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Speaker 1: Hey, hey, hey, Yeah, I gotta tell you something, man,

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Speaker 1: And I am so excited about this. And I don't

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Speaker 1: know anything about this company. I don't know anything about

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Speaker 1: what you know. All I know is it's working for

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Speaker 1: my kids, and it's got my kids off of video games,

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Speaker 1: and it's got me playing the ship too, and it's

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Speaker 1: really it's a lot of fun and everything. It's called

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Speaker 1: Gravia Tracks. Have you heard of it? I saw it

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Speaker 1: on Casey's Instagram and explain it to people who don't

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Speaker 1: know what it is. But I saw what Rocco built

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Speaker 1: and it was fucking awesome. Yeah, okay, So Gravia Tracks

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Speaker 1: is like a marble racing obstacle course slash. I want

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Speaker 1: to reminds you of like old school hot Wheels tracks

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Speaker 1: kind of like that also, but also like Lego also

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Speaker 1: because you have to build and it shows you pictures

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Speaker 1: of things you need to make the obstacle worse and

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Speaker 1: everything work. It's really awesome and the accessories that come

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Speaker 1: with it, you know, are very creative. Also. There's like

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Speaker 1: elevators and you know, trampolines and catapults and you know,

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Speaker 1: sling shot like crazy things like loop de loops, like

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Speaker 1: crazy things. And you get into it with your sons,

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Speaker 1: so you're like, you you don't feel like you're playing

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Speaker 1: something that's you know, it's cool because you're as interested

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Speaker 1: as he is. So you're actually playing with your kids

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Speaker 1: something that's fun for you both. All Right. When I

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Speaker 1: was a kid, Times Square has this place called Port Authority.

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Speaker 1: It's where all the buses come into New York City, right,

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Speaker 1: and growing up that place was like a freaking scary

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Speaker 1: ass you know, dirty. You know. They made a television

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Speaker 1: show about the neighborhood I grew up in, and it's

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Speaker 1: about pimps and prostitutes and crackheads and you know, the

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Speaker 1: beauty of forty second Street and where all the movie

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Speaker 1: theaters were, right, they made a television show about it. Anyway,

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Speaker 1: Or Authority had this thing and it had like a

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Speaker 1: bunch of uh pool h Q ball you know, balls

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Speaker 1: from you know, from the pool table, so like from

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Speaker 1: one all the way to was it twelve balls, right,

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Speaker 1: And they had a bunch of them and they created

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Speaker 1: something very similar to what Gravia Tracks is doing, and

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Speaker 1: it would but this thing made like music. And I

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Speaker 1: remember as a kid, people used to surround this thing

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Speaker 1: because it was like this clever contraption of you know, winding.

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Speaker 1: You know, if anybody out there remembers, uh, the sesame

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Speaker 1: street one, two, three, four or five six twelve, right

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Speaker 1: that remember how the cartoon went where it was like

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Speaker 1: a pinball machine, but then when you when you hit

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Speaker 1: the ball, it went inside one of the holes. And

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Speaker 1: then now the balls on a track and rolling all

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Speaker 1: around it. That's what graviha tracks is man, And it's amazing.

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Speaker 1: It's so much fun. It's so much fun. We have

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Speaker 1: so much fun with it. Kids have been doing it

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Speaker 1: for two dage straight without being on a television screen,

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Speaker 1: without you know, with it's just them and their mind

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Speaker 1: and their imagination and awesome. I just want to give

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Speaker 1: a shout out to them, uh and say yo, thank you.

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Speaker 1: I'm sure lots of parents are looking for any way

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Speaker 1: to have their kids be fascinated by something other than

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Speaker 1: video games absolutely or television. You know, it makes kids

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Speaker 1: have to use their brains. There's a lot of math involved,

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Speaker 1: you know, it's very specific in how things work, and

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Speaker 1: then you have to be creative with what you're given

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Speaker 1: in that realm. It's really awesome. That's awesome, all right,

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Speaker 1: everybody checked that out, Um, we got to talk about

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Speaker 1: wonder Woman, because I don't I really am confused about

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Speaker 1: wonder Woman. I don't know what the hell was going on.

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Speaker 1: And I know I'm speaking to three fans of superhero movies.

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Speaker 1: I don't ever like to disc anyone involved in creative

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Speaker 1: endeavors because it is so walking hard to make anything,

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Speaker 1: and thousands of people worked on this movie, and there's

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Speaker 1: so much talent. The actors are all amazing. I know,

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Speaker 1: the directors amazing. I just want to know from three

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Speaker 1: people who like these sort of things, what that was?

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Speaker 1: What a great question, Zach Joel, you go first, want

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Speaker 1: to talk about it? Uh? I feel like this is

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Speaker 1: the branded direction DC has chosen to go in where

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Speaker 1: they don't mind making these sort of like be heavy

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Speaker 1: camp films. But they're not for me. But the who

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Speaker 1: were they four? Because I was watching it going is

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Speaker 1: a kid gonna get any of this? No? I don't

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Speaker 1: think it's four children. It's four adults, specifically guys I

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Speaker 1: think who are really into like old school comics, which

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Speaker 1: didn't always have to make sense like the basis of

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Speaker 1: reality or even have like strunk structure. Now there's a

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Speaker 1: lot of great like classic comic books. But it's also

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Speaker 1: there was a genre of comics specifically for looking at

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Speaker 1: late eighties early nineties, where like the physics were off

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Speaker 1: and the body mechanics were way off, and there's like

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Speaker 1: no sense of reality and there's no sort of tie

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Speaker 1: to like, oh, we need a great American hero. And

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Speaker 1: it's not even you know, sixties cheesiness. It was just

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Speaker 1: like wild, extreme, like pumped up nineties kind of stuff.

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Speaker 1: And those fans have really clung to like that ideal

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Speaker 1: of superheroism. That's like what they really enjoy and so

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Speaker 1: you know, you don't need a motivational reason for the

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Speaker 1: Cheetah Lady to happen. She just happens, and it's totally fine.

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Speaker 1: It's not for me. I think there's like especially a

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Speaker 1: disappointing that Wonder Woman doesn't get to be the center

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Speaker 1: of character in her own movie. It's a little disappointing.

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Speaker 1: I really like Wonder Woman. There's a lot of great

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Speaker 1: source material for her, and for me, it doesn't do

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Speaker 1: the character of Justice. But I also don't want to

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Speaker 1: take anything away from DC fans. I'm a true believer

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Speaker 1: that like, if you like a thing, you know that's

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Speaker 1: your ye and the DC fans liked this movie. I

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Speaker 1: haven't searched the internet to know if it's well received

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Speaker 1: or not. I don't even have critics liked it. I

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Speaker 1: didn't even look to see what critics liked it. It

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Speaker 1: was critically panned. And it seems to me that while

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Speaker 1: some DC fans were like, no, this is a solid

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Speaker 1: superhero movie, it's certainly not getting the praise of like

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Speaker 1: a Justice League or the the Call for you know,

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Speaker 1: Zack Snyder cut or anything like that. So I think

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Speaker 1: it's sort of middling. I have a I have a

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Speaker 1: real problem. Listen, we got we were really excited to

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Speaker 1: watch it. Yeah, me too. We were really excited all

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Speaker 1: those actors, yeah yeah, and great cast, great cast. And

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Speaker 1: the first three minutes of the movie with the little

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Speaker 1: girl is the best part of the movie to me.

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Speaker 1: Um where she uh is in the race and at

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Speaker 1: the last minute her I don't want to spoil it,

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Speaker 1: so I'm going to shut up, so but she's in

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Speaker 1: the race, and that was the best part of the movie.

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Speaker 1: And then a minute this is where I was like,

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Speaker 1: I think we're in trouble now. I'm not hating on

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Speaker 1: this movie. I'm not hating on this movie. I don't

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Speaker 1: want to hate on this movie, but this is where

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Speaker 1: I thought was like, oh, we're in trouble. When Wonder

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Speaker 1: Woman turned back around and winked at the little girl,

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Speaker 1: I was like, oh, oh, oh, oh no, And what

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Speaker 1: did it for me? Because and because my wife is

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Speaker 1: a great judge of what you know, what's to come,

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Speaker 1: Like she figured out the usual suspect before you know,

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Speaker 1: the minute the movie started. She was like, Oh, that's

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Speaker 1: kinds that's kinds of jose right yeah, And I was like, oh, okay.

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Speaker 1: She she said, oh, these are her exact words. She

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Speaker 1: went like that. She went oh And I was like

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Speaker 1: what what what? What? What? And she was like, uh,

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Speaker 1: if the rest of the movie is like this, we

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Speaker 1: got a problem. What was with all the SlowMo? What

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Speaker 1: was with all the SlowMo? I don't know. I have

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Speaker 1: to say I want to understand how she could fly.

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Speaker 1: I mean that she's always been able to do that.

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Speaker 1: She's always been able to do that. Hold on, now, now,

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Speaker 1: let's let's if you want to go and told me

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Speaker 1: on Twitter that she was lasting the lightning. I didn't know, Okay,

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Speaker 1: I've never seen her do that before. But Wonder Woman

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Speaker 1: has always been able to fly. What was weird was

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Speaker 1: why does she have the invisible jet because she can fly?

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Speaker 1: That was always the that was always the argument, you

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Speaker 1: know what I mean, Like, what's the point of the

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Speaker 1: invisible jet if you can fly? Um? But so as

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Speaker 1: far as that goes, her powers and everything like that

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Speaker 1: are top notch uh And they're powers and they're they're

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Speaker 1: but they're doing it justice man, Like, that's that's the truth.

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Speaker 1: She's supposed to be. If Superman is the male version

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Speaker 1: of what is the most powerful, wonder Woman is the

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Speaker 1: female version of what is the most powerful? You know

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Speaker 1: what I mean? Like they're supposed to be the Titans

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Speaker 1: that protect Earth, you know what, And that that that

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Speaker 1: is apparent in this movie. It's clear if you are

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Speaker 1: a mere mortal on this planet and you go against her,

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Speaker 1: and you go against Diana, you're gonna get your ass kicked.

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Speaker 1: On the other side of things, we all loved Soul, right,

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Speaker 1: Soul is incredible. You didn't like Soul. I have so

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Speaker 1: many feelings about Soul. It's a beautiful film. I cried

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Speaker 1: at the end. I think structurally it's very sound. I

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Speaker 1: sort of wish in the way that Coco got to

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Speaker 1: experience an afterlife that was authentic to a culture. I

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Speaker 1: wish soul had provided us with an afterlife authentic to

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Speaker 1: Black culture. Um, but but performances outstanding. I really really

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Speaker 1: did enjoy the Just watching the film, I thought, beautiful,

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Speaker 1: beautiful art. I saw someone coming on Twitter and one

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Speaker 1: of them like the body types. And it wasn't just

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Speaker 1: African Americans being the star of the show, but the

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Speaker 1: way that they the artists drew different body types and

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Speaker 1: facial types and shapes and sizes, the way they drew

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Speaker 1: his barber. I mean, I just love I loved us.

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Speaker 1: The art of it I thought was medical. I loved

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Speaker 1: Uh soul Um for a lot of reasons, but mostly

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Speaker 1: for like there there's something special about an artist when

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Speaker 1: they can inspire you. And usually when an artist does that,

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Speaker 1: they win Academy Awards and stuff like that. And Jamie

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Speaker 1: Fox is one of those artists. When he gets it right,

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Speaker 1: when the movie is right, and when he's in that zone,

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Speaker 1: he really can inspire you, you know what I mean,

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Speaker 1: Like he really his talent is top notch when the

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Speaker 1: when the cards are in his favor and he's playing

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Speaker 1: that hand, you know what I mean, Like I I

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Speaker 1: and this is one of them. This ray is one

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Speaker 1: of those, but this one also, it's like you listen

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Speaker 1: to him and you're like, holy cow, I I need

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Speaker 1: to be a voice actor. I think. I think. I

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Speaker 1: think if I focus really hard, I could be a

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Speaker 1: voice actor. Oh my, you know what I mean. He

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Speaker 1: just makes it seem like you can do it too,

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Speaker 1: and it's a gift that you have. I once told

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Speaker 1: him that, and I think it came off kind of wrong,

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Speaker 1: and he was like, well. I was like, I was like, dude, man,

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Speaker 1: you make you make people feel like they can win oscars.

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Speaker 1: He was like, well, shit, motherfucker, go get you one.

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Speaker 1: Then I was funny though he was. I hope he

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Speaker 1: was laughing with you. I was like, all right, all right,

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Speaker 1: I'm bad, but yo. Anyway, the point is he's just

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Speaker 1: amazing in this role. And when it comes to music,

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Speaker 1: it really does. You know, he really does shine, whether

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Speaker 1: he's talking it or singing it or you know, you

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Speaker 1: know it. There's just something special about him when it

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Speaker 1: comes to that. Yeah. It's a beautiful movie, I think,

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Speaker 1: and everyone should see it, even if you're not. If

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Speaker 1: you you know, I thought it was just artful and

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Speaker 1: Pixar man, did they have it? Did they have it down?

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Speaker 1: It's just almost every single time flawless. Daniel, you didn't

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Speaker 1: see that one either, did you didn't see it yet?

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Speaker 1: Daniel was building computers. M we I wanted to talk

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Speaker 1: about all the all the pictures of those of you

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Speaker 1: who bought onesies. Um, Donald and I are both loving

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Speaker 1: all the pictures you're posting. It brings a giant smile

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Speaker 1: into our face. We love that you love this podcast.

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Speaker 1: I just be sentimental for one second before Donald counts

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Speaker 1: us in. You know the amount of love that you

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Speaker 1: shower upon the four of us on social media, and

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Speaker 1: it really means a lot. And I saw so much

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Speaker 1: varying from silliness and someone in a onesie eagling their

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Speaker 1: their husband to someone saying this show probably saved my life.

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Speaker 1: No joking around this year. And I just want you

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Speaker 1: to know that we we hear it, and we love you,

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Speaker 1: and we did not think we'd make this much of

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Speaker 1: a difference, but it means so much to all of

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Speaker 1: us when we see your reaction here here, and so

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Speaker 1: we're gonna keep um entertaining you because that's what we're

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Speaker 1: here to do, is hopefully put a smile on your face, right, Donald,

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Speaker 1: Absolutely all right? I second that. All right, Well let's

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Speaker 1: let's why don't we rewatch an episode of Scrubs and

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Speaker 1: discussing six seven about show we made about a bunch

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Speaker 1: of nurses said stories, yet around here, yet around here? Yeah?

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Speaker 1: So do you have your recap ready? I do have

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Speaker 1: my recap ready. How did you feel about this episode? Um?

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Speaker 1: I thought it was very silly. It was very short,

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Speaker 1: It felt shorter than normal. Here's here's something I don't understand.

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Speaker 1: How do you make an episode that really is only

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Speaker 1: funny if you've smoked a lot of weed about about

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Speaker 1: you know, uh, you know, this is your brain on drugs.

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Speaker 1: How do you make you know what I mean? Like?

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Speaker 1: This show has so many like if you're if you're

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Speaker 1: stoned and you're watching this, this is a very very

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Speaker 1: funny episode, like silly, like the type of episode where

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Speaker 1: you got out your nose because you laugh so hard. Yeah,

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Speaker 1: you know what I mean? I felt like if I

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Speaker 1: would since you asked me. It's like the writers were you.

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Speaker 1: I can tell when the room and when the vibe

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Speaker 1: of the writer's room was particularly stonery and silly that week. Absolutely,

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Speaker 1: Now one of the mains of this episode, but I

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Speaker 1: mean the brain on Drugs episode, the B story is

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Speaker 1: essentially that the janitor wait, let me get into the riquet. Okay, okay,

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Speaker 1: but I mean it's definitely an If you had a

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Speaker 1: stone or friend who wasn't into scrubs, I suppose you'd

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Speaker 1: probably start with Wizard of Oz with musical, but this

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Speaker 1: might be one to show them, right, absolutely, absolutely, alright, alright,

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Speaker 1: hold on, hold on, hold on, stop watch and go.

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Speaker 1: Jad and Carla have really bonded over the last few years.

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Speaker 1: Turk sick of being nagged over his butt watching habits,

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Speaker 1: Elliott and Cox think differently of a patient, and the

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Speaker 1: janitor is maybe the most desperate we've ever seen him.

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Speaker 1: What are the limits to fidelity? When does it become infidelity?

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Speaker 1: That's not up for anyone to decide, but you my

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Speaker 1: personal belief, if you need to lie for whatever reason,

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Speaker 1: you're probably doing more harm to the situation than helping.

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Speaker 1: Communication is always key, amen on communication being always key.

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Speaker 1: But Turk can't be looking and fucking all these asses?

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Speaker 1: Why not? Why not? Why not? Why not? If his

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Speaker 1: wife says and means it and isn't bullshitting if she

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Speaker 1: says honey, honestly, you're a man, and I don't find

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Speaker 1: it disrespectful. And I'm going to look at that ass too.

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Speaker 1: She's got a great ass. Whatever the whatever, whatever their

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Speaker 1: rules are, and it's honest. She's not just putting it

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Speaker 1: on to be to be cool, to be cool wife,

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Speaker 1: and there's communication. Okay. I'm just saying, if it's real,

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Speaker 1: if it's not just like she's like, oh, I don't

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Speaker 1: want to be like up tight. I'm gonna pretend like

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Speaker 1: I'm okay with it, but really I'm crying inside. I mean,

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Speaker 1: Turkey is like when she says go, he turns and

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Speaker 1: he just looks at the ass like this. I feel

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Speaker 1: like Turk and Carlin might be open for a little

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Speaker 1: you know. Uh, you know, we talked about it before.

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Speaker 1: You know, j D kind of thinks it's possible. I

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Speaker 1: think they're open to a little you know, Intermarrital. First

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Speaker 1: of all, I don't think. First of all, she goes

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Speaker 1: on a date. This was so weird, Like she goes

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Speaker 1: on a date and j D doesn't tell Turk either. Yes,

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Speaker 1: you would have, but he doesn't. In the show. I forgot.

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Speaker 1: I'm sorry I did. I brain farted on what your

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Speaker 1: what your reaction was when she finally reaction that they

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Speaker 1: give is not a reaction. They give JD's fantasy of

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Speaker 1: what's going to happen. Right, do you ever see what

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Speaker 1: really happens? Oh my god, how funny. By the way,

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Speaker 1: first of all, you'd be this age right now all,

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Speaker 1: you'd be in this age right already. Out I said this,

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Speaker 1: I just blew you out. Sorry, I said the same thing, dude.

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Speaker 1: First of all, the funniest part of the show, in

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Speaker 1: my mind is me as an old man, still living

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Speaker 1: with you and farting. And then I went I did

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Speaker 1: the math, and I'm like, that's that's me at forty five,

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Speaker 1: right right, right right right? That's how how trippy is

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Speaker 1: that to see yourself? I mean, this is an experience

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Speaker 1: most people on earth will never have, seeing how you

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Speaker 1: as a twenty five year old portrayed yourself at forty five,

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Speaker 1: and then going back at forty five and watching it.

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Speaker 1: I was old and bald and fat and farting and

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Speaker 1: farting and still living with my friends and very very

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Speaker 1: jewish and extra jewey, extra jewey, sorry, because I've got

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Speaker 1: nowhere else to go. I was like, I was like

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Speaker 1: a fucking Seinfeld character. Oh my god, I was very funny. Though.

