WEBVTT - Euphegenia Doubtfire Is A Trans Icon

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<v Speaker 1>Did missus Delfhire tuck? No, because she was wearing those

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<v Speaker 1>long skirts, but she was also wearing pantyhose. I if

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<v Speaker 1>Robin Williams character is assists man, I don't think he would.

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<v Speaker 1>I don't think he would talk No. I I think

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<v Speaker 1>I think she tucked for the experience to feel fish,

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<v Speaker 1>to feel fish, you wanted to feel the soft and

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<v Speaker 1>Quint Welcome to Like a Virgin the show where we

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<v Speaker 1>give yesterday's pop culture today's tanks. I'm Rose, damn you.

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<v Speaker 1>I am Francrondo, and I love that you gave that

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<v Speaker 1>a What did you do to die? To die today?

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<v Speaker 1>At a minute or two until two? You really think

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<v Speaker 1>distinctly hard to say, but hard or still to do?

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<v Speaker 1>The um? Did you ever have to what other like

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<v Speaker 1>kind of did you have to do? Buddy gum money

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<v Speaker 1>and cut to cut? Oh? I had to do all

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<v Speaker 1>of them, you know, a girl? Oh, I know. I

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<v Speaker 1>literally went to acting school and to do all of them.

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<v Speaker 1>Speak red leather, yellow leather, red leather, yellow leather, red leather,

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<v Speaker 1>yellow leather. Speaking of acting school, I did ditch my

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<v Speaker 1>last class. Good good. I feel like after after your

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<v Speaker 1>venting session on air last week, I think that was

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<v Speaker 1>the right choice to make. Well, I don't think anybody

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<v Speaker 1>in the class like well knows who I am or

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<v Speaker 1>like what that I have that I'm talking. No, I

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<v Speaker 1>meant the right choice for you. Oh, thank you, thank

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<v Speaker 1>you because you because you m had so many um uh,

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<v Speaker 1>you know, negative things to say about it, like, yeah,

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<v Speaker 1>I really did, and I should I should also say

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<v Speaker 1>that I just for the record that I did not ditch,

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<v Speaker 1>so to speak. It is it was like my last

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<v Speaker 1>full day in la or was and was supposed to be.

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<v Speaker 1>You were supposed to be in New York today, but

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<v Speaker 1>you're not. I texted you bright and early this morning.

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<v Speaker 1>I texted you Taylor Swift's masterpiece Welcome to New York,

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<v Speaker 1>which I thought was really nice and welcoming of me. Yeah,

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<v Speaker 1>and you were still in Los Angeles. No. I really

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<v Speaker 1>appreciated the message, even though I do kind of think

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<v Speaker 1>that's the worst song on nineteen eighty nine, and let's

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<v Speaker 1>not I don't want to start a fight or the show. Well,

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<v Speaker 1>I don't think it's bad. I just think it's you know,

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<v Speaker 1>my least face. No, no no, no, move on. Oh my god.

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<v Speaker 1>Um well, I had let me tell you I saw

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<v Speaker 1>Phoebe on Sunday. It was quite lovely. We we missed you.

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<v Speaker 1>We wished you were at my moving sale. Oh I

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<v Speaker 1>thought you guys were just hooked up. Yeah, we Um.

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<v Speaker 1>Phoebe came to pick up a night a night stand,

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<v Speaker 1>some some dishware after hustling me on prices. Is that right, Phoebe?

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<v Speaker 1>We really had some negotiation happening. So um, how generally

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<v Speaker 1>was the sale? Did you get rid of lots of stuff? Rose?

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<v Speaker 1>I actually don't think I was prepared for what actually happened.

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<v Speaker 1>I sent out an email the night before that was like,

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<v Speaker 1>do not come before noon if I hear a buzz

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<v Speaker 1>before noon? Like, no, I didn't like, I will not respond.

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<v Speaker 1>Twelve oh one, I get a buzz, I go down

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<v Speaker 1>to like let this person in. There is a line

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<v Speaker 1>of more than twenty people. LA's Hottest Club is easily

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<v Speaker 1>easily two dozen people waiting outside my apartment. I was

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<v Speaker 1>so gooped, like and I honestly, here's the thing. Did

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<v Speaker 1>you take any of nonloads that day? I did? I did?

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<v Speaker 1>I take seventy five loads? The guy that took seventy

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<v Speaker 1>five loads literally lives a few blocks away from that apartment.

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<v Speaker 1>He was probably at the sale. He was probably what wait,

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<v Speaker 1>did you wait? Phoebe just told us that she hooked

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<v Speaker 1>up with someone in the bathroom a friends moving sale.

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<v Speaker 1>What Phoebe, Phoebe, Phoebe, are you making an appearance on

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<v Speaker 1>the show? I need? Actually, do you want to share?

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<v Speaker 1>Can you? You're like, I can't. Well, the well, the

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<v Speaker 1>versions will just have to you know, well, this will

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<v Speaker 1>remain cloaked in mystery. Okay, this will remain cloaked in mystery. Um,

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<v Speaker 1>all you need to know is that, um, you know Rose,

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<v Speaker 1>you and I we had We've had a lot of

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<v Speaker 1>trials and tribulations with Los Angeles flight culture. It's really

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<v Speaker 1>difficult to get people to show up for things on time,

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<v Speaker 1>let alone show up to things at all. And now

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<v Speaker 1>I figured out that if I ever want any of

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<v Speaker 1>my friends, loved one's, colleagues, followers to show up to something,

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<v Speaker 1>all I have to do is tell them that I'm

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<v Speaker 1>having in a state sale and they will show up

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<v Speaker 1>on time because they think you're dead. And I have

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<v Speaker 1>to pay respects to your your your exquisite corpse. And

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<v Speaker 1>you know, I use the word I use the term

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<v Speaker 1>of state sale like as a joke. And I don't

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<v Speaker 1>quite know if everyone there thought it was a joke. Um,

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<v Speaker 1>but I did sell really nice stuff. So you're a

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<v Speaker 1>state sale because I finally killed you, Yes, because you

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<v Speaker 1>finally killed me. But um, anyways, what did you do

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<v Speaker 1>this weekend? Rose? Um? I had um sex, lot of sex.

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<v Speaker 1>I am in such I know we talked about that.

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<v Speaker 1>I was like trying to jump start a slut era. Honey,

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<v Speaker 1>it has been started. It has been the parties as

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<v Speaker 1>in the immortal words of Pink. Um, what is the

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<v Speaker 1>actually what is the pink song that I'm referencing? U.

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<v Speaker 1>Let let's get this party started. Yeah, I get this

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<v Speaker 1>fatties dat it Um? Yeah, I am a whore. I'm

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<v Speaker 1>I am in. I am in a whore era. Um.

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<v Speaker 1>You know, this weekend I had some sex. I went

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<v Speaker 1>to a screening of the classic animated film Anastasia um

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<v Speaker 1>with a friend of the show and and friend Hunter

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<v Speaker 1>Harris at Nighthawk, which was, Um, it was like a

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<v Speaker 1>BuzzFeed comments section in a movie theater. Was there was there,

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<v Speaker 1>you know, a talk back afterward about about the Russian

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<v Speaker 1>dynasty and no nobody Scott this guy did introduce the

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<v Speaker 1>movie and he felt it necessary to tell us that

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<v Speaker 1>he was gay, and it was like, Babe, we knew, honey,

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<v Speaker 1>you're introducing Anastasia, you're a homosexual. I also ran into

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<v Speaker 1>a Rosebud while I was out furniture shopping. That was

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<v Speaker 1>very nice. I love my fans. There were many Rosebuds

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<v Speaker 1>furniture shopping at my at my sale this this weekend.

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<v Speaker 1>Who I forgot They wanted to all send their love

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<v Speaker 1>to you. A lot of people saying a lot of

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<v Speaker 1>people at the sales saying say hi to Rose, say

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<v Speaker 1>hi to Rose, Um, why is a Rose here? A

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<v Speaker 1>lot of people that didn't know that you're not in

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<v Speaker 1>La anymore. A lot of realized that is. Some people

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<v Speaker 1>don't don't seem to be don't seem to have caught

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<v Speaker 1>onto the fact that I switched coasts. No, No, A

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<v Speaker 1>lot of people, you know, still kind of figuring it out.

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<v Speaker 1>And that's how you like it. You like to keep

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<v Speaker 1>people on your toes about your exact location at any time.

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<v Speaker 1>And I want an air of mystery around me at

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<v Speaker 1>literally all times. And myself take I take a lot

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<v Speaker 1>of pride in and actually I'm very profitable in um

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<v Speaker 1>making sure that no one knows where I live at

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<v Speaker 1>any time, nor what I do for a living. Um,

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<v Speaker 1>and I think that that is just something that listen

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<v Speaker 1>that just because you don't do anything for a living,

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<v Speaker 1>because I don't, because I don't do anything of us

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<v Speaker 1>and I don't have jobs, I don't do anything, and

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<v Speaker 1>I don't live anywhere, and that is just what should

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<v Speaker 1>be said. Well that's all about to change, mama, it is. Um.

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<v Speaker 1>You know what else I did this weekend? So on

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<v Speaker 1>on Friday night, after watching drag Race, some friends and

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<v Speaker 1>I decided to start rewatching and just like that, which

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<v Speaker 1>I have not watched so since it was first airing,

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<v Speaker 1>so what the fuck? And then then I just and

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<v Speaker 1>then um, one of them had to leave because they're

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<v Speaker 1>like family. Cat died and so I just so I

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<v Speaker 1>just kept watching and just like that, and then watched

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<v Speaker 1>it the next day too, and watched the whole season

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<v Speaker 1>in like two days. And it it really is as

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<v Speaker 1>insane as we remember it being. It's like, it's not

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<v Speaker 1>that it's bad, like this is the thing. It's not,

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<v Speaker 1>it's not, but it just the things that we remember

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<v Speaker 1>about it, like the the chadas of it all, the

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<v Speaker 1>like extreme wokeness, that all is as bad as you

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<v Speaker 1>remember it because it's such an overcorrection like that is

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<v Speaker 1>that directly comes from all the criticisms that were always

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<v Speaker 1>you know, leveled at Sex in the City that it

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<v Speaker 1>didn't reflect the real New York City because it wasn't diverse,

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<v Speaker 1>and you know the ways it treated you know, queer

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<v Speaker 1>people and people of color, and it just like it

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<v Speaker 1>just corrected those things in the wrong way instead of

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<v Speaker 1>actually folding queer people and people of color organically into

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<v Speaker 1>the story, it like made Chaday. Yeah. But you know,

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<v Speaker 1>and like every person on the show is like a

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<v Speaker 1>non binary diva, I mean kind of. Yeah. I feel

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<v Speaker 1>like Miranda's going to transition at some point. I think

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<v Speaker 1>it's happening. Well, did you see that tweet that was

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<v Speaker 1>going around of the photo that someone had taken in

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<v Speaker 1>LA and it said Chay and Miranda are fighting on

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<v Speaker 1>my street. Oh no, yeah, so I do think that Chay. Well,

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<v Speaker 1>this is what I'm hoping and what I'm thinking, Okay,

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<v Speaker 1>is that you know, Miranda will go to La with Chay.

