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Speaker 1: When I wrote, y'all, I'm across the usc Compton watch

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Speaker 1: thank to La from on the California the Valley. We

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Speaker 1: represent that kill of county. So if you're keeping it

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Speaker 1: real on your side of your town, you tune into

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Speaker 1: Gangster Chronicles. The goals. He gonna tell you how we go.

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Speaker 1: If I line my notes will grow like Pinocchio. We're

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Speaker 1: gonna tell you the truth and nothing but the truth

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Speaker 1: than chronic goals. This is not your average show. You're

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Speaker 1: now tuned into the real mcain, Big James, and Big

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Speaker 1: Stairs from the streets. Hello, Welcome to the Gangster Chronicles podcast,

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Speaker 1: the production of iHeart Radio and Black Effect Podcast Network.

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Speaker 1: Make sure you download the i heeart app and subscribe

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Speaker 1: to the Gangster Chronicles. For my Apple users, hit the

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Speaker 1: purple mica on your front screen, subscribe to the gainst

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Speaker 1: the Chronicles and leave a five star rating the comment

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Speaker 1: we like to welcome everyone to another episode or against

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Speaker 1: the Chronicles podcast and I'm big stealing of course, Jill,

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Speaker 1: y'all know what to do. Mcaton house. So not that

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Speaker 1: much going on this week outside of the obvious. Your

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Speaker 1: boy Mellie mail he struck. I guess he rubbed a

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Speaker 1: lot of people the wrong way with his comments on

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Speaker 1: the Homye show. He was on Art of Dialogue and

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Speaker 1: he has said something about the Top fifty list and

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Speaker 1: think he said I think I believe what he said

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Speaker 1: was that Eminem wouldn't be ranked as high as he

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Speaker 1: was if he wasn't a white boy. And he said

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Speaker 1: that don't nobody want to rap like Kendrick Lamar. Yeah,

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Speaker 1: I think he said something like M can't be one

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Speaker 1: of the top five rappers or something because he's white

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Speaker 1: or something shit like that. And then as far as

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Speaker 1: nobody wants to rap like M or Kendrick, I mean

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Speaker 1: I would say, because you probably can't, you know, yeah,

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Speaker 1: you know, it takes a special skill to you know,

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Speaker 1: come up with wordplay. Um not that you know, you know,

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Speaker 1: saying that. You know, everybody has their own you know,

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Speaker 1: their own swagger or whatever they own, you know, get down.

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Speaker 1: And there's just some dudes that are lyrical. Some dudes,

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Speaker 1: you know, create danceable hits. Some dudes just want to

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Speaker 1: speak to the streets. You know, you niggas who want

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Speaker 1: to party. You know, niggas who want to pop peels

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Speaker 1: and in drink and party with the girls. You know,

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Speaker 1: everybody has their different lane as far as music is concerned.

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Speaker 1: You always got them cats man, who were just you know,

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Speaker 1: you looked at as just lyrical as a motherfucker. Yeah,

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Speaker 1: And I don't take nothing away from them not being

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Speaker 1: the average one two three four, You give me kicking

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Speaker 1: the door. I want some more type of bullshit. I mean,

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Speaker 1: some motherfuckers have have another plateau to reach as far

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Speaker 1: as who they're trying to get to is what their

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Speaker 1: music and so to each his own, you know, I

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Speaker 1: applaud motherfuckers who can come up with them type of songs.

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Speaker 1: And let's just you know, it's a different you know,

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Speaker 1: rapping is rapping and then you can make songs and

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Speaker 1: hip ho hop and shit. And Kendrick is one of

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Speaker 1: my niggas who make you know, he made music in

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Speaker 1: his hip hop. Like I said, he's not just you know,

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Speaker 1: you know one two three four type of rapper you know,

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Speaker 1: abc D. You know what I'm saying, it's some dudes

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Speaker 1: who want to break it down. E MC equals too

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Speaker 1: and all that type of ship. Yeah, that's very much,

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Speaker 1: and that's very much of Kendrick and the eminem until

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Speaker 1: your point earlier. You said that a lot of people

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Speaker 1: can't rep like they do. Them dudes got ridiculous cadences.

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Speaker 1: They are, you know, they're above average, like you said,

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Speaker 1: they're not on the one, two, three, four. You feel

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Speaker 1: what I mean. Everybody's struggle is the same. Let's just

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Speaker 1: you know, I got in the hip hop because of

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Speaker 1: the struggle of being from Compton in the streets, and

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Speaker 1: I wanted to tell the story of what you know,

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Speaker 1: a lot of people didn't understand. Everybody struggle is different.

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Speaker 1: MS is different, Kendricks was different. You know what I'm saying,

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Speaker 1: Fucking MS is different, Melli's is different. You know, it's different.

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Speaker 1: Plus meal come from a whole different time. We come

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Speaker 1: from a different time. So you know what I'm saying.

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Speaker 1: What you might not feel is your favorite, you know,

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Speaker 1: might be to somebody the greatest. And that's where we

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Speaker 1: got here. You know, that's the nature and the beauty

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Speaker 1: of being able to have your own fucking opinion. You

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Speaker 1: know it might offend motherfuckers, but sometimes we gotta learn

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Speaker 1: how to just not take a lot of ship personal

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Speaker 1: because you know, you don't like some shit I don't like.

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Speaker 1: I don't like some shit you don't like. I mean,

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Speaker 1: that's just the way the world works. Yeah, but everybody

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Speaker 1: can't agree on every fucking thing. You know, it's dangerous

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Speaker 1: now a days do because your opinion can get you

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Speaker 1: in a whole lot of trouble. Like and people just

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Speaker 1: my whole thing is this um. Like you said, we

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Speaker 1: not always go agree on everything, all right, but that

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Speaker 1: don't mean we necessarily gotta be in here fist fight

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Speaker 1: neither or you know, me disrespecting you what you disrespecting

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Speaker 1: me because we don't agree on some shit, you know,

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Speaker 1: and they take shit the wrong way sometimes, you know,

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Speaker 1: and there might be some niggas who might take that,

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Speaker 1: you know, real personal, you know, you know, like you know,

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Speaker 1: there have been motherfuckers who have spoken up about you

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Speaker 1: know what male said. You know, it's other you know,

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Speaker 1: artists who vouch for you know, you know, what they

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Speaker 1: feel is their opinion, you know what I'm saying. And

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Speaker 1: that's just what it is. Everybody gonna have that. But

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Speaker 1: it's just the way motherfuckers take shit nowadays. You give

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Speaker 1: me your opinion, like you said, could could go laugh

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Speaker 1: on a motherfucker and they could take a real personal

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Speaker 1: and thus you will have a lot of disagreements and

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Speaker 1: beef and then means made and all kind of bullshit,

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Speaker 1: you know, behind what he felt is what he wanted

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Speaker 1: to say about it. Everybody is gonna take that route.

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Speaker 1: And the thing is, he just responded to a question.

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Speaker 1: You know, somebody asked him that question. He had an

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Speaker 1: answer for it. And I gotta apologize to him because

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Speaker 1: I called him a hater at first, you know, Kendrick

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Speaker 1: the homie whatever. But of course, but that was his opinion. Yeah,

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Speaker 1: and when I you know, reap more into it, you know,

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Speaker 1: with a little less emotion into it, you know, right,

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Speaker 1: because that's the route, you know what I'm saying, especially

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Speaker 1: if if a motherfucker's speaking on you know, somebody that's

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Speaker 1: you know, you from, you're with, you're cool with, you know,

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Speaker 1: it's people, you know, everybody gonna take that's just like

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Speaker 1: you know, at the time when the motherfucker said fuck

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Speaker 1: Compton and the raps and ship, we take that ship personal.

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Speaker 1: So but on that note, you know, it's a question

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Speaker 1: he was asked, and he felt like, Hey, you know,

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Speaker 1: I'm one of the pioneers of hip hop. You know,

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Speaker 1: I was there when it started, you know, and then

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Speaker 1: he could feel like, you know, if it wasn't for me.

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Speaker 1: A lot of cats wouldn't even be rapping because I

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Speaker 1: started this shit and what evolved into it fifty years later.

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Speaker 1: So he has a strong opinion about, you know, feeling

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Speaker 1: how he feel about the so called list, and like

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Speaker 1: I said, that's just one person's opinion too or a few.

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Speaker 1: Whoever decided to make up the list. Can't take it

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Speaker 1: personal because your list could be different than what somebody

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Speaker 1: else say. You know. But the thing is when you

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Speaker 1: get to talking about who the best rap reels, that's

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Speaker 1: like that on being barbershop fadder for as long as

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Speaker 1: we can remember, you know, people arguing about who the

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Speaker 1: best rapp reels? You know, back in the day he

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Speaker 1: used to beat was it L L cool? MODI? You

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Speaker 1: feel what I mean? And then it comes up to

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Speaker 1: day they may say who's the best rapper Kennedy Lamark,

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Speaker 1: J Cole. It's so it's open to everybody's different opinion

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Speaker 1: though everybody's different interpolation, you know what I mean. They

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Speaker 1: may you know, I hear some stuff sometimes today, what

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Speaker 1: somebody saying, well, this is the new lyrical, you know,

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Speaker 1: the new super lyricalk you listen to him, I might

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Speaker 1: not think that much of them, but the other person

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Speaker 1: may think he amazing exactly. You feel what I'm saying.

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Speaker 1: I might hear him be like, man, I don't understand

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Speaker 1: this shit. It's like me and Glasses had this debate

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Speaker 1: and this was no disrespect to nobody. Um, he told

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Speaker 1: me that he thought Snoop Dogg was a better rapper

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Speaker 1: than Buster Rhymes. Okay, now I can see where he

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Speaker 1: may think. You know, Snoop is the best. Snoop is

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Speaker 1: definitely more popular than that, say Buster, but I think

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Speaker 1: Buster is probably a little bit more technical the Snoop.

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Speaker 1: I mean, it all depends on how you look at

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Speaker 1: it in the times of whatever. You know, I wouldn't

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Speaker 1: even put them in the same category if you just

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Speaker 1: you know what I'm saying, because I don't look at

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Speaker 1: a Snoop dog the way I look at a Buster Rhymes. Yeah,

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Speaker 1: they different artists. It's just too different, you know what

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Speaker 1: I'm saying. And Buster God is just as much respect

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Speaker 1: as Snoop dog In in my nigga lane, you know

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Speaker 1: what I'm saying. Dog got his massive appeal with people,

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Speaker 1: so do Buster. So to me, when you do shit

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Speaker 1: like that, it's just the difference It's just your opinion,

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Speaker 1: and it shouldn't be taken, you know, to to you know,

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Speaker 1: heart of what of what you know somebody else might feel.

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Speaker 1: Because I'm pretty sure I like a motherfucker, and I

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Speaker 1: might say somebody is better then what his opinion of

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Speaker 1: what the next nigga might be. It's just, it's just all.

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Speaker 1: It's what it is, man, And people shouldn't get caught

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Speaker 1: up in other people's opinions, especially when they come to

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Speaker 1: who's the greatest rapper of all time? Or who's the

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Speaker 1: greatest basketball player of all time? You know what I'm saying.

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Speaker 1: A lot of that shit is going around right now.

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Speaker 1: You know who's the greatest lebron Is it Michael? You

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Speaker 1: know who's the greatest rapper? They got Jay Z on top.

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Speaker 1: But then somebody might say it's Little Wayne, and then

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Speaker 1: somebody might say it's Snoop Dogg, and then you might

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Speaker 1: get technical and say it's Kindred. Let me ask you

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Speaker 1: a question, man, do you think that sometimes Jay may

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Speaker 1: give props? Because I do think Jay is definitely one

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Speaker 1: of the top five rappers probably in the world, you know,

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Speaker 1: in the world and hip hop. That's my opinion. I

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Speaker 1: think he's definitely. I think he's definitely up there. I

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Speaker 1: think it gets a little scary when you start talking

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Speaker 1: about the top five. But if I had to say

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Speaker 1: who the top rapper was, just based on everything, man,

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Speaker 1: As far as influencing, just cultural impact, I gotta say,

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Speaker 1: partly a little Wayne Dog. It's probably the number one

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Speaker 1: rapper of all time right about now. And I know

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Speaker 1: that may be hard for a lot of people to swallow,

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Speaker 1: but look at all the suns he got out there,

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Speaker 1: You feel what I mean? Just like from little Oozy

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Speaker 1: vert to um all these other little cats don't grew

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Speaker 1: their hair out and got dreads and danced around neck

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Speaker 1: him like they high all the time. You feel what

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Speaker 1: I'm saying. Just I think as far as the influence, man,

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Speaker 1: you know, some people might be up there, like still

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Speaker 1: On lost his motherfucker mind, But that's just from what

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Speaker 1: I see. He had a run. Little Wayne had him

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Speaker 1: a hell of a run. He'd been doing it since

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Speaker 1: he's been sixteen. Yeah, I mean, like I said that,

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Speaker 1: it all depends on how you look at it, because

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Speaker 1: I'm not getting into that category of who is the

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Speaker 1: fucking greatest of all? Well, you think the most overrated

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Speaker 1: the fuck of all time, it's a gang and their motherfuckers.

