WEBVTT - Who's There

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<v Speaker 1>Wisecrack is released weekly and brought to you absolutely free,

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<v Speaker 1>but if you want to hear the whole season right now,

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<v Speaker 1>it's available ad free on Tenderfoot Plus. For more information,

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<v Speaker 1>check out the show notes enjoy the episode.

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<v Speaker 2>The views and opinions expressed in this podcast are solely

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<v Speaker 2>those of the podcast author or individuals participating in the podcast,

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<v Speaker 2>and do not represent those of iHeartRadio, Tenderfoot TV, or

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<v Speaker 2>their employees. This podcast also contains subject matter which may

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<v Speaker 2>not be suitable for everyone. Listener discretion is advised. Previously

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<v Speaker 2>on Wisecrack.

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<v Speaker 3>I'm going to tell you a story, right, and it's

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<v Speaker 3>gonna be one story all the way through. Everything I'm

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<v Speaker 3>going to tell you is completely true apart from three things.

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<v Speaker 4>There are three lies in this story.

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<v Speaker 3>So on twenty second of July twenty and fifteen, about

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<v Speaker 3>half past ten, I leave the gig. I go to

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<v Speaker 3>my parents' house, wake up about twenty minutes after I

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<v Speaker 3>fell asleep, and at the end of my bed there

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<v Speaker 3>is someone standing. It's my mum. She's scared, she's really scared.

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<v Speaker 3>She says the words to me. Whatever you do, do

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<v Speaker 3>not turn on the lives. Whoever's in the front garden

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<v Speaker 3>whatever's in the front garden. At this stage, I don't

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<v Speaker 3>know how many people, how many things, what it could be,

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<v Speaker 3>but my dad is looking at it and he won't

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<v Speaker 3>go downstairs. Doesn't make sense, so I think, all right,

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<v Speaker 3>I'm gonna call the police. I find out what's going on.

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<v Speaker 4>I call the police. It rings a couple of times.

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<v Speaker 4>Someone answers.

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<v Speaker 3>I said, Hey, my name's Ed. I'm calling from forty

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<v Speaker 3>Benfield Avenue. Someone's banging on our front door. I think

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<v Speaker 3>it's a drunk but my parents are acting really weird

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<v Speaker 3>and it's kind of shaken me up.

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<v Speaker 4>Could you send an officer down just to check this out.

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<v Speaker 4>On the other end, the phone says, I'm sorry, where.

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<v Speaker 3>Did you say you were calling from? I said forty

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<v Speaker 3>Bentfield Avenue, just in sophrom Walden, and the officer says,

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<v Speaker 3>mister Hedges, we're very aware of the situation. Please barricade

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<v Speaker 3>yourself inside the house and do not engage with anyone

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<v Speaker 3>you meet. And then they hang up.

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<v Speaker 4>I'm like, rude. Fuck.

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<v Speaker 1>That first night in Edinburgh, my head was spinning and

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<v Speaker 1>I wasn't alone. Ed had just started his set like

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<v Speaker 1>any other stand up comedian, but suddenly we were all

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<v Speaker 1>side eyeing each other in the audience.

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<v Speaker 5>Should we laugh or brace ourselves.

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<v Speaker 3>I walk into the hallway back with my parents and

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<v Speaker 3>I said, guys, I've just called the police, and the

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<v Speaker 3>acting kind of odd, and my mum does this. I

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<v Speaker 3>go quiet, and I listened, and the banging has stopped,

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<v Speaker 3>and it's been the rep by the sound of footsteps

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<v Speaker 3>going down the front of our house and then the

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<v Speaker 3>sound of an old iron gate getting pushed open. I

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<v Speaker 3>know the iron gate because that's the iron gate I

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<v Speaker 3>used to use when I come back from the pub

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<v Speaker 3>drunk with the cricket team.

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<v Speaker 4>I pushed the iron gate open.

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<v Speaker 3>I'd walk down the side of my house into the

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<v Speaker 3>back garden and I would go into the back door

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<v Speaker 3>because the back door is always unlocked.

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<v Speaker 4>The back doors always unlocked, and we can hear them

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<v Speaker 4>through the windows.

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<v Speaker 3>They go down the side of the house into the

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<v Speaker 3>back garden, walk up to the back door. They put

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<v Speaker 3>the hand on the door handle and they pull it

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<v Speaker 3>down and it doesn't go And the second it made

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<v Speaker 3>that chunk noise, my dad to my mum went, that

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<v Speaker 3>is why I did that.

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<v Speaker 5>I'm Jody Tovey.

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<v Speaker 1>And this is Wisecrack Episode two who's there.

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<v Speaker 3>There was an incident at this When I was a kid,

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<v Speaker 3>my dad took me to the fair. I've never been

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<v Speaker 3>before because I didn't really have any friends, and he

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<v Speaker 3>took me, my mum and him to the local fair.

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<v Speaker 4>They're not like your fairs. I've seen it. Your fairs

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<v Speaker 4>you fry everything. Can you throw people in the air.

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<v Speaker 4>We don't. We don't do that. We like to have fun.

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<v Speaker 4>And my dad was driving us to the fur. I

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<v Speaker 4>was so excited, and then we pulled over.

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<v Speaker 3>In front of my aunt's house and my cousin, Jasper,

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<v Speaker 3>walked out.

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<v Speaker 4>And I was livid because I hate Jasper. We all

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<v Speaker 4>hate Jasper. I need you to be on board with me.

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<v Speaker 4>We hate Jasper. Right, He's such a weird kid.

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<v Speaker 3>He was the kind of kid that would sit on

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<v Speaker 3>the bottom deck of a double decker right live a

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<v Speaker 3>little twat's so it's so weird.

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<v Speaker 4>I can't explain it.

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<v Speaker 3>He's he got into the car and he was wearing

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<v Speaker 3>a three piece suit to go to the fair.

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<v Speaker 4>Oh. I hate him so much, it makes me stronger.

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<v Speaker 3>We went to the fair. I'm only a couple of

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<v Speaker 3>years older than Jasper. At this point, I'm like turning.

