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Speaker 1: I listened to the Black Guy Who Tips podcast because

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Speaker 1: Rod and Karen are hunt Her.

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Speaker 2: Welcome to the Blackouts Podcast. I'm your host, joint is

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Speaker 2: always on my co host, and we are live on

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Speaker 2: a Monday, ready to give you a little bit of

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Speaker 2: podcast and find us everywhere you get podcasts. The official

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Speaker 2: weapon of the show is and unofficial sports bullet ball Extreme.

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Speaker 1: I don't know.

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Speaker 2: I guess we can just get right into it because

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Speaker 2: we won't have much time tonight. I have previous obligations planning.

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Speaker 2: But you know, we wanted I know some of y'all

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Speaker 2: wanted to know about the Kendrick concert and what it

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Speaker 2: was like and how a time was there. So we

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Speaker 2: probably just talk about that mostly. Uh, let's see. So

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Speaker 2: the best thing to say, I guess you look, it

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Speaker 2: was so ironic a year ago to like the day

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Speaker 2: Kendrick clapback on Drake like it was that day. Yeah,

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Speaker 2: people been celebrating it like it's the anniversary, you know,

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Speaker 2: so so like that that was like a fun thing.

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Speaker 2: Let me let me, let me make sure I got

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Speaker 2: that exactly right. But I think it was the exact

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Speaker 2: day that I want to say he dropped euphoria or

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Speaker 2: something like that, or like Euphoria was August thirtieth, so

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Speaker 2: April thirtieth was April thirtieth, and the concert was like

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Speaker 2: April or May third or something like that. So like

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Speaker 2: it was like people was like celebrating it like this,

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Speaker 2: this is the day the beef officially like got got

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Speaker 2: under got underway Euphoria. And then of course we all know,

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Speaker 2: you know the rest of them, we all know what

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Speaker 2: happened after that, the end of Drake as a you know,

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Speaker 2: as more than a punchline for a lot of people basically.

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Speaker 2: But yeah, so so I thought, you know what, a

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Speaker 2: what who would have thought a year from now we

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Speaker 2: would be at a concert in Charlotte, right in Charlotte,

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Speaker 2: in the in the in the stadium for where the

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Speaker 2: Panthers playing normally lose.

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Speaker 3: Yes, it's a huge stadium, though.

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Speaker 2: Yeah, like who would have thought that we would be

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Speaker 2: here getting to like actually experience this uh together. And

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Speaker 2: you know, for those that know, I'm I'm what I

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Speaker 2: would call it Kendrick Lamar day two fan. Yeah, you know,

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Speaker 2: I wouldn't say day one because I wasn't there for

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Speaker 2: overly dedicated meaning I listened, I overly dedicated was out

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Speaker 2: and I just had not.

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Speaker 1: Heard of Kendrick Lamar like that. And then.

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Speaker 3: Section eighty drop that section that's when I that's when

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Speaker 3: I entered the frame.

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Speaker 2: Yeah, and when section eighty dropped, I was like, who

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Speaker 2: is this guy? Need to know everything about his music?

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Speaker 1: He became.

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Speaker 2: Yeah, yeah, he became one of our favorite rappers. Like

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Speaker 2: I don't want to say instantly, but definitely, like within

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Speaker 2: short short work he became one of my favorite rappers.

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Speaker 3: And it's down.

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Speaker 2: So yeah, I was, you know, so this was a

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Speaker 2: long time coming for us.

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Speaker 1: I've never seen him a concert before.

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Speaker 3: Me either, Okay, yeah, this is yeah, this this is

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Speaker 3: our first time seeing him in concert, like and he's

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Speaker 3: been too shyd before but he normally comes to the

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Speaker 3: Charlotte Colosseum, and I know it's been a long time

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Speaker 3: since he's been like on tour tour. So that's why

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Speaker 3: I was like that tally funny. He's one of the

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Speaker 3: people like Beyonnestly. I was like, okay, I want to

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Speaker 3: go see you before you be like okay, I'm not

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Speaker 3: touring no more.

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Speaker 2: And May third is the day he dropped six one

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Speaker 2: six in l A six sixteen in LA So that

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Speaker 2: you know that's the that's the that's the day. But

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Speaker 2: before he had dropped three days before. At any rate,

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Speaker 2: it's Saturday night. We're excited, and you know, you know

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Speaker 2: how you know we're excited it because it's It'll always

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Speaker 2: hurt my heart to this day. It'll never I'll never

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Speaker 2: be able to move on from this, but.

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Speaker 1: I'm just gonna have to accept it. Naruto.

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Speaker 2: Yes, the music from Now Tell to Anime was playing

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Speaker 2: with the orchestra in the blooming Thal Center for Performing Art.

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Speaker 2: I won't at the same time as a Kendrick Oamar thing,

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Speaker 2: And I.

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Speaker 3: Was like, whoever scheduled that? Just I don't know, Like.

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Speaker 2: He probably don't think them ving diagrams overlap, but bitch,

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Speaker 2: you're looking at.

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Speaker 3: Him right, So hurt, I was like if they? I

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Speaker 3: was like, if they, I was like, can't y'all.

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Speaker 1: Do two days?

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Speaker 3: But that was literally the only day. I was like,

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Speaker 3: can y'all?

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Speaker 2: Honestly, they would have did an afternoon concert and a

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Speaker 2: nighttime concert.

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Speaker 1: I would have went to the afternoon and then went

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Speaker 1: to Kendrick.

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Speaker 3: That's how That's how they'd have been like we They

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Speaker 3: were like, you, we're gonna play at twelve and eight. Well, bitch,

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Speaker 3: I'm there at twelve.

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Speaker 2: Yeah, but it's all good. So but that that's what

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Speaker 2: I'm saying. That's how hYP we was for Kendrick. It

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Speaker 2: was like fuck all that.

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Speaker 3: Yes, And I was hurt because I was looking thought,

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Speaker 3: do it chat. I want to love to see that.

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Speaker 3: So if they get the traveling again, they're somewhere close.

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Speaker 3: Hopefully we get to see him maybe next time. And

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Speaker 3: that day they had been calling for rain, so I

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Speaker 3: was like, I don't have a poncho. So me and

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Speaker 3: Roger went to the Dick's Spoyting Good and apparently everybody

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Speaker 3: the Dix was handing to the concert.

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Speaker 2: Yeah, we went and got some ponchos because I just

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Speaker 2: google like way to get panchos and the Dick Sporting Good,

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Speaker 2: the bass whatever place. So we go to Dicks and

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Speaker 2: first of all, guys, the one we went to this is.

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Speaker 1: A big ass Dix.

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Speaker 3: It's huge.

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Speaker 1: This Dix is huge.

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Speaker 2: This is one of the most gigantic Dicks I've ever seen.

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Speaker 2: It's like and the outside of it's like like really

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Speaker 2: sturdy architect This Dick was.

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Speaker 1: This Dix was hard as hell.

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Speaker 2: Like whenever they erected that Dick it's two stories like that,

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Speaker 2: it's Dell and the balls in this Dicks.

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Speaker 1: There's so many balls the balls? Are you with these dicks? Okay?

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Speaker 1: Like this this Dicks was insane.

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Speaker 2: Okay, the amount of people that was on this dis

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Speaker 2: it was just every everybody was on this Dicks.

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Speaker 1: I've never seen him before. Anyway.

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Speaker 2: We go in in the Dicks and like, they have

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Speaker 2: the ponchos by the door.

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Speaker 3: I guess they knew. Somebody's smart ass manager was like

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Speaker 3: put because that was like, we don't want all these

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Speaker 3: people running through our store asking us for the ponchos.

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Speaker 3: Is put them bitches up front?

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Speaker 1: Did they just do it when it's raining they just

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Speaker 1: put all of them.

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Speaker 3: It would not be surprised that they probably pushed them

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Speaker 3: all towards the door.

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Speaker 1: I don't know.

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Speaker 2: Anyway, So we go in and uh, they're all by

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Speaker 2: the door, and I just see, like I'm looking around

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Speaker 2: the signs and I'm like, wait a minute, why would

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Speaker 2: everybody be at this bend by the door unless this

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Speaker 2: is probably where the ponchos are. And I especially noticed

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Speaker 2: that it was a lot of black people getting ponchos,

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Speaker 2: and so I was like, yeah, they probably going and

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Speaker 2: I think I even heard a couple of them like

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Speaker 2: refer to, you know, going to the concert. Your your

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Speaker 2: light is a little bit of friend your camera. Oh no,

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Speaker 2: but yeah it's no.

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Speaker 1: But yeah.

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Speaker 2: They was like talking like, yeah, girl, we're gonna you know,

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Speaker 2: we're gonna be out there.

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Speaker 3: Let me be sure I get my clip bag. I

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Speaker 3: know they said somebody the dimensions.

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Speaker 2: Yeah, and they had the thing that it was like

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Speaker 2: this bag is the right side, you can take it

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Speaker 2: in the stadium, Like they were on it.

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Speaker 1: They knew everybody was going to that goddamn concert.

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Speaker 2: And Dix was like, we might not be selling a

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Speaker 2: lot of other ship today, but were selling pachos and

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Speaker 2: clear going to the NFL stadium bags without a gun.

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Speaker 3: Yeah, And they had all them ship stup front. It

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Speaker 3: was like here the you don't size, here's the kids size.

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Speaker 3: And I'm glad we went because I told Roger about

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Speaker 3: been about an hour. None of all these bitches gonna

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Speaker 3: be sold out.

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Speaker 2: So the concert is supposed to start at seven. I

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Speaker 2: believe that's the start time, but we all know concerts

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Speaker 2: don't really start on time pretty much.

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Speaker 1: But my mom was coming to get us at like five.

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Speaker 1: She was gonna drive us.

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Speaker 2: Over there or whatever, and it was already starting to

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Speaker 2: rain like bad. We got a thunderstorm warning lightning strike

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Speaker 2: within eight miles of the stadium, which means they have

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Speaker 2: to go into some type of inclement weather protocols. So

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Speaker 2: that meant that like they had to they were like

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Speaker 2: shelter in place, or if you're in the stadium already,

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Speaker 2: you had to go inside the like indoors of the

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Speaker 2: stadium to avoid lightning, and they can't declare it off

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Speaker 2: until they go thirty minutes without a lightning strike within

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Speaker 2: eight miles of the stadium. We're seeing this as we're

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Speaker 2: driving there. It's like, man, you know, I hope everything's

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Speaker 2: gonna go okay. And the sheer amount of people. You

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Speaker 2: knew parking was gonna be crazy. It's gonna be mad expensive,

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Speaker 2: and you were gonna probably to park pretty far away,

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Speaker 2: which I'm fine parking far away, but it was just

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Speaker 2: gonna probably be like a hass or whatever.

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Speaker 1: And we were getting.

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Speaker 2: A little later start because of the inclement weather, which honestly, Gods,

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Speaker 2: that ship wasn't implement it was.

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Speaker 1: It was clementing like shit. That ship was very it.

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Speaker 2: Was not intermitting showers. Them showers was minting. Okay, we

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Speaker 2: get they was meant like too, like like two big

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Speaker 2: ass gloves on a kid at Christmas.

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Speaker 1: The way them showers is meanting.

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Speaker 3: But so we was riding. Your mama had the idea.

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Speaker 1: No, yo, I had the idea. Karen does this all

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Speaker 1: the time.

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Speaker 4: She gives my ideas away or she takes them, and

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Speaker 4: then she claimed I came up with this.

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Speaker 1: Sorry, I was getting to it.

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Speaker 2: So I was like, cause we were like, the highways

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Speaker 2: already backed up, the rain is making shit slow, and

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Speaker 2: so I'm like, you know, we've never done this before,

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Speaker 2: but technically we could take the light rail there. And

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Speaker 2: I'm like, you know, and and the way out threw

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Speaker 2: the idea out there.

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Speaker 1: It was like take it or leave it.

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Speaker 2: Like I'm not forcing the idea, but it's just like,

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Speaker 2: if you know, if y'all feel the same, maybe we

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Speaker 2: do like the light rail instead.

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Speaker 1: Because I've seen people take it to the Hornets game.

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Speaker 3: To the Panthers games.

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Speaker 1: The Panthers games happen, I don't know what.

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Speaker 2: Okay, I've seen people take it to the Hornets games

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Speaker 2: and it gets out right at the Hornet Stadium at

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Speaker 2: the at the Spectrum Center, and so that's where I

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Speaker 2: got like, oh, yeah, that people do this all the time.

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Speaker 2: Apparently with the Panthers, it does not let out right

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Speaker 2: in the stadium. It's like another twelve minute walk or something. Okay,

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Speaker 2: so to me, so the idea was, I was like,

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Speaker 2: I don't know where it gets out. I just know

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Speaker 2: it gets out downtown and we'll have to walk. But

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Speaker 2: could it be that much of a further walk than

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Speaker 2: going to the fucking parking line? So it's like anyway,

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Speaker 2: we were like, cool, let's give it a shot, you know.

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Speaker 2: And it's a new day to be trying something new,

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Speaker 2: but you know, and it's a day where you don't

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Speaker 2: want anything to go wrong.

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Speaker 1: You want it. But we were so early it was like,

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Speaker 1: we'll probably be fine.

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Speaker 2: So it's raining a little bit, but not cats and

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Speaker 2: dogs anymore.

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Speaker 1: Well, and like I think we paid.

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Speaker 2: I forget how I mean, three dollars or something for

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Speaker 2: the parking and then the actual train, which I didn't

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Speaker 2: know at the time. No one was buying tickets. They

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Speaker 2: were just getting on the train. They don't they apparently

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Speaker 2: don't check it that often. But I bought tickets just

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Speaker 2: in case they checked them, which in hindsight, I didn't

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Speaker 2: need to do.

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Speaker 1: But I get on.

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Speaker 2: We get on the train and we rided downtown and

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Speaker 2: it's just like a ten minute This is a nice

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Speaker 2: smooth rode. A few stops. Yes, get there downtown, don't

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Speaker 2: have to deal with traffic. It's very smart. I'll definitely

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Speaker 2: try it again during some Hornets games.

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Speaker 1: For the Hornets games, yeah, I'll definitely tried it again.

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Speaker 1: Even if I go to the Panthers game, I might

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Speaker 1: try it again.

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Speaker 2: But uh so we get there, it's not too crowded

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Speaker 2: going down there and all that stuff because we're also

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Speaker 2: pretty early. Then we get to the to the to

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Speaker 2: the stop or whatever, start walking towards the place, and

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Speaker 2: every I'm like, I felt like every single person on

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Speaker 2: the street was walking to the concert.

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Speaker 3: They were anybody.

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Speaker 1: It felt like everyone was.

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Speaker 3: Walking towards that, like in that direction.

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Speaker 2: Yeah, yeah, I'm ear hustling people behind us. They're making

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Speaker 2: jokes about stuff. This one crew of guys was talking

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Speaker 2: about things gonna bring Kanye West out. They were obviously joking,

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Speaker 2: but it was very funny to me. It's like, yeah,

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Speaker 2: they're gonna bring out the Nazi lover and all this ship.

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Speaker 2: Those guys had me cracking up. And then uh, you know,

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Speaker 2: and everybody's got ponchos on and all I didn't have

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Speaker 2: my poncho on yet because it wasn't really raining that well.

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Speaker 3: The pancho man was making the killing because.

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Speaker 2: They yeah, they had people selling ponchos too, which I'm

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Speaker 2: sure costs more than our dicks ones list trip of

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Speaker 2: the price. Okay, because if you're gonna listen, because if

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Speaker 2: you're going to Dick's.

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Speaker 1: You want to wear a raincoat. That's what I always say.

