WEBVTT - Episode 465 | Domaniacs

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<v Speaker 1>Nollian, No, doctor, we are back.

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<v Speaker 2>And that's a fact. Seventy degrees. If you're not in

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<v Speaker 2>a good mood in New York.

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<v Speaker 3>City, listen, they're throwing out, but it's on the paxel.

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<v Speaker 3>They're throwing out, and you know, you know who they are.

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<v Speaker 3>I don't know who they is, My love legs.

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<v Speaker 1>The soft legs is throwing out. They throwing out. You're

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<v Speaker 1>the knees out to their.

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<v Speaker 4>No our fully covered pants. Okay, yeah, oh it was Ramadan.

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<v Speaker 4>I'm doing a little lot.

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<v Speaker 2>Yes, seventy five and.

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<v Speaker 1>And ice cream Man is back, that is true. Seen

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<v Speaker 1>mister Softy uptown yesterday. Pause, mister Softy uptown. That might

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<v Speaker 1>be a poll. That's a Paul. It might be a Poe.

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<v Speaker 1>That's a legitimate.

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<v Speaker 3>I'm just saying, how how do we say we say Pauls,

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<v Speaker 3>mister softy.

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<v Speaker 4>You could say Pauls mister softy, or you could just

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<v Speaker 4>say the ice cream man, like we all assume it's

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<v Speaker 4>mister Softy, Like we don't need you to put a name.

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<v Speaker 1>The ice creaman is back out, unless you're calling Drake that.

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<v Speaker 1>Then I'm saying, Pauls.

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<v Speaker 5>Where has name even come from?

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<v Speaker 1>Iceman ice Cream man. Nah, like, nah, just leave him,

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<v Speaker 1>just leave him alone, let him do what he's doing.

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<v Speaker 2>I'm still trying to get over. I'm calling him the

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<v Speaker 2>boy Poppy. I'm definitely not moving over on to ice cream.

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<v Speaker 1>No, no, just Drake. Nobody asked for Drake's name right there.

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<v Speaker 3>Cut it out, just put a beep. But yes, the

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<v Speaker 3>ice cream.

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<v Speaker 1>Man is back. That means baby d times upon us

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<v Speaker 1>is around the corner.

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<v Speaker 5>New Yorkers do this every year. It's around the corner

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<v Speaker 5>and then March come and whoop that ad.

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<v Speaker 1>That is a fact. No, it's gonna be thirty eight Friday.

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<v Speaker 2>I just want yeah, yeah, March places with it's gonna

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<v Speaker 2>be thirty years because if this was seven years ago,

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<v Speaker 2>we would have been a blockheads and nastiness.

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<v Speaker 3>So somebody last night with Shortz, and I was just

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<v Speaker 3>looking at him like fam not yet, not yet, Like

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<v Speaker 3>come on, shorts, No.

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<v Speaker 2>I was uptown last night. It looks like Harlem summer

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<v Speaker 2>in there.

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<v Speaker 1>Shorts. People had three buttons down. Yeah, come on, come on, yeah,

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<v Speaker 1>y'all doing too much. Y'all gonna be sick, coughing pneumonia

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<v Speaker 1>next week this time. Like see, just relax, relax, put

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<v Speaker 1>the heavy heavy.

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<v Speaker 3>You could put the heavy, heavy, heavy coats away, but

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<v Speaker 3>don't put the light little jackets.

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<v Speaker 1>Don't. Don't put the jackets away yet, keep the jackets

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<v Speaker 1>in the glove.

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<v Speaker 2>If you can hear, I am congested. That is because

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<v Speaker 2>we went from thirty degree blizzard to seventy degrees within

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<v Speaker 2>one week.

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<v Speaker 1>Yeah, and my body can't handle that.

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<v Speaker 4>Man.

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<v Speaker 1>Just get you some ginger. Get you ginger, my body ginger. Yeah.

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<v Speaker 1>I mean, eat your own people today and you'll be

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<v Speaker 1>just fine.

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<v Speaker 2>Not cannibalism, Yeah, I guess the not a pose. No,

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<v Speaker 2>that's not a I actually went outside and did something

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<v Speaker 2>this weekend.

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<v Speaker 5>I saw Mitch story.

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<v Speaker 1>What did you do Rory yesterday? Yesterday?

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<v Speaker 2>I was, I was. I was kind of outside yesterday.

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<v Speaker 2>It was it was a nice day. Stopped by Marlin,

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<v Speaker 2>had a video shoot stop by there first. Then I

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<v Speaker 2>went to c J and Tiana, who are are biggiest kids.

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<v Speaker 2>They had a taste testing for the restaurant that they're

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<v Speaker 2>opening called Big Papa's Maya, which was incredible. The food,

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<v Speaker 2>I'm not just just saying this. The food was incredible

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<v Speaker 2>West Indian. The steak was great, jerk wings were incredible,

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<v Speaker 2>curry chicken, was great.

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<v Speaker 1>It was a good time. It was a good time.

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<v Speaker 2>All of Junior Mafia was there, even Kim was there,

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<v Speaker 2>Like it was it was cool to just see everyone

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<v Speaker 2>get together for biggest Kids. And I hope they opened

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<v Speaker 2>the restaurant soon. So it was it was a good time.

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<v Speaker 2>It was a good good hang.

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<v Speaker 1>Yeah.

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<v Speaker 2>So Sea's was in there, Ship the lockscept everyone was there.

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<v Speaker 2>It was it was a really good time.

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<v Speaker 1>That was dope, man.

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<v Speaker 5>So what Mitch story. Mitch's story?

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<v Speaker 1>Oh well, once I left.

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<v Speaker 2>I mean because Junior ma he is probably the only

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<v Speaker 2>adults that can out drink me. Like I told you

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<v Speaker 2>guys on the Rock, the Bells Cruise, I couldn't keep

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<v Speaker 2>up with Jada kissing little Seas and I can drink

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<v Speaker 2>for real, for real, I can't drink till six ams

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<v Speaker 2>so the sun comes up. Yeah, that's just not like

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<v Speaker 2>Neil could still out drink a thirty five year old

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<v Speaker 2>man in his prime of drinking. So I had a

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<v Speaker 2>little little the juice in me. So I was like,

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<v Speaker 2>let me go uptown to Shark Bar, go see Mitch

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<v Speaker 2>and Major, And boy did all the steam leave me

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<v Speaker 2>once I got in there. I can't I can't hang

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<v Speaker 2>whole car ride.

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<v Speaker 1>I'm pumped. I'm like, Yo, on my way you called me.

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<v Speaker 3>I'm like, Sam, I'm in the house, like I'm not

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<v Speaker 3>going nowhere on a Sunday night, Like I'm chilling. They

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<v Speaker 3>was in there though. Shock Bars is dope. Shout out

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<v Speaker 3>to shock Ball, shoutut to Mitch. If you know in

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<v Speaker 3>hallm on Sundays, go to the shock Ball, Shout out

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<v Speaker 3>Mitch till her we sent you.

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<v Speaker 5>Tell her we sent you. Go uptown. Tell him that

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<v Speaker 5>I sent.

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<v Speaker 1>You on town to hall them. Tell Mitch I sent you.

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<v Speaker 1>And Mitch is a hustler.

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<v Speaker 2>I'm thinking, Yo, it's coworkers friends, Like, of course I'm

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<v Speaker 2>there to pay.

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<v Speaker 1>I'm never somebody that shows up somewhere to support.

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<v Speaker 3>Payn't like when you say that, yeah, because you don't

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<v Speaker 3>got to say that.

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<v Speaker 2>No, but there's a lot of people that assume when

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<v Speaker 2>they go to their friend's spot. Yeah them, I've never

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<v Speaker 2>been that person.

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<v Speaker 1>Yeah.

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<v Speaker 2>I paid for the Russell's album. It's on DSPs. I support.

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<v Speaker 2>I'm a supporter of my friends. Miss ain't given give

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<v Speaker 2>a little friend discount somebody and I tipped her on cash.

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<v Speaker 1>God damn, hey that hey that you know in my podcast.

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<v Speaker 1>I like that though.

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<v Speaker 3>I like going to see my friends at work and like, yeah,

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<v Speaker 3>I'm one of those people like if I go to

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<v Speaker 3>your job, like you work here, make sure I pay, Like,

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<v Speaker 3>don't don't give me no discoun I'm gonna pay the

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<v Speaker 3>full price.

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<v Speaker 1>Should know it you work here.

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<v Speaker 2>And then Mitch had had had a few on her

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<v Speaker 2>story before I got there. She's like, where you want

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<v Speaker 2>to sit? I was like, sitting next to the people

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<v Speaker 2>that was on your story just because they seem to

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<v Speaker 2>be your friends. That's that's the only that's the only

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<v Speaker 2>reason why I wanted to say. It's like, oh they

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<v Speaker 2>left that. I was like, that's why I came.

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<v Speaker 1>Yeah, nothing worse.

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<v Speaker 3>When you go to the party looking for the girl

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<v Speaker 3>that's on the fly, she ain't on the fly, like

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<v Speaker 3>ain't even here.

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<v Speaker 1>That's like, we don't even know that girl.

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<v Speaker 2>Like you mean you mean Rihanna's not here?

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<v Speaker 1>Like Rihanna's not here tonight. Nah.

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<v Speaker 2>Those used to be the funniest like club and party

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<v Speaker 2>flyers where they just throw anything.

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<v Speaker 3>Any pretty model just on this like yo, shorty not here,

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<v Speaker 3>Like nah, I don't even know who that woman is.

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<v Speaker 1>But we are Backsponsored by Boost moo unlimited talk, text

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<v Speaker 1>and data. Absolutely did you do anything this weekend? I

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<v Speaker 1>kept it like this weekend, I ain't do much this weekend. Man,

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<v Speaker 1>I was chilling. I was gonna go to the movies

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<v Speaker 1>to see, Uh, what's that movie? I said, I wanted

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<v Speaker 1>to see it, not not Scream seven, the other movie.

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<v Speaker 1>So I think it's another scary movie. I forgot the

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<v Speaker 1>name of it, but I was gonna go see that.

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<v Speaker 1>But then I was just chilled in the house and

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<v Speaker 1>watch a few games. That was it much this weekend.

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<v Speaker 1>When you called me, I was already like settled in

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<v Speaker 1>for the night. I was like, get dressed and go

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<v Speaker 1>uptown and I was like, nah, man, let me sit

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<v Speaker 1>in the house and chill. So that's what I did.

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<v Speaker 2>Yeah, I didn't stay too long, but I rarely have

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<v Speaker 2>time to go out, so I figured i'd go go

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<v Speaker 2>support and hang out for a little bit.

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<v Speaker 3>Washington a movie on Netflix, War Machine. I don't know

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<v Speaker 3>I y'all saw that yet. War Machine good. It's a

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<v Speaker 3>good movie. Definitely check that out on Netflix.

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<v Speaker 1>War Machine.

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<v Speaker 5>What is it about?

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<v Speaker 1>Uh?

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<v Speaker 3>So it's just this range this guy he's training to

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<v Speaker 3>be a ranger Army ranger. But then like some crazy

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<v Speaker 3>shit happens and they think that they're on like because

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<v Speaker 3>they initially they were sent into like it was part

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<v Speaker 3>like the last test to become a ranger, and then

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<v Speaker 3>some crazy shit ends up happening. They think it's part

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<v Speaker 3>of like the drilling the test. Come to find out

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<v Speaker 3>it's like a killing machine that like crash landed on Earth.

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<v Speaker 1>They happen to run into in the middle of the woods,

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<v Speaker 1>and like.

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<v Speaker 3>Now they gotta like like they're not even like real

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<v Speaker 3>rangers yet, you know what I'm saying.

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<v Speaker 1>So now they gotta use tactics.

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<v Speaker 3>They got to become like rangers on the spot for

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<v Speaker 3>real and like try to get back to the base.

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<v Speaker 1>Like it's a good movie, though, I see Dennis quad

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<v Speaker 1>is that it?

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<v Speaker 2>Yeah, I'm always saying for Dennis Quady always plays a

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<v Speaker 2>good father figure in every movie.

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<v Speaker 1>You know, he's the general.

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<v Speaker 3>Definitely, And Dennis Quady ain't running around doing stunts no

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<v Speaker 3>more those those days old.

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<v Speaker 2>He's gonna have a concern while looking at the data

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<v Speaker 2>entire time exactly, I am caught up with Paradise.

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<v Speaker 4>Spoiler alert, Please fast forward five minutes if you want

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<v Speaker 4>to skip talk about Paradise and spoilers.

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<v Speaker 2>All the way, caught up, all the way caught up. Yes,

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<v Speaker 2>so you've been what not not including the episode that

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<v Speaker 2>comes out today?

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<v Speaker 1>Right last night? Last night? I didn't see that one.

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<v Speaker 4>So you're on four. You watched up to four? Yeah, okay,

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<v Speaker 4>you watched the first season?

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<v Speaker 1>Okay? Yeah.

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<v Speaker 2>You know what's so funny when you guys talk about Paradise.

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<v Speaker 2>I completely forgot. I watched the first season okay, and

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<v Speaker 2>then I went and was like, oh, they keep talk

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<v Speaker 2>about Paradise. I was like, oh wait, I love the show.

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<v Speaker 1>Yeah.

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<v Speaker 2>Yeah, I didn't even know season two came up, but yeah,

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<v Speaker 2>I've been season two. I was in the beginning. I

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<v Speaker 2>was like, all right, how many flashbacks are we going

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<v Speaker 2>to fucking do? But they're they're tying it together with

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<v Speaker 2>all the flashbacks.

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<v Speaker 1>Yeah. I like what they're doing. I was a little

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<v Speaker 1>nervous on episode one. It was like, a right, man,

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<v Speaker 1>what are we? What are we doing?

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<v Speaker 5>I knew.

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<v Speaker 2>I knew Shorty was gonna get pregnant though, Yeah that

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<v Speaker 2>was the I was like, how irresponsible would it be?

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<v Speaker 1>The fuck?

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<v Speaker 4>At a time like this, it's a great, great and

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<v Speaker 4>not pull out. I feel like you should pull out

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<v Speaker 4>fucking whatever.

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<v Speaker 3>But at least the world lead that in there for

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<v Speaker 3>what pulling off? For what we all about to die for? What?

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<v Speaker 4>What?

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<v Speaker 1>What?

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<v Speaker 4>If I was him, I'd have left that baby with them,

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<v Speaker 4>with them people.

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<v Speaker 2>Listen, And I don't care spoilers, you know, pissed off

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<v Speaker 2>I'd be if I met a stranger and then the

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<v Speaker 2>next day they dumped a newborn baby on me, like you.

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<v Speaker 3>Selfish, But I mean in the scheme of what was

0:09:29.640 --> 0:09:32.320
<v Speaker 3>going on, it makes sense though, like everybody has to

0:09:32.400 --> 0:09:32.839
<v Speaker 3>like just.

0:09:33.000 --> 0:09:36.559
<v Speaker 2>Well, throwing a newborn into modern society right now, it

0:09:36.640 --> 0:09:39.040
<v Speaker 2>can be a monkey wrench what they're going through and

0:09:39.160 --> 0:09:40.599
<v Speaker 2>try to get to Atlanta.

0:09:40.800 --> 0:09:42.199
<v Speaker 1>Here's a newborn baby.

0:09:42.280 --> 0:09:44.000
<v Speaker 4>Well, it's the type of man he is, Like, I

0:09:44.040 --> 0:09:46.040
<v Speaker 4>don't think they would do that, like with you, because

0:09:46.040 --> 0:09:48.320
<v Speaker 4>you would obviously not want that. But he even taking

0:09:48.360 --> 0:09:50.400
<v Speaker 4>the baby with him, like anybody else would have drop

0:09:50.480 --> 0:09:51.959
<v Speaker 4>that baby off. He like, nah, I got it, that's

0:09:52.000 --> 0:09:53.160
<v Speaker 4>just the type of due he was. I don't love

0:09:53.280 --> 0:09:54.120
<v Speaker 4>my baby with him too.

0:09:55.320 --> 0:09:57.120
<v Speaker 1>He promised he would take the baby to the father.

0:09:57.280 --> 0:10:00.679
<v Speaker 2>Yeah, yeah, because if the father wasn't going to in Colorado,

0:10:00.800 --> 0:10:02.760
<v Speaker 2>I'm sure he probably would have left that baby with

0:10:02.760 --> 0:10:05.319
<v Speaker 2>with the people at the house, because there's no way

0:10:05.360 --> 0:10:07.360
<v Speaker 2>you're just getting on a horse with a newborn and

0:10:07.400 --> 0:10:08.880
<v Speaker 2>you can't even provide know.

0:10:08.840 --> 0:10:10.600
<v Speaker 1>What, we just spoiled it for everybody that has not

0:10:10.640 --> 0:10:10.920
<v Speaker 1>seen it.

0:10:10.960 --> 0:10:13.559
<v Speaker 4>We just we're gonna put a big spoiler or peach

0:10:13.679 --> 0:10:15.800
<v Speaker 4>mark that we're gonna put a spoiler alert before we

0:10:15.840 --> 0:10:16.240
<v Speaker 4>say that.

0:10:16.360 --> 0:10:16.920
<v Speaker 1>All right, cool.

0:10:17.120 --> 0:10:19.480
<v Speaker 2>I mean I do feel like if we put out

0:10:19.520 --> 0:10:22.640
<v Speaker 2>episodes four times a week, like, just just keep up

0:10:22.679 --> 0:10:25.000
<v Speaker 2>with the shows. I don't want to wait six weeks

0:10:25.040 --> 0:10:26.199
<v Speaker 2>to then talk about episode four.

0:10:26.800 --> 0:10:28.920
<v Speaker 3>Yeah, and they're facing out the drops just like every

0:10:29.000 --> 0:10:31.240
<v Speaker 3>once a week, so you should be caught up on

0:10:31.400 --> 0:10:32.520
<v Speaker 3>Paradise by now.

0:10:32.720 --> 0:10:35.960
<v Speaker 2>But either way, amazing show. And then I like the cliffhanger.

0:10:36.000 --> 0:10:37.839
<v Speaker 2>Did you guys watch the episode that came out last night?

0:10:37.920 --> 0:10:40.720
<v Speaker 1>Yeah? I did? No, I didn't, So they left us

0:10:40.720 --> 0:10:43.320
<v Speaker 1>on a little cliffhanger. Oh wait to wait to watch

0:10:43.360 --> 0:10:47.400
<v Speaker 1>episode far When when Homie was like your wife's my partner,

0:10:47.480 --> 0:10:50.520
<v Speaker 1>I was like, oh shit, she has a weird she

0:10:50.559 --> 0:10:51.760
<v Speaker 1>has a weird range of types.

0:10:52.440 --> 0:10:53.360
<v Speaker 5>That's what you're thinking about.

0:10:53.640 --> 0:10:56.080
<v Speaker 4>Oh my god, she's missing this nigga, Like nah, she

0:10:56.200 --> 0:10:58.040
<v Speaker 4>moved on, Like, don't.

0:10:59.720 --> 0:11:01.760
<v Speaker 2>If you fucking my wife. Don't call her your partner.

0:11:03.360 --> 0:11:05.000
<v Speaker 2>I've been fucking your wife though, he was going, what

0:11:05.080 --> 0:11:05.520
<v Speaker 2>you want for me?

0:11:05.640 --> 0:11:08.120
<v Speaker 4>That's no. He said it the right way. He said

0:11:08.120 --> 0:11:09.440
<v Speaker 4>it in the most respectful way he could.

0:11:09.440 --> 0:11:09.560
<v Speaker 1>Well.

0:11:09.600 --> 0:11:11.680
<v Speaker 2>I didn't know because the cliffhanger when he was saying partner,

0:11:11.679 --> 0:11:13.880
<v Speaker 2>I didn't know if he meant like that's my he

0:11:14.200 --> 0:11:16.199
<v Speaker 2>was my partner, like that's.

0:11:16.559 --> 0:11:18.040
<v Speaker 1>You gotta watch how you say that, but.

0:11:17.960 --> 0:11:19.839
<v Speaker 2>That's what I'm saying. It left it open and ended,

0:11:20.440 --> 0:11:22.520
<v Speaker 2>and I thought because of his appearance, they were trying

0:11:22.559 --> 0:11:24.400
<v Speaker 2>to make us think like, nah, she wouldn't fuck him,

0:11:24.440 --> 0:11:26.240
<v Speaker 2>so that must be like that they must be the

0:11:26.280 --> 0:11:27.720
<v Speaker 2>partner to save the world or something.

