1 00:00:00,120 --> 00:00:04,200 Speaker 1: There's no rickros not smacking nobody. We saw we saw 2 00:00:04,240 --> 00:00:06,160 Speaker 1: you in Canada, brother, we saw you run on your 3 00:00:06,200 --> 00:00:08,800 Speaker 1: people's and all that. We know you not about that. 4 00:00:08,920 --> 00:00:19,600 Speaker 1: We've seen you run listening to people. So off, my brother. 5 00:00:25,480 --> 00:00:32,599 Speaker 2: Out, all right, stop it from minute, stopping now, let 6 00:00:32,600 --> 00:00:33,519 Speaker 2: me keep paying, Let me keep paying. 7 00:00:33,560 --> 00:00:34,360 Speaker 1: Y'all want to see all this it. 8 00:00:34,400 --> 00:00:35,280 Speaker 3: It's like there's like us. 9 00:00:35,400 --> 00:00:38,080 Speaker 2: But I've seen we see it off. I want to 10 00:00:38,080 --> 00:00:39,640 Speaker 2: see some more. Let me play. Let let know, but 11 00:00:39,680 --> 00:00:41,960 Speaker 2: stop it because I got something to say. The volume 12 00:00:42,120 --> 00:00:45,519 Speaker 2: is now like death Row Records, y'all. And this is 13 00:00:45,560 --> 00:00:47,279 Speaker 2: why I'm gonna tell you all that I never thought 14 00:00:47,320 --> 00:00:49,600 Speaker 2: it'd be like Deathrow Records over there. I love the volume. 15 00:00:49,640 --> 00:00:52,400 Speaker 2: Shout the hall rock betting, Shout to everybody that adds 16 00:00:52,440 --> 00:00:54,800 Speaker 2: on the show. I love all you guys. So you 17 00:00:54,920 --> 00:00:59,880 Speaker 2: got Rick Ross from Joe and Jada. You got Ross 18 00:01:00,040 --> 00:01:03,840 Speaker 2: telling him now to you know what his moms, which 19 00:01:03,920 --> 00:01:07,480 Speaker 2: is crazy. It's crazy to I don't talk about nobody's mother. 20 00:01:07,520 --> 00:01:11,080 Speaker 2: That's just not me. I mean that's me. Then you 21 00:01:11,240 --> 00:01:13,399 Speaker 2: got him this in the g Unit and my man 22 00:01:13,520 --> 00:01:16,640 Speaker 2: murder on it. But to me, Rick Ross jokes is 23 00:01:16,640 --> 00:01:19,559 Speaker 2: getting dropped murdered, cleaned my boat, Yo, mow my lawn. 24 00:01:19,920 --> 00:01:21,240 Speaker 2: I don't care about none of that. 25 00:01:22,840 --> 00:01:27,479 Speaker 1: Rick Ross not smacking nobody. We saw you in Canada, brother, 26 00:01:27,560 --> 00:01:29,840 Speaker 1: we saw you run on your people's and all that. 27 00:01:29,920 --> 00:01:31,119 Speaker 2: We know you not about that. 28 00:01:31,240 --> 00:01:32,360 Speaker 1: We've seen you run. 29 00:01:32,200 --> 00:01:37,840 Speaker 2: Listening to people. We BT Awards right when it happened 30 00:01:37,840 --> 00:01:40,440 Speaker 2: with Jeez, I was there, I was backstage. I was 31 00:01:40,520 --> 00:01:42,440 Speaker 2: It was only a couple of a few good men. 32 00:01:43,200 --> 00:01:45,399 Speaker 2: This is when a gun play, got a chain took 33 00:01:45,440 --> 00:01:47,400 Speaker 2: and all that. There was a few good men there. 34 00:01:47,400 --> 00:01:49,520 Speaker 2: I'm not gonna keep saying names to be federal on here, 35 00:01:49,560 --> 00:01:52,120 Speaker 2: but there was a good few, good few men there. 36 00:01:52,520 --> 00:01:55,160 Speaker 2: And it was not traveling night when Rick Ross walked 37 00:01:55,200 --> 00:01:58,240 Speaker 2: by me and a few good men, because it was 38 00:01:58,280 --> 00:02:00,720 Speaker 2: like maybe five of us. And this is when Fifty 39 00:02:00,800 --> 00:02:04,880 Speaker 2: is going back and forth with Diddy backstage, Nigga, they 40 00:02:05,000 --> 00:02:08,639 Speaker 2: going back and forth. Fifty told I think that's the 41 00:02:08,720 --> 00:02:10,720 Speaker 2: day he told French Meek is better than you. Fifty 42 00:02:10,800 --> 00:02:12,360 Speaker 2: was just wild in that day. There was a lot 43 00:02:12,360 --> 00:02:15,000 Speaker 2: of shit going on. But Ross woke right by me. 44 00:02:15,120 --> 00:02:16,960 Speaker 2: Smack got the video. He just don't want to put 45 00:02:16,960 --> 00:02:19,120 Speaker 2: it out because I don't know why for political smack 46 00:02:19,160 --> 00:02:20,960 Speaker 2: and put the video out and man got the video. 47 00:02:21,000 --> 00:02:22,960 Speaker 2: He woked right by me. They said what up? They 48 00:02:23,000 --> 00:02:25,640 Speaker 2: had like thirty niggas with them, and I'm like, what up. 49 00:02:27,000 --> 00:02:29,560 Speaker 2: It wasn't like like we do never travel lights, so 50 00:02:29,639 --> 00:02:31,600 Speaker 2: he know it's not like that, right, But now the 51 00:02:31,680 --> 00:02:33,880 Speaker 2: volume is definitely like that, bro, I don't know what's 52 00:02:33,919 --> 00:02:36,600 Speaker 2: going on shouting volume. Let's talk about the Drake shit 53 00:02:36,680 --> 00:02:38,160 Speaker 2: now your. 54 00:02:38,080 --> 00:02:40,120 Speaker 1: Punk ash nigga punched him in and Jesse might have 55 00:02:40,160 --> 00:02:41,120 Speaker 1: a season man. 56 00:02:41,160 --> 00:02:43,440 Speaker 2: Yeah, definitely. Man, you see what happened to him? Canaday 57 00:02:43,440 --> 00:02:48,000 Speaker 2: shouting him boys shouting the beats, pressed up fun Dog 58 00:02:48,200 --> 00:02:52,040 Speaker 2: Drake ovi YOA album is out right now. Three albums. 59 00:02:52,120 --> 00:02:55,280 Speaker 2: Iceman may to honor and how I pronounced the last name. 60 00:02:55,320 --> 00:02:58,160 Speaker 2: How beat he hot beat, hot beat he I'm gonna 61 00:02:58,240 --> 00:03:01,640 Speaker 2: keep it real Iceman. I took a lot of notes. 62 00:03:02,960 --> 00:03:04,840 Speaker 2: He had a lot of lines. I felt like he 63 00:03:04,960 --> 00:03:07,919 Speaker 2: was mad. He took shots to Kendrick, DJ khaled A 64 00:03:08,120 --> 00:03:09,880 Speaker 2: sat Rocky you think Rihanna two? 65 00:03:10,320 --> 00:03:10,560 Speaker 1: Well? 66 00:03:10,680 --> 00:03:13,120 Speaker 2: He said your baby moms didn't post a single. J 67 00:03:13,360 --> 00:03:17,280 Speaker 2: cole Lebron, James Rick Ross. I like the Rick rossline 68 00:03:17,320 --> 00:03:21,480 Speaker 2: a lot. You know what I'm saying, I like listen, 69 00:03:21,520 --> 00:03:24,720 Speaker 2: I like the Rick Ross Slain a lot because even 70 00:03:24,760 --> 00:03:27,560 Speaker 2: when they did their versus, you heard the crowd sing 71 00:03:27,639 --> 00:03:30,640 Speaker 2: Drake in the beginning. You've seen the energy he was. 72 00:03:30,760 --> 00:03:33,280 Speaker 2: They played that Drake. You know what time it is? 73 00:03:35,080 --> 00:03:38,280 Speaker 2: Every time we think, every time we think Drake is 74 00:03:38,280 --> 00:03:40,960 Speaker 2: gonna fail, right, because he's been in the game for 75 00:03:41,000 --> 00:03:44,440 Speaker 2: sixteen years, and usually an artist has a time where 76 00:03:44,440 --> 00:03:48,600 Speaker 2: it stops, he comes back all the time. Now he 77 00:03:48,680 --> 00:03:51,520 Speaker 2: dropped three albums and it's gonna pass jay Z. 78 00:03:51,760 --> 00:03:54,720 Speaker 1: The money he made allegedly he got out. The deal 79 00:03:54,880 --> 00:03:57,440 Speaker 1: them three albums was for him to get out, and 80 00:03:57,480 --> 00:03:58,960 Speaker 1: he got too billion on the tape. 81 00:03:59,840 --> 00:04:03,120 Speaker 2: Now, listen, he's surpassing jay Z overnight. He surpassing a 82 00:04:03,120 --> 00:04:06,160 Speaker 2: lot of rappers overnight. What Drake just did was incredible. 83 00:04:06,400 --> 00:04:08,960 Speaker 2: It's not glazing. He got classic shit on him on 84 00:04:09,000 --> 00:04:09,760 Speaker 2: the album I Took. 85 00:04:09,880 --> 00:04:12,680 Speaker 1: They just break off of Michael. They he breaking Michael Jackson. 86 00:04:13,240 --> 00:04:16,720 Speaker 1: What he did records on Spotify, He crashed Spotify. 87 00:04:16,880 --> 00:04:20,640 Speaker 2: He did crash Spotify and crashed Spotify. He broke records 88 00:04:20,720 --> 00:04:22,159 Speaker 2: on Spotify, Apple Music. 89 00:04:22,240 --> 00:04:25,960 Speaker 3: Everything he was debuting with around thirteen point two million 90 00:04:25,960 --> 00:04:29,440 Speaker 3: streams on one day on Global Spotify. Just to keep 91 00:04:29,480 --> 00:04:33,039 Speaker 3: that in mind. I mean, with three whole albums, right, 92 00:04:33,480 --> 00:04:35,280 Speaker 3: what do you guys think about it? Do you feel 93 00:04:35,320 --> 00:04:38,200 Speaker 3: like that's what artists gotta do now? They just dropped 94 00:04:38,240 --> 00:04:40,040 Speaker 3: all their projects get out of their label. 95 00:04:40,440 --> 00:04:43,920 Speaker 2: I feel like I feel like make them Crap felt 96 00:04:43,920 --> 00:04:45,599 Speaker 2: like a big record because I believe it had the 97 00:04:45,600 --> 00:04:47,919 Speaker 2: biggie drums on there. I think it had the It 98 00:04:48,000 --> 00:04:50,039 Speaker 2: had some of the biggie drums on there. And he 99 00:04:50,120 --> 00:04:53,039 Speaker 2: talked about his father had cancer, so the lines felt 100 00:04:53,040 --> 00:04:56,200 Speaker 2: like when Big said my mama had cancer in the breast. 101 00:04:56,320 --> 00:05:00,000 Speaker 2: Iceman is definitely the hottest album of the summer. What else? 102 00:05:00,480 --> 00:05:02,240 Speaker 2: What else up listen to? Because I listened to the 103 00:05:02,279 --> 00:05:04,320 Speaker 2: whole first album, I didn't get a chance to listen 104 00:05:04,400 --> 00:05:06,280 Speaker 2: to the third album. I'm Gonna be were saying that too. 105 00:05:06,600 --> 00:05:07,000 Speaker 2: I don't know. 106 00:05:07,640 --> 00:05:09,960 Speaker 1: I feel like it was too much to listen to 107 00:05:10,000 --> 00:05:12,599 Speaker 1: all of it Right now. I'm really kind of stuck 108 00:05:12,640 --> 00:05:14,359 Speaker 1: on Iceman at the moment. 109 00:05:14,440 --> 00:05:16,279 Speaker 3: That's where a lot of the real raps came through. 110 00:05:16,360 --> 00:05:18,000 Speaker 1: Yeah, yeah, I'm stuck on Iceman. 111 00:05:18,200 --> 00:05:20,840 Speaker 2: There was another song, Dust on the Plaques. I like 112 00:05:20,920 --> 00:05:23,760 Speaker 2: when he said he was like yo in the land. 113 00:05:23,800 --> 00:05:25,680 Speaker 2: I'm like saying it. It just sounded like he was 114 00:05:25,760 --> 00:05:29,680 Speaker 2: just mad with crazy fucking bars. Bro. You I mean 115 00:05:29,760 --> 00:05:31,719 Speaker 2: he was mad at everybody because you know, in the 116 00:05:31,760 --> 00:05:34,200 Speaker 2: game is really no friends, bro, Let's keep it real. 117 00:05:34,640 --> 00:05:37,200 Speaker 1: Everything was saying names too, like no games. He was 118 00:05:37,240 --> 00:05:38,320 Speaker 1: saying the names. I like it. 119 00:05:38,480 --> 00:05:40,600 Speaker 2: He was saying the names. He said, DJ called name, 120 00:05:41,279 --> 00:05:43,039 Speaker 2: he said Rockey. He didn't really say his name, but 121 00:05:43,080 --> 00:05:45,960 Speaker 2: he said your girl and post your single Lebron James. 122 00:05:45,960 --> 00:05:48,039 Speaker 2: He got crazy about Ron again. 123 00:05:48,080 --> 00:05:53,200 Speaker 1: Come on, Drake, you know Lebron man, Come on lebronn Drake. 124 00:05:53,680 --> 00:05:55,760 Speaker 2: Putting footage of him and Lebron together. What he said 125 00:05:55,760 --> 00:05:57,160 Speaker 2: about Lebron again that. 126 00:05:57,160 --> 00:05:59,520 Speaker 1: He can't forgive j Cole j Cole ain't call him back. 127 00:05:59,760 --> 00:06:01,600 Speaker 3: Sorry, all right ready, so this is right here. So 128 00:06:01,880 --> 00:06:03,440 Speaker 3: he said, I should even be shocked to see you 129 00:06:03,480 --> 00:06:05,520 Speaker 3: in that arena because you always made your career off 130 00:06:05,520 --> 00:06:06,640 Speaker 3: of switching teams up. 131 00:06:07,360 --> 00:06:10,320 Speaker 1: So he's talking about when Lebron was at that thing. 