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Speaker 1: He is drinks chess, motherfucker podcast makes he's a legendary

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Speaker 1: queen's rapper.

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Speaker 2: He ain't sagreed as your boy in.

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Speaker 3: O R E.

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Speaker 2: He's a Miami hip hop pioneer. What Up it's DJ

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Speaker 2: E f N. Together they drink it up with some

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Speaker 2: of the biggest players, you know what I mean?

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Speaker 3: And the most professional unprofessional podcast and your number one

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Speaker 3: source for drunk drink chans.

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Speaker 2: Mothercavery days New Year's c That's it's time for drink champions.

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Speaker 2: Drink up, motherfuck?

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Speaker 4: What it good?

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Speaker 2: Be hoping the winners should be. This is your boy

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Speaker 2: in O R E? What up is DJ E f N?

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Speaker 1: And this drink chests motherfucker. When we started the show,

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Speaker 1: we started this show, we said we wanted to give

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Speaker 1: it to legends.

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Speaker 2: We wanted to give their flowers while they alive.

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Speaker 1: These brothers here have both been dominated game, dominated two fields,

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Speaker 1: both of them in movies.

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Speaker 2: You know.

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Speaker 1: Uh, these guys got their own podcast, both legends West Coast.

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Speaker 1: So I want to start the show off by.

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Speaker 2: Off top, giving them they fly off. We've been trying

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Speaker 2: to sit down with them. Man. Now now now you

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Speaker 2: had something to do with Malabos most wanted man. Yeah,

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Speaker 2: I was in Malibu's most Wanting Man.

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Speaker 5: Shout out to the homies Man High see the little

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Speaker 5: homie high Sea and DJ Quick we actually actually crawl.

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Speaker 5: And Quick was going up to the audition for the

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Speaker 5: ship that day and there was a whole bunch of

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Speaker 5: different little rappers up there and stuff Dance was up

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Speaker 5: there on Hinky was popping at that time. He was

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Speaker 5: up there and they was like, they want the motherfuckers

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Speaker 5: to really battle.

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Speaker 2: You know what I'm saying.

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Speaker 5: They want the motherfuckers to really battle, you know, so

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Speaker 5: I want smacked a few kissing.

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Speaker 2: Now. Eight. I always wanted to know why you never

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Speaker 2: put a G in the.

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Speaker 3: Eight experienced in hardcore thumping.

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Speaker 1: Hear you say that you got your name from cars one.

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Speaker 3: Right, Well, you know, back then it was big on

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Speaker 3: the numbers and the brushes and mcs and all that.

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Speaker 3: So I just went with MC eight man, trying to

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Speaker 3: be different, you know what I'm saying. But I was

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Speaker 3: a high fan of KRS one, you know what I'm saying,

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Speaker 3: So that's where it came from. I tried to pattern

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Speaker 3: the after that because I always wanted to do this stand.

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Speaker 1: But now, if you know what's funny shit, right, I

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Speaker 1: tell the story all the time. This is part of

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Speaker 1: the story I didn't say. John Singleton was my homie, right,

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Speaker 1: and like before he passed, I was always like like

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Speaker 1: fu with him, like yo, when you're gonna put me

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Speaker 1: in snowfall. And he looked at me one time and said,

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Speaker 1: you will never be a snowball.

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Speaker 2: He said, your East Coast accent.

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Speaker 1: It's so fucked up you I could never pass for

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Speaker 1: a West Coast actor. He said, no matter what you

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Speaker 1: do nor you can't get away from it. And I

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Speaker 1: was like, holy shit, So what I was going to do?

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Speaker 1: I swear to God, I told this that side of

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Speaker 1: the story. This is the side of the story that

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Speaker 1: I didn't tell. If John Sigginson told me that one

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Speaker 1: more time, what I was going to do was I

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Speaker 1: was gonna go hang out with you for a month,

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Speaker 1: because boy, let me just take you something. If you

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Speaker 1: blond somebody and they hear you talk West Coast all day,

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Speaker 1: okay all day?

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Speaker 2: Like, have you ever tried to like do another accent off?

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Speaker 3: No, I've never been asked, you know, movies or whatever.

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Speaker 3: Even with the video game Grand Theft Auto. Yeah, they

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Speaker 3: was just like du it's distinctive. I guess you know

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Speaker 3: what I'm saying, and it presents West Coast. So I

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Speaker 3: love that ship all day.

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Speaker 1: But I heard you're in Grand Theft Auto. But you

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Speaker 1: never played Grand Theft Orto.

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Speaker 3: I played that ship. I get dizzy as fuck playing

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Speaker 3: and moving around fucking game feel, So no, I never played.

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Speaker 1: The ship, never played your own character. No live, I

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Speaker 1: would have did that. Yeah, I was in depth jeh

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Speaker 1: that I wouldn't play with no one else was just

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Speaker 1: use myself.

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Speaker 3: So never I never got to play it. I mean

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Speaker 3: I wasn't interested in it. Doing the ship was all

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Speaker 3: The kids loved it, you know when I came home, Yeah,

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Speaker 3: they loved it. But I never played the ship, never

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Speaker 3: even watched the ship.

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Speaker 1: But I heard you say that Park was at the

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Speaker 1: table reads right for Minister Society. Yeah, everyone thought this speculation.

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Speaker 1: So you you you said one he was supposed to

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Speaker 1: be Sharif.

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Speaker 2: Yes, that's kind of well known though it's known.

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Speaker 3: Yeah, yeah, yeah, they talked about they wanted him to

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Speaker 3: play Shariff.

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Speaker 2: He didn't want to be the positive character.

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Speaker 3: It wasn't that he didn't want to be it, but

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Speaker 3: he want at them to show why.

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Speaker 2: Yeah, he wanted to twist, he wanted to change the character.

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Speaker 3: They didn't want to do it right, Like, okay, if

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Speaker 3: you you know, you got Therens being whole dog, and

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Speaker 3: then Eights doing this, and then everybody has these characters

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Speaker 3: where you know they're heavily neighborhood. But he's supposed to

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Speaker 3: be the voice of reason, and we all know Tupac,

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Speaker 3: you know, with his roles and all that shit. He

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Speaker 3: wasn't a voice of reason, so why and I, you know,

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Speaker 3: the noble one. So he wanted them to at least

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Speaker 3: show why he changed. Show me killing a nigga or something,

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Speaker 3: Show my nigga going there, show a nigga going to jail,

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Speaker 3: or some ship and me getting changed in jail or something.

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Speaker 3: But y'all got to show why I became him when

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Speaker 3: we in this motherfucking land of everybody's notorious.

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Speaker 2: So he didn't want to just change the whole not

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Speaker 2: tell your ass.

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Speaker 3: He wasn't doing no interview, Yes.

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Speaker 2: He was.

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Speaker 5: He on the pop on that side, start asks a question.

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Speaker 1: And ship yeah, so, oh man, how how has West Coast?

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Speaker 2: And it is a question for both of y'all because I.

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Speaker 1: Remember the West Coast sound being like Roger Troup Man

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Speaker 1: like that type of thing. Then it turned gangster and

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Speaker 1: then it turned still gangster. But it's like this new age.

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Speaker 1: How are you embracing the new age? And I'm not

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Speaker 1: talking Kendrick. I'm talking about the new the new up

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Speaker 1: and coming West Coast artists and questions both of y'all.

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Speaker 5: Still you know what, I embraced all of the main

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Speaker 5: time of little homies out there getting to their money

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Speaker 5: and getting to their bag and everything. But I think

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Speaker 5: the thing that made hip hop hip hop was the

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Speaker 5: regional thing, Like you listen to somebody like when I

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Speaker 5: listened to y'all album, Huh, I got a story on

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Speaker 5: based on where y'all was from. I'm saying, when you're

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Speaker 5: easy in them, you're supposed to be able to get

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Speaker 5: a reflection the content. And I think as long as

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Speaker 5: they stay, I think if everybody just stay in they

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Speaker 5: land and to make the game a little bit more better,

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Speaker 5: it'd be a lot more parody. Because right now, everybody

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Speaker 5: sounds like they either from the Atlanta as far as

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Speaker 5: it was Atlanta. Now Detroit got they thing going on,

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Speaker 5: little triplets on the drums and all that. So you

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Speaker 5: get everybody doing that shit, just like they was on

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Speaker 5: the ship from England for a minute. We need to

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Speaker 5: start going back to our ships, you know what I

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Speaker 5: mean to where? Oh man, you know you could tell

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Speaker 5: you from the West Coast, like you know you said

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Speaker 5: when you hear eight voice distinctive, because this motherfucker exue

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Speaker 5: West Coast. He don't give a fuck. You know, you

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Speaker 5: exude where you from. You exude where you're from. And

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Speaker 5: I think that's what make hip hop dope. But I'm

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Speaker 5: not mad at the little homies for them doing what

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Speaker 5: they do. And I just think that's because the problems

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Speaker 5: with the West Coast is they suffer from the quota

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Speaker 5: owned syndrome. If you notice everywhere the quoted down central,

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Speaker 5: you know, you get jumped in the game. Every rapper

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Speaker 5: on the West Coast outside of him come from that

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Speaker 5: NWA family tree. When you think about it, everything is

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Speaker 5: kind of like extended from there. You feel what I'm saying,

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Speaker 5: should win in Pillick's you know, ruthless records and look

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Speaker 5: at that generation you know that spawned, you know, the Eminem's,

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Speaker 5: the games and all the mother people, fifty cent and

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Speaker 5: all of them. But it was a time to where

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Speaker 5: if you won from up under that Drad thing. It

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Speaker 5: wasn't none shaken. He was one of the only dudes

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Speaker 5: I think him and Ice. Him and Ice kind of

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Speaker 5: broke out of that because they was with a djah

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Speaker 5: king t But they were all in the same thing

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Speaker 5: that was under DJ and Knowun's thing. So the DJ

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Speaker 5: played a real pivotal park and hip hop, and a

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Speaker 5: lot of times the DJ don't get their props no more.

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Speaker 5: And I think that's it. You gotta remember Dory, when

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Speaker 5: you all cast came in the game, it was a

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Speaker 5: barrier to entry in hip hop. You know, motherfucker didn't

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Speaker 5: have for fifty thous an hours to go to the studio,

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Speaker 5: so we had to have somebody that was gonna plug

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Speaker 5: you up, kind of hook you up. Motherfucker's getting beats

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Speaker 5: off the internet now, dog, ain't nobody in there coaching

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Speaker 5: them up. So they just going off what they think

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Speaker 5: is hot. It ain't nothing. Ain't nobody really being developed.

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Speaker 3: Rappers is different, and that's coming from everywhere. My error

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Speaker 3: was telling stories. You know, there was a lot of

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Speaker 3: things we saw as far as growing up in the neighborhood.

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Speaker 2: You know.

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Speaker 3: Now, not to take away from the youngsters, you know,

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Speaker 3: because it's a different sound. You feel me. I try

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Speaker 3: to listen and but like I said, I was nineteen

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Speaker 3: eighteen once all I cared about was the neighborhood and

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Speaker 3: who we could pop and who we could roll on.

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Speaker 3: So you got a lot of that in youngster music

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Speaker 3: with one too. I say, stand on their identity as

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Speaker 3: far as where they come from. But it's different because

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Speaker 3: in my days, West Coast music was about storytelling. You know,

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Speaker 3: we all told stories of the neighborhood. I tried to

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Speaker 3: tell stories of growing up and the negativity I saw

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Speaker 3: as far as both sides. You know what I'm saying.

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Speaker 3: We was gang banging, we was neighborhood, but it was

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Speaker 3: still a downfall to that shit.

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Speaker 2: Right like beware story.

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Speaker 3: A lot of stuff is glorified today in young music,

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Speaker 3: you know.

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Speaker 2: And social media is changing the landscape.

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Speaker 3: So my take on it is, you know, it's just

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Speaker 3: what they're is just the trendy shit. It's what they see,

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Speaker 3: what they hear, this is what they think is popularized.

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Speaker 3: It's what you think they're gonna get a fast buck

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Speaker 3: off of, you know what I'm saying. So that's how

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Speaker 3: I look at how West Coast music is with the

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Speaker 3: youngsters coming up today want to solidify their identity, representing

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Speaker 3: where they're from. But you know, it could take a

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Speaker 3: turn for the worst because we got a lot of

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Speaker 3: niggas dying right now behind our culture. You feel me,

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Speaker 3: which is sad to say, but I can't be judgmental because,

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Speaker 3: like I said, I was eighteen nineteen two. You couldn't

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Speaker 3: tell me shit. When I first started rapping. It was

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Speaker 3: all about the neighborhood and nothing else. And I don't

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Speaker 3: give a fuck, and I'm gonna talk about it, tell

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Speaker 3: you about it, and if you got beef with it,

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Speaker 3: then that's what's gonna happen. As you get older in music,

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Speaker 3: you try to change. You see the downfalls, so you

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Speaker 3: want to change the aspect. But it's still the same.

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Speaker 3: A lot of youngsters get it from just coming up

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Speaker 3: in the neighborhood. You know what I'm saying. It got

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Speaker 3: a lot of that still now. You from Long Beach, right, yeah,

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Speaker 3: I'm from the Long Beach.

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Speaker 5: I came up to California Regent Cleveland, Ohio, went eighty

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Speaker 5: eight eighty seven, going on eighty eight. I went after

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Speaker 5: to play football and wound up getting into all kinds

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Speaker 5: of other shits, you know, all kind.

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Speaker 3: Of watch motherfucker football.

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Speaker 2: You know what I'm saying.

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Speaker 3: The whole point program and that's the hood took me

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Speaker 3: under right there on me. They o came out here

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Speaker 3: out the Cali and was like, got a glimpse of

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Speaker 3: the hip hop and the females and the niggas on

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Speaker 3: the corner and the blocks and that bread.

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Speaker 5: There is so much motherfucking money back then. Man, I

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Speaker 5: ain't have a dime in my pocket, and.

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Speaker 3: And they go on the football that I can't have sat.

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Speaker 5: I'm gonna tell you the lord of the motherfucking cripping

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Speaker 5: in the blood. And I never got into the games

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Speaker 5: banging aspect because it was the money, you see what

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Speaker 5: I'm saying. I had a homeboy one day. I was like, man,

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Speaker 5: he was like, he called me Ohio when I first

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Speaker 5: came out there, Ohio, Ohio, Man, Ohio, you need some bread,

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Speaker 5: dog man. You need to get you a sack. And

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Speaker 5: I said, well, what's what's the sack? You know? Let

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Speaker 5: me get with a sec. I went over saw the

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Speaker 5: Misxican homie man got a five oh double was double up.

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Speaker 2: Man. It was on from there.

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Speaker 5: Motherucks isling changed the motherfucker's life for the negative. But

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Speaker 5: I'm gonna tell you, man, it was different back then

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Speaker 5: the West Coast.

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Speaker 2: It was real.

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Speaker 5: Grimy, man, it was dangerous. Yeah, And once you get

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Speaker 5: a pistol of the back and he had a couple

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Speaker 5: of times though. That makes you kind of read direct,

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Speaker 5: you feel what I'm saying, You kind of read direct.

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Speaker 5: That ship was real. It ain't nothing to be glorified.

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Speaker 5: There was a lot of foul ship that went on,

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Speaker 5: you know.

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Speaker 1: Because you being from Long Beach and you being from Compton,

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Speaker 1: right and to see this gang culture like that ship

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Speaker 1: is like almost as big as hip hop or they're

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Speaker 1: like it's worldwide, like.

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Speaker 3: Ship before hip hop. A lot of people, you know,

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Speaker 3: talk about the influence and hip hop and all that,

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Speaker 3: But I was gang banging before I even knew what

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Speaker 3: the fucking hip hop was.

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Speaker 1: You giving me like I came from Paris and I've

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Speaker 1: seen crypton.

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Speaker 3: It's everywhere for me, Like I said, growing up, it

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Speaker 3: was you know, me, moms, my sister, my little brother, Uh,

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Speaker 3: Pops wasn't in the home.

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Speaker 2: You know.

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Speaker 3: Neighborhood was rough, kind of flowing you fall into it,

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Speaker 3: you know, And so it was before before hip hop

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Speaker 3: I was gang banging. You give me I kind of

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Speaker 3: half and half. You know what I'm saying. I was

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Speaker 3: fully game banging when I put out my first record,

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Speaker 3: second record.

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Speaker 2: You give me h we say game banging, when you say,

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Speaker 2: you mean.

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Speaker 3: I was still in the neighborhood. You know I didn't know.

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Speaker 3: I didn't. I didn't know where else to go. You

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Speaker 3: getting me.

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Speaker 2: I'm still telling crack my first I never want you to.

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Speaker 3: I never wanted to be I never wanted to be

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Speaker 3: looked at as the rap nigga. You getting me. I

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Speaker 3: still want the hood. So we leave the studio, We

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Speaker 3: to the hood, We leave a show, We to the hood.

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Speaker 3: You give me concerts. I go pull up tour bus

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Speaker 3: in the hood and put every motherfucking nigga from the

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Speaker 3: neighborhood and we're going into the concert. That was my belonging.

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Speaker 3: You know what I'm saying. It wasn't. I didn't the

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Speaker 3: rap shit and hanging in the clubs and all that shit.

295
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Speaker 3: I never out. To this day, I still never got

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Speaker 3: on that aspect. You get me, even though I'm still

297
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Speaker 3: not venturing to the neighborhood every day. But I never

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Speaker 3: wanted to be symbolized as the rap nigga. I'm just

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Speaker 3: telling stories. This is what happened on my block yesterday,

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Speaker 3: and so fuck it. I got an avenue to where

301
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Speaker 3: I don't have to go on the block and sell

302
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Speaker 3: some crack. I go to the studio and tell y'all

303
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Speaker 3: what happened in the hood last night. And then that

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Speaker 3: keeps me from because we was going to jail every

305
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Speaker 3: every other day in the neighborhood, you know, before the rapping,

306
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Speaker 3: just for standing out on the block, you go to

307
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Speaker 3: the you get picked up. I was tired of that.

308
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Speaker 3: You know what I'm saying, You gotta do something else.

309
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Speaker 3: And just face it, I wasn't good at selling crack.

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Speaker 3: I take my and as soon as I make some money,

311
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Speaker 3: I'm gonna give me a rint the club car, pick

312
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Speaker 3: up the homies. And I wasn't my entrepreneurship and the

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Speaker 3: dope game wasn't so the rap shit, you know what

314
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Speaker 3: I'm saying, Because like I said, I just want to

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Speaker 3: be the hood nigga. I didn't want to. I didn't

316
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Speaker 3: want to be the baller, the big time nigga. And

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Speaker 3: when I started rapping, you know, He'll tell you right now, niggas,

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Speaker 3: are you the legend, and I'll be like, stop calling

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Speaker 3: me that ship. I'm just a regular ass nigga who

320
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Speaker 3: was telling stories about niggas I was associated with. And

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Speaker 3: I'm sure it was niggas in Yo Hood going through

322
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Speaker 3: shit and Yo Hood and Yo Hood and then niggas

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Speaker 3: in here. That's what I rapped for. I don't wont

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Speaker 3: be the nigga you know all this shit. It wasn't me.

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Speaker 6: So you never considered yourself like a like a hip

326
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Speaker 6: hop head, no, because.

327
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Speaker 2: You did love Karris One, so that's I love.

328
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Speaker 3: But once you fall into the neighborhood ship nigga, that

329
00:17:00,360 --> 00:17:02,760
Speaker 3: that's what I am. And then once I started rapping,

330
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Speaker 3: I was always like the private, quiet nigga. So I

331
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Speaker 3: didn't like doing all the hip hop shit, right, you

332
00:17:10,359 --> 00:17:13,040
Speaker 3: getting me? I didn't. I didn't feel that shit. So

333
00:17:13,680 --> 00:17:15,760
Speaker 3: I just wanted to be knowing today when niggas be

334
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Speaker 3: like eight eight, I'm like, dude, I'm just like you, nigga.

335
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Speaker 2: You feel me.

336
00:17:20,359 --> 00:17:23,000
Speaker 3: I just found another way to hustle it. You get me,

337
00:17:23,400 --> 00:17:26,359
Speaker 3: you know, and I'm sure y'all going through it over there.

338
00:17:26,400 --> 00:17:28,480
Speaker 3: So let me come up with some ship to where

339
00:17:28,520 --> 00:17:33,359
Speaker 3: I can reach niggas on the aspect they struggling, They struggling,

340
00:17:33,680 --> 00:17:37,359
Speaker 3: they struggling. We probably are doing the same shit. Whether

341
00:17:37,520 --> 00:17:40,520
Speaker 3: whether you got on one fucking Converse or Timbow's or

342
00:17:40,560 --> 00:17:44,800
Speaker 3: motherfucking motherfucking Sandals or whatever, we're going through the same shit.

343
00:17:44,880 --> 00:17:48,280
Speaker 3: So let me talk about that and then don't feel

344
00:17:48,359 --> 00:17:51,679
Speaker 3: alienated when I'm around. I'm like you, my nigga, you know,

345
00:17:52,000 --> 00:17:54,920
Speaker 3: with the with the fandom and all that bullshit. Nah,

346
00:17:55,440 --> 00:17:57,439
Speaker 3: we're gonna stand right here, We're gonna blow a blunt,

347
00:17:57,440 --> 00:17:59,280
Speaker 3: we're gonna kick it, We're gonna chop it up about

348
00:17:59,320 --> 00:18:02,160
Speaker 3: some regular ship and that's it. So that's always that's

349
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Speaker 3: what I've always looked at myself as Let's talk.

350
00:18:05,320 --> 00:18:08,399
Speaker 1: About the podcast for a second. Didn't you start out

351
00:18:08,400 --> 00:18:09,119
Speaker 1: as four people?

352
00:18:09,720 --> 00:18:09,960
Speaker 5: Man?

353
00:18:10,280 --> 00:18:18,040
Speaker 2: That's a whole, that's that what happened. I thought you

354
00:18:18,080 --> 00:18:26,359
Speaker 2: were just bugging out. Yeah yeah, yeah, I thought she was.

355
00:18:28,240 --> 00:18:31,080
Speaker 3: Pouring it all over the championship nigga.

356
00:18:33,320 --> 00:18:39,359
Speaker 2: That's the podcast. That's the people that look does he

357
00:18:39,400 --> 00:18:41,920
Speaker 2: hit it here?

358
00:18:42,880 --> 00:18:46,159
Speaker 3: It was four yard man, it was I came in

359
00:18:46,240 --> 00:18:50,800
Speaker 3: late okay the lated dish. Yeah yeah, tell you that

360
00:18:50,920 --> 00:18:52,800
Speaker 3: you gotta break it down with it into that ship.

361
00:18:52,840 --> 00:18:53,679
Speaker 2: Tell you what happened.

362
00:18:54,200 --> 00:18:56,280
Speaker 5: And I ain't really trying to say these niggas names

363
00:18:56,320 --> 00:18:58,680
Speaker 5: man and make motherfuckers famous, you know what I'm saying.

364
00:18:59,160 --> 00:19:02,520
Speaker 5: But quiet on this with that. Yeah, it was, it was.

365
00:19:03,160 --> 00:19:05,479
Speaker 5: It was originally three of us the first episode. It

366
00:19:05,520 --> 00:19:07,080
Speaker 5: was me, myself and two other casts.

367
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Speaker 2: Right.

368
00:19:07,920 --> 00:19:10,760
Speaker 5: I had the idea maybe a year and a half

369
00:19:10,800 --> 00:19:12,399
Speaker 5: before we ever even put it out. I said, Man,

370
00:19:12,440 --> 00:19:15,119
Speaker 5: I'm gonna do a show, put together a podcast, and

371
00:19:15,119 --> 00:19:19,040
Speaker 5: this when it wasn't fifty million motherfucking podcasts everywhere, wasn't nobody,

372
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Speaker 5: And I said, this is what we're gonna do. So

373
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Speaker 5: I put it together, right, the gangst the Chronicles, I

374
00:19:24,119 --> 00:19:26,600
Speaker 5: tell you who it was. Originally was gonna be. It

375
00:19:26,720 --> 00:19:29,959
Speaker 5: was gonna be myself rest in peace, big psych from

376
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Speaker 5: out of thug life.

377
00:19:30,920 --> 00:19:31,320
Speaker 2: Oh wow.

378
00:19:31,359 --> 00:19:32,959
Speaker 5: And it was gonna be this man right here. I

379
00:19:33,040 --> 00:19:36,440
Speaker 5: actually told him about it, right. But I start having ideas.

380
00:19:36,560 --> 00:19:38,080
Speaker 5: I got in the podcast and I said, I want

381
00:19:38,080 --> 00:19:39,320
Speaker 5: to do something different, you know what I mean. I

382
00:19:39,400 --> 00:19:42,040
Speaker 5: want to talk about hip fip, like gangster rap, but

383
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Speaker 5: with the criminal element, but with the real because it's

384
00:19:44,000 --> 00:19:46,960
Speaker 5: a lot of grimy motherfuckers and get Bob right. So

385
00:19:47,359 --> 00:19:49,280
Speaker 5: it was me and them two casts. At first, we

386
00:19:49,320 --> 00:19:51,040
Speaker 5: knew one of them was going to jail. One of

387
00:19:51,080 --> 00:19:52,480
Speaker 5: them just got a case, so he was gonna be

388
00:19:52,520 --> 00:19:54,960
Speaker 5: going to jail in six months. I didn't want to

389
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Speaker 5: be on the show, really, I was. I got a

390
00:19:57,080 --> 00:19:59,520
Speaker 5: I had plans to open up a whole network. I

391
00:19:59,520 --> 00:20:01,520
Speaker 5: had a home boy to work for CBS on the

392
00:20:01,520 --> 00:20:03,320
Speaker 5: West Coast and have been talking about it.

393
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Speaker 2: So I was just go get money.

394
00:20:06,080 --> 00:20:08,000
Speaker 5: I was gonna get my sugar night that was just

395
00:20:08,560 --> 00:20:11,320
Speaker 5: came in, you know, I was just go get my

396
00:20:11,359 --> 00:20:13,480
Speaker 5: shug on with the podcast I saw. I said, this

397
00:20:13,560 --> 00:20:16,160
Speaker 5: is the new motherfucker record kill. I tell'mfant to jump

398
00:20:16,160 --> 00:20:17,800
Speaker 5: on this ship for all these other niggas find out.

399
00:20:19,160 --> 00:20:22,480
Speaker 5: So we get to doing that. Man, everything is cool,

400
00:20:22,840 --> 00:20:24,720
Speaker 5: and I say, I'm gonna bring this one cat in

401
00:20:24,800 --> 00:20:28,160
Speaker 5: because he's kind of like got the sociologist thing going

402
00:20:28,160 --> 00:20:30,040
Speaker 5: to where he studied gangs and ship like that.

403
00:20:30,520 --> 00:20:34,000
Speaker 2: So I bring him in. Alfonso. Yeah, we started, don't

404
00:20:34,000 --> 00:20:34,640
Speaker 2: even say no more.

405
00:20:38,480 --> 00:20:40,680
Speaker 1: I didn't know he was a part of the show though. Yeah,

406
00:20:40,720 --> 00:20:42,280
Speaker 1: I thought he was just a guess.

407
00:20:42,359 --> 00:20:45,600
Speaker 5: Yeah, I put I put all three of them cats together, right,

408
00:20:45,720 --> 00:20:48,320
Speaker 5: and so I had it right now I don't know

409
00:20:48,400 --> 00:20:50,920
Speaker 5: that I had a thing going right, And so I'm

410
00:20:50,920 --> 00:20:54,240
Speaker 5: gonna tell you something that success breath for weak minded

411
00:20:54,280 --> 00:20:56,880
Speaker 5: motherfuckers that they ain't used to ship. They start thinking

412
00:20:56,920 --> 00:20:58,119
Speaker 5: they the reason for the season.

413
00:20:58,240 --> 00:20:58,440
Speaker 7: Right.

414
00:20:59,280 --> 00:21:02,240
Speaker 5: So dude, one day one of the homieshold me, I'm

415
00:21:02,240 --> 00:21:05,320
Speaker 5: gonna say his name, because he's a cool motherfucker, James McDonald, Right,

416
00:21:06,200 --> 00:21:10,240
Speaker 5: James's loyal motherfucker. Dog. Now that them mother two motherfuckers

417
00:21:10,240 --> 00:21:11,840
Speaker 5: that left. I didn't give a fuck. I wouldn't have

418
00:21:11,840 --> 00:21:15,119
Speaker 5: pistol on them motherfuckers if they was on fire, not

419
00:21:15,320 --> 00:21:15,640
Speaker 5: like that.

420
00:21:15,720 --> 00:21:22,000
Speaker 2: But you know what I'm saying that he was a

421
00:21:22,040 --> 00:21:24,080
Speaker 2: good dude, loyal, last dude. Right.

422
00:21:24,359 --> 00:21:27,840
Speaker 5: And but when the allegations, you know, it's speeding up.

423
00:21:27,920 --> 00:21:30,280
Speaker 5: When all this stuff started coming out, Man, it was

424
00:21:30,600 --> 00:21:33,000
Speaker 5: we still in Los Angeles, Dog, It's a certain code

425
00:21:33,000 --> 00:21:34,760
Speaker 5: that you got to live by a few from the streets.

426
00:21:35,680 --> 00:21:38,639
Speaker 5: And when those allegations came out, like just couldn't associate

427
00:21:38,720 --> 00:21:40,480
Speaker 5: with the brand no more. It's like, you can't be

428
00:21:40,560 --> 00:21:42,879
Speaker 5: a show. Even if you're talking about gangster rep you

429
00:21:42,920 --> 00:21:45,160
Speaker 5: can't be a show talk about you the Gangster Chronicles

430
00:21:45,160 --> 00:21:48,440
Speaker 5: and this motherfuckers don'na fly cooperated with somebody not saying

431
00:21:48,440 --> 00:21:50,080
Speaker 5: that's what he did or did it, but those what

432
00:21:50,119 --> 00:21:52,840
Speaker 5: the allegations were. So I had to distance myself and

433
00:21:53,080 --> 00:21:56,520
Speaker 5: keep it pushing. But I was always thinking about bringing

434
00:21:56,560 --> 00:21:59,040
Speaker 5: them in because the other dude was tripping like he

435
00:21:59,119 --> 00:21:59,600
Speaker 5: thought he.

436
00:21:59,560 --> 00:22:03,560
Speaker 2: Was just a the gang specialists. Yeah, the gang specialist

437
00:22:03,680 --> 00:22:04,639
Speaker 2: gang anything you can.

438
00:22:04,520 --> 00:22:06,800
Speaker 3: Do, the gang Specialists.

439
00:22:07,000 --> 00:22:10,160
Speaker 5: So I was thinking about, you know, really replacing him.

440
00:22:10,160 --> 00:22:12,399
Speaker 5: And then Charlotte Mane because it was motherfuckers starting to

441
00:22:12,400 --> 00:22:13,800
Speaker 5: holler at us. It was a gang of people that

442
00:22:13,920 --> 00:22:16,239
Speaker 5: hit us up talking about, man, we want to, you know,

443
00:22:16,320 --> 00:22:18,639
Speaker 5: do something with y'all. I was like, man, this all

444
00:22:18,680 --> 00:22:20,880
Speaker 5: this shit gonna be you know, we in motion, right.

445
00:22:22,160 --> 00:22:24,879
Speaker 5: So Charlotte Mane had hit me one day shout out

446
00:22:24,880 --> 00:22:28,440
Speaker 5: to the homeboy Glasses Malone because he assigned Glasses show.

447
00:22:28,520 --> 00:22:30,400
Speaker 5: And he was like, man, I've been watching this one

448
00:22:30,440 --> 00:22:33,199
Speaker 5: show about the ship the niggas ohee niggas from I

449
00:22:33,200 --> 00:22:37,000
Speaker 5: said my way say old niggas when here so and

450
00:22:37,359 --> 00:22:40,040
Speaker 5: he was like, yeah, he hit us up right, And

451
00:22:40,119 --> 00:22:42,240
Speaker 5: so he was like, man, I think y'all need one

452
00:22:42,240 --> 00:22:44,359
Speaker 5: more person because it was just me and James at

453
00:22:44,400 --> 00:22:47,919
Speaker 5: first right, and he said what you think about m

454
00:22:48,000 --> 00:22:49,719
Speaker 5: C eight And I was like, thank you God. I

455
00:22:49,760 --> 00:22:52,440
Speaker 5: was hoping he didn't say nothing. The mother weird because

456
00:22:52,480 --> 00:22:54,240
Speaker 5: you know how people can be with this shit. Man,

457
00:22:54,280 --> 00:22:56,080
Speaker 5: you try to get some ship going to never get

458
00:22:56,320 --> 00:22:58,800
Speaker 5: you can never get it off the ground. And so

459
00:22:59,040 --> 00:23:01,880
Speaker 5: we've been rocking every since then. Man, but this podcast

460
00:23:01,880 --> 00:23:05,640
Speaker 5: shit a headache. Dog, you got to five years the easiest.

461
00:23:07,720 --> 00:23:08,720
Speaker 2: Who is your favorite guests?

462
00:23:09,359 --> 00:23:12,760
Speaker 5: My favorite guest man, I got a couple of him.

463
00:23:12,800 --> 00:23:16,600
Speaker 5: I got my Nigga too Short, was a good guess man.

464
00:23:17,280 --> 00:23:21,800
Speaker 5: He was a good guest and crip motherfucking mac oh.

465
00:23:22,119 --> 00:23:24,280
Speaker 2: I know him with old the tattoos on the space. Yeah. Yeah.

466
00:23:26,800 --> 00:23:29,359
Speaker 5: And the homeboy Little Sody rest in peace, My homeboy,

467
00:23:29,440 --> 00:23:33,320
Speaker 5: Little Sodi. Little Sodi's man history and the Los Angeles

468
00:23:33,359 --> 00:23:36,920
Speaker 5: the streets just so extensive man and thick and he's

469
00:23:36,960 --> 00:23:38,920
Speaker 5: just a real solid dude. He just he just lost

470
00:23:38,920 --> 00:23:41,000
Speaker 5: his life not too long going to accident, going back

471
00:23:41,000 --> 00:23:44,840
Speaker 5: out to Vegas. Yeah, he just got to react because

472
00:23:44,880 --> 00:23:47,240
Speaker 5: you get them episodes to get reactions in the streets.

473
00:23:48,080 --> 00:23:49,640
Speaker 5: Like when I talked to the homies, they don't give

474
00:23:49,640 --> 00:23:51,320
Speaker 5: they just to you know, you know, you got the

475
00:23:51,600 --> 00:23:53,560
Speaker 5: homie tell you man. He had that sucker ass nigga

476
00:23:53,560 --> 00:23:56,359
Speaker 5: on it. That mother ain't this and that. But Sodi

477
00:23:56,480 --> 00:23:58,480
Speaker 5: was one of the motherfuckers that everybody respected.

478
00:23:59,800 --> 00:24:01,680
Speaker 2: How about you, who is who is your favorite?

479
00:24:01,880 --> 00:24:03,320
Speaker 3: I think my favorite was.

480
00:24:04,760 --> 00:24:06,360
Speaker 2: The dude who broke out of prison.

481
00:24:06,560 --> 00:24:08,400
Speaker 5: Oh yeah, he was good toil. We got the catch

482
00:24:08,400 --> 00:24:12,320
Speaker 5: that broke out of prison twice, man twice twice.

483
00:24:15,480 --> 00:24:21,560
Speaker 2: Niggas made man.

484
00:24:22,080 --> 00:24:25,480
Speaker 3: He had me sitting there like the whole show, nigga.

485
00:24:25,520 --> 00:24:27,119
Speaker 3: I couldn't ask the motherfucker question.

486
00:24:27,240 --> 00:24:27,880
Speaker 2: I was just.

487
00:24:27,800 --> 00:24:30,480
Speaker 3: Amazed, like god damn, and how you do it? He

488
00:24:30,600 --> 00:24:32,600
Speaker 3: was like ship, nigga, I got this and I got.

489
00:24:32,440 --> 00:24:33,359
Speaker 2: The blieve twice.

490
00:24:33,400 --> 00:24:37,840
Speaker 5: He broke out with a heavy set Caucasian woman. Motherfucker

491
00:24:38,400 --> 00:24:41,159
Speaker 5: got met on the phone in their dog game. He

492
00:24:41,280 --> 00:24:43,920
Speaker 5: need and this motherfucker crawled up through the Vincent and

493
00:24:44,200 --> 00:24:46,359
Speaker 5: something out of the window. She drove him to the

494
00:24:46,359 --> 00:24:49,160
Speaker 5: hotel and he got caught because he told that big

495
00:24:49,240 --> 00:24:51,800
Speaker 5: fuck you as soon as he got out, and she

496
00:24:54,040 --> 00:24:56,680
Speaker 5: that was my favorite guest right there, that niggas. He

497
00:24:56,760 --> 00:24:58,720
Speaker 5: was a cold motherfucker, finitely so.

498
00:24:59,240 --> 00:25:01,160
Speaker 2: And I want to bring Zeno and I want them

499
00:25:01,240 --> 00:25:03,280
Speaker 2: as a guest. I was pusted. I wanted to ask

500
00:25:03,280 --> 00:25:04,879
Speaker 2: you something that I asked all.

501
00:25:06,520 --> 00:25:12,919
Speaker 1: Now or artists period, but particular the California artist. Is

502
00:25:13,160 --> 00:25:21,199
Speaker 1: LA the most dangerous place for a rapper? I like

503
00:25:21,240 --> 00:25:24,720
Speaker 1: how you're thinking about it. You just asked school Boy

504
00:25:24,800 --> 00:25:25,879
Speaker 1: Q that I don't know if you saw it.

505
00:25:26,600 --> 00:25:33,840
Speaker 3: Yeah, I saw that. Yeah. La is dangerous because of

506
00:25:36,680 --> 00:25:43,639
Speaker 3: how the gang Elements set singing to play me growing

507
00:25:43,720 --> 00:25:48,119
Speaker 3: up as a gang banger in hip hop. It was

508
00:25:48,240 --> 00:25:53,760
Speaker 3: dangerous for myself. Wow, just because I was claiming a neighborhood.

509
00:25:55,080 --> 00:25:58,719
Speaker 3: Niggas didn't like the neighborhood. So you have to carry

510
00:25:58,760 --> 00:26:05,520
Speaker 3: that with your public figure. God damn right, So I

511
00:26:05,600 --> 00:26:07,720
Speaker 3: had to. You got to move accordingly.

512
00:26:07,920 --> 00:26:08,160
Speaker 2: Man.

513
00:26:08,640 --> 00:26:12,360
Speaker 3: Man, it's today. Man, it's cool, but ship, I've had

514
00:26:12,440 --> 00:26:15,480
Speaker 3: niggas tell me like nigga were supposed to get you,

515
00:26:15,640 --> 00:26:20,040
Speaker 3: and niggas paid us to come at you, and nigga

516
00:26:20,080 --> 00:26:22,920
Speaker 3: we saw you over here one day and won't they won't.

517
00:26:23,160 --> 00:26:26,720
Speaker 3: It was It's a dangerous place. And just because of

518
00:26:26,800 --> 00:26:29,400
Speaker 3: the like I said, when you are a rapper and

519
00:26:29,480 --> 00:26:33,520
Speaker 3: you claim in a neighborhood, now you got that aspect because.

520
00:26:33,320 --> 00:26:36,159
Speaker 1: Anybody, anybody got be for that neighborhood now has be

521
00:26:36,240 --> 00:26:36,520
Speaker 1: for you.

522
00:26:36,520 --> 00:26:38,960
Speaker 3: You God damn right, you could fuck about no rap music.

523
00:26:40,240 --> 00:26:45,160
Speaker 3: That was my thing. Like I'm a rapper, but I'm

524
00:26:45,200 --> 00:26:48,919
Speaker 3: still Niggas know me from back to the day. So

525
00:26:49,240 --> 00:26:52,159
Speaker 3: it won't give a fuck because you're a rapper. Nigga,

526
00:26:52,400 --> 00:26:55,000
Speaker 3: you at the motherfucking light and you in the neighborhood

527
00:26:55,000 --> 00:26:57,400
Speaker 3: you ain't supposed to be in, you might get shot up.

528
00:26:57,720 --> 00:27:00,720
Speaker 3: That is you have to man, And that ain't even

529
00:27:00,760 --> 00:27:02,880
Speaker 3: got shit to do with the niggas who just out

530
00:27:02,880 --> 00:27:06,640
Speaker 3: the jack niggas. You feel me. So now you're motherfucking

531
00:27:06,960 --> 00:27:10,520
Speaker 3: hip hop artists and you come to La and niggas

532
00:27:10,600 --> 00:27:13,879
Speaker 3: is greedy and they home, they gonna get on the

533
00:27:13,960 --> 00:27:16,280
Speaker 3: aspect of shit. Now you just got the regular jack

534
00:27:16,320 --> 00:27:18,639
Speaker 3: and niggas that ain't gotten nothing to do with the

535
00:27:18,720 --> 00:27:21,280
Speaker 3: niggas who're gonna try to sweat you for game banging.

536
00:27:21,320 --> 00:27:23,600
Speaker 3: And where you from and this is why you wearing

537
00:27:23,680 --> 00:27:27,159
Speaker 3: that where you from or you from New York, Miami

538
00:27:27,400 --> 00:27:31,520
Speaker 3: or whatever. Now it's like the aspect of shit, nigga

539
00:27:31,560 --> 00:27:33,639
Speaker 3: that now we're just going to do some shit just

540
00:27:33,640 --> 00:27:36,760
Speaker 3: because we want to show y'all. Nigga, it's treacherous out here,

541
00:27:37,080 --> 00:27:41,960
Speaker 3: So it's dangerous as fuck. Now, motherfucking other places is

542
00:27:42,320 --> 00:27:46,440
Speaker 3: just as greedy and grimy though rap life. God damn

543
00:27:46,480 --> 00:27:50,760
Speaker 3: it if you from that, If you ain't the happy rapper, right,

544
00:27:51,200 --> 00:27:53,080
Speaker 3: I don't give a fuck. If you ain't even claiming

545
00:27:53,080 --> 00:27:58,600
Speaker 3: the neighborhood, if you associated with anything, you got to

546
00:27:58,800 --> 00:27:59,920
Speaker 3: you got to watch out.

547
00:28:00,200 --> 00:28:02,600
Speaker 1: I remember at one point though you being a rapper,

548
00:28:02,640 --> 00:28:04,800
Speaker 1: like gave you that that that safety net, like.

