WEBVTT - Anthony Hamilton 

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<v Speaker 1>Means money. Honey, say take about the time. We are

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<v Speaker 1>the authorities on all things.

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<v Speaker 2>What is the church? And wow?

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<v Speaker 3>He thanks have to after.

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<v Speaker 4>Couns the world. I know it will yeah you.

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<v Speaker 5>I know.

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<v Speaker 2>Wait, I to.

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<v Speaker 5>Well get into your bosom son.

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<v Speaker 6>Yeah, yeah, you gotta be from that place to get

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<v Speaker 6>that bosom work done.

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<v Speaker 5>That's the only way, ladies and gentlemen.

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<v Speaker 6>My name is take and this come on, come on,

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<v Speaker 6>the only money excity authority.

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<v Speaker 5>Oh no, all things.

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<v Speaker 2>R and B.

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<v Speaker 5>We got a man. Tell me from in the building there,

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<v Speaker 5>from a place.

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<v Speaker 6>Where everybody listens, from the street to the church.

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<v Speaker 5>Tell him why, from the outhouse to the back house.

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<v Speaker 5>He's saving them one.

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<v Speaker 2>At a time. Yes he is.

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<v Speaker 7>We like to call it lookal music from where we're from.

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<v Speaker 6>Salvation is available for you today because of the man,

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<v Speaker 6>the mis, the legend, and the building.

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<v Speaker 5>Make some noise.

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<v Speaker 6>I want you to stand right now, wherever you are,

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<v Speaker 6>wherever you are, begin to shout, begin to praise some

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<v Speaker 6>for the Man of God.

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<v Speaker 5>Hamilton. I think I need that for my life. Oh yeah, yeah, yeah, yeah, yeah,

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<v Speaker 5>you out did me.

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<v Speaker 6>Hey there's some brother, as a as a fan, as

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<v Speaker 6>a peer.

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<v Speaker 5>Bro. You you really liked that, brother, Thank you, man,

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<v Speaker 5>I appreciate it. I love it.

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<v Speaker 6>We've done many a show, oh absolutely, absolutely, many, many

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<v Speaker 6>a rundown we've done together, and you just do what

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<v Speaker 6>you do, period. And there is one Anthony Hamilton and

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<v Speaker 6>he goes to a listen I remember doing. I remember

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<v Speaker 6>doing seven hundred to one thousand venues. And then I

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<v Speaker 6>come see you in three thousand and four thousand. I'm like,

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<v Speaker 6>is he doing that? And then you kick into a

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<v Speaker 6>gear where it gets soul stirring mm hmm.

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<v Speaker 5>That's what there is. Yeah. I mean when you love it, man,

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<v Speaker 5>it starts to take shape of his own.

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<v Speaker 6>But when you start piercing this thing, yeah, right, when

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<v Speaker 6>you when you can within what we do create a

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<v Speaker 6>spiritual experience mm hmm.

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<v Speaker 5>Right.

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<v Speaker 6>The gravity of the gravity of that, the pull on that,

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<v Speaker 6>it's different, brother, Yeah, it's different. Like when you're talking earlier,

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<v Speaker 6>were talking about you and Tasa on that road together. Yeah,

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<v Speaker 6>that's different. Yeah, Like that's like that's the original form

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<v Speaker 6>of the art because we had nothing else left. Yeah,

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<v Speaker 6>but our spirit that we were praying to keep intact,

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<v Speaker 6>and the music that we were creating was the soundtrack

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<v Speaker 6>to that. It's fighting to stay alive with everything that

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<v Speaker 6>was happening to us, the music and the spirit that

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<v Speaker 6>you represent, is that like and that right there? Brother, absolutely, man,

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<v Speaker 6>I appreciate it. Got a lot of whoopings to get that.

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<v Speaker 5>Come on, now, come on now.

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<v Speaker 6>It took a lot of who You're gonna be a

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<v Speaker 6>badass church to get the race.

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<v Speaker 5>You know, man, I.

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<v Speaker 6>Remember I'm arousing church and I was in the junior choir,

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<v Speaker 6>and you know, you couldn't you couldn't have Okay, we

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<v Speaker 6>had like a halftime at church, Okay, okay, okay. So

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<v Speaker 6>in the morning, you have Sunday School, so that's where

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<v Speaker 6>you go to your individual classes at church, and and

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<v Speaker 6>that's it's it's almost like a class, you know what

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<v Speaker 6>I mean. And you have school in those classes, and

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<v Speaker 6>that happens for about an hour, hour and a half,

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<v Speaker 6>and then there's halftime in between, like an intermission where

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<v Speaker 6>you can go get your snacks, you know what I'm saying, cookies,

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<v Speaker 6>you know what I'm saying, your little eminems.

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<v Speaker 5>All of that, All that.

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<v Speaker 6>Happened in the basement of the church, or the adults

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<v Speaker 6>and young adults will actually go grab a bite because

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<v Speaker 6>you had about an hour forty five minutes before big

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<v Speaker 6>service start. And then you go into big service. That's

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<v Speaker 6>when the choir, the preacher, the whole thing. You got

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<v Speaker 6>the ushers, everybody's all lined up, mother's board, deacon board,

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<v Speaker 6>this show, the announcement, you know what that Yeah, I

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<v Speaker 6>will say the show for you. Jab all right, but

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<v Speaker 6>that was the that was the the grand part. And

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<v Speaker 6>when you go in there, you can't have no food

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<v Speaker 6>of candy. I'm not supposed to now meet me. I'm

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<v Speaker 6>sure me and Anthony are from the same kind of

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<v Speaker 6>church where the church had a wooden floor or absolutely okay,

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<v Speaker 6>and it was kind of stadium seating. It was kind

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<v Speaker 6>of it went down this way in my church. It's

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<v Speaker 6>sitting on yah on the fourth row. I snug some

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<v Speaker 6>lemon heads in my pocket, you.

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<v Speaker 5>Know, lemon heads Boston Big ban all let yeah, g babes,

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<v Speaker 5>and I'm pomping loving heads, thinking I'm sweet wow. The

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<v Speaker 5>preachers preaching, he and I'm kidding. The lemon hand was.

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<v Speaker 6>It rolled out, hits the floor and rolls down. You

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<v Speaker 6>can hear it rolling to the front of the church.

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<v Speaker 5>It's like those movies movies when it's like oh God,

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<v Speaker 5>like you know.

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<v Speaker 6>A monster is getting ready to come out of nowhere.

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<v Speaker 5>Absolutely, nigga.

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<v Speaker 6>My grandmama came from behind me. I don't even know

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<v Speaker 6>how she got behind me and grabbed the back of

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<v Speaker 6>my collar chirt neck and ripped me up out of

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<v Speaker 6>the church.

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<v Speaker 5>And ran me out of there. Yeah, and gave me

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<v Speaker 5>the works.

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<v Speaker 8>Oh yeah, yes, what.

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<v Speaker 5>It could have been a paper wrapper with nothing in it,

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<v Speaker 5>with no murder. You don't get no packet. You're gonna

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<v Speaker 5>get it like Grandma was not because at this moment

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<v Speaker 5>you were representing talk about the family. Yeah, yeah, yeah,

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<v Speaker 5>So you're embarrassing the family, and now you embarrassing her

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<v Speaker 5>in front of the pastor yep, yep, which makes her

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<v Speaker 5>feel like her house in and order. Oh you're about

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<v Speaker 5>to wear it. Oh you're gonna wear it. You're gonna

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<v Speaker 5>wear You might wear it again at home, easy. Yeah.

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<v Speaker 5>From somebody else though, absolutely, granddaddy, your aunt, your mama. Yeah, yeah,

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<v Speaker 5>you might get two or three. You know what little

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<v Speaker 5>Anthony did today? Yep? Is that yep? Now now the

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<v Speaker 5>next person, Yeah, he knew better. Yeah, come in, let

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<v Speaker 5>me talk to you. Yeah, talk to me. And I

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<v Speaker 5>heard her real clear. Yeah, yeah, you know you sleep

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<v Speaker 5>by three three thirty four pm until they wake you

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<v Speaker 5>up to stop and eat you stop smelling that chicken,

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<v Speaker 5>crying on the talk about it. Yeah, yeah, cabbage, come

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<v Speaker 5>on with the with the pork grease and it come

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<v Speaker 5>on now. Was sitting on the stove that pork when

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<v Speaker 5>the shot? What I just go up there and grab

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<v Speaker 5>a piece of chicken and run. What you know, there's

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<v Speaker 5>look that want to for them to but that gets

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<v Speaker 5>you three Yeah if you get caught up burning yourself,

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<v Speaker 5>so you whooping yourself behind the count. Yeah, so you know,

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<v Speaker 5>you take care of yourself for anybody else care Elder Hamilton.

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<v Speaker 6>Yeah, take me back man, mm hm, take me back

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<v Speaker 6>to the beginning.

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<v Speaker 5>Wow.

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<v Speaker 6>When when when somebody at the service said, and little

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<v Speaker 6>boy right there, he got it on him. You know what?

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<v Speaker 5>Back then, I wasn't trying to lead. I wasn't in

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<v Speaker 5>case neither. I wasn't a little cedric. Yeah. I didn't

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<v Speaker 5>have it in me. Yeah. I was too nervous to

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<v Speaker 5>go out there because I was like, they're asking too

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<v Speaker 5>much of me because I didn't know what I had.

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<v Speaker 5>They could hear something. They always wanted me to lead,

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<v Speaker 5>but I didn't have it. I was staying behind the

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<v Speaker 5>kids with the dirty shirts, you know, and same my

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<v Speaker 5>little part. But when it was time to lead, I

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<v Speaker 5>didn't start to do that until I got older, really

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<v Speaker 5>like getting older. Yeah, like when was your first lead?

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<v Speaker 5>My first lead was about eight nine, But I wasn't

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<v Speaker 5>trying to tear it down.

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<v Speaker 6>But you had something though, just for him to even

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<v Speaker 6>give you the lead. Yeah, yeah, but I didn't recommend

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<v Speaker 6>you didn't. I didn't know it that I knew.

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<v Speaker 5>I loved it, but not enough to be leading for

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<v Speaker 5>all these people.

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<v Speaker 6>What was your first solo?

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<v Speaker 5>Was that? Well, I'm going dude down to well going

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<v Speaker 5>to the river? That that that was one? Yeah? Yeah, yeah.

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<v Speaker 5>Anybody asked you around going where around going.

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<v Speaker 4>Go?

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<v Speaker 5>Yeah? Man?

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<v Speaker 8>Story I have requested in my family, Uh, because I

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<v Speaker 8>don't come from church, I'm.

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<v Speaker 5>Sure you pak priority. Tell I know you've been, I

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<v Speaker 5>know you got off you town. Yeah yeah, And I've

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<v Speaker 5>been to a lot of funerals. Right.

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<v Speaker 8>So I have a request in my family that whoever

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<v Speaker 8>outlives me, do not let them sing going up for Yonder. Man,

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<v Speaker 8>if I had at one more time, who going up

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<v Speaker 8>for yonder? Going up for your churchyard?

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<v Speaker 2>Ain't going up?

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<v Speaker 5>Man? If I sing, listen.

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<v Speaker 6>You are out of my wheel, putting that there now

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<v Speaker 6>nobody sing going.

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<v Speaker 5>Up for yonder at my service. You know, there's a

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<v Speaker 5>lot of songs that you don't have to hear again

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<v Speaker 5>like those because they've been sung so so so many times, and.

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<v Speaker 8>They don't always sing it like you, brother, they don't.

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<v Speaker 8>You know, it'd it's tricky sometime in there, and they'd

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<v Speaker 8>be like, okay, this.

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<v Speaker 5>Is it can wow, it can get note unfriendly.

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<v Speaker 6>You know, no, no, take your time time. When when

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<v Speaker 6>do you When do you discover it?

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<v Speaker 5>Though? Like when do they? I think about thirteen thirteen,

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<v Speaker 5>about twelve I started forming little groups and wanted to

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<v Speaker 5>sing around. And some guys from New York who came

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<v Speaker 5>to our neighborhood to live in our neighborhood. Well, actually

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<v Speaker 5>I moved into that neighborhood, and so one of the

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<v Speaker 5>guys could sing and show them. Some guys at my school,

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<v Speaker 5>Gary Brown and Rodney Thompson and you Ryah, and these

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<v Speaker 5>guys were singers.

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<v Speaker 6>He's like ninth grade, right, yeah, yeah, it was like

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<v Speaker 6>maybe before then, oh eighth okay, okay, yeah yeah.

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<v Speaker 5>Maybe eighth grade, seventh, eighth grade started forming these little

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<v Speaker 5>groups and singing, and the girls started you know, oh

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<v Speaker 5>my god, hey, maybe there's something in there. Maybe there's

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<v Speaker 5>something in this that I need. And so I started

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<v Speaker 5>paying more attention to it because they had an effect

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<v Speaker 5>on people, and not even just the girls, but the

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<v Speaker 5>guys book you know, gather around and listen to us

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<v Speaker 5>sing and be like, yeah, if y'all sing that other

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<v Speaker 5>song that y'all sing last time, So when you hear

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<v Speaker 5>that from the guys, it's like, okay, well maybe it's

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<v Speaker 5>it's really something. Yeah, And so I started paying more attention,

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<v Speaker 5>started listening to my voice and started seeing what it

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<v Speaker 5>is I could do and what I couldn't do, and

0:13:58.520 --> 0:14:02.000
<v Speaker 5>what I couldn't do. I would practice, you know, listening

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<v Speaker 5>to somebody else who could do it, so I could

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<v Speaker 5>take it and add it to who I'm coming through music.

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<v Speaker 5>And they started forming that. Then they started getting the

0:14:11.640 --> 0:14:19.800
<v Speaker 5>talent shows around sixteen seventeen, and soon after that reputation

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<v Speaker 5>got around in Charlotte. I got booed a few times. Yeah,

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<v Speaker 5>oh yeah, I was singing. Me and my friend we

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<v Speaker 5>went to this little spot and we were singing Jodasy

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<v Speaker 5>and I think I don't know what happened, but there

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<v Speaker 5>was a boo going on. I don't know if it

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<v Speaker 5>was the outfit or trying to be Casey too, Casey

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<v Speaker 5>going there. I was trying to go there, and maybe

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<v Speaker 5>because Casey was still around, they didn't need me. They

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<v Speaker 5>let me know. Nah, bruh, he's still alive. Bro we

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<v Speaker 5>wait on it. We'll wait on it.

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<v Speaker 6>And what was what did the outfit consist of? Do

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<v Speaker 6>you remember?

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<v Speaker 5>I think it was some kind of windbreaker thing. I think,

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<v Speaker 5>you know what, at that moment, I was discovering myself

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<v Speaker 5>fashioned wise, and I was a barber. I grew up

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<v Speaker 5>as you know, cut head, went to school for barber

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<v Speaker 5>And now I think I had my smock on with

0:15:22.080 --> 0:15:25.440
<v Speaker 5>some windbreak of pants like a T shirt. But I

0:15:25.520 --> 0:15:27.560
<v Speaker 5>was rocketed like it was a long smock. It was

0:15:27.600 --> 0:15:29.600
<v Speaker 5>like a wind break smile. Yeah, yeah, yeah, it was

0:15:29.520 --> 0:15:32.480
<v Speaker 5>a It was a cool one. They wasn't to me

0:15:32.560 --> 0:15:36.480
<v Speaker 5>it was cool. But I think that had a lot

0:15:36.520 --> 0:15:40.360
<v Speaker 5>to do with it, because I know the vocals is right. Yeah,

0:15:42.280 --> 0:15:44.360
<v Speaker 5>you know, yeah, I think the outfit. I think it

0:15:44.400 --> 0:15:47.280
<v Speaker 5>was the outfit and a smock. And my friend was

0:15:47.280 --> 0:15:50.080
<v Speaker 5>a little tipsy, so he was kind of slum you

0:15:50.120 --> 0:15:53.920
<v Speaker 5>got the drunk drunk homie. He was saying it and

0:15:53.960 --> 0:15:58.120
<v Speaker 5>so uh yeah, yeah, yeah, yeah, yeah, I think it

0:15:58.200 --> 0:15:59.520
<v Speaker 5>was a few of those factors that.

0:16:01.280 --> 0:16:04.320
<v Speaker 6>Did us wrong at that time where you were, because

0:16:04.320 --> 0:16:10.560
<v Speaker 6>for me, I was pretty much all church right and

0:16:10.600 --> 0:16:15.040
<v Speaker 6>the only thing only things that crept in or that

0:16:15.080 --> 0:16:17.200
<v Speaker 6>I would listen to or that kind of even had

0:16:17.200 --> 0:16:22.880
<v Speaker 6>an influence on me, or joy and and some babyface

0:16:23.080 --> 0:16:26.320
<v Speaker 6>because I needed nice songs to sing to the girls

0:16:26.320 --> 0:16:28.840
<v Speaker 6>when they would ask me to sing. And then but

0:16:29.960 --> 0:16:36.120
<v Speaker 6>any heartbreak rap sure need a baker and guy m hmm,

0:16:36.280 --> 0:16:39.840
<v Speaker 6>like those were all the those that was the template

0:16:39.880 --> 0:16:41.680
<v Speaker 6>that that was the only pieces of pieces of R

0:16:41.680 --> 0:16:44.960
<v Speaker 6>and B that I had that I would that I

0:16:44.960 --> 0:16:46.960
<v Speaker 6>would use to just calculate a little bit. But it

0:16:47.000 --> 0:16:49.520
<v Speaker 6>was still all church for me, Yeah it was that.

0:16:49.600 --> 0:16:50.560
<v Speaker 6>Was that the same for you?

0:16:50.720 --> 0:16:55.080
<v Speaker 5>Yeah? Yeah, you know when grandmother was around, all gospel

0:16:55.120 --> 0:16:58.560
<v Speaker 5>being played, but she did let me listen to long

0:16:58.640 --> 0:17:04.200
<v Speaker 5>swells swelth show he hall, I could I could watch

0:17:04.240 --> 0:17:10.200
<v Speaker 5>that nobody nobody yeah he sna those kind of shows

0:17:10.240 --> 0:17:13.320
<v Speaker 5>she would let me watch. And uh, every now and

0:17:13.359 --> 0:17:16.360
<v Speaker 5>a getting solid gold hmmm. They wasn't doing too much

0:17:16.440 --> 0:17:19.960
<v Speaker 5>too much. They wouldn't if it was too much of

0:17:19.960 --> 0:17:26.560
<v Speaker 5>them oh yeah, in there, in there, you know. So

0:17:26.600 --> 0:17:28.080
<v Speaker 5>it's like, all right, I'll let you see a little

0:17:28.119 --> 0:17:31.040
<v Speaker 5>bit of it. But why are you watching it? You're

0:17:31.040 --> 0:17:36.080
<v Speaker 5>a church lady, right right, wiggle you watching? I was

0:17:36.080 --> 0:17:39.360
<v Speaker 5>watching the wiggle, So I'm like, you're watching the weapons.

0:17:40.080 --> 0:17:46.840
<v Speaker 5>Maybe she had a wiggle grandma, you know. And but

0:17:46.960 --> 0:17:49.560
<v Speaker 5>then across the street my mother lived. We lived directly

0:17:49.560 --> 0:17:52.320
<v Speaker 5>across the street from my grandmother. My mom is playing

0:17:52.960 --> 0:17:57.879
<v Speaker 5>our Green Oh gosh, Little Rutha Franklin, Marvin Gaye. So

0:17:57.960 --> 0:18:00.919
<v Speaker 5>my mom, you know, my mom is living. Yeah, she was,

0:18:01.119 --> 0:18:04.040
<v Speaker 5>you know, good woman, but she was my mama liked

0:18:04.040 --> 0:18:06.720
<v Speaker 5>to go out. She was still young, so she wanted

0:18:06.760 --> 0:18:09.280
<v Speaker 5>to go out. I smelled a newport here in there.

0:18:09.480 --> 0:18:15.160
<v Speaker 5>Yeah yeah, Miller, Miller highlight. I know what the cans

0:18:15.160 --> 0:18:19.840
<v Speaker 5>sound like. I can hear the can right now. So,

0:18:21.160 --> 0:18:22.919
<v Speaker 5>you know, so I had the best of both world.

0:18:23.320 --> 0:18:26.119
<v Speaker 5>You know. In my neighborhood there was a path. I

0:18:26.160 --> 0:18:29.000
<v Speaker 5>was a store runner. So I used to go to

0:18:29.040 --> 0:18:31.680
<v Speaker 5>the store for my grandmother and my mother at least

0:18:31.720 --> 0:18:34.040
<v Speaker 5>about four or five times a day. I promise y'all,

0:18:34.119 --> 0:18:36.840
<v Speaker 5>I get a nickel every time. But there was these

0:18:36.880 --> 0:18:39.160
<v Speaker 5>winos that be in the in the in the path.

0:18:39.200 --> 0:18:41.800
<v Speaker 5>It's a path across this big field. Then you get

0:18:41.800 --> 0:18:43.800
<v Speaker 5>to the main road. You walk down my street, then

0:18:44.560 --> 0:18:48.159
<v Speaker 5>that's this path. They sit on these milk crates and

0:18:48.200 --> 0:18:51.399
<v Speaker 5>they be singing. I mean, you're talking about singing, and

0:18:51.440 --> 0:18:54.320
<v Speaker 5>I'm mesmerhdes. So I'm sitting there taking it all in.

0:18:54.359 --> 0:18:57.520
<v Speaker 5>So sometime I get in trouble because along and she

0:18:57.600 --> 0:19:01.159
<v Speaker 5>need she needed them off white stockings to go to

0:19:01.240 --> 0:19:03.560
<v Speaker 5>go where she was going. So I had to go

0:19:03.600 --> 0:19:07.199
<v Speaker 5>get penny whole stocking, give me the knee high, the

0:19:07.240 --> 0:19:12.080
<v Speaker 5>old pate. So so that's where I got a lot

0:19:12.080 --> 0:19:15.960
<v Speaker 5>of my employence to those guys were really saying, yeah, yeah,

0:19:16.840 --> 0:19:20.960
<v Speaker 5>the pimp showed us how to sing. One of my

0:19:21.040 --> 0:19:25.320
<v Speaker 5>uncles daddy man. Sometimes you know, some kind of pimp.

0:19:25.640 --> 0:19:28.600
<v Speaker 5>Pimp got a nice half, you know, definitely got a

0:19:28.680 --> 0:19:32.960
<v Speaker 5>nice So got the false set off without a false

0:19:33.000 --> 0:19:39.760
<v Speaker 5>set window, doing a false settle that, you know what

0:19:39.800 --> 0:19:43.840
<v Speaker 5>you mean, Yeah, you've raised your voice absolutely after that

0:19:44.000 --> 0:19:46.200
<v Speaker 5>is a poking knight. Yeah you know what I'm saying.