132 00:06:10,480 --> 00:06:13,240 Speaker 2: He said something about twenty Kendrick concert, right, that's when 133 00:06:13,279 --> 00:06:15,080 Speaker 2: Lebron was at that Kendrick concert. 134 00:06:15,760 --> 00:06:17,520 Speaker 3: Yeah, he said, please stop accent. What's going on with 135 00:06:17,560 --> 00:06:19,599 Speaker 3: twenty three and me, I'm a real and he's not. 136 00:06:20,200 --> 00:06:21,000 Speaker 3: Is in my DNA. 137 00:06:22,520 --> 00:06:24,400 Speaker 2: And then you know he got big features on there. 138 00:06:24,440 --> 00:06:26,400 Speaker 2: He got Miley seeing Tanna. I think they said she 139 00:06:26,440 --> 00:06:29,080 Speaker 2: signed rock Nacktion. I believe they said her and Nikki's 140 00:06:29,160 --> 00:06:30,760 Speaker 2: kind of beefing right now. I don't know what what's 141 00:06:30,839 --> 00:06:32,760 Speaker 2: up with that. I don't know how true that is. 142 00:06:32,839 --> 00:06:34,520 Speaker 1: And then take shots that Joe bunn too. 143 00:06:34,839 --> 00:06:37,039 Speaker 2: Yeah, he took shots at Joe Buns walking around naked. 144 00:06:37,040 --> 00:06:37,440 Speaker 2: They said. 145 00:06:38,200 --> 00:06:40,400 Speaker 1: Joe Bunns saluted it. Though I heard Joe Buns like, 146 00:06:40,440 --> 00:06:43,400 Speaker 1: it's Drake time, he said, he said, he said, everybody 147 00:06:43,400 --> 00:06:46,040 Speaker 1: got to respect it, he said, Joe Bunns. Joe Bunnen said, 148 00:06:46,080 --> 00:06:48,880 Speaker 1: Drake coming back taking sights at everybody. He said, y'all 149 00:06:48,880 --> 00:06:52,320 Speaker 1: all had yall time. Everybody was happy when Drake was down, 150 00:06:52,880 --> 00:06:54,240 Speaker 1: and now Drake back popping. 151 00:06:54,360 --> 00:06:56,880 Speaker 2: It was a genius move because the first album was 152 00:06:56,920 --> 00:06:58,920 Speaker 2: just like, Yo, let me diss everybody. You heard it, 153 00:06:59,360 --> 00:07:01,320 Speaker 2: You heard Mark The first album was like, Yo, I'm 154 00:07:01,320 --> 00:07:03,960 Speaker 2: gonna diss everybody. That's when he just had this records 155 00:07:03,960 --> 00:07:07,239 Speaker 2: all day, crazy punch lines, ash, ashes, dust to dust. 156 00:07:08,120 --> 00:07:11,360 Speaker 2: Everything they them pay, they can pay, like like he 157 00:07:11,440 --> 00:07:15,720 Speaker 2: did Theconelly Free joint over. It's crazy. He was dissing 158 00:07:15,840 --> 00:07:20,080 Speaker 2: everybody on it. Everybody took shots. He took shots at everybody, 159 00:07:20,560 --> 00:07:22,160 Speaker 2: and I mean, I just feel like it was a 160 00:07:22,200 --> 00:07:24,520 Speaker 2: dope album. Production was crazy. Name some of the producers 161 00:07:24,520 --> 00:07:26,560 Speaker 2: on there, because they had a list of producers. It 162 00:07:26,720 --> 00:07:28,840 Speaker 2: was like, I know, take he was on a lot 163 00:07:28,880 --> 00:07:33,520 Speaker 2: of stuff. Forty of course. It was just crazy. Man. 164 00:07:33,560 --> 00:07:38,360 Speaker 1: They want Savage on Nick got Future, yeah, boy, Wonder, Yeah, 165 00:07:38,360 --> 00:07:38,960 Speaker 1: a lot of people. 166 00:07:39,680 --> 00:07:41,520 Speaker 2: You got a lot of producers on there. Him and 167 00:07:41,600 --> 00:07:45,080 Speaker 2: him in Future dropping the you know, they dropping the record. 168 00:07:45,160 --> 00:07:46,080 Speaker 2: They beef squashed. 169 00:07:46,160 --> 00:07:47,440 Speaker 3: So that's why I was gonna ask you, guys, how 170 00:07:47,440 --> 00:07:48,920 Speaker 3: do you feel about that? I know you already talked 171 00:07:48,920 --> 00:07:50,960 Speaker 3: about the fact that that, you know, that whole beef 172 00:07:51,040 --> 00:07:54,400 Speaker 3: is gone out there officially on the album. Was this 173 00:07:54,600 --> 00:07:57,000 Speaker 3: enough time for all that shit to kind of wear 174 00:07:57,120 --> 00:07:57,680 Speaker 3: out for them? 175 00:07:57,800 --> 00:08:01,840 Speaker 2: You can make up what you mean? Yeah with them too. 176 00:08:02,320 --> 00:08:05,360 Speaker 1: I don't think they driving was never really don't people 177 00:08:05,400 --> 00:08:07,120 Speaker 1: never really. We never knew what it was about what 178 00:08:07,160 --> 00:08:09,160 Speaker 1: they issued. I think people just looked at it just 179 00:08:09,280 --> 00:08:10,960 Speaker 1: the way I look at the whole Drake was just 180 00:08:11,040 --> 00:08:12,840 Speaker 1: ride with metro booming I look at the I look 181 00:08:12,880 --> 00:08:16,320 Speaker 1: at the Drake situation with success. Oh my guys, look. 182 00:08:16,200 --> 00:08:18,480 Speaker 2: I never I know, I never got a Drake record, 183 00:08:18,560 --> 00:08:20,200 Speaker 2: or never I don't want a Drake record. Drake is 184 00:08:20,200 --> 00:08:22,720 Speaker 2: the biggest artist. I'm podcasting. I'm not rapping right now. 185 00:08:22,920 --> 00:08:24,640 Speaker 2: You understand, I just do it for the score. Rap 186 00:08:24,840 --> 00:08:28,120 Speaker 2: right now. Listen, He's still rapping. I'm still rapping. He 187 00:08:28,800 --> 00:08:31,440 Speaker 2: got to deal with Empire. Shout the Empire. Cut there, check, 188 00:08:31,480 --> 00:08:35,079 Speaker 2: I start rapping like besides that, no check, no raps. 189 00:08:36,120 --> 00:08:39,600 Speaker 2: So for me, right, I look at it like this, 190 00:08:39,679 --> 00:08:41,680 Speaker 2: when you Drake did a lot of favors for people 191 00:08:41,679 --> 00:08:45,199 Speaker 2: in the game. He wrong Kendrick on his tour. He did. 192 00:08:45,320 --> 00:08:47,960 Speaker 2: He gave Ross a whole bunch of hit records. He 193 00:08:48,040 --> 00:08:51,960 Speaker 2: gave Wayne hit records, which was Wayne got money off them. 194 00:08:52,160 --> 00:08:53,600 Speaker 2: He helped a lot of rappers in the game. 195 00:08:53,600 --> 00:08:55,520 Speaker 1: He brought him in the game to Yeah, hit. 196 00:08:55,440 --> 00:08:59,000 Speaker 2: Records with Future twenty one Savage. Come on, we can't 197 00:08:59,080 --> 00:09:01,440 Speaker 2: say that Drake ain't a number one MC. And what 198 00:09:01,559 --> 00:09:03,600 Speaker 2: he do instead of dropping one album like we thought 199 00:09:03,640 --> 00:09:05,880 Speaker 2: he was gonna do, he dropped three, got out of 200 00:09:05,880 --> 00:09:08,480 Speaker 2: his contract, and like I said, it's like He's almost 201 00:09:08,480 --> 00:09:11,560 Speaker 2: blown past jay Z overnight because or Dre and them, 202 00:09:11,600 --> 00:09:14,120 Speaker 2: they all billionaires, you know what I'm saying. So it's like, 203 00:09:14,520 --> 00:09:17,040 Speaker 2: get a two billion dollar deal. You could believe that 204 00:09:17,040 --> 00:09:19,000 Speaker 2: that's believable from Drake with. 205 00:09:19,480 --> 00:09:21,400 Speaker 3: Him, with all that you're saying right now, would you 206 00:09:21,400 --> 00:09:22,880 Speaker 3: say this is a career saving move. 207 00:09:23,440 --> 00:09:25,080 Speaker 2: I feel like it's a it's a it's a great 208 00:09:25,120 --> 00:09:29,120 Speaker 2: game of chess. He was playing chess, not checkers. Shoot 209 00:09:29,160 --> 00:09:32,240 Speaker 2: it on Universal, he told, what's the guy named Lucian, 210 00:09:32,320 --> 00:09:35,199 Speaker 2: I'm the Golden Goose. Nigga. Shoot it on that Nigga 211 00:09:35,880 --> 00:09:39,319 Speaker 2: play chess and one shit he shooted on jay Z's like, Nigga, 212 00:09:39,440 --> 00:09:41,880 Speaker 2: I don't want the five hundred thousand. I rather I 213 00:09:42,000 --> 00:09:43,920 Speaker 2: rather take the five hundred thousand. In the dinner, he 214 00:09:44,000 --> 00:09:49,960 Speaker 2: talking about jay then said he said, y'all go to 215 00:09:50,040 --> 00:09:52,160 Speaker 2: jay Z for the second opinions. He was getting that 216 00:09:52,240 --> 00:09:54,400 Speaker 2: niggas crazy on that ship. He was talking, he was 217 00:09:54,400 --> 00:09:56,880 Speaker 2: talking crazy, can't we can't keep it real? We gotta 218 00:09:56,960 --> 00:10:00,000 Speaker 2: keep it real. So the first album was this nigga, 219 00:10:00,800 --> 00:10:03,240 Speaker 2: and then to me, the second album was crazy. Why 220 00:10:03,240 --> 00:10:05,320 Speaker 2: I made the honor because that ship is just straight 221 00:10:05,360 --> 00:10:10,240 Speaker 2: for overseas hits we had on the pop kind he had? 222 00:10:10,320 --> 00:10:14,840 Speaker 2: Who else? Central Seed, Yeah, Central Seed, Sexy Red. I 223 00:10:14,880 --> 00:10:21,800 Speaker 2: listened to all the records right there, yes printand between 224 00:10:21,840 --> 00:10:24,080 Speaker 2: them two albums, Drake, No, we need you on the 225 00:10:24,080 --> 00:10:26,079 Speaker 2: show or we come to Canada. You know you got 226 00:10:26,080 --> 00:10:28,720 Speaker 2: to love for you, Drake Ovio. I already gave Academics 227 00:10:28,720 --> 00:10:31,720 Speaker 2: and two albums. Look, he gave Academics a two hundred 228 00:10:31,720 --> 00:10:34,240 Speaker 2: and fifty thousand dollars chain he in the video, so academic. 229 00:10:34,280 --> 00:10:37,480 Speaker 2: Shout to you. Business is business, you know what I mean. 230 00:10:37,520 --> 00:10:39,600 Speaker 2: But I didn't even get a chance to get to 231 00:10:39,640 --> 00:10:41,679 Speaker 2: the third album. You know why, because the first two. 232 00:10:41,600 --> 00:10:44,480 Speaker 1: Was so dope. I'm still the second one, man. 233 00:10:44,600 --> 00:10:48,520 Speaker 2: Listen. The second one was just for overseas. It feel 234 00:10:48,600 --> 00:10:55,640 Speaker 2: like Australia on Germany, Spain, Italy, Paris, Africa. It felt 235 00:10:55,720 --> 00:10:59,600 Speaker 2: like that's Jamaica. It felt like that's a dancehall vibe 236 00:11:00,240 --> 00:11:03,000 Speaker 2: thing he did with that. And Drake is a genius. 237 00:11:03,040 --> 00:11:06,280 Speaker 2: Three albums at one time, take over the summer. You 238 00:11:06,360 --> 00:11:09,120 Speaker 2: know a couple of honestly, shout to Lucky because Lucky 239 00:11:09,160 --> 00:11:10,559 Speaker 2: dropped the album. I want to get him on the show. 240 00:11:10,600 --> 00:11:12,640 Speaker 2: I know you about to know about Lucky. My kids 241 00:11:12,679 --> 00:11:15,200 Speaker 2: love Lucky and he was number four on the charts. 242 00:11:15,480 --> 00:11:18,280 Speaker 2: So was it smart for him to drop when Drake dropped? 243 00:11:18,360 --> 00:11:20,079 Speaker 2: Because now you're like, fuck it, I'm gonna get Lucky 244 00:11:20,120 --> 00:11:21,720 Speaker 2: shit too. Shout to him. Make sure you cop the 245 00:11:21,720 --> 00:11:23,679 Speaker 2: album fast out the Lucky. You know, should I was 246 00:11:23,760 --> 00:11:25,800 Speaker 2: kind of good marketing because somebody would be like, yo, 247 00:11:26,640 --> 00:11:28,040 Speaker 2: should I drop when Drake dropped? 248 00:11:28,080 --> 00:11:30,360 Speaker 1: I know a lot of people thinking about not dropping them. 249 00:11:30,880 --> 00:11:34,240 Speaker 3: Well, three, I mean three whole albums, Like that's insane. 250 00:11:34,240 --> 00:11:36,160 Speaker 3: We're talking about a lot of tracks here. 251 00:11:36,360 --> 00:11:38,600 Speaker 2: Definitely, but Lucky was still what number four in. 252 00:11:38,520 --> 00:11:40,160 Speaker 1: The charge and they did it to get out his 253 00:11:40,200 --> 00:11:42,079 Speaker 1: deal man, so you got to respect it. He did 254 00:11:42,160 --> 00:11:43,520 Speaker 1: to get out to deal that he got them two 255 00:11:43,600 --> 00:11:44,480 Speaker 1: beds on the table. 