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<v Speaker 1>That's how the second season will start. But I think

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<v Speaker 1>they'll break up with it'll break up pretty yeah, And

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<v Speaker 1>because Miranda has to come back to New York and

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<v Speaker 1>I think they'll want to get rid of Chay. I

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<v Speaker 1>think so that he's more of a looming presence as

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<v Speaker 1>opposed to an every day did I say he You

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<v Speaker 1>did well, well, Fran just miss gendered Chay Diaz. Oh

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<v Speaker 1>my god, I'm sorry. I'm just sorry the jokes. I

0:10:03.120 --> 0:10:07.400
<v Speaker 1>couldn't have written it better myself. I'm honestly disoriented. I

0:10:07.679 --> 0:10:13.040
<v Speaker 1>the non binary trans podcaster misgendered the non binary trans podcast.

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<v Speaker 1>I honestly okay, maybe I will tell the virgins. Maybe

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<v Speaker 1>maybe I'm just kind of still in a certain headspace

0:10:18.800 --> 0:10:22.360
<v Speaker 1>after seeing radios out at Comment Everybody a few weeks ago,

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<v Speaker 1>where where they were giving heat, maybe they were giving

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<v Speaker 1>he him in the kind of leather snapback they were

0:10:27.800 --> 0:10:30.000
<v Speaker 1>they were wearing, and it just it stuck with me.

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<v Speaker 1>But I that I appreciate you holding me accountable in

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<v Speaker 1>that moment. I always be. I WI shouldn't be perceiving

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<v Speaker 1>gender at any time, at any point um in any way,

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<v Speaker 1>thank you. Should we not shall not be perceiving gender,

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<v Speaker 1>No never. We shouldn't be assuming gender, but we should

0:10:47.080 --> 0:10:49.680
<v Speaker 1>be perceiving it. No no, no, gender should never be perceived.

0:10:49.720 --> 0:10:52.840
<v Speaker 1>We should just actually see everyone as like just faceless,

0:10:53.000 --> 0:10:57.000
<v Speaker 1>gooey like orbs, just these floating balls of light. You're

0:10:57.040 --> 0:10:59.200
<v Speaker 1>really reminding me of what I was doing this weekend,

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<v Speaker 1>that floating balls of light onni Okay, okay, here's I

0:11:04.720 --> 0:11:08.960
<v Speaker 1>have a bone to pick with men. Okay, Why why

0:11:09.120 --> 0:11:11.480
<v Speaker 1>do you jerk off when we're going to hook up?

0:11:11.480 --> 0:11:14.440
<v Speaker 1>Why do you jerk off before I get there? Do? People?

0:11:17.080 --> 0:11:20.320
<v Speaker 1>I realized that I'm being yeah, and I realized that

0:11:20.360 --> 0:11:23.920
<v Speaker 1>I'm being hypocritical because I said recently, oh yeah, I

0:11:24.000 --> 0:11:27.319
<v Speaker 1>like to jerk off for I have a hookup. But

0:11:27.840 --> 0:11:31.880
<v Speaker 1>I know, I know myself, and I know that for me,

0:11:32.000 --> 0:11:33.720
<v Speaker 1>that's a warm up. And then I have at least

0:11:33.720 --> 0:11:38.840
<v Speaker 1>two more nuts left in me. And these fuckers I

0:11:38.920 --> 0:11:41.640
<v Speaker 1>show up and they're fucking soft. And it's like, it's

0:11:41.720 --> 0:11:45.280
<v Speaker 1>one thing if you like can't get hard and you're

0:11:45.320 --> 0:11:48.200
<v Speaker 1>just like it's whatever, Like it's fine, don't worry about it.

0:11:48.240 --> 0:11:50.400
<v Speaker 1>But like, if you can't get hard and you want

0:11:50.440 --> 0:11:53.520
<v Speaker 1>me to suck your dick pretending like it's hard in

0:11:53.559 --> 0:11:55.959
<v Speaker 1>an effort to get you hard, No, no, no, no no

0:11:55.960 --> 0:12:01.400
<v Speaker 1>no no, this is not improv class baser. Yes I'm

0:12:01.440 --> 0:12:05.360
<v Speaker 1>saying I'm saying no, but I'm saying no, but um

0:12:05.440 --> 0:12:10.280
<v Speaker 1>no and no but you're soft, No but you're soft. Yeah,

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<v Speaker 1>I don't. I don't really want to to solve the

0:12:12.960 --> 0:12:15.120
<v Speaker 1>Swedish puzzle box, that is, how do I get you

0:12:15.160 --> 0:12:19.440
<v Speaker 1>hard again? Um, Sometimes, especially with guys these days or

0:12:19.480 --> 0:12:22.200
<v Speaker 1>people with dicks who are just you know, we're they're

0:12:22.200 --> 0:12:27.200
<v Speaker 1>onto antidepressants, on adderall on estradile, on all of the

0:12:27.280 --> 0:12:29.520
<v Speaker 1>things of the above, all of the all of the

0:12:29.720 --> 0:12:31.720
<v Speaker 1>some of us for some of us, all of the above,

0:12:32.400 --> 0:12:37.000
<v Speaker 1>alex some some divas, yeah, some divas among us. I

0:12:37.080 --> 0:12:40.840
<v Speaker 1>have multiple Bonard deterrence in our system and therefore, you know,

0:12:40.920 --> 0:12:42.800
<v Speaker 1>can't get it up. But like, if I have to

0:12:42.840 --> 0:12:44.719
<v Speaker 1>figure that out, it's like that is that is a

0:12:45.120 --> 0:12:46.880
<v Speaker 1>I really care about you. I'm going to figure if

0:12:46.880 --> 0:12:48.679
<v Speaker 1>I'm going to figure that out for you. And if

0:12:48.679 --> 0:12:51.280
<v Speaker 1>I don't, then you don't have to be hard and

0:12:51.280 --> 0:12:54.280
<v Speaker 1>and that's okay, Well we'll find It's like, I'm fine

0:12:54.280 --> 0:12:56.360
<v Speaker 1>if you're not hard. I don't feel any sort of

0:12:56.400 --> 0:12:59.200
<v Speaker 1>way about it. If you're still down to clown. You know,

0:12:59.520 --> 0:13:01.720
<v Speaker 1>if I know them like I feel like I do,

0:13:02.080 --> 0:13:04.480
<v Speaker 1>if I already kind of know what their thing is like,

0:13:04.520 --> 0:13:06.559
<v Speaker 1>if I know you love nipples or if I know

0:13:06.720 --> 0:13:09.280
<v Speaker 1>you love x y Z. It is kind of fun

0:13:09.360 --> 0:13:13.839
<v Speaker 1>sometimes to be like, Okay, let's get your engines revved, sweetie. Um,

0:13:13.880 --> 0:13:17.040
<v Speaker 1>but I uh yeah, no, it's it's it requires a

0:13:17.080 --> 0:13:21.400
<v Speaker 1>lot of a lot of patients, time consideration, and uh

0:13:21.520 --> 0:13:23.520
<v Speaker 1>that's just those are things that you and I that

0:13:23.600 --> 0:13:28.920
<v Speaker 1>girls have. Yeah, I don't have the spoons. Don't have

0:13:28.960 --> 0:13:33.400
<v Speaker 1>to care about to care about your flaccid penis, especially

0:13:33.400 --> 0:13:37.120
<v Speaker 1>not when I I just feel like I give so much.

0:13:37.600 --> 0:13:43.120
<v Speaker 1>I'm always hard. I am. It's just never been a

0:13:43.120 --> 0:13:45.160
<v Speaker 1>problem for me. I like, don't I don't get it.

0:13:45.520 --> 0:13:50.000
<v Speaker 1>And I just feel similarly like, um, I can't get

0:13:50.040 --> 0:13:53.960
<v Speaker 1>I'm hard right now, I'm hard right And I on

0:13:54.000 --> 0:13:56.839
<v Speaker 1>the flip side, um can't really get hard for the

0:13:56.920 --> 0:13:59.400
<v Speaker 1>boner deterrence aforementioned. And so you know, you just you

0:13:59.440 --> 0:14:02.800
<v Speaker 1>just pop up viagara, much like Samantha in season two

0:14:03.040 --> 0:14:04.960
<v Speaker 1>of is that season two of Sex in the City. Yeah,

0:14:05.000 --> 0:14:06.840
<v Speaker 1>I watched it the other night because after I finished

0:14:06.880 --> 0:14:08.480
<v Speaker 1>and just like that, what did I do? I started

0:14:08.480 --> 0:14:11.560
<v Speaker 1>watching Sex in the City. I'm Samantha getting addicted to

0:14:11.640 --> 0:14:15.120
<v Speaker 1>VIAGRAA is actually one of the funniest things that's ever

0:14:15.200 --> 0:14:19.000
<v Speaker 1>happened on Sex in the City, her singing operatically as

0:14:19.040 --> 0:14:24.200
<v Speaker 1>the guy Fox her Yeah, comedy go. She did that

0:14:24.280 --> 0:14:27.200
<v Speaker 1>a couple of times. She sort of had an operatic

0:14:28.560 --> 0:14:32.400
<v Speaker 1>crescendo more than one. She's kind of giving some and

0:14:32.480 --> 0:14:51.280
<v Speaker 1>she's also kind of you being Hello, Hello, don't are

0:14:51.280 --> 0:14:59.040
<v Speaker 1>you there? God? It's me Missus Doubtfire? Hello? Hello? Why?

0:14:59.040 --> 0:15:06.920
<v Speaker 1>Why that? Why that is? Why is it so funny?

0:15:07.520 --> 0:15:14.240
<v Speaker 1>Because it is? Because it is? Um Okay, So, Missus

0:15:14.280 --> 0:15:20.920
<v Speaker 1>Doubtfire is a trans icon. That's where we're starting. That's

0:15:20.920 --> 0:15:25.600
<v Speaker 1>where we're starting. Definitive statement, fully supported by every person

0:15:25.720 --> 0:15:33.160
<v Speaker 1>on this podcast by on iHeartRadio Incorporated llc UM critics,

0:15:33.200 --> 0:15:37.240
<v Speaker 1>all podcasts were aware. Yes, yes, Missus Doubtfire is a

0:15:37.280 --> 0:15:44.200
<v Speaker 1>trans icon. Yes, before Disclosure, there was Missus before Doubtfire

0:15:44.400 --> 0:15:49.800
<v Speaker 1>featured in Disclosure. Yeah it is. It is because let's

0:15:49.920 --> 0:15:53.960
<v Speaker 1>in a negative way, right, yeah, so is this ship

0:15:54.080 --> 0:16:00.000
<v Speaker 1>is we versions? We are so excited to do that.