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Speaker 1: There's too many of them, too many, it's too many

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Speaker 1: the name and see, I'm not a nigga who causes

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Speaker 1: controversy about trying to name niggas because that's how you

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Speaker 1: get a gang of shit started. Because a lot of times,

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Speaker 1: I believe your opinion should stay to your fucking self. Really,

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Speaker 1: if it's just yours now, if people want to blast

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Speaker 1: who they feel is the best, but me, I ain't

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Speaker 1: got time for that game because that game leads you

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Speaker 1: down a different role. Especially I play in that game.

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Speaker 1: You get me, I'm in that field. So for me,

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Speaker 1: this nigga right here, I don't know why niggas listen

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Speaker 1: to this motherfucker. You're getting me, And that's how I

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Speaker 1: feel about some motherfucking rappers. But I keep that to

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Speaker 1: myself because niggas is trying, They trying their best, and

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Speaker 1: they trying to they trying their best, man, and you

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Speaker 1: know it could be a motherfucker that's popular is fucked

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Speaker 1: to some people. But I don't listen to a lot

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Speaker 1: of shit. I really just you know, I try to,

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Speaker 1: you know, stay up on you know who's who and

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Speaker 1: what's what. But you know what I'm saying, I'm an

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Speaker 1: old school nigga. I don't hate on the new ship because,

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Speaker 1: like I say again, when you got us, when you

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Speaker 1: got a seventeen eighteen year old in the house, then

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Speaker 1: you you hearing everything. You know what I'm saying. But

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Speaker 1: then I'm starting to hear my son play shit like

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Speaker 1: whose world is This? By nas? And he playing, he

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Speaker 1: playing big I heard him bumping Biggie the other day.

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Speaker 1: You get me, So you just never know music could

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Speaker 1: catch you. You get me. I'm still playing oldies and shit,

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Speaker 1: you feel me, And I'm still playing Tim Prez and

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Speaker 1: Del Ponix and shit like that. But then I'll go

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Speaker 1: bump some scarface and then if I hear something interesting

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Speaker 1: for I'm a new cat, I'm gonna bang that. Yeah,

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Speaker 1: for real. I don't get caught up in that old

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Speaker 1: and young nigga shit like this if the music is side,

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Speaker 1: because I fuck with a little dirt, I with all

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Speaker 1: them will. Dude, you know there's doing anything. Everybody has

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Speaker 1: there and you have a right to have that. You

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Speaker 1: gotta have. You got a right to have your own

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Speaker 1: opinion about who you feel. You know what I'm saying,

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Speaker 1: Who you feel is the greatest of all time. You

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Speaker 1: had this question asked about a gang of shit who

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Speaker 1: he feels the best boxer of all time. You know

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Speaker 1: what I'm saying, A lot of motherfucker would be like

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Speaker 1: Tyson used to knock motherfuckers out. But then people will

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Speaker 1: be like, shit, Muhammad Ali was the ship, and then

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Speaker 1: people will be like Sugar Ray Leonard was the ship.

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Speaker 1: So everybody has their different lane. People get caught up

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Speaker 1: when they start, you know what I'm saying. When a

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Speaker 1: motherfucker at these certain spots you get me an, these

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Speaker 1: certain magazines and ship like Billboard. You know, people get

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Speaker 1: caught up because everybody reads Billboard and check it for

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Speaker 1: the charts and all that shit. So now with somebody

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Speaker 1: at Billboard, go here's the top fifty. Motherfucker's just looking

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Speaker 1: at that like, oh, that's the Holy Grail Bible of

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Speaker 1: motherfucker just put out. You get me. Yeah, it's just

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Speaker 1: another motherfucking nigga's opinion. Yeah real, you know, speaking of

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Speaker 1: um opinions and shit, you said you didn't watch the

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Speaker 1: Chris Rock comedy especially. I didn't watch the Chris Rock.

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Speaker 1: I watched it, man, I thought it was funny. As hell. Man,

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Speaker 1: A lot of people disagree with me. It seemed like

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Speaker 1: I'm getting mixed results. Like people, it is kind of

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Speaker 1: like fifty fifty. I've been hearing that too. I've been

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Speaker 1: hearing mixed. You know. Some people said it was good,

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Speaker 1: some people said it was I you know, I didn't

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Speaker 1: watch it. I think motherfucker's just knows. They wanted him

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Speaker 1: to talk about Chris Rock the whold with him getting

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Speaker 1: slapped a little bit more because he didn't talk about

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Speaker 1: it until the last ten minutes of the un event,

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Speaker 1: I guess, I mean, how would you feel, what you

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Speaker 1: feel like you needed to speak on that steal, or

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Speaker 1: what you feel you just need to get back to

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Speaker 1: the regular program. Well again, he didn't speak on to

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Speaker 1: the last ten minutes of the concert, right right, So

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Speaker 1: I think people probably wanted him to expound in that longer,

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Speaker 1: But it was only to me, so much you gonna

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Speaker 1: say about it unless you go, whoop this motherfucker's ass.

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Speaker 1: That's the way. It really too much to talk about.

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Speaker 1: I mean, I guess it's comedy and it's supposed to

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Speaker 1: be taken as you know, humorous, but I didn't take

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Speaker 1: the I didn't take that very I didn't take it humorous.

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Speaker 1: The Will Smith ship. You're come in the opinion of nigga.

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Speaker 1: If you still talk about it and you still but

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Speaker 1: heard about it, then you need to go get him up. Yeah,

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Speaker 1: And that's just the way I feel about it. You

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Speaker 1: know what I'm saying, Shit happened. You know, it was

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Speaker 1: disrespectful to you, and you know on the stage you

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Speaker 1: was on. You know again, you know they always saying

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Speaker 1: how it's niggas, you know, do some dumb shit. You know,

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Speaker 1: but if if, if nothing has transpired, But fuck it,

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Speaker 1: what some months a year down the road, I'm gonna

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Speaker 1: be making jokes about it. And you know I watched

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Speaker 1: this movie just to see him get his ass. What

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Speaker 1: that wasn't funny to me? Well, you know, one of

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Speaker 1: the things he talked about was Will Smith being obviously

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Speaker 1: bigger than him man and this and that, and he

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Speaker 1: said that his wife he called his wife a bitch.

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Speaker 1: You know what I'm saying. So you know, I was

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Speaker 1: sitting up wondering at home. I actually Will Smith at home, like,

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Speaker 1: I'm ana, whoop this motherfucker's ass when I see him,

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Speaker 1: This motherfucker really still playing with me? I mean, do

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Speaker 1: you and I get it. Like I said, it's his

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Speaker 1: little special. He's a comedian, he's got to do the

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Speaker 1: comedian ship, right, Um, but how far do you take

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Speaker 1: this ship? Well, he only got slapped. I guess he

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Speaker 1: feels like he got license to take this as far

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Speaker 1: as his motherfucker want to go as far as as

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Speaker 1: far as his guy slapped, And really, you know your

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Speaker 1: your retaliation to that is I'm the bigger person, right

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Speaker 1: fuck it. But now I'm like, I'm watching the slave

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Speaker 1: movie to get him, to see him get his ass whipped.

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Speaker 1: Like that was a little bit off to the side

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Speaker 1: for me. You know what I'm saying. I don't want

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Speaker 1: to watch no slave movie and see a motherfucker get

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Speaker 1: his ass whipped. And I wouldn't take that. That wasn't

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Speaker 1: too much of a joke to me, So it just

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Speaker 1: kind of caught me off guard. Motherfucker, you could have

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Speaker 1: said anything, you know what I'm saying. Yeah. You know

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Speaker 1: what though, man, that the things all of these motherfuckers

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Speaker 1: being the feelings about shit, and I you know, I

328
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Speaker 1: have to learn how to you gotta learn that ship though. Still,

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Speaker 1: I guess we all have learned to, um not take

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Speaker 1: shit so personal. You get me personal. I mean times

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Speaker 1: how you how your wife told you, you know, don't

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Speaker 1: sweat that ship or your home. He told you all man,

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Speaker 1: let that shit go away, and I let shit slide

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Speaker 1: all the motherfucking time. Man. And I'm gonna tell you this, man,

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Speaker 1: this is a motherfucker. I want to whoop his ass

336
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Speaker 1: so motherfucking bad dog. But it's just not worth it.

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Speaker 1: I mean because I mean, it's just not It's not

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Speaker 1: worth it the end of the day. And at the

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Speaker 1: end of the day, man, we adults, and in order

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Speaker 1: for you to let somebody get you in the place,

341
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Speaker 1: had to rob rod days. Man. Yeah, I mean, you know,

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Speaker 1: toted pistols and you know, jump out fighting nigga and

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Speaker 1: you know, as soon as the nigga opened his mouth.

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Speaker 1: You know what I'm saying. But I think we didn't

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00:19:35,200 --> 00:19:37,440
Speaker 1: did enough for that ship, you know what I'm saying.

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Speaker 1: That's the thing. It's like, it has to be enough

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Speaker 1: because it comes at some point, man, to where in

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Speaker 1: order for me to feel that way about a motherfucker. Now,

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Speaker 1: don't get me wrong, you're still whooping nigga's as yeah

350
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Speaker 1: to I mean, but that means you gotta have definitely

351
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Speaker 1: you gotta really care about that motherfucker that's just near

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Speaker 1: here or there. Now, nigga wolf all the day, Yeah,

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Speaker 1: nigga's wolf all the time. You let the nigga warf

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Speaker 1: all day. But I've always, I've always, you know, been

355
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Speaker 1: on the ship is nigga don't swing, you ain't talking

356
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Speaker 1: about shit. So unless you swing, all the chatter is

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Speaker 1: just chatter. So and if it's just gonna be a

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Speaker 1: gang of chatter, which brought as, will just stop the

359
00:20:16,560 --> 00:20:21,119
Speaker 1: bullshit and just go about our business. Yeah, you know

360
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Speaker 1: what it is though, man eight. And this is one

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Speaker 1: thing that I've learned in me getting older, and I

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Speaker 1: would like to think wiser right in order for me

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Speaker 1: to be invested enough to go try to physically fight

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Speaker 1: a motherfucker, that means I have to care about him

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Speaker 1: first to an extent. And that almost means you've almost

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Speaker 1: seen that you care more about that motherfucker than your freedom,

367
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Speaker 1: because if you go do something to a motherfucker, because see,

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Speaker 1: when you're fighting it, it's a difference between fighting as

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Speaker 1: a grown ass man and fighting as a little kid.

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Speaker 1: Shit get personal because it ain't just like you scrap

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Speaker 1: a motherfuck up. He just walk away. Some motherfuckers is

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Speaker 1: coming back. Some people can't take that. They say, oh yeah,

373
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Speaker 1: this mother embarrass me. He's gonna come back and get me.

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Speaker 1: Because I know if I do get in the fight

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Speaker 1: with a motherfucker, now, it's going to the end. I'm

376
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Speaker 1: not playing with nobody because it's gonna take a lot

377
00:21:09,320 --> 00:21:14,520
Speaker 1: to get me there. Yeah, that's what I say. Man,

378
00:21:14,560 --> 00:21:17,040
Speaker 1: we've we've had to deal with a lot of that shit,

379
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Speaker 1: you know what I'm saying. And like I said, a

380
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Speaker 1: lot of times, you know, nigga sell a lot of

381
00:21:22,320 --> 00:21:25,560
Speaker 1: wolf tickets and you are to be able to let

382
00:21:25,640 --> 00:21:29,679
Speaker 1: that ship bounce off because you'll find yourself shooting at

383
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Speaker 1: a motherfucker because of nigga wolfing too motherfucking much. You

384
00:21:32,840 --> 00:21:35,080
Speaker 1: know what I'm saying. The nigga let your fire so

385
00:21:35,320 --> 00:21:38,200
Speaker 1: motherfucking bad. You just ready to do away with a nigga.

386
00:21:38,640 --> 00:21:42,440
Speaker 1: But we we I think growing up, we didn't dealt

387
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Speaker 1: with a lot of that, and so when niggas talk

388
00:21:44,800 --> 00:21:48,000
Speaker 1: and niggas have opinions about you, it's just best to

389
00:21:48,080 --> 00:21:52,200
Speaker 1: let a nigga talk. Now, younger generation, you know it

390
00:21:52,240 --> 00:21:54,280
Speaker 1: is what it is because we already know how that

391
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Speaker 1: happens a rapper have an opinion about your song nowadays,

392
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Speaker 1: is it's gonna come to fistic cuffs. So it's gonna

393
00:22:02,280 --> 00:22:05,560
Speaker 1: come to pistols. You know a lot of nig a

394
00:22:05,600 --> 00:22:09,199
Speaker 1: lot of niggas dying nowadays, you know, in our in

395
00:22:09,400 --> 00:22:15,080
Speaker 1: our game, because you know, niggas are highly over opinionated

396
00:22:15,119 --> 00:22:19,359
Speaker 1: about shit. And it's just like nigga, I don't even

397
00:22:19,440 --> 00:22:22,040
Speaker 1: know that nigga, but that nigga, it's shit whack, it's

398
00:22:22,040 --> 00:22:27,200
Speaker 1: shit weak. Who this nigga? You know, it's just crazy, man.