0:11:27.920 --> 0:11:30.600
<v Speaker 5>No, you could tell that that romantically very different times.

0:11:30.880 --> 0:11:33.760
<v Speaker 1>I can't say is my partner. I can't say that.

0:11:33.760 --> 0:11:35.760
<v Speaker 1>There has to be context. That's a co hosts. According

0:11:35.800 --> 0:11:36.480
<v Speaker 1>to the High r S, we.

0:11:36.480 --> 0:11:42.000
<v Speaker 3>Are No, we're we're business associates, not.

0:11:43.480 --> 0:11:45.440
<v Speaker 1>Even partners. You can't put partners in him. Tell me,

0:11:46.960 --> 0:11:47.360
<v Speaker 1>I can't.

0:11:47.200 --> 0:11:50.800
<v Speaker 2>Believe what are we right now? We are much more

0:11:50.840 --> 0:11:53.040
<v Speaker 2>than associates associates.

0:11:53.080 --> 0:11:56.479
<v Speaker 4>We're business associates with teammates.

0:11:56.520 --> 0:11:59.920
<v Speaker 3>Fit we got teammates Mike and Scotty. Know we're not

0:12:01.280 --> 0:12:03.280
<v Speaker 3>y'all own Steve Kurt, No.

0:12:03.880 --> 0:12:07.480
<v Speaker 2>No, damn we we are whoever owned the bulls and

0:12:07.520 --> 0:12:09.360
<v Speaker 2>whoever had the other fifty percent of it.

0:12:09.440 --> 0:12:12.840
<v Speaker 5>Okay, y'all are business partners owners.

0:12:13.679 --> 0:12:15.040
<v Speaker 1>If I'm in a rush, I'm going to say partner

0:12:15.240 --> 0:12:18.559
<v Speaker 1>a See, it sounds nasty. It's something me and him.

0:12:18.559 --> 0:12:21.200
<v Speaker 5>But back in the day he said my partner, my patterner.

0:12:21.320 --> 0:12:22.000
<v Speaker 1>I never said that.

0:12:22.080 --> 0:12:24.840
<v Speaker 5>Ya, I still says that, Yeah, my partner in them.

0:12:25.520 --> 0:12:27.600
<v Speaker 2>I still said, like Three Stacks and Big Boy are

0:12:27.679 --> 0:12:28.679
<v Speaker 2>partners for.

0:12:28.679 --> 0:12:33.000
<v Speaker 1>Sure, exact those partners right there.

0:12:33.920 --> 0:12:35.439
<v Speaker 2>But yeah, all right, well, don't spoil that because I

0:12:35.440 --> 0:12:37.480
<v Speaker 2>do want to watch what I took from that that

0:12:37.559 --> 0:12:40.880
<v Speaker 2>they like were working on science together, like because he

0:12:40.920 --> 0:12:42.959
<v Speaker 2>put a bunch of things before, like that's my that's

0:12:43.000 --> 0:12:44.480
<v Speaker 2>my people, but it's also my partner.

0:12:44.600 --> 0:12:45.079
<v Speaker 1>Keep watching.

0:12:45.120 --> 0:12:47.880
<v Speaker 2>It gets also every bold like when a husband comes

0:12:47.880 --> 0:12:51.360
<v Speaker 2>with a gun, a newborn and a horse at sundown

0:12:51.400 --> 0:12:53.000
<v Speaker 2>and you just walk out like you know, I'm fucking

0:12:53.040 --> 0:12:53.439
<v Speaker 2>your wife.

0:12:53.640 --> 0:12:55.800
<v Speaker 1>He didn't, like, that's not what me. But that's what

0:12:55.840 --> 0:12:57.800
<v Speaker 1>y'all are saying that. That's what No, that's what you

0:12:57.800 --> 0:12:58.640
<v Speaker 1>were saying that happened.

0:12:58.880 --> 0:13:01.440
<v Speaker 2>I think their science lab partners. I don't think they're fucking.

0:13:01.280 --> 0:13:03.640
<v Speaker 3>I think they're just people who, you know, are relying

0:13:03.679 --> 0:13:05.079
<v Speaker 3>on each other. When the world was in a.

0:13:05.040 --> 0:13:07.880
<v Speaker 1>Crazy space fair they were tram about it. Yeah, they

0:13:07.880 --> 0:13:10.080
<v Speaker 1>needed each other to kind of make it through. That's all.

0:13:10.200 --> 0:13:12.480
<v Speaker 3>But great, great show if you are not watching Paradise.

0:13:12.520 --> 0:13:14.560
<v Speaker 3>I don't know what you're watching right now, but definitely

0:13:14.600 --> 0:13:16.640
<v Speaker 3>the best show on TV right now.

0:13:17.880 --> 0:13:22.000
<v Speaker 2>Should we stay on the TI subject, it's never going

0:13:22.040 --> 0:13:23.520
<v Speaker 2>to way more, I'm sorry to say.

0:13:23.840 --> 0:13:27.400
<v Speaker 4>Well, TI movies TV kind of saying it all rolls

0:13:27.440 --> 0:13:27.800
<v Speaker 4>into one.

0:13:27.800 --> 0:13:28.640
<v Speaker 5>It's a good segue.

0:13:28.760 --> 0:13:30.560
<v Speaker 1>T I has beens. He's had his hand in all

0:13:30.600 --> 0:13:32.600
<v Speaker 1>three of those length right, Yeah.

0:13:32.440 --> 0:13:35.800
<v Speaker 2>Yeah, for sure. I think I'm gonna answer this question myself.

0:13:36.000 --> 0:13:37.920
<v Speaker 2>It's kind of a vain question. Do you think the

0:13:38.000 --> 0:13:40.520
<v Speaker 2>internet hates me or loves Demani?

0:13:42.520 --> 0:13:43.640
<v Speaker 5>I think they love DEMONI.

0:13:43.840 --> 0:13:47.959
<v Speaker 1>Okay, I'm just curious. Wait, why did you accep though?

0:13:48.040 --> 0:13:50.160
<v Speaker 1>Because he's young? Love DEMONI this much?

0:13:50.320 --> 0:13:52.240
<v Speaker 5>Is he self centered? That's why we always.

0:13:52.000 --> 0:13:53.679
<v Speaker 2>Played around with a fifty ship. I have a fifty

0:13:53.679 --> 0:13:56.000
<v Speaker 2>bias and that clip when when sort of viral. I

0:13:56.040 --> 0:13:59.240
<v Speaker 2>did not know that like, what, what's his barbs? Because

0:13:59.280 --> 0:14:01.680
<v Speaker 2>he has barbs? He doesn't unless y'all just really hate

0:14:01.720 --> 0:14:09.480
<v Speaker 2>me that much. No, it's just Domaniacs, Domainiacs. Hilarious, that's

0:14:09.520 --> 0:14:12.080
<v Speaker 2>definitely the Domainian get the Domaniacs.

0:14:13.920 --> 0:14:14.560
<v Speaker 5>That's so lame.

0:14:17.320 --> 0:14:21.200
<v Speaker 6>Demoniacs is fire walking with the domania But but Rory

0:14:21.480 --> 0:14:23.640
<v Speaker 6>you hate and still like it's like it's in your heart,

0:14:23.720 --> 0:14:26.680
<v Speaker 6>Like you don't even like domani No, you you keep

0:14:26.680 --> 0:14:28.000
<v Speaker 6>trying to convince us of that, Like.

0:14:28.040 --> 0:14:29.880
<v Speaker 2>I'm not quite a Domaniac, but I think he's a

0:14:29.880 --> 0:14:30.400
<v Speaker 2>good rapper.

0:14:30.480 --> 0:14:32.400
<v Speaker 1>No, I'm a domaniac. You' jacking you?

0:14:32.480 --> 0:14:35.120
<v Speaker 4>Even you even asking? Does the internet just hate me?

0:14:35.240 --> 0:14:37.480
<v Speaker 4>Like or do they really like DEMONI? Why can't you

0:14:37.520 --> 0:14:40.480
<v Speaker 4>just understand that people disagree with you on his first disk,

0:14:40.520 --> 0:14:42.520
<v Speaker 4>people disagree with you, people hate him.

0:14:43.680 --> 0:14:45.120
<v Speaker 5>That's fine, but that's not what if that.

0:14:45.200 --> 0:14:47.960
<v Speaker 2>Was the response, I would completely I wish we could

0:14:48.000 --> 0:14:49.320
<v Speaker 2>go back to a world where we just go, you

0:14:49.320 --> 0:14:52.160
<v Speaker 2>know what, we disagree on music and then we can continue.

0:14:51.760 --> 0:14:54.520
<v Speaker 1>On with that world. Is that world is long gone.

0:14:54.720 --> 0:14:59.520
<v Speaker 2>The Domaniacs are on some kbi ov Ho type ship

0:14:59.600 --> 0:15:02.080
<v Speaker 2>right now. Like I did not expect to get the

0:15:02.120 --> 0:15:04.920
<v Speaker 2>same amount of backlash just by saying it was a

0:15:05.000 --> 0:15:06.240
<v Speaker 2>diet Meet the Crims.

0:15:06.600 --> 0:15:10.520
<v Speaker 4>It's not just because you said it was a diet

0:15:10.560 --> 0:15:13.320
<v Speaker 4>Meet the Grahams. You were very obviously hating. Like you

0:15:13.320 --> 0:15:15.640
<v Speaker 4>were very obviously hating, and people called you out on.

0:15:15.680 --> 0:15:16.080
<v Speaker 5>Being a hater.

0:15:16.200 --> 0:15:18.440
<v Speaker 1>Why can't we just like have fun with me? But

0:15:18.600 --> 0:15:19.080
<v Speaker 1>was that really?

0:15:19.120 --> 0:15:21.000
<v Speaker 2>Do you think I was really the way Demani was

0:15:21.000 --> 0:15:23.240
<v Speaker 2>losing sleep? Do you think I was really losing sleep?

0:15:23.320 --> 0:15:24.680
<v Speaker 1>He can't, he can't.

0:15:25.320 --> 0:15:27.320
<v Speaker 3>Is it hating or is it just he hated the song?

0:15:27.640 --> 0:15:29.600
<v Speaker 3>I didn't hate the song, Okay, did you hate the

0:15:29.800 --> 0:15:31.480
<v Speaker 3>type of song? Like the energy of the song? Like

0:15:31.720 --> 0:15:33.920
<v Speaker 3>you said, diet what he was like.

0:15:33.880 --> 0:15:35.240
<v Speaker 4>This is and he didn't just say this is a

0:15:35.400 --> 0:15:37.200
<v Speaker 4>this is you know, it's Meet the Grahams.

0:15:37.200 --> 0:15:39.800
<v Speaker 5>Ass this some diet Meet the Grahams. Bullshit is a

0:15:39.800 --> 0:15:40.600
<v Speaker 5>direct quote.

0:15:40.880 --> 0:15:43.800
<v Speaker 1>Yeah, no, I said that. No, I don't.

0:15:45.360 --> 0:15:48.120
<v Speaker 2>Hey, but look though, to tips on eggs shells about

0:15:48.120 --> 0:15:50.320
<v Speaker 2>talking about Demani's music, I can't joke.

0:15:51.120 --> 0:15:51.800
<v Speaker 5>You don't have to.

0:15:51.720 --> 0:15:54.680
<v Speaker 4>Tip on eggshells. But he did a good job. He's

0:15:54.720 --> 0:15:56.960
<v Speaker 4>getting eyes that he never had before. And people called

0:15:56.960 --> 0:15:59.560
<v Speaker 4>you out. I'm being a hater, but you're mister pires

0:15:59.640 --> 0:16:01.560
<v Speaker 4>hip hop. They always want some new We have no

0:16:01.680 --> 0:16:04.920
<v Speaker 4>talent new hip hop. Ship you got got some period

0:16:05.680 --> 0:16:10.200
<v Speaker 4>because there's the baby out seventy.

0:16:10.240 --> 0:16:12.480
<v Speaker 2>I don't like to be misrepresented because I said twenty

0:16:12.520 --> 0:16:14.040
<v Speaker 2>twenty five was one of the best years of hip

0:16:14.040 --> 0:16:15.120
<v Speaker 2>hop that we had a really long time.

0:16:15.120 --> 0:16:16.440
<v Speaker 1>I think there's a lot of amazing talent.

0:16:16.720 --> 0:16:19.280
<v Speaker 2>I went through every single verse on the Radar Freestyle

0:16:19.400 --> 0:16:21.640
<v Speaker 2>of the New Generation. I think there's plenty of great

0:16:21.640 --> 0:16:23.960
<v Speaker 2>new hip hop right now. So please, so please, do

0:16:24.080 --> 0:16:26.720
<v Speaker 2>not try to paint me as that person that thinks

0:16:26.800 --> 0:16:28.720
<v Speaker 2>hip hop is in some terrible space right now. I

0:16:28.720 --> 0:16:32.080
<v Speaker 2>think there's plenty of great artists, including Demani. But because

0:16:32.240 --> 0:16:34.800
<v Speaker 2>I think he's talented, he should still be on the

0:16:34.840 --> 0:16:37.840
<v Speaker 2>same fucking level of critique.

0:16:38.240 --> 0:16:41.680
<v Speaker 5>That's fine, we critique, We just critique Bruno Mars.

0:16:41.760 --> 0:16:43.640
<v Speaker 1>Now we can't critique DEMONI.

0:16:43.800 --> 0:16:45.560
<v Speaker 5>Fine, that's fine.

0:16:45.360 --> 0:16:47.160
<v Speaker 2>Because sorry, should we treat him special? Should we put

0:16:47.200 --> 0:16:49.200
<v Speaker 2>him over here? And he's he's above by any critique.

0:16:49.240 --> 0:16:52.240
<v Speaker 2>He's a body, He's above me cursing, he's above a joke.

0:16:52.800 --> 0:16:54.600
<v Speaker 2>He's above me having a fifty buyers.

0:16:54.840 --> 0:16:55.760
<v Speaker 5>No, it's not has nothing.

0:16:55.760 --> 0:16:57.680
<v Speaker 1>It's because Demi is a neo baby.

0:16:57.960 --> 0:17:00.880
<v Speaker 4>No, it's not even the nigga barely he has fans.

0:17:01.160 --> 0:17:05.880
<v Speaker 4>People said, no, that's not what I said. That's not

0:17:05.920 --> 0:17:08.840
<v Speaker 4>what I said. And that's what you're seeming to misconstrue.

0:17:08.920 --> 0:17:11.160
<v Speaker 4>You're trying to make it out like it's his fans

0:17:11.400 --> 0:17:13.800
<v Speaker 4>calling you a hater and giving him backlash. He doesn't

0:17:13.840 --> 0:17:18.040
<v Speaker 4>even have a big enough fan base. These are casual fans.

0:17:19.160 --> 0:17:19.760
<v Speaker 5>Let me talk.

0:17:20.640 --> 0:17:24.119
<v Speaker 4>These are casual fans of hip hop that are telling

0:17:24.160 --> 0:17:26.879
<v Speaker 4>you that you're hate. Peace is not a Domani fan. Peace,

0:17:26.920 --> 0:17:30.359
<v Speaker 4>come here, the this is fire. Everybody agreed that the

0:17:30.400 --> 0:17:32.360
<v Speaker 4>this is fire. The reason why you got so much

0:17:32.400 --> 0:17:34.800
<v Speaker 4>backlash is because you were one of the only people

0:17:34.920 --> 0:17:37.600
<v Speaker 4>who downplay the this A bunch of casual fans say, oh,

0:17:37.720 --> 0:17:39.960
<v Speaker 4>I didn't know about Demani. This is fire. It's not

0:17:40.040 --> 0:17:44.760
<v Speaker 4>just his super fans critiquing you. It's not I it's

0:17:44.760 --> 0:17:48.400
<v Speaker 4>okay to be on the side of history, just saying history.

0:17:56.040 --> 0:18:00.560
<v Speaker 2>There will be Russia, Ukraine, Palestine and Israel, money and

0:18:00.640 --> 0:18:03.439
<v Speaker 2>Curtis Jackson, What side will you be on at the

0:18:03.520 --> 0:18:06.280
<v Speaker 2>end of the day, The wrong side of what side

0:18:06.359 --> 0:18:08.000
<v Speaker 2>was Lindsay Graham on the.

0:18:07.960 --> 0:18:09.520
<v Speaker 1>Wrong side of history? Is crazy.

0:18:09.520 --> 0:18:11.280
<v Speaker 5>That's okay to be wrong. You hate?

0:18:11.359 --> 0:18:13.960
<v Speaker 2>Okay, See why can't you quote everything? Yes, I did

0:18:13.960 --> 0:18:16.119
<v Speaker 2>say this is some diet meet the grams bullshit. Can

0:18:16.119 --> 0:18:18.840
<v Speaker 2>you also say the other quote where I said the

0:18:18.920 --> 0:18:20.080
<v Speaker 2>money could rap and this is good?

0:18:20.240 --> 0:18:23.119
<v Speaker 3>He did say that. To be fair, he did said

0:18:23.640 --> 0:18:25.399
<v Speaker 3>they only hit and only hit. When you say you

0:18:25.440 --> 0:18:27.200
<v Speaker 3>don't like that.

0:18:27.119 --> 0:18:28.120
<v Speaker 5>Means nothing coming from Rory.

0:18:28.119 --> 0:18:30.480
<v Speaker 4>Because whenever Rory hates or critique something, he starts, because

0:18:30.480 --> 0:18:32.439
<v Speaker 4>he doesn't want to piss everybody off, he starts with, well,

0:18:32.520 --> 0:18:34.159
<v Speaker 4>let me just say that, you know, this is just

0:18:34.200 --> 0:18:36.159
<v Speaker 4>my opinion and they're great, and shout out to them

0:18:36.160 --> 0:18:38.240
<v Speaker 4>and I appreciate everything they do for the culture, but

0:18:38.800 --> 0:18:42.120
<v Speaker 4>followed by hate every time this is my thing.

0:18:42.160 --> 0:18:43.840
<v Speaker 1>Why is it considered hate? Though?

0:18:43.920 --> 0:18:48.440
<v Speaker 4>Now you niggas was hating the way the way Rory

0:18:48.480 --> 0:18:49.240
<v Speaker 4>came in, it was hate.

0:18:49.320 --> 0:18:50.640
<v Speaker 5>Like the ray Rory came in, it was hate.

0:18:50.600 --> 0:18:52.639
<v Speaker 4>And if the money was dissing anybody else, that wouldn't

0:18:52.680 --> 0:18:53.840
<v Speaker 4>have been the tist he chose.

0:18:54.160 --> 0:18:56.359
<v Speaker 1>All right, I do admit my bike. I promise you

0:18:56.400 --> 0:18:58.480
<v Speaker 1>I got money.

0:18:57.760 --> 0:19:02.280
<v Speaker 5>Yeah, yeah, like and that's okay, that's okay.

0:19:02.400 --> 0:19:04.800
<v Speaker 1>He still would have tanked tops did you unit take tops?

0:19:04.840 --> 0:19:05.320
<v Speaker 2>Well, first of.

0:19:05.320 --> 0:19:07.240
<v Speaker 1>All, they fit very well.

0:19:08.119 --> 0:19:11.600
<v Speaker 2>They're great to work out it shits was always ugly, crazy,

0:19:11.920 --> 0:19:13.160
<v Speaker 2>craziest blank of all time?

0:19:13.359 --> 0:19:17.359
<v Speaker 1>Where did they find that white Peter blank? Oh my god,

0:19:17.960 --> 0:19:19.480
<v Speaker 1>I can't believe were talking about the MONI No.

0:19:19.880 --> 0:19:23.199
<v Speaker 2>I honestly, even though I have a fifty buys, my

0:19:23.280 --> 0:19:25.880
<v Speaker 2>biases really don't bleed over into this podcast the way

0:19:25.880 --> 0:19:26.280
<v Speaker 2>you may think.

0:19:26.640 --> 0:19:27.760
<v Speaker 1>He really could have been dissent to anyone.

0:19:27.800 --> 0:19:29.160
<v Speaker 2>I would have said, this is to meet the graham Ship,

0:19:29.480 --> 0:19:33.120
<v Speaker 2>and which Pedge left out of that clip. You even

0:19:33.160 --> 0:19:35.199
<v Speaker 2>agreed what I said, all right, So you think when

0:19:35.200 --> 0:19:37.119
<v Speaker 2>Demani and all his people came in the studio, he

0:19:37.160 --> 0:19:38.480
<v Speaker 2>didn't say yo, I got him on to meet the

0:19:38.480 --> 0:19:39.520
<v Speaker 2>graam shit in his space park.

