30.679
<v Speaker 1>I'm sure that somebody justified it to themselves like, oh no,

0:17:30.760 --> 0:17:32.840
<v Speaker 1>this is how we're going to continue to be productive

0:17:32.840 --> 0:17:35.880
<v Speaker 1>and do social distancing. We just have to like fly private,

0:17:36.520 --> 0:17:41.080
<v Speaker 1>which is just so like like completely you know, at

0:17:41.119 --> 0:17:45.679
<v Speaker 1>that point you're you're in another stratosphere of toxic wealth.

0:17:45.840 --> 0:17:48.600
<v Speaker 1>But um, yeah, I fully believe that some people are

0:17:48.760 --> 0:17:52.560
<v Speaker 1>are like forcing people to stay on at their mansions,

0:17:53.200 --> 0:17:57.440
<v Speaker 1>uh for domestic labor. But I also there's an Only

0:17:57.480 --> 0:18:01.440
<v Speaker 1>Times article about people firing their whole staff, um, which

0:18:01.480 --> 0:18:04.719
<v Speaker 1>was also obviously super fucked up. Well, the whole like

0:18:04.840 --> 0:18:09.239
<v Speaker 1>staff of the chateau got fired. Yeah, and now all

0:18:09.280 --> 0:18:11.320
<v Speaker 1>these things where people get fired and then they're like,

0:18:11.359 --> 0:18:13.320
<v Speaker 1>here's a go fund me if you want to help.

0:18:13.520 --> 0:18:18.359
<v Speaker 1>It's like a person who fired them should not be

0:18:18.440 --> 0:18:22.080
<v Speaker 1>pushing a go fund me now, it feels I mean,

0:18:22.080 --> 0:18:24.399
<v Speaker 1>the thing that's kind of crazy to me is that like,

0:18:24.480 --> 0:18:29.320
<v Speaker 1>if you're a wealthy person, especially living in Houston or

0:18:29.480 --> 0:18:32.119
<v Speaker 1>somewhere in the middle of the country where you know

0:18:32.200 --> 0:18:37.719
<v Speaker 1>there's generally more space than a more classically urban stuttying

0:18:37.840 --> 0:18:41.880
<v Speaker 1>like in New York or something, uh like, you're good.

0:18:42.000 --> 0:18:45.399
<v Speaker 1>You're good, Like you don't need you're a low risk

0:18:45.560 --> 0:18:48.920
<v Speaker 1>I feel like, but but people taking all these extravagant

0:18:48.960 --> 0:18:53.560
<v Speaker 1>measures to to stay socially distance. I would say also,

0:18:53.800 --> 0:18:58.040
<v Speaker 1>the Dallas Housewives are the most stufford wives of any

0:18:58.160 --> 0:19:01.960
<v Speaker 1>of the real housewives. They are. It's different than the

0:19:02.000 --> 0:19:04.800
<v Speaker 1>other franchises because, like in all the other franchises, it's

0:19:04.840 --> 0:19:07.240
<v Speaker 1>like they want to be married, but they also want

0:19:07.240 --> 0:19:09.800
<v Speaker 1>to have careers, And on Dallas, it's like a lot

0:19:09.800 --> 0:19:12.439
<v Speaker 1>of their husbands don't want them to have careers, you know,

0:19:13.640 --> 0:19:17.479
<v Speaker 1>just openly. So they were much more Betty drapery. And

0:19:17.560 --> 0:19:20.919
<v Speaker 1>in that sense, the sort of constant self care feels

0:19:20.960 --> 0:19:23.400
<v Speaker 1>like this other kind of sad, like got to fill

0:19:23.480 --> 0:19:28.080
<v Speaker 1>my days with just buffing myself to a sume because

0:19:28.119 --> 0:19:31.400
<v Speaker 1>that's their job is to look look good for your husband.

0:19:31.680 --> 0:19:34.480
<v Speaker 1>That's why it's surprising to me that that it's considered

0:19:34.640 --> 0:19:36.720
<v Speaker 1>a better place to get work done, because in that

0:19:36.800 --> 0:19:39.320
<v Speaker 1>way it feels more dated like that, yeah, well the

0:19:39.359 --> 0:19:42.240
<v Speaker 1>whole thing feels Yeah, it also feels like eighties, like

0:19:42.240 --> 0:19:45.600
<v Speaker 1>a very eighties kind of wealth. This was This was

0:19:45.680 --> 0:19:48.360
<v Speaker 1>described as like the aesthetic. I mean, I think I'm

0:19:48.359 --> 0:19:51.800
<v Speaker 1>sure cost also comes into play. Um, even with travel,

0:19:51.840 --> 0:19:54.320
<v Speaker 1>It's probably depending on what you have want to have done,

0:19:54.320 --> 0:19:56.679
<v Speaker 1>like you can probably get a better deal. Um, but

0:19:56.760 --> 0:20:00.080
<v Speaker 1>I think it's it's just you know, the idea of

0:20:00.480 --> 0:20:04.679
<v Speaker 1>like a different aesthetic and something that's not as common

0:20:04.720 --> 0:20:06.919
<v Speaker 1>where you are. You can market it to people in

0:20:06.960 --> 0:20:09.280
<v Speaker 1>those other cities by being like, oh, they're doing something

0:20:09.320 --> 0:20:12.440
<v Speaker 1>different over there that you can't get here, or just

0:20:12.520 --> 0:20:14.800
<v Speaker 1>like you know that they have like a lighter touch

0:20:14.920 --> 0:20:18.000
<v Speaker 1>or something. Because it's true that like regionally, there are

0:20:18.080 --> 0:20:21.400
<v Speaker 1>trends that you probably notice if you're like back when

0:20:21.440 --> 0:20:24.840
<v Speaker 1>we used to be out and about as opposed to

0:20:24.920 --> 0:20:28.679
<v Speaker 1>just looking at the grid of the screen. I remember

0:20:28.680 --> 0:20:31.520
<v Speaker 1>when the Brazilian butt lift first became a thing. That

0:20:31.600 --> 0:20:33.480
<v Speaker 1>was the story was that it was like rich people

0:20:33.760 --> 0:20:37.239
<v Speaker 1>flying to South America to get these procedures that are

0:20:37.280 --> 0:20:39.920
<v Speaker 1>like state of the art, you know, just got invented.

0:20:40.240 --> 0:20:42.040
<v Speaker 1>So I also think what you see in big cities

0:20:42.160 --> 0:20:46.560
<v Speaker 1>is like the cumulative effect of many generations of plastic surgery. Yeah,

0:20:47.359 --> 0:20:50.080
<v Speaker 1>the people that have the sort of most messed with faces.

0:20:50.160 --> 0:20:53.040
<v Speaker 1>You can tell that. It's like because because it is like,

0:20:53.200 --> 0:20:57.400
<v Speaker 1>as we'll talk about on death becomes her becomes about maintenance. Yeah,

0:20:57.760 --> 0:21:00.160
<v Speaker 1>you just broke my brain because I had now ever

0:21:00.200 --> 0:21:02.960
<v Speaker 1>really thought about what it would feel like to sit

0:21:03.240 --> 0:21:07.479
<v Speaker 1>on butt injections, And then I started trying to imagine it,

0:21:07.560 --> 0:21:10.480
<v Speaker 1>and now I've lost my bones. I can't feel so

0:21:11.600 --> 0:21:14.960
<v Speaker 1>cushion that never deflates. Do you think that your nerves?

0:21:15.320 --> 0:21:17.399
<v Speaker 1>I mean, like can you even feel? Like? How do

0:21:17.440 --> 0:21:20.800
<v Speaker 1>your nerves react to something like that? I wish I

0:21:20.920 --> 0:21:24.080
<v Speaker 1>never thought of it. I am the most you know, I,

0:21:24.119 --> 0:21:26.320
<v Speaker 1>as we've said on this podcast, like I have a

0:21:26.320 --> 0:21:29.199
<v Speaker 1>pretty okay attitude about the stuff, but the butt stuff

0:21:29.320 --> 0:21:33.280
<v Speaker 1>really squeems me out, like I, yeah, why would it's

0:21:33.359 --> 0:21:36.360
<v Speaker 1>why more than breast because you sit on it? You

0:21:37.720 --> 0:21:40.080
<v Speaker 1>to me, it's the same thing like the idea you

0:21:40.119 --> 0:21:43.639
<v Speaker 1>don't sit on your breasts, do you know? But but

0:21:43.680 --> 0:21:46.000
<v Speaker 1>it's the same idea of like putting something on that

0:21:46.119 --> 0:21:51.680
<v Speaker 1>then you're like you're training nerves sensation for about foods.

0:21:51.680 --> 0:21:54.600
<v Speaker 1>Don't don't don't bother me as much. And I guess

0:21:54.640 --> 0:21:59.320
<v Speaker 1>maybe because it's more normalized even now, h but yeah,

0:21:59.440 --> 0:22:02.120
<v Speaker 1>sitting on or but it's just I don't know, like

0:22:02.160 --> 0:22:06.080
<v Speaker 1>that that feels very uncomfortable to me. Just imagine your

0:22:06.119 --> 0:22:09.480
<v Speaker 1>butt falling asleep. Okay, okay, now I'm ready to get

0:22:09.520 --> 0:22:14.480
<v Speaker 1>my left What if it felt like lumpy or strange,

0:22:14.560 --> 0:22:17.160
<v Speaker 1>like I think with with breast implants. I actually did

0:22:17.240 --> 0:22:19.000
<v Speaker 1>for a while get hung up on the idea of like,

0:22:19.160 --> 0:22:22.639
<v Speaker 1>can you not sleep on your stomach because you're like smushing,

0:22:23.359 --> 0:22:26.600
<v Speaker 1>you know, just feel so uncomfortable definitely when you're healing,

0:22:26.600 --> 0:22:29.680
<v Speaker 1>but then afterwards does it just feel bad? But then

0:22:29.680 --> 0:22:31.840
<v Speaker 1>I was like, man, I sit all the time, I'm

0:22:31.920 --> 0:22:35.000
<v Speaker 1>never not sitting. What if it was super uncomfortable? But

0:22:35.040 --> 0:22:36.920
<v Speaker 1>I just like I didn't know, and then I cut

0:22:36.960 --> 0:22:39.520
<v Speaker 1>the surgery. Yeah, what if it made it more comfortable

0:22:39.560 --> 0:22:41.679
<v Speaker 1>and it was like you were sitting in the luxurious

0:22:41.800 --> 0:22:46.200
<v Speaker 1>do you think? I mean, I have considered that as

0:22:46.240 --> 0:22:52.200
<v Speaker 1>somebody with very little going for me down there, like, great,

0:22:52.720 --> 0:22:55.719
<v Speaker 1>let's open it up. If you know what it feels,

0:22:55.800 --> 0:22:58.160
<v Speaker 1>if you've had butt implants or know someone who does,

0:22:58.600 --> 0:23:02.479
<v Speaker 1>how does it feel it on implants? I'm so curious

0:23:02.560 --> 0:23:04.879
<v Speaker 1>to four oh four six night night called podcast at

0:23:04.880 --> 0:23:07.760
<v Speaker 1>gmail dot complex makes you as anonymous as you wish

0:23:07.840 --> 0:23:11.080
<v Speaker 1>to be. We're very curious, though. You can just email

0:23:11.160 --> 0:23:15.280
<v Speaker 1>me directly and tell me, because I I now can't

0:23:15.560 --> 0:23:17.840
<v Speaker 1>let go of this thought. But yeah, yeah, I don't

0:23:17.880 --> 0:23:20.639
<v Speaker 1>think it's to me. It's the same as any other procedure.

