WEBVTT - Episode 1: The Remains

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<v Speaker 1>The Manowa Caves is intended for mature audiences. It contains

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<v Speaker 1>strong language and depictions of bullying, violence, and sexual assault

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<v Speaker 1>that some may find disturbing. Listener discretion is advised. Also,

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<v Speaker 1>this is an extremely immersive experience and headphones are recommended.

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<v Speaker 1>You're listening to The Manawat Caves, a production of iHeartRadio,

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<v Speaker 1>Blumhouse Television and Psycopia Pictures where God, Jesus fuck, don't paying.

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<v Speaker 1>Just know you expected this, you play it for it.

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<v Speaker 1>The black count are more frequent now, they last longer.

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<v Speaker 1>That's why you left this message for yourself, Julian, to

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<v Speaker 1>help you remember. First thing I need you to do.

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<v Speaker 1>Start the car. You need to drive. Never mind the fog.

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<v Speaker 1>Visibility is going to be shipped for a while, doesn't matter.

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<v Speaker 1>Just head north and don't stop. No matter what. You

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<v Speaker 1>should have at least a half tank, so just drive,

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<v Speaker 1>drive until the fall breaks, and hopefully you will do it.

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<v Speaker 1>Must be done while you're still able to hit rewind,

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<v Speaker 1>go all the way back, then play it, all of it.

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<v Speaker 1>We have some breaking news. The Manowa County Sheriff's Department

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<v Speaker 1>said they found I'm an identified human remains in the

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<v Speaker 1>Appalachian Mountain three days an investigation not to the Erica

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<v Speaker 1>and there two they had permission to be here or

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<v Speaker 1>if they were trespassing a ghost in the the boys

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<v Speaker 1>bodies were lying here in a million door. Remains of

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<v Speaker 1>the comment. Hadley and Deacon Hadley, the twin brothers who

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<v Speaker 1>were reported missing on May nineteen, along with a third boy,

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<v Speaker 1>James m Okay. Here goes Today's July thirty, twenty twenty one,

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<v Speaker 1>Planet Earth, Cold Spring, New York. To be exact, this

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<v Speaker 1>is Julian Salisome, thirty three. I'm a writer, well, an

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<v Speaker 1>aspiring writer, nothing published yet. Maybe this will be the one. Um,

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<v Speaker 1>they say, right, Well, you know, well, this is a story.

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<v Speaker 1>I know this is personal, but it isn't an easy

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<v Speaker 1>one to tell. Matter of fact, I've been trying to

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<v Speaker 1>block it out ever since I left home fourteen years ago.

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<v Speaker 1>Like my mother used to say, sometimes the only way

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<v Speaker 1>to get to the other side of the mountain is

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<v Speaker 1>to go through it. So I guess I'll start there.

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<v Speaker 1>It was May May eighteenth, two thousand and seven, the

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<v Speaker 1>Hadley brothers, two seventeen year old twins from a prominent

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<v Speaker 1>and wealthy family in Maniwa County, went missing it was

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<v Speaker 1>the night before high school graduation. They were found ten

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<v Speaker 1>days later. The bodies were retreated from inside the mouth

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<v Speaker 1>of a cave, along with their cell phones, which contained

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<v Speaker 1>haunting audio and grainy images clues to what had happened.

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<v Speaker 1>I say, clues, clues fucking so so stupid, scoopy, fucking

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<v Speaker 1>do clues come on? Julian Okay? Starting over? All right?

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<v Speaker 1>So um okay? Based on their self Based on their

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<v Speaker 1>cell phone records, witness testimonies in the Corners report, it

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<v Speaker 1>was likely just after midnight the time of death. Another

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<v Speaker 1>boy went missing that day two, James Fincher, we called

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<v Speaker 1>him Finch. Finch came from a multiracial family. His mother

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<v Speaker 1>was black, his father part Latino and part Cherokee. At

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<v Speaker 1>the time of the Havley killings, Finch was only eighteen

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<v Speaker 1>years old. Today he's thirty two, and he's on death

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<v Speaker 1>row away in execution for the murder of the Haveley boys,

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<v Speaker 1>a double homicide in the first degree. But Finch didn't

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<v Speaker 1>do it. Okay. August first, twenty twenty one, just left

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<v Speaker 1>New York. I'm driving back to Manua County today. I

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<v Speaker 1>don't want to go back. I don't want to do

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<v Speaker 1>any of this. Hell, I didn't even go back for

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<v Speaker 1>my own father's funeral. And you know what, I was

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<v Speaker 1>okay with that, because the part of me that was

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<v Speaker 1>born and raised in Manowa County died there too. As

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<v Speaker 1>far as I was concerned, I thought i'd put man

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<v Speaker 1>to walk behind me for good. But I got a

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<v Speaker 1>call about a week ago. Usually don't pick up, but

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<v Speaker 1>it was an eight six to five area code. Someone

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<v Speaker 1>from home. Hello, Julian, Julian Tallis Yeah, Da Dana Benherm,

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<v Speaker 1>Dana Hey has how how are you? It's been a

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<v Speaker 1>long time, fourteen years. Yeah, I'm calling to let you

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<v Speaker 1>know about James. Yeah, yeah, how's how's the uh? I mean,

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<v Speaker 1>it has been set for the execution. I thought you

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<v Speaker 1>might want to know. We're almost out of time now,

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<v Speaker 1>so it ain't looking great. I'll be honest. Look, I

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<v Speaker 1>know it's been a long time, Julian, and you've moved

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<v Speaker 1>on from all this, but we haven't. Okay. Yeah, I

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<v Speaker 1>mean I didn't want to call you, but I got

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<v Speaker 1>no choice here. I need your help, okay, with what

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<v Speaker 1>the appeal. I need you to make a statement. I

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<v Speaker 1>need you to tell the truth about what happened. I

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<v Speaker 1>can only imagine how fucked up it would be to

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<v Speaker 1>witness in execution. No thanks, I'm not interested in watching

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<v Speaker 1>James Fincher die. But I would come back even if

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<v Speaker 1>Dana Fincher hadn't called, because I have no choice. I

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<v Speaker 1>started waking up from bad dreams drenched in sweat, and

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<v Speaker 1>these nightmares are happening more frequently. I'm I'm hearing things too, Voices.

