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Speaker 1: Good morning Usa yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo Yo. I'm DJ Envy and now

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Speaker 1: go body named Charlot Migne and gaud with the world

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Speaker 1: the most Dangerous Morning Yo to Breakfast Club. And currently

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Speaker 1: we are on vacation man, totally disconnected. Yes, we're not

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Speaker 1: even really here. You think you're listening to us, but

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Speaker 1: we're not. Well, we are not. We're here in spirit.

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Speaker 1: Yeah yeah, and we're gonna be playing some of our

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Speaker 1: top interviews and some throwbacks, so keep a lock right,

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Speaker 1: it's gonna be running the boards. It's the breakfast clubs.

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Speaker 1: Good morning. Wait, this is your time to get it

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Speaker 1: off your chest. Eight hundred and five A five one

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Speaker 1: oh five one. We want to hear from you on

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Speaker 1: the breakfast club. Hello. Who's this Courtney from Girl Rapping Michigan?

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Speaker 1: What's happening Courtney? What I'm doing? Get it off your chest?

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Speaker 1: What I'll yo? I wanted the positive energy this morning.

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Speaker 1: But if you said that we don't have enough money

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Speaker 1: in America for for metal detection at every store, every business,

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Speaker 1: I don't think so we definitely got enough money for it.

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Speaker 1: We just been the money in the wrong place on

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Speaker 1: the wrong things. That's that's what I'm talking about. Listen, man.

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Speaker 1: We just spent all them billions of dollars to Ukraine

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Speaker 1: and we're talking about we don't got no money for us.

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Speaker 1: So come on, man, that's right, we got it, we

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Speaker 1: just don't spend it on us. Hello, who's this shot?

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Speaker 1: What up? Getting up her chests? Yeah, the chornosophe you did.

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Speaker 1: I had to do one, but I didn't do the chornnosophy.

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Speaker 1: I did a cole gard. What the hell is that?

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Speaker 1: What is a coli guard? A color guard? Even when

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Speaker 1: you just sit, you know, in a jar and put

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Speaker 1: the liquid in and send it in and put it.

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Speaker 1: I never heard of that. I think somebody cloned you, baby.

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Speaker 1: They didn't needed a little DNA example from you. You know.

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Speaker 1: There's commercials for it and everything. That's how I heard

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Speaker 1: about it. And they said, as long as I don't

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Speaker 1: have no history of holding cancer, I can go and

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Speaker 1: do the coli gar. They didn't know for that out

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Speaker 1: the toilet and take it out the toilet and then

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Speaker 1: put it in the jar. No no, no, no, no, no,

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Speaker 1: there's the jar goes on the toilet als here by

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Speaker 1: the way, jumping in the poop comb. I'm just curious

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Speaker 1: on how it worked. I never heard that one. Look

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Speaker 1: it out, okay, and so so what you send it

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Speaker 1: in and then they call you with your results? They

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Speaker 1: call me was nega was negative? Okay? They send they

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Speaker 1: send me a letter on the nail. I think you

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Speaker 1: need a second opinion question. Yeah. Letn be honest with you.

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Speaker 1: That sounds crazy. Where you from? Novo Georgia, Georgia? Okay, Well,

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Speaker 1: thank you, mama. I'm gonna look it up. Though. It's

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Speaker 1: called a Coli guard cola guard all right, guard guard? Hello?

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Speaker 1: Who's this? Nick? What up? Get it off your chest?

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Speaker 1: I want to talk about the time see me at

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Speaker 1: the airport airport? You see me at at the Tampa

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Speaker 1: Airport in Florida had a white teams on the giant

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Speaker 1: Dominican classic Dominicans did not have on white not the

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Speaker 1: classic Dominican looking New York is pretty class. I did

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Speaker 1: not have no damn white Jesus Jesus blue giants. Nah.

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Speaker 1: That's how I know it was you, because when you

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Speaker 1: dat me, I've been gave me a hug. You got

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Speaker 1: paint all over my first white tea because of the

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Speaker 1: ben jos nikaby. Man, Hey, let me shout out my

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Speaker 1: wife for a quick nick. Our anniversary next month on

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Speaker 1: the fourteenth. I just want to say happy early anniversary.

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Speaker 1: But we tend here and then tryna see fit the

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Speaker 1: more and I'm a driver, but I ain't gonna do

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Speaker 1: it for your m because y'all made fun of my horn.

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Speaker 1: The last time blow your horn pays. You gotta stop

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Speaker 1: telling Noah, you made fun of it last blow. Let

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Speaker 1: me hear boys stop telling men to blow bro. Yeah,

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Speaker 1: that's why we made for it. That little ass horn.

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Speaker 1: That's what you making fun of me, that little as

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Speaker 1: you better get a bigger truck. That's what you need. Hey,

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Speaker 1: you owe me five on for a new white sea.

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Speaker 1: That's what it is. Man, get it off your chests.

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Speaker 1: Eight hundred five eight five one on five one. If

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Speaker 1: you need to vent, hit this up now. Live lives here,

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Speaker 1: small ass right. It's the breakfast Club, the morning, the

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Speaker 1: breakfast Club. It's my love for me new days. You're

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Speaker 1: time to get it off your chest. Wait, whether you're mad,

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Speaker 1: tell me get up and get something call up now.

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Speaker 1: Eight hundred and five eight five one oh five one.

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Speaker 1: We want to hear from you on the breakfast club. Hello,

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Speaker 1: who's this? How you doing? Man? This Robert the Jesson

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Speaker 1: for the Florida. I like to thank y'all form motivating

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Speaker 1: me and keeping my head up. Um. I started my

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Speaker 1: own business and U I like to thank y'all for that. Okay,

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Speaker 1: what's your business? Bro? I don't. I have a junk

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Speaker 1: removing visions. I do addiction fresh shouts and I basically

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Speaker 1: pick up debris any jump. If you're trying to get

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Speaker 1: rid of like Matt So stuff like that you're throwing out,

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Speaker 1: I pick it up and I hauled it to the dump.

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Speaker 1: That's a big business. And if it's a good stuff,

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Speaker 1: you reseller right, Yes, sir, Yes, third called to get

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Speaker 1: it gone guy, I mean Jackson, Florida. Congratulations brother. Yes,

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Speaker 1: So I just want to can I give them a

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Speaker 1: business shott to leave my number on the line for

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Speaker 1: them from business Go ahead, man, that's all miss to

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Speaker 1: get it gone guys. The phone on Big nine zero

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Speaker 1: four or eight nine six eight two four nine or

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Speaker 1: four for eight nine six eight two for they get

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Speaker 1: it gone guys. We do all your removal and items

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Speaker 1: trying to get removed, all right, brother, yes, sir? Hello?

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Speaker 1: Who's this yo? Big chocolate? The toe sucker? How are

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Speaker 1: we doing? Man? God? So listen two quick things now listen,

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Speaker 1: I'm trying to enjoy my breakfast. Don't you all right?

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Speaker 1: And him be be careful to protect Hey, but can

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Speaker 1: you say good morning the Lila? Say good morning the

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Speaker 1: people before you just start talking? Bro? Oh, I'm sorry, hey, Lola,

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Speaker 1: how you feel? Hey? I just wanted to address the

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Speaker 1: toe sucker part. No you don't. Yeah, I'm a toe

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Speaker 1: sucker for high if you so decide, Girl, I show

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Speaker 1: you last night and think like a man. I was

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Speaker 1: looking for the pretty toes but I didn't see him.

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Speaker 1: What's up? What do you mean? Shoes on my kid?

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Speaker 1: The next movie? I want to see some toades? Baby?

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Speaker 1: All right? Oh god, man, what you got to say?

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Speaker 1: All right? Yeah? So listen now all of this side.

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Speaker 1: I love you. Talk MVB. Careful, don't bend over in

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Speaker 1: front of Charlotte. And you got them on and doing

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Speaker 1: and worked up? Hello? Who this goof? What's up? Broke

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Speaker 1: it up? Your chest? I wanted you guy. The prist

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Speaker 1: of my daughter twenty four weeks Man twenty four weeks early.

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Speaker 1: Al right, definitely and putting prayers up. Sure well, good

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Speaker 1: luck brother on and then um, I got something for

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Speaker 1: you on DJ what you got? And he just blew

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Speaker 1: you without asking? No, right, I have a going man. Hello,

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Speaker 1: who's this paring down here in Newport News? How y'all

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Speaker 1: doing seven five seven without Terence? Get it off your chest?

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Speaker 1: What what I'm spending in the country with a previous

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Speaker 1: president and the former president both funder federal investigation? Well

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Speaker 1: we might as will well Biden is not under federal

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Speaker 1: investigation yet, and I doubt they will because you know

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Speaker 1: the whole double standard. You know, Marla Garland might not

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Speaker 1: do the same thing to President Biden, but will see.

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Speaker 1: But the way is looking. I thought they're trying to

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Speaker 1: legalizize criminalization when you see in rates in prison running

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Speaker 1: a campaign and what I'll be home in ninety eight

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Speaker 1: vote for me A good data alright, alright, get it

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Speaker 1: on a few chests eight hundred five eight five one

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Speaker 1: oh five one. If you need to vent, you can

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Speaker 1: hit this up. And lot Leazy has joined us. She

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Speaker 1: came in hot this morning. She came in hot, came

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Speaker 1: in hot. As of things on my mind, all right,

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Speaker 1: get it off your chests eight hundred five eight five

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Speaker 1: one oh five one. If you need to vent, you

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Speaker 1: can highlight us lot lies here to breakfast club. Good

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Speaker 1: morning the breakfast club. And you know, it didn't work

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Speaker 1: out the way I had planned, but it's not something

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Speaker 1: I will want to do again. But I did it.

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Speaker 1: So I'm telling about people who are saying they have

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Speaker 1: no interest in ever doing it, wanting to do it.

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Speaker 1: It's not like a goal of people. And even people

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Speaker 1: that are in relationships, a lot of them are not

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Speaker 1: saying like the goal for our relationship is to get married.

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Speaker 1: It's like the goal is to be together, have a

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Speaker 1: dope relationship, you know, and be companions forever. But people

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Speaker 1: are not feeling like the measure of success in relationships

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Speaker 1: is like getting married. But do you feel like not

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Speaker 1: getting married is the easy way out? Meaning when you

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Speaker 1: first get married there, let's say you and Mellow or

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Speaker 1: me and Gil or Charlemagne and his wife. When you

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Speaker 1: have problems, you're married, you'll have to work through it.

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Speaker 1: It's not like you can say I'm out on one.

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Speaker 1: Y'all have to work through it. You're you're married, so

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Speaker 1: there's gonna be good times bad time. But if you're

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Speaker 1: not married and somebody gets on your nerves, you could

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Speaker 1: just be like, you know what, I don't want to

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Speaker 1: deal with I'm out. So it doesn't make the relationship

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Speaker 1: as strong because there's nothing binding to you, because it's

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Speaker 1: almost like I could be out when I want to

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Speaker 1: be out right. But for a lot of people, they'll

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Speaker 1: say that the reason that they don't just want to

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Speaker 1: be out is because it's a business agreement. There's paperwork

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Speaker 1: between the two of you. So if I get out now,

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Speaker 1: I gotta deal with flitting assets or everything like that,

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Speaker 1: or dealing with lawyers and paperwork, and people don't want

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Speaker 1: to do that. So it's like, is it a union

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Speaker 1: of love and like Charlotte Magne just said, tell death

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Speaker 1: do us part? Or is it a piece of paper

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Speaker 1: that's binding to people. I always say marriage is really

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Speaker 1: easy to get in and really hard to get out.

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Speaker 1: It's hard to get out, and people don't really understand that.

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Speaker 1: When you're dealing with lawyers and what you have to

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Speaker 1: pay and things like that, it's really hard to get out.

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Speaker 1: I wonder if this is more of a product of

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Speaker 1: us being disconnected because of technology and social media, Like

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Speaker 1: folks don't have real connections anymore, and they aren't making

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Speaker 1: real connections anymore, you know what I'm saying. So I

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Speaker 1: wonder if this is just a by product of that,

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Speaker 1: like people not being able to establish real connections anymore.

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Speaker 1: So there is no there is no goal to be married,

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Speaker 1: but there's no goal to even make a real connection.

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Speaker 1: But it was always a goal because my parents are married,

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Speaker 1: right and they're still married to this day, fifty sixty

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Speaker 1: years married, whatever it is. But for me, it's like, yeah,

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Speaker 1: every marriage, we have our problems, right that. You get

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Speaker 1: into arguments, you get into fights. It takes communication, it

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Speaker 1: takes work. But the happiest days in my life is

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Speaker 1: being married. My wife comes home today and I'm excited.

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Speaker 1: I'm happy, she's happy, Like we can't wait to see

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Speaker 1: each other, because I get it. It's it's you know,

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Speaker 1: laying next to my wife. But it's also I met

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Speaker 1: it at fifteen. That's washing. There was nothing. I had glasses,

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Speaker 1: embraces and act. He was a nerd than you, a nerd.

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Speaker 1: Now she loved that nerd the whole way through. Yes,

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Speaker 1: I'm not a nerd now I get what you're saying.

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Speaker 1: I love being married. I've been bluffed to be with

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Speaker 1: the same protaphono twenty five years. So that's my best friend.

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Speaker 1: I was able to marry my best friend. But that's

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Speaker 1: when I go back to, we were able to establish

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Speaker 1: a real connection in a time where you weren't dealing

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Speaker 1: with social media and the way people people even talking

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Speaker 1: to each other anymore. It's it's d MS, it's it's apps,

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Speaker 1: it's all these other things. But that connection of like

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Speaker 1: talking to someone again, that's not happening anymore. So what

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Speaker 1: I'm saying is this conversation that you guys just share

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Speaker 1: me about both of your marriages. I'm saying people are

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Speaker 1: hearing that less and less and less and marriage. Imagine

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Speaker 1: young people dating are saying dating is no longer priority

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Speaker 1: because they have better things to do. But the people

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Speaker 1: getting married because they're actually best friends, like they really

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Speaker 1: are friends or is it she looked good, he looked

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Speaker 1: goods taking the time to connect with someone enough to

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Speaker 1: call them their best friend. So what a couple of goals?

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Speaker 1: Then would everybody be online and they'd be like a

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Speaker 1: couple of goals? Who this person is a couple of goals?

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Speaker 1: What it olds? What does that mean? They just want

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Speaker 1: to be booed up. Well, here's the thing, Like, obviously,

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Speaker 1: Sierra is one of my best friends, and she has

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Speaker 1: an incredible marriage, and Russell's an incredible guy in an

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Speaker 1: incredible relationship. I will just say that to me, I'm

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Speaker 1: happy that I'm able to see that because that's not

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Speaker 1: the norm of what I see. That's not the normal

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Speaker 1: of what I see. So I'm happy that I'm able

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Speaker 1: to have that example, to still have that hope that

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Speaker 1: that kind of love and connection really does exist. But

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Speaker 1: that's not the normal. That's good because what she's saying

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Speaker 1: is true, because the normal what we see is the

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Speaker 1: guy cheating and then the woman expected to always be there.

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Speaker 1: You know what I mean. We got to think about

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Speaker 1: like this. If you take care of your wife or

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Speaker 1: your girl and you do too much, they call your

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Speaker 1: sim You're a sucker, You're doing too much. You you

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Speaker 1: but that's your queen. Aren't you supposed to take care

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Speaker 1: of your best friend, your queen, your girl, you love

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Speaker 1: your I'm supposed to get flowers. Aren't supposed to do

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Speaker 1: with That's what my dad taught me. That's what my

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Speaker 1: dad did to my mom. Right, Yeah, But I'm just

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Speaker 1: saying again, it goes back in this day and age.

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Speaker 1: That's not how it's looked at. Last question before we

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Speaker 1: go to the phone line, what do you tell your

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Speaker 1: son about marriage? It's it's a it's an interesting and

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Speaker 1: sometimes difficult conversation because we're all products of what we

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Speaker 1: saw growing up. So unfortunately, my son saw a failed marriage.

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Speaker 1: He does still see two people that genuinely love and

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Speaker 1: care about each other and are amazing parents to him,

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Speaker 1: and we work collectively as a unit. But he did

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Speaker 1: see a broken marriage. So I don't expect him to

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Speaker 1: view marriage as this incredible thing because I saw my

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Speaker 1: parents not be married anymore. That's his view on it.

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Speaker 1: So I have to tell him, like, that's not you.

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Speaker 1: You can meet someone and love them and fall in

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Speaker 1: love and want to get married and it's a beautiful thing.

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Speaker 1: And that's like my mom, gotcha. I don't like that

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Speaker 1: failed marriage talk. Though. I don't think that the marriage

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Speaker 1: failed just because two people you know, grew apart or whatever.

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Speaker 1: You know, they don't mean to fail. Did that. We

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Speaker 1: did it, and we did time. I'm saying I was

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Speaker 1: when it when it was good, it was good, that's right. Hello,

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Speaker 1: who's this Evan? That's a good morning. We're saying this

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Speaker 1: marriage still a goal, Vanessa. Marriage is feel very much

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Speaker 1: a goal of mine. How old are you? I'm thirty six? Okay,

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Speaker 1: all right, okay, so what you waiting? Are you dating?

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Speaker 1: You got a man? I was looking? Um, I am

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Speaker 1: dating with a perfect Okay. I like that. I think

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Speaker 1: about me is I'm a very confident Um, I'm very tall,

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Speaker 1: but I'm beautiful, so like, my standards are high. Everybody

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Speaker 1: says sometimes I need to lower my standards. I refused it.

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Speaker 1: At anybody short, that's disrespectful, disrespect My assistant is six three,

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Speaker 1: and I tell her the same thing. I'm like, you're

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Speaker 1: not gonna find somebody taller like the it's not as

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Speaker 1: many people. Have you seen your assistant bangs me sades

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Speaker 1: very pretty girl. Somebody needs to draw them bangs back

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Speaker 1: like blind. But the thing about it is, it's like

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Speaker 1: I have friends and like friends who are married, friends

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Speaker 1: who are single, and we all talk um and I've

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Speaker 1: really listened to my married friends about like their marriage

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Speaker 1: and stuff like that. Sometimes it does turn me off

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Speaker 1: when I hear things about men cheating, women cheating, and

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Speaker 1: I'm just like, what is the purpose. But then I'm

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Speaker 1: feel like, very very hopeful that you know. I don't

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Speaker 1: think every like Charlie Mayne say all men, all black

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Speaker 1: men don't cheat. I don't think all black men do cheat.

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Speaker 1: But I do think at some point in time men

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Speaker 1: have cheated. At one point time. They're live Queen God,

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Speaker 1: God is telling me to tell you this right now.

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Speaker 1: I just got this dollar. Boyd, your blessing is five

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Speaker 1: foot five. Your blessing is five. Your blessing because you

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Speaker 1: want to keep your head to the sky, you should

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Speaker 1: be optimistic, but you gotta look down a little bit

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Speaker 1: booth right like, don't block may I also wear you.

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Speaker 1: I don't care. I know You're blessing is five. That's

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Speaker 1: my child. You look happy, you'll look happy. That's what

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Speaker 1: you are looking like happy. But that's don't block your blessing.

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Speaker 1: I tell my sister at the same time, and let

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Speaker 1: me ask you a question. Do people do this here

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Speaker 1: all the time? They come up to you and act

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Speaker 1: like they're playing basketball? Post you up, Yes, I do

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Speaker 1: play basketball. I'm not telling a man like I played basketball.

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Speaker 1: He's like, oh, I I could you on the court,

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Speaker 1: and it's like, I don't want to do that. You

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Speaker 1: do do you know that doing? Do you know Jesus

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Speaker 1: probably with five five because the average height of men

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Speaker 1: around that time with five foot five. Scholars have said this,

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Speaker 1: y'all are missing y'all blessings not dating short men. I

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Speaker 1: agree with you, okay, I agree with you. Five eight

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Speaker 1: five one oh five one. Is marriage still a goal?

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Speaker 1: It's the Breakfast Club of the morning, the Breakfast Club.

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Speaker 1: It's topic time call eight hundred five e five one

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Speaker 1: oh five. Wanted to join it to the discussion with

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Speaker 1: the Breakfast Club Morning. Everybody is DJ Envy Charlomagne the guy.

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Speaker 1: We are the Breakfast Club. We got our special guest

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Speaker 1: hosts Lala joining us today and she was talking about

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Speaker 1: marriage and we're asking is marriage still a goal? And

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Speaker 1: Lie for herself said no, you don't want to get

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Speaker 1: married because I've done it already. I've done it already.

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Speaker 1: I've checked it off the list. I've done already. It

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Speaker 1: was good. While it was good, it ultimately you know,

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Speaker 1: didn't work out, and I don't need to revisit that.

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Speaker 1: It's like I told that last Call of Law, you

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Speaker 1: might need to just try again with shorter men. You

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Speaker 1: know what I mean? If my blessing comes in size

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Speaker 1: five five. Hello, who's this? What's up from Jersey? What's up?

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Speaker 1: Bron talk to us? Whats going on? It's lala, good morning.

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Speaker 1: Are you doing well? Marriage got sixty months ago. I

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Speaker 1: love it. I wouldn't have changed nothing ever, Like it's

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Speaker 1: just a beautiful thing to get married. Nice. My wife's

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Speaker 1: for years and we finally got to not and it's beautiful. Man.

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Speaker 1: But you gotta want to be married. You gotta want

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Speaker 1: to put it in the work. You know, this, this

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Speaker 1: is a work. This is another job. You have to

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Speaker 1: want to do it. You know, if you don't want

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Speaker 1: to do it, you know, most people stay single or

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Speaker 1: or Instagram. You know, Hello, who's this? This is Ebony?

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Speaker 1: From whom? He even Connecticut? How are you guys? La?

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Speaker 1: La hey? Um. I personally feel like it has to

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Speaker 1: do everything with music and who people are listening to now.

