WEBVTT - 8 | The Bottle

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<v Speaker 1>Consumed is a production of iHeart Podcasts and Grimm and

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<v Speaker 1>Mild from Aaron Maky. Headphones recommended. Listener discretion advised.

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<v Speaker 2>Maybe I didn't know you got Monsoon's in an upstate

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<v Speaker 2>New he I'm sure.

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<v Speaker 3>Oh fine by me? Better than the alternative. If this

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<v Speaker 3>was three degrees cold, there would be snowed in for

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<v Speaker 3>god knows how long?

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<v Speaker 2>Damn it? What snowed in in a library? And an

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<v Speaker 2>idea like New England Town. I mean, come on, it's

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<v Speaker 2>like instant rom com. Can you imagine if only.

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<v Speaker 3>If only there wasn't a mass murderer possibly running around

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<v Speaker 3>said library?

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<v Speaker 2>Yeah that part? Who do we think that could have been?

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<v Speaker 3>Honestly, I have no idea. It's Danville and the only

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<v Speaker 3>theft reported since I've been here was against the New

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<v Speaker 3>York Giants in two thousand and eight.

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<v Speaker 2>Is that a sports reference?

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<v Speaker 3>Maybe?

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<v Speaker 2>And he has layers?

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<v Speaker 3>Who are you just the guy worried about history in

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<v Speaker 3>this creaky old building speaking of we shouldn't make sure

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<v Speaker 3>all the doors.

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<v Speaker 2>Are locked and windows like that one?

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<v Speaker 3>Yeah, you want to help me?

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<v Speaker 2>Absolutely not?

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<v Speaker 3>What?

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<v Speaker 2>No, I'm not gonna get Agatha Christie next to actual

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<v Speaker 2>copies of Agatha Christie Books.

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<v Speaker 3>I don't think we can use Agatha as an example anymore.

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<v Speaker 3>Oh was she canceled only since nineteen seventeen?

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<v Speaker 2>What really?

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<v Speaker 3>When the day comes that you have dependable internet again,

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<v Speaker 3>wherever that may be? Sam me a postcard first, but

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<v Speaker 3>then Google, and then there were none?

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<v Speaker 2>Ooh the Internet. Oh to dream, the impossible dream.

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<v Speaker 3>Now, they said Avantes, He's totally fine.

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<v Speaker 2>Technically it's from Mana la Mancha.

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<v Speaker 3>And technically it's still raining. I'm gonna go to the

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<v Speaker 3>second and third floor and make sure sure all the doors.

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<v Speaker 2>Are locked, and I'll be right here.

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<v Speaker 3>Will you at least check the doors and windows down here?

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<v Speaker 3>That's so a thirty total, So all kidding aside, I

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<v Speaker 3>could really use your help to make sure that this

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<v Speaker 3>place doesn't flood.

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<v Speaker 2>What's in it for me.

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<v Speaker 3>Besides us surviving the night considering everything that's going on.

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<v Speaker 2>Yeah, that's boring. At this point.

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<v Speaker 3>You are the impossible dream. Okay, I'll show you some

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<v Speaker 3>original playbells from nineteen sixties Broadway productions.

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<v Speaker 2>Deal, you're extremely weird, Sorry, can't hear you? Busy working

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<v Speaker 2>lost underneath the blanket of gray clouds as they pummel

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<v Speaker 2>Danville with torrential downpour are intrepid reporter Sarah Elizabeth Simmons

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<v Speaker 2>continues in her quest for answers to the story of

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<v Speaker 2>the century, But first she must close these old, rusty windows.

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<v Speaker 2>We're run the risk of not getting to see the

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<v Speaker 2>original playbill from nineteen sixty five's Man of La Mancha,

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<v Speaker 2>book by Deal Wasserman, who also wrote the players of

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<v Speaker 2>One Flew Over the Cuckoo's Nest, which is kind of

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<v Speaker 2>how I'm feeling right now. Ah old computer, probably barely

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<v Speaker 2>a few years younger than Man of Lamaga more ancient books.

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<v Speaker 2>What does this even say? Rita's barbarorum? If only I

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<v Speaker 2>could google? Huh, this is my email account.

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<v Speaker 4>It says last loggin was at seven thirty five yesterday.

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<v Speaker 4>But hold on, I was in the bruders truck at

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<v Speaker 4>seven thirty So not only did he get online, but

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<v Speaker 4>he opened my email and never told me.