0:23:20.880 --> 0:23:25.560
<v Speaker 1>I feel like people single out the butt injections is

0:23:25.600 --> 0:23:28.040
<v Speaker 1>going too far. But it's like, to me that makes

0:23:28.080 --> 0:23:30.040
<v Speaker 1>the most sense, like who doesn't want to have like

0:23:30.080 --> 0:23:32.480
<v Speaker 1>a big nice But you know it's not it's not

0:23:32.520 --> 0:23:35.000
<v Speaker 1>about like is it worth it or not. I for

0:23:35.040 --> 0:23:39.200
<v Speaker 1>our newsletter this month, I wrote about empty nose syndrome,

0:23:39.400 --> 0:23:42.359
<v Speaker 1>you know, which is when you have your when you

0:23:42.359 --> 0:23:44.440
<v Speaker 1>you can either have it's like your terminates in your

0:23:44.440 --> 0:23:48.600
<v Speaker 1>nose removed because you have horrible congestion, or you can

0:23:48.640 --> 0:23:50.920
<v Speaker 1>have like a deviated septum fixed, and you just get

0:23:50.960 --> 0:23:54.040
<v Speaker 1>this awful side effect, which is that it feels you're

0:23:54.200 --> 0:23:57.520
<v Speaker 1>you feel like you're suffocating. Or then on Reddit, on

0:23:57.560 --> 0:23:59.840
<v Speaker 1>a message board of people who have this or somewhere

0:23:59.840 --> 0:24:02.800
<v Speaker 1>like that, someone said, it just feels like rushing cold

0:24:02.920 --> 0:24:05.600
<v Speaker 1>wind in there, like there's nothing in there, and I

0:24:05.800 --> 0:24:08.080
<v Speaker 1>it freaked me out so much that it's so it's

0:24:08.080 --> 0:24:12.200
<v Speaker 1>not really about like is the achieved result worth the procedure,

0:24:12.240 --> 0:24:15.679
<v Speaker 1>But it's like what unforeseen side effects happened because of

0:24:15.680 --> 0:24:19.800
<v Speaker 1>the procedure that make it so physically uncomfortable to live

0:24:19.840 --> 0:24:22.080
<v Speaker 1>with what you've done, even if from the outside it's

0:24:22.240 --> 0:24:24.600
<v Speaker 1>you can't tell that there's any discomfort at all. I'm

0:24:24.600 --> 0:24:28.160
<v Speaker 1>gonna say also nineties reality TV and recently, more recently

0:24:28.240 --> 0:24:31.360
<v Speaker 1>vander Pump Rules. There's a lot of reality shows that

0:24:31.400 --> 0:24:33.960
<v Speaker 1>involve plastic surgery where they do show you somebody and

0:24:34.040 --> 0:24:38.159
<v Speaker 1>just like absolute hell during the recovery. I think the

0:24:38.240 --> 0:24:41.560
<v Speaker 1>recovery for the butt lift is one of the long

0:24:41.840 --> 0:24:46.879
<v Speaker 1>longest and gnarliest. Um, but facelift too, Oh my god,

0:24:46.960 --> 0:24:50.280
<v Speaker 1>face lift where they take it off and put it

0:24:50.320 --> 0:24:52.600
<v Speaker 1>back on. I can't wait to talk about face off

0:24:52.640 --> 0:24:56.560
<v Speaker 1>with you guys. I feel like I'm less afraid of

0:24:56.640 --> 0:24:59.160
<v Speaker 1>having like a completely changed face to look at them,

0:24:59.240 --> 0:25:01.400
<v Speaker 1>of like having all the time to think about it

0:25:01.600 --> 0:25:04.440
<v Speaker 1>right and checking it up and checking as you heal,

0:25:04.640 --> 0:25:06.400
<v Speaker 1>and like as you start to see what your face

0:25:06.520 --> 0:25:08.600
<v Speaker 1>is going to look like. I mean, this is kind

0:25:08.600 --> 0:25:10.000
<v Speaker 1>of what I had when I was a kid, and

0:25:10.119 --> 0:25:11.480
<v Speaker 1>I was like, oh, is that just how it's going

0:25:11.520 --> 0:25:15.960
<v Speaker 1>to settle? Like it's very weird. Um. Yeah, it's fun

0:25:16.000 --> 0:25:20.959
<v Speaker 1>to feel alienated from your physical apperiances. It's an adventure.

0:25:21.520 --> 0:25:23.480
<v Speaker 1>So we're going to take a quick break and when

0:25:23.480 --> 0:25:27.199
<v Speaker 1>we come back, we'll be joined by Jamie Loftus and

0:25:27.320 --> 0:25:30.800
<v Speaker 1>Caitlin Duranty as to talk about Death Becomes Her, So

0:25:30.920 --> 0:25:47.439
<v Speaker 1>stick around, Hello, and welcome back to Night Call. We

0:25:47.520 --> 0:25:50.439
<v Speaker 1>are joined right now by the co hosts of The

0:25:50.440 --> 0:25:55.399
<v Speaker 1>Bechdel Cast, one of our favorite podcasts. Please welcome Jamie

0:25:55.440 --> 0:26:04.040
<v Speaker 1>Loftus and Caitlin Duranty. Thanks for having us privilege. We

0:26:04.119 --> 0:26:10.359
<v Speaker 1>have attempted the most unwieldy covid era podcast by trying

0:26:10.400 --> 0:26:12.840
<v Speaker 1>to get five people on a podcast over zoom at

0:26:12.840 --> 0:26:15.960
<v Speaker 1>the same time. So everybody should be really proud of us, right,

0:26:16.160 --> 0:26:22.879
<v Speaker 1>really heroic effort to heroes really like things are joining

0:26:22.960 --> 0:26:26.000
<v Speaker 1>us today to talk about one of the all time

0:26:26.119 --> 0:26:36.800
<v Speaker 1>classic plastic surgery movies. Robert smeass Death Becomes Her. Oh

0:26:37.760 --> 0:26:42.320
<v Speaker 1>a simpler time. Have you guys seen this before? Yes,

0:26:42.359 --> 0:26:46.159
<v Speaker 1>we've actually covered it on a bonus Patreon episode of

0:26:46.200 --> 0:26:50.520
<v Speaker 1>The Bechtel Cast. Yeah, so we've analyzed it from It's weird.

0:26:50.520 --> 0:26:53.080
<v Speaker 1>I think we talked about like the elements of like

0:26:53.560 --> 0:26:56.120
<v Speaker 1>plastic surgery body horror in this movie, but we didn't

0:26:56.160 --> 0:27:00.360
<v Speaker 1>get super deep into it. I'm excited. Yeah, I mean,

0:27:00.640 --> 0:27:03.320
<v Speaker 1>this is my first time seeing it. I still can't

0:27:03.359 --> 0:27:07.359
<v Speaker 1>believe that. Emily, Yeah, how did you avoid it. I

0:27:07.359 --> 0:27:10.000
<v Speaker 1>don't know, you know, I think it came out in

0:27:10.119 --> 0:27:12.080
<v Speaker 1>this funny time when I was like too young to

0:27:12.160 --> 0:27:15.760
<v Speaker 1>see it, and I don't know, it was just not

0:27:16.600 --> 0:27:18.840
<v Speaker 1>on my radar something to see when I was whatever

0:27:18.880 --> 0:27:21.840
<v Speaker 1>seven years old, and then I don't know, it just

0:27:21.880 --> 0:27:24.600
<v Speaker 1>skipped me. Like I associated this movie for a long

0:27:24.640 --> 0:27:26.600
<v Speaker 1>time with Witches of Eastwick, but I saw Which Is

0:27:26.600 --> 0:27:28.640
<v Speaker 1>of east Wick before I saw this, so I don't

0:27:28.680 --> 0:27:30.960
<v Speaker 1>I don't know, I don't know what to say. I've

0:27:30.960 --> 0:27:33.639
<v Speaker 1>also been on kind of a Robert Zemecka's kick lately,

0:27:33.800 --> 0:27:38.080
<v Speaker 1>like I find his filmography to be extremely watchable during

0:27:38.280 --> 0:27:41.280
<v Speaker 1>the pandemic, at least the first half of it. I mean,

0:27:41.520 --> 0:27:47.480
<v Speaker 1>his later movies get a little Sure, you don't you're

0:27:47.480 --> 0:27:54.000
<v Speaker 1>not Marwin Head, Sorry, sorry, sorry, Marwin. I love Back

0:27:54.080 --> 0:27:57.840
<v Speaker 1>to the Future that I think it's terrible. I'm in

0:27:57.880 --> 0:28:00.320
<v Speaker 1>no big hurry to rewatch Back to the few Sure,

0:28:01.440 --> 0:28:03.760
<v Speaker 1>it's still one of my favorite movies of all time.

0:28:03.920 --> 0:28:06.359
<v Speaker 1>I watched Back to the Future like once every two years.

0:28:06.480 --> 0:28:09.320
<v Speaker 1>Especially it's really fun once you have kids to introduce

0:28:09.400 --> 0:28:12.240
<v Speaker 1>them to Back to the Future, because it's also it's

0:28:12.240 --> 0:28:15.120
<v Speaker 1>one of the like I don't know, with my son.

0:28:15.200 --> 0:28:16.760
<v Speaker 1>I was like, oh, I have to wait a little,

0:28:16.840 --> 0:28:18.840
<v Speaker 1>you know, until he's a little older to introduce this

0:28:18.960 --> 0:28:21.280
<v Speaker 1>or this. But I'm like, back to the future. It's

0:28:21.320 --> 0:28:29.000
<v Speaker 1>appealing for everybody. Uh I love that movie favorite. Yeah,

0:28:29.080 --> 0:28:31.800
<v Speaker 1>well this because this is interesting because it comes between

0:28:32.119 --> 0:28:37.840
<v Speaker 1>Roger Rabbit and Forrest Gump, right, which is like I

0:28:37.880 --> 0:28:40.520
<v Speaker 1>don't know how you connect those thoughts except that like

0:28:40.600 --> 0:28:42.720
<v Speaker 1>death that comes to her just feels like a cartoon

0:28:42.840 --> 0:28:47.640
<v Speaker 1>for adults. Like, Yeah, there's a lot of movies from

0:28:47.640 --> 0:28:50.600
<v Speaker 1>around this era that I feel like kind of fit

0:28:50.680 --> 0:28:54.160
<v Speaker 1>into that, Like there's this has anybody's seen this totally

0:28:54.720 --> 0:29:02.560
<v Speaker 1>like bananas insane film called um god, Nothing Trouble. Oh yeah,

0:29:02.600 --> 0:29:05.560
<v Speaker 1>it's like that. It's like live action cartoons that are

0:29:05.640 --> 0:29:09.000
<v Speaker 1>kind of like too risque for children. I'm shocked we

0:29:09.000 --> 0:29:14.240
<v Speaker 1>didn't cover nothing but Trouble and terrifying eighties prosthetics. Yeah,

0:29:15.200 --> 0:29:17.360
<v Speaker 1>what is nothing but Trouble? Oh my god. I just

0:29:17.400 --> 0:29:18.760
<v Speaker 1>saw it for the first time, like a couple of

0:29:18.800 --> 0:29:21.400
<v Speaker 1>years ago, because my boyfriend really loves it. It's a

0:29:21.480 --> 0:29:25.520
<v Speaker 1>dan ackroid movie about a bunch of like New York

0:29:25.600 --> 0:29:30.240
<v Speaker 1>yuppies getting stranded in a weird industrial East Coast Town.

0:29:30.840 --> 0:29:35.560
<v Speaker 1>They can't escape, but there's a lot of like terrifying makeup,

0:29:35.960 --> 0:29:38.920
<v Speaker 1>dan ackroid playing a bunch of different characters and like

0:29:39.040 --> 0:29:45.960
<v Speaker 1>nutty professor, makeup type, prosthetics, prosthetics um and digital underground

0:29:46.040 --> 0:29:50.280
<v Speaker 1>or in it. Oh whoa, it's truly. It's truly a

0:29:50.360 --> 0:29:52.200
<v Speaker 1>like like when I saw it, I was not only

0:29:52.240 --> 0:29:53.640
<v Speaker 1>like how did this get made? I was just like,

0:29:53.680 --> 0:29:56.160
<v Speaker 1>how did I never? How did no one ever say

0:29:56.280 --> 0:30:00.400
<v Speaker 1>you have to see this? It's so insane? Are young?

0:30:00.560 --> 0:30:02.320
<v Speaker 1>Like I saw it at a slumber party or something,

0:30:02.320 --> 0:30:04.520
<v Speaker 1>probably around when I came out, and I was totally

0:30:04.560 --> 0:30:06.600
<v Speaker 1>baffled by it at the time. I would be interested

0:30:06.640 --> 0:30:09.760
<v Speaker 1>to re watch. I was terrified of Death Becomes Her

0:30:09.840 --> 0:30:14.360
<v Speaker 1>when I saw it originally, really yeah, because scared of it.

