WEBVTT - TechStuff Classic: TechStuff Counts Some Number Stations

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<v Speaker 1>Get in touch with technology with tech Stuff from how

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<v Speaker 1>stuff Works dot com. Hey there, and welcome to tech Stuff.

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<v Speaker 1>I'm your host, Jonathan Strickland. I'm an executive producer with

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<v Speaker 1>How Stuff Works and I heart radio and allow of

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<v Speaker 1>all things tech. And today it's time for another classic episode.

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<v Speaker 1>This episode originally aired on April two thousand twelve, and

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<v Speaker 1>it's called Tech Stuff Counts Some Number Stations. This was

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<v Speaker 1>one of those fun, creepy topics that Chris and I

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<v Speaker 1>tackled in the early days of tech Stuff, one that

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<v Speaker 1>I found absolutely fascinating and more than a little unnerving.

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<v Speaker 1>I hope you guys enjoy. So the topic we're covering

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<v Speaker 1>is numbers stations, which actually comes to us courtesy of

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<v Speaker 1>some feedback we received on Facebook, which I fortunately, due

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<v Speaker 1>to my computer being silly right now, I cannot pull up. However,

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<v Speaker 1>this is Facebook feedback asking us to cover numbers stations.

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<v Speaker 1>And you may wonder, oh, my, Drew Geese, what a

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<v Speaker 1>number stations is? Things being so scory and people being

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<v Speaker 1>quick to forget. That's that's like a double reference right there,

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<v Speaker 1>since I throw in some clockwork orange. So here's what

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<v Speaker 1>a number station is. It is a radio station. Using

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<v Speaker 1>shortwave radio that blasts out a transmission, usually at a

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<v Speaker 1>very regular interval, that normally has some sort of tone

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<v Speaker 1>or even music to it, followed by a series of

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<v Speaker 1>numbers spoken in sort of a semi monotone voice, sometimes

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<v Speaker 1>an automated voice, in fact, very often an automated voice.

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<v Speaker 1>And it's just a seemingly random string of numbers that

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<v Speaker 1>have no particular context or meaning to them, and it

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<v Speaker 1>has created quite a kind of a well a hobbyist

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<v Speaker 1>dream come true really for people who like mysteries, because

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<v Speaker 1>there's no official explanation as to what these stations are

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<v Speaker 1>and why why these numbers are being broadcast. Here's what

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<v Speaker 1>we know. No, I'm kidding. Now, let's go to what

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<v Speaker 1>we can speculate on. Um. We do know that official

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<v Speaker 1>governments have there. There's no official government that has spoken

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<v Speaker 1>up and said, oh, yeah, we did that. Yeah. The

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<v Speaker 1>closest was a Czechoslovakian official who acknowledge receipt of a

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<v Speaker 1>message about numbers stations, but did not It did not

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<v Speaker 1>go so far as to actually say what the number

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<v Speaker 1>station was, what it was for. It essentially was just

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<v Speaker 1>that I got your message. That was pretty much it.

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<v Speaker 1>The check is in the mail. There you go. But gosh,

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<v Speaker 1>I can't believe you're waiting an entire time for me

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<v Speaker 1>to shut up, So you can use that. Uh, however, uh,

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<v Speaker 1>there are fewer now than their word during the Cold War. Yeah,

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<v Speaker 1>and they started the height of they started appearing during

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<v Speaker 1>the World wars. So world War One, Yeah, not not.

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<v Speaker 1>You know, this is the early part of the earlier

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<v Speaker 1>part of the twentieth century. Yeah, first, first couple of

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<v Speaker 1>decades of the twentieth century, that's when they start popping up.

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<v Speaker 1>So let's talk a little bit about about why a

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<v Speaker 1>number station is even possible before we get into what

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<v Speaker 1>they were and what they sound like and all that

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<v Speaker 1>kind of stuff. So first, they are short wave radio,

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<v Speaker 1>which we have talked about on a previous podcast many

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<v Speaker 1>many years ago. Yeah, we'll do a quick we'll do

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<v Speaker 1>a quick refresher course. So technically, a short wave is

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<v Speaker 1>a is a radio wave with a wavelength shorter than

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<v Speaker 1>two hundred meters twos wavelength would have a frequency of

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<v Speaker 1>around hurts uh, and it's typically these these radio waves

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<v Speaker 1>are used to broadcast voice and music, but also for

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<v Speaker 1>long distance communication. The reason that you can have long

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<v Speaker 1>distance communication is that these wavelengths are at sort of

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<v Speaker 1>a sweet spot when it comes to the way the

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<v Speaker 1>Earth works. So the Earth has the ionosphere, you know,

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<v Speaker 1>that surrounds it, binds it, and penetrates it. For no

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<v Speaker 1>ionosphere just surrounds the Earth. And if you were to

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<v Speaker 1>aim a short wave radio frequency at the ionosphere, uh,

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<v Speaker 1>the ionosphere would refract that frequency and it would beam