549
00:28:04,760 --> 00:28:07,119
Speaker 2: The hood would be proud of you. Like when did

550
00:28:07,160 --> 00:28:09,920
Speaker 2: that change? Man? Was it the same for him from

551
00:28:09,920 --> 00:28:11,919
Speaker 2: where he comes from? I don't know.

552
00:28:12,440 --> 00:28:16,000
Speaker 5: Said that the internet made shit dangerous thog, Yeah, because

553
00:28:16,040 --> 00:28:19,720
Speaker 5: you can see motherfuckers on where people at in real time.

554
00:28:19,800 --> 00:28:19,960
Speaker 8: You know.

555
00:28:20,040 --> 00:28:22,760
Speaker 2: That's why I'm not. It's sad, but I don't love

556
00:28:22,880 --> 00:28:23,440
Speaker 2: my family.

557
00:28:23,480 --> 00:28:25,879
Speaker 5: Post ptictions like don't be doing that shit, but do

558
00:28:25,960 --> 00:28:27,200
Speaker 5: we get home be doing that shit.

559
00:28:28,160 --> 00:28:34,040
Speaker 3: It's a motherfucking you know, acceptance like the homies like,

560
00:28:34,040 --> 00:28:36,080
Speaker 3: oh yeah, nigga will do, but that ain't got shit

561
00:28:36,160 --> 00:28:38,480
Speaker 3: to do with the niggas on outside. We don't give

562
00:28:38,520 --> 00:28:42,920
Speaker 3: a fuck because you rapping up, we beefing with your neighborhood.

563
00:28:43,840 --> 00:28:46,200
Speaker 3: You from over there. I don't give a fuck if

564
00:28:46,200 --> 00:28:49,600
Speaker 3: you rapping and got Grammys in a podcast and all

565
00:28:49,640 --> 00:28:53,120
Speaker 3: that shit. Niggas you from over there. So if a

566
00:28:53,200 --> 00:28:56,000
Speaker 3: niggas a fitting, especially if it's one of them niggas,

567
00:28:56,360 --> 00:28:58,560
Speaker 3: if it's one of the motherfuckers, like I, don't give

568
00:28:58,600 --> 00:29:02,920
Speaker 3: a fuck you he finished serve you, it don't matter.

569
00:29:03,080 --> 00:29:07,040
Speaker 3: So that's just like I said, and that that right now.

570
00:29:07,360 --> 00:29:10,040
Speaker 3: It gives us that attitude that we have in La

571
00:29:10,360 --> 00:29:13,640
Speaker 3: to where some niggas don't fuck with some niggas, and

572
00:29:13,800 --> 00:29:16,880
Speaker 3: some rappers don't fuck with some rappers because first it

573
00:29:17,000 --> 00:29:21,440
Speaker 3: comes is there. First, their neighborhood is everything, and they

574
00:29:21,560 --> 00:29:26,600
Speaker 3: rather please them than getting on the song with with

575
00:29:26,600 --> 00:29:28,840
Speaker 3: with with sow And so you get me.

576
00:29:29,440 --> 00:29:30,959
Speaker 5: And you got a lot of catch from out of

577
00:29:31,000 --> 00:29:33,680
Speaker 5: town that's going out there starting to claim neighborhoods now

578
00:29:34,120 --> 00:29:35,960
Speaker 5: right the most this is crazy.

579
00:29:37,440 --> 00:29:39,680
Speaker 2: They you know, no, they that's the fuck that part

580
00:29:39,720 --> 00:29:40,120
Speaker 2: about it.

581
00:29:40,120 --> 00:29:43,080
Speaker 5: They really from these places, and a lot of times

582
00:29:43,080 --> 00:29:45,360
Speaker 5: what happens is they come out they really hanging out

583
00:29:45,360 --> 00:29:48,080
Speaker 5: with motherfuckers like you a million dollar man, What is

584
00:29:48,080 --> 00:29:50,320
Speaker 5: you riding around with this program? Fucker that ain't gotten

585
00:29:50,320 --> 00:29:52,120
Speaker 5: none to lose? Why you want to go hang out

586
00:29:52,160 --> 00:29:55,480
Speaker 5: with him. I don't understand it now, motherfuckers is really

587
00:29:55,480 --> 00:29:56,160
Speaker 5: and they hold.

588
00:29:56,080 --> 00:29:56,480
Speaker 2: You to that.

589
00:29:56,600 --> 00:29:58,400
Speaker 5: When you start talking the box, you gonna do this,

590
00:30:00,120 --> 00:30:02,360
Speaker 5: they break and bring up like a motherfucker.

591
00:30:02,200 --> 00:30:04,040
Speaker 3: Like I said when I was growing up in the hood,

592
00:30:04,120 --> 00:30:05,200
Speaker 3: is treacherous.

593
00:30:05,640 --> 00:30:11,640
Speaker 1: And and why why in particular La and that I

594
00:30:11,640 --> 00:30:14,440
Speaker 1: believe school boy Q said because people come and check in.

595
00:30:15,160 --> 00:30:17,360
Speaker 1: And he said he was like, most of the time

596
00:30:17,360 --> 00:30:19,719
Speaker 1: when people check in, you checking in with somebody who

597
00:30:19,800 --> 00:30:23,200
Speaker 1: got be for this other neighborhood. And do you think

598
00:30:23,240 --> 00:30:25,800
Speaker 1: that's the problem.

599
00:30:26,360 --> 00:30:27,120
Speaker 2: A lot of problems.

600
00:30:27,520 --> 00:30:32,920
Speaker 3: I me being a old school cat, I don't you know.

601
00:30:33,200 --> 00:30:39,920
Speaker 3: I never really got to checking anything. They just came to town.

602
00:30:39,880 --> 00:30:45,200
Speaker 3: They came to town like I'm good friends with since

603
00:30:45,240 --> 00:30:49,160
Speaker 3: way back Face Primo. Niggas come to town. They hit

604
00:30:49,240 --> 00:30:51,959
Speaker 3: me up eight, what's up? Ship? Back in the days,

605
00:30:52,240 --> 00:30:55,560
Speaker 3: I took Scarface and Bushwick through the hood with the

606
00:30:55,680 --> 00:30:58,200
Speaker 3: with the with the heat and the trunk and everything.

607
00:30:59,120 --> 00:31:02,640
Speaker 3: I mean, niggas gonna get me. They gonna get them,

608
00:31:02,640 --> 00:31:07,240
Speaker 3: so I gotta protect them. Checking in is the thing niggas.

609
00:31:07,280 --> 00:31:10,280
Speaker 3: You know they claim they do now, you know, because

610
00:31:10,600 --> 00:31:12,920
Speaker 3: you know somebody I guess you're supposed to know somebody

611
00:31:13,000 --> 00:31:16,760
Speaker 3: affiliated with the neighborhood, and you know, you want to

612
00:31:16,800 --> 00:31:19,480
Speaker 3: let niggas know your presence then, but sometimes that might

613
00:31:19,520 --> 00:31:22,480
Speaker 3: not be a good thing. You know, niggas want to

614
00:31:22,480 --> 00:31:25,880
Speaker 3: post where they're at now location and do it. That's

615
00:31:25,920 --> 00:31:26,680
Speaker 3: that new ship.

616
00:31:30,320 --> 00:31:33,400
Speaker 5: I know you're there exactly, some motherfucker that's like movie ship.

617
00:31:33,440 --> 00:31:38,000
Speaker 5: Like it's somebody at just waiting. I see them, and

618
00:31:38,000 --> 00:31:40,360
Speaker 5: I ain't checking in with no motherfucker body. I'm gonna

619
00:31:40,360 --> 00:31:42,800
Speaker 5: go handle my business and get the fuck on school.

620
00:31:43,000 --> 00:31:45,040
Speaker 2: You said, Beverly Hills.

621
00:31:45,240 --> 00:31:50,240
Speaker 5: Yeah, if you come into town on some fucking pop.

622
00:31:50,080 --> 00:31:52,360
Speaker 3: Industry ship, then stay industry.

623
00:31:52,640 --> 00:31:52,880
Speaker 2: You know.

624
00:31:53,480 --> 00:31:58,960
Speaker 3: Uh, you to go stay somewhere. Go venturing into the neighborhoods,

625
00:31:59,040 --> 00:32:04,120
Speaker 3: you know. Uh, that's that's dangerous. You're taking that upon yourself.

626
00:32:04,400 --> 00:32:05,920
Speaker 3: You know what I'm saying when you go in to

627
00:32:06,000 --> 00:32:10,400
Speaker 3: them treacherous neighborhoods. Uh, when you visiting somebody town, like

628
00:32:10,440 --> 00:32:14,600
Speaker 3: they said, if your ass is down some celebrity you know,

629
00:32:15,280 --> 00:32:17,640
Speaker 3: Hollywood ship, Yeah, stay in Hollywood.

630
00:32:17,880 --> 00:32:21,560
Speaker 5: It's just about being respectful to man, because you can

631
00:32:21,600 --> 00:32:24,239
Speaker 5: go anywhere. Man. I think man. The Ghetto boys had

632
00:32:24,280 --> 00:32:26,040
Speaker 5: a song called the World is a ghetto. That's the

633
00:32:26,040 --> 00:32:29,040
Speaker 5: really shit. Ever you come down here being disrespectful. You

634
00:32:29,400 --> 00:32:31,160
Speaker 5: you're talking about you know what I'm saying. You can

635
00:32:31,200 --> 00:32:34,080
Speaker 5: be in one of these little towns on our skirts somewhere.

636
00:32:34,080 --> 00:32:36,760
Speaker 5: You go up there talking slick. You know it's gonna

637
00:32:36,760 --> 00:32:39,440
Speaker 5: be on. Man. You gotta remember, man, one thing that

638
00:32:39,520 --> 00:32:43,120
Speaker 5: happened in the eighties. Man, and you had the migration

639
00:32:43,200 --> 00:32:44,680
Speaker 5: of the dope game. You had a whole bunch of

640
00:32:44,720 --> 00:32:46,719
Speaker 5: cash that was coming, you know, to the Midwest.

641
00:32:47,000 --> 00:32:51,520
Speaker 2: So I said vacation like the real song.

642
00:32:51,640 --> 00:32:54,880
Speaker 5: So what happened was, it's not like Motherfucker's was going

643
00:32:54,880 --> 00:32:57,240
Speaker 5: to Saint Louis and just tying Saint Louis. Niggas up

644
00:32:57,280 --> 00:32:59,240
Speaker 5: we go knowledge a block. No, they came down with

645
00:32:59,280 --> 00:33:01,960
Speaker 5: them good price and came in love and peace. And

646
00:33:02,040 --> 00:33:04,160
Speaker 5: that's how the work got done. Because you can't walk

647
00:33:04,240 --> 00:33:06,840
Speaker 5: up in nobody's section talking about we run some shit. Man,

648
00:33:06,840 --> 00:33:09,680
Speaker 5: you wrong, get sent home. I don't care where you're from.

649
00:33:09,920 --> 00:33:10,520
Speaker 2: Real talk.

650
00:33:11,280 --> 00:33:14,160
Speaker 1: Let's see yeah, come on, come on, see them, come on,

651
00:33:14,480 --> 00:33:18,120
Speaker 1: come on. Right before we do, let's talk about Johnson

652
00:33:18,160 --> 00:33:18,880
Speaker 1: Street and Compton.

653
00:33:22,040 --> 00:33:25,200
Speaker 3: Johnson Street, that's where you're from right. I am from

654
00:33:25,240 --> 00:33:27,840
Speaker 3: a neighborhood called Track New Park. I grew up in

655
00:33:27,840 --> 00:33:30,920
Speaker 3: a neighborhood called spoop Town. What was on Johnson Street.

656
00:33:34,400 --> 00:33:36,120
Speaker 2: It is all Compton, right, Yes.

657
00:33:36,680 --> 00:33:39,280
Speaker 3: Uh, where I grew up is on the east side

658
00:33:39,280 --> 00:33:44,080
Speaker 3: of Compton. You know, you would think, you know, regular

659
00:33:44,080 --> 00:33:48,920
Speaker 3: neighborhood whatever, But it was vicious. We had the Mexican

660
00:33:49,000 --> 00:33:51,400
Speaker 3: gangs over there. We had the Black gangs over there.

661
00:33:51,640 --> 00:33:53,680
Speaker 3: Like I said, it was a thing that was CV

662
00:33:53,800 --> 00:33:58,200
Speaker 3: seventies and it was a spoop towns. We lived at

663
00:33:58,240 --> 00:34:03,480
Speaker 3: the end of the block, me moms, my sister, little brother.

664
00:34:06,240 --> 00:34:08,320
Speaker 3: Around thirteen, I started gang banging.

665
00:34:10,120 --> 00:34:14,840
Speaker 2: What year was that. I had to be early eighties, eighties.

666
00:34:18,880 --> 00:34:21,719
Speaker 3: I was just you know, gang life was was what

667
00:34:21,760 --> 00:34:27,640
Speaker 3: it was, man, you know, it was belonging. I didn't

668
00:34:27,680 --> 00:34:31,200
Speaker 3: have an older brother, you know, cousins and all that

669
00:34:31,400 --> 00:34:38,920
Speaker 3: was still back in Mississippi, you know, so it was

670
00:34:39,000 --> 00:34:42,120
Speaker 3: just a way for I guess, for me to you know,

671
00:34:44,680 --> 00:34:45,480
Speaker 3: had that love.

672
00:34:45,719 --> 00:34:46,399
Speaker 2: You get me.

673
00:34:47,880 --> 00:34:48,680
Speaker 3: My household.

674
00:34:48,800 --> 00:34:49,000
Speaker 2: You know.

675
00:34:49,440 --> 00:34:53,040
Speaker 3: My sister was older, she was doing her thing. My

676
00:34:53,080 --> 00:34:58,960
Speaker 3: little brother was too young. So I connected with the neighborhood.

677
00:34:59,440 --> 00:35:02,600
Speaker 3: You get me and this one. It was all pre

678
00:35:02,719 --> 00:35:08,080
Speaker 3: hip hop though, Like this was before hip hop. I

679
00:35:08,200 --> 00:35:11,799
Speaker 3: really we didn't even have no fucking hip hop, so

680
00:35:11,840 --> 00:35:13,560
Speaker 3: then there was a big difference. So there was a

681
00:35:13,560 --> 00:35:16,840
Speaker 3: big difference when hip hop came. Yeah, we had a

682
00:35:16,840 --> 00:35:21,200
Speaker 3: lot of techno ship, a lot a lot of our

683
00:35:21,360 --> 00:35:36,600
Speaker 3: music was about time, you know, we started listening to

684
00:35:36,960 --> 00:35:41,480
Speaker 3: Sucker and Seeds and ship like that. Linzo and them

685
00:35:41,520 --> 00:35:45,400
Speaker 3: came along, Wrecking Crew and then uh we had l

686
00:35:45,480 --> 00:35:46,400
Speaker 3: A Dream Team.

687
00:35:46,960 --> 00:35:52,720
Speaker 2: Do you think yeah, I think changed the gang culture.

688
00:35:53,040 --> 00:35:56,160
Speaker 8: Like did you see the difference pre hip hop and

689
00:35:56,200 --> 00:36:00,000
Speaker 8: then when hip hop came and even before the gangster lyrics?

690
00:36:00,200 --> 00:36:02,960
Speaker 8: When hip hop came to l A, Right, how did

691
00:36:02,960 --> 00:36:05,480
Speaker 8: it affect the gang culture? Did turn it up? Was

692
00:36:05,520 --> 00:36:08,920
Speaker 8: it more because if the bloods are rapping and like the.

693
00:36:08,880 --> 00:36:11,279
Speaker 2: Crips like social media.

694
00:36:11,600 --> 00:36:17,560
Speaker 3: Exactly because you gotta figure like it was already heated

695
00:36:17,760 --> 00:36:21,000
Speaker 3: in content. It was just because of the mother I

696
00:36:21,040 --> 00:36:26,760
Speaker 3: mean just the gang culture in l A period, niggas

697
00:36:26,800 --> 00:36:29,520
Speaker 3: was already hated nigga. We was we were blast on

698
00:36:29,640 --> 00:36:33,520
Speaker 3: you off a flashlight nigga from parliament with no fucking

699
00:36:33,560 --> 00:36:34,080
Speaker 3: hip hop.

700
00:36:35,680 --> 00:36:36,200
Speaker 2: You did me.

701
00:36:36,960 --> 00:36:40,239
Speaker 3: We cruising the fucking atomic dog and in parliament.

702
00:36:40,400 --> 00:36:41,640
Speaker 2: But now hip hop's coming.

703
00:36:41,680 --> 00:36:46,000
Speaker 3: People are like, but see our hip hop first came,

704
00:36:46,280 --> 00:36:49,839
Speaker 3: it was that ship. It was l a dream. It

705
00:36:49,920 --> 00:36:53,479
Speaker 3: wasn't no hard nigga. We didn't get hard until Easy came.

706
00:36:54,239 --> 00:36:56,080
Speaker 2: And even then they weren't really claiming Colors.

707
00:36:56,120 --> 00:36:59,520
Speaker 3: And then no, we had to bang in on wax record.

708
00:36:59,640 --> 00:37:00,640
Speaker 2: You just come out.

709
00:37:01,280 --> 00:37:03,840
Speaker 3: I just came in like the like late eighties?

710
00:37:03,840 --> 00:37:06,279
Speaker 2: Did that? Did that? Did that song have just as

711
00:37:06,320 --> 00:37:07,319
Speaker 2: much impact as it did?

712
00:37:07,360 --> 00:37:07,720
Speaker 3: The record?

713
00:37:07,800 --> 00:37:12,280
Speaker 8: That song a huge It had a huge Boston, Boston

714
00:37:12,320 --> 00:37:12,920
Speaker 8: went crazy.

715
00:37:13,040 --> 00:37:18,200
Speaker 3: Colors had a huge impact on us because it got

716
00:37:18,239 --> 00:37:24,440
Speaker 3: to show the world l a gang banking it. It

717
00:37:24,560 --> 00:37:28,720
Speaker 3: made it made us famous. Nigga, You give me niggas

718
00:37:28,719 --> 00:37:31,759
Speaker 3: all around the world. See this blu and this red fel.

719
00:37:33,280 --> 00:37:36,840
Speaker 3: That's when motherfuckers really start. You had real hardcore gangsters

720
00:37:36,840 --> 00:37:39,440
Speaker 3: then like motherfuckers that was with it. That's when you

721
00:37:39,520 --> 00:37:43,440
Speaker 3: start getting a gang member because it became real trendy,

722
00:37:43,520 --> 00:37:44,840
Speaker 3: kind of like if you was a cripple.

723
00:37:45,640 --> 00:37:48,560
Speaker 5: All the bras like cripple. You know That's what I'm saying.

724
00:37:49,600 --> 00:37:51,240
Speaker 5: They wanted them a motherfucking cripple.

725
00:37:51,320 --> 00:37:51,520
Speaker 2: You know.

726
00:37:51,840 --> 00:37:53,640
Speaker 5: The nigga that was a crip word, blood because you know,

727
00:37:53,719 --> 00:37:55,400
Speaker 5: there was a lot of money in the street back then.

728
00:37:56,800 --> 00:37:59,279
Speaker 1: A lot of you that I noticed, K characters that

729
00:37:59,280 --> 00:38:07,799
Speaker 1: I got. Great, it's gonna sound, I know, biggae, look

730
00:38:07,920 --> 00:38:08,600
Speaker 1: mad fun.

731
00:38:08,640 --> 00:38:11,640
Speaker 2: Though I tell you something.

732
00:38:14,320 --> 00:38:15,600
Speaker 3: Let me tell you something.

733
00:38:18,360 --> 00:38:19,359
Speaker 2: Saying was.

734
00:38:20,760 --> 00:38:24,520
Speaker 3: It wasn't like like Cube saying it's a good day today.

735
00:38:25,000 --> 00:38:30,600
Speaker 3: So nigga, you have thirty forty niggas at a picnic. Well,

736
00:38:30,640 --> 00:38:33,880
Speaker 3: we just in the hood, you know, in five or

737
00:38:33,920 --> 00:38:36,200
Speaker 3: six others on us on the same block. We're trying

738
00:38:36,200 --> 00:38:38,880
Speaker 3: to hustle money. We're going to the store, trying to

739
00:38:38,920 --> 00:38:41,880
Speaker 3: piece up on the drink and the weed and a

740
00:38:41,920 --> 00:38:44,880
Speaker 3: good day niggas. Niggas getting a box of chicken and

741
00:38:44,920 --> 00:38:53,520
Speaker 3: we in the back and then you know the females

742
00:38:53,640 --> 00:38:57,160
Speaker 3: is around. That's when you ain't really you're always beefing

743
00:38:57,239 --> 00:39:00,439
Speaker 3: with somebody. But you get days where nigga, we might

744
00:39:00,760 --> 00:39:04,400
Speaker 3: we might go thirty deep to the bowling allogy at night. Nigga,

745
00:39:04,480 --> 00:39:06,480
Speaker 3: you know what I'm saying. And niggas ain't bowling.

746
00:39:07,320 --> 00:39:10,600
Speaker 2: That's when you win nobody in.

747
00:39:12,080 --> 00:39:15,839
Speaker 3: The lot with the lolos. But that's what for some

748
00:39:15,880 --> 00:39:20,239
Speaker 3: reason niggas went through the bowling. I mean that's what

749
00:39:20,280 --> 00:39:23,719
Speaker 3: we did. It was when you had good days, it

750
00:39:23,800 --> 00:39:26,040
Speaker 3: was good days. But then when you was on high alert,

751
00:39:26,080 --> 00:39:28,280
Speaker 3: it was nervous. It was it was it was critical.

752
00:39:28,680 --> 00:39:31,959
Speaker 3: You get me, police coming through every day, somebody going

753
00:39:32,000 --> 00:39:36,080
Speaker 3: to jail, you know, somebody fighting, you know whatever. But

754
00:39:36,600 --> 00:39:40,719
Speaker 3: to me, it was everything. Like you said, shit was everything, man.

755
00:39:41,239 --> 00:39:44,879
Speaker 3: And you know, homies got killed, you know, homies got

756
00:39:44,920 --> 00:39:47,840
Speaker 3: sent to prison for a long times. But like I

757
00:39:47,920 --> 00:39:50,080
Speaker 3: tell people every day, I wouldn't trade that shit for

758
00:39:50,200 --> 00:39:56,640
Speaker 3: nothing because it allowed me to see and and be

759
00:39:56,760 --> 00:40:00,400
Speaker 3: a part of what I was able to bring into

760
00:40:00,800 --> 00:40:01,320
Speaker 3: the world.

761
00:40:01,480 --> 00:40:02,040
Speaker 2: You give me.

762
00:40:02,239 --> 00:40:04,640
Speaker 3: A lot of people was confused about what we was doing.

763
00:40:05,640 --> 00:40:08,839
Speaker 3: The colors and rags and ship and there was more

764
00:40:08,880 --> 00:40:10,560
Speaker 3: than that. You get me, And.

765
00:40:10,520 --> 00:40:12,560
Speaker 5: I don't think it's it for as deep as motherfuckers

766
00:40:12,640 --> 00:40:15,000
Speaker 5: on the outside make it. From what I see is not. Again,

767
00:40:15,120 --> 00:40:17,200
Speaker 5: I'm not no game banging, but you.

768
00:40:18,440 --> 00:40:30,320
Speaker 9: Know I'm a nigga just like you.

769
00:40:32,320 --> 00:40:32,640
Speaker 2: Monster.

770
00:40:32,840 --> 00:40:37,720
Speaker 5: Still, I'm gonna tell you, like the Homie Glasses, Malone,

771
00:40:37,719 --> 00:40:40,760
Speaker 5: the Homie mugs, break it down, the best game banging

772
00:40:40,800 --> 00:40:43,520
Speaker 5: at this core is all about community. It's all about

773
00:40:43,520 --> 00:40:48,320
Speaker 5: what community years. It's like, you know, to be technical.

774
00:40:48,440 --> 00:40:51,960
Speaker 5: Y'all banged the frek. That's your neighborhood. That's your neighborhood.

775
00:40:51,960 --> 00:40:54,080
Speaker 5: When you go back home, do it don't matter where

776
00:40:54,080 --> 00:40:57,680
Speaker 5: you at because you poppy, right, you know when you

777
00:40:57,719 --> 00:40:59,720
Speaker 5: go back there, you poppy. You always gonna be popping

778
00:40:59,800 --> 00:41:01,480
Speaker 5: good no matter where you go in this world. So

779
00:41:01,520 --> 00:41:04,520
Speaker 5: it's all about really community. Man, it ain't about like

780
00:41:04,600 --> 00:41:07,239
Speaker 5: motherfuckers ain't running around all. They just killing each other.

781
00:41:07,320 --> 00:41:10,000
Speaker 5: But they can't get that way. That's the thing about it.

782
00:41:10,000 --> 00:41:11,719
Speaker 5: It could be real good at one time, and that's

783
00:41:11,760 --> 00:41:13,920
Speaker 5: what made me say fuck that I had because the

784
00:41:14,000 --> 00:41:15,839
Speaker 5: one thing about it ain't hard to get in the gang.

785
00:41:15,880 --> 00:41:18,640
Speaker 5: I'm a six foot four, two ninety five pound dude. Yeah,

786
00:41:18,680 --> 00:41:22,600
Speaker 5: they would just let you. And you know what I'm saying,

787
00:41:22,360 --> 00:41:25,200
Speaker 5: been forced to do something like it's hard to join

788
00:41:25,280 --> 00:41:25,600
Speaker 5: the game.

789
00:41:26,680 --> 00:41:29,840
Speaker 3: They don't be like y'all got to court the home head.

790
00:41:34,120 --> 00:41:36,120
Speaker 2: Every saying the Homi Farm. You seeing me? Man, if

791
00:41:36,120 --> 00:41:37,520
Speaker 2: I went and went to jail, you'd have been from

792
00:41:37,560 --> 00:41:40,359
Speaker 2: the set. Home. You been from the set, because it's

793
00:41:40,440 --> 00:41:41,600
Speaker 2: just that easy. So it's all.

794
00:41:41,680 --> 00:41:43,520
Speaker 5: But those were all my friends. So I saw the

795
00:41:43,640 --> 00:41:46,279
Speaker 5: dynamic early and I was at Loan Beach, and at

796
00:41:46,280 --> 00:41:48,719
Speaker 5: that time at Long Beach it was only three neighborhoods.

797
00:41:48,760 --> 00:41:53,080
Speaker 5: It was you know, Long Beach, Insane twenties and what's

798
00:41:53,120 --> 00:41:55,800
Speaker 5: the name of the Mexican gang over there? God forgot

799
00:41:56,560 --> 00:41:58,719
Speaker 5: the Mexican gang over there. Then you got the little

800
00:41:58,760 --> 00:42:02,040
Speaker 5: rascals like the Filipino game ain't right, and the Long

801
00:42:02,080 --> 00:42:03,680
Speaker 5: Beast Long Goos, that's the Mexican gag.

802
00:42:03,560 --> 00:42:07,080
Speaker 2: Over and they put in work too, don't play either. Oh,

803
00:42:07,360 --> 00:42:09,920
Speaker 2: they don't play either, to.

804
00:42:12,920 --> 00:42:16,000
Speaker 5: Shoot your ass. And so you think about I'm on

805
00:42:16,040 --> 00:42:20,080
Speaker 5: a football team, so it's dudes from insane twenties and

806
00:42:20,120 --> 00:42:23,239
Speaker 5: these all homies, the homies insanem to give me my work,

807
00:42:24,320 --> 00:42:26,120
Speaker 5: the homies from twenties. You don't let me hold a

808
00:42:26,120 --> 00:42:28,520
Speaker 5: couple of guns over at the crib. So I'm cool

809
00:42:28,520 --> 00:42:30,560
Speaker 5: with everybody. Never wanted to get into that. They was

810
00:42:30,560 --> 00:42:32,359
Speaker 5: asked and I was like, no, I'm cool. Just let

811
00:42:32,400 --> 00:42:34,320
Speaker 5: me be just who I am. Man, let me stay Ohio,

812
00:42:34,440 --> 00:42:37,080
Speaker 5: my nigga. And I just kept that whole thing because

813
00:42:37,320 --> 00:42:39,440
Speaker 5: that's what people getting problems that you can't play with

814
00:42:39,520 --> 00:42:43,440
Speaker 5: gang banging because these dudes ain't playing. Because again it's

815
00:42:43,440 --> 00:42:45,760
Speaker 5: state community. This man is don't been all around the world,

816
00:42:45,800 --> 00:42:48,400
Speaker 5: but he's still tracking you. He had another shirt to

817
00:42:48,440 --> 00:42:50,400
Speaker 5: the point he had another shirt on for fuck that

818
00:42:50,520 --> 00:42:53,319
Speaker 5: is still comping. I gotta wear this to let motherfuckers

819
00:42:53,360 --> 00:42:55,160
Speaker 5: know that's important to them. You can't play with that.

820
00:42:55,800 --> 00:42:58,480
Speaker 5: You feel what I'm saying, That's how people get hurt.

821
00:42:58,680 --> 00:43:01,640
Speaker 10: I heard you say too as you said that, Pac.

822
00:43:02,520 --> 00:43:03,920
Speaker 2: I know we spoke about Park earlier.

823
00:43:04,160 --> 00:43:07,200
Speaker 1: He said Park gang banging or getting into the gangs

824
00:43:07,719 --> 00:43:12,840
Speaker 1: was actually moving moving backwards for him, for him.

825
00:43:12,719 --> 00:43:19,880
Speaker 3: Because I just think that it seems like being in

826
00:43:19,920 --> 00:43:27,000
Speaker 3: the steels position you you weren't born and raised in

827
00:43:27,040 --> 00:43:33,120
Speaker 3: the neighborhood. You started claiming. So I think that at

828
00:43:35,160 --> 00:43:40,399
Speaker 3: his status or where he was, you get me, it

829
00:43:40,440 --> 00:43:46,840
Speaker 3: was it was probably backwards to want to claim the gang.

830
00:43:47,160 --> 00:43:51,200
Speaker 3: You get me to each his own when you are

831
00:43:51,280 --> 00:43:57,600
Speaker 3: around that you want to be long what he wanted

832
00:43:57,640 --> 00:43:59,319
Speaker 3: to belong, You get me.

833
00:43:59,400 --> 00:44:01,600
Speaker 1: I could see. I could see. I could see what

834
00:44:01,640 --> 00:44:04,680
Speaker 1: you're saying. But I can also see him too, like

835
00:44:04,680 --> 00:44:06,360
Speaker 1: like you know, just wanting to be a part of something,

836
00:44:06,440 --> 00:44:06,799
Speaker 1: like you know.

837
00:44:07,239 --> 00:44:09,160
Speaker 2: A young man. We said all the time, we forget how.

838
00:44:09,080 --> 00:44:14,400
Speaker 3: Young and being and like I said, you coming from

839
00:44:14,440 --> 00:44:17,600
Speaker 3: a situation where he was just in prison, locked down,

840
00:44:18,280 --> 00:44:22,240
Speaker 3: and then the nigga who comes gets you is heavily

841
00:44:22,320 --> 00:44:24,680
Speaker 3: influenced and affiliated.

842
00:44:23,960 --> 00:44:27,400
Speaker 1: And he's not really from there. He wasn't blood his

843
00:44:27,440 --> 00:44:30,640
Speaker 1: whole life. He became blood afterwards. He was a football player.

844
00:44:30,360 --> 00:44:31,239
Speaker 2: Like you, right right.

845
00:44:31,920 --> 00:44:35,799
Speaker 3: So I get the you know, damn you know, these

846
00:44:35,880 --> 00:44:40,160
Speaker 3: niggas clicked up and they mother fucking representing and they

847
00:44:40,280 --> 00:44:45,440
Speaker 3: all mobbing at one motherfucking beat, and everybody here is is,

848
00:44:45,960 --> 00:44:49,319
Speaker 3: oh yeah, I'm I'm itching to be a part of that.

849
00:44:49,600 --> 00:44:53,560
Speaker 3: So I get getting caught up in that. But there's

850
00:44:53,719 --> 00:45:00,880
Speaker 3: ways that you still could have been accepted. Example, he

851
00:45:01,000 --> 00:45:04,520
Speaker 3: comes from Cleveland, He around the hood, niggas, he doing

852
00:45:04,640 --> 00:45:08,200
Speaker 3: hood ship with him, getting money with him, They watching

853
00:45:08,280 --> 00:45:10,560
Speaker 3: his back. Fuck it. If niggas get into it, he

854
00:45:10,680 --> 00:45:12,080
Speaker 3: gonna fuck it. That's the home.

855
00:45:12,320 --> 00:45:13,600
Speaker 2: Let's say I open the thing with Park.

856
00:45:13,680 --> 00:45:15,880
Speaker 8: Though Park was with the ship store like even and

857
00:45:16,200 --> 00:45:19,600
Speaker 8: I never but I'm saying so even if it was

858
00:45:19,680 --> 00:45:23,120
Speaker 8: like maybe like whatever it was before that, but once

859
00:45:23,160 --> 00:45:26,200
Speaker 8: he started getting with induced, Park was the frontline nigga.

860
00:45:26,480 --> 00:45:27,080
Speaker 2: Oh you know what I'm saying.

861
00:45:27,120 --> 00:45:28,960
Speaker 8: Part wasn't one to just be talking and then go

862
00:45:29,040 --> 00:45:31,439
Speaker 8: and then let the niggas the body got Parks gonna

863
00:45:31,440 --> 00:45:32,120
Speaker 8: be up in the front.

864
00:45:32,680 --> 00:45:34,880
Speaker 3: I'm gonna yeah, like like I've been here all my

865
00:45:35,040 --> 00:45:37,200
Speaker 3: life since day one. Yeah, And I'm gonna be an

866
00:45:37,280 --> 00:45:40,320
Speaker 3: active nigga, active with it. You know. I'm not gonna

867
00:45:40,360 --> 00:45:43,479
Speaker 3: just be like, oh yeah, the the homies, whatever, ship nigga.

868
00:45:43,520 --> 00:45:45,640
Speaker 3: If it's started going down, I'm probably gonna be the

869
00:45:45,640 --> 00:45:46,920
Speaker 3: first one to take a swing.

870
00:45:47,000 --> 00:45:50,400
Speaker 8: But that's the thing with pop pop, Like everything that

871
00:45:50,440 --> 00:45:52,400
Speaker 8: he was talking about, he would make sure that he

872
00:45:52,560 --> 00:45:53,680
Speaker 8: that he that he was about that.

873
00:45:53,960 --> 00:45:55,799
Speaker 3: And you went on tour with Park and everything, right.

874
00:45:56,200 --> 00:46:00,160
Speaker 3: I did a couple of shows with Papa. Yeah. We

875
00:46:00,200 --> 00:46:03,400
Speaker 3: did the show in Milwaukee where we got out of hand.

876
00:46:05,680 --> 00:46:06,680
Speaker 2: Oh Man ship.

877
00:46:09,400 --> 00:46:13,880
Speaker 3: I think this was right after the the young kid

878
00:46:13,920 --> 00:46:17,440
Speaker 3: got killed in Chicago. We had a show in Milwaukee

879
00:46:18,400 --> 00:46:25,440
Speaker 3: and he got on stage and he stopped. The music stopped,

880
00:46:25,480 --> 00:46:29,279
Speaker 3: and some commotions was going on with dudes in the audience,

881
00:46:29,360 --> 00:46:33,640
Speaker 3: and pistol came out, got shot up in the air,

882
00:46:33,800 --> 00:46:38,879
Speaker 3: and niggas got to jumping on stage, and the whole

883
00:46:39,239 --> 00:46:42,799
Speaker 3: it seemed like the whole downtown area of Milwaukee at

884
00:46:42,800 --> 00:46:46,760
Speaker 3: the time was just motherfuckers was running through hotels, tearing

885
00:46:46,840 --> 00:46:50,359
Speaker 3: ship up like it was a mess. It was a

886
00:46:50,400 --> 00:46:54,160
Speaker 3: real riot happened, and I don't think Milwaukee had a

887
00:46:54,239 --> 00:46:55,719
Speaker 3: rap show for a long.

888
00:46:55,560 --> 00:46:58,560
Speaker 1: Time after that. So let me ask you, is there

889
00:46:58,600 --> 00:47:01,480
Speaker 1: a difference? What is and what is the difference?

890
00:47:01,880 --> 00:47:05,279
Speaker 10: Did you the underground Tupac to death Row Tupaca.

891
00:47:05,320 --> 00:47:06,000
Speaker 2: And in between?

892
00:47:06,040 --> 00:47:08,160
Speaker 1: Because he had a whole in between him the whole time,

893
00:47:08,719 --> 00:47:11,640
Speaker 1: all versions, Man.

894
00:47:14,280 --> 00:47:18,880
Speaker 3: I don't know. I could say, like, you know, just

895
00:47:18,920 --> 00:47:21,439
Speaker 3: being you know, just trying to figure like you said,

896
00:47:21,560 --> 00:47:24,720
Speaker 3: being young, trying to figure your way out, but coming

897
00:47:24,760 --> 00:47:28,359
Speaker 3: through obstacles and ship and coming through you know, like

898
00:47:28,440 --> 00:47:32,239
Speaker 3: you said, going from digital underground Tupac to death Row Tupac.

899
00:47:33,560 --> 00:47:36,120
Speaker 3: He'd been through a lot of shit, Yeah you get me,

900
00:47:36,760 --> 00:47:39,800
Speaker 3: and a lot of incidents, the Oakland incident, the shipping

901
00:47:39,840 --> 00:47:44,759
Speaker 3: that the police and shit can change you, man. And

902
00:47:44,760 --> 00:47:48,439
Speaker 3: then I think, really that last fucking hit with him

903
00:47:48,440 --> 00:47:52,799
Speaker 3: going to prison, it started making your mentality go like, man,

904
00:47:52,880 --> 00:47:57,279
Speaker 3: fuck this shit, you get me. Damn By him being

905
00:47:57,320 --> 00:48:02,440
Speaker 3: able to get out, it's not like the look at

906
00:48:02,440 --> 00:48:05,560
Speaker 3: the environment he got out to go into. Now you're

907
00:48:05,560 --> 00:48:08,440
Speaker 3: around a gang of vicious Compton, niggas ready to you know,

908
00:48:08,840 --> 00:48:13,560
Speaker 3: get whatever is whatever. So I think that transition of

909
00:48:13,600 --> 00:48:18,719
Speaker 3: life and not being able to find a settle or

910
00:48:18,760 --> 00:48:21,759
Speaker 3: a calm motherfucking outcome because we all had to get

911
00:48:21,800 --> 00:48:25,840
Speaker 3: there at one point. You got to take yourself from Damn.

912
00:48:25,920 --> 00:48:29,040
Speaker 3: It's this path. Like like me, I was like, man, this,

913
00:48:29,520 --> 00:48:32,279
Speaker 3: I don't know if if a serving is gonna work,

914
00:48:32,840 --> 00:48:34,440
Speaker 3: We're going to jail every other mother.

915
00:48:34,480 --> 00:48:36,239
Speaker 8: If you got to take the situation with Puck with

916
00:48:36,400 --> 00:48:39,479
Speaker 8: you saying was looking all that at all that his mother,

917
00:48:40,080 --> 00:48:42,000
Speaker 8: all that, you know what I'm saying, Like all the panthers,

918
00:48:42,040 --> 00:48:44,040
Speaker 8: he was looking at all that shit going on.

919
00:48:44,080 --> 00:48:46,920
Speaker 3: So that right there shaped them. Sometimes you sometimes you

920
00:48:46,960 --> 00:48:51,640
Speaker 3: can find a way quicker than some niggas. I tell

921
00:48:51,680 --> 00:48:56,239
Speaker 3: my son this ship all the time. Sometime the road

922
00:48:56,320 --> 00:48:58,600
Speaker 3: is longer, man, to get what you want to get.

923
00:48:59,360 --> 00:49:02,320
Speaker 3: You see nigg and niggas pop up today and next

924
00:49:02,320 --> 00:49:05,240
Speaker 3: thing you know, they up here, and you be like God, damn,

925
00:49:05,560 --> 00:49:08,480
Speaker 3: he was always working and doing all this motherfucking ship.

926
00:49:08,520 --> 00:49:11,640
Speaker 3: And I'm still I said, sometimes you gotta settle yourself

927
00:49:11,680 --> 00:49:14,040
Speaker 3: because it's gonna take you a longer. He was gonna

928
00:49:14,080 --> 00:49:18,960
Speaker 3: get there still you're gonna get there eventually, but sometimes

929
00:49:18,960 --> 00:49:20,560
Speaker 3: you gotta take the long roll. Man.

930
00:49:21,560 --> 00:49:25,359
Speaker 5: God damn well, well yeah, my god brother producers part.

931
00:49:25,400 --> 00:49:27,319
Speaker 5: He was the first one from l A DJ Bob

932
00:49:27,400 --> 00:49:30,640
Speaker 5: Cat strictly for my niggas on the album right there,

933
00:49:30,680 --> 00:49:32,279
Speaker 5: and that's when he was coming the wrong a lot.

934
00:49:32,320 --> 00:49:34,120
Speaker 5: That's when he had him in there with Thread and

935
00:49:34,239 --> 00:49:37,120
Speaker 5: Cube and then they did the joint then. And he

936
00:49:37,320 --> 00:49:38,920
Speaker 5: was a young dude though. Man, that's what I was

937
00:49:38,920 --> 00:49:41,600
Speaker 5: gonna say. He always had the hood around him because Bob.

938
00:49:41,640 --> 00:49:44,000
Speaker 5: You think about Bob, that's Roland forties right there, right,

939
00:49:44,040 --> 00:49:47,440
Speaker 5: that's rolling forty crib. And Bob was producing a lot

940
00:49:47,440 --> 00:49:49,399
Speaker 5: of stuff for him because at that same time, Bob

941
00:49:49,520 --> 00:49:52,200
Speaker 5: was producing for Rootless, Yeah DJ Bob.

942
00:49:54,600 --> 00:49:56,640
Speaker 3: With the with the yeah.

943
00:49:56,560 --> 00:50:03,560
Speaker 1: Bone had my first A lesson. I was number one.

944
00:50:04,120 --> 00:50:07,160
Speaker 1: I was feeling myself. I went to l A. I

945
00:50:07,200 --> 00:50:08,640
Speaker 1: was in the back stage.

