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Speaker 1: It's with Jenny Garth and Tori Spelling. See you, guys,

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Speaker 1: welcome to another episode of nine O two one O

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Speaker 1: m G. It is j T and S and baby

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Speaker 1: girl who's almost here. Heyyyyy hey, everybody. Do you think

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Speaker 1: she knows our voices at this point? So I was

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Speaker 1: wondering that because she I can only hear you guys

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Speaker 1: through my headphones, so does the baby fear through headphones.

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Speaker 1: She's like, there's that lovely Jenny and there's that annoying one. Oh,

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Speaker 1: Tori got her voice. It's just right, she'll be here soon.

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Speaker 1: Hanging in there. It's crazy. You don't even look pregnant.

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Speaker 1: You want to stand up if you can. It's crazy.

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Speaker 1: It's so big. It's like a watermelon. I saw in

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Speaker 1: your instagram that your husband cooked for you. Yeah it

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Speaker 1: was that was recent, right, Yeah he made um. He

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Speaker 1: made like a chicken linguini with asparagus, with asparagus and lemon. Yeah,

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Speaker 1: it looked real good. It was delicious. You mentioned before

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Speaker 1: him cooking. Does he cook a lot? He does, and

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Speaker 1: especially like I've kind of just given up on anything

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Speaker 1: around the house late life. Actually, just like the pregnant

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Speaker 1: wife on the couch, as you should be. Yeah, so

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Speaker 1: he's really stepped up, thankfully. He's great. When when somebody

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Speaker 1: cooks for you, isn't it like, I don't know, I

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Speaker 1: just love it when anybody cooks for me. I don't

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Speaker 1: care what you cook. I will eat it if you

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Speaker 1: cook it for me. It's good to know that's a lie.

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Speaker 1: What if I make you a steak right now, Well,

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Speaker 1: I won't eat that. You have to eat what I like.

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Speaker 1: What I like, but you have to cook what I like.

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Speaker 1: But yeah, it's true. It tastes better. It's made with love,

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Speaker 1: like general make snacks and bring to set and stuff.

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Speaker 1: And I'm just always so like anything she has. I'm

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Speaker 1: just like, oh, I love it because it's made with love.

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Speaker 1: You know, it's all healthy, and you're like, this is

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Speaker 1: good for me. She makes the best little chicken wings ever,

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Speaker 1: little drummets. It's true. Chicken wings. That's what that stories

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Speaker 1: takeaway of all the things you've made for her. No,

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Speaker 1: they're like healthy that I baked. But they're just like

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Speaker 1: really tasty. Okay, sorry, it's one of my faves. She

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Speaker 1: sucks those bones too, let me tell you I do.

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Speaker 1: I'm one of those clean boners. Nope, can't say that

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Speaker 1: I'm a clean boner. I like, I like to suck

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Speaker 1: a bone clean. Now I get in there, I eat

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Speaker 1: all the meat off, and then I even eat like

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Speaker 1: the grizzly like part on the ends, like crunch, crunch.

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Speaker 1: It's intense. You say you hate when I eat, but

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Speaker 1: when you eat, it's a whole another thing. I've never

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Speaker 1: been one of those people, the tendons. And no, I

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Speaker 1: eat like I leave so much chicken on the boat

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Speaker 1: and my husband tendons. I know that's that makes me

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Speaker 1: grossed out. No, my husband will eat the rest of

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Speaker 1: my chicken wings because I can never finish him. Well,

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Speaker 1: you're lucky that he's cooking for you. I'm just saying

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Speaker 1: that is nice. My husband he makes like one dish

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Speaker 1: because he never learned to cook when he was young.

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Speaker 1: His mother never taught him. And uh so when he

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Speaker 1: cooks for us, it's one dish. It's chicken parmesan, and

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Speaker 1: he makes it gluten free, and he does all his

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Speaker 1: his everything he can to make it something we would

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Speaker 1: want to eat, and he does a really good job.

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Speaker 1: So whenever he does that, I'm like, yes, that's sods,

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Speaker 1: super simple. That's that's it. That's a nice dish. Oh,

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Speaker 1: and he's great at making burgers. Oh, he's good at

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Speaker 1: the grill. He's great. It's a girl now. He wasn't

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Speaker 1: when we first met, but I was like, listen, the

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Speaker 1: girl is your area. You've got to handle that. So

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Speaker 1: do what you gotta do to learn how to grill something.

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Speaker 1: I'm not going to teach you. It's not my thing,

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Speaker 1: but you gotta grill. He grills, and um, he makes

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Speaker 1: great burgers. He makes the vegan burgers and they're really good.

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Speaker 1: The grill. I'm scared of the grill. Me too. I've

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Speaker 1: never been somebody that's like, I don't even think I

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Speaker 1: know how to turn it on. To be quite honest

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Speaker 1: with you, I don't either, And I don't want to learn.

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Speaker 1: Like it's the one thing like about cooking. I'm just

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Speaker 1: not interested in. It's the grill. Mm hmm. Yeah, you

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Speaker 1: get all hot and stinky, like you smell like cooked meat.

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Speaker 1: Who wants that? Definitely not you. Yeah, if there was

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Speaker 1: a cologne that was called cooked meat, you would probably

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Speaker 1: like it. Tori. Oh duh, wait, Jenny, are you like

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Speaker 1: you're so vegan that like if somebody cooked meat in

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Speaker 1: a pan you couldn't eat out of that same pan

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Speaker 1: or No, I mean I'm not that crazy. No, I

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Speaker 1: would probably wipe the pan out first before I could think, Yeah,

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Speaker 1: well that's just her O c D. Though that's that's

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Speaker 1: nothing to do with the meat drippings. I just like

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Speaker 1: to keep things cleaning. Yeah. I had a friend who

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Speaker 1: was dating a vegan and she was so intense that,

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Speaker 1: like they had to have separate pots and pans for

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Speaker 1: all of their meals, and like she didn't want basically

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Speaker 1: anything meat touching her plates, her pants. It was like

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Speaker 1: so intense. Yeah, that's a lot. I'm not. I'm not

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Speaker 1: crazy like that. I'm just, you know, I to each

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Speaker 1: his own. I'm like, you know, I'm not that crazy

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Speaker 1: about it, but I'm not vegan. I'm I don't know

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Speaker 1: what I am. Yeah, you need to find a word.

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Speaker 1: We need to find a word for you. I only eat.

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Speaker 1: I don't like to eat fish now either, because I

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Speaker 1: saw that damn movie about the ocean. Yeah, and I

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Speaker 1: can't eat the crabs off the table now, crab, I

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Speaker 1: can't eat crab claws, the leg Well, whose tails am

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Speaker 1: I going to eat? Now? Wait? Oh man, okay, so

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Speaker 1: do you still eat chicken like you eat chicken once

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Speaker 1: in a while. I will eat chicken once in a while.

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Speaker 1: And because I'm trying to, like you know, I want

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Speaker 1: my kids to eat healthy, so I don't want to

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Speaker 1: be so specific and like, you know, crazy about it.

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Speaker 1: So I cook chicken. I make chicken. But if you

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Speaker 1: start talking about it, sissony about the tendons, and I'm

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Speaker 1: not gonna be able to eat it now. So thanks,

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Speaker 1: thank you. The protein I eat is I'm done with it.

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Speaker 1: Oh man, I've actually lost my taste for meat. What yes, really,

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Speaker 1: I haven't eaten steak and oh my gosh, it's been

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Speaker 1: a couple of months. I just don't feel like eating. Stay.

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Speaker 1: I've been eating more fish and plant based products. I know.

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Speaker 1: Headed over to your team. You say that's good for you.

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Speaker 1: Let's see, it is good for you and it's a

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Speaker 1: plant based it is good for you, and it's good

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Speaker 1: for the environment. Is that true? Though it is true,

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Speaker 1: I think it's not like the be all end all

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Speaker 1: for the environment. Okay, see, I don't know anything, so

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Speaker 1: I have no reason to speak on this. But I

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Speaker 1: just heard from someone that plant based products the way

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Speaker 1: they're made are not good for the environments, and that's

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Speaker 1: like a new another issue. Now people are like did

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Speaker 1: they say what I see? I don't know anything. See,

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Speaker 1: I can't even like I'm not informed on it. I

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Speaker 1: just heard it and I was like, now, now this

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Speaker 1: isn't good for our environment. What's happening? So I think

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Speaker 1: it's probably the water consumption. Like they say, if you're

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Speaker 1: drinking almond milk, it takes a lot of water to

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Speaker 1: make almonds grow the almond. That's interesting. Yeah, And it's real,

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Speaker 1: real hard for the people who make the almond milk

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Speaker 1: because they have to like squeeze a little little boobies

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Speaker 1: on the ovens. Sorry I can, but you know how

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Speaker 1: cow when you get the milk out, you have to

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Speaker 1: squeeze the Yeah what about oak? They have to squeeze

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Speaker 1: little oats too, That's real. That's extremely I've made almond

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Speaker 1: milk once and I didn't. I was just kidding. You

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Speaker 1: don't have to squeeze the nipples. Was it was? It

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Speaker 1: a long process. You just have to grind it up

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Speaker 1: a lot and then squeeze it through a like um, yeah,

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Speaker 1: and squeezing and squeeze and squeeze, and then you know,

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Speaker 1: not a lot of liquid comes out. It's more the

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Speaker 1: pulpy stuff. Are you guys super fascinated by our conversation today?

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Speaker 1: People are like, are going on? This is what I

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Speaker 1: was talking about. I've heard though, that you the problem

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Speaker 1: with the meat in the meat industry aside from you know,

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Speaker 1: the cows and their feelings. But oh no, I don't

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Speaker 1: want to go there listen to like I said, to

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Speaker 1: each his own. But I think that it's the off

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Speaker 1: gassing from all the manure produced from the cow really

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Speaker 1: contributing to These are the things I've heard contributing to

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Speaker 1: global warming. I thought we were just going to run

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Speaker 1: out of cows eventually. No, they can just make more.

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Speaker 1: They know how to make them basically. Or no, no, no,

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Speaker 1: it wasn't that we're going to run out of cows.

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Speaker 1: Is that we're going to run out of space on Earth?

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Speaker 1: To have the cows were just doomed. We're running out

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Speaker 1: of dirt, We're running out of the water. Global warming,

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Speaker 1: global warming? Where are we gonna go? What's gonna happen?

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Speaker 1: You guys ever think about it, It's not to be

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Speaker 1: negative or like doomsday. But no, that's why you go

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Speaker 1: back in life and you rewatch shows like you're you're

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Speaker 1: not doing shown to forget about what you're happening around. Yeah,

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Speaker 1: please distract me from the world around me, or be

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Speaker 1: a horror fanatic like me, because one day that is

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Speaker 1: going to pay off, because there's gonna be a zombie

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Speaker 1: apocalypse and I'm going to know how to survive, you guys,

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Speaker 1: because I've seen every movie. Bombies are going to come

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Speaker 1: a version I mean, not zombies, but there's gonna be

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Speaker 1: some version of some unvaxed person that's just gonna take

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Speaker 1: down the world. I don't know that's what we're all

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Speaker 1: going to turn into zombie or maybe that's going to

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Speaker 1: be honest. There, we're already here. The zombies are here.

