WEBVTT - Struggle, Surrender, and Salvation

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<v Speaker 1>Welcome to woke f with me Danielle Moody. Over the

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<v Speaker 1>last few weeks, I've been featuring a number of fantastic

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<v Speaker 1>artists whose work is being showcased at the Shed Cultural

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<v Speaker 1>Center this summer in New York as part of their

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<v Speaker 1>open Call program. This week, I am proud to present

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<v Speaker 1>the final artists in our series, Troy Anthony, creator of

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<v Speaker 1>the Revival. It is our duty? What is the Revival?

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<v Speaker 1>And why is it our duty? Troy's project centers around

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<v Speaker 1>the true history of Juneteenth and the importance of struggle, surrender,

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<v Speaker 1>and salvation. Through his spoken word presentation, one that he

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<v Speaker 1>refers to as a sermon, Troy urges a return to

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<v Speaker 1>the original significance of Juneteenth, which you will hear him

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<v Speaker 1>explain in our conversation. I wanted to share our entire

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<v Speaker 1>half hour conversation in commemoration of Juneteenth to let you

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<v Speaker 1>hear his passion and insight into this historic remembrance. As

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<v Speaker 1>Juneteenth becomes a federal holiday, one that has rapidly become

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<v Speaker 1>commodified by corporations, I hope you will listen closely to

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<v Speaker 1>Troy's words and become part of the revival. After all,

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<v Speaker 1>it is our duty Troy. You refer to this as

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<v Speaker 1>not a performance but as a service. So let's start there,

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<v Speaker 1>Because when I think about a revival, I keep talking

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<v Speaker 1>about the time that we are living in right now

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<v Speaker 1>as an opportunity to reimagine this country, this world, that

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<v Speaker 1>oftentimes when we're at a space where things are breaking open,

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<v Speaker 1>that it is an opportunity for us to create new space.

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<v Speaker 1>And so talk to us about what the revival means

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<v Speaker 1>and why that title. Yes, so I'm from the South.

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<v Speaker 1>I grew up in Louisville, Kentucky, and I grew up

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<v Speaker 1>going to these kind of revival services, sometimes actually intense

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<v Speaker 1>in the middle of my neighborhood. And when I was

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<v Speaker 1>looking for something that met this moment, I was trying

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<v Speaker 1>to remember about like times or spaces that I've been

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<v Speaker 1>in that helped me move from you know, point A

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<v Speaker 1>to point B point A being like if I was

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<v Speaker 1>in a place of like deep pain, something that moved

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<v Speaker 1>me to joy, or if I was in a place

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<v Speaker 1>of like not being able to see the way forward,

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<v Speaker 1>that moved me to you know, seeing a clearer path.

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<v Speaker 1>And Church has always been that for me. And also

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<v Speaker 1>like the Christian context that I grew up in does

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<v Speaker 1>not necessarily feed my spirit in the same way. So

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<v Speaker 1>I aim to dissect, like what is a revival service?

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<v Speaker 1>How what is the what is the technology that's being

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<v Speaker 1>used in that service that gets us from point A

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<v Speaker 1>to point B? And I found that like all that

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<v Speaker 1>it really is are these songs that are helping us

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<v Speaker 1>like hold space for our own journey. And so when

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<v Speaker 1>I titled it the Revival, it's about coming back to ourselves.

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<v Speaker 1>It's about finding a path to salvation, and salvation being

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<v Speaker 1>about collective liberation. So there are three parts to a revival.

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<v Speaker 1>There's it's usually about struggle, about surrender and salvation. Those

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<v Speaker 1>are the themes. And so I've said, okay, well, we're

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<v Speaker 1>going to honor our struggle. We've been through so much

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<v Speaker 1>in the past year and a half and beyond and

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<v Speaker 1>beyond and beyond, you know, so we're going to honor that.

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<v Speaker 1>And how do we honor that? That's been a big

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<v Speaker 1>question for me. And then it's like what does it

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<v Speaker 1>mean to be in this moment where we're trying to

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<v Speaker 1>come back, where we are trying to take all the

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<v Speaker 1>lessons that we've learned and apply them somehow to our lives,

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<v Speaker 1>Like what does it mean to honor this moment? What

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<v Speaker 1>does it mean to surrender to this moment? And then

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<v Speaker 1>how do we find a path to salvation through collective liberation.

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<v Speaker 1>That's what the revival aims to do. And I also

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<v Speaker 1>think I harp on this thing that it's not a performance,

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<v Speaker 1>because so much about theater and art has turned into

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<v Speaker 1>like this thing that we consume, yes, other than the

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<v Speaker 1>thing that we like sit with or that helps us process.

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<v Speaker 1>And so I'm just asking people to engage with the

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<v Speaker 1>essentially the concert in a in a different way. You know,

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<v Speaker 1>that's interesting because I think you know to your point

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<v Speaker 1>and understanding your background, having grown up in the South

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<v Speaker 1>and having grown up in the church, is the idea

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<v Speaker 1>that you know, when you go to service, it is

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<v Speaker 1>not a passive experience. You're not just sitting there and

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<v Speaker 1>allowing the preacher and the choir to just wash over you.