0:19:39.560 --> 0:19:40.560
<v Speaker 5>No, I did not agree with you.

0:19:40.600 --> 0:19:42.679
<v Speaker 4>I said somebody might in the studio might have compared it,

0:19:42.720 --> 0:19:43.960
<v Speaker 4>but I did not agree that he said that.

0:19:44.080 --> 0:19:47.120
<v Speaker 3>Mal did I mean if meet the Grahams didn't exist?

0:19:47.119 --> 0:19:49.439
<v Speaker 3>When we heard that, it's like, okay, that's hard, but

0:19:49.520 --> 0:19:52.919
<v Speaker 3>meet the Grahams exist. That's the only thing that was

0:19:52.960 --> 0:19:54.480
<v Speaker 3>kind of like, okay, I prefer.

0:19:54.400 --> 0:19:55.359
<v Speaker 5>That over meet the Grahams.

0:19:55.359 --> 0:19:58.240
<v Speaker 4>So meet the Grahams was one of my least favorite

0:19:58.240 --> 0:19:59.760
<v Speaker 4>songs out of that battle.

0:20:00.880 --> 0:20:02.359
<v Speaker 5>I've preferred that over me the grams.

0:20:02.520 --> 0:20:05.800
<v Speaker 4>But anyway, Domani has come. Fifty cent responded right, So

0:20:05.840 --> 0:20:07.959
<v Speaker 4>we lost our bet. We thought fifty cent wasn't gonna respond.

0:20:08.119 --> 0:20:10.879
<v Speaker 3>Yeah, did you respond or was it like a just

0:20:10.920 --> 0:20:12.400
<v Speaker 3>a cool way of kind of like.

0:20:13.800 --> 0:20:15.040
<v Speaker 1>It wasn't a full response.

0:20:15.119 --> 0:20:17.760
<v Speaker 5>No, it wasn't a full response, but he responded.

0:20:18.160 --> 0:20:20.480
<v Speaker 1>He responded the way it was a bar.

0:20:21.119 --> 0:20:25.280
<v Speaker 2>He responded the way fifty would reply, which is something

0:20:25.280 --> 0:20:28.120
<v Speaker 2>that's going to benefit my business. Fifty rights the intros

0:20:28.160 --> 0:20:31.600
<v Speaker 2>for all the Power series. He got Leon Thomas on

0:20:31.840 --> 0:20:35.760
<v Speaker 2>the new Power that's about to come out, and fifty replied,

0:20:36.840 --> 0:20:39.199
<v Speaker 2>you could probably tell that he wrote that, and then

0:20:39.320 --> 0:20:40.480
<v Speaker 2>was like, you know what we're going to add in

0:20:41.160 --> 0:20:44.280
<v Speaker 2>four bars real quick to a song that I already cut.

0:20:44.920 --> 0:20:48.600
<v Speaker 2>He said, your daddy, major Mama eat every box in Atlanta.

0:20:48.720 --> 0:20:53.280
<v Speaker 2>So that is a reply, and in fifty fashion, I

0:20:53.320 --> 0:20:58.000
<v Speaker 2>know he's thinking his disc is going to play every

0:20:58.000 --> 0:21:02.240
<v Speaker 2>week on a even service now. But I mean, we

0:21:02.800 --> 0:21:04.800
<v Speaker 2>know Jamars is gonna go back to the Domani disc

0:21:04.840 --> 0:21:06.960
<v Speaker 2>every day. It'll have a lot of replay value, but

0:21:07.200 --> 0:21:09.200
<v Speaker 2>this will be on TV every week.

0:21:09.960 --> 0:21:12.000
<v Speaker 1>It was a clever, clever way of doing it.

0:21:12.000 --> 0:21:15.040
<v Speaker 3>It wasn't a full song dedicated because I think that

0:21:15.080 --> 0:21:18.320
<v Speaker 3>he even posted something was it yesterday saying that I'm

0:21:18.359 --> 0:21:21.560
<v Speaker 3>never you said I'm not entertaining or making no songs

0:21:21.600 --> 0:21:23.960
<v Speaker 3>or some shit like that whatever fifty posted. So this

0:21:24.080 --> 0:21:25.679
<v Speaker 3>was a clever way of doing it. It was a

0:21:25.680 --> 0:21:28.479
<v Speaker 3>clever way, like y'all gonna power. People gonna watch it

0:21:28.520 --> 0:21:30.920
<v Speaker 3>every every week, you're gonna hit it. The theme song.

0:21:30.960 --> 0:21:33.280
<v Speaker 3>We know when Power first came out, that theme song,

0:21:34.119 --> 0:21:36.520
<v Speaker 3>it was a Joe is a Big CHRISTI I.

0:21:36.480 --> 0:21:37.760
<v Speaker 5>Think it was originally Trey.

0:21:37.560 --> 0:21:39.840
<v Speaker 2>And then and then they put Tray on it. Oh

0:21:40.760 --> 0:21:45.280
<v Speaker 2>that week everyone said no. The following week they put

0:21:45.320 --> 0:21:46.200
<v Speaker 2>Joe back on the ship.

0:21:46.520 --> 0:21:49.800
<v Speaker 3>So people know that the Power intro song is you know,

0:21:49.840 --> 0:21:51.160
<v Speaker 3>everybody's gonna watch a big show.

0:21:51.200 --> 0:21:52.280
<v Speaker 1>Everybody's gonna watch it.

0:21:52.359 --> 0:21:55.960
<v Speaker 3>So this was a very clever way of responding but

0:21:56.080 --> 0:22:00.159
<v Speaker 3>not dedicating an entire like moment and giving somebody at

0:22:00.240 --> 0:22:03.320
<v Speaker 3>light and sharing the stage or somebody. So I liked it.

0:22:03.359 --> 0:22:04.639
<v Speaker 3>I was like, Okay, that was that was clever. I

0:22:04.640 --> 0:22:06.800
<v Speaker 3>didn't anticipate fifty doing that, but that was very clever.

0:22:06.960 --> 0:22:09.119
<v Speaker 2>Here's where I'm gonna prove you guys wrong with my bias.

0:22:10.040 --> 0:22:12.680
<v Speaker 2>I understood Fifty not replying to t I and always

0:22:13.200 --> 0:22:16.640
<v Speaker 2>his kids, Like Fifty has not been thinking about music

0:22:16.680 --> 0:22:18.760
<v Speaker 2>for quite some time. He only pops up to do

0:22:18.800 --> 0:22:22.399
<v Speaker 2>intros and shit. But if you're going to put something,

0:22:23.119 --> 0:22:25.680
<v Speaker 2>we're gonna throw a little shot in your power intro

0:22:25.800 --> 0:22:27.520
<v Speaker 2>and then also put out a record with Max b

0:22:27.680 --> 0:22:31.520
<v Speaker 2>the following day. You're active, You've got seven people shooting

0:22:31.520 --> 0:22:32.720
<v Speaker 2>at you. I don't know if a line is gonna

0:22:32.720 --> 0:22:34.560
<v Speaker 2>get it done. I know Fifty doesn't give a fuck.

0:22:34.600 --> 0:22:35.640
<v Speaker 2>It's me just talking as a fan.

0:22:36.440 --> 0:22:36.879
<v Speaker 1>I'm on the.

0:22:36.880 --> 0:22:42.080
<v Speaker 2>Side of either really reply or just be quiet, or

0:22:42.200 --> 0:22:44.159
<v Speaker 2>just trolling the like, just troll on ig like you

0:22:44.200 --> 0:22:47.760
<v Speaker 2>always do, because now you're rapping. Like Demani put out

0:22:47.800 --> 0:22:49.040
<v Speaker 2>a record right after, and I think he had every

0:22:49.119 --> 0:22:50.840
<v Speaker 2>right pull up fifties.

0:22:50.720 --> 0:22:53.320
<v Speaker 1>Last last post on Instagram. I mean it might not

0:22:53.359 --> 0:22:54.080
<v Speaker 1>be the last post.

0:22:54.119 --> 0:22:58.960
<v Speaker 2>But while I did like his meet Meet the Jackson's

0:22:59.880 --> 0:23:01.720
<v Speaker 2>I did not like Demandi's reply.

0:23:03.280 --> 0:23:06.320
<v Speaker 1>To fifties shot. Demani replied already.

0:23:06.880 --> 0:23:10.000
<v Speaker 2>He replied immediately, as he should though, because Fifty started

0:23:10.040 --> 0:23:11.880
<v Speaker 2>wrapping that one. But at this point, like, don't even

0:23:11.880 --> 0:23:14.080
<v Speaker 2>go halfway step in the ring. I think it's funny

0:23:14.080 --> 0:23:15.680
<v Speaker 2>that this is going to play on TV for weeks

0:23:15.680 --> 0:23:19.080
<v Speaker 2>on weeks on weeks. But and you got Leon Thomas,

0:23:19.160 --> 0:23:20.560
<v Speaker 2>one of the biggest R and B artists right now

0:23:20.600 --> 0:23:23.800
<v Speaker 2>on it like it was a good move. But everyone

0:23:23.800 --> 0:23:25.719
<v Speaker 2>else has been rapping. Man, you can't just throw one

0:23:25.760 --> 0:23:26.480
<v Speaker 2>little shot.

0:23:26.760 --> 0:23:27.080
<v Speaker 1>He said.

0:23:27.080 --> 0:23:29.680
<v Speaker 3>I'm sorry, no response to retarded ass rappers who can't

0:23:29.680 --> 0:23:32.160
<v Speaker 3>write a hit to save their lives. Moving right along,

0:23:32.200 --> 0:23:37.320
<v Speaker 3>short but shorty, So I mean, you know that's what

0:23:37.359 --> 0:23:39.119
<v Speaker 3>fifty He's let you know right there, like I'm not

0:23:39.640 --> 0:23:42.920
<v Speaker 3>I'm not entertaining that. I'm not giving nobody a stage

0:23:43.080 --> 0:23:45.320
<v Speaker 3>to perform on and let them try to stand in

0:23:45.359 --> 0:23:48.040
<v Speaker 3>front of me and battle and all of this, Like

0:23:48.520 --> 0:23:49.800
<v Speaker 3>that's not where fifty is at.

0:23:49.960 --> 0:23:52.119
<v Speaker 1>Like you know, he's making it clear. So this this

0:23:52.200 --> 0:23:55.800
<v Speaker 1>was a clear way of that's hate. What that can't

0:23:55.800 --> 0:23:57.760
<v Speaker 1>write a hit? That's hate. You got to say that

0:23:57.880 --> 0:23:59.400
<v Speaker 1>DEMONI can has it?

0:24:01.680 --> 0:24:03.800
<v Speaker 5>Let it go? Rory, I love.

0:24:04.560 --> 0:24:05.720
<v Speaker 1>I didn't even know what he was talking about, Like

0:24:05.760 --> 0:24:06.800
<v Speaker 1>I was talking like.

0:24:06.720 --> 0:24:07.920
<v Speaker 5>He just won't let it go.

0:24:08.400 --> 0:24:10.119
<v Speaker 2>You're not allowed to know. You got to say Domani

0:24:10.280 --> 0:24:13.640
<v Speaker 2>has a hit. You know that King hit. That's hey,

0:24:13.640 --> 0:24:14.640
<v Speaker 2>you're not allowed to say that.

0:24:16.000 --> 0:24:18.680
<v Speaker 4>Fifties hater Rory hate when people don't agree with him,

0:24:18.760 --> 0:24:22.000
<v Speaker 4>like when the Internet don't him and bother him. He

0:24:22.000 --> 0:24:24.359
<v Speaker 4>can't sleep at night like the money, like when the Internet.

0:24:25.320 --> 0:24:27.520
<v Speaker 1>I think he can't if my opinion died in vain.

0:24:27.600 --> 0:24:32.600
<v Speaker 1>Oh my god, man, wow, I swear to god him

0:24:32.640 --> 0:24:35.199
<v Speaker 1>really just messing the run. No, I know I'm not.

0:24:35.280 --> 0:24:38.280
<v Speaker 1>I don't think none of this shit serious. But yeah,

0:24:38.040 --> 0:24:40.600
<v Speaker 1>I think this is over. I don't.

0:24:40.600 --> 0:24:42.600
<v Speaker 2>I don't think fifty is going to reply. I think

0:24:42.640 --> 0:24:44.600
<v Speaker 2>he said his piece put out a record.

0:24:44.440 --> 0:24:46.920
<v Speaker 1>With Max b. I don't think Demandi is gonna keep going.

0:24:47.000 --> 0:24:48.840
<v Speaker 2>I think King is done even to I didn't t

0:24:48.960 --> 0:24:50.879
<v Speaker 2>I say he had to disciplined his kids and be like yo,

0:24:50.880 --> 0:24:52.720
<v Speaker 2>stop doing that ship with it with his mom on

0:24:52.760 --> 0:24:53.159
<v Speaker 2>the shirts.

0:24:53.920 --> 0:24:54.719
<v Speaker 5>Oh, I didn't see that.

0:24:54.800 --> 0:24:57.239
<v Speaker 1>I was like, I think he did that.

0:24:57.280 --> 0:24:57.879
<v Speaker 5>He didn't know.

0:24:57.960 --> 0:25:00.000
<v Speaker 4>He didn't know that his kids had all these responts.

0:25:00.040 --> 0:25:01.679
<v Speaker 4>Oh Domani said that his dad didn't know that his

0:25:01.760 --> 0:25:03.119
<v Speaker 4>kids had these responses playing.

0:25:03.280 --> 0:25:05.520
<v Speaker 2>And then I saw King that had uh it was

0:25:05.560 --> 0:25:08.120
<v Speaker 2>a weed bran or something with Sabrina's picture on there,

0:25:08.119 --> 0:25:10.880
<v Speaker 2>like whatever, I mean, you're allowed to reply. You didn't

0:25:10.880 --> 0:25:13.199
<v Speaker 2>start the shit, fifty did. So it is what it is.

0:25:13.240 --> 0:25:14.720
<v Speaker 2>But I think this is finally. I think this is

0:25:14.760 --> 0:25:16.560
<v Speaker 2>the last episode we'll be covering.

0:25:16.680 --> 0:25:20.359
<v Speaker 3>I hope this is the last episode that we'll be

0:25:20.440 --> 0:25:23.720
<v Speaker 3>covering from the TI, the Harris family.

0:25:23.880 --> 0:25:26.040
<v Speaker 1>Versus Harris, Harris versus Jackson.

0:25:26.160 --> 0:25:27.840
<v Speaker 3>Yeah, I hope this is the last one. Like, I

0:25:27.840 --> 0:25:30.240
<v Speaker 3>get it. It was a cool you know, that was cool,

0:25:30.240 --> 0:25:32.960
<v Speaker 3>but it's not. People don't really want to see this.

0:25:32.960 --> 0:25:34.920
<v Speaker 5>People really, So who's the real winner at all of this?

0:25:35.240 --> 0:25:35.760
<v Speaker 1>The money?

0:25:35.960 --> 0:25:37.640
<v Speaker 5>The money is I think the money is not true

0:25:37.720 --> 0:25:38.320
<v Speaker 5>And I don't even think.

0:25:38.320 --> 0:25:40.000
<v Speaker 4>I don't When I say winner, I don't mean winner

0:25:40.040 --> 0:25:42.560
<v Speaker 4>because it wasn't really a battle. I mean, like, who

0:25:42.680 --> 0:25:44.800
<v Speaker 4>benefited the most from this? I think it was the money.

0:25:44.840 --> 0:25:47.680
<v Speaker 4>I think it introduced him to a whte people now

0:25:47.760 --> 0:25:48.560
<v Speaker 4>know how dope he is.

0:25:48.760 --> 0:25:49.440
<v Speaker 5>I don't like that.

0:25:49.720 --> 0:25:53.800
<v Speaker 2>Also, Ti, I mean TI has a big record out

0:25:53.840 --> 0:25:56.320
<v Speaker 2>right now. He's about to put out an album. Even

0:25:56.320 --> 0:25:58.040
<v Speaker 2>though he said that he didn't plan on doing this,

0:25:58.040 --> 0:26:00.720
<v Speaker 2>This wasn't part of roll up. It definitely brought more. Yeah,

0:26:01.040 --> 0:26:03.720
<v Speaker 2>So I mean that the Harrises did win, but also

0:26:04.480 --> 0:26:06.920
<v Speaker 2>fifty did too. Even though Leon Thomas is already on

0:26:06.960 --> 0:26:08.359
<v Speaker 2>that record, and of course it was going to be

0:26:08.680 --> 0:26:11.720
<v Speaker 2>somewhat of a thing, it was bigger because he said

0:26:11.760 --> 0:26:13.200
<v Speaker 2>that your daddy majors.

0:26:13.280 --> 0:26:15.320
<v Speaker 4>I would have never heard that song Elsewise, I would

0:26:15.359 --> 0:26:17.440
<v Speaker 4>have never know there was a Power's origins coming out.

0:26:17.440 --> 0:26:17.960
<v Speaker 5>Elsewise.

0:26:18.480 --> 0:26:20.719
<v Speaker 2>Oh, there's a big group of people that do like

0:26:20.800 --> 0:26:24.560
<v Speaker 2>are any power book that comes out. There's power is

0:26:24.600 --> 0:26:26.000
<v Speaker 2>super pop and the intro.

0:26:25.880 --> 0:26:28.359
<v Speaker 1>Is always a really big deal as well, and a

0:26:28.440 --> 0:26:30.560
<v Speaker 1>lord of low t. I can't even respond to that ball.

0:26:32.000 --> 0:26:34.280
<v Speaker 2>I mean, if it's kind of like, if it's conceptual,

0:26:34.320 --> 0:26:38.160
<v Speaker 2>that's to me. No, but I get the if it's

0:26:38.160 --> 0:26:39.760
<v Speaker 2>all consented, No, but.

0:26:39.680 --> 0:26:43.080
<v Speaker 1>Listen, I get it. But he ain't say tr name.

0:26:45.160 --> 0:26:47.080
<v Speaker 3>He just said your mamma, your daddy had your mamma

0:26:47.080 --> 0:26:49.639
<v Speaker 3>eat every box in Atlanta. So he said, well, who

0:26:49.680 --> 0:26:51.560
<v Speaker 3>do you think he was referring to? It don't matter

0:26:51.600 --> 0:26:53.200
<v Speaker 3>who I think he was referring to. If I'm t

0:26:53.400 --> 0:26:57.199
<v Speaker 3>I can't be like hey now I say, now, I

0:26:57.240 --> 0:27:00.000
<v Speaker 3>can't go oh yeah, yeah, it's got a bulletproof of

0:27:00.200 --> 0:27:03.400
<v Speaker 3>like yeah, yeah, it's like the way fifty bar Dad,

0:27:03.400 --> 0:27:05.399
<v Speaker 3>it was like, bro, if you jump out there and

0:27:05.440 --> 0:27:08.560
<v Speaker 3>respond to that like you just it's like you waiting

0:27:08.840 --> 0:27:11.440
<v Speaker 3>anything that may be directed towards you jumping on it

0:27:12.040 --> 0:27:12.560
<v Speaker 3>like he didn't.

0:27:12.560 --> 0:27:15.840
<v Speaker 1>That wasn't like tailor for that could be anything.

0:27:15.520 --> 0:27:17.800
<v Speaker 5>That was that was that could be part of the

0:27:17.880 --> 0:27:19.080
<v Speaker 5>Power Orange.

0:27:20.560 --> 0:27:20.760
<v Speaker 1>Show.

0:27:20.840 --> 0:27:22.960
<v Speaker 4>Yet that ship had nothing to do with the rest

0:27:22.960 --> 0:27:24.640
<v Speaker 4>of the song. Like he threw that ship and there

0:27:24.640 --> 0:27:24.879
<v Speaker 4>we all.

0:27:26.600 --> 0:27:28.880
<v Speaker 1>I'm just saying, I'm just saying, you don't we don't know.

0:27:29.040 --> 0:27:30.720
<v Speaker 5>We do know, ma, and that could be a.

0:27:30.760 --> 0:27:32.480
<v Speaker 1>Character in Power Origins.

0:27:32.880 --> 0:27:35.840
<v Speaker 3>They could be in Power Origins that you know was

0:27:35.880 --> 0:27:36.960
<v Speaker 3>moving wait in Atlanta.

0:27:37.560 --> 0:27:40.399
<v Speaker 1>We don't know yet the show didn't come out, So

0:27:40.640 --> 0:27:40.879
<v Speaker 1>that's what.