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Speaker 1: You don't want catch that that Dick went free.

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Speaker 2: Okay, So well we go. We walked to the stadium

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Speaker 2: or whatever, and we like had to walk around to

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Speaker 2: like the same we went to. So they have the

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Speaker 2: south entrance and then they have this other entrance that's

275
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Speaker 2: a little further away. But that's how we got into

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Speaker 2: the Beyonce concert. Was going to the fore of that

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Speaker 2: was a little further away.

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Speaker 3: Stops at that first one, and it's just ridiculously long lines.

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Speaker 2: And it's becoming obvious as we're walking, Like to me anyway,

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Speaker 2: I'm like, oh, this bitch sold out. M h, Like

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Speaker 2: he sold this shit out. This is not gonna be

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Speaker 2: some empty state seats or whatever. It's gonna be full,

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Speaker 2: and I'm glad we left early. I'm glad we're gonna

284
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Speaker 2: get that earlier or whatever.

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Speaker 3: We too. And while we was walking, we seeing this

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Speaker 3: couple and they was dressed as mustard containers. They had

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Speaker 3: like the hood the little that they had hats like

288
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Speaker 3: a top of mustard in the front, like thing to

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Speaker 3: set mustard. It was hilarious.

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Speaker 1: Yeah. I actually took a picture of them. We were

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Speaker 1: walking into the stadium and it was bright ass yellow.

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Speaker 2: And I posted it to my social media, like guess

293
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Speaker 2: where I'm going. But you guys can see them here

294
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Speaker 2: hold their hands, uh from the back, but yeah, they're

295
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Speaker 2: they're wearing the mustard outfits.

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Speaker 1: Yes, it was fucking where they were keeping their ponchos.

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Speaker 2: I don't know, maybe the mustard got soaked, maybe it

298
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Speaker 2: was watered down mustard by the end. I don't know

299
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Speaker 2: what happened with them, but yeah, it was so like we.

300
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Speaker 1: Get in there or whatever.

301
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Speaker 2: Uh, And it was I will say this, It wasn't

302
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Speaker 2: necessarily like Beyonce where everybody was dressed in like their

303
00:14:28,440 --> 00:14:31,240
Speaker 2: silver and their cowboys and all the women had on

304
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Speaker 2: like they like outfits.

305
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Speaker 1: That was like, you're gonna get these titties, You're gonna

306
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Speaker 1: get this ass. Because I think Scissa.

307
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Speaker 2: And Kendrick, while they're dope and lots of people were

308
00:14:40,240 --> 00:14:43,480
Speaker 2: coming out to see them, I think the Beyonce Renaissance

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Speaker 2: energy was completely different. It was you know, it was

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Speaker 2: it was, but it was so fun. It was you know,

311
00:14:50,280 --> 00:14:52,280
Speaker 2: all kinds of it was. It was like that was

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Speaker 2: a dope night. Just even walking to the the stadium.

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Speaker 3: Yes, everybody was glowing and shit, cowboy house was blinking.

314
00:14:58,960 --> 00:15:00,840
Speaker 3: I was saying, I, bitch, I didn't know blink.

315
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Speaker 2: Yeah, and so uh, you know you see people with

316
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Speaker 2: tour merchant stuff, but it's just not the same.

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Speaker 1: And a couple people dresses like mustard or something like that.

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Speaker 2: Anyway, so we get in at there, you know, go

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Speaker 2: through the line and shit, which was organized enough.

320
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Speaker 3: You know, some people had to throw their umbrellas away.

321
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Speaker 3: I was like, hold, I got them umbrollas because I

322
00:15:21,040 --> 00:15:22,720
Speaker 3: was like, you can't have them be I already knew that,

323
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Speaker 3: and I told your mama, So I said, not buy

324
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Speaker 3: your Pancho baby, because you can't.

325
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Speaker 2: Not, I shout out to I guess the anxiety or

326
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Speaker 2: whatever but I can't even imagine freestyle in a concert

327
00:15:35,040 --> 00:15:37,920
Speaker 2: like the way people be what's doing, Like I can't

328
00:15:37,920 --> 00:15:41,080
Speaker 2: imagine not looking up like what I can bring in

329
00:15:41,120 --> 00:15:44,680
Speaker 2: with me right, like having to throw your fucking perse away,

330
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Speaker 2: Because that's the thing. When it's getting close to showtime

331
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Speaker 2: and you've waited already through the line, they don't tell

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Speaker 2: you to start throwing shit out till there's like maybe

333
00:15:54,360 --> 00:15:58,040
Speaker 2: another twenty ten to twenty minutes left if you waiting

334
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Speaker 2: in the line, and if you got to go to

335
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Speaker 2: the back, you go to the back back, and the

336
00:16:01,600 --> 00:16:04,120
Speaker 2: lines get longer as it gets close to the showtimes.

337
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Speaker 1: She does, and so I can't.

338
00:16:05,880 --> 00:16:08,040
Speaker 2: I saw people throwing away umbrellas, which I mean, it's

339
00:16:08,040 --> 00:16:09,640
Speaker 2: a decision you gotta make. I saw a woman that

340
00:16:10,080 --> 00:16:12,520
Speaker 2: one woman was talking out loud. She was like, yeah,

341
00:16:12,520 --> 00:16:16,720
Speaker 2: I gotta yeah, girl, they want to throw away this umbrella.

342
00:16:17,040 --> 00:16:19,480
Speaker 1: I get, I might. I don't know what I'm gonna do.

343
00:16:19,560 --> 00:16:20,760
Speaker 1: I'm like, you don't know what you're gonna do.

344
00:16:20,840 --> 00:16:22,040
Speaker 3: You're gonna throw that umbrella away.

345
00:16:22,080 --> 00:16:26,040
Speaker 2: He's taking expensive that you can buy another umbro statue

346
00:16:26,120 --> 00:16:26,880
Speaker 2: somewhere and hope it's that.

347
00:16:27,000 --> 00:16:29,760
Speaker 1: On the way out, I don't know what to tell you, dog, like, but.

348
00:16:30,200 --> 00:16:32,760
Speaker 3: Check the website. And I was telling your mama, I

349
00:16:32,800 --> 00:16:34,400
Speaker 3: was joking about it, but I was serious and said, yeah,

350
00:16:34,560 --> 00:16:36,480
Speaker 3: I said, cause folks get drunk up in the Marinas

351
00:16:36,480 --> 00:16:38,600
Speaker 3: and they probably using bitches as weapons. As Oh there's

352
00:16:38,640 --> 00:16:39,480
Speaker 3: like no umbrellas.

353
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Speaker 1: Yeah, yeah, sure, I don't. I mean I think a

354
00:16:43,400 --> 00:16:44,000
Speaker 1: lot of stuff.

355
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Speaker 2: Yeah, I think a lot of this stuff is just

356
00:16:46,480 --> 00:16:50,880
Speaker 2: nine to eleven fear and of course obviously the ever

357
00:16:51,000 --> 00:16:54,000
Speaker 2: present fear of guns in America because we don't regulate

358
00:16:54,040 --> 00:16:57,040
Speaker 2: them really, so we have to overregulate ship like this,

359
00:16:57,360 --> 00:16:58,440
Speaker 2: you know, at.

360
00:16:58,360 --> 00:17:00,640
Speaker 1: Any rate we get in in or whatever.

361
00:17:02,160 --> 00:17:07,800
Speaker 2: And uh, it's kind of interesting because like, uh, when

362
00:17:07,840 --> 00:17:10,920
Speaker 2: you get in, they actually hangd you like physical tickets,

363
00:17:11,160 --> 00:17:13,159
Speaker 2: which is they did the same thing at the Tyler concert,

364
00:17:13,640 --> 00:17:15,320
Speaker 2: So I guess that's a new thing. It's like because

365
00:17:15,359 --> 00:17:18,119
Speaker 2: everybody's ticket is digital, then they hand you a paper

366
00:17:18,160 --> 00:17:19,919
Speaker 2: ticket that doesn't have a barcode or anything on it.

367
00:17:20,320 --> 00:17:22,600
Speaker 2: But it's funny because it feels like, well, weren't we

368
00:17:22,640 --> 00:17:25,280
Speaker 2: doing the phone thing to avoid the paper thing? But

369
00:17:26,080 --> 00:17:28,399
Speaker 2: I guess we're throwing away thout. We're killing toiles of

370
00:17:28,400 --> 00:17:29,399
Speaker 2: trees anyway, fuck it.

371
00:17:29,480 --> 00:17:31,400
Speaker 3: Yeah, it's like here you go go to the website

372
00:17:31,400 --> 00:17:31,960
Speaker 3: and buy shit.

373
00:17:32,560 --> 00:17:36,640
Speaker 2: Yeah, so we get in and uh, you know, make

374
00:17:36,680 --> 00:17:40,800
Speaker 2: it up to our area. We was in the three hundreds,

375
00:17:40,920 --> 00:17:45,560
Speaker 2: which is like, yes, which was you know, was that

376
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Speaker 2: the same area we did Beyonce. Yeah, so the three hundreds,

377
00:17:48,200 --> 00:17:50,680
Speaker 2: like it goes up to five hundred, like, so we

378
00:17:50,680 --> 00:17:53,480
Speaker 2: was in three hundred. We found an escalator, found an

379
00:17:53,560 --> 00:17:54,960
Speaker 2: escalator this time that was dope.

380
00:17:55,240 --> 00:17:57,840
Speaker 3: Yeah last time, last time we walked around. Yeah, that

381
00:17:57,920 --> 00:17:58,800
Speaker 3: rent was a beast.

382
00:17:58,920 --> 00:18:02,119
Speaker 2: Yeah that MP for some reason, feel like you're not

383
00:18:02,160 --> 00:18:03,920
Speaker 2: going up as high as that ramp need to take you.

384
00:18:03,960 --> 00:18:06,159
Speaker 1: But whatever, we get. So we get up there.

385
00:18:06,720 --> 00:18:09,680
Speaker 2: We'll eventually get ready to find our seats, and Mom

386
00:18:09,720 --> 00:18:14,359
Speaker 2: bought us some snacks and then we go sit outside.

387
00:18:13,800 --> 00:18:15,719
Speaker 1: At our at our thing. And I was so happy

388
00:18:15,760 --> 00:18:18,480
Speaker 1: because I bought these tickets and I bought.

389
00:18:19,800 --> 00:18:23,200
Speaker 2: I bought an our seat for myself, because almost every

390
00:18:23,240 --> 00:18:25,960
Speaker 2: other time if someone else buys tickets for me or

391
00:18:26,000 --> 00:18:30,000
Speaker 2: whatever in a group, people just buy tickets and they

392
00:18:30,359 --> 00:18:33,120
Speaker 2: buyd wherever they can get them or whatever. It's hey,

393
00:18:33,119 --> 00:18:37,320
Speaker 2: three together, but I'll sacrifice to be like, hey, let

394
00:18:37,320 --> 00:18:39,040
Speaker 2: me find the one with the isle if that means

395
00:18:39,080 --> 00:18:41,960
Speaker 2: I'm a two rows ahead or two rows back. Fun

396
00:18:43,800 --> 00:18:46,199
Speaker 2: and so I dug the ol seat, even though it

397
00:18:46,240 --> 00:18:48,160
Speaker 2: was funny because the our seat was number number three

398
00:18:48,160 --> 00:18:50,159
Speaker 2: instead of number one, and I was like, I was

399
00:18:50,160 --> 00:18:51,800
Speaker 2: looking at the tickets, like did I funk up? Did

400
00:18:51,800 --> 00:18:54,359
Speaker 2: I remember buying our seats? And then we got there.

401
00:18:54,359 --> 00:18:56,040
Speaker 2: I was like, oh, apparently they started three. Who gets

402
00:18:56,080 --> 00:18:56,360
Speaker 2: a fuck?

403
00:18:57,400 --> 00:18:58,440
Speaker 1: But yeah, so we get the.

404
00:18:58,400 --> 00:19:02,160
Speaker 2: Seats or whatever, and you know, we're sitting out there,

405
00:19:02,160 --> 00:19:05,840
Speaker 2: everybody's you know, hYP Now, this is what's funny because

406
00:19:05,880 --> 00:19:08,960
Speaker 2: the people that got their own time, like us, even

407
00:19:09,000 --> 00:19:14,800
Speaker 2: a little bit early seven o'clock hits. Now, anyone that

408
00:19:14,880 --> 00:19:18,720
Speaker 2: goes to concerts knows it's not starting at seven. Why

409
00:19:18,760 --> 00:19:21,280
Speaker 2: the fuck would it start at seven? Nothing ever starts

410
00:19:21,600 --> 00:19:24,720
Speaker 2: at the time it's supposed to start. For huge audiences. Now,

411
00:19:24,800 --> 00:19:26,480
Speaker 2: it's you know, it's I mean, if you go to

412
00:19:26,480 --> 00:19:28,120
Speaker 2: the black Out Tip event, we're starting on time.

413
00:19:28,160 --> 00:19:29,240
Speaker 1: I'm just gonna tell you right now.

414
00:19:29,560 --> 00:19:33,159
Speaker 2: But for people that like coming in, like they go

415
00:19:33,200 --> 00:19:34,840
Speaker 2: to concerts a lot, they know you can come in,

416
00:19:35,040 --> 00:19:37,640
Speaker 2: you know, up the sometimes up the hour, but I'd

417
00:19:37,640 --> 00:19:42,359
Speaker 2: say thirty minutes late. Me just absolutely fine. Everybody behind

418
00:19:42,440 --> 00:19:43,960
Speaker 2: was like, they need to he ever start this shit.

419
00:19:44,000 --> 00:19:47,600
Speaker 2: It's seven oh one, Okay, now seven it's seven oh two.

420
00:19:47,680 --> 00:19:50,920
Speaker 2: What's going on, Kendrick. I'm like, damn, y'all not even

421
00:19:50,960 --> 00:19:52,200
Speaker 2: Senator arenas.

422
00:19:51,840 --> 00:19:54,840
Speaker 3: Outside in loun Now, I'm not gonna lie. We went

423
00:19:54,840 --> 00:19:57,520
Speaker 3: to the title of the Creative Concert, and I believe because.

424
00:19:57,240 --> 00:19:59,680
Speaker 1: It was at the Spectrum.

425
00:19:59,359 --> 00:20:01,960
Speaker 3: Spectrum Center when when that bitch hit had a clock,

426
00:20:02,040 --> 00:20:04,960
Speaker 3: it was like boom. I was like, Oh, they're not bullshit,

427
00:20:04,960 --> 00:20:06,520
Speaker 3: and they was like, we're gonna have y'all lss out

428
00:20:06,520 --> 00:20:08,480
Speaker 3: of here by ten thirty. Yeah.

429
00:20:08,880 --> 00:20:10,880
Speaker 1: Yeah, I think that one did start on time.

430
00:20:10,960 --> 00:20:15,880
Speaker 2: But also it started at eight I think, and uh,

431
00:20:16,080 --> 00:20:17,359
Speaker 2: the laws.

432
00:20:17,000 --> 00:20:20,240
Speaker 1: For working with the unions and shit is kind of wild.

433
00:20:20,320 --> 00:20:22,400
Speaker 2: But yeah, but nah, that one did start on time.

434
00:20:23,280 --> 00:20:25,679
Speaker 2: And he also but also he had two opening acts.

435
00:20:25,960 --> 00:20:28,479
Speaker 2: As far as we knew on the billing on the ticket,

436
00:20:28,600 --> 00:20:30,280
Speaker 2: it was just Sizza and Kendrick.

437
00:20:30,400 --> 00:20:30,560
Speaker 1: Yes.