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<v Speaker 1>It is a spiritual engagement. It's an entanglement of sorts

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<v Speaker 1>right about how you open up or a close to

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<v Speaker 1>the experience and that you're having. I want to go

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<v Speaker 1>back to the three parts that you laid out, the struggle,

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<v Speaker 1>the surrender, and the salvation. You know, it was funny

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<v Speaker 1>because when you said the surrender piece, like my neurons

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<v Speaker 1>kind of lit up, because every day I post some

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<v Speaker 1>type of like quote on my Instagram, and yesterday was

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<v Speaker 1>about surrender and it was about surrender being not a

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<v Speaker 1>giving in but a letting go. Yes, and you know,

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<v Speaker 1>and I posted it and folks are just like, yes, Amen,

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<v Speaker 1>that's it, this is what we're talking about. And so

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<v Speaker 1>you know, walk me through for you with this piece

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<v Speaker 1>what it means to surrender, because we understand the struggle

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<v Speaker 1>part all too well, right, we understand the generational struggle,

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<v Speaker 1>We understand what the struggle of the past year of

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<v Speaker 1>twenty twenty into twenty twenty one for black people has

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<v Speaker 1>been in terms of struggle. But talk to us about

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<v Speaker 1>the piece about surrender and what that means and what

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<v Speaker 1>comes up for you. Yeah. So there's a big part

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<v Speaker 1>of the piece where I take people through how I

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<v Speaker 1>processed the murder of George Floyd and more specifically, actually

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<v Speaker 1>how I processed Brianna Taylor's death. Brianna Taylor is from Louisville, Kentucky.

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<v Speaker 1>She still has not seen justice, and I've been really

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<v Speaker 1>sitting with her as i've been writing this, and so

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<v Speaker 1>there's a part of surrender that is about like, I

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<v Speaker 1>have been through what I've been through, I've seen what

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<v Speaker 1>I've seen. I have control of what I have control over,

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<v Speaker 1>and this kind of like letting go and like and

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<v Speaker 1>letting whatever happens happens. Is that surrender moment and getting

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<v Speaker 1>there actually takes a lot of work. Yes, it's like

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<v Speaker 1>so hard to let go, right, and then when you

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<v Speaker 1>think about all the things that you need to allow

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<v Speaker 1>to happen. One of the things that I had to

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<v Speaker 1>do in this pandemic was I had to allow myself

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<v Speaker 1>to sit in rage. That's not an emotion that I

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<v Speaker 1>allow myself to sit in. But as soon as I

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<v Speaker 1>let myself just be mad, right, as soon as I

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<v Speaker 1>gave myself space to do that, I could continue my

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<v Speaker 1>grieving process. You know, I had to surrender to like,

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<v Speaker 1>oh I have there are some things about myself that

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<v Speaker 1>I don't love, you know, and I just had to

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<v Speaker 1>sit with them and go, Okay, these things are here,

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<v Speaker 1>Like what can I do about them? Or I'm like wait,

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<v Speaker 1>like I've actually been holding onto all this shame, Like

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<v Speaker 1>why am I holding onto that? Like, let me surrender

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<v Speaker 1>and just let go of that, Like what am I

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<v Speaker 1>holding onto it for? So I think for me, this

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<v Speaker 1>pandemic has taught me a lot about how much I'm

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<v Speaker 1>not in control of, how much I actually don't have

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<v Speaker 1>agency over, and when I allowed that to exist next

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<v Speaker 1>to all the other things that I actually can do right,

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<v Speaker 1>when I surrender, that allows me actually to move forward

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<v Speaker 1>to something and to say what tools do I have?

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<v Speaker 1>So the Revival Service kind of asks us to sit

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<v Speaker 1>with that and also kind of provides us some tools

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<v Speaker 1>through music to kind of move us forward in that way.

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<v Speaker 1>You know, I have been talking so often on woke

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<v Speaker 1>app about well, one unlike you, my natural state is rage,

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<v Speaker 1>and so you know there are some people that might No,

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<v Speaker 1>I don't think anyone would actually say that about me.

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<v Speaker 1>My natural state is rage, and I have, you know,

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<v Speaker 1>through the pandemic, have been learning how to let go right.

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<v Speaker 1>That part of the process of trying to break things open,

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<v Speaker 1>and for my work, it is through politics, right, and

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<v Speaker 1>through letting people understand their power and responsibilities citizens of

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<v Speaker 1>this country right to be active and activate themselves. And

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<v Speaker 1>the part of doing that is, like James Baldwin had said,

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<v Speaker 1>is that the more conscious that you become about this

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<v Speaker 1>country the more enraged you are, right, particularly as black people,

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<v Speaker 1>and so, you know, do you feel as an artist

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<v Speaker 1>that in some essence there needs to be some struggle

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<v Speaker 1>and strife and that there is something productive about moving

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<v Speaker 1>through trauma to create something new. Somebody had shared that

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<v Speaker 1>thought on social media earlier this week, and I've been

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<v Speaker 1>sitting with it as a content creator, not as an artist,

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<v Speaker 1>but thinking to myself, can you create without there being

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<v Speaker 1>some type of conflict? I think, you know, conflict drives

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<v Speaker 1>a lot of art, you know, even in music, like

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<v Speaker 1>the way that I compose, like it's all about conflict

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<v Speaker 1>and resolution, tension and resolve. So that just exists, right,

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<v Speaker 1>and it doesn't for me like conflict doesn't have like

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<v Speaker 1>a bad thing, Like yes, sometimes the conflict is the

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<v Speaker 1>catalyst right for us to move through. I think the

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<v Speaker 1>thing that I have been sitting with is, you know

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<v Speaker 1>a lot of art that deals with trauma, especially black trauma.

