1 00:00:03,120 --> 00:00:05,760 Speaker 1: There's a movie that I saw recently where there's a 2 00:00:05,800 --> 00:00:10,799 Speaker 1: baby that's a thief. Wait, no, I'm serious. This is 3 00:00:10,840 --> 00:00:13,360 Speaker 1: a contemporary movie, the virgins. Please help me. Is it 4 00:00:13,480 --> 00:00:24,919 Speaker 1: boss baby? It's not. Boss babies wages. Did sailorman ever 5 00:00:25,040 --> 00:00:29,320 Speaker 1: fight like any kind of Wolf Monster? Probably there was 6 00:00:29,320 --> 00:00:34,080 Speaker 1: probably a wolf monster, vampire monster, you know, big Spaghetti Monster. Okay, well, 7 00:00:34,080 --> 00:00:37,440 Speaker 1: that would be um great to know. I'm sure our 8 00:00:37,479 --> 00:00:41,120 Speaker 1: guest today would really appreciate thoughts, since they were famously 9 00:00:41,400 --> 00:00:47,600 Speaker 1: Um maulled by wolves on famous showtimes hit series yellow jocket. 10 00:00:47,720 --> 00:00:51,800 Speaker 1: Oh my God, rose are like Fan girling has, like 11 00:00:52,080 --> 00:00:56,800 Speaker 1: you know, manifested, has tram infested into something. That means 12 00:00:56,840 --> 00:01:00,080 Speaker 1: that someone on a show that we watch listen. We 13 00:01:00,120 --> 00:01:04,560 Speaker 1: watched that, we watch and have speculated a very embarrassingly 14 00:01:04,760 --> 00:01:07,920 Speaker 1: spewed conspiracy theory. And yet and then we found out 15 00:01:08,040 --> 00:01:11,240 Speaker 1: that they listen. Yes, so we found out that LIV HOUSTON, 16 00:01:11,880 --> 00:01:16,080 Speaker 1: Um from yellow jackets, is a fan of the pod, 17 00:01:16,760 --> 00:01:20,080 Speaker 1: is a virgin. So of course we had to get 18 00:01:20,120 --> 00:01:24,919 Speaker 1: them on to talk all about sailor moon but also, 19 00:01:25,000 --> 00:01:28,839 Speaker 1: like many other things, this is a very tangenty episode. 20 00:01:29,080 --> 00:01:31,280 Speaker 1: We're going to talk about ever after. We're going to 21 00:01:31,360 --> 00:01:33,119 Speaker 1: talk about Florence and the machine. We're going to talk 22 00:01:33,160 --> 00:01:37,520 Speaker 1: about the return of Um Indie sleeves, Lord of the Rings. Yeah, 23 00:01:37,560 --> 00:01:41,720 Speaker 1: we really, we really went up, down around and UH, 24 00:01:41,880 --> 00:01:45,600 Speaker 1: like the plane crashed in this episode and we had 25 00:01:45,640 --> 00:01:47,840 Speaker 1: were stuck in the wilderness and had to figure it out. And, 26 00:01:47,960 --> 00:01:51,240 Speaker 1: much like the ribbons in the transformation sequences of sailor moon, 27 00:01:51,440 --> 00:01:55,080 Speaker 1: we really spun all the way out, because this is 28 00:01:55,120 --> 00:01:57,240 Speaker 1: like a virgin, the show where we give yesterday's pop 29 00:01:57,280 --> 00:02:01,000 Speaker 1: culture today's takes. I'm rose Damo and I'm Fran Toronto, 30 00:02:02,800 --> 00:02:11,000 Speaker 1: Fighting Evil Light, love by day light. Never run from 31 00:02:11,040 --> 00:02:14,799 Speaker 1: a real fight. She is the one named sailor or. 32 00:02:15,200 --> 00:02:23,200 Speaker 1: They are the one named sailor. You know what? I've 33 00:02:23,200 --> 00:02:28,480 Speaker 1: been thinking about? Getting into real estate? Um, no, no, no, no, no, no, 34 00:02:28,600 --> 00:02:31,200 Speaker 1: you have not. That's just your that is a very 35 00:02:31,240 --> 00:02:33,720 Speaker 1: fake segue into the next conversation, but we on the 36 00:02:33,720 --> 00:02:36,520 Speaker 1: podcast have to say that we at like a virgin, 37 00:02:36,880 --> 00:02:40,080 Speaker 1: do not believe in Um, the autonomy of landlords, and 38 00:02:40,200 --> 00:02:44,880 Speaker 1: hopefully we'll never become landlord, brand Lord, Frand Lord and Lord. 39 00:02:45,080 --> 00:02:48,600 Speaker 1: I will not. Okay, anyways, you were you were starting 40 00:02:48,639 --> 00:02:51,960 Speaker 1: a very clunky segue into our first discussion topic. Do 41 00:02:52,000 --> 00:02:54,760 Speaker 1: you want to go? Do you want to go in? Yeah, 42 00:02:54,800 --> 00:02:59,119 Speaker 1: you know, the for the past week, I would say, 43 00:02:59,440 --> 00:03:03,040 Speaker 1: all I've been thinking about on a loop is one 44 00:03:03,160 --> 00:03:09,040 Speaker 1: thing and that is the extreme television excellence that is 45 00:03:09,360 --> 00:03:14,000 Speaker 1: selling the C. It is. I mean there are only 46 00:03:14,080 --> 00:03:16,720 Speaker 1: like six or eight episodes in this first season. It 47 00:03:16,800 --> 00:03:19,760 Speaker 1: was very short and I honestly felt that the ending 48 00:03:19,880 --> 00:03:22,320 Speaker 1: was kind of abrupt and I when like the thing 49 00:03:22,480 --> 00:03:24,720 Speaker 1: ended and it was like other titles to watch, I 50 00:03:24,760 --> 00:03:27,000 Speaker 1: was like that's the end of the season. I thought 51 00:03:27,000 --> 00:03:31,080 Speaker 1: there would be another episode, and I get you know, 52 00:03:31,160 --> 00:03:34,200 Speaker 1: I'm sure with the way that that selling sunset has 53 00:03:34,240 --> 00:03:37,160 Speaker 1: been rolling out like, there's probably another season coming like 54 00:03:37,320 --> 00:03:41,640 Speaker 1: pretty soon and they're saving like the rest of the 55 00:03:41,680 --> 00:03:44,360 Speaker 1: drama for it. But Fund selling the O C, the 56 00:03:44,400 --> 00:03:46,880 Speaker 1: main drama that happens at the end of the season 57 00:03:47,080 --> 00:03:52,600 Speaker 1: is everyone's mad about Kayla trying to make out with 58 00:03:52,880 --> 00:03:57,080 Speaker 1: tyler and her being slut shamed by some of the 59 00:03:57,120 --> 00:04:02,560 Speaker 1: girls for it. I think some deservedly so, because she 60 00:04:02,640 --> 00:04:05,960 Speaker 1: did try to hook up with her married co worker. 61 00:04:07,200 --> 00:04:09,240 Speaker 1: She was asking for it, is what is what you 62 00:04:09,280 --> 00:04:11,280 Speaker 1: were saying. I'm not saying she was asking for I'm 63 00:04:11,320 --> 00:04:14,840 Speaker 1: not saying she should have been slut shamed, but I 64 00:04:14,880 --> 00:04:19,359 Speaker 1: think the false equivalency that the two Alex has made 65 00:04:19,839 --> 00:04:23,560 Speaker 1: that her doing that was the same thing as the 66 00:04:23,600 --> 00:04:27,159 Speaker 1: nosy thing, the girl's kissing his nose. It's not the 67 00:04:27,200 --> 00:04:29,920 Speaker 1: same thing. Like that's obviously like like a sort of 68 00:04:29,960 --> 00:04:33,279 Speaker 1: weird but like playful thing between co workers, and a 69 00:04:33,320 --> 00:04:36,360 Speaker 1: woman earnestly trying to get her married coworker to hook 70 00:04:36,440 --> 00:04:39,680 Speaker 1: up with her is slightly different. Yeah, it's not the 71 00:04:39,720 --> 00:04:42,520 Speaker 1: same thing, but it is a double standard and I 72 00:04:43,160 --> 00:04:46,760 Speaker 1: still am, by the finale, on team Kayla, even though 73 00:04:46,800 --> 00:04:49,720 Speaker 1: I think Kayla kind of sucks. Actually, I'm on team 74 00:04:49,760 --> 00:04:53,800 Speaker 1: Tyler because, you know, no, no, no, I actually think 75 00:04:53,839 --> 00:04:56,839 Speaker 1: he's like the most boring looking, kind of Fart faced 76 00:04:56,880 --> 00:04:59,839 Speaker 1: guy in the whole cast. I don't understand he's so 77 00:05:00,080 --> 00:05:03,040 Speaker 1: sec he's the hottest one. I disagree. I don't understand 78 00:05:03,080 --> 00:05:06,080 Speaker 1: why he is like the pinnacle of attractiveness in this 79 00:05:06,160 --> 00:05:10,719 Speaker 1: show because he virtually has no personality. But he did interject. 80 00:05:10,480 --> 00:05:14,280 Speaker 1: Doesn't need one, true, but he did interject and cut 81 00:05:14,360 --> 00:05:17,880 Speaker 1: through the bullshit in a very severe way that I 82 00:05:17,880 --> 00:05:22,120 Speaker 1: thought was effective and wonderful, because this is why we 83 00:05:22,120 --> 00:05:24,560 Speaker 1: need men. Wait, wait, wait, wait, wait, wait, I actually 84 00:05:24,640 --> 00:05:27,159 Speaker 1: this is a tangent, if we can hot between the two. 85 00:05:27,400 --> 00:05:29,680 Speaker 1: This is something that also happened in the most recent 86 00:05:29,720 --> 00:05:32,040 Speaker 1: season of real housewives of Beverly Hills, which you haven't 87 00:05:32,040 --> 00:05:34,640 Speaker 1: watched yet, I don't think, because I'm kind of like 88 00:05:34,720 --> 00:05:37,159 Speaker 1: five episodes behind, because I think it's bad. You've fallen 89 00:05:37,160 --> 00:05:38,840 Speaker 1: off a little bit. Let me tell you, they're an 90 00:05:38,839 --> 00:05:41,320 Speaker 1: aspen and it's getting really good. I won't spoil it 91 00:05:41,400 --> 00:05:45,080 Speaker 1: for the virgins, but there is a moment where one 92 00:05:45,080 --> 00:05:47,800 Speaker 1: of the most heated arguments ever is happening between two 93 00:05:47,800 --> 00:05:51,680 Speaker 1: of the housewives and Maurice CEO Steps in in an 94 00:05:52,000 --> 00:05:56,960 Speaker 1: unprecedented intervention and he seriously, like he throws like a 95 00:05:57,000 --> 00:05:59,560 Speaker 1: bucket of water on the tension, like it was like 96 00:05:59,720 --> 00:06:02,440 Speaker 1: such just so bring effect, and it's very similar to 97 00:06:02,480 --> 00:06:04,680 Speaker 1: how tyler like walks and it's like hey, I know 98 00:06:04,720 --> 00:06:07,440 Speaker 1: there's a reality TV show happening, but actually, like real life, 99 00:06:07,440 --> 00:06:09,320 Speaker 1: like humans, like we don't need to be doing this 100 00:06:09,440 --> 00:06:12,520 Speaker 1: right now. Um, it's kind of antithetical to like reality 101 00:06:12,520 --> 00:06:15,159 Speaker 1: TV show like ethos, Um, but did you like this 102 00:06:15,240 --> 00:06:20,640 Speaker 1: most recent episode of brings the power? I didn't okay, 103 00:06:20,640 --> 00:06:26,160 Speaker 1: tell me why. I think what happened when I watched 104 00:06:26,240 --> 00:06:30,120 Speaker 1: the first three episodes is like I got you know, 105 00:06:30,160 --> 00:06:32,200 Speaker 1: I was I was on a roll with it. I 106 00:06:32,320 --> 00:06:36,960 Speaker 1: was like really experiencing it all as a whole, as 107 00:06:36,960 --> 00:06:38,760 Speaker 1: an h o l e and as a w h 108 00:06:38,800 --> 00:06:42,400 Speaker 1: o l M. I was experiencing it as a whole 109 00:06:42,480 --> 00:06:45,520 Speaker 1: because I am a whole and it's my experience and 110 00:06:46,600 --> 00:06:49,200 Speaker 1: I still there's still a lot that's working for me. 111 00:06:50,520 --> 00:06:54,279 Speaker 1: The way it's shot is beautiful, the music is beautiful, 112 00:06:54,960 --> 00:06:59,280 Speaker 1: the stuff with L Rond and Doran is really working 113 00:06:59,279 --> 00:07:03,120 Speaker 1: for me. And decided the action sequences and the action sequences. 114 00:07:03,120 --> 00:07:05,159 Speaker 1: It could not be more clear that L Ron, Duran 115 00:07:05,240 --> 00:07:08,760 Speaker 1: and DIESEA are working their way towards becoming a poly 116 00:07:08,880 --> 00:07:17,120 Speaker 1: fuel Um. But it is kind of boring and I 117 00:07:17,360 --> 00:07:21,080 Speaker 1: really started to see what you were talking about about 118 00:07:21,080 --> 00:07:26,320 Speaker 1: the costumes this week. Sorry, and really it really hit 119 00:07:26,400 --> 00:07:30,360 Speaker 1: home when I finally started watching House of the Dragon, 120 00:07:30,640 --> 00:07:33,000 Speaker 1: which I had been hesitant to watch a because I 121 00:07:33,040 --> 00:07:35,320 Speaker 1: was so burned by the end of game of thrones 122 00:07:35,400 --> 00:07:37,800 Speaker 1: and also be I just wanted to wait until the 123 00:07:37,800 --> 00:07:40,080 Speaker 1: whole season was out and watch it all at once. 124 00:07:40,680 --> 00:07:43,840 Speaker 1: But on finding out that you had watched an episode, 125 00:07:43,880 --> 00:07:49,240 Speaker 1: I was like, okay, I gotta and looking at the 126 00:07:49,240 --> 00:07:52,560 Speaker 1: show side by side and watching. I actually watched house 127 00:07:52,560 --> 00:07:54,800 Speaker 1: of the dragon right after I watched the new episode 128 00:07:54,800 --> 00:07:59,600 Speaker 1: of rings. The production value and costumes on house of 129 00:07:59,600 --> 00:08:03,520 Speaker 1: the drag and are infinitely better than there are in 130 00:08:03,640 --> 00:08:07,480 Speaker 1: rings of power. I think rings of power is shot 131 00:08:07,640 --> 00:08:12,640 Speaker 1: more cinematically and it's more kind of lush and beautiful, 132 00:08:12,880 --> 00:08:16,240 Speaker 1: and that is by design. House of the Dragon is 133 00:08:17,280 --> 00:08:22,040 Speaker 1: much darker in tone and also like literally visually darker, 134 00:08:22,760 --> 00:08:28,080 Speaker 1: but it just looks better. You know, I I experienced 135 00:08:28,080 --> 00:08:30,440 Speaker 1: something of the same and I have some lingering thoughts 136 00:08:30,600 --> 00:08:33,280 Speaker 1: off of like last week's chat about the rings of 137 00:08:33,480 --> 00:08:37,440 Speaker 1: Power Dichotomy. And one of the things in terms of 138 00:08:37,440 --> 00:08:41,480 Speaker 1: like the visuals that I think must be acknowledged is like, yes, 139 00:08:41,559 --> 00:08:43,960 Speaker 1: like when the Lord of the Rings trilogy was like 140 00:08:44,000 --> 00:08:46,640 Speaker 1: shooting their movies, they were using the best equipment and 141 00:08:46,679 --> 00:08:50,040 Speaker 1: the best cameras humanly possible, but it was still so 142 00:08:50,080 --> 00:08:53,120 Speaker 1: long ago that there's this like lovely little gauge and 143 00:08:53,200 --> 00:08:56,160 Speaker 1: blur that's like on everything, and I think that like 144 00:08:56,280 --> 00:08:59,120 Speaker 1: now that we're watching rings of power with like the 145 00:08:59,200 --> 00:09:02,400 Speaker 1: highest deft Hamera, is known to man. It's like I 146 00:09:02,720 --> 00:09:05,480 Speaker 1: when I don't want to see the wig line, you 147 00:09:05,480 --> 00:09:07,800 Speaker 1: know what I mean, like I don't want seriously like 148 00:09:07,840 --> 00:09:11,840 Speaker 1: put the blacks making cameras worse. You know what? Well, 149 00:09:11,920 --> 00:09:14,240 Speaker 1: movies used to be shot in a way where there 150 00:09:14,360 --> 00:09:16,760 Speaker 1: was still the ability to have sort of this like 151 00:09:17,200 --> 00:09:21,480 Speaker 1: vassiline haze over everything, something left to the imagination. Yeah, 152 00:09:21,559 --> 00:09:24,720 Speaker 1: and now we don't have that and you either find 153 00:09:24,720 --> 00:09:27,480 Speaker 1: a way to work around it or you don't, and 154 00:09:27,520 --> 00:09:31,280 Speaker 1: I think unfortunately, rings of power hasn't, and it's what 155 00:09:31,280 --> 00:09:34,240 Speaker 1: I'm really noticing. is like it's the wide shots that 156 00:09:34,280 --> 00:09:36,840 Speaker 1: are beautiful, it's the landscapes, but as soon as you 157 00:09:37,400 --> 00:09:40,760 Speaker 1: zoom in a little too far on anything, it's clocky 158 00:09:40,800 --> 00:09:43,960 Speaker 1: t shop, Mama, it's cocky t shop, and you know, 159 00:09:44,000 --> 00:09:46,440 Speaker 1: I wanted to say that. And rings the power is 160 00:09:46,800 --> 00:09:52,160 Speaker 1: clocky and House of the Dragon's kind of unclockable. I'm clockable. 