0:16:00.480 --> 0:16:04.600
<v Speaker 1>As we've said before, Missus Doubtfire was a primordial episode

0:16:04.680 --> 0:16:09.640
<v Speaker 1>of this podcast, a pre eminent practice episode that rosen

0:16:09.720 --> 0:16:12.320
<v Speaker 1>I did. Um So rosen I were not virgins to

0:16:12.360 --> 0:16:18.040
<v Speaker 1>this movie. Obviously it is. It is as Monocultures and

0:16:18.120 --> 0:16:20.520
<v Speaker 1>one of the formative films of my childhood. It's also

0:16:20.600 --> 0:16:23.280
<v Speaker 1>the reason i'm trans It's the reason it's the reason

0:16:23.280 --> 0:16:26.360
<v Speaker 1>I'm trans. No. When I went, when I went to

0:16:26.560 --> 0:16:31.640
<v Speaker 1>callen Lord fateful day in February, I said, give me

0:16:31.840 --> 0:16:36.040
<v Speaker 1>the Missus Doubtfire special stat when I when I go

0:16:36.080 --> 0:16:38.280
<v Speaker 1>to Spain for my ffs, I'm showing them a photo

0:16:38.280 --> 0:16:46.120
<v Speaker 1>of Missus Doubtfire. Um of m Euphagenia doubtfire if Agenia. Yeah. Um, okay,

0:16:46.280 --> 0:16:49.560
<v Speaker 1>so wait I we're jumping up going back. So um

0:16:50.320 --> 0:16:53.760
<v Speaker 1>missus Doutfire obviously was mentioned in disclosure in a negative way.

0:16:53.800 --> 0:16:56.440
<v Speaker 1>And yeah, it does belong to this era of just

0:16:56.560 --> 0:16:58.960
<v Speaker 1>to like level set with visions. It does belong to

0:16:59.040 --> 0:17:03.200
<v Speaker 1>this era of movies where men dressing up as women.

0:17:03.400 --> 0:17:07.359
<v Speaker 1>Whether it was like um, Big Mama's House. Yeah, quote

0:17:07.440 --> 0:17:11.399
<v Speaker 1>quote unquote Big Mama's House, Um tutsie, which I've actually

0:17:11.480 --> 0:17:14.639
<v Speaker 1>never seen. Um, Like these movies were in like men

0:17:14.760 --> 0:17:18.120
<v Speaker 1>dressing up as women are like hiding out as women. Um.

0:17:18.200 --> 0:17:20.440
<v Speaker 1>And that's like the gag was like, you know, the

0:17:20.520 --> 0:17:25.040
<v Speaker 1>peak of comedy and it was still is still still is.

0:17:28.040 --> 0:17:30.840
<v Speaker 1>Oh I don't care, And this is if this is

0:17:30.880 --> 0:17:34.040
<v Speaker 1>the episode that finally guts us canceled, you know, be

0:17:34.200 --> 0:17:39.800
<v Speaker 1>it so, be it so for anyone who is a

0:17:39.880 --> 0:17:42.520
<v Speaker 1>virgin to missus doubtfire. It is in nineteen ninety three

0:17:43.240 --> 0:17:49.960
<v Speaker 1>UM comedy starring Robin Williams, who is daddy, Let's be clear.

0:17:50.080 --> 0:17:54.240
<v Speaker 1>And also in this film is Mommy is mother mother?

0:17:55.160 --> 0:17:59.119
<v Speaker 1>So um so it starts Robin Williams, also Sally Field

0:17:59.560 --> 0:18:04.159
<v Speaker 1>icon brasnin Harvey Fierstein like this cast is stacked. It

0:18:04.320 --> 0:18:08.280
<v Speaker 1>was directed by UM Chris Columbus, who also directed the

0:18:08.400 --> 0:18:13.919
<v Speaker 1>home alone films the first two Harry Potter movies jk Rowling,

0:18:14.480 --> 0:18:19.240
<v Speaker 1>jk Rowling, UM Connection, It's all It's it's all connected.

0:18:20.960 --> 0:18:24.440
<v Speaker 1>This this was the film that radicalized jk Rowling as

0:18:25.080 --> 0:18:27.440
<v Speaker 1>as a rad film. I was gonna say that's that's

0:18:27.440 --> 0:18:30.240
<v Speaker 1>Actually the only thing that connects us to to jk

0:18:30.400 --> 0:18:34.080
<v Speaker 1>Rowling is that we this is both our favorite films. Yeah,

0:18:34.400 --> 0:18:37.440
<v Speaker 1>for very different reasons, for very different reasons. Yeah, but

0:18:37.560 --> 0:18:41.000
<v Speaker 1>there's some overlaps. So the movie. The movie is about UM,

0:18:42.119 --> 0:18:45.880
<v Speaker 1>a man named, quote unquote, man named Daniel Hillard who

0:18:46.480 --> 0:18:50.040
<v Speaker 1>um you know. He He and his wife Sally Field

0:18:50.359 --> 0:18:53.480
<v Speaker 1>UM have three kids. And their marriages and trouble and

0:18:53.720 --> 0:18:56.760
<v Speaker 1>he's a voice actor, like I think, like the opening

0:18:56.760 --> 0:18:59.320
<v Speaker 1>of the film is so iconic where he's doing, um,

0:18:59.560 --> 0:19:04.240
<v Speaker 1>the the animation dubbing and um, you know, sally Field

0:19:04.320 --> 0:19:09.040
<v Speaker 1>decides to divorce him and he is, you know, not

0:19:09.560 --> 0:19:12.040
<v Speaker 1>not going to be allowed to see his kids, and

0:19:12.240 --> 0:19:15.040
<v Speaker 1>so as a way to get to spend time with them,

0:19:15.680 --> 0:19:17.480
<v Speaker 1>m he finds out that sally Field is looking for

0:19:17.560 --> 0:19:19.760
<v Speaker 1>a nanny and he creates, with the help of his

0:19:19.960 --> 0:19:23.840
<v Speaker 1>brother Harvey Fierstein, this character of missus Doubtfire, who's this

0:19:23.960 --> 0:19:29.840
<v Speaker 1>older English like the perfect like quintessential older English lady

0:19:30.280 --> 0:19:32.719
<v Speaker 1>who you know, comes in and cares for the children

0:19:32.760 --> 0:19:36.440
<v Speaker 1>and sort of like, um, changes everyone everyone's lives for

0:19:36.560 --> 0:19:39.880
<v Speaker 1>the better, but it's actually their dad. In drag bootleg

0:19:40.000 --> 0:19:43.639
<v Speaker 1>transsexual Mary Poppins is kind of like what is happening

0:19:43.840 --> 0:19:48.560
<v Speaker 1>a little bit? Yes, um and um, you know this

0:19:48.880 --> 0:19:54.600
<v Speaker 1>film was a huge, a huge success. It grossed four

0:19:54.720 --> 0:19:57.600
<v Speaker 1>hundred and forty one point three million dollars on a

0:19:57.680 --> 0:20:04.880
<v Speaker 1>twenty five million dollar budget. Um, I did not know that. Yes,

0:20:04.960 --> 0:20:07.639
<v Speaker 1>as Phoebe just said, the best drag show in the world,

0:20:07.960 --> 0:20:12.639
<v Speaker 1>the most successful drag show in history, RuPaul wishes, and

0:20:13.119 --> 0:20:16.240
<v Speaker 1>it really is a film that has I think stood

0:20:16.280 --> 0:20:18.879
<v Speaker 1>the test of time. It was made into a physical

0:20:19.200 --> 0:20:22.320
<v Speaker 1>that I don't think was super successful. It's one of

0:20:22.440 --> 0:20:27.240
<v Speaker 1>my favorite nineties movies. It I think at the time

0:20:27.600 --> 0:20:30.920
<v Speaker 1>like spoke to me as a child, like I of

0:20:31.040 --> 0:20:33.280
<v Speaker 1>course I could make jokes about you know, like the

0:20:33.560 --> 0:20:35.840
<v Speaker 1>cross drive site and transniss of it all. But I

0:20:35.960 --> 0:20:40.080
<v Speaker 1>think the thing that I really um liked about it

0:20:40.160 --> 0:20:42.200
<v Speaker 1>as a kid was thought it was a story about

0:20:42.960 --> 0:20:45.120
<v Speaker 1>a family going through a divorce, and I'm a child

0:20:45.240 --> 0:20:48.560
<v Speaker 1>of divorce, oh and so, and I think like particularly that,

0:20:48.840 --> 0:20:52.359
<v Speaker 1>particularly this time in the nineties, there was a I

0:20:52.480 --> 0:20:54.720
<v Speaker 1>don't I don't know a lot of people from that

0:20:54.800 --> 0:20:57.560
<v Speaker 1>time my life whose parents didn't get divorced. And so

0:20:57.720 --> 0:21:00.440
<v Speaker 1>I think maybe like this was the right moment for

0:21:01.240 --> 0:21:04.280
<v Speaker 1>this movie in the culture. And something else that I

0:21:04.400 --> 0:21:07.960
<v Speaker 1>think should be noted and part of why I think

0:21:08.200 --> 0:21:10.680
<v Speaker 1>the reason Missus Doutfire stands the test of time. But

0:21:10.800 --> 0:21:14.480
<v Speaker 1>despite being quote unquote problematic in some ways, is that

0:21:14.840 --> 0:21:18.040
<v Speaker 1>Robin Williams is there's no one who can do what

0:21:18.280 --> 0:21:21.120
<v Speaker 1>he does what he did and does in this movie

0:21:21.200 --> 0:21:25.920
<v Speaker 1>so expertly and perfectly like he has an unpredictability and

0:21:26.200 --> 0:21:28.600
<v Speaker 1>so many of the things that he says on screen

0:21:28.760 --> 0:21:32.240
<v Speaker 1>are completely improvised. M And I don't know. Yeah, I

0:21:32.359 --> 0:21:36.680
<v Speaker 1>just I'm sorry Phoebe Phoebe, Phoebe just dropping in the

0:21:36.760 --> 0:21:39.440
<v Speaker 1>chat that she had that that I wanted Sally Field

0:21:39.440 --> 0:21:41.440
<v Speaker 1>and Missus Doutfire to hook up, which like, listen, we

0:21:41.520 --> 0:21:43.959
<v Speaker 1>can find you that fan fiction or that fan art.