946
00:50:08,680 --> 00:50:10,560
Speaker 2: It was twenty of us year was that this is

947
00:50:10,640 --> 00:50:14,040
Speaker 2: ninety ninety eight literally in my life. I got said, yeah,

948
00:50:14,080 --> 00:50:21,040
Speaker 2: I got im. I was broadcasting that's that one, snoop.

949
00:50:25,480 --> 00:50:31,319
Speaker 2: Let me get better the same crew. Yeah, battle Cat So.

950
00:50:30,280 --> 00:50:34,200
Speaker 1: So they're like, yo, battle Cat is out there. He

951
00:50:34,239 --> 00:50:35,719
Speaker 1: wants to take a picture or he wanted to order

952
00:50:35,920 --> 00:50:39,759
Speaker 1: something something. He was like and my people was just like, yo,

953
00:50:39,800 --> 00:50:41,839
Speaker 1: you know he is chilling. And I just heard him

954
00:50:41,840 --> 00:50:42,560
Speaker 1: in the background.

955
00:50:42,760 --> 00:50:46,560
Speaker 2: I'll have a fucking crops up there, and I was like,

956
00:50:47,080 --> 00:50:49,279
Speaker 2: tell the nick, let's go, and I went out.

957
00:50:49,320 --> 00:50:51,360
Speaker 1: Whenever he had who he wanted, I did, and I

958
00:50:51,760 --> 00:50:54,640
Speaker 1: just I remember, I was like, yo, that's my first lesson, Like,

959
00:50:54,840 --> 00:50:57,240
Speaker 1: doesn't matter how deep you are when you and somebody

960
00:50:57,280 --> 00:50:59,120
Speaker 1: else's hood, respect their route.

961
00:51:00,120 --> 00:51:02,919
Speaker 2: And I did and I did so the battle.

962
00:51:06,920 --> 00:51:13,680
Speaker 1: But let me ask you, right, whenever I like, sometimes

963
00:51:13,880 --> 00:51:16,239
Speaker 1: I walk on the beach right down here, right and

964
00:51:16,320 --> 00:51:18,120
Speaker 1: I could just see people walking by. As soon as

965
00:51:18,120 --> 00:51:20,440
Speaker 1: a person walking by, I'm like that dude right there

966
00:51:20,480 --> 00:51:21,120
Speaker 1: is from New York.

967
00:51:21,200 --> 00:51:22,640
Speaker 2: Like I could just know, like I don't have to

968
00:51:22,680 --> 00:51:23,480
Speaker 2: see it.

969
00:51:23,520 --> 00:51:25,359
Speaker 1: Is it like that with LA people, Because let me

970
00:51:25,440 --> 00:51:30,399
Speaker 1: just acc you. Sometimes I do get approached what I'm

971
00:51:30,400 --> 00:51:32,359
Speaker 1: in l A and somebody would say where you from?

972
00:51:32,480 --> 00:51:33,520
Speaker 2: What neighborhood you from?

973
00:51:33,600 --> 00:51:34,080
Speaker 3: Huh?

974
00:51:34,120 --> 00:51:38,520
Speaker 1: And I'll be like New York. They're like, all right, yeah, leave.

975
00:51:38,560 --> 00:51:40,040
Speaker 1: It's like they don't give a fuck. As long as

976
00:51:40,239 --> 00:51:42,560
Speaker 1: soon as I opened my mouth, They're like he's not

977
00:51:42,680 --> 00:51:47,319
Speaker 1: the ods, he'll leave. So can you see somebody and

978
00:51:47,360 --> 00:51:50,640
Speaker 1: be like, look at somebody and be like he from

979
00:51:50,680 --> 00:51:54,719
Speaker 1: the neighborhood, Oh definitely, But they open in their mouth,

980
00:51:54,880 --> 00:51:55,920
Speaker 1: Oh definitely.

981
00:51:56,040 --> 00:51:56,480
Speaker 2: Just they man.

982
00:51:56,680 --> 00:52:00,000
Speaker 3: Certain hood niggas got mannerism. There's a lot of goofy

983
00:52:00,080 --> 00:52:06,200
Speaker 3: shit going on today, but a real hood nigga is they.

984
00:52:06,680 --> 00:52:09,800
Speaker 3: We just moved different, man, we moved different.

985
00:52:10,280 --> 00:52:10,520
Speaker 2: You know.

986
00:52:10,719 --> 00:52:14,640
Speaker 3: We we're not outspoken. We don't be all chatty chatty

987
00:52:14,680 --> 00:52:17,960
Speaker 3: with motherfuckers. We just sit back and observe, man, and

988
00:52:18,040 --> 00:52:19,960
Speaker 3: you're gonna know a real hood and then the real

989
00:52:19,960 --> 00:52:22,560
Speaker 3: hood nigga don't acknowledge you back with just a simple

990
00:52:23,760 --> 00:52:26,000
Speaker 3: that's it. We ain't gonna say, oh where you from

991
00:52:26,080 --> 00:52:29,279
Speaker 3: or woof you won't we We tend to not, you know,

992
00:52:29,480 --> 00:52:31,719
Speaker 3: the ship. If you're a real nigga, you're from somewhere,

993
00:52:31,960 --> 00:52:35,240
Speaker 3: so we're trying to we bypass that. But there definitely

994
00:52:35,360 --> 00:52:37,200
Speaker 3: you can spot a goofy nigga or want to be

995
00:52:37,320 --> 00:52:38,200
Speaker 3: from a real nigga.

996
00:52:38,440 --> 00:52:40,839
Speaker 1: Right now, let me ask you, have you ever been

997
00:52:40,920 --> 00:52:47,319
Speaker 1: cool prior to you know, you being older when when

998
00:52:47,320 --> 00:52:49,680
Speaker 1: you was younger. We're just round the part you have

999
00:52:49,760 --> 00:52:51,239
Speaker 1: you ever been cool with a blood when it wasn't

1000
00:52:51,239 --> 00:52:52,280
Speaker 1: cool to be cool to blood?

1001
00:52:52,560 --> 00:52:52,759
Speaker 4: Yeah?

1002
00:52:52,760 --> 00:52:57,719
Speaker 3: I knew plenty of bloods back in my Yeah.

1003
00:52:57,880 --> 00:53:02,120
Speaker 2: I think that's the misconception that that's what.

1004
00:53:03,520 --> 00:53:11,239
Speaker 3: Please Some dudes might be family members. You got a

1005
00:53:11,280 --> 00:53:16,160
Speaker 3: lot of family members that claim different neighborhood. You might

1006
00:53:16,239 --> 00:53:17,760
Speaker 3: have a cousin who's a blood.

1007
00:53:17,840 --> 00:53:18,560
Speaker 5: I know that.

1008
00:53:22,560 --> 00:53:25,520
Speaker 3: My thing back, you know with that is it's just

1009
00:53:25,520 --> 00:53:29,240
Speaker 3: a respect you give me. I know you a blood,

1010
00:53:29,360 --> 00:53:35,439
Speaker 3: I'm a crypt. But you know it wasn't like but

1011
00:53:35,640 --> 00:53:39,080
Speaker 3: with some instances it's like on site you a blood,

1012
00:53:39,120 --> 00:53:40,799
Speaker 3: I'm a crypt. Back then it was.

1013
00:53:41,239 --> 00:53:43,640
Speaker 2: So what determines the instances?

1014
00:53:44,920 --> 00:53:47,279
Speaker 3: I guess it gotta be if I was cool with

1015
00:53:47,360 --> 00:53:50,600
Speaker 3: a nigga now I used to dirt bike ride with blood,

1016
00:53:50,960 --> 00:53:52,000
Speaker 3: because you get.

1017
00:53:51,840 --> 00:53:54,719
Speaker 2: Me ball dirt bike rider, something that has nothing to

1018
00:53:54,719 --> 00:53:55,440
Speaker 2: do with the streets.

1019
00:53:55,440 --> 00:53:57,520
Speaker 3: If you have some type, if I already had that

1020
00:53:57,600 --> 00:54:01,080
Speaker 3: connection with you, then got you. Like I said, a

1021
00:54:01,120 --> 00:54:03,840
Speaker 3: lot of a lot of us probably went to school

1022
00:54:03,880 --> 00:54:07,960
Speaker 3: together and then once high school came and we moved

1023
00:54:07,960 --> 00:54:08,759
Speaker 3: at different days.

1024
00:54:08,800 --> 00:54:11,520
Speaker 8: So if you're shipping with him and your corp niggas

1025
00:54:11,520 --> 00:54:13,520
Speaker 8: seeing you would you would be like, yo, he's cool.

1026
00:54:14,160 --> 00:54:16,239
Speaker 8: How would you explain what I'm saying? You know you

1027
00:54:16,239 --> 00:54:16,600
Speaker 8: you can't.

1028
00:54:16,760 --> 00:54:19,400
Speaker 3: I can't do thathing When I got fifteen crip niggas

1029
00:54:19,400 --> 00:54:23,040
Speaker 3: on my mama front porch and my sister got blood

1030
00:54:23,120 --> 00:54:27,400
Speaker 3: by by baby by blood, nigga, he coming over, he nigga,

1031
00:54:27,480 --> 00:54:30,759
Speaker 3: red strings, red hat ons, crazy and when he walk up,

1032
00:54:31,680 --> 00:54:34,279
Speaker 3: the niggas that don't know him is like, the fuck

1033
00:54:34,360 --> 00:54:38,240
Speaker 3: is baby wearing red and blue? The fuck is this nigga?

1034
00:54:38,320 --> 00:54:41,680
Speaker 3: And oh that's pat Leave my nigga alone. He all good.

1035
00:54:41,719 --> 00:54:45,000
Speaker 2: That's crazy, and you can control that. You could be like.

1036
00:54:45,320 --> 00:54:47,520
Speaker 3: No, you you, Oh, you're gonna have to deal with

1037
00:54:47,520 --> 00:54:51,399
Speaker 3: my fucking sister. She ain't finna have that. She don't

1038
00:54:51,440 --> 00:54:54,760
Speaker 3: get a fucking few niggas is crips, bloods essays or whatever.

1039
00:54:55,239 --> 00:54:58,280
Speaker 3: Leave my fucking nigga alone, and that's what's gonna happen.

1040
00:54:58,400 --> 00:55:02,080
Speaker 3: So you got to a cool He don't come over

1041
00:55:02,320 --> 00:55:06,440
Speaker 3: like okay, we know your blood. Okay, he ain't coming

1042
00:55:06,480 --> 00:55:09,480
Speaker 3: over like like blood and nothing like what up? Eight blood?

1043
00:55:09,680 --> 00:55:12,480
Speaker 2: It's all about respect coming on respectful.

1044
00:55:12,520 --> 00:55:15,800
Speaker 3: And this nigga were drinking forties and passing the weed

1045
00:55:15,920 --> 00:55:20,399
Speaker 3: and once the niggas. That's with me. See that, Oh

1046
00:55:20,480 --> 00:55:22,399
Speaker 3: they like to can hear Nigga won't all.

1047
00:55:22,320 --> 00:55:24,600
Speaker 2: That it's allowed, he could.

1048
00:55:24,480 --> 00:55:28,239
Speaker 3: Set all that's.

1049
00:55:30,080 --> 00:55:30,279
Speaker 2: Now.

1050
00:55:30,360 --> 00:55:36,560
Speaker 3: It's it's differences, Like you don't know a nigga is

1051
00:55:38,400 --> 00:55:43,920
Speaker 3: man Like the code is we beefing with this hood, right,

1052
00:55:44,160 --> 00:55:48,760
Speaker 3: we beefing with this blood hood or that's that's feel

1053
00:55:48,800 --> 00:55:51,439
Speaker 3: and McCoy way back in the days, that's what we did.

1054
00:55:51,520 --> 00:55:55,120
Speaker 3: We beefing with them. But that's how I know this

1055
00:55:55,200 --> 00:55:59,759
Speaker 3: nigga Like, I'm not feinna be like stick him up

1056
00:55:59,880 --> 00:56:03,520
Speaker 3: or killing niggas. Nigga, he was cool with me. He

1057
00:56:03,560 --> 00:56:04,800
Speaker 3: ain't beefing with them.

1058
00:56:05,040 --> 00:56:05,479
Speaker 2: He cool.

1059
00:56:05,480 --> 00:56:08,399
Speaker 3: He a blood But you know it's now we might

1060
00:56:08,480 --> 00:56:11,399
Speaker 3: be our ride one day and decide to jump out

1061
00:56:11,440 --> 00:56:12,840
Speaker 3: on some niggas.

1062
00:56:13,040 --> 00:56:19,480
Speaker 2: It's just that happens in real wars. That's what it is.

1063
00:56:19,600 --> 00:56:24,560
Speaker 3: I can't clarify, but like my o G niggas they

1064
00:56:24,600 --> 00:56:26,960
Speaker 3: were cool with some blood. Nigga's like, you get to

1065
00:56:27,000 --> 00:56:30,000
Speaker 3: a point to where I might have to cop from

1066
00:56:30,040 --> 00:56:32,880
Speaker 3: the blood Nigga who's saying that you got the heavy setting?

1067
00:56:33,120 --> 00:56:36,840
Speaker 3: You get me And if I'm serving nigga, I'm not

1068
00:56:36,960 --> 00:56:40,280
Speaker 3: discriminating you coming over here to get this motherfucking work.

1069
00:56:40,440 --> 00:56:45,520
Speaker 3: Then here you go like I'm trying to get money now.

1070
00:56:48,440 --> 00:56:50,080
Speaker 1: For you you right, Let me let me switch with

1071
00:56:50,120 --> 00:56:54,320
Speaker 1: the question a little bit. You not being an offtiate

1072
00:56:54,440 --> 00:56:59,560
Speaker 1: gang banger, but rolling with gang members, does that automatically

1073
00:56:59,560 --> 00:57:00,880
Speaker 1: make you get by association?

1074
00:57:01,360 --> 00:57:01,719
Speaker 2: You know what?

1075
00:57:01,840 --> 00:57:04,040
Speaker 5: It could depending on the situation, depending on what we

1076
00:57:04,080 --> 00:57:07,480
Speaker 5: got going together. Now if me and this man, now

1077
00:57:07,520 --> 00:57:10,239
Speaker 5: this is all prior to me becoming the podcast muggulon,

1078
00:57:11,320 --> 00:57:14,160
Speaker 5: you know, so this is a long time ago listening,

1079
00:57:14,920 --> 00:57:17,080
Speaker 5: you know, probably doing my thing. If we don't put

1080
00:57:17,120 --> 00:57:19,240
Speaker 5: something together where we got eighty pounds going out of

1081
00:57:19,280 --> 00:57:22,600
Speaker 5: time through the mail and me and you got some

1082
00:57:22,680 --> 00:57:24,640
Speaker 5: business together. I don't give a fuck about that crip

1083
00:57:24,720 --> 00:57:26,760
Speaker 5: or that blood shit. You're going money play right now.

1084
00:57:27,040 --> 00:57:28,720
Speaker 5: We want to make sure, you know, we want to

1085
00:57:28,760 --> 00:57:30,600
Speaker 5: mitigate our losses and make sure we get to our

1086
00:57:30,640 --> 00:57:34,360
Speaker 5: money right. And it's all about respect. Like I tell you,

1087
00:57:34,760 --> 00:57:37,120
Speaker 5: I'm real cool with Big U. Shouts at the Homie draws.

1088
00:57:37,480 --> 00:57:40,120
Speaker 5: I've met him through the blood Homie, Tony Lane. You

1089
00:57:40,200 --> 00:57:44,400
Speaker 5: met big a blood home through blood Homie Tony to

1090
00:57:44,880 --> 00:57:47,280
Speaker 5: that managed sugar Free was manager Djech quick. You know

1091
00:57:47,800 --> 00:57:49,760
Speaker 5: he man down right now. Shout at the homie and

1092
00:57:49,760 --> 00:57:52,240
Speaker 5: prayers up for him. But I met him through him

1093
00:57:52,280 --> 00:57:54,280
Speaker 5: through some U football stuffers. I used to have a

1094
00:57:54,320 --> 00:57:56,560
Speaker 5: popping U football chaff. You know, were real big in

1095
00:57:56,600 --> 00:57:58,800
Speaker 5: the sports. You know, one thing over out on the

1096
00:57:58,840 --> 00:58:01,000
Speaker 5: West coast. We take care of our as we coach football,

1097
00:58:01,040 --> 00:58:02,760
Speaker 5: do all kinds of little fly ship for the you know,

1098
00:58:02,800 --> 00:58:05,160
Speaker 5: little youth leagues and stuff like that. I had a

1099
00:58:05,200 --> 00:58:07,760
Speaker 5: youth league in Paramont. Big you had to crench y'all.

1100
00:58:08,240 --> 00:58:13,240
Speaker 5: He had to with the Crenshall coach crenchyall rams And

1101
00:58:13,280 --> 00:58:14,760
Speaker 5: he called me one day with told me on the

1102
00:58:14,760 --> 00:58:16,680
Speaker 5: phone talking ship like yea, we will fuck you all

1103
00:58:16,720 --> 00:58:18,680
Speaker 5: up do this that. Of course I went over there

1104
00:58:18,720 --> 00:58:23,000
Speaker 5: to make the little kid is football ship. That ship big,

1105
00:58:23,080 --> 00:58:24,960
Speaker 5: you know, just like it is. You know, that's what that.

1106
00:58:25,440 --> 00:58:27,960
Speaker 5: California got a lot of similarities with Miami. When to

1107
00:58:28,000 --> 00:58:37,720
Speaker 5: South Florida when it yeah, yeah, election election.

1108
00:58:38,920 --> 00:58:43,760
Speaker 2: Election reacts, y'all.

1109
00:58:43,920 --> 00:58:47,800
Speaker 1: Both this question, do you think Nipsey would still be

1110
00:58:47,840 --> 00:58:50,120
Speaker 1: alive if he didn't put that store in the hood?

1111
00:58:52,840 --> 00:58:57,160
Speaker 5: Answer that first, good question, Go ahead, motherfucker's gonna be

1112
00:58:57,240 --> 00:58:59,760
Speaker 5: mad at me. But I keep real. Hell, motherfucking yeah,

1113
00:59:00,400 --> 00:59:03,480
Speaker 5: I think you know. I think it's one of those things, man,

1114
00:59:03,520 --> 00:59:09,040
Speaker 5: to where you dealing with a lot of different dynamics

1115
00:59:09,080 --> 00:59:11,280
Speaker 5: when it comes to the hood. Nor are you from

1116
00:59:11,320 --> 00:59:15,160
Speaker 5: the hood. We all come from similar circumstances around this table, right.

1117
00:59:15,840 --> 00:59:18,320
Speaker 5: You just can't change certain motherfucker's mindset.

1118
00:59:18,440 --> 00:59:19,400
Speaker 2: Dog, you know.

1119
00:59:19,480 --> 00:59:21,880
Speaker 5: But then again, I believe in God, homie, So when

1120
00:59:21,880 --> 00:59:24,000
Speaker 5: it's God's time, it might not have mattered what he

1121
00:59:24,080 --> 00:59:26,320
Speaker 5: was over there in the hood or down here on

1122
00:59:26,400 --> 00:59:29,240
Speaker 5: South Beach walking around somewhere of sex. You know, if

1123
00:59:29,280 --> 00:59:30,720
Speaker 5: it was his time, it was his time, you know

1124
00:59:30,760 --> 00:59:33,240
Speaker 5: what I mean. I believe in God too, though, bro.

1125
00:59:33,320 --> 00:59:35,280
Speaker 5: But I always wonder that the me and the homies

1126
00:59:35,320 --> 00:59:37,400
Speaker 5: would debate that sometimes because I'm the type of dude

1127
00:59:37,440 --> 00:59:40,120
Speaker 5: I don't believe. I think it's just too different. I

1128
00:59:40,160 --> 00:59:42,640
Speaker 5: can just come from a place where you can't help everybody. Dog,

1129
00:59:42,920 --> 00:59:44,640
Speaker 5: they gonna still find a way to fuck up.

1130
00:59:45,040 --> 00:59:45,200
Speaker 6: You know.

1131
00:59:45,280 --> 00:59:47,480
Speaker 5: You get a homeye, twenty thousand and thirty thousand dollars

1132
00:59:47,520 --> 00:59:49,560
Speaker 5: to put it in on his barbershop, and he fulling

1133
00:59:49,560 --> 00:59:51,200
Speaker 5: around trying to move a package out of town or

1134
00:59:51,200 --> 00:59:53,439
Speaker 5: some shit. Some motherfuckers just ain't gonna do right, dog,

1135
00:59:54,240 --> 00:59:56,360
Speaker 5: So you just gotta be co conscious of that shit,

1136
00:59:56,440 --> 00:59:56,960
Speaker 5: you know what I mean.

1137
00:59:57,800 --> 00:59:59,680
Speaker 2: Some mother fuckers's not gonna go do what they're supposed

1138
00:59:59,680 --> 01:00:00,480
Speaker 2: to do, how about you?

1139
01:00:00,880 --> 01:00:07,440
Speaker 3: Nip Nip was a true uh representative of his neighborhood.

1140
01:00:09,120 --> 01:00:12,840
Speaker 3: He wanted to keep all of that in his neighborhood.

1141
01:00:12,920 --> 01:00:15,840
Speaker 3: Of course, he could have went to Beverly Hills or

1142
01:00:16,480 --> 01:00:16,800
Speaker 3: you know.

1143
01:00:19,800 --> 01:00:20,480
Speaker 2: And all that to.

1144
01:00:20,440 --> 01:00:24,920
Speaker 3: Open the store, but I think, uh, he wanted to

1145
01:00:25,000 --> 01:00:30,320
Speaker 3: show niggas that I'm gonna keep the bread here like

1146
01:00:30,440 --> 01:00:32,920
Speaker 3: niggas talk about it, you know, give back to the

1147
01:00:32,960 --> 01:00:36,240
Speaker 3: block and you know, buy your own and ship. He

1148
01:00:36,360 --> 01:00:39,880
Speaker 3: wanted to really, you know, he really wanted to show that.

1149
01:00:41,120 --> 01:00:45,720
Speaker 3: And that gained you a lot of motherfucking respect just

1150
01:00:45,800 --> 01:00:50,600
Speaker 3: in the streets alone. You feel me being able to

1151
01:00:50,800 --> 01:00:53,960
Speaker 3: give that. Nigga, you and you're on your block. Nigga

1152
01:00:54,040 --> 01:00:56,760
Speaker 3: got a major store, and you major this and that

1153
01:00:56,880 --> 01:00:58,680
Speaker 3: now and you still right here.

1154
01:00:58,560 --> 01:01:01,040
Speaker 2: Also get niggas knocked down every day.

1155
01:01:02,080 --> 01:01:06,200
Speaker 3: Not actually I mean that really that came from from

1156
01:01:05,960 --> 01:01:09,680
Speaker 3: some other shit. You get me, because if you're able

1157
01:01:09,720 --> 01:01:12,600
Speaker 3: to be cool with motherfuckers and you able to maintain

1158
01:01:12,800 --> 01:01:16,280
Speaker 3: a certain then you don't have beef with niggas. You

1159
01:01:16,360 --> 01:01:20,800
Speaker 3: get me. That's and that's the problem with shit. You

1160
01:01:20,840 --> 01:01:25,160
Speaker 3: can't prevent another niggas jealousy. Man, you give me you can't.

1161
01:01:25,880 --> 01:01:28,000
Speaker 3: Like I tell niggas every day. I'm cool with every

1162
01:01:28,040 --> 01:01:30,640
Speaker 3: motherfucking body, But it's somebody out there that don't like

1163
01:01:30,680 --> 01:01:33,920
Speaker 3: a nigga, and not because I don't shot up a

1164
01:01:34,000 --> 01:01:37,760
Speaker 3: nigga lock or did some shit or whatever. Who knows,

1165
01:01:38,200 --> 01:01:40,920
Speaker 3: Maybe because we come from the same motherfucking place and

1166
01:01:40,960 --> 01:01:43,080
Speaker 3: you ain't as well off or you ain't inna do it.

1167
01:01:43,080 --> 01:01:46,040
Speaker 3: But nigga shit, it's still a struggle every day. It's

1168
01:01:46,120 --> 01:01:49,880
Speaker 3: why I tell a motherfucker. But you can't prevent niggas jealousy.

1169
01:01:50,000 --> 01:01:54,200
Speaker 3: So and if you want to remain grounded to where

1170
01:01:54,240 --> 01:01:59,200
Speaker 3: you come from, which he nigga, everybody know he represented

1171
01:01:59,240 --> 01:02:02,600
Speaker 3: the sixties to the fullers. And even though I'm on

1172
01:02:02,720 --> 01:02:06,160
Speaker 3: a different motherfucking plateau right now, I'm gonna still show

1173
01:02:06,240 --> 01:02:09,320
Speaker 3: niggas that if it wasn't from where I came from,

1174
01:02:09,400 --> 01:02:11,920
Speaker 3: then none of this would be possible. So if I

1175
01:02:11,920 --> 01:02:15,440
Speaker 3: can buy a building in the hood and then keep

1176
01:02:15,480 --> 01:02:17,760
Speaker 3: it on some positive shit, but niggas ain't gonna be

1177
01:02:17,800 --> 01:02:21,360
Speaker 3: breaking into it or striking it up, and everybody gonna

1178
01:02:21,400 --> 01:02:24,160
Speaker 3: protect it and look at it as the neighborhood store.

1179
01:02:24,640 --> 01:02:27,040
Speaker 3: I don't be right there, But like I said, you

1180
01:02:27,080 --> 01:02:31,640
Speaker 3: can't prevent niggas who were in the cut who because

1181
01:02:31,680 --> 01:02:33,240
Speaker 3: like you said, you can get caught. You can get

1182
01:02:33,240 --> 01:02:34,000
Speaker 3: caught anywhere.

1183
01:02:34,360 --> 01:02:37,480
Speaker 5: Yeah, you can get caught anywhere, man, And I remember

1184
01:02:37,600 --> 01:02:39,920
Speaker 5: that shit happened. That shit was sad shit though, like

1185
01:02:40,000 --> 01:02:42,000
Speaker 5: they called the homie's phone. He was over my house

1186
01:02:42,560 --> 01:02:44,720
Speaker 5: and that shit was in real time on FaceTime, And

1187
01:02:44,760 --> 01:02:48,120
Speaker 5: I was wondering what nigga FaceTime on us? Man, you

1188
01:02:47,800 --> 01:02:50,120
Speaker 5: got you got a pistol? Nigga, shoot the nigga, do something,

1189
01:02:50,480 --> 01:02:52,120
Speaker 5: call the police, like why you find the fuck you're

1190
01:02:52,120 --> 01:02:55,000
Speaker 5: calling us? You feel what I'm saying, It's like, shit

1191
01:02:55,080 --> 01:02:57,720
Speaker 5: is crazy, Dog, I don't seen more motherfuckers.

1192
01:02:57,120 --> 01:03:01,200
Speaker 11: Get you in real time. It was happening is on FaceTime, Dog,

1193
01:03:01,360 --> 01:03:03,600
Speaker 11: I swear the guy you guy asked on the glasses alone. Man,

1194
01:03:03,600 --> 01:03:06,560
Speaker 11: he was sitting right there, my mother fucking doner, like,

1195
01:03:06,560 --> 01:03:10,160
Speaker 11: why are you calling me? Like like it got a pistol?

1196
01:03:10,280 --> 01:03:12,280
Speaker 11: Like I've never seen so many niggas with pistols, but

1197
01:03:12,280 --> 01:03:13,680
Speaker 11: don't shoot no motherfucking buddy.

1198
01:03:14,880 --> 01:03:15,800
Speaker 2: I'll tell you one thing.

1199
01:03:16,760 --> 01:03:19,000
Speaker 1: I'm gonna going to LA for years, and you know,

1200
01:03:19,040 --> 01:03:21,160
Speaker 1: I'm cool with Dazz and Corrupt, and I would go

1201
01:03:21,200 --> 01:03:25,439
Speaker 1: to their shows and Snoop sometimes and Nipsey though, I'll

1202
01:03:25,440 --> 01:03:28,080
Speaker 1: tell you this. When I went to his show, it

1203
01:03:28,160 --> 01:03:30,600
Speaker 1: was the first time I actually seen all of l

1204
01:03:30,680 --> 01:03:34,640
Speaker 1: A coaching come out, Like every single people came out

1205
01:03:34,880 --> 01:03:36,560
Speaker 1: like I kid you not, I'm talking about I don't

1206
01:03:36,600 --> 01:03:38,800
Speaker 1: know if there was gang members, but it's Chinese people

1207
01:03:39,320 --> 01:03:39,680
Speaker 1: it was.

1208
01:03:39,960 --> 01:03:41,320
Speaker 2: It was Latinos.

1209
01:03:41,520 --> 01:03:46,520
Speaker 1: I had because in New York that it's very common

1210
01:03:46,560 --> 01:03:49,640
Speaker 1: to see Latinos and blacks together in l A. I

1211
01:03:49,680 --> 01:03:52,920
Speaker 1: didn't see that a lot. You get that show, I

1212
01:03:54,400 --> 01:03:57,080
Speaker 1: see that the show, I see that Nipsey show. That

1213
01:03:57,160 --> 01:03:58,919
Speaker 1: was the first time I was like, holy.

1214
01:03:58,640 --> 01:03:59,800
Speaker 2: Ship, you know what I mean.

1215
01:04:00,520 --> 01:04:03,800
Speaker 1: So like I felt like I felt like in that sense,

1216
01:04:03,840 --> 01:04:05,800
Speaker 1: he was almost as powerful as Malcolm X.

1217
01:04:07,240 --> 01:04:09,720
Speaker 2: Like that's how I like, that's.

1218
01:04:09,600 --> 01:04:12,440
Speaker 3: How powerful he was, Like I said to a lot

1219
01:04:12,480 --> 01:04:17,320
Speaker 3: of people, he was like he was the essence of

1220
01:04:17,400 --> 01:04:22,040
Speaker 3: what you're supposed to do and be. When you from

1221
01:04:22,240 --> 01:04:25,920
Speaker 3: l A and you claim a neighborhood or whatever two

1222
01:04:25,960 --> 01:04:26,800
Speaker 3: people he was.

1223
01:04:26,960 --> 01:04:27,720
Speaker 2: He was just that.

1224
01:04:27,920 --> 01:04:31,280
Speaker 3: You get me, uh, you know, we we had that

1225
01:04:31,440 --> 01:04:34,240
Speaker 3: element like when Easy first started rapping.

1226
01:04:34,720 --> 01:04:35,120
Speaker 2: Easy.

1227
01:04:35,200 --> 01:04:39,120
Speaker 3: You know, Compton was vicious, but Easy had it to

1228
01:04:39,200 --> 01:04:44,120
Speaker 3: where niggas felt good about being from Compton. You give me.

1229
01:04:44,320 --> 01:04:44,720
Speaker 5: We had.

1230
01:04:46,800 --> 01:04:49,320
Speaker 3: Nigga when Easy came out, Nigga, I don't give a

1231
01:04:49,360 --> 01:04:53,600
Speaker 3: funk who you was, blood crip, Mexican nigga.

1232
01:04:53,640 --> 01:04:56,920
Speaker 2: You loved boy like you.

1233
01:04:56,920 --> 01:04:59,920
Speaker 3: Loved boys in the hood record when we first heard him,

1234
01:05:00,200 --> 01:05:04,920
Speaker 3: because it was like, oh shit, this nigga represents us.

1235
01:05:04,800 --> 01:05:06,960
Speaker 2: Right, you get me always jump.

1236
01:05:10,560 --> 01:05:11,160
Speaker 3: Got it duck.

1237
01:05:11,360 --> 01:05:13,840
Speaker 8: But you had a fun row seat to that, like

1238
01:05:13,840 --> 01:05:15,320
Speaker 8: that whole Easy earlierly.

1239
01:05:15,400 --> 01:05:19,720
Speaker 3: Yeah, definitely it changed or it changed the culture of

1240
01:05:19,800 --> 01:05:24,200
Speaker 3: our music, and it allowed a lot of us who

1241
01:05:25,240 --> 01:05:28,080
Speaker 3: basically didn't know what the fuck we was finna be doing.

1242
01:05:28,320 --> 01:05:31,560
Speaker 3: So we're finna be gang banging, going to prison and seitaries, man,

1243
01:05:32,080 --> 01:05:35,280
Speaker 3: because like I said, as a youngster, I ain't see

1244
01:05:35,320 --> 01:05:38,680
Speaker 3: shit else right, you get me. You go from nigga,

1245
01:05:38,680 --> 01:05:43,080
Speaker 3: I'm watching super Friends on Saturdays, eating Captain Crunch. Next

1246
01:05:43,120 --> 01:05:45,440
Speaker 3: thing you know you like out here like Nigga, what

1247
01:05:45,480 --> 01:05:49,520
Speaker 3: the fuck I'm for be serving carrying a pistol and

1248
01:05:49,680 --> 01:05:52,240
Speaker 3: niggas hit the block with the lights on. Niggas times

1249
01:05:52,280 --> 01:05:55,760
Speaker 3: start shooting. You don't see nothing else after that. You

1250
01:05:55,800 --> 01:05:58,720
Speaker 3: get me. You see homies dying, You see a couple

1251
01:05:58,720 --> 01:06:01,520
Speaker 3: of homies coming up off the dope game. But for

1252
01:06:01,560 --> 01:06:04,120
Speaker 3: the most part, nigga we on the block every day.

1253
01:06:04,400 --> 01:06:07,160
Speaker 8: So did you ever make any music with random, any

1254
01:06:07,160 --> 01:06:09,240
Speaker 8: of them at any point?

1255
01:06:09,800 --> 01:06:13,720
Speaker 3: I started right when Easy got sick. I had started

1256
01:06:13,760 --> 01:06:17,520
Speaker 3: writing some songs for him. For him, yeah, oh damn,

1257
01:06:19,280 --> 01:06:19,880
Speaker 3: your lyrics coming.

1258
01:06:20,680 --> 01:06:22,160
Speaker 2: I can hear you.

1259
01:06:22,360 --> 01:06:25,360
Speaker 3: I can hear your lyrics I've never heard. I think

1260
01:06:25,360 --> 01:06:28,760
Speaker 3: I wrote like two songs for Easy, but nothing came out. No,

1261
01:06:28,880 --> 01:06:29,760
Speaker 3: because he got sick.

1262
01:06:30,080 --> 01:06:32,480
Speaker 2: I would love to hear. Oh he never recorded him

1263
01:06:32,520 --> 01:06:32,760
Speaker 2: at all.

1264
01:06:32,840 --> 01:06:32,920
Speaker 7: No.

1265
01:06:33,120 --> 01:06:36,160
Speaker 3: I know the dude I was fucking with back then.

1266
01:06:36,880 --> 01:06:40,560
Speaker 3: He had a close relationship with them. So he came

1267
01:06:40,600 --> 01:06:42,760
Speaker 3: to me one day and said, Easy might want you

1268
01:06:42,800 --> 01:06:44,120
Speaker 3: to write them a couple of songs.

1269
01:06:44,200 --> 01:06:46,440
Speaker 6: And you were already putting out records. Yes, was one,

1270
01:06:46,440 --> 01:06:47,120
Speaker 6: It was already out.

1271
01:06:47,240 --> 01:06:50,480
Speaker 3: Yes, So I wrote two songs and they wanted me

1272
01:06:50,560 --> 01:06:53,000
Speaker 3: to lay the lyrics to him, and I never did

1273
01:06:53,000 --> 01:06:53,959
Speaker 3: it because he got sick.

1274
01:06:54,080 --> 01:06:56,440
Speaker 5: Yes, they had some ship dog because I heard his

1275
01:06:56,560 --> 01:07:00,200
Speaker 5: song because you know, Bob can he was doing when

1276
01:07:00,240 --> 01:07:02,600
Speaker 5: she was. After Drake left, my god brother started doing

1277
01:07:02,600 --> 01:07:04,479
Speaker 5: a lot of the staff production over there, and Bob

1278
01:07:04,520 --> 01:07:08,720
Speaker 5: played me a record with Wren easy, motherfucking doctor Dre

1279
01:07:08,840 --> 01:07:11,280
Speaker 5: and Q like the n W A ship that ship

1280
01:07:11,320 --> 01:07:13,320
Speaker 5: Still to this day, I asked small time man play

1281
01:07:13,360 --> 01:07:18,200
Speaker 5: that ship for me. Said, Hey, motherfucking the hardest ship I.

1282
01:07:18,160 --> 01:07:22,240
Speaker 2: Ever heard those dog that was hard after the beach,

1283
01:07:23,080 --> 01:07:24,760
Speaker 2: after the beef, like the was gonna get this.

1284
01:07:27,480 --> 01:07:29,240
Speaker 5: And all of them sound and the beat was so

1285
01:07:29,400 --> 01:07:32,440
Speaker 5: motherfucking crazy dog. It was just was like the silent

1286
01:07:32,840 --> 01:07:41,880
Speaker 5: crazy a lot he was early days. Man, please Rn Man,

1287
01:07:42,000 --> 01:07:44,680
Speaker 5: come on, man, she swallowed it and all that.

1288
01:07:44,720 --> 01:07:47,280
Speaker 2: Mother he was crazy.

1289
01:07:48,160 --> 01:07:55,280
Speaker 3: Wren is uh, he's more the silent partner. He's very quiet.

1290
01:07:56,520 --> 01:07:58,040
Speaker 2: And he was real loyal to the situation.

1291
01:07:58,960 --> 01:08:02,000
Speaker 3: I talked to Wren. You was you really was around?

1292
01:08:02,120 --> 01:08:04,760
Speaker 8: Like what I found out about you, I did my homework,

1293
01:08:05,280 --> 01:08:07,320
Speaker 8: like and like your knowledge of hip hop is you

1294
01:08:07,440 --> 01:08:08,800
Speaker 8: got a great knowledge of hip hop?

1295
01:08:08,880 --> 01:08:09,240
Speaker 2: Right it was.

1296
01:08:09,440 --> 01:08:13,200
Speaker 8: I watched a couple of interviews, but it's like, you know,

1297
01:08:13,480 --> 01:08:15,760
Speaker 8: growing up you know, like in Compton, Like that's where

1298
01:08:16,520 --> 01:08:18,920
Speaker 8: arguably gangster hip hop, you know what I'm saying, Like

1299
01:08:19,000 --> 01:08:22,720
Speaker 8: it was made when you came with your sound, it.

1300
01:08:22,720 --> 01:08:25,639
Speaker 2: Was like the piano strings, the hot high pitchure.

1301
01:08:25,880 --> 01:08:28,479
Speaker 8: It was different from most of the other gang banging

1302
01:08:28,600 --> 01:08:29,520
Speaker 8: like you really.

1303
01:08:29,280 --> 01:08:30,519
Speaker 2: Everybody was used that sound.

1304
01:08:30,560 --> 01:08:34,080
Speaker 3: Everybody was doing a lot of bpms, was up in

1305
01:08:34,120 --> 01:08:37,640
Speaker 3: the high notes, and it was fast slowed all the

1306
01:08:37,640 --> 01:08:42,679
Speaker 3: way down. When I started rapping, you know, I like movies.

1307
01:08:45,080 --> 01:08:47,439
Speaker 3: I would always like when the movie get to that part,

1308
01:08:47,760 --> 01:08:51,200
Speaker 3: know somebody from the die or the jump out to it.

1309
01:08:53,479 --> 01:08:55,800
Speaker 3: So I always wanted my music to fit.

1310
01:08:55,880 --> 01:08:58,360
Speaker 2: That makes sense, because music to.

1311
01:08:58,800 --> 01:09:01,320
Speaker 3: Tell the soundtrack or the story that was going on.

1312
01:09:01,680 --> 01:09:04,960
Speaker 3: So I never got into the fast paced ship because

1313
01:09:06,560 --> 01:09:09,840
Speaker 3: I wanted niggas to hear me like I'm Frienna, I'm

1314
01:09:10,120 --> 01:09:11,960
Speaker 3: sit down and listen to what I'm gonna tell you.

1315
01:09:11,960 --> 01:09:17,960
Speaker 3: What's that producer? Who was that DJ Slip produced? I

1316
01:09:18,000 --> 01:09:20,360
Speaker 3: wanted my ship to be the soundtrack to the streets.

1317
01:09:20,360 --> 01:09:25,720
Speaker 3: So ship, you're getting me niggas struggling, motherfucking they just

1318
01:09:25,880 --> 01:09:29,679
Speaker 3: drove by Miss Daisy, motherfucking the hood took me under.

1319
01:09:29,840 --> 01:09:33,719
Speaker 3: Niggas still struggling. I wanted niggas to know, like, Nigga,

1320
01:09:34,479 --> 01:09:39,920
Speaker 3: it's real, like it's real fucked up where I'm from, Like,

1321
01:09:40,360 --> 01:09:44,680
Speaker 3: and I'm getting a chance to tell motherfuckers Nigga. Last night,

1322
01:09:44,760 --> 01:09:47,040
Speaker 3: so and so got shot with the k and then

1323
01:09:47,120 --> 01:09:49,960
Speaker 3: the homies went and did this and block blah blah.

1324
01:09:50,240 --> 01:09:52,599
Speaker 3: Then the ones came through Nigga and they took all

1325
01:09:52,600 --> 01:09:56,000
Speaker 3: of us to jail. And now we're sitting up nigga.

1326
01:09:56,080 --> 01:09:59,040
Speaker 3: Y'all need to hear this ship because you cannot tell

1327
01:09:59,080 --> 01:10:01,880
Speaker 3: me that so mighty over there and with the jail

1328
01:10:01,920 --> 01:10:06,479
Speaker 3: to night and there or just getting caught up. So

1329
01:10:07,080 --> 01:10:10,040
Speaker 3: I wanted my ship to be sinister. And when you

1330
01:10:10,080 --> 01:10:11,879
Speaker 3: sat back and listened to my ship.

1331
01:10:11,720 --> 01:10:13,840
Speaker 2: You can envision the hell motherfuck it.

1332
01:10:13,920 --> 01:10:17,040
Speaker 3: Ye, it wasn't the same La drive by on the

1333
01:10:17,120 --> 01:10:18,120
Speaker 3: Nigga right now.