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Speaker 1: Oh my god. We have to stop talking about this

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Speaker 1: and starting to sweat. Okay, did you guys watch Olympics? Yeah?

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Speaker 1: I did, odd enough, but yeah, I was like into

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Speaker 1: it this time. I know what did you enjoy the most?

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Speaker 1: Oh my god. I loved the synchronized swimming the most,

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Speaker 1: and of course a gymnastic and um the racing, the

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Speaker 1: track and field stuff so good because there's so many

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Speaker 1: just like awesome athletes competing. It's really fun to watch

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Speaker 1: that and uh oh, I saw the ribbon dancing, the

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Speaker 1: miss dancing where they dance around with the ribbon. Yeah, yeah,

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Speaker 1: I've seen that, but I mean I could do that.

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Speaker 1: I could do that, but I'm not I'm not like

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Speaker 1: Olympic level, but I could probably swing a ribbon around

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Speaker 1: while I dance around a little bit. For sure, you

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Speaker 1: could agree. What about the skateboarding? That was good? Skateboarding

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Speaker 1: was cool. That's cool. That got my kids to watch

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Speaker 1: a little bit the skateboarding that they would love that. Yeah,

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Speaker 1: we watched. We watched it a lot. We went out

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Speaker 1: of town this past week and um, when we were gone,

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Speaker 1: we're like, oh no, we have to get back to

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Speaker 1: the hotel room so we can watch the Olympics. Um.

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Speaker 1: Speaking of Olympics and sports, can you tell everyone what

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Speaker 1: you were doing this past week? She is on tour,

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Speaker 1: you guys. I was for a good cause. Yeah, I'm

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Speaker 1: on tour with a p g A now no, Um, yeah,

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Speaker 1: I was pretty much. Husband and I went to Memphis,

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Speaker 1: Tennessee to participate in the FedEx St. Jude's Celebrity Golf

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Speaker 1: Tournament and it was so fun. I met a lot

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Speaker 1: of really great people golf. She's a good golfer, and

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Speaker 1: she you only started less than a year ago, right

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Speaker 1: or a year ago? Yeah, less than a year ago,

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Speaker 1: about a year now. I guess it's my thing. Golf

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Speaker 1: is my thing now. Like I have a lot of things,

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Speaker 1: but like this, golfing is real fun because you get

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Speaker 1: to meet new people and then as sometimes I love

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Speaker 1: to go golfing by myself and just like clear my

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Speaker 1: head and be alone. And you know, when you're out

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Speaker 1: there golfing, all you think about is your shot, what

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Speaker 1: you're about to make. And it's like a four hour

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Speaker 1: process golfing, so you lot a lot of like you know,

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Speaker 1: time to be one with. It's easy. Everybody should learn it.

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Speaker 1: It's not easy. Tours tried it. Yeah, she's tried to

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Speaker 1: give me some tips which are helpful, but I it's hard.

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Speaker 1: It's not for everyone. And you were and you were

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Speaker 1: protecting yourself from the sun covered from head. That's what

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Speaker 1: I was looking at. That problem with that, that's the

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Speaker 1: problem with the with the golfing is the sun, Like

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Speaker 1: there's no shade out there unless you find a tree.

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Speaker 1: And if you find a tree, you probably not don't

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Speaker 1: have a good shot. So um, yeah, I look a

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Speaker 1: little ridiculous. Someone referred to me recently as Mrs Habersham

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Speaker 1: or something like that, the old day from the Caddyshack movie. Okay,

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Speaker 1: Mrs Aversham is from great Expectations, Mrs Havisham like lived

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Speaker 1: in like this half a mansion. It's a little bit

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Speaker 1: of gray gardens, which we love gray gardens, so it's

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Speaker 1: right in line with what you like. Yeah, well, I

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Speaker 1: don't want to get sun. I mean I literally because

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Speaker 1: for the golf tournament, I thought, Okay, I don't want

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Speaker 1: to look like a weirdo and have my entire body

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Speaker 1: covered from head to toe like I normally do, so

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Speaker 1: I let my arms be out and my legs be out,

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Speaker 1: and the whole time I was obsessing about like I

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Speaker 1: got a new spot. What's that spot? I see it?

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Speaker 1: I see a spot because I don't I don't want

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Speaker 1: to get I have had um in the past, problems

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Speaker 1: with skin cancer and you know early signs of you know,

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Speaker 1: when they find a moll that's and they take it

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Speaker 1: and they biopsy it all that jazz. So I'm really

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Speaker 1: kind of predisposed to that. So I gotta protect myself.

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Speaker 1: Can you have somebody just follow you around with an

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Speaker 1: umbrella at all? Times shade, it's called a caddy. I

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Speaker 1: don't I'm not into that, but they do that. There's

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Speaker 1: actually all that like will shade professionals. Yeah, I mean

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Speaker 1: you're a caddy would do that. Also, you can put

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Speaker 1: an umbrella on your golf cart now, but I don't know.

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Speaker 1: It seems a little massive. I'd rather wear my leggings

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Speaker 1: in my arm and my gi enormous hat. Oh my gosh.

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Speaker 1: Remember on nine o two and oh, like a p

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Speaker 1: A or someone would come up with an umbrella to

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Speaker 1: try to shield us from the sun. I used to.

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Speaker 1: It used to make me so embarrassed, I feel like,

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Speaker 1: because it would typically be while we were out in

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Speaker 1: public and they would just be like following you, and

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Speaker 1: I'd be like, I'm okay, I'm okay because you know

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Speaker 1: people are watching that like, oh, she demands it, that's

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Speaker 1: what they want. They've requested their umbrella. Yeah. I love

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Speaker 1: an umbrella too. Is it weird to have an umbrella

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Speaker 1: to block the sun from you? Though? Is that? Am

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Speaker 1: I taking it too far? If I just like when

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Speaker 1: I'm when I go to the grocery store, that's a parasol,

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Speaker 1: not chic, that's a parasult and I feel like in Asia,

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Speaker 1: like the women, they have beautiful skin always and they

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Speaker 1: always have their paracels paras als. Sorry, it's a lot

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Speaker 1: of sun. Nobody wants that much sun. I mean, sun

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Speaker 1: is good to a certain degree, but it's also very harmful.

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Speaker 1: You've got to protect your skin, people, really, so we've

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Speaker 1: learned about how to protect your environment, plant base, how

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Speaker 1: to avoid the zombie apocalypse, and how to your skin. See,

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Speaker 1: we are sending major messages to people. Yeah, we are

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Speaker 1: providing a service. You're welcome. Now we should talk about

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Speaker 1: teenage love desperation. Let's do my gosh, you guys this

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Speaker 1: episode This episode, Season two, Episodes sixteen, My Desperate Valentine,

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Speaker 1: aired November one. Synopsis. Emily refuses to accept the fact

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Speaker 1: that Brandon no longer wants to see her. The rest

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Speaker 1: of the group tries to figure out who was sending

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Speaker 1: menacing letters and slashing tires around Beverly Hills. Directed by

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Speaker 1: Jeff Melman, Written by Darren Starr, Steve Wasserman, Michael Swordlick,

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Speaker 1: and Jessica Klein Michael Swordlick. It's a lot for people

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Speaker 1: how to write this episode, Geez, Louise must have been

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Speaker 1: crowded in that room. But we should take a break

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Speaker 1: and come back with our little recap for this episode.

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Speaker 1: This episode again was called My Desperate Valentine, and there's

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Speaker 1: a good reason, because Emily is desperado for Brandon Man. Yeah,

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Speaker 1: but by this point I actually wanted her to take

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Speaker 1: it down a notch. What do you mean, Well, I

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Speaker 1: just felt like, I don't know, I just wanted her

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Speaker 1: to don't go away, Matt, just go away, like go

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Speaker 1: away for a little bit and like let the boy

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Speaker 1: pine for you, and maybe like she was just like

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Speaker 1: she was too desperate. She couldn't play She couldn't, but

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Speaker 1: she's played it cool, so like she had us all convinced.

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Speaker 1: We were convinced she was the scuirrel and that she

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Speaker 1: was sane. Um, So if she could do that, how

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Speaker 1: come she couldn't turn it back on and convince him?

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Speaker 1: Or is she just starting to lose it? I think

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Speaker 1: she's I think she's losing it. She needs a little

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Speaker 1: psychiatric help, possibly some medication. I don't know. But yeah,

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Speaker 1: Brandon was like it was like fatal attraction big time,

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Speaker 1: minus the bunny thing. Goodness. He moves his locker to

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Speaker 1: avoid being around her, which is interesting, which is not

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Speaker 1: a thing, by the way, Like it wasn't that. Did

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Speaker 1: you try? I guess I didn't try. But like otherwise,

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Speaker 1: people broke up all the time. Yeah, that's part of school.

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Speaker 1: You have to be in the locker next door to

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Speaker 1: your friend or your enemy whatever. You're stuck with that

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Speaker 1: locker pal for the whole year. But I guess Brandon

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Speaker 1: got some special treatment. He got to of his locker.

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Speaker 1: While Emily is doing having this these this like mad

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Speaker 1: crush gone bad on Brandon. Uh, Brenda and Dylan are

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Speaker 1: making out in the backyard and then she says basically

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Speaker 1: what I think no girl would ever say, let's stop kissing.

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Speaker 1: Let's don't do this anymore, Like if you were making

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Speaker 1: out with Dylan, I don't think you would say that.

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Speaker 1: No never, mm hmmm no. But they want to get cultured.

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Speaker 1: They want to, yeah, do something. So what go to

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Speaker 1: the go to the go to watch orchestral quartet, violent concert, violinist,

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Speaker 1: but to called a Baganini Paganini violini, Paganini, Paganini, Paganini.

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Speaker 1: Am I saying it right? Or is Paganini okay? Whatever? Whatever?

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Speaker 1: Something bougie that like teens don't do teens do not do.

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Speaker 1: Couldn't they made him do something cooler but like a

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Speaker 1: normal concert anything at the time? Yeah, oh nice, cool, nice,

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Speaker 1: That would be fun. But they probably end up making

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Speaker 1: out there too, So I don't know what the point

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Speaker 1: of this whole thing was. M Dylan's just back at

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Speaker 1: her full force. Like, I really wasn't even aware that

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Speaker 1: Brenda and Dylan were like back together so much until

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Speaker 1: I saw them making out. Like this episode has just

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Speaker 1: sort of jumped right back into them being together. Agreed, Yeah,

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Speaker 1: they had to kick that b storyline into full force.

