WEBVTT - Episode 381 "Mark Hernandez & Royce Monroe"

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<v Speaker 1>They get a litty called me broadcast a lot from Atlanta, Georgia.

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<v Speaker 1>Welcome to the ball Alert Show.

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<v Speaker 2>I though by the name for I go over to

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<v Speaker 2>the name you know, bat, the.

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<v Speaker 1>World famous Kingpin, the world famous Royce Monroe is.

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<v Speaker 3>In the building.

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<v Speaker 4>What they do.

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<v Speaker 1>Somebody got a book out. I got a book out, man.

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<v Speaker 5>February twenty fifth, drop is yay, yo, you are your

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<v Speaker 5>own industry. Because you gotta realize you don't get you

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<v Speaker 5>merging man.

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<v Speaker 2>It says on the back how to adjoin the Illuminati.

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<v Speaker 2>What you have to do.

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<v Speaker 5>I'm just all right sacrifice before before you get into

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<v Speaker 5>these heated conversations.

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<v Speaker 1>I wanted to first give you both my flowers.

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<v Speaker 6>Kingpin, Uh, you already know I love you, Love you

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<v Speaker 6>to death, love your family, love your wife. One of

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<v Speaker 6>the biggest unknown superheroes that are known behind the scenes.

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<v Speaker 6>If you need your uh, if you need help getting monetized,

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<v Speaker 6>if you need help doing anything, He's an army Swiss knife.

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<v Speaker 6>I've learned from him all the time. I just wanted

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<v Speaker 6>to tell you that I.

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<v Speaker 4>Love you, brother, think you very much. People need to

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<v Speaker 4>hear that because they were like, man, what happened to

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<v Speaker 4>the podcast? Like people grow back on the radio doing

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<v Speaker 4>the ball and they're taking over the airwaves doing something special.

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<v Speaker 4>Wendy just went and got the eye surgery. She's building

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<v Speaker 4>the incubator programs. She's doing something special, and we're doing

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<v Speaker 4>something special as well. So I appreciate the flowers.

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<v Speaker 3>Thank you.

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<v Speaker 4>It's important for the people to know that we still communicate.

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<v Speaker 4>We talk almost every week still and we still continue.

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<v Speaker 1>To and the glue behind the scenes for Generation Now.

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<v Speaker 6>People may not even know that Generation Now, which is

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<v Speaker 6>a DJ drama lake Don Cannon ran label the GM

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<v Speaker 6>who Now has a book out on the way.

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<v Speaker 3>Amazon. It's in the street, it's in the trunk, it's everywhere.

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<v Speaker 1>You feel me your knowledge on the industry. You've been

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<v Speaker 1>in the industry me and you've been in.

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<v Speaker 6>The trenches together, floors, all types of ship on the road.

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<v Speaker 4>You know what they say, if you want to if

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<v Speaker 4>you want to keep a secret, put it in a book.

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<v Speaker 3>For sure.

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<v Speaker 4>This is like, this is the secret revealed.

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<v Speaker 5>It really is, because it's it's unlike things like you know,

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<v Speaker 5>books that just give you a bunch of random information.

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<v Speaker 5>This is literally a guide to where once you finish

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<v Speaker 5>the sixteen chapters, you're ready to have money received, like

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<v Speaker 5>you're loving to have your furnishing company. You're ready to

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<v Speaker 5>implement a roll out of marketing strategy like whatever it takes,

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<v Speaker 5>because you are your own industry.

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<v Speaker 1>Okay, thank you for saying that. That is the perfect segue.

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<v Speaker 6>King PANDAM starting with you, sir, Sorry to get you

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<v Speaker 6>riled up some early in the episode. What are some

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<v Speaker 6>things that frustrates you that artists do with their rollout?

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<v Speaker 4>Eighty seven percent of all music on Spotify is not

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<v Speaker 4>monetized because it doesn't have a thousand streams. That's three

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<v Speaker 4>streams a day. Eighty seven percent of the one hundred

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<v Speaker 4>and thirty five thousand records totally released every day, right,

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<v Speaker 4>eighty seven percent of that music is not monetized. But

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<v Speaker 4>the money that's collected is forty seven million dollars worth

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<v Speaker 4>of revenue. So the number one pet peeve that most

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<v Speaker 4>artists overdo is overlook the business of music in exchange

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<v Speaker 4>for the stardom of popularity. And I think their desire

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<v Speaker 4>whether you're an influencer, a DJ company owner. I was

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<v Speaker 4>just thinking on the way over here, like can you

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<v Speaker 4>really be a record label owner if you don't have

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<v Speaker 4>a staff, like Can you really own a record label

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<v Speaker 4>if you don't have people that know what it is?