0:30:14.960 --> 0:30:18.040
<v Speaker 1>I found it so creepy. And I saw it with

0:30:18.080 --> 0:30:21.480
<v Speaker 1>like a friend and whose dad took us to see it,

0:30:21.480 --> 0:30:23.560
<v Speaker 1>because I feel like my parents probably would have been like,

0:30:23.640 --> 0:30:26.520
<v Speaker 1>it's too scary for like a nine year old, you know,

0:30:26.880 --> 0:30:31.480
<v Speaker 1>but I totally was freaked out by it. It was

0:30:31.560 --> 0:30:34.880
<v Speaker 1>just so the prosthetics and makeup and such ele effects

0:30:34.880 --> 0:30:37.400
<v Speaker 1>were just so creepy to me. This is like my

0:30:37.520 --> 0:30:42.520
<v Speaker 1>favorite era of like visual effects. I think, because it's

0:30:42.520 --> 0:30:45.440
<v Speaker 1>like it doesn't look like good, but you can just

0:30:45.480 --> 0:30:48.400
<v Speaker 1>tell they're doing so many different things, Like there are

0:30:48.440 --> 0:30:50.640
<v Speaker 1>some you're like, oh, that's a computer, You're like, no,

0:30:50.720 --> 0:30:53.480
<v Speaker 1>that's an animal trunk that's and I feel like maybe

0:30:53.640 --> 0:30:55.760
<v Speaker 1>originally you weren't supposed to be able to tell, but

0:30:55.800 --> 0:30:59.440
<v Speaker 1>now it's very like clear who didn't. I also think

0:30:59.480 --> 0:31:01.719
<v Speaker 1>that there was so much trial and error. It sounds

0:31:01.760 --> 0:31:03.840
<v Speaker 1>like in the filming of it where they were like, okay,

0:31:03.840 --> 0:31:05.640
<v Speaker 1>we can do that with an animatronic head, and then

0:31:05.640 --> 0:31:07.320
<v Speaker 1>they look at it and they're just like, no, we

0:31:07.360 --> 0:31:09.480
<v Speaker 1>have to go back and do c G. I. It

0:31:09.520 --> 0:31:13.640
<v Speaker 1>sounds like it must have been a really interminably long

0:31:13.800 --> 0:31:18.680
<v Speaker 1>shoot and really horribly frustrating. But I love the texture

0:31:18.720 --> 0:31:21.240
<v Speaker 1>of like the neckbones popping out. I love that ship.

0:31:21.160 --> 0:31:24.640
<v Speaker 1>It looks so good to me. I think I was

0:31:24.680 --> 0:31:27.320
<v Speaker 1>also unsettled, as like a kid by like what this

0:31:27.360 --> 0:31:31.360
<v Speaker 1>movie appeared to say about women. You know, sure, I

0:31:31.480 --> 0:31:36.040
<v Speaker 1>was like I'm nine, but it's like this what's in

0:31:36.200 --> 0:31:38.240
<v Speaker 1>store for me as an adult? Like this is what

0:31:38.360 --> 0:31:40.840
<v Speaker 1>all these movies when you're a kid kind of that's

0:31:40.880 --> 0:31:42.920
<v Speaker 1>the question behind them, is like this is this what

0:31:43.040 --> 0:31:46.200
<v Speaker 1>being a grown up is like. Yeah, but I found

0:31:46.200 --> 0:31:49.840
<v Speaker 1>out just reading about it yesterday that it was made

0:31:49.920 --> 0:31:52.480
<v Speaker 1>basically at the same time that SACas was doing Tales

0:31:52.520 --> 0:31:55.440
<v Speaker 1>from the Crypt, and it was sort of an idea

0:31:55.520 --> 0:31:57.440
<v Speaker 1>that came out of Tales from the Crypt and was

0:31:57.480 --> 0:31:59.560
<v Speaker 1>maybe originally going to just be a Tales from the

0:31:59.600 --> 0:32:01.840
<v Speaker 1>Crypt episode. And that made it make a lot more

0:32:01.880 --> 0:32:04.680
<v Speaker 1>sense to me because it totally feels like a fifties

0:32:04.720 --> 0:32:08.400
<v Speaker 1>horror comic. Yes, And that also makes it like it

0:32:08.440 --> 0:32:11.320
<v Speaker 1>doesn't matter that they're both just really vain and sort

0:32:11.360 --> 0:32:19.040
<v Speaker 1>of shallow people. It's like just a moral parable moral tale. Um.

0:32:19.080 --> 0:32:22.800
<v Speaker 1>Should we go over what exactly becomes her is about?

0:32:23.240 --> 0:32:26.400
<v Speaker 1>Just in case somebody like me as of a week

0:32:26.440 --> 0:32:33.720
<v Speaker 1>ago hasn't seen it. So basically, there's Helen, who's played

0:32:33.760 --> 0:32:37.640
<v Speaker 1>by Goldie Hawn and Madeleine what's her last name again?

0:32:38.160 --> 0:32:45.160
<v Speaker 1>Made a who's Meryl Streep and they were childhood friends

0:32:45.280 --> 0:32:49.080
<v Speaker 1>and kind of rivals. So um, Goldie Hawn. Helen is

0:32:49.160 --> 0:32:52.560
<v Speaker 1>engaged I believe, to Bruce Willis, whose name in the

0:32:52.600 --> 0:32:56.760
<v Speaker 1>movie is Ernest Menville Um, who is a plastic surgeon.

0:32:56.800 --> 0:33:00.880
<v Speaker 1>They're engaged and she he is going to meet Helen

0:33:00.960 --> 0:33:04.000
<v Speaker 1>for the first time, I mean Madeline for the first time,

0:33:04.200 --> 0:33:06.920
<v Speaker 1>and Helen starts twisting a napkin and she's like, he

0:33:07.160 --> 0:33:10.360
<v Speaker 1>you know, she'll steal you. She steals everything from me,

0:33:10.720 --> 0:33:14.800
<v Speaker 1>and then cut to Madaline and Ernest getting married and

0:33:14.880 --> 0:33:19.600
<v Speaker 1>the beginning of like Goldie Hawns Total Downfall, where she's institutionalized,

0:33:19.640 --> 0:33:22.800
<v Speaker 1>gains a million pounds and basically decides that she's going

0:33:22.840 --> 0:33:28.160
<v Speaker 1>to destroy Madeleine's life and Ernest as well. Then eventually

0:33:28.200 --> 0:33:32.880
<v Speaker 1>you get to Isabella Rosselini as a person with a

0:33:32.960 --> 0:33:37.120
<v Speaker 1>potion where if you take it then you are always

0:33:37.160 --> 0:33:39.080
<v Speaker 1>the same age, but you have to take care of

0:33:39.080 --> 0:33:42.320
<v Speaker 1>your body because you can basically become like a living

0:33:42.360 --> 0:33:47.760
<v Speaker 1>corpse spoiler, which of course happens, and then they end

0:33:47.880 --> 0:33:51.800
<v Speaker 1>up in a battle where they both die but are

0:33:52.200 --> 0:33:55.520
<v Speaker 1>the living dead and also have to be spray painted

0:33:55.560 --> 0:33:59.880
<v Speaker 1>with like, you know, formalde hyde paint which sticks to corpse,

0:34:00.480 --> 0:34:03.480
<v Speaker 1>which is very convenient because Ernest in a in a

0:34:04.080 --> 0:34:06.800
<v Speaker 1>side part of the story which we don't don't see

0:34:06.840 --> 0:34:09.040
<v Speaker 1>but feels like a whole movie and to itself, becomes

0:34:09.040 --> 0:34:13.400
<v Speaker 1>an alcoholic who gets like like he loses his um

0:34:13.920 --> 0:34:16.560
<v Speaker 1>license or whatever. To be a plastic surgeon, so he

0:34:16.600 --> 0:34:21.520
<v Speaker 1>has to be a reconstructive mortician. He like an undertaker,

0:34:22.800 --> 0:34:26.480
<v Speaker 1>but he's brilliant at spray painting corpses. Bruce Willis is,

0:34:26.560 --> 0:34:30.600
<v Speaker 1>this is like the best Bruce Willis. It's a very

0:34:31.360 --> 0:34:34.000
<v Speaker 1>lifetime when they just let him be a character actor.

0:34:34.040 --> 0:34:38.719
<v Speaker 1>He's so fun and he's so likable, even in this role.

0:34:38.760 --> 0:34:41.640
<v Speaker 1>You're like, he seems great, Like he's such a hero

0:34:41.800 --> 0:34:44.800
<v Speaker 1>in this movie. I could not disagree more. I find really,

0:34:46.800 --> 0:34:49.520
<v Speaker 1>you know, I don't think he's great. I think he's

0:34:49.600 --> 0:34:54.879
<v Speaker 1>so miscast, seem you know, it was almost Kevin Kline, Well,

0:34:54.920 --> 0:34:58.400
<v Speaker 1>that would make a lot more sense. And also Jeff Bridges,

0:34:58.440 --> 0:35:01.600
<v Speaker 1>I think auditioned and was turned to down, which I

0:35:01.719 --> 0:35:04.440
<v Speaker 1>was like, what this is all over the map. This

0:35:04.480 --> 0:35:08.000
<v Speaker 1>feels like a degree to which Bruce Willis doesn't make

0:35:08.080 --> 0:35:10.279
<v Speaker 1>sense because it does feel like a little bit like

0:35:10.360 --> 0:35:12.839
<v Speaker 1>out of his lane. But I feel like that's why

0:35:12.840 --> 0:35:16.200
<v Speaker 1>I feel like he's winking the whole time, being like,

0:35:16.360 --> 0:35:19.879
<v Speaker 1>isn't this cool? I'm playing a guy who's not cool.

0:35:20.440 --> 0:35:23.240
<v Speaker 1>Imagine me the coolest guy in the world. And also

0:35:23.800 --> 0:35:27.480
<v Speaker 1>they listed some names that he had suggested for the movie.

0:35:29.600 --> 0:35:35.520
<v Speaker 1>They were like the death Blues, and the other one

0:35:35.680 --> 0:35:41.200
<v Speaker 1>is like death is my Lady? Is my Lady? That's

0:35:41.200 --> 0:35:44.719
<v Speaker 1>a good that's a good title. Though, well, death Becomes

0:35:44.719 --> 0:35:46.800
<v Speaker 1>Her as a great title, even though I don't fully

0:35:46.880 --> 0:35:51.040
<v Speaker 1>understand it. Well, it's like something that people like say

0:35:51.360 --> 0:35:53.440
<v Speaker 1>it's like a very it feels like a very Adams

0:35:53.480 --> 0:35:56.719
<v Speaker 1>Family typeline. Like it feels like a tea up for

0:35:56.760 --> 0:35:59.239
<v Speaker 1>a joke in an Adam's Family movie. Is it a

0:35:59.400 --> 0:36:01.719
<v Speaker 1>Robert of time or joke? Is it like I Am

0:36:01.760 --> 0:36:04.279
<v Speaker 1>Become Death? It's like it's like if you're looking at

0:36:04.320 --> 0:36:07.160
<v Speaker 1>a beautiful corpse and you're like, oh, death becomes her?

0:36:07.440 --> 0:36:11.799
<v Speaker 1>Like it it's like put that together. I was like,

0:36:13.120 --> 0:36:15.640
<v Speaker 1>it is okay, so much. I don't think it's also

0:36:15.840 --> 0:36:21.120
<v Speaker 1>I am become Death, destroyer of world her. Yeah, she

0:36:21.280 --> 0:36:25.240
<v Speaker 1>becomes death. I think it works both ways. Jamie and Caitlin,

0:36:25.280 --> 0:36:27.959
<v Speaker 1>are you generally fans of this movie or not so much?

0:36:28.400 --> 0:36:31.080
<v Speaker 1>I like the movie a lot, but I don't think

0:36:31.080 --> 0:36:34.920
<v Speaker 1>that for for the purposes of our podcast, affairs not

0:36:35.040 --> 0:36:38.120
<v Speaker 1>super well. Oh yeah, just because the whole thing is

0:36:38.160 --> 0:36:43.839
<v Speaker 1>about two women fighting over nerdy Bruce Willis, and just

0:36:43.920 --> 0:36:49.560
<v Speaker 1>like the idea they are presented as being so obsessed

0:36:49.640 --> 0:36:53.799
<v Speaker 1>with like maintaining their youth, but like without exploring why

0:36:53.840 --> 0:36:56.440
<v Speaker 1>that might be or the implications of that or anything,

0:36:56.600 --> 0:37:00.319
<v Speaker 1>I just seem like it's their fault. Yeah. Yeah, I

0:37:00.440 --> 0:37:03.560
<v Speaker 1>love the movie. I think it's very silly. It's a

0:37:03.800 --> 0:37:05.759
<v Speaker 1>it's it gets a ten out of ten on my

0:37:05.960 --> 0:37:11.680
<v Speaker 1>Rombo meter. It's lots of fun, big camp energy to

0:37:12.600 --> 0:37:15.080
<v Speaker 1>such a big camp energy, so camp. Even if it

0:37:15.120 --> 0:37:17.920
<v Speaker 1>doesn't technically pass the back del test, it feels like

0:37:17.960 --> 0:37:21.120
<v Speaker 1>it passes the like whatever happened to Baby Jane tests?

