1 00:00:10,240 --> 00:00:14,360 Speaker 1: Here we are back again, Morning studio. Morning. All right. 2 00:00:14,400 --> 00:00:16,400 Speaker 1: Amy is still at her house. She still got a cough. 3 00:00:16,760 --> 00:00:20,560 Speaker 1: It is. It is a wet cough man, it's dirty. 4 00:00:20,680 --> 00:00:23,520 Speaker 1: It's tough to shake a cough though. Those things sometimes 5 00:00:23,560 --> 00:00:26,000 Speaker 1: stay for two months. If you don't get on medicine. 6 00:00:26,160 --> 00:00:32,839 Speaker 1: Are you on stuff? No, like zpack or kpak or pepack. No, 7 00:00:32,960 --> 00:00:35,159 Speaker 1: not yet. I mean I have a cough syrup that 8 00:00:35,200 --> 00:00:38,760 Speaker 1: has the hydro code or whatever. But that'll help a little. 9 00:00:38,960 --> 00:00:40,760 Speaker 1: Don't take that during the show. I don't know if 10 00:00:40,760 --> 00:00:42,560 Speaker 1: I ever get that. It makes me fall asleep. I 11 00:00:42,600 --> 00:00:45,599 Speaker 1: don't ever feel good. I'm just like this. So if 12 00:00:45,720 --> 00:00:48,200 Speaker 1: Amy sounds weird because she's still working from her house 13 00:00:48,240 --> 00:00:51,200 Speaker 1: because she's sick, We'll start with the Spirit Airlines. There's 14 00:00:51,200 --> 00:00:54,840 Speaker 1: a plane that the tire catches on fire, and so 15 00:00:54,960 --> 00:00:57,639 Speaker 1: then they tell the passengers stay seated. Here. I want 16 00:00:57,640 --> 00:01:00,760 Speaker 1: to play you audio from inside the plane when stay seated. 17 00:01:00,840 --> 00:01:02,920 Speaker 1: Stay seated, but we do not halty back. Are you now, 18 00:01:02,960 --> 00:01:07,959 Speaker 1: please remain seeded? Everyone, keep the aisles clear. Stay seated, please, 19 00:01:10,160 --> 00:01:13,240 Speaker 1: I just will. We don't go back to your seeds. 20 00:01:13,280 --> 00:01:15,120 Speaker 1: We do not have to evaluate. Please go back to 21 00:01:15,120 --> 00:01:20,040 Speaker 1: your seats. Thank you. If the pilot please remains sooner 22 00:01:20,120 --> 00:01:22,160 Speaker 1: right now and keep the aisles lay clear. But we 23 00:01:22,200 --> 00:01:24,560 Speaker 1: do have tea bathoate. Please just leave your back. We 24 00:01:24,680 --> 00:01:27,440 Speaker 1: will let you know. Please remains here. I mean, these 25 00:01:27,440 --> 00:01:29,200 Speaker 1: people are itching to get off this plane because the 26 00:01:29,240 --> 00:01:31,200 Speaker 1: tire they landed, the tires on fire. They're looking out 27 00:01:31,200 --> 00:01:33,839 Speaker 1: the window and they're like, like, I I stay seated. I'm 28 00:01:33,880 --> 00:01:36,800 Speaker 1: surprised nobody went airplane on this airplane. And by go 29 00:01:36,880 --> 00:01:39,280 Speaker 1: airplane it means to flip the crap out because people 30 00:01:39,280 --> 00:01:41,279 Speaker 1: are flipping out of our masks. But they're not flipping 31 00:01:41,280 --> 00:01:42,840 Speaker 1: out because they can't get off a plane when the 32 00:01:42,880 --> 00:01:46,440 Speaker 1: tire's on fire. But it landed in Atlanta and the 33 00:01:46,520 --> 00:01:49,600 Speaker 1: fire started around the landing gear, and so people started 34 00:01:49,640 --> 00:01:51,560 Speaker 1: to freak out. I would have freaked out too, but 35 00:01:51,600 --> 00:01:54,480 Speaker 1: at least it's not in the air. I'd have really 36 00:01:54,520 --> 00:01:58,360 Speaker 1: freaked out. Would you have stayed seated though they told 37 00:01:58,360 --> 00:02:00,559 Speaker 1: you ten times? I have no choice? Right, I'm locked 38 00:02:00,600 --> 00:02:02,760 Speaker 1: I'm locked in there, right, I'm locked in there. But 39 00:02:02,880 --> 00:02:04,320 Speaker 1: I think if I was in the air and that happened, 40 00:02:04,320 --> 00:02:06,800 Speaker 1: I would have panic panic. If I'm on the ground, 41 00:02:07,840 --> 00:02:09,320 Speaker 1: I want to get off the plane. I want to 42 00:02:09,360 --> 00:02:14,080 Speaker 1: slide down the big rubber slide. But I'm actually okay 43 00:02:14,120 --> 00:02:16,320 Speaker 1: if we have to stay. And you know what they say, 44 00:02:16,480 --> 00:02:18,440 Speaker 1: if you fly spirit, you're gonna end up a spirit. 45 00:02:18,840 --> 00:02:21,760 Speaker 1: They say that, I don't know. It's terrible. A New 46 00:02:21,800 --> 00:02:26,920 Speaker 1: Mexico woman alleged that'd be the worst slogan. No. A 47 00:02:26,960 --> 00:02:31,240 Speaker 1: New Mexico woman allegedly stole car with kids inside, and 48 00:02:31,320 --> 00:02:34,760 Speaker 1: the mom climbed on the hood, which makes sense because 49 00:02:34,800 --> 00:02:36,799 Speaker 1: you probably try to get on or stop that car 50 00:02:36,800 --> 00:02:39,320 Speaker 1: anyway possible. But a woman in New Mexico stole a 51 00:02:39,320 --> 00:02:41,840 Speaker 1: car and there were two kids inside. This happened on 52 00:02:42,000 --> 00:02:45,079 Speaker 1: July fourth and Hobbs, New Mexico. The Hobbs Police Partment 53 00:02:45,120 --> 00:02:47,760 Speaker 1: said that a woman parked her white Hundai Santa Fe 54 00:02:47,840 --> 00:02:50,440 Speaker 1: in front of a store, and when she returned, an 55 00:02:50,520 --> 00:02:53,880 Speaker 1: unknown female pushed her and got into the vehicle and 56 00:02:54,080 --> 00:02:57,360 Speaker 1: drove off. Traffic Camera video shows the mom attempting to 57 00:02:57,360 --> 00:03:00,640 Speaker 1: stop the carjacking by getting on the hood of the car. 58 00:03:01,120 --> 00:03:03,520 Speaker 1: Inside the car her six year old daughter and her 59 00:03:03,560 --> 00:03:07,200 Speaker 1: eleven month old son. That is crazy. The suspect, who 60 00:03:07,240 --> 00:03:11,000 Speaker 1: has identified as Regina Castillo, then abandoned the car once 61 00:03:11,040 --> 00:03:13,360 Speaker 1: she saw the kids and began to run. She was 62 00:03:13,440 --> 00:03:16,240 Speaker 1: arrested after she was found hiding behind a pickup truck. 63 00:03:19,160 --> 00:03:23,919 Speaker 1: What are you just sitting behind the children? Were? Were 64 00:03:23,960 --> 00:03:25,839 Speaker 1: you not with their mom? After being treated by MS 65 00:03:25,840 --> 00:03:27,840 Speaker 1: that's from the New York Post. But I definitely understand 66 00:03:27,840 --> 00:03:29,799 Speaker 1: why you would jump on a car if your kids 67 00:03:29,840 --> 00:03:31,400 Speaker 1: are in it. We read so many of these stories, 68 00:03:31,400 --> 00:03:32,960 Speaker 1: and the other day I was at the at the 69 00:03:33,000 --> 00:03:34,640 Speaker 1: gas station. I was like, I'm just gonna run in 70 00:03:34,680 --> 00:03:36,440 Speaker 1: real quick. But I thought about all these stories, like, no, 71 00:03:36,520 --> 00:03:38,280 Speaker 1: I'm bringing all the kids in. You don't want to 72 00:03:38,360 --> 00:03:40,240 Speaker 1: risk it. Like I was thinking, it's only gonna take 73 00:03:40,280 --> 00:03:42,600 Speaker 1: two seconds. I'll go in, pay and I'll be right back. No, 74 00:03:42,760 --> 00:03:46,520 Speaker 1: I took them all in the year oldest he wasn't there. 