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<v Speaker 3>He's like a and we're looking for something to go on,

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<v Speaker 3>and my dad's getting more and more annoyed. He's like,

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<v Speaker 3>I've taken a day off work. I've bought these kids

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<v Speaker 3>to the fair, not going on anything. What's the point

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<v Speaker 3>in this. I've had a day of work. I'm losing

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<v Speaker 3>a day's money. What is going on here? And after

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<v Speaker 3>a little while he kind of erupted. He was like, kids,

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<v Speaker 3>get on a ride. Now, we're going right home. And

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<v Speaker 3>Jasa was like, we'll go on the dodgems. And you

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<v Speaker 3>don't know what the dodgems are. You call them bumper cars, right, cool?

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<v Speaker 3>Because you like to bump into them, but we like

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<v Speaker 3>to dodge them.

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<v Speaker 4>We're so similar.

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<v Speaker 3>Which had just stop stop fighting your silly gooses, Ah,

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<v Speaker 3>were called dodgems.

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<v Speaker 4>I got on.

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<v Speaker 3>I sat down in the bumper car. I was actually

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<v Speaker 3>quite excited. Jaspa setting next to me. He wasn't allowed

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<v Speaker 3>to drive because he's wearing a suit. And the second

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<v Speaker 3>I sit down, I see in front of me is

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<v Speaker 3>Ryan Goddard.

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<v Speaker 1>Ryan Goddard is Ed's childhood bully who relentlessly tormented him

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<v Speaker 1>all throughout grade school.

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<v Speaker 3>Now, at this point, Ryan Godard has been bullying me

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<v Speaker 3>for about four years.

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<v Speaker 4>I'm terrified of him. He's already like good at sport.

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<v Speaker 4>I am shitting my pants. I'm so scared.

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<v Speaker 3>He sees me and starts heading straight for me and

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<v Speaker 3>me and Jasper and I didn't know what to do.

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<v Speaker 4>So I've realized I had two options.

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<v Speaker 3>Either I bend down, I press the pedal and I

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<v Speaker 3>still around Ryan, or I hit him straight on. I

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<v Speaker 3>know my dad would prefer My dad would prefer me

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<v Speaker 3>to hit him straight on, to do the manly thing

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<v Speaker 3>to be, to be a man, to tackle.

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<v Speaker 4>The problem head on. But I wanted to go around him.

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<v Speaker 3>I just didn't want to have the conflict, and it

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<v Speaker 3>was an internal struggle for me. I was tossing up

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<v Speaker 3>between hitting him and going around him, Option A, Option B,

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<v Speaker 3>Option A, Option B. In the end, I went for

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<v Speaker 3>option C, which was undo my belt and leave the vehicle.

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<v Speaker 3>There is not a reality that exists where I can

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<v Speaker 3>describe how hard Jasper got hit by that car. And

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<v Speaker 3>on that day, Jasper lost all of his front teeth.

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<v Speaker 3>He also broke his nose. My dad grabs Jasper, he

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<v Speaker 3>pulls him out of the car. He turns to me,

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<v Speaker 3>and he goes, you're a coward, and he said get

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<v Speaker 3>in the car, and I went right cool.

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<v Speaker 4>We got in the car. He was angry.

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<v Speaker 3>He was angry than he's been for a long time.

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<v Speaker 3>I could feel the heat coming off the back of

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<v Speaker 3>his neck, that kind of anger where people are like

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<v Speaker 3>radiating energy. I sit in the car. Jasper's next to me.

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<v Speaker 3>His suit is now read. My mum sits in the

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<v Speaker 3>passenger seat. Does it's in the driver's seat. I'm sitting behind.

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<v Speaker 3>We start driving. We're driving at about eighty miles.

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<v Speaker 4>Now.

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<v Speaker 3>My dad's angry and he was mumbling under his breath.

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<v Speaker 3>I could hear what he was mumbling. But he was like,

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<v Speaker 3>why can't he just be normal? Why can't he be

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<v Speaker 3>like the other kids? And my mom said, John, stop it,

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<v Speaker 3>and he said, why can't he be like any of

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<v Speaker 3>the other kids. Tony's boy was there, Ian, he was

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<v Speaker 3>playing sports. Jackie's daughter was there, she was going on

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<v Speaker 3>the slide. Susan's daughter was there. Ran he was like,

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<v Speaker 3>he was there. They were all there, all the normal

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<v Speaker 3>kids were there, and I've got this one.

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<v Speaker 4>I was like, ah shit.

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<v Speaker 1>When you see his set live, you quickly realize Ed

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<v Speaker 1>is actually performing three shows at once. The first show

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<v Speaker 1>is Ed's endearing comedy side splitting stories about growing up chubby, dyslexic, asthmatic,

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<v Speaker 1>and just kind of strange in a small town outside

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<v Speaker 1>of London. The second plot is Ed's retelling of this

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<v Speaker 1>terrifying night when he returned to his childhood village for

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<v Speaker 1>the first time as an adult, years after leaving to

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<v Speaker 1>pursue his dreams of stand up comedy. After Ed finished

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<v Speaker 1>his show, he had a few pints with old friends,

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<v Speaker 1>walked back to his childhood home and passed out in

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<v Speaker 1>his small bedroom until he was awoken by his parents

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<v Speaker 1>and the violent knocking of an intruder trying to get

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<v Speaker 1>into the front door.

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<v Speaker 3>And then we hear them walk back up the pathway

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<v Speaker 3>into the front garden and it goes quiet.

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<v Speaker 1>But there is a third show going on. When he's

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<v Speaker 1>on stage. It's what Ed is not telling you. He's

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<v Speaker 1>already warned us that there are three lies built into

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<v Speaker 1>the show, and at this point in the set he's

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<v Speaker 1>only divulged one, but you can sense there's something yet

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<v Speaker 1>to be revealed.

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<v Speaker 3>And my mom tells to my dad and she says,

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<v Speaker 3>I think they've gone, And as she starts to say,

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<v Speaker 3>like the g in gone. The sound of someone drop

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<v Speaker 3>kicking our front door comes. First kick smashes the glass,

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<v Speaker 3>second kick, the wood starts to break. My mom grabs

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<v Speaker 3>me and my dad and pushes us into the toilet,

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<v Speaker 3>shuts the door behind us, she locks it.

