WEBVTT - Burning It Down

0:00:00.200 --> 0:00:04.120
<v Speaker 1>Family Secrets is a production of I Heart Radio. Warning.

0:00:04.400 --> 0:00:08.600
<v Speaker 1>This episode contains discussions of suicide. Listener discussion is advised.

0:00:09.160 --> 0:00:11.600
<v Speaker 1>If you are a loved one is struggling with suicidal thoughts,

0:00:12.000 --> 0:00:22.239
<v Speaker 1>please call the National Suicide Prevention Hotline at three. When

0:00:22.280 --> 0:00:24.760
<v Speaker 1>I tell my daughter about the fire, she looks at

0:00:24.760 --> 0:00:28.960
<v Speaker 1>the sun. I won't tell her that my mother, her grandmother,

0:00:29.080 --> 0:00:32.000
<v Speaker 1>said it, just as when she asked how she died,

0:00:32.640 --> 0:00:35.839
<v Speaker 1>I won't tell her about the gun. I'll say simply,

0:00:36.400 --> 0:00:39.559
<v Speaker 1>she had a bad heart. This is the only jar

0:00:39.680 --> 0:00:43.559
<v Speaker 1>I'll offer. If you're reading this now, I'm sorry I

0:00:43.680 --> 0:00:47.040
<v Speaker 1>lied to you. You're only seven. I didn't want you

0:00:47.080 --> 0:00:49.479
<v Speaker 1>to know, before you had even fully landed on this

0:00:49.600 --> 0:00:53.560
<v Speaker 1>planet a grandmother had chosen to leave it. I didn't

0:00:53.600 --> 0:00:56.200
<v Speaker 1>want you to know that it was an option, it

0:00:56.280 --> 0:00:58.880
<v Speaker 1>was something in our blood. I didn't want you to

0:00:58.920 --> 0:01:01.880
<v Speaker 1>know that at one when I was your age, she

0:01:01.960 --> 0:01:05.280
<v Speaker 1>might considered, with one match to suit be fold me

0:01:06.120 --> 0:01:10.360
<v Speaker 1>us everything back into the universe, just as I didn't

0:01:10.360 --> 0:01:13.080
<v Speaker 1>want you to know at that moment that I too

0:01:13.319 --> 0:01:24.959
<v Speaker 1>had considered leaving. That's Nick Flynn, poet, memoirist, teacher, and

0:01:25.120 --> 0:01:28.399
<v Speaker 1>author of the recent memoir This is the night our

0:01:28.440 --> 0:01:32.800
<v Speaker 1>house will catch fire. Nick's story is like an intricate

0:01:32.840 --> 0:01:37.120
<v Speaker 1>piece of origami, secrets folded into secrets, folded into secrets,

0:01:37.600 --> 0:01:41.919
<v Speaker 1>until finally, over the course of a lifetime, a shape emerges.

0:01:42.680 --> 0:01:47.720
<v Speaker 1>It's tough and shocking and ultimately beautiful. This is one

0:01:47.760 --> 0:01:51.280
<v Speaker 1>man's journey to assemble the shards of memory into something

0:01:51.360 --> 0:02:06.000
<v Speaker 1>whole and coherent, something he can live with. I'm Danny Shapiro,

0:02:06.240 --> 0:02:09.560
<v Speaker 1>and this is family secrets, the secrets that are kept

0:02:09.600 --> 0:02:12.280
<v Speaker 1>from us, the secrets we keep from others, and the

0:02:12.360 --> 0:02:24.600
<v Speaker 1>secrets we keep from ourselves. Tell me about the landscape

0:02:24.639 --> 0:02:29.280
<v Speaker 1>of your childhood. I grew up in a small town

0:02:29.360 --> 0:02:33.000
<v Speaker 1>in New England, in Massachusetts on the coast. For beautiful,

0:02:33.040 --> 0:02:34.880
<v Speaker 1>I mean I can see that I knew it was beautiful,

0:02:34.919 --> 0:02:36.720
<v Speaker 1>then I can still see it's beautiful, although I don't

0:02:36.800 --> 0:02:39.399
<v Speaker 1>go back very much. So. The ocean was a big

0:02:39.400 --> 0:02:42.560
<v Speaker 1>part of the Atlantic Ocean, and uh the beach and

0:02:42.840 --> 0:02:46.600
<v Speaker 1>even more specifically, salt marsh that the sort of body

0:02:47.000 --> 0:02:50.840
<v Speaker 1>is landform that separated the ocean from the mainland. I

0:02:50.880 --> 0:02:53.920
<v Speaker 1>spent a lot of time in the salt marshes, and

0:02:53.960 --> 0:02:56.160
<v Speaker 1>another part of the landscape was the woods behind my

0:02:56.200 --> 0:02:59.440
<v Speaker 1>grandmother's house. Those are sort of the main places. It

0:02:59.560 --> 0:03:01.320
<v Speaker 1>was a small town. It was a small town. It

0:03:01.360 --> 0:03:04.760
<v Speaker 1>didn't you know one street town called the center town,

0:03:04.800 --> 0:03:08.000
<v Speaker 1>the harbor, a lot of fishing boats in it. Um. Yeah,

0:03:08.000 --> 0:03:09.400
<v Speaker 1>I spent a lot of time in the harbor. So

0:03:09.520 --> 0:03:12.320
<v Speaker 1>you just went back and forth down the one street.

0:03:13.320 --> 0:03:17.400
<v Speaker 1>And your family had deep roots in this town, right, Yeah,

0:03:17.440 --> 0:03:19.680
<v Speaker 1>deep roots. Yeah, it's funny when you say that, because

0:03:19.720 --> 0:03:22.080
<v Speaker 1>I don't think of them. There was a deep because

0:03:22.080 --> 0:03:25.360
<v Speaker 1>we felt like like interlopers or that we didn't belong

0:03:25.400 --> 0:03:27.320
<v Speaker 1>there in some way. I think as my mother broke

0:03:27.360 --> 0:03:30.320
<v Speaker 1>away from her family in some way, and we dropped

0:03:30.560 --> 0:03:35.520
<v Speaker 1>several class notches from her being raised probably upper class

0:03:36.200 --> 0:03:39.680
<v Speaker 1>down to like very working class poor by the time

0:03:39.680 --> 0:03:42.520
<v Speaker 1>I came along. But yeah, I know that her father

0:03:42.680 --> 0:03:45.200
<v Speaker 1>and grandfather at least grew up in the town or

0:03:45.200 --> 0:03:48.320
<v Speaker 1>had roots in the town. And then my father's also

0:03:48.520 --> 0:03:51.200
<v Speaker 1>his father grandfather, so I know it goes back at

0:03:51.240 --> 0:03:53.560
<v Speaker 1>least that far, you know, at least two or three generations.

0:03:54.880 --> 0:04:00.440
<v Speaker 1>So tell me about the mother of your childhood. Describe

0:04:00.440 --> 0:04:03.119
<v Speaker 1>her for me what she was like. By the time

0:04:03.200 --> 0:04:05.960
<v Speaker 1>she was twenty, she had two kids, I was a

0:04:06.000 --> 0:04:10.080
<v Speaker 1>second child after you know, probably six months after I

0:04:10.120 --> 0:04:13.480
<v Speaker 1>was born, she left my father, which is a good thing,

0:04:14.000 --> 0:04:17.799
<v Speaker 1>a necessary thing, and then she was on her own. Really,

0:04:17.839 --> 0:04:20.640
<v Speaker 1>she had this wealthy father, but she didn't take any

0:04:20.640 --> 0:04:23.160
<v Speaker 1>help or get any help from him. She was kind

0:04:23.200 --> 0:04:25.560
<v Speaker 1>of on her own. But she stayed in the same

0:04:25.600 --> 0:04:28.480
<v Speaker 1>town that she grew up in and well that at

0:04:28.520 --> 0:04:31.680
<v Speaker 1>least the grandfather wasn't and her mother, I think mostly

0:04:31.720 --> 0:04:34.440
<v Speaker 1>just two, so she does some childcare. Like we often

0:04:34.480 --> 0:04:37.240
<v Speaker 1>stayed at her mother's house, at my grandmother's house. Because

0:04:37.279 --> 0:04:40.559
<v Speaker 1>my mother got three jobs, you know, three lousy jobs,

0:04:40.600 --> 0:04:43.880
<v Speaker 1>as Philippine would say. She worked at a making donuts

0:04:43.880 --> 0:04:47.320
<v Speaker 1>at the supermarket, and she worked waiting tables and restaurants,

0:04:47.320 --> 0:04:49.840
<v Speaker 1>and eventually she got her more secure job, which was

0:04:49.839 --> 0:04:52.520
<v Speaker 1>a bank teller, and that gave us health insurance. So

0:04:53.320 --> 0:04:55.080
<v Speaker 1>she was young. She was very young and beautiful and

0:04:55.400 --> 0:04:59.440
<v Speaker 1>vivacious and fun, and she had a series of boyfriends

0:04:59.640 --> 0:05:02.039
<v Speaker 1>growing up. She had these, you know, men that would

0:05:02.080 --> 0:05:03.520
<v Speaker 1>sort of be in our life, and they'd usually be

0:05:03.600 --> 0:05:05.000
<v Speaker 1>in a life for like maybe a year or so,

0:05:05.320 --> 0:05:08.800
<v Speaker 1>or maybe a little bit longer, and you know, I

0:05:08.800 --> 0:05:10.279
<v Speaker 1>got to know each of these guys, and the guys

0:05:10.320 --> 0:05:12.720
<v Speaker 1>that she went with were for the most part kind

0:05:12.760 --> 0:05:15.760
<v Speaker 1>of great guys, um gentle. For the most part, that

0:05:15.839 --> 0:05:17.800
<v Speaker 1>wasn't like violence being brought into the house. And for

0:05:17.839 --> 0:05:21.400
<v Speaker 1>the most part, I say there was something. Yeah, what

0:05:21.480 --> 0:05:25.560
<v Speaker 1>was the reason behind the riffed with her father with

0:05:25.600 --> 0:05:30.000
<v Speaker 1>your grandfather? Well, you know, my mother married my father,

0:05:30.200 --> 0:05:34.080
<v Speaker 1>or got pregnant by my father. She was probably seventeen

0:05:34.200 --> 0:05:37.839
<v Speaker 1>and he was probably twenty seven, and he was pretty

0:05:37.839 --> 0:05:40.719
<v Speaker 1>clearly you know, for my grandfather to see he was

0:05:40.839 --> 0:05:43.320
<v Speaker 1>maybe not the right guy. He was on his way

0:05:43.360 --> 0:05:47.160
<v Speaker 1>to pretty serious alcoholism. He didn't really have a job.

0:05:47.320 --> 0:05:49.800
<v Speaker 1>He just sort of drifted around. One of the things

0:05:49.800 --> 0:05:53.200
<v Speaker 1>that he called himself a writer, which became a point

0:05:53.200 --> 0:05:55.400
<v Speaker 1>of contention in my family. When I started to call

0:05:55.480 --> 0:05:58.240
<v Speaker 1>myself a writer, it wasn't like a sign of something

0:05:58.360 --> 0:06:00.960
<v Speaker 1>noble to do, so it sort of met you are disreputable.

0:06:01.440 --> 0:06:03.320
<v Speaker 1>I think it was mostly that, and mostly that she

0:06:03.440 --> 0:06:05.400
<v Speaker 1>sort of and she was rebellious when she was young.

