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Speaker 1: Can I talk my ship real quick?

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Speaker 2: Sure?

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Speaker 1: Let me talk my ship?

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Speaker 2: Please? Sure? Are you ready?

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Speaker 1: Yes, I'd like to talk my ship, please, man have permission?

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Speaker 3: Yeah, go ahead, y'all not ready, You're not ready for

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Speaker 3: what I got for your ship.

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Speaker 1: For me to talk my ship. Spinach is nasty? Whoa

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Speaker 1: spinach is nasty? In every four I eat it?

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Speaker 4: I eat it because.

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Speaker 1: I want to be strong like Popeye. Sure, but facts

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Speaker 1: spinach is nasty as hell.

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Speaker 2: Can I talk my ship real quick?

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Speaker 1: If you think that's wise. I just finished talking my ship.

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Speaker 5: Talk my ship real quick, Kevin. I'm gonna try. I'm

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Speaker 5: going to try to keep my emotions in check while

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Speaker 5: I say this, But it is not gonna be easy, Kevin. Yeah,

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Speaker 5: let me ride my bike in the studio now, let

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Speaker 5: me do it right now.

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Speaker 4: Let me get it.

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Speaker 5: I want to get it, Okay, there's enough space, it's

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Speaker 5: not don't.

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Speaker 2: Just let me do. You have to be excited about it.

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Speaker 1: You have to like it, Kevin, I'm getting so good.

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Speaker 1: Hayes has earned the right to have a little bit

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Speaker 1: of enthusiasm out of you when he offers to do

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Speaker 1: us the favor of riding.

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Speaker 5: Will let me do it in the small studio. And

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Speaker 5: you said when we were in the big studio, I

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Speaker 5: could ride my bike.

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Speaker 1: You said that Kevin I did well. Rules are rules.

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Speaker 1: Go ahead, Joe, Joe, please talk to your ship.

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Speaker 4: Talk your ship.

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Speaker 1: It's good to be okay, all right, Well, that ain't

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Speaker 1: nasty like spinach. That's actually really sweet. It's so good

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Speaker 1: to have you back, Joe. I'm always so excited when

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Speaker 1: you're here because it means I'm gonna get to see

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Speaker 1: and hear comedy. And I love to laugh and I

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Speaker 1: love to have fun with my film.

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Speaker 5: The worst part about doing the show, about producing comedy

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Speaker 5: is its less time to be able to actually an audience.

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Speaker 5: It's like, why I got into this so often, But

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Speaker 5: watch my comedy is.

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Speaker 1: Being funny doing comedy on the show. And I don't know.

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Speaker 1: I think sometimes I do it too, and and and

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Speaker 1: and and Kevin did something last week that I liked.

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Speaker 1: But you know, it's rare that someone comes and really

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Speaker 1: just says, don't even don't even talk to me, let's

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Speaker 1: watch my comedy exactly.

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Speaker 4: And I mean, because I that's it's great that you

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Speaker 4: guys enjoy it, because similarly, I'm putting in the work.

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Speaker 4: So this is it is work for me, but in

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Speaker 4: the hopes that you know, specifically, you three enjoy it.

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Speaker 5: Right, and then you get to watch your own comedy exactly.

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Speaker 4: Yeah, And you know, and I've this has been a

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Speaker 4: labor of love. I've I've been waiting to shoot a

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Speaker 4: special since I mean the pandemic.

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Speaker 1: We talked, We talked about this, We talked about this.

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Speaker 1: We you know, I remember you talking to me and saying,

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Speaker 1: I want to shoot a special. I'm scared. Yeah, you know,

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Speaker 1: am I even allowed to shoot a special?

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Speaker 4: I remember you wondering if you were a law I know,

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Speaker 4: I mean the current climate obviously, can you say anything anymore?

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Speaker 4: That's where I was at.

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Speaker 1: It's very dangerous. Comedy is the most dangerous job you

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Speaker 1: can have. If they made a new season of Deadliest Catch,

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Speaker 1: they wouldn't be trying to catch crabs. They'd be trying

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Speaker 1: to catch laughs, because that is actually far more deadly

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Speaker 1: at this point. Yeah, because of what the woke PC

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Speaker 1: police were.

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Speaker 2: The last time for people to step up, Pat tilma.

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Speaker 4: Stand up, get over there.

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Speaker 1: It's time to walk tall.

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Speaker 4: Yes, yeah right yeah, ol Camino, Yeah, crime macho.

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Speaker 5: And so you said you saw what was out there?

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Speaker 5: You said this ship ain't doing it for me. Let

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Speaker 5: me try something real quick exactly.

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Speaker 1: That's let me hit you with this instead. That's a

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Speaker 1: that's a h Let me hit you with the hot.

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Speaker 2: Check this out. I'm trying to see something. Let me

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Speaker 2: see that you think.

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Speaker 4: Sorry I was talking.

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Speaker 1: I was talking.

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Speaker 5: I was speaking, but that was you saying yeah, how

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Speaker 5: it was.

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Speaker 1: I was kind of shocked.

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Speaker 4: I felt like I was looking into a mirror something.

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Speaker 2: Yeah, that was you talking, but it was me.

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Speaker 1: Yeah. His is a master mimic, and he will do

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Speaker 1: this where he will suddenly embody with no warning. You know,

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Speaker 1: it seamless. He embodies you know, another person in the room,

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Speaker 1: and you just you don't even know how to respond.

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Speaker 4: What I loved I could see that on a damn bike.

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Speaker 4: Oh come, is that oc with you?

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Speaker 2: Kevin? I love for you to have your bike.

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Speaker 1: This is Kevin setting himself up a fake Why it's

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Speaker 1: this fake thing? And it's all this set up for

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Speaker 1: him where he goes speaking a safety first and then

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Speaker 1: he like talks about how he wears a condom all

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Speaker 1: the time like soft, Yeah, well I don't honestly I

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Speaker 1: haven't asked that question.

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Speaker 2: Soft has well he is, but the condom is is

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Speaker 2: very rigid.

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Speaker 4: It's yes, okay, it's like a year, like the year.

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Speaker 5: It's like a composite, plastic composite. And I guess in

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Speaker 5: his defense, it's like it does kind of make sense that, like,

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Speaker 5: why is the condom so soft when like DD's supposed

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Speaker 5: to be hard?

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Speaker 1: Right, it doesn't seem fair. It's like, ok right, yeah,

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Speaker 1: it's oh, oh I'm too soft.

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Speaker 2: It's like dressed for the job you want. I guess is, oh,

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Speaker 2: I'm too soft.

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Speaker 1: Why didn't you fucking hold your self account?

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Speaker 2: Right?

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Speaker 1: You know what I mean? Clean your side of the street, first.

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Speaker 3: Condom before you come knocking on my right, right, Like,

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Speaker 3: that's that's been my I thought you were here to

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Speaker 3: help in one of my issues. I have a few issues,

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Speaker 3: but one of them is the audacity of the condom.

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Speaker 4: I've been three D printing condoms for friends ghosts. Yeah, yeah,

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Speaker 4: you can right through a metal detector. Dude, Kevin, if

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Speaker 4: you go into airport, I'll hook you up.

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Speaker 1: You can get on the serial number condom. You have

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Speaker 1: to assemble it inside parts.

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Speaker 5: Well, I love to get into some of this content.

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Speaker 5: You You shot this a couple of.

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Speaker 1: Weeks ago about with the special because you said you

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Speaker 1: were you were scared to do it, you didn't know

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Speaker 1: if you could now. Then finally you just said, I've just.

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Speaker 4: Been a fit. I've been fuck it. And then I

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Speaker 4: went on the they talk my ship, They talk my ship.

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Speaker 4: I've been touring NonStop for I read.

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Speaker 1: It's something that even having your phone out, even if

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Speaker 1: it's face down, diminishes the quality of conversation. So I

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Speaker 1: just realized this was here. Oh, I apologize that you're

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Speaker 1: saying your thing.

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Speaker 4: Yeah, me too, And yeah, just shot the special. I'm

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Speaker 4: currently editing it. It's not out yet. Obviously I don't

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Speaker 4: even have a buyer. But you know, this is the

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Speaker 4: new way of of producing stand up.

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Speaker 1: Well yeah, I mean, because they're just as scared as

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Speaker 1: we are, right, yeah, you know, I mean you think

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Speaker 1: about trying to find a buyer for the crabs. They

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Speaker 1: would catch on deadly as catch you know, like that.

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Speaker 1: It's similar where it's like they have to catch them first.

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Speaker 2: The grocery store is scared at this point.

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Speaker 1: Oh well, king crabs are scary.

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Speaker 2: The original King Crab comedy.

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Speaker 1: Go off King Yeah right crab. So yeah, I'm I'm

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Speaker 1: so proud. Do you just for even doing it no

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Speaker 1: matter what it is. And I know it's gonna be

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Speaker 1: funny and I know it's going to be in your face.

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Speaker 1: One thing I love a bat you.

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Speaker 5: Put your phone is like right next to my drink.

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Speaker 5: It makes me think you want me to like drink

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Speaker 5: your phone or something.

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Speaker 4: I'm so sorry.

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Speaker 1: Yeah, do we want to bury him to conversation?

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Speaker 2: I also don't want to diminish my drink.

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Speaker 1: Do we want to dig a hole and burry the fone?

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Speaker 5: I said I wanted to get it. I said I

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Speaker 5: wanted to get my bike.

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Speaker 1: It's feeling like because I do want to get into

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Speaker 1: the comedy special too, And like something I love about

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Speaker 1: Joe's voice in terms of just like pulling punches, he

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Speaker 1: doesn't do that.

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Speaker 4: That is true.

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Speaker 1: You know He's does the full entire punch.

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Speaker 5: Takes his gloves off, but not like that. He's not

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Speaker 5: gonna like do the fight anymore.

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Speaker 2: You know what I mean?

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Speaker 5: Because you might think like someone takes something because they

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Speaker 5: or they decided not to do it.

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Speaker 4: Oh no, I'm like I want bare knuckles right, yeah,

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Speaker 4: to face contract.

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Speaker 1: Yeah, yeah, I love and I admire that. And it's

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Speaker 1: a way that you could get your hands hurt, but

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Speaker 1: that's part of what makes it so, that's the that's

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Speaker 1: the craft.

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Speaker 5: And they have to do it too. I mean, if

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Speaker 5: you're taking years off, then they should have to.

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Speaker 2: Go both ways.

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Speaker 4: And I yeah, so like I'm willing to get hurt

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Speaker 4: for my craft and yeah, and I think the audience

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Speaker 4: knows that they're at risk.

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Speaker 5: What happens is like you both punch each other's like

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Speaker 5: fists in the air. That's gonna hurt so bad. Like

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Speaker 5: that's basically night night. At this point, I'm done if

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Speaker 5: that happens, Like I.

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Speaker 2: Think the whole the ship is done.

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Speaker 1: If y'all ever played thing happens to me at all.

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Speaker 5: Basically, it's over white knuckles, bloody bloody, bloody knuckles.

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Speaker 2: Okay.

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Speaker 1: I used to play and what's the name of it,

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Speaker 1: the slap game?

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Speaker 4: Yeah, huh m hmm, yeah, I think. I mean, honestly,

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Speaker 4: it's sort of an inspiration for your comedy and comedy

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Speaker 4: how I ended up here.

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Speaker 1: To the slap game.

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Speaker 5: I played a game that was like the like didn't

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Speaker 5: tell me what the name was, but I think it

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Speaker 5: was Bloody Knuckles based.

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Speaker 4: On oh yeah, oh oh yes, I have oh I have.

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Speaker 5: Played I played some game that was like, yeah, I

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Speaker 5: think that's I think that must have been.

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Speaker 1: That would if that's not what it's called, it should

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Speaker 1: be that would be a great name that you end.

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Speaker 4: Up with bloody knuckles.

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Speaker 1: No, not on the one I played. No, it was

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Speaker 1: like you had different colored dice and uh and there

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Speaker 1: were different colored snails on like a board and if

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Speaker 1: poor color snail got rolled on the dice, you got

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Speaker 1: to move forward.

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Speaker 4: Sounds intense.

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Speaker 2: And there was like a draw it was like a

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Speaker 2: draw pile.

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Speaker 5: And a and like a little don't like a thing

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Speaker 5: like a button you could.

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Speaker 4: Yeah, yeah, and there was.

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Speaker 1: The definitions of some unusual words.

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Speaker 4: Okay, so it sounds like four board games kind of mixed.

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Speaker 1: Or no, it didn't worry so uh so I guess

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Speaker 1: I just like I'm sick of talking and I just

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Speaker 1: actually want to relax and like just like shut off

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Speaker 1: my brain and just like and.

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Speaker 2: We are going and Mimi's mode in here.

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Speaker 1: Somebody did the work, and like, why don't I just

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Speaker 1: let them carry me home? So okay, uh yeah, let's laugh.

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Speaker 1: You know you said it since you shot it recently,

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Speaker 1: it hasn't come out yet. I've seen it. So if

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Speaker 1: we do find something, and I don't expect to, but

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Speaker 1: if we find something that maybe could get plussed up,

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Speaker 1: sure with a little ad R. Okay, yeah, I mean,

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Speaker 1: you know, Hayes, sometimes we'll think of really I mean,

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Speaker 1: he could do you, he could do your voice absolutely funny.

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Speaker 1: You think of a really funny button something and it

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Speaker 1: will make me just dying laughing.

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Speaker 2: Do you want me to do that?

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Speaker 4: I mean, I'm not I'm not against it. I would

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Speaker 4: love to see, like how you can.

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Speaker 1: Let's plus up the special. If possibly you are gonna

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Speaker 1: be you have the special. We have footage. I don't

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Speaker 1: know if it's fully edited. Kevin, you've been working raw?

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Speaker 4: Well, yeah, it would be raw, I mean it.

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Speaker 5: Which is what Kevin. Yeah, that's what every opposite of

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Speaker 5: raw he is. He is fully fully steamed and food.

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Speaker 1: Yeah.

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Speaker 2: I am noticing as you see me release here that

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Speaker 2: my microphone is suffering from me.

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Speaker 1: D Jose having that issue too.

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Speaker 5: Yeah, I'm sort of wondering if you have appropriated some

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Speaker 5: components and yeah.

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Speaker 1: Mechanism, substructural elements of the microphone have been removed and

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Speaker 1: placed somewhere else, perhaps in the walls of the rigid condom.

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Speaker 4: I mean I was I didn't want to say anything,

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Speaker 4: but your rock hard.

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Speaker 2: And I'm also sort of wondering.

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Speaker 5: We talked about getting the thing on the plane, the

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Speaker 5: missing bolts of the Alaska Airlines panel.

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Speaker 2: Did they ever find those?

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Speaker 4: Yeah? Right, and they seem to take they came off

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Speaker 4: from the inside. It seemed yes, Yes, Kevin, keV.

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Speaker 2: Has been a jangling.

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Speaker 1: I haven't found Kevin. You're you. You might be better

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Speaker 1: at this than I know. You'll be better at this

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Speaker 1: than I am. Kevin's been asking me for a setup

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Speaker 1: to what he says is a perfect punchline, which is

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Speaker 1: why don't they make the whole plane out of the

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Speaker 1: three D printed condom? All right, let's watch some of this.