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Speaker 1: A lot of the music out now is portraying a

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Speaker 1: lot of no love. Uh, get a whole bunch of holes. Um,

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Speaker 1: it's it's just a whole lot of talk about no love,

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Speaker 1: even though people are actually looking for love. Like, nobody

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Speaker 1: wants to be alone. Everybody wants to have somebody, but

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Speaker 1: everyone's going to get numerous that people just one and settling,

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Speaker 1: but but does not wanting to be alone me and

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Speaker 1: you have to be married. You can get a dog.

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Speaker 1: That's true. That's true, you can. But what I'm saying

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Speaker 1: is that the view of music now is what is

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Speaker 1: making people feel like they don't want to go and

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Speaker 1: actually find love, fall in love, and then allow themselves

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Speaker 1: to settle down. But I also would say this, you know,

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Speaker 1: growing up, how old are you so? Growing up, you

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Speaker 1: heard music the same way. You know, you could go

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Speaker 1: back to jay Z, whether it was Big Pimping a Girls,

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Speaker 1: Girls Girls, or some of those other songs that we

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Speaker 1: grew up to as well, was kind of the same thing.

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Speaker 1: R and B has changed a lot, but we grew

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Speaker 1: up to songs like that as well. That's true, that

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Speaker 1: is true. But I think it's a lot like the music.

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Speaker 1: Videos are just a little bit more graphical now, and

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Speaker 1: I guess people are able to express themselves a lot more.

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Speaker 1: I agree with that, and I think there was more

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Speaker 1: of a balance back then. It was of a little

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Speaker 1: bit of both. Now it's it's not so much of that.

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Speaker 1: I agree. Even in R and B. Hello, who's this? Hi?

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Speaker 1: This is Michelle, Michelle, Michelle, what are you calling from Jersey? Okay,

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Speaker 1: talk to us. I definitely believe that marriage in the

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Speaker 1: sense that we have been indoctrinated to believe in, might

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Speaker 1: be played out not necessarily a goal. I think you

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Speaker 1: have to understand what people you married as, because a

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Speaker 1: lot of people don't think that it takes standing in

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Speaker 1: front of a judge, a preacher, or signing paper that

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Speaker 1: you pay the state bore to be married. Marriage is

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Speaker 1: largely about commitment, because honestly, if it takes a piece

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Speaker 1: of paper for you to be faithful to me, I

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Speaker 1: don't know if I want you anyway. You don't need

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Speaker 1: a ring to be my wife, won't I say? Yeah? Y'all?

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Speaker 1: Even for the Bible thumpers, if you mook at in

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Speaker 1: the Bible and the Old Testament, all it took for

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Speaker 1: marriage was sex and a commitment. Well that's what the

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Speaker 1: commitment was, what made the difference between your wife and

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Speaker 1: your concubine. You're right, but you know the problem the

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Speaker 1: Bible dumpling somebody putting there that you can't have sex

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Speaker 1: before marriage, so a lot of people started getting married.

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Speaker 1: I don't think anybody put in there that you can

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Speaker 1: have sex before marriage. People really got to read their Bible,

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Speaker 1: because that's not in the Bible. That's the thing that

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Speaker 1: man has begun to about because six is the marriage. Actually,

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Speaker 1: so all of this about shafting, all of this about

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Speaker 1: fornication if you really understand the transmitteration of the word fornication,

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Speaker 1: if you are a real Hebrew Greek scholar and you

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Speaker 1: go and look into the meaning of these words, fornication

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Speaker 1: is not about sex. Fornication is idolatry, idolizing other gods.

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Speaker 1: So you telling me that everybody that we've had sex

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Speaker 1: with we've been married, though, no, not if you didn't

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Speaker 1: make a commitment to be with that person. Remember, there

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Speaker 1: is a clear delineation you have to make that commitment.

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Speaker 1: You have to decide, because honestly, marriage is a contract

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Speaker 1: between people. But whether that requires a signature from somebody

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Speaker 1: at the state and a license where you're literally paid

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Speaker 1: to be committed to someone, I think that's really the question. Yeah,

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Speaker 1: I say our point on that part. Yeah, I com

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Speaker 1: on that part. That's why the new the Lebron James

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Speaker 1: version of the Bible said I don't let them holstcase.

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Speaker 1: You got very clear about not being committed to people

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Speaker 1: most of the story. What's the moral of the storyline.

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Speaker 1: The moral of the story to me is that times

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Speaker 1: have definitely changed. It actually saddens me a little bit

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Speaker 1: that that's not the goal anymore for a lot of people.

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Speaker 1: But we're living in a new day and age, a

422
00:21:33,680 --> 00:21:35,960
Speaker 1: new way of meeting people, a new way of socializing,

423
00:21:36,040 --> 00:21:38,159
Speaker 1: a new way of communicating with each other. And I

424
00:21:38,240 --> 00:21:40,800
Speaker 1: do feel like you can have an amazing commitment with

425
00:21:40,920 --> 00:21:45,040
Speaker 1: somebody without necessarily that piece of paper that binds you

426
00:21:45,119 --> 00:21:47,040
Speaker 1: to that. But you did catch the bouquet at the

427
00:21:47,119 --> 00:21:49,000
Speaker 1: last weather you were at, So she catched the bouquet

428
00:21:49,040 --> 00:21:54,879
Speaker 1: everywhere a lot of wide receiver the right at my face.

429
00:21:55,600 --> 00:21:57,760
Speaker 1: I can do. It's going right towards me. Well, if

430
00:21:57,800 --> 00:21:59,640
Speaker 1: you decide to do it again, lot, there's no short

431
00:21:59,720 --> 00:22:03,080
Speaker 1: men better husbands. These are statistical facts. Okay, you can

432
00:22:03,240 --> 00:22:05,840
Speaker 1: google it, all right. We make up and with them

433
00:22:05,880 --> 00:22:09,720
Speaker 1: what we lack in stature. Short guys make better partners, okay.

434
00:22:09,760 --> 00:22:11,720
Speaker 1: And if you marry one, your relationship is more likely

435
00:22:11,800 --> 00:22:13,439
Speaker 1: to last. And you can carry on your back if

436
00:22:13,440 --> 00:22:15,640
Speaker 1: you need to walk around. Fact, I'm not even making

437
00:22:15,680 --> 00:22:20,800
Speaker 1: this up due to research. It seems short of men

438
00:22:21,000 --> 00:22:24,840
Speaker 1: make more faithful partners. A survey done by Ashley Madison,

439
00:22:24,880 --> 00:22:27,800
Speaker 1: which is the dating site for married people. Yes, it

440
00:22:27,880 --> 00:22:31,199
Speaker 1: says taller men are twice more likely to cheat than

441
00:22:31,240 --> 00:22:34,080
Speaker 1: the ones whose height is left than five peet ten inches.

442
00:22:34,359 --> 00:22:38,680
Speaker 1: Your blessing, ladies, is five foot six all right? Five five?

443
00:22:39,600 --> 00:22:41,400
Speaker 1: And you know what else you think about when you're tall.

444
00:22:41,600 --> 00:22:46,479
Speaker 1: When you're tall, you see everything correct when you shomen goodness,

445
00:22:46,520 --> 00:22:49,000
Speaker 1: I can don't see my eye. I can't believe there's

446
00:22:49,040 --> 00:22:53,520
Speaker 1: a stat get you a short man, ladies? All right, well,

447
00:22:53,560 --> 00:22:56,840
Speaker 1: thank you. It's the Breakfast Club. Good morning, the Breakfast Club.

448
00:22:56,960 --> 00:23:00,920
Speaker 1: Your mornings will never be the same. Host Kevin Harden

449
00:23:01,000 --> 00:23:03,800
Speaker 1: Nick Cannon are declaring war on Hollywood. Each week they

450
00:23:03,840 --> 00:23:05,600
Speaker 1: take you behind the scenes. Is they team up with

451
00:23:05,640 --> 00:23:08,200
Speaker 1: their famous friends when all our Frank wars the bigger,

452
00:23:08,240 --> 00:23:10,840
Speaker 1: the star, the harder day, farm cat celebrity Frank wars

453
00:23:10,880 --> 00:23:14,440
Speaker 1: Thursday at ten on each guy, we are the breakfast Club.

454
00:23:14,560 --> 00:23:16,800
Speaker 1: Now lies here and she's our guest host for a

455
00:23:16,880 --> 00:23:19,840
Speaker 1: couple of days. Now we're asking inappropriate places to shoot

456
00:23:19,880 --> 00:23:23,159
Speaker 1: your shot. Now lot says anywhere anybody could get it.

457
00:23:23,240 --> 00:23:27,320
Speaker 1: If it is what it is shooting from the locker

458
00:23:27,440 --> 00:23:30,680
Speaker 1: room where she got to Lord, have mercy. Let's go

459
00:23:30,760 --> 00:23:34,600
Speaker 1: to the phone line. Hello, who's this James from Brooklyn?

460
00:23:35,000 --> 00:23:38,880
Speaker 1: All right, Jay, what's an inappropriate place? Broum? I don't

461
00:23:38,880 --> 00:23:42,760
Speaker 1: know if it's really inappropriate places, So try to get

462
00:23:43,000 --> 00:23:46,440
Speaker 1: from might not have half that chance again, I'm something

463
00:23:46,440 --> 00:23:48,679
Speaker 1: like that running not myself. But what do you mean?

464
00:23:49,480 --> 00:23:52,240
Speaker 1: I don't think it explain tell us the story. I'm

465
00:23:52,280 --> 00:23:55,320
Speaker 1: a cab jobber or so first jobs. Rather, I picked

466
00:23:55,359 --> 00:23:58,120
Speaker 1: the girl up every morning for you know, she could

467
00:23:58,160 --> 00:24:02,600
Speaker 1: keep testing a good thing, all of them up. No,

468
00:24:03,040 --> 00:24:05,439
Speaker 1: but I don't know if you'd like me back. Come on, man,

469
00:24:05,440 --> 00:24:07,520
Speaker 1: you supposed to be most definite brown sugar with this one.

470
00:24:09,040 --> 00:24:12,480
Speaker 1: I am, but you know I'm stalling. Man, He's fine.

471
00:24:14,680 --> 00:24:16,560
Speaker 1: Tell her that did you say anything at all? That

472
00:24:16,640 --> 00:24:19,480
Speaker 1: you say? I really really nice to meet you, whatever,

473
00:24:19,560 --> 00:24:22,480
Speaker 1: you really really well? I work well. I don't text,

474
00:24:22,760 --> 00:24:25,359
Speaker 1: but I don't know if i'm you don't know if

475
00:24:25,400 --> 00:24:30,199
Speaker 1: you're what if I'm in The friend told him I'm

476
00:24:30,240 --> 00:24:32,399
Speaker 1: going to pick her up right now. If you if

477
00:24:32,520 --> 00:24:35,640
Speaker 1: if she's got you picking her every morning, texting you, Yeah,

478
00:24:35,920 --> 00:24:38,680
Speaker 1: that's a little more than the friend friend zone. Yeah

479
00:24:38,840 --> 00:24:41,040
Speaker 1: he's a cab driver. Bro. Yeah, but the same cab

480
00:24:41,119 --> 00:24:43,480
Speaker 1: drobber every morning. But they text like it's not like

481
00:24:43,560 --> 00:24:46,800
Speaker 1: she's just texting five O one time right now? And

482
00:24:46,920 --> 00:24:50,280
Speaker 1: what what did she say? Um? It says good morning.

483
00:24:53,359 --> 00:24:55,240
Speaker 1: You're gonna say right now, Wait, don't say right now?

484
00:24:55,359 --> 00:24:57,440
Speaker 1: Can't you're working. I'm gonna say, yeah, I'm on my

485
00:24:57,520 --> 00:24:59,320
Speaker 1: way to What time is she gonna be in the car,

486
00:24:59,359 --> 00:25:01,360
Speaker 1: Because what you can do is you can just breath

487
00:25:01,440 --> 00:25:03,280
Speaker 1: set you like her over the radio, and then have

488
00:25:03,400 --> 00:25:06,480
Speaker 1: the radio on. Bro, she's gonna probably be in the

489
00:25:06,520 --> 00:25:10,840
Speaker 1: car nolated in like seven forty. All right, we got you, Okay,

490
00:25:11,240 --> 00:25:13,200
Speaker 1: we got you. We're gonna play this around seven forty.

491
00:25:13,240 --> 00:25:19,000
Speaker 1: What's her name? Tell tell her, um, Denise, you know

492
00:25:19,280 --> 00:25:23,160
Speaker 1: this day I picking Um, I like you a lot.

493
00:25:23,560 --> 00:25:26,000
Speaker 1: I'm gonna show that I'm gonna pick you up all

494
00:25:26,040 --> 00:25:28,160
Speaker 1: the time. I'd like to pick you up for something

495
00:25:28,240 --> 00:25:30,520
Speaker 1: else other than to take you to work. Maybe I

496
00:25:30,600 --> 00:25:32,200
Speaker 1: want to go out on the day. There you go,

497
00:25:32,720 --> 00:25:34,480
Speaker 1: Tell her you have another car other than the calf, No,

498
00:25:34,800 --> 00:25:40,680
Speaker 1: my cat, my cart. I'm sorry, so you're right here?

499
00:25:40,920 --> 00:25:42,679
Speaker 1: Um yeah I do do I do show I got

500
00:25:42,720 --> 00:25:47,280
Speaker 1: a couple of gis out about you, Charlomagne about keep going, okay,

501
00:25:47,359 --> 00:25:49,480
Speaker 1: tell them I want to check out the palm mines.

502
00:25:49,520 --> 00:25:51,600
Speaker 1: I spoke to her about this already. She actually was like,

503
00:25:51,720 --> 00:25:52,920
Speaker 1: you know, when you want to go to set me

504
00:25:53,000 --> 00:25:55,560
Speaker 1: not go with you. But I don't know, bro, Come

505
00:25:55,600 --> 00:25:59,560
Speaker 1: on one, no, no, that's not a friend thing. There's

506
00:25:59,600 --> 00:26:02,639
Speaker 1: interest stairs, so you better take take that opportunity. No,

507
00:26:02,920 --> 00:26:07,680
Speaker 1: girl is just hanging out with somebody just because it

508
00:26:07,800 --> 00:26:10,120
Speaker 1: sounds like it's interesting. But let me ask you one question.

509
00:26:10,200 --> 00:26:13,119
Speaker 1: No disrespect, brother, he says, She's fine, describe yourself right

510
00:26:13,200 --> 00:26:17,520
Speaker 1: one time, and it is interesting. Shut up that I'm bold,

511
00:26:17,640 --> 00:26:21,840
Speaker 1: brad frown and got no fracial here. How you I

512
00:26:21,960 --> 00:26:23,919
Speaker 1: gotta I gotta bear. This is what you do when

513
00:26:23,960 --> 00:26:29,160
Speaker 1: you get how much you weigh? Oh, I'm wearing when

514
00:26:29,200 --> 00:26:30,679
Speaker 1: she when she getting this car this morning to say

515
00:26:30,760 --> 00:26:32,760
Speaker 1: good morning, it's really nice to see you, and then

516
00:26:32,920 --> 00:26:37,160
Speaker 1: really really and they count her really when she when

517
00:26:37,160 --> 00:26:39,439
Speaker 1: she said it back to you, and see what happens.

518
00:26:39,760 --> 00:26:42,399
Speaker 1: All right, we're playing this for you at seven forty though.

519
00:26:42,480 --> 00:26:44,920
Speaker 1: Good luck, bro. You know crazy? All right? I know

520
00:26:44,960 --> 00:26:46,399
Speaker 1: what I'm gonna get it. I know, I know it's

521
00:26:46,400 --> 00:26:51,440
Speaker 1: gonna work. Good luck, good luck? All right, bro? All right, man, okay,

522
00:26:51,560 --> 00:26:54,320
Speaker 1: can I just say something? Sure? So here's a prime example.

523
00:26:54,440 --> 00:26:57,720
Speaker 1: That's a prime example. Now, if she is interested, let's

524
00:26:57,720 --> 00:27:00,719
Speaker 1: say the radio comes on, he's she'll be calling all

525
00:27:00,760 --> 00:27:03,520
Speaker 1: her friends like this is so crazy and so sweet.

526
00:27:03,600 --> 00:27:13,399
Speaker 1: If she's not interested, it's giving stalker retraining. Don't call

527
00:27:13,480 --> 00:27:16,640
Speaker 1: him again and never called him again, it's giving I'm moving,

528
00:27:16,720 --> 00:27:19,560
Speaker 1: I'm moving out. Jesus. Well, what's the motherlin story? If there'smorrow,

529
00:27:19,760 --> 00:27:22,760
Speaker 1: I meant says, I guess you could shoot your shot

530
00:27:22,800 --> 00:27:24,320
Speaker 1: anyway if there's interest, But I guess you got to

531
00:27:24,320 --> 00:27:26,240
Speaker 1: figure out if there's interest. And we have to also

532
00:27:26,320 --> 00:27:28,760
Speaker 1: know how to read, you know, say, read the room

533
00:27:29,240 --> 00:27:32,320
Speaker 1: like guys sometimes don't know how to read the room.

534
00:27:32,880 --> 00:27:34,520
Speaker 1: What he looked like, because you know, she could be

535
00:27:34,640 --> 00:27:36,520
Speaker 1: just joking in fun because he's the cab driver. But

536
00:27:36,840 --> 00:27:38,680
Speaker 1: if he's not handsome, she might be like never, you know,

537
00:27:39,720 --> 00:27:41,440
Speaker 1: don't matter when it comes to guys. Yes, they do.

538
00:27:41,720 --> 00:27:43,880
Speaker 1: For a girl to girl, Yeah, I'm here and I'm

539
00:27:43,920 --> 00:27:46,600
Speaker 1: here and that looks don't matter. Well, my assistant Brinnie

540
00:27:46,640 --> 00:27:48,240
Speaker 1: over there and said her friend likes what did you

541
00:27:48,280 --> 00:27:54,200
Speaker 1: say medium? And I had to understand what. I don't

542
00:27:54,240 --> 00:27:58,040
Speaker 1: think you're media medium? Uggly evolved a little bit, you

543
00:27:59,400 --> 00:28:02,439
Speaker 1: glowed up, glowed up a little bit, a little bit,

544
00:28:02,600 --> 00:28:07,440
Speaker 1: glowed up a little bit, so some And you know

545
00:28:07,480 --> 00:28:09,960
Speaker 1: what my mom used to always say. She said, cute

546
00:28:10,040 --> 00:28:14,119
Speaker 1: guys come with ugly problems. And I always remember that.

547
00:28:14,240 --> 00:28:16,680
Speaker 1: It's like you keep want to go after the cute guys,

548
00:28:16,840 --> 00:28:19,119
Speaker 1: they come with the ugly problem. What what did your

549
00:28:19,119 --> 00:28:26,639
Speaker 1: father think of that? That's so what? Ugly guys come

550
00:28:26,680 --> 00:28:31,400
Speaker 1: bit ugly babies. All right, we got rooms away. Yes,

551
00:28:31,560 --> 00:28:33,399
Speaker 1: we have some more stuff going on. For sure. We

552
00:28:33,440 --> 00:28:36,520
Speaker 1: have to talk about mc light getting her music catalog

553
00:28:36,680 --> 00:28:39,320
Speaker 1: after her divorce. She's talking about there's a lot to

554
00:28:39,320 --> 00:28:42,800
Speaker 1: talk about. Girls, trip to to Yes, some some exciting

555
00:28:42,840 --> 00:28:44,600
Speaker 1: stuff about that. It's the Breakfast Club, a lot I

556
00:28:44,680 --> 00:28:51,120
Speaker 1: see y'all the Breakfast Club. Everybody is DJ n V,

557
00:28:51,360 --> 00:28:53,719
Speaker 1: Charlomagne the guy. We are the breakfast Club. We got

558
00:28:53,760 --> 00:28:56,280
Speaker 1: our guest hosts with us Lilt here this morning, and

559
00:28:56,440 --> 00:28:59,760
Speaker 1: we got our guests person I'm happy to see but

560
00:29:00,040 --> 00:29:04,200
Speaker 1: also not happy to see why he knows what? Yes,

561
00:29:04,320 --> 00:29:10,280
Speaker 1: he knows what. Steve gentlemen, it's always been. You know,

562
00:29:10,400 --> 00:29:13,240
Speaker 1: this man dedicated the whole last chapter to his book

563
00:29:13,360 --> 00:29:16,280
Speaker 1: damn Near slander, and cowboy fans not at it. I'm like,

564
00:29:16,360 --> 00:29:18,840
Speaker 1: why I wouldn't say slander. I wouldn't say slander. I

565
00:29:19,000 --> 00:29:22,800
Speaker 1: was being factual, and once again I was proven to

566
00:29:22,920 --> 00:29:25,760
Speaker 1: be correct. I mentioned you on on on, get up

567
00:29:25,800 --> 00:29:28,960
Speaker 1: the other morning. It's ridiculous, man, these these Dallas cowboy

568
00:29:29,040 --> 00:29:34,040
Speaker 1: fans and like cock roachers everywhere. I told them, I said,

569
00:29:34,160 --> 00:29:36,560
Speaker 1: just be patient, right, they was winning games, everybody's signed.

570
00:29:36,560 --> 00:29:39,520
Speaker 1: I said, just be patient, it's coming. It's sure enough.

571
00:29:39,560 --> 00:29:41,840
Speaker 1: When the lights got brightest, Wow, you'll be happy to

572
00:29:41,880 --> 00:29:43,800
Speaker 1: though I had no expectations for the playoffs, They'll tell

573
00:29:43,800 --> 00:29:46,640
Speaker 1: you I had none, if thought even gonna lose the temple. Okay, well,

574
00:29:46,680 --> 00:29:49,240
Speaker 1: you do understand you're an anomaly in that race. I'm

575
00:29:49,400 --> 00:29:53,760
Speaker 1: most cowboy friends. That's what you have to do. You

576
00:29:53,840 --> 00:29:55,400
Speaker 1: have to do because they're gonna break your heart broke.

