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Speaker 1: Look Mayer, Oh, I see you my own bow and

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Speaker 1: look over there is that culture?

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Speaker 2: Yes, wow, lost culture, du culture.

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Speaker 1: I've never experienced bowen more. The girls are worse for

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Speaker 1: Aware this morning? What happened to you? Just now?

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Speaker 2: I coughed a really deep, disgusting from the pelvic floor cough,

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Speaker 2: and that's what I've been dealing.

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Speaker 1: It was really cuckoo. Do you have a cough?

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Speaker 2: I have a cough. What is going on with cough culture?

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Speaker 1: Yeah? I had a cough last week when we had

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Speaker 1: to wake up and do the Today Show. But the

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Speaker 1: show must go on?

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Speaker 2: And then did you have any moment where the camera

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Speaker 2: was on you and you were like, eh, I feel

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Speaker 2: when coming.

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Speaker 1: Oh bingo on. I felt like that almost the entire time.

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Speaker 1: I think that ultimately I kept it together, but it

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Speaker 1: wasn't exactly how I wanted to do my first televised performance.

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Speaker 1: But it sounded good. But the bone was counting down

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Speaker 1: from three to one to start the episode and he

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Speaker 1: was grimacing through a cough, and I just said, the

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Speaker 1: girls are worse for ware right now. It must be.

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Speaker 2: December, Honey, write a song about that on the next album,

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Speaker 2: if there is one.

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Speaker 1: Yeah, everyone around me sick as fuck tonight, everyone around

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Speaker 1: me sick as fuck to night, as fuck two nights.

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Speaker 2: You really are digging into those vowels, sick as fuck

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Speaker 2: to night too nights. This is something that people don't

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Speaker 2: talk about. There is no Christmas song about how you're sick.

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Speaker 2: People are usually ill because of the weather.

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Speaker 1: There is now everyone around me sick as fuck to night.

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Speaker 1: That's really good.

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Speaker 2: Bo Where does this take place? Where does the song

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Speaker 2: take place? You think I always like asking this question.

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Speaker 1: I think it takes place when I'm on stage talking

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Speaker 1: to the audience.

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Speaker 2: Oh yeah, You're like, it's a read of the audience.

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Speaker 1: I'm just like, you know, I've known something about this crowd.

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Speaker 1: The energy is something else in here. And then I

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Speaker 1: do a song about how I think it's like amazing

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Speaker 1: to be surrounded by people during the holidays. But it's

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Speaker 1: the chorus is everyone around.

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Speaker 2: Me sick as fuck tune nights. I think that is

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Speaker 2: a really innovative song.

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Speaker 1: Thank you. It's important work. But also another thing is

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Speaker 1: like I'm eating horrible right now? Are you eating absolutely

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Speaker 1: terrible right now? Like a trash can?

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Speaker 2: I forced myself to order a salad yesterday because I

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Speaker 2: was like I have not eaten a vegetable in weeks.

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Speaker 1: Isn't it funny too? Like you order a salad once

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Speaker 1: and you want to give yourself the Nobel Prize. You're like,

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Speaker 1: oh wow, like great job, Like you did it. You're

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Speaker 1: on the road to recovery. Girl. Later on that night,

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Speaker 1: it's bacon burger, honey.

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Speaker 2: I ordered from Wegmans a box of corn dogs, of

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Speaker 2: thirty two corn dogs, and they take one minute to

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Speaker 2: heat up in the microwave, and I have a delicious

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Speaker 2: American delicacy in my mouth and belly. Why are you shaking?

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Speaker 2: Why are you judging me?

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Speaker 1: So?

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Speaker 2: No?

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Speaker 1: Can I say it's not judgment. It's just as someone

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Speaker 1: who knows you and your bowels. Oh, I know you

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Speaker 1: wake up in some kind of form. When you are

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Speaker 1: after six and a half hours of sleeping and letting

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Speaker 1: one minute microwave corn dogs rest inside you for the evening,

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Speaker 1: you must wake up and absolutely be esteemed esteemed. I'm

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Speaker 1: not not esteemed E s T E E M E

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Speaker 1: ed esteemed A s T E A M ed esteemed.

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Speaker 2: I don't know if that's a word, but.

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Speaker 1: I've made it up today. Esteemed.

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Speaker 2: No, I hope it is a word. I don't mean

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Speaker 2: to shut you down.

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Speaker 1: Your stomach was esteemed. No, no, oh my god, oh, I.

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Speaker 2: Mean this is ridiculous.

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Speaker 1: Who did this? I don't know.

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Speaker 2: I cannot trace it back. God remember contact tracing? Oh perish,

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Speaker 2: my god, how dare you? I think you know who

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Speaker 2: made you sick?

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Speaker 1: Olivia Ladriga Riga.

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Speaker 2: I barely interacted with her, wow, because you know why

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Speaker 2: I think she associates me with a bad moment. Why

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Speaker 2: because I had to interview her for a V magazine

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Speaker 2: a few years ago. Oh right, And I think I

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Speaker 2: forgot what the blowback was. But like appropriately the editors

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Speaker 2: were like, can you ask her about what it means

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Speaker 2: to be like an Asian pop star and like what

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Speaker 2: it means to like be Filipina and like what it

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Speaker 2: means to like little girls or something. And I think,

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Speaker 2: like this was back when it was like everyone was

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Speaker 2: just trying to like this was right in the in

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Speaker 2: the middle of like the weirdness with the songs.

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Speaker 1: Oh oh oh oh.

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Speaker 2: And I think, like, I don't know, I'm sure like

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Speaker 2: it was on a radar that like people were like

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Speaker 2: mad that she like said that she was a role model.

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Speaker 2: I think like people took that quote out of context

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Speaker 2: that they were like, she's not a role model, she's

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Speaker 2: barely even eighteen, like whatever. Like people are so can

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Speaker 2: I just say people are.

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Speaker 3: Just awful?

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Speaker 1: Yeah, people could be very awful.

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Speaker 2: Anyway, You're in my hometown right now.

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Speaker 1: Girl. You know, I'm actually in the Cherry Creek, Marriott

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Speaker 1: that we recorded an episode one time, so this is

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Speaker 1: not the first episode recorded from this Denver Cherry Creek.

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Speaker 2: Oh my god, Cherry Creek.

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Speaker 1: Yes, honey, this is essentially like I'm like in the

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Speaker 1: Homewood Sweets right now, and it's lovely. I feel very

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Speaker 1: on the road.

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Speaker 2: Cormick McCarthy or no, oh no, no, no, Jack Carrouac,

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Speaker 2: I'm sorry, wait, we need to cut Oh damn.

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Speaker 1: Oh. Bowen has revealed a little vulnerability there. He thought

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Speaker 1: Jack Carroac was Cornmick McCarthy because these girls all look

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Speaker 1: the same.

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Speaker 2: Well they don't look the same, but they have the

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Speaker 2: same sort of sounds in their names. Let's not cut

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Speaker 2: it action, I'm going to be vulnerable.

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Speaker 1: Choosing to be vulnerable. This is our esteemed episode.

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Speaker 2: Esteemed. Now, would you say that Denver audiences are mile high?

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Speaker 2: They're breathing less oxygen and they're therefore like maybe a

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Speaker 2: little bit more days. Maybe they're getting that Mother God

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Speaker 2: energy because they were in Colorado too.

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Speaker 1: We will see when I step on stage tonight, We're

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Speaker 1: gonna see just how high and unoxygenated they are. I've

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Speaker 1: had good shows so far. The only thing that does

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Speaker 1: stuck about being on the road is, like we're just

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Speaker 1: saying the esteeming of the stomachs, like because whenever you

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Speaker 1: go to a new city, it's always kind of just like, oh,

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Speaker 1: where do we go that we have to go, you

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Speaker 1: know what I mean? And that's typically a restaurant that's

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Speaker 1: not like a healthy restaurant, you know what I mean.

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Speaker 1: Or it's like if you're on the road going somewhere

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Speaker 1: you have to eat quickly, that's typically not like the

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Speaker 1: healthiest food. So I'm right now trying to understand how

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Speaker 1: to eat healthy and be healthy on the road because

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Speaker 1: I wake up in the morning and my body feels esteemed.

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Speaker 1: It feels so esteemed, like you know that I was

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Speaker 1: two minutes late to this call up because I was

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Speaker 1: dealing with it.

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Speaker 2: Yeah, you were dealing with it. Would you say you

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Speaker 2: wake up in the morning feeling like P Diddy in

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Speaker 2: that P shitty, P shitty in that you your body's doing

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Speaker 2: some terrible things to you. Oh yeah, the way that

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Speaker 2: P Diddy is so terrible things to women.

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Speaker 1: I went to I hop last night, Slay tell All.

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Speaker 1: We had a classic like late night I Hop, and

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Speaker 1: then we all got into a discussion about what our

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Speaker 1: favorite not fast food, but you know what I'm saying, like, like,

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Speaker 1: what would you call like that tier of restaurants like Applebee's, Chili's,

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Speaker 1: you know what I mean? Like, yeah, like hometown joints.

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Speaker 2: Yeah, what is that called? Hold on, let's Chili's, Applebee's chains,

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Speaker 2: So I guess like concept name casual dining.

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Speaker 1: Casual dining, those chains. We all got into like a

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Speaker 1: little bit of aussion about what our favorites are. I

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Speaker 1: think that for me, it is Fridays. It is TGI Fridays.

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Speaker 1: Oh your Friday, I think because I just love the

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Speaker 1: energy of Friday, you know what I mean. I think

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Speaker 1: it's such a beautiful thing to put out in the

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Speaker 1: world like it's Friday, Like when you tell people when

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Speaker 1: you come here, it's always Friday. I think that's absolutely stunning. Yeah,

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Speaker 1: I will say that I have an appreciation for Applebee's

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Speaker 1: and I did enjoy ihop last night, which I think

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Speaker 1: you do have to put in that category because while

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Speaker 1: they are known as the International House of Pancakes, I

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Speaker 1: have to say if you look at their menu, there

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Speaker 1: are treasures untold. How many wonders can one cash will chain?

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Speaker 1: Oh many?

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Speaker 2: Does Village Inn mean anything to you? That means nothing

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Speaker 2: to me. It is a huge deal in Colorado, and

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Speaker 2: I think they still exist, but they are sort of

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Speaker 2: slightly above Oh. I hope my I hop friends don't

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Speaker 2: hate me for saying this, but I think they're a

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Speaker 2: tier above eye Hop. But they're not too ostentatious, but

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Speaker 2: they just the vibe is great. Villagon is where you

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Speaker 2: would go after the school play. I see, yeah, that

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Speaker 2: was Appleleas for us, it's where the drama kids would go.

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Speaker 2: I was always we were always a village in house

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Speaker 2: and then our chilies on a Wrappa Ho and Parker

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Speaker 2: in Centennial, Colorado or or Colorado was people might know

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Speaker 2: where this is was perched on this like hill slash

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Speaker 2: cliff at this huge intersection, and the way it was

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Speaker 2: lit and the way the neon chili was sort of

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Speaker 2: positioned made it seem like the most glamorous place in

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Speaker 2: the world, Like I think there was a time when

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Speaker 2: Chili's was kind of like an aspirational place to go,

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Speaker 2: not even for kids, but for like anyone of any

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Speaker 2: age creat color, anyone.

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Speaker 1: From any age creator color could be found at Chili's.

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Speaker 1: And it was mostly a place for the teachers at

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Speaker 1: my school to go get drunk. Absolutely, I saw so

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Speaker 1: many of my teachers, like from elementary school, middle school,

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Speaker 1: high school, Like when I would go there with friends,

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Speaker 1: like I would look over at the bar and there

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Speaker 1: would be teachers from my school getting drunk at the

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Speaker 1: Applebee's or the Chilies, like it would happen and I

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Speaker 1: would say, hey, doll, hey. They would say, now you know,

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Speaker 1: I'm off the cock girl, and I would say, well,

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Speaker 1: this is interesting to see you sort of out in

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Speaker 1: the wild. And now to think about them getting drunk

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Speaker 1: at Chili's.

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Speaker 2: Chilling, Oh no, no, no, Maybe there's something comforting about

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Speaker 2: Chilis in terms of an alcohol experience they have.

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Speaker 1: Like they did have good margarita. I was just gonna say,

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Speaker 1: the margaritas are good. Wait, am I gonna have to

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Speaker 1: go to this famous Chilies that you described? Is it

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Speaker 1: still there?

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Speaker 2: You think it's still there? But I think it's glory

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Speaker 2: days are behind it. I'm sure the people working there

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Speaker 2: are lovely, But there is a village in in that

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Speaker 2: same strip, mall and a Rappahan Parker. I mean, you

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Speaker 2: still haven't Gonecosta Bonita, have you?

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Speaker 1: No, I don't think so. If you didn't take us there,

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Speaker 1: then we didn't go there.

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Speaker 2: Okay, well because it closed during COVID. But then Trey

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Speaker 2: Parker and Matt Stone of South Park and Book of

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Speaker 2: Mormon fame who grew up in Colorado in Evergreen. Yeah,

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Speaker 2: Colorado Royalty spent I think they did a whole rite

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Speaker 2: upon it. I think in the Times or some magazine

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Speaker 2: they spent like ten to fifteen million dollars renovating it,

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Speaker 2: making the food good, making the cliff diver safer. Like

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Speaker 2: it is a cultural landmark in not only Colorado, but

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Speaker 2: I think in America it is a hugely important place.

