1 00:00:00,000 --> 00:00:03,320 Speaker 1: The Manowa Caves is intended for mature audiences. It contains 2 00:00:03,360 --> 00:00:07,240 Speaker 1: strong language and depictions of bullying, violence, and sexual assault 3 00:00:07,280 --> 00:00:10,800 Speaker 1: that some may find disturbing. Listener discretion is advised. Also, 4 00:00:10,880 --> 00:00:14,280 Speaker 1: this is an extremely immersive experience and headphones are recommended. 5 00:00:18,040 --> 00:00:21,400 Speaker 1: You're listening to The Manawat Caves, a production of iHeartRadio, 6 00:00:22,000 --> 00:00:54,720 Speaker 1: Blumhouse Television and Psycopia Pictures where God, Jesus fuck, don't paying. 7 00:00:56,000 --> 00:00:59,680 Speaker 1: Just know you expected this, you play it for it. 8 00:01:01,760 --> 00:01:06,080 Speaker 1: The black count are more frequent now, they last longer. 9 00:01:07,080 --> 00:01:10,280 Speaker 1: That's why you left this message for yourself, Julian, to 10 00:01:10,520 --> 00:01:14,960 Speaker 1: help you remember. First thing I need you to do. 11 00:01:15,800 --> 00:01:20,479 Speaker 1: Start the car. You need to drive. Never mind the fog. 12 00:01:20,800 --> 00:01:23,440 Speaker 1: Visibility is going to be shipped for a while, doesn't matter. 13 00:01:23,680 --> 00:01:29,160 Speaker 1: Just head north and don't stop. No matter what. You 14 00:01:29,160 --> 00:01:32,040 Speaker 1: should have at least a half tank, so just drive, 15 00:01:32,920 --> 00:01:38,280 Speaker 1: drive until the fall breaks, and hopefully you will do it. 16 00:01:38,360 --> 00:01:44,280 Speaker 1: Must be done while you're still able to hit rewind, 17 00:01:45,400 --> 00:01:50,000 Speaker 1: go all the way back, then play it, all of it. 18 00:02:11,840 --> 00:02:15,160 Speaker 1: We have some breaking news. The Manowa County Sheriff's Department 19 00:02:15,200 --> 00:02:17,720 Speaker 1: said they found I'm an identified human remains in the 20 00:02:17,760 --> 00:02:21,359 Speaker 1: Appalachian Mountain three days an investigation not to the Erica 21 00:02:21,440 --> 00:02:23,720 Speaker 1: and there two they had permission to be here or 22 00:02:23,840 --> 00:02:28,760 Speaker 1: if they were trespassing a ghost in the the boys 23 00:02:28,840 --> 00:02:34,280 Speaker 1: bodies were lying here in a million door. Remains of 24 00:02:34,400 --> 00:02:37,800 Speaker 1: the comment. Hadley and Deacon Hadley, the twin brothers who 25 00:02:37,840 --> 00:02:40,480 Speaker 1: were reported missing on May nineteen, along with a third boy, 26 00:02:40,680 --> 00:03:19,120 Speaker 1: James m Okay. Here goes Today's July thirty, twenty twenty one, 27 00:03:20,000 --> 00:03:24,160 Speaker 1: Planet Earth, Cold Spring, New York. To be exact, this 28 00:03:24,639 --> 00:03:29,880 Speaker 1: is Julian Salisome, thirty three. I'm a writer, well, an 29 00:03:29,919 --> 00:03:37,440 Speaker 1: aspiring writer, nothing published yet. Maybe this will be the one. Um, 30 00:03:39,240 --> 00:03:44,280 Speaker 1: they say, right, Well, you know, well, this is a story. 31 00:03:44,400 --> 00:03:48,720 Speaker 1: I know this is personal, but it isn't an easy 32 00:03:48,800 --> 00:03:53,920 Speaker 1: one to tell. Matter of fact, I've been trying to 33 00:03:54,000 --> 00:03:57,720 Speaker 1: block it out ever since I left home fourteen years ago. 34 00:04:00,200 --> 00:04:03,760 Speaker 1: Like my mother used to say, sometimes the only way 35 00:04:03,840 --> 00:04:06,080 Speaker 1: to get to the other side of the mountain is 36 00:04:06,160 --> 00:04:09,320 Speaker 1: to go through it. So I guess I'll start there. 37 00:04:13,680 --> 00:04:18,640 Speaker 1: It was May May eighteenth, two thousand and seven, the 38 00:04:18,760 --> 00:04:22,120 Speaker 1: Hadley brothers, two seventeen year old twins from a prominent 39 00:04:22,160 --> 00:04:26,800 Speaker 1: and wealthy family in Maniwa County, went missing it was 40 00:04:26,839 --> 00:04:30,920 Speaker 1: the night before high school graduation. They were found ten 41 00:04:31,000 --> 00:04:36,680 Speaker 1: days later. The bodies were retreated from inside the mouth 42 00:04:36,760 --> 00:04:39,839 Speaker 1: of a cave, along with their cell phones, which contained 43 00:04:39,880 --> 00:04:44,160 Speaker 1: haunting audio and grainy images clues to what had happened. 44 00:04:45,720 --> 00:04:52,279 Speaker 1: I say, clues, clues fucking so so stupid, scoopy, fucking 45 00:04:52,320 --> 00:05:02,160 Speaker 1: do clues come on? Julian Okay? Starting over? All right? 46 00:05:02,360 --> 00:05:06,960 Speaker 1: So um okay? Based on their self Based on their 47 00:05:07,040 --> 00:05:11,440 Speaker 1: cell phone records, witness testimonies in the Corners report, it 48 00:05:11,640 --> 00:05:16,799 Speaker 1: was likely just after midnight the time of death. Another 49 00:05:16,960 --> 00:05:24,120 Speaker 1: boy went missing that day two, James Fincher, we called 50 00:05:24,200 --> 00:05:32,240 Speaker 1: him Finch. Finch came from a multiracial family. His mother 51 00:05:32,400 --> 00:05:36,600 Speaker 1: was black, his father part Latino and part Cherokee. At 52 00:05:36,640 --> 00:05:39,760 Speaker 1: the time of the Havley killings, Finch was only eighteen 53 00:05:39,880 --> 00:05:43,680 Speaker 1: years old. Today he's thirty two, and he's on death 54 00:05:43,839 --> 00:05:47,159 Speaker 1: row away in execution for the murder of the Haveley boys, 55 00:05:48,120 --> 00:05:52,880 Speaker 1: a double homicide in the first degree. But Finch didn't 56 00:05:52,920 --> 00:06:06,080 Speaker 1: do it. Okay. August first, twenty twenty one, just left 57 00:06:06,120 --> 00:06:10,000 Speaker 1: New York. I'm driving back to Manua County today. I 58 00:06:10,080 --> 00:06:12,560 Speaker 1: don't want to go back. I don't want to do 59 00:06:12,680 --> 