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<v Speaker 1>It's like if it's a play, it's like you go

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<v Speaker 1>through the whole play. By the end of the play

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<v Speaker 1>you realize that, like, oh, trauma exists. For me, it's

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<v Speaker 1>about starting with the trauma and saying like, Okay, this exists,

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<v Speaker 1>and now I'm going to spend an hour and a

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<v Speaker 1>half on the path to healing, Like, how do we

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<v Speaker 1>work through this? It's the moving through that I'm interested

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<v Speaker 1>in right now, and I feel like we don't do

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<v Speaker 1>that enough. And then just what you said, when you

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<v Speaker 1>start to move through, then you can start to dream

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<v Speaker 1>and hope and build, you know, And it's like sitting

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<v Speaker 1>with trauma at the same time as being able to

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<v Speaker 1>activate our imagination about Okay, what will happen after I

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<v Speaker 1>burn it all down? Right, Like, those two things hand

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<v Speaker 1>in hand is actually what leads to our liberation. And

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<v Speaker 1>it's not one or the other. You have to have

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<v Speaker 1>them both. So I guess the short answer to your

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<v Speaker 1>question is yes, I think that conflict is a major

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<v Speaker 1>part of the equation. You know, I love what you

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<v Speaker 1>just said about being able to activate that kind of

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<v Speaker 1>dream space through the action of burning it all down

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<v Speaker 1>because you know, you realize and what I am starting

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<v Speaker 1>to understand is that when everything is in such complete disarray,

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<v Speaker 1>right when we're looking at we're living through a global

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<v Speaker 1>health pandemic, we are living through racial uprisings, there's like

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<v Speaker 1>a return and a resurgence of white nationalism. There is

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<v Speaker 1>you know, this continuation of black trauma that is played

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<v Speaker 1>over and over again like horrible porn on cable news

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<v Speaker 1>on a regular basis. When you see all of this happening,

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<v Speaker 1>there is like this pit that arrives and you see

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<v Speaker 1>all of the destruction that is happening. But through that

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<v Speaker 1>same time, it's just like, well, what happens if it

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<v Speaker 1>does all burn down? Like then what right? Like then

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<v Speaker 1>what right? Because through the mud comes the lotus flower,

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<v Speaker 1>through the ashes comes the phoenix. It's like, you can

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<v Speaker 1>imagine so much more, I think, in a place of

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<v Speaker 1>devastation because everything that you did know is no longer right,

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<v Speaker 1>everything that we kind of trusted, And I think the

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<v Speaker 1>thing about the pandemic, and you tell me if you

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<v Speaker 1>felt this way as well, is that we were living

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<v Speaker 1>in this false sense of security, right that something's a

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<v Speaker 1>catastrophic global event couldn't possibly ever happen. That's something that

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<v Speaker 1>we see in sci fi. It's something that we read

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<v Speaker 1>in books, or something that happened to Central Ago, right

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<v Speaker 1>with the Spanish flu. So there's something that is very

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<v Speaker 1>unsettling now about collective trauma, Like it's not just black trauma. Yes,

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<v Speaker 1>our community experienced it differently and more so. But there's

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<v Speaker 1>something about the collection of this trauma. How do you

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<v Speaker 1>think that we use that community space to build right

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<v Speaker 1>to move through? Like you're saying, this isn't a play,

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<v Speaker 1>and it isn't a performance. This is all of our lives.

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<v Speaker 1>But there is still a moving through that needs to

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<v Speaker 1>happen from this collective struggle. How do you imagine that

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<v Speaker 1>to come forth? Or does it? You know? I think

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<v Speaker 1>there is something about everyone having to grapple with the thing,

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<v Speaker 1>you know, whether we were talking about racism or police

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<v Speaker 1>brutality or name and name and name, But there is

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<v Speaker 1>something about like, Okay, this is in front of all

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<v Speaker 1>of us and we all see it now, like what

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<v Speaker 1>are we going to do about it? And I think

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<v Speaker 1>there is something that has happened in this pandemic that

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<v Speaker 1>has and I'm not going to say an equalized year,

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<v Speaker 1>because I don't like it when people say that, but

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<v Speaker 1>there is something that kind of like allowed us to

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<v Speaker 1>name everything that we see on the table and agree

0:14:21.000 --> 0:14:22.920
<v Speaker 1>that all of these things are on the table right

0:14:23.400 --> 0:14:25.840
<v Speaker 1>so that now now we can work through together because

0:14:25.840 --> 0:14:29.760
<v Speaker 1>we have a common you know, we we see the

0:14:29.840 --> 0:14:32.920
<v Speaker 1>same thing, you know. Um so I and I think

0:14:32.920 --> 0:14:36.480
<v Speaker 1>that that that is a step, you know. And I

0:14:36.520 --> 0:14:41.520
<v Speaker 1>think now, because this is a collective problem, as you said,

