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Speaker 1: Look mad, oh, I see you? Why and look over there?

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Speaker 1: How is that culture? Yes? Goodness ding dong love culture

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Speaker 1: calling bow Matt, you were saying to me right before

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Speaker 1: our guests joined us in the zoom that you were

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Speaker 1: as I wipe away tears, you were, well, we'll get

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Speaker 1: we'll get to that, but we're gonna get to it.

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Speaker 1: Before you said you were overserved last night. Oh yeah,

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Speaker 1: I was overserved last night. I went to Drag the

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Speaker 1: musical in Hollywood and I was starting starring Alaska and

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Speaker 1: Jan and all the all the girls were tearing it up.

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Speaker 1: And I also should also say the true gag was

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Speaker 1: that Joey McIntyre of New Kids on the Block was

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Speaker 1: in it and looking good for sure first of all,

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Speaker 1: but sort of the big headline is I was really overserved.

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Speaker 1: And so I woke up this morning feeling, you know,

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Speaker 1: sort of that malaise, that that hung over sort of spirit.

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Speaker 1: But then I was I was truly lifted out of

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Speaker 1: my funk by what can only be described as the

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Speaker 1: season finale of this of the show that was sorry

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Speaker 1: but created by our guests. But we're gonna get to it.

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Speaker 1: We'll get to it. I think you might be someone

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Speaker 1: who okay, here we go prescribing no, no, no, you

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Speaker 1: you are repopularizing the word over served. It's one of

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Speaker 1: my favorite things to say, and it's I think it's perfect.

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Speaker 1: I think I have not heard anyone but use use

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Speaker 1: that word. It's very much carcass out. It's very Derek Kevensley.

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Speaker 1: And last night I ordered a Belvedere on the rocks

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Speaker 1: carcass out, not carcass out. I just did a vokat

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Speaker 1: a Belvedere Martini with the lemon, but the carcass was

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Speaker 1: in Okay, with the carcass with the carcass carcass was

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Speaker 1: at the party. I'm very curious for you to order

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Speaker 1: something carcass out, just to see if it work, if

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Speaker 1: people even get it. Seems to work every time it's

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Speaker 1: captured on camera on that and I don't have the

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Speaker 1: carcass out. Thankful you can take the carcass out. I'm

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Speaker 1: just what it's so funny. But what I love about

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Speaker 1: saying you're overserved is in places blame elsewhere you understand.

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Speaker 1: So it's not you that served yourself. I was overserved,

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Speaker 1: like it's sort of when you get the vapors, you understand.

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Speaker 1: I was overserved. Yeah, it's a little passive voice. But

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Speaker 1: that's okay voice for you. You as a writer should

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Speaker 1: no better. But here we are, well speaking of writing.

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Speaker 1: Have you seen, um, what current events are happening as

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Speaker 1: we speak, of course as always and um did you

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Speaker 1: see that? It's become a meme. Taylor Swift's role in

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Speaker 1: Amsterdam in the film gets hit by a car. Well,

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Speaker 1: she doesn't get hit by a car, because she gets

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Speaker 1: pushed in front of a car and is run the

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Speaker 1: hell over by a car and she screams like this,

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Speaker 1: she doesn't bow when Yang scream to it. She goes.

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Speaker 1: She's it's like really intensive, crazy bodied bowen Yang scream

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Speaker 1: and you know what I'm talking about. Well, it's actually

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Speaker 1: a perfect segue into our guest, Oh my god, it is,

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Speaker 1: isn't it? Is it? Not? It is? Because can I

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Speaker 1: just say first, that was your stars born moment, That

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Speaker 1: was your Lady Gaga star, that was my moment, Hallow

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Speaker 1: and Abby and a lot over my brands, like, that's

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Speaker 1: actually amazing. Your story is so textured and rich. Bow.

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Speaker 1: I remember this day like the back of my hand,

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Speaker 1: the day that I walked onto set a little show

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Speaker 1: called broad City legendary. The first thing I ever booked,

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Speaker 1: and I did a scream on my first job. Unbelievable.

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Speaker 1: Lucian Yellow Directed got the teller that I was a

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Speaker 1: huge fan of Polly Lou and Real House south of

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Speaker 1: South Boston, remember the South Boston God, and it was

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Speaker 1: one of the best ways in my life. I took

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Speaker 1: myself out to Rice two riches after I wrapped. Had

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Speaker 1: to cancel on Joel Kim Booster because we were both

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Speaker 1: doing it was it was some show God, the ghost

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Speaker 1: of our past. Joel Kim Booster. Wow, what a ghost?

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Speaker 1: What ghost? But God? I mean, I knew to like

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Speaker 1: bottle that day up and I can just on cap it.

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Speaker 1: Thank you so much, Thank you so much, Mama, Thank

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Speaker 1: you mama. Okay, So, anyway, you just watched the finale

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Speaker 1: of a leak of their own. Oh God, my carcass

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Speaker 1: was wet with the cars in, the cars was all around.

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Speaker 1: I'm telling you, first of all, it's been very baseball

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Speaker 1: vibes lately. Can we say, because it's very last night, honey, Yes,

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Speaker 1: they did, and we don't tell you sports on last

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Speaker 1: we don't talk about sports. Um shout out lemon, will

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Speaker 1: shout out Lemon weel we love. Can we say there

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Speaker 1: was a sort of Mets game that went for five hours?

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Speaker 1: Can tell you the crew at SNL was glued to

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Speaker 1: the screen during the cold open. I was about to

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Speaker 1: walk out, and I go, guys, guys, I'm about to perform.

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Speaker 1: I'm bon yank, I said, guys, you should be hating

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Speaker 1: to my every need. But I was supposed to go

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Speaker 1: to the Mets game on Monday and we got rain out.

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Speaker 1: Oh damn it. And that's one of the worst things

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Speaker 1: that can happen at a baseball game is a rain out. Absolutely,

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Speaker 1: get it right. It's so demoralizing, so demoralizing, really ruins

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Speaker 1: the whole day. It ruins the whole vibe. It actually

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Speaker 1: ruler culture at number seven when the baseball game it's

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Speaker 1: so demoralizing, ruins the whole day. Well listen, bo, it's

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Speaker 1: been very baseball because the playoffs. Congrats to the mess.

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Speaker 1: I guess they continue on. Um. You know I used

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Speaker 1: to be a hardcore Mets fan. You. Matt Rogers wrote

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Speaker 1: an entire sketch about David Wright period period. My first

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Speaker 1: stch I ever wrote comedy sketch. It's no funny that

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Speaker 1: in this in this episode where sort of Hillary Duff

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Speaker 1: going back to the beginning, back to where they are

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Speaker 1: the Son that Stars All Alive. Yeah, so this is

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Speaker 1: what I love about Bow and Yang always knows the

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Speaker 1: Hillary Duff lyric period. I mean, what else? What else

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Speaker 1: do you needed a best friend? Anyway? This series a

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Speaker 1: League of their Own, which was actually based on the

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Speaker 1: classic film of the same name, based on the Dorrick

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Speaker 1: Rockford Peaches period period. Maybe you've seen your O G

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Speaker 1: film with the iconic petty Lori Petty, thank you for

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Speaker 1: because there is Lori Petty eraser And sometimes you don't

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Speaker 1: say Lori Petty first, and sometimes you can say Lori

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Speaker 1: Petty first. Ask as kid one for the books? Okay,

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Speaker 1: And can I say that there was a moment on

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Speaker 1: Lost Culture where it wasn't before I watched Leave of

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Speaker 1: their Own and after I watched the film, I'm saying

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Speaker 1: the movie, oh yeah, well that's like an unacceptable blind spot.

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Speaker 1: It was one of the first things I watched in

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Speaker 1: the pandemic and I was like, I completely get like.

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Speaker 1: I was like, I feel like I feel like it's

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Speaker 1: the nineties. I feel like I feel like I saw

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Speaker 1: this in the theater. I didn't let's get facts facts straight,

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Speaker 1: because you would have been sorry, but one year old.

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Speaker 1: Just to date, you would not have been let inside

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Speaker 1: the the No, you would have been way too young.

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Speaker 1: But what what what's so great about the film is

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Speaker 1: it lives on Okay, and so basically this series um

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Speaker 1: which watch now on Amazon Prime, excellent series. It is

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Speaker 1: so good. It also not only does a star and

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Speaker 1: was created by our guests, but it also stars I mean,

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Speaker 1: this podcast single favorite person, Darcy Cardon, and I have

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Speaker 1: to tell you. Yesterday on Twitter, Darcy posted a photo

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Speaker 1: of herself and our guest, and I retweeted it with

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Speaker 1: little horny devil emojis. Returned to Twitter, there was an explosion.

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Speaker 1: People acted like, oh my god, is this happening? Is

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Speaker 1: this person a guest? And I was just like wow,

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Speaker 1: people are clamoring, and then I realized, yeah, because it's

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Speaker 1: a moment of history, moment of his No, I don't believe.

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Speaker 1: So I'm so present and it's literally here. My carcass

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Speaker 1: is so alert, carcass gone, carcass present, living body is in.

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Speaker 1: Can we just say this is a major You know,

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Speaker 1: our guests obviously from the series, only get their own

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Speaker 1: If you haven't watched yet, you absolutely must, and of

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Speaker 1: course iconic broad City, amongst other things. I mean, this

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Speaker 1: is just it's a it's a moment, bo it's a moment,

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Speaker 1: and we're so excited she's here. So crack your knuckles. Everyone,

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Speaker 1: please welcome Jacobs. Wow. Oh my god, that's that was

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Speaker 1: so hard not to like giggle in. Yeah, I love

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Speaker 1: that and love the intro of the whole carcass out.

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Speaker 1: We're happy your car is happier because because also not

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Speaker 1: for nothing, but while we were speaking, I found myself

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Speaker 1: smiling and sort of having in a fabulous time because

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Speaker 1: I saw you smiling and fact, what's called a stars smile.

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Speaker 1: You were literally a fucking superstar in this show. You're

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Speaker 1: so good in this Abbey Wow. Thank you truly means

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Speaker 1: so much from you, guys. I have been very nervous

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Speaker 1: for obvious reasons about this show. So, I mean, and

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Speaker 1: your thing, Yeah, the most potentially one of the most

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Speaker 1: biggest films. Yeah, so I'm like, we'll see what happens. Yeah,

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Speaker 1: what did this is what I wanted to ask. What

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Speaker 1: did it feel like when you got to set and

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Speaker 1: saw you guys all on the outfits that had to

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Speaker 1: be Psycho. Oh it was. It was wild, and we

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Speaker 1: built a stadium. We built a stadium because it has

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Speaker 1: to Yeah, because it has to be you know, nine stadium.

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Speaker 1: I mean, we did the pilot in Los Angeles and

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Speaker 1: even then we're not in the Peaches uniforms where we're

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Speaker 1: all in like try out gear like the pilot uniforms,

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Speaker 1: and you're it's so bizarre. I mean I always felt

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Speaker 1: that way on broad City to like even just like

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Speaker 1: being I'm like, what are we doing like this set?

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Speaker 1: But that is just bizarrere in like old timing. Yeah,

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Speaker 1: because this this is a different process. I mean, first

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Speaker 1: of all, the process from going I have an idea,

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Speaker 1: yuh of where this scene should take place or what

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Speaker 1: what this plot line should be, and then like the

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Speaker 1: moment from that when you walk onto a set is

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Speaker 1: like so bewildering to anybody, especially like I don't know,

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Speaker 1: like and I feel like it's this is a different

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Speaker 1: layer that I have, Like I feel like doing period

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Speaker 1: is this whole other layer on top that I like

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Speaker 1: don't have any insight on. What was that? What was that?

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Speaker 1: What was what? What What surprised you the most? Yeah, it's

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Speaker 1: very very different, Like I mean on Broad City. It's

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Speaker 1: you guys could imagine it's like we're gonna you're in

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Speaker 1: New York and it's like us amplified and we're wearing

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Speaker 1: like different clothes. But like you know, it's very like

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Speaker 1: easy to imagine, like we're in New York exactly do

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Speaker 1: we want to be? And this was like, I mean,

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Speaker 1: so Will Graham asked me to do this with him

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Speaker 1: and we'd started we were yeah, and we've been working

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Speaker 1: on it since. So it was like a very long

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Speaker 1: time imagining what it would be. And then you also

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Speaker 1: there is no I'm so used to being like location

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Speaker 1: driven and then where that and like this is just

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Speaker 1: like we will make it up, like someone will build it.

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Speaker 1: That's so not my Yeah, it's a whole new ball game,

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Speaker 1: period and that's where the baseball it really is in

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Speaker 1: the air about and that's where it is. Were you

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Speaker 1: a baseball fan or were you like did you have

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Speaker 1: to become one? Like because it's very baseball league. They're

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Speaker 1: own very much, so if you don't know the game,

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Speaker 1: it would be tough. Yeah, I mean I know the game.

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Speaker 1: I played softball as a kid. I'm not like a

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Speaker 1: huge fan, like truly, you guys talking about the Mets.

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Speaker 1: I'm like, yeah, no, no, I know that's the big

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Speaker 1: game last night. Yeah I'm not. Yeah. And I used

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Speaker 1: to go to a lot of Phillies games as a kid.

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Speaker 1: I'm from Philly, and I mean I've been to a

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Speaker 1: lot of games. I knew it. And I love the

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Speaker 1: movie and I think I played a lot of sports

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Speaker 1: as a kid. So I like the team aspect and

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Speaker 1: like this world that we're in is very much team

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Speaker 1: driven like film and TV. It felt very meta, like

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Speaker 1: I can I can take my experience of like team

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Speaker 1: and be like on this team. You know. Um, but

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Speaker 1: I did learn a lot about baseball. You look very

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Speaker 1: natural playing like you have everyone you have. The swing

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Speaker 1: is you know what's funny, Like my dad, my dad

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Speaker 1: is a baseball coach and he was for years and years. Yeah,

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Speaker 1: so my dad was a varsity baseball coach and so

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Speaker 1: I played for years. And there's these little things I remember,

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Speaker 1: like foundationally about like stances and like how to hold

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Speaker 1: your arms and like swinging. And I was watching and

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Speaker 1: I was like, everyone really did get this right. Like

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Speaker 1: it's a very lived in, like authentic baseball playing. That's

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Speaker 1: great to hear because that was sort of like, you know,

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Speaker 1: when you're casting Darcy is actually really good. But I mean,

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Speaker 1: you know, there's a lot of people that I was

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Speaker 1: friends with that we cast, and a lot of people

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Speaker 1: I didn't know, but you sort of had to the

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Speaker 1: acting trump. I don't even like using that as like

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Speaker 1: a acting over. Chat had. It was more important than

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Speaker 1: the baseball actual skills. So some some are better than others.

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Speaker 1: And we did we did a lot of training with

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Speaker 1: real players so that whatever position people were playing, they

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Speaker 1: like had the they had the stances, and they could

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Speaker 1: could feasibly look like they were doing it. And then

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Speaker 1: there were devils and there were visual effects, yes, yes,

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Speaker 1: but it all looked like I was like, oh, caper

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Speaker 1: Land can like really like great. How Kate is like

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Speaker 1: the growth of that character is like so necessary. She's

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Speaker 1: like the steaks for my character, the like sort of

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Speaker 1: immediate steaks, there worldly steakes. But I just love Shirley.

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Speaker 1: I mean, she's amazing, what a great character. And so

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Speaker 1: that's another I miss named her Shelby. I'm so sorry, listen,

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Speaker 1: I actually I thought you were talking about just Shelby.

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Speaker 1: I'm calling myself in Okay, sorry, carcass In but wait,

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Speaker 1: I mean yeah, sure for for Sureley and Carson to

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Speaker 1: have this inner personal um, to have the stakes be

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Speaker 1: interpersonal like that rather than because the global stakes of

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Speaker 1: it are like very very apparent and obvious to anybody

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Speaker 1: watching and who understands like what queerness is, you know,

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Speaker 1: like what it was back then, and like it just

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Speaker 1: it just made it so so so clear and so

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Speaker 1: easy to track and very emotionally, I don't know, just

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Speaker 1: like very very powerful and like and just yeah, not

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Speaker 1: to spoil too much, but there's a there's a moment

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Speaker 1: at the end in the finale where it all sort

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Speaker 1: of comes to a head in a way that's so

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Speaker 1: like it's son and true and like and just relieving

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Speaker 1: in a way that I'm like, yeah, yeah, everyone's fight

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Speaker 1: for that scene. Really, it's so funny where I'm like,

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Speaker 1: this is important, she needs to be I'm not want

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Speaker 1: to reveal it because it's like she's doing like such

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Speaker 1: a dumb thing or like such a basic thing. But

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Speaker 1: I'm like, no, no no, no, this is like her growth,

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Speaker 1: Like this is so dumb, but it's so personal. Yeah,

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Speaker 1: People who have not watched it are like, what the

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Speaker 1: you're talking about? Basically what we're saying everyone is a character,

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Speaker 1: is set up and guess what it pays off. You're

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Speaker 1: gonna and you're gonna love the way you look. I

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Speaker 1: guarantee it. But what I really like wanted to compliment,

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Speaker 1: like you on and this whole show on was that

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Speaker 1: sense of danger. So basically, you know, for everyone that

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Speaker 1: is aware of the original film from it's really um

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Speaker 1: it's it's a beautiful film, but it sort of doesn't

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Speaker 1: really get into the reality of like the fact that

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Speaker 1: many of these women were likely queer, and like we're

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Speaker 1: dealing with the sort of moral question of how far

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Speaker 1: do I step into what I want to do and

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Speaker 1: what my talents are, what my gifts are, what my

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Speaker 1: instincts are, what my humanity is, and how much do

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Speaker 1: I literally play by the rules of the world that

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Speaker 1: I'm in, which is, you know, I'm married, women are

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Speaker 1: expected to do certain things. And basically what I loved

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Speaker 1: about this show is that when these women do start

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Speaker 1: to act on their queerness or start to respond to

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Speaker 1: the call in their body to like, you know, follow

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Speaker 1: these urges and these instincts, the sense of danger that

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Speaker 1: that surrounds them was so deeply felt, and I just

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Speaker 1: had to have to complement the direction, because every every

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Speaker 1: toss of a glance over your shoulder, like every closed door,

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Speaker 1: every whisper, it just it was so present throughout what

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Speaker 1: a difficult experience being queer was at this time, and

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Speaker 1: being a woman at this time, being a person or

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Speaker 1: a black woman at this time. You know, it's incredibly um,

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Speaker 1: it's it's just so present in the entire series, and

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Speaker 1: you never lose sight of the fact that these women

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Speaker 1: are risking so much just by being who they are.