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<v Speaker 1>back down to Earth. So by bouncing it effectively off

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<v Speaker 1>the ionosphere, you can send a radio signal much further

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<v Speaker 1>than you could if it were to just broadcast out

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<v Speaker 1>and radiate out from a tower. Yes, So with this

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<v Speaker 1>in mind, with this long distance communication ability, it has

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<v Speaker 1>opened up opportunities for lots of different applications. And you know,

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<v Speaker 1>you'll hear about amateur radio enthusiasts who will just they'll

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<v Speaker 1>they'll use their their radios to dial in and listen

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<v Speaker 1>to the various broadcasts that go out there. And that's

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<v Speaker 1>really how number stations were discovered. It was mainly hobbyists

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<v Speaker 1>who as they were scanning the different bands and listening

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<v Speaker 1>to what was out there, they were coming across these

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<v Speaker 1>very odd sort of transmissions. And um, before I get

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<v Speaker 1>too far, I should say the the whole refraction by

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<v Speaker 1>the ionosphere. There's a specific name for that kind of

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<v Speaker 1>transmission that I love. I love this term skywave propagation.

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<v Speaker 1>It's a cool term. Right. So, yeah, you've got these

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<v Speaker 1>hobbists who are listening in and they would come across

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<v Speaker 1>a very unusual and frankly pretty creepy kind of transmission

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<v Speaker 1>in some cases. And uh, I think we even have

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<v Speaker 1>an example that we can listen to. So let's let's

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<v Speaker 1>take a quick listen to what a typical number station

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<v Speaker 1>might sound like if you were to tune in on

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<v Speaker 1>a shortwave radio kind of gets you right here done.

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<v Speaker 1>If by the by right here you mean now I'm

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<v Speaker 1>looking over my shoulder and waiting for someone to break

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<v Speaker 1>into the room. Yeah, that's pretty much what I'm thinking.

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<v Speaker 1>There is something particularly creepy about hearing kind of a

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<v Speaker 1>almost and almost like a harmonic. It sounds like there's

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<v Speaker 1>been some harmonic supplied in some cases, like it's an

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<v Speaker 1>automated voice or whatever, but hearing something like that monotone

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<v Speaker 1>just delivering number after number, and then they really repetitious

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<v Speaker 1>music that was used to introduce these So what could

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<v Speaker 1>these be? And there's been a lot of people who

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<v Speaker 1>have suggested what number stations might be all about, Um,

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<v Speaker 1>you know, the everything from it could just be uh

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<v Speaker 1>stuff for people who are surveying areas for for cartography

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<v Speaker 1>and that kind of thing, but that doesn't seem likely.

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<v Speaker 1>Of No one is taking credit for it, not at all.

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<v Speaker 1>So that's our cartography channel that has led to uh

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<v Speaker 1>to some not so much conspiracy theories. It really does

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<v Speaker 1>boil down to, well, if you're just broadcasting numbers with

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<v Speaker 1>no other context, why could you possibly be doing that for?

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<v Speaker 1>And one of the explanations is that it's a a

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<v Speaker 1>way to communicate two spies to undercover operatives who might

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<v Speaker 1>be uh invested in some foreign country, perhaps one that

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<v Speaker 1>is unfriendly to the the the country of origin and

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<v Speaker 1>so there. And when we say there's number stations, there

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<v Speaker 1>are number of stations all over the world, and they're

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<v Speaker 1>broadcasting pretty much all the languages that you might expect.

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<v Speaker 1>They would be in the major languages of the world.

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<v Speaker 1>So it's not just that, you know, it's not just

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<v Speaker 1>one country that's doing this. There there's multiple countries that

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<v Speaker 1>are doing it. And UH so this speculation is that

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<v Speaker 1>this is these are messages they're sent to government spies.

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<v Speaker 1>UH and these. You know, the governments aren't admitting to

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<v Speaker 1>it for for pretty understandable reasons. I would say, well,

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<v Speaker 1>if you or any of your team has captured, the

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<v Speaker 1>government will disavow any knowledge of this operations, message will

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<v Speaker 1>self destructed. Fifteen seconds. Don't count us out yet. We

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<v Speaker 1>still have a bit more to say about counting stations.

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<v Speaker 1>But first let's take a quick break to thank our sponsor.

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<v Speaker 1>The So these messages, the numbers those, that's a code,

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<v Speaker 1>it's an it's encoded message. Form of cryptography that is

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<v Speaker 1>called the the the one pad note yeah, or or

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<v Speaker 1>one time pad yeah. Um yeah. I'm interested in cryptography,

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<v Speaker 1>uh and have been reading about it for many years.