00:06:15,920 Speaker 1: any of this. Hell, I didn't even go back for 60 00:06:16,000 --> 00:06:19,960 Speaker 1: my own father's funeral. And you know what, I was 61 00:06:20,040 --> 00:06:22,480 Speaker 1: okay with that, because the part of me that was 62 00:06:22,560 --> 00:06:26,480 Speaker 1: born and raised in Manowa County died there too. As 63 00:06:26,520 --> 00:06:29,840 Speaker 1: far as I was concerned, I thought i'd put man 64 00:06:29,920 --> 00:06:32,840 Speaker 1: to walk behind me for good. But I got a 65 00:06:32,880 --> 00:06:35,920 Speaker 1: call about a week ago. Usually don't pick up, but 66 00:06:36,200 --> 00:06:39,279 Speaker 1: it was an eight six to five area code. Someone 67 00:06:39,400 --> 00:06:52,839 Speaker 1: from home. Hello, Julian, Julian Tallis Yeah, Da Dana Benherm, 68 00:06:55,680 --> 00:07:01,320 Speaker 1: Dana Hey has how how are you? It's been a 69 00:07:01,400 --> 00:07:07,400 Speaker 1: long time, fourteen years. Yeah, I'm calling to let you 70 00:07:07,480 --> 00:07:15,400 Speaker 1: know about James. Yeah, yeah, how's how's the uh? I mean, 71 00:07:15,440 --> 00:07:19,880 Speaker 1: it has been set for the execution. I thought you 72 00:07:19,960 --> 00:07:22,600 Speaker 1: might want to know. We're almost out of time now, 73 00:07:22,640 --> 00:07:27,440 Speaker 1: so it ain't looking great. I'll be honest. Look, I 74 00:07:27,560 --> 00:07:29,920 Speaker 1: know it's been a long time, Julian, and you've moved 75 00:07:29,960 --> 00:07:33,200 Speaker 1: on from all this, but we haven't. Okay. Yeah, I 76 00:07:33,280 --> 00:07:36,680 Speaker 1: mean I didn't want to call you, but I got 77 00:07:36,800 --> 00:07:43,320 Speaker 1: no choice here. I need your help, okay, with what 78 00:07:44,640 --> 00:07:49,040 Speaker 1: the appeal. I need you to make a statement. I 79 00:07:49,160 --> 00:08:02,320 Speaker 1: need you to tell the truth about what happened. I 80 00:08:02,440 --> 00:08:06,000 Speaker 1: can only imagine how fucked up it would be to 81 00:08:06,120 --> 00:08:12,000 Speaker 1: witness in execution. No thanks, I'm not interested in watching 82 00:08:12,080 --> 00:08:18,080 Speaker 1: James Fincher die. But I would come back even if 83 00:08:18,160 --> 00:08:28,560 Speaker 1: Dana Fincher hadn't called, because I have no choice. I 84 00:08:28,640 --> 00:08:32,640 Speaker 1: started waking up from bad dreams drenched in sweat, and 85 00:08:32,760 --> 00:08:41,800 Speaker 1: these nightmares are happening more frequently. I'm I'm hearing things too, Voices. 86 00:08:43,280 --> 00:08:46,400 Speaker 1: They were quiet at first, they were like whispers and 87 00:08:46,480 --> 00:08:54,160 Speaker 1: the static, but the getting louder, and I'm getting I 88 00:08:54,240 --> 00:08:59,200 Speaker 1: don't know, flashes like a fever. Dream images looping through 89 00:08:59,280 --> 00:09:03,839 Speaker 1: my brain between my waking hours, reliving ship from my childhood, 90 00:09:04,400 --> 00:09:09,920 Speaker 1: shift from my past that either forgotten were buried from. 91 00:09:10,000 --> 00:09:13,520 Speaker 1: There was a long before the nightmares began warming their 92 00:09:13,559 --> 00:09:16,679 Speaker 1: way into my waking moments. The leaky fawsett in my 93 00:09:16,760 --> 00:09:18,960 Speaker 1: kitchen started dripping so loud it drowned out the rest 94 00:09:18,960 --> 00:09:22,680 Speaker 1: of the world, like the droplets were sliding off salad 95 00:09:22,800 --> 00:09:27,840 Speaker 1: tights and splashing into cating pools below. And then there 96 00:09:27,960 --> 00:09:31,599 Speaker 1: was the sleep walking. The first time it happened, I 97 00:09:31,640 --> 00:09:32,959 Speaker 1: woke up in the middle of the night to find 98 00:09:33,000 --> 00:09:37,360 Speaker 1: myself back in a suitcase. The next night, I came 99 00:09:37,400 --> 00:09:40,120 Speaker 1: to I was bought ass naked in the kitchen cark. 100 00:09:40,240 --> 00:09:42,839 Speaker 1: He's clutched in my hand. Time after that, I was 101 00:09:42,920 --> 00:09:45,000 Speaker 1: in the driver's seat in my car, jabbing the key 102 00:09:45,160 --> 00:09:49,079 Speaker 1: repeatedly into the dashboard, just shy the imission. Then a 103 00:09:49,160 --> 00:09:52,520 Speaker 1: couple of nights ago, I actually got the car halfway 104 00:09:52,559 --> 00:10:00,040 Speaker 1: down the block before I realized what was happening. So, 105 00:10:00,200 --> 00:10:03,720 Speaker 1: you see, it got to the point where I figured 106 00:10:03,720 --> 00:10:05,920 Speaker 1: I was coming back to Maniwau County. Whether I wanted 107 00:10:06,000 --> 00:10:09,240 Speaker 1: to or not. It seemed to hell a lot safer 108 00:10:09,320 --> 00:10:14,959 Speaker 1: to be conscious for the ride. It's another reason I'm 109 00:10:15,040 --> 00:10:20,360 Speaker 1: documenting this trip. After each blackout, I'll lose hours of memory. 110 00:10:30,000 --> 00:10:34,120 Speaker 1: Willson Mechanical Solutions a stylis. I've known Tyler since I 111 00:10:34,200 --> 00:10:38,040 Speaker 1: was little. We grew up together. Who was one of 112 00:10:38,120 --> 00:10:40,520 Speaker 1: those guys the teachers wrote off as a burnout, but 113 00:10:40,720 --> 00:10:45,720 Speaker 1: who in reality just never bought in. I looked him up. 114 00:10:46,640 --> 00:10:49,679 Speaker 1: He's a repair man now, lives in the woods on 115 00:10:49,760 --> 00:10:56,440 Speaker 1: the outskirts of Maniwa County, outside of possible. Hey, todd Um, 116 00:10:56,600 --> 00:11:07,400 Speaker 1: it's as Juliana. Julie. Yeah, you gotta be fucking kidding me. 117 00:11:09,360 --> 00:11:15,920 Speaker 1: M hmm, Well, holy God damn Julian fucking Solace. Huh 118 00:11:16,320 --> 00:11:22,040 Speaker 1: it's me. Well to what do I owe the pleasure? Uh? 119 00:11:23,960 --> 00:11:27,079 Speaker 1: I