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Speaker 1: Every second. Well, I'm so happy you saw you felt that,

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Speaker 1: and and we were really trying to make sure that

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Speaker 1: was felt because it's also like that's still the case

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Speaker 1: in so many parts of the world, Like we're living

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Speaker 1: in a I often feel like my ability to be

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Speaker 1: openly queer is like I take it for granted, and

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Speaker 1: I in doing this show, I was so like, right right, right,

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Speaker 1: right right, constantly like, um, we're very lucky to be

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Speaker 1: alive right now, I think, and um, but also we're

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Speaker 1: really trying to show that danger in the stakes and

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Speaker 1: what the world was like and what was not allowed,

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Speaker 1: while also showing the joy because like being queer, when

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Speaker 1: ever you have been alive was also so joyous and

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Speaker 1: we all we found each other, you know, and so

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Speaker 1: it was like trying to juggle both those things. There's

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Speaker 1: a line I think that like it blew my mind.

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Speaker 1: It's Bertie. Basically, there's a character named Bertie and they're

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Speaker 1: talking to their sister and basically are saying, Um, the

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Speaker 1: sister is saying, I just wanted to keep my daughter safe,

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Speaker 1: and then Bertie says safe isn't safe for some of

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Speaker 1: us and not just like it's that's it's it's all

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Speaker 1: right there in that line, I think, and like that's

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Speaker 1: like woven into the entire show, and um, it's just

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Speaker 1: it's just so wonderful and you guys, yeah, like Matt

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Speaker 1: s had captured it so well. Thanks guys. No, we

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Speaker 1: have no idea television right now. Television isn't it really is?

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Speaker 1: I don't know. I'm also, yeah, I've never this is

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Speaker 1: like it's Amazon. It's like decided by men in the sky.

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Speaker 1: I don't always even I'm like, they'll let us know.

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Speaker 1: It's like, you know, all the people we directly work

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Speaker 1: with are like we love it, we didn't want it,

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Speaker 1: and they're like we're waiting for like the message to

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Speaker 1: be like sent down from like Seattle, I don't know whatever.

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Speaker 1: These people exist, Yeah, yeah, it's it's like it's tricky. Also,

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Speaker 1: so you've known Darcy for a while obviously, did you

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Speaker 1: know Darcy prior to Broad City? Like did you did

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Speaker 1: you guys cross past a bunch at UCB or just

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Speaker 1: in the scene we met in a commercial acting class.

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Speaker 1: Um well, I mean Darcy says this, had said this,

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Speaker 1: like during our pressure on so much that it kept

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Speaker 1: cracking up where she was like I knew Abby, and

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Speaker 1: I thought no one will ever see like no one,

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Speaker 1: like she says it better than that, but like I

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Speaker 1: was so shy and not confident as a performer and

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Speaker 1: couldn't really we find my way at UCB, which is

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Speaker 1: why neither could Alana, which why we created broad City

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Speaker 1: because we were like, I guess we can't perform, like

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Speaker 1: we can't, and like we were auditioning for commercials and

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Speaker 1: it was just like not we weren't, I don't know,

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Speaker 1: and we created this thing over here. But Darcy and

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Speaker 1: I were in this acting class, you know, one where

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Speaker 1: you were like read you'd like read the copy and

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Speaker 1: everyone was like watch you read the copy of the

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Speaker 1: and then like dissect you and like and then you

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Speaker 1: had to write one one we can come in And

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Speaker 1: I did that this really weird thing and no one

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Speaker 1: got it. Darcy was like she's brilliant. Wow, she's brilliant

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Speaker 1: and no one will ever see her. Yes, I have

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Speaker 1: an honest question though. Okay, so like meeting Darcy aside,

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Speaker 1: do you do you feel like that was worthwhile at all?

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Speaker 1: That that? Yes? That that like like because it sounds

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Speaker 1: mortifying and I go, I don't know, like would you

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Speaker 1: would you go back and do it like like if

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Speaker 1: you had to do it all over again? I guess me.

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Speaker 1: I guess I would because it's all these classes and

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Speaker 1: all this like effort that I was putting into like

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Speaker 1: try and do what I thought, like the performers that

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Speaker 1: you see be we're all like the way in which

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Speaker 1: you like were successful. It like built up to me

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Speaker 1: being like fuck this, like I'm gonna go over here

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Speaker 1: and do do this with Alana because so I guess

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Speaker 1: I needed to do all those things. I don't think

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Speaker 1: it helped me get a commercial see me on commercials? No,

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Speaker 1: you know what they always said in commercial like commercial

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Speaker 1: acting or whatever is like it has to be so

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Speaker 1: small and thrown away. Like I remember, like you literally

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Speaker 1: go into if anyone ever listening every audition for a

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Speaker 1: commercial like this or did it? This is what it is.

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Speaker 1: You go in, you say one line with with no energy,

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Speaker 1: and they're like perfect or terrible, and then you leave

380
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Speaker 1: and you don't know what it was that you did

381
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Speaker 1: didn't do. It's so stid. It's the worst. They line

382
00:22:04,040 --> 00:22:07,480
Speaker 1: you up, they line you up. I did my life.

383
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Speaker 1: It's the worst. And I'm always just like I'm not

384
00:22:10,080 --> 00:22:15,320
Speaker 1: wearing the right things so much about the look or yeah,

385
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Speaker 1: I don't know, it really feeds. It's like I was.

386
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Speaker 1: It's almost like a version of cutting is auditioning for me.

387
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Speaker 1: You're like, well, this is just me like getting affirmation

388
00:22:28,720 --> 00:22:33,520
Speaker 1: I shouldn't be doing this. But wait, okay, And I

389
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Speaker 1: don't know, I don't know how long it's been since

390
00:22:35,840 --> 00:22:38,119
Speaker 1: you've heard this sentiment though, And I feel like you

391
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Speaker 1: guys got it so much like during during the show,

392
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Speaker 1: during the TV show Brought City, But it really was

393
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Speaker 1: this like paradigm shifting thing of you and of you

394
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Speaker 1: and a Lana like working venturing outside of like the

395
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Speaker 1: parameters of UCB. Because I think like it was this

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Speaker 1: you know, I'm grateful for you CB. I'm grateful for

397
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Speaker 1: the time I spent there in the classes I took um.

398
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Speaker 1: I I can never hack it into the house teams

399
00:23:01,760 --> 00:23:05,800
Speaker 1: there myself, but but I felt like I felt a

400
00:23:05,840 --> 00:23:08,560
Speaker 1: little bit braver going out and doing my own thing

401
00:23:09,040 --> 00:23:10,840
Speaker 1: because of you guys. Do you know what I mean?

402
00:23:12,119 --> 00:23:14,080
Speaker 1: That's like it like it really it really opened up.

403
00:23:14,160 --> 00:23:16,639
Speaker 1: So it liberated this thing and like took a hammer

404
00:23:16,640 --> 00:23:18,439
Speaker 1: to the like not the system, but just like the

405
00:23:18,480 --> 00:23:20,920
Speaker 1: concept that like you needed this one place in order

406
00:23:20,960 --> 00:23:25,240
Speaker 1: to like elevate success into some some other level. And

407
00:23:25,400 --> 00:23:28,000
Speaker 1: like I never like once Broad City was fully out

408
00:23:28,000 --> 00:23:30,680
Speaker 1: of his like and then you know, I was just like, oh, like, well,

409
00:23:30,680 --> 00:23:32,360
Speaker 1: like I can do my own version of this. It's

410
00:23:32,359 --> 00:23:34,159
Speaker 1: not gonna look exactly like that. I'm not like, I

411
00:23:34,160 --> 00:23:36,840
Speaker 1: don't think I'll have my own Comedy Central show that

412
00:23:36,880 --> 00:23:39,760
Speaker 1: I like start or EP or right for, but like

413
00:23:39,840 --> 00:23:43,240
Speaker 1: I can try to like weave through and dance around

414
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Speaker 1: all these other things. I love that. I mean, that's

415
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Speaker 1: that's like the that makes me feel so good and

416
00:23:49,040 --> 00:23:51,960
Speaker 1: I'm so I mean, I don't even know what to say.

417
00:23:52,480 --> 00:23:56,119
Speaker 1: That's part I feel it really I love that because

418
00:23:56,119 --> 00:23:58,640
Speaker 1: it really was for us, Like we were never trying

419
00:23:58,640 --> 00:24:01,359
Speaker 1: to do that, and I us even getting this show,

420
00:24:01,400 --> 00:24:02,960
Speaker 1: I think we thought, we'll do the web series and

421
00:24:02,960 --> 00:24:05,480
Speaker 1: we'll like maybe get hired as writers again. Like the

422
00:24:05,600 --> 00:24:09,720
Speaker 1: confidence was never there that like real real star, because

423
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Speaker 1: like I can't even do a rece's PCs commercial successfully

424
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Speaker 1: in a class you're trying to work at the rec's

425
00:24:17,880 --> 00:24:23,199
Speaker 1: PCs commercials, Like what is that everything anyway? Like I

426
00:24:23,240 --> 00:24:26,919
Speaker 1: can't even Yeah, So that was never it was really

427
00:24:26,960 --> 00:24:31,520
Speaker 1: just about you know, what it gave, If anything, what

428
00:24:31,600 --> 00:24:34,520
Speaker 1: I'm hearing, which I hope is like it unleashed, Like wait,

429
00:24:34,680 --> 00:24:40,080
Speaker 1: maybe my voice is actually different and funny enough to

430
00:24:40,119 --> 00:24:42,840
Speaker 1: like make a thing that doesn't fit in here. And

431
00:24:42,920 --> 00:24:45,520
Speaker 1: that's like what we were like, whoa, let's just let's

432
00:24:45,520 --> 00:24:49,119
Speaker 1: just like run with what feels right, Like you're just

433
00:24:49,160 --> 00:24:51,400
Speaker 1: going with your gut when you're making your own thing,

434
00:24:52,280 --> 00:24:54,080
Speaker 1: and I don't know, like over here, I felt like

435
00:24:54,119 --> 00:24:58,480
Speaker 1: we're trying to conform. Yes, every single thing you do

436
00:24:58,840 --> 00:25:01,800
Speaker 1: adds up to like the totality of who you are

437
00:25:01,840 --> 00:25:04,480
Speaker 1: and like gets you going. That's why I asked about

438
00:25:04,560 --> 00:25:07,560
Speaker 1: like the worth, the worthiness, the worthwhileness of the commercial

439
00:25:07,560 --> 00:25:11,080
Speaker 1: audition class because it's like you is worth it because

440
00:25:11,080 --> 00:25:13,720
Speaker 1: you met. I mean, let's just there's nobody to separate

441
00:25:13,760 --> 00:25:16,560
Speaker 1: the Darcy thing from it either exactly where I'm like

442
00:25:16,640 --> 00:25:19,439
Speaker 1: that and Darcy has been one of my best friends

443
00:25:19,440 --> 00:25:22,560
Speaker 1: for that was like fifteen years ago and Darcy was

444
00:25:22,600 --> 00:25:24,320
Speaker 1: on bread City and like, Darcy is just like so

445
00:25:24,440 --> 00:25:28,280
Speaker 1: in my life listen, I didn't I didn't ever really

446
00:25:28,320 --> 00:25:30,080
Speaker 1: be like I think I would write a thing where

447
00:25:30,080 --> 00:25:34,440
Speaker 1: I'm like falling in love with Darcy, but also everyone

448
00:25:35,040 --> 00:25:38,960
Speaker 1: is in like isn't she that everyone that Darcy mean,

449
00:25:39,640 --> 00:25:42,400
Speaker 1: you love her, you commediately fall in love. So when

450
00:25:42,400 --> 00:25:45,400
Speaker 1: we were writing that, I was like, that's that hert

451
00:25:45,600 --> 00:25:51,080
Speaker 1: that's the Greta, Like she's got something about her that, Yes,

452
00:25:51,720 --> 00:25:54,480
Speaker 1: she is an avalanche of charm. It is so correct,

453
00:25:55,119 --> 00:25:58,800
Speaker 1: I know. But yeah, I guess Darcy alone take the

454
00:25:59,160 --> 00:26:03,879
Speaker 1: class period. She should be the course. She should have

455
00:26:03,880 --> 00:26:07,480
Speaker 1: said the teacher's carcass is gonna be out carcass out?

456
00:26:08,520 --> 00:26:11,760
Speaker 1: Have you ever heard of carcass out? No, I'm I'm

457
00:26:11,800 --> 00:26:18,959
Speaker 1: trying to it together. Yeah, this is this is like insane.

458
00:26:19,000 --> 00:26:23,600
Speaker 1: I'm like, is this from a like reality? I almost

459
00:26:23,640 --> 00:26:25,359
Speaker 1: am like it from a Housewives where they're like, I

460
00:26:25,400 --> 00:26:28,800
Speaker 1: want the roast chicken carcass out, Okay, very close, it's

461
00:26:28,880 --> 00:26:31,240
Speaker 1: very close. Okay, it's like a meal where they're like,

462
00:26:31,240 --> 00:26:33,960
Speaker 1: please remove the any remnants of like that. It's like

463
00:26:34,000 --> 00:26:37,399
Speaker 1: an animal or not a meal, a cocktail and you

464
00:26:37,520 --> 00:26:41,359
Speaker 1: guess the car that you were moving the carcass is

465
00:26:41,600 --> 00:26:50,840
Speaker 1: the yes, yes, yeah, there is a carcass out. Yea, exactly. Okay,

466
00:26:50,880 --> 00:26:54,439
Speaker 1: there's wild though, right yeah, it's kind of like a

467
00:26:54,480 --> 00:26:57,119
Speaker 1: wild thing for someone to order that kind of completely

468
00:26:57,119 --> 00:27:02,760
Speaker 1: insane just going to an established and saying carcass The

469
00:27:02,800 --> 00:27:06,520
Speaker 1: word carcass is only describing road kill to me, Like

470
00:27:06,600 --> 00:27:09,920
Speaker 1: I like, it's so awful and like it's like this altogether,

471
00:27:10,000 --> 00:27:13,040
Speaker 1: like pretty chic woman named Dorrit who is the one

472
00:27:13,119 --> 00:27:15,440
Speaker 1: doing it, and she has like this weird, fake little

473
00:27:15,440 --> 00:27:18,400
Speaker 1: British accent she speaks in so the show is obsessed

474
00:27:18,440 --> 00:27:20,960
Speaker 1: with her ordering drinks because she goes, I'll have a

475
00:27:21,040 --> 00:27:24,920
Speaker 1: kettle soda and squeeze a line and carcass out, thinking,

476
00:27:25,200 --> 00:27:29,159
Speaker 1: of course, carcass out. I'm so good. It's really and

477
00:27:29,359 --> 00:27:31,040
Speaker 1: so I'm just saying, like we should all go out

478
00:27:31,040 --> 00:27:33,240
Speaker 1: and start ordering this so that we can start watch

479
00:27:33,280 --> 00:27:36,879
Speaker 1: servers be like, excuse me. Also, I was I was

480
00:27:36,920 --> 00:27:40,120
Speaker 1: like thinking about I was like, are you saying I

481
00:27:40,119 --> 00:27:45,120
Speaker 1: think you're saying overserved, like I've been overserved alcoholic later

482
00:27:45,320 --> 00:27:48,159
Speaker 1: that like like in terms of alcohol. But then I

483
00:27:48,200 --> 00:27:51,760
Speaker 1: was like, maybe he's talking about like I was overserved,

484
00:27:51,800 --> 00:27:57,920
Speaker 1: like attitude by someone. I love that MoMA, she over

485
00:27:58,000 --> 00:28:01,520
Speaker 1: served me last night. Let me tell you, yes, of course,

486
00:28:01,560 --> 00:28:04,520
Speaker 1: I mean that could I'm going to start doing that. Yeah,

487
00:28:05,040 --> 00:28:07,000
Speaker 1: when I go out, I'm ordering drinks the carcass out

488
00:28:07,000 --> 00:28:11,360
Speaker 1: and talking about how they a rude person over served me. Yeah,

489
00:28:11,400 --> 00:28:13,000
Speaker 1: served by that made or date. Let me tell you

490
00:28:13,080 --> 00:28:17,320
Speaker 1: right now, it's a very versatile word. I was so verse,

491
00:28:17,400 --> 00:28:31,199
Speaker 1: bo so verse should we ask that question? Because you know,

492
00:28:31,440 --> 00:28:33,240
Speaker 1: I bet a lot of people, a ton of people

493
00:28:33,240 --> 00:28:35,840
Speaker 1: would even say their culture that made them say culture

494
00:28:36,200 --> 00:28:38,239
Speaker 1: was for them, was a league of their own, like

495
00:28:38,280 --> 00:28:40,959
Speaker 1: it is so that that iconic of a thing, and

496
00:28:41,000 --> 00:28:42,960
Speaker 1: so like I was thinking about you were saying earlier

497
00:28:43,000 --> 00:28:44,680
Speaker 1: about being nervous for it to come out because it

498
00:28:44,840 --> 00:28:47,440
Speaker 1: is so beloved, you know what I mean, Like, no

499
00:28:47,480 --> 00:28:50,200
Speaker 1: one's going to be like, well, I'm gonna watch this

500
00:28:50,240 --> 00:28:53,600
Speaker 1: with no opinion, Like people people were like, let me

501
00:28:53,640 --> 00:28:57,880
Speaker 1: see how you ruined my favorite playing. You know, but

502
00:28:58,000 --> 00:28:59,560
Speaker 1: it's I think when you watch it, you're like, it's

503
00:28:59,720 --> 00:29:05,560
Speaker 1: very different. Yes, just such an intentional different thing. Yeah,

504
00:29:05,560 --> 00:29:08,440
Speaker 1: it really is. And all that aside. So we asked

505
00:29:08,560 --> 00:29:10,880
Speaker 1: every guest that comes on the show this question, and

506
00:29:10,880 --> 00:29:13,760
Speaker 1: Abby Jacobson, we are asking you, now, what was the

507
00:29:13,800 --> 00:29:18,760
Speaker 1: culture that made you say culture was for you? I'm

508
00:29:18,760 --> 00:29:24,280
Speaker 1: gonna say um, and this is like I'm gonna say Bowen.