0:14:42.160 --> 0:14:44.920
<v Speaker 1>everyone has a stake, and I think now we're at

0:14:44.920 --> 0:14:47.440
<v Speaker 1>the point we're trying to figure out, like, Okay, what's

0:14:47.480 --> 0:14:51.960
<v Speaker 1>my role? What what role do I play? And you know,

0:14:52.040 --> 0:14:55.720
<v Speaker 1>I worked at a place called Dreamyard, Um the dream

0:14:55.800 --> 0:14:58.920
<v Speaker 1>Yard Project in the Bronx. Actually just had my last

0:14:59.000 --> 0:15:01.760
<v Speaker 1>day a few weeks ago, but we do art and

0:15:01.840 --> 0:15:04.960
<v Speaker 1>social justice education. And when I first got there, the

0:15:05.000 --> 0:15:07.360
<v Speaker 1>first thing that we did as a learning community, as

0:15:07.360 --> 0:15:10.640
<v Speaker 1>a full staff was talk about the civil rights movement

0:15:10.760 --> 0:15:13.920
<v Speaker 1>and like how it worked. And one of the things

0:15:13.960 --> 0:15:18.560
<v Speaker 1>that really jumped out at me was I had this

0:15:18.640 --> 0:15:20.720
<v Speaker 1>narrative in my head that like all the black people

0:15:20.760 --> 0:15:24.440
<v Speaker 1>came together and had like one agenda and then that

0:15:24.520 --> 0:15:27.760
<v Speaker 1>one agenda was pushed through like with all the might,

0:15:28.120 --> 0:15:30.560
<v Speaker 1>and I'm like, no, actually, there was a lot of discourse,

0:15:30.720 --> 0:15:33.480
<v Speaker 1>Like there were a lot of different ways of going forward,

0:15:33.760 --> 0:15:36.920
<v Speaker 1>which which is actually pretty obvious, Like there was a

0:15:36.960 --> 0:15:41.120
<v Speaker 1>lot of disagreement, but everybody did there. Everyone had a

0:15:41.120 --> 0:15:44.600
<v Speaker 1>common goal, even if they had different paths to getting there,

0:15:44.960 --> 0:15:48.960
<v Speaker 1>and it actually took everybody. There is no Martin without Malcolm,

0:15:49.720 --> 0:15:54.520
<v Speaker 1>you know, like, and so I am interested in how

0:15:55.240 --> 0:16:00.080
<v Speaker 1>is everyone using their tactic toward this common goal to

0:16:00.080 --> 0:16:02.160
<v Speaker 1>tackle this thing that we all see on the table.

0:16:02.600 --> 0:16:05.400
<v Speaker 1>And I think we'll find our way there. That's just

0:16:05.520 --> 0:16:12.120
<v Speaker 1>my theory. You know, I wonder too. You know, the

0:16:12.280 --> 0:16:17.080
<v Speaker 1>ending right is about salvation, right, But everybody's idea of

0:16:17.120 --> 0:16:21.240
<v Speaker 1>salvation doesn't look the same. So when so even when

0:16:21.600 --> 0:16:23.400
<v Speaker 1>you know, I listen to you saying, well, we have

0:16:23.520 --> 0:16:27.040
<v Speaker 1>this common goal, and I think that within the black community,

0:16:27.080 --> 0:16:30.960
<v Speaker 1>the common goal is to get free, right, But everybody's

0:16:31.000 --> 0:16:36.440
<v Speaker 1>idea of how we get free and what that freedom means, right,

0:16:36.720 --> 0:16:41.800
<v Speaker 1>it's different, right, And so I wonder for you with

0:16:41.840 --> 0:16:47.120
<v Speaker 1>this piece, what does salvation mean for you? The goal

0:16:47.160 --> 0:16:49.800
<v Speaker 1>of this piece is for people to go on a

0:16:50.720 --> 0:16:57.440
<v Speaker 1>personal journey in a collective space. Right. So I talk

0:16:57.480 --> 0:17:00.400
<v Speaker 1>a lot about the choir. Why is choir a lot?

0:17:00.560 --> 0:17:03.400
<v Speaker 1>And acquire your training to honor your individual voice and

0:17:03.480 --> 0:17:06.640
<v Speaker 1>also make this beautiful thing for it with everybody else

0:17:06.680 --> 0:17:11.040
<v Speaker 1>around you. And in the revival, we go through a

0:17:11.119 --> 0:17:13.520
<v Speaker 1>series of songs that really are about like what have

0:17:13.720 --> 0:17:16.840
<v Speaker 1>I gone through? How did I get here? What do

0:17:16.920 --> 0:17:20.840
<v Speaker 1>I need to let go of? But the end goal

0:17:21.600 --> 0:17:26.000
<v Speaker 1>is that you are able to see literally see how

0:17:26.040 --> 0:17:32.159
<v Speaker 1>everyone else is moving through their stuff. And my hope

0:17:32.240 --> 0:17:36.320
<v Speaker 1>also is that the takeaway from the revival is I

0:17:36.359 --> 0:17:39.760
<v Speaker 1>can't get free unless you are free, and you can't

0:17:39.800 --> 0:17:45.120
<v Speaker 1>get free unless I'm free. And so if our definitions whatever,

0:17:45.480 --> 0:17:48.360
<v Speaker 1>whatever I think it means for me to be free,

0:17:48.600 --> 0:17:53.040
<v Speaker 1>if it does not include you being free, that's not freedom, period.