was hoping this will be your number. Well, you 120 00:11:27,160 --> 00:11:33,079 Speaker 1: gotta ride bet it is. Yeah. So when you're getting here, what, 121 00:11:34,880 --> 00:11:37,680 Speaker 1: how do you know? I wasn't you might be coming 122 00:11:37,720 --> 00:11:45,080 Speaker 1: back soon, circumstances being what they are, Tyler as um, 123 00:11:46,840 --> 00:11:52,640 Speaker 1: I was hoping. Uh oh, I was hoping, hoping. Come on, 124 00:11:54,679 --> 00:11:58,760 Speaker 1: say what you need. Don't be shotting now, motherfucker. I 125 00:11:58,880 --> 00:12:03,960 Speaker 1: need to go back to the whole unless that's too much. 126 00:12:05,080 --> 00:12:06,600 Speaker 1: I just don't know if I'll be able to find 127 00:12:06,640 --> 00:12:12,960 Speaker 1: my way back. It's been so long with Tyler. Tyler, 128 00:12:13,520 --> 00:12:26,400 Speaker 1: you're here, okay? Are you sure? Yeah? No, it's cool. 129 00:12:29,400 --> 00:12:37,720 Speaker 1: Let's do it. August second. The air smells like rust 130 00:12:37,800 --> 00:12:42,320 Speaker 1: and Decayne leaves an asphalt after the rain. It stirs 131 00:12:42,400 --> 00:12:48,800 Speaker 1: old thoughts and feelings. It feels haunted. There's something daunting 132 00:12:49,440 --> 00:12:52,960 Speaker 1: about the roads into the Great Smokies, a sub range 133 00:12:53,000 --> 00:12:56,120 Speaker 1: of Appalachia hiding in the corner of Tennessee, North Carolina. 134 00:12:57,200 --> 00:13:03,319 Speaker 1: He got roadside warnings that say dense fog likely These 135 00:13:03,440 --> 00:13:08,880 Speaker 1: mountains are ancient and mysterious. Oldest Mountain range on earth. 136 00:13:09,800 --> 00:13:13,959 Speaker 1: They crouched low, like they're huddled against you, secretive, covered 137 00:13:13,960 --> 00:13:18,400 Speaker 1: in old growth forests. Everything is shadow and missed, and 138 00:13:18,600 --> 00:13:22,719 Speaker 1: the fog gets denser the closer I come. It was 139 00:13:22,840 --> 00:13:25,920 Speaker 1: only after I crossed the county line that the fog lifted, 140 00:13:27,320 --> 00:13:31,079 Speaker 1: like mana walk itself had pulled back the curtain for 141 00:13:31,200 --> 00:13:36,360 Speaker 1: another show. Pottsville is the town I grew up in. 142 00:13:37,080 --> 00:13:39,400 Speaker 1: It's nestled in the heart of the county, and it 143 00:13:39,520 --> 00:13:43,280 Speaker 1: hasn't changed one bit since I left. Still small and poor. 144 00:13:44,200 --> 00:13:46,040 Speaker 1: Most folks still find work in the paper mill a 145 00:13:46,080 --> 00:13:48,679 Speaker 1: few towns over, or if they're good at bullshit, and 146 00:13:48,960 --> 00:13:52,599 Speaker 1: they might get a job at Hadley Chevrolet. If you 147 00:13:52,679 --> 00:13:57,920 Speaker 1: were lucky. That's where you weren't my father did. He 148 00:13:58,080 --> 00:14:03,400 Speaker 1: ran the mechanic shop of the dealership. Anyway, People here 149 00:14:03,440 --> 00:14:08,320 Speaker 1: are poor, most of them double wides and dogs running loose, 150 00:14:08,800 --> 00:14:12,400 Speaker 1: the rusted husks of cars on cinder blocks. The main 151 00:14:12,520 --> 00:14:15,160 Speaker 1: drag is lined with abandoned and decaying two story mid 152 00:14:15,240 --> 00:14:18,719 Speaker 1: century brick buildings, weird antique and second hand shops. A 153 00:14:18,840 --> 00:14:23,640 Speaker 1: hardware store started with American flags, and of course the 154 00:14:23,880 --> 00:14:28,960 Speaker 1: Lord of First Baptist Church, a fundamental stronghold in the 155 00:14:29,080 --> 00:14:33,200 Speaker 1: center circle. I shall not want, oh man. This is 156 00:14:33,320 --> 00:14:37,160 Speaker 1: Reverend Perkins from First Baptist and many to lie down 157 00:14:37,640 --> 00:14:40,000 Speaker 1: in green pastures. Man likes the sound of his own 158 00:14:40,120 --> 00:14:42,080 Speaker 1: voice so much he records every damn one of his 159 00:14:42,160 --> 00:14:45,640 Speaker 1: own sermons and posts them on the church website. Thomas 160 00:14:45,800 --> 00:14:50,920 Speaker 1: and Deacons, friends and family grapple with their deaths. This 161 00:14:51,080 --> 00:14:57,480 Speaker 1: recording is from the archives Hadley Brothers Memorial services. Because 162 00:14:58,360 --> 00:15:03,560 Speaker 1: this feels senseless, Why were these two innocent souls taken 163 00:15:03,760 --> 00:15:10,160 Speaker 1: from us? These two who shone so brightly and showed 164 00:15:10,160 --> 00:15:14,720 Speaker 1: them such a great promise, Why, oh Lord, were they 165 00:15:14,880 --> 00:15:21,240 Speaker 1: so truly taken? We asked, innocent souls hardly? Tom and 166 00:15:21,320 --> 00:15:23,800 Speaker 1: Diacon Hadley were the sons of Bobby and Mona Hadley, 167 00:15:24,080 --> 00:15:27,160 Speaker 1: who owned the Hadley Chevrolet Dealership, one of the most 168 00:15:27,240 --> 00:15:30,360 Speaker 1: profitable car lots in the state. They were a wealthy 169 00:15:30,400 --> 00:15:33,360 Speaker 1: and powerful family in the community. In many ways, their 170 00:15:33,400 --> 00:15:35,760 Speaker 1: money and political ties made this town. There's like they 171 00:15:35,880 --> 00:15:39,880 Speaker 1: owned it. A new county ordinance, a new construction permit. 172 00:15:40,400 --> 00:15:43,560 Speaker 1: It was impossible to get anything done in Maniwa County 173 00:15:43,600 --> 00:15:47,720 Speaker 1: without the consent of Bobby Hadley and the power bloated them, 174 00:15:47,840 --> 00:15:52,200 Speaker 1: made them cruel. Hadley twins didn't fall far from the tree. 175 00:15:52,200 --> 00:15:57,640 Speaker 1: In that sense, we coexisted them and me, sharing the 176 00:15:57,720 --> 00:16:02,840 Speaker 1: same habitat on East Elite. They skulked around Manowa County 177 00:16:02,920 --> 00:16:09,840 Speaker 1: like predators. They were not identical. Now. Deacon was the 178 00:16:09,960 --> 00:16:12,800 Speaker 1: smaller of the two. He was the quiet one. He 179 00:16:12,920 --> 00:16:16,600 Speaker 1: wore the silver cross round his neck like a flashy 180 00:16:16,760 --> 00:16:20,320 Speaker 1: reminder of the inequities of life, like he was protected 181 00:16:20,440 --> 00:16:24,160 Speaker 1: by a righteous order, a constant reminder that some people 182 00:16:24,520 --> 00:16:27,840 Speaker 1: can be as sadistic as they please with no consequences. 