WEBVTT - Happy Valentine's Day (S2 E16, “My Desperate Valentine”)

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<v Speaker 1>It's with Jenny Garth and Tori Spelling. See you, guys,

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<v Speaker 1>welcome to another episode of nine O two one O

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<v Speaker 1>m G. It is j T and S and baby

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<v Speaker 1>girl who's almost here. Heyyyyy hey, everybody. Do you think

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<v Speaker 1>she knows our voices at this point? So I was

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<v Speaker 1>wondering that because she I can only hear you guys

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<v Speaker 1>through my headphones, so does the baby fear through headphones.

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<v Speaker 1>She's like, there's that lovely Jenny and there's that annoying one. Oh,

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<v Speaker 1>Tori got her voice. It's just right, she'll be here soon.

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<v Speaker 1>Hanging in there. It's crazy. You don't even look pregnant.

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<v Speaker 1>You want to stand up if you can. It's crazy.

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<v Speaker 1>It's so big. It's like a watermelon. I saw in

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<v Speaker 1>your instagram that your husband cooked for you. Yeah it

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<v Speaker 1>was that was recent, right, Yeah he made um. He

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<v Speaker 1>made like a chicken linguini with asparagus, with asparagus and lemon. Yeah,

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<v Speaker 1>it looked real good. It was delicious. You mentioned before

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<v Speaker 1>him cooking. Does he cook a lot? He does, and

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<v Speaker 1>especially like I've kind of just given up on anything

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<v Speaker 1>around the house late life. Actually, just like the pregnant

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<v Speaker 1>wife on the couch, as you should be. Yeah, so

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<v Speaker 1>he's really stepped up, thankfully. He's great. When when somebody

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<v Speaker 1>cooks for you, isn't it like, I don't know, I

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<v Speaker 1>just love it when anybody cooks for me. I don't

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<v Speaker 1>care what you cook. I will eat it if you

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<v Speaker 1>cook it for me. It's good to know that's a lie.

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<v Speaker 1>What if I make you a steak right now, Well,

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<v Speaker 1>I won't eat that. You have to eat what I like.

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<v Speaker 1>What I like, but you have to cook what I like.

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<v Speaker 1>But yeah, it's true. It tastes better. It's made with love,

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<v Speaker 1>like general make snacks and bring to set and stuff.

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<v Speaker 1>And I'm just always so like anything she has. I'm

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<v Speaker 1>just like, oh, I love it because it's made with love.

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<v Speaker 1>You know, it's all healthy, and you're like, this is

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<v Speaker 1>good for me. She makes the best little chicken wings ever,

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<v Speaker 1>little drummets. It's true. Chicken wings. That's what that stories

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<v Speaker 1>takeaway of all the things you've made for her. No,

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<v Speaker 1>they're like healthy that I baked. But they're just like

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<v Speaker 1>really tasty. Okay, sorry, it's one of my faves. She

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<v Speaker 1>sucks those bones too, let me tell you I do.

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<v Speaker 1>I'm one of those clean boners. Nope, can't say that

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<v Speaker 1>I'm a clean boner. I like, I like to suck

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<v Speaker 1>a bone clean. Now I get in there, I eat

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<v Speaker 1>all the meat off, and then I even eat like

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<v Speaker 1>the grizzly like part on the ends, like crunch, crunch.

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<v Speaker 1>It's intense. You say you hate when I eat, but

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<v Speaker 1>when you eat, it's a whole another thing. I've never

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<v Speaker 1>been one of those people, the tendons. And no, I

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<v Speaker 1>eat like I leave so much chicken on the boat

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<v Speaker 1>and my husband tendons. I know that's that makes me

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<v Speaker 1>grossed out. No, my husband will eat the rest of

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<v Speaker 1>my chicken wings because I can never finish him. Well,

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<v Speaker 1>you're lucky that he's cooking for you. I'm just saying

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<v Speaker 1>that is nice. My husband he makes like one dish

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<v Speaker 1>because he never learned to cook when he was young.

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<v Speaker 1>His mother never taught him. And uh so when he

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<v Speaker 1>cooks for us, it's one dish. It's chicken parmesan, and

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<v Speaker 1>he makes it gluten free, and he does all his

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<v Speaker 1>his everything he can to make it something we would

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<v Speaker 1>want to eat, and he does a really good job.

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<v Speaker 1>So whenever he does that, I'm like, yes, that's sods,

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<v Speaker 1>super simple. That's that's it. That's a nice dish. Oh,

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<v Speaker 1>and he's great at making burgers. Oh, he's good at

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<v Speaker 1>the grill. He's great. It's a girl now. He wasn't

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<v Speaker 1>when we first met, but I was like, listen, the

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<v Speaker 1>girl is your area. You've got to handle that. So

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<v Speaker 1>do what you gotta do to learn how to grill something.

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<v Speaker 1>I'm not going to teach you. It's not my thing,

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<v Speaker 1>but you gotta grill. He grills, and um, he makes

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<v Speaker 1>great burgers. He makes the vegan burgers and they're really good.

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<v Speaker 1>The grill. I'm scared of the grill. Me too. I've

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<v Speaker 1>never been somebody that's like, I don't even think I

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<v Speaker 1>know how to turn it on. To be quite honest

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<v Speaker 1>with you, I don't either, And I don't want to learn.

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<v Speaker 1>Like it's the one thing like about cooking. I'm just

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<v Speaker 1>not interested in. It's the grill. Mm hmm. Yeah, you

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<v Speaker 1>get all hot and stinky, like you smell like cooked meat.

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<v Speaker 1>Who wants that? Definitely not you. Yeah, if there was

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<v Speaker 1>a cologne that was called cooked meat, you would probably

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<v Speaker 1>like it. Tori. Oh duh, wait, Jenny, are you like

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<v Speaker 1>you're so vegan that like if somebody cooked meat in

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<v Speaker 1>a pan you couldn't eat out of that same pan

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<v Speaker 1>or No, I mean I'm not that crazy. No, I

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<v Speaker 1>would probably wipe the pan out first before I could think, Yeah,

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<v Speaker 1>well that's just her O c D. Though that's that's

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<v Speaker 1>nothing to do with the meat drippings. I just like

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<v Speaker 1>to keep things cleaning. Yeah. I had a friend who

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<v Speaker 1>was dating a vegan and she was so intense that,

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<v Speaker 1>like they had to have separate pots and pans for

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<v Speaker 1>all of their meals, and like she didn't want basically

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<v Speaker 1>anything meat touching her plates, her pants. It was like

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<v Speaker 1>so intense. Yeah, that's a lot. I'm not. I'm not

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<v Speaker 1>crazy like that. I'm just, you know, I to each

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<v Speaker 1>his own. I'm like, you know, I'm not that crazy

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<v Speaker 1>about it, but I'm not vegan. I'm I don't know

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<v Speaker 1>what I am. Yeah, you need to find a word.

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<v Speaker 1>We need to find a word for you. I only eat.

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<v Speaker 1>I don't like to eat fish now either, because I

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<v Speaker 1>saw that damn movie about the ocean. Yeah, and I

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<v Speaker 1>can't eat the crabs off the table now, crab, I

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<v Speaker 1>can't eat crab claws, the leg Well, whose tails am

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<v Speaker 1>I going to eat? Now? Wait? Oh man, okay, so

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<v Speaker 1>do you still eat chicken like you eat chicken once

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<v Speaker 1>in a while. I will eat chicken once in a while.

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<v Speaker 1>And because I'm trying to, like you know, I want

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<v Speaker 1>my kids to eat healthy, so I don't want to

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<v Speaker 1>be so specific and like, you know, crazy about it.

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<v Speaker 1>So I cook chicken. I make chicken. But if you

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<v Speaker 1>start talking about it, sissony about the tendons, and I'm

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<v Speaker 1>not gonna be able to eat it now. So thanks,

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<v Speaker 1>thank you. The protein I eat is I'm done with it.

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<v Speaker 1>Oh man, I've actually lost my taste for meat. What yes, really,

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<v Speaker 1>I haven't eaten steak and oh my gosh, it's been

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<v Speaker 1>a couple of months. I just don't feel like eating. Stay.

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<v Speaker 1>I've been eating more fish and plant based products. I know.

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<v Speaker 1>Headed over to your team. You say that's good for you.

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<v Speaker 1>Let's see, it is good for you and it's a

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<v Speaker 1>plant based it is good for you, and it's good

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<v Speaker 1>for the environment. Is that true? Though it is true,

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<v Speaker 1>I think it's not like the be all end all

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<v Speaker 1>for the environment. Okay, see, I don't know anything, so

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<v Speaker 1>I have no reason to speak on this. But I

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<v Speaker 1>just heard from someone that plant based products the way

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<v Speaker 1>they're made are not good for the environments, and that's

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<v Speaker 1>like a new another issue. Now people are like did

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<v Speaker 1>they say what I see? I don't know anything. See,

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<v Speaker 1>I can't even like I'm not informed on it. I

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<v Speaker 1>just heard it and I was like, now, now this

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<v Speaker 1>isn't good for our environment. What's happening? So I think

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<v Speaker 1>it's probably the water consumption. Like they say, if you're

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<v Speaker 1>drinking almond milk, it takes a lot of water to

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<v Speaker 1>make almonds grow the almond. That's interesting. Yeah, And it's real,

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<v Speaker 1>real hard for the people who make the almond milk

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<v Speaker 1>because they have to like squeeze a little little boobies

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<v Speaker 1>on the ovens. Sorry I can, but you know how

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<v Speaker 1>cow when you get the milk out, you have to

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<v Speaker 1>squeeze the Yeah what about oak? They have to squeeze

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<v Speaker 1>little oats too, That's real. That's extremely I've made almond

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<v Speaker 1>milk once and I didn't. I was just kidding. You

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<v Speaker 1>don't have to squeeze the nipples. Was it was? It

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<v Speaker 1>a long process. You just have to grind it up

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<v Speaker 1>a lot and then squeeze it through a like um, yeah,

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<v Speaker 1>and squeezing and squeeze and squeeze, and then you know,

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<v Speaker 1>not a lot of liquid comes out. It's more the

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<v Speaker 1>pulpy stuff. Are you guys super fascinated by our conversation today?

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<v Speaker 1>People are like, are going on? This is what I

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<v Speaker 1>was talking about. I've heard though, that you the problem

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<v Speaker 1>with the meat in the meat industry aside from you know,

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<v Speaker 1>the cows and their feelings. But oh no, I don't

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<v Speaker 1>want to go there listen to like I said, to

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<v Speaker 1>each his own. But I think that it's the off

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<v Speaker 1>gassing from all the manure produced from the cow really

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<v Speaker 1>contributing to These are the things I've heard contributing to

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<v Speaker 1>global warming. I thought we were just going to run

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<v Speaker 1>out of cows eventually. No, they can just make more.

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<v Speaker 1>They know how to make them basically. Or no, no, no,

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<v Speaker 1>it wasn't that we're going to run out of cows.

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<v Speaker 1>Is that we're going to run out of space on Earth?

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<v Speaker 1>To have the cows were just doomed. We're running out

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<v Speaker 1>of dirt, We're running out of the water. Global warming,

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<v Speaker 1>global warming? Where are we gonna go? What's gonna happen?

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<v Speaker 1>You guys ever think about it, It's not to be

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<v Speaker 1>negative or like doomsday. But no, that's why you go

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<v Speaker 1>back in life and you rewatch shows like you're you're

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<v Speaker 1>not doing shown to forget about what you're happening around. Yeah,

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<v Speaker 1>please distract me from the world around me, or be

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<v Speaker 1>a horror fanatic like me, because one day that is

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<v Speaker 1>going to pay off, because there's gonna be a zombie

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<v Speaker 1>apocalypse and I'm going to know how to survive, you guys,

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<v Speaker 1>because I've seen every movie. Bombies are going to come

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<v Speaker 1>a version I mean, not zombies, but there's gonna be

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<v Speaker 1>some version of some unvaxed person that's just gonna take

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<v Speaker 1>down the world. I don't know that's what we're all

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<v Speaker 1>going to turn into zombie or maybe that's going to

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<v Speaker 1>be honest. There, we're already here. The zombies are here.