509
00:29:24,440 --> 00:29:31,040
Speaker 1: It was SNL. Wow whatever. So I used to watch

510
00:29:31,480 --> 00:29:35,600
Speaker 1: I mean I was very on like I was like

511
00:29:35,880 --> 00:29:42,040
Speaker 1: doing the characters of like um, like the cheerleaders and

512
00:29:43,120 --> 00:29:45,920
Speaker 1: that was like my middle school. But I was like Gil.

513
00:29:46,000 --> 00:29:49,880
Speaker 1: I'm like guilda Guild Like. I would watch reruns with

514
00:29:49,920 --> 00:29:53,400
Speaker 1: my parents and like old like when they would replay

515
00:29:53,520 --> 00:29:57,120
Speaker 1: I was very like Cast of seventy six. Yeah, it

516
00:29:57,320 --> 00:29:59,600
Speaker 1: was like O G and like Guild A Live. I

517
00:29:59,720 --> 00:30:03,200
Speaker 1: was like very like GUIL, Like I don't know. SNL

518
00:30:03,280 --> 00:30:06,680
Speaker 1: was my parents favorite show. They would like get high

519
00:30:06,800 --> 00:30:10,520
Speaker 1: and donuts when they were like young and like like

520
00:30:10,600 --> 00:30:12,880
Speaker 1: falling in love is what they told me. And then

521
00:30:12,920 --> 00:30:16,400
Speaker 1: it was like such a big deal to us, right, Yeah, yeah,

522
00:30:16,440 --> 00:30:19,719
Speaker 1: so it was very much so seventies six was that

523
00:30:19,760 --> 00:30:22,880
Speaker 1: was that like the New Orleans No, I know, but

524
00:30:23,040 --> 00:30:30,480
Speaker 1: like to think it's like the first year, right, and

525
00:30:30,480 --> 00:30:32,080
Speaker 1: and then I think that New Orleans was like the

526
00:30:32,120 --> 00:30:35,040
Speaker 1: second season or something. I like whatever, Like there's one

527
00:30:35,080 --> 00:30:38,920
Speaker 1: episode they went to maybe I'm not no, no, no,

528
00:30:39,000 --> 00:30:42,320
Speaker 1: I know, isn't isn't. The only time ESNL hasn't been

529
00:30:42,400 --> 00:30:44,280
Speaker 1: in New York was for this New Orleans episode And

530
00:30:44,320 --> 00:30:47,120
Speaker 1: it was the second scenes that after like after like

531
00:30:47,240 --> 00:30:49,200
Speaker 1: the original like not ready for part time players, like

532
00:30:49,240 --> 00:30:52,520
Speaker 1: blew the funk up and like they were mobbed in

533
00:30:52,600 --> 00:30:54,640
Speaker 1: the streets of New Orleans. And then Lauren was like,

534
00:30:54,680 --> 00:30:57,840
Speaker 1: We're never doing this again and anyway, but Guild Alive, okay,

535
00:30:57,960 --> 00:31:00,120
Speaker 1: so have I think I might have talked about this

536
00:31:00,160 --> 00:31:02,880
Speaker 1: on the podcast. I fall asleep almost every single night

537
00:31:02,880 --> 00:31:05,400
Speaker 1: to touch me with my clothes on? What is that?

538
00:31:05,520 --> 00:31:07,280
Speaker 1: Honey touched me on the clothes out. It's the song

539
00:31:07,320 --> 00:31:10,120
Speaker 1: that Guild the Things and Guild Alive. It's like the

540
00:31:10,160 --> 00:31:14,600
Speaker 1: sweetest love song and it's a little dirty. It's by

541
00:31:14,600 --> 00:31:18,040
Speaker 1: It's it's it's a cover. I think it's a cover.

542
00:31:18,200 --> 00:31:20,280
Speaker 1: I might be a cover. I think where I'm confusing

543
00:31:20,320 --> 00:31:23,720
Speaker 1: it with sing like animals, the animals, Let's talk to

544
00:31:23,720 --> 00:31:25,440
Speaker 1: your to the animals. She does that at the top

545
00:31:25,440 --> 00:31:29,640
Speaker 1: of the show Guild Alive is just touched me with

546
00:31:29,920 --> 00:31:39,320
Speaker 1: the clothes. It is honey um, just the sweetest and

547
00:31:39,360 --> 00:31:41,840
Speaker 1: she like opens the song and Guild Alive by being

548
00:31:41,920 --> 00:31:43,960
Speaker 1: like whatever, I'm not like, I don't mean to like

549
00:31:44,000 --> 00:31:46,640
Speaker 1: school anybody on like Guilda, but it's like it is

550
00:31:46,720 --> 00:31:50,520
Speaker 1: so It's crazy how timeless that is, Like how there

551
00:31:50,520 --> 00:31:53,760
Speaker 1: will always be a place in people's hearts for that,

552
00:31:53,840 --> 00:31:55,600
Speaker 1: no matter what age they are or like you know,

553
00:31:55,680 --> 00:31:58,480
Speaker 1: like what their sensibility is. Like guild Is Builda had

554
00:31:58,520 --> 00:32:02,000
Speaker 1: that thing of just like you're gonna love her. You're

555
00:32:02,120 --> 00:32:05,360
Speaker 1: like you can't. You can't put up your you can't

556
00:32:05,360 --> 00:32:07,080
Speaker 1: put up too much of a of a fight against

557
00:32:07,200 --> 00:32:09,800
Speaker 1: like the guilded charm of it all. Yeah, because it

558
00:32:09,880 --> 00:32:12,400
Speaker 1: was so and I mean, maybe that's cliche of me

559
00:32:12,440 --> 00:32:15,160
Speaker 1: to say is like my pop culture thing, because it does.

560
00:32:15,320 --> 00:32:17,040
Speaker 1: It was just like SNL as a whole, and then

561
00:32:17,040 --> 00:32:20,040
Speaker 1: Guild Us sort of like later when I I mean

562
00:32:20,160 --> 00:32:23,080
Speaker 1: I we had to like build we had to paint

563
00:32:23,120 --> 00:32:27,240
Speaker 1: for this class like like our heroes and they were

564
00:32:27,440 --> 00:32:29,360
Speaker 1: going to be in the library and it was like

565
00:32:29,840 --> 00:32:33,800
Speaker 1: people like no one knew that was my age. I

566
00:32:33,880 --> 00:32:36,959
Speaker 1: was like teen, No one knew who Guilda was. My

567
00:32:37,040 --> 00:32:40,520
Speaker 1: dad like helped me make a life size would cut

568
00:32:40,520 --> 00:32:43,280
Speaker 1: out of Rosanna Rosanna Danna and she was in the

569
00:32:43,480 --> 00:32:47,960
Speaker 1: library like next to like JFK or like everyone else

570
00:32:49,160 --> 00:32:53,720
Speaker 1: person where I know, I know, but yeah, I don't

571
00:32:53,720 --> 00:32:56,000
Speaker 1: know SNL as a whole and like I was, I

572
00:32:56,040 --> 00:32:59,960
Speaker 1: would do UM. I performed coffee talk a lot. I

573
00:33:00,200 --> 00:33:02,320
Speaker 1: was like I had a whole. I think that the

574
00:33:02,400 --> 00:33:05,080
Speaker 1: tape still exists of me doing Linda Richmond. Yeah, that

575
00:33:05,160 --> 00:33:07,960
Speaker 1: was really when you wanted to jump into It was

576
00:33:08,120 --> 00:33:09,719
Speaker 1: very If you ask anyone I grew up with, they

577
00:33:09,720 --> 00:33:15,560
Speaker 1: would probably identify my cultural. Yes, I'm just saying, like

578
00:33:15,840 --> 00:33:19,000
Speaker 1: it's so like Saturday Night Live like it. It really

579
00:33:19,040 --> 00:33:23,080
Speaker 1: does have this it's mono culture. I mean everyone knows

580
00:33:23,120 --> 00:33:25,560
Speaker 1: it and exists with it, and I think, like that's

581
00:33:26,000 --> 00:33:30,000
Speaker 1: part of what I don't know, Like it's it's interesting

582
00:33:30,680 --> 00:33:35,200
Speaker 1: that truly every single person like has like a formative

583
00:33:35,680 --> 00:33:40,040
Speaker 1: thing with it. And it's just it's funny because obviously

584
00:33:40,200 --> 00:33:42,840
Speaker 1: Bowen being on the show, now I've gotten to obviously go.

585
00:33:42,920 --> 00:33:45,680
Speaker 1: I'm sure we've all been, and it's like it's so

586
00:33:45,760 --> 00:33:49,600
Speaker 1: fascinating because it's so much of that building that you

587
00:33:49,640 --> 00:33:51,920
Speaker 1: think they would never ever do this again, you know

588
00:33:51,960 --> 00:33:53,560
Speaker 1: what I mean, No show is ever going to come

589
00:33:53,600 --> 00:33:57,400
Speaker 1: around and get that much budget, time, attention, the mythology

590
00:33:57,480 --> 00:34:00,320
Speaker 1: of it, like it really is like it's his story,

591
00:34:00,360 --> 00:34:03,400
Speaker 1: not only because of its cultural impact, but also because

592
00:34:03,400 --> 00:34:07,959
Speaker 1: of just the magnitude of the operation. It is just

593
00:34:08,080 --> 00:34:10,799
Speaker 1: it is never to be duplicated. And that's something I

594
00:34:10,840 --> 00:34:14,680
Speaker 1: think that's really sunken in recent years is you know,

595
00:34:14,800 --> 00:34:17,239
Speaker 1: especially like working in the industry and understanding how hard

596
00:34:17,280 --> 00:34:19,520
Speaker 1: it is to make even like a small scale thing.

597
00:34:20,000 --> 00:34:24,800
Speaker 1: This is such a huge footprint that it will never

598
00:34:24,840 --> 00:34:27,239
Speaker 1: ever happen again. And that's that's sort of interesting. It's

599
00:34:27,280 --> 00:34:30,719
Speaker 1: one of those last vestiges of monoculture in that way

600
00:34:30,719 --> 00:34:35,520
Speaker 1: where it's like getting all of that push effort the

601
00:34:35,600 --> 00:34:39,080
Speaker 1: eyes because you couldn't afford to do it again. I mean,

602
00:34:39,239 --> 00:34:41,560
Speaker 1: wasn't there something I hear you're talking about like you

603
00:34:41,560 --> 00:34:43,839
Speaker 1: would you would like act out spartans and you would

604
00:34:43,920 --> 00:34:48,920
Speaker 1: like do coffee talk did the same thing, And I

605
00:34:49,040 --> 00:34:51,520
Speaker 1: was I want to say, does this make sense that

606
00:34:51,600 --> 00:34:56,160
Speaker 1: like it gave you away as a kid to like

607
00:34:56,719 --> 00:34:59,799
Speaker 1: latch onto something commedically and have it be like, have

608
00:35:00,040 --> 00:35:02,879
Speaker 1: be validated by the fact that maybe maybe that it's

609
00:35:02,920 --> 00:35:05,239
Speaker 1: validated by the fact that it's on SNL and that

610
00:35:05,320 --> 00:35:09,480
Speaker 1: that that it's also um cool and fun and silly

611
00:35:09,680 --> 00:35:13,520
Speaker 1: rather than quoting back like a stand up like comedians joke. Okay,

612
00:35:13,560 --> 00:35:15,319
Speaker 1: this is how comedy was shared when we were When

613
00:35:15,320 --> 00:35:17,320
Speaker 1: when I was growing up, right, it was like either

614
00:35:17,440 --> 00:35:19,600
Speaker 1: it was an SNL sketch that like people would talk

615
00:35:19,600 --> 00:35:21,239
Speaker 1: about the next day, or like you put on like

616
00:35:21,480 --> 00:35:24,800
Speaker 1: the best of Will Ferrell like a sleepover literally, or

617
00:35:25,040 --> 00:35:26,399
Speaker 1: when I was in high school, it was like, oh

618
00:35:26,440 --> 00:35:28,600
Speaker 1: my god, we gotta listen to this Dane Cook album,

619
00:35:28,640 --> 00:35:31,879
Speaker 1: this Dane Cook guy, which I'm saying like those are

620
00:35:31,920 --> 00:35:35,440
Speaker 1: like both like very common valid ways to share comedy too,

621
00:35:35,480 --> 00:35:38,400
Speaker 1: like in terms of like a younger generation not in

622
00:35:38,400 --> 00:35:40,840
Speaker 1: our generation at least, and I feel like SNL at

623
00:35:40,880 --> 00:35:43,440
Speaker 1: least gave you like a way in besides like a

624
00:35:43,520 --> 00:35:48,799
Speaker 1: comedy film two I don't know, like try it on

625
00:35:48,880 --> 00:35:53,560
Speaker 1: for size, see if you because I was obsessed with

626
00:35:53,640 --> 00:35:58,000
Speaker 1: Adam Sandler's comedy album I'm a little older. Maybe I

627
00:35:58,000 --> 00:36:00,680
Speaker 1: don't know that when that camp, which was like so

628
00:36:00,800 --> 00:36:03,360
Speaker 1: bizarre that I'm like, I haven't listened to that in

629
00:36:03,400 --> 00:36:08,880
Speaker 1: a long time. Not sure where that. Yeah, but I

630
00:36:08,920 --> 00:36:12,240
Speaker 1: would never like do it. I wouldn't like like perform

631
00:36:12,360 --> 00:36:15,520
Speaker 1: his but SNL gave me and I didn't. I didn't

632
00:36:15,520 --> 00:36:18,880
Speaker 1: think I realized that this until right now, I was

633
00:36:18,960 --> 00:36:22,760
Speaker 1: like able to identify like the game of the character

634
00:36:23,520 --> 00:36:26,040
Speaker 1: and like do it like because when I would do

635
00:36:26,080 --> 00:36:29,960
Speaker 1: Coffee Talk, I wasn't like doing that sketch. I was

636
00:36:30,000 --> 00:36:34,680
Speaker 1: like doing my own sketch. Like I basically like wrote

637
00:36:34,920 --> 00:36:38,719
Speaker 1: a new Coffee Talk. And with SNL, with the characters,

638
00:36:39,040 --> 00:36:41,960
Speaker 1: you felt like you were like I understand this, Like

639
00:36:42,120 --> 00:36:45,000
Speaker 1: I'm like I don't know. I'm like I'm doing it too.

640
00:36:45,120 --> 00:36:47,560
Speaker 1: I don't know. Yes, yes it's funny. But I did

641
00:36:47,600 --> 00:36:50,000
Speaker 1: the same thing. Like there was there was elements of

642
00:36:50,120 --> 00:36:52,040
Speaker 1: it that were ripped, like in terms of dialogue, like

643
00:36:52,080 --> 00:36:54,520
Speaker 1: I was doing the jokes. But then there was like

644
00:36:54,600 --> 00:36:57,000
Speaker 1: we were on a family vacation, I remember, and it

645
00:36:57,040 --> 00:36:58,520
Speaker 1: was like me and all my cousins and I was

646
00:36:58,560 --> 00:37:01,360
Speaker 1: like okay, and like but just give them something to do.

647
00:37:01,600 --> 00:37:03,200
Speaker 1: I would make up a character for them to come

648
00:37:03,200 --> 00:37:05,359
Speaker 1: play a walk on and the sketch starring me as

649
00:37:05,440 --> 00:37:08,239
Speaker 1: Linda Richmond. So it was a ripped character, but like

650
00:37:08,600 --> 00:37:12,200
Speaker 1: we had like things happening, Like I remember, like remember

651
00:37:12,280 --> 00:37:15,120
Speaker 1: like there was the like grandmother in that sketch. I

652
00:37:15,160 --> 00:37:18,319
Speaker 1: think was it was it Ron it was playing it

653
00:37:18,719 --> 00:37:24,680
Speaker 1: never my sister was Madonna comes in but no, no

654
00:37:25,800 --> 00:37:33,960
Speaker 1: Rosanna Madonna and making me hungry girls that yeah, but iconic.

655
00:37:34,040 --> 00:37:36,200
Speaker 1: But I remember my sister wanted a bigger part, so

656
00:37:36,239 --> 00:37:38,799
Speaker 1: I wrote more lines for the grandmother and she was saying,

657
00:37:38,880 --> 00:37:41,719
Speaker 1: she was saying, she's from Scottsdale. We didn't understand that way.

658
00:37:41,760 --> 00:37:44,880
Speaker 1: We didn't understand that thing, but like you do it

659
00:37:44,920 --> 00:37:46,759
Speaker 1: because and I also think what you said about your

660
00:37:46,800 --> 00:37:49,640
Speaker 1: parents loving it says it is a big thing because

661
00:37:49,640 --> 00:37:52,160
Speaker 1: it's a way to sort of bea in with you

662
00:37:52,200 --> 00:37:54,400
Speaker 1: think your parents are so cool when you're when you're younger,

663
00:37:54,480 --> 00:37:56,080
Speaker 1: or like you know what I mean, are like older

664
00:37:56,120 --> 00:37:58,080
Speaker 1: people in your life that love this that it's like

665
00:37:58,239 --> 00:38:00,440
Speaker 1: an aspirational cool thing to know, like you're all in

666
00:38:00,480 --> 00:38:02,960
Speaker 1: on the inside joke, even if you don't really get it,

667
00:38:03,120 --> 00:38:06,399
Speaker 1: you know. Yeah, And I do think like you even

668
00:38:06,480 --> 00:38:08,520
Speaker 1: from a young age. You guys probably experienced it to you,

669
00:38:08,600 --> 00:38:12,680
Speaker 1: Like laughter is you can tell if something if laughing

670
00:38:13,200 --> 00:38:17,319
Speaker 1: is like the levels of laughter. You can tell if

671
00:38:17,320 --> 00:38:20,319
Speaker 1: there's like a fake laugh or if there's a real laugh.

