WEBVTT - Episode 409 w/ MC Eiht & Norm Steele (The Gangster Chronicles)

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<v Speaker 1>He is drinks chess, motherfucker podcast makes he's a legendary

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<v Speaker 1>queen's rapper.

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<v Speaker 2>He ain't sagreed as your boy in.

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<v Speaker 3>O R E.

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<v Speaker 2>He's a Miami hip hop pioneer. What Up it's DJ

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<v Speaker 2>E f N. Together they drink it up with some

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<v Speaker 2>of the biggest players, you know what I mean?

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<v Speaker 3>And the most professional unprofessional podcast and your number one

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<v Speaker 3>source for drunk drink chans.

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<v Speaker 2>Mothercavery days New Year's c That's it's time for drink champions.

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<v Speaker 2>Drink up, motherfuck?

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<v Speaker 4>What it good?

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<v Speaker 2>Be hoping the winners should be. This is your boy

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<v Speaker 2>in O R E? What up is DJ E f N?

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<v Speaker 1>And this drink chests motherfucker. When we started the show,

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<v Speaker 1>we started this show, we said we wanted to give

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<v Speaker 1>it to legends.

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<v Speaker 2>We wanted to give their flowers while they alive.

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<v Speaker 1>These brothers here have both been dominated game, dominated two fields,

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<v Speaker 1>both of them in movies.

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<v Speaker 2>You know.

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<v Speaker 1>Uh, these guys got their own podcast, both legends West Coast.

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<v Speaker 1>So I want to start the show off by.

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<v Speaker 2>Off top, giving them they fly off. We've been trying

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<v Speaker 2>to sit down with them. Man. Now now now you

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<v Speaker 2>had something to do with Malabos most wanted man. Yeah,

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<v Speaker 2>I was in Malibu's most Wanting Man.

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<v Speaker 5>Shout out to the homies Man High see the little

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<v Speaker 5>homie high Sea and DJ Quick we actually actually crawl.

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<v Speaker 5>And Quick was going up to the audition for the

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<v Speaker 5>ship that day and there was a whole bunch of

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<v Speaker 5>different little rappers up there and stuff Dance was up

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<v Speaker 5>there on Hinky was popping at that time. He was

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<v Speaker 5>up there and they was like, they want the motherfuckers

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<v Speaker 5>to really battle.

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<v Speaker 2>You know what I'm saying.

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<v Speaker 5>They want the motherfuckers to really battle, you know, so

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<v Speaker 5>I want smacked a few kissing.

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<v Speaker 2>Now. Eight. I always wanted to know why you never

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<v Speaker 2>put a G in the.

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<v Speaker 3>Eight experienced in hardcore thumping.

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<v Speaker 1>Hear you say that you got your name from cars one.

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<v Speaker 3>Right, Well, you know, back then it was big on

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<v Speaker 3>the numbers and the brushes and mcs and all that.

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<v Speaker 3>So I just went with MC eight man, trying to

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<v Speaker 3>be different, you know what I'm saying. But I was

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<v Speaker 3>a high fan of KRS one, you know what I'm saying,

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<v Speaker 3>So that's where it came from. I tried to pattern

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<v Speaker 3>the after that because I always wanted to do this stand.

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<v Speaker 1>But now, if you know what's funny shit, right, I

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<v Speaker 1>tell the story all the time. This is part of

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<v Speaker 1>the story I didn't say. John Singleton was my homie, right,

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<v Speaker 1>and like before he passed, I was always like like

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<v Speaker 1>fu with him, like yo, when you're gonna put me

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<v Speaker 1>in snowfall. And he looked at me one time and said,

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<v Speaker 1>you will never be a snowball.

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<v Speaker 2>He said, your East Coast accent.

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<v Speaker 1>It's so fucked up you I could never pass for

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<v Speaker 1>a West Coast actor. He said, no matter what you

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<v Speaker 1>do nor you can't get away from it. And I

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<v Speaker 1>was like, holy shit, So what I was going to do?

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<v Speaker 1>I swear to God, I told this that side of

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<v Speaker 1>the story. This is the side of the story that

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<v Speaker 1>I didn't tell. If John Sigginson told me that one

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<v Speaker 1>more time, what I was going to do was I

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<v Speaker 1>was gonna go hang out with you for a month,

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<v Speaker 1>because boy, let me just take you something. If you

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<v Speaker 1>blond somebody and they hear you talk West Coast all day,

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<v Speaker 1>okay all day?

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<v Speaker 2>Like, have you ever tried to like do another accent off?

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<v Speaker 3>No, I've never been asked, you know, movies or whatever.

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<v Speaker 3>Even with the video game Grand Theft Auto. Yeah, they

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<v Speaker 3>was just like du it's distinctive. I guess you know

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<v Speaker 3>what I'm saying, and it presents West Coast. So I

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<v Speaker 3>love that ship all day.

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<v Speaker 1>But I heard you're in Grand Theft Auto. But you

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<v Speaker 1>never played Grand Theft Orto.

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<v Speaker 3>I played that ship. I get dizzy as fuck playing

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<v Speaker 3>and moving around fucking game feel, So no, I never played.

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<v Speaker 1>The ship, never played your own character. No live, I

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<v Speaker 1>would have did that. Yeah, I was in depth jeh

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<v Speaker 1>that I wouldn't play with no one else was just

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<v Speaker 1>use myself.

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<v Speaker 3>So never I never got to play it. I mean

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<v Speaker 3>I wasn't interested in it. Doing the ship was all

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<v Speaker 3>The kids loved it, you know when I came home, Yeah,

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<v Speaker 3>they loved it. But I never played the ship, never

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<v Speaker 3>even watched the ship.

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<v Speaker 1>But I heard you say that Park was at the

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<v Speaker 1>table reads right for Minister Society. Yeah, everyone thought this speculation.

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<v Speaker 1>So you you you said one he was supposed to

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<v Speaker 1>be Sharif.

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<v Speaker 2>Yes, that's kind of well known though it's known.

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<v Speaker 3>Yeah, yeah, yeah, they talked about they wanted him to

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<v Speaker 3>play Shariff.

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<v Speaker 2>He didn't want to be the positive character.

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<v Speaker 3>It wasn't that he didn't want to be it, but

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<v Speaker 3>he want at them to show why.

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<v Speaker 2>Yeah, he wanted to twist, he wanted to change the character.

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<v Speaker 3>They didn't want to do it right, Like, okay, if

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<v Speaker 3>you you know, you got Therens being whole dog, and

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<v Speaker 3>then Eights doing this, and then everybody has these characters

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<v Speaker 3>where you know they're heavily neighborhood. But he's supposed to

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<v Speaker 3>be the voice of reason, and we all know Tupac,

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<v Speaker 3>you know, with his roles and all that shit. He

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<v Speaker 3>wasn't a voice of reason, so why and I, you know,

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<v Speaker 3>the noble one. So he wanted them to at least

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<v Speaker 3>show why he changed. Show me killing a nigga or something,

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<v Speaker 3>Show my nigga going there, show a nigga going to jail,

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<v Speaker 3>or some ship and me getting changed in jail or something.

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<v Speaker 3>But y'all got to show why I became him when

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<v Speaker 3>we in this motherfucking land of everybody's notorious.

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<v Speaker 2>So he didn't want to just change the whole not

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<v Speaker 2>tell your ass.

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<v Speaker 3>He wasn't doing no interview, Yes.

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<v Speaker 2>He was.

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<v Speaker 5>He on the pop on that side, start asks a question.

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<v Speaker 1>And ship yeah, so, oh man, how how has West Coast?

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<v Speaker 2>And it is a question for both of y'all because I.

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<v Speaker 1>Remember the West Coast sound being like Roger Troup Man

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<v Speaker 1>like that type of thing. Then it turned gangster and

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<v Speaker 1>then it turned still gangster. But it's like this new age.

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<v Speaker 1>How are you embracing the new age? And I'm not

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<v Speaker 1>talking Kendrick. I'm talking about the new the new up

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<v Speaker 1>and coming West Coast artists and questions both of y'all.

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<v Speaker 5>Still you know what, I embraced all of the main

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<v Speaker 5>time of little homies out there getting to their money

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<v Speaker 5>and getting to their bag and everything. But I think

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<v Speaker 5>the thing that made hip hop hip hop was the

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<v Speaker 5>regional thing, Like you listen to somebody like when I

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<v Speaker 5>listened to y'all album, Huh, I got a story on

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<v Speaker 5>based on where y'all was from. I'm saying, when you're

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<v Speaker 5>easy in them, you're supposed to be able to get

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<v Speaker 5>a reflection the content. And I think as long as

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<v Speaker 5>they stay, I think if everybody just stay in they

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<v Speaker 5>land and to make the game a little bit more better,

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<v Speaker 5>it'd be a lot more parody. Because right now, everybody

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<v Speaker 5>sounds like they either from the Atlanta as far as

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<v Speaker 5>it was Atlanta. Now Detroit got they thing going on,

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<v Speaker 5>little triplets on the drums and all that. So you

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<v Speaker 5>get everybody doing that shit, just like they was on

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<v Speaker 5>the ship from England for a minute. We need to

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<v Speaker 5>start going back to our ships, you know what I

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<v Speaker 5>mean to where? Oh man, you know you could tell

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<v Speaker 5>you from the West Coast, like you know you said

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<v Speaker 5>when you hear eight voice distinctive, because this motherfucker exue

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<v Speaker 5>West Coast. He don't give a fuck. You know, you

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<v Speaker 5>exude where you from. You exude where you're from. And

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<v Speaker 5>I think that's what make hip hop dope. But I'm

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<v Speaker 5>not mad at the little homies for them doing what

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<v Speaker 5>they do. And I just think that's because the problems

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<v Speaker 5>with the West Coast is they suffer from the quota

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<v Speaker 5>owned syndrome. If you notice everywhere the quoted down central,

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<v Speaker 5>you know, you get jumped in the game. Every rapper

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<v Speaker 5>on the West Coast outside of him come from that

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<v Speaker 5>NWA family tree. When you think about it, everything is

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<v Speaker 5>kind of like extended from there. You feel what I'm saying,

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<v Speaker 5>should win in Pillick's you know, ruthless records and look

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<v Speaker 5>at that generation you know that spawned, you know, the Eminem's,

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<v Speaker 5>the games and all the mother people, fifty cent and

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<v Speaker 5>all of them. But it was a time to where

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<v Speaker 5>if you won from up under that Drad thing. It

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<v Speaker 5>wasn't none shaken. He was one of the only dudes

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<v Speaker 5>I think him and Ice. Him and Ice kind of

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<v Speaker 5>broke out of that because they was with a djah

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<v Speaker 5>king t But they were all in the same thing

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<v Speaker 5>that was under DJ and Knowun's thing. So the DJ

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<v Speaker 5>played a real pivotal park and hip hop, and a

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<v Speaker 5>lot of times the DJ don't get their props no more.

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<v Speaker 5>And I think that's it. You gotta remember Dory, when

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<v Speaker 5>you all cast came in the game, it was a

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<v Speaker 5>barrier to entry in hip hop. You know, motherfucker didn't

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<v Speaker 5>have for fifty thous an hours to go to the studio,

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<v Speaker 5>so we had to have somebody that was gonna plug

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<v Speaker 5>you up, kind of hook you up. Motherfucker's getting beats

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<v Speaker 5>off the internet now, dog, ain't nobody in there coaching

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<v Speaker 5>them up. So they just going off what they think

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<v Speaker 5>is hot. It ain't nothing. Ain't nobody really being developed.

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<v Speaker 3>Rappers is different, and that's coming from everywhere. My error

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<v Speaker 3>was telling stories. You know, there was a lot of

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<v Speaker 3>things we saw as far as growing up in the neighborhood.

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<v Speaker 2>You know.

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<v Speaker 3>Now, not to take away from the youngsters, you know,

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<v Speaker 3>because it's a different sound. You feel me. I try

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<v Speaker 3>to listen and but like I said, I was nineteen

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<v Speaker 3>eighteen once all I cared about was the neighborhood and

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<v Speaker 3>who we could pop and who we could roll on.

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<v Speaker 3>So you got a lot of that in youngster music

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<v Speaker 3>with one too. I say, stand on their identity as

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<v Speaker 3>far as where they come from. But it's different because

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<v Speaker 3>in my days, West Coast music was about storytelling. You know,

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<v Speaker 3>we all told stories of the neighborhood. I tried to

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<v Speaker 3>tell stories of growing up and the negativity I saw

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<v Speaker 3>as far as both sides. You know what I'm saying.

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<v Speaker 3>We was gang banging, we was neighborhood, but it was

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<v Speaker 3>still a downfall to that shit.

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<v Speaker 2>Right like beware story.

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<v Speaker 3>A lot of stuff is glorified today in young music,

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<v Speaker 3>you know.

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<v Speaker 2>And social media is changing the landscape.

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<v Speaker 3>So my take on it is, you know, it's just

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<v Speaker 3>what they're is just the trendy shit. It's what they see,

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<v Speaker 3>what they hear, this is what they think is popularized.

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<v Speaker 3>It's what you think they're gonna get a fast buck

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<v Speaker 3>off of, you know what I'm saying. So that's how

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<v Speaker 3>I look at how West Coast music is with the

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<v Speaker 3>youngsters coming up today want to solidify their identity, representing

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<v Speaker 3>where they're from. But you know, it could take a

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<v Speaker 3>turn for the worst because we got a lot of

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<v Speaker 3>niggas dying right now behind our culture. You feel me,

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<v Speaker 3>which is sad to say, but I can't be judgmental because,

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<v Speaker 3>like I said, I was eighteen nineteen two. You couldn't

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<v Speaker 3>tell me shit. When I first started rapping. It was

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<v Speaker 3>all about the neighborhood and nothing else. And I don't

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<v Speaker 3>give a fuck, and I'm gonna talk about it, tell

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<v Speaker 3>you about it, and if you got beef with it,

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<v Speaker 3>then that's what's gonna happen. As you get older in music,

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<v Speaker 3>you try to change. You see the downfalls, so you

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<v Speaker 3>want to change the aspect. But it's still the same.

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<v Speaker 3>A lot of youngsters get it from just coming up

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<v Speaker 3>in the neighborhood. You know what I'm saying. It got

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<v Speaker 3>a lot of that still now. You from Long Beach, right, yeah,

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<v Speaker 3>I'm from the Long Beach.

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<v Speaker 5>I came up to California Regent Cleveland, Ohio, went eighty

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<v Speaker 5>eight eighty seven, going on eighty eight. I went after

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<v Speaker 5>to play football and wound up getting into all kinds

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<v Speaker 5>of other shits, you know, all kind.

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<v Speaker 3>Of watch motherfucker football.

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<v Speaker 2>You know what I'm saying.

0:11:59.360 --> 0:12:04.440
<v Speaker 3>The whole point program and that's the hood took me

0:12:04.559 --> 0:12:07.640
<v Speaker 3>under right there on me. They o came out here

0:12:07.840 --> 0:12:10.920
<v Speaker 3>out the Cali and was like, got a glimpse of

0:12:10.720 --> 0:12:13.520
<v Speaker 3>the hip hop and the females and the niggas on

0:12:13.559 --> 0:12:15.760
<v Speaker 3>the corner and the blocks and that bread.

0:12:16.400 --> 0:12:19.040
<v Speaker 5>There is so much motherfucking money back then. Man, I

0:12:19.040 --> 0:12:22.720
<v Speaker 5>ain't have a dime in my pocket, and.

0:12:22.160 --> 0:12:25.640
<v Speaker 3>And they go on the football that I can't have sat.

0:12:29.000 --> 0:12:31.440
<v Speaker 5>I'm gonna tell you the lord of the motherfucking cripping

0:12:31.440 --> 0:12:33.199
<v Speaker 5>in the blood. And I never got into the games

0:12:33.200 --> 0:12:35.319
<v Speaker 5>banging aspect because it was the money, you see what

0:12:35.360 --> 0:12:38.560
<v Speaker 5>I'm saying. I had a homeboy one day. I was like, man,

0:12:38.600 --> 0:12:40.920
<v Speaker 5>he was like, he called me Ohio when I first

0:12:40.920 --> 0:12:44.240
<v Speaker 5>came out there, Ohio, Ohio, Man, Ohio, you need some bread,

0:12:44.320 --> 0:12:46.120
<v Speaker 5>dog man. You need to get you a sack. And

0:12:46.160 --> 0:12:48.040
<v Speaker 5>I said, well, what's what's the sack? You know? Let

0:12:48.080 --> 0:12:50.000
<v Speaker 5>me get with a sec. I went over saw the

0:12:50.040 --> 0:12:53.040
<v Speaker 5>Misxican homie man got a five oh double was double up.

0:12:53.120 --> 0:12:54.160
<v Speaker 2>Man. It was on from there.

0:12:55.040 --> 0:12:58.640
<v Speaker 5>Motherucks isling changed the motherfucker's life for the negative. But

0:12:58.679 --> 0:13:01.320
<v Speaker 5>I'm gonna tell you, man, it was different back then

0:13:01.440 --> 0:13:02.200
<v Speaker 5>the West Coast.

0:13:02.880 --> 0:13:03.600
<v Speaker 2>It was real.

0:13:03.480 --> 0:13:05.880
<v Speaker 5>Grimy, man, it was dangerous. Yeah, And once you get

0:13:05.920 --> 0:13:07.360
<v Speaker 5>a pistol of the back and he had a couple

0:13:07.400 --> 0:13:09.520
<v Speaker 5>of times though. That makes you kind of read direct,

0:13:09.720 --> 0:13:12.319
<v Speaker 5>you feel what I'm saying, You kind of read direct.

0:13:12.520 --> 0:13:14.440
<v Speaker 5>That ship was real. It ain't nothing to be glorified.

0:13:14.480 --> 0:13:16.040
<v Speaker 5>There was a lot of foul ship that went on,

0:13:16.080 --> 0:13:16.440
<v Speaker 5>you know.

0:13:16.600 --> 0:13:18.760
<v Speaker 1>Because you being from Long Beach and you being from Compton,

0:13:19.320 --> 0:13:23.200
<v Speaker 1>right and to see this gang culture like that ship

0:13:23.320 --> 0:13:25.800
<v Speaker 1>is like almost as big as hip hop or they're

0:13:25.800 --> 0:13:27.120
<v Speaker 1>like it's worldwide, like.

0:13:27.320 --> 0:13:31.720
<v Speaker 3>Ship before hip hop. A lot of people, you know,

0:13:32.600 --> 0:13:34.599
<v Speaker 3>talk about the influence and hip hop and all that,

0:13:34.679 --> 0:13:36.960
<v Speaker 3>But I was gang banging before I even knew what

0:13:36.960 --> 0:13:38.080
<v Speaker 3>the fucking hip hop was.

0:13:38.440 --> 0:13:40.559
<v Speaker 1>You giving me like I came from Paris and I've

0:13:40.559 --> 0:13:41.160
<v Speaker 1>seen crypton.

0:13:43.440 --> 0:13:48.160
<v Speaker 3>It's everywhere for me, Like I said, growing up, it

0:13:48.240 --> 0:13:53.600
<v Speaker 3>was you know, me, moms, my sister, my little brother, Uh,

0:13:54.600 --> 0:13:55.720
<v Speaker 3>Pops wasn't in the home.

0:13:56.040 --> 0:13:56.360
<v Speaker 2>You know.

0:13:57.480 --> 0:14:01.320
<v Speaker 3>Neighborhood was rough, kind of flowing you fall into it,

0:14:01.840 --> 0:14:06.959
<v Speaker 3>you know, And so it was before before hip hop

0:14:07.440 --> 0:14:11.120
<v Speaker 3>I was gang banging. You give me I kind of

0:14:13.720 --> 0:14:15.520
<v Speaker 3>half and half. You know what I'm saying. I was

0:14:15.600 --> 0:14:17.840
<v Speaker 3>fully game banging when I put out my first record,

0:14:17.960 --> 0:14:18.720
<v Speaker 3>second record.

0:14:19.080 --> 0:14:23.040
<v Speaker 2>You give me h we say game banging, when you say,

0:14:24.720 --> 0:14:25.040
<v Speaker 2>you mean.

0:14:28.080 --> 0:14:31.600
<v Speaker 3>I was still in the neighborhood. You know I didn't know.

0:14:31.960 --> 0:14:34.720
<v Speaker 3>I didn't. I didn't know where else to go. You

0:14:34.800 --> 0:14:35.160
<v Speaker 3>getting me.

0:14:35.200 --> 0:14:37.320
<v Speaker 2>I'm still telling crack my first I never want you to.

0:14:37.400 --> 0:14:41.400
<v Speaker 3>I never wanted to be I never wanted to be

0:14:41.480 --> 0:14:45.000
<v Speaker 3>looked at as the rap nigga. You getting me. I

0:14:45.080 --> 0:14:50.440
<v Speaker 3>still want the hood. So we leave the studio, We

0:14:50.520 --> 0:14:53.120
<v Speaker 3>to the hood, We leave a show, We to the hood.

0:14:53.360 --> 0:14:56.400
<v Speaker 3>You give me concerts. I go pull up tour bus

0:14:56.440 --> 0:14:58.680
<v Speaker 3>in the hood and put every motherfucking nigga from the

0:14:58.680 --> 0:15:03.920
<v Speaker 3>neighborhood and we're going into the concert. That was my belonging.

0:15:04.000 --> 0:15:06.640
<v Speaker 3>You know what I'm saying. It wasn't. I didn't the

0:15:06.760 --> 0:15:09.480
<v Speaker 3>rap shit and hanging in the clubs and all that shit.

0:15:09.880 --> 0:15:12.480
<v Speaker 3>I never out. To this day, I still never got

0:15:12.520 --> 0:15:15.280
<v Speaker 3>on that aspect. You get me, even though I'm still

0:15:15.280 --> 0:15:19.800
<v Speaker 3>not venturing to the neighborhood every day. But I never

0:15:19.880 --> 0:15:24.880
<v Speaker 3>wanted to be symbolized as the rap nigga. I'm just

0:15:24.920 --> 0:15:28.360
<v Speaker 3>telling stories. This is what happened on my block yesterday,

0:15:28.840 --> 0:15:32.400
<v Speaker 3>and so fuck it. I got an avenue to where

0:15:33.240 --> 0:15:35.680
<v Speaker 3>I don't have to go on the block and sell

0:15:35.800 --> 0:15:38.480
<v Speaker 3>some crack. I go to the studio and tell y'all

0:15:38.520 --> 0:15:41.280
<v Speaker 3>what happened in the hood last night. And then that

0:15:41.480 --> 0:15:44.520
<v Speaker 3>keeps me from because we was going to jail every

0:15:44.640 --> 0:15:48.200
<v Speaker 3>every other day in the neighborhood, you know, before the rapping,

0:15:48.640 --> 0:15:50.680
<v Speaker 3>just for standing out on the block, you go to

0:15:50.720 --> 0:15:53.600
<v Speaker 3>the you get picked up. I was tired of that.

0:15:53.680 --> 0:15:55.320
<v Speaker 3>You know what I'm saying, You gotta do something else.

0:15:55.720 --> 0:15:58.400
<v Speaker 3>And just face it, I wasn't good at selling crack.

0:15:59.320 --> 0:16:01.680
<v Speaker 3>I take my and as soon as I make some money,

0:16:01.800 --> 0:16:04.520
<v Speaker 3>I'm gonna give me a rint the club car, pick

0:16:04.640 --> 0:16:08.640
<v Speaker 3>up the homies. And I wasn't my entrepreneurship and the

0:16:08.720 --> 0:16:12.240
<v Speaker 3>dope game wasn't so the rap shit, you know what

0:16:12.280 --> 0:16:14.160
<v Speaker 3>I'm saying, Because like I said, I just want to

0:16:14.160 --> 0:16:16.360
<v Speaker 3>be the hood nigga. I didn't want to. I didn't

0:16:16.360 --> 0:16:19.120
<v Speaker 3>want to be the baller, the big time nigga. And

0:16:19.120 --> 0:16:22.680
<v Speaker 3>when I started rapping, you know, He'll tell you right now, niggas,

0:16:22.760 --> 0:16:24.840
<v Speaker 3>are you the legend, and I'll be like, stop calling

0:16:24.840 --> 0:16:28.200
<v Speaker 3>me that ship. I'm just a regular ass nigga who

0:16:28.280 --> 0:16:33.240
<v Speaker 3>was telling stories about niggas I was associated with. And

0:16:33.320 --> 0:16:36.080
<v Speaker 3>I'm sure it was niggas in Yo Hood going through

0:16:36.120 --> 0:16:39.360
<v Speaker 3>shit and Yo Hood and Yo Hood and then niggas

0:16:39.400 --> 0:16:42.000
<v Speaker 3>in here. That's what I rapped for. I don't wont

0:16:42.040 --> 0:16:47.240
<v Speaker 3>be the nigga you know all this shit. It wasn't me.

0:16:47.480 --> 0:16:49.480
<v Speaker 6>So you never considered yourself like a like a hip

0:16:49.480 --> 0:16:51.160
<v Speaker 6>hop head, no, because.

0:16:50.920 --> 0:16:54.280
<v Speaker 2>You did love Karris One, so that's I love.

0:16:55.520 --> 0:17:00.359
<v Speaker 3>But once you fall into the neighborhood ship nigga, that

0:17:00.360 --> 0:17:02.760
<v Speaker 3>that's what I am. And then once I started rapping,

0:17:04.359 --> 0:17:07.639
<v Speaker 3>I was always like the private, quiet nigga. So I

0:17:07.680 --> 0:17:10.240
<v Speaker 3>didn't like doing all the hip hop shit, right, you

0:17:10.359 --> 0:17:13.040
<v Speaker 3>getting me? I didn't. I didn't feel that shit. So

0:17:13.680 --> 0:17:15.760
<v Speaker 3>I just wanted to be knowing today when niggas be

0:17:15.800 --> 0:17:18.680
<v Speaker 3>like eight eight, I'm like, dude, I'm just like you, nigga.

0:17:19.200 --> 0:17:19.800
<v Speaker 2>You feel me.

0:17:20.359 --> 0:17:23.000
<v Speaker 3>I just found another way to hustle it. You get me,

0:17:23.400 --> 0:17:26.359
<v Speaker 3>you know, and I'm sure y'all going through it over there.

0:17:26.400 --> 0:17:28.480
<v Speaker 3>So let me come up with some ship to where

0:17:28.520 --> 0:17:33.359
<v Speaker 3>I can reach niggas on the aspect they struggling, They struggling,

0:17:33.680 --> 0:17:37.359
<v Speaker 3>they struggling. We probably are doing the same shit. Whether

0:17:37.520 --> 0:17:40.520
<v Speaker 3>whether you got on one fucking Converse or Timbow's or

0:17:40.560 --> 0:17:44.800
<v Speaker 3>motherfucking motherfucking Sandals or whatever, we're going through the same shit.

0:17:44.880 --> 0:17:48.280
<v Speaker 3>So let me talk about that and then don't feel

0:17:48.359 --> 0:17:51.679
<v Speaker 3>alienated when I'm around. I'm like you, my nigga, you know,

0:17:52.000 --> 0:17:54.920
<v Speaker 3>with the with the fandom and all that bullshit. Nah,

0:17:55.440 --> 0:17:57.439
<v Speaker 3>we're gonna stand right here, We're gonna blow a blunt,

0:17:57.440 --> 0:17:59.280
<v Speaker 3>we're gonna kick it, We're gonna chop it up about

0:17:59.320 --> 0:18:02.160
<v Speaker 3>some regular ship and that's it. So that's always that's

0:18:02.200 --> 0:18:05.400
<v Speaker 3>what I've always looked at myself as Let's talk.

0:18:05.320 --> 0:18:08.399
<v Speaker 1>About the podcast for a second. Didn't you start out

0:18:08.400 --> 0:18:09.119
<v Speaker 1>as four people?

0:18:09.720 --> 0:18:09.960
<v Speaker 5>Man?

0:18:10.280 --> 0:18:18.040
<v Speaker 2>That's a whole, that's that what happened. I thought you

0:18:18.080 --> 0:18:26.359
<v Speaker 2>were just bugging out. Yeah yeah, yeah, I thought she was.

0:18:28.240 --> 0:18:31.080
<v Speaker 3>Pouring it all over the championship nigga.

0:18:33.320 --> 0:18:39.359
<v Speaker 2>That's the podcast. That's the people that look does he

0:18:39.400 --> 0:18:41.920
<v Speaker 2>hit it here?

0:18:42.880 --> 0:18:46.159
<v Speaker 3>It was four yard man, it was I came in

0:18:46.240 --> 0:18:50.800
<v Speaker 3>late okay the lated dish. Yeah yeah, tell you that

0:18:50.920 --> 0:18:52.800
<v Speaker 3>you gotta break it down with it into that ship.

0:18:52.840 --> 0:18:53.679
<v Speaker 2>Tell you what happened.

0:18:54.200 --> 0:18:56.280
<v Speaker 5>And I ain't really trying to say these niggas names

0:18:56.320 --> 0:18:58.680
<v Speaker 5>man and make motherfuckers famous, you know what I'm saying.

0:18:59.160 --> 0:19:02.520
<v Speaker 5>But quiet on this with that. Yeah, it was, it was.

0:19:03.160 --> 0:19:05.479
<v Speaker 5>It was originally three of us the first episode. It

0:19:05.520 --> 0:19:07.080
<v Speaker 5>was me, myself and two other casts.

0:19:07.200 --> 0:19:07.520
<v Speaker 2>Right.

0:19:07.920 --> 0:19:10.760
<v Speaker 5>I had the idea maybe a year and a half

0:19:10.800 --> 0:19:12.399
<v Speaker 5>before we ever even put it out. I said, Man,

0:19:12.440 --> 0:19:15.119
<v Speaker 5>I'm gonna do a show, put together a podcast, and

0:19:15.119 --> 0:19:19.040
<v Speaker 5>this when it wasn't fifty million motherfucking podcasts everywhere, wasn't nobody,

0:19:20.080 --> 0:19:21.600
<v Speaker 5>And I said, this is what we're gonna do. So

0:19:21.640 --> 0:19:24.040
<v Speaker 5>I put it together, right, the gangst the Chronicles, I

0:19:24.119 --> 0:19:26.600
<v Speaker 5>tell you who it was. Originally was gonna be. It

0:19:26.720 --> 0:19:29.959
<v Speaker 5>was gonna be myself rest in peace, big psych from

0:19:30.000 --> 0:19:30.879
<v Speaker 5>out of thug life.

0:19:30.920 --> 0:19:31.320
<v Speaker 2>Oh wow.

0:19:31.359 --> 0:19:32.959
<v Speaker 5>And it was gonna be this man right here. I

0:19:33.040 --> 0:19:36.440
<v Speaker 5>actually told him about it, right. But I start having ideas.

0:19:36.560 --> 0:19:38.080
<v Speaker 5>I got in the podcast and I said, I want

0:19:38.080 --> 0:19:39.320
<v Speaker 5>to do something different, you know what I mean. I

0:19:39.400 --> 0:19:42.040
<v Speaker 5>want to talk about hip fip, like gangster rap, but

0:19:42.119 --> 0:19:44.000
<v Speaker 5>with the criminal element, but with the real because it's

0:19:44.000 --> 0:19:46.960
<v Speaker 5>a lot of grimy motherfuckers and get Bob right. So

0:19:47.359 --> 0:19:49.280
<v Speaker 5>it was me and them two casts. At first, we

0:19:49.320 --> 0:19:51.040
<v Speaker 5>knew one of them was going to jail. One of

0:19:51.080 --> 0:19:52.480
<v Speaker 5>them just got a case, so he was gonna be

0:19:52.520 --> 0:19:54.960
<v Speaker 5>going to jail in six months. I didn't want to

0:19:55.000 --> 0:19:57.000
<v Speaker 5>be on the show, really, I was. I got a

0:19:57.080 --> 0:19:59.520
<v Speaker 5>I had plans to open up a whole network. I

0:19:59.520 --> 0:20:01.520
<v Speaker 5>had a home boy to work for CBS on the

0:20:01.520 --> 0:20:03.320
<v Speaker 5>West Coast and have been talking about it.

0:20:03.400 --> 0:20:05.720
<v Speaker 2>So I was just go get money.

0:20:06.080 --> 0:20:08.000
<v Speaker 5>I was gonna get my sugar night that was just

0:20:08.560 --> 0:20:11.320
<v Speaker 5>came in, you know, I was just go get my

0:20:11.359 --> 0:20:13.480
<v Speaker 5>shug on with the podcast I saw. I said, this

0:20:13.560 --> 0:20:16.160
<v Speaker 5>is the new motherfucker record kill. I tell'mfant to jump

0:20:16.160 --> 0:20:17.800
<v Speaker 5>on this ship for all these other niggas find out.

0:20:19.160 --> 0:20:22.480
<v Speaker 5>So we get to doing that. Man, everything is cool,

0:20:22.840 --> 0:20:24.720
<v Speaker 5>and I say, I'm gonna bring this one cat in

0:20:24.800 --> 0:20:28.160
<v Speaker 5>because he's kind of like got the sociologist thing going

0:20:28.160 --> 0:20:30.040
<v Speaker 5>to where he studied gangs and ship like that.

0:20:30.520 --> 0:20:34.000
<v Speaker 2>So I bring him in. Alfonso. Yeah, we started, don't

0:20:34.000 --> 0:20:34.640
<v Speaker 2>even say no more.

0:20:38.480 --> 0:20:40.680
<v Speaker 1>I didn't know he was a part of the show though. Yeah,

0:20:40.720 --> 0:20:42.280
<v Speaker 1>I thought he was just a guess.

0:20:42.359 --> 0:20:45.600
<v Speaker 5>Yeah, I put I put all three of them cats together, right,

0:20:45.720 --> 0:20:48.320
<v Speaker 5>and so I had it right now I don't know

0:20:48.400 --> 0:20:50.920
<v Speaker 5>that I had a thing going right, And so I'm

0:20:50.920 --> 0:20:54.240
<v Speaker 5>gonna tell you something that success breath for weak minded

0:20:54.280 --> 0:20:56.880
<v Speaker 5>motherfuckers that they ain't used to ship. They start thinking

0:20:56.920 --> 0:20:58.119
<v Speaker 5>they the reason for the season.

0:20:58.240 --> 0:20:58.440
<v Speaker 7>Right.

0:20:59.280 --> 0:21:02.240
<v Speaker 5>So dude, one day one of the homieshold me, I'm

0:21:02.240 --> 0:21:05.320
<v Speaker 5>gonna say his name, because he's a cool motherfucker, James McDonald, Right,

0:21:06.200 --> 0:21:10.240
<v Speaker 5>James's loyal motherfucker. Dog. Now that them mother two motherfuckers

0:21:10.240 --> 0:21:11.840
<v Speaker 5>that left. I didn't give a fuck. I wouldn't have

0:21:11.840 --> 0:21:15.119
<v Speaker 5>pistol on them motherfuckers if they was on fire, not

0:21:15.320 --> 0:21:15.640
<v Speaker 5>like that.

0:21:15.720 --> 0:21:22.000
<v Speaker 2>But you know what I'm saying that he was a

0:21:22.040 --> 0:21:24.080
<v Speaker 2>good dude, loyal, last dude. Right.

0:21:24.359 --> 0:21:27.840
<v Speaker 5>And but when the allegations, you know, it's speeding up.

0:21:27.920 --> 0:21:30.280
<v Speaker 5>When all this stuff started coming out, Man, it was

0:21:30.600 --> 0:21:33.000
<v Speaker 5>we still in Los Angeles, Dog, It's a certain code

0:21:33.000 --> 0:21:34.760
<v Speaker 5>that you got to live by a few from the streets.

0:21:35.680 --> 0:21:38.639
<v Speaker 5>And when those allegations came out, like just couldn't associate

0:21:38.720 --> 0:21:40.480
<v Speaker 5>with the brand no more. It's like, you can't be

0:21:40.560 --> 0:21:42.879
<v Speaker 5>a show. Even if you're talking about gangster rep you

0:21:42.920 --> 0:21:45.160
<v Speaker 5>can't be a show talk about you the Gangster Chronicles

0:21:45.160 --> 0:21:48.440
<v Speaker 5>and this motherfuckers don'na fly cooperated with somebody not saying

0:21:48.440 --> 0:21:50.080
<v Speaker 5>that's what he did or did it, but those what

0:21:50.119 --> 0:21:52.840
<v Speaker 5>the allegations were. So I had to distance myself and

0:21:53.080 --> 0:21:56.520
<v Speaker 5>keep it pushing. But I was always thinking about bringing

0:21:56.560 --> 0:21:59.040
<v Speaker 5>them in because the other dude was tripping like he

0:21:59.119 --> 0:21:59.600
<v Speaker 5>thought he.

0:21:59.560 --> 0:22:03.560
<v Speaker 2>Was just a the gang specialists. Yeah, the gang specialist

0:22:03.680 --> 0:22:04.639
<v Speaker 2>gang anything you can.

0:22:04.520 --> 0:22:06.800
<v Speaker 3>Do, the gang Specialists.

0:22:07.000 --> 0:22:10.160
<v Speaker 5>So I was thinking about, you know, really replacing him.

0:22:10.160 --> 0:22:12.399
<v Speaker 5>And then Charlotte Mane because it was motherfuckers starting to

0:22:12.400 --> 0:22:13.800
<v Speaker 5>holler at us. It was a gang of people that

0:22:13.920 --> 0:22:16.239
<v Speaker 5>hit us up talking about, man, we want to, you know,

0:22:16.320 --> 0:22:18.639
<v Speaker 5>do something with y'all. I was like, man, this all

0:22:18.680 --> 0:22:20.880
<v Speaker 5>this shit gonna be you know, we in motion, right.

0:22:22.160 --> 0:22:24.879
<v Speaker 5>So Charlotte Mane had hit me one day shout out

0:22:24.880 --> 0:22:28.440
<v Speaker 5>to the homeboy Glasses Malone because he assigned Glasses show.

0:22:28.520 --> 0:22:30.400
<v Speaker 5>And he was like, man, I've been watching this one

0:22:30.440 --> 0:22:33.199
<v Speaker 5>show about the ship the niggas ohee niggas from I

0:22:33.200 --> 0:22:37.000
<v Speaker 5>said my way say old niggas when here so and

0:22:37.359 --> 0:22:40.040
<v Speaker 5>he was like, yeah, he hit us up right, And

0:22:40.119 --> 0:22:42.240
<v Speaker 5>so he was like, man, I think y'all need one

0:22:42.240 --> 0:22:44.359
<v Speaker 5>more person because it was just me and James at

0:22:44.400 --> 0:22:47.919
<v Speaker 5>first right, and he said what you think about m

0:22:48.000 --> 0:22:49.719
<v Speaker 5>C eight And I was like, thank you God. I

0:22:49.760 --> 0:22:52.440
<v Speaker 5>was hoping he didn't say nothing. The mother weird because

0:22:52.480 --> 0:22:54.240
<v Speaker 5>you know how people can be with this shit. Man,

0:22:54.280 --> 0:22:56.080
<v Speaker 5>you try to get some ship going to never get

0:22:56.320 --> 0:22:58.800
<v Speaker 5>you can never get it off the ground. And so

0:22:59.040 --> 0:23:01.880
<v Speaker 5>we've been rocking every since then. Man, but this podcast

0:23:01.880 --> 0:23:05.640
<v Speaker 5>shit a headache. Dog, you got to five years the easiest.

0:23:07.720 --> 0:23:08.720
<v Speaker 2>Who is your favorite guests?

0:23:09.359 --> 0:23:12.760
<v Speaker 5>My favorite guest man, I got a couple of him.

0:23:12.800 --> 0:23:16.600
<v Speaker 5>I got my Nigga too Short, was a good guess man.

0:23:17.280 --> 0:23:21.800
<v Speaker 5>He was a good guest and crip motherfucking mac oh.

0:23:22.119 --> 0:23:24.280
<v Speaker 2>I know him with old the tattoos on the space. Yeah. Yeah.

0:23:26.800 --> 0:23:29.359
<v Speaker 5>And the homeboy Little Sody rest in peace, My homeboy,

0:23:29.440 --> 0:23:33.320
<v Speaker 5>Little Sodi. Little Sodi's man history and the Los Angeles

0:23:33.359 --> 0:23:36.920
<v Speaker 5>the streets just so extensive man and thick and he's

0:23:36.960 --> 0:23:38.920
<v Speaker 5>just a real solid dude. He just he just lost

0:23:38.920 --> 0:23:41.000
<v Speaker 5>his life not too long going to accident, going back

0:23:41.000 --> 0:23:44.840
<v Speaker 5>out to Vegas. Yeah, he just got to react because

0:23:44.880 --> 0:23:47.240
<v Speaker 5>you get them episodes to get reactions in the streets.

0:23:48.080 --> 0:23:49.640
<v Speaker 5>Like when I talked to the homies, they don't give

0:23:49.640 --> 0:23:51.320
<v Speaker 5>they just to you know, you know, you got the

0:23:51.600 --> 0:23:53.560
<v Speaker 5>homie tell you man. He had that sucker ass nigga

0:23:53.560 --> 0:23:56.359
<v Speaker 5>on it. That mother ain't this and that. But Sodi

0:23:56.480 --> 0:23:58.480
<v Speaker 5>was one of the motherfuckers that everybody respected.

0:23:59.800 --> 0:24:01.680
<v Speaker 2>How about you, who is who is your favorite?

0:24:01.880 --> 0:24:03.320
<v Speaker 3>I think my favorite was.

0:24:04.760 --> 0:24:06.360
<v Speaker 2>The dude who broke out of prison.

0:24:06.560 --> 0:24:08.400
<v Speaker 5>Oh yeah, he was good toil. We got the catch

0:24:08.400 --> 0:24:12.320
<v Speaker 5>that broke out of prison twice, man twice twice.

0:24:15.480 --> 0:24:21.560
<v Speaker 2>Niggas made man.

0:24:22.080 --> 0:24:25.480
<v Speaker 3>He had me sitting there like the whole show, nigga.

0:24:25.520 --> 0:24:27.119
<v Speaker 3>I couldn't ask the motherfucker question.

0:24:27.240 --> 0:24:27.880
<v Speaker 2>I was just.

0:24:27.800 --> 0:24:30.480
<v Speaker 3>Amazed, like god damn, and how you do it? He

0:24:30.600 --> 0:24:32.600
<v Speaker 3>was like ship, nigga, I got this and I got.

0:24:32.440 --> 0:24:33.359
<v Speaker 2>The blieve twice.