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<v Speaker 1>Oh my god. We have to stop talking about this

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<v Speaker 1>and starting to sweat. Okay, did you guys watch Olympics? Yeah?

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<v Speaker 1>I did, odd enough, but yeah, I was like into

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<v Speaker 1>it this time. I know what did you enjoy the most?

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<v Speaker 1>Oh my god. I loved the synchronized swimming the most,

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<v Speaker 1>and of course a gymnastic and um the racing, the

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<v Speaker 1>track and field stuff so good because there's so many

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<v Speaker 1>just like awesome athletes competing. It's really fun to watch

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<v Speaker 1>that and uh oh, I saw the ribbon dancing, the

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<v Speaker 1>miss dancing where they dance around with the ribbon. Yeah, yeah,

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<v Speaker 1>I've seen that, but I mean I could do that.

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<v Speaker 1>I could do that, but I'm not I'm not like

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<v Speaker 1>Olympic level, but I could probably swing a ribbon around

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<v Speaker 1>while I dance around a little bit. For sure, you

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<v Speaker 1>could agree. What about the skateboarding? That was good? Skateboarding

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<v Speaker 1>was cool. That's cool. That got my kids to watch

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<v Speaker 1>a little bit the skateboarding that they would love that. Yeah,

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<v Speaker 1>we watched. We watched it a lot. We went out

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<v Speaker 1>of town this past week and um, when we were gone,

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<v Speaker 1>we're like, oh no, we have to get back to

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<v Speaker 1>the hotel room so we can watch the Olympics. Um.

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<v Speaker 1>Speaking of Olympics and sports, can you tell everyone what

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<v Speaker 1>you were doing this past week? She is on tour,

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<v Speaker 1>you guys. I was for a good cause. Yeah, I'm

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<v Speaker 1>on tour with a p g A now no, Um, yeah,

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<v Speaker 1>I was pretty much. Husband and I went to Memphis,

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<v Speaker 1>Tennessee to participate in the FedEx St. Jude's Celebrity Golf

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<v Speaker 1>Tournament and it was so fun. I met a lot

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<v Speaker 1>of really great people golf. She's a good golfer, and

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<v Speaker 1>she you only started less than a year ago, right

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<v Speaker 1>or a year ago? Yeah, less than a year ago,

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<v Speaker 1>about a year now. I guess it's my thing. Golf

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<v Speaker 1>is my thing now. Like I have a lot of things,

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<v Speaker 1>but like this, golfing is real fun because you get

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<v Speaker 1>to meet new people and then as sometimes I love

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<v Speaker 1>to go golfing by myself and just like clear my

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<v Speaker 1>head and be alone. And you know, when you're out

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<v Speaker 1>there golfing, all you think about is your shot, what

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<v Speaker 1>you're about to make. And it's like a four hour

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<v Speaker 1>process golfing, so you lot a lot of like you know,

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<v Speaker 1>time to be one with. It's easy. Everybody should learn it.

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<v Speaker 1>It's not easy. Tours tried it. Yeah, she's tried to

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<v Speaker 1>give me some tips which are helpful, but I it's hard.

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<v Speaker 1>It's not for everyone. And you were and you were

0:13:12.840 --> 0:13:18.760
<v Speaker 1>protecting yourself from the sun covered from head. That's what

0:13:18.800 --> 0:13:21.320
<v Speaker 1>I was looking at. That problem with that, that's the

0:13:21.400 --> 0:13:24.719
<v Speaker 1>problem with the with the golfing is the sun, Like

0:13:24.800 --> 0:13:27.400
<v Speaker 1>there's no shade out there unless you find a tree.

0:13:27.640 --> 0:13:29.480
<v Speaker 1>And if you find a tree, you probably not don't

0:13:29.520 --> 0:13:32.800
<v Speaker 1>have a good shot. So um, yeah, I look a

0:13:32.840 --> 0:13:36.360
<v Speaker 1>little ridiculous. Someone referred to me recently as Mrs Habersham

0:13:36.559 --> 0:13:41.120
<v Speaker 1>or something like that, the old day from the Caddyshack movie. Okay,

0:13:41.200 --> 0:13:46.880
<v Speaker 1>Mrs Aversham is from great Expectations, Mrs Havisham like lived

0:13:46.880 --> 0:13:49.120
<v Speaker 1>in like this half a mansion. It's a little bit

0:13:49.160 --> 0:13:52.240
<v Speaker 1>of gray gardens, which we love gray gardens, so it's

0:13:52.320 --> 0:13:55.400
<v Speaker 1>right in line with what you like. Yeah, well, I

0:13:55.440 --> 0:13:58.000
<v Speaker 1>don't want to get sun. I mean I literally because

0:13:58.000 --> 0:13:59.760
<v Speaker 1>for the golf tournament, I thought, Okay, I don't want

0:13:59.760 --> 0:14:01.520
<v Speaker 1>to look like a weirdo and have my entire body

0:14:01.520 --> 0:14:03.520
<v Speaker 1>covered from head to toe like I normally do, so

0:14:03.600 --> 0:14:05.920
<v Speaker 1>I let my arms be out and my legs be out,

0:14:05.960 --> 0:14:08.360
<v Speaker 1>and the whole time I was obsessing about like I

0:14:08.360 --> 0:14:10.080
<v Speaker 1>got a new spot. What's that spot? I see it?

0:14:10.160 --> 0:14:13.240
<v Speaker 1>I see a spot because I don't I don't want

0:14:13.240 --> 0:14:18.240
<v Speaker 1>to get I have had um in the past, problems

0:14:18.240 --> 0:14:21.320
<v Speaker 1>with skin cancer and you know early signs of you know,

0:14:21.320 --> 0:14:23.800
<v Speaker 1>when they find a moll that's and they take it

0:14:23.840 --> 0:14:27.280
<v Speaker 1>and they biopsy it all that jazz. So I'm really

0:14:27.640 --> 0:14:31.880
<v Speaker 1>kind of predisposed to that. So I gotta protect myself.

0:14:31.920 --> 0:14:33.960
<v Speaker 1>Can you have somebody just follow you around with an

0:14:34.040 --> 0:14:38.440
<v Speaker 1>umbrella at all? Times shade, it's called a caddy. I

0:14:38.480 --> 0:14:42.000
<v Speaker 1>don't I'm not into that, but they do that. There's

0:14:42.040 --> 0:14:45.440
<v Speaker 1>actually all that like will shade professionals. Yeah, I mean

0:14:45.520 --> 0:14:48.320
<v Speaker 1>you're a caddy would do that. Also, you can put

0:14:48.360 --> 0:14:51.800
<v Speaker 1>an umbrella on your golf cart now, but I don't know.

0:14:51.960 --> 0:14:55.280
<v Speaker 1>It seems a little massive. I'd rather wear my leggings

0:14:55.280 --> 0:15:00.600
<v Speaker 1>in my arm and my gi enormous hat. Oh my gosh.

0:15:01.200 --> 0:15:04.120
<v Speaker 1>Remember on nine o two and oh, like a p

0:15:04.320 --> 0:15:06.520
<v Speaker 1>A or someone would come up with an umbrella to

0:15:06.560 --> 0:15:09.280
<v Speaker 1>try to shield us from the sun. I used to.

0:15:09.280 --> 0:15:11.680
<v Speaker 1>It used to make me so embarrassed, I feel like,

0:15:12.200 --> 0:15:14.360
<v Speaker 1>because it would typically be while we were out in

0:15:14.440 --> 0:15:16.600
<v Speaker 1>public and they would just be like following you, and

0:15:16.600 --> 0:15:18.480
<v Speaker 1>I'd be like, I'm okay, I'm okay because you know

0:15:18.480 --> 0:15:21.320
<v Speaker 1>people are watching that like, oh, she demands it, that's

0:15:21.320 --> 0:15:26.240
<v Speaker 1>what they want. They've requested their umbrella. Yeah. I love

0:15:26.280 --> 0:15:29.360
<v Speaker 1>an umbrella too. Is it weird to have an umbrella

0:15:29.440 --> 0:15:31.480
<v Speaker 1>to block the sun from you? Though? Is that? Am

0:15:31.520 --> 0:15:34.080
<v Speaker 1>I taking it too far? If I just like when

0:15:34.120 --> 0:15:37.560
<v Speaker 1>I'm when I go to the grocery store, that's a parasol,

0:15:37.920 --> 0:15:43.200
<v Speaker 1>not chic, that's a parasult and I feel like in Asia,

0:15:43.480 --> 0:15:46.440
<v Speaker 1>like the women, they have beautiful skin always and they

0:15:46.480 --> 0:15:50.840
<v Speaker 1>always have their paracels paras als. Sorry, it's a lot

0:15:50.840 --> 0:15:52.920
<v Speaker 1>of sun. Nobody wants that much sun. I mean, sun

0:15:53.040 --> 0:15:57.240
<v Speaker 1>is good to a certain degree, but it's also very harmful.

0:15:57.480 --> 0:16:01.160
<v Speaker 1>You've got to protect your skin, people, really, so we've

0:16:01.240 --> 0:16:04.240
<v Speaker 1>learned about how to protect your environment, plant base, how

0:16:04.240 --> 0:16:10.120
<v Speaker 1>to avoid the zombie apocalypse, and how to your skin. See,

0:16:10.440 --> 0:16:13.720
<v Speaker 1>we are sending major messages to people. Yeah, we are

0:16:13.760 --> 0:16:20.000
<v Speaker 1>providing a service. You're welcome. Now we should talk about

0:16:20.320 --> 0:16:25.080
<v Speaker 1>teenage love desperation. Let's do my gosh, you guys this

0:16:25.160 --> 0:16:30.800
<v Speaker 1>episode This episode, Season two, Episodes sixteen, My Desperate Valentine,

0:16:30.840 --> 0:16:37.320
<v Speaker 1>aired November one. Synopsis. Emily refuses to accept the fact

0:16:37.360 --> 0:16:40.160
<v Speaker 1>that Brandon no longer wants to see her. The rest

0:16:40.240 --> 0:16:41.960
<v Speaker 1>of the group tries to figure out who was sending

0:16:42.040 --> 0:16:46.680
<v Speaker 1>menacing letters and slashing tires around Beverly Hills. Directed by

0:16:46.760 --> 0:16:51.080
<v Speaker 1>Jeff Melman, Written by Darren Starr, Steve Wasserman, Michael Swordlick,

0:16:51.680 --> 0:16:57.760
<v Speaker 1>and Jessica Klein Michael Swordlick. It's a lot for people

0:16:57.800 --> 0:17:00.520
<v Speaker 1>how to write this episode, Geez, Louise must have been

0:17:01.000 --> 0:17:05.080
<v Speaker 1>crowded in that room. But we should take a break

0:17:05.119 --> 0:17:19.160
<v Speaker 1>and come back with our little recap for this episode.

0:17:19.960 --> 0:17:23.480
<v Speaker 1>This episode again was called My Desperate Valentine, and there's

0:17:23.480 --> 0:17:31.000
<v Speaker 1>a good reason, because Emily is desperado for Brandon Man. Yeah,

0:17:31.080 --> 0:17:33.560
<v Speaker 1>but by this point I actually wanted her to take

0:17:33.600 --> 0:17:37.399
<v Speaker 1>it down a notch. What do you mean, Well, I

0:17:37.480 --> 0:17:41.960
<v Speaker 1>just felt like, I don't know, I just wanted her

0:17:42.080 --> 0:17:44.600
<v Speaker 1>to don't go away, Matt, just go away, like go

0:17:44.680 --> 0:17:46.840
<v Speaker 1>away for a little bit and like let the boy

0:17:46.920 --> 0:17:50.120
<v Speaker 1>pine for you, and maybe like she was just like

0:17:51.720 --> 0:17:55.679
<v Speaker 1>she was too desperate. She couldn't play She couldn't, but

0:17:55.760 --> 0:17:58.359
<v Speaker 1>she's played it cool, so like she had us all convinced.

0:17:58.840 --> 0:18:00.919
<v Speaker 1>We were convinced she was the scuirrel and that she

0:18:01.080 --> 0:18:04.399
<v Speaker 1>was sane. Um, So if she could do that, how

0:18:04.440 --> 0:18:06.840
<v Speaker 1>come she couldn't turn it back on and convince him?