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Speaker 1: Mm hmm. And Brandon he's just two day nice is it?

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Speaker 1: Is he nice? Or is he still flirting with Emily

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Speaker 1: and sending her mixed signals? There was no nice. I

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Speaker 1: don't know. There was a few times he looks at

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Speaker 1: it with those blue eyes and his and well he

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Speaker 1: has beautiful blue eyes, and when you're talking to someone

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Speaker 1: you have to look at them. Yeah, but the little

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Speaker 1: smirk like and the smirk combo sends the wrong message,

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Speaker 1: I think. I mean, if I was Emily, if I

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Speaker 1: was crazy in love with Brandon, I would be like

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Speaker 1: ready to, you know, get back with him. That's like

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Speaker 1: looking at Brad Pitt. He could look at you stern

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Speaker 1: and as mean as possible, and you'd still be like,

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Speaker 1: always hot, you don't really hate me, right, and he

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Speaker 1: can't help but his little eyebrows go together and he's

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Speaker 1: just I tell you one thing though, when there's a

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Speaker 1: scene with Brandon and Steve talking to each other, and

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Speaker 1: all I can think about is, wow, does Iron still

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Speaker 1: look exactly the same? He does not age that man

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Speaker 1: does an age. M hm. It is weird this point,

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Speaker 1: It's just weird. Why do you think I want to

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Speaker 1: join his beauty business? I'm like, whatever are using, I'll

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Speaker 1: have one of those like yeah, he just yeah, exactly.

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Speaker 1: He just he has such a good skin and if

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Speaker 1: you see it in person, like I don't think he

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Speaker 1: even has wrinkles. It's not fair. Maybe he's been using

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Speaker 1: some block his entire life. Probably he's hurt. That's one thing. Okay, Okay,

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Speaker 1: So you know how like I'm harp on the boom? Yeah,

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Speaker 1: would in the episode? Well, this episode was a little disappointing.

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Speaker 1: I have to say. There was only one boom noticeably.

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Speaker 1: I honestly watch it for the boom now like I'm

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Speaker 1: I'm my eyes are watching the top of the screen,

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Speaker 1: and I'm like, wait, well, listen to what they're saying. Wait,

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Speaker 1: what scene on what scene was it in? I never

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Speaker 1: see it usually, you guys. Usually it's in the Walsh

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Speaker 1: kitchen or it was a tight space to fillment. In

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Speaker 1: all fairness, m hmm, brobo didn't have a lot a

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Speaker 1: lot of room for his long stick with the fuzzy

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Speaker 1: thing on the end of it. You had to dip

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Speaker 1: it down. But so aside from the boom being an

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Speaker 1: issue for me, another issue is continuity. Hair continuity. So

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Speaker 1: when I the people, I don't know if people understand

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Speaker 1: what I'm saying. Okay, that there was a scene with

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Speaker 1: Brenda and Brandon in the bedroom and they were having

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Speaker 1: nice little twinsy talk and um, okay. So when when

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Speaker 1: they're on like Shannon or Brenda, when she's talking, her

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Speaker 1: hair was like this right like in front of her,

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Speaker 1: and then when they cut to the over the shoulder

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Speaker 1: of her at the same you know, it's in the

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Speaker 1: same exact conversation, her hair is like that in the

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Speaker 1: back right behind her shoulder. Is this the scene where

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Speaker 1: she's in the white pajama season is denim suit? Maybe? Maybe?

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Speaker 1: But any it just happened in that scene for this

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Speaker 1: episode for me, but it really ignited a flame inside

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Speaker 1: of me. Of now I have to watch for the

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Speaker 1: miscontinuity of the hair because that my good number one thing.

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Speaker 1: When I watch any movie or show or whatever, I

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Speaker 1: always see that because it's it's hard. It's a pain

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Speaker 1: in the ask to get your continuity always the same

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Speaker 1: because the camera is, you know, in the front of you,

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Speaker 1: and then it's behind you, and you have to match

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Speaker 1: your action, match everything you're doing. If you're eating, you

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Speaker 1: have to eat at the same exact time on the

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Speaker 1: same exact line. So when they cut around to another shot,

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Speaker 1: it's it sinks up. You know, it's a big deal,

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Speaker 1: and there's a person dedicated to that, the script supervisor.

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Speaker 1: I mean, they do a lot of other stuff too,

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Speaker 1: but one of their things is literally to watch a

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Speaker 1: master which is the big scene before they go in

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Speaker 1: for close ups, and to take notes, like so if

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Speaker 1: she flipped her hair at one point, they have to

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Speaker 1: write exactly after what line she did it, so when

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Speaker 1: they do her close up, she has to match that.

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Speaker 1: In all fairness though we don't know, but I can

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Speaker 1: picture scripty That's what we always call them. Saying to Shannon,

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Speaker 1: this is where you need to put and she was like, okay,

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Speaker 1: there has been time I can see that happening. There's

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Speaker 1: been times for me, even when I'm like, no, I

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Speaker 1: definitely took a bite on when I said hello, Like

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Speaker 1: you know, I know when I took a bite Okay,

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Speaker 1: it was taking the bye. I know. Like I'll get

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Speaker 1: into an argument with script supervisor and they're like, okay,

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Speaker 1: just do it however you want to do it. It

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Speaker 1: doesn't match, but okay, and then they'll walk away mad

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Speaker 1: at you. They do they say exactly that, they try

419
00:25:23,040 --> 00:25:25,320
Speaker 1: their best and they're like, yeah, my hands are clean,

420
00:25:27,440 --> 00:25:30,000
Speaker 1: you want to do it. That's a huge responsibility too,

421
00:25:30,280 --> 00:25:34,160
Speaker 1: because script supervisor does so many other things like times

422
00:25:34,240 --> 00:25:37,600
Speaker 1: each scene and like they notice I don't know, I

423
00:25:37,600 --> 00:25:39,160
Speaker 1: don't know what else they have to do, but they

424
00:25:39,200 --> 00:25:41,040
Speaker 1: write a lot of things down in the script, so

425
00:25:41,080 --> 00:25:43,480
Speaker 1: there must be doing a lot. They're sitting right next

426
00:25:43,520 --> 00:25:47,480
Speaker 1: to the director right video village we call it, and

427
00:25:47,480 --> 00:25:50,640
Speaker 1: the monitors they have to look at everything like it's

428
00:25:50,760 --> 00:25:54,800
Speaker 1: it's a crazy job, remember on BH and Okay, So

429
00:25:55,080 --> 00:25:59,119
Speaker 1: Brian likes to improvise, which means come come up with

430
00:25:59,160 --> 00:26:04,320
Speaker 1: his own words burbage for the scene, but every single

431
00:26:04,359 --> 00:26:07,320
Speaker 1: scene he would just add different things so you couldn't

432
00:26:07,359 --> 00:26:08,960
Speaker 1: match it. I always felt so bad. I was like,

433
00:26:09,000 --> 00:26:11,280
Speaker 1: oh my god, his scripting must be like going, what

434
00:26:11,320 --> 00:26:13,720
Speaker 1: do I do? Because every take he would just like

435
00:26:13,760 --> 00:26:16,159
Speaker 1: say something different, even if it was like already matched

436
00:26:16,200 --> 00:26:18,879
Speaker 1: to the good on him. He likes to, you know,

437
00:26:18,960 --> 00:26:23,439
Speaker 1: do that. I don't remember him doing that as David Silver. No,

438
00:26:23,640 --> 00:26:27,480
Speaker 1: he took liberty and ran with it. But it was

439
00:26:27,520 --> 00:26:29,440
Speaker 1: great because we wanted it to be like off the

440
00:26:29,480 --> 00:26:32,480
Speaker 1: cuff like that we did, and he's funny in his voice.

441
00:26:33,600 --> 00:26:36,960
Speaker 1: You said, you said video village. That's where the director

442
00:26:37,000 --> 00:26:39,680
Speaker 1: sits like behind the monitor with his headphones on, and

443
00:26:40,040 --> 00:26:42,760
Speaker 1: script supervisor sits back there and the producers sit back there.

444
00:26:43,400 --> 00:26:45,720
Speaker 1: I never called it video village. I always called it

445
00:26:45,760 --> 00:26:54,040
Speaker 1: idiot village. What do you call it? Idiot village? It

446
00:26:54,119 --> 00:26:56,240
Speaker 1: was used to be, like I remember calling it a

447
00:26:56,359 --> 00:27:01,480
Speaker 1: video village. I would call it idiot village. Were you

448
00:27:01,520 --> 00:27:09,119
Speaker 1: just being a rebellious team? Was being clever? Yeah? Because

449
00:27:09,119 --> 00:27:12,520
Speaker 1: we sit behind this like you know, black wall of

450
00:27:13,400 --> 00:27:15,439
Speaker 1: I don't know, cloth or whatever it is, and then

451
00:27:15,480 --> 00:27:17,480
Speaker 1: all their chairs to sit up there and they're watching

452
00:27:17,480 --> 00:27:20,560
Speaker 1: all the monitors and calling all the shots, and I

453
00:27:20,560 --> 00:27:23,320
Speaker 1: don't know, it's very it's very stressful to think of

454
00:27:23,359 --> 00:27:26,640
Speaker 1: them sitting back there just sort of talking about how

455
00:27:26,720 --> 00:27:28,879
Speaker 1: you are acting or how you're looking, you know what

456
00:27:28,920 --> 00:27:32,919
Speaker 1: I mean. It gets to you. I much prefer to

457
00:27:32,960 --> 00:27:35,480
Speaker 1: sit in idiot village and be one of those people

458
00:27:35,880 --> 00:27:40,040
Speaker 1: then be on the camera. Yeah, we like that, m h.

459
00:27:40,920 --> 00:27:43,560
Speaker 1: And that's why we now create our own Yeah, and

460
00:27:43,600 --> 00:27:46,080
Speaker 1: we we watch our continuity and keep the damn boom

461
00:27:46,080 --> 00:27:49,840
Speaker 1: out of the shot. There was a lot of phone calling.

462
00:27:50,080 --> 00:27:53,800
Speaker 1: There's a lot of phone stuff happening in this episode

463
00:27:53,800 --> 00:27:58,399
Speaker 1: because Emily kept calling and calling, calling and message. Yeah.

464
00:27:58,440 --> 00:28:01,920
Speaker 1: The giant wall phone, remember of those with a super long,

465
00:28:02,400 --> 00:28:05,199
Speaker 1: like squiggly cord so you could reach the kitchen if

466
00:28:05,240 --> 00:28:09,480
Speaker 1: you needed to walk around. I loved it. Yeah, you

467
00:28:09,640 --> 00:28:12,480
Speaker 1: twirl it. She's I like how you're miming that. That's good.