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Speaker 1: That would have been great. There are certain things I

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Speaker 1: would he's had more of. I wish there was. I

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Speaker 1: wish Turk's moll puppet was a running gag, and I

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Speaker 1: certainly wish forty five but really seventy five year old

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Speaker 1: extra Jewey Zach was a character. I mean extra Joey

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Speaker 1: j D, Extra Jewey JD. Well, they they they overlap,

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Speaker 1: all right, Um, Jadie's nipples name is Jasper. I laughed

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Speaker 1: at that. JD loves to show his nipples. Right, you're right,

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Speaker 1: nipples name is Jasper. Yes, and you have one hair

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Speaker 1: named Clancy. So there's Jasper and Clancy. Well, the hair

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Speaker 1: is named Clancy, and the we don't get the left

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Speaker 1: nipple's name is no, I think it's the left. I

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Speaker 1: think it's my left. That's Jasper. Yeah, it's sure left,

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Speaker 1: that's Jasper. I'm sure it's on scrubs Wiki. You're right, now,

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Speaker 1: you're right, you're right, you're right right. But anyway, first

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Speaker 1: of all, in the spirit of sexual harassment at the workplace,

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Speaker 1: I mean, j D and Turk are just like really

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Speaker 1: not being subtle at all ogling this woman's tush. Yes

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Speaker 1: they are. And I got to ask you a question now,

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Speaker 1: because it's funny even in even in two thousand and

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Speaker 1: two or three, whenever we're making must have been three. Uh,

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Speaker 1: we seem to not be character we seem to not

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Speaker 1: be playing characters that were toning it down or I

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Speaker 1: don't know. It just seemed out of place. It was bizarre.

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Speaker 1: I gotta ask you, though, are you a ass man

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Speaker 1: or a breastman? Ass man times ten? Okay, So when

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00:19:19,520 --> 00:19:22,080
Speaker 1: we first met, though, dude, you were a breastman. You

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Speaker 1: were all about tiny waists and big breast. Dude when

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00:19:24,480 --> 00:19:27,920
Speaker 1: we never met that was of another friend. That was you. Dude.

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Speaker 1: You were like, it has to be I was like, well,

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Speaker 1: what about the big ass? You were like, it has

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Speaker 1: to be so tiny ass has to be. Maybe, oh

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Speaker 1: my god, we're gonna fight. Sorry, I don't mean yeah,

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Speaker 1: we're gonna fight. We're gonna be your appreci I'm not

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Speaker 1: saying that your appreciation for giant tushes. I don't like

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Speaker 1: JP off on me a little bit. I don't like fake,

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Speaker 1: I like giant. I don't like we both we both

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Speaker 1: have something in common that we like the real real.

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Speaker 1: I like the real, real, Yeah, I definitely didn't know

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Speaker 1: that ass implants were a thing until recently. I thought

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Speaker 1: that was a joke. It looks weird, and you got

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Speaker 1: this big, big, big, big like hump on your bet,

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Speaker 1: but and then like these real tiny legs, like if

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Speaker 1: it don't match the if the if the hamstring don't

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Speaker 1: match the booty, what's you're really doing? What's you're really

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Speaker 1: doing to each their russ If you're listening right now

359
00:20:18,560 --> 00:20:20,879
Speaker 1: and you're on the fence about whether they get the

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Speaker 1: ass implants, Donald and I are begging you not to

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Speaker 1: unless you got no ass. If you've got no ass,

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Speaker 1: can then do squats. Don't fucking put silicone in your touch.

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Speaker 1: Sometimes squats. Sometimes squats, okay, Daniel, Sometimes squats don't help though, Well,

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Speaker 1: I'm just I mean to each their own again, if

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Speaker 1: you're sitting there on a cushy ass implant, then Mozeltov,

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Speaker 1: I'm just saying, I personally would rather you did the squats.

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Speaker 1: Joel just over there sipping on hot tea. By the way,

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Speaker 1: someone runs something so funny on Twitter. They said rip

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Speaker 1: to Joel's UH search history. After last week's episode where

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Speaker 1: we made hers search for the amount of sperm that

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Speaker 1: are in each so practically no penis pill ads. Yet

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Speaker 1: this just you wait, Well, you were doing a service

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Speaker 1: for the American, well, for the for the for the Earth,

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Speaker 1: for the Earth, Earth, for Earth, Planet Earth. You're welcome,

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Speaker 1: You're welcome, You're well welcome. Isn't it funny when you

376
00:21:21,000 --> 00:21:23,959
Speaker 1: when you not funny but when you're like you Google

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00:21:24,040 --> 00:21:27,080
Speaker 1: something and then you're on some other website and ads

378
00:21:27,160 --> 00:21:29,080
Speaker 1: for that thing come up, and you're like, what the fuck?

379
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Speaker 1: I just look for two seconds. I don't can and

380
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Speaker 1: doesn't need to be like pornographic. It's like, I'm not

381
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Speaker 1: that interested in in in iron shelving. I looked once. Yeah,

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00:21:39,760 --> 00:21:43,040
Speaker 1: it's I looked at a knife online, like a cooking knife,

383
00:21:43,040 --> 00:21:45,280
Speaker 1: because you guys know, I'm so in the cooking a

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Speaker 1: chopping knife, and I looked into it because it's like

385
00:21:47,240 --> 00:21:49,199
Speaker 1: one of those big ones that you see on the

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Speaker 1: Food Network and stuff. Yeah, it won't stop showing up.

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Speaker 1: It just keeps showing up on my phone in every

388
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Speaker 1: ad that in every ad on any site that I

389
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Speaker 1: go to, YouTube, freaking Facebook, Twitter, well Twitter and half adge,

390
00:22:05,760 --> 00:22:10,159
Speaker 1: but um Instagram, it shows up. Yeah, they got you

391
00:22:10,280 --> 00:22:14,680
Speaker 1: Luckerberg's got you all right now. The Janitors whole storyline, yes,

392
00:22:15,040 --> 00:22:18,000
Speaker 1: is a big storyline is he has a twin brother

393
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Speaker 1: named Roscoe, and he's committed to tricking JD and Turk

394
00:22:21,760 --> 00:22:24,000
Speaker 1: that he I mean, does this guy have any of

395
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Speaker 1: work to do. He's the entire time trying to convince

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00:22:30,320 --> 00:22:32,960
Speaker 1: us that he has a twin brother. But and and

397
00:22:32,960 --> 00:22:38,800
Speaker 1: and he goes through like outrageous feats to his theory.

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Speaker 1: He enlists Troy, right, he lists Troy. He jumps out

399
00:22:43,520 --> 00:22:46,520
Speaker 1: of a window, a one story window. He jumps from

400
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Speaker 1: the second story to the top of the first story

401
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Speaker 1: roof and then onto an ambulance and then onto an

402
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Speaker 1: ambulance and then falls off the ambulance because the ambulance

403
00:22:55,240 --> 00:22:58,600
Speaker 1: gets a call so they speed off. He falls onto

404
00:22:58,640 --> 00:23:02,399
Speaker 1: the ground. I mean, this guy really, really, really really

405
00:23:02,480 --> 00:23:05,600
Speaker 1: was committed to trick. He made a video yes with

406
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Speaker 1: Troy for the birthday for the two of them, for

407
00:23:10,400 --> 00:23:15,399
Speaker 1: the twin birthday party. Twin birthday party. This episode was

408
00:23:15,440 --> 00:23:17,840
Speaker 1: so silly, I mean, and he goes, take your time

409
00:23:17,880 --> 00:23:22,240
Speaker 1: to look at this and runs around, Yeah, and then

410
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Speaker 1: the other gen comes in and it's got nail polish

411
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Speaker 1: on the other hand, But then when he walks in,

412
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Speaker 1: he goes walking slowly. Yeah. Yeah, what was the woman's

413
00:23:31,520 --> 00:23:35,240
Speaker 1: name on his in his and his brain trust? Do

414
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Speaker 1: you remember her? It must have been crazy eyed Margo.

415
00:23:39,280 --> 00:23:41,960
Speaker 1: It must have been her hand, crazy eyed Margo memory.

416
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Speaker 1: Someone wrote on Twitter. I sat. Someone wrote on Instagram

417
00:23:47,200 --> 00:23:49,320
Speaker 1: or Twitter about you. It was funny. They said. There's

418
00:23:49,359 --> 00:23:53,160
Speaker 1: definitely a Goldilocked sweet spot for how high Donald should be.

419
00:23:53,240 --> 00:23:56,880
Speaker 1: Sometimes it's too little, sometimes it's too much, right, Sometimes

420
00:23:56,880 --> 00:24:00,240
Speaker 1: I get too far gone. Yeah, I'm like, holy shit,

421
00:24:00,280 --> 00:24:02,040
Speaker 1: I was high in that episode. Yeah. And then there's

422
00:24:02,040 --> 00:24:03,879
Speaker 1: sometimes where I was like, I probably should have smoked

423
00:24:03,880 --> 00:24:06,360
Speaker 1: weed in that episode. Yeah. I just love that someone

424
00:24:06,400 --> 00:24:09,439
Speaker 1: compared you to Goldilocks's like, that's that's that's that porridge,

425
00:24:09,600 --> 00:24:11,720
Speaker 1: that that weed is not enough, that weed is too much,

426
00:24:11,760 --> 00:24:17,000
Speaker 1: that weed, that's just right. Um, why don't we go

427
00:24:17,040 --> 00:24:19,439
Speaker 1: to break, right, chel We're gonna go break, and when

428
00:24:19,440 --> 00:24:22,240
Speaker 1: we come right back, we're gonna talk about firm like Mutton,

429
00:24:22,280 --> 00:24:24,440
Speaker 1: the second time that an assid has been compared to

430
00:24:24,520 --> 00:24:39,960
Speaker 1: Mutton in Scrubs. We'll be right back and we're back, okay,

431
00:24:39,960 --> 00:24:42,360
Speaker 1: all right, And I have a question, why why why?

432
00:24:42,480 --> 00:24:44,760
Speaker 1: First of all? Why that why? Why? I don't know.

433
00:24:44,760 --> 00:24:47,480
Speaker 1: It came to my mind when you did that noise? Okay,

434
00:24:47,800 --> 00:24:54,440
Speaker 1: second of the second, second second of all? Um, I

435
00:24:54,520 --> 00:24:57,760
Speaker 1: thought Elliott had gotten past this look. I thought we

436
00:24:57,760 --> 00:25:00,720
Speaker 1: were moving past this look at this point, aren't we? No,

437
00:25:00,920 --> 00:25:02,800
Speaker 1: she does this rock her hair for like? I think

438
00:25:02,840 --> 00:25:05,760
Speaker 1: the whole season really okay? Yeah, I think the season

439
00:25:05,800 --> 00:25:09,240
Speaker 1: three was Elliott rock her hair. Okay, the whole season. Yeah,

440
00:25:09,280 --> 00:25:11,720
Speaker 1: I'm sad about it too. And the whole season and

441
00:25:11,760 --> 00:25:15,200
Speaker 1: then and season three ends with us getting with Carla

442
00:25:15,280 --> 00:25:19,560
Speaker 1: and Turk getting married. Right, I don't know, boilers, Oh,

443
00:25:19,640 --> 00:25:22,040
Speaker 1: Joel says, yes, I can. Look. I have it in

444
00:25:22,080 --> 00:25:25,400
Speaker 1: front of me here, what Joel, you're looking? Yes, I'm

445
00:25:25,440 --> 00:25:27,159
Speaker 1: looking right here? Do you want to know what's coming up?

446
00:25:27,720 --> 00:25:33,159
Speaker 1: We have? Oh, we have his story. I think this

447
00:25:33,240 --> 00:25:36,600
Speaker 1: must be when you narrate. Oh shucks, it is either

448
00:25:36,680 --> 00:25:39,240
Speaker 1: mea John c. McGinley. No, it says you. Turk has

449
00:25:39,280 --> 00:25:42,200
Speaker 1: hesitations about whether or not to mail his wedding invitations.

450
00:25:42,200 --> 00:25:47,560
Speaker 1: Oh shit, yep. And then we have Scott Foley coming back,

451
00:25:47,760 --> 00:25:49,760
Speaker 1: um for I mean, we haven't booke him on the episode,

452
00:25:49,760 --> 00:25:53,159
Speaker 1: but Connecticut's favorite Scott Foley. Yeah, and then we have

453
00:25:53,280 --> 00:25:58,840
Speaker 1: Richard Kine's episode, and yeah, it ends with Carla and

454
00:25:58,880 --> 00:26:06,160
Speaker 1: Turk getting married with George. Somebody's gonna ask you that's

455
00:26:06,359 --> 00:26:08,720
Speaker 1: that Just that line alone in that song. I don't

456
00:26:08,720 --> 00:26:11,920
Speaker 1: even know the song, but just that line alone. Classic.

457
00:26:12,359 --> 00:26:15,200
Speaker 1: So the sixth member of the cast of Spin City

458
00:26:15,280 --> 00:26:18,720
Speaker 1: joins this Alexander Chaplin. Now we call him Sandy. I'm

459
00:26:19,000 --> 00:26:22,680
Speaker 1: Sandy Forever. We went to theater camp together, which sounds

460
00:26:22,720 --> 00:26:24,480
Speaker 1: like a joke from Scrubs, but is true. We went

461
00:26:24,480 --> 00:26:27,080
Speaker 1: to a theater camp called Stage Door Manner together. And

462
00:26:27,200 --> 00:26:30,399
Speaker 1: he is related to say it, tell it. There's a

463
00:26:30,440 --> 00:26:34,760
Speaker 1: reason why his name is Chapman. No, Chaplain, He's not

464
00:26:34,840 --> 00:26:39,080
Speaker 1: related to Chaplain. His father in law is how Prince

465
00:26:39,160 --> 00:26:42,879
Speaker 1: the most celebrated was under the impression that Sandy was

466
00:26:42,880 --> 00:26:48,320
Speaker 1: was related to Charlie Chaplin. No, you can, let's look up.

467
00:26:48,520 --> 00:26:51,199
Speaker 1: I would know that. I would. Let's look this up.

468
00:26:51,240 --> 00:26:53,600
Speaker 1: But his father, somebody, you know, told me this. David

469
00:26:53,640 --> 00:26:55,360
Speaker 1: alan Base told me this. So I'm gonna put Dave

470
00:26:55,680 --> 00:27:00,840
Speaker 1: David alan Base on I don't think so. I feel

471
00:27:00,840 --> 00:27:03,359
Speaker 1: like I would know that tidbit about him because I

472
00:27:03,440 --> 00:27:05,879
Speaker 1: know him and he's a very very sweet man and

473
00:27:05,920 --> 00:27:08,040
Speaker 1: a wonderful actor. And do you know what film he

474
00:27:08,080 --> 00:27:10,560
Speaker 1: was in that was really where where his acting was

475
00:27:10,600 --> 00:27:16,480
Speaker 1: really incredible. I wish I was here. M hm do

476
00:27:16,520 --> 00:27:24,359
Speaker 1: you remember that Donald? Isn't that he plays the young rabbi? Uh?

477
00:27:24,440 --> 00:27:32,800
Speaker 1: Do you remember that Donald? Oh? Yeah, that's right? And

478
00:27:32,920 --> 00:27:35,800
Speaker 1: the plant and something about the plant. Right. He is

479
00:27:35,840 --> 00:27:38,760
Speaker 1: a great actor, I think, very very amazing actor. I

480
00:27:38,800 --> 00:27:41,399
Speaker 1: think it's very underused. I mean, the guy should have

481
00:27:41,400 --> 00:27:43,679
Speaker 1: his own show. At this moment where he explodes on

482
00:27:43,760 --> 00:27:46,640
Speaker 1: Elliott over over trying to get pain medication out of her,

483
00:27:47,040 --> 00:27:49,439
Speaker 1: I mean it was just like it was just like

484
00:27:49,480 --> 00:27:52,840
Speaker 1: a quick, little three sentence monologue and he fucking killed it.

485
00:27:52,880 --> 00:27:56,520
Speaker 1: He's so talented. He's very talented and very funny. Also,

486
00:27:56,760 --> 00:28:00,840
Speaker 1: he's very funny. He can also has a beautiful voice. Um,

487
00:28:00,880 --> 00:28:02,840
Speaker 1: I love this man. I wish I wish that I

488
00:28:02,880 --> 00:28:05,159
Speaker 1: saw him more. We gotta, we gotta, we gotta. If

489
00:28:05,160 --> 00:28:07,480
Speaker 1: you're out there and you're a casting director, you gotta

490
00:28:07,600 --> 00:28:12,360
Speaker 1: book Alexander Chaplin because he is a talented fellow. Yeah

491
00:28:12,400 --> 00:28:15,880
Speaker 1: he is. Um, just give me a second. I'm still looking.

492
00:28:15,960 --> 00:28:17,840
Speaker 1: I think Joe Welle is doing the work for me. Yeah,

493
00:28:17,960 --> 00:28:20,320
Speaker 1: they're not related, and it doesn't even look like that.

494
00:28:20,520 --> 00:28:22,760
Speaker 1: Maybe his original last name. It says that he adapted

495
00:28:22,760 --> 00:28:26,080
Speaker 1: it when yeahs he got married according to their Wikipedia page. Yeah,

496
00:28:26,119 --> 00:28:28,840
Speaker 1: do talk about stage door manor though Zach. Yeah, does

497
00:28:28,880 --> 00:28:30,920
Speaker 1: it say that he's his father in law's hel Prince?

498
00:28:31,359 --> 00:28:37,119
Speaker 1: It does? There you go, wow, he is he is

499
00:28:37,359 --> 00:28:39,840
Speaker 1: very Look, he's one of those people where you're like, dude,

500
00:28:39,840 --> 00:28:42,800
Speaker 1: he should be working way more. I agree, This is

501
00:28:42,800 --> 00:28:44,800
Speaker 1: why I tell people and not that. And Sandy's had

502
00:28:44,840 --> 00:28:46,440
Speaker 1: a great career. He's been on Spin City, He's been

503
00:28:46,440 --> 00:28:48,520
Speaker 1: on lots of shows. He's a working actor. But I

504
00:28:48,840 --> 00:28:50,680
Speaker 1: do have to say when people go, when people talk

505
00:28:50,680 --> 00:28:54,080
Speaker 1: about becoming actors, I go, there are people like Sandy

506
00:28:54,560 --> 00:28:59,520
Speaker 1: Slash Alexander Chaplin that are so good and handsome, and

507
00:28:59,560 --> 00:29:02,040
Speaker 1: you're like, why is this guy not a household name?

508
00:29:03,120 --> 00:29:07,040
Speaker 1: I mean, that's it's it's humbling because you go, That's

509
00:29:07,040 --> 00:29:08,800
Speaker 1: why I always talk about it all being a lottery,

510
00:29:08,840 --> 00:29:12,400
Speaker 1: like the fact that that guy never had his own

511
00:29:12,440 --> 00:29:14,680
Speaker 1: show or has he yet to have his own show.

512
00:29:15,560 --> 00:29:17,280
Speaker 1: I just can't believe it, because he can do everything,

513
00:29:18,920 --> 00:29:21,920
Speaker 1: and he's and he's charming, and anyway I cast him,

514
00:29:21,960 --> 00:29:24,440
Speaker 1: I'll continue to cast him. It's crazy how that is, though,

515
00:29:24,440 --> 00:29:27,000
Speaker 1: because you meet a lot of those people in Hollywood

516
00:29:27,000 --> 00:29:30,320
Speaker 1: as you go through the as you go, you know,

517
00:29:30,360 --> 00:29:33,040
Speaker 1: as you climb the ranks, and as you fall down

518
00:29:33,080 --> 00:29:34,840
Speaker 1: the ranks, you know what I mean, as you as

519
00:29:34,840 --> 00:29:38,520
Speaker 1: you fall, you meet a lot of the same type

520
00:29:38,520 --> 00:29:41,120
Speaker 1: of people who are running the same type of race

521
00:29:41,200 --> 00:29:43,800
Speaker 1: that you are. Man, this thing really is like it.

522
00:29:44,400 --> 00:29:46,120
Speaker 1: I remember when I lived in New York, we used

523
00:29:46,120 --> 00:29:48,720
Speaker 1: to look at this thing, look at the acting game

524
00:29:48,760 --> 00:29:51,000
Speaker 1: as the trenches, because like your best friend all of

525
00:29:51,040 --> 00:29:53,040
Speaker 1: a sudden as your enemy the minute you walk into

526
00:29:53,040 --> 00:29:56,280
Speaker 1: an audition space, because you're all competing for a job,

527
00:29:56,320 --> 00:30:00,040
Speaker 1: and you know you're absolutely right. He's one of the

528
00:30:00,160 --> 00:30:02,720
Speaker 1: people that you watch and you're like wow, even as

529
00:30:02,760 --> 00:30:06,080
Speaker 1: an actor, when you look at them, you're like, this person,

530
00:30:06,280 --> 00:30:09,880
Speaker 1: there's something something's wrong if this person's not doing it right.