75 00:03:46,520 --> 00:03:48,680 Speaker 1: It was all the little ones. Interesting, And I can't 76 00:03:48,720 --> 00:03:50,680 Speaker 1: you leave it running and lock it? You can, but 77 00:03:50,720 --> 00:03:52,280 Speaker 1: I mean, oh gosh, I wouldn't trust my kids. They 78 00:03:52,320 --> 00:03:53,920 Speaker 1: would like keep me like they would steal it. They 79 00:03:53,920 --> 00:03:56,000 Speaker 1: would be locked out. Oh you're not getting in dead. 80 00:03:56,720 --> 00:03:59,920 Speaker 1: And finally, a New Orleans woman's facing murder for higher charges. 81 00:04:00,160 --> 00:04:03,280 Speaker 1: She tried to hire a hitman on this site rent 82 00:04:03,280 --> 00:04:06,760 Speaker 1: a hitman dot Com Oh my gosh, it's another one. Yeah. 83 00:04:06,840 --> 00:04:09,440 Speaker 1: Thirty three year old Xandra Ellis was arrested in the 84 00:04:09,480 --> 00:04:12,480 Speaker 1: parking lot of a waffle house last week after discussing 85 00:04:12,520 --> 00:04:15,680 Speaker 1: the hit with an undercover agent who she hired on 86 00:04:15,800 --> 00:04:18,560 Speaker 1: rent a Hitman dot com. She was haggling over the 87 00:04:18,600 --> 00:04:21,240 Speaker 1: price before selling on a one thousand dollar fee to 88 00:04:21,360 --> 00:04:24,600 Speaker 1: kill the other woman. That with one hundred bucks up 89 00:04:24,640 --> 00:04:27,240 Speaker 1: front and then the nine hundred later, that'd be terrible 90 00:04:27,240 --> 00:04:29,880 Speaker 1: for hitman to only take ten percent. Oh yeah, you 91 00:04:29,960 --> 00:04:33,920 Speaker 1: take nine, and they really through outher ten. Yeah. Ellis 92 00:04:33,960 --> 00:04:37,600 Speaker 1: was arrested outside after paying the deposit because she did that, 93 00:04:38,240 --> 00:04:41,760 Speaker 1: and she faced up ten years in prison. By the way, 94 00:04:41,960 --> 00:04:44,640 Speaker 1: this site all the time people go to rent a 95 00:04:44,720 --> 00:04:46,840 Speaker 1: hit Man and try to rent By the way, are 96 00:04:46,839 --> 00:04:50,200 Speaker 1: you renting one? Are you just hiring them from the services? Yeah, 97 00:04:50,240 --> 00:04:52,000 Speaker 1: you're using the ser but it's not a real site. 98 00:04:52,080 --> 00:04:54,800 Speaker 1: All right, there you go. But it sounds like if 99 00:04:54,800 --> 00:04:57,359 Speaker 1: she lives in New Orleans, she's thirty three, she should 100 00:04:57,360 --> 00:05:03,159 Speaker 1: be listening to our show. She just missed out. It 101 00:05:03,160 --> 00:05:13,320 Speaker 1: is time to open up the mailbag something. Dear Bobby Bones, 102 00:05:13,440 --> 00:05:16,960 Speaker 1: My husband has many female friends. He has several businesses, 103 00:05:16,960 --> 00:05:19,720 Speaker 1: that require him to associate with women. With that being said, 104 00:05:19,800 --> 00:05:22,880 Speaker 1: is it cheating when he asked his women friends to 105 00:05:22,960 --> 00:05:25,479 Speaker 1: go to dinner with him. We actually split up for 106 00:05:25,480 --> 00:05:28,000 Speaker 1: several months last year over this issue. I think it's 107 00:05:28,000 --> 00:05:29,919 Speaker 1: a form of cheating, considering these women are single and 108 00:05:29,960 --> 00:05:32,560 Speaker 1: their messages are flirting between them. Just a couple of 109 00:05:32,560 --> 00:05:34,640 Speaker 1: weeks ago, I saw a message between him and another 110 00:05:34,760 --> 00:05:37,080 Speaker 1: woman by the way he let me have his phone 111 00:05:37,120 --> 00:05:39,560 Speaker 1: to play games again. They were flirting with each other, 112 00:05:39,920 --> 00:05:42,279 Speaker 1: and he then asked her to dinner. He said he 113 00:05:42,320 --> 00:05:45,400 Speaker 1: was consoling her because her father died, which wasn't true 114 00:05:45,400 --> 00:05:48,159 Speaker 1: because I checked her Facebook first. He also tried to 115 00:05:48,160 --> 00:05:51,000 Speaker 1: delete messages before I saw them, but I saw them first. 116 00:05:51,279 --> 00:05:53,320 Speaker 1: I contacted the woman and she would not respond to 117 00:05:53,360 --> 00:05:56,000 Speaker 1: me after she realized I was his wife. I really 118 00:05:56,000 --> 00:05:58,800 Speaker 1: don't know what to do. We have several businesses together 119 00:05:58,839 --> 00:06:00,560 Speaker 1: and I don't want to lose my investor, but also 120 00:06:00,600 --> 00:06:02,320 Speaker 1: don't want to stay in a marriage if he continues 121 00:06:02,360 --> 00:06:04,880 Speaker 1: to do this. We've been married less than five years. 122 00:06:05,240 --> 00:06:07,599 Speaker 1: What do you think, cheating husband or just a friendly 123 00:06:07,640 --> 00:06:11,120 Speaker 1: guy signed a worried wife. Yeah, it's a cheating husband, 124 00:06:12,640 --> 00:06:16,240 Speaker 1: just like that. Well, listen. Just because a guy is 125 00:06:16,279 --> 00:06:19,800 Speaker 1: going to dinner with a woman in its business related 126 00:06:19,839 --> 00:06:23,000 Speaker 1: I don't necessarily think something's going on there. If that's 127 00:06:23,080 --> 00:06:25,200 Speaker 1: the instance that should happen, if it needs to happen. 128 00:06:25,680 --> 00:06:28,120 Speaker 1: There doesn't always have to be something sexual happening if 129 00:06:28,120 --> 00:06:29,920 Speaker 1: it's a man and a woman together. And I think 130 00:06:29,960 --> 00:06:33,919 Speaker 1: men and women can both control there urges if they're mature. Ye. 131 00:06:34,240 --> 00:06:37,640 Speaker 1: That being said, there's a lot to unpack here. You've 132 00:06:37,680 --> 00:06:40,200 Speaker 1: already split up over the issue, So something happened to 133 00:06:40,240 --> 00:06:46,719 Speaker 1: make it an uncomfortable situation. Guys. Secondly, they're flirting in 134 00:06:46,800 --> 00:06:50,280 Speaker 1: text and no need for that, no place for that 135 00:06:51,760 --> 00:06:57,200 Speaker 1: flirting in text deleting them Dad died not true? That 136 00:06:57,320 --> 00:06:59,760 Speaker 1: lie right there. If he's lying about that, he's lying 137 00:06:59,760 --> 00:07:05,560 Speaker 1: about other things too. This ain't a good situation for you. 138 00:07:05,680 --> 00:07:08,559 Speaker 1: So if all this is true, it is not good 139 00:07:08,600 --> 00:07:10,360 Speaker 1: and you should not be in this situation. But if 140 00:07:10,400 --> 00:07:12,920 Speaker 1: it's temporary, if it's permanent, but you've got to look 141 00:07:12,920 --> 00:07:15,880 Speaker 1: to get yourself out of this situation. Now. On the 142 00:07:15,920 --> 00:07:18,280 Speaker 1: final paragraph, you say you have several businesses together. I 143 00:07:18,280 --> 00:07:21,360 Speaker 1: don't want to lose my investments. Um, you can still 144 00:07:21,440 --> 00:07:23,840 Speaker 1: keep path. You still keep them. You don't have to 145 00:07:23,840 --> 00:07:25,440 Speaker 1: lose them just because you divorce. It happens all the 146 00:07:25,440 --> 00:07:28,120 Speaker 1: time where people own stuff and they split up. So 147 00:07:29,240 --> 00:07:31,320 Speaker 1: cheating husband a friendly guy, that's the question. I had 148 00:07:31,360 --> 00:07:35,600 Speaker 1: to pick one cheating husband, he also a pretty friendly 149 00:07:35,640 --> 00:07:38,760 Speaker 1: guy at