0:27:40.880 --> 0:27:44.040
<v Speaker 3>I'm saying, you gotta be That's like, that's why that's

0:27:44.160 --> 0:27:46.439
<v Speaker 3>very like slick, very witty of fifty to do it

0:27:46.480 --> 0:27:48.239
<v Speaker 3>that way, because it's like if you jump out there

0:27:48.280 --> 0:27:51.960
<v Speaker 3>and jump at that bar, you just you just itching

0:27:52.080 --> 0:27:54.600
<v Speaker 3>for for a moment. Like now it's looking like, I FM,

0:27:54.600 --> 0:27:56.840
<v Speaker 3>you just thirsty for a moment now, because that that

0:27:56.840 --> 0:27:59.760
<v Speaker 3>could be for anybody. I get the optics of it,

0:27:59.840 --> 0:28:02.960
<v Speaker 3>but that could be right now. But come on, I'm

0:28:02.960 --> 0:28:04.320
<v Speaker 3>just saying it could be though it's not.

0:28:04.359 --> 0:28:06.840
<v Speaker 1>He didn't. I'm just saying, we don't know. If I'm

0:28:06.920 --> 0:28:08.000
<v Speaker 1>t I wouldn't jump in that.

0:28:08.080 --> 0:28:09.879
<v Speaker 2>No, I'm with you on the point of its kind

0:28:09.920 --> 0:28:12.120
<v Speaker 2>of if you apply to it that it's like, okay, so.

0:28:12.800 --> 0:28:15.760
<v Speaker 4>Yeah, there's no point, there's no point in replying. But

0:28:15.840 --> 0:28:18.240
<v Speaker 4>we all know who he's talking. That isn't like some

0:28:18.320 --> 0:28:22.080
<v Speaker 4>hidden rumors that people don't know. That's a well known document,

0:28:22.200 --> 0:28:23.880
<v Speaker 4>legally documented.

0:28:23.320 --> 0:28:23.879
<v Speaker 5>Thing like that.

0:28:24.080 --> 0:28:26.480
<v Speaker 3>Just saying he can't jump out the in respond to

0:28:27.160 --> 0:28:29.920
<v Speaker 3>said he was chilling. I don't double everything, all right, Well, and.

0:28:29.800 --> 0:28:31.879
<v Speaker 5>The bar wasn't to t The bar was to the money.

0:28:31.920 --> 0:28:32.560
<v Speaker 5>It was a distance.

0:28:32.640 --> 0:28:34.760
<v Speaker 4>But it's about his da. It's about his dad. But

0:28:34.800 --> 0:28:37.000
<v Speaker 4>it's it wasn't he wasn't addressing.

0:28:37.600 --> 0:28:40.080
<v Speaker 2>But yeah, I get it, But no, I think they

0:28:40.120 --> 0:28:43.400
<v Speaker 2>were the winners out of this entire thing of who

0:28:43.480 --> 0:28:44.880
<v Speaker 2>got the most notoriety.

0:28:45.440 --> 0:28:46.680
<v Speaker 1>I'm with you there, but.

0:28:46.720 --> 0:28:50.280
<v Speaker 2>I mean now followed with some music and King can

0:28:50.280 --> 0:28:52.200
<v Speaker 2>follow for some i G videos like.

0:28:54.120 --> 0:28:56.239
<v Speaker 4>Yeah, the money, we want to we want to hear

0:28:56.280 --> 0:28:57.720
<v Speaker 4>from you. I can't speak for the rest of these

0:28:57.720 --> 0:28:59.800
<v Speaker 4>hating ass niggas, but we want to hear.

0:28:59.840 --> 0:29:00.720
<v Speaker 5>We want to hear more from you.

0:29:00.800 --> 0:29:02.040
<v Speaker 1>Who's these hating nigs?

0:29:02.560 --> 0:29:04.280
<v Speaker 5>If you not to hate as nigga, don't jump out

0:29:04.280 --> 0:29:04.640
<v Speaker 5>at that bar.

0:29:04.720 --> 0:29:06.640
<v Speaker 1>I'm not jumping. I have a question. I said, who's

0:29:06.640 --> 0:29:07.600
<v Speaker 1>these hating as niggas?

0:29:08.200 --> 0:29:09.880
<v Speaker 5>Asked niggas? Anybody?

0:29:10.600 --> 0:29:12.720
<v Speaker 1>Okay? I thought you sound like he was tailor suiting.

0:29:12.920 --> 0:29:15.240
<v Speaker 5>No, no, anybody power universe.

0:29:15.440 --> 0:29:18.200
<v Speaker 3>That's what got a lot of haters out here and

0:29:18.280 --> 0:29:19.880
<v Speaker 3>a lot of fake supporters. A lot of fake supporters

0:29:19.880 --> 0:29:21.000
<v Speaker 3>want to hear you to the money.

0:29:22.280 --> 0:29:24.520
<v Speaker 2>That's the other thing everyone that was in all right,

0:29:24.560 --> 0:29:28.120
<v Speaker 2>when he dropped a single, I better see his ship.

0:29:28.160 --> 0:29:30.880
<v Speaker 1>Better go platinum. Your niggas better be streaming that ship

0:29:31.120 --> 0:29:37.920
<v Speaker 1>soon as too soon as the money dropping. Your niggas waiting. No,

0:29:38.040 --> 0:29:39.479
<v Speaker 1>we want to hear. We want to hear what Demani

0:29:39.560 --> 0:29:41.080
<v Speaker 1>is doing, all right. See, I can be honest with

0:29:41.200 --> 0:29:41.680
<v Speaker 1>with my hat.

0:29:42.400 --> 0:29:44.400
<v Speaker 2>If King drops something, yeah, I would be sitting there

0:29:44.440 --> 0:29:46.160
<v Speaker 2>waiting he because King makes me laugh.

0:29:46.240 --> 0:29:46.560
<v Speaker 1>Demani.

0:29:46.600 --> 0:29:47.960
<v Speaker 2>I think it's a good rapper. I'm not waiting to hate.

0:29:48.640 --> 0:29:51.400
<v Speaker 2>I hope it's good. King is funny to me, like

0:29:51.480 --> 0:29:53.280
<v Speaker 2>I want to see. I want to see King give us.

0:29:53.240 --> 0:29:55.040
<v Speaker 1>Some more Major.

0:29:56.680 --> 0:29:56.880
<v Speaker 5>Yeah.

0:29:57.280 --> 0:30:00.920
<v Speaker 4>Major is a Major makes like so old school like

0:30:01.000 --> 0:30:04.640
<v Speaker 4>soul country music. No, that's no, Sorry, wrong brother. They

0:30:04.680 --> 0:30:07.400
<v Speaker 4>have an older brother that makes Buddy Red. Buddy Red

0:30:07.520 --> 0:30:10.920
<v Speaker 4>makes like soul. That's the sole last name is Major?

0:30:11.080 --> 0:30:12.240
<v Speaker 1>Is Major making music to us?

0:30:12.320 --> 0:30:13.760
<v Speaker 5>No, I don't think Major makes music.

0:30:15.360 --> 0:30:18.120
<v Speaker 3>He in real estate with something something like that. Hopefully

0:30:18.200 --> 0:30:19.800
<v Speaker 3>you know he's good, and shout out to the entire

0:30:19.800 --> 0:30:21.720
<v Speaker 3>Harris family. Hopefully all of them will do well as well.

0:30:22.840 --> 0:30:24.920
<v Speaker 1>Yet Maul.

0:30:24.960 --> 0:30:27.760
<v Speaker 2>Boost Mobile is proving that you don't have to overpay

0:30:27.840 --> 0:30:29.360
<v Speaker 2>for great wireless. I don't know why you do that

0:30:29.440 --> 0:30:31.760
<v Speaker 2>to yourself. I do do that as a friend. I'm

0:30:31.760 --> 0:30:33.480
<v Speaker 2>sitting here. This is an intervention to tell you don't

0:30:33.480 --> 0:30:34.200
<v Speaker 2>need to do that anymore.

0:30:34.280 --> 0:30:34.560
<v Speaker 1>Help me.

0:30:34.800 --> 0:30:38.080
<v Speaker 2>You can unlock savings with boost Mobile right now twenty

0:30:38.120 --> 0:30:40.680
<v Speaker 2>five dollars a month for the unlimited plan. It's a

0:30:40.720 --> 0:30:43.880
<v Speaker 2>permanent price with no contracts, no price hikes. You keep

0:30:44.160 --> 0:30:46.800
<v Speaker 2>your phone and your number, but you save up to

0:30:46.960 --> 0:30:50.760
<v Speaker 2>six hundred dollars a year compared to any other major carrier.

0:30:51.280 --> 0:30:53.680
<v Speaker 3>Stop overpaying and switch to a fair price at boostmobile

0:30:53.680 --> 0:30:55.880
<v Speaker 3>dot com today Based on the average annual single line

0:30:55.920 --> 0:30:58.160
<v Speaker 3>payment of AT and T, Verizon and T Mobile customers

0:30:58.200 --> 0:31:00.560
<v Speaker 3>compared to twelve months of the boot Mobile Limited plan

0:31:00.640 --> 0:31:03.280
<v Speaker 3>as of January twenty twenty sixth. For full off of details,

0:31:03.360 --> 0:31:04.479
<v Speaker 3>visit boostmobile dot com.

0:31:11.720 --> 0:31:15.680
<v Speaker 2>Continuing on to more family beef, we got a almost

0:31:15.760 --> 0:31:19.600
<v Speaker 2>seven minute record from Sahai The Good Music Breakup, where

0:31:19.600 --> 0:31:24.200
<v Speaker 2>he broke down the entire lineage history, every single member

0:31:24.440 --> 0:31:25.600
<v Speaker 2>and his relationship with them.

0:31:26.040 --> 0:31:28.520
<v Speaker 1>Elite bars the last m.

0:31:28.640 --> 0:31:32.320
<v Speaker 2>Seeing the last three records least penmanship put out is

0:31:32.480 --> 0:31:35.200
<v Speaker 2>the greatest example of elite rapping that I've seen in

0:31:35.280 --> 0:31:37.880
<v Speaker 2>quite sometime. It's a different level of you don't even

0:31:37.920 --> 0:31:39.320
<v Speaker 2>realize how good he's rapping on us.

0:31:39.680 --> 0:31:43.520
<v Speaker 3>It's different, man. There's difference levels to m seeing. It's

0:31:43.600 --> 0:31:46.440
<v Speaker 3>levels to right and it's levels to rapping. Saha is

0:31:46.480 --> 0:31:48.320
<v Speaker 3>right there. I just hate that's my nigga. I just

0:31:48.360 --> 0:31:51.200
<v Speaker 3>hate he don't put out enough material to be in

0:31:51.320 --> 0:31:53.680
<v Speaker 3>the rest of these conversations because a lot of these

0:31:53.760 --> 0:31:57.520
<v Speaker 3>niggas that y'all be seeing is dope and nice. These

0:31:57.600 --> 0:32:00.480
<v Speaker 3>niggas is not that they just got material and you

0:32:00.720 --> 0:32:04.080
<v Speaker 3>understand it that they putting out work. But shah is

0:32:04.160 --> 0:32:06.200
<v Speaker 3>definitely a lot better than all of these rappers that

0:32:06.320 --> 0:32:06.640
<v Speaker 3>y'all love.

0:32:07.200 --> 0:32:08.880
<v Speaker 2>I noticed your chin got a little tight when we

0:32:08.960 --> 0:32:12.480
<v Speaker 2>were complimenting the wrappability of side.

0:32:12.920 --> 0:32:16.560
<v Speaker 5>No, I didn't. I have nothing agase. He's a really

0:32:16.600 --> 0:32:18.520
<v Speaker 5>good writer. Did you the record?

0:32:19.040 --> 0:32:19.360
<v Speaker 4>Mm hm?

0:32:20.600 --> 0:32:22.160
<v Speaker 2>Not that. Yeah.

0:32:22.240 --> 0:32:26.680
<v Speaker 4>No, y'all keep trying to make me hate. Seventy degrees

0:32:26.720 --> 0:32:29.680
<v Speaker 4>we called I'm not hating outside y'all keep trying to

0:32:29.680 --> 0:32:31.200
<v Speaker 4>make me. Y'all I'm not, y'all like, I'm not a hater.

0:32:32.960 --> 0:32:35.600
<v Speaker 4>You hated, They got you big hating last year they

0:32:35.680 --> 0:32:36.880
<v Speaker 4>called for HD.

0:32:37.440 --> 0:32:39.160
<v Speaker 5>No, I was being a good producer and making y'all

0:32:39.200 --> 0:32:43.760
<v Speaker 5>show better. I wasn't hating. I wasn't hating. Let's be real,

0:32:44.000 --> 0:32:46.320
<v Speaker 5>that's really been around around here. I took the fall,

0:32:46.960 --> 0:32:48.960
<v Speaker 5>but I did what I had to do in a moment.

0:32:50.600 --> 0:32:50.840
<v Speaker 1>Better.

0:32:51.040 --> 0:32:53.360
<v Speaker 5>I'm just let's just be honest.

0:32:54.320 --> 0:32:57.520
<v Speaker 2>I'll get I'll allow some of some of that, but

0:32:57.640 --> 0:32:59.360
<v Speaker 2>let's not act like peace didn't take you out of

0:32:59.400 --> 0:33:01.360
<v Speaker 2>context to make it go viral exactly.

0:33:01.640 --> 0:33:02.280
<v Speaker 5>But I hate that.

0:33:03.560 --> 0:33:05.320
<v Speaker 1>I hate that what else? What are you supposed to do?

0:33:05.440 --> 0:33:07.400
<v Speaker 1>But I hate that it was already what could you do?

0:33:09.240 --> 0:33:12.520
<v Speaker 5>I hate that even though niggas giggled and laughed, you gotta.

0:33:12.320 --> 0:33:15.160
<v Speaker 1>Laugh that I went to defend you and then really

0:33:15.200 --> 0:33:17.080
<v Speaker 1>fell on the social niggas.

0:33:17.600 --> 0:33:20.880
<v Speaker 4>Niggas giggle and laugh even though they knew it was

0:33:20.920 --> 0:33:22.720
<v Speaker 4>out of context, you know, laugh.

0:33:22.560 --> 0:33:23.520
<v Speaker 5>At Moji's times.

0:33:23.920 --> 0:33:28.520
<v Speaker 2>But we will clearly we moved back about the laughing

0:33:29.040 --> 0:33:29.840
<v Speaker 2>no moments fout that.

0:33:30.120 --> 0:33:30.880
<v Speaker 5>We moved past that.

0:33:31.960 --> 0:33:33.800
<v Speaker 2>You was laughing like that, I was.

0:33:33.960 --> 0:33:36.320
<v Speaker 1>I'm laughing again, like we moved.

0:33:36.120 --> 0:33:39.520
<v Speaker 5>Past that as a family. But you know, I'm at

0:33:40.760 --> 0:33:41.760
<v Speaker 5>yo behind closes.

0:33:41.920 --> 0:33:43.680
<v Speaker 1>We're like the Harrison. We got to move to the

0:33:43.800 --> 0:33:48.840
<v Speaker 1>unit in the public eye. Yo, that's mad fuddy. Oh

0:33:49.000 --> 0:33:49.280
<v Speaker 1>my bad.

0:33:49.320 --> 0:33:51.240
<v Speaker 2>I'm sorry, I'm back, but no, I feel like sometimes

0:33:51.240 --> 0:33:53.400
<v Speaker 2>it's a little side. I hate the last two records

0:33:53.400 --> 0:33:54.959
<v Speaker 2>we talked about. You kind of was like, all right,

0:33:56.440 --> 0:33:58.000
<v Speaker 2>I'm sorry. Would you like me to like hit my

0:33:58.080 --> 0:33:59.520
<v Speaker 2>knees like it's good?

0:34:00.080 --> 0:34:00.320
<v Speaker 3>I'm not.

0:34:01.640 --> 0:34:03.040
<v Speaker 5>I don't. I like Hi is good.

0:34:03.040 --> 0:34:06.240
<v Speaker 2>I've never said he was past good. Where do we

0:34:06.280 --> 0:34:08.240
<v Speaker 2>want to start? We're gonna start with with me popping

0:34:08.280 --> 0:34:08.520
<v Speaker 2>it off?

0:34:10.400 --> 0:34:12.200
<v Speaker 5>Yo, Hey, Yo, that was crazy.

0:34:13.280 --> 0:34:14.520
<v Speaker 1>I popped I popped the record off.

0:34:15.440 --> 0:34:17.000
<v Speaker 5>M h it's pauseworthy.

0:34:17.080 --> 0:34:19.520
<v Speaker 2>It's definitely pauseworthy. I got I got, I got Hi

0:34:19.760 --> 0:34:21.080
<v Speaker 2>in that mode. I don't even think he was going

0:34:21.160 --> 0:34:21.960
<v Speaker 2>to do this until I asked that.

0:34:22.040 --> 0:34:26.440
<v Speaker 5>Question for sure. No, yeah, definitely.

0:34:26.920 --> 0:34:29.719
<v Speaker 2>You want to know how stupid I am. It took

0:34:29.800 --> 0:34:31.440
<v Speaker 2>me to the third listen to realize that I was

0:34:31.480 --> 0:34:34.360
<v Speaker 2>on the intro. I listened to it three times and

0:34:34.360 --> 0:34:35.400
<v Speaker 2>didn't realize that that was me.

0:34:36.320 --> 0:34:38.360
<v Speaker 1>I can see that on the on the unlocked and

0:34:38.400 --> 0:34:40.040
<v Speaker 1>listening like that to just talking.

0:34:41.160 --> 0:34:43.839
<v Speaker 2>On the on the first one. I heard me ask

0:34:43.960 --> 0:34:46.439
<v Speaker 2>that question and thought to myself, that's a good question

0:34:49.200 --> 0:34:53.040
<v Speaker 2>I would ask that, idiot, I'm not making it. I

0:34:53.160 --> 0:34:55.879
<v Speaker 2>was like, I wonder what's top five albums are good?

0:34:55.880 --> 0:34:57.480
<v Speaker 1>Because that's funny.

0:34:57.800 --> 0:35:01.040
<v Speaker 2>Yeah, that was from from our interview BT Awards, probably

0:35:02.360 --> 0:35:04.640
<v Speaker 2>when we were in Atlanta maybe two three years ago

0:35:05.520 --> 0:35:06.200
<v Speaker 2>we interviewed Hi.

0:35:07.680 --> 0:35:09.080
<v Speaker 1>No, I didn't call that one in. That was from

0:35:09.200 --> 0:35:14.520
<v Speaker 1>a New roy Mall episode. Oh yeah, yeah, yes, funny.

0:35:14.680 --> 0:35:16.600
<v Speaker 1>I remember that. Yes, yes, good conversation.

0:35:18.080 --> 0:35:20.040
<v Speaker 2>But I mean he he starts it out with before

0:35:20.080 --> 0:35:21.880
<v Speaker 2>you go down this lane, make sure your soul is trained.

0:35:22.360 --> 0:35:22.759
<v Speaker 5>Mm hmm.

0:35:24.040 --> 0:35:24.520
<v Speaker 1>It's one of the.

0:35:24.520 --> 0:35:29.200
<v Speaker 2>Hardest bars I've heard. Started the record with that was like,

0:35:30.080 --> 0:35:36.040
<v Speaker 2>I see what time' on? So Gina asked questions about

0:35:36.040 --> 0:35:38.399
<v Speaker 2>each artist, but the first verse is more so I think,

0:35:38.520 --> 0:35:41.080
<v Speaker 2>just given kind of a bad history. I never knew

0:35:41.120 --> 0:35:42.439
<v Speaker 2>that he was supposed to go to Watch the Throne.

0:35:43.320 --> 0:35:45.560
<v Speaker 2>I can understand why he was taken off of it.

0:35:46.000 --> 0:35:47.799
<v Speaker 2>He's allowed to feel a way. But I can see

0:35:47.840 --> 0:35:52.440
<v Speaker 2>them going like, listen, it's Frank and Beyonce and we

0:35:52.480 --> 0:35:54.279
<v Speaker 2>don't really want any rapt features. It's supposed to be

0:35:54.400 --> 0:35:57.800
<v Speaker 2>Jay and Kanye. I can see that one and be like,

0:35:58.040 --> 0:36:01.160
<v Speaker 2>I get it. If there's some other rap, yeah, that

0:36:01.200 --> 0:36:04.640
<v Speaker 2>makes sense, but it's b and Frank. We're just not

0:36:04.800 --> 0:36:07.080
<v Speaker 2>doing that right now. Because if that's the case, we

0:36:07.160 --> 0:36:08.520
<v Speaker 2>got to get Sean, we got to get all this.