531
00:30:09,920 --> 00:30:11,880
Speaker 1: And it's like why, like why, I mean other than

532
00:30:11,960 --> 00:30:14,920
Speaker 1: just the lottery of of of the way the chips fall,

533
00:30:15,040 --> 00:30:16,760
Speaker 1: I don't know see why. I mean, Donald and I

534
00:30:16,840 --> 00:30:20,880
Speaker 1: both won't you know, can can name privately actors that

535
00:30:21,000 --> 00:30:24,560
Speaker 1: are hugely successful and totally cut together in the edit room,

536
00:30:24,600 --> 00:30:27,440
Speaker 1: and they owe their career to an editor and a director.

537
00:30:27,840 --> 00:30:31,560
Speaker 1: And then there's people like Sandy Chaplin, who, like I

538
00:30:32,240 --> 00:30:33,800
Speaker 1: directed him in which I was here, there's not a

539
00:30:33,800 --> 00:30:36,440
Speaker 1: single take he did I couldn't I couldn't use in

540
00:30:36,480 --> 00:30:38,960
Speaker 1: the film. He's right that him yelling at Elliott is

541
00:30:39,000 --> 00:30:42,200
Speaker 1: also just on him. It never cuts to her reaction

542
00:30:42,320 --> 00:30:45,400
Speaker 1: until after he's done. So you see the you see

543
00:30:45,480 --> 00:30:48,520
Speaker 1: him smiling, and then the ramp and the and the

544
00:30:48,920 --> 00:30:51,000
Speaker 1: it's really it's and then he quickly turns a joke

545
00:30:51,120 --> 00:30:54,920
Speaker 1: and then right and then right it comes back. I

546
00:30:55,000 --> 00:30:58,120
Speaker 1: think he recurs a few times. Bill loves the same character. Yeah,

547
00:30:58,160 --> 00:31:00,600
Speaker 1: Bill loves him too. Um So, all right, there's our

548
00:31:00,680 --> 00:31:03,040
Speaker 1: there's our monologue about how much we love Alexander Chaplin

549
00:31:03,160 --> 00:31:07,040
Speaker 1: and and again, sorry shameless plug, if you still haven't

550
00:31:07,080 --> 00:31:09,520
Speaker 1: seen Wish I Was Here, please check it out. And

551
00:31:09,560 --> 00:31:11,560
Speaker 1: he's really good in that. He's I play a guy

552
00:31:11,600 --> 00:31:14,360
Speaker 1: who's so not into his religion and he's secular and

553
00:31:14,600 --> 00:31:18,719
Speaker 1: was raised Orthodox, and and he befriends this younger rabbi

554
00:31:18,800 --> 00:31:21,880
Speaker 1: who's sort of you know, shows him that there's a

555
00:31:21,880 --> 00:31:25,280
Speaker 1: way to be religious without being the religious ways his

556
00:31:25,400 --> 00:31:28,360
Speaker 1: parents were and and and so he finds his own

557
00:31:28,400 --> 00:31:31,000
Speaker 1: unique way to connect to spirituality. He's sort of the

558
00:31:31,080 --> 00:31:33,480
Speaker 1: rabbi I always wished i'd met. I wish I'd met

559
00:31:33,480 --> 00:31:37,240
Speaker 1: a rabbi who who? Who? Who taught me a way

560
00:31:37,280 --> 00:31:40,360
Speaker 1: to be spiritual without the strict dogma that I was

561
00:31:40,400 --> 00:31:43,640
Speaker 1: sort of had forced upon me as a child. I

562
00:31:43,720 --> 00:31:49,160
Speaker 1: have a question for you. Go ahead, And this is hypothetical,

563
00:31:49,240 --> 00:31:51,480
Speaker 1: and so I don't want to just change. I don't

564
00:31:51,480 --> 00:31:55,160
Speaker 1: want to. I don't want to be because I think

565
00:31:55,200 --> 00:31:56,920
Speaker 1: everybody did a great job and wish I was here

566
00:31:56,920 --> 00:31:58,840
Speaker 1: and everything like that. But if Natalie Portman would have

567
00:31:58,840 --> 00:32:00,640
Speaker 1: played your wife in that movie, do you have made

568
00:32:00,640 --> 00:32:09,000
Speaker 1: it the sequel to to uh Garden State State? No? No, No,

569
00:32:09,120 --> 00:32:11,840
Speaker 1: I don't think so. I I see how they are

570
00:32:11,920 --> 00:32:15,400
Speaker 1: there's they're sort of cousins of each other. But um,

571
00:32:16,360 --> 00:32:18,320
Speaker 1: I think I didn't want to go anywhere near Garden State.

572
00:32:18,360 --> 00:32:21,640
Speaker 1: I mean, obviously I I it's coming out of my

573
00:32:21,800 --> 00:32:24,440
Speaker 1: brain and in this case, and wish I was here's

574
00:32:24,440 --> 00:32:26,880
Speaker 1: the case my brother Adam as well. But so they're

575
00:32:26,880 --> 00:32:29,400
Speaker 1: all gonna, you know, have a piece of me. And

576
00:32:29,480 --> 00:32:31,680
Speaker 1: in fact, the new script is funny someone someone I

577
00:32:32,600 --> 00:32:34,280
Speaker 1: know and love and trust read it and I said,

578
00:32:34,280 --> 00:32:35,760
Speaker 1: this is the first thing I've written that really isn't

579
00:32:35,760 --> 00:32:37,600
Speaker 1: about me. And they read it and laughed. They said,

580
00:32:37,600 --> 00:32:39,880
Speaker 1: do you think this isn't about you? I mean, it's

581
00:32:39,920 --> 00:32:43,640
Speaker 1: not about a struggling artist, a guy from Jersey, but

582
00:32:43,720 --> 00:32:46,240
Speaker 1: it is so much of who I am in it.

583
00:32:46,360 --> 00:32:48,080
Speaker 1: I think that that's just, you know, that's what comes

584
00:32:48,080 --> 00:32:49,880
Speaker 1: out of me when I when I write. So I

585
00:32:49,880 --> 00:32:52,120
Speaker 1: think I see how they're cousins of each other, but

586
00:32:52,160 --> 00:32:55,280
Speaker 1: I didn't. I didn't see Kate's character having anything to

587
00:32:55,320 --> 00:32:59,480
Speaker 1: do with with Natalie's character. Would you ever consider revisiting that?

588
00:33:00,680 --> 00:33:02,520
Speaker 1: I'd love to work with Natalie again. I don't want

589
00:33:02,560 --> 00:33:04,840
Speaker 1: to do like I've had so many opportunities to do

590
00:33:05,040 --> 00:33:07,600
Speaker 1: incarnations of Garden State, I don't. I just kind of

591
00:33:07,600 --> 00:33:09,800
Speaker 1: want to leave. Would you ever want to put this

592
00:33:10,000 --> 00:33:12,000
Speaker 1: cast back to you? Like? This is what I don't understand,

593
00:33:12,160 --> 00:33:14,080
Speaker 1: This is what I don't understand. It's certain and some

594
00:33:14,240 --> 00:33:16,440
Speaker 1: directors do it, and then other directors don't do it,

595
00:33:16,440 --> 00:33:19,440
Speaker 1: and I don't understand that. And sometimes it really upsets

596
00:33:19,480 --> 00:33:22,240
Speaker 1: me because you meet certain directors and you're like, I

597
00:33:22,320 --> 00:33:24,120
Speaker 1: want to work with this person forever and then you

598
00:33:24,160 --> 00:33:27,040
Speaker 1: never work with that person again. But like Scorsese, he's

599
00:33:27,080 --> 00:33:29,440
Speaker 1: one of those people where if he loves you, you're

600
00:33:29,440 --> 00:33:31,800
Speaker 1: in everything. He's gonna do same thing with Oliver Stone,

601
00:33:31,840 --> 00:33:34,440
Speaker 1: you know what I mean. I don't understand why people

602
00:33:34,480 --> 00:33:38,080
Speaker 1: don't take something that was successful like Garden State and

603
00:33:38,320 --> 00:33:43,400
Speaker 1: bring the entire cast back together, same writer, same director,

604
00:33:43,480 --> 00:33:47,920
Speaker 1: same everything, and create something different. If it all worked

605
00:33:47,960 --> 00:33:51,760
Speaker 1: the first time, why would it be different the second time.

606
00:33:51,920 --> 00:33:54,040
Speaker 1: That's a great point, But you'd have to write something

607
00:33:54,080 --> 00:33:58,040
Speaker 1: that would be perfect for all those people again, you know,

608
00:33:58,480 --> 00:34:00,760
Speaker 1: but you already kind of know what it is because

609
00:34:00,800 --> 00:34:02,920
Speaker 1: you did it the first time. No, all right, if

610
00:34:02,920 --> 00:34:06,320
Speaker 1: I just stick to the blueprint, the blueprint says this

611
00:34:06,400 --> 00:34:08,520
Speaker 1: is gonna work. This is something that rappers do all

612
00:34:08,560 --> 00:34:11,000
Speaker 1: the time, all right. The blueprint says this is gonna work.

613
00:34:11,040 --> 00:34:13,080
Speaker 1: This is something that artists do all the time. The

614
00:34:13,120 --> 00:34:17,760
Speaker 1: blueprint says this is gonna work. And it does pretty

615
00:34:17,840 --> 00:34:21,200
Speaker 1: much every time, pretty much every time. If if a

616
00:34:22,480 --> 00:34:24,319
Speaker 1: maybe in the rap world, but not not in the film.

617
00:34:25,560 --> 00:34:27,919
Speaker 1: There's plenty of people trying to recreate the magic. Look,

618
00:34:27,920 --> 00:34:30,120
Speaker 1: it's the whole world of sequels. I mean, how many

619
00:34:30,160 --> 00:34:34,799
Speaker 1: sequels are good. That's you're you're absolutely right when it

620
00:34:34,800 --> 00:34:40,319
Speaker 1: comes to sequels. But the equal is exactly what you're saying. Well, no,

621
00:34:40,480 --> 00:34:44,120
Speaker 1: not really, because when it's the sequel, you want something different.

622
00:34:44,160 --> 00:34:46,400
Speaker 1: That's the that's the only thing that's the that's the

623
00:34:46,680 --> 00:34:49,839
Speaker 1: that's the difference between the sequel and what the formula is.

624
00:34:50,040 --> 00:34:53,640
Speaker 1: The formula works every time. The sequel can't be the

625
00:34:53,680 --> 00:34:57,000
Speaker 1: formula again, that's the rule. Man, it can't be all right,

626
00:34:57,040 --> 00:34:59,080
Speaker 1: I made Star Wars, so the next one has to

627
00:34:59,080 --> 00:35:01,799
Speaker 1: be Star Wars. They made Star Wars, and the next

628
00:35:01,840 --> 00:35:04,520
Speaker 1: one was Empire Strikes Back. And that's why this is

629
00:35:04,560 --> 00:35:06,920
Speaker 1: the challenge though, and and I hear, here's how I'll

630
00:35:06,920 --> 00:35:09,440
Speaker 1: address it in the way that what I experienced is

631
00:35:09,680 --> 00:35:11,520
Speaker 1: it took me a long time to make another film

632
00:35:11,520 --> 00:35:14,240
Speaker 1: after Garden State, and when I and and I didn't.

633
00:35:15,400 --> 00:35:18,200
Speaker 1: You know, it's the classic sophomore effort. And I think

634
00:35:18,280 --> 00:35:21,480
Speaker 1: artists of all types feel this is. Of course, I

635
00:35:21,520 --> 00:35:23,800
Speaker 1: want the audience to come back for what they loved.

636
00:35:24,320 --> 00:35:27,359
Speaker 1: But I don't want to repeat myself. You know, it's

637
00:35:27,360 --> 00:35:29,959
Speaker 1: the class any any musician with their sophomore album would

638
00:35:29,960 --> 00:35:32,279
Speaker 1: say the same thing. I want I want everyone to

639
00:35:32,280 --> 00:35:34,760
Speaker 1: come back into the tent, but I don't want everyone

640
00:35:34,760 --> 00:35:37,920
Speaker 1: to think I'm just biting myself. So you're trying to say,

641
00:35:38,160 --> 00:35:41,040
Speaker 1: here's something in the spirit of what you liked, but

642
00:35:41,160 --> 00:35:43,760
Speaker 1: I'm also going to tiptoe us over here. Now that'll

643
00:35:43,800 --> 00:35:47,320
Speaker 1: either work or won't. Sometimes they won't like the tiptoe

644
00:35:47,360 --> 00:35:48,840
Speaker 1: and they'll be like, where the fun Like, for example,

645
00:35:48,840 --> 00:35:52,080
Speaker 1: I wish I was here doesn't really have a love story. Um,

646
00:35:52,120 --> 00:35:54,160
Speaker 1: you know, there's it's a couple that's that's that that

647
00:35:54,239 --> 00:35:55,839
Speaker 1: loves each other and they're going through a tough time

648
00:35:55,880 --> 00:35:58,000
Speaker 1: and there's a chance that there's a chance they might

649
00:35:58,080 --> 00:36:00,040
Speaker 1: break up. But at the center of it isn't a

650
00:36:00,080 --> 00:36:02,960
Speaker 1: love story, right, So people that are so related to

651
00:36:02,960 --> 00:36:05,640
Speaker 1: a love story, we're like, oh, it's a Zach Braff

652
00:36:05,680 --> 00:36:07,239
Speaker 1: movie and it's got, it's got it's got a vibe,

653
00:36:07,239 --> 00:36:08,840
Speaker 1: and it's got music, and it's got it's kind of

654
00:36:08,880 --> 00:36:11,239
Speaker 1: great actors I love. And then when they saw that

655
00:36:11,760 --> 00:36:13,920
Speaker 1: there was no will they or won't they love story?

656
00:36:13,960 --> 00:36:17,839
Speaker 1: I think were I suspect we're disappointed by that. So

657
00:36:17,880 --> 00:36:20,080
Speaker 1: it's always a challenge to go I want to, I

658
00:36:20,160 --> 00:36:22,839
Speaker 1: want to, I pray you all come back into the tent.

659
00:36:23,360 --> 00:36:27,759
Speaker 1: But I also want to kind of do something different together, right,

660
00:36:27,840 --> 00:36:30,200
Speaker 1: no doubt, No, No, I totally understand what you're saying.

661
00:36:30,719 --> 00:36:33,800
Speaker 1: I totally get what you're saying. But that makes me wonder.

662
00:36:33,840 --> 00:36:37,879
Speaker 1: Then Scorsese has figured out his formula. It seems like, yeah,

663
00:36:37,880 --> 00:36:41,560
Speaker 1: he makes really good gritty movies, you know what I mean.

664
00:36:42,320 --> 00:36:45,400
Speaker 1: But Scorsese always delivers. He's going you're gonna see guns,

665
00:36:45,480 --> 00:36:49,399
Speaker 1: You're going to see criminal activity, you're gonna see you're

666
00:36:49,440 --> 00:36:52,640
Speaker 1: going to see amazing cinematography. You're always going to see

667
00:36:52,719 --> 00:36:56,239
Speaker 1: the top actors in the world. He does. The Rodriguez

668
00:36:56,360 --> 00:37:00,239
Speaker 1: is another one that's done. That's my point. They're y

669
00:37:00,360 --> 00:37:04,200
Speaker 1: there are like a handful of directors that have done that. Tarantino.

670
00:37:04,600 --> 00:37:06,000
Speaker 1: You know what you're going to see when you see

671
00:37:06,000 --> 00:37:08,520
Speaker 1: a Tarantino movie. Yeah, and Tarantino's done it in a

672
00:37:08,520 --> 00:37:11,480
Speaker 1: genius way that even more than anyone that they I

673
00:37:11,560 --> 00:37:15,960
Speaker 1: think they are so specifically Tarantino films, but they're all

674
00:37:16,040 --> 00:37:18,719
Speaker 1: over the place, in there, in there, in there in

675
00:37:18,760 --> 00:37:21,000
Speaker 1: what they're about. So then what's wrong with you doing that?

676
00:37:21,120 --> 00:37:24,840
Speaker 1: What's wrong with you doing is as good a writer

677
00:37:25,080 --> 00:37:28,000
Speaker 1: or as prolific a writer. But Zack garden State is

678
00:37:28,080 --> 00:37:30,719
Speaker 1: fucking fire, dude, regardless of what you want to say,

679
00:37:30,840 --> 00:37:32,680
Speaker 1: and regardless of what you want to say about wish

680
00:37:32,760 --> 00:37:36,080
Speaker 1: I was here, that's fire dude. It's a great story,

681
00:37:37,400 --> 00:37:39,400
Speaker 1: you know what I mean. And it touches something that

682
00:37:39,440 --> 00:37:41,000
Speaker 1: you don't see in a lot of movies. You don't

683
00:37:41,000 --> 00:37:44,040
Speaker 1: see a lot of people. Thank you. I think. I

684
00:37:44,280 --> 00:37:48,000
Speaker 1: think what I do, that is what I write, probably

685
00:37:48,000 --> 00:37:52,520
Speaker 1: has a smaller audience, but it can grow. But that's fine. Grow,

686
00:37:52,760 --> 00:37:56,480
Speaker 1: that's fine. I don't need to be you two the

687
00:37:56,560 --> 00:37:59,200
Speaker 1: band that came to my mind first. Um, I can

688
00:37:59,239 --> 00:38:02,680
Speaker 1: be a smaller act at a smaller venue, but there

689
00:38:02,719 --> 00:38:05,319
Speaker 1: definitely there clearly is an audience for it. Um. But

690
00:38:05,600 --> 00:38:08,439
Speaker 1: you know I'm not I'm content not being as as

691
00:38:08,560 --> 00:38:12,200
Speaker 1: hugely successful as Tarantino. My point is not just for you,

692
00:38:12,280 --> 00:38:15,160
Speaker 1: this is for everybody. It's all right to do what

693
00:38:15,239 --> 00:38:17,520
Speaker 1: you do. There's nothing wrong with doing what you do.

694
00:38:17,600 --> 00:38:20,600
Speaker 1: Nobody does you better than you. Yeah, I agree, no

695
00:38:20,640 --> 00:38:23,040
Speaker 1: matter what you're, no matter what you're, no matter what

696
00:38:23,120 --> 00:38:25,840
Speaker 1: your art is. I believe that. And also what comes

697
00:38:25,840 --> 00:38:28,319
Speaker 1: out of you at the time is the art that

698
00:38:28,400 --> 00:38:31,640
Speaker 1: you have to contribute to the world. I always go

699
00:38:31,680 --> 00:38:36,640
Speaker 1: back to Justin m from bonnever saying to me about

700
00:38:36,680 --> 00:38:38,279
Speaker 1: I think I sold the story on the show that

701
00:38:38,320 --> 00:38:40,160
Speaker 1: he said, I try to give him a note on

702
00:38:40,160 --> 00:38:42,239
Speaker 1: the song for which I was here, and he said,

703
00:38:42,760 --> 00:38:45,240
Speaker 1: that's what came out of me when I saw the film.

704
00:38:45,800 --> 00:38:49,520
Speaker 1: And so I don't apologize at all for the stuff

705
00:38:49,560 --> 00:38:51,680
Speaker 1: I make, whether when sometimes it works sometimes it doesn't,

706
00:38:51,680 --> 00:38:53,680
Speaker 1: because it's what came out of me at the time.