0:19:47.480 --> 0:19:55.760
<v Speaker 5>You talk about, gentleman, I'm glad you're seeing you know,

0:19:55.960 --> 0:19:57.440
<v Speaker 5>you never know when you had to cut a box

0:19:59.119 --> 0:20:03.480
<v Speaker 5>in the warehouse, in the warehouse, going down in the warehouse,

0:20:03.520 --> 0:20:05.880
<v Speaker 5>leaving alone, trying to tell you got it on. It'll

0:20:05.920 --> 0:20:08.200
<v Speaker 5>run up on that. Don't run up on that. U.

0:20:12.000 --> 0:20:14.000
<v Speaker 5>But yeah, man, you know all that stuff kind of

0:20:14.040 --> 0:20:16.200
<v Speaker 5>shape who I am at that time.

0:20:16.280 --> 0:20:19.960
<v Speaker 6>Did you think or have an idea that, okay, you

0:20:20.000 --> 0:20:22.760
<v Speaker 6>know what, maybe it would be this gospel artist and

0:20:22.800 --> 0:20:25.920
<v Speaker 6>I'm a you know, be like some of these guys.

0:20:26.680 --> 0:20:30.600
<v Speaker 5>No. I was a big fan of James Cleveland, Andre Crouch,

0:20:31.040 --> 0:20:35.600
<v Speaker 5>and I just knew at that moment, I was like,

0:20:35.680 --> 0:20:38.520
<v Speaker 5>I want to sing. And when I heard al Green

0:20:38.600 --> 0:20:40.960
<v Speaker 5>and Marmon Gass like I want to be famous singing.

0:20:41.840 --> 0:20:45.800
<v Speaker 5>But that started way before I even knew I had it.

0:20:46.200 --> 0:20:49.199
<v Speaker 5>I was like, man, whatever God told me before I

0:20:49.240 --> 0:20:52.320
<v Speaker 5>got into my mom's womb, it was like, okay, I

0:20:52.359 --> 0:20:55.760
<v Speaker 5>never disconnected with that, and so I continue to believe it.

0:20:55.800 --> 0:20:57.960
<v Speaker 5>I was like, I'm gonna be famous singing, be famous singing.

0:20:58.400 --> 0:20:59.760
<v Speaker 5>And the older I got and the closer I got

0:20:59.760 --> 0:21:05.200
<v Speaker 5>to the real music, you know, it became something tangible

0:21:05.240 --> 0:21:20.679
<v Speaker 5>for me. Yeah, what was the that you can think of?

0:21:21.920 --> 0:21:23.560
<v Speaker 8>It was the break for a year as far as

0:21:23.600 --> 0:21:25.920
<v Speaker 8>just like into the actual music business.

0:21:26.200 --> 0:21:27.920
<v Speaker 5>Wow, It was a guy by the name of Mark

0:21:28.000 --> 0:21:33.119
<v Speaker 5>Sparks who was working. He had He was almost like

0:21:33.119 --> 0:21:36.920
<v Speaker 5>the Harriet Tubman for cats from south northern South Carolina.

0:21:37.480 --> 0:21:39.800
<v Speaker 5>I think Jodsy, you know Casey and those guys. He

0:21:39.880 --> 0:21:43.920
<v Speaker 5>knew them. He helped discover Sunshine Anderson, but he was

0:21:43.960 --> 0:21:48.000
<v Speaker 5>working had worked with Mary J. Blige. He did shoot

0:21:48.080 --> 0:21:51.080
<v Speaker 5>for Salt and Pepper Grand Pool on those guys. So

0:21:51.960 --> 0:21:54.560
<v Speaker 5>where he got around to him, he heard me. He

0:21:54.600 --> 0:21:57.760
<v Speaker 5>played some beats. They have no songs, but I was

0:21:57.800 --> 0:22:00.800
<v Speaker 5>able to freestyle because I was hungry. So when you hungry,

0:22:00.800 --> 0:22:02.280
<v Speaker 5>you're gonna make up a song. You're gonna You're not

0:22:02.280 --> 0:22:05.440
<v Speaker 5>gonna let an opportunity to go by without representing yourself.

0:22:05.960 --> 0:22:08.199
<v Speaker 5>And so I was singing to his beats. He was like,

0:22:08.200 --> 0:22:10.040
<v Speaker 5>I'm gonna come and get you. I'm gonna take you

0:22:10.080 --> 0:22:11.800
<v Speaker 5>to New York Man, We're gonna get you a deal.

0:22:12.400 --> 0:22:15.800
<v Speaker 5>This was back in ninety ninety ninety one. So I

0:22:15.840 --> 0:22:18.520
<v Speaker 5>was in a barbershop cutting gonna be the singing barber,

0:22:19.760 --> 0:22:22.040
<v Speaker 5>and he said, I'm gonna come next Thursday to get

0:22:22.080 --> 0:22:24.920
<v Speaker 5>you or whatever whatever the day was. He never came,

0:22:25.920 --> 0:22:28.000
<v Speaker 5>and I'm sitting there. I was just ready. And then

0:22:28.040 --> 0:22:31.480
<v Speaker 5>they start calling the barbershop and I'm never there because

0:22:31.480 --> 0:22:33.480
<v Speaker 5>I'm outside. Back then, I but you know, partake it.

0:22:34.040 --> 0:22:38.160
<v Speaker 5>So I was outside and I came back in and said,

0:22:38.160 --> 0:22:39.959
<v Speaker 5>this guy, Carl said he want to take you to

0:22:39.960 --> 0:22:42.000
<v Speaker 5>New York. I said, man, I ain't worried about that.

0:22:42.320 --> 0:22:44.480
<v Speaker 5>But then they pulled up and I had made nothing

0:22:44.520 --> 0:22:48.040
<v Speaker 5>but sixty seven dollars, and I was like, do I

0:22:48.080 --> 0:22:51.000
<v Speaker 5>try to make more money? I asked everybody. I ain't

0:22:51.000 --> 0:22:54.080
<v Speaker 5>got no money at me. I was like, I'm going

0:22:54.320 --> 0:22:57.400
<v Speaker 5>how they say your name atne yep. I just want

0:22:57.440 --> 0:22:59.199
<v Speaker 5>to I just want to see. I ain't got no

0:22:59.280 --> 0:23:02.639
<v Speaker 5>money at it. I like it, you know. I got

0:23:02.680 --> 0:23:05.440
<v Speaker 5>in the jeeps the Sukie Sidekick, and we drove from

0:23:05.600 --> 0:23:07.840
<v Speaker 5>Charlotte to North Carolina in the side Kick. Oh yeah,

0:23:07.840 --> 0:23:10.960
<v Speaker 5>it was six of us from Charlotte shoe Work to

0:23:11.000 --> 0:23:14.200
<v Speaker 5>New York City. Yeah, in the side Kick in Suzuki

0:23:14.280 --> 0:23:18.640
<v Speaker 5>Sidekick White one. I remember there was not a lot

0:23:18.640 --> 0:23:21.320
<v Speaker 5>of room, no no, and they were smoking it out too.

0:23:21.480 --> 0:23:24.800
<v Speaker 5>It was the whole way. So I'm like, oh my god,

0:23:25.160 --> 0:23:27.320
<v Speaker 5>I can't. I ain't gonna. I ain't gonna. I ain't

0:23:27.359 --> 0:23:31.560
<v Speaker 5>gonna make it, Yeah, all the way to Suzuki side.

0:23:31.560 --> 0:23:33.600
<v Speaker 5>So give me to New York. What happens when you

0:23:33.640 --> 0:23:36.600
<v Speaker 5>get to New York. When I saw the bridge, I'm

0:23:36.600 --> 0:23:39.960
<v Speaker 5>coming in. We came through New Jersey, we hit the

0:23:39.960 --> 0:23:44.240
<v Speaker 5>George Washington Bridge, and I became a little nervous because

0:23:44.240 --> 0:23:46.240
<v Speaker 5>it was real a lot. I had never seen this

0:23:46.400 --> 0:23:48.679
<v Speaker 5>much building and this much energy. Had you you had

0:23:48.720 --> 0:23:52.480
<v Speaker 5>never left North Carolina at this point or South Carolina?

0:23:53.359 --> 0:23:53.760
<v Speaker 2>Okay?

0:23:53.920 --> 0:23:57.480
<v Speaker 5>Yeah, okay, all right, yeah at that moment. Nah, I

0:23:57.480 --> 0:24:01.280
<v Speaker 5>don't think. No, I hadn't been too far maybe Myrtle

0:24:01.280 --> 0:24:02.600
<v Speaker 5>Beach or someone.

0:24:04.840 --> 0:24:09.440
<v Speaker 6>Yeah yeah, still within the within yeah, within yeah, yeah,

0:24:09.520 --> 0:24:11.600
<v Speaker 6>got No, that was the furthest I've ever been.

0:24:12.640 --> 0:24:15.320
<v Speaker 5>Maybe Virginia. Yeah, I went to a wedding in Virginia.

0:24:16.119 --> 0:24:18.560
<v Speaker 8>But even that still feels like right now, you're in

0:24:18.600 --> 0:24:21.680
<v Speaker 8>a big city, like you said, yeah, you crossing the bridge.

0:24:21.800 --> 0:24:25.200
<v Speaker 5>Yeah, so I became a little nervous. Yeah, and it's like, wow,

0:24:25.240 --> 0:24:28.240
<v Speaker 5>I'm really here up a long way from home. And

0:24:28.760 --> 0:24:30.800
<v Speaker 5>even though I knew these guys through music, I didn't

0:24:30.800 --> 0:24:34.320
<v Speaker 5>really know so anything could have happened. Yeah, So I

0:24:34.440 --> 0:24:37.480
<v Speaker 5>just had to trust myself and my intuition, and you

0:24:37.520 --> 0:24:39.880
<v Speaker 5>know the fact that this is a dream I said,

0:24:39.880 --> 0:24:42.840
<v Speaker 5>I wanted, so let me make the best of it.

0:24:43.160 --> 0:24:45.800
<v Speaker 5>What office did y'all go to? We went to actually

0:24:46.200 --> 0:24:49.800
<v Speaker 5>sixteen hundred Broadway, I think that's where. I think that's

0:24:49.800 --> 0:24:53.560
<v Speaker 5>where Uptown was. Yeah, oh, Andre Herrel, you went to Uptown. Yeah,

0:24:53.600 --> 0:24:55.000
<v Speaker 5>that's when I got my first record deal.

0:24:55.160 --> 0:24:57.960
<v Speaker 6>And so this happens, you go straight there.

0:24:58.200 --> 0:25:00.560
<v Speaker 5>No, we didn't go there for We went to a studio.

0:25:01.040 --> 0:25:04.920
<v Speaker 5>The Elaine brothers had a studio called Concrete Studios, and

0:25:05.240 --> 0:25:07.359
<v Speaker 5>so we would go there and they had music and

0:25:07.400 --> 0:25:10.119
<v Speaker 5>I did some songs, and they wanted us to sign

0:25:10.200 --> 0:25:12.480
<v Speaker 5>to these agreements and Mark was like, no, we're not

0:25:12.520 --> 0:25:14.760
<v Speaker 5>gonna sign them. So they locked us out. We had

0:25:14.760 --> 0:25:16.879
<v Speaker 5>been staying there a bout a week or two in

0:25:16.960 --> 0:25:19.920
<v Speaker 5>the studio. We sleep there and then I ain't gonna

0:25:19.920 --> 0:25:23.440
<v Speaker 5>sign Yeah, locking the door. Yeah, So we would break

0:25:23.480 --> 0:25:26.679
<v Speaker 5>in and ship and they when they got there the

0:25:26.720 --> 0:25:29.399
<v Speaker 5>next day, we were in there and they would be upset,

0:25:29.920 --> 0:25:32.560
<v Speaker 5>but you know, and then they give us another two

0:25:32.640 --> 0:25:35.800
<v Speaker 5>days and they was like, hey, guys, what about the contract?

0:25:36.160 --> 0:25:40.520
<v Speaker 5>And we was like, well, Mark was saying there and uh,

0:25:41.880 --> 0:25:45.480
<v Speaker 5>we break in again because we had nothing else man.

0:25:45.680 --> 0:25:48.080
<v Speaker 5>You know we felt safe enough to break in like that,

0:25:48.200 --> 0:25:53.200
<v Speaker 5>we're gonna kill us. You know, everybody call them police

0:25:53.760 --> 0:25:57.000
<v Speaker 5>songs we did. Yeah, yeah, change the locks. But you

0:25:57.000 --> 0:26:01.399
<v Speaker 5>know they were really really good man. They taught us

0:26:01.400 --> 0:26:01.680
<v Speaker 5>a lot.

0:26:01.880 --> 0:26:03.840
<v Speaker 6>Who's the an R you met with at Uptown?

0:26:04.200 --> 0:26:07.919
<v Speaker 5>Wow? Jimmy Jenkins was managing me Jay Love. He was

0:26:07.920 --> 0:26:11.280
<v Speaker 5>my manager. I was actually signing the Polo ground through him.

0:26:11.440 --> 0:26:15.159
<v Speaker 5>Who Polo Ground? Yeah, Jimmy's thing. So he took me

0:26:15.200 --> 0:26:17.280
<v Speaker 5>to Uptown and I met with Andre. Andre had come

0:26:17.800 --> 0:26:20.840
<v Speaker 5>to the house. Andre had came to the house out

0:26:20.840 --> 0:26:22.960
<v Speaker 5>in New Jersey where we had a house full of people.

0:26:23.080 --> 0:26:27.240
<v Speaker 5>Mark at all this talent hit about forty different what

0:26:27.640 --> 0:26:31.000
<v Speaker 5>rappers forty fingers. Yeah, we're all in one house. So

0:26:31.000 --> 0:26:33.600
<v Speaker 5>that's why I learned to cook too, because we had

0:26:33.640 --> 0:26:36.199
<v Speaker 5>these groceries. Finally we got some money, so we are

0:26:36.240 --> 0:26:39.040
<v Speaker 5>all these groceries, but nobody wanted to cook. I was like,

0:26:39.080 --> 0:26:41.439
<v Speaker 5>I'll do it. Had never really cooked in my life,

0:26:42.160 --> 0:26:44.399
<v Speaker 5>so I must have fried about at least about sixty

0:26:44.400 --> 0:26:47.359
<v Speaker 5>seventy pieces of chicken. Why not? Me and a guy

0:26:48.760 --> 0:26:51.320
<v Speaker 5>what was his name? But anyway, we'll get back to

0:26:51.320 --> 0:26:53.879
<v Speaker 5>his name and made lasagna. I learned how to make

0:26:54.000 --> 0:26:58.240
<v Speaker 5>lasagna and all these things. So we had a showcase

0:26:58.359 --> 0:27:01.080
<v Speaker 5>at D and D Studios and that's when Andre Herrel

0:27:01.680 --> 0:27:05.800
<v Speaker 5>brought Russell Simmons. There was a lot of other big names.

0:27:05.880 --> 0:27:09.240
<v Speaker 5>Now I was thinking I saw Biggie in that of

0:27:09.359 --> 0:27:13.360
<v Speaker 5>puff back in the day. I'm just those are the

0:27:13.400 --> 0:27:16.240
<v Speaker 5>things that I remember because it was a big deal.

0:27:16.240 --> 0:27:21.360
<v Speaker 5>It was about five of us singer and yeah. After

0:27:21.359 --> 0:27:25.400
<v Speaker 5>I was sang Andre was he outbitted everybody really yeah,

0:27:25.720 --> 0:27:28.840
<v Speaker 5>and brought me to a uptown So I opened up

0:27:28.840 --> 0:27:31.840
<v Speaker 5>for Jobessy on the freaking your tour You by Yourself Run.

0:27:32.000 --> 0:27:35.160
<v Speaker 5>Yeah yeah, I had done done an album it's called

0:27:35.160 --> 0:27:39.840
<v Speaker 5>Ecstasy with track masters Tony Poe. I have to hear this,

0:27:40.320 --> 0:27:43.399
<v Speaker 5>so yeah yeah, yeah, so I want to hear that

0:27:43.520 --> 0:27:46.800
<v Speaker 5>was my first album. I want to hear you sing Ecstasy.

0:27:46.240 --> 0:27:50.240
<v Speaker 5>I want to hear that. Yeah, it's a the whole album.

0:27:50.720 --> 0:27:53.160
<v Speaker 5>Yeah yeah, so there.

0:27:53.200 --> 0:27:55.200
<v Speaker 6>What was your vibe at that time? Though?

0:27:55.440 --> 0:27:58.920
<v Speaker 5>I had a real sharp shape up. It was real

0:27:59.000 --> 0:28:03.639
<v Speaker 5>clean cut, you know, real clean. I had some silk shirts. Yeah. Yeah,

0:28:03.240 --> 0:28:06.719
<v Speaker 5>it was uptown down. So, yeah, you was in your

0:28:06.760 --> 0:28:09.800
<v Speaker 5>New York R and B back Sybil was the stylist

0:28:09.880 --> 0:28:14.600
<v Speaker 5>back then. Sybil, and you know a lot of great

0:28:14.680 --> 0:28:16.760
<v Speaker 5>talent and influence at Uptown.

0:28:16.680 --> 0:28:20.080
<v Speaker 6>With it being your first album, and you know andreral

0:28:20.359 --> 0:28:23.080
<v Speaker 6>Herald being who he is and yeah, and all these people,

0:28:23.080 --> 0:28:24.640
<v Speaker 6>all these cheeraders around.

0:28:24.359 --> 0:28:25.560
<v Speaker 5>You, Puff was still there.

0:28:25.720 --> 0:28:28.600
<v Speaker 6>Do you feel like your first album was you or

0:28:30.040 --> 0:28:33.600
<v Speaker 6>kind of a mix of what they wanted and saw

0:28:33.640 --> 0:28:34.919
<v Speaker 6>you as I think it was.

0:28:35.000 --> 0:28:38.040
<v Speaker 5>Yeah. I think it was a bit of both, because

0:28:38.080 --> 0:28:41.400
<v Speaker 5>when I came into it, I kind of knew what

0:28:41.520 --> 0:28:45.000
<v Speaker 5>I thought I knew and I sold it to her,

0:28:45.920 --> 0:28:48.719
<v Speaker 5>and so they wanted to take it and polish it up,

0:28:49.520 --> 0:28:51.719
<v Speaker 5>give me a haircut because I was growing locks at

0:28:51.720 --> 0:28:54.960
<v Speaker 5>the time. I had little little twigs. He weing locks

0:28:55.040 --> 0:29:01.760
<v Speaker 5>in ninety yeah, ninety ninety one, ninety one. Yeah, different, small,

0:29:02.280 --> 0:29:06.560
<v Speaker 5>very small. And I overheard Andre and I think it

0:29:06.600 --> 0:29:08.560
<v Speaker 5>was Andrew and Russell talking like we may have to

0:29:08.600 --> 0:29:11.840
<v Speaker 5>cut his hair. Oh. I heard that, And I wouldn't

0:29:11.840 --> 0:29:14.200
<v Speaker 5>cut my hair on my own. Oh, I'm getting this

0:29:14.200 --> 0:29:16.800
<v Speaker 5>record there, I'm not going home. I'm not going home.

0:29:16.840 --> 0:29:19.200
<v Speaker 5>I'm getting this record. Deal is that I'm not that

0:29:19.440 --> 0:29:22.760
<v Speaker 5>connected to these licks, right, Yeah? And so you know

0:29:22.800 --> 0:29:27.080
<v Speaker 5>I showed up at the studio with the office with

0:29:27.240 --> 0:29:30.400
<v Speaker 5>my haircut. It wasn't shaped up. I wasn't going that

0:29:30.520 --> 0:29:34.920
<v Speaker 5>far yet. Yeah yeah, but I was ready. And you're

0:29:35.000 --> 0:29:39.760
<v Speaker 5>opening for Josey? Yeah, yeah, opening? And are you going

0:29:39.800 --> 0:29:43.560
<v Speaker 5>as Anthony Hamason? Absolutely? I've been him all my life. Okay,

0:29:43.600 --> 0:29:47.240
<v Speaker 5>you never had no, I've always been called Casey.

0:29:47.400 --> 0:29:53.920
<v Speaker 8>For a minute, I got well, no, I was Anthony,

0:29:55.040 --> 0:29:55.400
<v Speaker 8>Yeah I was.

0:29:56.280 --> 0:29:59.920
<v Speaker 5>I was in But I've always been Anthony, called Anthony Hamilton.

0:29:59.920 --> 0:30:04.120
<v Speaker 5>My full name. It was Anthony Pope, Anthony Hamilton and

0:30:04.280 --> 0:30:07.120
<v Speaker 5>uh one or other Anthony, but me and Anthony Pope

0:30:07.120 --> 0:30:09.920
<v Speaker 5>were really popular, so we call us our full name.

0:30:11.000 --> 0:30:14.200
<v Speaker 5>But yeah, so I took Anthony Hamilton. I took him

0:30:14.240 --> 0:30:16.320
<v Speaker 5>in that studio and I started working on that album

0:30:16.400 --> 0:30:19.160
<v Speaker 5>and I was like, I gotta do it. I was

0:30:19.200 --> 0:30:23.200
<v Speaker 5>in my writing bag at the time. I had Terry

0:30:23.240 --> 0:30:28.320
<v Speaker 5>Robinson from The Girls doing backgrounds and the Girls, Wow, yeah,

0:30:28.520 --> 0:30:32.120
<v Speaker 5>she's doing backgrounds and actually we end up dating. We

0:30:32.200 --> 0:30:35.360
<v Speaker 5>have a son together. That's twenty eight now. Wow. Uh

0:30:36.200 --> 0:30:40.479
<v Speaker 5>And so that was a really interesting time. Yeah. But

0:30:40.840 --> 0:30:42.440
<v Speaker 5>to be on tour with Josey, I'm.

0:30:42.280 --> 0:30:45.280
<v Speaker 6>About to say, you gotta give me something from that.

0:30:45.800 --> 0:30:52.080
<v Speaker 5>I had never been around that many women and girls.

0:30:52.600 --> 0:30:54.120
<v Speaker 5>You know, you think you want to be around it,

0:30:54.200 --> 0:30:56.080
<v Speaker 5>You think you want to be in the business to

0:30:56.200 --> 0:30:59.080
<v Speaker 5>be around this type of environment.

0:30:59.120 --> 0:31:02.040
<v Speaker 8>But when you see it at that, at that level,

0:31:02.240 --> 0:31:05.560
<v Speaker 8>it's pandemonium. Oh man, it's just it's scary. It's uh,

0:31:05.800 --> 0:31:08.600
<v Speaker 8>it could be a little frightening. You ain't ready, you

0:31:08.880 --> 0:31:14.680
<v Speaker 8>fresh out of yeah, outshout of church after church, after barbershop,

0:31:14.760 --> 0:31:15.800
<v Speaker 8>after the barbershop.