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<v Speaker 4>We were talking about it before the camera came on actionables,

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<v Speaker 4>and you can have a bunch of people that know

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<v Speaker 4>the technical side of the music industry, but how many

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<v Speaker 4>of them know how to put that into real world situations.

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<v Speaker 4>How many people are going to graduate this year with

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<v Speaker 4>a degree in music business but don't know how to

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<v Speaker 4>merge profiles, don't know how to do a catalog, or

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<v Speaker 4>that don't know how to do publishing.

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<v Speaker 1>Stop right there, I want to tag you back in.

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<v Speaker 4>Come on.

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<v Speaker 6>The best thing that ever happened to me and the

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<v Speaker 6>worst thing ever happened to me. I got a job

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<v Speaker 6>at Warner Records. I love the knowledge that I gained

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<v Speaker 6>from it. I hated it only from the I hated

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<v Speaker 6>it because I didn't get there sooner. I wish I

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<v Speaker 6>did that in my early twenties.

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<v Speaker 1>I could have.

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<v Speaker 6>Evolved a lot differently, right because I'm already Ferrari when

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<v Speaker 6>I get there, But I'm in the beginner type of

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<v Speaker 6>job description. And back to Y'm gonna take you back in.

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<v Speaker 6>I realized a record label runs with the staff. So

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<v Speaker 6>if you're trying to put out a song, any type

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<v Speaker 6>of music, you need a.

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<v Speaker 7>Staff, a team, and the staff has a staff. There's

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<v Speaker 7>a department here, there's a department there. That department has

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<v Speaker 7>a boss. That department has a boss. That department boss

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<v Speaker 7>talks to that department's boss.

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<v Speaker 1>They have a meeting on Thursday. That department has a

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<v Speaker 1>department boss. That department has a boss.

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<v Speaker 6>They talk on Wednesday, talks on Monday.

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<v Speaker 8>Real infrastructure, right for something that might not work, for

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<v Speaker 8>something that the time doesn't work.

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<v Speaker 5>But no, it's what it is. Strategic Now, whether it

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<v Speaker 5>works is based on consumer consumption.

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<v Speaker 1>Here we go right, you know.

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<v Speaker 4>And on the flip side of that, I say, a

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<v Speaker 4>lot of the people that are in position to help

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<v Speaker 4>navigate some of these treacherous waters for these artists are

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<v Speaker 4>are not versed or not prepared or equipped, should I say,

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<v Speaker 4>to do a great job for these artists. We just

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<v Speaker 4>did an episode on the Uncut game podcast Shameless Plug,

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<v Speaker 4>and we did the.

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<v Speaker 1>First two times for OG.

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<v Speaker 4>In our first two episodes, one of them we did

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<v Speaker 4>an audit. It was round Rolling Loud weekend when it

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<v Speaker 4>was like we're gonna drop this, let's just do it.

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<v Speaker 4>So one of the first two episodes We did an

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<v Speaker 4>audit on Jello because he had an amazing, rolling loud

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<v Speaker 4>performance and premiered some new music, so I wanted to

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<v Speaker 4>see how that turned out for him. And then we

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<v Speaker 4>did an audit on Asap Rocky, which is a powerhouses.

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<v Speaker 4>You know, Flock was a legend in hip hop right now,

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<v Speaker 4>Ben it got the baddest woman in the game everything,

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<v Speaker 4>And I wanted to compare some of those guys moments,

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<v Speaker 4>and you guys would have been underwhelmed. You guys would

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<v Speaker 4>have been super unimpressed with the way that the things

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<v Speaker 4>were handled for them in particular. And I say them

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<v Speaker 4>because one is a megastar athlete that has crossed over

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<v Speaker 4>the thresholds climb to the top of the mountain. He

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<v Speaker 4>just got certified gold on his single right the Tweaker

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<v Speaker 4>just went I shot the Hoty grow up and posting

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<v Speaker 4>that up. The song with Glorilla was going crazy. The

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<v Speaker 4>can you please? Right with Black Pack Radio, it's actually

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<v Speaker 4>replaced the Tweaker on radio right now and Mike showing

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<v Speaker 4>everything else, so it's doing what it's supposed to do.

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<v Speaker 4>But where was the information? Where is the pre save links,

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<v Speaker 4>where is the where's all the calls? To action. Where's

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<v Speaker 4>the merchandise? Where's then you look at Asap Rocky And

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<v Speaker 4>when he'd had his amazing Rolling Loud performance fill from

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<v Speaker 4>a helicopter, the links in his bio were all broken.