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<v Speaker 1>They were quiet at first, they were like whispers and

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<v Speaker 1>the static, but the getting louder, and I'm getting I

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<v Speaker 1>don't know, flashes like a fever. Dream images looping through

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<v Speaker 1>my brain between my waking hours, reliving ship from my childhood,

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<v Speaker 1>shift from my past that either forgotten were buried from.

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<v Speaker 1>There was a long before the nightmares began warming their

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<v Speaker 1>way into my waking moments. The leaky fawsett in my

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<v Speaker 1>kitchen started dripping so loud it drowned out the rest

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<v Speaker 1>of the world, like the droplets were sliding off salad

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<v Speaker 1>tights and splashing into cating pools below. And then there

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<v Speaker 1>was the sleep walking. The first time it happened, I

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<v Speaker 1>woke up in the middle of the night to find

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<v Speaker 1>myself back in a suitcase. The next night, I came

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<v Speaker 1>to I was bought ass naked in the kitchen cark.

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<v Speaker 1>He's clutched in my hand. Time after that, I was

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<v Speaker 1>in the driver's seat in my car, jabbing the key

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<v Speaker 1>repeatedly into the dashboard, just shy the imission. Then a

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<v Speaker 1>couple of nights ago, I actually got the car halfway

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<v Speaker 1>down the block before I realized what was happening. So,

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<v Speaker 1>you see, it got to the point where I figured

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<v Speaker 1>I was coming back to Maniwau County. Whether I wanted

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<v Speaker 1>to or not. It seemed to hell a lot safer

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<v Speaker 1>to be conscious for the ride. It's another reason I'm

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<v Speaker 1>documenting this trip. After each blackout, I'll lose hours of memory.

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<v Speaker 1>Willson Mechanical Solutions a stylis. I've known Tyler since I

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<v Speaker 1>was little. We grew up together. Who was one of

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<v Speaker 1>those guys the teachers wrote off as a burnout, but

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<v Speaker 1>who in reality just never bought in. I looked him up.

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<v Speaker 1>He's a repair man now, lives in the woods on

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<v Speaker 1>the outskirts of Maniwa County, outside of possible. Hey, todd Um,

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<v Speaker 1>it's as Juliana. Julie. Yeah, you gotta be fucking kidding me.

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<v Speaker 1>M hmm, Well, holy God damn Julian fucking Solace. Huh

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<v Speaker 1>it's me. Well to what do I owe the pleasure? Uh?

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<v Speaker 1>I was hoping this will be your number. Well, you

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<v Speaker 1>gotta ride bet it is. Yeah. So when you're getting here, what,

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<v Speaker 1>how do you know? I wasn't you might be coming

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<v Speaker 1>back soon, circumstances being what they are, Tyler as um,

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<v Speaker 1>I was hoping. Uh oh, I was hoping, hoping. Come on,

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<v Speaker 1>say what you need. Don't be shotting now, motherfucker. I

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<v Speaker 1>need to go back to the whole unless that's too much.

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<v Speaker 1>I just don't know if I'll be able to find

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<v Speaker 1>my way back. It's been so long with Tyler. Tyler,

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<v Speaker 1>you're here, okay? Are you sure? Yeah? No, it's cool.

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<v Speaker 1>Let's do it. August second. The air smells like rust

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<v Speaker 1>and Decayne leaves an asphalt after the rain. It stirs

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<v Speaker 1>old thoughts and feelings. It feels haunted. There's something daunting

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<v Speaker 1>about the roads into the Great Smokies, a sub range

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<v Speaker 1>of Appalachia hiding in the corner of Tennessee, North Carolina.

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<v Speaker 1>He got roadside warnings that say dense fog likely These

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<v Speaker 1>mountains are ancient and mysterious. Oldest Mountain range on earth.

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<v Speaker 1>They crouched low, like they're huddled against you, secretive, covered

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<v Speaker 1>in old growth forests. Everything is shadow and missed, and

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<v Speaker 1>the fog gets denser the closer I come. It was

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<v Speaker 1>only after I crossed the county line that the fog lifted,

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<v Speaker 1>like mana walk itself had pulled back the curtain for

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<v Speaker 1>another show. Pottsville is the town I grew up in.

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<v Speaker 1>It's nestled in the heart of the county, and it

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<v Speaker 1>hasn't changed one bit since I left. Still small and poor.