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<v Speaker 2>Motherfucker. Oh fuck, okay, okay, keep it together, fuck no daser,

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<v Speaker 2>fuck fucked in fuck fuck it's okay, you got this, Yes, motherfucker.

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<v Speaker 2>I'll stab you with this letter opener if you try anything,

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<v Speaker 2>Hello Gordon, If you can get online with this tank,

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<v Speaker 2>so can I.

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<v Speaker 3>A funk off.

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<v Speaker 2>Come on, we call this one a hard reset.

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<v Speaker 4>Yes, no, you just need to get online before Jesus

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<v Speaker 4>are you.

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<v Speaker 3>Wearing socks better? I come bearing gifts in honor of

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<v Speaker 3>your deservants. Love.

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<v Speaker 2>It's Wasserman Lee and Darien.

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<v Speaker 3>But whatever I have procured from the chateau they upstairs kitchen,

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<v Speaker 3>this fine bottle of them on a.

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<v Speaker 2>Bic Malbick Mabick from.

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<v Speaker 3>Uh Argentina, Argentina. This is the echo game, Echo.

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<v Speaker 2>Game maybe, but Don Quixote is from Spain. Do I

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<v Speaker 2>really have to have this conversation with you?

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<v Speaker 3>Why do I feel like servants and how he felt

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<v Speaker 3>during the Spanish Inquisition for starters?

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<v Speaker 2>Because they call it the Spanish Inquisition, not the Argentinian

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<v Speaker 2>And second, you're referencing the musical now and not the book.

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<v Speaker 2>But you're definitely driving me crazy.

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<v Speaker 3>I'm sorry, Oh it's okay, I'm you.

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<v Speaker 2>Know what, Let's just crack open that bottle.

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<v Speaker 3>Shit what I don't have a bottle opener?

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<v Speaker 2>You don't have a bottle opener.

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<v Speaker 3>I was convinced oll Mabick was from Spain. Do you

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<v Speaker 3>think i'd drink on the regular. Let's see what we

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<v Speaker 3>can find in these drawers.

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<v Speaker 2>Hey, is this the phone charger? I think so like

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<v Speaker 2>one that could fit a flip phone. I mean maybe,

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<v Speaker 2>fuck yes. Now let's hope it turns on.

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<v Speaker 3>The old ones need to charge up before they turn on.

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<v Speaker 3>But it looks like it's working. And shit, hold on what,

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<v Speaker 3>I'm sorry?

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<v Speaker 2>Four?

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<v Speaker 3>I did know Aaron. Oh, she was one of the

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<v Speaker 3>dozen or so Daniel Anderson scholars a program run by

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<v Speaker 3>the town that awards a stipend to students. In an

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<v Speaker 3>interim position in the library, I'm sorry, I didn't know.

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<v Speaker 3>It's okay, really just a glorified phone answer your shift

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<v Speaker 3>that the students just used to check their social media

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<v Speaker 3>on at the circulation desk.

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<v Speaker 2>I get it, and thank you for alleviating some.

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<v Speaker 3>Of my fears some of Wait, did you think I,

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<v Speaker 3>like I.

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<v Speaker 2>Had anything to do with Well, to be honest, I

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<v Speaker 2>don't know, Vicente. You changed your name, moved to a

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<v Speaker 2>small technology list town in the middle of nowhere, and,

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<v Speaker 2>on top of all of the shit going on, failed

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<v Speaker 2>to mention not only that you knew the victims, but

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<v Speaker 2>one worked here.

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<v Speaker 3>Like you said, it's a small town. Everyone knows everyone

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<v Speaker 3>in some kind of way.

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<v Speaker 2>Does everyone know there's a fucking mini cave behind a

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<v Speaker 2>shelf of books in a church tern library? Right? Does

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<v Speaker 2>everyone know that it Arrean's phone was hidden there?

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<v Speaker 3>I told you I had to know.

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<v Speaker 2>I checked the computer, Gordon.

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<v Speaker 3>I you feel like you're holding that wine opener like

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<v Speaker 3>a dagger.

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<v Speaker 2>The computer what it's a dial up when you left?

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<v Speaker 3>It finally worked, but you were gone, and I'm sure

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<v Speaker 3>even if it says last logging, you will find all

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<v Speaker 3>your emails unopened because I'm not an asshole, and I

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<v Speaker 3>shut it down before it even loaded to the welcome screen.