0:18:06.920 --> 0:18:08.960
<v Speaker 1>Or is she just starting to lose it? I think

0:18:09.000 --> 0:18:11.480
<v Speaker 1>she's I think she's losing it. She needs a little

0:18:11.800 --> 0:18:18.639
<v Speaker 1>psychiatric help, possibly some medication. I don't know. But yeah,

0:18:18.680 --> 0:18:24.320
<v Speaker 1>Brandon was like it was like fatal attraction big time,

0:18:24.800 --> 0:18:30.000
<v Speaker 1>minus the bunny thing. Goodness. He moves his locker to

0:18:30.320 --> 0:18:36.000
<v Speaker 1>avoid being around her, which is interesting, which is not

0:18:36.080 --> 0:18:41.280
<v Speaker 1>a thing, by the way, Like it wasn't that. Did

0:18:41.280 --> 0:18:45.400
<v Speaker 1>you try? I guess I didn't try. But like otherwise,

0:18:45.400 --> 0:18:49.119
<v Speaker 1>people broke up all the time. Yeah, that's part of school.

0:18:49.119 --> 0:18:51.000
<v Speaker 1>You have to be in the locker next door to

0:18:51.080 --> 0:18:55.040
<v Speaker 1>your friend or your enemy whatever. You're stuck with that

0:18:55.160 --> 0:18:58.520
<v Speaker 1>locker pal for the whole year. But I guess Brandon

0:18:58.560 --> 0:19:00.560
<v Speaker 1>got some special treatment. He got to of his locker.

0:19:03.520 --> 0:19:09.280
<v Speaker 1>While Emily is doing having this these this like mad

0:19:09.359 --> 0:19:14.560
<v Speaker 1>crush gone bad on Brandon. Uh, Brenda and Dylan are

0:19:14.600 --> 0:19:18.400
<v Speaker 1>making out in the backyard and then she says basically

0:19:18.400 --> 0:19:21.800
<v Speaker 1>what I think no girl would ever say, let's stop kissing.

0:19:22.840 --> 0:19:25.520
<v Speaker 1>Let's don't do this anymore, Like if you were making

0:19:25.520 --> 0:19:27.880
<v Speaker 1>out with Dylan, I don't think you would say that.

0:19:28.520 --> 0:19:34.480
<v Speaker 1>No never, mm hmmm no. But they want to get cultured.

0:19:34.760 --> 0:19:41.439
<v Speaker 1>They want to, yeah, do something. So what go to

0:19:41.480 --> 0:19:48.840
<v Speaker 1>the go to the go to watch orchestral quartet, violent concert, violinist,

0:19:49.560 --> 0:19:57.679
<v Speaker 1>but to called a Baganini Paganini violini, Paganini, Paganini, Paganini.

0:19:58.960 --> 0:20:03.360
<v Speaker 1>Am I saying it right? Or is Paganini okay? Whatever? Whatever?

0:20:04.000 --> 0:20:08.560
<v Speaker 1>Something bougie that like teens don't do teens do not do.

0:20:09.040 --> 0:20:14.200
<v Speaker 1>Couldn't they made him do something cooler but like a

0:20:14.240 --> 0:20:20.760
<v Speaker 1>normal concert anything at the time? Yeah, oh nice, cool, nice,

0:20:21.160 --> 0:20:23.000
<v Speaker 1>That would be fun. But they probably end up making

0:20:23.040 --> 0:20:24.600
<v Speaker 1>out there too, So I don't know what the point

0:20:24.600 --> 0:20:29.040
<v Speaker 1>of this whole thing was. M Dylan's just back at

0:20:29.080 --> 0:20:31.840
<v Speaker 1>her full force. Like, I really wasn't even aware that

0:20:32.280 --> 0:20:35.960
<v Speaker 1>Brenda and Dylan were like back together so much until

0:20:36.000 --> 0:20:38.159
<v Speaker 1>I saw them making out. Like this episode has just

0:20:38.200 --> 0:20:42.760
<v Speaker 1>sort of jumped right back into them being together. Agreed, Yeah,

0:20:42.960 --> 0:20:45.679
<v Speaker 1>they had to kick that b storyline into full force.

0:20:46.480 --> 0:20:50.280
<v Speaker 1>Mm hmm. And Brandon he's just two day nice is it?

0:20:50.520 --> 0:20:53.320
<v Speaker 1>Is he nice? Or is he still flirting with Emily

0:20:53.520 --> 0:20:58.320
<v Speaker 1>and sending her mixed signals? There was no nice. I

0:20:58.359 --> 0:21:00.560
<v Speaker 1>don't know. There was a few times he looks at

0:21:00.560 --> 0:21:03.680
<v Speaker 1>it with those blue eyes and his and well he

0:21:03.720 --> 0:21:05.800
<v Speaker 1>has beautiful blue eyes, and when you're talking to someone

0:21:05.840 --> 0:21:08.440
<v Speaker 1>you have to look at them. Yeah, but the little

0:21:08.440 --> 0:21:14.639
<v Speaker 1>smirk like and the smirk combo sends the wrong message,

0:21:14.680 --> 0:21:17.320
<v Speaker 1>I think. I mean, if I was Emily, if I

0:21:17.359 --> 0:21:19.720
<v Speaker 1>was crazy in love with Brandon, I would be like

0:21:20.000 --> 0:21:23.359
<v Speaker 1>ready to, you know, get back with him. That's like

0:21:23.400 --> 0:21:25.480
<v Speaker 1>looking at Brad Pitt. He could look at you stern

0:21:25.600 --> 0:21:27.479
<v Speaker 1>and as mean as possible, and you'd still be like,

0:21:27.800 --> 0:21:32.840
<v Speaker 1>always hot, you don't really hate me, right, and he

0:21:32.920 --> 0:21:35.640
<v Speaker 1>can't help but his little eyebrows go together and he's

0:21:35.640 --> 0:21:37.800
<v Speaker 1>just I tell you one thing though, when there's a

0:21:37.840 --> 0:21:41.560
<v Speaker 1>scene with Brandon and Steve talking to each other, and

0:21:41.600 --> 0:21:46.439
<v Speaker 1>all I can think about is, wow, does Iron still

0:21:46.480 --> 0:21:51.760
<v Speaker 1>look exactly the same? He does not age that man

0:21:51.840 --> 0:21:56.399
<v Speaker 1>does an age. M hm. It is weird this point,

0:21:56.440 --> 0:21:58.280
<v Speaker 1>It's just weird. Why do you think I want to

0:21:58.320 --> 0:22:00.720
<v Speaker 1>join his beauty business? I'm like, whatever are using, I'll

0:22:00.720 --> 0:22:05.440
<v Speaker 1>have one of those like yeah, he just yeah, exactly.

0:22:05.960 --> 0:22:09.199
<v Speaker 1>He just he has such a good skin and if

0:22:09.200 --> 0:22:10.879
<v Speaker 1>you see it in person, like I don't think he

0:22:10.920 --> 0:22:14.359
<v Speaker 1>even has wrinkles. It's not fair. Maybe he's been using

0:22:14.400 --> 0:22:22.680
<v Speaker 1>some block his entire life. Probably he's hurt. That's one thing. Okay, Okay,

0:22:22.680 --> 0:22:26.840
<v Speaker 1>So you know how like I'm harp on the boom? Yeah,

0:22:26.960 --> 0:22:31.920
<v Speaker 1>would in the episode? Well, this episode was a little disappointing.

0:22:32.119 --> 0:22:35.760
<v Speaker 1>I have to say. There was only one boom noticeably.

0:22:38.160 --> 0:22:40.520
<v Speaker 1>I honestly watch it for the boom now like I'm

0:22:40.640 --> 0:22:42.879
<v Speaker 1>I'm my eyes are watching the top of the screen,

0:22:42.920 --> 0:22:45.720
<v Speaker 1>and I'm like, wait, well, listen to what they're saying. Wait,

0:22:45.760 --> 0:22:47.960
<v Speaker 1>what scene on what scene was it in? I never

0:22:48.000 --> 0:22:50.520
<v Speaker 1>see it usually, you guys. Usually it's in the Walsh

0:22:50.600 --> 0:22:55.560
<v Speaker 1>kitchen or it was a tight space to fillment. In

0:22:55.600 --> 0:22:59.240
<v Speaker 1>all fairness, m hmm, brobo didn't have a lot a

0:22:59.240 --> 0:23:01.280
<v Speaker 1>lot of room for his long stick with the fuzzy

0:23:01.320 --> 0:23:03.720
<v Speaker 1>thing on the end of it. You had to dip

0:23:03.760 --> 0:23:07.320
<v Speaker 1>it down. But so aside from the boom being an

0:23:07.359 --> 0:23:11.760
<v Speaker 1>issue for me, another issue is continuity. Hair continuity. So

0:23:12.720 --> 0:23:15.000
<v Speaker 1>when I the people, I don't know if people understand

0:23:15.040 --> 0:23:16.480
<v Speaker 1>what I'm saying. Okay, that there was a scene with

0:23:16.640 --> 0:23:20.920
<v Speaker 1>Brenda and Brandon in the bedroom and they were having

0:23:21.040 --> 0:23:26.120
<v Speaker 1>nice little twinsy talk and um, okay. So when when

0:23:26.119 --> 0:23:29.360
<v Speaker 1>they're on like Shannon or Brenda, when she's talking, her

0:23:29.400 --> 0:23:32.280
<v Speaker 1>hair was like this right like in front of her,

0:23:33.359 --> 0:23:35.640
<v Speaker 1>and then when they cut to the over the shoulder

0:23:35.760 --> 0:23:37.199
<v Speaker 1>of her at the same you know, it's in the

0:23:37.200 --> 0:23:40.000
<v Speaker 1>same exact conversation, her hair is like that in the

0:23:40.040 --> 0:23:42.560
<v Speaker 1>back right behind her shoulder. Is this the scene where

0:23:42.560 --> 0:23:48.040
<v Speaker 1>she's in the white pajama season is denim suit? Maybe? Maybe?

0:23:48.480 --> 0:23:52.000
<v Speaker 1>But any it just happened in that scene for this

0:23:52.080 --> 0:23:55.200
<v Speaker 1>episode for me, but it really ignited a flame inside

0:23:55.240 --> 0:23:57.520
<v Speaker 1>of me. Of now I have to watch for the

0:23:57.560 --> 0:24:01.120
<v Speaker 1>miscontinuity of the hair because that my good number one thing.

0:24:01.119 --> 0:24:02.960
<v Speaker 1>When I watch any movie or show or whatever, I

0:24:03.000 --> 0:24:06.520
<v Speaker 1>always see that because it's it's hard. It's a pain

0:24:06.560 --> 0:24:09.320
<v Speaker 1>in the ask to get your continuity always the same

0:24:09.920 --> 0:24:13.919
<v Speaker 1>because the camera is, you know, in the front of you,

0:24:14.000 --> 0:24:16.439
<v Speaker 1>and then it's behind you, and you have to match

0:24:16.520 --> 0:24:20.239
<v Speaker 1>your action, match everything you're doing. If you're eating, you

0:24:20.240 --> 0:24:22.439
<v Speaker 1>have to eat at the same exact time on the

0:24:22.480 --> 0:24:25.240
<v Speaker 1>same exact line. So when they cut around to another shot,

0:24:25.320 --> 0:24:28.280
<v Speaker 1>it's it sinks up. You know, it's a big deal,

0:24:28.880 --> 0:24:32.000
<v Speaker 1>and there's a person dedicated to that, the script supervisor.

0:24:32.040 --> 0:24:33.680
<v Speaker 1>I mean, they do a lot of other stuff too,

0:24:33.760 --> 0:24:36.240
<v Speaker 1>but one of their things is literally to watch a

0:24:36.320 --> 0:24:38.520
<v Speaker 1>master which is the big scene before they go in

0:24:38.560 --> 0:24:42.080
<v Speaker 1>for close ups, and to take notes, like so if

0:24:42.119 --> 0:24:43.679
<v Speaker 1>she flipped her hair at one point, they have to

0:24:43.680 --> 0:24:46.120
<v Speaker 1>write exactly after what line she did it, so when

0:24:46.160 --> 0:24:47.679
<v Speaker 1>they do her close up, she has to match that.