161 00:09:52,480 --> 00:09:54,840 Speaker 1: And you know, speaking of the wide shot and visuals, 162 00:09:54,880 --> 00:09:59,800 Speaker 1: action sequences, when, Um, in the first scene of rings 163 00:09:59,800 --> 00:10:03,600 Speaker 1: of power, when the Regent Queen is, you know, having 164 00:10:03,640 --> 00:10:08,960 Speaker 1: that dream that our city is flooding, that epic so incredible, 165 00:10:09,120 --> 00:10:11,880 Speaker 1: and then snap, it's actually a dream. And it's not real. 166 00:10:11,960 --> 00:10:14,800 Speaker 1: And I was like wait, actually, like I was kind 167 00:10:14,800 --> 00:10:17,280 Speaker 1: of waiting for the show to have steaks like that 168 00:10:17,720 --> 00:10:20,440 Speaker 1: and for like something that I thought about when I 169 00:10:20,480 --> 00:10:22,440 Speaker 1: did the same thing that you did, watching the most 170 00:10:22,440 --> 00:10:24,720 Speaker 1: recent episode of House of Dragon and then jumping over 171 00:10:24,760 --> 00:10:27,880 Speaker 1: to rings of power, was that the steaks of haven't 172 00:10:27,920 --> 00:10:30,480 Speaker 1: watched the most recent I won't Dragon. I won't spoil 173 00:10:30,520 --> 00:10:33,160 Speaker 1: the most recent episode. I'm just speaking generally about it. 174 00:10:33,559 --> 00:10:38,600 Speaker 1: The steaks of House of Dragon are very human and 175 00:10:38,720 --> 00:10:41,520 Speaker 1: very concrete. It's like you fucked this person, this person 176 00:10:41,600 --> 00:10:45,920 Speaker 1: sucked that person, this person wants to kill this person, raphile, 177 00:10:46,000 --> 00:10:49,959 Speaker 1: this person and murderer. Yes, and the game of thrones 178 00:10:50,040 --> 00:10:52,720 Speaker 1: has always been a political drama, and that is the 179 00:10:52,720 --> 00:10:56,559 Speaker 1: thing that really drew people to it when the show 180 00:10:56,679 --> 00:11:00,920 Speaker 1: started and why it spawned this craze is for fantasy. 181 00:11:01,000 --> 00:11:04,120 Speaker 1: That directly led to US having the rings of power, 182 00:11:04,240 --> 00:11:09,120 Speaker 1: which is it turned high fantasy into something that people 183 00:11:09,200 --> 00:11:14,920 Speaker 1: who watched shows like the Sopranos Could Watch and engage 184 00:11:14,920 --> 00:11:17,880 Speaker 1: with and understand, because it is very human and it's 185 00:11:17,920 --> 00:11:22,840 Speaker 1: about people with power behaving badly. Um, like, especially the 186 00:11:22,880 --> 00:11:24,960 Speaker 1: first season of game of thrones, like it is kind 187 00:11:25,000 --> 00:11:27,880 Speaker 1: of like the Sopranos with dragons. House of the Dragon 188 00:11:28,080 --> 00:11:32,600 Speaker 1: isn't even smaller story than game of thrones, because game 189 00:11:32,640 --> 00:11:37,319 Speaker 1: of thrones had a Zombie Apocalypse and like the rebirth 190 00:11:37,320 --> 00:11:41,760 Speaker 1: of dragons into the world and so many characters, yes, 191 00:11:41,880 --> 00:11:46,480 Speaker 1: so many characters spanning across multiple continents, and House of 192 00:11:46,480 --> 00:11:50,720 Speaker 1: the Dragon is actually literally just about one family and 193 00:11:50,800 --> 00:11:54,319 Speaker 1: all of their political intrigue, with like a couple different 194 00:11:54,520 --> 00:11:56,480 Speaker 1: side stories, like the whole stuff that's going on in 195 00:11:56,480 --> 00:12:00,200 Speaker 1: the stepstones. But it is by design much smaller and, 196 00:12:00,240 --> 00:12:05,600 Speaker 1: I think, easier to grasp and the rings of power 197 00:12:05,760 --> 00:12:08,720 Speaker 1: is just because we know what it's all leading towards 198 00:12:08,880 --> 00:12:13,000 Speaker 1: and because of how many characters there are and locations 199 00:12:13,040 --> 00:12:14,760 Speaker 1: there are, even though I think it does a good 200 00:12:14,840 --> 00:12:17,320 Speaker 1: job of helping you figure out who they are and 201 00:12:17,360 --> 00:12:21,760 Speaker 1: where they are, it is just so much heavier and 202 00:12:21,880 --> 00:12:26,480 Speaker 1: it's so big that it's hard to wrap your brain around. 203 00:12:26,640 --> 00:12:30,439 Speaker 1: And it's like I'm watching Galadriel do all this stuff 204 00:12:30,480 --> 00:12:33,560 Speaker 1: and I think it would be easy to be like 205 00:12:33,640 --> 00:12:38,360 Speaker 1: why she's so pissed, like what? Why she's like I 206 00:12:38,440 --> 00:12:43,120 Speaker 1: kind of sometimes feel like she's and I think this 207 00:12:43,240 --> 00:12:45,800 Speaker 1: is somewhat by design, like you're supposed to understand that 208 00:12:45,880 --> 00:12:48,240 Speaker 1: this is someone who's like playing for d chest and 209 00:12:48,280 --> 00:12:51,680 Speaker 1: looking a thousand moves ahead and no one else is 210 00:12:51,760 --> 00:12:55,319 Speaker 1: on her level. But she still has to share scenes 211 00:12:55,440 --> 00:12:59,800 Speaker 1: with these people and it's just like it's I don't 212 00:12:59,800 --> 00:13:02,440 Speaker 1: know it, especially in this episode, it like wasn't really 213 00:13:02,440 --> 00:13:06,600 Speaker 1: working for me. And also her goal is not becoming 214 00:13:07,160 --> 00:13:10,800 Speaker 1: more concrete. The stakes are not getting higher, for it's 215 00:13:10,920 --> 00:13:13,240 Speaker 1: one no, and it's like, at the end of the day, 216 00:13:13,559 --> 00:13:16,520 Speaker 1: Gladuel is just a war hawk, like a war Hawk 217 00:13:16,600 --> 00:13:20,040 Speaker 1: with like really personal interests, and I like that her 218 00:13:20,120 --> 00:13:24,120 Speaker 1: character is flawed in that way. But like, I don't know, 219 00:13:24,280 --> 00:13:27,920 Speaker 1: I just I I wish that she was uglier. I 220 00:13:27,960 --> 00:13:30,160 Speaker 1: wanted her to be ugly. I want her to get 221 00:13:30,200 --> 00:13:33,719 Speaker 1: in her emotions. Well, I want her to fuck this 222 00:13:33,800 --> 00:13:36,320 Speaker 1: episode gave her a new person that she had amazing 223 00:13:36,360 --> 00:13:39,920 Speaker 1: chemistry with, which was the Queen region. I wanted them 224 00:13:39,920 --> 00:13:43,160 Speaker 1: to kiss. Well, now that they're going to travel together, well, 225 00:13:43,240 --> 00:13:45,640 Speaker 1: they should hook up, but they never will. Nothing Gay 226 00:13:45,679 --> 00:13:50,439 Speaker 1: will ever happen on the rings of power. I loved 227 00:13:50,679 --> 00:13:54,960 Speaker 1: the Dwarf Song Girl so good, stunning. I rewound. She 228 00:13:55,000 --> 00:13:57,200 Speaker 1: sounded great. I wonder if that's her real voice? I wonder, 229 00:13:57,280 --> 00:14:01,280 Speaker 1: I'm I would imagine. Yea, I bet you I. It seems. 230 00:14:01,360 --> 00:14:03,720 Speaker 1: It was so beautiful and it was something we dropped 231 00:14:03,760 --> 00:14:06,840 Speaker 1: the album seriously and we've never seen a song like 232 00:14:06,880 --> 00:14:09,080 Speaker 1: that in like the Lord of the Rings Lore. It 233 00:14:09,240 --> 00:14:13,880 Speaker 1: felt so seamless in the world of dwarves Um something 234 00:14:13,880 --> 00:14:17,040 Speaker 1: that I just like little little hanging lingering notes from 235 00:14:17,080 --> 00:14:19,520 Speaker 1: the episode. I thought it was really cool that there 236 00:14:19,600 --> 00:14:23,960 Speaker 1: was like a few seconds where we saw an ORC burial. Um. 237 00:14:24,040 --> 00:14:27,200 Speaker 1: I don't know if you remember this, but like humanized 238 00:14:27,280 --> 00:14:29,360 Speaker 1: the ORCs a little bit and it's the first time 239 00:14:29,640 --> 00:14:33,680 Speaker 1: we've ever seen like the other side of like ORC life, 240 00:14:33,720 --> 00:14:36,200 Speaker 1: beyond like them, you know, bickering or getting mad at 241 00:14:36,280 --> 00:14:40,000 Speaker 1: each other. You know what I do? You think absolutely 242 00:14:40,120 --> 00:14:45,040 Speaker 1: they've Um. Yeah, we really honestly, I wish the show 243 00:14:45,040 --> 00:14:50,400 Speaker 1: would be more should I know you will Um. But yeah, 244 00:14:50,440 --> 00:14:52,680 Speaker 1: let's talk a little bit more about the House of 245 00:14:52,680 --> 00:14:57,480 Speaker 1: the Dragon. So you did not watch game of thrones, right? 246 00:14:57,880 --> 00:15:01,880 Speaker 1: I actually I watched all of it. Um. But yes, 247 00:15:01,880 --> 00:15:07,920 Speaker 1: but watched is a generous term to use in describing 248 00:15:07,960 --> 00:15:09,760 Speaker 1: the fact that I did, yes, sit in front of 249 00:15:09,760 --> 00:15:12,960 Speaker 1: the TV as every single episode did play. But did 250 00:15:13,000 --> 00:15:17,360 Speaker 1: I retain everything in the game of Thrones Universe? No, no, 251 00:15:17,480 --> 00:15:19,960 Speaker 1: I did not. Okay, did you read the game of 252 00:15:20,000 --> 00:15:24,120 Speaker 1: thrones books? No, I have not read any of that. Now, okay, 253 00:15:24,160 --> 00:15:26,520 Speaker 1: I've read all. I've read all the game of thrones 254 00:15:26,560 --> 00:15:29,960 Speaker 1: books and I read not the entirety of fire and blood, 255 00:15:30,000 --> 00:15:34,440 Speaker 1: which is the book of Targarian history that George R 256 00:15:34,600 --> 00:15:38,680 Speaker 1: Martin wrote, and the story that House of the Dragon 257 00:15:38,800 --> 00:15:41,200 Speaker 1: is based on is one of the chapters in that 258 00:15:41,240 --> 00:15:45,360 Speaker 1: book and I think it's really interesting watching it because 259 00:15:45,960 --> 00:15:48,120 Speaker 1: the way that it's written in the book is like 260 00:15:49,360 --> 00:15:52,440 Speaker 1: it's as if, I mean, fucking George R Martin, like 261 00:15:52,480 --> 00:15:54,240 Speaker 1: he can't get these last two books out, but he 262 00:15:54,360 --> 00:15:59,480 Speaker 1: literally wrote a whole book that is like fake accounts 263 00:16:00,000 --> 00:16:03,000 Speaker 1: of a fake family in his fantasy series. So the 264 00:16:03,360 --> 00:16:06,600 Speaker 1: the way that Hustle the Dragon, that story of this 265 00:16:06,720 --> 00:16:09,560 Speaker 1: targarian civil war, like that's what this is building to. 266 00:16:10,320 --> 00:16:12,840 Speaker 1: It's told in this book as if like it's a 267 00:16:12,920 --> 00:16:15,320 Speaker 1: history book and these are the accounts of people who 268 00:16:15,320 --> 00:16:18,520 Speaker 1: were there, and so it's not like a story, like 269 00:16:18,560 --> 00:16:23,800 Speaker 1: there's no dialog, it's a history. So I've watched the 270 00:16:23,880 --> 00:16:30,160 Speaker 1: first three episodes. What I like is acting is great. 271 00:16:30,760 --> 00:16:34,480 Speaker 1: I think the girl who plays young re Neerer, I 272 00:16:34,560 --> 00:16:36,880 Speaker 1: just call her. I just call her mini Denis. Who 273 00:16:36,880 --> 00:16:40,480 Speaker 1: knows what any of their names are? She's she's a 274 00:16:40,560 --> 00:16:45,640 Speaker 1: great actress. Um, I wish she and her little friend 275 00:16:45,720 --> 00:16:51,000 Speaker 1: who fucked her dad hooked up, because they obviously how 276 00:16:51,040 --> 00:16:56,600 Speaker 1: did vibe the as we said, the costumes are amazing. 277 00:16:57,520 --> 00:16:59,080 Speaker 1: The C G I is really good. I think the 278 00:16:59,160 --> 00:17:03,200 Speaker 1: Dragons Look Matt Smith Wonderful. Matt Smith is so good, 279 00:17:03,360 --> 00:17:09,040 Speaker 1: perfect the universe. The actress who plays the the Queen 280 00:17:09,160 --> 00:17:12,400 Speaker 1: who never was, you know, the Queen who got passed 281 00:17:12,440 --> 00:17:18,120 Speaker 1: over for her cousin. I think, yeah, her cousin. She's 282 00:17:18,119 --> 00:17:20,159 Speaker 1: amazing and needs more to do. I love her and 283 00:17:20,200 --> 00:17:25,520 Speaker 1: her husband. Um, it's all like all the parts are working. 284 00:17:25,560 --> 00:17:27,840 Speaker 1: For me, some of the stuff that isn't is I 285 00:17:27,840 --> 00:17:32,480 Speaker 1: think it just moves too fast, like it's so much happens, 286 00:17:33,000 --> 00:17:36,160 Speaker 1: and I understand that's because we're dealing with a story 287 00:17:36,200 --> 00:17:39,320 Speaker 1: that unfolds across a lot of time. We're going to 288 00:17:39,440 --> 00:17:43,800 Speaker 1: get older versions of some of the younger actors and 289 00:17:43,960 --> 00:17:48,199 Speaker 1: future episodes. I just think like I was watching the 290 00:17:48,320 --> 00:17:53,120 Speaker 1: first episode and I felt like it should have ended 291 00:17:53,560 --> 00:17:57,600 Speaker 1: with the baby dying and that whole storyline should have 292 00:17:57,600 --> 00:18:03,840 Speaker 1: been stretched out over multiple episodes, but things are presented 293 00:18:04,000 --> 00:18:10,560 Speaker 1: and then resolved pretty quickly. And also VI Serra's the king, 294 00:18:11,080 --> 00:18:14,359 Speaker 1: is like kind of too nice. I think he should be. 295 00:18:15,200 --> 00:18:18,760 Speaker 1: Like obviously he makes like fucked up decisions, like deciding 296 00:18:18,800 --> 00:18:22,080 Speaker 1: to kill his wife so that his baby could love, 297 00:18:22,200 --> 00:18:24,600 Speaker 1: you know, just a mile, just just that little decision 298 00:18:24,640 --> 00:18:28,199 Speaker 1: about killing his wife, Um marrying his daughter's best friend. 