183 00:16:29,360 --> 00:16:33,320 Speaker 1: Thomas was the stand out. He was taller and more lean. 184 00:16:34,480 --> 00:16:38,560 Speaker 1: His red hair seemed almost unreal, like it was woven 185 00:16:38,640 --> 00:16:44,760 Speaker 1: into his scalp. I remember Thomas strutting through the corriors 186 00:16:44,800 --> 00:16:49,400 Speaker 1: of Carter High, always with the same look plastered on 187 00:16:49,480 --> 00:16:53,480 Speaker 1: his face, the corners of his lips twisted in a 188 00:16:53,640 --> 00:16:57,640 Speaker 1: permanent grin, and sharp green eyes that seemed to be 189 00:16:57,880 --> 00:17:02,520 Speaker 1: staring out from behind a mask. And then there was 190 00:17:02,640 --> 00:17:06,920 Speaker 1: his laugh. You could hear it echo across the high 191 00:17:06,960 --> 00:17:13,080 Speaker 1: school quad like a fucking hyena, almost always triggered by 192 00:17:13,200 --> 00:17:20,840 Speaker 1: some act of casual cruelty. Deacon Hadley was different this one. 193 00:17:20,960 --> 00:17:29,280 Speaker 1: Never smiled, never laughed, hardly spoke eyes like scalpels. His 194 00:17:29,560 --> 00:17:34,399 Speaker 1: cruelty seemed almost scientific. After their bodies were found, the 195 00:17:34,480 --> 00:17:38,879 Speaker 1: autopsies indicated that the Hadley brothers had been attacked, bludgeons 196 00:17:38,920 --> 00:17:42,760 Speaker 1: and stabbed. That much as certain the investigation would dig 197 00:17:42,880 --> 00:17:46,879 Speaker 1: up town secrets as old and dark as the caves themselves, 198 00:17:48,160 --> 00:17:52,800 Speaker 1: it would also change the lives of everyone involved, including me. 199 00:17:54,480 --> 00:17:59,720 Speaker 1: After all, I'm the one who found the bodies. Well, 200 00:18:00,960 --> 00:18:04,959 Speaker 1: Tyler and me, Damn, we should have been night right now, 201 00:18:05,520 --> 00:18:07,800 Speaker 1: Tyler memory as soon as I crossed the county line 202 00:18:08,440 --> 00:18:10,480 Speaker 1: and took me on a little hike down memory Lane, 203 00:18:11,119 --> 00:18:14,399 Speaker 1: literally remember being closer to the south entrance of the 204 00:18:14,480 --> 00:18:20,359 Speaker 1: Manawa Caves, or as we used to call it, the 205 00:18:20,480 --> 00:18:26,520 Speaker 1: whole No. To get to the caves, we had to 206 00:18:26,560 --> 00:18:30,560 Speaker 1: hop a barbed wire fence, trespass across private property, and 207 00:18:30,760 --> 00:18:32,800 Speaker 1: hike all trail for at least a mile through. You 208 00:18:32,880 --> 00:18:39,879 Speaker 1: think underbrush, we'll find it. Where are you saying? The 209 00:18:40,040 --> 00:18:46,080 Speaker 1: motel all fiveway forty two? I can't believe that place 210 00:18:46,119 --> 00:18:51,200 Speaker 1: is still standing up. She's abute, all right, Well, listen, 211 00:18:51,280 --> 00:18:52,800 Speaker 1: you get tired of bring the mill, dude, through your 212 00:18:52,840 --> 00:18:57,040 Speaker 1: pillow case. Hit me up, I'll clear on the back room. 213 00:19:01,119 --> 00:19:07,600 Speaker 1: Oh man, look at that coming out earlier night. Must 214 00:19:07,600 --> 00:19:13,320 Speaker 1: be hungry. Yeah, well the Cays were forbidden long before 215 00:19:13,440 --> 00:19:17,360 Speaker 1: we started hanging out there. Ever since the teenage boy 216 00:19:17,480 --> 00:19:21,879 Speaker 1: was found dead inside back in ninety eight suicide, nobody 217 00:19:21,920 --> 00:19:26,320 Speaker 1: went near it after that except us. This should be 218 00:19:26,400 --> 00:19:37,920 Speaker 1: it appear around this band nine one one. What's your emergency? Um, 219 00:19:38,560 --> 00:19:43,159 Speaker 1: I just need to report. Um, go ahead, sir, I'm listening. 220 00:19:44,320 --> 00:19:49,480 Speaker 1: We we found bodies out here. Um did you say bodies. 221 00:19:50,119 --> 00:19:54,320 Speaker 1: It's ma'am, Um, it's ma'am. They they've been dead a while. 222 00:19:55,560 --> 00:20:00,719 Speaker 1: Thomas h Dickon Hadley. I think I think it's him 223 00:20:00,920 --> 00:20:06,239 Speaker 1: and his brother Thomas. It's uh, he's got it's got 224 00:20:06,320 --> 00:20:10,600 Speaker 1: red hair. So I'm okay. Well, can you give me 225 00:20:10,680 --> 00:20:16,760 Speaker 1: the address, sir? I don't know address web. Uh, we're 226 00:20:16,840 --> 00:20:19,800 Speaker 1: down by the caves. Okay. I'm gonna have you stay 227 00:20:19,880 --> 00:20:22,280 Speaker 1: on the line with me until I can get somebody 228 00:20:22,320 --> 00:20:28,520 Speaker 1: out there. Yes, uh, oh god damn. They look they 229 00:20:28,600 --> 00:20:33,159 Speaker 1: look lived. They were mauld Okay, mald by an animal 230 00:20:33,880 --> 00:20:36,359 Speaker 1: or a stabbed or something. I don't know. I don't 231 00:20:37,840 --> 00:20:43,040 Speaker 1: I don't know. And you're sure they're not breathing. Yes, man, 232 00:20:54,040 --> 00:21:06,639 Speaker 1: here there it is. Holy shit. The air was cool 233 00:21:06,760 --> 00:21:10,160 Speaker 1: and damp and smelled of earth and minerals and eons 234 00:21:10,240 --> 00:21:14,240 Speaker 1: of decay. The jetty moss covered granite rocks along the 235 00:21:14,359 --> 00:21:17,879 Speaker 1: southwest entrance of the cavern are not unlike reptilian teeth, 236 00:21:18,800 --> 00:21:21,520 Speaker 1: and it's easy to imagine a colony of hungry bats 237 00:21:21,560 --> 00:21:24,399 Speaker 1: are swirling out of the throat of some prehistoric monster. 