0:24:33.400 --> 0:24:37.840
<v Speaker 5>He broke out with a heavy set Caucasian woman. Motherfucker

0:24:38.400 --> 0:24:41.159
<v Speaker 5>got met on the phone in their dog game. He

0:24:41.280 --> 0:24:43.920
<v Speaker 5>need and this motherfucker crawled up through the Vincent and

0:24:44.200 --> 0:24:46.359
<v Speaker 5>something out of the window. She drove him to the

0:24:46.359 --> 0:24:49.160
<v Speaker 5>hotel and he got caught because he told that big

0:24:49.240 --> 0:24:51.800
<v Speaker 5>fuck you as soon as he got out, and she

0:24:54.040 --> 0:24:56.680
<v Speaker 5>that was my favorite guest right there, that niggas. He

0:24:56.760 --> 0:24:58.720
<v Speaker 5>was a cold motherfucker, finitely so.

0:24:59.240 --> 0:25:01.160
<v Speaker 2>And I want to bring Zeno and I want them

0:25:01.240 --> 0:25:03.280
<v Speaker 2>as a guest. I was pusted. I wanted to ask

0:25:03.280 --> 0:25:04.879
<v Speaker 2>you something that I asked all.

0:25:06.520 --> 0:25:12.919
<v Speaker 1>Now or artists period, but particular the California artist. Is

0:25:13.160 --> 0:25:21.199
<v Speaker 1>LA the most dangerous place for a rapper? I like

0:25:21.240 --> 0:25:24.720
<v Speaker 1>how you're thinking about it. You just asked school Boy

0:25:24.800 --> 0:25:25.879
<v Speaker 1>Q that I don't know if you saw it.

0:25:26.600 --> 0:25:33.840
<v Speaker 3>Yeah, I saw that. Yeah. La is dangerous because of

0:25:36.680 --> 0:25:43.639
<v Speaker 3>how the gang Elements set singing to play me growing

0:25:43.720 --> 0:25:48.119
<v Speaker 3>up as a gang banger in hip hop. It was

0:25:48.240 --> 0:25:53.760
<v Speaker 3>dangerous for myself. Wow, just because I was claiming a neighborhood.

0:25:55.080 --> 0:25:58.719
<v Speaker 3>Niggas didn't like the neighborhood. So you have to carry

0:25:58.760 --> 0:26:05.520
<v Speaker 3>that with your public figure. God damn right, So I

0:26:05.600 --> 0:26:07.720
<v Speaker 3>had to. You got to move accordingly.

0:26:07.920 --> 0:26:08.160
<v Speaker 2>Man.

0:26:08.640 --> 0:26:12.360
<v Speaker 3>Man, it's today. Man, it's cool, but ship, I've had

0:26:12.440 --> 0:26:15.480
<v Speaker 3>niggas tell me like nigga were supposed to get you,

0:26:15.640 --> 0:26:20.040
<v Speaker 3>and niggas paid us to come at you, and nigga

0:26:20.080 --> 0:26:22.920
<v Speaker 3>we saw you over here one day and won't they won't.

0:26:23.160 --> 0:26:26.720
<v Speaker 3>It was It's a dangerous place. And just because of

0:26:26.800 --> 0:26:29.400
<v Speaker 3>the like I said, when you are a rapper and

0:26:29.480 --> 0:26:33.520
<v Speaker 3>you claim in a neighborhood, now you got that aspect because.

0:26:33.320 --> 0:26:36.159
<v Speaker 1>Anybody, anybody got be for that neighborhood now has be

0:26:36.240 --> 0:26:36.520
<v Speaker 1>for you.

0:26:36.520 --> 0:26:38.960
<v Speaker 3>You God damn right, you could fuck about no rap music.

0:26:40.240 --> 0:26:45.160
<v Speaker 3>That was my thing. Like I'm a rapper, but I'm

0:26:45.200 --> 0:26:48.919
<v Speaker 3>still Niggas know me from back to the day. So

0:26:49.240 --> 0:26:52.159
<v Speaker 3>it won't give a fuck because you're a rapper. Nigga,

0:26:52.400 --> 0:26:55.000
<v Speaker 3>you at the motherfucking light and you in the neighborhood

0:26:55.000 --> 0:26:57.400
<v Speaker 3>you ain't supposed to be in, you might get shot up.

0:26:57.720 --> 0:27:00.720
<v Speaker 3>That is you have to man, And that ain't even

0:27:00.760 --> 0:27:02.880
<v Speaker 3>got shit to do with the niggas who just out

0:27:02.880 --> 0:27:06.640
<v Speaker 3>the jack niggas. You feel me. So now you're motherfucking

0:27:06.960 --> 0:27:10.520
<v Speaker 3>hip hop artists and you come to La and niggas

0:27:10.600 --> 0:27:13.879
<v Speaker 3>is greedy and they home, they gonna get on the

0:27:13.960 --> 0:27:16.280
<v Speaker 3>aspect of shit. Now you just got the regular jack

0:27:16.320 --> 0:27:18.639
<v Speaker 3>and niggas that ain't gotten nothing to do with the

0:27:18.720 --> 0:27:21.280
<v Speaker 3>niggas who're gonna try to sweat you for game banging.

0:27:21.320 --> 0:27:23.600
<v Speaker 3>And where you from and this is why you wearing

0:27:23.680 --> 0:27:27.159
<v Speaker 3>that where you from or you from New York, Miami

0:27:27.400 --> 0:27:31.520
<v Speaker 3>or whatever. Now it's like the aspect of shit, nigga

0:27:31.560 --> 0:27:33.639
<v Speaker 3>that now we're just going to do some shit just

0:27:33.640 --> 0:27:36.760
<v Speaker 3>because we want to show y'all. Nigga, it's treacherous out here,

0:27:37.080 --> 0:27:41.960
<v Speaker 3>So it's dangerous as fuck. Now, motherfucking other places is

0:27:42.320 --> 0:27:46.440
<v Speaker 3>just as greedy and grimy though rap life. God damn

0:27:46.480 --> 0:27:50.760
<v Speaker 3>it if you from that, If you ain't the happy rapper, right,

0:27:51.200 --> 0:27:53.080
<v Speaker 3>I don't give a fuck. If you ain't even claiming

0:27:53.080 --> 0:27:58.600
<v Speaker 3>the neighborhood, if you associated with anything, you got to

0:27:58.800 --> 0:27:59.920
<v Speaker 3>you got to watch out.

0:28:00.200 --> 0:28:02.600
<v Speaker 1>I remember at one point though you being a rapper,

0:28:02.640 --> 0:28:04.800
<v Speaker 1>like gave you that that that safety net, like.

0:28:04.760 --> 0:28:07.119
<v Speaker 2>The hood would be proud of you. Like when did

0:28:07.160 --> 0:28:09.920
<v Speaker 2>that change? Man? Was it the same for him from

0:28:09.920 --> 0:28:11.919
<v Speaker 2>where he comes from? I don't know.

0:28:12.440 --> 0:28:16.000
<v Speaker 5>Said that the internet made shit dangerous thog, Yeah, because

0:28:16.040 --> 0:28:19.720
<v Speaker 5>you can see motherfuckers on where people at in real time.

0:28:19.800 --> 0:28:19.960
<v Speaker 8>You know.

0:28:20.040 --> 0:28:22.760
<v Speaker 2>That's why I'm not. It's sad, but I don't love

0:28:22.880 --> 0:28:23.440
<v Speaker 2>my family.

0:28:23.480 --> 0:28:25.879
<v Speaker 5>Post ptictions like don't be doing that shit, but do

0:28:25.960 --> 0:28:27.200
<v Speaker 5>we get home be doing that shit.

0:28:28.160 --> 0:28:34.040
<v Speaker 3>It's a motherfucking you know, acceptance like the homies like,

0:28:34.040 --> 0:28:36.080
<v Speaker 3>oh yeah, nigga will do, but that ain't got shit

0:28:36.160 --> 0:28:38.480
<v Speaker 3>to do with the niggas on outside. We don't give

0:28:38.520 --> 0:28:42.920
<v Speaker 3>a fuck because you rapping up, we beefing with your neighborhood.

0:28:43.840 --> 0:28:46.200
<v Speaker 3>You from over there. I don't give a fuck if

0:28:46.200 --> 0:28:49.600
<v Speaker 3>you rapping and got Grammys in a podcast and all

0:28:49.640 --> 0:28:53.120
<v Speaker 3>that shit. Niggas you from over there. So if a

0:28:53.200 --> 0:28:56.000
<v Speaker 3>niggas a fitting, especially if it's one of them niggas,

0:28:56.360 --> 0:28:58.560
<v Speaker 3>if it's one of the motherfuckers, like I, don't give

0:28:58.600 --> 0:29:02.920
<v Speaker 3>a fuck you he finished serve you, it don't matter.

0:29:03.080 --> 0:29:07.040
<v Speaker 3>So that's just like I said, and that that right now.

0:29:07.360 --> 0:29:10.040
<v Speaker 3>It gives us that attitude that we have in La

0:29:10.360 --> 0:29:13.640
<v Speaker 3>to where some niggas don't fuck with some niggas, and

0:29:13.800 --> 0:29:16.880
<v Speaker 3>some rappers don't fuck with some rappers because first it

0:29:17.000 --> 0:29:21.440
<v Speaker 3>comes is there. First, their neighborhood is everything, and they

0:29:21.560 --> 0:29:26.600
<v Speaker 3>rather please them than getting on the song with with

0:29:26.600 --> 0:29:28.840
<v Speaker 3>with with sow And so you get me.

0:29:29.440 --> 0:29:30.959
<v Speaker 5>And you got a lot of catch from out of

0:29:31.000 --> 0:29:33.680
<v Speaker 5>town that's going out there starting to claim neighborhoods now

0:29:34.120 --> 0:29:35.960
<v Speaker 5>right the most this is crazy.

0:29:37.440 --> 0:29:39.680
<v Speaker 2>They you know, no, they that's the fuck that part

0:29:39.720 --> 0:29:40.120
<v Speaker 2>about it.

0:29:40.120 --> 0:29:43.080
<v Speaker 5>They really from these places, and a lot of times

0:29:43.080 --> 0:29:45.360
<v Speaker 5>what happens is they come out they really hanging out

0:29:45.360 --> 0:29:48.080
<v Speaker 5>with motherfuckers like you a million dollar man, What is

0:29:48.080 --> 0:29:50.320
<v Speaker 5>you riding around with this program? Fucker that ain't gotten

0:29:50.320 --> 0:29:52.120
<v Speaker 5>none to lose? Why you want to go hang out

0:29:52.160 --> 0:29:55.480
<v Speaker 5>with him. I don't understand it now, motherfuckers is really

0:29:55.480 --> 0:29:56.160
<v Speaker 5>and they hold.

0:29:56.080 --> 0:29:56.480
<v Speaker 2>You to that.

0:29:56.600 --> 0:29:58.400
<v Speaker 5>When you start talking the box, you gonna do this,

0:30:00.120 --> 0:30:02.360
<v Speaker 5>they break and bring up like a motherfucker.

0:30:02.200 --> 0:30:04.040
<v Speaker 3>Like I said when I was growing up in the hood,

0:30:04.120 --> 0:30:05.200
<v Speaker 3>is treacherous.

0:30:05.640 --> 0:30:11.640
<v Speaker 1>And and why why in particular La and that I

0:30:11.640 --> 0:30:14.440
<v Speaker 1>believe school boy Q said because people come and check in.

0:30:15.160 --> 0:30:17.360
<v Speaker 1>And he said he was like, most of the time

0:30:17.360 --> 0:30:19.719
<v Speaker 1>when people check in, you checking in with somebody who

0:30:19.800 --> 0:30:23.200
<v Speaker 1>got be for this other neighborhood. And do you think

0:30:23.240 --> 0:30:25.800
<v Speaker 1>that's the problem.

0:30:26.360 --> 0:30:27.120
<v Speaker 2>A lot of problems.

0:30:27.520 --> 0:30:32.920
<v Speaker 3>I me being a old school cat, I don't you know.

0:30:33.200 --> 0:30:39.920
<v Speaker 3>I never really got to checking anything. They just came to town.

0:30:39.880 --> 0:30:45.200
<v Speaker 3>They came to town like I'm good friends with since

0:30:45.240 --> 0:30:49.160
<v Speaker 3>way back Face Primo. Niggas come to town. They hit

0:30:49.240 --> 0:30:51.959
<v Speaker 3>me up eight, what's up? Ship? Back in the days,

0:30:52.240 --> 0:30:55.560
<v Speaker 3>I took Scarface and Bushwick through the hood with the

0:30:55.680 --> 0:30:58.200
<v Speaker 3>with the with the heat and the trunk and everything.

0:30:59.120 --> 0:31:02.640
<v Speaker 3>I mean, niggas gonna get me. They gonna get them,

0:31:02.640 --> 0:31:07.240
<v Speaker 3>so I gotta protect them. Checking in is the thing niggas.

0:31:07.280 --> 0:31:10.280
<v Speaker 3>You know they claim they do now, you know, because

0:31:10.600 --> 0:31:12.920
<v Speaker 3>you know somebody I guess you're supposed to know somebody

0:31:13.000 --> 0:31:16.760
<v Speaker 3>affiliated with the neighborhood, and you know, you want to

0:31:16.800 --> 0:31:19.480
<v Speaker 3>let niggas know your presence then, but sometimes that might

0:31:19.520 --> 0:31:22.480
<v Speaker 3>not be a good thing. You know, niggas want to

0:31:22.480 --> 0:31:25.880
<v Speaker 3>post where they're at now location and do it. That's

0:31:25.920 --> 0:31:26.680
<v Speaker 3>that new ship.

0:31:30.320 --> 0:31:33.400
<v Speaker 5>I know you're there exactly, some motherfucker that's like movie ship.

0:31:33.440 --> 0:31:38.000
<v Speaker 5>Like it's somebody at just waiting. I see them, and

0:31:38.000 --> 0:31:40.360
<v Speaker 5>I ain't checking in with no motherfucker body. I'm gonna

0:31:40.360 --> 0:31:42.800
<v Speaker 5>go handle my business and get the fuck on school.

0:31:43.000 --> 0:31:45.040
<v Speaker 2>You said, Beverly Hills.

0:31:45.240 --> 0:31:50.240
<v Speaker 5>Yeah, if you come into town on some fucking pop.

0:31:50.080 --> 0:31:52.360
<v Speaker 3>Industry ship, then stay industry.

0:31:52.640 --> 0:31:52.880
<v Speaker 2>You know.

0:31:53.480 --> 0:31:58.960
<v Speaker 3>Uh, you to go stay somewhere. Go venturing into the neighborhoods,

0:31:59.040 --> 0:32:04.120
<v Speaker 3>you know. Uh, that's that's dangerous. You're taking that upon yourself.

0:32:04.400 --> 0:32:05.920
<v Speaker 3>You know what I'm saying when you go in to

0:32:06.000 --> 0:32:10.400
<v Speaker 3>them treacherous neighborhoods. Uh, when you visiting somebody town, like

0:32:10.440 --> 0:32:14.600
<v Speaker 3>they said, if your ass is down some celebrity you know,

0:32:15.280 --> 0:32:17.640
<v Speaker 3>Hollywood ship, Yeah, stay in Hollywood.

0:32:17.880 --> 0:32:21.560
<v Speaker 5>It's just about being respectful to man, because you can

0:32:21.600 --> 0:32:24.239
<v Speaker 5>go anywhere. Man. I think man. The Ghetto boys had

0:32:24.280 --> 0:32:26.040
<v Speaker 5>a song called the World is a ghetto. That's the

0:32:26.040 --> 0:32:29.040
<v Speaker 5>really shit. Ever you come down here being disrespectful. You

0:32:29.400 --> 0:32:31.160
<v Speaker 5>you're talking about you know what I'm saying. You can

0:32:31.200 --> 0:32:34.080
<v Speaker 5>be in one of these little towns on our skirts somewhere.

0:32:34.080 --> 0:32:36.760
<v Speaker 5>You go up there talking slick. You know it's gonna

0:32:36.760 --> 0:32:39.440
<v Speaker 5>be on. Man. You gotta remember, man, one thing that

0:32:39.520 --> 0:32:43.120
<v Speaker 5>happened in the eighties. Man, and you had the migration

0:32:43.200 --> 0:32:44.680
<v Speaker 5>of the dope game. You had a whole bunch of

0:32:44.720 --> 0:32:46.719
<v Speaker 5>cash that was coming, you know, to the Midwest.

0:32:47.000 --> 0:32:51.520
<v Speaker 2>So I said vacation like the real song.

0:32:51.640 --> 0:32:54.880
<v Speaker 5>So what happened was, it's not like Motherfucker's was going

0:32:54.880 --> 0:32:57.240
<v Speaker 5>to Saint Louis and just tying Saint Louis. Niggas up

0:32:57.280 --> 0:32:59.240
<v Speaker 5>we go knowledge a block. No, they came down with

0:32:59.280 --> 0:33:01.960
<v Speaker 5>them good price and came in love and peace. And

0:33:02.040 --> 0:33:04.160
<v Speaker 5>that's how the work got done. Because you can't walk

0:33:04.240 --> 0:33:06.840
<v Speaker 5>up in nobody's section talking about we run some shit. Man,

0:33:06.840 --> 0:33:09.680
<v Speaker 5>you wrong, get sent home. I don't care where you're from.

0:33:09.920 --> 0:33:10.520
<v Speaker 2>Real talk.

0:33:11.280 --> 0:33:14.160
<v Speaker 1>Let's see yeah, come on, come on, see them, come on,

0:33:14.480 --> 0:33:18.120
<v Speaker 1>come on. Right before we do, let's talk about Johnson

0:33:18.160 --> 0:33:18.880
<v Speaker 1>Street and Compton.

0:33:22.040 --> 0:33:25.200
<v Speaker 3>Johnson Street, that's where you're from right. I am from

0:33:25.240 --> 0:33:27.840
<v Speaker 3>a neighborhood called Track New Park. I grew up in

0:33:27.840 --> 0:33:30.920
<v Speaker 3>a neighborhood called spoop Town. What was on Johnson Street.

0:33:34.400 --> 0:33:36.120
<v Speaker 2>It is all Compton, right, Yes.

0:33:36.680 --> 0:33:39.280
<v Speaker 3>Uh, where I grew up is on the east side

0:33:39.280 --> 0:33:44.080
<v Speaker 3>of Compton. You know, you would think, you know, regular

0:33:44.080 --> 0:33:48.920
<v Speaker 3>neighborhood whatever, But it was vicious. We had the Mexican

0:33:49.000 --> 0:33:51.400
<v Speaker 3>gangs over there. We had the Black gangs over there.

0:33:51.640 --> 0:33:53.680
<v Speaker 3>Like I said, it was a thing that was CV

0:33:53.800 --> 0:33:58.200
<v Speaker 3>seventies and it was a spoop towns. We lived at

0:33:58.240 --> 0:34:03.480
<v Speaker 3>the end of the block, me moms, my sister, little brother.

0:34:06.240 --> 0:34:08.320
<v Speaker 3>Around thirteen, I started gang banging.

0:34:10.120 --> 0:34:14.840
<v Speaker 2>What year was that. I had to be early eighties, eighties.

0:34:18.880 --> 0:34:21.719
<v Speaker 3>I was just you know, gang life was was what

0:34:21.760 --> 0:34:27.640
<v Speaker 3>it was, man, you know, it was belonging. I didn't

0:34:27.680 --> 0:34:31.200
<v Speaker 3>have an older brother, you know, cousins and all that

0:34:31.400 --> 0:34:38.920
<v Speaker 3>was still back in Mississippi, you know, so it was

0:34:39.000 --> 0:34:42.120
<v Speaker 3>just a way for I guess, for me to you know,

0:34:44.680 --> 0:34:45.480
<v Speaker 3>had that love.

0:34:45.719 --> 0:34:46.399
<v Speaker 2>You get me.

0:34:47.880 --> 0:34:48.680
<v Speaker 3>My household.

0:34:48.800 --> 0:34:49.000
<v Speaker 2>You know.

0:34:49.440 --> 0:34:53.040
<v Speaker 3>My sister was older, she was doing her thing. My

0:34:53.080 --> 0:34:58.960
<v Speaker 3>little brother was too young. So I connected with the neighborhood.

0:34:59.440 --> 0:35:02.600
<v Speaker 3>You get me and this one. It was all pre

0:35:02.719 --> 0:35:08.080
<v Speaker 3>hip hop though, Like this was before hip hop. I

0:35:08.200 --> 0:35:11.799
<v Speaker 3>really we didn't even have no fucking hip hop, so

0:35:11.840 --> 0:35:13.560
<v Speaker 3>then there was a big difference. So there was a

0:35:13.560 --> 0:35:16.840
<v Speaker 3>big difference when hip hop came. Yeah, we had a

0:35:16.840 --> 0:35:21.200
<v Speaker 3>lot of techno ship, a lot a lot of our

0:35:21.360 --> 0:35:36.600
<v Speaker 3>music was about time, you know, we started listening to

0:35:36.960 --> 0:35:41.480
<v Speaker 3>Sucker and Seeds and ship like that. Linzo and them

0:35:41.520 --> 0:35:45.400
<v Speaker 3>came along, Wrecking Crew and then uh we had l

0:35:45.480 --> 0:35:46.400
<v Speaker 3>A Dream Team.

0:35:46.960 --> 0:35:52.720
<v Speaker 2>Do you think yeah, I think changed the gang culture.

0:35:53.040 --> 0:35:56.160
<v Speaker 8>Like did you see the difference pre hip hop and

0:35:56.200 --> 0:36:00.000
<v Speaker 8>then when hip hop came and even before the gangster lyrics?

0:36:00.200 --> 0:36:02.960
<v Speaker 8>When hip hop came to l A, Right, how did

0:36:02.960 --> 0:36:05.480
<v Speaker 8>it affect the gang culture? Did turn it up? Was

0:36:05.520 --> 0:36:08.920
<v Speaker 8>it more because if the bloods are rapping and like the.

0:36:08.880 --> 0:36:11.279
<v Speaker 2>Crips like social media.

0:36:11.600 --> 0:36:17.560
<v Speaker 3>Exactly because you gotta figure like it was already heated

0:36:17.760 --> 0:36:21.000
<v Speaker 3>in content. It was just because of the mother I

0:36:21.040 --> 0:36:26.760
<v Speaker 3>mean just the gang culture in l A period, niggas

0:36:26.800 --> 0:36:29.520
<v Speaker 3>was already hated nigga. We was we were blast on

0:36:29.640 --> 0:36:33.520
<v Speaker 3>you off a flashlight nigga from parliament with no fucking

0:36:33.560 --> 0:36:34.080
<v Speaker 3>hip hop.

0:36:35.680 --> 0:36:36.200
<v Speaker 2>You did me.

0:36:36.960 --> 0:36:40.239
<v Speaker 3>We cruising the fucking atomic dog and in parliament.

0:36:40.400 --> 0:36:41.640
<v Speaker 2>But now hip hop's coming.

0:36:41.680 --> 0:36:46.000
<v Speaker 3>People are like, but see our hip hop first came,

0:36:46.280 --> 0:36:49.839
<v Speaker 3>it was that ship. It was l a dream. It

0:36:49.920 --> 0:36:53.479
<v Speaker 3>wasn't no hard nigga. We didn't get hard until Easy came.

0:36:54.239 --> 0:36:56.080
<v Speaker 2>And even then they weren't really claiming Colors.

0:36:56.120 --> 0:36:59.520
<v Speaker 3>And then no, we had to bang in on wax record.

0:36:59.640 --> 0:37:00.640
<v Speaker 2>You just come out.

0:37:01.280 --> 0:37:03.840
<v Speaker 3>I just came in like the like late eighties?

0:37:03.840 --> 0:37:06.279
<v Speaker 2>Did that? Did that? Did that song have just as

0:37:06.320 --> 0:37:07.319
<v Speaker 2>much impact as it did?

0:37:07.360 --> 0:37:07.720
<v Speaker 3>The record?

0:37:07.800 --> 0:37:12.280
<v Speaker 8>That song a huge It had a huge Boston, Boston

0:37:12.320 --> 0:37:12.920
<v Speaker 8>went crazy.

0:37:13.040 --> 0:37:18.200
<v Speaker 3>Colors had a huge impact on us because it got

0:37:18.239 --> 0:37:24.440
<v Speaker 3>to show the world l a gang banking it. It

0:37:24.560 --> 0:37:28.720
<v Speaker 3>made it made us famous. Nigga, You give me niggas

0:37:28.719 --> 0:37:31.759
<v Speaker 3>all around the world. See this blu and this red fel.

0:37:33.280 --> 0:37:36.840
<v Speaker 3>That's when motherfuckers really start. You had real hardcore gangsters

0:37:36.840 --> 0:37:39.440
<v Speaker 3>then like motherfuckers that was with it. That's when you

0:37:39.520 --> 0:37:43.440
<v Speaker 3>start getting a gang member because it became real trendy,

0:37:43.520 --> 0:37:44.840
<v Speaker 3>kind of like if you was a cripple.

0:37:45.640 --> 0:37:48.560
<v Speaker 5>All the bras like cripple. You know That's what I'm saying.

0:37:49.600 --> 0:37:51.240
<v Speaker 5>They wanted them a motherfucking cripple.

0:37:51.320 --> 0:37:51.520
<v Speaker 2>You know.

0:37:51.840 --> 0:37:53.640
<v Speaker 5>The nigga that was a crip word, blood because you know,

0:37:53.719 --> 0:37:55.400
<v Speaker 5>there was a lot of money in the street back then.

0:37:56.800 --> 0:37:59.279
<v Speaker 1>A lot of you that I noticed, K characters that

0:37:59.280 --> 0:38:07.799
<v Speaker 1>I got. Great, it's gonna sound, I know, biggae, look

0:38:07.920 --> 0:38:08.600
<v Speaker 1>mad fun.

0:38:08.640 --> 0:38:11.640
<v Speaker 2>Though I tell you something.

0:38:14.320 --> 0:38:15.600
<v Speaker 3>Let me tell you something.

0:38:18.360 --> 0:38:19.359
<v Speaker 2>Saying was.

0:38:20.760 --> 0:38:24.520
<v Speaker 3>It wasn't like like Cube saying it's a good day today.

0:38:25.000 --> 0:38:30.600
<v Speaker 3>So nigga, you have thirty forty niggas at a picnic. Well,

0:38:30.640 --> 0:38:33.880
<v Speaker 3>we just in the hood, you know, in five or

0:38:33.920 --> 0:38:36.200
<v Speaker 3>six others on us on the same block. We're trying

0:38:36.200 --> 0:38:38.880
<v Speaker 3>to hustle money. We're going to the store, trying to

0:38:38.920 --> 0:38:41.880
<v Speaker 3>piece up on the drink and the weed and a

0:38:41.920 --> 0:38:44.880
<v Speaker 3>good day niggas. Niggas getting a box of chicken and

0:38:44.920 --> 0:38:53.520
<v Speaker 3>we in the back and then you know the females

0:38:53.640 --> 0:38:57.160
<v Speaker 3>is around. That's when you ain't really you're always beefing

0:38:57.239 --> 0:39:00.439
<v Speaker 3>with somebody. But you get days where nigga, we might

0:39:00.760 --> 0:39:04.400
<v Speaker 3>we might go thirty deep to the bowling allogy at night. Nigga,

0:39:04.480 --> 0:39:06.480
<v Speaker 3>you know what I'm saying. And niggas ain't bowling.

0:39:07.320 --> 0:39:10.600
<v Speaker 2>That's when you win nobody in.

0:39:12.080 --> 0:39:15.839
<v Speaker 3>The lot with the lolos. But that's what for some

0:39:15.880 --> 0:39:20.239
<v Speaker 3>reason niggas went through the bowling. I mean that's what

0:39:20.280 --> 0:39:23.719
<v Speaker 3>we did. It was when you had good days, it

0:39:23.800 --> 0:39:26.040
<v Speaker 3>was good days. But then when you was on high alert,

0:39:26.080 --> 0:39:28.280
<v Speaker 3>it was nervous. It was it was it was critical.

0:39:28.680 --> 0:39:31.959
<v Speaker 3>You get me, police coming through every day, somebody going

0:39:32.000 --> 0:39:36.080
<v Speaker 3>to jail, you know, somebody fighting, you know whatever. But

0:39:36.600 --> 0:39:40.719
<v Speaker 3>to me, it was everything. Like you said, shit was everything, man.

0:39:41.239 --> 0:39:44.879
<v Speaker 3>And you know, homies got killed, you know, homies got

0:39:44.920 --> 0:39:47.840
<v Speaker 3>sent to prison for a long times. But like I

0:39:47.920 --> 0:39:50.080
<v Speaker 3>tell people every day, I wouldn't trade that shit for

0:39:50.200 --> 0:39:56.640
<v Speaker 3>nothing because it allowed me to see and and be

0:39:56.760 --> 0:40:00.400
<v Speaker 3>a part of what I was able to bring into

0:40:00.800 --> 0:40:01.320
<v Speaker 3>the world.

0:40:01.480 --> 0:40:02.040
<v Speaker 2>You give me.

0:40:02.239 --> 0:40:04.640
<v Speaker 3>A lot of people was confused about what we was doing.

0:40:05.640 --> 0:40:08.839
<v Speaker 3>The colors and rags and ship and there was more

0:40:08.880 --> 0:40:10.560
<v Speaker 3>than that. You get me, And.

0:40:10.520 --> 0:40:12.560
<v Speaker 5>I don't think it's it for as deep as motherfuckers

0:40:12.640 --> 0:40:15.000
<v Speaker 5>on the outside make it. From what I see is not. Again,

0:40:15.120 --> 0:40:17.200
<v Speaker 5>I'm not no game banging, but you.

0:40:18.440 --> 0:40:30.320
<v Speaker 9>Know I'm a nigga just like you.

0:40:32.320 --> 0:40:32.640
<v Speaker 2>Monster.

0:40:32.840 --> 0:40:37.720
<v Speaker 5>Still, I'm gonna tell you, like the Homie Glasses, Malone,

0:40:37.719 --> 0:40:40.760
<v Speaker 5>the Homie mugs, break it down, the best game banging

0:40:40.800 --> 0:40:43.520
<v Speaker 5>at this core is all about community. It's all about

0:40:43.520 --> 0:40:48.320
<v Speaker 5>what community years. It's like, you know, to be technical.

0:40:48.440 --> 0:40:51.960
<v Speaker 5>Y'all banged the frek. That's your neighborhood. That's your neighborhood.

0:40:51.960 --> 0:40:54.080
<v Speaker 5>When you go back home, do it don't matter where

0:40:54.080 --> 0:40:57.680
<v Speaker 5>you at because you poppy, right, you know when you

0:40:57.719 --> 0:40:59.720
<v Speaker 5>go back there, you poppy. You always gonna be popping

0:40:59.800 --> 0:41:01.480
<v Speaker 5>good no matter where you go in this world. So

0:41:01.520 --> 0:41:04.520
<v Speaker 5>it's all about really community. Man, it ain't about like

0:41:04.600 --> 0:41:07.239
<v Speaker 5>motherfuckers ain't running around all. They just killing each other.

0:41:07.320 --> 0:41:10.000
<v Speaker 5>But they can't get that way. That's the thing about it.

0:41:10.000 --> 0:41:11.719
<v Speaker 5>It could be real good at one time, and that's

0:41:11.760 --> 0:41:13.920
<v Speaker 5>what made me say fuck that I had because the

0:41:14.000 --> 0:41:15.839
<v Speaker 5>one thing about it ain't hard to get in the gang.

0:41:15.880 --> 0:41:18.640
<v Speaker 5>I'm a six foot four, two ninety five pound dude. Yeah,

0:41:18.680 --> 0:41:22.600
<v Speaker 5>they would just let you. And you know what I'm saying,

0:41:22.360 --> 0:41:25.200
<v Speaker 5>been forced to do something like it's hard to join

0:41:25.280 --> 0:41:25.600
<v Speaker 5>the game.

0:41:26.680 --> 0:41:29.840
<v Speaker 3>They don't be like y'all got to court the home head.

0:41:34.120 --> 0:41:36.120
<v Speaker 2>Every saying the Homi Farm. You seeing me? Man, if

0:41:36.120 --> 0:41:37.520
<v Speaker 2>I went and went to jail, you'd have been from

0:41:37.560 --> 0:41:40.359
<v Speaker 2>the set. Home. You been from the set, because it's

0:41:40.440 --> 0:41:41.600
<v Speaker 2>just that easy. So it's all.

0:41:41.680 --> 0:41:43.520
<v Speaker 5>But those were all my friends. So I saw the

0:41:43.640 --> 0:41:46.279
<v Speaker 5>dynamic early and I was at Loan Beach, and at

0:41:46.280 --> 0:41:48.719
<v Speaker 5>that time at Long Beach it was only three neighborhoods.

0:41:48.760 --> 0:41:53.080
<v Speaker 5>It was you know, Long Beach, Insane twenties and what's

0:41:53.120 --> 0:41:55.800
<v Speaker 5>the name of the Mexican gang over there? God forgot

0:41:56.560 --> 0:41:58.719
<v Speaker 5>the Mexican gang over there. Then you got the little

0:41:58.760 --> 0:42:02.040
<v Speaker 5>rascals like the Filipino game ain't right, and the Long

0:42:02.080 --> 0:42:03.680
<v Speaker 5>Beast Long Goos, that's the Mexican gag.

0:42:03.560 --> 0:42:07.080
<v Speaker 2>Over and they put in work too, don't play either. Oh,

0:42:07.360 --> 0:42:09.920
<v Speaker 2>they don't play either, to.

0:42:12.920 --> 0:42:16.000
<v Speaker 5>Shoot your ass. And so you think about I'm on

0:42:16.040 --> 0:42:20.080
<v Speaker 5>a football team, so it's dudes from insane twenties and

0:42:20.120 --> 0:42:23.239
<v Speaker 5>these all homies, the homies insanem to give me my work,

0:42:24.320 --> 0:42:26.120
<v Speaker 5>the homies from twenties. You don't let me hold a

0:42:26.120 --> 0:42:28.520
<v Speaker 5>couple of guns over at the crib. So I'm cool

0:42:28.520 --> 0:42:30.560
<v Speaker 5>with everybody. Never wanted to get into that. They was

0:42:30.560 --> 0:42:32.359
<v Speaker 5>asked and I was like, no, I'm cool. Just let

0:42:32.400 --> 0:42:34.320
<v Speaker 5>me be just who I am. Man, let me stay Ohio,

0:42:34.440 --> 0:42:37.080
<v Speaker 5>my nigga. And I just kept that whole thing because

0:42:37.320 --> 0:42:39.440
<v Speaker 5>that's what people getting problems that you can't play with

0:42:39.520 --> 0:42:43.440
<v Speaker 5>gang banging because these dudes ain't playing. Because again it's

0:42:43.440 --> 0:42:45.760
<v Speaker 5>state community. This man is don't been all around the world,

0:42:45.800 --> 0:42:48.400
<v Speaker 5>but he's still tracking you. He had another shirt to

0:42:48.440 --> 0:42:50.400
<v Speaker 5>the point he had another shirt on for fuck that

0:42:50.520 --> 0:42:53.319
<v Speaker 5>is still comping. I gotta wear this to let motherfuckers

0:42:53.360 --> 0:42:55.160
<v Speaker 5>know that's important to them. You can't play with that.

0:42:55.800 --> 0:42:58.480
<v Speaker 5>You feel what I'm saying, That's how people get hurt.

0:42:58.680 --> 0:43:01.640
<v Speaker 10>I heard you say too as you said that, Pac.

0:43:02.520 --> 0:43:03.920
<v Speaker 2>I know we spoke about Park earlier.

0:43:04.160 --> 0:43:07.200
<v Speaker 1>He said Park gang banging or getting into the gangs

0:43:07.719 --> 0:43:12.840
<v Speaker 1>was actually moving moving backwards for him, for him.

0:43:12.719 --> 0:43:19.880
<v Speaker 3>Because I just think that it seems like being in

0:43:19.920 --> 0:43:27.000
<v Speaker 3>the steels position you you weren't born and raised in

0:43:27.040 --> 0:43:33.120
<v Speaker 3>the neighborhood. You started claiming. So I think that at

0:43:35.160 --> 0:43:40.399
<v Speaker 3>his status or where he was, you get me, it

0:43:40.440 --> 0:43:46.840
<v Speaker 3>was it was probably backwards to want to claim the gang.

0:43:47.160 --> 0:43:51.200
<v Speaker 3>You get me to each his own when you are

0:43:51.280 --> 0:43:57.600
<v Speaker 3>around that you want to be long what he wanted

0:43:57.640 --> 0:43:59.319
<v Speaker 3>to belong, You get me.

0:43:59.400 --> 0:44:01.600
<v Speaker 1>I could see. I could see. I could see what

0:44:01.640 --> 0:44:04.680
<v Speaker 1>you're saying. But I can also see him too, like

0:44:04.680 --> 0:44:06.360
<v Speaker 1>like you know, just wanting to be a part of something,

0:44:06.440 --> 0:44:06.799
<v Speaker 1>like you know.

0:44:07.239 --> 0:44:09.160
<v Speaker 2>A young man. We said all the time, we forget how.

0:44:09.080 --> 0:44:14.400
<v Speaker 3>Young and being and like I said, you coming from

0:44:14.440 --> 0:44:17.600
<v Speaker 3>a situation where he was just in prison, locked down,

0:44:18.280 --> 0:44:22.240
<v Speaker 3>and then the nigga who comes gets you is heavily

0:44:22.320 --> 0:44:24.680
<v Speaker 3>influenced and affiliated.

0:44:23.960 --> 0:44:27.400
<v Speaker 1>And he's not really from there. He wasn't blood his

0:44:27.440 --> 0:44:30.640
<v Speaker 1>whole life. He became blood afterwards. He was a football player.

0:44:30.360 --> 0:44:31.239
<v Speaker 2>Like you, right right.

0:44:31.920 --> 0:44:35.799
<v Speaker 3>So I get the you know, damn you know, these

0:44:35.880 --> 0:44:40.160
<v Speaker 3>niggas clicked up and they mother fucking representing and they

0:44:40.280 --> 0:44:45.440
<v Speaker 3>all mobbing at one motherfucking beat, and everybody here is is,

0:44:45.960 --> 0:44:49.319
<v Speaker 3>oh yeah, I'm I'm itching to be a part of that.

0:44:49.600 --> 0:44:53.560
<v Speaker 3>So I get getting caught up in that. But there's

0:44:53.719 --> 0:45:00.880
<v Speaker 3>ways that you still could have been accepted. Example, he

0:45:01.000 --> 0:45:04.520
<v Speaker 3>comes from Cleveland, He around the hood, niggas, he doing

0:45:04.640 --> 0:45:08.200
<v Speaker 3>hood ship with him, getting money with him, They watching

0:45:08.280 --> 0:45:10.560
<v Speaker 3>his back. Fuck it. If niggas get into it, he

0:45:10.680 --> 0:45:12.080
<v Speaker 3>gonna fuck it. That's the home.

0:45:12.320 --> 0:45:13.600
<v Speaker 2>Let's say I open the thing with Park.

0:45:13.680 --> 0:45:15.880
<v Speaker 8>Though Park was with the ship store like even and

0:45:16.200 --> 0:45:19.600
<v Speaker 8>I never but I'm saying so even if it was

0:45:19.680 --> 0:45:23.120
<v Speaker 8>like maybe like whatever it was before that, but once

0:45:23.160 --> 0:45:26.200
<v Speaker 8>he started getting with induced, Park was the frontline nigga.

0:45:26.480 --> 0:45:27.080
<v Speaker 2>Oh you know what I'm saying.

0:45:27.120 --> 0:45:28.960
<v Speaker 8>Part wasn't one to just be talking and then go

0:45:29.040 --> 0:45:31.439
<v Speaker 8>and then let the niggas the body got Parks gonna

0:45:31.440 --> 0:45:32.120
<v Speaker 8>be up in the front.

0:45:32.680 --> 0:45:34.880
<v Speaker 3>I'm gonna yeah, like like I've been here all my

0:45:35.040 --> 0:45:37.200
<v Speaker 3>life since day one. Yeah, And I'm gonna be an

0:45:37.280 --> 0:45:40.320
<v Speaker 3>active nigga, active with it. You know. I'm not gonna

0:45:40.360 --> 0:45:43.479
<v Speaker 3>just be like, oh yeah, the the homies, whatever, ship nigga.

0:45:43.520 --> 0:45:45.640
<v Speaker 3>If it's started going down, I'm probably gonna be the

0:45:45.640 --> 0:45:46.920
<v Speaker 3>first one to take a swing.

0:45:47.000 --> 0:45:50.400
<v Speaker 8>But that's the thing with pop pop, Like everything that

0:45:50.440 --> 0:45:52.400
<v Speaker 8>he was talking about, he would make sure that he

0:45:52.560 --> 0:45:53.680
<v Speaker 8>that he that he was about that.

0:45:53.960 --> 0:45:55.799
<v Speaker 3>And you went on tour with Park and everything, right.

0:45:56.200 --> 0:46:00.160
<v Speaker 3>I did a couple of shows with Papa. Yeah. We

0:46:00.200 --> 0:46:03.400
<v Speaker 3>did the show in Milwaukee where we got out of hand.

0:46:05.680 --> 0:46:06.680
<v Speaker 2>Oh Man ship.

0:46:09.400 --> 0:46:13.880
<v Speaker 3>I think this was right after the the young kid

0:46:13.920 --> 0:46:17.440
<v Speaker 3>got killed in Chicago. We had a show in Milwaukee

0:46:18.400 --> 0:46:25.440
<v Speaker 3>and he got on stage and he stopped. The music stopped,

0:46:25.480 --> 0:46:29.279
<v Speaker 3>and some commotions was going on with dudes in the audience,

0:46:29.360 --> 0:46:33.640
<v Speaker 3>and pistol came out, got shot up in the air,

0:46:33.800 --> 0:46:38.879
<v Speaker 3>and niggas got to jumping on stage, and the whole

0:46:39.239 --> 0:46:42.799
<v Speaker 3>it seemed like the whole downtown area of Milwaukee at

0:46:42.800 --> 0:46:46.760
<v Speaker 3>the time was just motherfuckers was running through hotels, tearing

0:46:46.840 --> 0:46:50.359
<v Speaker 3>ship up like it was a mess. It was a

0:46:50.400 --> 0:46:54.160
<v Speaker 3>real riot happened, and I don't think Milwaukee had a

0:46:54.239 --> 0:46:55.719
<v Speaker 3>rap show for a long.