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Speaker 2: But back in the day, you would go ironically because

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Speaker 2: you would go for your birthday if you were a kid,

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Speaker 2: or you would go ironically if you were like stoned

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Speaker 2: in the tenth grade because the food was rancid, disgusting

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Speaker 2: because there was no ventilation in the kitchen and you

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Speaker 2: would go to like, you know, watch a hot guy

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Speaker 2: like with an eight pack, like dive off a cliff

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Speaker 2: into shallow water. Like it's a miracle. No one that died,

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Speaker 2: but it is such a wondrous place. And Trey Parker

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Speaker 2: and Matt's don't really like it's a beautiful passion project

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Speaker 2: that they were, just like we love this place so much,

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Speaker 2: what it means to our childhoods and the childhoods of

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Speaker 2: many Coloradens that like, let's just do it. I think

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Speaker 2: it's open down and you should go if you have time.

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Speaker 1: Honestly, I'm compelled to go. And I'm also compelled to

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Speaker 1: ask you, what would our restaurant experience, Oh, what our

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Speaker 1: curated restaurant experience be? What would it be called? What

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Speaker 1: would it taste like? What would it feel like? Fridays?

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Speaker 1: If Tja Fridays gives you the feeling of it's always Friday,

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Speaker 1: what does Matt and Bowen's restaurant give We have to

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Speaker 1: start thinking about this. I think there's slides. I think

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Speaker 1: there's something I'm saying right now. I think there's adult slides.

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Speaker 2: Well, that's so interesting, because here's where I'm starting my

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Speaker 2: brainstorm is what is the slogan is like Applebe's has

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Speaker 2: eaten good in the neighborhood, you know, Olive Garden is

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Speaker 2: when you're here your family. I think ours is slay

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Speaker 2: with your friends.

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Speaker 1: Slay with your friends. I think this is this is

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Speaker 1: this is really good. So basically this is how I

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Speaker 1: picture it. You have to because it's in New York City.

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Speaker 1: You have to take an elevators to be in New York.

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Speaker 1: I think this is a chain. No, yeah, but it

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Speaker 1: starts in New York. This is this is the first location.

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Speaker 1: So it's in Times Square in New York, which is

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Speaker 1: one of the most famous best spots for restaurants of

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Speaker 1: this kind. So you get in the elevator and you

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Speaker 1: go up to like the tenth floor, and when you

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Speaker 1: get out, there's the most gorgeous hostesses and it's titty

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Speaker 1: forward but everyone's like so it's it's like Hooters, but.

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Speaker 2: But not not quite as heavy.

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Speaker 1: It's not tacky, it's it's more just like come on,

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Speaker 1: Like everyone gets you there, the hostess to say, no

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Speaker 1: matter what they say, girl, we have a table for you. Yes, Like,

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Speaker 1: we have a table for you. Like there's always a

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Speaker 1: table for you. That's one of the secondary slogans there's

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Speaker 1: always a table for you, play with your friends, is

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Speaker 1: like the top one. And then at the bottom of

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Speaker 1: the menu it says in quotes, there's always.

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Speaker 2: The table for you. That's so nice.

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Speaker 1: So then you have to slide down from the tenth floor.

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Speaker 1: There's slides. You slide down to the fifth floor, which

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Speaker 1: is where the restaurant is.

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Speaker 2: Oh I love that, So you slide down.

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Speaker 1: Is that eighty can dust yourself off? Oh well, there's

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Speaker 1: a separate entrance for those who can't have that experience,

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Speaker 1: we do something fun for them. Yeah, anyone that's yeah,

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Speaker 1: that needs a separate entrance. We will have a different

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Speaker 1: experience for you. It will be horror. It will be

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Speaker 1: scare actors jumping out while you go down a hallway.

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Speaker 1: But that's just you know, you still have an experience.

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Speaker 2: Wow, what's it called the restaurant?

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Speaker 1: The Chiefs.

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Speaker 2: It's called the Chiefs.

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Speaker 1: It's called the Chiefsmansas City Chiefs.

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Speaker 2: Well, that's already kind of that's already kind of a

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Speaker 2: loaded problem. It's already kind of not a great It.

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Speaker 1: Should not be cheaps huh.

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Speaker 2: It should be let's see, I'm sorry, I don't mean

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Speaker 2: to shoot down your.

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Speaker 1: Idea, I'm steaming our restaurant the cheese. It was a

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Speaker 1: first came into my head. What it's called chefs. Chefs,

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Speaker 1: That's what I was getting at, And I was starting

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Speaker 1: to say chiefs, but I meant to say chef.

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Speaker 2: It should be meaningful to us, like we're like like, I.

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Speaker 1: Think we love sp No.

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Speaker 2: I think it should be called I think it should

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Speaker 2: be a world restaurant, world restaurant. I think it should

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Speaker 2: be called. No, this is what I think it should

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Speaker 2: be called. The tree, the.

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Speaker 1: Tree, Oh my god, I love that. I love the tree.

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Speaker 1: And you climb the tree and then you have to

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Speaker 1: like take a slide down into the.

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Speaker 2: Tree, into the tree and into the canopy, and then

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Speaker 2: like everyone's got big tits, and yeah, the bloodies are

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Speaker 2: so good and they're so.

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Speaker 1: Good, and you can drink three of them. That's actually

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Speaker 1: the tagline. You're gonna want three of these. You're gonna

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Speaker 1: want three of these?

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Speaker 2: Oh No, the tagline's gonna be ooh, you like this,

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Speaker 2: You're gonna have three of these?

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Speaker 1: You like this. You're gonna have three of these. I

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Speaker 1: like this. And that's what we have to tell all

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Speaker 1: of our waiters to say to everyone when they come

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Speaker 1: in like, that's a great choice. You're gonna have three

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Speaker 1: of those.

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Speaker 2: That is so amazing.

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Speaker 1: Yeah, it's so amazing. And I also think that, you know,

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Speaker 1: all the servers should be people who are escaping scientology

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Speaker 1: the tree to give them a soft place to land.

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Speaker 2: Totally, people escaping scientology. Let's see people who used to

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Speaker 2: be a Times square, Elmos and Elsa's Yes, yes, I

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Speaker 2: think give them a better working condition.

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Speaker 1: Yeah, totally. Well, we pay so much. We pay a

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Speaker 1: huge salary to all of our servers.

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Speaker 2: Yes, the training takes what like two years. I think

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Speaker 2: it's a.

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Speaker 1: Two year training just to make sure that they're the

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Speaker 1: kind of person who can really take an order. We

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Speaker 1: don't allow them to write the orders down. No, we

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Speaker 1: don't like that. I think a true test of a

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Speaker 1: waiter is you have to remember every detail of an order.

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Speaker 2: You would stuff down, oh every time.

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Speaker 1: But I'm that's here's the thing I'm not.

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Speaker 2: You're not working at the tree and.

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Speaker 1: Actually applying for a job here. I'm the boss. I'm

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Speaker 1: not working a tree. I'm just the manager.

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Speaker 2: Oh my god, I think there's a giant painted portrait

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Speaker 2: of tree pain yeah by the bathroom.

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Speaker 1: Yeah, and She is like an honorary manager, because who's

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Speaker 1: better at managing anything much.

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Speaker 2: She is one of the best music managers of all time.

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Speaker 1: What do you think the traction is on the Amy

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Speaker 1: Adams tree Paining biopic that we pitched because I feel

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Speaker 1: like people got excited about it and then I didn't

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Speaker 1: see John August start writing it.

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Speaker 2: Well, that's used to take that up with John. But

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Speaker 2: I think Hunter Harris really I think she felt. I

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Speaker 2: feel like Hunter was very supportive. And again this is

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Speaker 2: her idea. She was the one who originally in her

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Speaker 2: substack or on her Twitter, we went over this.

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Speaker 1: She was the one who Amy Adams is the No,

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Speaker 1: she didn't.

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Speaker 2: Yes she did, Queen. She says she said for years

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Speaker 2: now that Amy Adams is winning her Oscar for the

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Speaker 2: tree Paining biopec I literally said this so funny.

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Speaker 1: I didn't even realize that she said that. I thought

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Speaker 1: that was something that we came up with. No, but

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Speaker 1: you pitched Oh, I pitched the storyline the zero Dark

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Speaker 1: thirty sort of like yeah, yeah, yeah, the Kim Kanya call.

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Speaker 2: But I have an alternate casting option not to step

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Speaker 2: on you and Hunter.

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Speaker 1: I do want to give all the credits a Hunter.

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Speaker 2: By the way, No, no, no, I wasn't accusing you of

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Speaker 2: not giving a Hunter the credit. I looked at a

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Speaker 2: picture of tree recently, and of course the red hair,

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Speaker 2: you think Amy Adams. But in terms of the face

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Speaker 2: and the beauty and the severity of that face, huh

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Speaker 2: ready ready, Yeah, Sarah Paulson in a red wig. I

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Speaker 2: think it could work. Okay, you're not as into it

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Speaker 2: as I thought you would be. Can I say, look

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Speaker 2: up a photo of her now they're this, They have

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Speaker 2: the same face.

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Speaker 1: I mean I would have known look it up. All right,

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Speaker 1: I'm looking looking at a picture of tree paint. I

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Speaker 1: guess what I'm saying is like Sarah Paulson. Yeah, yes, certainly,

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Speaker 1: they do favor. They do favor. They favor. They favor

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Speaker 1: each other's tree pain and Sarah Paulson they favor. Okay, Okay,

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Speaker 1: you've never heard this expression. You really do favor?

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Speaker 2: Yes, I do. Yes, I know that that expression.

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Speaker 1: But I will say I feel and I'm just gonna

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Speaker 1: come out and say this, Sarah Paulson has been so

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Speaker 1: booked and busy that I'm not dying to see her

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Speaker 1: do tree pain like I feel like Sarah Pulston is

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Speaker 1: always in eighteen projects a year, you know what I mean? Like,

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Speaker 1: I feel like I want Amy. I want this for

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Speaker 1: Amy bad, Okay, because the whole point is like, we

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Speaker 1: need to get Amy her oscar and tree Pain's story told.

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Speaker 1: I think that Sarah Paulson could do an amazing job

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Speaker 1: telling the story. But in a world where this is

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Speaker 1: real and it's app not, we should reinforce that it's not.

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Speaker 1: I'm sorry, but I can't leave my girl Amy behind.

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Speaker 2: Okay, okay, that's fair. She needs to win, yeah, absolutely,

396
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Speaker 2: because meanwhile, you got the younger girls potentially reaking in

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Speaker 2: a second Oscar this year.

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Speaker 1: Oh honey, did she see the Golden Globe nominations?

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Speaker 2: I did? I did.

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Speaker 1: I thought there was many good things about it.

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Speaker 2: Well, this is sort of the meta commentary, is that

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Speaker 2: everyone's like, oh, this is all very respectful, like there

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Speaker 2: are no like back in the day would be like

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Speaker 2: the fun thing was to be like, oh my god,

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Speaker 2: the Golden Globes are so fucking stupid. I can't believe

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Speaker 2: they nominated this, you know. And now it's like, oh, well,

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Speaker 2: because the HFPA doesn't exist because they were always a joke.

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Speaker 2: This nominating body is like actually has some taste and

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Speaker 2: isn't jockeying for like shoulder rubbing with like actors.

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Speaker 1: Did you see The One category I think is so

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Speaker 1: dumb though, is like Best Cinematic Box Office Achievement. And

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Speaker 1: it's like, well, she was nominated, but like it's just

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Speaker 1: such a silly category because it's like, okay, so there's

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Speaker 1: five nominees, but you're gonna give it to the one

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Speaker 1: that made me the most money, right, Like, yeah, so

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Speaker 1: Barbie's gonna win. It's not like there's like a nail

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Speaker 1: bier if like John Wick four is gonna beat Barbie.

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Speaker 1: It's just stupid. It's like, if you want to award

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Speaker 1: the thing that gave the most money, be like and

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Speaker 1: this year we're giving a special honorary Golden Globe to

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Speaker 1: two or three movies who broke through and made a

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Speaker 1: lot of money. Like if that's what we're saying, and

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Speaker 1: then just do it. They're also doing a stand up Award. Now, yes, yes,

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Speaker 1: they nominated all the greats from the last two months

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Speaker 1: of social commentary. All the greats are there. Everyone who

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Speaker 1: had the best things to say over the past couple

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Speaker 1: of years is nominated for the Golden Globe for stand

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Speaker 1: up everyone whose commentary was desperately needed.

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Speaker 2: I'm sure I'll watch. But the Golden Globe, I feel

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Speaker 2: like they have such there's clawing their way out of

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Speaker 2: the pits, you know, like they've really befallen. Tragedy has

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Speaker 2: befallen them over the last several years.

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Speaker 1: I think we'll definitely watch. Uh huh, I mean I

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Speaker 1: think we'll be there. I think it's our jobs to watch,

435
00:22:15,320 --> 00:22:16,919
Speaker 1: you know what I mean. I think we are the culture.

436
00:22:16,920 --> 00:22:18,720
Speaker 1: E's this bo I think if we don't watch the

437
00:22:18,720 --> 00:22:24,840
Speaker 1: Golden Globes, who's watching? Oh yes, our millennial asses who

438
00:22:24,880 --> 00:22:27,600
Speaker 1: bought into the glitz and glamour of the HFPA as

439
00:22:27,680 --> 00:22:28,400
Speaker 1: children and we.

440
00:22:28,400 --> 00:22:32,240
Speaker 2: Did totally completely dead and then we have to watch.

441
00:22:32,480 --> 00:22:36,480
Speaker 2: Speaking of having to watch, I think you guys have

442
00:22:36,520 --> 00:22:41,320
Speaker 2: to watch Matt and I very briefly appear at Andy

443
00:22:41,400 --> 00:22:45,879
Speaker 2: and Anderson's CNN New Year's Eve. Oh bash, We'll be

444
00:22:46,000 --> 00:22:49,800
Speaker 2: briefly appearing and talking to our guys Andy and Anderson.

445
00:22:50,240 --> 00:22:54,160
Speaker 1: I've never met Anderson. He's lovely, I'm certain of that,

446
00:22:54,160 --> 00:22:57,320
Speaker 1: that's true. I mean, like he's such a such a minch.