238 00:21:26,359 --> 00:21:30,040 Speaker 1: As I stood there, my skin tingled, and I felt 239 00:21:30,080 --> 00:21:34,680 Speaker 1: a pull, a weight like a vertigo that spread outward 240 00:21:34,760 --> 00:21:37,320 Speaker 1: from my gut, like that feeling you get standing on 241 00:21:37,359 --> 00:21:39,840 Speaker 1: the edge of a cliff, like I was looking down 242 00:21:40,680 --> 00:21:45,480 Speaker 1: into the earth into an abyss, the caves beckoning me. 243 00:21:47,560 --> 00:21:51,720 Speaker 1: I have trouble remembering that time in our lives, but 244 00:21:51,840 --> 00:21:55,600 Speaker 1: I remember that day we found him. You remember the 245 00:21:55,680 --> 00:21:59,240 Speaker 1: first thought you had, the first thing that came to mund. 246 00:22:03,280 --> 00:22:08,720 Speaker 1: I remember the light from the morning sun. Yeah, it 247 00:22:08,880 --> 00:22:15,280 Speaker 1: was just barely creeping into the cave, and it popped 248 00:22:15,320 --> 00:22:22,959 Speaker 1: off Thomas's red hair. That's what caught my eye. Then 249 00:22:23,000 --> 00:22:27,159 Speaker 1: I saw his skin. It stood out against the stones, 250 00:22:27,280 --> 00:22:35,560 Speaker 1: cold blue, and the blood dried all black. But my 251 00:22:35,680 --> 00:22:41,000 Speaker 1: brain wouldn't um, except you know what I was seeing 252 00:22:42,600 --> 00:22:44,879 Speaker 1: like it was scrambling to make up some other explanation 253 00:22:44,960 --> 00:22:48,320 Speaker 1: of I don't know, shaped dog some shit now buy 254 00:22:48,400 --> 00:22:54,560 Speaker 1: no deer, hell, I don't, I don't know. Anything was 255 00:22:54,600 --> 00:23:49,320 Speaker 1: more acceptable than um, dead kid. This is Jue Campbell. Hey, 256 00:23:49,600 --> 00:23:53,719 Speaker 1: miss Campbell, it's Julian Julian Silas. I don't know if 257 00:23:53,760 --> 00:23:59,760 Speaker 1: you remember mete. Wow, of course I remember. How are you? 258 00:24:00,560 --> 00:24:06,160 Speaker 1: I'm okay. Look I just got back into town. Yes, god, 259 00:24:07,280 --> 00:24:13,960 Speaker 1: it's been fourteen years. I heard you, uh switch teams 260 00:24:14,200 --> 00:24:18,800 Speaker 1: a while back. You're not a deputy anymore. Nope, mitigation specialist. 261 00:24:20,480 --> 00:24:26,320 Speaker 1: This is about James Fincher. Right. Can you make time 262 00:24:26,359 --> 00:24:37,639 Speaker 1: to see me today? Shit? Um, I'm sorry? Can you? 263 00:24:38,000 --> 00:24:39,920 Speaker 1: Can you used to keep starting over because I am 264 00:24:40,920 --> 00:24:43,600 Speaker 1: I'm still firing out the stammer corner here. What do 265 00:24:43,680 --> 00:24:48,119 Speaker 1: you need to record this for? I'm just I'm gathering information, 266 00:24:48,640 --> 00:24:52,520 Speaker 1: like for a book or something. Oh yeah, I hope 267 00:24:52,560 --> 00:24:56,119 Speaker 1: so you know we'll see Look you could help, you 268 00:24:56,200 --> 00:25:00,160 Speaker 1: know it, raise awareness for Finches for James's case, bring 269 00:25:00,320 --> 00:25:06,639 Speaker 1: some public attention, some outside influence. Can you say your 270 00:25:06,720 --> 00:25:10,760 Speaker 1: name and profession? Jill Campbell, I'm a mitigation specialist here 271 00:25:10,800 --> 00:25:13,320 Speaker 1: in the state of Tennessee. And what does that entail? 272 00:25:14,200 --> 00:25:19,159 Speaker 1: So I scrub evidence that trial proceedings, prosecution, defense also 273 00:25:19,320 --> 00:25:22,520 Speaker 1: to look at someone's background and other circumstances that can 274 00:25:22,640 --> 00:25:26,240 Speaker 1: reduce a death sentence to life in prison. Did you 275 00:25:26,400 --> 00:25:29,040 Speaker 1: build a case for Finch? I mean, can you prove 276 00:25:29,119 --> 00:25:31,320 Speaker 1: that he didn't kill the healthy brothers? I work with 277 00:25:31,480 --> 00:25:35,520 Speaker 1: James Fincher's defense attorney, but there's only so many appeals 278 00:25:35,600 --> 00:25:37,960 Speaker 1: you can file in a capital case. You have to 279 00:25:38,040 --> 00:25:41,480 Speaker 1: be strategic in your timing. There was no sorry, but 280 00:25:41,520 --> 00:25:44,400 Speaker 1: there was no physical evidence time James or anyone else 281 00:25:44,440 --> 00:25:47,080 Speaker 1: to the murder of Deacon and Thomas Hadley. Correct. That's right. 282 00:25:47,840 --> 00:25:51,760 Speaker 1: James's conviction and sentence and was based entirely on circumstantial 283 00:25:51,840 --> 00:25:56,600 Speaker 1: evidence and as you know, false testimony. And you were 284 00:25:56,640 --> 00:26:01,080 Speaker 1: a deputy sheriff in Manuel County back in that's right 285 00:26:01,320 --> 00:26:04,720 Speaker 1: two thousand and one to two thousand and three, promoted 286 00:26:04,720 --> 00:26:07,639 Speaker 1: a few times lieutenant in two thousand and seven at 287 00:26:07,680 --> 00:26:10,960 Speaker 1: the time of the Hadley murders. I made captain in 288 00:26:11,040 --> 00:26:15,160 Speaker 1: two thousand and eight. Criminal Investigation. Why did you quit? 289 00:26:17,520 --> 00:26:20,080 Speaker 1: I got into law enforcement because I wanted to do 290 00:26:20,200 --> 00:26:23,040 Speaker 1: some good, but ninety percent of what we were doing 291 00:26:23,119 --> 00:26:27,560 Speaker 1: had nothing to do with justice. Criminal investigation isn't really 292 00:26:27,600 --> 00:26:34,879 Speaker 1: about catching a bad guy, at least not Manawak County. No. No, 293 00:26:35,520 --> 00:26:40,760 Speaker 1: especially homicide. The department is incentivized to find any evidence 294 00:26:40,800 --> 00:26:44,200 