both, but I say both. Yeah, this is 150 00:07:38,880 --> 00:07:42,400 Speaker 1: this is very shady. This is a total sketch. Here 151 00:07:42,400 --> 00:07:44,720 Speaker 1: Amy your thoughts when it comes. I think if you've 152 00:07:44,720 --> 00:07:47,400 Speaker 1: already kind of made your decision, and really what you're 153 00:07:47,400 --> 00:07:48,880 Speaker 1: holding onto is the fact that you don't want to 154 00:07:48,880 --> 00:07:52,360 Speaker 1: lose your investments, then you just have to hire the 155 00:07:52,440 --> 00:07:55,520 Speaker 1: right people or the right lawyer and just get the 156 00:07:55,600 --> 00:07:58,880 Speaker 1: right support from family and friends, and then hopefully when 157 00:07:58,920 --> 00:08:01,520 Speaker 1: you divide up ask it's like you'll still be okay 158 00:08:01,560 --> 00:08:03,160 Speaker 1: and just know that it's going to be a hard season, 159 00:08:03,200 --> 00:08:05,640 Speaker 1: but you'll get through it. Yeah. And you don't stay 160 00:08:05,640 --> 00:08:08,120 Speaker 1: together just because of investments, Yeah, it's not good, right 161 00:08:08,240 --> 00:08:10,160 Speaker 1: unless you make the deal. We're just gonna stay together 162 00:08:10,160 --> 00:08:13,080 Speaker 1: because of our investments, but we're gonna leave lead completely 163 00:08:13,080 --> 00:08:16,640 Speaker 1: other lives. Yeah, So yeah, it's not gonna work as 164 00:08:16,640 --> 00:08:20,280 Speaker 1: it's going here. You should look at finding out a 165 00:08:20,280 --> 00:08:22,600 Speaker 1: little more and getting out of the situation of all 166 00:08:22,640 --> 00:08:24,480 Speaker 1: this is true. I hate to say that because most 167 00:08:24,480 --> 00:08:27,280 Speaker 1: of I'm like, who cares that fun party? Actually, I've 168 00:08:27,320 --> 00:08:31,920 Speaker 1: never liked that. I've never liked that cheating husband. Thank 169 00:08:31,960 --> 00:08:34,000 Speaker 1: you for the email. I'm very sorry this is happening 170 00:08:34,040 --> 00:08:36,439 Speaker 1: to you, but just by what we read here, this 171 00:08:36,559 --> 00:08:38,360 Speaker 1: is not good and you need to look to get out. 172 00:08:38,720 --> 00:08:47,120 Speaker 1: We've got your game now. It's about the cloth on 173 00:08:47,200 --> 00:08:50,959 Speaker 1: the phone, James and Cedar Rapids, Iowa. James, appreciate you 174 00:08:51,040 --> 00:08:52,840 Speaker 1: col on. What's going on? Buddy? I know you don't 175 00:08:52,840 --> 00:08:55,760 Speaker 1: really know anything about the radio, but I hope you 176 00:08:55,800 --> 00:08:58,440 Speaker 1: could tell me about how like songs selection on the 177 00:08:58,520 --> 00:09:00,599 Speaker 1: radio work. Yeah, you mean the signs of how a 178 00:09:00,679 --> 00:09:03,480 Speaker 1: radio works. No idea, no idea, what happens in the air. So, yes, 179 00:09:03,520 --> 00:09:06,679 Speaker 1: don't know anything about that transmitters dumb as a rock, 180 00:09:06,960 --> 00:09:08,480 Speaker 1: But maybe I can help you with this. All right, 181 00:09:08,480 --> 00:09:10,880 Speaker 1: go ahead. So the example, I'm going to use his 182 00:09:11,080 --> 00:09:15,200 Speaker 1: song Life as a Highway by Rascal Flat. Song came 183 00:09:15,240 --> 00:09:18,160 Speaker 1: out in like two thousand and six, but it seems 184 00:09:18,200 --> 00:09:23,080 Speaker 1: like the radio through goes through phases of playing that 185 00:09:23,120 --> 00:09:28,080 Speaker 1: song like every two weeks. So I'm wondering why this 186 00:09:28,240 --> 00:09:31,280 Speaker 1: song from sixteen years ago was still hanging on and 187 00:09:31,320 --> 00:09:34,480 Speaker 1: getting the air time when like number one song from 188 00:09:34,559 --> 00:09:37,880 Speaker 1: last year aren't even getting played anymore. It's a good question, 189 00:09:38,200 --> 00:09:40,040 Speaker 1: that's a great point. Let me answer that for you. 190 00:09:40,360 --> 00:09:41,920 Speaker 1: First of all, Life and on a Highway is getting 191 00:09:41,920 --> 00:09:45,800 Speaker 1: played because it's a jam, right did the song comes 192 00:09:45,800 --> 00:09:47,720 Speaker 1: on and you're like, I dang, I remember, I'll go 193 00:09:47,800 --> 00:09:49,760 Speaker 1: that song west I was playing right now and that 194 00:09:49,880 --> 00:09:54,680 Speaker 1: intro Life is a Highway, you're slapping the stew I 195 00:09:54,760 --> 00:09:57,680 Speaker 1: want to ride. Oh no, So jam is a number 196 00:09:57,679 --> 00:10:00,760 Speaker 1: one reason. Number two, this is how radio works. And 197 00:10:00,960 --> 00:10:03,959 Speaker 1: I don't agree with the philosophy as much, but so 198 00:10:04,160 --> 00:10:07,120 Speaker 1: there will be what they call current songs or power songs, 199 00:10:07,160 --> 00:10:09,680 Speaker 1: the biggest songs. The A listers are like five or 200 00:10:09,720 --> 00:10:11,880 Speaker 1: six of them, and they will play like every hour 201 00:10:11,920 --> 00:10:13,200 Speaker 1: and a half or two hours. And the reason they 202 00:10:13,200 --> 00:10:15,040 Speaker 1: play so frequently is because they know the average person 203 00:10:15,120 --> 00:10:16,520 Speaker 1: isn't able to listen to the radio for an hour 204 00:10:16,520 --> 00:10:18,240 Speaker 1: and a half or two hours, and so they're going 205 00:10:18,280 --> 00:10:20,840 Speaker 1: to play the biggest hits so the most people hear them. Now, 206 00:10:20,880 --> 00:10:22,679 Speaker 1: if you hear a song twice in an hour and 207 00:10:22,720 --> 00:10:24,160 Speaker 1: a half, for two hours, like they play this song 208 00:10:24,200 --> 00:10:26,480 Speaker 1: all the time, you're a rare person who's listened for 209 00:10:26,520 --> 00:10:29,000 Speaker 1: that long straight. Okay, So they're just trying to get 210 00:10:29,040 --> 00:10:31,000 Speaker 1: the biggest hits on for the most people. That's the 211 00:10:31,040 --> 00:10:33,480 Speaker 1: first rule. There are secondary songs which are coming up, 212 00:10:33,520 --> 00:10:37,559 Speaker 1: like songs nine through sixteen. They play a little less frequently, 213 00:10:37,760 --> 00:10:39,920 Speaker 1: and they're also getting researched at the same time. And 214 00:10:39,920 --> 00:10:41,839 Speaker 1: if the research comes back and they do all these calls, 215 00:10:41,960 --> 00:10:44,040 Speaker 1: hundreds and thousands of calls to people to play music 216 00:10:44,040 --> 00:10:46,040 Speaker 1: over the phone and I feel like I like that song, 217 00:10:46,440 --> 00:10:49,120 Speaker 1: then after research, they will move that up when one 218 00:10:49,120 --> 00:10:52,720 Speaker 1: of the other songs falls off. So that's how that works. 