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<v Speaker 4>She's fully crying. At this point.

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<v Speaker 3>She turns around to me and she says, Edward, promise

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<v Speaker 3>me you won't leave, promising you'll stay here. This is

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<v Speaker 3>the only room that has a lock and running water.

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<v Speaker 3>We'll be safe if we're just saying here. The sound

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<v Speaker 3>is getting louder. The wood is breaking. We can hear it.

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<v Speaker 3>Whoever's outside is breaking down the door. We can hear

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<v Speaker 3>it falling to pieces. My mum is crying, HI am panicking.

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<v Speaker 3>My dad is sitting on the floor. And then I

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<v Speaker 3>realize it. I look at my dad and I realize it.

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<v Speaker 3>Why I couldn't get a grasp on what he was doing.

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<v Speaker 4>He was scared. How fucked is that? It's like twenty

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<v Speaker 4>three years old, and I just realized that my dad

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<v Speaker 4>was scared the first time in my life.

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<v Speaker 3>Here's this unit of a man. I'd never seen him

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<v Speaker 3>scared before. He is terrified. He can't control the situation.

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<v Speaker 3>He's lost control completely. He is so scared. And this

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<v Speaker 3>wall of a man, this thing that used to terrify me,

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<v Speaker 3>covered an eggshells. I had to step around for the

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<v Speaker 3>first time in my life, showed a bit of weakness,

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<v Speaker 3>and I can't think of what's outside because I'm just

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<v Speaker 3>looking at him, thinking, you're like a human man. The

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<v Speaker 3>noise is getting more and more, and Mum's having a

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<v Speaker 3>full panic attack. She has a condition called angina. Her

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<v Speaker 3>heart is going to brickly. And just before the door

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<v Speaker 3>gets broken in, we hear a helicopter and then we

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<v Speaker 3>see the lights of police cars pulling onto our street.

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<v Speaker 3>The banging stops. It goes quiet again in the village,

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<v Speaker 3>and then a polite knock comes from the front door.

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<v Speaker 3>It's the creepiest thing. All this banging and then just

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<v Speaker 3>a polite knock courtesy freaked me out. We didn't answer it,

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<v Speaker 3>and then Mom gets a phone call. She stands up,

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<v Speaker 3>she unlocks the door, she goes downstairs. My dad stands up.

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<v Speaker 3>He follows her. I stand up and I walk into

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<v Speaker 3>the bedroom. I tell my parents it's because I'm tired

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<v Speaker 3>and I can't be asked. In actual fact, I'm having

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<v Speaker 3>a full panic attack for the first time in my life.

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<v Speaker 4>I go and lay down in my bed.

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<v Speaker 3>I shut my eyes and I start to count, just

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<v Speaker 3>to try and make yourself go to sleep.

0:12:25.120 --> 0:12:28.719
<v Speaker 4>And then I wake up. I wake up.

0:12:28.920 --> 0:12:32.839
<v Speaker 3>It's a beautiful day, Sun's out, birds are chopping. I'm

0:12:32.840 --> 0:12:36.559
<v Speaker 3>happier than I've ever been because I realize it's just

0:12:36.600 --> 0:12:37.800
<v Speaker 3>a dream.

0:12:38.040 --> 0:12:41.040
<v Speaker 4>And then I hear my mom crying downstairs. I think, fuck,

0:12:41.679 --> 0:12:42.000
<v Speaker 4>that's not.

0:12:44.480 --> 0:12:44.600
<v Speaker 3>So.

0:12:44.640 --> 0:12:45.080
<v Speaker 4>I get up.

0:12:45.160 --> 0:12:50.280
<v Speaker 3>I walk downstairs. The blinds are down, all the doors

0:12:50.280 --> 0:12:52.160
<v Speaker 3>are shut. I can't see anything at all. I can't

0:12:52.200 --> 0:12:54.480
<v Speaker 3>see the front door. The TV is off, Mum and

0:12:54.559 --> 0:12:57.920
<v Speaker 3>Dad are on the sofa, Mum's crying, and on the

0:12:58.000 --> 0:13:03.600
<v Speaker 3>coffee table there are pancakes. And I started eating the pancakes.

0:13:03.640 --> 0:13:05.520
<v Speaker 3>And I turned to my dad. I said, what was

0:13:05.559 --> 0:13:09.080
<v Speaker 3>all that last night then? And he didn't answer me.

0:13:10.360 --> 0:13:12.400
<v Speaker 3>He just picked up the TV rote and turned on

0:13:12.480 --> 0:13:16.240
<v Speaker 3>Sky News. And on Sky News is my house. My

0:13:16.320 --> 0:13:18.480
<v Speaker 3>house is covered in police tape, and on the street

0:13:18.880 --> 0:13:21.400
<v Speaker 3>there are a few police officers. And that's how I

0:13:21.480 --> 0:13:24.079
<v Speaker 3>learned about what happened on the night for the twenty

0:13:24.080 --> 0:13:29.800
<v Speaker 3>second of July twenty fifteen, between eleven and twelve o'clock

0:13:29.800 --> 0:13:34.720
<v Speaker 3>at night, the twenty three year old man named Ryan Goddard,

0:13:35.280 --> 0:13:42.200
<v Speaker 3>my school bully, had killed his family. He stabbed his

0:13:42.280 --> 0:13:47.960
<v Speaker 3>mother forty two times his stepfather fifty six, using seven

0:13:48.000 --> 0:13:51.640
<v Speaker 3>different blunt knives from the kitchen, and they identified him

0:13:51.640 --> 0:13:54.160
<v Speaker 3>by the shape of his shoeprint left on the side

0:13:54.160 --> 0:14:01.199
<v Speaker 3>of his mother's skull. And then he came to my house.

0:14:13.080 --> 0:14:15.880
<v Speaker 3>Things didn't go Ryan's way after I left the village.

0:14:15.960 --> 0:14:19.200
<v Speaker 3>He broke his hip and he couldn't play football anymore.

