1 00:00:02,680 --> 00:00:11,520 Speaker 1: You're listening the finest and radio entertainment, The Jannellis Jay Show. 2 00:00:13,720 --> 00:00:15,480 Speaker 1: You're so creative. That's one of the things I like 3 00:00:15,560 --> 00:00:19,040 Speaker 1: about JA. I don't know what I'm doing. I know 4 00:00:19,120 --> 00:00:26,880 Speaker 1: what I'm doing. Hey, everyone, welcome to Yeah, another episode 5 00:00:27,360 --> 00:00:33,239 Speaker 1: of I Heart Radio's Finest, The Jannellis Jay Show. Who 6 00:00:33,320 --> 00:00:35,920 Speaker 1: know me? I've been in the hip hop industry for 7 00:00:36,080 --> 00:00:40,200 Speaker 1: thirty plus years and I'm ready to have fun with y'all. 8 00:00:40,440 --> 00:00:44,720 Speaker 1: Everything's so heavy right now. We got Covid, we got Hovid, 9 00:00:44,840 --> 00:00:49,160 Speaker 1: you got Nova, we got Hova. Who owes me money? 10 00:00:49,240 --> 00:00:51,400 Speaker 1: Jay Z does owe me money? I'm gonna say, I'm 11 00:00:51,400 --> 00:00:54,120 Speaker 1: gonna put it out there, but that's neither here nor there. 12 00:00:54,360 --> 00:00:56,280 Speaker 1: We got a good show, listen. I just wanted to 13 00:00:56,360 --> 00:00:59,200 Speaker 1: show to be all good vibes, all happy, all bubbly. 14 00:00:59,240 --> 00:01:01,680 Speaker 1: You know what I'm saying. I want you to feel 15 00:01:01,880 --> 00:01:06,040 Speaker 1: the same way everyone felt that trusting night in two 16 00:01:06,080 --> 00:01:09,040 Speaker 1: thousand three when my single I Touched Your Dick Last 17 00:01:09,160 --> 00:01:12,600 Speaker 1: Night was on the number one top charts. So I'm 18 00:01:12,640 --> 00:01:15,320 Speaker 1: rebringing back that and we're gonna have a fun show 19 00:01:15,400 --> 00:01:18,320 Speaker 1: for you. That's gonna started for this show. You know, 20 00:01:19,080 --> 00:01:22,720 Speaker 1: I fired uh girards. He was just doing too much 21 00:01:23,200 --> 00:01:26,279 Speaker 1: and yet not enough. So funny how that can happen. 22 00:01:26,800 --> 00:01:34,760 Speaker 1: So you know, Gerard, uh, you know, funk off. And 23 00:01:34,959 --> 00:01:37,440 Speaker 1: you know I got a new hype man. I got 24 00:01:37,480 --> 00:01:41,400 Speaker 1: this hype man. He's really dope. He's a prodigy of 25 00:01:41,480 --> 00:01:45,080 Speaker 1: fat Man school. You know what I'm saying. He's out here. 26 00:01:45,560 --> 00:01:47,680 Speaker 1: He could only call me on the phone. He couldn't 27 00:01:47,680 --> 00:01:50,320 Speaker 1: come in a studio. So you know that's neither here 28 00:01:50,400 --> 00:01:52,920 Speaker 1: nor there. It's gonna still be lit. Everyone give it 29 00:01:53,000 --> 00:02:05,120 Speaker 1: up for the Fat Doctor. Yea, that's exactly the kind 30 00:02:05,120 --> 00:02:09,760 Speaker 1: of energy you see. Jaro was not coming to me 31 00:02:09,880 --> 00:02:15,320 Speaker 1: with that kind of energy. And that's here's back. Get 32 00:02:15,400 --> 00:02:17,679 Speaker 1: him off, Get him off. If this is a showtime 33 00:02:17,720 --> 00:02:20,040 Speaker 1: at the Apollo, the clowns would have come out with 34 00:02:20,080 --> 00:02:24,200 Speaker 1: that damn stick. But yo again, you know, I'm so 35 00:02:24,280 --> 00:02:26,960 Speaker 1: happy to have the Fact Doctor here. He's gonna hype 36 00:02:26,960 --> 00:02:30,200 Speaker 1: it up and need some energy, You need some fun. 37 00:02:30,280 --> 00:02:33,400 Speaker 1: And this this is the hype party edition of the 38 00:02:33,480 --> 00:02:36,520 Speaker 1: Jennalis Jay Show. You know me, I love the party. 39 00:02:37,000 --> 00:02:52,040 Speaker 1: I love it. Yes, so party yo, yo, yes, yes, 40 00:02:52,560 --> 00:02:55,800 Speaker 1: that's exactly what I'm talking about. See, this is what 41 00:02:55,840 --> 00:02:58,239 Speaker 1: I'm talking about this the energy I mean, and we're 42 00:02:58,240 --> 00:03:08,160 Speaker 1: gonna get the show started with tea time. Jenellis handy 43 00:03:08,160 --> 00:03:12,040 Speaker 1: and lovin in your tea all day, every day, honey, uh, 44 00:03:12,120 --> 00:03:15,640 Speaker 1: spoonful of tea. Heeps the doctor away, but not the 45 00:03:15,680 --> 00:03:20,120 Speaker 1: Fat Doctor because we're here. I'm tea time. Listen. The 46 00:03:20,240 --> 00:03:24,600 Speaker 1: last episode, it was all about radical transparency. It was 47 00:03:24,680 --> 00:03:30,800 Speaker 1: all serious blah blah blah. Nicki Minajh captain, critics, incriminating herself. Whatever. 48 00:03:31,280 --> 00:03:35,120 Speaker 1: This episode, we're gonna lighting things up. We have the 49 00:03:35,160 --> 00:03:40,480 Speaker 1: Fat Doctor here, you know, mad light, mad fun. You 50 00:03:40,520 --> 00:03:42,120 Speaker 1: know what I'm saying. We're gonna take a break from 51 00:03:42,160 --> 00:03:46,120 Speaker 1: celebrity gossip because that ship could be so dark, dark energy, 52 00:03:46,280 --> 00:03:51,600 Speaker 1: dark vibes, vibes off. They make deals with the devil. 53 00:03:51,640 --> 00:03:54,760 Speaker 1: That's exactly what I'm saying. I love your energy. So 54 00:03:54,800 --> 00:03:56,839 Speaker 1: we're gonna talk about something like, we're gonna talk about 55 00:03:56,880 --> 00:03:59,320 Speaker 1: the weather. I want to keep it light and tight. 56 00:04:00,040 --> 00:04:04,160 Speaker 1: The man got doctor. So for our first headline, are 57 00:04:04,160 --> 00:04:12,640 Speaker 1: you ready, Fat Doctor? Right? Yeah, I'm ready. Okay. Within 58 00:04:12,680 --> 00:04:17,680 Speaker 1: the next two decades, global temperatures that's a couple of years, 59 00:04:19,200 --> 00:04:23,320 Speaker 1: twenty years, global temperatures are likely to rise at one 60 00:04:23,320 --> 00:04:29,240 Speaker 1: point five degree celsius. It's getting high in here. In 61 00:04:29,320 --> 00:04:33,480 Speaker 1: twenty nineteen, global carbon emissions from fossil fuel and fossil 62 00:04:33,520 --> 00:04:37,000 Speaker 1: fuel industries reached a high of thirty six point forty 63 00:04:37,080 --> 00:04:42,120 Speaker 1: four billion metric tons in emissions. Sound that's heavy, dog, 64 00:04:42,200 --> 00:04:46,880 Speaker 1: that's heavy. In emissions fell by five point eight percent 65 00:04:47,800 --> 00:04:55,279 Speaker 1: due to COVID oh and the resulting economic crisis. But 66 00:04:55,400 --> 00:05:00,200 Speaker 1: despite last year's reverse trendy emissions are expect it to 67 00:05:00,320 --> 00:05:04,000 Speaker 1: again grow by nearly five percent to thirty three billion punks. 68 00:05:05,320 --> 00:05:09,040 Speaker 1: Let's hear what the executive director of the International Energy 69 00:05:09,120 --> 00:05:15,839 Speaker 1: Agency has to say. This is a dire warning that 70 00:05:15,920 --> 00:05:20,880 Speaker 1: the economic recovery from the COVID crisis is currently anything 71 00:05:20,920 --> 00:05:24,920 Speaker 1: but sustainable for our climate. Unless governments around the world 72 00:05:25,240 --> 00:05:28,000 Speaker 1: move for a rapidly to start cutting a mission, we 73 00:05:28,080 --> 00:05:35,080 Speaker 1: are likely to face an even worse situation in we 74 00:05:35,160 --> 00:05:38,560 Speaker 1: gotta move baby. Yeah, that's exactly what I'm talking about. 75 00:05:39,960 --> 00:05:43,760 Speaker 1: Next uh, next story. The last seven years have been 76 00:05:43,760 --> 00:05:50,520 Speaker 1: the warmest on record tank top season all of year around. 77 00:05:50,520 --> 00:05:53,240 Speaker 1: That's what I'm talking about. The last seven years have 78 00:05:53,279 --> 00:05:56,400 Speaker 1: been the warmest seven years on records, type of fining, 79 00:05:56,480 --> 00:06:01,039 Speaker 1: The on growing and dramatic warming trend just from the 80 00:06:01,080 --> 00:06:11,120 Speaker 1: Godden Institute of Space Studies Director Gavin Schmidt. Smitty, you 81 00:06:11,160 --> 00:06:13,720 Speaker 1: know what SMI has to say, Whether one year is 82 00:06:13,760 --> 00:06:16,800 Speaker 1: a record or not, it's not really that important. The 83 00:06:16,839 --> 00:06:20,960 Speaker 1: important things that are these long term trends. With these trends, 84 00:06:21,440 --> 00:06:24,960 Speaker 1: and as the human impact on the climate increases, we 85 00:06:25,040 --> 00:06:27,839 Speaker 1: have to expect that record will continue to be broken 86 00:06:30,040 --> 00:06:33,320 Speaker 1: or breaking records out here exactly the next story. We 87 00:06:33,400 --> 00:06:36,560 Speaker 1: got more stories for you. Don't just stop there. It's 88 00:06:36,600 --> 00:06:41,760 Speaker 1: not just more than one million species are at risk 89 00:06:41,839 --> 00:06:48,000 Speaker 1: of extinction by calling it change. Come on, one million. 