0:24:47.920 --> 0:24:50.960
<v Speaker 1>In all fairness though we don't know, but I can

0:24:51.000 --> 0:24:54.680
<v Speaker 1>picture scripty That's what we always call them. Saying to Shannon,

0:24:55.600 --> 0:25:01.160
<v Speaker 1>this is where you need to put and she was like, okay,

0:25:00.640 --> 0:25:03.320
<v Speaker 1>there has been time I can see that happening. There's

0:25:03.359 --> 0:25:05.560
<v Speaker 1>been times for me, even when I'm like, no, I

0:25:05.640 --> 0:25:08.760
<v Speaker 1>definitely took a bite on when I said hello, Like

0:25:09.000 --> 0:25:10.960
<v Speaker 1>you know, I know when I took a bite Okay,

0:25:10.960 --> 0:25:13.200
<v Speaker 1>it was taking the bye. I know. Like I'll get

0:25:13.200 --> 0:25:15.960
<v Speaker 1>into an argument with script supervisor and they're like, okay,

0:25:16.080 --> 0:25:17.520
<v Speaker 1>just do it however you want to do it. It

0:25:17.560 --> 0:25:19.439
<v Speaker 1>doesn't match, but okay, and then they'll walk away mad

0:25:19.480 --> 0:25:23.000
<v Speaker 1>at you. They do they say exactly that, they try

0:25:23.040 --> 0:25:25.320
<v Speaker 1>their best and they're like, yeah, my hands are clean,

0:25:27.440 --> 0:25:30.000
<v Speaker 1>you want to do it. That's a huge responsibility too,

0:25:30.280 --> 0:25:34.160
<v Speaker 1>because script supervisor does so many other things like times

0:25:34.240 --> 0:25:37.600
<v Speaker 1>each scene and like they notice I don't know, I

0:25:37.600 --> 0:25:39.160
<v Speaker 1>don't know what else they have to do, but they

0:25:39.200 --> 0:25:41.040
<v Speaker 1>write a lot of things down in the script, so

0:25:41.080 --> 0:25:43.480
<v Speaker 1>there must be doing a lot. They're sitting right next

0:25:43.520 --> 0:25:47.480
<v Speaker 1>to the director right video village we call it, and

0:25:47.480 --> 0:25:50.640
<v Speaker 1>the monitors they have to look at everything like it's

0:25:50.760 --> 0:25:54.800
<v Speaker 1>it's a crazy job, remember on BH and Okay, So

0:25:55.080 --> 0:25:59.119
<v Speaker 1>Brian likes to improvise, which means come come up with

0:25:59.160 --> 0:26:04.320
<v Speaker 1>his own words burbage for the scene, but every single

0:26:04.359 --> 0:26:07.320
<v Speaker 1>scene he would just add different things so you couldn't

0:26:07.359 --> 0:26:08.960
<v Speaker 1>match it. I always felt so bad. I was like,

0:26:09.000 --> 0:26:11.280
<v Speaker 1>oh my god, his scripting must be like going, what

0:26:11.320 --> 0:26:13.720
<v Speaker 1>do I do? Because every take he would just like

0:26:13.760 --> 0:26:16.159
<v Speaker 1>say something different, even if it was like already matched

0:26:16.200 --> 0:26:18.879
<v Speaker 1>to the good on him. He likes to, you know,

0:26:18.960 --> 0:26:23.439
<v Speaker 1>do that. I don't remember him doing that as David Silver. No,

0:26:23.640 --> 0:26:27.480
<v Speaker 1>he took liberty and ran with it. But it was

0:26:27.520 --> 0:26:29.440
<v Speaker 1>great because we wanted it to be like off the

0:26:29.480 --> 0:26:32.480
<v Speaker 1>cuff like that we did, and he's funny in his voice.

0:26:33.600 --> 0:26:36.960
<v Speaker 1>You said, you said video village. That's where the director

0:26:37.000 --> 0:26:39.680
<v Speaker 1>sits like behind the monitor with his headphones on, and

0:26:40.040 --> 0:26:42.760
<v Speaker 1>script supervisor sits back there and the producers sit back there.

0:26:43.400 --> 0:26:45.720
<v Speaker 1>I never called it video village. I always called it

0:26:45.760 --> 0:26:54.040
<v Speaker 1>idiot village. What do you call it? Idiot village? It

0:26:54.119 --> 0:26:56.240
<v Speaker 1>was used to be, like I remember calling it a

0:26:56.359 --> 0:27:01.480
<v Speaker 1>video village. I would call it idiot village. Were you

0:27:01.520 --> 0:27:09.119
<v Speaker 1>just being a rebellious team? Was being clever? Yeah? Because

0:27:09.119 --> 0:27:12.520
<v Speaker 1>we sit behind this like you know, black wall of

0:27:13.400 --> 0:27:15.439
<v Speaker 1>I don't know, cloth or whatever it is, and then

0:27:15.480 --> 0:27:17.480
<v Speaker 1>all their chairs to sit up there and they're watching

0:27:17.480 --> 0:27:20.560
<v Speaker 1>all the monitors and calling all the shots, and I

0:27:20.560 --> 0:27:23.320
<v Speaker 1>don't know, it's very it's very stressful to think of

0:27:23.359 --> 0:27:26.640
<v Speaker 1>them sitting back there just sort of talking about how

0:27:26.720 --> 0:27:28.879
<v Speaker 1>you are acting or how you're looking, you know what

0:27:28.920 --> 0:27:32.919
<v Speaker 1>I mean. It gets to you. I much prefer to

0:27:32.960 --> 0:27:35.480
<v Speaker 1>sit in idiot village and be one of those people

0:27:35.880 --> 0:27:40.040
<v Speaker 1>then be on the camera. Yeah, we like that, m h.

0:27:40.920 --> 0:27:43.560
<v Speaker 1>And that's why we now create our own Yeah, and

0:27:43.600 --> 0:27:46.080
<v Speaker 1>we we watch our continuity and keep the damn boom

0:27:46.080 --> 0:27:49.840
<v Speaker 1>out of the shot. There was a lot of phone calling.

0:27:50.080 --> 0:27:53.800
<v Speaker 1>There's a lot of phone stuff happening in this episode

0:27:53.800 --> 0:27:58.399
<v Speaker 1>because Emily kept calling and calling, calling and message. Yeah.

0:27:58.440 --> 0:28:01.920
<v Speaker 1>The giant wall phone, remember of those with a super long,

0:28:02.400 --> 0:28:05.199
<v Speaker 1>like squiggly cord so you could reach the kitchen if

0:28:05.240 --> 0:28:09.480
<v Speaker 1>you needed to walk around. I loved it. Yeah, you

0:28:09.640 --> 0:28:12.480
<v Speaker 1>twirl it. She's I like how you're miming that. That's good.

0:28:12.960 --> 0:28:18.240
<v Speaker 1>But they had an answering machine too. Yeah. Do do

0:28:18.280 --> 0:28:21.440
<v Speaker 1>you guys remember those? Oh? Yeah, you just stressed me

0:28:21.480 --> 0:28:25.960
<v Speaker 1>out so much leaving my message. You're like, yeah, I

0:28:26.000 --> 0:28:28.120
<v Speaker 1>can't get to the phone leave a message after the beat.

0:28:31.480 --> 0:28:37.120
<v Speaker 1>It wasn't that good back then? You've gotten better. Oh

0:28:37.200 --> 0:28:42.520
<v Speaker 1>my gosh. We filmed a lot outside of the Walsh

0:28:42.560 --> 0:28:46.000
<v Speaker 1>House in this episode, I think more so than other episodes,

0:28:47.320 --> 0:28:50.200
<v Speaker 1>so you know where the gang is all building the

0:28:50.240 --> 0:28:57.440
<v Speaker 1>float and everything float away doesn't look so good building

0:28:57.520 --> 0:29:01.400
<v Speaker 1>the float. It was fun. I remember shooting those scenes,

0:29:01.440 --> 0:29:03.840
<v Speaker 1>and we all had a lot of fun because while

0:29:03.880 --> 0:29:07.040
<v Speaker 1>they're doing like the dialogue part up front with Brandon

0:29:07.040 --> 0:29:09.520
<v Speaker 1>and Emily, were all in the back like pretending to

0:29:09.560 --> 0:29:12.840
<v Speaker 1>build a float. Basically none of us knew how to

0:29:12.880 --> 0:29:15.840
<v Speaker 1>do anything obviously, and well the guys probably did, but

0:29:15.880 --> 0:29:19.000
<v Speaker 1>the girls, we would just be messing around and flicking

0:29:19.040 --> 0:29:21.600
<v Speaker 1>paint at each other, and I'm sure Props was like,

0:29:21.600 --> 0:29:24.000
<v Speaker 1>oh god, I have to give them paint. This is

0:29:24.040 --> 0:29:28.680
<v Speaker 1>gonna be a because we couldn't be serious. We had

0:29:28.720 --> 0:29:30.800
<v Speaker 1>to you know, mess around. But that was the fun

0:29:30.800 --> 0:29:33.240
<v Speaker 1>of it. I thought, I want to get to like

0:29:33.840 --> 0:29:38.200
<v Speaker 1>makeup in hair and wardrobe. You want to you want

0:29:38.200 --> 0:29:41.560
<v Speaker 1>to talk about Emily's Yeah, I feel like she had

0:29:41.560 --> 0:29:46.120
<v Speaker 1>a very her makeup. Hair, makeup and hair specifically went

0:29:46.200 --> 0:29:50.960
<v Speaker 1>on an arc in this episode. Continuity was really good there.

0:29:51.480 --> 0:29:53.880
<v Speaker 1>I feel like she became more and more disheveled. She

0:29:53.960 --> 0:29:57.040
<v Speaker 1>had like bags under eyes until she's been crying. It

0:29:57.120 --> 0:29:59.000
<v Speaker 1>was very I don't even know how you can't do

0:29:59.040 --> 0:30:04.080
<v Speaker 1>that with makeup, so good on Christine, but I feel

0:30:04.080 --> 0:30:07.160
<v Speaker 1>like you saw her coming undone literally through the episode.

0:30:08.160 --> 0:30:10.800
<v Speaker 1>She does she she does come undone. She pulls out

0:30:10.840 --> 0:30:14.360
<v Speaker 1>all the stops, she you know, calls him a million times,

0:30:14.360 --> 0:30:18.200
<v Speaker 1>gives them gifts the typewriter, gives the gift to Andrea,

0:30:18.440 --> 0:30:21.520
<v Speaker 1>gives the cake to them on their doorsteps. She pulls

0:30:21.560 --> 0:30:24.320
<v Speaker 1>the oh, it was my first time with you, Brandon.

0:30:24.960 --> 0:30:27.160
<v Speaker 1>Now I feel like a horror wor slut or whatever.

0:30:27.200 --> 0:30:30.320
<v Speaker 1>She said. She she did everything she could think of

0:30:30.440 --> 0:30:34.320
<v Speaker 1>to get Brandon back. And Andrea, what is she doing?

0:30:34.400 --> 0:30:39.040
<v Speaker 1>She invites Emily Valentine to the to the inauguration of

0:30:39.080 --> 0:30:44.280
<v Speaker 1>the float thing like Andrea hates Emily Valentine. And then

0:30:44.320 --> 0:30:47.120
<v Speaker 1>all of a sudden, she's right. She was always jealous,

0:30:47.120 --> 0:30:49.440
<v Speaker 1>So why does she feel bad for her? I think

0:30:50.880 --> 0:30:56.120
<v Speaker 1>it's just a story point. No, not even buy it now,

0:30:56.880 --> 0:31:00.680
<v Speaker 1>did you notice? Wardrobe wise? I feel like Emily's like

0:31:01.080 --> 0:31:04.959
<v Speaker 1>bad and dark, and then like the Walshes are the

0:31:05.080 --> 0:31:09.719
<v Speaker 1>light and bright. And there were two instances where Cindy

0:31:09.760 --> 0:31:14.320
<v Speaker 1>Walsh had a long silky white robe on and then

0:31:14.320 --> 0:31:18.120
<v Speaker 1>at the end Brenda had silky white jamas on. Do

0:31:18.160 --> 0:31:20.400
<v Speaker 1>you think that was on purpose, like to show like

0:31:20.440 --> 0:31:24.480
<v Speaker 1>they're the angels, she's the devil? Now overthinking it? Maybe

0:31:24.520 --> 0:31:27.360
<v Speaker 1>I think you might be overthinking it, because yeah, I

0:31:27.440 --> 0:31:31.479
<v Speaker 1>just remember that I'm just throwing anything on us at

0:31:31.480 --> 0:31:34.720
<v Speaker 1>the point, at some point whatever fits where that Well.