447
00:22:58,080 --> 00:23:02,520
Speaker 2: Yes, he is the North Star gay guy. For my parents.

448
00:23:02,600 --> 00:23:05,000
Speaker 2: He was like, well, you know, Anderson has a baby

449
00:23:05,040 --> 00:23:05,840
Speaker 2: and you can too.

450
00:23:06,000 --> 00:23:10,120
Speaker 1: And I go, uh huh do they say that?

451
00:23:10,200 --> 00:23:11,760
Speaker 2: Yeah, oh they say that all the time. And then like,

452
00:23:12,000 --> 00:23:14,560
Speaker 2: you know Anderson, I think they call him Cooper something.

453
00:23:14,560 --> 00:23:17,560
Speaker 2: They Cooper has owns a home and you should too,

454
00:23:17,640 --> 00:23:18,160
Speaker 2: And I'm.

455
00:23:17,960 --> 00:23:19,800
Speaker 1: Like, uh huh, Yeah, Cooper owns a home.

456
00:23:19,880 --> 00:23:21,200
Speaker 2: Cooper has a firehouse?

457
00:23:21,800 --> 00:23:22,680
Speaker 1: Yeah he sure does.

458
00:23:22,840 --> 00:23:25,000
Speaker 2: Does he still live there? Remember that was like the

459
00:23:25,040 --> 00:23:26,159
Speaker 2: big like West Village.

460
00:23:27,520 --> 00:23:30,200
Speaker 1: Yeah, he was like the Bachelor of New York. I

461
00:23:30,200 --> 00:23:33,960
Speaker 1: remember like the stories about Anderson Cooper, like being spotted

462
00:23:34,119 --> 00:23:38,600
Speaker 1: leaving David Barton. Jim Oh, this was like true NYU

463
00:23:38,760 --> 00:23:41,480
Speaker 1: culture was like of the time. We're like two thousand

464
00:23:41,480 --> 00:23:44,160
Speaker 1: and eight to twenty twelve, like everyone would be talking

465
00:23:44,160 --> 00:23:46,639
Speaker 1: in about like, oh, did you see Anderson Cooper was

466
00:23:46,680 --> 00:23:50,520
Speaker 1: leaving David Barton's gym right over the Aster Cuts, right

467
00:23:50,560 --> 00:23:53,360
Speaker 1: a haircutter place where I still go. I still roll

468
00:23:53,400 --> 00:23:55,520
Speaker 1: the dice every single time. I don't have an ordinary

469
00:23:55,560 --> 00:23:58,159
Speaker 1: person that cuts my hair. I just go roll the

470
00:23:58,200 --> 00:24:00,800
Speaker 1: dice at Astercuts and I leave with a debulous haircut

471
00:24:00,840 --> 00:24:01,640
Speaker 1: every single time.

472
00:24:01,760 --> 00:24:04,639
Speaker 2: What's the price now? Like still twenty dollars or something.

473
00:24:05,040 --> 00:24:07,320
Speaker 1: Oh it's something reasonable, you know what I mean, Like

474
00:24:07,359 --> 00:24:09,680
Speaker 1: I love that place. It feels like a neighborhood spot,

475
00:24:09,720 --> 00:24:12,200
Speaker 1: even though it's probably so expensive the rent, you know

476
00:24:12,240 --> 00:24:14,640
Speaker 1: what I mean. Like that's like in the heart of Astroport.

477
00:24:14,680 --> 00:24:17,800
Speaker 2: Remember when they were going to maybe close during COVID. Yeah,

478
00:24:17,840 --> 00:24:21,960
Speaker 2: that was devastating, so devastating. You know what's still there too,

479
00:24:22,000 --> 00:24:26,520
Speaker 2: The Super and Burger. Oh cozy super Burger. Oh that

480
00:24:26,720 --> 00:24:29,560
Speaker 2: is a classic. That's a classic spot. We were driving

481
00:24:29,600 --> 00:24:32,800
Speaker 2: down Saint Mark's like and through Astra Place on Saturday

482
00:24:32,840 --> 00:24:34,399
Speaker 2: night with Sudi and Mo, and I was like, I

483
00:24:34,400 --> 00:24:38,159
Speaker 2: can't believe this was my neighborhood. Like I used to

484
00:24:38,240 --> 00:24:40,080
Speaker 2: Like this was every day for me, was walking down

485
00:24:40,080 --> 00:24:44,560
Speaker 2: Saint Mark's onto campus quote unquote, like staying BOKESD for

486
00:24:44,640 --> 00:24:47,639
Speaker 2: like twelve hours and then going straight home. I I was,

487
00:24:48,160 --> 00:24:52,399
Speaker 2: I did not really do much in college besides go

488
00:24:52,440 --> 00:24:54,760
Speaker 2: to like our little comedy parties, and that was like

489
00:24:54,760 --> 00:24:58,840
Speaker 2: I didn't really like socialize outside of comedy kids.

490
00:24:59,400 --> 00:25:01,679
Speaker 1: Yeah, I get. I mean, like I always feel like

491
00:25:02,119 --> 00:25:06,040
Speaker 1: looking back, all of our friends were the straight comedy kids,

492
00:25:06,080 --> 00:25:08,920
Speaker 1: which I think is great, but like I didn't have

493
00:25:09,000 --> 00:25:13,280
Speaker 1: any like gay friends. Like it was like you and me,

494
00:25:14,040 --> 00:25:17,119
Speaker 1: and then we would always do like you know, sketch

495
00:25:17,160 --> 00:25:19,199
Speaker 1: and improv parties. And then we didn't really have like

496
00:25:19,800 --> 00:25:21,879
Speaker 1: we didn't go out to like gay bars, you know

497
00:25:21,920 --> 00:25:23,080
Speaker 1: what I mean, We didn't do that.

498
00:25:23,320 --> 00:25:27,200
Speaker 2: No, it was unique Colin court Aposse, who has now

499
00:25:27,240 --> 00:25:31,240
Speaker 2: moved to New York. Oh and yeah, and that was it.

500
00:25:31,280 --> 00:25:33,480
Speaker 2: We were like the little gay crew.

501
00:25:33,520 --> 00:25:36,920
Speaker 1: But but maybe you did some more gay stuff to

502
00:25:36,960 --> 00:25:40,600
Speaker 1: ever go to the Splash was that place? Yes, Splash did.

503
00:25:40,680 --> 00:25:43,760
Speaker 2: I never set food and Splash people are so like

504
00:25:44,560 --> 00:25:47,080
Speaker 2: all like the age twinks of that time are like.

505
00:25:47,280 --> 00:25:51,480
Speaker 1: Yes, our generation, yeah, yeah, it's like this storied place.

506
00:25:51,520 --> 00:25:54,159
Speaker 1: And so basically if everyone listening doesn't know what Splash is,

507
00:25:54,200 --> 00:25:56,080
Speaker 1: it was like sort of like the gay bar where

508
00:25:56,119 --> 00:25:59,560
Speaker 1: you could absolutely be eighteen and get in and drink

509
00:25:59,560 --> 00:26:01,960
Speaker 1: and carry on and like god, who knows what went

510
00:26:02,000 --> 00:26:05,640
Speaker 1: down there, but like it was definitely like the underage

511
00:26:06,240 --> 00:26:08,800
Speaker 1: gay nightclub in New York. And for some reason they

512
00:26:08,800 --> 00:26:10,640
Speaker 1: got away with that for a really long time.

513
00:26:10,520 --> 00:26:13,560
Speaker 2: I know, even though like word on the street was

514
00:26:13,680 --> 00:26:17,760
Speaker 2: that like it was every underage person. But I had

515
00:26:17,800 --> 00:26:21,080
Speaker 2: a couple pre medgays that I would like go out with.

516
00:26:21,119 --> 00:26:24,120
Speaker 2: The first gay bar I ever went to was Urge,

517
00:26:24,680 --> 00:26:29,000
Speaker 2: which was this village it's no longer there, and it

518
00:26:29,000 --> 00:26:31,120
Speaker 2: blew my mind. I thought every gay bar had go

519
00:26:31,119 --> 00:26:37,480
Speaker 2: go dancers and did that. Took some danger box kids

520
00:26:37,480 --> 00:26:39,240
Speaker 2: there once. I think I took Nick Packard there and

521
00:26:39,280 --> 00:26:41,800
Speaker 2: Mike Spence there and like Spencer Novak there and like

522
00:26:42,200 --> 00:26:43,520
Speaker 2: all those boys, those straight.

523
00:26:43,320 --> 00:26:45,159
Speaker 1: Points, you were hoping they'd feel the Urge.

524
00:26:45,680 --> 00:26:47,240
Speaker 2: No, no, no, I was just they were just like,

525
00:26:47,320 --> 00:26:48,800
Speaker 2: let's go. I was like, let's go to a gay bar,

526
00:26:48,840 --> 00:26:50,960
Speaker 2: and they're like okay, and then I think, yeah, I

527
00:26:51,040 --> 00:26:54,040
Speaker 2: was like twenty one, freshly twenty one and went to

528
00:26:54,440 --> 00:26:58,439
Speaker 2: the Cock, which still exists, but back then it was

529
00:26:58,560 --> 00:27:02,720
Speaker 2: like a little bit diceier, even dicier than it is now.

530
00:27:02,800 --> 00:27:06,879
Speaker 2: And like within five minutes of walking in, some complete

531
00:27:06,920 --> 00:27:11,200
Speaker 2: stranger freakazoid like stuck his tongue down my throat and

532
00:27:11,200 --> 00:27:14,479
Speaker 2: I was like, we gotta go. Like it was New

533
00:27:14,600 --> 00:27:18,760
Speaker 2: York was even back then, even when people said that

534
00:27:18,800 --> 00:27:22,040
Speaker 2: it died. Then I'm like, no, like that's its own legend.

535
00:27:22,119 --> 00:27:26,560
Speaker 2: Everything calcifes into its own little legend. Yeah. In time,

536
00:27:26,880 --> 00:27:27,560
Speaker 2: you know, I think.

537
00:27:27,400 --> 00:27:31,320
Speaker 1: My first gay bar was Phoenix. Oh, Phoenix is solid. Yeah,

538
00:27:31,359 --> 00:27:34,320
Speaker 1: Phoenix was I mean Phoenix is still there, right, yeah, Phoenix.

539
00:27:34,440 --> 00:27:36,760
Speaker 1: The only one that we've lost that I'm like really

540
00:27:36,960 --> 00:27:39,600
Speaker 1: really hurts my soul is boiler Roat. I know, boiler

541
00:27:39,640 --> 00:27:41,880
Speaker 1: room being gone is it feels like.

542
00:27:41,880 --> 00:27:43,280
Speaker 2: A tragedy now, I know.

543
00:27:43,480 --> 00:27:46,960
Speaker 1: And did you know that like the duplex upstairs cabaret

544
00:27:47,000 --> 00:27:50,320
Speaker 1: s Base is also no more? What? Yeah? I know,

545
00:27:50,600 --> 00:27:52,560
Speaker 1: Like that's where I started. Have you heard of Christmas?

546
00:27:52,560 --> 00:27:54,880
Speaker 1: Like that's where I started performing at. Like we saw

547
00:27:54,960 --> 00:27:59,439
Speaker 1: so many shows there, like Gayshoar and Jackson started there.

548
00:27:59,560 --> 00:28:02,440
Speaker 2: That's where I I'm the hardest there with Gray's Anatomy improv.

549
00:28:03,280 --> 00:28:04,639
Speaker 1: That's where we bombed the hardest.

550
00:28:04,680 --> 00:28:06,600
Speaker 2: Then we bombed the hardest there. Cola Scola we do

551
00:28:06,600 --> 00:28:09,480
Speaker 2: their shows there. Oh wow, that's so sad.

552
00:28:10,280 --> 00:28:12,359
Speaker 1: Oh yeah, now they don't do shows there anymore. I

553
00:28:12,440 --> 00:28:15,800
Speaker 1: guess since the pandemic. It's just it's like and like

554
00:28:15,840 --> 00:28:18,879
Speaker 1: to hear about like those certain places being endangered. That

555
00:28:19,000 --> 00:28:21,959
Speaker 1: really hurts. Yeah, that really hurts. And I was just

556
00:28:22,000 --> 00:28:27,199
Speaker 1: in Austin and Rainy Street is just gone. What like

557
00:28:27,960 --> 00:28:32,800
Speaker 1: Rainy Street like it's not what it used to be

558
00:28:32,880 --> 00:28:34,520
Speaker 1: like it used to be just like a run of

559
00:28:34,560 --> 00:28:37,480
Speaker 1: like cool bars and like really really really like it

560
00:28:37,560 --> 00:28:40,080
Speaker 1: was just so unique to that city. And like I

561
00:28:40,080 --> 00:28:42,520
Speaker 1: don't know people from Austin know, but like now it's

562
00:28:42,560 --> 00:28:46,120
Speaker 1: like a lot of condos hotels. By the way, I

563
00:28:46,240 --> 00:28:49,720
Speaker 1: did watch the last episode of Potomac. I just caught

564
00:28:49,760 --> 00:28:52,200
Speaker 1: up on Potomac on the plane just because. And they

565
00:28:52,240 --> 00:28:55,000
Speaker 1: went to Austin and they stayed in the hotel that

566
00:28:55,080 --> 00:28:57,600
Speaker 1: I stayed in last year when I was doing my

567
00:28:57,680 --> 00:29:00,800
Speaker 1: Christmas store, which is right on Rainy Street. And the

568
00:29:00,840 --> 00:29:03,760
Speaker 1: whole bit of the Potomac episode was, Wow, there's so

569
00:29:03,840 --> 00:29:07,520
Speaker 1: much construction around right, And it's because like there's so

570
00:29:07,720 --> 00:29:10,280
Speaker 1: much construction in that area that used to be so cool.