90 00:06:49,160 --> 00:06:51,720 Speaker 1: So this is a question we got for you. Imagine 91 00:06:51,839 --> 00:06:59,240 Speaker 1: dressing up as a fraud for Halloween and then having 92 00:06:59,240 --> 00:07:01,760 Speaker 1: to explain it the generations, what it was and why 93 00:07:01,800 --> 00:07:04,480 Speaker 1: it's gone on those. Top of all, amphibians are at 94 00:07:04,600 --> 00:07:07,599 Speaker 1: risk of extinction during the climate change, So this could 95 00:07:07,640 --> 00:07:14,559 Speaker 1: be a reality if we don't have soon. Yeah, yeah, 96 00:07:14,640 --> 00:07:16,720 Speaker 1: what the weather frogs that you know what we saying 97 00:07:20,800 --> 00:07:25,320 Speaker 1: us extinction is a natural phenomenon, claiming about five species 98 00:07:25,400 --> 00:07:28,560 Speaker 1: per year, but some experts suggests we're in the midst 99 00:07:28,600 --> 00:07:32,720 Speaker 1: of six mass extinction when that is caused mostly by 100 00:07:32,800 --> 00:07:37,080 Speaker 1: human activity. Scientists estimate dozens of species of plants and 101 00:07:37,120 --> 00:07:42,080 Speaker 1: animals currently go extinct each day, nearly one thousand times 102 00:07:42,320 --> 00:07:52,800 Speaker 1: the natural radeles. Literally, yeah, we're killing that. We're killing them, 103 00:07:52,840 --> 00:07:55,840 Speaker 1: just like you are with the energy. And we loved out. 104 00:07:56,280 --> 00:08:02,520 Speaker 1: Doctor got him all right? Next, Sorry, climate change is 105 00:08:02,560 --> 00:08:13,400 Speaker 1: already happening, and it's detrimental to human life too. Is 106 00:08:13,480 --> 00:08:18,040 Speaker 1: hurting people exactly. Rising temperature is coupled with a growing 107 00:08:18,120 --> 00:08:22,560 Speaker 1: number of people in cities and increasing population of the elderly, 108 00:08:23,000 --> 00:08:26,960 Speaker 1: have increased heat related death, according to a twenty eighteen 109 00:08:27,000 --> 00:08:38,400 Speaker 1: study in The Lancet WHOA right there. I don't think 110 00:08:38,480 --> 00:08:41,680 Speaker 1: you know when polym remains. The report concluded that the 111 00:08:41,760 --> 00:08:46,520 Speaker 1: lack of adaptive capacities and effort towards reducing emissions threatened 112 00:08:46,600 --> 00:08:50,200 Speaker 1: human lives and the national health systems people rely on 113 00:08:50,600 --> 00:08:55,319 Speaker 1: by pushing services to their limit and disrupting core infrastructure. 114 00:08:56,280 --> 00:09:04,200 Speaker 1: Vulnerable communities already being hit first and worst. It's always 115 00:09:04,200 --> 00:09:07,920 Speaker 1: the hood first, just like my single went popping in 116 00:09:08,000 --> 00:09:16,840 Speaker 1: the hood first. You know what I'm saying. Hey, hey, hey, hey, alright, 117 00:09:16,880 --> 00:09:20,640 Speaker 1: last story. Many leaders are still not taking climate change seriously, 118 00:09:21,040 --> 00:09:24,040 Speaker 1: although it's been five years since the Paris Agreement entered 119 00:09:24,120 --> 00:09:29,200 Speaker 1: into force. Sounds sounds heavy. None of the world's major 120 00:09:29,240 --> 00:09:32,800 Speaker 1: economies are on track to keep global warming below one 121 00:09:32,840 --> 00:09:38,400 Speaker 1: point five degree celsius above pre industry industrial levels. To 122 00:09:38,559 --> 00:09:41,520 Speaker 1: outline steps to achieve the goals of the Paris Agreement 123 00:09:41,559 --> 00:09:46,000 Speaker 1: to reduce greenhound gas emissions and build resilience to climate change, 124 00:09:46,559 --> 00:09:52,480 Speaker 1: parties submit nationally determined contribution AK and d C every 125 00:09:52,559 --> 00:10:00,480 Speaker 1: five years. Climate literacy is among the climate goals that 126 00:10:00,559 --> 00:10:05,080 Speaker 1: have missed the mark. Climate literacy are supported by an 127 00:10:05,080 --> 00:10:09,600 Speaker 1: integrated Kate twelve curricula is needed to prepare the youth 128 00:10:09,679 --> 00:10:13,200 Speaker 1: with an understanding of the climate crisis and the skills 129 00:10:13,280 --> 00:10:18,640 Speaker 1: to create solutions. Yet not one country has thoroughly addressed 130 00:10:18,640 --> 00:10:25,440 Speaker 1: it with its within its NBC. Yeah, so you know 131 00:10:25,800 --> 00:10:28,560 Speaker 1: you're ready for more stories. We've got more climate change 132 00:10:28,600 --> 00:10:32,600 Speaker 1: stories for you. Dot fat doctor. It's crazy. I got 133 00:10:32,640 --> 00:10:35,800 Speaker 1: I got like another another ten headlines if you want 134 00:10:35,840 --> 00:10:43,480 Speaker 1: to read them and get hype about them. Of dying 135 00:10:43,640 --> 00:10:52,679 Speaker 1: in the planet, dying no more. What are you talking about? Oh, 136 00:10:53,000 --> 00:10:59,040 Speaker 1: I'm sorry, you're using the voice. You're using your Juilliard voice. David, 137 00:10:59,080 --> 00:11:02,520 Speaker 1: I thought we agree that, sire I thought this was 138 00:11:02,559 --> 00:11:05,520 Speaker 1: supposed to be fun, and I hype up things and 139 00:11:05,559 --> 00:11:10,040 Speaker 1: there was no like, there's no no vinyl reason for me, 140 00:11:10,160 --> 00:11:13,360 Speaker 1: just everything which you're supposed to be fun and now 141 00:11:13,559 --> 00:11:16,720 Speaker 1: it's just like we're killing the planet and we're killing 142 00:11:16,760 --> 00:11:19,959 Speaker 1: the plan that we're killing. Oh my god, are you 143 00:11:20,040 --> 00:11:32,679 Speaker 1: crying right now? No? You know what? Like real? First 144 00:11:32,679 --> 00:11:35,400 Speaker 1: of all, my single matters. Second of all, the only 145 00:11:35,440 --> 00:11:39,520 Speaker 1: man allowed to cry on my radio show is Harris 146 00:11:39,880 --> 00:11:43,440 Speaker 1: my bet my piece of ship. That husband. You know 147 00:11:43,520 --> 00:11:45,520 Speaker 1: you don't come to my show and disrespect it and 148 00:11:45,600 --> 00:11:49,760 Speaker 1: say that I touched you. Dick last night was not impactful. 149 00:11:50,600 --> 00:11:54,320 Speaker 1: Impactful what I'm saying like, it's not killing the world. 150 00:11:54,679 --> 00:11:57,160 Speaker 1: WI chill in the world. Okay, So what are you 151 00:11:57,240 --> 00:12:00,800 Speaker 1: gonna quit on me? Donna quit on me. I'm just 152 00:12:00,840 --> 00:12:09,959 Speaker 1: gonna be damn damn more. Fuck you think you know what? No, 153 00:12:10,280 --> 00:12:13,439 Speaker 1: this was the light This was the light ship. We 154 00:12:13,480 --> 00:12:16,680 Speaker 1: don't talk about We didn't talk about lead pipes and 155 00:12:16,760 --> 00:12:20,120 Speaker 1: black communities like you requested. We didn't talk about the 156 00:12:20,200 --> 00:12:23,680 Speaker 1: growing police brutality rate. We're talking about any of that. Ship. 157 00:12:24,200 --> 00:12:31,880 Speaker 1: We talked about something light. It's just the weather fashion alright. 158 00:12:31,920 --> 00:12:35,760 Speaker 1: So somebody's sensitive about frogs. Now we can't do our show. 159 00:12:36,240 --> 00:12:38,320 Speaker 1: You know what, fucking fat doctor got the funk off 160 00:12:38,360 --> 00:12:41,360 Speaker 1: the show. I'm gonna call Jerr Gerald back in and 161 00:12:41,559 --> 00:12:46,400 Speaker 1: we'll see what he called out. You know why he's 162 00:12:46,400 --> 00:12:49,080 Speaker 1: looking for good. Pretty good to me now after you 163 00:12:49,480 --> 00:12:53,360 Speaker 1: cried about frogs, have a nice day. Let me called 164 00:12:53,400 --> 00:12:59,680 Speaker 1: you all talking about Nigga Escar goes snail shut the 165 00:12:59,720 --> 00:13:06,520 Speaker 1: fund alright, Girald, giralds Girald's you want to come back 166 00:13:06,600 --> 00:13:09,679 Speaker 1: on the show. I'm in the parking lot, say left, Okay, great, 167 00:13:10,120 --> 00:13:17,160 Speaker 1: got it? Yo? What's up? This is Girald and you're 168 00:13:17,160 --> 00:13:23,240 Speaker 1: listening to the Jannelli's j Show. We're back, everybody, We're 169 00:13:23,280 --> 00:13:27,439 Speaker 1: back with Yeah. Another segment of the Janelle's Jay Show. 170 00:13:27,720 --> 00:13:31,600 Speaker 1: We got the advice segment. As gennellies, I did get 171 00:13:31,760 --> 00:13:34,720 Speaker 1: Girald to come back. Girald was actually not backing about 172 00:13:34,760 --> 00:13:39,359 Speaker 1: the whole time. So you know, in true Girald form, 173 00:13:39,400 --> 00:13:42,680 Speaker 1: He's gonna read the letter that I got, the submission letter, 174 00:13:42,840 --> 00:13:46,199 Speaker 1: and we're gonna go from there. Okay, another asked Jonellies, 175 00:13:46,480 --> 00:13:51,440 Speaker 1: Like we do every time, here is the letter, jellis 176 00:13:51,520 --> 00:13:53,120 Speaker 1: I am a twenty nine year old male, and I 177 00:13:53,160 --> 00:13:55,600 Speaker 1: have been dating my twenty seven year old fiance, Erica 178 00:13:55,640 --> 00:13:57,640 Speaker 1: for two years and have been engaged for the last 179 00:13:57,679 --> 00:14:01,240 Speaker 1: four months. After we got engaged, Erica moved into my house. 