399
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Speaker 1: But like I said, we lived the young ship before too,

400
00:22:29,800 --> 00:22:33,320
Speaker 1: so I kind of understand where the youngsters come from because,

401
00:22:33,359 --> 00:22:36,600
Speaker 1: like I said before, one time you get that mentality

402
00:22:36,640 --> 00:22:40,160
Speaker 1: that the nigga can't tell you shit, and niggas don't

403
00:22:40,200 --> 00:22:43,359
Speaker 1: know how to take that, especially youngsters. You know, a

404
00:22:43,440 --> 00:22:45,439
Speaker 1: nigga get up there and tell them all, Nigga, your

405
00:22:45,440 --> 00:22:48,920
Speaker 1: shit whack, or your song is weak, or y'all weak

406
00:22:49,000 --> 00:22:52,480
Speaker 1: over there, your crew aint shit, or your beats is nasty.

407
00:22:53,040 --> 00:22:56,880
Speaker 1: That that shit, that's that's worser right now than gang

408
00:22:57,000 --> 00:22:59,359
Speaker 1: banging on the nigga set or some shit. Nigga, be

409
00:22:59,400 --> 00:23:01,640
Speaker 1: ready to take your more fucking ass out for over

410
00:23:01,720 --> 00:23:05,480
Speaker 1: your opinion. Yeah, man, And it's crazy out here man,

411
00:23:05,520 --> 00:23:07,439
Speaker 1: you know speaking to young people. Man, what you think

412
00:23:07,480 --> 00:23:15,159
Speaker 1: of this drummer wrench ship? Uh, I don't know what

413
00:23:15,320 --> 00:23:21,560
Speaker 1: little a little homie from um from from what it's been,

414
00:23:21,920 --> 00:23:25,520
Speaker 1: you know, floating around. They say, my nigga came from

415
00:23:25,560 --> 00:23:29,920
Speaker 1: the burbs, you know, Um, But I don't know what

416
00:23:30,080 --> 00:23:32,720
Speaker 1: his life was growing up? You know. Was he a

417
00:23:32,800 --> 00:23:35,399
Speaker 1: hood nigga? Did he grow up in the hood. Was

418
00:23:35,480 --> 00:23:38,000
Speaker 1: he influenced by hood niggas? You know what I'm saying,

419
00:23:38,280 --> 00:23:43,560
Speaker 1: was his daddy your hood nigga? You know? Um? Sometimes

420
00:23:43,640 --> 00:23:47,440
Speaker 1: youngsters gravitate to that ship. You know, it's fascinating, you

421
00:23:47,520 --> 00:23:52,440
Speaker 1: know what I'm saying, Um, it's fascinating the gang bang. Man,

422
00:23:52,800 --> 00:23:56,840
Speaker 1: it's fascinating to be associated with a set and you know,

423
00:23:57,119 --> 00:24:00,480
Speaker 1: homies and you know, and and that a feeling leation,

424
00:24:00,640 --> 00:24:03,359
Speaker 1: that love is what a lot of niggas you know,

425
00:24:04,560 --> 00:24:07,000
Speaker 1: be on with that. And the only diea was flash

426
00:24:07,040 --> 00:24:10,840
Speaker 1: the pistol, right, they say he flashed a pistol. They

427
00:24:10,960 --> 00:24:13,440
Speaker 1: say he'd been throwing up to see a lot you

428
00:24:13,560 --> 00:24:17,680
Speaker 1: know what I'm saying. So, because it's not the first incident.

429
00:24:18,200 --> 00:24:21,160
Speaker 1: You get me now, my nigga, You know he benched

430
00:24:21,280 --> 00:24:24,080
Speaker 1: because you know he was in the club. They was

431
00:24:24,160 --> 00:24:29,479
Speaker 1: wilding out. I mean, it wasn't like he was pointing

432
00:24:29,520 --> 00:24:31,639
Speaker 1: it at the camera and shit like you know, I

433
00:24:31,720 --> 00:24:34,080
Speaker 1: think he was holding it up like this, you know,

434
00:24:34,880 --> 00:24:39,119
Speaker 1: but you're still in the clear. Yeah, and at the

435
00:24:39,320 --> 00:24:41,960
Speaker 1: end again he young, still yeah, he young. But you

436
00:24:42,080 --> 00:24:44,080
Speaker 1: know what, that motherfucker making a lot of money with

437
00:24:44,280 --> 00:24:47,359
Speaker 1: making all that paper come a big responsibility. But but

438
00:24:47,480 --> 00:24:50,919
Speaker 1: listen to what I'm saying though, eight he out there

439
00:24:51,000 --> 00:24:54,240
Speaker 1: flashing the gun, right, he know he ought to out

440
00:24:54,280 --> 00:24:56,520
Speaker 1: there flashing the pistol. Man, you played for the NBA,

441
00:24:56,720 --> 00:24:59,040
Speaker 1: my guy. Yeah, it's not like I think with the

442
00:24:59,119 --> 00:25:01,920
Speaker 1: problem meals with the these young football players, these young

443
00:25:02,040 --> 00:25:06,960
Speaker 1: basketball players, they want to be rappers. They are very

444
00:25:07,080 --> 00:25:09,640
Speaker 1: influenced by that ship. I had to tell my own son, man,

445
00:25:10,080 --> 00:25:12,159
Speaker 1: take that shit out your mouth. Take that you're not

446
00:25:12,320 --> 00:25:16,000
Speaker 1: no fucking rapper, no football player. I mean, the the

447
00:25:16,160 --> 00:25:21,600
Speaker 1: rap game influences. I mean it influences and sometimes it's

448
00:25:21,720 --> 00:25:26,520
Speaker 1: not all for the better because I mean the same

449
00:25:26,600 --> 00:25:31,160
Speaker 1: ship with me. I mean, like you we got sons.

450
00:25:31,720 --> 00:25:35,520
Speaker 1: You know what I'm saying they got their beats, headphone zone,

451
00:25:35,640 --> 00:25:38,040
Speaker 1: or they got they whatever, and they got their boom

452
00:25:38,160 --> 00:25:41,480
Speaker 1: boxes and whatever. And you hear what they bumping. You

453
00:25:41,560 --> 00:25:43,840
Speaker 1: know what I'm saying. They bumping the They bumping the

454
00:25:44,200 --> 00:25:47,920
Speaker 1: hood niggas of their generation. Shit, they bumping the little

455
00:25:48,000 --> 00:25:50,920
Speaker 1: babies and the NBA young boys and all them type

456
00:25:50,920 --> 00:25:53,840
Speaker 1: of niggas. And then niggas is representing the block and

457
00:25:54,000 --> 00:25:57,560
Speaker 1: they want to fun and they want to fuck with

458
00:25:57,680 --> 00:26:01,280
Speaker 1: that lifestyle so bad. And I'll be telling them, it

459
00:26:01,359 --> 00:26:03,600
Speaker 1: ain't what the fuck you thinking. He was all that shitsu.

460
00:26:04,840 --> 00:26:07,960
Speaker 1: It's a it's imaginary up in that ship. I was

461
00:26:08,119 --> 00:26:10,640
Speaker 1: gangbanging and I grew up in it. And I tell

462
00:26:10,800 --> 00:26:16,000
Speaker 1: my son like all the time, like it wasn't fascinating.

463
00:26:16,320 --> 00:26:19,119
Speaker 1: It's imaginary. All that shit. There's an image portrayed on

464
00:26:19,280 --> 00:26:23,240
Speaker 1: television and the magazone. They're trying to serve it. You know,

465
00:26:23,480 --> 00:26:28,160
Speaker 1: niggas coming through dumping every other night, we handcuffed, getting

466
00:26:28,240 --> 00:26:31,960
Speaker 1: thrown in the holding tank. You know you're not thinking

467
00:26:32,040 --> 00:26:35,400
Speaker 1: it's no motherfucking hope. You know what I'm saying. When

468
00:26:35,480 --> 00:26:38,480
Speaker 1: you sixteen seventeen nigga and all you know is gang

469
00:26:38,560 --> 00:26:41,919
Speaker 1: banging and niggas getting shot at, killed and drugs selling,

470
00:26:42,040 --> 00:26:47,560
Speaker 1: and you know, that's that was it. Y'all have a

471
00:26:47,720 --> 00:26:51,240
Speaker 1: path today, you get me. Niggas had all that shit

472
00:26:51,359 --> 00:26:54,720
Speaker 1: they got today, the training schools and the trainers and

473
00:26:54,840 --> 00:26:59,359
Speaker 1: the good shit, all that good shit. Man living their

474
00:26:59,480 --> 00:27:02,840
Speaker 1: life talking about being a fucking rapper. And that's what

475
00:27:02,960 --> 00:27:05,720
Speaker 1: I had to explain in my son, I see it, dude,

476
00:27:06,400 --> 00:27:10,439
Speaker 1: that lifestyle that the rappers betraying and his videos on television,

477
00:27:10,880 --> 00:27:14,960
Speaker 1: that's like a movie sent that is not real. They're

478
00:27:15,000 --> 00:27:17,280
Speaker 1: not really, you know, because if you asked the average

479
00:27:17,320 --> 00:27:20,280
Speaker 1: young nigga to play football or basketball, they think motherfucker's

480
00:27:20,359 --> 00:27:23,240
Speaker 1: is just chilling around in the room somewhere with brawls,

481
00:27:23,400 --> 00:27:26,000
Speaker 1: just walking around with bottle service and all kinds of shit.

482
00:27:26,359 --> 00:27:29,200
Speaker 1: It's like that sucks bullshit. No, No, that's a hard

483
00:27:29,280 --> 00:27:33,600
Speaker 1: life you come from when you know. And don't get

484
00:27:33,640 --> 00:27:38,080
Speaker 1: me wrong, there's a lot of perpetrators who didn't come

485
00:27:38,200 --> 00:27:43,320
Speaker 1: up that hard who you know. But for the most part,

486
00:27:43,600 --> 00:27:47,800
Speaker 1: the story of the hood rapper is the struggle nigga.

487
00:27:48,160 --> 00:27:53,200
Speaker 1: You get me. Dad was in jail, you know, Mobs

488
00:27:53,359 --> 00:27:56,920
Speaker 1: was on drugs or you know, we was living in poverty,

489
00:27:57,200 --> 00:28:00,400
Speaker 1: and you know, and you was living in the hood

490
00:28:00,560 --> 00:28:04,720
Speaker 1: and your home meet him banging, and he claiming a set,

491
00:28:04,840 --> 00:28:08,040
Speaker 1: so you might as well. And that's the struggle. You

492
00:28:08,119 --> 00:28:10,800
Speaker 1: ain't the struggle really when you got mom and dad

493
00:28:10,920 --> 00:28:13,560
Speaker 1: at home and you're living in a nice area and

494
00:28:14,119 --> 00:28:16,000
Speaker 1: you don't got to go through none of that. You

495
00:28:16,359 --> 00:28:19,240
Speaker 1: gotta go out there on the block at twelve o'clock

496
00:28:19,320 --> 00:28:22,560
Speaker 1: at night trying to slang motherfucking pieces just to be

497
00:28:22,720 --> 00:28:25,000
Speaker 1: able to eat. And you got a full course me

498
00:28:25,040 --> 00:28:27,200
Speaker 1: you're waiting for you when you come home from school.

499
00:28:27,359 --> 00:28:30,639
Speaker 1: You get that type of shit. You don't struggle to

500
00:28:31,760 --> 00:28:34,800
Speaker 1: have a dream of Damn nig I'm out here, and

501
00:28:34,840 --> 00:28:36,720
Speaker 1: what the fuck am I gonna do? I have no

502
00:28:36,920 --> 00:28:40,960
Speaker 1: idea what's going on? Motherfucker? Your shit is you set?

503
00:28:41,760 --> 00:28:45,240
Speaker 1: You're going to training every day. You've been playing football, basketball,

504
00:28:45,280 --> 00:28:48,160
Speaker 1: and baseball since she was three or four. You know,

505
00:28:49,000 --> 00:28:52,040
Speaker 1: we didn't have that setup. Yeah, I wonder what that eels. Man,

506
00:28:52,120 --> 00:28:55,160
Speaker 1: That motherfucker's that was raising the suburbs want to be

507
00:28:55,280 --> 00:28:59,680
Speaker 1: a thug till motherfucking bad. Fascinating. Still, it's still fascinating.

508
00:29:00,520 --> 00:29:03,640
Speaker 1: That's just like when we started, when when niggas started

509
00:29:03,720 --> 00:29:09,040
Speaker 1: rapping back in the days, and and the white people,

510
00:29:09,360 --> 00:29:12,200
Speaker 1: you know they you know, they was on their ship.

511
00:29:12,520 --> 00:29:14,840
Speaker 1: But then next thing you know, their kids start putting

512
00:29:14,880 --> 00:29:18,560
Speaker 1: on Raiders caps and T shirts and ship. It influenced

513
00:29:18,560 --> 00:29:22,480
Speaker 1: the motherfucker. It's the same shit. The kids that grow

514
00:29:22,560 --> 00:29:26,040
Speaker 1: up in suburbia. Now they see, you know, the little

515
00:29:26,160 --> 00:29:29,240
Speaker 1: babies with all the platinum change on pulling up in

516
00:29:29,320 --> 00:29:32,800
Speaker 1: the rolls roys all the bitches around. They see the

517
00:29:33,080 --> 00:29:36,840
Speaker 1: NBA young boys talking about Nigga, and Nigga up and

518
00:29:37,000 --> 00:29:39,720
Speaker 1: Muthy won't. And then you get there roll the house

519
00:29:39,840 --> 00:29:44,520
Speaker 1: like yeah, yeah, you know what I'm saying. It influences, motherfucker.