577
00:29:55,480 --> 00:29:57,120
Speaker 1: That's right. That's what the Knicks do to me. That's

578
00:29:57,160 --> 00:29:58,600
Speaker 1: what the cowboy's gonna do to you. That's right. And

579
00:29:58,720 --> 00:30:00,200
Speaker 1: we can talk about sports on day. But you got

580
00:30:00,240 --> 00:30:02,600
Speaker 1: a book out, a book by the way, now you

581
00:30:02,720 --> 00:30:05,000
Speaker 1: go into your life about this book. Usually you don't

582
00:30:05,040 --> 00:30:07,000
Speaker 1: talk about your personal life at all. We never hear

583
00:30:07,000 --> 00:30:09,720
Speaker 1: about your personal so many stories that I've been hearing,

584
00:30:09,760 --> 00:30:11,840
Speaker 1: I was like, really had no idea, So why do

585
00:30:11,920 --> 00:30:14,240
Speaker 1: you decide to talk to go so in depth about

586
00:30:14,280 --> 00:30:16,040
Speaker 1: your personal Well, first of all, the seat that I

587
00:30:16,120 --> 00:30:18,240
Speaker 1: sit in every day doing first take on the ESPN.

588
00:30:18,520 --> 00:30:21,200
Speaker 1: You know, I pride myself and my character assassinated people.

589
00:30:21,200 --> 00:30:23,280
Speaker 1: I talk about what you do, know what your perspective is,

590
00:30:23,320 --> 00:30:25,360
Speaker 1: et cetera, et cetera. And I got to give both

591
00:30:25,400 --> 00:30:27,520
Speaker 1: of y'all props, actually all three of y'all props, because

592
00:30:27,520 --> 00:30:28,920
Speaker 1: all of y'all have been authors, and the fact that

593
00:30:29,000 --> 00:30:30,880
Speaker 1: the matter is the kind of line light that y'all

594
00:30:30,920 --> 00:30:33,400
Speaker 1: have been in the seat that y'all sit in. When

595
00:30:33,480 --> 00:30:36,560
Speaker 1: you start writing about something you know, you you ultimately

596
00:30:36,640 --> 00:30:39,920
Speaker 1: feel an obligation to let people know who you are,

597
00:30:40,000 --> 00:30:42,080
Speaker 1: what you're all about, what your perspectives are. And so

598
00:30:42,360 --> 00:30:45,040
Speaker 1: to me to see people do that, I knew that

599
00:30:45,120 --> 00:30:46,680
Speaker 1: it was. If I was going to write a book,

600
00:30:46,720 --> 00:30:48,760
Speaker 1: there was only one way I could go about doing it.

601
00:30:48,920 --> 00:30:50,960
Speaker 1: Ain't do some damn sports. Book has got to be

602
00:30:51,000 --> 00:30:53,520
Speaker 1: about me, who I am, how I think, why I

603
00:30:53,680 --> 00:30:56,440
Speaker 1: came to be, how I am, the way that I think, execta,

604
00:30:56,520 --> 00:30:58,720
Speaker 1: et cetera. I thought I owed that to the audience,

605
00:30:58,760 --> 00:31:01,479
Speaker 1: and the only reason I hesitated it once I got

606
00:31:01,560 --> 00:31:03,800
Speaker 1: left Go Let Go by Hispim two thousand and nine.

607
00:31:03,920 --> 00:31:06,440
Speaker 1: In two thousand and eleven, people were coming to me

608
00:31:06,520 --> 00:31:08,760
Speaker 1: to write a book, and I knew I wanted it

609
00:31:08,840 --> 00:31:11,360
Speaker 1: to be about, you know, my life, et cetera, et cetera.

610
00:31:11,480 --> 00:31:13,320
Speaker 1: And my mother at the time, who had just gotten

611
00:31:13,360 --> 00:31:17,160
Speaker 1: diagnosed with cancer, one that she lost in twenty seventeen,

612
00:31:17,240 --> 00:31:20,520
Speaker 1: got rested soul. She said. She made me swear you

613
00:31:20,560 --> 00:31:23,960
Speaker 1: will never write this book while I'm alive. I understand

614
00:31:24,000 --> 00:31:26,320
Speaker 1: why after we reading it, because I'm sure it had

615
00:31:26,360 --> 00:31:29,040
Speaker 1: to do with your relationship with your father, yes, which

616
00:31:29,040 --> 00:31:31,160
Speaker 1: I felt like exactly why. Yeah, you addressed the topic

617
00:31:31,240 --> 00:31:33,640
Speaker 1: most men don't discuss enough, and that is our relationship

618
00:31:33,680 --> 00:31:36,480
Speaker 1: with our fathers. How difficult was it to explore that topic?

619
00:31:36,680 --> 00:31:38,520
Speaker 1: It was hard. And the reason why it was hard

620
00:31:38,560 --> 00:31:40,840
Speaker 1: it wasn't the writing process. It was the editing process,

621
00:31:40,920 --> 00:31:42,600
Speaker 1: which y'all all know. You know, you write it, but

622
00:31:42,680 --> 00:31:45,640
Speaker 1: they look at it. The editing processes. So when they're editing,

623
00:31:46,200 --> 00:31:49,160
Speaker 1: it's calling upon you to revisit and revisit over and

624
00:31:49,320 --> 00:31:51,560
Speaker 1: over and over again. And I didn't wait until a

625
00:31:51,640 --> 00:31:53,600
Speaker 1: book was finished to like show it to my sisters.

626
00:31:53,640 --> 00:31:56,440
Speaker 1: I got four older sisters, and I didn't wait until

627
00:31:56,600 --> 00:31:59,480
Speaker 1: the book was finished. When I wrote those specific chapters,

628
00:32:00,040 --> 00:32:02,040
Speaker 1: I sent it to them and they didn't talk to

629
00:32:02,080 --> 00:32:05,200
Speaker 1: me for two weeks. And I thought they were originally upset.

630
00:32:05,320 --> 00:32:08,400
Speaker 1: They weren't upset. They were just saying, we had buried

631
00:32:08,480 --> 00:32:12,760
Speaker 1: these memories a long time ago, And they said, and

632
00:32:12,880 --> 00:32:15,080
Speaker 1: you brought it back up. We don't. We ain't knocking

633
00:32:15,120 --> 00:32:17,600
Speaker 1: you for it. We understand, but it just hurt a

634
00:32:17,680 --> 00:32:21,800
Speaker 1: lot to revisit some of those experiences because we had

635
00:32:21,880 --> 00:32:25,240
Speaker 1: buried them for the longest time, and the details that

636
00:32:25,320 --> 00:32:27,560
Speaker 1: you had, they couldn't believe that I remembered because I

637
00:32:27,680 --> 00:32:31,440
Speaker 1: reminded them, and they were like, yeah, this happened. That happened.

638
00:32:31,440 --> 00:32:35,960
Speaker 1: No hero, Yeah, my dad he wasn't. I feel like

639
00:32:36,000 --> 00:32:37,560
Speaker 1: the things you said about him in the book are

640
00:32:37,600 --> 00:32:40,320
Speaker 1: the things you wanted to say about him at his funeral.

641
00:32:40,640 --> 00:32:44,240
Speaker 1: Yeah that's accurate. Yeah, I told him to his face.

642
00:32:44,600 --> 00:32:46,320
Speaker 1: I didn't say anything in a book that I didn't

643
00:32:46,320 --> 00:32:48,760
Speaker 1: tell him to his face, So let me be clear

644
00:32:48,760 --> 00:32:52,320
Speaker 1: about that. In twenty eighteen, he passed away, fourteen months

645
00:32:52,360 --> 00:32:55,400
Speaker 1: after my mother passed away. And when he passed away,

646
00:32:56,040 --> 00:32:58,719
Speaker 1: I caught my sister Carmen the morning of his funeral

647
00:32:59,360 --> 00:33:02,960
Speaker 1: and I said, I'm doing the eulogy and Karma was like, God, no, Steve,

648
00:33:03,080 --> 00:33:05,920
Speaker 1: please please, Steve, don't do this. Don't do this. She said,

649
00:33:05,960 --> 00:33:07,280
Speaker 1: what are you gonna say? I said, you'll find out

650
00:33:07,280 --> 00:33:09,160
Speaker 1: when you get to the viewer. And she's like, Steve,

651
00:33:09,240 --> 00:33:11,160
Speaker 1: don't do this. What would mommy want? What would mommy want?

652
00:33:11,200 --> 00:33:12,880
Speaker 1: You know what mommy would say? I said, I got

653
00:33:12,960 --> 00:33:15,160
Speaker 1: it and I was gonna go in and I was

654
00:33:15,200 --> 00:33:18,080
Speaker 1: gonna literally say everything that you see in the book.

655
00:33:18,800 --> 00:33:23,320
Speaker 1: And I called past the ARPERA something told me to

656
00:33:23,400 --> 00:33:25,440
Speaker 1: call him. You know, I've been going to cecc I've

657
00:33:25,520 --> 00:33:27,840
Speaker 1: known Pastor Banar for thirty years, and so I said,

658
00:33:27,920 --> 00:33:29,760
Speaker 1: let me call him. And I called him and told

659
00:33:29,840 --> 00:33:31,120
Speaker 1: him what I was feeling. And he was like, you

660
00:33:31,280 --> 00:33:33,720
Speaker 1: right to feel that way. I'm very familiar with your story.

661
00:33:34,240 --> 00:33:37,480
Speaker 1: He said, You're not wrong. He said, but the Bible

662
00:33:37,560 --> 00:33:41,280
Speaker 1: talks about God's grace and God's mercy. And he said,

663
00:33:41,520 --> 00:33:44,240
Speaker 1: and you might want to think about that before you

664
00:33:44,480 --> 00:33:48,040
Speaker 1: decide to speak your truth. And when I eulogized my father,

665
00:33:48,720 --> 00:33:50,240
Speaker 1: I went up on this. I went up on the

666
00:33:50,320 --> 00:33:53,480
Speaker 1: stage after everybody gave all the portables, all of you know,

667
00:33:53,640 --> 00:33:55,400
Speaker 1: all all the nice things, the pleasant trees they had

668
00:33:55,440 --> 00:33:57,320
Speaker 1: to say about him. And I walked up in. The

669
00:33:57,360 --> 00:34:00,160
Speaker 1: first words out of my mouth was, that's she all

670
00:34:00,280 --> 00:34:03,200
Speaker 1: memories of him, memories of my family. We have an

671
00:34:03,400 --> 00:34:06,360
Speaker 1: entirely different story. And I saw my cousin Derek kill

672
00:34:06,440 --> 00:34:09,080
Speaker 1: over like, oh no please. And I saw my brother

673
00:34:09,160 --> 00:34:11,000
Speaker 1: in Lay was like, oh lord, he's about to go in.

674
00:34:11,400 --> 00:34:13,600
Speaker 1: And I saw a neighbors that were in the audience

675
00:34:13,680 --> 00:34:15,719
Speaker 1: that I hadn't seen in years that just showed up

676
00:34:15,760 --> 00:34:18,759
Speaker 1: for my dad's funeral. And they were like literally lip

677
00:34:18,840 --> 00:34:23,040
Speaker 1: syncre to me. Please please don't do this. And I said,

678
00:34:23,640 --> 00:34:26,600
Speaker 1: my father was not a good man, I said. But

679
00:34:26,880 --> 00:34:29,120
Speaker 1: then I brought up my mother. I said, my mother

680
00:34:29,200 --> 00:34:31,839
Speaker 1: knows nothing about sports. I'm Steve and A I work

681
00:34:31,880 --> 00:34:35,040
Speaker 1: for ESPN. World knows the sports world knows who I am.

682
00:34:35,280 --> 00:34:37,800
Speaker 1: My mother says EPs and whatever it is, I don't know.

683
00:34:37,880 --> 00:34:40,080
Speaker 1: But she didn't even know the letters, I said, But

684
00:34:40,160 --> 00:34:41,800
Speaker 1: she knew what a home run was, she knew what

685
00:34:41,880 --> 00:34:45,080
Speaker 1: a no hitter was, she knew what a stolen base was,

686
00:34:45,760 --> 00:34:48,600
Speaker 1: and she knew it because of him, because she loved

687
00:34:48,680 --> 00:34:52,440
Speaker 1: my father so much that she knew baseball because of him.

688
00:34:52,520 --> 00:34:56,520
Speaker 1: I said, So there evidently was something very special about

689
00:34:56,600 --> 00:34:59,600
Speaker 1: him to have a woman like my mother. And then

690
00:34:59,640 --> 00:35:02,279
Speaker 1: I told about a lot of the happy moments that

691
00:35:02,440 --> 00:35:04,839
Speaker 1: he gave us. And then I ended it by saying,

692
00:35:04,920 --> 00:35:07,120
Speaker 1: at the end of the day, he's still my dad

693
00:35:07,520 --> 00:35:09,319
Speaker 1: and I love him, and I don't think I would

694
00:35:09,320 --> 00:35:10,520
Speaker 1: have gotten to that point if it wasn't for a

695
00:35:10,600 --> 00:35:13,240
Speaker 1: LB or not. Wow, what made you change your perspective

696
00:35:13,239 --> 00:35:14,719
Speaker 1: of how to talk about him for the book was

697
00:35:14,760 --> 00:35:17,919
Speaker 1: because you could add more context, because I could add

698
00:35:17,920 --> 00:35:20,200
Speaker 1: the full context, and not only that, I owe it.

699
00:35:20,360 --> 00:35:22,400
Speaker 1: If I'm gonna write it, you know, well, then you

700
00:35:22,440 --> 00:35:24,360
Speaker 1: know they. I didn't know it was gonna be like

701
00:35:24,480 --> 00:35:27,000
Speaker 1: seventy eight to eighty thousand words, but I literally wrote

702
00:35:27,160 --> 00:35:30,000
Speaker 1: ninety thousand words. I wrote the book myself, and when

703
00:35:30,040 --> 00:35:32,440
Speaker 1: a ghostwriter, it was me. I wrote this book, I

704
00:35:32,600 --> 00:35:34,920
Speaker 1: did the audio, and when there was another voice, it

705
00:35:35,040 --> 00:35:37,239
Speaker 1: was me. And I just said, if I'm gonna do this,

706
00:35:37,960 --> 00:35:40,600
Speaker 1: then I owe it to everybody. I mean, and you know,

707
00:35:40,680 --> 00:35:43,440
Speaker 1: because of the business that I'm in, I imagine talking

708
00:35:43,480 --> 00:35:46,239
Speaker 1: to you you or you. I can see the questions,

709
00:35:46,520 --> 00:35:48,759
Speaker 1: you know, because I'm experienced enough to know what's coming.

710
00:35:48,800 --> 00:35:50,040
Speaker 1: I know what I would ask, I know what I

711
00:35:50,080 --> 00:35:52,719
Speaker 1: would think about. And I wanted to make sure that

712
00:35:52,920 --> 00:35:55,440
Speaker 1: I left no doubt as to where I stood. And

713
00:35:56,040 --> 00:35:57,960
Speaker 1: you know what I was trying to say, and that's

714
00:35:57,960 --> 00:35:59,719
Speaker 1: what I did. And I have a question. So, even

715
00:36:00,000 --> 00:36:01,800
Speaker 1: even though obviously you know how you felt when you

716
00:36:01,880 --> 00:36:04,000
Speaker 1: were writing the book, because it was your thoughts and feelings,

717
00:36:04,480 --> 00:36:07,640
Speaker 1: was there a sense of like that therapeutic element, like

718
00:36:07,800 --> 00:36:10,440
Speaker 1: you know, and people actually put the words on paper

719
00:36:10,600 --> 00:36:12,719
Speaker 1: and write it down and read it and look at it.

720
00:36:12,800 --> 00:36:15,440
Speaker 1: A lot of authors say like it's a form of therapy.

721
00:36:15,560 --> 00:36:18,480
Speaker 1: It's like I finally got it out my head on

722
00:36:18,640 --> 00:36:21,359
Speaker 1: the paper. Possibly, So I'm I'm not I'm not saying

723
00:36:21,440 --> 00:36:23,200
Speaker 1: that I didn't feel that way, but there was a

724
00:36:23,320 --> 00:36:27,200
Speaker 1: bigger emotion coming from it, Lalla. When you know, when

725
00:36:27,320 --> 00:36:31,440
Speaker 1: my mother passed away, to see her in the grave

726
00:36:31,680 --> 00:36:34,720
Speaker 1: before him, and to see her deprived, she was seventy

727
00:36:34,760 --> 00:36:36,839
Speaker 1: six years old. My mother was at a point where

728
00:36:37,239 --> 00:36:39,239
Speaker 1: let her go on a couple of cruises a year,

729
00:36:39,360 --> 00:36:42,040
Speaker 1: and she's in heaven. What was unforgivable to me was

730
00:36:42,600 --> 00:36:46,200
Speaker 1: not paying any bills, allowing her to work the hours

731
00:36:46,239 --> 00:36:48,799
Speaker 1: you were supposed to be working, to have the obligations

732
00:36:48,880 --> 00:36:51,400
Speaker 1: you were supposed to have supposed to take off. And

733
00:36:51,480 --> 00:36:53,040
Speaker 1: said you had a conversation with him, when you had

734
00:36:53,120 --> 00:36:55,600
Speaker 1: the conversation before he died, what was his reasoning, Well,

735
00:36:55,640 --> 00:36:58,799
Speaker 1: this was years earlier. I would tell you about five

736
00:36:58,920 --> 00:37:02,239
Speaker 1: years earlier. We were in my dining room. Were in

737
00:37:02,360 --> 00:37:05,560
Speaker 1: my mother's dining room. He's in there and his older brother,

738
00:37:05,680 --> 00:37:08,800
Speaker 1: my uncle Freddie, was sitting next to him, and my

739
00:37:08,960 --> 00:37:10,480
Speaker 1: father was like, you don't know what the hell you're

740
00:37:10,480 --> 00:37:12,279
Speaker 1: talking about. You don't realize what I've done for you.

741
00:37:12,360 --> 00:37:15,080
Speaker 1: I said, you haven't done anything for me, you know.

742
00:37:15,400 --> 00:37:18,200
Speaker 1: He started arguing with me, and my uncle Freddie looked

743
00:37:18,200 --> 00:37:19,800
Speaker 1: at him and he said, by Soul that was his

744
00:37:19,880 --> 00:37:22,719
Speaker 1: middle name, by Soul, And he said, shut the up.

745
00:37:23,680 --> 00:37:26,680
Speaker 1: He said, this is Stephen. He's a journalist for a living.

746
00:37:27,120 --> 00:37:29,400
Speaker 1: You know, he knows what you what you haven't have

747
00:37:29,600 --> 00:37:32,640
Speaker 1: not done? Chapter in verse you have no shot. Just

748
00:37:32,800 --> 00:37:35,560
Speaker 1: be quiet. And my father just sat back and just

749
00:37:35,719 --> 00:37:37,719
Speaker 1: took it, and I just I just left it alone

750
00:37:37,760 --> 00:37:40,160
Speaker 1: from there, all right? We got moreways, Steven A. Smith

751
00:37:40,200 --> 00:37:41,560
Speaker 1: when we come back, do more of it. Was the

752
00:37:41,600 --> 00:37:45,360
Speaker 1: Breakfast Club. Everybody is dj V Charlemagne the guy. We

753
00:37:45,440 --> 00:37:47,719
Speaker 1: are the Breakfast Club. We got our guest hosts La

754
00:37:47,840 --> 00:37:50,320
Speaker 1: La joining us. Now we have Stephen A Smith in

755
00:37:50,400 --> 00:37:53,160
Speaker 1: the building. Charlemagne. Just Skip ever get in trouble for anything,

756
00:37:53,200 --> 00:37:55,240
Speaker 1: he said on first take, because you talk about the times,

757
00:37:58,080 --> 00:37:59,320
Speaker 1: can you talk about the time that you got in

758
00:37:59,360 --> 00:38:01,200
Speaker 1: trouble off for us? Think? And I'm like, well, Skip

759
00:38:01,280 --> 00:38:03,480
Speaker 1: had crazy opinions too, and the opinions you had weren't

760
00:38:03,520 --> 00:38:08,919
Speaker 1: necessarily like I never recalled Skip getting in trouble wow

761
00:38:09,400 --> 00:38:12,520
Speaker 1: ever in terms of a suspension or anything like that.

762
00:38:13,560 --> 00:38:16,960
Speaker 1: When I got suspended, I was furious. I did not

763
00:38:17,080 --> 00:38:19,719
Speaker 1: believe I deserved it. I was pissed off to the

764
00:38:19,840 --> 00:38:22,360
Speaker 1: highest degree because I just thought that, you know, it

765
00:38:22,520 --> 00:38:25,120
Speaker 1: was made into something that it wasn't. And so for me,

766
00:38:26,239 --> 00:38:29,400
Speaker 1: whatever my opinions are, I don't mind anybody coming at

767
00:38:29,440 --> 00:38:31,480
Speaker 1: me about that. This is what we feel about what

768
00:38:31,680 --> 00:38:34,759
Speaker 1: you said. It's when they try to branch it out

769
00:38:34,800 --> 00:38:37,600
Speaker 1: and turn it into something that it was not. That's

770
00:38:37,640 --> 00:38:39,800
Speaker 1: what pisses me off, because what happens is when you

771
00:38:39,960 --> 00:38:43,440
Speaker 1: have Disney Disney. And I'm not knocking Disney for this

772
00:38:43,560 --> 00:38:46,120
Speaker 1: at all. Listen, man, we got stockholders, got shareholders, You

773
00:38:46,200 --> 00:38:47,759
Speaker 1: got people to a piece, and so you got to

774
00:38:47,800 --> 00:38:50,360
Speaker 1: pay attention to everybody. You ain't after black white and

775
00:38:50,400 --> 00:38:52,920
Speaker 1: hispanic appeal. You have to mass appeal. You want it all.