0:31:16.760 --> 0:31:20.440
<v Speaker 5>And here you are. There's about two thousand women dressed

0:31:20.520 --> 0:31:24.240
<v Speaker 5>or undressed however they wanted to be. They show up,

0:31:24.680 --> 0:31:27.560
<v Speaker 5>they show up, and it's just like, man, and this

0:31:27.640 --> 0:31:33.880
<v Speaker 5>is ninety what ninety nobody ninety five? When freaking you came,

0:31:35.360 --> 0:31:39.400
<v Speaker 5>they wanted ninety three, ninety or five. Yeah, man, they won't.

0:31:39.600 --> 0:31:44.040
<v Speaker 8>This is why they made the show, the after party,

0:31:44.080 --> 0:31:46.880
<v Speaker 8>this is why they made I really I didn't know

0:31:46.960 --> 0:31:48.680
<v Speaker 8>exactly what it meant, but it was.

0:31:49.080 --> 0:31:52.080
<v Speaker 5>It was a different time for me. I had to

0:31:52.120 --> 0:31:54.120
<v Speaker 5>make a decision. Boy, you can get sucked up in it,

0:31:54.280 --> 0:31:59.040
<v Speaker 5>or you can pull back all that and find yourself.

0:32:00.640 --> 0:32:02.800
<v Speaker 6>I feel like you had to do all of it, though,

0:32:03.080 --> 0:32:05.320
<v Speaker 6>in order to find some balanced guy here.

0:32:05.440 --> 0:32:08.840
<v Speaker 5>Well, I was bound to be a little balanced. Before

0:32:08.840 --> 0:32:12.040
<v Speaker 5>I got to New York. I balanced myself new York.

0:32:12.040 --> 0:32:15.000
<v Speaker 5>I'm talking about the tour. Oh well, the tour, yeah, yeah,

0:32:15.040 --> 0:32:18.160
<v Speaker 5>this was it was too much for me. I think

0:32:18.200 --> 0:32:22.400
<v Speaker 5>it shocked me. Shocked me too, yeah yeah, yeah. As

0:32:22.440 --> 0:32:26.800
<v Speaker 5>I got older, less shocking. You can control. But it

0:32:26.840 --> 0:32:30.600
<v Speaker 5>wasn't a joy. It wasn't a Jodasy tour type of environment.

0:32:30.720 --> 0:32:33.280
<v Speaker 5>I never experienced that. Again, well with Di Angelo, when

0:32:33.280 --> 0:32:35.080
<v Speaker 5>I was saying with d Angelo, it was, but it

0:32:35.120 --> 0:32:37.800
<v Speaker 5>was grown there, it was grown right right. But the

0:32:37.880 --> 0:32:44.080
<v Speaker 5>Jodasy tour absolutely, I've never Yeah, I like it, like

0:32:44.120 --> 0:32:44.520
<v Speaker 5>the movies.

0:32:44.720 --> 0:32:47.280
<v Speaker 6>I liking it to me being on the road with

0:32:47.360 --> 0:32:51.600
<v Speaker 6>genuine mm hmm. You know, come from the same yeah yeah,

0:32:51.760 --> 0:32:54.600
<v Speaker 6>same family, and I'm fresh fresh out of church.

0:32:54.680 --> 0:32:57.560
<v Speaker 5>Just imagine if you was the opening act though on

0:32:57.680 --> 0:33:00.760
<v Speaker 5>that tour. I know, I get, I get it.

0:33:01.280 --> 0:33:05.480
<v Speaker 6>But what I was, but I was, where I was

0:33:05.480 --> 0:33:10.360
<v Speaker 6>was such a crazy position because I was organizing everything.

0:33:11.360 --> 0:33:17.480
<v Speaker 6>Oh like, because I was genuine as valet. So it's

0:33:17.560 --> 0:33:23.080
<v Speaker 6>like it's like you get them right there, Yeah, yes, sir.

0:33:23.080 --> 0:33:25.040
<v Speaker 5>I didn't. I didn't get I didn't get that position.

0:33:25.200 --> 0:33:28.680
<v Speaker 6>And so in me organizing and yeah, it's like, well

0:33:29.080 --> 0:33:32.440
<v Speaker 6>we had to organize yourself. Would you also like, well,

0:33:32.480 --> 0:33:37.080
<v Speaker 6>I don't want to overstep, but the man, some of this.

0:33:43.640 --> 0:33:44.400
<v Speaker 2>Is it.

0:33:45.040 --> 0:33:49.200
<v Speaker 6>Yeah, I was the ultimate wing man. I had never

0:33:49.240 --> 0:33:51.840
<v Speaker 6>been a wing man before. I didn't know what this

0:33:52.160 --> 0:33:52.960
<v Speaker 6>was and.

0:33:54.440 --> 0:34:01.360
<v Speaker 5>Ringing it, winging it, and it was in abundance. It's crazy.

0:34:01.440 --> 0:34:03.360
<v Speaker 5>You don't see that like you see it on the

0:34:03.400 --> 0:34:06.840
<v Speaker 5>movies and the videos, but when you're there experiencing its

0:34:06.840 --> 0:34:10.080
<v Speaker 5>way to come on, man, it's and it's nothing like

0:34:10.800 --> 0:34:15.880
<v Speaker 5>the nineties version nothing, you know. Yeah, I was blessed

0:34:15.920 --> 0:34:18.839
<v Speaker 5>to be you know, and stick get in in ninety six,

0:34:19.040 --> 0:34:23.480
<v Speaker 5>ninety seven, ninety like, and I and I saw the difference,

0:34:23.560 --> 0:34:26.080
<v Speaker 5>you know, as we started moving up through the two thousands, and.

0:34:26.000 --> 0:34:29.160
<v Speaker 6>It's getting later, you know. But in those times before

0:34:29.239 --> 0:34:32.719
<v Speaker 6>the phone and and before you talked about your business

0:34:32.920 --> 0:34:35.200
<v Speaker 6>all the time, before any of that.

0:34:36.160 --> 0:34:38.239
<v Speaker 5>Before people knew that they can get money.

0:34:40.040 --> 0:34:43.640
<v Speaker 6>From Yeah, you guys said it had to be back then,

0:34:43.680 --> 0:34:46.319
<v Speaker 6>it had to be a whole another level, like it

0:34:46.400 --> 0:34:49.800
<v Speaker 6>had to be natural inquire level to even.

0:34:49.680 --> 0:34:53.120
<v Speaker 8>Speak on it, right, Like it was no lower levels

0:34:53.160 --> 0:34:55.520
<v Speaker 8>of that kind. So like okay, if you ain't Dave

0:34:55.520 --> 0:34:56.359
<v Speaker 8>Prince of Michael Jackson.

0:34:56.400 --> 0:34:58.759
<v Speaker 6>We don't want to hear it and listen if you

0:34:59.000 --> 0:35:00.880
<v Speaker 6>messed with somebody.

0:35:00.840 --> 0:35:03.600
<v Speaker 5>Yeah, and then it happened in your city.

0:35:04.160 --> 0:35:06.640
<v Speaker 6>Maybe a few people knew in your city, but it

0:35:06.680 --> 0:35:09.800
<v Speaker 6>wasn't national news, right, and they probably thought you was

0:35:09.880 --> 0:35:18.320
<v Speaker 6>lying and they probably thought, you know, you know exactly

0:35:18.480 --> 0:35:19.439
<v Speaker 6>now that that's real.

0:35:19.640 --> 0:35:23.200
<v Speaker 8>Okay, So you so you get off tour? You got

0:35:23.600 --> 0:35:25.239
<v Speaker 8>you got the Ecstasy album?

0:35:25.320 --> 0:35:27.959
<v Speaker 5>Yes, yeah, you know what I gotta I gotta bring

0:35:28.000 --> 0:35:31.080
<v Speaker 5>this up, so Jo, you know they they who they are.

0:35:31.360 --> 0:35:33.600
<v Speaker 5>Of course. We were in Houston at the time, place

0:35:33.640 --> 0:35:37.960
<v Speaker 5>called Club Iguana, and I'm supposed to go on before them,

0:35:38.160 --> 0:35:39.480
<v Speaker 5>but the crowd was so hyped.

0:35:40.640 --> 0:35:40.960
<v Speaker 3>K C.

0:35:42.760 --> 0:35:48.520
<v Speaker 5>Case wanted to go on first. It was like Casey

0:35:48.560 --> 0:35:50.160
<v Speaker 5>and didn't want to go on before you to night.

0:35:53.400 --> 0:35:57.879
<v Speaker 5>I said, I'm supposed to go on behind it. They said, yeah,

0:35:57.920 --> 0:36:00.680
<v Speaker 5>they want to go on first tonight because the crowd

0:36:00.760 --> 0:36:05.040
<v Speaker 5>was extremely ready. They were ready. Didn't so I didn't

0:36:05.040 --> 0:36:08.680
<v Speaker 5>deserve that, you know what I'm saying to them. I didn't.

0:36:08.920 --> 0:36:09.239
<v Speaker 2>He didn't.

0:36:09.320 --> 0:36:12.080
<v Speaker 5>He didn't deserve that. So they came out, they did

0:36:12.120 --> 0:36:14.560
<v Speaker 5>that show, but I went on after them, and don't

0:36:14.600 --> 0:36:19.399
<v Speaker 5>you know, I got a huge applause, and Alvin came

0:36:19.440 --> 0:36:20.920
<v Speaker 5>to me it was like, that was pretty brave what

0:36:20.960 --> 0:36:23.840
<v Speaker 5>you did to come on after us like that. And

0:36:23.920 --> 0:36:26.880
<v Speaker 5>after that I was like, okay, I'm in it. But

0:36:26.960 --> 0:36:29.400
<v Speaker 5>I had to tell that part. Yeah, that is because

0:36:29.440 --> 0:36:33.160
<v Speaker 5>anybody else probably wouldn't have gone on after them, because

0:36:33.160 --> 0:36:34.520
<v Speaker 5>they I mean they smoked it.

0:36:34.480 --> 0:36:36.960
<v Speaker 6>Or would have gone on and it definitely wouldn't have

0:36:37.000 --> 0:36:37.680
<v Speaker 6>got that response.

0:36:38.000 --> 0:36:41.200
<v Speaker 5>Didn't get it. No, I just I just I just

0:36:41.280 --> 0:36:45.480
<v Speaker 5>did me stayed in mind. Yeah, that that let me

0:36:45.520 --> 0:36:48.359
<v Speaker 5>know when they especially when they co signed, yes, say,

0:36:48.520 --> 0:36:51.000
<v Speaker 5>that was pretty brave of you to go behind us

0:36:51.040 --> 0:36:53.280
<v Speaker 5>like that. Wow, it was a chance.

0:36:54.560 --> 0:36:56.799
<v Speaker 6>Was there any success from Ecstasy?

0:36:57.280 --> 0:37:00.200
<v Speaker 5>You know what, It's been passed around, it's been sold

0:37:00.640 --> 0:37:05.200
<v Speaker 5>on being in that, but no, no. I think at

0:37:05.200 --> 0:37:10.640
<v Speaker 5>that moment, Andre Herald and MCA had fallen apart, and

0:37:11.000 --> 0:37:15.879
<v Speaker 5>I got pretty much shelved. I was sent to mc

0:37:16.000 --> 0:37:18.480
<v Speaker 5>A directly, and I think it was heavy deat it

0:37:18.520 --> 0:37:21.719
<v Speaker 5>was going to be my n R. But back then

0:37:21.760 --> 0:37:26.920
<v Speaker 5>people wanted to have percentages and ownership and publishing and

0:37:27.000 --> 0:37:30.880
<v Speaker 5>so it was already packaged up, so nobody felt like

0:37:30.960 --> 0:37:32.160
<v Speaker 5>it was their baby.

0:37:32.719 --> 0:37:35.160
<v Speaker 6>Yeah, yeah, so it wasn't worth it for them. Do

0:37:35.239 --> 0:37:37.319
<v Speaker 6>you get tripped from or do you get another shot

0:37:37.360 --> 0:37:37.520
<v Speaker 6>at it?

0:37:37.840 --> 0:37:44.320
<v Speaker 5>I was sold. Yeah, So Andre Herrel came back again.

0:37:45.000 --> 0:37:49.040
<v Speaker 5>He had Herald Entertainment and he was he was dating

0:37:49.440 --> 0:37:53.760
<v Speaker 5>Court and Sony, Tommy Watola and at this time Andre

0:37:54.680 --> 0:37:57.720
<v Speaker 5>he came to the studio with Marajh Carey. I remember

0:37:57.760 --> 0:38:00.680
<v Speaker 5>she came to my session in New York. Uh. He

0:38:00.760 --> 0:38:03.440
<v Speaker 5>brought up by and so, Hey, we're gonna do this

0:38:03.480 --> 0:38:07.000
<v Speaker 5>and we're gonna go through Sony and I guess him

0:38:07.040 --> 0:38:10.880
<v Speaker 5>and Tommy didn't see how I And so there I

0:38:11.000 --> 0:38:15.200
<v Speaker 5>was again with another record deal, just sit sitting. Yeah.

0:38:15.480 --> 0:38:17.960
<v Speaker 5>I had a lot of those actually for ten years,

0:38:18.360 --> 0:38:21.479
<v Speaker 5>for ten years, having different deals. Yeah. I got signed

0:38:21.480 --> 0:38:23.399
<v Speaker 5>in ninety three. My first album came out in two

0:38:23.400 --> 0:38:27.520
<v Speaker 5>thousand and three. So I was passed around. Geez. Yeah.

0:38:27.800 --> 0:38:31.080
<v Speaker 5>So by the time coming from I'm from Campout, I

0:38:31.120 --> 0:38:33.120
<v Speaker 5>had a whole nother spirit behind me. Then I was,

0:38:33.160 --> 0:38:36.520
<v Speaker 5>you know a lot of giving up in my in

0:38:36.600 --> 0:38:38.680
<v Speaker 5>my in my spirit. Had you gone back to North

0:38:38.719 --> 0:38:41.319
<v Speaker 5>Carolina during that time? Yeah? Yeah, I would go back

0:38:41.320 --> 0:38:44.799
<v Speaker 5>because I had a son, Anthony Junr was you know,

0:38:46.480 --> 0:38:48.279
<v Speaker 5>at home and so I would go back every two

0:38:48.360 --> 0:38:51.200
<v Speaker 5>or three bucks. M h yeah, and then I went

0:38:51.440 --> 0:38:52.640
<v Speaker 5>for a long time. I was like, you know what,

0:38:52.719 --> 0:38:53.759
<v Speaker 5>I'm just gonna stay.

0:38:53.960 --> 0:38:56.799
<v Speaker 6>What were you doing to survive during all of that

0:38:57.080 --> 0:39:00.200
<v Speaker 6>studio work? Different sessions.

0:39:01.760 --> 0:39:04.160
<v Speaker 5>Yacht Kid K he's working on a new album, so

0:39:04.160 --> 0:39:08.600
<v Speaker 5>I would go in and do backgrounds and session work.

0:39:08.680 --> 0:39:12.319
<v Speaker 5>I did one with but I'll be sure. I ended

0:39:12.360 --> 0:39:14.960
<v Speaker 5>up going to the studio doing some some overdubs. I'll

0:39:15.000 --> 0:39:17.360
<v Speaker 5>be sure. I was sure you owe me some money.

0:39:17.520 --> 0:39:20.880
<v Speaker 5>Talk about it. Mm hmm. Now I know how to

0:39:20.920 --> 0:39:24.200
<v Speaker 5>count my overdubs. You know what you owe me an overdub?

0:39:24.280 --> 0:39:24.480
<v Speaker 5>You know.

0:39:26.480 --> 0:39:26.920
<v Speaker 2>You owe me.

0:39:27.280 --> 0:39:29.799
<v Speaker 5>I'll be sure you owe me for the OVERDUBN learn

0:39:29.880 --> 0:39:36.360
<v Speaker 5>about overdubbed. I had to pay some overdubs. Yeah, I

0:39:36.400 --> 0:39:40.359
<v Speaker 5>need paying you that I need four notes, three times.

0:39:40.239 --> 0:39:43.920
<v Speaker 6>That every time you sing a note, it costs exactly.

0:39:44.000 --> 0:39:51.239
<v Speaker 5>And it was a weekend, so you go after you

0:39:51.239 --> 0:39:53.680
<v Speaker 5>know they pay you. Yes, that's how I had my insurance.

0:39:53.680 --> 0:39:57.480
<v Speaker 5>And you know, yeah that I didn't know. Terry put

0:39:57.520 --> 0:39:58.160
<v Speaker 5>me up on game.

0:39:58.280 --> 0:40:05.719
<v Speaker 6>I said, oh people, listen, guys, use the agency.

0:40:06.360 --> 0:40:07.680
<v Speaker 5>Yeah, absolutely, that's what it's there for.

0:40:07.800 --> 0:40:12.279
<v Speaker 6>That's what is therefore they will protect you, they will

0:40:12.320 --> 0:40:13.360
<v Speaker 6>collect for.

0:40:13.239 --> 0:40:25.880
<v Speaker 5>You absolutely and use them.

0:40:26.160 --> 0:40:29.040
<v Speaker 6>So your session work and you being around New York,

0:40:29.080 --> 0:40:31.600
<v Speaker 6>does that lead to you singing background for D'Angelo.

0:40:31.800 --> 0:40:36.080
<v Speaker 5>Well, d'angelo's album brown Sugar was coming out around the

0:40:36.080 --> 0:40:38.799
<v Speaker 5>same time my Ecstasy album was supposed to come out,

0:40:38.840 --> 0:40:41.200
<v Speaker 5>So ketterf Massenberg will come over to the studio and

0:40:41.239 --> 0:40:44.600
<v Speaker 5>play brown Sugar and Tony and Polk would play Ecstasy,

0:40:44.920 --> 0:40:47.319
<v Speaker 5>almost like we were going to be rivals. And then

0:40:47.360 --> 0:40:50.560
<v Speaker 5>when my album didn't come out, D'Angelo was asking about me.

0:40:51.760 --> 0:40:54.240
<v Speaker 5>And by this time he was being managed by Dominic

0:40:54.280 --> 0:40:58.680
<v Speaker 5>Treneer and Don was like, yo, de was asking what

0:40:58.680 --> 0:41:01.000
<v Speaker 5>were you doing? Man, want you to come out and

0:41:01.400 --> 0:41:04.880
<v Speaker 5>you know, think you a tour with him doing background.

0:41:04.920 --> 0:41:07.239
<v Speaker 5>I was say, well, at this moment, I had just

0:41:07.239 --> 0:41:09.800
<v Speaker 5>got signed the Soul Life, Sunshine and the Center and

0:41:09.800 --> 0:41:12.719
<v Speaker 5>all of us, and I went to them and I

0:41:12.719 --> 0:41:14.200
<v Speaker 5>asked him and say, hey, man, this guy named the

0:41:14.280 --> 0:41:17.799
<v Speaker 5>Angelo's got to be a big sensation. I know I'm

0:41:17.800 --> 0:41:19.799
<v Speaker 5>working on an album right now, but y'all are working

0:41:19.840 --> 0:41:24.239
<v Speaker 5>on Sunshine. Heard it all before us. Yeah, And so

0:41:25.400 --> 0:41:27.319
<v Speaker 5>for a minute they went back and forth. It's like, man,

0:41:27.360 --> 0:41:28.600
<v Speaker 5>you can't do what we want you. We need you

0:41:28.640 --> 0:41:30.120
<v Speaker 5>to have this album. I said, it will make me

0:41:30.160 --> 0:41:33.520
<v Speaker 5>a better artist. I promise you, and I'll give y'all

0:41:33.520 --> 0:41:36.840
<v Speaker 5>album when I get back. Eventually they said yes, I

0:41:36.880 --> 0:41:39.760
<v Speaker 5>went on to it with the Angelo and that really

0:41:40.920 --> 0:41:45.200
<v Speaker 5>changed my life. Yeah, it's like going to Harvard. Yes. Yeah,

0:41:45.360 --> 0:41:47.640
<v Speaker 5>so you have Penal Paladin. You know you have Questlove,

0:41:48.400 --> 0:41:55.520
<v Speaker 5>James Poorser, Roy Hargrove, Jaques Schwarzbach, Frank Route Lacy, all

0:41:55.600 --> 0:41:59.440
<v Speaker 5>these amazing people. Karen Vynard Andrew Stone was singing background

0:41:59.840 --> 0:42:04.040
<v Speaker 5>to blow same backgrounds with us, and so that shaped me.

0:42:04.080 --> 0:42:07.600
<v Speaker 5>Shelby Johnson, JK. Jack King. So I was around the

0:42:07.640 --> 0:42:10.640
<v Speaker 5>best of the best, and so this shaped me in

0:42:10.640 --> 0:42:13.840
<v Speaker 5>a way that I don't think I could even have

0:42:13.920 --> 0:42:17.160
<v Speaker 5>paid for this. Yeah, that's a different kind of shed too.

0:42:17.360 --> 0:42:19.680
<v Speaker 5>That was a different tour. That was like touring with

0:42:20.920 --> 0:42:26.040
<v Speaker 5>friends Martin Luther, k Marvin Gaye. It was so black

0:42:26.120 --> 0:42:34.560
<v Speaker 5>and so unapologetic. Yep, that was one. We went everywhere Brazil.

0:42:34.680 --> 0:42:38.439
<v Speaker 5>We toured in Europe for a month on a tour bus,

0:42:38.520 --> 0:42:42.600
<v Speaker 5>double Jacko tour bus. So that's when I was like, Okay,

0:42:42.600 --> 0:42:46.200
<v Speaker 5>I'm in it now. I can't turn back. I can't

0:42:46.200 --> 0:42:49.560
<v Speaker 5>go to Charlotte. I'm standing until I make it happen.

0:42:50.239 --> 0:42:52.480
<v Speaker 6>That Brown Sugar album, Jesus Christ.

0:42:53.040 --> 0:42:55.440
<v Speaker 5>But not only did I, I toured. I was on

0:42:55.480 --> 0:42:58.680
<v Speaker 5>the tail end of the Brown Sugar performances and tour.

0:42:59.239 --> 0:43:03.319
<v Speaker 5>But who was going to to the Voodoo That's where

0:43:03.320 --> 0:43:08.280
<v Speaker 5>I toured the Voodoo tour. I was got more aggressive.

0:43:10.640 --> 0:43:13.680
<v Speaker 5>So I was at this moment, Okay, I had been

0:43:13.680 --> 0:43:17.279
<v Speaker 5>through the Jodasy camp and I had seen what could be. Yeah,

0:43:17.440 --> 0:43:20.839
<v Speaker 5>so when how does it feel? And that touring came out,

0:43:20.920 --> 0:43:23.880
<v Speaker 5>I was a little more secure, you know.

0:43:24.040 --> 0:43:24.200
<v Speaker 6>And.