707
00:38:53,680 --> 00:38:56,160
Speaker 1: It's what I had to say, and hopefully some people

708
00:38:56,280 --> 00:39:00,480
Speaker 1: liked it. Right speaking, if that's very difficult to be

709
00:39:00,800 --> 00:39:03,640
Speaker 1: on that page, because then that goes against everything that

710
00:39:03,680 --> 00:39:06,440
Speaker 1: I was just talking about, where the formula always works.

711
00:39:06,719 --> 00:39:09,520
Speaker 1: If you're on that this is what I expressed at

712
00:39:09,520 --> 00:39:14,319
Speaker 1: that moment. That's that's the only thing. That's the only

713
00:39:14,320 --> 00:39:15,880
Speaker 1: thing I can do. I think I don't know how

714
00:39:15,920 --> 00:39:18,120
Speaker 1: to I don't know. I mean, I have yet to

715
00:39:18,239 --> 00:39:21,040
Speaker 1: know how to write something. And that's not like a

716
00:39:21,880 --> 00:39:23,279
Speaker 1: an order for me to get in a chair and

717
00:39:23,320 --> 00:39:26,680
Speaker 1: spend that much time and commitment. And I need to

718
00:39:26,719 --> 00:39:29,760
Speaker 1: tap into like what I feel as a human being.

719
00:39:31,920 --> 00:39:33,680
Speaker 1: I yet to be able to be like, oh my god,

720
00:39:33,680 --> 00:39:36,319
Speaker 1: I have a great submarine movie idea. And it's not

721
00:39:36,360 --> 00:39:38,759
Speaker 1: to say, it's not to say, it's not to say

722
00:39:38,800 --> 00:39:41,399
Speaker 1: that I don't have an occasional good submarine movie idea,

723
00:39:41,480 --> 00:39:43,320
Speaker 1: but I wouldn't have the commitment to sit down and

724
00:39:43,520 --> 00:39:46,680
Speaker 1: and and put the time in to do it in

725
00:39:46,840 --> 00:39:49,680
Speaker 1: order for me to fucking do the thing that we

726
00:39:49,760 --> 00:39:52,560
Speaker 1: writers do, which is stare at the blinking cursor alone

727
00:39:52,600 --> 00:39:55,319
Speaker 1: wishing you were doing anything else. I need to I

728
00:39:55,360 --> 00:39:59,799
Speaker 1: need to feel like it's coming out of my fucking body.

729
00:40:00,280 --> 00:40:04,520
Speaker 1: That's your formula. Yeah, My formula is to um, is

730
00:40:04,560 --> 00:40:09,319
Speaker 1: to tap into my own psyche and my own um,

731
00:40:09,480 --> 00:40:11,440
Speaker 1: the things that make me joyous and the things that

732
00:40:11,480 --> 00:40:15,480
Speaker 1: made me depressed and and uh and craft. Well it shows.

733
00:40:15,320 --> 00:40:18,480
Speaker 1: It shows in your movies, man, because after walking out

734
00:40:18,480 --> 00:40:21,120
Speaker 1: of Wish I was here, I think everybody was like, fuck,

735
00:40:21,160 --> 00:40:25,520
Speaker 1: I'm depressed, dude. Come on, it's not. There's hope at

736
00:40:25,520 --> 00:40:29,000
Speaker 1: the end. There's very little. That ship. That family is

737
00:40:29,040 --> 00:40:32,319
Speaker 1: so fucked man, Oh my god. Not at the end

738
00:40:32,360 --> 00:40:35,680
Speaker 1: they're happy. Yeah, well they're happy because they freaking the

739
00:40:36,120 --> 00:40:41,239
Speaker 1: bully died, you know what, and he no spoilers, but

740
00:40:41,320 --> 00:40:43,520
Speaker 1: he definitely begins a new chapter of his life and

741
00:40:43,560 --> 00:40:46,160
Speaker 1: he seems like he's content in the end and the

742
00:40:46,280 --> 00:40:49,640
Speaker 1: very end, in the very very I love the movie, dude.

743
00:40:49,640 --> 00:40:52,160
Speaker 1: I'm just telling you, man that that family is that's

744
00:40:52,200 --> 00:40:54,799
Speaker 1: a very and and what's crazy about it is that's

745
00:40:54,920 --> 00:40:58,000
Speaker 1: the truth. Though. That was a truth and it's not

746
00:40:58,160 --> 00:41:00,759
Speaker 1: a wrap this up with a big Hollywood boo. I

747
00:41:00,760 --> 00:41:02,960
Speaker 1: don't want to make that ship. There's plenty of people

748
00:41:03,000 --> 00:41:05,480
Speaker 1: making that shit. I want to make the real real.

749
00:41:05,560 --> 00:41:07,479
Speaker 1: I want to make you know you and your wife

750
00:41:07,480 --> 00:41:10,840
Speaker 1: can have an all out fucking battle and yeah, you

751
00:41:10,920 --> 00:41:13,400
Speaker 1: love each other, and yeah you will do anything for

752
00:41:13,440 --> 00:41:15,200
Speaker 1: each other. But in the back of your mind, you're like,

753
00:41:15,320 --> 00:41:18,879
Speaker 1: is this gonna fucking last forever? Like, I don't know.

754
00:41:19,440 --> 00:41:21,040
Speaker 1: I want to make that movie. I don't want to

755
00:41:21,080 --> 00:41:22,799
Speaker 1: make the I lift her up and we hug on

756
00:41:22,840 --> 00:41:25,600
Speaker 1: the beach bullshit. There's plenty of people doing that. That

757
00:41:25,640 --> 00:41:29,279
Speaker 1: feels good though, too, keep me one hundred. Yeah, but

758
00:41:29,320 --> 00:41:31,600
Speaker 1: there's but there's plenty of people doing that. There's plenty

759
00:41:31,640 --> 00:41:33,520
Speaker 1: of I'd rather I'd rather tell it on a story

760
00:41:33,560 --> 00:41:36,800
Speaker 1: about a couple that hopes they're gonna make it. Yeah,

761
00:41:36,840 --> 00:41:39,000
Speaker 1: that's the truth, because that that is the truth, man,

762
00:41:39,040 --> 00:41:42,399
Speaker 1: That's what that's what really, you know, when you walk

763
00:41:42,440 --> 00:41:44,080
Speaker 1: out of a wish I was here, and I'm fucking

764
00:41:44,120 --> 00:41:47,200
Speaker 1: totally you know, I'd totally sound like your best friend

765
00:41:47,239 --> 00:41:49,040
Speaker 1: who's so totally proud of you. But it's like when

766
00:41:49,040 --> 00:41:51,920
Speaker 1: you walk out of that movie, regardless of who you are,

767
00:41:52,000 --> 00:41:55,320
Speaker 1: where you are, or what you're doing, if if, if

768
00:41:55,360 --> 00:41:57,600
Speaker 1: you don't, if you don't feel like shit, damn man,

769
00:41:58,800 --> 00:42:03,040
Speaker 1: I'm happy. I'm not that right now. Yeah, not them

770
00:42:03,160 --> 00:42:06,799
Speaker 1: right now. I just want to aspire. I aspire to

771
00:42:06,800 --> 00:42:08,799
Speaker 1: make you watch something that makes you talk about it,

772
00:42:08,840 --> 00:42:10,080
Speaker 1: like you know, when you can see a movie and

773
00:42:10,120 --> 00:42:11,920
Speaker 1: then by the time you get to your car, you're like,

774
00:42:11,960 --> 00:42:14,360
Speaker 1: should we get desserved? Like I mean in normal times?

775
00:42:14,600 --> 00:42:16,840
Speaker 1: Should we? Uh? And just it's gone, It's gone, like

776
00:42:16,880 --> 00:42:20,239
Speaker 1: you had cotton candy. Right. I'd rather be like, yo,

777
00:42:20,320 --> 00:42:23,440
Speaker 1: you remember to part yeah, of course, and be like

778
00:42:23,920 --> 00:42:25,920
Speaker 1: even even by the way, even if you're like I

779
00:42:26,080 --> 00:42:28,480
Speaker 1: fucking hated the way he wrote that one character, like

780
00:42:28,480 --> 00:42:32,960
Speaker 1: even I just want you by I'm fine to be polarizing.

781
00:42:33,080 --> 00:42:37,000
Speaker 1: I want your passion right right, that's what's up. I

782
00:42:37,040 --> 00:42:40,279
Speaker 1: want talk about the shrubs. Why don't we, Joel, why

783
00:42:40,280 --> 00:42:43,120
Speaker 1: don't we invite the guests after a break. We'll be

784
00:42:43,200 --> 00:42:57,680
Speaker 1: right back after these fine words. And we're Badgle gargo, gargo. Okay, Um,

785
00:42:57,840 --> 00:43:01,120
Speaker 1: here's where are we going? When we see the janitor

786
00:43:01,239 --> 00:43:03,440
Speaker 1: after he falls off the ambulance, I thought we were

787
00:43:03,480 --> 00:43:06,600
Speaker 1: going to play basketball. The basketball hoops behind us. I'm

788
00:43:06,600 --> 00:43:09,000
Speaker 1: with you, dude. I think that the director was assuming

789
00:43:09,040 --> 00:43:12,600
Speaker 1: that the audience doesn't know the geography of our parking lot. Well,

790
00:43:12,600 --> 00:43:15,919
Speaker 1: this was written by rich Estes Does that I say

791
00:43:15,920 --> 00:43:20,920
Speaker 1: his name? I don't know who's written by? On me? Look, um,

792
00:43:20,960 --> 00:43:24,359
Speaker 1: this was written by Oh, I don't know who rich

793
00:43:24,400 --> 00:43:28,719
Speaker 1: Eustace is. He wasn't a regular staff writer. I'm not

794
00:43:28,760 --> 00:43:30,920
Speaker 1: sure what the story with rich Eustace is. And then

795
00:43:30,920 --> 00:43:34,040
Speaker 1: who directed it? Maybe Gail Mancuso directed it. Oh Gail,

796
00:43:34,400 --> 00:43:37,880
Speaker 1: you love Gail. We do love Gail. Love Gail Um.

797
00:43:37,920 --> 00:43:40,360
Speaker 1: Gail Um has won many an Emmy, I think for

798
00:43:40,400 --> 00:43:45,480
Speaker 1: directing modern family. She does that is she Um does it?

799
00:43:46,000 --> 00:43:51,680
Speaker 1: She does it right, She's great. Um. I once Um

800
00:43:51,719 --> 00:43:56,080
Speaker 1: texted Gail to have her direct Alex inc. And she

801
00:43:56,120 --> 00:43:58,239
Speaker 1: didn't reply to me. Now I don't know if I

802
00:43:58,320 --> 00:44:01,480
Speaker 1: had the wrong cell phone this many years later, but

803
00:44:01,560 --> 00:44:05,360
Speaker 1: I to this day, I'm harboring. Um, I'm sure you

804
00:44:05,440 --> 00:44:09,400
Speaker 1: have a listener in your life, someone that never replied

805
00:44:09,560 --> 00:44:12,600
Speaker 1: and you're like, do I have a wrong number? Or

806
00:44:12,640 --> 00:44:15,719
Speaker 1: did they ghost me? And I feel that way and

807
00:44:15,800 --> 00:44:18,359
Speaker 1: I'm like and I'm like, no, Gail loved me. It's

808
00:44:18,400 --> 00:44:20,360
Speaker 1: not like we have beef or anything. Why would she

809
00:44:20,440 --> 00:44:22,440
Speaker 1: ignore me? Oh, I have a bunch of people that

810
00:44:22,480 --> 00:44:25,080
Speaker 1: I'm like that with. Man, it's ridiculous where it's like

811
00:44:25,120 --> 00:44:28,799
Speaker 1: I text them and then they never text me back. Yeah,

812
00:44:28,880 --> 00:44:31,200
Speaker 1: it's weird though, man, But but do you have people

813
00:44:31,239 --> 00:44:33,480
Speaker 1: in your phone? Like, let's say someone hits you up

814
00:44:33,560 --> 00:44:35,880
Speaker 1: right and they're not in your noting mean, it's not

815
00:44:35,920 --> 00:44:38,479
Speaker 1: someone in your clothes circle. It's it's like a outer

816
00:44:38,640 --> 00:44:40,920
Speaker 1: ring friend and you're not dissing them. Yeah, you'll get

817
00:44:40,920 --> 00:44:42,400
Speaker 1: back to them. They're cool, but you're not gonna do

818
00:44:42,400 --> 00:44:43,759
Speaker 1: it right now because you're in the middle something. And

819
00:44:43,800 --> 00:44:47,200
Speaker 1: then you forget. Yeah all the time. Of course, So

820
00:44:47,280 --> 00:44:49,880
Speaker 1: sometimes because of my neurosis, I'll go back and go,

821
00:44:49,960 --> 00:44:52,200
Speaker 1: oh fuck, I never applied to so and so it

822
00:44:52,320 --> 00:44:54,560
Speaker 1: just happens too often with me. You know, you're a

823
00:44:54,600 --> 00:44:56,600
Speaker 1: stoner too, so it must happen more because of the

824
00:44:56,600 --> 00:45:01,399
Speaker 1: amount of ganja. All right, Now, I laughed hard at

825
00:45:01,600 --> 00:45:04,160
Speaker 1: my character getting attacked for hitting on a woman in

826
00:45:04,160 --> 00:45:12,239
Speaker 1: the elevator. Now, I think she overreacted a bit, just

827
00:45:12,360 --> 00:45:15,520
Speaker 1: a little bit, because that's a sault. Yeah, she assaulted

828
00:45:15,600 --> 00:45:18,239
Speaker 1: me because all you said, I didn't. I used a

829
00:45:18,280 --> 00:45:20,440
Speaker 1: bad pickup line and she beats the shit out of me.

830
00:45:21,520 --> 00:45:23,520
Speaker 1: But it's hilarious and I'm sure there's a lot of

831
00:45:23,560 --> 00:45:25,600
Speaker 1: women out there who watched that being like, yeah, that's

832
00:45:25,600 --> 00:45:27,399
Speaker 1: what you want to do sometimes when a guy's hitting

833
00:45:27,400 --> 00:45:32,759
Speaker 1: on you in an element, that's what you get, Okay. Uh,

834
00:45:32,880 --> 00:45:36,000
Speaker 1: Carla ripping the condom open with her teeth kind of

835
00:45:36,040 --> 00:45:38,080
Speaker 1: gave me movement. I don't know why. Really, there was

836
00:45:38,120 --> 00:45:39,880
Speaker 1: a bit of a like a there was a shift,

837
00:45:40,239 --> 00:45:42,600
Speaker 1: he felt a jiggle. It was, yeah, there was a

838
00:45:42,600 --> 00:45:45,400
Speaker 1: little bit of a yeah, although you probably don't have

839
00:45:45,440 --> 00:45:47,400
Speaker 1: a light jiggle like I feel like when you have movement,

840
00:45:47,400 --> 00:45:49,719
Speaker 1: it's like like what you know, like when they make

841
00:45:49,760 --> 00:45:52,040
Speaker 1: the sound effect of a giant boat moving, it's like

842
00:45:52,120 --> 00:45:58,840
Speaker 1: a yeah, you know when they do like the underwater

843
00:45:58,960 --> 00:46:02,160
Speaker 1: shot of like their aircraft carrier turning and the like.

844
00:46:02,160 --> 00:46:04,840
Speaker 1: We had a turn turn, turn, and they cut underwater

845
00:46:04,880 --> 00:46:08,120
Speaker 1: and then you hear the boat like, yeah, like a

846
00:46:08,200 --> 00:46:13,040
Speaker 1: big streaky turn. Yeah, yeah, that's what I feel like.

847
00:46:13,040 --> 00:46:16,840
Speaker 1: It sounds like when your penis shifts, all right, Carla,

848
00:46:17,640 --> 00:46:20,280
Speaker 1: Carla going on a date was just I had trouble

849
00:46:20,360 --> 00:46:23,759
Speaker 1: with that. I like, I did never do that. It

850
00:46:23,800 --> 00:46:27,719
Speaker 1: felt so duplicitous. And and the fact that she made

851
00:46:27,800 --> 00:46:30,520
Speaker 1: JD hold the secret. That's where I had a problem.

852
00:46:30,560 --> 00:46:32,040
Speaker 1: I didn't have a problem with her going on to

853
00:46:32,200 --> 00:46:34,960
Speaker 1: date because that can happen. That could happen where. But

854
00:46:35,080 --> 00:46:37,239
Speaker 1: the fact that JD was there when it happened, and

855
00:46:37,280 --> 00:46:39,879
Speaker 1: she said yes, and then she was like, yo, if

856
00:46:39,880 --> 00:46:43,080
Speaker 1: you tell on me, these beads mean nothing. That was like, wait,

857
00:46:43,080 --> 00:46:46,480
Speaker 1: hold on, yeah, I don't know if y'all know how

858
00:46:46,480 --> 00:46:49,279
Speaker 1: this works, but its bros. Before holdesb that's real talk,

859
00:46:49,400 --> 00:46:53,439
Speaker 1: be real, real fucking talk. Would you say Casey said

860
00:46:53,480 --> 00:46:55,680
Speaker 1: to me, I'm gonna go on a date before Donald

861
00:46:55,680 --> 00:46:58,040
Speaker 1: and I fuck out of here. If you don't tell me, dog,

862
00:46:58,640 --> 00:47:02,120
Speaker 1: that's a rap. B we really are friends. You might

863
00:47:02,160 --> 00:47:04,759
Speaker 1: as well fuck Casey. Dude. You might as well fuck

864
00:47:04,840 --> 00:47:09,959
Speaker 1: Casey if she says yo, n it is not bad, dude.

865
00:47:09,960 --> 00:47:13,760
Speaker 1: If Casey said to you, let's let's put it this way.

866
00:47:14,200 --> 00:47:18,400
Speaker 1: Hold on, hold on, let me finish. Were hanging out, right, you,

867
00:47:18,400 --> 00:47:20,520
Speaker 1: you and my wife are friends. And I'm like, I

868
00:47:20,560 --> 00:47:22,959
Speaker 1: don't give I'm not threatened by this situation. You guys

869
00:47:22,960 --> 00:47:25,560
Speaker 1: are you guys are best friend. It doesn't mean I

870
00:47:25,680 --> 00:47:29,360
Speaker 1: encourage this because of my relationship with you, Zach. You

871
00:47:29,480 --> 00:47:31,759
Speaker 1: two hang out. So you two are hanging out. You

872
00:47:31,840 --> 00:47:34,600
Speaker 1: go out one night and she runs into I don't know,

873
00:47:34,760 --> 00:47:37,879
Speaker 1: let's say, Brad Pitt. That's somebody she talks about a lot.

874
00:47:38,760 --> 00:47:41,600
Speaker 1: And Brad Pitt says to her, oh my god, I

875
00:47:41,840 --> 00:47:45,600
Speaker 1: was a huge fan of the newly Weds. You used

876
00:47:45,640 --> 00:47:50,040
Speaker 1: to make me laugh all the time. Um, And Casey

877
00:47:50,120 --> 00:47:52,080
Speaker 1: was like, oh my god, I'm a fan of your stuff.

878
00:47:52,120 --> 00:47:54,279
Speaker 1: And they're just having them having a cute little meat

879
00:47:54,360 --> 00:47:58,200
Speaker 1: cute right. And then at the end of it, Brad goes,

880
00:47:58,239 --> 00:48:01,440
Speaker 1: I would love to pick this up some other time.