776
00:38:53,320 --> 00:38:54,759
Speaker 1: And so as a result of that, you have to

777
00:38:54,800 --> 00:38:57,920
Speaker 1: pay attention to everything and everybody. And so when that

778
00:38:58,320 --> 00:39:01,880
Speaker 1: noise is made, my boss at the time felt compelled

779
00:39:01,920 --> 00:39:04,880
Speaker 1: to respond to the noise. And when he got suspended

780
00:39:04,920 --> 00:39:06,839
Speaker 1: forty eight hours earlier, he told me I wasn't gonna

781
00:39:06,840 --> 00:39:10,440
Speaker 1: be suspected, and then you know, he turned around spid

782
00:39:10,480 --> 00:39:13,640
Speaker 1: to me. And so for me, it was I've learned

783
00:39:13,680 --> 00:39:16,719
Speaker 1: a lot, I'm a lot better and what I try

784
00:39:16,760 --> 00:39:19,120
Speaker 1: to do. And all of y'all can attest to this.

785
00:39:19,200 --> 00:39:21,600
Speaker 1: At one time or another, We've all had private conversations.

786
00:39:21,680 --> 00:39:24,399
Speaker 1: I whispered something in y'all ear about something to watch

787
00:39:24,480 --> 00:39:26,480
Speaker 1: out for. I'm very very big about these are the

788
00:39:26,560 --> 00:39:29,600
Speaker 1: mind fields. Watch out because what I'm saying is as

789
00:39:29,600 --> 00:39:32,200
Speaker 1: a product of corporate America, somebody that's been in corporate

790
00:39:32,200 --> 00:39:35,040
Speaker 1: America for over thirty years, I kind of know where

791
00:39:35,080 --> 00:39:37,400
Speaker 1: the mind fields are, and so as a result of that,

792
00:39:37,600 --> 00:39:39,640
Speaker 1: I might see cats on the come up that I

793
00:39:39,760 --> 00:39:42,120
Speaker 1: think is going to be in my position or an

794
00:39:42,120 --> 00:39:44,719
Speaker 1: even higher position. And I'm saying, come in, let me

795
00:39:44,800 --> 00:39:46,440
Speaker 1: make sure I tip you off to this, watch out

796
00:39:46,480 --> 00:39:48,120
Speaker 1: for this, watch out for this, watch out for that,

797
00:39:48,280 --> 00:39:50,200
Speaker 1: because I want y'all to succeed. I don't want y'all

798
00:39:50,239 --> 00:39:52,240
Speaker 1: to field who the hell wants to be successful alone.

799
00:39:55,880 --> 00:39:58,720
Speaker 1: Oh LJ. It shocked me too, but he did listened.

800
00:39:58,800 --> 00:40:02,040
Speaker 1: He walked off, So I ain't coming back until my

801
00:40:02,120 --> 00:40:04,480
Speaker 1: man comes back on because he knew it was wrong too.

802
00:40:04,600 --> 00:40:06,360
Speaker 1: But I was really shocked and he took that position.

803
00:40:06,400 --> 00:40:09,120
Speaker 1: I certainly didn't ask him too, And I'm appreciative of that.

804
00:40:09,239 --> 00:40:11,839
Speaker 1: Doesn't mean I mean shot. We still disagree ninety nine

805
00:40:11,880 --> 00:40:14,279
Speaker 1: percent of the time, but I did appreciate the fact

806
00:40:14,320 --> 00:40:16,080
Speaker 1: that he took that position on my behalf. Who are

807
00:40:16,120 --> 00:40:20,920
Speaker 1: the worst fans? Are they cowboy fans fans or the

808
00:40:21,040 --> 00:40:27,520
Speaker 1: Navy fans? Cowboy fans? Nobody's worse. Nobody's worse, but I

809
00:40:27,560 --> 00:40:29,560
Speaker 1: will tell you I would tell the Navy got at

810
00:40:29,600 --> 00:40:32,440
Speaker 1: you a little bit. First of all, let me be

811
00:40:32,600 --> 00:40:36,320
Speaker 1: very very clear, but I don't give a damn. I

812
00:40:36,400 --> 00:40:38,520
Speaker 1: want to be very very clear about that doesn't phase me,

813
00:40:38,640 --> 00:40:42,120
Speaker 1: It really really doesn't. I'm just after you know, you

814
00:40:42,239 --> 00:40:45,880
Speaker 1: know me for years. I'm just built that way. Rihanna.

815
00:40:46,040 --> 00:40:49,160
Speaker 1: If she had a problem, Dad would have bothered me,

816
00:40:49,760 --> 00:40:53,719
Speaker 1: not her fans. I want I challenge anybody to tell

817
00:40:53,800 --> 00:40:57,320
Speaker 1: me one negative thing I said about that wonderful performing

818
00:40:57,440 --> 00:41:00,640
Speaker 1: young lady. Are you excited for this halftime show? I

819
00:41:00,760 --> 00:41:03,640
Speaker 1: don't want to say I'm not excited. She's fantastic. That's

820
00:41:03,680 --> 00:41:06,000
Speaker 1: not That's not where I'm going with this. Where you going,

821
00:41:06,160 --> 00:41:09,080
Speaker 1: ladies and ladies and gentlemen. She's a lot of things.

822
00:41:09,560 --> 00:41:13,839
Speaker 1: She's spectacular as Yes, and congratulations on new Mamahood. Yes,

823
00:41:14,520 --> 00:41:18,480
Speaker 1: I think there's one thing she's not. Huh, she ain't Beyonce.

824
00:41:20,520 --> 00:41:24,920
Speaker 1: You just said, na, you say Rihanna doesn't perform as well.

825
00:41:25,320 --> 00:41:26,400
Speaker 1: Let me give you any time, Let me give you,

826
00:41:26,440 --> 00:41:28,879
Speaker 1: let me hook up on the inside. Sherry Shepherd's Team.

827
00:41:29,280 --> 00:41:33,120
Speaker 1: I'm promote my book last Tuesday. Sherry Shepherd's Team comes

828
00:41:33,200 --> 00:41:35,960
Speaker 1: up to me and they said, since you're here, we

829
00:41:36,160 --> 00:41:39,120
Speaker 1: want a debate like format. We want to have fun

830
00:41:39,200 --> 00:41:43,279
Speaker 1: with it. I said, okay, bring it, no problem. I

831
00:41:43,360 --> 00:41:45,759
Speaker 1: didn't know what they were gonna ask, right, but let's

832
00:41:45,760 --> 00:41:50,120
Speaker 1: show the problem. So I'm expecting a debate, right, Rihanna's great,

833
00:41:50,719 --> 00:41:53,040
Speaker 1: but I'm thinking you got a lot to live up

834
00:41:53,080 --> 00:41:57,680
Speaker 1: to because there's only one Beyonce. Now you agree, fine,

835
00:41:58,239 --> 00:42:02,120
Speaker 1: you disagree? Fine, how we get to the point why

836
00:42:02,239 --> 00:42:05,080
Speaker 1: he got a pit two black women? Again? Really? Well,

837
00:42:05,680 --> 00:42:09,040
Speaker 1: I can't. I can't. I just can't be a fan both.

838
00:42:09,160 --> 00:42:12,080
Speaker 1: But I prefer Beyonce over Rihanna. That's a crime. Now,

839
00:42:12,120 --> 00:42:13,759
Speaker 1: and I didn't know that. In your book you talk

840
00:42:13,800 --> 00:42:17,040
Speaker 1: about learning lessons, Yes, and you have gotten in trouble

841
00:42:17,120 --> 00:42:20,960
Speaker 1: for that before when you pitted you should Curry against sadvantage.

842
00:42:21,360 --> 00:42:26,520
Speaker 1: That's right. Listen first of all, this yeah, yeah, fair question,

843
00:42:27,040 --> 00:42:33,320
Speaker 1: la la, And I'm gonna talk. I'm gonna I'm I

844
00:42:33,360 --> 00:42:35,480
Speaker 1: didn't know. I didn't know that. Yes, yes, let me

845
00:42:35,520 --> 00:42:40,120
Speaker 1: explain what happened. So Steph Curry is in Game six

846
00:42:40,200 --> 00:42:45,200
Speaker 1: of the NBA Finals. Lebron and Kyrie are coming. They

847
00:42:45,320 --> 00:42:48,920
Speaker 1: won Game five after Draymond got suspriended, bow getting Egua

848
00:42:49,000 --> 00:42:53,279
Speaker 1: Dollar got hurt. They win Game five. Game six, they

849
00:42:53,400 --> 00:42:56,400
Speaker 1: coming at Golden State. They down twelve with about four minutes,

850
00:42:56,480 --> 00:43:00,600
Speaker 1: leapt and Steph Curry fouls out. Steph curR pulls out

851
00:43:00,640 --> 00:43:04,160
Speaker 1: his mouthpiece, tries to throw head the official. But missus

852
00:43:04,440 --> 00:43:07,280
Speaker 1: it's a fan by accident. Blah blah blah. I Issia

853
00:43:07,360 --> 00:43:11,120
Speaker 1: Curry goes ballistic. What y'all may not have known was that,

854
00:43:11,320 --> 00:43:13,200
Speaker 1: And I love i Usia Curry, I mean, and no

855
00:43:13,400 --> 00:43:15,799
Speaker 1: problem throwing no shade on her whatsoever. I'm just telling

856
00:43:15,880 --> 00:43:21,120
Speaker 1: what happened. Prior to the game, she had tweeted that

857
00:43:21,400 --> 00:43:25,320
Speaker 1: she was upset because they were backed up in traffic.

858
00:43:25,440 --> 00:43:27,680
Speaker 1: Now jay Z and Beyonce were coming to the game,

859
00:43:27,719 --> 00:43:30,640
Speaker 1: but nobody knew. So the Cleveland Reader and the gunder

860
00:43:30,800 --> 00:43:32,759
Speaker 1: or whatever it was, right the quickest loans a reader,

861
00:43:32,840 --> 00:43:35,239
Speaker 1: they held up the traffic. So she was mad about

862
00:43:35,320 --> 00:43:37,440
Speaker 1: that and was talking about how the wives and the

863
00:43:37,560 --> 00:43:40,120
Speaker 1: family or the players were Golden State would be inconvenience.

864
00:43:40,680 --> 00:43:43,399
Speaker 1: She complained something else about the officiating blah blah blah,

865
00:43:48,160 --> 00:43:51,120
Speaker 1: so crazy but stop so so. So what happened is

866
00:43:51,160 --> 00:43:53,960
Speaker 1: that she did that and then she went off after

867
00:43:54,080 --> 00:43:57,920
Speaker 1: Steph Curry, you know, fouled out all of that other stuff.

868
00:43:58,440 --> 00:44:04,400
Speaker 1: What I said was, you are representing your man at

869
00:44:04,480 --> 00:44:08,279
Speaker 1: that particular moment in time. Anything that you do, it's

870
00:44:08,360 --> 00:44:12,680
Speaker 1: not you, it's the wife of him. And so because

871
00:44:12,760 --> 00:44:15,760
Speaker 1: of that you have to guard yourself and be careful.

872
00:44:16,440 --> 00:44:18,960
Speaker 1: But now that they've lost too straight and Lebron and

873
00:44:19,040 --> 00:44:21,600
Speaker 1: the Calves have been given it to them, suddenly stuff

874
00:44:21,719 --> 00:44:25,600
Speaker 1: is rigged. She's an adorable young lady with an incredibly

875
00:44:25,680 --> 00:44:29,480
Speaker 1: promising future. I wish in nothing but love, respect and happiness.

876
00:44:29,960 --> 00:44:32,520
Speaker 1: But you can't do that. You just can't do that.

877
00:44:32,680 --> 00:44:35,200
Speaker 1: And I'm quite sure somebody got to her, which is

878
00:44:35,239 --> 00:44:38,600
Speaker 1: why she ultimately deleted the tween. My other point that

879
00:44:38,680 --> 00:44:42,840
Speaker 1: I would like to make, which will be deemed somewhat controversial,

880
00:44:43,080 --> 00:44:46,680
Speaker 1: but I don't particularly give it damn. I will present

881
00:44:47,200 --> 00:44:52,960
Speaker 1: in question form, rhetorical or otherwise. If that was Savannah

882
00:44:53,320 --> 00:44:57,120
Speaker 1: Lebron's wife, what would we be saying? And I got

883
00:44:57,239 --> 00:45:00,200
Speaker 1: news for you. As beautiful as everybody wants to say,

884
00:45:00,200 --> 00:45:04,320
Speaker 1: Aisha Curry is and she is, Savannah is something special.

885
00:45:04,800 --> 00:45:08,320
Speaker 1: Skip comes back at me and says, oh, please, you

886
00:45:08,440 --> 00:45:10,960
Speaker 1: know what are you talking about blah blah blah blah,

887
00:45:11,120 --> 00:45:14,520
Speaker 1: and I'm jumping in like, wait a minute, you will

888
00:45:14,600 --> 00:45:18,160
Speaker 1: get on Lebron about anything. How all of a sudden

889
00:45:18,480 --> 00:45:21,000
Speaker 1: this escapes you. You know what I'm saying. So that's

890
00:45:21,040 --> 00:45:24,279
Speaker 1: how the whole Savannah Asia thing came up, because what

891
00:45:24,400 --> 00:45:27,279
Speaker 1: I was saying was if this with Lebron, you would

892
00:45:27,320 --> 00:45:29,160
Speaker 1: have found an excuse to jump on him. And we

893
00:45:29,320 --> 00:45:32,080
Speaker 1: all know that Savannah, it's phenomenal. So when are you

894
00:45:32,239 --> 00:45:35,000
Speaker 1: talking about? That's all I was saying. If La La

895
00:45:35,320 --> 00:45:38,279
Speaker 1: is in a public position, if you or you are

896
00:45:38,360 --> 00:45:41,239
Speaker 1: in a public situation in the moment and there's a

897
00:45:41,400 --> 00:45:45,759
Speaker 1: tension that some your spouse or your significant other could

898
00:45:45,800 --> 00:45:48,960
Speaker 1: potentially bring to you that could detrimental that that can

899
00:45:49,040 --> 00:45:51,600
Speaker 1: make a detrimental to what you're trying to accomplish. They

900
00:45:51,680 --> 00:45:53,719
Speaker 1: can't get in the way of that. That's all I

901
00:45:53,880 --> 00:45:56,400
Speaker 1: was trying to say. I've been in a position. The

902
00:45:56,520 --> 00:45:59,040
Speaker 1: thing is that also nobody in this room has been

903
00:45:59,280 --> 00:46:02,640
Speaker 1: married to an NBA player before. Day in and day out,

904
00:46:02,719 --> 00:46:05,320
Speaker 1: you're hearing about things that are going on. You're getting

905
00:46:05,360 --> 00:46:08,960
Speaker 1: invented to about everything. You have emotions, You act off

906
00:46:09,000 --> 00:46:11,920
Speaker 1: emotions sometimes, so every night you're hearing about this whatever's

907
00:46:11,960 --> 00:46:13,680
Speaker 1: being said, and it's just building up and you get

908
00:46:13,760 --> 00:46:15,640
Speaker 1: protective and then something just set you off and you

909
00:46:15,719 --> 00:46:18,080
Speaker 1: want to say something because you realize your spouse has

910
00:46:18,239 --> 00:46:21,480
Speaker 1: continuously taken the high road. I said earlier, I remember

911
00:46:21,520 --> 00:46:23,520
Speaker 1: a time we talked about it before you came, when

912
00:46:23,640 --> 00:46:26,600
Speaker 1: I think I tweeted something at Skip Bayless because I

913
00:46:26,680 --> 00:46:30,000
Speaker 1: was like, yo, enough with the mellow slander every single

914
00:46:30,200 --> 00:46:32,680
Speaker 1: day and he's not saying anything, and I'm just like,

915
00:46:32,840 --> 00:46:35,640
Speaker 1: this is enough because now it's affecting the household, it's

916
00:46:35,680 --> 00:46:38,279
Speaker 1: affecting the mood, it's affects so it becomes a bigger thing.

917
00:46:38,520 --> 00:46:40,800
Speaker 1: That's like somebody got to say something. Now. Is it

918
00:46:40,880 --> 00:46:42,719
Speaker 1: a right time and place for those things? Of course,

919
00:46:42,840 --> 00:46:45,200
Speaker 1: But when you care about somebody, when you're protective, and

920
00:46:45,280 --> 00:46:48,720
Speaker 1: when you're competitive, we're all competitors, and you act off emotion,

921
00:46:49,080 --> 00:46:51,160
Speaker 1: you say things that might not be the right time

922
00:46:51,200 --> 00:46:52,879
Speaker 1: the right place, but at that time you're not thinking

923
00:46:52,960 --> 00:46:55,520
Speaker 1: like that. That's absolutely true. And my point is is

924
00:46:55,600 --> 00:46:59,200
Speaker 1: that I didn't blame how Hesha Curry for anything. You know,

925
00:46:59,640 --> 00:47:02,480
Speaker 1: I was saying in that moment, you can't do that.

926
00:47:02,920 --> 00:47:05,600
Speaker 1: I've never said a word about her prior to that, right,

927
00:47:06,000 --> 00:47:08,800
Speaker 1: and so I said that. And when I said that,

928
00:47:09,200 --> 00:47:12,440
Speaker 1: Horror Sponts was you paid two black women against each other?

929
00:47:12,760 --> 00:47:15,160
Speaker 1: And I was like, what how we get to that?

930
00:47:15,840 --> 00:47:18,600
Speaker 1: So then whether you realize it or not, okay, fine,

931
00:47:18,640 --> 00:47:20,399
Speaker 1: I didn't look at it that way, But that's fine.

932
00:47:20,560 --> 00:47:22,799
Speaker 1: If you're saying that I did, okay, well, then now

933
00:47:23,280 --> 00:47:27,160
Speaker 1: I'll correct it. I find out weeks later the sports center,

934
00:47:27,239 --> 00:47:29,880
Speaker 1: the six o'clock sports Center, that was supposed to be

935
00:47:29,960 --> 00:47:32,360
Speaker 1: given to me, and it was taken away from me

936
00:47:33,280 --> 00:47:36,960
Speaker 1: because of that. It was gonna be taken away from

937
00:47:36,960 --> 00:47:40,600
Speaker 1: you because in Rihanna nothing nothing, and you know something

938
00:47:40,719 --> 00:47:44,480
Speaker 1: and and and if it ever does, fine because at

939
00:47:44,520 --> 00:47:46,719
Speaker 1: the end of the day, there's a level of authenticity

940
00:47:46,840 --> 00:47:49,359
Speaker 1: that has to come with what we do. I'm gonna

941
00:47:49,400 --> 00:47:52,440
Speaker 1: be me, damn it. That's how I feel. All Right.

942
00:47:52,480 --> 00:47:54,440
Speaker 1: We got Molways stephen A. Smith. When we come back,

943
00:47:54,520 --> 00:47:57,360
Speaker 1: don't move. It's the Breakfast Club. Good morning morning. Everybody

944
00:47:57,480 --> 00:48:01,040
Speaker 1: is TJ n V, Charlomagne the guy all the Breakfast Club.

945
00:48:01,120 --> 00:48:03,680
Speaker 1: We got our guest hosts La La joining us. Now

946
00:48:03,760 --> 00:48:06,080
Speaker 1: we have Stephen A. Smith in the building, La La

947
00:48:06,520 --> 00:48:09,040
Speaker 1: So do you just feel like in your position, you

948
00:48:09,200 --> 00:48:12,640
Speaker 1: really just cannot care what anyone thinks about you. Because

949
00:48:12,640 --> 00:48:14,759
Speaker 1: I feel like people always want to say like, I

950
00:48:14,800 --> 00:48:17,160
Speaker 1: don't care what anybody But there is a point that

951
00:48:17,280 --> 00:48:20,200
Speaker 1: everyone does care and everyone has a place where they

952
00:48:20,320 --> 00:48:23,320
Speaker 1: truly do want to be. But I'm not saying I

953
00:48:23,400 --> 00:48:27,239
Speaker 1: don't care about what people think in general, La La.

954
00:48:27,440 --> 00:48:30,480
Speaker 1: I'm saying there are certain things we can't care about

955
00:48:30,560 --> 00:48:33,960
Speaker 1: because we know it's not as unfair and as inhumane

956
00:48:34,040 --> 00:48:35,759
Speaker 1: as people are trying to make it out to be.

957
00:48:36,120 --> 00:48:39,800
Speaker 1: If I sat up there and I disrespected Rihanna and

958
00:48:40,480 --> 00:48:43,239
Speaker 1: I said I don't care, that's a problem because she

959
00:48:43,320 --> 00:48:46,080
Speaker 1: doesn't deserve that. She's home, she's a new mom, she's

960
00:48:46,120 --> 00:48:49,120
Speaker 1: a beautiful artist, she's doing her things. Most people would

961
00:48:49,200 --> 00:48:51,239
Speaker 1: dream to have the life that she's had. She's earned it.

962
00:48:51,280 --> 00:48:53,279
Speaker 1: I got nothing but mad lover and respect for her.

963
00:48:53,520 --> 00:48:56,480
Speaker 1: If I said something disrespectful like that and I didn't care,

964
00:48:56,719 --> 00:48:59,080
Speaker 1: that's a problem. That's a lack of humanity. I would

965
00:48:59,160 --> 00:49:01,480
Speaker 1: never do that. What I'm saying is it's not a

966
00:49:01,600 --> 00:49:05,440
Speaker 1: crime to say I'm a huge Beyonce fan. There is

967
00:49:05,520 --> 00:49:07,680
Speaker 1: only one and you are about to go on the

968
00:49:07,800 --> 00:49:11,360
Speaker 1: same stage she has blessed not once but twice, and

969
00:49:11,840 --> 00:49:15,640
Speaker 1: there is a standard to live up. Yea, there's nothing wrong.