219 00:10:52,800 --> 00:10:54,880 Speaker 1: I do that with five, four, three, two, one, eight 220 00:10:54,960 --> 00:10:57,600 Speaker 1: songs trying to climb the ladder to other steps. Now, 221 00:10:57,640 --> 00:10:59,640 Speaker 1: why a song like Rascal Flats would come on. You 222 00:10:59,720 --> 00:11:02,679 Speaker 1: have to find older songs that aren't if you're in 223 00:11:02,720 --> 00:11:05,280 Speaker 1: a new country station, that aren't a Johnny Cash or 224 00:11:05,320 --> 00:11:08,720 Speaker 1: sixties or seventies or eighties that'd be classic country that 225 00:11:08,840 --> 00:11:11,000 Speaker 1: people still go that's an old school song, that's a jam. 226 00:11:11,320 --> 00:11:16,360 Speaker 1: So they're always switching out high researched songs from ten, fifteen, 227 00:11:16,400 --> 00:11:18,760 Speaker 1: twenty years ago to give texture to the radio station, 228 00:11:19,120 --> 00:11:22,080 Speaker 1: meaning it's just not all new songs all the time. 229 00:11:22,679 --> 00:11:24,080 Speaker 1: Every once in a while you hear something that's like, oh, 230 00:11:24,080 --> 00:11:25,560 Speaker 1: that was a good one from five years ago. That's 231 00:11:25,559 --> 00:11:27,800 Speaker 1: a good one from nine years ago. But again, even 232 00:11:27,880 --> 00:11:31,240 Speaker 1: Life is a Highway. Your station or your region must 233 00:11:31,280 --> 00:11:33,440 Speaker 1: have played that song over the phone for ten thousand 234 00:11:33,480 --> 00:11:36,320 Speaker 1: people and a lot of them went, that's the jam. 235 00:11:36,559 --> 00:11:38,600 Speaker 1: So then they go, oh, that's a good one. People 236 00:11:38,640 --> 00:11:41,120 Speaker 1: still love it. We're gonna play it every couple of weeks, 237 00:11:42,080 --> 00:11:44,000 Speaker 1: and you hear Life is a Highway. A little bit 238 00:11:44,080 --> 00:11:46,960 Speaker 1: more fun fact about that song originally wasn't a radio song, 239 00:11:47,120 --> 00:11:49,320 Speaker 1: was never a single, just started to get played because 240 00:11:49,320 --> 00:11:51,880 Speaker 1: it was a cover and then became a hit because 241 00:11:51,880 --> 00:11:56,920 Speaker 1: it was on cars. Yes, so the radio programming philosophy 242 00:11:56,960 --> 00:12:01,240 Speaker 1: not something I agree with wholeheartedly, but it's something I 243 00:12:01,320 --> 00:12:03,880 Speaker 1: understand and involves a lot of research and a formula. 244 00:12:03,960 --> 00:12:06,000 Speaker 1: And when a song goes number one, the next week 245 00:12:06,000 --> 00:12:08,199 Speaker 1: after it's not number one, radio does something stupid and 246 00:12:08,200 --> 00:12:09,800 Speaker 1: they just drop it and it's like, well, it's out 247 00:12:09,800 --> 00:12:12,160 Speaker 1: of here. For the most part, they lower it, and 248 00:12:12,240 --> 00:12:15,439 Speaker 1: songs don't stay at number one for most of the time. Three, 249 00:12:15,520 --> 00:12:17,600 Speaker 1: four or five weeks, or at least in pop they 250 00:12:17,640 --> 00:12:20,200 Speaker 1: do because it's just the best song. Radio they pass 251 00:12:20,200 --> 00:12:22,839 Speaker 1: out free candy for number one. So that's also why 252 00:12:22,880 --> 00:12:26,559 Speaker 1: you don't hear a number one radio. Yeah yeah, radio 253 00:12:26,760 --> 00:12:28,560 Speaker 1: like yeah, well we're on. That's why you don't hear 254 00:12:28,559 --> 00:12:30,360 Speaker 1: a number one a year later is because sometimes a 255 00:12:30,440 --> 00:12:32,000 Speaker 1: number one a year ago there was actually a pile 256 00:12:32,040 --> 00:12:35,080 Speaker 1: of crap that just got it for participation trophy and 257 00:12:35,120 --> 00:12:38,600 Speaker 1: it doesn't test well. That happens a lot. So yeah, 258 00:12:38,679 --> 00:12:42,559 Speaker 1: the programming philosophy in this format, I do a clown 259 00:12:42,600 --> 00:12:45,520 Speaker 1: face emoji sometimes on it. Some of it's really good, 260 00:12:45,520 --> 00:12:47,240 Speaker 1: but some of it is just like, oh, you have 261 00:12:47,280 --> 00:12:49,640 Speaker 1: a song, Oh that's cute, I'll label you on here's 262 00:12:49,640 --> 00:12:52,520 Speaker 1: the number one. But some of it is genuine awesomeness. 263 00:12:52,800 --> 00:12:56,480 Speaker 1: But a lot of research and research even into old 264 00:12:56,480 --> 00:12:58,360 Speaker 1: school songs, James, And that's why you hear life is 265 00:12:58,400 --> 00:13:01,559 Speaker 1: a highway. All right, there you go, buddy. I appreciate that. 266 00:13:01,600 --> 00:13:03,120 Speaker 1: Thanks for coming to my Ted Talk. We'll see you 267 00:13:03,120 --> 00:13:05,640 Speaker 1: next week. Everybody, all right, all right, thanks James, having 268 00:13:05,840 --> 00:13:07,680 Speaker 1: I'm back in a second. Have a good day. It's 269 00:13:07,720 --> 00:13:15,000 Speaker 1: time for the good news. Six year old Lena. She's 270 00:13:15,040 --> 00:13:18,000 Speaker 1: on a flight on United Airlines from Norway to South 271 00:13:18,040 --> 00:13:20,640 Speaker 1: Carolina and she's got a loose tooth and she's wiggling 272 00:13:20,679 --> 00:13:22,680 Speaker 1: it the whole way and she's like, oh, I don't know, 273 00:13:22,720 --> 00:13:24,280 Speaker 1: it might not be ready to fall out. Well, they 274 00:13:24,320 --> 00:13:26,200 Speaker 1: get off the plane, they're on their way to baggage claim, 275 00:13:26,200 --> 00:13:29,120 Speaker 1: and she realizes my tooth is gone. Oh my gosh, 276 00:13:29,920 --> 00:13:31,959 Speaker 1: it's got to be on the plane. So she tries 277 00:13:32,000 --> 00:13:33,719 Speaker 1: to go back and security's like, no, I'm sorry, you 278 00:13:33,720 --> 00:13:36,320 Speaker 1: already passed the checkpoint. You cannot go back to the plane. 279 00:13:36,360 --> 00:13:39,079 Speaker 1: So she starts crying in the airport and one of 280 00:13:39,120 --> 00:13:41,720 Speaker 1: the United Airlines pilots walks by says, what's wrong. What's wrong? 281 00:13:41,760 --> 00:13:43,520 Speaker 1: She's like, my tooth, it's on the plane. They won't 282 00:13:43,559 --> 00:13:45,920 Speaker 1: let me go back. So the pilot says, here, let 283 00:13:45,920 --> 00:13:48,360 Speaker 1: me write you a note to the tooth fairy, and 284 00:13:48,440 --> 00:13:51,120 Speaker 1: he wrote, dear tooth Fairy, Lena had a tooth fallout 285 00:13:51,160 --> 00:13:53,760 Speaker 1: on her flight to Greenville. Please take this note and 286 00:13:53,920 --> 00:13:57,000 Speaker 1: place of her tooth. So she gave it to Lena 287 00:13:57,040 --> 00:13:59,160 Speaker 1: and Lena put on her pillow. There's no update of 288 00:13:59,280 --> 00:14:01,520 Speaker 1: if the tooth's berry got the note or not. That's 289 00:14:01,520 --> 00:14:05,720 Speaker 1: a good story. I like it for three reasons. Number one, 290 00:14:06,120 --> 00:14:08,880 Speaker 1: a pilot stop because the kid was crying in the terminal. Yeah, 291 00:14:08,880 --> 00:14:12,680 Speaker 1: that's good. That's a good good guy, good woman. Don't 292 00:14:12,720 --> 00:14:15,440 Speaker 1: know where they stopped. And number two, they went through 293 00:14:15,800 --> 00:14:17,760 Speaker 1: and took the time to write a note to the 294 00:14:17,760 --> 00:14:19,760 Speaker 1: tooth fairy when they didn't have to. That's good again. 295 00:14:20,200 --> 00:14:23,880 Speaker 1: Number three, apparently there's a NonStop from Norway to South Carolina. 