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<v Speaker 4>We didn't buy the album. You couldn't pre order anything

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<v Speaker 4>like ladies and gentlemen, boys and girls, children and women

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<v Speaker 4>of all shapes and sizes were bleeding pennies. We're bleeding

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<v Speaker 4>pennies and we don't understand because nobody around you bothered

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<v Speaker 4>to look at the link in your bio and say, hey, hey, flock,

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<v Speaker 4>oh this link is broken. Bro, this don't take you

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<v Speaker 4>nowhere before you go hang out of the helicopter. And

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<v Speaker 4>what about the merchandise? He wore a shirt that he

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<v Speaker 4>had on Rolling Loud two years prior, So I'm not

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<v Speaker 4>trying to nitpick at him. I'm just saying the teams

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<v Speaker 4>around some of these artists are not doing a good

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<v Speaker 4>enough job of executing at a high level, and that's

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<v Speaker 4>because most of them don't understand the business of music.

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<v Speaker 4>A lot of opportunities, a lot of missed opportunities, and

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<v Speaker 4>believe it or not, in the music business, you're not

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<v Speaker 4>gonna make every shot shooting get back on defense, shooting,

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<v Speaker 4>get back on defense. That's why you have a team

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<v Speaker 4>around you. Some of those people are the center. Some

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<v Speaker 4>of those people are the power forward. Some of those

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<v Speaker 4>people is their job to fight underneath the rim, to

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<v Speaker 4>get the rebound, to give it back to you so

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<v Speaker 4>you could take another high percentage shot, right, Because that's

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<v Speaker 4>what it is. It's lowing yourself and your limitation. So

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<v Speaker 4>if what artists can or can't do, my brother, I'm

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<v Speaker 4>sure they need to get this book because sixteen chapters.

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<v Speaker 4>If they do a chapter a week, that's four months.

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<v Speaker 4>That's research. That's less than a school semester.

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<v Speaker 5>The thing about it though, even in describing the team,

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<v Speaker 5>there's your business team and then there's your team team.

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<v Speaker 5>So a lot of times a lot of artists until

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<v Speaker 5>they hit like the independent status of like say like

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<v Speaker 5>how Whiskey's independent right now, they don't have their team.

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<v Speaker 5>They have their appointed people from the team that they're

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<v Speaker 5>signed to, right So the personal integrity sometimes is missing

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<v Speaker 5>in the mission. Because for the money that you're talking

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<v Speaker 5>about missing the label of pick it up, it doesn't

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<v Speaker 5>change their salary, so it doesn't influence their bottom line.

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<v Speaker 5>So that's another reason it's important for an artist to

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<v Speaker 5>become their own industry.

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<v Speaker 8>Basically, now, rouis what is your biggest pet peeve in

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<v Speaker 8>the industry?

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<v Speaker 3>Lack of education.

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<v Speaker 5>It's the same reason why I wrote the book, because

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<v Speaker 5>everybody engages in all the fun stuff to making the music.

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<v Speaker 5>They're coming out here, getting attention, buying shiny stuff and

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<v Speaker 5>all that good stuff, but no one knows what they're doing.

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<v Speaker 5>They just they record the song and want to put

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<v Speaker 5>out the art. They're not understanding that the producer, the writers,

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<v Speaker 5>everybody needs to be compensated.

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<v Speaker 2>The point system is and all that stuff.

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<v Speaker 5>Everything like your attorney sometimes is more important or as

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<v Speaker 5>important as your engineer, because they're both guiding the product

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<v Speaker 5>and the direction of the value of the monetary result.

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<v Speaker 3>It's important. So education has been the biggest area opportun

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<v Speaker 3>I see.

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<v Speaker 8>Now, what is the what do y'all feel like? What

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<v Speaker 8>breaks records nowadays? Because I hear some people sayd DJ

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<v Speaker 8>still break records, and then I just seeing an interview

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<v Speaker 8>where uh Nardo Wicks said that TikTok breaks records.

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<v Speaker 5>Now it's a combination, in my opinion, of social currency

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<v Speaker 5>and the actual industry. So you need the DJ and

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<v Speaker 5>you need the streamer. The streamer is gonna it's going

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<v Speaker 5>to tune you in with the person, and then the

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<v Speaker 5>DJ is going to tune you in with the music

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<v Speaker 5>because a lot of times the artist is not the

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<v Speaker 5>vehicle that's carrying the music. Like even with Jello, it's like, yeah,

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<v Speaker 5>he got his notoriety or whatnot, But because of that notoriety,

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<v Speaker 5>it puts certain eyes on a record. So when you

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<v Speaker 5>think about that record, you're thinking about just the moment

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<v Speaker 5>that you're hearing.

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<v Speaker 2>And it helps. His brothers are both NBA stars.