0:46:55.560 --> 0:46:58.560
<v Speaker 1>Time after that. So let me ask you, is there

0:46:58.600 --> 0:47:01.480
<v Speaker 1>a difference? What is and what is the difference?

0:47:01.880 --> 0:47:05.279
<v Speaker 10>Did you the underground Tupac to death Row Tupaca.

0:47:05.320 --> 0:47:06.000
<v Speaker 2>And in between?

0:47:06.040 --> 0:47:08.160
<v Speaker 1>Because he had a whole in between him the whole time,

0:47:08.719 --> 0:47:11.640
<v Speaker 1>all versions, Man.

0:47:14.280 --> 0:47:18.880
<v Speaker 3>I don't know. I could say, like, you know, just

0:47:18.920 --> 0:47:21.439
<v Speaker 3>being you know, just trying to figure like you said,

0:47:21.560 --> 0:47:24.720
<v Speaker 3>being young, trying to figure your way out, but coming

0:47:24.760 --> 0:47:28.359
<v Speaker 3>through obstacles and ship and coming through you know, like

0:47:28.440 --> 0:47:32.239
<v Speaker 3>you said, going from digital underground Tupac to death Row Tupac.

0:47:33.560 --> 0:47:36.120
<v Speaker 3>He'd been through a lot of shit, Yeah you get me,

0:47:36.760 --> 0:47:39.800
<v Speaker 3>and a lot of incidents, the Oakland incident, the shipping

0:47:39.840 --> 0:47:44.759
<v Speaker 3>that the police and shit can change you, man. And

0:47:44.760 --> 0:47:48.439
<v Speaker 3>then I think, really that last fucking hit with him

0:47:48.440 --> 0:47:52.799
<v Speaker 3>going to prison, it started making your mentality go like, man,

0:47:52.880 --> 0:47:57.279
<v Speaker 3>fuck this shit, you get me. Damn By him being

0:47:57.320 --> 0:48:02.440
<v Speaker 3>able to get out, it's not like the look at

0:48:02.440 --> 0:48:05.560
<v Speaker 3>the environment he got out to go into. Now you're

0:48:05.560 --> 0:48:08.440
<v Speaker 3>around a gang of vicious Compton, niggas ready to you know,

0:48:08.840 --> 0:48:13.560
<v Speaker 3>get whatever is whatever. So I think that transition of

0:48:13.600 --> 0:48:18.719
<v Speaker 3>life and not being able to find a settle or

0:48:18.760 --> 0:48:21.759
<v Speaker 3>a calm motherfucking outcome because we all had to get

0:48:21.800 --> 0:48:25.840
<v Speaker 3>there at one point. You got to take yourself from Damn.

0:48:25.920 --> 0:48:29.040
<v Speaker 3>It's this path. Like like me, I was like, man, this,

0:48:29.520 --> 0:48:32.279
<v Speaker 3>I don't know if if a serving is gonna work,

0:48:32.840 --> 0:48:34.440
<v Speaker 3>We're going to jail every other mother.

0:48:34.480 --> 0:48:36.239
<v Speaker 8>If you got to take the situation with Puck with

0:48:36.400 --> 0:48:39.479
<v Speaker 8>you saying was looking all that at all that his mother,

0:48:40.080 --> 0:48:42.000
<v Speaker 8>all that, you know what I'm saying, Like all the panthers,

0:48:42.040 --> 0:48:44.040
<v Speaker 8>he was looking at all that shit going on.

0:48:44.080 --> 0:48:46.920
<v Speaker 3>So that right there shaped them. Sometimes you sometimes you

0:48:46.960 --> 0:48:51.640
<v Speaker 3>can find a way quicker than some niggas. I tell

0:48:51.680 --> 0:48:56.239
<v Speaker 3>my son this ship all the time. Sometime the road

0:48:56.320 --> 0:48:58.600
<v Speaker 3>is longer, man, to get what you want to get.

0:48:59.360 --> 0:49:02.320
<v Speaker 3>You see nigg and niggas pop up today and next

0:49:02.320 --> 0:49:05.240
<v Speaker 3>thing you know, they up here, and you be like God, damn,

0:49:05.560 --> 0:49:08.480
<v Speaker 3>he was always working and doing all this motherfucking ship.

0:49:08.520 --> 0:49:11.640
<v Speaker 3>And I'm still I said, sometimes you gotta settle yourself

0:49:11.680 --> 0:49:14.040
<v Speaker 3>because it's gonna take you a longer. He was gonna

0:49:14.080 --> 0:49:18.960
<v Speaker 3>get there still you're gonna get there eventually, but sometimes

0:49:18.960 --> 0:49:20.560
<v Speaker 3>you gotta take the long roll. Man.

0:49:21.560 --> 0:49:25.359
<v Speaker 5>God damn well, well yeah, my god brother producers part.

0:49:25.400 --> 0:49:27.319
<v Speaker 5>He was the first one from l A DJ Bob

0:49:27.400 --> 0:49:30.640
<v Speaker 5>Cat strictly for my niggas on the album right there,

0:49:30.680 --> 0:49:32.279
<v Speaker 5>and that's when he was coming the wrong a lot.

0:49:32.320 --> 0:49:34.120
<v Speaker 5>That's when he had him in there with Thread and

0:49:34.239 --> 0:49:37.120
<v Speaker 5>Cube and then they did the joint then. And he

0:49:37.320 --> 0:49:38.920
<v Speaker 5>was a young dude though. Man, that's what I was

0:49:38.920 --> 0:49:41.600
<v Speaker 5>gonna say. He always had the hood around him because Bob.

0:49:41.640 --> 0:49:44.000
<v Speaker 5>You think about Bob, that's Roland forties right there, right,

0:49:44.040 --> 0:49:47.440
<v Speaker 5>that's rolling forty crib. And Bob was producing a lot

0:49:47.440 --> 0:49:49.399
<v Speaker 5>of stuff for him because at that same time, Bob

0:49:49.520 --> 0:49:52.200
<v Speaker 5>was producing for Rootless, Yeah DJ Bob.

0:49:54.600 --> 0:49:56.640
<v Speaker 3>With the with the yeah.

0:49:56.560 --> 0:50:03.560
<v Speaker 1>Bone had my first A lesson. I was number one.

0:50:04.120 --> 0:50:07.160
<v Speaker 1>I was feeling myself. I went to l A. I

0:50:07.200 --> 0:50:08.640
<v Speaker 1>was in the back stage.

0:50:08.680 --> 0:50:10.560
<v Speaker 2>It was twenty of us year was that this is

0:50:10.640 --> 0:50:14.040
<v Speaker 2>ninety ninety eight literally in my life. I got said, yeah,

0:50:14.080 --> 0:50:21.040
<v Speaker 2>I got im. I was broadcasting that's that one, snoop.

0:50:25.480 --> 0:50:31.319
<v Speaker 2>Let me get better the same crew. Yeah, battle Cat So.

0:50:30.280 --> 0:50:34.200
<v Speaker 1>So they're like, yo, battle Cat is out there. He

0:50:34.239 --> 0:50:35.719
<v Speaker 1>wants to take a picture or he wanted to order

0:50:35.920 --> 0:50:39.759
<v Speaker 1>something something. He was like and my people was just like, yo,

0:50:39.800 --> 0:50:41.839
<v Speaker 1>you know he is chilling. And I just heard him

0:50:41.840 --> 0:50:42.560
<v Speaker 1>in the background.

0:50:42.760 --> 0:50:46.560
<v Speaker 2>I'll have a fucking crops up there, and I was like,

0:50:47.080 --> 0:50:49.279
<v Speaker 2>tell the nick, let's go, and I went out.

0:50:49.320 --> 0:50:51.360
<v Speaker 1>Whenever he had who he wanted, I did, and I

0:50:51.760 --> 0:50:54.640
<v Speaker 1>just I remember, I was like, yo, that's my first lesson, Like,

0:50:54.840 --> 0:50:57.240
<v Speaker 1>doesn't matter how deep you are when you and somebody

0:50:57.280 --> 0:50:59.120
<v Speaker 1>else's hood, respect their route.

0:51:00.120 --> 0:51:02.919
<v Speaker 2>And I did and I did so the battle.

0:51:06.920 --> 0:51:13.680
<v Speaker 1>But let me ask you, right, whenever I like, sometimes

0:51:13.880 --> 0:51:16.239
<v Speaker 1>I walk on the beach right down here, right and

0:51:16.320 --> 0:51:18.120
<v Speaker 1>I could just see people walking by. As soon as

0:51:18.120 --> 0:51:20.440
<v Speaker 1>a person walking by, I'm like that dude right there

0:51:20.480 --> 0:51:21.120
<v Speaker 1>is from New York.

0:51:21.200 --> 0:51:22.640
<v Speaker 2>Like I could just know, like I don't have to

0:51:22.680 --> 0:51:23.480
<v Speaker 2>see it.

0:51:23.520 --> 0:51:25.359
<v Speaker 1>Is it like that with LA people, Because let me

0:51:25.440 --> 0:51:30.399
<v Speaker 1>just acc you. Sometimes I do get approached what I'm

0:51:30.400 --> 0:51:32.359
<v Speaker 1>in l A and somebody would say where you from?

0:51:32.480 --> 0:51:33.520
<v Speaker 2>What neighborhood you from?

0:51:33.600 --> 0:51:34.080
<v Speaker 3>Huh?

0:51:34.120 --> 0:51:38.520
<v Speaker 1>And I'll be like New York. They're like, all right, yeah, leave.

0:51:38.560 --> 0:51:40.040
<v Speaker 1>It's like they don't give a fuck. As long as

0:51:40.239 --> 0:51:42.560
<v Speaker 1>soon as I opened my mouth, They're like he's not

0:51:42.680 --> 0:51:47.319
<v Speaker 1>the ods, he'll leave. So can you see somebody and

0:51:47.360 --> 0:51:50.640
<v Speaker 1>be like, look at somebody and be like he from

0:51:50.680 --> 0:51:54.719
<v Speaker 1>the neighborhood, Oh definitely, But they open in their mouth,

0:51:54.880 --> 0:51:55.920
<v Speaker 1>Oh definitely.

0:51:56.040 --> 0:51:56.480
<v Speaker 2>Just they man.

0:51:56.680 --> 0:52:00.000
<v Speaker 3>Certain hood niggas got mannerism. There's a lot of goofy

0:52:00.080 --> 0:52:06.200
<v Speaker 3>shit going on today, but a real hood nigga is they.

0:52:06.680 --> 0:52:09.800
<v Speaker 3>We just moved different, man, we moved different.

0:52:10.280 --> 0:52:10.520
<v Speaker 2>You know.

0:52:10.719 --> 0:52:14.640
<v Speaker 3>We we're not outspoken. We don't be all chatty chatty

0:52:14.680 --> 0:52:17.960
<v Speaker 3>with motherfuckers. We just sit back and observe, man, and

0:52:18.040 --> 0:52:19.960
<v Speaker 3>you're gonna know a real hood and then the real

0:52:19.960 --> 0:52:22.560
<v Speaker 3>hood nigga don't acknowledge you back with just a simple

0:52:23.760 --> 0:52:26.000
<v Speaker 3>that's it. We ain't gonna say, oh where you from

0:52:26.080 --> 0:52:29.279
<v Speaker 3>or woof you won't we We tend to not, you know,

0:52:29.480 --> 0:52:31.719
<v Speaker 3>the ship. If you're a real nigga, you're from somewhere,

0:52:31.960 --> 0:52:35.240
<v Speaker 3>so we're trying to we bypass that. But there definitely

0:52:35.360 --> 0:52:37.200
<v Speaker 3>you can spot a goofy nigga or want to be

0:52:37.320 --> 0:52:38.200
<v Speaker 3>from a real nigga.

0:52:38.440 --> 0:52:40.839
<v Speaker 1>Right now, let me ask you, have you ever been

0:52:40.920 --> 0:52:47.319
<v Speaker 1>cool prior to you know, you being older when when

0:52:47.320 --> 0:52:49.680
<v Speaker 1>you was younger. We're just round the part you have

0:52:49.760 --> 0:52:51.239
<v Speaker 1>you ever been cool with a blood when it wasn't

0:52:51.239 --> 0:52:52.280
<v Speaker 1>cool to be cool to blood?

0:52:52.560 --> 0:52:52.759
<v Speaker 4>Yeah?

0:52:52.760 --> 0:52:57.719
<v Speaker 3>I knew plenty of bloods back in my Yeah.

0:52:57.880 --> 0:53:02.120
<v Speaker 2>I think that's the misconception that that's what.

0:53:03.520 --> 0:53:11.239
<v Speaker 3>Please Some dudes might be family members. You got a

0:53:11.280 --> 0:53:16.160
<v Speaker 3>lot of family members that claim different neighborhood. You might

0:53:16.239 --> 0:53:17.760
<v Speaker 3>have a cousin who's a blood.

0:53:17.840 --> 0:53:18.560
<v Speaker 5>I know that.

0:53:22.560 --> 0:53:25.520
<v Speaker 3>My thing back, you know with that is it's just

0:53:25.520 --> 0:53:29.240
<v Speaker 3>a respect you give me. I know you a blood,

0:53:29.360 --> 0:53:35.439
<v Speaker 3>I'm a crypt. But you know it wasn't like but

0:53:35.640 --> 0:53:39.080
<v Speaker 3>with some instances it's like on site you a blood,

0:53:39.120 --> 0:53:40.799
<v Speaker 3>I'm a crypt. Back then it was.

0:53:41.239 --> 0:53:43.640
<v Speaker 2>So what determines the instances?

0:53:44.920 --> 0:53:47.279
<v Speaker 3>I guess it gotta be if I was cool with

0:53:47.360 --> 0:53:50.600
<v Speaker 3>a nigga now I used to dirt bike ride with blood,

0:53:50.960 --> 0:53:52.000
<v Speaker 3>because you get.

0:53:51.840 --> 0:53:54.719
<v Speaker 2>Me ball dirt bike rider, something that has nothing to

0:53:54.719 --> 0:53:55.440
<v Speaker 2>do with the streets.

0:53:55.440 --> 0:53:57.520
<v Speaker 3>If you have some type, if I already had that

0:53:57.600 --> 0:54:01.080
<v Speaker 3>connection with you, then got you. Like I said, a

0:54:01.120 --> 0:54:03.840
<v Speaker 3>lot of a lot of us probably went to school

0:54:03.880 --> 0:54:07.960
<v Speaker 3>together and then once high school came and we moved

0:54:07.960 --> 0:54:08.759
<v Speaker 3>at different days.

0:54:08.800 --> 0:54:11.520
<v Speaker 8>So if you're shipping with him and your corp niggas

0:54:11.520 --> 0:54:13.520
<v Speaker 8>seeing you would you would be like, yo, he's cool.

0:54:14.160 --> 0:54:16.239
<v Speaker 8>How would you explain what I'm saying? You know you

0:54:16.239 --> 0:54:16.600
<v Speaker 8>you can't.

0:54:16.760 --> 0:54:19.400
<v Speaker 3>I can't do thathing When I got fifteen crip niggas

0:54:19.400 --> 0:54:23.040
<v Speaker 3>on my mama front porch and my sister got blood

0:54:23.120 --> 0:54:27.400
<v Speaker 3>by by baby by blood, nigga, he coming over, he nigga,

0:54:27.480 --> 0:54:30.759
<v Speaker 3>red strings, red hat ons, crazy and when he walk up,

0:54:31.680 --> 0:54:34.279
<v Speaker 3>the niggas that don't know him is like, the fuck

0:54:34.360 --> 0:54:38.240
<v Speaker 3>is baby wearing red and blue? The fuck is this nigga?

0:54:38.320 --> 0:54:41.680
<v Speaker 3>And oh that's pat Leave my nigga alone. He all good.

0:54:41.719 --> 0:54:45.000
<v Speaker 2>That's crazy, and you can control that. You could be like.

0:54:45.320 --> 0:54:47.520
<v Speaker 3>No, you you, Oh, you're gonna have to deal with

0:54:47.520 --> 0:54:51.399
<v Speaker 3>my fucking sister. She ain't finna have that. She don't

0:54:51.440 --> 0:54:54.760
<v Speaker 3>get a fucking few niggas is crips, bloods essays or whatever.

0:54:55.239 --> 0:54:58.280
<v Speaker 3>Leave my fucking nigga alone, and that's what's gonna happen.

0:54:58.400 --> 0:55:02.080
<v Speaker 3>So you got to a cool He don't come over

0:55:02.320 --> 0:55:06.440
<v Speaker 3>like okay, we know your blood. Okay, he ain't coming

0:55:06.480 --> 0:55:09.480
<v Speaker 3>over like like blood and nothing like what up? Eight blood?

0:55:09.680 --> 0:55:12.480
<v Speaker 2>It's all about respect coming on respectful.

0:55:12.520 --> 0:55:15.800
<v Speaker 3>And this nigga were drinking forties and passing the weed

0:55:15.920 --> 0:55:20.399
<v Speaker 3>and once the niggas. That's with me. See that, Oh

0:55:20.480 --> 0:55:22.399
<v Speaker 3>they like to can hear Nigga won't all.

0:55:22.320 --> 0:55:24.600
<v Speaker 2>That it's allowed, he could.

0:55:24.480 --> 0:55:28.239
<v Speaker 3>Set all that's.

0:55:30.080 --> 0:55:30.279
<v Speaker 2>Now.

0:55:30.360 --> 0:55:36.560
<v Speaker 3>It's it's differences, Like you don't know a nigga is

0:55:38.400 --> 0:55:43.920
<v Speaker 3>man Like the code is we beefing with this hood, right,

0:55:44.160 --> 0:55:48.760
<v Speaker 3>we beefing with this blood hood or that's that's feel

0:55:48.800 --> 0:55:51.439
<v Speaker 3>and McCoy way back in the days, that's what we did.

0:55:51.520 --> 0:55:55.120
<v Speaker 3>We beefing with them. But that's how I know this

0:55:55.200 --> 0:55:59.759
<v Speaker 3>nigga Like, I'm not feinna be like stick him up

0:55:59.880 --> 0:56:03.520
<v Speaker 3>or killing niggas. Nigga, he was cool with me. He

0:56:03.560 --> 0:56:04.800
<v Speaker 3>ain't beefing with them.

0:56:05.040 --> 0:56:05.479
<v Speaker 2>He cool.

0:56:05.480 --> 0:56:08.399
<v Speaker 3>He a blood But you know it's now we might

0:56:08.480 --> 0:56:11.399
<v Speaker 3>be our ride one day and decide to jump out

0:56:11.440 --> 0:56:12.840
<v Speaker 3>on some niggas.

0:56:13.040 --> 0:56:19.480
<v Speaker 2>It's just that happens in real wars. That's what it is.

0:56:19.600 --> 0:56:24.560
<v Speaker 3>I can't clarify, but like my o G niggas they

0:56:24.600 --> 0:56:26.960
<v Speaker 3>were cool with some blood. Nigga's like, you get to

0:56:27.000 --> 0:56:30.000
<v Speaker 3>a point to where I might have to cop from

0:56:30.040 --> 0:56:32.880
<v Speaker 3>the blood Nigga who's saying that you got the heavy setting?

0:56:33.120 --> 0:56:36.840
<v Speaker 3>You get me And if I'm serving nigga, I'm not

0:56:36.960 --> 0:56:40.280
<v Speaker 3>discriminating you coming over here to get this motherfucking work.

0:56:40.440 --> 0:56:45.520
<v Speaker 3>Then here you go like I'm trying to get money now.

0:56:48.440 --> 0:56:50.080
<v Speaker 1>For you you right, Let me let me switch with

0:56:50.120 --> 0:56:54.320
<v Speaker 1>the question a little bit. You not being an offtiate

0:56:54.440 --> 0:56:59.560
<v Speaker 1>gang banger, but rolling with gang members, does that automatically

0:56:59.560 --> 0:57:00.880
<v Speaker 1>make you get by association?

0:57:01.360 --> 0:57:01.719
<v Speaker 2>You know what?

0:57:01.840 --> 0:57:04.040
<v Speaker 5>It could depending on the situation, depending on what we

0:57:04.080 --> 0:57:07.480
<v Speaker 5>got going together. Now if me and this man, now

0:57:07.520 --> 0:57:10.239
<v Speaker 5>this is all prior to me becoming the podcast muggulon,

0:57:11.320 --> 0:57:14.160
<v Speaker 5>you know, so this is a long time ago listening,

0:57:14.920 --> 0:57:17.080
<v Speaker 5>you know, probably doing my thing. If we don't put

0:57:17.120 --> 0:57:19.240
<v Speaker 5>something together where we got eighty pounds going out of

0:57:19.280 --> 0:57:22.600
<v Speaker 5>time through the mail and me and you got some

0:57:22.680 --> 0:57:24.640
<v Speaker 5>business together. I don't give a fuck about that crip

0:57:24.720 --> 0:57:26.760
<v Speaker 5>or that blood shit. You're going money play right now.

0:57:27.040 --> 0:57:28.720
<v Speaker 5>We want to make sure, you know, we want to

0:57:28.760 --> 0:57:30.600
<v Speaker 5>mitigate our losses and make sure we get to our

0:57:30.640 --> 0:57:34.360
<v Speaker 5>money right. And it's all about respect. Like I tell you,

0:57:34.760 --> 0:57:37.120
<v Speaker 5>I'm real cool with Big U. Shouts at the Homie draws.

0:57:37.480 --> 0:57:40.120
<v Speaker 5>I've met him through the blood Homie, Tony Lane. You

0:57:40.200 --> 0:57:44.400
<v Speaker 5>met big a blood home through blood Homie Tony to

0:57:44.880 --> 0:57:47.280
<v Speaker 5>that managed sugar Free was manager Djech quick. You know

0:57:47.800 --> 0:57:49.760
<v Speaker 5>he man down right now. Shout at the homie and

0:57:49.760 --> 0:57:52.240
<v Speaker 5>prayers up for him. But I met him through him

0:57:52.280 --> 0:57:54.280
<v Speaker 5>through some U football stuffers. I used to have a

0:57:54.320 --> 0:57:56.560
<v Speaker 5>popping U football chaff. You know, were real big in

0:57:56.600 --> 0:57:58.800
<v Speaker 5>the sports. You know, one thing over out on the

0:57:58.840 --> 0:58:01.000
<v Speaker 5>West coast. We take care of our as we coach football,

0:58:01.040 --> 0:58:02.760
<v Speaker 5>do all kinds of little fly ship for the you know,

0:58:02.800 --> 0:58:05.160
<v Speaker 5>little youth leagues and stuff like that. I had a

0:58:05.200 --> 0:58:07.760
<v Speaker 5>youth league in Paramont. Big you had to crench y'all.

0:58:08.240 --> 0:58:13.240
<v Speaker 5>He had to with the Crenshall coach crenchyall rams And

0:58:13.280 --> 0:58:14.760
<v Speaker 5>he called me one day with told me on the

0:58:14.760 --> 0:58:16.680
<v Speaker 5>phone talking ship like yea, we will fuck you all

0:58:16.720 --> 0:58:18.680
<v Speaker 5>up do this that. Of course I went over there

0:58:18.720 --> 0:58:23.000
<v Speaker 5>to make the little kid is football ship. That ship big,

0:58:23.080 --> 0:58:24.960
<v Speaker 5>you know, just like it is. You know, that's what that.

0:58:25.440 --> 0:58:27.960
<v Speaker 5>California got a lot of similarities with Miami. When to

0:58:28.000 --> 0:58:37.720
<v Speaker 5>South Florida when it yeah, yeah, election election.

0:58:38.920 --> 0:58:43.760
<v Speaker 2>Election reacts, y'all.

0:58:43.920 --> 0:58:47.800
<v Speaker 1>Both this question, do you think Nipsey would still be

0:58:47.840 --> 0:58:50.120
<v Speaker 1>alive if he didn't put that store in the hood?

0:58:52.840 --> 0:58:57.160
<v Speaker 5>Answer that first, good question, Go ahead, motherfucker's gonna be

0:58:57.240 --> 0:58:59.760
<v Speaker 5>mad at me. But I keep real. Hell, motherfucking yeah,

0:59:00.400 --> 0:59:03.480
<v Speaker 5>I think you know. I think it's one of those things, man,

0:59:03.520 --> 0:59:09.040
<v Speaker 5>to where you dealing with a lot of different dynamics

0:59:09.080 --> 0:59:11.280
<v Speaker 5>when it comes to the hood. Nor are you from

0:59:11.320 --> 0:59:15.160
<v Speaker 5>the hood. We all come from similar circumstances around this table, right.

0:59:15.840 --> 0:59:18.320
<v Speaker 5>You just can't change certain motherfucker's mindset.

0:59:18.440 --> 0:59:19.400
<v Speaker 2>Dog, you know.

0:59:19.480 --> 0:59:21.880
<v Speaker 5>But then again, I believe in God, homie, So when

0:59:21.880 --> 0:59:24.000
<v Speaker 5>it's God's time, it might not have mattered what he

0:59:24.080 --> 0:59:26.320
<v Speaker 5>was over there in the hood or down here on

0:59:26.400 --> 0:59:29.240
<v Speaker 5>South Beach walking around somewhere of sex. You know, if

0:59:29.280 --> 0:59:30.720
<v Speaker 5>it was his time, it was his time, you know

0:59:30.760 --> 0:59:33.240
<v Speaker 5>what I mean. I believe in God too, though, bro.

0:59:33.320 --> 0:59:35.280
<v Speaker 5>But I always wonder that the me and the homies

0:59:35.320 --> 0:59:37.400
<v Speaker 5>would debate that sometimes because I'm the type of dude

0:59:37.440 --> 0:59:40.120
<v Speaker 5>I don't believe. I think it's just too different. I

0:59:40.160 --> 0:59:42.640
<v Speaker 5>can just come from a place where you can't help everybody. Dog,

0:59:42.920 --> 0:59:44.640
<v Speaker 5>they gonna still find a way to fuck up.

0:59:45.040 --> 0:59:45.200
<v Speaker 6>You know.

0:59:45.280 --> 0:59:47.480
<v Speaker 5>You get a homeye, twenty thousand and thirty thousand dollars

0:59:47.520 --> 0:59:49.560
<v Speaker 5>to put it in on his barbershop, and he fulling

0:59:49.560 --> 0:59:51.200
<v Speaker 5>around trying to move a package out of town or

0:59:51.200 --> 0:59:53.439
<v Speaker 5>some shit. Some motherfuckers just ain't gonna do right, dog,

0:59:54.240 --> 0:59:56.360
<v Speaker 5>So you just gotta be co conscious of that shit,

0:59:56.440 --> 0:59:56.960
<v Speaker 5>you know what I mean.

0:59:57.800 --> 0:59:59.680
<v Speaker 2>Some mother fuckers's not gonna go do what they're supposed

0:59:59.680 --> 1:00:00.480
<v Speaker 2>to do, how about you?

1:00:00.880 --> 1:00:07.440
<v Speaker 3>Nip Nip was a true uh representative of his neighborhood.

1:00:09.120 --> 1:00:12.840
<v Speaker 3>He wanted to keep all of that in his neighborhood.

1:00:12.920 --> 1:00:15.840
<v Speaker 3>Of course, he could have went to Beverly Hills or

1:00:16.480 --> 1:00:16.800
<v Speaker 3>you know.

1:00:19.800 --> 1:00:20.480
<v Speaker 2>And all that to.

1:00:20.440 --> 1:00:24.920
<v Speaker 3>Open the store, but I think, uh, he wanted to

1:00:25.000 --> 1:00:30.320
<v Speaker 3>show niggas that I'm gonna keep the bread here like

1:00:30.440 --> 1:00:32.920
<v Speaker 3>niggas talk about it, you know, give back to the

1:00:32.960 --> 1:00:36.240
<v Speaker 3>block and you know, buy your own and ship. He

1:00:36.360 --> 1:00:39.880
<v Speaker 3>wanted to really, you know, he really wanted to show that.

1:00:41.120 --> 1:00:45.720
<v Speaker 3>And that gained you a lot of motherfucking respect just

1:00:45.800 --> 1:00:50.600
<v Speaker 3>in the streets alone. You feel me being able to

1:00:50.800 --> 1:00:53.960
<v Speaker 3>give that. Nigga, you and you're on your block. Nigga

1:00:54.040 --> 1:00:56.760
<v Speaker 3>got a major store, and you major this and that

1:00:56.880 --> 1:00:58.680
<v Speaker 3>now and you still right here.

1:00:58.560 --> 1:01:01.040
<v Speaker 2>Also get niggas knocked down every day.

1:01:02.080 --> 1:01:06.200
<v Speaker 3>Not actually I mean that really that came from from

1:01:05.960 --> 1:01:09.680
<v Speaker 3>some other shit. You get me, because if you're able

1:01:09.720 --> 1:01:12.600
<v Speaker 3>to be cool with motherfuckers and you able to maintain

1:01:12.800 --> 1:01:16.280
<v Speaker 3>a certain then you don't have beef with niggas. You

1:01:16.360 --> 1:01:20.800
<v Speaker 3>get me. That's and that's the problem with shit. You

1:01:20.840 --> 1:01:25.160
<v Speaker 3>can't prevent another niggas jealousy. Man, you give me you can't.

1:01:25.880 --> 1:01:28.000
<v Speaker 3>Like I tell niggas every day. I'm cool with every

1:01:28.040 --> 1:01:30.640
<v Speaker 3>motherfucking body, But it's somebody out there that don't like

1:01:30.680 --> 1:01:33.920
<v Speaker 3>a nigga, and not because I don't shot up a

1:01:34.000 --> 1:01:37.760
<v Speaker 3>nigga lock or did some shit or whatever. Who knows,

1:01:38.200 --> 1:01:40.920
<v Speaker 3>Maybe because we come from the same motherfucking place and

1:01:40.960 --> 1:01:43.080
<v Speaker 3>you ain't as well off or you ain't inna do it.

1:01:43.080 --> 1:01:46.040
<v Speaker 3>But nigga shit, it's still a struggle every day. It's

1:01:46.120 --> 1:01:49.880
<v Speaker 3>why I tell a motherfucker. But you can't prevent niggas jealousy.

1:01:50.000 --> 1:01:54.200
<v Speaker 3>So and if you want to remain grounded to where

1:01:54.240 --> 1:01:59.200
<v Speaker 3>you come from, which he nigga, everybody know he represented

1:01:59.240 --> 1:02:02.600
<v Speaker 3>the sixties to the fullers. And even though I'm on

1:02:02.720 --> 1:02:06.160
<v Speaker 3>a different motherfucking plateau right now, I'm gonna still show

1:02:06.240 --> 1:02:09.320
<v Speaker 3>niggas that if it wasn't from where I came from,

1:02:09.400 --> 1:02:11.920
<v Speaker 3>then none of this would be possible. So if I

1:02:11.920 --> 1:02:15.440
<v Speaker 3>can buy a building in the hood and then keep

1:02:15.480 --> 1:02:17.760
<v Speaker 3>it on some positive shit, but niggas ain't gonna be

1:02:17.800 --> 1:02:21.360
<v Speaker 3>breaking into it or striking it up, and everybody gonna

1:02:21.400 --> 1:02:24.160
<v Speaker 3>protect it and look at it as the neighborhood store.

1:02:24.640 --> 1:02:27.040
<v Speaker 3>I don't be right there, But like I said, you

1:02:27.080 --> 1:02:31.640
<v Speaker 3>can't prevent niggas who were in the cut who because

1:02:31.680 --> 1:02:33.240
<v Speaker 3>like you said, you can get caught. You can get

1:02:33.240 --> 1:02:34.000
<v Speaker 3>caught anywhere.

1:02:34.360 --> 1:02:37.480
<v Speaker 5>Yeah, you can get caught anywhere, man, And I remember

1:02:37.600 --> 1:02:39.920
<v Speaker 5>that shit happened. That shit was sad shit though, like

1:02:40.000 --> 1:02:42.000
<v Speaker 5>they called the homie's phone. He was over my house

1:02:42.560 --> 1:02:44.720
<v Speaker 5>and that shit was in real time on FaceTime, And

1:02:44.760 --> 1:02:48.120
<v Speaker 5>I was wondering what nigga FaceTime on us? Man, you

1:02:47.800 --> 1:02:50.120
<v Speaker 5>got you got a pistol? Nigga, shoot the nigga, do something,

1:02:50.480 --> 1:02:52.120
<v Speaker 5>call the police, like why you find the fuck you're

1:02:52.120 --> 1:02:55.000
<v Speaker 5>calling us? You feel what I'm saying, It's like, shit

1:02:55.080 --> 1:02:57.720
<v Speaker 5>is crazy, Dog, I don't seen more motherfuckers.

1:02:57.120 --> 1:03:01.200
<v Speaker 11>Get you in real time. It was happening is on FaceTime, Dog,

1:03:01.360 --> 1:03:03.600
<v Speaker 11>I swear the guy you guy asked on the glasses alone. Man,

1:03:03.600 --> 1:03:06.560
<v Speaker 11>he was sitting right there, my mother fucking doner, like,

1:03:06.560 --> 1:03:10.160
<v Speaker 11>why are you calling me? Like like it got a pistol?

1:03:10.280 --> 1:03:12.280
<v Speaker 11>Like I've never seen so many niggas with pistols, but

1:03:12.280 --> 1:03:13.680
<v Speaker 11>don't shoot no motherfucking buddy.

1:03:14.880 --> 1:03:15.800
<v Speaker 2>I'll tell you one thing.

1:03:16.760 --> 1:03:19.000
<v Speaker 1>I'm gonna going to LA for years, and you know,

1:03:19.040 --> 1:03:21.160
<v Speaker 1>I'm cool with Dazz and Corrupt, and I would go

1:03:21.200 --> 1:03:25.439
<v Speaker 1>to their shows and Snoop sometimes and Nipsey though, I'll

1:03:25.440 --> 1:03:28.080
<v Speaker 1>tell you this. When I went to his show, it

1:03:28.160 --> 1:03:30.600
<v Speaker 1>was the first time I actually seen all of l

1:03:30.680 --> 1:03:34.640
<v Speaker 1>A coaching come out, Like every single people came out

1:03:34.880 --> 1:03:36.560
<v Speaker 1>like I kid you not, I'm talking about I don't

1:03:36.600 --> 1:03:38.800
<v Speaker 1>know if there was gang members, but it's Chinese people

1:03:39.320 --> 1:03:39.680
<v Speaker 1>it was.

1:03:39.960 --> 1:03:41.320
<v Speaker 2>It was Latinos.

1:03:41.520 --> 1:03:46.520
<v Speaker 1>I had because in New York that it's very common

1:03:46.560 --> 1:03:49.640
<v Speaker 1>to see Latinos and blacks together in l A. I

1:03:49.680 --> 1:03:52.920
<v Speaker 1>didn't see that a lot. You get that show, I

1:03:54.400 --> 1:03:57.080
<v Speaker 1>see that the show, I see that Nipsey show. That

1:03:57.160 --> 1:03:58.919
<v Speaker 1>was the first time I was like, holy.

1:03:58.640 --> 1:03:59.800
<v Speaker 2>Ship, you know what I mean.

1:04:00.520 --> 1:04:03.800
<v Speaker 1>So like I felt like I felt like in that sense,

1:04:03.840 --> 1:04:05.800
<v Speaker 1>he was almost as powerful as Malcolm X.

1:04:07.240 --> 1:04:09.720
<v Speaker 2>Like that's how I like, that's.

1:04:09.600 --> 1:04:12.440
<v Speaker 3>How powerful he was, Like I said to a lot

1:04:12.480 --> 1:04:17.320
<v Speaker 3>of people, he was like he was the essence of

1:04:17.400 --> 1:04:22.040
<v Speaker 3>what you're supposed to do and be. When you from

1:04:22.240 --> 1:04:25.920
<v Speaker 3>l A and you claim a neighborhood or whatever two

1:04:25.960 --> 1:04:26.800
<v Speaker 3>people he was.

1:04:26.960 --> 1:04:27.720
<v Speaker 2>He was just that.

1:04:27.920 --> 1:04:31.280
<v Speaker 3>You get me, uh, you know, we we had that

1:04:31.440 --> 1:04:34.240
<v Speaker 3>element like when Easy first started rapping.

1:04:34.720 --> 1:04:35.120
<v Speaker 2>Easy.

1:04:35.200 --> 1:04:39.120
<v Speaker 3>You know, Compton was vicious, but Easy had it to

1:04:39.200 --> 1:04:44.120
<v Speaker 3>where niggas felt good about being from Compton. You give me.

1:04:44.320 --> 1:04:44.720
<v Speaker 5>We had.

1:04:46.800 --> 1:04:49.320
<v Speaker 3>Nigga when Easy came out, Nigga, I don't give a

1:04:49.360 --> 1:04:53.600
<v Speaker 3>funk who you was, blood crip, Mexican nigga.

1:04:53.640 --> 1:04:56.920
<v Speaker 2>You loved boy like you.

1:04:56.920 --> 1:04:59.920
<v Speaker 3>Loved boys in the hood record when we first heard him,

1:05:00.200 --> 1:05:04.920
<v Speaker 3>because it was like, oh shit, this nigga represents us.

1:05:04.800 --> 1:05:06.960
<v Speaker 2>Right, you get me always jump.

1:05:10.560 --> 1:05:11.160
<v Speaker 3>Got it duck.

1:05:11.360 --> 1:05:13.840
<v Speaker 8>But you had a fun row seat to that, like

1:05:13.840 --> 1:05:15.320
<v Speaker 8>that whole Easy earlierly.

1:05:15.400 --> 1:05:19.720
<v Speaker 3>Yeah, definitely it changed or it changed the culture of

1:05:19.800 --> 1:05:24.200
<v Speaker 3>our music, and it allowed a lot of us who

1:05:25.240 --> 1:05:28.080
<v Speaker 3>basically didn't know what the fuck we was finna be doing.

1:05:28.320 --> 1:05:31.560
<v Speaker 3>So we're finna be gang banging, going to prison and seitaries, man,

1:05:32.080 --> 1:05:35.280
<v Speaker 3>because like I said, as a youngster, I ain't see

1:05:35.320 --> 1:05:38.680
<v Speaker 3>shit else right, you get me. You go from nigga,

1:05:38.680 --> 1:05:43.080
<v Speaker 3>I'm watching super Friends on Saturdays, eating Captain Crunch. Next

1:05:43.120 --> 1:05:45.440
<v Speaker 3>thing you know you like out here like Nigga, what

1:05:45.480 --> 1:05:49.520
<v Speaker 3>the fuck I'm for be serving carrying a pistol and

1:05:49.680 --> 1:05:52.240
<v Speaker 3>niggas hit the block with the lights on. Niggas times

1:05:52.280 --> 1:05:55.760
<v Speaker 3>start shooting. You don't see nothing else after that. You

1:05:55.800 --> 1:05:58.720
<v Speaker 3>get me. You see homies dying, You see a couple

1:05:58.720 --> 1:06:01.520
<v Speaker 3>of homies coming up off the dope game. But for

1:06:01.560 --> 1:06:04.120
<v Speaker 3>the most part, nigga we on the block every day.

1:06:04.400 --> 1:06:07.160
<v Speaker 8>So did you ever make any music with random, any

1:06:07.160 --> 1:06:09.240
<v Speaker 8>of them at any point?

1:06:09.800 --> 1:06:13.720
<v Speaker 3>I started right when Easy got sick. I had started

1:06:13.760 --> 1:06:17.520
<v Speaker 3>writing some songs for him. For him, yeah, oh damn,

1:06:19.280 --> 1:06:19.880
<v Speaker 3>your lyrics coming.

1:06:20.680 --> 1:06:22.160
<v Speaker 2>I can hear you.

1:06:22.360 --> 1:06:25.360
<v Speaker 3>I can hear your lyrics I've never heard. I think

1:06:25.360 --> 1:06:28.760
<v Speaker 3>I wrote like two songs for Easy, but nothing came out. No,

1:06:28.880 --> 1:06:29.760
<v Speaker 3>because he got sick.

1:06:30.080 --> 1:06:32.480
<v Speaker 2>I would love to hear. Oh he never recorded him

1:06:32.520 --> 1:06:32.760
<v Speaker 2>at all.

1:06:32.840 --> 1:06:32.920
<v Speaker 7>No.

1:06:33.120 --> 1:06:36.160
<v Speaker 3>I know the dude I was fucking with back then.

1:06:36.880 --> 1:06:40.560
<v Speaker 3>He had a close relationship with them. So he came

1:06:40.600 --> 1:06:42.760
<v Speaker 3>to me one day and said, Easy might want you

1:06:42.800 --> 1:06:44.120
<v Speaker 3>to write them a couple of songs.

1:06:44.200 --> 1:06:46.440
<v Speaker 6>And you were already putting out records. Yes, was one,

1:06:46.440 --> 1:06:47.120
<v Speaker 6>It was already out.

1:06:47.240 --> 1:06:50.480
<v Speaker 3>Yes, So I wrote two songs and they wanted me

1:06:50.560 --> 1:06:53.000
<v Speaker 3>to lay the lyrics to him, and I never did

1:06:53.000 --> 1:06:53.959
<v Speaker 3>it because he got sick.

1:06:54.080 --> 1:06:56.440
<v Speaker 5>Yes, they had some ship dog because I heard his

1:06:56.560 --> 1:07:00.200
<v Speaker 5>song because you know, Bob can he was doing when

1:07:00.240 --> 1:07:02.600
<v Speaker 5>she was. After Drake left, my god brother started doing

1:07:02.600 --> 1:07:04.479
<v Speaker 5>a lot of the staff production over there, and Bob

1:07:04.520 --> 1:07:08.720
<v Speaker 5>played me a record with Wren easy, motherfucking doctor Dre

1:07:08.840 --> 1:07:11.280
<v Speaker 5>and Q like the n W A ship that ship

1:07:11.320 --> 1:07:13.320
<v Speaker 5>Still to this day, I asked small time man play

1:07:13.360 --> 1:07:18.200
<v Speaker 5>that ship for me. Said, Hey, motherfucking the hardest ship I.

1:07:18.160 --> 1:07:22.240
<v Speaker 2>Ever heard those dog that was hard after the beach,

1:07:23.080 --> 1:07:24.760
<v Speaker 2>after the beef, like the was gonna get this.

1:07:27.480 --> 1:07:29.240
<v Speaker 5>And all of them sound and the beat was so

1:07:29.400 --> 1:07:32.440
<v Speaker 5>motherfucking crazy dog. It was just was like the silent

1:07:32.840 --> 1:07:41.880
<v Speaker 5>crazy a lot he was early days. Man, please Rn Man,

1:07:42.000 --> 1:07:44.680
<v Speaker 5>come on, man, she swallowed it and all that.