256 00:11:44,600 --> 00:11:46,360 Speaker 2: I mean. But the whole thing is was the albums 257 00:11:46,360 --> 00:11:49,079 Speaker 2: with the albums were dope. That's the whole thing. He 258 00:11:49,120 --> 00:11:51,400 Speaker 2: didn't put out music that was was made. All the 259 00:11:51,480 --> 00:11:54,720 Speaker 2: music was crazy. The production was crazy. You can't everybody 260 00:11:54,800 --> 00:11:57,000 Speaker 2: gonna be rid of Drake the whole summer. We ain't 261 00:11:57,000 --> 00:11:59,320 Speaker 2: even get to the Like I said, the first album, 262 00:11:59,360 --> 00:12:01,079 Speaker 2: this and everybody, that's. 263 00:12:00,880 --> 00:12:02,520 Speaker 1: What we want, man. I didn't even get to really 264 00:12:02,559 --> 00:12:04,480 Speaker 1: check out though that's what we want. I'm still just. 265 00:12:05,320 --> 00:12:08,920 Speaker 2: That's better for facts, that's for all that. And he 266 00:12:08,960 --> 00:12:11,800 Speaker 2: gets you know, Drake gets slippery. You know, he get crazy. Man. 267 00:12:12,160 --> 00:12:13,840 Speaker 2: You know what I'm saying, Your baby mom ain't post 268 00:12:13,880 --> 00:12:16,720 Speaker 2: your single. That's crazy, bro, he'd be saying a lot 269 00:12:16,720 --> 00:12:20,520 Speaker 2: of crazy. He got some crazy lines, bro, kill call 270 00:12:20,640 --> 00:12:25,440 Speaker 2: it kill. Ross says, that's the streams before and Ross 271 00:12:25,960 --> 00:12:27,360 Speaker 2: stream that was crazy. 272 00:12:28,160 --> 00:12:30,000 Speaker 3: I didn't mean to catch up by surprise, because you 273 00:12:30,040 --> 00:12:30,959 Speaker 3: gotta know when Drake. 274 00:12:30,880 --> 00:12:33,920 Speaker 1: Officer Ricky about to drop an album, you got about 275 00:12:33,920 --> 00:12:34,840 Speaker 1: this double. 276 00:12:36,080 --> 00:12:37,040 Speaker 2: This is what you gotta edit. 277 00:12:37,120 --> 00:12:39,079 Speaker 1: This is gonna make no noise when that's you look 278 00:12:39,240 --> 00:12:40,000 Speaker 1: me and him to. 279 00:12:39,960 --> 00:12:42,720 Speaker 2: Talk about this, right, but it was about another artist, 280 00:12:42,840 --> 00:12:46,160 Speaker 2: right when Drake diss you, Your kids gotta go to 281 00:12:46,160 --> 00:12:49,360 Speaker 2: school and hit that ship like your kids are sitting 282 00:12:49,400 --> 00:12:51,400 Speaker 2: the line when your son is walking down the whole way, 283 00:12:51,520 --> 00:12:53,760 Speaker 2: or your family or you hear what Drake just said. 284 00:12:54,080 --> 00:12:56,960 Speaker 2: He got that much power that them. This is whole way. 285 00:12:58,920 --> 00:12:59,560 Speaker 2: It's different. 286 00:13:00,440 --> 00:13:02,200 Speaker 3: They don't just end on the internet. 287 00:13:02,520 --> 00:13:05,400 Speaker 2: Man, That man played chess. He waited for everybody kept quiet, 288 00:13:05,520 --> 00:13:08,720 Speaker 2: seeing everybody flipped on him, and he just came out 289 00:13:08,760 --> 00:13:12,120 Speaker 2: with like a yeah, just this and everybody the whole album. 290 00:13:12,240 --> 00:13:15,280 Speaker 2: That's what makes Iceman crazy because he's this and everybody. 291 00:13:16,080 --> 00:13:18,400 Speaker 3: How do you wait to drop another piece after dropping 292 00:13:18,440 --> 00:13:19,319 Speaker 3: three whole albums? 293 00:13:19,320 --> 00:13:19,560 Speaker 1: Though? 294 00:13:19,640 --> 00:13:21,199 Speaker 2: When you get that first billion, nigga? 295 00:13:22,960 --> 00:13:25,480 Speaker 1: If he working on that type of deal, shit, he 296 00:13:25,559 --> 00:13:27,120 Speaker 1: got a whole bunch of hit to talk after he 297 00:13:27,200 --> 00:13:30,199 Speaker 1: secure that paper, right so, but. 298 00:13:30,240 --> 00:13:33,520 Speaker 2: He ain they ain't even gonna stress him. That's Drake. 299 00:13:34,080 --> 00:13:36,679 Speaker 2: Drake is a machine. Now he's bigger than where Universal is. 300 00:13:37,840 --> 00:13:39,840 Speaker 2: I think Kendrick is big like that too. But now 301 00:13:39,920 --> 00:13:44,439 Speaker 2: what Drake did is he he mastered the game. I'm 302 00:13:44,480 --> 00:13:50,160 Speaker 2: dropping three albums. Fuck Universal, I'm Loosen's golden goose, nigga. 303 00:13:50,280 --> 00:13:52,680 Speaker 2: I'm catching as much stunts as I can. I'm Iceman. 304 00:13:52,760 --> 00:13:55,840 Speaker 2: I'm buying the most jewelry. I'm showing the cars he fronting. 305 00:13:57,200 --> 00:13:59,080 Speaker 2: I'm out this deal. And you heard the song with 306 00:13:59,120 --> 00:14:03,920 Speaker 2: twenty one savage billions on the table, nigga, it's crazy. 307 00:14:04,160 --> 00:14:06,320 Speaker 3: Let's talk about little bit more about other features, right. 308 00:14:07,440 --> 00:14:10,120 Speaker 3: So now Vladim Boosie are making the runs again on 309 00:14:10,200 --> 00:14:13,400 Speaker 3: the webs, right right, So, Boosy did have a reaction 310 00:14:13,960 --> 00:14:17,200 Speaker 3: towards all this, and then apparently another outlet, say Cheese 311 00:14:17,240 --> 00:14:19,880 Speaker 3: was offering him about fifteen K or an interview. He 312 00:14:19,960 --> 00:14:22,720 Speaker 3: refused that, but not only did he refuse that, he 313 00:14:22,760 --> 00:14:25,840 Speaker 3: apparently uped it from twenty five K with Vlad to 314 00:14:25,960 --> 00:14:26,480 Speaker 3: forty K. 315 00:14:26,760 --> 00:14:28,600 Speaker 2: I mean, Boosy do what he want to do, shout 316 00:14:28,600 --> 00:14:30,320 Speaker 2: out to Boosty. I ain't mad at him. I mean, 317 00:14:30,360 --> 00:14:32,920 Speaker 2: you know, I'm not mad at him. Allfulad that's that's 318 00:14:33,000 --> 00:14:35,680 Speaker 2: their agreement. But at the same time, you know, if 319 00:14:35,680 --> 00:14:38,600 Speaker 2: he's getting twenty five thousand from Vlad, I might he 320 00:14:38,680 --> 00:14:41,600 Speaker 2: might not want to take eighteen fifteen from somebody. But 321 00:14:41,680 --> 00:14:43,640 Speaker 2: you know we all hustlers. Money is money. Man't go 322 00:14:43,680 --> 00:14:45,920 Speaker 2: get the money while you know you're still out there 323 00:14:45,960 --> 00:14:47,520 Speaker 2: able to get it. That's the way I see it. 324 00:14:47,560 --> 00:14:49,720 Speaker 2: But some people might YO, that's not my price, and 325 00:14:49,720 --> 00:14:51,680 Speaker 2: then one thing people will think that that's your price. 326 00:14:52,000 --> 00:14:54,200 Speaker 3: At this point, would you say that the artists are 327 00:14:54,200 --> 00:14:56,560 Speaker 3: helping the platforms or the platforms are helping artists. 328 00:14:56,600 --> 00:15:00,360 Speaker 1: It's both. You can't because without the artist, it ain't 329 00:15:00,400 --> 00:15:02,880 Speaker 1: no platform, you know what I'm saying. And also the 330 00:15:02,920 --> 00:15:06,480 Speaker 1: platform do give the artist a place to express theyself. 331 00:15:06,560 --> 00:15:08,640 Speaker 1: It helped get theyself viral and things of that nature. 332 00:15:08,680 --> 00:15:11,080 Speaker 2: So I really, I really think it's the person because 333 00:15:11,440 --> 00:15:14,840 Speaker 2: everybody don't watch like Boosie is like one of the 334 00:15:14,840 --> 00:15:20,320 Speaker 2: most watched online him being himself. You know what I'm saying. 335 00:15:20,360 --> 00:15:22,720 Speaker 2: He's one of them guys that go viral all the time. 336 00:15:22,800 --> 00:15:26,080 Speaker 2: Either he's at the game having a good time, he's 337 00:15:26,120 --> 00:15:28,520 Speaker 2: with a pretty lady in his car, he's at his 338 00:15:28,640 --> 00:15:31,480 Speaker 2: man chin his cane corso biting the nigga like he 339 00:15:31,640 --> 00:15:33,560 Speaker 2: just make his life for a movie. He's just funny 340 00:15:33,600 --> 00:15:36,680 Speaker 2: all the time. And right now him in Vlad is 341 00:15:36,720 --> 00:15:39,600 Speaker 2: monetizing off the ship. So shout to both of them. 342 00:15:40,480 --> 00:15:43,240 Speaker 3: You know, we also get into some other type of 343 00:15:43,280 --> 00:15:45,560 Speaker 3: costs as well. Right, so we did talk about AP 344 00:15:46,160 --> 00:15:49,280 Speaker 3: and Swatch having the cloud. Okay, oh oh, so so 345 00:15:49,360 --> 00:15:50,120 Speaker 3: you celebrating here. 346 00:15:50,960 --> 00:15:52,840 Speaker 2: It's a good movie, and I'm gonna tell you why. 347 00:15:53,000 --> 00:15:55,040 Speaker 2: I'm gonna tell you watch a good move because. 348 00:15:54,720 --> 00:15:57,000 Speaker 3: Now because remember now they're not they're not they're not 349 00:15:57,040 --> 00:15:59,600 Speaker 3: official like riskwatch their busy popata. 350 00:15:59,840 --> 00:16:02,840 Speaker 2: But now when we looked outside, we talked about it 351 00:16:03,400 --> 00:16:05,680 Speaker 2: over the weekend and when the aps, when the AP 352 00:16:05,760 --> 00:16:08,240 Speaker 2: and Swatch collapse, dropped the Lunes was out the door 353 00:16:08,280 --> 00:16:10,600 Speaker 2: show murder the Lunes was out the door. People was 354 00:16:10,680 --> 00:16:14,160 Speaker 2: camping out. You're on Burkham's now, girls are putting it 355 00:16:14,160 --> 00:16:15,920 Speaker 2: on Burkhams. Is a good look to have that little 356 00:16:15,960 --> 00:16:18,720 Speaker 2: watch hanging a little ap hanging off to burkham That's 357 00:16:18,720 --> 00:16:19,760 Speaker 2: the good It's. 358 00:16:19,600 --> 00:16:20,320 Speaker 1: A good look. 359 00:16:20,760 --> 00:16:23,280 Speaker 3: I mean, So why why do you think it's not 360 00:16:23,320 --> 00:16:24,000 Speaker 3: a good look murder? 361 00:16:24,240 --> 00:16:26,080 Speaker 1: I mean because it's still you know, you know that 362 00:16:26,120 --> 00:16:28,960 Speaker 1: you know the price of it's only three four hundred 363 00:16:29,040 --> 00:16:32,760 Speaker 1: dollars now, even though I did see some hustlers show 364 00:16:32,800 --> 00:16:34,920 Speaker 1: them that, I didn't see some hustles reselling it. 365 00:16:34,960 --> 00:16:35,120 Speaker 2: Now. 366 00:16:35,200 --> 00:16:37,360 Speaker 1: I heard some people was out there reselling it for about. 367 00:16:37,280 --> 00:16:38,800 Speaker 2: Showing the lines outside. 368 00:16:38,840 --> 00:16:42,120 Speaker 3: Man, this is the slight pushback, I'll give you, yea. 369 00:16:42,320 --> 00:16:43,400 Speaker 3: I'm curious to what you thinking about it. 370 00:16:43,520 --> 00:16:45,040 Speaker 2: This is funniest I saw this. 371 00:16:45,400 --> 00:16:48,720 Speaker 3: Mad people are online right, but they they're reselling it right, 372 00:16:49,000 --> 00:16:51,120 Speaker 3: And I got to do a little research on stock x. 373 00:16:51,120 --> 00:16:57,240 Speaker 3: They're recenting for almost three thousand dollars. That's a w 374 00:16:57,440 --> 00:16:58,000 Speaker 3: No matter what. 375 00:16:58,040 --> 00:17:02,560 Speaker 2: You gotta respect the hustle. So we looked at it 376 00:17:02,600 --> 00:17:04,280 Speaker 2: like certain people might look at it like it don't 377 00:17:04,280 --> 00:17:06,920 Speaker 2: make sense, no sense. But other people are looking like, yo, 378 00:17:07,000 --> 00:17:10,120 Speaker 2: it's gonna be limited edition, so whoever get it? Them 379 00:17:10,119 --> 00:17:12,200 Speaker 2: gods show the lines outside the slow. 380 00:17:12,040 --> 00:17:15,040 Speaker 1: People thought that right, but look, but you could bring 381 00:17:15,080 --> 00:17:17,919 Speaker 1: it up right, it's an article. They thought it was 382 00:17:17,960 --> 00:17:20,120 Speaker 1: gonna be something way as limited. But they're gonna keep 383 00:17:20,119 --> 00:17:23,120 Speaker 1: making these shists, right. Oh, but it went from three 384 00:17:23,119 --> 00:17:25,600 Speaker 1: thousand to four thousand. Now motherfucker's only selling it for 385 00:17:25,600 --> 00:17:27,639 Speaker 1: twelve hundred, and then the gig is about to be up. 386 00:17:27,640 --> 00:17:29,440 Speaker 1: You're gonna see in a minute they ain't gonna be 387 00:17:29,440 --> 00:17:31,919 Speaker 1: able to be selling sis for nothing. See what's the 388 00:17:31,920 --> 00:17:32,560 Speaker 1: price up there. 