180 00:14:01,559 --> 00:14:04,240 Speaker 1: I still pay the mortgage while she pays utilities, groceries, 181 00:14:04,240 --> 00:14:06,800 Speaker 1: and household items. After we get married, the planet is 182 00:14:06,840 --> 00:14:08,320 Speaker 1: to put her on the least so she gets equity 183 00:14:08,360 --> 00:14:11,720 Speaker 1: as well. Her friend, Leah, twenty seven years old, and 184 00:14:11,800 --> 00:14:14,479 Speaker 1: her have been friends since high school. I don't particularly 185 00:14:14,559 --> 00:14:16,440 Speaker 1: like ly of but I've always been cordial as I 186 00:14:16,440 --> 00:14:18,559 Speaker 1: know she's gonna be in my life. My issue is 187 00:14:18,640 --> 00:14:21,119 Speaker 1: Leah thinks of the home as hers. A couple of examples, 188 00:14:21,320 --> 00:14:23,640 Speaker 1: she always brings her boyfriend over and he's a sketch ball. 189 00:14:23,960 --> 00:14:25,840 Speaker 1: She talks to me in a very disrespectful way in 190 00:14:25,880 --> 00:14:27,840 Speaker 1: my own house, like I'm a guest and she and 191 00:14:28,000 --> 00:14:30,640 Speaker 1: Erica own it. One day, I went out to my 192 00:14:30,680 --> 00:14:33,520 Speaker 1: garage and some of my tools were missing. I checked 193 00:14:33,520 --> 00:14:35,440 Speaker 1: my camera and Leah and her boyfriend were in my 194 00:14:35,480 --> 00:14:38,000 Speaker 1: garage with Erica and took some tools with them. I 195 00:14:38,040 --> 00:14:40,200 Speaker 1: asked Erica, and she said they were just borrowing and 196 00:14:40,240 --> 00:14:43,000 Speaker 1: would return them. I had to reach out multiple times 197 00:14:43,000 --> 00:14:45,760 Speaker 1: for them to finally return the tools weeks later. I 198 00:14:45,840 --> 00:14:47,840 Speaker 1: have a nice wine and liquor collection, and I was 199 00:14:47,840 --> 00:14:50,840 Speaker 1: working late one Friday. While working, I heard some clanking 200 00:14:50,840 --> 00:14:53,560 Speaker 1: of bottles together. Erica wasn't home, so I went out 201 00:14:53,560 --> 00:14:56,120 Speaker 1: to see what was up. Leo was behind my bar. 202 00:14:56,720 --> 00:14:58,280 Speaker 1: I asked what she was doing, and she said that 203 00:14:58,400 --> 00:15:00,360 Speaker 1: Erica told her it was okay to borrow bottle of 204 00:15:00,360 --> 00:15:02,760 Speaker 1: wine for her party and that she would pay it back. 205 00:15:03,080 --> 00:15:05,640 Speaker 1: I told her, no, that wasn't all right and to leave. 206 00:15:06,200 --> 00:15:08,480 Speaker 1: I asked Erica about this, and she said, I don't 207 00:15:08,520 --> 00:15:10,920 Speaker 1: remember telling Leah she could take a bottle, but I might. 208 00:15:11,120 --> 00:15:13,360 Speaker 1: I might have, I don't remember. I told her at 209 00:15:13,400 --> 00:15:15,840 Speaker 1: this point, I wasn't comfortable with Leah being in my house. 210 00:15:16,320 --> 00:15:19,400 Speaker 1: Erica sort of understood, but also blew me off. Final 211 00:15:19,440 --> 00:15:21,400 Speaker 1: straw came when I go to hit some golf balls 212 00:15:21,400 --> 00:15:24,240 Speaker 1: and my clubs were missing. I freaked out because I 213 00:15:24,320 --> 00:15:27,240 Speaker 1: golf regularly and my clubs are my biggest investment. I 214 00:15:27,240 --> 00:15:29,440 Speaker 1: went to check the camera again and Leah had used 215 00:15:29,440 --> 00:15:32,160 Speaker 1: my garage code and took the clubs. I blew up, 216 00:15:32,280 --> 00:15:34,680 Speaker 1: called Erica and told her to get them back. Immediately, 217 00:15:35,320 --> 00:15:37,440 Speaker 1: Erica said that Leah had asked for the garage code 218 00:15:37,440 --> 00:15:39,720 Speaker 1: to come grab some clothes from her closet and not 219 00:15:39,800 --> 00:15:42,160 Speaker 1: the clubs. I started to call the police, but Erica 220 00:15:42,160 --> 00:15:44,840 Speaker 1: stopped me. Leah kept telling us that her boyfriend needed 221 00:15:44,840 --> 00:15:47,080 Speaker 1: them for a work thing. I got them back almost 222 00:15:47,080 --> 00:15:49,440 Speaker 1: four days later, after they were taken and they were dirty. 223 00:15:49,920 --> 00:15:51,720 Speaker 1: At this point, I sat Erica down and told her 224 00:15:51,720 --> 00:15:53,560 Speaker 1: that if I see Lee in my house again, then 225 00:15:53,560 --> 00:15:57,440 Speaker 1: I'm calling the cops. No discussions. Erica got upset, saying 226 00:15:57,480 --> 00:15:58,960 Speaker 1: that it's her best friend and that wasn't fair to 227 00:15:59,000 --> 00:16:00,960 Speaker 1: do to her in her own house. I said it's 228 00:16:00,960 --> 00:16:03,160 Speaker 1: a pattern, and since Erica's stuff isn't effect that, she 229 00:16:03,200 --> 00:16:05,560 Speaker 1: doesn't care. I said she can go over to Leah's 230 00:16:05,560 --> 00:16:07,600 Speaker 1: if she wants to see her. She said she can't 231 00:16:07,600 --> 00:16:10,000 Speaker 1: do this because Leah doesn't like her apartment and Leah's 232 00:16:10,040 --> 00:16:12,960 Speaker 1: boyfriend is always there, which makes Erica uncomfortable. I'm now 233 00:16:13,000 --> 00:16:15,480 Speaker 1: getting the silent treatment and getting called an asshole, but 234 00:16:15,520 --> 00:16:19,840 Speaker 1: I didn't think I'm doing anything wrong. What should I do? Whoa, whoa? Wow? 235 00:16:21,720 --> 00:16:28,320 Speaker 1: The tables have turned. This sounds exactly like Harris and 236 00:16:28,440 --> 00:16:32,520 Speaker 1: his homeboy. Freddy. Freddie and Harris used to come up 237 00:16:32,560 --> 00:16:35,640 Speaker 1: into my house all the damn time. Hair. You know, 238 00:16:35,880 --> 00:16:39,680 Speaker 1: Harris would always have Freddy not Freddie for some reason. 239 00:16:40,840 --> 00:16:44,560 Speaker 1: You know. I would take my underwear, which I found strange, 240 00:16:45,160 --> 00:16:47,480 Speaker 1: but when I would bring it up to Harry's, Harris 241 00:16:47,560 --> 00:16:52,840 Speaker 1: was always like, no, you're tripping, you're tripping whatever. I'm 242 00:16:52,840 --> 00:16:56,120 Speaker 1: not really fucking your cousin. And you know what, guess what. 243 00:16:56,760 --> 00:17:01,960 Speaker 1: Freddie was taking my underwear and Harris was sucking my cousin. 244 00:17:02,960 --> 00:17:07,280 Speaker 1: But that's neither here nor there. Uh. You know, personally, 245 00:17:07,520 --> 00:17:11,720 Speaker 1: I feel like you should just you know, start leaving 246 00:17:11,760 --> 00:17:17,320 Speaker 1: poison everywhere, you know, poison everything. Put put some booby traps. Uh. 247 00:17:17,359 --> 00:17:20,080 Speaker 1: We love a good booboo booby trap. You know it's 248 00:17:20,119 --> 00:17:23,680 Speaker 1: home alone one and two honestly three. I haven't seen 249 00:17:24,160 --> 00:17:27,600 Speaker 1: the reboot. I don't know yet. Love Elly Camper though, 250 00:17:28,320 --> 00:17:32,639 Speaker 1: but you leave some booby traps around you know, you 251 00:17:32,680 --> 00:17:34,879 Speaker 1: have nice ship, you know what I mean? Maybe it 252 00:17:34,920 --> 00:17:37,880 Speaker 1: don't confront Erica, don't don't put any hardline, just see 253 00:17:37,880 --> 00:17:41,960 Speaker 1: how it goes, and leave some booby traps, you know. Okay, 254 00:17:42,040 --> 00:17:44,280 Speaker 1: she wants she wants to lend her boyfriend, her shoes. 255 00:17:45,040 --> 00:17:48,879 Speaker 1: Put some nails in your shoes. You know she wants 256 00:17:48,880 --> 00:17:53,879 Speaker 1: to she wants to borrow your toothpaste. Change the toothpaste 257 00:17:53,960 --> 00:17:58,000 Speaker 1: label to hemorrhoid cream. There's some common pranks. You know, 258 00:17:59,080 --> 00:18:02,440 Speaker 1: she wants to use your expensive lotion. Fine, but guess 259 00:18:02,440 --> 00:18:07,040 Speaker 1: what it's not lotion? Snare start have any hair? So 260 00:18:07,160 --> 00:18:10,960 Speaker 1: you know, I think little by little, after a few pranks, 261 00:18:12,200 --> 00:18:15,960 Speaker 1: she'll start to get the picture and I get it. 262 00:18:16,000 --> 00:18:18,160 Speaker 1: You know, not everyone wants to do pranks. Like we're 263 00:18:18,200 --> 00:18:21,160 Speaker 1: all adults here. You know, we want to confront our 264 00:18:21,200 --> 00:18:25,920 Speaker 1: problems head on, straightforward and talk it out. Maybe you 265 00:18:26,000 --> 00:18:30,560 Speaker 1: want different solutions, and you know, if you want to 266 00:18:30,600 --> 00:18:33,480 Speaker 1: go that route, if you want to go to mature route, higher? 