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Speaker 1: What's up. It's cool John.

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Speaker 2: Yo, it's Plow.

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Speaker 1: Check us out on the Boot Left CAF podcast.

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Speaker 3: Yet Yo Boulet cav podcast Special guests in here the

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Speaker 3: earliest interview we've ever recorded, correct, probably totally probably, And

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Speaker 3: it was all because of Plow, is it.

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Speaker 2: I mean, I'll take the blame.

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Speaker 3: Yeah, Pilo's here. So's Cool John. They have a new

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Speaker 3: album out, movie Part two.

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Speaker 2: The Equal, The Equal, seriously Equal.

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Speaker 3: You know, it's been what like ten years since the

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Speaker 3: first one, Hife twenty fifteen. Yeah, okay, so why was

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Speaker 3: it time to come back together and reunite and make

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Speaker 3: DJ Min's dick hard.

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Speaker 2: I mean, I mean I just feel like I just

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Speaker 2: feel like, uh though just the world needed that that

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Speaker 2: that energy and uh I feel like that's what the

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Speaker 2: games were missing, so like and you know, get me

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Speaker 2: bring the vice backer and getting back with Cool John. Uh,

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Speaker 2: it was just it was I mean, it's something that

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Speaker 2: we've always wanted to do. I think it was just like, actually,

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Speaker 2: you know who really put the battery in my back

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Speaker 2: about it?

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Speaker 3: Nick Knack. Wow shot to Nicknack.

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Speaker 2: I was like, I was, I was a little because

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Speaker 2: Nick Nak has a studio down the hall for me,

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Speaker 2: and uh, he's in there, Like I'm just like going

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Speaker 2: to say, like, oh right, broad like he's in there

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Speaker 2: kind of like he's in there kind of drunk. He's

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Speaker 2: just he's just when he's just in there talking hell,

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Speaker 2: it ships.

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Speaker 4: To me like, bro, you gotta get you gotta do,

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Speaker 4: you gotta do cool John Poor two, Like he's like

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Speaker 4: on my head, like yeah, and I really put a

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Speaker 4: battery in my back.

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Speaker 3: And then.

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Speaker 1: Yeah, you had the name for it like a couple.

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Speaker 3: Yeah, yeah, we had the name with it, like we

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Speaker 3: got to come back with the eal.

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Speaker 1: It always been just like little little shit.

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Speaker 5: He's been just saying that he and the air and

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Speaker 5: stuff like that, but it was, but it was recently

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Speaker 5: he was just like, let's do it, let's lock in.

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Speaker 3: I feel like too, like like you said, it's something

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Speaker 3: that's missing. I feel like the like you guys always have,

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Speaker 3: Like like I feel like old school HBK was always

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Speaker 3: about fun.

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Speaker 2: Yeah for sure, you know what I'm saying.

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Speaker 1: Always fun.

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Speaker 3: I feel like since Peel has been taking himself a

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Speaker 3: little more serious as an artists, he's not as much

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Speaker 3: about fun.

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Speaker 5: Oh we having hell of fun. He has fun, but

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Speaker 5: it's like you know, we got to bring the vice back.

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Speaker 5: Somebody got to do it. You know, the window open,

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Speaker 5: we might.

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Speaker 3: As well, you know what I'm saying. But through that thing, Yeah,

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Speaker 3: and I thought it was dope to see. And then

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Speaker 3: you guys have been like shooting some really dope content.

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Speaker 3: How how well thought out? Was like which movies you

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Speaker 3: guys were gonna? Uh? First of all, for people who

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Speaker 3: are culturally deprived, the album cover is homage to Mario

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Speaker 3: Brothers the movie Yes, Yeah, Yeah, the live action, the

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Speaker 3: live action which nobody ever talks about.

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Speaker 5: Yeah, because I think it really sucked like back in

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Speaker 5: the days, but it's a classic when you grow up

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Speaker 5: like this.

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Speaker 3: It's like Belly, the post on the mall.

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Speaker 6: Belly sucks, like the overall we got to shot back

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Speaker 6: and like Belly was good, I'm gonna say, like this

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Speaker 6: esthetically great, but esthetically great like it was cinetopic.

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Speaker 5: The cinematography for sure, it's like excellent, the lighting, just everything, acting,

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Speaker 5: the storyline, but the story dogs like what the fuck?

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Speaker 3: Like what the hell? I think everybody felt that way. No,

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Speaker 3: I didn't feel that classic moments though it has classical

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Speaker 3: for sure, But when I was a kid, I didn't

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Speaker 3: feel that way. I was like DMX and nos in

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Speaker 3: a movie. I was just like, I was like, amen,

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Speaker 3: when you guys announced this album.

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Speaker 2: Hard d that is peak.

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Speaker 3: Yet peaked, dear bags, and then Nos, I want to

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Speaker 3: go to Africa. Be right. It's a good, good movie.

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Speaker 3: But yeah, Super Mario movie was.

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Speaker 2: Questionable.

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Speaker 3: It's still a classic. It's like it's like a cult classics,

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Speaker 3: Like it's like a cultural time piece. Right, So you

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Speaker 3: guys had like where are all the movies you guys

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Speaker 3: have kind of, I guess done renditions of to promote

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Speaker 3: the album. You guys did pulp fiction, right.

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Speaker 2: Pulp fiction, back to the future, give me some but.

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Speaker 3: Head nice, what's the what's the first one?

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Speaker 1: Was? Just? The first one was?

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Speaker 2: Uh yeah, Friday, Friday, Friday Friday?

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Speaker 3: What else?

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Speaker 2: Breaking bad, breaking bad? Uh uh, Fast and Furious.

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Speaker 3: We haven't left that one. But yeah, do you guys

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Speaker 3: feel like there would ever be a possibility of like

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Speaker 3: a like a real HBK reunion, like a real one,

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Speaker 3: Like you guys are like a part of the HBK gang.

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Speaker 3: So this is nice, you know, yeah for sure, but

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Speaker 3: like in terms of like you know, just bringing like

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Speaker 3: two around and you know, some of the other guys there.

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Speaker 2: Yeah, no, I think I think that's all possible.

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Speaker 3: Yeah for sure.

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Speaker 5: We just we were just at our sexual stage, came

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Speaker 5: out and with us and stuff like we still all

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Speaker 5: work together and stuff like that.

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Speaker 3: So I'm pretty sure it's possible to happen. Yeah for sure.

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Speaker 3: Like if if it makes sense, you guys were doing,

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Speaker 3: like what the christ was the Christmas every year was

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Speaker 3: a Halloween followe.

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Speaker 5: Yeah, it's like two shows at night. Yeah, so that

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Speaker 5: she was liters here. We should have kept that going on, just.

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Speaker 3: For sure, or you guys should do your own version

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Speaker 3: of it the fucking you know, the night at the movies.

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Speaker 2: Yeah yeah maybe maybe maybe some popcorn you know what

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Speaker 2: I'm saying.

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Speaker 3: You guys come out and perform.

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Speaker 2: Yeah yeah yeah, okay yeah Mart Yeah. I mean I

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Speaker 2: mean like since like all this stuff's been going on

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Speaker 2: and like the reaction that that all this stuff has

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Speaker 2: been getting, like we've kind of been even just like

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Speaker 2: thinking about like actually like putting like a movie together.

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Speaker 1: To be tired.

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Speaker 3: Mm hmm, like like like a real movie or like

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Speaker 3: like a mini movie.

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Speaker 2: Yeah, like a real movie.

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Speaker 3: You guys should why not write a script? I feel

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Speaker 3: like there should be like a Bay Area version of

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Speaker 3: like just there's not like shout to Berner. He just

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Speaker 3: put out what's the name of Berner's movie, fucking splash

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Speaker 3: Splash City, I can say bip city City. So but

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Speaker 3: I feel like that is like like there should be

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Speaker 3: like a very ill like Bay Area comedy. Yeah, yeah, yeah, yeah,

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Speaker 3: I feel like you guys are super underrepresented, like and

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Speaker 3: when it comes to like like culture, but you guys

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Speaker 3: are the culture for real.

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Speaker 2: Yeah, like like yeah, like I feel like that's I

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Speaker 2: feel like it would be like you like the Barrier

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Speaker 2: version of like Friday or you know what I'm talking about,

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Speaker 2: like like like a buddy comedy.

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Speaker 3: Buddy comedy, that's what it's gonna be.

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Speaker 1: Yeah.

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Speaker 3: What was that movie with Asap Rocky cap G was

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Speaker 3: in it? Man, fucking movie was on Netflix. I talk

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Speaker 3: about dope. Yeah, like a Bayery version of that would

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Speaker 3: be hard that. Yeah, we definitely need that for the

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Speaker 3: culture for sure.

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Speaker 2: Like a predicted like you get put in a predicament

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Speaker 2: and you guys just.

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Speaker 3: Get put in a little predicted figure that shit out. Yeah, somebody, Oh,

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Speaker 3: someone BIPs your car and they steal like a fucking

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Speaker 3: family heirloom.

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Speaker 2: Ah, there we go okay, okay, now we're cooking.

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Speaker 3: Now you guys can go like straight Temu horror flick.

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Speaker 3: You guys bip a car and you steal something that's cursed.

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Speaker 3: Oh and no matter what, you can't. You try to

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Speaker 3: throw it away because it's like some creepy ass ship.

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Speaker 3: But then you wake up the morning it's in your

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Speaker 3: living room and you're like, wait a minute, I threw

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Speaker 3: this away and then it just like follows you and

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Speaker 3: then like.

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Speaker 2: Whoa, okay, we got some executive production, right producer right.

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Speaker 1: Here, it would be good.

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Speaker 2: Come on, come on, we can go straight to straight

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Speaker 2: to two be uh.

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Speaker 3: So, hey, man, I haven't seen you in a long time.

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Speaker 3: Well I saw you recently and the LA function, which

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Speaker 3: you guys performed then. But uh, for people who don't

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Speaker 3: know you were shocked what happened? Man? I mean obviously

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Speaker 3: you're good, Thank god.

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Speaker 1: Yeah.

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Speaker 5: I was just basically just case, like somebody they just

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Speaker 5: followed me and just try to rob me.

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Speaker 3: Shot me six times? Six times is a serious. Was

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Speaker 3: like the home invasion, So they went into your crib.

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Speaker 3: That's got to be terrible.

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Speaker 4: Man.

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Speaker 5: Yeah she was, and she was weak as fuck. I mean,

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Speaker 5: but shit, it's just a learning lesson feel me. Luckily

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Speaker 5: didn't cost me my life. But yeah, I got shot

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Speaker 5: six times, two in his arm, on his own arm,

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Speaker 5: my rib, my butt, and my right leg.

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Speaker 3: And they were following you for Do you know how

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Speaker 3: long they were following you? No? I don't even know.

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Speaker 3: It's so crazy, like until someone like until something crazy

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Speaker 3: because that's happened to me, where someone's following me and

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Speaker 3: like jacked me. Now I'm like super on top of

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Speaker 3: like thinking the ship I would never think of.

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Speaker 5: Yeah, it makes you sharper though, yeah, it makes you

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Speaker 5: sharper for little PTSD. But but it's like at the

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Speaker 5: same time, make you sharper.

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Speaker 1: You know.

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Speaker 5: It's the type of way you should be moving. If

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Speaker 5: you're have some type of name, you're popular, you have

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Speaker 5: something something, if you carry some things of value, you

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Speaker 5: should be watching every you know what I'm saying. You

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Speaker 5: should keep your head on the swipers. You should be

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Speaker 5: making sure nobody's following. You should be you know, very aware,

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Speaker 5: you know what I'm saying, because when you're not, you

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Speaker 5: have your guard down, so anything can happen at that point.

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Speaker 1: You know, if you if you're wearing.

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Speaker 5: Jewelry, if you're somebody, because we always gotta remember what's

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Speaker 5: small to us might be big to the next person.

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Speaker 3: You know what I'm saying, I don't even give I

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Speaker 3: don't give a fuck about nothing this shit.

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Speaker 1: You know what I'm saying.

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Speaker 5: I can get that shit back tomorrow. But with somebody

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Speaker 5: they're looking at you like, oh my god, Like.

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Speaker 3: All I need is that All I need is that chain,

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Speaker 3: All I need is that bag, that sack of weed

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Speaker 3: or whatever, you know what I mean, or whatever the

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Speaker 3: fuck they think they gonna get, and they willing to

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Speaker 3: throw away.

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Speaker 1: They life for that ship.