438
00:20:30,680 --> 00:20:32,520
Speaker 2: So that's the reason I thought what they were saying

439
00:20:32,640 --> 00:20:35,960
Speaker 2: was ridiculous because I'm like, y'all expecting Kendrick to come

440
00:20:36,000 --> 00:20:40,439
Speaker 2: out to a forty percent full arena start performing the

441
00:20:40,480 --> 00:20:42,960
Speaker 2: first part of his concert. And not get booed thirty

442
00:20:43,000 --> 00:20:45,680
Speaker 2: minutes later when it's full right, when everybody's like, what

443
00:20:45,720 --> 00:20:48,560
Speaker 2: the fuck I missed the beginning of the concert, then

444
00:20:48,720 --> 00:20:52,879
Speaker 2: upset anyway, they don't actually start anything till like seven

445
00:20:52,880 --> 00:20:53,800
Speaker 2: point thirty.

446
00:20:55,200 --> 00:20:58,680
Speaker 3: About you know, it was about seven fifteen to about yeah,

447
00:20:58,720 --> 00:20:59,879
Speaker 3: seven forty five.

448
00:21:00,520 --> 00:21:02,960
Speaker 2: Well I was gonna say, I thought, Okay, whatever the

449
00:21:03,000 --> 00:21:06,080
Speaker 2: exact Thomas, I'm wrong, I'll take that. But they don't

450
00:21:06,080 --> 00:21:08,840
Speaker 2: start at seven, is my point. And when they do start,

451
00:21:08,880 --> 00:21:11,720
Speaker 2: it's actually DJ Mustard that comes out. And he did

452
00:21:11,760 --> 00:21:15,520
Speaker 2: like a thirty minute set of just like music, and

453
00:21:15,920 --> 00:21:16,640
Speaker 2: it was funny.

454
00:21:16,680 --> 00:21:17,919
Speaker 1: Some of us here, some of us not.

455
00:21:18,400 --> 00:21:21,520
Speaker 2: But he was playing a bunch of stuff that people knew,

456
00:21:21,600 --> 00:21:23,879
Speaker 2: bunch of stuff that I'm sure people didn't know. But

457
00:21:24,119 --> 00:21:26,840
Speaker 2: it was only about fifteen to thirty seconds of each song.

458
00:21:28,040 --> 00:21:29,959
Speaker 2: It just like every song like it was just the

459
00:21:30,000 --> 00:21:31,600
Speaker 2: hottest part of each song.

460
00:21:31,440 --> 00:21:34,520
Speaker 1: And like, if you knew it, you would get your life.

461
00:21:34,560 --> 00:21:36,480
Speaker 2: And then the second if you didn't know it, wait

462
00:21:36,520 --> 00:21:38,800
Speaker 2: thirty seconds, something else will beyond that, you do know.

463
00:21:39,200 --> 00:21:41,199
Speaker 3: I having the ball. I'm like, shit, don't make me

464
00:21:41,280 --> 00:21:42,720
Speaker 3: tied for the concept thoughts.

465
00:21:42,480 --> 00:21:45,719
Speaker 1: Sir, Yeah, it got crunking there. It was like, whoa bitch,

466
00:21:45,800 --> 00:21:46,359
Speaker 1: get out.

467
00:21:46,240 --> 00:21:48,480
Speaker 3: The way, And it was like basically the people that

468
00:21:48,560 --> 00:21:51,040
Speaker 3: was there early kind of got rewarded by having like

469
00:21:51,080 --> 00:21:53,119
Speaker 3: a PROMPTU I mean cause he was probably to open it,

470
00:21:53,200 --> 00:21:56,240
Speaker 3: but kind of like almost like a promptu show before

471
00:21:56,280 --> 00:21:56,640
Speaker 3: the show.

472
00:21:57,160 --> 00:21:59,280
Speaker 2: Yeah, it was fun, like he was actually one of

473
00:21:59,320 --> 00:22:01,280
Speaker 2: my fa the I like, so the show honestly was

474
00:22:01,560 --> 00:22:04,199
Speaker 2: because I wasn't expecting anything. I just figured they'd do

475
00:22:04,280 --> 00:22:07,199
Speaker 2: something type of countdown or something something. I figured they

476
00:22:07,240 --> 00:22:09,200
Speaker 2: do something, but I didn't see an opener on the ticket.

477
00:22:09,600 --> 00:22:11,560
Speaker 2: Having him come out there was actually really dope. And

478
00:22:11,560 --> 00:22:13,640
Speaker 2: then he was just spending music. He was talking into

479
00:22:13,640 --> 00:22:16,680
Speaker 2: the mic a little bit, and then you know, it's

480
00:22:16,760 --> 00:22:20,120
Speaker 2: like like it had certain segments and sections, like there

481
00:22:20,160 --> 00:22:22,440
Speaker 2: was one for the haters and he played like Big

482
00:22:22,440 --> 00:22:24,560
Speaker 2: Sean's I Don't Fuck with You and stuff like that,

483
00:22:25,119 --> 00:22:26,800
Speaker 2: and it's like, if you got a hater, da da

484
00:22:26,880 --> 00:22:30,040
Speaker 2: da dah, you know how DJ's did for all the ladys.

485
00:22:30,080 --> 00:22:31,200
Speaker 1: I need y'all to do this.

486
00:22:32,640 --> 00:22:34,960
Speaker 2: But yeah, so he played a bunch of dope ass

487
00:22:35,160 --> 00:22:37,000
Speaker 2: like music from old and New.

488
00:22:37,800 --> 00:22:41,600
Speaker 1: I'd say I knew like ninety of the songs.

489
00:22:41,720 --> 00:22:44,760
Speaker 2: Yeah, yeah, like ninety percent of it, and uh man,

490
00:22:44,800 --> 00:22:48,960
Speaker 2: it was so that shit was super dope. Then they

491
00:22:49,760 --> 00:22:53,239
Speaker 2: like have a maybe two to three minute like he

492
00:22:53,359 --> 00:22:57,000
Speaker 2: leaves the stage, I mean literally two to three minutes,

493
00:22:57,080 --> 00:23:00,840
Speaker 2: like not twenty ten minutes. Literally he leaves stage, like

494
00:23:00,960 --> 00:23:04,760
Speaker 2: lights go down a little bit, and then bam that

495
00:23:05,160 --> 00:23:11,080
Speaker 2: the opening part of whacked Out murals with the.

496
00:23:09,760 --> 00:23:14,240
Speaker 1: Spanish speaking woman, that shit starts.

497
00:23:14,600 --> 00:23:17,159
Speaker 3: Yeah. So if you were still outside, you kind of

498
00:23:17,160 --> 00:23:19,320
Speaker 3: you was like they was like. And also, I think

499
00:23:19,359 --> 00:23:22,000
Speaker 3: the biggest reason why I don't think it started at seven.

500
00:23:23,040 --> 00:23:25,360
Speaker 1: I know it didn't. Okay, yo, go ahead, Well, but maybe.

501
00:23:25,119 --> 00:23:27,000
Speaker 3: This is my theory because when we first got there,

502
00:23:27,040 --> 00:23:29,199
Speaker 3: they was actually scraping the rain off of the stage.

503
00:23:29,240 --> 00:23:31,000
Speaker 3: I was like, I bet you if they hadn't had

504
00:23:31,040 --> 00:23:33,359
Speaker 3: to like scrape the rain and ship kind of all

505
00:23:33,520 --> 00:23:35,399
Speaker 3: might have started a little earlier. I think they would have.

506
00:23:37,000 --> 00:23:39,159
Speaker 2: Kendrick alluded to it a few times during the show, like,

507
00:23:39,240 --> 00:23:41,160
Speaker 2: you know how you ain't gonna let rain stop us

508
00:23:41,200 --> 00:23:44,000
Speaker 2: and all this other shit. Meanwhile, the whole time, I'm thinking, like,

509
00:23:44,080 --> 00:23:46,600
Speaker 2: if it's strike lightning eight miles within the stadium, it

510
00:23:46,600 --> 00:23:47,840
Speaker 2: ain't gonna matter what the fuck.

511
00:23:47,800 --> 00:23:48,560
Speaker 1: You're talking about.

512
00:23:48,640 --> 00:23:51,320
Speaker 2: But but yeah, but my mom said on the way,

513
00:23:51,359 --> 00:23:53,119
Speaker 2: she was like, I think the rain's gonna make people

514
00:23:53,160 --> 00:23:53,680
Speaker 2: more hype.

515
00:23:53,720 --> 00:23:54,160
Speaker 1: And it did.

516
00:23:54,880 --> 00:23:57,000
Speaker 2: It's like the fact that people brave that rain together

517
00:23:57,080 --> 00:23:59,119
Speaker 2: to be out there and at the concert together.

518
00:23:59,440 --> 00:24:04,879
Speaker 1: People was on ten immediately. So yeah, man, like Whites

519
00:24:04,920 --> 00:24:05,880
Speaker 1: go down or whatever.

520
00:24:06,440 --> 00:24:10,159
Speaker 2: Some cursive writing comes on the screen Senter, you know

521
00:24:10,200 --> 00:24:11,520
Speaker 2: the song that's Senter.

522
00:24:11,200 --> 00:24:14,879
Speaker 1: On quick too percents? Yeah, little don't chan now, I

523
00:24:15,000 --> 00:24:15,800
Speaker 1: don't change.

524
00:24:18,760 --> 00:24:23,160
Speaker 2: Everybody's like, you know, then the fucking the the gn

525
00:24:23,240 --> 00:24:27,800
Speaker 2: neck the Grand National rises from underneath the stage. Kendrick's

526
00:24:27,920 --> 00:24:30,760
Speaker 2: in it, but you can't really see him yet, but

527
00:24:31,000 --> 00:24:32,439
Speaker 2: like you can see him on the camera when they

528
00:24:32,520 --> 00:24:35,000
Speaker 2: zoom in, but from where we're sitting, like it's like

529
00:24:35,080 --> 00:24:36,119
Speaker 2: the cars on stage.

530
00:24:36,280 --> 00:24:40,439
Speaker 1: He's in there. But the thing is dog, no.

531
00:24:40,600 --> 00:24:45,000
Speaker 4: Backing track, no no fucking vocals other than you know,

532
00:24:45,160 --> 00:24:46,840
Speaker 4: like the the what's on the instrumental?

533
00:24:47,800 --> 00:24:50,280
Speaker 2: He rapping it, you know, and you could tell it's

534
00:24:50,359 --> 00:24:52,520
Speaker 2: him saying it live like it's and I know it

535
00:24:52,600 --> 00:24:54,520
Speaker 2: seemed like a little thing. But dog, when you watch

536
00:24:54,600 --> 00:24:57,520
Speaker 2: so many of these rappers and go to concerts, it's

537
00:24:57,640 --> 00:24:59,919
Speaker 2: not a little thing. A lot of times they basically

538
00:25:00,200 --> 00:25:02,760
Speaker 2: just playing a track and is mouthing a couple of

539
00:25:02,800 --> 00:25:07,440
Speaker 2: words over it. And I know I said that when

540
00:25:07,480 --> 00:25:10,320
Speaker 2: he did the super Bowl performance. And I've always talked

541
00:25:10,320 --> 00:25:13,320
Speaker 2: about how he's such a consummate performer. He's in such

542
00:25:13,440 --> 00:25:15,680
Speaker 2: amazing shape to be able to do what he does.

543
00:25:16,040 --> 00:25:18,280
Speaker 2: I just I don't think you can take it for granted.

544
00:25:18,359 --> 00:25:20,240
Speaker 1: It's just you shouldn't.

545
00:25:20,880 --> 00:25:24,440
Speaker 2: But man, seeing him do it live and hearing like

546
00:25:25,320 --> 00:25:29,320
Speaker 2: his voice that he's doing, it's just it was just like, Okay,

547
00:25:30,200 --> 00:25:32,040
Speaker 2: it's about to be one of those nights.

548
00:25:32,040 --> 00:25:35,040
Speaker 3: You know, had the big screens and everything, and that

549
00:25:35,080 --> 00:25:37,320
Speaker 3: had fireworks. You can feel that damn heat.

550
00:25:37,880 --> 00:25:42,040
Speaker 2: Yeah, even outside, yes, but yeah, you know that yesterday

551
00:25:42,119 --> 00:25:44,600
Speaker 2: somebody whacked out my murals and then just bammed that.

552
00:25:45,160 --> 00:25:48,200
Speaker 1: So he does that song.

553
00:25:49,440 --> 00:25:53,080
Speaker 2: And then he starts getting out of the car, and

554
00:25:53,320 --> 00:25:56,000
Speaker 2: you know, Charlotte was you know, and he said, Carolina,

555
00:25:56,040 --> 00:25:58,040
Speaker 2: what's up. I found out later this is a big

556
00:25:59,000 --> 00:26:02,440
Speaker 2: thing in Charlotte, apparently, like the newspaper cover people was

557
00:26:02,480 --> 00:26:03,200
Speaker 2: talking about on Twitter.

558
00:26:03,600 --> 00:26:09,120
Speaker 1: People thought he said, Atlanta, what's up? He said, Carolina.

559
00:26:09,200 --> 00:26:09,920
Speaker 3: Don't remember?

560
00:26:10,240 --> 00:26:13,080
Speaker 2: I do remember he said, Carolina he said it several times.

561
00:26:13,119 --> 00:26:14,840
Speaker 2: He said it when they left to he said Carolina.

562
00:26:15,840 --> 00:26:19,280
Speaker 2: But apparently people thought he said Atlanta. They thought he

563
00:26:19,520 --> 00:26:24,760
Speaker 2: was and so the Charlotte Observer had written a whole

564
00:26:24,880 --> 00:26:26,919
Speaker 2: thing where I read it this morning, where they were

565
00:26:26,920 --> 00:26:30,040
Speaker 2: doing a recapital concert, and the author said he had

566
00:26:30,080 --> 00:26:31,959
Speaker 2: to change They had to change it because they were

567
00:26:32,040 --> 00:26:35,560
Speaker 2: going to say, like, scold him for saying Atlanta, like

568
00:26:35,640 --> 00:26:36,359
Speaker 2: you don't know you're in.

569
00:26:36,440 --> 00:26:39,560
Speaker 1: Charlotte, Da da da da, And I'm like, I was there.

570
00:26:39,640 --> 00:26:41,520
Speaker 1: He didn't say Atlanta. I would have noticed if he

571
00:26:41,600 --> 00:26:44,600
Speaker 1: said Atlanta, because I'm sorry, the mic was live. It

572
00:26:44,760 --> 00:26:48,640
Speaker 1: was crystal clear. The whole fucking arena would have said.

573
00:26:48,600 --> 00:26:50,119
Speaker 3: Like what if responded to that?

574
00:26:50,359 --> 00:26:53,200
Speaker 2: Yes, yeah, And so I'm like, I know he said Carolina.

575
00:26:53,240 --> 00:26:56,200
Speaker 2: He didn't say Charlotte. He said Carolina multiple times. Even

576
00:26:56,520 --> 00:26:58,200
Speaker 2: I see y'all next time, Carolina.

577
00:26:58,240 --> 00:27:02,240
Speaker 1: I remember at the end. Anyway, these motherfuckers are so insecure.

578
00:27:02,960 --> 00:27:05,119
Speaker 2: I guess they was because we do have an insecurity

579
00:27:05,160 --> 00:27:09,119
Speaker 2: complex about Atlanta, Okay, and Charlotte. Everybody think you know

580
00:27:09,960 --> 00:27:13,360
Speaker 2: why everybody got to compared us to Atlanta. Atlanta's bigger, better,

581
00:27:13,560 --> 00:27:15,680
Speaker 2: Like it's not a problem. The music scenees crazy, Like

582
00:27:15,760 --> 00:27:17,840
Speaker 2: I don't where the insecurity comes from. I don't give

583
00:27:17,880 --> 00:27:23,040
Speaker 2: fuck anyway, the motherfucker said Carolina gets out. He did

584
00:27:23,160 --> 00:27:27,080
Speaker 2: whacked out murals, and he's like giving you you know,

585
00:27:27,160 --> 00:27:28,280
Speaker 2: I'm on the top of the car.