267 00:18:33,560 --> 00:18:37,800 Speaker 1: Which higher? Which? Get some get some dolls, get some food? 268 00:18:37,800 --> 00:18:41,520 Speaker 1: Who going? I know she has DNA somewhere in the house. Uh, 269 00:18:41,560 --> 00:18:43,680 Speaker 1: and take it to your local you know, a cult 270 00:18:43,760 --> 00:18:46,840 Speaker 1: store and get some spells on on both of them. 271 00:18:47,080 --> 00:18:50,720 Speaker 1: And you know, Erica, well act right. You know, I'm 272 00:18:50,720 --> 00:18:54,520 Speaker 1: sure inbox will be flooded looking for men like you. 273 00:18:54,520 --> 00:18:57,280 Speaker 1: You know what I'm saying. Everyone's always like gen always 274 00:18:57,280 --> 00:18:59,720 Speaker 1: look me up with a nice man um. That's not 275 00:18:59,840 --> 00:19:01,639 Speaker 1: your X husband, And I'm like, Okay, I don't know 276 00:19:01,680 --> 00:19:03,720 Speaker 1: what you're asking me. You don't I have a bad 277 00:19:03,800 --> 00:19:07,040 Speaker 1: choosing thing, But you know that's what I say. I say, 278 00:19:07,080 --> 00:19:11,240 Speaker 1: either do some cranks or college. What do you think, Gerald? 279 00:19:11,560 --> 00:19:13,280 Speaker 1: I mean, I think you're exactly right. This is a 280 00:19:13,320 --> 00:19:16,680 Speaker 1: good man. I think that man he leaves Erica, you Leah, 281 00:19:16,720 --> 00:19:19,439 Speaker 1: is completely out of the picture at that point, and 282 00:19:19,600 --> 00:19:24,000 Speaker 1: I think you should holler at him, honestly, honestly, you know, 283 00:19:24,280 --> 00:19:26,960 Speaker 1: you got my d MS letter writer, you got a 284 00:19:26,960 --> 00:19:31,320 Speaker 1: house with golf clubs and nice wine. I mean, listen, 285 00:19:31,960 --> 00:19:35,439 Speaker 1: I fucked way more for way less. You know what 286 00:19:35,480 --> 00:19:39,200 Speaker 1: I'm saying. So yeah, you know, if you look anything 287 00:19:39,280 --> 00:19:42,639 Speaker 1: like Vincent Genofrio and you wrote this letter, hit me 288 00:19:42,640 --> 00:19:47,119 Speaker 1: o because you know your girls China, get a guy 289 00:19:47,200 --> 00:19:51,080 Speaker 1: who has his own ship. He's already in your d MS. 290 00:19:52,000 --> 00:19:54,320 Speaker 1: He's already in my d MS. You're already halfway there. 291 00:19:54,760 --> 00:19:58,240 Speaker 1: Other half some of your information DART have to sign 292 00:19:58,280 --> 00:20:03,560 Speaker 1: an nd A fourth have well fucked. So anyway, that 293 00:20:03,720 --> 00:20:06,600 Speaker 1: was action at least, let's move on to our next segment. 294 00:20:07,960 --> 00:20:16,280 Speaker 1: They all right, everyone, we're here. We got our guest interview. 295 00:20:16,320 --> 00:20:20,119 Speaker 1: I'm so hyped to bring this next guest. He's a 296 00:20:20,119 --> 00:20:23,760 Speaker 1: reggae tornado. He's like number one. He like one of 297 00:20:23,760 --> 00:20:28,480 Speaker 1: the Latin Grammys, Latin built for a chart topper. They 298 00:20:28,520 --> 00:20:31,400 Speaker 1: love him in Japan and Korea, all over the all 299 00:20:31,440 --> 00:20:35,240 Speaker 1: over the world. Everyone give it up for memy Tho 300 00:20:36,840 --> 00:20:46,240 Speaker 1: what they want. Nellie Putamo say, hey, yeah, oh my god, 301 00:20:46,320 --> 00:20:48,320 Speaker 1: so I'm so happy to have him and me Tho 302 00:20:48,680 --> 00:20:57,040 Speaker 1: Hey yeah, Okay that means bad clown. Everyone everyone knows 303 00:20:57,160 --> 00:21:00,119 Speaker 1: me throws the bad clown. You know what I'm saying. So, 304 00:21:00,720 --> 00:21:02,760 Speaker 1: you know, I just want to talk to you about 305 00:21:03,240 --> 00:21:07,760 Speaker 1: this upcoming project you have and you know, tell us 306 00:21:07,800 --> 00:21:11,280 Speaker 1: about your your you got an upcoming tour and probably 307 00:21:11,320 --> 00:21:15,000 Speaker 1: as Malo Live and it's you know, it's really cool 308 00:21:15,040 --> 00:21:17,840 Speaker 1: because it's circus theme. I didn't think since the Briny 309 00:21:17,880 --> 00:21:19,719 Speaker 1: thing anyone could do that. But of course, my mean, 310 00:21:19,800 --> 00:21:22,840 Speaker 1: so you're proving me wrong. But maybe why do you 311 00:21:22,920 --> 00:21:25,760 Speaker 1: tell us about, you know, stopping your tour and you're 312 00:21:25,760 --> 00:21:30,119 Speaker 1: excited about yo? Okay, you know, pull a bad man. 313 00:21:30,200 --> 00:21:32,760 Speaker 1: I can't wait to to to get to Sesame Street 314 00:21:32,800 --> 00:21:36,240 Speaker 1: bro Sessame s three. You get a out be burg 315 00:21:38,680 --> 00:21:44,199 Speaker 1: who win bloody when I bloodies and it's rubend. Bloody 316 00:21:44,280 --> 00:21:47,680 Speaker 1: is dead. Also, so are you talking about the hypothetical 317 00:21:48,160 --> 00:21:50,280 Speaker 1: Tessame Street or are you going to do a concert 318 00:21:50,320 --> 00:21:54,080 Speaker 1: at Tessames Place in Pennsylvania? No? What do you thought? 319 00:21:54,160 --> 00:21:56,720 Speaker 1: You Tessame Street? You know it's a real playing tess 320 00:21:56,840 --> 00:22:00,200 Speaker 1: Me three showing. Are you gonna be a have a 321 00:22:00,320 --> 00:22:04,080 Speaker 1: cameo on the show? Contro? It's a show, It's a 322 00:22:04,160 --> 00:22:09,040 Speaker 1: TV show. Okay, what woman? Oh? I grew up seeing it. Man, 323 00:22:10,720 --> 00:22:14,720 Speaker 1: I'm gonna be there sessing me three. Okay, why don't 324 00:22:14,720 --> 00:22:16,760 Speaker 1: you tell us? Tell us a little bit about yourself? 325 00:22:16,800 --> 00:22:18,440 Speaker 1: Where are you from? You know what I'm saying? Where 326 00:22:18,480 --> 00:22:22,720 Speaker 1: you come from? Like? Yo? We well be that on 327 00:22:23,880 --> 00:22:35,720 Speaker 1: Swela Yo? Soad then by your throne byna okay, I 328 00:22:35,720 --> 00:22:39,040 Speaker 1: don't okay, sorry, you said venezuela parie. I don't know 329 00:22:39,080 --> 00:22:43,400 Speaker 1: what pay a cone means? Um? And then you said 330 00:22:43,440 --> 00:22:55,920 Speaker 1: the zone, yeah, fida outside. You know speak huh you speak? 331 00:22:56,760 --> 00:22:58,960 Speaker 1: We were in Mexico. You were speaking perfect Spanish. I 332 00:22:59,000 --> 00:23:02,040 Speaker 1: don't understand trouble. Why are you in trouble right now? 333 00:23:02,680 --> 00:23:06,280 Speaker 1: You know I speak, you know English, obviously, I speak 334 00:23:06,280 --> 00:23:11,040 Speaker 1: Spanish fluently. I I don't know what the fuck saying. 335 00:23:11,840 --> 00:23:15,159 Speaker 1: I don't think that they're word than any language. No, 336 00:23:15,359 --> 00:23:17,760 Speaker 1: but that's just that's that's like reggae tone, you know, 337 00:23:17,920 --> 00:23:20,640 Speaker 1: it's it's about street language, and it's like what they're 338 00:23:20,640 --> 00:23:23,159 Speaker 1: it's not it's not just any old Spanish. It's like 339 00:23:23,160 --> 00:23:26,080 Speaker 1: what they're talking about the street, you know. I don't 340 00:23:26,160 --> 00:23:28,240 Speaker 1: know why. I feel like a lot of the shitty 341 00:23:28,320 --> 00:23:32,359 Speaker 1: things made gerald. Why don't you ask you a question? Oh? 342 00:23:32,440 --> 00:23:35,600 Speaker 1: You want me to ask a question? Now? There was 343 00:23:36,440 --> 00:23:39,359 Speaker 1: I want I want to talk about, uh, the reggae 344 00:23:39,440 --> 00:23:45,719 Speaker 1: tone artists. Uh. He actually um, he passed away recently 345 00:23:45,760 --> 00:23:48,920 Speaker 1: and I saw you dedicated your Jimmy Fallon set to him. 346 00:23:49,640 --> 00:23:52,600 Speaker 1: And there are a couple of people saying that, I 347 00:23:52,640 --> 00:23:54,840 Speaker 1: don't know, maybe you had something to do with it, 348 00:23:55,359 --> 00:23:58,600 Speaker 1: or it's because because he had a sex tape with 349 00:23:58,800 --> 00:24:02,040 Speaker 1: you on it. I don't know what the rumors. I 350 00:24:02,080 --> 00:24:04,639 Speaker 1: don't know what the rumors are. But this is what 351 00:24:04,760 --> 00:24:06,840 Speaker 1: people told me when we when I said you were 352 00:24:06,840 --> 00:24:10,359 Speaker 1: coming on the shop. Oh man, you listen, do you 353 00:24:10,480 --> 00:24:13,240 Speaker 1: understand me? You can't be listening to the humor it man, 354 00:24:13,760 --> 00:24:22,600 Speaker 1: little more than when that's what that's how Blando. Yeah, 355 00:24:22,640 --> 00:24:24,720 Speaker 1: you took a lot of things and thingy things. Yeah 356 00:24:25,000 --> 00:24:37,800 Speaker 1: when Oka la the guanca guaca. You know we okay, sorry, 357 00:24:38,240 --> 00:24:42,960 Speaker 1: we're asking you about murder allegations and you you you 358 00:24:43,160 --> 00:24:48,480 Speaker 1: circumvented the answer by making up five different work yo. 359 00:24:50,000 --> 00:24:52,480 Speaker 1: So yeah, you know what I'm saying. Okay, Yeah, we 360 00:24:52,560 --> 00:24:54,320 Speaker 1: got at your client. I don't care. You know what 361 00:24:54,320 --> 00:24:58,320 Speaker 1: I'm saying. I bring, I bring happy Okay, all right, 362 00:24:58,640 --> 00:25:01,840 Speaker 1: well let's talk about let's talk about the game rumors. Okay, 363 00:25:01,920 --> 00:25:06,000 Speaker 1: some people are speculating about your sexuality. Uh what do 364 00:25:06,119 --> 00:25:08,920 Speaker 1: you have to say about these rumors that you're you know, 365 00:25:09,600 --> 00:25:11,919 Speaker 1: a little little on the sweet side, a little zesty. 