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Speaker 3: You know, did they catch the guy? No, I don't

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Speaker 3: know did like, like who was there to? Like, was

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Speaker 3: somebody at your house to help you? So when I

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Speaker 3: got shot, they ran through the house. I got shot

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Speaker 3: on the porch and they ran through the house and

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Speaker 3: they didn't really get nothing. So when they when they

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Speaker 3: left the house, uh, they left and ran out because

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Speaker 3: it was it was real quick whatever like that. They

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Speaker 3: couldn't find it until they left and I got up

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Speaker 3: off the porch, I had to go back in the

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Speaker 3: house shot up, kicked down the door because it was

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Speaker 3: just like laiding on the floor in the closet where

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Speaker 3: they laid him down at whatever like that. They told

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Speaker 3: me like come to the hunted, you know, don't get

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Speaker 3: up whatever like that. Some I get back up, I'm

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Speaker 3: stumbling in the house.

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Speaker 5: I had to kick the door in his room, and

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Speaker 5: I'm like, bro, I'm shot, calling nine one one.

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Speaker 1: I'm I'm hit and.

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Speaker 5: Trying to try to turn around stabilize myself. And then

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Speaker 5: like when you feel like you when you dying, you

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Speaker 5: you get tired, you lose. I lost a lot of blood,

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Speaker 5: so I got shot in my artery, in my right arm.

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Speaker 5: So when you when you when you when you dying,

240
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Speaker 5: when you feel like you're dying, you get tired. I

241
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Speaker 5: couldn't even I was like trying to walk back. I

242
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Speaker 5: couldn't even walk. I just sat down on the couch.

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Speaker 5: It was like shit, Like I was just more mad.

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Speaker 5: But I think what kept me alive was me just

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Speaker 5: being calm because I lost a lot of blood and

246
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Speaker 5: I got shot in my artery, so I was just

247
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Speaker 5: mad at anything, and I was just just holding myself up.

248
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Speaker 5: And that's why I realized I got shot. I only

249
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Speaker 5: thought I got shot in my hands, But when I realized,

250
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Speaker 5: when I finally sat down and the adrenaline went down.

251
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Speaker 3: I felt all the wounds on my ass, my legs.

252
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Speaker 5: I pulled on my pants and see me hanging on

253
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Speaker 5: my leg I'm leading from this bart, I'm looking at this.

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Speaker 1: I'm like, what the hell.

255
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Speaker 5: I'm like, what the oh hell, no, these niggas shot

256
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Speaker 5: me six times. I'm like, fuck, because when you get shot,

257
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Speaker 5: you don't really feel it. You don't feel you get

258
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Speaker 5: shot immediately when it happened adrenaline. Yeah, right, So that's scary, dude.

259
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Speaker 1: He called the police. They came so quick.

260
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Speaker 5: I felt like right when I was in the pass out,

261
00:11:28,520 --> 00:11:30,959
Speaker 5: the ambulance came right on time and everything and that shit.

262
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Speaker 1: Usually don't happen.

263
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Speaker 5: But I am glad that I got shot where I

264
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Speaker 5: got shot at, because Highland has a trauma center, which

265
00:11:36,320 --> 00:11:39,360
Speaker 5: is probably five minutes from where I'm at, so the

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Speaker 5: best place to get If I got a shot in Richmond

267
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Speaker 5: around from of something, probably would have died, Thank god.

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Speaker 1: Man.

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Speaker 5: Luckily, you know, the Highland was right there. I got

270
00:11:45,440 --> 00:11:48,000
Speaker 5: took the hospital. Wo did the surgery go on? I

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Speaker 5: woke up.

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Speaker 3: I'm like, damn, I made it. Shit, man, that had

273
00:11:52,320 --> 00:11:53,839
Speaker 3: to be scary. You you probably didn't know when, but

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Speaker 3: by the time when the ambulance got there, you probably

275
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Speaker 3: weren't even sure.

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Speaker 1: I just know that I was still alive.

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Speaker 5: After I got shot, I was like, I still got

278
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Speaker 5: a chance to leave, Like you know, I'm like, I'm like,

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Speaker 5: hold on, like I'm still like I ain't dead.

280
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Speaker 3: Hold On, I got I got a chance, you feel me?

281
00:12:05,640 --> 00:12:08,800
Speaker 5: So ship, I just kept fighting you feel men, ship

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Speaker 5: made it can't really tell you know what I'm saying

283
00:12:11,080 --> 00:12:13,320
Speaker 5: unless you you know, see my wounds. But it's just

284
00:12:13,360 --> 00:12:15,560
Speaker 5: a learning lesson. Like it's really a learning lesson. You

285
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Speaker 5: can't be moving out here freely thinking that anything can't

286
00:12:18,440 --> 00:12:20,360
Speaker 5: happen to you. You know what I mean, It will

287
00:12:20,440 --> 00:12:22,880
Speaker 5: and it can. So you gotta you gotta move smart,

288
00:12:23,240 --> 00:12:24,480
Speaker 5: gotta move strategically.

289
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Speaker 3: And how long do you think it took you to,

290
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Speaker 3: like mentally heal from that? Because that ship had me

291
00:12:31,760 --> 00:12:33,360
Speaker 3: fucked up, I'd have been like, man, fuck this, I

292
00:12:33,600 --> 00:12:35,800
Speaker 3: moving nah ship. To be honest with you, I am,

293
00:12:36,640 --> 00:12:38,560
Speaker 3: I had to put a bag on whoever's had that was.

294
00:12:40,000 --> 00:12:41,400
Speaker 3: I didn't give a ship like I feel like it's

295
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Speaker 3: my own mistake. Feel me.

296
00:12:43,320 --> 00:12:46,880
Speaker 5: Sometimes you gotta you gotta write it off to that point.

297
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Speaker 5: You gotta be on point.

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Speaker 1: You know. It's part of the part of this is

299
00:12:49,360 --> 00:12:50,640
Speaker 1: part of the world. It's part of life, you know

300
00:12:50,640 --> 00:12:51,640
Speaker 1: what I'm saying. It's part of.

301
00:12:53,360 --> 00:12:56,000
Speaker 5: You know, being involved, being accessible, you know what I mean.

302
00:12:56,160 --> 00:12:58,120
Speaker 5: I gotta move smarter. I gotta you know, I gotta

303
00:12:58,400 --> 00:13:00,400
Speaker 5: take the long way. I gotta watch my back. I

304
00:13:00,400 --> 00:13:01,240
Speaker 5: gotta you know.

305
00:13:01,440 --> 00:13:03,720
Speaker 3: And you're still living in the bay right, live in Bay.

306
00:13:04,080 --> 00:13:08,480
Speaker 3: Why haven't you followed? M hmmm, because I just got

307
00:13:08,480 --> 00:13:10,800
Speaker 3: too much motion in the Bay. Like it just you

308
00:13:10,840 --> 00:13:12,839
Speaker 3: know what I'm saying, Like if you go and I

309
00:13:12,920 --> 00:13:15,439
Speaker 3: was like, you know how they say like like John Coston,

310
00:13:16,559 --> 00:13:18,720
Speaker 3: that's my boy too. Now I know he is happy birthday,

311
00:13:18,760 --> 00:13:21,920
Speaker 3: that piece, happy birthday piece. But it's just like it's

312
00:13:21,960 --> 00:13:24,240
Speaker 3: just like you know how people would never move. Move.

313
00:13:24,320 --> 00:13:27,080
Speaker 3: I'm like, bro, move to l A. You love just

314
00:13:27,160 --> 00:13:29,360
Speaker 3: being the guy in the bay though, John, don't you

315
00:13:29,360 --> 00:13:30,040
Speaker 3: you fuck.

316
00:13:30,160 --> 00:13:31,880
Speaker 5: It's hard to lead that, you know what I'm saying.

317
00:13:33,760 --> 00:13:37,480
Speaker 5: And listen, I guess the motion on the studio here.

318
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Speaker 5: I got studio at home.

319
00:13:39,040 --> 00:13:39,240
Speaker 3: Yeah.

320
00:13:39,880 --> 00:13:43,120
Speaker 5: Then I got my kids too, you knowing too much stuff?

321
00:13:43,360 --> 00:13:45,480
Speaker 5: How many you have three? I got three girls?

322
00:13:45,559 --> 00:13:48,679
Speaker 3: Yeah, you don't want to leave three kids, dad, Yeah,

323
00:13:48,880 --> 00:13:53,520
Speaker 3: that's fair. Curse Kobe, Curse the players. Curse the players.

324
00:13:53,559 --> 00:13:57,720
Speaker 3: Curse for sure. You also, like obviously have a lot

325
00:13:57,720 --> 00:14:00,000
Speaker 3: of influence on like the fashion ship that was going on,

326
00:14:00,040 --> 00:14:01,959
Speaker 3: Like I feel like your merchant ship was like super

327
00:14:02,000 --> 00:14:06,240
Speaker 3: fucking popping. Like in general, like when we think of

328
00:14:06,280 --> 00:14:08,320
Speaker 3: the bay, I think of like what you guys are doing.

329
00:14:08,360 --> 00:14:11,360
Speaker 3: Obviously Pink Dolphin came out of the bay, right yeah, yeah,

330
00:14:12,920 --> 00:14:19,360
Speaker 3: shouts to those guys, shouts to dope era, shouts to Cookies, Like, like,

331
00:14:19,400 --> 00:14:21,240
Speaker 3: what do you think it is? You know, in twenty

332
00:14:21,280 --> 00:14:25,600
Speaker 3: twenty four that is still preventing barrier music to like

333
00:14:25,760 --> 00:14:31,600
Speaker 3: really really break out of the perceived ceiling that it has.

334
00:14:32,680 --> 00:14:37,040
Speaker 3: I feel like, shit like people will be in commercials

335
00:14:37,040 --> 00:14:40,440
Speaker 3: and national commercials and stuff like that, like a barrier

336
00:14:40,480 --> 00:14:43,160
Speaker 3: move barrier music. It was he playing during the finals,

337
00:14:43,800 --> 00:14:46,240
Speaker 3: doing these playing on these bigger platforms. I feel like

338
00:14:46,280 --> 00:14:49,000
Speaker 3: it's just like your own tape. How do we get

339
00:14:49,040 --> 00:14:52,000
Speaker 3: him to perform at a finals that doesn't involve the Warriors?

340
00:14:53,000 --> 00:14:58,000
Speaker 2: I mean this is but I mean usually the words

341
00:14:58,000 --> 00:15:02,400
Speaker 2: are there, you know, there got a nice run.

342
00:15:02,520 --> 00:15:04,960
Speaker 5: Yeah, And I feel like everything coming waves like every

343
00:15:05,000 --> 00:15:07,160
Speaker 5: other city and stuff had their own ways. People got

344
00:15:07,160 --> 00:15:08,880
Speaker 5: to just catch on, you know, they're gonna catch onto

345
00:15:08,920 --> 00:15:11,200
Speaker 5: the frequency one time I'll take to somebody just to

346
00:15:11,760 --> 00:15:12,720
Speaker 5: blow up with the sound.

347
00:15:12,760 --> 00:15:15,280
Speaker 2: And you know, but I do think I think it

348
00:15:15,360 --> 00:15:18,200
Speaker 2: always like necessary. It always starts with music, no matter,

349
00:15:18,920 --> 00:15:19,800
Speaker 2: it starts with the music.

350
00:15:19,880 --> 00:15:20,520
Speaker 3: So it's just like.

351
00:15:21,960 --> 00:15:25,160
Speaker 2: I think if if you know there's people doing it,

352
00:15:25,240 --> 00:15:25,520
Speaker 2: you know.

353
00:15:25,520 --> 00:15:27,480
Speaker 3: For sure, no, no, there's people killing it. I just

354
00:15:27,520 --> 00:15:30,280
Speaker 3: think like in terms of just like like the national

355
00:15:30,320 --> 00:15:32,720
Speaker 3: recognition and the national you know, I think if a

356
00:15:32,760 --> 00:15:34,560
Speaker 3: guy like like you and the Russell just dropped the

357
00:15:34,600 --> 00:15:36,680
Speaker 3: project right, like, I feel like Russell has done a

358
00:15:36,680 --> 00:15:39,840
Speaker 3: good job at least of like breaking the mold of

359
00:15:39,880 --> 00:15:42,520
Speaker 3: like people like talk about what he's doing. Oh and

360
00:15:42,600 --> 00:15:44,280
Speaker 3: he's from the Bay. Yeah you know what I mean.

361
00:15:44,360 --> 00:15:48,080
Speaker 2: Yeah, yeah, shout out to the Wressell Man majorly independent

362
00:15:48,160 --> 00:15:48,920
Speaker 2: out as well.