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<v Speaker 1>And this is not exactly a new thing. It doesn't

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<v Speaker 1>even require the use of a computer. I mean, we

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<v Speaker 1>talked about cryptography on many podcasts at different levels. Um

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<v Speaker 1>and we even got into quantum cryptography, which is supposedly unbreakable,

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<v Speaker 1>although I've seen reports recently that it may not necessarily

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<v Speaker 1>be unbreakable. Well, one time pads are technically unbreakable if

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<v Speaker 1>you follow the right procedure right because basically, um and

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<v Speaker 1>they were called pads because at one time they were

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<v Speaker 1>and probably still are a pad. So this pad is

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<v Speaker 1>generated like a pad of paper. You uh write down

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<v Speaker 1>your message and encode it on this paper using the

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<v Speaker 1>tool um. And it's a one time thing. And there's

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<v Speaker 1>a part of the key is embedded in the message,

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<v Speaker 1>so that tells the recipient use page. Well, let's just

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<v Speaker 1>go for a reference here, use page sixteen of your pad.

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<v Speaker 1>And that way, uh, you know, you write down the

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<v Speaker 1>message in the pad that you can decode it on

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<v Speaker 1>that page and and that then becomes useless. You can't

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<v Speaker 1>use it again. Yeah, you then destroy that page. So

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<v Speaker 1>here's here's how here's how it works. Let's say that

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<v Speaker 1>I want to send a message to Chris, and I

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<v Speaker 1>want to use this this one time pad method. All right,

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<v Speaker 1>So we would each have a pad that would have

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<v Speaker 1>a string of random letters across each line, all right,

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<v Speaker 1>And let's say we group them in in groups of five,

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<v Speaker 1>because that's pretty common of four or five. So we'll

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<v Speaker 1>say we have groups of five letters. And these letters

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<v Speaker 1>are truly random in that we've had some sort of

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<v Speaker 1>well as close to truly random as we can get.

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<v Speaker 1>We've had some sort of random number generator that has

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<v Speaker 1>picked random letters, and it's just that we each have

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<v Speaker 1>a copy of that output. So Chris's string of random

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<v Speaker 1>letters is the same as my string of random letters.

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<v Speaker 1>And then I write down my message in normal text,

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<v Speaker 1>and I write my normal letters above the letters of

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<v Speaker 1>the that's that's in the key. Then I convert my

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<v Speaker 1>letters into numbers. So let's say that an A equals zero,

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<v Speaker 1>and a B equals one, and a C equals Three's

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<v Speaker 1>not going to take them very long to pick this

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<v Speaker 1>one apart. No, it's going to take them a long

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<v Speaker 1>time because here's the here's the that's just that. All

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<v Speaker 1>that is is just uh, it's just a simple substitution cipher. Right,

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<v Speaker 1>But here's the tricky part. So then I take my key,

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<v Speaker 1>all right, and I convert all of those letters to numbers.

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<v Speaker 1>That's when it gets harder. And then I add the

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<v Speaker 1>two numbers together, all right, So I add the I

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<v Speaker 1>add the number from my first letter. So let's say

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<v Speaker 1>that my first letter is H. Because I I write,

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<v Speaker 1>hey there, Chris, I take the number from H. Yeah really,

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<v Speaker 1>why not? All right? You know, hey there, Chris, there's

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<v Speaker 1>a rusky on your tail. That's that's my message. So

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<v Speaker 1>H is because I'm going back to the Cold War

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<v Speaker 1>so so H, we would convert H to a number,

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<v Speaker 1>and then we look at the first letter in the key.

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<v Speaker 1>Let's say that the first letter in the key is

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<v Speaker 1>an M. Well, that M is going to have its

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<v Speaker 1>own number of value. We add the H and the

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<v Speaker 1>M values together and then we convert that into a

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<v Speaker 1>new letter. So, if it's anything up to if we

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<v Speaker 1>if A is zero, if it's anything up to twenty five,

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<v Speaker 1>then that's the letter that we would pick. If it's

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<v Speaker 1>over twenty five, then we just use number twenty six

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<v Speaker 1>counts as zero. Again, so the number twenty six would

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<v Speaker 1>be an A, twenty seven would be a B, twenty

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<v Speaker 1>eight would be a C. So we go up there

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<v Speaker 1>and we we put in whatever the substitute letter will be. Well,

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<v Speaker 1>the only way to know what the original letter is

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<v Speaker 1>is if you have that one time pad in front

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<v Speaker 1>of you where you take the value of the letter

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<v Speaker 1>that is uh, the represented letter, the ciphered letter. You

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<v Speaker 1>subtract the value of the key from the ciphered letter,

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<v Speaker 1>and that gives you the value of the original letter,

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<v Speaker 1>and then you can convert that into the original letter.

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<v Speaker 1>So the process of coding and decoding is pretty painstaking

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<v Speaker 1>because you know you have to you have to convert

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<v Speaker 1>all the letters to values, add and then make new letters.

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<v Speaker 1>But the nice thing is is that because as long

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<v Speaker 1>as you keep that that string of letters that acts

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<v Speaker 1>as your key truly random, and that you don't repeat letters,

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<v Speaker 1>so that you don't or you don't repeat strings, like

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<v Speaker 1>you don't go to the end of a page and

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<v Speaker 1>then start at the top again. As long as you

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<v Speaker 1>avoid that, it is impossible to crack that without without

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<v Speaker 1>getting possession of one of those pads. So that's where

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<v Speaker 1>we talk about. If you follow this correctly, it is unbreakable.