0:14:19.240 --> 0:14:22.160
<v Speaker 3>He was playing for a semi professional team and he

0:14:22.200 --> 0:14:26.000
<v Speaker 3>had to move home with his family, became a milkman,

0:14:26.600 --> 0:14:30.080
<v Speaker 3>had to knock on people's doors every day. This local

0:14:30.120 --> 0:14:31.560
<v Speaker 3>celebrity is now ankman.

0:14:31.720 --> 0:14:36.880
<v Speaker 4>And I knew Susan. She was good. Susan his mum

0:14:37.000 --> 0:14:50.480
<v Speaker 4>was a good person. And it's yeah, it's I didn't

0:14:50.480 --> 0:14:53.200
<v Speaker 4>know what to say. I sort of sat there.

0:14:54.040 --> 0:14:56.160
<v Speaker 3>He wants something so bad you can't look left or right,

0:14:56.200 --> 0:15:01.640
<v Speaker 3>and you're just soaking it in. And I wanted to

0:15:01.680 --> 0:15:07.040
<v Speaker 3>make it better. I wanted to to fix it, and

0:15:07.120 --> 0:15:12.400
<v Speaker 3>I couldn't. I couldn't fix it. But my dad, John,

0:15:12.720 --> 0:15:16.200
<v Speaker 3>the hero of the house man, he saved the day,

0:15:16.400 --> 0:15:19.360
<v Speaker 3>as he always does. He put his hand on my shoulder.

0:15:19.400 --> 0:15:20.920
<v Speaker 3>He put his hand around my mum, and he said,

0:15:21.920 --> 0:15:30.240
<v Speaker 3>it's fine, Okay, we've got each other still, We're alive.

0:15:32.200 --> 0:15:39.000
<v Speaker 3>We're safe thanks to the Titan seventeen windows. Now here's

0:15:39.080 --> 0:15:41.800
<v Speaker 3>a second lie of the show. He did not say that,

0:15:46.320 --> 0:15:47.080
<v Speaker 3>And while I'm at it.

0:15:47.120 --> 0:15:48.120
<v Speaker 4>I'll tell you the third lie.

0:15:48.120 --> 0:15:50.600
<v Speaker 3>The third lie, just so you're aware, is that I've

0:15:50.680 --> 0:15:53.560
<v Speaker 3>changed the names and the places and the people's names just.

0:15:53.520 --> 0:15:56.280
<v Speaker 4>Out of respect for the dead. I thought I was right.

0:15:56.320 --> 0:15:56.720
<v Speaker 4>I think to do.

0:16:00.160 --> 0:16:01.960
<v Speaker 3>We all sort of processed it in different ways. That

0:16:02.080 --> 0:16:05.040
<v Speaker 3>was really interesting to see. So my mum was really healthy.

0:16:05.080 --> 0:16:07.960
<v Speaker 3>She talked to people and like she sawt of support network.

0:16:08.840 --> 0:16:12.840
<v Speaker 3>My dad buried himself in his work, and I immediately

0:16:12.880 --> 0:16:15.280
<v Speaker 3>started gigging again. I buried myself in my work, and

0:16:15.280 --> 0:16:17.280
<v Speaker 3>then I realized I was doing what my dad was doing.

0:16:17.440 --> 0:16:22.080
<v Speaker 3>So I did this. They just kind of pretended it

0:16:22.080 --> 0:16:24.240
<v Speaker 3>never happened. Was I don't know if you've seen hot files,

0:16:24.280 --> 0:16:26.840
<v Speaker 3>but it was genuinely it was like that. They were like,

0:16:27.240 --> 0:16:30.280
<v Speaker 3>don't talk about it, don't report it, lock this shit down.

0:16:30.840 --> 0:16:32.120
<v Speaker 3>And then you'd walk up to me and be like,

0:16:32.120 --> 0:16:33.480
<v Speaker 3>did you hear about the murders? And they'd be like,

0:16:33.600 --> 0:16:35.240
<v Speaker 3>lovely day we're having.

0:16:37.240 --> 0:16:37.680
<v Speaker 4>All right.

0:16:40.240 --> 0:16:43.760
<v Speaker 3>One thing I do know, because I'm eternally grateful to

0:16:43.800 --> 0:16:44.720
<v Speaker 3>you all for coming tonight.

0:16:44.760 --> 0:16:46.280
<v Speaker 4>My name is A Hedges. Thank you very much. Listen

0:16:46.320 --> 0:16:55.280
<v Speaker 4>to my story say, and just.

0:16:55.320 --> 0:17:00.000
<v Speaker 1>Like that it was over. Ed got a standing up,

0:17:00.520 --> 0:17:03.520
<v Speaker 1>but he didn't stick around for the applause. His face

0:17:03.640 --> 0:17:06.600
<v Speaker 1>lost all expression as he left stage, like he had

0:17:06.640 --> 0:17:10.320
<v Speaker 1>somewhere to be. It was the strangest mic drop I'd

0:17:10.400 --> 0:17:14.520
<v Speaker 1>ever seen. The audience quickly gathered their belongings and slipped

0:17:14.520 --> 0:17:18.120
<v Speaker 1>back into the rain, casually chatting about what they'd just seen.

0:17:18.800 --> 0:17:24.200
<v Speaker 1>But I stayed seated, stunned. Had I really just heard

0:17:24.280 --> 0:17:27.639
<v Speaker 1>a true story of a double homicide wrapped in a

0:17:27.680 --> 0:17:30.760
<v Speaker 1>comedy set, told by a comedian who was almost the

0:17:30.840 --> 0:17:32.000
<v Speaker 1>third victim?

0:17:32.320 --> 0:17:35.120
<v Speaker 5>Or did he make the whole thing up? I had

0:17:35.160 --> 0:17:35.399
<v Speaker 5>to know.