586
00:27:28,440 --> 00:27:29,520
Speaker 1: I'm doing I'm getting you know.

587
00:27:29,600 --> 00:27:32,360
Speaker 2: It's and like it's such a showman because like he's

588
00:27:32,480 --> 00:27:34,760
Speaker 2: rapping a verse and then like stars leaning up in

589
00:27:34,840 --> 00:27:37,800
Speaker 2: the sea, rapping, skill rapping, looks stars looking out.

590
00:27:37,640 --> 00:27:40,480
Speaker 1: The window towards the camera and stuff for the stage, Still.

591
00:27:40,359 --> 00:27:43,040
Speaker 2: Rapping, opens up the door, still rapping, gets out, still

592
00:27:43,160 --> 00:27:47,320
Speaker 2: ever gets on the hood still like and then we

593
00:27:47,440 --> 00:27:52,159
Speaker 2: got squabbled up, you know, and everybody's going crazy. Like

594
00:27:52,320 --> 00:27:55,639
Speaker 2: that's this one thing about this album. So many people

595
00:27:56,720 --> 00:28:01,080
Speaker 2: have become Kendrick fans because of this album, but also

596
00:28:01,520 --> 00:28:03,800
Speaker 2: those of us that have been fans for a long time.

597
00:28:04,119 --> 00:28:08,200
Speaker 2: This is most simplest album and most catchy album. Yes so,

598
00:28:08,400 --> 00:28:11,000
Speaker 2: like there's a lot of anthems on this fucking album.

599
00:28:11,080 --> 00:28:11,679
Speaker 3: Yeah, compared to.

600
00:28:13,440 --> 00:28:17,440
Speaker 2: Yes, Yes So, like Squabble Up, it's like everybody knows

601
00:28:17,680 --> 00:28:22,159
Speaker 2: the choruses are all simple, everybody knows the words, the

602
00:28:22,280 --> 00:28:23,679
Speaker 2: concepts are mostly simple.

603
00:28:23,800 --> 00:28:27,000
Speaker 1: So like he did Squabble Up, and everybody's going.

604
00:28:26,880 --> 00:28:30,399
Speaker 2: Crazy because Squabble Up is like two thirty eight, you know,

605
00:28:30,640 --> 00:28:33,560
Speaker 2: it's a short song. The thing is with whacked out mules.

606
00:28:33,680 --> 00:28:37,320
Speaker 2: He still did like the whole fucking song. He did

607
00:28:37,400 --> 00:28:39,400
Speaker 2: the whole song, like he wasn't doing a lot of

608
00:28:39,560 --> 00:28:41,280
Speaker 2: just one verse unless it was something old.

609
00:28:41,680 --> 00:28:41,840
Speaker 3: Yes.

610
00:28:42,040 --> 00:28:45,320
Speaker 2: So then he does Squabble Up. Then he did King Kunta,

611
00:28:46,160 --> 00:28:48,240
Speaker 2: and he's going, you know, giving you the whole run.

612
00:28:48,160 --> 00:28:48,640
Speaker 1: Of the stage.

613
00:28:48,680 --> 00:28:52,680
Speaker 2: And the stage has this thing where like yeah, loops

614
00:28:52,680 --> 00:28:55,800
Speaker 2: around as a pit in the middle where people are dancing,

615
00:28:55,880 --> 00:28:58,560
Speaker 2: like the super VIPs is staying the whole time, and

616
00:28:59,000 --> 00:29:02,120
Speaker 2: on the wings there's like to other little side stages

617
00:29:02,160 --> 00:29:05,160
Speaker 2: and shit. So like he's using the entire stage the

618
00:29:05,240 --> 00:29:09,280
Speaker 2: whole time once again, running around doing it, rapping on

619
00:29:09,560 --> 00:29:14,440
Speaker 2: every single word, no no dubbing, no backing, not even

620
00:29:14,560 --> 00:29:16,840
Speaker 2: like extra people on stage that are saying the words

621
00:29:16,920 --> 00:29:19,360
Speaker 2: for them, which a lot of rappers do. It's just

622
00:29:19,640 --> 00:29:23,680
Speaker 2: like him and then the dancers and stuff. Then he

623
00:29:23,760 --> 00:29:26,840
Speaker 2: did Element, which is one of my personal favorites, like

624
00:29:26,920 --> 00:29:30,400
Speaker 2: a verse off of that. Then he did something that

625
00:29:30,640 --> 00:29:33,200
Speaker 2: was cool. He did the first half.

626
00:29:33,000 --> 00:29:36,040
Speaker 1: Of TV off. Yes, so I don't know if you

627
00:29:36,120 --> 00:29:38,040
Speaker 1: noticed this too, but he did. The first half.

628
00:29:38,160 --> 00:29:41,080
Speaker 2: He stops before you get the mustard and all that

629
00:29:41,120 --> 00:29:43,480
Speaker 2: shit because TV OFF changes halfway through for those of

630
00:29:43,560 --> 00:29:46,959
Speaker 2: y'all that that are big fans. So and I mean

631
00:29:47,200 --> 00:29:49,480
Speaker 2: it's hidden obviously, it's TV off. I mean it's not

632
00:29:49,680 --> 00:29:53,480
Speaker 2: you know, it's the but like if you you kind

633
00:29:53,520 --> 00:29:55,720
Speaker 2: of end up feeling like you're waiting on that, like

634
00:29:55,920 --> 00:29:59,320
Speaker 2: my stuff and then my mom, I'm thinking, oh, it's

635
00:29:59,640 --> 00:30:01,120
Speaker 2: it's too early for TV off.

636
00:30:01,200 --> 00:30:04,480
Speaker 1: It's you like five songs in, right, we got a

637
00:30:04,520 --> 00:30:07,080
Speaker 1: whole ass concert, sir, Like what the fuck you gonna

638
00:30:07,120 --> 00:30:08,760
Speaker 1: do after this or whatever?

639
00:30:09,000 --> 00:30:11,920
Speaker 2: Like that's like that's kind of a I feel like

640
00:30:11,960 --> 00:30:14,880
Speaker 2: you're doing a lot right now and you gotta slow

641
00:30:14,920 --> 00:30:15,240
Speaker 2: it down.

642
00:30:15,320 --> 00:30:18,400
Speaker 1: We hype as fuck right now. But I mean, unless

643
00:30:18,480 --> 00:30:19,880
Speaker 1: this concert is ending in like.

644
00:30:20,040 --> 00:30:23,600
Speaker 2: Twenty minutes after this, there's no fucking way that you're

645
00:30:23,720 --> 00:30:28,560
Speaker 2: doing TV OFF right now. So yeah, So he stops

646
00:30:28,640 --> 00:30:34,680
Speaker 2: tv off like halfway through, and that's when Sizza basically

647
00:30:35,280 --> 00:30:37,560
Speaker 2: comes out, like the music starts playing. They do thirty

648
00:30:37,640 --> 00:30:40,560
Speaker 2: for thirty, which made me realize that I think this

649
00:30:40,960 --> 00:30:43,880
Speaker 2: SOS Deluxe album she put out which does have a

650
00:30:43,920 --> 00:30:45,960
Speaker 2: bunch of new tracks, but you know some old stuff

651
00:30:45,960 --> 00:30:48,920
Speaker 2: on that too. I'm like, I should have known they

652
00:30:49,000 --> 00:30:53,320
Speaker 2: was going on tour together when the Deluxe dropped, because

653
00:30:53,800 --> 00:30:58,960
Speaker 2: it feels like a reason to do a tour, like

654
00:30:59,040 --> 00:31:01,840
Speaker 2: because she already got, of any artists, the most collaborations

655
00:31:01,880 --> 00:31:04,560
Speaker 2: with Kendrick Lamar, So if anyone can do it toward

656
00:31:04,600 --> 00:31:06,960
Speaker 2: with Kendrick, it's her because she can come on stage

657
00:31:07,000 --> 00:31:09,400
Speaker 2: and do the transitions with like, hey, this is our

658
00:31:09,480 --> 00:31:12,080
Speaker 2: song together. Now it's my turn to do my songs right.

659
00:31:12,400 --> 00:31:15,000
Speaker 2: And she has like I forget how many collapsed, but

660
00:31:15,200 --> 00:31:17,440
Speaker 2: enough to do it. Yeah, So they do thirty for

661
00:31:17,600 --> 00:31:21,960
Speaker 2: thirty and then she goes into albums off of Control

662
00:31:22,240 --> 00:31:25,840
Speaker 2: songs off of Control, which I know, I know control.

663
00:31:25,560 --> 00:31:26,320
Speaker 1: Backwards and forward.

664
00:31:26,400 --> 00:31:29,680
Speaker 2: I don't know sos like that. I know control backwards

665
00:31:29,720 --> 00:31:33,880
Speaker 2: and fucking forwards. So we got Love Galore, Broken Clocks

666
00:31:34,280 --> 00:31:37,400
Speaker 2: and Weekend, and I was like.

667
00:31:37,480 --> 00:31:40,360
Speaker 3: I recognize more of Scissor's songs than I realized. I

668
00:31:40,440 --> 00:31:42,120
Speaker 3: was like, oh, I know all these songs.

669
00:31:42,440 --> 00:31:46,960
Speaker 2: I have to say to Sissa, I wasn't familiar with

670
00:31:47,040 --> 00:31:51,160
Speaker 2: your game, like game recognized game and all that, but

671
00:31:51,920 --> 00:31:54,040
Speaker 2: forgive me, I was not familiar with your game.

672
00:31:55,080 --> 00:31:57,680
Speaker 1: I knew, I didn't know she sings sing like that,

673
00:31:58,600 --> 00:32:00,680
Speaker 1: and there's no offense to her. Is my fault is

674
00:32:00,760 --> 00:32:05,000
Speaker 1: not her fault. I was not checking her live performances.

675
00:32:05,080 --> 00:32:07,080
Speaker 2: I would just be like, Oh, I like this album,

676
00:32:07,160 --> 00:32:10,480
Speaker 2: and I listened to the album, and in my mind,

677
00:32:10,760 --> 00:32:13,600
Speaker 2: you know whether it's a studio singer or a singer singer.

678
00:32:13,680 --> 00:32:15,520
Speaker 1: Once I got the album, it don't matter to me.

679
00:32:15,800 --> 00:32:17,440
Speaker 1: I'm not seeing them live more than likely.

680
00:32:17,600 --> 00:32:17,719
Speaker 3: Right.

681
00:32:18,320 --> 00:32:21,360
Speaker 2: But she also and I'm gonna imagine, you know, Kendrick

682
00:32:21,360 --> 00:32:24,400
Speaker 2: wouldn't even tour with somebody that couldn't didn't have the

683
00:32:24,880 --> 00:32:27,840
Speaker 2: ability to do this tour like this. She was on

684
00:32:28,040 --> 00:32:30,520
Speaker 2: Mike singing that shit. It was not her singing to

685
00:32:30,600 --> 00:32:32,960
Speaker 2: the backing track. It wasn't letting the track do the

686
00:32:33,000 --> 00:32:36,640
Speaker 2: work for her. There's obviously it's different with R and B,

687
00:32:36,880 --> 00:32:40,360
Speaker 2: so like there is more vocals on her tracks. Don't

688
00:32:40,360 --> 00:32:43,200
Speaker 2: get me wrong, but it wasn't her just lip syncing

689
00:32:43,360 --> 00:32:45,920
Speaker 2: to a bunch of hits. And you could hear it,

690
00:32:46,080 --> 00:32:48,400
Speaker 2: you know, you could hear her like hitting certain notes,

691
00:32:48,640 --> 00:32:50,760
Speaker 2: doing certain runs and all that stuff. I thought she

692
00:32:50,800 --> 00:32:53,240
Speaker 2: did a good job on you too. And then the

693
00:32:53,280 --> 00:32:55,640
Speaker 2: second part, I wasn't familiar with her game. That woman

694
00:32:55,760 --> 00:32:59,240
Speaker 2: is fine, o beautiful, thick though saved live. She was

695
00:32:59,320 --> 00:33:00,479
Speaker 2: saving live up in there.

696
00:33:00,640 --> 00:33:03,280
Speaker 3: She is absolutely good because I knew she was pretty,

697
00:33:03,760 --> 00:33:05,440
Speaker 3: but it was nothing like seeing her. I was like,

698
00:33:05,560 --> 00:33:06,360
Speaker 3: oh she is.

699
00:33:06,680 --> 00:33:09,040
Speaker 1: I mean I knew, I knew she was fine.

700
00:33:09,240 --> 00:33:12,800
Speaker 2: You know, I've been watching you know, I watched one

701
00:33:12,840 --> 00:33:14,720
Speaker 2: of them days and all that stuff, but it just

702
00:33:14,920 --> 00:33:19,560
Speaker 2: it hit different in person. And uh, the thighs was dying.

703
00:33:20,040 --> 00:33:21,760
Speaker 2: They was out there when she was straddling that, and

704
00:33:21,960 --> 00:33:23,360
Speaker 2: I was like, oh my god.

705
00:33:23,600 --> 00:33:24,200
Speaker 3: You're gonna get this.

706
00:33:24,720 --> 00:33:26,800
Speaker 1: And the thing is I sat down.

707
00:33:29,240 --> 00:33:31,840
Speaker 2: For most I feel like the arena was sitting down

708
00:33:31,960 --> 00:33:33,880
Speaker 2: a lot of times because like R and B energy

709
00:33:34,000 --> 00:33:36,840
Speaker 2: is different than rap energy. Yes it is so like

710
00:33:37,000 --> 00:33:39,000
Speaker 2: when she had upbeat songs, people would stand up, but

711
00:33:39,080 --> 00:33:41,360
Speaker 2: like a lot of times when she's singing like the Weekend,

712
00:33:42,360 --> 00:33:44,240
Speaker 2: like you can sit down and take that in.

713
00:33:45,960 --> 00:33:48,000
Speaker 1: But yeah, man, she was so good.

714
00:33:49,240 --> 00:33:52,040
Speaker 2: I really like and like I said, the stuff that

715
00:33:52,120 --> 00:33:55,240
Speaker 2: I knew knew, it was like, oh my god, yes, yes, yes,

716
00:33:55,600 --> 00:33:57,280
Speaker 2: Now once she got into some other stuff, it was

717
00:33:57,320 --> 00:33:59,000
Speaker 2: more like I sat down to appreciate it because I

718
00:33:59,000 --> 00:34:01,600
Speaker 2: ain't know out the words and the same here ya also,

719
00:34:01,680 --> 00:34:03,880
Speaker 2: singing along different than rapping along because I feel like

720
00:34:04,000 --> 00:34:05,240
Speaker 2: singing along and you can't sing.

721
00:34:05,280 --> 00:34:07,320
Speaker 1: It's like you're ruining the concert for people around you.

722
00:34:07,760 --> 00:34:09,320
Speaker 1: Rapping along. Just say the words.

723
00:34:09,400 --> 00:34:14,399
Speaker 2: It's fine, you know, we all got different voices. Then

724
00:34:14,520 --> 00:34:18,960
Speaker 2: Kendrick comes back with Euphoria and y'all this my one.