Speaker 1: they can to support an eventual prosecution. Whether you have 295 00:26:44,280 --> 00:26:46,880 Speaker 1: the right guy or not, it doesn't matter. The primary 296 00:26:47,000 --> 00:26:50,360 Speaker 1: goal is to make damn sure the prosecution will get 297 00:26:50,400 --> 00:26:54,320 Speaker 1: their conviction. So when the jury returned to death verdict 298 00:26:54,359 --> 00:26:57,320 Speaker 1: for James Fincher, I was upset about it. I knew 299 00:26:57,359 --> 00:27:00,800 Speaker 1: it wasn't right. I was anguished of my part in it. 300 00:27:01,400 --> 00:27:03,320 Speaker 1: I thought I could make a difference from with them. 301 00:27:03,840 --> 00:27:10,280 Speaker 1: That was naive, so I got into defense. This is 302 00:27:10,359 --> 00:27:15,159 Speaker 1: why he came home, isn't it? James Fincher's executions coming up? 303 00:27:15,200 --> 00:27:20,320 Speaker 1: And you're anguish too, Ain't you excuse me? Hey man? 304 00:27:20,359 --> 00:27:25,560 Speaker 1: Can I get a rephill please? There was obvious discrimination 305 00:27:25,640 --> 00:27:28,480 Speaker 1: in the trial from the get go. James Fincher was 306 00:27:28,600 --> 00:27:32,040 Speaker 1: a multiracial man and men in Wake County. He was different. 307 00:27:32,400 --> 00:27:36,320 Speaker 1: He stood out. I want to give a Sheriff Hooper's 308 00:27:36,359 --> 00:27:40,080 Speaker 1: interrogation at James Fincher, good luck with that. What do 309 00:27:40,160 --> 00:27:43,919 Speaker 1: you mean James Fincher doesn't say a thing on those tapes. 310 00:27:47,320 --> 00:27:52,200 Speaker 1: What the hell are you doing here, Julian? I want 311 00:27:52,240 --> 00:27:55,639 Speaker 1: to help. Look, I've worked hard to get the courts 312 00:27:55,680 --> 00:27:59,680 Speaker 1: to recognize that James Fincher does not deserve death. I've 313 00:27:59,720 --> 00:28:04,119 Speaker 1: come piled a comprehensive and well documented psychosocial history of 314 00:28:04,240 --> 00:28:08,440 Speaker 1: James based on an exhaustive investigation, I'm built a case 315 00:28:08,520 --> 00:28:11,520 Speaker 1: on all the factors this early life trauma, then packed 316 00:28:11,600 --> 00:28:14,960 Speaker 1: on his development, including effects on personality and behavior, not 317 00:28:15,119 --> 00:28:17,960 Speaker 1: to mention the bullying and what happened does sister Dina? 318 00:28:21,240 --> 00:28:23,399 Speaker 1: So basically, you're saying he did it, but he couldn't 319 00:28:23,440 --> 00:28:26,560 Speaker 1: help it. Have you given up on his innoc not? No, 320 00:28:27,600 --> 00:28:30,439 Speaker 1: but the people have, the courts have so right now 321 00:28:30,520 --> 00:28:35,639 Speaker 1: untill the real killer turns up. This is our best strategy. Okay, 322 00:28:35,880 --> 00:28:39,400 Speaker 1: but the courts are not hearing it. I'm sure you 323 00:28:39,560 --> 00:28:43,280 Speaker 1: remember the State Supreme Court denied his appeal after the 324 00:28:43,400 --> 00:28:46,760 Speaker 1: sentence and phase of the trial. But we may still 325 00:28:46,840 --> 00:28:49,600 Speaker 1: be able to get the sentence commuted on other grounds, 326 00:28:50,480 --> 00:28:55,880 Speaker 1: commuted to what life, But an innocent man would still 327 00:28:55,880 --> 00:28:58,320 Speaker 1: be locked up for life. Life is better than death. 328 00:28:58,480 --> 00:29:02,480 Speaker 1: Last time I checked. Guess that depends on the circumstances. 329 00:29:04,160 --> 00:29:06,360 Speaker 1: DNA Fincher seems to think that we can still petition 330 00:29:06,440 --> 00:29:08,600 Speaker 1: a higher court inner on the grounds that the key 331 00:29:08,720 --> 00:29:17,000 Speaker 1: witnesses testimony was coerced. Yes, I appreciate Dina's efforts and yours, Julian, 332 00:29:17,120 --> 00:29:20,440 Speaker 1: but you're clinging to threads and I understand you want 333 00:29:20,480 --> 00:29:22,400 Speaker 1: to do the right thing, but that's not going to 334 00:29:22,440 --> 00:29:24,440 Speaker 1: have been enough of the higher court to make the 335 00:29:24,480 --> 00:29:28,120 Speaker 1: ship Birds of Manawa County review James Fincher's case. Again, 336 00:29:28,840 --> 00:29:32,120 Speaker 1: you need to understand how this works and how it doesn't. 337 00:29:32,800 --> 00:29:36,120 Speaker 1: The system did not merely permit the miscarriage of justice 338 00:29:36,160 --> 00:29:39,200 Speaker 1: that got Fincher convicted for a crime he did not. 339 00:29:39,280 --> 00:29:42,720 Speaker 1: The system encouraged it. James Fincher has been convicted and 340 00:29:42,880 --> 00:29:45,840 Speaker 1: he's been sentenced, so at this point, in the eyes 341 00:29:45,880 --> 00:29:51,320 Speaker 1: of the court, he is guilty guilty until proven innocent. Look, 342 00:29:52,360 --> 00:29:56,720 Speaker 1: the only surefire way to stop Fincher's execution is to 343 00:29:56,840 --> 00:29:59,560 Speaker 1: prove he didn't do it. And the only way to 344 00:29:59,640 --> 00:30:05,360 Speaker 1: do that that is to prove dead that what you're 345 00:30:05,480 --> 00:30:15,880 Speaker 1: here to do. If that's what it takes, Yes, ma'am, Look, 346 00:30:17,200 --> 00:30:18,920 Speaker 1: I could probably make a call and see if I 347 00:30:19,000 --> 00:30:21,400 Speaker 1: can't get a hold of those interrogation tapes for you. 348 00:30:22,640 --> 00:30:26,600 Speaker 1: I still got friends in the department over at Hooper Station. Okay, 349 00:30:26,680 --> 00:30:30,000 Speaker 1: I'm not sure it'll do any good though, Okay, thank you, 350 00:30:30,520 --> 00:30:40,320 Speaker 1: thank you, thank you, Joe. Detective Solomon Smith what he 351 00:30:40,520 --> 00:30:47,520 Speaker 1: was on the case. You probably remember him, Detective Solomon Smith. Yeah, 352 00:30:48,680 --> 00:30:51,640 Speaker 1: he believed James was innocent and had some leads on 353 00:30:51,800 --> 00:30:58,040 Speaker 1: some other suspects, but he disappeared. What do you mean 354 00:30:58,120 --> 00:31:00,720 Speaker 1: he disappeared? Well, I don't know what happened to him, 355 00:31:02,160 --> 00:31:04,080 Speaker 1: but if you want to find out who was behind this, 356 00:31:05,200 --> 00:31:08,719 Speaker 1: you should find out what Smith knew. Follow his tracks. 