0:31:34.720 --> 0:31:37.240
<v Speaker 1>Sis will always point out things like, so this is

0:31:37.320 --> 0:31:40.880
<v Speaker 1>why this happened, and here's and we're like, oh, okay,

0:31:40.920 --> 0:31:43.320
<v Speaker 1>now we get it. So I was like, oh, maybe

0:31:43.360 --> 0:31:45.720
<v Speaker 1>I found one of those little like I was taken

0:31:45.720 --> 0:31:51.000
<v Speaker 1>aback by Emily silk pajamas when she spends the night. Well,

0:31:51.000 --> 0:31:53.960
<v Speaker 1>they were Brenda's. Then I realized, yeah, then I realized

0:31:53.960 --> 0:31:57.480
<v Speaker 1>they're probably Brenda's because she didn't have anything she had

0:31:57.520 --> 0:32:04.960
<v Speaker 1>on the twin jersey. You do that wrong. Back to

0:32:05.000 --> 0:32:07.120
<v Speaker 1>the phone thing for one second. Why is it that

0:32:07.160 --> 0:32:12.080
<v Speaker 1>whenever you're on TV where you see somebody calling someone

0:32:12.240 --> 0:32:15.600
<v Speaker 1>on TV, the numbers always five five five something something

0:32:15.640 --> 0:32:19.880
<v Speaker 1>something something Right, there's always five five because those numbers

0:32:19.880 --> 0:32:23.520
<v Speaker 1>an't that not so because they think like, oh, if

0:32:23.560 --> 0:32:26.440
<v Speaker 1>if the people see them dialing the real number, then

0:32:26.480 --> 0:32:31.680
<v Speaker 1>they'll dial it to mm hmm. Yeah they can't, right,

0:32:32.040 --> 0:32:35.200
<v Speaker 1>is that what we were always told It would really

0:32:35.200 --> 0:32:37.840
<v Speaker 1>suck if that was actually your phone number and getting

0:32:37.880 --> 0:32:40.120
<v Speaker 1>tons and tons of calls. But that was like so

0:32:40.160 --> 0:32:42.280
<v Speaker 1>long ago. I feel like they don't do that anymore.

0:32:42.680 --> 0:32:45.200
<v Speaker 1>So do five five five numbers now exists and they

0:32:45.240 --> 0:32:48.240
<v Speaker 1>can't do that? Maybe you would think that they would

0:32:48.320 --> 0:32:50.800
<v Speaker 1>run out of like sequences and five five five would

0:32:50.800 --> 0:32:54.360
<v Speaker 1>be a thing. Now, Yeah, I wonder food for thought.

0:32:55.000 --> 0:32:57.360
<v Speaker 1>But I was saying about the scenes with the float,

0:32:57.440 --> 0:33:00.600
<v Speaker 1>you know in the backyard. Yeah, we we filmed a

0:33:00.640 --> 0:33:03.240
<v Speaker 1>lot in that backyard and it was actually at the

0:33:03.280 --> 0:33:07.200
<v Speaker 1>house in Altadena. Um, that was the Walsh House. And

0:33:07.240 --> 0:33:10.840
<v Speaker 1>then there's a scene in the in later in the

0:33:10.880 --> 0:33:13.160
<v Speaker 1>middle of the show where where they get the cake

0:33:13.400 --> 0:33:17.120
<v Speaker 1>and the Minnesota Twins shirt gift thing from Emily and

0:33:17.120 --> 0:33:19.560
<v Speaker 1>they're standing on the front doorstep of the Walsh House.

0:33:20.200 --> 0:33:23.640
<v Speaker 1>And that was on our sound stage. So I just

0:33:23.720 --> 0:33:26.560
<v Speaker 1>always thought people might not know that maybe you know,

0:33:26.680 --> 0:33:29.840
<v Speaker 1>because it's confusing to even me. But they did such

0:33:29.880 --> 0:33:33.320
<v Speaker 1>a great job lighting it because it looked like it

0:33:33.360 --> 0:33:36.400
<v Speaker 1>was really outside a real front front of a house,

0:33:36.480 --> 0:33:40.560
<v Speaker 1>you know, but it wasn't yees. So that house was

0:33:40.600 --> 0:33:45.640
<v Speaker 1>not owned by the show. People actually lived in it.

0:33:46.040 --> 0:33:49.520
<v Speaker 1>An older gentleman was always around living. He lived there,

0:33:50.760 --> 0:33:53.960
<v Speaker 1>so that was all his furniture, all his stuff. No, No,

0:33:54.360 --> 0:33:56.440
<v Speaker 1>we never filmed inside the house, right did we ever?

0:33:57.280 --> 0:34:00.640
<v Speaker 1>Even in the beginning. Okay, it's a very getting there.

0:34:01.000 --> 0:34:04.400
<v Speaker 1>We couldn't even use the bathroom inside. So the inside

0:34:04.560 --> 0:34:08.840
<v Speaker 1>is all a studio. All the inside on scenes of

0:34:09.320 --> 0:34:13.879
<v Speaker 1>are the wallsh house are inside our stages and van

0:34:14.040 --> 0:34:19.920
<v Speaker 1>eyes even that front porch scene with Brandon and Brenda

0:34:20.200 --> 0:34:23.960
<v Speaker 1>was inside. Was it really two stories like on the stage. No,

0:34:24.120 --> 0:34:26.120
<v Speaker 1>there was no two stories on the stage. We had,

0:34:26.280 --> 0:34:29.280
<v Speaker 1>you know, the foyer. Had that staircase went up to nothing,

0:34:30.000 --> 0:34:33.080
<v Speaker 1>you would have to go off and die if you

0:34:33.200 --> 0:34:39.000
<v Speaker 1>actually literally if you step, they put like a board up,

0:34:39.000 --> 0:34:40.719
<v Speaker 1>but you can still fall if you really wanted to.

0:34:41.160 --> 0:34:45.800
<v Speaker 1>It was dangerous. Hears a lot even that always happens.

0:34:45.800 --> 0:34:47.640
<v Speaker 1>And then they really don't give you that much room

0:34:47.680 --> 0:34:50.680
<v Speaker 1>at the top of a fake stairway to like and

0:34:51.600 --> 0:34:56.800
<v Speaker 1>it's just really you have to like be very nimble, nimble. Yeah,

0:34:56.840 --> 0:34:59.200
<v Speaker 1>that makes so much more sense now, man, they really

0:34:59.200 --> 0:35:01.359
<v Speaker 1>bugged that family it lived there because they shoot a

0:35:01.400 --> 0:35:04.160
<v Speaker 1>lot there and they go through all these years. Remember

0:35:04.160 --> 0:35:06.440
<v Speaker 1>how tiny that kitchen was, like the actual kitchen in

0:35:06.480 --> 0:35:09.960
<v Speaker 1>that house. It was like you saw the kitchen if

0:35:10.000 --> 0:35:12.760
<v Speaker 1>I remember correctly, Like if you came in through the backyard,

0:35:12.760 --> 0:35:15.200
<v Speaker 1>which they usually didn't let us, but I feel like

0:35:15.560 --> 0:35:19.360
<v Speaker 1>when we spoiler alert filmed the wedding in the backyard,

0:35:19.480 --> 0:35:26.480
<v Speaker 1>which was we were bridesmaids in P's wedding, Yes, they

0:35:26.560 --> 0:35:28.640
<v Speaker 1>let us come through because they had to carry foods

0:35:28.680 --> 0:35:29.960
<v Speaker 1>from so they did let us come through it. I

0:35:29.960 --> 0:35:32.120
<v Speaker 1>think one time they let us be in there and

0:35:32.200 --> 0:35:33.760
<v Speaker 1>you came through and there was like a little kitchen.

0:35:33.760 --> 0:35:35.880
<v Speaker 1>It was literally just a little counter and it was

0:35:35.920 --> 0:35:37.840
<v Speaker 1>like this big and they go through. It was a

0:35:37.960 --> 0:35:41.319
<v Speaker 1>very tiny house. I think there might have been cats.

0:35:41.400 --> 0:35:46.359
<v Speaker 1>Very spacious on stage. Thank god that kitchens where all

0:35:46.400 --> 0:35:49.160
<v Speaker 1>the action took place. If they had it to do over,

0:35:49.280 --> 0:35:52.319
<v Speaker 1>would they still go to Altadena because the inside our

0:35:52.440 --> 0:35:54.320
<v Speaker 1>our stages were in Vanui, so it was it was

0:35:54.360 --> 0:35:59.359
<v Speaker 1>a big track high school and Torrance houses in Altadena

0:35:59.719 --> 0:36:04.000
<v Speaker 1>stay things are like in they're like forty five minutes

0:36:04.040 --> 0:36:08.480
<v Speaker 1>to an hour away from each other. Yeah, yeah, why,

0:36:09.200 --> 0:36:10.839
<v Speaker 1>I don't know. It must have been a money thing.

0:36:11.000 --> 0:36:14.120
<v Speaker 1>I mean, there's always that, like there's like a radius

0:36:14.160 --> 0:36:17.279
<v Speaker 1>that when you're you know, producing a movie, you can

0:36:17.360 --> 0:36:20.360
<v Speaker 1>only work within the radius of a certain amount of

0:36:20.400 --> 0:36:23.080
<v Speaker 1>miles so you can film and if you go out

0:36:23.080 --> 0:36:25.480
<v Speaker 1>of the radius, you have to pay more money or

0:36:25.640 --> 0:36:27.799
<v Speaker 1>you have to pay the crew more money to get there.

0:36:27.920 --> 0:36:31.239
<v Speaker 1>There's like all these crazy union rules about it. I

0:36:31.280 --> 0:36:33.319
<v Speaker 1>have a neighbor who always rents out his house it's

0:36:33.360 --> 0:36:38.239
<v Speaker 1>like two houses down and for filming, for filming, and

0:36:38.600 --> 0:36:43.879
<v Speaker 1>they filmed the show Dave there, and it's just he's like, yeah,

0:36:43.920 --> 0:36:46.719
<v Speaker 1>you make good money. And we actually benefited once from

0:36:46.719 --> 0:36:48.880
<v Speaker 1>it because they wanted to put a generator on somebody's

0:36:48.960 --> 0:36:51.320
<v Speaker 1>driveway and so they paid us five hundred bucks a

0:36:51.360 --> 0:36:55.280
<v Speaker 1>day to put a generator on a driveway. And like, okay, nice. Yeah,

0:36:55.400 --> 0:36:57.359
<v Speaker 1>I've heard that it pays really good to write your

0:36:57.360 --> 0:36:59.680
<v Speaker 1>house out. Would I ever write my house out to

0:36:59.719 --> 0:37:05.000
<v Speaker 1>a film crew? Hell no, you would never. Never. We

0:37:05.120 --> 0:37:08.479
<v Speaker 1>see we've seen what happens when the owners aren't there,

0:37:10.040 --> 0:37:13.360
<v Speaker 1>Like they have to put down like this board stuff

0:37:13.360 --> 0:37:16.480
<v Speaker 1>on the like it's like cardboard or whatever on the

0:37:16.480 --> 0:37:19.800
<v Speaker 1>the walkways, like all ways everywhere. Everybody is going to

0:37:19.880 --> 0:37:22.239
<v Speaker 1>walk to protect the floors. And they do the same

0:37:22.280 --> 0:37:25.040
<v Speaker 1>thing on the walls, like they put this cardboard stuff

0:37:25.080 --> 0:37:28.360
<v Speaker 1>around all the walls. But the houses still get trashed,