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<v Speaker 1>The correctly. By correctly we mean you you have truly

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<v Speaker 1>random string for your key, you do not repeat the key,

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<v Speaker 1>and you do not let the key fall into the

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<v Speaker 1>wrong hands. As long as that happens, it is unbreakable.

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<v Speaker 1>So it's kind of like when we talked about the

0:13:59.800 --> 0:14:04.280
<v Speaker 1>the the various ways of ciphering. You know, there always

0:14:04.320 --> 0:14:07.240
<v Speaker 1>seems to be some way to crack the code. In

0:14:07.240 --> 0:14:09.960
<v Speaker 1>this case, unless you have physical possession of the pad

0:14:10.160 --> 0:14:13.120
<v Speaker 1>or if someone uses a key that repeats, it's just

0:14:13.280 --> 0:14:19.960
<v Speaker 1>not practical. So that's that's the basis for the secret messages.

0:14:20.520 --> 0:14:24.560
<v Speaker 1>Um what those secret messages are. We can't say, because again,

0:14:24.640 --> 0:14:28.000
<v Speaker 1>unless someone gets hold of one of those pads, then

0:14:28.320 --> 0:14:31.520
<v Speaker 1>it is it's just meaningless numbers. I mean, you could

0:14:31.520 --> 0:14:34.000
<v Speaker 1>convert those two letters, but all that's going to do

0:14:34.080 --> 0:14:38.080
<v Speaker 1>is give you the product of those those two like

0:14:38.120 --> 0:14:41.080
<v Speaker 1>the original message and the key. Without having the key,

0:14:41.480 --> 0:14:44.080
<v Speaker 1>you can't figure out what the original messages. We've got

0:14:44.080 --> 0:14:46.600
<v Speaker 1>a little bit more to count on, but before we

0:14:46.680 --> 0:14:49.720
<v Speaker 1>get there, we're gonna take another quick break to thank

0:14:49.760 --> 0:15:02.920
<v Speaker 1>our sponsor. Now, UM, it is likely to that the well,

0:15:02.960 --> 0:15:06.360
<v Speaker 1>we talked about that in the Enigma machine, how the

0:15:07.040 --> 0:15:09.840
<v Speaker 1>German codes during World War Two were broken down into

0:15:09.920 --> 0:15:15.360
<v Speaker 1>those UM five letter combinations UM as an added layer

0:15:15.520 --> 0:15:19.640
<v Speaker 1>of security. These these combinations stand in for other words too,

0:15:20.400 --> 0:15:23.480
<v Speaker 1>So it is possible that you know, even if you

0:15:23.560 --> 0:15:25.800
<v Speaker 1>did break the code, you would also have to have

0:15:25.800 --> 0:15:29.320
<v Speaker 1>the book that explains what these these letter combinations mean.

0:15:30.000 --> 0:15:33.320
<v Speaker 1>But UM still would never Well, that's what I'm saying

0:15:33.360 --> 0:15:36.840
<v Speaker 1>if if you for some reason, if you maybe right,

0:15:37.160 --> 0:15:39.200
<v Speaker 1>or if they use a repeating key, because if they

0:15:39.280 --> 0:15:42.120
<v Speaker 1>use a repeating key, then it would take a lot

0:15:42.160 --> 0:15:44.680
<v Speaker 1>of animal you would have to analyze the heck out

0:15:44.680 --> 0:15:48.000
<v Speaker 1>of the message. But you could potentially start detecting patterns. Well,

0:15:48.000 --> 0:15:50.960
<v Speaker 1>that's what broke the enigma exactly, because they were they

0:15:50.960 --> 0:15:54.200
<v Speaker 1>got lazy, lazy, and they started using repeating keys as

0:15:54.200 --> 0:15:56.440
<v Speaker 1>opposed to using a key that just doesn't repeat, which

0:15:56.440 --> 0:15:58.520
<v Speaker 1>would have been impossible to crack. So it's just an

0:15:58.840 --> 0:16:02.240
<v Speaker 1>added layer of uh security. That's that just makes it

0:16:02.360 --> 0:16:05.400
<v Speaker 1>much more difficult. So they do these repetitions over and

0:16:05.480 --> 0:16:09.760
<v Speaker 1>over again. Um and it's uh. The thing is, the

0:16:09.760 --> 0:16:14.240
<v Speaker 1>the tone and the style of the broadcasts is really

0:16:14.240 --> 0:16:17.720
<v Speaker 1>really creepy, especially when you add that spy layer in

0:16:17.800 --> 0:16:20.680
<v Speaker 1>your head to it. You start going, this message is

0:16:20.680 --> 0:16:24.760
<v Speaker 1>not intended for me, and and somebody could be doing something.