389 00:17:32,840 --> 00:17:35,959 Speaker 3: I'm just I'm showing the fellas if you're not watching 390 00:17:36,400 --> 00:17:39,199 Speaker 3: the stock X prices I'm talking about. Let's say for 391 00:17:39,240 --> 00:17:42,800 Speaker 3: this blue one, this bio ceramic is twenty seven hundred. 392 00:17:42,800 --> 00:17:44,359 Speaker 1: Someone's listening in a way, and that was only three 393 00:17:44,480 --> 00:17:45,240 Speaker 1: hundred to begin with. 394 00:17:45,680 --> 00:17:49,440 Speaker 3: Yeah, seventeen seventeen hundred for some eighteen hundred and fourteen 395 00:17:49,480 --> 00:17:53,360 Speaker 3: for the red, twelve for the kind of white, weird blue. 396 00:17:54,040 --> 00:17:56,720 Speaker 3: I mean, if you weigh and got those for four hundred, 397 00:17:57,119 --> 00:17:58,520 Speaker 3: you flipped them for even more. 398 00:17:58,359 --> 00:18:00,320 Speaker 1: Than a thousand. It's a good hustle move. 399 00:18:00,920 --> 00:18:04,120 Speaker 3: But now is that worth potentially kind of hurt? 400 00:18:04,160 --> 00:18:06,920 Speaker 2: It depends if somebody wants it that bad, Bros. It's 401 00:18:07,000 --> 00:18:09,760 Speaker 2: limited edition right now. The guys that stood outside on 402 00:18:09,800 --> 00:18:12,240 Speaker 2: the line, y'all are geniuses. Y'all are hustlers. This is 403 00:18:12,240 --> 00:18:14,639 Speaker 2: why I love New York. Y'all bought it for three hundred, 404 00:18:14,720 --> 00:18:17,000 Speaker 2: four hundred whatever it is, and y'all triple the price 405 00:18:17,040 --> 00:18:19,360 Speaker 2: on stock X and somebody who buy it when they 406 00:18:19,359 --> 00:18:19,719 Speaker 2: want to. 407 00:18:20,680 --> 00:18:22,399 Speaker 3: Did you guys see that there was a couple of 408 00:18:22,400 --> 00:18:24,800 Speaker 3: places But by the way, yeah, exactly. 409 00:18:27,680 --> 00:18:29,840 Speaker 2: They was fighting this. You're saying it don't make sense 410 00:18:29,880 --> 00:18:32,440 Speaker 2: when it makes sense, but they fighting over that shit. 411 00:18:32,520 --> 00:18:33,480 Speaker 2: I don't think that makes. 412 00:18:33,560 --> 00:18:35,120 Speaker 3: So that's why I was gonna ask you guys, because 413 00:18:35,160 --> 00:18:39,800 Speaker 3: they have releases in obviously New York, parents Miland Bay, 414 00:18:39,920 --> 00:18:42,439 Speaker 3: a lot of other major cities. Right A lot of 415 00:18:42,440 --> 00:18:44,600 Speaker 3: lines got shut down and kind of messed it up 416 00:18:44,600 --> 00:18:46,200 Speaker 3: for a lot of other people. I'm trying to find 417 00:18:46,320 --> 00:18:48,080 Speaker 3: a good fight for y'all to check out real quick. 418 00:18:48,280 --> 00:18:51,520 Speaker 3: YouTube is not gonna like that. But is that corny 419 00:18:51,600 --> 00:18:55,320 Speaker 3: to be fighting for some quote unquote luxury? 420 00:18:55,440 --> 00:18:58,000 Speaker 2: Just happened in New York City. Yeah, just another day 421 00:18:58,000 --> 00:18:58,520 Speaker 2: of the office. 422 00:18:59,400 --> 00:19:01,280 Speaker 3: They did it for in New York City, man, they 423 00:19:01,280 --> 00:19:02,480 Speaker 3: did it for a chicken sandwich. 424 00:19:02,720 --> 00:19:04,080 Speaker 2: Yo, this is New York City, Bro. 425 00:19:04,160 --> 00:19:06,359 Speaker 1: I forgot what did do that over Popey's chicken? Right? 426 00:19:06,560 --> 00:19:07,919 Speaker 1: They was going crazy with the pop. 427 00:19:08,359 --> 00:19:11,720 Speaker 2: It doesn't matter. It's New York City, bro, a chicken sandwich. 428 00:19:11,960 --> 00:19:13,800 Speaker 2: So we're we getting in to chut the bodybuild A 429 00:19:13,840 --> 00:19:16,639 Speaker 2: courthouse shooting breakdown. So he shot in front of the courthouse. 430 00:19:16,800 --> 00:19:18,760 Speaker 3: So no, no, no, this is this is the courthouse 431 00:19:18,800 --> 00:19:20,880 Speaker 3: that he got shot, right, yeah, well yeah. 432 00:19:20,680 --> 00:19:22,840 Speaker 2: So what did this happen in front of the courthouse? 433 00:19:23,359 --> 00:19:26,280 Speaker 3: So this happened in Uh there was a shooting outside 434 00:19:26,280 --> 00:19:30,320 Speaker 3: of Montgomery County Courthouse in Clarksfield, Tennessee. This happened on 435 00:19:30,320 --> 00:19:33,760 Speaker 3: May thirteenth. Right, Apparently he got into a whole verbal 436 00:19:34,640 --> 00:19:36,600 Speaker 3: thing with somebody. He was asking for it, and the 437 00:19:36,640 --> 00:19:39,080 Speaker 3: blood came out for the longest hut. 438 00:19:39,119 --> 00:19:41,399 Speaker 2: The bodybuild it is something cooed Colma and you have 439 00:19:41,520 --> 00:19:42,840 Speaker 2: received some bad calma. 440 00:19:42,880 --> 00:19:43,000 Speaker 1: Bro. 441 00:19:43,560 --> 00:19:44,960 Speaker 2: You know, if he would have came to New York, 442 00:19:44,960 --> 00:19:47,440 Speaker 2: he would have got gunned down in two seconds because 443 00:19:47,440 --> 00:19:49,320 Speaker 2: people was getting tired of him anyway, and he was 444 00:19:49,359 --> 00:19:52,520 Speaker 2: going viraling, and I think Kick or whatever the streaming 445 00:19:52,520 --> 00:19:54,520 Speaker 2: service he was on should have been ending them because 446 00:19:54,560 --> 00:19:57,360 Speaker 2: anybody who spew out hate like that is just bugging out. 447 00:19:57,640 --> 00:19:57,840 Speaker 1: Now. 448 00:19:57,960 --> 00:20:00,199 Speaker 3: I mean, if you don't know about Chuck, he's a 449 00:20:00,240 --> 00:20:02,600 Speaker 3: gentleman who had a lot of controversy around him. 450 00:20:02,760 --> 00:20:07,399 Speaker 2: Yeah, he was online going everywhere N word then he 451 00:20:07,560 --> 00:20:12,560 Speaker 2: then he but in New York some way worse would 452 00:20:12,560 --> 00:20:14,639 Speaker 2: have happened to him. He never came to New York. Down there, 453 00:20:14,720 --> 00:20:16,840 Speaker 2: I think he was getting away with a lot of 454 00:20:16,840 --> 00:20:20,000 Speaker 2: stuff because you know, like he did something from the police, 455 00:20:20,040 --> 00:20:21,880 Speaker 2: and I think one of the cops resigned to something 456 00:20:21,880 --> 00:20:24,520 Speaker 2: like that allegedly. I don't know, but he said he 457 00:20:24,600 --> 00:20:26,840 Speaker 2: was just like the N word around. He was getting crazy. 458 00:20:26,880 --> 00:20:29,639 Speaker 2: He knew something was gonna happen to him eventually. It 459 00:20:29,640 --> 00:20:31,640 Speaker 2: ain't where, it ain't where you're from, s where you at. 460 00:20:32,000 --> 00:20:34,040 Speaker 2: So when it just happened in New York, you knew 461 00:20:34,080 --> 00:20:36,000 Speaker 2: something was gonna happen to him. So that's why I 462 00:20:36,240 --> 00:20:39,200 Speaker 2: went on him. You know, he's reaching you doing too much. 463 00:20:39,320 --> 00:20:41,520 Speaker 2: You asking for too much. 464 00:20:41,320 --> 00:20:43,560 Speaker 3: Bro, I mean, doing too much got him into a 465 00:20:43,600 --> 00:20:47,240 Speaker 3: really big predicament because his bond was set at one 466 00:20:47,280 --> 00:20:53,200 Speaker 3: point two five million dollars. Was that worth the streams? 467 00:20:53,920 --> 00:20:56,920 Speaker 2: No, not at all. I mean just him just spewing 468 00:20:56,920 --> 00:20:58,679 Speaker 2: the hate out there was enough for me. Like I 469 00:20:58,720 --> 00:21:00,480 Speaker 2: never really paid attention to guy. I never want to 470 00:21:00,480 --> 00:21:02,200 Speaker 2: talk about him because I knew his day was coming. 471 00:21:02,640 --> 00:21:05,080 Speaker 2: I was gonna get killed or getting some dumb ship 472 00:21:05,160 --> 00:21:07,600 Speaker 2: spewing that hate out there. So check the barb ula. 473 00:21:07,960 --> 00:21:09,719 Speaker 2: Have a good time in jail. They gonna know how 474 00:21:09,720 --> 00:21:11,639 Speaker 2: to really treat you in there. But that's all right. 475 00:21:11,880 --> 00:21:13,679 Speaker 3: Look, he's saying that he was saying he was just 476 00:21:13,720 --> 00:21:16,199 Speaker 3: defending himself. But does that sound like that. 477 00:21:18,000 --> 00:21:21,240 Speaker 2: Guy was going crazy online every day? And I feel 478 00:21:21,280 --> 00:21:23,160 Speaker 2: like they should. We should have had him all streaming 479 00:21:23,440 --> 00:21:26,320 Speaker 2: a long time ago. Now we're going to the to 480 00:21:26,359 --> 00:21:28,520 Speaker 2: the light skined dude. He's making all light skin guys 481 00:21:28,520 --> 00:21:32,760 Speaker 2: look bad right now, man, the Julio Fulio killer Sean 482 00:21:32,880 --> 00:21:36,040 Speaker 2: Goat Right, Yeah, Now there's word to be said that 483 00:21:36,119 --> 00:21:38,680 Speaker 2: he has a goalfund me right now. 484 00:21:38,720 --> 00:21:40,639 Speaker 1: I heard that. I heard this. I heard they sending him. 485 00:21:41,600 --> 00:21:44,280 Speaker 2: And let me tell you something, crime don't pay, especially 486 00:21:44,320 --> 00:21:46,600 Speaker 2: when you're in Florida. Shout out to Florida. At least 487 00:21:46,600 --> 00:21:49,720 Speaker 2: New York, there is parole. Florida is no parole. It's 488 00:21:49,760 --> 00:21:53,040 Speaker 2: just death sentence. So you go to trial. Did you 489 00:21:53,080 --> 00:21:56,159 Speaker 2: watch it on YouTube? They're going to trial a little bit, 490 00:21:56,320 --> 00:22:00,960 Speaker 2: not only for the life sentences my brother, but for sweat. Definitely, 491 00:22:01,600 --> 00:22:03,720 Speaker 2: the sweat equity was crazy. You know what I'm saying. 492 00:22:04,840 --> 00:22:08,440 Speaker 2: You know that, you know the sweat equity was very crazy. 493 00:22:09,200 --> 00:22:11,600 Speaker 2: But that's how Florida is. I guess there's no parole, 494 00:22:12,359 --> 00:22:14,679 Speaker 2: a life for the death penalty. And now they was 495 00:22:14,720 --> 00:22:16,960 Speaker 2: you know, he was crying on the stand. His sister 496 00:22:17,040 --> 00:22:20,439 Speaker 2: went up there talk. I think his mother talks. And 497 00:22:20,520 --> 00:22:22,920 Speaker 2: let me tell you, crime doesn't pay, especially when you're 498 00:22:22,920 --> 00:22:26,880 Speaker 2: in Florida. Bro, I'm just keeping it real. Death penalty. 499 00:22:26,880 --> 00:22:29,560 Speaker 2: You could tell they had that around like there's nothing. 500 00:22:29,600 --> 00:22:32,040 Speaker 1: So they avoided the death penalty though, correct. They all 501 00:22:32,160 --> 00:22:33,679 Speaker 1: just got life with no parole. 502 00:22:33,800 --> 00:22:36,680 Speaker 3: So the official sentencing is not happening for all four 503 00:22:36,680 --> 00:22:39,760 Speaker 3: men until June twenty second, so that's when they're going 504 00:22:39,840 --> 00:22:40,640 Speaker 3: to do official sentence. 505 00:22:40,840 --> 00:22:42,520 Speaker 2: Let me ask you, guys, you think the crazy what's 506 00:22:42,560 --> 00:22:45,320 Speaker 2: the crazy one? Davon? I think it's Davon Murphy. What 507 00:22:45,440 --> 00:22:47,680 Speaker 2: is it? Davon Murphy he was the crazy laughing and 508 00:22:47,680 --> 00:22:50,520 Speaker 2: the one that was in the he was in the room. 509 00:22:51,680 --> 00:22:53,040 Speaker 2: Did you see that interrogation? 