0:36:09.400 --> 0:36:11.359
<v Speaker 2>I would like to know more about him being taken

0:36:11.400 --> 0:36:17.160
<v Speaker 2>off of Detroit too, yeah, which he does get into

0:36:18.000 --> 0:36:20.480
<v Speaker 2>his relationship with Sean. But to me that that was

0:36:20.640 --> 0:36:22.279
<v Speaker 2>that was very odd because I highly doubt it was

0:36:22.320 --> 0:36:22.839
<v Speaker 2>a bad verse.

0:36:23.440 --> 0:36:25.919
<v Speaker 1>Noah does not is not give me a bad verse,

0:36:26.840 --> 0:36:27.520
<v Speaker 1>but he was.

0:36:28.320 --> 0:36:31.880
<v Speaker 2>He was a little vague on the Sean relationship, because

0:36:31.880 --> 0:36:34.399
<v Speaker 2>even even Gina came in after and say, I didn't

0:36:34.400 --> 0:36:34.719
<v Speaker 2>think you.

0:36:34.760 --> 0:36:37.719
<v Speaker 1>And Big Sean got along very well. But I don't know.

0:36:38.080 --> 0:36:40.879
<v Speaker 2>That's a weird relationship that I would actually like to ask,

0:36:41.080 --> 0:36:43.160
<v Speaker 2>that's the only one I left this song not being

0:36:43.200 --> 0:36:45.560
<v Speaker 2>clear on of really where he was at with Sean

0:36:45.600 --> 0:36:47.680
<v Speaker 2>and that entire thing, because why the fuck would you

0:36:47.680 --> 0:36:51.319
<v Speaker 2>be left off Detroit too? Yeah, like you're just pulling

0:36:51.400 --> 0:36:55.360
<v Speaker 2>my verse off that ship. Then he gets into Travis

0:36:56.080 --> 0:36:58.480
<v Speaker 2>on the second verse, and this is where I fuck

0:36:58.520 --> 0:37:04.320
<v Speaker 2>with Sah his loyalty to shit that he even disagrees with.

0:37:05.880 --> 0:37:08.160
<v Speaker 2>I highly respect when you're with somebody, 're with somebody.

0:37:08.600 --> 0:37:11.200
<v Speaker 2>Travis did develop a habit of letting everyone diss them.

0:37:13.120 --> 0:37:16.839
<v Speaker 3>That's hard, like Barney like that, my nigga, Travis somehow

0:37:16.920 --> 0:37:19.799
<v Speaker 3>developed the habit of let niggas diss us. I've never

0:37:19.880 --> 0:37:22.640
<v Speaker 3>heard of rapper say that, Like you developed a habit

0:37:22.680 --> 0:37:23.680
<v Speaker 3>of let niggas diss us?

0:37:23.760 --> 0:37:25.440
<v Speaker 1>Like rappers don't even like that.

0:37:26.120 --> 0:37:27.800
<v Speaker 3>That's what I'm saying with Sayha, like the way he

0:37:28.719 --> 0:37:32.120
<v Speaker 3>like pins shit, like just simple shit like that is

0:37:32.160 --> 0:37:33.560
<v Speaker 3>what makes this niggas so ill.

0:37:34.360 --> 0:37:34.560
<v Speaker 1>Now.

0:37:35.360 --> 0:37:38.160
<v Speaker 2>I remember when everyone was killing Push during the Clips

0:37:38.400 --> 0:37:42.399
<v Speaker 2>run because he dissed Travis on the Clips album. Then

0:37:42.520 --> 0:37:44.799
<v Speaker 2>on interviews was talking about it and was talking about

0:37:44.800 --> 0:37:46.760
<v Speaker 2>when they were in Paris, he came to play the album,

0:37:47.040 --> 0:37:50.240
<v Speaker 2>but didn't play Drake's verse, which I thought was unfair

0:37:50.280 --> 0:37:52.360
<v Speaker 2>because we found out later that that Drake Verse was

0:37:52.480 --> 0:37:55.200
<v Speaker 2>recorded the day before Travis's album came out. There was

0:37:55.360 --> 0:37:57.520
<v Speaker 2>no verse when he played that for Pharrell in the

0:37:57.560 --> 0:38:04.439
<v Speaker 2>clips in Paris. But being somebody like Saha and Push,

0:38:05.440 --> 0:38:07.560
<v Speaker 2>I can see them feeling a way of you playing

0:38:07.640 --> 0:38:10.040
<v Speaker 2>both sides a little way, like too much. I can

0:38:10.160 --> 0:38:13.720
<v Speaker 2>understand being like this is not my beef, but you'd

0:38:13.880 --> 0:38:18.279
<v Speaker 2>be polying crazy with both sides. This added even more

0:38:18.320 --> 0:38:19.680
<v Speaker 2>to it because I thought Push was being you know,

0:38:19.880 --> 0:38:22.759
<v Speaker 2>a little a little extra on it, but I understood it.

0:38:23.200 --> 0:38:25.680
<v Speaker 2>But now that I can see sighs like you just

0:38:25.760 --> 0:38:30.560
<v Speaker 2>keep letting people diss us on records with you, Like

0:38:30.640 --> 0:38:33.320
<v Speaker 2>what the fuck are we doing at this point? Like

0:38:33.680 --> 0:38:36.520
<v Speaker 2>how your biggest record? You got Drake talking about pulling

0:38:36.600 --> 0:38:40.560
<v Speaker 2>up to our man's crib. He dropped, No, that's your

0:38:40.600 --> 0:38:43.480
<v Speaker 2>brother in law, like your kids are cousins, Like what

0:38:43.560 --> 0:38:44.920
<v Speaker 2>are we doing right now?

0:38:45.239 --> 0:38:46.920
<v Speaker 3>He dropped out the school of Donda and went left

0:38:46.960 --> 0:38:49.160
<v Speaker 3>with the grassy correct what he did in fashion, but

0:38:49.200 --> 0:38:51.920
<v Speaker 3>she just looks hell at tacky. When I helped him

0:38:51.920 --> 0:38:53.759
<v Speaker 3>with his album, went like eleven platinum but I still

0:38:53.800 --> 0:38:55.720
<v Speaker 3>didn't get my swap, and he mad that I'm even asking.

0:38:58.160 --> 0:38:59.000
<v Speaker 1>Yeah, man, I get it.

0:39:00.640 --> 0:39:03.880
<v Speaker 2>It's sickle mode, Travis's biggest word. I don't know the stats,

0:39:04.080 --> 0:39:06.840
<v Speaker 2>but I would assume definitely. I mean Travis has a

0:39:06.880 --> 0:39:12.040
<v Speaker 2>lot of there's a goosebump. I'm sure there's a lot,

0:39:12.320 --> 0:39:16.320
<v Speaker 2>But Mode is like Diamond if I did all that

0:39:16.400 --> 0:39:20.080
<v Speaker 2>writing for you because Astra Worlds. I remember when as

0:39:20.160 --> 0:39:21.600
<v Speaker 2>the World came out, you and I both could pick

0:39:21.640 --> 0:39:24.600
<v Speaker 2>the songs that we knew Sahi penns, and then we

0:39:24.680 --> 0:39:26.239
<v Speaker 2>looked at the credits and we're writing about everything, like

0:39:26.280 --> 0:39:28.279
<v Speaker 2>you could tell that Sahai was writing the ship.

0:39:29.000 --> 0:39:29.160
<v Speaker 3>Yeah.

0:39:29.160 --> 0:39:30.880
<v Speaker 2>I think it's a little weird because I've seen Travis

0:39:30.960 --> 0:39:35.160
<v Speaker 2>give versus beats swaps to a lot of artists that

0:39:35.320 --> 0:39:38.080
<v Speaker 2>have done nothing for him or aren't even at a

0:39:38.200 --> 0:39:41.000
<v Speaker 2>level that they could get a Travis verse. So to

0:39:41.120 --> 0:39:43.799
<v Speaker 2>not give Sahai one, I would I would definitely feel away.

0:39:45.440 --> 0:39:48.800
<v Speaker 2>And I'm writing a record for you. And then you

0:39:48.920 --> 0:39:54.960
<v Speaker 2>get Drake on the ship to diss us. That's fucking

0:39:55.280 --> 0:39:56.920
<v Speaker 2>like you're being playing, Like Drake is playing you right

0:39:56.960 --> 0:40:00.239
<v Speaker 2>now or he's not, And that's your man's and you're

0:40:00.520 --> 0:40:01.279
<v Speaker 2>giggling with him.

0:40:02.320 --> 0:40:04.360
<v Speaker 1>Yeah, I mean that's in that type of scenario.

0:40:04.400 --> 0:40:06.719
<v Speaker 3>In that situation, they can get a little like a

0:40:06.760 --> 0:40:09.440
<v Speaker 3>little sticky because it's like, obviously he's just just the

0:40:09.520 --> 0:40:13.920
<v Speaker 3>home team, and you know, Drake and Yay have a

0:40:14.040 --> 0:40:16.880
<v Speaker 3>little back and forth. So if he's throwing shots at

0:40:16.960 --> 0:40:22.520
<v Speaker 3>Yay on your song, it does look crazy. But what

0:40:22.600 --> 0:40:24.480
<v Speaker 3>you're gonna say, like, nah, Drake, don't say that.

0:40:24.640 --> 0:40:24.759
<v Speaker 1>Well.

0:40:24.800 --> 0:40:26.799
<v Speaker 2>I mean that's why I think syd kill it. If

0:40:26.840 --> 0:40:28.920
<v Speaker 2>I got a verse from Drake shit, I'd be hella happy.

0:40:29.480 --> 0:40:31.120
<v Speaker 2>But I can't let him just bro on the ship.

0:40:31.880 --> 0:40:32.799
<v Speaker 2>It would probably never happen.

0:40:33.000 --> 0:40:37.160
<v Speaker 4>Travis Mighty say, that's sighs. Loyalty is what has been

0:40:37.280 --> 0:40:40.320
<v Speaker 4>keeping his career down, which.

0:40:39.800 --> 0:40:42.279
<v Speaker 2>Which he gets to with when he gets to the

0:40:42.800 --> 0:40:45.239
<v Speaker 2>Push verse of just how they grew up and that's

0:40:45.320 --> 0:40:47.520
<v Speaker 2>the only ship. When we sat with pusha t we

0:40:47.719 --> 0:40:49.320
<v Speaker 2>questioned some of that and he said, I don't this

0:40:49.400 --> 0:40:51.359
<v Speaker 2>is how I was raised. My loyalty just doesn't move

0:40:51.560 --> 0:40:56.640
<v Speaker 2>the way maybe some of y'all's does. But again, I understand, Travis,

0:40:57.560 --> 0:41:02.480
<v Speaker 2>it's not my beef, but not like we're spending Thanksgiving

0:41:02.480 --> 0:41:05.719
<v Speaker 2>together like our kids are cousins. This isn't just like

0:41:06.280 --> 0:41:08.080
<v Speaker 2>like Yo, we see each other at the club like that.

0:41:08.200 --> 0:41:11.120
<v Speaker 2>That's a different level of family in my opinion. But

0:41:12.080 --> 0:41:15.200
<v Speaker 2>I know Travis doesn't really speak, but he's been accused

0:41:15.280 --> 0:41:18.279
<v Speaker 2>of this by so many people within that circle. I

0:41:18.320 --> 0:41:20.920
<v Speaker 2>would like to hear his side of it. Not that

0:41:21.000 --> 0:41:25.279
<v Speaker 2>we're old that, but yeah, yeah, why does everyone in

0:41:25.440 --> 0:41:28.080
<v Speaker 2>that crew feel like you have been playing not even

0:41:28.120 --> 0:41:30.640
<v Speaker 2>both sides, just that side, and you were supposed to

0:41:30.680 --> 0:41:33.360
<v Speaker 2>be with us and we've all helped your shit to

0:41:33.480 --> 0:41:36.920
<v Speaker 2>the best of our ability, That's.

0:41:36.760 --> 0:41:40.800
<v Speaker 1>All has Travis. Has he ever spoke about this?

0:41:42.400 --> 0:41:44.920
<v Speaker 3>No, not really, like just like in general, just like

0:41:45.840 --> 0:41:49.480
<v Speaker 3>you know, doing songs with Drake when obviously Drake and Yay.

0:41:50.520 --> 0:41:51.920
<v Speaker 5>I don't think he's ever spoken on it.

0:41:53.680 --> 0:41:56.320
<v Speaker 2>I mean, I think I think Travis is kind of

0:41:56.360 --> 0:41:59.520
<v Speaker 2>even though he is associated with good music and that,

0:41:59.840 --> 0:42:02.560
<v Speaker 2>I mean, he does have his own crew. I don't

0:42:02.560 --> 0:42:04.200
<v Speaker 2>know if he sits and hangs out with good music

0:42:04.320 --> 0:42:06.880
<v Speaker 2>like that. I think Kanye, I think Kanye was an

0:42:06.920 --> 0:42:09.680
<v Speaker 2>idol of his and he definitely wanted to work with him.

0:42:09.719 --> 0:42:11.040
<v Speaker 2>But I mean, you know, he has his circle of

0:42:11.040 --> 0:42:12.480
<v Speaker 2>the kids he grew up with, Chase and everybody like,

0:42:12.520 --> 0:42:15.040
<v Speaker 2>he has his crew, So I don't. Maybe he's viewing

0:42:15.080 --> 0:42:19.400
<v Speaker 2>it like we're like music. So maybe I just think

0:42:19.440 --> 0:42:21.120
<v Speaker 2>it's a little different when our kids are cousins. But

0:42:22.040 --> 0:42:24.680
<v Speaker 2>maybe he's viewing it that way. Yeah, Like, Okay, so

0:42:26.000 --> 0:42:28.120
<v Speaker 2>I paid you, you got your pub like, I don't

0:42:28.120 --> 0:42:30.600
<v Speaker 2>know if I owe you. Well, actually no, so I

0:42:30.640 --> 0:42:31.120
<v Speaker 2>said he didn't.

0:42:31.160 --> 0:42:32.400
<v Speaker 1>It was a swap. It was a swap. Yeah, he

0:42:32.400 --> 0:42:33.239
<v Speaker 1>didn't even get any money.

0:42:33.760 --> 0:42:33.920
<v Speaker 3>Yeah.

0:42:33.920 --> 0:42:35.239
<v Speaker 2>If I didn't get paid for Cicle Mode and you're

0:42:35.239 --> 0:42:36.600
<v Speaker 2>not giving me a swap, I'm in a field way,

0:42:37.320 --> 0:42:40.279
<v Speaker 2>I know, I'm losing my mind like Phil, Like, of

0:42:40.360 --> 0:42:41.839
<v Speaker 2>course he got pub on but if you didn't even

0:42:42.080 --> 0:42:44.440
<v Speaker 2>give me an upfront fee and we yeah, no, no, no,

0:42:44.840 --> 0:42:46.839
<v Speaker 2>I can't write Sickle Moe for you and you don't

0:42:46.880 --> 0:42:47.480
<v Speaker 2>give me a swap.

0:42:47.960 --> 0:42:50.240
<v Speaker 4>I'm not writing Sicle Mode and trying to get no swap.

0:42:50.280 --> 0:42:51.600
<v Speaker 4>I want the money from that shit.

0:42:51.640 --> 0:42:53.879
<v Speaker 2>I don't know how he got he got pub yeah,

0:42:54.239 --> 0:42:55.800
<v Speaker 2>no matter like legally he has to get pub no

0:42:55.840 --> 0:42:57.400
<v Speaker 2>matter what. He didn't like ghost write it, he wrote it.

0:42:58.040 --> 0:43:01.759
<v Speaker 2>But shit, and you not even give me some of

0:43:01.840 --> 0:43:02.440
<v Speaker 2>the master on it.

0:43:02.800 --> 0:43:05.200
<v Speaker 1>Yeah, I ain't.

0:43:06.920 --> 0:43:08.560
<v Speaker 3>Yeah, we might have a little issue though, I ain't

0:43:08.560 --> 0:43:10.160
<v Speaker 3>gonna lie a big issue, fuck a little one.

0:43:10.280 --> 0:43:12.800
<v Speaker 1>Yeah, I need my I need my verse homie.

0:43:13.440 --> 0:43:15.480
<v Speaker 2>And that's that's where this ship is is kind of

0:43:15.520 --> 0:43:19.480
<v Speaker 2>fucked up because you're probably in creative mode, like, yeah,

0:43:19.520 --> 0:43:22.640
<v Speaker 2>I just gave him. I shouldn't even have to ask you,

0:43:22.760 --> 0:43:24.319
<v Speaker 2>just thinking like, no matter what, when I need something

0:43:24.360 --> 0:43:25.719
<v Speaker 2>travels to be right.

0:43:25.640 --> 0:43:29.000
<v Speaker 3>There, you would think so I know, and you would

0:43:29.040 --> 0:43:31.879
<v Speaker 3>think so yeah, But unfortunately we notice not how this game,

0:43:32.080 --> 0:43:34.120
<v Speaker 3>how this game goes in the industry, don't work like

0:43:34.160 --> 0:43:36.160
<v Speaker 3>that all the time. No matter what your relationship is

0:43:36.280 --> 0:43:38.800
<v Speaker 3>with people, you know, it's it's not gonna be the

0:43:38.880 --> 0:43:43.520
<v Speaker 3>way you anticipated going. It's always gonna be some funck

0:43:43.560 --> 0:43:46.280
<v Speaker 3>ship going on. Yeah, It's just that's just the music industry.

0:43:46.760 --> 0:43:49.279
<v Speaker 2>How did you feel about the Cuddy verse verse three?

0:43:50.400 --> 0:43:54.320
<v Speaker 2>Gina asked, And what about the man on the moon side,

0:43:54.400 --> 0:43:57.080
<v Speaker 2>not really speaking to his relationship with with Cuddy, but

0:43:57.160 --> 0:43:59.560
<v Speaker 2>more so Kanye and Kid Cuddy. If you guys do

0:43:59.680 --> 0:44:03.560
<v Speaker 2>remember when Pete Davison was dating Kim Kardashian. Pete and

0:44:03.600 --> 0:44:06.359
<v Speaker 2>Cuddy are close and it appeared like Cuddy had taken

0:44:06.760 --> 0:44:11.000
<v Speaker 2>Pete's side in that entire thing. And so I said,

0:44:11.040 --> 0:44:12.440
<v Speaker 2>what if a dope fiend was around one of his

0:44:12.520 --> 0:44:15.000
<v Speaker 2>kids buddies and they Mama good hoo hooked on it.

0:44:15.880 --> 0:44:21.040
<v Speaker 2>I mean, I want to say that's not fair to say,

0:44:21.200 --> 0:44:23.920
<v Speaker 2>but Pete Davison has been very open with his drug abuse,

0:44:25.080 --> 0:44:27.640
<v Speaker 2>and I don't think. I don't know Kim Kardashian, but

0:44:27.680 --> 0:44:30.799
<v Speaker 2>I highly doubt that Kim was allowing drugs around her kids.

0:44:32.640 --> 0:44:35.879
<v Speaker 2>But I see that at that point, and I could

0:44:35.880 --> 0:44:40.640
<v Speaker 2>see Kanye even in not excusing the mental state he

0:44:40.760 --> 0:44:43.000
<v Speaker 2>was in at the time, and I think he was

0:44:43.080 --> 0:44:46.160
<v Speaker 2>just mad that Pete was fucking his wife. But yeah,

0:44:46.160 --> 0:44:49.960
<v Speaker 2>I'd feel a way if someone openly is talking about

0:44:50.000 --> 0:44:52.279
<v Speaker 2>their their drug use and is around my kids and

0:44:52.400 --> 0:44:54.719
<v Speaker 2>you're getting my kids tattooed on you after a week,

0:44:55.480 --> 0:44:56.719
<v Speaker 2>who's the mentally ill one here?

0:44:57.239 --> 0:44:57.399
<v Speaker 1>Right?

0:44:58.400 --> 0:45:01.840
<v Speaker 2>Granted, I think a objectively Kanye was also filled with

0:45:01.960 --> 0:45:03.680
<v Speaker 2>jealous rage, which a lot of men would be, and

0:45:03.719 --> 0:45:05.400
<v Speaker 2>he wouldn't handle that well. And I don't know if

0:45:05.440 --> 0:45:08.040
<v Speaker 2>it's great to have somebody that is in a mentally

0:45:08.040 --> 0:45:10.319
<v Speaker 2>ill state around their own children at certain times. I'm

0:45:10.320 --> 0:45:12.360
<v Speaker 2>not saying Kanye was a sainting that, but no, I

0:45:12.400 --> 0:45:15.040
<v Speaker 2>would feel a fucking way that my man cutties my

0:45:15.120 --> 0:45:18.200
<v Speaker 2>man's and you hanging with somebody's getting my kids tattooed

0:45:18.239 --> 0:45:20.080
<v Speaker 2>on their skin after a week of meeting them.