1334
01:10:18,560 --> 01:10:20,719
Speaker 2: So how crazy was it for you? When when finally

1335
01:10:20,760 --> 01:10:23,599
Speaker 2: it was a soundtrack record on Boys in the Hood,

1336
01:10:24,120 --> 01:10:29,080
Speaker 2: Oh man, that was because that it's exactly what you're

1337
01:10:29,160 --> 01:10:30,320
Speaker 2: describing you wanted to create.

1338
01:10:30,360 --> 01:10:31,880
Speaker 3: I used to hang out with Shout Out my dude

1339
01:10:31,960 --> 01:10:32,800
Speaker 3: j D from the Lynch.

1340
01:10:32,840 --> 01:10:33,040
Speaker 2: Bob.

1341
01:10:34,080 --> 01:10:38,120
Speaker 3: Me and him was real good friends. And this was

1342
01:10:38,160 --> 01:10:40,400
Speaker 3: at the time where they was filming boys Jays, that's

1343
01:10:40,439 --> 01:10:47,200
Speaker 3: locked up there, J shout out my nigga, JD. So

1344
01:10:47,240 --> 01:10:48,960
Speaker 3: we used to go up to the set. You know,

1345
01:10:49,160 --> 01:10:51,360
Speaker 3: they was with Q whatever whatever. I didn't even know

1346
01:10:51,520 --> 01:10:53,200
Speaker 3: John single to but you.

1347
01:10:53,160 --> 01:10:56,559
Speaker 2: Had already film minutes or no before. But he had

1348
01:10:56,560 --> 01:10:57,280
Speaker 2: the hand in both.

1349
01:11:00,160 --> 01:11:04,000
Speaker 3: This was when I had what was I did? I

1350
01:11:04,120 --> 01:11:07,200
Speaker 3: just dropped one time gaffled them up and so the

1351
01:11:07,280 --> 01:11:10,479
Speaker 3: video was out whatever blah blah. Saw I go up

1352
01:11:10,479 --> 01:11:15,120
Speaker 3: to the set with JD and John Singleton come out

1353
01:11:15,160 --> 01:11:18,719
Speaker 3: the trailer and me and JD just standing there smoking.

1354
01:11:19,120 --> 01:11:21,479
Speaker 3: He walked right up to me. He said, that video

1355
01:11:21,640 --> 01:11:23,280
Speaker 3: as hard as fuck.

1356
01:11:23,439 --> 01:11:24,360
Speaker 2: What video he talking about?

1357
01:11:24,400 --> 01:11:26,200
Speaker 3: He talked about one time gaffled them up. That was

1358
01:11:26,280 --> 01:11:30,400
Speaker 3: my first And I'm looking like, who is this motherfucker?

1359
01:11:30,960 --> 01:11:33,280
Speaker 3: And he was like, oh, this is my movie and

1360
01:11:33,320 --> 01:11:36,639
Speaker 3: I'm shooting boys in the Hood. And I was like yeah,

1361
01:11:36,920 --> 01:11:40,040
Speaker 3: Like I'm still a young nigga hood nigga. I'm like yeah, whatever,

1362
01:11:40,200 --> 01:11:43,320
Speaker 3: you know, I'm gonna get you on my soundtrack. And

1363
01:11:43,360 --> 01:11:47,439
Speaker 3: I was like, man, please, this nigga ain't fucking with me.

1364
01:11:47,840 --> 01:11:50,759
Speaker 3: And no, he was like no, no, man, I'm telling

1365
01:11:50,800 --> 01:11:53,479
Speaker 3: you and like two weeks later they called and so

1366
01:11:53,720 --> 01:11:56,120
Speaker 3: I got to see the movie. And then I was

1367
01:11:56,160 --> 01:11:58,120
Speaker 3: going to the set every day, so I got to

1368
01:11:58,160 --> 01:11:58,720
Speaker 3: see the movie.

1369
01:11:58,760 --> 01:11:59,320
Speaker 2: Boys and the Hood.

1370
01:11:59,400 --> 01:12:01,160
Speaker 3: Yeah, I got to make the lig while they was

1371
01:12:01,240 --> 01:12:04,439
Speaker 3: making it. So I was like, oh, this ship going

1372
01:12:04,520 --> 01:12:07,320
Speaker 3: to be easy as fun. Nigga growing up in the hood, nigga,

1373
01:12:07,360 --> 01:12:09,519
Speaker 3: this the year and I didn't even know what the

1374
01:12:09,600 --> 01:12:12,240
Speaker 3: fuck was going to happen, And moms was treating me

1375
01:12:12,400 --> 01:12:15,120
Speaker 3: like I wasn't shipping, and my younger brother was getting

1376
01:12:15,160 --> 01:12:20,280
Speaker 3: all the love because I was at home in the

1377
01:12:20,320 --> 01:12:24,760
Speaker 3: hood with a single mom with a younger brother, and

1378
01:12:24,920 --> 01:12:27,840
Speaker 3: I was the middle kid. So I'm like, nigga, this

1379
01:12:27,920 --> 01:12:32,000
Speaker 3: is me right, So it was easy to pin that

1380
01:12:32,120 --> 01:12:34,439
Speaker 3: type of you seen the movie before everybody else? Ya,

1381
01:12:35,800 --> 01:12:37,880
Speaker 3: I was on me in a little.

1382
01:12:37,600 --> 01:12:39,000
Speaker 8: Did you know it was gonna be as big as

1383
01:12:39,040 --> 01:12:40,800
Speaker 8: it was? Did you know it was gonna be as

1384
01:12:40,800 --> 01:12:42,000
Speaker 8: big as it was when you've seen it?

1385
01:12:42,439 --> 01:12:47,639
Speaker 3: I thought it was because those movies started jumping off,

1386
01:12:48,040 --> 01:12:53,000
Speaker 3: you get me. Tupac did Juice, they did South Central

1387
01:12:53,080 --> 01:12:56,760
Speaker 3: with Plumber. There we had colors. So I'm like, oh this,

1388
01:12:57,760 --> 01:12:59,880
Speaker 3: I'm like this ship friing it take off like.

1389
01:12:59,840 --> 01:13:02,040
Speaker 6: It was more authentic or you felt like one of

1390
01:13:02,080 --> 01:13:04,120
Speaker 6: those movies, like all of them were the same.

1391
01:13:04,520 --> 01:13:09,479
Speaker 3: It was different, but it still showed neighborhood incidents. I

1392
01:13:09,520 --> 01:13:11,439
Speaker 3: think that's why Boys in the Hood did so.

1393
01:13:11,479 --> 01:13:13,479
Speaker 2: Good, because it felt more real than the other movies.

1394
01:13:13,680 --> 01:13:16,120
Speaker 3: Yeah, it was. It was you know, with Trey and

1395
01:13:16,160 --> 01:13:19,759
Speaker 3: the college and all that shit. That was something different.

1396
01:13:20,240 --> 01:13:23,400
Speaker 3: You know, as you've seen in Minutes. You know, it

1397
01:13:23,520 --> 01:13:26,760
Speaker 3: was totally different. You know, many stay was just trying

1398
01:13:26,760 --> 01:13:29,360
Speaker 3: to show niggas in the hood and how a nigga

1399
01:13:29,400 --> 01:13:32,439
Speaker 3: trying to escape. You know what I'm saying. When you

1400
01:13:32,479 --> 01:13:36,080
Speaker 3: got the script a wax. When you got the script right,

1401
01:13:36,160 --> 01:13:39,960
Speaker 3: when you got like, did you okay? You know because

1402
01:13:40,160 --> 01:13:42,840
Speaker 3: the script was like your life, so you could really write.

1403
01:13:43,360 --> 01:13:44,639
Speaker 3: You can relate to what's in there.

1404
01:13:44,680 --> 01:13:47,360
Speaker 8: So when you're on the movie set, I'm sure that

1405
01:13:47,400 --> 01:13:49,640
Speaker 8: there's a lot of improvision going on.

1406
01:13:49,760 --> 01:13:51,960
Speaker 3: And like your improvisers, right, they let me do a

1407
01:13:51,960 --> 01:13:54,439
Speaker 3: lot of adlets. So what scene do you think you

1408
01:13:54,560 --> 01:13:56,759
Speaker 3: improvised that was off script and that made.

1409
01:13:56,560 --> 01:13:59,080
Speaker 8: It seem better? What part of the movie that was

1410
01:13:59,120 --> 01:14:04,040
Speaker 8: like because of you? That's my favorite movie. That's a

1411
01:14:04,080 --> 01:14:04,559
Speaker 8: great mess.

1412
01:14:05,280 --> 01:14:08,559
Speaker 6: Two movies to me or so I got.

1413
01:14:08,400 --> 01:14:12,280
Speaker 3: The ad lib the killing park. That was like a

1414
01:14:12,320 --> 01:14:17,280
Speaker 3: lot of me ad, living, burgers, staying and a lot

1415
01:14:17,280 --> 01:14:18,160
Speaker 3: of meat inside.

1416
01:14:18,200 --> 01:14:19,719
Speaker 2: You mean, before you get to the murder.

1417
01:14:20,720 --> 01:14:23,280
Speaker 3: While we're going to the battle and we're talking and

1418
01:14:23,320 --> 01:14:28,599
Speaker 3: all that. When I'm geting that was all improvosed in

1419
01:14:28,640 --> 01:14:31,559
Speaker 3: the park where I ran in the back and was like, hey,

1420
01:14:31,600 --> 01:14:32,240
Speaker 3: you need something.

1421
01:14:33,280 --> 01:14:41,320
Speaker 2: That was all I probably always told you this.

1422
01:14:42,040 --> 01:14:45,160
Speaker 10: You did that role so good for years I was

1423
01:14:45,200 --> 01:14:56,200
Speaker 10: scared of you too good.

1424
01:14:57,160 --> 01:14:58,639
Speaker 2: I was just like, that's him, man.

1425
01:14:59,640 --> 01:15:01,640
Speaker 1: I didn't think you were active, and I was like

1426
01:15:01,680 --> 01:15:04,080
Speaker 1: he has to have experienced somehow.

1427
01:15:07,560 --> 01:15:10,800
Speaker 3: I wasn't really acting because it's like niggas. You there's

1428
01:15:10,840 --> 01:15:15,200
Speaker 3: one all three nigga killed a homie and I get

1429
01:15:15,240 --> 01:15:19,240
Speaker 3: a chance, you put yourself Adam, shoot you once I'm

1430
01:15:19,240 --> 01:15:21,400
Speaker 3: gonna do. I'm gonna go the whole thing on you.

1431
01:15:21,479 --> 01:15:23,880
Speaker 3: They kick you and call your punk ass nigga and

1432
01:15:24,080 --> 01:15:26,240
Speaker 3: like let's go hill Is.

1433
01:15:26,720 --> 01:15:28,400
Speaker 2: It was like you gassed the little homies.

1434
01:15:29,560 --> 01:15:31,519
Speaker 1: It's like if you think about it, like I watched

1435
01:15:31,520 --> 01:15:33,840
Speaker 1: it come this morning again and I'm like.

1436
01:15:34,280 --> 01:15:36,560
Speaker 3: You the o g Then I'm telling niggas going to

1437
01:15:36,640 --> 01:15:36,960
Speaker 3: this ship.

1438
01:15:37,360 --> 01:15:38,040
Speaker 2: Go go go.

1439
01:15:38,040 --> 01:15:39,439
Speaker 3: Don't do that ship while we're right here.

1440
01:15:41,040 --> 01:15:44,920
Speaker 1: That's what I didn't remember that to this morning. I'm watching,

1441
01:15:44,960 --> 01:15:47,799
Speaker 1: I'm like, wait a minute, this nigga's old ship.

1442
01:15:47,920 --> 01:15:51,599
Speaker 3: Oh yeah, Oh Jesus fluence do a lot of ship, nigga.

1443
01:15:51,760 --> 01:15:53,760
Speaker 3: Go some niggas across the street and get right now.

1444
01:15:54,840 --> 01:15:56,479
Speaker 3: What's her name? The one with the what's her name?

1445
01:15:56,560 --> 01:15:58,320
Speaker 3: The one with the dress that was in there with y'all?

1446
01:15:58,479 --> 01:16:01,719
Speaker 3: That was all who played the homegirl.

1447
01:16:02,000 --> 01:16:06,480
Speaker 2: She got the same girl and that was in uh

1448
01:16:07,439 --> 01:16:10,000
Speaker 2: uh you know New Jack City. Was that the same

1449
01:16:10,040 --> 01:16:11,640
Speaker 2: one who said rock the block? Baby? Was that the

1450
01:16:14,400 --> 01:16:17,479
Speaker 2: okay scene? That's one of the other scenes she was.

1451
01:16:18,320 --> 01:16:20,479
Speaker 3: She was like a young actress or whatever from l A.

1452
01:16:20,560 --> 01:16:25,080
Speaker 3: She she was okay, sure, yeah, getting the park Like

1453
01:16:25,439 --> 01:16:27,680
Speaker 3: I didn't know the niggas was gonna choose me. It

1454
01:16:27,800 --> 01:16:30,439
Speaker 3: was brother, yeah, they had it was it was me

1455
01:16:30,479 --> 01:16:32,080
Speaker 3: and mc wren who was going out.

1456
01:16:31,920 --> 01:16:37,920
Speaker 2: For the pot. I can't picture now because they told me.

1457
01:16:38,000 --> 01:16:41,320
Speaker 3: They told me, uh, they want I read for it

1458
01:16:41,479 --> 01:16:43,640
Speaker 3: and they wanted Wing to Red read for it. I

1459
01:16:43,680 --> 01:16:45,439
Speaker 3: don't know if he actually did. She would have got

1460
01:16:45,520 --> 01:16:48,200
Speaker 3: an award for that because every rapper wanted to like

1461
01:16:48,640 --> 01:16:51,559
Speaker 3: when they watched you wanted to be like I wanted

1462
01:16:51,600 --> 01:16:52,680
Speaker 3: to be wax like it was.

1463
01:16:52,960 --> 01:16:54,600
Speaker 2: Old dogging and you know what I'm saying. Okay, but

1464
01:16:54,880 --> 01:16:56,719
Speaker 2: right the way you did your ship bro.

1465
01:16:56,680 --> 01:17:01,120
Speaker 8: And then to have the song on it all like

1466
01:17:01,120 --> 01:17:03,800
Speaker 8: like that had to be like you know, like something's

1467
01:17:03,920 --> 01:17:06,880
Speaker 8: just something's just clicked that it just clicked.

1468
01:17:06,960 --> 01:17:07,960
Speaker 2: Like I hadn't know.

1469
01:17:08,040 --> 01:17:14,439
Speaker 3: I never you know again, they hit me up. I

1470
01:17:14,479 --> 01:17:17,000
Speaker 3: went out. I read. I didn't think the niggas was going.

1471
01:17:17,200 --> 01:17:19,599
Speaker 3: I'm like, Nigga, y'all can go get tupac or mother.

1472
01:17:19,680 --> 01:17:22,879
Speaker 3: I mean, when y'all got y'all can get motherfucking juice.

1473
01:17:23,040 --> 01:17:23,519
Speaker 2: It's like.

1474
01:17:25,400 --> 01:17:28,800
Speaker 3: I was like, yeah, man that they called me like

1475
01:17:29,560 --> 01:17:32,679
Speaker 3: they called me like three times and on the third

1476
01:17:32,760 --> 01:17:34,800
Speaker 3: time they was like, yeah, you got the part, and

1477
01:17:34,920 --> 01:17:39,920
Speaker 3: I was like okay and ship. So I just when

1478
01:17:39,960 --> 01:17:42,719
Speaker 3: I read the script and I seen what the movie about,

1479
01:17:42,880 --> 01:17:48,400
Speaker 3: I'm like, oh man, I was yesterday, you give me.

1480
01:17:48,520 --> 01:17:50,519
Speaker 3: I was on the block, like I said, up until then,

1481
01:17:50,640 --> 01:17:51,360
Speaker 3: I was stealing in.

1482
01:17:51,400 --> 01:17:53,600
Speaker 2: The Did you like the process of making the film?

1483
01:17:54,160 --> 01:18:00,400
Speaker 3: No? Man, wait all that ship Man call time at

1484
01:18:00,439 --> 01:18:04,200
Speaker 3: five o'clock in the fucking morning. And then sometimes you're

1485
01:18:04,240 --> 01:18:06,400
Speaker 3: sitting around all day and then you don't even shoot

1486
01:18:06,439 --> 01:18:08,320
Speaker 3: your scene and next thing you know, they tell you

1487
01:18:08,320 --> 01:18:11,080
Speaker 3: can leave and you've been up there nine hours and ship.

1488
01:18:11,200 --> 01:18:12,840
Speaker 2: So it was.

1489
01:18:12,880 --> 01:18:15,280
Speaker 3: It was some days it was cool. Some days I

1490
01:18:15,360 --> 01:18:17,640
Speaker 3: was like, non, fuck this ship. But in the end

1491
01:18:17,760 --> 01:18:18,640
Speaker 3: it was all worth it.

1492
01:18:18,880 --> 01:18:19,120
Speaker 5: You hear.

1493
01:18:20,200 --> 01:18:23,120
Speaker 3: It put us as far as CMW and me on

1494
01:18:23,200 --> 01:18:27,240
Speaker 3: a different plateau.

1495
01:18:26,000 --> 01:18:26,920
Speaker 2: And the song was a hit.

1496
01:18:27,120 --> 01:18:30,240
Speaker 3: We was able to extending I'm I'm going overseas now

1497
01:18:30,320 --> 01:18:32,679
Speaker 3: and all kinds of shit, so you know, it was.

1498
01:18:32,720 --> 01:18:34,840
Speaker 3: It was a beautiful thing. Always shout out to the

1499
01:18:34,880 --> 01:18:35,640
Speaker 3: Huge Brothers for that.

1500
01:18:35,880 --> 01:18:38,000
Speaker 1: Listen, I'm just be honest with you, that's shout. That

1501
01:18:41,800 --> 01:18:46,080
Speaker 1: scene is so classic, like so classic. Today I was

1502
01:18:46,080 --> 01:18:51,760
Speaker 1: with my my younger on Younger Homies, younger than me,

1503
01:18:51,800 --> 01:18:54,519
Speaker 1: and I was just like you can see minutes and

1504
01:18:54,640 --> 01:18:56,360
Speaker 1: they was just like it was looking at me like

1505
01:18:56,800 --> 01:18:59,200
Speaker 1: I was like, you didn't see that scene, and it

1506
01:18:59,320 --> 01:19:01,840
Speaker 1: was like the fact that they didn't know. I felt

1507
01:19:01,880 --> 01:19:05,599
Speaker 1: like they couldn't read, Like I was.

1508
01:19:05,520 --> 01:19:08,439
Speaker 2: Like, you don't want to read what you're talking about?

1509
01:19:08,240 --> 01:19:11,439
Speaker 1: That thing when he said all these parts of your homie,

1510
01:19:11,479 --> 01:19:12,920
Speaker 1: when when he said to him your home.

1511
01:19:12,920 --> 01:19:13,639
Speaker 2: You need some help.

1512
01:19:14,360 --> 01:19:17,400
Speaker 12: And then I was like, got got up all I

1513
01:19:17,400 --> 01:19:24,400
Speaker 12: was like, oh he did that before.

1514
01:19:24,240 --> 01:19:26,559
Speaker 2: We're gonna get into the quick Time. Damn.

1515
01:19:26,600 --> 01:19:30,599
Speaker 1: Somebody sending to Zeno. Somebody uh send him the quick

1516
01:19:30,600 --> 01:19:32,719
Speaker 1: Time of slime. You got you got Zeno number?

1517
01:19:32,880 --> 01:19:39,559
Speaker 2: Ask? Yeah? Hold on all right, cool me stop.

1518
01:19:42,120 --> 01:19:49,640
Speaker 8: I don't even drink right, as long as drink you

1519
01:19:50,760 --> 01:19:50,920
Speaker 8: we're go.

1520
01:19:51,080 --> 01:19:54,840
Speaker 13: Yeah, we're gonna let me drink more. I think I

1521
01:19:54,840 --> 01:20:03,800
Speaker 13: think you're we don't drinking.

1522
01:20:07,360 --> 01:20:12,920
Speaker 1: He came with a mission that, but we're gonna get

1523
01:20:12,960 --> 01:20:14,000
Speaker 1: you a designated drinker.

1524
01:20:14,280 --> 01:20:15,040
Speaker 3: Okay, bring him on.

1525
01:20:15,080 --> 01:20:15,720
Speaker 2: Are you gonna drink?

1526
01:20:16,080 --> 01:20:16,559
Speaker 3: Swallowing?

1527
01:20:17,040 --> 01:20:21,920
Speaker 10: Yeah, Sonny, you have a bus drink Yeah, drinks for you.

1528
01:20:22,000 --> 01:20:26,599
Speaker 10: You're not gonna have Yeah, and no genos because being

1529
01:20:26,640 --> 01:20:30,519
Speaker 10: that Sunday is from Boston, he'll be you're.

1530
01:20:30,439 --> 01:20:30,880
Speaker 2: Gonna say that.

1531
01:20:31,960 --> 01:20:37,200
Speaker 14: Come on, come on, let me see that.

1532
01:20:42,600 --> 01:20:44,400
Speaker 2: I should have man, I was looking for so much

1533
01:20:44,439 --> 01:20:47,160
Speaker 2: to that. I should have brought that. All right, Damn,

1534
01:20:47,840 --> 01:20:52,880
Speaker 2: you know you're driving right cool, We're good? Yeah? No, no, no, no, yeah, bro,

1535
01:20:53,640 --> 01:20:54,640
Speaker 2: somebody standing there for me.

1536
01:20:54,880 --> 01:20:59,280
Speaker 1: No, No, Sunny's gonna stay the Sunny. Yea drink? Come on,

1537
01:20:59,360 --> 01:21:03,559
Speaker 1: drink Javanese. Yeah, so so you use my white friend.

1538
01:21:03,680 --> 01:21:06,719
Speaker 3: If you drinking, you're drinking, got.

1539
01:21:09,120 --> 01:21:15,200
Speaker 2: Shot shot shot, were drinking with you? We drinking too too.

1540
01:21:17,200 --> 01:21:19,720
Speaker 3: Let's go, let's let's go.

1541
01:21:19,920 --> 01:21:22,000
Speaker 1: It's a long game, but we're gonna have some fun with.

1542
01:21:22,000 --> 01:21:22,880
Speaker 2: I mean, it could be zero.

1543
01:21:23,080 --> 01:21:23,400
Speaker 5: Who we have.

1544
01:21:23,560 --> 01:21:27,960
Speaker 6: We had someone recently, we had a guess that we

1545
01:21:28,120 --> 01:21:29,639
Speaker 6: drank like one shot out of twenty.

1546
01:21:29,439 --> 01:21:32,320
Speaker 2: Questions, who was it? No? No, but that I was

1547
01:21:32,360 --> 01:21:37,360
Speaker 2: here though I wasn't an at t K was smith.

1548
01:21:37,880 --> 01:21:42,760
Speaker 1: Yeah, okay, you ready? You got the rules? Damn you

1549
01:21:42,960 --> 01:21:44,080
Speaker 1: know you're explaining the rules better.

1550
01:21:44,520 --> 01:21:48,000
Speaker 6: We're gonna give you two choices, right, if you pick one,

1551
01:21:48,280 --> 01:21:51,840
Speaker 6: no drinking, right if you say if you say both.

1552
01:21:51,880 --> 01:21:53,679
Speaker 6: If you don't pick like you say both are neither,

1553
01:21:53,840 --> 01:21:57,479
Speaker 6: that's not picking. We all take a shot and then

1554
01:21:57,520 --> 01:22:00,240
Speaker 6: anything anybody we mentioned like if you've got a story, please,

1555
01:22:00,280 --> 01:22:00,800
Speaker 6: let's let's go in.

1556
01:22:00,840 --> 01:22:02,800
Speaker 2: And we were trying to bring up stories, you know,

1557
01:22:02,920 --> 01:22:04,439
Speaker 2: and Senos band from this park.

1558
01:22:06,120 --> 01:22:09,000
Speaker 1: Drink this especially on this one he's drinking through a

1559
01:22:09,080 --> 01:22:14,599
Speaker 1: smokes he loves but he looks.

1560
01:22:14,080 --> 01:22:18,920
Speaker 2: You ready, Yeah, let's go tupac or easy? Easy?

1561
01:22:19,479 --> 01:22:27,000
Speaker 1: Okay, that was easy, easy okay, ice Cube or Snoop

1562
01:22:27,000 --> 01:22:29,160
Speaker 1: Dogg Cube.

1563
01:22:30,720 --> 01:22:36,400
Speaker 2: Man the Big Bow Wild Snoop Dogg Dog Okay, Okay, no, no, no,

1564
01:22:36,439 --> 01:22:41,320
Speaker 2: that's cool. That's cool. Got doctor Dre or d J

1565
01:22:41,479 --> 01:22:47,040
Speaker 2: quick Drey God damn man asked questions, don't y'all man,

1566
01:22:47,760 --> 01:22:49,720
Speaker 2: you could say both. If you say both, we drink

1567
01:22:51,000 --> 01:22:56,439
Speaker 2: uh ship, I should just take the easy brought out.

1568
01:22:56,280 --> 01:23:04,840
Speaker 1: Man ship both drink you take, get your shot.

1569
01:23:03,080 --> 01:23:07,000
Speaker 6: Jamie, you gotta shot take yeah, take goes right, yeah,

1570
01:23:07,280 --> 01:23:08,200
Speaker 6: he go ahead.

1571
01:23:09,600 --> 01:23:11,519
Speaker 2: But see what he wants for a son, Jamie Krim

1572
01:23:12,360 --> 01:23:14,680
Speaker 2: what this should be? Some ship over there? I got

1573
01:23:14,880 --> 01:23:18,040
Speaker 2: what you're drinking over man, wanna what's that? Dominican, Dominicans,

1574
01:23:18,040 --> 01:23:28,400
Speaker 2: Dominican maken Dominican making the minute, somethings like beginning. Look you.

1575
01:23:34,439 --> 01:23:39,200
Speaker 3: Don't stick up present Dominican. Then you stopped playing. I

1576
01:23:39,280 --> 01:23:40,120
Speaker 3: gotta hit this ship now.

1577
01:23:40,600 --> 01:23:41,280
Speaker 2: No no wait.

1578
01:23:43,840 --> 01:23:48,760
Speaker 1: Nas or jay z ns nice Okay, I was I

1579
01:23:48,840 --> 01:23:50,080
Speaker 1: went from Queens I respect that.

1580
01:23:52,400 --> 01:23:54,960
Speaker 2: To shore or e forty you're taking the thing.

1581
01:23:57,080 --> 01:23:57,120
Speaker 3: This.

1582
01:23:57,520 --> 01:24:01,439
Speaker 2: Don't don't do the forty. Oh man, I'm a drink

1583
01:24:01,479 --> 01:24:16,920
Speaker 2: dog Jeers, let's go, Sonny, you're gonna like this. Kendrick

1584
01:24:17,040 --> 01:24:18,200
Speaker 2: Lamar Jacob.

1585
01:24:18,680 --> 01:24:19,479
Speaker 3: Counting all that.

1586
01:24:25,840 --> 01:24:27,519
Speaker 2: I knew that.

1587
01:24:27,560 --> 01:24:30,479
Speaker 5: I knew, Hey, man, I don't knew that since he

1588
01:24:30,640 --> 01:24:33,519
Speaker 5: was sixteen or fifteen years old. Dog g, that's this

1589
01:24:33,680 --> 01:24:36,519
Speaker 5: family right there out all day, all.

1590
01:24:36,520 --> 01:24:39,680
Speaker 2: Day, the top dog. This would not let y'all go

1591
01:24:39,760 --> 01:24:44,080
Speaker 2: against that. I knew that. Yeah, all eyes on me

1592
01:24:44,360 --> 01:24:51,040
Speaker 2: or me against the world. Oh yeah, drink.

1593
01:24:51,000 --> 01:24:58,000
Speaker 3: All eyes on me, All eyes on me? Okay, analog

1594
01:24:58,160 --> 01:25:01,680
Speaker 3: or digital? Analog me too, and a log me too.

1595
01:25:01,720 --> 01:25:03,160
Speaker 3: I'm gonna take a shot for that, even though I

1596
01:25:03,160 --> 01:25:03,560
Speaker 3: ain't got that.

1597
01:25:05,960 --> 01:25:09,479
Speaker 2: I I love analog, man, I wish.

1598
01:25:09,960 --> 01:25:12,080
Speaker 1: I always say the reason why our music was better

1599
01:25:12,160 --> 01:25:15,280
Speaker 1: back then was because we had to make records together.

1600
01:25:16,080 --> 01:25:18,240
Speaker 2: I couldn't send you we had it. We couldn't send

1601
01:25:18,280 --> 01:25:25,439
Speaker 2: you no fu eight inch rail personal. It was more personal,

1602
01:25:25,920 --> 01:25:29,599
Speaker 2: so we had to. Like the music came out rhymes

1603
01:25:29,600 --> 01:25:30,920
Speaker 2: as he wrote it, you know what I mean? Like

1604
01:25:31,000 --> 01:25:32,840
Speaker 2: that it is like, it's much better.

1605
01:25:32,880 --> 01:25:34,400
Speaker 1: So I'm taking it even though I ain't got to

1606
01:25:34,400 --> 01:25:35,840
Speaker 1: take I'm gonna take a shot for that.

1607
01:25:38,400 --> 01:25:42,280
Speaker 2: I got the next one, King t Ice Tea, the

1608
01:25:42,400 --> 01:25:46,680
Speaker 2: tease King t I knew he was gonna say that.

1609
01:25:47,800 --> 01:25:54,240
Speaker 3: That's comes in cont Kings both of us grew up

1610
01:25:54,320 --> 01:25:57,360
Speaker 3: on I grew up on King t All of his

1611
01:25:57,560 --> 01:25:59,880
Speaker 3: first ship on tech no Hop. I was on take

1612
01:26:00,160 --> 01:26:05,320
Speaker 3: hop as a young artist. So the coolest paybacks to mother.

1613
01:26:05,760 --> 01:26:06,840
Speaker 3: You better bring the gun.

1614
01:26:06,920 --> 01:26:11,160
Speaker 2: I think he's he's like appreciated, like he's such a legend.

1615
01:26:11,640 --> 01:26:16,240
Speaker 3: He's definitely underrated, under definitely underrated, under appreciation.

1616
01:26:16,520 --> 01:26:20,960
Speaker 2: Taking the forest time before time. And we don't take

1617
01:26:21,040 --> 01:26:25,120
Speaker 2: no hop to come on? Come on all right? So

1618
01:26:27,360 --> 01:26:32,880
Speaker 2: Death Bro or Ruthless Records? Oh where'd you go?

1619
01:26:33,800 --> 01:26:40,240
Speaker 1: That's a great one, bro, Death Bro. You you you're

1620
01:26:40,240 --> 01:26:42,559
Speaker 1: too big to pick ruthless. You gotta pick death Row.

1621
01:26:44,280 --> 01:26:46,160
Speaker 1: I'm gonna tell you something. It just looks like a death.

1622
01:26:47,320 --> 01:26:49,519
Speaker 1: It wouldn't be no death ro. Who wasn't no ruthless.

1623
01:26:57,120 --> 01:26:59,160
Speaker 1: I guess if we gotta drink Wenna drink money.

1624
01:27:02,200 --> 01:27:02,439
Speaker 2: Said?

1625
01:27:02,520 --> 01:27:04,880
Speaker 3: You said both for you said if you.

1626
01:27:04,840 --> 01:27:06,639
Speaker 2: Said ruthless, then we don't got to drink. We don't

1627
01:27:06,800 --> 01:27:10,639
Speaker 2: drinking ruthless. Okay, niggas want.

1628
01:27:13,320 --> 01:27:13,800
Speaker 6: In the move.

1629
01:27:13,960 --> 01:27:14,120
Speaker 11: Now.

1630
01:27:14,200 --> 01:27:17,760
Speaker 2: I heard you drink champagne. Yeah, I drinking that's what

1631
01:27:17,960 --> 01:27:22,479
Speaker 2: your champagne. We get to that later. I got it.

1632
01:27:22,680 --> 01:27:32,599
Speaker 2: Mac ten and Joe Yo, you know Mac a call

1633
01:27:32,640 --> 01:27:33,000
Speaker 2: the nigga.

1634
01:27:33,000 --> 01:27:39,719
Speaker 5: He will see this sho back to back.

1635
01:27:41,800 --> 01:27:44,200
Speaker 2: Like you know about it.

1636
01:27:45,040 --> 01:27:49,720
Speaker 1: I like that, So we're going back to man get on,

1637
01:27:50,000 --> 01:27:50,360
Speaker 1: you can't.

1638
01:27:53,080 --> 01:27:55,040
Speaker 5: I'll funk with fact Joe Dog. But I talked to

1639
01:27:55,120 --> 01:27:56,960
Speaker 5: Mac team on the phone like two or three times

1640
01:27:56,960 --> 01:28:01,519
Speaker 5: a week, roll with Mac starting to begging at one point,

1641
01:28:02,360 --> 01:28:04,959
Speaker 5: ain't no knocks against the dying cardigin a cool.

1642
01:28:04,800 --> 01:28:08,000
Speaker 1: Nigga and we need we need Mac ten on to us. Yeah,

1643
01:28:08,040 --> 01:28:13,240
Speaker 1: we do absolutely ghetto boys or you g K ghetto boys.

1644
01:28:13,760 --> 01:28:14,360
Speaker 1: Ghetto boys.

1645
01:28:14,640 --> 01:28:16,280
Speaker 6: The story that he told he had them driving him

1646
01:28:16,280 --> 01:28:18,719
Speaker 6: around with m face is one of my peaks.

1647
01:28:18,720 --> 01:28:21,880
Speaker 8: And he said, rights to rap summing together at Jack's

1648
01:28:21,880 --> 01:28:24,439
Speaker 8: house number Yeah, that nigga.

1649
01:28:24,240 --> 01:28:27,560
Speaker 2: Bushwick Dog, I had to kick Bush. We got a

1650
01:28:27,640 --> 01:28:36,519
Speaker 2: crib dog. Let me tell you.

1651
01:28:38,120 --> 01:28:40,639
Speaker 5: I had a homeboy named polar Bear. Right, polar Bear

1652
01:28:40,720 --> 01:28:42,679
Speaker 5: is a produced so he's you know, produced for QD

1653
01:28:42,800 --> 01:28:46,559
Speaker 5: three and ship. So he called me one day and said, hey, man,

1654
01:28:46,760 --> 01:28:49,920
Speaker 5: you know, could you come to my house? Man Bushwoock

1655
01:28:49,920 --> 01:28:53,639
Speaker 5: doesn't want to go home, And yeah, you mean Bush

1656
01:28:54,320 --> 01:28:58,519
Speaker 5: to get home? So what man, my man's wife is

1657
01:28:59,000 --> 01:29:00,920
Speaker 5: My man's wife is in there. You know his wife

1658
01:29:01,000 --> 01:29:03,720
Speaker 5: is there in their roadsman shipped man and Bushwicks make

1659
01:29:03,800 --> 01:29:08,720
Speaker 5: the man's wife nest your fiction, and my boy want

1660
01:29:08,760 --> 01:29:10,320
Speaker 5: to go get so I grabbed him and I say, man,

1661
01:29:10,320 --> 01:29:11,880
Speaker 5: I'm gonna just get him home. You don't want to

1662
01:29:11,880 --> 01:29:14,360
Speaker 5: be Bushwick up my nigga. He only this tall, you

1663
01:29:14,400 --> 01:29:16,960
Speaker 5: know what I mean? He only this tall. So I

1664
01:29:17,080 --> 01:29:19,040
Speaker 5: tell I tell bush I say, man, you know you

1665
01:29:19,120 --> 01:29:22,800
Speaker 5: gotta go. You disrespected my man's crib and everything. And

1666
01:29:22,960 --> 01:29:25,639
Speaker 5: Bushwick says, man, I don't give a funk how big

1667
01:29:25,760 --> 01:29:27,760
Speaker 5: you are. And he was walking through and you try

1668
01:29:27,800 --> 01:29:32,920
Speaker 5: to walk on and I slept that little motherfucker out.

1669
01:29:35,680 --> 01:29:42,920
Speaker 2: Something ship not today. But Speaker was a little slick mother.

1670
01:29:43,880 --> 01:29:45,720
Speaker 2: He was walking over to the time and I said,

1671
01:29:45,760 --> 01:29:46,519
Speaker 2: you ain't gonna get me.

1672
01:29:48,360 --> 01:29:48,519
Speaker 3: Through.

1673
01:29:48,520 --> 01:30:01,479
Speaker 5: His lit the party post Jordan in the backyard. If

1674
01:30:01,479 --> 01:30:03,000
Speaker 5: he'd got that part, he probably.

1675
01:30:03,040 --> 01:30:08,559
Speaker 2: Kept legendary group though.

1676
01:30:08,600 --> 01:30:14,160
Speaker 5: Man big Daddy came, oh man, he asked as questions,

1677
01:30:15,479 --> 01:30:19,080
Speaker 5: he take the shot, He take the shot. He ain't drinking,

1678
01:30:19,160 --> 01:30:21,760
Speaker 5: so he don't give a big Daddy, Big Daddy Wow.

1679
01:30:22,640 --> 01:30:24,400
Speaker 5: He really just don't say both. He don't give a

1680
01:30:24,640 --> 01:30:27,280
Speaker 5: about politics, don't drink.

1681
01:30:28,680 --> 01:30:28,720
Speaker 3: No.

1682
01:30:28,880 --> 01:30:31,200
Speaker 2: I just think he could, but he's not.

1683
01:30:33,560 --> 01:30:36,439
Speaker 3: You drinking if I if I if I'm going off

1684
01:30:36,560 --> 01:30:39,400
Speaker 3: of me as a youth and hip hop and what

1685
01:30:39,520 --> 01:30:43,000
Speaker 3: I listened to and whatever, I'm gonna pick the motherfucker

1686
01:30:43,040 --> 01:30:43,400
Speaker 3: who's it.

1687
01:30:43,600 --> 01:30:45,160
Speaker 2: I'm not. I'm big Daddy.

1688
01:30:46,920 --> 01:30:51,040
Speaker 3: Banged some Big Daddy can get men.

1689
01:30:51,160 --> 01:30:51,439
Speaker 2: I didn't.

1690
01:30:51,520 --> 01:30:53,720
Speaker 3: I didn't bang a lot of l ll till later

1691
01:30:53,880 --> 01:30:56,600
Speaker 3: on because Nigga, we was hood niggas and that I

1692
01:30:56,760 --> 01:31:01,000
Speaker 3: need love kind of threw us off of the I

1693
01:31:01,160 --> 01:31:02,920
Speaker 3: was Nigga. Big Daddy was raw and.

1694
01:31:03,000 --> 01:31:04,240
Speaker 2: Nigga he was.

1695
01:31:05,439 --> 01:31:07,800
Speaker 3: He made that Nigga. Big Daddy said, Nigga, he would

1696
01:31:07,800 --> 01:31:21,880
Speaker 3: grow up on this ship. You know, you know what

1697
01:31:22,920 --> 01:31:23,720
Speaker 3: niggas over here.

1698
01:31:25,120 --> 01:31:27,439
Speaker 2: You an't think, what's the hardest motherfucking the world.

1699
01:31:27,520 --> 01:31:27,760
Speaker 7: He was.

1700
01:31:28,000 --> 01:31:30,679
Speaker 3: He was hard, man. I'm just saying, Nigga. At the time,

1701
01:31:30,840 --> 01:31:33,439
Speaker 3: niggas was like, Nigga, I don't need no love, Nigga,

1702
01:31:33,439 --> 01:31:35,120
Speaker 3: I need the motherfucking.

1703
01:31:36,640 --> 01:31:41,160
Speaker 2: Ship making ladies. Anyways, exactly you over there for the lady.

1704
01:31:41,280 --> 01:31:53,000
Speaker 2: So well, right, that's my the nails, Nigga rady this

1705
01:31:53,120 --> 01:31:53,559
Speaker 2: lift ship.

1706
01:31:54,320 --> 01:31:57,960
Speaker 3: When when we banged Leo, like I said, rock the

1707
01:31:58,080 --> 01:31:58,720
Speaker 3: bells and.

1708
01:31:59,200 --> 01:32:00,960
Speaker 4: All that ship all of that.

1709
01:32:01,520 --> 01:32:03,479
Speaker 2: But then I Nick came with that.

1710
01:32:03,680 --> 01:32:06,519
Speaker 3: Dude, I was like, man, what.

1711
01:32:13,080 --> 01:32:17,200
Speaker 2: I'm like, come on that ship. I liked it.

1712
01:32:17,280 --> 01:32:23,240
Speaker 3: It was weird at first because I'm used to mother,

1713
01:32:23,360 --> 01:32:25,559
Speaker 3: like you said, I used to walk the bell check

1714
01:32:25,800 --> 01:32:30,880
Speaker 3: the ripper ship. Mama said, knocks you out, Nigga phote

1715
01:32:30,960 --> 01:32:33,120
Speaker 3: shots to the dome. I play that ship all day.

1716
01:32:33,240 --> 01:32:36,200
Speaker 3: But like I said back then, nigga, I mean, I'm

1717
01:32:36,240 --> 01:32:42,599
Speaker 3: fair enough. I'm telling I got the nigga.

1718
01:32:42,840 --> 01:32:46,120
Speaker 2: I can't be walking around the hook. I need love.

1719
01:32:47,520 --> 01:33:00,720
Speaker 4: Come on, ship, Nigga, like you're playing that ship, Like.

1720
01:33:00,800 --> 01:33:02,920
Speaker 2: Dude, what you're playing? Niggas to something.

1721
01:33:03,680 --> 01:33:07,000
Speaker 3: Any time that came on the mixtape was like I

1722
01:33:07,120 --> 01:33:12,120
Speaker 3: need Look, were in the garage chilling nigga and the

1723
01:33:12,360 --> 01:33:15,559
Speaker 3: mixtape come on. And then one of them on Little Niggas,

1724
01:33:15,640 --> 01:33:18,320
Speaker 3: is like, man, come on, niggas might come.

1725
01:33:18,240 --> 01:33:22,120
Speaker 5: Through right now, dumping and ship niggas. If we did,

1726
01:33:22,560 --> 01:33:24,280
Speaker 5: nigga be dead on the scene.

1727
01:33:24,080 --> 01:33:26,880
Speaker 7: And the police walk up like they was playing I

1728
01:33:27,040 --> 01:33:33,920
Speaker 7: need no you know, like we're about to pull up

1729
01:33:33,960 --> 01:33:34,840
Speaker 7: on some niggas and.