510 00:22:53,560 --> 00:22:54,600 Speaker 1: I said, who's the. 511 00:22:54,520 --> 00:22:56,480 Speaker 2: Guy with the big tims running? He was about to 512 00:22:56,480 --> 00:23:00,600 Speaker 2: shoot his man? Like YO about him, talk about him? 513 00:23:00,680 --> 00:23:02,320 Speaker 2: And he was in there by himself and he was 514 00:23:02,320 --> 00:23:05,119 Speaker 2: making gun justice pop pot like wilding out. You know, 515 00:23:05,200 --> 00:23:06,800 Speaker 2: I don't want YouTube to block us out, but it 516 00:23:06,840 --> 00:23:10,080 Speaker 2: was a crazy case and it goes to show you 517 00:23:10,200 --> 00:23:14,840 Speaker 2: now these days, there's too many cameras. They got cameras 518 00:23:14,880 --> 00:23:18,120 Speaker 2: on the tesla. They got they got fun records, they 519 00:23:18,160 --> 00:23:21,760 Speaker 2: got it bing B trail, they got highway trail, like 520 00:23:22,640 --> 00:23:27,360 Speaker 2: come on, yeah, yeah, you know these dudes had automatic weapons. 521 00:23:27,359 --> 00:23:29,280 Speaker 2: What you think is gonna happen? Bro, You're gonna get 522 00:23:29,280 --> 00:23:29,720 Speaker 2: caught up? 523 00:23:29,720 --> 00:23:29,880 Speaker 1: Bro? 524 00:23:31,200 --> 00:23:34,200 Speaker 2: And you know, like a dude like younger As can't 525 00:23:34,240 --> 00:23:36,879 Speaker 2: even come back to Florida. So they know in Jacksonville 526 00:23:37,040 --> 00:23:38,760 Speaker 2: is a ward the same thing that they know in 527 00:23:38,760 --> 00:23:40,840 Speaker 2: the streets to Fitch No Two. Bro, who's the blame 528 00:23:40,920 --> 00:23:42,160 Speaker 2: for something like this? Though? 529 00:23:42,200 --> 00:23:45,080 Speaker 1: All that shit is time unfortunate, man, It's just I 530 00:23:45,080 --> 00:23:47,359 Speaker 1: guess niggas come up in this drama as beef and 531 00:23:47,359 --> 00:23:49,879 Speaker 1: they see it. Pause they see that. They only know 532 00:23:49,880 --> 00:23:52,240 Speaker 1: a certain way to handle certain situations. Man. But it's 533 00:23:52,280 --> 00:23:53,680 Speaker 1: all unfortunate, honestly. Man. 534 00:23:53,760 --> 00:23:56,879 Speaker 2: But one thing the difference between Davon Murphy and Sean 535 00:23:56,960 --> 00:24:01,000 Speaker 2: Gatright is Sean Gatright's crying. Davon Murphey is smile. So, 536 00:24:01,240 --> 00:24:03,400 Speaker 2: I mean, if you, if you, if you do the crime, 537 00:24:03,480 --> 00:24:05,639 Speaker 2: you gotta be able to do the time. Can't be 538 00:24:05,760 --> 00:24:07,680 Speaker 2: up there crying and have a go fund me. You 539 00:24:07,760 --> 00:24:11,080 Speaker 2: gotta go fund me after you killed the high profile rapper. 540 00:24:11,920 --> 00:24:14,080 Speaker 2: That's kind of crazy, mart. I mean, he gotta go 541 00:24:14,119 --> 00:24:15,320 Speaker 2: fund me. I aint mad at him for trying to 542 00:24:15,320 --> 00:24:16,920 Speaker 2: get Did you see what he say on a stand? 543 00:24:16,960 --> 00:24:18,880 Speaker 2: Y'all want to do good in jail, bro, You got 544 00:24:18,880 --> 00:24:22,520 Speaker 2: ops down at doing good when you go to prison. 545 00:24:22,560 --> 00:24:24,400 Speaker 2: You're talking all that, Yo, I'm gonna do good and 546 00:24:24,680 --> 00:24:27,080 Speaker 2: keep my head down there. You in prison now, ain't 547 00:24:27,119 --> 00:24:30,199 Speaker 2: no being good and keeping your head down when you 548 00:24:30,240 --> 00:24:32,679 Speaker 2: go to prison is real. Any day could be your last, 549 00:24:32,880 --> 00:24:36,000 Speaker 2: you know that. Yeah, So you being on the stand 550 00:24:36,080 --> 00:24:39,920 Speaker 2: crying ain't making your bid. It's not making your bid better. 551 00:24:39,960 --> 00:24:41,680 Speaker 1: That's just my love him crying on it. That's not 552 00:24:41,720 --> 00:24:42,240 Speaker 1: a good look. 553 00:24:42,560 --> 00:24:44,960 Speaker 3: We can keep talking about jail a little bit. Unfortunately, 554 00:24:45,000 --> 00:24:49,639 Speaker 3: Kodak Black over the weekend was actually until twice twice 555 00:24:49,640 --> 00:24:51,800 Speaker 3: in one week. It's not all the week and twice 556 00:24:51,840 --> 00:24:52,560 Speaker 3: in one week? 557 00:24:52,920 --> 00:24:56,600 Speaker 2: Is he locked up now? Because no, shout to Kodak Black, 558 00:24:56,640 --> 00:24:58,639 Speaker 2: Shout all of those man, that's my I love Kodak 559 00:24:58,680 --> 00:25:00,760 Speaker 2: Black music. But Yo, you gotta they out of trouble. 560 00:25:00,760 --> 00:25:03,280 Speaker 2: You got pardoned by you gotta stay off the drug bro. 561 00:25:03,440 --> 00:25:06,600 Speaker 2: You got listen, you gotta stay out of trouble. I'm allegedly. 562 00:25:08,160 --> 00:25:14,280 Speaker 1: We've seen that nigga popping beings. Everybody knows. Yeah, you're right. 563 00:25:16,119 --> 00:25:19,800 Speaker 2: There. You're definitely right there. 564 00:25:19,800 --> 00:25:20,640 Speaker 1: You got to get some help. 565 00:25:20,680 --> 00:25:22,760 Speaker 2: You just gotta think about this. Your Kodak you got 566 00:25:22,800 --> 00:25:26,720 Speaker 2: pardoned by Donald Trump. You just gotta chill. You gotta chill. 567 00:25:26,800 --> 00:25:29,840 Speaker 3: So, but what about like the people around you, Like, 568 00:25:29,920 --> 00:25:30,800 Speaker 3: what do they do? 569 00:25:31,480 --> 00:25:31,600 Speaker 1: Like? 570 00:25:31,640 --> 00:25:35,320 Speaker 2: What would like everybody? You don't have businessmen around somebody 571 00:25:35,400 --> 00:25:39,000 Speaker 2: just got street dudes and what about family? I mean 572 00:25:39,040 --> 00:25:40,679 Speaker 2: they could talk to them, but once these guys make 573 00:25:40,720 --> 00:25:43,720 Speaker 2: their first million, they not listening to you. Yeah, it's 574 00:25:43,800 --> 00:25:45,400 Speaker 2: kind of hard to tell. You know, we was young 575 00:25:45,440 --> 00:25:47,600 Speaker 2: and did a lot of mistakes to like, but when 576 00:25:47,640 --> 00:25:48,640 Speaker 2: you're young and you making. 577 00:25:48,520 --> 00:25:50,240 Speaker 1: Make no music, man, So I really want to see 578 00:25:50,280 --> 00:25:51,800 Speaker 1: him getting better so he could really get back on 579 00:25:51,840 --> 00:25:54,680 Speaker 1: that because Kodak was one of them dudes actually talked 580 00:25:54,680 --> 00:25:56,360 Speaker 1: that ship for the young generation man. 581 00:25:56,400 --> 00:25:58,560 Speaker 3: So the first time he got arrested, by the way, 582 00:25:58,760 --> 00:26:02,240 Speaker 3: was May sixth, then got released. After that, was arrested 583 00:26:02,320 --> 00:26:02,960 Speaker 3: May fourteen. 584 00:26:03,080 --> 00:26:05,520 Speaker 2: Then you got you gotta think about this. It's a 585 00:26:05,560 --> 00:26:06,560 Speaker 2: trap and I'm gonna tell you what. 586 00:26:06,560 --> 00:26:08,000 Speaker 1: They're rested him for them. 587 00:26:08,960 --> 00:26:09,960 Speaker 3: Yeah, he's fleeing the police. 588 00:26:09,960 --> 00:26:11,880 Speaker 2: And then and then when of his man's had the car, 589 00:26:11,960 --> 00:26:14,080 Speaker 2: I think DNA was on drugs or something like that. 590 00:26:14,080 --> 00:26:16,080 Speaker 2: That was the first case. Because they out for you. 591 00:26:16,440 --> 00:26:17,800 Speaker 2: They let you know, we own. 592 00:26:17,680 --> 00:26:20,080 Speaker 1: You, not something jumped out the calm start running. 593 00:26:20,359 --> 00:26:22,439 Speaker 2: You got a party from Trump. You see them. People's 594 00:26:22,440 --> 00:26:25,080 Speaker 2: happy for you. He's doing happy for you. 595 00:26:25,200 --> 00:26:26,840 Speaker 3: He was doing a lot of he cut his hair 596 00:26:26,880 --> 00:26:30,480 Speaker 3: too cut his hair got the season now yeah, so 597 00:26:30,560 --> 00:26:33,520 Speaker 3: now he doing the whole switch up things A little 598 00:26:33,560 --> 00:26:35,479 Speaker 3: rough on the cod of Black kind of timeline. 599 00:26:35,520 --> 00:26:37,520 Speaker 2: I mean, things are never rough for Kodak Black. He rich. 600 00:26:38,720 --> 00:26:41,240 Speaker 2: I ain't rough for him. I'm just saying to you, guy, 601 00:26:41,320 --> 00:26:43,720 Speaker 2: just he just got a thing. You got parwninged by 602 00:26:43,720 --> 00:26:48,040 Speaker 2: Donald Trump. Right, you beat the odds, right, Just just 603 00:26:48,280 --> 00:26:51,160 Speaker 2: respect your blessings, Your family love you, You got kids 604 00:26:51,160 --> 00:26:53,199 Speaker 2: out there. You seem like a good person. You do 605 00:26:53,280 --> 00:26:56,080 Speaker 2: mad stuff for your mother, you do Kodak does mad 606 00:26:56,080 --> 00:26:58,639 Speaker 2: stuff for the community. Shout out to him, you know, 607 00:26:58,680 --> 00:27:00,320 Speaker 2: hopefully he just stay out of trouble is. I'm a 608 00:27:00,359 --> 00:27:01,840 Speaker 2: fan of his music and I'm a fan of what 609 00:27:01,920 --> 00:27:04,359 Speaker 2: he do. I'm not mad that he's in the streets. 610 00:27:04,359 --> 00:27:06,479 Speaker 2: He gets back to the streets. I respect that. But 611 00:27:06,520 --> 00:27:08,000 Speaker 2: at the end of the day, if you keep catching 612 00:27:08,040 --> 00:27:10,879 Speaker 2: these cases in Florida, it looks like Florida is not playing. 613 00:27:11,480 --> 00:27:13,520 Speaker 3: No, it does not play at all. 614 00:27:13,720 --> 00:27:16,159 Speaker 2: You know, Florida don't play. It's not no place to 615 00:27:16,200 --> 00:27:18,360 Speaker 2: really do crime at It seemed like, first of all, 616 00:27:18,400 --> 00:27:21,360 Speaker 2: it's no parole. At least New York you got parole. 617 00:27:21,480 --> 00:27:23,480 Speaker 2: You got a chance to see the light out there. 618 00:27:23,520 --> 00:27:26,080 Speaker 2: It's like life or flat bed. It seemed like from 619 00:27:26,119 --> 00:27:29,080 Speaker 2: what I'm seeing, or the death penalty get handed out 620 00:27:29,160 --> 00:27:32,160 Speaker 2: like it's nothing. You know what I'm saying. You gotta 621 00:27:32,160 --> 00:27:37,080 Speaker 2: think about this, Ed Murk. Why is prison a trap? Why? 622 00:27:37,280 --> 00:27:38,520 Speaker 2: Now you got cell phones? 623 00:27:38,600 --> 00:27:39,399 Speaker 1: Right? Right? 624 00:27:40,119 --> 00:27:42,840 Speaker 2: With a cell phone. It kills half of the day 625 00:27:42,880 --> 00:27:45,159 Speaker 2: for you. You know what I'm saying. I'm made. You 626 00:27:45,200 --> 00:27:48,080 Speaker 2: got Instagram, you got sick top, all the chicks on it. 627 00:27:48,200 --> 00:27:51,320 Speaker 2: You can hit your people people on it. That's killing 628 00:27:51,359 --> 00:27:54,040 Speaker 2: the day, like six hours at the day by the 629 00:27:54,080 --> 00:27:57,199 Speaker 2: time I use it in the morning, might use it 630 00:27:57,240 --> 00:27:59,320 Speaker 2: in the afternoon. Next thing you know, it's dinner and child, 631 00:27:59,320 --> 00:28:01,440 Speaker 2: it's time to go to I got it. I'm rocking out. 632 00:28:01,760 --> 00:28:05,920 Speaker 2: I'm chilling. I got the phone. I'm chilling. You beat 633 00:28:05,960 --> 00:28:08,160 Speaker 2: you doing the time. But you know what that is, right, 634 00:28:08,680 --> 00:28:11,000 Speaker 2: that's a ticket. There's people in jail that's doing more 635 00:28:11,080 --> 00:28:13,280 Speaker 2: time just for having a phone. You know what they 636 00:28:13,320 --> 00:28:15,400 Speaker 2: take away from me with a cell phone? What they 637 00:28:15,400 --> 00:28:18,640 Speaker 2: take away your visits? I think for a year a year. Yeah, 638 00:28:18,640 --> 00:28:21,880 Speaker 2: they take away a commissary for a year. Whoa they 639 00:28:21,920 --> 00:28:26,080 Speaker 2: take away your phone for a year. I'm like, all 640 00:28:26,160 --> 00:28:30,560 Speaker 2: for a cell phone and look a cell phone. I 641 00:28:30,600 --> 00:28:33,000 Speaker 2: have to blow it up because people know when it's 642 00:28:33,040 --> 00:28:36,159 Speaker 2: like ten grand. So if I ball murder phone and 643 00:28:36,240 --> 00:28:39,120 Speaker 2: I get busted, all my privileges took it away visits 644 00:28:39,120 --> 00:28:43,080 Speaker 2: for a your phone and commissary, I might get help. 645 00:28:43,160 --> 00:28:45,320 Speaker 2: Somebody out me with the commissary, and then I owe 646 00:28:45,400 --> 00:28:47,040 Speaker 2: murder ten grand now here on my neck. We might 647 00:28:47,080 --> 00:28:49,600 Speaker 2: have to go what they call gun to gun little kids, 648 00:28:49,600 --> 00:28:51,160 Speaker 2: don't you don't want to go to prison, you know 649 00:28:51,200 --> 00:28:54,480 Speaker 2: what I'm saying? Man? And now I owe him ten 650 00:28:54,480 --> 00:28:57,040 Speaker 2: grand for a phone. Part of my sight the reason 651 00:28:57,040 --> 00:28:58,560 Speaker 2: why it's a trap because you go in there, you 652 00:28:58,560 --> 00:29:02,720 Speaker 2: gotta defend yourself, and you catch your more tickets defending yourself, 653 00:29:03,200 --> 00:29:03,880 Speaker 2: getting busy. 654 00:29:04,640 --> 00:29:07,480 Speaker 3: You got to part of my igness. But is there 655 00:29:07,560 --> 00:29:11,800 Speaker 3: even a way to lessen that? Like once they're like yo, 656 00:29:12,160 --> 00:29:12,800 Speaker 3: everything's out. 657 00:29:14,000 --> 00:29:16,400 Speaker 2: They take away everything for like a year, and you 658 00:29:16,440 --> 00:29:16,680 Speaker 2: go in. 659 00:29:16,680 --> 00:29:18,600 Speaker 1: The box, damn. 660 00:29:20,160 --> 00:29:22,920 Speaker 2: For a whole year for like a whole year, no visits, 661 00:29:22,920 --> 00:29:24,120 Speaker 2: no phone, no commisary. 