571
00:29:10,320 --> 00:29:13,720
Speaker 1: It's like all getting like condo fied, Like Austin is

572
00:29:14,040 --> 00:29:17,160
Speaker 1: Austin stay weird, more like Austin getting corporate.

573
00:29:17,000 --> 00:29:20,000
Speaker 2: Austin getting Silicon valleyed.

574
00:29:20,680 --> 00:29:23,720
Speaker 1: It was not my favorite thing to see. I hate

575
00:29:23,760 --> 00:29:24,280
Speaker 1: to see it.

576
00:29:25,040 --> 00:29:27,120
Speaker 2: Well, Ken Harry's must still be there.

577
00:29:27,520 --> 00:29:29,840
Speaker 1: No, I don't think so. Really, well, it's not in

578
00:29:29,960 --> 00:29:34,280
Speaker 1: La anymore like that. There's one in Austin the original Okay,

579
00:29:34,280 --> 00:29:36,840
Speaker 1: I have to verify that I don't know, but definitely

580
00:29:36,880 --> 00:29:38,920
Speaker 1: the one in La Is Gone, which also stung.

581
00:29:39,200 --> 00:29:42,960
Speaker 2: Yeah, totally. Oh did you ever go to Eastern Bloc,

582
00:29:43,080 --> 00:29:45,160
Speaker 2: because speaking of Andy and Anderson, that was the first

583
00:29:45,200 --> 00:29:48,280
Speaker 2: time I saw them in person, and Sam Tager and

584
00:29:48,320 --> 00:29:51,080
Speaker 2: I went when we were like twenty three and we

585
00:29:51,080 --> 00:29:52,320
Speaker 2: were so starstruck.

586
00:29:52,680 --> 00:29:54,320
Speaker 1: Didn't you reach out for Andy's hand?

587
00:29:55,080 --> 00:29:58,360
Speaker 2: Yeah, and then like, oh my god, that's so embarrassing.

588
00:29:58,400 --> 00:30:00,520
Speaker 2: I reached out for Andy's hand. I had never been

589
00:30:00,520 --> 00:30:03,120
Speaker 2: not close to a famous person before, and he touched

590
00:30:03,120 --> 00:30:05,240
Speaker 2: it back. He touched it back and stroked my arm,

591
00:30:05,280 --> 00:30:07,440
Speaker 2: but like didn't see who who was touching him. He

592
00:30:07,560 --> 00:30:10,480
Speaker 2: just kind of like, ooh, whoever's touching me? That was

593
00:30:10,520 --> 00:30:13,280
Speaker 2: our first little spark. You're not the only one who

594
00:30:13,280 --> 00:30:17,120
Speaker 2: has chemistry with him.

595
00:30:17,360 --> 00:30:19,360
Speaker 1: I'm dying. You have to tell him that.

596
00:30:19,720 --> 00:30:21,320
Speaker 2: I think I did. I think he knows.

597
00:30:22,080 --> 00:30:24,000
Speaker 1: We should tell him that. Will be are on with

598
00:30:24,040 --> 00:30:27,160
Speaker 1: them on CNN and be like, excuse me, gentleman.

599
00:30:27,080 --> 00:30:28,360
Speaker 2: In front of millions of people.

600
00:30:28,720 --> 00:30:30,520
Speaker 1: Yeah, be like, hey, last time I saw you guests

601
00:30:30,520 --> 00:30:32,840
Speaker 1: together was at Eastern Bloc. I grazed you.

602
00:30:33,280 --> 00:30:33,680
Speaker 2: Wow.

603
00:30:33,920 --> 00:30:36,080
Speaker 1: I was actually just at Club Coming, which used to

604
00:30:36,160 --> 00:30:38,440
Speaker 1: be Eastern black. I performed at Club Coming for the

605
00:30:38,440 --> 00:30:41,200
Speaker 1: first time in years because Alan was having like a

606
00:30:41,280 --> 00:30:44,240
Speaker 1: charity show and I will go wherever Alan tells me

607
00:30:44,280 --> 00:30:47,240
Speaker 1: to go, and I'll say this sound'im coming.

608
00:30:47,440 --> 00:30:49,080
Speaker 2: I was gonna ask, yes, what did he say?

609
00:30:49,160 --> 00:30:52,400
Speaker 1: I was like, how did it go? Trader season two?

610
00:30:53,160 --> 00:30:55,760
Speaker 1: And he said, it's a better season this year than

611
00:30:55,880 --> 00:30:56,360
Speaker 1: last year.

612
00:30:56,440 --> 00:30:59,920
Speaker 2: Wow? Of course, because it's all it's all reality people.

613
00:31:00,520 --> 00:31:03,320
Speaker 1: Yeah, he said that, because it was all reality people,

614
00:31:03,360 --> 00:31:05,520
Speaker 1: it was way better. He said he had a blast

615
00:31:05,600 --> 00:31:07,680
Speaker 1: doing it. He like lit up when I asked him

616
00:31:07,680 --> 00:31:10,520
Speaker 1: about it. He told me a little bit of tea,

617
00:31:10,720 --> 00:31:12,320
Speaker 1: nothing too crazy, but like.

618
00:31:12,240 --> 00:31:14,000
Speaker 2: He told always liked the team.

619
00:31:14,240 --> 00:31:16,720
Speaker 1: No, no, no. He literally didn't even say any names

620
00:31:16,840 --> 00:31:19,040
Speaker 1: or anything. He was just like he just gave a

621
00:31:19,080 --> 00:31:22,920
Speaker 1: sense of like what kind of personalities were there. And

622
00:31:22,960 --> 00:31:24,640
Speaker 1: I was like, well, I've no I know the cast.

623
00:31:24,640 --> 00:31:26,400
Speaker 1: He was like, You're not going to be disappointed, you

624
00:31:26,480 --> 00:31:28,160
Speaker 1: know what I mean? Like he seemed like it's going

625
00:31:28,240 --> 00:31:28,920
Speaker 1: to be really good.

626
00:31:29,200 --> 00:31:33,680
Speaker 2: If Larsa Pippen takes it all home to scream.

627
00:31:33,800 --> 00:31:35,320
Speaker 1: I hope that Parvety wins.

628
00:31:35,760 --> 00:31:37,960
Speaker 2: That feels like too obvious, though, and I feel like

629
00:31:38,000 --> 00:31:38,800
Speaker 2: the players would.

630
00:31:38,720 --> 00:31:44,960
Speaker 1: So did Suri. Suri winning also felt too obvious, not necessarily, well,

631
00:31:45,000 --> 00:31:47,360
Speaker 1: I mean, I think it would be too obvious if

632
00:31:47,360 --> 00:31:50,720
Speaker 1: Parverty was a trader, That's what I'll say. Yeah, yeah, yeah, yeah,

633
00:31:50,760 --> 00:31:52,960
Speaker 1: I want one of the housewives to be a trader.

634
00:31:53,040 --> 00:31:53,600
Speaker 1: Bad oh.

635
00:31:53,680 --> 00:31:55,160
Speaker 2: I would love for a house off to be a trader.

636
00:31:55,200 --> 00:31:59,360
Speaker 2: If Parverty was a faithful and one, that would be amazing.

637
00:31:59,560 --> 00:32:02,080
Speaker 1: I would I like to see Phaedri be a trader.

638
00:32:02,600 --> 00:32:05,560
Speaker 2: She would be an amazing trader. That is a calculated person,

639
00:32:05,920 --> 00:32:07,240
Speaker 2: calculating a person.

640
00:32:08,160 --> 00:32:10,440
Speaker 1: We know this. I'm not saying anything. We don't know

641
00:32:10,760 --> 00:32:13,560
Speaker 1: she does the calculations. Apparently Married to Medicine is good

642
00:32:13,560 --> 00:32:23,920
Speaker 1: this year, padress on it. I don't know. I do

643
00:32:24,040 --> 00:32:26,080
Speaker 1: have to say I watched Potomac. I watched these last

644
00:32:26,080 --> 00:32:29,000
Speaker 1: two episodes just to catch up. You haven't watched them, right.

645
00:32:29,240 --> 00:32:31,640
Speaker 2: No, But the Vulture recapper, I think said that this

646
00:32:31,680 --> 00:32:34,320
Speaker 2: week's episode was decent. Was the best of the season.

647
00:32:34,680 --> 00:32:35,000
Speaker 2: Maybe not?

648
00:32:35,280 --> 00:32:37,880
Speaker 1: Yeah, I think it probably was. You know, it ends

649
00:32:37,920 --> 00:32:40,600
Speaker 1: with Robin breaking down in the van. I'm like, she

650
00:32:40,760 --> 00:32:45,840
Speaker 1: was like trying to make me a villain. Yeah, yeah,

651
00:32:45,880 --> 00:32:49,160
Speaker 1: so that that's happening. It's still a little weird with

652
00:32:49,200 --> 00:32:52,120
Speaker 1: the Wendy Necker stuff. But one thing I'll say is,

653
00:32:52,160 --> 00:32:55,440
Speaker 1: you know who's come from behind is Mia Thornton. Now legendary.

654
00:32:55,480 --> 00:32:57,640
Speaker 1: Mia Thornton is now the star of the show. She's

655
00:32:57,760 --> 00:33:00,120
Speaker 1: now the star of the show. She's center time. And

656
00:33:01,400 --> 00:33:03,560
Speaker 1: whenever they held they hold the champagne flue.

657
00:33:03,680 --> 00:33:04,680
Speaker 2: Is she really in the center.

658
00:33:05,720 --> 00:33:07,880
Speaker 1: No, you're just saying, God.

659
00:33:07,760 --> 00:33:11,600
Speaker 2: This is how bad I am. I'm classless. I'm below

660
00:33:11,720 --> 00:33:15,080
Speaker 2: the dirt with these women. Because I commented on the

661
00:33:15,080 --> 00:33:17,200
Speaker 2: reel of Mia in front of the Watchford Happens Live,

662
00:33:17,240 --> 00:33:20,360
Speaker 2: Step and Repeat on my public account, I said, flop

663
00:33:21,320 --> 00:33:26,080
Speaker 2: and like, I'm like openly like cyberbullying these strangers. But

664
00:33:26,160 --> 00:33:28,000
Speaker 2: like the comments on that on the rest of that

665
00:33:28,080 --> 00:33:30,440
Speaker 2: reel were much worse than what I wass saying, Like

666
00:33:30,520 --> 00:33:33,560
Speaker 2: the Internet, we do not like this woman. I don't

667
00:33:33,560 --> 00:33:37,120
Speaker 2: think she can come from behind anywhere, from any angle

668
00:33:37,360 --> 00:33:38,080
Speaker 2: any which way.

669
00:33:38,480 --> 00:33:41,320
Speaker 1: I honestly, you know what's weird is that, Like I

670
00:33:41,400 --> 00:33:44,320
Speaker 1: know that that's true, Like I know that, like Mia

671
00:33:44,440 --> 00:33:46,520
Speaker 1: is Mia. Like that's why I call her the legendary

672
00:33:46,560 --> 00:33:49,880
Speaker 1: Mia Thornton is because I would describe her as not legendary.

673
00:33:50,240 --> 00:33:53,160
Speaker 1: But this all being said, like she is the one

674
00:33:53,520 --> 00:33:56,680
Speaker 1: probably with the most compelling thing going on, which is

675
00:33:56,720 --> 00:33:59,480
Speaker 1: like I guess her small. So I don't know. I've

676
00:33:59,520 --> 00:34:02,320
Speaker 1: literally awning as I'm even saying this, like the show

677
00:34:02,440 --> 00:34:06,480
Speaker 1: is not the it's it's not good, and you know

678
00:34:06,480 --> 00:34:09,080
Speaker 1: what's funny, Like I actually experimented with art this week

679
00:34:09,080 --> 00:34:10,720
Speaker 1: and I went to see The Boy and the heron

680
00:34:11,120 --> 00:34:14,319
Speaker 1: Oh my god, what did you think? I said, I'm

681
00:34:14,400 --> 00:34:16,560
Speaker 1: leaving Potomac behind. I'm going to see me as Aari.

682
00:34:17,080 --> 00:34:19,200
Speaker 2: Oh my god, the legendary me a Zaki.

683
00:34:19,680 --> 00:34:23,240
Speaker 1: Yeah, it's actually real coaching number eight, me and Thornton, more.

684
00:34:23,200 --> 00:34:26,120
Speaker 2: Like the legend Zaki period.

685
00:34:26,320 --> 00:34:30,040
Speaker 1: That's real coaching number eighty eight. Yes, but I saw it.

686
00:34:30,040 --> 00:34:34,760
Speaker 1: It was stunning. I mean, the animation is absolutely wild

687
00:34:34,840 --> 00:34:37,879
Speaker 1: time once it really comes to life, and like it's

688
00:34:37,880 --> 00:34:40,359
Speaker 1: almost like I can't really explain the plot because it's

689
00:34:40,360 --> 00:34:43,480
Speaker 1: not really the point. No, Like I left it and

690
00:34:43,520 --> 00:34:45,799
Speaker 1: I had taken like a twenty five milligram edible too,

691
00:34:45,800 --> 00:34:48,680
Speaker 1: and I'm watching it and I'm just like like absorbing

692
00:34:48,719 --> 00:34:50,960
Speaker 1: all of this, and then afterwards I was like I

693
00:34:51,000 --> 00:34:54,239
Speaker 1: have to read a smart thing piece on this, let

694
00:34:54,280 --> 00:34:54,799
Speaker 1: me tell you.