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<v Speaker 1>Most folks still find work in the paper mill a

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<v Speaker 1>few towns over, or if they're good at bullshit, and

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<v Speaker 1>they might get a job at Hadley Chevrolet. If you

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<v Speaker 1>were lucky. That's where you weren't my father did. He

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<v Speaker 1>ran the mechanic shop of the dealership. Anyway, People here

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<v Speaker 1>are poor, most of them double wides and dogs running loose,

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<v Speaker 1>the rusted husks of cars on cinder blocks. The main

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<v Speaker 1>drag is lined with abandoned and decaying two story mid

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<v Speaker 1>century brick buildings, weird antique and second hand shops. A

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<v Speaker 1>hardware store started with American flags, and of course the

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<v Speaker 1>Lord of First Baptist Church, a fundamental stronghold in the

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<v Speaker 1>center circle. I shall not want, oh man. This is

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<v Speaker 1>Reverend Perkins from First Baptist and many to lie down

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<v Speaker 1>in green pastures. Man likes the sound of his own

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<v Speaker 1>voice so much he records every damn one of his

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<v Speaker 1>own sermons and posts them on the church website. Thomas

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<v Speaker 1>and Deacons, friends and family grapple with their deaths. This

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<v Speaker 1>recording is from the archives Hadley Brothers Memorial services. Because

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<v Speaker 1>this feels senseless, Why were these two innocent souls taken

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<v Speaker 1>from us? These two who shone so brightly and showed

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<v Speaker 1>them such a great promise, Why, oh Lord, were they

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<v Speaker 1>so truly taken? We asked, innocent souls hardly? Tom and

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<v Speaker 1>Diacon Hadley were the sons of Bobby and Mona Hadley,

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<v Speaker 1>who owned the Hadley Chevrolet Dealership, one of the most

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<v Speaker 1>profitable car lots in the state. They were a wealthy

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<v Speaker 1>and powerful family in the community. In many ways, their

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<v Speaker 1>money and political ties made this town. There's like they

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<v Speaker 1>owned it. A new county ordinance, a new construction permit.

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<v Speaker 1>It was impossible to get anything done in Maniwa County

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<v Speaker 1>without the consent of Bobby Hadley and the power bloated them,

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<v Speaker 1>made them cruel. Hadley twins didn't fall far from the tree.

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<v Speaker 1>In that sense, we coexisted them and me, sharing the

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<v Speaker 1>same habitat on East Elite. They skulked around Manowa County

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<v Speaker 1>like predators. They were not identical. Now. Deacon was the

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<v Speaker 1>smaller of the two. He was the quiet one. He

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<v Speaker 1>wore the silver cross round his neck like a flashy

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<v Speaker 1>reminder of the inequities of life, like he was protected

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<v Speaker 1>by a righteous order, a constant reminder that some people

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<v Speaker 1>can be as sadistic as they please with no consequences.

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<v Speaker 1>Thomas was the stand out. He was taller and more lean.

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<v Speaker 1>His red hair seemed almost unreal, like it was woven

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<v Speaker 1>into his scalp. I remember Thomas strutting through the corriors

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<v Speaker 1>of Carter High, always with the same look plastered on

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<v Speaker 1>his face, the corners of his lips twisted in a

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<v Speaker 1>permanent grin, and sharp green eyes that seemed to be

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<v Speaker 1>staring out from behind a mask. And then there was

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<v Speaker 1>his laugh. You could hear it echo across the high

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<v Speaker 1>school quad like a fucking hyena, almost always triggered by

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<v Speaker 1>some act of casual cruelty. Deacon Hadley was different this one.

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<v Speaker 1>Never smiled, never laughed, hardly spoke eyes like scalpels. His

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<v Speaker 1>cruelty seemed almost scientific. After their bodies were found, the

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<v Speaker 1>autopsies indicated that the Hadley brothers had been attacked, bludgeons

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<v Speaker 1>and stabbed. That much as certain the investigation would dig

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<v Speaker 1>up town secrets as old and dark as the caves themselves,

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<v Speaker 1>it would also change the lives of everyone involved, including me.

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<v Speaker 1>After all, I'm the one who found the bodies. Well,

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<v Speaker 1>Tyler and me, Damn, we should have been night right now,

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<v Speaker 1>Tyler memory as soon as I crossed the county line

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<v Speaker 1>and took me on a little hike down memory Lane,

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<v Speaker 1>literally remember being closer to the south entrance of the

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<v Speaker 1>Manawa Caves, or as we used to call it, the

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<v Speaker 1>whole No. To get to the caves, we had to

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<v Speaker 1>hop a barbed wire fence, trespass across private property, and

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<v Speaker 1>hike all trail for at least a mile through. You

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<v Speaker 1>think underbrush, we'll find it. Where are you saying? The

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<v Speaker 1>motel all fiveway forty two? I can't believe that place

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<v Speaker 1>is still standing up. She's abute, all right, Well, listen,

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<v Speaker 1>you get tired of bring the mill, dude, through your

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<v Speaker 1>pillow case. Hit me up, I'll clear on the back room.

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<v Speaker 1>Oh man, look at that coming out earlier night. Must

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<v Speaker 1>be hungry. Yeah, well the Cays were forbidden long before

0:19:13.440 --> 0:19:17.360
<v Speaker 1>we started hanging out there. Ever since the teenage boy

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<v Speaker 1>was found dead inside back in ninety eight suicide, nobody

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<v Speaker 1>went near it after that except us. This should be

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<v Speaker 1>it appear around this band nine one one. What's your emergency? Um,

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<v Speaker 1>I just need to report. Um, go ahead, sir, I'm listening.

0:19:44.320 --> 0:19:49.480
<v Speaker 1>We we found bodies out here. Um did you say bodies.

0:19:50.119 --> 0:19:54.320
<v Speaker 1>It's ma'am, Um, it's ma'am. They they've been dead a while.