662 00:29:24,160 --> 00:29:26,440 Speaker 3: So what we gotta do to get Kodak outside of 663 00:29:26,720 --> 00:29:29,560 Speaker 3: from all that? I mean, how do we keep him away? 664 00:29:29,720 --> 00:29:32,360 Speaker 1: He got through, Yeah, he got it. Want to really 665 00:29:32,360 --> 00:29:34,920 Speaker 1: do it, though, man, he got to really want that. 666 00:29:35,000 --> 00:29:37,120 Speaker 2: He's a good dude. He's blessed. You just got to 667 00:29:37,160 --> 00:29:40,480 Speaker 2: realize how blessed he is. No, his mom's pray for him. 668 00:29:41,080 --> 00:29:42,800 Speaker 2: I see, you know, I'm Haitian, so I know, you 669 00:29:42,800 --> 00:29:45,400 Speaker 2: know people pray Haitian. We we're big on pray, were 670 00:29:45,400 --> 00:29:48,920 Speaker 2: big inno, you know, until you know into believing in 671 00:29:49,080 --> 00:29:50,120 Speaker 2: you know, God and Jesus. 672 00:29:50,120 --> 00:29:50,280 Speaker 1: You know. 673 00:29:50,280 --> 00:29:51,720 Speaker 2: I don't want to get into it too much because 674 00:29:51,760 --> 00:29:53,880 Speaker 2: people don't like when you talk about religion and politics. 675 00:29:53,920 --> 00:29:57,160 Speaker 2: But he prais, his moms pray for him, you know, 676 00:29:57,560 --> 00:29:59,760 Speaker 2: and he always gets out of jail. He's blessed. Got 677 00:29:59,760 --> 00:30:02,640 Speaker 2: a part garden from Trump. Who's getting that. That's not 678 00:30:02,920 --> 00:30:05,600 Speaker 2: you know, on everyday thing. So sometimes you gotta take 679 00:30:05,600 --> 00:30:08,400 Speaker 2: your blessings and realize I'm blessed, you know what I'm saying. 680 00:30:09,200 --> 00:30:09,720 Speaker 1: All Right? 681 00:30:10,680 --> 00:30:14,200 Speaker 3: We talked about Drake doing three album releases. We talked 682 00:30:14,240 --> 00:30:17,600 Speaker 3: about Koda get It released twice from jail. Yeah, let's 683 00:30:17,640 --> 00:30:21,000 Speaker 3: get a little bit into about Lauren Hill, who says, 684 00:30:21,240 --> 00:30:24,960 Speaker 3: who kind of explained why she hasn't dropped another album? 685 00:30:25,200 --> 00:30:26,040 Speaker 2: What does she say? Right? 686 00:30:26,320 --> 00:30:26,440 Speaker 1: Uh? 687 00:30:26,520 --> 00:30:28,800 Speaker 3: And her biggest thing was apparently was from you know, 688 00:30:28,920 --> 00:30:32,480 Speaker 3: drain of fame, needing the safety to create. Just dealing 689 00:30:32,480 --> 00:30:36,240 Speaker 3: with industry. I wanted to ask, y'all, is there any 690 00:30:36,400 --> 00:30:39,200 Speaker 3: artists that you wish had dropped anytime soon? 691 00:30:39,400 --> 00:30:43,000 Speaker 2: Or like it would be Lauren Hill? Yeah, because now 692 00:30:43,040 --> 00:30:45,840 Speaker 2: we're in a more like the female rappers A Dope, 693 00:30:45,840 --> 00:30:49,880 Speaker 2: the Sexy Reds, the Lotto's, the Card's, Nikki's the Molly. 694 00:30:49,920 --> 00:30:52,000 Speaker 2: Santana is now on Drake album. So now she's just 695 00:30:52,040 --> 00:30:55,720 Speaker 2: start the ice spices, you know, Shelter Stunner, Sandy, I 696 00:30:55,760 --> 00:30:58,720 Speaker 2: think she's from the Sandy Big She's you know, she's 697 00:30:58,760 --> 00:31:01,000 Speaker 2: gonna gain more followers. She on the Drake album. I 698 00:31:01,000 --> 00:31:04,120 Speaker 2: feel like before it was only like it was only 699 00:31:04,160 --> 00:31:09,400 Speaker 2: like Ki, Kim, Foxy, Lauryn Hill, Eve, you know you 700 00:31:09,480 --> 00:31:12,960 Speaker 2: had who am I missing? I'm missing I'm missing some 701 00:31:13,280 --> 00:31:16,240 Speaker 2: miss Missy Elliott. Yeah, you know there was a good amount. 702 00:31:16,280 --> 00:31:18,720 Speaker 2: But now it's like it's a lot of female rappers 703 00:31:18,800 --> 00:31:21,800 Speaker 2: now that are dominating the game. You're Sexy read on 704 00:31:21,840 --> 00:31:24,360 Speaker 2: the Drake album. You know they're dominating the game. They 705 00:31:24,400 --> 00:31:27,920 Speaker 2: do yk Niece killing him. It's like, Yo, it's like 706 00:31:27,960 --> 00:31:30,640 Speaker 2: a new female rapper every day that's killing the game 707 00:31:30,680 --> 00:31:34,000 Speaker 2: and the females. The female market is bigger now for music. 708 00:31:34,640 --> 00:31:37,400 Speaker 2: It feels like it's sixty forty because the women are 709 00:31:37,440 --> 00:31:40,360 Speaker 2: listening to their music that they like. So I feel 710 00:31:40,360 --> 00:31:42,680 Speaker 2: like Laurence Hill was to come here, the lane is open, 711 00:31:42,760 --> 00:31:44,800 Speaker 2: it would be Laurence Hill. She went through a lot, 712 00:31:44,840 --> 00:31:48,760 Speaker 2: but all her albums were like classics. You know, she 713 00:31:48,920 --> 00:31:51,720 Speaker 2: was dropping knowledge. She says she's thinking about dropping. 714 00:31:51,400 --> 00:31:54,400 Speaker 3: Something now that thought is in her mind, But at 715 00:31:54,440 --> 00:31:57,360 Speaker 3: the same time, it's kind of a question of do 716 00:31:57,440 --> 00:31:59,960 Speaker 3: you want to drop something else and then maybe hurt 717 00:32:00,200 --> 00:32:03,400 Speaker 3: quote unquote hurt your legacy? Is that possible? 718 00:32:03,400 --> 00:32:05,200 Speaker 2: What? I don't think it would never heard Laurence Hill 719 00:32:05,280 --> 00:32:08,800 Speaker 2: legacy if she dropped because whatever she dropped is gonna 720 00:32:08,800 --> 00:32:10,680 Speaker 2: be dope. What do you think murder? 721 00:32:13,400 --> 00:32:16,840 Speaker 1: If if it ain't dope, it could hurt a legacy 722 00:32:18,160 --> 00:32:20,720 Speaker 1: because I mean, people are critics, so people are gonna 723 00:32:20,720 --> 00:32:25,600 Speaker 1: always judge, and they gonna put that up against her 724 00:32:25,600 --> 00:32:28,200 Speaker 1: other project and they gonna go, oh, I mean that's 725 00:32:28,280 --> 00:32:29,880 Speaker 1: you know, how people are. People are gonna go, man, 726 00:32:29,920 --> 00:32:32,440 Speaker 1: she should have kept that. For me, that's how people are. 727 00:32:32,520 --> 00:32:34,160 Speaker 2: People. I don't care how people are. 728 00:32:34,200 --> 00:32:36,840 Speaker 1: If it's not if it's not good, they gonna say 729 00:32:36,840 --> 00:32:39,080 Speaker 1: she should have kept it. They're not gonna go, oh, Okay, 730 00:32:39,000 --> 00:32:40,800 Speaker 1: that's Laurence Hill. So it was okay she put out 731 00:32:40,800 --> 00:32:43,680 Speaker 1: some trash, They're gonna go, damn, man, she should have. Man, 732 00:32:43,680 --> 00:32:44,840 Speaker 1: she just just chilled. 733 00:32:44,760 --> 00:32:47,760 Speaker 2: No, listen, Lauren Hill's gonna drop a classic to me regardless, 734 00:32:47,760 --> 00:32:48,400 Speaker 2: because I'm a Lauren. 735 00:32:48,560 --> 00:32:50,720 Speaker 1: If she's thinking about putting out music, we're talking about 736 00:32:50,760 --> 00:32:53,320 Speaker 1: putting out an album almost thirty years later. 737 00:32:53,160 --> 00:32:55,720 Speaker 2: Who cares? Yes, we need that from Lauren Hill. Yes, 738 00:32:56,280 --> 00:32:59,960 Speaker 2: because everything is more of bars picking up the chick, 739 00:33:00,120 --> 00:33:03,920 Speaker 2: talking about Chanel's red bottoms or whatever whatever fashions knew 740 00:33:03,920 --> 00:33:05,880 Speaker 2: out the biggest bag you know you can buy, the 741 00:33:05,880 --> 00:33:10,440 Speaker 2: biggest expensive Louis shaking your ass or bars, you know 742 00:33:10,440 --> 00:33:13,400 Speaker 2: what I'm saying. So with her, she's dropping miss what 743 00:33:13,760 --> 00:33:17,239 Speaker 2: is it? Miss mis education? That was what you can 744 00:33:17,320 --> 00:33:18,920 Speaker 2: name some of them songs on there. Come on, bro, 745 00:33:19,080 --> 00:33:23,960 Speaker 2: like the album was a classic. Come on? Lost one 746 00:33:24,040 --> 00:33:27,360 Speaker 2: was on it? Not Lost one was on it. Mister man, 747 00:33:27,480 --> 00:33:28,880 Speaker 2: Peanut Butter and jelly Man is here? 748 00:33:28,920 --> 00:33:29,240 Speaker 1: What's up? 749 00:33:29,320 --> 00:33:34,800 Speaker 2: DJ? How you doing support? 750 00:33:35,080 --> 00:33:36,400 Speaker 1: I don't know. 751 00:33:37,560 --> 00:33:42,560 Speaker 2: He said he's not He said he's no steak until 752 00:33:42,560 --> 00:33:48,680 Speaker 2: he made ten million dollars? Okay, j Yeah, what's the show? Theorists? 753 00:33:48,720 --> 00:33:49,840 Speaker 2: Theorist theorist studios? 754 00:33:49,880 --> 00:33:55,800 Speaker 3: Yeah, the contexts he just he commonly purchases a whole 755 00:33:55,800 --> 00:33:58,320 Speaker 3: tub of peanut butter and slices of bread every week 756 00:33:59,280 --> 00:33:59,920 Speaker 3: to eat. 757 00:33:59,760 --> 00:34:02,160 Speaker 2: For But that's motivation for me because he said he's 758 00:34:02,160 --> 00:34:04,760 Speaker 2: gonna eat peanut butter and we bred until we make 759 00:34:04,800 --> 00:34:05,280 Speaker 2: ten million. 760 00:34:05,320 --> 00:34:06,880 Speaker 3: I'm with that man to get to get back to 761 00:34:06,920 --> 00:34:08,680 Speaker 3: Laura Hill real quick. A lot of the tracks are yeah, 762 00:34:08,719 --> 00:34:13,160 Speaker 3: lost Ones, Yes, Extractor to Zion, do watch Flash Hour 763 00:34:13,440 --> 00:34:15,080 Speaker 3: when it hears so bad. It's a lot of tracks. 764 00:34:15,120 --> 00:34:17,520 Speaker 3: Everything is everything that classic album. Can't take my eyes 765 00:34:17,560 --> 00:34:18,320 Speaker 3: off telling. 766 00:34:18,200 --> 00:34:20,520 Speaker 2: Classic can't take nothing. He can't take my eyes off. 767 00:34:20,760 --> 00:34:24,480 Speaker 3: Now, saying what you're saying now thirty years later. What 768 00:34:24,520 --> 00:34:26,759 Speaker 3: if she doesn't want to hardrest that. 769 00:34:28,040 --> 00:34:30,080 Speaker 2: I think she should come with another album. That's just 770 00:34:30,239 --> 00:34:33,000 Speaker 2: my opinion. I think she should call another album too. 771 00:34:33,280 --> 00:34:34,880 Speaker 1: I feel I feel like you feel like she's in 772 00:34:34,880 --> 00:34:36,920 Speaker 1: the creative space and she ready to drop some music. 773 00:34:37,320 --> 00:34:39,280 Speaker 2: I feel like I feel like a lot of music. 