672
00:38:20,360 --> 00:38:24,440
Speaker 1: So if your parents are really laughing with you, it's

673
00:38:24,480 --> 00:38:28,319
Speaker 1: a different thing. Yeah, intoxicating. Yeah, it's like you just

674
00:38:28,400 --> 00:38:30,640
Speaker 1: you chase that for the rest of your life almost, yeah,

675
00:38:30,840 --> 00:38:33,080
Speaker 1: depending on like, yeah, how it how it hits the

676
00:38:33,160 --> 00:38:36,200
Speaker 1: or like at what age and oh wow, Abby, that's great.

677
00:38:36,840 --> 00:38:41,200
Speaker 1: It's so you're not part of a legacy. You really are.

678
00:38:41,440 --> 00:38:43,000
Speaker 1: Do you ever just in your and look at yourself

679
00:38:43,000 --> 00:38:44,440
Speaker 1: in the mirror and say, I'm part of a legacy.

680
00:38:44,440 --> 00:38:46,080
Speaker 1: Look at least you look at your own. Yeah. I

681
00:38:46,080 --> 00:38:48,680
Speaker 1: always say that. I also love that your character on

682
00:38:48,760 --> 00:38:52,759
Speaker 1: Fire Island was obsessed. Okay, so let's just clear something

683
00:38:53,080 --> 00:38:55,680
Speaker 1: so funny. We're not obsessed, but like it just was

684
00:38:55,719 --> 00:39:03,200
Speaker 1: like kept it was such like a specific, relatable like thing. Yeah,

685
00:39:03,680 --> 00:39:06,640
Speaker 1: it's like made him real. And then I also just

686
00:39:06,680 --> 00:39:09,160
Speaker 1: like love that. I'm like, what went on? You know

687
00:39:09,160 --> 00:39:14,399
Speaker 1: what I mean? Like it was like a psycho Yeah yeah, yeah,

688
00:39:14,840 --> 00:39:16,839
Speaker 1: Well okay, here's here's what I'll say. Because people are

689
00:39:16,880 --> 00:39:19,560
Speaker 1: like Oh my god, that's such a weird, fucking like

690
00:39:20,360 --> 00:39:24,840
Speaker 1: masturbratory thing, like you're you're positive that. Like I was

691
00:39:24,880 --> 00:39:26,920
Speaker 1: the one who was like, maybe he should like us

692
00:39:27,000 --> 00:39:28,920
Speaker 1: and know, but it was this thing that was in

693
00:39:28,960 --> 00:39:31,080
Speaker 1: the draft of It was in the earliest draft of

694
00:39:31,120 --> 00:39:34,040
Speaker 1: the script before I was even on, before I even

695
00:39:34,080 --> 00:39:37,719
Speaker 1: worked there, and um, it just made it all the people.

696
00:39:37,719 --> 00:39:39,799
Speaker 1: And I remember being on set also, I think on

697
00:39:39,840 --> 00:39:41,879
Speaker 1: the day we shot that scene and I was like,

698
00:39:42,719 --> 00:39:46,239
Speaker 1: is it is it too indulgent if like he says this,

699
00:39:46,440 --> 00:39:51,360
Speaker 1: and I know I I stand by Joel stands by it,

700
00:39:51,480 --> 00:39:53,719
Speaker 1: and it's it's Joel's writing. And Joel was like, no,

701
00:39:53,800 --> 00:39:56,080
Speaker 1: we're keeping it in like because he says, this is

702
00:39:56,080 --> 00:39:58,719
Speaker 1: how people talk to each other, Like this is how

703
00:39:58,760 --> 00:40:01,839
Speaker 1: like more people at least, like you know, talk to

704
00:40:01,840 --> 00:40:04,000
Speaker 1: each other about things. Like we're like, oh my god,

705
00:40:04,120 --> 00:40:06,120
Speaker 1: like this thing that we quote all the time, is

706
00:40:06,160 --> 00:40:12,520
Speaker 1: this stupid, incredibly semi obscure thing and whatever, like and

707
00:40:12,640 --> 00:40:15,400
Speaker 1: also like it's a little shout out to James Anderson.

708
00:40:16,040 --> 00:40:20,359
Speaker 1: James he wrote all that. So basically like the gays

709
00:40:20,400 --> 00:40:23,200
Speaker 1: in space thing in in in in Fire Island when

710
00:40:23,200 --> 00:40:26,640
Speaker 1: Boone's talking about it, years ago, like we we went

711
00:40:26,760 --> 00:40:28,520
Speaker 1: to go visit Sudie Green, who was a writer at

712
00:40:28,520 --> 00:40:30,040
Speaker 1: the show, and we were sitting down and there was

713
00:40:30,080 --> 00:40:32,000
Speaker 1: this writer there, his name was James. We're having a

714
00:40:32,040 --> 00:40:34,640
Speaker 1: fun little time, like he's like this like hilarious gay

715
00:40:34,680 --> 00:40:37,960
Speaker 1: guy that's like a writer there. And then randomly were like,

716
00:40:38,160 --> 00:40:40,319
Speaker 1: do you know the sketch gays in Space? He's like, yeah,

717
00:40:40,360 --> 00:40:41,920
Speaker 1: I wrote that. And then it turns out he had

718
00:40:41,960 --> 00:40:47,040
Speaker 1: written all this formative queer like SNL sketch like material

719
00:40:47,200 --> 00:40:50,440
Speaker 1: that went. And this is the other thing about two

720
00:40:50,920 --> 00:40:53,040
Speaker 1: is it's like I remember it was so important to

721
00:40:53,120 --> 00:40:54,960
Speaker 1: me because it was like a way for me to

722
00:40:54,960 --> 00:40:57,400
Speaker 1: fit in with like the straight guys. It's to be honest,

723
00:40:57,560 --> 00:41:01,320
Speaker 1: like I I made friends through like quote SNL sketches

724
00:41:01,400 --> 00:41:04,600
Speaker 1: like those like the drug Apple Tel movies. But like

725
00:41:04,680 --> 00:41:07,239
Speaker 1: it was really another thing about it was not only

726
00:41:07,280 --> 00:41:09,160
Speaker 1: did I actually connect with it, but it was a

727
00:41:09,280 --> 00:41:12,040
Speaker 1: way to connect with each other, like and it's just

728
00:41:12,360 --> 00:41:15,240
Speaker 1: when you're looking to connect with people, it is really

729
00:41:15,320 --> 00:41:19,320
Speaker 1: important to have like that shared pop culture like knowledge,

730
00:41:19,320 --> 00:41:21,719
Speaker 1: and so I thought it really worked. Listen, it is

731
00:41:21,880 --> 00:41:24,800
Speaker 1: it can be vulnerable and intimate to even talk about

732
00:41:24,880 --> 00:41:27,480
Speaker 1: obviously that's what you guys like this. There's so much

733
00:41:27,520 --> 00:41:30,400
Speaker 1: of a podcast that is about that's like what this is.

734
00:41:30,440 --> 00:41:33,759
Speaker 1: It's like a shared it's like a shared experience to

735
00:41:34,280 --> 00:41:38,440
Speaker 1: pop culture. But it is such an inn too before

736
00:41:38,280 --> 00:41:41,279
Speaker 1: you like, as you're getting to know someone. Yeah, but

737
00:41:41,320 --> 00:41:42,719
Speaker 1: I think, but I think what Matt you're saying is

738
00:41:42,760 --> 00:41:46,839
Speaker 1: that like they're like it was so important that there

739
00:41:46,920 --> 00:41:48,840
Speaker 1: was someone like James there at the like and in

740
00:41:48,880 --> 00:41:50,759
Speaker 1: the time that we grew up, James and Paula and

741
00:41:50,800 --> 00:41:53,640
Speaker 1: like all the cree people who have ever been at

742
00:41:53,719 --> 00:41:55,319
Speaker 1: us and now there's always been creep people at us

743
00:41:55,360 --> 00:41:57,799
Speaker 1: and know what's which I always say, but like it

744
00:41:57,880 --> 00:41:59,839
Speaker 1: was a way for you to like fit in with

745
00:42:00,040 --> 00:42:05,160
Speaker 1: people because there was an entry point for almost everybody

746
00:42:05,239 --> 00:42:08,239
Speaker 1: with SNL where you could like cherry pick like the

747
00:42:08,320 --> 00:42:12,160
Speaker 1: queer thing and like present that and have everybody like,

748
00:42:12,280 --> 00:42:15,680
Speaker 1: have everybody be like, oh yeah, that kind of has

749
00:42:15,800 --> 00:42:19,200
Speaker 1: context with the stuff that we like to And so

750
00:42:19,480 --> 00:42:21,680
Speaker 1: I think that's the thing, right, Am I making sense?

751
00:42:22,080 --> 00:42:24,960
Speaker 1: Yeah a little? That's how you make friends. Like I remember,

752
00:42:24,960 --> 00:42:27,080
Speaker 1: I remember I came into that this is not SNL,

753
00:42:27,160 --> 00:42:30,000
Speaker 1: this is different, but it was anchorman. I was taking

754
00:42:30,040 --> 00:42:32,680
Speaker 1: the worst time in high school, the worst, like like

755
00:42:32,719 --> 00:42:36,360
Speaker 1: in middle school was bad. I was like, really just horrible,

756
00:42:36,480 --> 00:42:40,920
Speaker 1: no friends, like I was deeply closeted, but like traumatized

757
00:42:40,960 --> 00:42:42,600
Speaker 1: by that. I remember I went to go see Anchor man.

758
00:42:42,680 --> 00:42:45,280
Speaker 1: My parents we went to we went to go um

759
00:42:45,320 --> 00:42:48,440
Speaker 1: to some theme park at like something. I forget what

760
00:42:48,680 --> 00:42:50,640
Speaker 1: where exactly, but it was rained out, like it was

761
00:42:51,120 --> 00:42:54,919
Speaker 1: Pennsylvania had the worst rain in decades. What's the what's

762
00:42:54,960 --> 00:42:59,960
Speaker 1: the Because you're from Dorney Park, thank you? Okay, So

763
00:43:00,040 --> 00:43:04,080
Speaker 1: we were at Dorny Park. Are you a theme park, queen? No,

764
00:43:04,360 --> 00:43:07,520
Speaker 1: I mean that's fine, They're fine. I mean I would

765
00:43:07,640 --> 00:43:10,120
Speaker 1: I think I would like to. I haven't been a while.

766
00:43:10,560 --> 00:43:18,720
Speaker 1: Maybe not, Yeah, I would love to go with you. Well,

767
00:43:18,760 --> 00:43:21,920
Speaker 1: I'm basically I was so upset because Dorny Park was

768
00:43:22,000 --> 00:43:24,000
Speaker 1: rained at. It was the most rain Pennsylvania had. I

769
00:43:24,000 --> 00:43:26,520
Speaker 1: guess I'm not checking my watch ever had like and

770
00:43:26,560 --> 00:43:28,640
Speaker 1: so my parents were like, I guess we'll go to

771
00:43:28,680 --> 00:43:30,680
Speaker 1: the movies. And I was like, I'm so fucking upset

772
00:43:30,719 --> 00:43:33,320
Speaker 1: and we're going to go see Anchorman. And I remember

773
00:43:33,400 --> 00:43:38,040
Speaker 1: me and my cousin screaming, laughing because it was immediately quotable,

774
00:43:38,040 --> 00:43:40,920
Speaker 1: and it was that sort of like big sketch type

775
00:43:41,040 --> 00:43:44,000
Speaker 1: character and like you know, really essentially that movie is

776
00:43:44,040 --> 00:43:46,600
Speaker 1: a series of sketches, and it's so when you feel

777
00:43:46,680 --> 00:43:49,000
Speaker 1: that rhythm and you you get it, Like I remember,

778
00:43:49,000 --> 00:43:51,040
Speaker 1: I brought it back to school with me, and I

779
00:43:51,080 --> 00:43:54,200
Speaker 1: guess something. The way I made friends was other people

780
00:43:54,239 --> 00:43:55,880
Speaker 1: had seen it too, and we could just quote it

781
00:43:55,920 --> 00:43:58,200
Speaker 1: back to each other. And that's literally, in and of itself,

782
00:43:58,239 --> 00:44:03,000
Speaker 1: a shared language. Literally. So ye, no one's quoting like

783
00:44:03,760 --> 00:44:05,239
Speaker 1: I don't know why this movie is coming to me,

784
00:44:05,280 --> 00:44:06,919
Speaker 1: but like no one's quoting like dramas, like no one's

785
00:44:06,960 --> 00:44:09,759
Speaker 1: quoting nineteen seventeen. Do we each other? I don't know why.

786
00:44:09,920 --> 00:44:18,279
Speaker 1: That's hell, I'm the only historical stuff I want to watch.

787
00:44:18,320 --> 00:44:20,640
Speaker 1: Period stuff I want to watch is World War two

788
00:44:20,719 --> 00:44:26,160
Speaker 1: era therefore a league of their own? Yeah, okay, that's

789
00:44:26,200 --> 00:44:38,480
Speaker 1: that's good. That's good. Do you like period stuff? Do

790
00:44:38,560 --> 00:44:44,440
Speaker 1: you watch like merchant Ivory films? I do, Like I

791
00:44:44,480 --> 00:44:48,759
Speaker 1: think I'm not um, I'm not like I think I

792
00:44:48,880 --> 00:44:54,640
Speaker 1: am an equal. I like not like specifically, but I

793
00:44:54,680 --> 00:44:59,680
Speaker 1: do like period stuff. Yeah, I think it's nice. We

794
00:44:59,760 --> 00:45:02,279
Speaker 1: are is this period? But the way in which we

795
00:45:02,400 --> 00:45:10,239
Speaker 1: speak not on per intentionally obviously, people were like people

796
00:45:10,239 --> 00:45:15,760
Speaker 1: didn't speak like that, you know that really like, yeah,

797
00:45:15,800 --> 00:45:23,480
Speaker 1: I know one said read the room the room. I

798
00:45:23,480 --> 00:45:25,680
Speaker 1: was like, give me a oh my god. I am

799
00:45:25,719 --> 00:45:30,319
Speaker 1: not on Twitter, but I have like chat, you know,

800
00:45:30,360 --> 00:45:33,680
Speaker 1: I'll like everyone like what's going on? Little vanity certainly

801
00:45:33,800 --> 00:45:38,520
Speaker 1: saw that. I saw that one by like a prolific writer. Yeah,

802
00:45:38,520 --> 00:45:40,400
Speaker 1: it's always the prolific writers. That happened. I was like,

803
00:45:40,960 --> 00:45:43,200
Speaker 1: that was a that was a bummer of the day.

804
00:45:43,320 --> 00:45:45,920
Speaker 1: I will like find I'm not even on it for

805
00:45:45,960 --> 00:45:49,920
Speaker 1: this reason, and i will find the worst one and

806
00:45:49,960 --> 00:45:52,479
Speaker 1: I'll never forget it. Then that all these people hate

807
00:45:52,480 --> 00:45:54,600
Speaker 1: it and they don't like the way in which I

808
00:45:54,640 --> 00:46:00,840
Speaker 1: thought speaking more um modern, I felt I found a

809
00:46:01,360 --> 00:46:07,720
Speaker 1: would be way more um connective to the castors because

810
00:46:07,840 --> 00:46:13,439
Speaker 1: we're showing we're showing a way more modern lens on,

811
00:46:13,840 --> 00:46:17,800
Speaker 1: like like you'd never see a period piece where you're

812
00:46:17,840 --> 00:46:20,840
Speaker 1: like in friendships and in relationships in that way. I

813
00:46:20,840 --> 00:46:22,759
Speaker 1: don't think. And so if we're going to do that,

814
00:46:22,800 --> 00:46:25,680
Speaker 1: we're showing queer culture. Let's I don't know. I just

815
00:46:26,000 --> 00:46:29,040
Speaker 1: like that would be a way smoother way in and

816
00:46:29,040 --> 00:46:31,520
Speaker 1: I don't want to I don't want to speak like

817
00:46:31,560 --> 00:46:35,680
Speaker 1: what we usually see a nineteen forties period dialect B

818
00:46:36,000 --> 00:46:38,600
Speaker 1: or whatever, because it would just sort of obscure, like

819
00:46:38,760 --> 00:46:41,759
Speaker 1: the dynamics that play that have been sort of timeless

820
00:46:41,800 --> 00:46:45,520
Speaker 1: and universal, you know, like it's just all along where

821
00:46:45,560 --> 00:46:49,360
Speaker 1: it's like, oh no, like there there were like relationships

822
00:46:49,400 --> 00:46:53,600
Speaker 1: like this, and obviously they were not like communicated in

823
00:46:53,680 --> 00:46:58,000
Speaker 1: this sort of language but like or colloquialism. But at

824
00:46:58,000 --> 00:47:00,279
Speaker 1: the end of the day, like there was there there

825
00:47:00,280 --> 00:47:04,160
Speaker 1: were stories like this that happened um in that time

826
00:47:04,200 --> 00:47:08,000
Speaker 1: and in this setting. Yeah, it was tricky. I definitely

827
00:47:08,080 --> 00:47:09,840
Speaker 1: like felt I was, but I'm like, you know, where't

828
00:47:09,880 --> 00:47:13,359
Speaker 1: suck it. The friendships that I think that we that

829
00:47:13,600 --> 00:47:15,840
Speaker 1: are in the show feel very much like today, and

830
00:47:15,840 --> 00:47:18,399
Speaker 1: I think that's sort of that was like the goal.