0:17:53.720 --> 0:17:56.840
<v Speaker 1>And so it's trying to get people to say, oh

0:17:56.920 --> 0:18:01.200
<v Speaker 1>oh oh, like to move from a personal journey, right,

0:18:01.240 --> 0:18:04.360
<v Speaker 1>which is necessary, like we have to do work on ourselves,

0:18:04.400 --> 0:18:07.000
<v Speaker 1>but to move from what do I need to what

0:18:07.040 --> 0:18:11.400
<v Speaker 1>do we need? And specifically like you might need more

0:18:11.480 --> 0:18:15.639
<v Speaker 1>than I do, you might need something different, um, and

0:18:15.680 --> 0:18:18.640
<v Speaker 1>so how can I honor what you need? And and

0:18:18.720 --> 0:18:21.800
<v Speaker 1>think about what what can I do? And sometimes that

0:18:21.880 --> 0:18:24.800
<v Speaker 1>means what can What do I need to give up? Right?

0:18:25.600 --> 0:18:28.199
<v Speaker 1>What do I need to give up in order to

0:18:28.240 --> 0:18:31.600
<v Speaker 1>make sure you have what you need? Do you know? So?

0:18:33.040 --> 0:18:34.920
<v Speaker 1>I do I think that the Revival is going to

0:18:35.040 --> 0:18:38.520
<v Speaker 1>like solve all the problems? No, it's not. Its purpose.

0:18:38.640 --> 0:18:43.879
<v Speaker 1>The purpose is to to shift our our viewpoint, to

0:18:44.000 --> 0:18:48.840
<v Speaker 1>shift how we are showing up, how we are continuing

0:18:49.000 --> 0:18:51.080
<v Speaker 1>that you don't leave the same way that you came.

0:18:51.520 --> 0:18:53.600
<v Speaker 1>That you're able to do even a little bit of

0:18:53.640 --> 0:18:56.000
<v Speaker 1>work in that space with a bunch of other people

0:18:56.480 --> 0:18:59.640
<v Speaker 1>that hopefully radiates and radiates and radiates and radiates out

0:19:00.080 --> 0:19:05.480
<v Speaker 1>side of whatever happens in that twenty minutes. I love it,

0:19:06.119 --> 0:19:11.280
<v Speaker 1>your service. The revival will take place on Juneteenth. Yes,

0:19:11.960 --> 0:19:15.159
<v Speaker 1>so talk to us. I know the significance, but the

0:19:15.240 --> 0:19:20.800
<v Speaker 1>significance for you, the significance for why this Juneteenth. And

0:19:20.880 --> 0:19:24.000
<v Speaker 1>also I have another question, but I'll let you. I'll

0:19:24.080 --> 0:19:27.600
<v Speaker 1>let you answer this one first. It's about Juneteenth twenty

0:19:27.680 --> 0:19:32.280
<v Speaker 1>twenty and what we saw. What we saw? Yes, yes,

0:19:33.400 --> 0:19:37.480
<v Speaker 1>so I have actually like Juneteenth has been one of

0:19:37.520 --> 0:19:40.720
<v Speaker 1>those things that I it was like I kind of

0:19:40.840 --> 0:19:44.280
<v Speaker 1>understood it, like growing up. It wasn't something that like

0:19:44.359 --> 0:19:47.440
<v Speaker 1>my family like got together. Like when I think of Juneteenth,

0:19:47.440 --> 0:19:49.960
<v Speaker 1>I think of Texas, like I specifically think of black

0:19:49.960 --> 0:19:53.280
<v Speaker 1>people in Texas who really do the thing. But and

0:19:53.440 --> 0:19:55.439
<v Speaker 1>I did not grow up with like that kind of

0:19:55.480 --> 0:20:02.200
<v Speaker 1>history of Juneteenth. But especially last year when suddenly everybody

0:20:02.440 --> 0:20:05.320
<v Speaker 1>wanted to celebrate Juneteenth, it was just like we've always

0:20:05.359 --> 0:20:09.600
<v Speaker 1>done this, right, Oh yeah, Nike, you know everybody coming

0:20:09.680 --> 0:20:15.480
<v Speaker 1>up with the okay oh, okay um, but I actually

0:20:16.000 --> 0:20:18.439
<v Speaker 1>really focused, I really focused on it. I have a

0:20:18.480 --> 0:20:22.679
<v Speaker 1>really wonderful friend. Her name is Ava Um. She is

0:20:22.760 --> 0:20:27.359
<v Speaker 1>the director of education at BAM and also was like

0:20:27.480 --> 0:20:29.880
<v Speaker 1>my work wife at dream Yard for a period of time,

0:20:29.920 --> 0:20:31.800
<v Speaker 1>and she's joining me as a drama turk on this

0:20:31.840 --> 0:20:37.239
<v Speaker 1>piece she gave. She gives this Juneteenth presentation that like

0:20:37.359 --> 0:20:42.280
<v Speaker 1>literally shifted my everything because at the center of it,

0:20:42.400 --> 0:20:45.520
<v Speaker 1>she questioned all of the narratives that I grew up