0:06:05.440 --> 0:06:07.680
<v Speaker 1>She was rebellious I think because the house she grew

0:06:07.760 --> 0:06:09.560
<v Speaker 1>up in was there was a lot of alcohol. There

0:06:09.600 --> 0:06:11.880
<v Speaker 1>was a lot of alcoholism. Her mother and her father

0:06:11.920 --> 0:06:14.720
<v Speaker 1>were both alcoholics. And even if they had money, so

0:06:14.760 --> 0:06:17.920
<v Speaker 1>there wasn't the consequences that come with alcoholism, you know,

0:06:18.000 --> 0:06:21.039
<v Speaker 1>certain consequences, But at a certain point, I think by

0:06:21.080 --> 0:06:25.320
<v Speaker 1>the time she was like fifteen or so, she was

0:06:25.400 --> 0:06:28.160
<v Speaker 1>just really rebellious and we kept getting kicked out of schools,

0:06:28.160 --> 0:06:30.040
<v Speaker 1>out of private schools, and it was just kind of

0:06:30.040 --> 0:06:33.400
<v Speaker 1>a little bit wild, and I think that he they

0:06:33.400 --> 0:06:35.240
<v Speaker 1>didn't have the tools as parents to deal with the

0:06:35.279 --> 0:06:37.720
<v Speaker 1>young woman and their pardon what they were doing to

0:06:38.120 --> 0:06:43.160
<v Speaker 1>adding to her her struggles. You know. It's interesting though,

0:06:43.200 --> 0:06:46.800
<v Speaker 1>because she does leave your father, and so if he's

0:06:46.839 --> 0:06:50.719
<v Speaker 1>the problem was sort of the last straw, then that's gone,

0:06:51.320 --> 0:06:56.400
<v Speaker 1>but her relationship with them never really improves. Yeah, there

0:06:56.440 --> 0:06:59.800
<v Speaker 1>was also I think by the time she was with

0:07:00.000 --> 0:07:03.200
<v Speaker 1>my father, around the same time my grandparents got divorced,

0:07:03.240 --> 0:07:06.279
<v Speaker 1>and so there was the grandmother who was Irish, the

0:07:06.320 --> 0:07:09.440
<v Speaker 1>grandfather who was you know, waspy English. He was the

0:07:09.440 --> 0:07:12.680
<v Speaker 1>one who had the money, and the grandmother, who is

0:07:12.880 --> 0:07:15.480
<v Speaker 1>the one who also helped raise us. She didn't have

0:07:15.560 --> 0:07:19.240
<v Speaker 1>much money then once they got divorced, and so I

0:07:19.240 --> 0:07:22.360
<v Speaker 1>think from the waspy side, it's a little incomprehensible to

0:07:22.400 --> 0:07:25.280
<v Speaker 1>some of my friends, and they just there's a thing

0:07:25.320 --> 0:07:29.000
<v Speaker 1>about like not supporting the children, like they have to

0:07:29.040 --> 0:07:32.240
<v Speaker 1>make it on their own, that they have to prove themselves,

0:07:32.520 --> 0:07:35.120
<v Speaker 1>or you know, not even to the point of just

0:07:35.440 --> 0:07:37.760
<v Speaker 1>offering her an education. You know, like I would think

0:07:37.920 --> 0:07:40.679
<v Speaker 1>that you would think she's twenty years old, just two kids,

0:07:40.720 --> 0:07:42.520
<v Speaker 1>like you just stepped in and say that we want

0:07:42.520 --> 0:07:45.200
<v Speaker 1>to put you through college or something, just do something

0:07:45.240 --> 0:07:47.680
<v Speaker 1>that would basically set her on the right track. They

0:07:47.720 --> 0:07:50.120
<v Speaker 1>just didn't do that. I don't It's a little bit

0:07:50.440 --> 0:07:54.480
<v Speaker 1>incomprehensible to me. My grandfather in some ways was the

0:07:54.840 --> 0:07:56.160
<v Speaker 1>strange in that way, Like I think he had a

0:07:56.160 --> 0:07:59.760
<v Speaker 1>strange relationship to money. He inherited his money and he

0:07:59.880 --> 0:08:02.000
<v Speaker 1>just went through it like in his life. He sort

0:08:02.000 --> 0:08:05.320
<v Speaker 1>of was nominally a businessman, but he just kind of

0:08:05.320 --> 0:08:07.120
<v Speaker 1>spent the money that he had, and I think he

0:08:07.400 --> 0:08:09.840
<v Speaker 1>felt like he hadn't earned it and so maybe his

0:08:09.920 --> 0:08:12.920
<v Speaker 1>kids should earn it. It's really hard for me to say,

0:08:14.600 --> 0:08:17.920
<v Speaker 1>tell me a little bit about your father. Well he

0:08:18.040 --> 0:08:21.480
<v Speaker 1>was I didn't know him growing up at all. He

0:08:21.560 --> 0:08:23.480
<v Speaker 1>left when I was six months old, or we left him.

0:08:23.520 --> 0:08:25.880
<v Speaker 1>And the stories I heard you just tell there was

0:08:25.960 --> 0:08:27.800
<v Speaker 1>bad blood, like if you brought him up. And I

0:08:27.880 --> 0:08:31.640
<v Speaker 1>began getting letters from him when I was fifteen or so,

0:08:31.840 --> 0:08:35.040
<v Speaker 1>fourteen or fifteen, and he was in federal prison at

0:08:35.040 --> 0:08:37.200
<v Speaker 1>that point he'd gone to jail, but at this point

0:08:37.200 --> 0:08:41.080
<v Speaker 1>he was in federal prison for passing bad checks, robbing

0:08:41.120 --> 0:08:45.240
<v Speaker 1>banks with these bad checks across state lines. Was federal.

0:08:46.080 --> 0:08:48.959
<v Speaker 1>And he began writing me letters and the letters were,

0:08:49.520 --> 0:08:52.400
<v Speaker 1>you know, confusing, and my mother would give me the letters,

0:08:53.080 --> 0:08:55.040
<v Speaker 1>but she was given some resentment like, you know, your

0:08:55.080 --> 0:08:59.120
<v Speaker 1>father's in prison, did this thing. Um, it was sort

0:08:59.160 --> 0:09:01.560
<v Speaker 1>of making a connection. But he's very um. You know,

0:09:01.600 --> 0:09:05.160
<v Speaker 1>if he had to diagnose him, probably know, narcissism would

0:09:05.240 --> 0:09:07.079
<v Speaker 1>probably be high on the on the list. He was

0:09:07.080 --> 0:09:10.200
<v Speaker 1>an alcoholic but also narcissistic. And so he really just

0:09:10.200 --> 0:09:12.080
<v Speaker 1>talked about himself in the letters, like he didn't seem

0:09:12.080 --> 0:09:14.280
<v Speaker 1>like he was really that interested in me my life,

0:09:14.320 --> 0:09:16.160
<v Speaker 1>and he was just sort of go on about himself,

0:09:16.960 --> 0:09:18.880
<v Speaker 1>you know. So the letters stopped he got out of prison.

0:09:19.679 --> 0:09:23.160
<v Speaker 1>You know, through some certain strange coincidences, I knew who

0:09:23.200 --> 0:09:25.240
<v Speaker 1>he was and where he was, you know, I document

0:09:25.360 --> 0:09:27.400
<v Speaker 1>that in one of my earlier books. And then at

0:09:27.400 --> 0:09:29.880
<v Speaker 1>a certain point I began after my mother died when

0:09:29.920 --> 0:09:33.000
<v Speaker 1>I was twenty two. I began working in homeless shelter,

0:09:33.720 --> 0:09:36.040
<v Speaker 1>and after I'd been there for three years, he showed

0:09:36.080 --> 0:09:38.439
<v Speaker 1>up at the homeless shelter. At that point he was homeless.

0:09:39.320 --> 0:09:43.000
<v Speaker 1>It was well into his alcoholism, and he was homeless

0:09:43.000 --> 0:09:44.520
<v Speaker 1>for about five years. And you know, he and I

0:09:44.520 --> 0:09:47.000
<v Speaker 1>were sort of wrestled in the homeless shelter for for

0:09:47.040 --> 0:09:50.600
<v Speaker 1>about three years until I finally got sober, and then

0:09:50.600 --> 0:09:53.360
<v Speaker 1>I left the shelter, and then a little while after that,

0:09:54.160 --> 0:10:00.880
<v Speaker 1>we got him into housing, into a subsidized housing. We'll

0:10:00.880 --> 0:10:12.720
<v Speaker 1>be right back. When Nick is seven years old. His

0:10:12.840 --> 0:10:17.200
<v Speaker 1>house catches fire. That's how it's talked about. The house

0:10:17.320 --> 0:10:20.839
<v Speaker 1>catches fire, as if this is something that happens passively

0:10:20.960 --> 0:10:26.040
<v Speaker 1>all by itself. Nick writes quite a bit about cover stories.

0:10:26.600 --> 0:10:30.200
<v Speaker 1>He quotes another guest on this podcast, Dr Bessel vander Kolch,

0:10:30.640 --> 0:10:35.400
<v Speaker 1>from his seminal book on trauma, The Body keeps the score. Trauma,

0:10:35.640 --> 0:10:38.960
<v Speaker 1>by its nature, drives us to the edge of comprehension.

0:10:39.800 --> 0:10:43.400
<v Speaker 1>Sooner or later, most survivors come up with what many

0:10:43.480 --> 0:10:47.480
<v Speaker 1>of them call their cover story that offers some explanation

0:10:47.559 --> 0:10:52.840
<v Speaker 1>for their symptoms and behaviors for public consumption. These stories, however,

0:10:53.520 --> 0:10:58.400
<v Speaker 1>rarely capture the inner truth of the experience. It's enormously

0:10:58.440 --> 0:11:03.920
<v Speaker 1>difficult to organize ins traumatic experiences into a coherent account,

0:11:04.480 --> 0:11:07.800
<v Speaker 1>a narrative with a beginning, a middle, and an end.

0:11:10.679 --> 0:11:14.160
<v Speaker 1>The truth Nick will come to realize later, much later,

0:11:14.960 --> 0:11:19.200
<v Speaker 1>is that the fire didn't just happen. His mother said

0:11:19.200 --> 0:11:23.960
<v Speaker 1>it herself. Well, Nick and his brother were asleep upstairs.

0:11:25.160 --> 0:11:28.880
<v Speaker 1>The story of the fire is something I've been wrestling with.

0:11:29.360 --> 0:11:32.320
<v Speaker 1>That it happened, and it also it appears in every

0:11:32.320 --> 0:11:34.520
<v Speaker 1>book that I've written, actually is a there's a fire,

0:11:34.559 --> 0:11:37.160
<v Speaker 1>there's a house on fire. This's you know, it's it's

0:11:37.160 --> 0:11:39.280
<v Speaker 1>something that he sort of has always been hovering in

0:11:39.320 --> 0:11:43.080
<v Speaker 1>my subconscious and and I did, you know, like vessel

0:11:43.200 --> 0:11:46.360
<v Speaker 1>Vandicle and that really struck me, that passage from vessel Vandricle.