0:43:25.719 --> 0:43:32.960
<v Speaker 5>You managed was a wing man. You managed it. If

0:43:32.960 --> 0:43:36.760
<v Speaker 5>you see this when I see you in the clubs,

0:43:37.920 --> 0:43:40.839
<v Speaker 5>when when I see you in the club I made

0:43:40.920 --> 0:43:44.719
<v Speaker 5>up for it. I made up for it. Actually I

0:43:44.719 --> 0:43:48.240
<v Speaker 5>stayed pretty balanced, but I enjoyed myself.

0:43:48.520 --> 0:43:52.400
<v Speaker 6>What would you say from that? Because I feel like

0:43:52.560 --> 0:43:55.040
<v Speaker 6>I feel like Jodasy is one thing, but I feel

0:43:55.040 --> 0:44:00.480
<v Speaker 6>like the Angelo is way more in the vein of

0:44:00.480 --> 0:44:03.600
<v Speaker 6>what you are in terms of what it could contribute

0:44:04.280 --> 0:44:07.680
<v Speaker 6>to you as a creative. Yeah, what would you say,

0:44:07.800 --> 0:44:10.520
<v Speaker 6>Like was the if you can pinpoint one of the

0:44:10.560 --> 0:44:13.080
<v Speaker 6>things that was like one of the greatest things you

0:44:13.160 --> 0:44:15.520
<v Speaker 6>took from that experience.

0:44:15.400 --> 0:44:17.160
<v Speaker 5>I think the ability to do whatever I want to

0:44:17.200 --> 0:44:23.400
<v Speaker 5>do on stage and be bold enough to stand on

0:44:23.440 --> 0:44:26.879
<v Speaker 5>it like I believe in it. I think that's what

0:44:26.880 --> 0:44:31.440
<v Speaker 5>what allows me to perform our performance singer. See watching

0:44:31.520 --> 0:44:35.280
<v Speaker 5>him night after night, just captivating the audience and taking

0:44:35.280 --> 0:44:39.520
<v Speaker 5>them to places that they weren't even expecting. Like our

0:44:39.560 --> 0:44:44.200
<v Speaker 5>shows will be rehearsed and put together tight, but every

0:44:44.239 --> 0:44:46.440
<v Speaker 5>night he's going to do something that we didn't expect

0:44:46.920 --> 0:44:50.840
<v Speaker 5>and we had to learn to, you know, with improvise. Yeah,

0:44:50.840 --> 0:44:52.439
<v Speaker 5>I see a lot of these a lot of these

0:44:52.440 --> 0:44:55.120
<v Speaker 5>cats now, and so you need a click track, you

0:44:55.160 --> 0:44:57.440
<v Speaker 5>need this, you need that. It's so locked in. It's

0:44:57.800 --> 0:45:00.359
<v Speaker 5>they're so locked in, so it becomes sterile. But learn

0:45:00.440 --> 0:45:03.680
<v Speaker 5>to move with the spirits because you know these are

0:45:03.800 --> 0:45:06.640
<v Speaker 5>he's a church guy. He's a church boy, you know,

0:45:07.320 --> 0:45:10.480
<v Speaker 5>and so he moved like it, and so questing those

0:45:10.520 --> 0:45:12.719
<v Speaker 5>guys they knew it, they knew how to they knew

0:45:12.719 --> 0:45:14.920
<v Speaker 5>how to flow. So you got to be able to

0:45:15.000 --> 0:45:19.000
<v Speaker 5>be you be able to read the room, read the audience.

0:45:19.800 --> 0:45:22.720
<v Speaker 5>There's times when they're set lists, if that song didn't

0:45:22.719 --> 0:45:25.600
<v Speaker 5>fit in that moment, we're not doing it. We'll come

0:45:25.600 --> 0:45:27.960
<v Speaker 5>back to it. So a lot of times, you know,

0:45:27.960 --> 0:45:29.319
<v Speaker 5>you get a lot of flak from some of the

0:45:29.400 --> 0:45:33.239
<v Speaker 5>younger musicians. It's like, man, he keeps changing the show.

0:45:33.719 --> 0:45:38.000
<v Speaker 5>It's his show. Well with me, but not with the

0:45:38.160 --> 0:45:42.480
<v Speaker 5>those cats were he had a level of musicians that

0:45:42.840 --> 0:45:45.160
<v Speaker 5>understood it. But some of the younger guys that I

0:45:45.440 --> 0:45:47.799
<v Speaker 5>toured with, it's like I was, I'm gonna change it

0:45:47.800 --> 0:45:51.120
<v Speaker 5>because that's not what they need right now. But once again,

0:45:51.520 --> 0:45:58.640
<v Speaker 5>it's your show. Y'all heard him, y'all heard mister d the.

0:45:58.480 --> 0:46:03.080
<v Speaker 6>Boss said, is his show like it's you have to

0:46:03.120 --> 0:46:04.120
<v Speaker 6>be able to adjust?

0:46:04.440 --> 0:46:08.080
<v Speaker 5>Yeah, you have to, man. And when I learn to

0:46:08.160 --> 0:46:11.520
<v Speaker 5>read them, it makes me better because I know how

0:46:11.680 --> 0:46:15.839
<v Speaker 5>to service what they need. And I try to tell

0:46:15.880 --> 0:46:20.279
<v Speaker 5>the band man some nights, some nights it's not time

0:46:20.360 --> 0:46:23.439
<v Speaker 5>for Charlie. You got them in a sweet spot. That's

0:46:23.440 --> 0:46:28.240
<v Speaker 5>milk it. And then when Charlie comes, it's.

0:46:28.080 --> 0:46:31.560
<v Speaker 6>A super bowl milking is a lost start, it is,

0:46:32.360 --> 0:46:36.600
<v Speaker 6>I think in yeah, in this time in twenty twenty six, yeah,

0:46:36.640 --> 0:46:39.880
<v Speaker 6>I see very few artists. They sticking to the They

0:46:39.960 --> 0:46:42.759
<v Speaker 6>sticking to this. They have a program, yeah right, and

0:46:42.800 --> 0:46:44.320
<v Speaker 6>they're just running through the program.

0:46:44.400 --> 0:46:48.440
<v Speaker 5>It's sterile though, but the milk, Yeah.

0:46:48.080 --> 0:46:53.839
<v Speaker 6>Those who understand milking. Yeah, that's why I say when

0:46:53.880 --> 0:46:57.960
<v Speaker 6>you with you and Fantasia, like, I love I love

0:46:58.040 --> 0:47:03.719
<v Speaker 6>watching YouTube perform because you guys know, I mean, I

0:47:03.719 --> 0:47:07.080
<v Speaker 6>think it's a church thing, right, Yeah, you know how

0:47:07.120 --> 0:47:10.640
<v Speaker 6>to find that sweet spot and you can feel the

0:47:10.760 --> 0:47:14.440
<v Speaker 6>spirit starting to do something different and you know how.

0:47:16.600 --> 0:47:20.160
<v Speaker 5>Yeah, we'll stay here for a minute. Don't touch it,

0:47:20.680 --> 0:47:25.279
<v Speaker 5>don't add the extra note. Yeah, you have to stay there.

0:47:25.719 --> 0:47:28.080
<v Speaker 6>I'm talking to one of my one of my guys

0:47:28.120 --> 0:47:30.799
<v Speaker 6>on the show that I'm on, and I can't say

0:47:30.800 --> 0:47:36.160
<v Speaker 6>who yet, but he's like, so, how did your band

0:47:36.239 --> 0:47:40.160
<v Speaker 6>know to like just keep doing that?

0:47:40.680 --> 0:47:42.239
<v Speaker 5>Yeah?

0:47:42.280 --> 0:47:44.920
<v Speaker 6>Like how did and then you just started doing something?

0:47:44.960 --> 0:47:47.080
<v Speaker 6>How did they know? How did you guys know together?

0:47:47.160 --> 0:47:52.040
<v Speaker 6>I said, we're just from the same place. And so

0:47:52.880 --> 0:47:55.600
<v Speaker 6>when you when you feel it and you give each

0:47:55.600 --> 0:47:56.440
<v Speaker 6>other that look.

0:47:56.600 --> 0:47:59.400
<v Speaker 5>They already know where you're going. Oh, I already know

0:48:01.520 --> 0:48:05.399
<v Speaker 5>and we're just there. Yeah, And it feels good when

0:48:05.400 --> 0:48:09.680
<v Speaker 5>they they pretty much like, we already we want to

0:48:09.719 --> 0:48:14.000
<v Speaker 5>go there. Yeah. So that's a great feeling. Man, Like

0:48:14.040 --> 0:48:17.399
<v Speaker 5>when you get you get that type of band. Yeah,

0:48:18.000 --> 0:48:21.759
<v Speaker 5>you can do anything coming from where I'm from. Oh

0:48:22.800 --> 0:48:25.319
<v Speaker 5>that changed my life. Oh I know it did. Yeah,

0:48:26.000 --> 0:48:29.480
<v Speaker 5>life no more it is. You can get to the

0:48:29.600 --> 0:48:34.359
<v Speaker 5>album you signed to Jermaine Dupris, Yes, I did. How

0:48:34.560 --> 0:48:36.600
<v Speaker 5>How did how did that happen? You know? I had

0:48:36.640 --> 0:48:40.480
<v Speaker 5>been at it for a minute, man, and one thing

0:48:40.560 --> 0:48:44.280
<v Speaker 5>led to another. I did a co wrote for Donnielle Jones,

0:48:45.040 --> 0:48:48.319
<v Speaker 5>say what say what? Come on? Come on? Yeah? Yeah,

0:48:48.400 --> 0:48:50.920
<v Speaker 5>yeah yeah, I co wrote that. And so in that

0:48:51.040 --> 0:48:53.360
<v Speaker 5>time I was getting a lot of feature starting to

0:48:53.360 --> 0:48:56.440
<v Speaker 5>get a lot of feature work. I had did Tupacs

0:48:56.560 --> 0:49:01.839
<v Speaker 5>Thugs Matching, and I did Jada Kiss. Why so I'm

0:49:01.880 --> 0:49:04.279
<v Speaker 5>getting a buzz again. Did Nappy Roots come before the

0:49:04.400 --> 0:49:07.200
<v Speaker 5>Nappy Roots? Yeah? Yeah, yeah yeah, Nappy Roots. That's that's

0:49:07.239 --> 0:49:10.480
<v Speaker 5>the one that really put the face the name and

0:49:10.560 --> 0:49:14.040
<v Speaker 5>the face and in the image made it. It became

0:49:14.040 --> 0:49:17.319
<v Speaker 5>a household names folk. Yeah, so it made sense. And

0:49:17.400 --> 0:49:21.800
<v Speaker 5>so I was invited to Nandell McMillan's Grammy Brunch and

0:49:22.280 --> 0:49:24.000
<v Speaker 5>U At this moment, I didn't have a record deal

0:49:24.239 --> 0:49:26.279
<v Speaker 5>with all this stuff out though. It's moving for you.

0:49:26.400 --> 0:49:29.279
<v Speaker 5>Yeah yeah, I'm getting I'm getting work, but you know,

0:49:29.480 --> 0:49:33.080
<v Speaker 5>record deal not really. It was still I'm still on

0:49:33.120 --> 0:49:36.880
<v Speaker 5>the same show, and uh so it invited me to

0:49:36.880 --> 0:49:39.279
<v Speaker 5>sing I had coming from where I'm from, because at

0:49:39.280 --> 0:49:41.560
<v Speaker 5>this moment, I would go to the studio each day

0:49:41.760 --> 0:49:45.680
<v Speaker 5>with Mark Batson, who produced Charlene and coming from where

0:49:45.680 --> 0:49:47.440
<v Speaker 5>I'm from, and he would just let me record for

0:49:47.440 --> 0:49:50.680
<v Speaker 5>free because he believed in something in me, because if

0:49:50.680 --> 0:49:52.759
<v Speaker 5>he didn't, he was gonna break in the studio anyway,

0:49:53.840 --> 0:49:57.680
<v Speaker 5>because I remember, I remember now to get it and

0:49:59.320 --> 0:50:02.160
<v Speaker 5>that that was a song I sang. Michael Marden, whose Germaine,

0:50:02.160 --> 0:50:05.719
<v Speaker 5>the Priest's father was an audience. Now this particular night,

0:50:05.800 --> 0:50:11.960
<v Speaker 5>it was Prince in the room. Luc Keys, Kanye and

0:50:12.080 --> 0:50:15.839
<v Speaker 5>Isaac Hayes introduced me. So I'm sitting backstage and that's

0:50:15.920 --> 0:50:18.919
<v Speaker 5>when I had first started withing my trucker hats. And

0:50:20.360 --> 0:50:23.200
<v Speaker 5>I remember sitting backstage and Kamora Lee was staring at me.

0:50:23.200 --> 0:50:26.080
<v Speaker 5>I had on my dad's flannel blue shirt had those

0:50:26.120 --> 0:50:29.239
<v Speaker 5>like little silver linings in it, and I had on

0:50:29.360 --> 0:50:32.480
<v Speaker 5>these true Religion had just first came out, and on

0:50:32.560 --> 0:50:35.239
<v Speaker 5>these cowboy boots, and she was just staring at me,

0:50:35.800 --> 0:50:38.120
<v Speaker 5>and I act like I didn't see her because I

0:50:38.120 --> 0:50:41.120
<v Speaker 5>was a little you know, I said, Kimorley, and I'm

0:50:41.120 --> 0:50:42.839
<v Speaker 5>about to go out and sing, and I ain't sang

0:50:42.920 --> 0:50:45.239
<v Speaker 5>in a wild in front of an audience. She said,

0:50:45.239 --> 0:50:48.919
<v Speaker 5>that's what you have a great look. And I want

0:50:48.920 --> 0:50:52.799
<v Speaker 5>to let you know, kamor Ley, you really sealed it

0:50:52.800 --> 0:50:54.960
<v Speaker 5>for you. You sealed it. And I went out there

0:50:54.960 --> 0:50:56.279
<v Speaker 5>and sung the hell out of her, coming from where

0:50:56.280 --> 0:50:59.279
<v Speaker 5>I'm from, like this is the last this is the

0:50:59.360 --> 0:51:02.040
<v Speaker 5>last song I have to sing. This is my last opportunity.

0:51:02.719 --> 0:51:04.920
<v Speaker 5>And as soon as I got off stage, Michael Martin

0:51:04.960 --> 0:51:09.920
<v Speaker 5>called Germaine Dupris and he got somebody I wants you

0:51:09.960 --> 0:51:13.200
<v Speaker 5>to hear. So I must have sang that song about

0:51:13.480 --> 0:51:18.080
<v Speaker 5>ten times in his office, like maybe like a couple

0:51:18.080 --> 0:51:21.319
<v Speaker 5>of days later, and then he was telling La, read

0:51:21.400 --> 0:51:23.759
<v Speaker 5>this guy. Man, you gotta hear this guy sing the song.

0:51:25.280 --> 0:51:27.319
<v Speaker 5>And La was like, I don't believe that he can

0:51:27.360 --> 0:51:29.359
<v Speaker 5>sing that. I don't believe he could do it. Now

0:51:29.360 --> 0:51:32.319
<v Speaker 5>I sing it for him at least three times. I'm

0:51:32.320 --> 0:51:34.560
<v Speaker 5>sitting there singing it. He said, I don't believe that

0:51:34.640 --> 0:51:39.760
<v Speaker 5>ain't him because it sounds so I sound so old,

0:51:39.920 --> 0:51:42.839
<v Speaker 5>and so it was so real like singing it the

0:51:42.880 --> 0:51:48.680
<v Speaker 5>same way. It probably even better live. And I remember

0:51:48.719 --> 0:51:53.120
<v Speaker 5>having a showcase of sobs you know that's New York,

0:51:53.719 --> 0:51:56.919
<v Speaker 5>and Jermaine brought his whole crew, the whole staff down,

0:51:57.840 --> 0:52:01.520
<v Speaker 5>and mind you, I was talking to Jimmy, I bean

0:52:01.880 --> 0:52:04.279
<v Speaker 5>he was interested in me. I think it was Tim

0:52:04.320 --> 0:52:07.960
<v Speaker 5>Reid he was interested in me. Jermaine came in. He's

0:52:07.960 --> 0:52:11.800
<v Speaker 5>pretty much he pretty much bullied his way in. Yeah,

0:52:11.920 --> 0:52:15.400
<v Speaker 5>and I ended up signing with so so deaf. What

0:52:15.520 --> 0:52:17.759
<v Speaker 5>made you make that decision though? Too?

0:52:18.680 --> 0:52:21.080
<v Speaker 8>Was it was it a financial thing, like okay when

0:52:21.120 --> 0:52:23.800
<v Speaker 8>you say bully, was it like okay, I'm a double.

0:52:23.600 --> 0:52:25.400
<v Speaker 5>The deal or you know what I mean? No, he

0:52:25.520 --> 0:52:29.040
<v Speaker 5>was just like, yo, you signed them with me? Like yo,

0:52:29.160 --> 0:52:31.239
<v Speaker 5>I get it. He was like, I get who you are.

0:52:32.080 --> 0:52:35.919
<v Speaker 5>So la Red wanted me to change dress up, put

0:52:35.960 --> 0:52:38.960
<v Speaker 5>on suit shirts and suits, you know, dressed me up.

0:52:39.080 --> 0:52:43.279
<v Speaker 5>Marvin gave me and uh Jad was like, nah, just

0:52:43.320 --> 0:52:47.480
<v Speaker 5>like that the truck I had raggedy bed all.

0:52:47.320 --> 0:52:51.520
<v Speaker 6>That and had already told you with a supermode.

0:52:52.160 --> 0:52:53.640
<v Speaker 5>Yeah. So I was probably I was about to get

0:52:53.680 --> 0:52:56.879
<v Speaker 5>signed up chef arm or something. So I was like,

0:52:57.280 --> 0:53:01.200
<v Speaker 5>let's do this, son, let's do this, scooci free do

0:53:03.200 --> 0:53:07.320
<v Speaker 5>so when JD started talking about what he saw in

0:53:07.440 --> 0:53:11.719
<v Speaker 5>me and not changing it. Yeah. Yeah, that made me

0:53:11.760 --> 0:53:15.799
<v Speaker 5>believe in his vision more than anybody else. Jimmy Ivan

0:53:15.960 --> 0:53:18.440
<v Speaker 5>was like, I love your voice and I love this,

0:53:18.520 --> 0:53:20.040
<v Speaker 5>he said, but I don't really know what to.

0:53:20.000 --> 0:53:20.320
<v Speaker 6>Do with you.

0:53:21.000 --> 0:53:22.920
<v Speaker 5>Then why would I sign you know?

0:53:23.120 --> 0:53:23.640
<v Speaker 2>But he did.

0:53:23.680 --> 0:53:26.759
<v Speaker 5>He gifted me four songs, four songs off of coming

0:53:26.760 --> 0:53:29.800
<v Speaker 5>from where I'm From. He paid for the studio sessions.

0:53:29.800 --> 0:53:33.480
<v Speaker 5>He was like, just as a gift. Wow. Yeah, So

0:53:33.600 --> 0:53:39.040
<v Speaker 5>thank you, Jimmy. That was pretty cool. And from there, man,

0:53:39.400 --> 0:53:45.560
<v Speaker 5>you know, Misslles, Michelle sent Yez Boy. They came up

0:53:45.600 --> 0:53:48.879
<v Speaker 5>with a marketing plan to make people believe in who

0:53:48.920 --> 0:53:52.279
<v Speaker 5>I was. The music. They were sending stuff like hey

0:53:53.239 --> 0:53:56.719
<v Speaker 5>with like a CD and a little trucker hat with

0:53:56.840 --> 0:54:02.400
<v Speaker 5>age on it. The internal marketing campaign. Yeah yeah, yeah,

0:54:02.560 --> 0:54:08.319
<v Speaker 5>you know. They started putting the movie together and I

0:54:08.360 --> 0:54:10.600
<v Speaker 5>had to sell it. That's what I did. I went

0:54:10.600 --> 0:54:14.879
<v Speaker 5>out on the road and tour it and sang last off. Yeah.

0:54:14.920 --> 0:54:16.360
<v Speaker 5>You definitely fucking did that.

0:54:17.280 --> 0:54:19.840
<v Speaker 6>And I think when you say sell it it, you know,

0:54:21.160 --> 0:54:24.080
<v Speaker 6>I think the beauty in it is you just got

0:54:24.080 --> 0:54:25.520
<v Speaker 6>to be yourself.

0:54:25.280 --> 0:54:29.120
<v Speaker 5>Really what it is. You got to find that spot

0:54:29.200 --> 0:54:33.400
<v Speaker 5>that represent who who you really are, not even just

0:54:33.440 --> 0:54:36.120
<v Speaker 5>your music, but on and off the stage, you have

0:54:36.239 --> 0:54:40.000
<v Speaker 5>to you know, lifestyle. Yeah, you become yourself. You find

0:54:40.000 --> 0:54:42.920
<v Speaker 5>that sweet spot in your life where it's just like,

0:54:42.960 --> 0:54:45.640
<v Speaker 5>you know what, I don't need no outfit, I don't

0:54:45.680 --> 0:54:48.960
<v Speaker 5>need a lot of extra stuff to become who I

0:54:48.960 --> 0:54:52.759
<v Speaker 5>am because it's in there. Pay attention to it, and

0:54:52.800 --> 0:54:55.360
<v Speaker 5>I found it, you know, and with the people around

0:54:55.400 --> 0:54:58.960
<v Speaker 5>me helping to show me who I was supposed to be,

0:55:00.239 --> 0:55:02.520
<v Speaker 5>it made sense. All of it made sense. And so

0:55:02.640 --> 0:55:05.040
<v Speaker 5>I was like, this is the run I need. And

0:55:05.080 --> 0:55:08.160
<v Speaker 5>I was like, God, thank you. Ten years, ten years,

0:55:08.640 --> 0:55:09.280
<v Speaker 5>ten years.

0:55:09.360 --> 0:55:09.560
<v Speaker 4>Man.

0:55:10.080 --> 0:55:12.440
<v Speaker 5>The same thing with Maroon five. I talked to Adam.

0:55:12.680 --> 0:55:15.239
<v Speaker 5>We were just you just talked to Adam from Maroom five,

0:55:15.360 --> 0:55:17.040
<v Speaker 5>just like I mean we were at We're at the

0:55:17.080 --> 0:55:19.640
<v Speaker 5>Soho house. Yeah, yeah, we were at the house.

0:55:19.880 --> 0:55:20.120
<v Speaker 1>Yeah.

0:55:20.360 --> 0:55:21.960
<v Speaker 5>So it was all at the Soho House. I have

0:55:22.000 --> 0:55:24.120
<v Speaker 5>a picture of us laughing so hard you can see

0:55:24.160 --> 0:55:27.080
<v Speaker 5>our veins. But they were signed for ten years too,

0:55:27.800 --> 0:55:31.560
<v Speaker 5>and you know, just bounced around. Man. He was like, man,

0:55:31.600 --> 0:55:34.719
<v Speaker 5>it's a sweet it's sweet time when you finally can

0:55:34.920 --> 0:55:38.320
<v Speaker 5>you know, yeah, when it off that shelf and yeah,

0:55:38.400 --> 0:55:39.640
<v Speaker 5>a little shot. Boy.