774 00:34:39,320 --> 00:34:41,840 Speaker 2: There's a lot of young artists that are definitely doing anything. 775 00:34:42,320 --> 00:34:45,120 Speaker 2: We was talking about. Don Toliver's one. He's coming into town. 776 00:34:45,440 --> 00:34:46,880 Speaker 2: Shout out to him. A concert is going to be 777 00:34:46,880 --> 00:34:50,279 Speaker 2: a movie. He's at USBs, He's at Madison Square, He's 778 00:34:50,320 --> 00:34:53,359 Speaker 2: in Jersey. You know, lucky he dropped his album. All 779 00:34:53,400 --> 00:34:56,200 Speaker 2: my kids are fans of these people. I listened to 780 00:34:56,239 --> 00:34:58,839 Speaker 2: their music Bek the Ruler, and the music is pretty dope. 781 00:34:58,880 --> 00:35:02,040 Speaker 2: They got their code following, but a lot of the 782 00:35:02,080 --> 00:35:06,160 Speaker 2: old school music is lasting forever. We had Havoc on 783 00:35:06,200 --> 00:35:08,919 Speaker 2: the show. We recently talked about forty days. He's doing. 784 00:35:09,080 --> 00:35:11,160 Speaker 2: Yes Banks right now is dope. What he's doing. 785 00:35:11,200 --> 00:35:14,359 Speaker 3: He's on tour right now, sing out Shine is selling out. 786 00:35:14,800 --> 00:35:17,600 Speaker 2: It's like fifty just came off, you know, three years ago, 787 00:35:17,920 --> 00:35:21,120 Speaker 2: one hundred and nine days two Live Nation, incredible tour. 788 00:35:21,719 --> 00:35:24,920 Speaker 2: After that, you just do your piece. Yeah, you know. 789 00:35:25,040 --> 00:35:27,839 Speaker 2: It's like it's like the older guys are lasting too. 790 00:35:27,960 --> 00:35:30,360 Speaker 2: You know, they're touring a lot. You know, Drake is 791 00:35:30,360 --> 00:35:34,120 Speaker 2: almost forty and looking he's still killing the game. Three 792 00:35:34,200 --> 00:35:35,880 Speaker 2: whole albums facts. 793 00:35:36,280 --> 00:35:38,359 Speaker 3: Now, I guess that's kind of why I wanted y'all 794 00:35:38,360 --> 00:35:40,719 Speaker 3: to talk about this, right, because of the fact of 795 00:35:41,160 --> 00:35:44,600 Speaker 3: the pressure of streams in the modern day. We get 796 00:35:44,600 --> 00:35:47,440 Speaker 3: these three albums, then it's like, are people really going 797 00:35:47,520 --> 00:35:50,080 Speaker 3: to stream all three of them? Obviously it's proving a 798 00:35:50,160 --> 00:35:51,000 Speaker 3: right when it comes to Drake. 799 00:35:51,080 --> 00:35:53,400 Speaker 2: I mean, he broke every record is to be broken, 800 00:35:53,680 --> 00:35:57,320 Speaker 2: so I mean, what is it he kills Spotify Spotify crash. 801 00:35:58,040 --> 00:36:00,080 Speaker 2: You know you didn't get a chance to listen. If 802 00:36:00,120 --> 00:36:02,160 Speaker 2: you didn't get a chance to listen to all three albums, 803 00:36:02,320 --> 00:36:04,279 Speaker 2: it's still time for that. I get on a long flight. 804 00:36:04,280 --> 00:36:07,280 Speaker 2: We're supposed to be going to Malaysia. In all these places, 805 00:36:07,440 --> 00:36:09,279 Speaker 2: I'm gonna listen to the third album. I listened to 806 00:36:09,280 --> 00:36:13,759 Speaker 2: two albums twenty hours on the way back hours and 807 00:36:13,840 --> 00:36:16,560 Speaker 2: name the ten top countries he dominated. 808 00:36:16,040 --> 00:36:20,479 Speaker 1: In dominating all over Man. But there's like ten top 809 00:36:20,480 --> 00:36:23,680 Speaker 1: countries or three albums right now. It's projected to be 810 00:36:23,840 --> 00:36:26,440 Speaker 1: number one, correct, I mean one, two, and three? 811 00:36:26,719 --> 00:36:28,760 Speaker 2: Come on, yeah, Spotify brough. 812 00:36:28,880 --> 00:36:31,400 Speaker 3: And and also into the question you asked so, I 813 00:36:31,480 --> 00:36:37,520 Speaker 3: mean you asked Canada, South Africa, United Kingdom, Mainland, China, France, India, Germany, Australia, Japan. 814 00:36:37,560 --> 00:36:39,359 Speaker 3: And that's just the start of it, right and we're 815 00:36:39,360 --> 00:36:42,080 Speaker 3: talking about only the first week. Back to talking about 816 00:36:42,080 --> 00:36:44,759 Speaker 3: Iceman and the other albums. You know, when it comes 817 00:36:44,800 --> 00:36:46,799 Speaker 3: to you guys though, how do y'all kind of work 818 00:36:46,840 --> 00:36:49,080 Speaker 3: on y'all releases and y'all tracks and anything like that? 819 00:36:49,600 --> 00:36:54,160 Speaker 2: I mean, for me, like I dropped the four twenty project, 820 00:36:54,239 --> 00:36:56,400 Speaker 2: we got the dispo, you know, shout to the unit Dispo, 821 00:36:56,520 --> 00:36:58,719 Speaker 2: Power by Indoors, Strength for life because we in the 822 00:36:58,719 --> 00:37:01,000 Speaker 2: cannabis world and doing them come out without you know, 823 00:37:01,160 --> 00:37:05,960 Speaker 2: seventh ave a Favehu worry uh pig, You're relief. All 824 00:37:05,960 --> 00:37:11,120 Speaker 2: these companies we deal with, you know, so I made 825 00:37:11,160 --> 00:37:13,280 Speaker 2: a full twenty project. I had Wiz on their burner. 826 00:37:13,320 --> 00:37:15,560 Speaker 2: Shout to them. I have Murder on their shout to him. 827 00:37:15,920 --> 00:37:18,560 Speaker 2: I have my man Soso on there is doing well. 828 00:37:18,600 --> 00:37:20,719 Speaker 2: You know, we make it independent money, which Drake is 829 00:37:20,760 --> 00:37:23,560 Speaker 2: going independent with that two Billy, which is a good 830 00:37:23,960 --> 00:37:27,520 Speaker 2: idea because a lot of rappers we can still do numbers, 831 00:37:27,520 --> 00:37:29,759 Speaker 2: but the numbers are different. You know, you might have 832 00:37:29,800 --> 00:37:32,439 Speaker 2: went gold back then, easy and you know what I'm saying, 833 00:37:32,440 --> 00:37:35,000 Speaker 2: but now it's kind of hard to go go If 834 00:37:35,000 --> 00:37:36,480 Speaker 2: you go go, you know what I'm saying, without a 835 00:37:36,520 --> 00:37:39,759 Speaker 2: machine bind you or whatever it is. But a lot 836 00:37:39,760 --> 00:37:42,000 Speaker 2: of people are making a lot of more money going independent. 837 00:37:43,080 --> 00:37:45,160 Speaker 1: Just cater to your fan base. That's what I feel 838 00:37:45,200 --> 00:37:48,080 Speaker 1: like nowadays. Just make the music that feel make the 839 00:37:48,160 --> 00:37:50,879 Speaker 1: music that feel good to you, and cater to your 840 00:37:50,920 --> 00:37:53,520 Speaker 1: fan base. And whoever your fans, they gonna support you 841 00:37:53,600 --> 00:37:54,239 Speaker 1: just for being you. 842 00:37:54,560 --> 00:37:55,640 Speaker 2: And the reason I ask you. 843 00:37:55,640 --> 00:37:57,880 Speaker 1: Guys are obviously legends in the game. Definitely set out 844 00:37:57,920 --> 00:37:59,759 Speaker 1: the empire. I just did to deal with them about 845 00:37:59,800 --> 00:38:05,239 Speaker 1: the GUYSI my god, Nima Bobby up there, I just 846 00:38:05,239 --> 00:38:08,120 Speaker 1: did it about to put out some new music. But definitely, 847 00:38:08,160 --> 00:38:09,960 Speaker 1: you just got to stay true to your true to 848 00:38:10,000 --> 00:38:11,920 Speaker 1: your fans. May you know what, people that really vock 849 00:38:12,000 --> 00:38:13,480 Speaker 1: what you want to hear, So just give them that 850 00:38:13,520 --> 00:38:15,759 Speaker 1: good music. Sometimes you can try a couple of new 851 00:38:15,800 --> 00:38:18,880 Speaker 1: things here and there, but just man, get your fans 852 00:38:18,880 --> 00:38:19,600 Speaker 1: what they want to hear. 853 00:38:19,719 --> 00:38:27,399 Speaker 2: Man, that's for me. I'm an actor. Yeah, I feel 854 00:38:27,440 --> 00:38:29,440 Speaker 2: like I'm gonna be one of the next big ones. 855 00:38:29,560 --> 00:38:33,000 Speaker 2: You know. I'm just me. I stay humble and be me, 856 00:38:33,040 --> 00:38:34,719 Speaker 2: and I think that's what you do in the game. 857 00:38:35,760 --> 00:38:38,000 Speaker 2: Like shout to Max B. But Max B, you gotta 858 00:38:38,000 --> 00:38:42,760 Speaker 2: stay humble. I heard you this Big Daddy came shout 859 00:38:42,760 --> 00:38:45,480 Speaker 2: the Big Daddy Kane. You can't disrespect the legends. Big 860 00:38:45,520 --> 00:38:47,919 Speaker 2: Daddy Kane is one of the guys that pioneered the game. 861 00:38:48,520 --> 00:38:50,640 Speaker 2: On Max B, you know, I love you from way back. 862 00:38:50,960 --> 00:38:55,759 Speaker 2: Pause if that's a pause, because say that you know 863 00:38:56,000 --> 00:38:58,520 Speaker 2: you in French. You know, I know y'all when y'all 864 00:38:58,520 --> 00:39:01,839 Speaker 2: first started the game. But Big Daddy Kane slander. We 865 00:39:01,920 --> 00:39:06,279 Speaker 2: cannot do Shout to Brooklyn, shout to Malim. Big Daddy came, Queen, 866 00:39:06,640 --> 00:39:08,360 Speaker 2: you know what I'm saying. We can't never shoot on. 867 00:39:08,400 --> 00:39:11,279 Speaker 2: Big Daddy came. Big Daddy came. Shout to Gillian Wallow too, 868 00:39:11,280 --> 00:39:12,160 Speaker 2: those are my brothers man. 869 00:39:12,200 --> 00:39:14,640 Speaker 3: Of course, of course it was on a Gillian Wallow show, right, 870 00:39:15,239 --> 00:39:18,520 Speaker 3: got the word game right and then uh so, then yes, 871 00:39:18,640 --> 00:39:21,760 Speaker 3: so for any just for context. Yeah, they he claimed 872 00:39:21,800 --> 00:39:25,080 Speaker 3: that he is way more influential than Big Daddy. 873 00:39:25,120 --> 00:39:25,920 Speaker 2: Came again, is that. 874 00:39:25,880 --> 00:39:26,440 Speaker 1: Not a pause? 875 00:39:26,520 --> 00:39:29,800 Speaker 2: Big Daddy came. That might be a no, that's. 876 00:39:29,640 --> 00:39:31,520 Speaker 3: Not I said. Mob was a pause. 877 00:39:31,800 --> 00:39:32,640 Speaker 2: I never said that. 878 00:39:32,719 --> 00:39:34,320 Speaker 1: Today's ever that might be a pause. 879 00:39:34,960 --> 00:39:38,880 Speaker 2: Now we're getting ridiculous with pop. We gotta stop. 880 00:39:39,560 --> 00:39:41,680 Speaker 1: The young boys might have said that you ain't lying, though, 881 00:39:41,680 --> 00:39:42,840 Speaker 1: But the boys might. 882 00:39:42,680 --> 00:39:44,600 Speaker 2: Have said Listen might have said that, man, you know, 883 00:39:44,719 --> 00:39:48,680 Speaker 2: Big Daddy Kane is what hip hop is. Max b 884 00:39:49,040 --> 00:39:51,320 Speaker 2: you know you gotta stay humble. You just came home. 885 00:39:51,960 --> 00:39:54,240 Speaker 2: You know you gotta hit record with friends. That's cool. 886 00:39:54,600 --> 00:39:57,960 Speaker 2: But Big Daddy Kane got seven certified albums. He had 887 00:39:58,000 --> 00:40:01,480 Speaker 2: Big Daddy hold on Big Daddy, Kane Cra Madonna, bro 888 00:40:01,880 --> 00:40:06,600 Speaker 2: Tupac's allegedly cracked Madonna allegedly right, you know Madonna, I'm 889 00:40:06,840 --> 00:40:09,799 Speaker 2: saying wrong or crackedice too much. That's the young boy stuff, right, 890 00:40:11,560 --> 00:40:14,440 Speaker 2: that's correct. Yes, it's cracked Will whatever he pizzled, whatever 891 00:40:14,480 --> 00:40:17,920 Speaker 2: it is. But the Max b slid the Big Daddy came, 892 00:40:18,000 --> 00:40:20,359 Speaker 2: we can't do that. And I like what Max being 893 00:40:20,360 --> 00:40:23,799 Speaker 2: French doing no disrespect to them, but you know you 894 00:40:23,880 --> 00:40:26,080 Speaker 2: can't do that. Not big Daddy came. Bro, that's like 895 00:40:26,080 --> 00:40:29,120 Speaker 2: this in Kress, that's like this in rock Him. That's 896 00:40:29,160 --> 00:40:31,719 Speaker 2: like this in Kuji Rap. You know what I'm saying, Yeah, 897 00:40:32,080 --> 00:40:34,320 Speaker 2: that's like this in Special Legs. You got to respect. 