725
00:34:19,560 --> 00:34:22,840
Speaker 1: Okay. I know y'all is not like us people. I

726
00:34:22,960 --> 00:34:24,560
Speaker 1: get it. TV off. That's for you.

727
00:34:26,200 --> 00:34:26,440
Speaker 3: To me.

728
00:34:26,760 --> 00:34:29,120
Speaker 2: Euphoria is my favorite song of the Beef. All the

729
00:34:29,200 --> 00:34:31,560
Speaker 2: songs are great. All that stuff Kendrick did is great.

730
00:34:31,600 --> 00:34:33,080
Speaker 1: I'm not like I get it.

731
00:34:33,239 --> 00:34:36,080
Speaker 2: Everybody won't be different. Oh you're six one six nigga.

732
00:34:36,160 --> 00:34:37,920
Speaker 2: Oh it was when he said meet the Grahams. I

733
00:34:38,040 --> 00:34:41,960
Speaker 2: understand that's the coldest track I hear you. Euphoria is

734
00:34:42,080 --> 00:34:46,400
Speaker 2: the one for me. Okay, It's like he made that

735
00:34:46,600 --> 00:34:47,720
Speaker 2: song with me in mind.

736
00:34:48,960 --> 00:34:53,200
Speaker 1: I rapped every word. He did the whole six minutes

737
00:34:53,239 --> 00:34:54,160
Speaker 1: and twenty four second.

738
00:34:54,239 --> 00:34:56,359
Speaker 3: Yes, he did the entirety of that song.

739
00:34:56,880 --> 00:34:59,839
Speaker 1: Oh my god, I'm so thankful for that, cause that's

740
00:35:00,120 --> 00:35:00,600
Speaker 1: it was hit.

741
00:35:01,560 --> 00:35:04,960
Speaker 2: That's not as big as Arena oh, like as soon

742
00:35:05,040 --> 00:35:06,759
Speaker 2: as he came out, you know, back on the stage,

743
00:35:06,800 --> 00:35:08,560
Speaker 2: because they kept coming from underneath the stage, and it's

744
00:35:08,600 --> 00:35:10,680
Speaker 2: like them superpowers being neutralized.

745
00:35:10,719 --> 00:35:13,279
Speaker 1: I can only I was like, oh, there we go

746
00:35:14,719 --> 00:35:18,200
Speaker 1: back up. You know, don't I know them people without

747
00:35:18,320 --> 00:35:18,520
Speaker 1: I was.

748
00:35:18,800 --> 00:35:21,000
Speaker 2: I'm sure I was on somebody fucking nerves because I

749
00:35:21,160 --> 00:35:23,400
Speaker 2: like the people in front of us. There was a

750
00:35:23,480 --> 00:35:25,640
Speaker 2: lot of what I would call casual fans, and I

751
00:35:25,680 --> 00:35:28,480
Speaker 2: don't mean that negative way, but just I get it.

752
00:35:28,680 --> 00:35:31,520
Speaker 2: You're not a Day one Kendrick fan, Day two Kendrick fan.

753
00:35:31,840 --> 00:35:34,560
Speaker 2: You this is the event once you once you fill

754
00:35:34,640 --> 00:35:37,319
Speaker 2: up an arena, it's an event. Like that means people

755
00:35:37,400 --> 00:35:40,399
Speaker 2: are like, I am going to go to this thing

756
00:35:40,560 --> 00:35:43,319
Speaker 2: not knowing necessarily agree, you know, Like it's like going

757
00:35:43,360 --> 00:35:45,399
Speaker 2: to a MCU film. You didn't have to read comic

758
00:35:45,440 --> 00:35:47,000
Speaker 2: books at this point to go to MCU films.

759
00:35:47,320 --> 00:35:48,120
Speaker 1: So motherfuckers are.

760
00:35:48,080 --> 00:35:51,759
Speaker 2: Just showing up to be like Kendrick Lamar, big name,

761
00:35:52,560 --> 00:35:55,400
Speaker 2: big year concert in my city.

762
00:35:55,520 --> 00:35:57,799
Speaker 1: I gotta go. Yes. So there were people around us

763
00:35:57,840 --> 00:36:01,520
Speaker 1: that I could tell did not They had not spent hours.

764
00:36:01,320 --> 00:36:07,440
Speaker 4: Upon hours upon hours upon hours upon hours upon hours

765
00:36:08,400 --> 00:36:11,239
Speaker 4: wrapping along to your for you not just listening to

766
00:36:11,360 --> 00:36:13,160
Speaker 4: it saying all the words.

767
00:36:13,239 --> 00:36:17,880
Speaker 2: They weren't in their car saying what is the braids

768
00:36:18,080 --> 00:36:22,920
Speaker 2: from nine hundred They wasn't they wasn't doing that might

769
00:36:23,000 --> 00:36:24,799
Speaker 2: have been a me thing. You see what I'm saying,

770
00:36:24,840 --> 00:36:25,800
Speaker 2: This my song.

771
00:36:26,000 --> 00:36:26,680
Speaker 1: That's yo jase.

772
00:36:26,719 --> 00:36:31,040
Speaker 2: I don't know that everybody else is able to do this, okay,

773
00:36:31,200 --> 00:36:34,480
Speaker 2: I don't know that everybody else is constantly thinking when

774
00:36:34,480 --> 00:36:35,480
Speaker 2: I look at you, I.

775
00:36:37,000 --> 00:36:39,279
Speaker 1: Know you see too badages when you look at you and.

776
00:36:39,320 --> 00:36:43,840
Speaker 2: Yourself a sexy red like like everybody not thinking that

777
00:36:44,000 --> 00:36:47,560
Speaker 2: all the time, everybody not being like you know, and

778
00:36:47,640 --> 00:36:51,040
Speaker 2: teaching the prey, you know, everybody not to stop.

779
00:36:51,160 --> 00:36:53,960
Speaker 1: So I finally got this thing. I honestly would have

780
00:36:54,000 --> 00:36:55,040
Speaker 1: paid the full price for the.

781
00:36:55,040 --> 00:36:57,040
Speaker 2: Tickets just he could have just did this one song

782
00:36:57,120 --> 00:36:59,000
Speaker 2: one time and I would have been like, thank you, Kenji,

783
00:36:59,080 --> 00:37:02,440
Speaker 2: we can go home now. But this is once again

784
00:37:02,520 --> 00:37:06,239
Speaker 2: early in the concert he does euphoria, and I mean

785
00:37:06,800 --> 00:37:12,239
Speaker 2: all around the stage everything. I think also, what this

786
00:37:12,560 --> 00:37:16,600
Speaker 2: was really good for was there certain songs he's done

787
00:37:16,640 --> 00:37:18,840
Speaker 2: in the past that if you didn't know at the

788
00:37:18,960 --> 00:37:23,040
Speaker 2: time they were about Drake, now you do know. So

789
00:37:23,280 --> 00:37:26,279
Speaker 2: like there's lyrics you can never unhear when you hear

790
00:37:26,440 --> 00:37:29,239
Speaker 2: like King Kunta. Now it's like, yeah, I think this

791
00:37:29,320 --> 00:37:32,319
Speaker 2: ship was about Drake cause, like, I think the line

792
00:37:32,360 --> 00:37:34,719
Speaker 2: he ended it on was like what a rapper with

793
00:37:34,800 --> 00:37:39,080
Speaker 2: a coach fighter? What the fuck happened? It's like, oh, wait,

794
00:37:39,160 --> 00:37:42,920
Speaker 2: that's that's about Drake. That's about Drake. Wait a minute,

795
00:37:43,280 --> 00:37:45,960
Speaker 2: hold up, you know, And that's how I was revised.

796
00:37:46,040 --> 00:37:46,560
Speaker 1: During the beef.

797
00:37:46,640 --> 00:37:49,360
Speaker 2: I was revisiting all these old tracks and I and

798
00:37:49,440 --> 00:37:50,759
Speaker 2: there were so many tracks, so I was like, that

799
00:37:50,840 --> 00:37:51,399
Speaker 2: was about Drake.

800
00:37:52,200 --> 00:37:53,920
Speaker 1: That was about Drake. I thought it could have been

801
00:37:53,960 --> 00:37:54,399
Speaker 1: about Drake.

802
00:37:54,480 --> 00:37:55,640
Speaker 3: But I thought I was tripping.

803
00:37:56,200 --> 00:37:58,560
Speaker 2: I didn't know they was beefing, so I thought I

804
00:37:58,640 --> 00:38:00,719
Speaker 2: was tripping back in the day when I'm like, rather

805
00:38:00,800 --> 00:38:01,520
Speaker 2: with a ghost fighter?

806
00:38:02,120 --> 00:38:04,000
Speaker 1: Nah, they why would you take a shot at Drake?

807
00:38:04,040 --> 00:38:05,160
Speaker 1: Didn't they do that song together?

808
00:38:05,719 --> 00:38:05,839
Speaker 3: Nah?

809
00:38:05,840 --> 00:38:08,520
Speaker 1: I'm probably tripping. I'm probably tripping. But yeah, you know,

810
00:38:08,719 --> 00:38:11,239
Speaker 1: beach out. My grandma's dead, so ain't nobody praying for me?

811
00:38:11,320 --> 00:38:11,920
Speaker 1: I'm on your head?

812
00:38:11,960 --> 00:38:16,399
Speaker 2: And I'm like, mmm, interesting, all right? So he does

813
00:38:16,440 --> 00:38:21,480
Speaker 2: Euphoria amazing. Then he does Humble, which is always a bop,

814
00:38:21,840 --> 00:38:24,440
Speaker 2: always about and I do have to know, guys, because

815
00:38:24,480 --> 00:38:28,719
Speaker 2: Twitter would have you not believe this, but apparently, show

816
00:38:28,800 --> 00:38:31,320
Speaker 2: me something natural like Afro and Richard Pryce. Show me

817
00:38:31,400 --> 00:38:34,200
Speaker 2: something natural like ass with some stretch. Mark still will

818
00:38:34,200 --> 00:38:35,960
Speaker 2: take you down while you're on your mama's couch. Apollo

819
00:38:36,040 --> 00:38:41,480
Speaker 2: socks eight that not just hits every motherfucking body and

820
00:38:41,560 --> 00:38:42,600
Speaker 2: Arena loves that line.

821
00:38:42,680 --> 00:38:45,520
Speaker 1: Yes, I was told this was the.

822
00:38:45,560 --> 00:38:51,200
Speaker 2: Most controversial, horrible, misogonistic thing to ever say. But apparently

823
00:38:51,960 --> 00:38:54,680
Speaker 2: that's just a certain segment of Twitter that was trying

824
00:38:54,680 --> 00:38:55,799
Speaker 2: to fuck with Kendrick.

825
00:38:55,520 --> 00:38:59,120
Speaker 1: At the time. Because that shit hit, everybody was like,

826
00:38:59,239 --> 00:39:01,440
Speaker 1: this is my part? I thought it was just me.

827
00:39:01,719 --> 00:39:03,600
Speaker 1: I was looking around everybody was that stay part?

828
00:39:06,160 --> 00:39:14,160
Speaker 2: Then we get hey now mm hmm, which you know, dope,

829
00:39:14,239 --> 00:39:17,320
Speaker 2: And then the he didn't take the features off, so

830
00:39:17,520 --> 00:39:20,319
Speaker 2: like what other people was rapping. It's like he would

831
00:39:20,360 --> 00:39:22,400
Speaker 2: either like dance or he would like, you know, let

832
00:39:22,520 --> 00:39:24,399
Speaker 2: that part go in and pop in for his part,

833
00:39:25,200 --> 00:39:27,319
Speaker 2: which was dope because you know, I kept thinking, how's

834
00:39:27,320 --> 00:39:30,400
Speaker 2: he gonna perform He had some features on uh on

835
00:39:30,520 --> 00:39:32,040
Speaker 2: gn X that I'm like, how, I wonder how he's

836
00:39:32,040 --> 00:39:35,279
Speaker 2: gonna perform these? And sometimes he would even have like

837
00:39:35,480 --> 00:39:38,680
Speaker 2: either on the screen behind him the person that did

838
00:39:38,760 --> 00:39:41,760
Speaker 2: the feature and stuff. That's what Tyler did with DOCI

839
00:39:42,520 --> 00:39:47,600
Speaker 2: on his album on his concert, then reincarnated.

840
00:39:47,400 --> 00:39:48,200
Speaker 3: Mm hmmm.

841
00:39:50,719 --> 00:39:51,720
Speaker 1: Backseat freestyle.

842
00:39:52,680 --> 00:39:54,439
Speaker 3: Mm hmmm yeah.

843
00:39:55,280 --> 00:39:58,120
Speaker 2: Do you know how many times I wrapped backseat freestyle

844
00:39:58,360 --> 00:40:01,560
Speaker 2: in my car or just somewhere.

845
00:40:02,080 --> 00:40:02,880
Speaker 1: All my life?

846
00:40:02,960 --> 00:40:06,200
Speaker 2: I want money and power, respect my mind, or die

847
00:40:06,239 --> 00:40:09,040
Speaker 2: from least shower. I pray my did get big as

848
00:40:09,080 --> 00:40:11,279
Speaker 2: the athle Taler so I can fuck the world for

849
00:40:11,440 --> 00:40:12,560
Speaker 2: seven and two whiles.

850
00:40:12,600 --> 00:40:15,280
Speaker 1: God, damn, I feel amazing. Damn I'm in that, Majors.

851
00:40:15,320 --> 00:40:20,520
Speaker 1: My mind is on clow Listen, Hey he racing.

852
00:40:21,440 --> 00:40:22,480
Speaker 3: I was getting my life.

853
00:40:23,120 --> 00:40:25,520
Speaker 1: Oh my god. It is like I said. I know,

854
00:40:25,640 --> 00:40:28,160
Speaker 1: I was annoying, y'all. I know all the worst, all

855
00:40:28,239 --> 00:40:29,040
Speaker 1: this shit I was.

856
00:40:29,960 --> 00:40:30,680
Speaker 3: I don't give a damn.

857
00:40:30,800 --> 00:40:34,600
Speaker 2: I was like, fuck it, we all outside, we all, Kendrick, Okay,

858
00:40:34,640 --> 00:40:37,480
Speaker 2: don't get thrown over this balcony. We're not stopping nothing tonight.

859
00:40:38,440 --> 00:40:42,800
Speaker 2: Then he did his verse on family Ties, which is

860
00:40:42,880 --> 00:40:46,240
Speaker 2: another banger, you know. To me, that's really the one.

861
00:40:46,120 --> 00:40:46,680
Speaker 3: That I was like.

862
00:40:47,239 --> 00:40:50,200
Speaker 1: Kendrick sounded like he ready for a beef smoking on

863
00:40:50,320 --> 00:40:53,759
Speaker 1: top fives. Motherfuck that album. Fucked that single. Burn that hard.

864
00:40:53,840 --> 00:40:58,120
Speaker 1: I burned that bitch like I was like, hey, he

865
00:40:58,320 --> 00:41:00,399
Speaker 1: is going extra hard on his verse, like you want

866
00:41:00,480 --> 00:41:01,239
Speaker 1: somebody say something.

867
00:41:01,800 --> 00:41:04,440
Speaker 2: Then he did a second of swimming Pools and it

868
00:41:04,560 --> 00:41:06,800
Speaker 2: was acapella because he was like, you know, some of

869
00:41:06,880 --> 00:41:07,800
Speaker 2: y'all go back with me.

870
00:41:08,480 --> 00:41:12,760
Speaker 1: Do y'all remember this? And it was like swimming Pools,

871
00:41:14,000 --> 00:41:14,880
Speaker 1: but he just did.