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Speaker 6: My new year's resolution for twenty twenty four is to

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Speaker 6: finish Oppenhammer in twenty twenty five.

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Speaker 7: Like, seriously, I'm almost there. I love Oppenheimert's, especially the

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Speaker 7: first season.

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Speaker 1: Okay, okay, okay, let's talk about it.

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Speaker 4: Yeah, So, guys, happened to get this is it?

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Speaker 1: This isn't This isn't edited the way that you were expecting.

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Speaker 4: Yeah, okay, uh, this is it?

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Speaker 2: This is it? Just trust me, trust me. This would

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Speaker 2: be very helpful for you.

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Speaker 8: A lot of eyeballs and also a lot of the

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Speaker 8: ship you talk about when I watch your stand up, which,

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Speaker 8: by the way, I love, but you're talking about like

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Speaker 8: going to the bathroom, having sex with animals, things that

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Speaker 8: I think people don't really want to actually even it

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Speaker 8: didn't you didn't have there were no there were no movies,

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Speaker 8: there was no Oppenheimer, there was. It really was to

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Speaker 8: me very alienating, and especially if as someone wants to

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Speaker 8: work in entertainment.

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Speaker 1: Ideally I think you.

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Speaker 4: Should I should be talking about opens and it's okay, okay,

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Speaker 4: I can, I'll do it again. Yeah, So I guess

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Speaker 4: I was thinking, ing, yeah, what was the genesis of this?

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Speaker 4: Because I love the joke, I think, you know, I

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Speaker 4: just don't. I remember watching Oppenheimer and thinking, this is

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Speaker 4: a long one. I'm loving it.

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Speaker 1: But I am with you a little bit. It remember

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Speaker 1: that it was kind of long.

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Speaker 4: And then I was thinking, you know what if I said, uh,

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Speaker 4: season one sort of yeah, fining that because I had.

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Speaker 2: Been quality of TV? Is this longness?

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Speaker 4: Yes?

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Speaker 1: Yes, and the seasons are even longer sometimes than a movie. Yeah,

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Speaker 1: I mean, am I wrong? Yeah?

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Speaker 2: It does it?

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Speaker 1: Does it? Does it bump you at all? And I

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Speaker 1: don't that Killers of the Flower Moon is like a

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Speaker 1: full hour longer.

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Speaker 4: Uh huh. No, I I just went with op at

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Speaker 4: Homer and I just because that's sort of more into zeitgeys.

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Speaker 1: Yeah, no, I mean Oppenheiser's nominated for so many more awards,

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Speaker 1: and it's like, you know, there's probably better people to

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Speaker 1: cut to.

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Speaker 4: Absolutely, yeah.

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Speaker 1: And I mean, like the by the way, congratulations on

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Speaker 1: getting Chris Nolan and all these other people to like

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Speaker 1: check out your shift. You said, I recorded a specialized

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Speaker 1: pictured you in a theater with a bunch of the

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Speaker 1: kind of scumming.

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Speaker 4: Like I will admit, I pulled every single favor I could,

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Speaker 4: and I thought it would be fun to just sort

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Speaker 4: of arrange them into the tables. Number of tables that's

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Speaker 4: the case as such. But and the people were into it.

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Speaker 2: People paid off you.

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Speaker 5: Chris is loving this, yeah, like he actually gets it

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Speaker 5: because he made Oppenheimer's well and he thought it was long.

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Speaker 1: Yeah, he's cracking up.

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Speaker 4: Yeah, and I and you know, and I don't need.

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Speaker 1: Most of this.

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Speaker 4: He was saying, Yeah, this is all just filler.

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Speaker 1: Yeah, studio wanted it longer.

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Speaker 4: So yeah, I think I think ultimately I was just

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Speaker 4: sort of poking fun at the at the length of

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Speaker 4: the movie.

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Speaker 1: I love that idea, and now I really get it.

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Speaker 4: Yeah yeah, and you know, because like thematically, I didn't

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Speaker 4: want to go there. Yeah, there's a lot of stuff

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Speaker 4: that is just not funny.

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Speaker 1: No, there are concepts inside it that I don't think

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Speaker 1: really would lead to anything juicy comedically. But the but

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Speaker 1: the movie run time of open Holer is actually something

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Speaker 1: that like.

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Speaker 4: It's fair game it is and it's just fun.

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Speaker 5: And it's like I feel like I'm ready for I'm

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Speaker 5: settled in you know what I mean. That's my open

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Speaker 5: I know I'm hands Yeah, that's your opener.

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Speaker 4: Homework by Openheimer.

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Speaker 6: Oppenheimer answered a lifelong question that's been on my mind

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Speaker 6: for years. Yes, scientists do get late as long as

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Speaker 6: they look like Murphy. Oppenheimer and Barbie are competing for

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Speaker 6: cinematic box office achievements.

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Speaker 1: Okay, all right, all right.

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Speaker 6: They were based on a seven and twenty one page

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Speaker 6: pull a Surprise winning book about the Manhattan Project, and

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Speaker 6: Barbie is on a plastic doll with big boobies.

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Speaker 1: Stop it.

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Speaker 4: Well, first, can we just say how good my teeth look?

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Speaker 1: Yeah? They look they they look worn in. Yeah, they've

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Speaker 1: been around for a bit. Yeah yeah, yeah, yeah, you

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Speaker 1: seem comfortable with them, which is like such a big

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Speaker 1: part of having teeth.

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Speaker 4: Well, it's all about confidence, yeah really.

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Speaker 1: Yeah, no, it's it just feels like the biggest part

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Speaker 1: of having teeth in your mouth. Yeah.

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Speaker 4: But yeah, no, that's that's.

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Speaker 5: That's sort of can't think about it too much.

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Speaker 1: No, yeah, just if you're like fusing with them all

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Speaker 1: the time, you know, yeah, then it just doesn't it

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Speaker 1: makes other people uncomfortable and like that's not what you want.

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Speaker 1: You can make them uncomfortable with some of your content.

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Speaker 4: Sure, no, but I just just teeth wise, I just

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Speaker 4: want to mention I crushed it, and I think a

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Speaker 4: lot of the credit goes to my crew for just

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Speaker 4: sort of emphasizing that.

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Speaker 1: No, I mean there's crew, right, I mean like you yeah.

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Speaker 2: Yeah. People think of.

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Speaker 5: A crew like you like your team, you're like your hair,

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Speaker 5: make up, whatever. But they have the same equipment.

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Speaker 4: A lot of trenches.

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Speaker 1: And people talk about a stand up special like you

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Speaker 1: just like it's like just a man and a mic

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Speaker 1: and you walk out there. It's like, no, there's a

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Speaker 1: whole team that supporting.

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Speaker 5: You every time. They got away, they're coming in.

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Speaker 4: Right every yeah, commercial break. I had a lot of

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Speaker 4: commercial breaks in my special Weirdly, but yeah, every commercial

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Speaker 4: break was just a lot of work done as fast

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Speaker 4: as possible. But it's like awkward, but it looked.

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Speaker 1: I mean I never saw them on stage and I

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Speaker 1: never stopped thinking about the teeth.

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Speaker 4: Thank you, well, thank you me neither.

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Speaker 2: So I do want to did you want to talk

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Speaker 2: about this joke at all?

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Speaker 1: Oh?

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Speaker 4: I mean, I have no issues with it. I thought

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Speaker 4: it landed.

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Speaker 1: I thought it I guess.

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Speaker 4: Observation, Well, it was brand new, which was cool.

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Speaker 1: But I think what I was curious because this is

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Speaker 1: this is oh my god, you see her and she

400
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Speaker 1: is like, yes, like knows exactly what to do with

401
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Speaker 1: her face because you've put her in such a comfortable position.

402
00:20:48,640 --> 00:20:51,040
Speaker 1: And that's the thing is like you're just you're cared

403
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Speaker 1: for when you go to a Mandy show. But I

404
00:20:53,680 --> 00:20:57,040
Speaker 1: think this could be educational for our audience in terms

405
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Speaker 1: of there are all these micro decisions that go into

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Speaker 1: making a joke, into crafting and joke and like word choice,

407
00:21:08,000 --> 00:21:14,160
Speaker 1: yes can seem obvious in retrospect, but you could have said,

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Speaker 1: you know what the set up the first half, we

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Speaker 1: know it's a seven hundred page book, right, and you

410
00:21:18,640 --> 00:21:21,679
Speaker 1: know that's the for the literary elite. But on the

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Speaker 1: second half, you could have said, based on a toy, right,

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Speaker 1: based on a plastic doll, based on ice buxom, plastic doll,

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Speaker 1: based on a plastic doll with big honking taters, you know.

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Speaker 5: Because that is your association. And I think for almost

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Speaker 5: all of us when we see.

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Speaker 4: We see a Barbie, Barbie, like, look at them booby.

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Speaker 1: She's she's, she's, she's, she's, she's, she's packing packing firepower.

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Speaker 1: You know, there's no way around it. Like it's in

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Speaker 1: terms of the upstairs section, right, Uh, you know there's

420
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Speaker 1: I had an there's so much.

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Speaker 2: Yeah.

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Speaker 4: I mean I just I just kept its simple. I

423
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Speaker 4: was like, big plastic booby, big big booby.

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Speaker 1: Yeah. But you know, I you seem comfortable saying it.

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Speaker 4: I loved it. I I you know that ultimately is

426
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Speaker 4: just like it rolls off the tongue.

427
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Speaker 1: It's my style.

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Speaker 4: I remember in the room someone made the point that,

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Speaker 4: like you as to your observation about firepower. I was like,

430
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Speaker 4: it's like it's like, look at her sweater, she's got too.

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Speaker 5: Yeah, too much I agree, Yeah, I agree to like

432
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Speaker 5: talk about bombs, right, yes, yes, I thought had bombs.

433
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Speaker 5: It's a it's a show for like, you know, we

434
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Speaker 5: don't want a four quadrant thing. You want to be

435
00:22:42,480 --> 00:22:46,200
Speaker 5: like making again, like the bomb stuff that's inside the room,

436
00:22:46,359 --> 00:22:46,960
Speaker 5: like you know.

437
00:22:47,000 --> 00:22:50,560
Speaker 1: The green room of a of a comedy show like

438
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Speaker 1: this some of the most depraved, freakish ideas ever, stuff

439
00:22:56,960 --> 00:22:58,560
Speaker 1: like this bomb stuff you're doing.

440
00:22:58,640 --> 00:23:01,159
Speaker 4: Yeah, I know again, and that lives there and you

441
00:23:01,200 --> 00:23:05,800
Speaker 4: don't you don't want to get into the actual story

442
00:23:06,000 --> 00:23:08,640
Speaker 4: of the movies. You're you're describing.

443
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Speaker 1: Creatures of the night. Yeah, yeah, and and uh and

444
00:23:13,200 --> 00:23:16,720
Speaker 1: so they don't necessarily all, uh see the movie and

445
00:23:16,800 --> 00:23:20,600
Speaker 1: like yeah, the story or what it's saying or the themes.

446
00:23:21,000 --> 00:23:24,560
Speaker 1: It's like we know how long it is, and we

447
00:23:24,640 --> 00:23:28,240
Speaker 1: know the measurements. Fucking certain classic.

448
00:23:28,160 --> 00:23:31,439
Speaker 5: And the main the main guy honky fuck machine, uh

449
00:23:31,520 --> 00:23:34,120
Speaker 5: huh dolly big you know.

450
00:23:34,080 --> 00:23:37,680
Speaker 4: The oh yeah that se I don't want to honky

451
00:23:38,280 --> 00:23:45,040
Speaker 4: sort of odd sort of frail rail very ashen. Yeah,

452
00:23:45,080 --> 00:23:48,760
Speaker 4: that guy fucks right, and so yeah, yeah, compare that

453
00:23:48,920 --> 00:23:53,679
Speaker 4: to uh arbie, they're big movies. I mean, it's just

454
00:23:53,720 --> 00:23:54,320
Speaker 4: it's right there.

455
00:23:54,520 --> 00:23:57,520
Speaker 1: No, yeah, that I know, I I like it, but

456
00:23:57,560 --> 00:24:00,040
Speaker 1: it's like we all know it works. But then I

457
00:24:00,040 --> 00:24:02,000
Speaker 1: I do think it's important to talk about sometimes why

458
00:24:02,000 --> 00:24:04,240
Speaker 1: it works in all the kind of land mines you

459
00:24:04,320 --> 00:24:07,439
Speaker 1: avoided in ways that you could have worded it that

460
00:24:07,560 --> 00:24:09,640
Speaker 1: wouldn't have had the same impact.

461
00:24:10,080 --> 00:24:12,240
Speaker 5: But I read it this face from grandits, and I

462
00:24:12,320 --> 00:24:14,440
Speaker 5: just want to say to be able to step up

463
00:24:15,280 --> 00:24:17,879
Speaker 5: and to make that kind of observation, like, because honestly,

464
00:24:17,960 --> 00:24:20,360
Speaker 5: right now you really cannot say that. And it starts

465
00:24:20,400 --> 00:24:24,640
Speaker 5: in schools like I remember, like I remember and see

466
00:24:24,840 --> 00:24:29,439
Speaker 5: Barbie pointing at it, saying big boobies, big boobies on

467
00:24:29,520 --> 00:24:33,600
Speaker 5: them and being told, hey, hey, you can't see you

468
00:24:33,720 --> 00:24:36,080
Speaker 5: can You know what I remember?

469
00:24:36,119 --> 00:24:37,800
Speaker 4: I remember that I have the same memory, and I

470
00:24:37,840 --> 00:24:39,439
Speaker 4: remember thinking, just wait.

471
00:24:45,040 --> 00:24:46,360
Speaker 1: Okay, I've watched Barbie.

472
00:24:46,400 --> 00:24:48,000
Speaker 7: I loved it. I really did love it.

473
00:24:49,320 --> 00:24:49,919
Speaker 1: I don't want you.

474
00:24:49,920 --> 00:24:52,439
Speaker 6: Guys to think that I'm a creep, but it was

475
00:24:52,520 --> 00:24:54,800
Speaker 6: kind of weird being attracted to a plastic doll.

476
00:24:54,960 --> 00:24:56,960
Speaker 2: Oh man, it's just.

477
00:24:56,880 --> 00:24:57,760
Speaker 7: Something about your eyes.

478
00:24:57,840 --> 00:24:58,000
Speaker 2: Right.

479
00:25:00,160 --> 00:25:07,359
Speaker 1: Yeah, So let's stop her a second. So you had

480
00:25:07,400 --> 00:25:10,440
Speaker 1: me in the first half, Yeah, yeah, yeah, you do

481
00:25:10,560 --> 00:25:14,440
Speaker 1: what I was you thought not gonna lie. I actually

482
00:25:14,680 --> 00:25:18,600
Speaker 1: was like, and I liked it even then. You know,

483
00:25:19,280 --> 00:25:21,359
Speaker 1: being attracted to a plast doll, Okay, yeah, that is

484
00:25:21,400 --> 00:25:25,320
Speaker 1: a little strained, right, but it's also having sex with

485
00:25:25,359 --> 00:25:26,639
Speaker 1: a doll universal.

486
00:25:26,920 --> 00:25:29,879
Speaker 5: Yeah, but it's a little but everyone is like, Okay,

487
00:25:29,960 --> 00:25:30,960
Speaker 5: I get I guess.