357 00:31:09,720 --> 00:31:13,120 Speaker 1: He may be on those interrogation tapes, and he kept 358 00:31:13,160 --> 00:31:18,280 Speaker 1: an audio logged during the investigation. I'll see what I 359 00:31:18,360 --> 00:31:29,840 Speaker 1: can dig up. Les A Sheriff Kirby Hooper interviewing James 360 00:31:29,920 --> 00:31:35,080 Speaker 1: Fancher case nine four seven three five two June fifth, 361 00:31:35,200 --> 00:31:44,080 Speaker 1: two thousand and seven, ten ten am. Morning, James, how 362 00:31:44,080 --> 00:31:48,040 Speaker 1: are you feeling today? Jill Campbell was true to her word. 363 00:31:48,560 --> 00:31:50,720 Speaker 1: One call from her and the Archives Department handed the 364 00:31:50,760 --> 00:32:00,120 Speaker 1: investigation tapes over. Don't feel like talking today? Huh? I'm 365 00:32:00,120 --> 00:32:02,360 Speaker 1: going to need you to answer a few questions about 366 00:32:02,400 --> 00:32:05,000 Speaker 1: what happened the other day. I think you can do 367 00:32:05,120 --> 00:32:09,000 Speaker 1: that more. Listening to these tapes and hearing Sheriff Kirby 368 00:32:09,040 --> 00:32:16,960 Speaker 1: Hooper's voice again was unsettling. He was an earnest man, humorless. 369 00:32:17,320 --> 00:32:20,000 Speaker 1: In fact, he always seemed perplexed by the laughter of others. 370 00:32:20,400 --> 00:32:23,600 Speaker 1: Sharp eyes and a tall figure. He always wore the 371 00:32:23,680 --> 00:32:26,520 Speaker 1: same dull brown uniform like he was born in it, 372 00:32:27,320 --> 00:32:30,640 Speaker 1: and he would probably be buried into two. His shoulders 373 00:32:30,680 --> 00:32:34,680 Speaker 1: were permanently stooped, like it was some sisophine curse. To 374 00:32:34,800 --> 00:32:38,880 Speaker 1: maintain order in his small corner of the universe, he 375 00:32:39,040 --> 00:32:41,320 Speaker 1: needed to determine to have the brothers cause of death. 376 00:32:42,520 --> 00:32:49,200 Speaker 1: He needed autopsies, but the medical report was confusing to say. 377 00:32:49,200 --> 00:32:53,400 Speaker 1: At least the next show's short force injuries, the Brown, 378 00:32:53,480 --> 00:32:56,720 Speaker 1: the Chess, and the dam and Black show injuries with 379 00:32:56,880 --> 00:33:01,720 Speaker 1: transaction of the lift and tom jug Leavine. Primary and 380 00:33:01,840 --> 00:33:04,440 Speaker 1: perhaps fatal wound begins on the left side of the 381 00:33:04,480 --> 00:33:09,960 Speaker 1: groin and reaches across the testicles. Is gaping measures three 382 00:33:10,000 --> 00:33:13,600 Speaker 1: inches in length with clean edges. With a case like this, 383 00:33:14,360 --> 00:33:17,400 Speaker 1: there's not really anyone with the right sort of training 384 00:33:17,920 --> 00:33:22,320 Speaker 1: or experience to decipher the clues. Sure as hell not 385 00:33:22,520 --> 00:33:26,480 Speaker 1: Sheriff of bro So we quickly named James Fincher the 386 00:33:26,520 --> 00:33:29,280 Speaker 1: prompt suspect in the case. You gotta be scared right, 387 00:33:30,520 --> 00:33:35,479 Speaker 1: tired of strangers poking and pridden at you. I can 388 00:33:35,560 --> 00:33:39,800 Speaker 1: make all that stop games, I can make them go away, 389 00:33:42,000 --> 00:33:45,760 Speaker 1: but you're gonna have to talk to me if you 390 00:33:45,880 --> 00:33:49,680 Speaker 1: want that to happen. You're gonna have to tell me 391 00:33:49,920 --> 00:33:54,240 Speaker 1: what you were doing in those games with those boys. 392 00:33:56,920 --> 00:33:59,000 Speaker 1: I played this first audio file in the car and 393 00:33:59,080 --> 00:34:05,440 Speaker 1: had to pull over. Something about it felt eerily familiar. 394 00:34:06,120 --> 00:34:08,879 Speaker 1: It wasn't just the sound of Sheriff Hooper's interrogation, though 395 00:34:08,960 --> 00:34:13,840 Speaker 1: that dredged up some old feelings, for sure. It was 396 00:34:13,960 --> 00:34:17,120 Speaker 1: the sort of static hits of the state owned recording device. 397 00:34:18,160 --> 00:34:23,319 Speaker 1: It was agitating. It made something in my brain itch, 398 00:34:23,719 --> 00:34:43,359 Speaker 1: something panic. I came back to man a walk after 399 00:34:43,440 --> 00:34:46,320 Speaker 1: I started waking up from bad dreams, drenched in sweat, 400 00:34:47,440 --> 00:34:49,440 Speaker 1: and then one morning when I caught myself in the 401 00:34:49,520 --> 00:34:55,280 Speaker 1: mirror and didn't recognize what I saw, Like my hands 402 00:34:55,360 --> 00:34:59,799 Speaker 1: didn't belong to my arms. My eyes were not mine either, 403 00:35:01,640 --> 00:35:04,560 Speaker 1: like something else was staring back at me from behind 404 00:35:04,600 --> 00:35:14,360 Speaker 1: the glass. That's how it happens. See, just happens little 405 00:35:14,400 --> 00:35:17,560 Speaker 1: by little, like when the song you were singing in 406 00:35:17,600 --> 00:35:19,560 Speaker 1: the showers playing on the radio, when you start your 407 00:35:19,600 --> 00:35:23,000 Speaker 1: car an hour later, or when you always notice the 408 00:35:23,080 --> 00:35:28,520 Speaker 1: clock it's exactly three thirty three, or maybe you will 409 00:35:28,560 --> 00:35:31,840 Speaker 1: suddenly think of an old friend the day before, finding 410 00:35:31,880 --> 00:35:37,480 Speaker 1: out on Facebook that they recently died. Yeah, these