0:19:55.560 --> 0:20:00.719
<v Speaker 1>Thomas h Dickon Hadley. I think I think it's him

0:20:00.920 --> 0:20:06.239
<v Speaker 1>and his brother Thomas. It's uh, he's got it's got

0:20:06.320 --> 0:20:10.600
<v Speaker 1>red hair. So I'm okay. Well, can you give me

0:20:10.680 --> 0:20:16.760
<v Speaker 1>the address, sir? I don't know address web. Uh, we're

0:20:16.840 --> 0:20:19.800
<v Speaker 1>down by the caves. Okay. I'm gonna have you stay

0:20:19.880 --> 0:20:22.280
<v Speaker 1>on the line with me until I can get somebody

0:20:22.320 --> 0:20:28.520
<v Speaker 1>out there. Yes, uh, oh god damn. They look they

0:20:28.600 --> 0:20:33.159
<v Speaker 1>look lived. They were mauld Okay, mald by an animal

0:20:33.880 --> 0:20:36.359
<v Speaker 1>or a stabbed or something. I don't know. I don't

0:20:37.840 --> 0:20:43.040
<v Speaker 1>I don't know. And you're sure they're not breathing. Yes, man,

0:20:54.040 --> 0:21:06.639
<v Speaker 1>here there it is. Holy shit. The air was cool

0:21:06.760 --> 0:21:10.160
<v Speaker 1>and damp and smelled of earth and minerals and eons

0:21:10.240 --> 0:21:14.240
<v Speaker 1>of decay. The jetty moss covered granite rocks along the

0:21:14.359 --> 0:21:17.879
<v Speaker 1>southwest entrance of the cavern are not unlike reptilian teeth,

0:21:18.800 --> 0:21:21.520
<v Speaker 1>and it's easy to imagine a colony of hungry bats

0:21:21.560 --> 0:21:24.399
<v Speaker 1>are swirling out of the throat of some prehistoric monster.

0:21:26.359 --> 0:21:30.040
<v Speaker 1>As I stood there, my skin tingled, and I felt

0:21:30.080 --> 0:21:34.680
<v Speaker 1>a pull, a weight like a vertigo that spread outward

0:21:34.760 --> 0:21:37.320
<v Speaker 1>from my gut, like that feeling you get standing on

0:21:37.359 --> 0:21:39.840
<v Speaker 1>the edge of a cliff, like I was looking down

0:21:40.680 --> 0:21:45.480
<v Speaker 1>into the earth into an abyss, the caves beckoning me.

0:21:47.560 --> 0:21:51.720
<v Speaker 1>I have trouble remembering that time in our lives, but

0:21:51.840 --> 0:21:55.600
<v Speaker 1>I remember that day we found him. You remember the

0:21:55.680 --> 0:21:59.240
<v Speaker 1>first thought you had, the first thing that came to mund.

0:22:03.280 --> 0:22:08.720
<v Speaker 1>I remember the light from the morning sun. Yeah, it

0:22:08.880 --> 0:22:15.280
<v Speaker 1>was just barely creeping into the cave, and it popped

0:22:15.320 --> 0:22:22.959
<v Speaker 1>off Thomas's red hair. That's what caught my eye. Then

0:22:23.000 --> 0:22:27.159
<v Speaker 1>I saw his skin. It stood out against the stones,

0:22:27.280 --> 0:22:35.560
<v Speaker 1>cold blue, and the blood dried all black. But my

0:22:35.680 --> 0:22:41.000
<v Speaker 1>brain wouldn't um, except you know what I was seeing

0:22:42.600 --> 0:22:44.879
<v Speaker 1>like it was scrambling to make up some other explanation

0:22:44.960 --> 0:22:48.320
<v Speaker 1>of I don't know, shaped dog some shit now buy

0:22:48.400 --> 0:22:54.560
<v Speaker 1>no deer, hell, I don't, I don't know. Anything was

0:22:54.600 --> 0:23:49.320
<v Speaker 1>more acceptable than um, dead kid. This is Jue Campbell. Hey,

0:23:49.600 --> 0:23:53.719
<v Speaker 1>miss Campbell, it's Julian Julian Silas. I don't know if

0:23:53.760 --> 0:23:59.760
<v Speaker 1>you remember mete. Wow, of course I remember. How are you?

0:24:00.560 --> 0:24:06.160
<v Speaker 1>I'm okay. Look I just got back into town. Yes, god,

0:24:07.280 --> 0:24:13.960
<v Speaker 1>it's been fourteen years. I heard you, uh switch teams

0:24:14.200 --> 0:24:18.800
<v Speaker 1>a while back. You're not a deputy anymore. Nope, mitigation specialist.

0:24:20.480 --> 0:24:26.320
<v Speaker 1>This is about James Fincher. Right. Can you make time

0:24:26.359 --> 0:24:37.639
<v Speaker 1>to see me today? Shit? Um, I'm sorry? Can you?

0:24:38.000 --> 0:24:39.920
<v Speaker 1>Can you used to keep starting over because I am

0:24:40.920 --> 0:24:43.600
<v Speaker 1>I'm still firing out the stammer corner here. What do

0:24:43.680 --> 0:24:48.119
<v Speaker 1>you need to record this for? I'm just I'm gathering information,

0:24:48.640 --> 0:24:52.520
<v Speaker 1>like for a book or something. Oh yeah, I hope

0:24:52.560 --> 0:24:56.119
<v Speaker 1>so you know we'll see Look you could help, you

0:24:56.200 --> 0:25:00.160
<v Speaker 1>know it, raise awareness for Finches for James's case, bring

0:25:00.320 --> 0:25:06.639
<v Speaker 1>some public attention, some outside influence. Can you say your

0:25:06.720 --> 0:25:10.760
<v Speaker 1>name and profession? Jill Campbell, I'm a mitigation specialist here

0:25:10.800 --> 0:25:13.320
<v Speaker 1>in the state of Tennessee. And what does that entail?