488
00:25:32,160 --> 00:25:37,320
Speaker 4: Normal exactly Right before that, this idea of big plastic

489
00:25:37,359 --> 00:25:38,200
Speaker 4: boo showed your math.

490
00:25:38,320 --> 00:25:39,040
Speaker 1: You showed your math.

491
00:25:39,200 --> 00:25:40,520
Speaker 4: Yeah, right, you know what I mean.

492
00:25:40,600 --> 00:25:41,679
Speaker 1: You established the dolls.

493
00:25:41,880 --> 00:25:45,280
Speaker 4: Then with the riot, I'm talking about a ken doll.

494
00:25:45,320 --> 00:25:50,360
Speaker 5: You get tracted to a male doll man, yeah, and his.

495
00:25:50,480 --> 00:25:53,399
Speaker 1: Eyes, like you're looking at his eyes and wanting to

496
00:25:53,440 --> 00:25:53,840
Speaker 1: have sex.

497
00:25:53,880 --> 00:25:56,200
Speaker 4: And I was proud that I didn't mention the big

498
00:25:56,440 --> 00:26:00,960
Speaker 4: plastic uh bump where a penis would be, because that,

499
00:26:01,480 --> 00:26:05,200
Speaker 4: to me, that's just grotesque and not worth bringing up.

500
00:26:05,640 --> 00:26:09,399
Speaker 1: We talked about boobies, well, it would have been I

501
00:26:09,440 --> 00:26:12,480
Speaker 1: think for me, a big turn off exactly. Yeah to

502
00:26:12,600 --> 00:26:17,880
Speaker 1: hear you talk about the penis bump uh and and

503
00:26:17,960 --> 00:26:20,000
Speaker 1: instead what I got was a turn on.

504
00:26:20,320 --> 00:26:23,560
Speaker 4: Yeah. And I told the room, I was like, I'm

505
00:26:23,920 --> 00:26:26,280
Speaker 4: I see why this is funny, but I'm not like,

506
00:26:26,359 --> 00:26:28,760
Speaker 4: I don't want I don't want people watching to think

507
00:26:29,080 --> 00:26:35,080
Speaker 4: I'm gay that or you know, well like and it's

508
00:26:35,080 --> 00:26:37,200
Speaker 4: like not gay, Like I'm looking at your eyes right now,

509
00:26:37,200 --> 00:26:40,560
Speaker 4: I'm looking at your eyes right now. It's fine, you know,

510
00:26:40,760 --> 00:26:42,040
Speaker 4: I can appreciate and.

511
00:26:42,160 --> 00:26:45,639
Speaker 1: Enjoy the beauty of of someone's eyes. But what what

512
00:26:45,800 --> 00:26:48,840
Speaker 1: I love about the joke is it does live in

513
00:26:48,920 --> 00:26:52,760
Speaker 1: this this perfect center of the vent diagram where it

514
00:26:52,920 --> 00:26:55,439
Speaker 1: is funny to imagine you liking a guy, because that

515
00:26:55,640 --> 00:26:57,960
Speaker 1: would be That's what they said. That's what they said.

516
00:26:58,040 --> 00:27:01,880
Speaker 1: And I was saying anything about sex parts, which would

517
00:27:01,880 --> 00:27:03,640
Speaker 1: be a lot too good, a little gay.

518
00:27:03,640 --> 00:27:05,080
Speaker 4: That's what I told the room. I was like, Uh,

519
00:27:05,240 --> 00:27:07,919
Speaker 4: they finally convinced me. I was like, eyes, I look

520
00:27:07,960 --> 00:27:10,600
Speaker 4: at eyes all day, so I will I'll meet you.

521
00:27:10,680 --> 00:27:13,119
Speaker 4: I'll meet you there because I understand the rhythm of

522
00:27:13,160 --> 00:27:13,560
Speaker 4: the joke.

523
00:27:14,080 --> 00:27:16,920
Speaker 1: Once we get into body parts, now we're actually exploring

524
00:27:16,920 --> 00:27:17,840
Speaker 1: something where it's.

525
00:27:17,720 --> 00:27:21,159
Speaker 4: Like I don't want to get there. Yeah yeah, And

526
00:27:21,200 --> 00:27:22,240
Speaker 4: he's loving it.

527
00:27:22,920 --> 00:27:25,000
Speaker 7: The whole show. Just close your eye front. Everyone just

528
00:27:25,040 --> 00:27:27,520
Speaker 7: looks into your eyes, and Margot, it's not always about you,

529
00:27:29,600 --> 00:27:30,120
Speaker 7: got it.

530
00:27:30,720 --> 00:27:33,320
Speaker 6: The key moment in Barbie is when she goes from

531
00:27:33,359 --> 00:27:35,080
Speaker 6: perfect beauty to bad breaths.

532
00:27:35,119 --> 00:27:39,520
Speaker 7: Sell you light and flat feet. What casting directors call

533
00:27:39,760 --> 00:27:40,800
Speaker 7: character actor.

534
00:27:44,200 --> 00:27:48,679
Speaker 2: Bad? I mean, you see these actors that stinky breath.

535
00:27:49,119 --> 00:27:51,720
Speaker 1: No I said bad breasts.

536
00:27:52,160 --> 00:27:57,159
Speaker 5: Oh okay, really sounded like you said, yeah, yeah, I

537
00:27:57,200 --> 00:27:58,120
Speaker 5: said bad breasths.

538
00:27:58,280 --> 00:27:59,040
Speaker 2: Is that a teeth?

539
00:27:59,440 --> 00:28:01,440
Speaker 1: It did, so it was hard to what you said.

540
00:28:01,520 --> 00:28:05,960
Speaker 4: Ye know, the teeth sometimes get in the way. But

541
00:28:06,040 --> 00:28:09,280
Speaker 4: I did say bad breast, uh uh huh, just to

542
00:28:09,400 --> 00:28:14,280
Speaker 4: sort of you know, we already established that Barbie has

543
00:28:14,640 --> 00:28:17,679
Speaker 4: perfect boobies. So a character actor.

544
00:28:17,720 --> 00:28:22,760
Speaker 1: Thus, what I like is a lot of it is

545
00:28:22,840 --> 00:28:24,879
Speaker 1: for everyone. Everyone knows how long the movie is.

546
00:28:25,040 --> 00:28:27,159
Speaker 2: Everyone knows he's luckily.

547
00:28:28,160 --> 00:28:32,520
Speaker 1: The thing that maybe people don't always know is what

548
00:28:32,600 --> 00:28:34,840
Speaker 1: a character actor is, which is someone with bad breath

549
00:28:35,080 --> 00:28:36,320
Speaker 1: or whatever you said.

550
00:28:36,960 --> 00:28:42,240
Speaker 4: And they're la, yeah, god, I don't if you ever

551
00:28:42,400 --> 00:28:43,840
Speaker 4: like watched an audition.

552
00:28:44,040 --> 00:28:47,040
Speaker 1: You I see some of these movies with these freak shows,

553
00:28:47,040 --> 00:28:49,600
Speaker 1: and I just imagine being waited on by someone whose

554
00:28:49,720 --> 00:28:52,240
Speaker 1: feet are against the bottom of their shoes.

555
00:28:52,480 --> 00:28:56,160
Speaker 5: You can hear it, like a Paul Gimati type actor,

556
00:28:56,360 --> 00:28:58,400
Speaker 5: Like you can hear when he walks across the even

557
00:28:58,760 --> 00:29:00,600
Speaker 5: like the frame, even if you can't his feet they're

558
00:29:00,640 --> 00:29:02,320
Speaker 5: just slapping on the ground, right.

559
00:29:02,320 --> 00:29:06,840
Speaker 1: Yeah, yeah, no, it's it's full surface contact. Every inch

560
00:29:06,960 --> 00:29:09,720
Speaker 1: of the soul is against the linolea.

561
00:29:09,800 --> 00:29:12,120
Speaker 4: So I yeah, I mean I think that's sort of

562
00:29:12,280 --> 00:29:14,560
Speaker 4: most people, even if you don't work in Hollywood. I

563
00:29:14,600 --> 00:29:17,040
Speaker 4: think most people recognize that. Just when you watch a movie,

564
00:29:17,080 --> 00:29:18,280
Speaker 4: most of nobody watching.

565
00:29:18,720 --> 00:29:21,160
Speaker 1: That's what I mean is it's for the room, and

566
00:29:21,200 --> 00:29:25,280
Speaker 1: the room loves it. Put me out here. I'm learning something,

567
00:29:25,840 --> 00:29:29,360
Speaker 1: you know, not me, but someone Right, I'm learning something,

568
00:29:29,960 --> 00:29:33,120
Speaker 1: and it's like seeing them enjoy it and feeling like

569
00:29:33,160 --> 00:29:36,440
Speaker 1: I'm inside of this special club. It is okay to go,

570
00:29:36,760 --> 00:29:39,280
Speaker 1: you know, a little niche not talking about the it's inside.

571
00:29:39,360 --> 00:29:42,520
Speaker 1: But but but I mean, think about this room.

572
00:29:42,960 --> 00:29:45,600
Speaker 4: Even if you didn't know that. Everyone's leaving the theater

573
00:29:46,240 --> 00:29:47,600
Speaker 4: tonight knowing, oh.

574
00:29:47,560 --> 00:29:54,040
Speaker 5: Yeah, Al has cellulitis. Yes he's a great actor, but yeah.

575
00:29:53,840 --> 00:29:56,960
Speaker 4: But he has cellulitis is a flesh eating disease. But

576
00:29:57,000 --> 00:30:00,160
Speaker 4: maybe actually I should have used that. I should to

577
00:30:00,240 --> 00:30:02,120
Speaker 4: use that again.

578
00:30:02,200 --> 00:30:08,160
Speaker 5: It was kind of hard to bad breast cell you

579
00:30:08,240 --> 00:30:09,000
Speaker 5: and flat.

580
00:30:08,760 --> 00:30:11,880
Speaker 7: Feet, some I wrote, some other people wrote, Robert de

581
00:30:11,960 --> 00:30:12,560
Speaker 7: Niro's here.

582
00:30:13,160 --> 00:30:19,480
Speaker 9: Okay, okay, yeah, let's talk about like I guess the

583
00:30:19,560 --> 00:30:22,800
Speaker 9: process you seem to want everyone to be aware of

584
00:30:22,880 --> 00:30:27,440
Speaker 9: the collaborative environment through what it's like all of Like

585
00:30:27,520 --> 00:30:29,600
Speaker 9: a lot of our comedy comes from, like the.

586
00:30:29,560 --> 00:30:31,000
Speaker 2: Idea that we just get up beer, we just like

587
00:30:31,040 --> 00:30:31,920
Speaker 2: do this by ourselves.

588
00:30:31,960 --> 00:30:32,600
Speaker 1: And I hate that.

589
00:30:32,880 --> 00:30:36,800
Speaker 4: And you know, I gave no credit to the writers

590
00:30:36,800 --> 00:30:39,840
Speaker 4: for my first special, for my second the second.

591
00:30:40,040 --> 00:30:43,920
Speaker 1: Yeah, anyway, that's industry standard. I mean most people act

592
00:30:44,080 --> 00:30:47,160
Speaker 1: like everything you know, sprung from their twisted mind.

593
00:30:47,680 --> 00:30:49,440
Speaker 4: No, And so I just wanted to make it clear,

594
00:30:49,560 --> 00:30:52,200
Speaker 4: like saw I wrote, some other people wrote.

595
00:30:52,000 --> 00:30:53,840
Speaker 1: I've said some ship on this episode. That's not that

596
00:30:53,920 --> 00:30:56,160
Speaker 1: funny that that was written for me, you know what

597
00:30:56,160 --> 00:30:58,200
Speaker 1: I mean, Like, and it's we all use other but

598
00:30:58,240 --> 00:31:00,800
Speaker 1: we don't. We don't spend every episode right going through

599
00:31:00,840 --> 00:31:03,440
Speaker 1: and going like some of the minds right, And to

600
00:31:03,520 --> 00:31:05,840
Speaker 1: take your special on this big stage in front of

601
00:31:05,880 --> 00:31:10,160
Speaker 1: all these people and say like, hey, I can't take all.

602
00:31:10,080 --> 00:31:14,680
Speaker 5: The credit exactly exactly, and you're not saying that like

603
00:31:14,680 --> 00:31:17,040
Speaker 5: like the good stuff was mine and the bad ship

604
00:31:18,160 --> 00:31:21,280
Speaker 5: for now for now you like that that you're you're not.

605
00:31:21,960 --> 00:31:25,040
Speaker 4: It was not a blame game. It was just I

606
00:31:25,160 --> 00:31:29,720
Speaker 4: felt in that exactly and give.

607
00:31:29,960 --> 00:31:31,560
Speaker 2: Even any amount of time at all.

608
00:31:31,760 --> 00:31:35,400
Speaker 5: For people to not know that your it's the good

609
00:31:35,440 --> 00:31:36,320
Speaker 5: stuff is like.

610
00:31:39,400 --> 00:31:41,959
Speaker 1: No, just to let them, Yeah, let them draw their

611
00:31:42,000 --> 00:31:44,800
Speaker 1: own conclusions from like when you said that and why?

612
00:31:44,880 --> 00:31:48,040
Speaker 4: And it is fun once you sort of let people

613
00:31:48,080 --> 00:31:49,720
Speaker 4: peek behind the curtain. Then it is sort of a

614
00:31:50,120 --> 00:31:53,680
Speaker 4: guessing game, which one which one was written by him?

615
00:31:54,120 --> 00:31:55,240
Speaker 4: Which one was the room?

616
00:31:55,360 --> 00:31:58,040
Speaker 1: Well, it's interesting because it was said after character actor.

617
00:31:58,320 --> 00:32:01,080
Speaker 1: Yeah right, but it wasn't said up after big Boobies.

618
00:32:03,200 --> 00:32:06,360
Speaker 4: Can I I'll let you in a little secret, I wrote,

619
00:32:06,520 --> 00:32:07,600
Speaker 4: I wrote big boob.

620
00:32:07,480 --> 00:32:10,480
Speaker 5: Okay, basically basically you were talking earlier.

621
00:32:10,560 --> 00:32:11,640
Speaker 2: That really did seem like that.

622
00:32:11,800 --> 00:32:14,200
Speaker 4: Boobys because I put a little English on it as

623
00:32:14,240 --> 00:32:15,560
Speaker 4: like boobies.

624
00:32:20,120 --> 00:32:20,720
Speaker 2: So I wrote.

625
00:32:20,720 --> 00:32:22,960
Speaker 7: Some other people wrote Robert de Niro's here.

626
00:32:24,000 --> 00:32:26,440
Speaker 6: Yo, I got the gig ten days ago. You want

627
00:32:26,440 --> 00:32:32,120
Speaker 6: a perfect monologue? Yo, shut up, you got you're kidding me, right?

628
00:32:33,440 --> 00:32:37,560
Speaker 5: So this the character actor joke really seems to have.

629
00:32:37,800 --> 00:32:39,920
Speaker 4: It made me spiral out a little.

630
00:32:40,280 --> 00:32:46,800
Speaker 1: Yeah. Yeah, your entire bearing on stage seems to transform,

631
00:32:46,840 --> 00:32:52,240
Speaker 1: and the teeth almost seemed to start rebelling, yeah, trying

632
00:32:52,280 --> 00:32:52,960
Speaker 1: to escape.