0:20:45.520 --> 0:20:48.280
<v Speaker 1>with about Juneteenth about how it was about like, oh,

0:20:48.320 --> 0:20:52.600
<v Speaker 1>we learned of our freedom late, like everybody learned at

0:20:52.600 --> 0:20:57.040
<v Speaker 1>different times. It's like, no, actually, what Juneteenth is actually

0:20:57.080 --> 0:21:03.080
<v Speaker 1>about is how my ancestors lived rated themselves, how they

0:21:03.400 --> 0:21:09.800
<v Speaker 1>used you know, Lincoln's call to join the army to say, okay, great,

0:21:09.920 --> 0:21:12.120
<v Speaker 1>I'm really gonna go and I'm really gonna take over

0:21:12.280 --> 0:21:14.159
<v Speaker 1>Richmond and then I'm gonna go to the outskirts and

0:21:14.240 --> 0:21:16.919
<v Speaker 1>I'm gonna get my kids and my and my wife

0:21:17.840 --> 0:21:22.240
<v Speaker 1>or like like and we and that history and lineage

0:21:22.320 --> 0:21:28.240
<v Speaker 1>of like, oh, like our country like needed to free

0:21:28.480 --> 0:21:33.880
<v Speaker 1>enslaved people because rebellions were real and like people were scared,

0:21:34.240 --> 0:21:37.680
<v Speaker 1>like our ancestors weren't just sitting around waiting for people

0:21:37.720 --> 0:21:44.040
<v Speaker 1>to free them, right, and books tell it that. His

0:21:44.280 --> 0:21:48.520
<v Speaker 1>books tell it yes. And I'm sermonizing. I literally give

0:21:48.520 --> 0:21:50.520
<v Speaker 1>a sermon in this piece, and this is what my

0:21:50.560 --> 0:21:54.040
<v Speaker 1>sermon is about, about how our ancestors are actually our

0:21:54.200 --> 0:21:58.760
<v Speaker 1>wildest dreams, Like if we've been looking for like in

0:21:58.880 --> 0:22:01.800
<v Speaker 1>a like people that really showed up for themselves, that

0:22:01.920 --> 0:22:06.080
<v Speaker 1>really figured out what collective liberation was, like what it

0:22:06.160 --> 0:22:10.000
<v Speaker 1>meant to really free yourself, like our ancestors did that,

0:22:10.600 --> 0:22:13.640
<v Speaker 1>and like we can also do that. We don't need

0:22:13.680 --> 0:22:17.760
<v Speaker 1>to wait around for someone to hand us anything. You know,

0:22:18.160 --> 0:22:23.520
<v Speaker 1>we have all of the agency, and I'm just giving

0:22:23.560 --> 0:22:28.240
<v Speaker 1>away the whole people. No, I know, you're making everybody

0:22:28.359 --> 0:22:31.840
<v Speaker 1>want to go show up, because that's what I'm sitting here,

0:22:31.840 --> 0:22:34.080
<v Speaker 1>and I'm saying to myself. You know, I have that

0:22:34.200 --> 0:22:37.959
<v Speaker 1>T shirt that says I am my ancestors wildest dreams,

0:22:38.160 --> 0:22:40.880
<v Speaker 1>and now you just like totally flipped it on its head,

0:22:40.960 --> 0:22:45.359
<v Speaker 1>and I'm thinking to myself, Wow, you know when you

0:22:45.440 --> 0:22:50.159
<v Speaker 1>think about the narrative that we have been given, that

0:22:50.200 --> 0:22:53.640
<v Speaker 1>has been force fed to us about our lack right,

0:22:54.040 --> 0:22:59.200
<v Speaker 1>and I think about a people who created their own liberation,

0:22:59.280 --> 0:23:04.880
<v Speaker 1>their own rich rolls, their own everything, moving through bondage,

0:23:05.119 --> 0:23:10.800
<v Speaker 1>physical bondage, but allowing them like being spiritually free. And

0:23:10.880 --> 0:23:13.359
<v Speaker 1>that's the place that we're actually trying to get back to.

0:23:13.560 --> 0:23:19.160
<v Speaker 1>Now you just you twisted, you twisted my mind. Well,

0:23:19.200 --> 0:23:21.679
<v Speaker 1>I have to give credit where credit is due. A

0:23:21.720 --> 0:23:25.719
<v Speaker 1>lot of the things that I don't create anything by myself.

0:23:26.200 --> 0:23:31.480
<v Speaker 1>I like to really tell everybody that I try to

0:23:31.560 --> 0:23:35.920
<v Speaker 1>run away from this whole like the singular genius artists

0:23:36.040 --> 0:23:40.280
<v Speaker 1>like to me, that is ridiculous. And so that all

0:23:40.359 --> 0:23:44.399
<v Speaker 1>came out of intense conversation with Eva, and she was like,

0:23:44.600 --> 0:23:47.359
<v Speaker 1>this has been on my mind, you know, like how

0:23:47.400 --> 0:23:50.119
<v Speaker 1>our ancestors are wildest dreams. I was like, say that again.