299 00:18:28,640 --> 00:18:32,200 Speaker 1: But also, like he for game of thrones, especially what 300 00:18:32,280 --> 00:18:35,000 Speaker 1: we're judging against, game of thrones, and like people who 301 00:18:35,320 --> 00:18:38,520 Speaker 1: did really terrible things for power. Like for the most 302 00:18:38,560 --> 00:18:42,359 Speaker 1: part he kind of like tries to do good things, 303 00:18:42,400 --> 00:18:44,919 Speaker 1: like he tries to bond with his daughter and like, 304 00:18:45,840 --> 00:18:48,920 Speaker 1: I don't know, I just think that. I just thought 305 00:18:48,920 --> 00:18:51,080 Speaker 1: that was interesting. It's like there's some people who were 306 00:18:51,080 --> 00:18:54,320 Speaker 1: acting like somewhat rationally, and I think it's probably to 307 00:18:54,600 --> 00:19:00,960 Speaker 1: contrast that against how evil things are going to get eventually. Leave. Also, 308 00:19:01,119 --> 00:19:05,200 Speaker 1: Sir Christen Cole, so hot. Yeah, that's actually the other 309 00:19:05,240 --> 00:19:08,160 Speaker 1: thing you know about House of Dragon that I appreciate 310 00:19:08,320 --> 00:19:12,879 Speaker 1: is that the show's depiction and idea of evil is 311 00:19:12,960 --> 00:19:16,760 Speaker 1: so concrete and, like, you know, it's like pedophiles and 312 00:19:16,840 --> 00:19:21,600 Speaker 1: murderers and traders and like it's right there in your face. Um, 313 00:19:21,640 --> 00:19:23,800 Speaker 1: even if it's complex, it's right there in your face. 314 00:19:23,880 --> 00:19:27,719 Speaker 1: And like we toil keen, it's like the franchise is 315 00:19:27,760 --> 00:19:31,760 Speaker 1: like idea of evil is so much more amorphous and 316 00:19:31,880 --> 00:19:35,760 Speaker 1: abstract and, Um, I don't know, I I it's capital 317 00:19:35,920 --> 00:19:41,760 Speaker 1: e evil, you know, capital instead of, you know, human evil. Yes, exactly, 318 00:19:41,960 --> 00:19:45,199 Speaker 1: and and I don't mind that. It moves fast, but I, 319 00:19:45,240 --> 00:19:48,000 Speaker 1: you know, have a short attention span. One thing I 320 00:19:48,040 --> 00:19:52,320 Speaker 1: really need is that I need the Targarians to have 321 00:19:52,400 --> 00:19:55,879 Speaker 1: bleached brows, because it's not it doesn't make sense that 322 00:19:55,920 --> 00:20:02,320 Speaker 1: they're all famously platinum lady Gaga blaw but have dark eyebrows. 323 00:20:02,400 --> 00:20:06,080 Speaker 1: I I also feel like, you know, these these these 324 00:20:06,119 --> 00:20:09,720 Speaker 1: blonde dreads, these silver dreads, they look good on some 325 00:20:09,880 --> 00:20:12,160 Speaker 1: and not good on others. And and it's not. It's 326 00:20:12,200 --> 00:20:13,800 Speaker 1: not an issue with the hair, it's an issue with 327 00:20:13,840 --> 00:20:18,119 Speaker 1: the WIG. is a hat is sitting but on the skull, 328 00:20:18,320 --> 00:20:20,520 Speaker 1: and I'm like, just like like the little girl who 329 00:20:20,520 --> 00:20:22,920 Speaker 1: they tried to marry off to the king and her 330 00:20:23,000 --> 00:20:27,359 Speaker 1: like huge head of white curls is like Mama Mama 331 00:20:27,600 --> 00:20:29,680 Speaker 1: and the wigs are better on the House of the 332 00:20:29,760 --> 00:20:31,640 Speaker 1: Dragon Than They are in rings of power. I will 333 00:20:31,640 --> 00:20:35,240 Speaker 1: say that, and something I think about constantly with any 334 00:20:35,280 --> 00:20:39,760 Speaker 1: fantasy show, is they did not have indoor plumbing. It 335 00:20:39,840 --> 00:20:44,880 Speaker 1: must smell rotten up in there. Yeah, yeah, it definitely does. 336 00:20:45,040 --> 00:20:51,440 Speaker 1: They all smell bad, have disgusting teeth. Um. Another good 337 00:20:51,480 --> 00:20:54,040 Speaker 1: thing I'll say for the House of the Dragon is 338 00:20:54,440 --> 00:20:57,360 Speaker 1: it's obviously very aware of a lot of the criticism 339 00:20:57,400 --> 00:20:59,600 Speaker 1: that was leveled at game of thrones about how it 340 00:20:59,680 --> 00:21:05,440 Speaker 1: you women, the nudity of women and the sexual violence, Um, 341 00:21:05,560 --> 00:21:08,080 Speaker 1: and kind of just violence in general, and is not 342 00:21:08,560 --> 00:21:11,800 Speaker 1: leaning into them as much and I think actually the 343 00:21:11,800 --> 00:21:15,520 Speaker 1: showrunners have said that they will not do that the 344 00:21:15,560 --> 00:21:18,359 Speaker 1: way the game of thrones did, which is great. You know, 345 00:21:18,480 --> 00:21:23,639 Speaker 1: the bars on the floor, so so happy to see that. 346 00:21:23,760 --> 00:21:26,720 Speaker 1: The violence also feels like it it's a little tapered, 347 00:21:26,840 --> 00:21:29,640 Speaker 1: like it's still really violent and I don't think it's 348 00:21:29,680 --> 00:21:35,240 Speaker 1: necessarily a huge improvement. But like they aren't showing h 349 00:21:35,480 --> 00:21:38,439 Speaker 1: the way these bodies are being mangled as much like 350 00:21:38,480 --> 00:21:41,480 Speaker 1: they're showing like some restraint, which I apprear. I mean, 351 00:21:41,680 --> 00:21:45,320 Speaker 1: you know the birthing scene and the sort of like 352 00:21:45,440 --> 00:21:49,320 Speaker 1: forced c section in the first episode was hard to watch, 353 00:21:49,400 --> 00:21:51,639 Speaker 1: but I just kept thinking this would have been so 354 00:21:51,760 --> 00:21:54,399 Speaker 1: much corrier on game of thront, like you would have 355 00:21:54,440 --> 00:21:57,440 Speaker 1: seen her pussy on game of throne and you would 356 00:21:57,440 --> 00:22:00,520 Speaker 1: have watched them tear the baby out of her girl. 357 00:22:15,680 --> 00:22:18,080 Speaker 1: Truly like watching Silomon as a kid. I remember feeling 358 00:22:18,160 --> 00:22:21,720 Speaker 1: like palpable envy with like the transformation sequences, where I 359 00:22:21,760 --> 00:22:24,320 Speaker 1: was like, Oh, I will never have that happen, like 360 00:22:24,359 --> 00:22:26,240 Speaker 1: I will never feel that like this sort of like 361 00:22:26,280 --> 00:22:28,760 Speaker 1: spinning around in a liminal space and lights of shining. 362 00:22:28,800 --> 00:22:30,439 Speaker 1: It's like there's no way for me to recreate that 363 00:22:30,480 --> 00:22:36,120 Speaker 1: in real life. The socks. What's the closest you've ever gotten? Um, 364 00:22:36,119 --> 00:22:38,919 Speaker 1: it's like, I don't think I have yet, but what 365 00:22:39,040 --> 00:22:41,840 Speaker 1: I the closest thing I imagined, which is also something 366 00:22:41,920 --> 00:22:44,199 Speaker 1: I felt after seeing like the two thousand and six 367 00:22:44,280 --> 00:22:45,960 Speaker 1: live action paid a Pan, which is just like I 368 00:22:46,000 --> 00:22:47,760 Speaker 1: just want, I want to do something where I'm on wires, 369 00:22:47,800 --> 00:22:50,600 Speaker 1: like I just I want to fly around somewhere. Um, 370 00:22:50,640 --> 00:22:56,640 Speaker 1: I used to do aerial silks. That so I when 371 00:22:56,640 --> 00:23:02,040 Speaker 1: I was like nineteen, eighteen, I, Um, I got really 372 00:23:02,040 --> 00:23:04,399 Speaker 1: into Arial Silks for a couple of years and I 373 00:23:04,440 --> 00:23:06,600 Speaker 1: got pretty good at it, but then I started traveling 374 00:23:06,600 --> 00:23:08,880 Speaker 1: for work more and you cannot take it with you. 375 00:23:09,720 --> 00:23:12,560 Speaker 1: Not a pordable skill set, so I sort of let 376 00:23:12,600 --> 00:23:14,639 Speaker 1: it fall to the wayside. But that was probably the 377 00:23:14,720 --> 00:23:17,320 Speaker 1: closest thing in real life to like a magical girl 378 00:23:17,359 --> 00:23:23,920 Speaker 1: trans I loved it. I really love uh, not seriously, no, 379 00:23:24,200 --> 00:23:26,120 Speaker 1: I mean we were always practicing with Matt S underneathus 380 00:23:26,160 --> 00:23:28,320 Speaker 1: and stuff. They like. They don't let you up there 381 00:23:28,359 --> 00:23:31,639 Speaker 1: with nothing until you could do it for a living. Basically, 382 00:23:31,800 --> 00:23:33,639 Speaker 1: is it real silk or is it like a polly blend? 383 00:23:33,880 --> 00:23:36,880 Speaker 1: I'm sure it's a poly blend. Like it's stretchy. It's 384 00:23:36,880 --> 00:23:39,160 Speaker 1: like when you try to buy silk pillow cases on Amazon, 385 00:23:39,440 --> 00:23:42,360 Speaker 1: like pcent polyester. It's like, okay, babe, this is not 386 00:23:42,440 --> 00:23:44,840 Speaker 1: doing what you think it's doing. I love to sweat. 387 00:23:45,320 --> 00:23:47,560 Speaker 1: I love to do it. The aerial silks really are 388 00:23:48,119 --> 00:23:51,880 Speaker 1: exactly like sailor when transformations, like they're literal silk ribbons 389 00:23:51,880 --> 00:23:54,320 Speaker 1: that like wrap around them like when they transform, but 390 00:23:54,400 --> 00:23:57,960 Speaker 1: like the transformation sequences, like there is something about that 391 00:23:57,960 --> 00:24:00,000 Speaker 1: that you attached to as a kid, because I also 392 00:24:00,000 --> 00:24:03,760 Speaker 1: of like Um, they were being gay. Yeah, it's it's 393 00:24:03,840 --> 00:24:09,120 Speaker 1: most like I just have, you know, my my cultural yeah, 394 00:24:09,160 --> 00:24:11,800 Speaker 1: it's actually it's just like a screen and like a 395 00:24:11,920 --> 00:24:14,520 Speaker 1: high pitched, like beeping sound. It's like listening to Aba. 396 00:24:14,600 --> 00:24:18,840 Speaker 1: It's just like it's different. There's like I remember being like, 397 00:24:19,280 --> 00:24:22,160 Speaker 1: I don't know, like before pre middle school, so maybe 398 00:24:22,240 --> 00:24:26,960 Speaker 1: like tween preteen vibes, like going to blockbuster and getting 399 00:24:27,000 --> 00:24:30,159 Speaker 1: like this vhs tapes that have like eight episodes on 400 00:24:30,200 --> 00:24:32,040 Speaker 1: them or something like that. At a time. You would 401 00:24:32,040 --> 00:24:34,240 Speaker 1: watch like six to eight episodes and that was all 402 00:24:34,280 --> 00:24:36,120 Speaker 1: you could get and I would like there were only 403 00:24:36,160 --> 00:24:39,440 Speaker 1: two at blockbuster and just rewatched those like sixteen episodes 404 00:24:39,520 --> 00:24:41,720 Speaker 1: like over and over again. But there's something about the 405 00:24:41,760 --> 00:24:46,800 Speaker 1: transformation sequences that just like really captures your imagination and 406 00:24:46,840 --> 00:24:49,080 Speaker 1: also just like trans like you know what I mean, 407 00:24:49,119 --> 00:24:51,480 Speaker 1: like it's very just like I just want to be 408 00:24:51,560 --> 00:24:55,040 Speaker 1: something else. But, you know, retroactively. It is kind of 409 00:24:55,200 --> 00:24:58,920 Speaker 1: hilarious that every time they fight someone, like the bad guys, 410 00:24:58,920 --> 00:25:01,440 Speaker 1: have to like wait seven for them to like chance. 411 00:25:01,480 --> 00:25:05,479 Speaker 1: They're like, Oh my God man, it's quite polite. It's 412 00:25:05,520 --> 00:25:07,480 Speaker 1: like now she's doing a number guys. Just wait, just wait, 413 00:25:07,600 --> 00:25:11,480 Speaker 1: just wait. So did you first discover sailor moon? WAS 414 00:25:11,480 --> 00:25:14,080 Speaker 1: THAT ON TV? It was like a Saturday morning. It worked. 415 00:25:15,200 --> 00:25:17,480 Speaker 1: But yeah, so, I so. I mean it came out 416 00:25:17,520 --> 00:25:21,439 Speaker 1: into Um, but I saw it in like two thousand 417 00:25:21,480 --> 00:25:23,399 Speaker 1: and one. I think it was two thousand and one, 418 00:25:23,440 --> 00:25:26,080 Speaker 1: because I think I was in kindergarten Um, and it 419 00:25:26,160 --> 00:25:28,919 Speaker 1: was like, for for whatever reason at that time on 420 00:25:29,760 --> 00:25:31,919 Speaker 1: I don't remember which channel, but like public TV in 421 00:25:31,960 --> 00:25:35,080 Speaker 1: Australia in the mornings, like Um, Dragon Ball Z and 422 00:25:35,080 --> 00:25:37,480 Speaker 1: sailor moon would air back to back and so my 423 00:25:37,560 --> 00:25:39,560 Speaker 1: older brother and I would wake up and watch them 424 00:25:39,560 --> 00:25:42,560 Speaker 1: both Um, either on the weekend or before going to school, 425 00:25:42,600 --> 00:25:46,280 Speaker 1: I don't remember. So I was like five, and could 426 00:25:46,320 --> 00:25:48,520 Speaker 1: you ask for a better age to get really into 427 00:25:48,560 --> 00:25:52,359 Speaker 1: sailor moon and it it really it resonated with not 428 00:25:52,480 --> 00:25:54,200 Speaker 1: just me but like a lot of kids in my grade. 429 00:25:54,240 --> 00:25:57,800 Speaker 1: Like we would play sailor moon like imagine ARY Games 430 00:25:57,800 --> 00:26:01,760 Speaker 1: together at school for years. Like my like sailor mercury 431 00:26:01,840 --> 00:26:06,679 Speaker 1: was my first crush, unlike any fictional character ever was 432 00:26:06,720 --> 00:26:10,280 Speaker 1: sailor mercury. Okay, so sailor mercury was your crush. Which 433 00:26:10,280 --> 00:26:11,920 Speaker 1: one of them did you want to be? It is 434 00:26:11,960 --> 00:26:15,199 Speaker 1: a different question and I don't. I'm sure I was 435 00:26:15,280 --> 00:26:18,200 Speaker 1: trying to remember like when my friends and I played 436 00:26:18,240 --> 00:26:21,280 Speaker 1: sailor moon at school. It's like who, who was who? 437 00:26:21,400 --> 00:26:24,320 Speaker 1: And I don't remember. I don't remember who was who. 438 00:26:24,320 --> 00:26:26,359 Speaker 1: I don't remember if we took turns or if we 439 00:26:26,440 --> 00:26:29,520 Speaker 1: like made up our own if it was like we've 440 00:26:29,560 --> 00:26:32,600 Speaker 1: just learned how many planets there are, what the moons 441 00:26:32,600 --> 00:26:34,040 Speaker 1: of the planets are, so we're gonna be our own 442 00:26:34,119 --> 00:26:38,080 Speaker 1: sailor scouts. I think. I think it changed, Um, but 443 00:26:38,320 --> 00:26:41,840 Speaker 1: I remember vividly being like in love with sailor mercury. 444 00:26:42,680 --> 00:26:46,080 Speaker 1: She's hot. I mean they're all hot. Oh yeah, sailor mercury, though, 445 00:26:46,160 --> 00:26:50,320 Speaker 1: is very like mean mommy, like sexy, mean mommy, like very, 446 00:26:50,400 --> 00:26:53,679 Speaker 1: like hot, like them top kind of vibes. Yeah, and 447 00:26:53,720 --> 00:26:56,479 Speaker 1: she's like she's really smart and like I liked her. 448 00:26:56,520 --> 00:26:59,239 Speaker 1: Power is the best. And it was that true, like 449 00:26:59,320 --> 00:27:02,439 Speaker 1: sort of Um, pre aware gay kids thing of like, no, 450 00:27:02,520 --> 00:27:04,000 Speaker 1: I just really like her. I just think she's great. 