0:11:46.840 --> 0:11:49.200
<v Speaker 1>He's done a lot of work with with veterans with

0:11:49.240 --> 0:11:52.800
<v Speaker 1>post traumatic stress, and I really felt the thing that

0:11:52.920 --> 0:11:55.439
<v Speaker 1>had this book arise was this sort of moment of

0:11:55.520 --> 0:11:59.480
<v Speaker 1>sort of really seeing the fire for what it was

0:11:59.840 --> 0:12:01.720
<v Speaker 1>in a way as much as I could at that moment,

0:12:01.760 --> 0:12:04.640
<v Speaker 1>which was that my mother had said it, and that

0:12:04.640 --> 0:12:07.080
<v Speaker 1>that was a really kind of a terrifying thing to do,

0:12:07.240 --> 0:12:09.280
<v Speaker 1>and I hadn't really felt the terror of it, or

0:12:09.280 --> 0:12:12.920
<v Speaker 1>the directicus of it, or the the layers the danger

0:12:13.000 --> 0:12:15.480
<v Speaker 1>of that until that moment. And it's strange to say

0:12:15.520 --> 0:12:17.960
<v Speaker 1>that what compelled me to see it, or what fortunate

0:12:18.000 --> 0:12:19.520
<v Speaker 1>to see it, was that my daughter turned the same

0:12:19.559 --> 0:12:21.560
<v Speaker 1>age I had bed and I sort of looked at

0:12:21.600 --> 0:12:23.600
<v Speaker 1>her when she was set and I was just like, well,

0:12:23.720 --> 0:12:26.160
<v Speaker 1>that's that's a really that's kind of a crazy thing

0:12:26.160 --> 0:12:27.520
<v Speaker 1>to do, to set a house on fire with a

0:12:27.600 --> 0:12:30.040
<v Speaker 1>kid in it. And it's a little embarrassing to say

0:12:30.080 --> 0:12:33.600
<v Speaker 1>because before that moment, before my daughter turned seven, you know,

0:12:33.840 --> 0:12:37.240
<v Speaker 1>in the beginning, when the house got fire, the story

0:12:37.320 --> 0:12:40.480
<v Speaker 1>for the family was that raccoons had knocked out her

0:12:40.480 --> 0:12:43.680
<v Speaker 1>botti over, we had a grill, the raccoons came knocked

0:12:43.679 --> 0:12:45.960
<v Speaker 1>to have bought you over, and the house got fire.

0:12:46.480 --> 0:12:49.760
<v Speaker 1>And then several years later I interviewed her boyfriend at

0:12:49.760 --> 0:12:51.240
<v Speaker 1>the time, who was in the house of the night

0:12:51.240 --> 0:12:54.520
<v Speaker 1>at the fire, and he just laughed at the story

0:12:54.520 --> 0:12:55.960
<v Speaker 1>of the raccoon as he said, well, you know, the

0:12:56.000 --> 0:12:57.880
<v Speaker 1>raccoons did say your house on fire, your mother did.

0:12:58.760 --> 0:13:00.800
<v Speaker 1>And that was when I was about thirty five. Yeah,

0:13:00.800 --> 0:13:02.480
<v Speaker 1>so it was more than several years later. It was

0:13:02.520 --> 0:13:04.480
<v Speaker 1>a whole lot of years later, right, so like a

0:13:04.480 --> 0:13:09.000
<v Speaker 1>lifetime later. Three years later, thirty years later. I lived

0:13:09.000 --> 0:13:11.520
<v Speaker 1>with this story of the of the raccoons for like

0:13:11.600 --> 0:13:14.560
<v Speaker 1>thirty years, and that seemed like a good story. It

0:13:14.600 --> 0:13:16.560
<v Speaker 1>made sense, you know. I didn't think about the fire

0:13:16.600 --> 0:13:18.920
<v Speaker 1>on a conscious level that much, because you know, there

0:13:18.960 --> 0:13:21.320
<v Speaker 1>was an accident. I reckon said the house on fire, Like,

0:13:21.840 --> 0:13:24.400
<v Speaker 1>we escaped, my mother got the insurance money and got

0:13:24.440 --> 0:13:25.800
<v Speaker 1>the house fixed. It was it was kind of a

0:13:25.800 --> 0:13:28.240
<v Speaker 1>good thing. But then even after I heard the story

0:13:28.280 --> 0:13:31.120
<v Speaker 1>that she had set the house on fire, I still

0:13:31.160 --> 0:13:33.040
<v Speaker 1>held onto that thing that it was a good story that,

0:13:33.240 --> 0:13:35.199
<v Speaker 1>you know, because it worked out. We got the money

0:13:35.720 --> 0:13:37.680
<v Speaker 1>and we got the house fixed, and you know, my

0:13:37.720 --> 0:13:40.839
<v Speaker 1>mother was broke, she was young. Our house was really

0:13:41.320 --> 0:13:44.160
<v Speaker 1>not in good shape, and it became a little bit better.

0:13:44.640 --> 0:13:48.280
<v Speaker 1>I held onto that story until my daughter was the

0:13:48.360 --> 0:13:50.319
<v Speaker 1>same age I was, and then I was like, well, wait,

0:13:50.920 --> 0:13:52.600
<v Speaker 1>that's a strange thing for a parent to do. Like,

0:13:52.840 --> 0:13:54.679
<v Speaker 1>you know, I don't know about you, but I had

0:13:54.720 --> 0:13:56.440
<v Speaker 1>no idea what it was to be a parent until

0:13:56.480 --> 0:13:59.080
<v Speaker 1>I became one. And then suddenly you're you know, one

0:13:59.160 --> 0:14:01.000
<v Speaker 1>day you're not a parent, the next day you are one.

0:14:01.480 --> 0:14:03.640
<v Speaker 1>And then you sort of figured out as you go along.

0:14:03.720 --> 0:14:06.400
<v Speaker 1>And as she got to that age, the fire rose

0:14:06.480 --> 0:14:11.120
<v Speaker 1>up again in my subconscious it rose up. Remember what

0:14:11.160 --> 0:14:15.400
<v Speaker 1>I said about origami. When he's thirty five, Nick goes

0:14:15.480 --> 0:14:19.240
<v Speaker 1>on a pilgrimage of sorts, traveling the country to interview

0:14:19.240 --> 0:14:22.560
<v Speaker 1>each of his mother's ex boyfriends. He does this in

0:14:22.600 --> 0:14:26.280
<v Speaker 1>a journalistic way and actually decides to make a documentary

0:14:26.320 --> 0:14:29.280
<v Speaker 1>about it. This is his own way of giving himself

0:14:29.320 --> 0:14:32.800
<v Speaker 1>permission to dig deeper, show up on the front steps

0:14:32.840 --> 0:14:36.560
<v Speaker 1>of strangers, learn more about all he doesn't yet know.

0:14:39.000 --> 0:14:40.480
<v Speaker 1>It's like in a dream, when there's a door and

0:14:40.520 --> 0:14:42.840
<v Speaker 1>a dream you have the choice way to open it

0:14:42.920 --> 0:14:45.920
<v Speaker 1>or leave it closed, And you know, it just seems

0:14:45.960 --> 0:14:47.960
<v Speaker 1>if just to note to know what's beyond it, you

0:14:48.240 --> 0:14:49.960
<v Speaker 1>open the door, and it might be something that's you

0:14:50.000 --> 0:14:53.240
<v Speaker 1>don't want to see, or something that's somewhere terrifying. But

0:14:53.760 --> 0:14:56.560
<v Speaker 1>if you don't open the door, then you're you'll never know. So,

0:14:57.120 --> 0:14:59.520
<v Speaker 1>you know, when I was thirty five and I got

0:14:59.560 --> 0:15:01.080
<v Speaker 1>a notice, a friend of mine told me that there

0:15:01.120 --> 0:15:03.960
<v Speaker 1>was a organization in New York called The Kitchen, which

0:15:04.040 --> 0:15:06.520
<v Speaker 1>is a performance arts space, and they put out a

0:15:06.560 --> 0:15:10.080
<v Speaker 1>call to artists and writers who were not video we're

0:15:10.120 --> 0:15:13.040
<v Speaker 1>not filmmakers, and they would train you to how to

0:15:13.080 --> 0:15:17.720
<v Speaker 1>make films, how to make a videos, and they gave

0:15:17.760 --> 0:15:19.600
<v Speaker 1>you editing, and they gave you equipment, and you know,

0:15:19.920 --> 0:15:23.040
<v Speaker 1>you met and so I submitted a proposal. And the

0:15:23.080 --> 0:15:25.040
<v Speaker 1>proposal I submitted was that I would go track down

0:15:25.080 --> 0:15:27.920
<v Speaker 1>my mother's ex boyfriends. Which the reason I did that

0:15:28.000 --> 0:15:30.560
<v Speaker 1>was because it really seemed like it gave me the creeps.

0:15:30.560 --> 0:15:33.800
<v Speaker 1>It seemed like a really strange proposal. Just suddenly show up,

0:15:33.920 --> 0:15:36.680
<v Speaker 1>you know, suddenly you're seven, and now that these guys

0:15:36.680 --> 0:15:38.880
<v Speaker 1>are probably fifty or something, and now you're thirty five,

0:15:38.920 --> 0:15:41.920
<v Speaker 1>and like, hi, do you remember me? And I think

0:15:41.960 --> 0:15:43.680
<v Speaker 1>it was because of that they were such a strange

0:15:43.680 --> 0:15:46.840
<v Speaker 1>proposal that they let me in. I made the film,

0:15:46.880 --> 0:15:48.920
<v Speaker 1>and um, there's a documentary film. And I went and

0:15:49.040 --> 0:15:52.320
<v Speaker 1>found these men. He's like about a dozen men all

0:15:52.400 --> 0:15:55.080
<v Speaker 1>up and down the Eastern Seaboard down to Florida, from

0:15:55.120 --> 0:15:58.400
<v Speaker 1>Florida to almost to the Canadian border. And you know,

0:15:58.440 --> 0:16:01.640
<v Speaker 1>I rented cars and flew and didn't really relatively, you know,

0:16:01.800 --> 0:16:04.160
<v Speaker 1>maybe two week or a month long period. I just

0:16:04.320 --> 0:16:07.320
<v Speaker 1>canted all these interviews and then edited it into a film.

0:16:07.440 --> 0:16:09.480
<v Speaker 1>I decided to just steal it down just for to

0:16:09.520 --> 0:16:11.760
<v Speaker 1>make it more streamline to two questions. I just asked

0:16:11.760 --> 0:16:13.840
<v Speaker 1>them how they had met her and then how they

0:16:13.840 --> 0:16:16.440
<v Speaker 1>find out she had died, and that just sort of

0:16:16.760 --> 0:16:18.640
<v Speaker 1>was enough to get them going to tell the story

0:16:18.680 --> 0:16:21.000
<v Speaker 1>about what she was to do. And I remember them

0:16:21.000 --> 0:16:22.960
<v Speaker 1>all too like, they all like, you know, I could

0:16:22.960 --> 0:16:25.280
<v Speaker 1>even recognize them when I was with them. They were

0:16:25.320 --> 0:16:27.480
<v Speaker 1>like these father figures in my life growing up, this

0:16:27.720 --> 0:16:30.800
<v Speaker 1>rotating cast of father figures. So that's how I met

0:16:30.960 --> 0:16:32.400
<v Speaker 1>I call him Vernon in the book. His name is

0:16:32.400 --> 0:16:34.120
<v Speaker 1>in Vernon, but I called him Vernon in the book.