363
00:15:49,120 --> 00:15:51,480
Speaker 3: And man has an Android and crocs on it all

364
00:15:51,480 --> 00:15:54,560
Speaker 3: the time. Yes, yes, green bubbles every time.

365
00:15:54,840 --> 00:15:56,320
Speaker 2: Oh God, I love that.

366
00:15:57,080 --> 00:15:59,640
Speaker 5: I feel like I feel like everything just like how Detroit.

367
00:15:59,800 --> 00:16:01,600
Speaker 5: They was quiet for a long time and all of

368
00:16:01,600 --> 00:16:04,240
Speaker 5: a sudden they move. It's just a stampede of avalanche

369
00:16:04,240 --> 00:16:06,160
Speaker 5: of just artists just coming out as far as you know.

370
00:16:06,240 --> 00:16:08,400
Speaker 5: So it's like everything comes away, you know what I mean,

371
00:16:08,400 --> 00:16:09,680
Speaker 5: all to take to somebody just to.

372
00:16:10,960 --> 00:16:13,400
Speaker 3: Detroit and that they have a lot of synergy to

373
00:16:13,960 --> 00:16:16,160
Speaker 3: sonically and a lot of the artists work together.

374
00:16:16,320 --> 00:16:18,840
Speaker 5: Yeah, so it's like it eventually catch on. You know,

375
00:16:19,520 --> 00:16:21,440
Speaker 5: who's your guys his favorite Detroit rapper.

376
00:16:23,600 --> 00:16:28,360
Speaker 3: Besides Eminem obviously, like I say, like Bayface Race and Peas.

377
00:16:30,080 --> 00:16:32,240
Speaker 2: Doug that's my favorite.

378
00:16:32,960 --> 00:16:39,440
Speaker 3: I fuck with Doug, that's my favorite. With cash Kid.

379
00:16:39,680 --> 00:16:42,640
Speaker 5: Yeah, Cash Kid too that he's doubles, Like he really

380
00:16:42,640 --> 00:16:45,440
Speaker 5: got hell of bars, like he'd be rapping off bro

381
00:16:46,160 --> 00:16:48,720
Speaker 5: like he on a different level, Like his sports bars

382
00:16:48,760 --> 00:16:51,080
Speaker 5: are crazy. It's crazy, Like I'm I would listen to

383
00:16:51,120 --> 00:16:54,000
Speaker 5: him like Wow, this is like something. Baby Tryn's are

384
00:16:54,080 --> 00:16:57,400
Speaker 5: too ship Baby Trying. I think Baby Trying washed him

385
00:16:57,400 --> 00:17:01,440
Speaker 5: and m on that song Big Shie Trying, Baby Trying.

386
00:17:02,120 --> 00:17:03,320
Speaker 1: They've been trying to.

387
00:17:03,640 --> 00:17:05,840
Speaker 3: By trying to go Crazy. We're trying for show Lady,

388
00:17:05,880 --> 00:17:09,480
Speaker 3: for Show you Go Crazy. So now that this album

389
00:17:09,560 --> 00:17:11,119
Speaker 3: is out, what are you are you guys going to

390
00:17:11,200 --> 00:17:13,959
Speaker 3: each individually focus on? I mean, you have two projects

391
00:17:14,000 --> 00:17:16,880
Speaker 3: out right, now Yeah, solo, new solo.

392
00:17:17,480 --> 00:17:19,240
Speaker 2: New soloff, new cools on we.

393
00:17:19,200 --> 00:17:20,760
Speaker 1: Yeah, I got one trapping this month too.

394
00:17:21,240 --> 00:17:24,119
Speaker 2: Yeah, you know we were about to go in you

395
00:17:24,160 --> 00:17:27,000
Speaker 2: feel me, and just yeah, keep feeding the streets.

396
00:17:26,640 --> 00:17:30,320
Speaker 1: Man, keep going in for me. There All Stars next.

397
00:17:30,200 --> 00:17:32,560
Speaker 2: Year and yeah, the All Star weekends in the banks.

398
00:17:32,760 --> 00:17:35,480
Speaker 1: Trying to keep the ship lift. So when people come to.

399
00:17:35,440 --> 00:17:37,960
Speaker 3: My All Star games in the Bay, yeah this year,

400
00:17:38,119 --> 00:17:39,160
Speaker 3: this year coming.

401
00:17:39,000 --> 00:17:41,160
Speaker 2: Up, Yeah, coming up NBA season.

402
00:17:41,800 --> 00:17:47,240
Speaker 3: Yeah, it's gonna be I'm not going that I ever

403
00:17:47,240 --> 00:17:48,400
Speaker 3: thought that was a good idea.

404
00:17:48,880 --> 00:17:51,360
Speaker 2: I mean that, I mean, bro, I mean the Chase

405
00:17:51,359 --> 00:17:52,520
Speaker 2: Center is beautiful.

406
00:17:52,680 --> 00:17:53,159
Speaker 1: There's gonna be a.

407
00:17:53,119 --> 00:17:55,480
Speaker 3: Lot of people getting chased in the streets.

408
00:17:55,920 --> 00:18:00,280
Speaker 1: It's gonna be ugly. It's gonna be they gonna are

409
00:18:00,359 --> 00:18:01,960
Speaker 1: going to be God.

410
00:18:02,000 --> 00:18:04,719
Speaker 3: The biers are up. And even when a rock came

411
00:18:04,800 --> 00:18:08,600
Speaker 3: to the Bay and they broke it tos like like

412
00:18:08,600 --> 00:18:10,639
Speaker 3: like yeah yeah he got I think he was like

413
00:18:10,680 --> 00:18:12,959
Speaker 3: calling a Giants game or something and they bipped him

414
00:18:13,160 --> 00:18:17,000
Speaker 3: tast I think escalated to caress ship. Yeah, like you

415
00:18:17,040 --> 00:18:20,000
Speaker 3: guys know obviously we're not gonna did you guys know

416
00:18:20,040 --> 00:18:24,080
Speaker 3: any actual bippers? Yeah, I do, Like they got tools

417
00:18:24,119 --> 00:18:27,960
Speaker 3: and ship, like, yeah, they know what cars they're looking for.

418
00:18:28,800 --> 00:18:31,000
Speaker 5: Yep, Like you got ones that's like professionally you got one.

419
00:18:31,080 --> 00:18:34,080
Speaker 5: That's like, you know, like just doing anything, you know.

420
00:18:34,040 --> 00:18:36,200
Speaker 3: So everything it's bipped and like taking to the mission

421
00:18:36,200 --> 00:18:37,200
Speaker 3: to get slung.

422
00:18:37,440 --> 00:18:39,639
Speaker 5: Nah, I'm pretty sure it's like a black market somewhere.

423
00:18:39,720 --> 00:18:42,199
Speaker 5: How they just bip take it. If it's laptop, they

424
00:18:42,200 --> 00:18:47,160
Speaker 5: got laptops for sale, their purses money. They follow people

425
00:18:47,160 --> 00:18:49,600
Speaker 5: from the bank, Like they'll follow you from the bank,

426
00:18:49,680 --> 00:18:51,119
Speaker 5: so you get an envelope follow.

427
00:18:50,880 --> 00:18:53,280
Speaker 3: You off to me having to me in lap your card.

428
00:18:53,359 --> 00:18:57,320
Speaker 3: We might go in the store. Literally in La was

429
00:18:57,400 --> 00:18:59,920
Speaker 3: like damn. I'm like, I don't catch on to that.

430
00:19:00,240 --> 00:19:01,720
Speaker 3: But that's the type of stuff I've been saying. You

431
00:19:01,760 --> 00:19:04,719
Speaker 3: gotta really watch and see and be own ship because

432
00:19:05,160 --> 00:19:09,440
Speaker 3: Molluck is bold nowadays. Do you think San Francisco as

433
00:19:09,480 --> 00:19:11,359
Speaker 3: a city, at least in Oakland? Do you think you

434
00:19:11,359 --> 00:19:14,960
Speaker 3: guys could benefit each of Obviously you guys are neither

435
00:19:15,000 --> 00:19:17,600
Speaker 3: of you guys aren't from those two specific specific cities.

436
00:19:17,640 --> 00:19:20,159
Speaker 3: But I feel like the Bay Area could use a

437
00:19:20,160 --> 00:19:24,520
Speaker 3: Republican for four years. Oh god, man, I don't even

438
00:19:24,520 --> 00:19:30,680
Speaker 3: know nothing about politics, just the pendulum the other way

439
00:19:30,760 --> 00:19:34,520
Speaker 3: real quick. Yeah, like everybody you can rock you. Hey,

440
00:19:34,520 --> 00:19:42,600
Speaker 3: everybody's got guns.

441
00:19:39,000 --> 00:19:42,160
Speaker 5: Like to be honest with you, Like in California, it's

442
00:19:42,200 --> 00:19:44,040
Speaker 5: meant to lose. Like, have you guys ever heard a

443
00:19:44,040 --> 00:19:44,560
Speaker 5: ship like that?

444
00:19:44,760 --> 00:19:46,840
Speaker 3: Ever hung out with Gavin Newsom? Like you know, I

445
00:19:46,880 --> 00:19:50,399
Speaker 3: saw him in uh Marchoral. They have a fucking podcast

446
00:19:50,440 --> 00:19:54,320
Speaker 3: that's the most pandering shit I've ever seen. But yeah, No,

447
00:19:54,680 --> 00:19:55,240
Speaker 3: I haven't.

448
00:19:55,000 --> 00:19:57,160
Speaker 2: Hang out with Gavin this, but I know he's probably

449
00:19:57,160 --> 00:19:58,680
Speaker 2: gonna run for president. Huh.

450
00:19:59,000 --> 00:20:00,320
Speaker 3: I mean Kamala is no.

451
00:20:00,400 --> 00:20:02,600
Speaker 2: I mean, I mean I'm saying one day, no, no,

452
00:20:02,720 --> 00:20:04,280
Speaker 2: at at some point, I think.

453
00:20:04,119 --> 00:20:06,959
Speaker 3: He'd like to, but I'm not sure it's in the

454
00:20:06,960 --> 00:20:10,920
Speaker 3: cards for him. Like, I don't think right now for sure.

455
00:20:11,080 --> 00:20:14,520
Speaker 3: I think I think. I think, I think I'm curious. Well,

456
00:20:14,560 --> 00:20:16,560
Speaker 3: you know what, Kamala cannot pick him as a VP

457
00:20:16,640 --> 00:20:21,640
Speaker 3: because they're both from the same state. Yeah, but yeah,

458
00:20:21,640 --> 00:20:26,120
Speaker 3: I don't know, man, Maybe I think he'd like that. Yeah,

459
00:20:26,680 --> 00:20:28,800
Speaker 3: I think, I think. I think that's why I think

460
00:20:28,840 --> 00:20:31,720
Speaker 3: you're gonna see California all of a sudden, he's gonna

461
00:20:31,760 --> 00:20:35,920
Speaker 3: start like, yo, he just passed that. Uh, clean it up.

462
00:20:36,080 --> 00:20:39,240
Speaker 3: He's gonna start looking not so crazy. He's gonna clean

463
00:20:39,280 --> 00:20:40,960
Speaker 3: this ship up because he wants to be the president,

464
00:20:41,680 --> 00:20:44,760
Speaker 3: because he's the power of hungry psychopath. I feel I

465
00:20:44,760 --> 00:20:49,280
Speaker 3: feel like you guys ever watched that movie uh Hostile,

466
00:20:50,400 --> 00:20:52,679
Speaker 3: like where millionaires go to Europe and they murder of

467
00:20:52,680 --> 00:20:55,720
Speaker 3: tourists and like, mm hmmm, I feel like Gavin Newsom

468
00:20:55,760 --> 00:21:02,359
Speaker 3: does that in the summer for sure. Like he's the

469
00:21:02,440 --> 00:21:07,040
Speaker 3: kind of guy that like to just pay like three

470
00:21:07,119 --> 00:21:09,680
Speaker 3: four five million dollars to just pick apart a fucking

471
00:21:09,720 --> 00:21:10,320
Speaker 3: homeless guy.

472
00:21:10,400 --> 00:21:10,960
Speaker 1: You know what I mean.

473
00:21:13,119 --> 00:21:16,119
Speaker 3: He's like, I love the homeless, less people, more people,

474
00:21:16,440 --> 00:21:17,399
Speaker 3: more people to take this.