0:45:21.520 --> 0:45:26.680
<v Speaker 1>It's a little weird, A little it's weird. I guess

0:45:26.760 --> 0:45:30.319
<v Speaker 1>I view that drastically different. I like that that say.

0:45:30.400 --> 0:45:34.040
<v Speaker 2>I kept that very brief throughout the entire thing, because, yeah,

0:45:34.440 --> 0:45:35.600
<v Speaker 2>how would you feel.

0:45:36.320 --> 0:45:39.000
<v Speaker 5>Going into the Push averse? How did you feel about that?

0:45:40.760 --> 0:45:42.880
<v Speaker 1>It was kind of what I expected, I suppose.

0:45:43.960 --> 0:45:47.680
<v Speaker 2>I mean again, us sitting with Pushing and questioning him

0:45:47.680 --> 0:45:50.120
<v Speaker 2>about good music stuff, and him talking about his pedigree

0:45:50.120 --> 0:45:52.360
<v Speaker 2>and how he was raised, how he moves within that

0:45:53.000 --> 0:45:55.680
<v Speaker 2>he he doesn't expect everyone to move the same way

0:45:55.719 --> 0:45:58.880
<v Speaker 2>he does based off the morals that were giving to

0:45:58.960 --> 0:46:01.360
<v Speaker 2>him in the situations that he was in. It didn't

0:46:01.360 --> 0:46:04.839
<v Speaker 2>shock me that that Saha and Push got together after

0:46:04.920 --> 0:46:07.479
<v Speaker 2>the first three verses are nothing but artistry mess.

0:46:07.920 --> 0:46:09.879
<v Speaker 1>We get to Push. He's like, that's my man, Yes,

0:46:11.360 --> 0:46:11.960
<v Speaker 1>But that's.

0:46:13.640 --> 0:46:16.600
<v Speaker 4>I feel like when it comes to artists and them

0:46:16.680 --> 0:46:19.800
<v Speaker 4>being weird and creative, people be weird sometimes, and especially

0:46:19.800 --> 0:46:23.320
<v Speaker 4>if they weren't raised in street ronment environments. Their loyalty

0:46:23.400 --> 0:46:25.280
<v Speaker 4>and their outlooks on LIKEE do be weird and different.

0:46:25.480 --> 0:46:27.799
<v Speaker 4>That's why the entertainment industry is so fucking weird because

0:46:27.800 --> 0:46:31.080
<v Speaker 4>it's full of people who were never raised in certain

0:46:31.120 --> 0:46:33.239
<v Speaker 4>ways that people like me and you are maw or

0:46:33.320 --> 0:46:35.560
<v Speaker 4>Push your Tea and were raised.

0:46:36.160 --> 0:46:38.399
<v Speaker 3>When they spoke about that, they said, our loyalty came from,

0:46:38.800 --> 0:46:40.880
<v Speaker 3>you know, just being in the streets, Like that's what

0:46:40.960 --> 0:46:43.360
<v Speaker 3>they learned about loyalty. So, I mean they share that,

0:46:43.440 --> 0:46:46.239
<v Speaker 3>they share a lot of the same you know, outlooks

0:46:46.280 --> 0:46:49.239
<v Speaker 3>and views on certain things and certain things as men.

0:46:49.320 --> 0:46:52.880
<v Speaker 1>We just don't you know, sway on and you know,

0:46:52.960 --> 0:46:56.280
<v Speaker 1>it's just loyalty. It's just honor, it's respect, its integrity,

0:46:56.800 --> 0:46:59.239
<v Speaker 1>morals and things like that. So, I mean, I wasn't

0:46:59.280 --> 0:47:02.320
<v Speaker 1>expecting him to rap about Push and be saying anything

0:47:02.400 --> 0:47:04.400
<v Speaker 1>other than not, we still we still with each other.

0:47:04.440 --> 0:47:06.560
<v Speaker 1>We're still cool. I did laugh though at.

0:47:08.200 --> 0:47:11.200
<v Speaker 2>Saha having like a fisherman sees another fisherman moment on

0:47:11.360 --> 0:47:14.000
<v Speaker 2>tour when he realized Push Your Tea was bending his

0:47:14.920 --> 0:47:17.120
<v Speaker 2>his hangers like he was cooking up coke.

0:47:18.560 --> 0:47:20.400
<v Speaker 1>That just being in the green room and like okay,

0:47:22.239 --> 0:47:22.960
<v Speaker 1>all right, yeah.

0:47:26.320 --> 0:47:29.000
<v Speaker 5>Yeah, but I'm happy to know that they do still

0:47:29.080 --> 0:47:31.120
<v Speaker 5>have like a strong relationship.

0:47:31.200 --> 0:47:32.560
<v Speaker 1>Yeah, and again that was surprising me.

0:47:32.640 --> 0:47:35.840
<v Speaker 2>I would never think that Push ever charged for his

0:47:36.000 --> 0:47:37.799
<v Speaker 2>verse on No Dope point, Like I would never even

0:47:37.800 --> 0:47:39.959
<v Speaker 2>think Push would would do that with the home team,

0:47:40.239 --> 0:47:42.320
<v Speaker 2>Like yeah, all that, it's just funny. It was like

0:47:42.360 --> 0:47:44.040
<v Speaker 2>a breath of fresh air halfway through the thing, like

0:47:44.160 --> 0:47:48.440
<v Speaker 2>oh this is supposed to go, y'all good, cool somebody,

0:47:48.480 --> 0:47:50.480
<v Speaker 2>because because when Gina said, I know you can't put

0:47:50.480 --> 0:47:52.120
<v Speaker 2>your tea of a good relationship right, I was like.

0:47:52.160 --> 0:47:57.520
<v Speaker 1>Oh god, no, we're about to hear Listen, Saha, this

0:47:57.640 --> 0:47:58.560
<v Speaker 1>is this is fire.

0:47:59.400 --> 0:48:01.359
<v Speaker 3>I like the visual for like you know what I mean,

0:48:01.480 --> 0:48:04.120
<v Speaker 3>like breaking that, like every bar, giving the visual of

0:48:04.239 --> 0:48:06.399
<v Speaker 3>the bar, you know, going whether it's a loaf of bread,

0:48:06.520 --> 0:48:07.040
<v Speaker 3>whatever it is.

0:48:07.440 --> 0:48:10.160
<v Speaker 1>I love that all of that is fired. Sahai, you

0:48:10.280 --> 0:48:11.279
<v Speaker 1>my nigga. You know I love you.

0:48:11.400 --> 0:48:15.160
<v Speaker 3>If we don't get a fucking album, like come on, man,

0:48:15.200 --> 0:48:17.400
<v Speaker 3>we need to, I'm telling you this is just a

0:48:17.520 --> 0:48:21.200
<v Speaker 3>glimpse of what Sahai does. This is this is easy

0:48:21.239 --> 0:48:24.480
<v Speaker 3>for sah This is nothing. This is like Saha is

0:48:24.520 --> 0:48:27.840
<v Speaker 3>really one of the greatest pins and greatest rappers. That

0:48:27.920 --> 0:48:30.080
<v Speaker 3>we have, Like, I'm just mad he don't have the

0:48:30.200 --> 0:48:34.480
<v Speaker 3>material to back that No Dope on Sundays to me.

0:48:34.880 --> 0:48:37.880
<v Speaker 3>To me, I'm not speaking for you. To me classic I.

0:48:37.920 --> 0:48:40.080
<v Speaker 1>Said, just the last episode of it's a personal classic.

0:48:40.120 --> 0:48:43.279
<v Speaker 1>To me, if he had if he had two more

0:48:43.360 --> 0:48:45.640
<v Speaker 1>albums out that, let's not even say they was better

0:48:45.680 --> 0:48:47.440
<v Speaker 1>than No Dope on Sundays. Let's say they was just

0:48:48.280 --> 0:48:51.040
<v Speaker 1>either on par or a little less than No Dope

0:48:51.080 --> 0:48:54.440
<v Speaker 1>on some he would be in the same conversations with

0:48:54.600 --> 0:48:56.680
<v Speaker 1>a lot of these other rappers and mcs as being

0:48:57.000 --> 0:48:57.799
<v Speaker 1>the best out right now.

0:48:57.880 --> 0:48:59.879
<v Speaker 2>But in listening to this whole record, do you kind

0:48:59.880 --> 0:49:02.200
<v Speaker 2>of see why he hasn't had the output that he's

0:49:02.239 --> 0:49:04.760
<v Speaker 2>put on. Sometimes I felt like maybe it's something Shi

0:49:04.880 --> 0:49:07.400
<v Speaker 2>didn't want and he preferred because we mess out. He

0:49:07.440 --> 0:49:10.000
<v Speaker 2>definitely has a I want to be behind like he

0:49:10.080 --> 0:49:12.040
<v Speaker 2>doesn't want to be in the line.

0:49:12.200 --> 0:49:13.759
<v Speaker 1>I want to deal with the mess. Yeah, like he

0:49:13.960 --> 0:49:19.839
<v Speaker 1>he he wants to do his Own't.

0:49:17.480 --> 0:49:18.520
<v Speaker 4>Say you don't want to deal with the mess of

0:49:18.520 --> 0:49:20.200
<v Speaker 4>the music business and then you dress you dropped.

0:49:20.280 --> 0:49:20.799
<v Speaker 1>I know what I'm saying.

0:49:20.800 --> 0:49:23.520
<v Speaker 2>More of the mess of fame and being out there constantly,

0:49:23.560 --> 0:49:25.839
<v Speaker 2>being on the road, like I think sometimes he likes

0:49:25.920 --> 0:49:28.160
<v Speaker 2>to just lay low make his money. But you can

0:49:28.320 --> 0:49:31.160
<v Speaker 2>see now all the insane shit that was happening behind

0:49:31.200 --> 0:49:32.160
<v Speaker 2>the scenes that we could all assume.

0:49:32.200 --> 0:49:32.680
<v Speaker 1>We just didn't know.

0:49:33.080 --> 0:49:35.560
<v Speaker 2>No one ever thought that Good Music was some well

0:49:35.600 --> 0:49:38.920
<v Speaker 2>oiled working machine. We always knew there was some bullshit there,

0:49:39.239 --> 0:49:43.480
<v Speaker 2>but I never knew exactly why Sahai was not having

0:49:43.560 --> 0:49:46.080
<v Speaker 2>the output that I felt that he should. Yeah, and

0:49:46.719 --> 0:49:49.960
<v Speaker 2>I mean it also goes back to being signed to

0:49:50.600 --> 0:49:53.759
<v Speaker 2>somebody that's in the peak of their career, like you,

0:49:53.920 --> 0:49:55.840
<v Speaker 2>going through the gifts and the curve, all the albums

0:49:55.840 --> 0:49:58.160
<v Speaker 2>and artists that he's talking about. Look at this timeline

0:49:59.680 --> 0:50:02.759
<v Speaker 2>watch thrown my people. Dards was a fantasy astro world like,

0:50:02.840 --> 0:50:05.560
<v Speaker 2>look at the projects that he's working on at this time.

0:50:06.480 --> 0:50:09.520
<v Speaker 2>And I don't think Good Music had the biggest of staffs,

0:50:10.320 --> 0:50:12.000
<v Speaker 2>and def Jam got cut in half at that time.

0:50:12.040 --> 0:50:15.000
<v Speaker 2>I'm like, nah, I don't. I don't know if if

0:50:15.440 --> 0:50:20.160
<v Speaker 2>anyone was putting Sihi as a priority outside of helping

0:50:20.239 --> 0:50:21.280
<v Speaker 2>them with their shit.

0:50:22.000 --> 0:50:26.719
<v Speaker 4>Which goes back to my conversation about how I might

0:50:26.960 --> 0:50:29.560
<v Speaker 4>understand Travis's disloyalty.

0:50:29.760 --> 0:50:33.000
<v Speaker 2>He had I believe a pub deal with with good music,

0:50:33.239 --> 0:50:37.200
<v Speaker 2>which again he was helping Kanye, helping people out, but

0:50:37.280 --> 0:50:39.680
<v Speaker 2>he put everything out through Sony like he was never

0:50:40.400 --> 0:50:44.040
<v Speaker 2>He was never common Big Sean, Saiahi Tiana like that.

0:50:44.239 --> 0:50:46.080
<v Speaker 1>That was never a thing.

0:50:46.840 --> 0:50:49.880
<v Speaker 2>So my on the loyalty side, to your point, I

0:50:49.960 --> 0:50:52.640
<v Speaker 2>think it's more loyalty on friendship than it is loyalty

0:50:52.800 --> 0:50:53.319
<v Speaker 2>because I'm.

0:50:53.280 --> 0:50:58.560
<v Speaker 1>Signed to good music, like I've helped you on this.

0:50:59.080 --> 0:51:00.360
<v Speaker 1>That's if your kids like.

0:51:00.560 --> 0:51:03.160
<v Speaker 2>To me, it's more of a loyalty friendship thing rather

0:51:03.280 --> 0:51:04.960
<v Speaker 2>than anything good music related.

0:51:06.800 --> 0:51:08.440
<v Speaker 1>I thought the Virgil.

0:51:09.840 --> 0:51:12.000
<v Speaker 2>The Virgil verse was interesting, and I don't want this

0:51:12.120 --> 0:51:16.560
<v Speaker 2>to be a defend Kanye moment the way that some

0:51:16.680 --> 0:51:19.600
<v Speaker 2>of this this record came across. But one of my

0:51:19.680 --> 0:51:23.719
<v Speaker 2>favorite Drake bars in w freestyle is I'd never have

0:51:23.800 --> 0:51:26.200
<v Speaker 2>a Virgil in my circle and holding back because he

0:51:26.280 --> 0:51:29.239
<v Speaker 2>makes me nervous. While that is just a battlebar, that

0:51:29.400 --> 0:51:31.040
<v Speaker 2>is kind of how a lot of us felt when

0:51:31.160 --> 0:51:34.320
<v Speaker 2>Virgil got the LV deal and how Kanye reacted to it,

0:51:34.840 --> 0:51:36.680
<v Speaker 2>Whereas we were assuming he was about to be really

0:51:36.680 --> 0:51:39.920
<v Speaker 2>happy for his man's and it came across as some.

0:51:40.120 --> 0:51:43.040
<v Speaker 1>Jealousy shit, did it not?

0:51:43.480 --> 0:51:46.759
<v Speaker 2>Ye definitely and I think Kanye, and again not excusing him,

0:51:47.000 --> 0:51:51.680
<v Speaker 2>but Kanye has I think some difficulty ironically coming across

0:51:51.760 --> 0:51:54.719
<v Speaker 2>the way he's thinking in his brain. This did give

0:51:54.840 --> 0:51:59.080
<v Speaker 2>some insight of maybe how Kanye actually felt. He felt

0:51:59.200 --> 0:52:04.480
<v Speaker 2>like LV may have been using Virgil in that instance

0:52:04.680 --> 0:52:09.279
<v Speaker 2>when he was beefing with them, also with Nike when

0:52:09.320 --> 0:52:10.640
<v Speaker 2>off White happened. And I don't know any of this,

0:52:10.680 --> 0:52:13.400
<v Speaker 2>and I'm not gonna ever speak, especially for somebody that

0:52:13.440 --> 0:52:16.920
<v Speaker 2>has passed, rest in peace to Virgil. Maybe this was

0:52:16.960 --> 0:52:18.759
<v Speaker 2>really Kanye's point of view and it did not come

0:52:18.800 --> 0:52:23.759
<v Speaker 2>across that way. It was it'll end way differently that Nah,

0:52:23.840 --> 0:52:27.319
<v Speaker 2>they're using my friend. The anger is more towards LV

0:52:28.040 --> 0:52:30.400
<v Speaker 2>than it would be too Virgil.

0:52:30.160 --> 0:52:30.840
<v Speaker 1>In that instance.

0:52:30.920 --> 0:52:32.480
<v Speaker 2>And if I was Virgil in that time, I would

0:52:32.480 --> 0:52:34.120
<v Speaker 2>feel like, aren't you supposed to be one of my

0:52:34.200 --> 0:52:36.320
<v Speaker 2>best friends? You help me, but you're not even happy

0:52:37.239 --> 0:52:40.120
<v Speaker 2>for me? Like this is Chris I get announced as

0:52:40.160 --> 0:52:42.279
<v Speaker 2>the first black man of what was his exact title,

0:52:42.520 --> 0:52:46.839
<v Speaker 2>It was head of y Louis Vuitton Creative Right has

0:52:46.920 --> 0:52:51.000
<v Speaker 2>no Yeah. I always thought Kanye looked insane for that,

0:52:51.320 --> 0:52:53.880
<v Speaker 2>but maybe this is really how he felt that they

0:52:53.920 --> 0:52:57.320
<v Speaker 2>were using Virgil while he was beefing with them and

0:52:57.480 --> 0:52:59.960
<v Speaker 2>just placed him there instead. And the same with Nike.

0:53:00.080 --> 0:53:01.440
<v Speaker 2>We've heard his his his back and forth of that.

0:53:01.480 --> 0:53:03.000
<v Speaker 2>I'm not saying, Kanye, this is right, It's just a

0:53:03.040 --> 0:53:03.720
<v Speaker 2>different perspective.

0:53:03.920 --> 0:53:07.399
<v Speaker 1>This is how I say. That is how that said.

0:53:07.480 --> 0:53:10.680
<v Speaker 3>Uh, Kanye tell you that you hate your sofa and

0:53:10.760 --> 0:53:13.480
<v Speaker 3>then help you like decorate, decorate your house, decorate your

0:53:15.560 --> 0:53:16.600
<v Speaker 3>That's funny though, but.

0:53:17.000 --> 0:53:20.000
<v Speaker 2>And this is why I'm getting some push back to Sahai,

0:53:20.920 --> 0:53:23.400
<v Speaker 2>I do hate the Kanye says things that none of

0:53:23.480 --> 0:53:24.719
<v Speaker 2>y'all won't like.

0:53:25.040 --> 0:53:26.919
<v Speaker 1>He says the things you're thinking. No, that's not true.

0:53:28.320 --> 0:53:30.279
<v Speaker 2>Everything Kanye said I wasn't thinking in my head. And

0:53:30.360 --> 0:53:32.320
<v Speaker 2>it was like, but I'm too scared to say it.

0:53:32.400 --> 0:53:34.000
<v Speaker 3>But see that goes back to what we was told

0:53:34.040 --> 0:53:36.480
<v Speaker 3>about at the top with with if you don't agree

0:53:36.520 --> 0:53:38.600
<v Speaker 3>with something to considered hate. You see what I'm saying,

0:53:38.600 --> 0:53:40.400
<v Speaker 3>It's like, is it considered hating? Like why can't I

0:53:40.520 --> 0:53:41.440
<v Speaker 3>just be like, nah, I don't.

0:53:41.360 --> 0:53:41.959
<v Speaker 1>Like your couch.

0:53:42.200 --> 0:53:46.160
<v Speaker 3>Oh, I'm gonna help you, koo, that's the couch you like.

0:53:46.400 --> 0:53:48.040
<v Speaker 3>But then you gotta put this in here, you gotta

0:53:48.280 --> 0:53:50.240
<v Speaker 3>you gotta dress up. You gotta have this type of carpet,

0:53:50.320 --> 0:53:52.400
<v Speaker 3>this type of these type of arts on your walls,

0:53:52.440 --> 0:53:54.960
<v Speaker 3>you gotta put this type of lamp and like, so

0:53:55.120 --> 0:53:58.120
<v Speaker 3>it's not it may come across like this nigga hating

0:53:58.120 --> 0:54:01.359
<v Speaker 3>on my couch. Okay, but the nigga also did help

0:54:01.440 --> 0:54:04.440
<v Speaker 3>you just deck your whole spot out. Now, the whole

0:54:04.480 --> 0:54:07.160
<v Speaker 3>shit looked different than look, yeah it's flying, it's not hey,

0:54:07.280 --> 0:54:10.200
<v Speaker 3>it's it's I want to help you. Yeah, I don't

0:54:10.320 --> 0:54:12.480
<v Speaker 3>like that as I don't like what you just did

0:54:12.560 --> 0:54:15.279
<v Speaker 3>with this couch. But all right, cool, that's what you're

0:54:15.280 --> 0:54:17.279
<v Speaker 3>going with. Let me let me help you out there.