520
00:29:46,080 --> 00:29:48,800
Speaker 1: It's crazy because you wake it up at the nice,

521
00:29:48,880 --> 00:29:51,640
Speaker 1: bad war of house every day, you eat every day,

522
00:29:51,920 --> 00:29:54,880
Speaker 1: and the dick is telling you about here killing diggers

523
00:29:55,040 --> 00:29:57,280
Speaker 1: and I'm in the struggle and I had to sell

524
00:29:57,440 --> 00:30:00,320
Speaker 1: dope and I've been in jail fifty times and the

525
00:30:00,440 --> 00:30:02,959
Speaker 1: whole me so and so got killed. And then Nigga's

526
00:30:03,040 --> 00:30:13,320
Speaker 1: up there like shit, he love you. Don't fuss with

527
00:30:13,440 --> 00:30:16,520
Speaker 1: the BMF shit, do you. I've been watched it. The

528
00:30:16,640 --> 00:30:20,080
Speaker 1: homie rich he loves to be a math shit Oh,

529
00:30:20,160 --> 00:30:22,480
Speaker 1: he calls me every day and tells me the new

530
00:30:22,640 --> 00:30:25,720
Speaker 1: episode that he loved be a math. You gotta watch

531
00:30:25,800 --> 00:30:28,040
Speaker 1: that shit. Kind of It's kind of interesting right now

532
00:30:28,080 --> 00:30:30,960
Speaker 1: because I know it's the dude the blue Da Vinci

533
00:30:31,080 --> 00:30:34,680
Speaker 1: Cat is going around making his rounds to refute everything

534
00:30:34,800 --> 00:30:37,600
Speaker 1: that's going on in the movie. Now. Oh, is that right? Yeah,

535
00:30:37,640 --> 00:30:39,680
Speaker 1: you knew. Whenever they have you know, whenever they come

536
00:30:39,720 --> 00:30:42,280
Speaker 1: out with these like kind of like biopic type things,

537
00:30:42,720 --> 00:30:45,000
Speaker 1: it's always gonna be a motherfucker was a party ship

538
00:30:45,120 --> 00:30:47,840
Speaker 1: that's gonna come Hell, No, that's bullshit. That's not how

539
00:30:47,920 --> 00:30:50,960
Speaker 1: that happened. That's not how this happened. Because everybody got

540
00:30:51,040 --> 00:30:53,000
Speaker 1: their own version of the ship that they live. They

541
00:30:53,000 --> 00:30:57,360
Speaker 1: ain't necessarily wrong. You know, everybody has their own insight

542
00:30:57,640 --> 00:31:01,280
Speaker 1: on how they felt, you know, the workings of that

543
00:31:01,480 --> 00:31:05,040
Speaker 1: ship was. Hey, you know, anybody who claimed that they

544
00:31:05,200 --> 00:31:07,920
Speaker 1: was around at any certain time, you know, it might

545
00:31:08,000 --> 00:31:10,480
Speaker 1: have been this era, that era. It don't matter. If

546
00:31:10,520 --> 00:31:13,240
Speaker 1: they feel like, you know, I was there and saw

547
00:31:13,320 --> 00:31:16,200
Speaker 1: all the workings, then of course their story is gonna

548
00:31:16,200 --> 00:31:19,920
Speaker 1: be always different. I guess why we always have different

549
00:31:20,000 --> 00:31:23,440
Speaker 1: biopics of the same ship. Yeah, I mean motherfucker's told

550
00:31:23,480 --> 00:31:26,120
Speaker 1: the story of Malcolm X or Martin or the story

551
00:31:26,320 --> 00:31:30,400
Speaker 1: because whatever, everybody got their own version. Ship on fucking version.

552
00:31:30,680 --> 00:31:33,000
Speaker 1: They got the own version. You don't with Snowfall either,

553
00:31:33,040 --> 00:31:35,880
Speaker 1: do you. I was fucking with Snowfall. Shot shout out

554
00:31:36,000 --> 00:31:39,120
Speaker 1: you know Rescipece, John Singleton. John Singleton gave me my

555
00:31:39,240 --> 00:31:43,520
Speaker 1: first you know, soundtrack work when I did Growing Up

556
00:31:43,560 --> 00:31:45,720
Speaker 1: in the Hood for Boys in the Hood movie. So

557
00:31:46,480 --> 00:31:52,240
Speaker 1: when Snowfall came out, I definitely was on the series.

558
00:31:53,000 --> 00:31:55,760
Speaker 1: I've seen John's uh somewhere, I don't know. He was

559
00:31:55,800 --> 00:31:58,480
Speaker 1: at a party of club somewhere and right before he

560
00:31:58,600 --> 00:32:01,360
Speaker 1: passed he had in. I didn't me down to the set,

561
00:32:01,480 --> 00:32:03,840
Speaker 1: and I was supposed to go down there, but unfortunately,

562
00:32:04,040 --> 00:32:07,240
Speaker 1: you know, he had passed. That ship was crazy, so

563
00:32:07,800 --> 00:32:10,200
Speaker 1: you probably would have wound up in that motherfucker. Shout

564
00:32:10,200 --> 00:32:12,240
Speaker 1: out yea, I said, shout out the job single the

565
00:32:12,360 --> 00:32:16,200
Speaker 1: rest in peace. Always do good projects, man, and especially

566
00:32:16,320 --> 00:32:19,040
Speaker 1: when it comes to telling our story. You know what

567
00:32:19,120 --> 00:32:22,120
Speaker 1: I'm saying. He's always done good picks, man, and I

568
00:32:22,280 --> 00:32:24,880
Speaker 1: was safe for the most part, man, since he's died.

569
00:32:25,400 --> 00:32:27,920
Speaker 1: To me, they've done a good job of maintaining the

570
00:32:28,040 --> 00:32:32,160
Speaker 1: integrity of the script because sometimes it loses integrity, especially

571
00:32:32,240 --> 00:32:34,520
Speaker 1: when the when the dudes vision that brought it to

572
00:32:34,680 --> 00:32:37,520
Speaker 1: light is not you know, they're no more unfortunately, but

573
00:32:38,200 --> 00:32:42,080
Speaker 1: you know it's been going strong man, yea strong and

574
00:32:42,160 --> 00:32:44,720
Speaker 1: the crazy part of body is a lot of them people,

575
00:32:44,760 --> 00:32:47,440
Speaker 1: that's the main characters in the cast ain't even from

576
00:32:47,640 --> 00:32:50,440
Speaker 1: La not alone, not from La. They from England, but

577
00:32:50,640 --> 00:32:53,320
Speaker 1: they so convinced and even the Franklin Saint James do

578
00:32:53,520 --> 00:32:55,400
Speaker 1: even walk like he from La not shout out to

579
00:32:55,440 --> 00:32:57,760
Speaker 1: the Homi dubbling that shout out to the Homye dub

580
00:32:57,880 --> 00:32:59,880
Speaker 1: seeing the homie CJ McK. You know, they're doing a

581
00:33:00,040 --> 00:33:04,000
Speaker 1: lot of the um the scripts of vices. Yes, they're

582
00:33:04,040 --> 00:33:05,720
Speaker 1: doing a lot of the scripts of advice and stuff

583
00:33:05,720 --> 00:33:07,560
Speaker 1: to make sure them cats is on point as far

584
00:33:07,600 --> 00:33:09,480
Speaker 1: as the way they're doing something. So you definitely got

585
00:33:09,600 --> 00:33:13,160
Speaker 1: to commend them on that because that's all him and Dubbed. Definitely,

586
00:33:13,760 --> 00:33:15,640
Speaker 1: that's all him and dub as. You need that real

587
00:33:15,800 --> 00:33:18,480
Speaker 1: insight instead of trying to create it on your own.

588
00:33:19,160 --> 00:33:21,360
Speaker 1: I mean, you know, it's good that they reach out to,

589
00:33:22,200 --> 00:33:25,320
Speaker 1: you know, people like dub and uh. You know, CJ.

590
00:33:25,600 --> 00:33:30,479
Speaker 1: Because you know, like I said, we lived a lot

591
00:33:30,560 --> 00:33:34,200
Speaker 1: of this shit. So who better didn't tell the story

592
00:33:34,440 --> 00:33:36,920
Speaker 1: than the people who walked the streets and lived it

593
00:33:37,400 --> 00:33:40,160
Speaker 1: and know, you know what's real and what's not real,

594
00:33:40,360 --> 00:33:43,000
Speaker 1: you know, And that's for shore man, you know. Um,

595
00:33:43,080 --> 00:33:45,720
Speaker 1: I know Rick Ross was real salty about that. Not

596
00:33:45,800 --> 00:33:47,960
Speaker 1: the rapper Rick Ross, but the real Rick Ross. Yeah,

597
00:33:48,360 --> 00:33:50,520
Speaker 1: he was salty because he felt like they did, you know,

598
00:33:51,200 --> 00:33:55,800
Speaker 1: impetered upon his life story without including them. It kind

599
00:33:55,840 --> 00:33:59,320
Speaker 1: of you know, it kind of takes that route a

600
00:33:59,440 --> 00:34:02,680
Speaker 1: little bit. I mean, if you really look at it, Um,

601
00:34:03,200 --> 00:34:05,480
Speaker 1: if you know the story or Rick Ross, you know

602
00:34:05,480 --> 00:34:08,480
Speaker 1: what I'm saying. A freeway Rick is what we'll call him,

603
00:34:08,520 --> 00:34:13,120
Speaker 1: so we don't get people confused. Um, I mean, especially

604
00:34:13,280 --> 00:34:16,640
Speaker 1: cats from LA we all knew the story a freeway Rick,

605
00:34:16,800 --> 00:34:20,359
Speaker 1: So I can, you know, I could, I can kind

606
00:34:20,400 --> 00:34:23,120
Speaker 1: of you know, see where he coming from there, especially

607
00:34:23,239 --> 00:34:25,840
Speaker 1: with watching the story. But the same thing happened with

608
00:34:26,000 --> 00:34:28,480
Speaker 1: him with with you know, the rapper ship, with Rick

609
00:34:28,600 --> 00:34:31,239
Speaker 1: Ross and the name and all that shit. You know,

610
00:34:32,239 --> 00:34:37,280
Speaker 1: it's not like unfortunately, it's not like too many people

611
00:34:37,480 --> 00:34:39,920
Speaker 1: gonna you know, try to give my nigga credit or

612
00:34:39,960 --> 00:34:41,759
Speaker 1: you know what I'm saying, because they still look at

613
00:34:41,840 --> 00:34:44,320
Speaker 1: it as the shit negative of what he took place in.

614
00:34:44,920 --> 00:34:48,640
Speaker 1: So you know, it ain't like a motherfucking judge or

615
00:34:48,680 --> 00:34:52,000
Speaker 1: something that's gonna be kind of you know, on your side,

616
00:34:52,200 --> 00:34:55,960
Speaker 1: your side, you know, because knowing your past history, you know,

617
00:34:56,080 --> 00:34:58,400
Speaker 1: with all the dope, because he wasn't only one by

618
00:34:58,440 --> 00:35:01,520
Speaker 1: any means that was selling dope off Central LA, but

619
00:35:02,080 --> 00:35:04,560
Speaker 1: he sold a whole lot of them. Oh yeah, like

620
00:35:04,719 --> 00:35:08,000
Speaker 1: I said, if you're from LA and you are old school,

621
00:35:08,239 --> 00:35:11,880
Speaker 1: and even if you knew school, you know the story

622
00:35:11,880 --> 00:35:14,040
Speaker 1: of your freeway, Rick, you know what I'm saying. That's

623
00:35:14,040 --> 00:35:16,000
Speaker 1: what I'm saying. He was one of them, dude, And

624
00:35:16,160 --> 00:35:18,640
Speaker 1: so he probably not gonna get too much sympathy because

625
00:35:18,719 --> 00:35:23,800
Speaker 1: you can almost say the crack epidemic man destroyed the

626
00:35:24,239 --> 00:35:27,439
Speaker 1: decimated the black community. Man, it fucked a whole bunch

627
00:35:27,480 --> 00:35:30,600
Speaker 1: of good neighborhoods up. I saw what happened, dude, Oh definitely,

628
00:35:31,640 --> 00:35:33,920
Speaker 1: I know. Like I said, being right here that lays

629
00:35:34,200 --> 00:35:36,719
Speaker 1: as a kid, you know, around that time in the

630
00:35:36,840 --> 00:35:40,759
Speaker 1: early eighties, shit that it was vicious because didn't it

631
00:35:40,800 --> 00:35:43,800
Speaker 1: seem like the neighborhood was already kind of teetering a

632
00:35:43,840 --> 00:35:46,080
Speaker 1: little bit, but it was still nice in a certain way.