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<v Speaker 5>To me, it goes back to where it was prior

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<v Speaker 5>to like digital music. It's like, if you were a celebrity,

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<v Speaker 5>they did the whole gamut with you. You got endorsements, you

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<v Speaker 5>put out a record, you did everything, even if he

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<v Speaker 5>was like a football star or or whatever the case was.

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<v Speaker 5>So in today's time, it's like the industry shifting back

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<v Speaker 5>to who has social currency and who can we put

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<v Speaker 5>a product out through.

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<v Speaker 4>Nothing in this business works alone, So there's no one

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<v Speaker 4>thing that it takes to break a record. Breaking a

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<v Speaker 4>record is a variety of things. It starts off organically

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<v Speaker 4>in your neighborhood, the DJs locally in your city, have

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<v Speaker 4>a hot record, and they're the ones to tell you,

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<v Speaker 4>hey man, you got to get this to so and so,

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<v Speaker 4>and they personally take it. I've seen you Ferrari. I've

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<v Speaker 4>seen a lot of the different DJs take records locally,

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<v Speaker 4>bring them in and be like, we have to help

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<v Speaker 4>this record grow, and then that record travels to other

0:10:33.880 --> 0:10:36.719
<v Speaker 4>pds and mds. Then the radio promoter gets involved and

0:10:36.760 --> 0:10:38.760
<v Speaker 4>then all the bells and whistles and the machine starts

0:10:38.760 --> 0:10:41.080
<v Speaker 4>to roll. Make no mistake about it that when a

0:10:41.120 --> 0:10:42.960
<v Speaker 4>record breaks and it gets over to it had a

0:10:42.960 --> 0:10:46.520
<v Speaker 4>lot of organic buzz. The artists have failed to work

0:10:46.559 --> 0:10:48.559
<v Speaker 4>for the fans. They think they work for the label,

0:10:48.600 --> 0:10:50.360
<v Speaker 4>so they don't want to create content because they think

0:10:50.360 --> 0:10:53.760
<v Speaker 4>it's lame. You're working for your fans and unless you're

0:10:54.240 --> 0:10:58.599
<v Speaker 4>a good point. Engagement is what leads to monetization activity.

0:10:58.640 --> 0:11:00.840
<v Speaker 4>You have to be productive. I have to engage and

0:11:00.880 --> 0:11:03.800
<v Speaker 4>post on social media in order to trigger some of

0:11:03.800 --> 0:11:07.520
<v Speaker 4>those monetizations. Breaking news right today, YouTube announced that they

0:11:07.520 --> 0:11:11.160
<v Speaker 4>were unrolling rolling out the dubbing feature for all YouTube

0:11:11.160 --> 0:11:13.680
<v Speaker 4>paid partner programs. That means that just because you have

0:11:13.720 --> 0:11:15.360
<v Speaker 4>a little check mark on your page, you don't get

0:11:15.360 --> 0:11:18.960
<v Speaker 4>that feature. You have to have the benchmark ten thousand subscribers,

0:11:19.000 --> 0:11:21.880
<v Speaker 4>are a thousand subscribers, three thousand watch hours. And then

0:11:21.960 --> 0:11:24.560
<v Speaker 4>once you become a monetized partner with them, now you

0:11:24.559 --> 0:11:27.160
<v Speaker 4>can have your podcast in forty languages or whatever it is.

0:11:27.480 --> 0:11:29.680
<v Speaker 4>These are all the different things that are available to

0:11:29.760 --> 0:11:33.960
<v Speaker 4>you once you monetize. Most artists will never monetize. The

0:11:34.000 --> 0:11:36.520
<v Speaker 4>bigger the artists, the lazier they are with it, because

0:11:36.520 --> 0:11:39.640
<v Speaker 4>they've gotten fat and successful off of being manipulated and

0:11:39.640 --> 0:11:42.040
<v Speaker 4>taken advantage of. So why disrupt the system. I still

0:11:42.040 --> 0:11:44.280
<v Speaker 4>get my little change. And then you got the people

0:11:44.280 --> 0:11:45.440
<v Speaker 4>that sit in there and say, oh, I live in

0:11:45.440 --> 0:11:47.760
<v Speaker 4>a car. Things are going bad for me. Things are

0:11:47.760 --> 0:11:50.760
<v Speaker 4>bad for everybody right now. This economy, tariffs, tariffs got

0:11:50.800 --> 0:11:51.800
<v Speaker 4>the economy jammed up.

0:11:51.840 --> 0:11:54.640
<v Speaker 2>Baby, Everything about everything is bad everything.