0:16:25.400 --> 0:16:27.080
<v Speaker 1>You know, I could be listening, well, this is what

0:16:27.160 --> 0:16:29.400
<v Speaker 1>I think, you know, I'm you know, listening to it.

0:16:29.440 --> 0:16:31.360
<v Speaker 1>Going I could be listening to a message that tells

0:16:31.360 --> 0:16:34.080
<v Speaker 1>somebody to kill somebody else, right, this could be a

0:16:34.120 --> 0:16:37.480
<v Speaker 1>message saying to like And then think about this. You

0:16:37.560 --> 0:16:40.600
<v Speaker 1>hear those messages and then maybe a week later, you

0:16:40.640 --> 0:16:43.920
<v Speaker 1>hear about some massive political event that takes place in

0:16:43.960 --> 0:16:46.640
<v Speaker 1>the country, and you think, is there any connection to

0:16:46.720 --> 0:16:49.080
<v Speaker 1>what I heard? And what just happened is what I

0:16:49.120 --> 0:16:54.320
<v Speaker 1>heard was that was that ah essentially a prediction for

0:16:54.400 --> 0:16:57.760
<v Speaker 1>what actually unfolded, and yeah, it's it's kind of I mean,

0:16:57.800 --> 0:17:01.080
<v Speaker 1>it is definitely creepy. And there are a lot of

0:17:01.120 --> 0:17:05.320
<v Speaker 1>really cool names for these various broadcasts, some of which

0:17:05.320 --> 0:17:09.560
<v Speaker 1>are named after the music that they use. Yeah, and again, um,

0:17:09.600 --> 0:17:13.480
<v Speaker 1>in some cases you could kind of some of them,

0:17:13.520 --> 0:17:16.960
<v Speaker 1>the station's sort of semi identify themselves, and others I

0:17:17.000 --> 0:17:19.199
<v Speaker 1>think are given sort of like the stars, you know,

0:17:19.880 --> 0:17:23.640
<v Speaker 1>or viruses. They're given the names of their discoverers want

0:17:23.720 --> 0:17:27.040
<v Speaker 1>to name them. Yeah, so there's um, there's One of

0:17:27.080 --> 0:17:31.360
<v Speaker 1>the famous ones is the Lincolnshire Poacher. Yeah, which was

0:17:31.359 --> 0:17:33.919
<v Speaker 1>was featured not too long ago as of the recording

0:17:33.920 --> 0:17:37.160
<v Speaker 1>of this podcast. On another podcast called The Skeptics Guide

0:17:37.200 --> 0:17:39.680
<v Speaker 1>to the Universe, they have a little feature where it's

0:17:39.720 --> 0:17:44.480
<v Speaker 1>called Who's that Noisy? And they which which is named

0:17:44.480 --> 0:17:46.320
<v Speaker 1>after one of the one of the hosts has a

0:17:46.400 --> 0:17:49.200
<v Speaker 1>daughter who would say who's that noisy? As in what's

0:17:49.240 --> 0:17:52.359
<v Speaker 1>making that noise? Right? So anyway, Who's that Noisy is

0:17:52.400 --> 0:17:55.320
<v Speaker 1>the name of the segment where they'll play a sound

0:17:55.400 --> 0:17:58.000
<v Speaker 1>file and it's the listeners job to try and figure

0:17:58.000 --> 0:18:00.320
<v Speaker 1>out what that sound file is, and they play the

0:18:00.400 --> 0:18:05.560
<v Speaker 1>little musical, Uh, prelude that would happen before the numbers

0:18:05.680 --> 0:18:09.800
<v Speaker 1>broadcast on the number station Lincolnshire poacher do do do

0:18:09.800 --> 0:18:11.600
<v Speaker 1>Do Do Do Do Do Do Do Do Do do do

0:18:11.600 --> 0:18:15.120
<v Speaker 1>doo And it's really creepy when you hear it over

0:18:15.160 --> 0:18:21.080
<v Speaker 1>and over again. Um And anyway, that particular broadcast has

0:18:21.119 --> 0:18:25.160
<v Speaker 1>been linked to Cyprus, to the Royal Air Force based

0:18:25.200 --> 0:18:28.480
<v Speaker 1>on Cyprus, and is believed, though there's no proof because

0:18:28.480 --> 0:18:30.800
<v Speaker 1>there's no one actually coming out and saying this is true,

0:18:31.240 --> 0:18:34.680
<v Speaker 1>that it was operated by the British Secret Intelligence Service

0:18:35.160 --> 0:18:38.560
<v Speaker 1>out of Cyprus. Now that particular station is no longer active.