0:17:39.280 --> 0:17:41.680
<v Speaker 1>I ran out to the stage door to introduce myself,

0:17:42.040 --> 0:17:45.399
<v Speaker 1>but Ed Hedges had long left the venue. The stage

0:17:45.440 --> 0:17:47.880
<v Speaker 1>manager advised me to return the next day to catch

0:17:47.920 --> 0:17:50.800
<v Speaker 1>him before his performance, but I didn't want to wait

0:17:50.840 --> 0:17:55.960
<v Speaker 1>that long. I grabbed a coffee and scoured my phone

0:17:56.000 --> 0:17:59.520
<v Speaker 1>for any trace of Ed Hedges. Most budding comedians have

0:17:59.560 --> 0:18:03.520
<v Speaker 1>big so social media presences, but not Ed. He had

0:18:03.560 --> 0:18:06.639
<v Speaker 1>a single Twitter account and his last post was weeks old.

0:18:07.520 --> 0:18:11.639
<v Speaker 1>I dmmed him anyway, but nothing back. When I googled him,

0:18:11.640 --> 0:18:13.840
<v Speaker 1>I found a lot of promos and press releases, but

0:18:14.000 --> 0:18:17.760
<v Speaker 1>nothing about his hometown. When he was only twenty, Ed

0:18:17.840 --> 0:18:20.640
<v Speaker 1>won the So You Think Your Funny Contest, a British

0:18:20.640 --> 0:18:23.880
<v Speaker 1>comedy competition. He had a few runs at the Soho

0:18:23.920 --> 0:18:27.440
<v Speaker 1>Theater in London to great reviews, but his career had

0:18:27.520 --> 0:18:32.120
<v Speaker 1>slumped since then. I searched for the village he mentions.

0:18:32.520 --> 0:18:34.280
<v Speaker 4>And you wouldn't have heard of. It's called Sophomoreton.

0:18:35.720 --> 0:18:40.440
<v Speaker 1>It's a real town, but no double homicide and more curious,

0:18:41.160 --> 0:18:44.879
<v Speaker 1>Ed never specifically says where he's from in interviews, like

0:18:44.960 --> 0:18:47.600
<v Speaker 1>he's going out of his way to keep his past unclear.

0:18:48.400 --> 0:18:49.880
<v Speaker 3>You're not going to be able to google this one.

0:18:50.160 --> 0:18:52.720
<v Speaker 3>I've hidden it well enough that you won't be able

0:18:52.720 --> 0:18:53.639
<v Speaker 3>to find anything.

0:18:54.920 --> 0:18:58.800
<v Speaker 1>Despite trying for hours, I couldn't find anything. So the

0:18:58.880 --> 0:19:02.080
<v Speaker 1>next day I went back to his show, and this

0:19:02.160 --> 0:19:06.720
<v Speaker 1>time I recorded it on my iPhone seven. Apologies for

0:19:06.800 --> 0:19:09.600
<v Speaker 1>the sound quality, but this is the first time I

0:19:09.720 --> 0:19:11.920
<v Speaker 1>ever captured Ed's performance.

0:19:13.200 --> 0:19:15.920
<v Speaker 5>Red Blooded Colored Comics is going to be like, Hey,

0:19:16.000 --> 0:19:16.960
<v Speaker 5>wasn't it drue to come?

0:19:17.200 --> 0:19:18.200
<v Speaker 4>I'm not, how answered.

0:19:19.560 --> 0:19:23.080
<v Speaker 1>The show was almost identical to the night before. Some

0:19:23.240 --> 0:19:26.960
<v Speaker 1>names changed, but every sharp line written and performed with

0:19:27.040 --> 0:19:28.480
<v Speaker 1>an intentional vagueness.

0:19:29.040 --> 0:19:31.639
<v Speaker 4>That night in twenty three year old Whale and Christian

0:19:31.680 --> 0:19:33.600
<v Speaker 4>Gotd had killed his.

0:19:33.600 --> 0:19:37.600
<v Speaker 1>Family, And this time I darted to the stage door

0:19:37.640 --> 0:19:40.119
<v Speaker 1>when Ed's set came down. In fact, I think I

0:19:40.160 --> 0:19:42.960
<v Speaker 1>scared him a little. I stuck out my hand told

0:19:43.040 --> 0:19:46.040
<v Speaker 1>him I was a television producer specializing in true crime,

0:19:46.359 --> 0:19:48.240
<v Speaker 1>and I would like to talk to him about his show.

0:19:49.040 --> 0:19:54.919
<v Speaker 1>Immediately Ed became dismissive, eyes down, shuffling his feet, looking

0:19:54.960 --> 0:19:58.000
<v Speaker 1>for an excuse to leave the conversation. Ed said he

0:19:58.040 --> 0:20:01.960
<v Speaker 1>needed to prepare for his next set, but perhaps intrigued

0:20:02.000 --> 0:20:05.879
<v Speaker 1>by something I said, we exchanged numbers and planned to

0:20:05.880 --> 0:20:09.119
<v Speaker 1>meet for a drink after his last show. As he

0:20:09.200 --> 0:20:13.000
<v Speaker 1>reached for the stage door, I lobbed one last question, Hey,

0:20:13.600 --> 0:20:16.080
<v Speaker 1>can you at least tell me the name of your bully?

0:20:17.119 --> 0:20:20.040
<v Speaker 1>He glanced around to see if anyone was listening, looked

0:20:20.040 --> 0:20:24.919
<v Speaker 1>back at me, and quietly said Brett Rogers. That simple

0:20:25.040 --> 0:20:27.159
<v Speaker 1>name unlocked everything for me.

0:20:32.640 --> 0:20:35.800
<v Speaker 3>They found the lifeless body of Gillian Phillips fifty four,

0:20:36.080 --> 0:20:38.800
<v Speaker 3>slumped on the sofa and covered in her own.

0:20:38.640 --> 0:20:42.200
<v Speaker 2>Repeatedly stabbed and caused a fatal head injury to David Oaks,

0:20:42.240 --> 0:20:44.560
<v Speaker 2>who had stayed with her overnight. Since the death of

0:20:44.600 --> 0:20:46.760
<v Speaker 2>a woman and a man in stanced at Mount Fidgett

0:20:46.800 --> 0:20:47.760
<v Speaker 2>had been opened.