0:25:14.200 --> 0:25:19.159
<v Speaker 1>So I scrub evidence that trial proceedings, prosecution, defense also

0:25:19.320 --> 0:25:22.520
<v Speaker 1>to look at someone's background and other circumstances that can

0:25:22.640 --> 0:25:26.240
<v Speaker 1>reduce a death sentence to life in prison. Did you

0:25:26.400 --> 0:25:29.040
<v Speaker 1>build a case for Finch? I mean, can you prove

0:25:29.119 --> 0:25:31.320
<v Speaker 1>that he didn't kill the healthy brothers? I work with

0:25:31.480 --> 0:25:35.520
<v Speaker 1>James Fincher's defense attorney, but there's only so many appeals

0:25:35.600 --> 0:25:37.960
<v Speaker 1>you can file in a capital case. You have to

0:25:38.040 --> 0:25:41.480
<v Speaker 1>be strategic in your timing. There was no sorry, but

0:25:41.520 --> 0:25:44.400
<v Speaker 1>there was no physical evidence time James or anyone else

0:25:44.440 --> 0:25:47.080
<v Speaker 1>to the murder of Deacon and Thomas Hadley. Correct. That's right.

0:25:47.840 --> 0:25:51.760
<v Speaker 1>James's conviction and sentence and was based entirely on circumstantial

0:25:51.840 --> 0:25:56.600
<v Speaker 1>evidence and as you know, false testimony. And you were

0:25:56.640 --> 0:26:01.080
<v Speaker 1>a deputy sheriff in Manuel County back in that's right

0:26:01.320 --> 0:26:04.720
<v Speaker 1>two thousand and one to two thousand and three, promoted

0:26:04.720 --> 0:26:07.639
<v Speaker 1>a few times lieutenant in two thousand and seven at

0:26:07.680 --> 0:26:10.960
<v Speaker 1>the time of the Hadley murders. I made captain in

0:26:11.040 --> 0:26:15.160
<v Speaker 1>two thousand and eight. Criminal Investigation. Why did you quit?

0:26:17.520 --> 0:26:20.080
<v Speaker 1>I got into law enforcement because I wanted to do

0:26:20.200 --> 0:26:23.040
<v Speaker 1>some good, but ninety percent of what we were doing

0:26:23.119 --> 0:26:27.560
<v Speaker 1>had nothing to do with justice. Criminal investigation isn't really

0:26:27.600 --> 0:26:34.879
<v Speaker 1>about catching a bad guy, at least not Manawak County. No. No,

0:26:35.520 --> 0:26:40.760
<v Speaker 1>especially homicide. The department is incentivized to find any evidence

0:26:40.800 --> 0:26:44.200
<v Speaker 1>they can to support an eventual prosecution. Whether you have

0:26:44.280 --> 0:26:46.880
<v Speaker 1>the right guy or not, it doesn't matter. The primary

0:26:47.000 --> 0:26:50.360
<v Speaker 1>goal is to make damn sure the prosecution will get

0:26:50.400 --> 0:26:54.320
<v Speaker 1>their conviction. So when the jury returned to death verdict

0:26:54.359 --> 0:26:57.320
<v Speaker 1>for James Fincher, I was upset about it. I knew

0:26:57.359 --> 0:27:00.800
<v Speaker 1>it wasn't right. I was anguished of my part in it.

0:27:01.400 --> 0:27:03.320
<v Speaker 1>I thought I could make a difference from with them.

0:27:03.840 --> 0:27:10.280
<v Speaker 1>That was naive, so I got into defense. This is

0:27:10.359 --> 0:27:15.159
<v Speaker 1>why he came home, isn't it? James Fincher's executions coming up?

0:27:15.200 --> 0:27:20.320
<v Speaker 1>And you're anguish too, Ain't you excuse me? Hey man?

0:27:20.359 --> 0:27:25.560
<v Speaker 1>Can I get a rephill please? There was obvious discrimination

0:27:25.640 --> 0:27:28.480
<v Speaker 1>in the trial from the get go. James Fincher was

0:27:28.600 --> 0:27:32.040
<v Speaker 1>a multiracial man and men in Wake County. He was different.

0:27:32.400 --> 0:27:36.320
<v Speaker 1>He stood out. I want to give a Sheriff Hooper's

0:27:36.359 --> 0:27:40.080
<v Speaker 1>interrogation at James Fincher, good luck with that. What do

0:27:40.160 --> 0:27:43.919
<v Speaker 1>you mean James Fincher doesn't say a thing on those tapes.

0:27:47.320 --> 0:27:52.200
<v Speaker 1>What the hell are you doing here, Julian? I want

0:27:52.240 --> 0:27:55.639
<v Speaker 1>to help. Look, I've worked hard to get the courts

0:27:55.680 --> 0:27:59.680
<v Speaker 1>to recognize that James Fincher does not deserve death. I've

0:27:59.720 --> 0:28:04.119
<v Speaker 1>come piled a comprehensive and well documented psychosocial history of

0:28:04.240 --> 0:28:08.440
<v Speaker 1>James based on an exhaustive investigation, I'm built a case

0:28:08.520 --> 0:28:11.520
<v Speaker 1>on all the factors this early life trauma, then packed

0:28:11.600 --> 0:28:14.960
<v Speaker 1>on his development, including effects on personality and behavior, not

0:28:15.119 --> 0:28:17.960
<v Speaker 1>to mention the bullying and what happened does sister Dina?

0:28:21.240 --> 0:28:23.399
<v Speaker 1>So basically, you're saying he did it, but he couldn't

0:28:23.440 --> 0:28:26.560
<v Speaker 1>help it. Have you given up on his innoc not? No,

0:28:27.600 --> 0:28:30.439
<v Speaker 1>but the people have, the courts have so right now

0:28:30.520 --> 0:28:35.639
<v Speaker 1>untill the real killer turns up. This is our best strategy. Okay,

0:28:35.880 --> 0:28:39.400
<v Speaker 1>but the courts are not hearing it. I'm sure you

0:28:39.560 --> 0:28:43.280
<v Speaker 1>remember the State Supreme Court denied his appeal after the

0:28:43.400 --> 0:28:46.760
<v Speaker 1>sentence and phase of the trial. But we may still

0:28:46.840 --> 0:28:49.600
<v Speaker 1>be able to get the sentence commuted on other grounds,

0:28:50.480 --> 0:28:55.880
<v Speaker 1>commuted to what life, But an innocent man would still

0:28:55.880 --> 0:28:58.320
<v Speaker 1>be locked up for life. Life is better than death.