633
00:35:46,520 --> 00:35:49,279
Speaker 1: And it was like when that crack hit, it's like

634
00:35:49,440 --> 00:35:51,160
Speaker 1: the homie that would have had a job in a

635
00:35:51,280 --> 00:35:54,760
Speaker 1: nice car, that was the cool dude turned into a fiend.

636
00:35:55,680 --> 00:36:00,040
Speaker 1: And then then it was that happened. You know, you

637
00:36:00,120 --> 00:36:02,800
Speaker 1: were seeing you will see motherfucker's you went to school

638
00:36:02,880 --> 00:36:08,840
Speaker 1: with high school and you know the the the tough nigga,

639
00:36:08,960 --> 00:36:12,400
Speaker 1: you know, the good football player, basketball player, or you

640
00:36:12,480 --> 00:36:15,520
Speaker 1: see the bomb cheerleader or the baddest bitch in school,

641
00:36:16,000 --> 00:36:18,960
Speaker 1: and shit, now that motherfuckers strung out and high as

642
00:36:19,000 --> 00:36:22,000
Speaker 1: a motherfucker. So it did. It did turn a lot

643
00:36:22,080 --> 00:36:25,480
Speaker 1: of motherfucking people, you know, and it sucked the streets

644
00:36:25,600 --> 00:36:29,160
Speaker 1: up because it was it was lucrative, man, you know

645
00:36:29,440 --> 00:36:34,239
Speaker 1: for young cats like myself, who you know, was in

646
00:36:34,400 --> 00:36:39,920
Speaker 1: that era of you know, poverty stricken and you know,

647
00:36:40,160 --> 00:36:43,439
Speaker 1: living in Comton and you know, trying to make ends,

648
00:36:43,520 --> 00:36:47,120
Speaker 1: meeting you know, single parent home and shit like that.

649
00:36:48,080 --> 00:36:52,560
Speaker 1: Hell yeah, it influenced you, especially when you could get

650
00:36:52,640 --> 00:36:54,840
Speaker 1: out there and make you a couple of hundred dollars

651
00:36:54,880 --> 00:36:57,000
Speaker 1: a night, and if you was good with it, you

652
00:36:57,160 --> 00:37:01,080
Speaker 1: was making a couple of thousand, and you know you

653
00:37:01,280 --> 00:37:04,440
Speaker 1: being in the rep game because you would started blowing

654
00:37:04,520 --> 00:37:06,600
Speaker 1: up around the time being Meth and him and start

655
00:37:06,719 --> 00:37:10,000
Speaker 1: taking off. M Did you ever have any encounters with

656
00:37:10,080 --> 00:37:13,120
Speaker 1: them to David fuck with you, Nah, I never had

657
00:37:13,160 --> 00:37:18,279
Speaker 1: any encounters. Like I said, I was in my error. Man,

658
00:37:18,640 --> 00:37:22,880
Speaker 1: we just you know, I stayed. You know, Um, I

659
00:37:22,960 --> 00:37:26,920
Speaker 1: didn't really fuck with too many people. You know, I

660
00:37:27,160 --> 00:37:30,279
Speaker 1: fucked with a lot of people on a personal level.

661
00:37:30,320 --> 00:37:32,520
Speaker 1: I just didn't fuck with too many people because you

662
00:37:32,680 --> 00:37:36,399
Speaker 1: had to be very cautious, just like you have to now.

663
00:37:36,880 --> 00:37:39,080
Speaker 1: You have to be very cautious. So the motherfuckers you

664
00:37:39,200 --> 00:37:42,640
Speaker 1: was around, and who you knew, who knew where you lived,

665
00:37:42,880 --> 00:37:47,080
Speaker 1: all that shit. Um, it's not a cliche, man, motherfuckers

666
00:37:47,120 --> 00:37:51,279
Speaker 1: would have got your ass. And in that era of

667
00:37:52,000 --> 00:37:55,400
Speaker 1: gang banging and rapping and all that shit, you just

668
00:37:55,520 --> 00:38:00,560
Speaker 1: got the enemies on the strength. Yeah, for sure, you

669
00:38:00,719 --> 00:38:03,640
Speaker 1: just got enemies on the strength man, of of of

670
00:38:05,040 --> 00:38:07,319
Speaker 1: just from the gang era, you know what I'm saying.

671
00:38:07,360 --> 00:38:09,359
Speaker 1: So now that you turned in the rappers and shit

672
00:38:09,560 --> 00:38:11,759
Speaker 1: like that, that still don't mean nothing. You still got

673
00:38:11,920 --> 00:38:15,080
Speaker 1: enemies from way back. So you know, you have to

674
00:38:15,160 --> 00:38:18,520
Speaker 1: be very cautious. How you moved, who you fucked with,

675
00:38:19,280 --> 00:38:22,239
Speaker 1: and you know where you laid your head at and

676
00:38:22,320 --> 00:38:24,760
Speaker 1: shit like that. You have to be very limited about

677
00:38:24,880 --> 00:38:27,319
Speaker 1: information like that, you know, from what we seeing out

678
00:38:27,360 --> 00:38:30,640
Speaker 1: to Damn motherfucking google up your ship real quickly. Yeah, go,

679
00:38:31,000 --> 00:38:33,360
Speaker 1: And we're seeing this shit that's happening with the cats

680
00:38:33,480 --> 00:38:37,000
Speaker 1: like um, the Young Thug Cat and the Gunna Catt

681
00:38:37,040 --> 00:38:39,080
Speaker 1: and all these cats, you know, catch and recal cases,

682
00:38:39,200 --> 00:38:42,200
Speaker 1: right because if you wanted them rappers and you'd like

683
00:38:42,320 --> 00:38:44,320
Speaker 1: to hang out with the ballers and the d boys

684
00:38:44,360 --> 00:38:46,400
Speaker 1: and shit like that, you know, you can fuck around

685
00:38:46,440 --> 00:38:50,480
Speaker 1: and find yourself a part of motherfucker's conspiracy. Oh hell yeah.

686
00:38:50,920 --> 00:38:54,520
Speaker 1: I mean now that they're taking you know, you know

687
00:38:54,719 --> 00:38:58,000
Speaker 1: it's I don't know, you know, they're taking the rappers,

688
00:38:58,080 --> 00:39:00,600
Speaker 1: they're taking the lyrics and using them again something and shit.

689
00:39:01,120 --> 00:39:04,160
Speaker 1: And but you know, some niggas ain't smart, you know

690
00:39:04,160 --> 00:39:06,440
Speaker 1: what I'm saying. Some niggas are actually rapping about what

691
00:39:06,600 --> 00:39:10,160
Speaker 1: they're pulling off and what's taking place in their situation.

692
00:39:10,360 --> 00:39:14,320
Speaker 1: So you gotta you gotta, you gotta you gotta step

693
00:39:14,480 --> 00:39:18,560
Speaker 1: you know, real cautiously right now in this hip hop

694
00:39:18,680 --> 00:39:24,799
Speaker 1: game especially if you, you know, portraying the image of being,

695
00:39:25,080 --> 00:39:29,279
Speaker 1: you know, a true street motherfucker, and real street motherfuckers

696
00:39:29,320 --> 00:39:31,319
Speaker 1: know what I'm talking about, Like a real nigga who's

697
00:39:31,560 --> 00:39:34,319
Speaker 1: had his hand in the pot. You know, a real

698
00:39:34,440 --> 00:39:37,880
Speaker 1: nigga who's been out there, you know, pistols and work

699
00:39:38,480 --> 00:39:44,239
Speaker 1: and just representing the hood. You know, that shit can

700
00:39:44,320 --> 00:39:47,279
Speaker 1: get you caught up nowadays, because like I said, nowadays,

701
00:39:47,520 --> 00:39:52,040
Speaker 1: dudes like to be a little braggadocious about their situations,

702
00:39:52,320 --> 00:39:55,840
Speaker 1: you know, and niggas don't mind getting on. You know,

703
00:39:56,520 --> 00:40:00,239
Speaker 1: they don't mind banging on wax. You know nowadays, eigga,

704
00:40:00,320 --> 00:40:02,839
Speaker 1: get on, nigga, get on wax today and they'll call

705
00:40:02,960 --> 00:40:05,120
Speaker 1: you out and they're talk about we'll pull up and

706
00:40:05,800 --> 00:40:08,680
Speaker 1: you know, we at your grandmama's house, were at your

707
00:40:08,760 --> 00:40:12,080
Speaker 1: mama's house. We we It don't matter where you at,

708
00:40:12,160 --> 00:40:14,240
Speaker 1: where you at the studio, where you at the club.

709
00:40:14,840 --> 00:40:17,520
Speaker 1: That's how it goes nowadays. Niggas had no problem in

710
00:40:17,640 --> 00:40:20,560
Speaker 1: going here's my location, so come through. I don't know

711
00:40:20,640 --> 00:40:23,879
Speaker 1: if just to prove toughness or you know, you want

712
00:40:23,920 --> 00:40:28,480
Speaker 1: to have that reputation like we're in to be fucked with.

713
00:40:28,920 --> 00:40:31,920
Speaker 1: You get me So that's how really it is it

714
00:40:32,239 --> 00:40:34,560
Speaker 1: is today with a lot of the young cats. You know,

715
00:40:34,920 --> 00:40:40,600
Speaker 1: um niggas want to really show they they they they

716
00:40:40,760 --> 00:40:44,840
Speaker 1: block affiliation or you know, fuck this rap shit, nigga.

717
00:40:44,920 --> 00:40:47,520
Speaker 1: We can you know, we can, we can draw pistols,

718
00:40:47,719 --> 00:40:50,320
Speaker 1: or we can get them up, you know whatever. You know.

719
00:40:50,440 --> 00:40:55,480
Speaker 1: So I think niggas are really they're really sensitive on

720
00:40:55,760 --> 00:41:00,520
Speaker 1: showing they you know, my my loyal te to what

721
00:41:00,760 --> 00:41:03,160
Speaker 1: I say. You know, if I wrap about nigga, I

722
00:41:03,480 --> 00:41:06,720
Speaker 1: pull a Draco on you and I send thirty shots

723
00:41:06,760 --> 00:41:09,600
Speaker 1: at you. Then most of the time some of the

724
00:41:09,719 --> 00:41:12,080
Speaker 1: niggas is real about it. You're here the next day

725
00:41:12,120 --> 00:41:14,560
Speaker 1: all they caught so and so up and he got

726
00:41:14,600 --> 00:41:16,759
Speaker 1: the a K in the back and he shot at

727
00:41:17,120 --> 00:41:19,840
Speaker 1: four five people. Well you can tell they don't have

728
00:41:20,040 --> 00:41:21,880
Speaker 1: a couple of these little niggas. They don't pick up

729
00:41:21,920 --> 00:41:24,080
Speaker 1: from murders and shit like that. Yeah, they was going

730
00:41:24,160 --> 00:41:25,880
Speaker 1: back to back for a minute, like yeah, you know,

731
00:41:26,040 --> 00:41:28,880
Speaker 1: motherfuckers is getting arrested, Like damn this dude, like one

732
00:41:28,920 --> 00:41:31,200
Speaker 1: of these motherfuckers. My son used to listen to man

733
00:41:31,719 --> 00:41:34,160
Speaker 1: a kid from Florida. Man, it's motherfucker killed all kind

734
00:41:34,200 --> 00:41:36,200
Speaker 1: of motherfuckers said he was riding around the car with

735
00:41:36,320 --> 00:41:39,440
Speaker 1: a dead body or some shit like that. But but then,

736
00:41:39,520 --> 00:41:42,759
Speaker 1: you know what I'm saying, coming from man, coming from

737
00:41:42,880 --> 00:41:47,960
Speaker 1: that shit, it's unfortunate that, you know, some of my

738
00:41:48,120 --> 00:41:54,280
Speaker 1: niggas can't enjoy the fruits of the labor because because

739
00:41:54,400 --> 00:41:58,759
Speaker 1: of wanting to you know, not even proved, but just

740
00:41:58,920 --> 00:42:01,080
Speaker 1: wanting to show a mother fuck of that. You know,

741
00:42:01,560 --> 00:42:04,240
Speaker 1: I'm just as you know, I'm really from this life.

742
00:42:04,400 --> 00:42:08,719
Speaker 1: I'm really about this. So it's unfortunate that you know.

743
00:42:10,080 --> 00:42:12,279
Speaker 1: Now it's like more than ever because it's a lot

744
00:42:12,320 --> 00:42:14,560
Speaker 1: of control by a lot of the youngsters, man, and

745
00:42:14,600 --> 00:42:16,880
Speaker 1: a lot of the youngsters want to prove that, you

746
00:42:17,000 --> 00:42:21,160
Speaker 1: know what I'm saying, whether it's rap or whether it's

747
00:42:21,200 --> 00:42:24,440
Speaker 1: the block they claim or whatever. Nigga, we're just harder

748
00:42:24,520 --> 00:42:26,279
Speaker 1: than you. You know what I'm saying. If you really

749
00:42:26,400 --> 00:42:29,200
Speaker 1: got to go out and I got there after I

750
00:42:29,320 --> 00:42:31,440
Speaker 1: come out the studio, if I got to go out

751
00:42:31,480 --> 00:42:33,759
Speaker 1: and I gotta go dump on the nigga, then fuck it.