0:11:55.200 --> 0:11:57.800
<v Speaker 4>How as an artist do you think you're gonna sell

0:11:57.840 --> 0:12:01.280
<v Speaker 4>what you don't own in a climate when everything that

0:12:01.320 --> 0:12:04.400
<v Speaker 4>you're creating you're training a computer to do for you.

0:12:04.400 --> 0:12:06.800
<v Speaker 4>You're logging on the chat GPT and you're giving it

0:12:06.840 --> 0:12:08.760
<v Speaker 4>your ideas and you're asking it to come up with

0:12:08.800 --> 0:12:11.360
<v Speaker 4>the best plan possible. And then two weeks later, an

0:12:11.400 --> 0:12:14.800
<v Speaker 4>io platform pops up. What happens when you train one AI,

0:12:14.880 --> 0:12:18.080
<v Speaker 4>it trains other ais. And you don't own these properties,

0:12:18.200 --> 0:12:21.160
<v Speaker 4>these ideas, these sounds that you're uploading to these platforms.

0:12:21.280 --> 0:12:24.160
<v Speaker 4>You're doing yourself a disservice because you're bleeding pennies at

0:12:24.240 --> 0:12:26.840
<v Speaker 4>artists revenue solutions. That was the thing we prided ourselves with.

0:12:27.280 --> 0:12:31.760
<v Speaker 4>We wanted to help artists earn revenue from their art.

0:12:32.040 --> 0:12:34.120
<v Speaker 4>And that's what most people in this business. They know

0:12:34.120 --> 0:12:36.480
<v Speaker 4>how they can make money, not how the artist makes money.

0:12:37.960 --> 0:12:41.760
<v Speaker 8>I want to ask a question, Rry Royce, do you

0:12:41.840 --> 0:12:44.320
<v Speaker 8>think that streamers are becoming bigger than rappers?

0:12:46.480 --> 0:12:51.400
<v Speaker 5>I'm not gonna say for sure, they're more profitable and

0:12:51.440 --> 0:12:56.319
<v Speaker 5>more influential than rappers. I don't think they're replacing rappers

0:12:56.360 --> 0:12:59.040
<v Speaker 5>to a certain degree because organically, you know.

0:12:59.480 --> 0:13:01.280
<v Speaker 3>I think so, Why do you think that?

0:13:01.640 --> 0:13:04.640
<v Speaker 8>The reason why I think that is because it kind

0:13:04.640 --> 0:13:08.760
<v Speaker 8>of stems from what king Pin said. The streamers are

0:13:09.440 --> 0:13:13.080
<v Speaker 8>more relatable. These big artists are not relatable. They're not

0:13:13.120 --> 0:13:15.400
<v Speaker 8>interacting with fans. They don't even want to talk to fans.

0:13:15.400 --> 0:13:18.480
<v Speaker 8>They don't even they don't even want to have a conversation.

0:13:17.880 --> 0:13:21.200
<v Speaker 5>With a fast streamer is talking to people. But see

0:13:21.320 --> 0:13:24.720
<v Speaker 5>the thing, people make them big. We've taken rappers and

0:13:24.760 --> 0:13:27.520
<v Speaker 5>we don't deem them as artists. We deem them as rappers, right,

0:13:27.600 --> 0:13:30.520
<v Speaker 5>and so that's the problem right there. Everything that you're

0:13:30.520 --> 0:13:32.720
<v Speaker 5>describing with being relatable, so on and so forth. These

0:13:32.720 --> 0:13:35.080
<v Speaker 5>are just qualities that we have to instill in the

0:13:35.200 --> 0:13:40.600
<v Speaker 5>artists because developments missing, that doesn't happen. So now a generation.

0:13:40.679 --> 0:13:42.520
<v Speaker 3>Now, something we pride ourselves on is that we get

0:13:42.520 --> 0:13:43.520
<v Speaker 3>our acts ready for.

0:13:43.480 --> 0:13:43.960
<v Speaker 4>Some y'all do.

0:13:44.040 --> 0:13:46.120
<v Speaker 8>Y'all do build y'all artists from the ground up. When

0:13:46.120 --> 0:13:47.360
<v Speaker 8>you look at the all the artists that have.