872
00:41:14,800 --> 00:41:18,000
Speaker 2: The lines like and I grew up every day life

873
00:41:18,040 --> 00:41:21,360
Speaker 2: in bottles and and everybody was like, you know, rapping

874
00:41:21,440 --> 00:41:22,120
Speaker 2: along with him.

875
00:41:22,400 --> 00:41:25,160
Speaker 1: I was in that dark room, you know that thing.

876
00:41:26,480 --> 00:41:29,759
Speaker 1: Then he did Mad City his verse from that, you know,

877
00:41:30,760 --> 00:41:31,760
Speaker 1: take us, break yourself.

878
00:41:31,800 --> 00:41:33,719
Speaker 2: I'll take you down a trip memory lane. This is

879
00:41:33,760 --> 00:41:38,120
Speaker 2: not a rapper that ship. Then he did all right, dog,

880
00:41:38,280 --> 00:41:40,520
Speaker 2: he's doing all right. We're not halfway through this ship.

881
00:41:41,160 --> 00:41:45,520
Speaker 1: It's alright. It's a Negro spiritual. It's insane in there,

882
00:41:45,680 --> 00:41:47,800
Speaker 1: how crazy? Like how a crowd?

883
00:41:48,080 --> 00:41:51,400
Speaker 2: Yeah yes, when you know like all this stuff you

884
00:41:51,440 --> 00:41:55,360
Speaker 2: got he got dancers and ship, but it's like he's

885
00:41:55,560 --> 00:41:57,760
Speaker 2: it's all just pure.

886
00:41:57,680 --> 00:42:02,440
Speaker 1: His power or whatever. And then he did Man at

887
00:42:02,480 --> 00:42:03,440
Speaker 1: the Garden.

888
00:42:07,160 --> 00:42:10,960
Speaker 2: And I think Sissy came back out at the Man

889
00:42:11,040 --> 00:42:12,879
Speaker 2: at the garden, you know, after I deserve it all

890
00:42:12,960 --> 00:42:14,600
Speaker 2: or whatever, he comes down, she comes.

891
00:42:14,440 --> 00:42:21,480
Speaker 1: Up, and then she did Scorsese baby daddy, uh F

892
00:42:21,600 --> 00:42:25,320
Speaker 1: to f garden.

893
00:42:25,760 --> 00:42:28,240
Speaker 2: That's say it like that, which I know from control,

894
00:42:29,040 --> 00:42:36,600
Speaker 2: uh kitchen, blind, forgiveness and low. And then she did

895
00:42:36,760 --> 00:42:40,040
Speaker 2: Doves in the Wind from Control, which Kendrick is on.

896
00:42:40,760 --> 00:42:42,960
Speaker 2: Yes he comes back, so you know that that's that

897
00:42:43,120 --> 00:42:44,239
Speaker 2: rap about pussy push.

898
00:42:44,239 --> 00:42:47,560
Speaker 1: You can be some facetious. They haven'tweight champ, but just

899
00:42:47,680 --> 00:42:49,840
Speaker 1: so undefitted. Can we amen to that?

900
00:42:50,560 --> 00:42:53,440
Speaker 2: So like he does that verse from from from Doves

901
00:42:53,480 --> 00:42:55,920
Speaker 2: and the Wind. Then they did all the Stars and

902
00:42:56,040 --> 00:42:59,680
Speaker 2: everybody without them saying everybody just knew, including myself, you

903
00:42:59,760 --> 00:43:02,719
Speaker 2: put your phone, pull your phone out, put that flashlight on,

904
00:43:03,760 --> 00:43:07,080
Speaker 2: and like every everybody phone was out for all the Stars,

905
00:43:07,160 --> 00:43:09,120
Speaker 2: and you like as soon as the beat started dropping

906
00:43:09,160 --> 00:43:11,440
Speaker 2: people's I know, I was phoning from my phone like

907
00:43:11,480 --> 00:43:12,920
Speaker 2: oh I got to be part of this and so

908
00:43:13,560 --> 00:43:14,520
Speaker 2: I won't be left down.

909
00:43:14,680 --> 00:43:15,920
Speaker 1: We were putting our phones up.

910
00:43:16,000 --> 00:43:17,600
Speaker 2: You know, I think I haven't recorded a little bit,

911
00:43:17,680 --> 00:43:20,920
Speaker 2: but we were putting our phones up, and they did,

912
00:43:21,000 --> 00:43:24,239
Speaker 2: of course all the Stars, which what a beautiful song.

913
00:43:26,280 --> 00:43:27,680
Speaker 1: Then he did love.

914
00:43:29,920 --> 00:43:33,160
Speaker 2: Then, which is that you know, love of us, give

915
00:43:33,160 --> 00:43:37,720
Speaker 2: me money, you know, been in love me that joint.

916
00:43:38,080 --> 00:43:40,440
Speaker 2: So it's kind of like with the vibes and scissor

917
00:43:40,520 --> 00:43:42,680
Speaker 2: like this was a more vibe. Part of the concept

918
00:43:43,000 --> 00:43:47,320
Speaker 2: was very you know, Chill laid Back, did Dodger Blue,

919
00:43:48,960 --> 00:43:53,640
Speaker 2: he did Peak a Boo, he did his verse from

920
00:43:53,800 --> 00:43:59,319
Speaker 2: like that. Yes, he did DNA. He did his verse

921
00:43:59,360 --> 00:44:02,919
Speaker 2: from good Credit. But I don't like Party. I don't

922
00:44:03,000 --> 00:44:03,800
Speaker 2: like Playboy Cardy.

923
00:44:03,920 --> 00:44:05,120
Speaker 1: I just don't. I'm sorry.

924
00:44:05,239 --> 00:44:05,720
Speaker 3: I tried.

925
00:44:05,800 --> 00:44:09,439
Speaker 1: I listened to the whole album, even for Kendrick. I can't.

926
00:44:09,840 --> 00:44:14,799
Speaker 2: I can't that album is that I don't think I'm

927
00:44:14,840 --> 00:44:17,560
Speaker 2: a Playboy Cardi fan. No offense to that dude, man,

928
00:44:18,360 --> 00:44:20,040
Speaker 2: Like I'm not wishing no ill will on them. But

929
00:44:20,400 --> 00:44:21,879
Speaker 2: and I gave it a legitimate shot.

930
00:44:21,960 --> 00:44:22,880
Speaker 1: I just couldn't do it.

931
00:44:23,000 --> 00:44:23,239
Speaker 3: Dog.

932
00:44:23,640 --> 00:44:26,319
Speaker 2: So this is the verse that I don't know as well,

933
00:44:26,520 --> 00:44:28,680
Speaker 2: not just because it's new, but because I honest to god,

934
00:44:28,719 --> 00:44:31,000
Speaker 2: I had you have to listen to like two minutes

935
00:44:31,040 --> 00:44:33,800
Speaker 2: of Cardi to get to Kendrick, and I'd be like

936
00:44:34,120 --> 00:44:36,800
Speaker 2: a minute in like I'm gonna change of something else every.

937
00:44:36,640 --> 00:44:37,600
Speaker 1: Time I'm in the gym.

938
00:44:39,520 --> 00:44:41,000
Speaker 2: Then he didn't count Me Out, which is one of

939
00:44:41,040 --> 00:44:45,719
Speaker 2: my favorite songs. Honestly, this really made me reticent that

940
00:44:45,800 --> 00:44:48,480
Speaker 2: I didn't go to the Mister Morale Big Steppers toward

941
00:44:48,680 --> 00:44:49,600
Speaker 2: because I really.

942
00:44:49,520 --> 00:44:50,439
Speaker 3: Did years ago.

943
00:44:50,880 --> 00:44:53,680
Speaker 2: Honestly, I know that people don't agree, but this ain't

944
00:44:53,680 --> 00:44:55,480
Speaker 2: about y'all. This is while we have a podcast and

945
00:44:55,520 --> 00:44:57,840
Speaker 2: you don't. Mister Round and the Big Steppers, to me

946
00:44:58,160 --> 00:45:00,480
Speaker 2: is the one that's the album where I'm like, where,

947
00:45:00,560 --> 00:45:02,400
Speaker 2: I know it's not Iron's favorite, I'm not saying that

948
00:45:02,600 --> 00:45:04,480
Speaker 2: you have to call it his best or the most viby.

949
00:45:04,840 --> 00:45:07,719
Speaker 2: That's the one that felt the most like this is

950
00:45:07,760 --> 00:45:10,759
Speaker 2: a genius doing genius work that people don't understand, and

951
00:45:11,440 --> 00:45:13,439
Speaker 2: part of genius is getting people to understanding. I'm sure,

952
00:45:13,520 --> 00:45:16,120
Speaker 2: but it's the one that went over people's heads. But

953
00:45:16,239 --> 00:45:18,560
Speaker 2: to me, I'm like this, this dude was ahead of

954
00:45:18,600 --> 00:45:19,279
Speaker 2: where we need to be.

955
00:45:20,600 --> 00:45:21,400
Speaker 1: So anyway, he.

956
00:45:21,440 --> 00:45:28,320
Speaker 2: Did count me out, I'm excited, Money Trees, Poetic Justice,

957
00:45:29,600 --> 00:45:37,880
Speaker 2: and I can't remember if this is where he didn't listen.

958
00:45:38,080 --> 00:45:44,239
Speaker 2: He did an interpolation with Anita Baker sweet Love, and

959
00:45:44,360 --> 00:45:46,640
Speaker 2: I don't remember where he did it at, but I

960
00:45:46,760 --> 00:45:48,680
Speaker 2: feel like it was somewhere around here.

961
00:45:48,840 --> 00:45:51,320
Speaker 3: It was I don't remember the order, but yes, it

962
00:45:51,480 --> 00:45:55,040
Speaker 3: was so he like blended like two or three songs.

963
00:45:55,320 --> 00:45:58,600
Speaker 3: It was so beautiful the baker. So it's like if

964
00:45:58,640 --> 00:46:00,279
Speaker 3: you knew the words, you could go along. But it

965
00:46:00,440 --> 00:46:02,120
Speaker 3: was really slowed down.

966
00:46:02,600 --> 00:46:06,160
Speaker 1: Yes, it was like the way he did that, I

967
00:46:06,600 --> 00:46:13,319
Speaker 1: like that's rap because like he was giving credit. Uh,

968
00:46:13,800 --> 00:46:17,560
Speaker 1: he was giving credit obviously to to the original.

969
00:46:19,960 --> 00:46:21,160
Speaker 3: But I know what it was.

970
00:46:21,360 --> 00:46:26,359
Speaker 2: It was Mad City and and it was Mad City

971
00:46:26,440 --> 00:46:27,719
Speaker 2: and Sweet Love at the same time.

972
00:46:27,880 --> 00:46:29,680
Speaker 3: Yes, because it was like a blending. I was like,

973
00:46:29,760 --> 00:46:30,799
Speaker 3: this is a blending of.

974
00:46:30,880 --> 00:46:33,360
Speaker 2: Songs because like when you think about you know that

975
00:46:33,600 --> 00:46:37,160
Speaker 2: song is you know, it's very upbeat, you know, breaks yourself.

976
00:46:37,160 --> 00:46:39,080
Speaker 2: I'll take you down a trip memory lane. This is

977
00:46:39,160 --> 00:46:41,360
Speaker 2: not a rap on hond slinging crack on mo Okaine.

978
00:46:41,400 --> 00:46:43,680
Speaker 2: This is you know, so you thinking like that, you know,

979
00:46:43,800 --> 00:46:46,359
Speaker 2: I hear y'all, y'all, y'all, y'all. But once you throw

980
00:46:46,400 --> 00:46:49,640
Speaker 2: in that sweet Love, it's gotta be on the internet. Okay,

981
00:46:49,680 --> 00:46:51,520
Speaker 2: if someone put it on Instagram, I got I gotta

982
00:46:51,560 --> 00:46:55,000
Speaker 2: let y'all hear this. I'm sorry, but like obviously you

983
00:46:55,080 --> 00:46:57,200
Speaker 2: see the full thing it's just it's hitting different.

984
00:47:11,880 --> 00:47:12,799
Speaker 3: It was so good.

985
00:47:13,080 --> 00:47:15,719
Speaker 1: It was so good, man. It just made me feel

986
00:47:15,760 --> 00:47:16,680
Speaker 1: like that's hip hop.

987
00:47:17,640 --> 00:47:21,760
Speaker 2: That's hip hop, and it loved him giving credit to Anita,

988
00:47:22,400 --> 00:47:24,920
Speaker 2: you know, and Anita's been really like cool about it,

989
00:47:25,040 --> 00:47:26,680
Speaker 2: like because I know some of the old school R

990
00:47:26,719 --> 00:47:30,040
Speaker 2: and B people get real precious about wrapping people using

991
00:47:30,080 --> 00:47:33,279
Speaker 2: a stuff and so like to see a reciprocal relationship

992
00:47:33,320 --> 00:47:34,800
Speaker 2: where I'm sure there was people that got put on

993
00:47:34,840 --> 00:47:37,520
Speaker 2: Anita Baker from this that were like sweet because in

994
00:47:37,560 --> 00:47:39,520
Speaker 2: the background, I just said sweet love Anita Baker. It

995
00:47:39,560 --> 00:47:44,600
Speaker 2: don't say you know, Mad City, Kendrick Lamar anything, So

996
00:47:44,840 --> 00:47:49,000
Speaker 2: that that interpolation was amazing and they just lived in

997
00:47:49,080 --> 00:47:50,840
Speaker 2: it for a while, and.

998
00:47:50,920 --> 00:47:52,440
Speaker 1: Like I said, you know, all the back to the

999
00:47:52,520 --> 00:47:54,440
Speaker 1: all the other songs, and Sissy comes back.

1000
00:47:56,120 --> 00:48:00,200
Speaker 2: And uh gives us what was it and she this

1001
00:48:00,360 --> 00:48:02,640
Speaker 2: was when she did a little bit longer set and

1002
00:48:02,760 --> 00:48:05,160
Speaker 2: once again it was more laid back and chill.

1003
00:48:05,600 --> 00:48:05,839
Speaker 3: Yeah.

1004
00:48:06,400 --> 00:48:10,879
Speaker 2: So it's uh, let's see Diamond Boy shirt, Sin City,

1005
00:48:11,080 --> 00:48:14,879
Speaker 2: Kill Bill, Uh Snooze, And I'm once again I didn't

1006
00:48:14,920 --> 00:48:17,120
Speaker 2: know all these songs because, like I said, I did

1007
00:48:17,280 --> 00:48:20,000
Speaker 2: miss out on songs cry Baby and someone were newer,

1008
00:48:20,080 --> 00:48:21,800
Speaker 2: and I really missed the wave on the new I

1009
00:48:21,840 --> 00:48:23,800
Speaker 2: didn't even understand it was a new album album.

1010
00:48:23,880 --> 00:48:25,520
Speaker 1: I didn't realize toil.

1011
00:48:25,520 --> 00:48:26,880
Speaker 2: Like a month or two out from the concert, I

1012
00:48:26,920 --> 00:48:30,080
Speaker 2: was like, wait, the sos the US got thirty eight songs,

1013
00:48:31,360 --> 00:48:32,080
Speaker 2: this an album?

1014
00:48:32,280 --> 00:48:33,680
Speaker 1: This a new album? Like it was?

1015
00:48:33,840 --> 00:48:34,040
Speaker 3: It was.

1016
00:48:34,160 --> 00:48:36,560
Speaker 1: I thought it was just like remixes and a couple

1017
00:48:36,600 --> 00:48:39,200
Speaker 1: of extra No, nigga, this is a bunch of shit.

1018
00:48:39,239 --> 00:48:39,680
Speaker 3: You ain't her.