366 00:25:15,640 --> 00:25:21,119 Speaker 1: I thought you did you know you? I know, No, 367 00:25:21,280 --> 00:25:24,119 Speaker 1: I am a party girl. I don't care. You know this. 368 00:25:24,359 --> 00:25:27,439 Speaker 1: It's a non judgmental place. Unless you're my ex husband. 369 00:25:27,720 --> 00:25:32,320 Speaker 1: You do whatever you want. Yeah, exact, So you flu Lando, 370 00:25:33,680 --> 00:25:37,840 Speaker 1: I mean okay, so you're you're kind of saying you're 371 00:25:37,920 --> 00:25:43,520 Speaker 1: like bisexual, you're paying sexual, or you're straight or yeah, 372 00:25:43,760 --> 00:25:48,320 Speaker 1: you don't like it, you don't label it, Okay, the 373 00:25:48,400 --> 00:25:54,439 Speaker 1: only thing you label is your clothes. Great, yeah, uh okay, 374 00:25:54,560 --> 00:26:00,440 Speaker 1: well but you know what I mean but appropriate something. 375 00:26:00,920 --> 00:26:04,480 Speaker 1: I mean it more. I mean okay, so you do 376 00:26:04,680 --> 00:26:07,440 Speaker 1: like sucking dick is what you're saying. You don't, you 377 00:26:07,480 --> 00:26:09,440 Speaker 1: don't have a label, but you know you have suck 378 00:26:09,520 --> 00:26:16,440 Speaker 1: tack before and you enjoy it. Okay, you're doing a 379 00:26:16,560 --> 00:26:20,440 Speaker 1: metaphor and I don't understand it. Um, okay, so let's talk. 380 00:26:20,600 --> 00:26:25,680 Speaker 1: Let's just get fun. What's your favorite holiday? Remy? You ready? No, 381 00:26:26,840 --> 00:26:33,159 Speaker 1: the holidays? Is that every day holiday? Too soon and 382 00:26:33,240 --> 00:26:36,080 Speaker 1: the medio? Okay, but if you have to pick one, 383 00:26:36,760 --> 00:26:41,639 Speaker 1: um day, you know, bank holiday, let's say that or 384 00:26:42,119 --> 00:26:46,120 Speaker 1: something that they've made a movie about on ben because 385 00:26:46,160 --> 00:26:48,280 Speaker 1: Halloween's not a bank holiday, even though it should be. 386 00:26:48,720 --> 00:26:54,480 Speaker 1: That's the generalist j take is that Halloween needs to 387 00:26:54,560 --> 00:27:01,359 Speaker 1: be a holiday, Halloween holiday, but not with the banks. 388 00:27:02,040 --> 00:27:10,040 Speaker 1: Oh wow, I thought how the win would saying holiday? Okay, 389 00:27:10,040 --> 00:27:12,480 Speaker 1: it seems like you're not answering that question. Every day, 390 00:27:12,560 --> 00:27:16,920 Speaker 1: every day, every day is a holiday. Do we even 391 00:27:17,680 --> 00:27:23,400 Speaker 1: every day it's a holiday? Every day it's a wonderful day? Okay? Um? 392 00:27:26,680 --> 00:27:29,639 Speaker 1: You know what about what the people say? Um that 393 00:27:29,800 --> 00:27:33,680 Speaker 1: you're appropriated from black artists? You know, what do you 394 00:27:33,720 --> 00:27:40,960 Speaker 1: have to say about that? Ok? Okay? You met, you 395 00:27:42,880 --> 00:27:48,639 Speaker 1: just saw you. No marticos, were no mass You know 396 00:27:48,680 --> 00:27:51,119 Speaker 1: what I'm saying, we from all over. This is not appropriation. 397 00:27:53,160 --> 00:27:55,399 Speaker 1: You know what I'm saying, Like I'm all over the 398 00:27:55,480 --> 00:28:00,359 Speaker 1: plate all over and said I'm a kid mette lawai 399 00:28:00,520 --> 00:28:05,480 Speaker 1: not you know what I'm saying live It is sound 400 00:28:06,280 --> 00:28:15,960 Speaker 1: so it's like moosik. But I see it. Made didn't 401 00:28:16,000 --> 00:28:18,399 Speaker 1: really answer that, and you just said, like eeen, just 402 00:28:18,520 --> 00:28:21,520 Speaker 1: words that working really made up? Gerald? Do you have 403 00:28:21,600 --> 00:28:26,200 Speaker 1: any questions you're not asking me now? I think some 404 00:28:26,359 --> 00:28:29,399 Speaker 1: people are along the lines of your last question, and 405 00:28:29,480 --> 00:28:31,760 Speaker 1: at least people want to know where you're from because 406 00:28:32,480 --> 00:28:35,359 Speaker 1: you wrap, you represent all of the Caribbean, you represent 407 00:28:35,440 --> 00:28:38,960 Speaker 1: South America. I think some people say you're from Colombia, 408 00:28:39,040 --> 00:28:41,840 Speaker 1: but you sometimes you're wrapping in Puerto Rican Spanish. So 409 00:28:42,480 --> 00:28:44,040 Speaker 1: I just I just want to know where you're from, 410 00:28:44,120 --> 00:28:47,040 Speaker 1: where you stay with Made. That ain't the way. She'll 411 00:28:47,120 --> 00:28:52,600 Speaker 1: not cool. So I'm gonna tell you something I'm from different, 412 00:28:53,720 --> 00:28:58,720 Speaker 1: just show that, don't make kid that you're like, there's 413 00:28:58,760 --> 00:29:02,680 Speaker 1: no place the same way with the labels you said 414 00:29:02,680 --> 00:29:10,719 Speaker 1: it in Suela, the Colombia Minicana, Like that's not a country. 415 00:29:11,040 --> 00:29:17,400 Speaker 1: That's not a country CA Chicago. That's not country Chicago. 416 00:29:17,520 --> 00:29:23,160 Speaker 1: Lay boom that Chicago. But that you said beach. So 417 00:29:23,320 --> 00:29:26,760 Speaker 1: now I'm confused. You're talking about Lake Erie. What's the 418 00:29:26,800 --> 00:29:32,280 Speaker 1: beach in Chicago? Like Michigan. You're from there, CA Chicago. 419 00:29:35,160 --> 00:29:42,920 Speaker 1: It's okay, it's like the Americans. Cars, you know what 420 00:29:42,960 --> 00:29:51,560 Speaker 1: I'm saying. Yeah, yeah, yeah, cars. Cars are from Detroit. Um, 421 00:29:53,040 --> 00:29:57,520 Speaker 1: all right, where do you see yourself in five years? Oh? Man? 422 00:29:57,760 --> 00:30:00,320 Speaker 1: In your next projects? Like what do you you can 423 00:30:00,440 --> 00:30:07,920 Speaker 1: try to do for the future movement? Man? You know 424 00:30:07,920 --> 00:30:09,880 Speaker 1: what I'm saying, This is not this is not it's 425 00:30:09,920 --> 00:30:13,280 Speaker 1: more than music going out of the hume. You know 426 00:30:13,280 --> 00:30:17,400 Speaker 1: I'm saying. I want to people do now make fun 427 00:30:17,480 --> 00:30:22,640 Speaker 1: of mm hmm. I want I don't know if people 428 00:30:22,760 --> 00:30:28,520 Speaker 1: be laughing or thank or Tom I'm saying, so I 429 00:30:28,560 --> 00:30:31,720 Speaker 1: want to make it a difference. Yeah, So you don't 430 00:30:31,720 --> 00:30:33,840 Speaker 1: know if people are laughing with you, were laughing at you. 431 00:30:34,680 --> 00:30:36,760 Speaker 1: So in the next five years, you want to do 432 00:30:36,880 --> 00:30:39,960 Speaker 1: a project where people are laughing with you. So it 433 00:30:40,000 --> 00:30:45,240 Speaker 1: sounds like you want to do a comedy. Yeah, to 434 00:30:45,400 --> 00:30:49,440 Speaker 1: get to get that, you know what I'm saying. Tickets, labels, 435 00:30:49,840 --> 00:30:52,480 Speaker 1: we gotta get him in touch with otis. Oh yeah, 436 00:30:53,480 --> 00:30:57,720 Speaker 1: they'll shoot the projector this Carter the second um and 437 00:30:57,800 --> 00:31:00,800 Speaker 1: it's terrible. As from us. We had a lot of 438 00:31:00,840 --> 00:31:07,880 Speaker 1: community comedians on our show, Young Interesting. I listened to 439 00:31:07,960 --> 00:31:11,480 Speaker 1: the album. The album's got it's got incredible streams. I 440 00:31:11,520 --> 00:31:13,120 Speaker 1: didn't know. I didn't know it was like that. I 441 00:31:13,280 --> 00:31:15,720 Speaker 1: just listen to English music, That's what I do. I 442 00:31:15,840 --> 00:31:19,720 Speaker 1: listened to the album and I like, I just thought 443 00:31:19,760 --> 00:31:22,440 Speaker 1: it was a little all over the places. Pop punk 444 00:31:22,560 --> 00:31:26,240 Speaker 1: gets reggae tone, then there's some there's some metal. What 445 00:31:27,080 --> 00:31:30,400 Speaker 1: what genre? If you had to pick what genre exactly 446 00:31:30,600 --> 00:31:34,920 Speaker 1: do you do? If you had to just sum it up? Yeah, 447 00:31:36,680 --> 00:31:40,320 Speaker 1: it get mom. It's like yeah, okay, no labels, but 448 00:31:40,440 --> 00:31:45,080 Speaker 1: you have to but like what you just have on Spotify, 449 00:31:45,200 --> 00:31:48,400 Speaker 1: you can't just say no labels. Three. You can pick three, 450 00:31:49,360 --> 00:32:00,640 Speaker 1: you can pick three, but just pick something concrete the 451 00:32:00,720 --> 00:32:04,479 Speaker 1: last time. Now, I oh, shout out to the Island Boys, man, 452 00:32:04,520 --> 00:32:06,640 Speaker 1: I like the feature. We didn't you know what I'm saying, 453 00:32:06,760 --> 00:32:11,120 Speaker 1: Oh yeah, you did it with the Island Boys, you know, 454 00:32:11,360 --> 00:32:14,240 Speaker 1: saying like yeah, yeah, yeah, the Island Boys that those 455 00:32:14,560 --> 00:32:21,400 Speaker 1: tattooed the Florida Yeah, well, okay, so we asked your 456 00:32:21,440 --> 00:32:24,560 Speaker 1: brother the genre and you couldn't. You made up five 457 00:32:24,600 --> 00:32:26,640 Speaker 1: words in Spanish and then you shout out the Island 458 00:32:26,640 --> 00:32:30,720 Speaker 1: Boys who are terribly problematic and Cynthia from the records. 