1730
01:33:34,800 --> 01:33:35,599
Speaker 2: The dump and ship.

1731
01:33:35,680 --> 01:33:38,360
Speaker 3: The nigga got hi and he loved ship.

1732
01:33:40,800 --> 01:33:43,960
Speaker 2: Like niggas looking at us. We're about to dump out

1733
01:33:44,000 --> 01:33:53,080
Speaker 2: of the niggas. Niggas don't want no status.

1734
01:33:53,200 --> 01:33:56,639
Speaker 3: Nigga ain't pulling up you hear a song that's cool nigga, y'all.

1735
01:33:57,160 --> 01:34:01,040
Speaker 2: No, no, no, don't look at you know what? King,

1736
01:34:02,040 --> 01:34:05,080
Speaker 2: but you ain't you ain't picky man.

1737
01:34:05,160 --> 01:34:05,560
Speaker 3: I don't know.

1738
01:34:05,640 --> 01:34:07,720
Speaker 5: He got me thinking right now because Big Daddy came

1739
01:34:08,720 --> 01:34:11,880
Speaker 5: off off you. You dad, he can't have me cut

1740
01:34:11,960 --> 01:34:12,600
Speaker 5: my eyebrows.

1741
01:34:12,960 --> 01:34:14,000
Speaker 3: That's some man.

1742
01:34:14,479 --> 01:34:22,840
Speaker 2: You have a whole bunch of niggas cut l was hard.

1743
01:34:23,200 --> 01:34:26,960
Speaker 3: He Kinge was a hood nigga. Jane was a hood niggas.

1744
01:34:26,960 --> 01:34:28,680
Speaker 3: When about come on?

1745
01:34:29,120 --> 01:34:31,240
Speaker 5: When I heard in my mind at least Big Jess

1746
01:34:31,400 --> 01:34:35,960
Speaker 5: Kane and on the symphony ship and they was going

1747
01:34:36,040 --> 01:34:39,200
Speaker 5: back and forth. It was like that was like Superman

1748
01:34:39,360 --> 01:34:42,559
Speaker 5: versus motherfucking Spider Man and some ship.

1749
01:34:42,680 --> 01:34:49,040
Speaker 2: You damn like what you picking? We drink? Man your

1750
01:34:49,080 --> 01:34:55,600
Speaker 2: hands because you plagued yourself. You see that ship? So

1751
01:34:55,720 --> 01:34:56,320
Speaker 2: who you picking?

1752
01:34:56,720 --> 01:34:56,920
Speaker 1: Yeah?

1753
01:34:59,800 --> 01:35:04,880
Speaker 5: Take long live the mother sucking came. Don't want to

1754
01:35:04,920 --> 01:35:10,200
Speaker 5: drink because he's clear, That's what I'm saying.

1755
01:35:10,240 --> 01:35:20,880
Speaker 1: Dog he packs yeah, yeah, loot you minister society or thinking.

1756
01:35:20,640 --> 01:35:30,080
Speaker 2: The water minutes yeah, of course the sauce. Or look

1757
01:35:30,479 --> 01:35:37,080
Speaker 2: look at what I just showed the cover, the source

1758
01:35:41,760 --> 01:35:50,160
Speaker 2: he lead the class. I don't think it's going.

1759
01:35:52,760 --> 01:35:55,839
Speaker 3: That y'all have me on to covers.

1760
01:35:59,640 --> 01:36:03,559
Speaker 2: Guess guess how many covers I had? Zero ninety nine.

1761
01:36:06,560 --> 01:36:07,960
Speaker 2: You see, he looked the other way to me, and

1762
01:36:08,439 --> 01:36:13,680
Speaker 2: what he didn't like me? He thought I was responsing.

1763
01:36:16,600 --> 01:36:18,280
Speaker 3: S shot.

1764
01:36:20,600 --> 01:36:21,240
Speaker 2: He really.

1765
01:36:22,800 --> 01:36:25,600
Speaker 1: I was so bad right that twenty years later we

1766
01:36:25,680 --> 01:36:28,479
Speaker 1: became like friends, right, and we were arguing about something

1767
01:36:28,560 --> 01:36:29,880
Speaker 1: totally different, and I just.

1768
01:36:30,400 --> 01:36:31,280
Speaker 4: Give me the course.

1769
01:36:34,800 --> 01:36:38,880
Speaker 2: That ship, you know, that was twenty years ago. You

1770
01:36:38,920 --> 01:36:40,599
Speaker 2: want to be mad with sol boring ship over?

1771
01:36:40,640 --> 01:36:46,320
Speaker 5: You do that to his face.

1772
01:36:47,600 --> 01:36:49,280
Speaker 1: Listen, let me tell you who I'm going to be

1773
01:36:49,400 --> 01:36:52,519
Speaker 1: honest with me to so to his faith, i'ma be

1774
01:36:52,560 --> 01:36:55,760
Speaker 1: honest with you. It was me corrupt d M X

1775
01:36:56,240 --> 01:37:01,280
Speaker 1: Cameron and big pun right and can't cannabis And what

1776
01:37:02,080 --> 01:37:02,639
Speaker 1: was my mass.

1777
01:37:03,000 --> 01:37:03,360
Speaker 2: To beat all?

1778
01:37:03,400 --> 01:37:08,880
Speaker 3: The motherfucker was like Kidd's disrespect.

1779
01:37:10,120 --> 01:37:14,720
Speaker 2: What you say had just came home the Cavdonna Canna, Yeah,

1780
01:37:14,800 --> 01:37:15,719
Speaker 2: so wet.

1781
01:37:16,320 --> 01:37:19,400
Speaker 1: He was in like the best new artists, right, he

1782
01:37:19,520 --> 01:37:21,880
Speaker 1: was like, alright, cool? Then he beat us album of

1783
01:37:21,880 --> 01:37:24,479
Speaker 1: the Year. He was like, all right, cool, he beat

1784
01:37:24,520 --> 01:37:25,840
Speaker 1: us seven categories.

1785
01:37:26,360 --> 01:37:29,880
Speaker 2: Me and pun left man as a motherfucker man every

1786
01:37:29,960 --> 01:37:33,280
Speaker 2: time you're sing that motherfucker doing that should he be doing?

1787
01:37:33,479 --> 01:37:37,160
Speaker 2: And I was. I told, I was like, oh, silk man,

1788
01:37:37,200 --> 01:37:39,719
Speaker 2: I can't believe you. You beat us in every category?

1789
01:37:39,920 --> 01:37:40,040
Speaker 3: Here?

1790
01:37:41,600 --> 01:37:42,479
Speaker 2: What was that based on?

1791
01:37:44,000 --> 01:37:44,320
Speaker 15: Hold on.

1792
01:37:47,400 --> 01:38:02,439
Speaker 2: About silk and here job here, old man.

1793
01:38:06,760 --> 01:38:07,040
Speaker 5: About it?

1794
01:38:08,240 --> 01:38:09,360
Speaker 2: What question was this?

1795
01:38:09,479 --> 01:38:09,920
Speaker 3: Miss my thing?

1796
01:38:10,240 --> 01:38:12,400
Speaker 2: Yeah? Do you remember this question?

1797
01:38:13,160 --> 01:38:13,439
Speaker 3: He said?

1798
01:38:13,439 --> 01:38:15,679
Speaker 2: How is this against the chronicles edition?

1799
01:38:15,880 --> 01:38:16,240
Speaker 3: Right now?

1800
01:38:19,400 --> 01:38:19,880
Speaker 2: A source?

1801
01:38:20,040 --> 01:38:22,960
Speaker 8: Right, You've got a journalistics a side journalism and then

1802
01:38:23,000 --> 01:38:25,639
Speaker 8: you have your business side on the journalism side. It's

1803
01:38:25,720 --> 01:38:28,840
Speaker 8: like the is the journalist and the one thing I

1804
01:38:28,920 --> 01:38:31,920
Speaker 8: will say t O N Y is my favorite verse?

1805
01:38:32,160 --> 01:38:45,160
Speaker 2: Yeah yeah, but you can't give me a I was, okay,

1806
01:38:45,200 --> 01:38:51,240
Speaker 2: come on, I told you that here, Come on, hold.

1807
01:38:52,560 --> 01:38:55,439
Speaker 3: Want to make sure you know I'm on that side

1808
01:38:55,439 --> 01:38:58,679
Speaker 3: of the top persons on the jay Z and no versus.

1809
01:38:58,840 --> 01:39:02,240
Speaker 2: But that verse you're about giving silk the woman over

1810
01:39:02,280 --> 01:39:02,599
Speaker 2: your door?

1811
01:39:03,720 --> 01:39:03,920
Speaker 12: It was.

1812
01:39:08,760 --> 01:39:11,640
Speaker 2: Shut shut out, shot shut out.

1813
01:39:12,840 --> 01:39:17,840
Speaker 14: Differently, he was buying like six ads, thing like, think

1814
01:39:17,880 --> 01:39:19,960
Speaker 14: about he's buying six ads of magazine.

1815
01:39:20,240 --> 01:39:22,240
Speaker 2: I get it. So you know what I'm saying that's

1816
01:39:22,240 --> 01:39:24,400
Speaker 2: the only thing that I could think you need me

1817
01:39:24,560 --> 01:39:30,160
Speaker 2: as a fan, you know, business and corrupt. It was like,

1818
01:39:30,240 --> 01:39:32,479
Speaker 2: I want to give it to me. You're gonna get Jason.

1819
01:39:33,120 --> 01:39:35,719
Speaker 1: I'm not taking nothing away from you. But at the time,

1820
01:39:36,439 --> 01:39:39,080
Speaker 1: that was the time of real hip hop different. Silk

1821
01:39:39,200 --> 01:39:42,000
Speaker 1: just wasn't at that time considered real hip hop.

1822
01:39:42,080 --> 01:39:44,719
Speaker 2: So it was corrupt. Like I said, it was me corrupt.

1823
01:39:45,080 --> 01:39:49,880
Speaker 1: Cameron big punts still and I was just like that,

1824
01:39:50,080 --> 01:39:52,680
Speaker 1: he's gonna be honest. I wanted to lose, not to

1825
01:39:52,720 --> 01:39:56,240
Speaker 1: say Silk is not a reputable opponent. I wanted to

1826
01:39:56,320 --> 01:39:59,120
Speaker 1: lose with somebody that's a repetable next to him.

1827
01:39:59,160 --> 01:40:01,600
Speaker 2: And when you buy and what's your definitely by I

1828
01:40:01,720 --> 01:40:02,560
Speaker 2: was definitely looking at that.

1829
01:40:07,439 --> 01:40:16,320
Speaker 3: You can see, I know my nigga Corrupt was like, hey, man,

1830
01:40:18,360 --> 01:40:20,840
Speaker 3: to get his breath on that, but he was like, not, damn.

1831
01:40:21,200 --> 01:40:23,599
Speaker 2: I realized that's like the equivalent of losing the crypt

1832
01:40:23,680 --> 01:40:24,360
Speaker 2: mac of some ship.

1833
01:40:28,880 --> 01:40:32,320
Speaker 3: Look, that's a parental advisory sticker by yourself on his

1834
01:40:32,439 --> 01:40:34,320
Speaker 3: own ship on a record label.

1835
01:40:34,400 --> 01:40:36,800
Speaker 1: This ship right now, Hold on, hold, let's go all right,

1836
01:40:36,920 --> 01:40:39,120
Speaker 1: Doggy style or the chronic.

1837
01:40:40,920 --> 01:40:44,400
Speaker 2: It's a tough one. Right there doggy style.

1838
01:40:45,479 --> 01:40:50,839
Speaker 5: Wow, oh ship man, you just keep it to reals sometimes.

1839
01:40:51,280 --> 01:40:55,720
Speaker 2: What you what you're going with? Dog? He said with

1840
01:40:55,800 --> 01:40:59,640
Speaker 2: the chronic Man. Even though I will say this, it

1841
01:40:59,720 --> 01:41:00,759
Speaker 2: ain't an artist.

1842
01:41:00,600 --> 01:41:01,120
Speaker 16: Like you do.

1843
01:41:01,240 --> 01:41:02,559
Speaker 15: I like now.

1844
01:41:10,000 --> 01:41:10,559
Speaker 2: Tripping Dog.

1845
01:41:13,080 --> 01:41:15,160
Speaker 5: It wasn't no album like Dog, he styled when that

1846
01:41:15,200 --> 01:41:17,439
Speaker 5: ship first came off, because it was playing everywhere Dog.

1847
01:41:17,920 --> 01:41:20,479
Speaker 5: Like every party I went through, that motherfucker was playing Dog.

1848
01:41:20,560 --> 01:41:23,480
Speaker 5: It didn't matter if I was in Virginia, something fucking.

1849
01:41:23,240 --> 01:41:28,679
Speaker 2: Wag or director. It broke the thing and Snoop DOGG

1850
01:41:28,840 --> 01:41:32,360
Speaker 2: just the coolest motherfucking the world. But over the chronic

1851
01:41:33,000 --> 01:41:40,920
Speaker 2: I think, let me let me finish it though.

1852
01:41:42,160 --> 01:41:46,120
Speaker 5: I think the chronic dough Dog that introduced that nigga

1853
01:41:46,200 --> 01:41:49,799
Speaker 5: man Snoop dog and it was just like the political

1854
01:41:49,880 --> 01:41:51,720
Speaker 5: climbing at the time. Man, it was ot l a

1855
01:41:51,840 --> 01:41:54,000
Speaker 5: tripping and ship motherfucker's running down the streak with.

1856
01:41:54,040 --> 01:41:59,920
Speaker 3: TV and you just got to go with your personal taste.

1857
01:42:00,160 --> 01:42:01,560
Speaker 3: That's what this about you.

1858
01:42:01,800 --> 01:42:04,519
Speaker 2: That's the thing. I can't say. We gotta drink doggs bucket.

1859
01:42:12,280 --> 01:42:13,080
Speaker 2: I gotta drink for.

1860
01:42:13,120 --> 01:42:22,599
Speaker 5: That though, Okay Andre three thousand or conversation, Okay three thousand,

1861
01:42:24,000 --> 01:42:30,200
Speaker 5: what was the question ludicris, Oh, ship man, y'all be

1862
01:42:30,320 --> 01:42:41,400
Speaker 5: asked hypothetical ask questions. Ship, I gotta go on for

1863
01:42:41,600 --> 01:42:43,000
Speaker 5: three thousand man three stacks.

1864
01:42:43,160 --> 01:42:48,240
Speaker 2: Okay, that's fair. Primo or battle Cat Primo. You got

1865
01:42:48,360 --> 01:42:56,760
Speaker 2: you gotta joint? Yeah, now's your primo. He's I got

1866
01:42:56,840 --> 01:43:00,960
Speaker 2: a joint. I gotta go with battle Cat dogs on front.

1867
01:43:01,040 --> 01:43:05,800
Speaker 2: Right there both read them both back. We're coming back.

1868
01:43:05,840 --> 01:43:11,240
Speaker 2: We're working on that. Cash money or no Limit that's

1869
01:43:11,280 --> 01:43:16,400
Speaker 2: a good one. That's a real good one. Cash money.

1870
01:43:16,640 --> 01:43:18,559
Speaker 2: I got to go cash money because the niggas still here,

1871
01:43:20,280 --> 01:43:21,800
Speaker 2: I mean, no limit technically still here.

1872
01:43:22,600 --> 01:43:25,960
Speaker 3: I don't see this is what I don't judge it

1873
01:43:26,040 --> 01:43:28,639
Speaker 3: off of that. I just go off of what I banged.

1874
01:43:28,880 --> 01:43:29,599
Speaker 2: Yeah right.

1875
01:43:29,760 --> 01:43:33,160
Speaker 3: I didn't bang a lot of no literal cash money

1876
01:43:33,439 --> 01:43:36,360
Speaker 3: because of BG. I banged some cash.

1877
01:43:37,720 --> 01:43:39,839
Speaker 2: Cash money was the ship Don't.

1878
01:43:41,240 --> 01:43:47,240
Speaker 3: Car was all cash and banged the Hot Boys album.

1879
01:43:47,560 --> 01:43:49,800
Speaker 3: Banged the funk out of that city. Yeah, it was

1880
01:43:49,960 --> 01:43:52,720
Speaker 3: cracking that that album that they all had together, the

1881
01:43:52,800 --> 01:43:57,600
Speaker 3: Hot Boys. I banged that off was so crazy. I

1882
01:43:57,640 --> 01:44:00,640
Speaker 3: didn't listen to like master p is cool. I was

1883
01:44:00,680 --> 01:44:04,080
Speaker 3: gonna sign the No Limit at one time. Really yeah,

1884
01:44:04,240 --> 01:44:06,240
Speaker 3: right before I signed the Who Bayon, I was gonna

1885
01:44:06,240 --> 01:44:06,680
Speaker 3: sign a no.

1886
01:44:06,760 --> 01:44:11,799
Speaker 2: Limit, but I didn't listen. That would have been before Snoop.

1887
01:44:12,320 --> 01:44:14,720
Speaker 3: That was right before I signed the Mac tin.

1888
01:44:14,920 --> 01:44:17,120
Speaker 2: But I'm saying before Snoop signed the No Limit, he

1889
01:44:17,320 --> 01:44:23,839
Speaker 2: was signed to them already. I got to them because

1890
01:44:23,880 --> 01:44:24,640
Speaker 2: of Snoop.

1891
01:44:24,560 --> 01:44:27,680
Speaker 3: Because at that time, when Snoop was in his transition,

1892
01:44:28,360 --> 01:44:31,040
Speaker 3: I was hanging out with him every day. I was

1893
01:44:31,080 --> 01:44:35,000
Speaker 3: hanging out with Snoop every day almost. So he took

1894
01:44:35,120 --> 01:44:37,160
Speaker 3: me up to the studio where P and Then was

1895
01:44:37,560 --> 01:44:40,639
Speaker 3: and when I walked in, he was like, fuck it, Yeah,

1896
01:44:40,680 --> 01:44:43,479
Speaker 3: we're gonna we you know. Snoop said, fuck it, so

1897
01:44:43,520 --> 01:44:45,840
Speaker 3: we're gonna sign you. So I was gonna sign the

1898
01:44:45,920 --> 01:44:48,280
Speaker 3: no Limit and then Mac Tim walked in.

1899
01:44:49,880 --> 01:44:55,679
Speaker 2: Dom Kennedy or Larry June, Dom.

1900
01:44:58,800 --> 01:45:06,080
Speaker 5: Kendy O Larry June. She just almost feels like if

1901
01:45:06,120 --> 01:45:07,880
Speaker 5: I say one, that is the wrong answer.

1902
01:45:08,200 --> 01:45:17,200
Speaker 3: You know this, think you it's serious. Come on, and

1903
01:45:17,320 --> 01:45:21,320
Speaker 3: I know we ain't got time for nothing personal. It's

1904
01:45:21,439 --> 01:45:23,320
Speaker 3: just what you explain over whatever.

1905
01:45:23,640 --> 01:45:25,759
Speaker 2: Glabby shot eight. I'm gonna do both of them niggas

1906
01:45:27,760 --> 01:45:34,919
Speaker 2: up the next Yeah, Cypress Hill or cycle realm Cypress.

1907
01:45:36,000 --> 01:45:37,960
Speaker 5: Yeah, you gotta say Cypress dog because it ain't no

1908
01:45:38,000 --> 01:45:39,240
Speaker 5: cycle round without Cypress.

1909
01:45:42,000 --> 01:45:46,720
Speaker 2: W A publican me, oh, man, you know that's w A.

1910
01:45:47,000 --> 01:45:47,559
Speaker 2: You gotta.

1911
01:45:49,640 --> 01:45:55,720
Speaker 3: Come on with black still got with black still in

1912
01:45:55,960 --> 01:45:58,960
Speaker 3: our chaos, man of course.

1913
01:45:59,320 --> 01:46:02,360
Speaker 6: But look at think about it when Q Please Republic

1914
01:46:02,479 --> 01:46:03,280
Speaker 6: enemy and look at how.

1915
01:46:03,280 --> 01:46:09,640
Speaker 2: Perfect that was. Yeah, but n w A yeah, man,

1916
01:46:09,680 --> 01:46:13,360
Speaker 2: you know you're leading the witnesses. That was the ship

1917
01:46:13,400 --> 01:46:15,879
Speaker 2: when Q started working with the bomb Squad and ship.

1918
01:46:15,680 --> 01:46:18,080
Speaker 3: That was saying when he wasn't I'm gonna go I'm

1919
01:46:18,080 --> 01:46:18,679
Speaker 3: gonna go both.

1920
01:46:23,200 --> 01:46:24,360
Speaker 2: I would have said what.

1921
01:46:24,600 --> 01:46:26,679
Speaker 1: You're gonna say, youre gonna say both to say both

1922
01:46:26,800 --> 01:46:27,640
Speaker 1: get this hard, bro.

1923
01:46:28,600 --> 01:46:30,880
Speaker 2: Yeah, that's definitely deserving them both.

1924
01:46:30,920 --> 01:46:33,479
Speaker 3: I got a letter from the president. Man, come on, man,

1925
01:46:33,960 --> 01:46:37,000
Speaker 3: come on. That was that was That was the other day.

1926
01:46:37,320 --> 01:46:39,880
Speaker 3: That was a hood that was AO anthem.

1927
01:46:39,600 --> 01:46:43,559
Speaker 2: For us times, you know, and that bomb Squad production

1928
01:46:44,000 --> 01:46:44,800
Speaker 2: dre production like.

1929
01:46:44,840 --> 01:46:48,280
Speaker 3: That, that that that Chuck d and that that ship

1930
01:46:48,439 --> 01:46:50,679
Speaker 3: that song right there was a hood anthem.

1931
01:46:51,200 --> 01:46:52,720
Speaker 2: Yeah. That was the ship right there that beat the

1932
01:46:52,760 --> 01:46:55,599
Speaker 2: whole bunch of niggas up. When that ship. I don't

1933
01:46:55,600 --> 01:46:59,920
Speaker 2: think that between the physics and ship for.

1934
01:47:05,400 --> 01:47:08,760
Speaker 1: I'm sure you did. Ain't nobody gonna say no to that.

1935
01:47:09,920 --> 01:47:13,960
Speaker 1: Karens wanted to rock him Rocky, he said, fast.

1936
01:47:14,360 --> 01:47:18,200
Speaker 2: Rocky Fast, I rock YIM.

1937
01:47:18,320 --> 01:47:24,000
Speaker 3: Yeah, that's my that's my musical influence. I liked k

1938
01:47:24,280 --> 01:47:29,719
Speaker 3: r S because of you know, but you can't Rockim

1939
01:47:29,840 --> 01:47:31,920
Speaker 3: is who I grew up off. I wanted to rap

1940
01:47:32,000 --> 01:47:33,240
Speaker 3: because of Rocky, he said.

1941
01:47:33,280 --> 01:47:33,559
Speaker 2: The music.

1942
01:47:35,120 --> 01:47:37,280
Speaker 3: I wanted to rap because of Rockym and E P

1943
01:47:37,439 --> 01:47:41,639
Speaker 3: M D. And he didn't curse and P M Yeah hip.

1944
01:47:41,560 --> 01:47:44,800
Speaker 1: Hop rock You notice rock him didn't curse and he

1945
01:47:44,920 --> 01:47:45,960
Speaker 1: was still the hardest.

1946
01:47:46,000 --> 01:47:49,640
Speaker 3: Mother was still like, no nigga in here, deny if

1947
01:47:49,680 --> 01:47:52,040
Speaker 3: your true hip hop head when you first heard Eric

1948
01:47:52,080 --> 01:47:53,320
Speaker 3: B as president.

1949
01:47:53,000 --> 01:47:57,320
Speaker 2: Out of here and you didn't love hip hop at

1950
01:47:57,360 --> 01:47:57,679
Speaker 2: that point.

1951
01:47:57,960 --> 01:48:00,680
Speaker 3: And I get that ship on stat, he asked k

1952
01:48:01,040 --> 01:48:03,519
Speaker 3: And I used to wait for that ship, just wait,

1953
01:48:03,640 --> 01:48:07,240
Speaker 3: and I have my tape casset ready and and it's

1954
01:48:07,360 --> 01:48:10,080
Speaker 3: KD was the shittiest radio state because it was on

1955
01:48:10,240 --> 01:48:13,719
Speaker 3: motherfucking AM and it was the last station. So nigga,

1956
01:48:13,760 --> 01:48:16,320
Speaker 3: you get all kinds of Mexican music in their mix.

1957
01:48:18,120 --> 01:48:22,320
Speaker 3: You had to set you. They do the mixed masters

1958
01:48:22,400 --> 01:48:25,880
Speaker 3: every Saturday, Night Nigga and it was like and when

1959
01:48:25,880 --> 01:48:29,120
Speaker 3: they played it, I used to wait, Nigga President, come on,

1960
01:48:29,479 --> 01:48:30,640
Speaker 3: do you hear that? Motherfucker?

1961
01:48:30,680 --> 01:48:33,559
Speaker 2: Oh ude do dude ooh ooh.

1962
01:48:33,640 --> 01:48:36,320
Speaker 3: And I ain't talking about the seven minute remix one now,

1963
01:48:36,320 --> 01:48:39,200
Speaker 3: I'm talking about the original Nigga Bam nigga. And I

1964
01:48:39,320 --> 01:48:42,680
Speaker 3: used to listen to that ship for hours and Uh

1965
01:48:43,320 --> 01:48:45,559
Speaker 3: Easy didn't like me in the beginning because he said

1966
01:48:45,600 --> 01:48:49,400
Speaker 3: I sounded too much like rock yimally, yeah wow, Yeah.

1967
01:48:51,040 --> 01:48:53,639
Speaker 3: We tried to go We tried to fuck with Ruthless

1968
01:48:53,720 --> 01:48:56,240
Speaker 3: in them and he said I sounded too much like

1969
01:48:56,280 --> 01:48:56,920
Speaker 3: what you're saying.

1970
01:48:56,960 --> 01:48:59,200
Speaker 2: Compass. Most money was almost on Ruthless Records.

1971
01:48:59,280 --> 01:49:02,600
Speaker 3: We tried to go through Ruthless and he said, no,

1972
01:49:02,760 --> 01:49:05,120
Speaker 3: eight sound too that nigga sound too much like Rockym.

1973
01:49:05,640 --> 01:49:10,400
Speaker 3: So we ended up fucking with Capitol Records.

1974
01:49:11,040 --> 01:49:14,120
Speaker 2: Yeah, that's crazy. Capitol turn into Priority.

1975
01:49:14,680 --> 01:49:21,799
Speaker 3: Capital was back then, we was fucking with Orpheus. Okay, yes, Orpheus.

1976
01:49:22,000 --> 01:49:22,120
Speaker 2: Uh.

1977
01:49:23,320 --> 01:49:28,439
Speaker 3: Melbourne Moore's husband owned Orpheus, Charles Huggins, and that's how

1978
01:49:28,520 --> 01:49:31,600
Speaker 3: we got signed. We went through Orpheus SKI and my

1979
01:49:32,080 --> 01:49:36,840
Speaker 3: our first record deal and that was through Yeah, okay,

1980
01:49:36,880 --> 01:49:41,040
Speaker 3: we're gonna move on a little bit. L A Raiders

1981
01:49:41,160 --> 01:49:45,360
Speaker 3: or l A Chargers. I'm a Chargers fan, been since

1982
01:49:45,720 --> 01:49:52,200
Speaker 3: Kellen Winslow, since Doug found Fox, since motherfucking Charlie Joiner.

1983
01:49:52,680 --> 01:49:54,640
Speaker 3: You know what was that offense call they used to

1984
01:49:55,439 --> 01:49:59,000
Speaker 3: Humphreys they had back then Natron means they, Oh yeah,

1985
01:50:01,080 --> 01:50:02,519
Speaker 3: I'm a true Charger fan.

1986
01:50:03,840 --> 01:50:07,360
Speaker 2: How about you Chargers? That was easy. I got one

1987
01:50:07,400 --> 01:50:10,560
Speaker 2: more before the last. Okay, big Boys neighborhood or the

1988
01:50:10,600 --> 01:50:13,439
Speaker 2: Baker Boys big boy man.

1989
01:50:13,479 --> 01:50:15,800
Speaker 5: I really funk with the Baker Boys, dog, but I

1990
01:50:15,920 --> 01:50:18,800
Speaker 5: fuck with big boy. I gotta go with a big boy.

1991
01:50:18,880 --> 01:50:20,760
Speaker 2: Okay, okay, respect the boy.

1992
01:50:21,479 --> 01:50:23,720
Speaker 1: And this is the last last one. Not a true question.

1993
01:50:23,760 --> 01:50:25,800
Speaker 1: It's not a true question. All the ones we feel

1994
01:50:25,840 --> 01:50:29,400
Speaker 1: like this one is not the true question. Loyalty or respect.

1995
01:50:36,720 --> 01:50:38,200
Speaker 1: Respect mm hmm.

1996
01:50:39,560 --> 01:50:39,960
Speaker 2: Explain.

1997
01:50:42,800 --> 01:50:44,960
Speaker 3: Respect take you a long way in this business and

1998
01:50:45,120 --> 01:50:50,479
Speaker 3: just with people in general. Everybody's not gonna be loyal

1999
01:50:50,600 --> 01:50:54,960
Speaker 3: to you. Niggas gonna turn their back on you. When

2000
01:50:54,960 --> 01:50:59,920
Speaker 3: you gather a niggas respect, then it's never no bullshit.

2001
01:51:00,280 --> 01:51:01,120
Speaker 2: You know what you get.

2002
01:51:01,240 --> 01:51:03,760
Speaker 3: You nigga gonna never try to cheat you fuck you.

2003
01:51:04,240 --> 01:51:06,320
Speaker 3: You give me because a nigga got that much respect

2004
01:51:06,400 --> 01:51:08,800
Speaker 3: for you. You ain't got to be the richest nigga.

2005
01:51:08,840 --> 01:51:11,160
Speaker 3: You ain't got to be the poorest nigga. But if

2006
01:51:11,200 --> 01:51:14,599
Speaker 3: you gotta respect from a man and just people in general,

2007
01:51:15,080 --> 01:51:21,280
Speaker 3: then you can be treated, you know, accordingly without respect. Man,

2008
01:51:21,320 --> 01:51:24,639
Speaker 3: a nigga, do you dirty? Man, nigga, do you dirty?

2009
01:51:24,680 --> 01:51:27,080
Speaker 3: If he don't respect you, nigga, fuck your wife. Man.

2010
01:51:27,360 --> 01:51:30,760
Speaker 3: If he don't respect you, you feel me, Nigga rob

2011
01:51:30,920 --> 01:51:32,760
Speaker 3: you for every penny you got if he can. If

2012
01:51:32,800 --> 01:51:35,240
Speaker 3: he don't respect you, at least, when a nigga respect you,

2013
01:51:36,520 --> 01:51:40,280
Speaker 3: he gonna like as if I'm gonna do it myself. Man,

2014
01:51:40,600 --> 01:51:42,840
Speaker 3: you give me, I ain't gonna cheat myself, and I

2015
01:51:42,840 --> 01:51:45,519
Speaker 3: ain't gonna cheat my nigga. Right here, it's one hundred

2016
01:51:45,560 --> 01:51:47,600
Speaker 3: thousand on the table. Nigga ain't gonna take seventy and

2017
01:51:47,680 --> 01:51:50,679
Speaker 3: give you thirty. They gotta respect this man. This nigga

2018
01:51:50,720 --> 01:51:53,880
Speaker 3: came up with me. You know somebody I trust. So

2019
01:51:54,240 --> 01:51:56,479
Speaker 3: I'm gonna make sure everything is on the up and up.

2020
01:51:57,040 --> 01:51:59,519
Speaker 3: Nigga loyal to another fucker, tell you they loyal to

2021
01:51:59,600 --> 01:52:01,719
Speaker 3: you and do you behind your back like it ain't ship.

2022
01:52:02,320 --> 01:52:05,479
Speaker 3: If a nigga, respect you. He don't never try to

2023
01:52:05,560 --> 01:52:09,000
Speaker 3: fuck you over, never, So respect.

2024
01:52:10,040 --> 01:52:13,880
Speaker 5: I gotta go with respect too, man, because I don't

2025
01:52:13,920 --> 01:52:16,160
Speaker 5: make motherfucker's a lot of money. He had to go,

2026
01:52:16,479 --> 01:52:18,560
Speaker 5: you know, motherfuckers go back and do this whatever. So

2027
01:52:18,600 --> 01:52:21,280
Speaker 5: I say, respect, respect us everything.

2028
01:52:26,560 --> 01:52:29,000
Speaker 2: I'm gonna take a shot to that. Ye take a shot.

2029
01:52:29,240 --> 01:52:30,280
Speaker 3: I'm gonna take a shot to that.

2030
01:52:30,360 --> 01:52:36,960
Speaker 2: I'm gonna take a shot. Now. Is it true that

2031
01:52:39,720 --> 01:52:43,240
Speaker 2: your moms and Sugar Nights moms.

2032
01:52:43,040 --> 01:52:45,519
Speaker 3: Stay across the street from each other from each other?

2033
01:52:46,920 --> 01:52:47,760
Speaker 2: Yeah, this is.

2034
01:52:50,400 --> 01:52:53,559
Speaker 3: Around the height of my DJ Quick beef.

2035
01:52:56,439 --> 01:52:56,720
Speaker 2: Thank you.

2036
01:52:57,920 --> 01:52:59,760
Speaker 3: My mom stayed across the street from his mom. I

2037
01:52:59,880 --> 01:53:05,960
Speaker 3: just see him all the time. I remembers some shit

2038
01:53:06,080 --> 01:53:10,360
Speaker 3: going on in the neighborhoods, you know whatever. But Shugar

2039
01:53:10,400 --> 01:53:14,360
Speaker 3: pulled me over one time, probably about thirty niggas, right,

2040
01:53:15,080 --> 01:53:19,759
Speaker 3: and he just made me assure that even though niggas

2041
01:53:19,880 --> 01:53:24,920
Speaker 3: was beefing and niggas was rolling around Compton looking for

2042
01:53:25,320 --> 01:53:28,519
Speaker 3: each other or going through neighborhoods and all that shit,

2043
01:53:28,760 --> 01:53:31,440
Speaker 3: he assured that my mom's house wouldn't.

2044
01:53:31,080 --> 01:53:33,080
Speaker 2: Get fucked with Sugar shirted. Yeah.

2045
01:53:33,280 --> 01:53:35,840
Speaker 3: Wow, he say, as long as your mom live over here.

2046
01:53:35,960 --> 01:53:41,320
Speaker 3: Nothing happened to her crib. So I respected that, and.

2047
01:53:42,840 --> 01:53:49,320
Speaker 1: Just out of pure ignorance, I know Sugar's blood. I

2048
01:53:49,439 --> 01:53:53,680
Speaker 1: know Quickest blood, but what I don't know is the affiliation.

2049
01:53:55,040 --> 01:53:58,080
Speaker 1: Just because you blood, did he automatically take quick side

2050
01:53:58,360 --> 01:53:59,040
Speaker 1: because I don't.

2051
01:53:59,080 --> 01:54:01,200
Speaker 2: I don't never remember quick being on death bro.

2052
01:54:01,720 --> 01:54:06,519
Speaker 3: I think Sug was managing quick At. Okay was different.

2053
01:54:06,680 --> 01:54:08,439
Speaker 3: He wasn't on different. He was as managed. He was

2054
01:54:08,520 --> 01:54:14,559
Speaker 3: being managed by Shure, and he could everybody knew about

2055
01:54:14,600 --> 01:54:17,560
Speaker 3: our beef. You know, it wasn't It wasn't nothing you

2056
01:54:17,760 --> 01:54:21,760
Speaker 3: know that wasn't known. And like I said, I was

2057
01:54:21,840 --> 01:54:26,600
Speaker 3: still in the neighborhood. So the outtake is, you know,

2058
01:54:26,920 --> 01:54:31,559
Speaker 3: something happened here, but it could be easily something happened there.

2059
01:54:32,040 --> 01:54:32,600
Speaker 2: You get me.

2060
01:54:34,760 --> 01:54:38,960
Speaker 3: Right here, like just a walk across the street, ain't

2061
01:54:38,960 --> 01:54:41,040
Speaker 3: nobody gonna come do none to my mama house. And

2062
01:54:41,120 --> 01:54:45,720
Speaker 3: I'm and we in close vicinity. So he had he

2063
01:54:45,920 --> 01:54:49,480
Speaker 3: wanted to guarantee that, like this ain't got nothing to

2064
01:54:49,600 --> 01:54:54,720
Speaker 3: do with mamas. Yeah, y'all beefing or whatever out here,

2065
01:54:54,920 --> 01:54:58,040
Speaker 3: talking the streets or whatever, whatever, just know that this

2066
01:54:58,240 --> 01:55:01,800
Speaker 3: is secure right here. That's one less problem. So that

2067
01:55:01,960 --> 01:55:04,960
Speaker 3: was cool because he could, like you said, just by

2068
01:55:05,000 --> 01:55:08,000
Speaker 3: affiliation with them being you know, could have been like

2069
01:55:08,120 --> 01:55:10,640
Speaker 3: fuck that nigga, Mama house lived right here.

2070
01:55:11,040 --> 01:55:14,200
Speaker 2: So but that was never you know, we try to

2071
01:55:14,280 --> 01:55:19,400
Speaker 2: have that. Uh that cold was that was that enough

2072
01:55:19,440 --> 01:55:23,680
Speaker 2: assurance for you to feel that, yeah, you had.

2073
01:55:23,560 --> 01:55:26,480
Speaker 3: Didn't know that at the time, that that that because again,

2074
01:55:28,120 --> 01:55:33,680
Speaker 3: if something happened, is nobody safe, Like so you can

2075
01:55:33,760 --> 01:55:36,560
Speaker 3: assure me, but like a nigga could get his own

2076
01:55:36,680 --> 01:55:39,040
Speaker 3: mind state and be like fuck that we're gonna go

2077
01:55:39,160 --> 01:55:43,920
Speaker 3: through there anyway. Okay, but okay, now what because that's

2078
01:55:44,040 --> 01:55:50,040
Speaker 3: that's not gonna It's gonna be some retaliation, So why

2079
01:55:50,200 --> 01:55:52,160
Speaker 3: not take that out of the equation.

2080
01:55:53,680 --> 01:55:58,000
Speaker 1: I remember, like you know, I started to think about

2081
01:55:58,080 --> 01:56:01,240
Speaker 1: hip hop beefs and when it wasn't funny, like like,

2082
01:56:01,320 --> 01:56:04,880
Speaker 1: I never speak on jah rule in fifties all. I

2083
01:56:05,040 --> 01:56:08,080
Speaker 1: never speak on it because me being from Queens, I'm

2084
01:56:08,160 --> 01:56:10,560
Speaker 1: too close to it. It's just it's just it's just

2085
01:56:11,480 --> 01:56:13,680
Speaker 1: it's just not it's not for me, right. And I'm

2086
01:56:13,680 --> 01:56:15,520
Speaker 1: probably the only person in the world that got a

2087
01:56:16,760 --> 01:56:19,160
Speaker 1: Jahru interview where I don't bring up fifty And I'm

2088
01:56:19,160 --> 01:56:20,880
Speaker 1: probably the only person in the world. I got a

2089
01:56:20,880 --> 01:56:24,440
Speaker 1: fifty interview where I don't bring up Jo rule because

2090
01:56:24,440 --> 01:56:25,280
Speaker 1: I don't think it's funny.

2091
01:56:25,720 --> 01:56:30,240
Speaker 2: I never thought it was funny. No, it's not without

2092
01:56:30,320 --> 01:56:33,880
Speaker 2: me having direct association to you all. Quick.

2093
01:56:34,240 --> 01:56:37,400
Speaker 1: I remember me looking at y'all beefs and saying that

2094
01:56:37,560 --> 01:56:42,800
Speaker 1: was looking about it was funny like because I didn't.

2095
01:56:42,840 --> 01:56:44,800
Speaker 1: I didn't know you obviously at that time, and I

2096
01:56:45,560 --> 01:56:48,600
Speaker 1: didn't I actually kind of still. I only met Quick

2097
01:56:48,600 --> 01:56:51,520
Speaker 1: a couple of times, but I didn't know him as well.

2098
01:56:51,960 --> 01:56:55,120
Speaker 1: But I remember the affiliation of me. Every motherfucker's telling

2099
01:56:55,160 --> 01:56:58,360
Speaker 1: me Yo eight is a real nigga street nigga, but

2100
01:56:58,400 --> 01:57:00,640
Speaker 1: then they're saying Quick as a real nigh street nigga.

2101
01:57:00,640 --> 01:57:04,160
Speaker 1: And I remember that y'ah going against each other, and

2102
01:57:04,360 --> 01:57:06,840
Speaker 1: just the fact that I knew that Bloods and crips.

2103
01:57:08,040 --> 01:57:12,800
Speaker 2: Was at the opposite ends. And I remember like hearing

2104
01:57:12,880 --> 01:57:15,480
Speaker 2: your dis records and then hearing his dis records. I

2105
01:57:15,560 --> 01:57:18,560
Speaker 2: remember being like, damn, how does this? How does this?

2106
01:57:19,080 --> 01:57:19,520
Speaker 2: First off?

2107
01:57:19,560 --> 01:57:20,760
Speaker 1: Let me just let me, let me, let me make

2108
01:57:20,800 --> 01:57:23,640
Speaker 1: it make sense, Let me make for viewers that don't

2109
01:57:23,720 --> 01:57:24,680
Speaker 1: know I don't remember.

2110
01:57:25,520 --> 01:57:28,800
Speaker 2: No, if you hip hop, you right for.

2111
01:57:28,880 --> 01:57:31,920
Speaker 1: Viewers that don't know, because I kept, you know, and

2112
01:57:32,000 --> 01:57:35,880
Speaker 1: I knew Zeno was guest Houston, so I kept telling

2113
01:57:35,920 --> 01:57:37,560
Speaker 1: him myself, Yot's let's look up this.

2114
01:57:38,480 --> 01:57:42,200
Speaker 2: I can't say the pinpoint.