0:28:58.480 --> 0:29:02.480
<v Speaker 1>Last time I checked. Guess that depends on the circumstances.

0:29:04.160 --> 0:29:06.360
<v Speaker 1>DNA Fincher seems to think that we can still petition

0:29:06.440 --> 0:29:08.600
<v Speaker 1>a higher court inner on the grounds that the key

0:29:08.720 --> 0:29:17.000
<v Speaker 1>witnesses testimony was coerced. Yes, I appreciate Dina's efforts and yours, Julian,

0:29:17.120 --> 0:29:20.440
<v Speaker 1>but you're clinging to threads and I understand you want

0:29:20.480 --> 0:29:22.400
<v Speaker 1>to do the right thing, but that's not going to

0:29:22.440 --> 0:29:24.440
<v Speaker 1>have been enough of the higher court to make the

0:29:24.480 --> 0:29:28.120
<v Speaker 1>ship Birds of Manawa County review James Fincher's case. Again,

0:29:28.840 --> 0:29:32.120
<v Speaker 1>you need to understand how this works and how it doesn't.

0:29:32.800 --> 0:29:36.120
<v Speaker 1>The system did not merely permit the miscarriage of justice

0:29:36.160 --> 0:29:39.200
<v Speaker 1>that got Fincher convicted for a crime he did not.

0:29:39.280 --> 0:29:42.720
<v Speaker 1>The system encouraged it. James Fincher has been convicted and

0:29:42.880 --> 0:29:45.840
<v Speaker 1>he's been sentenced, so at this point, in the eyes

0:29:45.880 --> 0:29:51.320
<v Speaker 1>of the court, he is guilty guilty until proven innocent. Look,

0:29:52.360 --> 0:29:56.720
<v Speaker 1>the only surefire way to stop Fincher's execution is to

0:29:56.840 --> 0:29:59.560
<v Speaker 1>prove he didn't do it. And the only way to

0:29:59.640 --> 0:30:05.360
<v Speaker 1>do that that is to prove dead that what you're

0:30:05.480 --> 0:30:15.880
<v Speaker 1>here to do. If that's what it takes, Yes, ma'am, Look,

0:30:17.200 --> 0:30:18.920
<v Speaker 1>I could probably make a call and see if I

0:30:19.000 --> 0:30:21.400
<v Speaker 1>can't get a hold of those interrogation tapes for you.

0:30:22.640 --> 0:30:26.600
<v Speaker 1>I still got friends in the department over at Hooper Station. Okay,

0:30:26.680 --> 0:30:30.000
<v Speaker 1>I'm not sure it'll do any good though, Okay, thank you,

0:30:30.520 --> 0:30:40.320
<v Speaker 1>thank you, thank you, Joe. Detective Solomon Smith what he

0:30:40.520 --> 0:30:47.520
<v Speaker 1>was on the case. You probably remember him, Detective Solomon Smith. Yeah,

0:30:48.680 --> 0:30:51.640
<v Speaker 1>he believed James was innocent and had some leads on

0:30:51.800 --> 0:30:58.040
<v Speaker 1>some other suspects, but he disappeared. What do you mean

0:30:58.120 --> 0:31:00.720
<v Speaker 1>he disappeared? Well, I don't know what happened to him,

0:31:02.160 --> 0:31:04.080
<v Speaker 1>but if you want to find out who was behind this,

0:31:05.200 --> 0:31:08.719
<v Speaker 1>you should find out what Smith knew. Follow his tracks.

0:31:09.720 --> 0:31:13.120
<v Speaker 1>He may be on those interrogation tapes, and he kept

0:31:13.160 --> 0:31:18.280
<v Speaker 1>an audio logged during the investigation. I'll see what I

0:31:18.360 --> 0:31:29.840
<v Speaker 1>can dig up. Les A Sheriff Kirby Hooper interviewing James

0:31:29.920 --> 0:31:35.080
<v Speaker 1>Fancher case nine four seven three five two June fifth,

0:31:35.200 --> 0:31:44.080
<v Speaker 1>two thousand and seven, ten ten am. Morning, James, how

0:31:44.080 --> 0:31:48.040
<v Speaker 1>are you feeling today? Jill Campbell was true to her word.

0:31:48.560 --> 0:31:50.720
<v Speaker 1>One call from her and the Archives Department handed the

0:31:50.760 --> 0:32:00.120
<v Speaker 1>investigation tapes over. Don't feel like talking today? Huh? I'm

0:32:00.120 --> 0:32:02.360
<v Speaker 1>going to need you to answer a few questions about

0:32:02.400 --> 0:32:05.000
<v Speaker 1>what happened the other day. I think you can do

0:32:05.120 --> 0:32:09.000
<v Speaker 1>that more. Listening to these tapes and hearing Sheriff Kirby

0:32:09.040 --> 0:32:16.960
<v Speaker 1>Hooper's voice again was unsettling. He was an earnest man, humorless.

0:32:17.320 --> 0:32:20.000
<v Speaker 1>In fact, he always seemed perplexed by the laughter of others.