475
00:21:20,760 --> 00:21:22,959
Speaker 2: This is insane. I don't know.

476
00:21:23,119 --> 00:21:24,880
Speaker 3: I shot the gap and I voted for you hunt.

477
00:21:28,160 --> 00:21:30,720
Speaker 3: Why yeah, what the hell?

478
00:21:32,119 --> 00:21:33,120
Speaker 2: It's kind of early.

479
00:21:37,400 --> 00:21:38,280
Speaker 1: Jesus Christ.

480
00:21:39,520 --> 00:21:40,960
Speaker 3: What's the last time you show? You guys talked to

481
00:21:41,040 --> 00:21:42,920
Speaker 3: him too, talked to him yesterday.

482
00:21:43,800 --> 00:21:46,200
Speaker 2: Yeah, I mean I talked talk to all the time. Yeah,

483
00:21:46,320 --> 00:21:48,639
Speaker 2: you know, just checking in here and there, like he

484
00:21:48,680 --> 00:21:51,800
Speaker 2: came to our release party and you know, just love nice.

485
00:21:52,440 --> 00:21:55,679
Speaker 5: We still talk to everybody still, everybody just you know,

486
00:21:56,000 --> 00:21:58,200
Speaker 5: everybody individually just be busy with their own lives.

487
00:21:58,280 --> 00:22:00,000
Speaker 3: What is it about the Bay Area where the best

488
00:22:00,040 --> 00:22:00,679
Speaker 3: groups break up.

489
00:22:01,720 --> 00:22:03,600
Speaker 5: I feel like it's not even a breakup, it's more

490
00:22:03,720 --> 00:22:05,959
Speaker 5: just like everybody just you know, you don't have all

491
00:22:06,000 --> 00:22:07,159
Speaker 5: the time in the world just to be sitting in

492
00:22:07,200 --> 00:22:07,840
Speaker 5: the studio in.

493
00:22:07,920 --> 00:22:10,000
Speaker 3: My breakup, it felt like a breakup, just so you know,

494
00:22:10,040 --> 00:22:12,240
Speaker 3: it felt like it just felt like it. But I

495
00:22:12,280 --> 00:22:13,959
Speaker 3: feel like a breakup just I don't know, it just

496
00:22:13,960 --> 00:22:15,159
Speaker 3: felt like a breakup.

497
00:22:15,400 --> 00:22:16,840
Speaker 5: Like what makes it feel like a break I just

498
00:22:16,840 --> 00:22:19,520
Speaker 5: feel like all of a sudden, like h h K,

499
00:22:19,760 --> 00:22:23,080
Speaker 5: wasn't getting banged like that. You feel me okay, But

500
00:22:23,119 --> 00:22:26,760
Speaker 5: I feel like, okay, you know, s O B RBA done.

501
00:22:27,080 --> 00:22:29,199
Speaker 5: You see, like that's like more of a breakup, like

502
00:22:29,320 --> 00:22:31,000
Speaker 5: that was a work series or they all have beef

503
00:22:31,040 --> 00:22:31,399
Speaker 5: to it, you know.

504
00:22:31,640 --> 00:22:33,600
Speaker 3: And I feel like how we were started off, it

505
00:22:33,640 --> 00:22:35,800
Speaker 3: wasn't just started off like it was a collective.

506
00:22:35,880 --> 00:22:39,160
Speaker 5: It was a collective. You guys were like exactly guys.

507
00:22:39,600 --> 00:22:42,240
Speaker 5: You guys were exactly exactly. So it's not like we

508
00:22:42,400 --> 00:22:44,960
Speaker 5: started off. It's just like everybody's on all the songs

509
00:22:44,960 --> 00:22:47,400
Speaker 5: at one time, you know, all their own solo mixtapes

510
00:22:47,400 --> 00:22:49,560
Speaker 5: and all the stuff, and we only came out with

511
00:22:50,119 --> 00:22:50,680
Speaker 5: it more like.

512
00:22:52,119 --> 00:22:55,680
Speaker 3: Yeah, like that come together every once in a while

513
00:22:56,440 --> 00:22:57,960
Speaker 3: performing a halftime show at the Knicks.

514
00:22:58,280 --> 00:23:01,440
Speaker 5: Yeah, basically we all still make music together though as

515
00:23:01,520 --> 00:23:02,960
Speaker 5: I do just grabbing them on there.

516
00:23:03,560 --> 00:23:05,879
Speaker 1: You know, still work with everybody. I don't feel like

517
00:23:05,920 --> 00:23:06,280
Speaker 1: a break up.

518
00:23:06,320 --> 00:23:07,920
Speaker 5: I just feel like, you know, as you get older

519
00:23:07,920 --> 00:23:10,520
Speaker 5: and real life start happening, you know, just people just

520
00:23:10,520 --> 00:23:12,040
Speaker 5: grow up apart. You just don't have all the time

521
00:23:12,080 --> 00:23:15,200
Speaker 5: just to be in the studio altogether six people, nine,

522
00:23:15,240 --> 00:23:17,360
Speaker 5: eight people in the studio all day. At that time,

523
00:23:17,359 --> 00:23:19,199
Speaker 5: we was broken hash it use to do. Now we

524
00:23:19,240 --> 00:23:21,040
Speaker 5: got money and we got our lives, and it's certain

525
00:23:21,040 --> 00:23:23,879
Speaker 5: goals we want to achieve in life individually. You know

526
00:23:23,960 --> 00:23:25,360
Speaker 5: we're gonna go for that, you know what I mean.

527
00:23:25,440 --> 00:23:27,880
Speaker 3: So when did you realize Pelo was really really good

528
00:23:27,880 --> 00:23:30,320
Speaker 3: at making beats?

529
00:23:30,720 --> 00:23:34,240
Speaker 5: Pelo being doing that ship plot like people been making

530
00:23:34,320 --> 00:23:37,400
Speaker 5: hits is like high school? Like high school. Yeah, like

531
00:23:37,920 --> 00:23:38,800
Speaker 5: it was like destined.

532
00:23:38,800 --> 00:23:43,200
Speaker 3: Were you making hits before you got pussy? No?

533
00:23:43,200 --> 00:23:49,520
Speaker 2: No, of course I was. You you know, I will

534
00:23:49,680 --> 00:23:53,600
Speaker 2: I will say cool John as far as like, uh

535
00:23:53,840 --> 00:23:57,800
Speaker 2: like Pilo the artist cool Jo almost cool almost one

536
00:23:57,800 --> 00:24:01,679
Speaker 2: of the first damn there, I think, don't put like

537
00:24:02,200 --> 00:24:06,080
Speaker 2: he put like a Pilo song on on like his

538
00:24:06,440 --> 00:24:09,080
Speaker 2: on his compilation, and it wasn't even a rap song.

539
00:24:09,200 --> 00:24:11,320
Speaker 2: Was like a Pilo like R and B song. That

540
00:24:11,400 --> 00:24:12,760
Speaker 2: was the first time I ever got R and B,

541
00:24:13,160 --> 00:24:15,000
Speaker 2: I ever got played on the radio. Was like a

542
00:24:15,040 --> 00:24:18,080
Speaker 2: Pilo R and B song, R and P. Shout out

543
00:24:18,080 --> 00:24:19,679
Speaker 2: to Big Vine as well, I love that.

544
00:24:20,320 --> 00:24:22,640
Speaker 3: What was that project? We had the rat tail as

545
00:24:22,680 --> 00:24:27,400
Speaker 3: a baby. We're going yeah, change toit, Yeah, going the workship.

546
00:24:27,920 --> 00:24:30,400
Speaker 5: So I already knew Pelo was like dope and ship

547
00:24:30,480 --> 00:24:32,639
Speaker 5: like that, and ship I was at that time. I

548
00:24:32,720 --> 00:24:34,919
Speaker 5: was just I was just trying to just really just

549
00:24:34,960 --> 00:24:36,840
Speaker 5: push my friends music and like that cause I had

550
00:24:36,840 --> 00:24:39,000
Speaker 5: a little platform. I was throwing these parties. A lot

551
00:24:39,000 --> 00:24:42,159
Speaker 5: of stuff was just catching on from these parties and

552
00:24:42,160 --> 00:24:43,680
Speaker 5: stuff like that. So I was just really trying to

553
00:24:43,720 --> 00:24:45,320
Speaker 5: push my French music. And then that's how I just

554
00:24:45,359 --> 00:24:47,760
Speaker 5: got into it. But always from day one, like Pelo

555
00:24:47,960 --> 00:24:50,600
Speaker 5: was just like it was always just a connection far

556
00:24:50,600 --> 00:24:52,480
Speaker 5: as musically and as far as just talent.

557
00:24:52,640 --> 00:24:55,639
Speaker 3: I just felt like he was Lero like you feel me.

558
00:24:55,680 --> 00:24:57,320
Speaker 5: I was like we could do so we could make

559
00:24:57,400 --> 00:24:59,600
Speaker 5: out of shape but also believe in them too, like

560
00:25:00,520 --> 00:25:02,040
Speaker 5: you feel me, I'm like I was more like an

561
00:25:02,080 --> 00:25:04,720
Speaker 5: A and R type of behind the scenes type person stuff.

562
00:25:04,720 --> 00:25:07,920
Speaker 5: I just end up being thrown into the music because

563
00:25:07,920 --> 00:25:11,160
Speaker 5: it's just like my friends doing it, they become successful.

564
00:25:11,200 --> 00:25:12,320
Speaker 1: Why not, right you feel me?

565
00:25:12,600 --> 00:25:17,679
Speaker 2: I will say, like, uh, like behind was just like

566
00:25:17,760 --> 00:25:20,679
Speaker 2: the whole HBK movement, Like I feel.

567
00:25:20,400 --> 00:25:21,440
Speaker 3: Like John.

568
00:25:22,880 --> 00:25:26,640
Speaker 2: Was really like yeah, yeah, yeah, like as far as

569
00:25:26,680 --> 00:25:29,280
Speaker 2: just like the vision and the like the lifestyle and

570
00:25:29,320 --> 00:25:33,720
Speaker 2: the culture behind Yeah, like HBK, like John had played

571
00:25:33,720 --> 00:25:37,119
Speaker 2: a big part. Like I feel like me and Sue

572
00:25:38,160 --> 00:25:42,760
Speaker 2: like were the like the musical part about it. But

573
00:25:43,119 --> 00:25:46,760
Speaker 2: I feel like John really like allowed the lifestyle like

574
00:25:46,880 --> 00:25:50,360
Speaker 2: he he he he likes as far as like him

575
00:25:50,400 --> 00:25:54,280
Speaker 2: even throwing the parties and like even allowing that for

576
00:25:54,359 --> 00:25:57,679
Speaker 2: the music to like live somewhere. I feel like he

577
00:25:57,760 --> 00:26:00,880
Speaker 2: was always had the vision for that, even like what

578
00:26:01,000 --> 00:26:04,160
Speaker 2: the like, Uh, there was like a term called New Bay,

579
00:26:04,320 --> 00:26:06,959
Speaker 2: and I feel like I remember that John was like

580
00:26:07,000 --> 00:26:09,560
Speaker 2: the you know, pushing headline.

581
00:26:09,720 --> 00:26:11,200
Speaker 1: I was even intern.

582
00:26:11,880 --> 00:26:13,480
Speaker 3: I like I like New Bay a lot more than

583
00:26:13,680 --> 00:26:16,800
Speaker 3: Young California. It's like.

584
00:26:19,400 --> 00:26:21,280
Speaker 5: I feel like it feel like it's coming away. It's

585
00:26:21,320 --> 00:26:23,240
Speaker 5: always a new wave of new artists coming, you know

586
00:26:23,240 --> 00:26:24,160
Speaker 5: what I mean for sure?

587
00:26:24,520 --> 00:26:26,800
Speaker 3: So, like, what was like in the New Bay. I mean,

588
00:26:26,840 --> 00:26:28,360
Speaker 3: would you say that era of like people were kind

589
00:26:28,359 --> 00:26:30,119
Speaker 3: of like associating with that term.

590
00:26:30,400 --> 00:26:35,600
Speaker 5: It was like, uh, damn, I can't even remember all

591
00:26:35,640 --> 00:26:36,119
Speaker 5: those people.

592
00:26:36,200 --> 00:26:37,400
Speaker 1: Like it was. It was.

593
00:26:37,440 --> 00:26:39,159
Speaker 5: It was a wave of us, but it's like I

594
00:26:39,160 --> 00:26:40,719
Speaker 5: can't remember them because a lot of them don't even

595
00:26:40,720 --> 00:26:42,680
Speaker 5: do music nowhere, Like a lot of them really don't.