0:20:50.440 --> 0:20:54.040
<v Speaker 1>With the name Brett Rogers, I could almost confirm everything

0:20:54.080 --> 0:20:58.040
<v Speaker 1>that happened that terrible night, not in Saffron, Morgan, but

0:20:58.160 --> 0:21:01.360
<v Speaker 1>in a small town called Stansteae, Mount Fitchett, thirty five

0:21:01.400 --> 0:21:06.639
<v Speaker 1>miles northeast of London. Even more fascinating, everything that Ed

0:21:06.720 --> 0:21:10.880
<v Speaker 1>said on stage about the murders themselves was true, verifiable,

0:21:11.520 --> 0:21:13.760
<v Speaker 1>right down to the amount of stab wounds found on

0:21:13.840 --> 0:21:18.080
<v Speaker 1>Brett's mother's body. Missus Phillips suffered at least forty one

0:21:18.160 --> 0:21:21.600
<v Speaker 1>stab wounds to the head, neck and torso, plus fourteen

0:21:21.680 --> 0:21:24.000
<v Speaker 1>blunt force injuries and defensive wounds.

0:21:24.320 --> 0:21:27.040
<v Speaker 3>She was pronounced dead at the scene.

0:21:27.080 --> 0:21:29.200
<v Speaker 1>The number of articles published in the wake of the

0:21:29.280 --> 0:21:32.199
<v Speaker 1>murders were in the dozens, but they all reported the

0:21:32.280 --> 0:21:37.320
<v Speaker 1>same scant superficial facts. Since Ed had moved away from Stanstead,

0:21:37.400 --> 0:21:41.800
<v Speaker 1>Brett's life had fallen apart. With few job opportunities, Brett

0:21:41.800 --> 0:21:45.080
<v Speaker 1>took a job as the local milkman, delivering fresh dairy

0:21:45.119 --> 0:21:47.960
<v Speaker 1>to lifelong neighbors, who were all aware of his downfall.

0:21:48.680 --> 0:21:51.720
<v Speaker 1>He was constantly in trouble with the law, everything from

0:21:51.800 --> 0:21:55.480
<v Speaker 1>drug use to violent fights, and eventually landed himself in

0:21:55.520 --> 0:21:59.240
<v Speaker 1>prison for three years. When he was released, he had

0:21:59.280 --> 0:22:03.040
<v Speaker 1>nowhere to live except his mother's house, his childhood home,

0:22:03.760 --> 0:22:07.720
<v Speaker 1>the one three doors down from ed. Then came the

0:22:07.840 --> 0:22:12.600
<v Speaker 1>night of July twenty second, twenty fifteen. The terror started

0:22:12.640 --> 0:22:17.360
<v Speaker 1>at nine pm. Both Brett's mom, Jillian Phillips, and her

0:22:17.400 --> 0:22:21.080
<v Speaker 1>friend David Oakes, had been heavily drinking. There was no

0:22:21.160 --> 0:22:24.480
<v Speaker 1>way either could have fought off the attack. Their thinned

0:22:24.560 --> 0:22:27.240
<v Speaker 1>blood would account for the red soaked couch and floor

0:22:27.800 --> 0:22:32.639
<v Speaker 1>where Gillian and David were found, respectively. Both their heads

0:22:32.640 --> 0:22:36.800
<v Speaker 1>were bruised and fractured, consistent with violent blunt force trauma.

0:22:37.920 --> 0:22:42.359
<v Speaker 1>Once they were incapacitated, Brett repeatedly stomped on their faces,

0:22:42.840 --> 0:22:45.679
<v Speaker 1>leaving a bloody footprint from his Nike air trainer on

0:22:45.720 --> 0:22:50.840
<v Speaker 1>his mother's cheek. A forensic scientist later confirmed that the

0:22:50.840 --> 0:22:54.159
<v Speaker 1>butchery Brett committed that night would have taken him at

0:22:54.240 --> 0:22:59.399
<v Speaker 1>least one hour or longer. At eleven pm, Brett Rogers

0:22:59.480 --> 0:23:02.840
<v Speaker 1>left his house and wandered onto the Common Green, a

0:23:02.880 --> 0:23:07.520
<v Speaker 1>small shared outdoor yard with pinches. There, Brett called nine

0:23:07.600 --> 0:23:11.080
<v Speaker 1>nine nine. For some reason, either the call was dropped

0:23:11.200 --> 0:23:16.320
<v Speaker 1>or he hung up. Brett did not speak to an officer. Inexplicably,

0:23:16.480 --> 0:23:20.640
<v Speaker 1>Brett returned to his house while the victims bled out downstairs.

0:23:21.000 --> 0:23:25.200
<v Speaker 1>Brett climbed upstairs, tracking blood on the treads. He changed

0:23:25.240 --> 0:23:27.800
<v Speaker 1>out of the blood soaked size eight Nike trainers and

0:23:27.920 --> 0:23:32.800
<v Speaker 1>into size nine shoes. Approximately thirty to forty five minutes later,

0:23:33.359 --> 0:23:37.040
<v Speaker 1>Brett calls nine nine nine again, this time requesting help.

0:23:37.960 --> 0:23:40.840
<v Speaker 1>Around midnight, a lone officer arrived to find Brett in

0:23:40.880 --> 0:23:44.320
<v Speaker 1>a side alley beside Ed's house. He was clutching a

0:23:44.320 --> 0:23:47.760
<v Speaker 1>white plastic bag, His arms and hands were slick with blood,

0:23:48.160 --> 0:23:53.000
<v Speaker 1>and he was grinning laughing to top it all off.

0:23:53.080 --> 0:23:56.000
<v Speaker 1>On the way to the station after his arrest, Brett

0:23:56.040 --> 0:23:58.520
<v Speaker 1>turned to the officer and asked if they could swing

0:23:58.640 --> 0:24:03.119
<v Speaker 1>by McDonald's first, but the crime scene had yet to

0:24:03.200 --> 0:24:06.000
<v Speaker 1>reveal Two of the most baffling parts of the murders.