881
00:48:02,040 --> 00:48:06,719
Speaker 1: Case Oh, Casey or Casey, what a horrible position. What's

882
00:48:06,800 --> 00:48:09,640
Speaker 1: your number? I'll give you a call. Maybe we can

883
00:48:09,640 --> 00:48:11,919
Speaker 1: go out to some other time. And she's like, blah

884
00:48:11,920 --> 00:48:22,000
Speaker 1: blah blah, uh uh one, just keep dialing five and

885
00:48:22,200 --> 00:48:24,520
Speaker 1: you didn't tell me. Of course I would tell you,

886
00:48:24,760 --> 00:48:27,880
Speaker 1: And no, I'm talking about about the show. Yeah, and

887
00:48:28,040 --> 00:48:31,440
Speaker 1: you didn't tell me. You might as well, fuck Casey,

888
00:48:31,520 --> 00:48:33,759
Speaker 1: you might as well. I don't agree that. I don't

889
00:48:33,760 --> 00:48:36,279
Speaker 1: agree that those two are equal. Um me not telling

890
00:48:36,320 --> 00:48:37,840
Speaker 1: you she want to do with Brad. She goes the

891
00:48:37,920 --> 00:48:40,279
Speaker 1: day with Brad Pitt. She gonna leave me for Brad Pitt. Dude,

892
00:48:40,320 --> 00:48:43,640
Speaker 1: She's gonna be like by Rocco, Bye Wilder, Bye Donald,

893
00:48:43,920 --> 00:48:46,160
Speaker 1: it is Brad all day. Well be a mistake for her,

894
00:48:46,160 --> 00:48:49,960
Speaker 1: wouldn't it because Brad pitts we might have to cut this. No,

895
00:48:51,640 --> 00:48:54,280
Speaker 1: the Brad Pitt for example, because every woman who's straight

896
00:48:54,320 --> 00:48:56,200
Speaker 1: listening is like, yeah, I get it. That would be

897
00:48:56,239 --> 00:49:00,000
Speaker 1: a conundrum, And every guy who's gay listening is like, yeah,

898
00:48:59,800 --> 00:49:01,400
Speaker 1: I get it. That would you can under him? And

899
00:49:01,520 --> 00:49:04,480
Speaker 1: every guy whose Kinsey scale allows right now, I was thinking, like, yeah,

900
00:49:04,520 --> 00:49:05,960
Speaker 1: I get it, that might be a problem. You know

901
00:49:06,000 --> 00:49:11,799
Speaker 1: what I'm saying, Joel, y'all, Yes, yes, absolute Brad Pitt.

902
00:49:12,360 --> 00:49:14,200
Speaker 1: If Brad Pitt is like, yeah, you hang out, you

903
00:49:14,200 --> 00:49:15,919
Speaker 1: gotta look at your pridner and be like yo, baby

904
00:49:16,040 --> 00:49:18,960
Speaker 1: pass no, no, But I'll try to tell you I

905
00:49:19,120 --> 00:49:21,280
Speaker 1: want to perhaps I don't believe it. Let's make it work.

906
00:49:22,160 --> 00:49:23,560
Speaker 1: I don't believe in that. I think that's just the

907
00:49:23,600 --> 00:49:26,680
Speaker 1: game couple's play. I don't think this show is all

908
00:49:26,719 --> 00:49:29,560
Speaker 1: about this episode is all about that though, Man a

909
00:49:29,719 --> 00:49:32,640
Speaker 1: hall pass dude, if you if if the fact that

910
00:49:32,760 --> 00:49:36,160
Speaker 1: j D didn't tell Turk is some bullshit right, agree with?

911
00:49:37,120 --> 00:49:39,960
Speaker 1: That doesn't make any sense? Whatso I didn't write it Donald.

912
00:49:40,000 --> 00:49:43,000
Speaker 1: They the writers needed to find some drama, so they

913
00:49:43,040 --> 00:49:46,719
Speaker 1: created the drama. But that's made up drama. Man, Come on, man,

914
00:49:46,800 --> 00:49:49,200
Speaker 1: that's a made up that's I agree? Is the is

915
00:49:49,239 --> 00:49:52,680
Speaker 1: the guest here, Daniel. Let's invite this person in and

916
00:49:52,800 --> 00:49:56,560
Speaker 1: make their day. Let's cheer them up or or tickle

917
00:49:56,600 --> 00:50:03,279
Speaker 1: them with our words. Oh ladies, and gentleman wearing his

918
00:50:03,600 --> 00:50:07,760
Speaker 1: fake doctor's real fringe onesie, give it up for Jimmy,

919
00:50:08,400 --> 00:50:14,520
Speaker 1: can't Jimmie? Welcome to the program. You our very first

920
00:50:14,560 --> 00:50:17,720
Speaker 1: guest to be wearing the onesie live on the show.

921
00:50:17,840 --> 00:50:21,600
Speaker 1: I encourage all future guests if you, if you have

922
00:50:21,640 --> 00:50:24,400
Speaker 1: a onesie, to wear it as as a guest. I

923
00:50:24,600 --> 00:50:28,040
Speaker 1: can ask you a question. Yeah, before we get her,

924
00:50:28,560 --> 00:50:33,919
Speaker 1: isn't it cozy? It's so cozy. Can I say real quick,

925
00:50:34,160 --> 00:50:36,520
Speaker 1: I'm using my brother in law's computer. My name's actually

926
00:50:36,600 --> 00:50:43,239
Speaker 1: cam U. I go by Cam. Okay, so confusing Cam. No,

927
00:50:43,600 --> 00:50:46,040
Speaker 1: I'm sorry. I thought I could change Cam. You can

928
00:50:46,160 --> 00:50:47,839
Speaker 1: you know, if you go in your odo see if

929
00:50:47,840 --> 00:50:50,520
Speaker 1: you upper right in corner those those three dots and

930
00:50:50,640 --> 00:50:53,919
Speaker 1: you click on it, and then it says, oh, sorry,

931
00:50:54,000 --> 00:50:57,000
Speaker 1: Daniel's gonna do it for you. Maybe the gentleman give

932
00:50:57,080 --> 00:51:03,960
Speaker 1: it up for Actually, I mean, I really just couldn't

933
00:51:03,960 --> 00:51:06,240
Speaker 1: go through life knowing that I didn't get Donald's oprah

934
00:51:06,280 --> 00:51:11,680
Speaker 1: intro to someone else's name when you play the show back,

935
00:51:12,040 --> 00:51:14,359
Speaker 1: when you play the show back for your brother, it's

936
00:51:14,400 --> 00:51:17,160
Speaker 1: your brother, your brother in law. He's going to be

937
00:51:17,160 --> 00:51:20,239
Speaker 1: happy that he gotta because your last name ain't even

938
00:51:20,280 --> 00:51:24,040
Speaker 1: ke is it. It's not. It's Salibi, all right, but listen,

939
00:51:24,120 --> 00:51:30,839
Speaker 1: let's go Cam camp Donald, and gentlemen give it up

940
00:51:30,880 --> 00:51:36,360
Speaker 1: my cam Salibi um Donald. I want to say that

941
00:51:36,600 --> 00:51:40,480
Speaker 1: the onesie looks really good on CAM. It is very comfortable,

942
00:51:40,600 --> 00:51:43,080
Speaker 1: very cozy. Now, Cam, do you like the fact that

943
00:51:43,080 --> 00:51:45,239
Speaker 1: it has pockets because sometimes you get a onesie and

944
00:51:45,400 --> 00:51:48,000
Speaker 1: and there's nowhere to put your phone or your stuff.

945
00:51:48,160 --> 00:51:50,640
Speaker 1: You can put anything you want in there. Yeah, not

946
00:51:50,680 --> 00:51:52,760
Speaker 1: only the pockets, but I like where they're placed too,

947
00:51:52,880 --> 00:51:54,960
Speaker 1: you know, not even like to decide they're like perfect

948
00:51:55,000 --> 00:52:00,719
Speaker 1: like hoodie pockets. You know. I have only one complaint

949
00:52:00,800 --> 00:52:05,360
Speaker 1: about our one zie. Okay, no poop flap, no poop flop. Yeah,

950
00:52:05,800 --> 00:52:07,600
Speaker 1: next incarnation, we need to add a poo flaps. Going

951
00:52:07,640 --> 00:52:10,160
Speaker 1: to cost more money though, Yeah, yeah, you cost more money.

952
00:52:10,280 --> 00:52:11,759
Speaker 1: You do have to go all the way off if

953
00:52:11,760 --> 00:52:14,520
Speaker 1: you want to, you know. Yeah, I just think a

954
00:52:14,520 --> 00:52:16,160
Speaker 1: poop flap is funny, even if you don't use the

955
00:52:16,160 --> 00:52:17,880
Speaker 1: poop flap. I just think I laugh every time I

956
00:52:17,880 --> 00:52:21,920
Speaker 1: see a poop flap. Um, Cam, Welcome to the program.

957
00:52:21,960 --> 00:52:26,800
Speaker 1: Where are you calling from? I'm from Charleston, South Carolina? Okay,

958
00:52:27,200 --> 00:52:29,000
Speaker 1: And do you have a question for any of us

959
00:52:29,040 --> 00:52:31,319
Speaker 1: today to be on the show? I do? I do?

960
00:52:31,400 --> 00:52:33,160
Speaker 1: I have a question for all of you. Actually, go

961
00:52:33,200 --> 00:52:35,839
Speaker 1: ahead and cam that really scrubs specific And I just

962
00:52:35,880 --> 00:52:38,399
Speaker 1: got to say so I give credit where credit is due.

963
00:52:39,000 --> 00:52:41,360
Speaker 1: I kind of got this question from another podcast I

964
00:52:41,400 --> 00:52:44,240
Speaker 1: listened to. It's called The Watch through the Ringer Network.

965
00:52:44,560 --> 00:52:49,919
Speaker 1: Shout out Shay Serato watch both the Watches. Two guys

966
00:52:49,960 --> 00:52:52,400
Speaker 1: they had Jason Mazuokas on and they were talking a

967
00:52:52,400 --> 00:52:55,600
Speaker 1: lot about this past year, and the question was, do

968
00:52:55,640 --> 00:52:58,160
Speaker 1: you feel the way you consume content or what content

969
00:52:58,280 --> 00:53:01,360
Speaker 1: you want to consume has change over the past ten months.

970
00:53:01,840 --> 00:53:04,120
Speaker 1: Your personal taste or what you find funny has that

971
00:53:04,239 --> 00:53:06,680
Speaker 1: changed over the past year as well? Obviously with the

972
00:53:06,719 --> 00:53:11,239
Speaker 1: pandemic things like that. Yeah, I think I think my

973
00:53:11,440 --> 00:53:14,360
Speaker 1: taste and what I find funny has changed. And I

974
00:53:14,360 --> 00:53:15,960
Speaker 1: think a lot of it has to do with how

975
00:53:15,960 --> 00:53:21,600
Speaker 1: the culture has shifted. You know, what is considered bullying

976
00:53:22,040 --> 00:53:28,000
Speaker 1: and not necessarily was considered punching down now used to

977
00:53:28,000 --> 00:53:32,680
Speaker 1: be considered very funny and it it's it's not anymore.

978
00:53:33,080 --> 00:53:37,160
Speaker 1: Um And so yeah, i think I'm way more conscious

979
00:53:37,239 --> 00:53:40,680
Speaker 1: of when listening to jokes and this is and and

980
00:53:40,880 --> 00:53:43,840
Speaker 1: this is something that I'm not necessarily happy about or

981
00:53:43,920 --> 00:53:47,160
Speaker 1: sad about. Uh, It's just that I'm very I'm I'm

982
00:53:47,320 --> 00:53:50,160
Speaker 1: I'm very aware of this now that when I listened

983
00:53:50,200 --> 00:53:55,280
Speaker 1: to jokes, I'm also when I'm when I'm consuming content,

984
00:53:55,320 --> 00:53:59,359
Speaker 1: I should say I'm also checking to see if it

985
00:53:59,360 --> 00:54:03,719
Speaker 1: offends anyone, because if it does, then I'm not necessary

986
00:54:03,960 --> 00:54:07,319
Speaker 1: like once I feel like something offends somebody, then I

987
00:54:07,400 --> 00:54:09,600
Speaker 1: have a problem with it in a lot of ways,

988
00:54:09,680 --> 00:54:12,200
Speaker 1: And I don't know, and I think I think it

989
00:54:12,200 --> 00:54:14,239
Speaker 1: has a lot to do with, you know, just the

990
00:54:14,320 --> 00:54:16,680
Speaker 1: climate that we're in right now. I don't want anyone

991
00:54:16,719 --> 00:54:24,640
Speaker 1: to necessarily be offended by me, like in ways that

992
00:54:24,719 --> 00:54:27,919
Speaker 1: I've been offended by people, you know what I mean.

993
00:54:27,960 --> 00:54:32,000
Speaker 1: So if if I ever make somebody feel like I

994
00:54:32,040 --> 00:54:35,279
Speaker 1: have felt, then I got a problem with that. And

995
00:54:35,320 --> 00:54:39,080
Speaker 1: I think this year, more than anything, because of the climate,

996
00:54:39,640 --> 00:54:44,080
Speaker 1: we are experiencing that more. I think whether it's okay, well,

997
00:54:44,120 --> 00:54:45,960
Speaker 1: now that I know that it hurts you, people are

998
00:54:46,080 --> 00:54:49,960
Speaker 1: using it more, or I know that it hurts you,

999
00:54:50,000 --> 00:54:52,239
Speaker 1: I'm going to refrain from saying it. And even if

1000
00:54:52,239 --> 00:54:55,120
Speaker 1: it's not honest, at least it's at least it's an

1001
00:54:55,160 --> 00:54:57,440
Speaker 1: effort to say, you know what, I see that that

1002
00:54:57,560 --> 00:55:02,640
Speaker 1: hurts you. My bad. What about you, Joel? Do you

1003
00:55:02,640 --> 00:55:05,280
Speaker 1: think your ways of or the way you view content

1004
00:55:05,320 --> 00:55:09,920
Speaker 1: has changed all during the pandemic? Uh? No, I mean

1005
00:55:09,960 --> 00:55:14,000
Speaker 1: I had the film and television critic beforehand. I watched

1006
00:55:14,120 --> 00:55:16,799
Speaker 1: things all the time streaming or on my computer because

1007
00:55:16,840 --> 00:55:21,080
Speaker 1: that's how we get the screeners. I think that there's

1008
00:55:21,080 --> 00:55:23,440
Speaker 1: a possibility. I like certain shows a lot more than

1009
00:55:23,480 --> 00:55:26,040
Speaker 1: I would have pre pandemic. I still would have enjoyed,

1010
00:55:26,080 --> 00:55:28,239
Speaker 1: like I would have enjoyed the Lasso whenever it came out,

1011
00:55:28,239 --> 00:55:31,960
Speaker 1: But my God, wasn't like vital to just lifting the spear.

1012
00:55:32,040 --> 00:55:33,640
Speaker 1: It was like came like the darkest point of the

1013
00:55:33,640 --> 00:55:36,040
Speaker 1: pandemic where we were like, I don't there's no cure insight,

1014
00:55:36,120 --> 00:55:38,040
Speaker 1: I don't know what's happening. Then like like a beacon

1015
00:55:38,080 --> 00:55:39,839
Speaker 1: of light here comes to the lasso, just to like

1016
00:55:39,920 --> 00:55:42,080
Speaker 1: bowl you over with comedy and then did you feel

1017
00:55:42,120 --> 00:55:44,880
Speaker 1: sorry to digress that episode two was the best episode

1018
00:55:44,960 --> 00:55:48,080
Speaker 1: of Oh clearly, clearly the best superior to all the

1019
00:55:48,120 --> 00:55:50,279
Speaker 1: episodes was something about the way it was directed. Go ahead,

1020
00:55:51,840 --> 00:55:54,920
Speaker 1: And then there shows like um, the Queen's Gambit or

1021
00:55:55,360 --> 00:55:56,680
Speaker 1: even I don't know if you guys have had an

1022
00:55:56,640 --> 00:56:01,560
Speaker 1: opportunity to Marini's Black Bottom yet, but that like again,

1023
00:56:01,600 --> 00:56:03,640
Speaker 1: like there's something timely about these things, even Soul, which

1024
00:56:03,680 --> 00:56:06,520
Speaker 1: I think maybe I would have been more harshly critical of,

1025
00:56:06,840 --> 00:56:11,480
Speaker 1: like pre pandemic, like this is so no I can

1026
00:56:11,640 --> 00:56:14,520
Speaker 1: I like Soul, I might have been more critical in

1027
00:56:14,560 --> 00:56:18,440
Speaker 1: a world where you know, we probably would have had

1028
00:56:18,480 --> 00:56:21,680
Speaker 1: a similar summer despite the pandemic. Right, So tensions are

1029
00:56:21,760 --> 00:56:24,200
Speaker 1: high and there's a lot to consider about black representation

1030
00:56:24,200 --> 00:56:26,920
Speaker 1: and art. But like, my god, anything that's going to

1031
00:56:26,960 --> 00:56:29,560
Speaker 1: make me feel some kind of joy or light or

1032
00:56:29,960 --> 00:56:34,200
Speaker 1: or feels like just remotely better than the previous representation

1033
00:56:34,239 --> 00:56:36,239
Speaker 1: we've had, and like give it a hall pass. Like

1034
00:56:36,840 --> 00:56:39,719
Speaker 1: again't take it too harshly, because I just need this

1035
00:56:39,840 --> 00:56:42,120
Speaker 1: level of joy and content in this time. And I

1036
00:56:43,440 --> 00:56:46,279
Speaker 1: a little bit his change. I appreciate certain things a

1037
00:56:46,280 --> 00:56:48,640
Speaker 1: little bit more, but for the most part, no, I'm

1038
00:56:48,640 --> 00:56:51,640
Speaker 1: watching and consuming when you hear people, But when you

1039
00:56:51,680 --> 00:56:56,360
Speaker 1: hear people say certain things like uh, you know, hurtful

1040
00:56:56,440 --> 00:57:00,759
Speaker 1: things in media and in in it doesn't affect you

1041
00:57:00,840 --> 00:57:03,000
Speaker 1: more Like it affects me way more now because I

1042
00:57:03,000 --> 00:57:07,239
Speaker 1: feel like everybody is well await, Like okay, I just

1043
00:57:07,280 --> 00:57:10,280
Speaker 1: saw something recently where a young lady is going crazy

1044
00:57:10,360 --> 00:57:13,879
Speaker 1: over her phone accusing of a young accusing a young

1045
00:57:13,920 --> 00:57:20,080
Speaker 1: black kid of stealing her phone, right, and it really

1046
00:57:20,160 --> 00:57:22,200
Speaker 1: angered me because it was like, wait, hold on, now,

1047
00:57:22,560 --> 00:57:25,360
Speaker 1: you know what's going on. There's a better way to

1048
00:57:25,400 --> 00:57:28,760
Speaker 1: do this, dude. What you're doing right now isn't the

1049
00:57:28,880 --> 00:57:32,320
Speaker 1: right way. There's a better way to handle all of this.

1050
00:57:32,440 --> 00:57:35,560
Speaker 1: You know, what's what climate, This is what's going on

1051
00:57:35,680 --> 00:57:37,520
Speaker 1: right now, and you're not even paying. You don't give

1052
00:57:37,560 --> 00:57:39,680
Speaker 1: a fuck, and that pisses me off. You know what

1053
00:57:39,720 --> 00:57:42,320
Speaker 1: I mean? When I see sh like that, I can't

1054
00:57:42,320 --> 00:57:45,840
Speaker 1: really media. That's something somebody like captured, right, Like, that's

1055
00:57:45,880 --> 00:57:48,200
Speaker 1: not turned into media though, you know what I mean,

1056
00:57:48,240 --> 00:57:50,240
Speaker 1: it's now turned into something to involve. It is a

1057
00:57:50,480 --> 00:57:54,720
Speaker 1: much broader conversation, which I don't a thousand percent disagree

1058
00:57:54,760 --> 00:57:57,400
Speaker 1: with you, but it's a much broader conversation than I

1059
00:57:57,400 --> 00:58:00,480
Speaker 1: think we can tackle here. I think I've always been

1060
00:58:00,480 --> 00:58:02,800
Speaker 1: sensitive to that stuff, Like, I mean, if you're gonna

1061
00:58:02,920 --> 00:58:05,560
Speaker 1: come yelling at children who are just being kids, like,

1062
00:58:05,560 --> 00:58:09,840
Speaker 1: I've always found that, right, I don't get it. What

1063
00:58:09,880 --> 00:58:13,600
Speaker 1: about you, Daniel? I think you know inherently, one thing

1064
00:58:13,600 --> 00:58:16,120
Speaker 1: that is affected my media watching is just the climate

1065
00:58:16,360 --> 00:58:19,520
Speaker 1: of the world from a health standpoint. Every movie or

1066
00:58:19,640 --> 00:58:21,280
Speaker 1: thing that I watched from the past, I just look

1067
00:58:21,320 --> 00:58:23,120
Speaker 1: at and be like, can you believe all those people

1068
00:58:23,120 --> 00:58:25,600
Speaker 1: are so close together? Can you believe that we were

1069
00:58:25,640 --> 00:58:27,800
Speaker 1: just so accepting of like this or that or the

1070
00:58:27,840 --> 00:58:30,440
Speaker 1: other thing? Right? You know, one thing I saw one

1071
00:58:30,440 --> 00:58:33,040
Speaker 1: thing I saw recently people. Someone on Twitter was saying,

1072
00:58:33,200 --> 00:58:35,600
Speaker 1: can you believe that we all just like went bowling,

1073
00:58:35,880 --> 00:58:38,800
Speaker 1: like sticking your fingers into the bowling ball? That's someone else.