1:07:44.720 --> 1:07:47.280
<v Speaker 2>Mother he was crazy.

1:07:48.160 --> 1:07:55.280
<v Speaker 3>Wren is uh, he's more the silent partner. He's very quiet.

1:07:56.520 --> 1:07:58.040
<v Speaker 2>And he was real loyal to the situation.

1:07:58.960 --> 1:08:02.000
<v Speaker 3>I talked to Wren. You was you really was around?

1:08:02.120 --> 1:08:04.760
<v Speaker 8>Like what I found out about you, I did my homework,

1:08:05.280 --> 1:08:07.320
<v Speaker 8>like and like your knowledge of hip hop is you

1:08:07.440 --> 1:08:08.800
<v Speaker 8>got a great knowledge of hip hop?

1:08:08.880 --> 1:08:09.240
<v Speaker 2>Right it was.

1:08:09.440 --> 1:08:13.200
<v Speaker 8>I watched a couple of interviews, but it's like, you know,

1:08:13.480 --> 1:08:15.760
<v Speaker 8>growing up you know, like in Compton, Like that's where

1:08:16.520 --> 1:08:18.920
<v Speaker 8>arguably gangster hip hop, you know what I'm saying, Like

1:08:19.000 --> 1:08:22.720
<v Speaker 8>it was made when you came with your sound, it.

1:08:22.720 --> 1:08:25.639
<v Speaker 2>Was like the piano strings, the hot high pitchure.

1:08:25.880 --> 1:08:28.479
<v Speaker 8>It was different from most of the other gang banging

1:08:28.600 --> 1:08:29.520
<v Speaker 8>like you really.

1:08:29.280 --> 1:08:30.519
<v Speaker 2>Everybody was used that sound.

1:08:30.560 --> 1:08:34.080
<v Speaker 3>Everybody was doing a lot of bpms, was up in

1:08:34.120 --> 1:08:37.640
<v Speaker 3>the high notes, and it was fast slowed all the

1:08:37.640 --> 1:08:42.679
<v Speaker 3>way down. When I started rapping, you know, I like movies.

1:08:45.080 --> 1:08:47.439
<v Speaker 3>I would always like when the movie get to that part,

1:08:47.760 --> 1:08:51.200
<v Speaker 3>know somebody from the die or the jump out to it.

1:08:53.479 --> 1:08:55.800
<v Speaker 3>So I always wanted my music to fit.

1:08:55.880 --> 1:08:58.360
<v Speaker 2>That makes sense, because music to.

1:08:58.800 --> 1:09:01.320
<v Speaker 3>Tell the soundtrack or the story that was going on.

1:09:01.680 --> 1:09:04.960
<v Speaker 3>So I never got into the fast paced ship because

1:09:06.560 --> 1:09:09.840
<v Speaker 3>I wanted niggas to hear me like I'm Frienna, I'm

1:09:10.120 --> 1:09:11.960
<v Speaker 3>sit down and listen to what I'm gonna tell you.

1:09:11.960 --> 1:09:17.960
<v Speaker 3>What's that producer? Who was that DJ Slip produced? I

1:09:18.000 --> 1:09:20.360
<v Speaker 3>wanted my ship to be the soundtrack to the streets.

1:09:20.360 --> 1:09:25.720
<v Speaker 3>So ship, you're getting me niggas struggling, motherfucking they just

1:09:25.880 --> 1:09:29.679
<v Speaker 3>drove by Miss Daisy, motherfucking the hood took me under.

1:09:29.840 --> 1:09:33.719
<v Speaker 3>Niggas still struggling. I wanted niggas to know, like, Nigga,

1:09:34.479 --> 1:09:39.920
<v Speaker 3>it's real, like it's real fucked up where I'm from, Like,

1:09:40.360 --> 1:09:44.680
<v Speaker 3>and I'm getting a chance to tell motherfuckers Nigga. Last night,

1:09:44.760 --> 1:09:47.040
<v Speaker 3>so and so got shot with the k and then

1:09:47.120 --> 1:09:49.960
<v Speaker 3>the homies went and did this and block blah blah.

1:09:50.240 --> 1:09:52.599
<v Speaker 3>Then the ones came through Nigga and they took all

1:09:52.600 --> 1:09:56.000
<v Speaker 3>of us to jail. And now we're sitting up nigga.

1:09:56.080 --> 1:09:59.040
<v Speaker 3>Y'all need to hear this ship because you cannot tell

1:09:59.080 --> 1:10:01.880
<v Speaker 3>me that so mighty over there and with the jail

1:10:01.920 --> 1:10:06.479
<v Speaker 3>to night and there or just getting caught up. So

1:10:07.080 --> 1:10:10.040
<v Speaker 3>I wanted my ship to be sinister. And when you

1:10:10.080 --> 1:10:11.879
<v Speaker 3>sat back and listened to my ship.

1:10:11.720 --> 1:10:13.840
<v Speaker 2>You can envision the hell motherfuck it.

1:10:13.920 --> 1:10:17.040
<v Speaker 3>Ye, it wasn't the same La drive by on the

1:10:17.120 --> 1:10:18.120
<v Speaker 3>Nigga right now.

1:10:18.560 --> 1:10:20.719
<v Speaker 2>So how crazy was it for you? When when finally

1:10:20.760 --> 1:10:23.599
<v Speaker 2>it was a soundtrack record on Boys in the Hood,

1:10:24.120 --> 1:10:29.080
<v Speaker 2>Oh man, that was because that it's exactly what you're

1:10:29.160 --> 1:10:30.320
<v Speaker 2>describing you wanted to create.

1:10:30.360 --> 1:10:31.880
<v Speaker 3>I used to hang out with Shout Out my dude

1:10:31.960 --> 1:10:32.800
<v Speaker 3>j D from the Lynch.

1:10:32.840 --> 1:10:33.040
<v Speaker 2>Bob.

1:10:34.080 --> 1:10:38.120
<v Speaker 3>Me and him was real good friends. And this was

1:10:38.160 --> 1:10:40.400
<v Speaker 3>at the time where they was filming boys Jays, that's

1:10:40.439 --> 1:10:47.200
<v Speaker 3>locked up there, J shout out my nigga, JD. So

1:10:47.240 --> 1:10:48.960
<v Speaker 3>we used to go up to the set. You know,

1:10:49.160 --> 1:10:51.360
<v Speaker 3>they was with Q whatever whatever. I didn't even know

1:10:51.520 --> 1:10:53.200
<v Speaker 3>John single to but you.

1:10:53.160 --> 1:10:56.559
<v Speaker 2>Had already film minutes or no before. But he had

1:10:56.560 --> 1:10:57.280
<v Speaker 2>the hand in both.

1:11:00.160 --> 1:11:04.000
<v Speaker 3>This was when I had what was I did? I

1:11:04.120 --> 1:11:07.200
<v Speaker 3>just dropped one time gaffled them up and so the

1:11:07.280 --> 1:11:10.479
<v Speaker 3>video was out whatever blah blah. Saw I go up

1:11:10.479 --> 1:11:15.120
<v Speaker 3>to the set with JD and John Singleton come out

1:11:15.160 --> 1:11:18.719
<v Speaker 3>the trailer and me and JD just standing there smoking.

1:11:19.120 --> 1:11:21.479
<v Speaker 3>He walked right up to me. He said, that video

1:11:21.640 --> 1:11:23.280
<v Speaker 3>as hard as fuck.

1:11:23.439 --> 1:11:24.360
<v Speaker 2>What video he talking about?

1:11:24.400 --> 1:11:26.200
<v Speaker 3>He talked about one time gaffled them up. That was

1:11:26.280 --> 1:11:30.400
<v Speaker 3>my first And I'm looking like, who is this motherfucker?

1:11:30.960 --> 1:11:33.280
<v Speaker 3>And he was like, oh, this is my movie and

1:11:33.320 --> 1:11:36.639
<v Speaker 3>I'm shooting boys in the Hood. And I was like yeah,

1:11:36.920 --> 1:11:40.040
<v Speaker 3>Like I'm still a young nigga hood nigga. I'm like yeah, whatever,

1:11:40.200 --> 1:11:43.320
<v Speaker 3>you know, I'm gonna get you on my soundtrack. And

1:11:43.360 --> 1:11:47.439
<v Speaker 3>I was like, man, please, this nigga ain't fucking with me.

1:11:47.840 --> 1:11:50.759
<v Speaker 3>And no, he was like no, no, man, I'm telling

1:11:50.800 --> 1:11:53.479
<v Speaker 3>you and like two weeks later they called and so

1:11:53.720 --> 1:11:56.120
<v Speaker 3>I got to see the movie. And then I was

1:11:56.160 --> 1:11:58.120
<v Speaker 3>going to the set every day, so I got to

1:11:58.160 --> 1:11:58.720
<v Speaker 3>see the movie.

1:11:58.760 --> 1:11:59.320
<v Speaker 2>Boys and the Hood.

1:11:59.400 --> 1:12:01.160
<v Speaker 3>Yeah, I got to make the lig while they was

1:12:01.240 --> 1:12:04.439
<v Speaker 3>making it. So I was like, oh, this ship going

1:12:04.520 --> 1:12:07.320
<v Speaker 3>to be easy as fun. Nigga growing up in the hood, nigga,

1:12:07.360 --> 1:12:09.519
<v Speaker 3>this the year and I didn't even know what the

1:12:09.600 --> 1:12:12.240
<v Speaker 3>fuck was going to happen, And moms was treating me

1:12:12.400 --> 1:12:15.120
<v Speaker 3>like I wasn't shipping, and my younger brother was getting

1:12:15.160 --> 1:12:20.280
<v Speaker 3>all the love because I was at home in the

1:12:20.320 --> 1:12:24.760
<v Speaker 3>hood with a single mom with a younger brother, and

1:12:24.920 --> 1:12:27.840
<v Speaker 3>I was the middle kid. So I'm like, nigga, this

1:12:27.920 --> 1:12:32.000
<v Speaker 3>is me right, So it was easy to pin that

1:12:32.120 --> 1:12:34.439
<v Speaker 3>type of you seen the movie before everybody else? Ya,

1:12:35.800 --> 1:12:37.880
<v Speaker 3>I was on me in a little.

1:12:37.600 --> 1:12:39.000
<v Speaker 8>Did you know it was gonna be as big as

1:12:39.040 --> 1:12:40.800
<v Speaker 8>it was? Did you know it was gonna be as

1:12:40.800 --> 1:12:42.000
<v Speaker 8>big as it was when you've seen it?

1:12:42.439 --> 1:12:47.639
<v Speaker 3>I thought it was because those movies started jumping off,

1:12:48.040 --> 1:12:53.000
<v Speaker 3>you get me. Tupac did Juice, they did South Central

1:12:53.080 --> 1:12:56.760
<v Speaker 3>with Plumber. There we had colors. So I'm like, oh this,

1:12:57.760 --> 1:12:59.880
<v Speaker 3>I'm like this ship friing it take off like.

1:12:59.840 --> 1:13:02.040
<v Speaker 6>It was more authentic or you felt like one of

1:13:02.080 --> 1:13:04.120
<v Speaker 6>those movies, like all of them were the same.

1:13:04.520 --> 1:13:09.479
<v Speaker 3>It was different, but it still showed neighborhood incidents. I

1:13:09.520 --> 1:13:11.439
<v Speaker 3>think that's why Boys in the Hood did so.

1:13:11.479 --> 1:13:13.479
<v Speaker 2>Good, because it felt more real than the other movies.

1:13:13.680 --> 1:13:16.120
<v Speaker 3>Yeah, it was. It was you know, with Trey and

1:13:16.160 --> 1:13:19.759
<v Speaker 3>the college and all that shit. That was something different.

1:13:20.240 --> 1:13:23.400
<v Speaker 3>You know, as you've seen in Minutes. You know, it

1:13:23.520 --> 1:13:26.760
<v Speaker 3>was totally different. You know, many stay was just trying

1:13:26.760 --> 1:13:29.360
<v Speaker 3>to show niggas in the hood and how a nigga

1:13:29.400 --> 1:13:32.439
<v Speaker 3>trying to escape. You know what I'm saying. When you

1:13:32.479 --> 1:13:36.080
<v Speaker 3>got the script a wax. When you got the script right,

1:13:36.160 --> 1:13:39.960
<v Speaker 3>when you got like, did you okay? You know because

1:13:40.160 --> 1:13:42.840
<v Speaker 3>the script was like your life, so you could really write.

1:13:43.360 --> 1:13:44.639
<v Speaker 3>You can relate to what's in there.

1:13:44.680 --> 1:13:47.360
<v Speaker 8>So when you're on the movie set, I'm sure that

1:13:47.400 --> 1:13:49.640
<v Speaker 8>there's a lot of improvision going on.

1:13:49.760 --> 1:13:51.960
<v Speaker 3>And like your improvisers, right, they let me do a

1:13:51.960 --> 1:13:54.439
<v Speaker 3>lot of adlets. So what scene do you think you

1:13:54.560 --> 1:13:56.759
<v Speaker 3>improvised that was off script and that made.

1:13:56.560 --> 1:13:59.080
<v Speaker 8>It seem better? What part of the movie that was

1:13:59.120 --> 1:14:04.040
<v Speaker 8>like because of you? That's my favorite movie. That's a

1:14:04.080 --> 1:14:04.559
<v Speaker 8>great mess.

1:14:05.280 --> 1:14:08.559
<v Speaker 6>Two movies to me or so I got.

1:14:08.400 --> 1:14:12.280
<v Speaker 3>The ad lib the killing park. That was like a

1:14:12.320 --> 1:14:17.280
<v Speaker 3>lot of me ad, living, burgers, staying and a lot

1:14:17.280 --> 1:14:18.160
<v Speaker 3>of meat inside.

1:14:18.200 --> 1:14:19.719
<v Speaker 2>You mean, before you get to the murder.

1:14:20.720 --> 1:14:23.280
<v Speaker 3>While we're going to the battle and we're talking and

1:14:23.320 --> 1:14:28.599
<v Speaker 3>all that. When I'm geting that was all improvosed in

1:14:28.640 --> 1:14:31.559
<v Speaker 3>the park where I ran in the back and was like, hey,

1:14:31.600 --> 1:14:32.240
<v Speaker 3>you need something.

1:14:33.280 --> 1:14:41.320
<v Speaker 2>That was all I probably always told you this.

1:14:42.040 --> 1:14:45.160
<v Speaker 10>You did that role so good for years I was

1:14:45.200 --> 1:14:56.200
<v Speaker 10>scared of you too good.

1:14:57.160 --> 1:14:58.639
<v Speaker 2>I was just like, that's him, man.

1:14:59.640 --> 1:15:01.640
<v Speaker 1>I didn't think you were active, and I was like

1:15:01.680 --> 1:15:04.080
<v Speaker 1>he has to have experienced somehow.

1:15:07.560 --> 1:15:10.800
<v Speaker 3>I wasn't really acting because it's like niggas. You there's

1:15:10.840 --> 1:15:15.200
<v Speaker 3>one all three nigga killed a homie and I get

1:15:15.240 --> 1:15:19.240
<v Speaker 3>a chance, you put yourself Adam, shoot you once I'm

1:15:19.240 --> 1:15:21.400
<v Speaker 3>gonna do. I'm gonna go the whole thing on you.

1:15:21.479 --> 1:15:23.880
<v Speaker 3>They kick you and call your punk ass nigga and

1:15:24.080 --> 1:15:26.240
<v Speaker 3>like let's go hill Is.

1:15:26.720 --> 1:15:28.400
<v Speaker 2>It was like you gassed the little homies.

1:15:29.560 --> 1:15:31.519
<v Speaker 1>It's like if you think about it, like I watched

1:15:31.520 --> 1:15:33.840
<v Speaker 1>it come this morning again and I'm like.

1:15:34.280 --> 1:15:36.560
<v Speaker 3>You the o g Then I'm telling niggas going to

1:15:36.640 --> 1:15:36.960
<v Speaker 3>this ship.

1:15:37.360 --> 1:15:38.040
<v Speaker 2>Go go go.

1:15:38.040 --> 1:15:39.439
<v Speaker 3>Don't do that ship while we're right here.

1:15:41.040 --> 1:15:44.920
<v Speaker 1>That's what I didn't remember that to this morning. I'm watching,

1:15:44.960 --> 1:15:47.799
<v Speaker 1>I'm like, wait a minute, this nigga's old ship.

1:15:47.920 --> 1:15:51.599
<v Speaker 3>Oh yeah, Oh Jesus fluence do a lot of ship, nigga.

1:15:51.760 --> 1:15:53.760
<v Speaker 3>Go some niggas across the street and get right now.

1:15:54.840 --> 1:15:56.479
<v Speaker 3>What's her name? The one with the what's her name?

1:15:56.560 --> 1:15:58.320
<v Speaker 3>The one with the dress that was in there with y'all?

1:15:58.479 --> 1:16:01.719
<v Speaker 3>That was all who played the homegirl.

1:16:02.000 --> 1:16:06.480
<v Speaker 2>She got the same girl and that was in uh

1:16:07.439 --> 1:16:10.000
<v Speaker 2>uh you know New Jack City. Was that the same

1:16:10.040 --> 1:16:11.640
<v Speaker 2>one who said rock the block? Baby? Was that the

1:16:14.400 --> 1:16:17.479
<v Speaker 2>okay scene? That's one of the other scenes she was.

1:16:18.320 --> 1:16:20.479
<v Speaker 3>She was like a young actress or whatever from l A.

1:16:20.560 --> 1:16:25.080
<v Speaker 3>She she was okay, sure, yeah, getting the park Like

1:16:25.439 --> 1:16:27.680
<v Speaker 3>I didn't know the niggas was gonna choose me. It

1:16:27.800 --> 1:16:30.439
<v Speaker 3>was brother, yeah, they had it was it was me

1:16:30.479 --> 1:16:32.080
<v Speaker 3>and mc wren who was going out.

1:16:31.920 --> 1:16:37.920
<v Speaker 2>For the pot. I can't picture now because they told me.

1:16:38.000 --> 1:16:41.320
<v Speaker 3>They told me, uh, they want I read for it

1:16:41.479 --> 1:16:43.640
<v Speaker 3>and they wanted Wing to Red read for it. I

1:16:43.680 --> 1:16:45.439
<v Speaker 3>don't know if he actually did. She would have got

1:16:45.520 --> 1:16:48.200
<v Speaker 3>an award for that because every rapper wanted to like

1:16:48.640 --> 1:16:51.559
<v Speaker 3>when they watched you wanted to be like I wanted

1:16:51.600 --> 1:16:52.680
<v Speaker 3>to be wax like it was.

1:16:52.960 --> 1:16:54.600
<v Speaker 2>Old dogging and you know what I'm saying. Okay, but

1:16:54.880 --> 1:16:56.719
<v Speaker 2>right the way you did your ship bro.

1:16:56.680 --> 1:17:01.120
<v Speaker 8>And then to have the song on it all like

1:17:01.120 --> 1:17:03.800
<v Speaker 8>like that had to be like you know, like something's

1:17:03.920 --> 1:17:06.880
<v Speaker 8>just something's just clicked that it just clicked.

1:17:06.960 --> 1:17:07.960
<v Speaker 2>Like I hadn't know.

1:17:08.040 --> 1:17:14.439
<v Speaker 3>I never you know again, they hit me up. I

1:17:14.479 --> 1:17:17.000
<v Speaker 3>went out. I read. I didn't think the niggas was going.

1:17:17.200 --> 1:17:19.599
<v Speaker 3>I'm like, Nigga, y'all can go get tupac or mother.

1:17:19.680 --> 1:17:22.879
<v Speaker 3>I mean, when y'all got y'all can get motherfucking juice.

1:17:23.040 --> 1:17:23.519
<v Speaker 2>It's like.

1:17:25.400 --> 1:17:28.800
<v Speaker 3>I was like, yeah, man that they called me like

1:17:29.560 --> 1:17:32.679
<v Speaker 3>they called me like three times and on the third

1:17:32.760 --> 1:17:34.800
<v Speaker 3>time they was like, yeah, you got the part, and

1:17:34.920 --> 1:17:39.920
<v Speaker 3>I was like okay and ship. So I just when

1:17:39.960 --> 1:17:42.719
<v Speaker 3>I read the script and I seen what the movie about,

1:17:42.880 --> 1:17:48.400
<v Speaker 3>I'm like, oh man, I was yesterday, you give me.

1:17:48.520 --> 1:17:50.519
<v Speaker 3>I was on the block, like I said, up until then,

1:17:50.640 --> 1:17:51.360
<v Speaker 3>I was stealing in.

1:17:51.400 --> 1:17:53.600
<v Speaker 2>The Did you like the process of making the film?

1:17:54.160 --> 1:18:00.400
<v Speaker 3>No? Man, wait all that ship Man call time at

1:18:00.439 --> 1:18:04.200
<v Speaker 3>five o'clock in the fucking morning. And then sometimes you're

1:18:04.240 --> 1:18:06.400
<v Speaker 3>sitting around all day and then you don't even shoot

1:18:06.439 --> 1:18:08.320
<v Speaker 3>your scene and next thing you know, they tell you

1:18:08.320 --> 1:18:11.080
<v Speaker 3>can leave and you've been up there nine hours and ship.

1:18:11.200 --> 1:18:12.840
<v Speaker 2>So it was.

1:18:12.880 --> 1:18:15.280
<v Speaker 3>It was some days it was cool. Some days I

1:18:15.360 --> 1:18:17.640
<v Speaker 3>was like, non, fuck this ship. But in the end

1:18:17.760 --> 1:18:18.640
<v Speaker 3>it was all worth it.

1:18:18.880 --> 1:18:19.120
<v Speaker 5>You hear.

1:18:20.200 --> 1:18:23.120
<v Speaker 3>It put us as far as CMW and me on

1:18:23.200 --> 1:18:27.240
<v Speaker 3>a different plateau.

1:18:26.000 --> 1:18:26.920
<v Speaker 2>And the song was a hit.

1:18:27.120 --> 1:18:30.240
<v Speaker 3>We was able to extending I'm I'm going overseas now

1:18:30.320 --> 1:18:32.679
<v Speaker 3>and all kinds of shit, so you know, it was.

1:18:32.720 --> 1:18:34.840
<v Speaker 3>It was a beautiful thing. Always shout out to the

1:18:34.880 --> 1:18:35.640
<v Speaker 3>Huge Brothers for that.

1:18:35.880 --> 1:18:38.000
<v Speaker 1>Listen, I'm just be honest with you, that's shout. That

1:18:41.800 --> 1:18:46.080
<v Speaker 1>scene is so classic, like so classic. Today I was

1:18:46.080 --> 1:18:51.760
<v Speaker 1>with my my younger on Younger Homies, younger than me,

1:18:51.800 --> 1:18:54.519
<v Speaker 1>and I was just like you can see minutes and

1:18:54.640 --> 1:18:56.360
<v Speaker 1>they was just like it was looking at me like

1:18:56.800 --> 1:18:59.200
<v Speaker 1>I was like, you didn't see that scene, and it

1:18:59.320 --> 1:19:01.840
<v Speaker 1>was like the fact that they didn't know. I felt

1:19:01.880 --> 1:19:05.599
<v Speaker 1>like they couldn't read, Like I was.

1:19:05.520 --> 1:19:08.439
<v Speaker 2>Like, you don't want to read what you're talking about?

1:19:08.240 --> 1:19:11.439
<v Speaker 1>That thing when he said all these parts of your homie,

1:19:11.479 --> 1:19:12.920
<v Speaker 1>when when he said to him your home.

1:19:12.920 --> 1:19:13.639
<v Speaker 2>You need some help.

1:19:14.360 --> 1:19:17.400
<v Speaker 12>And then I was like, got got up all I

1:19:17.400 --> 1:19:24.400
<v Speaker 12>was like, oh he did that before.

1:19:24.240 --> 1:19:26.559
<v Speaker 2>We're gonna get into the quick Time. Damn.

1:19:26.600 --> 1:19:30.599
<v Speaker 1>Somebody sending to Zeno. Somebody uh send him the quick

1:19:30.600 --> 1:19:32.719
<v Speaker 1>Time of slime. You got you got Zeno number?

1:19:32.880 --> 1:19:39.559
<v Speaker 2>Ask? Yeah? Hold on all right, cool me stop.

1:19:42.120 --> 1:19:49.640
<v Speaker 8>I don't even drink right, as long as drink you

1:19:50.760 --> 1:19:50.920
<v Speaker 8>we're go.

1:19:51.080 --> 1:19:54.840
<v Speaker 13>Yeah, we're gonna let me drink more. I think I

1:19:54.840 --> 1:20:03.800
<v Speaker 13>think you're we don't drinking.

1:20:07.360 --> 1:20:12.920
<v Speaker 1>He came with a mission that, but we're gonna get

1:20:12.960 --> 1:20:14.000
<v Speaker 1>you a designated drinker.

1:20:14.280 --> 1:20:15.040
<v Speaker 3>Okay, bring him on.

1:20:15.080 --> 1:20:15.720
<v Speaker 2>Are you gonna drink?

1:20:16.080 --> 1:20:16.559
<v Speaker 3>Swallowing?

1:20:17.040 --> 1:20:21.920
<v Speaker 10>Yeah, Sonny, you have a bus drink Yeah, drinks for you.

1:20:22.000 --> 1:20:26.599
<v Speaker 10>You're not gonna have Yeah, and no genos because being

1:20:26.640 --> 1:20:30.519
<v Speaker 10>that Sunday is from Boston, he'll be you're.

1:20:30.439 --> 1:20:30.880
<v Speaker 2>Gonna say that.

1:20:31.960 --> 1:20:37.200
<v Speaker 14>Come on, come on, let me see that.

1:20:42.600 --> 1:20:44.400
<v Speaker 2>I should have man, I was looking for so much

1:20:44.439 --> 1:20:47.160
<v Speaker 2>to that. I should have brought that. All right, Damn,

1:20:47.840 --> 1:20:52.880
<v Speaker 2>you know you're driving right cool, We're good? Yeah? No, no, no, no, yeah, bro,

1:20:53.640 --> 1:20:54.640
<v Speaker 2>somebody standing there for me.

1:20:54.880 --> 1:20:59.280
<v Speaker 1>No, No, Sunny's gonna stay the Sunny. Yea drink? Come on,

1:20:59.360 --> 1:21:03.559
<v Speaker 1>drink Javanese. Yeah, so so you use my white friend.

1:21:03.680 --> 1:21:06.719
<v Speaker 3>If you drinking, you're drinking, got.

1:21:09.120 --> 1:21:15.200
<v Speaker 2>Shot shot shot, were drinking with you? We drinking too too.

1:21:17.200 --> 1:21:19.720
<v Speaker 3>Let's go, let's let's go.

1:21:19.920 --> 1:21:22.000
<v Speaker 1>It's a long game, but we're gonna have some fun with.

1:21:22.000 --> 1:21:22.880
<v Speaker 2>I mean, it could be zero.

1:21:23.080 --> 1:21:23.400
<v Speaker 5>Who we have.

1:21:23.560 --> 1:21:27.960
<v Speaker 6>We had someone recently, we had a guess that we

1:21:28.120 --> 1:21:29.639
<v Speaker 6>drank like one shot out of twenty.

1:21:29.439 --> 1:21:32.320
<v Speaker 2>Questions, who was it? No? No, but that I was

1:21:32.360 --> 1:21:37.360
<v Speaker 2>here though I wasn't an at t K was smith.

1:21:37.880 --> 1:21:42.760
<v Speaker 1>Yeah, okay, you ready? You got the rules? Damn you

1:21:42.960 --> 1:21:44.080
<v Speaker 1>know you're explaining the rules better.

1:21:44.520 --> 1:21:48.000
<v Speaker 6>We're gonna give you two choices, right, if you pick one,

1:21:48.280 --> 1:21:51.840
<v Speaker 6>no drinking, right if you say if you say both.

1:21:51.880 --> 1:21:53.679
<v Speaker 6>If you don't pick like you say both are neither,

1:21:53.840 --> 1:21:57.479
<v Speaker 6>that's not picking. We all take a shot and then

1:21:57.520 --> 1:22:00.240
<v Speaker 6>anything anybody we mentioned like if you've got a story, please,

1:22:00.280 --> 1:22:00.800
<v Speaker 6>let's let's go in.

1:22:00.840 --> 1:22:02.800
<v Speaker 2>And we were trying to bring up stories, you know,

1:22:02.920 --> 1:22:04.439
<v Speaker 2>and Senos band from this park.

1:22:06.120 --> 1:22:09.000
<v Speaker 1>Drink this especially on this one he's drinking through a

1:22:09.080 --> 1:22:14.599
<v Speaker 1>smokes he loves but he looks.

1:22:14.080 --> 1:22:18.920
<v Speaker 2>You ready, Yeah, let's go tupac or easy? Easy?

1:22:19.479 --> 1:22:27.000
<v Speaker 1>Okay, that was easy, easy okay, ice Cube or Snoop

1:22:27.000 --> 1:22:29.160
<v Speaker 1>Dogg Cube.

1:22:30.720 --> 1:22:36.400
<v Speaker 2>Man the Big Bow Wild Snoop Dogg Dog Okay, Okay, no, no, no,

1:22:36.439 --> 1:22:41.320
<v Speaker 2>that's cool. That's cool. Got doctor Dre or d J

1:22:41.479 --> 1:22:47.040
<v Speaker 2>quick Drey God damn man asked questions, don't y'all man,

1:22:47.760 --> 1:22:49.720
<v Speaker 2>you could say both. If you say both, we drink

1:22:51.000 --> 1:22:56.439
<v Speaker 2>uh ship, I should just take the easy brought out.

1:22:56.280 --> 1:23:04.840
<v Speaker 1>Man ship both drink you take, get your shot.

1:23:03.080 --> 1:23:07.000
<v Speaker 6>Jamie, you gotta shot take yeah, take goes right, yeah,

1:23:07.280 --> 1:23:08.200
<v Speaker 6>he go ahead.

1:23:09.600 --> 1:23:11.519
<v Speaker 2>But see what he wants for a son, Jamie Krim

1:23:12.360 --> 1:23:14.680
<v Speaker 2>what this should be? Some ship over there? I got

1:23:14.880 --> 1:23:18.040
<v Speaker 2>what you're drinking over man, wanna what's that? Dominican, Dominicans,

1:23:18.040 --> 1:23:28.400
<v Speaker 2>Dominican maken Dominican making the minute, somethings like beginning. Look you.

1:23:34.439 --> 1:23:39.200
<v Speaker 3>Don't stick up present Dominican. Then you stopped playing. I

1:23:39.280 --> 1:23:40.120
<v Speaker 3>gotta hit this ship now.

1:23:40.600 --> 1:23:41.280
<v Speaker 2>No no wait.

1:23:43.840 --> 1:23:48.760
<v Speaker 1>Nas or jay z ns nice Okay, I was I

1:23:48.840 --> 1:23:50.080
<v Speaker 1>went from Queens I respect that.

1:23:52.400 --> 1:23:54.960
<v Speaker 2>To shore or e forty you're taking the thing.

1:23:57.080 --> 1:23:57.120
<v Speaker 3>This.

1:23:57.520 --> 1:24:01.439
<v Speaker 2>Don't don't do the forty. Oh man, I'm a drink

1:24:01.479 --> 1:24:16.920
<v Speaker 2>dog Jeers, let's go, Sonny, you're gonna like this. Kendrick

1:24:17.040 --> 1:24:18.200
<v Speaker 2>Lamar Jacob.

1:24:18.680 --> 1:24:19.479
<v Speaker 3>Counting all that.

1:24:25.840 --> 1:24:27.519
<v Speaker 2>I knew that.

1:24:27.560 --> 1:24:30.479
<v Speaker 5>I knew, Hey, man, I don't knew that since he

1:24:30.640 --> 1:24:33.519
<v Speaker 5>was sixteen or fifteen years old. Dog g, that's this

1:24:33.680 --> 1:24:36.519
<v Speaker 5>family right there out all day, all.

1:24:36.520 --> 1:24:39.680
<v Speaker 2>Day, the top dog. This would not let y'all go

1:24:39.760 --> 1:24:44.080
<v Speaker 2>against that. I knew that. Yeah, all eyes on me

1:24:44.360 --> 1:24:51.040
<v Speaker 2>or me against the world. Oh yeah, drink.

1:24:51.000 --> 1:24:58.000
<v Speaker 3>All eyes on me, All eyes on me? Okay, analog

1:24:58.160 --> 1:25:01.680
<v Speaker 3>or digital? Analog me too, and a log me too.

1:25:01.720 --> 1:25:03.160
<v Speaker 3>I'm gonna take a shot for that, even though I

1:25:03.160 --> 1:25:03.560
<v Speaker 3>ain't got that.

1:25:05.960 --> 1:25:09.479
<v Speaker 2>I I love analog, man, I wish.

1:25:09.960 --> 1:25:12.080
<v Speaker 1>I always say the reason why our music was better

1:25:12.160 --> 1:25:15.280
<v Speaker 1>back then was because we had to make records together.

1:25:16.080 --> 1:25:18.240
<v Speaker 2>I couldn't send you we had it. We couldn't send

1:25:18.280 --> 1:25:25.439
<v Speaker 2>you no fu eight inch rail personal. It was more personal,

1:25:25.920 --> 1:25:29.599
<v Speaker 2>so we had to. Like the music came out rhymes

1:25:29.600 --> 1:25:30.920
<v Speaker 2>as he wrote it, you know what I mean? Like

1:25:31.000 --> 1:25:32.840
<v Speaker 2>that it is like, it's much better.

1:25:32.880 --> 1:25:34.400
<v Speaker 1>So I'm taking it even though I ain't got to

1:25:34.400 --> 1:25:35.840
<v Speaker 1>take I'm gonna take a shot for that.

1:25:38.400 --> 1:25:42.280
<v Speaker 2>I got the next one, King t Ice Tea, the

1:25:42.400 --> 1:25:46.680
<v Speaker 2>tease King t I knew he was gonna say that.

1:25:47.800 --> 1:25:54.240
<v Speaker 3>That's comes in cont Kings both of us grew up

1:25:54.320 --> 1:25:57.360
<v Speaker 3>on I grew up on King t All of his

1:25:57.560 --> 1:25:59.880
<v Speaker 3>first ship on tech no Hop. I was on take

1:26:00.160 --> 1:26:05.320
<v Speaker 3>hop as a young artist. So the coolest paybacks to mother.

1:26:05.760 --> 1:26:06.840
<v Speaker 3>You better bring the gun.

1:26:06.920 --> 1:26:11.160
<v Speaker 2>I think he's he's like appreciated, like he's such a legend.

1:26:11.640 --> 1:26:16.240
<v Speaker 3>He's definitely underrated, under definitely underrated, under appreciation.

1:26:16.520 --> 1:26:20.960
<v Speaker 2>Taking the forest time before time. And we don't take

1:26:21.040 --> 1:26:25.120
<v Speaker 2>no hop to come on? Come on all right? So

1:26:27.360 --> 1:26:32.880
<v Speaker 2>Death Bro or Ruthless Records? Oh where'd you go?

1:26:33.800 --> 1:26:40.240
<v Speaker 1>That's a great one, bro, Death Bro. You you you're

1:26:40.240 --> 1:26:42.559
<v Speaker 1>too big to pick ruthless. You gotta pick death Row.

1:26:44.280 --> 1:26:46.160
<v Speaker 1>I'm gonna tell you something. It just looks like a death.

1:26:47.320 --> 1:26:49.519
<v Speaker 1>It wouldn't be no death ro. Who wasn't no ruthless.

1:26:57.120 --> 1:26:59.160
<v Speaker 1>I guess if we gotta drink Wenna drink money.

1:27:02.200 --> 1:27:02.439
<v Speaker 2>Said?

1:27:02.520 --> 1:27:04.880
<v Speaker 3>You said both for you said if you.

1:27:04.840 --> 1:27:06.639
<v Speaker 2>Said ruthless, then we don't got to drink. We don't

1:27:06.800 --> 1:27:10.639
<v Speaker 2>drinking ruthless. Okay, niggas want.

1:27:13.320 --> 1:27:13.800
<v Speaker 6>In the move.

1:27:13.960 --> 1:27:14.120
<v Speaker 11>Now.

1:27:14.200 --> 1:27:17.760
<v Speaker 2>I heard you drink champagne. Yeah, I drinking that's what

1:27:17.960 --> 1:27:22.479
<v Speaker 2>your champagne. We get to that later. I got it.

1:27:22.680 --> 1:27:32.599
<v Speaker 2>Mac ten and Joe Yo, you know Mac a call

1:27:32.640 --> 1:27:33.000
<v Speaker 2>the nigga.

1:27:33.000 --> 1:27:39.719
<v Speaker 5>He will see this sho back to back.

1:27:41.800 --> 1:27:44.200
<v Speaker 2>Like you know about it.

1:27:45.040 --> 1:27:49.720
<v Speaker 1>I like that, So we're going back to man get on,

1:27:50.000 --> 1:27:50.360
<v Speaker 1>you can't.

1:27:53.080 --> 1:27:55.040
<v Speaker 5>I'll funk with fact Joe Dog. But I talked to

1:27:55.120 --> 1:27:56.960
<v Speaker 5>Mac team on the phone like two or three times

1:27:56.960 --> 1:28:01.519
<v Speaker 5>a week, roll with Mac starting to begging at one point,

1:28:02.360 --> 1:28:04.959
<v Speaker 5>ain't no knocks against the dying cardigin a cool.

1:28:04.800 --> 1:28:08.000
<v Speaker 1>Nigga and we need we need Mac ten on to us. Yeah,

1:28:08.040 --> 1:28:13.240
<v Speaker 1>we do absolutely ghetto boys or you g K ghetto boys.

1:28:13.760 --> 1:28:14.360
<v Speaker 1>Ghetto boys.

1:28:14.640 --> 1:28:16.280
<v Speaker 6>The story that he told he had them driving him

1:28:16.280 --> 1:28:18.719
<v Speaker 6>around with m face is one of my peaks.

1:28:18.720 --> 1:28:21.880
<v Speaker 8>And he said, rights to rap summing together at Jack's

1:28:21.880 --> 1:28:24.439
<v Speaker 8>house number Yeah, that nigga.

1:28:24.240 --> 1:28:27.560
<v Speaker 2>Bushwick Dog, I had to kick Bush. We got a

1:28:27.640 --> 1:28:36.519
<v Speaker 2>crib dog. Let me tell you.

1:28:38.120 --> 1:28:40.639
<v Speaker 5>I had a homeboy named polar Bear. Right, polar Bear

1:28:40.720 --> 1:28:42.679
<v Speaker 5>is a produced so he's you know, produced for QD

1:28:42.800 --> 1:28:46.559
<v Speaker 5>three and ship. So he called me one day and said, hey, man,

1:28:46.760 --> 1:28:49.920
<v Speaker 5>you know, could you come to my house? Man Bushwoock

1:28:49.920 --> 1:28:53.639
<v Speaker 5>doesn't want to go home, And yeah, you mean Bush

1:28:54.320 --> 1:28:58.519
<v Speaker 5>to get home? So what man, my man's wife is

1:28:59.000 --> 1:29:00.920
<v Speaker 5>My man's wife is in there. You know his wife

1:29:01.000 --> 1:29:03.720
<v Speaker 5>is there in their roadsman shipped man and Bushwicks make

1:29:03.800 --> 1:29:08.720
<v Speaker 5>the man's wife nest your fiction, and my boy want

1:29:08.760 --> 1:29:10.320
<v Speaker 5>to go get so I grabbed him and I say, man,

1:29:10.320 --> 1:29:11.880
<v Speaker 5>I'm gonna just get him home. You don't want to

1:29:11.880 --> 1:29:14.360
<v Speaker 5>be Bushwick up my nigga. He only this tall, you

1:29:14.400 --> 1:29:16.960
<v Speaker 5>know what I mean? He only this tall. So I

1:29:17.080 --> 1:29:19.040
<v Speaker 5>tell I tell bush I say, man, you know you

1:29:19.120 --> 1:29:22.800
<v Speaker 5>gotta go. You disrespected my man's crib and everything. And

1:29:22.960 --> 1:29:25.639
<v Speaker 5>Bushwick says, man, I don't give a funk how big

1:29:25.760 --> 1:29:27.760
<v Speaker 5>you are. And he was walking through and you try

1:29:27.800 --> 1:29:32.920
<v Speaker 5>to walk on and I slept that little motherfucker out.

1:29:35.680 --> 1:29:42.920
<v Speaker 2>Something ship not today. But Speaker was a little slick mother.

1:29:43.880 --> 1:29:45.720
<v Speaker 2>He was walking over to the time and I said,

1:29:45.760 --> 1:29:46.519
<v Speaker 2>you ain't gonna get me.

1:29:48.360 --> 1:29:48.519
<v Speaker 3>Through.

1:29:48.520 --> 1:30:01.479
<v Speaker 5>His lit the party post Jordan in the backyard. If

1:30:01.479 --> 1:30:03.000
<v Speaker 5>he'd got that part, he probably.

1:30:03.040 --> 1:30:08.559
<v Speaker 2>Kept legendary group though.

1:30:08.600 --> 1:30:14.160
<v Speaker 5>Man big Daddy came, oh man, he asked as questions,

1:30:15.479 --> 1:30:19.080
<v Speaker 5>he take the shot, He take the shot. He ain't drinking,

1:30:19.160 --> 1:30:21.760
<v Speaker 5>so he don't give a big Daddy, Big Daddy Wow.

1:30:22.640 --> 1:30:24.400
<v Speaker 5>He really just don't say both. He don't give a

1:30:24.640 --> 1:30:27.280
<v Speaker 5>about politics, don't drink.

1:30:28.680 --> 1:30:28.720
<v Speaker 3>No.

1:30:28.880 --> 1:30:31.200
<v Speaker 2>I just think he could, but he's not.

1:30:33.560 --> 1:30:36.439
<v Speaker 3>You drinking if I if I if I'm going off

1:30:36.560 --> 1:30:39.400
<v Speaker 3>of me as a youth and hip hop and what

1:30:39.520 --> 1:30:43.000
<v Speaker 3>I listened to and whatever, I'm gonna pick the motherfucker

1:30:43.040 --> 1:30:43.400
<v Speaker 3>who's it.

1:30:43.600 --> 1:30:45.160
<v Speaker 2>I'm not. I'm big Daddy.

1:30:46.920 --> 1:30:51.040
<v Speaker 3>Banged some Big Daddy can get men.