970
00:49:15,760 --> 00:49:18,600
Speaker 1: You come on first take. I'm sorry, y'all. There's a

971
00:49:18,640 --> 00:49:21,160
Speaker 1: bar that's been set. I've said it. You come on

972
00:49:21,239 --> 00:49:24,000
Speaker 1: breakfast Club, there's a bar that's been set. Y'all said it.

973
00:49:24,400 --> 00:49:26,560
Speaker 1: You do what the things that all the different things

974
00:49:26,640 --> 00:49:28,960
Speaker 1: that you're doing with power and now being memo, I'm

975
00:49:28,960 --> 00:49:31,400
Speaker 1: seeing you. I'm watching what you're doing. You know you

976
00:49:31,480 --> 00:49:34,440
Speaker 1: continue to a said, well, damn, everybody can't measure up

977
00:49:34,480 --> 00:49:36,920
Speaker 1: to you. Now, that doesn't mean they're whack. It doesn't

978
00:49:36,960 --> 00:49:40,279
Speaker 1: mean they're not gifted. It means they're not you. You

979
00:49:40,360 --> 00:49:42,000
Speaker 1: gotta line of that all. You gotta line in the

980
00:49:42,040 --> 00:49:43,400
Speaker 1: book that kind of sums that up. You say on

981
00:49:43,520 --> 00:49:46,279
Speaker 1: first take, we capitalize on the kind of polarization people

982
00:49:46,360 --> 00:49:50,359
Speaker 1: supposedly at poor what's the word I believe? So I'm

983
00:49:50,400 --> 00:49:52,239
Speaker 1: trying to remember. I mean, I read it, I read

984
00:49:52,280 --> 00:49:55,759
Speaker 1: it loving times. But in terms of what like what

985
00:49:55,840 --> 00:49:58,480
Speaker 1: you're discussing like, it's the kind of polarization. You know,

986
00:49:58,560 --> 00:50:00,600
Speaker 1: people act like they don't like but what do it?

987
00:50:01,040 --> 00:50:03,480
Speaker 1: But what I'm saying is this, you wake up and

988
00:50:03,520 --> 00:50:06,040
Speaker 1: you pay attention. We all do it. You have a show,

989
00:50:06,440 --> 00:50:08,960
Speaker 1: you know what's trending, you know what's newsworthy, you know

990
00:50:09,080 --> 00:50:11,719
Speaker 1: what's percolating and as it was, and not only that,

991
00:50:11,880 --> 00:50:15,120
Speaker 1: you know who percolates. And so because of that, it

992
00:50:15,320 --> 00:50:18,759
Speaker 1: determines what subject matter you're going to tackle, because you're

993
00:50:18,800 --> 00:50:21,520
Speaker 1: not doing the show for you, You're doing the show

994
00:50:21,600 --> 00:50:24,160
Speaker 1: for the audience you're trying to reach. And I have

995
00:50:24,280 --> 00:50:28,560
Speaker 1: an audience that has an expectation as it pertains to content.

996
00:50:29,040 --> 00:50:32,080
Speaker 1: And so when we're talking about sports and it's me,

997
00:50:32,760 --> 00:50:35,080
Speaker 1: there's a level of expectation that they have as it

998
00:50:35,160 --> 00:50:38,080
Speaker 1: pertains to the issues I'm willing to tackle. I'm mindful

999
00:50:38,120 --> 00:50:40,839
Speaker 1: and cognizant of that, and I operate accordingly. And when

1000
00:50:40,920 --> 00:50:44,080
Speaker 1: somebody questions that, I would remind them I've been number

1001
00:50:44,160 --> 00:50:49,040
Speaker 1: one for eleven years, every month, every year for eleven years,

1002
00:50:49,440 --> 00:50:52,440
Speaker 1: so evidently I kind of have an idea of what

1003
00:50:52,680 --> 00:50:55,840
Speaker 1: people want to see. And hear, all right, no, I know,

1004
00:50:55,880 --> 00:50:57,959
Speaker 1: you gotta go. I got one more question. It ties

1005
00:50:58,000 --> 00:50:59,879
Speaker 1: into all of this and then no safety net chapter.

1006
00:51:00,440 --> 00:51:04,400
Speaker 1: You know, you talk about basically personalities who attack other

1007
00:51:04,440 --> 00:51:06,360
Speaker 1: personalities for things they say cause you talk about it.

1008
00:51:06,360 --> 00:51:08,520
Speaker 1: I think it was the ray right standing least. Everybody

1009
00:51:08,560 --> 00:51:10,360
Speaker 1: got upset with what you said about that, and I

1010
00:51:10,480 --> 00:51:12,040
Speaker 1: feel the same way. I'm like, man, if you got

1011
00:51:12,120 --> 00:51:14,440
Speaker 1: a microphone in front of you, you're going to say

1012
00:51:14,520 --> 00:51:18,040
Speaker 1: something at some point that you're going to get backlash. Four.

1013
00:51:18,120 --> 00:51:20,440
Speaker 1: So I don't understand when I see other personalities like

1014
00:51:21,160 --> 00:51:25,400
Speaker 1: calling for other personality to be fired. Yeah, what it

1015
00:51:25,560 --> 00:51:28,440
Speaker 1: is is and remember this, all three of y'all here,

1016
00:51:28,520 --> 00:51:32,080
Speaker 1: Remember what I'm about to say. When you're winning, they

1017
00:51:32,200 --> 00:51:36,279
Speaker 1: always come in because, unfortunately, particularly in this day and age,

1018
00:51:37,000 --> 00:51:39,960
Speaker 1: their definition of winning the closest they can get to

1019
00:51:40,120 --> 00:51:43,800
Speaker 1: it is knocking you off your perch instead of creating

1020
00:51:43,840 --> 00:51:48,360
Speaker 1: one for their own. It's inevitable. And it's just like

1021
00:51:48,480 --> 00:51:50,719
Speaker 1: when he used to call me donkey of the day

1022
00:51:50,800 --> 00:51:52,719
Speaker 1: and all of this other stuff that people expected me

1023
00:51:52,800 --> 00:51:54,480
Speaker 1: to have a problem with him when I first met you.

1024
00:51:54,560 --> 00:51:56,200
Speaker 1: What did I say? Had no problem with him? What's

1025
00:51:56,200 --> 00:51:57,960
Speaker 1: so well from you say? Because he didn't attack me.

1026
00:51:58,000 --> 00:52:00,640
Speaker 1: He attacked what I felt about a particular I know

1027
00:52:00,760 --> 00:52:04,120
Speaker 1: the difference. They wanted to create that divide. You're not

1028
00:52:04,239 --> 00:52:07,759
Speaker 1: creating that because I'm gonna root for y'all, and I

1029
00:52:07,840 --> 00:52:09,399
Speaker 1: want y'all a root for me, and I'm an root

1030
00:52:09,400 --> 00:52:11,160
Speaker 1: for a whole bunch of brothers and sisters to make it.

1031
00:52:11,239 --> 00:52:13,440
Speaker 1: But in the same breath, you have to be real

1032
00:52:13,520 --> 00:52:15,600
Speaker 1: and authentic about what's going on in the moment that

1033
00:52:15,800 --> 00:52:19,360
Speaker 1: is going on and do what you can to enlighten folks.

1034
00:52:19,440 --> 00:52:21,640
Speaker 1: If you feel you have an enlightening point of view,

1035
00:52:22,080 --> 00:52:24,480
Speaker 1: that's what you do, and you let the tips to

1036
00:52:24,560 --> 00:52:27,759
Speaker 1: aur where they make. People who don't win are real

1037
00:52:27,920 --> 00:52:30,799
Speaker 1: good about doing what you describe, let them keep doing

1038
00:52:30,840 --> 00:52:32,680
Speaker 1: it because it reminds you that you will winner. Otherwise

1039
00:52:32,680 --> 00:52:34,480
Speaker 1: they wouldn't be talking about you. I learned a lot

1040
00:52:34,520 --> 00:52:35,920
Speaker 1: from you, and I feel like it's vice versa. I

1041
00:52:35,960 --> 00:52:37,439
Speaker 1: do want to say this because I was really sitting

1042
00:52:37,440 --> 00:52:39,400
Speaker 1: here thinking about what we were talking about earlier, and

1043
00:52:39,440 --> 00:52:41,440
Speaker 1: I want to say this. You know, it is important.

1044
00:52:42,000 --> 00:52:44,520
Speaker 1: Everyone can have an opinion and who you like better,

1045
00:52:44,640 --> 00:52:48,000
Speaker 1: who is your opinion. But I will say this as

1046
00:52:48,040 --> 00:52:51,400
Speaker 1: a black woman, let's acknowledge and celebrate the fact that

1047
00:52:51,520 --> 00:52:54,719
Speaker 1: we have two amazing, talented black women who were able

1048
00:52:54,800 --> 00:52:58,120
Speaker 1: to do the halftime show at the Super Bowl. Outside

1049
00:52:58,120 --> 00:53:00,879
Speaker 1: of sports bands and players, there's the majority of people.

1050
00:53:00,920 --> 00:53:02,960
Speaker 1: I know that's the reason they watched the super Bowl,

1051
00:53:03,200 --> 00:53:05,839
Speaker 1: not for who's playing. They're watching for that halftime show.

1052
00:53:06,080 --> 00:53:09,320
Speaker 1: So let's acknowledge an uplift and applaud the fact that

1053
00:53:09,480 --> 00:53:13,719
Speaker 1: on such a huge forum you have Beyonce and now

1054
00:53:13,800 --> 00:53:16,200
Speaker 1: you have Rihanna as a black woman. I'm proud of that.

1055
00:53:16,360 --> 00:53:18,080
Speaker 1: That's something that makes me proud. That doesn't take away

1056
00:53:18,120 --> 00:53:20,560
Speaker 1: from your opinion on who you like more or whatever whatever,

1057
00:53:20,760 --> 00:53:23,360
Speaker 1: But at that moment, for me, it's about uplifting the

1058
00:53:23,440 --> 00:53:26,600
Speaker 1: fact that we need to celebrate that. Well, let me say, well,

1059
00:53:26,680 --> 00:53:29,480
Speaker 1: let me end up by saying this, I completely agree

1060
00:53:29,520 --> 00:53:35,120
Speaker 1: with that one thousand percent. And what you're saying and

1061
00:53:35,320 --> 00:53:39,320
Speaker 1: what you would prefer is entirely different than someone throwing

1062
00:53:39,400 --> 00:53:44,000
Speaker 1: out an accusation that my sentiment was making it a

1063
00:53:44,080 --> 00:53:48,040
Speaker 1: divide between two black women. That's a difference. You're just

1064
00:53:48,200 --> 00:53:51,840
Speaker 1: simply saying they're both great. Let's celebrate them, no problem,

1065
00:53:52,320 --> 00:53:56,000
Speaker 1: no problem whatsoever. That's entirely different than and understanding that

1066
00:53:56,120 --> 00:53:59,320
Speaker 1: they're both the reason that majority people are even watching.

1067
00:53:59,480 --> 00:54:01,880
Speaker 1: That's right, you guys are watching, but the sports aspecting

1068
00:54:02,680 --> 00:54:06,080
Speaker 1: majority people are watching. But what happens is is that

1069
00:54:06,200 --> 00:54:10,560
Speaker 1: when we question people's intent because they express something differently,

1070
00:54:10,960 --> 00:54:13,960
Speaker 1: what happens is then you didn't lose those folks, those

1071
00:54:14,040 --> 00:54:16,480
Speaker 1: folks that they like that because they're like, oh, here

1072
00:54:16,560 --> 00:54:19,600
Speaker 1: they go with this, and I'm like, no, at the

1073
00:54:19,719 --> 00:54:22,640
Speaker 1: end of the day, Rihanna is phenomenal, and she's got

1074
00:54:22,719 --> 00:54:26,440
Speaker 1: her own army or navy as they sat Beyonce, it's

1075
00:54:26,480 --> 00:54:29,680
Speaker 1: got her crew. They're both fantastic. They both sell out

1076
00:54:29,760 --> 00:54:32,680
Speaker 1: stadiums and arenas. They're both making gobs and gobs of

1077
00:54:32,719 --> 00:54:35,760
Speaker 1: money and they've earned it. Okay, much love and respect

1078
00:54:35,800 --> 00:54:37,600
Speaker 1: to you. Ain't no doubt about it. I'm root for

1079
00:54:37,640 --> 00:54:40,399
Speaker 1: I ain't rooting against her. I'm just a Beyonce fan.

1080
00:54:40,680 --> 00:54:43,200
Speaker 1: I think with these microphones, uh, you know, it's something

1081
00:54:43,239 --> 00:54:45,640
Speaker 1: that we would debate to the end of time. Intention

1082
00:54:45,840 --> 00:54:48,279
Speaker 1: versus impact, Yes, because it's a lot of times my

1083
00:54:48,400 --> 00:54:50,640
Speaker 1: intention wasn't to offend, but then somebody, like a lot

1084
00:54:50,719 --> 00:54:53,320
Speaker 1: got to be like, nah, you offend, you offended. You know,

1085
00:54:53,360 --> 00:54:55,719
Speaker 1: you impacted that person in a negative way, and those

1086
00:54:55,760 --> 00:54:57,919
Speaker 1: moments you just gotta follow to keep it moving. Yeah,

1087
00:54:57,920 --> 00:55:00,960
Speaker 1: you know, which is which is what I did. But

1088
00:55:01,200 --> 00:55:03,200
Speaker 1: let me be very clear, people don't like your apologies.

1089
00:55:03,960 --> 00:55:06,920
Speaker 1: Hold all that. First of all, Leslie Jones on Comedy

1090
00:55:06,960 --> 00:55:10,960
Speaker 1: sent you hlad so, and she's supposed to that's what

1091
00:55:11,160 --> 00:55:13,480
Speaker 1: she does. I wasn't offended by it at all, all right,

1092
00:55:13,520 --> 00:55:17,960
Speaker 1: because she's great, o'nig. Bro it's there struggling, but I'm

1093
00:55:18,000 --> 00:55:20,560
Speaker 1: fifty five. It ain't like I'm thirty five walking around

1094
00:55:20,560 --> 00:55:23,040
Speaker 1: with I'm fifty five. You know what, No, you got it?

1095
00:55:23,719 --> 00:55:26,279
Speaker 1: You know I might visit Cliff, I might hit then

1096
00:55:26,360 --> 00:55:28,200
Speaker 1: I got something. I might visit here Cluff for men,

1097
00:55:28,239 --> 00:55:30,240
Speaker 1: because you know I you know, I don't think I'm

1098
00:55:30,320 --> 00:55:32,200
Speaker 1: god Zilla, but I ain't the most attractive due the world.

1099
00:55:32,200 --> 00:55:33,680
Speaker 1: But if my headline moved forward, I might have a

1100
00:55:33,920 --> 00:55:38,000
Speaker 1: might that might be hopeful that I got some Manala

1101
00:55:38,160 --> 00:55:41,400
Speaker 1: rice water drops for you. Okay, work, work, work it

1102
00:55:41,520 --> 00:55:45,480
Speaker 1: better work. Better let me just right now, because then

1103
00:55:45,480 --> 00:55:46,959
Speaker 1: they're gonna get on me for getting out of another

1104
00:55:47,000 --> 00:55:49,680
Speaker 1: system because if it don't work, I'm blaming. I'm blaming

1105
00:55:49,719 --> 00:55:53,080
Speaker 1: you right now. I just tell you, I'm blaming. I'm blaming.

1106
00:55:55,960 --> 00:55:58,640
Speaker 1: You're recommending this for me. That's exactly what I'm gonna do.

1107
00:55:59,080 --> 00:56:01,520
Speaker 1: I'm telling you right I'm telling you that right now,

1108
00:56:01,920 --> 00:56:04,080
Speaker 1: I appreciate y'all. Thank you so much. I want to

1109
00:56:04,080 --> 00:56:06,080
Speaker 1: take you one last thing. Yeah, you know we have

1110
00:56:06,160 --> 00:56:08,320
Speaker 1: a new studio. Okay, so now we have the option

1111
00:56:08,400 --> 00:56:09,800
Speaker 1: to go to you when we need some questions the

1112
00:56:09,880 --> 00:56:11,960
Speaker 1: next time next season the Cowboys start losing and I

1113
00:56:12,080 --> 00:56:13,719
Speaker 1: need to go to you for some backup or some

1114
00:56:14,120 --> 00:56:15,920
Speaker 1: like a zoom call right right to that camp. We

1115
00:56:15,960 --> 00:56:17,960
Speaker 1: could put pat you right in. I got you, and

1116
00:56:18,040 --> 00:56:20,160
Speaker 1: you could just telling you I got you, I got

1117
00:56:20,239 --> 00:56:21,840
Speaker 1: boy going to the super Bowl next year. I can

1118
00:56:21,920 --> 00:56:24,680
Speaker 1: tell you. I can't do it. I can't do it.

1119
00:56:25,120 --> 00:56:26,919
Speaker 1: I can't do It's the breadcat up in the morning.

1120
00:56:26,960 --> 00:56:31,399
Speaker 1: I can't y'all. Ridiculous, man, ridiculous the Breakfast Club. Your

1121
00:56:31,440 --> 00:56:35,400
Speaker 1: mornings will never be the same. You're taking Heart and

1122
00:56:35,480 --> 00:56:38,480
Speaker 1: Nick Can't declaring war on Hollywood. Each week they take

1123
00:56:38,520 --> 00:56:40,239
Speaker 1: you behind the scenes as they team up with their

1124
00:56:40,280 --> 00:56:42,680
Speaker 1: famous friends for an all out frank war. The bigger

1125
00:56:42,719 --> 00:56:45,320
Speaker 1: thet star, the harder they fall catch celebrity prank Wars

1126
00:56:45,400 --> 00:56:48,840
Speaker 1: Thursday at ten on Eat The Breakfast Club, Bitches Donkey

1127
00:56:48,880 --> 00:56:50,880
Speaker 1: other day with Sharlom Hain't the guard. I don't know

1128
00:56:50,960 --> 00:56:54,080
Speaker 1: why y'all keeping get you out like Donkey to day

1129
00:56:54,360 --> 00:56:57,160
Speaker 1: goes to the Carmela and mains of clear Water, Florida. Now,

1130
00:56:57,280 --> 00:56:59,840
Speaker 1: what did your uncle Sharla always tell you about the

1131
00:57:00,080 --> 00:57:03,040
Speaker 1: great state of Florida, saying with me, the craziest people

1132
00:57:03,080 --> 00:57:05,360
Speaker 1: in America come from the Bronx and all the Florida,

1133
00:57:05,560 --> 00:57:08,600
Speaker 1: and today is no exception. See Carmela was taken into

1134
00:57:08,640 --> 00:57:11,840
Speaker 1: custody Wednesday and clear Water, Florida after she failed to

1135
00:57:11,880 --> 00:57:16,120
Speaker 1: show up the court the face shoplifting charges. Now why no, no,

1136
00:57:16,480 --> 00:57:20,000
Speaker 1: not why wow? She was being processed at the county jail.

1137
00:57:20,160 --> 00:57:23,240
Speaker 1: A body scanning revealed an anomaly in her genital area.

1138
00:57:23,280 --> 00:57:24,920
Speaker 1: I don't even know why I'm using big words like

1139
00:57:25,000 --> 00:57:28,640
Speaker 1: anomaly for no reason. They found something odd in her genitals.

1140
00:57:28,720 --> 00:57:31,120
Speaker 1: I know what you're thinking, Was it the penis? All right?

1141
00:57:31,280 --> 00:57:33,080
Speaker 1: It can be a little confusing when someone tells you

1142
00:57:33,160 --> 00:57:35,240
Speaker 1: they are a woman, you know, but that's actually just

1143
00:57:35,320 --> 00:57:37,680
Speaker 1: what they identify at. And then when you get down there, whoa,

1144
00:57:38,360 --> 00:57:40,000
Speaker 1: you're staring at the whole play of frank and beans.

1145
00:57:40,040 --> 00:57:42,960
Speaker 1: But no, it wasn't a penis, okay. It was a pipe, right,

1146
00:57:43,040 --> 00:57:45,160
Speaker 1: not the kind of pipe that produces baby batter to

1147
00:57:45,240 --> 00:57:47,959
Speaker 1: procreate more life, but the kind of pipe that people

1148
00:57:48,040 --> 00:57:51,320
Speaker 1: put cracking and smoke it. You heard me, correct, crack

1149
00:57:51,680 --> 00:57:54,920
Speaker 1: fried cocaine rocks. This woman had a glass crack pipe

1150
00:57:55,200 --> 00:57:58,040
Speaker 1: in her vagina. Okay, yes, When officials conducted the script

1151
00:57:58,080 --> 00:58:00,919
Speaker 1: search of the suspect, they found a glass as crack

1152
00:58:01,040 --> 00:58:04,560
Speaker 1: pipe protruding from the woman's poem. Poem, Carmella then removed

1153
00:58:04,600 --> 00:58:06,920
Speaker 1: the crack pipe from her vagina and intentionally threw it

1154
00:58:07,000 --> 00:58:09,000
Speaker 1: on the ground and stepped on it and an effort

1155
00:58:09,080 --> 00:58:11,200
Speaker 1: to destroy the evidence. Mind you, she did all of

1156
00:58:11,240 --> 00:58:13,400
Speaker 1: this in front of the officers who had just discovered

1157
00:58:13,480 --> 00:58:15,520
Speaker 1: said evidence on her. But that's not why she's getting

1158
00:58:15,560 --> 00:58:17,760
Speaker 1: dunk here today. It could be, but it's not. It's

1159
00:58:17,800 --> 00:58:20,680
Speaker 1: part of it. The main reason she's getting dunky of today,

1160
00:58:21,320 --> 00:58:23,960
Speaker 1: and because of her excuse as to why there was

1161
00:58:24,000 --> 00:58:27,400
Speaker 1: a whole crack pipe in her vagina. Carmela said that

1162
00:58:27,480 --> 00:58:29,280
Speaker 1: the crack pipe wasn't a crack pipe, but it was

1163
00:58:29,320 --> 00:58:33,160
Speaker 1: a sex toy. She said this despite the fact that

1164
00:58:33,320 --> 00:58:35,919
Speaker 1: it was consistent with a pipe commonly used to smoke

1165
00:58:35,960 --> 00:58:39,200
Speaker 1: crack cocaine and it had burnt markings all over it. Okay,

1166
00:58:39,320 --> 00:58:41,600
Speaker 1: if she was really thinking she could have said the

1167
00:58:41,680 --> 00:58:43,760
Speaker 1: burnt markings came from that new screen and gone a

1168
00:58:43,840 --> 00:58:46,400
Speaker 1: red that's going around. Okay, it don't just burn humans.