0:24:07.040 --> 0:24:10.400
<v Speaker 1>The following day, during a methodical search of Jillian's overflowing

0:24:10.440 --> 0:24:13.680
<v Speaker 1>kitchen trash can, the murder weapons were discovered.

0:24:14.560 --> 0:24:15.119
<v Speaker 5>Inside.

0:24:15.320 --> 0:24:19.879
<v Speaker 1>Seven knives were found, four black, ones, one red, one yellow,

0:24:19.880 --> 0:24:23.280
<v Speaker 1>and one blue, indicating that Brett went back and forth

0:24:23.359 --> 0:24:26.560
<v Speaker 1>over the course of an hour or so, randomly choosing

0:24:26.600 --> 0:24:29.080
<v Speaker 1>a new instrument every time a knife broke or dulled.

0:24:30.040 --> 0:24:32.520
<v Speaker 1>Some of the knives were missing handles due to the

0:24:32.600 --> 0:24:36.000
<v Speaker 1>violent force used to thrust the blades into the victim's bodies.

0:24:37.480 --> 0:24:43.400
<v Speaker 1>Investigators also found Brett's discarded nikes, his gray sweatpants, several towels,

0:24:43.440 --> 0:24:47.480
<v Speaker 1>and a pillowcase, all soaked in blood. He had also

0:24:47.560 --> 0:24:51.080
<v Speaker 1>thrown away cash, two hundred and twenty pounds in twenty

0:24:51.080 --> 0:24:55.080
<v Speaker 1>pound notes, and a pair of women's animal print underwear.

0:24:56.560 --> 0:25:00.760
<v Speaker 1>But perhaps the strangest discovery lay outside in another trash ben,

0:25:01.359 --> 0:25:05.640
<v Speaker 1>evidence of a different side to Brett's breakdown. Sometime during

0:25:05.680 --> 0:25:08.479
<v Speaker 1>the murders, he had scrawled a message, a letter of

0:25:08.520 --> 0:25:12.479
<v Speaker 1>sorts three words written over and over at least thirty times,

0:25:13.560 --> 0:25:19.720
<v Speaker 1>I and love and much. Then he destroyed the message,

0:25:20.080 --> 0:25:22.879
<v Speaker 1>tearing it into three hundred small pieces.

0:25:24.080 --> 0:25:25.560
<v Speaker 5>I kept pouring.

0:25:25.240 --> 0:25:28.359
<v Speaker 1>Over the articles because one question kept nagging at me.

0:25:29.359 --> 0:25:34.119
<v Speaker 1>Why what sent Brett over the edge that night? I

0:25:34.160 --> 0:25:37.760
<v Speaker 1>couldn't wait to ask Ed? But it turns out i'd

0:25:37.760 --> 0:25:43.720
<v Speaker 1>have to Ed stood me up. I waited in that

0:25:43.760 --> 0:25:48.000
<v Speaker 1>pub for two hours. I sent him a message on WhatsApp, nothing,

0:25:48.560 --> 0:25:50.879
<v Speaker 1>not even a courtesy text, saying I can't make it.

0:25:51.800 --> 0:25:55.119
<v Speaker 1>I crawled in bed that night, bombed and frankly a

0:25:55.160 --> 0:25:59.679
<v Speaker 1>little pissed. Young comedians come to the Fringe Fest for

0:25:59.720 --> 0:26:03.080
<v Speaker 1>one reason, to show their talent to the world, to

0:26:03.119 --> 0:26:07.159
<v Speaker 1>find new collaborators and expand their audiences. I thought Ed

0:26:07.200 --> 0:26:10.240
<v Speaker 1>and I might make a great team. Why would he

0:26:10.280 --> 0:26:14.399
<v Speaker 1>not show Maybe he's already working with someone else, or

0:26:14.560 --> 0:26:18.160
<v Speaker 1>isn't interested in a wider audience, or maybe he's decided

0:26:18.160 --> 0:26:21.880
<v Speaker 1>that I'm not the perfect fit for his ambitions. After all,

0:26:22.000 --> 0:26:25.800
<v Speaker 1>I'm a crime producer and he's a stand up. And

0:26:25.880 --> 0:26:29.840
<v Speaker 1>that's when it hit me. Despite what Ed said on stage,

0:26:30.480 --> 0:26:33.800
<v Speaker 1>a double murder in a small town, the killer coming

0:26:33.840 --> 0:26:36.880
<v Speaker 1>to his house, all on the one night in four

0:26:36.960 --> 0:26:40.000
<v Speaker 1>years that Ed happened to be back home.

0:26:40.960 --> 0:26:43.080
<v Speaker 4>He had no idea though I was there.

0:26:44.240 --> 0:26:50.240
<v Speaker 1>This was just my questionence a coincidence that's certainly possible

0:26:50.560 --> 0:26:55.280
<v Speaker 1>but probable, or maybe Ed was trying to convince himself

0:26:55.320 --> 0:26:56.120
<v Speaker 1>of that narrative.

0:26:57.440 --> 0:27:00.000
<v Speaker 3>That's a story, thank you.

0:27:05.400 --> 0:27:09.679
<v Speaker 1>Whatever the truth was, Ed was going through it for

0:27:09.760 --> 0:27:12.480
<v Speaker 1>his audiences, cackling through his forty five minute set.

0:27:12.600 --> 0:27:14.320
<v Speaker 5>This was just another comedy.

0:27:14.040 --> 0:27:18.040
<v Speaker 1>Routine for Ed. It was trauma therapy with dozens of

0:27:18.080 --> 0:27:21.760
<v Speaker 1>people looking on. The Next night, I waited at the

0:27:21.800 --> 0:27:25.920
<v Speaker 1>stage door again, and this time I didn't hold back.

0:27:26.760 --> 0:27:29.040
<v Speaker 1>I told Ed why I thought he was avoiding me.