2115
01:57:42,240 --> 01:57:45,680
Speaker 1: I know you said something like Quick or something like that,

2116
01:57:45,880 --> 01:57:48,560
Speaker 1: but you said then I also read that you said

2117
01:57:48,600 --> 01:57:50,120
Speaker 1: you didn't know Quick at that time. No I did,

2118
01:57:50,560 --> 01:57:52,320
Speaker 1: couldn't have been you was talking about him. So how

2119
01:57:52,360 --> 01:57:55,240
Speaker 1: does this actually start bring down for viewers that don't know.

2120
01:57:58,040 --> 01:58:02,920
Speaker 3: I was working on my second album straight checking them.

2121
01:58:05,800 --> 01:58:07,600
Speaker 3: There's a lot of artists coming out at the time,

2122
01:58:07,920 --> 01:58:13,040
Speaker 3: you know, above the law was coming out. You know,

2123
01:58:13,720 --> 01:58:19,400
Speaker 3: the lawyer said, yeah, a couple of So my DJ,

2124
01:58:19,520 --> 01:58:23,720
Speaker 3: who's actually a blood name was Mike T. Mike T

2125
01:58:23,920 --> 01:58:26,360
Speaker 3: came to the studio one day and he had a

2126
01:58:26,400 --> 01:58:30,640
Speaker 3: mixtape and he said, let me play you this, and

2127
01:58:30,760 --> 01:58:33,000
Speaker 3: it was Quick on a mixtape he was this in

2128
01:58:33,120 --> 01:58:39,640
Speaker 3: all of us Crip affiliated rappers. It was dissing easy,

2129
01:58:40,160 --> 01:58:43,960
Speaker 3: n w A this, and me, like, you know, I

2130
01:58:44,000 --> 01:58:47,120
Speaker 3: ain't think it was rap ship. It was rap niggas beef.

2131
01:58:47,240 --> 01:58:51,840
Speaker 3: They diss each other. I wasn't too on the game

2132
01:58:51,920 --> 01:58:55,080
Speaker 3: ship with it. It is whatever, like we rappers niggas

2133
01:58:55,080 --> 01:58:55,600
Speaker 3: diss each other.

2134
01:58:55,640 --> 01:58:58,880
Speaker 2: You didn't look at dis sing on tape correlated to street.

2135
01:59:00,360 --> 01:59:02,680
Speaker 3: Okay, it was just hip hop dis and whatever niggas

2136
01:59:03,120 --> 01:59:05,440
Speaker 3: take it didn't take the gang affiliated.

2137
01:59:05,880 --> 01:59:08,360
Speaker 2: There wasn't no gun references or like that or what. No,

2138
01:59:08,960 --> 01:59:09,840
Speaker 2: it probably was.

2139
01:59:10,040 --> 01:59:12,560
Speaker 3: It was you know something something, I'm gonna shoot niggas

2140
01:59:12,600 --> 01:59:15,160
Speaker 3: from the top of it. But still in awe. Still,

2141
01:59:15,360 --> 01:59:19,040
Speaker 3: it's the game of hip hop. Get me continue. I'm

2142
01:59:19,120 --> 01:59:22,960
Speaker 3: not thinking even though he a blood, I'm a crypt,

2143
01:59:23,120 --> 01:59:25,000
Speaker 3: but this is the hip hop ship.

2144
01:59:25,360 --> 01:59:28,520
Speaker 1: Like, I'm sorry, but do your neighbor I know that

2145
01:59:28,640 --> 01:59:30,520
Speaker 1: y'all bloods and crypts and your opposite, but.

2146
01:59:30,920 --> 01:59:34,200
Speaker 2: Do your neighborhoods had beef before that? No, okay, continue,

2147
01:59:34,520 --> 01:59:38,320
Speaker 2: So remember his his DJ's blood bringing in the time.

2148
01:59:39,960 --> 01:59:42,280
Speaker 3: Like I said, I hung around blood, so there wasn't

2149
01:59:42,320 --> 01:59:45,520
Speaker 3: no blood thing. Like again, this is what they do.

2150
01:59:46,160 --> 01:59:49,400
Speaker 3: LLL was dissing cool O D and that was the

2151
01:59:49,520 --> 01:59:52,840
Speaker 3: hip hop ship. So okay, that's what they do. But

2152
01:59:54,040 --> 01:59:58,040
Speaker 3: I'm thinking, I'm already established. I got a record out,

2153
01:59:58,320 --> 02:00:00,800
Speaker 3: you give me, he's still on mix tapes or whatever.

2154
02:00:01,320 --> 02:00:03,840
Speaker 3: So I didn't even like this and no about it.

2155
02:00:03,840 --> 02:00:05,800
Speaker 3: So I was working On the second album, I did

2156
02:00:05,840 --> 02:00:09,800
Speaker 3: a song called death Wish, and on the song I said,

2157
02:00:10,240 --> 02:00:13,960
Speaker 3: biting me quick would mean you get my dick suck quick,

2158
02:00:15,280 --> 02:00:21,080
Speaker 3: and they took that as me directing it at him

2159
02:00:21,600 --> 02:00:26,560
Speaker 3: by saying biting me quick. Biting was the theme back then.

2160
02:00:27,160 --> 02:00:31,280
Speaker 3: You biting nigga words or slang, you're biting. So I'm saying,

2161
02:00:31,400 --> 02:00:35,280
Speaker 3: if you biting my shit quick, like, if you bite

2162
02:00:35,320 --> 02:00:38,600
Speaker 3: it quick, then you're gonna get my duck sick quick.

2163
02:00:39,320 --> 02:00:43,600
Speaker 3: No references to DJ Quick or the rapper or whatever.

2164
02:00:44,120 --> 02:00:48,880
Speaker 3: But with that already being out there, he a crip,

2165
02:00:49,440 --> 02:00:54,320
Speaker 3: you a blood, he's saying quick on the record. I'm

2166
02:00:54,480 --> 02:00:59,400
Speaker 3: assuming somebody said he talking about you, and that's how

2167
02:00:59,560 --> 02:00:59,760
Speaker 3: it was.

2168
02:01:00,440 --> 02:01:03,600
Speaker 1: This is after you said that you alleged that he

2169
02:01:03,720 --> 02:01:06,000
Speaker 1: was this in everyone who was I heard.

2170
02:01:05,840 --> 02:01:09,240
Speaker 3: The mixtape, okay, but it wasn't like I'm finna write

2171
02:01:09,320 --> 02:01:12,680
Speaker 3: this song and direct it at him, like.

2172
02:01:13,560 --> 02:01:16,200
Speaker 2: You're already ahead, right, yeah, like I'm already out of

2173
02:01:16,240 --> 02:01:18,080
Speaker 2: here write that lyrics though? What was you thinking?

2174
02:01:18,920 --> 02:01:21,560
Speaker 3: If you bite my if you bite my anybody though

2175
02:01:21,720 --> 02:01:25,040
Speaker 3: general general, if you bite my jail, if you bite my.

2176
02:01:25,120 --> 02:01:26,480
Speaker 2: Ship, my own ship.

2177
02:01:26,760 --> 02:01:28,720
Speaker 8: When you heard that the first time when you heard

2178
02:01:28,760 --> 02:01:31,720
Speaker 8: him this and everybody, did you think of anything, like Okay,

2179
02:01:31,760 --> 02:01:33,320
Speaker 8: you know what, man, you know what I'm saying, Like

2180
02:01:33,360 --> 02:01:34,120
Speaker 8: what's he talking about?

2181
02:01:34,160 --> 02:01:36,600
Speaker 2: Like I might say, no, fact, hip hop that's what

2182
02:01:36,680 --> 02:01:38,680
Speaker 2: they do, sinking about fifty When he did how to.

2183
02:01:38,720 --> 02:01:43,320
Speaker 3: Rob, was like, you know, okay, that's yeah, that was

2184
02:01:43,400 --> 02:01:47,000
Speaker 3: the mixtape, Like fucking I'm gonna rob rap niggas or whatever.

2185
02:01:47,160 --> 02:01:50,440
Speaker 3: So he doing his mixtape, he like nigga fuck they

2186
02:01:50,840 --> 02:01:55,240
Speaker 3: the countess most wanted, n w A. Nobody was left safe.

2187
02:01:55,360 --> 02:02:00,280
Speaker 3: So it's hip hop. So when that came out, I

2188
02:02:00,360 --> 02:02:04,320
Speaker 3: guess it was directed like y'all got beef. I didn't

2189
02:02:04,360 --> 02:02:07,160
Speaker 3: have no beef. But that's the way it built up.

2190
02:02:07,480 --> 02:02:11,800
Speaker 3: And now my reputation as being a trag new Park crip,

2191
02:02:12,400 --> 02:02:15,880
Speaker 3: I'm not finna back away from the so so okay.

2192
02:02:16,080 --> 02:02:20,320
Speaker 1: So after that, he drops his mixtape. It's not it's

2193
02:02:20,400 --> 02:02:22,320
Speaker 1: not known, right, it's just it's a local thing.

2194
02:02:22,560 --> 02:02:25,640
Speaker 3: A lot of the songs on his mixtape became songs

2195
02:02:25,680 --> 02:02:28,800
Speaker 3: on his first album. Oh wow, yeah remember that. Yeah,

2196
02:02:28,920 --> 02:02:31,640
Speaker 3: a lot of the songs on his mixtape became songs

2197
02:02:31,680 --> 02:02:36,640
Speaker 3: on the first album. But I didn't even I didn't

2198
02:02:36,880 --> 02:02:39,000
Speaker 3: I didn't even look at it like that, and our

2199
02:02:39,120 --> 02:02:43,960
Speaker 3: beef really just built up behind the streets, behind the affiliations,

2200
02:02:44,040 --> 02:02:48,000
Speaker 3: behind games, because if it wasn't that, it would have

2201
02:02:48,320 --> 02:02:51,240
Speaker 3: I don't know where it would have went, because I

2202
02:02:51,280 --> 02:02:54,240
Speaker 3: didn't start getting warmed up until I did the next

2203
02:02:54,360 --> 02:02:57,280
Speaker 3: Death Wish. That's when I was like, fuck it, we're

2204
02:02:57,320 --> 02:03:00,560
Speaker 3: going full fledged because he did a song called way

2205
02:03:00,640 --> 02:03:03,560
Speaker 3: Too Funky and he mentioned me in the song. So

2206
02:03:04,080 --> 02:03:06,240
Speaker 3: that's when it was. It was going back and forth then,

2207
02:03:06,520 --> 02:03:10,040
Speaker 3: and by that time Game Niggas is involved.

2208
02:03:10,160 --> 02:03:14,600
Speaker 1: Imagine it's over with, over with with hip hop.

2209
02:03:14,680 --> 02:03:15,919
Speaker 2: Ship now, it's incredible.

2210
02:03:16,240 --> 02:03:19,040
Speaker 8: It's over standing right next to him at the social Yeah,

2211
02:03:19,080 --> 02:03:21,520
Speaker 8: it's over with. When when when Quick was on stage,

2212
02:03:21,560 --> 02:03:23,240
Speaker 8: he came over, he was right there like at this

2213
02:03:23,560 --> 02:03:26,120
Speaker 8: it was Quick they go to stage, he was right

2214
02:03:26,200 --> 02:03:28,000
Speaker 8: there at the stage, right in front of the stage,

2215
02:03:29,840 --> 02:03:31,840
Speaker 8: like right there, right there.

2216
02:03:32,240 --> 02:03:36,320
Speaker 2: I'm like Ship. When Shuk said what he said, okay,

2217
02:03:36,360 --> 02:03:39,200
Speaker 2: we already done got past that the same war the

2218
02:03:39,280 --> 02:03:43,240
Speaker 2: same night. Yeah, that all that happened.

2219
02:03:55,080 --> 02:03:55,400
Speaker 6: But that.

2220
02:03:58,240 --> 02:04:01,480
Speaker 2: That was like legendary because.

2221
02:04:02,640 --> 02:04:05,640
Speaker 1: I mean I felt like that was the first time

2222
02:04:05,720 --> 02:04:09,040
Speaker 1: like a person performed a disc record and artists and

2223
02:04:09,480 --> 02:04:12,760
Speaker 1: I could, I could see your face, I could tell

2224
02:04:12,760 --> 02:04:13,920
Speaker 1: you what to rush the stage.

2225
02:04:14,080 --> 02:04:16,720
Speaker 3: Yeah, but we we was we was, We were smart,

2226
02:04:17,040 --> 02:04:20,560
Speaker 3: but we only came nine deep. They had about a hundred.

2227
02:04:20,680 --> 02:04:26,080
Speaker 2: Yeah, so Sugar flowing like about seventy eighty. Dude, look,

2228
02:04:26,120 --> 02:04:26,840
Speaker 2: we take it.

2229
02:04:27,080 --> 02:04:31,080
Speaker 3: Were hard, were hard, but we ain't motherfucking stupid.

2230
02:04:31,200 --> 02:04:31,720
Speaker 13: You get me.

2231
02:04:32,400 --> 02:04:35,600
Speaker 3: Were hard, but we ain't stupid. Eight can't fight a hundred,

2232
02:04:35,880 --> 02:04:37,880
Speaker 3: like you know what I'm saying. And I'm not gonna

2233
02:04:37,920 --> 02:04:39,240
Speaker 3: put my homies in that jeopardy.

2234
02:04:39,280 --> 02:04:41,880
Speaker 2: But I didn't know the affiliation with Sugar at that time.

2235
02:04:42,120 --> 02:04:45,840
Speaker 3: Sugar was managing the performed they.

2236
02:04:49,160 --> 02:04:49,320
Speaker 16: Of the.

2237
02:04:51,120 --> 02:04:51,400
Speaker 2: Epic.

2238
02:04:51,560 --> 02:04:53,600
Speaker 3: Yeah, it was beautiful, man, beautiful.

2239
02:04:53,880 --> 02:04:57,080
Speaker 5: That time was real crazy because it wasn't just sugaring them,

2240
02:04:57,120 --> 02:04:58,440
Speaker 5: but it was black turning them too.

2241
02:04:59,200 --> 02:05:02,120
Speaker 3: Everybody was yeah, they was all They was all clear

2242
02:05:03,320 --> 02:05:03,920
Speaker 3: to somebody.

2243
02:05:04,200 --> 02:05:06,280
Speaker 5: Honestly, I thought somebody was gonna get hurt that time

2244
02:05:06,320 --> 02:05:08,280
Speaker 5: when was Tiny and Bickie had beef at that award.

2245
02:05:08,360 --> 02:05:10,400
Speaker 5: Y'all didn't even know that I heard about that.

2246
02:05:10,600 --> 02:05:13,000
Speaker 2: It was it was, it was, it was. That's like

2247
02:05:13,200 --> 02:05:13,600
Speaker 2: I said.

2248
02:05:13,680 --> 02:05:15,480
Speaker 3: By the time we got home after that, it.

2249
02:05:15,600 --> 02:05:16,520
Speaker 2: Was just it.

2250
02:05:18,120 --> 02:05:26,000
Speaker 5: Had issues, Like it was like ship like Black to

2251
02:05:26,520 --> 02:05:29,080
Speaker 5: Sugar Freeze labels. The rapper on the West Coast name

2252
02:05:30,440 --> 02:05:33,880
Speaker 5: all the pimp ship you know, Tone run ran Lane

2253
02:05:33,920 --> 02:05:36,920
Speaker 5: Way Records, right, but Black Tone was like kind of

2254
02:05:37,000 --> 02:05:39,240
Speaker 5: like I don't want to say Quick's Manas or nothing

2255
02:05:39,320 --> 02:05:41,600
Speaker 5: like that. But from the same neighborhood. They both from Treetop,

2256
02:05:42,400 --> 02:05:45,480
Speaker 5: Tree Top, pot roof. And at that time, it wasn't

2257
02:05:45,600 --> 02:05:47,640
Speaker 5: just Shouk we had Black Tones, they had all this

2258
02:05:47,800 --> 02:05:50,000
Speaker 5: motherfucker people. I thought somebody was gonna get hurt during

2259
02:05:50,040 --> 02:05:50,560
Speaker 5: that time though.

2260
02:05:51,360 --> 02:05:53,080
Speaker 2: It was, it was, it was, it was.

2261
02:05:55,520 --> 02:05:56,600
Speaker 3: It was treacherous times.

2262
02:05:56,800 --> 02:06:00,480
Speaker 6: Were you were you guys the first hip hop artists

2263
02:06:00,520 --> 02:06:03,400
Speaker 6: that were actually beefing, that were actually affiliated.

2264
02:06:04,560 --> 02:06:06,640
Speaker 2: That it was on the opposite side. Obviously there was

2265
02:06:06,680 --> 02:06:07,360
Speaker 2: not the first.

2266
02:06:07,200 --> 02:06:11,880
Speaker 3: Well known well yeah, well known as far as the

2267
02:06:11,960 --> 02:06:15,480
Speaker 3: cripping blood. Yeah, I think we were the first artists

2268
02:06:15,520 --> 02:06:19,400
Speaker 3: on the West Coast and just nationwide who was affiliated

2269
02:06:19,480 --> 02:06:26,760
Speaker 3: who started beefing. But you know, shit started happening that

2270
02:06:26,880 --> 02:06:30,640
Speaker 3: we couldn't control. It was getting out of hand. Niggas

2271
02:06:30,720 --> 02:06:33,280
Speaker 3: was getting hurt, you know, outside.

2272
02:06:32,760 --> 02:06:36,480
Speaker 2: Of neighborhoods and neighborhood Yeah, niggas beefing and niggas was

2273
02:06:36,520 --> 02:06:37,080
Speaker 2: getting hurt.

2274
02:06:39,280 --> 02:06:42,800
Speaker 3: Somebody got killed. Yeah, I heard that it was treacherous.

2275
02:06:46,200 --> 02:06:52,440
Speaker 2: Let's get the Snoop uh uh called it in.

2276
02:06:53,040 --> 02:06:53,160
Speaker 5: Uh.

2277
02:06:53,320 --> 02:06:56,400
Speaker 3: They were doing a show on b E T. I

2278
02:06:56,480 --> 02:07:02,440
Speaker 3: think Tavis smile smile, Quick Wick asks, I mean Snoop

2279
02:07:02,600 --> 02:07:05,720
Speaker 3: asked me to go, and then he told me Quick

2280
02:07:05,880 --> 02:07:07,560
Speaker 3: was gonna be there, and he asked me would I

2281
02:07:07,680 --> 02:07:09,560
Speaker 3: show up? And I say, yeah, fuck it, I don't

2282
02:07:09,600 --> 02:07:11,360
Speaker 3: give a fun Oh yeah, didn't see each other prior

2283
02:07:11,440 --> 02:07:11,960
Speaker 3: to that table.

2284
02:07:13,480 --> 02:07:14,640
Speaker 2: Shoutut to Snoop.

2285
02:07:17,200 --> 02:07:19,640
Speaker 1: Because I just watched that tabs sbody in the interview.

2286
02:07:20,040 --> 02:07:24,520
Speaker 2: See you telling me the first time you and Quick

2287
02:07:24,560 --> 02:07:25,120
Speaker 2: staw each other.

2288
02:07:25,480 --> 02:07:27,480
Speaker 3: That was our first time ever meeting face to face.

2289
02:07:27,800 --> 02:07:30,920
Speaker 3: What period period out of all the beams, out all

2290
02:07:30,960 --> 02:07:36,960
Speaker 3: the ship talking, we never seen each other. But y'all

2291
02:07:37,000 --> 02:07:40,360
Speaker 3: was so professional in that interview. I thought, y'all at

2292
02:07:40,400 --> 02:07:44,400
Speaker 3: that time, I was like, man, you know, I'm like,

2293
02:07:44,440 --> 02:07:47,240
Speaker 3: I'm going on my third fourth album. You know, the

2294
02:07:47,360 --> 02:07:50,200
Speaker 3: mini shit was coming up. You know, I had moved

2295
02:07:50,240 --> 02:07:54,520
Speaker 3: out of Compton. You know, I'm trying to be not

2296
02:07:54,800 --> 02:08:01,240
Speaker 3: so much gang invested as far as my reputation and

2297
02:08:01,320 --> 02:08:04,600
Speaker 3: where I'm from and and like I said, man, I

2298
02:08:04,640 --> 02:08:08,360
Speaker 3: ain't niggas hip hop shit, man, like beyond the hip

2299
02:08:08,360 --> 02:08:10,760
Speaker 3: hop and distant records like nigga. I don't really got

2300
02:08:10,800 --> 02:08:13,040
Speaker 3: no beef with this nigga. I don't even know him,

2301
02:08:13,840 --> 02:08:17,640
Speaker 3: like I know, I know nothing, Like Okay, there's some bloods,

2302
02:08:17,680 --> 02:08:19,800
Speaker 3: but the homie I know around here is a blood

2303
02:08:19,840 --> 02:08:23,080
Speaker 3: HOMEI your mind, so I guess you know, I don't

2304
02:08:23,240 --> 02:08:25,120
Speaker 3: he figured it out. I figured I was just like

2305
02:08:26,240 --> 02:08:27,360
Speaker 3: homies get involved.

2306
02:08:27,440 --> 02:08:28,200
Speaker 2: I was just like yeah.

2307
02:08:28,240 --> 02:08:31,200
Speaker 3: So, like I said, shout out to Snoop. Snoop was like, hey, man,

2308
02:08:31,400 --> 02:08:35,000
Speaker 3: you know, because it was getting it was getting treacherous.

2309
02:08:35,160 --> 02:08:38,120
Speaker 3: You give me niggas talking about going about moms houses

2310
02:08:38,200 --> 02:08:41,040
Speaker 3: and shooting up houses and you know, niggas in the

2311
02:08:41,120 --> 02:08:44,600
Speaker 3: streets going through neighborhoods looking for niggas and all that shit.

2312
02:08:45,080 --> 02:08:48,240
Speaker 3: It could have turned out way worse than it was.

2313
02:08:49,000 --> 02:08:51,560
Speaker 3: And you know, just niggas just had the sense to

2314
02:08:51,600 --> 02:08:55,920
Speaker 3: grow up. I guess you feel me. That's dope. That's dope.

2315
02:08:56,640 --> 02:08:57,480
Speaker 2: I ain't gonna lie to you.

2316
02:08:58,040 --> 02:09:01,440
Speaker 1: That was That was probably one of and I'm gonna

2317
02:09:01,440 --> 02:09:03,520
Speaker 1: say this, you know, me being the East Coast dude,

2318
02:09:03,800 --> 02:09:06,120
Speaker 1: that's probably one of the dopest moments in hip hop

2319
02:09:06,600 --> 02:09:08,720
Speaker 1: to see y'all come together and make it.

2320
02:09:08,760 --> 02:09:09,120
Speaker 2: And make it.

2321
02:09:13,360 --> 02:09:15,720
Speaker 3: Now we hang out, I mean you should. I'll see quick.

2322
02:09:15,760 --> 02:09:19,120
Speaker 3: We do shows together together, music are ready together.

2323
02:09:19,520 --> 02:09:20,080
Speaker 2: Uh yeah.

2324
02:09:20,600 --> 02:09:24,040
Speaker 3: I was on their last project, him in Problem on

2325
02:09:24,120 --> 02:09:28,720
Speaker 3: the Rosecrans album. I'm on two songs I got actually

2326
02:09:28,760 --> 02:09:30,480
Speaker 3: I got a beat from him right now. They're trying

2327
02:09:30,520 --> 02:09:33,520
Speaker 3: to get me on a new record. So yeah, quick,

2328
02:09:34,200 --> 02:09:37,080
Speaker 3: quick see each other. We smoke, we heard second and none.

2329
02:09:37,280 --> 02:09:40,480
Speaker 3: We we we shot, we were good. We're cool as fans.

2330
02:09:40,640 --> 02:09:44,560
Speaker 1: And what's crazy about it is how it all started

2331
02:09:44,760 --> 02:09:45,960
Speaker 1: was a misunderstanding.

2332
02:09:46,040 --> 02:09:49,520
Speaker 2: That's it. And I just want to I just want

2333
02:09:49,520 --> 02:09:50,760
Speaker 2: you to say this for the young people.

2334
02:09:52,280 --> 02:09:54,440
Speaker 1: Do you regret not just calling him and just saying

2335
02:09:54,880 --> 02:09:57,800
Speaker 1: once he thought you was just in them and you

2336
02:09:57,920 --> 02:09:58,480
Speaker 1: just say, yo, bro.

2337
02:10:00,240 --> 02:10:02,560
Speaker 3: I mean we probably could have chopped it up because

2338
02:10:02,880 --> 02:10:06,240
Speaker 3: it was you know, if if somebody you know had

2339
02:10:06,320 --> 02:10:09,520
Speaker 3: that connection, if Mike T had the connection, was like, hey,

2340
02:10:09,880 --> 02:10:12,360
Speaker 3: let's call him up and see what's cracking or is

2341
02:10:12,400 --> 02:10:16,200
Speaker 3: it just some you know, because he's then said, you know,

2342
02:10:16,320 --> 02:10:19,640
Speaker 3: it's misunderstanding. Is what caused this ship and.

2343
02:10:20,080 --> 02:10:24,560
Speaker 6: So did he sorry, did he explain to you that

2344
02:10:24,720 --> 02:10:26,600
Speaker 6: record that you heard, the one that he's dossing everybody?

2345
02:10:26,920 --> 02:10:32,080
Speaker 3: I've never need explanation. I looked at it as again yip,

2346
02:10:32,640 --> 02:10:38,040
Speaker 3: niggas asked me about dissing and ship, and I'd be like,

2347
02:10:38,200 --> 02:10:40,280
Speaker 3: I feel like it was hip hop. And when niggas hod,

2348
02:10:40,280 --> 02:10:41,920
Speaker 3: how do you feel about the song? And when he

2349
02:10:41,960 --> 02:10:44,480
Speaker 3: got up on stage, I said, Thigga, that ship was classic.

2350
02:10:45,560 --> 02:10:49,360
Speaker 3: It was good hip hop ship. It was good, you know, banter,

2351
02:10:49,640 --> 02:10:51,680
Speaker 3: That's what we did in here, like that hip hop.

2352
02:10:51,800 --> 02:10:53,840
Speaker 3: I mean listening to hip hop for a long time.

2353
02:10:54,320 --> 02:10:56,120
Speaker 3: Niggas went at each other.

2354
02:10:56,400 --> 02:10:56,960
Speaker 2: You give me.

2355
02:10:58,640 --> 02:11:00,960
Speaker 3: How did J Cole and King Drink Ship start? Like

2356
02:11:01,080 --> 02:11:03,560
Speaker 3: liggas just did see each other? What niggas do in

2357
02:11:03,680 --> 02:11:04,080
Speaker 3: hip hop?

2358
02:11:04,160 --> 02:11:05,320
Speaker 2: What do you feel about Jay Colon?

2359
02:11:08,760 --> 02:11:20,160
Speaker 3: The Compton's going, I'm doing.

2360
02:11:23,400 --> 02:11:26,160
Speaker 16: Drinks on we don't forget it Downloaded, Underdog Fantasy app,

2361
02:11:29,120 --> 02:11:31,960
Speaker 16: drink Champs. That's right, that's right, y'all. We're doing a

2362
02:11:32,000 --> 02:11:35,120
Speaker 16: great job too. I know we're doing a lot of basketball,

2363
02:11:35,160 --> 02:11:36,720
Speaker 16: but it's playoffs, so we got to keep it leaving.

2364
02:11:39,760 --> 02:11:42,120
Speaker 2: I just want to throw it out there, Miami.

2365
02:11:41,920 --> 02:11:51,560
Speaker 16: Is in what game are y'all no, we eliminated, right,

2366
02:11:51,600 --> 02:11:55,000
Speaker 16: let's go under fantasy. We're doing game four, Round two

2367
02:11:55,200 --> 02:11:58,720
Speaker 16: underdog Fantasy Sports Champs. Jennie bruns In eight point five

2368
02:11:58,800 --> 02:12:00,320
Speaker 16: first quarter higher lower.

2369
02:12:01,680 --> 02:12:03,000
Speaker 2: That's it. Tell you the subject.

2370
02:12:03,280 --> 02:12:05,080
Speaker 16: You gotta do with that, and we went right here

2371
02:12:05,840 --> 02:12:09,520
Speaker 16: as a total thirty five point five higher and lower.

2372
02:12:10,360 --> 02:12:14,800
Speaker 16: Higher as assists eight point five assists higher lower.

2373
02:12:14,840 --> 02:12:17,320
Speaker 2: I want to say lower only because I don't want

2374
02:12:17,320 --> 02:12:18,040
Speaker 2: you to pass the ball.

2375
02:12:19,280 --> 02:12:20,520
Speaker 3: You know he's right on all.

2376
02:12:20,680 --> 02:12:21,240
Speaker 2: I agree with.

2377
02:12:23,680 --> 02:12:26,960
Speaker 1: Listen Brusson in case you don't know a lot of

2378
02:12:27,080 --> 02:12:29,600
Speaker 1: times you're the man, and you don't know you the man,

2379
02:12:30,600 --> 02:12:32,440
Speaker 1: so people don't come up to you and say, yo,

2380
02:12:32,520 --> 02:12:36,680
Speaker 1: you're the man. First time I went Platinum, no one

2381
02:12:36,720 --> 02:12:38,720
Speaker 1: came up to me and said I'm the man. I

2382
02:12:38,840 --> 02:12:40,880
Speaker 1: had to come up to myself and say, you're the man.

2383
02:12:41,720 --> 02:12:45,600
Speaker 1: So Brunson, I'm looking at you, face to face, man

2384
02:12:45,680 --> 02:12:46,560
Speaker 1: the man out of Ah.

2385
02:12:48,160 --> 02:12:50,480
Speaker 2: You're a man past that rocks line.

2386
02:12:56,680 --> 02:12:59,839
Speaker 16: Now we're going right over to him, to his teammate

2387
02:13:00,560 --> 02:13:02,960
Speaker 16: Josh Hart at the heart of the city.

2388
02:13:04,080 --> 02:13:07,440
Speaker 2: That's my man with the braids. Light skinning breaks four.

2389
02:13:07,360 --> 02:13:11,960
Speaker 16: Games four points first quarter higher and lower, four points.

2390
02:13:12,040 --> 02:13:15,640
Speaker 2: I'll just say four point zero. But there's nothing to

2391
02:13:15,720 --> 02:13:16,240
Speaker 2: talk you about.

2392
02:13:17,880 --> 02:13:20,920
Speaker 16: We got high this last one for Josh Hart and

2393
02:13:20,920 --> 02:13:26,040
Speaker 16: the Knicks game four thirty three point five combination points,

2394
02:13:26,360 --> 02:13:29,840
Speaker 16: rebounds and assists, thirty three point five higher.

2395
02:13:29,640 --> 02:13:34,040
Speaker 2: Low, we're going we're not going lower on looking today,

2396
02:13:34,440 --> 02:13:37,880
Speaker 2: all right, We're to that next. We're not going low

2397
02:13:37,960 --> 02:13:42,760
Speaker 2: on And guess what I've been corrected? Are playing in Indiana, Nigga?

2398
02:13:42,800 --> 02:13:44,400
Speaker 2: We wanna go see Reggie midder career.

2399
02:13:44,600 --> 02:13:50,360
Speaker 16: So Tyreese Hallyburn, Tyreese Halliburn four point five points in

2400
02:13:50,440 --> 02:13:51,080
Speaker 16: the first quarter.

2401
02:13:51,760 --> 02:13:54,360
Speaker 2: He's not the Knicks, right, No, Indiana? The fuck here

2402
02:13:54,440 --> 02:13:54,640
Speaker 2: we go?

2403
02:13:56,320 --> 02:13:59,360
Speaker 16: Okay, seventeen point five points higher or lower?

2404
02:13:59,520 --> 02:13:59,720
Speaker 5: High?

2405
02:14:00,120 --> 02:14:00,440
Speaker 3: Lower?

2406
02:14:00,760 --> 02:14:02,840
Speaker 16: I have to go higher now with Tyree still with

2407
02:14:03,000 --> 02:14:07,080
Speaker 16: tyre Now, Pascal Siakam, I don't like him.

2408
02:14:08,600 --> 02:14:11,680
Speaker 2: Four points in the first quarter, higher and lower you

2409
02:14:13,400 --> 02:14:17,480
Speaker 2: let's go lower, lower, high, Let's go long ago. We

2410
02:14:17,600 --> 02:14:22,520
Speaker 2: don't walk with Indiana at all. Don't damn this fingerpot.

2411
02:14:22,600 --> 02:14:22,840
Speaker 2: That's it.

2412
02:14:24,560 --> 02:14:28,680
Speaker 16: Assists three point five assists in the whole game.

2413
02:14:29,000 --> 02:14:33,640
Speaker 2: Who Pascal higher? Lower in the whole game? That's it.

2414
02:14:33,800 --> 02:14:37,600
Speaker 2: That's what that's what one of for sure. The last one.

2415
02:14:37,760 --> 02:14:40,280
Speaker 2: The last pick for Game four, Knicks at Pacers.

2416
02:14:41,000 --> 02:14:44,440
Speaker 16: Gonna stick with Pascal on a combination pick Pascal thirty

2417
02:14:44,480 --> 02:14:49,200
Speaker 16: one point five lower points in cist he lower lord.

2418
02:14:51,720 --> 02:14:53,640
Speaker 16: What you want to hire you fan on the higher.

2419
02:14:54,240 --> 02:14:58,920
Speaker 16: The next game the Nuggets at Timberwolves. Wow, this is

2420
02:14:58,960 --> 02:15:02,720
Speaker 16: a good game, which it was, right and yeah yeah,

2421
02:15:02,960 --> 02:15:04,520
Speaker 16: and they're taking this.

2422
02:15:04,600 --> 02:15:06,440
Speaker 2: Is this is the Minnesota game. And did he ever

2423
02:15:06,560 --> 02:15:08,760
Speaker 2: was just taking over? That's changing him. You're doing the man.

2424
02:15:09,120 --> 02:15:11,640
Speaker 2: He's the man. So let's jump right into it, into it.

2425
02:15:11,760 --> 02:15:15,320
Speaker 16: The cold jokes eight point five points in the first quarter,

2426
02:15:15,680 --> 02:15:16,320
Speaker 16: higher or lower.

2427
02:15:16,360 --> 02:15:16,920
Speaker 2: He's a big man.

2428
02:15:17,000 --> 02:15:18,640
Speaker 16: He's a back to back m v P of the

2429
02:15:18,760 --> 02:15:22,240
Speaker 16: n B A lower stay higher eight point five.

2430
02:15:22,640 --> 02:15:26,240
Speaker 2: I gotta go. This is what Round two of the

2431
02:15:26,400 --> 02:15:27,120
Speaker 2: NBA playoffs.

2432
02:15:27,120 --> 02:15:33,200
Speaker 16: Brit drinks, Champs on me down load the underdog fantasy

2433
02:15:33,240 --> 02:15:35,960
Speaker 16: app use the cold drink Champs drink and get jacks

2434
02:15:36,080 --> 02:15:38,400
Speaker 16: up to one hundred dollars. Give a hundred dollar under

2435
02:15:38,400 --> 02:15:39,200
Speaker 16: deposits that good.

2436
02:15:48,480 --> 02:15:49,280
Speaker 2: Do me this favorite.

2437
02:15:49,360 --> 02:15:53,320
Speaker 6: Can we start from the beginning of the making of CMW, like,

2438
02:15:53,480 --> 02:15:55,480
Speaker 6: is there a group or anything before CMW?

2439
02:15:55,760 --> 02:15:58,520
Speaker 2: You see he got the tapes. I have more than this,

2440
02:15:58,600 --> 02:15:59,760
Speaker 2: but I got consistent.

2441
02:16:03,800 --> 02:16:08,160
Speaker 3: When we formed CMW, it was me, it was Chill,

2442
02:16:09,280 --> 02:16:15,440
Speaker 3: it was a DJ named Antsy, and then Slip was

2443
02:16:15,520 --> 02:16:19,480
Speaker 3: doing the beats. But before we even did anything, uh,

2444
02:16:20,120 --> 02:16:27,040
Speaker 3: we switched up DJs because Mike T, who I had met,

2445
02:16:28,920 --> 02:16:33,519
Speaker 3: he was like more skilled you getting me. He could transform,

2446
02:16:33,760 --> 02:16:36,160
Speaker 3: he could do all of that. So we went with

2447
02:16:36,360 --> 02:16:43,160
Speaker 3: Mike T with all the scratching, and then Chill went

2448
02:16:43,240 --> 02:16:46,840
Speaker 3: to jail. So that's why the first album you only

2449
02:16:46,959 --> 02:16:51,600
Speaker 3: hear half a Chill on the record. I had to

2450
02:16:51,720 --> 02:16:54,680
Speaker 3: finish all the record because he had when I think

2451
02:16:54,720 --> 02:16:57,359
Speaker 3: we had got through like maybe four or five songs

2452
02:16:58,160 --> 02:16:59,840
Speaker 3: and then so I had to finish the rest of

2453
02:16:59,840 --> 02:17:03,160
Speaker 3: the record. And then on the second album, which was

2454
02:17:03,240 --> 02:17:07,959
Speaker 3: still CMW, same situation, but he didn't get to get

2455
02:17:08,000 --> 02:17:12,840
Speaker 3: on any songs. So about time music to Drive By

2456
02:17:13,040 --> 02:17:16,680
Speaker 3: rolled around, Sony was like, we done with that ship.

2457
02:17:17,959 --> 02:17:20,240
Speaker 3: So after I did turn their music to drive By,

2458
02:17:20,320 --> 02:17:21,600
Speaker 3: everything went to m C eight.

2459
02:17:22,360 --> 02:17:24,440
Speaker 2: Oh, so that they made the decision the label.

2460
02:17:24,560 --> 02:17:28,480
Speaker 3: They was like, we're not promoted. That's yes, that's why

2461
02:17:28,520 --> 02:17:32,800
Speaker 3: I started going from CMW to m C eight featuring

2462
02:17:32,959 --> 02:17:35,320
Speaker 3: because they wanted to just call that record MC eight,

2463
02:17:35,400 --> 02:17:38,439
Speaker 3: and I said no because I still wanted to include.

2464
02:17:40,240 --> 02:17:43,520
Speaker 3: I wrote all I did. I wrote all the raps. Wow, yeah,

2465
02:17:44,080 --> 02:17:47,760
Speaker 3: for the whole group. Yeah, oh okay, so you would

2466
02:17:47,920 --> 02:17:50,360
Speaker 3: like the ice cube. Yeah. I wrote all the raps

2467
02:17:50,360 --> 02:17:53,360
Speaker 3: in the beginning, you know, not saying what they did

2468
02:17:53,520 --> 02:17:57,080
Speaker 3: after we parted, but all of the material up until

2469
02:17:57,080 --> 02:17:57,959
Speaker 3: the end. I wrote everything.

2470
02:17:58,000 --> 02:18:01,160
Speaker 8: It's because they their raps were making a cut or no.

2471
02:18:01,360 --> 02:18:02,000
Speaker 2: I just wrote.

2472
02:18:02,640 --> 02:18:04,840
Speaker 3: I just wrote, and I would write what we had

2473
02:18:04,920 --> 02:18:07,480
Speaker 3: standards back then we wrote what four verses on foot,

2474
02:18:07,600 --> 02:18:10,360
Speaker 3: So I just split the verses up. I would write

2475
02:18:10,440 --> 02:18:13,160
Speaker 3: force verses okay, and then I would go, okay, I'm right,

2476
02:18:13,200 --> 02:18:15,400
Speaker 3: I'm gonna wrap these two. A nigga, you wrapped.

2477
02:18:15,120 --> 02:18:19,480
Speaker 2: These too, okay, Yeah, okay, let's make some noise for

2478
02:18:19,560 --> 02:18:25,119
Speaker 2: that guy. Crazy. That's crazy.

2479
02:18:25,200 --> 02:18:27,959
Speaker 1: When when I when I researched you, and I kept

2480
02:18:28,080 --> 02:18:30,840
Speaker 1: seeing that, I was like, that was that? That was crazy.

2481
02:18:30,879 --> 02:18:32,879
Speaker 1: But let's talk about def Wish. Then we spoke about

2482
02:18:32,879 --> 02:18:38,720
Speaker 1: it earlier, but let's talk about it right now. Death

2483
02:18:38,760 --> 02:18:45,039
Speaker 1: Wish I had I think three three parts today?

2484
02:18:45,879 --> 02:18:51,640
Speaker 3: Yeah, I did. There was two because the first death

2485
02:18:51,680 --> 02:18:56,200
Speaker 3: Wish wasn't originally aimed a quick, right, But once we

2486
02:18:56,440 --> 02:18:59,720
Speaker 3: did the second record and then music to drive by

2487
02:18:59,840 --> 02:19:03,760
Speaker 3: all the death wishes, it was like my my little

2488
02:19:04,520 --> 02:19:06,960
Speaker 3: thing to do, you get me. I wasn't gonna make

2489
02:19:07,040 --> 02:19:09,080
Speaker 3: up different songs or whatever, so I just kept the

2490
02:19:09,160 --> 02:19:13,840
Speaker 3: death wish moniker and that was used as our retaliation

2491
02:19:14,080 --> 02:19:16,119
Speaker 3: to quick songs when we were doing.

2492
02:19:16,440 --> 02:19:21,000
Speaker 2: Wow Wow Yeah, motherfucking cool now.

2493
02:19:21,600 --> 02:19:28,760
Speaker 3: Oh yeah, definitely definitely. I mean shit, we all in

2494
02:19:28,879 --> 02:19:32,720
Speaker 3: this ship man and hip hop got a bad enough

2495
02:19:32,879 --> 02:19:35,440
Speaker 3: rap trying to get to where we are today, you

2496
02:19:35,600 --> 02:19:41,039
Speaker 3: get me. They wouldn't play songs, they wouldn't play videos. Yes,

2497
02:19:42,959 --> 02:19:46,200
Speaker 3: it was hard, man, and so they were scared enough

2498
02:19:46,280 --> 02:19:49,760
Speaker 3: of us. So to have two niggas claiming gangs beefing

2499
02:19:49,840 --> 02:19:52,400
Speaker 3: with each other. Man, it wasn't gonna turn out good,

2500
02:19:52,640 --> 02:19:54,840
Speaker 3: you get me. It wasn't gonna do nothing but probably

2501
02:19:54,920 --> 02:19:59,240
Speaker 3: destroy our careers or somebody ended up dead. Misfortunate, you know. So,

2502
02:20:00,000 --> 02:20:01,600
Speaker 3: but he could have got clipped off real.

2503
02:20:01,840 --> 02:20:02,720
Speaker 2: I was getting.