296 00:14:24,360 --> 00:14:26,840 Speaker 1: Through in the world. I can't get in Norway. I 297 00:14:26,840 --> 00:14:28,960 Speaker 1: can't get a nut up to Tulsa. But they're gonna 298 00:14:29,000 --> 00:14:32,240 Speaker 1: have a one to South Carolina from Norway. What in 299 00:14:32,320 --> 00:14:34,760 Speaker 1: the world. So that's what you got out of this story, 300 00:14:34,800 --> 00:14:37,680 Speaker 1: those three things. Yes, that's a great story. That is 301 00:14:37,680 --> 00:14:40,640 Speaker 1: what it's all about. That was tell me something good. 302 00:14:41,960 --> 00:14:44,840 Speaker 1: I'm gonna give you guys my top five country songs 303 00:14:44,840 --> 00:14:48,080 Speaker 1: of the Summer in like two minutes. But first I'm 304 00:14:48,080 --> 00:14:50,360 Speaker 1: gonna give you Billboard's top five songs of the Summer. 305 00:14:50,400 --> 00:14:52,120 Speaker 1: And these are just the big pop songs. But at 306 00:14:52,200 --> 00:14:58,400 Speaker 1: number five, Glass Animals, heat Waves, Jam. Yeah, I'm saying 307 00:14:58,720 --> 00:15:01,640 Speaker 1: that's what they call it. Jam Sandwich. That's a really 308 00:15:01,680 --> 00:15:03,240 Speaker 1: good it's been out for a while now, but man, 309 00:15:03,320 --> 00:15:12,400 Speaker 1: that is a good At number four, Lizzo, it's called 310 00:15:12,400 --> 00:15:16,040 Speaker 1: about blank time, as I say, yeah, about dang time. 311 00:15:16,160 --> 00:15:17,480 Speaker 1: Maybe I can get her to count one of those. 312 00:15:17,840 --> 00:15:20,320 Speaker 1: That's number four. Number three, it's Future in Drake Here 313 00:15:20,360 --> 00:15:29,920 Speaker 1: we go, travel around. I've ever heard that Number two 314 00:15:30,120 --> 00:15:37,280 Speaker 1: Jack Harlow first Class. That's a good one to number one, 315 00:15:37,280 --> 00:15:45,600 Speaker 1: Harry Styles as it was. Okay, so that's billboards. I 316 00:15:45,720 --> 00:15:48,960 Speaker 1: agree with the number one and number two mostly because 317 00:15:49,480 --> 00:15:51,480 Speaker 1: I've listened to all those albums for the past two months. 318 00:15:52,440 --> 00:15:54,000 Speaker 1: Jack Hardo has been at about two months because my 319 00:15:54,040 --> 00:15:55,720 Speaker 1: wife was still all the time. So if I listen 320 00:15:55,760 --> 00:15:57,240 Speaker 1: to them all the time, all right, here are my 321 00:15:57,400 --> 00:16:00,320 Speaker 1: top five country songs of the summer. At number five, 322 00:16:00,400 --> 00:16:03,960 Speaker 1: it is Brett Aldridge Songs about You. I'm just trying 323 00:16:04,000 --> 00:16:09,640 Speaker 1: to get these songs bad you. I was posting a 324 00:16:10,520 --> 00:16:13,600 Speaker 1: Instagram story on our vacation and I was gonna use 325 00:16:13,640 --> 00:16:15,040 Speaker 1: that song over the top of it. It was Caitlin 326 00:16:15,120 --> 00:16:16,720 Speaker 1: and I. She was like, no, that song's about getting 327 00:16:16,720 --> 00:16:20,120 Speaker 1: over somebody. I was like, oh, yeah, did you know that? 328 00:16:20,760 --> 00:16:23,360 Speaker 1: Probably that I just good song and it's had songs 329 00:16:23,360 --> 00:16:25,240 Speaker 1: about you, and so she's like, no, no, no, that's 330 00:16:25,480 --> 00:16:27,360 Speaker 1: well you put there. That's funny. I was like, okay. 331 00:16:27,920 --> 00:16:31,760 Speaker 1: Number four, Hailey whitters everything. She ain't just sort of 332 00:16:32,360 --> 00:16:42,760 Speaker 1: lock shot good. She's got a style, Holly Woods, mom me, 333 00:16:43,200 --> 00:16:48,760 Speaker 1: honey good. It's money and the thing I everything and everything. 334 00:16:49,520 --> 00:16:51,520 Speaker 1: That's a good one. It's so good. Number three and 335 00:16:51,640 --> 00:16:53,720 Speaker 1: I love this song and it's just now getting started 336 00:16:53,800 --> 00:16:55,640 Speaker 1: on the chart. He played it here on the show. 337 00:16:56,000 --> 00:16:59,000 Speaker 1: When it comes like a summer feel good song, Ryan heard, 338 00:16:59,240 --> 00:17:01,960 Speaker 1: pass it on, to see it on, pass it on, 339 00:17:02,960 --> 00:17:08,520 Speaker 1: pass it on? So what good is he got? Lovely 340 00:17:08,800 --> 00:17:13,040 Speaker 1: gott you keep it out. I mean that's a summer 341 00:17:13,119 --> 00:17:15,040 Speaker 1: song right there. Yeah, it makes you feel good, it 342 00:17:15,080 --> 00:17:17,960 Speaker 1: makes you smites a positive song. What's you talking about? Well, 343 00:17:17,960 --> 00:17:21,120 Speaker 1: a lot of stuff. Love your bottle, he says it there. Yeah. 344 00:17:21,960 --> 00:17:25,399 Speaker 1: At number two, Morgan Wall and wasted on you it 345 00:17:25,600 --> 00:17:35,080 Speaker 1: on money sories, I don't money And at number one. 346 00:17:35,160 --> 00:17:37,680 Speaker 1: My house has become kind of obsessed with Zach Brian 347 00:17:37,880 --> 00:17:39,720 Speaker 1: to the point where we just listened to his TikTok's 348 00:17:39,840 --> 00:17:42,720 Speaker 1: and his new albums basically all sad songs. It's not 349 00:17:42,800 --> 00:17:45,879 Speaker 1: out yet, but that's all he's putting on TikTok, and 350 00:17:46,000 --> 00:17:48,240 Speaker 1: so this is Zach Bryan. This is a song that's 351 00:17:48,240 --> 00:17:51,119 Speaker 1: out now. Something in the Orange to you, I'm just 352 00:17:51,440 --> 00:17:55,240 Speaker 1: a man to me, your all am with the hell 353 00:17:55,320 --> 00:18:01,400 Speaker 1: am I supposed to go pausing must if again? Something 354 00:18:01,640 --> 00:18:05,240 Speaker 1: in the Orange tells me you'll never come here in 355 00:18:05,320 --> 00:18:10,359 Speaker 1: the hall. If you leave today, I'll just stare up 356 00:18:10,480 --> 00:18:16,560 Speaker 1: the way you Orange touches all things around the grass, 357 00:18:16,640 --> 00:18:21,960 Speaker 1: trees and dude, just hate you. Please turn those ten 358 00:18:22,119 --> 00:18:26,359 Speaker 1: out Toron. I love sad song. I love a slow song. 359 00:18:26,800 --> 00:18:30,359 Speaker 1: I love you know Sappie Kenny, Emo Kenny Chesney, not 360 00:18:30,480 --> 00:18:33,600 Speaker 1: beach Kenny, Nope, I capas on Beach Kenny. I love 361 00:18:33,720 --> 00:18:36,320 Speaker 1: Zack Brian because it's all sad stuff. It seems like, 362 00:18:36,440 --> 00:18:38,320 Speaker 1: oh the voice is cool too. Yeah, it's awesome. He's 363 00:18:38,359 --> 00:18:41,520 Speaker 1: got a humongous TikTok following and again he keeps putting 364 00:18:41,600 --> 00:18:43,640 Speaker 1: up him playing all of his new stuff. But it's 365 00:18:43,720 --> 00:18:46,040 Speaker 1: not out yet. But that's my number one song, Something 366 00:18:46,080 --> 00:18:48,640 Speaker 1: in the Orange, by the way. Honorable mention. Eric Dodd 367 00:18:48,720 --> 00:18:53,120 Speaker 1: with Sisson, Raimundo and Abby Vacation Part two, Vacation Part two, 368 00:18:56,160 --> 00:19:10,000 Speaker 1: Scam Crazy. I got Eric opening my first show, my 369 00:19:10,640 --> 00:19:14,720 Speaker 1: comedically inspirational show. As he contacted you yet about performing 370 00:19:14,760 --> 00:19:16,320 Speaker 1: with him. Yeah, he said, you want to do a line? 371 00:19:16,359 --> 00:19:18,199 Speaker 1: I go yeah, but if I come, you probably got 372 00:19:18,280 --> 00:19:21,760 Speaker 1: to bring Abby too, right? Oh the wow? Wow? What 373 00:19:21,880 --> 00:19:24,080 Speaker 1: do you say? I mean, no, he's definitely down, But 374 00:19:24,160 --> 00:19:26,960 Speaker 1: I'm asking Abby? Can we do it live? Turn it up? 375 00:19:27,080 --> 00:19:32,480 Speaker 1: Right far? You're so gouccie. You sip black fireworks, shooting 376 00:19:32,640 --> 00:19:37,280 Speaker 1: ride out of Charlotte Daniels, old Field, black sunny side up, 377 00:19:37,720 --> 00:19:40,960 Speaker 1: he crep baking on my met, great, great grit work. 378 00:19:41,400 --> 00:19:45,240 Speaker 1: You're so far? Yes, such a dime? Make a Broadway boy? 379 00:19:45,359 --> 00:19:50,800 Speaker 1: Want to whisper? Can you do that? Live? Sure you can? 380 00:19:50,920 --> 00:19:52,240 Speaker 1: Can you know the word? Do you know? Could you 381 00:19:52,280 --> 00:19:53,879 Speaker 1: do it? Turn it down? Could you do them? Do 382 00:19:53,920 --> 00:19:55,960 Speaker 1: it by yourself? Right here? No? No, oh you don't 383 00:19:56,000 --> 00:19:57,640 Speaker 1: know it. Well, I gotta memorize. You gonna do some work. 384 00:19:57,680 --> 00:20:00,320 Speaker 1: We got a month, so okay, what give me what 385 00:20:00,400 --> 00:20:05,600 Speaker 1: you got do? But you wrote it? I know idea? 386 00:20:05,920 --> 00:20:08,800 Speaker 1: Did you write that though? Yeah? Okay, But singing is hard. 387 00:20:09,000 --> 00:20:11,960 Speaker 1: Memorizing songs is very difficult, and I think I'm showing 388 00:20:12,040 --> 00:20:14,840 Speaker 1: that what the artists do is very, very impressive. So 389 00:20:15,320 --> 00:20:18,680 Speaker 1: I'm doing two shows August twelfth and thirteenth. But on 390 00:20:18,760 --> 00:20:22,080 Speaker 1: the twelfth, my comedically inspirational show, Eric Dodd's going to 391 00:20:22,119 --> 00:20:23,920 Speaker 1: open up, and I guess Ray and maybe Abby You're 392 00:20:23,920 --> 00:20:27,399 Speaker 1: gonna show up and do this song? Would be cool? Okay? Tickets, 393 00:20:27,480 --> 00:20:31,800 Speaker 1: Oh yeah, tickets to go on sell Friday if you 394 00:20:31,840 --> 00:20:33,560 Speaker 1: guys want to get tickets to come to Nashville for it. 395 00:20:33,760 --> 00:20:36,879 Speaker 1: All right, So those are my best songs and honorable mention. 396 00:20:37,200 --> 00:20:40,880 Speaker 1: We got vacation Part two? There Amy, tell these guys 397 00:20:40,960 --> 00:20:42,960 Speaker 1: what happened to you? So we were out to eat 398 00:20:43,000 --> 00:20:45,600 Speaker 1: in a Mexican restaurant and we're sitting there just minding 399 00:20:45,640 --> 00:20:48,320 Speaker 1: our business, and out of nowhere, all these employees come over, 400 00:20:48,520 --> 00:20:51,040 Speaker 1: put a sombrero on my head and start singing halfy birthday. 401 00:20:51,960 --> 00:20:55,480 Speaker 1: It's randomly yeah, but it wasn't my birthday. He actually 402 00:20:55,560 --> 00:20:57,880 Speaker 1: realized after the first line their mistake, and the girl 403 00:20:58,080 --> 00:21:00,159 Speaker 1: next to me, the table next to us, it was 404 00:21:00,200 --> 00:21:03,480 Speaker 1: fair birthday. You just go with it. What do you do? 405 00:21:04,800 --> 00:21:06,920 Speaker 1: I mean? I was like, wait, what? I was so 406 00:21:07,080 --> 00:21:09,840 Speaker 1: confused and then I figured it out. Did you think 407 00:21:09,920 --> 00:21:12,439 Speaker 1: that somebody? Because sometimes you do the joke where it's 408 00:21:12,440 --> 00:21:14,320 Speaker 1: like it's a birthday and then they come out and 409 00:21:14,400 --> 00:21:18,560 Speaker 1: you're like, he but nobody did that. The girl next 410 00:21:18,560 --> 00:21:22,080 Speaker 1: started to be like, wait, it's my birthday. I'm not 411 00:21:22,200 --> 00:21:25,160 Speaker 1: doing this for me. Hey, something else. On Amy's flight 412 00:21:25,200 --> 00:21:26,840 Speaker 1: we were talking about and we've talked about this before, 413 00:21:27,040 --> 00:21:29,040 Speaker 1: but on her owner vacation, they had to fly and 414 00:21:29,200 --> 00:21:33,080 Speaker 1: so the whole question of who gets the armrests when 415 00:21:33,119 --> 00:21:35,080 Speaker 1: you sit in the three seats, right, especially if you're 416 00:21:35,080 --> 00:21:37,639 Speaker 1: flying Southwest. So what happened, Well, so my son had 417 00:21:37,640 --> 00:21:39,760 Speaker 1: a middle seat and he wanted to know, like, hey, 418 00:21:40,040 --> 00:21:42,560 Speaker 1: who gets the armrest And I wasn't sitting on his row, 419 00:21:42,680 --> 00:21:44,520 Speaker 1: but I knew we talked about on the show, and 420 00:21:44,640 --> 00:21:47,879 Speaker 1: I thought middle seat gets both armrests. And then the 421 00:21:47,960 --> 00:21:50,320 Speaker 1: people on the plane didn't agree. So I googled it 422 00:21:50,480 --> 00:21:53,720 Speaker 1: and found an article from an etiquette person and sure 423 00:21:53,800 --> 00:21:56,640 Speaker 1: enough it says, when sitting in a plane with three 424 00:21:56,760 --> 00:21:59,639 Speaker 1: seats in the row, middle seat gets both armrests. Well, 425 00:21:59,640 --> 00:22:03,440 Speaker 1: what do you mean the people didn't agree with it? Well, 426 00:22:03,600 --> 00:22:05,960 Speaker 1: the person next to him was just like, oh, I 427 00:22:06,119 --> 00:22:08,639 Speaker 1: had never heard that before, but they were glad to 428 00:22:08,720 --> 00:22:10,480 Speaker 1: know it. They weren't rude about it by any means, 429 00:22:10,520 --> 00:22:12,840 Speaker 1: but they just had no idea. I don't think that's right. 430 00:22:12,920 --> 00:22:15,639 Speaker 1: By the way, an etiquette isn't a law. Etiquette's just 431 00:22:15,720 --> 00:22:18,600 Speaker 1: someone going. I feel this is the proper way. I 432 00:22:18,800 --> 00:22:22,000 Speaker 1: think those armrests are first come, first serve. I don't 433 00:22:22,040 --> 00:22:24,600 Speaker 1: think anybody owns them. And if you put your arm 434 00:22:24,640 --> 00:22:26,320 Speaker 1: on at first, it's yours, like as soon as you 435 00:22:26,400 --> 00:22:28,399 Speaker 1: sit down, just claim it with your elbow. Yes, And 436 00:22:28,440 --> 00:22:29,879 Speaker 1: if you come off of it, it's like hands on 437 00:22:29,960 --> 00:22:31,840 Speaker 1: a Harley, hands on a hard body, whatever that is. 438 00:22:32,200 --> 00:22:34,280 Speaker 1: If you come off of it and someone else takes it, 439 00:22:34,400 --> 00:22:38,440 Speaker 1: it's now there's interesting. Oh, because if I sit down 440 00:22:38,520 --> 00:22:40,280 Speaker 1: and I'm in the window seat and I put my 441 00:22:40,400 --> 00:22:42,320 Speaker 1: arm on it, you can't sit down, and then I'll 442 00:22:42,320 --> 00:22:46,440 Speaker 1: be like I read on Jimmy Smith's site, that is mine. No, 443 00:22:46,600 --> 00:22:48,680 Speaker 1: I think if you put your arm on it, it's yours, 444 00:22:48,960 --> 00:22:53,720 Speaker 1: but when you move it, it's now up for grabs again. Yeah, 445 00:22:53,760 --> 00:22:55,280 Speaker 1: I feel pretty strongly about it. You know, there's a 446 00:22:55,320 --> 00:22:56,800 Speaker 1: way to share it, like you know there's a