0:21:45.720 --> 0:21:48.840
<v Speaker 1>Sure it exists to back up rows. When you do

0:21:48.920 --> 0:21:52.760
<v Speaker 1>you remember like first seeing this movie, Yeah, I'm pretty

0:21:52.800 --> 0:21:56.879
<v Speaker 1>sure I saw it in theaters. Okay, do you remember, like,

0:21:57.240 --> 0:21:59.800
<v Speaker 1>even if it wasn't that viewing, do you remember just

0:22:00.160 --> 0:22:02.760
<v Speaker 1>how the movie made you feel as a kid, because

0:22:02.800 --> 0:22:05.800
<v Speaker 1>I feel like I can kind of pinpoint it. Yeah,

0:22:06.119 --> 0:22:11.359
<v Speaker 1>I um loved. I have a very you know, vivid

0:22:11.440 --> 0:22:14.800
<v Speaker 1>memories of especially that opening scene where he's in the

0:22:14.920 --> 0:22:17.320
<v Speaker 1>recording booth, and I think like this was one of

0:22:17.359 --> 0:22:21.320
<v Speaker 1>the first times that Robin Williams became, um, you know,

0:22:22.000 --> 0:22:26.640
<v Speaker 1>a figure in my childhood, like through this film. Um,

0:22:27.280 --> 0:22:30.280
<v Speaker 1>I think mostly like my experience of it were impressions

0:22:30.359 --> 0:22:34.800
<v Speaker 1>like Missus Doubtfire with the cake on her face, and um,

0:22:35.960 --> 0:22:38.239
<v Speaker 1>Pierce Brosnan getting out of the pool was like an

0:22:38.280 --> 0:22:42.159
<v Speaker 1>early like erotic memory of mine and um, you know,

0:22:42.320 --> 0:22:45.879
<v Speaker 1>Sally Field kind kind of being like the shrill like

0:22:46.119 --> 0:22:51.480
<v Speaker 1>working mom was very I mean, um, not not I

0:22:51.480 --> 0:22:53.880
<v Speaker 1>wouldn't want to say true to my own life experience,

0:22:53.960 --> 0:22:58.240
<v Speaker 1>but like it was certainly familiar. Um, and yeah, I

0:22:58.359 --> 0:23:04.840
<v Speaker 1>just thought like this was there. I do think there

0:23:04.960 --> 0:23:08.800
<v Speaker 1>was like kind of a golden age of like family

0:23:09.080 --> 0:23:14.040
<v Speaker 1>comedies around this time, because they think later those morphed

0:23:14.200 --> 0:23:17.480
<v Speaker 1>into in the later nineties, those morphed into rom coms.

0:23:17.880 --> 0:23:20.480
<v Speaker 1>And this was really like fun for the whole family

0:23:20.560 --> 0:23:24.760
<v Speaker 1>and it was like specifically a family story and there

0:23:24.880 --> 0:23:29.480
<v Speaker 1>wasn't really any romance in it. And that's something kind

0:23:29.520 --> 0:23:32.480
<v Speaker 1>of amazing about it, as like a cultural object. Is

0:23:32.520 --> 0:23:35.280
<v Speaker 1>that me some a kid who was like so so

0:23:35.520 --> 0:23:39.280
<v Speaker 1>sheltered somehow this was like slipped through the c This

0:23:39.400 --> 0:23:43.600
<v Speaker 1>is something that all parents, so many different backgrounds still

0:23:43.720 --> 0:23:46.640
<v Speaker 1>wanted to watch even though it's about like a cross stresser,

0:23:46.760 --> 0:23:50.000
<v Speaker 1>and um, you know, in terms of like my earliest memories,

0:23:50.720 --> 0:23:52.920
<v Speaker 1>I do I watched it with my family. Like, my

0:23:53.200 --> 0:23:56.000
<v Speaker 1>family loved this movie. There was nothing kind of like

0:23:56.440 --> 0:23:59.840
<v Speaker 1>weird or problematic about it. But I remember the moment

0:24:00.119 --> 0:24:04.240
<v Speaker 1>where Robin Williams goes over to Harvey Harvey Fierstein's house, right,

0:24:04.359 --> 0:24:09.160
<v Speaker 1>and he's a fagot and they're putting him in drag

0:24:09.800 --> 0:24:12.479
<v Speaker 1>and I remember being like, what the fuck is happening?

0:24:12.560 --> 0:24:15.040
<v Speaker 1>Like what's going on? Like it like seminal like gender

0:24:15.160 --> 0:24:18.639
<v Speaker 1>things in me were terrified. I was like, this is

0:24:18.800 --> 0:24:22.520
<v Speaker 1>so scary and I've never seen this before. That scene

0:24:22.560 --> 0:24:25.119
<v Speaker 1>definitely wasn't awakening, and I think for me what it

0:24:25.359 --> 0:24:31.600
<v Speaker 1>was was, I it was my first experience of, even

0:24:31.640 --> 0:24:34.520
<v Speaker 1>though I didn't recognize that at a time, seeing other

0:24:34.640 --> 0:24:40.960
<v Speaker 1>queer people having a shared language and wanting to understand

0:24:41.040 --> 0:24:44.800
<v Speaker 1>the things that they were referencing, Like when she looked

0:24:44.840 --> 0:24:48.560
<v Speaker 1>kind of like Barbara and they started singing make a Match,

0:24:48.920 --> 0:24:50.600
<v Speaker 1>I was like, wait what. I want to know what

0:24:50.760 --> 0:24:53.159
<v Speaker 1>that's from, Like I want to know where these inside

0:24:53.240 --> 0:24:57.080
<v Speaker 1>jokes are coming from. And that, I think is like

0:24:58.240 --> 0:25:01.879
<v Speaker 1>an experience that all queer people have in common. And

0:25:02.040 --> 0:25:04.439
<v Speaker 1>one of the things that you know, like unifies us

0:25:04.440 --> 0:25:07.399
<v Speaker 1>as a community is like our taste and the pieces

0:25:07.440 --> 0:25:11.320
<v Speaker 1>of culture that we pick out for ourselves. Um and

0:25:12.119 --> 0:25:15.439
<v Speaker 1>I think that scenes specifically, like even though rub Williams

0:25:15.520 --> 0:25:21.280
<v Speaker 1>in this movie is not queer allegedly, although I think

0:25:21.320 --> 0:25:23.200
<v Speaker 1>an argument could be made, and maybe we'll try to

0:25:23.240 --> 0:25:26.920
<v Speaker 1>make that argument episode. The graduate thesis is that we

0:25:26.960 --> 0:25:29.720
<v Speaker 1>could pull up right now that people would have probably written,

0:25:29.920 --> 0:25:33.600
<v Speaker 1>but that to me felt like you know, some gay's

0:25:33.760 --> 0:25:36.920
<v Speaker 1>key keying hmm, And it was, and it was also

0:25:37.119 --> 0:25:41.600
<v Speaker 1>very satisfying. Makeup Vermontage as well. Oh, the most satisfying. Yeah,

0:25:41.680 --> 0:25:44.800
<v Speaker 1>it's like that, and Pretty Woman. I think we're like

0:25:45.320 --> 0:25:50.480
<v Speaker 1>the like pro too early nineties movie makeo Vermontages. Yeah,

0:25:50.600 --> 0:25:53.880
<v Speaker 1>Princess Diaries was early ots right, because that was also

0:25:54.240 --> 0:26:12.440
<v Speaker 1>very satisfying makeo Vermontage. So when we rewatched it, the

0:26:12.560 --> 0:26:16.240
<v Speaker 1>things that we were latching onto are we're trans, We're

0:26:16.280 --> 0:26:19.800
<v Speaker 1>trans you know what I mean? This is you know there.

0:26:19.920 --> 0:26:22.879
<v Speaker 1>I think there are a few readings of this film,

0:26:23.040 --> 0:26:26.159
<v Speaker 1>Like there is like the very literal reading of what

0:26:26.320 --> 0:26:31.000
<v Speaker 1>it is. There's also a very drag reading of this film.

0:26:31.080 --> 0:26:34.080
<v Speaker 1>And there's also a ter reading. There's a turf reading

0:26:34.119 --> 0:26:36.800
<v Speaker 1>of this film. And I do think there's a trans

0:26:36.920 --> 0:26:41.840
<v Speaker 1>reading of this film because because um, you know, there

0:26:42.119 --> 0:26:44.399
<v Speaker 1>is there is a way you could look at this

0:26:44.520 --> 0:26:49.440
<v Speaker 1>film and say, like this person is um, you know,

0:26:49.640 --> 0:26:56.119
<v Speaker 1>experiencing gender euphoria by inhabiting this you know, female presentation

0:26:56.680 --> 0:26:59.120
<v Speaker 1>that at the end of the movie, Like, I think

0:26:59.200 --> 0:27:01.440
<v Speaker 1>the interesting thing about this movie is that it doesn't

0:27:01.560 --> 0:27:06.000
<v Speaker 1>end with Missus Doubtfire being cast off. She still exists

0:27:06.119 --> 0:27:09.000
<v Speaker 1>through the end of the film, and like it almost

0:27:09.160 --> 0:27:14.359
<v Speaker 1>is like, you know, Daniel has emerged with Missus Doubtfire.

0:27:14.800 --> 0:27:18.000
<v Speaker 1>And I do think like in a sequel film is

0:27:18.160 --> 0:27:22.200
<v Speaker 1>maybe like he is, she is living full time as

0:27:22.640 --> 0:27:26.280
<v Speaker 1>a Jenia Doubtfire. Oh yes, oh yes, I mean she's

0:27:26.359 --> 0:27:28.720
<v Speaker 1>if she's a star as if a Jenia, then she's

0:27:28.760 --> 0:27:32.600
<v Speaker 1>a star. Okay, let's keep it there. Um, Like I think,

0:27:32.720 --> 0:27:35.359
<v Speaker 1>I think, I think, Um, Missus Doubtfire is like the

0:27:35.560 --> 0:27:39.320
<v Speaker 1>pro to like trans show girl, like starts off doing

0:27:39.440 --> 0:27:43.720
<v Speaker 1>drag and then and then transitions. Yeah, and had to

0:27:43.800 --> 0:27:46.000
<v Speaker 1>do it in secret, right, Like when she was doing drag,

0:27:46.119 --> 0:27:48.399
<v Speaker 1>no one knew she was doing drag and drag and

0:27:48.800 --> 0:27:51.600
<v Speaker 1>and a lot of you know drag drag art firms

0:27:51.640 --> 0:27:53.639
<v Speaker 1>at the time. It's like you had to be incognito,

0:27:53.720 --> 0:27:56.119
<v Speaker 1>you had to cause play as a woman, like you

0:27:56.200 --> 0:27:59.359
<v Speaker 1>had to be a quote unquote cross dresser. And let's say,

0:27:59.400 --> 0:28:01.880
<v Speaker 1>the order to be viable by culture and let's say

0:28:01.880 --> 0:28:09.680
<v Speaker 1>this Missus Doubtfire, unclockable, unclockable. Not a single person clock

0:28:09.800 --> 0:28:14.560
<v Speaker 1>Turte never, never, single person in this clock Turte. If

0:28:14.800 --> 0:28:18.680
<v Speaker 1>only I could, if only I could be as unclockable,

0:28:18.720 --> 0:28:21.640
<v Speaker 1>if only I could pass as hard as Missus Doubtfire

0:28:22.160 --> 0:28:28.520
<v Speaker 1>Halloween costume. This year, maybe I will be Missus dolfire, considering,

0:28:28.680 --> 0:28:32.480
<v Speaker 1>considering that you're like previous best Halloween costume is also

0:28:32.640 --> 0:28:36.399
<v Speaker 1>that of an old woman old rose? Is that the

0:28:36.600 --> 0:28:40.000
<v Speaker 1>secret to being is that the secret to passing like

0:28:40.160 --> 0:28:45.720
<v Speaker 1>to be elderly? Elderly? Yeah, it's because like there is

0:28:45.920 --> 0:28:49.400
<v Speaker 1>something about age that's like a little it's like so

0:28:49.800 --> 0:28:54.160
<v Speaker 1>gendered while also being like a little post gender. That

0:28:54.440 --> 0:28:59.160
<v Speaker 1>maybe is the sweet spot of unclockability. Yeah, I mean yeah.