451 00:27:04,040 --> 00:27:07,840 Speaker 1: It's it's not important. Which one did you want to be? 452 00:27:08,040 --> 00:27:10,720 Speaker 1: I also don't remember who was your favorite. I'm sure, 453 00:27:10,760 --> 00:27:12,800 Speaker 1: like if we were, I also like used to play 454 00:27:12,800 --> 00:27:15,040 Speaker 1: like Sailorman as a kid or like and you would 455 00:27:15,080 --> 00:27:16,919 Speaker 1: kind of Duke it out for like who's who. But 456 00:27:16,960 --> 00:27:18,639 Speaker 1: I'm sure I was like I'm going to be sailor 457 00:27:18,720 --> 00:27:21,440 Speaker 1: Pluto like this, like, was there a sailor pluto? Ever? 458 00:27:22,040 --> 00:27:26,520 Speaker 1: I'm sure it was little right. Was Younger? No, that's 459 00:27:26,840 --> 00:27:32,440 Speaker 1: Chimby Moon, who was so fucking annoying. There's that one 460 00:27:32,560 --> 00:27:35,199 Speaker 1: arc where she gets like aged up and she's evil 461 00:27:35,240 --> 00:27:37,160 Speaker 1: and she's in like the all black outfit and it's 462 00:27:37,600 --> 00:27:40,359 Speaker 1: very fierce. I don't know if there was a sailor Pluto. 463 00:27:40,400 --> 00:27:42,320 Speaker 1: I think I just wanted to be sailor Pluto because 464 00:27:42,320 --> 00:27:43,720 Speaker 1: I thought that was cool. But this was back when 465 00:27:43,760 --> 00:27:47,240 Speaker 1: Pluto was a planet and it's I'm trying to remember 466 00:27:47,280 --> 00:27:49,400 Speaker 1: now whether my friends and I also imagine the sailor 467 00:27:49,440 --> 00:27:51,159 Speaker 1: Pluto because we were trying to take the planets off, 468 00:27:51,280 --> 00:27:53,399 Speaker 1: or if there actually was one. But you know, in 469 00:27:53,440 --> 00:27:56,000 Speaker 1: that era, playing power rangers was also a huge thing, 470 00:27:56,040 --> 00:27:58,399 Speaker 1: but everyone just wanted to be the Red Ranger. And 471 00:27:58,440 --> 00:28:01,359 Speaker 1: the thing about, like, you know, choosing power rangers is 472 00:28:01,400 --> 00:28:04,760 Speaker 1: like none of the power rangers have any really distinct 473 00:28:05,160 --> 00:28:08,280 Speaker 1: character or personality traits, like you just kind of pick 474 00:28:08,359 --> 00:28:10,879 Speaker 1: your favorite color and that's the one thing. Well, I 475 00:28:10,880 --> 00:28:15,679 Speaker 1: wanted to be the pink ranger. Obviously, Kimberly Kimberly, the 476 00:28:15,720 --> 00:28:19,879 Speaker 1: most nineties name possible. Yeah, Kimberly. God, where all the Kimberly? 477 00:28:19,920 --> 00:28:23,240 Speaker 1: Kimberly and Danielle. Those were like the nineties names speaking up. 478 00:28:23,240 --> 00:28:27,520 Speaker 1: Ever after, Daniel de barback, come on, it is it's 479 00:28:27,560 --> 00:28:31,160 Speaker 1: probably like one of the most important movies of my time. 480 00:28:31,240 --> 00:28:35,160 Speaker 1: It's one of my favorite films, and it's like it's 481 00:28:35,160 --> 00:28:38,560 Speaker 1: so bizarre now to like think about like being nine 482 00:28:38,600 --> 00:28:41,720 Speaker 1: and really loving that movie and then when I when 483 00:28:41,760 --> 00:28:44,040 Speaker 1: I worked on Santa Clarita Diet, I was like, wow, 484 00:28:44,080 --> 00:28:46,040 Speaker 1: if only I could go back to me at nine 485 00:28:46,080 --> 00:28:48,240 Speaker 1: and say, like, you're going to work with real which 486 00:28:48,320 --> 00:28:50,600 Speaker 1: is now something I can also say about Melanie Lynskey 487 00:28:50,640 --> 00:28:54,280 Speaker 1: in that Oh my God, and you just okay, Angelica 488 00:28:54,360 --> 00:28:59,280 Speaker 1: Houston's next. Then we'll get you with Richard O'Brien. Yes, please. Um, 489 00:28:59,320 --> 00:29:04,320 Speaker 1: who else is? And the other evil step sister and 490 00:29:04,720 --> 00:29:07,080 Speaker 1: Houston should be on yellow jackets. That would be sick. 491 00:29:08,280 --> 00:29:13,960 Speaker 1: Oh my God, I just got goose bumps. Um, yeah, 492 00:29:14,040 --> 00:29:19,760 Speaker 1: ever after, truly incredible. Another thing that captures the imagination 493 00:29:19,800 --> 00:29:22,800 Speaker 1: of like transformation. Yeah, just like I'm going to be 494 00:29:23,680 --> 00:29:26,960 Speaker 1: one upped like and get my full glamp. And it's 495 00:29:27,000 --> 00:29:31,320 Speaker 1: also very class conscious. I liked that. It was like 496 00:29:31,720 --> 00:29:33,360 Speaker 1: it was like a fairy tale movie and a period 497 00:29:33,400 --> 00:29:36,600 Speaker 1: pace at the same time, like it took Cinderella very seriously. Yes, 498 00:29:37,440 --> 00:29:41,000 Speaker 1: I appreciate it. And it was also like Leonardo Da Vinci. 499 00:29:41,480 --> 00:29:43,920 Speaker 1: I couldn't get enough of that. Was Not who could 500 00:29:43,920 --> 00:29:48,120 Speaker 1: have been Gayer in the movie? Definitely he was. He 501 00:29:48,160 --> 00:29:50,600 Speaker 1: was because he, you know, he was sucking in fucking. 502 00:29:51,400 --> 00:29:57,480 Speaker 1: Definitely sucking and fucking. Um. Okay, my favorite sailor scout 503 00:29:57,480 --> 00:30:00,840 Speaker 1: with sailor Venus, because I liked that in the lore 504 00:30:00,920 --> 00:30:04,920 Speaker 1: of the show she was like famous. Oh Yeah, wait, 505 00:30:04,960 --> 00:30:07,000 Speaker 1: Tom I don't remember that. There was this whole thing 506 00:30:07,120 --> 00:30:10,520 Speaker 1: with like Sailor v right at the beginning. Yeah, and 507 00:30:10,560 --> 00:30:14,680 Speaker 1: like and like, Um, you know, Serena was like obsessed 508 00:30:14,720 --> 00:30:17,840 Speaker 1: with her and then she came to school and then 509 00:30:17,960 --> 00:30:20,280 Speaker 1: was also one of the sailor scouts. Okay, here's the things. 510 00:30:20,320 --> 00:30:22,320 Speaker 1: Like I don't really remember a lot of the plot 511 00:30:22,400 --> 00:30:25,640 Speaker 1: specifics of sailor moon because it's not really about that. 512 00:30:25,720 --> 00:30:29,000 Speaker 1: It's more about vibes. When it's so interesting too because 513 00:30:29,080 --> 00:30:31,680 Speaker 1: like at the time for us there were there were 514 00:30:31,680 --> 00:30:34,160 Speaker 1: a couple of different versions of it. Like I like 515 00:30:34,280 --> 00:30:37,320 Speaker 1: it's it's on Hulu now. So, like last night I 516 00:30:37,360 --> 00:30:39,880 Speaker 1: like went on and watched a couple of episodes to 517 00:30:39,880 --> 00:30:41,640 Speaker 1: like remind myself of the structure in the the show, because 518 00:30:41,640 --> 00:30:43,600 Speaker 1: I was like, wait, I'm not six, do I remember 519 00:30:43,640 --> 00:30:46,480 Speaker 1: what happens? Um, and they have like the they have 520 00:30:47,480 --> 00:30:50,800 Speaker 1: a subtitled version and then like a dubbed version. Um, 521 00:30:50,840 --> 00:30:53,240 Speaker 1: but the dubbed version is not the English version that 522 00:30:53,360 --> 00:30:57,760 Speaker 1: was airing when we were younger. Yeah, like it's uh, 523 00:30:57,920 --> 00:31:02,080 Speaker 1: it's just like a a dial translation of the Japanese version, 524 00:31:02,120 --> 00:31:04,680 Speaker 1: but the English version that was on when we younga 525 00:31:04,840 --> 00:31:08,920 Speaker 1: was like completely different. Full Liberty is taken. Yeah, like 526 00:31:09,160 --> 00:31:13,320 Speaker 1: re edited, like a lot of things, Americanized. Plot details 527 00:31:13,400 --> 00:31:17,960 Speaker 1: changed well, and they made the gay characters and you're like, well, 528 00:31:18,040 --> 00:31:21,560 Speaker 1: these cousins are really close, aren't and like the English 529 00:31:21,560 --> 00:31:24,680 Speaker 1: opening titles, Um, that we remember a completely different like 530 00:31:24,720 --> 00:31:27,880 Speaker 1: the fighting evil by Moonlight Song and the animation that 531 00:31:27,880 --> 00:31:31,760 Speaker 1: goes with it is not the same at all. It 532 00:31:31,760 --> 00:31:34,200 Speaker 1: would be cheating, because I looked it up last night. 533 00:31:34,760 --> 00:31:37,240 Speaker 1: I do know by heart it's a good song. It's 534 00:31:37,280 --> 00:31:40,640 Speaker 1: so good. I mean the guitar riff. Yeah, yeah, its 535 00:31:40,880 --> 00:31:43,080 Speaker 1: there actually has to be. There should be a contemporary 536 00:31:43,080 --> 00:31:45,760 Speaker 1: pop star that covers that for our generation. Who would 537 00:31:45,800 --> 00:31:48,520 Speaker 1: you want to cover it? I mean, I don't know why, 538 00:31:49,000 --> 00:31:51,680 Speaker 1: but I immediately thought of Jojo cat, but she's kind 539 00:31:51,680 --> 00:31:54,960 Speaker 1: of covering a lot of things, like she covered. would 540 00:31:54,960 --> 00:32:02,640 Speaker 1: like a Miley Cyrus like rock cover. Oh, when you 541 00:32:02,640 --> 00:32:05,480 Speaker 1: said plastic cards, I immediately thought marina and the dind 542 00:32:05,760 --> 00:32:11,000 Speaker 1: Mari would I mean marina is in certain eras has 543 00:32:11,120 --> 00:32:14,360 Speaker 1: been a little sailor Mooney, like I would say fruit 544 00:32:14,720 --> 00:32:18,000 Speaker 1: is kind of sailor moon vibes. I mean maybe just 545 00:32:18,080 --> 00:32:20,040 Speaker 1: because of like the Skut and the boots, but I 546 00:32:20,040 --> 00:32:22,680 Speaker 1: think Ariana would do a good job. Yeah, but I 547 00:32:22,720 --> 00:32:25,160 Speaker 1: don't know that I would love her version the most, 548 00:32:25,160 --> 00:32:27,120 Speaker 1: although I was listening to sweetener on my way here. 549 00:32:28,320 --> 00:32:31,760 Speaker 1: Often want to do yeah, but it would be I 550 00:32:31,760 --> 00:32:35,040 Speaker 1: mean actually we were also talking about Florence before Florence. 551 00:32:35,440 --> 00:32:40,000 Speaker 1: Laurence would be insane. Would turn into like a funeral, 552 00:32:40,080 --> 00:32:44,400 Speaker 1: dirty tambourines and like the drum, like that bit of 553 00:32:44,440 --> 00:32:50,080 Speaker 1: the Charlie's Angel Song where Lana like makes everything. Yeah, yeah, 554 00:32:50,120 --> 00:32:53,560 Speaker 1: she really killed the VIBE. Florence would make a great 555 00:32:53,680 --> 00:32:57,160 Speaker 1: sailor moon villain. Oh my God, well, Queen Beryl. Queen 556 00:32:57,200 --> 00:32:59,840 Speaker 1: Beryl is Florence a little bit like Beryl is. Also, 557 00:33:00,040 --> 00:33:04,280 Speaker 1: we're talking about hot mommy, Mommy Vibes. Queen Beryl will 558 00:33:04,320 --> 00:33:07,400 Speaker 1: step on you absolutely and you will ask her for 559 00:33:07,480 --> 00:33:09,600 Speaker 1: more for the virgins. Do you want to explain who 560 00:33:09,920 --> 00:33:12,920 Speaker 1: Queen Beryl is? She's like she's the O G Sailor 561 00:33:12,920 --> 00:33:15,640 Speaker 1: Moon Villain and she has like this big, like flowing 562 00:33:15,640 --> 00:33:18,320 Speaker 1: purple dress and like redhead down to her waist and 563 00:33:18,400 --> 00:33:22,600 Speaker 1: she's mean and she's a she and she, yeah, she 564 00:33:22,720 --> 00:33:24,720 Speaker 1: is Florence. Florence. Could play her in the sailor moon 565 00:33:24,760 --> 00:33:31,800 Speaker 1: live action. Okay, sailer Moon live action film. But but 566 00:33:31,840 --> 00:33:34,200 Speaker 1: I don't know that could ever happened, because how could 567 00:33:34,280 --> 00:33:39,400 Speaker 1: they do the transformation sequences right? No, would be disappointed. 568 00:33:39,520 --> 00:33:43,120 Speaker 1: Let's let's let's think imaginatively, let's let's know. Okay, because 569 00:33:43,920 --> 00:33:46,960 Speaker 1: in thirty years, when C G I has progressed enough 570 00:33:47,000 --> 00:33:49,440 Speaker 1: to the point where they can make it happen, well, yeah, 571 00:33:49,600 --> 00:33:51,200 Speaker 1: we could do like a ray visit of some old 572 00:33:51,200 --> 00:33:53,920 Speaker 1: school practical like whatever they were doing for Barbarella, but 573 00:33:53,960 --> 00:33:58,600 Speaker 1: like space Barrella. Oh my God, I have never actually 574 00:33:58,600 --> 00:34:01,520 Speaker 1: watched that movie, like all the way through. You would 575 00:34:01,520 --> 00:34:06,000 Speaker 1: love it. Yeah, I've also never seen it. We should 576 00:34:06,040 --> 00:34:08,000 Speaker 1: do a Jane Fonda episode. But here's the thing. If 577 00:34:08,040 --> 00:34:11,399 Speaker 1: Florence is the villain and you're I'm going to say 578 00:34:11,560 --> 00:34:14,879 Speaker 1: sailor Urinus, because the episode that I watched a prep 579 00:34:14,920 --> 00:34:19,239 Speaker 1: for this show was the episode where Haruka's kind of 580 00:34:19,280 --> 00:34:22,080 Speaker 1: like introduced as a character and they're introduced as a 581 00:34:22,120 --> 00:34:25,880 Speaker 1: boy in disguise and all of the sailors have like 582 00:34:25,920 --> 00:34:28,960 Speaker 1: an immediate crush on them and I think the creator 583 00:34:29,160 --> 00:34:32,439 Speaker 1: of sailor moon was like on the record being like 584 00:34:32,800 --> 00:34:36,279 Speaker 1: this sailor's a boy and a girl, and then like 585 00:34:36,400 --> 00:34:38,440 Speaker 1: there were moments it was clarified, or like there were 586 00:34:38,480 --> 00:34:41,799 Speaker 1: arguments about it or whatever, but like it's full like 587 00:34:42,040 --> 00:34:44,320 Speaker 1: you don't know what gender I am, but you're hot 588 00:34:44,360 --> 00:34:46,799 Speaker 1: for me and therefore you're gay. Like that is like 589 00:34:46,880 --> 00:34:52,040 Speaker 1: the vibe. That's quite explicit and purposeful. Yeah, okay, we 590 00:34:52,120 --> 00:34:59,560 Speaker 1: can voice the cats. I'm a Luna. It's honestly kind 591 00:34:59,560 --> 00:35:02,840 Speaker 1: of sad how accurate that is, like, I think in 592 00:35:02,960 --> 00:35:05,160 Speaker 1: any animation. If I ever if I ever get into 593 00:35:05,239 --> 00:35:07,000 Speaker 1: voice that we're acting, there'll be like, okay, you're the 594 00:35:07,320 --> 00:35:10,440 Speaker 1: gay annoying cat like and we'll we'll still do some 595 00:35:10,520 --> 00:35:13,080 Speaker 1: kind of like motion capture work on set where they 596 00:35:13,160 --> 00:35:19,000 Speaker 1: like it will be giving dots. It'll be the DOTS 597 00:35:19,040 --> 00:35:21,479 Speaker 1: on the face. No, no, not just the face, girl, 598 00:35:21,640 --> 00:35:25,760 Speaker 1: full gollumn like green screen, like yeah, or like Bennett's 599 