468
00:28:12,960 --> 00:28:18,240
Speaker 1: But they had an answering machine too. Yeah. Do do

469
00:28:18,280 --> 00:28:21,440
Speaker 1: you guys remember those? Oh? Yeah, you just stressed me

470
00:28:21,480 --> 00:28:25,960
Speaker 1: out so much leaving my message. You're like, yeah, I

471
00:28:26,000 --> 00:28:28,120
Speaker 1: can't get to the phone leave a message after the beat.

472
00:28:31,480 --> 00:28:37,120
Speaker 1: It wasn't that good back then? You've gotten better. Oh

473
00:28:37,200 --> 00:28:42,520
Speaker 1: my gosh. We filmed a lot outside of the Walsh

474
00:28:42,560 --> 00:28:46,000
Speaker 1: House in this episode, I think more so than other episodes,

475
00:28:47,320 --> 00:28:50,200
Speaker 1: so you know where the gang is all building the

476
00:28:50,240 --> 00:28:57,440
Speaker 1: float and everything float away doesn't look so good building

477
00:28:57,520 --> 00:29:01,400
Speaker 1: the float. It was fun. I remember shooting those scenes,

478
00:29:01,440 --> 00:29:03,840
Speaker 1: and we all had a lot of fun because while

479
00:29:03,880 --> 00:29:07,040
Speaker 1: they're doing like the dialogue part up front with Brandon

480
00:29:07,040 --> 00:29:09,520
Speaker 1: and Emily, were all in the back like pretending to

481
00:29:09,560 --> 00:29:12,840
Speaker 1: build a float. Basically none of us knew how to

482
00:29:12,880 --> 00:29:15,840
Speaker 1: do anything obviously, and well the guys probably did, but

483
00:29:15,880 --> 00:29:19,000
Speaker 1: the girls, we would just be messing around and flicking

484
00:29:19,040 --> 00:29:21,600
Speaker 1: paint at each other, and I'm sure Props was like,

485
00:29:21,600 --> 00:29:24,000
Speaker 1: oh god, I have to give them paint. This is

486
00:29:24,040 --> 00:29:28,680
Speaker 1: gonna be a because we couldn't be serious. We had

487
00:29:28,720 --> 00:29:30,800
Speaker 1: to you know, mess around. But that was the fun

488
00:29:30,800 --> 00:29:33,240
Speaker 1: of it. I thought, I want to get to like

489
00:29:33,840 --> 00:29:38,200
Speaker 1: makeup in hair and wardrobe. You want to you want

490
00:29:38,200 --> 00:29:41,560
Speaker 1: to talk about Emily's Yeah, I feel like she had

491
00:29:41,560 --> 00:29:46,120
Speaker 1: a very her makeup. Hair, makeup and hair specifically went

492
00:29:46,200 --> 00:29:50,960
Speaker 1: on an arc in this episode. Continuity was really good there.

493
00:29:51,480 --> 00:29:53,880
Speaker 1: I feel like she became more and more disheveled. She

494
00:29:53,960 --> 00:29:57,040
Speaker 1: had like bags under eyes until she's been crying. It

495
00:29:57,120 --> 00:29:59,000
Speaker 1: was very I don't even know how you can't do

496
00:29:59,040 --> 00:30:04,080
Speaker 1: that with makeup, so good on Christine, but I feel

497
00:30:04,080 --> 00:30:07,160
Speaker 1: like you saw her coming undone literally through the episode.

498
00:30:08,160 --> 00:30:10,800
Speaker 1: She does she she does come undone. She pulls out

499
00:30:10,840 --> 00:30:14,360
Speaker 1: all the stops, she you know, calls him a million times,

500
00:30:14,360 --> 00:30:18,200
Speaker 1: gives them gifts the typewriter, gives the gift to Andrea,

501
00:30:18,440 --> 00:30:21,520
Speaker 1: gives the cake to them on their doorsteps. She pulls

502
00:30:21,560 --> 00:30:24,320
Speaker 1: the oh, it was my first time with you, Brandon.

503
00:30:24,960 --> 00:30:27,160
Speaker 1: Now I feel like a horror wor slut or whatever.

504
00:30:27,200 --> 00:30:30,320
Speaker 1: She said. She she did everything she could think of

505
00:30:30,440 --> 00:30:34,320
Speaker 1: to get Brandon back. And Andrea, what is she doing?

506
00:30:34,400 --> 00:30:39,040
Speaker 1: She invites Emily Valentine to the to the inauguration of

507
00:30:39,080 --> 00:30:44,280
Speaker 1: the float thing like Andrea hates Emily Valentine. And then

508
00:30:44,320 --> 00:30:47,120
Speaker 1: all of a sudden, she's right. She was always jealous,

509
00:30:47,120 --> 00:30:49,440
Speaker 1: So why does she feel bad for her? I think

510
00:30:50,880 --> 00:30:56,120
Speaker 1: it's just a story point. No, not even buy it now,

511
00:30:56,880 --> 00:31:00,680
Speaker 1: did you notice? Wardrobe wise? I feel like Emily's like

512
00:31:01,080 --> 00:31:04,959
Speaker 1: bad and dark, and then like the Walshes are the

513
00:31:05,080 --> 00:31:09,719
Speaker 1: light and bright. And there were two instances where Cindy

514
00:31:09,760 --> 00:31:14,320
Speaker 1: Walsh had a long silky white robe on and then

515
00:31:14,320 --> 00:31:18,120
Speaker 1: at the end Brenda had silky white jamas on. Do

516
00:31:18,160 --> 00:31:20,400
Speaker 1: you think that was on purpose, like to show like

517
00:31:20,440 --> 00:31:24,480
Speaker 1: they're the angels, she's the devil? Now overthinking it? Maybe

518
00:31:24,520 --> 00:31:27,360
Speaker 1: I think you might be overthinking it, because yeah, I

519
00:31:27,440 --> 00:31:31,479
Speaker 1: just remember that I'm just throwing anything on us at

520
00:31:31,480 --> 00:31:34,720
Speaker 1: the point, at some point whatever fits where that Well.

521
00:31:34,720 --> 00:31:37,240
Speaker 1: Sis will always point out things like, so this is

522
00:31:37,320 --> 00:31:40,880
Speaker 1: why this happened, and here's and we're like, oh, okay,

523
00:31:40,920 --> 00:31:43,320
Speaker 1: now we get it. So I was like, oh, maybe

524
00:31:43,360 --> 00:31:45,720
Speaker 1: I found one of those little like I was taken

525
00:31:45,720 --> 00:31:51,000
Speaker 1: aback by Emily silk pajamas when she spends the night. Well,

526
00:31:51,000 --> 00:31:53,960
Speaker 1: they were Brenda's. Then I realized, yeah, then I realized

527
00:31:53,960 --> 00:31:57,480
Speaker 1: they're probably Brenda's because she didn't have anything she had

528
00:31:57,520 --> 00:32:04,960
Speaker 1: on the twin jersey. You do that wrong. Back to

529
00:32:05,000 --> 00:32:07,120
Speaker 1: the phone thing for one second. Why is it that

530
00:32:07,160 --> 00:32:12,080
Speaker 1: whenever you're on TV where you see somebody calling someone

531
00:32:12,240 --> 00:32:15,600
Speaker 1: on TV, the numbers always five five five something something

532
00:32:15,640 --> 00:32:19,880
Speaker 1: something something Right, there's always five five because those numbers

533
00:32:19,880 --> 00:32:23,520
Speaker 1: an't that not so because they think like, oh, if

534
00:32:23,560 --> 00:32:26,440
Speaker 1: if the people see them dialing the real number, then

535
00:32:26,480 --> 00:32:31,680
Speaker 1: they'll dial it to mm hmm. Yeah they can't, right,

536
00:32:32,040 --> 00:32:35,200
Speaker 1: is that what we were always told It would really

537
00:32:35,200 --> 00:32:37,840
Speaker 1: suck if that was actually your phone number and getting

538
00:32:37,880 --> 00:32:40,120
Speaker 1: tons and tons of calls. But that was like so

539
00:32:40,160 --> 00:32:42,280
Speaker 1: long ago. I feel like they don't do that anymore.

540
00:32:42,680 --> 00:32:45,200
Speaker 1: So do five five five numbers now exists and they

541
00:32:45,240 --> 00:32:48,240
Speaker 1: can't do that? Maybe you would think that they would

542
00:32:48,320 --> 00:32:50,800
Speaker 1: run out of like sequences and five five five would

543
00:32:50,800 --> 00:32:54,360
Speaker 1: be a thing. Now, Yeah, I wonder food for thought.

544
00:32:55,000 --> 00:32:57,360
Speaker 1: But I was saying about the scenes with the float,

545
00:32:57,440 --> 00:33:00,600
Speaker 1: you know in the backyard. Yeah, we we filmed a

546
00:33:00,640 --> 00:33:03,240
Speaker 1: lot in that backyard and it was actually at the

547
00:33:03,280 --> 00:33:07,200
Speaker 1: house in Altadena. Um, that was the Walsh House. And

548
00:33:07,240 --> 00:33:10,840
Speaker 1: then there's a scene in the in later in the

549
00:33:10,880 --> 00:33:13,160
Speaker 1: middle of the show where where they get the cake

550
00:33:13,400 --> 00:33:17,120
Speaker 1: and the Minnesota Twins shirt gift thing from Emily and

551
00:33:17,120 --> 00:33:19,560
Speaker 1: they're standing on the front doorstep of the Walsh House.

552
00:33:20,200 --> 00:33:23,640
Speaker 1: And that was on our sound stage. So I just

553
00:33:23,720 --> 00:33:26,560
Speaker 1: always thought people might not know that maybe you know,

554
00:33:26,680 --> 00:33:29,840
Speaker 1: because it's confusing to even me. But they did such

555
00:33:29,880 --> 00:33:33,320
Speaker 1: a great job lighting it because it looked like it

556
00:33:33,360 --> 00:33:36,400
Speaker 1: was really outside a real front front of a house,

557
00:33:36,480 --> 00:33:40,560
Speaker 1: you know, but it wasn't yees. So that house was

558
00:33:40,600 --> 00:33:45,640
Speaker 1: not owned by the show. People actually lived in it.

559
00:33:46,040 --> 00:33:49,520
Speaker 1: An older gentleman was always around living. He lived there,

560
00:33:50,760 --> 00:33:53,960
Speaker 1: so that was all his furniture, all his stuff. No, No,

561
00:33:54,360 --> 00:33:56,440
Speaker 1: we never filmed inside the house, right did we ever?

562
00:33:57,280 --> 00:34:00,640
Speaker 1: Even in the beginning. Okay, it's a very getting there.