0:16:34.480 --> 0:16:36.040
<v Speaker 1>That's so how I met him. And he told the story,

0:16:38.760 --> 0:16:42.560
<v Speaker 1>the story being that it wasn't Raccoon's tipping over the habachi,

0:16:43.120 --> 0:16:45.800
<v Speaker 1>it was Nick's mother setting the house on fire to

0:16:45.880 --> 0:16:51.600
<v Speaker 1>be able to collect the insurance money. I sometimes wonder,

0:16:52.160 --> 0:16:54.760
<v Speaker 1>you know, when it comes to being a writer and

0:16:54.840 --> 0:16:58.480
<v Speaker 1>digging into material, opening the door and not knowing what's

0:16:58.480 --> 0:17:00.440
<v Speaker 1>going to be on the other side of it, that

0:17:00.840 --> 0:17:04.720
<v Speaker 1>sometimes it feels like the writing, or the assignment or

0:17:04.960 --> 0:17:11.159
<v Speaker 1>the proposal, is the thing that gives you permission to

0:17:11.240 --> 0:17:13.520
<v Speaker 1>go ahead and do the thing that scares you, because

0:17:13.520 --> 0:17:17.040
<v Speaker 1>now it's work, now it's art, but it's something that

0:17:17.080 --> 0:17:20.000
<v Speaker 1>you actually really want to know, but you would never

0:17:20.160 --> 0:17:23.080
<v Speaker 1>just go do on your own. It has to have

0:17:23.119 --> 0:17:25.800
<v Speaker 1>a form and a shape. Are you thinking of inheritance?

0:17:26.320 --> 0:17:29.040
<v Speaker 1>I'm thinking of inheritance. I'm thinking of a piece I

0:17:29.080 --> 0:17:31.600
<v Speaker 1>wrote for The New Yorker many years ago when I

0:17:31.640 --> 0:17:34.600
<v Speaker 1>was just trying to understand my father better again after

0:17:34.640 --> 0:17:36.760
<v Speaker 1>his death, where I knew he had been married to

0:17:37.400 --> 0:17:40.760
<v Speaker 1>a woman who died shortly after they got married, and

0:17:40.800 --> 0:17:42.879
<v Speaker 1>I never knew anything about her, anything about it. It

0:17:42.960 --> 0:17:47.560
<v Speaker 1>was a subject that we never broached. And I pitched

0:17:47.560 --> 0:17:49.600
<v Speaker 1>it to The New Yorker and I got an assignment.

0:17:50.119 --> 0:17:51.800
<v Speaker 1>So I had to pick up the phone. I had

0:17:51.840 --> 0:17:53.639
<v Speaker 1>to get in the car, I had to go. I

0:17:53.640 --> 0:17:57.040
<v Speaker 1>had to find her family, and and my heart was

0:17:57.080 --> 0:18:00.480
<v Speaker 1>in my throat. I was absolutely terrified. I really wanted

0:18:00.520 --> 0:18:03.639
<v Speaker 1>to know. But the only way that I could bring

0:18:03.640 --> 0:18:07.840
<v Speaker 1>myself to push it, to push myself was to feel

0:18:07.880 --> 0:18:11.640
<v Speaker 1>like I had a purpose. Yeah, I mean, I think,

0:18:11.640 --> 0:18:13.679
<v Speaker 1>and there there is terror involved in it too. I mean,

0:18:13.840 --> 0:18:16.280
<v Speaker 1>there are a couple of the men that I interviewed

0:18:16.280 --> 0:18:18.919
<v Speaker 1>that I that I tracked down. I had feared, like

0:18:19.200 --> 0:18:22.640
<v Speaker 1>my mother's second husband was a Vietnam VET and he

0:18:22.760 --> 0:18:25.240
<v Speaker 1>was just back in Vietnam at the time, and you know,

0:18:25.280 --> 0:18:28.320
<v Speaker 1>he was he was suffering from PTSD and he was

0:18:28.440 --> 0:18:30.760
<v Speaker 1>just a little bit scary, or you know, that's that's

0:18:30.760 --> 0:18:32.679
<v Speaker 1>sort of minimizing it. He was. He was a lot scary,

0:18:32.960 --> 0:18:35.480
<v Speaker 1>and he's also great. He was also a really great guy.

0:18:35.640 --> 0:18:38.159
<v Speaker 1>And so when I found him, it was frightening until

0:18:38.400 --> 0:18:40.159
<v Speaker 1>we actually were face to face, and then suddenly it

0:18:40.160 --> 0:18:46.200
<v Speaker 1>all melted away. I saw this, this human being. When

0:18:46.200 --> 0:18:50.800
<v Speaker 1>you're eighteen, your then girlfriend, who you referred to as

0:18:50.960 --> 0:18:54.359
<v Speaker 1>the initial oh, is looking for a pad of paper

0:18:54.440 --> 0:18:57.840
<v Speaker 1>to write something down on and she finds a pad

0:18:57.880 --> 0:19:01.920
<v Speaker 1>of paper and on it is in your mother's handwriting

0:19:02.160 --> 0:19:06.800
<v Speaker 1>is a suicide note. And it's written at some time earlier,

0:19:06.960 --> 0:19:10.399
<v Speaker 1>and it's not something that your mother carried through with.

0:19:10.640 --> 0:19:14.200
<v Speaker 1>She had not committed suicide at that time. But there's

0:19:14.280 --> 0:19:17.159
<v Speaker 1>this note and there's a really powerful moment where you

0:19:17.200 --> 0:19:21.880
<v Speaker 1>go outside and you burn it more fire, And how

0:19:21.920 --> 0:19:25.280
<v Speaker 1>does that then sort of play within you during this

0:19:25.320 --> 0:19:27.720
<v Speaker 1>period of time. I mean, you've you're in the midst

0:19:27.720 --> 0:19:31.720
<v Speaker 1>of your addiction, you're drinking really heavily. Is it something

0:19:31.760 --> 0:19:35.639
<v Speaker 1>that at that time stayed with you and haunted you?

0:19:35.800 --> 0:19:37.879
<v Speaker 1>Or did it burn up with the paper that you

0:19:37.960 --> 0:19:41.040
<v Speaker 1>set fire too? You know, I think I had a

0:19:41.240 --> 0:19:43.760
<v Speaker 1>sense at the time that you know, I could tell

0:19:43.760 --> 0:19:46.040
<v Speaker 1>you again, you can tell yourself a story. And the

0:19:46.119 --> 0:19:48.720
<v Speaker 1>story that I told myself is that when you know,

0:19:48.760 --> 0:19:51.200
<v Speaker 1>the Vietnam vette had left, had left our house, that

0:19:51.440 --> 0:19:54.040
<v Speaker 1>my mother fell into a depression. And that had been

0:19:54.080 --> 0:19:57.320
<v Speaker 1>probably two or three years before I found that note,

0:19:57.960 --> 0:20:01.640
<v Speaker 1>and so I didn't know how ng that. No, there

0:20:01.680 --> 0:20:03.560
<v Speaker 1>was like a yellow legal pad had been kicking around

0:20:03.600 --> 0:20:07.440
<v Speaker 1>the house and maybe just somehow surfaced. And I attributed

0:20:07.480 --> 0:20:10.240
<v Speaker 1>to that because she didn't seem in that state at

0:20:10.240 --> 0:20:12.119
<v Speaker 1>that time when I was eighteen, and so I really

0:20:12.359 --> 0:20:15.560
<v Speaker 1>was like, this is something that she went through and

0:20:15.600 --> 0:20:17.240
<v Speaker 1>I'm just gonna get rid of it. I'm just gonna

0:20:17.240 --> 0:20:19.920
<v Speaker 1>burn this, and that it was like a like a ritual.

0:20:20.400 --> 0:20:26.720
<v Speaker 1>And I assumed in my teenage mind, my teenage cosmology,

0:20:27.160 --> 0:20:29.880
<v Speaker 1>that by burning it it somehow would send it back

0:20:29.880 --> 0:20:32.719
<v Speaker 1>out into the universe, and it wouldn't be real. Somehow

0:20:32.760 --> 0:20:35.679
<v Speaker 1>that released the energy of it, and rather than just

0:20:35.760 --> 0:20:38.480
<v Speaker 1>deny it, just like exilely to a place of denial.

0:20:38.560 --> 0:20:40.320
<v Speaker 1>We you're just not going to think about this because

0:20:40.320 --> 0:20:43.119
<v Speaker 1>it's too much to think about. And so that's what

0:20:43.200 --> 0:20:44.680
<v Speaker 1>I did. And I did I think about it. Yeah,

0:20:44.680 --> 0:20:46.320
<v Speaker 1>I thought about it, you know, quite a bit. Like

0:20:46.359 --> 0:20:48.400
<v Speaker 1>when I after I got that note, I was eighteen,

0:20:48.720 --> 0:20:51.800
<v Speaker 1>and I decided not to go to college. I was

0:20:51.840 --> 0:20:53.800
<v Speaker 1>just gonna stay sort of closer to home to keep

0:20:53.840 --> 0:20:55.879
<v Speaker 1>an eye on my mother. And so I worked for

0:20:55.880 --> 0:20:57.760
<v Speaker 1>a couple of years and I ended up working for her,

0:20:57.960 --> 0:21:00.560
<v Speaker 1>her boyfriend at the time, it was a gangster. Worked

0:21:00.560 --> 0:21:02.960
<v Speaker 1>for those guys for about five years ago, but a

0:21:03.000 --> 0:21:04.520
<v Speaker 1>lot of it was to keep an eye of my mother.

0:21:04.840 --> 0:21:06.600
<v Speaker 1>And then I eventually did go to school. I eventually

0:21:06.680 --> 0:21:09.800
<v Speaker 1>did end up admitted to you mass Amherst, and it

0:21:09.960 --> 0:21:12.320
<v Speaker 1>just made sense to go. There was a couple years later,

0:21:12.320 --> 0:21:14.840
<v Speaker 1>I was like twenty. At that point, your mom was

0:21:15.560 --> 0:21:20.439
<v Speaker 1>she was home and tending bar and laundering money for

0:21:20.480 --> 0:21:25.200
<v Speaker 1>this gangster. Right, Yeah, you're off in college and you're

0:21:25.200 --> 0:21:28.960
<v Speaker 1>also in the thrones of your own alcoholism. Yeah, it

0:21:29.040 --> 0:21:30.720
<v Speaker 1>was early on, you know, I think you can get

0:21:30.720 --> 0:21:33.280
<v Speaker 1>away with a lot not everyone. But I was functional.

0:21:33.359 --> 0:21:35.159
<v Speaker 1>I was doing well in school and greeting and that

0:21:35.160 --> 0:21:37.399
<v Speaker 1>I just kidding. I push it at night and stuff.

0:21:37.440 --> 0:21:41.359
<v Speaker 1>But I hadn't reached the bottom of my alcoholism. Yeah.

0:21:41.359 --> 0:21:43.719
<v Speaker 1>And you also it sounds like, well you're in school

0:21:43.720 --> 0:21:47.240
<v Speaker 1>that you really you kind of find yourself in books,

0:21:47.280 --> 0:21:50.640
<v Speaker 1>in literature, and do you start to know that this

0:21:50.720 --> 0:21:53.160
<v Speaker 1>is what you want to do, especially given that you've

0:21:53.160 --> 0:21:56.400
<v Speaker 1>got this legacy of your father, you know, being quote

0:21:56.480 --> 0:21:58.840
<v Speaker 1>unquote a writer, and that not being an okay thing

0:21:58.880 --> 0:22:02.800
<v Speaker 1>to be or a thing to be or pretending to be. Yeah,

0:22:03.119 --> 0:22:04.439
<v Speaker 1>I mean it seemed like there was a lot of

0:22:04.440 --> 0:22:07.000
<v Speaker 1>pretend things like the Vietnam Vetpan came home Vietnam, you

0:22:07.080 --> 0:22:09.360
<v Speaker 1>just put a sign in his car that said carpenter.

0:22:10.000 --> 0:22:12.040
<v Speaker 1>He really wasn't a carpenter. At that point, it seemed

0:22:12.040 --> 0:22:13.679
<v Speaker 1>like writers were the same thing. You just sort of

0:22:13.680 --> 0:22:15.000
<v Speaker 1>put a sign up and say, yeah, I'm a writer,

0:22:15.040 --> 0:22:16.919
<v Speaker 1>and then just then you just go try to do it.