00:35:25,800 --> 00:35:31,560 Speaker 1: cumberbatcha smelled an forgot about that. Yeah, I did. I 600 00:35:31,600 --> 00:35:34,320 Speaker 1: mean I did go to cats school at the junket 601 00:35:34,440 --> 00:35:37,800 Speaker 1: for the cats musical in London. So I did learn 602 00:35:37,880 --> 00:35:40,480 Speaker 1: how to move like a cat. See, everything's pulling into 603 00:35:40,480 --> 00:35:57,399 Speaker 1: place for the preparation today. Were you at theater, kid, 604 00:35:57,520 --> 00:36:03,840 Speaker 1: or anything like that? What productions did this? This is 605 00:36:03,880 --> 00:36:07,360 Speaker 1: an unsafe space, but you know, like I, it's to 606 00:36:07,440 --> 00:36:11,480 Speaker 1: the extent that you imagine. Yes, absolutely, one percent, like 607 00:36:11,560 --> 00:36:14,839 Speaker 1: I I did. I did drama in high school, obviously, 608 00:36:15,320 --> 00:36:17,560 Speaker 1: but not only that. Like where I learned how to 609 00:36:17,640 --> 00:36:20,480 Speaker 1: be an actor is through doing like workshops and plays 610 00:36:20,520 --> 00:36:22,640 Speaker 1: with a local theater company in my hometown from like 611 00:36:22,680 --> 00:36:26,759 Speaker 1: fourteen and up. Um, I was. I was brutus and 612 00:36:26,840 --> 00:36:31,759 Speaker 1: Julius Seeson my final year of high school. No, yeah, yeah, 613 00:36:31,880 --> 00:36:36,360 Speaker 1: it was. It was fun, Um, and I oh, I 614 00:36:36,400 --> 00:36:38,319 Speaker 1: loved it. I loved every second of it. But yeah, 615 00:36:38,360 --> 00:36:43,759 Speaker 1: like that's theater stuff like lights up my brain like Um, firework, 616 00:36:43,880 --> 00:36:46,560 Speaker 1: and all of us are recovering the kids in one 617 00:36:46,600 --> 00:36:49,959 Speaker 1: way or another. That's just what being queer is pretty much. Well, 618 00:36:50,120 --> 00:36:52,920 Speaker 1: do you still have the same like love of theater 619 00:36:53,160 --> 00:36:55,640 Speaker 1: you like, or is it more of like a nostalgic no, 620 00:36:55,800 --> 00:37:01,880 Speaker 1: I love it. Yeah, I miss what's your role? I Beatrice, 621 00:37:01,880 --> 00:37:05,839 Speaker 1: and much to do about nothing. Oh, that's good, great answer. Yeah, 622 00:37:05,920 --> 00:37:08,400 Speaker 1: I really want to gets I don't remember the plot. 623 00:37:08,800 --> 00:37:14,360 Speaker 1: So Beatrice is, Um, is funny and like quite bold 624 00:37:14,840 --> 00:37:18,360 Speaker 1: and quite self possessed and much as you about nothing. 625 00:37:18,560 --> 00:37:21,240 Speaker 1: Is is about like a couple of things. But, um, 626 00:37:21,280 --> 00:37:24,080 Speaker 1: it's my favorite love story in Shakespeare. There's like Beatrice 627 00:37:24,120 --> 00:37:28,040 Speaker 1: and benedict who like fight like like ostensibly do not 628 00:37:28,239 --> 00:37:30,319 Speaker 1: get on. But they don't get on because they have 629 00:37:30,480 --> 00:37:32,040 Speaker 1: history and I've known each other for a long time 630 00:37:32,080 --> 00:37:34,040 Speaker 1: and like a really good at pissing each other off, 631 00:37:34,640 --> 00:37:37,080 Speaker 1: which of course means that like that turns into banter 632 00:37:37,200 --> 00:37:38,719 Speaker 1: and then they have been in love the whole time 633 00:37:38,719 --> 00:37:40,839 Speaker 1: and it's wonderful. It's like, Oh, the person you've known 634 00:37:40,840 --> 00:37:42,480 Speaker 1: forever who, like, annoys the ship out of you. You 635 00:37:42,520 --> 00:37:45,640 Speaker 1: know what? That does a lot for me. Um, it's 636 00:37:45,640 --> 00:37:48,200 Speaker 1: a great play. You Love Shakespeare? Yes, a lot. I 637 00:37:48,280 --> 00:37:51,279 Speaker 1: also love Shakespeare, as we have talked about, your favorite play. 638 00:37:51,880 --> 00:37:54,759 Speaker 1: It is. It's my favorite play of his. Rose do 639 00:37:54,840 --> 00:37:59,360 Speaker 1: remind me of yours. Okay, I go back and forth 640 00:37:59,440 --> 00:38:04,120 Speaker 1: between amid summer night's dream and the tempest, my two favorites, 641 00:38:04,160 --> 00:38:06,399 Speaker 1: and like it kind of depends on the vibe. Like 642 00:38:06,520 --> 00:38:08,239 Speaker 1: I do like that the tempest is like weird and 643 00:38:08,320 --> 00:38:12,240 Speaker 1: sad and that it's like the last. It's quite melancholy. 644 00:38:12,600 --> 00:38:16,000 Speaker 1: But I mean midsummer is just like. Have you seen 645 00:38:16,080 --> 00:38:19,600 Speaker 1: the national theater live recording of the production of midsummer 646 00:38:19,600 --> 00:38:24,520 Speaker 1: that gwendoline Christie's in? So they so she plays Um Titania, 647 00:38:24,600 --> 00:38:27,840 Speaker 1: but they swapped to Tanya and Oberon's roles in the play. 648 00:38:28,800 --> 00:38:33,000 Speaker 1: She Fox with him. Think is beyonce's love on top 649 00:38:33,000 --> 00:38:38,280 Speaker 1: in a really good way. It's awesome. Okay, crushes yours 650 00:38:38,280 --> 00:38:41,719 Speaker 1: with sailor mercury, mine with Tuxedo mask. What can I say? 651 00:38:41,880 --> 00:38:43,920 Speaker 1: And Queen Beryl, and this, this should have tipped me 652 00:38:43,960 --> 00:38:46,399 Speaker 1: off as to like my whole deal earlier on, I think. 653 00:38:46,480 --> 00:38:48,879 Speaker 1: But like, even as a kid watching sailor moon, every 654 00:38:48,880 --> 00:38:51,280 Speaker 1: time Tuxedo masks showed up, I was always like who's 655 00:38:51,360 --> 00:38:55,200 Speaker 1: this guy? Get him out of here, like it's go away. 656 00:38:55,239 --> 00:38:57,520 Speaker 1: I was always so annoyed whenever he would show up. 657 00:38:57,600 --> 00:38:59,440 Speaker 1: He is pretty annoying and like all he does is 658 00:38:59,560 --> 00:39:04,520 Speaker 1: neg yeah, sailor moon, he's mean. Yeah, and isn't like 659 00:39:04,680 --> 00:39:10,600 Speaker 1: he's like older or something. She's a textually fourteen. Yes, 660 00:39:10,840 --> 00:39:14,520 Speaker 1: it's one of the first things she said. She's fourteen, 661 00:39:14,960 --> 00:39:20,200 Speaker 1: loves meatballs or has meat. She's a cry baby. Yeah, 662 00:39:20,320 --> 00:39:24,640 Speaker 1: she's a fourteen year old. And he's like did they 663 00:39:24,640 --> 00:39:26,960 Speaker 1: ever say, like what? Do you ever really find out 664 00:39:27,000 --> 00:39:28,960 Speaker 1: what his whole deal is? I never paid attention. No, 665 00:39:29,160 --> 00:39:32,319 Speaker 1: I mean you find out that they are like reincarnated 666 00:39:32,880 --> 00:39:37,080 Speaker 1: lovers from the moon. Well, that's the whole thing. Is 667 00:39:37,120 --> 00:39:40,560 Speaker 1: that like Serena or like Osagi, if you know, the 668 00:39:40,680 --> 00:39:45,040 Speaker 1: original is like was the queen of this like of 669 00:39:45,120 --> 00:39:50,280 Speaker 1: the moon or like some other magical planet, Princess empress something, 670 00:39:50,480 --> 00:39:54,240 Speaker 1: and then she sent herself and all of the sailor 671 00:39:54,320 --> 00:39:59,040 Speaker 1: scouts to Earth to be reborn and Tuxedo mask as well, yeah, 672 00:39:59,040 --> 00:40:04,520 Speaker 1: to be reborn to fight monsters, question marks. The laure 673 00:40:04,640 --> 00:40:08,799 Speaker 1: is a little hazy in parts. Maybe monsters aliens, not 674 00:40:08,960 --> 00:40:11,919 Speaker 1: really sure. I always liked, too, that the monsters would 675 00:40:11,920 --> 00:40:16,280 Speaker 1: were genuinely quite scary, very scary, and also extremely gay. 676 00:40:16,360 --> 00:40:20,680 Speaker 1: They were always really gay, very, very powerful, very like 677 00:40:20,800 --> 00:40:24,160 Speaker 1: vividly drawn, like the like. The weapons they carried were 678 00:40:24,160 --> 00:40:27,040 Speaker 1: always pretty intense, like silo moon is sort of like 679 00:40:27,080 --> 00:40:30,160 Speaker 1: fluffy and fun, but also the stakes were quite real, 680 00:40:30,760 --> 00:40:32,960 Speaker 1: you know, which I always liked. It always felt like 681 00:40:32,960 --> 00:40:35,960 Speaker 1: they defeated the monsters like faster than it actually took 682 00:40:36,000 --> 00:40:42,160 Speaker 1: them to transforms. Yeah, like half of the episode was 683 00:40:42,280 --> 00:40:46,239 Speaker 1: kind of teenage hijinks, then another of the episode was 684 00:40:46,280 --> 00:40:49,800 Speaker 1: them all transforming five percent with them defeating the villain, 685 00:40:49,880 --> 00:40:55,040 Speaker 1: and then was like Tuxedo mask being a pedophile. That 686 00:40:55,200 --> 00:40:58,080 Speaker 1: is the mathematical equation of every sailor moon episode. I 687 00:40:58,080 --> 00:41:00,640 Speaker 1: watched them. I like watching the pilot US night. I 688 00:41:00,719 --> 00:41:04,640 Speaker 1: was like, Oh, this is buffy. It is literally a buffy. 689 00:41:04,640 --> 00:41:07,680 Speaker 1: Are you a buffy? Yeah, well, I haven't seen the 690 00:41:07,719 --> 00:41:10,520 Speaker 1: whole thing. I think I've seen I think I stopped 691 00:41:10,520 --> 00:41:13,280 Speaker 1: halfway through season four, but I've seen the musical episode okay, 692 00:41:13,360 --> 00:41:15,720 Speaker 1: so like through Cultural Osmosis, yes, and then the chunks 693 00:41:15,719 --> 00:41:18,040 Speaker 1: about season four is really hard to get through. It 694 00:41:18,120 --> 00:41:20,719 Speaker 1: was rough, but the end of it is really good, 695 00:41:20,800 --> 00:41:24,799 Speaker 1: and then season five is great, season six is great. Four, 696 00:41:24,960 --> 00:41:27,359 Speaker 1: or is there too much missing? I mean you do 697 00:41:27,480 --> 00:41:29,920 Speaker 1: kind of need the context. But the thing with like 698 00:41:30,800 --> 00:41:32,880 Speaker 1: TV shows of that era is that the seasons have 699 00:41:33,080 --> 00:41:36,000 Speaker 1: so many episodes. Well, that, I think, was part of 700 00:41:36,000 --> 00:41:41,160 Speaker 1: the barrier for me. I was like, Oh God, every season. Yeah, 701 00:41:41,160 --> 00:41:43,520 Speaker 1: and they're all an hour long. But but I do 702 00:41:43,719 --> 00:41:47,080 Speaker 1: like that because it gives them the leeway to do 703 00:41:47,120 --> 00:41:51,120 Speaker 1: these like little weird one off episodes, stuff that's just 704 00:41:51,239 --> 00:41:54,840 Speaker 1: character stuff exactly, which, you know, like in the era 705 00:41:54,960 --> 00:41:58,520 Speaker 1: of like ten episode TV series, like you don't get 706 00:41:58,560 --> 00:42:01,560 Speaker 1: as much of ever. Ever, again, I didn't miss it. 707 00:42:01,600 --> 00:42:03,200 Speaker 1: I miss like a monster of the week or like 708 00:42:03,239 --> 00:42:06,719 Speaker 1: a bottle episode. I love a bottle episode. I lovesode two. 709 00:42:06,800 --> 00:42:10,600 Speaker 1: I camember the last time I watched like something contemporary. 710 00:42:10,800 --> 00:42:12,719 Speaker 1: That was like a bottle episode, like the last thing 711 00:42:12,760 --> 00:42:15,440 Speaker 1: I can think. I was like girls. You know, there 712 00:42:15,480 --> 00:42:17,440 Speaker 1: was a bottle episode in Dear White People that I 713 00:42:17,520 --> 00:42:20,480 Speaker 1: remember really liking. I didn't watch that, Um Sandman to 714 00:42:20,840 --> 00:42:25,040 Speaker 1: a bottle episode. Another reason for you to watch I 715 00:42:25,080 --> 00:42:27,440 Speaker 1: will watch it. I feel like sailor moon was like 716 00:42:27,960 --> 00:42:31,719 Speaker 1: the primordial like Heroin Bimbo, you know what I mean, 717 00:42:31,840 --> 00:42:34,960 Speaker 1: like came before buffy in the like I'm hot, but 718 00:42:35,040 --> 00:42:38,040 Speaker 1: I also can kick ass and like sometimes I'm a 719 00:42:38,080 --> 00:42:41,359 Speaker 1: little dizzy, but like don't underestimate me. is like kind 720 00:42:41,400 --> 00:42:45,440 Speaker 1: of the buffy sailor moon alignment question mark. Totally agree, 721 00:42:45,520 --> 00:42:47,840 Speaker 1: disagree with I mean that's the whole idea. There's a 722 00:42:47,880 --> 00:42:50,000 Speaker 1: real threat there, for sure. I'm trying to think of 723 00:42:50,080 --> 00:42:59,520 Speaker 1: other folks that like fit into that archetype. Wa. Yes, yeah, Um, 724 00:42:59,640 --> 00:43:02,600 Speaker 1: I guess like you see it more now, because that 725 00:43:02,840 --> 00:43:05,319 Speaker 1: is more of an archetype. Now. I wonder if the 726 00:43:05,320 --> 00:43:08,839 Speaker 1: power puff girls pilot would have done that. What I 727 00:43:08,880 --> 00:43:10,839 Speaker 1: would like to see it. How many would this is 728 00:43:10,840 --> 00:43:13,239 Speaker 1: like the fourth reboot and like the last like five years, 729 00:43:13,440 --> 00:43:15,560 Speaker 1: but this was the live action one. There's a live 730 00:43:15,600 --> 00:43:19,560 Speaker 1: action there was supposed to be pilot. Shot the pilot twice, 731 00:43:19,600 --> 00:43:22,400 Speaker 1: but I don't know. They like make cancel level pilots 732 00:43:23,200 --> 00:43:25,799 Speaker 1: look but I remember, I remember feeling I'm like just 733 00:43:25,840 --> 00:43:28,359 Speaker 1: really just shows a pilot. Yeah, I want to see 734 00:43:28,360 --> 00:43:30,960 Speaker 1: it because we saw all the Paparazzi photos of them 735 00:43:31,000 --> 00:43:35,439 Speaker 1: on wires and stuff. I haven't seen this at all. Yeah, Cameron, 736 00:43:35,800 --> 00:43:40,279 Speaker 1: Karen and then I I don't remember. I think she 737 00:43:40,360 --> 00:43:45,520 Speaker 1: was bubbles. Naturally, who else would be? Who was playing him? 738 00:43:45,520 --> 00:43:50,240 Speaker 1: Not Billy Porter. Tell us who was playing him? Darna. 