0:28:59.400 --> 0:29:02.840
<v Speaker 1>Look when Alexis Stone puts on that Missus Doubtfire drive

0:29:02.920 --> 0:29:06.800
<v Speaker 1>for the fucking Valenciaga show Unclockable, no one would ever

0:29:07.080 --> 0:29:12.040
<v Speaker 1>look twice at her. Okay, um yeah, I oh god,

0:29:12.280 --> 0:29:16.160
<v Speaker 1>I she is. I really do. I would never want

0:29:16.200 --> 0:29:18.560
<v Speaker 1>a reboot of this movie, but I would no, no, no,

0:29:19.080 --> 0:29:20.840
<v Speaker 1>no never, no. I don't want them to touch it.

0:29:20.880 --> 0:29:24.520
<v Speaker 1>It would be so bad it would make woke. Yes,

0:29:24.600 --> 0:29:26.040
<v Speaker 1>they would try to make a chance they would try

0:29:26.040 --> 0:29:27.680
<v Speaker 1>to make a woke And also this just this movie

0:29:27.800 --> 0:29:31.000
<v Speaker 1>can't really exist without Robin Williams. It's just there's no

0:29:31.160 --> 0:29:33.240
<v Speaker 1>one that can do a version of it. There's no

0:29:33.280 --> 0:29:35.400
<v Speaker 1>one who can take what Robin did and do something

0:29:35.480 --> 0:29:38.200
<v Speaker 1>different like it just it can't be done. But like

0:29:38.760 --> 0:29:41.920
<v Speaker 1>I do, I do think the fashion is great, and

0:29:42.040 --> 0:29:44.640
<v Speaker 1>that's something that's like kind of funny about Alexis Stone

0:29:44.720 --> 0:29:47.760
<v Speaker 1>as Missus Doubtfire. Now it's like the old lady like

0:29:47.920 --> 0:29:51.280
<v Speaker 1>floral print thing is in like Granny is in. Yes,

0:29:51.520 --> 0:29:56.600
<v Speaker 1>let's be clear, Missus Doubtfire was serving kunt. She's serving

0:29:56.640 --> 0:30:00.280
<v Speaker 1>you cut she's giving cunt to cut um. Is this

0:30:00.440 --> 0:30:07.280
<v Speaker 1>your favorite Robin Williams performance? No, just because Aladdin was

0:30:07.640 --> 0:30:11.000
<v Speaker 1>a very formative object in like my childhood between me

0:30:11.120 --> 0:30:13.800
<v Speaker 1>and my mom when I was like like five six,

0:30:14.000 --> 0:30:16.400
<v Speaker 1>like my earliest one of my earliest cultural memories is

0:30:16.440 --> 0:30:21.280
<v Speaker 1>watching Aladdin. And I love that you latched onto the

0:30:21.400 --> 0:30:25.200
<v Speaker 1>first scene when he's doing all these voices, because all

0:30:25.240 --> 0:30:28.840
<v Speaker 1>the voices that Robin Williams does in that scene are

0:30:29.120 --> 0:30:32.800
<v Speaker 1>one probably a lot of them are improvised. But two, actually,

0:30:32.840 --> 0:30:36.280
<v Speaker 1>I'm pretty sure I remember watching something about Robin Williams

0:30:36.360 --> 0:30:39.760
<v Speaker 1>and learning that many of those voices are actually improvised.

0:30:40.040 --> 0:30:42.800
<v Speaker 1>But in Aladdin as well, a lot of those lines

0:30:42.880 --> 0:30:46.040
<v Speaker 1>are improvised, and they like did the animation around it.

0:30:46.160 --> 0:30:48.560
<v Speaker 1>And I just think that what Robin does as a

0:30:48.720 --> 0:30:52.720
<v Speaker 1>voice actor specifically, which is again showcased, if not kind

0:30:52.760 --> 0:30:56.840
<v Speaker 1>of um, it's like a kind of cipher for Robin

0:30:56.880 --> 0:30:58.360
<v Speaker 1>Williams as a character in a little bit in a

0:30:58.440 --> 0:31:01.280
<v Speaker 1>few ways as a very talented voice actor that like,

0:31:02.360 --> 0:31:06.000
<v Speaker 1>his ability to vacillate between so many different personalities is

0:31:06.680 --> 0:31:10.400
<v Speaker 1>like fucking cool, Like it's and when you watch him

0:31:10.440 --> 0:31:13.200
<v Speaker 1>do it on the mic, you're like, how is he

0:31:13.440 --> 0:31:16.959
<v Speaker 1>doing that? And I think that that was encapsulated in Aladdin?

0:31:17.080 --> 0:31:19.000
<v Speaker 1>What about you? Is that I'm assuming this is your face?

0:31:19.040 --> 0:31:22.440
<v Speaker 1>It is missus Daalfhier, although I will say I'll Thoria

0:31:22.560 --> 0:31:25.360
<v Speaker 1>Curveball and say that a close second for me is

0:31:25.400 --> 0:31:29.680
<v Speaker 1>one of his rare dramatic roles. Have you ever seen

0:31:29.880 --> 0:31:33.240
<v Speaker 1>What Dreams May Come? No? What is that? Okay? What

0:31:33.400 --> 0:31:36.120
<v Speaker 1>Dreams May Come is this movie that was on HBO

0:31:36.400 --> 0:31:38.440
<v Speaker 1>like all the time when I was a kid, or

0:31:38.640 --> 0:31:42.000
<v Speaker 1>like maybe Showtime or Cinemax, And it's a film in

0:31:42.080 --> 0:31:45.760
<v Speaker 1>which Robin Williams dies and goes to Heaven and his

0:31:45.960 --> 0:31:49.560
<v Speaker 1>like Guardian angel Is I think played by Cuba Gooding Jr.

0:31:50.400 --> 0:31:55.320
<v Speaker 1>But then his wife, who's still alive, kills herself and

0:31:55.480 --> 0:31:58.920
<v Speaker 1>goes to Hell, and so he leaves Heaven and goes

0:31:58.960 --> 0:32:01.600
<v Speaker 1>to Hell to say of her. And it's it's a

0:32:01.800 --> 0:32:05.960
<v Speaker 1>very like, really visually stunning movie. And it wasn't probably

0:32:05.960 --> 0:32:09.280
<v Speaker 1>a flop, but I really appreciate it. You know, I've

0:32:09.320 --> 0:32:13.080
<v Speaker 1>never seen Dead Poets Society. Oh, you wouldn't like it

0:32:13.240 --> 0:32:16.400
<v Speaker 1>that much, but I don't. It's like a it's like

0:32:16.440 --> 0:32:21.200
<v Speaker 1>a slow It's just it's a slow, sad movie about

0:32:21.240 --> 0:32:26.200
<v Speaker 1>like masculinity and pedagogy and like mentorship. Oh pass, Yeah,

0:32:26.360 --> 0:32:31.040
<v Speaker 1>gorgeously written, like really, earnest Um doesn't really it's a

0:32:31.200 --> 0:32:32.880
<v Speaker 1>it's a doesn't really have a lot of laughs. A

0:32:32.960 --> 0:32:35.560
<v Speaker 1>lot it doesn't have. It doesn't have the Robin Williams

0:32:36.400 --> 0:32:40.600
<v Speaker 1>kind of characterizations. It has the Robin Williams who had depth,

0:32:40.680 --> 0:32:44.480
<v Speaker 1>the Robin Williams who you know was sitting with so

0:32:44.600 --> 0:32:48.240
<v Speaker 1>much darkness that we never really knew about as well. Yeah,

0:32:48.640 --> 0:32:50.800
<v Speaker 1>I did. Used to watch Mork and Mindy a lot

0:32:50.960 --> 0:32:55.360
<v Speaker 1>when it was on that's the gay one. It's well,

0:32:55.440 --> 0:32:57.960
<v Speaker 1>I mean kind of he's an alien, so like, oh right,

0:32:58.120 --> 0:33:00.760
<v Speaker 1>you know, maybe he's kind of gay. Adams has played

0:33:00.840 --> 0:33:02.920
<v Speaker 1>gay before, and something were going, do you think Robin

0:33:02.960 --> 0:33:08.000
<v Speaker 1>Williams is hot? Because I do. I think he's so sexy.

0:33:08.400 --> 0:33:12.280
<v Speaker 1>The only time I thought that Robin was hot was

0:33:12.640 --> 0:33:15.960
<v Speaker 1>when I was seeing some of a lot of these

0:33:16.080 --> 0:33:18.880
<v Speaker 1>kind of whenever we see like occasional tributes to Robin

0:33:18.880 --> 0:33:21.160
<v Speaker 1>Williams or like no one did it like Robin Williams,

0:33:21.240 --> 0:33:23.320
<v Speaker 1>Like I love this air where everyone's like yeah, like

0:33:23.440 --> 0:33:27.800
<v Speaker 1>Robin Williams was out here wearing like JPG and like yes,

0:33:28.160 --> 0:33:31.640
<v Speaker 1>like great fashion, like gender bending like on on these

0:33:31.720 --> 0:33:34.040
<v Speaker 1>kind of step and repeats and red carpet moments looking

0:33:34.280 --> 0:33:37.520
<v Speaker 1>fine like but also having a point of view in

0:33:37.640 --> 0:33:41.520
<v Speaker 1>men's style that no one else had. He was very daddy.

0:33:41.800 --> 0:33:45.240
<v Speaker 1>He was he was uncle. He was so uncle. He

0:33:46.080 --> 0:33:49.600
<v Speaker 1>oh wait, that is so on the nose rose like.