0:37:21.400 --> 0:37:26.440
<v Speaker 1>I mean, yes, but it's also there their relationship I

0:37:26.560 --> 0:37:29.200
<v Speaker 1>find deep enough to make up for the fact that

0:37:29.239 --> 0:37:32.600
<v Speaker 1>as individuals there's not that much depth there. But I

0:37:32.640 --> 0:37:36.440
<v Speaker 1>also I just I think it's such a funny movie,

0:37:36.920 --> 0:37:39.520
<v Speaker 1>and I was surprised that when it came out it

0:37:39.560 --> 0:37:43.080
<v Speaker 1>was like danged for not being like, I mean, at

0:37:43.160 --> 0:37:46.680
<v Speaker 1>least admit that it's very funny, right of course. Yeah,

0:37:46.920 --> 0:37:50.560
<v Speaker 1>I think it's also just makes people uncomfortable to think about,

0:37:50.719 --> 0:37:54.440
<v Speaker 1>which is a testament to what's good about it, but

0:37:54.520 --> 0:37:58.080
<v Speaker 1>also what makes it freaky. Yeah. I mean I think

0:37:58.120 --> 0:38:00.399
<v Speaker 1>that there is something about their friendship and though they're

0:38:00.400 --> 0:38:03.480
<v Speaker 1>both horrible people. Like by the end when they're at

0:38:03.760 --> 0:38:07.640
<v Speaker 1>his funeral and they're these two like Decayne people who

0:38:07.680 --> 0:38:09.400
<v Speaker 1>can only hang out with each other. I mean it

0:38:09.400 --> 0:38:12.520
<v Speaker 1>becomes the vampire movie. Basically, it's just like we can

0:38:12.560 --> 0:38:14.480
<v Speaker 1>only hang out with each other because we're the only

0:38:14.520 --> 0:38:17.200
<v Speaker 1>people who have our life experience. Yeah, and we're not

0:38:17.280 --> 0:38:19.759
<v Speaker 1>duck with each other. That's the fantasy, right that, like

0:38:19.840 --> 0:38:23.800
<v Speaker 1>Betty and Veronica just outlive Archie to become empires together.

0:38:26.000 --> 0:38:28.400
<v Speaker 1>I did, I think when we were first covering it,

0:38:28.520 --> 0:38:32.480
<v Speaker 1>I remember thinking, like, I wish that we knew why

0:38:32.520 --> 0:38:34.919
<v Speaker 1>they dislike each other so much earlier in the movie,

0:38:34.920 --> 0:38:37.880
<v Speaker 1>because I feel like you find out pretty far in

0:38:37.880 --> 0:38:39.319
<v Speaker 1>in a way that I was like, I didn't get

0:38:39.320 --> 0:38:43.120
<v Speaker 1>anything extra by having that information like withheld from me

0:38:43.239 --> 0:38:47.040
<v Speaker 1>for like an hour. But like once you understand it,

0:38:47.080 --> 0:38:50.560
<v Speaker 1>I feel like the relationship like takes off and and

0:38:50.800 --> 0:38:53.680
<v Speaker 1>feels like it makes more sense. But it was just

0:38:53.920 --> 0:38:55.799
<v Speaker 1>for the first half of the movie. I'm like, wait, why,

0:38:55.960 --> 0:38:58.080
<v Speaker 1>like why do they hate each other so much? Why

0:38:58.080 --> 0:39:00.160
<v Speaker 1>will they not tell us? I think I think are

0:39:00.160 --> 0:39:05.320
<v Speaker 1>just meant to understand it as a boilerplate like female

0:39:05.360 --> 0:39:09.440
<v Speaker 1>friendship as understood by men. Where they actually each other. Well,

0:39:09.480 --> 0:39:10.960
<v Speaker 1>there's the thing it's like, is it's supposed to be

0:39:10.960 --> 0:39:14.960
<v Speaker 1>a twist that there's actually a solid reason why they

0:39:14.960 --> 0:39:18.440
<v Speaker 1>don't like each other, or just like I think Goldie

0:39:18.440 --> 0:39:22.640
<v Speaker 1>Hans character says pretty early on that it's how you know,

0:39:22.680 --> 0:39:25.759
<v Speaker 1>Madeline like takes everything from her, like steals all of

0:39:25.800 --> 0:39:28.680
<v Speaker 1>her boyfriends and everything. But then there's that monologue or

0:39:28.680 --> 0:39:31.280
<v Speaker 1>I guess it's an exchange that's like in the last

0:39:31.560 --> 0:39:35.120
<v Speaker 1>portion of the movie where you know, Meryl Streep like

0:39:35.200 --> 0:39:37.880
<v Speaker 1>forces Goldie Han to admit that she always thought she

0:39:38.000 --> 0:39:41.440
<v Speaker 1>was cheap or something like so you always thought I

0:39:41.480 --> 0:39:43.399
<v Speaker 1>was cheap and I was like, okay, So I guess

0:39:43.440 --> 0:39:47.040
<v Speaker 1>there are more layers to that. But stealing someone's fiances,

0:39:47.160 --> 0:39:50.640
<v Speaker 1>like that's that's reason enough to pretty big and and

0:39:50.680 --> 0:39:54.600
<v Speaker 1>like it's and him or or Goldie Han taking Bruce

0:39:54.640 --> 0:39:58.480
<v Speaker 1>Willis to see Madeline show is sort of like presented

0:39:58.520 --> 0:40:00.319
<v Speaker 1>as a test, like it was a test, is like

0:40:00.560 --> 0:40:02.600
<v Speaker 1>you can see her and not fall in love with her,

0:40:02.680 --> 0:40:04.200
<v Speaker 1>then I know we're meant to be together. And he

0:40:04.280 --> 0:40:06.640
<v Speaker 1>fails the tests, so it's like the Bechdel tests, but

0:40:06.719 --> 0:40:15.320
<v Speaker 1>they does. Yeah, I truly, I truly hate the fat suit. Yeah,

0:40:15.320 --> 0:40:18.840
<v Speaker 1>that's the part of the movie. Yeah. Suits. But that

0:40:18.920 --> 0:40:20.520
<v Speaker 1>to me, I think I just felt a little bit

0:40:20.560 --> 0:40:24.799
<v Speaker 1>like this movie doesn't have that much respect for its characters,

0:40:25.080 --> 0:40:29.000
<v Speaker 1>and you feel that it's the problem with a lot

0:40:29.040 --> 0:40:33.239
<v Speaker 1>of camp. For me, uh, it's like good camp. You

0:40:34.239 --> 0:40:37.840
<v Speaker 1>feel emotions about these people. It's like melodrama. This to

0:40:37.920 --> 0:40:40.279
<v Speaker 1>me just feels a little bit too much, like yeah,

0:40:40.280 --> 0:40:43.560
<v Speaker 1>like aren't women stupid? Yeah? Oh see, I think they're

0:40:43.560 --> 0:40:47.239
<v Speaker 1>compelling enough. I like the fact that you're expected to

0:40:47.360 --> 0:40:52.560
<v Speaker 1>deal with like two very evil, competitive like witchy women

0:40:52.719 --> 0:40:55.239
<v Speaker 1>and then they take it for granted like well they're in.

0:40:55.360 --> 0:40:57.840
<v Speaker 1>You know, they'll hold your attention, just like to evil

0:40:58.280 --> 0:41:02.080
<v Speaker 1>witchy men would hold your engine. And I do think

0:41:02.120 --> 0:41:05.080
<v Speaker 1>there are moments like I mean, I think that that

0:41:05.440 --> 0:41:08.560
<v Speaker 1>Goldie Hunt's character is like more sympathetic of the two

0:41:08.600 --> 0:41:11.600
<v Speaker 1>of them. But even when Meryl Streep is like before

0:41:11.640 --> 0:41:14.880
<v Speaker 1>she goes to see Isabella and Celini, who is also incredible,

0:41:15.120 --> 0:41:20.160
<v Speaker 1>so yeah, um, but when she's at the regular plastic

0:41:20.200 --> 0:41:22.959
<v Speaker 1>surgeons and she's having her melt down because she can't

0:41:23.000 --> 0:41:26.240
<v Speaker 1>get like another whatever treatment that she wants again, and

0:41:26.400 --> 0:41:28.120
<v Speaker 1>you see that like even though she's the person who,

0:41:28.160 --> 0:41:31.080
<v Speaker 1>like one that particular battle like it's it's still this

0:41:31.360 --> 0:41:35.040
<v Speaker 1>just punishing kind of game she's set herself up in

0:41:35.120 --> 0:41:38.719
<v Speaker 1>where she has to continually beat herself at being young

0:41:38.719 --> 0:41:41.560
<v Speaker 1>and beautiful and beautiful even though it's like against the

0:41:41.640 --> 0:41:44.560
<v Speaker 1>laws of nature. I don't know that feels like even

0:41:44.600 --> 0:41:47.400
<v Speaker 1>though she sucks, it's like you feel bad for somebody

0:41:47.400 --> 0:41:51.120
<v Speaker 1>who's opted into that. Yeah, and it's good that they're

0:41:51.160 --> 0:41:54.600
<v Speaker 1>both so blatantly unlikable. You know. I'm not saying I

0:41:54.719 --> 0:41:57.760
<v Speaker 1>want them to be softened necessarily or have some moment

0:41:57.800 --> 0:42:00.560
<v Speaker 1>where it's like, oh, they're real people. I would just

0:42:00.600 --> 0:42:03.759
<v Speaker 1>like more detail about their background and friendship. You want

0:42:03.800 --> 0:42:09.640
<v Speaker 1>the serious. I definitely think it like works more for me,

0:42:10.400 --> 0:42:12.279
<v Speaker 1>Like if I reframe it in my head as like

0:42:12.480 --> 0:42:17.320
<v Speaker 1>a class commentary, then as like, sure, how women relate

0:42:17.360 --> 0:42:20.640
<v Speaker 1>to like from a like from a feminist it's hard,

0:42:20.800 --> 0:42:22.600
<v Speaker 1>it's hard to make an argument for it. But from

0:42:22.600 --> 0:42:25.840
<v Speaker 1>a class standpoint, I feel like that's like an easier

0:42:25.840 --> 0:42:28.720
<v Speaker 1>pill for me to swallow of like what the intent

0:42:28.880 --> 0:42:32.200
<v Speaker 1>might have been, But I don't know. It's sort of

0:42:32.280 --> 0:42:37.080
<v Speaker 1>yadda yadda. How Goldie Han has the means to have

0:42:37.120 --> 0:42:41.240
<v Speaker 1>her come up because it's supposed to be like exorbitantly

0:42:41.280 --> 0:42:44.719
<v Speaker 1>expensive to do. Because Goldie Han's character became a best

0:42:44.800 --> 0:42:49.960
<v Speaker 1>selling author and only after she thought motion right, I

0:42:50.160 --> 0:42:52.560
<v Speaker 1>she said that she gave everything. Well, I think in

0:42:52.600 --> 0:42:55.160
<v Speaker 1>the original I went like really too deep on trying

0:42:55.160 --> 0:42:59.359
<v Speaker 1>to find that. Yeah, in the original script, I think

0:42:59.360 --> 0:43:02.759
<v Speaker 1>that they were both like semi I might be making

0:43:02.840 --> 0:43:05.160
<v Speaker 1>up that they were semi both semi wealthy, but they

0:43:05.200 --> 0:43:08.120
<v Speaker 1>met at Radcliffe as opposed to being childhood friends, so

0:43:08.120 --> 0:43:11.200
<v Speaker 1>I assumed they had like family money and then um,

0:43:11.239 --> 0:43:14.520
<v Speaker 1>Goldie Hawn spent it all adjust for inflation because Goldie

0:43:14.560 --> 0:43:17.400
<v Speaker 1>Hawn got it much earlier, of course than Meryl Streep

0:43:17.960 --> 0:43:20.520
<v Speaker 1>and so it was less. But she gave up everything.