0:22:16.960 --> 0:22:19.800
<v Speaker 1>But I had been interested in writing though for probably

0:22:20.119 --> 0:22:24.080
<v Speaker 1>at least since I was early teens, ten twelve. It

0:22:24.200 --> 0:22:27.320
<v Speaker 1>was something that interested me that I was really circling around.

0:22:27.359 --> 0:22:29.960
<v Speaker 1>And when I went to school, I already I've been

0:22:29.960 --> 0:22:32.320
<v Speaker 1>working for a couple of years and I had become

0:22:32.320 --> 0:22:34.840
<v Speaker 1>an electrician, so I knew that I could make money.

0:22:34.840 --> 0:22:36.800
<v Speaker 1>I knew I could sort of support myself, and it

0:22:36.880 --> 0:22:40.440
<v Speaker 1>allowed me the financial freedom to study poetry and to

0:22:40.480 --> 0:22:42.680
<v Speaker 1>study uh you know, it wasn't poetry at first and

0:22:42.720 --> 0:22:45.560
<v Speaker 1>became poetry, but just just to read it just seemed

0:22:45.560 --> 0:22:48.440
<v Speaker 1>like such a you know, such a gift after working

0:22:48.480 --> 0:22:51.040
<v Speaker 1>for a few years after high school, just to be

0:22:51.119 --> 0:22:52.720
<v Speaker 1>able to live in one place and you just have

0:22:52.840 --> 0:22:58.960
<v Speaker 1>to read books. It was amazing. We'll be back in

0:22:59.000 --> 0:23:08.960
<v Speaker 1>a moment with more family secrets. Nix and his junior

0:23:09.040 --> 0:23:12.720
<v Speaker 1>year of college twenty one years old, steeped in literature

0:23:13.119 --> 0:23:18.800
<v Speaker 1>but also ooze when his mother dies by suicide advance

0:23:18.840 --> 0:23:22.080
<v Speaker 1>school for I think I was finishing my junior year.

0:23:23.119 --> 0:23:24.840
<v Speaker 1>I had left home, which is you know, one of

0:23:24.880 --> 0:23:27.399
<v Speaker 1>those codependent nightmares. You think you're you know, you're in

0:23:27.480 --> 0:23:29.399
<v Speaker 1>charge of keeping someone alive, and then you leave and

0:23:29.400 --> 0:23:32.560
<v Speaker 1>then I do die. Um, so that wasn't a good thing.

0:23:33.119 --> 0:23:34.960
<v Speaker 1>But she did the games to this year is with

0:23:35.080 --> 0:23:36.439
<v Speaker 1>He was a really sweet guy. I still know him

0:23:36.440 --> 0:23:38.760
<v Speaker 1>I'm still friends with him, but they were, you know,

0:23:38.800 --> 0:23:41.680
<v Speaker 1>he just sort of had morphed into cocaine, had become

0:23:41.680 --> 0:23:43.600
<v Speaker 1>a big part of it. And so she was doing

0:23:43.600 --> 0:23:47.080
<v Speaker 1>cocaine and he was in prison. Actually he actually got

0:23:47.119 --> 0:23:49.520
<v Speaker 1>busted and he was in federal prison. He got through

0:23:49.560 --> 0:23:52.320
<v Speaker 1>to five years and he was about to get out

0:23:52.320 --> 0:23:54.760
<v Speaker 1>of prison. He had been in for you know, usually

0:23:54.880 --> 0:23:57.240
<v Speaker 1>three or five he served too, and he was about

0:23:57.240 --> 0:23:59.760
<v Speaker 1>to get out. And she was seeing someone else at

0:23:59.760 --> 0:24:05.320
<v Speaker 1>that time, and it was right before Christmas, and I

0:24:05.359 --> 0:24:08.439
<v Speaker 1>think she was doing cocaine and she went through with it.

0:24:08.520 --> 0:24:11.040
<v Speaker 1>She went through with her her suicide, which you know,

0:24:11.080 --> 0:24:13.520
<v Speaker 1>I feel that she had always been that had always

0:24:13.520 --> 0:24:16.240
<v Speaker 1>been lingering as part of her one of her ways

0:24:16.280 --> 0:24:19.879
<v Speaker 1>out from whatever she was suffering from. You know, some

0:24:20.000 --> 0:24:22.200
<v Speaker 1>of the things would go back to her family. I

0:24:22.240 --> 0:24:23.679
<v Speaker 1>think she you know, I say in the book that

0:24:24.040 --> 0:24:26.480
<v Speaker 1>you can see from the age that she's like six

0:24:26.560 --> 0:24:29.360
<v Speaker 1>to seven or something, that something happened, Like it looks

0:24:29.400 --> 0:24:31.800
<v Speaker 1>like her face just changes and she becomes harder. And

0:24:32.240 --> 0:24:34.360
<v Speaker 1>you know, she was always incredibly beautiful, but you could

0:24:34.359 --> 0:24:36.159
<v Speaker 1>see there was like a look like the world is

0:24:36.240 --> 0:24:38.919
<v Speaker 1>much darker than I imagined. So I don't know what

0:24:38.960 --> 0:24:40.720
<v Speaker 1>that is. You know, I'm not sure what that is

0:24:40.760 --> 0:24:44.560
<v Speaker 1>had happened, but we can guess, and I think it

0:24:44.640 --> 0:24:46.199
<v Speaker 1>followed her through and you can see that she had

0:24:46.480 --> 0:24:48.119
<v Speaker 1>even some of the boyfriends. I talked to it and

0:24:48.160 --> 0:24:51.560
<v Speaker 1>said that she had actually attempted to aside even you know,

0:24:51.560 --> 0:24:54.560
<v Speaker 1>when I was very younger, even when she was carrying me.

0:24:54.640 --> 0:24:56.920
<v Speaker 1>I mean, there's always it was not the first time,

0:24:56.960 --> 0:25:00.000
<v Speaker 1>and then this time she succeeded. But it wasn't something

0:25:00.040 --> 0:25:01.720
<v Speaker 1>she talked about. It wasn't like when we were when

0:25:01.760 --> 0:25:03.560
<v Speaker 1>I was a kid. It wasn't like. That's why the letter.

0:25:03.680 --> 0:25:05.159
<v Speaker 1>That's why I could burn the letter and feel that

0:25:05.160 --> 0:25:07.320
<v Speaker 1>it was like somehow releasing, because it wasn't. She wasn't

0:25:07.359 --> 0:25:09.840
<v Speaker 1>like she was very fun to be around. She was

0:25:09.960 --> 0:25:14.359
<v Speaker 1>very loving, she was very uh vivacious and fun and

0:25:14.520 --> 0:25:16.719
<v Speaker 1>uh so it wasn't like she was like, for the

0:25:16.720 --> 0:25:20.359
<v Speaker 1>most part, like expressing suicidal intent to anyone. It was

0:25:20.440 --> 0:25:25.919
<v Speaker 1>really something she kept herself. It was a secret. The

0:25:26.040 --> 0:25:28.919
<v Speaker 1>long wake of his mother's suicide follows Nick through his

0:25:28.960 --> 0:25:35.320
<v Speaker 1>twenties and into rock bottom alcoholism. So often when there's trauma,

0:25:35.680 --> 0:25:39.640
<v Speaker 1>there's also addiction. The two states of being go together

0:25:39.840 --> 0:25:44.399
<v Speaker 1>hand in glove. It's excruciating to feel the feelings, and

0:25:44.520 --> 0:25:48.439
<v Speaker 1>here is a way to number them. Nick quotes the

0:25:48.440 --> 0:25:52.919
<v Speaker 1>great British psychoanalyst D W. Winnicott, who writes, it's a

0:25:53.000 --> 0:25:56.760
<v Speaker 1>joy to be hidden, but a disaster not to be found.

0:26:00.720 --> 0:26:03.040
<v Speaker 1>Nick needed to stay hidden for a good long while.

0:26:03.880 --> 0:26:07.560
<v Speaker 1>He finally gets sober, and in many respects he is

0:26:07.600 --> 0:26:13.840
<v Speaker 1>found by recovery and eventually by marriage and fatherhood. But

0:26:14.200 --> 0:26:18.199
<v Speaker 1>over the years trauma, that tricky shape shifting state of

0:26:18.240 --> 0:26:23.359
<v Speaker 1>being takes many forms, including a long affair that begins

0:26:23.359 --> 0:26:28.359
<v Speaker 1>when his daughter is two. Because trauma and secrecy also

0:26:28.440 --> 0:26:35.479
<v Speaker 1>go together, hand in glove. My relationship to sobriety just

0:26:35.520 --> 0:26:37.879
<v Speaker 1>came in a necessary time. I think I started to

0:26:38.080 --> 0:26:40.680
<v Speaker 1>feel it around the same age that my mother had been.

0:26:41.320 --> 0:26:44.679
<v Speaker 1>You know, if you have any astrology beliefs or anything

0:26:44.680 --> 0:26:48.080
<v Speaker 1>that sort of sadom return the late or so where

0:26:48.400 --> 0:26:50.479
<v Speaker 1>and then you go for another twenty seven years and

0:26:50.920 --> 0:26:53.960
<v Speaker 1>that's when there's a whole creation destruction happens, so you

0:26:54.000 --> 0:26:56.440
<v Speaker 1>have to sort of rethink your entire life or to it.

0:26:56.560 --> 0:26:59.879
<v Speaker 1>So around when my father showed up at the shelter

0:27:00.080 --> 0:27:02.880
<v Speaker 1>or I wrestled with that for a couple of years.

0:27:02.960 --> 0:27:05.960
<v Speaker 1>My drinking just increased, and then I quit. I don't

0:27:05.960 --> 0:27:07.840
<v Speaker 1>want to make it sound easy that I quit. It was.

0:27:08.400 --> 0:27:11.160
<v Speaker 1>It was a long process of including drugs and alcohol.

0:27:11.800 --> 0:27:13.920
<v Speaker 1>You know. It was actually the just say the obvious,

0:27:13.960 --> 0:27:15.760
<v Speaker 1>but or say things that you always hear, But it

0:27:15.840 --> 0:27:18.639
<v Speaker 1>was the thing the same. I can't imagine what my

0:27:18.680 --> 0:27:21.000
<v Speaker 1>life would be if I had not quick drinking doing drugs.

0:27:21.600 --> 0:27:24.359
<v Speaker 1>I certainly would have written probably anything. I was trying

0:27:24.359 --> 0:27:26.960
<v Speaker 1>to be a writer all through my twenties, but I

0:27:27.080 --> 0:27:29.800
<v Speaker 1>really couldn't write anything coherent, which I feel very lucky

0:27:29.800 --> 0:27:31.720
<v Speaker 1>about also because that's the reason I went to therapy,

0:27:32.080 --> 0:27:33.399
<v Speaker 1>and the therapist is the one who told me to

0:27:33.440 --> 0:27:35.760
<v Speaker 1>get sober, because I was just I knew I could

0:27:35.760 --> 0:27:38.480
<v Speaker 1>write something, but I just couldn't quite get the clarity

0:27:38.480 --> 0:27:41.240
<v Speaker 1>to do it. So there was that, And then the

0:27:41.240 --> 0:27:43.679
<v Speaker 1>thing about going to therapy and getting sober is suddenly

0:27:43.840 --> 0:27:47.000
<v Speaker 1>there's a certain clarity. You know, it's a slow building clarity,

0:27:47.320 --> 0:27:50.600
<v Speaker 1>but it does whatever trauma you have suddenly begins to

0:27:50.720 --> 0:27:52.480
<v Speaker 1>rise up a little bit more. And it it does

0:27:52.560 --> 0:27:57.439
<v Speaker 1>with PTSD type stuff, which probably escaping from a burning

0:27:57.480 --> 0:28:00.439
<v Speaker 1>house and uh, you know, your mother committing suicide, you know,

0:28:00.720 --> 0:28:05.320
<v Speaker 1>probably could definitely trigger a PTSD reaction, even though you know,

0:28:05.359 --> 0:28:07.600
<v Speaker 1>I might not have been used that language at the time.