0:32:20.400 --> 0:32:23.600
<v Speaker 1>Sharp eyes and a tall figure. He always wore the

0:32:23.680 --> 0:32:26.520
<v Speaker 1>same dull brown uniform like he was born in it,

0:32:27.320 --> 0:32:30.640
<v Speaker 1>and he would probably be buried into two. His shoulders

0:32:30.680 --> 0:32:34.680
<v Speaker 1>were permanently stooped, like it was some sisophine curse. To

0:32:34.800 --> 0:32:38.880
<v Speaker 1>maintain order in his small corner of the universe, he

0:32:39.040 --> 0:32:41.320
<v Speaker 1>needed to determine to have the brothers cause of death.

0:32:42.520 --> 0:32:49.200
<v Speaker 1>He needed autopsies, but the medical report was confusing to say.

0:32:49.200 --> 0:32:53.400
<v Speaker 1>At least the next show's short force injuries, the Brown,

0:32:53.480 --> 0:32:56.720
<v Speaker 1>the Chess, and the dam and Black show injuries with

0:32:56.880 --> 0:33:01.720
<v Speaker 1>transaction of the lift and tom jug Leavine. Primary and

0:33:01.840 --> 0:33:04.440
<v Speaker 1>perhaps fatal wound begins on the left side of the

0:33:04.480 --> 0:33:09.960
<v Speaker 1>groin and reaches across the testicles. Is gaping measures three

0:33:10.000 --> 0:33:13.600
<v Speaker 1>inches in length with clean edges. With a case like this,

0:33:14.360 --> 0:33:17.400
<v Speaker 1>there's not really anyone with the right sort of training

0:33:17.920 --> 0:33:22.320
<v Speaker 1>or experience to decipher the clues. Sure as hell not

0:33:22.520 --> 0:33:26.480
<v Speaker 1>Sheriff of bro So we quickly named James Fincher the

0:33:26.520 --> 0:33:29.280
<v Speaker 1>prompt suspect in the case. You gotta be scared right,

0:33:30.520 --> 0:33:35.479
<v Speaker 1>tired of strangers poking and pridden at you. I can

0:33:35.560 --> 0:33:39.800
<v Speaker 1>make all that stop games, I can make them go away,

0:33:42.000 --> 0:33:45.760
<v Speaker 1>but you're gonna have to talk to me if you

0:33:45.880 --> 0:33:49.680
<v Speaker 1>want that to happen. You're gonna have to tell me

0:33:49.920 --> 0:33:54.240
<v Speaker 1>what you were doing in those games with those boys.

0:33:56.920 --> 0:33:59.000
<v Speaker 1>I played this first audio file in the car and

0:33:59.080 --> 0:34:05.440
<v Speaker 1>had to pull over. Something about it felt eerily familiar.

0:34:06.120 --> 0:34:08.879
<v Speaker 1>It wasn't just the sound of Sheriff Hooper's interrogation, though

0:34:08.960 --> 0:34:13.840
<v Speaker 1>that dredged up some old feelings, for sure. It was

0:34:13.960 --> 0:34:17.120
<v Speaker 1>the sort of static hits of the state owned recording device.

0:34:18.160 --> 0:34:23.319
<v Speaker 1>It was agitating. It made something in my brain itch,

0:34:23.719 --> 0:34:43.359
<v Speaker 1>something panic. I came back to man a walk after

0:34:43.440 --> 0:34:46.320
<v Speaker 1>I started waking up from bad dreams, drenched in sweat,

0:34:47.440 --> 0:34:49.440
<v Speaker 1>and then one morning when I caught myself in the

0:34:49.520 --> 0:34:55.280
<v Speaker 1>mirror and didn't recognize what I saw, Like my hands

0:34:55.360 --> 0:34:59.799
<v Speaker 1>didn't belong to my arms. My eyes were not mine either,

0:35:01.640 --> 0:35:04.560
<v Speaker 1>like something else was staring back at me from behind

0:35:04.600 --> 0:35:14.360
<v Speaker 1>the glass. That's how it happens. See, just happens little

0:35:14.400 --> 0:35:17.560
<v Speaker 1>by little, like when the song you were singing in

0:35:17.600 --> 0:35:19.560
<v Speaker 1>the showers playing on the radio, when you start your

0:35:19.600 --> 0:35:23.000
<v Speaker 1>car an hour later, or when you always notice the

0:35:23.080 --> 0:35:28.520
<v Speaker 1>clock it's exactly three thirty three, or maybe you will

0:35:28.560 --> 0:35:31.840
<v Speaker 1>suddenly think of an old friend the day before, finding

0:35:31.880 --> 0:35:37.480
<v Speaker 1>out on Facebook that they recently died. Yeah, these are

0:35:37.560 --> 0:35:40.960
<v Speaker 1>the signs. This is how you will know what's coming,

0:35:42.520 --> 0:35:45.600
<v Speaker 1>moving across the void, closer and closer, like the dad

0:35:45.719 --> 0:35:48.640
<v Speaker 1>of a thousand hungry bads, screeching in the gloom and

0:35:48.760 --> 0:35:54.880
<v Speaker 1>the dusk. Remember this, It always starts with the noise,

0:35:56.440 --> 0:36:01.240
<v Speaker 1>the white noise, white noise, the sounds of the shower,

0:36:02.200 --> 0:36:05.440
<v Speaker 1>or the incests in the summer, locusts, or the box

0:36:05.560 --> 0:36:08.120
<v Speaker 1>fan you keep in your room. You will know the

0:36:08.239 --> 0:36:12.560
<v Speaker 1>sound when you hear it. I hear it in James

0:36:12.640 --> 0:36:29.239
<v Speaker 1>Fincher's in Derogation tape. For fourteen years, I've or to Pottsville,

0:36:29.360 --> 0:36:33.520
<v Speaker 1>in those goddamn caves. Like I said before, I do

0:36:33.719 --> 0:36:36.320
<v Speaker 1>not want to be back in Manouel County. I fucking