739 00:43:50,280 --> 00:43:53,319 Speaker 1: They probably didn't get that far into it, so that 740 00:43:53,360 --> 00:43:55,839 Speaker 1: would be I have to play him. Which powerpuff girl 741 00:43:56,040 --> 00:44:00,000 Speaker 1: are you? Oh, which one is a green one? Buttercut 742 00:44:00,200 --> 00:44:03,520 Speaker 1: also mean mommy. I I feel that I am also 743 00:44:03,560 --> 00:44:09,080 Speaker 1: spiritually a buttercup. Buttercup, I'm blossom. Unfortunately. Why Sad? What's 744 00:44:09,840 --> 00:44:15,440 Speaker 1: because I'm always the one, the logistical one. I'm always 745 00:44:15,440 --> 00:44:17,680 Speaker 1: the one that's like you guys, let's get it together, 746 00:44:17,800 --> 00:44:22,400 Speaker 1: we have like these things to get done. I'm not. 747 00:44:22,640 --> 00:44:24,520 Speaker 1: You are kind of a bubble. I am kind of 748 00:44:24,800 --> 00:44:29,120 Speaker 1: so that's the thing. Is Like I am bubbles, I'm 749 00:44:29,239 --> 00:44:32,439 Speaker 1: an air had, I'm late to things, I'm constantly forgetting ship, 750 00:44:33,120 --> 00:44:36,960 Speaker 1: but for some reason people make me the blossom and 751 00:44:37,000 --> 00:44:40,239 Speaker 1: every friend. Where do you make yourself? Well, if no 752 00:44:40,239 --> 00:44:43,120 Speaker 1: one else is gonna like you, know buy you're going 753 00:44:43,160 --> 00:44:47,240 Speaker 1: to see. It's like it's self enforcing. Yeah, it's like okay, 754 00:44:47,239 --> 00:44:49,839 Speaker 1: I guess all research Airbnbs, you know what I mean. 755 00:44:49,920 --> 00:44:51,360 Speaker 1: But it's true that if you're in a group and 756 00:44:51,440 --> 00:44:55,279 Speaker 1: someone is really leaning into their their bubbles energy or 757 00:44:55,320 --> 00:44:59,800 Speaker 1: their buttercup energy, you do by defaults become on the calendar, 758 00:45:00,160 --> 00:45:05,640 Speaker 1: by silent decision making. Yeah, figure out the train times. Um, 759 00:45:05,760 --> 00:45:08,120 Speaker 1: pop off girls. I watched a little bit, but I 760 00:45:08,360 --> 00:45:10,719 Speaker 1: remember not attaching to it in the same way, I 761 00:45:10,719 --> 00:45:14,719 Speaker 1: think because I didn't love the animation style. Yeah, it's 762 00:45:14,800 --> 00:45:19,040 Speaker 1: very Hannah Barbara. Is that what that era of Cartoonoo do? Oh, 763 00:45:19,120 --> 00:45:22,920 Speaker 1: I mean just the era of cartoons, the cartoon cartoon 764 00:45:23,120 --> 00:45:31,920 Speaker 1: like cartoon networking, like like Um, Samurai Joe, Johnny, Smuri, Smuri, 765 00:45:32,000 --> 00:45:36,480 Speaker 1: Samurai Jack, Samurai and Johnny Bravo. Yes, and I've seen 766 00:45:36,480 --> 00:45:38,520 Speaker 1: a lot of Fan Art of Samurai Jack and Johnny 767 00:45:38,560 --> 00:45:45,120 Speaker 1: Bravo Kissing, kissing, not just you. I wanted. I wanted 768 00:45:45,120 --> 00:45:46,719 Speaker 1: the power off girls to have hands. I was like, 769 00:45:46,800 --> 00:45:51,839 Speaker 1: how are they holding? That is so disturbing. Cartoons don't 770 00:45:51,920 --> 00:45:55,440 Speaker 1: have hands. Yeah, Um, but yeah, the hard line of 771 00:45:55,920 --> 00:45:58,680 Speaker 1: the animation styles of area of the time and I 772 00:45:58,800 --> 00:46:01,239 Speaker 1: loved the animation style of sailor moon so much so 773 00:46:01,400 --> 00:46:04,439 Speaker 1: it was really beautiful. It's like being really young watching 774 00:46:04,480 --> 00:46:06,600 Speaker 1: it being like Oh, this like just fucking rules, this 775 00:46:06,760 --> 00:46:12,040 Speaker 1: is gorgeous. In the Pantheon of gender non specific kind 776 00:46:12,080 --> 00:46:15,799 Speaker 1: of protagonists are like very like envy protagonists, like all 777 00:46:15,920 --> 00:46:19,800 Speaker 1: of the studio Ghibli like heart throbs, are like Howell, 778 00:46:20,640 --> 00:46:26,279 Speaker 1: and it's not fine, right, and he has that whole 779 00:46:26,360 --> 00:46:28,800 Speaker 1: like a meltdown because he's not. He's like not beautiful. 780 00:46:28,840 --> 00:46:31,120 Speaker 1: He's like he dyes his hair, like his hair turns 781 00:46:31,160 --> 00:46:33,160 Speaker 1: the different colonies, like I'm not beautiful. I mean who 782 00:46:33,200 --> 00:46:40,360 Speaker 1: among us that egg scenario more times than I want to. 783 00:46:40,840 --> 00:46:44,000 Speaker 1: He's literally like I'm going to kill myself, and it's 784 00:46:44,040 --> 00:46:46,799 Speaker 1: like that is I've gotten out of the Salon Chair. 785 00:46:46,920 --> 00:46:49,920 Speaker 1: Like should I kill should kill myself, or do I 786 00:46:50,080 --> 00:46:54,879 Speaker 1: kill the stylists? Yeah, yeah, one or the other or both? Yeah, 787 00:46:55,040 --> 00:46:57,439 Speaker 1: why not? I mean how's so hot? WHO's so hot? 788 00:46:57,560 --> 00:47:00,480 Speaker 1: Princess Mononoke, so hot, I can't even talk about it. 789 00:47:00,600 --> 00:47:05,160 Speaker 1: And then, yeah, and then Ruka, Haruka, gender goals, sailor Urinus, 790 00:47:05,440 --> 00:47:09,640 Speaker 1: and also the food in Studio Ghibli movies. It just 791 00:47:09,760 --> 00:47:12,560 Speaker 1: looks so good. I had a similar thing with, like 792 00:47:12,840 --> 00:47:15,600 Speaker 1: with May Cup in animation when I was younger, like 793 00:47:15,800 --> 00:47:19,080 Speaker 1: like in Mulan when they put the Lipstick on, like 794 00:47:19,160 --> 00:47:22,520 Speaker 1: how people, how people's hair moved. That whole opening number 795 00:47:22,800 --> 00:47:28,600 Speaker 1: in Mulan is a Banger, stunning and those images that 796 00:47:28,640 --> 00:47:32,480 Speaker 1: I just remember really latching onto hair. Animated Hair is 797 00:47:32,600 --> 00:47:36,560 Speaker 1: very important and sailor moon does it so well. Yeah, 798 00:47:36,640 --> 00:47:39,600 Speaker 1: I mean, how long is her hair to be flowing 799 00:47:39,680 --> 00:47:42,759 Speaker 1: that long in those pigtails? She definitely has some mixed 800 00:47:42,800 --> 00:47:48,040 Speaker 1: intern work. Yeah, she's definitely got plugs. She's got a weave. Yeah, 801 00:47:48,080 --> 00:47:50,360 Speaker 1: I love long flowing animated hair. That was when I 802 00:47:50,480 --> 00:47:51,640 Speaker 1: used to draw it, when I was a little like 803 00:47:51,719 --> 00:47:53,920 Speaker 1: hair was like the big thing that I was really 804 00:47:53,960 --> 00:47:56,320 Speaker 1: obsessed with, and hair and animation is so specific, like 805 00:47:56,520 --> 00:48:00,400 Speaker 1: Um Arial's Weird Bang thing and the little made like 806 00:48:00,520 --> 00:48:03,520 Speaker 1: what is that? Yeah, like Um like Meg's really angular 807 00:48:03,600 --> 00:48:08,480 Speaker 1: hair and Hercules into it, the little swirls for Nipples, 808 00:48:08,600 --> 00:48:13,880 Speaker 1: the Nipswalls, the nips worlds into a very controversial elbow. Elbows. 809 00:48:15,320 --> 00:48:18,759 Speaker 1: What was that? They're just like it's Greek, I guess. Yeah, 810 00:48:19,000 --> 00:48:22,080 Speaker 1: their Corinthian column like kids will like we'll like learn 811 00:48:22,320 --> 00:48:24,960 Speaker 1: how to draw from stuff. This sing and like my 812 00:48:25,200 --> 00:48:27,160 Speaker 1: my older brother would like draw stuff that was like 813 00:48:27,440 --> 00:48:31,360 Speaker 1: very stylistically taken from Hercules. So it always reminds me 814 00:48:31,400 --> 00:48:33,919 Speaker 1: of him and I remember friends of mine like learning 815 00:48:33,920 --> 00:48:36,279 Speaker 1: how to draw from sailor moon, like filling up their 816 00:48:36,280 --> 00:48:39,520 Speaker 1: sketch books with with hair, you know, like figuring out 817 00:48:39,560 --> 00:48:42,080 Speaker 1: how to draw the skirts. I definitely used to draw. 818 00:48:43,560 --> 00:48:45,719 Speaker 1: I used to draw like anything I would watch, and 819 00:48:45,800 --> 00:48:50,680 Speaker 1: I just remembered, Um, so Mulan the first and one 820 00:48:50,760 --> 00:48:54,000 Speaker 1: of two times I'd ever really been to Disneyland, slash world. 821 00:48:54,080 --> 00:48:57,600 Speaker 1: What's the one in Florida? Disney world? Disney world as 822 00:48:57,640 --> 00:48:59,640 Speaker 1: a kid, I was like a little baby kid. Was Right. 823 00:49:00,040 --> 00:49:02,920 Speaker 1: War Mulan came out and you could go into this 824 00:49:03,080 --> 00:49:07,960 Speaker 1: like exhibit that had like original like sketches of the Mulan, 825 00:49:08,320 --> 00:49:10,839 Speaker 1: kind of like world. Can we talk about concept dot 826 00:49:10,960 --> 00:49:15,239 Speaker 1: like generally for a second? Studio Ghibli concert are like. 827 00:49:15,400 --> 00:49:17,640 Speaker 1: Do you have like a memory attachment to any sort 828 00:49:17,640 --> 00:49:20,120 Speaker 1: of specific concept art? I just remember, like any time 829 00:49:20,160 --> 00:49:22,360 Speaker 1: I fell in love with a movie, like either my 830 00:49:22,600 --> 00:49:24,759 Speaker 1: my parents would or like I would like try to 831 00:49:24,800 --> 00:49:28,000 Speaker 1: get ahold of whatever behind the scenes book was made 832 00:49:28,000 --> 00:49:32,480 Speaker 1: about it. I have the Lord of the Rings One, yes, yes, yes, yes, 833 00:49:32,600 --> 00:49:36,520 Speaker 1: like well, like Alan How's drawings? Like the books about 834 00:49:36,520 --> 00:49:41,520 Speaker 1: the Nannia movies? I have the titanic ones. Yeah, I 835 00:49:41,880 --> 00:49:44,040 Speaker 1: love a lite in the witch and the wardrobe. It's 836 00:49:44,120 --> 00:49:47,200 Speaker 1: so good. The Lord of the Rings One's those visual companions, though. 837 00:49:47,400 --> 00:49:52,040 Speaker 1: They should be studied because, like, they actually textually are 838 00:49:52,600 --> 00:49:56,320 Speaker 1: so rich and like they give you so many sketches 839 00:49:56,440 --> 00:49:59,040 Speaker 1: and so much world building that, like, so much of 840 00:49:59,080 --> 00:50:01,880 Speaker 1: it is lost on you because these movies are so 841 00:50:02,040 --> 00:50:06,040 Speaker 1: maximalist and little. The rings is so special. What I like, 842 00:50:06,160 --> 00:50:08,800 Speaker 1: the original trilogy are like that's some of my favorite 843 00:50:09,080 --> 00:50:11,960 Speaker 1: films and, like, get ready for this, I watched them 844 00:50:12,000 --> 00:50:15,239 Speaker 1: every I watched all three extended editions in Christmas, every 845 00:50:15,360 --> 00:50:17,799 Speaker 1: yet on New Year's Day, and I call that ringing 846 00:50:17,840 --> 00:50:22,200 Speaker 1: in the new yet in a group, or there's a 847 00:50:22,239 --> 00:50:24,239 Speaker 1: friend in Australia that I do it with if we're 848 00:50:24,239 --> 00:50:25,800 Speaker 1: in the same place, and if we're not, all do 849 00:50:25,840 --> 00:50:28,440 Speaker 1: it by myself. Okay, well, if you need someone to 850 00:50:28,480 --> 00:50:32,000 Speaker 1: watch with this year, I mean, let's go, because I also, 851 00:50:32,160 --> 00:50:34,319 Speaker 1: around the holidays, do the same thing, but I am 852 00:50:34,400 --> 00:50:37,680 Speaker 1: wont to do like Watch the whole series and then 853 00:50:37,760 --> 00:50:40,960 Speaker 1: just like started over again. It's beautiful, you know. Or 854 00:50:41,040 --> 00:50:43,920 Speaker 1: like I'll watch the two towers twice. I made with 855 00:50:44,040 --> 00:50:48,840 Speaker 1: so much care and like everyone involved cares like the 856 00:50:49,280 --> 00:50:52,480 Speaker 1: most amount possible and like the everybody has the resources, 857 00:50:52,560 --> 00:50:56,360 Speaker 1: they need, time, they need like everybody's invested that, I 858 00:50:56,400 --> 00:50:58,360 Speaker 1: mean beyond anything else, so that it's just such a 859 00:50:58,680 --> 00:51:03,239 Speaker 1: unique cinematic at easement, I think. And Yeah, but that's 860 00:51:03,280 --> 00:51:05,560 Speaker 1: the difference between the Hobbit and why it's infuriating. Is 861 00:51:05,560 --> 00:51:07,279 Speaker 1: like not the same level of Kara did not go 862 00:51:07,400 --> 00:51:09,520 Speaker 1: into it because of the way it was made and 863 00:51:09,719 --> 00:51:12,480 Speaker 1: like the like Gamba del Toro of it all, and 864 00:51:12,560 --> 00:51:16,920 Speaker 1: like Peter Jackson, talk about concept dot my God, if like, 865 00:51:17,200 --> 00:51:21,880 Speaker 1: can you imagine if we had gotten did you? Have 866 00:51:22,040 --> 00:51:24,960 Speaker 1: you heard the t about how the Amazon Prime, like 867 00:51:25,120 --> 00:51:27,520 Speaker 1: rings of power, reached out to Peter Jackson and then 868 00:51:27,560 --> 00:51:30,799 Speaker 1: ghost to him? I did read that. Tell me they 869 00:51:30,840 --> 00:51:33,279 Speaker 1: were so they apparently, when they first started pulling the 870 00:51:33,320 --> 00:51:35,839 Speaker 1: show together, they reached out to him and they were 871 00:51:35,920 --> 00:51:38,279 Speaker 1: like hey, we would love for you to be involved. 872 00:51:38,760 --> 00:51:41,440 Speaker 1: To what capacity, we don't know, and Peter Jackson was 873 00:51:41,560 --> 00:51:45,040 Speaker 1: like yes, which, like he doesn't say yes to things. Um, 874 00:51:45,120 --> 00:51:46,879 Speaker 1: so I was kind of shook, but he said yes 875 00:51:47,000 --> 00:51:49,520 Speaker 1: and then they fully ghosted him and he's like on 876 00:51:49,640 --> 00:51:52,600 Speaker 1: the record, like you know, talking to journalists, being like yeah, 877 00:51:52,640 --> 00:51:54,040 Speaker 1: and I never heard back from them. A get like 878 00:51:54,120 --> 00:51:56,399 Speaker 1: such a queen like I was like, yeah, we're good, 879 00:51:56,560 --> 00:51:59,200 Speaker 1: I love that. Yeah, they like put on the ring 880 00:51:59,320 --> 00:52:02,480 Speaker 1: and we're like Jackson even is he doing anything the 881 00:52:02,520 --> 00:52:09,520 Speaker 1: Beatles documentary? Jackson is like a quiet, passionate documentarian. I 882 00:52:09,560 --> 00:52:12,640 Speaker 1: didn't know that. Nothing but respect for Peter Jackson, but 883 00:52:12,880 --> 00:52:16,120 Speaker 1: he could not pick a less interesting subject for me 884 00:52:16,239 --> 00:52:17,640 Speaker 1: to consume. I do not want to want you don't 885 00:52:17,640 --> 00:52:21,000 Speaker 1: want to watch the six our Beatles? Don't? You could 886 00:52:21,040 --> 00:52:23,560 Speaker 1: not pay me. I will skip to the Yoko sections 887 00:52:23,640 --> 00:52:27,120 Speaker 1: and then I'll be done. I think the sailor moon 888 00:52:27,160 --> 00:52:29,319 Speaker 1: theme song is better than any song the Beatles ever 889 00:52:29,400 --> 00:52:51,239 Speaker 1: wrote say that I think I definitely pretended to like 890 00:52:51,400 --> 00:52:55,400 Speaker 1: the Beatles as a kid, like you know. And also, okay, actually, 891 00:52:56,360 --> 00:52:59,120 Speaker 1: the trailer, not across the universe of the movie, but 892 00:52:59,280 --> 00:53:05,200 Speaker 1: the Ray across the I do love Jim Surgis is 893 00:53:05,239 --> 00:53:08,560 Speaker 1: in it. Yeah, because he is in Sandman. I've been 894 00:53:08,680 --> 00:53:11,800 Speaker 1: thinking about how cute he is. I wouldn't recommend watching 895 00:53:11,840 --> 00:53:15,640 Speaker 1: it sober, but I would say that it's like for 896 