0:37:28.960 --> 0:37:32.640
<v Speaker 1>I'm sure of it. And there's a million people using

0:37:32.680 --> 0:37:35.240
<v Speaker 1>your bathroom when you told them specifically no one should

0:37:35.280 --> 0:37:38.000
<v Speaker 1>use the bathroom. Oh yeah, remember there used to be

0:37:38.080 --> 0:37:40.279
<v Speaker 1>taped that said do not use and we would just

0:37:40.280 --> 0:37:43.400
<v Speaker 1>go where would you guys pee in the bathroom that

0:37:43.440 --> 0:37:50.160
<v Speaker 1>said don't use? Yeah, basically, come after us now thirty

0:37:50.239 --> 0:37:54.120
<v Speaker 1>years later, come get us. This is the behind the

0:37:54.160 --> 0:38:02.319
<v Speaker 1>scene stuff that don't apply to the actors, know. But

0:38:02.480 --> 0:38:05.000
<v Speaker 1>I remember going like many times that's happened to me

0:38:05.040 --> 0:38:07.680
<v Speaker 1>on set, like going to use the bathroom and a

0:38:07.760 --> 0:38:11.640
<v Speaker 1>seat like on the down low, and um, someone's already

0:38:11.640 --> 0:38:13.600
<v Speaker 1>in there and then they walk out and it's like,

0:38:13.800 --> 0:38:18.080
<v Speaker 1>you know, a grip or something, and it doesn't it's

0:38:18.120 --> 0:38:21.960
<v Speaker 1>not good to go to that bathrooms just because it's

0:38:22.000 --> 0:38:26.959
<v Speaker 1>sticking or something. Yeah, like why why would why would

0:38:26.960 --> 0:38:30.440
<v Speaker 1>you go in there and do your thing? Okay, they

0:38:30.440 --> 0:38:34.200
<v Speaker 1>did have They have like porta potties and trailers kind

0:38:34.200 --> 0:38:36.800
<v Speaker 1>of a thing where you like step on the pedal

0:38:36.880 --> 0:38:40.000
<v Speaker 1>and it floats the toilet have you accidentally pet on

0:38:40.000 --> 0:38:41.880
<v Speaker 1>a toilet? That was like fake, that was just like

0:38:41.960 --> 0:38:47.360
<v Speaker 1>first set realize it. Yeah, because like in the in

0:38:47.440 --> 0:38:50.120
<v Speaker 1>Brendon Brandon's bathroom, they think they had a blue toilet.

0:38:50.360 --> 0:38:56.320
<v Speaker 1>It wasn't real me someone did just for fun, just

0:38:56.880 --> 0:39:00.839
<v Speaker 1>just because they could. Sounds like a good idea to me.

0:39:02.239 --> 0:39:04.279
<v Speaker 1>The only other thing I was really curious about with this,

0:39:04.480 --> 0:39:06.480
<v Speaker 1>with this epide well, one of the only anthems was

0:39:06.520 --> 0:39:12.840
<v Speaker 1>why when Emily is vandalizing the float, why doesn't anyone

0:39:12.880 --> 0:39:17.680
<v Speaker 1>hear her right there inside the house Steve Andrea Brandon,

0:39:18.360 --> 0:39:21.440
<v Speaker 1>mom and dad, nobody hears her. Yeah, and she's tearing it,

0:39:21.600 --> 0:39:27.000
<v Speaker 1>tearing it apart. Maybe she was quiet, I guess so.

0:39:28.280 --> 0:39:31.839
<v Speaker 1>But I love the way they like like syncd up

0:39:31.840 --> 0:39:35.240
<v Speaker 1>her manic nous to the piano, I mean, to the violinist.

0:39:38.280 --> 0:39:44.480
<v Speaker 1>Really was building attention. It was. It was very fatal attraction.

0:39:44.520 --> 0:39:47.279
<v Speaker 1>I know they talked about fatal attraction reference it in

0:39:47.480 --> 0:39:52.160
<v Speaker 1>the show. But yeah, and then the nobody mentions how

0:39:52.239 --> 0:39:54.400
<v Speaker 1>she destroyed the flow, Like all that hard work you

0:39:54.400 --> 0:39:57.960
<v Speaker 1>guys put in it wasn't addressed. Right. Brenda was all

0:39:57.960 --> 0:40:00.239
<v Speaker 1>of a sudden her best friend to get her put

0:40:00.280 --> 0:40:03.000
<v Speaker 1>down a big lighter because she doesn't want to, you know,

0:40:03.120 --> 0:40:08.200
<v Speaker 1>blow the place up with her big lighter. I'm your friend,

0:40:08.840 --> 0:40:13.640
<v Speaker 1>everybody's your friend. What lies? Those are lies. When we

0:40:13.719 --> 0:40:16.680
<v Speaker 1>did b H nine O two and I we we

0:40:16.719 --> 0:40:18.840
<v Speaker 1>told our writers, we were like, okay, we have to

0:40:18.880 --> 0:40:20.879
<v Speaker 1>go back and reference the float that caught on fire.

0:40:20.880 --> 0:40:22.440
<v Speaker 1>But it never caught on fire, Like, I don't know

0:40:22.440 --> 0:40:25.920
<v Speaker 1>why for I mean, that would have been so much

0:40:26.000 --> 0:40:29.600
<v Speaker 1>murder if she had lit right on fire. The funny

0:40:29.600 --> 0:40:31.960
<v Speaker 1>part is like when we told Chris and Mike the story,

0:40:32.040 --> 0:40:34.080
<v Speaker 1>we actually remembered it and they went back and they're like,

0:40:34.920 --> 0:40:37.239
<v Speaker 1>there's no float on fire, and we're like, no, no, no,

0:40:37.320 --> 0:40:40.000
<v Speaker 1>it was flat on fire. It was flames. There were

0:40:40.040 --> 0:40:44.600
<v Speaker 1>big flames, and now we know we're really wrong about that.

0:40:44.640 --> 0:40:49.040
<v Speaker 1>I'm so mad that should have happened, right, Yeah, I

0:40:49.080 --> 0:40:53.960
<v Speaker 1>guess we should probably watched that episode back before referenced that. Yeah,

0:40:54.040 --> 0:40:56.400
<v Speaker 1>we were hardcore, like it, trusts us. It's like one

0:40:56.440 --> 0:40:59.840
<v Speaker 1>of the most memorable things on two out a float

0:40:59.880 --> 0:41:05.160
<v Speaker 1>up in flames. Nope, Nope, it didn't happen. I bet

0:41:05.160 --> 0:41:07.319
<v Speaker 1>it was in the script and it was like a

0:41:07.360 --> 0:41:13.040
<v Speaker 1>budget thing. Yeah, for sure, because fire costs a lot

0:41:13.040 --> 0:41:16.960
<v Speaker 1>of money. It does when you're making it show like ours,

0:41:17.000 --> 0:41:19.200
<v Speaker 1>because because you need like the fire department there. They

0:41:19.239 --> 0:41:21.920
<v Speaker 1>were saving that expense for a spoiler alert when you

0:41:21.960 --> 0:41:25.160
<v Speaker 1>get burned episodes, you know, seasons later, Oh we have

0:41:25.239 --> 0:41:28.640
<v Speaker 1>flames in that one. I hated that episode. It was

0:41:28.719 --> 0:41:34.360
<v Speaker 1>so scary. Man. Yeah, that's exciting, and we're in the bathroom.

0:41:34.400 --> 0:41:38.520
<v Speaker 1>But I think we should get to um the favorite

0:41:38.520 --> 0:41:42.719
<v Speaker 1>line and the wardrobe of it all. Maybe after the

0:41:42.760 --> 0:41:58.640
<v Speaker 1>break read My Monkey, we thought we were back, but

0:41:58.760 --> 0:42:02.080
<v Speaker 1>we weren't. But now we're back. But the combo led

0:42:02.120 --> 0:42:04.879
<v Speaker 1>to us being back. We're talking about Beatle Attraction, James

0:42:04.920 --> 0:42:08.239
<v Speaker 1>eck House being in it and who knew that? Who

0:42:08.360 --> 0:42:12.240
<v Speaker 1>knew that James eck House a k a. Mr Walsh

0:42:12.480 --> 0:42:17.400
<v Speaker 1>Jim Walsh was in that movie Heat Attraction. It's okay,

0:42:17.440 --> 0:42:19.440
<v Speaker 1>you just you just want to call him daddy. You

0:42:19.480 --> 0:42:21.560
<v Speaker 1>want to call him daddako for it. I want to

0:42:21.560 --> 0:42:24.400
<v Speaker 1>call him Harry Daddy. Yeah. Do you think on set

0:42:24.480 --> 0:42:26.359
<v Speaker 1>he was like, hey, guys, so I was in this movie?

0:42:26.440 --> 0:42:28.040
<v Speaker 1>Or is he just like, I'm not going to mention

0:42:28.080 --> 0:42:31.080
<v Speaker 1>it because it looks like I'm just likely never heard

0:42:31.160 --> 0:42:33.200
<v Speaker 1>him mentioned that he was in that in that movie.

0:42:33.200 --> 0:42:35.440
<v Speaker 1>But I've seen that movie and he stands out like

0:42:35.440 --> 0:42:38.520
<v Speaker 1>a sore of thumb and like, Jim, what are you doing?

0:42:39.719 --> 0:42:42.719
<v Speaker 1>Why are you there? Why? Why you get back to

0:42:42.800 --> 0:42:45.719
<v Speaker 1>Beverly Hills. He plays like a guy that he that

0:42:45.800 --> 0:42:51.120
<v Speaker 1>Michael Douglas works with in his office. To rewatch it now,

0:42:51.960 --> 0:42:55.040
<v Speaker 1>he was great in it. Did he have suspenders on

0:42:55.120 --> 0:42:58.480
<v Speaker 1>that and the movie? I think he might have had, like, yeah,

0:42:58.600 --> 0:43:01.200
<v Speaker 1>a suit and suspenders and probably he was big into

0:43:01.200 --> 0:43:03.839
<v Speaker 1>the suspenders. Man, you gotta have something to hold up

0:43:03.920 --> 0:43:09.239
<v Speaker 1>the pants. Yeah, maybe you know how like some guys have,

0:43:09.360 --> 0:43:11.640
<v Speaker 1>like I don't know if this was the case with

0:43:12.000 --> 0:43:15.799
<v Speaker 1>with Daddy, but there they have no butt and a

0:43:15.840 --> 0:43:21.160
<v Speaker 1>big belly. So how do your pants stay up? Because

0:43:21.200 --> 0:43:26.200
<v Speaker 1>then you put the belt around you're the belly or

0:43:26.280 --> 0:43:28.680
<v Speaker 1>the under the belly? Where do you put the pants

0:43:28.800 --> 0:43:32.560
<v Speaker 1>the waist? I think the pants fit below the belly,

0:43:32.719 --> 0:43:34.800
<v Speaker 1>so they're kind of right and low. But then you

0:43:34.880 --> 0:43:39.000
<v Speaker 1>got to put the belt. But then if you have suspenders,

0:43:39.000 --> 0:43:41.000
<v Speaker 1>you're just like Santa Claus. Then with a big belly

0:43:41.160 --> 0:43:44.120
<v Speaker 1>and suspenders, it might be it might be a kind

0:43:44.160 --> 0:43:45.840
<v Speaker 1>of a thing you have to have because you have

0:43:45.920 --> 0:43:50.480
<v Speaker 1>a certain body type maybe, except I think um, Gryan

0:43:50.600 --> 0:43:53.680
<v Speaker 1>Gosling war Suspenders in the notebook, and he definitely didn't

0:43:53.719 --> 0:43:56.000
<v Speaker 1>have a daddy body and he was hot and that

0:43:56.120 --> 0:44:00.840
<v Speaker 1>was just the thing. Yeah, that was the era Suspenders.