0:55:40.200 --> 0:55:46.080
<v Speaker 8>When Charlene finally drops, I know the world changes for you.

0:55:46.160 --> 0:55:49.680
<v Speaker 5>Oh absolutely. I didn't owe my landlord any more money.

0:55:51.640 --> 0:55:53.840
<v Speaker 5>Matter of fact, I overpaid her and she sent me

0:55:53.880 --> 0:55:56.319
<v Speaker 5>a check once I moved for two thousand dollars them.

0:55:56.400 --> 0:55:59.839
<v Speaker 5>Thank you, miss Ryman. Yeah, that changed my life, man. Yeah, yeah,

0:56:00.040 --> 0:56:02.960
<v Speaker 5>because I was singing from fresh out of a heartbreak.

0:56:03.400 --> 0:56:07.239
<v Speaker 5>M hmm okay, yeah, so do it that I'm a mess.

0:56:07.600 --> 0:56:09.719
<v Speaker 5>I sung I'm a mess at four am up in

0:56:09.800 --> 0:56:16.160
<v Speaker 5>neuroshll no, what's the other place? Westchester, New Yall? Remember

0:56:16.160 --> 0:56:21.560
<v Speaker 5>that four am leading at the heart? Yeah, put all that,

0:56:21.640 --> 0:56:23.680
<v Speaker 5>you know. I needed to go through it to be

0:56:23.719 --> 0:56:25.359
<v Speaker 5>able to give you, guys what you are here now.

0:56:26.360 --> 0:56:29.880
<v Speaker 5>So sometime your pain is not to destroy you, to

0:56:29.920 --> 0:56:35.160
<v Speaker 5>build you. Yeah. Did you buy any extra trucker hat?

0:56:35.239 --> 0:56:35.279
<v Speaker 6>So?

0:56:35.360 --> 0:56:37.959
<v Speaker 5>Did you buy some extra water? The same one until

0:56:37.960 --> 0:56:43.600
<v Speaker 5>the start of smell no char out? Yeah, I had to. Yeah.

0:56:43.640 --> 0:56:45.000
<v Speaker 5>I was like, I'm not getting rid of this hat.

0:56:45.160 --> 0:56:55.200
<v Speaker 5>That was the Yeah, that was the hat you my aunt. Yeah, seriously,

0:56:55.360 --> 0:56:57.160
<v Speaker 5>like you can get it and you can get a

0:56:57.200 --> 0:57:00.560
<v Speaker 5>whooping Yeah, get it? Yeah, yeah that hat? Don't put

0:57:00.560 --> 0:57:02.680
<v Speaker 5>no no talk of trucks and none of that in

0:57:02.680 --> 0:57:07.360
<v Speaker 5>my hat said his name to produce Charlene Mark Batho.

0:57:07.920 --> 0:57:10.880
<v Speaker 5>He produced Charlotte coming from where I'm from, Batman, sister

0:57:10.880 --> 0:57:16.480
<v Speaker 5>big bones, can't let go Yeah Hockey since I sent you. Yeah,

0:57:17.000 --> 0:57:20.160
<v Speaker 5>he said, a lot of a lot of a lot

0:57:20.160 --> 0:57:22.840
<v Speaker 5>of my bigger And that's lucky and that that's that's

0:57:22.880 --> 0:57:26.680
<v Speaker 5>a blessing too. When you find somebody.

0:57:26.400 --> 0:57:31.520
<v Speaker 6>Who gets it musically, where that marriage is just like, yeah,

0:57:31.600 --> 0:57:34.400
<v Speaker 6>it ain't forced, it just makes sense. You ain't searching

0:57:34.520 --> 0:57:37.080
<v Speaker 6>around trying to figure out where it is.

0:57:37.160 --> 0:57:40.720
<v Speaker 5>Like, yes, he's one of the ones. Him, Kelvin Wooton,

0:57:40.760 --> 0:57:45.560
<v Speaker 5>who did h cool and her heart and uh so

0:57:45.680 --> 0:57:49.560
<v Speaker 5>in love with you with Scott Glvin he gets it

0:57:49.600 --> 0:57:51.520
<v Speaker 5>as well. He's a church boy as well.

0:57:51.640 --> 0:57:55.920
<v Speaker 8>So yeah, shout out to Jermaine too, man like you

0:57:55.960 --> 0:57:58.480
<v Speaker 8>said saying, hey man, I don't want to change you.

0:57:58.920 --> 0:58:01.520
<v Speaker 8>Bless you be who you are. But then also because

0:58:01.560 --> 0:58:02.960
<v Speaker 8>it's the other thing that happens when you sign the

0:58:03.000 --> 0:58:05.280
<v Speaker 8>producers they want to produce.

0:58:05.960 --> 0:58:08.720
<v Speaker 5>He didn't. He lets y'all rock. He was like, which

0:58:08.800 --> 0:58:10.480
<v Speaker 5>is even more amazing. He didn't want to write, he

0:58:10.480 --> 0:58:13.160
<v Speaker 5>didn't want to do I had to force him to do. Uh,

0:58:13.880 --> 0:58:18.680
<v Speaker 5>Mama new love the idea that jay Z had. Mama

0:58:18.720 --> 0:58:21.520
<v Speaker 5>loves me. I say, man, this sample, right, I said,

0:58:21.600 --> 0:58:25.640
<v Speaker 5>if you can do something with this sample, man, I

0:58:25.680 --> 0:58:29.160
<v Speaker 5>promise you I'll deliver something special. And he went in

0:58:29.280 --> 0:58:33.360
<v Speaker 5>he started. Yep, he put jay Z's voice in it,

0:58:34.160 --> 0:58:37.200
<v Speaker 5>right right. Heah. Yeah. At this moment, I was like,

0:58:38.040 --> 0:58:41.880
<v Speaker 5>that ain't what I'm looking for. After you, after you

0:58:41.960 --> 0:58:45.800
<v Speaker 5>asked him to do it, But I was like I

0:58:45.840 --> 0:58:48.320
<v Speaker 5>didn't know. I didn't know where it was going. Then

0:58:48.360 --> 0:58:53.080
<v Speaker 5>he started playing, playing chords and sampling chords and put

0:58:53.080 --> 0:58:56.360
<v Speaker 5>it together. I was like, he really, he really gets

0:58:56.400 --> 0:59:01.160
<v Speaker 5>in there and do it. People they he's not, but

0:59:01.240 --> 0:59:04.640
<v Speaker 5>he his lyrics and everything, everything, he does everything everything.

0:59:04.680 --> 0:59:08.360
<v Speaker 5>So if you had never seen JD really in the studio, yeah,

0:59:09.080 --> 0:59:12.120
<v Speaker 5>in the Hall of Fame. Yeah, yeah, he's in the

0:59:12.160 --> 0:59:12.959
<v Speaker 5>Hall of Fame. Yeah.

0:59:13.240 --> 0:59:16.720
<v Speaker 6>Very smart, very smart, very smart, very very large, all

0:59:16.760 --> 0:59:18.160
<v Speaker 6>of that, yeah, all of that.

0:59:18.400 --> 0:59:20.760
<v Speaker 5>I know the money changed, you know, well, charge a

0:59:20.760 --> 0:59:23.840
<v Speaker 5>lot more. You know, I'll charge a lot more now. Bags.

0:59:24.600 --> 0:59:30.360
<v Speaker 5>I charged up up my price, my price. You know, man,

0:59:30.600 --> 0:59:32.720
<v Speaker 5>I've earned it. You have to earn it, man, you

0:59:32.760 --> 0:59:33.840
<v Speaker 5>know it's more to pay.

0:59:33.640 --> 0:59:35.400
<v Speaker 6>For just just give me the first because this is

0:59:35.480 --> 0:59:38.880
<v Speaker 6>Jay's question, but I'm still it. What's the first extravagant

0:59:38.920 --> 0:59:40.880
<v Speaker 6>thing your purchased for yourself?

0:59:40.920 --> 0:59:42.440
<v Speaker 5>The first extravagant thing.

0:59:44.360 --> 0:59:47.440
<v Speaker 6>Like where you was, like you went outside yourself in

0:59:47.440 --> 0:59:49.560
<v Speaker 6>a sense, like you got besides yourself.

0:59:50.560 --> 0:59:53.160
<v Speaker 5>You know what it was. It might not be a

0:59:53.200 --> 0:59:58.120
<v Speaker 5>lot to y'all, but for me. Thirteen one hundred dollars

0:59:58.200 --> 1:00:00.640
<v Speaker 5>lizard Guccies bout Harbor.

1:00:01.120 --> 1:00:02.240
<v Speaker 6>No what here though?

1:00:03.000 --> 1:00:05.400
<v Speaker 5>This is early off. Oh no, that's the thing I like.

1:00:06.280 --> 1:00:08.200
<v Speaker 5>I never had no shoes.

1:00:07.800 --> 1:00:10.439
<v Speaker 6>More thirteen hundred on a pair of shoes at that time.

1:00:10.560 --> 1:00:13.600
<v Speaker 5>That's what DLO like. In the whole it is Gucci Gucci.

1:00:13.760 --> 1:00:18.480
<v Speaker 5>They were Gucci and Gucci, yeah in that time. But

1:00:18.600 --> 1:00:21.160
<v Speaker 5>then I got the belt you gotta get. I got

1:00:21.200 --> 1:00:22.880
<v Speaker 5>the shirt you I don't come on them.

1:00:22.920 --> 1:00:27.320
<v Speaker 6>After whole, I got the blades of the can.

1:00:28.160 --> 1:00:31.920
<v Speaker 5>So I'm all out. I wouldn't you crazy, I wouldn't

1:00:31.960 --> 1:00:36.560
<v Speaker 5>go you crazy? You damn right? Where'd you? Where's your wear?

1:00:36.560 --> 1:00:40.040
<v Speaker 5>It said outfit too, because I went it's uh, it's

1:00:40.440 --> 1:00:44.919
<v Speaker 5>Getty images. It was the it's the BET Awards. Yeah,

1:00:45.480 --> 1:00:51.880
<v Speaker 5>you saying it? You seen it? Say that They better

1:00:51.920 --> 1:00:54.439
<v Speaker 5>see it. Yeah, man, they saying it. So I'm adding

1:00:54.520 --> 1:00:59.080
<v Speaker 5>up to numbers. You spent spent the ten ball in there? Yeah, yeah,

1:00:59.560 --> 1:01:03.280
<v Speaker 5>I probably did. I'm in one year, no, lie, and

1:01:03.320 --> 1:01:05.560
<v Speaker 5>then it might not be a lot to y'all because

1:01:05.560 --> 1:01:11.120
<v Speaker 5>you got seven podcasts it all. But like I was

1:01:11.160 --> 1:01:13.200
<v Speaker 5>doing my you know, my taxes and going over my

1:01:13.240 --> 1:01:16.640
<v Speaker 5>financial stuff, and my financial person at the time was like,

1:01:18.880 --> 1:01:24.960
<v Speaker 5>you spent over fifty thousand dollars in closing, Anthony, and uh,

1:01:25.760 --> 1:01:29.439
<v Speaker 5>you know this is pretty early years. Give me a minute.

1:01:30.240 --> 1:01:38.280
<v Speaker 5>Two thousand, like two thousand three four. Yeah, you're tripping.

1:01:38.720 --> 1:01:41.640
<v Speaker 6>Yeah that was in two thousand and three, fifty k

1:01:42.480 --> 1:01:43.080
<v Speaker 6>out of control.

1:01:43.160 --> 1:01:46.000
<v Speaker 5>He didn't start. Yeah, that too. I was in LA

1:01:46.520 --> 1:01:51.120
<v Speaker 5>I told Lorenzo and all that. You know traffic, Yeah, yeah,

1:01:51.720 --> 1:01:54.320
<v Speaker 5>that's traffic. Was I see the boost you got on

1:01:54.400 --> 1:01:57.960
<v Speaker 5>right now, I understand. I know what you're doing. I

1:01:57.960 --> 1:01:58.560
<v Speaker 5>would stand.

1:01:58.640 --> 1:02:03.960
<v Speaker 6>I would get the styling. Yeah, I styled inexpensive clothes.

1:02:04.040 --> 1:02:08.880
<v Speaker 5>Yeah, going going back, but this is stuff. So I

1:02:08.960 --> 1:02:10.720
<v Speaker 5>was liking the stuff that they were styling me in

1:02:11.080 --> 1:02:13.880
<v Speaker 5>and taking back. So I had to try to find

1:02:13.920 --> 1:02:17.080
<v Speaker 5>something that made me feel as good. Yeah. I respect that,

1:02:17.200 --> 1:02:20.440
<v Speaker 5>but I didn't have the relationships. Yeah, yeah, so I

1:02:20.440 --> 1:02:21.360
<v Speaker 5>had to go full price.

1:02:21.680 --> 1:02:23.480
<v Speaker 6>You said traffic. I know you was in the Beverly

1:02:23.520 --> 1:02:24.919
<v Speaker 6>Center giving it to.

1:02:24.880 --> 1:02:29.800
<v Speaker 5>Him, Lorenzo h Sunset. Yeah, oh, they hit you in

1:02:29.800 --> 1:02:31.520
<v Speaker 5>the head. Now I go in there, I'd be like, man,

1:02:31.600 --> 1:02:34.840
<v Speaker 5>y'all you mind, I might get something here and there.

1:02:35.640 --> 1:02:37.920
<v Speaker 5>You know what I mean. You can't say that with

1:02:38.000 --> 1:02:43.160
<v Speaker 5>you right now? You think that, you know, because you know, yeah,

1:02:43.320 --> 1:02:44.240
<v Speaker 5>I've had these a couple of years.

1:02:44.240 --> 1:02:46.480
<v Speaker 6>I've got the money out of Okay, that means you

1:02:46.600 --> 1:02:50.200
<v Speaker 6>got another twenty I'm gonna tell that tip still shining.

1:02:50.600 --> 1:02:53.680
<v Speaker 5>Well, I tell you right now. Yeah, I wanted to

1:02:53.760 --> 1:02:56.080
<v Speaker 5>you know, yeah, coming here looking like a little bit

1:02:56.120 --> 1:03:02.960
<v Speaker 5>of RB you got, you got you. I was like,

1:03:03.080 --> 1:03:05.120
<v Speaker 5>you know you're going ONB money. You gotta show you

1:03:05.120 --> 1:03:09.000
<v Speaker 5>got a little money. Geez.

1:03:09.680 --> 1:03:13.600
<v Speaker 6>Yeah, I think now, like you know, in today's time,

1:03:13.680 --> 1:03:16.040
<v Speaker 6>like when you say fifty thousand, it's like, you know,

1:03:16.960 --> 1:03:21.200
<v Speaker 6>it's like a couple pair of pants. Well yeah, now

1:03:21.480 --> 1:03:22.280
<v Speaker 6>maybe something.

1:03:22.680 --> 1:03:27.160
<v Speaker 5>Yeah, three or four shirts? Yeah, because T shirts Tad

1:03:27.360 --> 1:03:31.280
<v Speaker 5>sixteen hundred, two thousand, and he's lost his mind at

1:03:31.280 --> 1:03:33.880
<v Speaker 5>this sixteen hundred dollars, Well, who got a sixteen hundred

1:03:33.880 --> 1:03:34.440
<v Speaker 5>dollar T shirt.

1:03:35.320 --> 1:03:38.720
<v Speaker 6>The pants I wore o Versus was twenty.

1:03:40.400 --> 1:03:46.880
<v Speaker 5>Lone twenty what Yeah, I'm on your side now, twenty rack,

1:03:47.280 --> 1:03:47.959
<v Speaker 5>twenty rack.

1:03:49.640 --> 1:03:50.760
<v Speaker 6>Yeah, shirt was sick.

1:03:50.840 --> 1:03:53.360
<v Speaker 5>They probably sold about forty pair of belt was eighteen.

1:03:53.440 --> 1:03:54.800
<v Speaker 5>You know you came in there with yourn.

1:03:55.400 --> 1:03:58.440
<v Speaker 6>Now, I guess what. I kept all them clothes on.

1:04:00.080 --> 1:04:01.760
<v Speaker 5>You're not taking a shirt off on first. You're gonna

1:04:01.760 --> 1:04:08.800
<v Speaker 5>see this outfit. Look. You know what what it's that

1:04:08.960 --> 1:04:14.400
<v Speaker 5>turtal neck. Oh man ship, we love you, but that

1:04:14.440 --> 1:04:18.760
<v Speaker 5>turtle neck. I didn't bring it up it. Look you

1:04:18.880 --> 1:04:22.520
<v Speaker 5>had me church, Yeah, church, you know you went in

1:04:22.680 --> 1:04:23.320
<v Speaker 5>you went in on it.

1:04:23.440 --> 1:04:25.800
<v Speaker 6>That's what. That's what my guy was asking. He said,

1:04:25.800 --> 1:04:26.840
<v Speaker 6>how did they know that?

1:04:27.040 --> 1:04:27.240
<v Speaker 4>Yeah?

1:04:27.600 --> 1:04:32.960
<v Speaker 6>Going and yeah said even the background. Oh look, I

1:04:33.000 --> 1:04:36.160
<v Speaker 6>was like, oh, I like this could be you know

1:04:37.080 --> 1:04:37.600
<v Speaker 6>he had.

1:04:39.840 --> 1:04:41.880
<v Speaker 5>Been to church and start getting good.

1:04:42.200 --> 1:04:48.920
<v Speaker 6>Yeah, here you too, ministry and I gotta earn the

1:04:49.880 --> 1:04:53.360
<v Speaker 6>money back. Yeah, we got a stream that was good.

1:05:02.920 --> 1:05:05.960
<v Speaker 6>The touring with Fantasia. Yeah, and I know you can

1:05:06.000 --> 1:05:10.040
<v Speaker 6>speak to this. How amazing is that combination? Because I

1:05:10.080 --> 1:05:12.280
<v Speaker 6>think that that combination is just powerful.

1:05:12.320 --> 1:05:14.760
<v Speaker 5>Brother. You know what, I've had some really great tools,

1:05:14.760 --> 1:05:17.560
<v Speaker 5>like Maxwell, Me, Maxwell and Joe did an amazing tour

1:05:18.560 --> 1:05:21.520
<v Speaker 5>that was really powerful. But when me and Fantasia get together,

1:05:22.400 --> 1:05:27.280
<v Speaker 5>it's something different. It's like, uh, it's almost like Al

1:05:27.360 --> 1:05:30.720
<v Speaker 5>Green and Aretha Franklin being on tour and we're singing

1:05:31.560 --> 1:05:34.960
<v Speaker 5>from that space, and so you don't you don't see that.

1:05:35.360 --> 1:05:39.120
<v Speaker 5>It's not about the outfits, it's not about popularity. We're

1:05:39.160 --> 1:05:43.200
<v Speaker 5>going out there the same, our faces off every single night.

1:05:43.400 --> 1:05:46.440
<v Speaker 5>And so not only are we, you know, bringing in

1:05:46.480 --> 1:05:51.240
<v Speaker 5>a lot of people who doing stadiums, not stadiums. But uh, sorry,

1:05:51.320 --> 1:05:55.640
<v Speaker 5>Chris Brown, and I didn't try to get in that.

1:05:58.800 --> 1:06:03.520
<v Speaker 5>I was wrong. I'm apologizing. We are saying that we're available,

1:06:04.000 --> 1:06:07.280
<v Speaker 5>but I am available, and I can't bring some people

1:06:07.280 --> 1:06:13.520
<v Speaker 5>in there the same, you know. But we're doing well. Yeah, yeah,

1:06:13.600 --> 1:06:17.080
<v Speaker 5>yeah we can. Kanye too. I've learned a lot of

1:06:17.080 --> 1:06:19.840
<v Speaker 5>your backgrounds on a new album. But and if you

1:06:19.920 --> 1:06:21.280
<v Speaker 5>need me in the Tones.

1:06:21.480 --> 1:06:27.120
<v Speaker 6>Tone, I'll ask you about.

1:06:23.720 --> 1:06:29.400
<v Speaker 5>The Fantasia man. Watching her every night, it's it's almost

1:06:29.440 --> 1:06:35.120
<v Speaker 5>like we living China Turner and Aretha Franklin all in one.

1:06:35.840 --> 1:06:39.000
<v Speaker 5>But she's so churchy in moments when it's like she

1:06:39.000 --> 1:06:42.280
<v Speaker 5>can or she can't she can't. She couldn't even downplay

1:06:42.280 --> 1:06:42.920
<v Speaker 5>that if she had to.

1:06:43.160 --> 1:06:43.760
<v Speaker 6>It's all over.

1:06:44.200 --> 1:06:48.440
<v Speaker 5>Yeah, it's it's every night, every nighting. So I'm standing

1:06:48.480 --> 1:06:51.960
<v Speaker 5>on the side watching her, just being amazed every single night,

1:06:52.000 --> 1:06:54.200
<v Speaker 5>and just to see her growth period, you know, work.

1:06:54.040 --> 1:06:57.600
<v Speaker 6>On the first album. So I'm like, I cried when

1:06:57.640 --> 1:06:58.760
<v Speaker 6>she won American.

1:06:58.480 --> 1:07:02.160
<v Speaker 5>Im wow, that'st you worked, you produced on the first album.

1:07:02.240 --> 1:07:05.760
<v Speaker 6>Yeah wow. I felt that when she when she sang

1:07:05.800 --> 1:07:08.600
<v Speaker 6>on American Idol that's it. Yeah, I did too. I

1:07:08.600 --> 1:07:11.080
<v Speaker 6>don't think y'all understand what that is.

1:07:12.200 --> 1:07:13.720
<v Speaker 5>It was, specially when I saw it, I was like,

1:07:13.760 --> 1:07:16.160
<v Speaker 5>oh yeah, and we just we just finished the movie together.

1:07:17.000 --> 1:07:23.480
<v Speaker 6>And I had always had Fantasia high up as one

1:07:23.520 --> 1:07:26.760
<v Speaker 6>of the coldest female artists ever.

1:07:27.080 --> 1:07:30.040
<v Speaker 5>I had her high up. She was top ten. Oh yeah, absolutely.

1:07:30.280 --> 1:07:31.000
<v Speaker 5>I guess just.

1:07:30.960 --> 1:07:33.640
<v Speaker 6>Being around her for that long and hearing her singing

1:07:33.680 --> 1:07:39.800
<v Speaker 6>that much, Yeah, it just reminded me, Oh, you're like

1:07:40.000 --> 1:07:42.040
<v Speaker 6>top three, top four, got it?

1:07:42.320 --> 1:07:44.840
<v Speaker 5>Yeah? Yeah, yeah, she's definitely it's a problem. Don't go

1:07:44.880 --> 1:07:48.640
<v Speaker 5>out there if you can't open up and and and.