are 411 00:35:37,560 --> 00:35:40,960 Speaker 1: the signs. This is how you will know what's coming, 412 00:35:42,520 --> 00:35:45,600 Speaker 1: moving across the void, closer and closer, like the dad 413 00:35:45,719 --> 00:35:48,640 Speaker 1: of a thousand hungry bads, screeching in the gloom and 414 00:35:48,760 --> 00:35:54,880 Speaker 1: the dusk. Remember this, It always starts with the noise, 415 00:35:56,440 --> 00:36:01,240 Speaker 1: the white noise, white noise, the sounds of the shower, 416 00:36:02,200 --> 00:36:05,440 Speaker 1: or the incests in the summer, locusts, or the box 417 00:36:05,560 --> 00:36:08,120 Speaker 1: fan you keep in your room. You will know the 418 00:36:08,239 --> 00:36:12,560 Speaker 1: sound when you hear it. I hear it in James 419 00:36:12,640 --> 00:36:29,239 Speaker 1: Fincher's in Derogation tape. For fourteen years, I've or to Pottsville, 420 00:36:29,360 --> 00:36:33,520 Speaker 1: in those goddamn caves. Like I said before, I do 421 00:36:33,719 --> 00:36:36,320 Speaker 1: not want to be back in Manouel County. I fucking 422 00:36:36,400 --> 00:36:38,840 Speaker 1: hate it. I hate the cold, gray stone of the 423 00:36:38,920 --> 00:36:41,960 Speaker 1: town and the sharp, cruel eyes of the churchgoers at 424 00:36:42,000 --> 00:36:45,880 Speaker 1: first Baptist. I hate the creeping darkness that overtakes the 425 00:36:46,000 --> 00:36:52,520 Speaker 1: town every night. It took the Hadley Brothers, took many 426 00:36:52,560 --> 00:36:58,600 Speaker 1: others too soon, it will almost certainly take James Fincher, 427 00:37:00,360 --> 00:37:05,879 Speaker 1: and one day it may take me too. I tried 428 00:37:05,920 --> 00:37:07,880 Speaker 1: to stay away, but it found me. It's been pulling 429 00:37:07,960 --> 00:37:12,160 Speaker 1: me back ever since. And I know in my core 430 00:37:13,160 --> 00:37:16,440 Speaker 1: that it's not gonna stop until I see James Fincher 431 00:37:16,520 --> 00:37:24,000 Speaker 1: set free. And in order to do that, well, I 432 00:37:24,160 --> 00:37:27,040 Speaker 1: have to figure out who really killed Thomas and Dickonhandley. 433 00:37:28,960 --> 00:37:33,040 Speaker 1: If I don't, James Fincher is going to be executed 434 00:37:33,120 --> 00:38:15,480 Speaker 1: in twelve days. The Ghost and the Dancing the Manoa 435 00:38:15,640 --> 00:38:19,600 Speaker 1: Caves stars Jonathan Tucker as Julian Salis, Eddie Gaffeggy as 436 00:38:19,680 --> 00:38:24,400 Speaker 1: James Fincher, Clark Peters as Detective Solomon Smith, Nick Sercy 437 00:38:24,600 --> 00:38:29,080 Speaker 1: as Sheriff Kirby Hooper, Justin Wellbourne as Tyler Wilson, Jill 438 00:38:29,160 --> 00:38:33,200 Speaker 1: Jane Clements as Jill Campbell, Brad Carter as Dooley Tappert, 439 00:38:33,719 --> 00:38:37,920 Speaker 1: Scott Poythress as Reverend Perkins, Samantha Ashley as Deana Fincher, 440 00:38:38,520 --> 00:38:42,800 Speaker 1: Justin Matthews Smith as Paul Salis, Tara Oakes as Laura Salis, 441 00:38:43,400 --> 00:38:47,920 Speaker 1: Jonathan Horn as Deacon Hadley, Alden Kronovitch as Thomas Hadley, 442 00:38:48,719 --> 00:38:52,880 Speaker 1: Mike w Anderson as Griff Washington, Bodie walter Off as 443 00:38:52,960 --> 00:38:57,239 Speaker 1: Jimmy Fincher, Brian McClure as Ian Speaks, Larry Clark as 444 00:38:57,320 --> 00:39:01,600 Speaker 1: Bobby Hadley, Peyton Fallis as ed La, Vic Pliss as 445 00:39:01,640 --> 00:39:05,839 Speaker 1: William Fowler, Nick Dakaski as Richard Rydell, and Aileen moy 446 00:39:06,200 --> 00:39:11,239 Speaker 1: as The Darkness, with additional performances by Clint McGowan, Dina Dill, 447 00:39:11,880 --> 00:39:16,880 Speaker 1: Edward Howard and Henry Foster Brown, Jamie Joseph, Juan Manzalez, 448 00:39:17,440 --> 00:39:22,800 Speaker 1: Christopher Curry, Bailey Hyneman, David Mitchell, and Bernard Satara Clark. 449 00:39:23,680 --> 00:39:27,280 Speaker 1: Created by Connel Byrne and Dan Bush, Written by Dan Bush, 450 00:39:27,880 --> 00:39:32,440 Speaker 1: Zoe Cooper and Nicholas Dakoski, featuring our theme song Killer Inside, 451 00:39:32,880 --> 00:39:37,280 Speaker 1: Written produced and performed by Lea Lynn. Our executive producers 452 00:39:37,320 --> 00:39:42,160 Speaker 1: are Matt Frederick, Alexander Williams, Michael Monte, and Courtney Dufrees. 453 00:39:42,719 --> 00:39:46,640 Speaker 1: Our executive producers at Blumhouse Television are Jeremy Gold Chris 454 00:39:46,760 --> 00:39:51,880 Speaker 1: Dickey and Noah Feinberg. Produced by Dan Bush, music by 455 00:39:51,960 --> 00:39:56,720 Speaker 1: Ben Lovett, additional music by Alexander Rodriguez. Edited by Dan Bush, 456 00:39:57,040 --> 00:40:01,359 Speaker 1: Chris Childs, Stephen Perez, and David Chen. Sound design by 457 00:40:01,440 --> 00:40:06,279 Speaker 1: Benjamin Malcolm. Additional sound designed by Alexander Rodriguez. Dialogue editing 458 00:40:06,320 --> 00:40:09,960 Speaker 1: and sound mixing by Juan Campos. Recorded at Studio Awesome 459 00:40:10,000 --> 00:40:13,520 Speaker 1: in Los Angeles, sound Bite Studio in Atlanta, and Echo 460 00:40:13,600 --> 00:40:17,840 Speaker 1: Mountain in Asheville. Casting by Sunday Bowling, Kennedy and Meg Mormon. 461 00:40:18,080 --> 00:40:21,920 Speaker 1: Our dialect coach is Linda Basseesti, Assistant director Michael Monty, 462 00:40:22,480 --> 00:40:27,080 Speaker 1: second assistant director, script supervisor and production coordinator Sarah Klein. 463 00:40:27,800 --> 00:40:31,880 Speaker 1: Supervising producer Josh Thine. Special thanks to Mary Ellen and 464 00:40:32,000 --> 00:40:36,439 Speaker 1: Jason Davis, Jonathan Deeter, and Joe Rickman. The Manoel Caves 465 00:40:36,520 --> 00:40:41,000 Speaker 1: is a production of iHeartRadio, Plumhouse Television, and Psycopia Pictures. 466 00:41:08,200 --> 00:41:18,040 Speaker 1: The Side of the Side