459 00:32:31,760 --> 00:32:38,320 Speaker 1: But okay, well, I feel like we can just wrap 460 00:32:38,400 --> 00:32:42,680 Speaker 1: it up. Why don't you tell us to uh why 461 00:32:42,720 --> 00:32:46,280 Speaker 1: I got tu more questions, you know, just to leave 462 00:32:46,360 --> 00:32:48,920 Speaker 1: the final nail on this thing, like what led you 463 00:32:49,120 --> 00:32:51,800 Speaker 1: to this, to your last album, to your latest album, 464 00:32:52,000 --> 00:32:57,960 Speaker 1: like like what inspired you? What inspires you? Damn where 465 00:32:59,400 --> 00:33:06,800 Speaker 1: I went back to my roosts. Yeah, but from ya 466 00:33:06,880 --> 00:33:10,240 Speaker 1: sando me that mef I median theater souper. Yeah, you're 467 00:33:10,560 --> 00:33:13,080 Speaker 1: for a long time. I was like, no clowns, man, 468 00:33:13,120 --> 00:33:18,440 Speaker 1: I don't want to be this. Oh better when me 469 00:33:18,720 --> 00:33:23,600 Speaker 1: me me. You know what I'm saying. Your families are trying. 470 00:33:23,720 --> 00:33:26,160 Speaker 1: When they passed away in the in the car thrown 471 00:33:26,320 --> 00:33:29,400 Speaker 1: and they got her. Oh your family was all in 472 00:33:29,480 --> 00:33:32,240 Speaker 1: the car one car, yeah, one car and then and 473 00:33:32,440 --> 00:33:35,320 Speaker 1: then they passed there their their the wheel to the 474 00:33:35,400 --> 00:33:40,280 Speaker 1: monkey and accident. I said, in there and my mom 475 00:33:40,480 --> 00:33:43,920 Speaker 1: she was like in the deathbed like me that eho 476 00:33:44,200 --> 00:33:49,520 Speaker 1: ehole beginning. Yeah, you gotta go back to your room. 477 00:33:49,680 --> 00:33:53,600 Speaker 1: I remember that you're from this place right here? And 478 00:33:53,760 --> 00:33:57,880 Speaker 1: where was that my country? That exact hospital in that 479 00:34:03,680 --> 00:34:08,480 Speaker 1: Oh my god, don't cry. So that's how okay? So 480 00:34:08,760 --> 00:34:13,640 Speaker 1: so okay, um I asked him, I got an answer 481 00:34:13,760 --> 00:34:20,480 Speaker 1: and you did. Okay, um, Well, you're definitely the roots 482 00:34:20,600 --> 00:34:24,680 Speaker 1: of the clown has come through with this project what 483 00:34:24,760 --> 00:34:28,919 Speaker 1: they were. Um so, why don't you tell listeners where 484 00:34:29,640 --> 00:34:31,920 Speaker 1: they can get in you know, support, you follow you, 485 00:34:32,080 --> 00:34:38,319 Speaker 1: get in touch with you the man. I'm on there. 486 00:34:40,160 --> 00:34:46,080 Speaker 1: You know you could find me. I'bum here everywhere. Okay, okay, 487 00:34:46,120 --> 00:34:48,600 Speaker 1: but but like, do you have a handle on a 488 00:34:48,719 --> 00:34:53,360 Speaker 1: platform where people already exist. I don't like people handle 489 00:34:57,440 --> 00:35:00,239 Speaker 1: unless you know, you gotta open something that boy take 490 00:35:00,280 --> 00:35:02,759 Speaker 1: when the you opay something, you would expand your mind. 491 00:35:02,800 --> 00:35:18,440 Speaker 1: You the way I eat in a different levels. Okay, okay, 492 00:35:18,640 --> 00:35:20,680 Speaker 1: you're saying, get hand, know what I mean? I just 493 00:35:20,800 --> 00:35:23,480 Speaker 1: want to shout out to me Meeto's manager. I don't 494 00:35:23,520 --> 00:35:26,200 Speaker 1: know how you get anything done with this man. Uh 495 00:35:26,400 --> 00:35:28,120 Speaker 1: seems all over the place and I don't even know 496 00:35:28,160 --> 00:35:32,759 Speaker 1: if it's drugs. Uh So we have gros, you know, uh, 497 00:35:33,080 --> 00:35:38,440 Speaker 1: we have some you know, final questions, keep it light. Uh, 498 00:35:39,320 --> 00:35:45,840 Speaker 1: we have the rebrought receipts segment. Uh. So yeah, in 499 00:35:45,960 --> 00:35:50,920 Speaker 1: this segment, we we got your bank transactions from your 500 00:35:51,000 --> 00:35:54,120 Speaker 1: team and uh, you know, we're gonna we're gonna bring 501 00:35:54,200 --> 00:35:56,880 Speaker 1: up some charges and you're gonna let us know what 502 00:35:57,040 --> 00:36:03,200 Speaker 1: they were, and like why would you what it was? So? Yeah, 503 00:36:05,280 --> 00:36:09,800 Speaker 1: we got one five d and dollars spent at fund 504 00:36:09,920 --> 00:36:17,120 Speaker 1: zone last Tuesday. Yeah, you know, you know, I don't know. 505 00:36:17,400 --> 00:36:23,520 Speaker 1: I'm asking what is the fund zone, Alix funds Zone? 506 00:36:25,040 --> 00:36:35,200 Speaker 1: What did you buy? Fun stuff like like rubber chickens, uh, pinkongs? 507 00:36:36,880 --> 00:36:41,320 Speaker 1: You know what I'm saying. Just you know when I 508 00:36:41,440 --> 00:36:47,439 Speaker 1: go side last sona, All right, now you're just trying 509 00:36:47,480 --> 00:36:54,839 Speaker 1: to fund me. Okay, great. Um, so you spent four 510 00:36:55,360 --> 00:37:04,640 Speaker 1: hundred and seventy five dollars at this place called bond Zone. Um, 511 00:37:04,880 --> 00:37:07,040 Speaker 1: what is that place? And what did you spend the 512 00:37:07,080 --> 00:37:15,960 Speaker 1: money on? Bo You just you just said boo. I 513 00:37:16,160 --> 00:37:25,160 Speaker 1: just I understood that. You just said bonds dog. Um. Okay, 514 00:37:25,200 --> 00:37:29,400 Speaker 1: Now you're using bonzo as a verb. Um, okay, So 515 00:37:29,880 --> 00:37:33,680 Speaker 1: we'll just move on. This seems like very obvious. There's 516 00:37:33,760 --> 00:37:37,279 Speaker 1: nine hundred and eighty nine dollars you spent that, which 517 00:37:37,320 --> 00:37:44,759 Speaker 1: I'm assuming is a strip club of some sort. No, three, no, 518 00:37:47,120 --> 00:37:50,279 Speaker 1: so what is it? Nine dollars? A diamonds? What is that? 519 00:37:50,719 --> 00:37:57,000 Speaker 1: What's the diamonds? Okay, you're just saying what the places 520 00:37:57,160 --> 00:38:01,040 Speaker 1: in Spanish? And just tell us what the businesses in 521 00:38:01,120 --> 00:38:04,240 Speaker 1: a restaurant? Do you eat their? Okay? Now you're just dancing? 522 00:38:04,320 --> 00:38:08,480 Speaker 1: All right, Well let's just okay, move on. Uh you 523 00:38:08,560 --> 00:38:13,200 Speaker 1: start five seventy eight dollars at the time, square foot lockers, straightforward. 524 00:38:13,880 --> 00:38:17,520 Speaker 1: You bought sneakers, I'm assuming i'm foot lockers. Maybe, yeah, 525 00:38:18,520 --> 00:38:23,600 Speaker 1: you bought socks. You bought soft socks. So five dollars 526 00:38:23,640 --> 00:38:27,440 Speaker 1: out socks at foot locker. But he wears he wears 527 00:38:27,520 --> 00:38:30,600 Speaker 1: clown shoes, so that it's it's it adds to the price. 528 00:38:31,600 --> 00:38:35,399 Speaker 1: I eat them. Wow? You see? Yeah, I love this guy. 529 00:38:37,880 --> 00:38:44,239 Speaker 1: Does he understand? I don't know, I understand? Okay? With 530 00:38:44,520 --> 00:38:47,600 Speaker 1: with with mamito, you just gotta feel him. Sometimes it's 531 00:38:47,640 --> 00:38:51,520 Speaker 1: like a vibe. I mean, I think you're just I 532 00:38:51,560 --> 00:38:53,799 Speaker 1: can see why he translates on a global level. It's 533 00:38:53,840 --> 00:39:00,640 Speaker 1: a vibe that you see. Then decent then these maybe Okay, 534 00:39:00,719 --> 00:39:08,520 Speaker 1: now you're speaking Portuguese. Uh, okay um. Finally, the last 535 00:39:08,600 --> 00:39:12,760 Speaker 1: charge is uh, he spent forty eight dollars at Western Union. 536 00:39:13,400 --> 00:39:16,280 Speaker 1: I imagine that you were sending money to someone somewhere. 537 00:39:17,800 --> 00:39:20,000 Speaker 1: Do you want to tell us where that money was 538 00:39:20,080 --> 00:39:26,360 Speaker 1: going to? What country? Maybe? Okay, now you're doing sign language. 539 00:39:26,920 --> 00:39:30,040 Speaker 1: Do you want to just tell us something? This this 540 00:39:30,239 --> 00:39:34,920 Speaker 1: game is only fun if you are honest. Anything honest? 