752
00:42:33,880 --> 00:42:35,800
Speaker 1: That's what we do because we bout that life and

753
00:42:35,840 --> 00:42:39,080
Speaker 1: it ain't no bullshit. But it's unfortunate because when you're

754
00:42:39,120 --> 00:42:44,239
Speaker 1: trying to transition. You know what I'm saying, you want

755
00:42:44,280 --> 00:42:47,200
Speaker 1: to transition. You don't want to be you. You know

756
00:42:47,239 --> 00:42:48,879
Speaker 1: what I'm saying, you don't want to be coming off

757
00:42:48,920 --> 00:42:52,000
Speaker 1: the basketball floor and then going to the hood still

758
00:42:52,080 --> 00:42:54,440
Speaker 1: claiming that you don't want to come out the studio.

759
00:42:54,600 --> 00:42:57,319
Speaker 1: It's funny what you're saying, my nigga. You know all

760
00:42:57,360 --> 00:42:59,640
Speaker 1: this shit we're talking about now, You're not gonna believe this.

761
00:43:01,000 --> 00:43:04,680
Speaker 1: X NBA stars Seine Kemp booked on felony drive by

762
00:43:04,719 --> 00:43:09,040
Speaker 1: a shooting charge. Former NBA stars Shine Kemp was arrested

763
00:43:09,080 --> 00:43:12,520
Speaker 1: tonight Wednesday and booked in the Pierce County, Washington jail

764
00:43:12,560 --> 00:43:15,640
Speaker 1: in connection with a drive by shooting. Tocome A police

765
00:43:15,640 --> 00:43:18,759
Speaker 1: said an altercation between occupants of two vehicles near the

766
00:43:18,840 --> 00:43:22,720
Speaker 1: Tacoma Mall led the shots being fired early Wednesday afternoon.

767
00:43:22,840 --> 00:43:25,960
Speaker 1: No injuries reported, and one of the cars fled the scene,

768
00:43:26,000 --> 00:43:28,680
Speaker 1: According to a release from the police department on social media,

769
00:43:29,120 --> 00:43:32,120
Speaker 1: A gun was recovered and an investigation his own going.

770
00:43:32,800 --> 00:43:36,040
Speaker 1: Online records for Pierce County showed that Kemp, fifty three,

771
00:43:36,719 --> 00:43:39,120
Speaker 1: was booked on the felonye drive by a shooting charge

772
00:43:39,120 --> 00:43:41,719
Speaker 1: at five fifty eight pm local time. About four hours

773
00:43:41,760 --> 00:43:45,439
Speaker 1: after the incident. Kim was a six time NBA All

774
00:43:45,520 --> 00:43:48,640
Speaker 1: Star who played fourteen seasons in the league, including eight

775
00:43:48,680 --> 00:43:51,880
Speaker 1: with the Seattle SuperSonics, who selected him seventeenth overall in

776
00:43:52,040 --> 00:43:56,040
Speaker 1: nineteen eighty nine draft. Now, this motherfucker's fifty three years old.

777
00:43:56,760 --> 00:43:59,000
Speaker 1: What the fuck is he out there doing drive by

778
00:43:59,080 --> 00:44:03,200
Speaker 1: shootings for the somebody them rolled rage pissed him off.

779
00:44:04,560 --> 00:44:07,440
Speaker 1: That shit. He ain't out there banging or nothing like that.

780
00:44:07,640 --> 00:44:09,439
Speaker 1: But like I seen what the way they put it though.

781
00:44:09,760 --> 00:44:11,919
Speaker 1: Now I wonder if had that been a white kid,

782
00:44:12,320 --> 00:44:14,040
Speaker 1: had that been a white guy what they called it,

783
00:44:14,160 --> 00:44:15,719
Speaker 1: they had just been a regular shooting, But since he

784
00:44:15,800 --> 00:44:18,399
Speaker 1: was black, they said it was a drive by. They said,

785
00:44:18,440 --> 00:44:22,880
Speaker 1: it's been Sean Kip, the committing dug the vh CA

786
00:44:23,080 --> 00:44:26,520
Speaker 1: and he to his you know, you put a dig

787
00:44:26,640 --> 00:44:28,520
Speaker 1: int the whip. As soon as he put off and

788
00:44:28,640 --> 00:44:31,000
Speaker 1: he get it to a confrontation with a digg it

789
00:44:31,120 --> 00:44:34,480
Speaker 1: he started busting out the car. They gonna say, that's

790
00:44:34,520 --> 00:44:42,319
Speaker 1: a motherfucking drive by the other fucking Caucasian. That's a digger. Now,

791
00:44:42,719 --> 00:44:45,480
Speaker 1: if it was a Caucasian or something Bills, then it

792
00:44:45,600 --> 00:44:47,800
Speaker 1: probably would have been the car to car shooting or

793
00:44:48,320 --> 00:44:50,960
Speaker 1: rolled rage. So that's exactly what they would have you

794
00:44:51,040 --> 00:44:52,680
Speaker 1: seeing a white dude would have just got the fuck

795
00:44:52,719 --> 00:44:54,400
Speaker 1: about the car and want to shut him. Mother. It

796
00:44:54,520 --> 00:44:57,279
Speaker 1: just rolled rage. He I if if it would have

797
00:44:57,320 --> 00:45:01,320
Speaker 1: been the same scenario, it would have been old rage. Okay,

798
00:45:01,440 --> 00:45:05,840
Speaker 1: that's what it wouldn't have been titled a drive by shooting.

799
00:45:06,080 --> 00:45:08,640
Speaker 1: That's some nigga shit. That's what they label. It's niggas

800
00:45:08,680 --> 00:45:12,360
Speaker 1: on So they said, Sean kipt out their motherfucker banging

801
00:45:12,440 --> 00:45:14,040
Speaker 1: on it. And that's what it sounded like to a

802
00:45:14,160 --> 00:45:16,440
Speaker 1: motherfucker to read the headline. You gonna think, man, what

803
00:45:16,600 --> 00:45:19,759
Speaker 1: the fuck? Seane Kip up there, pull them drive buys off,

804
00:45:19,880 --> 00:45:22,799
Speaker 1: nigga hit them with them banging. Yeah, you hit them

805
00:45:22,840 --> 00:45:25,800
Speaker 1: with the double lasts on him, nigga, real quick, SuperSonics

806
00:45:25,920 --> 00:45:29,960
Speaker 1: nigga then boom boom boom boom. You know it. This

807
00:45:30,000 --> 00:45:34,160
Speaker 1: shit ain't funny, my nigga. No, it's not. Because you know,

808
00:45:34,360 --> 00:45:38,080
Speaker 1: but that's that's like you said the news media and

809
00:45:38,440 --> 00:45:41,560
Speaker 1: and because of I don't know, like I said, why

810
00:45:41,600 --> 00:45:43,880
Speaker 1: would you call that a drive by shoot? There is,

811
00:45:44,680 --> 00:45:47,520
Speaker 1: it's a car to car shooting, it's road rage. Shooting.

812
00:45:47,600 --> 00:45:50,920
Speaker 1: It's whatever, But I guess the scenario is because he

813
00:45:51,160 --> 00:45:54,319
Speaker 1: and the car black with the pistol, he drove by

814
00:45:54,440 --> 00:45:58,160
Speaker 1: some niggas and star busting. So nigga drive by and

815
00:45:58,280 --> 00:45:59,920
Speaker 1: this is what they said. This is what the police

816
00:46:00,040 --> 00:46:03,680
Speaker 1: said that one fifty pm and the altercation between the

817
00:46:03,760 --> 00:46:06,880
Speaker 1: occupants of two cars led the shots being fired at

818
00:46:06,880 --> 00:46:09,520
Speaker 1: a parking lot and a forty five hundred block of

819
00:46:09,640 --> 00:46:11,800
Speaker 1: South Steel Street, or they was on my streets or

820
00:46:11,840 --> 00:46:15,160
Speaker 1: what so what you call that? If a car the

821
00:46:15,320 --> 00:46:21,319
Speaker 1: car altercation and then shots fired. Yeah, and the ain't

822
00:46:21,360 --> 00:46:24,080
Speaker 1: nobody got hit. A gun was recovered. The fifty three

823
00:46:24,160 --> 00:46:27,320
Speaker 1: year old Mail was booked for drive by shooting. The

824
00:46:27,480 --> 00:46:31,160
Speaker 1: investigation isn't going They just sound like they make it

825
00:46:31,280 --> 00:46:33,200
Speaker 1: sound like Sean Kemp was at the end of the

826
00:46:33,239 --> 00:46:35,800
Speaker 1: park about to put his rag over his face to

827
00:46:35,840 --> 00:46:37,799
Speaker 1: hold the home. He hit the gas, Yeah, he said,

828
00:46:37,880 --> 00:46:40,759
Speaker 1: hit the gass. They saw them niggas inside the mall.

829
00:46:41,120 --> 00:46:43,600
Speaker 1: They're gonna follow them. They see what car they get in,

830
00:46:43,800 --> 00:46:46,120
Speaker 1: so they follow them niggas. When they get ready to

831
00:46:46,160 --> 00:46:48,840
Speaker 1: pull out the parking lot, Sean Kimp pull up on

832
00:46:48,960 --> 00:46:53,080
Speaker 1: the side. Nigga, you know what it is? And they

833
00:46:53,080 --> 00:46:56,359
Speaker 1: ain't hit no motherfucker about They said what nobody can't

834
00:46:56,400 --> 00:47:00,239
Speaker 1: hit man? But nigga did he give the go to

835
00:47:00,360 --> 00:47:02,680
Speaker 1: the shoot man? Sean killed me to go get this

836
00:47:02,800 --> 00:47:05,640
Speaker 1: aar P card and go sit this old ass down

837
00:47:05,719 --> 00:47:11,439
Speaker 1: some motherfucking where. You know there's some that's me. That's

838
00:47:11,880 --> 00:47:14,479
Speaker 1: I saw the niggas coming up about the mall, Nigga,

839
00:47:14,520 --> 00:47:17,120
Speaker 1: and I'm about the lad them now. The niggas hackled

840
00:47:17,239 --> 00:47:19,920
Speaker 1: me like twenty years ago, and I was playing it.

841
00:47:23,400 --> 00:47:27,400
Speaker 1: This motherfucker out here shooting that motherfucker's talk about the mall. Man,

842
00:47:27,440 --> 00:47:30,480
Speaker 1: This shit sounds crazy. Nigga ain't hackled me at the

843
00:47:30,640 --> 00:47:34,040
Speaker 1: game one time, Nigga, I remembery man, you can make

844
00:47:34,080 --> 00:47:38,560
Speaker 1: this shit up. Have you heard any of the Million

845
00:47:38,600 --> 00:47:40,799
Speaker 1: Meals records recently? Like some of the new shity've been

846
00:47:40,840 --> 00:47:43,560
Speaker 1: trying to nah nah, I haven't heard any of the

847
00:47:43,640 --> 00:47:46,320
Speaker 1: new ship. I'm gonna tell you this, and the opinions

848
00:47:46,400 --> 00:47:49,719
Speaker 1: on this show it right. I've heard it, and I'm

849
00:47:49,719 --> 00:47:52,439
Speaker 1: gonna give somebody this claimer. The opinions on this show

850
00:47:52,560 --> 00:47:56,520
Speaker 1: are that of our own. My opinions are my opinions.

851
00:47:56,600 --> 00:47:59,000
Speaker 1: Don't get on eight page talking shit to him about

852
00:47:59,040 --> 00:48:01,000
Speaker 1: some shit. I don't see it here because I don't

853
00:48:01,040 --> 00:48:03,120
Speaker 1: give a fuck. Ain't here. I ain't a motherfucker rap.

854
00:48:03,160 --> 00:48:05,480
Speaker 1: I ain't gonna like your name. You know. I try

855
00:48:05,560 --> 00:48:08,600
Speaker 1: to be courteous with a nigga, and because I come

856
00:48:08,719 --> 00:48:12,320
Speaker 1: from this motherfucking field, so I know how it is

857
00:48:12,560 --> 00:48:17,000
Speaker 1: to make, you know, decent music and try to struggle

858
00:48:17,160 --> 00:48:19,680
Speaker 1: with with you know, just trying to come up with

859
00:48:19,840 --> 00:48:23,160
Speaker 1: decent and good material that motherfucker's are gonna be interested in.