0:33:49.720 --> 0:33:52.600
<v Speaker 1>He was not giving daddy, he was giving uncle. He

0:33:52.760 --> 0:33:55.720
<v Speaker 1>was so uncle for that. He was Unkey's uncle Ronnie's

0:33:55.760 --> 0:33:58.719
<v Speaker 1>New Horror. He's the uncle in Uncle Ronnie's New hor

0:33:58.920 --> 0:34:03.960
<v Speaker 1>Real real virgin will get that reference. Um. He like

0:34:04.160 --> 0:34:06.680
<v Speaker 1>he's so he's so hairy and like he's a little

0:34:06.800 --> 0:34:10.799
<v Speaker 1>short and like the glasses. Um, I think he's kind

0:34:10.800 --> 0:34:16.080
<v Speaker 1>of sexy in Jumanji. Jumanji is another great Robin Williams movie. Same, yeah,

0:34:16.120 --> 0:34:18.960
<v Speaker 1>I loved Jumanji growing up. Do you think Missus Doubtfire

0:34:19.080 --> 0:34:25.600
<v Speaker 1>is a dike? Yeah, absolutely, like the honey she plays

0:34:25.640 --> 0:34:30.640
<v Speaker 1>soccer like she is a soccer diema. Okay. Oh Phoebe

0:34:30.719 --> 0:34:32.480
<v Speaker 1>also said he was kind of gay and flubber, which

0:34:32.560 --> 0:34:35.279
<v Speaker 1>is totally true. Another movie. I was allowed to watch

0:34:35.640 --> 0:34:37.920
<v Speaker 1>almost any Robin Williams movie growing up, and I did

0:34:38.000 --> 0:34:41.520
<v Speaker 1>watch that movie. Um yeah, wait, you know what part

0:34:41.560 --> 0:34:45.080
<v Speaker 1>I love and Missus Doubtfire is when Missus Doubtfire is

0:34:45.120 --> 0:34:47.520
<v Speaker 1>like kind of getting drunk and the guy starts hitting

0:34:47.600 --> 0:34:52.120
<v Speaker 1>on her and her her leg hair is showing, and

0:34:52.280 --> 0:34:55.920
<v Speaker 1>the guy's like like, fine with me, Fine with me,

0:34:56.120 --> 0:34:58.200
<v Speaker 1>I'm into it. Hey, I like that you're like that,

0:34:58.800 --> 0:35:01.520
<v Speaker 1>And I think I think Missus Delfire was like, I

0:35:01.640 --> 0:35:05.360
<v Speaker 1>think it's very much like um person who transitions and

0:35:05.440 --> 0:35:09.080
<v Speaker 1>like has historically been straight or like only into women,

0:35:09.280 --> 0:35:13.160
<v Speaker 1>and then you know, through experimenting with gender they start

0:35:13.200 --> 0:35:15.480
<v Speaker 1>to find that there, you know, sexuality is a bit

0:35:15.600 --> 0:35:20.279
<v Speaker 1>more fluid. Yeah exactly. I mean that wasn't the conversation,

0:35:20.400 --> 0:35:24.680
<v Speaker 1>but like that's the conversation we're having right now. Um,

0:35:25.320 --> 0:35:29.640
<v Speaker 1>I'm dread obviously, Like so I feel like rose between

0:35:29.719 --> 0:35:32.160
<v Speaker 1>you and I and the history of this podcast, the

0:35:32.360 --> 0:35:35.200
<v Speaker 1>moment where we were like, oh, this is the funniest

0:35:35.239 --> 0:35:40.320
<v Speaker 1>movie on the planet is obviously when Missus Delfire plunges

0:35:40.400 --> 0:35:44.200
<v Speaker 1>her face into a cream pie. I do think it

0:35:44.280 --> 0:35:47.319
<v Speaker 1>was coconut cream pie key lime, Yeah, coconut key lime.

0:35:47.760 --> 0:35:49.520
<v Speaker 1>A moment it was it was it was actually a

0:35:49.680 --> 0:35:53.000
<v Speaker 1>Sunday riley or lemon merangue pie. Maybe it's probably lemon

0:35:53.040 --> 0:35:57.080
<v Speaker 1>merangue yeah, um yeah, yeah exactly. And I don't know what,

0:35:57.440 --> 0:36:00.760
<v Speaker 1>but something happened between you and I, Rose, something happened

0:36:01.120 --> 0:36:04.359
<v Speaker 1>that like singed us together like that. That's when that's

0:36:04.400 --> 0:36:12.280
<v Speaker 1>when she says hello, can we do another? One? One, two, three? Hello?

0:36:15.320 --> 0:36:19.240
<v Speaker 1>And and it was just like it was, Um, nothing

0:36:19.320 --> 0:36:21.319
<v Speaker 1>has ever been funnier, nothing in the film has ever

0:36:21.400 --> 0:36:25.480
<v Speaker 1>been funnier than Missus Doltfire saying hello, Yes, it's ineffable,

0:36:25.560 --> 0:36:28.920
<v Speaker 1>it's in effigenia, it's it is it is like really

0:36:29.880 --> 0:36:33.880
<v Speaker 1>like it was just fucking it was just funny, and

0:36:34.200 --> 0:36:36.440
<v Speaker 1>and I think that, honestly, part of the reason that

0:36:36.600 --> 0:36:38.920
<v Speaker 1>Rose and I are being like a little trolley is

0:36:39.040 --> 0:36:43.440
<v Speaker 1>because there is something absurdly funny about like a man

0:36:43.600 --> 0:36:46.000
<v Speaker 1>dressing up as a woman and like being the hero

0:36:46.280 --> 0:36:51.080
<v Speaker 1>of the story by way of like tricking, tricking, if

0:36:51.160 --> 0:36:55.040
<v Speaker 1>not like usurping non consensually, his like friends family loved

0:36:55.080 --> 0:36:59.320
<v Speaker 1>ones um in a way that like turfs, hey, you know,

0:36:59.520 --> 0:37:02.040
<v Speaker 1>in the way that turfs like demonize and in ways

0:37:02.120 --> 0:37:06.640
<v Speaker 1>that in this part of culture were monocultural. It's also

0:37:06.960 --> 0:37:12.239
<v Speaker 1>very like Shakespearean almost, It's like a little like Moliere,

0:37:12.600 --> 0:37:17.920
<v Speaker 1>like French farce. Oh yeah, a comedy of errors, you know,

0:37:18.160 --> 0:37:21.520
<v Speaker 1>like yeah, yeah, yeah, and the drag of it all,

0:37:21.960 --> 0:37:25.359
<v Speaker 1>the scene at the restaurant where he has to keep

0:37:25.680 --> 0:37:29.400
<v Speaker 1>where she has to keep, she has to keep, you know,

0:37:29.560 --> 0:37:33.240
<v Speaker 1>getting in and out of her guiche the whole time,

0:37:33.719 --> 0:37:49.800
<v Speaker 1>the whole time. You know. Obviously, like a lot of

0:37:49.840 --> 0:37:51.600
<v Speaker 1>what we're saying about missed out hard being a trans

0:37:51.680 --> 0:37:54.000
<v Speaker 1>movie or like a little tongue in cheek, But there

0:37:54.080 --> 0:37:57.120
<v Speaker 1>are so many parts of it that I look back

0:37:57.239 --> 0:38:01.360
<v Speaker 1>at now and resonate with me so strongly, Like the

0:38:01.520 --> 0:38:05.200
<v Speaker 1>scene with irony with no irony, like the scene where

0:38:05.640 --> 0:38:09.680
<v Speaker 1>um missus Doubtfire's son clocks her tea when she sees

0:38:09.760 --> 0:38:15.160
<v Speaker 1>her standing up and peeing. Yes, like that is trans

0:38:15.400 --> 0:38:20.760
<v Speaker 1>experience trans not honestly, nothing is like more gender affirming

0:38:20.880 --> 0:38:25.760
<v Speaker 1>and more gender destroying than like lifting like the lifting

0:38:25.880 --> 0:38:28.920
<v Speaker 1>my skirt up at a urinal to piss, which obviously

0:38:29.000 --> 0:38:30.919
<v Speaker 1>like I have not done in a very long time.

0:38:31.000 --> 0:38:33.120
<v Speaker 1>It's like real, It's like I think the last time

0:38:33.160 --> 0:38:35.080
<v Speaker 1>I did it was like at the Glad Awards in

0:38:35.239 --> 0:38:42.160
<v Speaker 1>twenty nineteen. I think I saw that photo. Um, I yeah,

0:38:42.280 --> 0:38:45.160
<v Speaker 1>I I you know, to be transparent, ip sitting down,

0:38:45.239 --> 0:38:47.520
<v Speaker 1>but I but I do. But it is trans It

0:38:47.760 --> 0:38:50.560
<v Speaker 1>is like there's there is a thing where it's just

0:38:50.680 --> 0:38:53.319
<v Speaker 1>like that is a thing, that's a that's that's a thing,

0:38:53.400 --> 0:38:58.000
<v Speaker 1>and we immediately latch onto it. Um yeah, I think

0:38:58.040 --> 0:39:02.800
<v Speaker 1>that that kind of namable, that unnamable trans quality is

0:39:03.000 --> 0:39:06.160
<v Speaker 1>just I definitely saw it as a kid and also

0:39:06.320 --> 0:39:09.200
<v Speaker 1>understand it also much like Missus Delfire, I do put

0:39:09.280 --> 0:39:12.719
<v Speaker 1>on a full set of prosthetics every day before I

0:39:12.840 --> 0:39:17.719
<v Speaker 1>go outside, and that's you know, that's what makes it

0:39:17.840 --> 0:39:21.800
<v Speaker 1>even harder when I do get miss gendered because it's like,

0:39:21.880 --> 0:39:24.600
<v Speaker 1>what the fuck did I fucking glue all the ship

0:39:24.719 --> 0:39:27.400
<v Speaker 1>to my face for? Yeah? Um the double DS and

0:39:27.640 --> 0:39:29.320
<v Speaker 1>a top and bottom of Veneers that I have on

0:39:29.480 --> 0:39:32.240
<v Speaker 1>right now? You are still calogging me, how dare Missus

0:39:32.320 --> 0:39:38.279
<v Speaker 1>Doubtfire was giving? Body? Do you? Okay? Okay? If we're

0:39:38.320 --> 0:39:41.000
<v Speaker 1>looking at Missus Doubtfire Okay. We talked a little bit

0:39:41.000 --> 0:39:43.239
<v Speaker 1>about like from a trans perspective, but I think a

0:39:43.360 --> 0:39:47.960
<v Speaker 1>lot of drag queens love Missus Doubtfire as a drag figure,

0:39:49.920 --> 0:39:53.040
<v Speaker 1>and like there's certainly so much there in the in

0:39:53.200 --> 0:39:57.200
<v Speaker 1>the movie to support that reading or like that legacy

0:39:57.400 --> 0:40:01.320
<v Speaker 1>that she has. M your actu actually pointing out something

0:40:01.520 --> 0:40:04.759
<v Speaker 1>that I think is, dare I say, missing from this movie,

0:40:04.840 --> 0:40:09.640
<v Speaker 1>which is Missus Doubtfire musical number right? That could? That

0:40:09.800 --> 0:40:12.480
<v Speaker 1>could and should have happened. And I think that we

0:40:12.560 --> 0:40:14.279
<v Speaker 1>were even though we did get a little bit of

0:40:14.360 --> 0:40:19.959
<v Speaker 1>like Robin Williams singing, we really needed Missus Doubtfire original song.