00:53:15,800 --> 00:53:19,040 Speaker 1: me like when that trailer came out. I remember it 897 00:53:19,200 --> 00:53:21,239 Speaker 1: was like, you know, in the era of you to 898 00:53:21,360 --> 00:53:23,720 Speaker 1: early eras of Youtube, where you become with an obsessed 899 00:53:23,760 --> 00:53:25,200 Speaker 1: with a video and you just have to watch it 900 00:53:25,320 --> 00:53:27,400 Speaker 1: like every single day for like weeks and weeks. And 901 00:53:27,520 --> 00:53:29,640 Speaker 1: I mean I've seen it, like I've probably seen the 902 00:53:29,800 --> 00:53:33,320 Speaker 1: entire movie through gifts on Tumbler. I'm mad for it 903 00:53:33,360 --> 00:53:36,239 Speaker 1: over there. That was the tumbler. I've seen Uncle Sam 904 00:53:36,320 --> 00:53:44,360 Speaker 1: leaning with the pointing things, but the movie, it's truly 905 00:53:44,840 --> 00:53:50,200 Speaker 1: truly a thing that happened very, very little rings Culture 906 00:53:50,680 --> 00:53:54,000 Speaker 1: Florence the machine. I think I had a Florence in 907 00:53:54,040 --> 00:53:58,360 Speaker 1: the machine tumbler for a minute. Didn't really write like 908 00:53:58,520 --> 00:54:02,240 Speaker 1: at the very because like a beginning of her career 909 00:54:02,560 --> 00:54:05,200 Speaker 1: was like kind of when Tumbler was at its peak. 910 00:54:05,280 --> 00:54:09,840 Speaker 1: I used to have a tumbler that just reposted images 911 00:54:10,200 --> 00:54:12,799 Speaker 1: of Solange and beyonce together and I called it keeping 912 00:54:12,840 --> 00:54:16,359 Speaker 1: up with the noses. That's amazing, thought Tumbler Dot Com, 913 00:54:17,040 --> 00:54:19,759 Speaker 1: but it never got popular anything, unfortunately. The first time 914 00:54:19,760 --> 00:54:21,600 Speaker 1: I ever heard of Florence in the machine song was 915 00:54:21,960 --> 00:54:25,600 Speaker 1: Um in a trailer for a new season of one 916 00:54:25,640 --> 00:54:27,680 Speaker 1: of my favorite shows at the time, which was a 917 00:54:27,760 --> 00:54:30,680 Speaker 1: BBC show called being human. Did either of you ever 918 00:54:30,719 --> 00:54:33,439 Speaker 1: say it? I think an American version of it was made, 919 00:54:33,560 --> 00:54:36,680 Speaker 1: but it's about a werewolf, a ghost and a vampire. 920 00:54:37,120 --> 00:54:40,759 Speaker 1: I do remember. I remember it already sounds like something 921 00:54:40,920 --> 00:54:43,440 Speaker 1: rose has watched. I haven't watched it, but I definitely 922 00:54:43,520 --> 00:54:47,440 Speaker 1: like remember. It was incredible and I if I remember correctly, 923 00:54:47,480 --> 00:54:49,399 Speaker 1: it was the trailer for the season two, I think. 924 00:54:49,440 --> 00:54:50,880 Speaker 1: But I was in love with this show and they 925 00:54:51,040 --> 00:54:54,759 Speaker 1: used Howel, like the Florence Song. Oh my God, it's 926 00:54:54,880 --> 00:54:59,000 Speaker 1: a great song. Yeah, the first time I ever saw 927 00:54:59,080 --> 00:55:02,520 Speaker 1: her live was like her first American show when she 928 00:55:02,680 --> 00:55:05,080 Speaker 1: was like breaking out. It was a terminal five in 929 00:55:05,120 --> 00:55:07,280 Speaker 1: New York. Was the first time I ever did acid 930 00:55:07,760 --> 00:55:10,920 Speaker 1: and she opened with how and I was like I 931 00:55:11,160 --> 00:55:16,080 Speaker 1: like left my body and like was communing with her 932 00:55:16,320 --> 00:55:20,160 Speaker 1: and like a fully spiritual way, and she was like 933 00:55:20,560 --> 00:55:23,800 Speaker 1: a vessel to some like greater power, and I was 934 00:55:23,920 --> 00:55:27,560 Speaker 1: like hunched over my computer with the trailer on Youtube 935 00:55:27,920 --> 00:55:30,960 Speaker 1: listening to it so I could type the lyrics into Google, 936 00:55:31,120 --> 00:55:35,600 Speaker 1: being like what, what is this song? Yeah, yeah, it was, 937 00:55:35,760 --> 00:55:37,680 Speaker 1: and I found it. I was like, who's flaring in 938 00:55:37,719 --> 00:55:39,480 Speaker 1: the machine? And then I bought her album like that week. 939 00:55:39,560 --> 00:55:43,719 Speaker 1: I think that album is so like, that album is 940 00:55:43,760 --> 00:55:48,160 Speaker 1: so like raw and like like so many different sounds 941 00:55:48,239 --> 00:55:52,360 Speaker 1: and her voices so like angry but also beautiful. I 942 00:55:52,640 --> 00:55:57,560 Speaker 1: probably watched the cosmic love music video like like upwards 943 00:55:57,680 --> 00:56:01,759 Speaker 1: of five hundred times the year that it came out. Yeah, 944 00:56:02,520 --> 00:56:04,960 Speaker 1: I would go for like walks by myself a lot 945 00:56:05,040 --> 00:56:06,600 Speaker 1: as a teenager. I would like go to this like 946 00:56:06,719 --> 00:56:10,080 Speaker 1: one public swing set or like explore my my neighborhood. 947 00:56:10,080 --> 00:56:12,960 Speaker 1: I lived right near like a national reserve and I 948 00:56:13,080 --> 00:56:16,520 Speaker 1: just remember like sitting in a park alone, like memorizing 949 00:56:16,640 --> 00:56:18,759 Speaker 1: the lyrics to my boy builds coffins. Just like she 950 00:56:19,040 --> 00:56:22,759 Speaker 1: understands me. I've seen her every era, and so now 951 00:56:22,840 --> 00:56:25,799 Speaker 1: I have to see this era, because I do think 952 00:56:25,920 --> 00:56:29,759 Speaker 1: that this album that she just released, dance faver, is 953 00:56:29,880 --> 00:56:33,879 Speaker 1: like one of my favorites in a while. I okay, 954 00:56:33,920 --> 00:56:37,040 Speaker 1: I want to know. What's your favorite Florence album? Oh 955 00:56:37,120 --> 00:56:40,400 Speaker 1: my God, okay, tough, but I think I think, like truly, 956 00:56:40,440 --> 00:56:41,839 Speaker 1: at the end of the day, it's it's how big, 957 00:56:41,920 --> 00:56:46,839 Speaker 1: how blue, how beautiful. It's her best it's her best album. Yeah, 958 00:56:47,080 --> 00:56:49,800 Speaker 1: it's my favorite. Queen of peace is like one of 959 00:56:49,880 --> 00:56:52,960 Speaker 1: my favorite Florence. What kind of man is a crazy opener? 960 00:56:53,320 --> 00:56:55,719 Speaker 1: Like it's it's incredible. It throws you right in the 961 00:56:55,760 --> 00:56:57,880 Speaker 1: deep end. And then various storms and science is one 962 00:56:57,920 --> 00:56:59,560 Speaker 1: of my favorite songs of hers. Well, it's like the 963 00:56:59,640 --> 00:57:03,400 Speaker 1: album where she started getting really into dance and like 964 00:57:03,600 --> 00:57:05,719 Speaker 1: and you can, I mean she's always been such a 965 00:57:05,800 --> 00:57:08,839 Speaker 1: like a mover, you know, especially like you see her 966 00:57:08,880 --> 00:57:11,759 Speaker 1: live performances and like it's all about this like frenetic 967 00:57:11,960 --> 00:57:14,879 Speaker 1: energy she has, but like you can kind of hear 968 00:57:15,040 --> 00:57:19,640 Speaker 1: this like interest she has and like theatrical performance coming 969 00:57:19,800 --> 00:57:23,120 Speaker 1: through in the music Um and like what kind of 970 00:57:23,160 --> 00:57:25,520 Speaker 1: man does? What kind of man is is very that 971 00:57:25,720 --> 00:57:29,160 Speaker 1: various storms and saints is so good, it's so beautiful 972 00:57:29,320 --> 00:57:32,800 Speaker 1: and that the music video of it. Is there a 973 00:57:32,920 --> 00:57:35,120 Speaker 1: music video of that? I don't know, because she did 974 00:57:35,400 --> 00:57:38,480 Speaker 1: she did a bunch of videos for that album that 975 00:57:38,560 --> 00:57:42,280 Speaker 1: we're like connected, and I think there was like a 976 00:57:42,360 --> 00:57:47,120 Speaker 1: various storms and saints moments. Um highest hope is probably 977 00:57:47,160 --> 00:57:50,680 Speaker 1: my best. It's it's so different. It is so different. 978 00:57:50,720 --> 00:57:53,360 Speaker 1: It's still really good and I saw when she was 979 00:57:53,440 --> 00:57:56,600 Speaker 1: touring she did a performance of it at Bam, which 980 00:57:56,680 --> 00:57:58,640 Speaker 1: was like the right context to see it in and 981 00:57:58,720 --> 00:58:00,880 Speaker 1: it made me like it a lot more. So intimate, 982 00:58:01,080 --> 00:58:04,960 Speaker 1: but it's it is very different from all of her 983 00:58:05,000 --> 00:58:09,120 Speaker 1: other work. I was really always a ceremonials girl. Oh yeah, 984 00:58:09,240 --> 00:58:12,960 Speaker 1: I mean, yeah, that was a transportive album that came 985 00:58:13,000 --> 00:58:16,440 Speaker 1: out when I was living in Bushwick, like near one 986 00:58:16,480 --> 00:58:18,640 Speaker 1: of the huge cemeteries there, and I would like go 987 00:58:18,800 --> 00:58:21,520 Speaker 1: on walks in the cemetery listening to ceremonials, and so 988 00:58:21,680 --> 00:58:25,040 Speaker 1: that was very the vibe of that. Her music feels 989 00:58:25,080 --> 00:58:28,440 Speaker 1: like like motion, like movement. It's like I remember like 990 00:58:28,520 --> 00:58:30,160 Speaker 1: making a stupid tweet about it, like I just ago, 991 00:58:30,280 --> 00:58:32,400 Speaker 1: but her music makes me feel like I can control 992 00:58:32,520 --> 00:58:41,000 Speaker 1: the weather. YEA, she is. Yes, she is, is, she's 993 00:58:41,040 --> 00:58:45,280 Speaker 1: a witch, she's like a fairy, she's a demon, she's 994 00:58:45,560 --> 00:58:48,640 Speaker 1: all of those things and I think that, like when 995 00:58:48,760 --> 00:58:51,040 Speaker 1: she came onto the scene, which is when I fell 996 00:58:51,080 --> 00:58:54,640 Speaker 1: in love with her, I feel like her. I think 997 00:58:54,720 --> 00:58:58,440 Speaker 1: tumbler culture had created a perfect like landscape for her 998 00:58:58,560 --> 00:59:02,440 Speaker 1: to come into because like self, serious, like Kate Bushey, 999 00:59:02,520 --> 00:59:07,160 Speaker 1: in weather, weather controller, is like very like. I don't know. 1000 00:59:07,240 --> 00:59:09,120 Speaker 1: There are a lot of people that I think are 1001 00:59:10,560 --> 00:59:13,080 Speaker 1: that are in that legacy of like you know what 1002 00:59:13,320 --> 00:59:15,000 Speaker 1: she did first. Like there was nothing like her when 1003 00:59:15,080 --> 00:59:16,959 Speaker 1: she came onto the scene. Like there is a power 1004 00:59:17,040 --> 00:59:19,640 Speaker 1: within me. I think the way had kind of been 1005 00:59:19,720 --> 00:59:23,560 Speaker 1: cleared for her a little bit with like amy winehouse 1006 00:59:23,960 --> 00:59:29,480 Speaker 1: Duffy Adele of like the sort of alternative British singer 1007 00:59:29,880 --> 00:59:35,200 Speaker 1: Songwriters who made like very emotive music, but she kind 1008 00:59:35,240 --> 00:59:38,600 Speaker 1: of brought the like big booming pop into it and 1009 00:59:38,720 --> 00:59:41,840 Speaker 1: like chamber pop was certainly not something we were like 1010 00:59:42,040 --> 00:59:44,560 Speaker 1: listening to in two thousand nine. I also don't know 1011 00:59:44,720 --> 00:59:48,200 Speaker 1: like what other what other music sounded like with like 1012 00:59:48,360 --> 00:59:53,320 Speaker 1: the nothing, I mean particularly at the time, like you know, 1013 00:59:53,440 --> 00:59:56,360 Speaker 1: in in like the years before her first album releases, 1014 00:59:56,480 --> 00:59:58,680 Speaker 1: like it's like two thousand and six, seven eight, and 1015 00:59:59,240 --> 01:00:01,280 Speaker 1: I can't think of one like her at the time. Yeah, 1016 01:00:01,440 --> 01:00:03,720 Speaker 1: and she also will, because I think the first song 1017 01:00:03,800 --> 01:00:06,440 Speaker 1: of hers that really broke out was kiss with a fist. 1018 01:00:06,800 --> 01:00:09,840 Speaker 1: So it was almost like it was yeah, it was 1019 01:00:09,960 --> 01:00:12,320 Speaker 1: kind of like sneaky in a way, because you kind 1020 01:00:12,320 --> 01:00:15,040 Speaker 1: of got one thing for her. She was very you know, 1021 01:00:15,440 --> 01:00:18,160 Speaker 1: she kind of like snuck in at like the tail 1022 01:00:18,240 --> 01:00:20,760 Speaker 1: end of like Kate Nash, Kate Nash a little bit, 1023 01:00:21,240 --> 01:00:25,000 Speaker 1: a little bit Lily Allen. Yeah, like the kiss with 1024 01:00:25,040 --> 01:00:28,040 Speaker 1: a fist tone is like the ven diagram overlap. I 1025 01:00:28,160 --> 01:00:32,720 Speaker 1: think totally. My God, Kate Nash, my finger tips holding 1026 01:00:32,880 --> 01:00:37,320 Speaker 1: onto the foundation. Kate Nash and Lily Allen. We're both 1027 01:00:37,760 --> 01:00:40,520 Speaker 1: on the very first mix CD that my very first 1028 01:00:40,560 --> 01:00:45,160 Speaker 1: boyfriend made for me. So okay, but that, honestly, that 1029 01:00:45,520 --> 01:00:47,800 Speaker 1: what even is that era of like indie pop, like 1030 01:00:47,960 --> 01:00:50,560 Speaker 1: I miss. There's something. It's coming back because, you know, 1031 01:00:50,680 --> 01:00:53,440 Speaker 1: Indie slee is is like the thing that it's like 1032 01:00:53,520 --> 01:00:57,880 Speaker 1: sort of like low fi, like snarky. I don't know, 1033 01:00:57,960 --> 01:01:01,520 Speaker 1: there's something quite earnest about it, but I think maybe 1034 01:01:01,520 --> 01:01:03,800 Speaker 1: people are missing. But like we just don't have bands 1035 01:01:03,920 --> 01:01:07,040 Speaker 1: like Edward Sharp and the magnetic Zeros anymore. You know 1036 01:01:07,080 --> 01:01:11,720 Speaker 1: what I mean? Like like it's probably a devenge er 1037 01:01:11,800 --> 01:01:16,880 Speaker 1: ban Har Um like kind of throaty acoustic set list 1038 01:01:17,000 --> 01:01:19,760 Speaker 1: and they're like seventeen members of the band and you 1039 01:01:19,840 --> 01:01:22,400 Speaker 1: don't know what the other like fifteen do you know? 1040 01:01:22,640 --> 01:01:24,640 Speaker 1: Like that, I wouldn't be done to like go to 1041 01:01:24,920 --> 01:01:29,240 Speaker 1: like a Gig, you know, like a dirty, grungy like 1042 01:01:29,600 --> 01:01:32,680 Speaker 1: rock show. Actually, this is something that I was thinking 1043 01:01:32,680 --> 01:01:35,720 Speaker 1: about when I went to see Chromatica ball because, I mean, 1044 01:01:35,920 --> 01:01:38,080 Speaker 1: I'm not I'm not trying to poop poo on like, 1045 01:01:38,320 --> 01:01:43,080 Speaker 1: you know, kindness punks or whatever, but I am Gaga 1046 01:01:43,240 --> 01:01:46,800 Speaker 1: fans are, I mean, sorry, very white, like it's it's 1047 01:01:46,840 --> 01:01:49,840 Speaker 1: a deeply Caucasian crowd, and they were also just very 1048 01:01:50,720 --> 01:01:52,720 Speaker 1: like we, and I said, I'll say, I'll say we 1049 01:01:52,920 --> 01:01:55,920 Speaker 1: we are all like kind of losers and therefore like 1050 01:01:56,240 --> 01:01:59,200 Speaker 1: don't really know like how to vibe and how to 1051 01:01:59,280 --> 01:02:01,520 Speaker 1: be cool and a concert environment. And when we went 1052 01:02:01,600 --> 01:02:03,360 Speaker 1: to when I went to gramatical ball, I was like, 1053 01:02:03,840 --> 01:02:06,640 Speaker 1: why is anyone dancing, like, why is anyone Moh Ing? 1054 01:02:07,000 --> 01:02:10,280 Speaker 1: And Gaga, during her shows, frequently says stuff like dance, 1055 01:02:10,360 --> 01:02:15,240 Speaker 1: motherfucker dances and likes yeah, and it's crazy because I 1056 01:02:15,400 --> 01:02:18,280 Speaker 1: used to go. I don't go to concerts that much anymore, 1057 01:02:18,360 --> 01:02:21,400 Speaker 1: but I used to go to like two concerts a month. 