0:28:08.040 --> 0:28:10.280
<v Speaker 1>But it lodges in your brain, you know, from what

0:28:10.320 --> 0:28:13.040
<v Speaker 1>I read about a neuroscience that lodges in your brain

0:28:13.080 --> 0:28:15.439
<v Speaker 1>in different place. Like trauma doesn't sort of always active.

0:28:15.840 --> 0:28:18.040
<v Speaker 1>It's always sort of hyper vigilant and sort of reading

0:28:18.600 --> 0:28:22.160
<v Speaker 1>for this traumas or to happen again. And it's very

0:28:22.160 --> 0:28:24.520
<v Speaker 1>hard because it doesn't go into the deeper long term

0:28:24.520 --> 0:28:27.239
<v Speaker 1>MEMBORI just sort of stays and like the other part

0:28:27.280 --> 0:28:30.520
<v Speaker 1>of the brand, I'm Avigdala. Yeah. Yeah, the fight flight

0:28:30.680 --> 0:28:34.159
<v Speaker 1>or freeze part of the bran, the idea of like

0:28:35.160 --> 0:28:37.320
<v Speaker 1>hidings that was so important, It is so important to

0:28:37.400 --> 0:28:40.760
<v Speaker 1>my life as an addict. I was one of those

0:28:40.800 --> 0:28:42.960
<v Speaker 1>acts that, like, really I thought the best thing, the

0:28:43.000 --> 0:28:46.200
<v Speaker 1>most clever thing, was like to be fucked up and

0:28:46.320 --> 0:28:49.000
<v Speaker 1>I don't know if you could swear on this and

0:28:49.320 --> 0:28:51.480
<v Speaker 1>to yet to have no one know, you know, you

0:28:51.560 --> 0:28:53.480
<v Speaker 1>sort of put on dark glasses. You just sort of

0:28:53.480 --> 0:28:55.280
<v Speaker 1>go and you're like no one knows you are, and

0:28:55.320 --> 0:28:57.480
<v Speaker 1>that's like you're so you have two lives. It's like

0:28:57.520 --> 0:29:00.920
<v Speaker 1>a very dual existence. You know though, when I quit,

0:29:01.160 --> 0:29:03.120
<v Speaker 1>when I got sober and quit, pretty much everyone I

0:29:03.200 --> 0:29:04.600
<v Speaker 1>knew said, oh, we knew you were sucked up all

0:29:04.600 --> 0:29:08.760
<v Speaker 1>the time. You know, I wasn't really fooling anyone. There

0:29:08.800 --> 0:29:11.840
<v Speaker 1>was so much I think from my childhood that was

0:29:11.920 --> 0:29:14.200
<v Speaker 1>like hidden, like where my mother came from, what her

0:29:14.280 --> 0:29:17.400
<v Speaker 1>childhood was, like what she was holding inside with the

0:29:18.200 --> 0:29:21.720
<v Speaker 1>you know, with her relationship, her grip on life when

0:29:21.720 --> 0:29:24.840
<v Speaker 1>she started dating the gangster and what she was going on.

0:29:24.880 --> 0:29:26.720
<v Speaker 1>I mean, I knew, you know, gangsters only do a

0:29:26.720 --> 0:29:29.160
<v Speaker 1>few things. I mean, I guess there was drugs, because

0:29:29.480 --> 0:29:32.120
<v Speaker 1>you know, either it's guns, drugs, or prostitutes. I guess,

0:29:32.520 --> 0:29:35.000
<v Speaker 1>so they have a limited talent of things they do,

0:29:35.360 --> 0:29:40.280
<v Speaker 1>so I guess drugs. We didn't talk about it. We

0:29:40.320 --> 0:29:42.120
<v Speaker 1>didn't like it. Seemed like you had to keep things

0:29:42.160 --> 0:29:45.640
<v Speaker 1>sort of in this very sort of the asthma where

0:29:45.680 --> 0:29:47.600
<v Speaker 1>you could deny things and you could sort of have

0:29:47.760 --> 0:29:49.959
<v Speaker 1>other lives that's sort of happening outside of it. So

0:29:50.840 --> 0:29:52.440
<v Speaker 1>that's what I grew up with. I really grew up

0:29:52.440 --> 0:29:55.560
<v Speaker 1>with that. That's what slowly, very very slowly, and then

0:29:55.440 --> 0:29:57.200
<v Speaker 1>I can return to that too. I can return to

0:29:57.240 --> 0:30:01.160
<v Speaker 1>that double life very easily if I'm not vigilant, I

0:30:01.160 --> 0:30:03.800
<v Speaker 1>can sort of that can seem like the best place

0:30:03.840 --> 0:30:06.720
<v Speaker 1>to be still, you know, maybe not today. I think

0:30:06.720 --> 0:30:08.680
<v Speaker 1>this book was part of me trying to drag that

0:30:08.800 --> 0:30:11.040
<v Speaker 1>into the light too, and trying to say, like, yeah,

0:30:11.040 --> 0:30:13.240
<v Speaker 1>there's this part of me that like really is comfortable

0:30:13.280 --> 0:30:15.959
<v Speaker 1>with just closing a hotel room door and you know,

0:30:16.120 --> 0:30:19.280
<v Speaker 1>being alone in there, or being with a lover that

0:30:19.320 --> 0:30:21.840
<v Speaker 1>I probably shouldn't be with that feels to me like

0:30:22.200 --> 0:30:24.800
<v Speaker 1>familiar in this way, that seems to me like the

0:30:24.840 --> 0:30:29.520
<v Speaker 1>real definition of love. Maybe, well yeah, and it's like home,

0:30:30.000 --> 0:30:32.239
<v Speaker 1>It's like what that's all we know. All we know

0:30:32.400 --> 0:30:35.880
<v Speaker 1>is what we got way back then. That's a good,

0:30:36.120 --> 0:30:38.760
<v Speaker 1>that's a good that could that could be ship bumpers.

0:30:38.800 --> 0:30:42.640
<v Speaker 1>All we know is what we've got. So you're a

0:30:42.680 --> 0:30:46.080
<v Speaker 1>writer and you're a teacher, you have this full of

0:30:46.080 --> 0:30:49.800
<v Speaker 1>professional life, you're sober, You fall in love with the

0:30:49.840 --> 0:30:55.080
<v Speaker 1>woman who becomes your wife. You have a daughter, and

0:30:55.720 --> 0:31:00.640
<v Speaker 1>when your daughters too, you begin an affair that asked

0:31:01.040 --> 0:31:04.720
<v Speaker 1>for a whole bunch of years. Yeah, off and on

0:31:04.800 --> 0:31:08.560
<v Speaker 1>for five years. Yeah. Yeah. When my daughter turned too,

0:31:08.960 --> 0:31:11.880
<v Speaker 1>I began this affair, and you know, part of it

0:31:12.480 --> 0:31:14.160
<v Speaker 1>it had to do with the person I had the

0:31:14.200 --> 0:31:16.400
<v Speaker 1>affair with. It was a lovely person who is a

0:31:16.400 --> 0:31:20.320
<v Speaker 1>lovely person, but also probably a person who's comfortable with

0:31:20.840 --> 0:31:23.320
<v Speaker 1>having a double life, at least was at that point.

0:31:24.160 --> 0:31:27.240
<v Speaker 1>It happened also with a traumatic moment in my life.

0:31:27.440 --> 0:31:29.960
<v Speaker 1>It was right at the moment when they began filming

0:31:30.400 --> 0:31:32.480
<v Speaker 1>my first book that began making into a film, and

0:31:32.520 --> 0:31:35.720
<v Speaker 1>I was on set every day and to day that

0:31:36.160 --> 0:31:39.040
<v Speaker 1>um and I knew this was kind of part of

0:31:39.280 --> 0:31:41.760
<v Speaker 1>you know, writing the scripts and there's a day where

0:31:42.320 --> 0:31:44.800
<v Speaker 1>Juliette Moore, who plays my mother, and it would re

0:31:44.920 --> 0:31:48.959
<v Speaker 1>enact my mother's suicide and being a set that day,

0:31:49.000 --> 0:31:51.000
<v Speaker 1>like it's not like again, it's like almost like going

0:31:51.000 --> 0:31:53.760
<v Speaker 1>and tracking down your mother's explore friends and asking him questions,

0:31:53.880 --> 0:31:55.440
<v Speaker 1>which it's it's a strange thing to be and that

0:31:55.520 --> 0:31:56.800
<v Speaker 1>even the director was like, you don't have to be

0:31:56.840 --> 0:31:59.360
<v Speaker 1>here today, But I again, I was like, well where

0:31:59.360 --> 0:32:01.560
<v Speaker 1>else would I be? Like it? I'll always wonder what

0:32:01.640 --> 0:32:04.360
<v Speaker 1>this was if I don't stay here. And so I

0:32:04.400 --> 0:32:08.560
<v Speaker 1>stayed through that, but I think it did some restimulated

0:32:08.640 --> 0:32:12.800
<v Speaker 1>or reactivated that trauma in the and one of the

0:32:12.800 --> 0:32:15.200
<v Speaker 1>ways this woman we have been friends for a while,

0:32:15.480 --> 0:32:17.920
<v Speaker 1>you know, for a year or so, and we became

0:32:17.960 --> 0:32:21.800
<v Speaker 1>lovers like right around then, and then it was off

0:32:21.800 --> 0:32:24.840
<v Speaker 1>and on for the next several years taxt to five years.

0:32:26.080 --> 0:32:28.680
<v Speaker 1>I mean, it makes so much emotional sense to me

0:32:28.760 --> 0:32:34.840
<v Speaker 1>that being on the set watching that re enactment and

0:32:35.080 --> 0:32:37.240
<v Speaker 1>somehow needing to like where else would you be as

0:32:37.240 --> 0:32:40.600
<v Speaker 1>you said, what is the nature of that trigger? Like

0:32:40.640 --> 0:32:44.440
<v Speaker 1>what would you call it? Is it like a funking

0:32:44.480 --> 0:32:47.120
<v Speaker 1>I'm going to do what I want? Is itself desse

0:32:47.200 --> 0:32:52.040
<v Speaker 1>itself destruction? Is it I've been through so much? This

0:32:52.200 --> 0:32:54.040
<v Speaker 1>is you know, because in a way, like when you're

0:32:54.080 --> 0:32:59.560
<v Speaker 1>describing the re enactment, it's a little bit like you know,

0:32:59.600 --> 0:33:02.960
<v Speaker 1>when you're outter turned seven having the thought, wait a minute,

0:33:02.960 --> 0:33:07.840
<v Speaker 1>that was really really not a good story. That was

0:33:07.880 --> 0:33:12.080
<v Speaker 1>not okay. You know. It's like I mean, and obviously

0:33:12.080 --> 0:33:15.440
<v Speaker 1>your mother suicide wasn't okay, But somehow it's now being

0:33:15.840 --> 0:33:20.120
<v Speaker 1>literally played out by an Academy Award winning actress, like

0:33:20.240 --> 0:33:23.480
<v Speaker 1>in front of your eyes. I just wonder what you

0:33:23.520 --> 0:33:26.920
<v Speaker 1>would say about like what that was that then triggered

0:33:28.120 --> 0:33:32.840
<v Speaker 1>the beginning of this long affair. It's really hard to

0:33:32.880 --> 0:33:36.480
<v Speaker 1>categorize because it's you know, like most of my life.