1:30:51.160 --> 1:30:51.439
<v Speaker 2>I didn't.

1:30:51.520 --> 1:30:53.720
<v Speaker 3>I didn't bang a lot of l ll till later

1:30:53.880 --> 1:30:56.600
<v Speaker 3>on because Nigga, we was hood niggas and that I

1:30:56.760 --> 1:31:01.000
<v Speaker 3>need love kind of threw us off of the I

1:31:01.160 --> 1:31:02.920
<v Speaker 3>was Nigga. Big Daddy was raw and.

1:31:03.000 --> 1:31:04.240
<v Speaker 2>Nigga he was.

1:31:05.439 --> 1:31:07.800
<v Speaker 3>He made that Nigga. Big Daddy said, Nigga, he would

1:31:07.800 --> 1:31:21.880
<v Speaker 3>grow up on this ship. You know, you know what

1:31:22.920 --> 1:31:23.720
<v Speaker 3>niggas over here.

1:31:25.120 --> 1:31:27.439
<v Speaker 2>You an't think, what's the hardest motherfucking the world.

1:31:27.520 --> 1:31:27.760
<v Speaker 7>He was.

1:31:28.000 --> 1:31:30.679
<v Speaker 3>He was hard, man. I'm just saying, Nigga. At the time,

1:31:30.840 --> 1:31:33.439
<v Speaker 3>niggas was like, Nigga, I don't need no love, Nigga,

1:31:33.439 --> 1:31:35.120
<v Speaker 3>I need the motherfucking.

1:31:36.640 --> 1:31:41.160
<v Speaker 2>Ship making ladies. Anyways, exactly you over there for the lady.

1:31:41.280 --> 1:31:53.000
<v Speaker 2>So well, right, that's my the nails, Nigga rady this

1:31:53.120 --> 1:31:53.559
<v Speaker 2>lift ship.

1:31:54.320 --> 1:31:57.960
<v Speaker 3>When when we banged Leo, like I said, rock the

1:31:58.080 --> 1:31:58.720
<v Speaker 3>bells and.

1:31:59.200 --> 1:32:00.960
<v Speaker 4>All that ship all of that.

1:32:01.520 --> 1:32:03.479
<v Speaker 2>But then I Nick came with that.

1:32:03.680 --> 1:32:06.519
<v Speaker 3>Dude, I was like, man, what.

1:32:13.080 --> 1:32:17.200
<v Speaker 2>I'm like, come on that ship. I liked it.

1:32:17.280 --> 1:32:23.240
<v Speaker 3>It was weird at first because I'm used to mother,

1:32:23.360 --> 1:32:25.559
<v Speaker 3>like you said, I used to walk the bell check

1:32:25.800 --> 1:32:30.880
<v Speaker 3>the ripper ship. Mama said, knocks you out, Nigga phote

1:32:30.960 --> 1:32:33.120
<v Speaker 3>shots to the dome. I play that ship all day.

1:32:33.240 --> 1:32:36.200
<v Speaker 3>But like I said back then, nigga, I mean, I'm

1:32:36.240 --> 1:32:42.599
<v Speaker 3>fair enough. I'm telling I got the nigga.

1:32:42.840 --> 1:32:46.120
<v Speaker 2>I can't be walking around the hook. I need love.

1:32:47.520 --> 1:33:00.720
<v Speaker 4>Come on, ship, Nigga, like you're playing that ship, Like.

1:33:00.800 --> 1:33:02.920
<v Speaker 2>Dude, what you're playing? Niggas to something.

1:33:03.680 --> 1:33:07.000
<v Speaker 3>Any time that came on the mixtape was like I

1:33:07.120 --> 1:33:12.120
<v Speaker 3>need Look, were in the garage chilling nigga and the

1:33:12.360 --> 1:33:15.559
<v Speaker 3>mixtape come on. And then one of them on Little Niggas,

1:33:15.640 --> 1:33:18.320
<v Speaker 3>is like, man, come on, niggas might come.

1:33:18.240 --> 1:33:22.120
<v Speaker 5>Through right now, dumping and ship niggas. If we did,

1:33:22.560 --> 1:33:24.280
<v Speaker 5>nigga be dead on the scene.

1:33:24.080 --> 1:33:26.880
<v Speaker 7>And the police walk up like they was playing I

1:33:27.040 --> 1:33:33.920
<v Speaker 7>need no you know, like we're about to pull up

1:33:33.960 --> 1:33:34.840
<v Speaker 7>on some niggas and.

1:33:34.800 --> 1:33:35.599
<v Speaker 2>The dump and ship.

1:33:35.680 --> 1:33:38.360
<v Speaker 3>The nigga got hi and he loved ship.

1:33:40.800 --> 1:33:43.960
<v Speaker 2>Like niggas looking at us. We're about to dump out

1:33:44.000 --> 1:33:53.080
<v Speaker 2>of the niggas. Niggas don't want no status.

1:33:53.200 --> 1:33:56.639
<v Speaker 3>Nigga ain't pulling up you hear a song that's cool nigga, y'all.

1:33:57.160 --> 1:34:01.040
<v Speaker 2>No, no, no, don't look at you know what? King,

1:34:02.040 --> 1:34:05.080
<v Speaker 2>but you ain't you ain't picky man.

1:34:05.160 --> 1:34:05.560
<v Speaker 3>I don't know.

1:34:05.640 --> 1:34:07.720
<v Speaker 5>He got me thinking right now because Big Daddy came

1:34:08.720 --> 1:34:11.880
<v Speaker 5>off off you. You dad, he can't have me cut

1:34:11.960 --> 1:34:12.600
<v Speaker 5>my eyebrows.

1:34:12.960 --> 1:34:14.000
<v Speaker 3>That's some man.

1:34:14.479 --> 1:34:22.840
<v Speaker 2>You have a whole bunch of niggas cut l was hard.

1:34:23.200 --> 1:34:26.960
<v Speaker 3>He Kinge was a hood nigga. Jane was a hood niggas.

1:34:26.960 --> 1:34:28.680
<v Speaker 3>When about come on?

1:34:29.120 --> 1:34:31.240
<v Speaker 5>When I heard in my mind at least Big Jess

1:34:31.400 --> 1:34:35.960
<v Speaker 5>Kane and on the symphony ship and they was going

1:34:36.040 --> 1:34:39.200
<v Speaker 5>back and forth. It was like that was like Superman

1:34:39.360 --> 1:34:42.559
<v Speaker 5>versus motherfucking Spider Man and some ship.

1:34:42.680 --> 1:34:49.040
<v Speaker 2>You damn like what you picking? We drink? Man your

1:34:49.080 --> 1:34:55.600
<v Speaker 2>hands because you plagued yourself. You see that ship? So

1:34:55.720 --> 1:34:56.320
<v Speaker 2>who you picking?

1:34:56.720 --> 1:34:56.920
<v Speaker 1>Yeah?

1:34:59.800 --> 1:35:04.880
<v Speaker 5>Take long live the mother sucking came. Don't want to

1:35:04.920 --> 1:35:10.200
<v Speaker 5>drink because he's clear, That's what I'm saying.

1:35:10.240 --> 1:35:20.880
<v Speaker 1>Dog he packs yeah, yeah, loot you minister society or thinking.

1:35:20.640 --> 1:35:30.080
<v Speaker 2>The water minutes yeah, of course the sauce. Or look

1:35:30.479 --> 1:35:37.080
<v Speaker 2>look at what I just showed the cover, the source

1:35:41.760 --> 1:35:50.160
<v Speaker 2>he lead the class. I don't think it's going.

1:35:52.760 --> 1:35:55.839
<v Speaker 3>That y'all have me on to covers.

1:35:59.640 --> 1:36:03.559
<v Speaker 2>Guess guess how many covers I had? Zero ninety nine.

1:36:06.560 --> 1:36:07.960
<v Speaker 2>You see, he looked the other way to me, and

1:36:08.439 --> 1:36:13.680
<v Speaker 2>what he didn't like me? He thought I was responsing.

1:36:16.600 --> 1:36:18.280
<v Speaker 3>S shot.

1:36:20.600 --> 1:36:21.240
<v Speaker 2>He really.

1:36:22.800 --> 1:36:25.600
<v Speaker 1>I was so bad right that twenty years later we

1:36:25.680 --> 1:36:28.479
<v Speaker 1>became like friends, right, and we were arguing about something

1:36:28.560 --> 1:36:29.880
<v Speaker 1>totally different, and I just.

1:36:30.400 --> 1:36:31.280
<v Speaker 4>Give me the course.

1:36:34.800 --> 1:36:38.880
<v Speaker 2>That ship, you know, that was twenty years ago. You

1:36:38.920 --> 1:36:40.599
<v Speaker 2>want to be mad with sol boring ship over?

1:36:40.640 --> 1:36:46.320
<v Speaker 5>You do that to his face.

1:36:47.600 --> 1:36:49.280
<v Speaker 1>Listen, let me tell you who I'm going to be

1:36:49.400 --> 1:36:52.519
<v Speaker 1>honest with me to so to his faith, i'ma be

1:36:52.560 --> 1:36:55.760
<v Speaker 1>honest with you. It was me corrupt d M X

1:36:56.240 --> 1:37:01.280
<v Speaker 1>Cameron and big pun right and can't cannabis And what

1:37:02.080 --> 1:37:02.639
<v Speaker 1>was my mass.

1:37:03.000 --> 1:37:03.360
<v Speaker 2>To beat all?

1:37:03.400 --> 1:37:08.880
<v Speaker 3>The motherfucker was like Kidd's disrespect.

1:37:10.120 --> 1:37:14.720
<v Speaker 2>What you say had just came home the Cavdonna Canna, Yeah,

1:37:14.800 --> 1:37:15.719
<v Speaker 2>so wet.

1:37:16.320 --> 1:37:19.400
<v Speaker 1>He was in like the best new artists, right, he

1:37:19.520 --> 1:37:21.880
<v Speaker 1>was like, alright, cool? Then he beat us album of

1:37:21.880 --> 1:37:24.479
<v Speaker 1>the Year. He was like, all right, cool, he beat

1:37:24.520 --> 1:37:25.840
<v Speaker 1>us seven categories.

1:37:26.360 --> 1:37:29.880
<v Speaker 2>Me and pun left man as a motherfucker man every

1:37:29.960 --> 1:37:33.280
<v Speaker 2>time you're sing that motherfucker doing that should he be doing?

1:37:33.479 --> 1:37:37.160
<v Speaker 2>And I was. I told, I was like, oh, silk man,

1:37:37.200 --> 1:37:39.719
<v Speaker 2>I can't believe you. You beat us in every category?

1:37:39.920 --> 1:37:40.040
<v Speaker 3>Here?

1:37:41.600 --> 1:37:42.479
<v Speaker 2>What was that based on?

1:37:44.000 --> 1:37:44.320
<v Speaker 15>Hold on.

1:37:47.400 --> 1:38:02.439
<v Speaker 2>About silk and here job here, old man.

1:38:06.760 --> 1:38:07.040
<v Speaker 5>About it?

1:38:08.240 --> 1:38:09.360
<v Speaker 2>What question was this?

1:38:09.479 --> 1:38:09.920
<v Speaker 3>Miss my thing?

1:38:10.240 --> 1:38:12.400
<v Speaker 2>Yeah? Do you remember this question?

1:38:13.160 --> 1:38:13.439
<v Speaker 3>He said?

1:38:13.439 --> 1:38:15.679
<v Speaker 2>How is this against the chronicles edition?

1:38:15.880 --> 1:38:16.240
<v Speaker 3>Right now?

1:38:19.400 --> 1:38:19.880
<v Speaker 2>A source?

1:38:20.040 --> 1:38:22.960
<v Speaker 8>Right, You've got a journalistics a side journalism and then

1:38:23.000 --> 1:38:25.639
<v Speaker 8>you have your business side on the journalism side. It's

1:38:25.720 --> 1:38:28.840
<v Speaker 8>like the is the journalist and the one thing I

1:38:28.920 --> 1:38:31.920
<v Speaker 8>will say t O N Y is my favorite verse?

1:38:32.160 --> 1:38:45.160
<v Speaker 2>Yeah yeah, but you can't give me a I was, okay,

1:38:45.200 --> 1:38:51.240
<v Speaker 2>come on, I told you that here, Come on, hold.

1:38:52.560 --> 1:38:55.439
<v Speaker 3>Want to make sure you know I'm on that side

1:38:55.439 --> 1:38:58.679
<v Speaker 3>of the top persons on the jay Z and no versus.

1:38:58.840 --> 1:39:02.240
<v Speaker 2>But that verse you're about giving silk the woman over

1:39:02.280 --> 1:39:02.599
<v Speaker 2>your door?

1:39:03.720 --> 1:39:03.920
<v Speaker 12>It was.

1:39:08.760 --> 1:39:11.640
<v Speaker 2>Shut shut out, shot shut out.

1:39:12.840 --> 1:39:17.840
<v Speaker 14>Differently, he was buying like six ads, thing like, think

1:39:17.880 --> 1:39:19.960
<v Speaker 14>about he's buying six ads of magazine.

1:39:20.240 --> 1:39:22.240
<v Speaker 2>I get it. So you know what I'm saying that's

1:39:22.240 --> 1:39:24.400
<v Speaker 2>the only thing that I could think you need me

1:39:24.560 --> 1:39:30.160
<v Speaker 2>as a fan, you know, business and corrupt. It was like,

1:39:30.240 --> 1:39:32.479
<v Speaker 2>I want to give it to me. You're gonna get Jason.

1:39:33.120 --> 1:39:35.719
<v Speaker 1>I'm not taking nothing away from you. But at the time,

1:39:36.439 --> 1:39:39.080
<v Speaker 1>that was the time of real hip hop different. Silk

1:39:39.200 --> 1:39:42.000
<v Speaker 1>just wasn't at that time considered real hip hop.

1:39:42.080 --> 1:39:44.719
<v Speaker 2>So it was corrupt. Like I said, it was me corrupt.

1:39:45.080 --> 1:39:49.880
<v Speaker 1>Cameron big punts still and I was just like that,

1:39:50.080 --> 1:39:52.680
<v Speaker 1>he's gonna be honest. I wanted to lose, not to

1:39:52.720 --> 1:39:56.240
<v Speaker 1>say Silk is not a reputable opponent. I wanted to

1:39:56.320 --> 1:39:59.120
<v Speaker 1>lose with somebody that's a repetable next to him.

1:39:59.160 --> 1:40:01.600
<v Speaker 2>And when you buy and what's your definitely by I

1:40:01.720 --> 1:40:02.560
<v Speaker 2>was definitely looking at that.

1:40:07.439 --> 1:40:16.320
<v Speaker 3>You can see, I know my nigga Corrupt was like, hey, man,

1:40:18.360 --> 1:40:20.840
<v Speaker 3>to get his breath on that, but he was like, not, damn.

1:40:21.200 --> 1:40:23.599
<v Speaker 2>I realized that's like the equivalent of losing the crypt

1:40:23.680 --> 1:40:24.360
<v Speaker 2>mac of some ship.

1:40:28.880 --> 1:40:32.320
<v Speaker 3>Look, that's a parental advisory sticker by yourself on his

1:40:32.439 --> 1:40:34.320
<v Speaker 3>own ship on a record label.

1:40:34.400 --> 1:40:36.800
<v Speaker 1>This ship right now, Hold on, hold, let's go all right,

1:40:36.920 --> 1:40:39.120
<v Speaker 1>Doggy style or the chronic.

1:40:40.920 --> 1:40:44.400
<v Speaker 2>It's a tough one. Right there doggy style.

1:40:45.479 --> 1:40:50.839
<v Speaker 5>Wow, oh ship man, you just keep it to reals sometimes.

1:40:51.280 --> 1:40:55.720
<v Speaker 2>What you what you're going with? Dog? He said with

1:40:55.800 --> 1:40:59.640
<v Speaker 2>the chronic Man. Even though I will say this, it

1:40:59.720 --> 1:41:00.759
<v Speaker 2>ain't an artist.

1:41:00.600 --> 1:41:01.120
<v Speaker 16>Like you do.

1:41:01.240 --> 1:41:02.559
<v Speaker 15>I like now.

1:41:10.000 --> 1:41:10.559
<v Speaker 2>Tripping Dog.

1:41:13.080 --> 1:41:15.160
<v Speaker 5>It wasn't no album like Dog, he styled when that

1:41:15.200 --> 1:41:17.439
<v Speaker 5>ship first came off, because it was playing everywhere Dog.

1:41:17.920 --> 1:41:20.479
<v Speaker 5>Like every party I went through, that motherfucker was playing Dog.

1:41:20.560 --> 1:41:23.480
<v Speaker 5>It didn't matter if I was in Virginia, something fucking.

1:41:23.240 --> 1:41:28.679
<v Speaker 2>Wag or director. It broke the thing and Snoop DOGG

1:41:28.840 --> 1:41:32.360
<v Speaker 2>just the coolest motherfucking the world. But over the chronic

1:41:33.000 --> 1:41:40.920
<v Speaker 2>I think, let me let me finish it though.

1:41:42.160 --> 1:41:46.120
<v Speaker 5>I think the chronic dough Dog that introduced that nigga

1:41:46.200 --> 1:41:49.799
<v Speaker 5>man Snoop dog and it was just like the political

1:41:49.880 --> 1:41:51.720
<v Speaker 5>climbing at the time. Man, it was ot l a

1:41:51.840 --> 1:41:54.000
<v Speaker 5>tripping and ship motherfucker's running down the streak with.

1:41:54.040 --> 1:41:59.920
<v Speaker 3>TV and you just got to go with your personal taste.

1:42:00.160 --> 1:42:01.560
<v Speaker 3>That's what this about you.

1:42:01.800 --> 1:42:04.519
<v Speaker 2>That's the thing. I can't say. We gotta drink doggs bucket.

1:42:12.280 --> 1:42:13.080
<v Speaker 2>I gotta drink for.

1:42:13.120 --> 1:42:22.599
<v Speaker 5>That though, Okay Andre three thousand or conversation, Okay three thousand,

1:42:24.000 --> 1:42:30.200
<v Speaker 5>what was the question ludicris, Oh, ship man, y'all be

1:42:30.320 --> 1:42:41.400
<v Speaker 5>asked hypothetical ask questions. Ship, I gotta go on for

1:42:41.600 --> 1:42:43.000
<v Speaker 5>three thousand man three stacks.

1:42:43.160 --> 1:42:48.240
<v Speaker 2>Okay, that's fair. Primo or battle Cat Primo. You got

1:42:48.360 --> 1:42:56.760
<v Speaker 2>you gotta joint? Yeah, now's your primo. He's I got

1:42:56.840 --> 1:43:00.960
<v Speaker 2>a joint. I gotta go with battle Cat dogs on front.

1:43:01.040 --> 1:43:05.800
<v Speaker 2>Right there both read them both back. We're coming back.

1:43:05.840 --> 1:43:11.240
<v Speaker 2>We're working on that. Cash money or no Limit that's

1:43:11.280 --> 1:43:16.400
<v Speaker 2>a good one. That's a real good one. Cash money.

1:43:16.640 --> 1:43:18.559
<v Speaker 2>I got to go cash money because the niggas still here,

1:43:20.280 --> 1:43:21.800
<v Speaker 2>I mean, no limit technically still here.

1:43:22.600 --> 1:43:25.960
<v Speaker 3>I don't see this is what I don't judge it

1:43:26.040 --> 1:43:28.639
<v Speaker 3>off of that. I just go off of what I banged.

1:43:28.880 --> 1:43:29.599
<v Speaker 2>Yeah right.

1:43:29.760 --> 1:43:33.160
<v Speaker 3>I didn't bang a lot of no literal cash money

1:43:33.439 --> 1:43:36.360
<v Speaker 3>because of BG. I banged some cash.

1:43:37.720 --> 1:43:39.839
<v Speaker 2>Cash money was the ship Don't.

1:43:41.240 --> 1:43:47.240
<v Speaker 3>Car was all cash and banged the Hot Boys album.

1:43:47.560 --> 1:43:49.800
<v Speaker 3>Banged the funk out of that city. Yeah, it was

1:43:49.960 --> 1:43:52.720
<v Speaker 3>cracking that that album that they all had together, the

1:43:52.800 --> 1:43:57.600
<v Speaker 3>Hot Boys. I banged that off was so crazy. I

1:43:57.640 --> 1:44:00.640
<v Speaker 3>didn't listen to like master p is cool. I was

1:44:00.680 --> 1:44:04.080
<v Speaker 3>gonna sign the No Limit at one time. Really yeah,

1:44:04.240 --> 1:44:06.240
<v Speaker 3>right before I signed the Who Bayon, I was gonna

1:44:06.240 --> 1:44:06.680
<v Speaker 3>sign a no.

1:44:06.760 --> 1:44:11.799
<v Speaker 2>Limit, but I didn't listen. That would have been before Snoop.

1:44:12.320 --> 1:44:14.720
<v Speaker 3>That was right before I signed the Mac tin.

1:44:14.920 --> 1:44:17.120
<v Speaker 2>But I'm saying before Snoop signed the No Limit, he

1:44:17.320 --> 1:44:23.839
<v Speaker 2>was signed to them already. I got to them because

1:44:23.880 --> 1:44:24.640
<v Speaker 2>of Snoop.

1:44:24.560 --> 1:44:27.680
<v Speaker 3>Because at that time, when Snoop was in his transition,

1:44:28.360 --> 1:44:31.040
<v Speaker 3>I was hanging out with him every day. I was

1:44:31.080 --> 1:44:35.000
<v Speaker 3>hanging out with Snoop every day almost. So he took

1:44:35.120 --> 1:44:37.160
<v Speaker 3>me up to the studio where P and Then was

1:44:37.560 --> 1:44:40.639
<v Speaker 3>and when I walked in, he was like, fuck it, Yeah,

1:44:40.680 --> 1:44:43.479
<v Speaker 3>we're gonna we you know. Snoop said, fuck it, so

1:44:43.520 --> 1:44:45.840
<v Speaker 3>we're gonna sign you. So I was gonna sign the

1:44:45.920 --> 1:44:48.280
<v Speaker 3>no Limit and then Mac Tim walked in.

1:44:49.880 --> 1:44:55.679
<v Speaker 2>Dom Kennedy or Larry June, Dom.

1:44:58.800 --> 1:45:06.080
<v Speaker 5>Kendy O Larry June. She just almost feels like if

1:45:06.120 --> 1:45:07.880
<v Speaker 5>I say one, that is the wrong answer.

1:45:08.200 --> 1:45:17.200
<v Speaker 3>You know this, think you it's serious. Come on, and

1:45:17.320 --> 1:45:21.320
<v Speaker 3>I know we ain't got time for nothing personal. It's

1:45:21.439 --> 1:45:23.320
<v Speaker 3>just what you explain over whatever.

1:45:23.640 --> 1:45:25.759
<v Speaker 2>Glabby shot eight. I'm gonna do both of them niggas

1:45:27.760 --> 1:45:34.919
<v Speaker 2>up the next Yeah, Cypress Hill or cycle realm Cypress.

1:45:36.000 --> 1:45:37.960
<v Speaker 5>Yeah, you gotta say Cypress dog because it ain't no

1:45:38.000 --> 1:45:39.240
<v Speaker 5>cycle round without Cypress.

1:45:42.000 --> 1:45:46.720
<v Speaker 2>W A publican me, oh, man, you know that's w A.

1:45:47.000 --> 1:45:47.559
<v Speaker 2>You gotta.

1:45:49.640 --> 1:45:55.720
<v Speaker 3>Come on with black still got with black still in

1:45:55.960 --> 1:45:58.960
<v Speaker 3>our chaos, man of course.

1:45:59.320 --> 1:46:02.360
<v Speaker 6>But look at think about it when Q Please Republic

1:46:02.479 --> 1:46:03.280
<v Speaker 6>enemy and look at how.

1:46:03.280 --> 1:46:09.640
<v Speaker 2>Perfect that was. Yeah, but n w A yeah, man,

1:46:09.680 --> 1:46:13.360
<v Speaker 2>you know you're leading the witnesses. That was the ship

1:46:13.400 --> 1:46:15.879
<v Speaker 2>when Q started working with the bomb Squad and ship.

1:46:15.680 --> 1:46:18.080
<v Speaker 3>That was saying when he wasn't I'm gonna go I'm

1:46:18.080 --> 1:46:18.679
<v Speaker 3>gonna go both.

1:46:23.200 --> 1:46:24.360
<v Speaker 2>I would have said what.

1:46:24.600 --> 1:46:26.679
<v Speaker 1>You're gonna say, youre gonna say both to say both

1:46:26.800 --> 1:46:27.640
<v Speaker 1>get this hard, bro.

1:46:28.600 --> 1:46:30.880
<v Speaker 2>Yeah, that's definitely deserving them both.

1:46:30.920 --> 1:46:33.479
<v Speaker 3>I got a letter from the president. Man, come on, man,

1:46:33.960 --> 1:46:37.000
<v Speaker 3>come on. That was that was That was the other day.

1:46:37.320 --> 1:46:39.880
<v Speaker 3>That was a hood that was AO anthem.

1:46:39.600 --> 1:46:43.559
<v Speaker 2>For us times, you know, and that bomb Squad production

1:46:44.000 --> 1:46:44.800
<v Speaker 2>dre production like.

1:46:44.840 --> 1:46:48.280
<v Speaker 3>That, that that that Chuck d and that that ship

1:46:48.439 --> 1:46:50.679
<v Speaker 3>that song right there was a hood anthem.

1:46:51.200 --> 1:46:52.720
<v Speaker 2>Yeah. That was the ship right there that beat the

1:46:52.760 --> 1:46:55.599
<v Speaker 2>whole bunch of niggas up. When that ship. I don't

1:46:55.600 --> 1:46:59.920
<v Speaker 2>think that between the physics and ship for.

1:47:05.400 --> 1:47:08.760
<v Speaker 1>I'm sure you did. Ain't nobody gonna say no to that.

1:47:09.920 --> 1:47:13.960
<v Speaker 1>Karens wanted to rock him Rocky, he said, fast.

1:47:14.360 --> 1:47:18.200
<v Speaker 2>Rocky Fast, I rock YIM.

1:47:18.320 --> 1:47:24.000
<v Speaker 3>Yeah, that's my that's my musical influence. I liked k

1:47:24.280 --> 1:47:29.719
<v Speaker 3>r S because of you know, but you can't Rockim

1:47:29.840 --> 1:47:31.920
<v Speaker 3>is who I grew up off. I wanted to rap

1:47:32.000 --> 1:47:33.240
<v Speaker 3>because of Rocky, he said.

1:47:33.280 --> 1:47:33.559
<v Speaker 2>The music.

1:47:35.120 --> 1:47:37.280
<v Speaker 3>I wanted to rap because of Rockym and E P

1:47:37.439 --> 1:47:41.639
<v Speaker 3>M D. And he didn't curse and P M Yeah hip.

1:47:41.560 --> 1:47:44.800
<v Speaker 1>Hop rock You notice rock him didn't curse and he

1:47:44.920 --> 1:47:45.960
<v Speaker 1>was still the hardest.

1:47:46.000 --> 1:47:49.640
<v Speaker 3>Mother was still like, no nigga in here, deny if

1:47:49.680 --> 1:47:52.040
<v Speaker 3>your true hip hop head when you first heard Eric

1:47:52.080 --> 1:47:53.320
<v Speaker 3>B as president.

1:47:53.000 --> 1:47:57.320
<v Speaker 2>Out of here and you didn't love hip hop at

1:47:57.360 --> 1:47:57.679
<v Speaker 2>that point.

1:47:57.960 --> 1:48:00.680
<v Speaker 3>And I get that ship on stat, he asked k

1:48:01.040 --> 1:48:03.519
<v Speaker 3>And I used to wait for that ship, just wait,

1:48:03.640 --> 1:48:07.240
<v Speaker 3>and I have my tape casset ready and and it's

1:48:07.360 --> 1:48:10.080
<v Speaker 3>KD was the shittiest radio state because it was on

1:48:10.240 --> 1:48:13.719
<v Speaker 3>motherfucking AM and it was the last station. So nigga,

1:48:13.760 --> 1:48:16.320
<v Speaker 3>you get all kinds of Mexican music in their mix.

1:48:18.120 --> 1:48:22.320
<v Speaker 3>You had to set you. They do the mixed masters

1:48:22.400 --> 1:48:25.880
<v Speaker 3>every Saturday, Night Nigga and it was like and when

1:48:25.880 --> 1:48:29.120
<v Speaker 3>they played it, I used to wait, Nigga President, come on,

1:48:29.479 --> 1:48:30.640
<v Speaker 3>do you hear that? Motherfucker?

1:48:30.680 --> 1:48:33.559
<v Speaker 2>Oh ude do dude ooh ooh.

1:48:33.640 --> 1:48:36.320
<v Speaker 3>And I ain't talking about the seven minute remix one now,

1:48:36.320 --> 1:48:39.200
<v Speaker 3>I'm talking about the original Nigga Bam nigga. And I

1:48:39.320 --> 1:48:42.680
<v Speaker 3>used to listen to that ship for hours and Uh

1:48:43.320 --> 1:48:45.559
<v Speaker 3>Easy didn't like me in the beginning because he said

1:48:45.600 --> 1:48:49.400
<v Speaker 3>I sounded too much like rock yimally, yeah wow, Yeah.

1:48:51.040 --> 1:48:53.639
<v Speaker 3>We tried to go We tried to fuck with Ruthless

1:48:53.720 --> 1:48:56.240
<v Speaker 3>in them and he said I sounded too much like

1:48:56.280 --> 1:48:56.920
<v Speaker 3>what you're saying.

1:48:56.960 --> 1:48:59.200
<v Speaker 2>Compass. Most money was almost on Ruthless Records.

1:48:59.280 --> 1:49:02.600
<v Speaker 3>We tried to go through Ruthless and he said, no,

1:49:02.760 --> 1:49:05.120
<v Speaker 3>eight sound too that nigga sound too much like Rockym.

1:49:05.640 --> 1:49:10.400
<v Speaker 3>So we ended up fucking with Capitol Records.

1:49:11.040 --> 1:49:14.120
<v Speaker 2>Yeah, that's crazy. Capitol turn into Priority.

1:49:14.680 --> 1:49:21.799
<v Speaker 3>Capital was back then, we was fucking with Orpheus. Okay, yes, Orpheus.

1:49:22.000 --> 1:49:22.120
<v Speaker 2>Uh.

1:49:23.320 --> 1:49:28.439
<v Speaker 3>Melbourne Moore's husband owned Orpheus, Charles Huggins, and that's how

1:49:28.520 --> 1:49:31.600
<v Speaker 3>we got signed. We went through Orpheus SKI and my

1:49:32.080 --> 1:49:36.840
<v Speaker 3>our first record deal and that was through Yeah, okay,

1:49:36.880 --> 1:49:41.040
<v Speaker 3>we're gonna move on a little bit. L A Raiders

1:49:41.160 --> 1:49:45.360
<v Speaker 3>or l A Chargers. I'm a Chargers fan, been since

1:49:45.720 --> 1:49:52.200
<v Speaker 3>Kellen Winslow, since Doug found Fox, since motherfucking Charlie Joiner.

1:49:52.680 --> 1:49:54.640
<v Speaker 3>You know what was that offense call they used to

1:49:55.439 --> 1:49:59.000
<v Speaker 3>Humphreys they had back then Natron means they, Oh yeah,

1:50:01.080 --> 1:50:02.519
<v Speaker 3>I'm a true Charger fan.

1:50:03.840 --> 1:50:07.360
<v Speaker 2>How about you Chargers? That was easy. I got one

1:50:07.400 --> 1:50:10.560
<v Speaker 2>more before the last. Okay, big Boys neighborhood or the

1:50:10.600 --> 1:50:13.439
<v Speaker 2>Baker Boys big boy man.

1:50:13.479 --> 1:50:15.800
<v Speaker 5>I really funk with the Baker Boys, dog, but I

1:50:15.920 --> 1:50:18.800
<v Speaker 5>fuck with big boy. I gotta go with a big boy.

1:50:18.880 --> 1:50:20.760
<v Speaker 2>Okay, okay, respect the boy.

1:50:21.479 --> 1:50:23.720
<v Speaker 1>And this is the last last one. Not a true question.

1:50:23.760 --> 1:50:25.800
<v Speaker 1>It's not a true question. All the ones we feel

1:50:25.840 --> 1:50:29.400
<v Speaker 1>like this one is not the true question. Loyalty or respect.

1:50:36.720 --> 1:50:38.200
<v Speaker 1>Respect mm hmm.

1:50:39.560 --> 1:50:39.960
<v Speaker 2>Explain.

1:50:42.800 --> 1:50:44.960
<v Speaker 3>Respect take you a long way in this business and

1:50:45.120 --> 1:50:50.479
<v Speaker 3>just with people in general. Everybody's not gonna be loyal

1:50:50.600 --> 1:50:54.960
<v Speaker 3>to you. Niggas gonna turn their back on you. When

1:50:54.960 --> 1:50:59.920
<v Speaker 3>you gather a niggas respect, then it's never no bullshit.

1:51:00.280 --> 1:51:01.120
<v Speaker 2>You know what you get.

1:51:01.240 --> 1:51:03.760
<v Speaker 3>You nigga gonna never try to cheat you fuck you.

1:51:04.240 --> 1:51:06.320
<v Speaker 3>You give me because a nigga got that much respect

1:51:06.400 --> 1:51:08.800
<v Speaker 3>for you. You ain't got to be the richest nigga.

1:51:08.840 --> 1:51:11.160
<v Speaker 3>You ain't got to be the poorest nigga. But if

1:51:11.200 --> 1:51:14.599
<v Speaker 3>you gotta respect from a man and just people in general,

1:51:15.080 --> 1:51:21.280
<v Speaker 3>then you can be treated, you know, accordingly without respect. Man,

1:51:21.320 --> 1:51:24.639
<v Speaker 3>a nigga, do you dirty? Man, nigga, do you dirty?

1:51:24.680 --> 1:51:27.080
<v Speaker 3>If he don't respect you, nigga, fuck your wife. Man.

1:51:27.360 --> 1:51:30.760
<v Speaker 3>If he don't respect you, you feel me, Nigga rob

1:51:30.920 --> 1:51:32.760
<v Speaker 3>you for every penny you got if he can. If

1:51:32.800 --> 1:51:35.240
<v Speaker 3>he don't respect you, at least, when a nigga respect you,

1:51:36.520 --> 1:51:40.280
<v Speaker 3>he gonna like as if I'm gonna do it myself. Man,

1:51:40.600 --> 1:51:42.840
<v Speaker 3>you give me, I ain't gonna cheat myself, and I

1:51:42.840 --> 1:51:45.519
<v Speaker 3>ain't gonna cheat my nigga. Right here, it's one hundred

1:51:45.560 --> 1:51:47.600
<v Speaker 3>thousand on the table. Nigga ain't gonna take seventy and

1:51:47.680 --> 1:51:50.679
<v Speaker 3>give you thirty. They gotta respect this man. This nigga

1:51:50.720 --> 1:51:53.880
<v Speaker 3>came up with me. You know somebody I trust. So

1:51:54.240 --> 1:51:56.479
<v Speaker 3>I'm gonna make sure everything is on the up and up.

1:51:57.040 --> 1:51:59.519
<v Speaker 3>Nigga loyal to another fucker, tell you they loyal to

1:51:59.600 --> 1:52:01.719
<v Speaker 3>you and do you behind your back like it ain't ship.

1:52:02.320 --> 1:52:05.479
<v Speaker 3>If a nigga, respect you. He don't never try to

1:52:05.560 --> 1:52:09.000
<v Speaker 3>fuck you over, never, So respect.

1:52:10.040 --> 1:52:13.880
<v Speaker 5>I gotta go with respect too, man, because I don't

1:52:13.920 --> 1:52:16.160
<v Speaker 5>make motherfucker's a lot of money. He had to go,

1:52:16.479 --> 1:52:18.560
<v Speaker 5>you know, motherfuckers go back and do this whatever. So

1:52:18.600 --> 1:52:21.280
<v Speaker 5>I say, respect, respect us everything.

1:52:26.560 --> 1:52:29.000
<v Speaker 2>I'm gonna take a shot to that. Ye take a shot.

1:52:29.240 --> 1:52:30.280
<v Speaker 3>I'm gonna take a shot to that.

1:52:30.360 --> 1:52:36.960
<v Speaker 2>I'm gonna take a shot. Now. Is it true that

1:52:39.720 --> 1:52:43.240
<v Speaker 2>your moms and Sugar Nights moms.

1:52:43.040 --> 1:52:45.519
<v Speaker 3>Stay across the street from each other from each other?

1:52:46.920 --> 1:52:47.760
<v Speaker 2>Yeah, this is.

1:52:50.400 --> 1:52:53.559
<v Speaker 3>Around the height of my DJ Quick beef.

1:52:56.439 --> 1:52:56.720
<v Speaker 2>Thank you.

1:52:57.920 --> 1:52:59.760
<v Speaker 3>My mom stayed across the street from his mom. I

1:52:59.880 --> 1:53:05.960
<v Speaker 3>just see him all the time. I remembers some shit

1:53:06.080 --> 1:53:10.360
<v Speaker 3>going on in the neighborhoods, you know whatever. But Shugar

1:53:10.400 --> 1:53:14.360
<v Speaker 3>pulled me over one time, probably about thirty niggas, right,

1:53:15.080 --> 1:53:19.759
<v Speaker 3>and he just made me assure that even though niggas

1:53:19.880 --> 1:53:24.920
<v Speaker 3>was beefing and niggas was rolling around Compton looking for

1:53:25.320 --> 1:53:28.519
<v Speaker 3>each other or going through neighborhoods and all that shit,

1:53:28.760 --> 1:53:31.440
<v Speaker 3>he assured that my mom's house wouldn't.

1:53:31.080 --> 1:53:33.080
<v Speaker 2>Get fucked with Sugar shirted. Yeah.

1:53:33.280 --> 1:53:35.840
<v Speaker 3>Wow, he say, as long as your mom live over here.

1:53:35.960 --> 1:53:41.320
<v Speaker 3>Nothing happened to her crib. So I respected that, and.

1:53:42.840 --> 1:53:49.320
<v Speaker 1>Just out of pure ignorance, I know Sugar's blood. I

1:53:49.439 --> 1:53:53.680
<v Speaker 1>know Quickest blood, but what I don't know is the affiliation.

1:53:55.040 --> 1:53:58.080
<v Speaker 1>Just because you blood, did he automatically take quick side

1:53:58.360 --> 1:53:59.040
<v Speaker 1>because I don't.

1:53:59.080 --> 1:54:01.200
<v Speaker 2>I don't never remember quick being on death bro.

1:54:01.720 --> 1:54:06.519
<v Speaker 3>I think Sug was managing quick At. Okay was different.

1:54:06.680 --> 1:54:08.439
<v Speaker 3>He wasn't on different. He was as managed. He was

1:54:08.520 --> 1:54:14.559
<v Speaker 3>being managed by Shure, and he could everybody knew about

1:54:14.600 --> 1:54:17.560
<v Speaker 3>our beef. You know, it wasn't It wasn't nothing you

1:54:17.760 --> 1:54:21.760
<v Speaker 3>know that wasn't known. And like I said, I was

1:54:21.840 --> 1:54:26.600
<v Speaker 3>still in the neighborhood. So the outtake is, you know,

1:54:26.920 --> 1:54:31.559
<v Speaker 3>something happened here, but it could be easily something happened there.

1:54:32.040 --> 1:54:32.600
<v Speaker 2>You get me.

1:54:34.760 --> 1:54:38.960
<v Speaker 3>Right here, like just a walk across the street, ain't

1:54:38.960 --> 1:54:41.040
<v Speaker 3>nobody gonna come do none to my mama house. And

1:54:41.120 --> 1:54:45.720
<v Speaker 3>I'm and we in close vicinity. So he had he

1:54:45.920 --> 1:54:49.480
<v Speaker 3>wanted to guarantee that, like this ain't got nothing to

1:54:49.600 --> 1:54:54.720
<v Speaker 3>do with mamas. Yeah, y'all beefing or whatever out here,

1:54:54.920 --> 1:54:58.040
<v Speaker 3>talking the streets or whatever, whatever, just know that this

1:54:58.240 --> 1:55:01.800
<v Speaker 3>is secure right here. That's one less problem. So that

1:55:01.960 --> 1:55:04.960
<v Speaker 3>was cool because he could, like you said, just by

1:55:05.000 --> 1:55:08.000
<v Speaker 3>affiliation with them being you know, could have been like

1:55:08.120 --> 1:55:10.640
<v Speaker 3>fuck that nigga, Mama house lived right here.

1:55:11.040 --> 1:55:14.200
<v Speaker 2>So but that was never you know, we try to

1:55:14.280 --> 1:55:19.400
<v Speaker 2>have that. Uh that cold was that was that enough

1:55:19.440 --> 1:55:23.680
<v Speaker 2>assurance for you to feel that, yeah, you had.

1:55:23.560 --> 1:55:26.480
<v Speaker 3>Didn't know that at the time, that that that because again,

1:55:28.120 --> 1:55:33.680
<v Speaker 3>if something happened, is nobody safe, Like so you can

1:55:33.760 --> 1:55:36.560
<v Speaker 3>assure me, but like a nigga could get his own

1:55:36.680 --> 1:55:39.040
<v Speaker 3>mind state and be like fuck that we're gonna go

1:55:39.160 --> 1:55:43.920
<v Speaker 3>through there anyway. Okay, but okay, now what because that's

1:55:44.040 --> 1:55:50.040
<v Speaker 3>that's not gonna It's gonna be some retaliation, So why

1:55:50.200 --> 1:55:52.160
<v Speaker 3>not take that out of the equation.

1:55:53.680 --> 1:55:58.000
<v Speaker 1>I remember, like you know, I started to think about

1:55:58.080 --> 1:56:01.240
<v Speaker 1>hip hop beefs and when it wasn't funny, like like,

1:56:01.320 --> 1:56:04.880
<v Speaker 1>I never speak on jah rule in fifties all. I

1:56:05.040 --> 1:56:08.080
<v Speaker 1>never speak on it because me being from Queens, I'm

1:56:08.160 --> 1:56:10.560
<v Speaker 1>too close to it. It's just it's just it's just

1:56:11.480 --> 1:56:13.680
<v Speaker 1>it's just not it's not for me, right. And I'm

1:56:13.680 --> 1:56:15.520
<v Speaker 1>probably the only person in the world that got a

1:56:16.760 --> 1:56:19.160
<v Speaker 1>Jahru interview where I don't bring up fifty And I'm

1:56:19.160 --> 1:56:20.880
<v Speaker 1>probably the only person in the world. I got a

1:56:20.880 --> 1:56:24.440
<v Speaker 1>fifty interview where I don't bring up Jo rule because

1:56:24.440 --> 1:56:25.280
<v Speaker 1>I don't think it's funny.