1:07:49.560 --> 1:07:51.480
<v Speaker 6>You know, and that's what I'm getting to, the weight

1:07:51.560 --> 1:07:54.040
<v Speaker 6>of what you have would you bring to the table

1:07:54.080 --> 1:07:55.680
<v Speaker 6>to go along with that.

1:07:55.960 --> 1:07:57.440
<v Speaker 5>You get your feelings hurt if you go out there

1:07:57.480 --> 1:07:58.160
<v Speaker 5>and you're not ready.

1:07:58.320 --> 1:08:03.280
<v Speaker 8>And then at the hamiltone, y'all are amazing, amazing package.

1:08:03.400 --> 1:08:06.000
<v Speaker 8>Thank you, thank you Infantasia you know, and the Hamilton

1:08:06.640 --> 1:08:10.120
<v Speaker 8>Hell yeah, absolutely, the tones are it's hard to beat them.

1:08:10.280 --> 1:08:12.200
<v Speaker 5>When it comes to the background, that's some good ones.

1:08:12.240 --> 1:08:13.080
<v Speaker 5>It's great ones out that.

1:08:13.200 --> 1:08:19.200
<v Speaker 6>How many background groups or entities go viral?

1:08:20.479 --> 1:08:24.120
<v Speaker 5>Not many, not many. I don't know one, No, I've

1:08:24.120 --> 1:08:26.479
<v Speaker 5>never seen it. How long How long have they been

1:08:26.520 --> 1:08:30.920
<v Speaker 5>with you? You know? Wow? Maybe on and off? Maybe

1:08:31.400 --> 1:08:34.560
<v Speaker 5>seven eight years maybe one of them. My cousin is

1:08:34.720 --> 1:08:37.160
<v Speaker 5>j Vito, the one in the middle. Yeah, what's all

1:08:37.200 --> 1:08:41.280
<v Speaker 5>about his names? In the Hamilton's Tony J. Vito is

1:08:41.280 --> 1:08:44.600
<v Speaker 5>the one in the in the middle, and TUOI h

1:08:45.320 --> 1:08:49.760
<v Speaker 5>Is the lighter, lighter guy. And Corey and those guys, man,

1:08:50.080 --> 1:08:53.599
<v Speaker 5>they can sing anything in the drop of yeah yeah

1:08:53.680 --> 1:08:57.240
<v Speaker 5>together like they already know it's special. It's like they

1:08:57.240 --> 1:09:00.080
<v Speaker 5>were born to sing just these notes that they that

1:09:00.200 --> 1:09:04.280
<v Speaker 5>you monsters. But let me tell you that Tony Lee Low,

1:09:04.600 --> 1:09:07.519
<v Speaker 5>if you get on the guitar, get different. Oh man,

1:09:08.439 --> 1:09:13.439
<v Speaker 5>he can jewbo it hm oh Prince Juwbu whatever he can,

1:09:13.560 --> 1:09:18.120
<v Speaker 5>he can go quartet man, just straight, he's just he's

1:09:18.120 --> 1:09:19.600
<v Speaker 5>a problem. That's where you'd be living to you be

1:09:19.680 --> 1:09:22.360
<v Speaker 5>living in that quartet world. Yeah, well, I mean that's

1:09:22.360 --> 1:09:26.080
<v Speaker 5>what you man. My uncle Benny was little. Yeah, I

1:09:26.080 --> 1:09:29.280
<v Speaker 5>got a little something little I hate how you doing it?

1:09:29.360 --> 1:09:33.800
<v Speaker 5>A little tasty, little tasting. I grew up so I was,

1:09:34.080 --> 1:09:37.240
<v Speaker 5>you know, grew up Baptist Macedonia, Baptist Church. I remember

1:09:37.280 --> 1:09:40.160
<v Speaker 5>they just smoked cigarettes out in the front, out in front,

1:09:40.479 --> 1:09:45.679
<v Speaker 5>yeah yeah, yeah, cigarette and I definitely smelled liquor getting

1:09:45.720 --> 1:09:48.439
<v Speaker 5>the taste. Yeah, I smelled it for the Lord I knew.

1:09:48.560 --> 1:09:51.720
<v Speaker 5>Oh oh yeah, come to the church with it the.

1:09:53.200 --> 1:09:56.640
<v Speaker 6>Yeah, and was collecting their money with the pistol. Oh absolutely,

1:09:56.920 --> 1:09:58.080
<v Speaker 6>well yeah I know that.

1:09:59.280 --> 1:10:01.360
<v Speaker 5>Uncle Benny. They were come. You know when they have

1:10:01.439 --> 1:10:05.080
<v Speaker 5>the church have anniversary, all these groups. So you set up,

1:10:05.280 --> 1:10:08.439
<v Speaker 5>so you've been to church all like you said, Sunday School,

1:10:09.920 --> 1:10:13.200
<v Speaker 5>the real church. But then there's an anniversary when they

1:10:13.240 --> 1:10:16.120
<v Speaker 5>invite all these different groups from all these churches from

1:10:16.120 --> 1:10:16.479
<v Speaker 5>all over.

1:10:16.520 --> 1:10:18.120
<v Speaker 6>That service started six Oh.

1:10:18.080 --> 1:10:20.240
<v Speaker 5>Man, you're talking about singing down the walls. So that's

1:10:20.240 --> 1:10:25.200
<v Speaker 5>like hood day. No it's four tip get tired of me.

1:10:27.200 --> 1:10:28.120
<v Speaker 5>It's still equivalent.

1:10:29.080 --> 1:10:33.040
<v Speaker 6>Oh he's from over, He from another church, okay, man,

1:10:33.200 --> 1:10:37.759
<v Speaker 6>he from the table? No, no, he from Oh okay,

1:10:38.000 --> 1:10:45.680
<v Speaker 6>have my money? Oh that kind on Thursdays, pimp a

1:10:45.800 --> 1:10:49.280
<v Speaker 6>design the bills in sequential order or it's gonna be

1:10:49.280 --> 1:10:56.120
<v Speaker 6>a proplet. It's called hard money, hard money, wow man?

1:10:58.280 --> 1:11:02.320
<v Speaker 5>Yeah, yeah, all the man, that quartette is just it's

1:11:02.439 --> 1:11:03.920
<v Speaker 5>just the R and B to my I.

1:11:03.840 --> 1:11:07.200
<v Speaker 6>Saw a little and the Hailey singers. You saw it

1:11:07.240 --> 1:11:08.519
<v Speaker 6>was livelive.

1:11:08.880 --> 1:11:10.679
<v Speaker 5>I never got a chance to catch as a kid,

1:11:10.840 --> 1:11:13.000
<v Speaker 5>even though you were in North Carolina. See and Jojo

1:11:13.080 --> 1:11:18.280
<v Speaker 5>are we're actually related? Man, ain't fantastic family. I know

1:11:18.360 --> 1:11:20.599
<v Speaker 5>she's related to them, So I'm trying to figure out.

1:11:20.640 --> 1:11:22.800
<v Speaker 5>We're trying to figure out she's related on the same

1:11:22.840 --> 1:11:23.200
<v Speaker 5>side that.

1:11:23.120 --> 1:11:26.120
<v Speaker 6>I'm really all makes sense, Yeah, yeah, So.

1:11:26.120 --> 1:11:27.960
<v Speaker 5>I went down to a funeral, my uncle's funeral, and

1:11:28.000 --> 1:11:29.559
<v Speaker 5>I forgot he was dead by the time they got

1:11:29.560 --> 1:11:33.559
<v Speaker 5>through singing. I forgot, nig I'm telling you that's how.

1:11:35.360 --> 1:11:37.240
<v Speaker 5>And look they tried to show off in front of me,

1:11:38.320 --> 1:11:40.960
<v Speaker 5>like uncle jun is dead, like Jim, let's focus off

1:11:40.960 --> 1:11:44.439
<v Speaker 5>with Joe. But so they sitting up there. They trying

1:11:44.479 --> 1:11:47.360
<v Speaker 5>to put the show off for mere man, and they're like,

1:11:47.520 --> 1:11:49.479
<v Speaker 5>that's what you get it from? This is why where

1:11:49.479 --> 1:11:52.400
<v Speaker 5>you get it from? The talking in the mic like

1:11:52.560 --> 1:11:56.519
<v Speaker 5>what like you know what, man, I'm telling you my

1:11:56.520 --> 1:12:00.640
<v Speaker 5>my family life, I get it. I forgot it was Yeah,

1:12:00.880 --> 1:12:02.800
<v Speaker 5>I drove one back to Charlotte. I was like, boy,

1:12:02.880 --> 1:12:04.320
<v Speaker 5>that was a time tell.

1:12:04.240 --> 1:12:10.160
<v Speaker 6>Us I watched I watched Jojo and Casey run down

1:12:10.240 --> 1:12:12.000
<v Speaker 6>the middle aisle of the church.

1:12:12.640 --> 1:12:14.519
<v Speaker 5>Oh they was doing it back then and he was.

1:12:14.520 --> 1:12:17.360
<v Speaker 6>Ball headed and he had ear rings in his ear

1:12:18.600 --> 1:12:22.360
<v Speaker 6>and later, oh yeah in church, you don't come down

1:12:22.400 --> 1:12:26.400
<v Speaker 6>in the middle out. You definitely don't run.

1:12:26.640 --> 1:12:28.559
<v Speaker 5>And you definitely better have no ear rings off.

1:12:28.840 --> 1:12:33.160
<v Speaker 6>They was they was gangsters in court tep. We was like,

1:12:33.280 --> 1:12:34.519
<v Speaker 6>what man of manness?

1:12:38.720 --> 1:12:47.440
<v Speaker 5>Not normal man work? Cooking m mmm now I say cooking.

1:12:47.320 --> 1:12:49.600
<v Speaker 8>Yeah, I can only imagine. And how old are it

1:12:49.680 --> 1:12:52.160
<v Speaker 8>at this point? Probably ship I'm a baby.

1:12:52.920 --> 1:12:56.120
<v Speaker 5>So they was like what eight No, they was like

1:12:56.479 --> 1:13:00.120
<v Speaker 5>the teensens. When I saw I saw one clip in

1:13:00.280 --> 1:13:03.120
<v Speaker 5>case he had a little curl, sorry, he had a

1:13:03.120 --> 1:13:07.880
<v Speaker 5>little curl on the on the cover. It was little

1:13:07.880 --> 1:13:13.400
<v Speaker 5>Cedric and the Haley singer, and uh, I forgot that

1:13:13.520 --> 1:13:16.400
<v Speaker 5>sound he was. His voice was really high, real high

1:13:16.400 --> 1:13:19.519
<v Speaker 5>at the time. It must be love and it might

1:13:19.600 --> 1:13:21.479
<v Speaker 5>it might be it's.

1:13:23.080 --> 1:13:29.360
<v Speaker 6>Yeah, yeah he ro Robrado was crazy back then too.

1:13:29.479 --> 1:13:29.679
<v Speaker 4>Man.

1:13:29.960 --> 1:13:34.719
<v Speaker 5>Yeah, you gotta be their cousin. Yeah, Casey, what's her couz?

1:13:34.800 --> 1:13:38.280
<v Speaker 5>He'll call me. Yeah, that's crazy to find out your family.

1:13:38.320 --> 1:13:41.960
<v Speaker 5>It's gotta be thinking, fantasious, gotta be related, close related.

1:13:42.520 --> 1:13:44.160
<v Speaker 6>You know, what is there? What do you feel like

1:13:44.200 --> 1:13:46.799
<v Speaker 6>there's left for you to do? What are you chasing

1:13:46.880 --> 1:13:50.640
<v Speaker 6>at this point when it comes to your music and

1:13:50.680 --> 1:13:51.960
<v Speaker 6>your artistry.

1:13:51.520 --> 1:13:55.840
<v Speaker 5>And to continue to do it longevity too. I think

1:13:55.840 --> 1:14:01.080
<v Speaker 5>that's one more great, extremely great album that I'm supposed

1:14:01.080 --> 1:14:06.160
<v Speaker 5>to be doing and to get in that space. I

1:14:06.160 --> 1:14:10.240
<v Speaker 5>don't know exactly what it's gonna sound like, but I

1:14:10.280 --> 1:14:13.240
<v Speaker 5>have an idea. But it's gonna mean a lot to

1:14:13.320 --> 1:14:16.120
<v Speaker 5>a lot of people. And I'm waiting to find it

1:14:16.240 --> 1:14:18.240
<v Speaker 5>the sweet spot to get in there and do that.

1:14:19.360 --> 1:14:23.200
<v Speaker 5>Get more into movies mm hmmm. Acting yeah, acting, I

1:14:23.240 --> 1:14:25.880
<v Speaker 5>think I think I know there's a role out there

1:14:25.920 --> 1:14:28.360
<v Speaker 5>that I can kill. You're great, by the way. I

1:14:28.479 --> 1:14:31.280
<v Speaker 5>like watching you on screen. Oh thank you, brother. Send

1:14:31.320 --> 1:14:38.720
<v Speaker 5>you in quite a few, yes, sir, yeah, yeah, yeah, yeah, yeah,

1:14:38.800 --> 1:14:41.200
<v Speaker 5>I've seen you in quite a few really good on screen.

1:14:42.040 --> 1:14:45.080
<v Speaker 5>But yeah, to to do that. Yeah.

1:14:45.200 --> 1:14:47.960
<v Speaker 6>In terms of recording, are you in a space where,

1:14:48.000 --> 1:14:51.439
<v Speaker 6>because you do so much live work, are you in

1:14:51.479 --> 1:14:55.000
<v Speaker 6>a space to where you even want to go to

1:14:55.120 --> 1:15:00.440
<v Speaker 6>a studio and record or is this something that you.

1:15:00.120 --> 1:15:03.160
<v Speaker 5>To old school? You need to I want to do that. Yeah,

1:15:03.360 --> 1:15:05.680
<v Speaker 5>you need to. Just need it, it's needed. I want

1:15:05.720 --> 1:15:06.680
<v Speaker 5>to That's what I want to.

1:15:06.640 --> 1:15:13.960
<v Speaker 6>Capture, Hamilton on Final Yeah, I need that and that's

1:15:14.000 --> 1:15:16.439
<v Speaker 6>what made me fall in love with music, that sound,

1:15:17.720 --> 1:15:23.200
<v Speaker 6>you know, So to recapture that, I think that's the moment.

1:15:23.439 --> 1:15:26.720
<v Speaker 5>Because you know, tracks are good, they're fine, right, you know,

1:15:26.920 --> 1:15:29.920
<v Speaker 5>but there's nothing like having the energy from other people.

1:15:30.960 --> 1:15:33.760
<v Speaker 5>It takes you somewhere. It takes you somewhere like I

1:15:33.800 --> 1:15:37.560
<v Speaker 5>can be not feeling like singing. You know, you're in

1:15:37.600 --> 1:15:39.880
<v Speaker 5>the studio, you have a couple of tracks, that's fine,

1:15:40.400 --> 1:15:42.599
<v Speaker 5>But the minute that band crank up and they start

1:15:42.640 --> 1:15:45.479
<v Speaker 5>plugging in instruments, you get, oh, it's a whole nother

1:15:45.680 --> 1:15:47.240
<v Speaker 5>thing that comes and.

1:15:47.320 --> 1:15:52.200
<v Speaker 6>The tone starts. You know, it takes you to another

1:15:52.200 --> 1:15:58.120
<v Speaker 6>place and then and then people get the opportunity to experience,

1:15:58.920 --> 1:16:03.960
<v Speaker 6>to experience the vamp that they don't get to experience.

1:16:03.960 --> 1:16:07.160
<v Speaker 5>I'll talk about the vamp. People don't talk about that.

1:16:07.760 --> 1:16:11.400
<v Speaker 6>They don't get to experienced the vamp. See everybody, there's

1:16:11.640 --> 1:16:14.880
<v Speaker 6>there's the hook after the bridge. We got it, but

1:16:14.920 --> 1:16:18.519
<v Speaker 6>there's another part called the vamp on that come on,

1:16:18.720 --> 1:16:22.920
<v Speaker 6>and that's the part that can run anywhere from ten

1:16:23.600 --> 1:16:24.719
<v Speaker 6>to forty minutes.

1:16:28.800 --> 1:16:29.400
<v Speaker 2>Did you just.

1:16:29.479 --> 1:16:34.640
<v Speaker 6>Shout out, Gill and I just say, when you know

1:16:34.720 --> 1:16:39.479
<v Speaker 6>how to properly vamp. Yeah, And that's where you are

1:16:39.560 --> 1:16:42.519
<v Speaker 6>great at. That's what Fantasia is great at. Like y'all

1:16:42.560 --> 1:16:48.640
<v Speaker 6>are great at the vamp. People need the vamp that recorded.

1:16:49.360 --> 1:16:52.160
<v Speaker 6>You need that. That's that's what sells it.

1:16:52.840 --> 1:16:55.080
<v Speaker 5>The song is great, song is great, but when you

1:16:55.200 --> 1:16:58.400
<v Speaker 5>vamp it and you sell them, you create the moment

1:16:58.560 --> 1:17:02.519
<v Speaker 5>that that song was burned live. People fall in love

1:17:02.560 --> 1:17:03.479
<v Speaker 5>with the song over again.

1:17:03.520 --> 1:17:05.559
<v Speaker 6>The hit records are one thing, right, you guys sell

1:17:05.760 --> 1:17:08.559
<v Speaker 6>you guys sell tickets because of your hit records, for sure. Yeah,

1:17:08.600 --> 1:17:14.559
<v Speaker 6>but again, the experience after the hit record is, in

1:17:14.600 --> 1:17:19.800
<v Speaker 6>my opinion, what people are buying in from from you specifically.

1:17:19.960 --> 1:17:20.160
<v Speaker 4>Yeah.

1:17:20.280 --> 1:17:24.080
<v Speaker 5>Absolutely, when I've seen Charlene and once I sung the songs,

1:17:24.120 --> 1:17:28.600
<v Speaker 5>the lyrics that they know, my personal experience with it.

1:17:28.760 --> 1:17:31.240
<v Speaker 5>When I'm vamping out on that, Oh, that's when I

1:17:31.320 --> 1:17:34.120
<v Speaker 5>come to hear you know. Yeah, that's that's when it

1:17:34.200 --> 1:17:37.040
<v Speaker 5>becomes something electrified. I come to hear the other bag.

1:17:37.200 --> 1:17:41.439
<v Speaker 5>I left the stage on Charlene and went up in

1:17:41.520 --> 1:17:45.920
<v Speaker 5>the audience and finished it in the audience. And I

1:17:46.000 --> 1:17:48.639
<v Speaker 5>didn't go back to the to the stage. I left

1:17:48.680 --> 1:17:53.080
<v Speaker 5>them right there. I finished it up in the in

1:17:53.200 --> 1:17:55.840
<v Speaker 5>the in the stand. You said it up. Yeah, I

1:17:55.840 --> 1:17:58.680
<v Speaker 5>went up. Yeah, I went up a little bit in

1:17:58.720 --> 1:18:03.120
<v Speaker 5>the staff. I worked that night. Oh, I just worked

1:18:03.960 --> 1:18:07.639
<v Speaker 5>something is only man all. It got ugly, It got

1:18:07.680 --> 1:18:19.439
<v Speaker 5>real ugly. I heard of this. It ain't from it's

1:18:19.479 --> 1:18:23.360
<v Speaker 5>another it's a smoky Yeah, it's a running and running

1:18:23.400 --> 1:18:27.160
<v Speaker 5>through you, running all over. Yeah.

1:18:28.880 --> 1:18:30.479
<v Speaker 6>I want to see that movie role. I want to

1:18:30.520 --> 1:18:32.920
<v Speaker 6>see that on screen roll for you. I want to

1:18:32.920 --> 1:18:33.200
<v Speaker 6>see that.

1:18:33.280 --> 1:18:38.519
<v Speaker 5>Yeah, it's out the old country boy what mm hmm, Southern.

1:18:39.400 --> 1:18:42.599
<v Speaker 5>Just think about that, you know, and writing writing scripts

1:18:42.640 --> 1:18:44.519
<v Speaker 5>and stuff like. I've been doing a lot of writing

1:18:45.120 --> 1:18:49.559
<v Speaker 5>in terms of like movie content or show content. So

1:18:49.840 --> 1:18:52.759
<v Speaker 5>I think that's it's something I'm stronger.

1:18:52.960 --> 1:18:57.160
<v Speaker 6>Yeah, yeah, okay, I didn't know that. Yeah, okay, anything

1:18:57.160 --> 1:18:59.400
<v Speaker 6>else you want to tell the telling people anything, tell

1:18:59.400 --> 1:18:59.960
<v Speaker 6>the people for you.

1:19:00.280 --> 1:19:04.360
<v Speaker 5>Keep streaming, keep buying, keep supporting. Thank you for coming

1:19:04.360 --> 1:19:07.800
<v Speaker 5>to the shows, Thank you for supporting. H R be

1:19:07.920 --> 1:19:11.160
<v Speaker 5>Money and and brothers like us. Tell them to stream again.

1:19:11.479 --> 1:19:15.040
<v Speaker 5>Stream you don't just stream the young folk music.

1:19:15.120 --> 1:19:20.320
<v Speaker 6>Stream hours stream hours two. We're here, hello, you know,

1:19:20.520 --> 1:19:23.800
<v Speaker 6>tell us we don't stream. We do, we do, but

1:19:23.880 --> 1:19:26.519
<v Speaker 6>we need we need youthful stream we do.

1:19:26.600 --> 1:19:31.360
<v Speaker 5>We need a younger group, the younger demography. Stream our music.

1:19:32.360 --> 1:19:35.240
<v Speaker 5>You know, you know you heard it, your mama playing it.

1:19:35.200 --> 1:19:39.080
<v Speaker 6>Your mama is playing it, your auntie playing it. Yeah,

1:19:39.479 --> 1:19:41.920
<v Speaker 6>just get into get into some of the good stuff, man,

1:19:42.160 --> 1:19:44.759
<v Speaker 6>Absolutely get into some of the some of the music

1:19:45.120 --> 1:19:48.040
<v Speaker 6>that's that's gonna feed your soul.

1:19:49.040 --> 1:19:49.559
<v Speaker 5>You need it.

1:19:50.280 --> 1:19:55.040
<v Speaker 6>Dancing around and jumping around, and and and and by

1:19:55.080 --> 1:20:01.160
<v Speaker 6>saying all the hippie hot.

1:20:00.360 --> 1:20:01.080
<v Speaker 5>They don't do it.

1:20:01.200 --> 1:20:07.200
<v Speaker 8>We just needed a TikTok and Charlene, okay, Sean Lene.

1:20:07.280 --> 1:20:10.880
<v Speaker 5>Best of me have been going crazy on TikTok. Yeah,

1:20:11.080 --> 1:20:15.519
<v Speaker 5>oh when viral least two or three times and yeah,

1:20:15.880 --> 1:20:16.519
<v Speaker 5>that one.