1074
00:58:38,840 --> 00:58:41,160
Speaker 1: You have no idea that we all just did that

1075
00:58:41,280 --> 00:58:46,400
Speaker 1: and then ate our chicken fingers light. So I think,

1076
00:58:46,440 --> 00:58:49,520
Speaker 1: you know, anytime I watched something from a year ago

1077
00:58:49,600 --> 00:58:52,200
Speaker 1: and beyond, there's that, and that's definitely going on in

1078
00:58:52,200 --> 00:58:54,200
Speaker 1: the back of my head, and going forward, I will

1079
00:58:54,200 --> 00:58:56,920
Speaker 1: definitely be considering that in the safety of everybody around

1080
00:58:57,520 --> 00:59:00,200
Speaker 1: in production. Do you think the movie should be Do

1081
00:59:00,200 --> 00:59:02,120
Speaker 1: you think movies should be conscious of that? Do you

1082
00:59:02,160 --> 00:59:04,800
Speaker 1: think do you think movies should go back to the

1083
00:59:04,840 --> 00:59:09,720
Speaker 1: way they were before compared to what's going on now?

1084
00:59:09,800 --> 00:59:15,280
Speaker 1: Like should movies tackle the fact that Corona happened and

1085
00:59:15,640 --> 00:59:18,280
Speaker 1: sanitizing your hand and washing your hands? And you know

1086
00:59:18,320 --> 00:59:19,800
Speaker 1: what I mean, because when you go and watch a

1087
00:59:19,800 --> 00:59:21,880
Speaker 1: movie and somebody does that, the whole audience is going

1088
00:59:21,920 --> 00:59:24,040
Speaker 1: to be like, oh my god, so fucking no. I

1089
00:59:24,120 --> 00:59:26,480
Speaker 1: know it's a question because I'm hoping to shoot my

1090
00:59:26,520 --> 00:59:30,800
Speaker 1: film this coming summer and I don't plan to address

1091
00:59:31,960 --> 00:59:34,680
Speaker 1: COVID at all, because I imagine it will come out

1092
00:59:34,720 --> 00:59:39,320
Speaker 1: a year from the summer, and with god willing universe willing,

1093
00:59:40,120 --> 00:59:43,080
Speaker 1: COVID will be tackled. And I don't want my film

1094
00:59:43,120 --> 00:59:45,720
Speaker 1: to be like, oh, it's a COVID movie, but yeah,

1095
00:59:45,800 --> 00:59:49,200
Speaker 1: it's weird you think of like you know, you think

1096
00:59:49,200 --> 00:59:53,120
Speaker 1: of shooting something. I agree everything I watch now, I'm like,

1097
00:59:53,160 --> 00:59:55,320
Speaker 1: oh my god. We were watching the show called every

1098
00:59:55,520 --> 00:59:57,080
Speaker 1: Somebody Feed Phil. I don't know if you ever see.

1099
00:59:57,120 --> 01:00:00,800
Speaker 1: It's really funny food show, and he's like really sharing

1100
01:00:00,840 --> 01:00:04,360
Speaker 1: a fork with a stranger and everyone we just like

1101
01:00:04,600 --> 01:00:07,040
Speaker 1: when the room gasped, we were like, oh my god.

1102
01:00:07,840 --> 01:00:10,200
Speaker 1: It just really quickly. On that very point, I think

1103
01:00:10,240 --> 01:00:14,040
Speaker 1: sometimes the best movies exist in a world where, like

1104
01:00:14,120 --> 01:00:18,280
Speaker 1: the situation of the world isn't the focus. It just

1105
01:00:18,360 --> 01:00:21,040
Speaker 1: happens to exist in that world. I think, like, you know,

1106
01:00:21,160 --> 01:00:24,479
Speaker 1: you think about the kind of clover Field, the monster movie.

1107
01:00:24,480 --> 01:00:27,920
Speaker 1: Clover Field tried to do a good job of telling

1108
01:00:28,000 --> 01:00:31,360
Speaker 1: a story in a world where a monster movie is happening,

1109
01:00:31,520 --> 01:00:34,880
Speaker 1: rather than making the movie about the monster. Maybe not

1110
01:00:34,920 --> 01:00:37,440
Speaker 1: the best example, but I think as we see movies

1111
01:00:37,480 --> 01:00:39,720
Speaker 1: going forward, there will be movies that exist in the

1112
01:00:39,720 --> 01:00:42,360
Speaker 1: time of COVID. But if there are movies that are

1113
01:00:42,400 --> 01:00:45,200
Speaker 1: about COVID, it's just going to be contrived and boring

1114
01:00:45,240 --> 01:00:47,640
Speaker 1: and lame. But seeing a movie that exists in this

1115
01:00:47,680 --> 01:00:50,160
Speaker 1: world that's about something else, I'm interested to see how

1116
01:00:50,160 --> 01:00:53,520
Speaker 1: that's part of life and so how decide to tackle

1117
01:00:53,600 --> 01:00:55,840
Speaker 1: that in film and the media, I'm interested. So they

1118
01:00:56,240 --> 01:00:58,640
Speaker 1: made a comment in that other podcast about how they

1119
01:00:58,640 --> 01:01:01,880
Speaker 1: were watching old episodes of back PI and uh He's

1120
01:01:01,960 --> 01:01:04,040
Speaker 1: and the guy was like, Jason was like, everyone in

1121
01:01:04,080 --> 01:01:07,240
Speaker 1: that show is dealing with Vietnam, you know, years and

1122
01:01:07,320 --> 01:01:09,840
Speaker 1: years later. And his thought was like, you're you know,

1123
01:01:09,840 --> 01:01:11,680
Speaker 1: you got to have like a character dealing with the pain,

1124
01:01:11,840 --> 01:01:13,320
Speaker 1: Like what what was going on in their life during

1125
01:01:13,360 --> 01:01:14,840
Speaker 1: the pandemic. I don't know it. I thought it was

1126
01:01:14,880 --> 01:01:18,080
Speaker 1: kind of interesting thought, Like, but I agree, Zach, you're

1127
01:01:18,080 --> 01:01:23,360
Speaker 1: not gonna make a COVID somebody somebody will will. But

1128
01:01:23,760 --> 01:01:25,520
Speaker 1: I think and I think that also that they'll do

1129
01:01:25,560 --> 01:01:27,520
Speaker 1: both things. Somebody will make a film about plenty of

1130
01:01:27,560 --> 01:01:32,000
Speaker 1: movies about COVID. But then like in your Magnum Pi analogy,

1131
01:01:32,320 --> 01:01:36,280
Speaker 1: they'll be art of all types, whether it's a PI

1132
01:01:36,360 --> 01:01:40,160
Speaker 1: show or or a little dark indie where COVID is

1133
01:01:40,560 --> 01:01:44,840
Speaker 1: a character. Just the the the trauma, the emotional trauma

1134
01:01:44,920 --> 01:01:48,520
Speaker 1: of what's happened to the earth. UM for what will

1135
01:01:48,560 --> 01:01:51,640
Speaker 1: be two years or more. UM, I think is going

1136
01:01:51,720 --> 01:01:54,040
Speaker 1: to be something a lot of artists make art about.

1137
01:01:56,200 --> 01:01:59,280
Speaker 1: All Right, kem, what's your next question for for the group? Well,

1138
01:01:59,320 --> 01:02:01,480
Speaker 1: that was actually my My other question was do you

1139
01:02:02,200 --> 01:02:05,040
Speaker 1: do you see art changing? Now? All of you are

1140
01:02:05,040 --> 01:02:09,000
Speaker 1: in different types of obviously art and I know there's

1141
01:02:09,000 --> 01:02:11,520
Speaker 1: obviously the little haiting flute like fruit like I assume,

1142
01:02:11,600 --> 01:02:13,720
Speaker 1: like you know, dance floors or DJs are not going

1143
01:02:13,760 --> 01:02:15,880
Speaker 1: to be completely filled maybe, But do you see it

1144
01:02:15,960 --> 01:02:18,600
Speaker 1: changing coming out of this on the other side because

1145
01:02:18,640 --> 01:02:20,120
Speaker 1: of two or two and a half years of being

1146
01:02:20,120 --> 01:02:22,760
Speaker 1: in it, I never really thought about that. I don't think.

1147
01:02:22,800 --> 01:02:25,440
Speaker 1: I think. I think eventually people will go back to

1148
01:02:25,600 --> 01:02:28,840
Speaker 1: nightclubs and people will go back to theaters. I don't

1149
01:02:28,840 --> 01:02:31,320
Speaker 1: think any of that's dying that quick at death. People

1150
01:02:31,360 --> 01:02:34,400
Speaker 1: love dance, people love to go see movies together. People

1151
01:02:34,400 --> 01:02:36,880
Speaker 1: like me are obsessed with live theater. Wait, hold on,

1152
01:02:37,240 --> 01:02:38,720
Speaker 1: let me get this straight, Zack. You feel like the

1153
01:02:38,760 --> 01:02:40,840
Speaker 1: movie theater is going to make a comeback again. I

1154
01:02:40,880 --> 01:02:44,080
Speaker 1: think the movie theater as a as an experience for

1155
01:02:44,480 --> 01:02:49,680
Speaker 1: Blockbusters is going to outlive us. I do think that

1156
01:02:50,920 --> 01:02:54,960
Speaker 1: the idea, even I who love movies, when I see

1157
01:02:55,640 --> 01:02:58,760
Speaker 1: when I see the trailer, I go, I'll wait till

1158
01:02:58,760 --> 01:03:02,080
Speaker 1: it's to be on my big screen TV because I

1159
01:03:02,120 --> 01:03:04,800
Speaker 1: don't it's not a film that for me. I want

1160
01:03:04,840 --> 01:03:08,960
Speaker 1: the theatrical experience. But then then nineteen seventeen came out.

1161
01:03:09,000 --> 01:03:11,040
Speaker 1: I actually watched the screener because I had the Award

1162
01:03:11,080 --> 01:03:13,840
Speaker 1: screener for it, and I went, holy shit, I have

1163
01:03:13,960 --> 01:03:16,200
Speaker 1: done this film a disservice. I want to go see

1164
01:03:16,200 --> 01:03:18,800
Speaker 1: it on a big ass screen. So I think they'll

1165
01:03:18,800 --> 01:03:22,600
Speaker 1: always be, at least for our lifetime, an experience that

1166
01:03:22,680 --> 01:03:24,640
Speaker 1: someone can go have and go see a movie on

1167
01:03:24,640 --> 01:03:30,600
Speaker 1: a big screen. I think that the business they'll do

1168
01:03:30,680 --> 01:03:34,880
Speaker 1: for smaller films that aren't about spectacle will will dwindle. Yeah,

1169
01:03:34,960 --> 01:03:37,920
Speaker 1: it's just I have a hard time thinking that people

1170
01:03:37,960 --> 01:03:40,280
Speaker 1: will go back to theaters. And I hope they do

1171
01:03:40,320 --> 01:03:41,800
Speaker 1: go back to theaters. I don't. I don't want to

1172
01:03:41,880 --> 01:03:44,400
Speaker 1: jinx this, but it's just that's one of the dirtiest

1173
01:03:44,400 --> 01:03:47,520
Speaker 1: places you can go as far as hygiene goes. You

1174
01:03:47,560 --> 01:03:49,280
Speaker 1: go to the bed like when you sit down and

1175
01:03:49,360 --> 01:03:52,560
Speaker 1: the arm rest next to you. Well, COVID will be tackled.

1176
01:03:52,720 --> 01:03:55,080
Speaker 1: I mean, how long is the question? But it will

1177
01:03:55,120 --> 01:04:00,600
Speaker 1: be conquered. Okay, well it needs to be. We listen,

1178
01:04:00,920 --> 01:04:02,560
Speaker 1: And I hate to get political. I don't want to

1179
01:04:02,560 --> 01:04:04,160
Speaker 1: get political about this because I don't think this is

1180
01:04:04,160 --> 01:04:08,760
Speaker 1: a political statement. But one hundred million vaccine, one hundred

1181
01:04:08,760 --> 01:04:12,000
Speaker 1: million vaccine ship to the US, how many people have

1182
01:04:12,080 --> 01:04:16,080
Speaker 1: been inoculated? How many people have received a code vaccine?

1183
01:04:16,080 --> 01:04:18,920
Speaker 1: A million people? Okay, so one million out of one

1184
01:04:19,000 --> 01:04:22,160
Speaker 1: hundred million, about of three hundred millions. I see where

1185
01:04:22,200 --> 01:04:23,640
Speaker 1: you're going though, because the thing is what I did

1186
01:04:23,640 --> 01:04:25,400
Speaker 1: read earlier today is that like at the current rate

1187
01:04:25,440 --> 01:04:27,400
Speaker 1: that we're that we're giving out the vaccine, we're not

1188
01:04:27,440 --> 01:04:29,840
Speaker 1: going to give out the vaccine in total for ten

1189
01:04:29,920 --> 01:04:33,200
Speaker 1: years if we want, right, I know, but okay, but

1190
01:04:33,280 --> 01:04:36,400
Speaker 1: in defense of in defense of human beings and a

1191
01:04:36,520 --> 01:04:40,680
Speaker 1: global logistics, I think that it will be begin the

1192
01:04:41,160 --> 01:04:43,600
Speaker 1: if you looked at the graph, it's going to start picking.

1193
01:04:43,760 --> 01:04:47,240
Speaker 1: I mean, not to be political, but of course I

1194
01:04:47,320 --> 01:04:50,480
Speaker 1: have a feeling when Biden takes over, um, there might

1195
01:04:50,520 --> 01:04:53,280
Speaker 1: be a few smarter people in the room to kick

1196
01:04:53,400 --> 01:04:56,520
Speaker 1: up the distribution. But but even if it wasn't even

1197
01:04:56,560 --> 01:04:59,720
Speaker 1: even if everyone in this current administration were well in

1198
01:04:59,720 --> 01:05:02,600
Speaker 1: ten and doing their best at one hundred percent, it's

1199
01:05:02,640 --> 01:05:07,440
Speaker 1: still pretty massive undertaking to to to give the COVID

1200
01:05:07,520 --> 01:05:10,080
Speaker 1: vaccine to three hundred million people. Yeah, it's going to

1201
01:05:10,160 --> 01:05:12,560
Speaker 1: be an enormous undertaking. Also, just to correct because people

1202
01:05:12,600 --> 01:05:14,920
Speaker 1: will undoubtedly come at us. It's two point one million

1203
01:05:14,960 --> 01:05:17,080
Speaker 1: people as of the recording, two point one million people

1204
01:05:17,080 --> 01:05:18,880
Speaker 1: in the US and perceive their cover and we've gotten

1205
01:05:19,120 --> 01:05:21,440
Speaker 1: so let's make sure we're clear on that. If you,

1206
01:05:22,400 --> 01:05:24,680
Speaker 1: like I said, I don't want to offend anybody by

1207
01:05:24,720 --> 01:05:27,320
Speaker 1: my numbers. These are the things before I would just

1208
01:05:27,360 --> 01:05:29,120
Speaker 1: be black fucking it's such such a sense of touch.

1209
01:05:29,160 --> 01:05:32,440
Speaker 1: I don't give a fuck about facts. Nowadays it's very important.

1210
01:05:32,480 --> 01:05:35,280
Speaker 1: You're absolutely right. Yeah, does X point you like you're

1211
01:05:35,280 --> 01:05:38,080
Speaker 1: gonna want to see a horror film in a theater again, Like,

1212
01:05:38,200 --> 01:05:40,280
Speaker 1: it's not the same. It's not the same watching a

1213
01:05:40,320 --> 01:05:42,560
Speaker 1: horror movie at home by yourself. You're like, oh, it's

1214
01:05:42,640 --> 01:05:45,160
Speaker 1: it's kind of scary. But when you hear three hundred

1215
01:05:45,200 --> 01:05:48,640
Speaker 1: people gasp in a movie theater, there's nothing is replacing

1216
01:05:48,720 --> 01:05:51,520
Speaker 1: that presence. How will that be packaged? Delivered and sold

1217
01:05:51,520 --> 01:05:53,320
Speaker 1: to us is going to change drastically. My guess is

1218
01:05:53,360 --> 01:05:55,720
Speaker 1: we're gonna see a spike in low inc like the

1219
01:05:56,080 --> 01:05:58,240
Speaker 1: dollar theaters and things like that that are cheap and

1220
01:05:58,320 --> 01:06:01,360
Speaker 1: running very old movies and things like that, because and

1221
01:06:01,400 --> 01:06:03,840
Speaker 1: then we'll see obviously a hike in the very expensive

1222
01:06:04,040 --> 01:06:07,200
Speaker 1: you can get booze in a like food items and

1223
01:06:07,320 --> 01:06:09,320
Speaker 1: things delivered and their smells in the air, or whatever

1224
01:06:09,360 --> 01:06:11,320
Speaker 1: they can do to sensationalize and get more money. Because

1225
01:06:11,360 --> 01:06:13,720
Speaker 1: theaters are going to have to adjust post pandemic, but

1226
01:06:13,760 --> 01:06:16,280
Speaker 1: they will adjust. They'll still have audiences, all right. Here's

1227
01:06:16,320 --> 01:06:18,160
Speaker 1: a great example, Joel. If you had to go to

1228
01:06:18,200 --> 01:06:19,800
Speaker 1: if you went to the movie theaters to see Wonder

1229
01:06:19,800 --> 01:06:23,920
Speaker 1: Woman nineteen eighty five, which you piss whatever it was

1230
01:06:24,120 --> 01:06:28,000
Speaker 1: when you walked out, wouldn't you be pissed off? Well, no,

1231
01:06:28,080 --> 01:06:29,760
Speaker 1: I want to see it. I understand that sometimes movies

1232
01:06:29,760 --> 01:06:31,720
Speaker 1: are gonna be bad. I'm a movie theater goer. Again,

1233
01:06:31,720 --> 01:06:33,560
Speaker 1: I don't know. I'm probably buy it person. I'm a

1234
01:06:33,600 --> 01:06:36,160
Speaker 1: film critic, so I really have to pay for a movie.

1235
01:06:36,160 --> 01:06:37,800
Speaker 1: But even when I do, I'm like, I go in

1236
01:06:37,800 --> 01:06:40,000
Speaker 1: for the experience of like, I can't see a movie

1237
01:06:40,000 --> 01:06:43,120
Speaker 1: and Wonder Woman. Say Zack's earlier point gives you so

1238
01:06:43,200 --> 01:06:45,439
Speaker 1: much to talk about. You can critique that movie seven

1239
01:06:45,480 --> 01:06:48,640
Speaker 1: thousand different ways, so many things to discuss. Catch though, Man,

1240
01:06:48,680 --> 01:06:50,080
Speaker 1: it ain't as bad as like, you know what I'm

1241
01:06:50,120 --> 01:06:56,040
Speaker 1: saying that. I think that's what I'm trying to say.