831
00:47:18,600 --> 00:47:22,960
Speaker 1: So fuck um you know the great writers of today

832
00:47:23,080 --> 00:47:27,480
Speaker 1: that hated it and TV critics yeah yeah, yeah, yeah,

833
00:47:27,520 --> 00:47:29,759
Speaker 1: yeah yeah. What I wanted to say too is like

834
00:47:29,880 --> 00:47:33,000
Speaker 1: and obviously like so I'll never forget watching that finale

835
00:47:33,040 --> 00:47:35,040
Speaker 1: of Broad City, and I was obviously thinking of my

836
00:47:35,080 --> 00:47:36,799
Speaker 1: sister and like you know what I mean, like you

837
00:47:36,840 --> 00:47:41,040
Speaker 1: truly do right friendship so beautifully and you can tell

838
00:47:41,040 --> 00:47:44,200
Speaker 1: it's because you have it so authentically. And I like,

839
00:47:44,280 --> 00:47:46,600
Speaker 1: I remember when we had a Lana on the podcast,

840
00:47:46,600 --> 00:47:48,960
Speaker 1: which now is like a few years ago bo like

841
00:47:50,080 --> 00:47:52,759
Speaker 1: return which do for a return, but I think it

842
00:47:52,840 --> 00:47:55,239
Speaker 1: was like right around when we were ending. Yes, it

843
00:47:55,360 --> 00:47:58,160
Speaker 1: was so it was it was very thick like in

844
00:47:58,320 --> 00:48:01,880
Speaker 1: this this. I remember asking her because I think we

845
00:48:02,000 --> 00:48:04,879
Speaker 1: all have our own experiences with when you are such

846
00:48:04,920 --> 00:48:07,560
Speaker 1: a unit and then like there's like a like a divergence,

847
00:48:07,640 --> 00:48:10,120
Speaker 1: you know, just and you do and it happens in

848
00:48:10,120 --> 00:48:14,000
Speaker 1: the finale, not just with you know, like with really

849
00:48:14,040 --> 00:48:18,200
Speaker 1: every parent, and I think it's so beautiful, and I

850
00:48:18,320 --> 00:48:21,640
Speaker 1: just like I wanted to ask you, like how do

851
00:48:21,760 --> 00:48:24,120
Speaker 1: you and a lot of stay connected? Like have you

852
00:48:24,160 --> 00:48:27,080
Speaker 1: stayed connected? Like is it what is it like to

853
00:48:27,840 --> 00:48:32,279
Speaker 1: go from intense togetherness too then that like sort of

854
00:48:32,440 --> 00:48:35,480
Speaker 1: beautiful gorgeous like flourishing that both of you guys have done,

855
00:48:35,520 --> 00:48:37,560
Speaker 1: but still to know that that's something you have to

856
00:48:37,560 --> 00:48:40,319
Speaker 1: water and maintain. Yeah, you know, it was such a

857
00:48:40,360 --> 00:48:44,880
Speaker 1: meta thing because I still go back and forth to

858
00:48:45,160 --> 00:48:48,520
Speaker 1: New York, but I'm definitely more in l A and Abbey.

859
00:48:48,719 --> 00:48:53,480
Speaker 1: Spoiler alert for anyone who hasn't. Front City is like there,

860
00:48:53,520 --> 00:48:58,440
Speaker 1: it's geography. It's like Abbe leaves New York and that

861
00:48:58,520 --> 00:49:01,840
Speaker 1: was that was kind of happening, Like it was so meta,

862
00:49:02,480 --> 00:49:06,160
Speaker 1: and so it's it's like we do not end up

863
00:49:06,200 --> 00:49:07,520
Speaker 1: the fact that we don't do the show like we

864
00:49:07,520 --> 00:49:11,120
Speaker 1: we're not. We were seeing each other every fucking day

865
00:49:11,160 --> 00:49:13,880
Speaker 1: like she was, and so it has been such a

866
00:49:13,960 --> 00:49:17,520
Speaker 1: learning curve and um, you know, she has a baby

867
00:49:17,800 --> 00:49:21,040
Speaker 1: and there's like we're living like such different lives. But

868
00:49:21,560 --> 00:49:23,799
Speaker 1: I think we go through waves just like sort of

869
00:49:23,840 --> 00:49:27,279
Speaker 1: any friendship, especially in your thirties. I think where you

870
00:49:27,360 --> 00:49:31,520
Speaker 1: like there's big life changes and things, and we go

871
00:49:31,560 --> 00:49:33,480
Speaker 1: in waves of like being way more in touch, and

872
00:49:33,520 --> 00:49:36,640
Speaker 1: then when we're not, it's like a bigger catchup, you know,

873
00:49:37,680 --> 00:49:40,319
Speaker 1: and we I mean I always try to see her

874
00:49:40,360 --> 00:49:42,080
Speaker 1: if she's in town and when I'm in New York,

875
00:49:42,120 --> 00:49:44,880
Speaker 1: and there's like face times and stuff. But it's like,

876
00:49:45,200 --> 00:49:48,600
Speaker 1: you know, it's it's like a wave kind of but

877
00:49:48,719 --> 00:49:52,520
Speaker 1: it does need that watering sure, but it's also like

878
00:49:52,640 --> 00:49:56,040
Speaker 1: I listen even with this is it was. It also

879
00:49:56,120 --> 00:49:58,520
Speaker 1: felt so intense to put this new show up because

880
00:49:59,400 --> 00:50:05,120
Speaker 1: that wait, wait, wait, wait, that's that's my show. And

881
00:50:05,200 --> 00:50:09,239
Speaker 1: that is like I love this new show and I

882
00:50:09,280 --> 00:50:12,000
Speaker 1: love the people I made it with and the cast,

883
00:50:12,120 --> 00:50:15,319
Speaker 1: and but it's like broad City and I said this,

884
00:50:16,040 --> 00:50:20,000
Speaker 1: it is sort of just like my first love. Well,

885
00:50:20,160 --> 00:50:23,960
Speaker 1: nothing will ever be like that. It was very pure.

886
00:50:24,000 --> 00:50:27,480
Speaker 1: I mean I don't I don't know every part of

887
00:50:27,520 --> 00:50:30,000
Speaker 1: your experience working in it, but I hope you felt

888
00:50:30,080 --> 00:50:32,080
Speaker 1: like I don't know that was it was just like

889
00:50:32,120 --> 00:50:36,160
Speaker 1: this different energy of making that show and like so

890
00:50:36,360 --> 00:50:40,440
Speaker 1: like it felt so d I y and like well

891
00:50:40,480 --> 00:50:43,200
Speaker 1: like we're I can't we're you know, it was just

892
00:50:43,239 --> 00:50:47,400
Speaker 1: like nuts. It was. It was the perfect speaking for myself.

893
00:50:47,560 --> 00:50:51,919
Speaker 1: It was the perfect introduction for me, you know, like

894
00:50:52,000 --> 00:50:54,839
Speaker 1: it was like reception for like people in New York

895
00:50:54,840 --> 00:50:57,120
Speaker 1: who just like you know, wanted to like do comedy

896
00:50:57,160 --> 00:50:59,759
Speaker 1: and work, and like it was you guys provided that.

897
00:51:00,200 --> 00:51:02,640
Speaker 1: And also, and I will say before I forget Don

898
00:51:02,680 --> 00:51:06,440
Speaker 1: Finelli and a leak of their own is a plus.

899
00:51:06,640 --> 00:51:10,719
Speaker 1: And I've always thought he was so the funniest, the

900
00:51:10,719 --> 00:51:14,200
Speaker 1: most talented person in your comedy and so long his

901
00:51:14,360 --> 00:51:17,799
Speaker 1: podcast is so so so good. We were we were

902
00:51:17,840 --> 00:51:21,880
Speaker 1: we were network sisters at one point on Forever Dog. Anyway,

903
00:51:21,920 --> 00:51:24,160
Speaker 1: I just I think it's and he's so fantastic in

904
00:51:24,200 --> 00:51:27,080
Speaker 1: the show, you know, he's so good and like Don

905
00:51:27,120 --> 00:51:30,960
Speaker 1: and I met in an improv team too, Yeah, and

906
00:51:31,040 --> 00:51:33,080
Speaker 1: like that was one of the best parts about broad City,

907
00:51:33,160 --> 00:51:36,080
Speaker 1: was like we couldn't. I'm really upset Matt that we

908
00:51:36,160 --> 00:51:38,200
Speaker 1: never had you on, but it was like this like

909
00:51:38,880 --> 00:51:41,560
Speaker 1: place where we could. There was like this pool of

910
00:51:41,680 --> 00:51:45,719
Speaker 1: incredible people and to get to have all these people on.

911
00:51:45,760 --> 00:51:48,200
Speaker 1: And then I did feel that way in League to

912
00:51:48,200 --> 00:51:51,439
Speaker 1: a certain extent. But Don, I mean Don that guy,

913
00:51:51,480 --> 00:51:54,640
Speaker 1: and I really tried to I posted a photo, but

914
00:51:55,040 --> 00:51:59,720
Speaker 1: his look is supposed to really lean into John Taturo

915
00:51:59,840 --> 00:52:06,440
Speaker 1: and Barton Fink. I was like, exactly, actually the glasses.

916
00:52:06,560 --> 00:52:12,600
Speaker 1: I mean, if we had teased his vibes, Don Finelli

917
00:52:12,719 --> 00:52:16,040
Speaker 1: is tur turtle vibes, I know. And I was really

918
00:52:16,080 --> 00:52:20,759
Speaker 1: trying to from knowing him then and knowing Darcy then

919
00:52:20,760 --> 00:52:22,560
Speaker 1: and then you turn around and there's Darcy has like

920
00:52:22,600 --> 00:52:25,399
Speaker 1: greheta gill, you know what I mean. It's like, like

921
00:52:25,520 --> 00:52:28,399
Speaker 1: what a bombshell. Also, I could not believe, like even

922
00:52:28,480 --> 00:52:32,680
Speaker 1: seeing some feedback that people never look at like, never

923
00:52:32,719 --> 00:52:36,759
Speaker 1: saw Darcy as that type. She's never been cast like that.

924
00:52:36,880 --> 00:52:40,680
Speaker 1: I mean she's always been gorgeous, but like that type,

925
00:52:40,840 --> 00:52:43,160
Speaker 1: she was never been in our role and I'm like,

926
00:52:44,000 --> 00:52:47,160
Speaker 1: here we go, guy's limit I mean it's literally just

927
00:52:47,200 --> 00:52:49,360
Speaker 1: people saw her in one outfit for six years. I

928
00:52:49,360 --> 00:52:53,880
Speaker 1: mean that's literally and she you know, like was cyclical

929
00:52:54,000 --> 00:52:57,560
Speaker 1: in nature and but then like I mean lo and behold,

930
00:52:57,680 --> 00:52:59,840
Speaker 1: like she gets like those opportunity like that one episode

931
00:52:59,920 --> 00:53:04,120
Speaker 1: I believe it was like season or five where every

932
00:53:04,200 --> 00:53:06,680
Speaker 1: version of jam and then you're like, yeah, because some

933
00:53:06,719 --> 00:53:09,920
Speaker 1: people are limitless, like and it's so great to see

934
00:53:10,120 --> 00:53:13,839
Speaker 1: like her gut like this not at a crazy fucking part,

935
00:53:13,960 --> 00:53:17,960
Speaker 1: Like it's so good and what a layered like interesting character,

936
00:53:18,000 --> 00:53:21,080
Speaker 1: I mean every character, and it's just but I don't know,

937
00:53:21,160 --> 00:53:23,440
Speaker 1: it's just so great, like it's so I'm so proud

938
00:53:23,480 --> 00:53:26,920
Speaker 1: to like see it like this, Like it's really it's

939
00:53:26,960 --> 00:53:29,759
Speaker 1: such a beautiful like it is a love letter to

940
00:53:29,800 --> 00:53:32,279
Speaker 1: the original in so many ways. And I'll tell you

941
00:53:32,440 --> 00:53:35,399
Speaker 1: another moment I got really emotional was when you guys

942
00:53:35,400 --> 00:53:40,560
Speaker 1: sing the song Citiesn't He and far Well that's good. Yeah,

943
00:53:40,560 --> 00:53:42,560
Speaker 1: we were like are we going to do it? It's

944
00:53:42,680 --> 00:53:45,040
Speaker 1: it is a thing like I would get emotional, even

945
00:53:45,680 --> 00:53:47,640
Speaker 1: like I'd be in my house like writing and I

946
00:53:47,680 --> 00:53:50,160
Speaker 1: can't believe I'm gonna sing. We're gonna we have to

947
00:53:50,200 --> 00:53:53,560
Speaker 1: sing it, and then like I would always get I

948
00:53:53,560 --> 00:53:55,720
Speaker 1: mean I've seen it like hundreds of times in posts,

949
00:53:55,719 --> 00:53:58,040
Speaker 1: but every time it's sort of like we made the decision,

950
00:53:58,080 --> 00:54:01,200
Speaker 1: but like it goes from a sing into like the game,

951
00:54:01,280 --> 00:54:03,920
Speaker 1: and I would get chills, and I'm like, I think

952
00:54:03,920 --> 00:54:08,200
Speaker 1: if I'm still getting chills, like it's like yeah, but yeah,

953
00:54:08,440 --> 00:54:12,880
Speaker 1: that was wild to sing it. What is the most

954
00:54:13,400 --> 00:54:16,360
Speaker 1: challenging part? And it has to be because we talked

955
00:54:16,360 --> 00:54:19,720
Speaker 1: sometimes like about how you know, you see how many

956
00:54:19,840 --> 00:54:22,680
Speaker 1: people it seems like, are like the creator of their show,

957
00:54:22,760 --> 00:54:24,439
Speaker 1: the star of their show, the writer of their show,

958
00:54:24,480 --> 00:54:26,839
Speaker 1: like very involved in every element, to the point where

959
00:54:26,840 --> 00:54:29,680
Speaker 1: it almost seems like, oh, yeah, that's that's something that

960
00:54:29,719 --> 00:54:31,919
Speaker 1: seems like very doable and easy. And then you see

961
00:54:31,960 --> 00:54:34,080
Speaker 1: someone actually at number one on the call sheet who's

962
00:54:34,080 --> 00:54:36,319
Speaker 1: like a co creator, and see how difficult that is.

963
00:54:36,600 --> 00:54:39,719
Speaker 1: What is the most challenging part of like the totality

964
00:54:39,880 --> 00:54:46,920
Speaker 1: of this being your show? You think, um, I let

965
00:54:46,960 --> 00:54:56,960
Speaker 1: me see to say it's like it's tough. Yeah, just globally.

966
00:54:57,640 --> 00:55:00,680
Speaker 1: The easiest part for me is the at thing is

967
00:55:00,719 --> 00:55:05,480
Speaker 1: it perfect? Was such a challenge for me in this part.

968
00:55:05,880 --> 00:55:08,880
Speaker 1: In an intentional way. I wanted to be able to

969
00:55:10,040 --> 00:55:12,680
Speaker 1: showcase a little bit more of my range in this

970
00:55:13,680 --> 00:55:17,759
Speaker 1: and I like, I am not a trained actor and

971
00:55:17,800 --> 00:55:20,799
Speaker 1: did not go to school for acting. So like I

972
00:55:20,800 --> 00:55:23,279
Speaker 1: I actually worked with a coach who works with like

973
00:55:23,440 --> 00:55:27,840
Speaker 1: crazy actors, and I was like, oh, hold on, they

974
00:55:28,320 --> 00:55:32,279
Speaker 1: work with coaches, Like, um, do you guys know that,

975
00:55:32,320 --> 00:55:34,680
Speaker 1: like all your favorite actors worked with acting coaches, because

976
00:55:34,760 --> 00:55:36,759
Speaker 1: that's the secret. I didn't know, and I was like,

977
00:55:36,800 --> 00:55:39,800
Speaker 1: I was ashamed of it at first, but I really

978
00:55:39,960 --> 00:55:43,440
Speaker 1: spent a lot of time working with um, this coach,

979
00:55:43,600 --> 00:55:46,680
Speaker 1: especially on the latter half of the season where it

980
00:55:46,719 --> 00:55:50,560
Speaker 1: gets super emotional and like you know, all the things

981
00:55:50,560 --> 00:55:53,439
Speaker 1: sort of like come to a head, and so that

982
00:55:53,680 --> 00:55:56,000
Speaker 1: was maybe that's the most rewarding part of it, and

983
00:55:56,040 --> 00:55:59,360
Speaker 1: the most fun is that is acting? For me? Oh

984
00:55:59,600 --> 00:56:03,160
Speaker 1: maybe maybe the writing, especially for a show like this,

985
00:56:03,239 --> 00:56:06,600
Speaker 1: and just you know, also it's such a big show,

986
00:56:07,560 --> 00:56:10,520
Speaker 1: you know, like like an episode of this show is

987
00:56:10,560 --> 00:56:15,759
Speaker 1: like a season of broad City. Like it's just like

988
00:56:16,480 --> 00:56:19,360
Speaker 1: grand in scope and scale, and like thinking about like

989
00:56:19,760 --> 00:56:23,319
Speaker 1: every costume, every place, everything is like huge and just

990
00:56:23,400 --> 00:56:28,400
Speaker 1: like the arc of creating like stories like that. Also

991
00:56:28,960 --> 00:56:32,200
Speaker 1: it's um, you know, we talked mostly about like my

992
00:56:32,440 --> 00:56:36,280
Speaker 1: side of this story, but like the show is also

993
00:56:36,400 --> 00:56:40,120
Speaker 1: like half Max's story. It's sort of like about just

994
00:56:40,200 --> 00:56:42,680
Speaker 1: very quickly, it's about like the door for the all

995
00:56:42,719 --> 00:56:46,040
Speaker 1: American girls professional Baseball League open for like white women

996
00:56:46,120 --> 00:56:49,080
Speaker 1: and white passing women, which is like my character's journey

997
00:56:49,080 --> 00:56:51,200
Speaker 1: and Darcy's character and the rest of the Peaches, and

998
00:56:51,200 --> 00:56:53,480
Speaker 1: then that door closes for all other women of color

999
00:56:53,840 --> 00:56:57,720
Speaker 1: who can play baseball. And it's like a very quick

1000
00:56:57,800 --> 00:57:00,640
Speaker 1: scene in the film where there's like no dial almost

1001
00:57:00,680 --> 00:57:03,560
Speaker 1: if you blink or cough, you missed the whole scene,

1002
00:57:03,800 --> 00:57:06,160
Speaker 1: but Penny Marshall was trying to allude to it. But

1003
00:57:06,239 --> 00:57:09,880
Speaker 1: like our show, be half of the show is is

1004
00:57:09,920 --> 00:57:13,000
Speaker 1: about uh Max Chapman, who's this black woman who does

1005
00:57:13,000 --> 00:57:15,000
Speaker 1: not isn't even allowed to try out, and like how

1006
00:57:15,040 --> 00:57:18,080
Speaker 1: does she go play professional baseball? And like what's her

1007
00:57:18,120 --> 00:57:21,480
Speaker 1: life like in her world? Like so like making sure

1008
00:57:21,560 --> 00:57:25,600
Speaker 1: that we're really there's like so much responsibility in honoring

1009
00:57:26,160 --> 00:57:29,800
Speaker 1: what that all these experiences would have really been, like

1010
00:57:30,280 --> 00:57:33,320
Speaker 1: so you know, there's a full research department and like

1011
00:57:34,160 --> 00:57:37,600
Speaker 1: research department on Broad City. You know, the test to

1012
00:57:37,800 --> 00:57:44,120
Speaker 1: feel like real and factual, and obviously we're taking liberties

1013
00:57:44,160 --> 00:57:47,880
Speaker 1: with like what these like private conversations and things would be.