2504
02:20:04,200 --> 02:20:07,040
Speaker 3: It was like I said, it was real. And at

2505
02:20:07,120 --> 02:20:10,680
Speaker 3: that time, you know, niggas with a little money and

2506
02:20:10,760 --> 02:20:14,320
Speaker 3: a little you know, representation, man, niggas was feeling like

2507
02:20:14,640 --> 02:20:18,760
Speaker 3: powerful man. So nigga, I'm riding around with desert eagles

2508
02:20:18,800 --> 02:20:22,480
Speaker 3: and ship and you know, and but it was just

2509
02:20:24,200 --> 02:20:26,160
Speaker 3: just how the gag ship on top of that. You know,

2510
02:20:26,480 --> 02:20:28,400
Speaker 3: you are, you beefing with a nigga in the street

2511
02:20:28,600 --> 02:20:31,840
Speaker 3: over some rap shit, but then you don't know how

2512
02:20:31,879 --> 02:20:35,320
Speaker 3: the outside motherfucker is gonna take that. You're gonna have

2513
02:20:35,440 --> 02:20:37,959
Speaker 3: other blood niggas now like nigga fuck.

2514
02:20:39,879 --> 02:20:40,440
Speaker 2: So ship.

2515
02:20:42,760 --> 02:20:44,440
Speaker 3: It was spread and man, like I said, once he

2516
02:20:44,520 --> 02:20:47,920
Speaker 3: got to that point where niggas got to talking about

2517
02:20:48,000 --> 02:20:50,360
Speaker 3: houses and ship and we know where people stay and

2518
02:20:50,480 --> 02:20:53,560
Speaker 3: all of that, it happened. Like I said, fortunately, Snoop

2519
02:20:53,760 --> 02:20:56,840
Speaker 3: was you know there to just maybe you niggas need

2520
02:20:56,920 --> 02:20:59,200
Speaker 3: to sit down and ship and see what's happening. Fifty

2521
02:20:59,240 --> 02:21:02,440
Speaker 3: seven for Deserty three fifty seven.

2522
02:21:03,360 --> 02:21:09,200
Speaker 2: I'ma be honest that ship.

2523
02:21:12,200 --> 02:21:16,680
Speaker 1: I watched it, you know, washed you in quick beef.

2524
02:21:19,040 --> 02:21:22,680
Speaker 1: I knew y'all wasn't playing like there's nothing about any.

2525
02:21:24,000 --> 02:21:26,000
Speaker 3: It was my we could have minus the hip hop

2526
02:21:26,240 --> 02:21:28,680
Speaker 3: because like I said, you still had the fact that

2527
02:21:29,840 --> 02:21:32,039
Speaker 3: I was claiming cripp and he was claiming blood.

2528
02:21:32,120 --> 02:21:35,240
Speaker 2: That was enough and both from Compton. Yeah, that that

2529
02:21:35,480 --> 02:21:39,400
Speaker 2: was that was like, it's not like it's the biggest

2530
02:21:39,400 --> 02:21:40,000
Speaker 2: town in the world.

2531
02:21:40,280 --> 02:21:43,840
Speaker 3: That was just the beef, just period. When you banged

2532
02:21:44,280 --> 02:21:47,080
Speaker 3: you was a cripple blood and you get the repercussions

2533
02:21:47,120 --> 02:21:47,240
Speaker 3: of that.

2534
02:21:48,000 --> 02:21:50,360
Speaker 1: You said earlier your neighborhoods didn't even have beef. It

2535
02:21:50,400 --> 02:21:51,879
Speaker 1: wasn't really, but then.

2536
02:21:51,879 --> 02:21:52,480
Speaker 2: It had beef.

2537
02:21:53,360 --> 02:21:56,160
Speaker 3: And it's crazy because I know a lot of Treetops

2538
02:21:56,240 --> 02:22:00,440
Speaker 3: right now cool as a motherfucker, and that's the blood. Yeah,

2539
02:22:00,959 --> 02:22:03,840
Speaker 3: a lot of Treetops cool. My nigga, rest in peace.

2540
02:22:03,840 --> 02:22:06,000
Speaker 3: Slim four hundred was cool as a fan. Fucked with

2541
02:22:06,040 --> 02:22:09,040
Speaker 3: a lot of my people from the neighborhood. My nigga

2542
02:22:09,120 --> 02:22:14,080
Speaker 3: Kidaro right now with his podcast from Treetop YG A

2543
02:22:14,120 --> 02:22:16,440
Speaker 3: lot of a lot of niggas is cool. You get me,

2544
02:22:16,680 --> 02:22:20,480
Speaker 3: You got to get Yeah, he's from Treetop and that's Quick.

2545
02:22:20,720 --> 02:22:23,080
Speaker 3: That's where Quick is from. That's yeah, that's where Slim

2546
02:22:23,120 --> 02:22:24,680
Speaker 3: four hundred was from. A lot of them.

2547
02:22:24,760 --> 02:22:29,240
Speaker 2: So rest in peace, Slim for hundred. Like I said,

2548
02:22:29,280 --> 02:22:30,080
Speaker 2: we learned to grow up.

2549
02:22:30,160 --> 02:22:32,080
Speaker 3: Like I said, I'm cool with a lot of motherfuckers now,

2550
02:22:32,160 --> 02:22:34,400
Speaker 3: and it ain't even about where you're from or what

2551
02:22:34,560 --> 02:22:39,920
Speaker 3: color you whatever, My older nigga nowere you from really

2552
02:22:40,120 --> 02:22:42,840
Speaker 3: respect if you respect me, I can respect you, and

2553
02:22:42,920 --> 02:22:44,880
Speaker 3: I don't care what rag you want to put in

2554
02:22:45,000 --> 02:22:45,560
Speaker 3: your pocket?

2555
02:22:45,680 --> 02:22:48,320
Speaker 2: Or do you talk to younger guys? Do you have

2556
02:22:48,400 --> 02:22:49,560
Speaker 2: a chance to go? Yeah?

2557
02:22:49,720 --> 02:22:53,160
Speaker 1: Yeah, I got a son that's nineteen, you know, play football. Yes,

2558
02:22:53,800 --> 02:22:56,440
Speaker 1: I've read that somewhere that you won't even take a show.

2559
02:22:56,560 --> 02:22:57,840
Speaker 1: Let's get you back to.

2560
02:22:58,600 --> 02:23:00,160
Speaker 2: He mentioned that we had him on followhood and he

2561
02:23:00,200 --> 02:23:02,039
Speaker 2: talked about I.

2562
02:23:02,120 --> 02:23:08,439
Speaker 3: Started drink, I started doing the fucking uh coaching football.

2563
02:23:08,920 --> 02:23:13,040
Speaker 3: You know, my son five years old. Give him another interest,

2564
02:23:13,440 --> 02:23:15,840
Speaker 3: you know, I didn't want him to. You know a

2565
02:23:15,920 --> 02:23:18,720
Speaker 3: lot of our kids want to want a wrap on

2566
02:23:18,879 --> 02:23:20,800
Speaker 3: to produce and that ship. I didn't want him to

2567
02:23:20,840 --> 02:23:22,600
Speaker 3: get into that. So I wanted to give him another

2568
02:23:22,640 --> 02:23:26,840
Speaker 3: opportunity to find his own lane. So I started coaching football,

2569
02:23:27,240 --> 02:23:29,400
Speaker 3: you know, to give him something else that we could

2570
02:23:29,440 --> 02:23:31,840
Speaker 3: do together. And he's in college right now.

2571
02:23:32,280 --> 02:23:34,600
Speaker 1: He watched Menus because I heard that you had a show.

2572
02:23:35,240 --> 02:23:38,280
Speaker 1: I heard you had a show and it was it

2573
02:23:38,440 --> 02:23:40,200
Speaker 1: was the championship game or something like that.

2574
02:23:40,360 --> 02:23:42,480
Speaker 3: Right I was in Europe and I flew all the

2575
02:23:42,520 --> 02:23:50,800
Speaker 3: way back just to be at the championship game. My

2576
02:23:50,879 --> 02:23:55,680
Speaker 3: nigga can that's hard. Ship I turned down, turned down

2577
02:23:55,720 --> 02:24:00,160
Speaker 3: to be in the Alright video because my son had

2578
02:24:00,200 --> 02:24:04,520
Speaker 3: a game and I couldn't and Kendrick called me all night,

2579
02:24:04,640 --> 02:24:08,960
Speaker 3: he called me the next morning and I couldn't. I

2580
02:24:09,000 --> 02:24:12,880
Speaker 3: couldn't get away from the game. So I missed the

2581
02:24:13,000 --> 02:24:16,640
Speaker 3: opportunity because we had just did Mad City and that

2582
02:24:16,879 --> 02:24:20,160
Speaker 3: came out, and then on the next project. He was

2583
02:24:20,240 --> 02:24:23,120
Speaker 3: on the next project and uh, the video where I

2584
02:24:23,160 --> 02:24:25,680
Speaker 3: think Terry Crews is in it, and they would he

2585
02:24:25,760 --> 02:24:27,480
Speaker 3: wanted me to be in that video and I.

2586
02:24:27,520 --> 02:24:33,640
Speaker 2: Gonna play your life story killed that.

2587
02:24:34,560 --> 02:24:35,920
Speaker 3: That's definitely official.

2588
02:24:36,720 --> 02:24:39,440
Speaker 6: How did that homage feel? The Mad City that he

2589
02:24:39,480 --> 02:24:41,080
Speaker 6: paid to you? And then the record?

2590
02:24:42,760 --> 02:24:43,400
Speaker 2: I thought it was.

2591
02:24:43,760 --> 02:24:45,920
Speaker 3: I thought, you know, they could have fucked with anybody

2592
02:24:46,560 --> 02:24:49,080
Speaker 3: with a lot of niggas from Compton rap you give me.

2593
02:24:51,200 --> 02:24:53,000
Speaker 6: And it was creative the way it wasn't just like

2594
02:24:53,040 --> 02:24:55,600
Speaker 6: a straight taking the record and then having you like

2595
02:24:55,720 --> 02:24:55,880
Speaker 6: it was.

2596
02:24:57,200 --> 02:24:57,680
Speaker 2: It came in.

2597
02:24:58,240 --> 02:25:03,680
Speaker 3: Actually, my my so's uh you know sister, she knew

2598
02:25:03,920 --> 02:25:09,879
Speaker 3: a bunch of them and so she actually told her mom, Hey,

2599
02:25:10,440 --> 02:25:13,720
Speaker 3: this guy Kendrick wants to do it. So I honestly

2600
02:25:13,800 --> 02:25:14,879
Speaker 3: I didn't even know.

2601
02:25:14,920 --> 02:25:17,640
Speaker 2: Him at the time. No, Wow, he didn't even know

2602
02:25:17,720 --> 02:25:19,280
Speaker 2: he was aftermath. No, he was.

2603
02:25:19,800 --> 02:25:21,959
Speaker 3: He had put out the Section eighty album.

2604
02:25:22,160 --> 02:25:25,720
Speaker 2: He was touring with at the time, was on Strange Music.

2605
02:25:25,840 --> 02:25:29,160
Speaker 3: She called me and was like, this caten you. She said,

2606
02:25:29,200 --> 02:25:32,440
Speaker 3: this cat named Kendrick wants to get you on a song.

2607
02:25:33,680 --> 02:25:37,200
Speaker 3: And I said, oh. She was like Kendrick, you know,

2608
02:25:37,240 --> 02:25:40,480
Speaker 3: it's young cat whatever, and I said, yeah, okay, So

2609
02:25:40,920 --> 02:25:43,560
Speaker 3: I gave her. I told her to give him my number,

2610
02:25:44,520 --> 02:25:46,680
Speaker 3: and I didn't think nothing about it. Two weeks later

2611
02:25:46,760 --> 02:25:48,840
Speaker 3: he called me and he said, hey, I'm at the

2612
02:25:48,879 --> 02:25:52,640
Speaker 3: studio today, can you come through? And that's when we

2613
02:25:52,720 --> 02:25:55,480
Speaker 3: went to the spot in Carson Was that right the

2614
02:25:55,560 --> 02:26:00,480
Speaker 3: city now? It was in Carson City around Compton House

2615
02:26:00,640 --> 02:26:01,080
Speaker 3: was the house.

2616
02:26:01,200 --> 02:26:01,400
Speaker 2: Yeah.

2617
02:26:01,600 --> 02:26:04,920
Speaker 3: We went to the house over there and uh, he

2618
02:26:05,040 --> 02:26:08,000
Speaker 3: came outside, we went in. He told me the concept

2619
02:26:08,080 --> 02:26:11,360
Speaker 3: of the record. Uh so he told me, you know,

2620
02:26:11,879 --> 02:26:13,520
Speaker 3: he told me what he wanted me to do on

2621
02:26:13,640 --> 02:26:17,080
Speaker 3: the intro and all of that shit, and uh then

2622
02:26:17,120 --> 02:26:19,080
Speaker 3: he played me to beat. When I heard the beat,

2623
02:26:19,160 --> 02:26:21,520
Speaker 3: I was all, this motherfucker gonna be There was that

2624
02:26:21,640 --> 02:26:25,240
Speaker 3: bird in the hand and I was like, oh man,

2625
02:26:26,000 --> 02:26:26,560
Speaker 3: it was hard.

2626
02:26:26,680 --> 02:26:28,640
Speaker 2: So he is really like.

2627
02:26:30,600 --> 02:26:32,240
Speaker 3: Not wondering, nigga, I'm gonna send you the beat and

2628
02:26:32,320 --> 02:26:34,600
Speaker 3: then you come up with it, because that's something about me.

2629
02:26:34,680 --> 02:26:36,120
Speaker 3: If a nigga want to get me on the song,

2630
02:26:36,200 --> 02:26:37,680
Speaker 3: I want to know what he want to talk about.

2631
02:26:38,240 --> 02:26:40,520
Speaker 3: I asked a nigg in a minute, what's the concept? Okay,

2632
02:26:40,560 --> 02:26:42,600
Speaker 3: what we're talking about? I don't want to get on

2633
02:26:42,680 --> 02:26:44,600
Speaker 3: the song and you talking about bitches and shit and

2634
02:26:44,640 --> 02:26:47,360
Speaker 3: I'm talking about driving around a nigga blockers and shit.

2635
02:26:49,480 --> 02:26:51,600
Speaker 3: A lot of a lot of niggas do that today.

2636
02:26:52,480 --> 02:26:53,840
Speaker 3: Nigga be like, yeah, I want to get you on

2637
02:26:53,920 --> 02:26:56,320
Speaker 3: the song. And I'd be like, okay, cool, what we're

2638
02:26:56,360 --> 02:26:59,440
Speaker 3: talking about. The nigga be like, oh, just do what

2639
02:26:59,600 --> 02:27:01,800
Speaker 3: you do? Like, nigga, what is that?

2640
02:27:02,080 --> 02:27:04,600
Speaker 2: I can do a thousand things, Nigga, what the fuck

2641
02:27:04,720 --> 02:27:06,320
Speaker 2: you want me to do all this? Motherfucker?

2642
02:27:07,000 --> 02:27:09,720
Speaker 3: So, but he told straight up, I want you to

2643
02:27:09,760 --> 02:27:11,960
Speaker 3: say this. I want you to talk about a lundra.

2644
02:27:12,160 --> 02:27:15,039
Speaker 3: I want you to do this, blah blah blah right

2645
02:27:15,080 --> 02:27:17,119
Speaker 3: here at this part, can you do this? And we're

2646
02:27:17,120 --> 02:27:19,800
Speaker 3: gonna break down the intro. I want you to just create.

2647
02:27:19,959 --> 02:27:22,720
Speaker 3: So he knew it all. I came that motherfuck like

2648
02:27:22,879 --> 02:27:25,920
Speaker 3: damn not. So many people do that. No, No, a lot,

2649
02:27:26,200 --> 02:27:28,560
Speaker 3: not not many at all. A lot of niggas just

2650
02:27:28,680 --> 02:27:29,640
Speaker 3: go like, I'm.

2651
02:27:29,520 --> 02:27:32,520
Speaker 2: A singer, director, student of the game. You can tell

2652
02:27:32,560 --> 02:27:33,480
Speaker 2: ken exactly.

2653
02:27:33,959 --> 02:27:37,320
Speaker 3: So he sat there listened to my verse and then

2654
02:27:37,800 --> 02:27:39,840
Speaker 3: I'm like, okay, cool. He like, oh, can you do

2655
02:27:39,959 --> 02:27:42,320
Speaker 3: this part over? I was like, yeah, fuck it cool.

2656
02:27:42,520 --> 02:27:45,200
Speaker 3: Oh yeah, I'm You're gonna walk out the booth and

2657
02:27:45,360 --> 02:27:47,720
Speaker 3: he like, okay, now can you do this? And can

2658
02:27:47,800 --> 02:27:52,560
Speaker 3: you do that? I'm like this, mother, I'm like, yeah, directing.

2659
02:27:53,440 --> 02:27:55,800
Speaker 3: But he was cool as fuck, So I didn't mind

2660
02:27:56,080 --> 02:27:57,840
Speaker 3: it came out the way it came out. It was

2661
02:27:57,879 --> 02:27:58,280
Speaker 3: tight as.

2662
02:28:01,720 --> 02:28:02,039
Speaker 2: Holy.

2663
02:28:03,520 --> 02:28:07,840
Speaker 3: That sounds like that says, yeah, he's very mother like nigga. No,

2664
02:28:08,360 --> 02:28:11,199
Speaker 3: I know what I want, Like I know the direction

2665
02:28:11,400 --> 02:28:14,880
Speaker 3: of my ship track with Outlaws, the Outlaws, when you

2666
02:28:14,959 --> 02:28:17,120
Speaker 3: do that track with the Outlaws, when when we do that?

2667
02:28:17,560 --> 02:28:20,160
Speaker 3: Was you in the studio with with Fatal? I try

2668
02:28:20,200 --> 02:28:22,880
Speaker 3: to go to in the studio with Fatal. That's a

2669
02:28:22,879 --> 02:28:26,120
Speaker 3: piece of thing. Definitely. H Some more cats, like certain

2670
02:28:26,160 --> 02:28:29,840
Speaker 3: niggas I fuck with, I give them that that personal like,

2671
02:28:30,360 --> 02:28:31,840
Speaker 3: don't send me the track if you want to go

2672
02:28:31,959 --> 02:28:34,960
Speaker 3: in the studio. We can get in the studio. I

2673
02:28:35,120 --> 02:28:36,800
Speaker 3: try to give that to niggas. You know what I'm

2674
02:28:36,800 --> 02:28:39,959
Speaker 3: saying without niggas. But you know, I'm a true hip

2675
02:28:39,959 --> 02:28:43,200
Speaker 3: hop and him C is first ship relationship with Jay Prince,

2676
02:28:45,760 --> 02:28:49,199
Speaker 3: I don't really have one. I'm really cool with Scarface.

2677
02:28:50,080 --> 02:28:52,640
Speaker 3: I talked to Face like ship at least once a month.

2678
02:28:52,680 --> 02:28:54,640
Speaker 3: So so when you went to the gangs to wrap something,

2679
02:28:54,879 --> 02:28:58,520
Speaker 3: it was through Face. Uh actually that was through the

2680
02:28:59,400 --> 02:29:03,240
Speaker 3: through the lady okay, okay, printing them called the labels

2681
02:29:03,280 --> 02:29:06,080
Speaker 3: and certain artists they want to come, and that's how

2682
02:29:06,160 --> 02:29:11,400
Speaker 3: we got there. Some historic moments and ship in hip

2683
02:29:11,400 --> 02:29:13,840
Speaker 3: hop I've been able to be a part of. And

2684
02:29:14,080 --> 02:29:16,240
Speaker 3: you know, like I said, from what I've been through

2685
02:29:16,680 --> 02:29:19,920
Speaker 3: with all the beefing and the other ship whatever, like

2686
02:29:20,120 --> 02:29:23,280
Speaker 3: the gang shit affiliated and claiming the neighborhood and all

2687
02:29:23,320 --> 02:29:25,640
Speaker 3: that we had to go through, it's what got us

2688
02:29:25,680 --> 02:29:28,360
Speaker 3: to this point today. So I don't change nothing, man,

2689
02:29:28,840 --> 02:29:30,440
Speaker 3: you know, I don't change.

2690
02:29:33,200 --> 02:29:39,280
Speaker 1: I always wanted to ask Wu Tang comes out MC eight,

2691
02:29:40,040 --> 02:29:44,320
Speaker 1: you know, Woo Tang fucking Wu Tang was my peoples and.

2692
02:29:46,560 --> 02:29:51,320
Speaker 2: Watch this video. I was like, how did you have

2693
02:29:52,000 --> 02:29:53,800
Speaker 2: affiliation with Woo Tang.

2694
02:29:53,920 --> 02:29:58,000
Speaker 3: I'm looking like that was through Old Dirty and Meth

2695
02:29:58,680 --> 02:30:01,520
Speaker 3: worked with Old Dirty. Yeah, yes, put us on Old

2696
02:30:01,640 --> 02:30:05,119
Speaker 3: Dirty in math they were shooting the video, they.

2697
02:30:05,080 --> 02:30:08,520
Speaker 2: Was getting ready to shoot. Its involved. It might have been,

2698
02:30:08,680 --> 02:30:11,440
Speaker 2: might have been. How did you know that?

2699
02:30:11,640 --> 02:30:12,040
Speaker 11: I don't know.

2700
02:30:12,160 --> 02:30:12,440
Speaker 3: I just.

2701
02:30:16,879 --> 02:30:25,280
Speaker 2: About I just felt it. I have no anxiety, you know.

2702
02:30:25,720 --> 02:30:28,520
Speaker 3: And I didn't even know them at this point.

2703
02:30:29,320 --> 02:30:31,680
Speaker 2: And they're not blown up. They're not blown up. You

2704
02:30:32,120 --> 02:30:32,320
Speaker 2: was in?

2705
02:30:32,520 --> 02:30:35,360
Speaker 3: What video? Is it? Can I be also simple?

2706
02:30:36,160 --> 02:30:38,160
Speaker 2: Wow? That's early yeah.

2707
02:30:39,920 --> 02:30:43,720
Speaker 3: Island. Yeah, I'm in the car. I'm standing out in

2708
02:30:43,760 --> 02:30:46,560
Speaker 3: front of the little ship with meth and and then

2709
02:30:46,720 --> 02:30:49,080
Speaker 3: I'm in the car with him at the end of

2710
02:30:49,120 --> 02:30:49,480
Speaker 3: the video.

2711
02:30:50,360 --> 02:30:52,720
Speaker 2: Affiliated that's dust. Yeah.

2712
02:30:55,720 --> 02:31:00,520
Speaker 3: I was a fucking I was off a minute. I

2713
02:31:00,640 --> 02:31:02,560
Speaker 3: was off a minute once for the girl. I just

2714
02:31:02,680 --> 02:31:07,800
Speaker 3: did minute and just dropped music to drive by and

2715
02:31:08,280 --> 02:31:11,400
Speaker 3: they called me up and they was like, man, can

2716
02:31:11,440 --> 02:31:13,920
Speaker 3: you come to New York and be in Woo Tang video?

2717
02:31:14,280 --> 02:31:17,040
Speaker 3: And I was like, Wou Tang? And I think they

2718
02:31:17,120 --> 02:31:20,520
Speaker 3: send me their record And I was like this motherfucker hard,

2719
02:31:20,680 --> 02:31:24,200
Speaker 3: like a motherfucker horror. I jumped on the plane and

2720
02:31:24,320 --> 02:31:27,400
Speaker 3: went straight to stat We was hanging out, chilling, ray

2721
02:31:27,520 --> 02:31:28,360
Speaker 3: Kwan Ghost.

2722
02:31:28,640 --> 02:31:29,400
Speaker 2: It was all love.

2723
02:31:29,879 --> 02:31:33,000
Speaker 3: So I was out there for a few hours. Niggas

2724
02:31:33,040 --> 02:31:36,640
Speaker 3: wasn't doing them, but standing around getting high, just like

2725
02:31:37,640 --> 02:31:39,080
Speaker 3: that's it, man, it was there.

2726
02:31:39,160 --> 02:31:40,800
Speaker 2: That was love. You was not uncomfortable.

2727
02:31:40,800 --> 02:31:43,160
Speaker 3: And then after that I got real cool with Old Dirty.

2728
02:31:43,440 --> 02:31:45,440
Speaker 3: So that's how I jumped on the song with him

2729
02:31:45,480 --> 02:31:47,640
Speaker 3: and you did it. Yeah, I did Tommy Shimmy remix

2730
02:31:47,760 --> 02:31:53,039
Speaker 3: with him. Yeah, recipes Old Dirty all day.

2731
02:31:55,680 --> 02:32:08,280
Speaker 2: This shot is for Gangster motherfucking Chronicles. All salute being here.

2732
02:32:08,320 --> 02:32:12,280
Speaker 2: If I don't mind, if we have to go to

2733
02:32:12,440 --> 02:32:17,119
Speaker 2: wherever y'all film at. We need to support other podcasts.

2734
02:32:17,879 --> 02:32:18,560
Speaker 2: We love y'all.

2735
02:32:18,640 --> 02:32:20,960
Speaker 1: We respect y'all homeown. Let me give you a cut

2736
02:32:21,000 --> 02:32:25,640
Speaker 1: me off, I'll see you. You know I'm professional. I

2737
02:32:25,760 --> 02:32:28,440
Speaker 1: understand what's going on here. We've been trying to get

2738
02:32:28,480 --> 02:32:29,280
Speaker 1: your your flowers.

2739
02:32:29,760 --> 02:32:32,320
Speaker 2: We've been telling you for a long like, I really

2740
02:32:32,480 --> 02:32:33,520
Speaker 2: really love.

2741
02:32:33,480 --> 02:32:37,880
Speaker 1: Gangst the Chronicles, like when what y'all doing and how

2742
02:32:38,040 --> 02:32:41,000
Speaker 1: y'all highlighting y'all culture?

2743
02:32:42,160 --> 02:32:47,320
Speaker 2: Mm hmm, yeah, I love it. I love it. I

2744
02:32:47,440 --> 02:32:48,680
Speaker 2: did like I did, like.

2745
02:32:50,160 --> 02:32:55,000
Speaker 17: The Gang Investigator. I did like sorry, oh no, there's

2746
02:32:55,040 --> 02:33:00,720
Speaker 17: there's a move like so, but I didn't know he

2747
02:33:00,879 --> 02:33:02,440
Speaker 17: I didn't know he was he was.

2748
02:33:03,320 --> 02:33:05,720
Speaker 2: He was a gangly because I followed he.

2749
02:33:05,920 --> 02:33:08,960
Speaker 3: Was like a dude who went to went to neighborhood,

2750
02:33:10,920 --> 02:33:11,560
Speaker 3: you know them?

2751
02:33:11,640 --> 02:33:12,039
Speaker 2: Yeah yeah.

2752
02:33:12,360 --> 02:33:14,320
Speaker 5: And I'm not mad at that ship because I thought

2753
02:33:14,400 --> 02:33:16,400
Speaker 5: to bring all the motherfuckers on, So that means I'm

2754
02:33:16,400 --> 02:33:19,879
Speaker 5: a smart motherfucker. So I would never dish them, man,

2755
02:33:20,000 --> 02:33:23,760
Speaker 5: because I really feel like that at one time, we

2756
02:33:23,879 --> 02:33:26,160
Speaker 5: could have had some really great man, we was doing

2757
02:33:26,240 --> 02:33:26,760
Speaker 5: some ship, right.

2758
02:33:26,920 --> 02:33:29,320
Speaker 2: You had the gang members and the gang analyst.

2759
02:33:29,720 --> 02:33:33,200
Speaker 5: Exactly what happened was though, Man, sometimes some ship just

2760
02:33:33,240 --> 02:33:35,720
Speaker 5: ain't meant to be. Some people can't help power. Nor

2761
02:33:36,800 --> 02:33:42,280
Speaker 5: I respect that some people can't help man. So you

2762
02:33:42,360 --> 02:33:43,039
Speaker 5: said it just now.

2763
02:33:43,360 --> 02:33:45,840
Speaker 2: I actually thought he was like an expert, like you

2764
02:33:45,920 --> 02:33:50,440
Speaker 2: know how Steve on Jerry Springer to be. He was

2765
02:33:50,520 --> 02:34:00,320
Speaker 2: just the person that know what.

2766
02:34:05,879 --> 02:34:11,760
Speaker 5: Steve thought he was. You know what's happening though? Right now, Man,

2767
02:34:12,120 --> 02:34:14,200
Speaker 5: I had a brother hit me the other day. Man

2768
02:34:15,600 --> 02:34:17,800
Speaker 5: shout out to my boy down in the rag right here,

2769
02:34:17,920 --> 02:34:19,960
Speaker 5: hit me, and he was telling me some ship about him,

2770
02:34:20,080 --> 02:34:23,560
Speaker 5: right what's happening. There was a lot of videos that's

2771
02:34:23,600 --> 02:34:25,320
Speaker 5: coming out right now. A lot of the guys catching

2772
02:34:25,400 --> 02:34:26,760
Speaker 5: cases and ship like that. Man.

2773
02:34:27,520 --> 02:34:29,440
Speaker 2: So it's a whole bunch of little messy ship.

2774
02:34:29,320 --> 02:34:31,600
Speaker 5: Going on, man to where it's like, I'm glad I'm

2775
02:34:31,640 --> 02:34:35,440
Speaker 5: not involved now, you feel what I'm saying everything, Like,

2776
02:34:35,959 --> 02:34:37,920
Speaker 5: like I said, I'm a real spiritual person, man, and

2777
02:34:38,000 --> 02:34:41,880
Speaker 5: I think God sometimes man determines our destiny. Certain ship

2778
02:34:41,959 --> 02:34:43,880
Speaker 5: might happen at that time you might be tripping, but

2779
02:34:43,959 --> 02:34:48,360
Speaker 5: then something else that happened you like, damn, it's just.

2780
02:34:48,480 --> 02:34:51,080
Speaker 2: Like me and eight. We had our biggest year last year.

2781
02:34:51,160 --> 02:34:54,400
Speaker 5: Man. You know a lot of people don't understand what podcasting.

2782
02:34:56,320 --> 02:35:00,160
Speaker 5: You make your bread with the audio, man, that's right up.

2783
02:35:00,200 --> 02:35:01,920
Speaker 5: You make some good bread with the audio, right.

2784
02:35:02,080 --> 02:35:03,400
Speaker 2: Talk talk that talk, And.

2785
02:35:05,040 --> 02:35:08,240
Speaker 5: We did something indeed, nineteen millions that like it was

2786
02:35:08,360 --> 02:35:11,480
Speaker 5: like a crazy amount of downloads last year. And I said, damn,

2787
02:35:11,800 --> 02:35:14,600
Speaker 5: we funked around and got bigger though. Man, that's the

2788
02:35:14,680 --> 02:35:16,160
Speaker 5: really you feel what I'm saying. So you have to

2789
02:35:16,280 --> 02:35:19,080
Speaker 5: always keep scaling, man, and keep reinventing this ship.

2790
02:35:19,400 --> 02:35:22,279
Speaker 2: Because because that's the thing. This podcast Yeah gotta.

2791
02:35:22,040 --> 02:35:22,800
Speaker 16: Be to that.

2792
02:35:23,160 --> 02:35:32,360
Speaker 2: Yeah, you drink that, you understand the bottle was I

2793
02:35:32,440 --> 02:35:37,840
Speaker 2: told him drink everything. We got.

2794
02:35:39,440 --> 02:35:42,480
Speaker 1: The right car, man we got and we go figure out, right,

2795
02:35:42,879 --> 02:35:46,040
Speaker 1: let's killer Holiday kill Man.

2796
02:35:46,120 --> 02:35:48,480
Speaker 2: You know about that movie. Come on, I'm home point.

2797
02:35:50,920 --> 02:35:54,040
Speaker 3: Man, you'll really up. You're doing your researches. I told

2798
02:35:54,120 --> 02:35:55,560
Speaker 3: you you gotta have that man.

2799
02:35:55,720 --> 02:35:57,480
Speaker 2: That was we just got drunk.

2800
02:35:57,879 --> 02:36:00,400
Speaker 3: Yeah, I said, dig up some ship that shows that

2801
02:36:00,480 --> 02:36:03,280
Speaker 3: ship up to be like, you know what about that ship?

2802
02:36:03,800 --> 02:36:08,679
Speaker 2: I know about Killer Holiday. No holiday.

2803
02:36:09,879 --> 02:36:14,480
Speaker 5: Ain't to kill a holiday, all right, make sure he

2804
02:36:14,520 --> 02:36:16,560
Speaker 5: don't get shy because he'll look at you drink your ship.

2805
02:36:16,800 --> 02:36:21,960
Speaker 2: That's right. You always say where the keys? All the

2806
02:36:22,040 --> 02:36:26,320
Speaker 2: keys or I took just so you know, if you

2807
02:36:26,440 --> 02:36:29,000
Speaker 2: want to, like you smell them and make sure I'm good.

2808
02:36:29,800 --> 02:36:33,359
Speaker 2: I know he good. You're passing the keys now, right. Definitely.

2809
02:36:33,440 --> 02:36:33,640
Speaker 7: Yeah.

2810
02:36:42,600 --> 02:36:45,879
Speaker 2: I gotta.

2811
02:36:47,640 --> 02:36:51,240
Speaker 5: Y'all because I'm gonna tell y'all if y'all would have

2812
02:36:51,320 --> 02:36:53,320
Speaker 5: had to drink. Champs Networks started.

2813
02:36:53,120 --> 02:36:56,720
Speaker 2: At that time. We just signed what y'all, I ain't

2814
02:36:56,720 --> 02:36:58,240
Speaker 2: gonna lie to you. I'm gonna be honest with you

2815
02:36:58,280 --> 02:37:03,560
Speaker 2: because I know this. I was. I'm the nigga watching

2816
02:37:03,760 --> 02:37:07,600
Speaker 2: watching James the Chronicles from the beginning, and Yasha was

2817
02:37:07,720 --> 02:37:09,960
Speaker 2: so good I'm being honest. Let me just be honest

2818
02:37:09,959 --> 02:37:13,680
Speaker 2: because it's me. You was on d MS together.

2819
02:37:13,480 --> 02:37:17,360
Speaker 1: Talking Yasha was so good, and when y'all finally got

2820
02:37:17,400 --> 02:37:20,240
Speaker 1: it together, I didn't even want to play with y'all.

2821
02:37:20,560 --> 02:37:22,360
Speaker 1: I was like, because I knew be in here offend

2822
02:37:22,440 --> 02:37:25,720
Speaker 1: and having together like me and him like three days ago,

2823
02:37:25,920 --> 02:37:28,040
Speaker 1: got it together, Like this is how we're gonna do.

2824
02:37:28,080 --> 02:37:30,400
Speaker 2: Yeah, we would have had it together a lot of people.

2825
02:37:32,920 --> 02:37:35,680
Speaker 1: You would not have been to black effect. By the way,

2826
02:37:36,120 --> 02:37:38,280
Speaker 1: who is my man, It's my brother, Charlot Magne.

2827
02:37:38,800 --> 02:37:40,880
Speaker 2: But y'all would have been with us because I was

2828
02:37:40,959 --> 02:37:45,120
Speaker 2: watching and I was like, this is crazy, y'all.

2829
02:37:45,560 --> 02:37:49,760
Speaker 1: Just and by the way, I knew this for years

2830
02:37:51,080 --> 02:37:56,480
Speaker 1: that California artists don't even have to promote to the world.

2831
02:37:57,400 --> 02:38:03,240
Speaker 2: All you have to promote to is Calnnia. Just this

2832
02:38:03,400 --> 02:38:08,920
Speaker 2: is what podcasts the algorithms has shown you don't even

2833
02:38:09,080 --> 02:38:13,360
Speaker 2: need to do like Texas artists wherever you're at out there. Yeah,

2834
02:38:13,360 --> 02:38:17,800
Speaker 2: it takes another market that self sufficient. The world promote

2835
02:38:17,879 --> 02:38:23,560
Speaker 2: to Texas talk about boots, talk about holding fucking a

2836
02:38:23,760 --> 02:38:25,800
Speaker 2: K's and they're looking at the McDonald's.

2837
02:38:26,840 --> 02:38:32,880
Speaker 1: Don't do that, guys, California. Let me just tell you,

2838
02:38:36,000 --> 02:38:37,200
Speaker 1: study algorithms.

2839
02:38:38,080 --> 02:38:42,800
Speaker 2: California does not have to perform to promote to anybody

2840
02:38:42,879 --> 02:38:48,200
Speaker 2: else but California. I'm telling you, the world is already

2841
02:38:49,280 --> 02:38:52,960
Speaker 2: gravitating to California. So all you gotta do is just

2842
02:38:53,280 --> 02:39:00,400
Speaker 2: talk to your people. And it's beautiful that me and

2843
02:39:00,640 --> 02:39:03,840
Speaker 2: if That's we only talked to our audience. Come on,

2844
02:39:03,959 --> 02:39:07,400
Speaker 2: but his audience got to realize he's born. He's born,

2845
02:39:07,480 --> 02:39:19,320
Speaker 2: and that's when raised in Miami. We gave down to

2846
02:39:19,360 --> 02:39:22,360
Speaker 2: our audience. We don't care like if if you're a

2847
02:39:22,440 --> 02:39:24,840
Speaker 2: young nigga and you want to listen to us, we

2848
02:39:24,879 --> 02:39:27,000
Speaker 2: will peg you. We will give a.

2849
02:39:29,640 --> 02:39:39,200
Speaker 15: Don't give an if you man, But you understand what

2850
02:39:39,240 --> 02:39:44,960
Speaker 15: I'm saying. That was said that was that was if

2851
02:39:44,959 --> 02:39:53,920
Speaker 15: you would have said Hamburgers, you would have taken I

2852
02:39:54,040 --> 02:39:56,720
Speaker 15: got this last little bit. What I'm saying is care

2853
02:39:56,959 --> 02:40:00,080
Speaker 15: to your people like you. You don't have to go

2854
02:40:00,160 --> 02:40:06,560
Speaker 15: outside your audience. I told us the way Korn damn

2855
02:40:06,600 --> 02:40:07,600
Speaker 15: there eight years ago.

2856
02:40:09,240 --> 02:40:11,920
Speaker 1: When we started it, Ray Kor was dropping an album

2857
02:40:12,640 --> 02:40:15,440
Speaker 1: and where at we'red a part of Jersey's. I don't

2858
02:40:15,440 --> 02:40:17,039
Speaker 1: want to say it because me and him might meet

2859
02:40:17,120 --> 02:40:20,000
Speaker 1: up there tomorrow. So let me not say it, but

2860
02:40:20,120 --> 02:40:22,440
Speaker 1: I say, yo, bro, next time you drop an album,

2861
02:40:22,640 --> 02:40:24,520
Speaker 1: drop your album on a podcast.

2862
02:40:25,640 --> 02:40:28,720
Speaker 2: And he was like what and I was like, drop it.

2863
02:40:29,160 --> 02:40:34,120
Speaker 1: Make ray Quoran podcast and you already your audience is

2864
02:40:34,160 --> 02:40:42,800
Speaker 1: already built. Drop your your album right on your podcast.

2865
02:40:43,920 --> 02:40:44,240
Speaker 5: M M.

2866
02:40:45,520 --> 02:40:48,119
Speaker 1: Don't make it available because you know this is different

2867
02:40:48,160 --> 02:40:53,920
Speaker 1: between podcasts. When you choose podcasts, you have to download

2868
02:40:53,959 --> 02:40:58,959
Speaker 1: the app mm hmm. You have to start following that people.

2869
02:41:00,720 --> 02:41:03,400
Speaker 1: That means that these people that really listen to you

2870
02:41:04,240 --> 02:41:14,680
Speaker 1: are really with you, fuck with them back. Yeah, And

2871
02:41:14,879 --> 02:41:17,720
Speaker 1: that's where I want hip hop to kind of go,

2872
02:41:18,040 --> 02:41:24,320
Speaker 1: like it's like against the chronicles. The person listening to

2873
02:41:24,400 --> 02:41:26,119
Speaker 1: yall ship it's because.

2874
02:41:25,920 --> 02:41:32,200
Speaker 2: They fuck with y'all. Motherfuckers though listen. And by the way,

2875
02:41:32,280 --> 02:41:35,280
Speaker 2: I'm one of them, niggas, Like I'm one of them.

2876
02:41:35,480 --> 02:41:38,840
Speaker 2: I wanted to like, I met you know at the

2877
02:41:38,920 --> 02:41:43,240
Speaker 2: time I met you long time you remember, remember now,

2878
02:41:43,560 --> 02:41:47,640
Speaker 2: I remember because you I was high too, But it

2879
02:41:47,760 --> 02:41:52,680
Speaker 2: was Johnny Blaze video Bat Joe in New York and

2880
02:41:52,800 --> 02:41:56,280
Speaker 2: I came with twenty five niggas are the worst people

2881
02:41:56,360 --> 02:41:59,119
Speaker 2: that could be around me because that was a hard

2882
02:41:59,200 --> 02:42:03,080
Speaker 2: back then. I heard the man. Listen, let me tell you.

2883
02:42:03,320 --> 02:42:06,120
Speaker 2: Let me why I knew. Let me tell you why

2884
02:42:06,120 --> 02:42:09,080
Speaker 2: I knew. He was was just as foul as me.

2885
02:42:11,000 --> 02:42:15,920
Speaker 1: Man, Hey, look what's up. I'm like, yeah, yeah, we

2886
02:42:16,080 --> 02:42:18,680
Speaker 1: in Brooklyn. We're from the video on Brooklyn. I'm like

2887
02:42:18,959 --> 02:42:20,320
Speaker 1: about to walk around the corner.

2888
02:42:20,520 --> 02:42:21,840
Speaker 2: But I know I got to town.

2889
02:42:22,760 --> 02:42:31,199
Speaker 18: They ain't walked around the corner with me, I said, because,

2890
02:42:31,680 --> 02:42:33,160
Speaker 18: by the way, any other West.

2891
02:42:32,920 --> 02:42:35,440
Speaker 2: Coast niggas were like, go ahead, nigga, like, you're gonna

2892
02:42:35,440 --> 02:42:39,400
Speaker 2: walk around the corner Brooklyn. That's real ship, ain't, man?

2893
02:42:39,959 --> 02:42:41,120
Speaker 2: Do you remember that? I don't.