0:44:01.200 --> 0:44:04.000
<v Speaker 1>Did you speaking of suspenders, did you guys have a

0:44:04.080 --> 0:44:09.640
<v Speaker 1>favorite m outfit from this episode? Oh, before we get

0:44:09.640 --> 0:44:12.480
<v Speaker 1>to outfits, I gotta go to your hair. I really

0:44:12.560 --> 0:44:14.360
<v Speaker 1>and you know, I'm all about your banks, but I

0:44:14.400 --> 0:44:17.480
<v Speaker 1>really enjoyed your banks kind of back in that school.

0:44:17.520 --> 0:44:22.000
<v Speaker 1>So I had the off the off the face situation happening. Yeah,

0:44:22.160 --> 0:44:27.520
<v Speaker 1>I was trying to be more like Donna. It looked

0:44:27.640 --> 0:44:30.680
<v Speaker 1>really good and it gave me vibes for like excitement

0:44:30.719 --> 0:44:32.840
<v Speaker 1>for future episodes. When I knew your hair would be

0:44:32.880 --> 0:44:35.520
<v Speaker 1>kind of changing, and I don't know, I was into it.

0:44:35.520 --> 0:44:38.040
<v Speaker 1>I thought you look beautiful. I loved that. Sorry, Okay,

0:44:38.040 --> 0:44:40.839
<v Speaker 1>back to close. Thank you. I'm glad you liked it.

0:44:42.640 --> 0:44:46.880
<v Speaker 1>Favorite outfit Donna when she shows up to make the float,

0:44:47.640 --> 0:44:51.680
<v Speaker 1>I mean, yeah, that was mine too. To Carpenter look

0:44:51.480 --> 0:44:54.040
<v Speaker 1>and calls her out, She's like, Donna, what's on the outfit?

0:44:55.560 --> 0:44:59.640
<v Speaker 1>And she's hat overall shorts was supposed to be a carpenter.

0:45:00.080 --> 0:45:05.160
<v Speaker 1>It's so good carpenter um. The over the knee socks

0:45:05.160 --> 0:45:07.840
<v Speaker 1>from my favorite part of that outfit because it was

0:45:07.880 --> 0:45:10.600
<v Speaker 1>probably really hot out and I still had those on.

0:45:11.080 --> 0:45:14.920
<v Speaker 1>They were good. What about favorite line on nine O

0:45:15.040 --> 0:45:19.520
<v Speaker 1>two one, No, no, you didn't. I have one from

0:45:19.960 --> 0:45:23.080
<v Speaker 1>Dylan and it was when they show up and Emily

0:45:23.200 --> 0:45:27.319
<v Speaker 1>is about to burn the flow and he looked, Bran,

0:45:27.920 --> 0:45:31.480
<v Speaker 1>wait a minute, she is whacked? They whacked or whack?

0:45:32.360 --> 0:45:35.400
<v Speaker 1>I think he said whack whack because waxed would be

0:45:35.440 --> 0:45:38.720
<v Speaker 1>dead if you whacked somebody off, right, But if they're whacked,

0:45:38.760 --> 0:45:41.560
<v Speaker 1>they're crazy. Yeah. I think so I should bring that

0:45:41.600 --> 0:45:45.480
<v Speaker 1>word back. Whack. I'm gonna whack you. I don't think

0:45:45.480 --> 0:45:48.399
<v Speaker 1>it went anywhere. I think that we're just still. I think,

0:45:49.000 --> 0:45:52.840
<v Speaker 1>m M. I don't know, like, oh man, that was

0:45:52.920 --> 0:46:00.239
<v Speaker 1>whack as like your whack or that person's whack. I

0:46:00.239 --> 0:46:02.080
<v Speaker 1>guess it works. I think, yeah, you're right, we should

0:46:02.080 --> 0:46:07.359
<v Speaker 1>bring it back. It's a good word. I mean. One

0:46:07.360 --> 0:46:13.120
<v Speaker 1>of my favorite lines was from Steve Sanders when he says, Brandon,

0:46:13.160 --> 0:46:15.319
<v Speaker 1>you're the only family in Beverly Hills that actually has

0:46:15.360 --> 0:46:20.880
<v Speaker 1>tools in their toolship. I thought that was funny. And

0:46:20.920 --> 0:46:26.640
<v Speaker 1>then my other one was from Brandon. It's a good one.

0:46:27.400 --> 0:46:31.359
<v Speaker 1>Brandon says to Emily in bed, Emily to make love,

0:46:31.400 --> 0:46:35.040
<v Speaker 1>I have to be in love dagger, and I was like,

0:46:35.239 --> 0:46:41.840
<v Speaker 1>oh please, that gross me out. Well, yeah, he starts kissing,

0:46:42.000 --> 0:46:43.879
<v Speaker 1>like she gets into the bed with him and starts

0:46:43.960 --> 0:46:47.959
<v Speaker 1>kissing him so sleepy. He doesn't know that his face

0:46:48.000 --> 0:46:51.240
<v Speaker 1>is being sucked on. He doesn't he doesn't know Emily's

0:46:51.320 --> 0:46:53.319
<v Speaker 1>kissing him, and he starts to make out with her

0:46:53.360 --> 0:46:57.680
<v Speaker 1>and like says, oh, I can't do this. Yeah. I

0:46:57.719 --> 0:47:00.640
<v Speaker 1>think that's very I think that's a very typical teenage

0:47:00.680 --> 0:47:04.480
<v Speaker 1>boy reaction to stop go with it, no, to start

0:47:04.680 --> 0:47:07.239
<v Speaker 1>like do it, to start not realizing who the hell

0:47:07.280 --> 0:47:10.920
<v Speaker 1>it is, and then being like, oh, wait a minute.

0:47:11.280 --> 0:47:13.640
<v Speaker 1>He just thought it was one of his infamous dreams

0:47:13.640 --> 0:47:17.719
<v Speaker 1>with like women surrounding him on the beach. Yeah, exactly.

0:47:18.960 --> 0:47:24.120
<v Speaker 1>Yeah one, Brenda says, give me a break. I mean

0:47:24.200 --> 0:47:29.080
<v Speaker 1>she is bothered in the extreme. M M says that

0:47:29.080 --> 0:47:32.799
<v Speaker 1>about Emily. She has bothered in the extreme. Well, that

0:47:32.920 --> 0:47:36.880
<v Speaker 1>was one of our most famous episodes, though, you guys,

0:47:38.560 --> 0:47:41.000
<v Speaker 1>like everyone talks about it. I mean, I guess it

0:47:41.040 --> 0:47:42.960
<v Speaker 1>didn't blow up in flames. Everyone talks about the one

0:47:42.960 --> 0:47:45.839
<v Speaker 1>where Emily went crazy and like destroyed the float. That's

0:47:45.840 --> 0:47:51.840
<v Speaker 1>a big one fans. Yeah, you guys like the drama.

0:47:53.600 --> 0:47:56.160
<v Speaker 1>I dislike her so much more in this episode than

0:47:56.160 --> 0:47:57.839
<v Speaker 1>I did from the previous one, and I didn't think

0:47:57.880 --> 0:48:01.680
<v Speaker 1>that was possible. Well, lucky you. She never comes back, right?

0:48:02.200 --> 0:48:06.840
<v Speaker 1>Was this is this Emily Valentine's last episode? No? No,

0:48:08.280 --> 0:48:11.000
<v Speaker 1>well how does she come back? Oh my god? He

0:48:11.160 --> 0:48:17.120
<v Speaker 1>cheats on you with her later? What? Yes? You are

0:48:17.200 --> 0:48:19.200
<v Speaker 1>making this up right now just to make me bad.

0:48:20.719 --> 0:48:24.680
<v Speaker 1>In fact that it would make you mad. It's even funny. Hey,

0:48:24.680 --> 0:48:27.680
<v Speaker 1>it's okay. We live these characters, we own these characters. Listen,

0:48:29.680 --> 0:48:35.000
<v Speaker 1>there's something that happens in San Francisco. Jen, you gotta

0:48:35.040 --> 0:48:36.759
<v Speaker 1>sit down for this. I have something I need to

0:48:36.800 --> 0:48:42.239
<v Speaker 1>tell you. What Brandon cheats on you? Yeah, I know,

0:48:42.600 --> 0:48:45.280
<v Speaker 1>I know, I know, I know it's going to happen.

0:48:46.120 --> 0:48:48.360
<v Speaker 1>But we get through this. We get through it, and

0:48:48.360 --> 0:48:51.359
<v Speaker 1>you're okay with her. Why does he with with her?

0:48:51.400 --> 0:48:54.000
<v Speaker 1>Of all people? Was it a work trip? Those are

0:48:54.000 --> 0:48:56.520
<v Speaker 1>always us? I think she goes do insane asylum too.

0:48:56.600 --> 0:48:58.239
<v Speaker 1>Is this is not something that happens you guys? Am

0:48:58.239 --> 0:49:01.200
<v Speaker 1>I making all this up? Emily also comes back in

0:49:01.239 --> 0:49:04.239
<v Speaker 1>a Walsh Family Christmas episode. Oh good, we'll see your

0:49:04.320 --> 0:49:07.759
<v Speaker 1>next episode. So there you go. Mystery solved. So before that,

0:49:08.480 --> 0:49:11.719
<v Speaker 1>sorry you don't like her, she's coming back. Oh let's

0:49:11.719 --> 0:49:14.680
<v Speaker 1>go to an asylum. Okay, see you guys. They lock

0:49:14.719 --> 0:49:16.480
<v Speaker 1>her up in the looney bin for a while, she

0:49:16.520 --> 0:49:19.120
<v Speaker 1>gets better, and then she goes back to Beverly Hills.

0:49:19.280 --> 0:49:24.960
<v Speaker 1>Poor thing. She was just the looney It's a little unstable.

0:49:24.960 --> 0:49:28.760
<v Speaker 1>We're all a little unstable at times, but it's life.

0:49:28.880 --> 0:49:32.160
<v Speaker 1>She took it to the next level. On the next level.

0:49:32.760 --> 0:49:35.880
<v Speaker 1>Speaking of crazies, um, not that the people do have

0:49:35.960 --> 0:49:39.000
<v Speaker 1>been these questions questions are crazy. That was an amazing,

0:49:40.080 --> 0:49:44.800
<v Speaker 1>terrible no. But the question that Christie is asking is

0:49:44.880 --> 0:49:48.400
<v Speaker 1>kind of about if you've dated a crazy Really was

0:49:48.440 --> 0:49:51.480
<v Speaker 1>the question a little bit? Christie is asking did you

0:49:51.560 --> 0:49:55.240
<v Speaker 1>prefer dating people who did or did not watch the show?

0:49:56.080 --> 0:49:59.799
<v Speaker 1>Was it easier or more difficult to have your dates? No,

0:50:00.000 --> 0:50:05.560
<v Speaker 1>about your characters, that doesn't mean crazy. Uh, we're talking fans, like,

0:50:05.600 --> 0:50:08.360
<v Speaker 1>were they fans? If you dated somebody that was like,

0:50:09.200 --> 0:50:11.080
<v Speaker 1>and I've heard your so much like it would be

0:50:11.320 --> 0:50:16.520
<v Speaker 1>wouldn't be crazy if they make that face when they say, yes,

0:50:16.600 --> 0:50:20.440
<v Speaker 1>yeah remember that one episode, like remember remember that you

0:50:20.480 --> 0:50:23.640
<v Speaker 1>did that one and it's like, there's no way, I've

0:50:23.760 --> 0:50:27.000
<v Speaker 1>never seen you get that animated or excited about anything

0:50:27.080 --> 0:50:31.960
<v Speaker 1>since we start working together. That was like masng and

0:50:32.200 --> 0:50:41.800
<v Speaker 1>seen she's a thesipient. I definitely have either dated or

0:50:41.840 --> 0:50:45.200
<v Speaker 1>gone on dates with people that have watched the show,

0:50:45.280 --> 0:50:48.480
<v Speaker 1>and it's weird. It's because they look at you a

0:50:48.480 --> 0:50:53.640
<v Speaker 1>little differently for a lot of the time, and or

0:50:53.680 --> 0:50:55.239
<v Speaker 1>maybe I'm just sensitive to it, but I feel like

0:50:55.280 --> 0:50:58.200
<v Speaker 1>they're looking at me differently, but yeah, or or they

0:50:58.200 --> 0:51:02.080
<v Speaker 1>make reference to it. You're like, that's funny, let's talk

0:51:02.120 --> 0:51:06.399
<v Speaker 1>about nothing else. But yeah, no. Um, my husband never

0:51:07.000 --> 0:51:09.479
<v Speaker 1>says he never watched the show. He was too young,

0:51:12.480 --> 0:51:16.160
<v Speaker 1>but p s's like her biggest fan to like, now,

0:51:16.160 --> 0:51:19.000
<v Speaker 1>has he watched her rewatching it with you? Yeah, he

0:51:19.080 --> 0:51:21.320
<v Speaker 1>was gone today and when I watched it, his golfing,

0:51:21.480 --> 0:51:25.920
<v Speaker 1>so he watches and sometimes with you, m yeah, he

0:51:26.040 --> 0:51:29.240
<v Speaker 1>looks for sure. Have you ever I've never dated anyone

0:51:29.280 --> 0:51:33.200
<v Speaker 1>who was like an obsessive like fan, but I'm definitely

0:51:33.280 --> 0:51:35.040
<v Speaker 1>I'm sure this has happened to you too, Jen, like

0:51:35.560 --> 0:51:38.920
<v Speaker 1>gone to um, like, I've gone over to someone's house

0:51:38.960 --> 0:51:40.920
<v Speaker 1>for dinner and I thought it was like a dinner

0:51:40.920 --> 0:51:44.480
<v Speaker 1>party and they weren't like rabbit fans or something. And

0:51:44.520 --> 0:51:47.239
<v Speaker 1>they opened the door and they said and they're like, oh, hi,

0:51:47.360 --> 0:51:49.239
<v Speaker 1>good to see you, Donna. And I'm like, oh, I'm

0:51:49.239 --> 0:51:51.520
<v Speaker 1>so embarrassed for them shooting. I don't know what to say.