1:56:25.720 --> 1:56:30.240
<v Speaker 2>I never thought it was funny. No, it's not without

1:56:30.320 --> 1:56:33.880
<v Speaker 2>me having direct association to you all. Quick.

1:56:34.240 --> 1:56:37.400
<v Speaker 1>I remember me looking at y'all beefs and saying that

1:56:37.560 --> 1:56:42.800
<v Speaker 1>was looking about it was funny like because I didn't.

1:56:42.840 --> 1:56:44.800
<v Speaker 1>I didn't know you obviously at that time, and I

1:56:45.560 --> 1:56:48.600
<v Speaker 1>didn't I actually kind of still. I only met Quick

1:56:48.600 --> 1:56:51.520
<v Speaker 1>a couple of times, but I didn't know him as well.

1:56:51.960 --> 1:56:55.120
<v Speaker 1>But I remember the affiliation of me. Every motherfucker's telling

1:56:55.160 --> 1:56:58.360
<v Speaker 1>me Yo eight is a real nigga street nigga, but

1:56:58.400 --> 1:57:00.640
<v Speaker 1>then they're saying Quick as a real nigh street nigga.

1:57:00.640 --> 1:57:04.160
<v Speaker 1>And I remember that y'ah going against each other, and

1:57:04.360 --> 1:57:06.840
<v Speaker 1>just the fact that I knew that Bloods and crips.

1:57:08.040 --> 1:57:12.800
<v Speaker 2>Was at the opposite ends. And I remember like hearing

1:57:12.880 --> 1:57:15.480
<v Speaker 2>your dis records and then hearing his dis records. I

1:57:15.560 --> 1:57:18.560
<v Speaker 2>remember being like, damn, how does this? How does this?

1:57:19.080 --> 1:57:19.520
<v Speaker 2>First off?

1:57:19.560 --> 1:57:20.760
<v Speaker 1>Let me just let me, let me, let me make

1:57:20.800 --> 1:57:23.640
<v Speaker 1>it make sense, Let me make for viewers that don't

1:57:23.720 --> 1:57:24.680
<v Speaker 1>know I don't remember.

1:57:25.520 --> 1:57:28.800
<v Speaker 2>No, if you hip hop, you right for.

1:57:28.880 --> 1:57:31.920
<v Speaker 1>Viewers that don't know, because I kept, you know, and

1:57:32.000 --> 1:57:35.880
<v Speaker 1>I knew Zeno was guest Houston, so I kept telling

1:57:35.920 --> 1:57:37.560
<v Speaker 1>him myself, Yot's let's look up this.

1:57:38.480 --> 1:57:42.200
<v Speaker 2>I can't say the pinpoint.

1:57:42.240 --> 1:57:45.680
<v Speaker 1>I know you said something like Quick or something like that,

1:57:45.880 --> 1:57:48.560
<v Speaker 1>but you said then I also read that you said

1:57:48.600 --> 1:57:50.120
<v Speaker 1>you didn't know Quick at that time. No I did,

1:57:50.560 --> 1:57:52.320
<v Speaker 1>couldn't have been you was talking about him. So how

1:57:52.360 --> 1:57:55.240
<v Speaker 1>does this actually start bring down for viewers that don't know.

1:57:58.040 --> 1:58:02.920
<v Speaker 3>I was working on my second album straight checking them.

1:58:05.800 --> 1:58:07.600
<v Speaker 3>There's a lot of artists coming out at the time,

1:58:07.920 --> 1:58:13.040
<v Speaker 3>you know, above the law was coming out. You know,

1:58:13.720 --> 1:58:19.400
<v Speaker 3>the lawyer said, yeah, a couple of So my DJ,

1:58:19.520 --> 1:58:23.720
<v Speaker 3>who's actually a blood name was Mike T. Mike T

1:58:23.920 --> 1:58:26.360
<v Speaker 3>came to the studio one day and he had a

1:58:26.400 --> 1:58:30.640
<v Speaker 3>mixtape and he said, let me play you this, and

1:58:30.760 --> 1:58:33.000
<v Speaker 3>it was Quick on a mixtape he was this in

1:58:33.120 --> 1:58:39.640
<v Speaker 3>all of us Crip affiliated rappers. It was dissing easy,

1:58:40.160 --> 1:58:43.960
<v Speaker 3>n w A this, and me, like, you know, I

1:58:44.000 --> 1:58:47.120
<v Speaker 3>ain't think it was rap ship. It was rap niggas beef.

1:58:47.240 --> 1:58:51.840
<v Speaker 3>They diss each other. I wasn't too on the game

1:58:51.920 --> 1:58:55.080
<v Speaker 3>ship with it. It is whatever, like we rappers niggas

1:58:55.080 --> 1:58:55.600
<v Speaker 3>diss each other.

1:58:55.640 --> 1:58:58.880
<v Speaker 2>You didn't look at dis sing on tape correlated to street.

1:59:00.360 --> 1:59:02.680
<v Speaker 3>Okay, it was just hip hop dis and whatever niggas

1:59:03.120 --> 1:59:05.440
<v Speaker 3>take it didn't take the gang affiliated.

1:59:05.880 --> 1:59:08.360
<v Speaker 2>There wasn't no gun references or like that or what. No,

1:59:08.960 --> 1:59:09.840
<v Speaker 2>it probably was.

1:59:10.040 --> 1:59:12.560
<v Speaker 3>It was you know something something, I'm gonna shoot niggas

1:59:12.600 --> 1:59:15.160
<v Speaker 3>from the top of it. But still in awe. Still,

1:59:15.360 --> 1:59:19.040
<v Speaker 3>it's the game of hip hop. Get me continue. I'm

1:59:19.120 --> 1:59:22.960
<v Speaker 3>not thinking even though he a blood, I'm a crypt,

1:59:23.120 --> 1:59:25.000
<v Speaker 3>but this is the hip hop ship.

1:59:25.360 --> 1:59:28.520
<v Speaker 1>Like, I'm sorry, but do your neighbor I know that

1:59:28.640 --> 1:59:30.520
<v Speaker 1>y'all bloods and crypts and your opposite, but.

1:59:30.920 --> 1:59:34.200
<v Speaker 2>Do your neighborhoods had beef before that? No, okay, continue,

1:59:34.520 --> 1:59:38.320
<v Speaker 2>So remember his his DJ's blood bringing in the time.

1:59:39.960 --> 1:59:42.280
<v Speaker 3>Like I said, I hung around blood, so there wasn't

1:59:42.320 --> 1:59:45.520
<v Speaker 3>no blood thing. Like again, this is what they do.

1:59:46.160 --> 1:59:49.400
<v Speaker 3>LLL was dissing cool O D and that was the

1:59:49.520 --> 1:59:52.840
<v Speaker 3>hip hop ship. So okay, that's what they do. But

1:59:54.040 --> 1:59:58.040
<v Speaker 3>I'm thinking, I'm already established. I got a record out,

1:59:58.320 --> 2:00:00.800
<v Speaker 3>you give me, he's still on mix tapes or whatever.

2:00:01.320 --> 2:00:03.840
<v Speaker 3>So I didn't even like this and no about it.

2:00:03.840 --> 2:00:05.800
<v Speaker 3>So I was working On the second album, I did

2:00:05.840 --> 2:00:09.800
<v Speaker 3>a song called death Wish, and on the song I said,

2:00:10.240 --> 2:00:13.960
<v Speaker 3>biting me quick would mean you get my dick suck quick,

2:00:15.280 --> 2:00:21.080
<v Speaker 3>and they took that as me directing it at him

2:00:21.600 --> 2:00:26.560
<v Speaker 3>by saying biting me quick. Biting was the theme back then.

2:00:27.160 --> 2:00:31.280
<v Speaker 3>You biting nigga words or slang, you're biting. So I'm saying,

2:00:31.400 --> 2:00:35.280
<v Speaker 3>if you biting my shit quick, like, if you bite

2:00:35.320 --> 2:00:38.600
<v Speaker 3>it quick, then you're gonna get my duck sick quick.

2:00:39.320 --> 2:00:43.600
<v Speaker 3>No references to DJ Quick or the rapper or whatever.

2:00:44.120 --> 2:00:48.880
<v Speaker 3>But with that already being out there, he a crip,

2:00:49.440 --> 2:00:54.320
<v Speaker 3>you a blood, he's saying quick on the record. I'm

2:00:54.480 --> 2:00:59.400
<v Speaker 3>assuming somebody said he talking about you, and that's how

2:00:59.560 --> 2:00:59.760
<v Speaker 3>it was.

2:01:00.440 --> 2:01:03.600
<v Speaker 1>This is after you said that you alleged that he

2:01:03.720 --> 2:01:06.000
<v Speaker 1>was this in everyone who was I heard.

2:01:05.840 --> 2:01:09.240
<v Speaker 3>The mixtape, okay, but it wasn't like I'm finna write

2:01:09.320 --> 2:01:12.680
<v Speaker 3>this song and direct it at him, like.

2:01:13.560 --> 2:01:16.200
<v Speaker 2>You're already ahead, right, yeah, like I'm already out of

2:01:16.240 --> 2:01:18.080
<v Speaker 2>here write that lyrics though? What was you thinking?

2:01:18.920 --> 2:01:21.560
<v Speaker 3>If you bite my if you bite my anybody though

2:01:21.720 --> 2:01:25.040
<v Speaker 3>general general, if you bite my jail, if you bite my.

2:01:25.120 --> 2:01:26.480
<v Speaker 2>Ship, my own ship.

2:01:26.760 --> 2:01:28.720
<v Speaker 8>When you heard that the first time when you heard

2:01:28.760 --> 2:01:31.720
<v Speaker 8>him this and everybody, did you think of anything, like Okay,

2:01:31.760 --> 2:01:33.320
<v Speaker 8>you know what, man, you know what I'm saying, Like

2:01:33.360 --> 2:01:34.120
<v Speaker 8>what's he talking about?

2:01:34.160 --> 2:01:36.600
<v Speaker 2>Like I might say, no, fact, hip hop that's what

2:01:36.680 --> 2:01:38.680
<v Speaker 2>they do, sinking about fifty When he did how to.

2:01:38.720 --> 2:01:43.320
<v Speaker 3>Rob, was like, you know, okay, that's yeah, that was

2:01:43.400 --> 2:01:47.000
<v Speaker 3>the mixtape, Like fucking I'm gonna rob rap niggas or whatever.

2:01:47.160 --> 2:01:50.440
<v Speaker 3>So he doing his mixtape, he like nigga fuck they

2:01:50.840 --> 2:01:55.240
<v Speaker 3>the countess most wanted, n w A. Nobody was left safe.

2:01:55.360 --> 2:02:00.280
<v Speaker 3>So it's hip hop. So when that came out, I

2:02:00.360 --> 2:02:04.320
<v Speaker 3>guess it was directed like y'all got beef. I didn't

2:02:04.360 --> 2:02:07.160
<v Speaker 3>have no beef. But that's the way it built up.

2:02:07.480 --> 2:02:11.800
<v Speaker 3>And now my reputation as being a trag new Park crip,

2:02:12.400 --> 2:02:15.880
<v Speaker 3>I'm not finna back away from the so so okay.

2:02:16.080 --> 2:02:20.320
<v Speaker 1>So after that, he drops his mixtape. It's not it's

2:02:20.400 --> 2:02:22.320
<v Speaker 1>not known, right, it's just it's a local thing.

2:02:22.560 --> 2:02:25.640
<v Speaker 3>A lot of the songs on his mixtape became songs

2:02:25.680 --> 2:02:28.800
<v Speaker 3>on his first album. Oh wow, yeah remember that. Yeah,

2:02:28.920 --> 2:02:31.640
<v Speaker 3>a lot of the songs on his mixtape became songs

2:02:31.680 --> 2:02:36.640
<v Speaker 3>on the first album. But I didn't even I didn't

2:02:36.880 --> 2:02:39.000
<v Speaker 3>I didn't even look at it like that, and our

2:02:39.120 --> 2:02:43.960
<v Speaker 3>beef really just built up behind the streets, behind the affiliations,

2:02:44.040 --> 2:02:48.000
<v Speaker 3>behind games, because if it wasn't that, it would have

2:02:48.320 --> 2:02:51.240
<v Speaker 3>I don't know where it would have went, because I

2:02:51.280 --> 2:02:54.240
<v Speaker 3>didn't start getting warmed up until I did the next

2:02:54.360 --> 2:02:57.280
<v Speaker 3>Death Wish. That's when I was like, fuck it, we're

2:02:57.320 --> 2:03:00.560
<v Speaker 3>going full fledged because he did a song called way

2:03:00.640 --> 2:03:03.560
<v Speaker 3>Too Funky and he mentioned me in the song. So

2:03:04.080 --> 2:03:06.240
<v Speaker 3>that's when it was. It was going back and forth then,

2:03:06.520 --> 2:03:10.040
<v Speaker 3>and by that time Game Niggas is involved.

2:03:10.160 --> 2:03:14.600
<v Speaker 1>Imagine it's over with, over with with hip hop.

2:03:14.680 --> 2:03:15.919
<v Speaker 2>Ship now, it's incredible.

2:03:16.240 --> 2:03:19.040
<v Speaker 8>It's over standing right next to him at the social Yeah,

2:03:19.080 --> 2:03:21.520
<v Speaker 8>it's over with. When when when Quick was on stage,

2:03:21.560 --> 2:03:23.240
<v Speaker 8>he came over, he was right there like at this

2:03:23.560 --> 2:03:26.120
<v Speaker 8>it was Quick they go to stage, he was right

2:03:26.200 --> 2:03:28.000
<v Speaker 8>there at the stage, right in front of the stage,

2:03:29.840 --> 2:03:31.840
<v Speaker 8>like right there, right there.

2:03:32.240 --> 2:03:36.320
<v Speaker 2>I'm like Ship. When Shuk said what he said, okay,

2:03:36.360 --> 2:03:39.200
<v Speaker 2>we already done got past that the same war the

2:03:39.280 --> 2:03:43.240
<v Speaker 2>same night. Yeah, that all that happened.

2:03:55.080 --> 2:03:55.400
<v Speaker 6>But that.

2:03:58.240 --> 2:04:01.480
<v Speaker 2>That was like legendary because.

2:04:02.640 --> 2:04:05.640
<v Speaker 1>I mean I felt like that was the first time

2:04:05.720 --> 2:04:09.040
<v Speaker 1>like a person performed a disc record and artists and

2:04:09.480 --> 2:04:12.760
<v Speaker 1>I could, I could see your face, I could tell

2:04:12.760 --> 2:04:13.920
<v Speaker 1>you what to rush the stage.

2:04:14.080 --> 2:04:16.720
<v Speaker 3>Yeah, but we we was we was, We were smart,

2:04:17.040 --> 2:04:20.560
<v Speaker 3>but we only came nine deep. They had about a hundred.

2:04:20.680 --> 2:04:26.080
<v Speaker 2>Yeah, so Sugar flowing like about seventy eighty. Dude, look,

2:04:26.120 --> 2:04:26.840
<v Speaker 2>we take it.

2:04:27.080 --> 2:04:31.080
<v Speaker 3>Were hard, were hard, but we ain't motherfucking stupid.

2:04:31.200 --> 2:04:31.720
<v Speaker 13>You get me.

2:04:32.400 --> 2:04:35.600
<v Speaker 3>Were hard, but we ain't stupid. Eight can't fight a hundred,

2:04:35.880 --> 2:04:37.880
<v Speaker 3>like you know what I'm saying. And I'm not gonna

2:04:37.920 --> 2:04:39.240
<v Speaker 3>put my homies in that jeopardy.

2:04:39.280 --> 2:04:41.880
<v Speaker 2>But I didn't know the affiliation with Sugar at that time.

2:04:42.120 --> 2:04:45.840
<v Speaker 3>Sugar was managing the performed they.

2:04:49.160 --> 2:04:49.320
<v Speaker 16>Of the.

2:04:51.120 --> 2:04:51.400
<v Speaker 2>Epic.

2:04:51.560 --> 2:04:53.600
<v Speaker 3>Yeah, it was beautiful, man, beautiful.

2:04:53.880 --> 2:04:57.080
<v Speaker 5>That time was real crazy because it wasn't just sugaring them,

2:04:57.120 --> 2:04:58.440
<v Speaker 5>but it was black turning them too.

2:04:59.200 --> 2:05:02.120
<v Speaker 3>Everybody was yeah, they was all They was all clear

2:05:03.320 --> 2:05:03.920
<v Speaker 3>to somebody.

2:05:04.200 --> 2:05:06.280
<v Speaker 5>Honestly, I thought somebody was gonna get hurt that time

2:05:06.320 --> 2:05:08.280
<v Speaker 5>when was Tiny and Bickie had beef at that award.

2:05:08.360 --> 2:05:10.400
<v Speaker 5>Y'all didn't even know that I heard about that.

2:05:10.600 --> 2:05:13.000
<v Speaker 2>It was it was, it was, it was. That's like

2:05:13.200 --> 2:05:13.600
<v Speaker 2>I said.

2:05:13.680 --> 2:05:15.480
<v Speaker 3>By the time we got home after that, it.

2:05:15.600 --> 2:05:16.520
<v Speaker 2>Was just it.

2:05:18.120 --> 2:05:26.000
<v Speaker 5>Had issues, Like it was like ship like Black to

2:05:26.520 --> 2:05:29.080
<v Speaker 5>Sugar Freeze labels. The rapper on the West Coast name

2:05:30.440 --> 2:05:33.880
<v Speaker 5>all the pimp ship you know, Tone run ran Lane

2:05:33.920 --> 2:05:36.920
<v Speaker 5>Way Records, right, but Black Tone was like kind of

2:05:37.000 --> 2:05:39.240
<v Speaker 5>like I don't want to say Quick's Manas or nothing

2:05:39.320 --> 2:05:41.600
<v Speaker 5>like that. But from the same neighborhood. They both from Treetop,

2:05:42.400 --> 2:05:45.480
<v Speaker 5>Tree Top, pot roof. And at that time, it wasn't

2:05:45.600 --> 2:05:47.640
<v Speaker 5>just Shouk we had Black Tones, they had all this

2:05:47.800 --> 2:05:50.000
<v Speaker 5>motherfucker people. I thought somebody was gonna get hurt during

2:05:50.040 --> 2:05:50.560
<v Speaker 5>that time though.

2:05:51.360 --> 2:05:53.080
<v Speaker 2>It was, it was, it was, it was.

2:05:55.520 --> 2:05:56.600
<v Speaker 3>It was treacherous times.

2:05:56.800 --> 2:06:00.480
<v Speaker 6>Were you were you guys the first hip hop artists

2:06:00.520 --> 2:06:03.400
<v Speaker 6>that were actually beefing, that were actually affiliated.

2:06:04.560 --> 2:06:06.640
<v Speaker 2>That it was on the opposite side. Obviously there was

2:06:06.680 --> 2:06:07.360
<v Speaker 2>not the first.

2:06:07.200 --> 2:06:11.880
<v Speaker 3>Well known well yeah, well known as far as the

2:06:11.960 --> 2:06:15.480
<v Speaker 3>cripping blood. Yeah, I think we were the first artists

2:06:15.520 --> 2:06:19.400
<v Speaker 3>on the West Coast and just nationwide who was affiliated

2:06:19.480 --> 2:06:26.760
<v Speaker 3>who started beefing. But you know, shit started happening that

2:06:26.880 --> 2:06:30.640
<v Speaker 3>we couldn't control. It was getting out of hand. Niggas

2:06:30.720 --> 2:06:33.280
<v Speaker 3>was getting hurt, you know, outside.

2:06:32.760 --> 2:06:36.480
<v Speaker 2>Of neighborhoods and neighborhood Yeah, niggas beefing and niggas was

2:06:36.520 --> 2:06:37.080
<v Speaker 2>getting hurt.

2:06:39.280 --> 2:06:42.800
<v Speaker 3>Somebody got killed. Yeah, I heard that it was treacherous.

2:06:46.200 --> 2:06:52.440
<v Speaker 2>Let's get the Snoop uh uh called it in.

2:06:53.040 --> 2:06:53.160
<v Speaker 5>Uh.

2:06:53.320 --> 2:06:56.400
<v Speaker 3>They were doing a show on b E T. I

2:06:56.480 --> 2:07:02.440
<v Speaker 3>think Tavis smile smile, Quick Wick asks, I mean Snoop

2:07:02.600 --> 2:07:05.720
<v Speaker 3>asked me to go, and then he told me Quick

2:07:05.880 --> 2:07:07.560
<v Speaker 3>was gonna be there, and he asked me would I

2:07:07.680 --> 2:07:09.560
<v Speaker 3>show up? And I say, yeah, fuck it, I don't

2:07:09.600 --> 2:07:11.360
<v Speaker 3>give a fun Oh yeah, didn't see each other prior

2:07:11.440 --> 2:07:11.960
<v Speaker 3>to that table.

2:07:13.480 --> 2:07:14.640
<v Speaker 2>Shoutut to Snoop.

2:07:17.200 --> 2:07:19.640
<v Speaker 1>Because I just watched that tabs sbody in the interview.

2:07:20.040 --> 2:07:24.520
<v Speaker 2>See you telling me the first time you and Quick

2:07:24.560 --> 2:07:25.120
<v Speaker 2>staw each other.

2:07:25.480 --> 2:07:27.480
<v Speaker 3>That was our first time ever meeting face to face.

2:07:27.800 --> 2:07:30.920
<v Speaker 3>What period period out of all the beams, out all

2:07:30.960 --> 2:07:36.960
<v Speaker 3>the ship talking, we never seen each other. But y'all

2:07:37.000 --> 2:07:40.360
<v Speaker 3>was so professional in that interview. I thought, y'all at

2:07:40.400 --> 2:07:44.400
<v Speaker 3>that time, I was like, man, you know, I'm like,

2:07:44.440 --> 2:07:47.240
<v Speaker 3>I'm going on my third fourth album. You know, the

2:07:47.360 --> 2:07:50.200
<v Speaker 3>mini shit was coming up. You know, I had moved

2:07:50.240 --> 2:07:54.520
<v Speaker 3>out of Compton. You know, I'm trying to be not

2:07:54.800 --> 2:08:01.240
<v Speaker 3>so much gang invested as far as my reputation and

2:08:01.320 --> 2:08:04.600
<v Speaker 3>where I'm from and and like I said, man, I

2:08:04.640 --> 2:08:08.360
<v Speaker 3>ain't niggas hip hop shit, man, like beyond the hip

2:08:08.360 --> 2:08:10.760
<v Speaker 3>hop and distant records like nigga. I don't really got

2:08:10.800 --> 2:08:13.040
<v Speaker 3>no beef with this nigga. I don't even know him,

2:08:13.840 --> 2:08:17.640
<v Speaker 3>like I know, I know nothing, Like Okay, there's some bloods,

2:08:17.680 --> 2:08:19.800
<v Speaker 3>but the homie I know around here is a blood

2:08:19.840 --> 2:08:23.080
<v Speaker 3>HOMEI your mind, so I guess you know, I don't

2:08:23.240 --> 2:08:25.120
<v Speaker 3>he figured it out. I figured I was just like

2:08:26.240 --> 2:08:27.360
<v Speaker 3>homies get involved.

2:08:27.440 --> 2:08:28.200
<v Speaker 2>I was just like yeah.

2:08:28.240 --> 2:08:31.200
<v Speaker 3>So, like I said, shout out to Snoop. Snoop was like, hey, man,

2:08:31.400 --> 2:08:35.000
<v Speaker 3>you know, because it was getting it was getting treacherous.

2:08:35.160 --> 2:08:38.120
<v Speaker 3>You give me niggas talking about going about moms houses

2:08:38.200 --> 2:08:41.040
<v Speaker 3>and shooting up houses and you know, niggas in the

2:08:41.120 --> 2:08:44.600
<v Speaker 3>streets going through neighborhoods looking for niggas and all that shit.

2:08:45.080 --> 2:08:48.240
<v Speaker 3>It could have turned out way worse than it was.

2:08:49.000 --> 2:08:51.560
<v Speaker 3>And you know, just niggas just had the sense to

2:08:51.600 --> 2:08:55.920
<v Speaker 3>grow up. I guess you feel me. That's dope. That's dope.

2:08:56.640 --> 2:08:57.480
<v Speaker 2>I ain't gonna lie to you.

2:08:58.040 --> 2:09:01.440
<v Speaker 1>That was That was probably one of and I'm gonna

2:09:01.440 --> 2:09:03.520
<v Speaker 1>say this, you know, me being the East Coast dude,

2:09:03.800 --> 2:09:06.120
<v Speaker 1>that's probably one of the dopest moments in hip hop

2:09:06.600 --> 2:09:08.720
<v Speaker 1>to see y'all come together and make it.

2:09:08.760 --> 2:09:09.120
<v Speaker 2>And make it.

2:09:13.360 --> 2:09:15.720
<v Speaker 3>Now we hang out, I mean you should. I'll see quick.

2:09:15.760 --> 2:09:19.120
<v Speaker 3>We do shows together together, music are ready together.

2:09:19.520 --> 2:09:20.080
<v Speaker 2>Uh yeah.

2:09:20.600 --> 2:09:24.040
<v Speaker 3>I was on their last project, him in Problem on

2:09:24.120 --> 2:09:28.720
<v Speaker 3>the Rosecrans album. I'm on two songs I got actually

2:09:28.760 --> 2:09:30.480
<v Speaker 3>I got a beat from him right now. They're trying

2:09:30.520 --> 2:09:33.520
<v Speaker 3>to get me on a new record. So yeah, quick,

2:09:34.200 --> 2:09:37.080
<v Speaker 3>quick see each other. We smoke, we heard second and none.

2:09:37.280 --> 2:09:40.480
<v Speaker 3>We we we shot, we were good. We're cool as fans.

2:09:40.640 --> 2:09:44.560
<v Speaker 1>And what's crazy about it is how it all started

2:09:44.760 --> 2:09:45.960
<v Speaker 1>was a misunderstanding.

2:09:46.040 --> 2:09:49.520
<v Speaker 2>That's it. And I just want to I just want

2:09:49.520 --> 2:09:50.760
<v Speaker 2>you to say this for the young people.

2:09:52.280 --> 2:09:54.440
<v Speaker 1>Do you regret not just calling him and just saying

2:09:54.880 --> 2:09:57.800
<v Speaker 1>once he thought you was just in them and you

2:09:57.920 --> 2:09:58.480
<v Speaker 1>just say, yo, bro.

2:10:00.240 --> 2:10:02.560
<v Speaker 3>I mean we probably could have chopped it up because

2:10:02.880 --> 2:10:06.240
<v Speaker 3>it was you know, if if somebody you know had

2:10:06.320 --> 2:10:09.520
<v Speaker 3>that connection, if Mike T had the connection, was like, hey,

2:10:09.880 --> 2:10:12.360
<v Speaker 3>let's call him up and see what's cracking or is

2:10:12.400 --> 2:10:16.200
<v Speaker 3>it just some you know, because he's then said, you know,

2:10:16.320 --> 2:10:19.640
<v Speaker 3>it's misunderstanding. Is what caused this ship and.

2:10:20.080 --> 2:10:24.560
<v Speaker 6>So did he sorry, did he explain to you that

2:10:24.720 --> 2:10:26.600
<v Speaker 6>record that you heard, the one that he's dossing everybody?

2:10:26.920 --> 2:10:32.080
<v Speaker 3>I've never need explanation. I looked at it as again yip,

2:10:32.640 --> 2:10:38.040
<v Speaker 3>niggas asked me about dissing and ship, and I'd be like,

2:10:38.200 --> 2:10:40.280
<v Speaker 3>I feel like it was hip hop. And when niggas hod,

2:10:40.280 --> 2:10:41.920
<v Speaker 3>how do you feel about the song? And when he

2:10:41.960 --> 2:10:44.480
<v Speaker 3>got up on stage, I said, Thigga, that ship was classic.

2:10:45.560 --> 2:10:49.360
<v Speaker 3>It was good hip hop ship. It was good, you know, banter,

2:10:49.640 --> 2:10:51.680
<v Speaker 3>That's what we did in here, like that hip hop.

2:10:51.800 --> 2:10:53.840
<v Speaker 3>I mean listening to hip hop for a long time.

2:10:54.320 --> 2:10:56.120
<v Speaker 3>Niggas went at each other.

2:10:56.400 --> 2:10:56.960
<v Speaker 2>You give me.

2:10:58.640 --> 2:11:00.960
<v Speaker 3>How did J Cole and King Drink Ship start? Like

2:11:01.080 --> 2:11:03.560
<v Speaker 3>liggas just did see each other? What niggas do in

2:11:03.680 --> 2:11:04.080
<v Speaker 3>hip hop?

2:11:04.160 --> 2:11:05.320
<v Speaker 2>What do you feel about Jay Colon?

2:11:08.760 --> 2:11:20.160
<v Speaker 3>The Compton's going, I'm doing.

2:11:23.400 --> 2:11:26.160
<v Speaker 16>Drinks on we don't forget it Downloaded, Underdog Fantasy app,

2:11:29.120 --> 2:11:31.960
<v Speaker 16>drink Champs. That's right, that's right, y'all. We're doing a

2:11:32.000 --> 2:11:35.120
<v Speaker 16>great job too. I know we're doing a lot of basketball,

2:11:35.160 --> 2:11:36.720
<v Speaker 16>but it's playoffs, so we got to keep it leaving.

2:11:39.760 --> 2:11:42.120
<v Speaker 2>I just want to throw it out there, Miami.

2:11:41.920 --> 2:11:51.560
<v Speaker 16>Is in what game are y'all no, we eliminated, right,

2:11:51.600 --> 2:11:55.000
<v Speaker 16>let's go under fantasy. We're doing game four, Round two

2:11:55.200 --> 2:11:58.720
<v Speaker 16>underdog Fantasy Sports Champs. Jennie bruns In eight point five

2:11:58.800 --> 2:12:00.320
<v Speaker 16>first quarter higher lower.

2:12:01.680 --> 2:12:03.000
<v Speaker 2>That's it. Tell you the subject.

2:12:03.280 --> 2:12:05.080
<v Speaker 16>You gotta do with that, and we went right here

2:12:05.840 --> 2:12:09.520
<v Speaker 16>as a total thirty five point five higher and lower.

2:12:10.360 --> 2:12:14.800
<v Speaker 16>Higher as assists eight point five assists higher lower.

2:12:14.840 --> 2:12:17.320
<v Speaker 2>I want to say lower only because I don't want

2:12:17.320 --> 2:12:18.040
<v Speaker 2>you to pass the ball.

2:12:19.280 --> 2:12:20.520
<v Speaker 3>You know he's right on all.

2:12:20.680 --> 2:12:21.240
<v Speaker 2>I agree with.

2:12:23.680 --> 2:12:26.960
<v Speaker 1>Listen Brusson in case you don't know a lot of

2:12:27.080 --> 2:12:29.600
<v Speaker 1>times you're the man, and you don't know you the man,

2:12:30.600 --> 2:12:32.440
<v Speaker 1>so people don't come up to you and say, yo,

2:12:32.520 --> 2:12:36.680
<v Speaker 1>you're the man. First time I went Platinum, no one

2:12:36.720 --> 2:12:38.720
<v Speaker 1>came up to me and said I'm the man. I

2:12:38.840 --> 2:12:40.880
<v Speaker 1>had to come up to myself and say, you're the man.

2:12:41.720 --> 2:12:45.600
<v Speaker 1>So Brunson, I'm looking at you, face to face, man

2:12:45.680 --> 2:12:46.560
<v Speaker 1>the man out of Ah.

2:12:48.160 --> 2:12:50.480
<v Speaker 2>You're a man past that rocks line.

2:12:56.680 --> 2:12:59.839
<v Speaker 16>Now we're going right over to him, to his teammate

2:13:00.560 --> 2:13:02.960
<v Speaker 16>Josh Hart at the heart of the city.

2:13:04.080 --> 2:13:07.440
<v Speaker 2>That's my man with the braids. Light skinning breaks four.

2:13:07.360 --> 2:13:11.960
<v Speaker 16>Games four points first quarter higher and lower, four points.

2:13:12.040 --> 2:13:15.640
<v Speaker 2>I'll just say four point zero. But there's nothing to

2:13:15.720 --> 2:13:16.240
<v Speaker 2>talk you about.

2:13:17.880 --> 2:13:20.920
<v Speaker 16>We got high this last one for Josh Hart and

2:13:20.920 --> 2:13:26.040
<v Speaker 16>the Knicks game four thirty three point five combination points,

2:13:26.360 --> 2:13:29.840
<v Speaker 16>rebounds and assists, thirty three point five higher.

2:13:29.640 --> 2:13:34.040
<v Speaker 2>Low, we're going we're not going lower on looking today,

2:13:34.440 --> 2:13:37.880
<v Speaker 2>all right, We're to that next. We're not going low

2:13:37.960 --> 2:13:42.760
<v Speaker 2>on And guess what I've been corrected? Are playing in Indiana, Nigga?

2:13:42.800 --> 2:13:44.400
<v Speaker 2>We wanna go see Reggie midder career.

2:13:44.600 --> 2:13:50.360
<v Speaker 16>So Tyreese Hallyburn, Tyreese Halliburn four point five points in

2:13:50.440 --> 2:13:51.080
<v Speaker 16>the first quarter.

2:13:51.760 --> 2:13:54.360
<v Speaker 2>He's not the Knicks, right, No, Indiana? The fuck here

2:13:54.440 --> 2:13:54.640
<v Speaker 2>we go?

2:13:56.320 --> 2:13:59.360
<v Speaker 16>Okay, seventeen point five points higher or lower?

2:13:59.520 --> 2:13:59.720
<v Speaker 5>High?

2:14:00.120 --> 2:14:00.440
<v Speaker 3>Lower?

2:14:00.760 --> 2:14:02.840
<v Speaker 16>I have to go higher now with Tyree still with

2:14:03.000 --> 2:14:07.080
<v Speaker 16>tyre Now, Pascal Siakam, I don't like him.

2:14:08.600 --> 2:14:11.680
<v Speaker 2>Four points in the first quarter, higher and lower you

2:14:13.400 --> 2:14:17.480
<v Speaker 2>let's go lower, lower, high, Let's go long ago. We

2:14:17.600 --> 2:14:22.520
<v Speaker 2>don't walk with Indiana at all. Don't damn this fingerpot.

2:14:22.600 --> 2:14:22.840
<v Speaker 2>That's it.

2:14:24.560 --> 2:14:28.680
<v Speaker 16>Assists three point five assists in the whole game.

2:14:29.000 --> 2:14:33.640
<v Speaker 2>Who Pascal higher? Lower in the whole game? That's it.

2:14:33.800 --> 2:14:37.600
<v Speaker 2>That's what that's what one of for sure. The last one.

2:14:37.760 --> 2:14:40.280
<v Speaker 2>The last pick for Game four, Knicks at Pacers.

2:14:41.000 --> 2:14:44.440
<v Speaker 16>Gonna stick with Pascal on a combination pick Pascal thirty

2:14:44.480 --> 2:14:49.200
<v Speaker 16>one point five lower points in cist he lower lord.

2:14:51.720 --> 2:14:53.640
<v Speaker 16>What you want to hire you fan on the higher.

2:14:54.240 --> 2:14:58.920
<v Speaker 16>The next game the Nuggets at Timberwolves. Wow, this is

2:14:58.960 --> 2:15:02.720
<v Speaker 16>a good game, which it was, right and yeah yeah,

2:15:02.960 --> 2:15:04.520
<v Speaker 16>and they're taking this.

2:15:04.600 --> 2:15:06.440
<v Speaker 2>Is this is the Minnesota game. And did he ever

2:15:06.560 --> 2:15:08.760
<v Speaker 2>was just taking over? That's changing him. You're doing the man.

2:15:09.120 --> 2:15:11.640
<v Speaker 2>He's the man. So let's jump right into it, into it.

2:15:11.760 --> 2:15:15.320
<v Speaker 16>The cold jokes eight point five points in the first quarter,

2:15:15.680 --> 2:15:16.320
<v Speaker 16>higher or lower.

2:15:16.360 --> 2:15:16.920
<v Speaker 2>He's a big man.

2:15:17.000 --> 2:15:18.640
<v Speaker 16>He's a back to back m v P of the

2:15:18.760 --> 2:15:22.240
<v Speaker 16>n B A lower stay higher eight point five.

2:15:22.640 --> 2:15:26.240
<v Speaker 2>I gotta go. This is what Round two of the

2:15:26.400 --> 2:15:27.120
<v Speaker 2>NBA playoffs.

2:15:27.120 --> 2:15:33.200
<v Speaker 16>Brit drinks, Champs on me down load the underdog fantasy

2:15:33.240 --> 2:15:35.960
<v Speaker 16>app use the cold drink Champs drink and get jacks

2:15:36.080 --> 2:15:38.400
<v Speaker 16>up to one hundred dollars. Give a hundred dollar under

2:15:38.400 --> 2:15:39.200
<v Speaker 16>deposits that good.

2:15:48.480 --> 2:15:49.280
<v Speaker 2>Do me this favorite.

2:15:49.360 --> 2:15:53.320
<v Speaker 6>Can we start from the beginning of the making of CMW, like,

2:15:53.480 --> 2:15:55.480
<v Speaker 6>is there a group or anything before CMW?

2:15:55.760 --> 2:15:58.520
<v Speaker 2>You see he got the tapes. I have more than this,

2:15:58.600 --> 2:15:59.760
<v Speaker 2>but I got consistent.

2:16:03.800 --> 2:16:08.160
<v Speaker 3>When we formed CMW, it was me, it was Chill,

2:16:09.280 --> 2:16:15.440
<v Speaker 3>it was a DJ named Antsy, and then Slip was

2:16:15.520 --> 2:16:19.480
<v Speaker 3>doing the beats. But before we even did anything, uh,

2:16:20.120 --> 2:16:27.040
<v Speaker 3>we switched up DJs because Mike T, who I had met,

2:16:28.920 --> 2:16:33.519
<v Speaker 3>he was like more skilled you getting me. He could transform,

2:16:33.760 --> 2:16:36.160
<v Speaker 3>he could do all of that. So we went with

2:16:36.360 --> 2:16:43.160
<v Speaker 3>Mike T with all the scratching, and then Chill went

2:16:43.240 --> 2:16:46.840
<v Speaker 3>to jail. So that's why the first album you only

2:16:46.959 --> 2:16:51.600
<v Speaker 3>hear half a Chill on the record. I had to

2:16:51.720 --> 2:16:54.680
<v Speaker 3>finish all the record because he had when I think

2:16:54.720 --> 2:16:57.359
<v Speaker 3>we had got through like maybe four or five songs

2:16:58.160 --> 2:16:59.840
<v Speaker 3>and then so I had to finish the rest of

2:16:59.840 --> 2:17:03.160
<v Speaker 3>the record. And then on the second album, which was

2:17:03.240 --> 2:17:07.959
<v Speaker 3>still CMW, same situation, but he didn't get to get

2:17:08.000 --> 2:17:12.840
<v Speaker 3>on any songs. So about time music to Drive By

2:17:13.040 --> 2:17:16.680
<v Speaker 3>rolled around, Sony was like, we done with that ship.

2:17:17.959 --> 2:17:20.240
<v Speaker 3>So after I did turn their music to drive By,

2:17:20.320 --> 2:17:21.600
<v Speaker 3>everything went to m C eight.

2:17:22.360 --> 2:17:24.440
<v Speaker 2>Oh, so that they made the decision the label.

2:17:24.560 --> 2:17:28.480
<v Speaker 3>They was like, we're not promoted. That's yes, that's why

2:17:28.520 --> 2:17:32.800
<v Speaker 3>I started going from CMW to m C eight featuring

2:17:32.959 --> 2:17:35.320
<v Speaker 3>because they wanted to just call that record MC eight,

2:17:35.400 --> 2:17:38.439
<v Speaker 3>and I said no because I still wanted to include.

2:17:40.240 --> 2:17:43.520
<v Speaker 3>I wrote all I did. I wrote all the raps. Wow, yeah,

2:17:44.080 --> 2:17:47.760
<v Speaker 3>for the whole group. Yeah, oh okay, so you would

2:17:47.920 --> 2:17:50.360
<v Speaker 3>like the ice cube. Yeah. I wrote all the raps

2:17:50.360 --> 2:17:53.360
<v Speaker 3>in the beginning, you know, not saying what they did

2:17:53.520 --> 2:17:57.080
<v Speaker 3>after we parted, but all of the material up until

2:17:57.080 --> 2:17:57.959
<v Speaker 3>the end. I wrote everything.

2:17:58.000 --> 2:18:01.160
<v Speaker 8>It's because they their raps were making a cut or no.

2:18:01.360 --> 2:18:02.000
<v Speaker 2>I just wrote.

2:18:02.640 --> 2:18:04.840
<v Speaker 3>I just wrote, and I would write what we had

2:18:04.920 --> 2:18:07.480
<v Speaker 3>standards back then we wrote what four verses on foot,

2:18:07.600 --> 2:18:10.360
<v Speaker 3>So I just split the verses up. I would write

2:18:10.440 --> 2:18:13.160
<v Speaker 3>force verses okay, and then I would go, okay, I'm right,

2:18:13.200 --> 2:18:15.400
<v Speaker 3>I'm gonna wrap these two. A nigga, you wrapped.

2:18:15.120 --> 2:18:19.480
<v Speaker 2>These too, okay, Yeah, okay, let's make some noise for

2:18:19.560 --> 2:18:25.119
<v Speaker 2>that guy. Crazy. That's crazy.

2:18:25.200 --> 2:18:27.959
<v Speaker 1>When when I when I researched you, and I kept

2:18:28.080 --> 2:18:30.840
<v Speaker 1>seeing that, I was like, that was that? That was crazy.

2:18:30.879 --> 2:18:32.879
<v Speaker 1>But let's talk about def Wish. Then we spoke about

2:18:32.879 --> 2:18:38.720
<v Speaker 1>it earlier, but let's talk about it right now. Death

2:18:38.760 --> 2:18:45.039
<v Speaker 1>Wish I had I think three three parts today?