0:43:20.840 --> 0:43:23.279
<v Speaker 1>Then that gave her the juice to, like, you know,

0:43:24.120 --> 0:43:26.560
<v Speaker 1>basically try and earn it all back by exploiting the

0:43:26.600 --> 0:43:29.280
<v Speaker 1>fact that she looks great in writing books about it. Yeah.

0:43:29.320 --> 0:43:32.160
<v Speaker 1>I mean, I justify everything in this movie. But the

0:43:32.200 --> 0:43:34.640
<v Speaker 1>funniest thing about this movie is how much of the

0:43:34.719 --> 0:43:38.279
<v Speaker 1>transformation between when they're like old and ugly and like

0:43:38.400 --> 0:43:42.279
<v Speaker 1>young and beautiful again, it's just makeup and wardrobe, right, Well,

0:43:42.320 --> 0:43:45.759
<v Speaker 1>aren't they just going to like present day Goldie Hawn

0:43:45.840 --> 0:43:48.440
<v Speaker 1>and Meryl Street because like they're supposed to be older,

0:43:48.840 --> 0:43:52.640
<v Speaker 1>and I think, so, right, that's it. It looked like

0:43:52.760 --> 0:43:55.239
<v Speaker 1>that was how they looked then, right. And I also

0:43:55.280 --> 0:43:57.879
<v Speaker 1>feel like Meryl Streep always looks the same, so who knows.

0:43:57.960 --> 0:44:00.960
<v Speaker 1>Like she's apparently forty three when she made this, I

0:44:00.960 --> 0:44:03.840
<v Speaker 1>think Goldie Hawn was about fifty. She was Goldie on with.

0:44:06.920 --> 0:44:09.640
<v Speaker 1>It's funny because I watched Shampoo last night and like

0:44:09.760 --> 0:44:13.520
<v Speaker 1>accidentally kind of had a Goldie hank back to back

0:44:13.880 --> 0:44:18.040
<v Speaker 1>like and it was very enlightening. She's but yeah, she's

0:44:18.120 --> 0:44:22.680
<v Speaker 1>the best. She's so I think this is the most

0:44:23.160 --> 0:44:26.440
<v Speaker 1>like quintessential plastic surgery movie. Though. I was so happy

0:44:26.480 --> 0:44:28.360
<v Speaker 1>that we were watching it because I was like, you know,

0:44:28.480 --> 0:44:30.440
<v Speaker 1>i'd also I watched Face Off, which we're going to

0:44:30.520 --> 0:44:33.040
<v Speaker 1>tackle at some point too, and those are the two

0:44:33.080 --> 0:44:36.319
<v Speaker 1>that I always think of for plastic surgery. Um, but

0:44:36.520 --> 0:44:40.319
<v Speaker 1>this one, like the entire movie, is just such a

0:44:40.520 --> 0:44:44.880
<v Speaker 1>great way of summing up, like, you know, the real

0:44:45.640 --> 0:44:49.399
<v Speaker 1>horror of like taking off your face and pulling it

0:44:49.719 --> 0:44:51.640
<v Speaker 1>putting it back on. I mean, I think it just

0:44:51.719 --> 0:44:53.920
<v Speaker 1>really maybe that's why I love it so much, is

0:44:53.960 --> 0:44:57.320
<v Speaker 1>because I'm so uncomfortable with the idea of plastic surgery

0:44:57.360 --> 0:44:59.680
<v Speaker 1>that I feel like this is the movie for that.

0:45:00.040 --> 0:45:04.239
<v Speaker 1>That makes it as horrifying as all. Yeah, yeah, I mean,

0:45:04.280 --> 0:45:06.799
<v Speaker 1>And it's like so clear in the movie that like

0:45:06.920 --> 0:45:11.440
<v Speaker 1>they're not doing it for themselves necessarily, like it's for

0:45:11.520 --> 0:45:14.480
<v Speaker 1>both of them. It's a survival move rather than like

0:45:14.560 --> 0:45:16.600
<v Speaker 1>this is how I want my body to look, just

0:45:16.640 --> 0:45:23.080
<v Speaker 1>because yeah, it's like a socio economic strategy. Yeah, Madaline,

0:45:23.120 --> 0:45:25.480
<v Speaker 1>it's like part of her career. Like you see the

0:45:25.520 --> 0:45:28.480
<v Speaker 1>opening scene of like people walking out of the theater

0:45:28.640 --> 0:45:32.040
<v Speaker 1>of like whatever stage production she's doing, and people like, oh,

0:45:32.200 --> 0:45:36.920
<v Speaker 1>she's so old, what a ancient which I'm looking at

0:45:36.960 --> 0:45:39.280
<v Speaker 1>on stage and it's like, what are you talking about?

0:45:39.360 --> 0:45:42.719
<v Speaker 1>She's like in her forties. But I think like one

0:45:42.719 --> 0:45:44.719
<v Speaker 1>of the big conversations that we had had about it

0:45:44.800 --> 0:45:48.120
<v Speaker 1>on the episode we did was and we already kind

0:45:48.160 --> 0:45:50.680
<v Speaker 1>of touched on this, but um, it's a movie like

0:45:50.719 --> 0:45:54.399
<v Speaker 1>written and directed by men, and it's like just their

0:45:54.440 --> 0:45:58.200
<v Speaker 1>idea of like, well, women are always competing against each

0:45:58.200 --> 0:46:01.399
<v Speaker 1>other and women are obsessed with being young or like

0:46:02.040 --> 0:46:06.640
<v Speaker 1>maintaining youthful looks. We have no idea why that might be,

0:46:06.760 --> 0:46:08.480
<v Speaker 1>but let's make a movie about it. And it's like, well,

0:46:08.520 --> 0:46:13.080
<v Speaker 1>it's because you, as men have voisted this unrealistic standard

0:46:13.120 --> 0:46:15.680
<v Speaker 1>of beauty on women that like if we don't try

0:46:15.680 --> 0:46:19.719
<v Speaker 1>to maintain then we're like ostracized and ridiculed and all

0:46:19.719 --> 0:46:22.560
<v Speaker 1>this stuff. But like men never seemed to because there's

0:46:22.600 --> 0:46:25.239
<v Speaker 1>so many there's quite a few movies about this, and

0:46:25.280 --> 0:46:29.120
<v Speaker 1>like men, the male filmmakers who are usually making these

0:46:29.160 --> 0:46:33.960
<v Speaker 1>movies like never think to look a little further beyond,

0:46:34.080 --> 0:46:37.880
<v Speaker 1>like why might women be so obsessed with like trying

0:46:37.920 --> 0:46:41.920
<v Speaker 1>like getting plastic surgery, wearing makeup, spending so much time

0:46:42.080 --> 0:46:45.600
<v Speaker 1>on like getting ready and looking good. And it's like, well,

0:46:45.760 --> 0:46:48.120
<v Speaker 1>it's because of you and your standards. Will take a

0:46:48.160 --> 0:47:02.799
<v Speaker 1>quick break and be right back. I do think that

0:47:02.840 --> 0:47:06.440
<v Speaker 1>there's something somewhat I won't say that it makes up

0:47:06.440 --> 0:47:08.120
<v Speaker 1>for that, because that's something that you know, you just

0:47:08.160 --> 0:47:10.560
<v Speaker 1>can't get away from in the film. But I think

0:47:10.640 --> 0:47:14.279
<v Speaker 1>that the fact that Bruce willis, and especially the fact

0:47:14.280 --> 0:47:16.359
<v Speaker 1>that it's Bruce willis and it is like just such

0:47:16.400 --> 0:47:20.920
<v Speaker 1>a puts and so undesirable, and so it has nothing

0:47:20.960 --> 0:47:24.600
<v Speaker 1>to do with like trying to get somebody hot, like

0:47:24.719 --> 0:47:28.000
<v Speaker 1>It's like there's that's like feels very intentional, that there's

0:47:28.000 --> 0:47:30.600
<v Speaker 1>this huge injustice that he doesn't have to keep himself

0:47:30.680 --> 0:47:34.239
<v Speaker 1>up at all. He just looks horrible and like is

0:47:34.280 --> 0:47:39.640
<v Speaker 1>just becoming a miserable alcoholic. And meanwhile the two women

0:47:39.680 --> 0:47:43.279
<v Speaker 1>in his life are just like literally killing themselves to

0:47:43.360 --> 0:47:49.719
<v Speaker 1>stay you know, I don't know viable as as romantic interests,

0:47:50.080 --> 0:47:52.360
<v Speaker 1>and that I feel like the absurdity of that is

0:47:52.719 --> 0:47:55.280
<v Speaker 1>very large in it. It could be a really good

0:47:55.600 --> 0:48:01.600
<v Speaker 1>remake of this about influencers totally. Yeah. Um, I would

0:48:01.640 --> 0:48:04.640
<v Speaker 1>love to see the like build a body trend taken

0:48:04.640 --> 0:48:10.960
<v Speaker 1>on in a similar horror core fashion with animatronics still oh,

0:48:11.040 --> 0:48:16.680
<v Speaker 1>totally all practical effects, um, but but digital uh touching up?

0:48:17.080 --> 0:48:22.880
<v Speaker 1>Yeah yeah? Um. Do you guys so we're doing this

0:48:22.920 --> 0:48:25.960
<v Speaker 1>is in the middle of our plastic surgery month? Uh?

0:48:26.280 --> 0:48:31.040
<v Speaker 1>Do you guys have any particular um thoughts or feelings

0:48:31.080 --> 0:48:35.280
<v Speaker 1>about the plastic surgery industrial complex related to this film

0:48:35.360 --> 0:48:41.000
<v Speaker 1>or otherwise or or perhaps inspired by this film? Oh? Man,

0:48:42.160 --> 0:48:46.880
<v Speaker 1>ye sure? Um. I suppose I have a complicated and

0:48:47.040 --> 0:48:52.879
<v Speaker 1>ever evolving stance on plastic surgery. I've not had any

0:48:52.960 --> 0:48:57.080
<v Speaker 1>done myself. I don't know that I ever would consider it. Um,

0:48:57.120 --> 0:49:02.560
<v Speaker 1>but I also, um, you know, uh, I am thirty three,

0:49:02.640 --> 0:49:06.239
<v Speaker 1>and maybe when I'm like twenty years from now, I'm like, oh,

0:49:06.280 --> 0:49:09.200
<v Speaker 1>I'm gonna want a tightening or something. I don't know.

0:49:09.400 --> 0:49:11.839
<v Speaker 1>Who knows. Um, we'll all be dead in thirty years,

0:49:11.840 --> 0:49:19.839
<v Speaker 1>so who cares. You can save the money. So and

0:49:19.840 --> 0:49:22.880
<v Speaker 1>and for the longest time, I was like, no, plastic

0:49:22.920 --> 0:49:25.040
<v Speaker 1>surgery is horrible. You should just accept the way you

0:49:25.040 --> 0:49:29.160
<v Speaker 1>were born. And like, but now I'm like, well, whatever,

0:49:29.200 --> 0:49:31.520
<v Speaker 1>it's your body, your choice, Like if you want to

0:49:31.880 --> 0:49:35.640
<v Speaker 1>like have a procedure and you're like responsible about like

0:49:35.880 --> 0:49:39.200
<v Speaker 1>spending your money, and if like I don't know, it's like,

0:49:39.320 --> 0:49:42.319
<v Speaker 1>do whatever you want to do. It's your body. I

0:49:42.360 --> 0:49:46.040
<v Speaker 1>grew up like I grew up very pro plastic surgery,

0:49:46.040 --> 0:49:48.160
<v Speaker 1>even though no my family could afford it. But like

0:49:48.200 --> 0:49:50.880
<v Speaker 1>we were all like I don't know, but yeah, I

0:49:50.880 --> 0:49:52.880
<v Speaker 1>have a weird relationship with it as well. I'm like

0:49:52.920 --> 0:49:55.360
<v Speaker 1>I I anyone should do whatever they want to do

0:49:55.440 --> 0:49:59.040
<v Speaker 1>with their body. Um. But then it's but then, like

0:49:59.080 --> 0:50:02.480
<v Speaker 1>the reason my mom always wanted plastic surgery was for

0:50:02.840 --> 0:50:06.840
<v Speaker 1>like very like reasons connected to her own insecurities and

0:50:06.960 --> 0:50:09.399
<v Speaker 1>was like very forthcoming about that, So I feel weird.