0:33:36.880 --> 0:33:38.760
<v Speaker 1>You know, I would say it is mundane in a way,

0:33:38.840 --> 0:33:42.400
<v Speaker 1>or at least comprehensible. Like you know, everyone struggles with

0:33:42.480 --> 0:33:45.200
<v Speaker 1>trying to figure out who your parents are, and like

0:33:45.280 --> 0:33:47.440
<v Speaker 1>people get lost at the parish points in their lives,

0:33:47.480 --> 0:33:50.080
<v Speaker 1>and you know, my parents got lost at various points

0:33:50.080 --> 0:33:54.040
<v Speaker 1>and their consequences were maybe more intense than some other people.

0:33:54.160 --> 0:33:57.680
<v Speaker 1>But it's it's within the realm of comprehension. But you know,

0:33:57.760 --> 0:34:01.240
<v Speaker 1>somehow being on the set, well you're seeing this amazing

0:34:01.280 --> 0:34:05.560
<v Speaker 1>actor saying lines that you've actually helped a craft that

0:34:05.600 --> 0:34:09.040
<v Speaker 1>are based on things that your mother said. There was

0:34:09.080 --> 0:34:11.319
<v Speaker 1>no precedent for it. There's not nothing I could sort

0:34:11.320 --> 0:34:13.520
<v Speaker 1>of look back on and say like, oh, yeah, this

0:34:13.600 --> 0:34:16.440
<v Speaker 1>is I know what to do with this, because I

0:34:16.440 --> 0:34:18.520
<v Speaker 1>really didn't. It was really like sort of like you're

0:34:18.560 --> 0:34:22.600
<v Speaker 1>in like a very strange dream that just doesn't end,

0:34:22.719 --> 0:34:25.080
<v Speaker 1>because then you know, it really doesn't end because then

0:34:25.080 --> 0:34:27.319
<v Speaker 1>for the next year you're editing that scene. You know,

0:34:27.360 --> 0:34:29.560
<v Speaker 1>you're in the editing room with the with the director

0:34:29.600 --> 0:34:31.440
<v Speaker 1>in the editor, you're working on the scene. So you're

0:34:31.440 --> 0:34:32.920
<v Speaker 1>seeing it over and or then you go into the

0:34:32.920 --> 0:34:35.360
<v Speaker 1>premiere and you're seeing it again, and then you're it

0:34:35.440 --> 0:34:38.200
<v Speaker 1>keeps rising up in a way that like memory does too,

0:34:38.280 --> 0:34:42.040
<v Speaker 1>but memory sort of changes, you know, memories more like

0:34:42.080 --> 0:34:45.440
<v Speaker 1>a play where every performance is a little bit different,

0:34:45.800 --> 0:34:48.600
<v Speaker 1>whereas this is like your I mean, it's different because

0:34:48.760 --> 0:34:51.200
<v Speaker 1>you bring something different to it every time, but you're

0:34:51.239 --> 0:34:54.520
<v Speaker 1>really seeing that that moment and then remembering that moment,

0:34:55.320 --> 0:34:57.800
<v Speaker 1>you know. But it occurs to me this was utterly

0:34:58.320 --> 0:35:00.839
<v Speaker 1>surreal and singular experience, and it wasn't like you could

0:35:00.840 --> 0:35:03.080
<v Speaker 1>call one of your friends and been like, you know, so,

0:35:03.080 --> 0:35:05.840
<v Speaker 1>so when when you've had that situation, how did you feel?

0:35:06.280 --> 0:35:09.600
<v Speaker 1>You're so solitary within that and it's also playing out

0:35:10.480 --> 0:35:13.359
<v Speaker 1>over and over and over again. I haven't thought about that,

0:35:13.400 --> 0:35:16.040
<v Speaker 1>but that, you know, that reminds me of another line

0:35:16.080 --> 0:35:20.360
<v Speaker 1>of vessel Vandercolks, where he he says, um, it's the

0:35:20.440 --> 0:35:23.719
<v Speaker 1>nature of trauma that it doesn't allow a story to

0:35:23.800 --> 0:35:27.080
<v Speaker 1>be told. It doesn't allow us to hold onto stories.

0:35:27.120 --> 0:35:30.080
<v Speaker 1>So again and again, it's why we repeat so much.

0:35:30.120 --> 0:35:33.840
<v Speaker 1>It's why we go back to either the cover story

0:35:34.000 --> 0:35:36.600
<v Speaker 1>or the real story, and as a way of I'm

0:35:36.640 --> 0:35:38.160
<v Speaker 1>going to try to tell the story again so that

0:35:38.200 --> 0:35:41.080
<v Speaker 1>I can hold onto it because it keeps on slipping

0:35:41.080 --> 0:35:44.040
<v Speaker 1>through our fingers. But there you are, and you're actually

0:35:44.760 --> 0:35:48.200
<v Speaker 1>seeing the same scene played over and over and over again,

0:35:48.360 --> 0:35:53.080
<v Speaker 1>honed and perfected. Yeah, and I'm not even sure if like,

0:35:53.760 --> 0:35:56.120
<v Speaker 1>you know, I wouldn't want to argue with Vessel Vandercole,

0:35:56.520 --> 0:35:58.680
<v Speaker 1>because you know, we created a story with the film.

0:35:59.000 --> 0:36:01.520
<v Speaker 1>I mean, there's a wrote a book, so those are

0:36:01.760 --> 0:36:04.080
<v Speaker 1>they have the beginning, middle, and end. But you know,

0:36:04.120 --> 0:36:06.640
<v Speaker 1>the moment of trauma, I think, is what really gets

0:36:06.640 --> 0:36:09.839
<v Speaker 1>sort of you know, you snap awake at even though

0:36:09.880 --> 0:36:12.719
<v Speaker 1>it's embedded in a story, the moment of trauma sort

0:36:12.719 --> 0:36:14.640
<v Speaker 1>of always sort of like brings you back to like

0:36:15.680 --> 0:36:22.319
<v Speaker 1>that very moment, whatever it was was lost. So this

0:36:22.440 --> 0:36:25.560
<v Speaker 1>relationship plays out over off and on over a period

0:36:25.560 --> 0:36:30.480
<v Speaker 1>of five years, in trips and travel and motels and

0:36:30.719 --> 0:36:33.799
<v Speaker 1>talking on the phone while your daughter is like, you know,

0:36:33.840 --> 0:36:37.480
<v Speaker 1>swinging nearby on a playground and in Texas and you

0:36:37.520 --> 0:36:41.200
<v Speaker 1>know down where where I teach. And after five years,

0:36:41.239 --> 0:36:45.200
<v Speaker 1>you go to therapy, back to therapy, back to therapy, right, different,

0:36:45.280 --> 0:36:49.719
<v Speaker 1>different therapists, different and this therapist tells you that you

0:36:49.760 --> 0:36:54.120
<v Speaker 1>have the ethics of a drowning man. Yeah, I mean,

0:36:54.520 --> 0:36:57.440
<v Speaker 1>you don't go near a drowning man, right, If you

0:36:57.480 --> 0:37:00.520
<v Speaker 1>try to save a drowning man will probably are you under.

0:37:01.320 --> 0:37:05.560
<v Speaker 1>He's just trying to stay alive. So take us to

0:37:06.280 --> 0:37:10.319
<v Speaker 1>the moment where your wife asks you if you're having

0:37:10.320 --> 0:37:12.840
<v Speaker 1>an affair, and she's asked you before and you've said no,

0:37:13.520 --> 0:37:16.360
<v Speaker 1>but this time you say yes, after these five years,

0:37:16.400 --> 0:37:21.640
<v Speaker 1>and what is that moment? Yeah, the moment I revealed

0:37:22.280 --> 0:37:24.760
<v Speaker 1>to my wife that I was having an affair was

0:37:24.920 --> 0:37:28.799
<v Speaker 1>right around Christmas, which my mother kind of suicide right

0:37:28.840 --> 0:37:31.880
<v Speaker 1>around Christmas, and so it's always it's a historically a

0:37:31.880 --> 0:37:34.760
<v Speaker 1>difficult time in a year from me. But that fall

0:37:34.920 --> 0:37:37.360
<v Speaker 1>I had, I started to go through the sense that

0:37:37.400 --> 0:37:40.600
<v Speaker 1>I talked about before about realizing that it was her

0:37:40.680 --> 0:37:43.120
<v Speaker 1>reckless thing my mother did sitting in the house on

0:37:43.200 --> 0:37:47.480
<v Speaker 1>fire with us inside, maybe even worse than reckless. And

0:37:47.480 --> 0:37:48.840
<v Speaker 1>that's how ar wrestled with that in the book, like

0:37:49.040 --> 0:37:50.759
<v Speaker 1>what was going on in her head. You can also

0:37:50.840 --> 0:37:53.279
<v Speaker 1>have many You can have some very dark thoughts in

0:37:53.320 --> 0:37:55.160
<v Speaker 1>your head, and you can have some little less thought

0:37:55.160 --> 0:37:57.200
<v Speaker 1>like maybe maybe will all be saved, or maybe some

0:37:57.239 --> 0:38:00.520
<v Speaker 1>people will die. So that was hit me and it

0:38:00.600 --> 0:38:02.680
<v Speaker 1>was feeling like, um, you know, I'd call it some

0:38:02.719 --> 0:38:05.880
<v Speaker 1>sort of a breakdown, a psychic breakdown, and I've been

0:38:05.880 --> 0:38:08.120
<v Speaker 1>going through the fall, and my wife knew that, and

0:38:08.120 --> 0:38:11.520
<v Speaker 1>as she knew that, it was about partially about the revelation,

0:38:11.960 --> 0:38:14.640
<v Speaker 1>my own interim revelations about my mother and the fire,

0:38:15.640 --> 0:38:17.600
<v Speaker 1>but it was also like, you know, I was also

0:38:17.680 --> 0:38:20.440
<v Speaker 1>considering leaving the family too. I was considering on a

0:38:20.480 --> 0:38:24.240
<v Speaker 1>metaphoric level, burning down the house that I had created,

0:38:24.280 --> 0:38:27.880
<v Speaker 1>the home I created with my family. It wasn't making sense,

0:38:27.920 --> 0:38:30.400
<v Speaker 1>Like what I was considering doing didn't really make sense

0:38:30.400 --> 0:38:32.799
<v Speaker 1>in a way in a larger sense, like is that

0:38:32.880 --> 0:38:34.680
<v Speaker 1>really what I wanted? Or set doors? I just trying

0:38:34.680 --> 0:38:37.160
<v Speaker 1>to go? It was I trying to run away? Was

0:38:37.160 --> 0:38:39.319
<v Speaker 1>I trying to hide more? Was I trying to get

0:38:39.360 --> 0:38:42.200
<v Speaker 1>away from the pain. So therapy really helped me. I

0:38:42.239 --> 0:38:45.440
<v Speaker 1>got into the therapist and he sort of recognized, you know,

0:38:45.480 --> 0:38:47.839
<v Speaker 1>what I was going through and told me that I

0:38:47.880 --> 0:38:50.480
<v Speaker 1>had the ethics of a drowning man with thout are

0:38:50.520 --> 0:38:52.920
<v Speaker 1>struggling with and yeah, he's he's a he's a young

0:38:52.920 --> 0:38:56.439
<v Speaker 1>Gian therapist, which was really helpful. Also, because he would

0:38:56.440 --> 0:38:59.040
<v Speaker 1>really would really go into like dreams and into the

0:38:59.080 --> 0:39:02.439
<v Speaker 1>subconscious until get to see these things pull pull it out.