563
00:34:01,000 --> 00:34:04,400
Speaker 1: We couldn't even use the bathroom inside. So the inside

564
00:34:04,560 --> 00:34:08,840
Speaker 1: is all a studio. All the inside on scenes of

565
00:34:09,320 --> 00:34:13,879
Speaker 1: are the wallsh house are inside our stages and van

566
00:34:14,040 --> 00:34:19,920
Speaker 1: eyes even that front porch scene with Brandon and Brenda

567
00:34:20,200 --> 00:34:23,960
Speaker 1: was inside. Was it really two stories like on the stage. No,

568
00:34:24,120 --> 00:34:26,120
Speaker 1: there was no two stories on the stage. We had,

569
00:34:26,280 --> 00:34:29,280
Speaker 1: you know, the foyer. Had that staircase went up to nothing,

570
00:34:30,000 --> 00:34:33,080
Speaker 1: you would have to go off and die if you

571
00:34:33,200 --> 00:34:39,000
Speaker 1: actually literally if you step, they put like a board up,

572
00:34:39,000 --> 00:34:40,719
Speaker 1: but you can still fall if you really wanted to.

573
00:34:41,160 --> 00:34:45,800
Speaker 1: It was dangerous. Hears a lot even that always happens.

574
00:34:45,800 --> 00:34:47,640
Speaker 1: And then they really don't give you that much room

575
00:34:47,680 --> 00:34:50,680
Speaker 1: at the top of a fake stairway to like and

576
00:34:51,600 --> 00:34:56,800
Speaker 1: it's just really you have to like be very nimble, nimble. Yeah,

577
00:34:56,840 --> 00:34:59,200
Speaker 1: that makes so much more sense now, man, they really

578
00:34:59,200 --> 00:35:01,359
Speaker 1: bugged that family it lived there because they shoot a

579
00:35:01,400 --> 00:35:04,160
Speaker 1: lot there and they go through all these years. Remember

580
00:35:04,160 --> 00:35:06,440
Speaker 1: how tiny that kitchen was, like the actual kitchen in

581
00:35:06,480 --> 00:35:09,960
Speaker 1: that house. It was like you saw the kitchen if

582
00:35:10,000 --> 00:35:12,760
Speaker 1: I remember correctly, Like if you came in through the backyard,

583
00:35:12,760 --> 00:35:15,200
Speaker 1: which they usually didn't let us, but I feel like

584
00:35:15,560 --> 00:35:19,360
Speaker 1: when we spoiler alert filmed the wedding in the backyard,

585
00:35:19,480 --> 00:35:26,480
Speaker 1: which was we were bridesmaids in P's wedding, Yes, they

586
00:35:26,560 --> 00:35:28,640
Speaker 1: let us come through because they had to carry foods

587
00:35:28,680 --> 00:35:29,960
Speaker 1: from so they did let us come through it. I

588
00:35:29,960 --> 00:35:32,120
Speaker 1: think one time they let us be in there and

589
00:35:32,200 --> 00:35:33,760
Speaker 1: you came through and there was like a little kitchen.

590
00:35:33,760 --> 00:35:35,880
Speaker 1: It was literally just a little counter and it was

591
00:35:35,920 --> 00:35:37,840
Speaker 1: like this big and they go through. It was a

592
00:35:37,960 --> 00:35:41,319
Speaker 1: very tiny house. I think there might have been cats.

593
00:35:41,400 --> 00:35:46,359
Speaker 1: Very spacious on stage. Thank god that kitchens where all

594
00:35:46,400 --> 00:35:49,160
Speaker 1: the action took place. If they had it to do over,

595
00:35:49,280 --> 00:35:52,319
Speaker 1: would they still go to Altadena because the inside our

596
00:35:52,440 --> 00:35:54,320
Speaker 1: our stages were in Vanui, so it was it was

597
00:35:54,360 --> 00:35:59,359
Speaker 1: a big track high school and Torrance houses in Altadena

598
00:35:59,719 --> 00:36:04,000
Speaker 1: stay things are like in they're like forty five minutes

599
00:36:04,040 --> 00:36:08,480
Speaker 1: to an hour away from each other. Yeah, yeah, why,

600
00:36:09,200 --> 00:36:10,839
Speaker 1: I don't know. It must have been a money thing.

601
00:36:11,000 --> 00:36:14,120
Speaker 1: I mean, there's always that, like there's like a radius

602
00:36:14,160 --> 00:36:17,279
Speaker 1: that when you're you know, producing a movie, you can

603
00:36:17,360 --> 00:36:20,360
Speaker 1: only work within the radius of a certain amount of

604
00:36:20,400 --> 00:36:23,080
Speaker 1: miles so you can film and if you go out

605
00:36:23,080 --> 00:36:25,480
Speaker 1: of the radius, you have to pay more money or

606
00:36:25,640 --> 00:36:27,799
Speaker 1: you have to pay the crew more money to get there.

607
00:36:27,920 --> 00:36:31,239
Speaker 1: There's like all these crazy union rules about it. I

608
00:36:31,280 --> 00:36:33,319
Speaker 1: have a neighbor who always rents out his house it's

609
00:36:33,360 --> 00:36:38,239
Speaker 1: like two houses down and for filming, for filming, and

610
00:36:38,600 --> 00:36:43,879
Speaker 1: they filmed the show Dave there, and it's just he's like, yeah,

611
00:36:43,920 --> 00:36:46,719
Speaker 1: you make good money. And we actually benefited once from

612
00:36:46,719 --> 00:36:48,880
Speaker 1: it because they wanted to put a generator on somebody's

613
00:36:48,960 --> 00:36:51,320
Speaker 1: driveway and so they paid us five hundred bucks a

614
00:36:51,360 --> 00:36:55,280
Speaker 1: day to put a generator on a driveway. And like, okay, nice. Yeah,

615
00:36:55,400 --> 00:36:57,359
Speaker 1: I've heard that it pays really good to write your

616
00:36:57,360 --> 00:36:59,680
Speaker 1: house out. Would I ever write my house out to

617
00:36:59,719 --> 00:37:05,000
Speaker 1: a film crew? Hell no, you would never. Never. We

618
00:37:05,120 --> 00:37:08,479
Speaker 1: see we've seen what happens when the owners aren't there,

619
00:37:10,040 --> 00:37:13,360
Speaker 1: Like they have to put down like this board stuff

620
00:37:13,360 --> 00:37:16,480
Speaker 1: on the like it's like cardboard or whatever on the

621
00:37:16,480 --> 00:37:19,800
Speaker 1: the walkways, like all ways everywhere. Everybody is going to

622
00:37:19,880 --> 00:37:22,239
Speaker 1: walk to protect the floors. And they do the same

623
00:37:22,280 --> 00:37:25,040
Speaker 1: thing on the walls, like they put this cardboard stuff

624
00:37:25,080 --> 00:37:28,360
Speaker 1: around all the walls. But the houses still get trashed,

625
00:37:28,960 --> 00:37:32,640
Speaker 1: I'm sure of it. And there's a million people using

626
00:37:32,680 --> 00:37:35,240
Speaker 1: your bathroom when you told them specifically no one should

627
00:37:35,280 --> 00:37:38,000
Speaker 1: use the bathroom. Oh yeah, remember there used to be

628
00:37:38,080 --> 00:37:40,279
Speaker 1: taped that said do not use and we would just

629
00:37:40,280 --> 00:37:43,400
Speaker 1: go where would you guys pee in the bathroom that

630
00:37:43,440 --> 00:37:50,160
Speaker 1: said don't use? Yeah, basically, come after us now thirty

631
00:37:50,239 --> 00:37:54,120
Speaker 1: years later, come get us. This is the behind the

632
00:37:54,160 --> 00:38:02,319
Speaker 1: scene stuff that don't apply to the actors, know. But

633
00:38:02,480 --> 00:38:05,000
Speaker 1: I remember going like many times that's happened to me

634
00:38:05,040 --> 00:38:07,680
Speaker 1: on set, like going to use the bathroom and a

635
00:38:07,760 --> 00:38:11,640
Speaker 1: seat like on the down low, and um, someone's already

636
00:38:11,640 --> 00:38:13,600
Speaker 1: in there and then they walk out and it's like,

637
00:38:13,800 --> 00:38:18,080
Speaker 1: you know, a grip or something, and it doesn't it's

638
00:38:18,120 --> 00:38:21,960
Speaker 1: not good to go to that bathrooms just because it's

639
00:38:22,000 --> 00:38:26,959
Speaker 1: sticking or something. Yeah, like why why would why would

640
00:38:26,960 --> 00:38:30,440
Speaker 1: you go in there and do your thing? Okay, they

641
00:38:30,440 --> 00:38:34,200
Speaker 1: did have They have like porta potties and trailers kind

642
00:38:34,200 --> 00:38:36,800
Speaker 1: of a thing where you like step on the pedal

643
00:38:36,880 --> 00:38:40,000
Speaker 1: and it floats the toilet have you accidentally pet on

644
00:38:40,000 --> 00:38:41,880
Speaker 1: a toilet? That was like fake, that was just like

645
00:38:41,960 --> 00:38:47,360
Speaker 1: first set realize it. Yeah, because like in the in

646
00:38:47,440 --> 00:38:50,120
Speaker 1: Brendon Brandon's bathroom, they think they had a blue toilet.

647
00:38:50,360 --> 00:38:56,320
Speaker 1: It wasn't real me someone did just for fun, just

648
00:38:56,880 --> 00:39:00,839
Speaker 1: just because they could. Sounds like a good idea to me.

649
00:39:02,239 --> 00:39:04,279
Speaker 1: The only other thing I was really curious about with this,

650
00:39:04,480 --> 00:39:06,480
Speaker 1: with this epide well, one of the only anthems was

651
00:39:06,520 --> 00:39:12,840
Speaker 1: why when Emily is vandalizing the float, why doesn't anyone

652
00:39:12,880 --> 00:39:17,680
Speaker 1: hear her right there inside the house Steve Andrea Brandon,

653
00:39:18,360 --> 00:39:21,440
Speaker 1: mom and dad, nobody hears her. Yeah, and she's tearing it,

654
00:39:21,600 --> 00:39:27,000
Speaker 1: tearing it apart. Maybe she was quiet, I guess so.

655
00:39:28,280 --> 00:39:31,839
Speaker 1: But I love the way they like like syncd up

656
00:39:31,840 --> 00:39:35,240
Speaker 1: her manic nous to the piano, I mean, to the violinist.

657
00:39:38,280 --> 00:39:44,480
Speaker 1: Really was building attention. It was. It was very fatal attraction.