0:51:52.160 --> 0:51:54.120
<v Speaker 1>And then they'll start talking. They're like, oh my god,

0:51:54.160 --> 0:51:56.440
<v Speaker 1>I just called you, Donna. I'm so sorry, and it's like, oh,

0:51:56.480 --> 0:51:59.439
<v Speaker 1>don't worry, It's it's okay. Right. That happens a lot

0:51:59.520 --> 0:52:02.399
<v Speaker 1>like when you you think you're in this safe zone

0:52:02.440 --> 0:52:04.719
<v Speaker 1>and you're with friends and or maybe it's like a

0:52:04.760 --> 0:52:07.279
<v Speaker 1>new friend and you think that they're just talking to

0:52:07.320 --> 0:52:10.960
<v Speaker 1>you as you me Jenny Youtorie, and then they'll slip

0:52:11.000 --> 0:52:13.239
<v Speaker 1>and say, so, Kelly, what happened with And you're like,

0:52:13.239 --> 0:52:16.040
<v Speaker 1>whoa did she just call me Kelly? Am I imagining that?

0:52:17.040 --> 0:52:21.080
<v Speaker 1>But that's like innocent, yeah, totally. But but then it's like,

0:52:21.120 --> 0:52:22.960
<v Speaker 1>you didn't think that that person was a fan, or

0:52:23.000 --> 0:52:25.000
<v Speaker 1>you didn't we didn't think that person was into the show,

0:52:25.040 --> 0:52:28.400
<v Speaker 1>but I guess they were obvious they know the character

0:52:28.480 --> 0:52:32.640
<v Speaker 1>name well, but that happened of the country was into

0:52:32.680 --> 0:52:38.320
<v Speaker 1>the show, So there's a big chance only some people

0:52:38.360 --> 0:52:40.680
<v Speaker 1>look at like her husband did not watch the show,

0:52:40.800 --> 0:52:42.520
<v Speaker 1>so I'm putting him in the five percent. He was

0:52:42.560 --> 0:52:46.200
<v Speaker 1>still in a diaper with at What is the age

0:52:46.200 --> 0:52:50.319
<v Speaker 1>difference here? I don't know. It feels like a lot.

0:52:52.360 --> 0:52:55.120
<v Speaker 1>It's not He could have watched it. He says, his

0:52:55.200 --> 0:52:58.719
<v Speaker 1>sisters watched it. He's only nine years younger. Yeah, so

0:52:58.840 --> 0:53:02.319
<v Speaker 1>he's not getting saw it. He was more into UM

0:53:02.440 --> 0:53:04.920
<v Speaker 1>Saved by the Bell. What was the demo though? Was

0:53:04.920 --> 0:53:09.160
<v Speaker 1>it mainly females or was it male and females? I

0:53:09.239 --> 0:53:12.839
<v Speaker 1>watched it was a mix because we had they would

0:53:12.880 --> 0:53:14.879
<v Speaker 1>have the parties to watch the show, you know, like

0:53:15.239 --> 0:53:18.320
<v Speaker 1>how many would get together on Wednesday night? Was it

0:53:18.360 --> 0:53:21.359
<v Speaker 1>Wednesday Wednesday nights? Yeah, I feel like day night and

0:53:21.600 --> 0:53:23.840
<v Speaker 1>frat boys said they would like leave the barn go

0:53:23.920 --> 0:53:25.960
<v Speaker 1>home so they could have their frat parties and watch it.

0:53:26.960 --> 0:53:31.640
<v Speaker 1>Definitely guys in the we you know, we heard from

0:53:31.680 --> 0:53:36.920
<v Speaker 1>Doug Emerson that when he was in the Where Right Army, Navy,

0:53:36.920 --> 0:53:40.040
<v Speaker 1>Air Force, Air Force, he would get together with his

0:53:41.320 --> 0:53:43.440
<v Speaker 1>um pals and watch it in the wreck room or

0:53:43.440 --> 0:53:48.759
<v Speaker 1>whatever you said. Pals. Hm, I was searching for the

0:53:48.800 --> 0:53:53.200
<v Speaker 1>word too, said room. I know I was really going

0:53:53.239 --> 0:53:55.200
<v Speaker 1>with that one. You got any more questions for us?

0:53:55.239 --> 0:53:59.879
<v Speaker 1>Totem crazy? This is from Jenny. I guess you wrote

0:54:00.040 --> 0:54:03.719
<v Speaker 1>your own question, she I did. Does Jenny spell her

0:54:03.800 --> 0:54:07.400
<v Speaker 1>name with a Y or E E? I'm not gonna lie.

0:54:07.440 --> 0:54:10.239
<v Speaker 1>I don't think I've ever seen anyone spell their name

0:54:10.400 --> 0:54:13.160
<v Speaker 1>like you. So I've run into a few people and

0:54:13.360 --> 0:54:17.400
<v Speaker 1>really where Jenny with a Y is a whole another Jenny.

0:54:17.440 --> 0:54:19.600
<v Speaker 1>So you know, I'm gonna go out on a limb here.

0:54:19.600 --> 0:54:22.160
<v Speaker 1>I wonder how old she is because I feel like

0:54:22.960 --> 0:54:25.640
<v Speaker 1>a lot of women once they watched the show and

0:54:25.680 --> 0:54:29.839
<v Speaker 1>then had kids named Jenny with I E because they

0:54:30.040 --> 0:54:32.040
<v Speaker 1>loved you and watched you and thought that was a

0:54:32.040 --> 0:54:36.400
<v Speaker 1>great name. Ya think. I don't know. I didn't used

0:54:36.400 --> 0:54:38.600
<v Speaker 1>to know a lot of Tories, but now I'm seeing

0:54:38.680 --> 0:54:40.520
<v Speaker 1>a lot of Tories. And when I look, I mean

0:54:40.560 --> 0:54:44.160
<v Speaker 1>it could be after Tori Amos, but um, when I look, now,

0:54:44.560 --> 0:54:47.359
<v Speaker 1>they're like that generation that their mom probably watched because

0:54:47.360 --> 0:54:51.560
<v Speaker 1>they're young enough that their mom was our generation. Just

0:54:51.600 --> 0:54:55.520
<v Speaker 1>Sadden myself. We're old, okay, go on, Okay, So she's

0:54:55.560 --> 0:54:58.080
<v Speaker 1>asking while you were playing Donna and Kelly, did you

0:54:58.120 --> 0:55:01.000
<v Speaker 1>ever want to be the other's charac there or now

0:55:01.040 --> 0:55:02.840
<v Speaker 1>that the show is over, would you like to have

0:55:02.880 --> 0:55:06.920
<v Speaker 1>played each other's character? Would you have liked to be Kelly?

0:55:07.120 --> 0:55:12.319
<v Speaker 1>I could never have. It's so hard because it's so No.

0:55:13.280 --> 0:55:16.280
<v Speaker 1>I mean I auditioned for Kelly because there really wasn't

0:55:16.360 --> 0:55:20.480
<v Speaker 1>like a full Donna character, so they had the audition

0:55:20.560 --> 0:55:24.200
<v Speaker 1>for the role of Kelly. But no, I mean, in hindsight,

0:55:24.239 --> 0:55:26.839
<v Speaker 1>like no one could have played Kelly besides Jen but

0:55:27.320 --> 0:55:29.520
<v Speaker 1>and yeah, no one could have been Donna about you?

0:55:29.640 --> 0:55:33.319
<v Speaker 1>But that would be fun to see each of us

0:55:34.000 --> 0:55:36.440
<v Speaker 1>play the other one in a scene, just to see

0:55:36.520 --> 0:55:39.160
<v Speaker 1>and not trying to imitate like what that one did,

0:55:39.280 --> 0:55:42.799
<v Speaker 1>just like our own spin on it. That would be fun.

0:55:42.880 --> 0:55:45.239
<v Speaker 1>We should just do a big character swap someday and

0:55:45.239 --> 0:55:49.799
<v Speaker 1>get everybody together and it's which rules. Wait, what does

0:55:49.840 --> 0:55:53.480
<v Speaker 1>that call role reversal or like some fetish? I don't

0:55:53.480 --> 0:55:58.000
<v Speaker 1>know nine two one character fetish? That sounds dirty. Those

0:55:58.000 --> 0:56:02.000
<v Speaker 1>were some intense, crazy see questions. Come on you guys,

0:56:02.080 --> 0:56:05.560
<v Speaker 1>we know you've got some really juicy questions for us. Yeah,

0:56:05.640 --> 0:56:08.960
<v Speaker 1>bring him, bring him. We're so appreciative of you guys listening,

0:56:09.000 --> 0:56:12.680
<v Speaker 1>and we just really love you all. And uh, next

0:56:12.719 --> 0:56:18.000
<v Speaker 1>episode is episode seventeen, Chucky's Back. I wonder if it

0:56:18.040 --> 0:56:22.360
<v Speaker 1>means like Chucky the doll. Okay, so I'm not sure,

0:56:23.600 --> 0:56:27.040
<v Speaker 1>but I think elo was creative because of this episode.

0:56:28.120 --> 0:56:31.120
<v Speaker 1>I think, So, what's that. You'll have to wait, we'll

0:56:31.160 --> 0:56:38.480
<v Speaker 1>tell you that it's it's it's Iron's alter ego. And

0:56:38.560 --> 0:56:40.279
<v Speaker 1>we love to talk about this and we all talked

0:56:40.280 --> 0:56:42.080
<v Speaker 1>about it. We talked about right to his face and

0:56:42.040 --> 0:56:45.040
<v Speaker 1>embarrass him all the time about it. Yeah, but it

0:56:45.120 --> 0:56:47.160
<v Speaker 1>was a thing, and I think it was because of

0:56:47.239 --> 0:56:50.080
<v Speaker 1>Chucky's Back, which is an episode that was Chucky who

0:56:50.120 --> 0:56:53.880
<v Speaker 1>played his mother was on that show and it was

0:56:54.120 --> 0:56:57.719
<v Speaker 1>her son on that show. There's things that happened. Yeah,

0:56:59.560 --> 0:57:02.440
<v Speaker 1>side it. I'm excited to listen and watch to it.

0:57:02.560 --> 0:57:06.040
<v Speaker 1>Watch to it. I'm excited to watch it. Those are

0:57:06.040 --> 0:57:08.359
<v Speaker 1>your marching orders. Go watch Chuckies Back, and we'll see

0:57:08.400 --> 0:57:10.319
<v Speaker 1>you next week.