541 00:39:36,560 --> 00:39:44,600 Speaker 1: Did the say honestius? Okay? That is Latin? I don't know, 542 00:39:44,960 --> 00:39:48,520 Speaker 1: like the language of Latin. I don't know. Okay, let 543 00:39:48,560 --> 00:39:52,279 Speaker 1: me tell what about Western Union? You'll tell us about 544 00:39:52,320 --> 00:39:56,160 Speaker 1: Western Union. No, it's like, yeah, one of the best 545 00:39:56,200 --> 00:40:00,600 Speaker 1: places in the world. Western You and in the money, 546 00:40:00,680 --> 00:40:04,880 Speaker 1: the place that charges money to ship, to to wire 547 00:40:05,000 --> 00:40:07,800 Speaker 1: money to other places. That's the best place in the world. 548 00:40:08,840 --> 00:40:17,920 Speaker 1: I'm what what someone? Just you are see yourself? You 549 00:40:18,080 --> 00:40:21,200 Speaker 1: are see your question yourself. I don't even have to elaborate, 550 00:40:21,640 --> 00:40:32,160 Speaker 1: elaborabo okay, alright, well, Gerald, anything else? The name of 551 00:40:32,280 --> 00:40:35,680 Speaker 1: your first son is it Manuel or Emanuel? I just 552 00:40:36,480 --> 00:40:38,960 Speaker 1: I think there's this confusion because you say it, You've 553 00:40:38,960 --> 00:40:41,200 Speaker 1: said it differently in different interviews. I just want to 554 00:40:42,560 --> 00:40:50,920 Speaker 1: I just want to clarify l Manu l yeah, and 555 00:40:51,080 --> 00:40:56,000 Speaker 1: mane En. You know I'm saying, all right, he's like 556 00:40:56,080 --> 00:40:59,400 Speaker 1: his your own brother money, He's like his own brother 557 00:41:01,160 --> 00:41:04,680 Speaker 1: crazy that you're allowed to have children. Um, okay, well 558 00:41:05,040 --> 00:41:08,200 Speaker 1: mem me, So unfortunately, I don't want to talk to 559 00:41:08,239 --> 00:41:14,239 Speaker 1: you anymore. So I know you. You know, we have 560 00:41:14,440 --> 00:41:18,279 Speaker 1: so much fun together in a club that's drowning out 561 00:41:18,440 --> 00:41:23,200 Speaker 1: everything that you have to sing. But in this situation, Um, 562 00:41:24,160 --> 00:41:29,600 Speaker 1: we gotta go. Unfortunately. I know. I'm sorry. So thank 563 00:41:29,640 --> 00:41:33,520 Speaker 1: you so much form to uh yeah, thank you about 564 00:41:33,560 --> 00:41:40,680 Speaker 1: hanging up on him. Okay, good bye bye. Um Gerald, 565 00:41:40,760 --> 00:41:43,439 Speaker 1: what the fun was that? I got it? I don't know. Look, 566 00:41:43,880 --> 00:41:46,440 Speaker 1: I'm on your team here. I know it's a difficult 567 00:41:46,480 --> 00:41:50,279 Speaker 1: interview you had to translate, but I got it. I 568 00:41:50,400 --> 00:41:55,880 Speaker 1: just got it. What did you get exactly? You just 569 00:41:56,000 --> 00:42:00,400 Speaker 1: got it. There's some things that go beyond translation, to 570 00:42:00,560 --> 00:42:02,759 Speaker 1: go beyond making sense, and it's just it's just a 571 00:42:02,880 --> 00:42:05,320 Speaker 1: vibe you pick up with this guy. I wish I 572 00:42:05,400 --> 00:42:08,040 Speaker 1: could fire you again, but literally fat Doctor has bloughted 573 00:42:08,040 --> 00:42:11,200 Speaker 1: me him also from the again. Um all right, well 574 00:42:11,440 --> 00:42:14,239 Speaker 1: that's the end of our guest segment and stay tuned 575 00:42:14,280 --> 00:42:21,800 Speaker 1: for the rest of the show. The Jannellis J Show 576 00:42:22,600 --> 00:42:29,040 Speaker 1: I'm Your Girl Jannellis J. We're back for yet another 577 00:42:29,239 --> 00:42:32,960 Speaker 1: segment of Lump and you know that's the part of 578 00:42:33,000 --> 00:42:38,120 Speaker 1: the show where it's rapid fire. Uh. Gerald lets me 579 00:42:38,239 --> 00:42:41,279 Speaker 1: know what's up. Uh, and I and I give my 580 00:42:41,440 --> 00:42:43,560 Speaker 1: you know, I give my real, honest feedback. I say, 581 00:42:43,920 --> 00:42:46,200 Speaker 1: if something's a whamp, a whamp wamp or a full 582 00:42:46,280 --> 00:42:50,000 Speaker 1: last whamp, or if something's great and uh, you know 583 00:42:50,160 --> 00:42:52,160 Speaker 1: this is party edition because we want to keep the 584 00:42:52,200 --> 00:42:59,600 Speaker 1: party going with all y'all. Uh, even though many would 585 00:42:59,600 --> 00:43:03,000 Speaker 1: say him, Look, he's a strange guy, but he is 586 00:43:03,600 --> 00:43:09,520 Speaker 1: a good time anyway. Let's uh get it going. Gerald, 587 00:43:11,200 --> 00:43:17,719 Speaker 1: hit me with the shumps first. Womp wine? Oh yes, 588 00:43:18,440 --> 00:43:22,120 Speaker 1: we do love wine, especially up on a guy. Or 589 00:43:22,160 --> 00:43:27,520 Speaker 1: where are you talking about the beverage bottle waitresses? Okay, 590 00:43:29,080 --> 00:43:31,800 Speaker 1: I don't need fireworks to enjoy my alcohol. Okay, we 591 00:43:31,920 --> 00:43:35,880 Speaker 1: need a pyro text department. And also, all my cousins 592 00:43:35,880 --> 00:43:42,080 Speaker 1: are bottle waitresses and don DJs wob I suck like 593 00:43:42,239 --> 00:43:44,239 Speaker 1: eighteen of them and none of them have anything to 594 00:43:44,320 --> 00:43:46,759 Speaker 1: write home about. Let me tell you. Uh, and their 595 00:43:46,800 --> 00:43:53,839 Speaker 1: dick was bad too. Karaoke fun fact. Let me tell 596 00:43:53,840 --> 00:43:56,719 Speaker 1: you something about Janelle's j I'm one of the only 597 00:43:56,960 --> 00:44:00,680 Speaker 1: artists who start in their own karaoke music video for 598 00:44:00,800 --> 00:44:03,520 Speaker 1: one of their singles. You know my hit single, I 599 00:44:03,600 --> 00:44:06,560 Speaker 1: Touch Your Dick last Night. Yeah, if you're singing at 600 00:44:06,560 --> 00:44:11,000 Speaker 1: any in any Korean town in the country, your girls, 601 00:44:11,080 --> 00:44:14,680 Speaker 1: you know, shame will be front and center, a history 602 00:44:14,760 --> 00:44:23,880 Speaker 1: making history day by day. House parties, ladies in free um, 603 00:44:24,200 --> 00:44:26,200 Speaker 1: the ladies I go to places where they need to 604 00:44:26,239 --> 00:44:29,680 Speaker 1: be free are trashy. So I'm gonna say full as 605 00:44:31,360 --> 00:44:38,200 Speaker 1: Valet parking. Uh, you know, sometimes if the driver's nice, 606 00:44:38,560 --> 00:44:41,239 Speaker 1: you know, and hot, I'll say, yeah, I'll let him 607 00:44:41,280 --> 00:44:44,840 Speaker 1: take me an extra spin. So yeah, we like Valet parking. 608 00:44:46,280 --> 00:44:50,040 Speaker 1: A t M fees, A t M fees I'm not 609 00:44:50,360 --> 00:44:52,920 Speaker 1: to say, you know what keeps me in truck, So 610 00:44:52,920 --> 00:44:56,480 Speaker 1: I'm gonna say I like a t M feast. The 611 00:44:56,600 --> 00:44:59,520 Speaker 1: v I P section v I P session is the 612 00:44:59,600 --> 00:45:01,319 Speaker 1: most all. I will not go to a club if 613 00:45:01,360 --> 00:45:03,440 Speaker 1: they don't have a VI I P section because everyone 614 00:45:03,560 --> 00:45:05,680 Speaker 1: knows the v I P section is the best part 615 00:45:05,680 --> 00:45:12,000 Speaker 1: of the club to fall sleeper, top shelf liquor, Bomp bomp. 616 00:45:12,440 --> 00:45:16,520 Speaker 1: I love me some good as midshelf lickor like Boocardi liquorice. 617 00:45:17,640 --> 00:45:21,200 Speaker 1: And now my answer does not have anything to do 618 00:45:21,360 --> 00:45:25,200 Speaker 1: with my deal with Boccardi licorice. If I say that 619 00:45:25,320 --> 00:45:29,240 Speaker 1: it does, I do have to say this entire episode 620 00:45:29,239 --> 00:45:34,279 Speaker 1: as an ad but I do. Let's say hypothetically, I 621 00:45:34,440 --> 00:45:37,920 Speaker 1: have um a case deal where I get a percentich 622 00:45:37,960 --> 00:45:40,759 Speaker 1: of all cases sold, so we don't need top shelf 623 00:45:40,800 --> 00:45:45,360 Speaker 1: lickor we you know, midshelf Briccardi licorice is great with 624 00:45:45,600 --> 00:45:50,640 Speaker 1: some soda. Yes, I never needed anything but Boccardi. I 625 00:45:50,640 --> 00:45:53,200 Speaker 1: don't know. I've always said that, yeah, Boocardi is you 626 00:45:53,280 --> 00:45:56,200 Speaker 1: know some people are like, oh click co oh hannesty. 627 00:45:56,280 --> 00:46:01,719 Speaker 1: I'm just like listen Riccardi all day, all night. The 628 00:46:01,840 --> 00:46:04,200 Speaker 1: people in the YouTube, I just you guys need to 629 00:46:04,239 --> 00:46:07,360 Speaker 1: shut up. Everyone says, why is the Bacardi bottle always 630 00:46:07,400 --> 00:46:09,840 Speaker 1: in the shot? Why is the Bacardi bottle always in 631 00:46:09,880 --> 00:46:12,919 Speaker 1: the shot? You design a studio and if you find 632 00:46:12,960 --> 00:46:15,759 Speaker 1: a way to put Bacardi outside of the shop, you don't. 633 00:46:17,360 --> 00:46:19,160 Speaker 1: This is New York City, Okay, we don't have a 634 00:46:19,239 --> 00:46:21,920 Speaker 1: lot of real estate. And sorry that we have ten 635 00:46:22,000 --> 00:46:25,959 Speaker 1: Briccardi bottles in every shot like that's just how it goes. 636 00:46:26,800 --> 00:46:30,360 Speaker 1: And first of all, YouTube, yaller yeller everywhere. You know, 637 00:46:30,480 --> 00:46:34,000 Speaker 1: you guys got cameras everywhere. Y'all got all the conspiracyories. 