0:13:47.800 --> 0:13:51.320
<v Speaker 5>Recently came for directions, but everybody is a superstar. But

0:13:51.400 --> 0:13:53.840
<v Speaker 5>at the same time, it's it's the humbleness. It's like

0:13:53.880 --> 0:13:56.400
<v Speaker 5>he says, it's like they're lazy to a certain degree

0:13:56.760 --> 0:13:59.200
<v Speaker 5>because you don't understand that you're you're always learning. As

0:13:59.240 --> 0:14:00.720
<v Speaker 5>soon as you get in the d we're back at

0:14:00.760 --> 0:14:02.679
<v Speaker 5>day one. Whatever however long you was working to get

0:14:02.720 --> 0:14:04.920
<v Speaker 5>to this deal Erase all that time that you think

0:14:04.920 --> 0:14:06.480
<v Speaker 5>you've already put in, because now it's time to put

0:14:06.520 --> 0:14:08.640
<v Speaker 5>in this new time. Like we first signed an artist,

0:14:08.640 --> 0:14:10.320
<v Speaker 5>you put them in the studio for six months to

0:14:10.360 --> 0:14:12.160
<v Speaker 5>a year, so you can get whatever's in you out,

0:14:12.440 --> 0:14:14.080
<v Speaker 5>so now we can focus on making the musion.

0:14:14.200 --> 0:14:15.840
<v Speaker 2>So why would the artists get the money They ready

0:14:15.880 --> 0:14:16.920
<v Speaker 2>to lead the label.

0:14:17.600 --> 0:14:20.240
<v Speaker 4>Because they think they have it figured out, They think

0:14:20.280 --> 0:14:22.120
<v Speaker 4>they have the solution to it. They think that because

0:14:22.160 --> 0:14:24.040
<v Speaker 4>they're the goose that lays the golden eggs, that they

0:14:24.080 --> 0:14:26.280
<v Speaker 4>deserve to get fed something different before they lay the

0:14:26.320 --> 0:14:28.680
<v Speaker 4>golden egg. No, you're going to get put in another

0:14:28.720 --> 0:14:30.960
<v Speaker 4>pen and you're gonna get fed more crap and keep

0:14:31.040 --> 0:14:33.320
<v Speaker 4>laying golden eggs. The day you can't lay golden eggs,

0:14:33.480 --> 0:14:36.000
<v Speaker 4>you will be replaced with another goose that could lay gold.

0:14:38.120 --> 0:14:40.880
<v Speaker 5>What people forget is that brand association is what leads

0:14:40.920 --> 0:14:43.880
<v Speaker 5>to growth. Right, So as soon as you disassociate yourself

0:14:43.920 --> 0:14:46.280
<v Speaker 5>from this brand that's already established at a certain level,

0:14:46.440 --> 0:14:50.600
<v Speaker 5>you're gonna see a gradual decline in how notable all

0:14:50.600 --> 0:14:52.560
<v Speaker 5>your little moves are because they gonna keep doing the

0:14:52.560 --> 0:14:54.560
<v Speaker 5>same type of moves. But you don't you take the

0:14:54.600 --> 0:14:56.280
<v Speaker 5>fame with you. But you gotta get the fame first

0:14:56.360 --> 0:14:58.960
<v Speaker 5>until you million dollar superstar person.

0:14:59.240 --> 0:15:00.720
<v Speaker 3>It's like it could a always fall.

0:15:00.560 --> 0:15:03.520
<v Speaker 4>Through one thousand streams, is what you need to monetize

0:15:03.560 --> 0:15:06.640
<v Speaker 4>on Spotify. One thousand subscribers is what you need to

0:15:06.680 --> 0:15:10.800
<v Speaker 4>monetize on YouTube, and that should be your barometer. Fifty

0:15:10.920 --> 0:15:13.640
<v Speaker 4>sixty Hoodies sixty fifty five dollars. Hoodies makes you as

0:15:13.720 --> 0:15:17.400
<v Speaker 4>much money as a platinum record will in royalties. Not

0:15:17.480 --> 0:15:21.000
<v Speaker 4>having your business together is costing you more than anything

0:15:21.000 --> 0:15:22.920
<v Speaker 4>else that you could be spending or investing in your

0:15:22.920 --> 0:15:25.520
<v Speaker 4>money in right now. Not having your business together, not

0:15:25.600 --> 0:15:28.160
<v Speaker 4>having access to the stuff that you need, prohibits you

0:15:28.200 --> 0:15:29.840
<v Speaker 4>from doing the things that you want to do so

0:15:29.840 --> 0:15:31.880
<v Speaker 4>that you can see the most out of it. Until

0:15:31.880 --> 0:15:34.880
<v Speaker 4>that happens, anybody that has their business together will do

0:15:34.920 --> 0:15:36.600
<v Speaker 4>better than any artist that is put in front of

0:15:36.600 --> 0:15:37.840
<v Speaker 4>a microphone streamer or not.