party, 447 00:22:57,000 --> 00:22:59,720 Speaker 1: but if you don't know the person, that's a weird chair. Yeah, 448 00:23:00,680 --> 00:23:03,280 Speaker 1: some situation sharing is weird if you don't know the person, 449 00:23:03,480 --> 00:23:05,240 Speaker 1: that's one of them, or your elbow can go up 450 00:23:05,280 --> 00:23:06,880 Speaker 1: in the front of it and the other persons can 451 00:23:06,960 --> 00:23:08,719 Speaker 1: go in the back of it. You could, and if 452 00:23:08,800 --> 00:23:11,199 Speaker 1: someone's elbows on the front, then that back is there 453 00:23:11,280 --> 00:23:13,520 Speaker 1: for you to take as long as you're not touching them. 454 00:23:14,160 --> 00:23:17,080 Speaker 1: You can't touch somebody you don't know, just general is 455 00:23:17,080 --> 00:23:19,480 Speaker 1: a general rule. Don't touch somebody you don't know. Um, 456 00:23:19,560 --> 00:23:22,280 Speaker 1: So I'm gonna go. It's first come, first serve. If 457 00:23:22,359 --> 00:23:26,120 Speaker 1: you sit down there, that's yours, regardless of where you sit. 458 00:23:26,280 --> 00:23:29,800 Speaker 1: Anyone disagree with that. I think the middle seat is 459 00:23:29,840 --> 00:23:31,879 Speaker 1: such a bad seat that you have to give the 460 00:23:31,960 --> 00:23:34,560 Speaker 1: middle you get on earlier, well, exactly check in earlier. 461 00:23:35,080 --> 00:23:37,679 Speaker 1: On top of things, you shouldn't be rewarded for being 462 00:23:37,720 --> 00:23:40,800 Speaker 1: a loser, oh, Bobby shipped to me. I was like, oh, middle, Yeah, 463 00:23:40,840 --> 00:23:43,440 Speaker 1: that makes sense, they get both dharmaros. But hearing Bobby talk, 464 00:23:43,520 --> 00:23:47,359 Speaker 1: I'm in, Yeah, you shouldn't be rewarded for being a 465 00:23:47,520 --> 00:23:50,840 Speaker 1: late loser. Okay, you didn't sign up earlier enough. That's 466 00:23:50,840 --> 00:23:53,400 Speaker 1: pretty hard I believe stand up for. If you don't 467 00:23:53,480 --> 00:23:55,200 Speaker 1: stand up for what you believe, well who are you even? 468 00:23:55,680 --> 00:23:59,399 Speaker 1: All right? Thank you Ammy for those stories on the 469 00:23:59,440 --> 00:24:03,800 Speaker 1: phone right now is Brent, who lives in Virginia Beach. Brent, 470 00:24:03,960 --> 00:24:06,240 Speaker 1: good morning, what's our buddy? Well, I just had a 471 00:24:06,320 --> 00:24:09,080 Speaker 1: general question for you guys, because I know some of 472 00:24:09,160 --> 00:24:11,760 Speaker 1: you guys have kids and stuff like that. Me and 473 00:24:11,880 --> 00:24:13,800 Speaker 1: my wife have a one year old one and a 474 00:24:13,880 --> 00:24:16,359 Speaker 1: half year old son, and her and I have not 475 00:24:16,480 --> 00:24:20,040 Speaker 1: been able to take that vacation like saying, for just 476 00:24:20,200 --> 00:24:23,280 Speaker 1: her and I to keep our relationship intact a little bit. 477 00:24:23,880 --> 00:24:26,360 Speaker 1: So I was kind of wondering, how do you kind 478 00:24:26,440 --> 00:24:28,760 Speaker 1: of we have people that we trust to let him 479 00:24:28,920 --> 00:24:33,280 Speaker 1: go to to watch him. I'm sorry, but we were 480 00:24:33,320 --> 00:24:36,440 Speaker 1: just basically wondering, like, how do you like let go 481 00:24:36,520 --> 00:24:38,879 Speaker 1: of the worthiness so that you guys can just go 482 00:24:39,119 --> 00:24:41,760 Speaker 1: and relax as a couple. How many days you're leaving 483 00:24:41,840 --> 00:24:44,359 Speaker 1: for Brent, we just wanted to try to leave for 484 00:24:44,440 --> 00:24:47,119 Speaker 1: at least a weekend just to kind of, you know, 485 00:24:47,920 --> 00:24:50,080 Speaker 1: forget about everything for a weekend and just have fun 486 00:24:50,160 --> 00:24:52,720 Speaker 1: for ourselves. That's not bad. If you're gonna say seven days, 487 00:24:52,760 --> 00:24:55,040 Speaker 1: I'd say probably too early in his kids live to 488 00:24:55,119 --> 00:24:57,320 Speaker 1: leave for a week, But a weekend sounds good. Eddie. 489 00:24:57,320 --> 00:24:58,440 Speaker 1: I'll go to you. You got a lot of kids, 490 00:24:58,480 --> 00:24:59,639 Speaker 1: what do you say to him? You just have to 491 00:24:59,760 --> 00:25:01,560 Speaker 1: rip off like a band aid, Like, just do it. 492 00:25:01,680 --> 00:25:04,159 Speaker 1: I know it's gonna be hard. Maybe whoever staying with 493 00:25:04,280 --> 00:25:06,560 Speaker 1: a kid can FaceTime you, you know, multiple times a 494 00:25:06,680 --> 00:25:08,480 Speaker 1: day so you can see the kid and all that, 495 00:25:08,680 --> 00:25:10,440 Speaker 1: But you just have to do it. I mean, I 496 00:25:10,520 --> 00:25:13,080 Speaker 1: think for dads it's a little easier. My wife's tough, 497 00:25:13,160 --> 00:25:15,040 Speaker 1: Like she didn't want to go in vacation for a 498 00:25:15,320 --> 00:25:17,879 Speaker 1: long time. How long I mean, I would say, like 499 00:25:18,040 --> 00:25:20,800 Speaker 1: at least yesterday. Yeah, she No, she really does have 500 00:25:20,920 --> 00:25:23,440 Speaker 1: problems still, like just leaving the kids with someone else. 501 00:25:23,480 --> 00:25:26,080 Speaker 1: It's usually her mom. But it's tough, so you just 502 00:25:26,119 --> 00:25:28,000 Speaker 1: gotta do it. Hey, Brent, who is it harder for 503 00:25:28,240 --> 00:25:30,880 Speaker 1: you or your wife? More harder for my wife honestly, 504 00:25:30,920 --> 00:25:34,879 Speaker 1: because he was actually born with severe hearing loss, so 505 00:25:35,800 --> 00:25:38,800 Speaker 1: he actually got totally implants when he was ten months old. 506 00:25:39,240 --> 00:25:41,679 Speaker 1: So it's a little hard for him to communicate failure. 507 00:25:41,840 --> 00:25:44,639 Speaker 1: He's you know, going to speech therapy and all that stuff. 508 00:25:45,119 --> 00:25:47,800 Speaker 1: But she's she's constantly worried about him, and I'm just 509 00:25:47,880 --> 00:25:50,440 Speaker 1: trying to tell her all the time to just kind 510 00:25:50,480 --> 00:25:53,520 Speaker 1: of relax. Fine, we also need to concentrate on us 511 00:25:53,560 --> 00:25:55,600 Speaker 1: so that we can keep you know, everything fine with 512 00:25:55,760 --> 00:25:58,720 Speaker 1: us as well as being a father and a mother. Yeah, 513 00:25:58,760 --> 00:26:00,560 Speaker 1: I think that's an important step to to make sure 514 00:26:00,600 --> 00:26:02,560 Speaker 1: you guys are healthy. And again, if it's for a 515 00:26:02,640 --> 00:26:06,200 Speaker 1: weekend and it's somebody that you really trust, I think 516 00:26:06,240 --> 00:26:08,480 Speaker 1: you just gotta go and it's gonna be hard, and 517 00:26:08,520 --> 00:26:10,360 Speaker 1: then next time it's gonna be pretty hard. Time after 518 00:26:10,400 --> 00:26:12,240 Speaker 1: that's gonna be kind of hard. It just gets easier 519 00:26:12,280 --> 00:26:14,639 Speaker 1: as you do it, I would assume, Uh, Bran, I 520 00:26:14,640 --> 00:26:17,160 Speaker 1: appreciate that call. But Eddie said, rip, rip the band 521 00:26:17,160 --> 00:26:19,800 Speaker 1: aid off, but just do it. Eddie's writing me a note, 522 00:26:19,840 --> 00:26:24,360 Speaker 1: Just leave the kid at home and go what what? No? Yeah, 523 00:26:24,400 --> 00:26:26,560 Speaker 1: all right, good luck. I agree with you and that 524 00:26:26,640 --> 00:26:30,280 Speaker 1: you guys do need, even if it's a day time 525 00:26:30,359 --> 00:26:32,320 Speaker 1: for you guys to go and make sure that you 526 00:26:32,480 --> 00:26:35,400 Speaker 1: two are having a healthy relationship because that is very 527 00:26:35,440 --> 00:26:37,960 Speaker 1: important to your son as well. All right, thank you guys, 528 00:26:37,960 --> 00:26:40,520 Speaker 1: appreciate it, all right, buddy, see you later. It's a 529 00:26:40,520 --> 00:26:41,919 Speaker 1: good call. I think a lot of people probably deal 530 00:26:41,920 --> 00:26:44,000 Speaker 1: with that. Huh yes, Yeah, it's a it's a common thing. 