633
00:32:53,040 --> 00:32:55,520
Speaker 5: Yes, I mean that is true.

634
00:32:56,440 --> 00:33:00,520
Speaker 4: I I just lost my cool little let's watch this

635
00:33:00,560 --> 00:33:01,040
Speaker 4: whole second.

636
00:33:01,080 --> 00:33:02,760
Speaker 1: But I just want to watch that whole level. I

637
00:33:02,800 --> 00:33:03,360
Speaker 1: freaked out.

638
00:33:03,600 --> 00:33:05,760
Speaker 4: I didn't know Robert de Niro was going to be there.

639
00:33:06,200 --> 00:33:07,640
Speaker 1: That seems to be part of it.

640
00:33:07,640 --> 00:33:11,320
Speaker 4: And I needed him to know exactly how long I

641
00:33:11,560 --> 00:33:15,560
Speaker 4: had been preparing for this moment and just just this

642
00:33:15,720 --> 00:33:17,440
Speaker 4: was more of an aside to Robert de Niro.

643
00:33:17,640 --> 00:33:20,640
Speaker 1: This could this could be, and this could be an

644
00:33:20,840 --> 00:33:23,160
Speaker 1: editing thing where I want to see because, as Hayes

645
00:33:23,200 --> 00:33:28,440
Speaker 1: pointed out, at first, certainly you are not, you know,

646
00:33:28,520 --> 00:33:31,400
Speaker 1: differentiating between who's who wrote what, or whose jokes are.

647
00:33:31,280 --> 00:33:33,880
Speaker 5: Just acknowledging the con that other people contribute.

648
00:33:33,920 --> 00:33:35,680
Speaker 1: I just want to watch this whole, like for one

649
00:33:35,760 --> 00:33:37,080
Speaker 1: second section and see how.

650
00:33:37,760 --> 00:33:40,120
Speaker 6: Slow down I wrote somebody's and they're the ones you're

651
00:33:40,160 --> 00:33:40,560
Speaker 6: laughing at.

652
00:33:40,640 --> 00:33:46,000
Speaker 1: Look okay, okay, so how so, so go back and

653
00:33:46,040 --> 00:33:48,200
Speaker 1: I just want to see how long from the first

654
00:33:48,240 --> 00:33:52,120
Speaker 1: mention to yes that we allow people to draw their

655
00:33:52,160 --> 00:33:52,840
Speaker 1: own conclusion.

656
00:33:54,120 --> 00:33:58,240
Speaker 7: Some I wrote, some other people wrote Robert de Niro's here, Yo,

657
00:33:58,400 --> 00:34:00,000
Speaker 7: I got the gig ten days ago.

658
00:34:00,240 --> 00:34:04,960
Speaker 6: You want a perfect monologue, yo, shut up, you got

659
00:34:05,000 --> 00:34:05,640
Speaker 6: you're kidding me?

660
00:34:05,760 --> 00:34:08,279
Speaker 7: Right? Slow down?

661
00:34:08,360 --> 00:34:10,399
Speaker 6: I wrote somebody's and they're the ones you're laughing at.

662
00:34:10,480 --> 00:34:14,040
Speaker 1: Okay, it was fourteen seconds.

663
00:34:15,160 --> 00:34:17,480
Speaker 5: You can't just let it like hang out there forever.

664
00:34:17,600 --> 00:34:20,320
Speaker 5: Let people think that the ones they're laughing at, which

665
00:34:20,360 --> 00:34:23,520
Speaker 5: I'm not one hundred certain which ones you were thinking of.

666
00:34:24,239 --> 00:34:28,600
Speaker 1: Yeah, you've done, but that's another area where four jokes.

667
00:34:28,600 --> 00:34:31,120
Speaker 5: And by the way, you only had ten days exactly

668
00:34:31,360 --> 00:34:34,520
Speaker 5: ten days already you've already had to do for and

669
00:34:34,680 --> 00:34:36,720
Speaker 5: presumably there might be more.

670
00:34:37,440 --> 00:34:43,840
Speaker 1: Yeah, and but also presumably you're leading with the strongest yes. Sure, sure,

671
00:34:46,760 --> 00:34:50,920
Speaker 1: And we're we're getting pretty quickly into even using ones

672
00:34:50,920 --> 00:34:52,840
Speaker 1: that other people wrote at the top of it is

673
00:34:52,880 --> 00:34:55,080
Speaker 1: already a noble gesture. Thank you.

674
00:34:55,360 --> 00:35:00,640
Speaker 4: Yeah, I I it seems like I'm angry here.

675
00:35:00,680 --> 00:35:03,680
Speaker 1: I'm not angry. I'm just oh, why why do you

676
00:35:03,680 --> 00:35:06,279
Speaker 1: think just because you say shut up to everyone and

677
00:35:06,400 --> 00:35:08,120
Speaker 1: go like give me a break? Are you kidding me?

678
00:35:08,239 --> 00:35:08,719
Speaker 2: Kidding me?

679
00:35:09,160 --> 00:35:09,359
Speaker 1: Yeah?

680
00:35:10,920 --> 00:35:12,800
Speaker 4: Well, I thought that was gonna be a catch phrase

681
00:35:12,880 --> 00:35:15,160
Speaker 4: for the show. Are you kidding? Yeah?

682
00:35:15,360 --> 00:35:17,759
Speaker 1: Okay, that's cool to kind of layer that through your

683
00:35:17,760 --> 00:35:19,640
Speaker 1: specially call the special. Are you kidding me that?

684
00:35:20,080 --> 00:35:20,880
Speaker 2: I am kidding you?

685
00:35:21,800 --> 00:35:23,000
Speaker 1: I am kidding, I am kidding you.

686
00:35:23,400 --> 00:35:27,560
Speaker 5: That's good it's mostly about about movies. Yeah, I don't

687
00:35:27,600 --> 00:35:31,520
Speaker 5: know does that connect with am I kidding you?

688
00:35:33,000 --> 00:35:36,320
Speaker 1: Uh? Look, I know it's.

689
00:35:35,160 --> 00:35:38,319
Speaker 2: You this movies. Is this movie kidding me?

690
00:35:40,000 --> 00:35:43,359
Speaker 1: Well, movies are kidding you, right, I mean they're they're

691
00:35:43,360 --> 00:35:46,600
Speaker 1: presenting you with, you know, something that is not real

692
00:35:46,840 --> 00:35:48,919
Speaker 1: and asking you to invest in it. I mean, that's

693
00:35:49,040 --> 00:35:51,000
Speaker 1: that's kidding movies.

694
00:35:51,120 --> 00:35:53,640
Speaker 4: I'm that's kidding. I'm the movie kid.

695
00:35:53,800 --> 00:35:56,480
Speaker 1: Are you movies that are kidding me? Kidding movies?

696
00:35:56,560 --> 00:35:56,680
Speaker 2: Kid?

697
00:35:57,560 --> 00:36:02,799
Speaker 1: Shut up? Just shut the fuck up, Just shut up?

698
00:36:02,880 --> 00:36:07,040
Speaker 4: Okay, Uh I know.

699
00:36:07,320 --> 00:36:10,560
Speaker 1: Fourteen second me just so comfortable, Like I just remember,

700
00:36:10,760 --> 00:36:15,200
Speaker 1: like right before you did that, going like what do

701
00:36:15,280 --> 00:36:16,560
Speaker 1: I do? Am I supposed to talk?

702
00:36:17,680 --> 00:36:20,279
Speaker 5: And most people because most people already are being very

703
00:36:20,400 --> 00:36:21,440
Speaker 5: quiet in the.

704
00:36:21,440 --> 00:36:24,200
Speaker 1: Room, So that almost seemed like your issue.

705
00:36:24,680 --> 00:36:27,920
Speaker 5: Yes, And so the kind of bravery to spot to

706
00:36:28,040 --> 00:36:30,680
Speaker 5: be like just be please be more quiet.

707
00:36:30,760 --> 00:36:35,600
Speaker 4: I thought that was funny that an awkward, deadly silent

708
00:36:35,680 --> 00:36:39,000
Speaker 4: room to yell shut up was just acknowledging. I mean

709
00:36:39,040 --> 00:36:42,840
Speaker 4: it's like it's it's sort of acknowledging what's humorous in

710
00:36:42,920 --> 00:36:43,400
Speaker 4: that moment.

711
00:36:44,239 --> 00:36:47,239
Speaker 1: Yeah, No, it's totally. It's a it's like a big

712
00:36:47,239 --> 00:36:49,200
Speaker 1: guy named tiny or something. You know what I mean,

713
00:36:49,200 --> 00:36:50,399
Speaker 1: exactly shut up.

714
00:36:50,719 --> 00:36:57,120
Speaker 4: But it's a big guy and you yell big guy,

715
00:36:57,400 --> 00:37:01,640
Speaker 4: you know what I mean? Yeah, yeah, yeah, No, I

716
00:37:01,640 --> 00:37:05,200
Speaker 4: thought it was funny. And you know you said it

717
00:37:05,239 --> 00:37:08,440
Speaker 4: was fourteen seconds before I really blamed anyone. But for

718
00:37:08,719 --> 00:37:12,120
Speaker 4: like you have to imagine in that moment, that's that's

719
00:37:12,160 --> 00:37:13,759
Speaker 4: an eternity for me.

720
00:37:14,160 --> 00:37:17,400
Speaker 1: Fourteen for me as well. No, I yeah, I totally

721
00:37:17,440 --> 00:37:19,960
Speaker 1: believe you. Yeah, it felt way longer. Yeah, if you

722
00:37:20,040 --> 00:37:22,680
Speaker 1: had asked me before we yeah, before we started. That

723
00:37:22,719 --> 00:37:24,520
Speaker 1: was why I wanted to kind of see the entire thing,

724
00:37:24,560 --> 00:37:28,759
Speaker 1: because I thought, I thought, from an editing perspective, we

725
00:37:28,880 --> 00:37:31,239
Speaker 1: may want to give that more room to breathe. But

726
00:37:31,280 --> 00:37:35,000
Speaker 1: then seeing it, no, it's perfect, and.

727
00:37:35,000 --> 00:37:37,279
Speaker 5: I could see how it would have fell even longer

728
00:37:38,040 --> 00:37:40,799
Speaker 5: if you if you have realized the mistake you may

729
00:37:40,840 --> 00:37:44,000
Speaker 5: have made, where people are potentially thinking that the ship

730
00:37:44,040 --> 00:37:47,160
Speaker 5: that they are loving wasn't your shit.

731
00:37:47,800 --> 00:37:50,600
Speaker 1: No, I know, some I wrote, some other people wrote

732
00:37:50,600 --> 00:37:52,560
Speaker 1: that's kind of soft. And by the way, there's a

733
00:37:52,560 --> 00:37:56,040
Speaker 1: tradition of that, right, I mean monologue jokes for you know,

734
00:37:56,160 --> 00:37:58,120
Speaker 1: a letterman on like I knew that one wouldn't work

735
00:37:58,120 --> 00:38:00,799
Speaker 1: because I kind of know Okay, he didn't write that one,

736
00:38:01,000 --> 00:38:03,000
Speaker 1: but to go some I wrote. Some other people wrote,

737
00:38:03,880 --> 00:38:06,000
Speaker 1: you are leaving this space for them to go.

738
00:38:06,080 --> 00:38:10,759
Speaker 8: Like, oh right, he wrote the bad ones and the

739
00:38:10,760 --> 00:38:11,600
Speaker 8: ones that I'm.

740
00:38:12,000 --> 00:38:17,960
Speaker 1: Dying laughing at and that I'm laughing longer than.

741
00:38:17,960 --> 00:38:22,680
Speaker 4: Open honestly in the like on stage, I was seeing

742
00:38:22,719 --> 00:38:26,360
Speaker 4: people make those calculations in their head and I needed

743
00:38:26,480 --> 00:38:27,799
Speaker 4: I just shut up.

744
00:38:28,400 --> 00:38:31,040
Speaker 1: Yeah, let me get there. Let me tell you shut up.

745
00:38:31,040 --> 00:38:34,600
Speaker 1: This next part is important, wrote I wrote the funny ship.

746
00:38:35,120 --> 00:38:38,480
Speaker 1: I had never seen that, and it's where you always

747
00:38:38,520 --> 00:38:43,000
Speaker 1: talk about in comedy, right, you know, nothing new under

748
00:38:43,040 --> 00:38:48,040
Speaker 1: the sun, Like who's really innovating, who's doing something? Kauffman ask,

749
00:38:49,480 --> 00:38:53,319
Speaker 1: And this was to me completely new. I had never

750
00:38:53,400 --> 00:38:57,040
Speaker 1: seen anything like. Yeah, I'd seen people sort of blame

751
00:38:57,120 --> 00:38:59,399
Speaker 1: their writers for a joke they didn't like, but I

752
00:38:59,440 --> 00:39:04,120
Speaker 1: hadn't seen I'm clarifying and I am writing things you do.

753
00:39:04,760 --> 00:39:07,520
Speaker 4: It was thrilling, Like in the moment, I felt like

754
00:39:07,560 --> 00:39:09,120
Speaker 4: I was flying, you know what I mean, Like I

755
00:39:09,160 --> 00:39:11,880
Speaker 4: was like I'm doing I'm breaking I felt I was

756
00:39:11,880 --> 00:39:14,360
Speaker 4: like I'm breaking the sound barrier or something like this is.

757
00:39:16,280 --> 00:39:19,399
Speaker 5: No one's done, and every performer out there is like, yes,

758
00:39:19,520 --> 00:39:23,399
Speaker 5: that's exactly how it is. The ship I did was good.

759
00:39:23,640 --> 00:39:26,520
Speaker 5: The ship that other people did for me is busted.

760
00:39:27,200 --> 00:39:29,919
Speaker 1: Like yeah, and that's why they're not the ones doing

761
00:39:29,960 --> 00:39:36,239
Speaker 1: it right. Yes, I mean, that's that's how his aesthetic losers.

762
00:39:38,239 --> 00:39:40,920
Speaker 7: Robert de Niro's here. I'm sorry, I'm a fan.

763
00:39:41,280 --> 00:39:41,719
Speaker 2: I'm a fan.

764
00:39:41,840 --> 00:39:45,160
Speaker 5: Can I just just what they they talk about professionalism?

765
00:39:45,400 --> 00:39:47,040
Speaker 5: Can we go back to the shot of Jim gaff

766
00:39:47,040 --> 00:39:51,680
Speaker 5: again registering that the light has gone on on his camera?

767
00:39:51,920 --> 00:39:56,120
Speaker 4: Yeah, this is yeah, he's a pro. He gave me

768
00:39:56,160 --> 00:39:56,880
Speaker 4: a lot of tips.

769
00:39:56,960 --> 00:40:01,960
Speaker 5: Actually, camera on Afagaan sees leg going you can actually

770
00:40:01,960 --> 00:40:03,760
Speaker 5: see him look at the camera and see.

771
00:40:03,560 --> 00:40:05,600
Speaker 2: The like and does a big.

772
00:40:06,760 --> 00:40:08,959
Speaker 4: Yeah. And that's uh.

773
00:40:08,680 --> 00:40:12,440
Speaker 5: That's a colleague, that's brother, that's a comedian. When you

774
00:40:12,480 --> 00:40:13,719
Speaker 5: see the light go on, you do it.