0:15:38.280 --> 0:15:40.920
<v Speaker 6>All right, so we run a long time, Okay, but

0:15:40.960 --> 0:15:43.280
<v Speaker 6>I want you both to ask answer this last question

0:15:43.360 --> 0:15:47.000
<v Speaker 6>before we go. I want you to look at the

0:15:47.040 --> 0:15:51.880
<v Speaker 6>camera and give an artist advice on what should they

0:15:51.960 --> 0:15:53.560
<v Speaker 6>do with their advance money?

0:15:53.800 --> 0:15:55.440
<v Speaker 2>Who that's camera right there?

0:15:56.320 --> 0:15:56.880
<v Speaker 1>You go first?

0:15:56.880 --> 0:15:59.200
<v Speaker 3>Really, okay? With your advanced money.

0:15:59.600 --> 0:16:04.160
<v Speaker 5>One, understand that this money is set to survive you

0:16:04.320 --> 0:16:08.640
<v Speaker 5>potentially for one to three years. One to three years,

0:16:08.640 --> 0:16:11.600
<v Speaker 5>So take that money, budget it out to where you're

0:16:11.600 --> 0:16:14.560
<v Speaker 5>paying yourself a salary to live on for those one

0:16:14.600 --> 0:16:17.520
<v Speaker 5>to three years. Because until it happens for you in

0:16:17.560 --> 0:16:19.640
<v Speaker 5>a real way where there's a demand for you to

0:16:19.680 --> 0:16:21.600
<v Speaker 5>do shows, so on and so forth, or you land

0:16:21.600 --> 0:16:24.680
<v Speaker 5>some other type of promotional deal, this is gonna be

0:16:24.720 --> 0:16:26.360
<v Speaker 5>the money that you have to live off of. This

0:16:26.480 --> 0:16:29.400
<v Speaker 5>is the only money we owe you based on the

0:16:29.440 --> 0:16:32.320
<v Speaker 5>contract that you signed. Again, the only money we owe

0:16:32.320 --> 0:16:33.760
<v Speaker 5>you based on the contract you signed. Doesn't mean we

0:16:33.760 --> 0:16:38.600
<v Speaker 5>don't help, but at the same time, budget your money.

0:16:40.360 --> 0:16:42.640
<v Speaker 4>Go see a lawyer, in an accountant. Anything else that anybody

0:16:42.640 --> 0:16:45.360
<v Speaker 4>tells you to do aside from that information there is irrelevant.

0:16:45.400 --> 0:16:47.560
<v Speaker 4>Go see a lawyer, Go see account and make sure

0:16:47.560 --> 0:16:50.240
<v Speaker 4>that you're you're set up and you're ready to make money,

0:16:50.320 --> 0:16:52.080
<v Speaker 4>and that you have all of the things that you

0:16:52.120 --> 0:16:54.120
<v Speaker 4>need as a business. So, if you're interested in running ads,

0:16:54.160 --> 0:16:56.480
<v Speaker 4>you're gonna need a bank account, You're gonna need an LLC,

0:16:56.560 --> 0:16:58.280
<v Speaker 4>You're gonna need an information You're gonna need a Google

0:16:58.280 --> 0:17:01.000
<v Speaker 4>Ads account, You're gonna need a Meta ads account. You're

0:17:01.000 --> 0:17:03.160
<v Speaker 4>gonna need a TikTok ads account. If you want to

0:17:03.200 --> 0:17:05.119
<v Speaker 4>run ads, if you want somebody else to run ads

0:17:05.160 --> 0:17:07.600
<v Speaker 4>for you so they can collect all the little preaks

0:17:07.640 --> 0:17:09.200
<v Speaker 4>and benefits of it. Then, so be it. Go see

0:17:09.200 --> 0:17:10.879
<v Speaker 4>a lawyer, go see an account. They're gonna be the

0:17:10.920 --> 0:17:14.840
<v Speaker 4>two best bets for your initial expenditure with your you know, obviously,

0:17:14.920 --> 0:17:17.160
<v Speaker 4>go to artripsul dot com and get you an audit

0:17:17.160 --> 0:17:18.639
<v Speaker 4>for free so we can tell you what you need

0:17:18.680 --> 0:17:19.280
<v Speaker 4>to do with your money.

0:17:19.480 --> 0:17:19.640
<v Speaker 1>Now.

0:17:20.040 --> 0:17:22.800
<v Speaker 5>Listen, that's great advice for the artist that's not associated

0:17:22.840 --> 0:17:25.520
<v Speaker 5>with the major label and the major label system, that

0:17:25.560 --> 0:17:28.720
<v Speaker 5>same advice will disrupt all those teams that Ray.

0:17:28.560 --> 0:17:29.160
<v Speaker 3>Was talking about.