1014
00:57:47,920 --> 00:57:53,160
Speaker 1: But it's like based on people. It was like a

1015
00:57:53,160 --> 00:57:56,880
Speaker 1: lot of that. I would have loved to have been

1016
00:57:56,880 --> 00:57:59,120
Speaker 1: on the research department on Broad City and like and

1017
00:57:59,240 --> 00:58:01,520
Speaker 1: got really fun high and went down to the fair Way,

1018
00:58:01,600 --> 00:58:03,840
Speaker 1: you know what I mean. I think it's my all

1019
00:58:03,880 --> 00:58:06,280
Speaker 1: time favorite episode of Broad City. Is that bunny, that

1020
00:58:06,360 --> 00:58:11,000
Speaker 1: insane bunny that follows you around you it's a bunny.

1021
00:58:11,760 --> 00:58:14,000
Speaker 1: This is so funny. I was like, what's the bunny? Um?

1022
00:58:17,120 --> 00:58:22,440
Speaker 1: More like a creature. Yeah, he's voiced by Paul Downs

1023
00:58:22,480 --> 00:58:26,200
Speaker 1: as well. Oh my god, what can't that man hitched

1024
00:58:26,280 --> 00:58:29,320
Speaker 1: up his voice? But no, he's sort of like an

1025
00:58:29,320 --> 00:58:32,840
Speaker 1: imaginary like yeah, he's like yeah, but I guess he

1026
00:58:32,880 --> 00:58:36,880
Speaker 1: does have big years. He doesn't revisiting in my mind.

1027
00:58:36,880 --> 00:58:38,440
Speaker 1: Just now. I was like, it was a bunny to me,

1028
00:58:38,480 --> 00:58:40,480
Speaker 1: But you're right, it is a creature. It exists in

1029
00:58:40,560 --> 00:58:43,040
Speaker 1: its own plane of reality. Oh god, you just had

1030
00:58:43,080 --> 00:58:45,520
Speaker 1: Paul Downs And I'm like, yet again, someone who has

1031
00:58:45,520 --> 00:58:47,760
Speaker 1: been so fucking brilliant from the beginning, and to see

1032
00:58:47,760 --> 00:58:51,440
Speaker 1: them get everything they deserve that happens, Bro, We absolutely

1033
00:58:51,440 --> 00:58:55,400
Speaker 1: love that great. We love to see our favorite carcasses slang.

1034
00:58:58,360 --> 00:59:01,640
Speaker 1: I will say, like, it's a interesting that you are

1035
00:59:01,680 --> 00:59:03,520
Speaker 1: saying that the acting is the easiest part, because I'm

1036
00:59:03,560 --> 00:59:04,880
Speaker 1: sure this all gets sort of worked out in the

1037
00:59:04,880 --> 00:59:08,920
Speaker 1: writing beforehand. But it's like Carson is sort of the

1038
00:59:09,120 --> 00:59:11,320
Speaker 1: hub with all these different spokes that go out to

1039
00:59:11,320 --> 00:59:14,160
Speaker 1: different care Like I think Carson has to like play

1040
00:59:14,200 --> 00:59:19,080
Speaker 1: out all these relationships throughout the season between like Greta

1041
00:59:19,160 --> 00:59:23,760
Speaker 1: and Max and Shirley and like oh my God, and

1042
00:59:23,840 --> 00:59:34,160
Speaker 1: like and and and Beverly del Dickie Dicky, She's incredible,

1043
00:59:34,280 --> 00:59:39,560
Speaker 1: Like I can do anything. Some of those scenes were

1044
00:59:39,600 --> 00:59:43,480
Speaker 1: my favorite scenes. Well, we met Deale Dickie in Provincetown

1045
00:59:43,680 --> 00:59:47,040
Speaker 1: and I Dale Dickie came over to our side of

1046
00:59:47,040 --> 00:59:48,720
Speaker 1: the tables. I guess I have a conversation with like

1047
00:59:48,800 --> 00:59:51,600
Speaker 1: literally John Donald was this insane dinner we were at

1048
00:59:52,080 --> 00:59:55,560
Speaker 1: and I just go, I just go, Dale Dickie, you

1049
00:59:55,640 --> 00:59:57,600
Speaker 1: are an icon. It so great to meet you. And

1050
00:59:57,680 --> 01:00:04,480
Speaker 1: she goes, yeah, And I was like, I actually loved

1051
01:00:04,520 --> 01:00:07,439
Speaker 1: my life. No, I genuinely because I'm like Boon yang

1052
01:00:07,480 --> 01:00:12,040
Speaker 1: to you know what I mean, I'm always saying that bitch.

1053
01:00:12,160 --> 01:00:13,920
Speaker 1: That means you are a part of legacy. You have

1054
01:00:13,960 --> 01:00:15,280
Speaker 1: to look at yourself in the mirror and stroke your

1055
01:00:15,280 --> 01:00:17,440
Speaker 1: face because you're really are part of the legacy. That

1056
01:00:17,560 --> 01:00:21,120
Speaker 1: Dale fucking Dicky the icon. She was just such a

1057
01:00:21,160 --> 01:00:24,040
Speaker 1: good vibe. We met her very briefly that you can

1058
01:00:24,080 --> 01:00:32,520
Speaker 1: tell she's just like sweet, like funny, like the the

1059
01:00:32,560 --> 01:00:36,600
Speaker 1: most incredible actor truly, I mean truly, like an like

1060
01:00:36,640 --> 01:00:40,160
Speaker 1: an unsung hero of the craft. Like it's really wild.

1061
01:00:40,160 --> 01:00:44,360
Speaker 1: And I loved her character too because I you don't

1062
01:00:44,400 --> 01:00:46,760
Speaker 1: think about like the chaperoning of the time. That was

1063
01:00:46,800 --> 01:00:49,840
Speaker 1: another element of it that was so crazy is that

1064
01:00:49,960 --> 01:00:52,200
Speaker 1: and that had to be something that you were discovering too,

1065
01:00:52,200 --> 01:00:54,680
Speaker 1: and like the research of it all. Yeah, they were

1066
01:00:54,680 --> 01:00:56,480
Speaker 1: a big part of it also, Like it's so funny.

1067
01:00:56,480 --> 01:00:58,320
Speaker 1: There was a scene we're all like cheers ng at

1068
01:00:58,320 --> 01:01:03,120
Speaker 1: the end and it's O Kate, like you know, we're

1069
01:01:03,920 --> 01:01:08,480
Speaker 1: you know, they're chaperoneing. Like the girls were younger, like

1070
01:01:08,560 --> 01:01:11,400
Speaker 1: in real life, like right before we'd be like they'd

1071
01:01:11,400 --> 01:01:14,000
Speaker 1: be like all right, we're rolling in actually and Kate

1072
01:01:14,000 --> 01:01:17,640
Speaker 1: would turn him and like we're forty, we're all like

1073
01:01:17,640 --> 01:01:20,160
Speaker 1: the chaperone comes in and it's like it is and

1074
01:01:20,240 --> 01:01:23,800
Speaker 1: she's like reporting we're all for like we're like you

1075
01:01:24,080 --> 01:01:27,360
Speaker 1: so old, like you know, the chaperone was there for

1076
01:01:27,480 --> 01:01:32,560
Speaker 1: like like it's younger. They were like a little bit

1077
01:01:32,560 --> 01:01:35,160
Speaker 1: of arranged like year olds don't need a chaperone. But

1078
01:01:35,160 --> 01:01:38,200
Speaker 1: I guess in the forties, like it was more we're

1079
01:01:38,240 --> 01:01:41,120
Speaker 1: all in our thirties. But you know, it's like what

1080
01:01:41,360 --> 01:01:47,200
Speaker 1: is happening. We're drinking. You know. Also, I have to

1081
01:01:47,240 --> 01:01:48,640
Speaker 1: just go back because I know people are going to

1082
01:01:48,680 --> 01:01:50,760
Speaker 1: be like, well, you say the acting was easy, maybe

1083
01:01:50,760 --> 01:01:53,200
Speaker 1: you should have done it better. You know. That's like

1084
01:01:53,240 --> 01:01:57,640
Speaker 1: my my like thought process. And I don't mean easy,

1085
01:01:57,720 --> 01:02:01,720
Speaker 1: I just mean like maybe the like most um it

1086
01:02:01,760 --> 01:02:06,000
Speaker 1: came naturally my most I think it was the most

1087
01:02:06,200 --> 01:02:10,880
Speaker 1: like um exciting part, like the most like the fun

1088
01:02:11,080 --> 01:02:17,440
Speaker 1: part rather than easy. Yes, I apologize for miss you know,

1089
01:02:17,640 --> 01:02:19,720
Speaker 1: I think I said easy person. I'm like what they're

1090
01:02:19,720 --> 01:02:24,200
Speaker 1: going to come and give me because I said I

1091
01:02:24,240 --> 01:02:26,480
Speaker 1: was saying that. It's surprising because I feel like you

1092
01:02:26,480 --> 01:02:31,120
Speaker 1: you did just you Yeah, you were really good in

1093
01:02:31,160 --> 01:02:35,160
Speaker 1: the show. You really were you were excellent. I remember

1094
01:02:35,200 --> 01:02:38,000
Speaker 1: my dad. My dad like watched it right when it

1095
01:02:38,040 --> 01:02:40,760
Speaker 1: came out, and he was like, she's incredible, Like my

1096
01:02:41,040 --> 01:02:44,439
Speaker 1: Long Island, she was incredible. She's incredible. Oh my god.

1097
01:02:47,560 --> 01:02:51,480
Speaker 1: I think he thinks he thinks that, like, um, we

1098
01:02:51,520 --> 01:02:54,080
Speaker 1: have known each other for three decades. I know, but

1099
01:02:54,160 --> 01:02:56,720
Speaker 1: there's a thing about like I kind of feel like

1100
01:02:56,800 --> 01:03:01,880
Speaker 1: we do also because there's like there's like this grouping

1101
01:03:02,040 --> 01:03:04,560
Speaker 1: of people that I feel that way about that like

1102
01:03:05,000 --> 01:03:09,160
Speaker 1: sort of are like I don't know, like do like

1103
01:03:09,200 --> 01:03:13,160
Speaker 1: we're like do you know what I'm saying? Up around

1104
01:03:13,960 --> 01:03:15,600
Speaker 1: when a lot of came in, we felt we we

1105
01:03:15,640 --> 01:03:17,120
Speaker 1: all sat down, we were it was an old girl,

1106
01:03:17,280 --> 01:03:20,800
Speaker 1: it was old girlfriends. It was it was knowing each

1107
01:03:20,800 --> 01:03:24,440
Speaker 1: other first, like I said, three decades never and I

1108
01:03:24,480 --> 01:03:28,600
Speaker 1: remember it was so funny. We we literally we literally

1109
01:03:28,840 --> 01:03:31,760
Speaker 1: um we left like that podcast recording and it was

1110
01:03:31,920 --> 01:03:34,440
Speaker 1: me bowing and Alana all holding hand saying this is

1111
01:03:34,480 --> 01:03:37,320
Speaker 1: just the beginning. And then the pandemic happened. Like it

1112
01:03:37,360 --> 01:03:39,320
Speaker 1: was so funny. We were like, this is the beginning,

1113
01:03:39,360 --> 01:03:41,720
Speaker 1: Like that was it was. She was being so funny

1114
01:03:41,720 --> 01:03:44,400
Speaker 1: and alanau like this is the beginning of something incredible

1115
01:03:44,640 --> 01:03:47,960
Speaker 1: and then like the pandemic and I'll never I'll never

1116
01:03:48,000 --> 01:03:54,720
Speaker 1: see it. Cat girl, Oh she's the best, She's the best.

1117
01:03:54,720 --> 01:03:57,400
Speaker 1: Oh wait quickly, I want to say. I was thinking

1118
01:03:57,440 --> 01:04:00,080
Speaker 1: of my sister Matt Rodders in the scene where in

1119
01:04:00,120 --> 01:04:06,600
Speaker 1: the scene where Max and Plants say goodbye, I was

1120
01:04:06,640 --> 01:04:09,240
Speaker 1: making me cry so hard. I was crying at that

1121
01:04:09,320 --> 01:04:12,400
Speaker 1: because it reminded me of the moment Matt and I

1122
01:04:12,440 --> 01:04:14,880
Speaker 1: were at Little Field the day before I was starting

1123
01:04:14,920 --> 01:04:17,160
Speaker 1: to work at S and Now, and it was just

1124
01:04:17,200 --> 01:04:19,200
Speaker 1: the moment we both like looked into each other's eyes

1125
01:04:19,240 --> 01:04:21,800
Speaker 1: and we're like okay, like we're sending each other off

1126
01:04:21,800 --> 01:04:25,120
Speaker 1: into like our own separate ways, and like who knows,

1127
01:04:25,160 --> 01:04:27,640
Speaker 1: Like who knows when this will all happen, you know,

1128
01:04:27,760 --> 01:04:30,920
Speaker 1: like who knows what will happen next? I don't know.

1129
01:04:30,960 --> 01:04:35,040
Speaker 1: I immediately flashed to that, Matt, did you know you

1130
01:04:35,080 --> 01:04:41,240
Speaker 1: know what I'm I'm stobbing on control beyond control um,

1131
01:04:41,280 --> 01:04:44,240
Speaker 1: but like you know what it was, It was like

1132
01:04:45,640 --> 01:04:47,920
Speaker 1: I remember, I'll never forget. Like there was like Bowen

1133
01:04:48,040 --> 01:04:50,280
Speaker 1: was getting he was deciding whether or not to take

1134
01:04:50,320 --> 01:04:52,560
Speaker 1: the job pretty much, and he called me and I

1135
01:04:52,600 --> 01:04:53,880
Speaker 1: was in the subway and I was going to meet

1136
01:04:53,960 --> 01:04:56,040
Speaker 1: up with Sudi. I was like, and you were, and

1137
01:04:56,080 --> 01:04:58,280
Speaker 1: you were like you had said this, you were like,

1138
01:04:58,280 --> 01:05:00,440
Speaker 1: I'm going to take the job, like and because we

1139
01:05:00,440 --> 01:05:03,200
Speaker 1: were scared that it would like stop things that we

1140
01:05:03,200 --> 01:05:07,440
Speaker 1: were doing, which in retrospect like it's so wild, like

1141
01:05:07,520 --> 01:05:12,360
Speaker 1: helping turn out. But but I remember, yeah, sure, got

1142
01:05:12,440 --> 01:05:14,720
Speaker 1: on the subway to go meet up with Sudi, our

1143
01:05:14,800 --> 01:05:17,440
Speaker 1: our dear friend, Sutie who's also worked at SNL, And

1144
01:05:17,680 --> 01:05:19,800
Speaker 1: I sat down at dinner with her, and I was

1145
01:05:19,840 --> 01:05:22,720
Speaker 1: just like sitting in the experience of like watching him

1146
01:05:22,800 --> 01:05:26,200
Speaker 1: get this like dream and like like knowing that he

1147
01:05:26,240 --> 01:05:28,760
Speaker 1: was going to go on to like beautiful, amazing things.

1148
01:05:28,800 --> 01:05:31,080
Speaker 1: And like when these two are parting at the end

1149
01:05:31,080 --> 01:05:32,800
Speaker 1: and she's getting on the bus to go, you know,

1150
01:05:32,920 --> 01:05:36,520
Speaker 1: pursue her dream, it's like you as the other person,

1151
01:05:36,640 --> 01:05:39,160
Speaker 1: like you it's it's it's really I don't know. I

1152
01:05:39,200 --> 01:05:42,360
Speaker 1: just again the way that you flesh out friendship and

1153
01:05:42,480 --> 01:05:45,880
Speaker 1: that moment and just I'll never forget to Like that

1154
01:05:45,920 --> 01:05:48,320
Speaker 1: finale of Broad City, I could tell your emotions were

1155
01:05:48,360 --> 01:05:50,440
Speaker 1: so genuine, you know what I mean, Like the two

1156
01:05:50,520 --> 01:05:52,840
Speaker 1: of you filming that scene, like can I ask I've

1157
01:05:52,840 --> 01:05:55,480
Speaker 1: actually always wanted to ask this, What was the experience

1158
01:05:55,480 --> 01:05:58,680
Speaker 1: of shooting that scene where you know you're telling each

1159
01:05:58,720 --> 01:06:00,640
Speaker 1: other what you mean to each other and that like

1160
01:06:00,720 --> 01:06:02,800
Speaker 1: things are going to change, but not really as I

1161
01:06:03,360 --> 01:06:06,960
Speaker 1: my eyes well up with tears. The last thing we

1162
01:06:06,960 --> 01:06:10,880
Speaker 1: shot with like the Boulder stuff, like went actually went

1163
01:06:10,920 --> 01:06:14,720
Speaker 1: to Boulder, Colorado. But other than that that was like

1164
01:06:14,760 --> 01:06:16,560
Speaker 1: weeks you know, that was like maybe like a week

1165
01:06:16,640 --> 01:06:19,360
Speaker 1: later or something. So we made which we didn't usually

1166
01:06:19,400 --> 01:06:22,040
Speaker 1: get the luxury of doing of like shooting everything in

1167
01:06:22,120 --> 01:06:24,160
Speaker 1: order or like the last scene has to be the

1168
01:06:24,240 --> 01:06:30,640
Speaker 1: last scene. And it was like in a storia overnight

1169
01:06:30,960 --> 01:06:36,560
Speaker 1: into like morning, and we never would do anything like

1170
01:06:36,600 --> 01:06:38,400
Speaker 1: this where we were like, we need that. We're going

1171
01:06:38,440 --> 01:06:41,880
Speaker 1: to pause because like time money, you know, we're gonna pause.