0:54:17.320 --> 0:54:21.360
<v Speaker 2>But that sounds that sounds good. But like then you

0:54:21.480 --> 0:54:23.600
<v Speaker 2>get to genus saying, what do you say about jay Z?

0:54:23.960 --> 0:54:24.400
<v Speaker 1>I'm with you.

0:54:24.680 --> 0:54:27.320
<v Speaker 2>If Kanye's some about tastes are certain things cool, but

0:54:27.480 --> 0:54:31.560
<v Speaker 2>Kanye's also said some insane things for sure about Ja

0:54:31.600 --> 0:54:35.879
<v Speaker 2>and Beyonce's kids, so things he could never come back from. Yeah,

0:54:37.040 --> 0:54:40.680
<v Speaker 2>and this was the only verse seven. I let the

0:54:40.680 --> 0:54:43.359
<v Speaker 2>ship slide with the couch thing. And I know say

0:54:43.640 --> 0:54:47.799
<v Speaker 2>obviously sees Kanye West in a way different space than

0:54:47.880 --> 0:54:49.799
<v Speaker 2>all of us. He really knows him. We only see

0:54:49.840 --> 0:54:54.040
<v Speaker 2>what we see. I've been around people deemed lunatics. I'm like, no,

0:54:54.080 --> 0:54:54.960
<v Speaker 2>if you get to know that, I problem.

0:54:55.000 --> 0:54:56.759
<v Speaker 1>They not even like that. That's just what you see.

0:54:57.200 --> 0:54:59.160
<v Speaker 1>I can identify with that. So I'm cool. I let

0:54:59.239 --> 0:54:59.600
<v Speaker 1>this lie.

0:55:00.160 --> 0:55:02.160
<v Speaker 2>But then when Gina asked about the jay Z shit,

0:55:03.360 --> 0:55:05.320
<v Speaker 2>he said, yeah, I'm not a fan of it, but

0:55:05.360 --> 0:55:06.680
<v Speaker 2>you see the way they was. They were shitting on

0:55:06.760 --> 0:55:11.399
<v Speaker 2>him back in the day. Nah, those things don't at them. No, No, Noah,

0:55:12.080 --> 0:55:13.799
<v Speaker 2>I appreciate this. So I said, I'm not a fan

0:55:13.840 --> 0:55:15.600
<v Speaker 2>of what he did to Jay. I don't think I

0:55:15.680 --> 0:55:20.480
<v Speaker 2>ever would be calling their kids. What Kanye said is

0:55:20.960 --> 0:55:24.000
<v Speaker 2>there's no defense on that. But Noah that I didn't

0:55:24.040 --> 0:55:27.920
<v Speaker 2>watch the what was it, the not Yeesus, the thing

0:55:28.000 --> 0:55:30.719
<v Speaker 2>on Netflix that creative controlled him.

0:55:30.800 --> 0:55:32.680
<v Speaker 1>It was the genius genius.

0:55:32.920 --> 0:55:34.640
<v Speaker 2>I didn't watch that and go, you know what what

0:55:34.760 --> 0:55:38.120
<v Speaker 2>he said about jay Z's kids is okay, yeah, no, no,

0:55:38.400 --> 0:55:40.080
<v Speaker 2>because Sherry was on a call, I didn't think, like,

0:55:40.120 --> 0:55:41.320
<v Speaker 2>you know what he's allowed to say that about you.

0:55:42.120 --> 0:55:44.360
<v Speaker 5>Do you think this whole song kind of comes across

0:55:44.480 --> 0:55:47.120
<v Speaker 5>as a like Kanye like.

0:55:47.520 --> 0:55:52.839
<v Speaker 2>Defense, Uh yeah, with understanding, Like with context.

0:55:54.520 --> 0:55:55.520
<v Speaker 1>Said Kanye defense.

0:55:55.560 --> 0:55:59.080
<v Speaker 3>I think he's given context to things that happened from

0:55:59.360 --> 0:56:02.120
<v Speaker 3>a perspective that none of us have because obviously he

0:56:02.239 --> 0:56:04.520
<v Speaker 3>was there, so he knows a lot of the nuances

0:56:04.560 --> 0:56:06.839
<v Speaker 3>on certain things and why things played out the way

0:56:06.880 --> 0:56:09.799
<v Speaker 3>he did. So I mean, if it feels like it's

0:56:10.080 --> 0:56:12.640
<v Speaker 3>in defense of Kanye, I understand, but it really is

0:56:12.719 --> 0:56:15.520
<v Speaker 3>just given insight to and given information that we didn't

0:56:15.600 --> 0:56:19.759
<v Speaker 3>have on why certain things played out, why certain things

0:56:19.840 --> 0:56:23.200
<v Speaker 3>didn't play out. So yeah, I mean I wouldn't say

0:56:23.360 --> 0:56:25.600
<v Speaker 3>Kanye like, I don't think he's defending Yeah. I think

0:56:25.640 --> 0:56:29.840
<v Speaker 3>he's just given more context and information and then you

0:56:30.080 --> 0:56:31.480
<v Speaker 3>are you can do what you want with that.

0:56:32.080 --> 0:56:37.920
<v Speaker 1>Like, he's just given more detailed events that happened. And

0:56:38.000 --> 0:56:40.480
<v Speaker 1>then you know, as a fan, as a listeners, if

0:56:40.520 --> 0:56:42.960
<v Speaker 1>you come across like, oh right, I kind of understand

0:56:43.560 --> 0:56:46.719
<v Speaker 1>Kanye wasn't He wasn't wrong as I thought he was.

0:56:46.840 --> 0:56:48.560
<v Speaker 3>Like if you feel like that, cool, But I don't

0:56:48.560 --> 0:56:51.480
<v Speaker 3>think that's but Sahai is trying to I think he's

0:56:51.480 --> 0:56:53.000
<v Speaker 3>trying to defend Kanye in any way.

0:56:53.440 --> 0:56:56.760
<v Speaker 2>Yeah, I think he's really just given context to everything

0:56:56.800 --> 0:57:00.839
<v Speaker 2>that happened over the last decade. Yeah, And I mean

0:57:00.880 --> 0:57:02.640
<v Speaker 2>he said that's his man's and he's disagreed with them.

0:57:02.680 --> 0:57:04.360
<v Speaker 1>But what you're supposed to do.

0:57:04.440 --> 0:57:06.560
<v Speaker 3>You gotta have a friend of your homie and disagree

0:57:06.560 --> 0:57:08.320
<v Speaker 3>with him, Like, Yo, I wouldn't have I wouldn't have

0:57:08.360 --> 0:57:10.919
<v Speaker 3>said that, you wild and for saying that you're still

0:57:11.000 --> 0:57:13.239
<v Speaker 3>my man, But that was crazy, Like that's that's what

0:57:13.360 --> 0:57:15.600
<v Speaker 3>friendships and relationships are. It's like, Yo, I'm not gonna

0:57:15.600 --> 0:57:17.600
<v Speaker 3>agree with I don't want to agree with everything my

0:57:17.720 --> 0:57:20.000
<v Speaker 3>homie says or does. Yeah, like I want to have

0:57:20.720 --> 0:57:23.120
<v Speaker 3>some discourse and some you know, back and forth and

0:57:23.240 --> 0:57:24.920
<v Speaker 3>arguing a little bit, Like, Yo, that was whack, Like

0:57:25.160 --> 0:57:28.440
<v Speaker 3>you shouldn't have did that, Like that's what makes friendships friendships,

0:57:28.520 --> 0:57:31.240
<v Speaker 3>Like we can disagree, but we can still respect each

0:57:31.280 --> 0:57:35.760
<v Speaker 3>other's perspective and stance on certain things. And you know

0:57:35.760 --> 0:57:38.280
<v Speaker 3>what I mean, Like, I think that's what makes great friendships,

0:57:38.320 --> 0:57:40.880
<v Speaker 3>Like we can agree and disagree at the same time.

0:57:40.960 --> 0:57:43.560
<v Speaker 3>And I think that's what Saha basically was saying throughout

0:57:44.040 --> 0:57:47.400
<v Speaker 3>most of this this record, like, yeah, I didn't agree

0:57:47.400 --> 0:57:49.400
<v Speaker 3>with a lot of that shit, but you know, I

0:57:49.600 --> 0:57:52.000
<v Speaker 3>know him in a different way as well. I've seen

0:57:52.160 --> 0:57:54.920
<v Speaker 3>things that he's done that was great for people and

0:57:55.000 --> 0:57:57.440
<v Speaker 3>how he helped people at the same time, even though

0:57:57.480 --> 0:58:00.200
<v Speaker 3>he says off the wall, crazy shit that you can

0:58:00.320 --> 0:58:03.080
<v Speaker 3>never come back from, he's also done a lot of

0:58:03.200 --> 0:58:04.640
<v Speaker 3>good things for people at the same time.

0:58:04.760 --> 0:58:07.880
<v Speaker 2>So the biggest leftdout in this record was was really

0:58:07.920 --> 0:58:10.880
<v Speaker 2>the end. He did all that amazing rapping, put out

0:58:10.880 --> 0:58:13.040
<v Speaker 2>the last two joints, all for Gina to say, what

0:58:13.120 --> 0:58:16.480
<v Speaker 2>are we getting story of mister Egott, And I thought, okay,

0:58:17.000 --> 0:58:19.040
<v Speaker 2>we got to poose you here date he about to say,

0:58:19.120 --> 0:58:21.320
<v Speaker 2>March fifteenth, he said.

0:58:22.120 --> 0:58:26.680
<v Speaker 3>Soon, love he Now, we don't add these talks personally,

0:58:26.800 --> 0:58:29.480
<v Speaker 3>like I need to fuck if you ain't gonna put

0:58:29.480 --> 0:58:31.760
<v Speaker 3>it out, send it to my phone. I ain't, but

0:58:31.880 --> 0:58:33.480
<v Speaker 3>I need to hear the music man, because like this,

0:58:33.880 --> 0:58:35.960
<v Speaker 3>you can't give us no dope on Sundays and just

0:58:37.080 --> 0:58:38.200
<v Speaker 3>like all right, I'm cool.

0:58:38.040 --> 0:58:39.440
<v Speaker 1>Like I don't know when I'm gonna put out my

0:58:39.480 --> 0:58:42.120
<v Speaker 1>next year like that, that's just that's insane.

0:58:42.200 --> 0:58:45.360
<v Speaker 3>To give us the album like that rap that was rap, Yeah,

0:58:45.400 --> 0:58:47.880
<v Speaker 3>like a real rap, real high level mceing.

0:58:48.280 --> 0:58:50.960
<v Speaker 1>And then we don't get the follow up to that,

0:58:51.320 --> 0:58:54.080
<v Speaker 1>like come on, so you gotta give us the album, bro. Yeah.

0:58:54.760 --> 0:58:57.280
<v Speaker 2>I and a I'm curious who's produced, Like, who's producing

0:58:57.320 --> 0:58:57.520
<v Speaker 2>all that?

0:58:58.240 --> 0:59:00.520
<v Speaker 3>Well, I put him in touch with a certain producer

0:59:00.600 --> 0:59:03.760
<v Speaker 3>that he said he wanted to work with. And then

0:59:03.800 --> 0:59:06.800
<v Speaker 3>I saw that producer and I asked, was like, yeah,

0:59:06.880 --> 0:59:10.200
<v Speaker 3>but it ain't really I ain't spoke to him a lot.

0:59:10.200 --> 0:59:13.040
<v Speaker 1>I was like, all right, man, all right, okay.

0:59:14.000 --> 0:59:15.480
<v Speaker 2>I mean as much as I would love to see

0:59:15.920 --> 0:59:18.880
<v Speaker 2>the Kanye West producer album, I mean, I has been

0:59:19.080 --> 0:59:21.960
<v Speaker 2>running around for twenty years. I know he knows his

0:59:22.040 --> 0:59:25.480
<v Speaker 2>sound and has his relationships. So if Kanye is not

0:59:25.560 --> 0:59:27.600
<v Speaker 2>on it, it is what it is. But I still

0:59:28.880 --> 0:59:31.760
<v Speaker 2>in that seven I would have liked to see Saha

0:59:31.920 --> 0:59:34.560
<v Speaker 2>added to that when they were doing every.

0:59:34.480 --> 0:59:36.160
<v Speaker 1>Yeah, let me let me text Alchemists and see if

0:59:36.160 --> 0:59:36.520
<v Speaker 1>he hit them.

0:59:36.560 --> 0:59:39.560
<v Speaker 4>Man, not you letting us know who the producer was.

0:59:39.680 --> 0:59:40.840
<v Speaker 4>Not you dropping bombs.

0:59:40.960 --> 0:59:42.600
<v Speaker 1>But I don't think it's a bomb. I mean I

0:59:42.640 --> 0:59:45.680
<v Speaker 1>don't about working with Alchemists.

0:59:46.280 --> 0:59:47.880
<v Speaker 3>I think he's he might have said that with us

0:59:47.920 --> 0:59:49.640
<v Speaker 3>like that was like one producer that he's always been

0:59:49.640 --> 0:59:52.080
<v Speaker 3>wanting to work with, and I couldn't believe that he

0:59:52.240 --> 0:59:56.160
<v Speaker 3>never him and Alchemist never even like touched connected.

0:59:56.880 --> 0:59:59.160
<v Speaker 5>I mean touched. I meant to say touched bab I.

0:59:59.160 --> 1:00:01.760
<v Speaker 1>Hope from the record. I hope. I hope him and

1:00:01.800 --> 1:00:05.360
<v Speaker 1>Alchemists have never been touched me. I mean, don't do that.

1:00:05.840 --> 1:00:08.120
<v Speaker 1>Whatever anyone's journey is, I don't think they did. I

1:00:08.160 --> 1:00:10.320
<v Speaker 1>don't think that's I hope they got in touch, Yeah,

1:00:10.640 --> 1:00:13.800
<v Speaker 1>in touch, I don't yeah, yeah, But I'm gonna hit

1:00:13.840 --> 1:00:16.640
<v Speaker 1>that chet because I as a just a fan, I

1:00:16.680 --> 1:00:19.840
<v Speaker 1>would love to hear with him and uh with Alchemists

1:00:19.880 --> 1:00:20.720
<v Speaker 1>is how will cook up?

1:00:20.800 --> 1:00:20.960
<v Speaker 5>Too?

1:00:21.200 --> 1:00:25.680
<v Speaker 2>So stand on music that Penmmy album came out.

1:00:25.920 --> 1:00:28.760
<v Speaker 1>Oh my god, y'all know, I'm mad at Pimmy.

1:00:28.560 --> 1:00:30.840
<v Speaker 5>Man, No, why are you mad? Why are you mad?

1:00:31.240 --> 1:00:34.800
<v Speaker 3>Pimmy gave us the greatest HR nigga album like that

1:00:34.920 --> 1:00:37.280
<v Speaker 3>shit was nineteen minutes twenty minutes.

1:00:38.000 --> 1:00:40.480
<v Speaker 1>Yeah, you know what we're calling the album. I think

1:00:40.560 --> 1:00:41.080
<v Speaker 1>this was just.

1:00:42.800 --> 1:00:44.880
<v Speaker 2>A follow up because she had the interlude and had

1:00:44.880 --> 1:00:47.120
<v Speaker 2>a lot of attention. Let me give them some music,

1:00:47.200 --> 1:00:49.800
<v Speaker 2>not an EP per se. But I don't like count

1:00:49.800 --> 1:00:53.240
<v Speaker 2>this as album. It's only seventeen minutes long. To me,

1:00:53.360 --> 1:00:55.360
<v Speaker 2>this is just here's here's some music.

1:00:55.440 --> 1:00:59.120
<v Speaker 1>It's five. This is like when you argue with your

1:00:59.160 --> 1:01:01.960
<v Speaker 1>girl and you hungry and she just whip up a

1:01:02.080 --> 1:01:02.560
<v Speaker 1>quick meal.

1:01:02.600 --> 1:01:04.880
<v Speaker 3>That shit fired. But it's like, ain't no left. It

1:01:04.960 --> 1:01:08.160
<v Speaker 3>was only it was only enough for one plate. It's like, Yo,

1:01:08.200 --> 1:01:11.160
<v Speaker 3>that shit the nigga, you ain't go shopping. What you

1:01:11.320 --> 1:01:12.320
<v Speaker 3>mean I ain't go shopping?

1:01:12.760 --> 1:01:12.960
<v Speaker 1>Order?

1:01:13.040 --> 1:01:16.560
<v Speaker 4>Like I loved it because it was themed. It was steamed.

1:01:17.080 --> 1:01:19.000
<v Speaker 4>Don't come home. It's literally don't come home.

1:01:19.960 --> 1:01:23.320
<v Speaker 1>Yeah, yo, she said, stayed till I hated you. I'm

1:01:23.400 --> 1:01:29.240
<v Speaker 1>so predictable. That bar stung when I was driving on

1:01:29.280 --> 1:01:31.400
<v Speaker 1>the West side. Yo.

1:01:31.480 --> 1:01:33.880
<v Speaker 3>This ship is so yo. This this, this project is

1:01:33.960 --> 1:01:36.920
<v Speaker 3>so fired. But hemmy, we love you, but you you

1:01:37.000 --> 1:01:37.760
<v Speaker 3>must not love us.

1:01:37.960 --> 1:01:42.439
<v Speaker 2>Well, nah, listen. Putting a full project together it's tough

1:01:42.480 --> 1:01:44.560
<v Speaker 2>and takes time. I think this is great to feed

1:01:45.560 --> 1:01:48.720
<v Speaker 2>the fans in the meantime while she's putting a proper

1:01:48.800 --> 1:01:51.280
<v Speaker 2>debut together. If you have the attention you had coming

1:01:51.360 --> 1:01:53.280
<v Speaker 2>off some sexy songs for you, all of us were like,

1:01:53.280 --> 1:01:53.680
<v Speaker 2>who is that?

1:01:54.960 --> 1:01:55.880
<v Speaker 1>That was a year ago.

1:01:56.760 --> 1:01:59.680
<v Speaker 2>I think this is fine to feed because also it

1:01:59.760 --> 1:02:01.040
<v Speaker 2>taught me that her pen is crazy.

1:02:01.920 --> 1:02:05.440
<v Speaker 5>It's still a lyrical break now, like I knew she.

1:02:05.560 --> 1:02:08.080
<v Speaker 1>Was dope and I like the interlude. But and there

1:02:08.120 --> 1:02:09.600
<v Speaker 1>was that other other one record.

1:02:09.400 --> 1:02:12.160
<v Speaker 2>That was on her DSPs page. I didn't know her

1:02:12.200 --> 1:02:14.680
<v Speaker 2>pen was like this, her pen is crazy.

1:02:14.720 --> 1:02:16.960
<v Speaker 1>Now she pen me is this this project is so fire.

1:02:17.000 --> 1:02:19.640
<v Speaker 3>But again, as soon as I was like ooh, like

1:02:19.760 --> 1:02:22.320
<v Speaker 3>she talking, it went it too because you know, how

1:02:22.320 --> 1:02:23.840
<v Speaker 3>were you playing the album and just going to like

1:02:24.000 --> 1:02:26.720
<v Speaker 3>an artist that kind of makes similar music, I think

1:02:26.800 --> 1:02:27.640
<v Speaker 3>some random ass.

1:02:27.640 --> 1:02:29.120
<v Speaker 1>So I was like, yo, this ain't pen me. I

1:02:29.240 --> 1:02:31.320
<v Speaker 1>say yea. But then I look and it was old already.

1:02:32.120 --> 1:02:34.840
<v Speaker 3>I'm like, God, shouldn't give us this quick, this quick,

1:02:34.960 --> 1:02:36.800
<v Speaker 3>great all of this great music, and it was like

1:02:36.920 --> 1:02:39.160
<v Speaker 3>eighteen maybe eight ten tracks eighteen minutes.

1:02:40.800 --> 1:02:44.640
<v Speaker 2>I mean, I've been critical as to OVO as a

1:02:44.760 --> 1:02:48.440
<v Speaker 2>label in the past, but I've always appreciated this strategy

1:02:48.520 --> 1:02:51.840
<v Speaker 2>with their new artists Party did it? We got that

1:02:52.360 --> 1:02:54.800
<v Speaker 2>Magic Jordan EP, which I think is a classic EP

1:02:55.240 --> 1:02:58.280
<v Speaker 2>they do when they signed someone, give you a quick

1:02:58.400 --> 1:03:02.400
<v Speaker 2>representation of who they are while the attention is on

1:03:02.520 --> 1:03:05.600
<v Speaker 2>them what they've done after. I've disagreed with OVO as

1:03:05.640 --> 1:03:07.960
<v Speaker 2>a label, but I always think that strategy is perfect.