0:40:20.480 --> 0:40:22.480
<v Speaker 1>You know what I mean? Wait, you know what I

0:40:22.680 --> 0:40:25.040
<v Speaker 1>didn't even think about when we were talking about how

0:40:25.200 --> 0:40:28.800
<v Speaker 1>hot Robin Williams is. The hottest he was was in

0:40:29.080 --> 0:40:32.279
<v Speaker 1>the Birdcage when he was gay. That's when he was

0:40:32.360 --> 0:40:35.719
<v Speaker 1>the gayest. We forgot that he actually did play gay

0:40:36.360 --> 0:40:38.960
<v Speaker 1>opposite Nathan Lane, and he was so he was like

0:40:39.200 --> 0:40:46.080
<v Speaker 1>giving like Versacci, like like chest hair, gold chain, like

0:40:46.360 --> 0:40:51.000
<v Speaker 1>sleazy Miami vibes. It was Versacci. Yeah, And I so

0:40:51.080 --> 0:40:54.520
<v Speaker 1>I've only seen that movie once, but like that movie,

0:40:54.880 --> 0:41:00.600
<v Speaker 1>like really like the gayness of it all, Like Robin

0:41:00.640 --> 0:41:03.839
<v Speaker 1>Williams ken I was gonna say, can say baggett Um,

0:41:04.160 --> 0:41:06.400
<v Speaker 1>I'm not gonna say that, though I'm gonna say Robin Williams,

0:41:06.719 --> 0:41:10.680
<v Speaker 1>I'll say he can say baggett we can say too. No.

0:41:12.280 --> 0:41:16.239
<v Speaker 1>He was so he was so effortless in a gay role.

0:41:16.440 --> 0:41:20.279
<v Speaker 1>He had no qualms and had no was unfazed by

0:41:20.360 --> 0:41:22.920
<v Speaker 1>the task of being gay. But I've only seen that

0:41:23.000 --> 0:41:25.279
<v Speaker 1>movie once, and I just remember the plot of the

0:41:25.360 --> 0:41:27.879
<v Speaker 1>movie is like insane, right, like what's the it is movie?

0:41:27.960 --> 0:41:30.200
<v Speaker 1>The plot of the movie is that, um, they're this

0:41:30.360 --> 0:41:34.319
<v Speaker 1>gay couple who own um a nightclub in Miami. Their

0:41:34.719 --> 0:41:38.719
<v Speaker 1>son is getting married, but um, his bride to be

0:41:38.880 --> 0:41:42.360
<v Speaker 1>his parents don't know that his dads are gay. I

0:41:42.440 --> 0:41:45.560
<v Speaker 1>mean it's based off Lakaja Foe. And so when the

0:41:45.680 --> 0:41:50.560
<v Speaker 1>parents come to visit Nathan Lane, um dresses in drag

0:41:51.000 --> 0:41:56.160
<v Speaker 1>to you know, play, so to pretend that they are

0:41:56.480 --> 0:42:00.440
<v Speaker 1>a hetero couple. So it's like Christine Bransky. Yes, so

0:42:00.520 --> 0:42:04.200
<v Speaker 1>it's another So I would actually say that I think

0:42:05.360 --> 0:42:09.040
<v Speaker 1>maybe the Bird Cage and Missus Doubtfire exists in the

0:42:09.080 --> 0:42:12.600
<v Speaker 1>same cinematic universe. So Nathan Lane and Robin Williams like

0:42:12.680 --> 0:42:16.040
<v Speaker 1>broke up. Robin Williams married Sally Field and then the

0:42:16.120 --> 0:42:18.640
<v Speaker 1>plot of Missus Dolfire happened, and he was like, wait, wait, wait,

0:42:19.200 --> 0:42:24.799
<v Speaker 1>this worked once before it could work again. I thought

0:42:24.800 --> 0:42:27.440
<v Speaker 1>you were gonna say that, like after Nathan you know,

0:42:28.239 --> 0:42:30.600
<v Speaker 1>had this like stint. After Nathan Lane had this stint

0:42:30.640 --> 0:42:32.840
<v Speaker 1>as as dressing up as a woman, he realized she

0:42:33.160 --> 0:42:37.040
<v Speaker 1>realized transitioned Field. Yes, no, no, no, no, no, I

0:42:37.120 --> 0:42:40.040
<v Speaker 1>was gonna say she transitioned to whatever, you know, her

0:42:40.200 --> 0:42:42.480
<v Speaker 1>new name was. I don't know what herr her like

0:42:42.600 --> 0:42:46.080
<v Speaker 1>kind of drag name was in um the bird Cage,

0:42:46.160 --> 0:42:48.279
<v Speaker 1>but I was gonna say she transitioned. And then later

0:42:48.440 --> 0:42:52.440
<v Speaker 1>in Robin Williams's wife later after Sally Field happened, she

0:42:52.680 --> 0:42:55.640
<v Speaker 1>transitioned as well. And now Missus Doubtfire and Nathan Lane

0:42:55.680 --> 0:42:58.080
<v Speaker 1>as a woman are a T for T couple. Couple.

0:42:58.160 --> 0:43:01.080
<v Speaker 1>That's where I thought you were going. Um, I would

0:43:01.160 --> 0:43:04.200
<v Speaker 1>support that. I think, thank you, that works well. Um.

0:43:04.880 --> 0:43:09.240
<v Speaker 1>Something else that's amazing about um the Birdcage was Christine

0:43:09.280 --> 0:43:12.799
<v Speaker 1>Baranski playing a homophobe. They're like, need to be more

0:43:12.920 --> 0:43:17.120
<v Speaker 1>movies and TV shows where Broadway divas play homophobes, like

0:43:17.520 --> 0:43:21.360
<v Speaker 1>Patty Lapone has done in HS Yes and I Pose

0:43:22.080 --> 0:43:29.279
<v Speaker 1>and in Ugly Betty Yes typecasting yes, typecasting much. Yeah.

0:43:29.360 --> 0:43:31.680
<v Speaker 1>I mean Laon is a little bit of a homophobe

0:43:31.680 --> 0:43:35.160
<v Speaker 1>with like the amount of gaze screaming at her all day,

0:43:35.280 --> 0:43:38.280
<v Speaker 1>every day, her entire life. In the words of Madonna,

0:43:38.400 --> 0:43:41.719
<v Speaker 1>she would kill fags who hate women period. Like yeah,

0:43:41.800 --> 0:43:45.880
<v Speaker 1>I think that, Like, um, yeah, Patty, any sort of

0:43:45.960 --> 0:43:48.600
<v Speaker 1>diva that wants to play homophobe can because she's earned

0:43:48.640 --> 0:43:51.759
<v Speaker 1>that right as a lauded diva. So I never saw

0:43:51.880 --> 0:43:55.759
<v Speaker 1>the Missus Doubtfire musical that was either just on the

0:43:55.840 --> 0:44:00.600
<v Speaker 1>West End or was maybe also on Broadway. We need

0:44:00.680 --> 0:44:05.799
<v Speaker 1>to see it and no, I oh oh, so I'm

0:44:05.920 --> 0:44:08.400
<v Speaker 1>I'm There's a couple of fun facts here on the

0:44:08.680 --> 0:44:12.400
<v Speaker 1>Missus Doutfire Wikipedia page. A young Blake Lively was almost

0:44:12.480 --> 0:44:17.319
<v Speaker 1>one of the children. So what okayo you know? Um,

0:44:17.520 --> 0:44:22.839
<v Speaker 1>Warren Beady m was almost Missus Doubtfire um, and also

0:44:22.960 --> 0:44:26.160
<v Speaker 1>Tim Allen was almost Missus Doubtfire but turned down both

0:44:26.160 --> 0:44:29.680
<v Speaker 1>the roles, probably because he is as as he's a

0:44:29.760 --> 0:44:32.400
<v Speaker 1>horrible person and I think he's like a conservative like

0:44:32.480 --> 0:44:35.960
<v Speaker 1>Trump supporter. Now, yeah, he's He's a huge, huge Fox

0:44:36.120 --> 0:44:39.200
<v Speaker 1>newser He was the one of the first celebrities to

0:44:39.320 --> 0:44:42.440
<v Speaker 1>say that coming out as a Republican is like harder

0:44:42.520 --> 0:44:44.839
<v Speaker 1>than like coming out as gay or whatever. Coming out

0:44:45.040 --> 0:44:47.120
<v Speaker 1>as a Republican in Hollywood means that like no one

0:44:47.160 --> 0:44:48.839
<v Speaker 1>will ever work with you again, and that's like why

0:44:48.880 --> 0:44:51.399
<v Speaker 1>we don't see Tim Allen projects anymore, which like I'm

0:44:51.440 --> 0:44:54.520
<v Speaker 1>grateful for, but Tim Allen unfortunately did raise me like

0:44:54.719 --> 0:44:58.799
<v Speaker 1>we were a home improvement family. I wonder if I'm

0:44:58.840 --> 0:45:01.319
<v Speaker 1>trying to think if there's anything in the culture now

0:45:01.719 --> 0:45:06.360
<v Speaker 1>rose that like exemplifies what I'm going to try and

0:45:06.440 --> 0:45:12.239
<v Speaker 1>talk about. But I do think that this era not

0:45:12.400 --> 0:45:14.520
<v Speaker 1>just the era of comedies where men dressed up as women,

0:45:14.600 --> 0:45:17.840
<v Speaker 1>but like era of comedies that are kind of body snatchy,

0:45:18.000 --> 0:45:21.920
<v Speaker 1>like hot Chick or white Chicks or I was gonna

0:45:21.920 --> 0:45:23.920
<v Speaker 1>say Freaky Friday, but like ones were like you like

0:45:24.280 --> 0:45:27.200
<v Speaker 1>a man is trapped in a woman's body, things like that.