2:18:45.879 --> 2:18:51.640
<v Speaker 3>Yeah, I did. There was two because the first death

2:18:51.680 --> 2:18:56.200
<v Speaker 3>Wish wasn't originally aimed a quick, right, But once we

2:18:56.440 --> 2:18:59.720
<v Speaker 3>did the second record and then music to drive by

2:18:59.840 --> 2:19:03.760
<v Speaker 3>all the death wishes, it was like my my little

2:19:04.520 --> 2:19:06.960
<v Speaker 3>thing to do, you get me. I wasn't gonna make

2:19:07.040 --> 2:19:09.080
<v Speaker 3>up different songs or whatever, so I just kept the

2:19:09.160 --> 2:19:13.840
<v Speaker 3>death wish moniker and that was used as our retaliation

2:19:14.080 --> 2:19:16.119
<v Speaker 3>to quick songs when we were doing.

2:19:16.440 --> 2:19:21.000
<v Speaker 2>Wow Wow Yeah, motherfucking cool now.

2:19:21.600 --> 2:19:28.760
<v Speaker 3>Oh yeah, definitely definitely. I mean shit, we all in

2:19:28.879 --> 2:19:32.720
<v Speaker 3>this ship man and hip hop got a bad enough

2:19:32.879 --> 2:19:35.440
<v Speaker 3>rap trying to get to where we are today, you

2:19:35.600 --> 2:19:41.039
<v Speaker 3>get me. They wouldn't play songs, they wouldn't play videos. Yes,

2:19:42.959 --> 2:19:46.200
<v Speaker 3>it was hard, man, and so they were scared enough

2:19:46.280 --> 2:19:49.760
<v Speaker 3>of us. So to have two niggas claiming gangs beefing

2:19:49.840 --> 2:19:52.400
<v Speaker 3>with each other. Man, it wasn't gonna turn out good,

2:19:52.640 --> 2:19:54.840
<v Speaker 3>you get me. It wasn't gonna do nothing but probably

2:19:54.920 --> 2:19:59.240
<v Speaker 3>destroy our careers or somebody ended up dead. Misfortunate, you know. So,

2:20:00.000 --> 2:20:01.600
<v Speaker 3>but he could have got clipped off real.

2:20:01.840 --> 2:20:02.720
<v Speaker 2>I was getting.

2:20:04.200 --> 2:20:07.040
<v Speaker 3>It was like I said, it was real. And at

2:20:07.120 --> 2:20:10.680
<v Speaker 3>that time, you know, niggas with a little money and

2:20:10.760 --> 2:20:14.320
<v Speaker 3>a little you know, representation, man, niggas was feeling like

2:20:14.640 --> 2:20:18.760
<v Speaker 3>powerful man. So nigga, I'm riding around with desert eagles

2:20:18.800 --> 2:20:22.480
<v Speaker 3>and ship and you know, and but it was just

2:20:24.200 --> 2:20:26.160
<v Speaker 3>just how the gag ship on top of that. You know,

2:20:26.480 --> 2:20:28.400
<v Speaker 3>you are, you beefing with a nigga in the street

2:20:28.600 --> 2:20:31.840
<v Speaker 3>over some rap shit, but then you don't know how

2:20:31.879 --> 2:20:35.320
<v Speaker 3>the outside motherfucker is gonna take that. You're gonna have

2:20:35.440 --> 2:20:37.959
<v Speaker 3>other blood niggas now like nigga fuck.

2:20:39.879 --> 2:20:40.440
<v Speaker 2>So ship.

2:20:42.760 --> 2:20:44.440
<v Speaker 3>It was spread and man, like I said, once he

2:20:44.520 --> 2:20:47.920
<v Speaker 3>got to that point where niggas got to talking about

2:20:48.000 --> 2:20:50.360
<v Speaker 3>houses and ship and we know where people stay and

2:20:50.480 --> 2:20:53.560
<v Speaker 3>all of that, it happened. Like I said, fortunately, Snoop

2:20:53.760 --> 2:20:56.840
<v Speaker 3>was you know there to just maybe you niggas need

2:20:56.920 --> 2:20:59.200
<v Speaker 3>to sit down and ship and see what's happening. Fifty

2:20:59.240 --> 2:21:02.440
<v Speaker 3>seven for Deserty three fifty seven.

2:21:03.360 --> 2:21:09.200
<v Speaker 2>I'ma be honest that ship.

2:21:12.200 --> 2:21:16.680
<v Speaker 1>I watched it, you know, washed you in quick beef.

2:21:19.040 --> 2:21:22.680
<v Speaker 1>I knew y'all wasn't playing like there's nothing about any.

2:21:24.000 --> 2:21:26.000
<v Speaker 3>It was my we could have minus the hip hop

2:21:26.240 --> 2:21:28.680
<v Speaker 3>because like I said, you still had the fact that

2:21:29.840 --> 2:21:32.039
<v Speaker 3>I was claiming cripp and he was claiming blood.

2:21:32.120 --> 2:21:35.240
<v Speaker 2>That was enough and both from Compton. Yeah, that that

2:21:35.480 --> 2:21:39.400
<v Speaker 2>was that was like, it's not like it's the biggest

2:21:39.400 --> 2:21:40.000
<v Speaker 2>town in the world.

2:21:40.280 --> 2:21:43.840
<v Speaker 3>That was just the beef, just period. When you banged

2:21:44.280 --> 2:21:47.080
<v Speaker 3>you was a cripple blood and you get the repercussions

2:21:47.120 --> 2:21:47.240
<v Speaker 3>of that.

2:21:48.000 --> 2:21:50.360
<v Speaker 1>You said earlier your neighborhoods didn't even have beef. It

2:21:50.400 --> 2:21:51.879
<v Speaker 1>wasn't really, but then.

2:21:51.879 --> 2:21:52.480
<v Speaker 2>It had beef.

2:21:53.360 --> 2:21:56.160
<v Speaker 3>And it's crazy because I know a lot of Treetops

2:21:56.240 --> 2:22:00.440
<v Speaker 3>right now cool as a motherfucker, and that's the blood. Yeah,

2:22:00.959 --> 2:22:03.840
<v Speaker 3>a lot of Treetops cool. My nigga, rest in peace.

2:22:03.840 --> 2:22:06.000
<v Speaker 3>Slim four hundred was cool as a fan. Fucked with

2:22:06.040 --> 2:22:09.040
<v Speaker 3>a lot of my people from the neighborhood. My nigga

2:22:09.120 --> 2:22:14.080
<v Speaker 3>Kidaro right now with his podcast from Treetop YG A

2:22:14.120 --> 2:22:16.440
<v Speaker 3>lot of a lot of niggas is cool. You get me,

2:22:16.680 --> 2:22:20.480
<v Speaker 3>You got to get Yeah, he's from Treetop and that's Quick.

2:22:20.720 --> 2:22:23.080
<v Speaker 3>That's where Quick is from. That's yeah, that's where Slim

2:22:23.120 --> 2:22:24.680
<v Speaker 3>four hundred was from. A lot of them.

2:22:24.760 --> 2:22:29.240
<v Speaker 2>So rest in peace, Slim for hundred. Like I said,

2:22:29.280 --> 2:22:30.080
<v Speaker 2>we learned to grow up.

2:22:30.160 --> 2:22:32.080
<v Speaker 3>Like I said, I'm cool with a lot of motherfuckers now,

2:22:32.160 --> 2:22:34.400
<v Speaker 3>and it ain't even about where you're from or what

2:22:34.560 --> 2:22:39.920
<v Speaker 3>color you whatever, My older nigga nowere you from really

2:22:40.120 --> 2:22:42.840
<v Speaker 3>respect if you respect me, I can respect you, and

2:22:42.920 --> 2:22:44.880
<v Speaker 3>I don't care what rag you want to put in

2:22:45.000 --> 2:22:45.560
<v Speaker 3>your pocket?

2:22:45.680 --> 2:22:48.320
<v Speaker 2>Or do you talk to younger guys? Do you have

2:22:48.400 --> 2:22:49.560
<v Speaker 2>a chance to go? Yeah?

2:22:49.720 --> 2:22:53.160
<v Speaker 1>Yeah, I got a son that's nineteen, you know, play football. Yes,

2:22:53.800 --> 2:22:56.440
<v Speaker 1>I've read that somewhere that you won't even take a show.

2:22:56.560 --> 2:22:57.840
<v Speaker 1>Let's get you back to.

2:22:58.600 --> 2:23:00.160
<v Speaker 2>He mentioned that we had him on followhood and he

2:23:00.200 --> 2:23:02.039
<v Speaker 2>talked about I.

2:23:02.120 --> 2:23:08.439
<v Speaker 3>Started drink, I started doing the fucking uh coaching football.

2:23:08.920 --> 2:23:13.040
<v Speaker 3>You know, my son five years old. Give him another interest,

2:23:13.440 --> 2:23:15.840
<v Speaker 3>you know, I didn't want him to. You know a

2:23:15.920 --> 2:23:18.720
<v Speaker 3>lot of our kids want to want a wrap on

2:23:18.879 --> 2:23:20.800
<v Speaker 3>to produce and that ship. I didn't want him to

2:23:20.840 --> 2:23:22.600
<v Speaker 3>get into that. So I wanted to give him another

2:23:22.640 --> 2:23:26.840
<v Speaker 3>opportunity to find his own lane. So I started coaching football,

2:23:27.240 --> 2:23:29.400
<v Speaker 3>you know, to give him something else that we could

2:23:29.440 --> 2:23:31.840
<v Speaker 3>do together. And he's in college right now.

2:23:32.280 --> 2:23:34.600
<v Speaker 1>He watched Menus because I heard that you had a show.

2:23:35.240 --> 2:23:38.280
<v Speaker 1>I heard you had a show and it was it

2:23:38.440 --> 2:23:40.200
<v Speaker 1>was the championship game or something like that.

2:23:40.360 --> 2:23:42.480
<v Speaker 3>Right I was in Europe and I flew all the

2:23:42.520 --> 2:23:50.800
<v Speaker 3>way back just to be at the championship game. My

2:23:50.879 --> 2:23:55.680
<v Speaker 3>nigga can that's hard. Ship I turned down, turned down

2:23:55.720 --> 2:24:00.160
<v Speaker 3>to be in the Alright video because my son had

2:24:00.200 --> 2:24:04.520
<v Speaker 3>a game and I couldn't and Kendrick called me all night,

2:24:04.640 --> 2:24:08.960
<v Speaker 3>he called me the next morning and I couldn't. I

2:24:09.000 --> 2:24:12.880
<v Speaker 3>couldn't get away from the game. So I missed the

2:24:13.000 --> 2:24:16.640
<v Speaker 3>opportunity because we had just did Mad City and that

2:24:16.879 --> 2:24:20.160
<v Speaker 3>came out, and then on the next project. He was

2:24:20.240 --> 2:24:23.120
<v Speaker 3>on the next project and uh, the video where I

2:24:23.160 --> 2:24:25.680
<v Speaker 3>think Terry Crews is in it, and they would he

2:24:25.760 --> 2:24:27.480
<v Speaker 3>wanted me to be in that video and I.

2:24:27.520 --> 2:24:33.640
<v Speaker 2>Gonna play your life story killed that.

2:24:34.560 --> 2:24:35.920
<v Speaker 3>That's definitely official.

2:24:36.720 --> 2:24:39.440
<v Speaker 6>How did that homage feel? The Mad City that he

2:24:39.480 --> 2:24:41.080
<v Speaker 6>paid to you? And then the record?

2:24:42.760 --> 2:24:43.400
<v Speaker 2>I thought it was.

2:24:43.760 --> 2:24:45.920
<v Speaker 3>I thought, you know, they could have fucked with anybody

2:24:46.560 --> 2:24:49.080
<v Speaker 3>with a lot of niggas from Compton rap you give me.

2:24:51.200 --> 2:24:53.000
<v Speaker 6>And it was creative the way it wasn't just like

2:24:53.040 --> 2:24:55.600
<v Speaker 6>a straight taking the record and then having you like

2:24:55.720 --> 2:24:55.880
<v Speaker 6>it was.

2:24:57.200 --> 2:24:57.680
<v Speaker 2>It came in.

2:24:58.240 --> 2:25:03.680
<v Speaker 3>Actually, my my so's uh you know sister, she knew

2:25:03.920 --> 2:25:09.879
<v Speaker 3>a bunch of them and so she actually told her mom, Hey,

2:25:10.440 --> 2:25:13.720
<v Speaker 3>this guy Kendrick wants to do it. So I honestly

2:25:13.800 --> 2:25:14.879
<v Speaker 3>I didn't even know.

2:25:14.920 --> 2:25:17.640
<v Speaker 2>Him at the time. No, Wow, he didn't even know

2:25:17.720 --> 2:25:19.280
<v Speaker 2>he was aftermath. No, he was.

2:25:19.800 --> 2:25:21.959
<v Speaker 3>He had put out the Section eighty album.

2:25:22.160 --> 2:25:25.720
<v Speaker 2>He was touring with at the time, was on Strange Music.

2:25:25.840 --> 2:25:29.160
<v Speaker 3>She called me and was like, this caten you. She said,

2:25:29.200 --> 2:25:32.440
<v Speaker 3>this cat named Kendrick wants to get you on a song.

2:25:33.680 --> 2:25:37.200
<v Speaker 3>And I said, oh. She was like Kendrick, you know,

2:25:37.240 --> 2:25:40.480
<v Speaker 3>it's young cat whatever, and I said, yeah, okay, So

2:25:40.920 --> 2:25:43.560
<v Speaker 3>I gave her. I told her to give him my number,

2:25:44.520 --> 2:25:46.680
<v Speaker 3>and I didn't think nothing about it. Two weeks later

2:25:46.760 --> 2:25:48.840
<v Speaker 3>he called me and he said, hey, I'm at the

2:25:48.879 --> 2:25:52.640
<v Speaker 3>studio today, can you come through? And that's when we

2:25:52.720 --> 2:25:55.480
<v Speaker 3>went to the spot in Carson Was that right the

2:25:55.560 --> 2:26:00.480
<v Speaker 3>city now? It was in Carson City around Compton House

2:26:00.640 --> 2:26:01.080
<v Speaker 3>was the house.

2:26:01.200 --> 2:26:01.400
<v Speaker 2>Yeah.

2:26:01.600 --> 2:26:04.920
<v Speaker 3>We went to the house over there and uh, he

2:26:05.040 --> 2:26:08.000
<v Speaker 3>came outside, we went in. He told me the concept

2:26:08.080 --> 2:26:11.360
<v Speaker 3>of the record. Uh so he told me, you know,

2:26:11.879 --> 2:26:13.520
<v Speaker 3>he told me what he wanted me to do on

2:26:13.640 --> 2:26:17.080
<v Speaker 3>the intro and all of that shit, and uh then

2:26:17.120 --> 2:26:19.080
<v Speaker 3>he played me to beat. When I heard the beat,

2:26:19.160 --> 2:26:21.520
<v Speaker 3>I was all, this motherfucker gonna be There was that

2:26:21.640 --> 2:26:25.240
<v Speaker 3>bird in the hand and I was like, oh man,

2:26:26.000 --> 2:26:26.560
<v Speaker 3>it was hard.

2:26:26.680 --> 2:26:28.640
<v Speaker 2>So he is really like.

2:26:30.600 --> 2:26:32.240
<v Speaker 3>Not wondering, nigga, I'm gonna send you the beat and

2:26:32.320 --> 2:26:34.600
<v Speaker 3>then you come up with it, because that's something about me.

2:26:34.680 --> 2:26:36.120
<v Speaker 3>If a nigga want to get me on the song,

2:26:36.200 --> 2:26:37.680
<v Speaker 3>I want to know what he want to talk about.

2:26:38.240 --> 2:26:40.520
<v Speaker 3>I asked a nigg in a minute, what's the concept? Okay,

2:26:40.560 --> 2:26:42.600
<v Speaker 3>what we're talking about? I don't want to get on

2:26:42.680 --> 2:26:44.600
<v Speaker 3>the song and you talking about bitches and shit and

2:26:44.640 --> 2:26:47.360
<v Speaker 3>I'm talking about driving around a nigga blockers and shit.

2:26:49.480 --> 2:26:51.600
<v Speaker 3>A lot of a lot of niggas do that today.

2:26:52.480 --> 2:26:53.840
<v Speaker 3>Nigga be like, yeah, I want to get you on

2:26:53.920 --> 2:26:56.320
<v Speaker 3>the song. And I'd be like, okay, cool, what we're

2:26:56.360 --> 2:26:59.440
<v Speaker 3>talking about. The nigga be like, oh, just do what

2:26:59.600 --> 2:27:01.800
<v Speaker 3>you do? Like, nigga, what is that?

2:27:02.080 --> 2:27:04.600
<v Speaker 2>I can do a thousand things, Nigga, what the fuck

2:27:04.720 --> 2:27:06.320
<v Speaker 2>you want me to do all this? Motherfucker?

2:27:07.000 --> 2:27:09.720
<v Speaker 3>So, but he told straight up, I want you to

2:27:09.760 --> 2:27:11.960
<v Speaker 3>say this. I want you to talk about a lundra.

2:27:12.160 --> 2:27:15.039
<v Speaker 3>I want you to do this, blah blah blah right

2:27:15.080 --> 2:27:17.119
<v Speaker 3>here at this part, can you do this? And we're

2:27:17.120 --> 2:27:19.800
<v Speaker 3>gonna break down the intro. I want you to just create.

2:27:19.959 --> 2:27:22.720
<v Speaker 3>So he knew it all. I came that motherfuck like

2:27:22.879 --> 2:27:25.920
<v Speaker 3>damn not. So many people do that. No, No, a lot,

2:27:26.200 --> 2:27:28.560
<v Speaker 3>not not many at all. A lot of niggas just

2:27:28.680 --> 2:27:29.640
<v Speaker 3>go like, I'm.

2:27:29.520 --> 2:27:32.520
<v Speaker 2>A singer, director, student of the game. You can tell

2:27:32.560 --> 2:27:33.480
<v Speaker 2>ken exactly.

2:27:33.959 --> 2:27:37.320
<v Speaker 3>So he sat there listened to my verse and then

2:27:37.800 --> 2:27:39.840
<v Speaker 3>I'm like, okay, cool. He like, oh, can you do

2:27:39.959 --> 2:27:42.320
<v Speaker 3>this part over? I was like, yeah, fuck it cool.

2:27:42.520 --> 2:27:45.200
<v Speaker 3>Oh yeah, I'm You're gonna walk out the booth and

2:27:45.360 --> 2:27:47.720
<v Speaker 3>he like, okay, now can you do this? And can

2:27:47.800 --> 2:27:52.560
<v Speaker 3>you do that? I'm like this, mother, I'm like, yeah, directing.

2:27:53.440 --> 2:27:55.800
<v Speaker 3>But he was cool as fuck, So I didn't mind

2:27:56.080 --> 2:27:57.840
<v Speaker 3>it came out the way it came out. It was

2:27:57.879 --> 2:27:58.280
<v Speaker 3>tight as.

2:28:01.720 --> 2:28:02.039
<v Speaker 2>Holy.

2:28:03.520 --> 2:28:07.840
<v Speaker 3>That sounds like that says, yeah, he's very mother like nigga. No,

2:28:08.360 --> 2:28:11.199
<v Speaker 3>I know what I want, Like I know the direction

2:28:11.400 --> 2:28:14.880
<v Speaker 3>of my ship track with Outlaws, the Outlaws, when you

2:28:14.959 --> 2:28:17.120
<v Speaker 3>do that track with the Outlaws, when when we do that?

2:28:17.560 --> 2:28:20.160
<v Speaker 3>Was you in the studio with with Fatal? I try

2:28:20.200 --> 2:28:22.880
<v Speaker 3>to go to in the studio with Fatal. That's a

2:28:22.879 --> 2:28:26.120
<v Speaker 3>piece of thing. Definitely. H Some more cats, like certain

2:28:26.160 --> 2:28:29.840
<v Speaker 3>niggas I fuck with, I give them that that personal like,

2:28:30.360 --> 2:28:31.840
<v Speaker 3>don't send me the track if you want to go

2:28:31.959 --> 2:28:34.960
<v Speaker 3>in the studio. We can get in the studio. I

2:28:35.120 --> 2:28:36.800
<v Speaker 3>try to give that to niggas. You know what I'm

2:28:36.800 --> 2:28:39.959
<v Speaker 3>saying without niggas. But you know, I'm a true hip

2:28:39.959 --> 2:28:43.200
<v Speaker 3>hop and him C is first ship relationship with Jay Prince,

2:28:45.760 --> 2:28:49.199
<v Speaker 3>I don't really have one. I'm really cool with Scarface.

2:28:50.080 --> 2:28:52.640
<v Speaker 3>I talked to Face like ship at least once a month.

2:28:52.680 --> 2:28:54.640
<v Speaker 3>So so when you went to the gangs to wrap something,

2:28:54.879 --> 2:28:58.520
<v Speaker 3>it was through Face. Uh actually that was through the

2:28:59.400 --> 2:29:03.240
<v Speaker 3>through the lady okay, okay, printing them called the labels

2:29:03.280 --> 2:29:06.080
<v Speaker 3>and certain artists they want to come, and that's how

2:29:06.160 --> 2:29:11.400
<v Speaker 3>we got there. Some historic moments and ship in hip

2:29:11.400 --> 2:29:13.840
<v Speaker 3>hop I've been able to be a part of. And

2:29:14.080 --> 2:29:16.240
<v Speaker 3>you know, like I said, from what I've been through

2:29:16.680 --> 2:29:19.920
<v Speaker 3>with all the beefing and the other ship whatever, like

2:29:20.120 --> 2:29:23.280
<v Speaker 3>the gang shit affiliated and claiming the neighborhood and all

2:29:23.320 --> 2:29:25.640
<v Speaker 3>that we had to go through, it's what got us

2:29:25.680 --> 2:29:28.360
<v Speaker 3>to this point today. So I don't change nothing, man,

2:29:28.840 --> 2:29:30.440
<v Speaker 3>you know, I don't change.

2:29:33.200 --> 2:29:39.280
<v Speaker 1>I always wanted to ask Wu Tang comes out MC eight,

2:29:40.040 --> 2:29:44.320
<v Speaker 1>you know, Woo Tang fucking Wu Tang was my peoples and.

2:29:46.560 --> 2:29:51.320
<v Speaker 2>Watch this video. I was like, how did you have

2:29:52.000 --> 2:29:53.800
<v Speaker 2>affiliation with Woo Tang.

2:29:53.920 --> 2:29:58.000
<v Speaker 3>I'm looking like that was through Old Dirty and Meth

2:29:58.680 --> 2:30:01.520
<v Speaker 3>worked with Old Dirty. Yeah, yes, put us on Old

2:30:01.640 --> 2:30:05.119
<v Speaker 3>Dirty in math they were shooting the video, they.

2:30:05.080 --> 2:30:08.520
<v Speaker 2>Was getting ready to shoot. Its involved. It might have been,

2:30:08.680 --> 2:30:11.440
<v Speaker 2>might have been. How did you know that?

2:30:11.640 --> 2:30:12.040
<v Speaker 11>I don't know.

2:30:12.160 --> 2:30:12.440
<v Speaker 3>I just.

2:30:16.879 --> 2:30:25.280
<v Speaker 2>About I just felt it. I have no anxiety, you know.

2:30:25.720 --> 2:30:28.520
<v Speaker 3>And I didn't even know them at this point.

2:30:29.320 --> 2:30:31.680
<v Speaker 2>And they're not blown up. They're not blown up. You

2:30:32.120 --> 2:30:32.320
<v Speaker 2>was in?

2:30:32.520 --> 2:30:35.360
<v Speaker 3>What video? Is it? Can I be also simple?

2:30:36.160 --> 2:30:38.160
<v Speaker 2>Wow? That's early yeah.

2:30:39.920 --> 2:30:43.720
<v Speaker 3>Island. Yeah, I'm in the car. I'm standing out in

2:30:43.760 --> 2:30:46.560
<v Speaker 3>front of the little ship with meth and and then

2:30:46.720 --> 2:30:49.080
<v Speaker 3>I'm in the car with him at the end of

2:30:49.120 --> 2:30:49.480
<v Speaker 3>the video.

2:30:50.360 --> 2:30:52.720
<v Speaker 2>Affiliated that's dust. Yeah.

2:30:55.720 --> 2:31:00.520
<v Speaker 3>I was a fucking I was off a minute. I

2:31:00.640 --> 2:31:02.560
<v Speaker 3>was off a minute once for the girl. I just

2:31:02.680 --> 2:31:07.800
<v Speaker 3>did minute and just dropped music to drive by and

2:31:08.280 --> 2:31:11.400
<v Speaker 3>they called me up and they was like, man, can

2:31:11.440 --> 2:31:13.920
<v Speaker 3>you come to New York and be in Woo Tang video?

2:31:14.280 --> 2:31:17.040
<v Speaker 3>And I was like, Wou Tang? And I think they

2:31:17.120 --> 2:31:20.520
<v Speaker 3>send me their record And I was like this motherfucker hard,

2:31:20.680 --> 2:31:24.200
<v Speaker 3>like a motherfucker horror. I jumped on the plane and

2:31:24.320 --> 2:31:27.400
<v Speaker 3>went straight to stat We was hanging out, chilling, ray

2:31:27.520 --> 2:31:28.360
<v Speaker 3>Kwan Ghost.

2:31:28.640 --> 2:31:29.400
<v Speaker 2>It was all love.

2:31:29.879 --> 2:31:33.000
<v Speaker 3>So I was out there for a few hours. Niggas

2:31:33.040 --> 2:31:36.640
<v Speaker 3>wasn't doing them, but standing around getting high, just like

2:31:37.640 --> 2:31:39.080
<v Speaker 3>that's it, man, it was there.

2:31:39.160 --> 2:31:40.800
<v Speaker 2>That was love. You was not uncomfortable.

2:31:40.800 --> 2:31:43.160
<v Speaker 3>And then after that I got real cool with Old Dirty.

2:31:43.440 --> 2:31:45.440
<v Speaker 3>So that's how I jumped on the song with him

2:31:45.480 --> 2:31:47.640
<v Speaker 3>and you did it. Yeah, I did Tommy Shimmy remix

2:31:47.760 --> 2:31:53.039
<v Speaker 3>with him. Yeah, recipes Old Dirty all day.

2:31:55.680 --> 2:32:08.280
<v Speaker 2>This shot is for Gangster motherfucking Chronicles. All salute being here.

2:32:08.320 --> 2:32:12.280
<v Speaker 2>If I don't mind, if we have to go to

2:32:12.440 --> 2:32:17.119
<v Speaker 2>wherever y'all film at. We need to support other podcasts.

2:32:17.879 --> 2:32:18.560
<v Speaker 2>We love y'all.

2:32:18.640 --> 2:32:20.960
<v Speaker 1>We respect y'all homeown. Let me give you a cut

2:32:21.000 --> 2:32:25.640
<v Speaker 1>me off, I'll see you. You know I'm professional. I

2:32:25.760 --> 2:32:28.440
<v Speaker 1>understand what's going on here. We've been trying to get

2:32:28.480 --> 2:32:29.280
<v Speaker 1>your your flowers.

2:32:29.760 --> 2:32:32.320
<v Speaker 2>We've been telling you for a long like, I really

2:32:32.480 --> 2:32:33.520
<v Speaker 2>really love.

2:32:33.480 --> 2:32:37.880
<v Speaker 1>Gangst the Chronicles, like when what y'all doing and how

2:32:38.040 --> 2:32:41.000
<v Speaker 1>y'all highlighting y'all culture?

2:32:42.160 --> 2:32:47.320
<v Speaker 2>Mm hmm, yeah, I love it. I love it. I

2:32:47.440 --> 2:32:48.680
<v Speaker 2>did like I did, like.

2:32:50.160 --> 2:32:55.000
<v Speaker 17>The Gang Investigator. I did like sorry, oh no, there's

2:32:55.040 --> 2:33:00.720
<v Speaker 17>there's a move like so, but I didn't know he

2:33:00.879 --> 2:33:02.440
<v Speaker 17>I didn't know he was he was.

2:33:03.320 --> 2:33:05.720
<v Speaker 2>He was a gangly because I followed he.

2:33:05.920 --> 2:33:08.960
<v Speaker 3>Was like a dude who went to went to neighborhood,

2:33:10.920 --> 2:33:11.560
<v Speaker 3>you know them?

2:33:11.640 --> 2:33:12.039
<v Speaker 2>Yeah yeah.

2:33:12.360 --> 2:33:14.320
<v Speaker 5>And I'm not mad at that ship because I thought

2:33:14.400 --> 2:33:16.400
<v Speaker 5>to bring all the motherfuckers on, So that means I'm

2:33:16.400 --> 2:33:19.879
<v Speaker 5>a smart motherfucker. So I would never dish them, man,

2:33:20.000 --> 2:33:23.760
<v Speaker 5>because I really feel like that at one time, we

2:33:23.879 --> 2:33:26.160
<v Speaker 5>could have had some really great man, we was doing

2:33:26.240 --> 2:33:26.760
<v Speaker 5>some ship, right.

2:33:26.920 --> 2:33:29.320
<v Speaker 2>You had the gang members and the gang analyst.

2:33:29.720 --> 2:33:33.200
<v Speaker 5>Exactly what happened was though, Man, sometimes some ship just

2:33:33.240 --> 2:33:35.720
<v Speaker 5>ain't meant to be. Some people can't help power. Nor

2:33:36.800 --> 2:33:42.280
<v Speaker 5>I respect that some people can't help man. So you

2:33:42.360 --> 2:33:43.039
<v Speaker 5>said it just now.

2:33:43.360 --> 2:33:45.840
<v Speaker 2>I actually thought he was like an expert, like you

2:33:45.920 --> 2:33:50.440
<v Speaker 2>know how Steve on Jerry Springer to be. He was

2:33:50.520 --> 2:34:00.320
<v Speaker 2>just the person that know what.

2:34:05.879 --> 2:34:11.760
<v Speaker 5>Steve thought he was. You know what's happening though? Right now, Man,

2:34:12.120 --> 2:34:14.200
<v Speaker 5>I had a brother hit me the other day. Man

2:34:15.600 --> 2:34:17.800
<v Speaker 5>shout out to my boy down in the rag right here,

2:34:17.920 --> 2:34:19.960
<v Speaker 5>hit me, and he was telling me some ship about him,

2:34:20.080 --> 2:34:23.560
<v Speaker 5>right what's happening. There was a lot of videos that's

2:34:23.600 --> 2:34:25.320
<v Speaker 5>coming out right now. A lot of the guys catching

2:34:25.400 --> 2:34:26.760
<v Speaker 5>cases and ship like that. Man.

2:34:27.520 --> 2:34:29.440
<v Speaker 2>So it's a whole bunch of little messy ship.

2:34:29.320 --> 2:34:31.600
<v Speaker 5>Going on, man to where it's like, I'm glad I'm

2:34:31.640 --> 2:34:35.440
<v Speaker 5>not involved now, you feel what I'm saying everything, Like,

2:34:35.959 --> 2:34:37.920
<v Speaker 5>like I said, I'm a real spiritual person, man, and

2:34:38.000 --> 2:34:41.880
<v Speaker 5>I think God sometimes man determines our destiny. Certain ship

2:34:41.959 --> 2:34:43.880
<v Speaker 5>might happen at that time you might be tripping, but

2:34:43.959 --> 2:34:48.360
<v Speaker 5>then something else that happened you like, damn, it's just.

2:34:48.480 --> 2:34:51.080
<v Speaker 2>Like me and eight. We had our biggest year last year.

2:34:51.160 --> 2:34:54.400
<v Speaker 5>Man. You know a lot of people don't understand what podcasting.

2:34:56.320 --> 2:35:00.160
<v Speaker 5>You make your bread with the audio, man, that's right up.

2:35:00.200 --> 2:35:01.920
<v Speaker 5>You make some good bread with the audio, right.

2:35:02.080 --> 2:35:03.400
<v Speaker 2>Talk talk that talk, And.

2:35:05.040 --> 2:35:08.240
<v Speaker 5>We did something indeed, nineteen millions that like it was

2:35:08.360 --> 2:35:11.480
<v Speaker 5>like a crazy amount of downloads last year. And I said, damn,

2:35:11.800 --> 2:35:14.600
<v Speaker 5>we funked around and got bigger though. Man, that's the

2:35:14.680 --> 2:35:16.160
<v Speaker 5>really you feel what I'm saying. So you have to

2:35:16.280 --> 2:35:19.080
<v Speaker 5>always keep scaling, man, and keep reinventing this ship.

2:35:19.400 --> 2:35:22.279
<v Speaker 2>Because because that's the thing. This podcast Yeah gotta.

2:35:22.040 --> 2:35:22.800
<v Speaker 16>Be to that.

2:35:23.160 --> 2:35:32.360
<v Speaker 2>Yeah, you drink that, you understand the bottle was I

2:35:32.440 --> 2:35:37.840
<v Speaker 2>told him drink everything. We got.

2:35:39.440 --> 2:35:42.480
<v Speaker 1>The right car, man we got and we go figure out, right,

2:35:42.879 --> 2:35:46.040
<v Speaker 1>let's killer Holiday kill Man.

2:35:46.120 --> 2:35:48.480
<v Speaker 2>You know about that movie. Come on, I'm home point.

2:35:50.920 --> 2:35:54.040
<v Speaker 3>Man, you'll really up. You're doing your researches. I told

2:35:54.120 --> 2:35:55.560
<v Speaker 3>you you gotta have that man.

2:35:55.720 --> 2:35:57.480
<v Speaker 2>That was we just got drunk.

2:35:57.879 --> 2:36:00.400
<v Speaker 3>Yeah, I said, dig up some ship that shows that

2:36:00.480 --> 2:36:03.280
<v Speaker 3>ship up to be like, you know what about that ship?

2:36:03.800 --> 2:36:08.679
<v Speaker 2>I know about Killer Holiday. No holiday.

2:36:09.879 --> 2:36:14.480
<v Speaker 5>Ain't to kill a holiday, all right, make sure he

2:36:14.520 --> 2:36:16.560
<v Speaker 5>don't get shy because he'll look at you drink your ship.

2:36:16.800 --> 2:36:21.960
<v Speaker 2>That's right. You always say where the keys? All the

2:36:22.040 --> 2:36:26.320
<v Speaker 2>keys or I took just so you know, if you

2:36:26.440 --> 2:36:29.000
<v Speaker 2>want to, like you smell them and make sure I'm good.

2:36:29.800 --> 2:36:33.359
<v Speaker 2>I know he good. You're passing the keys now, right. Definitely.

2:36:33.440 --> 2:36:33.640
<v Speaker 7>Yeah.

2:36:42.600 --> 2:36:45.879
<v Speaker 2>I gotta.

2:36:47.640 --> 2:36:51.240
<v Speaker 5>Y'all because I'm gonna tell y'all if y'all would have

2:36:51.320 --> 2:36:53.320
<v Speaker 5>had to drink. Champs Networks started.

2:36:53.120 --> 2:36:56.720
<v Speaker 2>At that time. We just signed what y'all, I ain't

2:36:56.720 --> 2:36:58.240
<v Speaker 2>gonna lie to you. I'm gonna be honest with you

2:36:58.280 --> 2:37:03.560
<v Speaker 2>because I know this. I was. I'm the nigga watching

2:37:03.760 --> 2:37:07.600
<v Speaker 2>watching James the Chronicles from the beginning, and Yasha was

2:37:07.720 --> 2:37:09.960
<v Speaker 2>so good I'm being honest. Let me just be honest

2:37:09.959 --> 2:37:13.680
<v Speaker 2>because it's me. You was on d MS together.

2:37:13.480 --> 2:37:17.360
<v Speaker 1>Talking Yasha was so good, and when y'all finally got

2:37:17.400 --> 2:37:20.240
<v Speaker 1>it together, I didn't even want to play with y'all.

2:37:20.560 --> 2:37:22.360
<v Speaker 1>I was like, because I knew be in here offend

2:37:22.440 --> 2:37:25.720
<v Speaker 1>and having together like me and him like three days ago,

2:37:25.920 --> 2:37:28.040
<v Speaker 1>got it together, Like this is how we're gonna do.

2:37:28.080 --> 2:37:30.400
<v Speaker 2>Yeah, we would have had it together a lot of people.

2:37:32.920 --> 2:37:35.680
<v Speaker 1>You would not have been to black effect. By the way,

2:37:36.120 --> 2:37:38.280
<v Speaker 1>who is my man, It's my brother, Charlot Magne.

2:37:38.800 --> 2:37:40.880
<v Speaker 2>But y'all would have been with us because I was

2:37:40.959 --> 2:37:45.120
<v Speaker 2>watching and I was like, this is crazy, y'all.

2:37:45.560 --> 2:37:49.760
<v Speaker 1>Just and by the way, I knew this for years

2:37:51.080 --> 2:37:56.480
<v Speaker 1>that California artists don't even have to promote to the world.

2:37:57.400 --> 2:38:03.240
<v Speaker 2>All you have to promote to is Calnnia. Just this

2:38:03.400 --> 2:38:08.920
<v Speaker 2>is what podcasts the algorithms has shown you don't even

2:38:09.080 --> 2:38:13.360
<v Speaker 2>need to do like Texas artists wherever you're at out there. Yeah,

2:38:13.360 --> 2:38:17.800
<v Speaker 2>it takes another market that self sufficient. The world promote

2:38:17.879 --> 2:38:23.560
<v Speaker 2>to Texas talk about boots, talk about holding fucking a

2:38:23.760 --> 2:38:25.800
<v Speaker 2>K's and they're looking at the McDonald's.

2:38:26.840 --> 2:38:32.880
<v Speaker 1>Don't do that, guys, California. Let me just tell you,

2:38:36.000 --> 2:38:37.200
<v Speaker 1>study algorithms.

2:38:38.080 --> 2:38:42.800
<v Speaker 2>California does not have to perform to promote to anybody

2:38:42.879 --> 2:38:48.200
<v Speaker 2>else but California. I'm telling you, the world is already

2:38:49.280 --> 2:38:52.960
<v Speaker 2>gravitating to California. So all you gotta do is just

2:38:53.280 --> 2:39:00.400
<v Speaker 2>talk to your people. And it's beautiful that me and

2:39:00.640 --> 2:39:03.840
<v Speaker 2>if That's we only talked to our audience. Come on,

2:39:03.959 --> 2:39:07.400
<v Speaker 2>but his audience got to realize he's born. He's born,

2:39:07.480 --> 2:39:19.320
<v Speaker 2>and that's when raised in Miami. We gave down to

2:39:19.360 --> 2:39:22.360
<v Speaker 2>our audience. We don't care like if if you're a

2:39:22.440 --> 2:39:24.840
<v Speaker 2>young nigga and you want to listen to us, we

2:39:24.879 --> 2:39:27.000
<v Speaker 2>will peg you. We will give a.

2:39:29.640 --> 2:39:39.200
<v Speaker 15>Don't give an if you man, But you understand what

2:39:39.240 --> 2:39:44.960
<v Speaker 15>I'm saying. That was said that was that was if

2:39:44.959 --> 2:39:53.920
<v Speaker 15>you would have said Hamburgers, you would have taken I

2:39:54.040 --> 2:39:56.720
<v Speaker 15>got this last little bit. What I'm saying is care

2:39:56.959 --> 2:40:00.080
<v Speaker 15>to your people like you. You don't have to go

2:40:00.160 --> 2:40:06.560
<v Speaker 15>outside your audience. I told us the way Korn damn

2:40:06.600 --> 2:40:07.600
<v Speaker 15>there eight years ago.

2:40:09.240 --> 2:40:11.920
<v Speaker 1>When we started it, Ray Kor was dropping an album

2:40:12.640 --> 2:40:15.440
<v Speaker 1>and where at we'red a part of Jersey's. I don't

2:40:15.440 --> 2:40:17.039
<v Speaker 1>want to say it because me and him might meet

2:40:17.120 --> 2:40:20.000
<v Speaker 1>up there tomorrow. So let me not say it, but

2:40:20.120 --> 2:40:22.440
<v Speaker 1>I say, yo, bro, next time you drop an album,

2:40:22.640 --> 2:40:24.520
<v Speaker 1>drop your album on a podcast.

2:40:25.640 --> 2:40:28.720
<v Speaker 2>And he was like what and I was like, drop it.

2:40:29.160 --> 2:40:34.120
<v Speaker 1>Make ray Quoran podcast and you already your audience is

2:40:34.160 --> 2:40:42.800
<v Speaker 1>already built. Drop your your album right on your podcast.

2:40:43.920 --> 2:40:44.240
<v Speaker 5>M M.

2:40:45.520 --> 2:40:48.119
<v Speaker 1>Don't make it available because you know this is different

2:40:48.160 --> 2:40:53.920
<v Speaker 1>between podcasts. When you choose podcasts, you have to download

2:40:53.959 --> 2:40:58.959
<v Speaker 1>the app mm hmm. You have to start following that people.

2:41:00.720 --> 2:41:03.400
<v Speaker 1>That means that these people that really listen to you

2:41:04.240 --> 2:41:14.680
<v Speaker 1>are really with you, fuck with them back. Yeah, And

2:41:14.879 --> 2:41:17.720
<v Speaker 1>that's where I want hip hop to kind of go,

2:41:18.040 --> 2:41:24.320
<v Speaker 1>like it's like against the chronicles. The person listening to

2:41:24.400 --> 2:41:26.119
<v Speaker 1>yall ship it's because.

2:41:25.920 --> 2:41:32.200
<v Speaker 2>They fuck with y'all. Motherfuckers though listen. And by the way,

2:41:32.280 --> 2:41:35.280
<v Speaker 2>I'm one of them, niggas, Like I'm one of them.

2:41:35.480 --> 2:41:38.840
<v Speaker 2>I wanted to like, I met you know at the

2:41:38.920 --> 2:41:43.240
<v Speaker 2>time I met you long time you remember, remember now,

2:41:43.560 --> 2:41:47.640
<v Speaker 2>I remember because you I was high too, But it

2:41:47.760 --> 2:41:52.680
<v Speaker 2>was Johnny Blaze video Bat Joe in New York and

2:41:52.800 --> 2:41:56.280
<v Speaker 2>I came with twenty five niggas are the worst people

2:41:56.360 --> 2:41:59.119
<v Speaker 2>that could be around me because that was a hard

2:41:59.200 --> 2:42:03.080
<v Speaker 2>back then. I heard the man. Listen, let me tell you.

2:42:03.320 --> 2:42:06.120
<v Speaker 2>Let me why I knew. Let me tell you why

2:42:06.120 --> 2:42:09.080
<v Speaker 2>I knew. He was was just as foul as me.