0:23:51.640 --> 0:23:56.280
<v Speaker 1>I'm like, please pause, what did you just say? You know? Um,

0:23:57.000 --> 0:24:00.560
<v Speaker 1>So every this whole piece has borne out of community

0:24:01.240 --> 0:24:04.200
<v Speaker 1>around my conversations with people. That's why I was like,

0:24:04.240 --> 0:24:06.320
<v Speaker 1>I need as many people involved in this as possible,

0:24:06.520 --> 0:24:09.760
<v Speaker 1>Like I need, I need, I need a choir of people,

0:24:09.880 --> 0:24:13.000
<v Speaker 1>Like everybody needs to bring their experience to this thing.

0:24:13.680 --> 0:24:16.000
<v Speaker 1>It's not about even like it's not even about like

0:24:16.080 --> 0:24:19.360
<v Speaker 1>just the shed presenting it. It's about like you know,

0:24:20.640 --> 0:24:24.359
<v Speaker 1>who are all the many people that came together to

0:24:24.440 --> 0:24:27.960
<v Speaker 1>make this thing happen, um, even though the shed is

0:24:28.000 --> 0:24:33.160
<v Speaker 1>giving it a beautiful home. UM. So yes, I think

0:24:33.920 --> 0:24:40.480
<v Speaker 1>collective liberation, our ability to free ourselves. Like that's that's

0:24:40.520 --> 0:24:47.040
<v Speaker 1>where we're going, That's what we're touching on. I really,

0:24:47.080 --> 0:24:51.200
<v Speaker 1>I mean I I you know, one, I'm excited about

0:24:51.240 --> 0:24:55.119
<v Speaker 1>your performance kind and I am I'm totally going to

0:24:55.200 --> 0:24:59.800
<v Speaker 1>combine in every single one of you amazing open call artists.

0:24:59.840 --> 0:25:01.720
<v Speaker 1>I'm it's like I'm coming. I'm just gonna live at

0:25:01.760 --> 0:25:05.800
<v Speaker 1>the shed, live at the shed and wait for everybody's

0:25:05.880 --> 0:25:09.320
<v Speaker 1>from here. But there is just something you know, you

0:25:09.359 --> 0:25:12.440
<v Speaker 1>can get caught. And I think from you know, for

0:25:12.560 --> 0:25:15.359
<v Speaker 1>myself in particular, because of the nature of the work

0:25:15.440 --> 0:25:18.399
<v Speaker 1>that is politics that has become so dark that I

0:25:18.560 --> 0:25:21.399
<v Speaker 1>entered it as a very hopeful bride eyed, you know,

0:25:21.600 --> 0:25:24.240
<v Speaker 1>wanting to believe that I could be this change maker

0:25:24.320 --> 0:25:26.680
<v Speaker 1>to now being like I hate all of this and

0:25:26.720 --> 0:25:29.200
<v Speaker 1>I don't want to go like end to my plans

0:25:29.400 --> 0:25:34.080
<v Speaker 1>at like like just you know, listen to Gospel House.

0:25:36.280 --> 0:25:40.199
<v Speaker 1>But you know, I think about you know, the beauty

0:25:40.200 --> 0:25:43.200
<v Speaker 1>of art is to allow us to be able to

0:25:43.359 --> 0:25:46.880
<v Speaker 1>experience our trauma, be able to see it but then

0:25:46.960 --> 0:25:50.080
<v Speaker 1>also find joy and beauty in all of it. And

0:25:50.160 --> 0:25:54.840
<v Speaker 1>so I appreciate you so much. I appreciate this body

0:25:54.840 --> 0:25:57.320
<v Speaker 1>of work that you are bringing to people at a time.

0:25:57.880 --> 0:25:59.879
<v Speaker 1>And I know that it was delayed, right, it was

0:26:00.080 --> 0:26:03.439
<v Speaker 1>delayed because of the pandemic. Do you want to know

0:26:03.520 --> 0:26:06.439
<v Speaker 1>the truth. Yeah, The truth is that this was not

0:26:06.520 --> 0:26:09.879
<v Speaker 1>the original show that I pitched the Shed. I pitched

0:26:09.880 --> 0:26:13.399
<v Speaker 1>a different show called Antioch Mass that it was about

0:26:13.520 --> 0:26:18.520
<v Speaker 1>Peter and Jesus and their relationship and all the stuff,

0:26:19.119 --> 0:26:22.760
<v Speaker 1>and it was delayed actually kind of twice. So the

0:26:23.160 --> 0:26:26.679
<v Speaker 1>first time I was supposed to present in twenty nineteen,

0:26:26.760 --> 0:26:29.359
<v Speaker 1>but they were like, actually, we've programmed too many. Do

0:26:29.359 --> 0:26:30.840
<v Speaker 1>you want to go to twenty twenty eight? I was

0:26:30.840 --> 0:26:32.800
<v Speaker 1>like sure, we all know what happened in twenty twenty.

0:26:33.600 --> 0:26:35.960
<v Speaker 1>And I was also supposed to have the commission in

0:26:36.000 --> 0:26:40.520
<v Speaker 1>the theater, which is like this enclosed you know space,

0:26:40.960 --> 0:26:44.080
<v Speaker 1>and the place where we're presenting is is huge Blaza.

0:26:44.160 --> 0:26:46.040
<v Speaker 1>I was like, I can't do that intimate piece in there.

0:26:46.080 --> 0:26:51.920
<v Speaker 1>And so this piece was born out of what has happened.