860
00:48:23,760 --> 00:48:27,759
Speaker 1: And you know, and no disrespect to Melly mao, but

861
00:48:28,080 --> 00:48:31,520
Speaker 1: you know, when you you know, when you've been in

862
00:48:31,640 --> 00:48:35,560
Speaker 1: the marathon a long time, sometimes you can fall off

863
00:48:35,640 --> 00:48:38,279
Speaker 1: and lose a little stamina. You know, my nigga be

864
00:48:38,360 --> 00:48:40,839
Speaker 1: in the gym though he'd be working out, but he'd

865
00:48:40,880 --> 00:48:44,560
Speaker 1: be puffed up like a motherfucker. But sometimes you know, um,

866
00:48:46,320 --> 00:48:49,719
Speaker 1: and I'm not one to say, uh, you know, a

867
00:48:49,840 --> 00:48:52,520
Speaker 1: nigga should put down a mic and retire and shit

868
00:48:52,719 --> 00:48:55,120
Speaker 1: like that because of your age. Because I'm the type

869
00:48:55,160 --> 00:48:57,520
Speaker 1: of motherfucker that if you can do what you do

870
00:48:58,200 --> 00:49:02,239
Speaker 1: and you love it, and and you got motherfucker's to

871
00:49:02,400 --> 00:49:04,800
Speaker 1: telling you, you know, we respect it, and you know

872
00:49:04,920 --> 00:49:07,239
Speaker 1: we want to hear you didn't do it. It don't

873
00:49:07,280 --> 00:49:09,800
Speaker 1: matter if Mellie Mail given his opinion. We're gonna be

874
00:49:09,880 --> 00:49:12,440
Speaker 1: fair about this shit. I'm gonna play you the last

875
00:49:12,520 --> 00:49:15,040
Speaker 1: melliemail verse I heard. I'm gonna show you some shit.

876
00:49:15,280 --> 00:49:17,880
Speaker 1: You have to be able to adapt to the times

877
00:49:17,960 --> 00:49:22,120
Speaker 1: a little bit. You get me. Now, it's one thing

878
00:49:22,280 --> 00:49:26,640
Speaker 1: and having your little signature thing you do whatever, like

879
00:49:27,000 --> 00:49:30,279
Speaker 1: you know, niggas know I'm Jia. You know that's my

880
00:49:30,400 --> 00:49:37,279
Speaker 1: little shit. But your ship still can't sound like you're

881
00:49:37,440 --> 00:49:41,440
Speaker 1: rapping in nineteen eighty when you're trying to compete in

882
00:49:41,640 --> 00:49:44,799
Speaker 1: twenty twenty three. You get me, And I don't give

883
00:49:44,880 --> 00:49:51,279
Speaker 1: fuck who you are not saying that. You know your

884
00:49:51,440 --> 00:49:54,960
Speaker 1: subjects can't be talking about a situation you want to

885
00:49:55,080 --> 00:49:58,640
Speaker 1: display from the past or whatever. But you have to

886
00:49:58,680 --> 00:50:00,920
Speaker 1: be able to deliver shit that people are gonna be

887
00:50:01,040 --> 00:50:04,120
Speaker 1: able to get into. And that's just one thing about me,

888
00:50:04,600 --> 00:50:06,360
Speaker 1: you know, if you want to be able to have

889
00:50:06,560 --> 00:50:09,640
Speaker 1: an opinion and compete in this day and age, it's

890
00:50:09,680 --> 00:50:12,000
Speaker 1: one thing that I had a respect of being one

891
00:50:12,040 --> 00:50:14,960
Speaker 1: of the pioneers or whatever. But if you still want

892
00:50:15,000 --> 00:50:18,000
Speaker 1: to get in this motherfucker arena and play around you

893
00:50:18,040 --> 00:50:20,520
Speaker 1: can get your ass socked too. You get me. And

894
00:50:20,680 --> 00:50:22,520
Speaker 1: that's just how it is. If you want to be

895
00:50:22,600 --> 00:50:24,520
Speaker 1: able to compete, and you gotta be able to hang,

896
00:50:25,120 --> 00:50:27,440
Speaker 1: you gotta come up with new ship to be able

897
00:50:27,480 --> 00:50:30,320
Speaker 1: to at least get some of these people to be

898
00:50:30,520 --> 00:50:33,239
Speaker 1: interested in listening to. But let's see what Milliemail working

899
00:50:33,280 --> 00:50:45,879
Speaker 1: with right now. Look at the boggy that's there. That's

900
00:50:45,920 --> 00:50:48,960
Speaker 1: the signature raw man. If you go go up there

901
00:50:49,040 --> 00:50:50,839
Speaker 1: doing an ugger the booker that you need to keep

902
00:50:50,920 --> 00:50:53,880
Speaker 1: your motherfucker mouth clothes about the little Homies dog and

903
00:50:54,080 --> 00:50:56,120
Speaker 1: tighten up your own ship. It's like, I got the

904
00:50:56,239 --> 00:50:59,960
Speaker 1: ultimate respect for Milliemail Man, the ultimate respect for him

905
00:51:00,120 --> 00:51:02,440
Speaker 1: what he's done. The message is probably one of the

906
00:51:02,680 --> 00:51:06,520
Speaker 1: best hip hop verses of all time. Though. Yeah, the

907
00:51:06,960 --> 00:51:12,600
Speaker 1: message was something like, you know, I considered the message

908
00:51:13,000 --> 00:51:18,200
Speaker 1: one of those records that you know, um got me

909
00:51:18,480 --> 00:51:22,680
Speaker 1: to want to go on that path of telling hood tales.

910
00:51:23,160 --> 00:51:25,360
Speaker 1: You know what I'm saying. They talked about the poverty

911
00:51:25,480 --> 00:51:28,960
Speaker 1: and going to school and not learning shit, and basically

912
00:51:29,080 --> 00:51:32,279
Speaker 1: they error as far as trying to be you know,

913
00:51:32,520 --> 00:51:36,040
Speaker 1: black and whatever. But this error is different, you know

914
00:51:36,080 --> 00:51:40,520
Speaker 1: what I'm saying, And I said, you can have an

915
00:51:40,560 --> 00:51:44,040
Speaker 1: opinion about you know, Kendrick or em or you know,

916
00:51:44,600 --> 00:51:48,440
Speaker 1: but there's a lot of motherfuckers who think they're great,

917
00:51:48,840 --> 00:51:52,240
Speaker 1: you get me, and it's proven in their their music,

918
00:51:52,400 --> 00:51:56,640
Speaker 1: their sales. You know, people you know flock to their concerts.

919
00:51:57,120 --> 00:52:01,279
Speaker 1: You get me. Um, It's just unfortunate that, you know,

920
00:52:01,600 --> 00:52:04,640
Speaker 1: some people have those opinions where they feel, you know,

921
00:52:05,160 --> 00:52:08,880
Speaker 1: they should be mentioned higher. And sometimes you just gotta

922
00:52:08,920 --> 00:52:10,880
Speaker 1: be you know, you just gotta be proud of what

923
00:52:11,040 --> 00:52:14,080
Speaker 1: you've accomplished and what you've been able to leave as

924
00:52:14,160 --> 00:52:16,400
Speaker 1: far as the hip hop legacy concerned. You know what

925
00:52:16,480 --> 00:52:19,760
Speaker 1: I'm saying, because you know, I never disagreeing, Master Millie

926
00:52:19,840 --> 00:52:23,680
Speaker 1: mill Man. I'm one of the motherfucking forefathers of hip

927
00:52:23,719 --> 00:52:27,200
Speaker 1: hop and that should be you know, that should be

928
00:52:27,360 --> 00:52:31,200
Speaker 1: your comfort lane right there. At all? What has come

929
00:52:31,400 --> 00:52:35,680
Speaker 1: from me being a part of this era that started

930
00:52:36,040 --> 00:52:39,000
Speaker 1: and look at where it is now. You know, you

931
00:52:39,120 --> 00:52:42,640
Speaker 1: got motherfuckers, You got diggers rapping about all kinds of

932
00:52:42,680 --> 00:52:45,560
Speaker 1: shit right now, you give me. Niggas got all kind

933
00:52:45,640 --> 00:52:50,240
Speaker 1: of different styles and not all started because of niggas

934
00:52:50,360 --> 00:52:52,839
Speaker 1: like y'all. You're getting me, yep, and ain't nobody got

935
00:52:52,960 --> 00:52:55,000
Speaker 1: mad at you one time, Big Honey, for you doing you.

936
00:52:56,440 --> 00:52:58,919
Speaker 1: I'm not I'm not the distry, you know what I'm saying,

937
00:52:59,120 --> 00:53:02,040
Speaker 1: not saying disry respectful type, because there's a lot of

938
00:53:02,120 --> 00:53:05,239
Speaker 1: niggas out here who don't give a fuck about the

939
00:53:05,400 --> 00:53:08,640
Speaker 1: nigga who came before them, you know, And I never

940
00:53:08,760 --> 00:53:11,440
Speaker 1: want to be in that position. Whether your opinion is

941
00:53:11,480 --> 00:53:14,640
Speaker 1: your opinion or not. Whether if you feel Kendrick is

942
00:53:14,719 --> 00:53:20,080
Speaker 1: the the thousandthith rapper of all time, whether you feel

943
00:53:20,200 --> 00:53:23,360
Speaker 1: like Eminem shouldn't be on the list because he's white,

944
00:53:23,840 --> 00:53:27,520
Speaker 1: whether you feel like a nigga who use auto tune

945
00:53:27,640 --> 00:53:32,680
Speaker 1: like Little Wayne shouldn't be recognized. They are loved by

946
00:53:33,360 --> 00:53:41,320
Speaker 1: who loves them. And that's where you should take pride

947
00:53:41,440 --> 00:53:45,960
Speaker 1: in going some ship that we started has evolved all

948
00:53:46,040 --> 00:53:49,240
Speaker 1: the way to ship. It's a gang of white boys

949
00:53:49,320 --> 00:53:52,879
Speaker 1: now rapping. You get me. It ain't just remember back

950
00:53:52,920 --> 00:53:58,719
Speaker 1: at our days, it wasn't number motherfucker Vanilla Ice and

951
00:53:59,280 --> 00:54:01,600
Speaker 1: by this time, man, if we don't want to acknowledge

952
00:54:01,680 --> 00:54:05,239
Speaker 1: the Eminem is a bad motherfucker dog, dude, you just

953
00:54:05,400 --> 00:54:07,480
Speaker 1: a hater if you can't acknowledge that the motherfucker rap

954
00:54:07,600 --> 00:54:10,839
Speaker 1: the motherfu rap? Do I let now now? Like I said,

955
00:54:11,200 --> 00:54:17,359
Speaker 1: do I play eminem music. I've played songs. I used

956
00:54:17,400 --> 00:54:19,560
Speaker 1: to bang the hill out of Slim Shady when it

957
00:54:19,680 --> 00:54:22,840
Speaker 1: first came out. You get me. There's a gang of

958
00:54:23,200 --> 00:54:26,200
Speaker 1: shit I liked, and then there's a ship I did like,

959
00:54:26,840 --> 00:54:32,040
Speaker 1: but it wasn't my It wasn't my position to go, oh,

960
00:54:32,560 --> 00:54:35,880
Speaker 1: this motherfucker can't rap because he a white boy. I mean,

961
00:54:35,960 --> 00:54:37,879
Speaker 1: you had to get a nigga props. He could spit.

962
00:54:38,880 --> 00:54:42,400
Speaker 1: Just like there's Little Wayne songs that I liked from

963
00:54:42,480 --> 00:54:46,360
Speaker 1: when he was with you know, Hot Hot Boys. You

964
00:54:46,440 --> 00:54:50,279
Speaker 1: know I banged the whole Hot Boys album. That ship

965
00:54:50,480 --> 00:54:53,359
Speaker 1: was fired. The Hot Boys had the coldest shit ever.

966
00:54:53,480 --> 00:54:55,520
Speaker 1: When I first heard them Nigga's first album and they

967
00:54:55,560 --> 00:55:00,000
Speaker 1: had that shit, I'm on fire. I said, no disrespect

968
00:55:00,160 --> 00:55:02,760
Speaker 1: the Little Wayne, but theygg A. BG is my nigga

969
00:55:03,640 --> 00:55:06,279
Speaker 1: from BG. I'm gonna tell you what. Nobody fucking with

970
00:55:06,440 --> 00:55:09,480
Speaker 1: juvenile in that group back then. I listened to Juvie

971
00:55:09,560 --> 00:55:14,440
Speaker 1: a little bit, but I was a BG fan vs. Man.

972
00:55:14,640 --> 00:55:17,160
Speaker 1: They was like when him and Little Wayne was like

973
00:55:17,320 --> 00:55:21,040
Speaker 1: little kids. Bust was hard as a mother. But didn't

974
00:55:21,080 --> 00:55:24,920
Speaker 1: BG always sound like a grown ass man and nigga

975
00:55:24,960 --> 00:55:27,640
Speaker 1: had that voice. Man, niggas hard as a motherfucker. Man,

976
00:55:27,840 --> 00:55:30,480
Speaker 1: you just shout off to BG free BG man right now,

977
00:55:30,600 --> 00:55:32,279
Speaker 1: I think they see't he about to come on? Man?

978
00:55:32,880 --> 00:55:35,879
Speaker 1: Like I said, I, it's just what you like. Man,

979
00:55:36,080 --> 00:55:38,640
Speaker 1: it's your preference of what you like. I'm a nigga

980
00:55:38,680 --> 00:55:43,040
Speaker 1: who likes scarfacing BG and you know, but I'm a

981
00:55:43,239 --> 00:55:46,200
Speaker 1: I'm a nigga who liked it, tried called quest and

982
00:55:46,440 --> 00:55:51,160
Speaker 1: fucking LLL coo J and fucking nas. I'm shit, I'm

983
00:55:51,200 --> 00:55:53,520
Speaker 1: a nigga who liked it a little bit of TI

984
00:55:53,840 --> 00:55:56,920
Speaker 1: and a little bit of Gez at one point, you know,

985
00:55:57,480 --> 00:56:01,920
Speaker 1: I liked motherfucking Souls and Mischief and the Conscious Daughters.