2:42:11.000 --> 2:42:15.920
<v Speaker 1>Man, Hey, look what's up. I'm like, yeah, yeah, we

2:42:16.080 --> 2:42:18.680
<v Speaker 1>in Brooklyn. We're from the video on Brooklyn. I'm like

2:42:18.959 --> 2:42:20.320
<v Speaker 1>about to walk around the corner.

2:42:20.520 --> 2:42:21.840
<v Speaker 2>But I know I got to town.

2:42:22.760 --> 2:42:31.199
<v Speaker 18>They ain't walked around the corner with me, I said, because,

2:42:31.680 --> 2:42:33.160
<v Speaker 18>by the way, any other West.

2:42:32.920 --> 2:42:35.440
<v Speaker 2>Coast niggas were like, go ahead, nigga, like, you're gonna

2:42:35.440 --> 2:42:39.400
<v Speaker 2>walk around the corner Brooklyn. That's real ship, ain't, man?

2:42:39.959 --> 2:42:41.120
<v Speaker 2>Do you remember that? I don't.

2:42:41.280 --> 2:42:44.680
<v Speaker 3>I've never been. I've never been like we in the hood.

2:42:44.720 --> 2:42:48.440
<v Speaker 3>We in the hood, like you give me saying and

2:42:48.480 --> 2:42:50.560
<v Speaker 3>then they ain't gonna let you walk by yourself. Nigga

2:42:50.760 --> 2:42:51.720
<v Speaker 3>with the ship, let's go.

2:42:51.840 --> 2:42:53.840
<v Speaker 2>Had twenty five people would be married.

2:42:54.040 --> 2:43:01.279
<v Speaker 3>Ship and affiliation did too. Nigh. I was like, damn,

2:43:01.440 --> 2:43:03.560
<v Speaker 3>bro man, you know who told me about you?

2:43:03.680 --> 2:43:03.840
<v Speaker 2>Though?

2:43:03.879 --> 2:43:08.199
<v Speaker 5>Dog Jill's about to do out there, but only Doggy diamonds.

2:43:08.480 --> 2:43:12.080
<v Speaker 2>That's why I got shout to do. He told one time.

2:43:12.160 --> 2:43:14.840
<v Speaker 5>He said, Man, this nigga poppy man he had around,

2:43:15.080 --> 2:43:17.320
<v Speaker 5>you know, nothing to be saying too much.

2:43:17.360 --> 2:43:30.040
<v Speaker 2>You know what I'm saying. He's just like he tried

2:43:31.280 --> 2:43:31.800
<v Speaker 2>trying to throw.

2:43:36.959 --> 2:43:42.560
<v Speaker 3>He was trying to throw a game, thinking oselves little

2:43:42.560 --> 2:43:43.480
<v Speaker 3>ship Poppy does go.

2:43:46.520 --> 2:43:48.880
<v Speaker 1>I know I said it earlier, but God is a

2:43:49.000 --> 2:43:53.960
<v Speaker 1>funny nigga, because I'm trying to get dressed today like that.

2:43:54.360 --> 2:43:58.720
<v Speaker 2>Everything every day in my closet was blue. Like he

2:43:58.840 --> 2:44:02.320
<v Speaker 2>told you. He just when we started trying to be

2:44:02.600 --> 2:44:04.400
<v Speaker 2>hard not to come it off. I was like, I

2:44:04.480 --> 2:44:05.280
<v Speaker 2>don't want to cook.

2:44:05.920 --> 2:44:08.640
<v Speaker 3>By the way, it was hard blue. It was like

2:44:08.920 --> 2:44:14.480
<v Speaker 3>you would have been like this to me, and I

2:44:14.600 --> 2:44:16.920
<v Speaker 3>was like, this is this is not I did the

2:44:17.040 --> 2:44:19.840
<v Speaker 3>same ship. When I look at I'm like, I got

2:44:19.920 --> 2:44:22.960
<v Speaker 3>some ship that's like a crew rag and ship. And

2:44:23.040 --> 2:44:28.120
<v Speaker 3>I was like, I ain't gonna do them like that, you.

2:44:30.440 --> 2:44:30.640
<v Speaker 7>Dude.

2:44:35.840 --> 2:44:38.400
<v Speaker 6>Let me say something real quick, the same piggybacking off

2:44:38.440 --> 2:44:43.200
<v Speaker 6>of the humbleness. I went to this conference in tom Springs.

2:44:43.920 --> 2:44:45.520
<v Speaker 6>It was like it was a weird confer I don't

2:44:45.520 --> 2:44:46.840
<v Speaker 6>remember the name of the conference. They had like a

2:44:46.920 --> 2:44:49.080
<v Speaker 6>gossip part of it, and then it turned to an

2:44:49.120 --> 2:44:50.359
<v Speaker 6>independent gangster.

2:44:50.959 --> 2:44:52.520
<v Speaker 2>The radio conference today.

2:44:53.720 --> 2:44:55.640
<v Speaker 6>You remember, I think I know for sure I saw

2:44:55.720 --> 2:44:57.960
<v Speaker 6>you who your tribe was there, like it was like

2:44:58.480 --> 2:44:59.879
<v Speaker 6>I was who you try?

2:45:02.160 --> 2:45:02.640
<v Speaker 2>It was dope.

2:45:02.680 --> 2:45:04.440
<v Speaker 6>But one thing I remember of people, because it's at

2:45:04.480 --> 2:45:07.280
<v Speaker 6>the same time that like the back I don't call

2:45:07.320 --> 2:45:09.520
<v Speaker 6>it backpack round, but that's what we called the backpack.

2:45:09.680 --> 2:45:12.920
<v Speaker 2>Rapp was conscious and the rapper was coming up right,

2:45:13.480 --> 2:45:13.840
<v Speaker 2>and I was.

2:45:14.040 --> 2:45:15.440
<v Speaker 6>I was doing a lot of promo stuff for a

2:45:15.520 --> 2:45:17.760
<v Speaker 6>lot of labels, and I worked like rockets and all

2:45:17.760 --> 2:45:21.080
<v Speaker 6>these people, and I remember I'm at this conference and

2:45:21.160 --> 2:45:24.640
<v Speaker 6>I mean the hardest artist that I mean, these are

2:45:24.680 --> 2:45:29.000
<v Speaker 6>the gangsters of the gangster, the most humble artist that

2:45:29.080 --> 2:45:33.120
<v Speaker 6>I ever met. Then I mean the most conscious of

2:45:33.200 --> 2:45:37.640
<v Speaker 6>the conscious working the label stuff. They're the biggest asshole.

2:45:38.280 --> 2:45:40.880
<v Speaker 6>They're trying to be hardcore and I'm like, yo, what

2:45:41.000 --> 2:45:43.200
<v Speaker 6>the fuck? Like it just it made me realize it

2:45:43.280 --> 2:45:45.880
<v Speaker 6>because they think they have to be. It made me

2:45:45.959 --> 2:45:48.959
<v Speaker 6>realize that because every time when I ran into Yeah,

2:45:48.959 --> 2:45:53.360
<v Speaker 6>I've always known. I've heard stories, real realized dudes was

2:45:53.920 --> 2:45:54.680
<v Speaker 6>tried yeah.

2:45:57.800 --> 2:45:59.960
<v Speaker 2>And so so it's just I don't know if it's

2:46:00.000 --> 2:46:03.840
<v Speaker 2>it's the era that created that type of artist or

2:46:03.920 --> 2:46:05.560
<v Speaker 2>what happened, but it's just something happened.

2:46:05.600 --> 2:46:08.840
<v Speaker 6>There was a disconnect where these conscious artists felt inclined

2:46:08.879 --> 2:46:11.600
<v Speaker 6>to try to be like a hardcore street person. They

2:46:11.680 --> 2:46:14.720
<v Speaker 6>wasn't really that. And then you had the people who

2:46:14.800 --> 2:46:18.080
<v Speaker 6>lived it, and really, you know, was about that actually

2:46:18.160 --> 2:46:19.840
<v Speaker 6>acting like conscious artists when you met them.

2:46:19.879 --> 2:46:20.879
<v Speaker 2>You know what I'm saying. Yeah, we.

2:46:23.080 --> 2:46:25.720
<v Speaker 3>When you grew up in a neighborhood, man, you get

2:46:25.760 --> 2:46:29.480
<v Speaker 3>to I guess when you get to put yourself in

2:46:29.560 --> 2:46:33.400
<v Speaker 3>different predicaments that you wouldn't be in, and becoming hip

2:46:33.440 --> 2:46:36.520
<v Speaker 3>hop and really embracing that takes you to different places.

2:46:37.400 --> 2:46:40.280
<v Speaker 3>People already think we fucking assholes, and we have, so

2:46:40.760 --> 2:46:44.000
<v Speaker 3>we like to show people that we intelligent, even though

2:46:44.080 --> 2:46:46.360
<v Speaker 3>we had to grow up hard and banging and did

2:46:46.400 --> 2:46:49.320
<v Speaker 3>all that shit. I'm gonna show you I'm an intelligent motherfucker.

2:46:49.760 --> 2:46:51.440
<v Speaker 3>Gonna walk up in here and just get to tearing

2:46:51.520 --> 2:46:53.280
<v Speaker 3>up shit because that's what you think I should do.

2:46:53.720 --> 2:46:55.959
<v Speaker 3>You feel me Now, I'm gonna come here, sit down

2:46:56.000 --> 2:46:58.560
<v Speaker 3>and talk to you like a motherfucking college graduate and

2:46:58.640 --> 2:47:02.440
<v Speaker 3>civilized because I still got street knowledge, but I've still

2:47:02.520 --> 2:47:05.480
<v Speaker 3>been brought up to be respectful. Like I said, respect man.

2:47:06.040 --> 2:47:08.600
<v Speaker 3>And once once you give a nigger respect, man, they

2:47:08.720 --> 2:47:10.240
<v Speaker 3>know how to They know how to deal with that.

2:47:10.920 --> 2:47:13.000
<v Speaker 3>So when you grow up like that. Man, we try

2:47:13.040 --> 2:47:15.440
<v Speaker 3>to show people like, now, I'm not the asshole that

2:47:15.520 --> 2:47:18.680
<v Speaker 3>you think. I am right, I'm not the I'm not

2:47:18.879 --> 2:47:19.800
<v Speaker 3>what you see on TV.

2:47:20.400 --> 2:47:20.920
<v Speaker 2>You get me.

2:47:21.320 --> 2:47:23.440
<v Speaker 3>You see the image of us on TV, and it's

2:47:23.480 --> 2:47:24.920
<v Speaker 3>just stick them up killing my mother.

2:47:25.120 --> 2:47:25.560
<v Speaker 2>You kill a.

2:47:25.600 --> 2:47:29.160
<v Speaker 3>Motherfucker for a fucking was still in your cupcake and ship.

2:47:29.240 --> 2:47:31.480
<v Speaker 3>That's how they make us on TV. You know mean,

2:47:31.760 --> 2:47:35.080
<v Speaker 3>But it's a lot of intelligent motherfuckers from the neighborhood.

2:47:35.120 --> 2:47:37.680
<v Speaker 8>I asked you a question earlier about what age was

2:47:37.720 --> 2:47:39.480
<v Speaker 8>your son when he first watched minutes.

2:47:39.520 --> 2:47:41.560
<v Speaker 2>I just want to know what age was he and

2:47:41.640 --> 2:47:44.120
<v Speaker 2>what did he say? What was his reaction? Son had

2:47:44.160 --> 2:47:45.400
<v Speaker 2>to be just as scared as you was.

2:47:45.640 --> 2:47:51.480
<v Speaker 3>My son, My son, really hold was he when I

2:47:51.640 --> 2:47:53.840
<v Speaker 3>probably was probably about seven or eight?

2:47:54.360 --> 2:47:57.200
<v Speaker 2>Seven or eight? He was gonna say? I didn't I didn't.

2:47:57.320 --> 2:48:02.000
<v Speaker 2>That must have been different. I didn't.

2:48:02.120 --> 2:48:05.440
<v Speaker 3>I didn't. I didn't want to restrict him from nothing.

2:48:05.879 --> 2:48:06.440
<v Speaker 16>You get me.

2:48:08.040 --> 2:48:12.040
<v Speaker 3>You're gonna see Ship and it's gonna come to time

2:48:12.120 --> 2:48:14.160
<v Speaker 3>where you're gonna have to make a decision that's gonna

2:48:14.160 --> 2:48:16.840
<v Speaker 3>be the right decision. You can't go off of what

2:48:17.080 --> 2:48:19.080
<v Speaker 3>you saw me do. Yeah, you see what I did? Yeah,

2:48:19.080 --> 2:48:21.720
<v Speaker 3>that's what I did. Yep, yep. You haven't been to

2:48:21.800 --> 2:48:24.840
<v Speaker 3>the hood. You see that, you see the niggas associated

2:48:24.920 --> 2:48:27.400
<v Speaker 3>with all that. But you have a different I didn't

2:48:27.400 --> 2:48:30.600
<v Speaker 3>have different. I didn't have an option. I grew up there.

2:48:31.560 --> 2:48:35.080
<v Speaker 3>You ain't there. You don't have to follow that ship,

2:48:35.200 --> 2:48:36.440
<v Speaker 3>and then that's all you know.

2:48:36.640 --> 2:48:39.920
<v Speaker 8>So yeah, but he sees that movie now right when

2:48:39.959 --> 2:48:41.680
<v Speaker 8>he was set seven, and he might not have known it,

2:48:42.160 --> 2:48:43.800
<v Speaker 8>but when as he gets older he's.

2:48:43.600 --> 2:48:46.080
<v Speaker 3>Watching, he watching now, he probably would think, oh, that

2:48:46.200 --> 2:48:48.880
<v Speaker 3>was some cool ship you did, not bigger than cool ship,

2:48:50.879 --> 2:48:57.200
<v Speaker 3>because I was like, you know what I'm saying, Like

2:48:57.400 --> 2:49:03.000
<v Speaker 3>he's just now coming into that, you know, because he

2:49:03.120 --> 2:49:05.800
<v Speaker 3>used to think it was weird when people would walk

2:49:05.879 --> 2:49:09.120
<v Speaker 3>up to me and be man, and he'd be like,

2:49:09.280 --> 2:49:11.720
<v Speaker 3>why why why do they want your picture?

2:49:11.879 --> 2:49:15.520
<v Speaker 5>Why they want your autograph? And I don't know if

2:49:15.560 --> 2:49:17.560
<v Speaker 5>I had to realize it though, like how big you

2:49:17.640 --> 2:49:19.840
<v Speaker 5>are with the I know, I know, I know.

2:49:28.040 --> 2:49:30.000
<v Speaker 2>You gotta take the flowers and you know what, you

2:49:30.080 --> 2:49:31.360
<v Speaker 2>gotta take them for real?

2:49:31.440 --> 2:49:35.279
<v Speaker 3>Because that movie has to be, if not the greatest

2:49:35.760 --> 2:49:37.720
<v Speaker 3>hip hop street.

2:49:37.440 --> 2:49:39.840
<v Speaker 19>Movie of all time right by boys in the hood

2:49:40.480 --> 2:49:42.760
<v Speaker 19>to me the number one, and you gotta take that.

2:49:46.000 --> 2:49:48.240
<v Speaker 19>Let me make let me make yours think it may

2:49:48.440 --> 2:49:50.800
<v Speaker 19>make more and more sense. You make sense, Let me

2:49:50.840 --> 2:49:57.840
<v Speaker 19>make it more sense. Seriously, that movie is the reason

2:49:57.920 --> 2:49:59.039
<v Speaker 19>why East Coast.

2:49:58.879 --> 2:50:01.400
<v Speaker 2>Is banging right now. Like you can go to a

2:50:01.560 --> 2:50:05.080
<v Speaker 2>neighborhood and see a neighborhood full of crepts.

2:50:06.800 --> 2:50:13.120
<v Speaker 3>In New York seen it all on society though, come on,

2:50:14.640 --> 2:50:22.080
<v Speaker 3>I can't understand that. I feel like that's I did

2:50:22.240 --> 2:50:24.160
<v Speaker 3>never because I was coming to New.

2:50:26.280 --> 2:50:28.040
<v Speaker 2>Hold hold on, we're gonna be quiet. You need to

2:50:28.440 --> 2:50:29.320
<v Speaker 2>need to break this down.

2:50:29.720 --> 2:50:32.960
<v Speaker 1>He is you know, I'm saying right for me and

2:50:33.080 --> 2:50:36.680
<v Speaker 1>my inner like when I tell somebody breaking down.

2:50:36.600 --> 2:50:40.120
<v Speaker 3>To me, like what made that and what made it

2:50:40.240 --> 2:50:46.800
<v Speaker 3>so influential? But hold on, So the gangs, the gang

2:50:46.920 --> 2:50:50.680
<v Speaker 3>culture in this yard, why how did that become?

2:50:51.920 --> 2:50:54.600
<v Speaker 6>Because yeah, honestly, you don't think it was the prison

2:50:54.680 --> 2:50:56.760
<v Speaker 6>system as well, like I think the prison system is.

2:50:57.640 --> 2:50:59.960
<v Speaker 3>You gotta see because I was back in the day

2:51:00.240 --> 2:51:03.160
<v Speaker 3>is when it wasn't because you know, I was traveling

2:51:03.240 --> 2:51:06.080
<v Speaker 3>to New York in the late eighties and the early man.

2:51:07.560 --> 2:51:10.800
<v Speaker 2>Guess what, But I was like got ship, and then

2:51:11.200 --> 2:51:12.080
<v Speaker 2>they follow.

2:51:11.959 --> 2:51:19.480
<v Speaker 1>You making those movies. He understands it's true. It might

2:51:19.640 --> 2:51:22.720
<v Speaker 1>be just that simple. But I don't think it's just

2:51:22.800 --> 2:51:23.440
<v Speaker 1>the movie though.

2:51:23.480 --> 2:51:28.960
<v Speaker 2>I think the prison, I think it's the music. I

2:51:29.000 --> 2:51:32.040
<v Speaker 2>think it's the movies. I think there's definitely influence. I

2:51:32.200 --> 2:51:36.800
<v Speaker 2>sure I do mean that. But what I'm saying is, Nigga,

2:51:37.000 --> 2:51:39.880
<v Speaker 2>you a legend, this nigga that hands down love you

2:51:40.080 --> 2:51:44.440
<v Speaker 2>hands down, and I can't stand on.

2:51:45.360 --> 2:51:47.600
<v Speaker 1>I used to love this when the persons, and I

2:51:47.720 --> 2:51:49.800
<v Speaker 1>heard you say this in the interviews. Person coming to

2:51:49.840 --> 2:51:52.720
<v Speaker 1>me like you got me through my bid and I

2:51:52.840 --> 2:51:55.720
<v Speaker 1>was like, I'll be like yeah. But then I feel

2:51:55.800 --> 2:51:57.760
<v Speaker 1>like this nigga think I owe him.

2:52:03.840 --> 2:52:08.119
<v Speaker 2>Looking I got a letter for you from the pendas.

2:52:09.959 --> 2:52:12.920
<v Speaker 1>I get hard fact like I'm in the airport, fucking

2:52:13.000 --> 2:52:16.800
<v Speaker 1>Barber's bar Nigga comeing to me, Yo, nigga, you got

2:52:16.840 --> 2:52:17.480
<v Speaker 1>me through my bed.

2:52:17.640 --> 2:52:20.400
<v Speaker 2>I'm like, that's real ship though, and I can't. I

2:52:20.440 --> 2:52:21.320
<v Speaker 2>can't let this, nigga.

2:52:21.440 --> 2:52:24.480
<v Speaker 3>It means a lot of Yeah, I get you.

2:52:24.840 --> 2:52:27.160
<v Speaker 2>I'm gonna be honest with you. I get that you

2:52:27.280 --> 2:52:32.880
<v Speaker 2>get it way more than me. You nigga, I listened

2:52:32.879 --> 2:52:33.480
<v Speaker 2>to your ship.

2:52:33.959 --> 2:52:37.640
<v Speaker 1>Everyone here try to quit walk at one point, and

2:52:37.840 --> 2:52:40.800
<v Speaker 1>none of us got it right. I, uh yeah, I

2:52:41.240 --> 2:52:41.920
<v Speaker 1>get that a lot.

2:52:42.440 --> 2:52:45.880
<v Speaker 3>Like Nigga you Nigga, you had us on one Nigga

2:52:48.000 --> 2:52:52.080
<v Speaker 3>niggat and did plenty of dirt behind you, and Nigga,

2:52:52.120 --> 2:52:54.480
<v Speaker 3>you gotten me through being locked up nigga, and I

2:52:54.640 --> 2:52:56.720
<v Speaker 3>used to listen to your ship, So I get that

2:52:56.800 --> 2:52:59.080
<v Speaker 3>a lot. You had East coast niggas wanting to be

2:52:59.240 --> 2:53:04.040
<v Speaker 3>West coast. My thing is that was my that was

2:53:04.240 --> 2:53:07.039
<v Speaker 3>my one them you already just.

2:53:12.040 --> 2:53:12.760
<v Speaker 2>My thing was.

2:53:13.840 --> 2:53:17.520
<v Speaker 3>That's what I signed up to do, though, like I

2:53:17.680 --> 2:53:21.440
<v Speaker 3>signed up to connect with niggas who was going through

2:53:21.520 --> 2:53:24.440
<v Speaker 3>that type of ship. Nigga, you got arrested. I got

2:53:24.560 --> 2:53:27.760
<v Speaker 3>arrested too. Nigga, you got pulled over for a strap.

2:53:27.920 --> 2:53:28.560
<v Speaker 4>I did too.

2:53:29.040 --> 2:53:31.800
<v Speaker 3>So that's what I made music for. That's why I

2:53:32.000 --> 2:53:37.000
<v Speaker 3>never really niggas be like, well, why you you, why

2:53:37.080 --> 2:53:39.520
<v Speaker 3>you even get your props or why you don't think Nigga,

2:53:39.560 --> 2:53:43.080
<v Speaker 3>I said, I signed up for this ship.

2:53:43.280 --> 2:53:43.480
<v Speaker 2>You know.

2:53:43.600 --> 2:53:47.360
<v Speaker 3>I didn't signed up to be a Ken drake or

2:53:47.520 --> 2:53:51.080
<v Speaker 3>drake or I signed up to connect with niggas that

2:53:51.600 --> 2:53:54.480
<v Speaker 3>was doing what I was doing. Those are the niggas

2:53:54.520 --> 2:53:58.000
<v Speaker 3>that I'm gonna be able to connect with and how

2:53:58.160 --> 2:54:01.279
<v Speaker 3>niggas is gonna feel connection to the music I'm making

2:54:01.840 --> 2:54:05.760
<v Speaker 3>is by letting the nigga know. Oh, I know you struggling, nigga.

2:54:05.760 --> 2:54:08.640
<v Speaker 3>I'm struggling too, right, Oh, nigga, I know you had

2:54:08.680 --> 2:54:11.800
<v Speaker 3>to sell dope. I did too. Come on, you got

2:54:11.879 --> 2:54:14.680
<v Speaker 3>pulled over and had to heat under the seat, nigga.

2:54:14.720 --> 2:54:18.320
<v Speaker 3>I'm just went to jail yesterday for that. And my mama,

2:54:18.360 --> 2:54:21.320
<v Speaker 3>a single mama at home with three kids and struggling

2:54:21.400 --> 2:54:25.039
<v Speaker 3>and shit like that. I'm just like you, niggas. Sold

2:54:25.240 --> 2:54:29.280
<v Speaker 3>as I started making music, that was the connection for me.

2:54:29.560 --> 2:54:32.400
<v Speaker 3>You give me. It's niggas in the projects in Brooklyn,

2:54:32.560 --> 2:54:36.000
<v Speaker 3>and it's niggas in Philly, it's niggas in Texas, it's

2:54:36.040 --> 2:54:37.080
<v Speaker 3>niggas in Chicago.

2:54:38.080 --> 2:54:38.680
<v Speaker 2>They all live.

2:54:38.840 --> 2:54:42.120
<v Speaker 3>They might not be claiming crip and banging, but I

2:54:42.200 --> 2:54:44.360
<v Speaker 3>bet you some of them niggas is doing double ups

2:54:44.400 --> 2:54:46.600
<v Speaker 3>and serving. I bet you some of them niggas is

2:54:46.720 --> 2:54:49.240
<v Speaker 3>robbing and shit and trying to get ahead. And a

2:54:49.320 --> 2:54:51.680
<v Speaker 3>lot of them niggas is going through poverty and shit.

2:54:51.959 --> 2:54:56.800
<v Speaker 3>So that's what I made music for, and.

2:54:56.959 --> 2:54:59.880
<v Speaker 6>That you're that foundation that there is a Kendrick to

2:55:00.080 --> 2:55:02.959
<v Speaker 6>day because you're part of that foundation that helps a Kendrick.

2:55:04.080 --> 2:55:06.720
<v Speaker 3>I try to include myself in the foundation of hip.

2:55:07.200 --> 2:55:10.440
<v Speaker 3>You gave me a n W A easy c m W.

2:55:11.920 --> 2:55:12.840
<v Speaker 3>They looking around.

2:55:13.280 --> 2:55:16.520
<v Speaker 14>I'm still no, no, no in this case, yes because

2:55:17.800 --> 2:55:27.680
<v Speaker 14>like I hear you, but look at Old said to

2:55:28.040 --> 2:55:29.800
<v Speaker 14>because you know what you was. This is day one

2:55:30.120 --> 2:55:30.960
<v Speaker 14>and I didn't even know that.

2:55:31.160 --> 2:55:33.840
<v Speaker 3>Like I didn't know how far you went back with

2:55:34.040 --> 2:55:37.680
<v Speaker 3>Compton hip hop and once I started, because you don't know,

2:55:37.760 --> 2:55:39.440
<v Speaker 3>He's like, look, you're gonna call you got to research.

2:55:39.800 --> 2:55:43.400
<v Speaker 2>I'm researching that. Yeah, yeah, man.

2:55:43.400 --> 2:55:48.120
<v Speaker 3>I appreciate my man. I appreciate my I appreciate the

2:55:48.200 --> 2:55:48.960
<v Speaker 3>niggas before me.

2:55:49.720 --> 2:55:50.320
<v Speaker 2>Do you feel me.

2:55:51.160 --> 2:55:53.640
<v Speaker 3>We don't get a lot of that today, but I

2:55:53.800 --> 2:55:55.680
<v Speaker 3>appreciate the niggas who was picking up the mike.

2:55:55.760 --> 2:55:57.840
<v Speaker 2>But Kendrick did that to you. He appreciated.

2:55:57.879 --> 2:56:01.680
<v Speaker 3>You get a few who want to pay back homage.

2:56:03.080 --> 2:56:07.879
<v Speaker 3>I always basically, uh bigged up the niggas who came.

2:56:07.959 --> 2:56:11.120
<v Speaker 3>I never dissed the nigga or disrespected whether it was

2:56:11.240 --> 2:56:13.680
<v Speaker 3>Grand Master Flash or whether it was the La Dream

2:56:13.760 --> 2:56:17.320
<v Speaker 3>Team or Egyptian Lover. Uh. They might have not did the.

2:56:17.440 --> 2:56:21.640
<v Speaker 2>Music that right, but they lad a foundation the niggas

2:56:21.720 --> 2:56:22.400
<v Speaker 2>was in and I was.

2:56:22.440 --> 2:56:25.440
<v Speaker 3>Listening to all that ship. So you gotta respect that.

2:56:26.200 --> 2:56:28.840
<v Speaker 3>I just come from that, and that's what I'm appreciating for.

2:56:29.080 --> 2:56:29.640
<v Speaker 2>You know, feel me.

2:56:30.200 --> 2:56:32.920
<v Speaker 3>That's such your flowers, bro, you fucking did an amazing

2:56:33.040 --> 2:56:35.080
<v Speaker 3>movie that should have been award winning.

2:56:35.440 --> 2:56:37.240
<v Speaker 2>Your rowers, dope, your music.

2:56:37.680 --> 2:56:41.360
<v Speaker 3>You didn't come and grab on any old West Coast

2:56:41.640 --> 2:56:43.640
<v Speaker 3>as far as like West coast, what they was doing

2:56:43.720 --> 2:56:46.680
<v Speaker 3>you kind of made. I tried to put my own.

2:56:47.280 --> 2:56:51.720
<v Speaker 3>I didn't do the traditional dre and you know the parliaments.

2:56:51.120 --> 2:56:53.480
<v Speaker 1>And how hard was that? Let me ask you, I'm sorry,

2:56:54.680 --> 2:56:57.320
<v Speaker 1>how hard was that? Because the homies said that earlier.

2:56:57.400 --> 2:57:00.320
<v Speaker 1>He was like, he's the only person that's not affiliated, Drake.

2:57:00.440 --> 2:57:02.520
<v Speaker 3>No, I didn't come up under the n w A ladder.

2:57:04.879 --> 2:57:08.280
<v Speaker 2>That's crazy, it was. I didn't realize that it was.

2:57:09.280 --> 2:57:09.800
<v Speaker 3>Yeah, I didn't.

2:57:09.879 --> 2:57:12.600
<v Speaker 2>I can't helping you out.

2:57:12.800 --> 2:57:16.600
<v Speaker 3>No, you sat up, and I sat up and wrote,

2:57:17.720 --> 2:57:22.440
<v Speaker 3>and then uh I hooked up with DJ Slip. Dj

2:57:22.600 --> 2:57:24.640
<v Speaker 3>Slip was a part of the l A Sound Control

2:57:25.200 --> 2:57:27.840
<v Speaker 3>and they basically used to provide all the music for

2:57:27.879 --> 2:57:29.960
<v Speaker 3>all the concerts that was going on at the time.

2:57:30.440 --> 2:57:33.080
<v Speaker 3>So when all the early East Coast niggas was coming

2:57:33.120 --> 2:57:36.160
<v Speaker 3>over here, Rocky Cam and Run DMC and all them

2:57:36.879 --> 2:57:39.120
<v Speaker 3>slipping and provided the sounds for the concert.

2:57:39.480 --> 2:57:43.520
<v Speaker 2>So that's checking in. He was the music. He was

2:57:43.800 --> 2:57:46.960
<v Speaker 2>he he was. He was a you know, let's not

2:57:47.120 --> 2:57:47.879
<v Speaker 2>checking in at all.

2:57:49.760 --> 2:57:50.640
<v Speaker 5>The things, a.

2:57:50.720 --> 2:57:55.520
<v Speaker 2>Producer and check checked.

2:57:58.920 --> 2:57:59.280
<v Speaker 5>Check in.

2:58:00.360 --> 2:58:05.160
<v Speaker 3>I'll say so we Slip was a I call him

2:58:05.160 --> 2:58:09.040
<v Speaker 3>a digging in the crates producer. He didn't go with

2:58:09.320 --> 2:58:12.680
<v Speaker 3>what was popular or what niggas was doing. Slip wer

2:58:12.800 --> 2:58:15.240
<v Speaker 3>go dig in the crates and find some ship some

2:58:15.560 --> 2:58:20.520
<v Speaker 3>overseas and take two seconds of the ship, shop that

2:58:20.640 --> 2:58:22.840
<v Speaker 3>ship up and do this, and do that, and st

2:58:23.040 --> 2:58:25.440
<v Speaker 3>toy ove at this and next thing you know, we

2:58:25.560 --> 2:58:27.640
<v Speaker 3>got a whole fucking song off of some ship. He

2:58:27.800 --> 2:58:30.360
<v Speaker 3>was very creative. That's why he said it was the

2:58:30.400 --> 2:58:32.240
<v Speaker 3>greatest ever. I just want you to know that I

2:58:32.320 --> 2:58:32.680
<v Speaker 3>found that.

2:58:33.280 --> 2:58:33.880
<v Speaker 2>You did that.

2:58:34.000 --> 2:58:37.120
<v Speaker 3>You found that. Yeah, that was old. That was Tyrone

2:58:37.200 --> 2:58:42.240
<v Speaker 3>Davis something some of my moms used to listen to. Uh,

2:58:45.040 --> 2:58:47.680
<v Speaker 3>the old folks used to play Bobby Blue Bland and

2:58:48.240 --> 2:58:50.560
<v Speaker 3>all that old type of ship. So that's why I

2:58:50.680 --> 2:58:51.680
<v Speaker 3>got that old sound.

2:58:51.959 --> 2:58:52.520
<v Speaker 2>It was crazy.

2:58:52.560 --> 2:58:54.680
<v Speaker 3>I wanted to stick with that ship, so I didn't

2:58:54.680 --> 2:58:56.680
<v Speaker 3>want to. I didn't. I didn't want to be traditional,

2:58:56.959 --> 2:58:59.080
<v Speaker 3>you get me. And then Slip was the type of

2:58:59.160 --> 2:59:02.360
<v Speaker 3>nigga if you bought him something that niggas already sampled,

2:59:02.600 --> 2:59:05.520
<v Speaker 3>he'd be like, now, we're not using that because a

2:59:05.560 --> 2:59:07.080
<v Speaker 3>lot of the niggas we was doing a lot of

2:59:07.120 --> 2:59:09.200
<v Speaker 3>that back then too. We was all used in the

2:59:09.280 --> 2:59:13.320
<v Speaker 3>same same But Slip would be like, nah, we're gonna

2:59:13.360 --> 2:59:16.240
<v Speaker 3>create use a lot of break beats, a lot of

2:59:16.280 --> 2:59:19.039
<v Speaker 3>break and piece the president and then he'll he'll come

2:59:19.160 --> 2:59:24.680
<v Speaker 3>half with within piece of pressure beats. That's why we

2:59:24.800 --> 2:59:29.240
<v Speaker 3>were able to not follow that that doctor Dre. You

2:59:29.400 --> 2:59:33.200
<v Speaker 3>know that path of did you want to beat? Did

2:59:33.240 --> 2:59:33.800
<v Speaker 3>you want to beat?

2:59:33.840 --> 2:59:34.120
<v Speaker 2>From Dre?

2:59:34.320 --> 2:59:34.360
<v Speaker 5>Like?

2:59:34.440 --> 2:59:34.680
<v Speaker 2>Did you?

2:59:35.080 --> 2:59:36.000
<v Speaker 3>Would you have liked to?

2:59:36.400 --> 2:59:36.840
<v Speaker 2>I never?

2:59:40.000 --> 2:59:41.440
<v Speaker 3>No, I was satisfied with Slip.

2:59:41.760 --> 2:59:44.119
<v Speaker 5>One thing you got to understand, man, is that above

2:59:44.200 --> 2:59:48.360
<v Speaker 5>the law, Drake got a lot of ship law. I

2:59:48.440 --> 2:59:50.160
<v Speaker 5>love not saying that Drake.

2:59:50.040 --> 2:59:53.480
<v Speaker 2>Wouldn't influences.

2:59:54.280 --> 2:59:57.600
<v Speaker 14>Really just like little nephews and ship like that lost

2:59:57.840 --> 3:00:01.720
<v Speaker 14>like living like Hustles to five my album album come.

3:00:01.720 --> 3:00:06.440
<v Speaker 1>On, Come on, and then we're gonna fight again. And

3:00:07.280 --> 3:00:15.680
<v Speaker 1>that's another thing. Drake got snooping them. That ship is

3:00:15.720 --> 3:00:18.879
<v Speaker 1>on and they gonna need to know the bott Yeah,

3:00:18.920 --> 3:00:19.160
<v Speaker 1>I was.

3:00:20.560 --> 3:00:28.120
<v Speaker 2>You got you never get I got the actually got

3:00:29.040 --> 3:00:29.880
<v Speaker 2>I actually got four.

3:00:29.959 --> 3:00:31.560
<v Speaker 3>Mic yeah for me comes strapped.

3:00:31.720 --> 3:00:33.400
<v Speaker 2>I got four. Mike probably should have got four and

3:00:33.440 --> 3:00:36.560
<v Speaker 2>a half. I'm one the four and a half. Yeah

3:00:36.879 --> 3:00:38.840
<v Speaker 2>two about that because.

3:00:38.760 --> 3:00:40.959
<v Speaker 3>I had I should have had five because I was.

3:00:42.720 --> 3:00:46.000
<v Speaker 4>Sh I was.

3:00:46.360 --> 3:00:48.480
<v Speaker 3>I was the first album to ever get double Stick

3:00:49.000 --> 3:00:49.320
<v Speaker 3>rated it.

3:00:49.680 --> 3:00:50.560
<v Speaker 2>I would have gave it the five.

3:00:50.600 --> 3:00:51.400
<v Speaker 3>I was double Stick.

3:00:51.400 --> 3:00:53.000
<v Speaker 2>If I would rated yours, I would have gave it

3:00:53.040 --> 3:00:57.760
<v Speaker 2>a five. You can do whatever you would.

3:01:00.400 --> 3:01:02.200
<v Speaker 3>Of all of the years were getting them threes in

3:01:02.320 --> 3:01:05.080
<v Speaker 3>three and a half, you get that four, Nigga.

3:01:04.840 --> 3:01:05.840
<v Speaker 2>I was satisfied.

3:01:05.920 --> 3:01:07.680
<v Speaker 3>I'm not figga.

3:01:08.080 --> 3:01:10.240
<v Speaker 6>You see that three and a half even like listen,

3:01:10.320 --> 3:01:11.840
<v Speaker 6>but who would have known all you to just cause

3:01:11.879 --> 3:01:12.560
<v Speaker 6>you know he would.

3:01:14.120 --> 3:01:15.560
<v Speaker 2>Not too many niggas get two covers.

3:01:15.680 --> 3:01:20.520
<v Speaker 5>Let's just establish that shot they gave me to, like bro,

3:01:20.800 --> 3:01:24.400
<v Speaker 5>like you really did the start face scar facing spine.

3:01:26.080 --> 3:01:33.640
<v Speaker 2>Nigga covering he and now against the chronicles.

3:01:33.879 --> 3:01:36.680
<v Speaker 1>If you're a West Coast artist and you on against

3:01:36.680 --> 3:01:39.480
<v Speaker 1>the chronicles, that's somewhat of a source cover.

3:01:40.840 --> 3:01:52.320
<v Speaker 2>Oh yeah, for sure, come on down that you know

3:01:52.440 --> 3:01:58.240
<v Speaker 2>we caught it too, that we got it. We got

3:01:58.560 --> 3:02:09.720
<v Speaker 2>nigga on one. Come let me just say this.

3:02:10.040 --> 3:02:15.480
<v Speaker 1>Let me just say this another people, because you're West

3:02:15.520 --> 3:02:17.840
<v Speaker 1>Coast guy, y'all think just give me two seconds, listen

3:02:17.920 --> 3:02:19.200
<v Speaker 1>two and a half, go for it, all right.

3:02:19.560 --> 3:02:20.120
<v Speaker 13>But but.

3:02:22.680 --> 3:02:26.280
<v Speaker 1>In the past couple of years, if I wanted to

3:02:26.600 --> 3:02:30.640
<v Speaker 1>understand anything West Coast, I tune into y'all podcasts.

3:02:31.959 --> 3:02:34.560
<v Speaker 2>Love I'll watch y'all.

3:02:34.720 --> 3:02:40.040
<v Speaker 1>I did not know that the guy was not I

3:02:40.120 --> 3:02:42.600
<v Speaker 1>thought he was a gad feature. But the fact is,

3:02:42.920 --> 3:02:44.320
<v Speaker 1>but I followed the guy.

3:02:46.240 --> 3:02:49.600
<v Speaker 2>Because l A gang life is like coming like crazy

3:02:49.680 --> 3:02:53.400
<v Speaker 2>to me, right, because it's it's real. It's the most thing.

3:02:55.240 --> 3:03:01.600
<v Speaker 10>After hip hop post influence you with them. But I

3:03:01.720 --> 3:03:03.360
<v Speaker 10>watched you guys, and watch what you did.

3:03:05.840 --> 3:03:08.400
<v Speaker 1>Watch that you guys got our Heart radio behind you

3:03:08.600 --> 3:03:14.360
<v Speaker 1>at Black Effect big up to Charlomagne, and it would

3:03:14.400 --> 3:03:17.400
<v Speaker 1>be remorse for us not to big y'all up. Not

3:03:17.760 --> 3:03:21.800
<v Speaker 1>not just not just what you guys did prior to that,

3:03:21.920 --> 3:03:24.240
<v Speaker 1>but what you guys are doing right now, because you

3:03:24.320 --> 3:03:26.039
<v Speaker 1>guys are you guys are legends.

3:03:26.120 --> 3:03:28.959
<v Speaker 2>Then, but you guys are legends now.

3:03:31.280 --> 3:03:33.959
<v Speaker 1>If you want to, if you want to be from

3:03:34.000 --> 3:03:35.520
<v Speaker 1>the West Coast, you want to, If you want to

3:03:35.560 --> 3:03:39.480
<v Speaker 1>be from and just be co signed.

3:03:39.920 --> 3:03:44.520
<v Speaker 2>You gotta go against the chronicles. Come on, you gotta go. Yeah, Yeah,

3:03:51.879 --> 3:03:54.920
<v Speaker 2>I forgot you, Yes, all right, Joe.

3:03:57.560 --> 3:04:00.879
<v Speaker 6>Drink Champs is a drink Champs ll C Perduduction hosts

3:04:00.920 --> 3:04:04.520
<v Speaker 6>and executive producers n O r E and dj e FN.

3:04:05.680 --> 3:04:06.760
<v Speaker 2>Listen to drink Champs on.

3:04:06.800 --> 3:04:11.760
<v Speaker 6>Apple Podcast, Amazon Music, Spotify, or wherever you get your podcasts.

3:04:12.840 --> 3:04:15.240
<v Speaker 6>Thanks for joining us for another episode of drink Champs

3:04:15.360 --> 3:04:18.000
<v Speaker 6>hosted by Yours Truly, dj e FN and n O

3:04:18.160 --> 3:04:20.200
<v Speaker 6>r E. Please make sure to follow us on all

3:04:20.280 --> 3:04:23.920
<v Speaker 6>our socials That's at drink Champs across all platforms, at

3:04:24.000 --> 3:04:28.040
<v Speaker 6>the Real Noriagon ig at noriag on Twitter, mine is

3:04:28.080 --> 3:04:31.440
<v Speaker 6>at Who's Crazy on ig at dj e f N

3:04:31.560 --> 3:04:33.920
<v Speaker 6>on Twitter, and most importantly, stay up to date with

3:04:34.000 --> 3:04:37.400
<v Speaker 6>the latest releases, news and merch by going to drink

3:04:37.480 --> 3:04:38.480
<v Speaker 6>champs dot com.