531 00:26:46,800 --> 00:26:50,280 Speaker 1: Amy's pile of stories. So one reason people have dogs 532 00:26:50,400 --> 00:26:52,800 Speaker 1: is to scare off burglars. Sometimes people don't even have 533 00:26:52,840 --> 00:26:54,520 Speaker 1: a dog. They just put a sign in their window 534 00:26:54,560 --> 00:26:58,040 Speaker 1: and it works. Well. It turns out that walking dogs 535 00:26:58,280 --> 00:27:00,800 Speaker 1: actually the turns more burglars than you would think. So 536 00:27:01,080 --> 00:27:03,120 Speaker 1: simply the fact of having to walk your dog around 537 00:27:03,119 --> 00:27:06,320 Speaker 1: the neighborhood is like a neighborhood watch program without it 538 00:27:06,359 --> 00:27:09,360 Speaker 1: even trying to be. If a burglar broken in my house, 539 00:27:09,560 --> 00:27:12,800 Speaker 1: my bulldog would I don't know, sit on his feet. 540 00:27:13,240 --> 00:27:15,479 Speaker 1: I want to be scratched on his head. I mean, 541 00:27:15,800 --> 00:27:17,960 Speaker 1: my dogs would not give a crab of a burglar broken. 542 00:27:18,960 --> 00:27:20,639 Speaker 1: But yeah, I could see where a dog would be 543 00:27:20,720 --> 00:27:23,080 Speaker 1: what you don't want to see if you're robbing a house, 544 00:27:23,440 --> 00:27:25,560 Speaker 1: and not because they eat you, but because they make noise. 545 00:27:25,680 --> 00:27:28,040 Speaker 1: Yea more than anything? All right? What else? All right? Bobby? 546 00:27:28,080 --> 00:27:30,480 Speaker 1: What are your thoughts on gaming being taught in school? 547 00:27:31,240 --> 00:27:32,680 Speaker 1: I don't know why it wouldn't be. I mean, this 548 00:27:32,880 --> 00:27:37,600 Speaker 1: is an industry where there are billions of dollars being 549 00:27:37,720 --> 00:27:40,639 Speaker 1: spent and made, not only making the games, but playing 550 00:27:40,680 --> 00:27:44,080 Speaker 1: the game. So yeah, I'm all for gaming being in universities. 551 00:27:44,080 --> 00:27:47,800 Speaker 1: Why Well, a survey was taken and more than half 552 00:27:47,840 --> 00:27:50,320 Speaker 1: of adults think, yeah, kids need to be learning this 553 00:27:50,480 --> 00:27:53,320 Speaker 1: skill because it can teach them a lot, but also 554 00:27:53,440 --> 00:27:56,399 Speaker 1: gaming could be a career. Yeah, it's not a hand 555 00:27:56,440 --> 00:27:58,639 Speaker 1: eye coordination anymore. And it's not Donkey Kong. I think 556 00:27:58,640 --> 00:28:01,640 Speaker 1: a lot of video games games it's not that anymore. 557 00:28:01,720 --> 00:28:04,119 Speaker 1: So if you go, oh, it's just a video game, okay, 558 00:28:04,359 --> 00:28:07,040 Speaker 1: it's it's not Mario Kart. Although Mario Kart rocks that's 559 00:28:07,040 --> 00:28:09,520 Speaker 1: pretty good, but it's so much more advanced than that. Now, 560 00:28:09,680 --> 00:28:13,800 Speaker 1: this is playing video games, not making videos. You could play. 561 00:28:14,080 --> 00:28:15,960 Speaker 1: They have scholarships in some schools to be on a 562 00:28:16,040 --> 00:28:18,399 Speaker 1: gaming team, the same way they do sports. I mean, 563 00:28:18,440 --> 00:28:20,600 Speaker 1: I only imagine, like in the twenties or thirties they 564 00:28:20,640 --> 00:28:24,720 Speaker 1: were like, we're gonna have football a part of the school, 565 00:28:24,760 --> 00:28:27,400 Speaker 1: and we're gonna give kids free school to play football. 566 00:28:27,440 --> 00:28:30,520 Speaker 1: This is all this just happens. I'm a big believer 567 00:28:31,119 --> 00:28:33,840 Speaker 1: in gaming in schools because there's a lot of It's 568 00:28:33,840 --> 00:28:37,440 Speaker 1: an industry, and why would we not be teaching our 569 00:28:37,600 --> 00:28:40,360 Speaker 1: young adults if they want to be part of an industry, 570 00:28:40,400 --> 00:28:41,880 Speaker 1: how to be in that industry be better at it, 571 00:28:42,040 --> 00:28:44,120 Speaker 1: either by making the games or playing the games. Long 572 00:28:44,200 --> 00:28:46,640 Speaker 1: Live Viva a video game I like that. Yeah, viva 573 00:28:47,000 --> 00:28:52,840 Speaker 1: for me too. Yes, oh, my wife, here's this all right, Amy, 574 00:28:52,880 --> 00:28:58,160 Speaker 1: that's it. Yep, that's pile. That was Amy's pile of stories. 575 00:28:58,720 --> 00:29:06,120 Speaker 1: It's time for the gid news. There's a point guard 576 00:29:06,160 --> 00:29:09,360 Speaker 1: for the University of Tennessee basketball team that his family's 577 00:29:09,440 --> 00:29:12,880 Speaker 1: house burned down back in February. Oh no, what are 578 00:29:12,920 --> 00:29:16,000 Speaker 1: we gonna do? Well? Vall's fans they got online, set 579 00:29:16,080 --> 00:29:19,240 Speaker 1: up a go fund me, and they raised three hundred 580 00:29:19,240 --> 00:29:24,200 Speaker 1: and fifty thousand dollars and bought them a brand new 581 00:29:24,400 --> 00:29:26,200 Speaker 1: house and they just moved in. They moved all the 582 00:29:26,240 --> 00:29:28,360 Speaker 1: way from New York to Knoxville so they could be 583 00:29:28,480 --> 00:29:30,760 Speaker 1: closer to their son. Oh that's cool. I remember talking 584 00:29:30,800 --> 00:29:33,200 Speaker 1: about this when it happened, and they had raised all 585 00:29:33,240 --> 00:29:35,360 Speaker 1: that money. So now they're in the house. They're in 586 00:29:35,480 --> 00:29:38,360 Speaker 1: the house. They moved in all because fans came together 587 00:29:38,440 --> 00:29:41,800 Speaker 1: and donated five, ten, fifteen bucks. Boom. I'm sure the 588 00:29:41,880 --> 00:29:46,000 Speaker 1: NCAA will find some way to enalize a program in 589 00:29:46,280 --> 00:29:49,640 Speaker 1: some way here. Yeah, that's a really great story. I 590 00:29:49,760 --> 00:29:51,520 Speaker 1: also didn't know they were from New York. And now 591 00:29:51,560 --> 00:29:53,680 Speaker 1: I'm moving to Knoxville because that's where the house is. Yes, 592 00:29:54,080 --> 00:29:57,760 Speaker 1: so they moved across the country. Well, shout out ball fans, 593 00:29:58,040 --> 00:30:00,360 Speaker 1: I mean only second to razorback fans. All right, sure, 594 00:30:02,120 --> 00:30:04,360 Speaker 1: all right, that's what's up. That is what it's all about. 595 00:30:05,120 --> 00:30:06,560 Speaker 1: That was telling me something good.