596
00:26:44,119 --> 00:26:45,600
Speaker 5: Like I can't even to manage you. I can't even

597
00:26:45,640 --> 00:26:48,120
Speaker 5: remember too much. But it was it was a lot

598
00:26:48,119 --> 00:26:49,840
Speaker 5: of It was a lot of us at the time.

599
00:26:52,200 --> 00:26:54,200
Speaker 5: John Hart for the Bay. Yeah, it was. It was

600
00:26:54,240 --> 00:26:55,160
Speaker 5: all of us around that wave.

601
00:26:55,200 --> 00:26:58,640
Speaker 3: It was a lot of us. But I can't manage

602
00:26:58,680 --> 00:26:59,720
Speaker 3: I can't even remember, but it was.

603
00:27:01,200 --> 00:27:01,520
Speaker 1: It was.

604
00:27:01,640 --> 00:27:03,399
Speaker 5: It was definitely a good time and stuff like that.

605
00:27:03,440 --> 00:27:05,600
Speaker 5: And then that's when thisler was first coming out and

606
00:27:06,640 --> 00:27:09,680
Speaker 5: the shots. I used to intern for them, and my

607
00:27:09,800 --> 00:27:12,600
Speaker 5: intern for Cameo too, to try to push our music

608
00:27:12,640 --> 00:27:14,359
Speaker 5: in there and all this stuff. But by the time

609
00:27:14,440 --> 00:27:16,560
Speaker 5: I got the job and I was working, we already

610
00:27:16,560 --> 00:27:17,280
Speaker 5: blew up in the Bay.

611
00:27:17,600 --> 00:27:19,240
Speaker 3: You were like you were like the intern at the

612
00:27:19,280 --> 00:27:19,800
Speaker 3: radio station.

613
00:27:21,320 --> 00:27:24,159
Speaker 5: Yeah, they was tripped off at Cameo. I finally got

614
00:27:24,160 --> 00:27:26,480
Speaker 5: the internship. But by the time I got it and

615
00:27:26,480 --> 00:27:28,399
Speaker 5: I was in there, they was playing like swaggen I

616
00:27:28,400 --> 00:27:29,960
Speaker 5: was one of our first songs they was playing on

617
00:27:30,000 --> 00:27:31,359
Speaker 5: the radio, and I was like, ship, this is what

618
00:27:31,400 --> 00:27:33,240
Speaker 5: I was gonna do. I was only gonna get the

619
00:27:33,520 --> 00:27:36,360
Speaker 5: internship to infiltrate you feel me, And it was already and.

620
00:27:36,480 --> 00:27:37,439
Speaker 1: But it then already caught on.

621
00:27:37,600 --> 00:27:40,200
Speaker 3: How long did you intern? I interned for like probably

622
00:27:40,240 --> 00:27:40,960
Speaker 3: two months.

623
00:27:41,320 --> 00:27:41,639
Speaker 1: Nice.

624
00:27:41,680 --> 00:27:45,040
Speaker 5: So by the process, No, I didn't get to that point.

625
00:27:45,080 --> 00:27:46,439
Speaker 5: I didn't get to that point. I was just more

626
00:27:46,480 --> 00:27:48,480
Speaker 5: in office work and stuff like that, coming up there

627
00:27:48,520 --> 00:27:50,639
Speaker 5: and just doing whatever they needed me to do, meeting

628
00:27:50,640 --> 00:27:53,840
Speaker 5: all the meeting everybody that work here, their employees, and

629
00:27:53,840 --> 00:27:55,240
Speaker 5: then do a small ship to run office. This a

630
00:27:55,240 --> 00:27:57,119
Speaker 5: little ship they want us to do, setting up stuff,

631
00:27:57,160 --> 00:27:59,640
Speaker 5: planning for other stuff, set up a tent.

632
00:28:00,119 --> 00:28:01,920
Speaker 3: I think I was. I think I did one event.

633
00:28:02,040 --> 00:28:03,000
Speaker 3: I think I can't remember.

634
00:28:03,040 --> 00:28:04,879
Speaker 5: I think I did one event, but it was already

635
00:28:04,960 --> 00:28:07,359
Speaker 5: popping by that time, Like I'm I'm seting up the

636
00:28:07,359 --> 00:28:10,720
Speaker 5: stuff they playing on the music We're finna do summer

637
00:28:10,800 --> 00:28:13,200
Speaker 5: jam in a couple of months. So it's like ship,

638
00:28:14,119 --> 00:28:16,920
Speaker 5: I quick, you're Finna girl crazy, So.

639
00:28:17,240 --> 00:28:19,480
Speaker 3: You should have kept infiltrating, man, I should have kept

640
00:28:19,480 --> 00:28:23,240
Speaker 3: infiltrating so some Disney tickets, man. Actually, because I was

641
00:28:23,240 --> 00:28:25,439
Speaker 3: just like I wanted to be a radio personality at

642
00:28:25,480 --> 00:28:27,120
Speaker 3: the one time. I was like, I feel like, because

643
00:28:27,119 --> 00:28:28,680
Speaker 3: if I got that power, I could put my friends

644
00:28:28,720 --> 00:28:30,240
Speaker 3: on all type of shit. Would you do a podcast?

645
00:28:32,080 --> 00:28:34,160
Speaker 5: I would, but I would want to do something more

646
00:28:34,200 --> 00:28:36,320
Speaker 5: like a like a rha City in the Basement.

647
00:28:35,960 --> 00:28:38,240
Speaker 3: Type ship, like that's a television.

648
00:28:37,800 --> 00:28:39,680
Speaker 5: Show, but it would be like if it was a podcast,

649
00:28:39,680 --> 00:28:41,200
Speaker 5: it'd be that setup like that, like we're in the

650
00:28:41,240 --> 00:28:43,239
Speaker 5: basement and talking and stuff like that.

651
00:28:43,320 --> 00:28:45,160
Speaker 3: But then I feel like I feel like all the

652
00:28:45,320 --> 00:28:47,720
Speaker 3: barrier platforms are really dope, like shots a little blood

653
00:28:47,760 --> 00:28:50,160
Speaker 3: and Dizneler we talked about and what's the guy who's

654
00:28:50,240 --> 00:28:54,040
Speaker 3: name does the history of the Bay with? Yeah, Dregg's ones.

655
00:28:54,560 --> 00:28:57,760
Speaker 5: But I feel like y'all need more platforms, you know what.

656
00:28:57,800 --> 00:28:59,080
Speaker 5: I feel like, That's what I was about to say.

657
00:28:59,280 --> 00:28:59,680
Speaker 3: That's the key.

658
00:28:59,720 --> 00:29:01,560
Speaker 5: I feel like we're missing media out there. I feel

659
00:29:01,560 --> 00:29:03,920
Speaker 5: like that's why the Bay Area I feel like it's

660
00:29:03,960 --> 00:29:06,720
Speaker 5: slept on because we don't have too many platforms projecting

661
00:29:06,760 --> 00:29:09,880
Speaker 5: all this little or the culture and stuff. Yeah, but

662
00:29:09,880 --> 00:29:14,240
Speaker 5: that's not like you know, yeah shout.

663
00:29:13,080 --> 00:29:15,600
Speaker 1: Out to little Blood. I fuck a little Blood.

664
00:29:15,640 --> 00:29:18,080
Speaker 5: All this stuff I'm talking about like bigger platforms, Like

665
00:29:19,520 --> 00:29:21,400
Speaker 5: how this shit can get around you get you for me?

666
00:29:21,720 --> 00:29:23,160
Speaker 3: Like there's not a complex media.

667
00:29:23,240 --> 00:29:25,600
Speaker 5: Not a complex media. It's not like I know, Gazi

668
00:29:25,880 --> 00:29:27,560
Speaker 5: was a shade room or something like that. I say,

669
00:29:27,640 --> 00:29:29,680
Speaker 5: like that's not it, but like it's whatever, like those

670
00:29:29,720 --> 00:29:31,920
Speaker 5: type of platforms where they can post on it and

671
00:29:31,960 --> 00:29:34,200
Speaker 5: it can circle around the whole entire United States or

672
00:29:34,200 --> 00:29:36,080
Speaker 5: whoever can see it at one time. You know, I

673
00:29:36,080 --> 00:29:38,120
Speaker 5: feel like they kind of they're missing the bear culture

674
00:29:38,120 --> 00:29:39,920
Speaker 5: because you know, I.

675
00:29:39,840 --> 00:29:42,920
Speaker 3: Think what sucks about unfortunately is like they're just the

676
00:29:43,000 --> 00:29:44,960
Speaker 3: artist's access isn't the same as it used to be

677
00:29:45,040 --> 00:29:47,360
Speaker 3: up there, you know, like people like usually when they

678
00:29:47,360 --> 00:29:49,040
Speaker 3: come to the Bay, they go to do something and

679
00:29:49,040 --> 00:29:51,240
Speaker 3: then they leave. They're not like going out there to

680
00:29:51,280 --> 00:29:51,760
Speaker 3: hang out.

681
00:29:51,640 --> 00:29:53,600
Speaker 5: That's what I'm saying, or not that they can get

682
00:29:53,600 --> 00:29:55,640
Speaker 5: an interview and do all this stuff hang out, you know,

683
00:29:55,680 --> 00:29:57,440
Speaker 5: all this type of an.

684
00:29:57,440 --> 00:30:00,160
Speaker 3: Artist that came out anymore because motherfuckers just so in

685
00:30:00,240 --> 00:30:03,000
Speaker 3: and out, like Yep, it's just like a different time.

686
00:30:03,240 --> 00:30:05,120
Speaker 3: But at the end of the day, like if you

687
00:30:05,120 --> 00:30:08,680
Speaker 3: guys give artists a reason to like stick around, you know,

688
00:30:08,840 --> 00:30:10,960
Speaker 3: and so that'll come with the music, the hits and

689
00:30:10,960 --> 00:30:13,600
Speaker 3: stuff like that, and or you guys feeling comfortable to

690
00:30:13,720 --> 00:30:17,120
Speaker 3: LA and you guys could do a podcast together in

691
00:30:17,320 --> 00:30:19,040
Speaker 3: l A for all the artists.

692
00:30:19,160 --> 00:30:22,360
Speaker 5: I feel like, I feel like podcasts. Everybody got a podcast, yeah,

693
00:30:22,400 --> 00:30:25,800
Speaker 5: but you don't have one, Yeah, but everybody else I

694
00:30:25,840 --> 00:30:27,720
Speaker 5: want to do. But I want to do like everybody.

695
00:30:27,880 --> 00:30:30,000
Speaker 3: Everybody's a fucking rapper and you just put a fucking

696
00:30:30,040 --> 00:30:30,520
Speaker 3: album out.

697
00:30:30,720 --> 00:30:32,360
Speaker 1: That's true. Yea, you gotta play.

698
00:30:32,400 --> 00:30:35,320
Speaker 3: Who cares? You're stacking yourself out? Cool John, Cool.

699
00:30:35,120 --> 00:30:38,640
Speaker 5: Cast buddy, You're right, man, I gotta stop sleeping on myself.

700
00:30:40,160 --> 00:30:42,040
Speaker 3: I want to be a radio personality. You could be

701
00:30:42,040 --> 00:30:45,280
Speaker 3: a podcast. You guys can have all kinds of legendary conversations.

702
00:30:45,560 --> 00:30:47,200
Speaker 1: Yeah, definitely, I feel.

703
00:30:47,000 --> 00:30:49,080
Speaker 3: Like I am.

704
00:30:49,400 --> 00:30:50,520
Speaker 1: I feel like that's what we need.

705
00:30:50,840 --> 00:30:56,080
Speaker 5: We need more media and the bar showing.

706
00:30:55,000 --> 00:30:58,600
Speaker 3: Like media that like helps with the bay exactly what

707
00:30:58,640 --> 00:31:02,120
Speaker 3: I'm saying, that projecting the culture, that'sily playing the culture

708
00:31:02,160 --> 00:31:04,080
Speaker 3: and all the stuff like that. That's going on out there,

709
00:31:04,120 --> 00:31:06,800
Speaker 3: because it's like it's hell of ship going on, it's

710
00:31:06,800 --> 00:31:08,760
Speaker 3: hell of money being circulated. It's just like no one's

711
00:31:08,800 --> 00:31:11,360
Speaker 3: really covering it, you know. I mean I try my best,

712
00:31:11,440 --> 00:31:14,520
Speaker 3: dude to get as many areas the show as possible.