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<v Speaker 3>We have no internet, no Wi Fi, but landlines still

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<v Speaker 3>seem to somewhat work, and occasionally they'll let us buffer

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<v Speaker 3>a single photo if you wait like twenty minutes.

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<v Speaker 2>Okay, okay, what I believe you?

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<v Speaker 3>You do because it's feeling a big galilean.

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<v Speaker 2>What galilean dude got a pretty rough Hou's arrested with

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<v Speaker 2>servants and unlimited resources. Joan of ARC got roasted in

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<v Speaker 2>the middle of the street.

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<v Speaker 3>Fair But the point stands, I would.

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<v Speaker 2>Never I'm telling you that I believe you. I always did.

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<v Speaker 2>It's just nice to have reassurance. So it's okay, you're

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<v Speaker 2>the first person I haven't run from since I can remember.

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<v Speaker 3>Even though I didn't know where Malbot came from. You

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<v Speaker 3>get a pass and besides, most Argentinians think they're European.

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<v Speaker 2>Anyway, I'll take your room for it. You okay, Yeah,

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<v Speaker 2>I'm just hoping that phone charges up so we can

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<v Speaker 2>keep looking for answers. But thank you for asking.

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<v Speaker 3>So running away, huh, I feel like I can relate,

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<v Speaker 3>But I want to know about your journey, which part

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<v Speaker 3>I started at the top. We're not really going anywhere

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<v Speaker 3>anytime soon, and this European Argentina and wine isn't going

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<v Speaker 3>to drink itself.

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<v Speaker 2>I remember when I was eleven years old and it

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<v Speaker 2>was take your daughter to work day. I was all

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<v Speaker 2>excited to go see where my dad worked. He was

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<v Speaker 2>an industrial engineer at Merman Hiller.

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<v Speaker 3>No Way. The furniture place, the chair place.

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<v Speaker 2>A very one. We had one in every room and

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<v Speaker 2>spent more time sleeping in those than I did in

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<v Speaker 2>my own bed. So the morning came and I got

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<v Speaker 2>up extra early. I had the best outfit picked, you know,

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<v Speaker 2>something that screamed cool but also hip enough to work

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<v Speaker 2>in teak and chrome one day. So I get dressed

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<v Speaker 2>and I'm running downstairs and I see my mom at

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<v Speaker 2>the table and no one else where's dad. I asked

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<v Speaker 2>that since I didn't see my sister anywhere, I put

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<v Speaker 2>it all together before my mom could lie to me

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<v Speaker 2>in an attempt to feel better. But she tried something

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<v Speaker 2>like Alex needed some extra credit for a project about

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<v Speaker 2>CEOs and it just made sense to go in with

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<v Speaker 2>dad or whatever bullshit she was selling that used every phrase,

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<v Speaker 2>but we all like Alex better than you.

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<v Speaker 3>Well, yeah, did you call out your sister?

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<v Speaker 2>Call out Alex? That would have been like trying to

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<v Speaker 2>tell the Pope to wear less white or employless philes.

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<v Speaker 3>Ooh, we were on a roll.

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<v Speaker 2>Shit, I keep forgetting. This used to be a church.

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<v Speaker 3>It's okay, the church won't forget. Then what happened, Well.

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<v Speaker 2>That was the distinctive moment that made me realize two things. One,

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<v Speaker 2>my family cared more about appearances and whatever made them

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<v Speaker 2>look best. Alex was older, the honor student, already looking

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<v Speaker 2>at scholarships from all the IVY leagues, flew in lacrosse

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<v Speaker 2>and cardigans, and my father rolling into work with a

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<v Speaker 2>success story. It would only improve the Simmons stock, which

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<v Speaker 2>led to number two. I had to get the fuck

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<v Speaker 2>out of there and make it a mission to always

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<v Speaker 2>seek out the truth, no matter the cost. I let

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<v Speaker 2>myself be lied to that day, and I vowed to

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<v Speaker 2>never let it happen again that.

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<v Speaker 3>Day when you were eleven. Yeah, I was sill, occasionally

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<v Speaker 3>peeing in the bed if I saw a scary movie cover.

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<v Speaker 2>We'll have to unpack that later. But yeah, the only

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<v Speaker 2>thing I did take from my family was the stubbornness,

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<v Speaker 2>and it's lasted me these last couple of decades.