2894
02:42:41,280 --> 02:42:44,680
Speaker 3: I've never been. I've never been like we in the hood.

2895
02:42:44,720 --> 02:42:48,440
Speaker 3: We in the hood, like you give me saying and

2896
02:42:48,480 --> 02:42:50,560
Speaker 3: then they ain't gonna let you walk by yourself. Nigga

2897
02:42:50,760 --> 02:42:51,720
Speaker 3: with the ship, let's go.

2898
02:42:51,840 --> 02:42:53,840
Speaker 2: Had twenty five people would be married.

2899
02:42:54,040 --> 02:43:01,279
Speaker 3: Ship and affiliation did too. Nigh. I was like, damn,

2900
02:43:01,440 --> 02:43:03,560
Speaker 3: bro man, you know who told me about you?

2901
02:43:03,680 --> 02:43:03,840
Speaker 2: Though?

2902
02:43:03,879 --> 02:43:08,199
Speaker 5: Dog Jill's about to do out there, but only Doggy diamonds.

2903
02:43:08,480 --> 02:43:12,080
Speaker 2: That's why I got shout to do. He told one time.

2904
02:43:12,160 --> 02:43:14,840
Speaker 5: He said, Man, this nigga poppy man he had around,

2905
02:43:15,080 --> 02:43:17,320
Speaker 5: you know, nothing to be saying too much.

2906
02:43:17,360 --> 02:43:30,040
Speaker 2: You know what I'm saying. He's just like he tried

2907
02:43:31,280 --> 02:43:31,800
Speaker 2: trying to throw.

2908
02:43:36,959 --> 02:43:42,560
Speaker 3: He was trying to throw a game, thinking oselves little

2909
02:43:42,560 --> 02:43:43,480
Speaker 3: ship Poppy does go.

2910
02:43:46,520 --> 02:43:48,880
Speaker 1: I know I said it earlier, but God is a

2911
02:43:49,000 --> 02:43:53,960
Speaker 1: funny nigga, because I'm trying to get dressed today like that.

2912
02:43:54,360 --> 02:43:58,720
Speaker 2: Everything every day in my closet was blue. Like he

2913
02:43:58,840 --> 02:44:02,320
Speaker 2: told you. He just when we started trying to be

2914
02:44:02,600 --> 02:44:04,400
Speaker 2: hard not to come it off. I was like, I

2915
02:44:04,480 --> 02:44:05,280
Speaker 2: don't want to cook.

2916
02:44:05,920 --> 02:44:08,640
Speaker 3: By the way, it was hard blue. It was like

2917
02:44:08,920 --> 02:44:14,480
Speaker 3: you would have been like this to me, and I

2918
02:44:14,600 --> 02:44:16,920
Speaker 3: was like, this is this is not I did the

2919
02:44:17,040 --> 02:44:19,840
Speaker 3: same ship. When I look at I'm like, I got

2920
02:44:19,920 --> 02:44:22,960
Speaker 3: some ship that's like a crew rag and ship. And

2921
02:44:23,040 --> 02:44:28,120
Speaker 3: I was like, I ain't gonna do them like that, you.

2922
02:44:30,440 --> 02:44:30,640
Speaker 7: Dude.

2923
02:44:35,840 --> 02:44:38,400
Speaker 6: Let me say something real quick, the same piggybacking off

2924
02:44:38,440 --> 02:44:43,200
Speaker 6: of the humbleness. I went to this conference in tom Springs.

2925
02:44:43,920 --> 02:44:45,520
Speaker 6: It was like it was a weird confer I don't

2926
02:44:45,520 --> 02:44:46,840
Speaker 6: remember the name of the conference. They had like a

2927
02:44:46,920 --> 02:44:49,080
Speaker 6: gossip part of it, and then it turned to an

2928
02:44:49,120 --> 02:44:50,359
Speaker 6: independent gangster.

2929
02:44:50,959 --> 02:44:52,520
Speaker 2: The radio conference today.

2930
02:44:53,720 --> 02:44:55,640
Speaker 6: You remember, I think I know for sure I saw

2931
02:44:55,720 --> 02:44:57,960
Speaker 6: you who your tribe was there, like it was like

2932
02:44:58,480 --> 02:44:59,879
Speaker 6: I was who you try?

2933
02:45:02,160 --> 02:45:02,640
Speaker 2: It was dope.

2934
02:45:02,680 --> 02:45:04,440
Speaker 6: But one thing I remember of people, because it's at

2935
02:45:04,480 --> 02:45:07,280
Speaker 6: the same time that like the back I don't call

2936
02:45:07,320 --> 02:45:09,520
Speaker 6: it backpack round, but that's what we called the backpack.

2937
02:45:09,680 --> 02:45:12,920
Speaker 2: Rapp was conscious and the rapper was coming up right,

2938
02:45:13,480 --> 02:45:13,840
Speaker 2: and I was.

2939
02:45:14,040 --> 02:45:15,440
Speaker 6: I was doing a lot of promo stuff for a

2940
02:45:15,520 --> 02:45:17,760
Speaker 6: lot of labels, and I worked like rockets and all

2941
02:45:17,760 --> 02:45:21,080
Speaker 6: these people, and I remember I'm at this conference and

2942
02:45:21,160 --> 02:45:24,640
Speaker 6: I mean the hardest artist that I mean, these are

2943
02:45:24,680 --> 02:45:29,000
Speaker 6: the gangsters of the gangster, the most humble artist that

2944
02:45:29,080 --> 02:45:33,120
Speaker 6: I ever met. Then I mean the most conscious of

2945
02:45:33,200 --> 02:45:37,640
Speaker 6: the conscious working the label stuff. They're the biggest asshole.

2946
02:45:38,280 --> 02:45:40,880
Speaker 6: They're trying to be hardcore and I'm like, yo, what

2947
02:45:41,000 --> 02:45:43,200
Speaker 6: the fuck? Like it just it made me realize it

2948
02:45:43,280 --> 02:45:45,880
Speaker 6: because they think they have to be. It made me

2949
02:45:45,959 --> 02:45:48,959
Speaker 6: realize that because every time when I ran into Yeah,

2950
02:45:48,959 --> 02:45:53,360
Speaker 6: I've always known. I've heard stories, real realized dudes was

2951
02:45:53,920 --> 02:45:54,680
Speaker 6: tried yeah.

2952
02:45:57,800 --> 02:45:59,960
Speaker 2: And so so it's just I don't know if it's

2953
02:46:00,000 --> 02:46:03,840
Speaker 2: it's the era that created that type of artist or

2954
02:46:03,920 --> 02:46:05,560
Speaker 2: what happened, but it's just something happened.

2955
02:46:05,600 --> 02:46:08,840
Speaker 6: There was a disconnect where these conscious artists felt inclined

2956
02:46:08,879 --> 02:46:11,600
Speaker 6: to try to be like a hardcore street person. They

2957
02:46:11,680 --> 02:46:14,720
Speaker 6: wasn't really that. And then you had the people who

2958
02:46:14,800 --> 02:46:18,080
Speaker 6: lived it, and really, you know, was about that actually

2959
02:46:18,160 --> 02:46:19,840
Speaker 6: acting like conscious artists when you met them.

2960
02:46:19,879 --> 02:46:20,879
Speaker 2: You know what I'm saying. Yeah, we.

2961
02:46:23,080 --> 02:46:25,720
Speaker 3: When you grew up in a neighborhood, man, you get

2962
02:46:25,760 --> 02:46:29,480
Speaker 3: to I guess when you get to put yourself in

2963
02:46:29,560 --> 02:46:33,400
Speaker 3: different predicaments that you wouldn't be in, and becoming hip

2964
02:46:33,440 --> 02:46:36,520
Speaker 3: hop and really embracing that takes you to different places.

2965
02:46:37,400 --> 02:46:40,280
Speaker 3: People already think we fucking assholes, and we have, so

2966
02:46:40,760 --> 02:46:44,000
Speaker 3: we like to show people that we intelligent, even though

2967
02:46:44,080 --> 02:46:46,360
Speaker 3: we had to grow up hard and banging and did

2968
02:46:46,400 --> 02:46:49,320
Speaker 3: all that shit. I'm gonna show you I'm an intelligent motherfucker.

2969
02:46:49,760 --> 02:46:51,440
Speaker 3: Gonna walk up in here and just get to tearing

2970
02:46:51,520 --> 02:46:53,280
Speaker 3: up shit because that's what you think I should do.

2971
02:46:53,720 --> 02:46:55,959
Speaker 3: You feel me Now, I'm gonna come here, sit down

2972
02:46:56,000 --> 02:46:58,560
Speaker 3: and talk to you like a motherfucking college graduate and

2973
02:46:58,640 --> 02:47:02,440
Speaker 3: civilized because I still got street knowledge, but I've still

2974
02:47:02,520 --> 02:47:05,480
Speaker 3: been brought up to be respectful. Like I said, respect man.

2975
02:47:06,040 --> 02:47:08,600
Speaker 3: And once once you give a nigger respect, man, they

2976
02:47:08,720 --> 02:47:10,240
Speaker 3: know how to They know how to deal with that.

2977
02:47:10,920 --> 02:47:13,000
Speaker 3: So when you grow up like that. Man, we try

2978
02:47:13,040 --> 02:47:15,440
Speaker 3: to show people like, now, I'm not the asshole that

2979
02:47:15,520 --> 02:47:18,680
Speaker 3: you think. I am right, I'm not the I'm not

2980
02:47:18,879 --> 02:47:19,800
Speaker 3: what you see on TV.

2981
02:47:20,400 --> 02:47:20,920
Speaker 2: You get me.

2982
02:47:21,320 --> 02:47:23,440
Speaker 3: You see the image of us on TV, and it's

2983
02:47:23,480 --> 02:47:24,920
Speaker 3: just stick them up killing my mother.

2984
02:47:25,120 --> 02:47:25,560
Speaker 2: You kill a.

2985
02:47:25,600 --> 02:47:29,160
Speaker 3: Motherfucker for a fucking was still in your cupcake and ship.

2986
02:47:29,240 --> 02:47:31,480
Speaker 3: That's how they make us on TV. You know mean,

2987
02:47:31,760 --> 02:47:35,080
Speaker 3: But it's a lot of intelligent motherfuckers from the neighborhood.

2988
02:47:35,120 --> 02:47:37,680
Speaker 8: I asked you a question earlier about what age was

2989
02:47:37,720 --> 02:47:39,480
Speaker 8: your son when he first watched minutes.

2990
02:47:39,520 --> 02:47:41,560
Speaker 2: I just want to know what age was he and

2991
02:47:41,640 --> 02:47:44,120
Speaker 2: what did he say? What was his reaction? Son had

2992
02:47:44,160 --> 02:47:45,400
Speaker 2: to be just as scared as you was.

2993
02:47:45,640 --> 02:47:51,480
Speaker 3: My son, My son, really hold was he when I

2994
02:47:51,640 --> 02:47:53,840
Speaker 3: probably was probably about seven or eight?

2995
02:47:54,360 --> 02:47:57,200
Speaker 2: Seven or eight? He was gonna say? I didn't I didn't.

2996
02:47:57,320 --> 02:48:02,000
Speaker 2: That must have been different. I didn't.

2997
02:48:02,120 --> 02:48:05,440
Speaker 3: I didn't. I didn't want to restrict him from nothing.

2998
02:48:05,879 --> 02:48:06,440
Speaker 16: You get me.

2999
02:48:08,040 --> 02:48:12,040
Speaker 3: You're gonna see Ship and it's gonna come to time

3000
02:48:12,120 --> 02:48:14,160
Speaker 3: where you're gonna have to make a decision that's gonna

3001
02:48:14,160 --> 02:48:16,840
Speaker 3: be the right decision. You can't go off of what

3002
02:48:17,080 --> 02:48:19,080
Speaker 3: you saw me do. Yeah, you see what I did? Yeah,

3003
02:48:19,080 --> 02:48:21,720
Speaker 3: that's what I did. Yep, yep. You haven't been to

3004
02:48:21,800 --> 02:48:24,840
Speaker 3: the hood. You see that, you see the niggas associated

3005
02:48:24,920 --> 02:48:27,400
Speaker 3: with all that. But you have a different I didn't

3006
02:48:27,400 --> 02:48:30,600
Speaker 3: have different. I didn't have an option. I grew up there.

3007
02:48:31,560 --> 02:48:35,080
Speaker 3: You ain't there. You don't have to follow that ship,

3008
02:48:35,200 --> 02:48:36,440
Speaker 3: and then that's all you know.

3009
02:48:36,640 --> 02:48:39,920
Speaker 8: So yeah, but he sees that movie now right when

3010
02:48:39,959 --> 02:48:41,680
Speaker 8: he was set seven, and he might not have known it,

3011
02:48:42,160 --> 02:48:43,800
Speaker 8: but when as he gets older he's.

3012
02:48:43,600 --> 02:48:46,080
Speaker 3: Watching, he watching now, he probably would think, oh, that

3013
02:48:46,200 --> 02:48:48,880
Speaker 3: was some cool ship you did, not bigger than cool ship,

3014
02:48:50,879 --> 02:48:57,200
Speaker 3: because I was like, you know what I'm saying, Like

3015
02:48:57,400 --> 02:49:03,000
Speaker 3: he's just now coming into that, you know, because he

3016
02:49:03,120 --> 02:49:05,800
Speaker 3: used to think it was weird when people would walk

3017
02:49:05,879 --> 02:49:09,120
Speaker 3: up to me and be man, and he'd be like,

3018
02:49:09,280 --> 02:49:11,720
Speaker 3: why why why do they want your picture?

3019
02:49:11,879 --> 02:49:15,520
Speaker 5: Why they want your autograph? And I don't know if

3020
02:49:15,560 --> 02:49:17,560
Speaker 5: I had to realize it though, like how big you

3021
02:49:17,640 --> 02:49:19,840
Speaker 5: are with the I know, I know, I know.

3022
02:49:28,040 --> 02:49:30,000
Speaker 2: You gotta take the flowers and you know what, you

3023
02:49:30,080 --> 02:49:31,360
Speaker 2: gotta take them for real?

3024
02:49:31,440 --> 02:49:35,279
Speaker 3: Because that movie has to be, if not the greatest

3025
02:49:35,760 --> 02:49:37,720
Speaker 3: hip hop street.

3026
02:49:37,440 --> 02:49:39,840
Speaker 19: Movie of all time right by boys in the hood

3027
02:49:40,480 --> 02:49:42,760
Speaker 19: to me the number one, and you gotta take that.

3028
02:49:46,000 --> 02:49:48,240
Speaker 19: Let me make let me make yours think it may

3029
02:49:48,440 --> 02:49:50,800
Speaker 19: make more and more sense. You make sense, Let me

3030
02:49:50,840 --> 02:49:57,840
Speaker 19: make it more sense. Seriously, that movie is the reason

3031
02:49:57,920 --> 02:49:59,039
Speaker 19: why East Coast.

3032
02:49:58,879 --> 02:50:01,400
Speaker 2: Is banging right now. Like you can go to a

3033
02:50:01,560 --> 02:50:05,080
Speaker 2: neighborhood and see a neighborhood full of crepts.

3034
02:50:06,800 --> 02:50:13,120
Speaker 3: In New York seen it all on society though, come on,

3035
02:50:14,640 --> 02:50:22,080
Speaker 3: I can't understand that. I feel like that's I did

3036
02:50:22,240 --> 02:50:24,160
Speaker 3: never because I was coming to New.

3037
02:50:26,280 --> 02:50:28,040
Speaker 2: Hold hold on, we're gonna be quiet. You need to

3038
02:50:28,440 --> 02:50:29,320
Speaker 2: need to break this down.

3039
02:50:29,720 --> 02:50:32,960
Speaker 1: He is you know, I'm saying right for me and

3040
02:50:33,080 --> 02:50:36,680
Speaker 1: my inner like when I tell somebody breaking down.

3041
02:50:36,600 --> 02:50:40,120
Speaker 3: To me, like what made that and what made it

3042
02:50:40,240 --> 02:50:46,800
Speaker 3: so influential? But hold on, So the gangs, the gang

3043
02:50:46,920 --> 02:50:50,680
Speaker 3: culture in this yard, why how did that become?

3044
02:50:51,920 --> 02:50:54,600
Speaker 6: Because yeah, honestly, you don't think it was the prison

3045
02:50:54,680 --> 02:50:56,760
Speaker 6: system as well, like I think the prison system is.

3046
02:50:57,640 --> 02:50:59,960
Speaker 3: You gotta see because I was back in the day

3047
02:51:00,240 --> 02:51:03,160
Speaker 3: is when it wasn't because you know, I was traveling

3048
02:51:03,240 --> 02:51:06,080
Speaker 3: to New York in the late eighties and the early man.

3049
02:51:07,560 --> 02:51:10,800
Speaker 2: Guess what, But I was like got ship, and then

3050
02:51:11,200 --> 02:51:12,080
Speaker 2: they follow.

3051
02:51:11,959 --> 02:51:19,480
Speaker 1: You making those movies. He understands it's true. It might

3052
02:51:19,640 --> 02:51:22,720
Speaker 1: be just that simple. But I don't think it's just

3053
02:51:22,800 --> 02:51:23,440
Speaker 1: the movie though.

3054
02:51:23,480 --> 02:51:28,960
Speaker 2: I think the prison, I think it's the music. I

3055
02:51:29,000 --> 02:51:32,040
Speaker 2: think it's the movies. I think there's definitely influence. I

3056
02:51:32,200 --> 02:51:36,800
Speaker 2: sure I do mean that. But what I'm saying is, Nigga,

3057
02:51:37,000 --> 02:51:39,880
Speaker 2: you a legend, this nigga that hands down love you

3058
02:51:40,080 --> 02:51:44,440
Speaker 2: hands down, and I can't stand on.

3059
02:51:45,360 --> 02:51:47,600
Speaker 1: I used to love this when the persons, and I

3060
02:51:47,720 --> 02:51:49,800
Speaker 1: heard you say this in the interviews. Person coming to

3061
02:51:49,840 --> 02:51:52,720
Speaker 1: me like you got me through my bid and I

3062
02:51:52,840 --> 02:51:55,720
Speaker 1: was like, I'll be like yeah. But then I feel

3063
02:51:55,800 --> 02:51:57,760
Speaker 1: like this nigga think I owe him.

3064
02:52:03,840 --> 02:52:08,119
Speaker 2: Looking I got a letter for you from the pendas.

3065
02:52:09,959 --> 02:52:12,920
Speaker 1: I get hard fact like I'm in the airport, fucking

3066
02:52:13,000 --> 02:52:16,800
Speaker 1: Barber's bar Nigga comeing to me, Yo, nigga, you got

3067
02:52:16,840 --> 02:52:17,480
Speaker 1: me through my bed.

3068
02:52:17,640 --> 02:52:20,400
Speaker 2: I'm like, that's real ship though, and I can't. I

3069
02:52:20,440 --> 02:52:21,320
Speaker 2: can't let this, nigga.

3070
02:52:21,440 --> 02:52:24,480
Speaker 3: It means a lot of Yeah, I get you.

3071
02:52:24,840 --> 02:52:27,160
Speaker 2: I'm gonna be honest with you. I get that you

3072
02:52:27,280 --> 02:52:32,880
Speaker 2: get it way more than me. You nigga, I listened

3073
02:52:32,879 --> 02:52:33,480
Speaker 2: to your ship.

3074
02:52:33,959 --> 02:52:37,640
Speaker 1: Everyone here try to quit walk at one point, and

3075
02:52:37,840 --> 02:52:40,800
Speaker 1: none of us got it right. I, uh yeah, I

3076
02:52:41,240 --> 02:52:41,920
Speaker 1: get that a lot.

3077
02:52:42,440 --> 02:52:45,880
Speaker 3: Like Nigga you Nigga, you had us on one Nigga

3078
02:52:48,000 --> 02:52:52,080
Speaker 3: niggat and did plenty of dirt behind you, and Nigga,

3079
02:52:52,120 --> 02:52:54,480
Speaker 3: you gotten me through being locked up nigga, and I

3080
02:52:54,640 --> 02:52:56,720
Speaker 3: used to listen to your ship, So I get that

3081
02:52:56,800 --> 02:52:59,080
Speaker 3: a lot. You had East coast niggas wanting to be

3082
02:52:59,240 --> 02:53:04,040
Speaker 3: West coast. My thing is that was my that was

3083
02:53:04,240 --> 02:53:07,039
Speaker 3: my one them you already just.

3084
02:53:12,040 --> 02:53:12,760
Speaker 2: My thing was.

3085
02:53:13,840 --> 02:53:17,520
Speaker 3: That's what I signed up to do, though, like I

3086
02:53:17,680 --> 02:53:21,440
Speaker 3: signed up to connect with niggas who was going through

3087
02:53:21,520 --> 02:53:24,440
Speaker 3: that type of ship. Nigga, you got arrested. I got

3088
02:53:24,560 --> 02:53:27,760
Speaker 3: arrested too. Nigga, you got pulled over for a strap.

3089
02:53:27,920 --> 02:53:28,560
Speaker 4: I did too.

3090
02:53:29,040 --> 02:53:31,800
Speaker 3: So that's what I made music for. That's why I

3091
02:53:32,000 --> 02:53:37,000
Speaker 3: never really niggas be like, well, why you you, why

3092
02:53:37,080 --> 02:53:39,520
Speaker 3: you even get your props or why you don't think Nigga,

3093
02:53:39,560 --> 02:53:43,080
Speaker 3: I said, I signed up for this ship.

3094
02:53:43,280 --> 02:53:43,480
Speaker 2: You know.

3095
02:53:43,600 --> 02:53:47,360
Speaker 3: I didn't signed up to be a Ken drake or

3096
02:53:47,520 --> 02:53:51,080
Speaker 3: drake or I signed up to connect with niggas that

3097
02:53:51,600 --> 02:53:54,480
Speaker 3: was doing what I was doing. Those are the niggas

3098
02:53:54,520 --> 02:53:58,000
Speaker 3: that I'm gonna be able to connect with and how

3099
02:53:58,160 --> 02:54:01,279
Speaker 3: niggas is gonna feel connection to the music I'm making

3100
02:54:01,840 --> 02:54:05,760
Speaker 3: is by letting the nigga know. Oh, I know you struggling, nigga.

3101
02:54:05,760 --> 02:54:08,640
Speaker 3: I'm struggling too, right, Oh, nigga, I know you had

3102
02:54:08,680 --> 02:54:11,800
Speaker 3: to sell dope. I did too. Come on, you got

3103
02:54:11,879 --> 02:54:14,680
Speaker 3: pulled over and had to heat under the seat, nigga.

3104
02:54:14,720 --> 02:54:18,320
Speaker 3: I'm just went to jail yesterday for that. And my mama,

3105
02:54:18,360 --> 02:54:21,320
Speaker 3: a single mama at home with three kids and struggling

3106
02:54:21,400 --> 02:54:25,039
Speaker 3: and shit like that. I'm just like you, niggas. Sold

3107
02:54:25,240 --> 02:54:29,280
Speaker 3: as I started making music, that was the connection for me.

3108
02:54:29,560 --> 02:54:32,400
Speaker 3: You give me. It's niggas in the projects in Brooklyn,

3109
02:54:32,560 --> 02:54:36,000
Speaker 3: and it's niggas in Philly, it's niggas in Texas, it's

3110
02:54:36,040 --> 02:54:37,080
Speaker 3: niggas in Chicago.

3111
02:54:38,080 --> 02:54:38,680
Speaker 2: They all live.

3112
02:54:38,840 --> 02:54:42,120
Speaker 3: They might not be claiming crip and banging, but I

3113
02:54:42,200 --> 02:54:44,360
Speaker 3: bet you some of them niggas is doing double ups

3114
02:54:44,400 --> 02:54:46,600
Speaker 3: and serving. I bet you some of them niggas is

3115
02:54:46,720 --> 02:54:49,240
Speaker 3: robbing and shit and trying to get ahead. And a

3116
02:54:49,320 --> 02:54:51,680
Speaker 3: lot of them niggas is going through poverty and shit.

3117
02:54:51,959 --> 02:54:56,800
Speaker 3: So that's what I made music for, and.

3118
02:54:56,959 --> 02:54:59,880
Speaker 6: That you're that foundation that there is a Kendrick to

3119
02:55:00,080 --> 02:55:02,959
Speaker 6: day because you're part of that foundation that helps a Kendrick.

3120
02:55:04,080 --> 02:55:06,720
Speaker 3: I try to include myself in the foundation of hip.

3121
02:55:07,200 --> 02:55:10,440
Speaker 3: You gave me a n W A easy c m W.

3122
02:55:11,920 --> 02:55:12,840
Speaker 3: They looking around.

3123
02:55:13,280 --> 02:55:16,520
Speaker 14: I'm still no, no, no in this case, yes because

3124
02:55:17,800 --> 02:55:27,680
Speaker 14: like I hear you, but look at Old said to

3125
02:55:28,040 --> 02:55:29,800
Speaker 14: because you know what you was. This is day one

3126
02:55:30,120 --> 02:55:30,960
Speaker 14: and I didn't even know that.

3127
02:55:31,160 --> 02:55:33,840
Speaker 3: Like I didn't know how far you went back with

3128
02:55:34,040 --> 02:55:37,680
Speaker 3: Compton hip hop and once I started, because you don't know,

3129
02:55:37,760 --> 02:55:39,440
Speaker 3: He's like, look, you're gonna call you got to research.

3130
02:55:39,800 --> 02:55:43,400
Speaker 2: I'm researching that. Yeah, yeah, man.

3131
02:55:43,400 --> 02:55:48,120
Speaker 3: I appreciate my man. I appreciate my I appreciate the

3132
02:55:48,200 --> 02:55:48,960
Speaker 3: niggas before me.

3133
02:55:49,720 --> 02:55:50,320
Speaker 2: Do you feel me.

3134
02:55:51,160 --> 02:55:53,640
Speaker 3: We don't get a lot of that today, but I

3135
02:55:53,800 --> 02:55:55,680
Speaker 3: appreciate the niggas who was picking up the mike.

3136
02:55:55,760 --> 02:55:57,840
Speaker 2: But Kendrick did that to you. He appreciated.

3137
02:55:57,879 --> 02:56:01,680
Speaker 3: You get a few who want to pay back homage.

3138
02:56:03,080 --> 02:56:07,879
Speaker 3: I always basically, uh bigged up the niggas who came.

3139
02:56:07,959 --> 02:56:11,120
Speaker 3: I never dissed the nigga or disrespected whether it was

3140
02:56:11,240 --> 02:56:13,680
Speaker 3: Grand Master Flash or whether it was the La Dream

3141
02:56:13,760 --> 02:56:17,320
Speaker 3: Team or Egyptian Lover. Uh. They might have not did the.

3142
02:56:17,440 --> 02:56:21,640
Speaker 2: Music that right, but they lad a foundation the niggas

3143
02:56:21,720 --> 02:56:22,400
Speaker 2: was in and I was.

3144
02:56:22,440 --> 02:56:25,440
Speaker 3: Listening to all that ship. So you gotta respect that.

3145
02:56:26,200 --> 02:56:28,840
Speaker 3: I just come from that, and that's what I'm appreciating for.

3146
02:56:29,080 --> 02:56:29,640
Speaker 2: You know, feel me.

3147
02:56:30,200 --> 02:56:32,920
Speaker 3: That's such your flowers, bro, you fucking did an amazing

3148
02:56:33,040 --> 02:56:35,080
Speaker 3: movie that should have been award winning.

3149
02:56:35,440 --> 02:56:37,240
Speaker 2: Your rowers, dope, your music.

3150
02:56:37,680 --> 02:56:41,360
Speaker 3: You didn't come and grab on any old West Coast

3151
02:56:41,640 --> 02:56:43,640
Speaker 3: as far as like West coast, what they was doing

3152
02:56:43,720 --> 02:56:46,680
Speaker 3: you kind of made. I tried to put my own.

3153
02:56:47,280 --> 02:56:51,720
Speaker 3: I didn't do the traditional dre and you know the parliaments.

3154
02:56:51,120 --> 02:56:53,480
Speaker 1: And how hard was that? Let me ask you, I'm sorry,

3155
02:56:54,680 --> 02:56:57,320
Speaker 1: how hard was that? Because the homies said that earlier.

3156
02:56:57,400 --> 02:57:00,320
Speaker 1: He was like, he's the only person that's not affiliated, Drake.

3157
02:57:00,440 --> 02:57:02,520
Speaker 3: No, I didn't come up under the n w A ladder.

3158
02:57:04,879 --> 02:57:08,280
Speaker 2: That's crazy, it was. I didn't realize that it was.

3159
02:57:09,280 --> 02:57:09,800
Speaker 3: Yeah, I didn't.

3160
02:57:09,879 --> 02:57:12,600
Speaker 2: I can't helping you out.

3161
02:57:12,800 --> 02:57:16,600
Speaker 3: No, you sat up, and I sat up and wrote,

3162
02:57:17,720 --> 02:57:22,440
Speaker 3: and then uh I hooked up with DJ Slip. Dj

3163
02:57:22,600 --> 02:57:24,640
Speaker 3: Slip was a part of the l A Sound Control

3164
02:57:25,200 --> 02:57:27,840
Speaker 3: and they basically used to provide all the music for

3165
02:57:27,879 --> 02:57:29,960
Speaker 3: all the concerts that was going on at the time.

3166
02:57:30,440 --> 02:57:33,080
Speaker 3: So when all the early East Coast niggas was coming

3167
02:57:33,120 --> 02:57:36,160
Speaker 3: over here, Rocky Cam and Run DMC and all them

3168
02:57:36,879 --> 02:57:39,120
Speaker 3: slipping and provided the sounds for the concert.

3169
02:57:39,480 --> 02:57:43,520
Speaker 2: So that's checking in. He was the music. He was

3170
02:57:43,800 --> 02:57:46,960
Speaker 2: he he was. He was a you know, let's not

3171
02:57:47,120 --> 02:57:47,879
Speaker 2: checking in at all.

3172
02:57:49,760 --> 02:57:50,640
Speaker 5: The things, a.

3173
02:57:50,720 --> 02:57:55,520
Speaker 2: Producer and check checked.

3174
02:57:58,920 --> 02:57:59,280
Speaker 5: Check in.

3175
02:58:00,360 --> 02:58:05,160
Speaker 3: I'll say so we Slip was a I call him

3176
02:58:05,160 --> 02:58:09,040
Speaker 3: a digging in the crates producer. He didn't go with

3177
02:58:09,320 --> 02:58:12,680
Speaker 3: what was popular or what niggas was doing. Slip wer

3178
02:58:12,800 --> 02:58:15,240
Speaker 3: go dig in the crates and find some ship some

3179
02:58:15,560 --> 02:58:20,520
Speaker 3: overseas and take two seconds of the ship, shop that

3180
02:58:20,640 --> 02:58:22,840
Speaker 3: ship up and do this, and do that, and st

3181
02:58:23,040 --> 02:58:25,440
Speaker 3: toy ove at this and next thing you know, we

3182
02:58:25,560 --> 02:58:27,640
Speaker 3: got a whole fucking song off of some ship. He

3183
02:58:27,800 --> 02:58:30,360
Speaker 3: was very creative. That's why he said it was the

3184
02:58:30,400 --> 02:58:32,240
Speaker 3: greatest ever. I just want you to know that I

3185
02:58:32,320 --> 02:58:32,680
Speaker 3: found that.

3186
02:58:33,280 --> 02:58:33,880
Speaker 2: You did that.

3187
02:58:34,000 --> 02:58:37,120
Speaker 3: You found that. Yeah, that was old. That was Tyrone

3188
02:58:37,200 --> 02:58:42,240
Speaker 3: Davis something some of my moms used to listen to. Uh,

3189
02:58:45,040 --> 02:58:47,680
Speaker 3: the old folks used to play Bobby Blue Bland and

3190
02:58:48,240 --> 02:58:50,560
Speaker 3: all that old type of ship. So that's why I

3191
02:58:50,680 --> 02:58:51,680
Speaker 3: got that old sound.

3192
02:58:51,959 --> 02:58:52,520
Speaker 2: It was crazy.

3193
02:58:52,560 --> 02:58:54,680
Speaker 3: I wanted to stick with that ship, so I didn't

3194
02:58:54,680 --> 02:58:56,680
Speaker 3: want to. I didn't. I didn't want to be traditional,

3195
02:58:56,959 --> 02:58:59,080
Speaker 3: you get me. And then Slip was the type of

3196
02:58:59,160 --> 02:59:02,360
Speaker 3: nigga if you bought him something that niggas already sampled,

3197
02:59:02,600 --> 02:59:05,520
Speaker 3: he'd be like, now, we're not using that because a

3198
02:59:05,560 --> 02:59:07,080
Speaker 3: lot of the niggas we was doing a lot of

3199
02:59:07,120 --> 02:59:09,200
Speaker 3: that back then too. We was all used in the

3200
02:59:09,280 --> 02:59:13,320
Speaker 3: same same But Slip would be like, nah, we're gonna

3201
02:59:13,360 --> 02:59:16,240
Speaker 3: create use a lot of break beats, a lot of

3202
02:59:16,280 --> 02:59:19,039
Speaker 3: break and piece the president and then he'll he'll come

3203
02:59:19,160 --> 02:59:24,680
Speaker 3: half with within piece of pressure beats. That's why we

3204
02:59:24,800 --> 02:59:29,240
Speaker 3: were able to not follow that that doctor Dre. You

3205
02:59:29,400 --> 02:59:33,200
Speaker 3: know that path of did you want to beat? Did

3206
02:59:33,240 --> 02:59:33,800
Speaker 3: you want to beat?

3207
02:59:33,840 --> 02:59:34,120
Speaker 2: From Dre?

3208
02:59:34,320 --> 02:59:34,360
Speaker 5: Like?

3209
02:59:34,440 --> 02:59:34,680
Speaker 2: Did you?

3210
02:59:35,080 --> 02:59:36,000
Speaker 3: Would you have liked to?

3211
02:59:36,400 --> 02:59:36,840
Speaker 2: I never?

3212
02:59:40,000 --> 02:59:41,440
Speaker 3: No, I was satisfied with Slip.

3213
02:59:41,760 --> 02:59:44,119
Speaker 5: One thing you got to understand, man, is that above

3214
02:59:44,200 --> 02:59:48,360
Speaker 5: the law, Drake got a lot of ship law. I

3215
02:59:48,440 --> 02:59:50,160
Speaker 5: love not saying that Drake.

3216
02:59:50,040 --> 02:59:53,480
Speaker 2: Wouldn't influences.

3217
02:59:54,280 --> 02:59:57,600
Speaker 14: Really just like little nephews and ship like that lost

3218
02:59:57,840 --> 03:00:01,720
Speaker 14: like living like Hustles to five my album album come.

3219
03:00:01,720 --> 03:00:06,440
Speaker 1: On, Come on, and then we're gonna fight again. And

3220
03:00:07,280 --> 03:00:15,680
Speaker 1: that's another thing. Drake got snooping them. That ship is

3221
03:00:15,720 --> 03:00:18,879
Speaker 1: on and they gonna need to know the bott Yeah,

3222
03:00:18,920 --> 03:00:19,160
Speaker 1: I was.

3223
03:00:20,560 --> 03:00:28,120
Speaker 2: You got you never get I got the actually got

3224
03:00:29,040 --> 03:00:29,880
Speaker 2: I actually got four.

3225
03:00:29,959 --> 03:00:31,560
Speaker 3: Mic yeah for me comes strapped.

3226
03:00:31,720 --> 03:00:33,400
Speaker 2: I got four. Mike probably should have got four and

3227
03:00:33,440 --> 03:00:36,560
Speaker 2: a half. I'm one the four and a half. Yeah

3228
03:00:36,879 --> 03:00:38,840
Speaker 2: two about that because.

3229
03:00:38,760 --> 03:00:40,959
Speaker 3: I had I should have had five because I was.

3230
03:00:42,720 --> 03:00:46,000
Speaker 4: Sh I was.

3231
03:00:46,360 --> 03:00:48,480
Speaker 3: I was the first album to ever get double Stick

3232
03:00:49,000 --> 03:00:49,320
Speaker 3: rated it.

3233
03:00:49,680 --> 03:00:50,560
Speaker 2: I would have gave it the five.

3234
03:00:50,600 --> 03:00:51,400
Speaker 3: I was double Stick.

3235
03:00:51,400 --> 03:00:53,000
Speaker 2: If I would rated yours, I would have gave it

3236
03:00:53,040 --> 03:00:57,760
Speaker 2: a five. You can do whatever you would.

3237
03:01:00,400 --> 03:01:02,200
Speaker 3: Of all of the years were getting them threes in

3238
03:01:02,320 --> 03:01:05,080
Speaker 3: three and a half, you get that four, Nigga.

3239
03:01:04,840 --> 03:01:05,840
Speaker 2: I was satisfied.

3240
03:01:05,920 --> 03:01:07,680
Speaker 3: I'm not figga.

3241
03:01:08,080 --> 03:01:10,240
Speaker 6: You see that three and a half even like listen,

3242
03:01:10,320 --> 03:01:11,840
Speaker 6: but who would have known all you to just cause

3243
03:01:11,879 --> 03:01:12,560
Speaker 6: you know he would.

3244
03:01:14,120 --> 03:01:15,560
Speaker 2: Not too many niggas get two covers.

3245
03:01:15,680 --> 03:01:20,520
Speaker 5: Let's just establish that shot they gave me to, like bro,

3246
03:01:20,800 --> 03:01:24,400
Speaker 5: like you really did the start face scar facing spine.

3247
03:01:26,080 --> 03:01:33,640
Speaker 2: Nigga covering he and now against the chronicles.

3248
03:01:33,879 --> 03:01:36,680
Speaker 1: If you're a West Coast artist and you on against

3249
03:01:36,680 --> 03:01:39,480
Speaker 1: the chronicles, that's somewhat of a source cover.

3250
03:01:40,840 --> 03:01:52,320
Speaker 2: Oh yeah, for sure, come on down that you know

3251
03:01:52,440 --> 03:01:58,240
Speaker 2: we caught it too, that we got it. We got

3252
03:01:58,560 --> 03:02:09,720
Speaker 2: nigga on one. Come let me just say this.

3253
03:02:10,040 --> 03:02:15,480
Speaker 1: Let me just say this another people, because you're West

3254
03:02:15,520 --> 03:02:17,840
Speaker 1: Coast guy, y'all think just give me two seconds, listen

3255
03:02:17,920 --> 03:02:19,200
Speaker 1: two and a half, go for it, all right.

3256
03:02:19,560 --> 03:02:20,120
Speaker 13: But but.

3257
03:02:22,680 --> 03:02:26,280
Speaker 1: In the past couple of years, if I wanted to

3258
03:02:26,600 --> 03:02:30,640
Speaker 1: understand anything West Coast, I tune into y'all podcasts.

3259
03:02:31,959 --> 03:02:34,560
Speaker 2: Love I'll watch y'all.

3260
03:02:34,720 --> 03:02:40,040
Speaker 1: I did not know that the guy was not I

3261
03:02:40,120 --> 03:02:42,600
Speaker 1: thought he was a gad feature. But the fact is,

3262
03:02:42,920 --> 03:02:44,320
Speaker 1: but I followed the guy.

3263
03:02:46,240 --> 03:02:49,600
Speaker 2: Because l A gang life is like coming like crazy

3264
03:02:49,680 --> 03:02:53,400
Speaker 2: to me, right, because it's it's real. It's the most thing.

3265
03:02:55,240 --> 03:03:01,600
Speaker 10: After hip hop post influence you with them. But I

3266
03:03:01,720 --> 03:03:03,360
Speaker 10: watched you guys, and watch what you did.

3267
03:03:05,840 --> 03:03:08,400
Speaker 1: Watch that you guys got our Heart radio behind you

3268
03:03:08,600 --> 03:03:14,360
Speaker 1: at Black Effect big up to Charlomagne, and it would

3269
03:03:14,400 --> 03:03:17,400
Speaker 1: be remorse for us not to big y'all up. Not

3270
03:03:17,760 --> 03:03:21,800
Speaker 1: not just not just what you guys did prior to that,

3271
03:03:21,920 --> 03:03:24,240
Speaker 1: but what you guys are doing right now, because you

3272
03:03:24,320 --> 03:03:26,039
Speaker 1: guys are you guys are legends.

3273
03:03:26,120 --> 03:03:28,959
Speaker 2: Then, but you guys are legends now.

3274
03:03:31,280 --> 03:03:33,959
Speaker 1: If you want to, if you want to be from

3275
03:03:34,000 --> 03:03:35,520
Speaker 1: the West Coast, you want to, If you want to

3276
03:03:35,560 --> 03:03:39,480
Speaker 1: be from and just be co signed.

3277
03:03:39,920 --> 03:03:44,520
Speaker 2: You gotta go against the chronicles. Come on, you gotta go. Yeah, Yeah,

3278
03:03:51,879 --> 03:03:54,920
Speaker 2: I forgot you, Yes, all right, Joe.

3279
03:03:57,560 --> 03:04:00,879
Speaker 6: Drink Champs is a drink Champs ll C Perduduction hosts

3280
03:04:00,920 --> 03:04:04,520
Speaker 6: and executive producers n O r E and dj e FN.

3281
03:04:05,680 --> 03:04:06,760
Speaker 2: Listen to drink Champs on.

3282
03:04:06,800 --> 03:04:11,760
Speaker 6: Apple Podcast, Amazon Music, Spotify, or wherever you get your podcasts.

3283
03:04:12,840 --> 03:04:15,240
Speaker 6: Thanks for joining us for another episode of drink Champs

3284
03:04:15,360 --> 03:04:18,000
Speaker 6: hosted by Yours Truly, dj e FN and n O

3285
03:04:18,160 --> 03:04:20,200
Speaker 6: r E. Please make sure to follow us on all

3286
03:04:20,280 --> 03:04:23,920
Speaker 6: our socials That's at drink Champs across all platforms, at

3287
03:04:24,000 --> 03:04:28,040
Speaker 6: the Real Noriagon ig at noriag on Twitter, mine is

3288
03:04:28,080 --> 03:04:31,440
Speaker 6: at Who's Crazy on ig at dj e f N

3289
03:04:31,560 --> 03:04:33,920
Speaker 6: on Twitter, and most importantly, stay up to date with

3290
03:04:34,000 --> 03:04:37,400
Speaker 6: the latest releases, news and merch by going to drink

3291
03:04:37,480 --> 03:04:38,480
Speaker 6: champs dot com.