695
00:34:55,080 --> 00:34:57,160
Speaker 2: Or you don't even really need to. That's the thing

696
00:34:57,200 --> 00:34:59,680
Speaker 2: with me Azaki films is that, like you watch them

697
00:35:00,000 --> 00:35:03,680
Speaker 2: and it's whatever you felt during the viewing experience. It's

698
00:35:03,800 --> 00:35:06,840
Speaker 2: not about plot, it's not about I hate to say this,

699
00:35:06,920 --> 00:35:09,520
Speaker 2: but it really is just about vibes. And I hate

700
00:35:09,520 --> 00:35:12,759
Speaker 2: that I'm using that word reducing this genius, one of

701
00:35:12,800 --> 00:35:15,960
Speaker 2: the best animated film the best animated filmmaker of all time.

702
00:35:16,120 --> 00:35:20,279
Speaker 1: To vibebe to the word vibe. Yazaki is vibe. I'm

703
00:35:20,280 --> 00:35:21,600
Speaker 1: still a coach at number fourteen.

704
00:35:22,160 --> 00:35:24,680
Speaker 2: Mia Zaki is es. I'm so excited to see it

705
00:35:24,680 --> 00:35:27,040
Speaker 2: a premiere at tiff when me, Aaron and Joshua there

706
00:35:27,040 --> 00:35:28,520
Speaker 2: and we wanted to see it so badly but we

707
00:35:28,560 --> 00:35:31,080
Speaker 2: never got around to it. But oh my god, have

708
00:35:31,160 --> 00:35:33,960
Speaker 2: you ever seen Kiki's Delivery Service in the English dub

709
00:35:34,520 --> 00:35:37,239
Speaker 2: No the girl who plays Kiki, I'm like, oh my god,

710
00:35:37,239 --> 00:35:41,520
Speaker 2: Like she sounds so familiar. Who is that Kirsten Dunst, Wow,

711
00:35:41,560 --> 00:35:45,520
Speaker 2: giving like an expert level voice acting performance when she

712
00:35:45,640 --> 00:35:46,840
Speaker 2: was like twelve.

713
00:35:46,719 --> 00:35:50,160
Speaker 1: Yeah, I mean expect nothing less from the greatest, from

714
00:35:50,200 --> 00:35:50,840
Speaker 1: the greatest.

715
00:35:51,600 --> 00:35:53,799
Speaker 2: Really truly, she was like twelve when they did that,

716
00:35:53,840 --> 00:35:58,239
Speaker 2: and was like Phil Hartman plays the little cat like god,

717
00:35:58,280 --> 00:36:01,080
Speaker 2: like this is the thing Miyazaki film. The English dubs

718
00:36:01,960 --> 00:36:04,520
Speaker 2: are fantastic because there's a lot of like you know,

719
00:36:04,760 --> 00:36:07,600
Speaker 2: with Japanese animation. With anime, it's like there are peurists

720
00:36:07,600 --> 00:36:09,880
Speaker 2: who are like, no, you only listen to the Japanese

721
00:36:09,920 --> 00:36:13,239
Speaker 2: original audio, like that's the way to consume it, and

722
00:36:13,280 --> 00:36:15,960
Speaker 2: like the dubs are sometimes like completely bastardized, but like

723
00:36:16,480 --> 00:36:19,719
Speaker 2: all the Miyazaki homes have a consistent like quality in

724
00:36:19,800 --> 00:36:24,080
Speaker 2: terms of like the American slash English actors that they cast, Yeah,

725
00:36:24,239 --> 00:36:26,680
Speaker 2: was it in English? It was great?

726
00:36:26,719 --> 00:36:30,480
Speaker 1: And Robert Pattinson played the heron yes, and it was

727
00:36:30,520 --> 00:36:33,160
Speaker 1: a voice I have never I would never if had

728
00:36:33,200 --> 00:36:36,439
Speaker 1: you told me to guess. Basically, Willem Dafoe is also

729
00:36:36,480 --> 00:36:38,000
Speaker 1: in this, and I would have guessed that he was

730
00:36:38,000 --> 00:36:40,560
Speaker 1: playing the hero and maybe other roles because of just

731
00:36:40,680 --> 00:36:43,719
Speaker 1: the vocal quality of the performance. But I never would

732
00:36:43,719 --> 00:36:45,880
Speaker 1: have guessed this was Robert Pattinson. Willem Dafoe is like

733
00:36:45,960 --> 00:36:49,120
Speaker 1: really great in the movie and scary, and Jemma Chan

734
00:36:49,320 --> 00:36:51,960
Speaker 1: is in it right, and it really did. It had

735
00:36:52,040 --> 00:36:55,400
Speaker 1: like an iconic voice cast, and I was blown away

736
00:36:55,480 --> 00:36:58,759
Speaker 1: that that was Robert Pattinson. But Robie he's in his

737
00:36:58,920 --> 00:36:59,399
Speaker 1: art bag.

738
00:37:00,320 --> 00:37:03,839
Speaker 2: Well he is. He has a way with voice and

739
00:37:03,920 --> 00:37:07,160
Speaker 2: dialect and like him in Good Time. Did you ever

740
00:37:07,160 --> 00:37:09,200
Speaker 2: see Good Time? That's Happy Brothers movie.

741
00:37:09,360 --> 00:37:10,319
Speaker 1: No, I didn't see it.

742
00:37:10,400 --> 00:37:15,680
Speaker 2: He does like fucking New Yorker like he did, but

743
00:37:15,719 --> 00:37:18,360
Speaker 2: he does it so well that I'm just like that

744
00:37:18,480 --> 00:37:20,239
Speaker 2: was when I was like, oh, this guy can like

745
00:37:20,400 --> 00:37:23,879
Speaker 2: really drop into anything like any tamber.

746
00:37:23,600 --> 00:37:27,279
Speaker 1: Who knew that the cast of Twilight would give such thespians.

747
00:37:27,320 --> 00:37:30,320
Speaker 1: But also you know, it's almost like Riverdale with Charles Melton,

748
00:37:30,440 --> 00:37:33,040
Speaker 1: like you can't be writing these people out, never writing

749
00:37:33,040 --> 00:37:37,040
Speaker 1: these people off. Rather because they do these projects that

750
00:37:37,120 --> 00:37:39,040
Speaker 1: like they just so happened to be, like I guess,

751
00:37:39,120 --> 00:37:42,040
Speaker 1: attractive and charismatic enough to book when they were younger,

752
00:37:42,080 --> 00:37:44,239
Speaker 1: Like of course that's, of course that's gonna make a

753
00:37:44,640 --> 00:37:47,000
Speaker 1: There's gonna be a certain ripeness there for that person

754
00:37:47,040 --> 00:37:49,359
Speaker 1: to cultivate talent and then become a movie star because

755
00:37:49,360 --> 00:37:51,799
Speaker 1: there was already something about them, like you know who else.

756
00:37:51,800 --> 00:37:54,600
Speaker 1: I'm obsessed with Lily ryan Hart from river yal And

757
00:37:54,600 --> 00:37:57,640
Speaker 1: she was some fucking great in Hustlers. I love her.

758
00:37:57,680 --> 00:37:59,920
Speaker 1: I can't wait to see what she does, Kiki, Kiki.

759
00:38:00,239 --> 00:38:01,759
Speaker 2: Well, this is the thing. Like back in the day,

760
00:38:01,800 --> 00:38:05,400
Speaker 2: it was like Michelle Williams The Teen, Yeah, the Teen

761
00:38:05,719 --> 00:38:08,880
Speaker 2: sort of like Coterie to like Prestige. Pipeline was like

762
00:38:09,200 --> 00:38:11,600
Speaker 2: very there was no blueprint for it. It was just

763
00:38:11,640 --> 00:38:13,400
Speaker 2: like Michelle Williams was like the first one that was

764
00:38:13,400 --> 00:38:16,360
Speaker 2: like oh wow, like you can really yeah, super prestige

765
00:38:16,920 --> 00:38:19,759
Speaker 2: like parlay that and then yeah, this is but like

766
00:38:19,880 --> 00:38:21,600
Speaker 2: it's happening more and more, which is kind of cool.

767
00:38:21,719 --> 00:38:24,400
Speaker 1: Well, I was watching like the interviews, like Natalie Portman

768
00:38:24,480 --> 00:38:27,040
Speaker 1: and Julianne Moore have been doing a bunch of let

769
00:38:27,040 --> 00:38:30,920
Speaker 1: me just say, delightful interviews on the May December.

770
00:38:30,520 --> 00:38:31,640
Speaker 2: They're wonderful together.

771
00:38:31,920 --> 00:38:35,120
Speaker 1: Yeah, they're so great, And I didn't realize that, I guess.

772
00:38:35,239 --> 00:38:38,960
Speaker 1: Julian Moore started on As the World Turns playing twins

773
00:38:39,400 --> 00:38:41,880
Speaker 1: and one of the twins that she was playing was

774
00:38:41,920 --> 00:38:44,840
Speaker 1: on trial for murder but she didn't remember committing it

775
00:38:44,880 --> 00:38:47,120
Speaker 1: because she had amnesia. And then it was revealed that

776
00:38:47,160 --> 00:38:50,239
Speaker 1: she did not commit the murder, and I was like,

777
00:38:50,320 --> 00:38:52,759
Speaker 1: if you could think of a more soap opera asked

778
00:38:52,800 --> 00:38:55,400
Speaker 1: story light than that, raise your hand. I'm ready to

779
00:38:55,440 --> 00:38:58,120
Speaker 1: call on you, third grader, because it's time for you

780
00:38:58,160 --> 00:39:02,040
Speaker 1: to start writing, because this was iconic and honestly, that

781
00:39:02,080 --> 00:39:04,680
Speaker 1: should be where The Morning Show season four goes next year.

782
00:39:04,719 --> 00:39:08,920
Speaker 1: I want to see full on long Lost Twin Murderer

783
00:39:08,960 --> 00:39:10,720
Speaker 1: Amnesia on trial.

784
00:39:10,800 --> 00:39:16,520
Speaker 2: That's every trope, that's every trope and soaps. Yeah, truly, Twins, Amnesia, murder,

785
00:39:17,040 --> 00:39:17,239
Speaker 2: you know.

786
00:39:17,640 --> 00:39:21,880
Speaker 1: Yeah, and Julianne Moore would then become Julianne Moore after it. Okay,

787
00:39:22,280 --> 00:39:22,799
Speaker 1: That's the thing.

788
00:39:22,880 --> 00:39:27,160
Speaker 2: Soap acting is so specific and difficult, and like it

789
00:39:27,360 --> 00:39:29,280
Speaker 2: was like the place people would book their first jobs.

790
00:39:29,320 --> 00:39:33,680
Speaker 2: Like like Lisa Rinna does a very good job in

791
00:39:33,719 --> 00:39:35,440
Speaker 2: that space, you cannot deny.

792
00:39:35,920 --> 00:39:38,960
Speaker 1: Yeah, you know that's her mode as a performer is

793
00:39:39,120 --> 00:39:43,040
Speaker 1: on ten committed and selling it, you know what I mean,

794
00:39:43,120 --> 00:39:45,360
Speaker 1: Like that's what Lisa Rinna is gonna do is sell it.

795
00:39:45,440 --> 00:39:48,040
Speaker 2: Okay, absolutely absolutely.

796
00:39:48,520 --> 00:39:50,240
Speaker 1: I'm trying to think of other like, oh, I remember

797
00:39:50,239 --> 00:39:52,560
Speaker 1: when I was little, like my mom was obsessed with

798
00:39:52,560 --> 00:39:53,880
Speaker 1: all my children and.

799
00:39:53,840 --> 00:39:56,960
Speaker 2: My mom, yeah, we've talked about this left all my children.

800
00:39:57,080 --> 00:40:02,279
Speaker 1: Josh Dummel was on it. Sarah Michelle Geller played Erica

801
00:40:02,360 --> 00:40:05,880
Speaker 1: Kane's daughter Kendall, and that was where she got her start.

802
00:40:06,320 --> 00:40:08,759
Speaker 1: I mean famously. I guess Margot Robbie was a soap

803
00:40:08,840 --> 00:40:12,560
Speaker 1: star in Australia. I believe, like, oh god, I almost

804
00:40:12,560 --> 00:40:14,400
Speaker 1: said Kylie Minogue, but I would think it was just

805
00:40:14,440 --> 00:40:16,560
Speaker 1: on my Australia tip. But she might have done soaps

806
00:40:16,600 --> 00:40:19,280
Speaker 1: in Australia too when she was younger. All the gays

807
00:40:19,400 --> 00:40:22,400
Speaker 1: in La went to go see Kylie Minogue k Frishleiker's

808
00:40:22,440 --> 00:40:26,080
Speaker 1: birthday and they said it was absolutely stunning. And I said, Kylie,

809
00:40:26,120 --> 00:40:28,520
Speaker 1: that's someone, that's someone we gotta go pay respects to.

810
00:40:28,719 --> 00:40:34,279
Speaker 2: Oh my god, that woman fucking sired me. Yeah, you

811
00:40:34,320 --> 00:40:35,000
Speaker 2: know what I'm saying.

812
00:40:35,200 --> 00:40:37,480
Speaker 1: Would you say it was a combination a tag team

813
00:40:37,760 --> 00:40:39,919
Speaker 1: of her in Seline Neon, which made Bowen Yang.

814
00:40:40,120 --> 00:40:43,719
Speaker 2: Yes, well, Kylie, I like came to when I was

815
00:40:43,800 --> 00:40:46,279
Speaker 2: really Oh my god, I was. I had a dance

816
00:40:46,360 --> 00:40:54,000
Speaker 2: dance revolution DDR. You had no no, but this is

817
00:40:54,040 --> 00:40:56,960
Speaker 2: the thing. My mom would be at Costco at the

818
00:40:56,960 --> 00:40:59,520
Speaker 2: park Menos mall and then I'd be like, Mom, I'm

819
00:40:59,520 --> 00:41:02,120
Speaker 2: going across the street to best Buy and I would

820
00:41:02,120 --> 00:41:05,319
Speaker 2: go to best By were at the center of the

821
00:41:05,440 --> 00:41:09,439
Speaker 2: shore and there was a giant TV, A PS two

822
00:41:09,719 --> 00:41:13,840
Speaker 2: and two DDR dance pads. It was like a fucking amphitheater. No,

823
00:41:13,920 --> 00:41:17,480
Speaker 2: it was like a coliseum. Like three six people would

824
00:41:17,560 --> 00:41:21,359
Speaker 2: start to gather around me, and this like thirty year

825
00:41:21,400 --> 00:41:26,520
Speaker 2: old girl, like goth girl, who would it was her?