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<v Speaker 3>That's why you came back. Yeah, I think so, and

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<v Speaker 3>really why you've left.

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<v Speaker 2>I suppose I have left everywhere else when someone threatened

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<v Speaker 2>to take away my choice of chasing the story like

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<v Speaker 2>previous dudes. Yeah, you'd be surprised how unconsciously conniving a

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<v Speaker 2>partner can be if they feel threatened by anything else

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<v Speaker 2>besides them offering happiness and opportunity. Actually, I'm surprised at

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<v Speaker 2>saying that out loud for the first time.

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<v Speaker 3>Oh, no surprise. There. For the record, I wished you

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<v Speaker 3>a bombvoyage.

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<v Speaker 2>Or my dear Vicinde. How they can always make it

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<v Speaker 2>about themselves.

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<v Speaker 3>Damn it, I'm kidding, but this is me time copy

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<v Speaker 3>Sergeant more Wine, ma'am just poor petty officer. Yeah, I

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<v Speaker 3>guess the opposite of being told you're a kid genius

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<v Speaker 3>even though or not is being ignored for a sibling. Shit,

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<v Speaker 3>that's a fucking bummer. Sorry, you've been trying to run

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<v Speaker 3>from that shadow.

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<v Speaker 2>Fucking permanent DNA solar eclipse.

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<v Speaker 3>What happened to your dad?

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<v Speaker 2>He Willie lowmaned himself minus the insurance money.

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<v Speaker 3>Fuck, I am so sorry.

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<v Speaker 2>He worked for forty years, never said more than was necessary.

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<v Speaker 2>It gave us a roof and clothes when we were

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<v Speaker 2>all off to college. He was retired and he decided

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<v Speaker 2>to go a little too fast for the first time

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<v Speaker 2>in his life. Unfortunately, that was a little too fast

0:12:25.640 --> 0:12:27.920
<v Speaker 2>around a tight corner off a cliff overlooking the Pacific

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<v Speaker 2>Ocean in a rented convertible BMW silver lining. Forensick said,

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<v Speaker 2>it was instant. I feel like he lived his life

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<v Speaker 2>like he was in the Truman Show. Knew the truth

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<v Speaker 2>but said, fuck it, I'll just play along. And that's

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<v Speaker 2>why I won't. That's why I need this. I want

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<v Speaker 2>to get these answers. I want to find out why

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<v Speaker 2>break this story, find out why no one outside of

0:12:58.640 --> 0:13:00.480
<v Speaker 2>the Danville area has heard of it. Any of these

0:13:00.559 --> 0:13:06.360
<v Speaker 2>murders and disappearances. That's why I came back.

0:13:07.720 --> 0:13:11.040
<v Speaker 3>Okay, but you also like kind of came back from me, right,

0:13:11.240 --> 0:13:11.760
<v Speaker 3>all right?

0:13:13.800 --> 0:13:17.200
<v Speaker 2>Well, yeah, who else is going to teach you basic history?

0:13:17.520 --> 0:13:20.280
<v Speaker 2>It's wide, But tell me the speed of light? Einstein?

0:13:20.520 --> 0:13:23.439
<v Speaker 3>Oh that's a low blow, and it's Romer, not Einstein.

0:13:23.720 --> 0:13:27.680
<v Speaker 2>We've said much worse than this. So this really was

0:13:27.720 --> 0:13:30.559
<v Speaker 2>a church and they just converted it to a library.

0:13:30.840 --> 0:13:33.800
<v Speaker 3>Yeah, makes sense, But they also never built another church

0:13:33.800 --> 0:13:34.199
<v Speaker 3>in town.

0:13:34.480 --> 0:13:36.959
<v Speaker 2>I was gonna ask. It's like they traded the promise

0:13:37.000 --> 0:13:40.560
<v Speaker 2>of salvation for prize of knowledge and history or a.

0:13:40.679 --> 0:13:44.440
<v Speaker 3>Curse of knowledge, depending on who writes the history.

0:13:44.920 --> 0:13:47.959
<v Speaker 2>That fucking draft. It's like getting dumped in a freezer.

0:13:48.320 --> 0:13:49.920
<v Speaker 2>It's coming from the little tunnel, isn't it.