1242
01:06:56,000 --> 01:06:59,200
Speaker 1: It's by the way Christen Wig was was a cat.

1243
01:07:02,640 --> 01:07:05,040
Speaker 1: I was expecting her be like because jelicals can and

1244
01:07:05,360 --> 01:07:09,760
Speaker 1: jelicals due about that time, he is a curious beast.

1245
01:07:10,920 --> 01:07:13,959
Speaker 1: James James Gordon comes falling down, you know whatever, It's cool.

1246
01:07:14,480 --> 01:07:16,880
Speaker 1: The person who put Kristen Wig in a movie and

1247
01:07:17,000 --> 01:07:19,760
Speaker 1: did not allow her one opportunity to be funny needs

1248
01:07:19,920 --> 01:07:29,120
Speaker 1: a hand slap. Yes, all right, Cam, how can we

1249
01:07:29,600 --> 01:07:34,000
Speaker 1: It's time for everyone's favorite segment in South Carolina especially,

1250
01:07:34,760 --> 01:07:42,960
Speaker 1: it's time too fix your lie. Cam. We're here for you.

1251
01:07:43,000 --> 01:07:45,960
Speaker 1: How can we help you? We are professional therapists. Yeah,

1252
01:07:46,000 --> 01:07:48,439
Speaker 1: I don't know. I don't it's you're talking to three

1253
01:07:48,440 --> 01:07:53,840
Speaker 1: professional therapists and Donald Yeah. Yeah. I value your your judgement, Donald,

1254
01:07:54,320 --> 01:07:57,880
Speaker 1: um for good or bad. So if it's about weed

1255
01:07:57,960 --> 01:08:02,160
Speaker 1: or Star Wars, we haven't I got you. Well, I

1256
01:08:02,160 --> 01:08:07,080
Speaker 1: don't want to be on too long. Uh so Uh,

1257
01:08:08,480 --> 01:08:10,160
Speaker 1: I hate to go down the rabbit hole of always

1258
01:08:10,200 --> 01:08:12,680
Speaker 1: asking the love questions. But and as my sister sex

1259
01:08:12,800 --> 01:08:15,440
Speaker 1: next to me, oh, it's our specialty. She's going to

1260
01:08:15,680 --> 01:08:18,040
Speaker 1: roll her eyes. But is your sister next to you, Yeah,

1261
01:08:18,120 --> 01:08:24,880
Speaker 1: she's right here, sister. That's my sister Caroline. So I'm

1262
01:08:24,960 --> 01:08:27,360
Speaker 1: I'm thirty seven, I'm the middle child. My sister is younger.

1263
01:08:27,360 --> 01:08:29,639
Speaker 1: I have an older brother as well. Uh. They are

1264
01:08:29,640 --> 01:08:32,640
Speaker 1: both married and have not one, but two kids. The

1265
01:08:32,680 --> 01:08:34,400
Speaker 1: second one is on the way for both of them.

1266
01:08:34,920 --> 01:08:38,120
Speaker 1: So I'm the lone single sibling left in the family.

1267
01:08:38,160 --> 01:08:40,160
Speaker 1: And not that there's a lot of pressure from the

1268
01:08:40,240 --> 01:08:42,840
Speaker 1: parents or from other family members, but some uh and

1269
01:08:43,080 --> 01:08:46,519
Speaker 1: and I guess my roundabout question is, uh, I don't

1270
01:08:46,520 --> 01:08:47,880
Speaker 1: know if some of them feel like I'm too picky

1271
01:08:48,000 --> 01:08:54,080
Speaker 1: sometimes with finding a girl. Um, And then I so

1272
01:08:54,240 --> 01:08:56,240
Speaker 1: I know, And I say that because I you know,

1273
01:08:56,280 --> 01:08:58,040
Speaker 1: there's this idea of like when you know, you know,

1274
01:08:58,120 --> 01:09:02,160
Speaker 1: and everybody has their story right that whatever it may be.

1275
01:09:02,479 --> 01:09:04,320
Speaker 1: I feel like when people get married or when they

1276
01:09:04,360 --> 01:09:06,479
Speaker 1: get together, they're like, you know, it never would have

1277
01:09:06,479 --> 01:09:08,160
Speaker 1: happened because of this and this, And I feel like

1278
01:09:08,160 --> 01:09:10,360
Speaker 1: I've had those moments, but then it hasn't banned out.

1279
01:09:10,560 --> 01:09:13,000
Speaker 1: So I'm like, is that a real moment? Was I

1280
01:09:13,040 --> 01:09:16,439
Speaker 1: fooling myself? Was I not? You know? So I guess

1281
01:09:16,439 --> 01:09:18,320
Speaker 1: that's the idea a little bit, if that's a question

1282
01:09:18,360 --> 01:09:21,720
Speaker 1: at all. Um, you know, I guess that when you know,

1283
01:09:21,760 --> 01:09:23,600
Speaker 1: you know it's a true statement. Maybe, But I just

1284
01:09:23,680 --> 01:09:26,479
Speaker 1: am I too picky? You know? Like, no, I don't

1285
01:09:26,520 --> 01:09:28,400
Speaker 1: think that such thing as too picky, But you got

1286
01:09:28,400 --> 01:09:32,679
Speaker 1: to realize that it's you know, it's a two way street.

1287
01:09:32,720 --> 01:09:35,840
Speaker 1: So where where you're picky and your cup of tea

1288
01:09:36,000 --> 01:09:40,439
Speaker 1: might present itself, you might not necessarily be that person's

1289
01:09:40,479 --> 01:09:44,000
Speaker 1: cup of tea. So um, But also, can I say

1290
01:09:44,040 --> 01:09:51,200
Speaker 1: something you we all are subscribing to this societal construct

1291
01:09:51,320 --> 01:09:54,439
Speaker 1: that there's something wrong with you if you're your age

1292
01:09:54,479 --> 01:09:57,720
Speaker 1: and you found haven't found your person yet. And I

1293
01:09:57,760 --> 01:09:59,559
Speaker 1: think step one is you have to just let that

1294
01:09:59,600 --> 01:10:02,280
Speaker 1: bullshit and go, yeah, it's because of kids, though, man,

1295
01:10:02,320 --> 01:10:08,559
Speaker 1: it's because of kids. Okay, Okay, it's older, it's maybe

1296
01:10:08,600 --> 01:10:10,599
Speaker 1: a little bit more difficult to have kids. And that's

1297
01:10:10,640 --> 01:10:12,920
Speaker 1: the only reason why. Just as let me just say

1298
01:10:12,960 --> 01:10:16,920
Speaker 1: my thoughts, just as you were programmed, I'm sure that

1299
01:10:17,080 --> 01:10:20,160
Speaker 1: this was the right religion for our family, and this

1300
01:10:20,200 --> 01:10:22,479
Speaker 1: is what we believe. And look, there's a book that

1301
01:10:22,560 --> 01:10:26,479
Speaker 1: says it all, and these are the rules, and an

1302
01:10:26,600 --> 01:10:29,760
Speaker 1: XYZ happens if you're good, and ABC happens if you're bad.

1303
01:10:30,240 --> 01:10:34,320
Speaker 1: You were also programmed that by age thirty you better

1304
01:10:34,360 --> 01:10:37,720
Speaker 1: be married and be thinking about having kids, and you

1305
01:10:37,800 --> 01:10:39,880
Speaker 1: better stay with that person for the rest of your life.

1306
01:10:40,600 --> 01:10:42,880
Speaker 1: And I just think a good starting point for the

1307
01:10:42,920 --> 01:10:46,280
Speaker 1: conversation is just as I don't know if you're religious

1308
01:10:46,360 --> 01:10:48,439
Speaker 1: or not, but just as Donald and I, for example,

1309
01:10:48,960 --> 01:10:52,920
Speaker 1: are secular and don't and chose not to subscribe to

1310
01:10:53,120 --> 01:10:56,080
Speaker 1: that aspect of what we were fed. You can also say,

1311
01:10:56,160 --> 01:10:59,679
Speaker 1: guess what, what if my path is that I continue

1312
01:10:59,720 --> 01:11:02,400
Speaker 1: leading the life that I have with enjoyment, I continue dating,

1313
01:11:02,680 --> 01:11:04,760
Speaker 1: and holy shit, what if I find true love at

1314
01:11:04,760 --> 01:11:07,840
Speaker 1: forty five? What if i'm what if I have a kid?

1315
01:11:07,920 --> 01:11:09,840
Speaker 1: By the way, I have a good friend who started

1316
01:11:09,840 --> 01:11:12,719
Speaker 1: having kids at fifty. I've never seen the guy happier

1317
01:11:12,760 --> 01:11:16,599
Speaker 1: in his whole existence, you know, Gary Donald, So you

1318
01:11:16,680 --> 01:11:20,320
Speaker 1: don't know what's coming for you. Now, we can give

1319
01:11:20,360 --> 01:11:24,280
Speaker 1: you strategies for some ideas on how to how to

1320
01:11:24,360 --> 01:11:27,639
Speaker 1: up your chances of meeting the person. But I think

1321
01:11:27,680 --> 01:11:31,280
Speaker 1: the first step would be letting go of like I'm

1322
01:11:31,280 --> 01:11:35,000
Speaker 1: in the wrong because of what society tells me I'm

1323
01:11:35,000 --> 01:11:37,679
Speaker 1: supposed to be doing. Yeah, and well I'm coming from

1324
01:11:37,680 --> 01:11:39,479
Speaker 1: the South. I feel like it was like, all right,

1325
01:11:39,560 --> 01:11:41,600
Speaker 1: you graduated from high school, you go to college for

1326
01:11:41,640 --> 01:11:44,000
Speaker 1: four years, you graduate from college, you get the job,

1327
01:11:44,040 --> 01:11:46,559
Speaker 1: you get the white, white picket fence, and yeah, by

1328
01:11:46,560 --> 01:11:49,479
Speaker 1: thirty that's all online. And I'm way past that. And

1329
01:11:49,520 --> 01:11:52,080
Speaker 1: it's been a I understand, Zach, and it's a tough

1330
01:11:52,080 --> 01:11:53,599
Speaker 1: thing to let go of. But in the back of

1331
01:11:53,600 --> 01:11:56,800
Speaker 1: my mind it like, you know, knowledge you a little bit.

1332
01:11:56,840 --> 01:11:59,040
Speaker 1: And what's happening is that every day you're telling yourself

1333
01:11:59,040 --> 01:12:02,040
Speaker 1: there's something wrong with you. And also that white picket

1334
01:12:02,120 --> 01:12:04,200
Speaker 1: fence fairy tale is of the past. Man that shit.

1335
01:12:04,439 --> 01:12:08,120
Speaker 1: Who wants a fence? Nobody wants that shit? No more? Right, No,

1336
01:12:08,160 --> 01:12:10,320
Speaker 1: I mean literally in figuratively, who the fuck wants that?

1337
01:12:12,880 --> 01:12:16,320
Speaker 1: I think they're ugly. I actually have a I actually

1338
01:12:16,320 --> 01:12:19,240
Speaker 1: have an old weathered one. They're beautiful weather. I just

1339
01:12:19,280 --> 01:12:23,760
Speaker 1: don't like the painting white. Um. Now that's my that's

1340
01:12:23,800 --> 01:12:25,920
Speaker 1: my speech on that. That's just my two cents, because

1341
01:12:26,360 --> 01:12:28,080
Speaker 1: obviously it's coming from a place that I've thought a

1342
01:12:28,120 --> 01:12:30,360
Speaker 1: lot about. Because I'm forty five. I have a girlfriend

1343
01:12:30,360 --> 01:12:32,479
Speaker 1: I'm in love with. But I'm forty five and haven't

1344
01:12:32,520 --> 01:12:34,639
Speaker 1: done any of the white picket fence of it all.

1345
01:12:35,280 --> 01:12:38,640
Speaker 1: And when I do, you've done. You have done one

1346
01:12:38,680 --> 01:12:41,880
Speaker 1: thing that you have done, one thing that is very

1347
01:12:42,000 --> 01:12:43,840
Speaker 1: and I think I know what it is. I have

1348
01:12:43,880 --> 01:12:47,439
Speaker 1: a home and a dog, You've you you put together

1349
01:12:47,479 --> 01:12:49,920
Speaker 1: quite a career and and that's and that's part of

1350
01:12:49,920 --> 01:12:52,240
Speaker 1: the white picket fence fairy tale. And I think, and

1351
01:12:52,280 --> 01:12:54,240
Speaker 1: I'm gonna be honest with you, I think that is

1352
01:12:54,360 --> 01:12:58,519
Speaker 1: part of the reason why so many people nowadays are

1353
01:12:58,600 --> 01:13:03,640
Speaker 1: having a hard time finding the uh, the person that

1354
01:13:03,680 --> 01:13:06,600
Speaker 1: they're looking for or the person that they think is

1355
01:13:06,640 --> 01:13:10,360
Speaker 1: out there for them they're perfect person. You have to

1356
01:13:10,360 --> 01:13:13,439
Speaker 1: focus on yourself if you're on hat. Listen, I've been,

1357
01:13:13,479 --> 01:13:16,120
Speaker 1: I've been in that relationship where it was like, let's

1358
01:13:16,200 --> 01:13:19,559
Speaker 1: make this work, because maybe we can be happy if

1359
01:13:19,600 --> 01:13:22,400
Speaker 1: we make No. Man, you have to be happy first

1360
01:13:22,439 --> 01:13:25,280
Speaker 1: to be able to make someone else happy. You can't

1361
01:13:25,280 --> 01:13:29,160
Speaker 1: be a miserable person. And then and and expect to

1362
01:13:29,200 --> 01:13:32,360
Speaker 1: find happiness in someone else. It doesn't work that way.

1363
01:13:32,520 --> 01:13:35,320
Speaker 1: That's not how it works, regardless of what regardless of

1364
01:13:35,360 --> 01:13:37,760
Speaker 1: what the movie says and everything like that, that's not

1365
01:13:37,800 --> 01:13:43,280
Speaker 1: how it goes. You have to be confident in yourself first. Yeah,

1366
01:13:44,479 --> 01:13:46,479
Speaker 1: I think you're already there, and so I think, I think,

1367
01:13:46,520 --> 01:13:49,400
Speaker 1: I think. I don't think the problem is whether you

1368
01:13:49,479 --> 01:13:52,679
Speaker 1: want to you know, why me? Why hasn't it happened

1369
01:13:52,680 --> 01:13:54,479
Speaker 1: for me yet? I don't think it's I don't think

1370
01:13:54,520 --> 01:13:56,280
Speaker 1: you're ready for it yet. I think if you wanted it,

1371
01:13:56,280 --> 01:14:00,760
Speaker 1: you could go get that shit anybody. Well, I'm sure Cam,

1372
01:14:00,880 --> 01:14:03,360
Speaker 1: especially in that Onesie could go, could go on dates

1373
01:14:03,400 --> 01:14:06,000
Speaker 1: and and and meat chicks to hook up with. But

1374
01:14:06,040 --> 01:14:11,200
Speaker 1: the one in the mustache make you look fire listen, Cam,

1375
01:14:11,240 --> 01:14:15,479
Speaker 1: I'm sure what what I think was happening is that

1376
01:14:15,680 --> 01:14:23,200
Speaker 1: cam on your body cam? If you want these things.

1377
01:14:23,240 --> 01:14:25,519
Speaker 1: I'm sure you're dating, oh, not in COVID, but pre COVID,

1378
01:14:25,560 --> 01:14:28,519
Speaker 1: I'm sure you were dating right, yes? And are you

1379
01:14:28,560 --> 01:14:31,960
Speaker 1: on any of the apps. It's a love hate relationship,

1380
01:14:32,080 --> 01:14:36,120
Speaker 1: so some some months yes, some muths though, yeah, yeah, yeah, yeah, yeah,

1381
01:14:36,840 --> 01:14:40,160
Speaker 1: I can tell you that. Um that of course, you

1382
01:14:40,240 --> 01:14:42,120
Speaker 1: gotta be you gotta be on the field. You know,

1383
01:14:42,160 --> 01:14:44,160
Speaker 1: you can't be in the stands. You gotta be playing

1384
01:14:44,200 --> 01:14:47,080
Speaker 1: the game right right, because if you're if you're not.

1385
01:14:47,360 --> 01:14:50,960
Speaker 1: I mean, nowadays, you know, people don't want to go

1386
01:14:51,080 --> 01:14:53,200
Speaker 1: lean on a bar and yell to a stranger. I

1387
01:14:53,240 --> 01:14:56,799
Speaker 1: like your skirt. You can actually have a chance to

1388
01:14:56,800 --> 01:15:00,599
Speaker 1: to kind of get to know someone a little bit. Yeah,

1389
01:15:00,800 --> 01:15:02,960
Speaker 1: thank you, just sitting there giggling at me. Did you

1390
01:15:03,000 --> 01:15:05,960
Speaker 1: fucking hit that weed during our break? Did you hit

1391
01:15:06,000 --> 01:15:08,160
Speaker 1: the weed? No, man, I wouldn't. I don't know about you,

1392
01:15:08,240 --> 01:15:10,519
Speaker 1: but hitting the I want you. I want you to

1393
01:15:10,520 --> 01:15:13,479
Speaker 1: be I want I'm gonna be honest with you. There

1394
01:15:13,520 --> 01:15:17,040
Speaker 1: will never be a time ever when we're making this

1395
01:15:17,080 --> 01:15:21,480
Speaker 1: podcast where while we're making it, I'm smoking weed, unless

1396
01:15:21,960 --> 01:15:28,240
Speaker 1: we all agree that we're smoking weed. Anyway, let's commit

1397
01:15:27,640 --> 01:15:34,479
Speaker 1: let's no listen once once once um, we're we're all

1398
01:15:34,680 --> 01:15:38,040
Speaker 1: um injected and we and we're safe. I think we

1399
01:15:38,080 --> 01:15:40,800
Speaker 1: should do an episode where we get together in the

1400
01:15:40,800 --> 01:15:45,000
Speaker 1: same room and get high as balls and do the show. Yes, okay,

1401
01:15:45,120 --> 01:15:47,160
Speaker 1: that's fine with me. There won't be any different for me.

1402
01:15:47,200 --> 01:15:51,000
Speaker 1: I'd just be different for y'all. All right, Sorry, but

1403
01:15:51,040 --> 01:15:56,680
Speaker 1: back to camloset, my wife might be mad, but we

1404
01:15:56,720 --> 01:16:00,679
Speaker 1: can have maybe because the kids will be back at school. Um,

1405
01:16:00,880 --> 01:16:04,280
Speaker 1: Cam Um. One thing I just want to say is

1406
01:16:04,560 --> 01:16:08,120
Speaker 1: that you have to know that it's it takes work

1407
01:16:08,400 --> 01:16:12,160
Speaker 1: to sustain a relationship. It's not just like if I

1408
01:16:12,200 --> 01:16:14,240
Speaker 1: think one thing, then one thing negative that's coming out

1409
01:16:14,240 --> 01:16:15,880
Speaker 1: of the apps is that everyone's just like pulling the

1410
01:16:15,960 --> 01:16:19,840
Speaker 1: roulette wheel. Sorry, I think everyone's pulling the one armed bandit.