775
00:40:15,480 --> 00:40:16,760
Speaker 1: End of the day. We're a family.

776
00:40:16,800 --> 00:40:17,960
Speaker 4: And Margot did the same.

777
00:40:18,600 --> 00:40:22,239
Speaker 7: I'm sorry, I'm a fan. I'm a fan. I'm fanning out.

778
00:40:22,480 --> 00:40:25,719
Speaker 7: I love you, Robert. Okay, if it's awkward, I'm sorry.

779
00:40:25,760 --> 00:40:29,640
Speaker 4: I'm sorry people didn't catch that I was saying, I'm

780
00:40:29,640 --> 00:40:30,000
Speaker 4: a fan.

781
00:40:30,080 --> 00:40:33,120
Speaker 1: I'm a fan because of the movie the Fan because he's.

782
00:40:33,000 --> 00:40:34,960
Speaker 4: In the movie The Fan, and no one got it,

783
00:40:35,000 --> 00:40:36,640
Speaker 4: and I wanted to be like I wrote.

784
00:40:36,440 --> 00:40:38,280
Speaker 1: That people people didn't see.

785
00:40:38,440 --> 00:40:40,480
Speaker 5: People also didn't seem to pick up that you were

786
00:40:40,520 --> 00:40:43,680
Speaker 5: doing a Robert de Niro oppression right as well.

787
00:40:43,560 --> 00:40:47,560
Speaker 1: Yeah, I'm fan, I'm sorry, the famous line right from

788
00:40:47,560 --> 00:40:48,399
Speaker 1: the movie from The Fan.

789
00:40:48,520 --> 00:40:50,560
Speaker 4: Yeah I'm I'm a fan. I'm a fan.

790
00:40:50,880 --> 00:40:53,080
Speaker 5: And when you say sorry, I had to do that

791
00:40:53,120 --> 00:40:56,440
Speaker 5: in front of you, people seem to kind of be thinking, like,

792
00:40:56,480 --> 00:40:57,239
Speaker 5: what did you do?

793
00:40:57,360 --> 00:41:00,759
Speaker 2: Like it was something done here? I didn't. Yeah, I

794
00:41:00,880 --> 00:41:01,960
Speaker 2: just den't registered.

795
00:41:02,080 --> 00:41:02,960
Speaker 1: I was frustrated, I.

796
00:41:02,960 --> 00:41:06,280
Speaker 4: Thought, and I was like, I thought, I'm performing for cinophiles.

797
00:41:06,600 --> 00:41:09,480
Speaker 2: I thought, no, they don't. They don't actually like know.

798
00:41:09,719 --> 00:41:11,799
Speaker 4: That was frustrating, after yelling that I wrote all the

799
00:41:11,800 --> 00:41:15,680
Speaker 4: good stuff to write something I really thought would land

800
00:41:15,760 --> 00:41:16,719
Speaker 4: with a room full of.

801
00:41:17,000 --> 00:41:19,480
Speaker 1: Done, something that couldn't possibly have been written for you,

802
00:41:19,600 --> 00:41:22,040
Speaker 1: to immediately go into something that no one could possibly

803
00:41:22,040 --> 00:41:23,759
Speaker 1: have ever written for you, which is to say I'm

804
00:41:23,760 --> 00:41:27,080
Speaker 1: a fan and then go into an impression that you have.

805
00:41:27,120 --> 00:41:31,160
Speaker 5: Craft and yeah and yeah can possibly and yet it

806
00:41:31,200 --> 00:41:34,840
Speaker 5: was not written obviously, like people are not enjoy Again,

807
00:41:35,440 --> 00:41:36,080
Speaker 5: like I know.

808
00:41:36,000 --> 00:41:38,719
Speaker 2: I know, I yeah, they said, like.

809
00:41:39,000 --> 00:41:39,719
Speaker 1: That's what I mean.

810
00:41:39,920 --> 00:41:42,200
Speaker 4: Like, I remember even saying, what's the fan?

811
00:41:42,480 --> 00:41:44,319
Speaker 1: Well, it's a hall of mirrors, you know.

812
00:41:44,920 --> 00:41:47,480
Speaker 6: Yeah, I'm a bit offstruck.

813
00:41:47,560 --> 00:41:48,400
Speaker 7: This guy's amazing.

814
00:41:48,480 --> 00:41:56,400
Speaker 1: Decade after decade, decade after decade after decade. Man, uh again,

815
00:41:56,520 --> 00:41:57,640
Speaker 1: I gotta blame the teeth.

816
00:41:57,680 --> 00:41:59,440
Speaker 2: Decade after decay.

817
00:42:00,680 --> 00:42:05,160
Speaker 4: Was I realized we were live and I was gonna say,

818
00:42:05,160 --> 00:42:08,600
Speaker 4: a decade after dickhead. Yeah, and I thought that would

819
00:42:08,640 --> 00:42:08,960
Speaker 4: be fun.

820
00:42:09,560 --> 00:42:13,560
Speaker 1: Yeah, I kind of like that. Yeah, but I realized.

821
00:42:13,120 --> 00:42:17,320
Speaker 4: I'm gonna I'm gonna get bleeped full time.

822
00:42:17,760 --> 00:42:20,239
Speaker 6: I don't know how you do it, man, Swear to god,

823
00:42:20,520 --> 00:42:23,520
Speaker 6: your last performance has gotta be your greatest performance ever.

824
00:42:24,160 --> 00:42:24,759
Speaker 7: How'd you get her?

825
00:42:24,760 --> 00:42:25,040
Speaker 8: Bring it?

826
00:42:25,080 --> 00:42:34,680
Speaker 7: At eighty c G? I cgi, yeah, is he looking?

827
00:42:34,800 --> 00:42:40,120
Speaker 7: Is he looking? Is he looking? By the way, Killers

828
00:42:40,120 --> 00:42:42,000
Speaker 7: of the Flower Moon is so great?

829
00:42:42,080 --> 00:42:48,360
Speaker 5: I just want like, you're kinda you're kind of back, yeah,

830
00:42:48,400 --> 00:42:50,120
Speaker 5: like we are so back right now?

831
00:42:50,200 --> 00:42:50,439
Speaker 4: Yeah?

832
00:42:50,800 --> 00:42:53,359
Speaker 1: Like and and now I feel like, okay, now I

833
00:42:53,360 --> 00:42:54,279
Speaker 1: do know which ones he.

834
00:42:54,320 --> 00:42:58,279
Speaker 5: Wrote your last performance was your best performance? Everyone's thinking

835
00:42:58,280 --> 00:43:03,520
Speaker 5: it's a that's an explosive.

836
00:43:02,800 --> 00:43:06,960
Speaker 4: Nut yea and nutting an eighty year old nuts yea

837
00:43:07,080 --> 00:43:09,040
Speaker 4: into a woman's.

838
00:43:08,680 --> 00:43:12,480
Speaker 1: And then and then I go, I go, well, great joke,

839
00:43:12,560 --> 00:43:15,200
Speaker 1: but there's no tag on it. Especially I want to

840
00:43:15,200 --> 00:43:17,759
Speaker 1: talk about it started with the with the with the

841
00:43:17,800 --> 00:43:20,120
Speaker 1: movie idea. So I was like, but now we're in

842
00:43:20,160 --> 00:43:21,840
Speaker 1: this world of we're talking about sex and it's a

843
00:43:21,840 --> 00:43:24,880
Speaker 1: little crass. But then see.

844
00:43:24,680 --> 00:43:27,880
Speaker 2: Gg I yes, talk about that.

845
00:43:29,160 --> 00:43:32,920
Speaker 4: Can I tell you what it stands for? Come goes inside?

846
00:43:36,120 --> 00:43:37,080
Speaker 1: You all thought it was.

847
00:43:37,520 --> 00:43:43,200
Speaker 5: Okay, that's what you know that you did know ill

848
00:43:43,400 --> 00:43:45,560
Speaker 5: I did not know that. I didn't know that, but

849
00:43:46,160 --> 00:43:46,880
Speaker 5: you was.

850
00:43:46,880 --> 00:43:49,360
Speaker 4: Going yeah because you know, and then you know, that

851
00:43:49,480 --> 00:43:51,560
Speaker 4: was a fun one for me. I wrote that because

852
00:43:51,760 --> 00:43:56,400
Speaker 4: it was sort of I think, you know, it's one

853
00:43:56,400 --> 00:43:59,160
Speaker 4: of those ten percenters where like ninety of the room

854
00:43:59,160 --> 00:44:03,400
Speaker 4: thought I was referring to uh, computerated generated you know,

855
00:44:03,400 --> 00:44:04,640
Speaker 4: computer generated graphics.

856
00:44:04,760 --> 00:44:08,040
Speaker 2: Yeah, but CGI, computer generated graphics.

857
00:44:08,120 --> 00:44:13,560
Speaker 1: Yes, what is the eye? You're asking me? It's inside

858
00:44:13,600 --> 00:44:16,280
Speaker 1: as far as I'm getting inside.

859
00:44:15,920 --> 00:44:17,640
Speaker 4: Man, Yeah, I mean, I like to me, it was like,

860
00:44:17,640 --> 00:44:20,040
Speaker 4: I don't even know what these words actually stand for,

861
00:44:20,360 --> 00:44:22,640
Speaker 4: but I know it's movie related, so I can yell it.

862
00:44:23,680 --> 00:44:26,680
Speaker 4: But we the ten percent knows what this is really.

863
00:44:26,680 --> 00:44:29,040
Speaker 1: Kevin's screaming at us right now, images.

864
00:44:29,640 --> 00:44:32,520
Speaker 4: Images see I mean to me, it's come goes inside.

865
00:44:33,680 --> 00:44:35,280
Speaker 1: Kevin screaming at his screen.

866
00:44:36,400 --> 00:44:39,120
Speaker 10: It's images, Hey, Killers of the Flower War on the

867
00:44:39,239 --> 00:44:48,040
Speaker 10: cast is here, Robert de Niro, Leonardo DiCaprio, Lily Glass time.

868
00:44:48,080 --> 00:44:51,359
Speaker 7: You guys crushed it, crushed it.

869
00:44:52,000 --> 00:44:53,759
Speaker 6: The one thing I learned about that movie is that

870
00:44:54,320 --> 00:44:56,200
Speaker 6: white people stole everything.

871
00:44:57,560 --> 00:45:01,359
Speaker 7: You guys stole everything, not like seven. You guys stole

872
00:45:01,400 --> 00:45:03,359
Speaker 7: one hundred percent of everything.

873
00:45:03,960 --> 00:45:08,040
Speaker 6: You took the land, you took the oil, you took

874
00:45:08,080 --> 00:45:09,320
Speaker 6: the premise of the movie.

875
00:45:13,080 --> 00:45:17,640
Speaker 7: What that was your premise? That's hilarious.

876
00:45:17,640 --> 00:45:18,040
Speaker 1: I don't care.

877
00:45:18,160 --> 00:45:19,760
Speaker 7: It's just that the room is really white.

878
00:45:20,200 --> 00:45:29,239
Speaker 1: Okay pause? It so so like you did end up

879
00:45:29,239 --> 00:45:30,560
Speaker 1: talking about Killers of the Flower.

880
00:45:30,800 --> 00:45:31,200
Speaker 2: It did?

881
00:45:31,320 --> 00:45:34,480
Speaker 1: Yeah, Can I say something just but my first ad

882
00:45:34,680 --> 00:45:37,000
Speaker 1: R suggestion, of course, maybe go back and see like

883
00:45:37,120 --> 00:45:43,440
Speaker 1: season one all a just just quick, just before you

884
00:45:43,480 --> 00:45:44,879
Speaker 1: get in. I don't want to lose any ofthing.

885
00:45:45,080 --> 00:45:48,000
Speaker 4: No, no, but there is room. There is some room

886
00:45:48,040 --> 00:45:51,720
Speaker 4: there to squeeze it. Because there's that shot on the table.

887
00:45:51,800 --> 00:45:53,840
Speaker 4: I can just we can just PLoP that in.

888
00:45:55,000 --> 00:45:56,840
Speaker 5: I can find I mean, it's like time to own up.

889
00:45:56,880 --> 00:46:00,319
Speaker 5: I guess, like me watching that as a white man,

890
00:46:01,000 --> 00:46:05,240
Speaker 5: you're like, you're you're talking about like white people stole

891
00:46:05,320 --> 00:46:09,319
Speaker 5: the land, they stole, they stole the premise of a movie.

892
00:46:09,080 --> 00:46:11,360
Speaker 1: Even the premise of the movie oil.

893
00:46:11,560 --> 00:46:14,120
Speaker 5: Yes, But my first reaction, especially on the premise of

894
00:46:14,160 --> 00:46:18,000
Speaker 5: the movie, was no, we did not. I got in

895
00:46:18,040 --> 00:46:21,120
Speaker 5: this defensive place I thought, no, we didn't steal the

896
00:46:21,160 --> 00:46:22,240
Speaker 5: premise of the movie.

897
00:46:22,360 --> 00:46:25,839
Speaker 1: I had a really visceral reaction to that.

898
00:46:26,320 --> 00:46:28,920
Speaker 5: And I also not even really knowing, like I think

899
00:46:29,000 --> 00:46:30,880
Speaker 5: in my defensiveness, I didn't.

900
00:46:30,600 --> 00:46:32,399
Speaker 2: Really understand what you were even talking about.

901
00:46:32,480 --> 00:46:34,920
Speaker 1: I didn't know what it meant. Because I know that

902
00:46:35,040 --> 00:46:40,359
Speaker 1: it is a like true historical event that has been dramatized. Yes,

903
00:46:40,560 --> 00:46:44,640
Speaker 1: and so yeah, the premise, I suppose, the experience of

904
00:46:44,640 --> 00:46:49,279
Speaker 1: the people within the movie belongs to them, and in

905
00:46:49,280 --> 00:46:53,560
Speaker 1: that sense, any like biopic or anything, the premise has

906
00:46:53,560 --> 00:46:54,280
Speaker 1: been stolen.

907
00:46:54,640 --> 00:46:55,400
Speaker 4: Yeah.

908
00:46:55,600 --> 00:47:00,040
Speaker 1: No, I I which which, by the which now I

909
00:47:00,160 --> 00:47:03,560
Speaker 1: don't disagree with. At the time that I watched it

910
00:47:03,680 --> 00:47:05,279
Speaker 1: just a second ago, I was.

911
00:47:06,760 --> 00:47:07,320
Speaker 7: Livid.

912
00:47:09,200 --> 00:47:11,640
Speaker 1: I was fuming.

913
00:47:12,560 --> 00:47:15,360
Speaker 4: But but then when I said that is funny, I

914
00:47:15,360 --> 00:47:17,480
Speaker 4: don't care. That must have relaxed.

915
00:47:17,880 --> 00:47:20,600
Speaker 2: It made me, Oh, damn, that is funny.

916
00:47:20,719 --> 00:47:24,839
Speaker 1: It made a step back. Well, he said, I don't care.

917
00:47:25,040 --> 00:47:28,439
Speaker 1: That's hilarious. Yeah, I don't care when you said that, man,

918
00:47:28,840 --> 00:47:32,440
Speaker 1: I just went like one, am I all wound? Exactly?