638 00:46:34,000 --> 00:46:35,520 Speaker 1: I think I give a funk about what's going on 639 00:46:35,640 --> 00:46:39,239 Speaker 1: on YouTube. Absolutely not. It's not her radio. Baby. We 640 00:46:39,360 --> 00:46:41,080 Speaker 1: got all the money in the world for all the Bacardi. 641 00:46:41,080 --> 00:46:43,160 Speaker 1: So listen, if we want to put Piccardi in a shot, 642 00:46:44,200 --> 00:46:46,760 Speaker 1: these are the people. They don't have I Heart Radio 643 00:46:46,840 --> 00:46:49,239 Speaker 1: in their car. They go home from there, they go 644 00:46:49,360 --> 00:46:51,800 Speaker 1: home from their job and they watch us on YouTube. 645 00:46:51,840 --> 00:46:55,560 Speaker 1: And we appreciate the views haters or views too yet too, 646 00:46:56,560 --> 00:46:59,280 Speaker 1: but enough with the Bacardi. Is not there on purpose? 647 00:46:59,400 --> 00:47:01,839 Speaker 1: We just have bottles of a Cardi. Yeah, because if 648 00:47:01,920 --> 00:47:03,640 Speaker 1: it was there on purpose, we'd have to give my 649 00:47:03,760 --> 00:47:07,840 Speaker 1: Heart Radio and cut of ad sales and for that. 650 00:47:07,960 --> 00:47:10,239 Speaker 1: It's not on purpose. It's just in Austin, I'm just 651 00:47:10,800 --> 00:47:14,879 Speaker 1: constantly drinking Bircardi on accident. It just happens to be there. 652 00:47:15,160 --> 00:47:18,000 Speaker 1: It just happens. If you don't ever wake up, someone 653 00:47:18,080 --> 00:47:20,520 Speaker 1: takes the picture of you and then you have a 654 00:47:20,680 --> 00:47:22,840 Speaker 1: Cardi and Nick, come on, that's what happens to everybody. 655 00:47:23,960 --> 00:47:26,400 Speaker 1: This ship has me so upset. I need some home 656 00:47:26,480 --> 00:47:29,399 Speaker 1: fuel right now. Oh my gosh, thank you so much 657 00:47:29,440 --> 00:47:32,919 Speaker 1: for bringing us to our last segment. That's why you're here, 658 00:47:33,440 --> 00:47:37,440 Speaker 1: that's why you're important. We got our last segment of 659 00:47:37,520 --> 00:47:41,040 Speaker 1: the day, Hole Fuel. It's the time of the show 660 00:47:41,600 --> 00:47:44,880 Speaker 1: where I leave you out with something motivational, something to 661 00:47:44,960 --> 00:47:48,200 Speaker 1: get you through the week, something relatable that I know 662 00:47:48,360 --> 00:47:52,879 Speaker 1: all y'all need to hear, you know, And and yeah, 663 00:47:53,040 --> 00:47:55,120 Speaker 1: like I'm a woman of the people. You know what 664 00:47:55,200 --> 00:47:57,759 Speaker 1: I mean. I'm down to earth. I got it. And 665 00:47:58,320 --> 00:48:05,280 Speaker 1: this week's both Fuel goes out to my dog groomer, Sean. Okay, Sean, 666 00:48:05,920 --> 00:48:09,480 Speaker 1: you bitch. Okay. First of all, I asked you. I 667 00:48:09,600 --> 00:48:11,960 Speaker 1: asked you for a number three cut off, so foo, 668 00:48:12,560 --> 00:48:14,840 Speaker 1: I said, food footing is the number three, you know, 669 00:48:14,920 --> 00:48:17,960 Speaker 1: because it's a poodle. We can't go that short. What 670 00:48:18,080 --> 00:48:21,360 Speaker 1: do you do even a two point five? What is this? 671 00:48:21,520 --> 00:48:23,440 Speaker 1: What am I paying you for? You come to my house, 672 00:48:24,120 --> 00:48:26,400 Speaker 1: you go in that special dog grooming room that I 673 00:48:26,480 --> 00:48:29,399 Speaker 1: know everybody got. Everybody got a room for their dog room, 674 00:48:29,560 --> 00:48:31,960 Speaker 1: so I know that I'm being relatable. I know. Listen 675 00:48:32,280 --> 00:48:34,840 Speaker 1: and sometimes your dog groomer is your personalized dog groomers. 676 00:48:34,880 --> 00:48:38,040 Speaker 1: They pay five hundred dollars a session. They'll try the 677 00:48:38,120 --> 00:48:41,040 Speaker 1: funk out of you. They'll be like, oh, I thought 678 00:48:41,080 --> 00:48:45,360 Speaker 1: you said that you you don't wanted something a little short. No, Sean, 679 00:48:45,840 --> 00:48:50,000 Speaker 1: that's not what I said. Open your ears and listen. Okay. 680 00:48:50,800 --> 00:48:53,760 Speaker 1: You know, because you you invoice me on time every 681 00:48:53,880 --> 00:48:58,200 Speaker 1: month and I pay you when I can, which is 682 00:48:58,239 --> 00:49:02,600 Speaker 1: on time. But you know, egg to everyone out there 683 00:49:02,760 --> 00:49:05,800 Speaker 1: was a personalized dog Rumors, you know, and you know 684 00:49:05,880 --> 00:49:10,000 Speaker 1: what I had to do, Geralds for my dog food food. 685 00:49:10,880 --> 00:49:14,960 Speaker 1: I have to do to get extensions because it was ridiculous. 686 00:49:15,320 --> 00:49:17,680 Speaker 1: I'm gonna have a bald ass dog in the street. 687 00:49:18,000 --> 00:49:21,960 Speaker 1: What does that say about me? Let's say about my brain. Uh. 688 00:49:23,040 --> 00:49:25,600 Speaker 1: And it's just like a setting, you know. So to 689 00:49:25,719 --> 00:49:28,759 Speaker 1: everyone out there, when your personalized dog Rumor comes to 690 00:49:28,880 --> 00:49:32,239 Speaker 1: your house starts giving you lip saying, oh my god, 691 00:49:32,280 --> 00:49:34,640 Speaker 1: I'm so sorry for the inconvenience, there must have been 692 00:49:34,680 --> 00:49:38,480 Speaker 1: a miscommunication. You just feel like, No, Sean, there wasn't 693 00:49:38,480 --> 00:49:41,080 Speaker 1: a miscommunication. I'm done with you. Get to funk out 694 00:49:41,120 --> 00:49:43,759 Speaker 1: my house. That's a message that everybody can relate to. 695 00:49:44,400 --> 00:49:46,400 Speaker 1: I know I relate to it because Foo Foo is 696 00:49:46,400 --> 00:49:49,239 Speaker 1: a personal friend of mine. I don't know if it 697 00:49:49,360 --> 00:49:53,359 Speaker 1: like that in her eyes, but okay, oh, I would 698 00:49:53,360 --> 00:49:55,640 Speaker 1: consider myself kind of like the godfather to the dog. 699 00:49:56,440 --> 00:49:59,880 Speaker 1: And to see her out here looking bad, it hurt me. 700 00:50:00,719 --> 00:50:02,000 Speaker 1: I had to turn my I had to turn my 701 00:50:02,040 --> 00:50:04,440 Speaker 1: Instagram off because you know, you got her in the stories. 702 00:50:04,480 --> 00:50:05,880 Speaker 1: I'm saying, I can't look at her this way. I 703 00:50:05,920 --> 00:50:08,960 Speaker 1: can't look at her this way. I mean so, I mean, 704 00:50:09,040 --> 00:50:12,839 Speaker 1: that's this, It's the fuel that everybody needs to get 705 00:50:12,840 --> 00:50:14,720 Speaker 1: through their weeks. Fuck a dog room and that doesn't 706 00:50:14,800 --> 00:50:17,200 Speaker 1: listen and wants to take the clippers willy nilly to 707 00:50:17,280 --> 00:50:20,640 Speaker 1: your dog. And you know, this is why they ended up. 708 00:50:21,280 --> 00:50:23,480 Speaker 1: I don't want to say it. I you know, I 709 00:50:23,520 --> 00:50:24,759 Speaker 1: don't want to say it, but this is why they 710 00:50:24,840 --> 00:50:28,680 Speaker 1: ended up grooming dogs and not people. Absolutely, because you 711 00:50:28,760 --> 00:50:31,120 Speaker 1: know what a person will will will, We'll get you. 712 00:50:31,239 --> 00:50:33,479 Speaker 1: You will catch these hands if you do the wrong. 713 00:50:33,760 --> 00:50:37,040 Speaker 1: But but a dog, you know, they're helpless, they don't know. 714 00:50:37,760 --> 00:50:41,680 Speaker 1: And my dog, you know, she can't communicate. And I 715 00:50:42,040 --> 00:50:44,200 Speaker 1: knew the energy was off. And that's why when she 716 00:50:44,280 --> 00:50:47,520 Speaker 1: had a weekly raking session. You know, the lady told 717 00:50:47,560 --> 00:50:50,640 Speaker 1: me She was like, listen, there's some darkness going on 718 00:50:50,760 --> 00:50:52,279 Speaker 1: in your dog and I'm like, it was because they 719 00:50:52,360 --> 00:50:53,640 Speaker 1: got a two and a half a n at three. 720 00:50:55,640 --> 00:50:59,799 Speaker 1: So that's a message showing my haters take that with you. Uh, 721 00:51:00,200 --> 00:51:02,799 Speaker 1: live by it, hit it, you know what I'm saying. 722 00:51:03,400 --> 00:51:06,560 Speaker 1: And yeah, that's been another episode of the Jennalish Show. 723 00:51:06,920 --> 00:51:10,400 Speaker 1: Thank you so much. Fuck you Sean, fuck you Harris, 724 00:51:10,760 --> 00:51:13,680 Speaker 1: and fuck my cousin. That sucks my man. Have a 725 00:51:13,800 --> 00:51:14,239 Speaker 1: nice day.