0:13:54.559 --> 0:13:57.800
<v Speaker 3>So I read that during Prohibition Danville may have been

0:13:57.880 --> 0:14:00.520
<v Speaker 3>a little bit of a stopover for deliveries from Canada

0:14:00.800 --> 0:14:03.679
<v Speaker 3>down to Boston and New York. Oh yeah, and hidden

0:14:03.760 --> 0:14:07.040
<v Speaker 3>rooms and mini tunnels like this were pretty common. Who's

0:14:07.080 --> 0:14:09.200
<v Speaker 3>going to check a library for booze? And even if

0:14:09.200 --> 0:14:12.120
<v Speaker 3>they did, who's gonna find this? Did anyone ever get

0:14:12.160 --> 0:14:13.520
<v Speaker 3>caught hiding alcohol?

0:14:13.679 --> 0:14:13.920
<v Speaker 2>Yeah?

0:14:14.520 --> 0:14:18.280
<v Speaker 3>That's a great question. Let's look at the Danvil Harald.

0:14:24.800 --> 0:14:28.200
<v Speaker 2>Nineteen twenty two, nineteen thirty.

0:14:28.080 --> 0:14:32.520
<v Speaker 3>And nineteen thirty to nineteen forty. Prohibation was nineteen twenty

0:14:32.600 --> 0:14:34.680
<v Speaker 3>to nineteen thirty three. So we'd have to cover a

0:14:34.720 --> 0:14:35.800
<v Speaker 3>shit on a ground.

0:14:36.120 --> 0:14:38.080
<v Speaker 2>Yeah, that seems like it would take a bit of time.

0:14:38.400 --> 0:14:43.280
<v Speaker 3>But there's one thing we could check. Yep, keywords, keywords.

0:14:43.440 --> 0:14:46.560
<v Speaker 3>Each compendium has an index with keywords and page numbers.

0:14:46.920 --> 0:14:49.480
<v Speaker 2>No shit, they had indexes back then.

0:14:49.760 --> 0:14:52.480
<v Speaker 3>Oh yeah, they had them in the fifteenth century, called

0:14:52.520 --> 0:14:55.480
<v Speaker 3>them concordances. But the first dude to be known as

0:14:55.520 --> 0:14:58.160
<v Speaker 3>a professional indexer was Sam Askoff.

0:14:58.480 --> 0:15:00.320
<v Speaker 2>Professional indexer, not.

0:15:00.240 --> 0:15:03.520
<v Speaker 3>Just professional, no, no, he was literally known as the

0:15:03.600 --> 0:15:08.760
<v Speaker 3>Prince of Indexers, like Dewey Before Dewey, who never mind, you.

0:15:08.760 --> 0:15:10.960
<v Speaker 2>Know what, I take it back, I'll never make fun

0:15:11.000 --> 0:15:13.720
<v Speaker 2>of you for not knowing where malback is from. Prince

0:15:13.760 --> 0:15:16.120
<v Speaker 2>of Indexers. Really, that's an actual person.

0:15:16.400 --> 0:15:19.400
<v Speaker 3>I'm a librarian. If I didn't know Ace Coff, cleave Cutter,

0:15:19.560 --> 0:15:22.120
<v Speaker 3>Dewey and so many more, they've come snatched my card

0:15:22.280 --> 0:15:23.400
<v Speaker 3>and drown me in laid fees.

0:15:23.720 --> 0:15:28.720
<v Speaker 2>This is amazing. Okay, well, let's get into these indexes.

0:15:28.280 --> 0:15:30.320
<v Speaker 3>Baby, deal what's first.

0:15:30.680 --> 0:15:32.360
<v Speaker 2>Let's check prohibition.

0:15:34.080 --> 0:15:38.600
<v Speaker 3>Okay, Book one. Prohibition is mentioned three hundred and twenty

0:15:38.680 --> 0:15:39.480
<v Speaker 3>seven times.

0:15:39.840 --> 0:15:44.640
<v Speaker 2>Book two looks like fifty two times. It's still too

0:15:44.680 --> 0:15:47.480
<v Speaker 2>much to come through. We need to cross reference. Oh yes,

0:15:47.880 --> 0:15:53.800
<v Speaker 2>jinx exactly, Book two two hundred and fifty.

0:15:53.640 --> 0:15:57.320
<v Speaker 3>Mentions, Book one fuck four hundred mentions.

0:15:58.000 --> 0:15:58.760
<v Speaker 2>That's not gonna work.