0:18:39.320 --> 0:18:42.600
<v Speaker 1>I think it stopped broadcasting in neither two or two

0:18:42.600 --> 0:18:45.480
<v Speaker 1>thousand nine. But there are a few others that also

0:18:46.080 --> 0:18:50.639
<v Speaker 1>were pretty famous. Cherry Ripe, there's a song Cherry Ripe,

0:18:50.680 --> 0:18:53.840
<v Speaker 1>another British folk song which was a station somewhere in

0:18:53.880 --> 0:18:58.560
<v Speaker 1>Australia or Australia if you prefer. There's Swedish Rhapsody, which

0:18:58.600 --> 0:19:01.480
<v Speaker 1>is possibly the freepious thing I have ever heard in

0:19:01.520 --> 0:19:05.399
<v Speaker 1>my life, which is a there's a glockenspield that's playing

0:19:06.160 --> 0:19:10.520
<v Speaker 1>and a ace. The voice is clearly that of a

0:19:10.600 --> 0:19:15.359
<v Speaker 1>female child reading out numbers in Germany and you just

0:19:15.400 --> 0:19:18.280
<v Speaker 1>hear this Glockenspield play and then this little girl reading

0:19:18.280 --> 0:19:21.720
<v Speaker 1>out numbers in German, and it is you can't help

0:19:21.720 --> 0:19:25.200
<v Speaker 1>but feel a deep sense of foreboding. But then there's

0:19:25.240 --> 0:19:29.760
<v Speaker 1>also other ones called like the Mad Violinist and the

0:19:29.880 --> 0:19:43.600
<v Speaker 1>Boardman because apparently it's just for two seven eight that

0:19:43.680 --> 0:19:45.840
<v Speaker 1>that's kind of how I would be, Like like day one,

0:19:45.880 --> 0:19:48.280
<v Speaker 1>I'd be all creepy, and day two I'd be you know,

0:19:48.440 --> 0:19:54.600
<v Speaker 1>less creepy, and day three I just be like three six,

0:19:56.840 --> 0:20:01.399
<v Speaker 1>What am I gonna have for dinner tonight? For I

0:20:01.440 --> 0:20:05.159
<v Speaker 1>gotta pick up the dry leading to read the message

0:20:05.160 --> 0:20:08.960
<v Speaker 1>you're not getting anything for dinner. Um, yeah, there are

0:20:09.000 --> 0:20:12.040
<v Speaker 1>there are a number of places number UM where you

0:20:12.119 --> 0:20:14.760
<v Speaker 1>can if you don't happen to have a short wave radio,

0:20:15.000 --> 0:20:18.880
<v Speaker 1>where you can pick up on these. Um the Internet

0:20:18.960 --> 0:20:24.240
<v Speaker 1>archive of course, which collects all sorts of strange and

0:20:24.359 --> 0:20:28.480
<v Speaker 1>esoteric things. UM. There are many many recordings that you

0:20:28.520 --> 0:20:32.720
<v Speaker 1>can listen to on there. And actually the first place

0:20:32.760 --> 0:20:36.040
<v Speaker 1>that I encountered these was in an article in Wired magazine,

0:20:36.160 --> 0:20:39.959
<v Speaker 1>which I went back and revisited UM for for this,

0:20:40.240 --> 0:20:45.320
<v Speaker 1>and they were categorizing this Russian station UVB seventy six,

0:20:45.920 --> 0:20:48.640
<v Speaker 1>which had been broadcasting essentially the same thing for many,

0:20:48.720 --> 0:20:53.840
<v Speaker 1>many years until one day it stopped and then started again,

0:20:54.119 --> 0:20:56.600
<v Speaker 1>and then stopped again, and then you could hear so

0:20:56.800 --> 0:21:00.639
<v Speaker 1>it sounded like somebody in the room with the microphone, uh,

0:21:00.680 --> 0:21:05.280
<v Speaker 1>you know, just you know, too creepy stuffling stuff and

0:21:05.800 --> 0:21:09.000
<v Speaker 1>banging around. And then it started broadcasting something else, and

0:21:09.000 --> 0:21:13.480
<v Speaker 1>and they changed the call numbers at the station to

0:21:13.600 --> 0:21:15.720
<v Speaker 1>something entirely different. It makes me wonder if the guy

0:21:15.760 --> 0:21:18.320
<v Speaker 1>was just asking for toilet paper and it finally arrived,

0:21:19.040 --> 0:21:22.840
<v Speaker 1>he's like, now blue jeans, blue ge Well you can

0:21:22.880 --> 0:21:26.560
<v Speaker 1>you can still listen to this at UVB dash seven

0:21:26.640 --> 0:21:30.040
<v Speaker 1>six dot net and you can go and visit that

0:21:30.440 --> 0:21:32.840
<v Speaker 1>website and they will tell you. The enthusiasts who keep

0:21:32.880 --> 0:21:36.919
<v Speaker 1>track of these things will will share information about the

0:21:36.920 --> 0:21:41.520
<v Speaker 1>station and what it changed too, but very very weird stuff. Well,

0:21:41.600 --> 0:21:43.159
<v Speaker 1>I think is funny is that a lot of the

0:21:43.160 --> 0:21:46.639
<v Speaker 1>people who are following numbers stations, who really have a

0:21:46.640 --> 0:21:50.600
<v Speaker 1>passion for listening to them and finding them on on

0:21:50.640 --> 0:21:54.800
<v Speaker 1>shortwave radio, they don't want to have the mystery solved

0:21:55.040 --> 0:21:57.360
<v Speaker 1>because it would mean their hobby would be over. Well,

0:21:57.359 --> 0:22:01.240
<v Speaker 1>I mean it even um and formation about this. This

0:22:01.280 --> 0:22:05.000
<v Speaker 1>is kind of something that is operated for so many years. Uh,

0:22:05.040 --> 0:22:07.720
<v Speaker 1>if you will pardon the radio punt under the radar.