0:50:09.560 --> 0:50:12.520
<v Speaker 1>I mean, it's like I also would probably do it

0:50:12.760 --> 0:50:16.319
<v Speaker 1>if I've felt so like, if I had the resources

0:50:16.400 --> 0:50:21.200
<v Speaker 1>and felt like this is something that like would make

0:50:21.280 --> 0:50:23.200
<v Speaker 1>me feel a certain way and I and I can

0:50:23.239 --> 0:50:25.600
<v Speaker 1>get past the body horror element, which I'm not sure

0:50:25.640 --> 0:50:28.879
<v Speaker 1>if I could. But yeah, I don't know. My mom

0:50:29.000 --> 0:50:30.960
<v Speaker 1>used to like, I don't know why we were so pro,

0:50:31.239 --> 0:50:33.880
<v Speaker 1>but like she she would always like say that like

0:50:34.000 --> 0:50:37.080
<v Speaker 1>famous Share quote to us when we were like preteens

0:50:37.680 --> 0:50:40.160
<v Speaker 1>and about like your boobs on your back, like that

0:50:40.280 --> 0:50:46.319
<v Speaker 1>quote quote. Oh, it's this famous share quote that she said.

0:50:46.320 --> 0:50:48.200
<v Speaker 1>Where I think it was when people were giving her

0:50:48.280 --> 0:50:53.080
<v Speaker 1>like like peak people giving Share shit about her plastic surgeries,

0:50:53.360 --> 0:50:55.200
<v Speaker 1>and she just like yelled at a reporter that she

0:50:55.239 --> 0:50:57.200
<v Speaker 1>can put her boobs on her back if she wants

0:50:57.200 --> 0:50:59.360
<v Speaker 1>and no one can give her shit about it. And

0:50:59.400 --> 0:51:02.120
<v Speaker 1>I guess that really resonated with my mom because it

0:51:02.160 --> 0:51:06.360
<v Speaker 1>was a quote over and over and over when I

0:51:06.400 --> 0:51:09.120
<v Speaker 1>was a kid. And so I don't know, Yeah, I am,

0:51:09.160 --> 0:51:12.239
<v Speaker 1>like I think I'm generally pro, but I also like

0:51:12.320 --> 0:51:16.040
<v Speaker 1>every time I feel like, oh, if I look, I

0:51:16.120 --> 0:51:19.520
<v Speaker 1>try to at least interrogate what about it is making

0:51:19.560 --> 0:51:21.920
<v Speaker 1>me feel that way. But in the end, I don't know,

0:51:22.000 --> 0:51:25.120
<v Speaker 1>I'm pro I think, yeah, I don't know what I

0:51:25.120 --> 0:51:27.320
<v Speaker 1>would do if I had been brought up with somebody

0:51:27.320 --> 0:51:29.480
<v Speaker 1>who was at all pro it, because I was not.

0:51:30.360 --> 0:51:33.200
<v Speaker 1>So I think like all of the attitudes I have

0:51:33.320 --> 0:51:35.759
<v Speaker 1>about it are kind of like evolved out of that

0:51:37.040 --> 0:51:40.960
<v Speaker 1>in rebellion or otherwise, um or just shaded by that.

0:51:41.120 --> 0:51:43.719
<v Speaker 1>But um, but I I mean, I have plenty of

0:51:43.760 --> 0:51:47.080
<v Speaker 1>friends who like, especially people who grew up around here too,

0:51:47.280 --> 0:51:52.320
<v Speaker 1>where it's just like much more normalized. Um. And yeah,

0:51:52.360 --> 0:51:55.319
<v Speaker 1>it's just it's I think that has a lot to

0:51:55.360 --> 0:51:56.920
<v Speaker 1>do with it, like kind of also the culture in

0:51:56.960 --> 0:52:00.360
<v Speaker 1>what you're growing up to. Um. I saw the quote

0:52:00.480 --> 0:52:03.920
<v Speaker 1>by the way on my back not I guess my

0:52:03.920 --> 0:52:09.839
<v Speaker 1>mom edited the quote for it is if I want

0:52:09.920 --> 0:52:12.920
<v Speaker 1>to put my tits on my back, it's nobody's business

0:52:12.960 --> 0:52:17.080
<v Speaker 1>but my own. Yeah, yeah, I remember that very That's

0:52:17.120 --> 0:52:22.640
<v Speaker 1>funny that my mom edited it. That's the part that children.

0:52:24.200 --> 0:52:26.520
<v Speaker 1>I don't know. Yeah, I think like we it was

0:52:26.560 --> 0:52:29.319
<v Speaker 1>like an aspirational like the idea of being able to

0:52:29.360 --> 0:52:34.239
<v Speaker 1>get plastic surgery was like an aspirational concept in our household,

0:52:34.320 --> 0:52:39.040
<v Speaker 1>and so stuff like that was very inspiring to the

0:52:39.080 --> 0:52:42.160
<v Speaker 1>group I see. I think that I think the Dollague

0:52:42.200 --> 0:52:44.759
<v Speaker 1>quote is always the one that resonates with me, where

0:52:44.800 --> 0:52:46.359
<v Speaker 1>it's like it costs a lot of money to look

0:52:46.440 --> 0:52:49.960
<v Speaker 1>this cheap like because then it kind of divorces it,

0:52:50.040 --> 0:52:51.960
<v Speaker 1>or it's like a rejection of the idea that it

0:52:52.080 --> 0:52:56.800
<v Speaker 1>is like a status symbol or like an economic status symbol,

0:52:57.320 --> 0:53:01.279
<v Speaker 1>that it's just sort of like an expression of personal expression.

0:53:02.040 --> 0:53:04.960
<v Speaker 1>She was always saying though that she wanted to look

0:53:05.000 --> 0:53:08.080
<v Speaker 1>like the like the prostitutes in your town, who she

0:53:08.120 --> 0:53:11.080
<v Speaker 1>thought like the most beautiful women in the world, which

0:53:11.200 --> 0:53:13.439
<v Speaker 1>is like, I don't know, it's just like cool, bring

0:53:13.480 --> 0:53:15.920
<v Speaker 1>your own values to it, like whatever. It doesn't need

0:53:15.960 --> 0:53:20.920
<v Speaker 1>to be about one particular ideal that you're trying to replicate. Um,

0:53:20.960 --> 0:53:23.719
<v Speaker 1>that's sort of the wiggle room I find with that.

0:53:25.000 --> 0:53:28.359
<v Speaker 1>I don't know, I just always think about There were

0:53:28.400 --> 0:53:32.560
<v Speaker 1>these MTV True life episodes about people getting plastic surgery,

0:53:32.920 --> 0:53:36.160
<v Speaker 1>and they were about just like regular people who had

0:53:36.160 --> 0:53:38.800
<v Speaker 1>like saved up their whole life to get some plastic

0:53:38.800 --> 0:53:40.839
<v Speaker 1>surgery and then they would get it and they would

0:53:40.880 --> 0:53:44.480
<v Speaker 1>like still not be happy with themselves. That was always

0:53:44.480 --> 0:53:47.600
<v Speaker 1>the message was like there was the caffeine plant sky

0:53:48.160 --> 0:53:51.319
<v Speaker 1>that they then used on an Entourage plotline, but it

0:53:51.400 --> 0:53:54.040
<v Speaker 1>was like once he got caffeine plants, then he was like,

0:53:54.080 --> 0:53:56.040
<v Speaker 1>now I want to get pack im plants. It's just

0:53:56.080 --> 0:53:59.360
<v Speaker 1>like it sort of starts a chain. It feels like like, well,

0:53:59.719 --> 0:54:01.960
<v Speaker 1>if I did this one thing, what else can I do?

0:54:03.200 --> 0:54:05.640
<v Speaker 1>And you see, especially with rich people, that there's like

0:54:05.640 --> 0:54:08.719
<v Speaker 1>a slippery slope of like just doing everything on the

0:54:08.760 --> 0:54:12.400
<v Speaker 1>table because you're being given access to it, which is

0:54:12.440 --> 0:54:15.360
<v Speaker 1>what I think death becomes her. It's also good about

0:54:15.480 --> 0:54:19.720
<v Speaker 1>It's like, get if you start going down this road,

0:54:19.960 --> 0:54:23.000
<v Speaker 1>it is a commitment and you can't just like undo it.

0:54:23.320 --> 0:54:26.680
<v Speaker 1>You have to put in maintenance. It's yeah, you've opted

0:54:26.680 --> 0:54:29.839
<v Speaker 1>into a lifestyle and a certain kind of like yeah,

0:54:29.880 --> 0:54:32.640
<v Speaker 1>personal maintenance thing. And I feel like, you know, I

0:54:33.200 --> 0:54:35.760
<v Speaker 1>think it's shorthand in the film, but like the fact

0:54:35.760 --> 0:54:37.839
<v Speaker 1>that it takes place in Beverly Hills is just sort

0:54:37.880 --> 0:54:40.080
<v Speaker 1>of a way to say, like, yes, like everybody around

0:54:40.120 --> 0:54:42.520
<v Speaker 1>them is doing this. This is just sort of the

0:54:42.560 --> 0:54:45.800
<v Speaker 1>way it is. One of my favorite things about the

0:54:46.560 --> 0:54:49.880
<v Speaker 1>fact that it's like they're underlining so much the Beverly Hills.

0:54:49.920 --> 0:54:52.680
<v Speaker 1>Nous of it is the hospital is like the hospital

0:54:52.719 --> 0:54:55.000
<v Speaker 1>of Beverly Hills. That's what I wanted to do for

0:54:55.080 --> 0:55:01.760
<v Speaker 1>our where we were. This episode's hospital and it's like

0:55:01.760 --> 0:55:05.800
<v Speaker 1>like the Beverly Hills Hotel. It has this signature. The

0:55:05.960 --> 0:55:09.839
<v Speaker 1>signature wallpaper is the hospital curtains. And I only know

0:55:09.920 --> 0:55:14.080
<v Speaker 1>that signature wallpaper because I am friendly with a real

0:55:14.200 --> 0:55:17.400
<v Speaker 1>estate agent who posted a listing the other day and

0:55:17.440 --> 0:55:19.319
<v Speaker 1>I was like, that looks fancy and I clicked it

0:55:19.520 --> 0:55:21.960
<v Speaker 1>and I saw that it had like this, you know,

0:55:22.080 --> 0:55:25.239
<v Speaker 1>kind of banana leaf wallpaper, and I was like, who

0:55:25.320 --> 0:55:28.480
<v Speaker 1>has that wallpaper that I know? And then I was like, no,

0:55:28.560 --> 0:55:30.920
<v Speaker 1>it's no one. You know. It's pictures of the Beverly

0:55:31.000 --> 0:55:35.000
<v Speaker 1>Hills Hotel. The pink Hotel signature. It has like a name,

0:55:35.040 --> 0:55:37.920
<v Speaker 1>but I forget what the name is. That kind of wallpaper. Um,

0:55:37.960 --> 0:55:40.880
<v Speaker 1>and then there's like pink trim around the doors of

0:55:40.920 --> 0:55:44.279
<v Speaker 1>the hospital and it's like a pink hospital. It's it's

0:55:44.280 --> 0:55:50.280
<v Speaker 1>like a Barbie hospital. It's great to that. They also

0:55:50.400 --> 0:55:53.120
<v Speaker 1>they seemed to be a different points dressing, like just

0:55:53.160 --> 0:55:55.120
<v Speaker 1>because I was going into it with like a Robert

0:55:55.160 --> 0:55:59.160
<v Speaker 1>Samaka's mindset. He seemed to be like dressing Goldie Han

0:55:59.239 --> 0:56:05.400
<v Speaker 1>up like exactly like Jessica Rabbit at one point like this,

0:56:05.680 --> 0:56:08.600
<v Speaker 1>are you referencing yourself? Like well, he does reference and

0:56:08.680 --> 0:56:11.440
<v Speaker 1>stuff in a different moment. And here's what it is.

0:56:11.840 --> 0:56:15.400
<v Speaker 1>So um, Goldie Han says the exact date that she

0:56:15.480 --> 0:56:20.520
<v Speaker 1>took the potion and it's October and if you know,

0:56:20.840 --> 0:56:24.759
<v Speaker 1>back to the future, the temporal junction point of the

0:56:24.800 --> 0:56:29.319
<v Speaker 1>space time continuum. That's a fun man. I like that

0:56:29.400 --> 0:56:33.040
<v Speaker 1>he's building a secret extended universe for nobody. I love that.