713
00:31:14,560 --> 00:31:14,880
Speaker 1: Now you do.

714
00:31:14,920 --> 00:31:16,160
Speaker 5: I just seen, I see you just have my god

715
00:31:16,160 --> 00:31:18,840
Speaker 5: brother Copolo on here. That's my god brother. I'm like

716
00:31:18,920 --> 00:31:21,280
Speaker 5: literal godbrother brother, that's my little god brother.

717
00:31:24,720 --> 00:31:26,840
Speaker 3: But yeah, like just like you know, like even like

718
00:31:26,840 --> 00:31:28,640
Speaker 3: the ship going on the Sacramento like I have, I've

719
00:31:28,640 --> 00:31:33,160
Speaker 3: had dB on a couple of times, and Delo is

720
00:31:33,160 --> 00:31:33,920
Speaker 3: about to pull up.

721
00:31:35,040 --> 00:31:38,520
Speaker 5: I think we definitely need you for sure, fire for sure.

722
00:31:38,680 --> 00:31:43,840
Speaker 5: Because his thistler versus gas shout out, my brother, it looks.

723
00:31:43,680 --> 00:31:45,880
Speaker 3: Like getting in shape. Yeah, come on, it's like you're

724
00:31:45,880 --> 00:31:46,720
Speaker 3: on that keto like me.

725
00:31:48,280 --> 00:31:48,960
Speaker 2: You've been on keto.

726
00:31:49,680 --> 00:31:51,800
Speaker 3: Like down thirty pounds, dog, That's what I'm talking about.

727
00:31:51,840 --> 00:31:55,400
Speaker 3: You gotta get you're getting a little fucking yeah. Are

728
00:31:55,440 --> 00:31:57,560
Speaker 3: you getting Are you working out? Is that muscle or

729
00:31:57,600 --> 00:31:59,479
Speaker 3: is that that's muscle?

730
00:31:59,720 --> 00:32:00,000
Speaker 1: You live?

731
00:32:00,040 --> 00:32:02,280
Speaker 3: Waints? You go to the gym?

732
00:32:02,520 --> 00:32:02,960
Speaker 2: Get down?

733
00:32:03,440 --> 00:32:05,480
Speaker 3: Do you go to the gym? Yeah, dude, have you

734
00:32:05,520 --> 00:32:07,720
Speaker 3: ever been stopped at the gym, like, are you peelow? Yeah?

735
00:32:07,720 --> 00:32:08,080
Speaker 2: For sure?

736
00:32:08,280 --> 00:32:08,880
Speaker 3: What do you say?

737
00:32:09,640 --> 00:32:10,040
Speaker 2: Yeah?

738
00:32:10,320 --> 00:32:12,840
Speaker 3: What's gym selfie? Ever? Yeah?

739
00:32:13,360 --> 00:32:14,600
Speaker 2: Yeah, get a little gym selfie?

740
00:32:14,640 --> 00:32:15,800
Speaker 3: Sometimes that would be weird.

741
00:32:16,240 --> 00:32:17,880
Speaker 5: You have you have a little rappers coming up to

742
00:32:17,880 --> 00:32:21,000
Speaker 5: you in the gym. Sh I built my own gym

743
00:32:21,000 --> 00:32:21,240
Speaker 5: in my.

744
00:32:23,120 --> 00:32:25,120
Speaker 3: No, but I have the La Fitness in North Hollywood

745
00:32:25,160 --> 00:32:27,960
Speaker 3: and the whole West Jesus Christ, the one you go to.

746
00:32:28,320 --> 00:32:30,120
Speaker 3: Every time I'm in there, someone stops me.

747
00:32:30,440 --> 00:32:30,560
Speaker 1: Yo.

748
00:32:30,640 --> 00:32:33,200
Speaker 3: I love the podcast The Yo. How do I get

749
00:32:33,240 --> 00:32:35,959
Speaker 3: my my brother on? Do I get my friend on her?

750
00:32:36,360 --> 00:32:41,040
Speaker 3: I'm a rapper, I'm like, buddy, I'm sweating.

751
00:32:41,320 --> 00:32:42,840
Speaker 1: Yeah. Do you enjoy it or do you hate it?

752
00:32:42,880 --> 00:32:43,440
Speaker 1: More than anything?

753
00:32:43,440 --> 00:32:45,280
Speaker 3: Do you feel like, wow, I feel like I accomplished

754
00:32:45,280 --> 00:32:48,200
Speaker 3: something my people at the end of the day. At

755
00:32:48,200 --> 00:32:52,680
Speaker 3: the end of the day, Like an artist. I can't

756
00:32:52,720 --> 00:32:55,080
Speaker 3: blame anybody for coming up to me. They don't know better. Like,

757
00:32:55,160 --> 00:32:57,320
Speaker 3: it's probably not the best approach to be like, hey,

758
00:32:58,480 --> 00:33:01,719
Speaker 3: I'm a rapper, let me dm you a you know,

759
00:33:02,400 --> 00:33:05,080
Speaker 3: I just think I just I mean this, It's not

760
00:33:05,120 --> 00:33:07,719
Speaker 3: a bad thing. It just comes with the territory I've been,

761
00:33:07,720 --> 00:33:09,040
Speaker 3: you know, I've been on the radio since I was

762
00:33:09,040 --> 00:33:12,520
Speaker 3: fucking eighteen, So motherfucker's been trying to send me music forever,

763
00:33:12,560 --> 00:33:14,280
Speaker 3: and and they for some times, I just go on

764
00:33:14,320 --> 00:33:17,720
Speaker 3: my dms and I actually like every I would say

765
00:33:17,840 --> 00:33:20,120
Speaker 3: once every like two or three months, I'll just be like,

766
00:33:20,360 --> 00:33:24,320
Speaker 3: you'll just get what's in here? You know, Oh, this

767
00:33:24,360 --> 00:33:27,360
Speaker 3: shit's dope, you know, And then that's That's happened a

768
00:33:27,400 --> 00:33:29,920
Speaker 3: few times where I've like found someone in my d

769
00:33:30,040 --> 00:33:33,760
Speaker 3: MS and like I was like, Yo, come freestyle. Was

770
00:33:34,840 --> 00:33:38,360
Speaker 3: that's happened like two or three times. That's yeah, people

771
00:33:38,400 --> 00:33:41,800
Speaker 3: don't hit they they don't blow you up to sign them. Pilo, Yo,

772
00:33:41,800 --> 00:33:43,560
Speaker 3: you gotta sign me bro on Filipino.

773
00:33:43,840 --> 00:33:45,560
Speaker 2: Yeah, I mean I get that all the time. Yeah,

774
00:33:45,600 --> 00:33:50,640
Speaker 2: you know, I think but I definitely definitely find like

775
00:33:50,960 --> 00:33:55,120
Speaker 2: a lot of like cool people though. Yeah, there's there's

776
00:33:55,120 --> 00:33:57,200
Speaker 2: a couple there's a couple of kids that like that

777
00:33:57,320 --> 00:34:01,200
Speaker 2: have like just like constantly DM me, and uh, just

778
00:34:01,280 --> 00:34:03,320
Speaker 2: like I end up working with them, you know.

779
00:34:03,680 --> 00:34:06,520
Speaker 3: Yeah, that's good at work. It can work. I guess

780
00:34:06,560 --> 00:34:10,239
Speaker 3: it's your approach too, you know, people like, hey, brouh,

781
00:34:10,280 --> 00:34:13,920
Speaker 3: how much to come freestyle? Yeah, Like it's like thirteen links.

782
00:34:13,960 --> 00:34:16,319
Speaker 5: I'm like, bro, I feel like what works is you

783
00:34:16,360 --> 00:34:18,720
Speaker 5: put in yourself. How you can show how you valuable

784
00:34:18,760 --> 00:34:20,880
Speaker 5: to a person's situation, how you can add to have

785
00:34:21,080 --> 00:34:23,680
Speaker 5: some value or add be an asset to them more

786
00:34:23,680 --> 00:34:25,360
Speaker 5: than anything, instead of just telling people to do like

787
00:34:25,400 --> 00:34:26,120
Speaker 5: how can I help you?

788
00:34:26,160 --> 00:34:26,920
Speaker 1: What do you need with?

789
00:34:27,080 --> 00:34:29,040
Speaker 3: How can I you know what I'm saying, I can

790
00:34:29,200 --> 00:34:31,680
Speaker 3: help you and hit you with question marks Like three

791
00:34:31,760 --> 00:34:34,680
Speaker 3: days later, I'd be like, oh god. I'm like dog,

792
00:34:35,440 --> 00:34:35,960
Speaker 3: oh god.

793
00:34:36,160 --> 00:34:38,120
Speaker 5: Because most people, most people they just you know, they

794
00:34:38,200 --> 00:34:40,680
Speaker 5: trying to you know, they hungry and stuff like that.

795
00:34:40,719 --> 00:34:43,200
Speaker 5: But I always tell them like this, this is approach

796
00:34:43,200 --> 00:34:45,160
Speaker 5: somebody else, telling them how you can help them, and

797
00:34:45,160 --> 00:34:47,840
Speaker 5: I'm pretty sure they're most likely they can instead of

798
00:34:47,880 --> 00:34:48,879
Speaker 5: what you can do for them.

799
00:34:49,000 --> 00:34:50,879
Speaker 3: Yeah, you're gonna understand, like at the end of the day,

800
00:34:50,960 --> 00:34:53,600
Speaker 3: like if you are doing what you're supposed to do,

801
00:34:53,680 --> 00:34:58,680
Speaker 3: like it probably should somehow come across my peripherals. And

802
00:34:58,719 --> 00:35:01,200
Speaker 3: if you're gonna approach somebody through d MS, you probably

803
00:35:01,200 --> 00:35:04,200
Speaker 3: should have a little something shaken, you know what I'm saying.

804
00:35:05,160 --> 00:35:07,399
Speaker 3: It's not like you just go from like seventy eight

805
00:35:07,440 --> 00:35:08,680
Speaker 3: followers to coming on my ship.

806
00:35:10,600 --> 00:35:12,040
Speaker 2: Yeah, you want to have. You want to have some

807
00:35:12,120 --> 00:35:14,120
Speaker 2: most you want to be able to Yeah, you want

808
00:35:14,120 --> 00:35:17,759
Speaker 2: to get Yeah, yeah exactly, but you want to be

809
00:35:18,160 --> 00:35:19,600
Speaker 2: you want to add something to what's going on.

810
00:35:20,600 --> 00:35:23,480
Speaker 3: Are you still doing a lot of outside production for people.

811
00:35:23,280 --> 00:35:25,960
Speaker 2: Or yeah, I'm I'm actually just like because you were

812
00:35:26,000 --> 00:35:28,560
Speaker 2: kind of phoning back a little. Yeah, Like it's something

813
00:35:28,600 --> 00:35:33,000
Speaker 2: that I'm really just liking now that I'm like working on,

814
00:35:33,160 --> 00:35:36,000
Speaker 2: well like really getting back into and just like focusing

815
00:35:36,000 --> 00:35:38,919
Speaker 2: on artists that that I like that I like funk

816
00:35:39,040 --> 00:35:42,080
Speaker 2: with and people like the surrounding who you've been working with,

817
00:35:42,680 --> 00:35:46,360
Speaker 2: I mean working by the work on John's new ship, Offset,

818
00:35:46,480 --> 00:35:54,400
Speaker 2: Jim Lazy, Michael Snead, Yeah, a lot of cool stuff,

819
00:35:54,400 --> 00:35:56,399
Speaker 2: a lot of dope stuff come from the Bay too.

820
00:35:56,800 --> 00:35:58,760
Speaker 3: What was it like doing the project with the Russell?

821
00:35:59,120 --> 00:36:04,000
Speaker 2: Oh, amazing man Dudel Russell's uh, his his spirit is amazing.

822
00:36:05,200 --> 00:36:07,840
Speaker 3: You've been to his house obviously, Yeah, yeah, we did.

823
00:36:07,960 --> 00:36:10,440
Speaker 2: We did his bedroom.

824
00:36:10,719 --> 00:36:11,799
Speaker 3: No I was in there.

825
00:36:12,200 --> 00:36:13,640
Speaker 2: Really, I haven't been in his.

826
00:36:13,600 --> 00:36:15,399
Speaker 3: Bedroom where the studios that you were in there?

827
00:36:15,680 --> 00:36:18,640
Speaker 2: No, No, with the whiteboard, No, No, I haven't been there.

828
00:36:19,080 --> 00:36:20,160
Speaker 3: I haven't got signed.