1058 01:02:21,640 --> 01:02:24,440 Speaker 1: Like I would find like fifteen twenty dollar tickets and 1059 01:02:24,880 --> 01:02:28,000 Speaker 1: go see you, know Ingrad Michaelson or like, Um, do 1060 01:02:28,080 --> 01:02:32,920 Speaker 1: you remember? Uh Fuck, is really a show where you're 1061 01:02:32,920 --> 01:02:35,320 Speaker 1: going to rage out girl, or like Laura Marling or 1062 01:02:35,360 --> 01:02:39,160 Speaker 1: something like that. But I have another classic Mash Opportunity. Laura, 1063 01:02:40,640 --> 01:02:46,000 Speaker 1: Laura Music, Laura Marley used to be my number one but, 1064 01:02:46,120 --> 01:02:47,800 Speaker 1: like I would go to concerts alone all the time 1065 01:02:47,840 --> 01:02:49,760 Speaker 1: and like I'm thinking about like when I saw sleigh 1066 01:02:49,800 --> 01:02:52,919 Speaker 1: bells live and like, Oh my God, I incredible show. 1067 01:02:53,120 --> 01:02:55,680 Speaker 1: And that's the thing. is like because, Um, we all 1068 01:02:55,720 --> 01:02:58,840 Speaker 1: want to be respectful and not endanger each other's lives. 1069 01:02:58,920 --> 01:03:01,000 Speaker 1: We don't like mash anymore, but I kind of like 1070 01:03:01,160 --> 01:03:03,840 Speaker 1: miss like, because you can't go to a slave ill 1071 01:03:03,880 --> 01:03:06,040 Speaker 1: show and not mash I. I once saw them at 1072 01:03:06,080 --> 01:03:08,080 Speaker 1: the basement at Le Poissan Rouge and it was like 1073 01:03:09,320 --> 01:03:11,360 Speaker 1: it was I thought I was going to die that night, 1074 01:03:11,760 --> 01:03:14,040 Speaker 1: as I also did a lot of cocaine that night. 1075 01:03:14,120 --> 01:03:17,880 Speaker 1: So that's partially what I say. I have gotten into 1076 01:03:18,280 --> 01:03:23,360 Speaker 1: multiple emotional altercations with people at concert really yes I 1077 01:03:23,480 --> 01:03:25,480 Speaker 1: got in a fight with a girl at a Carly 1078 01:03:25,600 --> 01:03:28,760 Speaker 1: Rag Jefson concert at Terminal Five, I, one of the 1079 01:03:28,800 --> 01:03:34,000 Speaker 1: most heated places. This girl was so rude, she was 1080 01:03:34,120 --> 01:03:37,080 Speaker 1: constantly I mean, I'm, you know, universally hated at any 1081 01:03:37,120 --> 01:03:39,680 Speaker 1: concert because I'm sick, six ft two and so like 1082 01:03:39,840 --> 01:03:43,160 Speaker 1: everyone just hates me, and like this girl was constantly 1083 01:03:43,280 --> 01:03:47,640 Speaker 1: physically pushing my back, like trying to like push me 1084 01:03:47,760 --> 01:03:50,360 Speaker 1: away from her and I'm like, I'm not an invasive answer. 1085 01:03:50,400 --> 01:03:53,280 Speaker 1: I'm a very small dancer, like I'm very cognizant of 1086 01:03:53,320 --> 01:03:55,080 Speaker 1: the space I take up. But she was like really 1087 01:03:55,120 --> 01:03:57,840 Speaker 1: wasted and um I got into a fight with her 1088 01:03:57,880 --> 01:03:59,320 Speaker 1: at some point. I was just like just go in 1089 01:03:59,400 --> 01:04:01,400 Speaker 1: front of me, I don't care. Just like literally go 1090 01:04:01,440 --> 01:04:02,840 Speaker 1: in front of me. I just don't want to interact 1091 01:04:02,880 --> 01:04:05,560 Speaker 1: with you anymore. I also got in a fight with 1092 01:04:05,680 --> 01:04:10,760 Speaker 1: a woman at a Michelle Branch concert during next and 1093 01:04:10,840 --> 01:04:14,040 Speaker 1: they're gonna get get into a fight with someone at 1094 01:04:15,000 --> 01:04:16,920 Speaker 1: the worst part is it is it wasn't o g 1095 01:04:17,080 --> 01:04:19,640 Speaker 1: Michelle Branch. It was like her not her most recent 1096 01:04:20,320 --> 01:04:22,640 Speaker 1: I guess her most recent album, was a very small show, 1097 01:04:23,720 --> 01:04:25,560 Speaker 1: maybe at Lepos San Rouge, I want to say, but 1098 01:04:25,680 --> 01:04:29,240 Speaker 1: like there was some woman who was audibly complaining about me, 1099 01:04:29,840 --> 01:04:33,520 Speaker 1: like behind me, and she was like, Oh, I can't see, 1100 01:04:34,000 --> 01:04:36,440 Speaker 1: oh no, I can't see or whatever, and I like 1101 01:04:36,560 --> 01:04:38,480 Speaker 1: turned around and I was like I would love to 1102 01:04:38,640 --> 01:04:41,640 Speaker 1: like cut off my shins for you, but like, unfortunately, 1103 01:04:41,760 --> 01:04:45,000 Speaker 1: like I can't, like I'm just tall. So like you 1104 01:04:45,120 --> 01:04:47,440 Speaker 1: could move if you wanted to. Your welcome to go 1105 01:04:47,520 --> 01:04:49,320 Speaker 1: in front of me, and she was like, Oh, well, 1106 01:04:49,520 --> 01:04:51,760 Speaker 1: crowds make me nervous, so that's why I'm in the back. 1107 01:04:51,800 --> 01:04:53,480 Speaker 1: And I was like, well, you live in New York, 1108 01:04:53,800 --> 01:04:56,520 Speaker 1: and I was just like so. And then's so funny 1109 01:04:56,680 --> 01:04:59,800 Speaker 1: that like fear of having to say the polite thing 1110 01:05:00,160 --> 01:05:03,120 Speaker 1: as you say the rude thing. It's like how, okay, 1111 01:05:03,280 --> 01:05:06,000 Speaker 1: so your nervousness around tapping me on the shoulder and 1112 01:05:06,040 --> 01:05:07,640 Speaker 1: saying hey, would I actually be able to go in 1113 01:05:07,720 --> 01:05:09,680 Speaker 1: front of you, means that instead you're just going to 1114 01:05:09,800 --> 01:05:21,760 Speaker 1: be passive, aggressive loudly like now, is that better? Let's 1115 01:05:21,920 --> 01:05:25,240 Speaker 1: let's not never forget that sailor moon is fourteen. Yeah, 1116 01:05:25,680 --> 01:05:28,280 Speaker 1: she's young, and that's crazy too. I mean I think 1117 01:05:28,320 --> 01:05:31,160 Speaker 1: it's like it's a phenomenon. was like every piece of 1118 01:05:31,400 --> 01:05:33,480 Speaker 1: children on teenagers media, right or it's like when you're 1119 01:05:33,480 --> 01:05:35,760 Speaker 1: a kid, you're like yeah, that's a person, that's an adult, 1120 01:05:35,880 --> 01:05:38,480 Speaker 1: that's that's fine, and now when I look at teenagers, 1121 01:05:38,520 --> 01:05:40,640 Speaker 1: I'm like, you're not a person, you have you do 1122 01:05:40,760 --> 01:05:44,000 Speaker 1: not have independent thought, like nothing you think or say matters. 1123 01:05:44,080 --> 01:05:45,920 Speaker 1: And then there's the cognitive dissonance of like well, I 1124 01:05:46,120 --> 01:05:48,240 Speaker 1: didn't look that young. It's like yes, you did, yes, 1125 01:05:48,360 --> 01:05:50,680 Speaker 1: you did. That is kind of crazy, even though I 1126 01:05:50,720 --> 01:05:52,280 Speaker 1: guess like there are a lot of movies these days 1127 01:05:52,320 --> 01:05:54,200 Speaker 1: where like high school or start being played by like 1128 01:05:54,280 --> 01:05:56,960 Speaker 1: full thirty seven year old. That doesn't help. Well, I 1129 01:05:57,120 --> 01:06:00,760 Speaker 1: like this this like new kind of end that's emerging 1130 01:06:00,800 --> 01:06:06,600 Speaker 1: where they're actually casting teenagers as that. That okay. When 1131 01:06:06,640 --> 01:06:08,400 Speaker 1: I think about that, I think about the movie eighth grade, 1132 01:06:09,840 --> 01:06:13,760 Speaker 1: which it ruined me, like it knocked me, failed me 1133 01:06:13,800 --> 01:06:16,000 Speaker 1: at the knees. But Um Elsie fishing in that movie 1134 01:06:16,160 --> 01:06:18,880 Speaker 1: is like yeah, no, that's that's that's a child, that's 1135 01:06:18,880 --> 01:06:21,520 Speaker 1: a fourteen year old, and that is how vulnerable fourteen 1136 01:06:21,600 --> 01:06:23,240 Speaker 1: year old is and how vulnerable it feels. And the 1137 01:06:23,280 --> 01:06:26,360 Speaker 1: fourteen year old like youtube videos like in that like 1138 01:06:26,480 --> 01:06:28,560 Speaker 1: the kind of class of youtube videos. Like I was 1139 01:06:28,640 --> 01:06:31,400 Speaker 1: watching like some sort of like interview about like Bo 1140 01:06:31,520 --> 01:06:34,040 Speaker 1: Burnham's process of like making that movie, and he was 1141 01:06:34,120 --> 01:06:39,480 Speaker 1: like I watched hundreds of hours of like preteen youtuber 1142 01:06:39,920 --> 01:06:43,720 Speaker 1: like vlogs like to like understand like and it's crazy, though, 1143 01:06:43,760 --> 01:06:45,760 Speaker 1: that this is like that. This is what the generation 1144 01:06:45,920 --> 01:06:49,200 Speaker 1: is doing now, like are they're cataloging their thoughts like 1145 01:06:49,840 --> 01:06:51,840 Speaker 1: for all of the public, and they are not going 1146 01:06:51,920 --> 01:06:55,920 Speaker 1: to want those to exist. But that's what I wonder 1147 01:06:55,960 --> 01:06:59,080 Speaker 1: about because I mean, like my experience of the Internet 1148 01:06:59,080 --> 01:07:01,280 Speaker 1: as a young person was a of writing stuff down 1149 01:07:01,760 --> 01:07:04,680 Speaker 1: live journal a little bit. I Live Journal still exists 1150 01:07:04,720 --> 01:07:10,560 Speaker 1: somewhere and I need it shut I need the nuclear codes. But, like, 1151 01:07:11,160 --> 01:07:13,240 Speaker 1: I mean, I think, I do think it is different 1152 01:07:13,520 --> 01:07:17,320 Speaker 1: to have your legal name and your face attached it 1153 01:07:17,560 --> 01:07:21,280 Speaker 1: to everything you're putting out. You know, I wonder what, Um, 1154 01:07:21,440 --> 01:07:23,840 Speaker 1: what that's going to feel and look like later. Yeah, 1155 01:07:23,960 --> 01:07:27,120 Speaker 1: I mean, you know, not everyone gets to fully transform 1156 01:07:27,200 --> 01:07:31,240 Speaker 1: into a superhero and like change their identity. Lucky for me, 1157 01:07:31,400 --> 01:07:34,160 Speaker 1: I only used my live journal to steal music and 1158 01:07:34,400 --> 01:07:38,360 Speaker 1: I honestly recently revisited it and, Um, it was I 1159 01:07:38,480 --> 01:07:42,200 Speaker 1: only have one post and it's it's like a text 1160 01:07:42,280 --> 01:07:44,320 Speaker 1: only post. That's like, does anybody have a good MP 1161 01:07:44,480 --> 01:07:47,120 Speaker 1: three or MP four of a LEJANDRO? My Lady Gaga, 1162 01:07:48,080 --> 01:07:49,680 Speaker 1: I could have, I could have helped you out. The 1163 01:07:49,760 --> 01:07:51,640 Speaker 1: Gut reaction I had to that concern. I'm like, no, 1164 01:07:51,680 --> 01:07:55,200 Speaker 1: it does anyone. I remember the fucking youtube to MP 1165 01:07:55,320 --> 01:08:00,640 Speaker 1: three CONVADAH. My Live Journal was mostly we really used 1166 01:08:00,640 --> 01:08:02,560 Speaker 1: it as a way to bully each other. So it 1167 01:08:02,680 --> 01:08:06,439 Speaker 1: was like you would say the meanest, nastiest Shit about 1168 01:08:06,440 --> 01:08:08,520 Speaker 1: each other in your live journal and like no, like 1169 01:08:08,680 --> 01:08:12,120 Speaker 1: change of names, nothing. But then you didn't talk about 1170 01:08:12,120 --> 01:08:14,120 Speaker 1: it at school. At School you acted like everything was 1171 01:08:14,240 --> 01:08:16,800 Speaker 1: totally fine and normal, and then you would go home 1172 01:08:16,840 --> 01:08:18,759 Speaker 1: again that night and be like, I hope she kills herself. 1173 01:08:19,760 --> 01:08:23,080 Speaker 1: Oh my gosh, me and cyber bullying. Yeah, I was 1174 01:08:23,160 --> 01:08:25,160 Speaker 1: a cyber bullier in the high school, but I was 1175 01:08:25,200 --> 01:08:30,240 Speaker 1: also cyber bullied. So you know, people, I mean, they 1176 01:08:30,320 --> 01:08:34,080 Speaker 1: I mean, they do. It is annoying, but that is true. 1177 01:08:41,760 --> 01:08:45,160 Speaker 1: We'll be back next week with a discussion on Greek mythology. 1178 01:08:45,400 --> 01:08:47,640 Speaker 1: This one is a long time coming. One for the 1179 01:08:47,720 --> 01:08:52,000 Speaker 1: book is well, one for specifically one book, one book, 1180 01:08:52,760 --> 01:08:59,479 Speaker 1: Laire's book of Greek Mythology, a local bookstore. Um, and uh, 1181 01:08:59,600 --> 01:09:02,439 Speaker 1: you know. Connect with us on social slide into our 1182 01:09:02,520 --> 01:09:04,120 Speaker 1: D m S. let us know what you think about 1183 01:09:04,160 --> 01:09:05,960 Speaker 1: the show, what you think about us, what you want 1184 01:09:06,040 --> 01:09:09,599 Speaker 1: us to talk about. Any of your hot takes. Um 1185 01:09:10,080 --> 01:09:13,439 Speaker 1: and you can find us at like a virgin for nine. 1186 01:09:13,640 --> 01:09:16,360 Speaker 1: Follow our Finn Stuff. Also, please leave us a review 1187 01:09:16,400 --> 01:09:20,400 Speaker 1: on apple PODCASTS, Um and rate us on spotify. It 1188 01:09:20,520 --> 01:09:23,760 Speaker 1: really helps us a lot. Any kind of engagement does Um. 1189 01:09:24,240 --> 01:09:26,400 Speaker 1: I'm your co host, Rose Damn you. You can find 1190 01:09:26,439 --> 01:09:29,599 Speaker 1: me anywhere online at Rose Damn you, and I'm Fran. 1191 01:09:29,760 --> 01:09:32,479 Speaker 1: You can find me at friend's squish, go anywhere you want. 1192 01:09:33,439 --> 01:09:35,639 Speaker 1: You can subscribe to like a virgin anywhere. You listen 1193 01:09:35,680 --> 01:09:38,240 Speaker 1: to podcasts like a virgin. As an I heeart radio 1194 01:09:38,320 --> 01:09:42,080 Speaker 1: production our producers Phoebe UNTER, with support from Lindsay Hoffman, 1195 01:09:42,400 --> 01:09:46,679 Speaker 1: Julian Weller, J crane Chitch and Nikki etre. Until next week, 1196 01:09:47,600 --> 01:09:48,520 Speaker 1: buy virgins.