1411
01:16:19,840 --> 01:16:22,320
Speaker 1: What do you call that thing? Slot machine? Yeah, everyone's

1412
01:16:22,360 --> 01:16:24,519
Speaker 1: everyone's like okay, okay, oh cool, she's cool. Yeah, we

1413
01:16:24,600 --> 01:16:26,519
Speaker 1: had a good day. Oh I'm looking her. Oh she

1414
01:16:26,640 --> 01:16:30,880
Speaker 1: smokes drink. Next oh da dada. Oh she was kind

1415
01:16:30,880 --> 01:16:35,280
Speaker 1: of obnoxious to Uh, you know people are people are

1416
01:16:35,600 --> 01:16:39,479
Speaker 1: are pulling the slot machine so quickly being like thank

1417
01:16:39,560 --> 01:16:45,200
Speaker 1: you next, as Ariana Grande said, um, and and whereas

1418
01:16:45,280 --> 01:16:48,439
Speaker 1: if you are in pursuit of a committed relationship, it

1419
01:16:48,479 --> 01:16:53,679
Speaker 1: does take patience and giving giving something time to brew. Yeah,

1420
01:16:53,720 --> 01:16:55,400
Speaker 1: I think I've been guilty of that on some dates,

1421
01:16:55,400 --> 01:16:58,000
Speaker 1: So I understand what you're saying. I'm sure there may

1422
01:16:58,040 --> 01:16:59,840
Speaker 1: be girls you went on a date with and one

1423
01:17:00,160 --> 01:17:03,000
Speaker 1: thing negative happened and you're like, fuck this and that

1424
01:17:03,040 --> 01:17:05,320
Speaker 1: girl could have been amazing. She might have had a

1425
01:17:05,360 --> 01:17:11,800
Speaker 1: bad night, all right, Donald, Donald, Remember it's like I

1426
01:17:11,800 --> 01:17:16,519
Speaker 1: I was just thinking about that, or you might have

1427
01:17:17,120 --> 01:17:18,920
Speaker 1: had a bad night, and yeah, you might have want

1428
01:17:19,000 --> 01:17:21,120
Speaker 1: that second chance, you know what I mean. Like, that's

1429
01:17:22,520 --> 01:17:26,519
Speaker 1: that's the thing. The first impression ship is it's it's

1430
01:17:27,479 --> 01:17:30,320
Speaker 1: you always hear the story of well, the first impression

1431
01:17:30,400 --> 01:17:32,720
Speaker 1: was horrible, but the second impression, that's when I knew

1432
01:17:32,720 --> 01:17:36,960
Speaker 1: I liked the person. With these app things, now you're right,

1433
01:17:37,040 --> 01:17:39,200
Speaker 1: it is white, I don't I don't know, but I'm

1434
01:17:39,320 --> 01:17:41,960
Speaker 1: I imagine that it would be with my kids at

1435
01:17:42,040 --> 01:17:46,920
Speaker 1: least swipe, swipe, swipe, such a such, And it's like

1436
01:17:47,040 --> 01:17:52,479
Speaker 1: everybody's reading attributes Nope, next and when did you ever

1437
01:17:52,560 --> 01:17:58,040
Speaker 1: have that? Next? When? When did you ever? When did you? Sorry? Right?

1438
01:17:58,040 --> 01:18:02,559
Speaker 1: But when did you ever have that that capability? You

1439
01:18:02,640 --> 01:18:04,639
Speaker 1: had to get to know somebody before all of that,

1440
01:18:04,840 --> 01:18:07,160
Speaker 1: and sometimes when you got to know somebody, you were

1441
01:18:07,200 --> 01:18:10,200
Speaker 1: able to dismiss some of the attributes that yours, you

1442
01:18:10,240 --> 01:18:12,559
Speaker 1: know what I mean. And so that's the one thing

1443
01:18:12,640 --> 01:18:17,640
Speaker 1: that's a little bit crazy about the the state of

1444
01:18:17,720 --> 01:18:22,240
Speaker 1: dating nowadays, This computer age, this app age, it just

1445
01:18:22,240 --> 01:18:26,040
Speaker 1: seems like there's just there's there's a little bit of

1446
01:18:26,040 --> 01:18:29,920
Speaker 1: a disconnect because you're doing it through the wires of

1447
01:18:30,000 --> 01:18:32,840
Speaker 1: the computer, you're getting to know. But I do think

1448
01:18:32,840 --> 01:18:36,320
Speaker 1: it's I'm very pro I think, you know, Daniel is

1449
01:18:36,360 --> 01:18:39,000
Speaker 1: one person. I have another friend. I'm very I know

1450
01:18:39,040 --> 01:18:40,840
Speaker 1: a lot of people that I've seen people really find

1451
01:18:40,920 --> 01:18:43,280
Speaker 1: true love through it. So I'm not saying it can happen.

1452
01:18:43,320 --> 01:18:45,360
Speaker 1: I'm just saying there's steps that are you know what

1453
01:18:45,400 --> 01:18:48,000
Speaker 1: I mean, Whereas you had to make an effort just

1454
01:18:48,040 --> 01:18:50,360
Speaker 1: to see each other and talk to each other before

1455
01:18:50,720 --> 01:18:54,479
Speaker 1: I'm typing it on the phone. Try and Match, Try

1456
01:18:54,479 --> 01:18:56,400
Speaker 1: and match Cam, because that seems to be the one

1457
01:18:56,400 --> 01:18:59,000
Speaker 1: I keep hearing works for people, and you know, Tinder,

1458
01:18:59,280 --> 01:19:01,160
Speaker 1: you know, I think it's for people looking to hook up,

1459
01:19:01,680 --> 01:19:03,240
Speaker 1: you know. And I don't really know about the other

1460
01:19:03,240 --> 01:19:05,200
Speaker 1: ones because I've never been on them. But I've never

1461
01:19:05,240 --> 01:19:07,479
Speaker 1: been on Bumble, I've never I've never been on any

1462
01:19:07,520 --> 01:19:10,840
Speaker 1: of that ship cam. I recommend Match because I feel

1463
01:19:10,840 --> 01:19:12,640
Speaker 1: like that one I seem to I seem to have

1464
01:19:12,720 --> 01:19:15,000
Speaker 1: a lot of people they don't they should advertise with

1465
01:19:15,040 --> 01:19:17,040
Speaker 1: us because I've I've I've heard a lot of people

1466
01:19:17,080 --> 01:19:19,559
Speaker 1: have success with that one. But anyway, Cam, the point

1467
01:19:19,600 --> 01:19:21,120
Speaker 1: is you gotta put in the time and don't just

1468
01:19:21,600 --> 01:19:24,360
Speaker 1: and don't just um, especially now during the pandemic. There's

1469
01:19:24,360 --> 01:19:26,839
Speaker 1: no reason you can't be like laying foundation and flirting

1470
01:19:26,880 --> 01:19:29,560
Speaker 1: and getting yourself out there. Yeah, I think that I

1471
01:19:31,360 --> 01:19:35,360
Speaker 1: recommend and only fans page Cam. Yeah, so also don't

1472
01:19:35,360 --> 01:19:41,599
Speaker 1: be afraid to start Every guest that comes on, you

1473
01:19:41,640 --> 01:19:44,840
Speaker 1: recommend they get an only fans account. Well, I think

1474
01:19:44,880 --> 01:19:52,120
Speaker 1: that you're turning our guests into Donald My first subscriber

1475
01:19:52,160 --> 01:19:56,800
Speaker 1: only if it's Donald, only if it's free. I don't

1476
01:19:56,800 --> 01:20:01,320
Speaker 1: think you can watch the Yeah you can, you can.

1477
01:20:01,640 --> 01:20:05,600
Speaker 1: There've done my research about this about only fans. No,

1478
01:20:05,760 --> 01:20:07,439
Speaker 1: I looked twin what's her name? Got it? And one

1479
01:20:07,479 --> 01:20:09,040
Speaker 1: made all that money. I was curious. I was like,

1480
01:20:09,080 --> 01:20:11,599
Speaker 1: what did you subscribe? No? I wasn't gonna give her money,

1481
01:20:11,600 --> 01:20:13,600
Speaker 1: but that was the thing that did you subscribe to

1482
01:20:13,680 --> 01:20:16,160
Speaker 1: only fans? Did? She was the first person what's her name?

1483
01:20:17,520 --> 01:20:19,120
Speaker 1: Bella Thorne was the first person that made me go,

1484
01:20:19,160 --> 01:20:20,760
Speaker 1: what the fuck is this? And I looked it up,

1485
01:20:20,760 --> 01:20:23,400
Speaker 1: but I did you subscribe to only fans? Though? No,

1486
01:20:23,680 --> 01:20:27,640
Speaker 1: I haven't subscribed to only fans like I have not

1487
01:20:27,720 --> 01:20:30,559
Speaker 1: even like listen, I'm gonna be honest with you, man,

1488
01:20:31,160 --> 01:20:34,800
Speaker 1: there are a bunch of people in I just spit

1489
01:20:34,840 --> 01:20:39,320
Speaker 1: on my camera, look at that shite that there are

1490
01:20:39,320 --> 01:20:43,679
Speaker 1: a bunch of people in on Instagram that have only

1491
01:20:43,720 --> 01:20:47,280
Speaker 1: fans and male and female. And I'm like, why would

1492
01:20:47,280 --> 01:20:49,400
Speaker 1: you get only fans? I don't understand, you know what

1493
01:20:49,479 --> 01:20:51,200
Speaker 1: I mean? And then I heard about the money you

1494
01:20:51,200 --> 01:20:53,640
Speaker 1: can make. Why It's like yeah, and then just like

1495
01:20:53,640 --> 01:20:56,160
Speaker 1: wait a second, you could make some money on only

1496
01:20:56,479 --> 01:20:58,479
Speaker 1: people want to see naughty shit. I mean that they

1497
01:20:58,520 --> 01:21:01,080
Speaker 1: don't necessarily have to do naughty. Yes enough that you

1498
01:21:01,120 --> 01:21:02,519
Speaker 1: have to like beat off, but you have to like

1499
01:21:02,680 --> 01:21:07,040
Speaker 1: show something. I gotta I gotta show. I gotta show junk,

1500
01:21:08,080 --> 01:21:13,519
Speaker 1: I think, Joel, No, what are people paying for if

1501
01:21:13,520 --> 01:21:16,240
Speaker 1: they're not? So here's the problem. Here's the problem is

1502
01:21:16,280 --> 01:21:18,920
Speaker 1: that people like celebrities are like, oh, I'm doing an

1503
01:21:18,920 --> 01:21:21,360
Speaker 1: only fans and everyone's like, oh, naughty bits, dope. I

1504
01:21:21,400 --> 01:21:23,599
Speaker 1: will pay one hundred dollars for that photo. And then

1505
01:21:23,600 --> 01:21:25,400
Speaker 1: they get the photo and you can see that on

1506
01:21:25,439 --> 01:21:27,800
Speaker 1: Instagram and you're like, what the hell did I just

1507
01:21:27,840 --> 01:21:30,000
Speaker 1: spend on hundred dollars for so you can go on

1508
01:21:30,080 --> 01:21:34,080
Speaker 1: there and post whatever you want, but customer satisfaction varies. Right,

1509
01:21:34,080 --> 01:21:37,120
Speaker 1: But you haven't answered my question, Joell, which is what

1510
01:21:37,240 --> 01:21:41,720
Speaker 1: am I seeing on only fans as a satisfied customer

1511
01:21:41,840 --> 01:21:45,960
Speaker 1: that doesn't involve nudity? Nothing? Nothing. I mean, there wasn't

1512
01:21:45,960 --> 01:21:48,240
Speaker 1: ever intentionally designed for this originally supposed to be for

1513
01:21:48,240 --> 01:21:53,600
Speaker 1: like artists and stuff. No matter what, no matter what,

1514
01:21:53,680 --> 01:21:55,840
Speaker 1: anyone inventsd they're like, okay, now, how can we use

1515
01:21:55,840 --> 01:21:59,719
Speaker 1: it for sex? It's just like Patreon and Patreon also

1516
01:21:59,800 --> 01:22:02,680
Speaker 1: has this as well. There are people who sell you know,

1517
01:22:02,960 --> 01:22:06,639
Speaker 1: sex work on Patreon. It's just only fans became something

1518
01:22:06,640 --> 01:22:10,160
Speaker 1: that seemed more for that. Yeah, but even so their

1519
01:22:10,200 --> 01:22:16,080
Speaker 1: platform identical. I feel like you' you know, what is it?

1520
01:22:17,600 --> 01:22:21,519
Speaker 1: Two birds with one stone? Yeah, only fans. You're meeting people,

1521
01:22:22,439 --> 01:22:24,559
Speaker 1: meeting new people. No, I don't think you should go

1522
01:22:24,560 --> 01:22:27,760
Speaker 1: on only fans and two you making money. So let's

1523
01:22:27,840 --> 01:22:30,479
Speaker 1: let's just get down to it. Don't take his advice.

1524
01:22:31,240 --> 01:22:34,960
Speaker 1: It's the American way. Oh god? All right? On that note,

1525
01:22:34,960 --> 01:22:38,280
Speaker 1: you Cam, you are welcome. You're welcome, and we hope

1526
01:22:38,320 --> 01:22:41,320
Speaker 1: that you'll when you finally meet someone that you have

1527
01:22:41,479 --> 01:22:44,200
Speaker 1: some stronger feelings for than just to hook up. I

1528
01:22:44,200 --> 01:22:46,720
Speaker 1: hope you'll let us know and check in. And I

1529
01:22:46,760 --> 01:22:50,120
Speaker 1: do think that you should use this, this opportunity, this

1530
01:22:50,200 --> 01:22:54,040
Speaker 1: moment that you were on the podcast wearing our faces

1531
01:22:54,080 --> 01:22:55,880
Speaker 1: on you as a means of hooking up with with

1532
01:22:55,920 --> 01:22:58,120
Speaker 1: your new lad. If there's like any girl out there

1533
01:22:58,160 --> 01:23:00,840
Speaker 1: that you want to talk to right now, if I

1534
01:23:00,880 --> 01:23:03,720
Speaker 1: don't mind putting pressure on your cam, no, I'll do

1535
01:23:03,800 --> 01:23:06,560
Speaker 1: with your sister and your brother. No, you don't want to.

1536
01:23:06,600 --> 01:23:09,960
Speaker 1: You don't want to to call out anyone's specifics name

1537
01:23:10,040 --> 01:23:12,680
Speaker 1: in South Carolina a people all the time. You know

1538
01:23:12,720 --> 01:23:15,400
Speaker 1: who you are, girl. This will just be a story

1539
01:23:15,479 --> 01:23:19,640
Speaker 1: for it. Date right right, story by the way, by

1540
01:23:19,680 --> 01:23:20,720
Speaker 1: the way, and by the way, and this is how

1541
01:23:20,720 --> 01:23:22,840
Speaker 1: you end the story. You go and and then and

1542
01:23:22,880 --> 01:23:24,880
Speaker 1: then after they gave me that advice, all I could

1543
01:23:24,920 --> 01:23:35,240
Speaker 1: think about was you, Oh wow, man, Mic trop Mic Trump, Mirp.

1544
01:23:38,320 --> 01:23:41,280
Speaker 1: You just used it. Man, this is cam doesn't listen

1545
01:23:41,320 --> 01:23:45,320
Speaker 1: to this podcast. If they're gonna work out, she probably does. Man.

1546
01:23:45,400 --> 01:23:47,960
Speaker 1: They probably have that in common to pod. What's going

1547
01:23:48,000 --> 01:23:55,040
Speaker 1: to bring listens to the Office fits Cams podcast. We

1548
01:23:55,080 --> 01:23:57,639
Speaker 1: gotta go because I have to pee. And we've really

1549
01:23:57,640 --> 01:23:59,160
Speaker 1: done the show. Cam, you can stay for the end

1550
01:23:59,160 --> 01:24:01,240
Speaker 1: because we pretty much did the show. It's a weird one,

1551
01:24:01,280 --> 01:24:04,599
Speaker 1: but we appreciate it. Can I want to say, real quick,

1552
01:24:04,800 --> 01:24:08,080
Speaker 1: real quick, I just I appreciate y'all. Joel mentioned ted

1553
01:24:08,200 --> 01:24:10,960
Speaker 1: last so earlier, But this podcast definitely came wrong at

1554
01:24:10,960 --> 01:24:13,559
Speaker 1: the right time for me obviously, right when the pandemic started,

1555
01:24:13,600 --> 01:24:17,120
Speaker 1: and for my mental health has been a blessing every week. Um.

1556
01:24:17,760 --> 01:24:19,479
Speaker 1: I thought a lot about Jimmy V and what he

1557
01:24:19,520 --> 01:24:21,720
Speaker 1: said in one of his speeches on ESPN about you

1558
01:24:21,760 --> 01:24:25,120
Speaker 1: should laugh, think and have your emotions moved to tears

1559
01:24:25,160 --> 01:24:27,400
Speaker 1: every day and it's a full day. And this podcast

1560
01:24:27,439 --> 01:24:29,160
Speaker 1: definitely does those three things for me every time. I

1561
01:24:30,280 --> 01:24:34,639
Speaker 1: appreciate all of y'all. Listen, there is no better there

1562
01:24:34,720 --> 01:24:36,920
Speaker 1: is no better compliment. Cam, And if you're out there

1563
01:24:37,000 --> 01:24:40,519
Speaker 1: and we are making you laugh and um, and I

1564
01:24:41,160 --> 01:24:43,920
Speaker 1: can't tell you there's no thing that makes Donald and

1565
01:24:43,960 --> 01:24:45,840
Speaker 1: I and I'm sure Joel and Dale, but I can.

1566
01:24:46,040 --> 01:24:48,080
Speaker 1: I can definitely speak for Donald and I. Nothing makes

1567
01:24:48,120 --> 01:24:52,000
Speaker 1: us happier than hearing somebody say that. So it's also

1568
01:24:52,479 --> 01:24:55,800
Speaker 1: just for selfish purposes, must you know, just for this

1569
01:24:56,760 --> 01:24:58,840
Speaker 1: you're right, Cam, like, just for us to be able

1570
01:24:58,880 --> 01:25:02,240
Speaker 1: to get together once twice a week and talk to

1571
01:25:02,280 --> 01:25:04,800
Speaker 1: each other, you know, and this time I don't see

1572
01:25:04,800 --> 01:25:08,240
Speaker 1: a lot of people, and you know, I was starting

1573
01:25:08,240 --> 01:25:10,160
Speaker 1: to hang out with Zach again and then you know,

1574
01:25:10,200 --> 01:25:12,040
Speaker 1: we got locked down and stuff like that. So I

1575
01:25:12,120 --> 01:25:15,960
Speaker 1: definitely appreciate what you're talking about, Kim. I totally feel you.

1576
01:25:16,000 --> 01:25:19,120
Speaker 1: Man cool, thanks man, all right, everybody, thank you for listening,

1577
01:25:19,240 --> 01:25:23,000
Speaker 1: and um, we'll be back with more soon. Wait, so,

1578
01:25:23,160 --> 01:25:25,280
Speaker 1: but before we go, last week, we did in five

1579
01:25:25,280 --> 01:25:28,360
Speaker 1: to six seven eight, and people got pissed. I think, Okay,

1580
01:25:28,439 --> 01:25:31,280
Speaker 1: I think we did, but I didn't trust we did

1581
01:25:31,320 --> 01:25:34,080
Speaker 1: not we did, right, So Donald, do you want me

1582
01:25:34,120 --> 01:25:35,400
Speaker 1: to do it? Because I've been a while since I

1583
01:25:35,439 --> 01:25:38,439
Speaker 1: did it. Get your mouth Reddie. Let me warm up,

1584
01:25:38,520 --> 01:25:40,840
Speaker 1: baby Bibo boo baby baby bibo boot the lips, the

1585
01:25:40,840 --> 01:25:42,639
Speaker 1: tipthya in the tongue, the lips, the tipthy tea, the tongue. Weather,

1586
01:25:42,640 --> 01:25:44,800
Speaker 1: whether it be colder weather with the hot, we'll be together.

1587
01:25:44,960 --> 01:26:02,040
Speaker 1: Like an Anna know who loved him. I said, he's

1588
01:26:02,040 --> 01:26:08,280
Speaker 1: the stories netew All should know. So gather around you here,

1589
01:26:08,360 --> 01:26:12,120
Speaker 1: are gather around you here. I'll respect for you, watch

1590
01:26:12,160 --> 01:26:15,920
Speaker 1: your winds and mm hmmmm