1172
01:06:42,000 --> 01:06:46,680
Speaker 1: We're going into a van for a little while now,

1173
01:06:46,880 --> 01:06:48,880
Speaker 1: and you're gonna everyone has to wait, which like we

1174
01:06:48,920 --> 01:06:51,640
Speaker 1: would know we would never do that, And we just

1175
01:06:51,720 --> 01:06:55,920
Speaker 1: like went into this little minivan and like talked and

1176
01:06:56,120 --> 01:07:01,560
Speaker 1: basically said all those things and then like came out

1177
01:07:02,040 --> 01:07:03,840
Speaker 1: and a lot of that was scripted, and then a

1178
01:07:03,840 --> 01:07:07,920
Speaker 1: lot of that wasn't, and it was like, let's just

1179
01:07:08,040 --> 01:07:12,360
Speaker 1: let this be all of it, you know, like on

1180
01:07:12,440 --> 01:07:17,120
Speaker 1: and it's like it's so on and off screen, like

1181
01:07:17,200 --> 01:07:19,480
Speaker 1: it's so both of it. Because also like if you

1182
01:07:19,480 --> 01:07:22,520
Speaker 1: watch broad City, like at least for me, like Alanna

1183
01:07:22,720 --> 01:07:25,480
Speaker 1: was this person more like would I be queer if

1184
01:07:25,560 --> 01:07:27,720
Speaker 1: I had not metal? Like I would I would be queer,

1185
01:07:27,720 --> 01:07:30,600
Speaker 1: but like would I know I was clear if I

1186
01:07:30,640 --> 01:07:34,000
Speaker 1: had not met Allanna? Like that was so like she

1187
01:07:34,200 --> 01:07:36,680
Speaker 1: was that person that was like you're hot, Like how

1188
01:07:36,720 --> 01:07:39,919
Speaker 1: do you not know you're hot? That stuff? I mean

1189
01:07:39,960 --> 01:07:42,920
Speaker 1: that thread throughout the whole series, I love, Like I

1190
01:07:42,960 --> 01:07:45,560
Speaker 1: would not have been like my ass is great, Like

1191
01:07:46,000 --> 01:07:49,120
Speaker 1: so it's so dumb and also not at all. It's

1192
01:07:49,400 --> 01:07:52,280
Speaker 1: so important where you need Like I did not have

1193
01:07:52,360 --> 01:07:57,400
Speaker 1: someone that like was more confident than in me than

1194
01:07:57,480 --> 01:08:00,120
Speaker 1: me and I think when you find that person in

1195
01:08:01,040 --> 01:08:04,040
Speaker 1: and like she hopefully I gave that to her, you know,

1196
01:08:04,080 --> 01:08:06,360
Speaker 1: the things to her too. But it was like such

1197
01:08:06,400 --> 01:08:09,520
Speaker 1: a meta experience and the ending was like we were

1198
01:08:09,640 --> 01:08:13,400
Speaker 1: just saying what we felt because it was true for both,

1199
01:08:13,640 --> 01:08:17,160
Speaker 1: you know, to both for both Abbeys and Alana's Yeah,

1200
01:08:17,240 --> 01:08:21,000
Speaker 1: I'm like literally crying. People feel very seen by that.

1201
01:08:21,320 --> 01:08:23,800
Speaker 1: And so just like I don't know. I guess I

1202
01:08:23,840 --> 01:08:25,960
Speaker 1: didn't even realize how much that meant to me watching

1203
01:08:25,960 --> 01:08:28,479
Speaker 1: that until, you know, just talking about it just now.

1204
01:08:28,520 --> 01:08:34,679
Speaker 1: But it was truly every moment the band was worth it. Yeah,

1205
01:08:36,560 --> 01:08:40,719
Speaker 1: not me sobbing noting the third time today. I really

1206
01:08:40,840 --> 01:08:45,479
Speaker 1: was overserved. Bro, you were over sir. I'm we're we're

1207
01:08:45,479 --> 01:08:56,760
Speaker 1: overserving the audience with with incredible content on this episode.

1208
01:08:58,520 --> 01:09:02,240
Speaker 1: We must absolutely sail on to our final segment, which

1209
01:09:02,320 --> 01:09:05,320
Speaker 1: is I don't think so, honey. Yes, if you don't know,

1210
01:09:05,479 --> 01:09:08,720
Speaker 1: now you know, it's a one minute segment that is

1211
01:09:08,800 --> 01:09:14,120
Speaker 1: world famous. It is the trades Um and we take

1212
01:09:14,160 --> 01:09:17,400
Speaker 1: one minute to ranting at something in culture that is

1213
01:09:17,439 --> 01:09:21,519
Speaker 1: grinding our years. Yeah, and I have, and it's it's

1214
01:09:21,560 --> 01:09:24,960
Speaker 1: actually it's sports related. Okay, this is this is huge,

1215
01:09:25,000 --> 01:09:27,479
Speaker 1: This is Mount Rogers. I don't think so, honey, sports related.

1216
01:09:27,560 --> 01:09:30,080
Speaker 1: His time starts now, I don't think so, honey. Second

1217
01:09:30,080 --> 01:09:32,960
Speaker 1: basement erasier. I feel like people think that shortstop is

1218
01:09:33,000 --> 01:09:35,160
Speaker 1: the cool position and the harder position, and yes it

1219
01:09:35,280 --> 01:09:37,280
Speaker 1: is more of the glue of the infield, but second

1220
01:09:37,280 --> 01:09:39,920
Speaker 1: baseman get erased. Second base has a lot to do.

1221
01:09:40,000 --> 01:09:43,799
Speaker 1: They actually have to cover several bags as they call it. Okay,

1222
01:09:44,080 --> 01:09:46,360
Speaker 1: and also not for nothing, but second base sometimes has

1223
01:09:46,360 --> 01:09:48,920
Speaker 1: to play a little bit of outfield to okay, depending

1224
01:09:48,920 --> 01:09:51,679
Speaker 1: on what the outfield is doing. Second base is difficult,

1225
01:09:51,720 --> 01:09:54,360
Speaker 1: and if you have a shitty second baseman, your team

1226
01:09:54,439 --> 01:09:57,400
Speaker 1: is sinking to the bottom. Okay. His name was Chuck Knoblock.

1227
01:09:57,760 --> 01:10:00,760
Speaker 1: He was a Yankees or second baseman, I believe. And

1228
01:10:00,800 --> 01:10:03,120
Speaker 1: this was back in the late nineties or like maybe

1229
01:10:03,120 --> 01:10:05,800
Speaker 1: two thousand when I was really in the ship, and

1230
01:10:05,840 --> 01:10:08,240
Speaker 1: I remember it was a flop second basement for the

1231
01:10:08,320 --> 01:10:12,360
Speaker 1: Yankees and was the bane of the state's existence. Okay,

1232
01:10:12,400 --> 01:10:15,760
Speaker 1: I'm telling you. Second base is hard. It's a hard one.

1233
01:10:16,040 --> 01:10:18,160
Speaker 1: Third base a lot of drama goes on there because

1234
01:10:18,160 --> 01:10:20,639
Speaker 1: it's right by home, so it's sort of a hot spot,

1235
01:10:20,920 --> 01:10:23,360
Speaker 1: you know, shortstop, that's where the hot guys play, your

1236
01:10:23,400 --> 01:10:26,679
Speaker 1: dark pet rods and stuff like that. And then first base,

1237
01:10:26,760 --> 01:10:28,960
Speaker 1: I think, because it's sort of initially what's going on,

1238
01:10:29,520 --> 01:10:31,719
Speaker 1: it gets a lot of attention. Second base gets raised.

1239
01:10:31,760 --> 01:10:33,800
Speaker 1: And don't forget about second basements. This is coming from

1240
01:10:33,800 --> 01:10:36,320
Speaker 1: a center fielder. Okay. The glue of the outfield, I'm

1241
01:10:36,320 --> 01:10:43,640
Speaker 1: saying that. Remember your girl. One minute and eleven seconds.

1242
01:10:41,240 --> 01:10:45,960
Speaker 1: Wow's important, that's important. You didn't think she could ball?

1243
01:10:46,120 --> 01:10:51,840
Speaker 1: Who played a second base on the fictional Rockford Peaches.

1244
01:10:52,720 --> 01:11:01,719
Speaker 1: First of all, so gorgeous. Yes, truly really love her

1245
01:11:01,840 --> 01:11:04,800
Speaker 1: her Her scenes with Roberta were always I was just like, oh,

1246
01:11:05,240 --> 01:11:06,920
Speaker 1: I love that we're seeing it, like like the white

1247
01:11:06,920 --> 01:11:09,800
Speaker 1: pass is amazing. You're like, that's another element that you

1248
01:11:09,840 --> 01:11:12,479
Speaker 1: were like, oh, that must have figured into like this story,

1249
01:11:13,000 --> 01:11:15,240
Speaker 1: like in that time. Loved it, you know what I

1250
01:11:15,240 --> 01:11:18,720
Speaker 1: love to like at the end, um, when Darcy is

1251
01:11:19,120 --> 01:11:21,960
Speaker 1: speaking to the woman who's like the like the beauty woman,

1252
01:11:22,040 --> 01:11:25,479
Speaker 1: like the beauty consultant, and she's like, you know, baseball

1253
01:11:25,560 --> 01:11:28,559
Speaker 1: is like it's too slow for me, And then Greta says, well,

1254
01:11:28,560 --> 01:11:31,080
Speaker 1: there's always something going on. It's happening all the time.

1255
01:11:31,160 --> 01:11:33,200
Speaker 1: You just have to look. And that is so true

1256
01:11:33,200 --> 01:11:37,000
Speaker 1: about baseball, Like, um, it really is such a fun

1257
01:11:37,080 --> 01:11:39,120
Speaker 1: sport to watch when you know what's happening and allow

1258
01:11:39,200 --> 01:11:41,720
Speaker 1: yourself to be invested. There's actually nothing like it. It's

1259
01:11:41,760 --> 01:11:47,120
Speaker 1: it's it's I think probably my favorite sport to watch

1260
01:11:47,360 --> 01:11:50,600
Speaker 1: because there is so much drama in it, you know

1261
01:11:50,600 --> 01:11:54,760
Speaker 1: what I mean, Like it's a very dramatic game. Yes,

1262
01:11:55,600 --> 01:11:58,559
Speaker 1: because it's not fast paced. Yes, it is a really

1263
01:11:58,720 --> 01:12:00,400
Speaker 1: I mean, I'm now like, I'm want to go to

1264
01:12:00,439 --> 01:12:05,200
Speaker 1: a game game in a while. The Dodgers are away

1265
01:12:05,280 --> 01:12:07,040
Speaker 1: right now. Actually look because my parents are in town

1266
01:12:07,040 --> 01:12:08,840
Speaker 1: and my dad would have loved to have gone. But

1267
01:12:08,880 --> 01:12:10,880
Speaker 1: then I realized, like, oh, it's fully like the end

1268
01:12:10,880 --> 01:12:12,639
Speaker 1: of the year. Like it's not just the thing. I mean,

1269
01:12:12,760 --> 01:12:14,640
Speaker 1: my gay dumb mass is like, oh well, I'll just

1270
01:12:14,680 --> 01:12:16,920
Speaker 1: get online and buy a ticket. It's like, no, there's

1271
01:12:16,920 --> 01:12:20,080
Speaker 1: a season and then they're doing their thing. It's not

1272
01:12:20,120 --> 01:12:22,280
Speaker 1: like when your dad's here, you can just go. I

1273
01:12:22,360 --> 01:12:29,479
Speaker 1: wish I would have thought that you could. Yeah, okay,

1274
01:12:29,520 --> 01:12:31,560
Speaker 1: bow and yang. Okay that yours isn't going to be

1275
01:12:31,600 --> 01:12:35,120
Speaker 1: about baseball. It's not, but it kind it might have

1276
01:12:35,240 --> 01:12:37,800
Speaker 1: to do with baseball. Okay, here we go. Okay, well

1277
01:12:37,880 --> 01:12:39,560
Speaker 1: this is bowen Yang. I don't think so many of

1278
01:12:39,680 --> 01:12:42,439
Speaker 1: times stars now, I don't think so many hobbies. It's

1279
01:12:42,479 --> 01:12:46,120
Speaker 1: called get a job, make it your career. Okay, it's

1280
01:12:47,080 --> 01:12:50,880
Speaker 1: there are no boundaries anymore between work and and leisure.

1281
01:12:51,280 --> 01:12:54,800
Speaker 1: Make them one worse sick where six society, and there's

1282
01:12:54,800 --> 01:12:57,439
Speaker 1: no other choice but to have zero boundaries in your

1283
01:12:57,439 --> 01:12:59,760
Speaker 1: life and to have your work be your life. And

1284
01:12:59,840 --> 01:13:02,880
Speaker 1: I know that sounds bad, that sounds rough and undesirable,

1285
01:13:03,040 --> 01:13:06,120
Speaker 1: but there's no way around it. You like to draw, honey,

1286
01:13:06,439 --> 01:13:10,479
Speaker 1: sell the drawings on Etsy. You like to you like

1287
01:13:10,560 --> 01:13:17,920
Speaker 1: to garden, honey, take pictures, sell the picture online. Okay,

1288
01:13:19,080 --> 01:13:22,559
Speaker 1: I'm sorry, I'm just I'm just stating facts. I wish

1289
01:13:22,560 --> 01:13:25,280
Speaker 1: you weren't like this. But hobbies are over. No one

1290
01:13:25,920 --> 01:13:29,360
Speaker 1: who among you has had a hobby. There's no such

1291
01:13:29,400 --> 01:13:32,040
Speaker 1: thing as hobbies. There are distractions from the thing that

1292
01:13:32,080 --> 01:13:34,639
Speaker 1: you should be making a career from your hobby. It's

1293
01:13:34,680 --> 01:13:37,560
Speaker 1: all side hustle. Now, there is no way around this.

1294
01:13:37,680 --> 01:13:40,880
Speaker 1: I'm so sorry to inform art generation that you can't

1295
01:13:40,880 --> 01:13:50,880
Speaker 1: have a hobby anymore. Who take those photos of your gardens?

1296
01:13:51,680 --> 01:13:54,400
Speaker 1: Them say you want to you want to peek into

1297
01:13:54,439 --> 01:13:57,280
Speaker 1: my life. It's gonna cost you open up the tour

1298
01:13:57,360 --> 01:14:04,479
Speaker 1: to your garden and price. God, that was a capitalist nightmare. Yeah, um,

1299
01:14:04,640 --> 01:14:12,840
Speaker 1: mine is not that mine. So we'll see even what

1300
01:14:12,920 --> 01:14:20,880
Speaker 1: I say. Okay, okayk her time starts now. I don't

1301
01:14:20,880 --> 01:14:25,920
Speaker 1: think so, honey. Latest iPad tipping protocols Okay, okay, I'm

1302
01:14:25,960 --> 01:14:28,080
Speaker 1: all for tipping all right, I love tipping. I love

1303
01:14:28,120 --> 01:14:31,439
Speaker 1: tipping my borisa, I love tipping my servers. I love tipping, tipping, tipping.

1304
01:14:31,680 --> 01:14:36,360
Speaker 1: But later, lately there's an iPad, and lately coffee shops

1305
01:14:36,439 --> 01:14:41,720
Speaker 1: have become markets. Okay, so I'm going food shopping and

1306
01:14:41,760 --> 01:14:45,479
Speaker 1: then maybe I'll get a coffee, and then automatically it's

1307
01:14:45,520 --> 01:14:52,479
Speaker 1: been tallied to tip on my full market order, So

1308
01:14:52,600 --> 01:14:55,479
Speaker 1: like what what? Okay? And also if tipping is supposed

1309
01:14:55,479 --> 01:14:58,479
Speaker 1: to be now for your full market order, I need

1310
01:14:58,479 --> 01:15:01,840
Speaker 1: to know then it But I am it feels like

1311
01:15:01,920 --> 01:15:05,439
Speaker 1: I'm being sort of like tricked into tipping for my

1312
01:15:05,520 --> 01:15:07,679
Speaker 1: full like I bought, like I bought a toe bag,

1313
01:15:07,720 --> 01:15:09,840
Speaker 1: I bought coffee, a bag of coffee, I bought all

1314
01:15:09,840 --> 01:15:13,320
Speaker 1: this stuff. Am I supposed to be tipping on my

1315
01:15:13,360 --> 01:15:16,560
Speaker 1: full market order or just a coffee? And then it's

1316
01:15:16,600 --> 01:15:18,679
Speaker 1: in my I fully am a jew and I realized

1317
01:15:18,720 --> 01:15:22,400
Speaker 1: this is very chewy. But what are they? I'm like,

1318
01:15:23,320 --> 01:15:27,960
Speaker 1: I'm like no or no to the protocols or yes,

1319
01:15:28,000 --> 01:15:30,479
Speaker 1: like I we need to know that's right now, that's

1320
01:15:30,520 --> 01:15:36,559
Speaker 1: one minute. Let's talk about this. Okay. In COVID, it

1321
01:15:36,600 --> 01:15:41,479
Speaker 1: became a market. It because coffee shops became marketplaces, so

1322
01:15:41,479 --> 01:15:44,400
Speaker 1: so I don't like that we are all and then

1323
01:15:44,439 --> 01:15:48,240
Speaker 1: I'm guilty. I feel guilty every time typing in a

1324
01:15:48,880 --> 01:15:52,240
Speaker 1: like a three dollars Now, I'm like, I'll give you

1325
01:15:52,400 --> 01:15:57,760
Speaker 1: three dollars on a coffee because I feel like I'm

1326
01:15:57,760 --> 01:16:00,720
Speaker 1: not giving you twenty five or like you know what

1327
01:16:00,760 --> 01:16:03,720
Speaker 1: I'm saying. Yeah, because and I'm also the person that

1328
01:16:03,840 --> 01:16:06,800
Speaker 1: on on like like on principle because I was a

1329
01:16:06,800 --> 01:16:09,280
Speaker 1: server for so long, I will make a whole thing

1330
01:16:09,320 --> 01:16:13,519
Speaker 1: of like topping like watch me go and then like

1331
01:16:13,600 --> 01:16:16,080
Speaker 1: so that they know that I'm one of the best