1019
00:48:39,760 --> 00:48:45,000
Speaker 2: So I had not memorized any of this Saturn good days.

1020
00:48:47,680 --> 00:48:49,520
Speaker 2: And then there's like a big dance set where they

1021
00:48:49,560 --> 00:48:51,640
Speaker 2: were playing different songs and she was her and her

1022
00:48:51,719 --> 00:48:53,719
Speaker 2: dance was getting the working of that.

1023
00:48:53,760 --> 00:48:55,880
Speaker 3: Ship she was getting, and she had a bunch of

1024
00:48:55,920 --> 00:48:56,880
Speaker 3: outfit changes.

1025
00:48:57,440 --> 00:48:59,920
Speaker 2: Yeah, she was like going down that elevator coming back

1026
00:49:00,080 --> 00:49:01,160
Speaker 2: up in completely different outfum.

1027
00:49:01,239 --> 00:49:01,439
Speaker 1: Yeah.

1028
00:49:01,440 --> 00:49:03,160
Speaker 3: I told your mama, I said, I think she had

1029
00:49:03,200 --> 00:49:06,400
Speaker 3: the NBA pants to pop off pants, cause yeah, because

1030
00:49:06,400 --> 00:49:08,799
Speaker 3: they would literally she would go down and like a minute,

1031
00:49:08,880 --> 00:49:10,640
Speaker 3: lady should be back. I'm like, how the fuck y'all cold?

1032
00:49:12,000 --> 00:49:14,279
Speaker 2: She was wearing like jogging pants and stuff too, which

1033
00:49:14,360 --> 00:49:16,719
Speaker 2: is another thing I like about her style. And then

1034
00:49:16,760 --> 00:49:18,600
Speaker 2: she and she could have had that stuff on under

1035
00:49:18,640 --> 00:49:20,879
Speaker 2: there or whatever, but then comes off stage and comes

1036
00:49:20,960 --> 00:49:23,640
Speaker 2: back and it's like booty shorts and you're like, okay,

1037
00:49:23,800 --> 00:49:27,720
Speaker 2: let's go okay. And she was porking like she was perking,

1038
00:49:27,800 --> 00:49:30,800
Speaker 2: like it wasn't uh like it wasn't an illusion.

1039
00:49:30,960 --> 00:49:33,600
Speaker 1: Okay, she was singing them things, Yes she was.

1040
00:49:35,680 --> 00:49:37,600
Speaker 2: And I did notice that Kendrick had a lot more

1041
00:49:37,719 --> 00:49:40,960
Speaker 2: male dancers than the than women dancers and vice versa

1042
00:49:41,040 --> 00:49:45,000
Speaker 2: for her, but I also thought it was partially because

1043
00:49:45,000 --> 00:49:46,440
Speaker 2: of how they had them dancing.

1044
00:49:46,640 --> 00:49:48,919
Speaker 1: They and they switched them up sometimes like you'd see

1045
00:49:49,600 --> 00:49:50,479
Speaker 1: like there was a song.

1046
00:49:50,400 --> 00:49:52,920
Speaker 2: Where the women dancers kind of went around at the

1047
00:49:53,280 --> 00:49:55,239
Speaker 2: at the Kendrick and stuff, and I'm sure they were

1048
00:49:55,280 --> 00:49:59,960
Speaker 2: probably scissors dancers, but anyway, so then they do our

1049
00:50:00,200 --> 00:50:04,719
Speaker 2: that she does BMF kiss Me More, which is a

1050
00:50:05,000 --> 00:50:08,719
Speaker 2: Doja cat song with her on it better, and then

1051
00:50:09,320 --> 00:50:12,919
Speaker 2: TV off and that's where he finishes tv off Finish.

1052
00:50:12,960 --> 00:50:14,960
Speaker 1: That's when he come back with that mustard, Like.

1053
00:50:16,440 --> 00:50:18,080
Speaker 3: I was like, this niggas so good?

1054
00:50:19,880 --> 00:50:22,320
Speaker 1: How did he know that making two halves like that?

1055
00:50:22,400 --> 00:50:25,160
Speaker 1: Because remember early, I was like, oh is he blowing

1056
00:50:25,280 --> 00:50:25,719
Speaker 1: his load?

1057
00:50:25,920 --> 00:50:26,160
Speaker 3: Early?

1058
00:50:26,280 --> 00:50:28,960
Speaker 1: When you can't do TV off here he didn't.

1059
00:50:29,000 --> 00:50:31,720
Speaker 2: He did just half of it, but the part everybody

1060
00:50:31,840 --> 00:50:37,759
Speaker 2: go crazy about that's the one he did the second half,

1061
00:50:38,520 --> 00:50:40,359
Speaker 2: and that that's when I was like, oh, we must

1062
00:50:40,440 --> 00:50:43,120
Speaker 2: be entering into the end of the concert, because when

1063
00:50:43,160 --> 00:50:47,200
Speaker 2: you bust out that Mustard nigga, it's a rap for

1064
00:50:47,320 --> 00:50:49,640
Speaker 2: whatever else was happening, you know.

1065
00:50:51,680 --> 00:50:53,680
Speaker 1: So, yeah, it was you know, he came, you know

1066
00:50:54,760 --> 00:50:55,399
Speaker 1: he so he did.

1067
00:50:55,600 --> 00:50:58,279
Speaker 2: He did the whole Mustard TV off part, and then

1068
00:50:58,840 --> 00:51:01,560
Speaker 2: after he does heavy off, we.

1069
00:51:01,760 --> 00:51:05,319
Speaker 1: Get uh not like us.

1070
00:51:05,920 --> 00:51:09,320
Speaker 3: Yeah, And that was literally the highlight of the concert,

1071
00:51:09,480 --> 00:51:12,919
Speaker 3: Like the whole stadium was. I mean, the whole state

1072
00:51:13,000 --> 00:51:15,360
Speaker 3: had been hyped the whole time for Kendrick, but I

1073
00:51:15,480 --> 00:51:17,600
Speaker 3: think for a lot of people, that was literally the

1074
00:51:17,719 --> 00:51:19,080
Speaker 3: song they was waiting to hear.

1075
00:51:19,640 --> 00:51:23,160
Speaker 1: Let me tell y'all something that motherfucking.

1076
00:51:23,880 --> 00:51:25,960
Speaker 3: Not like us, Marina was rocking.

1077
00:51:26,320 --> 00:51:31,120
Speaker 1: I ain't never seen no shit like that. I mean,

1078
00:51:32,160 --> 00:51:36,320
Speaker 1: I'm not exaggerating. It had to be ninety nine percent

1079
00:51:36,360 --> 00:51:38,840
Speaker 1: of people that knew every fucking word. It was crazy.

1080
00:51:39,520 --> 00:51:40,759
Speaker 1: I don't care what they looked like.

1081
00:51:41,440 --> 00:51:43,359
Speaker 2: I mean, I'm looking at inter racial couples to see

1082
00:51:43,360 --> 00:51:44,719
Speaker 2: if they get to say the N word or not,

1083
00:51:44,960 --> 00:51:47,239
Speaker 2: Like I was locked in.

1084
00:51:47,560 --> 00:51:48,200
Speaker 3: I didn't care.

1085
00:51:48,480 --> 00:51:51,880
Speaker 1: I'm not gonna like I'm locked in like us. Some

1086
00:51:52,000 --> 00:51:53,600
Speaker 1: of these might be jokes. Some of these might be jokes.

1087
00:51:53,840 --> 00:51:56,520
Speaker 2: I was locked in that tight, guys. Okay, I'm like

1088
00:51:56,800 --> 00:52:02,120
Speaker 2: observing the they went fucking crazy for not like us.

1089
00:52:03,640 --> 00:52:06,120
Speaker 2: I mean, it's way past to pop out and the

1090
00:52:06,239 --> 00:52:08,080
Speaker 2: song is we've heard of a million times, so I'm

1091
00:52:08,080 --> 00:52:09,920
Speaker 2: glad they didn't try to do like eight times in

1092
00:52:09,960 --> 00:52:11,280
Speaker 2: a row, like to pop out or something.

1093
00:52:12,080 --> 00:52:16,040
Speaker 1: But when I tell you every fucking word, and like.

1094
00:52:16,600 --> 00:52:19,319
Speaker 2: The dance was, they was giving us the dance. Same

1095
00:52:19,400 --> 00:52:21,200
Speaker 2: thing at the super Bowl with the peekaboo thing, they

1096
00:52:21,239 --> 00:52:24,160
Speaker 2: did that thing. He's playing to the carrions, playing to

1097
00:52:24,280 --> 00:52:28,680
Speaker 2: the crowd, and he's such a consummate professional. He just

1098
00:52:28,800 --> 00:52:31,160
Speaker 2: gives us not like us, Like it's not a bunch

1099
00:52:31,239 --> 00:52:33,560
Speaker 2: of like teasing and like you know, like a like

1100
00:52:33,640 --> 00:52:34,839
Speaker 2: a wrestler or whatever.

1101
00:52:35,840 --> 00:52:38,320
Speaker 1: Now, this is the part that was weird, not like

1102
00:52:38,480 --> 00:52:43,080
Speaker 1: us happened. I know there's more to go because I

1103
00:52:43,440 --> 00:52:46,879
Speaker 1: you know, like to me, I'm like, he ain't did

1104
00:52:47,000 --> 00:52:49,400
Speaker 1: Luther him and Luthor together?

1105
00:52:49,840 --> 00:52:51,800
Speaker 2: So you got to have her back on stage for that,

1106
00:52:52,520 --> 00:52:56,080
Speaker 2: And like I'm sure Saysan needed arrest because the last.

1107
00:52:55,920 --> 00:52:58,839
Speaker 1: Time she performed, she was like flying around the fucking

1108
00:52:58,920 --> 00:52:59,880
Speaker 1: crowd and butterfly.

1109
00:53:00,040 --> 00:53:00,480
Speaker 3: I was.

1110
00:53:02,800 --> 00:53:08,360
Speaker 1: She must love nature because it's everything with bugs, bugs glass.

1111
00:53:08,719 --> 00:53:10,520
Speaker 1: Listen the way she stranding up from that.

1112
00:53:11,040 --> 00:53:12,399
Speaker 3: I wish I had big ass ant.

1113
00:53:12,520 --> 00:53:14,399
Speaker 2: I wish I had six or eight legs. How many

1114
00:53:14,520 --> 00:53:17,800
Speaker 2: legs they got was oh my lord. She was on

1115
00:53:17,960 --> 00:53:22,960
Speaker 2: that and okay, she was, Okay, I see you. But

1116
00:53:24,360 --> 00:53:26,640
Speaker 2: that so she comes back out and they do Luthor.

1117
00:53:26,800 --> 00:53:29,960
Speaker 2: But what I'm saying is I don't think I'm exaggerating,

1118
00:53:30,000 --> 00:53:31,040
Speaker 2: but maybe it's bigger in my.

1119
00:53:31,040 --> 00:53:31,719
Speaker 1: Head than it was.

1120
00:53:31,960 --> 00:53:32,440
Speaker 3: It wouldn't.

1121
00:53:32,680 --> 00:53:37,920
Speaker 2: I want to say fifteen to twenty percent of people

1122
00:53:38,000 --> 00:53:40,000
Speaker 2: started leaving after not like us.

1123
00:53:40,480 --> 00:53:42,040
Speaker 3: I think for a lot of people, they was like,

1124
00:53:42,160 --> 00:53:44,960
Speaker 3: that's the song I wanted to hear. And literally after that,

1125
00:53:45,080 --> 00:53:47,080
Speaker 3: all of a sudden, you see like a mad rush

1126
00:53:47,160 --> 00:53:48,080
Speaker 3: of people just leaving.

1127
00:53:48,239 --> 00:53:51,000
Speaker 1: I felt, okay, there was a couple of ways I

1128
00:53:51,040 --> 00:53:54,680
Speaker 1: felt about this. I'll start with the funny one, and

1129
00:53:54,760 --> 00:53:56,520
Speaker 1: then I'll start with the crazy. Then I go with

1130
00:53:56,560 --> 00:53:57,080
Speaker 1: the crazy one.

1131
00:53:57,480 --> 00:53:59,840
Speaker 2: The first, the funny one is this I felt like

1132
00:54:00,040 --> 00:54:01,919
Speaker 2: when I be at a Marvel movie and niggas started

1133
00:54:02,000 --> 00:54:04,279
Speaker 2: leaving during the credits, Yes, and you'd.

1134
00:54:04,200 --> 00:54:06,800
Speaker 1: Be like, motherfucking you ain't ever been out the house.

1135
00:54:07,200 --> 00:54:10,080
Speaker 1: It's ovulously about to be a couple more scenes.

1136
00:54:10,200 --> 00:54:15,120
Speaker 2: This is where twenty movies in everyone's places. Sit back down?

1137
00:54:15,200 --> 00:54:17,400
Speaker 1: What are we doing? This is not the end of

1138
00:54:17,480 --> 00:54:20,040
Speaker 1: the fucking concert. They didn't even say goodbye.

1139
00:54:20,080 --> 00:54:21,400
Speaker 3: Right then. They ain't say goodbye.

1140
00:54:21,680 --> 00:54:24,600
Speaker 2: They always think the city. Motherfucker, Get your ass back

1141
00:54:24,640 --> 00:54:27,080
Speaker 2: to your seat. That's what I was thinking. That was

1142
00:54:27,120 --> 00:54:30,399
Speaker 2: my first thought. Then my second thought was the craziest thought.

1143
00:54:30,600 --> 00:54:34,440
Speaker 2: Not I didn't mean to take it there, but I

1144
00:54:34,600 --> 00:54:39,120
Speaker 2: was like, white people do not respect our art. This

1145
00:54:39,239 --> 00:54:44,440
Speaker 2: what Sinners was talking about. Sit your wearings down, you not,

1146
00:54:44,640 --> 00:54:46,200
Speaker 2: this is what happened when you're not from the culture.

1147
00:54:46,239 --> 00:54:48,200
Speaker 2: They wouldn't leave like this without speaking.

1148
00:54:49,040 --> 00:54:50,920
Speaker 1: Do you think it's over? Or do you just not

1149
00:54:51,120 --> 00:54:53,239
Speaker 1: care about his actual work?

1150
00:54:53,680 --> 00:54:53,799
Speaker 3: Right?

1151
00:54:54,120 --> 00:54:55,160
Speaker 1: When he tells does.

1152
00:54:55,160 --> 00:54:58,480
Speaker 2: Luther and Gloria Gloria being the story of his pen

1153
00:54:58,640 --> 00:55:02,840
Speaker 2: from the From his perspective, it's a lover you just leaving.

1154
00:55:03,400 --> 00:55:06,279
Speaker 1: Because you don't love us, You not like us.

1155
00:55:06,360 --> 00:55:08,799
Speaker 2: Get the fuck out. That's how that was the crazy part. Okay,

1156
00:55:08,840 --> 00:55:11,319
Speaker 2: I didn't say any of this out loud at the time.

1157
00:55:12,040 --> 00:55:14,359
Speaker 2: But yeah, I'd say fifteen to twenty percent of people

1158
00:55:14,360 --> 00:55:14,839
Speaker 2: started leaving.

1159
00:55:15,239 --> 00:55:16,080
Speaker 1: That was insane to me.

1160
00:55:16,520 --> 00:55:21,000
Speaker 2: Then they do Gloria, which I mean, well, then they

1161
00:55:21,080 --> 00:55:25,000
Speaker 2: did Luthor, which is another banger. Now they do have

1162
00:55:25,320 --> 00:55:30,800
Speaker 2: like about a minute to two minutes between the Luth

1163
00:55:31,000 --> 00:55:34,719
Speaker 2: like between not like us ending and Luther starting, there's

1164
00:55:34,719 --> 00:55:37,920
Speaker 2: about a minute or two where it's kind of quiet.