0:39:03.120 --> 0:39:04.800
<v Speaker 1>So that was that was it. So I came clean

0:39:04.840 --> 0:39:07.239
<v Speaker 1>and then you know, likely getting sober. You know, takes

0:39:07.239 --> 0:39:09.560
<v Speaker 1>a little while for it to stick. And h here

0:39:09.600 --> 0:39:14.600
<v Speaker 1>we are, like five hour, six years later. Towards the

0:39:14.719 --> 0:39:17.160
<v Speaker 1>end of your book, there's a really moving passage where

0:39:17.520 --> 0:39:21.040
<v Speaker 1>you essentially address it to your daughter. It's really arresting

0:39:21.040 --> 0:39:23.719
<v Speaker 1>and interesting moment because you know, those of us who

0:39:23.719 --> 0:39:27.799
<v Speaker 1>have children who right have some tucked away, very far

0:39:27.880 --> 0:39:31.360
<v Speaker 1>tucked away awareness that our children are probably going to

0:39:31.440 --> 0:39:35.719
<v Speaker 1>read these words someday, you know, and we can't think

0:39:35.760 --> 0:39:39.080
<v Speaker 1>about it while we're writing or it would completely stop us.

0:39:39.520 --> 0:39:42.680
<v Speaker 1>Yet it's there, and I mean I actually think of

0:39:42.719 --> 0:39:48.600
<v Speaker 1>it in my own life as a hedge against secrecy.

0:39:49.000 --> 0:39:52.920
<v Speaker 1>Secrecy when you are a writer who is a parent

0:39:53.840 --> 0:39:58.319
<v Speaker 1>is actually really not so possible ultimately, And the way

0:39:58.360 --> 0:39:59.640
<v Speaker 1>I think of it in my own life, it really

0:39:59.680 --> 0:40:02.560
<v Speaker 1>keeps be honest. I mean, I if my son wants

0:40:02.600 --> 0:40:07.239
<v Speaker 1>to he can go read you know, some really difficult

0:40:07.239 --> 0:40:09.319
<v Speaker 1>stuff about you know, what his mother was like as

0:40:09.360 --> 0:40:12.880
<v Speaker 1>a very young woman his age. So you address your

0:40:12.960 --> 0:40:17.600
<v Speaker 1>daughter a future version of her reading this someday. And also,

0:40:18.160 --> 0:40:21.799
<v Speaker 1>I was struck by you had made a decision, at

0:40:21.880 --> 0:40:25.719
<v Speaker 1>least to this point, to not tell her how your

0:40:25.760 --> 0:40:29.560
<v Speaker 1>mother had died. You told her that she had a

0:40:29.560 --> 0:40:34.360
<v Speaker 1>bad heart. And then your daughter sees the title of

0:40:34.400 --> 0:40:37.200
<v Speaker 1>a poem of yours, and she learns how your mother

0:40:37.280 --> 0:40:39.400
<v Speaker 1>died by seeing the title of one of your poems,

0:40:39.440 --> 0:40:42.640
<v Speaker 1>which is on the anniversary of my mother's suicide. My

0:40:42.719 --> 0:40:45.760
<v Speaker 1>daughter and I take the A train to the Museum

0:40:45.760 --> 0:40:49.440
<v Speaker 1>of Natural History. Yeah, and that was, like, you know,

0:40:49.480 --> 0:40:51.239
<v Speaker 1>in the writing of the book, that's what happens when

0:40:51.239 --> 0:40:53.480
<v Speaker 1>it takes five years throughout a book. In the beginning,

0:40:54.040 --> 0:40:57.359
<v Speaker 1>she didn't know, and at this point she doesn't know

0:40:57.560 --> 0:41:00.960
<v Speaker 1>until she listens to this podcast that but my mother,

0:41:01.120 --> 0:41:04.080
<v Speaker 1>her grandmother had said fire to our house. She knows

0:41:04.080 --> 0:41:06.640
<v Speaker 1>about the fire, but she doesn't know about that. It

0:41:06.719 --> 0:41:10.160
<v Speaker 1>felt like too much. She knew about my father being homeless, homeless, alcoholic,

0:41:10.880 --> 0:41:13.960
<v Speaker 1>mostly because she saw, you know, we live in New York,

0:41:14.000 --> 0:41:16.680
<v Speaker 1>we travel and we see homeless people, and it's just

0:41:16.960 --> 0:41:19.040
<v Speaker 1>she she got to meet my father also before he died,

0:41:19.040 --> 0:41:21.239
<v Speaker 1>when she was very young. It just seemed important for

0:41:21.239 --> 0:41:23.640
<v Speaker 1>a note to know that's like to give her empathy, like,

0:41:24.040 --> 0:41:26.799
<v Speaker 1>this is not far from our lives. These people are not.

0:41:26.960 --> 0:41:29.680
<v Speaker 1>Each one is related to someone that they have, you know,

0:41:29.680 --> 0:41:32.000
<v Speaker 1>they have children that have parents to have you know,

0:41:32.000 --> 0:41:35.880
<v Speaker 1>they connected to not just these these satellites floating drifting

0:41:35.880 --> 0:41:39.160
<v Speaker 1>in space. It seemed important for her to know that.

0:41:39.280 --> 0:41:42.280
<v Speaker 1>But somehow the idea of my grandmother or her grandmother

0:41:42.600 --> 0:41:44.840
<v Speaker 1>make suicide it felt like too much for her at

0:41:44.840 --> 0:41:47.560
<v Speaker 1>the age. And then she she sorry, I was I

0:41:47.600 --> 0:41:50.040
<v Speaker 1>forget I think I had a I guess I was

0:41:50.040 --> 0:41:51.600
<v Speaker 1>at a piece of paper and she just said it.

0:41:51.600 --> 0:41:53.560
<v Speaker 1>She doesn't always read my poems, but I was just

0:41:53.560 --> 0:41:55.640
<v Speaker 1>sitting I think it's just sitting at the top and

0:41:55.880 --> 0:41:58.000
<v Speaker 1>she read it. I actually burst into tears. So I

0:41:58.040 --> 0:42:00.799
<v Speaker 1>didn't I didn't want to find out like that. But

0:42:00.800 --> 0:42:02.560
<v Speaker 1>it was really good though, like she just really sort

0:42:02.560 --> 0:42:05.719
<v Speaker 1>of got it. And I have this sense that our

0:42:05.840 --> 0:42:08.799
<v Speaker 1>children sort of know everything about us anyway, like there's

0:42:08.800 --> 0:42:10.759
<v Speaker 1>really nothing that they don't know. Is I don't think

0:42:10.800 --> 0:42:12.680
<v Speaker 1>there's anything that spoken that she'd be like, Oh, that's

0:42:12.719 --> 0:42:16.040
<v Speaker 1>that's shocking. I mean, you know the problem because I've

0:42:16.040 --> 0:42:18.520
<v Speaker 1>been working on not being so you know, having a

0:42:18.560 --> 0:42:21.560
<v Speaker 1>double life, and so she gets to see moments of

0:42:21.640 --> 0:42:25.120
<v Speaker 1>struggle and working things out. And I think that's important.

0:42:25.160 --> 0:42:27.799
<v Speaker 1>I think that's important for Case to see that one

0:42:27.880 --> 0:42:30.839
<v Speaker 1>can struggle, and one can you know, suffer, and yet

0:42:31.040 --> 0:42:32.799
<v Speaker 1>can come out of it and the next day or

0:42:32.800 --> 0:42:41.600
<v Speaker 1>even the next minute, can be laughing about something. Here's

0:42:41.680 --> 0:42:46.640
<v Speaker 1>Nick reading one last passage from his extraordinary book, one

0:42:46.680 --> 0:42:49.400
<v Speaker 1>which his daughter may hold in her hands one day

0:42:49.800 --> 0:42:52.480
<v Speaker 1>and not have to wonder who her father really is.

0:42:53.680 --> 0:42:55.839
<v Speaker 1>And that is what I meant when I said at

0:42:55.840 --> 0:43:00.360
<v Speaker 1>the start that this story is tough and ultimately beautiful. Mhm.

0:43:03.120 --> 0:43:06.760
<v Speaker 1>A thousand and one times I've told this story why

0:43:07.280 --> 0:43:11.320
<v Speaker 1>because it happened, because I escaped, as it involves fire

0:43:11.800 --> 0:43:16.680
<v Speaker 1>and firemen and sirens. Sometimes still, this story starts with

0:43:16.880 --> 0:43:20.520
<v Speaker 1>just me, barefoot in the next door neighbor's yard, looking

0:43:20.560 --> 0:43:23.839
<v Speaker 1>back at the house we've just tumbled out of. All

0:43:23.880 --> 0:43:28.400
<v Speaker 1>I can do now is watch as it burns. Phantasmagoria

0:43:28.920 --> 0:43:31.759
<v Speaker 1>they need to freeze makes sense of the story of

0:43:31.800 --> 0:43:35.399
<v Speaker 1>being six and running through a burning house. I need

0:43:35.440 --> 0:43:38.640
<v Speaker 1>to contain it like a firefly in a jar. And

0:43:38.760 --> 0:43:40.920
<v Speaker 1>I don't contain it. I don't know if I can

0:43:40.960 --> 0:43:43.400
<v Speaker 1>move away from it. And if I can't move away

0:43:43.440 --> 0:43:45.680
<v Speaker 1>from it, I don't know if I'll ever believe that

0:43:45.760 --> 0:43:48.719
<v Speaker 1>it made it out of in one piece. If here

0:43:48.719 --> 0:43:55.080
<v Speaker 1>I am, I stand before you, intact whole, holy, everything

0:43:55.080 --> 0:44:12.719
<v Speaker 1>that lives is holy. Family Secrets is an I Heeart

0:44:12.760 --> 0:44:17.000
<v Speaker 1>Media production. Dylan Fagan is the supervising producer and Bethan

0:44:17.120 --> 0:44:20.919
<v Speaker 1>Mcaluso is the executive producer. We'd also like to give

0:44:20.960 --> 0:44:24.919
<v Speaker 1>a special thanks to Tyler Klang and Tristan McNeil. If

0:44:24.920 --> 0:44:27.440
<v Speaker 1>you have a family secret you'd like to share, leave

0:44:27.520 --> 0:44:30.080
<v Speaker 1>us a voicemail and your story could appear on an

0:44:30.120 --> 0:44:34.680
<v Speaker 1>upcoming episode. Our number is one eight eight secret zero.

0:44:35.360 --> 0:44:38.960
<v Speaker 1>That's secret and then the number zero. You can also

0:44:39.000 --> 0:44:43.759
<v Speaker 1>find us on Instagram at Danny Ryder and Facebook at

0:44:44.080 --> 0:44:48.759
<v Speaker 1>facebook dot com slash Family Secrets Pod, and Twitter at

0:44:48.800 --> 0:45:07.960
<v Speaker 1>FAMI Secrets Pod, m HMM. For more podcasts for My

0:45:08.080 --> 0:45:11.040
<v Speaker 1>Heart Radio, visit the I Heart Radio app, Apple podcast,

0:45:11.200 --> 0:45:13.200
<v Speaker 1>or wherever you listen to your favorite shows.