0:27:29.920 --> 0:27:32.000
<v Speaker 1>I told him why I think he changes all the

0:27:32.080 --> 0:27:36.320
<v Speaker 1>names and places in the story, and then I told

0:27:36.400 --> 0:27:38.639
<v Speaker 1>him why I think he performs this set in the

0:27:38.680 --> 0:27:43.320
<v Speaker 1>first place. He too, wants to know why Brett did

0:27:43.359 --> 0:27:46.040
<v Speaker 1>what he did and if his presence in town that

0:27:46.160 --> 0:27:50.520
<v Speaker 1>night had anything to do with his bully's meltdown. Ed

0:27:50.680 --> 0:27:54.679
<v Speaker 1>was speechless, and then he unloaded his thoughts on me,

0:27:55.960 --> 0:27:58.960
<v Speaker 1>telling me that Brett never mentioned him by name after

0:27:59.000 --> 0:28:02.800
<v Speaker 1>he left, that he already had mental problems, and that

0:28:02.840 --> 0:28:05.200
<v Speaker 1>Brett would have never known that Ed was in town

0:28:05.320 --> 0:28:10.240
<v Speaker 1>for one night only. Rather than pushback, I simply asked

0:28:10.400 --> 0:28:13.960
<v Speaker 1>Ed a question. I asked if he would like to

0:28:14.040 --> 0:28:17.800
<v Speaker 1>explore everything that led up to those murders in hopes

0:28:17.840 --> 0:28:22.520
<v Speaker 1>of unearthing Brett's motivations that night, that maybe a deeper

0:28:22.640 --> 0:28:25.720
<v Speaker 1>understanding of Brett might unshackle him from any of his

0:28:25.880 --> 0:28:30.919
<v Speaker 1>darker feelings. He got very quiet, shook his head and

0:28:31.000 --> 0:28:34.080
<v Speaker 1>told me he would think about it. And that was

0:28:34.119 --> 0:28:39.200
<v Speaker 1>the last time I talked to Ed Hedges until two

0:28:39.280 --> 0:28:49.720
<v Speaker 1>years later when he called me pis drunk. He told

0:28:49.720 --> 0:28:52.880
<v Speaker 1>me he'd been considering my offer for years. It had

0:28:52.880 --> 0:28:55.880
<v Speaker 1>always stuck in the back of his mind. He said,

0:28:56.000 --> 0:28:58.200
<v Speaker 1>if I was still up for it, he was in.

0:29:00.200 --> 0:29:06.560
<v Speaker 5>Why now? I thought, what's changed? Then he said one thing,

0:29:06.600 --> 0:29:18.600
<v Speaker 5>though Brett's dead. Next time on wisecrack.

0:29:20.640 --> 0:29:23.520
<v Speaker 4>In most cases they swing their fists around. Yes, plausible,

0:29:23.520 --> 0:29:27.440
<v Speaker 4>it's believable, and you've had a fight, but you don't

0:29:27.520 --> 0:29:28.040
<v Speaker 4>kill your mum.

0:29:29.160 --> 0:29:32.959
<v Speaker 6>The forensic scientists took a huge number of photographs, not

0:29:33.040 --> 0:29:35.200
<v Speaker 6>all of which we showed to the jury. Some of

0:29:35.240 --> 0:29:37.920
<v Speaker 6>them were just too horrific to do so. The thing

0:29:37.960 --> 0:29:41.680
<v Speaker 6>that struck me most about it was the sheer quantity

0:29:41.680 --> 0:29:46.280
<v Speaker 6>of bloodshed. It literally was a blood bath.

0:29:52.000 --> 0:29:56.360
<v Speaker 1>Wisecrack is a production of Tenderfoot TV and iHeart podcasts

0:29:56.440 --> 0:30:01.320
<v Speaker 1>in association with Star White Productions. I'm the host Jody Tovey.

0:30:01.840 --> 0:30:04.920
<v Speaker 1>The show is written by Charles Forbes. Stand up comedy

0:30:04.960 --> 0:30:08.560
<v Speaker 1>written and performed by Ed Hedges, with additional writing contributions

0:30:08.560 --> 0:30:12.960
<v Speaker 1>by Charles Forbes. Executive producers for Tenderfoot TV are Donald

0:30:13.000 --> 0:30:17.400
<v Speaker 1>Albright and Payne Lindsay. Executive producers for Star White Productions

0:30:17.520 --> 0:30:22.400
<v Speaker 1>are Jody Tovey and Charles Forbes. Lead producer is Alex Vespestad,

0:30:22.600 --> 0:30:27.360
<v Speaker 1>with additional production by Stephen Perez, Joe Grizzle, ja Ja Muhammad,

0:30:27.640 --> 0:30:32.200
<v Speaker 1>Jamie Albright, and Jordan Foxworthy. Lead editor is Stephen Perez,

0:30:32.480 --> 0:30:37.080
<v Speaker 1>with additional editing by Dylan Harrington and Liam Luxon. Coordinating

0:30:37.120 --> 0:30:41.600
<v Speaker 1>producers are John Street and Tracy Kaplan. Research by Jim

0:30:41.720 --> 0:30:46.240
<v Speaker 1>Nally and Misty Showalter. Original music by Jay Ragsdale with

0:30:46.320 --> 0:30:50.680
<v Speaker 1>additional music by Makeup and Vanity Set, mixed by Cooper Skinner.

0:30:51.240 --> 0:30:55.880
<v Speaker 1>Artwork by Byron McCoy. Special thanks to Orren Rosenbaum and

0:30:55.920 --> 0:30:59.720
<v Speaker 1>the team at UTA, Nate Ranson, Alexander Kaplan and The

0:30:59.720 --> 0:31:04.560
<v Speaker 1>Sinner Clubhouse, and the Nord Group. For more podcasts like Wisecrack,

0:31:04.800 --> 0:31:08.280
<v Speaker 1>search Tenderfoot TV on your favorite podcast app, or visit

0:31:08.360 --> 0:31:15.040
<v Speaker 1>us at tenderfoot dot tv. Thanks for listening. Episode three

0:31:15.120 --> 0:31:17.720
<v Speaker 1>will release next week, but you can binge the rest

0:31:17.760 --> 0:31:21.600
<v Speaker 1>of the season right now, completely add free by subscribing

0:31:21.600 --> 0:31:26.160
<v Speaker 1>to tenderfoot Plus on Apple Podcasts or at tenderfootplus dot com.