0:22:08.280 --> 0:22:10.479
<v Speaker 1>I mean, it's it's not something that the general public

0:22:10.680 --> 0:22:14.919
<v Speaker 1>knew anything about up until the last handful of years,

0:22:14.960 --> 0:22:16.800
<v Speaker 1>which is kind of ironic considering it was going on

0:22:16.880 --> 0:22:20.120
<v Speaker 1>through the Cold War and before that, and and and

0:22:20.160 --> 0:22:24.080
<v Speaker 1>now after most of it has stopped anyhow. Uh. It

0:22:24.160 --> 0:22:27.000
<v Speaker 1>even made an appearance in an episode of Lost. I understand.

0:22:27.040 --> 0:22:29.480
<v Speaker 1>I never was really much of a fan of the show,

0:22:29.560 --> 0:22:32.480
<v Speaker 1>but I think it's cool that they put that into

0:22:32.520 --> 0:22:36.840
<v Speaker 1>the show's UM storyline, that there was a number station

0:22:36.920 --> 0:22:40.600
<v Speaker 1>involved with uh, with the plot line UM, and of

0:22:40.640 --> 0:22:44.320
<v Speaker 1>course that was about codes and code breaking and creepiness

0:22:44.400 --> 0:22:49.040
<v Speaker 1>and all sorts of stuff, so it fit right in. UM.

0:22:49.080 --> 0:22:52.320
<v Speaker 1>So yeah, I mean it's it's fascinating. But the people

0:22:52.320 --> 0:22:56.600
<v Speaker 1>who watched Lost, you know, wanted the mystery to unravel

0:22:57.359 --> 0:23:00.560
<v Speaker 1>over time. They didn't want it solved immediately. And I

0:23:00.560 --> 0:23:04.160
<v Speaker 1>think for for the people who followed they these number stations,

0:23:04.640 --> 0:23:06.520
<v Speaker 1>it's the same kind of thing. They don't and you

0:23:06.600 --> 0:23:10.159
<v Speaker 1>kind of want to know. But then I don't know,

0:23:10.160 --> 0:23:12.240
<v Speaker 1>if you've ever read a book where you didn't want

0:23:12.320 --> 0:23:15.280
<v Speaker 1>the story to end, and you just stopped reading because

0:23:15.480 --> 0:23:17.520
<v Speaker 1>you just enjoyed the fact that it was still going on,

0:23:17.560 --> 0:23:19.320
<v Speaker 1>and you didn't really want to know quite what was

0:23:19.359 --> 0:23:21.359
<v Speaker 1>going on, although you knew it had an end and

0:23:21.480 --> 0:23:24.960
<v Speaker 1>somebody was behind it. I don't want to know, So

0:23:25.320 --> 0:23:29.000
<v Speaker 1>I've done that many times, or slowed very very slow

0:23:30.200 --> 0:23:33.439
<v Speaker 1>way down, you know, um, because you don't want to

0:23:33.440 --> 0:23:36.960
<v Speaker 1>find out, because then you know your fun ends. So

0:23:38.359 --> 0:23:43.760
<v Speaker 1>I don't know very interesting stuff. Jonathan has been researching

0:23:43.840 --> 0:23:46.800
<v Speaker 1>something as we're talking, and he's got this mysterious look

0:23:46.800 --> 0:23:52.159
<v Speaker 1>on his face. Yeah. Yeah, no, creepy, I'm saying it

0:23:52.200 --> 0:23:58.080
<v Speaker 1>is creepy. Uh yeah, I mean these are These are

0:23:58.119 --> 0:24:02.680
<v Speaker 1>definitely one of those things that I hope stick around

0:24:02.720 --> 0:24:06.400
<v Speaker 1>just for the sake of perpetuating this kind of air

0:24:06.440 --> 0:24:09.000
<v Speaker 1>of mystery, because you think about it, you're like, Okay,

0:24:09.040 --> 0:24:11.240
<v Speaker 1>first of all, let me get this clear. Our world

0:24:11.320 --> 0:24:15.040
<v Speaker 1>is amazing and the universe is astounding. But even so,

0:24:15.160 --> 0:24:17.240
<v Speaker 1>there are days where you feel like you're living in

0:24:17.280 --> 0:24:20.640
<v Speaker 1>a pretty mundane kind of existence, and then you find

0:24:20.680 --> 0:24:23.720
<v Speaker 1>out about number stations and you're like, there's a whole

0:24:23.800 --> 0:24:27.760
<v Speaker 1>level operating just under the surface that I've always suspected

0:24:27.840 --> 0:24:31.000
<v Speaker 1>but never really proven, and now I know there's something

0:24:31.080 --> 0:24:34.000
<v Speaker 1>to it. Then you're like, hey, our world is amazing again.