986
00:56:02,080 --> 00:56:04,680
Speaker 1: Oh yeah, I was so missies. You know what My

987
00:56:04,800 --> 00:56:07,680
Speaker 1: favorite motherfucking song here is from the Motherfucker's This is

988
00:56:07,719 --> 00:56:10,680
Speaker 1: how we chilled from ninety three. I mean, man, that

989
00:56:10,880 --> 00:56:17,399
Speaker 1: was my ship. Music is meant to satisfy the ear man.

990
00:56:17,719 --> 00:56:21,239
Speaker 1: You know what I'm saying. And it shouldn't even be

991
00:56:21,680 --> 00:56:26,480
Speaker 1: a color line of nigga because I tell you right now,

992
00:56:26,600 --> 00:56:30,040
Speaker 1: I play some Fleetwood Mac, I play some Pink Floyd.

993
00:56:30,560 --> 00:56:33,759
Speaker 1: I turned around and play some motherfucking Roy Ayers and

994
00:56:33,920 --> 00:56:39,800
Speaker 1: some motherfucking you know, there's no fucking preference. Do you

995
00:56:39,920 --> 00:56:42,520
Speaker 1: feel what I'm saying? But you know where the els

996
00:56:42,560 --> 00:56:45,799
Speaker 1: eight the air that we come from. Dog, I think

997
00:56:45,840 --> 00:56:49,600
Speaker 1: you gotta remember we was We was before hip hop

998
00:56:49,719 --> 00:56:52,960
Speaker 1: music was out there. Remember I used to have motherfucking

999
00:56:53,040 --> 00:56:55,600
Speaker 1: I had Pink Floyd's album The Wall because we didn't

1000
00:56:55,600 --> 00:56:58,040
Speaker 1: have no motherfucking music. It wasn't no music. I used

1001
00:56:58,040 --> 00:57:00,759
Speaker 1: to play The Wall like a motherfucker. So you know,

1002
00:57:01,640 --> 00:57:05,719
Speaker 1: um dadn Bluefly, That's that's what you listen to. Johnny Guitar,

1003
00:57:05,880 --> 00:57:10,080
Speaker 1: Wasson or motherfucking or I'd listen you know, rap dirty

1004
00:57:10,239 --> 00:57:12,480
Speaker 1: or some shit like that. That's what we listened to.

1005
00:57:13,040 --> 00:57:15,040
Speaker 1: And then you had to listen to pop shit. There

1006
00:57:15,080 --> 00:57:17,040
Speaker 1: was a lot of pop shit floating around it. Man.

1007
00:57:17,120 --> 00:57:19,520
Speaker 1: The motherfucker was listening to Cindy Lauper and everything was

1008
00:57:19,520 --> 00:57:22,560
Speaker 1: just listening to Culture Club and all that. Motherfucker. Don't

1009
00:57:22,600 --> 00:57:25,840
Speaker 1: knock it off everybody's clubs. Why I say, man, music

1010
00:57:26,080 --> 00:57:29,600
Speaker 1: was just meant to if it sound good, motherfucker sound good,

1011
00:57:29,680 --> 00:57:32,160
Speaker 1: if it makes you feel good and it's bumping, it

1012
00:57:32,320 --> 00:57:35,800
Speaker 1: don't matter even from like I said, from Snoop Dogg

1013
00:57:35,920 --> 00:57:41,280
Speaker 1: to motherfucking eight to motherfucking Ronnie Jordan to motherfucker Cindy

1014
00:57:41,440 --> 00:57:48,040
Speaker 1: Lauper to motherfucking Fleetwood Mac to motherfucking earth Wind and Fire.

1015
00:57:48,640 --> 00:57:51,200
Speaker 1: There shouldn't be a preference of what you should listen to.

1016
00:57:51,520 --> 00:57:53,600
Speaker 1: If you like it, you like it. And if you

1017
00:57:53,680 --> 00:57:56,360
Speaker 1: want to give motherfucker's your opinion about what you feel

1018
00:57:56,480 --> 00:58:00,320
Speaker 1: is the greatest music to you, then that's your opinion.

1019
00:58:00,760 --> 00:58:03,880
Speaker 1: But don't get caught up because oh, the motherfucker from

1020
00:58:03,960 --> 00:58:08,440
Speaker 1: Billboard said this, or the motherfucker from this paper said this,

1021
00:58:08,960 --> 00:58:13,160
Speaker 1: or the people from this motherfucking show said this. It's

1022
00:58:13,160 --> 00:58:15,800
Speaker 1: a gang of us who got different opinions. You get me.

1023
00:58:16,080 --> 00:58:18,680
Speaker 1: A gangster chronicle is gonna have a different opinion than

1024
00:58:19,040 --> 00:58:22,960
Speaker 1: my nigga's podcast next door. They gonna have a different

1025
00:58:23,040 --> 00:58:26,760
Speaker 1: opinion than Eat my Taco. Eat my Taco is gonna

1026
00:58:26,800 --> 00:58:29,800
Speaker 1: have a different opinion than you know. But that's what

1027
00:58:29,960 --> 00:58:32,160
Speaker 1: the world is, man. You got the right to have

1028
00:58:32,400 --> 00:58:35,720
Speaker 1: that shit. So if Mellie Bell want to say, hey,

1029
00:58:37,200 --> 00:58:39,320
Speaker 1: I don't think he should do this, I don't think

1030
00:58:39,400 --> 00:58:42,200
Speaker 1: you just like you said earlier, he asked the motherfucker

1031
00:58:42,280 --> 00:58:45,440
Speaker 1: asked him a question, and he gave his answer to

1032
00:58:45,640 --> 00:58:48,760
Speaker 1: how he felt. Oh you know, did you ever see

1033
00:58:48,800 --> 00:58:51,800
Speaker 1: that when he's talking about old school rappers and I'm

1034
00:58:51,880 --> 00:58:53,960
Speaker 1: ladies of motherfucker on Ice won't know if you saw it.

1035
00:58:54,440 --> 00:58:57,200
Speaker 1: Did you see the big daddy came versus karis One

1036
00:58:57,360 --> 00:59:01,320
Speaker 1: versus No, I didn't see that man's one little big daddy.

1037
00:59:01,400 --> 00:59:04,600
Speaker 1: Kane's up. I've been, like I said, both of them

1038
00:59:04,680 --> 00:59:08,520
Speaker 1: niggas I banged. You couldn't tell me to see you

1039
00:59:09,360 --> 00:59:12,320
Speaker 1: bang some big daddy can especially the whole. I love

1040
00:59:14,160 --> 00:59:16,560
Speaker 1: one of the greatest, but caress One is just a

1041
00:59:16,960 --> 00:59:21,640
Speaker 1: er motherfucking animal though, dog. He wasn't playing on that motherfucker.

1042
00:59:21,680 --> 00:59:25,520
Speaker 1: He was really trying to battle. You know that. That's

1043
00:59:25,560 --> 00:59:27,920
Speaker 1: gonna make me go bump that ship right. This seemed

1044
00:59:27,960 --> 00:59:29,960
Speaker 1: like Kane was coming out there just on some shit,

1045
00:59:30,120 --> 00:59:32,440
Speaker 1: like trying to step to me. I think you should

1046
00:59:32,520 --> 00:59:36,360
Speaker 1: know that, ain't Did you see that ship Bran the

1047
00:59:36,480 --> 00:59:43,080
Speaker 1: carross one getting his ass? You see it was closer, man.

1048
00:59:43,160 --> 00:59:45,880
Speaker 1: I don't think cares I love I'm a caress One

1049
00:59:45,960 --> 00:59:49,560
Speaker 1: phonetic Now I love cares One, dog, but I love

1050
00:59:49,720 --> 00:59:52,840
Speaker 1: Kane too. Though the Kane was banged, nigga, That motherfucking

1051
00:59:52,840 --> 00:59:55,800
Speaker 1: the album was the Ship Man, I bang that whole album.

1052
00:59:56,800 --> 00:59:59,280
Speaker 1: You know what, man, I'm gonna ask you a question, Right,

1053
01:00:00,880 --> 01:00:03,240
Speaker 1: You remember when the Ghetto Boys, when Willy D left

1054
01:00:03,280 --> 01:00:08,280
Speaker 1: the group? Right? Yeah? Do you think that if Big Mike,

1055
01:00:09,000 --> 01:00:11,920
Speaker 1: Willie D, and Scarfreez got together and made a new

1056
01:00:11,920 --> 01:00:14,240
Speaker 1: Ghetto Boys album to be the hardest gettaboy album of

1057
01:00:14,280 --> 01:00:19,560
Speaker 1: all time? Right now? Yeah? I think it would be cracking.

1058
01:00:20,200 --> 01:00:22,960
Speaker 1: I mean, but you know, we have so much resistance

1059
01:00:23,160 --> 01:00:28,760
Speaker 1: from the young generation of our music. You know, it

1060
01:00:28,920 --> 01:00:34,120
Speaker 1: would really probably go well with our generation of hip

1061
01:00:34,160 --> 01:00:40,960
Speaker 1: hop fans. But it's just unfortunate that the youngsters, you know,

1062
01:00:41,240 --> 01:00:49,320
Speaker 1: sometimes don't you know, like the representation that US as

1063
01:00:49,440 --> 01:00:55,320
Speaker 1: rappers had from the past. You get me no disrespect,

1064
01:00:55,400 --> 01:00:57,760
Speaker 1: but you know, the world's you know, it's a lot

1065
01:00:57,840 --> 01:01:00,240
Speaker 1: of little oozy vert fans and it's a out a

1066
01:01:00,320 --> 01:01:04,200
Speaker 1: little you know, you know, little baby fans and NBA

1067
01:01:04,320 --> 01:01:07,720
Speaker 1: young boy fans, and it's just that generation. You think

1068
01:01:07,720 --> 01:01:10,440
Speaker 1: they might have been going for too long now, No,

1069
01:01:11,040 --> 01:01:14,840
Speaker 1: because you know, um, like I said, you still have

1070
01:01:15,040 --> 01:01:18,280
Speaker 1: niggas like me around, niggas like you around. They're still

1071
01:01:18,400 --> 01:01:22,600
Speaker 1: niggas in our generation around that appreciate good hip hop music. Yeah,

1072
01:01:22,680 --> 01:01:24,760
Speaker 1: I think it'd be hard. I think Mike was a

1073
01:01:24,800 --> 01:01:29,200
Speaker 1: good addition to the group. Mike was the shit. You know,

1074
01:01:29,320 --> 01:01:32,360
Speaker 1: even this solo project, so I'm serious, was the ship.

1075
01:01:32,520 --> 01:01:34,680
Speaker 1: Oh yeah, big Mike, don't put off some classic ass

1076
01:01:34,760 --> 01:01:37,600
Speaker 1: motherfucker music. We had to get him on here live

1077
01:01:37,680 --> 01:01:40,800
Speaker 1: and shit. Man, Well, I think it's time for us

1078
01:01:40,840 --> 01:01:43,640
Speaker 1: to check out. Man. We gotta get some concrete though. Yeah. Man,

1079
01:01:43,680 --> 01:01:45,720
Speaker 1: we're gonna get on this road man, So you know,

1080
01:01:45,960 --> 01:01:48,200
Speaker 1: y'all know what it is, man. Yeah, And what I'm

1081
01:01:48,200 --> 01:01:49,880
Speaker 1: gonna do is I'm gonna tell y'all to go click

1082
01:01:49,960 --> 01:01:53,440
Speaker 1: the links below and go check out our merch. All right,

1083
01:01:54,520 --> 01:01:57,680
Speaker 1: and we got of here we go, see y'all next week. Well,

1084
01:01:57,720 --> 01:02:00,840
Speaker 1: that concludes another episode of Against the Crime Nicles podcast.

1085
01:02:01,240 --> 01:02:03,560
Speaker 1: Be sure to download the iHeart Apple and subscribe to

1086
01:02:03,640 --> 01:02:07,040
Speaker 1: The Gangster Chronicles podcasts For Apple users. Find that purple

1087
01:02:07,120 --> 01:02:09,360
Speaker 1: Michael in the front screening your phone. Subscribe to the

1088
01:02:09,400 --> 01:02:12,440
Speaker 1: show leaf for comment and a rating. Executive producers for

1089
01:02:12,520 --> 01:02:16,320
Speaker 1: The Gangster Chronicles of Norm Steele, James McDonald and Aaron

1090
01:02:16,440 --> 01:02:20,600
Speaker 1: mcate Taylor our visual media directors Brian Watt, shows, audio

1091
01:02:20,760 --> 01:02:23,800
Speaker 1: editors Taylor Hayes The Gangster Chronicles. Here's the production of

1092
01:02:23,840 --> 01:02:27,400
Speaker 1: the Black Effect podcast Network and iHeartMedia. Any questions to

1093
01:02:27,480 --> 01:02:30,640
Speaker 1: comments hit us up The Gangster Chronicles Podcasts at gmail

1094
01:02:30,720 --> 01:02:33,720
Speaker 1: dot com. Peace be safe out there.