1169
00:58:46,440 --> 00:58:49,040
Speaker 1: But nope, she said that the crack pipe she got

1170
00:58:49,160 --> 00:58:51,400
Speaker 1: caught with. You know it was a sex toy. Let

1171
00:58:51,440 --> 00:58:54,080
Speaker 1: me tell you something, Carmella. You might could have got

1172
00:58:54,160 --> 00:58:55,920
Speaker 1: that lie off if you wouldn't have put it in

1173
00:58:56,000 --> 00:58:58,680
Speaker 1: your vagina. I repeat, you might could have got that

1174
00:58:58,840 --> 00:59:01,080
Speaker 1: lie off if you didn't put the crack pipe in

1175
00:59:01,160 --> 00:59:02,960
Speaker 1: your poom foom. If you're going to try to convince

1176
00:59:03,040 --> 00:59:06,200
Speaker 1: people a crack pipe is a sex toy, then guess

1177
00:59:06,200 --> 00:59:08,880
Speaker 1: where you gotta put the crack pipe in the crack

1178
00:59:08,920 --> 00:59:12,520
Speaker 1: of your ass? Okay, all right, listen man, it's a

1179
00:59:12,680 --> 00:59:17,320
Speaker 1: lot of people who are into annal play nowadays. All right, Cosmopolitan,

1180
00:59:17,720 --> 00:59:20,400
Speaker 1: I saw this article on MBA's computer. Coin Polton just

1181
00:59:20,480 --> 00:59:23,160
Speaker 1: came up. He had his computer opening. I saw it.

1182
00:59:23,560 --> 00:59:26,400
Speaker 1: Cosmopolitan came out with a list of the fifteen best

1183
00:59:26,760 --> 00:59:30,000
Speaker 1: butt plugs for two twenty three. You got the Jimmy

1184
00:59:30,120 --> 00:59:34,080
Speaker 1: Jane aerial glass plug. Would you like to hear the review? No?

1185
00:59:34,680 --> 00:59:38,920
Speaker 1: Are we really talking about this is real? Okay? The

1186
00:59:39,080 --> 00:59:41,280
Speaker 1: review was I got the area and let me tell

1187
00:59:41,360 --> 00:59:44,560
Speaker 1: you wow. I was a little nervous that my inexperienced

1188
00:59:44,560 --> 00:59:46,720
Speaker 1: backdoor it might have difficulty, but I was surprised when

1189
00:59:46,720 --> 00:59:49,240
Speaker 1: they did not a bit of warming up in some lube,

1190
00:59:49,280 --> 00:59:51,640
Speaker 1: and this thing had me reaching my oh. Like most

1191
00:59:51,680 --> 00:59:54,000
Speaker 1: class toys, you can use it cold or warmed up,

1192
00:59:54,160 --> 00:59:57,320
Speaker 1: and I have to say playing with this toy was amazing.

1193
00:59:57,520 --> 01:00:00,560
Speaker 1: I highly recommend this toy. End quote that was a review.

1194
01:00:00,800 --> 01:00:02,920
Speaker 1: Why did I use that one? Why did I highlight

1195
01:00:03,080 --> 01:00:06,400
Speaker 1: that toy? Because it's a glass antal plug, just like

1196
01:00:06,480 --> 01:00:09,200
Speaker 1: a crack pipe is made of glass. It's time to

1197
01:00:09,360 --> 01:00:12,440
Speaker 1: rebrand crack pipes, ladies and gentlemen. Okay, they can actually

1198
01:00:12,560 --> 01:00:15,480
Speaker 1: be sex toys. They even have the perfect name. Pipes

1199
01:00:15,480 --> 01:00:18,680
Speaker 1: are already slang for penis. Asses have cracks, but this

1200
01:00:18,840 --> 01:00:21,160
Speaker 1: is a pipe for your ass. All right, butt plugs

1201
01:00:21,200 --> 01:00:24,720
Speaker 1: coming all forms, silicone, glass, metal, antal plugs, but the

1202
01:00:24,880 --> 01:00:27,960
Speaker 1: crack pipe could be a glass antal plug. I can

1203
01:00:28,040 --> 01:00:31,800
Speaker 1: see the reviews now on Cosmopolitan for the crackpipe. Such

1204
01:00:31,840 --> 01:00:34,520
Speaker 1: a great product, especially for the price. It's only twenty

1205
01:00:34,520 --> 01:00:37,440
Speaker 1: dollars read one review. Perfect for beginners in seasoned pros

1206
01:00:37,480 --> 01:00:40,120
Speaker 1: are like big enough to be satisfying, but small enough

1207
01:00:40,160 --> 01:00:41,960
Speaker 1: that it was comfortable to wear for a good period

1208
01:00:42,040 --> 01:00:44,840
Speaker 1: of time. I recommend the crack pipe to anyone. It's

1209
01:00:44,920 --> 01:00:48,200
Speaker 1: smoking bomb. That's how you make a crack pipe a

1210
01:00:48,320 --> 01:00:51,160
Speaker 1: sex toy, Carmela, not the way you did it. Please

1211
01:00:51,200 --> 01:00:53,920
Speaker 1: give Carmela names to sweet Sounds of the Hamletones you.

1212
01:00:58,080 --> 01:01:11,840
Speaker 1: Oh the day, Yeah, oh the day. Yeah. Now tell

1213
01:01:11,880 --> 01:01:13,400
Speaker 1: me a lot, Lizy, you don't want to crack pipe

1214
01:01:13,560 --> 01:01:16,760
Speaker 1: after that review? Come on now, no interest in that

1215
01:01:17,320 --> 01:01:21,200
Speaker 1: or but plugs. But that's just my personal preference. Whatever, whatever,

1216
01:01:21,240 --> 01:01:24,840
Speaker 1: Flat Boat, what about you in I don't play game, No,

1217
01:01:25,040 --> 01:01:26,800
Speaker 1: I don't want to play. I want to play game.

1218
01:01:26,840 --> 01:01:28,959
Speaker 1: I'm gonna be honest, man, this woman is on crack

1219
01:01:29,280 --> 01:01:31,080
Speaker 1: and she's from Florida. I don't know what she is

1220
01:01:31,240 --> 01:01:34,960
Speaker 1: when I look at her mug shot. Let's play games. Okay,

1221
01:01:35,160 --> 01:01:37,800
Speaker 1: here we go, let play a game up. Guess what

1222
01:01:38,520 --> 01:01:43,240
Speaker 1: race it is? All right? First, Carmela and mains of

1223
01:01:43,320 --> 01:01:46,200
Speaker 1: clad Water, Florida. She got caught with a crack pipe

1224
01:01:46,200 --> 01:01:48,440
Speaker 1: in her vagina, and she told officers it was a

1225
01:01:49,280 --> 01:01:57,400
Speaker 1: check toy. Lot lazy, guess what race she is? What

1226
01:01:57,560 --> 01:02:00,600
Speaker 1: makes you think that Flat Leavy that's what I think.

1227
01:02:02,560 --> 01:02:07,680
Speaker 1: I'm sticking to it. Did I want the money? Carmela

1228
01:02:07,760 --> 01:02:10,120
Speaker 1: and Mains of clare Water. Fowler got caught with a

1229
01:02:10,200 --> 01:02:12,160
Speaker 1: crack pipe in her vagina, told officers it was a

1230
01:02:12,200 --> 01:02:15,520
Speaker 1: sex toy. Yes, what race she is? This is a

1231
01:02:15,600 --> 01:02:19,400
Speaker 1: tough one, okay, because my black people, they they like

1232
01:02:19,480 --> 01:02:21,440
Speaker 1: the high stuff, they like the maneuver. They don't ask

1233
01:02:21,600 --> 01:02:24,360
Speaker 1: that just a black thing, not at all. It's not

1234
01:02:24,480 --> 01:02:27,160
Speaker 1: just a black thing. Everybody got asses in vaginas. We're

1235
01:02:27,160 --> 01:02:31,440
Speaker 1: not everybody. Everybody got to ask. Yeah, you know that.

1236
01:02:32,240 --> 01:02:38,120
Speaker 1: M hmm. I'm gonna go with white. Okay, what the reason?

1237
01:02:40,040 --> 01:02:44,520
Speaker 1: I don't know. It's just a feeling some white crackheadish stuff. Well,

1238
01:02:45,280 --> 01:02:53,320
Speaker 1: La la, and both of you are right. She's definitely

1239
01:02:53,360 --> 01:02:55,560
Speaker 1: a crackhead. Tell why I was a little confused, Right,

1240
01:02:56,520 --> 01:02:58,640
Speaker 1: she looks like a crackhead. What do you mean, Well,

1241
01:02:59,800 --> 01:03:02,640
Speaker 1: she don't look like a woman. You know what. Let's

1242
01:03:02,680 --> 01:03:09,760
Speaker 1: keep it moving, man, I can't believe all right, thank you.

1243
01:03:10,040 --> 01:03:16,840
Speaker 1: Don't get the Breakfast Club. It's a psychological thriller, man.

1244
01:03:16,920 --> 01:03:24,240
Speaker 1: It taps into um the innermost darkest uh apprehensions of

1245
01:03:24,440 --> 01:03:27,320
Speaker 1: a group of a group of friends that come to

1246
01:03:27,480 --> 01:03:32,040
Speaker 1: a large uh, in the height of the pandemic, it

1247
01:03:32,160 --> 01:03:34,920
Speaker 1: just so happens to be hunted, you know, and and

1248
01:03:35,080 --> 01:03:39,280
Speaker 1: and the spirits that hunts large they pull out the

1249
01:03:39,440 --> 01:03:42,480
Speaker 1: fears of people and use it against them. But it's

1250
01:03:42,480 --> 01:03:45,120
Speaker 1: not a scary movie. They're saying, it's not a who's

1251
01:03:47,320 --> 01:03:51,320
Speaker 1: this is scary? No, he said, He said he didn't

1252
01:03:51,360 --> 01:03:53,840
Speaker 1: feel like it was scary to him. I didn't say

1253
01:03:54,440 --> 01:03:57,160
Speaker 1: because like thirty three minutes, that's what I cut it off.

1254
01:03:57,200 --> 01:04:00,480
Speaker 1: I was like, nah, thirty three that I was home

1255
01:04:00,520 --> 01:04:05,280
Speaker 1: alone at the time. Yeah, you yourself a disserve because

1256
01:04:05,360 --> 01:04:09,600
Speaker 1: you know, right at thirty five, then when again as

1257
01:04:09,640 --> 01:04:11,560
Speaker 1: when they go crazy, and now I mean I think, um,

1258
01:04:12,480 --> 01:04:16,040
Speaker 1: you know, man, it's really about people tapping into the

1259
01:04:16,200 --> 01:04:18,080
Speaker 1: to the things that you know. You know how they

1260
01:04:18,120 --> 01:04:20,680
Speaker 1: talk about self taught. You know, you're a big on

1261
01:04:20,840 --> 01:04:23,800
Speaker 1: mental health and awareness, and you know, I self taught.

1262
01:04:23,840 --> 01:04:27,000
Speaker 1: The things you think inside your man more important than

1263
01:04:27,040 --> 01:04:29,640
Speaker 1: the things you confess outside, you know, with your mouth,

1264
01:04:29,960 --> 01:04:33,480
Speaker 1: and they tap into the things that you feel about yourself.

1265
01:04:33,760 --> 01:04:35,280
Speaker 1: That's why this is the type of horror movie that

1266
01:04:35,320 --> 01:04:36,720
Speaker 1: I feel like you could only make it in twenty

1267
01:04:36,800 --> 01:04:43,840
Speaker 1: twenty three. Because we ain't scared, no monsters or nothing. Yeah. Yeah,

1268
01:04:43,840 --> 01:04:46,040
Speaker 1: And that's what the movie deals with, is the manifestation

1269
01:04:46,120 --> 01:04:49,640
Speaker 1: of the consciousness. So inside the film, what happens is

1270
01:04:49,680 --> 01:04:52,880
Speaker 1: all the characters are dealing with something, you know, the

1271
01:04:52,960 --> 01:04:55,360
Speaker 1: most unique thing we have on earth, which is the mind.

1272
01:04:56,040 --> 01:04:58,720
Speaker 1: So whatever it is that you could actually manifest or see,

1273
01:04:58,840 --> 01:05:01,840
Speaker 1: whether that's good or bad, that's actually what you bring

1274
01:05:01,920 --> 01:05:04,520
Speaker 1: it to your reality. So the movie is really cool

1275
01:05:04,640 --> 01:05:08,120
Speaker 1: that way, and it's a big conversation piece. Man. We've

1276
01:05:08,160 --> 01:05:11,400
Speaker 1: been touring the last week now. We did like five

1277
01:05:11,480 --> 01:05:13,680
Speaker 1: six cities and every time we screened the movie, it's

1278
01:05:13,680 --> 01:05:15,200
Speaker 1: you know, it's been like an hour of Q and

1279
01:05:15,240 --> 01:05:18,280
Speaker 1: A after everyone about what the mind is doing and

1280
01:05:18,360 --> 01:05:19,720
Speaker 1: how it's doing it. It's a lot to do with

1281
01:05:19,840 --> 01:05:22,760
Speaker 1: mental illness too, man, Like, you know, so it's dope

1282
01:05:22,960 --> 01:05:26,160
Speaker 1: that way. And the end I think it's just spectacular, man,

1283
01:05:26,240 --> 01:05:29,200
Speaker 1: Like what we the message we get, which is how

1284
01:05:29,320 --> 01:05:33,160
Speaker 1: do you defeat fear? So filming this was horrifying. Dion

1285
01:05:33,320 --> 01:05:48,480
Speaker 1: made us floor like we didn't have no trailer. Hey, man,

1286
01:05:48,720 --> 01:05:50,680
Speaker 1: I told him I would go refer I mean like

1287
01:05:50,800 --> 01:05:52,720
Speaker 1: refer it for me though, you know what I'm saying,

1288
01:05:52,840 --> 01:05:54,800
Speaker 1: but but that, But I will tend you that the

1289
01:05:55,000 --> 01:06:00,919
Speaker 1: Large Week film really is haunted and it was dog

1290
01:06:01,000 --> 01:06:03,680
Speaker 1: that the story that they told that was real. No,

1291
01:06:04,560 --> 01:06:08,160
Speaker 1: h that story that Large with the with them the

1292
01:06:08,320 --> 01:06:15,560
Speaker 1: killing of the witches and got to sleep there though, yes, yeah,

1293
01:06:15,720 --> 01:06:23,840
Speaker 1: this is weird they did. What did you see, Terrice?

1294
01:06:23,880 --> 01:06:25,720
Speaker 1: Did you see anything when you were there sleeping? So

1295
01:06:25,880 --> 01:06:28,240
Speaker 1: I'm not a When I pulled up my mattress, there

1296
01:06:28,280 --> 01:06:30,400
Speaker 1: were spiders that came out from the bed. They had

1297
01:06:30,480 --> 01:06:32,200
Speaker 1: to change like the bed that I wasn't like. It

1298
01:06:32,320 --> 01:06:36,480
Speaker 1: was terrifle. It was terrifying. It was terrifying after the

1299
01:06:36,520 --> 01:06:39,000
Speaker 1: spiders came under your mattress. I'm a method active baby.

1300
01:06:41,240 --> 01:06:44,280
Speaker 1: You guys remember this was this was the first movie

1301
01:06:44,400 --> 01:06:47,920
Speaker 1: that was shot during the pandemic. So we actually went

1302
01:06:48,000 --> 01:06:50,439
Speaker 1: to the CDC and had the conversation with them before

1303
01:06:50,480 --> 01:06:52,880
Speaker 1: they started doing the bubble and all that. We were

1304
01:06:52,920 --> 01:06:55,000
Speaker 1: the first ones to do it. We were actually driving

1305
01:06:55,080 --> 01:06:58,840
Speaker 1: people or driving test results to LA and back every day.

1306
01:06:59,080 --> 01:07:01,120
Speaker 1: That's how he got us there, so that's how we're

1307
01:07:01,120 --> 01:07:03,720
Speaker 1: able to get there. Joe Spihcord drove from New York

1308
01:07:03,960 --> 01:07:07,320
Speaker 1: to Lake Taho to do this film. Terrence Tip. Everybody

1309
01:07:07,400 --> 01:07:09,960
Speaker 1: came down and descended into one location so we could

1310
01:07:10,000 --> 01:07:11,440
Speaker 1: make the movie. Originally I was going to do it

1311
01:07:11,520 --> 01:07:14,360
Speaker 1: with a cabraphone, and then I got a little bit

1312
01:07:14,360 --> 01:07:15,760
Speaker 1: more risky. I was like, man, I wonder if I

1313
01:07:15,800 --> 01:07:17,920
Speaker 1: could call it a real DP and really shoot this.

1314
01:07:18,560 --> 01:07:21,160
Speaker 1: And so I think it's really great about the film

1315
01:07:21,320 --> 01:07:24,640
Speaker 1: is in between takes you will see when you go

1316
01:07:24,760 --> 01:07:27,760
Speaker 1: see the movie, wise call fears because you could really

1317
01:07:27,800 --> 01:07:30,680
Speaker 1: see every actor in there really dealing with something. Because

1318
01:07:30,720 --> 01:07:33,480
Speaker 1: this is at a time where we didn't know so

1319
01:07:33,680 --> 01:07:36,720
Speaker 1: now everybody's cool, Now everybody tough, Now everybody know everything.

1320
01:07:37,120 --> 01:07:39,560
Speaker 1: But this is when we were watching CNN and ten

1321
01:07:39,640 --> 01:07:42,160
Speaker 1: thousand Bodies every day. We were saying, you know what

1322
01:07:42,160 --> 01:07:44,520
Speaker 1: I mean, this is that moment. So to be able

1323
01:07:44,520 --> 01:07:46,320
Speaker 1: to do that film during that time, and shout out

1324
01:07:46,360 --> 01:07:48,440
Speaker 1: to Rock sam Man for producing the film during that

1325
01:07:49,040 --> 01:07:50,920
Speaker 1: but we did it, man, And now to have a

1326
01:07:51,000 --> 01:07:53,800
Speaker 1: movie that looks like this and feels like this fresh, new,

1327
01:07:54,400 --> 01:07:56,600
Speaker 1: pretty dope. And that's how it got us all there,

1328
01:07:56,680 --> 01:07:58,400
Speaker 1: because you know, he called me and say, man, I'm

1329
01:07:58,400 --> 01:08:00,200
Speaker 1: gonna shoot the movie. I say, man, anybody in the

1330
01:08:00,320 --> 01:08:02,480
Speaker 1: movie now, I want to shoot the movie, I said,

1331
01:08:02,480 --> 01:08:07,960
Speaker 1: all right when he say, like Thursday, and that's what happened.

1332
01:08:07,960 --> 01:08:11,439
Speaker 1: We just I mean, really it was, as I guess,

1333
01:08:11,480 --> 01:08:14,600
Speaker 1: it's spontaneous as it sounds, That's exactly how I went down.

1334
01:08:15,160 --> 01:08:17,280
Speaker 1: And as soon as I showed up, I saw Terence

1335
01:08:17,360 --> 01:08:19,040
Speaker 1: and it ain't like, you know, I got to show

1336
01:08:19,160 --> 01:08:22,320
Speaker 1: up and prepare and go to wardrobe like I showed him, Hey,

1337
01:08:22,400 --> 01:08:24,240
Speaker 1: what what you're wearing right now here? Yeah, let's go

1338
01:08:25,320 --> 01:08:28,479
Speaker 1: first scenes coming right up, the campfire scene that was

1339
01:08:28,640 --> 01:08:32,280
Speaker 1: That was like thirty minutes after I got Really, I

1340
01:08:32,439 --> 01:08:35,240
Speaker 1: love that. I love that there's such a grittiness and

1341
01:08:35,640 --> 01:08:38,280
Speaker 1: so authentic. One is done that way, like when you

1342
01:08:38,439 --> 01:08:40,960
Speaker 1: just in the trenches shooting a movie as a labor

1343
01:08:41,080 --> 01:08:44,040
Speaker 1: of love. Everybody's just putting their best foot forward. It's

1344
01:08:44,080 --> 01:08:46,800
Speaker 1: not about hair to make up the clothes. It's really

1345
01:08:46,840 --> 01:08:48,600
Speaker 1: about just digging in and getting into it. You got

1346
01:08:48,680 --> 01:08:52,240
Speaker 1: to be a beast to do that. Yeah, he hes dog.

1347
01:08:52,520 --> 01:08:55,240
Speaker 1: So you thought to yourself down, let's use no budget whatsoever.