919
00:47:32,960 --> 00:47:36,120
Speaker 4: It was that was releasing a pressure vo dude, no, like,

920
00:47:36,200 --> 00:47:36,879
Speaker 4: I don't care.

921
00:47:37,080 --> 00:47:38,960
Speaker 1: Shut took all the air out of my toe.

922
00:47:39,040 --> 00:47:39,920
Speaker 4: That is funny.

923
00:47:40,160 --> 00:47:42,520
Speaker 1: I'm revving up my monster truck about to run you

924
00:47:42,600 --> 00:47:47,200
Speaker 1: over in white shovel the fucking it was you said, yeah,

925
00:47:47,239 --> 00:47:49,440
Speaker 1: you said there's a lot of white people that were guilty.

926
00:47:49,880 --> 00:47:53,600
Speaker 1: And I go and I go, man, why am I

927
00:47:53,640 --> 00:47:57,480
Speaker 1: sweating the small stuff? And it's all small stuff exactly?

928
00:47:58,120 --> 00:47:59,640
Speaker 5: And then I have to look back at the other ones,

929
00:47:59,840 --> 00:48:02,279
Speaker 5: like where those also funny?

930
00:48:02,560 --> 00:48:07,000
Speaker 1: Oh? Totally, oh totally. I I really didn't know what

931
00:48:07,040 --> 00:48:09,240
Speaker 1: you meant when you said the premise of the movie.

932
00:48:09,680 --> 00:48:13,560
Speaker 1: I just didn't know it. And I know it was

933
00:48:13,640 --> 00:48:16,359
Speaker 1: at me and I and I think my reaction of going, no,

934
00:48:16,560 --> 00:48:20,239
Speaker 1: we didn't, and then and then you're going, come on,

935
00:48:20,360 --> 00:48:22,560
Speaker 1: that was your premise and I had and I have

936
00:48:22,640 --> 00:48:26,200
Speaker 1: to then also kind of throw my hands up and go, well, no,

937
00:48:26,280 --> 00:48:28,719
Speaker 1: I guess I can't defend that. I can't say it was.

938
00:48:29,160 --> 00:48:30,839
Speaker 4: You know, if you ever like said a word so

939
00:48:30,840 --> 00:48:32,760
Speaker 4: many times, it like loses all meaning.

940
00:48:33,000 --> 00:48:34,080
Speaker 1: Yeah, that's how it was.

941
00:48:34,160 --> 00:48:43,440
Speaker 4: Right word, prem premise, prem premise, that's not your premit, premise, premise.

942
00:48:44,280 --> 00:48:45,960
Speaker 4: And then that got me to a funny place where

943
00:48:45,960 --> 00:48:47,600
Speaker 4: I was like, this word means nothing.

944
00:48:48,360 --> 00:48:50,600
Speaker 1: Well, it made me also like take a look at

945
00:48:50,600 --> 00:48:52,880
Speaker 1: some other mood as we're talking about where I'm like

946
00:48:53,200 --> 00:48:57,160
Speaker 1: that I maybe gave a pass and I'm thinking here

947
00:48:57,160 --> 00:48:58,080
Speaker 1: of Sully.

948
00:48:58,960 --> 00:49:03,359
Speaker 4: That's not your premise, that's not your premise, that that

949
00:49:03,400 --> 00:49:04,160
Speaker 4: premise belongs.

950
00:49:04,200 --> 00:49:07,960
Speaker 1: Come on, come on, that was your premise. Give me

951
00:49:08,000 --> 00:49:10,359
Speaker 1: a break. I'm sorry, that's hilarious.

952
00:49:11,320 --> 00:49:12,440
Speaker 4: I mean, I'm laughing.

953
00:49:13,200 --> 00:49:13,800
Speaker 2: That's funny.

954
00:49:13,960 --> 00:49:16,240
Speaker 1: Okay, I don't care. I don't care.

955
00:49:17,040 --> 00:49:20,520
Speaker 4: Sally, not Sally, Sully not Sally.

956
00:49:22,320 --> 00:49:25,120
Speaker 1: Yeah, yeah, I love that. Man. That might be a

957
00:49:25,200 --> 00:49:26,680
Speaker 1: d R. I don't know where it.

958
00:49:26,680 --> 00:49:29,799
Speaker 2: Goes right there?

959
00:49:30,080 --> 00:49:33,080
Speaker 4: Yeah, we go back? Can we try that? We go

960
00:49:33,120 --> 00:49:36,520
Speaker 4: to the shot at the table right now?

961
00:49:36,920 --> 00:49:38,120
Speaker 7: You learned about that movie?

962
00:49:38,160 --> 00:49:42,440
Speaker 1: Is that? People? Just you know what? Do pause this?

963
00:49:42,719 --> 00:49:45,560
Speaker 1: I liked this phrasing that I wouldn't have expected one

964
00:49:45,600 --> 00:49:50,319
Speaker 1: thing I learned about that movie. I would I would

965
00:49:50,360 --> 00:49:54,080
Speaker 1: think of it as something you learned from, but it's

966
00:49:54,120 --> 00:49:56,120
Speaker 1: like one thing I learned about that movie, which is

967
00:49:56,120 --> 00:49:58,360
Speaker 1: probably more accurate, is someone explained the movie to you

968
00:49:58,480 --> 00:50:01,719
Speaker 1: so that they could explain I got this job.

969
00:50:01,760 --> 00:50:05,960
Speaker 4: Ten days ago, I watched season one of Killers of Movies.

970
00:50:06,280 --> 00:50:08,759
Speaker 1: Yes, season one, Yes, love this.

971
00:50:10,080 --> 00:50:12,360
Speaker 7: It crushed it.

972
00:50:13,920 --> 00:50:18,759
Speaker 1: That perfect got this. You're recording, right, Okay, yep, that's

973
00:50:18,760 --> 00:50:19,719
Speaker 1: gonna work. We got it.

974
00:50:19,880 --> 00:50:21,359
Speaker 7: The room's like, yeah, we did take it.

975
00:50:21,400 --> 00:50:26,000
Speaker 1: And I was being like, I want Saltburn.

976
00:50:25,680 --> 00:50:28,440
Speaker 7: I want Sultburn, I want Slulburn.

977
00:50:30,040 --> 00:50:30,600
Speaker 2: Did you watch that?

978
00:50:30,800 --> 00:50:32,000
Speaker 7: What I loved about Soltburn?

979
00:50:33,160 --> 00:50:33,800
Speaker 2: Yeah, I gotta.

980
00:50:35,200 --> 00:50:36,759
Speaker 5: I kind of was not buying that.

981
00:50:37,120 --> 00:50:40,640
Speaker 4: Yeah, I didn't want I mean, would be something even

982
00:50:40,680 --> 00:50:42,600
Speaker 4: just kind of gay.

983
00:50:44,160 --> 00:50:47,960
Speaker 1: Yeah, I was. I want people that actually watched the

984
00:50:48,040 --> 00:50:50,759
Speaker 1: moment where you were walking such a tight rope.

985
00:50:50,920 --> 00:50:53,040
Speaker 4: I you know, I wanted. I was like, if I say,

986
00:50:53,239 --> 00:50:56,960
Speaker 4: watched Solbrows, I just watched the Eyes of Sulburn.

987
00:50:57,080 --> 00:50:59,440
Speaker 1: Well it's a ton of issue too, where it's like

988
00:50:59,480 --> 00:51:02,279
Speaker 1: if you're gonna say that, if you're gonna really watch Saltburn,

989
00:51:02,360 --> 00:51:06,360
Speaker 1: then you do have to cut the gossling joke is

990
00:51:06,360 --> 00:51:07,719
Speaker 1: a bigger movie and you can't do that.

991
00:51:08,360 --> 00:51:12,880
Speaker 11: I was convinced to just say this on Yeah, satanic

992
00:51:12,920 --> 00:51:20,000
Speaker 11: families have feelings too, very Kyogan, here is very seated.

993
00:51:20,360 --> 00:51:22,960
Speaker 4: You bursted yourself up with that, and I was.

994
00:51:25,840 --> 00:51:28,919
Speaker 7: Down front. That was the real star of the show.

995
00:51:29,520 --> 00:51:31,839
Speaker 7: That was a real penis.

996
00:51:31,920 --> 00:51:34,680
Speaker 1: Where's your penis seated? Talk to me about that?

997
00:51:35,520 --> 00:51:36,200
Speaker 2: And how does this?

998
00:51:36,400 --> 00:51:38,120
Speaker 1: I haven't I haven't seen salt burn this.

999
00:51:38,080 --> 00:51:42,040
Speaker 5: Theme in your in your comed just like watching a

1000
00:51:42,160 --> 00:51:45,920
Speaker 5: movie and pointing at the screen and saying boobies.

1001
00:51:45,480 --> 00:51:49,800
Speaker 1: Bovies, yes, yeah, yes, penis boobies.

1002
00:51:49,880 --> 00:51:51,600
Speaker 4: I mean I was mostly looking at his eyes, but

1003
00:51:51,600 --> 00:51:54,759
Speaker 4: there is a scene where he's got a big floppy dick.

1004
00:51:56,000 --> 00:51:59,160
Speaker 4: He's just got a big floppy dick, you know, and uh.

1005
00:51:59,320 --> 00:52:02,279
Speaker 5: So big they It's like that was confusing because he

1006
00:52:02,360 --> 00:52:03,640
Speaker 5: was like, where's your penis seated?

1007
00:52:04,160 --> 00:52:06,640
Speaker 2: So it's not that it's like detached, and it's like.

1008
00:52:06,640 --> 00:52:08,240
Speaker 1: No, no, if you watch the movie, it's.

1009
00:52:10,080 --> 00:52:12,040
Speaker 2: Okay. I didn't watch it.

1010
00:52:12,239 --> 00:52:14,560
Speaker 4: Yeah, And that's sort of that is sort of the joke.

1011
00:52:15,280 --> 00:52:20,080
Speaker 4: Can you like, uh like, it is funny to imagine

1012
00:52:20,080 --> 00:52:23,680
Speaker 4: that it's detached and then in a different.

1013
00:52:23,840 --> 00:52:25,600
Speaker 1: Or that it could I guess that it could reach

1014
00:52:25,640 --> 00:52:27,040
Speaker 1: all the way to the front row.

1015
00:52:27,719 --> 00:52:29,640
Speaker 4: Yeah, I didn't even think of it.

1016
00:52:30,120 --> 00:52:32,359
Speaker 5: Yeah, and he said, well, well not just front where

1017
00:52:32,360 --> 00:52:34,960
Speaker 5: he said, down in front, in front, I guess is

1018
00:52:34,960 --> 00:52:37,080
Speaker 5: what you could say to a penis that was so

1019
00:52:37,200 --> 00:52:38,200
Speaker 5: big and tall.

1020
00:52:39,520 --> 00:52:42,160
Speaker 1: I can't see I can't see the screen, Hay, down

1021
00:52:42,239 --> 00:52:43,640
Speaker 1: in front penis. What's good?

1022
00:52:43,680 --> 00:52:48,840
Speaker 4: Well, that's something I learned about that movie, is that, uh,

1023
00:52:49,960 --> 00:52:53,120
Speaker 4: the penis. And what's what makes a joke good is

1024
00:52:53,160 --> 00:52:56,359
Speaker 4: if it's open to interpretation. You know that everyone's sort

1025
00:52:56,360 --> 00:52:57,840
Speaker 4: of visualizing.

1026
00:52:57,400 --> 00:53:01,120
Speaker 5: Picturing so many different seating arrange, yes, for the penis.

1027
00:53:01,200 --> 00:53:04,399
Speaker 1: What I had liked, you know, in the moment too,

1028
00:53:04,560 --> 00:53:07,319
Speaker 1: is that I have heard some like discourse around the

1029
00:53:07,320 --> 00:53:11,640
Speaker 1: movie Saltburn, some discussion. Yeah, and I didn't know anything

1030
00:53:11,680 --> 00:53:20,440
Speaker 1: about dude's penis. Yeah, And so that made me go like, oh,

1031
00:53:20,480 --> 00:53:21,600
Speaker 1: I guess that's part of the right.

1032
00:53:21,960 --> 00:53:27,000
Speaker 4: If if the zeitgeist, if the meme bring the zeitgeist

1033
00:53:27,000 --> 00:53:29,920
Speaker 4: to you. Yeah, the memes are about him drinking. Come,

1034
00:53:30,440 --> 00:53:32,480
Speaker 4: I'm like, I don't care, Let's talk about the penis

1035
00:53:32,520 --> 00:53:33,759
Speaker 4: in front, down in front.

1036
00:53:33,560 --> 00:53:35,120
Speaker 1: Down in front of the tall penis.

1037
00:53:35,440 --> 00:53:35,680
Speaker 2: Yeah.

1038
00:53:35,800 --> 00:53:39,680
Speaker 4: Yeah, it would have been too easy to make a

1039
00:53:39,760 --> 00:53:43,200
Speaker 4: joke about drinking. Come and I'm not gonna do that.

1040
00:53:44,800 --> 00:53:48,000
Speaker 6: No, if you have to sea softwer, you probably have

1041
00:53:48,080 --> 00:53:50,200
Speaker 6: no idea what I'm talking about. So watch it, don't

1042
00:53:50,239 --> 00:53:52,239
Speaker 6: you understand what I was talking about? And then right

1043
00:53:52,280 --> 00:53:54,760
Speaker 6: after that, watch Barbie and then you're gonna be like something,

1044
00:53:55,160 --> 00:53:56,239
Speaker 6: something's missing.

1045
00:53:57,520 --> 00:53:59,080
Speaker 7: And then watch my Strong and you'd be like, oh,

1046
00:53:59,120 --> 00:54:00,880
Speaker 7: there it is. It's on the Cooper space.

1047
00:54:02,040 --> 00:54:02,439
Speaker 2: Mm hmm.

1048
00:54:03,960 --> 00:54:09,759
Speaker 5: What okay? So yeah, I thank you for taking me

1049
00:54:09,800 --> 00:54:10,560
Speaker 5: on that journey.

1050
00:54:11,760 --> 00:54:14,319
Speaker 1: I just want to sell that many points now that

1051
00:54:14,400 --> 00:54:17,560
Speaker 1: I now that I have been like carried and walked,

1052
00:54:18,000 --> 00:54:21,960
Speaker 1: you know, to the exact idea of so many different things.

1053
00:54:22,400 --> 00:54:26,240
Speaker 1: I'm ready to be a little bit uncomfortable.

1054
00:54:26,680 --> 00:54:30,200
Speaker 5: And the people say might say there must be a

1055
00:54:30,320 --> 00:54:34,680
Speaker 5: shorter way to get there. Did we need to like

1056
00:54:35,040 --> 00:54:36,640
Speaker 5: go back to Barbie?

1057
00:54:37,480 --> 00:54:41,080
Speaker 1: Mm hmmm, which, by the way, I did see Barbie.

1058
00:54:41,120 --> 00:54:42,359
Speaker 1: I'm married, but I watched it?

1059
00:54:42,360 --> 00:54:43,799
Speaker 2: Could you and.