898 00:40:34,360 --> 00:40:36,880 Speaker 2: It's like, come on, that's like the legends. Respect the 899 00:40:36,960 --> 00:40:38,839 Speaker 2: legend to me, you know what I mean, that's like 900 00:40:38,880 --> 00:40:41,880 Speaker 2: this in Pete roxy O Smooth. I don't know, and 901 00:40:41,960 --> 00:40:44,120 Speaker 2: to me, it's just crazy. You just can't diss them, 902 00:40:44,160 --> 00:40:47,920 Speaker 2: you know what I'm saying, Wise, shout to big Daddy came. 903 00:40:47,960 --> 00:40:49,839 Speaker 2: We'll have him on the show because we respect. When 904 00:40:49,840 --> 00:40:52,800 Speaker 2: me and Murder seeing Big Daddy came at it was 905 00:40:52,840 --> 00:40:56,080 Speaker 2: event fifty was doing. We saluted and I know we're older, 906 00:40:56,200 --> 00:40:59,040 Speaker 2: but Max you older too, so I mean we should 907 00:40:59,080 --> 00:41:01,759 Speaker 2: just salute you know that the hours that paved the way. Yeah, 908 00:41:01,920 --> 00:41:03,920 Speaker 2: because there was a point where it was Big Daddy came, 909 00:41:04,080 --> 00:41:08,520 Speaker 2: Rock Kim Slick Rick. List goes on and on, but 910 00:41:08,840 --> 00:41:11,279 Speaker 2: those are like major names in the game. I never 911 00:41:11,320 --> 00:41:14,080 Speaker 2: disrespect Big Daddy came one of the greats, as well 912 00:41:14,080 --> 00:41:17,600 Speaker 2: as Cougie wrapped Rock Kim l l. The list goes 913 00:41:17,640 --> 00:41:20,040 Speaker 2: on and on. Yo, let's go to Clarissa' shields. She's 914 00:41:20,040 --> 00:41:25,520 Speaker 2: smacking chicks now, Oh, yes, she get crazy. Clarissa shell 915 00:41:25,560 --> 00:41:30,120 Speaker 2: smacks somebody. She smacked she tried allegedly fire out of somebody, 916 00:41:30,160 --> 00:41:31,840 Speaker 2: and I think it was allegedly. 917 00:41:33,360 --> 00:41:37,400 Speaker 3: So Clarissa Shields slapped Alicia. Oh this is gonna be 918 00:41:37,440 --> 00:41:40,120 Speaker 3: a tough one bomb gardener during a heat ar Now, 919 00:41:40,160 --> 00:41:42,440 Speaker 3: it looked like a jab When I saw the video. 920 00:41:42,239 --> 00:41:44,080 Speaker 1: Hit it off? Did they land? 921 00:41:44,640 --> 00:41:46,400 Speaker 2: Did you gotta watch the video on here? It sounds 922 00:41:46,440 --> 00:41:49,040 Speaker 2: like a slap. It doesn't look too clear. It sounds 923 00:41:49,080 --> 00:41:49,560 Speaker 2: like a slap. 924 00:41:49,640 --> 00:41:52,160 Speaker 1: That's all I'm saying, right, you pull the video up, 925 00:41:52,320 --> 00:41:54,160 Speaker 1: not saying that I didn't really see nothing connect. 926 00:41:55,280 --> 00:41:58,000 Speaker 2: I wasn't so connected or not, but. 927 00:41:58,040 --> 00:41:59,640 Speaker 3: We got the radio right here. You guys tell me 928 00:41:59,680 --> 00:42:00,719 Speaker 3: when you think about this. 929 00:42:00,960 --> 00:42:02,879 Speaker 2: Okay, let see it? 930 00:42:05,200 --> 00:42:07,799 Speaker 3: Who is that right there? Kind of like it was 931 00:42:07,800 --> 00:42:08,359 Speaker 3: like a job. 932 00:42:10,080 --> 00:42:11,879 Speaker 2: It looks like a quick slab. It wasn't too much. 933 00:42:12,520 --> 00:42:14,920 Speaker 1: I don't see it connecting or I'm missing something. 934 00:42:16,960 --> 00:42:18,120 Speaker 2: You were a little something. 935 00:42:18,360 --> 00:42:19,120 Speaker 1: Can you see it. 936 00:42:19,120 --> 00:42:22,279 Speaker 3: Hit right here? You can't really see it hit it's 937 00:42:22,400 --> 00:42:22,799 Speaker 3: right here. 938 00:42:23,120 --> 00:42:24,759 Speaker 1: What I'm saying, so I don't I don't know. 939 00:42:25,280 --> 00:42:26,120 Speaker 3: I mean you could hear it. 940 00:42:26,120 --> 00:42:28,520 Speaker 2: You can, you can very much hear uh Yo. You 941 00:42:28,560 --> 00:42:30,439 Speaker 2: know this is probably the press for the next fight. Man. 942 00:42:30,760 --> 00:42:33,360 Speaker 2: You know we're gonna we're gonna tap into that clos 943 00:42:33,440 --> 00:42:37,719 Speaker 2: Shields fight promo. That's some good promo. I can't lie. 944 00:42:37,840 --> 00:42:38,520 Speaker 2: Some good promo. 945 00:42:38,640 --> 00:42:40,680 Speaker 3: Man. The sheets are getting aggressive because the weather. 946 00:42:40,960 --> 00:42:45,200 Speaker 2: The weather's breaking. It's getting crazy outside outside. Man, the 947 00:42:45,239 --> 00:42:47,040 Speaker 2: weather's breaking. It's a lot of beef, a lot of 948 00:42:47,080 --> 00:42:50,080 Speaker 2: dis records. We talked about. We said, we said the 949 00:42:50,160 --> 00:42:50,719 Speaker 2: volumes like. 950 00:42:50,640 --> 00:42:57,720 Speaker 1: De Ro you know, shelter, shelter, anybody shelter murder Officer 951 00:42:57,800 --> 00:42:58,440 Speaker 1: Ricky Man. 952 00:42:58,560 --> 00:43:00,960 Speaker 2: Yeah, they got zip the drip got Officer Ricky Mann. 953 00:43:00,960 --> 00:43:01,719 Speaker 2: He went on the rint. 954 00:43:01,760 --> 00:43:07,080 Speaker 1: They said they Officer Ricky jumped into Drake beef because 955 00:43:07,080 --> 00:43:10,560 Speaker 1: of French and French still cool with Drake, So Officer 956 00:43:10,600 --> 00:43:11,880 Speaker 1: Ricky looking kind of stupid. 957 00:43:12,880 --> 00:43:15,000 Speaker 2: I mean, there's a lot going on, a lot going 958 00:43:15,040 --> 00:43:16,960 Speaker 2: on out there. We love the game, we love this, 959 00:43:17,120 --> 00:43:19,480 Speaker 2: we love you know. Shout out the bigs too, man, Yeah, 960 00:43:19,480 --> 00:43:25,080 Speaker 2: a shout to Big because already made that call yours. 961 00:43:25,120 --> 00:43:28,000 Speaker 2: Make sure you retract him, state, apologize he attracted state 962 00:43:28,040 --> 00:43:28,640 Speaker 2: mister Big. 963 00:43:28,680 --> 00:43:29,560 Speaker 1: Shout out the Big and. 964 00:43:29,680 --> 00:43:32,160 Speaker 2: I don't know Royan mal Then somebody mother came in 965 00:43:32,200 --> 00:43:33,480 Speaker 2: and I was like, it's going too. 966 00:43:33,360 --> 00:43:35,040 Speaker 3: Far now, Yeah, they talked about MAM's mom. 967 00:43:35,160 --> 00:43:38,239 Speaker 2: Yeah, that's crazy shouting man, shout to Rory, shouts to 968 00:43:38,320 --> 00:43:42,120 Speaker 2: drip everybody on the show. That's you're taking it too far. 969 00:43:42,520 --> 00:43:44,360 Speaker 2: And this is why I said the volume is turning 970 00:43:44,400 --> 00:43:49,120 Speaker 2: into death row ship I loved or should I say 971 00:43:49,120 --> 00:43:52,240 Speaker 2: in the scot records instead of death bro score records. 972 00:43:54,400 --> 00:43:56,359 Speaker 2: You know what I'm saying, it's like an arms deal. 973 00:43:56,560 --> 00:43:59,040 Speaker 2: You know what I'm saying. Everybody's crying, it's going damn, 974 00:43:59,360 --> 00:44:02,680 Speaker 2: Roma's going shout to you and Jada just murdering me 975 00:44:02,760 --> 00:44:10,440 Speaker 2: on the show. You know, so love no, no, but 976 00:44:10,440 --> 00:44:12,239 Speaker 2: what I'm saying is on the show, because look, I 977 00:44:12,280 --> 00:44:14,879 Speaker 2: get paid now to talk ship for a living. I'm 978 00:44:14,920 --> 00:44:17,520 Speaker 2: just letting y'all know that, and it's on. It's like, 979 00:44:17,560 --> 00:44:19,120 Speaker 2: it's on. You know what I'm saying. This is what 980 00:44:19,120 --> 00:44:21,719 Speaker 2: we like to do. It's the real report. We here 981 00:44:21,719 --> 00:44:25,160 Speaker 2: the talk ship like ship subscribe you want to talk 982 00:44:25,160 --> 00:44:25,640 Speaker 2: about murder? 983 00:44:26,440 --> 00:44:29,759 Speaker 1: This was I feel like this is the Tony ya 984 00:44:29,800 --> 00:44:32,600 Speaker 1: your episode featured with me. I just let you I 985 00:44:32,719 --> 00:44:34,840 Speaker 1: just let you go off. No, no, it's all We 986 00:44:34,920 --> 00:44:36,879 Speaker 1: got days like that, so I just let you go off. 987 00:44:36,920 --> 00:44:37,160 Speaker 2: Today. 988 00:44:37,320 --> 00:44:39,600 Speaker 1: I'm not even I enjoyed the day. 989 00:44:40,760 --> 00:44:43,120 Speaker 2: Day man, it's another day in the industry. There's no 990 00:44:43,280 --> 00:44:46,080 Speaker 2: love in the industry, y'all. Please don't think that you 991 00:44:46,200 --> 00:44:49,719 Speaker 2: got friends in the industry with you and it were 992 00:44:49,719 --> 00:44:52,880 Speaker 2: the most hated. I like it like that. I love it. 993 00:44:52,960 --> 00:44:55,960 Speaker 2: I'm not in competition with nobody. I'm humble. I'm blessed 994 00:44:56,200 --> 00:45:00,880 Speaker 2: we're getting this podcast money. It's all jokes to all parties. 995 00:45:01,080 --> 00:45:03,960 Speaker 2: Rick Ross is always you know officer Ricky or you 996 00:45:03,960 --> 00:45:05,640 Speaker 2: you a cop. We don't even know how you made 997 00:45:05,680 --> 00:45:07,600 Speaker 2: what was the hip hop fifty fifty of hip hop? 998 00:45:07,880 --> 00:45:10,000 Speaker 2: That's when I knew the game changed, you know what 999 00:45:10,040 --> 00:45:11,400 Speaker 2: I'm saying, So I don't want to hear none of 1000 00:45:11,400 --> 00:45:15,680 Speaker 2: this reality shiit oh hold on because me and Edden 1001 00:45:15,760 --> 00:45:17,959 Speaker 2: talked about this because in the real world there's more 1002 00:45:18,000 --> 00:45:23,200 Speaker 2: civilians than gangsters. Gucci Man just sold out Gary, Indiana 1003 00:45:23,320 --> 00:45:28,319 Speaker 2: show and this just shows you that there's more civilians 1004 00:45:28,360 --> 00:45:30,000 Speaker 2: in the world. Like gangs. 1005 00:45:30,360 --> 00:45:33,560 Speaker 1: It's a squad. I don't give about nothing Gucci doing 1006 00:45:33,760 --> 00:45:34,880 Speaker 1: out of here. It's the real report. 1007 00:45:35,000 --> 00:45:36,600 Speaker 3: Can you say one of the talk you want to 1008 00:45:36,600 --> 00:45:37,919 Speaker 3: be out? 1009 00:45:37,680 --> 00:45:40,520 Speaker 2: You want to be out? We got more town. No, 1010 00:45:40,600 --> 00:45:44,479 Speaker 2: I'm just trying to tell you this more Look, there's 1011 00:45:44,520 --> 00:45:50,440 Speaker 2: more civilians free no free pool sisty talk. It's no look, no, 1012 00:45:50,560 --> 00:45:53,000 Speaker 2: it's free pool shaisty. But it's going to show you 1013 00:45:53,040 --> 00:45:57,239 Speaker 2: there's more civilians in the world and gangsters. This gangsters, 1014 00:45:57,280 --> 00:45:59,200 Speaker 2: you know, the mafia, guys in the in the in 1015 00:45:59,239 --> 00:46:01,520 Speaker 2: the gangs. We see that on TV and a lot 1016 00:46:01,520 --> 00:46:03,719 Speaker 2: of listen, a lot of people are measuremized by that. 1017 00:46:04,120 --> 00:46:06,279 Speaker 2: You know, we're not condoning violence. But we watched it 1018 00:46:06,440 --> 00:46:09,800 Speaker 2: and The Godfather and Scarface and all these different movies 1019 00:46:09,840 --> 00:46:11,920 Speaker 2: that was in Hollywood before it came to the hood 1020 00:46:12,120 --> 00:46:14,359 Speaker 2: because that's what we you know, they say it's either 1021 00:46:14,600 --> 00:46:18,279 Speaker 2: music of movies, you know, right, wrong or right. But 1022 00:46:18,360 --> 00:46:22,480 Speaker 2: I'm telling you there's more civilians in the world and gangsters. 1023 00:46:22,920 --> 00:46:25,279 Speaker 2: I'm just telling you that. I don't know what was 1024 00:46:25,320 --> 00:46:27,000 Speaker 2: the point, but you're not on camera, but we all 1025 00:46:27,120 --> 00:46:30,160 Speaker 2: make sure. I like ch subscribe, you know what I mean. 1026 00:46:30,440 --> 00:46:33,880 Speaker 2: Still feel Pouchheitsteen, Big thirty in them. You know, we 1027 00:46:33,920 --> 00:46:36,520 Speaker 2: don't condone rating, We don't condone that, but we're just 1028 00:46:36,600 --> 00:46:40,800 Speaker 2: saying there's more civilians than gangsters in the world. You 1029 00:46:40,880 --> 00:46:47,759 Speaker 2: gotta agree to that. There's a lot more civilians than gangsters.