1348
01:08:55,680 --> 01:08:59,519
Speaker 1: What the film representative was the moment of the time

1349
01:08:59,560 --> 01:09:03,040
Speaker 1: we were in. So even when Tip got there, when

1350
01:09:03,040 --> 01:09:04,720
Speaker 1: it come up to right, you know, right when he

1351
01:09:04,840 --> 01:09:06,519
Speaker 1: got there, and I looked at him. I was I

1352
01:09:06,680 --> 01:09:09,080
Speaker 1: was like, that's it, this is the moment. This is

1353
01:09:09,120 --> 01:09:11,479
Speaker 1: what he looks like, you know what I mean? And yeah,

1354
01:09:11,600 --> 01:09:14,240
Speaker 1: no no budget at all. You know. What we were

1355
01:09:14,320 --> 01:09:16,439
Speaker 1: trying to do was just be raw and be ugly

1356
01:09:16,960 --> 01:09:19,800
Speaker 1: and capture what it felt like during that time. But

1357
01:09:19,960 --> 01:09:21,920
Speaker 1: the twist is when you go to the theater, you'll

1358
01:09:22,000 --> 01:09:24,800
Speaker 1: understand where we're going with this, because, like I said,

1359
01:09:25,479 --> 01:09:29,360
Speaker 1: fear is a powerful, powerful emotion and it would look

1360
01:09:29,439 --> 01:09:32,720
Speaker 1: it could it could manifest in a very very hurtful way.

1361
01:09:33,120 --> 01:09:35,120
Speaker 1: So what I thought was really cool about the movies

1362
01:09:35,160 --> 01:09:37,080
Speaker 1: as we keep growing it and growing it. I was

1363
01:09:37,120 --> 01:09:39,720
Speaker 1: saying this the other day, like during that time and

1364
01:09:39,840 --> 01:09:42,120
Speaker 1: even now, like you feel like I mean, I feel

1365
01:09:42,120 --> 01:09:43,639
Speaker 1: like I got a little thing right here. You're gonna

1366
01:09:43,680 --> 01:09:46,599
Speaker 1: line you started searching, you go down the rabbit hole

1367
01:09:46,640 --> 01:09:52,960
Speaker 1: for you know, you didn't diagnose yourself, right, So like

1368
01:09:53,040 --> 01:09:56,800
Speaker 1: I got this And so this energy is in this film, right,

1369
01:09:56,880 --> 01:09:59,640
Speaker 1: How we perceived television is in this film. How we

1370
01:10:00,000 --> 01:10:03,519
Speaker 1: see everything that we consume and how we regurgitated it's

1371
01:10:03,520 --> 01:10:05,639
Speaker 1: in this film. All right, we got more with Tian

1372
01:10:05,840 --> 01:10:08,320
Speaker 1: terrce j and Dan Taylor. You know that movie Fear

1373
01:10:08,400 --> 01:10:10,559
Speaker 1: comes out tomorrow, So don't movie. It's the Breakfast Club

1374
01:10:12,320 --> 01:10:13,960
Speaker 1: and d showing me and the guy we are the

1375
01:10:14,040 --> 01:10:16,840
Speaker 1: breakfast Club. We're still kicking it with Tia Terrace, Jay

1376
01:10:16,960 --> 01:10:20,840
Speaker 1: and Dan and Taylor. That movie Fear comes out tomorrow. Now,

1377
01:10:21,360 --> 01:10:23,559
Speaker 1: Lila was joining us during this interview. So let's get

1378
01:10:23,600 --> 01:10:25,639
Speaker 1: back to the interview. Now. You talk about the campfire scene.

1379
01:10:25,720 --> 01:10:28,519
Speaker 1: That's the scene where you guys start talking about your fears. Ye,

1380
01:10:28,880 --> 01:10:31,600
Speaker 1: So let me ask you guys in real life, what

1381
01:10:31,840 --> 01:10:34,679
Speaker 1: is your biggest fear? Start with you, TJ. My biggest

1382
01:10:34,880 --> 01:10:38,920
Speaker 1: fear is just not maximizing my full potential, you know,

1383
01:10:39,160 --> 01:10:41,800
Speaker 1: waking up an old man and looking back and feeling

1384
01:10:41,840 --> 01:10:43,720
Speaker 1: like I left something on the table. And so that's

1385
01:10:43,760 --> 01:10:45,640
Speaker 1: why every morning I get up, I'm like, you know,

1386
01:10:45,760 --> 01:10:48,400
Speaker 1: I don't want to leave anything behind in this life,

1387
01:10:48,640 --> 01:10:50,519
Speaker 1: you know, So that would probably be it is that

1388
01:10:50,520 --> 01:10:52,080
Speaker 1: while you're looking alone, walk in front of you and

1389
01:11:02,760 --> 01:11:09,599
Speaker 1: is my sister, sister. That's like my sister, how did

1390
01:11:09,640 --> 01:11:12,200
Speaker 1: this even go left? That's like my family. When when

1391
01:11:12,280 --> 01:11:15,679
Speaker 1: when you see Neil, you see you got to open

1392
01:11:15,760 --> 01:11:18,200
Speaker 1: the doors. You know what I'm saying me along is

1393
01:11:18,240 --> 01:11:20,600
Speaker 1: a is a is a national treasure. She must be

1394
01:11:20,720 --> 01:11:26,560
Speaker 1: protected at all cars you know, biggest fear, uh? I

1395
01:11:26,640 --> 01:11:29,519
Speaker 1: think my biggest fear, man, you know, is not being

1396
01:11:29,600 --> 01:11:32,240
Speaker 1: able to be there for for for my kids and

1397
01:11:32,360 --> 01:11:34,920
Speaker 1: my loved ones when they depending on me when they

1398
01:11:35,040 --> 01:11:37,280
Speaker 1: need me, and not even just not be there physically,

1399
01:11:37,360 --> 01:11:40,200
Speaker 1: like you know, just not be here to guide them

1400
01:11:40,240 --> 01:11:43,000
Speaker 1: and direct them and you know, off of my my

1401
01:11:43,439 --> 01:11:48,040
Speaker 1: uh I guess experience or knowledge of wisdom for them

1402
01:11:48,240 --> 01:11:51,200
Speaker 1: to get through whatever they might be challenged with. I

1403
01:11:51,320 --> 01:11:55,240
Speaker 1: think that's that's my biggest fear. Yeah. Oh, I think

1404
01:11:55,400 --> 01:11:59,760
Speaker 1: my biggest fear is like constantly trying to wonder if

1405
01:11:59,800 --> 01:12:03,120
Speaker 1: I'm be here in ten, twelve, thirteen, fourteen years from

1406
01:12:03,120 --> 01:12:04,400
Speaker 1: my kids, Like I'm like, man, I want to be

1407
01:12:04,439 --> 01:12:06,840
Speaker 1: here when they turn. That's something that I keep on

1408
01:12:07,080 --> 01:12:09,720
Speaker 1: messing with. And that's something you gotta not do. You

1409
01:12:09,800 --> 01:12:11,840
Speaker 1: got to live in a moment right now and understand that,

1410
01:12:12,400 --> 01:12:14,400
Speaker 1: you know, every day as a blessing versus you trying

1411
01:12:14,400 --> 01:12:17,360
Speaker 1: to live for what you know, what twenty thirty gonna

1412
01:12:17,360 --> 01:12:19,439
Speaker 1: feel like, you know what I mean, so it would

1413
01:12:19,439 --> 01:12:21,360
Speaker 1: be time for me. And that's what's crazy as we

1414
01:12:21,520 --> 01:12:24,760
Speaker 1: deal with all this in the film. Yeah, I'm thinking

1415
01:12:24,800 --> 01:12:26,679
Speaker 1: about the movie. You know, you did the whole airborne

1416
01:12:26,760 --> 01:12:29,120
Speaker 1: virus that got people stuck in the house, you know

1417
01:12:29,160 --> 01:12:31,479
Speaker 1: what I mean. But then also, I'm not gonna give

1418
01:12:31,479 --> 01:12:33,439
Speaker 1: it away, but there was a lot of people who

1419
01:12:33,479 --> 01:12:36,560
Speaker 1: committed suicide during that time. When was all of that?

1420
01:12:36,680 --> 01:12:38,800
Speaker 1: Did y'all tap all of that during that one year

1421
01:12:39,000 --> 01:12:41,120
Speaker 1: or well that stuff y'all did after the fact? Did

1422
01:12:41,200 --> 01:12:43,800
Speaker 1: it all in the fifteen days we were there? Wow?

1423
01:12:43,920 --> 01:12:47,479
Speaker 1: So we were really ahead of that moment. Yeah, that's why.

1424
01:12:47,600 --> 01:12:49,080
Speaker 1: That's why I keep telling you know, that's why the

1425
01:12:49,160 --> 01:12:51,000
Speaker 1: movie is being received the way because you what you

1426
01:12:51,120 --> 01:12:53,400
Speaker 1: just hit on, which is we were actually ahead of

1427
01:12:53,479 --> 01:12:55,120
Speaker 1: that curve a little bit. What we were like, man,

1428
01:12:55,280 --> 01:12:58,720
Speaker 1: just thinking it out loud, like tip Terence, you know

1429
01:12:58,760 --> 01:13:01,120
Speaker 1: what I mean, Like how they what happens is pretty dope.

1430
01:13:01,520 --> 01:13:05,880
Speaker 1: You what was it like, July twenty twenty. Yeah, Yeah,

1431
01:13:07,479 --> 01:13:10,439
Speaker 1: everything started hitting the fan around March April Februaries when

1432
01:13:10,479 --> 01:13:14,160
Speaker 1: they started going. You know, we put all the money

1433
01:13:14,240 --> 01:13:16,240
Speaker 1: on the screen. So it's like, you know, when he

1434
01:13:16,280 --> 01:13:18,400
Speaker 1: asked you to participate in something like that, you want

1435
01:13:18,439 --> 01:13:20,040
Speaker 1: to get paid six figures to be in it or

1436
01:13:20,080 --> 01:13:22,080
Speaker 1: you want to invest six figures and have a seat

1437
01:13:22,120 --> 01:13:24,360
Speaker 1: at the table. And so that's the beauty of what

1438
01:13:24,479 --> 01:13:27,839
Speaker 1: Dion's created with This is where you know producers complete

1439
01:13:27,880 --> 01:13:31,400
Speaker 1: profit participation and I and I love that because it's

1440
01:13:31,400 --> 01:13:33,800
Speaker 1: all about you know, Boston up. It's all about us

1441
01:13:33,840 --> 01:13:37,320
Speaker 1: working together. It's not reaching up. There's no studio handing

1442
01:13:37,400 --> 01:13:40,400
Speaker 1: us down money. It's completely self finance, doesn't looking depend

1443
01:13:40,439 --> 01:13:43,600
Speaker 1: If anybody looks looking dependent, like they didn't tell me

1444
01:13:43,680 --> 01:13:45,559
Speaker 1: that right now, I would have never thought that. Watching

1445
01:13:45,560 --> 01:13:47,280
Speaker 1: it feel like get Out is now that I think about.

1446
01:13:47,280 --> 01:13:49,080
Speaker 1: That's why you know the people and get Out of

1447
01:13:49,080 --> 01:13:50,840
Speaker 1: the actors, they got shot to get out and there

1448
01:13:51,920 --> 01:13:55,519
Speaker 1: your mouth to guard is yet this get Out? And

1449
01:13:55,560 --> 01:13:58,600
Speaker 1: then the movie a little bit part it's checked with

1450
01:13:58,680 --> 01:14:05,840
Speaker 1: an armored in a box. His first road he checked

1451
01:14:05,880 --> 01:14:08,439
Speaker 1: from Get Up. It's crazy. Yeah, but I think like

1452
01:14:08,600 --> 01:14:12,200
Speaker 1: what this represents everyone. I think everyone talks a good

1453
01:14:12,240 --> 01:14:15,040
Speaker 1: game about this black excellence and building our own and

1454
01:14:15,680 --> 01:14:18,240
Speaker 1: but it's very seldom man, that we actually really work together.

1455
01:14:19,240 --> 01:14:21,760
Speaker 1: And people, Yeah, people don't want to have that conversation about, like,

1456
01:14:21,920 --> 01:14:23,760
Speaker 1: you know, working with people that look just like you,

1457
01:14:24,360 --> 01:14:27,200
Speaker 1: and especially in this industry. Man where people are actually

1458
01:14:27,600 --> 01:14:29,280
Speaker 1: the ones that look like you could be the most

1459
01:14:29,320 --> 01:14:32,439
Speaker 1: cutthroat you know, and the most people that have pushed

1460
01:14:32,439 --> 01:14:34,680
Speaker 1: you away so very clickish, you know what I mean.

1461
01:14:34,800 --> 01:14:38,080
Speaker 1: So for us independently, man, I've been you know, this

1462
01:14:38,200 --> 01:14:39,920
Speaker 1: took us a long time to be able to build this.

1463
01:14:40,640 --> 01:14:43,559
Speaker 1: But now, like movies like you know, Black and Blue

1464
01:14:43,640 --> 01:14:45,920
Speaker 1: and Intruder and you know all these other films we

1465
01:14:46,000 --> 01:14:49,920
Speaker 1: didn't made Supremacy, Yeah, with rehearsal, Ali and Danny Glover

1466
01:14:50,439 --> 01:14:52,479
Speaker 1: like now to be able to do it at this

1467
01:14:52,680 --> 01:14:55,679
Speaker 1: level and now also be inclusive and work with other people,

1468
01:14:56,080 --> 01:14:58,639
Speaker 1: this movie could go much further than I could throw

1469
01:14:58,720 --> 01:15:00,519
Speaker 1: it based on the fact that these guys could run

1470
01:15:00,560 --> 01:15:02,439
Speaker 1: faster than me too, you know what I mean. So

1471
01:15:03,080 --> 01:15:05,960
Speaker 1: this should be like the new brand of what we're

1472
01:15:05,960 --> 01:15:08,719
Speaker 1: trying to build in Hollywood, you know, which is really

1473
01:15:08,880 --> 01:15:12,440
Speaker 1: everybody working together and building something and owning something collectively,

1474
01:15:12,920 --> 01:15:15,680
Speaker 1: not just one person getting rich or getting empowered or

1475
01:15:16,080 --> 01:15:19,920
Speaker 1: so if this movie works, we do it again, and

1476
01:15:20,000 --> 01:15:22,320
Speaker 1: then we do it again, and then these guys actually

1477
01:15:22,360 --> 01:15:24,840
Speaker 1: participate because right now no one owns IPS. I was

1478
01:15:24,840 --> 01:15:27,440
Speaker 1: going to say, it's just so that's what's so important

1479
01:15:27,560 --> 01:15:30,040
Speaker 1: and one thing about you, Dan is you're always about

1480
01:15:30,280 --> 01:15:34,160
Speaker 1: giving those opportunities to people that to us, you know,

1481
01:15:34,320 --> 01:15:38,120
Speaker 1: people that understand what our day to day lifestyle is like.

1482
01:15:38,200 --> 01:15:40,600
Speaker 1: And I think is amazing to provide those opportunities to

1483
01:15:40,680 --> 01:15:43,080
Speaker 1: all of us for ownership and just also to kind

1484
01:15:43,120 --> 01:15:45,920
Speaker 1: of I've learned a lot from you, like just learning

1485
01:15:46,040 --> 01:15:48,240
Speaker 1: from you, and I know just watching how he works,

1486
01:15:48,280 --> 01:15:50,559
Speaker 1: it's like it's like a masterclass. And to be able

1487
01:15:50,640 --> 01:15:52,840
Speaker 1: to be a part of that and then, like he said,

1488
01:15:52,920 --> 01:15:55,439
Speaker 1: take that blueprint and do it again, and do it again.

1489
01:15:55,520 --> 01:15:57,840
Speaker 1: That's what it's about. Providing more opportunities for all of

1490
01:15:57,920 --> 01:15:59,840
Speaker 1: us out there to continue to grow and then put

1491
01:16:00,080 --> 01:16:03,320
Speaker 1: some positions to provide more opportunities for more people. You

1492
01:16:03,360 --> 01:16:05,519
Speaker 1: gotta have that. It's a reason why people are like, man,

1493
01:16:05,520 --> 01:16:08,760
Speaker 1: I haven't seen Jack Nicholson work in twenty five years,

1494
01:16:08,840 --> 01:16:10,920
Speaker 1: but he's sitting on the front row of the Lakers

1495
01:16:11,000 --> 01:16:14,360
Speaker 1: game right. It's because he owns Steak and Equity and

1496
01:16:14,400 --> 01:16:18,200
Speaker 1: Batman piano reeves the matrix, you know what I mean.

1497
01:16:18,320 --> 01:16:20,120
Speaker 1: So you could go on and on how these guys

1498
01:16:20,160 --> 01:16:23,080
Speaker 1: are able to actually be a part of something, but us,

1499
01:16:23,439 --> 01:16:25,640
Speaker 1: we always get it up front. You know what I mean.

1500
01:16:25,720 --> 01:16:28,000
Speaker 1: And now in this system where everything is streaming and

1501
01:16:28,080 --> 01:16:30,679
Speaker 1: they own everything, you really don't get no IP or equity.

1502
01:16:31,000 --> 01:16:33,080
Speaker 1: So now you're gonna get paid all the money right now,

1503
01:16:33,520 --> 01:16:35,360
Speaker 1: and then you're gonna watch that for the next twenty

1504
01:16:35,400 --> 01:16:37,800
Speaker 1: thirty years. Your kid's gonna watch that. So to be

1505
01:16:37,840 --> 01:16:40,400
Speaker 1: able to participate like real did and to get out

1506
01:16:40,960 --> 01:16:43,920
Speaker 1: or have percentage, I'm sure he didn't invest, but they

1507
01:16:44,000 --> 01:16:46,280
Speaker 1: gave him equity in the movie because he came in

1508
01:16:46,439 --> 01:16:49,040
Speaker 1: a small budget movie. But this is different, man, Like,

1509
01:16:49,160 --> 01:16:52,439
Speaker 1: this is ownership. So when you see Fear this weekend

1510
01:16:52,479 --> 01:16:55,560
Speaker 1: in the movie theater, and you're right, it looks fantastic.

1511
01:16:55,960 --> 01:16:59,719
Speaker 1: Shout out to Chris Duskin, you know the whole VFX

1512
01:16:59,760 --> 01:17:01,800
Speaker 1: team that worked on this. When you see that, just

1513
01:17:02,000 --> 01:17:04,960
Speaker 1: understand when you buy that ticket, it is actually going

1514
01:17:05,040 --> 01:17:07,680
Speaker 1: back to a black production company and back to these

1515
01:17:07,720 --> 01:17:09,840
Speaker 1: guys who put their money up and they own that.

1516
01:17:09,960 --> 01:17:11,920
Speaker 1: So in five years from now, when you watch Feared,

1517
01:17:12,040 --> 01:17:13,760
Speaker 1: it's there. So now we could buy some cars for

1518
01:17:13,920 --> 01:17:26,519
Speaker 1: Envy's car shot for the car shot, TI I was

1519
01:17:26,560 --> 01:17:29,000
Speaker 1: gonna ask. So when you board during the pandemic, it

1520
01:17:29,080 --> 01:17:30,519
Speaker 1: was like I gotta shoot something I can't just sit

1521
01:17:30,600 --> 01:17:32,679
Speaker 1: on my ass. But what was that with? That thought

1522
01:17:32,680 --> 01:17:34,720
Speaker 1: process came because we were all home doing nothing. No,

1523
01:17:35,080 --> 01:17:37,120
Speaker 1: Dion was calling everybody. He was was on the phone

1524
01:17:37,160 --> 01:17:39,639
Speaker 1: with Charlemagne six am every morning. We got to change

1525
01:17:39,680 --> 01:17:42,840
Speaker 1: the world. We're gonna do approach like dionea on the

1526
01:17:42,920 --> 01:17:47,760
Speaker 1: couple Z. We did great man. We were acton was

1527
01:17:47,880 --> 01:17:51,400
Speaker 1: leading the charge on. It wasn't even entertainment stuff. It

1528
01:17:51,479 --> 01:17:55,120
Speaker 1: was politics. Yeah, all of us, you and me and

1529
01:17:55,320 --> 01:17:59,879
Speaker 1: Killer Mike and uh. I think we all just everybody

1530
01:18:00,080 --> 01:18:02,280
Speaker 1: knew something big it's gonna come out of it. You know.

1531
01:18:02,400 --> 01:18:04,920
Speaker 1: We just wanted to be a part of whatever was

1532
01:18:05,000 --> 01:18:08,120
Speaker 1: going to be on the other side that was that

1533
01:18:08,320 --> 01:18:13,640
Speaker 1: was going to be financially beneficial or even just culturally beneficial. Uh.

1534
01:18:13,720 --> 01:18:16,760
Speaker 1: And I think you know, in our own way, everybody did.

1535
01:18:17,360 --> 01:18:19,320
Speaker 1: I mean a lot of people didn't make it to

1536
01:18:19,360 --> 01:18:23,400
Speaker 1: the other side. I'm saying that physically as well as

1537
01:18:23,479 --> 01:18:26,639
Speaker 1: mental mentally. A lot of people did not make that jump.

1538
01:18:26,920 --> 01:18:32,160
Speaker 1: Y'all show that in the movie. Yeah, some people wanted

1539
01:18:32,200 --> 01:18:36,040
Speaker 1: to make it. You know, it's around than just what

1540
01:18:36,120 --> 01:18:38,840
Speaker 1: wasn't you know, and just wouldn't let it happen with

1541
01:18:39,040 --> 01:18:44,360
Speaker 1: the ain't gonna say we got more with tr terrce

1542
01:18:44,439 --> 01:18:46,920
Speaker 1: J and Dion Taylor. You know that movie Fear comes

1543
01:18:46,960 --> 01:18:49,000
Speaker 1: out tomorrow, so don't move. It's to breakfast Club. Good

1544
01:18:49,040 --> 01:18:55,519
Speaker 1: morning the Breakfast Club. We are to Breakfast Club. Were

1545
01:18:55,560 --> 01:18:58,400
Speaker 1: too kidding with tr Terrice Ja and Dion Taylor that

1546
01:18:58,520 --> 01:19:02,720
Speaker 1: movie Fear comes out tomorrow. Now La was joining us

1547
01:19:02,800 --> 01:19:04,439
Speaker 1: during this interview, so let's get back to the interview.