0:45:27.719 --> 0:45:30.239
<v Speaker 1>Like I think people are afraid of those narratives now,

0:45:30.440 --> 0:45:34.920
<v Speaker 1>and yet they are really funny. I've actually I've I

0:45:35.040 --> 0:45:38.040
<v Speaker 1>haven't seen it since like middle school. Like White Chicks

0:45:38.120 --> 0:45:39.799
<v Speaker 1>is so good. Did you see that video that's been

0:45:39.840 --> 0:45:42.239
<v Speaker 1>going around on Twitter of the dance battle scene from

0:45:42.239 --> 0:45:44.080
<v Speaker 1>White Chicks and they're dancing to songs from the new

0:45:44.160 --> 0:45:47.279
<v Speaker 1>Caroline Policheck album White Chicks. We should have a guest

0:45:47.360 --> 0:45:49.400
<v Speaker 1>on to break down White Chicks for us, because like

0:45:49.840 --> 0:45:52.680
<v Speaker 1>that is a movie that I did watch like a

0:45:52.880 --> 0:45:56.680
<v Speaker 1>year a year, year and a half ago, and as

0:45:56.719 --> 0:45:58.960
<v Speaker 1>someone who you know doesn't need to like make critique

0:45:59.000 --> 0:46:01.759
<v Speaker 1>on this movie might as a passing as observation, I

0:46:01.880 --> 0:46:05.080
<v Speaker 1>was like this was ahead of its time in so

0:46:06.000 --> 0:46:08.239
<v Speaker 1>many ways, Like it was like a it was like

0:46:08.680 --> 0:46:14.040
<v Speaker 1>get out level like cultural commentary that I think went

0:46:14.160 --> 0:46:17.440
<v Speaker 1>under the radar because it was also extremely stupid. But

0:46:17.640 --> 0:46:20.640
<v Speaker 1>you know what, some of the stupidest movies have some

0:46:20.760 --> 0:46:23.000
<v Speaker 1>of the most incisive things to say about the world.

0:46:23.360 --> 0:46:30.000
<v Speaker 1>Euch like Missus Doubtfire sort of predicted the gender discourse

0:46:30.080 --> 0:46:34.120
<v Speaker 1>we would be having decades later. When Missus Doubtfire stood

0:46:34.640 --> 0:46:39.400
<v Speaker 1>to piss at that toilet, she pissed all over Stone

0:46:39.600 --> 0:46:46.880
<v Speaker 1>this heteronormativity, Um all over JK rolling space. Yeah exactly. Um,

0:46:47.320 --> 0:46:48.680
<v Speaker 1>did you are you gonna see? Are we going to

0:46:48.719 --> 0:46:52.960
<v Speaker 1>see Sally Field in eighty for Brady? No? Oh, we

0:46:53.040 --> 0:46:57.160
<v Speaker 1>already we We've talked about a sports movie. It's not

0:46:57.320 --> 0:47:00.600
<v Speaker 1>a sports movie. It is a sports movie. It's about

0:47:00.800 --> 0:47:04.400
<v Speaker 1>old ladies. I'm not about football. I'm not seeing it.

0:47:04.800 --> 0:47:07.240
<v Speaker 1>It's about football the way like Space Jam is about

0:47:07.239 --> 0:47:09.719
<v Speaker 1>like basketball. And I don't like Space Jam because of

0:47:09.800 --> 0:47:12.480
<v Speaker 1>that Space Jam is. I also don't think I'm not

0:47:12.520 --> 0:47:15.719
<v Speaker 1>a Space Jam girl. But I don't know. Um my vibe,

0:47:15.840 --> 0:47:18.239
<v Speaker 1>but I do. I do love Sally Field. Um, what

0:47:18.360 --> 0:47:21.799
<v Speaker 1>are what are some of your other favorite Sally Field performances?

0:47:23.080 --> 0:47:26.240
<v Speaker 1>I don't know. If I can only think of Missus

0:47:26.360 --> 0:47:33.319
<v Speaker 1>Doubtfire and eighty for Rady, my favorite performance is eighty

0:47:33.400 --> 0:47:35.520
<v Speaker 1>for Rady. I don't know. I don't know if I'm

0:47:35.560 --> 0:47:40.360
<v Speaker 1>seeing Sally Field in anything but Missus Doutfire, And like

0:47:40.560 --> 0:47:44.040
<v Speaker 1>I know, she has like a long history of incredible

0:47:44.080 --> 0:47:47.880
<v Speaker 1>filmwork and well, honestly, her oscars acceptance speech is her

0:47:47.920 --> 0:47:50.759
<v Speaker 1>greatest performance, like that, Oh yeah, you like me, you

0:47:50.920 --> 0:47:55.279
<v Speaker 1>really like me. I love Sally Field, but the fact

0:47:55.440 --> 0:47:59.359
<v Speaker 1>that her rebound from what Robin Williams was literally Pierce

0:47:59.440 --> 0:48:06.520
<v Speaker 1>Brasen in literally James Bond is just slightly unbelievable. Yeah,

0:48:06.800 --> 0:48:10.920
<v Speaker 1>I mean the comically attractive like new Boyfriend Trope is

0:48:11.080 --> 0:48:14.800
<v Speaker 1>like endlessly funny to me, and Pierce Brosnin is like

0:48:15.080 --> 0:48:19.960
<v Speaker 1>comically attractive in this movie. Isn't there a moment? Isn't

0:48:20.000 --> 0:48:22.800
<v Speaker 1>there a moment where okay, what there's a there's a

0:48:22.880 --> 0:48:26.640
<v Speaker 1>scene where Pierce Brosnin and Missus Doubtfire are interacting at

0:48:26.719 --> 0:48:29.520
<v Speaker 1>like what a beach club or like a pool like

0:48:29.560 --> 0:48:32.200
<v Speaker 1>a yeah, do you remember this? Like a country club? Yeah,

0:48:32.600 --> 0:48:35.440
<v Speaker 1>isn't doesn't mean like have the hots for her something

0:48:35.640 --> 0:48:37.960
<v Speaker 1>or no, he but he he comes up to the

0:48:38.040 --> 0:48:40.440
<v Speaker 1>bar to like talk to her and kind of you know,

0:48:40.520 --> 0:48:42.879
<v Speaker 1>he's trying to like get get get in with her

0:48:43.040 --> 0:48:47.920
<v Speaker 1>because he's you know, romancing Sally Field. M A lingering question.

0:48:48.120 --> 0:48:51.320
<v Speaker 1>Do you think that one of the children of Missus

0:48:51.400 --> 0:48:55.840
<v Speaker 1>Doubtfire grows up to be a serial killer because of

0:48:55.920 --> 0:48:59.480
<v Speaker 1>how a scarred they are from this experience? Not a

0:48:59.600 --> 0:49:03.120
<v Speaker 1>serial killer, but like they definitely like, you know, grew

0:49:03.239 --> 0:49:05.920
<v Speaker 1>up to write like a kind of wait, who is

0:49:06.000 --> 0:49:10.160
<v Speaker 1>that child actor that just wrote the memoir that everyone's reading. Oh,

0:49:11.080 --> 0:49:14.359
<v Speaker 1>I'm glad my mom died? Yeah, who was Jenette McCurdy? Yeah,

0:49:14.480 --> 0:49:16.360
<v Speaker 1>I see, I see one of these kids growing up

0:49:16.400 --> 0:49:19.600
<v Speaker 1>and writing like a Janette McCurdy s like I'm glad

0:49:19.680 --> 0:49:23.759
<v Speaker 1>my dad transitioned. Yeah, yeah, yeah, exactly. Yes, that is

0:49:23.840 --> 0:49:25.440
<v Speaker 1>the book that I add that I want to read.

0:49:25.520 --> 0:49:27.400
<v Speaker 1>And it's kind of like this is all my trauma

0:49:27.440 --> 0:49:29.480
<v Speaker 1>and yet it was all for the better. You know.

0:49:30.520 --> 0:49:33.200
<v Speaker 1>Um that I think is the story that I want

0:49:33.239 --> 0:49:36.080
<v Speaker 1>to read. So um, you know in the Realm of

0:49:36.160 --> 0:49:38.360
<v Speaker 1>Cross Dressing, you know, Harvey fire scene is in this

0:49:38.520 --> 0:49:41.640
<v Speaker 1>movie who would go on to originate the role of

0:49:42.239 --> 0:49:47.280
<v Speaker 1>Ed Turnblood on Broadway And Hairspray, um, which is another

0:49:47.600 --> 0:49:51.880
<v Speaker 1>like obviously iconic, you know, gender fuckery musical, much like

0:49:52.280 --> 0:49:55.320
<v Speaker 1>the film which starred Divine and as we've said on

0:49:55.400 --> 0:50:00.920
<v Speaker 1>this pod before, John Travolta's last significant performance, which is bizarre,

0:50:01.239 --> 0:50:06.719
<v Speaker 1>Well yeah, John, okay, so missus doubtfire walked. So John

0:50:06.800 --> 0:50:10.719
<v Speaker 1>Travolta in Hairspray could run that's not that's not at

0:50:10.800 --> 0:50:14.200
<v Speaker 1>all a joke, that is not absolutely to know I'm

0:50:14.440 --> 0:50:19.279
<v Speaker 1>being one hundred percent. And also I will say John

0:50:19.360 --> 0:50:23.040
<v Speaker 1>Travolta was also uncompable as editor and bloods. I don't know,

0:50:23.600 --> 0:50:26.360
<v Speaker 1>I don't know, I don't know about that. But and

0:50:26.520 --> 0:50:37.880
<v Speaker 1>that's movie magic. Well, slide intoward d MS at Like

0:50:37.960 --> 0:50:40.239
<v Speaker 1>a Virgin four twenty sixty nine and tell us your

0:50:40.320 --> 0:50:42.880
<v Speaker 1>thoughts about missus Doubtfire. Do you think it's an iconic

0:50:43.040 --> 0:50:48.279
<v Speaker 1>drag film, an iconic trans film? Um? Do you think? Um?

0:50:48.440 --> 0:50:51.279
<v Speaker 1>If a Jenia Doubtfire waits in line for her estra

0:50:51.360 --> 0:50:54.520
<v Speaker 1>dialet calan lord or she an aputure girl? Or does

0:50:54.520 --> 0:50:59.400
<v Speaker 1>she go to a private practice? Um? And as always,

0:50:59.680 --> 0:51:02.560
<v Speaker 1>please make sure to follow us, engage with us. We

0:51:02.719 --> 0:51:06.840
<v Speaker 1>love seeing your little comments and messages. You can do

0:51:07.000 --> 0:51:10.040
<v Speaker 1>that on our burner at Like a Virgin for twenty

0:51:10.120 --> 0:51:12.520
<v Speaker 1>sixty nine. I'm your co host, Rose Damn You. You

0:51:12.560 --> 0:51:15.880
<v Speaker 1>can find me anywhere online at Rose Damn You and

0:51:16.280 --> 0:51:18.759
<v Speaker 1>I am Fran Toronto. You can find me at France,

0:51:18.840 --> 0:51:22.160
<v Speaker 1>Qushko and Rima on social. Like a Virgin is an

0:51:22.200 --> 0:51:26.000
<v Speaker 1>iHeartRadio production. Our producer is Phoebe Unter with support from

0:51:26.040 --> 0:51:31.920
<v Speaker 1>Lindsay Hoffman and Nikki Etre until next week. Goodbye, Goodbye,