1332
01:16:16,120 --> 01:16:19,320
Speaker 1: tippers in America. And then I walk away and I'm like, well,

1333
01:16:19,439 --> 01:16:22,439
Speaker 1: I'm gonna be thousands in debt one day because coffee

1334
01:16:22,439 --> 01:16:25,360
Speaker 1: shops are a marketplace and I'm tipping on topags and

1335
01:16:27,640 --> 01:16:31,439
Speaker 1: many topags. But I'm like, you know, you're gathering like

1336
01:16:31,560 --> 01:16:35,240
Speaker 1: there's like it's a market now you get you get

1337
01:16:35,240 --> 01:16:38,000
Speaker 1: a candle in the mix, you get a fucking like

1338
01:16:38,200 --> 01:16:42,120
Speaker 1: beanie or some such or even like they're they're selling,

1339
01:16:42,160 --> 01:16:45,280
Speaker 1: like um, like what am I talking about? You guys

1340
01:16:45,280 --> 01:16:47,040
Speaker 1: know what I'm talking Like, I wish we all had

1341
01:16:47,040 --> 01:16:50,000
Speaker 1: a commonplace, but there's a lot of these places that

1342
01:16:50,080 --> 01:16:53,360
Speaker 1: are both, but there's a when you buy it, it

1343
01:16:53,400 --> 01:16:57,439
Speaker 1: comes up the tips and you are like expect, like

1344
01:16:58,439 --> 01:17:02,200
Speaker 1: I don't know, yeah, because in big block letters it

1345
01:17:02,280 --> 01:17:09,759
Speaker 1: says sometimes it's yes, and so I will always slam

1346
01:17:09,800 --> 01:17:13,040
Speaker 1: that and it's it's true, like it's it's on the

1347
01:17:13,080 --> 01:17:15,720
Speaker 1: totality of an order. And sometimes I lived I lived

1348
01:17:15,720 --> 01:17:17,240
Speaker 1: in green Point? Did you live in green Point? I

1349
01:17:17,240 --> 01:17:20,000
Speaker 1: remembering this up. I didn't live in green Point. I

1350
01:17:20,080 --> 01:17:30,040
Speaker 1: live okay, well Suggestion, Brooklyn, okay, and meats and spices,

1351
01:17:30,080 --> 01:17:32,439
Speaker 1: and you buy like I'm gonna buy, like there's some

1352
01:17:32,479 --> 01:17:35,320
Speaker 1: apples and there's some like you know, you buy like

1353
01:17:35,400 --> 01:17:39,600
Speaker 1: you're you're kind of like getting some groceries. And I'm like,

1354
01:17:39,680 --> 01:17:43,280
Speaker 1: if this is the new norm, okay, But I'm like,

1355
01:17:43,360 --> 01:17:48,880
Speaker 1: I'm confused every time I go yeah, do you carry cash? No? Neither,

1356
01:17:49,200 --> 01:17:53,360
Speaker 1: That's fine, That's fine. Here's the thing. Any time I tip,

1357
01:17:53,520 --> 01:17:57,560
Speaker 1: not any time coffee shop I go to here in Williamsburg,

1358
01:17:58,560 --> 01:18:04,519
Speaker 1: I tipped. They see me, press the button, press the screen,

1359
01:18:05,720 --> 01:18:10,080
Speaker 1: they feel nothing, and I go, is this registering? Is

1360
01:18:10,120 --> 01:18:14,320
Speaker 1: this landing? Are you I don't need the credit? But

1361
01:18:14,479 --> 01:18:18,640
Speaker 1: this is I bring this up? You no let me

1362
01:18:19,360 --> 01:18:21,840
Speaker 1: let me finish the point. Let me finish the point.

1363
01:18:22,360 --> 01:18:26,280
Speaker 1: I say this to illustrates or to bring up something

1364
01:18:26,280 --> 01:18:32,160
Speaker 1: and go. Do you think they care? I I think

1365
01:18:32,280 --> 01:18:34,040
Speaker 1: doesn't make a difference to them if you just tip

1366
01:18:34,080 --> 01:18:36,799
Speaker 1: on the coffee. If a tree falls in the woods

1367
01:18:36,800 --> 01:18:38,599
Speaker 1: and no one hears it, does Bow and Yang get

1368
01:18:38,600 --> 01:18:42,920
Speaker 1: credit as a celebrity tipper? Well, I mean, listen, it

1369
01:18:43,040 --> 01:18:46,080
Speaker 1: is also like I do like I also same was

1370
01:18:46,120 --> 01:18:49,840
Speaker 1: a server was a recently like those that matters, like

1371
01:18:50,400 --> 01:18:52,960
Speaker 1: I totally like if I go to a coffee shop

1372
01:18:53,040 --> 01:18:55,960
Speaker 1: and just I get a coffee, I'm always be like,

1373
01:18:56,000 --> 01:18:58,639
Speaker 1: this is an important I need this. You like you're

1374
01:18:58,640 --> 01:19:00,880
Speaker 1: doing a great job. But there's a one you're made

1375
01:19:00,960 --> 01:19:04,519
Speaker 1: that's also a wine shop. So I'm going to a

1376
01:19:04,600 --> 01:19:06,600
Speaker 1: wine and I'm going to get like a coffee and

1377
01:19:06,640 --> 01:19:12,680
Speaker 1: then I'm like, all of a sudden tipping like it's

1378
01:19:12,880 --> 01:19:16,560
Speaker 1: and I've done it. I've done it, like you're watching

1379
01:19:16,600 --> 01:19:21,400
Speaker 1: me do it? Yeah, do it. Here's what needs to happen.

1380
01:19:21,840 --> 01:19:23,640
Speaker 1: It's not up to us to solve because here's what

1381
01:19:24,920 --> 01:19:30,120
Speaker 1: every coffee shop in the world, in the country, I'm sorry, listening, listening,

1382
01:19:31,360 --> 01:19:34,760
Speaker 1: Every coffee shop worker needs to unionize and then we

1383
01:19:34,920 --> 01:19:37,519
Speaker 1: just tip him as just tip him at, like you know,

1384
01:19:37,600 --> 01:19:39,360
Speaker 1: in a very casual way, the way that it was

1385
01:19:39,400 --> 01:19:41,960
Speaker 1: meant to be done, and there can't be this much stick.

1386
01:19:42,120 --> 01:19:46,280
Speaker 1: Of course, tipping matters. It's important. It affects the reality

1387
01:19:46,320 --> 01:19:49,639
Speaker 1: of things. But it is not up to us to

1388
01:19:49,640 --> 01:19:52,559
Speaker 1: to to do that. Do you do do you understand? Yes?

1389
01:19:52,720 --> 01:19:55,040
Speaker 1: You mean you're saying like it shouldn't be like listen,

1390
01:19:55,120 --> 01:19:58,000
Speaker 1: it matters so much right now to how much they

1391
01:19:58,080 --> 01:20:01,320
Speaker 1: make where it should actually be like an extra even

1392
01:20:01,320 --> 01:20:05,760
Speaker 1: though we want, like I will never stop tipping, but never, never, never.

1393
01:20:06,240 --> 01:20:08,720
Speaker 1: We're not anti tipping, We're just I just it's all

1394
01:20:08,760 --> 01:20:13,479
Speaker 1: getting so it's all getting very occluded. Okay, Oh my god,

1395
01:20:13,520 --> 01:20:17,040
Speaker 1: I love that word occluded. Yeah, I'm never amazing. When

1396
01:20:17,240 --> 01:20:22,400
Speaker 1: I think she's running, I think you're running. You're running,

1397
01:20:22,880 --> 01:20:25,760
Speaker 1: You're gonna and even if you don't run, you're gonna

1398
01:20:25,760 --> 01:20:29,720
Speaker 1: get treasury, you know what I mean? Because I have

1399
01:20:29,760 --> 01:20:32,080
Speaker 1: to be honest with you. I don't think you'd win president,

1400
01:20:32,120 --> 01:20:35,760
Speaker 1: I really but I think that you wouldn't win, but

1401
01:20:35,840 --> 01:20:37,880
Speaker 1: I think that you get far enough, like you'd make

1402
01:20:38,280 --> 01:20:41,360
Speaker 1: a Buddha judge. Impact to the point where you get

1403
01:20:41,360 --> 01:20:43,240
Speaker 1: like a good job in the treasury, because that's what

1404
01:20:43,280 --> 01:20:47,120
Speaker 1: you really want and you can really change things. As

1405
01:20:47,600 --> 01:20:52,000
Speaker 1: are you excited about changing things? When you look at

1406
01:20:52,000 --> 01:20:53,640
Speaker 1: the mirror and stroke your face and think of a

1407
01:20:53,720 --> 01:20:55,280
Speaker 1: legacy you're a part of it. What you'll do in

1408
01:20:55,280 --> 01:20:58,760
Speaker 1: the world. Are you excited about breaking boundaries? I'm excited about.

1409
01:20:58,800 --> 01:21:01,400
Speaker 1: Here's what here's here's my first item on the agenda,

1410
01:21:01,640 --> 01:21:06,160
Speaker 1: speaking of iPad tipping protocol. Okay, whenever I get rung

1411
01:21:06,240 --> 01:21:10,000
Speaker 1: up for three dollar coffee and the tipping options are one, two,

1412
01:21:10,080 --> 01:21:17,280
Speaker 1: and three dollars, I'm bringing that back down because this

1413
01:21:17,320 --> 01:21:20,920
Speaker 1: is what I because this is what I'm a rich woman. No, no, no, well,

1414
01:21:21,040 --> 01:21:24,599
Speaker 1: this is what I do. Three dollar coffee almost always

1415
01:21:25,160 --> 01:21:27,559
Speaker 1: can't help it. I always do a two dollar tip.

1416
01:21:27,800 --> 01:21:31,400
Speaker 1: I take them sixty six percent, and that's fine. I

1417
01:21:31,400 --> 01:21:34,200
Speaker 1: don't mind doing it. But I go, something's going on here.

1418
01:21:34,240 --> 01:21:39,679
Speaker 1: The iPad is really affecting things. And that's what I'm saying, Yeah,

1419
01:21:39,760 --> 01:21:42,439
Speaker 1: it is. It is where you're like, it is this

1420
01:21:42,520 --> 01:21:47,160
Speaker 1: thing also COVID because like tipping felt so essentially like

1421
01:21:47,200 --> 01:21:51,080
Speaker 1: it was like you're you're really really acknowledging essential workers

1422
01:21:51,080 --> 01:21:53,240
Speaker 1: and stuff like. It's maybe then we get rid of

1423
01:21:53,200 --> 01:21:57,720
Speaker 1: the iPads. And you know what I really don't like

1424
01:21:57,880 --> 01:22:00,839
Speaker 1: for the servers is when they have to ringing orders

1425
01:22:00,920 --> 01:22:03,280
Speaker 1: on those like essentially with those game boys that they

1426
01:22:03,320 --> 01:22:05,639
Speaker 1: carry around. You know what I'm saying, Like when they

1427
01:22:05,640 --> 01:22:07,200
Speaker 1: have to plug in the order in front of you.

1428
01:22:07,240 --> 01:22:09,360
Speaker 1: And I literally stop my waitress the other day and

1429
01:22:09,360 --> 01:22:11,559
Speaker 1: I was like, I'm so sorry, Like does this stress

1430
01:22:11,600 --> 01:22:13,840
Speaker 1: you out? Have to put this order in at the

1431
01:22:13,880 --> 01:22:16,160
Speaker 1: table with us looking at you, And she actually turned

1432
01:22:16,200 --> 01:22:19,920
Speaker 1: to me, she locked eyes with me. Know I love it.

1433
01:22:20,840 --> 01:22:22,760
Speaker 1: I was like, you love it? She was like, I

1434
01:22:22,800 --> 01:22:25,439
Speaker 1: love it. I love being able to stand here because

1435
01:22:25,479 --> 01:22:27,760
Speaker 1: I helped me connect with the table. And then I

1436
01:22:27,800 --> 01:22:30,480
Speaker 1: was like, oh, I'm talking to a crazy person. That's like,

1437
01:22:32,360 --> 01:22:36,680
Speaker 1: we're going to have amazing tonight. Around there are some

1438
01:22:36,760 --> 01:22:41,680
Speaker 1: careers ground Round that you know, girl, That's that's how

1439
01:22:41,720 --> 01:22:45,720
Speaker 1: you know it's giving. It's giving. They would play like

1440
01:22:45,840 --> 01:22:49,200
Speaker 1: old like move black and white movies and you'd get

1441
01:22:49,240 --> 01:22:52,840
Speaker 1: like a bowl of popcorn. Yeah, ground Round, Oh you're

1442
01:22:52,840 --> 01:22:55,760
Speaker 1: really bringing me back, miss Lee and I would often

1443
01:22:55,800 --> 01:22:59,400
Speaker 1: have a jukebox class the ground Round. I think they

1444
01:22:59,400 --> 01:23:02,720
Speaker 1: also would way you I don't like that, like and

1445
01:23:02,800 --> 01:23:06,320
Speaker 1: you would get like some sort of thing to me

1446
01:23:06,360 --> 01:23:09,840
Speaker 1: neither some sort of thing as a kid, like like, yeah,

1447
01:23:10,080 --> 01:23:12,559
Speaker 1: that's a funked up act. I think that I was. Yeah,

1448
01:23:13,400 --> 01:23:15,800
Speaker 1: well I think they went down. I think they went down.

1449
01:23:16,000 --> 01:23:19,200
Speaker 1: I think as like as like a contest or something.

1450
01:23:19,680 --> 01:23:23,920
Speaker 1: I don't know, Oh my god, what kind we're at at?

1451
01:23:24,000 --> 01:23:29,320
Speaker 1: Like no, no, some parts it's like guess like that

1452
01:23:29,479 --> 01:23:32,920
Speaker 1: is my fucking nightmare, Like does your weight like the

1453
01:23:32,960 --> 01:23:38,840
Speaker 1: funk out of here in the nineties to be like

1454
01:23:38,840 --> 01:23:46,200
Speaker 1: a stand it's like, yeah, you know, entertainment was just

1455
01:23:46,280 --> 01:23:51,040
Speaker 1: guessing weight, Come on, bring us back that. But and

1456
01:23:51,040 --> 01:23:52,880
Speaker 1: and lo and behold that is a reality show that

1457
01:23:52,880 --> 01:23:58,920
Speaker 1: would be Greenland like now, yeah, yes, there way, But

1458
01:23:58,920 --> 01:24:00,880
Speaker 1: then you feel like keep of her hosts it. Yeah

1459
01:24:00,880 --> 01:24:05,479
Speaker 1: that's good. Yeah, I love she does. I wanted to

1460
01:24:05,760 --> 01:24:12,639
Speaker 1: her weight. Yes, why not? Wow, Honestly, that is terrible

1461
01:24:12,760 --> 01:24:19,640
Speaker 1: and hilarious. It's like a dirty rock joke come to

1462
01:24:19,720 --> 01:24:24,720
Speaker 1: hellish life. Yeah, well that's where we are. That's where

1463
01:24:24,720 --> 01:24:28,400
Speaker 1: we are. Well, where I am right now is drenched

1464
01:24:28,439 --> 01:24:35,759
Speaker 1: in tears profuse like thick, joyful energy because the show

1465
01:24:35,840 --> 01:24:38,639
Speaker 1: is so good. You did such an incredible job, and

1466
01:24:38,920 --> 01:24:41,640
Speaker 1: I just can't say enough, like I feel like, you know,

1467
01:24:41,760 --> 01:24:44,759
Speaker 1: obviously it's out there to watch now you can fucking

1468
01:24:44,800 --> 01:24:48,519
Speaker 1: stream your ass off eight episodes of this incredible series,

1469
01:24:48,880 --> 01:24:51,080
Speaker 1: Like you nailed it, and we're so excited that you

1470
01:24:51,080 --> 01:24:53,599
Speaker 1: came to be on the show. Oh my goodness, thank

1471
01:24:53,600 --> 01:24:57,160
Speaker 1: you so much. This is such an honor to finally

1472
01:24:57,600 --> 01:24:59,160
Speaker 1: be on the show. I'm like, oh, I guess I'm

1473
01:24:59,160 --> 01:25:01,439
Speaker 1: never going to be on. Know, it felt like so stupid.

1474
01:25:01,439 --> 01:25:02,720
Speaker 1: It's now at the point where it's like people that

1475
01:25:02,760 --> 01:25:04,639
Speaker 1: haven't been on like you, It's like, what are we doing?

1476
01:25:04,720 --> 01:25:08,519
Speaker 1: Like this is so crazy but so fun. I'm such

1477
01:25:08,560 --> 01:25:11,280
Speaker 1: a fan you guys know that. And Matt, I can't

1478
01:25:11,280 --> 01:25:13,599
Speaker 1: believe we've never met. I know, And can I say

1479
01:25:13,640 --> 01:25:17,040
Speaker 1: when you've watched Fire Island and you you posted about story,

1480
01:25:17,920 --> 01:25:19,960
Speaker 1: I was that was so nice that you tagged me too,

1481
01:25:19,960 --> 01:25:21,840
Speaker 1: because we had never met, and I was like, oh,

1482
01:25:21,880 --> 01:25:24,040
Speaker 1: that's so sweet. It was like we have though, right,

1483
01:25:24,400 --> 01:25:27,559
Speaker 1: I know, Ery, you feel like we know each other.

1484
01:25:27,640 --> 01:25:33,879
Speaker 1: But it's we're going everyone's going to do any park

1485
01:25:34,200 --> 01:25:35,800
Speaker 1: and we'll get a Lana in there too. She can

1486
01:25:35,800 --> 01:25:40,400
Speaker 1: get the babies. Yeah, yeah, that's easy, Easy, easy day. Well,

1487
01:25:40,439 --> 01:25:42,880
Speaker 1: we end every episode with the song Oh my god,

1488
01:25:42,920 --> 01:25:46,360
Speaker 1: What's I guess it? What is the song? We're all for?

1489
01:25:46,760 --> 01:25:52,320
Speaker 1: What We're All. It's one of those songs where you're like,

1490
01:25:52,320 --> 01:25:53,600
Speaker 1: oh my god, this song, and then you go to

1491
01:25:53,680 --> 01:26:02,679
Speaker 1: sing it and you're like, yeah, this bye.