0:56:33.320 --> 0:56:37.480
<v Speaker 1>I love that this movie is very cartoony. It's very

0:56:37.520 --> 0:56:40.280
<v Speaker 1>also like a tex Savery cartoon the way that Jessica

0:56:40.400 --> 0:56:44.000
<v Speaker 1>Rabbit is. For sure, that is the best thing about it.

0:56:44.040 --> 0:56:46.239
<v Speaker 1>And I watched this back to back with Birds of Prey,

0:56:46.280 --> 0:56:48.360
<v Speaker 1>which I know you guys are gonna talk about. Also,

0:56:49.280 --> 0:56:52.840
<v Speaker 1>just like I love just people getting bopped on the

0:56:52.880 --> 0:56:58.240
<v Speaker 1>head sometimes just stair falls where there's like ten seconds

0:56:58.280 --> 0:57:03.520
<v Speaker 1>of somebody just like waving their arms and so many stairs.

0:57:03.560 --> 0:57:05.839
<v Speaker 1>So good. Yeah, the prat falls are great. I mean

0:57:05.840 --> 0:57:07.880
<v Speaker 1>that's the thing too. It's like, how many movies are

0:57:07.920 --> 0:57:10.840
<v Speaker 1>there that are just like a comedy starring two women

0:57:11.040 --> 0:57:15.640
<v Speaker 1>just doing a lot of physical comedy. Yeah, yeah, I

0:57:15.680 --> 0:57:18.160
<v Speaker 1>mean I think that the silliness of it is sort

0:57:18.160 --> 0:57:21.520
<v Speaker 1>of it's it's like saving grace because it's you know,

0:57:22.080 --> 0:57:26.440
<v Speaker 1>you can you can dig it however you want, for um,

0:57:26.480 --> 0:57:30.240
<v Speaker 1>not maybe being as it's perspective being a little stunted

0:57:30.360 --> 0:57:32.800
<v Speaker 1>as far as you know, women's relationships with each other,

0:57:32.880 --> 0:57:35.520
<v Speaker 1>women's relationships to beauty. But it's also just like such

0:57:35.520 --> 0:57:38.640
<v Speaker 1>a farce that and that's kind of and the and

0:57:38.760 --> 0:57:41.040
<v Speaker 1>the degree to which is a farce is like so

0:57:41.760 --> 0:57:44.400
<v Speaker 1>I think, especially for the time, like technically well done

0:57:44.720 --> 0:57:47.320
<v Speaker 1>that yeah yeah, and it really does feel like it

0:57:47.320 --> 0:57:50.960
<v Speaker 1>takes place in the same universe as Tales from the Crypt. Yeah,

0:57:51.000 --> 0:57:54.640
<v Speaker 1>for sure. I love there's also the point to be

0:57:54.680 --> 0:57:57.400
<v Speaker 1>made that when the women fall down the stairs, they

0:57:57.440 --> 0:57:59.920
<v Speaker 1>fall and they hit every single stare and break their

0:58:00.040 --> 0:58:03.800
<v Speaker 1>bodies into like these broken you know, Marionette things at

0:58:03.840 --> 0:58:07.720
<v Speaker 1>the bottom. But then when Bruce Willis throws himself he

0:58:07.760 --> 0:58:10.280
<v Speaker 1>tries to kind of throw himself down the stairs of

0:58:10.360 --> 0:58:12.760
<v Speaker 1>this like you know, I don't know actually if it's

0:58:12.760 --> 0:58:15.880
<v Speaker 1>great if it was shot at Graystone or where this was, Yeah, okay,

0:58:16.080 --> 0:58:19.880
<v Speaker 1>he throws himself off intending to kill himself, and instead

0:58:19.960 --> 0:58:23.040
<v Speaker 1>he falls like through a ceiling and into a pool

0:58:23.200 --> 0:58:26.360
<v Speaker 1>and survives, and it's you know, it's like the whole

0:58:26.360 --> 0:58:28.320
<v Speaker 1>thing is he's yeah, like I only said, he's just

0:58:28.360 --> 0:58:31.560
<v Speaker 1>a putts. He's like they make fun of him constantly

0:58:31.600 --> 0:58:34.040
<v Speaker 1>as being just a loser, and he's being fought over

0:58:34.080 --> 0:58:37.840
<v Speaker 1>by like two much more interesting women who then like

0:58:38.040 --> 0:58:40.960
<v Speaker 1>they fall down the stairs and they get like totally destroyed.

0:58:41.000 --> 0:58:43.400
<v Speaker 1>But he he tries to throw himself down the stairs,

0:58:43.680 --> 0:58:47.760
<v Speaker 1>nothing happens to him. He's like invincible. Yeah. Do you

0:58:47.760 --> 0:58:49.480
<v Speaker 1>think a lot of people when they saw this movie

0:58:49.520 --> 0:58:51.800
<v Speaker 1>for the first time came out of it like shipping

0:58:52.000 --> 0:58:57.720
<v Speaker 1>Goldie and Meryl's characters. S Well, it's like a big

0:58:57.840 --> 0:59:01.680
<v Speaker 1>like LGBT classic GE's like a huge like drag queen

0:59:01.960 --> 0:59:06.360
<v Speaker 1>and there's so many good drag interpretations of Yeah. The

0:59:06.400 --> 0:59:09.560
<v Speaker 1>genre that, uh, whatever happened to Baby Jane is that

0:59:09.680 --> 0:59:11.960
<v Speaker 1>Tess and I just both always are obsessed with. It's

0:59:12.000 --> 0:59:18.840
<v Speaker 1>called psycho Biddie. I love that. It's the best. It's

0:59:18.840 --> 0:59:23.720
<v Speaker 1>movies about it's like horror movies about the societal like

0:59:23.880 --> 0:59:26.439
<v Speaker 1>fear of older women. And there's a bunch of them

0:59:26.480 --> 0:59:28.840
<v Speaker 1>from the seventies, made by the person who made Whatever

0:59:28.880 --> 0:59:32.120
<v Speaker 1>Happened to Baby Jane. A lot of them are called

0:59:32.200 --> 0:59:37.640
<v Speaker 1>like who slew aunt ru Um? What's that one? The

0:59:37.760 --> 0:59:40.360
<v Speaker 1>Helen one? Oh, what's the matter with Hell? What's the

0:59:40.400 --> 0:59:46.120
<v Speaker 1>matter with Helen? With Helen is thrown questions to check

0:59:46.160 --> 0:59:48.720
<v Speaker 1>out what's the matter with Helen? It involves Shelly Winters

0:59:48.920 --> 0:59:55.880
<v Speaker 1>and a tap dance school for children. It's to death

0:59:55.920 --> 0:59:59.200
<v Speaker 1>becomes Her because her name is also Helen. That's true.

0:59:59.760 --> 1:00:01.840
<v Speaker 1>They but it's just you know, like I love that

1:00:01.880 --> 1:00:05.160
<v Speaker 1>genre because it is like, oh, these these characters are

1:00:05.200 --> 1:00:07.600
<v Speaker 1>actually like the most interesting people in the world. I

1:00:07.640 --> 1:00:09.400
<v Speaker 1>mean in a way. That's also what I enjoy about

1:00:09.400 --> 1:00:14.240
<v Speaker 1>The Real Housewives, Yeah, which is like and it's like,

1:00:14.400 --> 1:00:16.240
<v Speaker 1>at the end of the day, even though they're terrible

1:00:16.480 --> 1:00:19.040
<v Speaker 1>and these are like and and the same with Housewives,

1:00:19.080 --> 1:00:22.920
<v Speaker 1>it's like this sort of kind of terrible representation of

1:00:22.960 --> 1:00:27.520
<v Speaker 1>women that's put out by men. Uh, it's still like

1:00:27.920 --> 1:00:30.640
<v Speaker 1>their rage at the end of the day and they're

1:00:30.720 --> 1:00:34.840
<v Speaker 1>like kind of bitterness and anger towards the world feels

1:00:34.960 --> 1:00:39.000
<v Speaker 1>very earned. Because yeah, and then the Real Housewives of

1:00:39.040 --> 1:00:41.640
<v Speaker 1>New York especially, it's like a lot of them were

1:00:41.680 --> 1:00:44.040
<v Speaker 1>married when the show started out, but now they're all

1:00:44.040 --> 1:00:46.800
<v Speaker 1>single and they all hate being single, but they're all

1:00:46.840 --> 1:00:49.680
<v Speaker 1>stuck with each other in that way where they're like, Okay,

1:00:49.680 --> 1:00:51.920
<v Speaker 1>we're a bunch of we're like five single women in

1:00:51.960 --> 1:00:54.240
<v Speaker 1>our sixties out and then when they meet a man,

1:00:54.320 --> 1:00:58.760
<v Speaker 1>they all just like trash each other over him. I

1:00:58.800 --> 1:01:02.880
<v Speaker 1>will say that my biggest actual complaint with the movie

1:01:02.960 --> 1:01:05.640
<v Speaker 1>as far as like what it's saying or whatever, it's

1:01:05.720 --> 1:01:11.040
<v Speaker 1>just that Earnest Bruce Willis's character is the only person

1:01:11.720 --> 1:01:14.080
<v Speaker 1>of the main characters that we know to like resist

1:01:14.240 --> 1:01:17.760
<v Speaker 1>the lure of the potion, which is just like I

1:01:17.840 --> 1:01:20.360
<v Speaker 1>don't feel like he would. I feel like he's such

1:01:20.360 --> 1:01:22.720
<v Speaker 1>a like why is he the person to be Like, No,

1:01:22.840 --> 1:01:27.240
<v Speaker 1>I want to have a great life and and die naturally,

1:01:27.640 --> 1:01:30.360
<v Speaker 1>and you know, I don't care about being young forever. Like,

1:01:30.880 --> 1:01:33.920
<v Speaker 1>So it really puts it on the women for having

1:01:34.160 --> 1:01:37.480
<v Speaker 1>these expectations for what they're supposed to, you know, what

1:01:37.520 --> 1:01:40.160
<v Speaker 1>their life is supposed to look like. But at the

1:01:40.240 --> 1:01:43.800
<v Speaker 1>same time, like they found the potion of their own volition,

1:01:44.000 --> 1:01:46.120
<v Speaker 1>but he they like hit him on the head and

1:01:46.280 --> 1:01:49.600
<v Speaker 1>dragged him into the place to try and give him

1:01:49.600 --> 1:01:52.680
<v Speaker 1>the potion. They just want to keep him around as

1:01:52.760 --> 1:01:59.600
<v Speaker 1>they're like forever undertakers. Think as a cosmetologist, Oh, this

1:01:59.640 --> 1:02:03.160
<v Speaker 1>is my the question about the kind of the way

1:02:03.160 --> 1:02:06.320
<v Speaker 1>that everything works with the potion is it. Are they

1:02:06.360 --> 1:02:10.560
<v Speaker 1>only having their problems because they did kind of die? Yeah,

1:02:10.640 --> 1:02:13.840
<v Speaker 1>and then they So you notice when Goldie hawnt Is

1:02:13.840 --> 1:02:16.640
<v Speaker 1>is shot in the stomach that she goes into the

1:02:16.800 --> 1:02:19.960
<v Speaker 1>into the fountain and there's blood everywhere. And I think

1:02:20.040 --> 1:02:23.360
<v Speaker 1>the same thing with Madaline when he's like trying to

1:02:23.400 --> 1:02:26.080
<v Speaker 1>fix up Madeleine, there's a big bucket of something that's

1:02:26.120 --> 1:02:28.560
<v Speaker 1>supposed to be her blood. And I guess the deal

1:02:28.680 --> 1:02:31.680
<v Speaker 1>is is that your body is like kind of preserved

1:02:31.720 --> 1:02:34.800
<v Speaker 1>as if alive, Like you're basically alive, but if you die,

1:02:35.280 --> 1:02:38.360
<v Speaker 1>then your blood drains out, and like the injuries that

1:02:38.400 --> 1:02:43.240
<v Speaker 1>you sustain can't really heal. So they were only really

1:02:43.400 --> 1:02:48.040
<v Speaker 1>dead after they after they got shot. Yeah, because yeah,

1:02:48.080 --> 1:02:52.400
<v Speaker 1>Isabella Rossellini's character seeing she's like, I'm seventy years old