0:15:58.920 --> 0:15:59.360
<v Speaker 3>Damn it.

0:16:00.680 --> 0:16:02.120
<v Speaker 2>Yeah, long shot.

0:16:02.280 --> 0:16:06.680
<v Speaker 3>But kidnapping ooh, nothing in book one?

0:16:06.960 --> 0:16:07.640
<v Speaker 2>Sit the same?

0:16:07.880 --> 0:16:08.720
<v Speaker 3>What about broader?

0:16:08.880 --> 0:16:09.240
<v Speaker 2>Broader?

0:16:09.680 --> 0:16:16.280
<v Speaker 3>Something like disappearances? Disappearance brilliant? Okay, Book one is manageable

0:16:16.320 --> 0:16:18.680
<v Speaker 3>forty four disappearances and book.

0:16:18.440 --> 0:16:22.480
<v Speaker 2>Two is seventy three. Wait, let's say if any of

0:16:22.480 --> 0:16:24.320
<v Speaker 2>these are on the same pages as the prohibition ones.

0:16:24.640 --> 0:16:25.320
<v Speaker 2>Let me take a pic.

0:16:29.320 --> 0:16:31.520
<v Speaker 3>Book one index for prohibition.

0:16:33.160 --> 0:16:36.080
<v Speaker 2>And book two. Now, let's go to the book one,

0:16:36.080 --> 0:16:39.120
<v Speaker 2>index for disappearance and first.

0:16:38.920 --> 0:16:42.880
<v Speaker 3>Hit boom, page one. Twenty five April first, nineteen.

0:16:42.600 --> 0:16:48.640
<v Speaker 2>Twenty Ottawa Senators win the Stanley Cup after the disappearance

0:16:48.680 --> 0:16:51.400
<v Speaker 2>of any offense from the Seattle Metropolitans.

0:16:51.680 --> 0:16:53.320
<v Speaker 3>Didn't even know that was a hockey team.

0:16:53.440 --> 0:16:56.800
<v Speaker 2>This will take too long, but we have no choice.

0:16:57.240 --> 0:17:00.200
<v Speaker 3>What if we went back and forth earliest latest, I

0:17:00.320 --> 0:17:00.560
<v Speaker 3>like it.

0:17:00.880 --> 0:17:03.200
<v Speaker 2>So let's check any in book one that are in

0:17:03.320 --> 0:17:04.160
<v Speaker 2>nineteen twenty nine.

0:17:04.359 --> 0:17:08.480
<v Speaker 3>Checking ooh, got one October twenty fifth, nineteen twenty nine.

0:17:08.640 --> 0:17:13.240
<v Speaker 2>I'm sorry, October yeah, nineteen twenty nine. Oh wow, yeah,

0:17:13.280 --> 0:17:16.720
<v Speaker 2>that's the day after Black Thursday, October twenty fourth, the

0:17:16.760 --> 0:17:18.480
<v Speaker 2>Wall Street crash of nineteen twenty nine.

0:17:18.640 --> 0:17:20.680
<v Speaker 3>All these articles on the front page are about that

0:17:21.200 --> 0:17:24.720
<v Speaker 3>largest sell off Thomas Lamont, Morgan Bank Chase, YadA, YadA.

0:17:24.720 --> 0:17:26.560
<v Speaker 3>Here maybe on page two m.

0:17:27.040 --> 0:17:31.800
<v Speaker 2>More banking stuff. Wait a minute, what's this? Danville resident

0:17:31.880 --> 0:17:36.399
<v Speaker 2>Frank Shaw declared deceased after disappearance on September twenty third.

0:17:37.000 --> 0:17:41.159
<v Speaker 3>Frank Shaw as in touch Shaw, frank Shaw fuck. And

0:17:41.200 --> 0:17:43.359
<v Speaker 3>of course it's buried at the bottom.

0:17:42.840 --> 0:17:50.600
<v Speaker 2>Buried nineteen twenty nine. Yeah, holy shit, nineteen twenty nine,

0:17:50.960 --> 0:17:55.760
<v Speaker 2>nineteen ninety one, twenty twenty two. Gordon grabbed the nineteen

0:17:55.760 --> 0:17:56.720
<v Speaker 2>sixty dan Villa issues.