0:24:34.400 --> 0:24:36.440
<v Speaker 1>By the way, our world is amazing, whether there's number

0:24:36.480 --> 0:24:38.439
<v Speaker 1>stations or not. It's just that occasionally we have to

0:24:38.440 --> 0:24:43.880
<v Speaker 1>be reminded of it. Puppies boom. Alright, so shout out

0:24:43.880 --> 0:24:47.639
<v Speaker 1>to the parent company. Uh, guys, that kind of wraps

0:24:47.720 --> 0:24:49.640
<v Speaker 1>up our discussion on number stations. I wish we could

0:24:49.640 --> 0:24:52.600
<v Speaker 1>tell you more, but frankly, there's just nothing official. We

0:24:52.720 --> 0:24:55.080
<v Speaker 1>can't you know, we we can speculate all we like,

0:24:55.680 --> 0:24:58.719
<v Speaker 1>but we can't really, uh say for sure. Now, I

0:24:58.720 --> 0:25:01.560
<v Speaker 1>think I think it's fair, really safe to say that

0:25:01.680 --> 0:25:05.840
<v Speaker 1>if these are encoded messages, which I can't imagine them

0:25:05.880 --> 0:25:09.120
<v Speaker 1>being anything else, I think it's improbable that they're not. Yeah,

0:25:09.600 --> 0:25:11.760
<v Speaker 1>it's hard to it's hard to come up with a

0:25:11.760 --> 0:25:14.280
<v Speaker 1>set of circumstances where sus a string of numbers isn't

0:25:14.320 --> 0:25:17.840
<v Speaker 1>meaningful in any other way that if they are encoded messages,

0:25:17.920 --> 0:25:23.159
<v Speaker 1>that this is some form of espionage. I mean, at

0:25:23.200 --> 0:25:27.240
<v Speaker 1>least some form of secret communication. And it's one way.

0:25:27.320 --> 0:25:29.520
<v Speaker 1>I mean, these are broadcasts that are going out. It's

0:25:29.560 --> 0:25:32.760
<v Speaker 1>not that we're receiving answers from from another one. It's

0:25:32.760 --> 0:25:36.000
<v Speaker 1>also I mean, they're they're regular, they're they're broadcast usually

0:25:36.000 --> 0:25:38.640
<v Speaker 1>at regular intervals, like on the hour or on every

0:25:38.880 --> 0:25:42.280
<v Speaker 1>quarter hour or whatever. So you know, I think it's

0:25:42.280 --> 0:25:45.320
<v Speaker 1>pretty safe to say these are some form of of

0:25:45.560 --> 0:25:52.200
<v Speaker 1>espionage communication. And that wraps up our episode about number stations. Boy,

0:25:52.359 --> 0:25:57.879
<v Speaker 1>those things are super interesting and creepy. And if you

0:25:58.440 --> 0:26:01.600
<v Speaker 1>ever really want to go down rabbit hole, do a

0:26:01.760 --> 0:26:04.920
<v Speaker 1>search for number stations. There are lots of recordings out there,

0:26:05.320 --> 0:26:08.199
<v Speaker 1>and they all are pretty unsettling. It's kind of like

0:26:08.280 --> 0:26:12.119
<v Speaker 1>the stuff you would hear in a Blumhouse horror movie,

0:26:12.640 --> 0:26:14.800
<v Speaker 1>So make sure you go and check those out if

0:26:14.840 --> 0:26:18.000
<v Speaker 1>you haven't before. Meanwhile, if you have any suggestions for

0:26:18.240 --> 0:26:21.199
<v Speaker 1>future episodes of tech Stuff, send me a message. The

0:26:21.280 --> 0:26:24.600
<v Speaker 1>email address you can use is text stuff at how

0:26:24.680 --> 0:26:28.560
<v Speaker 1>stuff works dot com, or you can pop on over

0:26:28.600 --> 0:26:31.880
<v Speaker 1>to our website that's tech Stuff podcast dot com. That's

0:26:31.920 --> 0:26:34.240
<v Speaker 1>gonna have links to our social media as well as

0:26:34.280 --> 0:26:37.600
<v Speaker 1>our archived episodes, and of course to our online store,

0:26:37.600 --> 0:26:39.640
<v Speaker 1>and every purchase you make there goes to help the show.

0:26:39.640 --> 0:26:42.320
<v Speaker 1>We greatly appreciate it, and I'll talk to you again.

0:26:43.000 --> 0:26:51.280
<v Speaker 1>Release it for more on this and thousands of other

0:26:51.320 --> 0:27:01.560
<v Speaker 1>topics because it how stuff works. Dot Com three