658
00:39:44,520 --> 00:39:47,279
Speaker 1: I know they talked about fatal attraction reference it in

659
00:39:47,480 --> 00:39:52,160
Speaker 1: the show. But yeah, and then the nobody mentions how

660
00:39:52,239 --> 00:39:54,400
Speaker 1: she destroyed the flow, Like all that hard work you

661
00:39:54,400 --> 00:39:57,960
Speaker 1: guys put in it wasn't addressed. Right. Brenda was all

662
00:39:57,960 --> 00:40:00,239
Speaker 1: of a sudden her best friend to get her put

663
00:40:00,280 --> 00:40:03,000
Speaker 1: down a big lighter because she doesn't want to, you know,

664
00:40:03,120 --> 00:40:08,200
Speaker 1: blow the place up with her big lighter. I'm your friend,

665
00:40:08,840 --> 00:40:13,640
Speaker 1: everybody's your friend. What lies? Those are lies. When we

666
00:40:13,719 --> 00:40:16,680
Speaker 1: did b H nine O two and I we we

667
00:40:16,719 --> 00:40:18,840
Speaker 1: told our writers, we were like, okay, we have to

668
00:40:18,880 --> 00:40:20,879
Speaker 1: go back and reference the float that caught on fire.

669
00:40:20,880 --> 00:40:22,440
Speaker 1: But it never caught on fire, Like, I don't know

670
00:40:22,440 --> 00:40:25,920
Speaker 1: why for I mean, that would have been so much

671
00:40:26,000 --> 00:40:29,600
Speaker 1: murder if she had lit right on fire. The funny

672
00:40:29,600 --> 00:40:31,960
Speaker 1: part is like when we told Chris and Mike the story,

673
00:40:32,040 --> 00:40:34,080
Speaker 1: we actually remembered it and they went back and they're like,

674
00:40:34,920 --> 00:40:37,239
Speaker 1: there's no float on fire, and we're like, no, no, no,

675
00:40:37,320 --> 00:40:40,000
Speaker 1: it was flat on fire. It was flames. There were

676
00:40:40,040 --> 00:40:44,600
Speaker 1: big flames, and now we know we're really wrong about that.

677
00:40:44,640 --> 00:40:49,040
Speaker 1: I'm so mad that should have happened, right, Yeah, I

678
00:40:49,080 --> 00:40:53,960
Speaker 1: guess we should probably watched that episode back before referenced that. Yeah,

679
00:40:54,040 --> 00:40:56,400
Speaker 1: we were hardcore, like it, trusts us. It's like one

680
00:40:56,440 --> 00:40:59,840
Speaker 1: of the most memorable things on two out a float

681
00:40:59,880 --> 00:41:05,160
Speaker 1: up in flames. Nope, Nope, it didn't happen. I bet

682
00:41:05,160 --> 00:41:07,319
Speaker 1: it was in the script and it was like a

683
00:41:07,360 --> 00:41:13,040
Speaker 1: budget thing. Yeah, for sure, because fire costs a lot

684
00:41:13,040 --> 00:41:16,960
Speaker 1: of money. It does when you're making it show like ours,

685
00:41:17,000 --> 00:41:19,200
Speaker 1: because because you need like the fire department there. They

686
00:41:19,239 --> 00:41:21,920
Speaker 1: were saving that expense for a spoiler alert when you

687
00:41:21,960 --> 00:41:25,160
Speaker 1: get burned episodes, you know, seasons later, Oh we have

688
00:41:25,239 --> 00:41:28,640
Speaker 1: flames in that one. I hated that episode. It was

689
00:41:28,719 --> 00:41:34,360
Speaker 1: so scary. Man. Yeah, that's exciting, and we're in the bathroom.

690
00:41:34,400 --> 00:41:38,520
Speaker 1: But I think we should get to um the favorite

691
00:41:38,520 --> 00:41:42,719
Speaker 1: line and the wardrobe of it all. Maybe after the

692
00:41:42,760 --> 00:41:58,640
Speaker 1: break read My Monkey, we thought we were back, but

693
00:41:58,760 --> 00:42:02,080
Speaker 1: we weren't. But now we're back. But the combo led

694
00:42:02,120 --> 00:42:04,879
Speaker 1: to us being back. We're talking about Beatle Attraction, James

695
00:42:04,920 --> 00:42:08,239
Speaker 1: eck House being in it and who knew that? Who

696
00:42:08,360 --> 00:42:12,240
Speaker 1: knew that James eck House a k a. Mr Walsh

697
00:42:12,480 --> 00:42:17,400
Speaker 1: Jim Walsh was in that movie Heat Attraction. It's okay,

698
00:42:17,440 --> 00:42:19,440
Speaker 1: you just you just want to call him daddy. You

699
00:42:19,480 --> 00:42:21,560
Speaker 1: want to call him daddako for it. I want to

700
00:42:21,560 --> 00:42:24,400
Speaker 1: call him Harry Daddy. Yeah. Do you think on set

701
00:42:24,480 --> 00:42:26,359
Speaker 1: he was like, hey, guys, so I was in this movie?

702
00:42:26,440 --> 00:42:28,040
Speaker 1: Or is he just like, I'm not going to mention

703
00:42:28,080 --> 00:42:31,080
Speaker 1: it because it looks like I'm just likely never heard

704
00:42:31,160 --> 00:42:33,200
Speaker 1: him mentioned that he was in that in that movie.

705
00:42:33,200 --> 00:42:35,440
Speaker 1: But I've seen that movie and he stands out like

706
00:42:35,440 --> 00:42:38,520
Speaker 1: a sore of thumb and like, Jim, what are you doing?

707
00:42:39,719 --> 00:42:42,719
Speaker 1: Why are you there? Why? Why you get back to

708
00:42:42,800 --> 00:42:45,719
Speaker 1: Beverly Hills. He plays like a guy that he that

709
00:42:45,800 --> 00:42:51,120
Speaker 1: Michael Douglas works with in his office. To rewatch it now,

710
00:42:51,960 --> 00:42:55,040
Speaker 1: he was great in it. Did he have suspenders on

711
00:42:55,120 --> 00:42:58,480
Speaker 1: that and the movie? I think he might have had, like, yeah,

712
00:42:58,600 --> 00:43:01,200
Speaker 1: a suit and suspenders and probably he was big into

713
00:43:01,200 --> 00:43:03,839
Speaker 1: the suspenders. Man, you gotta have something to hold up

714
00:43:03,920 --> 00:43:09,239
Speaker 1: the pants. Yeah, maybe you know how like some guys have,

715
00:43:09,360 --> 00:43:11,640
Speaker 1: like I don't know if this was the case with

716
00:43:12,000 --> 00:43:15,799
Speaker 1: with Daddy, but there they have no butt and a

717
00:43:15,840 --> 00:43:21,160
Speaker 1: big belly. So how do your pants stay up? Because

718
00:43:21,200 --> 00:43:26,200
Speaker 1: then you put the belt around you're the belly or

719
00:43:26,280 --> 00:43:28,680
Speaker 1: the under the belly? Where do you put the pants

720
00:43:28,800 --> 00:43:32,560
Speaker 1: the waist? I think the pants fit below the belly,

721
00:43:32,719 --> 00:43:34,800
Speaker 1: so they're kind of right and low. But then you

722
00:43:34,880 --> 00:43:39,000
Speaker 1: got to put the belt. But then if you have suspenders,

723
00:43:39,000 --> 00:43:41,000
Speaker 1: you're just like Santa Claus. Then with a big belly

724
00:43:41,160 --> 00:43:44,120
Speaker 1: and suspenders, it might be it might be a kind

725
00:43:44,160 --> 00:43:45,840
Speaker 1: of a thing you have to have because you have

726
00:43:45,920 --> 00:43:50,480
Speaker 1: a certain body type maybe, except I think um, Gryan

727
00:43:50,600 --> 00:43:53,680
Speaker 1: Gosling war Suspenders in the notebook, and he definitely didn't

728
00:43:53,719 --> 00:43:56,000
Speaker 1: have a daddy body and he was hot and that

729
00:43:56,120 --> 00:44:00,840
Speaker 1: was just the thing. Yeah, that was the era Suspenders.

730
00:44:01,200 --> 00:44:04,000
Speaker 1: Did you speaking of suspenders, did you guys have a

731
00:44:04,080 --> 00:44:09,640
Speaker 1: favorite m outfit from this episode? Oh, before we get

732
00:44:09,640 --> 00:44:12,480
Speaker 1: to outfits, I gotta go to your hair. I really

733
00:44:12,560 --> 00:44:14,360
Speaker 1: and you know, I'm all about your banks, but I

734
00:44:14,400 --> 00:44:17,480
Speaker 1: really enjoyed your banks kind of back in that school.

735
00:44:17,520 --> 00:44:22,000
Speaker 1: So I had the off the off the face situation happening. Yeah,

736
00:44:22,160 --> 00:44:27,520
Speaker 1: I was trying to be more like Donna. It looked

737
00:44:27,640 --> 00:44:30,680
Speaker 1: really good and it gave me vibes for like excitement

738
00:44:30,719 --> 00:44:32,840
Speaker 1: for future episodes. When I knew your hair would be

739
00:44:32,880 --> 00:44:35,520
Speaker 1: kind of changing, and I don't know, I was into it.

740
00:44:35,520 --> 00:44:38,040
Speaker 1: I thought you look beautiful. I loved that. Sorry, Okay,

741
00:44:38,040 --> 00:44:40,839
Speaker 1: back to close. Thank you. I'm glad you liked it.

742
00:44:42,640 --> 00:44:46,880
Speaker 1: Favorite outfit Donna when she shows up to make the float,

743
00:44:47,640 --> 00:44:51,680
Speaker 1: I mean, yeah, that was mine too. To Carpenter look

744
00:44:51,480 --> 00:44:54,040
Speaker 1: and calls her out, She's like, Donna, what's on the outfit?

745
00:44:55,560 --> 00:44:59,640
Speaker 1: And she's hat overall shorts was supposed to be a carpenter.

746
00:45:00,080 --> 00:45:05,160
Speaker 1: It's so good carpenter um. The over the knee socks

747
00:45:05,160 --> 00:45:07,840
Speaker 1: from my favorite part of that outfit because it was

748
00:45:07,880 --> 00:45:10,600
Speaker 1: probably really hot out and I still had those on.

749
00:45:11,080 --> 00:45:14,920
Speaker 1: They were good. What about favorite line on nine O

750
00:45:15,040 --> 00:45:19,520
Speaker 1: two one, No, no, you didn't. I have one from

751
00:45:19,960 --> 00:45:23,080
Speaker 1: Dylan and it was when they show up and Emily

752
00:45:23,200 --> 00:45:27,319
Speaker 1: is about to burn the flow and he looked, Bran,

753
00:45:27,920 --> 00:45:31,480
Speaker 1: wait a minute, she is whacked? They whacked or whack?