0:17:56.880 --> 0:17:59.399
<v Speaker 3>Luckily those indexes have been digitized on our local hard

0:17:59.480 --> 0:18:00.520
<v Speaker 3>driven r on.

0:18:00.560 --> 0:18:06.280
<v Speaker 2>It just cross reference disappearance in September and October. Bet

0:18:06.320 --> 0:18:07.360
<v Speaker 2>you'll find something.

0:18:07.640 --> 0:18:10.480
<v Speaker 3>On October nineteenth about a disappearance on.

0:18:11.040 --> 0:18:11.920
<v Speaker 2>Dember twenty third.

0:18:12.400 --> 0:18:13.119
<v Speaker 3>Way, how did you do?

0:18:13.240 --> 0:18:16.200
<v Speaker 2>Thirty one years it's a gap of thirty one years.

0:18:16.600 --> 0:18:19.639
<v Speaker 2>Whatever's happening now also happened in nineteen ninety one, in

0:18:19.880 --> 0:18:23.320
<v Speaker 2>nineteen sixty, in nineteen twenty nine. And I bet if

0:18:23.359 --> 0:18:27.600
<v Speaker 2>we look at eighteen ninety eight or eighteen sixty seven,

0:18:28.240 --> 0:18:30.199
<v Speaker 2>we'll start to see who is being a raised from

0:18:30.280 --> 0:18:32.680
<v Speaker 2>Danville's history.

0:18:32.359 --> 0:18:41.600
<v Speaker 3>Wow, God, Oh is that Aaron's phone? Oh? God, Oh God?

0:18:43.680 --> 0:18:47.080
<v Speaker 2>May you mean by easy cause?

0:18:47.920 --> 0:18:48.080
<v Speaker 3>Eh?

0:19:15.280 --> 0:19:20.080
<v Speaker 1>Consumed Episode eight, The Bottle, written by Carlos Folia and

0:19:20.200 --> 0:19:25.160
<v Speaker 1>Alessandra Hara del Castillo. Editing and sound design by Noami Griffin,

0:19:25.560 --> 0:19:31.199
<v Speaker 1>starring Rachel Rosenbloom and Arturo Castro, and directed by Alexander Williams,

0:19:31.280 --> 0:19:35.840
<v Speaker 1>Assistant director Trevor Young. Casting by Sunday Bowling CSA and

0:19:35.920 --> 0:19:42.000
<v Speaker 1>Meg Mormon CSA. Production coordinator Wayna Calderon. Music by Carlos Scolia.

0:19:42.320 --> 0:19:46.680
<v Speaker 1>Consumed the season one score, available now on Apple Music, Spotify,

0:19:47.040 --> 0:19:52.040
<v Speaker 1>or wherever music is streamed. Executive producers Aaron Mankey, Carlos Folia,

0:19:52.320 --> 0:19:56.959
<v Speaker 1>Matt Frederick and Alexander Williams. Supervising producers Trevor Young and

0:19:57.080 --> 0:20:02.960
<v Speaker 1>Josh Thain. Producers Noami Griffin, j and Rima Ilkali. Recorded

0:20:03.000 --> 0:20:07.400
<v Speaker 1>at this is Sound Design Studios Burbank, California, engineered by

0:20:07.480 --> 0:20:12.440
<v Speaker 1>Ross erroneou east Side Studios, Austin, Texas engineered by Austin

0:20:12.480 --> 0:20:17.479
<v Speaker 1>Sisler and Aras Creative and Sound Ohi, California engineered by

0:20:17.560 --> 0:20:22.000
<v Speaker 1>Ken Aros. Consumed was created by Carlos Folia, inspired by

0:20:22.000 --> 0:20:25.480
<v Speaker 1>the novel by Aaron Manky. Consumed is the newest chapter

0:20:25.600 --> 0:20:28.400
<v Speaker 1>in the Bridgewater universe. To learn more and catch up,

0:20:28.480 --> 0:20:33.240
<v Speaker 1>visit Grimandmild dot com Slash Bridgewater. Learn more about Consumed

0:20:33.280 --> 0:20:37.040
<v Speaker 1>at grimandmil dot com Slash Consumed, and find more podcasts

0:20:37.080 --> 0:20:41.159
<v Speaker 1>from iHeartRadio by visiting the iHeartRadio app, Apple Podcasts, or

0:20:41.200 --> 0:20:43.320
<v Speaker 1>wherever you listen to your favorite shows.