1:20:16.960 --> 1:20:19.920
<v Speaker 6>Do you when you see the TikTok do you do it? Yeah,

1:20:19.960 --> 1:20:22.439
<v Speaker 6>I've done a few participate, Yeah, yeah, I will come

1:20:22.479 --> 1:20:25.320
<v Speaker 6>on not on the I think I did do the

1:20:25.360 --> 1:20:28.200
<v Speaker 6>point of it all. I did that one my joint too.

1:20:28.280 --> 1:20:33.760
<v Speaker 5>But Bobby and Izzy man yeah yeah, you know those

1:20:33.760 --> 1:20:35.400
<v Speaker 5>are our brothers. Oh man. It was a soul for

1:20:35.479 --> 1:20:39.120
<v Speaker 5>Mexican what I love them, easy my free.

1:20:39.560 --> 1:20:39.760
<v Speaker 2>Yeah.

1:20:40.240 --> 1:20:42.439
<v Speaker 5>No, they not they they with us. They're going on

1:20:42.479 --> 1:20:42.720
<v Speaker 5>they go.

1:20:43.040 --> 1:20:45.439
<v Speaker 8>They're gonna they're going on that Christ and Usher tour.

1:20:45.840 --> 1:20:49.240
<v Speaker 8>Oh absolutely, yeah, they yeah, they yeah, they planning, They planning.

1:20:49.800 --> 1:20:51.680
<v Speaker 5>They better go. I'm going to.

1:20:53.320 --> 1:20:55.160
<v Speaker 6>Somebody said take you open, and I said, I'm gonna

1:20:55.200 --> 1:20:57.800
<v Speaker 6>either be outside of the stadium opening.

1:20:59.479 --> 1:21:05.400
<v Speaker 5>Or hunting doing so much. Listen, I'm gonna have my

1:21:05.600 --> 1:21:09.120
<v Speaker 5>own speakers, you know, and I might. That's gonna be

1:21:09.120 --> 1:21:10.559
<v Speaker 5>a moment and a little DJ.

1:21:10.800 --> 1:21:13.719
<v Speaker 6>We're gonna be right out front of the stadium where

1:21:13.760 --> 1:21:14.759
<v Speaker 6>you buy your tickets.

1:21:15.120 --> 1:21:17.599
<v Speaker 8>Speaking of two dancing niggas, you've been doing a lot

1:21:17.640 --> 1:21:20.360
<v Speaker 8>of dancing, man, so I can't let you get out

1:21:20.360 --> 1:21:21.559
<v Speaker 8>of here with you talk about your dance.

1:21:21.600 --> 1:21:25.519
<v Speaker 5>Don't bother me, don't bother me. I have to don't

1:21:25.560 --> 1:21:26.479
<v Speaker 5>bother me. Damn it.

1:21:26.600 --> 1:21:27.080
<v Speaker 2>I have to.

1:21:27.640 --> 1:21:30.640
<v Speaker 5>I have to because you've been going viral. I mean yeah,

1:21:30.720 --> 1:21:35.080
<v Speaker 5>you know why because I do what I feel and

1:21:35.280 --> 1:21:37.880
<v Speaker 5>I mean it. Yeah yeah. When it come out just

1:21:37.920 --> 1:21:40.320
<v Speaker 5>like that. O Marion was like, yeah, I'll be seeing

1:21:40.400 --> 1:21:44.679
<v Speaker 5>your moves. Yeah, don't start with me. Yeah, don't start

1:21:44.720 --> 1:21:48.200
<v Speaker 5>with me. Just be freezing then serve that nigga man

1:21:48.479 --> 1:21:57.360
<v Speaker 5>you boy, yeah yeah try it. Sure. I used to

1:21:57.400 --> 1:21:59.479
<v Speaker 5>break dance back in the day. I got I still

1:21:59.520 --> 1:21:59.920
<v Speaker 5>got some of the.

1:22:00.280 --> 1:22:03.559
<v Speaker 6>Cook these frauds boy yo, I got it, son, I

1:22:03.600 --> 1:22:05.680
<v Speaker 6>got I got it too, man, got it?

1:22:06.479 --> 1:22:10.000
<v Speaker 5>Shut up? You don't got it. I got it.

1:22:10.160 --> 1:22:10.759
<v Speaker 2>He don't.

1:22:11.120 --> 1:22:13.719
<v Speaker 5>He got too buff is what he got. I can't

1:22:13.720 --> 1:22:15.879
<v Speaker 5>wave like no, I can't wave.

1:22:17.360 --> 1:22:17.439
<v Speaker 2>That.

1:22:17.760 --> 1:22:24.280
<v Speaker 5>Don't got to here. That's just hate from over there.

1:22:24.479 --> 1:22:29.840
<v Speaker 5>You tick though, yeah yeah, yeah, yeah yeah, Okay. You

1:22:29.880 --> 1:22:33.160
<v Speaker 5>didn't like it. Lord, not a lord like it got

1:22:33.240 --> 1:22:34.880
<v Speaker 5>up in here. Just got them. It's just too it

1:22:34.960 --> 1:22:37.840
<v Speaker 5>was too solid. It's just all just think it's a

1:22:37.880 --> 1:22:38.840
<v Speaker 5>whipping to get.

1:22:38.720 --> 1:23:08.200
<v Speaker 6>You out of here. Like Elda Hamilton. People need some

1:23:08.240 --> 1:23:09.719
<v Speaker 6>information from you, my brother.

1:23:11.880 --> 1:23:13.120
<v Speaker 5>What is it that they need?

1:23:13.280 --> 1:23:16.880
<v Speaker 6>The music that you have been listening to over time

1:23:16.920 --> 1:23:21.880
<v Speaker 6>that have shaved and molded. Yes, the man that you

1:23:22.040 --> 1:23:24.840
<v Speaker 6>are now you have been on a.

1:23:24.920 --> 1:23:27.400
<v Speaker 2>Journey, Oh yes, I have.

1:23:27.840 --> 1:23:31.880
<v Speaker 6>And that journey has brought you to R and B money.

1:23:32.400 --> 1:23:34.559
<v Speaker 5>Yes, it has to let people know.

1:23:36.080 --> 1:23:54.880
<v Speaker 9>Your top five, your top five, top five, your top

1:23:55.000 --> 1:23:56.360
<v Speaker 9>five R and.

1:23:56.280 --> 1:24:04.720
<v Speaker 7>B singers, R and B songs. William, we got to

1:24:04.960 --> 1:24:07.200
<v Speaker 7>know before you go.

1:24:07.960 --> 1:24:11.720
<v Speaker 6>There are nu shall everybody who wants to know me

1:24:11.920 --> 1:24:13.240
<v Speaker 6>your top five?

1:24:15.560 --> 1:24:22.080
<v Speaker 5>Yes, right, top.

1:24:26.720 --> 1:24:53.200
<v Speaker 6>Fa f wow, he made a mad sad moment. Top

1:24:53.240 --> 1:24:57.400
<v Speaker 6>five brother, Anthony Amas. Wow, your top five R and

1:24:57.479 --> 1:24:59.120
<v Speaker 6>B sang.

1:24:58.960 --> 1:25:03.120
<v Speaker 5>Us, top five R and B singer? Did a live

1:25:03.360 --> 1:25:09.519
<v Speaker 5>or did orlive your world? Definitely? Jodosy, you're just gonna

1:25:09.600 --> 1:25:11.080
<v Speaker 5>name them as one the whole group.

1:25:11.200 --> 1:25:14.200
<v Speaker 6>Yeah, well okay, no, no, you can do that.

1:25:14.360 --> 1:25:16.000
<v Speaker 5>You can do you can do that. I ain't know

1:25:16.040 --> 1:25:18.439
<v Speaker 5>what the rules. That's the rule. The rulers is your rule.

1:25:18.840 --> 1:25:21.280
<v Speaker 5>Jos ain't no damn rule. Go ahead, man, what you

1:25:21.400 --> 1:25:22.360
<v Speaker 5>want singers?

1:25:22.439 --> 1:25:24.439
<v Speaker 6>Okay, that's what joy one.

1:25:25.120 --> 1:25:28.479
<v Speaker 5>I like what Michael Jackson brought to entertainment. Come on now,

1:25:29.200 --> 1:25:32.960
<v Speaker 5>me too, Micha. Yeah, it's just it's just something totally different.

1:25:34.760 --> 1:25:37.040
<v Speaker 5>Our green, our green. I'm about to say, I know

1:25:37.040 --> 1:25:40.080
<v Speaker 5>you're gonna say our green mm hmmm. I like Taja,

1:25:40.720 --> 1:25:46.560
<v Speaker 5>come on now, we love Yeah, you're great, like the

1:25:46.720 --> 1:25:55.000
<v Speaker 5>Jay Chicago kids, my brother, so many making Jasmine Sullivan.

1:25:55.400 --> 1:26:00.320
<v Speaker 5>Yeah yeah, your top ten. Yeah, moving it all up.

1:26:00.360 --> 1:26:04.840
<v Speaker 5>Man said yeah, he said he actually five. Okay, So

1:26:04.840 --> 1:26:09.280
<v Speaker 5>so Man, R and B. So I ain't got into

1:26:09.280 --> 1:26:11.120
<v Speaker 5>the thick of the R and B. Kelly was a

1:26:11.200 --> 1:26:15.519
<v Speaker 5>problem Top thirteen. I don't want to keep it going.

1:26:16.920 --> 1:26:18.800
<v Speaker 5>I'm just letting you know I can count I graduated.

1:26:20.120 --> 1:26:23.559
<v Speaker 5>I'm letting you know. I'm letting you know without letting

1:26:23.560 --> 1:26:32.519
<v Speaker 5>you know you're good. R Kelly Okay, Jodesy, Fantasic, all Green,

1:26:34.400 --> 1:26:38.800
<v Speaker 5>Aretha Franklin, Okay, Okay, okay, okay. So that's the five. Okay.

1:26:38.880 --> 1:26:42.920
<v Speaker 5>I like that. I like that. I'm rolling. Yeah, there's

1:26:42.960 --> 1:26:46.880
<v Speaker 5>so many Yeah yeah, you said so many too. Yeah. Yeah,

1:26:46.880 --> 1:26:49.519
<v Speaker 5>because I'm a big fan of DiAngelo. Yeah, I said

1:26:49.560 --> 1:26:52.040
<v Speaker 5>a lot of them. I know, I know, Shade, I

1:26:52.080 --> 1:26:56.599
<v Speaker 5>know y'all want me off. I don't my time over. No,

1:26:57.240 --> 1:27:00.519
<v Speaker 5>you can hang out you Sha, shadedn't keep me off,

1:27:01.040 --> 1:27:06.840
<v Speaker 5>you know? Is that where we're going? I don't know

1:27:06.840 --> 1:27:12.560
<v Speaker 5>nothing about he can't say saying his life. I love you.

1:27:14.320 --> 1:27:14.760
<v Speaker 5>I think that.

1:27:15.000 --> 1:27:18.240
<v Speaker 6>I think that he talked like, you know, army music,

1:27:19.600 --> 1:27:24.680
<v Speaker 6>like the first song ever this what Don't you Know?

1:27:28.040 --> 1:27:32.639
<v Speaker 5>Come too Far? That's definitely fa He could be singing

1:27:32.720 --> 1:27:33.519
<v Speaker 5>going up but beyond.

1:27:34.800 --> 1:27:37.360
<v Speaker 6>Definitely can say it got going up beyond.

1:27:37.120 --> 1:27:42.200
<v Speaker 5>Him in the key of Paul but in the ship,

1:27:42.360 --> 1:27:46.599
<v Speaker 5>I love you, Love your show man.

1:27:47.920 --> 1:27:53.719
<v Speaker 6>Okay, your RB song Top what R and B Songs, Top.

1:27:54.200 --> 1:27:57.639
<v Speaker 5>Top five Army song. I've got a new edition. Can

1:27:57.680 --> 1:28:01.040
<v Speaker 5>you stand around? Why not? Yeah? Yeah, not forever? My

1:28:01.120 --> 1:28:10.320
<v Speaker 5>lady life smoking cigarettes, a night with tweet knocking boost

1:28:10.360 --> 1:28:13.120
<v Speaker 5>by h time. Yeah, that's you. I hear that. I

1:28:13.200 --> 1:28:13.559
<v Speaker 5>hear that.

1:28:14.120 --> 1:28:14.360
<v Speaker 6>Man.

1:28:14.600 --> 1:28:19.360
<v Speaker 5>Bobby Brown had a time man, a full error, full time.

1:28:21.479 --> 1:28:25.599
<v Speaker 8>Rock with you, a freeway after him out here too

1:28:25.800 --> 1:28:28.519
<v Speaker 8>like this he got to it's like a Bobby Brow like.

1:28:29.240 --> 1:28:33.720
<v Speaker 5>Oh for real, Yeah, it's good, had Bobby, you got

1:28:33.720 --> 1:28:39.680
<v Speaker 5>to come out always playing barbecue. So he was No.

1:28:39.800 --> 1:28:42.120
<v Speaker 5>KP's talking about. It's a waffle house right there. Me

1:28:42.160 --> 1:28:44.160
<v Speaker 5>and KP got a waffle house experience. I was a

1:28:44.200 --> 1:28:45.120
<v Speaker 5>cook at the house.

1:28:45.120 --> 1:28:48.240
<v Speaker 6>Oh man, you wanted to cook there that night? I

1:28:48.280 --> 1:28:50.240
<v Speaker 6>should have been huh. We got up out of there.

1:28:50.320 --> 1:28:53.080
<v Speaker 5>Needed a wing man. No, it was something else. I

1:28:53.120 --> 1:28:58.200
<v Speaker 5>was flying in there. It was a flying roaching. Yeah,

1:28:58.240 --> 1:29:00.600
<v Speaker 5>we had to get out of there. Oh wow, it

1:29:00.640 --> 1:29:02.040
<v Speaker 5>was a good thing he didn't land on the grill.

1:29:02.840 --> 1:29:11.040
<v Speaker 5>He might have already been real. Oh man, he was

1:29:11.040 --> 1:29:13.040
<v Speaker 5>a cook at the photo tank. Hold on, yeah, I

1:29:13.120 --> 1:29:14.679
<v Speaker 5>know you, I know you wanted to know. I cooked

1:29:14.720 --> 1:29:18.360
<v Speaker 5>at the waffle house. Man, I was sixteen seventeen, was

1:29:18.400 --> 1:29:22.879
<v Speaker 5>taking this young lady. I was playing football and uh,

1:29:24.000 --> 1:29:26.080
<v Speaker 5>I ended up meeting one of the cheerleaders. We became

1:29:26.160 --> 1:29:28.880
<v Speaker 5>really cool. She come up there and sit with me.

1:29:28.960 --> 1:29:31.720
<v Speaker 5>On my weekends, I worked double shifts because I was

1:29:31.760 --> 1:29:35.880
<v Speaker 5>cooking scatter covered, smothered. You better believe it. Yeah, he

1:29:36.000 --> 1:29:38.559
<v Speaker 5>was whipping it, whipping it. I had that. That's when

1:29:38.560 --> 1:29:40.760
<v Speaker 5>they had the paper hats, like remember the hats like

1:29:40.840 --> 1:29:45.200
<v Speaker 5>McDonald's have, like looked like a little little little sail boat. Yeah. Yeah,

1:29:45.320 --> 1:29:48.799
<v Speaker 5>I was rocking to the side. Was she singing and cooking? Absolutely?

1:29:48.800 --> 1:29:52.040
<v Speaker 5>I've always sang, even in the bottles. Yeah.

1:29:52.360 --> 1:29:55.240
<v Speaker 6>I needed to experience that. Amazon on the grill.

1:29:55.680 --> 1:30:00.320
<v Speaker 5>What I can cook? Yeah, I'll cook. Yeah, Oh yeah,

1:30:00.400 --> 1:30:03.080
<v Speaker 5>I can cook. I like to cook. Give him way up.

1:30:03.360 --> 1:30:06.920
<v Speaker 8>I gotta get away, cook to brother, he only want

1:30:06.920 --> 1:30:07.160
<v Speaker 8>out here.

1:30:07.200 --> 1:30:11.759
<v Speaker 5>Can't cook? You can't. You can't. I can't cook. You can't.

1:30:12.200 --> 1:30:13.960
<v Speaker 6>I know what food is supposed to taste like?

1:30:14.320 --> 1:30:16.280
<v Speaker 5>Cool? It taste like that.

1:30:16.479 --> 1:30:19.800
<v Speaker 6>Listen, listen, you want to you I don't like it.

1:30:21.840 --> 1:30:25.880
<v Speaker 6>You want a mean pancake? You want you want some

1:30:26.000 --> 1:30:28.240
<v Speaker 6>mean scrambled eggs with all the fixings.

1:30:28.720 --> 1:30:31.240
<v Speaker 5>You know that's the first teacher as a child. What's

1:30:31.280 --> 1:30:33.240
<v Speaker 5>all the fixing andrambled eggs? Just cheese?

1:30:33.479 --> 1:30:34.040
<v Speaker 6>You want.

1:30:36.040 --> 1:30:40.519
<v Speaker 5>Cheese? Maybe? Just cheese? Cool?

1:30:41.040 --> 1:30:46.479
<v Speaker 6>You want some turkey bacon cooked to perfection, Chris, that's me.

1:30:47.560 --> 1:30:48.240
<v Speaker 6>You know what I'm saying.

1:30:48.320 --> 1:30:50.120
<v Speaker 5>That's important? Do you wan't.

1:30:51.920 --> 1:30:55.600
<v Speaker 6>The cinnamon rolls from Trader Joe's warmed up?

1:30:56.200 --> 1:30:56.240
<v Speaker 5>No?

1:30:56.600 --> 1:31:00.200
<v Speaker 6>No, you try to cook those come you try to

1:31:00.200 --> 1:31:03.599
<v Speaker 6>diminish my thing. Man, You put them. You gotta put

1:31:03.640 --> 1:31:08.040
<v Speaker 6>them on the cookie sheet in the right the right dimensions.

1:31:07.400 --> 1:31:10.000
<v Speaker 5>Because they so they don't stick together. I understand them saying.

1:31:10.000 --> 1:31:11.639
<v Speaker 6>And then you got to keep an eye on them

1:31:11.680 --> 1:31:15.280
<v Speaker 6>holes because you don't want them to be too soggy

1:31:15.360 --> 1:31:15.840
<v Speaker 6>in the middle.

1:31:15.880 --> 1:31:19.759
<v Speaker 5>That don't make them on the outside. Call them holes,

1:31:19.760 --> 1:31:23.120
<v Speaker 5>don't make them sound better. I cook I cooked them holes.

1:31:24.040 --> 1:31:28.240
<v Speaker 6>Asked my kids about my cinnamon rolls well world renown,

1:31:28.400 --> 1:31:31.799
<v Speaker 6>second to none. And then how I glaze them things?

1:31:34.560 --> 1:31:36.400
<v Speaker 5>What's that spot in the in the in the in

1:31:36.439 --> 1:31:41.439
<v Speaker 5>the airport cinem roll spot for the cinema. They don't

1:31:41.439 --> 1:31:44.200
<v Speaker 5>want it with me? Yes, they do. Should do a

1:31:44.280 --> 1:31:52.840
<v Speaker 5>versus ship. I can see it now, Persa, you can

1:31:52.880 --> 1:31:56.040
<v Speaker 5>see it now, ship real. I can get j D

1:31:56.240 --> 1:31:57.120
<v Speaker 5>see J get.

1:32:00.040 --> 1:32:00.920
<v Speaker 2>That is so great.

1:32:02.000 --> 1:32:05.400
<v Speaker 6>I can cook. I just I just haven't had a

1:32:05.439 --> 1:32:08.240
<v Speaker 6>lot of practice. I know what food is supposed to taste.

1:32:08.600 --> 1:32:10.439
<v Speaker 6>I'm a connoisseur, fine diamond.

1:32:10.680 --> 1:32:12.080
<v Speaker 5>I've seen Yeah, i've seen you out of.

1:32:12.240 --> 1:32:16.800
<v Speaker 6>Trust trust me. I know I made some. It wasn't

1:32:16.800 --> 1:32:19.599
<v Speaker 6>by myself. Let's make your R and B Vultron. How

1:32:19.600 --> 1:32:22.760
<v Speaker 6>about we get out of that ganging up on tank.

1:32:23.800 --> 1:32:26.639
<v Speaker 5>What's the one meal that you cooked all by yourself?

1:32:27.080 --> 1:32:31.880
<v Speaker 5>He named it. That's it. That's it. That's a good start, though,

1:32:32.040 --> 1:32:34.080
<v Speaker 5>that's a real good start. That's important. That's the first

1:32:34.080 --> 1:32:39.120
<v Speaker 5>middle of the day. So therefore you had good intentions too,

1:32:39.600 --> 1:32:41.599
<v Speaker 5>because you wanted them to start their day off right.

1:32:42.920 --> 1:32:48.519
<v Speaker 5>You a good man. It's a good man.

1:32:51.439 --> 1:32:55.200
<v Speaker 6>We're making your R and B Vultron fast as ship.

1:32:56.680 --> 1:32:58.280
<v Speaker 6>We want to know who you're gonna get the vocal

1:32:58.360 --> 1:33:03.559
<v Speaker 6>from performance style, styling, passion of the artist, and who's

1:33:03.600 --> 1:33:07.360
<v Speaker 6>going to write for this artist one vocal of all

1:33:07.439 --> 1:33:09.840
<v Speaker 6>time to build your super R and B artist. What

1:33:09.880 --> 1:33:13.480
<v Speaker 6>one vocal are you going to use? One vocal one?

1:33:13.680 --> 1:33:14.960
<v Speaker 6>I'm gonna use Donne either way.

1:33:15.720 --> 1:33:19.960
<v Speaker 5>Yeah, yeah, yeah, it's hard to beat it. It's a quilt.

1:33:20.520 --> 1:33:25.679
<v Speaker 6>Layla was Layla's on the side. Layla said, I said,

1:33:25.720 --> 1:33:32.000
<v Speaker 6>there are so many people in the Donnie clan that

1:33:32.120 --> 1:33:36.439
<v Speaker 6>have just in a sense just gravitated to that tone.

1:33:37.040 --> 1:33:40.480
<v Speaker 6>And she was like, yes, but they don't have this pain.

1:33:40.600 --> 1:33:49.000
<v Speaker 5>Said that part. Yeah. Mark Dorothy was a really super

1:33:49.120 --> 1:33:52.439
<v Speaker 5>nice He was so dope. You know. P J. Morton

1:33:52.479 --> 1:33:56.840
<v Speaker 5>has Donnie and a lot of.

1:33:58.680 --> 1:34:05.560
<v Speaker 6>It's like that tone automatically says I can sing like

1:34:05.640 --> 1:34:06.440
<v Speaker 6>a motherfucker.