1060
00:54:43,520 --> 00:54:50,680
Speaker 1: And I and I did? They don't really explicitly explore, uh,

1061
00:54:50,840 --> 00:54:54,319
Speaker 1: like him saying something's missing, Like they're not showing like

1062
00:54:54,440 --> 00:55:00,360
Speaker 1: a nude Uh this is again right, what he's just

1063
00:55:00,360 --> 00:55:04,759
Speaker 1: saying just talking about your joke, which I love. He

1064
00:55:05,560 --> 00:55:08,400
Speaker 1: You're saying you go watch the movie. I like, how

1065
00:55:08,480 --> 00:55:10,200
Speaker 1: many times you said, go watch the movie. Then you'll

1066
00:55:10,239 --> 00:55:12,279
Speaker 1: know what I'm talking about, and that you could feel

1067
00:55:12,320 --> 00:55:13,879
Speaker 1: I didn't know what the fuck you were talking about.

1068
00:55:14,040 --> 00:55:19,400
Speaker 5: You could have just come right off of the previous Joe,

1069
00:55:20,040 --> 00:55:25,040
Speaker 5: where's your penis sitting today and just gone to like,

1070
00:55:25,160 --> 00:55:28,200
Speaker 5: I haven't seen an appendage that big on screen since Maestro?

1071
00:55:28,760 --> 00:55:28,960
Speaker 1: Right?

1072
00:55:29,040 --> 00:55:29,680
Speaker 2: But why not?

1073
00:55:29,920 --> 00:55:31,360
Speaker 1: No? No, no, I think I say.

1074
00:55:31,239 --> 00:55:33,400
Speaker 5: People to see three different movies.

1075
00:55:33,480 --> 00:55:36,920
Speaker 1: Well first first, yes, first of all, it's celebrating the movies.

1076
00:55:37,160 --> 00:55:42,120
Speaker 1: But here's my thing. You say, where's your penis seated? Oh,

1077
00:55:42,160 --> 00:55:46,040
Speaker 1: it's on Bradley Cooper's face. Yes, no, that's but he's

1078
00:55:46,040 --> 00:55:47,640
Speaker 1: not doesn't have it. He doesn't have it because he's

1079
00:55:47,640 --> 00:55:50,719
Speaker 1: not in Maestro right now. He doesn't have it.

1080
00:55:50,800 --> 00:55:54,359
Speaker 4: He's is one way to go. But for me, the

1081
00:55:54,440 --> 00:55:58,560
Speaker 4: magic is sort of in visualizing a penis, then the

1082
00:55:58,600 --> 00:56:01,920
Speaker 4: absence of the penis, but which again is.

1083
00:56:01,880 --> 00:56:04,279
Speaker 1: Not shown, which is not shown in the movie Barbie. No,

1084
00:56:04,400 --> 00:56:06,520
Speaker 1: then go watch Barbie and you'll say something's missing.

1085
00:56:06,880 --> 00:56:12,399
Speaker 4: But you yeah, but I think you won't, I think

1086
00:56:12,560 --> 00:56:16,279
Speaker 4: to me, but you could kind of gay to be

1087
00:56:16,400 --> 00:56:21,160
Speaker 4: like this big penis and then to go and then

1088
00:56:21,400 --> 00:56:24,440
Speaker 4: talk about another like penis, you need to break that up.

1089
00:56:25,360 --> 00:56:28,600
Speaker 1: Well, when it becomes a nose, it's not it's not

1090
00:56:28,680 --> 00:56:29,200
Speaker 1: gay at all.

1091
00:56:29,719 --> 00:56:32,880
Speaker 5: As a married guy, I did need just like a

1092
00:56:32,920 --> 00:56:34,320
Speaker 5: little palette cleanser.

1093
00:56:35,280 --> 00:56:37,320
Speaker 2: No penis, we please.

1094
00:56:37,320 --> 00:56:40,480
Speaker 4: Just for half a second.

1095
00:56:40,560 --> 00:56:42,239
Speaker 5: And by then I was ready to be like, Okay,

1096
00:56:42,280 --> 00:56:45,279
Speaker 5: I'm ready for another penis, like I'm ready to see you.

1097
00:56:45,360 --> 00:56:48,480
Speaker 1: But it's not. It's in maestro on his face.

1098
00:56:48,560 --> 00:56:52,160
Speaker 4: Yeah, that big jewish node is a penis. That's what

1099
00:56:52,200 --> 00:56:52,760
Speaker 4: I was thinking.

1100
00:56:54,239 --> 00:56:59,279
Speaker 7: Yeah, it's hilarious. I was watching my show. It's like

1101
00:56:59,400 --> 00:57:01,160
Speaker 7: that thing was dancing in Saltburn.

1102
00:57:02,200 --> 00:57:05,680
Speaker 2: See that dance that's the same.

1103
00:57:05,840 --> 00:57:09,200
Speaker 1: Yeah, he's he's dancing or the penis dancing.

1104
00:57:09,360 --> 00:57:12,439
Speaker 4: I mean it's sort of like chicken or the egg

1105
00:57:12,560 --> 00:57:14,560
Speaker 4: really like which which?

1106
00:57:14,920 --> 00:57:18,800
Speaker 1: Yeah, I just feel like, are you watching it saying

1107
00:57:18,800 --> 00:57:22,760
Speaker 1: that nose was dancing, but it was actually a guy

1108
00:57:22,880 --> 00:57:24,920
Speaker 1: dancing who just had a penis.

1109
00:57:25,200 --> 00:57:27,040
Speaker 2: So that's what it is, a guy, you know what

1110
00:57:27,120 --> 00:57:27,440
Speaker 2: I like.

1111
00:57:29,240 --> 00:57:31,800
Speaker 1: Yeah, I've been able to my wife.

1112
00:57:31,840 --> 00:57:34,680
Speaker 4: This is so frustrating because I told the room, we

1113
00:57:34,760 --> 00:57:38,080
Speaker 4: need to talk about barbiet in between those.

1114
00:57:38,000 --> 00:57:40,280
Speaker 1: Like such a big movie.

1115
00:57:41,560 --> 00:57:45,160
Speaker 5: The Way on the way back from so maybe we

1116
00:57:45,200 --> 00:57:47,480
Speaker 5: could put it, Yeah, actually a d R.

1117
00:57:47,640 --> 00:57:52,960
Speaker 4: Yes, yes, I think it would be that. What if

1118
00:57:52,960 --> 00:57:56,640
Speaker 4: there wasn't one on Ken and Sulturn Dance?

1119
00:57:57,360 --> 00:57:58,360
Speaker 1: Great? Great?

1120
00:57:59,200 --> 00:57:59,760
Speaker 2: I love that.

1121
00:58:00,360 --> 00:58:02,280
Speaker 1: Okay, let's see see a little.

1122
00:58:02,120 --> 00:58:05,160
Speaker 7: Daniel Brooks is Danielle Brooks. Where's Daniel Brooks? Daniel Brooks

1123
00:58:05,240 --> 00:58:05,520
Speaker 7: is here?

1124
00:58:06,960 --> 00:58:16,720
Speaker 6: Fantasia's here, which Fantasia call mean Domingo? All in the

1125
00:58:16,800 --> 00:58:20,760
Speaker 6: color purple? By the way, the color.

1126
00:58:20,560 --> 00:58:27,440
Speaker 7: Purple is also what happens to your butt? Would you take? Ozempico?

1127
00:58:27,600 --> 00:58:29,480
Speaker 6: Half the room is cringing and the other half is like,

1128
00:58:29,880 --> 00:58:30,640
Speaker 6: I gotta get home and.

1129
00:58:30,640 --> 00:58:31,960
Speaker 7: Grab my selfie stick.

1130
00:58:34,000 --> 00:58:34,160
Speaker 4: Home.

1131
00:58:34,200 --> 00:58:37,680
Speaker 7: After the globes Man, he was lying its mot of

1132
00:58:37,720 --> 00:58:42,120
Speaker 7: a vagenta. I love this year's nominated TV.

1133
00:58:41,960 --> 00:58:51,160
Speaker 1: Shows, Like, yeah, you gotta kind of like feel I

1134
00:58:51,280 --> 00:58:54,280
Speaker 1: needed a break from movies. I mean, is anybody else

1135
00:58:54,320 --> 00:58:56,800
Speaker 1: sick of movies and TV and ship? I mean, we're

1136
00:58:56,800 --> 00:59:00,480
Speaker 1: gonna talk about TV now, but I shouldn't fucking break dude,

1137
00:59:00,920 --> 00:59:03,000
Speaker 1: And you really brought me there, and I'm going I

1138
00:59:03,040 --> 00:59:04,320
Speaker 1: was going to talk about the color, probably going to

1139
00:59:04,360 --> 00:59:07,120
Speaker 1: talk about this movie again, but then it really just

1140
00:59:07,160 --> 00:59:10,480
Speaker 1: became about a joke about the actual literal. No, it

1141
00:59:10,560 --> 00:59:10,880
Speaker 1: was good.

1142
00:59:10,960 --> 00:59:16,000
Speaker 4: I thought it was good to acknowledge the few black

1143
00:59:16,800 --> 00:59:20,040
Speaker 4: actors in the room, all sort of segregated from the

1144
00:59:20,040 --> 00:59:21,800
Speaker 4: rest of my monologue, but then.

1145
00:59:21,720 --> 00:59:23,920
Speaker 1: Immediately transition into talking about.

1146
00:59:24,200 --> 00:59:28,800
Speaker 4: A swollen asshole. Yes, yeah, yes, like a pussy swollen asshole.

1147
00:59:30,360 --> 00:59:33,200
Speaker 5: Oh okay, so that's what you were referring to. I

1148
00:59:33,200 --> 00:59:37,960
Speaker 5: thought you were just for some reason, like lying, because

1149
00:59:37,960 --> 00:59:40,720
Speaker 5: then you say that you're lying and that you want

1150
00:59:40,720 --> 00:59:42,400
Speaker 5: to you want people to go home and check and

1151
00:59:42,440 --> 00:59:45,280
Speaker 5: see you, but they're lying. But there's more of a magenta.

1152
00:59:45,440 --> 00:59:49,400
Speaker 5: So it was actually And I also thought epic just

1153
00:59:49,440 --> 00:59:51,120
Speaker 5: made you like not eat as much.

1154
00:59:51,160 --> 00:59:52,520
Speaker 2: I didn't think it made you like.

1155
00:59:52,640 --> 00:59:54,840
Speaker 1: I didn't know about that. I think he made I think.

1156
00:59:56,360 --> 00:59:58,640
Speaker 1: I kept saying let it run because I thought he's

1157
00:59:58,640 --> 01:00:00,760
Speaker 1: a go home and google the side offfect or something

1158
01:00:00,880 --> 01:00:01,160
Speaker 1: like that.

1159
01:00:01,240 --> 01:00:04,920
Speaker 4: No, no, no, no, no, look, not all premises.

1160
01:00:04,800 --> 01:00:06,240
Speaker 2: To go home and watch three movies.

1161
01:00:06,320 --> 01:00:10,600
Speaker 1: Oh yes you can't. Everyone who's there, you a premise.

1162
01:00:11,440 --> 01:00:15,240
Speaker 4: You can't steal a premise if you make it up, right, Okay,

1163
01:00:15,360 --> 01:00:17,640
Speaker 4: that was the point I was making. It was like, hey,

1164
01:00:17,960 --> 01:00:23,560
Speaker 4: DeNiro Scorsese, watch the Master. I'm making up a premise.

1165
01:00:23,440 --> 01:00:25,320
Speaker 1: Right now, premise the color.

1166
01:00:25,160 --> 01:00:27,960
Speaker 4: Purple, your butthole turns purple?

1167
01:00:28,880 --> 01:00:31,760
Speaker 2: Okay, from not wanting to eat as much?

1168
01:00:31,920 --> 01:00:34,200
Speaker 4: I don't know, I don't know, I don't know.

1169
01:00:34,720 --> 01:00:37,920
Speaker 1: You know, is it a side effect? Medicine side effects?

1170
01:00:38,280 --> 01:00:42,320
Speaker 1: Is it from White Big? It was presented to, you know,

1171
01:00:42,560 --> 01:00:45,720
Speaker 1: within the context of your special which I'm enjoying, thank you,

1172
01:00:46,040 --> 01:00:51,520
Speaker 1: was that everyone knows about this one famous side effect

1173
01:00:51,920 --> 01:00:56,760
Speaker 1: that your asshole turns purple. But that's the thing. But

1174
01:00:57,160 --> 01:00:59,240
Speaker 1: that's eventually because the movie is not called The Color

1175
01:00:59,280 --> 01:00:59,960
Speaker 1: of Jenna No.

1176
01:01:00,280 --> 01:01:01,840
Speaker 4: But well then people will just be like, oh, I

1177
01:01:01,840 --> 01:01:03,560
Speaker 4: know exactly where he's going with this.

1178
01:01:03,720 --> 01:01:08,280
Speaker 1: That's right. But yeah, it feels like none of us

1179
01:01:09,360 --> 01:01:09,959
Speaker 1: knew that.

1180
01:01:11,120 --> 01:01:14,640
Speaker 4: No one did. Yeah, and that's why it's funny.

1181
01:01:15,480 --> 01:01:15,640
Speaker 8: It is.

1182
01:01:15,760 --> 01:01:17,720
Speaker 2: I mean, this is there's so much more.

1183
01:01:18,560 --> 01:01:24,480
Speaker 1: Yeah, let's just let some run and let the whole thing. Yeah,

1184
01:01:24,680 --> 01:01:24,960
Speaker 1: just let it.

1185
01:01:25,200 --> 01:01:26,520
Speaker 2: H let's let the whole thing run.

1186
01:01:26,600 --> 01:01:30,360
Speaker 1: Because we obviously it's really good. Joe, thank you and congratulating.

1187
01:01:30,360 --> 01:01:31,280
Speaker 1: We could we could even.

1188
01:01:31,160 --> 01:01:33,720
Speaker 4: Do it at too X speed or perhaps I don't know.

1189
01:01:33,800 --> 01:01:36,560
Speaker 1: Yeah, you might want to get it. Get it kind

1190
01:01:36,600 --> 01:01:37,439
Speaker 1: of Cruising.

1191
01:01:38,520 --> 01:01:40,880
Speaker 7: Succession is coming to an end after four beautiful seasons.

1192
01:01:40,880 --> 01:01:42,120
Speaker 7: I loved it. I loved everything about it.

1193
01:01:42,160 --> 01:01:44,280
Speaker 6: The one thing that this show taught me is, if

1194
01:01:44,280 --> 01:01:45,919
Speaker 6: you're a billionaire, pull out.

1195
01:01:48,720 --> 01:01:50,760
Speaker 7: None of them are gonna be like you. We're gonna

1196
01:01:50,760 --> 01:01:51,560
Speaker 7: be a bad version of you.

1197
01:01:51,680 --> 01:01:52,200
Speaker 1: Just pull out.

1198
01:01:53,040 --> 01:01:54,040
Speaker 7: There's billionis in here.

1199
01:01:54,080 --> 01:01:56,680
Speaker 2: That was the problem. They weren't enough like him. Yeah,

1200
01:01:57,520 --> 01:01:58,520
Speaker 2: that's what the show said.

1201
01:01:58,960 --> 01:02:02,840
Speaker 4: You know another uh maybe some a dr is.

1202
01:02:04,400 --> 01:02:05,200
Speaker 1: Do not ce G.

1203
01:02:05,360 --> 01:02:09,960
Speaker 4: I right, yeah, do not c G. That's one thing

1204
01:02:09,960 --> 01:02:11,760
Speaker 4: I learned about secession. Do not c G.