0:36:36.400 --> 0:36:38.840
<v Speaker 1>hate it. I hate the cold, gray stone of the

0:36:38.920 --> 0:36:41.960
<v Speaker 1>town and the sharp, cruel eyes of the churchgoers at

0:36:42.000 --> 0:36:45.880
<v Speaker 1>first Baptist. I hate the creeping darkness that overtakes the

0:36:46.000 --> 0:36:52.520
<v Speaker 1>town every night. It took the Hadley Brothers, took many

0:36:52.560 --> 0:36:58.600
<v Speaker 1>others too soon, it will almost certainly take James Fincher,

0:37:00.360 --> 0:37:05.879
<v Speaker 1>and one day it may take me too. I tried

0:37:05.920 --> 0:37:07.880
<v Speaker 1>to stay away, but it found me. It's been pulling

0:37:07.960 --> 0:37:12.160
<v Speaker 1>me back ever since. And I know in my core

0:37:13.160 --> 0:37:16.440
<v Speaker 1>that it's not gonna stop until I see James Fincher

0:37:16.520 --> 0:37:24.000
<v Speaker 1>set free. And in order to do that, well, I

0:37:24.160 --> 0:37:27.040
<v Speaker 1>have to figure out who really killed Thomas and Dickonhandley.

0:37:28.960 --> 0:37:33.040
<v Speaker 1>If I don't, James Fincher is going to be executed

0:37:33.120 --> 0:38:15.480
<v Speaker 1>in twelve days. The Ghost and the Dancing the Manoa

0:38:15.640 --> 0:38:19.600
<v Speaker 1>Caves stars Jonathan Tucker as Julian Salis, Eddie Gaffeggy as

0:38:19.680 --> 0:38:24.400
<v Speaker 1>James Fincher, Clark Peters as Detective Solomon Smith, Nick Sercy

0:38:24.600 --> 0:38:29.080
<v Speaker 1>as Sheriff Kirby Hooper, Justin Wellbourne as Tyler Wilson, Jill

0:38:29.160 --> 0:38:33.200
<v Speaker 1>Jane Clements as Jill Campbell, Brad Carter as Dooley Tappert,

0:38:33.719 --> 0:38:37.920
<v Speaker 1>Scott Poythress as Reverend Perkins, Samantha Ashley as Deana Fincher,

0:38:38.520 --> 0:38:42.800
<v Speaker 1>Justin Matthews Smith as Paul Salis, Tara Oakes as Laura Salis,

0:38:43.400 --> 0:38:47.920
<v Speaker 1>Jonathan Horn as Deacon Hadley, Alden Kronovitch as Thomas Hadley,

0:38:48.719 --> 0:38:52.880
<v Speaker 1>Mike w Anderson as Griff Washington, Bodie walter Off as

0:38:52.960 --> 0:38:57.239
<v Speaker 1>Jimmy Fincher, Brian McClure as Ian Speaks, Larry Clark as

0:38:57.320 --> 0:39:01.600
<v Speaker 1>Bobby Hadley, Peyton Fallis as ed La, Vic Pliss as

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<v Speaker 1>William Fowler, Nick Dakaski as Richard Rydell, and Aileen moy

0:39:06.200 --> 0:39:11.239
<v Speaker 1>as The Darkness, with additional performances by Clint McGowan, Dina Dill,

0:39:11.880 --> 0:39:16.880
<v Speaker 1>Edward Howard and Henry Foster Brown, Jamie Joseph, Juan Manzalez,

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<v Speaker 1>Christopher Curry, Bailey Hyneman, David Mitchell, and Bernard Satara Clark.

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<v Speaker 1>Created by Connel Byrne and Dan Bush, Written by Dan Bush,

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<v Speaker 1>Zoe Cooper and Nicholas Dakoski, featuring our theme song Killer Inside,

0:39:32.880 --> 0:39:37.280
<v Speaker 1>Written produced and performed by Lea Lynn. Our executive producers

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<v Speaker 1>are Matt Frederick, Alexander Williams, Michael Monte, and Courtney Dufrees.

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<v Speaker 1>Our executive producers at Blumhouse Television are Jeremy Gold Chris

0:39:46.760 --> 0:39:51.880
<v Speaker 1>Dickey and Noah Feinberg. Produced by Dan Bush, music by

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<v Speaker 1>Ben Lovett, additional music by Alexander Rodriguez. Edited by Dan Bush,

0:39:57.040 --> 0:40:01.359
<v Speaker 1>Chris Childs, Stephen Perez, and David Chen. Sound design by

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<v Speaker 1>Benjamin Malcolm. Additional sound designed by Alexander Rodriguez. Dialogue editing

0:40:06.320 --> 0:40:09.960
<v Speaker 1>and sound mixing by Juan Campos. Recorded at Studio Awesome

0:40:10.000 --> 0:40:13.520
<v Speaker 1>in Los Angeles, sound Bite Studio in Atlanta, and Echo

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<v Speaker 1>Mountain in Asheville. Casting by Sunday Bowling, Kennedy and Meg Mormon.

0:40:18.080 --> 0:40:21.920
<v Speaker 1>Our dialect coach is Linda Basseesti, Assistant director Michael Monty,

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<v Speaker 1>second assistant director, script supervisor and production coordinator Sarah Klein.

0:40:27.800 --> 0:40:31.880
<v Speaker 1>Supervising producer Josh Thine. Special thanks to Mary Ellen and

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<v Speaker 1>Jason Davis, Jonathan Deeter, and Joe Rickman. The Manoel Caves

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<v Speaker 1>is a production of iHeartRadio, Plumhouse Television, and Psycopia Pictures.

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<v Speaker 1>The Side of the Side