1:34:07.160 --> 1:34:09.760
<v Speaker 5>Yeah yeah, without even trying.

1:34:09.520 --> 1:34:14.320
<v Speaker 6>Without doing anything else. Yeah, just straight ahead. Yeah, yeah,

1:34:14.479 --> 1:34:19.200
<v Speaker 6>that's a bad motherfucker. Eric Robertson, Yes, yes, he's dope.

1:34:19.800 --> 1:34:22.839
<v Speaker 5>It was. It was good to do that. Lessons remixed

1:34:22.960 --> 1:34:30.640
<v Speaker 5>me him and rob him Devon and see Calvin uh

1:34:31.160 --> 1:34:35.160
<v Speaker 5>is it Kevin Ross? No, No, not Kevin who No, no, no,

1:34:35.680 --> 1:34:42.559
<v Speaker 5>Kevin Kevin Ross Yeah really yeah nasty. Yeah, be quick too,

1:34:42.680 --> 1:34:46.240
<v Speaker 5>He's quick and you don't you don't see it coming? Yeah,

1:34:47.000 --> 1:34:49.000
<v Speaker 5>because when he wrote his verse in center out like

1:34:50.120 --> 1:34:51.120
<v Speaker 5>I'm listening to you, but.

1:34:51.479 --> 1:34:55.560
<v Speaker 6>Yeah, accurate too, it's writing sniper, Yeah, sniper.

1:34:56.479 --> 1:34:59.320
<v Speaker 5>I think BJ has a I like BJ Chicago kid.

1:34:59.360 --> 1:35:01.519
<v Speaker 5>I like his voice as well, of course, because you

1:35:01.640 --> 1:35:05.160
<v Speaker 5>like yourself. Yeah, you and BJ.

1:35:05.200 --> 1:35:08.360
<v Speaker 6>Your cousins, nigga, y'all got to be cousins to y'all

1:35:08.360 --> 1:35:11.200
<v Speaker 6>in that soul string section r N.

1:35:11.280 --> 1:35:12.200
<v Speaker 5>BJ is special.

1:35:12.360 --> 1:35:15.880
<v Speaker 6>He's a special and he on the fly too. Yeah,

1:35:16.160 --> 1:35:18.960
<v Speaker 6>don't matter what you put in front of Yeah, he

1:35:19.120 --> 1:35:24.280
<v Speaker 6>ready to work. Yeah, okay, we got the vocal hm

1:35:25.120 --> 1:35:26.320
<v Speaker 6>performance style.

1:35:27.040 --> 1:35:34.840
<v Speaker 5>Me I goes to get it. The dancing machine, no, man,

1:35:37.760 --> 1:35:43.400
<v Speaker 5>see Amy Design church over here? What church is at

1:35:44.600 --> 1:35:52.880
<v Speaker 5>Elementary am Design? Yelemary, that's the kid's church. There's a

1:35:52.960 --> 1:35:53.439
<v Speaker 5>nigga here.

1:35:54.840 --> 1:36:01.360
<v Speaker 8>Take me when they're having a good time, dancing machine.

1:36:01.640 --> 1:36:03.439
<v Speaker 5>So, uh you get it?

1:36:03.680 --> 1:36:07.360
<v Speaker 6>No, yep, I'm not. Don't take that bad of them. Yes,

1:36:07.479 --> 1:36:12.759
<v Speaker 6>Donnie you on stage, yes, sir. The styling of the artists, wow,

1:36:13.680 --> 1:36:18.280
<v Speaker 6>Marvion Gay Yeah, you're putting together some nice ship. Yeah,

1:36:18.760 --> 1:36:19.840
<v Speaker 6>putting together some nice ship.

1:36:20.600 --> 1:36:26.679
<v Speaker 5>The passion of the artists. She's so sincere. I believe

1:36:26.720 --> 1:36:31.439
<v Speaker 5>everywhere she says she. I mean, she's sincere. You can

1:36:31.479 --> 1:36:35.439
<v Speaker 5>feel it. There's a rumor she may perform again, I hope.

1:36:35.439 --> 1:36:38.400
<v Speaker 5>So I want to see that rare. Yeah, I want

1:36:38.400 --> 1:36:40.840
<v Speaker 5>to see that she's rare.

1:36:41.520 --> 1:36:43.679
<v Speaker 6>There are one of ones. We can name the one

1:36:43.720 --> 1:36:45.280
<v Speaker 6>of ones, and she's one of one.

1:36:45.400 --> 1:36:45.839
<v Speaker 5>Absolutely.

1:36:45.840 --> 1:36:48.800
<v Speaker 6>I'm paying whatever that ticket is. Absolutely, and I'm going

1:36:48.840 --> 1:36:51.880
<v Speaker 6>wherever it is. Yeah, I'm going to that too. And

1:36:51.920 --> 1:36:53.720
<v Speaker 6>I don't even like to go places. You hate to

1:36:53.800 --> 1:36:56.880
<v Speaker 6>go places, but I will pay it nowhere.

1:36:57.000 --> 1:36:59.080
<v Speaker 5>No, no, no, I don't where he lives his life

1:36:59.080 --> 1:37:05.200
<v Speaker 5>like he's on the run. I mean, I mean you

1:37:05.600 --> 1:37:11.439
<v Speaker 5>did talk about it with a lot of pimp talk. Yeah,

1:37:11.479 --> 1:37:12.479
<v Speaker 5>I've had to change my name.

1:37:15.680 --> 1:37:24.800
<v Speaker 6>Hold, it's just my life, man, huge, Your fast forward,

1:37:24.840 --> 1:37:29.760
<v Speaker 6>man is good? Yeah, passion shot a last one. Who's

1:37:29.800 --> 1:37:30.719
<v Speaker 6>writing for this artist?

1:37:31.520 --> 1:37:32.120
<v Speaker 5>Babyface?

1:37:35.000 --> 1:37:35.200
<v Speaker 4>Ah?

1:37:36.080 --> 1:37:39.200
<v Speaker 5>You don't know if baby Face wrote, uh pray for me?

1:37:39.560 --> 1:37:44.680
<v Speaker 5>So I had an idea. Sounds totally different. We were

1:37:44.800 --> 1:37:47.200
<v Speaker 5>up at his house and Webb it snows a lot.

1:37:47.920 --> 1:37:51.559
<v Speaker 5>Blake townlick talk. Yeah. The next morning he came in.

1:37:53.120 --> 1:37:57.640
<v Speaker 5>It's totally changed the whole song to something great, like

1:37:57.760 --> 1:37:59.880
<v Speaker 5>he's a bad I was like, I knew you could,

1:38:00.200 --> 1:38:00.920
<v Speaker 5>but god talk.

1:38:01.600 --> 1:38:04.639
<v Speaker 6>Oh yeah he's he's incredibled, like, yeah, disrespect me like that,

1:38:04.800 --> 1:38:06.680
<v Speaker 6>He's incredible. He's done it all.

1:38:06.680 --> 1:38:08.360
<v Speaker 5>I'm an running from your favoring face. You shouldn't have

1:38:08.360 --> 1:38:10.760
<v Speaker 5>done that. Run up for you? How dare you make

1:38:10.840 --> 1:38:16.599
<v Speaker 5>me be great? Great? Well? Yeah, yeah, absolutely great? Absolutely

1:38:16.840 --> 1:38:19.960
<v Speaker 5>all right? Oh yeah, we got one more thing for you.

1:38:23.280 --> 1:38:23.479
<v Speaker 4>Yeah.

1:38:23.640 --> 1:38:28.960
<v Speaker 6>Yeah, I ain't saying no names. I ain't saying no names.

1:38:29.320 --> 1:38:32.000
<v Speaker 6>I ain't saying no names. I ain't saying no name.

1:38:32.680 --> 1:38:35.920
<v Speaker 2>Was whe was weird? What you did?

1:38:36.640 --> 1:38:47.840
<v Speaker 5>Don't say she? I ain't saying no name. I guess

1:38:47.880 --> 1:38:52.559
<v Speaker 5>this is a messy hour. My favorite PARTI yeah, see

1:38:52.600 --> 1:38:56.519
<v Speaker 5>how boy, I smell it. Yeah, I smelled a side

1:38:56.600 --> 1:39:06.080
<v Speaker 5>all of foolishness, smothering has This is a new thing. Now,

1:39:06.320 --> 1:39:10.760
<v Speaker 5>this is the smother thing. Covet. You know you're trying

1:39:10.800 --> 1:39:13.559
<v Speaker 5>to unsmother and put it out there. No, we're gonna

1:39:13.560 --> 1:39:16.840
<v Speaker 5>smother it by not saying no names. Yeah, yeah, all right.

1:39:17.400 --> 1:39:19.360
<v Speaker 8>My favorite part of the show will you tell us

1:39:19.400 --> 1:39:22.000
<v Speaker 8>a story, funny or fucked up?

1:39:22.760 --> 1:39:27.200
<v Speaker 5>Are funny and fucked up? Okay? Only rude to the gang.

1:39:28.320 --> 1:39:33.840
<v Speaker 5>Anthony Hamilton. Can't say no names, not a one, now one,

1:39:34.880 --> 1:39:38.600
<v Speaker 5>oh man, tell a story.

1:39:39.800 --> 1:39:41.320
<v Speaker 6>Or what funny?

1:39:41.360 --> 1:39:46.280
<v Speaker 5>Are fucked up? Okay? Are funny and fucked up? I

1:39:46.439 --> 1:39:48.320
<v Speaker 5>can't say no names. They say no name. That's the

1:39:48.320 --> 1:39:50.479
<v Speaker 5>only rue. It was this one time I was at

1:39:50.479 --> 1:39:55.439
<v Speaker 5>a performance. This particular artist love to go out and

1:39:55.560 --> 1:40:00.840
<v Speaker 5>touch the people. And normally when they go out, he

1:40:00.960 --> 1:40:04.400
<v Speaker 5>touched the people and they come back to the stage

1:40:04.439 --> 1:40:09.120
<v Speaker 5>and it's, you know, beautiful thing. This particular time, they

1:40:09.160 --> 1:40:12.960
<v Speaker 5>went out and they had to go out through one

1:40:12.960 --> 1:40:14.880
<v Speaker 5>of the doors, which happened to be a fire escape,

1:40:15.080 --> 1:40:20.880
<v Speaker 5>and it locked, so this particular artist couldn't get back

1:40:21.160 --> 1:40:23.880
<v Speaker 5>to the stage to say good night, And so the

1:40:23.960 --> 1:40:26.160
<v Speaker 5>band continued to play and play and play and play

1:40:26.200 --> 1:40:29.200
<v Speaker 5>and play this one song for at least fifteen minutes.

1:40:31.840 --> 1:40:38.599
<v Speaker 5>He was sucked up, sucked them funny outside, I love you. Yeah, yeah,

1:40:39.400 --> 1:40:41.400
<v Speaker 5>so they had Yeah, they had to send him. They

1:40:41.479 --> 1:40:44.600
<v Speaker 5>had to send him in boxes, telling me that he

1:40:44.800 --> 1:40:46.400
<v Speaker 5>enjoyed the show man.

1:40:49.840 --> 1:40:52.400
<v Speaker 6>I thought he was sweet too. Oh yeah, he just

1:40:52.520 --> 1:40:54.479
<v Speaker 6>knew let me go get to him.

1:40:54.960 --> 1:40:57.960
<v Speaker 5>He about to go get oh man, Sonny loved me.

1:40:58.760 --> 1:41:03.160
<v Speaker 5>I just watched. I said, all right, show off, see

1:41:03.200 --> 1:41:06.040
<v Speaker 5>how you get out of this Joe College. Somebody let

1:41:06.160 --> 1:41:11.840
<v Speaker 5>me what my guess? We said, go ahead, bad? Did

1:41:11.920 --> 1:41:15.080
<v Speaker 5>you see him tell that guy he wanted to put

1:41:15.120 --> 1:41:21.040
<v Speaker 5>his his arm bad and batterle man, he said, he

1:41:24.920 --> 1:41:27.840
<v Speaker 5>what is wrong with Mike? I just saw it. I

1:41:27.880 --> 1:41:28.479
<v Speaker 5>saw him live.

1:41:28.960 --> 1:41:31.320
<v Speaker 6>He says, the first thing that comes from his mind,

1:41:31.760 --> 1:41:34.480
<v Speaker 6>and it's absolutely and it's ridiculous.

1:41:34.040 --> 1:41:37.920
<v Speaker 5>And it's ridiculous and I love it, he said. And

1:41:38.040 --> 1:41:40.519
<v Speaker 5>he's doing it. He's doing it. He's doing it, he said,

1:41:40.560 --> 1:41:46.240
<v Speaker 5>doing a cartwheel. He's like, he's doing it. I gotta try.

1:41:47.640 --> 1:41:51.519
<v Speaker 6>That. You gotta try yeah, Mike, Mike, I love. I

1:41:51.600 --> 1:41:58.000
<v Speaker 6>love comedy period. He's absolutely incredible. Elder Hamilton, Uh, this

1:41:58.120 --> 1:41:58.960
<v Speaker 6>has been a time.

1:41:59.439 --> 1:42:02.200
<v Speaker 5>Yeah, man's been a time. I've been watching you guys. Man,

1:42:02.240 --> 1:42:04.719
<v Speaker 5>I really love what you're doing. We appreciate your time

1:42:05.320 --> 1:42:08.080
<v Speaker 5>giving a platform to a lot of artists who probably.

1:42:10.240 --> 1:42:12.360
<v Speaker 6>I just think we I just think our stories. These

1:42:12.400 --> 1:42:13.400
<v Speaker 6>stories are important, man.

1:42:13.680 --> 1:42:16.040
<v Speaker 5>Yeah, absolutely, yeah, absolutely.

1:42:16.200 --> 1:42:19.120
<v Speaker 6>The the after effects, you know, the things that we

1:42:19.240 --> 1:42:21.280
<v Speaker 6>get the show and we get to put the gloss

1:42:21.360 --> 1:42:23.000
<v Speaker 6>on and all these things, and all of that is great,

1:42:23.040 --> 1:42:27.040
<v Speaker 6>but the house and the wise that's.

1:42:26.920 --> 1:42:27.840
<v Speaker 5>The most important part.

1:42:27.920 --> 1:42:31.120
<v Speaker 6>Absolutely, And so you know, we we appreciate you giving

1:42:31.160 --> 1:42:35.840
<v Speaker 6>the people, you know, just a bit of that understanding

1:42:35.920 --> 1:42:39.960
<v Speaker 6>of where it all comes from. Yeah, you know, it

1:42:40.120 --> 1:42:43.200
<v Speaker 6>shows that you love you love this, you love what

1:42:43.320 --> 1:42:43.519
<v Speaker 6>you do.

1:42:43.880 --> 1:42:46.920
<v Speaker 5>Absolutely. I was born to do it. Yeah, and it's

1:42:47.200 --> 1:42:51.360
<v Speaker 5>it's it's been great. Oh, it's been great. It's getting better,

1:42:51.479 --> 1:42:52.040
<v Speaker 5>getting better.

1:42:52.560 --> 1:42:54.880
<v Speaker 6>I tell people the first ingredient, you gotta you better

1:42:54.960 --> 1:42:58.960
<v Speaker 6>love it, because if you don't, you you're you're in

1:42:59.120 --> 1:42:59.960
<v Speaker 6>for a hell of a ride.

1:43:00.160 --> 1:43:02.240
<v Speaker 5>Oh. Absolutely, absolutely, yeah.

1:43:02.080 --> 1:43:03.559
<v Speaker 6>Because that's the sustaining power.

1:43:03.720 --> 1:43:05.320
<v Speaker 5>I tell my kids this all the time. It's like,

1:43:06.160 --> 1:43:09.320
<v Speaker 5>sometimes it's not the best. The one who's the best

1:43:09.439 --> 1:43:12.680
<v Speaker 5>is the one who's consistent, who can endure it and

1:43:12.840 --> 1:43:15.920
<v Speaker 5>continue to do it and stay consistent with the same quality.

1:43:16.640 --> 1:43:18.400
<v Speaker 5>Those are the ones who make it. I don't have

1:43:18.560 --> 1:43:19.080
<v Speaker 5>nothing else.

1:43:21.160 --> 1:43:22.920
<v Speaker 6>I just love to do this, whether I'm doing it

1:43:23.840 --> 1:43:28.160
<v Speaker 6>free at somebody's church, yeah, or thank god, getting paid

1:43:28.160 --> 1:43:28.920
<v Speaker 6>on somebody stage.

1:43:29.120 --> 1:43:30.360
<v Speaker 5>Absolutely. Yea.

1:43:30.680 --> 1:43:32.920
<v Speaker 6>Just like you were singing at the waffle house, Yeah,

1:43:33.000 --> 1:43:39.439
<v Speaker 6>I was singing in the huddle. Oh, let's read yeah, yeah, yeah, yeah, what's.

1:43:39.200 --> 1:43:39.640
<v Speaker 5>The count on?

1:43:39.840 --> 1:43:44.720
<v Speaker 6>You're going on too own too, Let's get it. Yeah,

1:43:44.960 --> 1:43:49.240
<v Speaker 6>I gotta sing and that shows like that shows and

1:43:49.280 --> 1:43:52.639
<v Speaker 6>everything that you do. And and you know, another thing

1:43:52.760 --> 1:43:57.320
<v Speaker 6>that I just want to highlight is just your imagery.

1:43:58.840 --> 1:44:04.000
<v Speaker 6>You you how you represent yourself as a man in

1:44:04.120 --> 1:44:08.280
<v Speaker 6>these places in your music, on these stages. You know,

1:44:08.439 --> 1:44:11.880
<v Speaker 6>we celebrate the bullshit all the time. Yeah, we celebrate

1:44:12.600 --> 1:44:14.679
<v Speaker 6>you know, people getting out of pocket all the time

1:44:15.040 --> 1:44:18.280
<v Speaker 6>with all these things climb up high on the algorithm.

1:44:18.600 --> 1:44:22.160
<v Speaker 5>But you know, men being good, men being good people

1:44:22.479 --> 1:44:25.519
<v Speaker 5>prove things. Yeah, it's not always easy. It's not always easy.

1:44:25.520 --> 1:44:27.200
<v Speaker 5>It's not you know, I've got six sons, so I

1:44:27.280 --> 1:44:31.320
<v Speaker 5>want them to see an example of six son. Yeah six.

1:44:31.560 --> 1:44:36.280
<v Speaker 6>Yeah, you're gonna get beat up if you mess with

1:44:36.479 --> 1:44:38.240
<v Speaker 6>mister Hamilton for real.

1:44:38.479 --> 1:44:40.560
<v Speaker 5>She it might be hitting your knees because most of

1:44:40.600 --> 1:44:44.040
<v Speaker 5>them short. Hey listen right in here, powers and numbers,

1:44:46.439 --> 1:44:50.760
<v Speaker 5>you be knock kneed, you come out not need. But well,

1:44:50.840 --> 1:44:53.240
<v Speaker 5>my younger three day, they're getting up there. I think

1:44:53.240 --> 1:44:56.120
<v Speaker 5>they're gonna take out of my dad. Yeah eight and yeah,

1:44:56.360 --> 1:44:59.759
<v Speaker 5>my youngest he's thirteen, he'll be he's five eight already.

1:45:00.040 --> 1:45:04.240
<v Speaker 5>Any musical. Yeah, my oldest son was doing technoal trance

1:45:04.600 --> 1:45:08.040
<v Speaker 5>up step. I think he's taking a break now. But

1:45:08.120 --> 1:45:11.679
<v Speaker 5>I think the younger one of my twins. Are you twins, No, yeah,

1:45:11.960 --> 1:45:16.720
<v Speaker 5>Aaron and Nolan fraternal. I wouldn't want the same kid

1:45:16.840 --> 1:45:18.639
<v Speaker 5>looking the same some of them. One of them gonna

1:45:18.640 --> 1:45:22.080
<v Speaker 5>get abused. I'm gonna get tired of him. What man,

1:45:22.200 --> 1:45:25.599
<v Speaker 5>I'm sorry. I just said, I'm a good man. I'm

1:45:25.640 --> 1:45:31.280
<v Speaker 5>a good man, said my image is good. But I'm

1:45:31.280 --> 1:45:33.000
<v Speaker 5>gonna think you did it twice and so one of

1:45:33.040 --> 1:45:37.160
<v Speaker 5>them gonna get I'm just gonna be honest. I don't

1:45:37.160 --> 1:45:39.400
<v Speaker 5>want to keep doing them and it might not even

1:45:39.400 --> 1:45:43.840
<v Speaker 5>be you, you brother, but so just gonna just save you,

1:45:44.320 --> 1:45:47.280
<v Speaker 5>save my inmage, gotcha, gotcha, but don't do it. The

1:45:47.360 --> 1:45:52.200
<v Speaker 5>Lord knew better like we Thank you, Thank you, thank you,

1:45:54.600 --> 1:45:58.240
<v Speaker 5>the kids. We're coming through it, man, keep doing it,

1:45:58.280 --> 1:45:59.000
<v Speaker 5>and to keep doing.

1:45:58.960 --> 1:46:02.479
<v Speaker 6>You're dope, brother. Yeah, man, we just needed a moment

1:46:02.520 --> 1:46:03.240
<v Speaker 6>to keep your flying.

1:46:03.320 --> 1:46:06.160
<v Speaker 5>Please keep going, man, Thank you, And we can't wait

1:46:06.280 --> 1:46:09.639
<v Speaker 5>to hear that live album. We just said to Michelle

1:46:10.800 --> 1:46:17.880
<v Speaker 5>live live live Man, Live from the Concord. Yeah mm hmm.

1:46:18.600 --> 1:46:21.840
<v Speaker 5>South Africa would be a great place. They love me,

1:46:22.040 --> 1:46:25.080
<v Speaker 5>so I tour that love just got back twice. Like

1:46:25.160 --> 1:46:27.120
<v Speaker 5>how you said that they love they love me.

1:46:30.160 --> 1:46:30.680
<v Speaker 2>I don't know that.

1:46:32.280 --> 1:46:35.240
<v Speaker 5>Get the police escort, whoa.

1:46:37.360 --> 1:46:37.760
<v Speaker 6>You know what.

1:46:39.439 --> 1:46:49.680
<v Speaker 5>I mean? It's r V Money. Yeah, hey man, you

1:46:49.840 --> 1:46:50.240
<v Speaker 5>heard them.

1:46:51.280 --> 1:46:54.800
<v Speaker 6>You heard them ladies and Gentlemeney mistake And this is

1:46:54.880 --> 1:46:56.160
<v Speaker 6>the RMY Money podcast.

1:46:56.280 --> 1:46:59.400
<v Speaker 5>The authority on all things R and.

1:46:59.520 --> 1:47:02.519
<v Speaker 6>B, mister police escort himself.

1:47:05.640 --> 1:47:06.880
<v Speaker 5>Thank you, appreciated man,