1165
00:55:37,760 --> 00:55:39,600
Speaker 3: Yes, and I think people gonna a lot of people.

1166
00:55:39,680 --> 00:55:41,560
Speaker 1: Some people like they thought it was over.

1167
00:55:41,719 --> 00:55:44,120
Speaker 3: Yeah, I think a small percentage of that people's like,

1168
00:55:44,280 --> 00:55:45,280
Speaker 3: maybe what's happening?

1169
00:55:45,680 --> 00:55:47,840
Speaker 2: So then Luther happens, and I saw a couple of

1170
00:55:47,840 --> 00:55:50,080
Speaker 2: people turn around, come back, or stand in the doorway.

1171
00:55:50,200 --> 00:55:50,319
Speaker 3: Right.

1172
00:55:50,760 --> 00:55:53,000
Speaker 2: It's also that thing where once you start the leaving process,

1173
00:55:53,080 --> 00:55:54,399
Speaker 2: most people do not turn around.

1174
00:55:54,480 --> 00:55:56,160
Speaker 1: So it's like, well I'm already leaving.

1175
00:55:56,200 --> 00:55:59,600
Speaker 2: I'm like, so you're gonna miss extra concert, dummy. Anyway,

1176
00:56:00,000 --> 00:56:02,840
Speaker 2: they do Luther, then they do Gloria. Then they and

1177
00:56:03,080 --> 00:56:05,040
Speaker 2: at the end of Gloria, he like walks into the car.

1178
00:56:05,120 --> 00:56:08,600
Speaker 2: She gets in on the passeg see he thanks, you know, Carolina,

1179
00:56:08,760 --> 00:56:11,680
Speaker 2: Da da da da, And then you know, uh, like

1180
00:56:11,760 --> 00:56:13,520
Speaker 2: I said, he had referenced how the rain didn't stop

1181
00:56:13,640 --> 00:56:15,160
Speaker 2: us and all that stuff. Then he gets in the

1182
00:56:15,239 --> 00:56:19,000
Speaker 2: car and then it goes back down. That's the end

1183
00:56:19,040 --> 00:56:22,400
Speaker 2: of the show. And then we walked to the train

1184
00:56:23,960 --> 00:56:28,880
Speaker 2: and guys, man, that train, that line was it was

1185
00:56:29,000 --> 00:56:31,040
Speaker 2: so long to get back.

1186
00:56:33,840 --> 00:56:35,479
Speaker 3: There was never gonna be another train again.

1187
00:56:35,719 --> 00:56:38,000
Speaker 2: People and people switched up in there like sardines, and

1188
00:56:38,120 --> 00:56:41,000
Speaker 2: we was like, you know what, nah, we can wait.

1189
00:56:41,320 --> 00:56:43,319
Speaker 1: And what's funny is that because there's always a black

1190
00:56:43,360 --> 00:56:45,239
Speaker 1: woman like this. There was a black woman that was like.

1191
00:56:47,200 --> 00:56:50,360
Speaker 2: And like, you know her my mom and Karen started

1192
00:56:50,400 --> 00:56:53,239
Speaker 2: sinking up or whatever, as as black women tend to

1193
00:56:53,280 --> 00:56:54,240
Speaker 2: do sometimes.

1194
00:56:54,320 --> 00:56:56,440
Speaker 1: And she was like and Karen's like, I know, I'm

1195
00:56:56,480 --> 00:56:58,000
Speaker 1: not going to all the people. My mom was like

1196
00:56:58,080 --> 00:57:00,600
Speaker 1: me neither. And then the one was like because COVID

1197
00:57:00,680 --> 00:57:03,120
Speaker 1: is still a thing, and I was like, oh, this

1198
00:57:03,239 --> 00:57:05,319
Speaker 1: is getting this is getting spiritual off in here. It's

1199
00:57:05,320 --> 00:57:06,840
Speaker 1: about to be some a men's and hallelujah.

1200
00:57:06,880 --> 00:57:09,680
Speaker 3: Yeah. And it got so bad the people, the announcer,

1201
00:57:09,840 --> 00:57:12,600
Speaker 3: the conductor would make an announcement but like, hey, y'all,

1202
00:57:12,680 --> 00:57:15,240
Speaker 3: it's another train back up. So I could shut the doors.

1203
00:57:15,360 --> 00:57:17,680
Speaker 2: They couldn't even shut the door there like another trainer's

1204
00:57:17,720 --> 00:57:21,240
Speaker 2: come and calm down, like literally standing room only.

1205
00:57:21,480 --> 00:57:24,520
Speaker 1: And so we decided to like walk to maybe try

1206
00:57:24,560 --> 00:57:25,320
Speaker 1: to get something to eat.

1207
00:57:25,400 --> 00:57:30,000
Speaker 3: We tried, guys, the monsoon.

1208
00:57:30,440 --> 00:57:32,400
Speaker 1: This is a ship show in every way.

1209
00:57:32,840 --> 00:57:36,160
Speaker 2: First of all, the Apple mass was listing restaurants, but

1210
00:57:36,280 --> 00:57:39,240
Speaker 2: some of the restaurants was like hotel restaurants, meaning if

1211
00:57:39,280 --> 00:57:41,040
Speaker 2: you couldn't get in the hotel, you couldn't eat the

1212
00:57:41,080 --> 00:57:43,920
Speaker 2: fucking restaurant, because these are downtown hotels and you need

1213
00:57:43,960 --> 00:57:46,760
Speaker 2: a card to even get in the fucking front door. Also,

1214
00:57:46,840 --> 00:57:49,640
Speaker 2: as Charlotte, everything's I opened that late, so like a

1215
00:57:49,680 --> 00:57:52,320
Speaker 2: lot of stuff was either closed. It would give us

1216
00:57:52,360 --> 00:57:54,280
Speaker 2: locations to ship where I'm like, is this just the

1217
00:57:54,440 --> 00:57:57,640
Speaker 2: cafeteria for Apple, like the corporation?

1218
00:57:58,440 --> 00:57:59,640
Speaker 1: How you get here?

1219
00:58:00,160 --> 00:58:00,320
Speaker 4: Yes?

1220
00:58:00,480 --> 00:58:01,400
Speaker 1: Now it's like make a right.

1221
00:58:01,440 --> 00:58:03,400
Speaker 2: I'm like, that's not a place you can make a

1222
00:58:03,520 --> 00:58:06,640
Speaker 2: right into because I'm looking at a parking lot.

1223
00:58:07,640 --> 00:58:09,760
Speaker 1: There's not a restaurant in this parking lot. This sparkle

1224
00:58:09,920 --> 00:58:14,480
Speaker 1: needs to go somewhere else. It was off and we're

1225
00:58:14,560 --> 00:58:16,960
Speaker 1: just walking different directions and we're trying, you know, we're

1226
00:58:16,960 --> 00:58:20,280
Speaker 1: all upbeating, like you know, I have to be with people.

1227
00:58:20,360 --> 00:58:22,360
Speaker 1: I'd rather be with my mom and Karen because it's

1228
00:58:22,520 --> 00:58:24,000
Speaker 1: you know, nobody was losing their cool.

1229
00:58:24,040 --> 00:58:25,880
Speaker 3: Oh, it was cracking jokes the whole time.

1230
00:58:26,280 --> 00:58:30,640
Speaker 2: Yes, and then guys, the fucking Noah flood started that

1231
00:58:30,840 --> 00:58:33,680
Speaker 2: the one that we had hoped wouldn't happen during the event.

1232
00:58:33,800 --> 00:58:36,400
Speaker 1: Said, all right, I got you. You said not during

1233
00:58:36,440 --> 00:58:38,400
Speaker 1: the event. Well was after the event, bitch.

1234
00:58:38,480 --> 00:58:39,840
Speaker 3: I felt like I was swimming.

1235
00:58:40,160 --> 00:58:44,120
Speaker 1: My shoes were so wet. Guysh my socks was leaking.

1236
00:58:44,480 --> 00:58:47,280
Speaker 1: It was so bad, like we we got underneath a

1237
00:58:47,360 --> 00:58:49,960
Speaker 1: bridge or whatever, and I just gave up. I was like, listen,

1238
00:58:50,360 --> 00:58:52,320
Speaker 1: I'll call it over. I don't give a fuck. I

1239
00:58:52,440 --> 00:58:54,480
Speaker 1: know it's a ninety million dollar I don't cos I

1240
00:58:54,480 --> 00:58:56,680
Speaker 1: don't care. They can come get us and drive us

1241
00:58:56,720 --> 00:58:58,520
Speaker 1: to the house or drive us to the car. I

1242
00:58:58,800 --> 00:59:00,880
Speaker 1: just I have to get out of the rain. Singing

1243
00:59:00,920 --> 00:59:04,480
Speaker 1: of this shit is my almost midnight. I'm hungry, there's

1244
00:59:04,520 --> 00:59:05,000
Speaker 1: no food.

1245
00:59:06,480 --> 00:59:08,280
Speaker 3: Trying to get the food, and the Apple Masks was

1246
00:59:08,360 --> 00:59:09,640
Speaker 3: like not you and not today.

1247
00:59:09,960 --> 00:59:13,680
Speaker 2: Yeah, and so we the uber I tried to do

1248
00:59:13,760 --> 00:59:17,720
Speaker 2: that uber didn't come. It was like yeah for this, uh,

1249
00:59:17,880 --> 00:59:20,040
Speaker 2: it was like cars eight minutes away. I was like, okay, cool.

1250
00:59:20,080 --> 00:59:22,480
Speaker 2: Then it was like we'll let you know soon as

1251
00:59:22,480 --> 00:59:25,800
Speaker 2: one did it ten minutes later. Yeah, nobody. Then one

1252
00:59:25,880 --> 00:59:27,760
Speaker 2: time it locked. It was like, hey, here's a car.

1253
00:59:27,920 --> 00:59:33,360
Speaker 2: It's thirty minutes away. I said, thirty minutes. What it's like, Oh,

1254
00:59:33,400 --> 00:59:35,439
Speaker 2: he just canceled. We're looking for a car. I said,

1255
00:59:35,480 --> 00:59:37,360
Speaker 2: fuck it, fuck it, fuck it. Let's just walk back

1256
00:59:37,360 --> 00:59:39,360
Speaker 2: to the train station. So we walked back to the

1257
00:59:39,440 --> 00:59:40,000
Speaker 2: train station.

1258
00:59:40,240 --> 00:59:44,520
Speaker 3: We did. It was crystal clear. Yeah, everybody was gone.

1259
00:59:44,640 --> 00:59:46,880
Speaker 2: I was like, good, we could have just stayed there

1260
00:59:46,920 --> 00:59:49,760
Speaker 2: another twenty thirty minutes we've been home. But we get

1261
00:59:49,840 --> 00:59:52,760
Speaker 2: there and the trains were not empty, but they weren't

1262
00:59:52,800 --> 00:59:56,680
Speaker 2: as crowded. We got seats on the next train, and

1263
00:59:57,160 --> 01:00:00,680
Speaker 2: we took the train back, got to the car, and

1264
01:00:01,440 --> 01:00:02,240
Speaker 2: Mom drove us home.

1265
01:00:02,360 --> 01:00:04,760
Speaker 3: And the thing is the wild think about the rain Yon.

1266
01:00:05,280 --> 01:00:08,800
Speaker 3: The rain were being spurts because like when we got

1267
01:00:08,840 --> 01:00:11,840
Speaker 3: on the business pouring down and it broke long enough

1268
01:00:11,840 --> 01:00:13,800
Speaker 3: for us to get to the thing and get back

1269
01:00:13,840 --> 01:00:15,840
Speaker 3: to the park. And once we got off the train

1270
01:00:16,120 --> 01:00:19,080
Speaker 3: it started it was like it was going like intended

1271
01:00:19,520 --> 01:00:19,720
Speaker 3: it was.

1272
01:00:20,040 --> 01:00:23,080
Speaker 1: It was intermittent, but but when it was mint nigga.

1273
01:00:23,080 --> 01:00:23,520
Speaker 1: It was Mint.

1274
01:00:24,040 --> 01:00:25,040
Speaker 3: It was Mint and hard like you.

1275
01:00:25,600 --> 01:00:28,040
Speaker 1: It was Mint's romney. Okay you Lily.

1276
01:00:27,840 --> 01:00:30,080
Speaker 3: Couldn't see in front of you almost like god, damn

1277
01:00:30,120 --> 01:00:33,520
Speaker 3: we swim. Like I said, when when things like that happened,

1278
01:00:34,240 --> 01:00:37,040
Speaker 3: I can't be with everybody like I really am thankful

1279
01:00:37,080 --> 01:00:38,480
Speaker 3: it was me or your mom because.

1280
01:00:38,240 --> 01:00:39,720
Speaker 2: It would have ruined a lot of people's night, and

1281
01:00:40,040 --> 01:00:41,959
Speaker 2: for us it was like fuck it, we're getting rained

1282
01:00:42,000 --> 01:00:45,040
Speaker 2: on whatever. Yes, we had such a good time, and

1283
01:00:45,080 --> 01:00:48,160
Speaker 2: then we got to the car, got home. All everybody say,

1284
01:00:48,600 --> 01:00:51,200
Speaker 2: so that's it. That was the concert. That was our

1285
01:00:51,280 --> 01:00:54,360
Speaker 2: concert story for the most part. Yes, like I said,

1286
01:00:54,360 --> 01:00:55,840
Speaker 2: I have to wrap it up because I got something

1287
01:00:55,880 --> 01:00:57,960
Speaker 2: to do in three minutes here.

1288
01:00:59,400 --> 01:01:00,520
Speaker 3: But we had a great time.

1289
01:01:00,560 --> 01:01:04,320
Speaker 1: We had a great time. Any anything that I missed, Karen,

1290
01:01:04,360 --> 01:01:08,280
Speaker 1: that you knew wanted to add before we leave? Okay,

1291
01:01:08,360 --> 01:01:10,800
Speaker 1: cool man, that was it. If you guys wanted to know,

1292
01:01:11,040 --> 01:01:13,400
Speaker 1: that's our reaction. Go see it. If it's in your town,

1293
01:01:14,040 --> 01:01:14,960
Speaker 1: go see it if you can.

1294
01:01:15,280 --> 01:01:17,240
Speaker 2: It's probably too late if you ain't got tickets, but

1295
01:01:18,120 --> 01:01:19,960
Speaker 2: buy the tickets, find a way, you know.

1296
01:01:20,160 --> 01:01:22,320
Speaker 3: Go see that. And you can't know that it's probably

1297
01:01:22,360 --> 01:01:24,480
Speaker 3: gonna start close to own time, so come back to

1298
01:01:24,520 --> 01:01:26,600
Speaker 3: the early so that you can be there to to

1299
01:01:26,680 --> 01:01:27,960
Speaker 3: at least see DJ Mustard.

1300
01:01:28,080 --> 01:01:29,960
Speaker 2: DJ must is worth it. The whole thing is worth it.

1301
01:01:30,120 --> 01:01:33,439
Speaker 2: Very professional, very well done. New respect for Sissa, same

1302
01:01:33,560 --> 01:01:36,480
Speaker 2: respect for Kendrick, and I really think you guys should

1303
01:01:36,520 --> 01:01:36,920
Speaker 2: go see it.

1304
01:01:36,960 --> 01:01:39,280
Speaker 1: All right, y'all, that's it. We gotta go till next time.

1305
01:01:39,320 --> 01:01:40,480
Speaker 3: I love you, I love you too, Fly