754
00:45:32,360 --> 00:45:35,400
Speaker 1: I think he said whack whack because waxed would be

755
00:45:35,440 --> 00:45:38,720
Speaker 1: dead if you whacked somebody off, right, But if they're whacked,

756
00:45:38,760 --> 00:45:41,560
Speaker 1: they're crazy. Yeah. I think so I should bring that

757
00:45:41,600 --> 00:45:45,480
Speaker 1: word back. Whack. I'm gonna whack you. I don't think

758
00:45:45,480 --> 00:45:48,399
Speaker 1: it went anywhere. I think that we're just still. I think,

759
00:45:49,000 --> 00:45:52,840
Speaker 1: m M. I don't know, like, oh man, that was

760
00:45:52,920 --> 00:46:00,239
Speaker 1: whack as like your whack or that person's whack. I

761
00:46:00,239 --> 00:46:02,080
Speaker 1: guess it works. I think, yeah, you're right, we should

762
00:46:02,080 --> 00:46:07,359
Speaker 1: bring it back. It's a good word. I mean. One

763
00:46:07,360 --> 00:46:13,120
Speaker 1: of my favorite lines was from Steve Sanders when he says, Brandon,

764
00:46:13,160 --> 00:46:15,319
Speaker 1: you're the only family in Beverly Hills that actually has

765
00:46:15,360 --> 00:46:20,880
Speaker 1: tools in their toolship. I thought that was funny. And

766
00:46:20,920 --> 00:46:26,640
Speaker 1: then my other one was from Brandon. It's a good one.

767
00:46:27,400 --> 00:46:31,359
Speaker 1: Brandon says to Emily in bed, Emily to make love,

768
00:46:31,400 --> 00:46:35,040
Speaker 1: I have to be in love dagger, and I was like,

769
00:46:35,239 --> 00:46:41,840
Speaker 1: oh please, that gross me out. Well, yeah, he starts kissing,

770
00:46:42,000 --> 00:46:43,879
Speaker 1: like she gets into the bed with him and starts

771
00:46:43,960 --> 00:46:47,959
Speaker 1: kissing him so sleepy. He doesn't know that his face

772
00:46:48,000 --> 00:46:51,240
Speaker 1: is being sucked on. He doesn't he doesn't know Emily's

773
00:46:51,320 --> 00:46:53,319
Speaker 1: kissing him, and he starts to make out with her

774
00:46:53,360 --> 00:46:57,680
Speaker 1: and like says, oh, I can't do this. Yeah. I

775
00:46:57,719 --> 00:47:00,640
Speaker 1: think that's very I think that's a very typical teenage

776
00:47:00,680 --> 00:47:04,480
Speaker 1: boy reaction to stop go with it, no, to start

777
00:47:04,680 --> 00:47:07,239
Speaker 1: like do it, to start not realizing who the hell

778
00:47:07,280 --> 00:47:10,920
Speaker 1: it is, and then being like, oh, wait a minute.

779
00:47:11,280 --> 00:47:13,640
Speaker 1: He just thought it was one of his infamous dreams

780
00:47:13,640 --> 00:47:17,719
Speaker 1: with like women surrounding him on the beach. Yeah, exactly.

781
00:47:18,960 --> 00:47:24,120
Speaker 1: Yeah one, Brenda says, give me a break. I mean

782
00:47:24,200 --> 00:47:29,080
Speaker 1: she is bothered in the extreme. M M says that

783
00:47:29,080 --> 00:47:32,799
Speaker 1: about Emily. She has bothered in the extreme. Well, that

784
00:47:32,920 --> 00:47:36,880
Speaker 1: was one of our most famous episodes, though, you guys,

785
00:47:38,560 --> 00:47:41,000
Speaker 1: like everyone talks about it. I mean, I guess it

786
00:47:41,040 --> 00:47:42,960
Speaker 1: didn't blow up in flames. Everyone talks about the one

787
00:47:42,960 --> 00:47:45,839
Speaker 1: where Emily went crazy and like destroyed the float. That's

788
00:47:45,840 --> 00:47:51,840
Speaker 1: a big one fans. Yeah, you guys like the drama.

789
00:47:53,600 --> 00:47:56,160
Speaker 1: I dislike her so much more in this episode than

790
00:47:56,160 --> 00:47:57,839
Speaker 1: I did from the previous one, and I didn't think

791
00:47:57,880 --> 00:48:01,680
Speaker 1: that was possible. Well, lucky you. She never comes back, right?

792
00:48:02,200 --> 00:48:06,840
Speaker 1: Was this is this Emily Valentine's last episode? No? No,

793
00:48:08,280 --> 00:48:11,000
Speaker 1: well how does she come back? Oh my god? He

794
00:48:11,160 --> 00:48:17,120
Speaker 1: cheats on you with her later? What? Yes? You are

795
00:48:17,200 --> 00:48:19,200
Speaker 1: making this up right now just to make me bad.

796
00:48:20,719 --> 00:48:24,680
Speaker 1: In fact that it would make you mad. It's even funny. Hey,

797
00:48:24,680 --> 00:48:27,680
Speaker 1: it's okay. We live these characters, we own these characters. Listen,

798
00:48:29,680 --> 00:48:35,000
Speaker 1: there's something that happens in San Francisco. Jen, you gotta

799
00:48:35,040 --> 00:48:36,759
Speaker 1: sit down for this. I have something I need to

800
00:48:36,800 --> 00:48:42,239
Speaker 1: tell you. What Brandon cheats on you? Yeah, I know,

801
00:48:42,600 --> 00:48:45,280
Speaker 1: I know, I know, I know it's going to happen.

802
00:48:46,120 --> 00:48:48,360
Speaker 1: But we get through this. We get through it, and

803
00:48:48,360 --> 00:48:51,359
Speaker 1: you're okay with her. Why does he with with her?

804
00:48:51,400 --> 00:48:54,000
Speaker 1: Of all people? Was it a work trip? Those are

805
00:48:54,000 --> 00:48:56,520
Speaker 1: always us? I think she goes do insane asylum too.

806
00:48:56,600 --> 00:48:58,239
Speaker 1: Is this is not something that happens you guys? Am

807
00:48:58,239 --> 00:49:01,200
Speaker 1: I making all this up? Emily also comes back in

808
00:49:01,239 --> 00:49:04,239
Speaker 1: a Walsh Family Christmas episode. Oh good, we'll see your

809
00:49:04,320 --> 00:49:07,759
Speaker 1: next episode. So there you go. Mystery solved. So before that,

810
00:49:08,480 --> 00:49:11,719
Speaker 1: sorry you don't like her, she's coming back. Oh let's

811
00:49:11,719 --> 00:49:14,680
Speaker 1: go to an asylum. Okay, see you guys. They lock

812
00:49:14,719 --> 00:49:16,480
Speaker 1: her up in the looney bin for a while, she

813
00:49:16,520 --> 00:49:19,120
Speaker 1: gets better, and then she goes back to Beverly Hills.

814
00:49:19,280 --> 00:49:24,960
Speaker 1: Poor thing. She was just the looney It's a little unstable.

815
00:49:24,960 --> 00:49:28,760
Speaker 1: We're all a little unstable at times, but it's life.

816
00:49:28,880 --> 00:49:32,160
Speaker 1: She took it to the next level. On the next level.

817
00:49:32,760 --> 00:49:35,880
Speaker 1: Speaking of crazies, um, not that the people do have

818
00:49:35,960 --> 00:49:39,000
Speaker 1: been these questions questions are crazy. That was an amazing,

819
00:49:40,080 --> 00:49:44,800
Speaker 1: terrible no. But the question that Christie is asking is

820
00:49:44,880 --> 00:49:48,400
Speaker 1: kind of about if you've dated a crazy Really was

821
00:49:48,440 --> 00:49:51,480
Speaker 1: the question a little bit? Christie is asking did you

822
00:49:51,560 --> 00:49:55,240
Speaker 1: prefer dating people who did or did not watch the show?

823
00:49:56,080 --> 00:49:59,799
Speaker 1: Was it easier or more difficult to have your dates? No,

824
00:50:00,000 --> 00:50:05,560
Speaker 1: about your characters, that doesn't mean crazy. Uh, we're talking fans, like,

825
00:50:05,600 --> 00:50:08,360
Speaker 1: were they fans? If you dated somebody that was like,

826
00:50:09,200 --> 00:50:11,080
Speaker 1: and I've heard your so much like it would be

827
00:50:11,320 --> 00:50:16,520
Speaker 1: wouldn't be crazy if they make that face when they say, yes,

828
00:50:16,600 --> 00:50:20,440
Speaker 1: yeah remember that one episode, like remember remember that you

829
00:50:20,480 --> 00:50:23,640
Speaker 1: did that one and it's like, there's no way, I've

830
00:50:23,760 --> 00:50:27,000
Speaker 1: never seen you get that animated or excited about anything

831
00:50:27,080 --> 00:50:31,960
Speaker 1: since we start working together. That was like masng and

832
00:50:32,200 --> 00:50:41,800
Speaker 1: seen she's a thesipient. I definitely have either dated or

833
00:50:41,840 --> 00:50:45,200
Speaker 1: gone on dates with people that have watched the show,

834
00:50:45,280 --> 00:50:48,480
Speaker 1: and it's weird. It's because they look at you a

835
00:50:48,480 --> 00:50:53,640
Speaker 1: little differently for a lot of the time, and or

836
00:50:53,680 --> 00:50:55,239
Speaker 1: maybe I'm just sensitive to it, but I feel like

837
00:50:55,280 --> 00:50:58,200
Speaker 1: they're looking at me differently, but yeah, or or they

838
00:50:58,200 --> 00:51:02,080
Speaker 1: make reference to it. You're like, that's funny, let's talk

839
00:51:02,120 --> 00:51:06,399
Speaker 1: about nothing else. But yeah, no. Um, my husband never

840
00:51:07,000 --> 00:51:09,479
Speaker 1: says he never watched the show. He was too young,

841
00:51:12,480 --> 00:51:16,160
Speaker 1: but p s's like her biggest fan to like, now,

842
00:51:16,160 --> 00:51:19,000
Speaker 1: has he watched her rewatching it with you? Yeah, he

843
00:51:19,080 --> 00:51:21,320
Speaker 1: was gone today and when I watched it, his golfing,

844
00:51:21,480 --> 00:51:25,920
Speaker 1: so he watches and sometimes with you, m yeah, he

845
00:51:26,040 --> 00:51:29,240
Speaker 1: looks for sure. Have you ever I've never dated anyone

846
00:51:29,280 --> 00:51:33,200
Speaker 1: who was like an obsessive like fan, but I'm definitely

847
00:51:33,280 --> 00:51:35,040
Speaker 1: I'm sure this has happened to you too, Jen, like

848
00:51:35,560 --> 00:51:38,920
Speaker 1: gone to um, like, I've gone over to someone's house

849
00:51:38,960 --> 00:51:40,920
Speaker 1: for dinner and I thought it was like a dinner

850
00:51:40,920 --> 00:51:44,480
Speaker 1: party and they weren't like rabbit fans or something. And

851
00:51:44,520 --> 00:51:47,239
Speaker 1: they opened the door and they said and they're like, oh, hi,

852
00:51:47,360 --> 00:51:49,239
Speaker 1: good to see you, Donna. And I'm like, oh, I'm

853
00:51:49,239 --> 00:51:51,520
Speaker 1: so embarrassed for them shooting. I don't know what to say.