826
00:41:26,640 --> 00:41:34,680
Speaker 2: And this like scrawny Asian fourteen year old boy fucking slayhing,

827
00:41:34,880 --> 00:41:38,680
Speaker 2: fucking throwing arms and elbows and legs and knees and

828
00:41:38,719 --> 00:41:45,080
Speaker 2: feet around to every fucking trash techno song from that era.

829
00:41:45,440 --> 00:41:49,359
Speaker 2: But there was a song called love at First Sight. Yeah, well,

830
00:41:49,400 --> 00:41:50,480
Speaker 2: I mean I kick get you out of my head.

831
00:41:50,480 --> 00:41:55,160
Speaker 2: I was like I was, and I was like, who

832
00:41:55,239 --> 00:41:58,480
Speaker 2: is this woman? And then thus began my obsession with.

833
00:41:58,800 --> 00:42:02,160
Speaker 1: You've said that? So that is an iconic mom in line.

834
00:42:02,239 --> 00:42:06,200
Speaker 1: Who is this this woman? That is something you've said? Anythings?

835
00:42:06,239 --> 00:42:10,160
Speaker 2: This, this gay male experience is asking who is this this woman?

836
00:42:12,200 --> 00:42:17,360
Speaker 1: That's actually real culture number forty, the gay male experiences

837
00:42:17,400 --> 00:42:19,000
Speaker 1: asking who is this woman?

838
00:42:19,520 --> 00:42:20,719
Speaker 2: Title of that is who is this woman?

839
00:42:20,800 --> 00:42:23,319
Speaker 1: Should the title be who is this woman? Or slay

840
00:42:23,400 --> 00:42:31,319
Speaker 1: with your friends? Slay with your friends, slay the tree

841
00:42:32,040 --> 00:42:34,880
Speaker 1: the cherie Oh my god? Yeah, well she looked amazing.

842
00:42:34,920 --> 00:42:37,400
Speaker 1: Apparently she was amazing. The venue that she performs in

843
00:42:37,640 --> 00:42:41,640
Speaker 1: Vegas is like really cool, very intimate, and she goes

844
00:42:41,760 --> 00:42:43,400
Speaker 1: right up into the crowd and goes right next to

845
00:42:43,440 --> 00:42:45,919
Speaker 1: the tables, and like it's sort of like up close

846
00:42:45,960 --> 00:42:48,440
Speaker 1: with Kylie, up close and personal with Kylie Minogue.

847
00:42:48,560 --> 00:42:51,520
Speaker 2: Carla, I love that we have to see her. I

848
00:42:51,560 --> 00:42:53,760
Speaker 2: have so much Vegas ketchup to play.

849
00:42:54,320 --> 00:42:56,920
Speaker 1: Oh my god, the fact that you've not yet seen Adele,

850
00:42:57,000 --> 00:42:59,520
Speaker 1: I would show go with you again next year. I

851
00:42:59,560 --> 00:43:02,480
Speaker 1: would go see. Oh my god, you missed Kelly too. Oh.

852
00:43:02,600 --> 00:43:05,680
Speaker 2: I know, miss I have not been since like two

853
00:43:05,760 --> 00:43:06,520
Speaker 2: thousand and seven.

854
00:43:06,880 --> 00:43:09,120
Speaker 1: You know what we need to do, and it's dangerous

855
00:43:09,120 --> 00:43:10,839
Speaker 1: to say, let's be there for more than three days,

856
00:43:10,880 --> 00:43:12,799
Speaker 1: but we need to figure out a way that we

857
00:43:12,840 --> 00:43:15,680
Speaker 1: can see at least two in a weekend, and one

858
00:43:15,719 --> 00:43:16,759
Speaker 1: of them might have to be.

859
00:43:17,000 --> 00:43:20,120
Speaker 2: Katieina Extina A one.

860
00:43:20,400 --> 00:43:24,240
Speaker 1: Katie's done, Katie's cooking Ika, she hang up the cherries

861
00:43:24,280 --> 00:43:26,399
Speaker 1: and the lemons or whatever the hell goes on.

862
00:43:26,440 --> 00:43:27,680
Speaker 2: Right right the toilet paper.

863
00:43:27,880 --> 00:43:28,440
Speaker 1: Yeah.

864
00:43:28,600 --> 00:43:32,480
Speaker 2: I need to go see Kylie for sure.

865
00:43:32,800 --> 00:43:33,160
Speaker 1: Yeah.

866
00:43:33,200 --> 00:43:37,240
Speaker 2: My deepest lifelong regret is never seeing Selene in Vegas.

867
00:43:37,360 --> 00:43:40,200
Speaker 1: That was one hundred percent one of my greatest regrets too.

868
00:43:40,440 --> 00:43:42,440
Speaker 1: Do you remember that we had tickets to see her

869
00:43:42,440 --> 00:43:45,560
Speaker 1: in Madison Square Garden and then we didn't go? Oh

870
00:43:46,120 --> 00:43:48,400
Speaker 1: do you remember this? Like this was like what like

871
00:43:48,480 --> 00:43:49,400
Speaker 1: twenty ninety.

872
00:43:49,520 --> 00:43:52,440
Speaker 2: No I remember, but I think I like blocked that

873
00:43:52,520 --> 00:43:54,000
Speaker 2: out because of the shame.

874
00:43:54,719 --> 00:43:57,040
Speaker 1: Yeah, because of what a horrible memory it is.

875
00:43:57,680 --> 00:44:00,359
Speaker 2: This woman may never sing again. Oh my, can't think

876
00:44:00,360 --> 00:44:02,640
Speaker 2: of it. I can't talk about it. Oh no, no, no,

877
00:44:02,640 --> 00:44:02,800
Speaker 2: no no.

878
00:44:03,040 --> 00:44:06,560
Speaker 1: That's why I always say see the legends while you

879
00:44:06,840 --> 00:44:09,319
Speaker 1: can go go see her.

880
00:44:10,000 --> 00:44:12,840
Speaker 2: You're gonna hate me what They invited me to go

881
00:44:12,840 --> 00:44:15,959
Speaker 2: see Madonna on Thursday, And then yesterday I was talking

882
00:44:16,000 --> 00:44:17,799
Speaker 2: They invited like me and a couple of people from work,

883
00:44:17,800 --> 00:44:19,040
Speaker 2: and I was talking to Ago about it and I

884
00:44:19,080 --> 00:44:22,120
Speaker 2: was like, I don't know what the vibe is like

885
00:44:22,200 --> 00:44:26,239
Speaker 2: Thursday nights, Like I think, I say, yeah, like we're

886
00:44:26,280 --> 00:44:30,440
Speaker 2: all like again, this is not me complaining about you know, work.

887
00:44:30,239 --> 00:44:31,480
Speaker 1: It's a tough part of the week.

888
00:44:31,880 --> 00:44:33,120
Speaker 2: It's a tough part of the week. But and like

889
00:44:33,200 --> 00:44:35,839
Speaker 2: also it's the third show, it's Christmas. We've only had

890
00:44:35,920 --> 00:44:39,200
Speaker 2: like one week long breaks and everyone's a little cooked. Yeah,

891
00:44:39,239 --> 00:44:42,680
Speaker 2: totally at SNL at the moment, and so we're just like,

892
00:44:43,760 --> 00:44:46,640
Speaker 2: I don't think this is the time to do it,

893
00:44:47,200 --> 00:44:49,120
Speaker 2: and so I pulled out. But I was going into

894
00:44:49,200 --> 00:44:50,879
Speaker 2: a little box and see it. But I don't think

895
00:44:50,880 --> 00:44:51,160
Speaker 2: I can.

896
00:44:51,200 --> 00:44:52,279
Speaker 1: I don't think I have it in me.

897
00:44:52,440 --> 00:44:55,320
Speaker 2: But it's Madge, and it's like, this is the last time.

898
00:44:56,000 --> 00:44:59,280
Speaker 1: I think that you have to you have to really

899
00:44:59,719 --> 00:45:01,960
Speaker 1: con or that. But also like you don't want to

900
00:45:01,960 --> 00:45:04,719
Speaker 1: be fucking exhausted on Friday and Saturday. And also if

901
00:45:04,760 --> 00:45:06,640
Speaker 1: you're gonna go see Madge, you gotta go all the

902
00:45:06,680 --> 00:45:11,040
Speaker 1: way in totally you gotta go Madge.

903
00:45:17,680 --> 00:45:21,520
Speaker 2: Nicki Minaj Pink Friday two World Tour, oh March thirtieth

904
00:45:21,520 --> 00:45:25,120
Speaker 2: in New York. MSG, that's an interesting thought, interesting thought

905
00:45:25,120 --> 00:45:25,440
Speaker 2: out there.

906
00:45:25,680 --> 00:45:27,200
Speaker 1: What are your thoughts on the album.

907
00:45:27,840 --> 00:45:33,120
Speaker 2: I don't know that it necessarily should have. I think

908
00:45:33,120 --> 00:45:34,880
Speaker 2: it's a you know, it's an obvious sort of like

909
00:45:35,680 --> 00:45:39,920
Speaker 2: marketing thing to call it a sequel to Pink Friday,

910
00:45:40,360 --> 00:45:43,480
Speaker 2: right right, High High's low Lows.

911
00:45:43,760 --> 00:45:46,080
Speaker 1: I was gonna say those, yeah, same thing, Hig High

912
00:45:46,080 --> 00:45:46,759
Speaker 1: as low.

913
00:45:46,560 --> 00:45:49,879
Speaker 2: Which makes it feel like Queen in a way, and

914
00:45:50,480 --> 00:45:54,200
Speaker 2: I feel like Queen has aged Okay, it doesn't sit

915
00:45:54,280 --> 00:45:56,840
Speaker 2: up there with like her best stuff, which again like

916
00:45:56,880 --> 00:46:00,799
Speaker 2: as otherwise like her mixtapes and her The Friday sort

917
00:46:00,840 --> 00:46:04,520
Speaker 2: of like series in terms of like Pink Friday, Romans, Revenge, Drman, Reloaded,

918
00:46:04,560 --> 00:46:05,439
Speaker 2: and Pink Print.

919
00:46:05,840 --> 00:46:09,839
Speaker 1: Yeah, I would say that I was really excited when

920
00:46:09,840 --> 00:46:12,480
Speaker 1: Barbie Dangerous started. I was like, Oh, here we go.

921
00:46:12,640 --> 00:46:14,880
Speaker 1: I was like, I was like, this is where we're starting.

922
00:46:15,000 --> 00:46:17,719
Speaker 1: I'm really really excited. And then I didn't really get

923
00:46:17,760 --> 00:46:20,920
Speaker 1: excited again. But through throughout I was like, oh, this

924
00:46:21,040 --> 00:46:23,799
Speaker 1: is moments, and then I don't know, I did. I

925
00:46:23,840 --> 00:46:26,920
Speaker 1: did find myself like gravitating more towards.

926
00:46:26,440 --> 00:46:28,000
Speaker 2: Like fuck the club up.

927
00:46:28,239 --> 00:46:30,200
Speaker 1: Yeah, I really liked Cowgirl.

928
00:46:30,480 --> 00:46:31,359
Speaker 2: Cowgirl's great.

929
00:46:31,600 --> 00:46:33,960
Speaker 1: I get that everybody is probably gonna be a huge hit.

930
00:46:34,719 --> 00:46:36,959
Speaker 1: I you know, Like I don't know, but I guess

931
00:46:37,000 --> 00:46:39,080
Speaker 1: like I was just I was waiting for something a

932
00:46:39,080 --> 00:46:42,240
Speaker 1: little bit more high impact and a little bit more original.

933
00:46:42,280 --> 00:46:44,000
Speaker 1: I guess that's what I liked about Queen and the

934
00:46:44,000 --> 00:46:46,560
Speaker 1: Pink Print is it felt like they were something different.