0:26:51.960 --> 0:26:54.040
<v Speaker 1>And I'm grateful to the Shed for allowing me that

0:26:54.040 --> 0:26:56.680
<v Speaker 1>flexibility because I was like, I can't, I can't do

0:26:56.720 --> 0:26:59.200
<v Speaker 1>that piece right now. I have to do something else.

0:27:00.520 --> 0:27:03.439
<v Speaker 1>And I also want to say Danielle that I hope

0:27:04.840 --> 0:27:08.720
<v Speaker 1>your inner change maker, that that light that you started

0:27:08.760 --> 0:27:12.680
<v Speaker 1>with it's still there. It is still there, obviously because

0:27:12.680 --> 0:27:17.239
<v Speaker 1>you're still talking. I know exactly so. And it's like,

0:27:17.480 --> 0:27:20.440
<v Speaker 1>we are the crazy. We're the crazy people that believe

0:27:20.520 --> 0:27:23.600
<v Speaker 1>change is possible. And I think that that is everything.

0:27:24.080 --> 0:27:26.680
<v Speaker 1>I think that's actually the thing. It is the thing,

0:27:26.920 --> 0:27:30.480
<v Speaker 1>because you know, if you're not crazy enough or hopeful

0:27:30.600 --> 0:27:33.920
<v Speaker 1>enough to believe that something can happen, then what then

0:27:34.080 --> 0:27:36.199
<v Speaker 1>that you can affect something? Then why would you get

0:27:36.240 --> 0:27:38.719
<v Speaker 1>out of bed? Right? I mean at least for at

0:27:38.800 --> 0:27:40.560
<v Speaker 1>least for me, I need to get out of bed

0:27:40.600 --> 0:27:45.119
<v Speaker 1>on purpose each and every day. And so, you know,

0:27:45.359 --> 0:27:50.080
<v Speaker 1>I feel that you are a kindred spirit. So Troy,

0:27:50.280 --> 0:27:53.800
<v Speaker 1>I could talk to you literally for the remainder of

0:27:53.840 --> 0:27:58.719
<v Speaker 1>the day. Your peace is the revival. It is our duty.

0:27:59.119 --> 0:28:01.880
<v Speaker 1>Tell people how they can follow you, how they can

0:28:02.520 --> 0:28:06.920
<v Speaker 1>see the performance on June nineteenth. Yes, the best way

0:28:06.920 --> 0:28:09.639
<v Speaker 1>to get information about the performance is to go to

0:28:09.680 --> 0:28:13.119
<v Speaker 1>the Shed's website. Um, there's a beautiful Open Call section.

0:28:13.359 --> 0:28:15.600
<v Speaker 1>You can read about all the open call artists that

0:28:15.640 --> 0:28:20.800
<v Speaker 1>are being presented, and also about my piece, the Revival

0:28:20.840 --> 0:28:23.480
<v Speaker 1>It Is Our Duty. It's all free, which I love.

0:28:23.640 --> 0:28:28.160
<v Speaker 1>It's like very accessible, really love free love, We love

0:28:28.200 --> 0:28:33.240
<v Speaker 1>free Love, free ninety nine Yes um. And to follow me,

0:28:33.480 --> 0:28:36.959
<v Speaker 1>go to my Instagram at Try Anthony Music. I get

0:28:37.080 --> 0:28:39.280
<v Speaker 1>yelled at a lot because I have a very minimal

0:28:39.320 --> 0:28:42.640
<v Speaker 1>digital presence, but Instagram is the place that I feel

0:28:42.680 --> 0:28:45.800
<v Speaker 1>comfortable and happy and you'll get the most of me there.

0:28:51.760 --> 0:28:55.120
<v Speaker 1>You can stream Troy Anthony's live presentation of the revival

0:28:55.200 --> 0:28:57.959
<v Speaker 1>It Is Our Duty the evening of June nineteenth at

0:28:58.000 --> 0:29:02.440
<v Speaker 1>the Shed dot org slash Open Dash Call Dash live stream.

0:29:02.480 --> 0:29:04.600
<v Speaker 1>If you're in or near New York, there's still time

0:29:04.640 --> 0:29:07.200
<v Speaker 1>to head downtown and see him live at the Shed

0:29:07.360 --> 0:29:10.880
<v Speaker 1>for free. This week brings our Open Calls showcase series

0:29:10.920 --> 0:29:13.640
<v Speaker 1>to a close, but I've got plenty of other exciting

0:29:13.680 --> 0:29:17.200
<v Speaker 1>interviews live now on Patreon, with even more to come

0:29:17.560 --> 0:29:20.920
<v Speaker 1>to hear more conversations from folks like Ibram X, Kendy

0:29:21.080 --> 0:29:25.760
<v Speaker 1>Transportation Secretary, Pete Buddhadege and more. Support wokef daily at

0:29:25.760 --> 0:29:29.400
<v Speaker 1>patreon dot com. Slash woke AF join the Woke f

0:29:29.600 --> 0:29:32.480
<v Speaker 1>Nation and become part of the conversation. Power to the

0:29:32.520 --> 0:29:35.080
<v Speaker 1>people and to all the people. Power, Get woke and

0:29:35.200 --> 0:29:36.400
<v Speaker 1>stay woke as fuck.