854
00:51:52,160 --> 00:51:54,120
Speaker 1: And then they'll start talking. They're like, oh my god,

855
00:51:54,160 --> 00:51:56,440
Speaker 1: I just called you, Donna. I'm so sorry, and it's like, oh,

856
00:51:56,480 --> 00:51:59,439
Speaker 1: don't worry, It's it's okay. Right. That happens a lot

857
00:51:59,520 --> 00:52:02,399
Speaker 1: like when you you think you're in this safe zone

858
00:52:02,440 --> 00:52:04,719
Speaker 1: and you're with friends and or maybe it's like a

859
00:52:04,760 --> 00:52:07,279
Speaker 1: new friend and you think that they're just talking to

860
00:52:07,320 --> 00:52:10,960
Speaker 1: you as you me Jenny Youtorie, and then they'll slip

861
00:52:11,000 --> 00:52:13,239
Speaker 1: and say, so, Kelly, what happened with And you're like,

862
00:52:13,239 --> 00:52:16,040
Speaker 1: whoa did she just call me Kelly? Am I imagining that?

863
00:52:17,040 --> 00:52:21,080
Speaker 1: But that's like innocent, yeah, totally. But but then it's like,

864
00:52:21,120 --> 00:52:22,960
Speaker 1: you didn't think that that person was a fan, or

865
00:52:23,000 --> 00:52:25,000
Speaker 1: you didn't we didn't think that person was into the show,

866
00:52:25,040 --> 00:52:28,400
Speaker 1: but I guess they were obvious they know the character

867
00:52:28,480 --> 00:52:32,640
Speaker 1: name well, but that happened of the country was into

868
00:52:32,680 --> 00:52:38,320
Speaker 1: the show, So there's a big chance only some people

869
00:52:38,360 --> 00:52:40,680
Speaker 1: look at like her husband did not watch the show,

870
00:52:40,800 --> 00:52:42,520
Speaker 1: so I'm putting him in the five percent. He was

871
00:52:42,560 --> 00:52:46,200
Speaker 1: still in a diaper with at What is the age

872
00:52:46,200 --> 00:52:50,319
Speaker 1: difference here? I don't know. It feels like a lot.

873
00:52:52,360 --> 00:52:55,120
Speaker 1: It's not He could have watched it. He says, his

874
00:52:55,200 --> 00:52:58,719
Speaker 1: sisters watched it. He's only nine years younger. Yeah, so

875
00:52:58,840 --> 00:53:02,319
Speaker 1: he's not getting saw it. He was more into UM

876
00:53:02,440 --> 00:53:04,920
Speaker 1: Saved by the Bell. What was the demo though? Was

877
00:53:04,920 --> 00:53:09,160
Speaker 1: it mainly females or was it male and females? I

878
00:53:09,239 --> 00:53:12,839
Speaker 1: watched it was a mix because we had they would

879
00:53:12,880 --> 00:53:14,879
Speaker 1: have the parties to watch the show, you know, like

880
00:53:15,239 --> 00:53:18,320
Speaker 1: how many would get together on Wednesday night? Was it

881
00:53:18,360 --> 00:53:21,359
Speaker 1: Wednesday Wednesday nights? Yeah, I feel like day night and

882
00:53:21,600 --> 00:53:23,840
Speaker 1: frat boys said they would like leave the barn go

883
00:53:23,920 --> 00:53:25,960
Speaker 1: home so they could have their frat parties and watch it.

884
00:53:26,960 --> 00:53:31,640
Speaker 1: Definitely guys in the we you know, we heard from

885
00:53:31,680 --> 00:53:36,920
Speaker 1: Doug Emerson that when he was in the Where Right Army, Navy,

886
00:53:36,920 --> 00:53:40,040
Speaker 1: Air Force, Air Force, he would get together with his

887
00:53:41,320 --> 00:53:43,440
Speaker 1: um pals and watch it in the wreck room or

888
00:53:43,440 --> 00:53:48,759
Speaker 1: whatever you said. Pals. Hm, I was searching for the

889
00:53:48,800 --> 00:53:53,200
Speaker 1: word too, said room. I know I was really going

890
00:53:53,239 --> 00:53:55,200
Speaker 1: with that one. You got any more questions for us?

891
00:53:55,239 --> 00:53:59,879
Speaker 1: Totem crazy? This is from Jenny. I guess you wrote

892
00:54:00,040 --> 00:54:03,719
Speaker 1: your own question, she I did. Does Jenny spell her

893
00:54:03,800 --> 00:54:07,400
Speaker 1: name with a Y or E E? I'm not gonna lie.

894
00:54:07,440 --> 00:54:10,239
Speaker 1: I don't think I've ever seen anyone spell their name

895
00:54:10,400 --> 00:54:13,160
Speaker 1: like you. So I've run into a few people and

896
00:54:13,360 --> 00:54:17,400
Speaker 1: really where Jenny with a Y is a whole another Jenny.

897
00:54:17,440 --> 00:54:19,600
Speaker 1: So you know, I'm gonna go out on a limb here.

898
00:54:19,600 --> 00:54:22,160
Speaker 1: I wonder how old she is because I feel like

899
00:54:22,960 --> 00:54:25,640
Speaker 1: a lot of women once they watched the show and

900
00:54:25,680 --> 00:54:29,839
Speaker 1: then had kids named Jenny with I E because they

901
00:54:30,040 --> 00:54:32,040
Speaker 1: loved you and watched you and thought that was a

902
00:54:32,040 --> 00:54:36,400
Speaker 1: great name. Ya think. I don't know. I didn't used

903
00:54:36,400 --> 00:54:38,600
Speaker 1: to know a lot of Tories, but now I'm seeing

904
00:54:38,680 --> 00:54:40,520
Speaker 1: a lot of Tories. And when I look, I mean

905
00:54:40,560 --> 00:54:44,160
Speaker 1: it could be after Tori Amos, but um, when I look, now,

906
00:54:44,560 --> 00:54:47,359
Speaker 1: they're like that generation that their mom probably watched because

907
00:54:47,360 --> 00:54:51,560
Speaker 1: they're young enough that their mom was our generation. Just

908
00:54:51,600 --> 00:54:55,520
Speaker 1: Sadden myself. We're old, okay, go on, Okay, So she's

909
00:54:55,560 --> 00:54:58,080
Speaker 1: asking while you were playing Donna and Kelly, did you

910
00:54:58,120 --> 00:55:01,000
Speaker 1: ever want to be the other's charac there or now

911
00:55:01,040 --> 00:55:02,840
Speaker 1: that the show is over, would you like to have

912
00:55:02,880 --> 00:55:06,920
Speaker 1: played each other's character? Would you have liked to be Kelly?

913
00:55:07,120 --> 00:55:12,319
Speaker 1: I could never have. It's so hard because it's so No.

914
00:55:13,280 --> 00:55:16,280
Speaker 1: I mean I auditioned for Kelly because there really wasn't

915
00:55:16,360 --> 00:55:20,480
Speaker 1: like a full Donna character, so they had the audition

916
00:55:20,560 --> 00:55:24,200
Speaker 1: for the role of Kelly. But no, I mean, in hindsight,

917
00:55:24,239 --> 00:55:26,839
Speaker 1: like no one could have played Kelly besides Jen but

918
00:55:27,320 --> 00:55:29,520
Speaker 1: and yeah, no one could have been Donna about you?

919
00:55:29,640 --> 00:55:33,319
Speaker 1: But that would be fun to see each of us

920
00:55:34,000 --> 00:55:36,440
Speaker 1: play the other one in a scene, just to see

921
00:55:36,520 --> 00:55:39,160
Speaker 1: and not trying to imitate like what that one did,

922
00:55:39,280 --> 00:55:42,799
Speaker 1: just like our own spin on it. That would be fun.

923
00:55:42,880 --> 00:55:45,239
Speaker 1: We should just do a big character swap someday and

924
00:55:45,239 --> 00:55:49,799
Speaker 1: get everybody together and it's which rules. Wait, what does

925
00:55:49,840 --> 00:55:53,480
Speaker 1: that call role reversal or like some fetish? I don't

926
00:55:53,480 --> 00:55:58,000
Speaker 1: know nine two one character fetish? That sounds dirty. Those

927
00:55:58,000 --> 00:56:02,000
Speaker 1: were some intense, crazy see questions. Come on you guys,

928
00:56:02,080 --> 00:56:05,560
Speaker 1: we know you've got some really juicy questions for us. Yeah,

929
00:56:05,640 --> 00:56:08,960
Speaker 1: bring him, bring him. We're so appreciative of you guys listening,

930
00:56:09,000 --> 00:56:12,680
Speaker 1: and we just really love you all. And uh, next

931
00:56:12,719 --> 00:56:18,000
Speaker 1: episode is episode seventeen, Chucky's Back. I wonder if it

932
00:56:18,040 --> 00:56:22,360
Speaker 1: means like Chucky the doll. Okay, so I'm not sure,

933
00:56:23,600 --> 00:56:27,040
Speaker 1: but I think elo was creative because of this episode.

934
00:56:28,120 --> 00:56:31,120
Speaker 1: I think, So, what's that. You'll have to wait, we'll

935
00:56:31,160 --> 00:56:38,480
Speaker 1: tell you that it's it's it's Iron's alter ego. And

936
00:56:38,560 --> 00:56:40,279
Speaker 1: we love to talk about this and we all talked

937
00:56:40,280 --> 00:56:42,080
Speaker 1: about it. We talked about right to his face and

938
00:56:42,040 --> 00:56:45,040
Speaker 1: embarrass him all the time about it. Yeah, but it

939
00:56:45,120 --> 00:56:47,160
Speaker 1: was a thing, and I think it was because of

940
00:56:47,239 --> 00:56:50,080
Speaker 1: Chucky's Back, which is an episode that was Chucky who

941
00:56:50,120 --> 00:56:53,880
Speaker 1: played his mother was on that show and it was

942
00:56:54,120 --> 00:56:57,719
Speaker 1: her son on that show. There's things that happened. Yeah,

943
00:56:59,560 --> 00:57:02,440
Speaker 1: side it. I'm excited to listen and watch to it.

944
00:57:02,560 --> 00:57:06,040
Speaker 1: Watch to it. I'm excited to watch it. Those are

945
00:57:06,040 --> 00:57:08,359
Speaker 1: your marching orders. Go watch Chuckies Back, and we'll see

946
00:57:08,400 --> 00:57:10,319
Speaker 1: you next week.