935
00:46:47,120 --> 00:46:49,560
Speaker 1: And now it's like Pink Friday too, Like I understand

936
00:46:49,560 --> 00:46:51,239
Speaker 1: that we're doing a sequel to Pink Friday, but I

937
00:46:51,280 --> 00:46:53,920
Speaker 1: think the fact that like then in and of itself,

938
00:46:54,000 --> 00:46:57,520
Speaker 1: like isn't inherently completely original, kind of takes something from

939
00:46:57,520 --> 00:47:00,120
Speaker 1: it for me. And also like when you call something

940
00:47:00,160 --> 00:47:02,520
Speaker 1: a sequel like Pink Friday too, like you have to

941
00:47:02,600 --> 00:47:05,400
Speaker 1: then you are then like presenting it in the shadow

942
00:47:05,440 --> 00:47:08,279
Speaker 1: of Pink Friday, which is such a fucking moment and

943
00:47:08,400 --> 00:47:12,320
Speaker 1: was such an original burst of like this new talent

944
00:47:12,480 --> 00:47:15,120
Speaker 1: and all this new, like you know, something we hadn't

945
00:47:15,120 --> 00:47:18,880
Speaker 1: seen before this like pop fused hip hop like super

946
00:47:18,960 --> 00:47:22,200
Speaker 1: nova that she was like, that's all here. But I'm

947
00:47:22,280 --> 00:47:25,960
Speaker 1: missing the moments in the album where I'm like, whoa,

948
00:47:26,320 --> 00:47:28,560
Speaker 1: Like this feels brand new, and this feels like really

949
00:47:28,560 --> 00:47:31,360
Speaker 1: exciting and different for her, and I'm like, but definitely

950
00:47:31,360 --> 00:47:33,880
Speaker 1: her talent is on display, and like I enjoy listening

951
00:47:33,960 --> 00:47:36,359
Speaker 1: to it. I just wonder if it's too long, And

952
00:47:36,400 --> 00:47:38,400
Speaker 1: I wonder if we could have just packaged it a

953
00:47:38,440 --> 00:47:40,920
Speaker 1: little bit differently and we might like it more because

954
00:47:40,920 --> 00:47:43,880
Speaker 1: it wouldn't feel like, you know, in the shadow of

955
00:47:43,880 --> 00:47:46,720
Speaker 1: its predecessor. But also I do agree that is obviously

956
00:47:46,800 --> 00:47:48,919
Speaker 1: a marketing thing, and I do think the marketing thing

957
00:47:49,000 --> 00:47:51,840
Speaker 1: worked because everyone knows this album is out, you know

958
00:47:51,880 --> 00:47:54,600
Speaker 1: what I mean, Like in presenting it like this, like

959
00:47:54,680 --> 00:47:57,920
Speaker 1: you do like sort of harken back to a monoculture

960
00:47:58,040 --> 00:48:00,839
Speaker 1: ish type thing, which was Pink Friday. You know what

961
00:48:00,840 --> 00:48:03,320
Speaker 1: I mean, Like everyone knows the pink thing with Nikki,

962
00:48:03,480 --> 00:48:05,640
Speaker 1: Like right, the Empire staple thing can be lit up

963
00:48:05,680 --> 00:48:07,000
Speaker 1: pink and we get why.

964
00:48:07,719 --> 00:48:08,759
Speaker 2: Was it let a pink for that?

965
00:48:09,360 --> 00:48:09,719
Speaker 1: It was?

966
00:48:09,880 --> 00:48:14,440
Speaker 2: That's amazing. I mean, gag City is like the best.

967
00:48:15,560 --> 00:48:19,239
Speaker 2: It's it's actually like the most impressive, amazing grassroots fan

968
00:48:19,520 --> 00:48:24,279
Speaker 2: marketing campaign ever. I love it, and I love Gag

969
00:48:24,320 --> 00:48:28,359
Speaker 2: City so much, but like, yeah, I guess that's what's

970
00:48:28,400 --> 00:48:32,239
Speaker 2: some sort of booying this album for now, and like

971
00:48:32,480 --> 00:48:36,719
Speaker 2: who knows in a few months, like what we'll be

972
00:48:36,760 --> 00:48:39,040
Speaker 2: talking about in terms of this album. I do think

973
00:48:39,040 --> 00:48:41,480
Speaker 2: everybody will probably be a single. I think Pink Friday

974
00:48:41,480 --> 00:48:43,920
Speaker 2: Girls is they'll they'll be they'll be huge hits. I

975
00:48:44,000 --> 00:48:48,080
Speaker 2: just I think I can't tell, am I crazy. I'm

976
00:48:48,120 --> 00:48:50,759
Speaker 2: like the thing of Pink Friday wasn't that it was

977
00:48:50,800 --> 00:48:53,879
Speaker 2: all samples, Like every song is a sample here, which

978
00:48:53,960 --> 00:48:57,279
Speaker 2: there's nothing wrong with that. It doesn't cheapen anything, but

979
00:48:57,280 --> 00:48:59,440
Speaker 2: but to your point, it's like it also kind of

980
00:48:59,480 --> 00:49:02,759
Speaker 2: like is another degree of separation away from any kind

981
00:49:02,800 --> 00:49:08,520
Speaker 2: of original feeling, novelty sort of thing we get from

982
00:49:08,520 --> 00:49:11,400
Speaker 2: this kind of album from her, from her big return.

983
00:49:11,680 --> 00:49:13,760
Speaker 1: What do you think of the billy sample that opens

984
00:49:13,760 --> 00:49:14,160
Speaker 1: the album?

985
00:49:14,280 --> 00:49:16,040
Speaker 2: I was so shocked, like I pressed to play on

986
00:49:16,040 --> 00:49:18,520
Speaker 2: the album. I was like, wait, are you wait? Really

987
00:49:18,719 --> 00:49:20,000
Speaker 2: this like that?

988
00:49:20,200 --> 00:49:22,520
Speaker 1: We did not know that's where we'd be starting.

989
00:49:22,160 --> 00:49:24,000
Speaker 2: I know, mean neither. I was like cool, like it

990
00:49:24,080 --> 00:49:26,040
Speaker 2: like got it, like got me to pay attention. I

991
00:49:26,080 --> 00:49:29,440
Speaker 2: was like, oh that's what. That's a big swing but great.

992
00:49:29,840 --> 00:49:32,360
Speaker 1: Yeah, yeah, well I'm going to continue to be spinning

993
00:49:32,400 --> 00:49:36,120
Speaker 1: her and we'll see if she lights me up anymore. Okay,

994
00:49:36,320 --> 00:49:38,160
Speaker 1: I mean you know I did. I did, like last

995
00:49:38,160 --> 00:49:40,160
Speaker 1: time that I saw you. It's buried all the way

996
00:49:40,760 --> 00:49:42,840
Speaker 1: the album. Like at one point I looked at the

997
00:49:42,880 --> 00:49:44,800
Speaker 1: trap list. I was like, Okay, how far am a

998
00:49:44,800 --> 00:49:46,960
Speaker 1: way am I from this being over? Which probably is

999
00:49:46,960 --> 00:49:50,480
Speaker 1: not a great sign, but I couldn't believe how long

1000
00:49:50,600 --> 00:49:54,560
Speaker 1: the album was, Like, whoa, we had no qualm stop

1001
00:49:54,600 --> 00:49:55,959
Speaker 1: making this longest album in the world.

1002
00:49:56,000 --> 00:49:59,880
Speaker 2: Huh right, girl, I have to confess something. What do

1003
00:49:59,920 --> 00:50:05,160
Speaker 2: you confessing a song that I'm currently obsessed with? What

1004
00:50:05,400 --> 00:50:09,319
Speaker 2: is she Loving on Me? By Jack Carlow I'm like,

1005
00:50:09,960 --> 00:50:12,000
Speaker 2: this is a fucking one of his girls.

1006
00:50:12,040 --> 00:50:12,560
Speaker 1: This is a.

1007
00:50:12,440 --> 00:50:15,680
Speaker 2: Fucking slay a hit. I'm one of his girls. Also

1008
00:50:16,200 --> 00:50:20,680
Speaker 2: lovely host when he hosted last season. Very funny person.

1009
00:50:22,200 --> 00:50:24,239
Speaker 2: I just never thought that, like I would be like

1010
00:50:24,800 --> 00:50:25,640
Speaker 2: one of his girls.

1011
00:50:27,120 --> 00:50:29,440
Speaker 1: Yeah, you know, I never saw that for you either, Yeah,

1012
00:50:29,760 --> 00:50:32,000
Speaker 1: but I think like that you'd be a Jack Carlow.

1013
00:50:32,280 --> 00:50:34,600
Speaker 2: I like this song a lot, and it's the perfect

1014
00:50:34,640 --> 00:50:38,440
Speaker 2: It is like so indicative of this time in music

1015
00:50:38,480 --> 00:50:43,880
Speaker 2: where it's like it's two minutes, it's a sample, it's whatever.

1016
00:50:44,200 --> 00:50:47,000
Speaker 2: But I'm just like, you know what, it's whatever I'm

1017
00:50:47,080 --> 00:50:48,680
Speaker 2: going on. I'm going to repeat on this.

1018
00:50:49,120 --> 00:50:51,080
Speaker 1: It's easy to repeat because it's so short.

1019
00:50:51,960 --> 00:50:54,480
Speaker 2: And I'm really I think I'm really contributing to the streams,

1020
00:50:55,200 --> 00:50:56,560
Speaker 2: but so is the rest of the world.

1021
00:50:57,120 --> 00:51:01,400
Speaker 1: Well, listen, I support you and all your musical tastes endeavors. Everyone.

1022
00:51:01,480 --> 00:51:05,840
Speaker 1: Get out there and see films, listen to music, you know,

1023
00:51:06,040 --> 00:51:08,360
Speaker 1: get out there and experienced culture. Get out there and

1024
00:51:08,360 --> 00:51:09,200
Speaker 1: see me on tour.

1025
00:51:09,920 --> 00:51:12,799
Speaker 2: You must see mount on tour. Sneak in that sea,

1026
00:51:13,080 --> 00:51:15,840
Speaker 2: see the legends while you can see.

1027
00:51:15,680 --> 00:51:17,399
Speaker 1: The legends, while you can, cause one day I won't

1028
00:51:17,400 --> 00:51:18,440
Speaker 1: be performing anymore?

1029
00:51:19,120 --> 00:51:20,320
Speaker 2: Perish the thought.

1030
00:51:20,960 --> 00:51:22,400
Speaker 1: It's time for I don't think so, honey, what do

1031
00:51:22,440 --> 00:51:22,800
Speaker 1: you think?

1032
00:51:23,239 --> 00:51:23,600
Speaker 2: I think?

1033
00:51:23,640 --> 00:51:23,759
Speaker 1: So?

1034
00:51:23,880 --> 00:51:26,080
Speaker 2: Oh really quickly. I'm sure I'm not the only person

1035
00:51:26,080 --> 00:51:28,240
Speaker 2: to say this, but you know how how on Spotify,

1036
00:51:28,280 --> 00:51:30,240
Speaker 2: if you play a Taylor Swift song, there's a six

1037
00:51:30,280 --> 00:51:34,239
Speaker 2: pointed star that's on the bar. No, oh, you didn't

1038
00:51:34,239 --> 00:51:34,680
Speaker 2: notice this?

1039
00:51:35,280 --> 00:51:36,720
Speaker 1: What? What? What are you talking about?

1040
00:51:36,760 --> 00:51:38,600
Speaker 2: If you're going unless you didn't update your app? If

1041
00:51:38,600 --> 00:51:41,440
Speaker 2: you go on Spotify, play any Taylor song.

1042
00:51:41,400 --> 00:51:43,880
Speaker 1: Okay, I'm playing cool Summer.

1043
00:51:44,120 --> 00:51:46,520
Speaker 2: Okay, now look at now, look at the thing? Oh

1044
00:51:46,520 --> 00:51:47,120
Speaker 2: on your phone?

1045
00:51:47,200 --> 00:51:48,479
Speaker 1: Okay, what am I supposed to see?

1046
00:51:48,560 --> 00:51:50,680
Speaker 2: Look at the time bar? Is it a circle? Or

1047
00:51:50,719 --> 00:51:51,239
Speaker 2: is it a star?

1048
00:51:51,680 --> 00:51:52,360
Speaker 1: It's a circle?

1049
00:51:52,640 --> 00:51:54,680
Speaker 2: Oh? Never mind, you must have done have updated your app?

1050
00:51:55,000 --> 00:51:55,719
Speaker 1: What is the star? Me?

1051
00:51:55,920 --> 00:51:57,480
Speaker 2: Okay, hold on, show, I'll show you the star.

1052
00:51:58,520 --> 00:52:01,720
Speaker 1: Is it just because it's Taylor and being a little frisky? Well?

1053
00:52:02,000 --> 00:52:02,320
Speaker 1: Or is it?

1054
00:52:03,120 --> 00:52:06,560
Speaker 2: I think it's a clue everyone thinks so I'm obviously

1055
00:52:06,600 --> 00:52:09,080
Speaker 2: not the Okay, so do you see that little star?

1056
00:52:09,800 --> 00:52:11,719
Speaker 1: You are? What is she trying to tell us?

1057
00:52:11,920 --> 00:52:13,080
Speaker 2: It's a six pointed star?

1058
00:52:13,560 --> 00:52:14,040
Speaker 1: Okay?

1059
00:52:14,680 --> 00:52:16,799
Speaker 2: And what's her sixth album?

1060
00:52:17,520 --> 00:52:20,520
Speaker 1: Reputation. What is going on?

1061
00:52:21,920 --> 00:52:25,080
Speaker 2: I think we're gonna find coming. It's coming.

1062
00:52:25,640 --> 00:52:29,480
Speaker 1: I think REPTV is coming. Girl. And she called it

1063
00:52:29,520 --> 00:52:31,480
Speaker 1: what did she call it? An interview? She well, she

1064
00:52:31,560 --> 00:52:33,480
Speaker 1: was Times Person of the Year. And she called it

1065
00:52:33,520 --> 00:52:36,320
Speaker 1: a goth punk moment of female rage against a system

1066
00:52:36,360 --> 00:52:39,759
Speaker 1: that is gaslighting by an entire social structure. I was like, wow,

1067
00:52:40,400 --> 00:52:46,680
Speaker 1: you she has never failed to deliver with her insane soundbites.

1068
00:52:46,719 --> 00:52:48,480
Speaker 1: I would very much like to be excluded from this

1069
00:52:48,600 --> 00:52:50,080
Speaker 1: narrative and now this.

1070
00:52:50,400 --> 00:52:55,719
Speaker 2: But when she said that, I'm like, this girl. You know,

1071
00:52:55,800 --> 00:52:58,840
Speaker 2: this girl is like, Damn, I wish I went to college.

1072
00:52:59,360 --> 00:53:03,760
Speaker 2: Damn I wish I took Conversations of the West Humanities class.

1073
00:53:03,800 --> 00:53:08,480
Speaker 1: Oh No, Taylor Swift is Northwestern coded if I've ever

1074
00:53:08,640 --> 00:53:11,680
Speaker 1: seen it. Honestly, No, she's girl.