1:02:52.480 --> 1:02:55.240
<v Speaker 1>and she looks very youthful, And I guess the idea

1:02:55.280 --> 1:03:00.880
<v Speaker 1>is that she hasn't died, right, nor Maryland or Elvis

1:03:01.000 --> 1:03:05.919
<v Speaker 1>or all the people. That's why she said take good

1:03:05.960 --> 1:03:11.440
<v Speaker 1>care of your body. You'll have ba don't die. Apparently

1:03:11.440 --> 1:03:14.120
<v Speaker 1>in one draft she was going to be Cleopatra, which

1:03:14.160 --> 1:03:21.640
<v Speaker 1>is why there's residual ancient Egyptian stuff. That's great. But

1:03:21.960 --> 1:03:25.040
<v Speaker 1>of course, who wouldn't throw Bruce willis the wish they

1:03:25.080 --> 1:03:30.360
<v Speaker 1>could go live with Isabella Rossellini forever. Yeah, she seems

1:03:30.400 --> 1:03:33.200
<v Speaker 1>to have the best life of anybody. She has Fabio

1:03:33.320 --> 1:03:36.120
<v Speaker 1>as her bodyguard, she has Dick and Harry or her

1:03:36.160 --> 1:03:41.400
<v Speaker 1>body Well. There's some interesting naming conventions I suppose in

1:03:41.440 --> 1:03:44.080
<v Speaker 1>this movie because it's Helen and Madeleine, but they nickname

1:03:44.120 --> 1:03:50.280
<v Speaker 1>each other hell and mad Okay, got it. It's because

1:03:50.360 --> 1:03:52.200
<v Speaker 1>if you put them all together. I read this in

1:03:52.240 --> 1:03:56.000
<v Speaker 1>the IMDb trivia it's Madder and Hell madder than how

1:03:57.520 --> 1:04:03.000
<v Speaker 1>mad Hell Interesting. I told you guys. I was like,

1:04:03.160 --> 1:04:05.960
<v Speaker 1>I love this movie. I'm going to read everything I could.

1:04:07.680 --> 1:04:10.959
<v Speaker 1>This is I feel like that whole genre of like

1:04:11.240 --> 1:04:15.680
<v Speaker 1>anything that has like a fear of like something going

1:04:15.680 --> 1:04:17.760
<v Speaker 1>on with a one's body in it. In any way,

1:04:17.840 --> 1:04:21.720
<v Speaker 1>it's like all really like reclaimable stuff is like the

1:04:21.800 --> 1:04:26.440
<v Speaker 1>good thing well, and I think, well the matter and

1:04:26.560 --> 1:04:29.040
<v Speaker 1>hew thing also just feels like it backs up my

1:04:29.120 --> 1:04:32.280
<v Speaker 1>idea that this is about feeball rage more than anything else,

1:04:32.600 --> 1:04:36.280
<v Speaker 1>like and that it's it's it's it comes through in

1:04:36.320 --> 1:04:42.120
<v Speaker 1>the form of these um drastic cosmetic procedures and or potions.

1:04:42.760 --> 1:04:46.919
<v Speaker 1>But it's also just about how like fundamentally furious these

1:04:46.960 --> 1:04:52.160
<v Speaker 1>women are with you know, what the world is for them? Um,

1:04:52.360 --> 1:04:54.919
<v Speaker 1>I don't know, which is like kind of why it's fun?

1:04:55.440 --> 1:04:59.560
<v Speaker 1>I like that radio Yeah, you guys like double I

1:04:59.560 --> 1:05:04.080
<v Speaker 1>have not scene what that's the other like Meryl Streep

1:05:04.240 --> 1:05:08.120
<v Speaker 1>versus Roseanne uh? And Meryl Street plays another ridiculous woman

1:05:08.120 --> 1:05:10.640
<v Speaker 1>in it very well. She plays like a famous romance

1:05:10.680 --> 1:05:16.400
<v Speaker 1>novelist and she ruins Roseanne's life and then Roseanne comes

1:05:16.400 --> 1:05:21.800
<v Speaker 1>to get revenge. Hell yeah, wait when did that come out?

1:05:22.040 --> 1:05:24.000
<v Speaker 1>Late eighties or early nineties? I think it was like

1:05:24.080 --> 1:05:26.880
<v Speaker 1>Roseanne's first and probably only movie, but they used to

1:05:26.880 --> 1:05:30.200
<v Speaker 1>show it on Comedy Central. It was always on Comedy Central.

1:05:30.400 --> 1:05:33.880
<v Speaker 1>Apparently Death Becomes Her had an ending, a theatrical ending

1:05:33.920 --> 1:05:37.240
<v Speaker 1>that they didn't like in the screenings and changed where

1:05:38.120 --> 1:05:43.880
<v Speaker 1>Bruce ends up with Tracy Ullman and they run over

1:05:44.680 --> 1:05:49.600
<v Speaker 1>Madeleine and Goldie Hawn with a car and like have

1:05:49.720 --> 1:05:52.440
<v Speaker 1>a happy ending and everybody hated it, so they were like, okay,

1:05:52.440 --> 1:05:58.800
<v Speaker 1>we have Yeah, I like them outliving him, even if

1:05:58.840 --> 1:06:04.080
<v Speaker 1>it's to be misera bowl and to fall down some stairs,

1:06:02.640 --> 1:06:08.960
<v Speaker 1>Like ending is the best part. It's like a true

1:06:08.960 --> 1:06:13.280
<v Speaker 1>tale of friendship. And it's like it's a little bit

1:06:13.320 --> 1:06:19.280
<v Speaker 1>like ab fab absolutely those huge fab vibes. Um. It's

1:06:19.320 --> 1:06:21.920
<v Speaker 1>like kind of it's it's like ready made to be captured,

1:06:22.040 --> 1:06:23.960
<v Speaker 1>like you screen grab it and send it to your

1:06:23.960 --> 1:06:28.640
<v Speaker 1>best friend and be like us in fifty years, you know. Yeah,

1:06:28.640 --> 1:06:31.040
<v Speaker 1>we have been talking a lot about which rich people

1:06:31.040 --> 1:06:34.160
<v Speaker 1>are rich enough to keep getting injections right now versus

1:06:35.080 --> 1:06:38.400
<v Speaker 1>everybody else who is going to just deflate in this

1:06:38.440 --> 1:06:41.280
<v Speaker 1>time period. Are they just doing like home calls? Like

1:06:41.320 --> 1:06:44.520
<v Speaker 1>I wonder what the system is? Wow, Madonna has somebody

1:06:44.640 --> 1:06:49.320
<v Speaker 1>on staff pictured in a video. Uh, And I imagine

1:06:49.360 --> 1:06:54.560
<v Speaker 1>the Kardashians probably have some doctor who's like changed under

1:06:54.600 --> 1:07:02.320
<v Speaker 1>the stairs Harry Potter styles trapped in their smith. But

1:07:02.480 --> 1:07:04.320
<v Speaker 1>you have to imagine there's a lot of like B

1:07:04.680 --> 1:07:08.680
<v Speaker 1>tier influencers who are just going to have to let

1:07:08.720 --> 1:07:11.960
<v Speaker 1>people see what their real lips look like. Now, then

1:07:12.000 --> 1:07:15.200
<v Speaker 1>everybody's gonna everybody has to like bank all their photos

1:07:15.200 --> 1:07:18.600
<v Speaker 1>in the first month of quarantine and then let them

1:07:18.600 --> 1:07:21.160
<v Speaker 1>out for the next several months, or maybe all the

1:07:21.320 --> 1:07:24.640
<v Speaker 1>influencers will have to pivot and then be like, actually,

1:07:24.680 --> 1:07:29.440
<v Speaker 1>I'm body positive now, Like they'll have to be like

1:07:31.840 --> 1:07:34.480
<v Speaker 1>because I want to, not because it's happening to me.

1:07:35.040 --> 1:07:38.920
<v Speaker 1>LAK's daughter took her lip injections out and did that recently.

1:07:39.040 --> 1:07:40.920
<v Speaker 1>She was like, I'm gonna like going back to the

1:07:40.960 --> 1:07:44.320
<v Speaker 1>real meat, um, and then she immediately put them back.

1:07:46.240 --> 1:07:48.800
<v Speaker 1>Did they dissolve You don't like take them out, I'm

1:07:48.840 --> 1:07:52.680
<v Speaker 1>revealing my ignorance. You dissolve them? Right? So water you

1:07:52.800 --> 1:07:55.840
<v Speaker 1>basically adjected there with water. I just pictured someone like

1:07:55.960 --> 1:07:58.760
<v Speaker 1>peeling open their lips and being like plumped and taking

1:07:58.760 --> 1:08:01.920
<v Speaker 1>out of the game plants and yeah, that's why I

1:08:01.960 --> 1:08:04.840
<v Speaker 1>can't deal with plastic searchain. That's all it is. Sorry,

1:08:05.080 --> 1:08:07.600
<v Speaker 1>I want to just fact check myself. It's not water,

1:08:07.720 --> 1:08:10.560
<v Speaker 1>you're it turns to water. There's a there's some kind

1:08:10.560 --> 1:08:13.080
<v Speaker 1>of solvent that you inject into the injection and it

1:08:13.080 --> 1:08:16.759
<v Speaker 1>turns it into water. It's just reabsorbed by your body. Yeah, weird.

1:08:17.200 --> 1:08:25.280
<v Speaker 1>It's so um too much about these things. It's your body.

1:08:25.400 --> 1:08:28.280
<v Speaker 1>Your body is cleansing itself. Yes, your body is cleansing

1:08:28.280 --> 1:08:34.760
<v Speaker 1>it durn well. Thank you so much for coming by

1:08:34.800 --> 1:08:37.800
<v Speaker 1>you guys, and for talking about movie with us. This

1:08:37.840 --> 1:08:44.400
<v Speaker 1>was so fun. Where can jinks personal jank a coke?

1:08:44.680 --> 1:08:49.200
<v Speaker 1>Where can everybody find you? Guys? On the internet? You

1:08:49.240 --> 1:08:53.960
<v Speaker 1>can find us at back del Cast on all the platforms.

1:08:54.040 --> 1:08:57.760
<v Speaker 1>Are new episodes dropt Thursdays and I'm on Twitter at

1:08:57.840 --> 1:09:00.639
<v Speaker 1>Jamie left his Help. You have a Patreon as well, guys,

1:09:00.720 --> 1:09:03.519
<v Speaker 1>right we do, Yes, we do. That's where our death

1:09:03.520 --> 1:09:07.280
<v Speaker 1>becomes our episode. Is anyone is interested in checking that out?

1:09:07.280 --> 1:09:09.800
<v Speaker 1>It's just a cheap five bucks a month, you know,

1:09:10.200 --> 1:09:15.600
<v Speaker 1>a steal um. It's up to bargain um and then um.

1:09:15.720 --> 1:09:20.479
<v Speaker 1>You can follow me on Twitter and Instagram at Caitlin Darante. Yeah.

1:09:20.520 --> 1:09:25.200
<v Speaker 1>We love beck del Cast. Great podcasts, unessential listen. Thank

1:09:25.240 --> 1:09:29.240
<v Speaker 1>you so much for listening to Nightcall. Uh. We will

1:09:29.240 --> 1:09:31.800
<v Speaker 1>be back next week with another episode. In the meantime,

1:09:32.120 --> 1:09:35.719
<v Speaker 1>you can follow us on social media at Nightcall Pod

1:09:35.880 --> 1:09:40.000
<v Speaker 1>on Twitter, Nightcall Podcast on Facebook and Instagram. You can

1:09:40.040 --> 1:09:43.880
<v Speaker 1>subscribe to us on iTunes or wherever you listen to podcasts.

1:09:43.960 --> 1:09:47.320
<v Speaker 1>Leave us a rating and review. We would really appreciate it,

1:09:47.439 --> 1:09:49.200
<v Speaker 1>and if you want to support the podcast, we are

1:09:49.240 --> 1:09:53.200
<v Speaker 1>at patreon dot com slash Nightcall, where you can subscribe

1:09:53.200 --> 1:09:57.479
<v Speaker 1>and get bonus episodes. Our newsletter merch a whole bunch

1:09:57.479 --> 1:10:01.200
<v Speaker 1>of fun stuff, so check that out. We'll be back

1:10:01.240 --> 1:10:06.080
<v Speaker 1>next week, and UH Plastic Surgery April continues a pace