1548
01:19:04,520 --> 01:19:07,880
Speaker 1: Charloba deal, how important is like just mentorship? Like who

1549
01:19:07,960 --> 01:19:09,840
Speaker 1: taught you? Like you're giving the game to people, but

1550
01:19:10,000 --> 01:19:13,120
Speaker 1: who taught you? You know what? I wasn't taught And

1551
01:19:13,280 --> 01:19:16,160
Speaker 1: I think that's what really helps me to be who

1552
01:19:16,200 --> 01:19:18,200
Speaker 1: I am today because it was so hard for us

1553
01:19:18,240 --> 01:19:21,320
Speaker 1: for seventeen years. Every time we went somewhere and somebody

1554
01:19:21,400 --> 01:19:24,000
Speaker 1: tell you know, you don't know how to actually do something,

1555
01:19:24,080 --> 01:19:26,000
Speaker 1: so you have to learn on your own. I just

1556
01:19:26,080 --> 01:19:29,080
Speaker 1: remember Man two three times having a metaphysical death in

1557
01:19:29,200 --> 01:19:31,360
Speaker 1: my life. Well I'm like, damn man, Like I thought

1558
01:19:31,400 --> 01:19:35,080
Speaker 1: I was doing this right, but I've collapsed. And later

1559
01:19:35,200 --> 01:19:38,840
Speaker 1: on in life I ended up meaning Robert Smith, who

1560
01:19:38,960 --> 01:19:41,479
Speaker 1: became a real mentor to me. But I was already

1561
01:19:41,520 --> 01:19:44,559
Speaker 1: on the move. He already seen that. But yeah, that's

1562
01:19:44,600 --> 01:19:46,640
Speaker 1: why Richard black Man in America too. Yeah, but that's

1563
01:19:46,640 --> 01:19:48,479
Speaker 1: why I just come from a place man of like, man,

1564
01:19:48,600 --> 01:19:50,920
Speaker 1: we could just show it educating. I know that's not normal,

1565
01:19:51,520 --> 01:19:53,760
Speaker 1: but you know we already said, man, the game is

1566
01:19:53,800 --> 01:19:56,080
Speaker 1: to be sold, and I told I've always been like, no, man,

1567
01:19:56,160 --> 01:19:58,360
Speaker 1: you get a game away for free, so we could

1568
01:19:58,400 --> 01:20:01,120
Speaker 1: learn and move forward. That's the bottom line, you know

1569
01:20:01,120 --> 01:20:02,920
Speaker 1: what I mean. It's not it should not be this

1570
01:20:03,160 --> 01:20:06,160
Speaker 1: thing where it's only one and we've had this conversation.

1571
01:20:06,160 --> 01:20:08,439
Speaker 1: I've seen Kevin Hard have it. I've seen Tia have it,

1572
01:20:08,880 --> 01:20:12,360
Speaker 1: Terrence have it. That's a reality right now, it's only one,

1573
01:20:12,720 --> 01:20:14,040
Speaker 1: you know what I mean. It's like, man, how do

1574
01:20:14,120 --> 01:20:16,760
Speaker 1: we get past that? And then how do we also

1575
01:20:16,880 --> 01:20:19,960
Speaker 1: celebrate people that's actually winning? Man? You know, we just

1576
01:20:20,040 --> 01:20:23,439
Speaker 1: talking about Josephcore of fifty cent on the way over here,

1577
01:20:23,439 --> 01:20:25,280
Speaker 1: because Joe is a really big part of this film,

1578
01:20:25,800 --> 01:20:28,080
Speaker 1: and I was just saying to myself, Man, do you

1579
01:20:28,160 --> 01:20:30,760
Speaker 1: guys understand we do as a culture, but do you

1580
01:20:30,880 --> 01:20:34,880
Speaker 1: understand what this man has done in television? Yeah? I

1581
01:20:34,880 --> 01:20:38,479
Speaker 1: don't think people understand. They don't. Yeah, But at the

1582
01:20:38,560 --> 01:20:41,680
Speaker 1: same time, why why why does the country not understand that?

1583
01:20:42,240 --> 01:20:44,439
Speaker 1: And then why is he still being in a position

1584
01:20:44,479 --> 01:20:47,720
Speaker 1: where he has to fight for what he's right? Right, Like,

1585
01:20:47,880 --> 01:20:50,320
Speaker 1: this is real, man, you think of no valuable in

1586
01:20:50,400 --> 01:20:56,679
Speaker 1: black content? We value, but I don't think somebody else's hands. True,

1587
01:20:57,800 --> 01:21:02,920
Speaker 1: they try to devalue. We owe his numbers. His numbers

1588
01:21:03,040 --> 01:21:05,760
Speaker 1: better than every other show on the network. So what

1589
01:21:06,080 --> 01:21:08,680
Speaker 1: does that mean? But that's also why it's up to us,

1590
01:21:08,880 --> 01:21:11,519
Speaker 1: like everything that we're talking about, because obviously fifty has

1591
01:21:11,600 --> 01:21:13,960
Speaker 1: been a mentor and I've said a million times, I

1592
01:21:14,040 --> 01:21:16,400
Speaker 1: say it a million one times. Fifty changed my life

1593
01:21:16,439 --> 01:21:18,479
Speaker 1: by the opportunities that he's always provided to me. But

1594
01:21:18,520 --> 01:21:21,280
Speaker 1: then you'll see what people be like, Oh she did power,

1595
01:21:21,400 --> 01:21:24,200
Speaker 1: now she on BMF, she just do everything. We're fifties

1596
01:21:24,240 --> 01:21:26,120
Speaker 1: that first of all, I'm loyal, and second of all,

1597
01:21:26,400 --> 01:21:35,800
Speaker 1: like this man provided it's like it's like it's you're

1598
01:21:35,840 --> 01:21:37,840
Speaker 1: mad about that or that's not the right thing, but

1599
01:21:38,360 --> 01:21:41,400
Speaker 1: some other person gives me opportunity. Yeah, yeah, you should

1600
01:21:41,400 --> 01:21:43,639
Speaker 1: go do that. You should go do that, because yeah,

1601
01:21:43,640 --> 01:21:45,240
Speaker 1: I just said it's not it's not it's value when

1602
01:21:45,240 --> 01:21:47,280
Speaker 1: we give it to somebody else, but we have it.

1603
01:21:47,360 --> 01:21:49,880
Speaker 1: It's just it's not valued. Man. They criticize you to

1604
01:21:49,960 --> 01:21:53,000
Speaker 1: the copy there you got no what Tips. It makes

1605
01:21:53,040 --> 01:21:54,599
Speaker 1: a lot of sense because I'm thinking about like somebody

1606
01:21:54,640 --> 01:21:57,639
Speaker 1: like Norman live right, you know what I mean, called

1607
01:21:57,680 --> 01:22:01,880
Speaker 1: you every time no one would say anything jerd appetite, Yeah,

1608
01:22:02,000 --> 01:22:07,240
Speaker 1: you know, every everywhere. Yeah, you know, I was thinking too, Tip.

1609
01:22:07,320 --> 01:22:10,200
Speaker 1: You know who who's mentoring the young rappers in Atlanta?

1610
01:22:10,240 --> 01:22:12,240
Speaker 1: Because you talk about your growth and your evolution. And

1611
01:22:12,280 --> 01:22:14,280
Speaker 1: I feel like brothers like you who made the transition

1612
01:22:14,360 --> 01:22:17,160
Speaker 1: from the streets, you know, to corporate America. You gotta

1613
01:22:17,200 --> 01:22:19,600
Speaker 1: get these young brothers from game because they feel like

1614
01:22:19,920 --> 01:22:22,320
Speaker 1: they just thrown it all the way. I'm I'm I'm

1615
01:22:22,400 --> 01:22:24,960
Speaker 1: always here, bro, you know what I'm saying. I'm always here.

1616
01:22:24,960 --> 01:22:28,200
Speaker 1: I always try and make myself available whenever I can.

1617
01:22:28,600 --> 01:22:31,600
Speaker 1: And uh, and I believe that the mentorship is you know,

1618
01:22:31,680 --> 01:22:35,599
Speaker 1: it's present. It's present. Man. You know you got uh

1619
01:22:36,080 --> 01:22:42,320
Speaker 1: institutions of culture like Grand Hustle qc Uh. You know

1620
01:22:42,840 --> 01:22:50,160
Speaker 1: you got uh free bands, you got uh street execs. Uh.

1621
01:22:50,600 --> 01:22:54,640
Speaker 1: You know it's it's a lot so so deaf. You know,

1622
01:22:54,800 --> 01:22:56,720
Speaker 1: you got a lot of ogs. Did you know what

1623
01:22:56,760 --> 01:23:00,439
Speaker 1: I'm saying? That reached back and still make sure that

1624
01:23:00,680 --> 01:23:04,280
Speaker 1: the conversations of being had h you gotta kill the

1625
01:23:04,400 --> 01:23:09,040
Speaker 1: mike you got, you know, uh see low Yeah, of course, jeez.

1626
01:23:09,560 --> 01:23:13,920
Speaker 1: Everybody like does our part to make sure that if

1627
01:23:14,000 --> 01:23:16,559
Speaker 1: there's some information that a young man or a young

1628
01:23:16,680 --> 01:23:19,559
Speaker 1: lady needs, that they know where to find the places

1629
01:23:19,600 --> 01:23:22,920
Speaker 1: like the gathering spot, places like the Trap Music Museum,

1630
01:23:23,080 --> 01:23:25,960
Speaker 1: places like Trap City Cafe where you just show up

1631
01:23:26,280 --> 01:23:29,120
Speaker 1: and just happen to see somebody. Hey, man, how do

1632
01:23:29,200 --> 01:23:31,360
Speaker 1: you like a person like pulled up to the cafe?

1633
01:23:31,479 --> 01:23:34,040
Speaker 1: But like, how do I copyright my music if I

1634
01:23:34,160 --> 01:23:37,160
Speaker 1: can't really afford a lawyer? I was like, man, you know,

1635
01:23:37,240 --> 01:23:38,719
Speaker 1: I just used to I don't know if they still

1636
01:23:38,760 --> 01:23:40,080
Speaker 1: do it like that, but I just used to put

1637
01:23:40,200 --> 01:23:45,639
Speaker 1: my demo in the mail, and I don't know where

1638
01:23:51,479 --> 01:23:53,559
Speaker 1: I used the way I would tell you what I'm saying.

1639
01:23:54,240 --> 01:23:58,840
Speaker 1: If yeah, that's what I learned. You know, let me

1640
01:23:58,920 --> 01:24:02,160
Speaker 1: ask you a question, this question for you too, and

1641
01:24:02,320 --> 01:24:06,000
Speaker 1: you this this is interesting. Could you could you when

1642
01:24:06,000 --> 01:24:09,400
Speaker 1: you name Killer Mike yourself? You see all these different

1643
01:24:09,680 --> 01:24:14,120
Speaker 1: brands organizations that as pioneer rap. Is there a way

1644
01:24:14,640 --> 01:24:17,519
Speaker 1: to actually unionize hip hop? Was it somebody trying to

1645
01:24:17,600 --> 01:24:20,840
Speaker 1: do that. They've been trying to do it. For why

1646
01:24:20,880 --> 01:24:22,840
Speaker 1: they trying. What I'm saying, you could actually do that,

1647
01:24:23,000 --> 01:24:24,439
Speaker 1: I think, I think it should be done it and

1648
01:24:24,479 --> 01:24:27,400
Speaker 1: the reason not only for that for conversation and growth,

1649
01:24:27,479 --> 01:24:30,400
Speaker 1: but also think about all the artists that get older.

1650
01:24:30,479 --> 01:24:33,320
Speaker 1: And that's what I'm saying with a pension, yeah, don't

1651
01:24:33,400 --> 01:24:36,479
Speaker 1: have healthcare. Yeah, you know, don't have the finance. That's

1652
01:24:36,520 --> 01:24:38,960
Speaker 1: what they need. That's retirement. I mean, I think that

1653
01:24:38,960 --> 01:24:40,519
Speaker 1: would be a great You'd have to look at other

1654
01:24:40,560 --> 01:24:41,960
Speaker 1: industries and to see how they did it, because that's

1655
01:24:41,960 --> 01:24:43,640
Speaker 1: out of my spectrum education. I guess you'd have to

1656
01:24:43,680 --> 01:24:45,800
Speaker 1: look at like the film industry and see how they

1657
01:24:45,880 --> 01:24:48,960
Speaker 1: did it way way way back, because those old artists

1658
01:24:49,560 --> 01:24:52,759
Speaker 1: have nothing right right, Like they've been used through the system,

1659
01:24:52,840 --> 01:24:57,600
Speaker 1: through the studios of nothing and get so they got

1660
01:24:57,680 --> 01:24:59,240
Speaker 1: a way for them. They got away for the fifty

1661
01:24:59,280 --> 01:25:02,800
Speaker 1: year hip hop the check right. So that's crazy, man,

1662
01:25:02,880 --> 01:25:05,000
Speaker 1: like you should you should as smart as you are, man,

1663
01:25:05,000 --> 01:25:09,080
Speaker 1: you should dive into that. I mean, bro, I hear it.

1664
01:25:09,320 --> 01:25:12,760
Speaker 1: It takes participation, you know what I mean. Everybody gotta be,

1665
01:25:13,120 --> 01:25:16,280
Speaker 1: you know, willing to come together. I see most of

1666
01:25:16,320 --> 01:25:20,519
Speaker 1: the time people if it ain't our idea. Yeah, you

1667
01:25:20,600 --> 01:25:23,120
Speaker 1: know what I'm saying, if we didn't think of it first,

1668
01:25:23,880 --> 01:25:26,320
Speaker 1: like you know, a lot of times people don't really

1669
01:25:26,360 --> 01:25:29,519
Speaker 1: want to participate, you know, collectively. But it is a

1670
01:25:29,600 --> 01:25:32,000
Speaker 1: phenomenal idea, and it's gonna be a resentment to the

1671
01:25:32,160 --> 01:25:35,120
Speaker 1: to the artists who aren't doing well. Then you know,

1672
01:25:35,400 --> 01:25:37,160
Speaker 1: why should I work with the artists that is doing well.

1673
01:25:37,479 --> 01:25:40,200
Speaker 1: We don't just build it without them, right, I mean,

1674
01:25:40,280 --> 01:25:43,200
Speaker 1: you don't get in right, So anyway, that's interesting. We

1675
01:25:43,320 --> 01:25:45,360
Speaker 1: just can't pay your dudes for after So it's the

1676
01:25:45,360 --> 01:25:47,639
Speaker 1: same thing you pay your dudes yelling and when things happen,

1677
01:25:47,680 --> 01:25:50,479
Speaker 1: you get helping charge you get. We need that, We

1678
01:25:50,640 --> 01:25:53,080
Speaker 1: need that right now. Yeah, I'm with it. Yeah, we

1679
01:25:53,240 --> 01:26:00,479
Speaker 1: need that. Last question to buy PM can were supposed

1680
01:26:00,479 --> 01:26:03,680
Speaker 1: to be no cameras then, Charlotte, looking at you, looking

1681
01:26:03,720 --> 01:26:16,800
Speaker 1: at you down that performance dollars. You need a bunch

1682
01:26:16,840 --> 01:26:30,160
Speaker 1: of different cameras. The main at all stop stop stop, No.

1683
01:26:30,360 --> 01:26:33,000
Speaker 1: A bunch of celebrities went out there right knee long

1684
01:26:33,200 --> 01:26:35,519
Speaker 1: is a friend. A bunch of friends were all out there,

1685
01:26:35,560 --> 01:26:39,080
Speaker 1: were hanging out. Incredible performance. This is the biggest launch

1686
01:26:39,120 --> 01:26:41,480
Speaker 1: in the world. They launched this hotel, the Royal Atlantis,

1687
01:26:42,080 --> 01:26:45,439
Speaker 1: Nobuo launched a new restaurant. It was incredible. We all

1688
01:26:45,520 --> 01:26:51,400
Speaker 1: went out there. Beyonce looked amazing, she looked impeccable voice obviously,

1689
01:26:51,840 --> 01:26:54,800
Speaker 1: Blue Ivy came out. All the vibes were there, a

1690
01:26:54,960 --> 01:26:58,320
Speaker 1: very theatrical performance. So this wasn't you know, this wasn't

1691
01:26:58,439 --> 01:27:01,280
Speaker 1: single ladies dancing type Beyonce. This was like, this was

1692
01:27:01,360 --> 01:27:05,080
Speaker 1: a low Beyonce, right, very very you know what I mean. So,

1693
01:27:05,320 --> 01:27:09,840
Speaker 1: the the outfits and the wardrobe was masterful. She came out,

1694
01:27:09,880 --> 01:27:12,280
Speaker 1: she went on this little platform and had the wind

1695
01:27:12,360 --> 01:27:17,280
Speaker 1: in the water hitting her. It was amazing, you know what. Yeah,

1696
01:27:17,320 --> 01:27:19,960
Speaker 1: they had these sprinklers hitting curved it was fire. There

1697
01:27:20,080 --> 01:27:24,280
Speaker 1: wass coming off of the building. You know, everybody was

1698
01:27:24,320 --> 01:27:26,960
Speaker 1: out there. It was it was a vibe. Had one question,

1699
01:27:27,040 --> 01:27:38,240
Speaker 1: why not twenty five million? The number was reflective of

1700
01:27:38,360 --> 01:27:40,600
Speaker 1: not just the payment to her, but it was a

1701
01:27:40,680 --> 01:27:44,240
Speaker 1: whole production, you know what I mean. Yeah, so this

1702
01:27:45,760 --> 01:27:47,360
Speaker 1: we said that was all I said, it like a

1703
01:27:47,439 --> 01:27:48,960
Speaker 1: million dollars an hour. I don't even think that was

1704
01:27:49,000 --> 01:27:51,040
Speaker 1: a number. I think the number was actually more. I

1705
01:27:51,120 --> 01:27:53,639
Speaker 1: think like the bigger number was somewhere around forty five million,

1706
01:27:53,680 --> 01:27:55,640
Speaker 1: like it was. It was, It's the biggest launch. They

1707
01:27:55,680 --> 01:28:01,479
Speaker 1: wanted to outdo the original. Atlantis says like she deserved

1708
01:28:01,560 --> 01:28:05,720
Speaker 1: it absolutely where she worked her ass all throughout the year. Man,

1709
01:28:05,880 --> 01:28:08,080
Speaker 1: and when you see BSA, you're gonna get a show.

1710
01:28:08,640 --> 01:28:10,840
Speaker 1: So you know, I'm just it's certain people. We're just

1711
01:28:10,960 --> 01:28:16,360
Speaker 1: happy to see those types of numbers go to absolutely, man,

1712
01:28:19,479 --> 01:28:21,760
Speaker 1: but show back back to you know, the knee A

1713
01:28:21,800 --> 01:28:24,800
Speaker 1: long question. We have to celebrate our queens. We have

1714
01:28:24,920 --> 01:28:27,519
Speaker 1: to make sure when when they stepped out. When you

1715
01:28:27,760 --> 01:28:32,680
Speaker 1: want to know when I see yat Real Union, n

1716
01:28:32,880 --> 01:28:37,400
Speaker 1: C Nash making good like we gotta celebrate our icons.

1717
01:28:37,439 --> 01:28:39,080
Speaker 1: You know what I'm saying. Lola will tell you I

1718
01:28:39,120 --> 01:28:56,519
Speaker 1: don't care where I see together together. I'm asking man, no,

1719
01:28:56,880 --> 01:29:30,760
Speaker 1: no shout, and I'm not com Terrace Loan no the

1720
01:29:31,000 --> 01:29:35,720
Speaker 1: breakfast Club. Your morning's will never be the same. Hard

1721
01:29:35,880 --> 01:29:38,640
Speaker 1: Nick Cannon are declaring war on Hollywood. Each week they

1722
01:29:38,720 --> 01:29:40,439
Speaker 1: take you behind the scenes as they team up with

1723
01:29:40,520 --> 01:29:43,080
Speaker 1: their famous French one all out frank War, The Bigger

1724
01:29:43,120 --> 01:29:45,719
Speaker 1: thet Star, The Harder Day Fall Catch Celebrity prank Wars.

1725
01:29:45,760 --> 01:29:49,559
Speaker 1: Thursday at ten on each morning. Everybody is DJ Envy,

1726
01:29:49,800 --> 01:29:52,920
Speaker 1: Angela Yee, Charlomagne, the guy. We are the Breakfast Club.

1727
01:29:53,040 --> 01:29:55,320
Speaker 1: They you got a positive note? A positive note simply

1728
01:29:55,400 --> 01:29:58,400
Speaker 1: this man, instead of ignoring loss and trauma, are moving

1729
01:29:58,520 --> 01:30:01,439
Speaker 1: quickly past him. We can choose to slow down, sit

1730
01:30:01,520 --> 01:30:04,559
Speaker 1: with each loss, examine it, grieve it, because it's better

1731
01:30:04,640 --> 01:30:06,320
Speaker 1: to sink it and experience it now than to find

1732
01:30:06,360 --> 01:30:09,360
Speaker 1: yourself drowning years later. And losses that had no voice.

1733
01:30:09,560 --> 01:30:12,240
Speaker 1: Breakfast Club, I'm finish for y'all, dumb