1075
00:53:11,560 --> 00:53:13,919
Speaker 2: She's Ivyley girl. Or I think there's a reason why

1076
00:53:13,920 --> 00:53:17,160
Speaker 2: she chose n YU to do her commencement speech. I

1077
00:53:17,160 --> 00:53:17,919
Speaker 2: think she would have been.

1078
00:53:18,239 --> 00:53:20,040
Speaker 1: I think that she would have been an n YU girl.

1079
00:53:21,840 --> 00:53:24,800
Speaker 1: I don't know. No, I see Taylor Swift on a campus.

1080
00:53:24,840 --> 00:53:31,000
Speaker 1: I see her like on a like like Stanford, Oh wow,

1081
00:53:31,520 --> 00:53:35,880
Speaker 1: not Stanford, Princeton, Princeton. No, Taylor Swift, Princeton values.

1082
00:53:35,719 --> 00:53:41,600
Speaker 2: Or she's dartmouth, she's she's giving Shonda Rhyme's Meredith Gray down. Anyway, Okay,

1083
00:53:41,600 --> 00:53:43,080
Speaker 2: this is I don't think so many where we take

1084
00:53:43,080 --> 00:53:45,880
Speaker 2: one minute to rail against something in culture. This is

1085
00:53:45,880 --> 00:53:47,160
Speaker 2: Matt Rodgers. I don't think so honey.

1086
00:53:47,200 --> 00:53:48,839
Speaker 1: Are you ready? Yeah?

1087
00:53:48,920 --> 00:53:50,080
Speaker 2: Yeah, time starts now.

1088
00:53:50,239 --> 00:53:53,120
Speaker 1: I don't think so honey. People being all in a

1089
00:53:53,200 --> 00:53:56,880
Speaker 1: fluffle and a cur fluff about me and Joy Behar

1090
00:53:57,160 --> 00:53:59,440
Speaker 1: on the view when I said that she was barefoot

1091
00:53:59,440 --> 00:54:02,600
Speaker 1: on a plane. So many people picked this up and

1092
00:54:02,920 --> 00:54:05,799
Speaker 1: acted like I had spit in the woman's face and

1093
00:54:05,800 --> 00:54:08,520
Speaker 1: that she had disinvited me from the show forever. It

1094
00:54:08,560 --> 00:54:11,640
Speaker 1: was a lighthearted thing. Her being barefoot was in my

1095
00:54:11,760 --> 00:54:15,319
Speaker 1: pre interview. It was gonna happen like it was a

1096
00:54:15,360 --> 00:54:17,440
Speaker 1: funny moment where I said, Joy, you were barefoot on

1097
00:54:17,440 --> 00:54:20,000
Speaker 1: a plane and I saw you and she said, don't

1098
00:54:20,040 --> 00:54:22,279
Speaker 1: tell them that. And then it was lighthearted and she

1099
00:54:22,360 --> 00:54:24,239
Speaker 1: laughed about it, and she said you outed me, And

1100
00:54:24,320 --> 00:54:26,440
Speaker 1: I said, Joy, you were not shy about it. Your

1101
00:54:26,440 --> 00:54:28,600
Speaker 1: feet were up and out and they were beautiful. She said,

1102
00:54:28,600 --> 00:54:31,200
Speaker 1: I do have pretty feet. It was a lighthearted moment,

1103
00:54:31,560 --> 00:54:34,080
Speaker 1: and you can't trust these medias because they will make

1104
00:54:34,120 --> 00:54:37,080
Speaker 1: something out of nothing. Like they made it seem like

1105
00:54:37,120 --> 00:54:39,600
Speaker 1: it was like an animosity moment. It was not. I

1106
00:54:39,600 --> 00:54:41,920
Speaker 1: had a lovely time with the View. It was a

1107
00:54:42,480 --> 00:54:44,719
Speaker 1: wish fulfillment for me to be in that studio with

1108
00:54:44,800 --> 00:54:47,440
Speaker 1: those iconic women, and when Whoopy said you have to

1109
00:54:47,440 --> 00:54:51,200
Speaker 1: come back, that was a dream moment. I don't think so, honey,

1110
00:54:51,200 --> 00:54:53,680
Speaker 1: anything other than that qualifies as a dream moment. My

1111
00:54:53,800 --> 00:54:54,800
Speaker 1: entire time in the View.

1112
00:54:54,800 --> 00:54:58,440
Speaker 2: That's one minute if you watch it, if you actually

1113
00:54:58,520 --> 00:55:01,560
Speaker 2: take the time to watch it, it was playfully, you know,

1114
00:55:01,680 --> 00:55:05,480
Speaker 2: facetiously done between both of you, and I have to

1115
00:55:05,480 --> 00:55:09,520
Speaker 2: say her feet were beautiful, perfectly polished nails, red nails.

1116
00:55:09,680 --> 00:55:12,680
Speaker 1: Yeah, you were a witness to it. They were absolutely stunning. Yep.

1117
00:55:12,760 --> 00:55:15,120
Speaker 1: I just do feel like, I don't think so, honey,

1118
00:55:15,120 --> 00:55:17,560
Speaker 1: bare feet on a plane, because as someone who is

1119
00:55:17,600 --> 00:55:20,359
Speaker 1: a survivor of athletes's foot which I'm open about on

1120
00:55:20,400 --> 00:55:23,719
Speaker 1: this podcast, I think we have to be considerate and

1121
00:55:23,760 --> 00:55:26,480
Speaker 1: careful when it comes to what our feet are capable of.

1122
00:55:26,719 --> 00:55:28,520
Speaker 2: Mm hmmm, mm hmmmm hmm.

1123
00:55:29,120 --> 00:55:30,719
Speaker 1: That's really all I have to say about it.

1124
00:55:30,840 --> 00:55:33,359
Speaker 2: Do you think your athlete's foot made my fingers start

1125
00:55:33,400 --> 00:55:33,800
Speaker 2: to peel.

1126
00:55:34,480 --> 00:55:35,799
Speaker 1: Were you touching my feet? Boone?

1127
00:55:35,960 --> 00:55:38,399
Speaker 2: And no, but you're you showed me your athletes foot

1128
00:55:38,440 --> 00:55:39,800
Speaker 2: pretty close to my face.

1129
00:55:40,480 --> 00:55:43,759
Speaker 1: Excuse me. I don't like the insinuation here. What's the

1130
00:55:44,560 --> 00:55:47,680
Speaker 1: being I think that you're trying to say that I

1131
00:55:47,840 --> 00:55:50,680
Speaker 1: was inconsiderate and your home and was spreading my fungal.

1132
00:55:50,960 --> 00:55:52,840
Speaker 2: I'm not saying you meant to spread your fungal, but

1133
00:55:52,880 --> 00:55:56,120
Speaker 2: I'm saying there's a possibility that your fungal made.

1134
00:55:56,000 --> 00:56:00,640
Speaker 1: Contact with my hand. Are your hands itching? No? Okay, well,

1135
00:56:00,680 --> 00:56:03,040
Speaker 1: then then you should just take it up with your

1136
00:56:03,120 --> 00:56:05,880
Speaker 1: dirm okay, because I don't think I have anything to

1137
00:56:05,920 --> 00:56:09,319
Speaker 1: do with its, sweetie. Okay, it looks like you need

1138
00:56:09,360 --> 00:56:10,840
Speaker 1: to handle yourself.

1139
00:56:11,040 --> 00:56:13,320
Speaker 2: Oh, govern your ass.

1140
00:56:13,360 --> 00:56:17,239
Speaker 1: Govern your ass, slay with your friends, more like pay

1141
00:56:17,280 --> 00:56:21,120
Speaker 1: for your sins. Okay, all right, this is bunny. Thanks.

1142
00:56:21,320 --> 00:56:22,839
Speaker 1: I don't think so, honey. I can tell you so

1143
00:56:22,960 --> 00:56:25,160
Speaker 1: ready and as time starts now.

1144
00:56:25,200 --> 00:56:28,879
Speaker 2: I don't think so, honey. Sometimes the Stanley cup don't

1145
00:56:28,880 --> 00:56:32,560
Speaker 2: be keeping your drinks cool long enough. This is my struggle.

1146
00:56:33,120 --> 00:56:36,719
Speaker 2: I don't mean to bite the hand that feeds because

1147
00:56:36,760 --> 00:56:39,080
Speaker 2: they did give me one for free and I'm so grateful,

1148
00:56:39,680 --> 00:56:41,800
Speaker 2: but I did not ask to be given that, and

1149
00:56:41,800 --> 00:56:43,799
Speaker 2: and there was no agreement that I would, you know,

1150
00:56:44,040 --> 00:56:48,359
Speaker 2: endorse it. And so my review is that sometimes it's

1151
00:56:48,400 --> 00:56:50,680
Speaker 2: catching a lot of fingerprints and it's not keeping the

1152
00:56:50,760 --> 00:56:53,880
Speaker 2: drinks cold, and the top collapse a lot of dust.

1153
00:56:54,760 --> 00:56:59,000
Speaker 2: So Stanley, I only want success for you, and you

1154
00:56:59,040 --> 00:57:01,759
Speaker 2: are a night now and I conic brand. You don't

1155
00:57:01,840 --> 00:57:05,000
Speaker 2: need my input. I doubt you'll even take this opinion

1156
00:57:05,080 --> 00:57:08,920
Speaker 2: to heart. But I think there's always room for improvement

1157
00:57:08,920 --> 00:57:12,640
Speaker 2: and everything in life, and God knows I have plenty

1158
00:57:12,640 --> 00:57:16,120
Speaker 2: of things to improve upon myself. But I think I

1159
00:57:16,280 --> 00:57:20,840
Speaker 2: would really thrive if the insulation was twenty four hours

1160
00:57:20,840 --> 00:57:23,440
Speaker 2: for cold drinks twelve hours for hot that would be

1161
00:57:23,440 --> 00:57:25,320
Speaker 2: an amazing sleigh.

1162
00:57:25,360 --> 00:57:28,640
Speaker 1: And that's one minute. And my comment on this is

1163
00:57:28,720 --> 00:57:32,280
Speaker 1: I've only had an incredible experience with all Stanley products

1164
00:57:32,320 --> 00:57:34,720
Speaker 1: I look forward to. I have to be honest showing

1165
00:57:34,800 --> 00:57:36,960
Speaker 1: them more in the future. I have to be honest,

1166
00:57:37,000 --> 00:57:41,400
Speaker 1: and I love I only say this because I care, No,

1167
00:57:41,560 --> 00:57:43,440
Speaker 1: I know you are the realist.

1168
00:57:43,720 --> 00:57:45,600
Speaker 2: Well, the reason I keep drinking from it is because

1169
00:57:45,640 --> 00:57:48,280
Speaker 2: the handle and it's so aesthetically beautiful.

1170
00:57:48,720 --> 00:57:51,040
Speaker 1: Yeah, it really is. I will say, I don't know

1171
00:57:51,080 --> 00:57:53,360
Speaker 1: if that black one is my favorite one, the one

1172
00:57:53,400 --> 00:57:54,920
Speaker 1: that you're drinking out of right now, this is not

1173
00:57:55,000 --> 00:57:56,880
Speaker 1: my favorite one. Like I like one of the ones

1174
00:57:56,920 --> 00:57:58,960
Speaker 1: with more of the color is, Like I have one

1175
00:57:58,960 --> 00:58:02,400
Speaker 1: that is like a reddish brown that is so chic

1176
00:58:03,320 --> 00:58:05,520
Speaker 1: that it is. It is the culture that made me

1177
00:58:05,520 --> 00:58:09,400
Speaker 1: say culture was for me. Yeah, that's and then I

1178
00:58:09,400 --> 00:58:11,160
Speaker 1: have a light blue one, which is stunning.

1179
00:58:11,400 --> 00:58:13,680
Speaker 2: And that was the culture that made you say stunning.

1180
00:58:14,240 --> 00:58:16,080
Speaker 1: That was the culture that first made me say stunning.

1181
00:58:16,160 --> 00:58:18,120
Speaker 1: It was the culture that made me say, I can

1182
00:58:18,120 --> 00:58:20,720
Speaker 1: slay with the drink. And we've been slaying with our

1183
00:58:20,760 --> 00:58:24,320
Speaker 1: friends all this episode long. It's been a culture catch up.

1184
00:58:24,600 --> 00:58:32,040
Speaker 1: We talked about the boy and the heron, we talked about.

1185
00:58:30,640 --> 00:58:32,800
Speaker 2: Yeah, the Golden Globes.

1186
00:58:33,800 --> 00:58:36,880
Speaker 1: The Golden Globes were touched on, and you know, we

1187
00:58:36,920 --> 00:58:38,640
Speaker 1: got to know each other a little bit better.

1188
00:58:38,960 --> 00:58:42,080
Speaker 2: And that's always a treat, always a treat to eat.

1189
00:58:42,680 --> 00:58:45,280
Speaker 1: All right. Well, we end every episode of this podcast,

1190
00:58:45,320 --> 00:58:46,400
Speaker 1: Last Cultures.

1191
00:58:46,080 --> 00:58:49,720
Speaker 3: Us with a song I knew I was a robber

1192
00:58:49,920 --> 00:58:56,560
Speaker 3: first time that he saw never saying sorry, but if

1193
00:58:56,600 --> 00:59:00,440
Speaker 3: I'm a ghost, dun I mean in the island went

1194
00:59:00,640 --> 00:59:06,040
Speaker 3: to an ilell and.

1195
00:59:04,000 --> 00:59:10,120
Speaker 1: And it could be my jailer to this. Listen to

1196
00:59:10,280 --> 00:59:13,919
Speaker 1: the song from Reputation which TV is coming very soon.

1197
00:59:14,280 --> 00:59:18,600
Speaker 1: If we have the Spotify six star thing to go,

1198
00:59:18,680 --> 00:59:22,520
Speaker 1: Bye bye bye