1205
01:02:11,920 --> 01:02:14,160
Speaker 1: I see I do you hear me say c G.

1206
01:02:14,320 --> 01:02:21,280
Speaker 1: Oh that's even better. Yeah, c G c G c

1207
01:02:21,400 --> 01:02:27,120
Speaker 1: G O b on but I back. But oh they're

1208
01:02:27,160 --> 01:02:29,800
Speaker 1: all good. Yeah, it's like whatever you want, Like, wait,

1209
01:02:30,080 --> 01:02:31,840
Speaker 1: c G O boobies.

1210
01:02:32,880 --> 01:02:33,160
Speaker 2: Wow.

1211
01:02:35,040 --> 01:02:38,040
Speaker 5: Yes, but that's a that's a we have to do that.

1212
01:02:38,040 --> 01:02:42,840
Speaker 5: That's a set ender. You have another three minutes.

1213
01:02:43,000 --> 01:02:47,040
Speaker 1: Yeah, that movie that that show did teach me I'm

1214
01:02:47,080 --> 01:02:48,880
Speaker 1: not a billionaire, but it said, you know, pull out

1215
01:02:48,880 --> 01:02:52,520
Speaker 1: because your kids won't be enough like you. Yeah, because

1216
01:02:52,520 --> 01:02:54,160
Speaker 1: that was the issue is that they just weren't.

1217
01:02:54,640 --> 01:02:57,080
Speaker 2: Yeah, they're not going to be like you.

1218
01:02:57,680 --> 01:03:00,880
Speaker 1: Yeah. The system itself works, but the kids were you

1219
01:03:00,960 --> 01:03:01,400
Speaker 1: got more?

1220
01:03:02,120 --> 01:03:05,000
Speaker 6: He was like clapping, like nine really just a craz

1221
01:03:05,000 --> 01:03:08,520
Speaker 6: series about a rich, white, dysfunctional family, all scheming. Oh no,

1222
01:03:08,560 --> 01:03:11,439
Speaker 6: that's a crown, that's a crown. I'm sorry. How great

1223
01:03:11,520 --> 01:03:12,720
Speaker 6: was another stonton from the Crown?

1224
01:03:12,800 --> 01:03:14,440
Speaker 2: Wasn't you make the.

1225
01:03:14,440 --> 01:03:16,320
Speaker 7: Portrayal of the Queen was so good? Prince Harry called

1226
01:03:16,360 --> 01:03:18,800
Speaker 7: herpert and that's herp for money? Like I said, I

1227
01:03:18,800 --> 01:03:19,440
Speaker 7: didn't write all these.

1228
01:03:20,240 --> 01:03:24,120
Speaker 1: Yeah, I was wondering because it felt like you.

1229
01:03:24,680 --> 01:03:26,320
Speaker 4: I was like, I don't know this British shit.

1230
01:03:28,160 --> 01:03:32,280
Speaker 1: Yeah, I felt like you. You would abandoned the catchphrase

1231
01:03:32,320 --> 01:03:34,280
Speaker 1: you thought about doing before of are you kidding?

1232
01:03:34,600 --> 01:03:34,720
Speaker 2: Kid?

1233
01:03:35,040 --> 01:03:36,640
Speaker 1: And I thought, well, is there gonna be anything that

1234
01:03:36,680 --> 01:03:38,520
Speaker 1: ties this back to the beginning when I was really

1235
01:03:38,560 --> 01:03:42,600
Speaker 1: feeling it and saying again that you didn't write all

1236
01:03:42,600 --> 01:03:44,360
Speaker 1: of these, and now I can fill in the rest.

1237
01:03:44,680 --> 01:03:47,120
Speaker 1: You only wrote the funny ones. Right then, I'm loving.

1238
01:03:47,400 --> 01:03:49,720
Speaker 5: Right then, we're training off of what we all know

1239
01:03:49,760 --> 01:03:51,920
Speaker 5: about Prince Harry, which is that he is like always

1240
01:03:51,960 --> 01:03:54,080
Speaker 5: calling the Queen and being like can I have some money?

1241
01:03:54,200 --> 01:03:56,360
Speaker 4: I guess yeah, I didn't write that. I don't even

1242
01:03:56,360 --> 01:03:57,240
Speaker 4: know what that shit's about.

1243
01:03:57,440 --> 01:04:01,880
Speaker 1: Yeah, I think I just I already picture the phone

1244
01:04:01,920 --> 01:04:02,400
Speaker 1: in his hand.

1245
01:04:02,480 --> 01:04:05,480
Speaker 4: Yes, m yeah, he's in one of those dumb red

1246
01:04:05,800 --> 01:04:06,680
Speaker 4: phone boxes.

1247
01:04:07,600 --> 01:04:12,000
Speaker 1: The quid mom. You know you could you could do that.

1248
01:04:12,120 --> 01:04:13,680
Speaker 4: I mean I should have had you guys in the room,

1249
01:04:13,760 --> 01:04:18,320
Speaker 4: not these fucking losers. Yeah, dumb ass, some real duds.

1250
01:04:19,000 --> 01:04:22,600
Speaker 6: I mean yeah, will still get paid millions of dollars

1251
01:04:22,720 --> 01:04:29,360
Speaker 6: for doing absolutely nothing. And that's just by Netflix, tad,

1252
01:04:29,640 --> 01:04:35,680
Speaker 6: I have a deal to Yeah, like mm hmm, five

1253
01:04:35,720 --> 01:04:39,400
Speaker 6: nominations tonight on that show you don't know who side

1254
01:04:39,400 --> 01:04:41,280
Speaker 6: to be on? That's how I feel about dear Holly

1255
01:04:41,320 --> 01:04:46,320
Speaker 6: John Oates? Which one is Oats? This?

1256
01:04:48,760 --> 01:04:53,760
Speaker 4: Yeah?

1257
01:04:54,440 --> 01:04:55,360
Speaker 1: Does anyone know?

1258
01:04:56,200 --> 01:05:00,200
Speaker 7: Fuck you?

1259
01:05:00,440 --> 01:05:02,200
Speaker 1: Fuck fucking.

1260
01:05:03,440 --> 01:05:03,720
Speaker 4: Shit?

1261
01:05:05,080 --> 01:05:07,360
Speaker 5: The fuck are very disoriented?

1262
01:05:08,040 --> 01:05:11,040
Speaker 4: Very yeah, I get very very waiting.

1263
01:05:11,440 --> 01:05:13,800
Speaker 1: Look I'll say this, I've been waiting thirty years to

1264
01:05:13,840 --> 01:05:14,400
Speaker 1: make that job.

1265
01:05:16,000 --> 01:05:16,680
Speaker 4: Now's the time.

1266
01:05:16,800 --> 01:05:17,440
Speaker 2: That's what I say.

1267
01:05:18,800 --> 01:05:27,280
Speaker 1: I wrote that one is not okay with me? Like,

1268
01:05:28,000 --> 01:05:31,440
Speaker 1: where's he going? Who signed to be on? Yeah? What?

1269
01:05:32,160 --> 01:05:35,880
Speaker 4: Yeah?

1270
01:05:35,920 --> 01:05:37,720
Speaker 1: This motherfucker?

1271
01:05:37,800 --> 01:05:41,880
Speaker 4: Yeah, I wrote that very strange, very strange.

1272
01:05:42,560 --> 01:05:46,440
Speaker 1: No, it wasn't. I hadn't been thinking about them at all.

1273
01:05:46,720 --> 01:05:48,880
Speaker 4: Yeah, I mean a lot of people don't even know

1274
01:05:48,960 --> 01:05:51,800
Speaker 4: what I'm talking about. No, you don't even have to

1275
01:05:51,920 --> 01:05:55,320
Speaker 4: in Hollywood for that one. No, you have to be anywhere.

1276
01:05:55,840 --> 01:05:59,960
Speaker 4: You don't have to do anything ever. Again, that's right,

1277
01:06:00,840 --> 01:06:03,120
Speaker 4: That's how I feel. I mean, just sometimes you just

1278
01:06:03,160 --> 01:06:04,080
Speaker 4: have to say how you feel.

1279
01:06:04,120 --> 01:06:08,080
Speaker 1: Oh, I needed that, Oh play.

1280
01:06:11,240 --> 01:06:16,360
Speaker 6: Speaking of blonde, Meryl Street, Yeah, Bond, my mom's favorite.

1281
01:06:16,400 --> 01:06:16,720
Speaker 1: Right there.

1282
01:06:17,000 --> 01:06:19,120
Speaker 7: Meryl Streep is nominated for a Golden Glow tonight.

1283
01:06:20,600 --> 01:06:23,520
Speaker 1: What's he gonna say, Well, you can't go to this show.

1284
01:06:23,920 --> 01:06:26,560
Speaker 6: Duh's not coming to any words, So we'll let you

1285
01:06:26,560 --> 01:06:29,160
Speaker 6: give her a nomination. She's got thirty four nominations. This woman,

1286
01:06:29,400 --> 01:06:30,960
Speaker 6: there's nothing she can't do. This is the greatest of

1287
01:06:31,000 --> 01:06:32,560
Speaker 6: all time. That's the goat right there. Does no matter

1288
01:06:32,600 --> 01:06:36,360
Speaker 6: what she plays, she kills it. My mom loves you,

1289
01:06:36,400 --> 01:06:38,920
Speaker 6: everybody loves you. Maryln You know my favorite line from you, legendary,

1290
01:06:38,920 --> 01:06:39,120
Speaker 6: this one.

1291
01:06:39,120 --> 01:06:39,760
Speaker 7: I hold my heart.

1292
01:06:39,840 --> 01:06:41,200
Speaker 6: I say it all over it like every time, the

1293
01:06:41,200 --> 01:06:42,680
Speaker 6: way you said it. It just it just stuck with me,

1294
01:06:42,800 --> 01:06:48,120
Speaker 6: the way you said Waconda forever. So it's Brilli doude

1295
01:06:48,160 --> 01:06:50,120
Speaker 6: it like, but be bet across cross cross What condaf

1296
01:06:50,240 --> 01:06:50,520
Speaker 6: have to do?

1297
01:06:50,720 --> 01:06:51,800
Speaker 7: Yes, that's it.

1298
01:06:53,600 --> 01:06:55,960
Speaker 6: Speaking of what condo Forever, here's some hints about our

1299
01:06:55,960 --> 01:06:56,560
Speaker 6: first presenter.

1300
01:06:56,640 --> 01:06:57,880
Speaker 7: I'm gonna give you some hints, right.

1301
01:06:57,840 --> 01:07:06,240
Speaker 1: Sorry, why did you do that?

1302
01:07:06,240 --> 01:07:09,800
Speaker 4: That wasn't scripted. I was just flying so high from

1303
01:07:09,800 --> 01:07:11,720
Speaker 4: the Hall of Notes thing, but I just kind of rip.

1304
01:07:13,560 --> 01:07:15,320
Speaker 4: And I think in the moment, I thought it was funny,

1305
01:07:15,400 --> 01:07:16,960
Speaker 4: Like I knew my mom would like this.

1306
01:07:17,080 --> 01:07:18,240
Speaker 1: My mom loves her.

1307
01:07:18,720 --> 01:07:22,720
Speaker 4: I just I wanted to end on a confusing note.

1308
01:07:23,320 --> 01:07:27,280
Speaker 1: Yeah, well they got to come back. Love crowd participation.

1309
01:07:27,520 --> 01:07:29,280
Speaker 1: What I love is because you do take these breaks

1310
01:07:29,280 --> 01:07:31,200
Speaker 1: and so like I'm at this special and I go, well,

1311
01:07:31,200 --> 01:07:32,560
Speaker 1: I can't wait for him to come back out because

1312
01:07:32,560 --> 01:07:34,480
Speaker 1: I wonder if he's going to explain what I just

1313
01:07:34,760 --> 01:07:38,320
Speaker 1: was here for. Nope. And it's especially if I'm sitting

1314
01:07:38,320 --> 01:07:39,560
Speaker 1: somewhere where I can't see her.

1315
01:07:40,040 --> 01:07:42,640
Speaker 4: Uh huh. It's an acknowledgment too, Like she came out

1316
01:07:42,720 --> 01:07:45,600
Speaker 4: and I appreciated it. She didn't have to be there.

1317
01:07:45,640 --> 01:07:46,720
Speaker 4: Thirty six nominations.

1318
01:07:48,920 --> 01:07:51,120
Speaker 5: When you're thinking about someone who died as well, I

1319
01:07:51,120 --> 01:07:53,920
Speaker 5: mean that's like something that's good. You know, we're thinking

1320
01:07:53,960 --> 01:07:57,400
Speaker 5: of an actor who passed away when you talk about them.

1321
01:07:57,480 --> 01:07:58,520
Speaker 2: Yeah, but it's.

1322
01:07:58,400 --> 01:08:00,680
Speaker 4: Better if a white lady does, it's sort of in

1323
01:08:00,720 --> 01:08:03,000
Speaker 4: a mocking fashion. I thought that was that would be

1324
01:08:03,040 --> 01:08:05,360
Speaker 4: sort of a fun way to your mom loves her,

1325
01:08:05,680 --> 01:08:12,080
Speaker 4: My mom loves her her favorite. So yeah, that's the

1326
01:08:12,280 --> 01:08:16,920
Speaker 4: special and I can't wait for people to see when

1327
01:08:16,920 --> 01:08:17,519
Speaker 4: it comes out.

1328
01:08:20,080 --> 01:08:22,439
Speaker 1: What where did you even?

1329
01:08:24,680 --> 01:08:28,000
Speaker 4: I say, I don't know what I was thinking.

1330
01:08:28,320 --> 01:08:33,800
Speaker 1: I don't know either, man, seek help? No, wait, don't.

1331
01:08:33,960 --> 01:08:36,360
Speaker 1: I want to keep being able to laugh.

1332
01:08:37,000 --> 01:08:40,879
Speaker 5: Of all the ones, stay sick that you've that you've come.

1333
01:08:40,680 --> 01:08:45,960
Speaker 2: On the show to run through with us. This was

1334
01:08:48,680 --> 01:08:49,840
Speaker 2: this felt like the longest.

1335
01:08:50,120 --> 01:08:57,680
Speaker 4: Yeah, weirdly, Yes, I think that means I'm growing as

1336
01:08:57,720 --> 01:08:59,280
Speaker 4: a performer as a writer.

1337
01:08:59,520 --> 01:09:02,519
Speaker 1: Yes, it's so much more substantive what you're doing, because

1338
01:09:02,520 --> 01:09:04,679
Speaker 1: it really is heartier and it does feel like it's

1339
01:09:04,720 --> 01:09:07,840
Speaker 1: hardier ever to I don't want to say endure.

1340
01:09:07,840 --> 01:09:11,559
Speaker 5: Certain types of soups that have like so much in

1341
01:09:11,640 --> 01:09:13,360
Speaker 5: them that you like look down at the bowl and

1342
01:09:13,360 --> 01:09:15,400
Speaker 5: you're like, I feel like I've been eating this for

1343
01:09:15,479 --> 01:09:16,519
Speaker 5: so long and that.

1344
01:09:16,520 --> 01:09:18,000
Speaker 4: There's like a soup full spinach.

1345
01:09:18,240 --> 01:09:25,160
Speaker 1: Yeah, kind of like my share real quick. Bye,