0:17:30.480 --> 0:17:33.640
<v Speaker 5>When you're not affiliated with a major imprint, definitely take

0:17:33.680 --> 0:17:35.440
<v Speaker 5>that route to make sure you collect are your coins

0:17:35.440 --> 0:17:38.280
<v Speaker 5>when you sign that deal. We're focused on all that

0:17:38.320 --> 0:17:40.119
<v Speaker 5>because that's also a part of the recoup when you

0:17:40.119 --> 0:17:41.040
<v Speaker 5>sign with death Row.

0:17:45.440 --> 0:17:47.320
<v Speaker 6>Come on, anything you got going on, give me some

0:17:47.320 --> 0:17:48.800
<v Speaker 6>shout outs whatever you got going man.

0:17:48.840 --> 0:17:51.119
<v Speaker 4>Of course you are my business partner. Tony ak I

0:17:51.160 --> 0:17:54.000
<v Speaker 4>am the connect. Please don't call me O G my wife, Nikki, yourself,

0:17:54.080 --> 0:17:56.720
<v Speaker 4>Rariy Hey, Wendy a double R the grade who's helping

0:17:56.760 --> 0:17:59.080
<v Speaker 4>us with The Uncut Game podcast available every Wednesday. New

0:17:59.119 --> 0:18:02.680
<v Speaker 4>audio drops on Thursdays, and video for That episode drops

0:18:02.720 --> 0:18:05.680
<v Speaker 4>the following Wednesday. So aside from that art Rensoul dot Com,

0:18:05.920 --> 0:18:08.960
<v Speaker 4>Uncut Game podcast, and stay tuned for the Art Artist Academy.

0:18:09.320 --> 0:18:11.159
<v Speaker 4>We're getting ready to do a sixteen week course. We

0:18:11.200 --> 0:18:12.240
<v Speaker 4>gotta talk after the episode.

0:18:12.520 --> 0:18:13.000
<v Speaker 3>We're doing a.

0:18:13.000 --> 0:18:14.840
<v Speaker 4>Sixteen week course and we got some other stuff that

0:18:14.840 --> 0:18:16.960
<v Speaker 4>we're gonna have some people come in into a school

0:18:17.000 --> 0:18:19.520
<v Speaker 4>type setting and learn over a couple of days the

0:18:19.560 --> 0:18:22.280
<v Speaker 4>business of music. And it's all because of people like

0:18:22.320 --> 0:18:25.280
<v Speaker 4>my business partner Tony. Of course we are ourgm A

0:18:25.320 --> 0:18:27.240
<v Speaker 4>distribution and organic music destroy That's what.

0:18:27.240 --> 0:18:28.600
<v Speaker 5>I got for you, O man. I want to be

0:18:28.600 --> 0:18:31.320
<v Speaker 5>a part of some of that. Royce Munroe big shouts

0:18:31.320 --> 0:18:35.640
<v Speaker 5>to Generation Now, the Big Three, DJ Don Cannon, DJ

0:18:35.880 --> 0:18:39.400
<v Speaker 5>Drama and Lake Cheezy. If you don't know, Cash rules everything,

0:18:39.560 --> 0:18:42.240
<v Speaker 5>Ki Cash new project will be available on all your

0:18:42.240 --> 0:18:45.560
<v Speaker 5>streaming platforms. Shouts out Willie Joe, shouts out TC, shouts

0:18:45.560 --> 0:18:48.360
<v Speaker 5>out Trey McKayla, the entire staff shouts out to all

0:18:48.359 --> 0:18:50.199
<v Speaker 5>the interns. And if you don't know, please know that

0:18:50.280 --> 0:18:52.880
<v Speaker 5>you are your own industry. And by the way, it's

0:18:52.920 --> 0:18:54.040
<v Speaker 5>online everywhere.

0:18:53.720 --> 0:18:57.240
<v Speaker 1>And by the way, uh baul Alert is managed by Generation.

0:18:57.160 --> 0:18:58.560
<v Speaker 3>Listen, don't get it. Don't get it? Best?

0:18:58.400 --> 0:19:02.560
<v Speaker 1>Are you all? You want to drop that lit?

0:19:03.119 --> 0:19:05.280
<v Speaker 5>Because I wanted to be a mystery, but yeah it

0:19:05.359 --> 0:19:07.640
<v Speaker 5>is big g n if you need to get here

0:19:07.840 --> 0:19:09.440
<v Speaker 5>anywhere that relates to these two.

0:19:10.720 --> 0:19:12.439
<v Speaker 3>Royce, I'm calling me.

0:19:13.560 --> 0:19:16.840
<v Speaker 5>Everybody that's waiting a response. I promise you I'm gonna respond.

0:19:16.960 --> 0:19:21.720
<v Speaker 4>Your time is coming, yes, sir,