829
00:36:21,040 --> 00:36:24,439
Speaker 2: I wasn't We went to the pregular So then yeah,

830
00:36:24,480 --> 00:36:26,200
Speaker 2: but I haven't been in this room though.

831
00:36:26,239 --> 00:36:27,960
Speaker 3: Wow, you didn't go to this room. I thought you

832
00:36:27,960 --> 00:36:28,800
Speaker 3: guys your friends.

833
00:36:29,120 --> 00:36:29,720
Speaker 2: We are friends.

834
00:36:29,719 --> 00:36:32,239
Speaker 3: But he didn't take you to his room. No.

835
00:36:32,360 --> 00:36:33,600
Speaker 2: I mean it was just like it was like it

836
00:36:33,680 --> 00:36:34,480
Speaker 2: was a lot of mayhem.

837
00:36:34,640 --> 00:36:35,799
Speaker 1: It was like it was it was.

838
00:36:35,800 --> 00:36:36,759
Speaker 2: A pregular day.

839
00:36:36,800 --> 00:36:39,720
Speaker 3: So oh you went on Purgolar Day. Yeah, yeah, Purgolar

840
00:36:39,800 --> 00:36:40,280
Speaker 3: Day is crazy.

841
00:36:40,360 --> 00:36:43,520
Speaker 2: Yeah, No, it's amazing. It's amazing, like I got the

842
00:36:43,560 --> 00:36:44,959
Speaker 2: whole yes.

843
00:36:45,120 --> 00:36:46,759
Speaker 3: And then it was his dad cooking that day.

844
00:36:47,480 --> 00:36:49,120
Speaker 2: I don't know if his dad was cooking. They definitely

845
00:36:49,120 --> 00:36:50,319
Speaker 2: had like a barbecue truck.

846
00:36:50,880 --> 00:36:54,040
Speaker 5: That ship was crazy. That's like some Sunday service type ship. Yes,

847
00:36:55,160 --> 00:36:57,080
Speaker 5: respected definitely.

848
00:36:57,080 --> 00:37:00,279
Speaker 3: He's like son baby there and like who else was

849
00:37:00,360 --> 00:37:03,440
Speaker 3: just there? Somebody else was just there? Somebody big. I

850
00:37:03,480 --> 00:37:05,600
Speaker 3: was like, oh ship, but yeah, shout out to uh

851
00:37:05,640 --> 00:37:08,959
Speaker 3: to l Russell. Uh was it who took the lead

852
00:37:09,080 --> 00:37:10,319
Speaker 3: like in terms of like the beat to you?

853
00:37:11,000 --> 00:37:13,000
Speaker 2: Yeah, I mean like it was it was all like

854
00:37:13,080 --> 00:37:16,520
Speaker 2: I produced the whole thing. So like, but it was

855
00:37:16,560 --> 00:37:20,080
Speaker 2: something that we've always talked about, like even way back,

856
00:37:20,160 --> 00:37:25,200
Speaker 2: like even when he did the like the verse for again,

857
00:37:25,719 --> 00:37:28,120
Speaker 2: I was just something like, Hey, what's telling me like

858
00:37:28,200 --> 00:37:31,000
Speaker 2: produce like a tape for you? And it's just like

859
00:37:31,080 --> 00:37:32,839
Speaker 2: you just like we're like yeah, like we're gonna work

860
00:37:32,880 --> 00:37:33,160
Speaker 2: on it.

861
00:37:33,800 --> 00:37:35,439
Speaker 3: I'd got to hear you do a whole fucking Larry

862
00:37:35,520 --> 00:37:36,080
Speaker 3: June album.

863
00:37:36,120 --> 00:37:38,759
Speaker 2: Bro man, come on, I was just with Larry last night.

864
00:37:38,760 --> 00:37:40,200
Speaker 2: But yeah, man, I would love I would love to

865
00:37:40,200 --> 00:37:40,920
Speaker 2: do that as well.

866
00:37:41,239 --> 00:37:43,720
Speaker 3: Yeah, you and Larry June like for like ten songs

867
00:37:43,760 --> 00:37:44,320
Speaker 3: to be crazy.

868
00:37:44,400 --> 00:37:45,160
Speaker 2: No, I would love that.

869
00:37:45,360 --> 00:37:47,440
Speaker 3: I would love that because I feel like like like

870
00:37:48,680 --> 00:37:50,759
Speaker 3: your guys' record together is like the closest thing he's

871
00:37:50,800 --> 00:37:53,719
Speaker 3: ever had to like a a commercial hit. I guess

872
00:37:54,160 --> 00:37:57,839
Speaker 3: h like that, Like you know, could that got played

873
00:37:57,880 --> 00:38:01,120
Speaker 3: on the radio? Like that's It's kind of like I

874
00:38:01,200 --> 00:38:05,919
Speaker 3: love when he works with Alchemists and you know who's

875
00:38:05,920 --> 00:38:07,759
Speaker 3: the fucking other pretty Serre. He always works with it.

876
00:38:07,840 --> 00:38:10,720
Speaker 3: I always used to Cardo. I was gonna say Cardi Pets.

877
00:38:11,400 --> 00:38:13,680
Speaker 3: I was like, I know, it's not Cardi Pets Cardo

878
00:38:13,920 --> 00:38:16,360
Speaker 3: who used to work with Wiz and Ship, but uh,

879
00:38:16,440 --> 00:38:18,799
Speaker 3: I love that Ship. But I also I'm like dog Ship,

880
00:38:18,960 --> 00:38:22,080
Speaker 3: like this feels so popping, Like he fucking needs like

881
00:38:22,320 --> 00:38:23,280
Speaker 3: a crossover record.

882
00:38:23,320 --> 00:38:26,680
Speaker 2: You know what I'm saying, Man, Man, Man, Man, Larry,

883
00:38:26,680 --> 00:38:27,959
Speaker 2: come on, let's let's get it done.

884
00:38:28,760 --> 00:38:32,280
Speaker 3: Uh are you still uh sending the packs out these days?

885
00:38:34,000 --> 00:38:38,600
Speaker 2: Not necessarily to be honest, Like I like like actually

886
00:38:38,640 --> 00:38:41,480
Speaker 2: like going like getting in and like hanging out and

887
00:38:41,520 --> 00:38:46,359
Speaker 2: catching the vibe. Like I feel like, to me, that's

888
00:38:46,400 --> 00:38:50,200
Speaker 2: how like the best music's made, you know what I'm saying,

889
00:38:50,680 --> 00:38:53,240
Speaker 2: And really just like going in there and like saying,

890
00:38:53,239 --> 00:38:55,200
Speaker 2: what the fuck's going on with their day? You know,

891
00:38:55,840 --> 00:38:59,400
Speaker 2: and just like you never know what something just just

892
00:38:59,440 --> 00:39:02,320
Speaker 2: from like us being in the studio, like just talking,

893
00:39:02,400 --> 00:39:04,799
Speaker 2: having a conversations, kicking the ship. We could make a

894
00:39:04,800 --> 00:39:08,040
Speaker 2: song that could change our lives. Yeah, So like I

895
00:39:08,239 --> 00:39:11,560
Speaker 2: like that part of it and just like going from

896
00:39:11,719 --> 00:39:16,359
Speaker 2: zero to to the end product Like that's that's that's

897
00:39:16,400 --> 00:39:18,959
Speaker 2: what kind of like keeps me going in it. Like, yeah,

898
00:39:18,960 --> 00:39:21,680
Speaker 2: I could just like be sending out a bunch of beats,

899
00:39:21,680 --> 00:39:24,800
Speaker 2: but like, I don't know, it's not really my pot.

900
00:39:25,080 --> 00:39:28,640
Speaker 3: Who if you had to exclude anyone from the HBK Gang?

901
00:39:28,840 --> 00:39:35,240
Speaker 3: Who is the Bay Area Mount Rushmore? Cool? John? Damn

902
00:39:36,840 --> 00:39:40,480
Speaker 3: you said exclude people from Yeah, I gotta throw somebody

903
00:39:40,480 --> 00:39:41,919
Speaker 3: from you can't do that, sir.

904
00:39:42,080 --> 00:39:42,719
Speaker 1: That's not the rules.

905
00:39:42,760 --> 00:39:46,839
Speaker 3: That's my game. You can't say I am too, I'm sorry.

906
00:39:46,920 --> 00:39:48,880
Speaker 3: I can't say people. You can't say saves the Gemini,

907
00:39:49,120 --> 00:39:52,439
Speaker 3: can't say kay, Lonnie, can't say yourself. I'd be really

908
00:39:52,480 --> 00:39:53,200
Speaker 3: vain of you to do it.

909
00:39:53,880 --> 00:39:55,359
Speaker 5: Do I have to say forty and two short? Because

910
00:39:55,360 --> 00:39:57,240
Speaker 5: I feel like that's already okay?

911
00:39:57,320 --> 00:39:59,920
Speaker 3: Take back dre e forty and too short out too okay?

912
00:40:00,000 --> 00:40:01,879
Speaker 3: All right, you get a rule. I get a rule. Now,

913
00:40:01,920 --> 00:40:03,160
Speaker 3: who's your mount rushing up?

914
00:40:03,680 --> 00:40:05,799
Speaker 5: That's already given. I take up like three spots. So

915
00:40:05,880 --> 00:40:09,320
Speaker 5: with Mount Westmore is like four or five four. Welcome

916
00:40:09,360 --> 00:40:10,240
Speaker 5: to history class.

917
00:40:10,360 --> 00:40:14,720
Speaker 2: I gotta say mass, gotta says, gotta say mess.

918
00:40:20,040 --> 00:40:24,440
Speaker 3: I gotta say, mister fab try to mister fab for sure.

919
00:40:33,719 --> 00:40:33,959
Speaker 1: Jack?

920
00:40:34,520 --> 00:40:39,640
Speaker 5: Jack for sure Jack? And then uh, I'm trying to

921
00:40:39,680 --> 00:40:42,960
Speaker 5: think one more? Who else the legend?

922
00:40:46,440 --> 00:40:51,680
Speaker 3: Yeah, and I gotta say, I guess keep keep the sneak.

923
00:40:52,760 --> 00:40:54,839
Speaker 3: Not a bad four. I like it.

924
00:40:55,920 --> 00:40:57,919
Speaker 1: I feel like, yeah, I feel like it's my full

925
00:40:58,040 --> 00:40:58,399
Speaker 1: right there.

926
00:40:58,800 --> 00:41:01,720
Speaker 5: If if I got to exclude including everybody.

927
00:41:01,320 --> 00:41:04,359
Speaker 1: Else ship, but yeah, that's what I put.

928
00:41:04,680 --> 00:41:05,480
Speaker 3: That's not a bad four.

929
00:41:06,840 --> 00:41:09,200
Speaker 5: Those four I say either I say, all right, so

930
00:41:09,280 --> 00:41:13,160
Speaker 5: I say either Keeck or Stalin Keicker Stalin like one

931
00:41:13,160 --> 00:41:18,960
Speaker 5: of those for sure, j Stalin, Keiker Stalin whatever but

932
00:41:19,680 --> 00:41:20,960
Speaker 5: not Yeah m.

933
00:41:21,120 --> 00:41:24,080
Speaker 3: Hm mc hammer got shipped on right now, damn Hammer.

934
00:41:24,560 --> 00:41:24,799
Speaker 1: Wow.

935
00:41:25,200 --> 00:41:27,719
Speaker 5: But it's like it's like, please Hammer, don't hurt him.

936
00:41:28,520 --> 00:41:30,880
Speaker 5: It's they already got they known goats like you know

937
00:41:30,880 --> 00:41:32,880
Speaker 5: what I'm saying. It's like it's like a giving like

938
00:41:33,880 --> 00:41:38,920
Speaker 5: ham I did. But he was He's definitely a legend.

939
00:41:39,000 --> 00:41:41,799
Speaker 5: But it's like I didn't really listen to him like that,

940
00:41:42,000 --> 00:41:45,000
Speaker 5: you know what I'm saying. So, I mean, it is

941
00:41:45,040 --> 00:41:49,400
Speaker 5: your list, but for sure, yeah.

942
00:41:50,560 --> 00:41:56,240
Speaker 2: Listen, Yeah, I mean I'll probably have to say mess Jack.

943
00:42:00,680 --> 00:42:04,240
Speaker 2: Is it just like rappers are just like very like rappers. Rappers?

944
00:42:04,320 --> 00:42:07,640
Speaker 3: Okay, she should be like I like her a lot.

945
00:42:08,840 --> 00:42:14,080
Speaker 2: No, I was gonna yeah, I mean that's what I'm saying.

946
00:42:14,120 --> 00:42:29,759
Speaker 2: Klans rapper Kaylanie damn uh Jack kicking his list? No,

947
00:42:29,800 --> 00:42:32,560
Speaker 2: I mean no, I mean made it hard for.

948
00:42:34,080 --> 00:42:35,279
Speaker 3: There's a lot of parameters.

949
00:42:36,080 --> 00:42:37,520
Speaker 5: They have a lot of rule specially like when Max

950
00:42:37,600 --> 00:42:39,359
Speaker 5: J two trade and Mac that take Guardie up.

951
00:42:39,960 --> 00:42:42,160
Speaker 1: But that's tough.

952
00:42:42,360 --> 00:42:44,000
Speaker 2: I ain't gona one of my one of my goats

953
00:42:44,080 --> 00:42:45,200
Speaker 2: is definitely Clyde Carson.

954
00:42:45,440 --> 00:42:49,400
Speaker 3: Cly Carson is fire, definitely one of my goats, very

955
00:42:49,400 --> 00:42:52,000
Speaker 3: slept on, very slept on, slow down.

956
00:42:52,080 --> 00:42:54,200
Speaker 2: Come on, definitely, you know, Clyde is definitely one of

957
00:42:54,239 --> 00:42:54,560
Speaker 2: my guts.

958
00:42:55,200 --> 00:43:00,479
Speaker 3: Clike Carson somewhere Mine of the Bay. Excluding all these names,

959
00:43:01,200 --> 00:43:07,080
Speaker 3: it's a lot different, I'll tell you that. Probably hieroglyphics. Uh.

960
00:43:09,200 --> 00:43:12,600
Speaker 3: I can't say too short right, Nope, can't say e fortype.

961
00:43:13,520 --> 00:43:17,520
Speaker 3: I can't say make Dre either, I wouldn't really.

962
00:43:17,680 --> 00:43:23,399
Speaker 5: Wow wow, Sorry guys, we need an explanation about that one,

963
00:43:23,480 --> 00:43:23,839
Speaker 5: right there.

964
00:43:24,239 --> 00:43:30,520
Speaker 3: Come on, ma Dre on a more listen. I got

965
00:43:30,560 --> 00:43:32,840
Speaker 3: love for mac Dre, but I feel like I didn't

966
00:43:32,880 --> 00:43:36,360
Speaker 3: grow up the same way y'all. Did you know what

967
00:43:36,400 --> 00:43:38,920
Speaker 3: I'm saying? Like like the mac Dre shit didn't hit

968
00:43:39,560 --> 00:43:42,600
Speaker 3: where I'm from, like that we would see it and

969
00:43:42,640 --> 00:43:45,560
Speaker 3: like obviously, like you know, there's a couple of records

970
00:43:45,600 --> 00:43:47,480
Speaker 3: of his that go crazy in the fucking club that

971
00:43:47,640 --> 00:43:49,560
Speaker 3: we all know. But I never like press play on

972
00:43:49,600 --> 00:43:52,400
Speaker 3: a mac Dre album in my life, like where I

973
00:43:52,440 --> 00:43:54,720
Speaker 3: listen to like every two short album that's ever existed

974
00:43:54,800 --> 00:43:58,839
Speaker 3: up until like I was like fucking sixteen front to back.

975
00:43:59,080 --> 00:44:04,399
Speaker 3: You know what I mean, I would say mine would

976
00:44:04,480 --> 00:44:11,080
Speaker 3: be the Yuh yeah, I love Hiro. I did enjoy

977
00:44:11,160 --> 00:44:21,799
Speaker 3: Andre Nicotina back in the day. I would know. I'm

978
00:44:21,800 --> 00:44:24,320
Speaker 3: gonna say Bernard dog Burnzel.

979
00:44:24,400 --> 00:44:25,240
Speaker 2: Shout out to Brenzil.

980
00:44:25,480 --> 00:44:28,279
Speaker 3: Actually, I'm putting burn on mine. I'm putting burn on mine.

981
00:44:28,360 --> 00:44:31,280
Speaker 3: I'm I feel like Bernard don't get it and mentioned

982
00:44:31,280 --> 00:44:32,600
Speaker 3: in these conversations enough.

983
00:44:32,520 --> 00:44:36,600
Speaker 5: I'm putting burn on mine. Yeah, burn burn burn on

984
00:44:36,719 --> 00:44:37,319
Speaker 5: mine for sure?

985
00:44:37,640 --> 00:44:37,879
Speaker 1: Yeah?

986
00:44:38,360 --> 00:44:40,520
Speaker 2: Oh yeah, I mean I I go, I gotta, I

987
00:44:40,520 --> 00:44:44,560
Speaker 2: gotta put putting burn on mine. I gotta put I

988
00:44:44,600 --> 00:44:48,120
Speaker 2: feel like uh as far as like, I feel like

989
00:44:48,160 --> 00:44:48,840
Speaker 2: g gotta.

990
00:44:48,640 --> 00:44:51,480
Speaker 3: Be up there as well. I was gonna say, g Yeah,

991
00:44:51,480 --> 00:44:53,040
Speaker 3: I feel like you gotta be up there. I'm gonna

992
00:44:53,040 --> 00:44:54,080
Speaker 3: put g Z in mine too.

993
00:44:54,160 --> 00:44:55,440
Speaker 2: I gotta, I gotta put you in.

994
00:44:55,480 --> 00:44:56,000
Speaker 1: That's my brother.

995
00:44:56,040 --> 00:44:57,480
Speaker 3: And I feel like he's done a lot. You know,

996
00:44:58,480 --> 00:45:00,920
Speaker 3: he's invaded it to the universe.

997
00:45:01,000 --> 00:45:02,959
Speaker 2: He's changed a lot of people's lives. Change help change

998
00:45:03,040 --> 00:45:03,960
Speaker 2: my life, you know.

999
00:45:04,280 --> 00:45:05,399
Speaker 3: Everybody on tour.

1000
00:45:07,000 --> 00:45:07,759
Speaker 2: Shout out to Gez.

1001
00:45:07,920 --> 00:45:09,359
Speaker 1: That's what we need, a five like we need.

1002
00:45:09,840 --> 00:45:12,520
Speaker 3: I feel like g G is like the most, Like

1003
00:45:12,600 --> 00:45:16,600
Speaker 3: he's commercially like success, so successful, and like the whole

1004
00:45:16,600 --> 00:45:19,319
Speaker 3: time he did it like you made sure everybody knew

1005
00:45:19,360 --> 00:45:19,879
Speaker 3: where he was from.

1006
00:45:19,960 --> 00:45:20,120
Speaker 1: You know.

1007
00:45:20,200 --> 00:45:22,040
Speaker 5: Now, if you would have said a new wave rushmore,

1008
00:45:23,480 --> 00:45:24,720
Speaker 5: Gez definitely on there.

1009
00:45:25,440 --> 00:45:27,960
Speaker 3: Yeah, Gee's G's one of them ones. And I feel like,

1010
00:45:28,200 --> 00:45:29,759
Speaker 3: you know, he kind of gets lost in the sauce

1011
00:45:29,760 --> 00:45:32,040
Speaker 3: when we start talking about that because I have pop records,

1012
00:45:32,080 --> 00:45:35,440
Speaker 3: you know, like pop you do records with Britty Spears

1013
00:45:35,440 --> 00:45:38,399
Speaker 3: and ship Dog grinding up on Britain and and and

1014
00:45:38,520 --> 00:45:41,440
Speaker 3: taking down Halsey, you know what I mean, Shout out

1015
00:45:41,520 --> 00:45:46,239
Speaker 3: to him. Bro. By the way, I'm not sure there's

1016
00:45:46,280 --> 00:45:49,359
Speaker 3: another rapper with a more legendary I fuck these Women

1017
00:45:49,480 --> 00:45:53,759
Speaker 3: list in America then young Gerald Gerald, I fucked these

1018
00:45:53,800 --> 00:45:58,000
Speaker 3: women list is fucking crazy. There's a few French's got

1019
00:45:58,040 --> 00:45:59,560
Speaker 3: a good I fucked these Women List, you know what

1020
00:45:59,600 --> 00:46:07,200
Speaker 3: I mean? But no, Gez definitely a legend, Yeah for sure. Yeah, yeah,

1021
00:46:07,239 --> 00:46:08,480
Speaker 3: we gotta give them some flowers. All right, So the

1022
00:46:08,520 --> 00:46:11,200
Speaker 3: album's out now, everyone should go support it. Is there

1023
00:46:11,239 --> 00:46:11,880
Speaker 3: merch or anything?

1024
00:46:12,680 --> 00:46:12,879
Speaker 1: Yeah?

1025
00:46:12,880 --> 00:46:15,280
Speaker 2: Well we we gotta uh we gotta cookies collapse.

1026
00:46:16,000 --> 00:46:17,640
Speaker 3: Oh nice? Yeah?

1027
00:46:17,719 --> 00:46:19,680
Speaker 1: So yeah then we got our own merch too. We

1028
00:46:19,800 --> 00:46:21,400
Speaker 1: got almost movie merch.

1029
00:46:21,200 --> 00:46:26,000
Speaker 3: And stuff like that, cookies collab, I like it, Come on, man, yeah,

1030
00:46:27,000 --> 00:46:29,200
Speaker 3: anything else. I mean, you got the Luresselo album. Your

1031
00:46:29,200 --> 00:46:32,680
Speaker 3: ship's on the way next month, you said this month

1032
00:46:33,080 --> 00:46:37,320
Speaker 3: in August, and then your solo ship's being worked on. Yeah.

1033
00:46:37,880 --> 00:46:40,560
Speaker 2: Yeah, we got some other stuff in the works, uh

1034
00:46:40,600 --> 00:46:41,120
Speaker 2: before that.

1035
00:46:41,120 --> 00:46:44,000
Speaker 3: But yeah, yeah, nice, Yeah you got you always got

1036
00:46:44,040 --> 00:46:46,160
Speaker 3: the best merch. I got a peelow clock in my house.

1037
00:46:46,320 --> 00:46:47,560
Speaker 3: Doesn't work, but it's on the wall.

1038
00:46:48,520 --> 00:46:49,200
Speaker 2: Does the work man?

1039
00:46:49,320 --> 00:46:49,799
Speaker 3: What's up?

1040
00:46:49,920 --> 00:46:50,040
Speaker 1: Bro?

1041
00:46:50,120 --> 00:46:52,399
Speaker 3: I don't even bro. I got a fucking phone. Who

1042
00:46:52,400 --> 00:46:54,319
Speaker 3: cares that? I didn't even put batteries in. I was like,

1043
00:46:54,360 --> 00:46:59,440
Speaker 3: oh it's okay, it's that one where your arms are. Yeah, anyway,

1044
00:46:59,239 --> 00:47:01,879
Speaker 3: they again, still never got a new era Pilow hat

1045
00:47:02,000 --> 00:47:04,040
Speaker 3: from Pilo. I always got. He always gives me the

1046
00:47:04,080 --> 00:47:07,800
Speaker 3: cheap little bullshit snapback for fucking god.

1047
00:47:08,160 --> 00:47:10,800
Speaker 2: You know, there's you know, there's there, there's Yeah.

1048
00:47:10,960 --> 00:47:12,719
Speaker 3: Yeah, it's all good. Get I ain't worth the fifty

1049
00:47:12,800 --> 00:47:13,640
Speaker 3: nine to fifty anyway.

1050
00:47:13,920 --> 00:47:17,040
Speaker 2: But also yeah, I still and also i'll adjust this

1051
00:47:17,360 --> 00:47:17,759
Speaker 2: on air.

1052
00:47:17,920 --> 00:47:19,680
Speaker 3: Yeah I still owe you a dinner. Yeah, of course

1053
00:47:19,680 --> 00:47:25,880
Speaker 3: you do. Yeah. Anyway, I'll take some Chinese food.

1054
00:47:25,960 --> 00:47:31,480
Speaker 2: Okay, good. Oh some Rachel.

1055
00:47:32,480 --> 00:47:35,360
Speaker 3: Went over your head. It went over your head, Rachel

1056
00:47:35,480 --> 00:47:41,160
Speaker 3: under it went over your head anyway, on the San

1057
00:47:41,200 --> 00:47:44,239
Speaker 3: Diego stop of the tour. Oh yes, yeah, anyway, let's

1058
00:47:44,360 --> 00:47:45,000
Speaker 3: end the interview.