1:03:08.280 --> 1:03:10.240
<v Speaker 2>She went the four bat shit like you got some

1:03:10.360 --> 1:03:12.640
<v Speaker 2>time right now, people are focused on one song that

1:03:12.680 --> 1:03:16.520
<v Speaker 2>they like with you give them seventeen minutes and it's great.

1:03:16.600 --> 1:03:19.680
<v Speaker 2>I get it, and this is right, but you might

1:03:19.720 --> 1:03:21.560
<v Speaker 2>need too soon for a full penny album.

1:03:21.440 --> 1:03:23.960
<v Speaker 3>Like kisses Way, would you leave the streets for me?

1:03:24.480 --> 1:03:30.480
<v Speaker 3>And then seventeen minutes later project over, what come on?

1:03:30.640 --> 1:03:32.240
<v Speaker 1>Would you leave the streets for me? She opened?

1:03:32.280 --> 1:03:36.120
<v Speaker 3>That was an opening bar Pimmy, this shit is fire.

1:03:36.200 --> 1:03:38.200
<v Speaker 3>But the guy, we could have let the music play

1:03:38.200 --> 1:03:40.760
<v Speaker 3>a little longer. You could have gave us another four

1:03:40.920 --> 1:03:43.560
<v Speaker 3>balls on every joint, like this shit is dope, but

1:03:43.640 --> 1:03:46.760
<v Speaker 3>it's it's eighteen minutes is crazy.

1:03:47.120 --> 1:03:48.920
<v Speaker 4>Yeah, I ain't hear my bitch when she said, say

1:03:49.000 --> 1:03:50.600
<v Speaker 4>last shit, I could do what you do but worse.

1:03:50.680 --> 1:03:52.120
<v Speaker 4>So damn, what's the point of doing it like this?

1:03:52.320 --> 1:03:54.200
<v Speaker 4>It was a long session, you know, I'll go, and

1:03:54.280 --> 1:03:55.320
<v Speaker 4>the traffic was crazy.

1:03:55.360 --> 1:03:55.840
<v Speaker 1>You know, I go.

1:03:56.200 --> 1:03:58.080
<v Speaker 5>It was easier to sleep at the studio. See, I

1:03:58.120 --> 1:04:00.440
<v Speaker 5>could do it to you sound hella slow. Yeah, it

1:04:00.520 --> 1:04:03.560
<v Speaker 5>was easier for me to sleep, rory.

1:04:03.400 --> 1:04:07.200
<v Speaker 1>And more stupid. Twenty seconds later, the saul was over,

1:04:07.720 --> 1:04:09.120
<v Speaker 1>Hey man, that's one point.

1:04:09.200 --> 1:04:11.360
<v Speaker 5>It's enough. Bet that nigga got the point across.

1:04:12.160 --> 1:04:14.120
<v Speaker 2>Here's my thing, and I mean it's respectfully to pim me.

1:04:14.920 --> 1:04:18.520
<v Speaker 2>If I'm the guy she's talking about. After finishing this project,

1:04:18.680 --> 1:04:20.240
<v Speaker 2>my thoughts are, I can still cheat on you.

1:04:21.440 --> 1:04:22.560
<v Speaker 1>Nah, you got penny twisted.

1:04:22.840 --> 1:04:23.520
<v Speaker 5>Penny twisted.

1:04:24.000 --> 1:04:26.600
<v Speaker 2>Oh here point she didn't finish it. It's just like

1:04:26.720 --> 1:04:27.960
<v Speaker 2>she's talking, all right.

1:04:28.840 --> 1:04:30.439
<v Speaker 5>She said, call me when you can. Yeah, I gotta

1:04:30.440 --> 1:04:31.000
<v Speaker 5>set you free.

1:04:32.200 --> 1:04:33.880
<v Speaker 4>I gotta set you free when you done at that

1:04:33.960 --> 1:04:35.560
<v Speaker 4>bitch house, called me so I could break up with you.

1:04:35.760 --> 1:04:38.720
<v Speaker 2>That's no to me, even on monogamy. When she was saying,

1:04:39.520 --> 1:04:40.800
<v Speaker 2>you want to have her, but you can't have me.

1:04:41.200 --> 1:04:43.760
<v Speaker 2>That sounds like a girl that is staying if you cheat, she.

1:04:43.800 --> 1:04:49.240
<v Speaker 1>Said, fuck whoever, do whatever? Yeah, we do whatever your ego, Yeah, that's.

1:04:49.120 --> 1:04:50.640
<v Speaker 5>My ship right there. What am I missaying?

1:04:50.800 --> 1:04:53.600
<v Speaker 1>I put it out my story. Yeah, fuck whatever, do whatever.

1:04:54.480 --> 1:04:54.840
<v Speaker 5>Do whatever?

1:04:55.000 --> 1:04:57.000
<v Speaker 4>She said, post whatever, do whatever. It ain't my concern.

1:04:57.080 --> 1:04:59.080
<v Speaker 4>Fuck whoever, do whatever gets your ego turn. I'd rather

1:04:59.120 --> 1:05:01.040
<v Speaker 4>be alone and stay down for a whole. So tree,

1:05:01.080 --> 1:05:02.840
<v Speaker 4>whoever better than the one you got at home, do

1:05:02.960 --> 1:05:04.920
<v Speaker 4>the most. It doesn't matter, it's not my concern. I'd

1:05:05.000 --> 1:05:07.680
<v Speaker 4>rather be alone that stay down for a whole.

1:05:09.960 --> 1:05:12.960
<v Speaker 1>My bad, my bad, I know.

1:05:15.800 --> 1:05:17.600
<v Speaker 2>Talk that would have hit different.

1:05:17.400 --> 1:05:19.360
<v Speaker 3>Yo, I ain't gonna lie. This project is dope, man.

1:05:19.400 --> 1:05:23.080
<v Speaker 3>But it's like Pimmy just was like, huh heah, leave

1:05:23.080 --> 1:05:23.400
<v Speaker 3>me alone.

1:05:23.440 --> 1:05:24.000
<v Speaker 1>Stop asking.

1:05:24.520 --> 1:05:26.640
<v Speaker 2>I think where R and B is at currently, and

1:05:26.760 --> 1:05:28.840
<v Speaker 2>then you can clearly tell the talent she has.

1:05:28.960 --> 1:05:32.040
<v Speaker 1>I think I think Ovo has them an artist.

1:05:32.640 --> 1:05:35.520
<v Speaker 2>No Pimmies like, I think she's the I don't say

1:05:35.520 --> 1:05:37.400
<v Speaker 2>they got one because that sounds so cliche and corny,

1:05:37.480 --> 1:05:42.000
<v Speaker 2>but this was a good representation of, Oh, she's actually talented. Yeah,

1:05:42.560 --> 1:05:44.960
<v Speaker 2>she's dope, and it's it's the perfect time for this

1:05:45.080 --> 1:05:47.800
<v Speaker 2>type of music. Ironically, we're gonna get to the Yeba album.

1:05:49.680 --> 1:05:51.880
<v Speaker 2>I kind of felt like this Pimmy's album was if

1:05:51.960 --> 1:05:53.480
<v Speaker 2>Yeba and Party next Door had a kid.

1:05:54.200 --> 1:05:58.920
<v Speaker 3>Really, Pimmy's album was if Yeba and Party had a kid.

1:05:59.080 --> 1:06:02.880
<v Speaker 2>Yes, Throughout the whole hour was like no, I mean,

1:06:03.120 --> 1:06:06.160
<v Speaker 2>I mean it's strictly, of course Yeba is a better vocalist,

1:06:06.240 --> 1:06:08.280
<v Speaker 2>but there's very few vocalists on earth that can really

1:06:08.320 --> 1:06:08.960
<v Speaker 2>touch Yeah.

1:06:08.960 --> 1:06:09.920
<v Speaker 1>But so I don't mean that it's a just light

1:06:10.000 --> 1:06:12.600
<v Speaker 1>to Pimmy whatsoever. I think Pimmy is a good vocalist.

1:06:12.840 --> 1:06:17.440
<v Speaker 2>But it was like a Yeba tone if party was

1:06:17.600 --> 1:06:21.440
<v Speaker 2>in the room writing everything from a woman's perspective. Okay,

1:06:22.360 --> 1:06:24.080
<v Speaker 2>did you get a chance to listen to the Yeba album?

1:06:25.360 --> 1:06:27.120
<v Speaker 5>Absolutely, I didn't get a chance. I'm upset.

1:06:27.200 --> 1:06:29.800
<v Speaker 1>How is it? Oh, it's some great white soul on there. Yeah,

1:06:30.040 --> 1:06:31.720
<v Speaker 1>there's some great white soul on there.

1:06:31.760 --> 1:06:33.320
<v Speaker 3>To me, almost fucked around and it went on a

1:06:33.400 --> 1:06:37.560
<v Speaker 3>road trip. Almost jumped in the car and just went

1:06:37.600 --> 1:06:39.520
<v Speaker 3>on a road trip, like listening to that. This is

1:06:39.640 --> 1:06:44.200
<v Speaker 3>road trip music. You gotta you gotta take her. You

1:06:44.240 --> 1:06:46.400
<v Speaker 3>gotta just drive, don't you don't know where you're going,

1:06:46.960 --> 1:06:47.400
<v Speaker 3>just getting the.

1:06:47.400 --> 1:06:50.640
<v Speaker 1>Car fucking go. Yeah, and like a luxury pickup truck. Yeah.

1:06:51.280 --> 1:06:53.560
<v Speaker 4>Did she have another Distance on there? Because Distance is

1:06:53.560 --> 1:06:54.439
<v Speaker 4>one of my favorite songs.

1:06:55.320 --> 1:06:58.720
<v Speaker 2>I wouldn't say another distance per se, but I do

1:06:58.920 --> 1:07:04.439
<v Speaker 2>know what what you're saying. It did lean. It leaned

1:07:04.480 --> 1:07:07.120
<v Speaker 2>more in the white soul than I thought it was

1:07:07.440 --> 1:07:12.840
<v Speaker 2>going to not so white soul, like, ah, yeah it

1:07:13.040 --> 1:07:16.560
<v Speaker 2>was because I think she's so scared to have any

1:07:16.640 --> 1:07:20.880
<v Speaker 2>type of adele comparisons where I think she could do

1:07:21.040 --> 1:07:25.160
<v Speaker 2>that lane. It's not country esque, but it's a little

1:07:25.240 --> 1:07:27.000
<v Speaker 2>more popish than I would expect.

1:07:27.080 --> 1:07:27.440
<v Speaker 1>From yeh.

1:07:27.480 --> 1:07:31.600
<v Speaker 2>But but I really really did like it. Okay, I mean,

1:07:31.680 --> 1:07:34.720
<v Speaker 2>but yeah, all right, it's close to that.

1:07:34.800 --> 1:07:39.320
<v Speaker 3>I guess seven Years though seven years joint. That's the

1:07:39.360 --> 1:07:40.960
<v Speaker 3>one that almost got me to drive all the way

1:07:41.000 --> 1:07:41.520
<v Speaker 3>to motherfucker.

1:07:43.560 --> 1:07:43.760
<v Speaker 1>Yeah.

1:07:44.160 --> 1:07:46.160
<v Speaker 3>Once seven Years came on, I was like, all, yeah,

1:07:46.160 --> 1:07:47.920
<v Speaker 3>but you're just gonna make me go, just go take

1:07:47.920 --> 1:07:49.400
<v Speaker 3>a little road trip. I don't know where I'm going,

1:07:49.480 --> 1:07:49.920
<v Speaker 3>but I'm out.

1:07:50.240 --> 1:07:52.280
<v Speaker 2>Did it touch a little into country more than you

1:07:52.320 --> 1:07:55.240
<v Speaker 2>thought it would? I want to say country, but there

1:07:55.360 --> 1:07:56.440
<v Speaker 2>is a tone of country in it.

1:07:56.680 --> 1:07:57.280
<v Speaker 1>Maybe I'm wrong.

1:07:59.120 --> 1:08:02.080
<v Speaker 2>Yeah, I think it's from the South. So that's that's

1:08:02.120 --> 1:08:05.280
<v Speaker 2>that's that's just her roots Arkansas. There you go, Yeah,

1:08:05.280 --> 1:08:05.920
<v Speaker 2>that's her roots.

1:08:06.120 --> 1:08:06.760
<v Speaker 1>You're gonna hear it.

1:08:06.920 --> 1:08:09.720
<v Speaker 2>Yeah, and you're gonna hear dabbled in that a bit before,

1:08:09.800 --> 1:08:11.720
<v Speaker 2>but I think on this album it was a little

1:08:11.720 --> 1:08:11.960
<v Speaker 2>bit more.

1:08:12.000 --> 1:08:12.960
<v Speaker 1>But I did like it.

1:08:13.160 --> 1:08:15.680
<v Speaker 3>No, this was this this this album is incredible, Like

1:08:15.800 --> 1:08:19.040
<v Speaker 3>it's like it's just it's just it's certain music you

1:08:19.160 --> 1:08:21.760
<v Speaker 3>hear where you're like, all right, this is not what

1:08:21.840 --> 1:08:25.840
<v Speaker 3>I would usually listen to, but it's good. It feels good,

1:08:25.880 --> 1:08:29.400
<v Speaker 3>it sounds good, is well done. And then the lyrics.

1:08:29.479 --> 1:08:31.280
<v Speaker 3>You know what I'm saying. You can relate, like, okay,

1:08:31.400 --> 1:08:33.600
<v Speaker 3>like she on here talking to us ship, but the

1:08:33.720 --> 1:08:36.960
<v Speaker 3>music is not It's not what you probably think it is,

1:08:37.080 --> 1:08:39.280
<v Speaker 3>because I think it's it's listed as alternative.

1:08:39.520 --> 1:08:43.080
<v Speaker 1>Yeah, I think so. It's not an R and B project.

1:08:43.120 --> 1:08:44.080
<v Speaker 5>Yeah, ton't expect that.

1:08:44.280 --> 1:08:49.160
<v Speaker 1>But the vibe though, the energy is Dawn is under

1:08:49.200 --> 1:08:51.280
<v Speaker 1>alternative as well, though, is it.

1:08:52.400 --> 1:08:52.599
<v Speaker 2>Yeah?

1:08:52.600 --> 1:08:54.200
<v Speaker 1>I would expect that to be under R and B

1:08:54.240 --> 1:08:56.160
<v Speaker 1>as well. Yeah, but yeah, it is listed. But this

1:08:56.320 --> 1:09:00.200
<v Speaker 1>feels more alternative though, Oh yeah, it's definitely it's more. Yeah,

1:09:00.200 --> 1:09:02.680
<v Speaker 1>the music is a little more. Dawn is more R

1:09:02.720 --> 1:09:02.880
<v Speaker 1>and B.

1:09:03.120 --> 1:09:04.960
<v Speaker 2>But to matter, she even pops off one record with

1:09:05.400 --> 1:09:06.960
<v Speaker 2>God is good all the time, all the time, God

1:09:07.040 --> 1:09:10.000
<v Speaker 2>is good. But I am fucking tired. Like she's not dead,

1:09:11.200 --> 1:09:15.000
<v Speaker 2>she's in that back you talking like that, fucking tired.

1:09:18.640 --> 1:09:19.599
<v Speaker 2>I'm tired.

1:09:20.120 --> 1:09:22.560
<v Speaker 3>I'm trying to listen. I'm trying to be listening. I

1:09:22.680 --> 1:09:25.920
<v Speaker 3>love the Lord, the Lord he is he heard my cry.

1:09:26.040 --> 1:09:27.000
<v Speaker 3>You get it to all of that, But.

1:09:27.840 --> 1:09:30.040
<v Speaker 1>Yo, what we on?

1:09:30.520 --> 1:09:32.240
<v Speaker 5>Yeah, you gotta ask God what we are?

1:09:32.400 --> 1:09:32.840
<v Speaker 1>What you on?

1:09:33.040 --> 1:09:33.600
<v Speaker 5>Sometimes?

1:09:33.840 --> 1:09:36.360
<v Speaker 3>Hey, that's all right, it's the right to ask God

1:09:36.439 --> 1:09:40.000
<v Speaker 3>that it's okay, but now this project is project was dope.

1:09:40.120 --> 1:09:42.720
<v Speaker 1>This was a good music weekend. It was great, great music.

1:09:43.080 --> 1:09:44.160
<v Speaker 1>This was a good music weekend.

1:09:44.320 --> 1:09:45.920
<v Speaker 4>Or if you like that type of music, I still

1:09:45.960 --> 1:09:48.000
<v Speaker 4>advise for you to check out Michael Franks. I still

1:09:48.040 --> 1:09:50.559
<v Speaker 4>feel that you would love my check out what Michael Franks?

1:09:51.560 --> 1:09:53.479
<v Speaker 1>That wast my list? Lemit, let me read it. You

1:09:54.040 --> 1:09:59.439
<v Speaker 1>had Mike's Franks on your list? Did anything else drop?

1:10:05.200 --> 1:10:07.280
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<v Speaker 5>Plenty dropped. But what did you guys listen to that?

1:11:23.240 --> 1:11:25.320
<v Speaker 3>I didn't listen to Jay Skis and il tone beats

1:11:25.880 --> 1:11:27.400
<v Speaker 3>they probably got, didn't get to listen to them listening.

1:11:27.400 --> 1:11:29.360
<v Speaker 3>I'm checking out tonight though, Yeah, I'm definitely checking out

1:11:29.360 --> 1:11:32.360
<v Speaker 3>this week off Skis. Like we admittedly said that there

1:11:32.439 --> 1:11:34.680
<v Speaker 3>was so much going on. Oh todd allis Sign Girl

1:11:34.760 --> 1:11:36.479
<v Speaker 3>Musical Volume one. I did listen to the EP.

1:11:38.479 --> 1:11:42.559
<v Speaker 2>It's great, and my issue is I wish he didn't

1:11:42.560 --> 1:11:47.960
<v Speaker 2>give us this EP and took these six records and

1:11:48.120 --> 1:11:51.519
<v Speaker 2>gave us six more us because then this is we

1:11:51.640 --> 1:11:54.519
<v Speaker 2>had talked last episode. For those that did listen, I

1:11:54.640 --> 1:11:57.200
<v Speaker 2>think Tie is an icon, but I also put him

1:11:57.280 --> 1:11:59.360
<v Speaker 2>kind of in the Chris Brown category of you haven't

1:11:59.360 --> 1:12:01.240
<v Speaker 2>given me the class. I think Free TC is a

1:12:01.240 --> 1:12:04.400
<v Speaker 2>classic to me, but Tie and what he means to

1:12:04.560 --> 1:12:10.320
<v Speaker 2>this generation has not given us that fucking classic. And like,

1:12:11.000 --> 1:12:14.519
<v Speaker 2>you can't just throw intentions with Brandy on an EP.

1:12:17.479 --> 1:12:21.599
<v Speaker 2>That song is so fucking good. I just like these records,

1:12:23.200 --> 1:12:26.320
<v Speaker 2>the featuring tide alas Sign album. I think all six

1:12:26.400 --> 1:12:28.840
<v Speaker 2>of these records are better than that whole album. And

1:12:28.960 --> 1:12:31.479
<v Speaker 2>it's like, why can't we focus this type of sound

1:12:32.439 --> 1:12:35.040
<v Speaker 2>and expand it to a twelve track project.

1:12:35.880 --> 1:12:36.760
<v Speaker 1>It's no, it's fine.

1:12:36.760 --> 1:12:39.559
<v Speaker 2>I mean clearly, it says Volume one, so I'm sure

1:12:39.600 --> 1:12:41.920
<v Speaker 2>he has Volume two with six records. But I know

1:12:42.000 --> 1:12:43.640
<v Speaker 2>once we get to Volume three, we're all gonna come

1:12:43.640 --> 1:12:45.280
<v Speaker 2>in here and say, man, it would have been nice

1:12:45.320 --> 1:12:46.800
<v Speaker 2>if you just put all these volumes together. And made

1:12:46.800 --> 1:12:49.120
<v Speaker 2>it a Tide Ali sign album. Yeah, I just know

1:12:49.160 --> 1:12:52.200
<v Speaker 2>we're gonna get into that realm. But I can appreciate

1:12:52.240 --> 1:12:54.719
<v Speaker 2>that because Ta is one of those artists that records

1:12:54.760 --> 1:12:57.599
<v Speaker 2>seventy five songs a day, most of which that will

1:12:57.920 --> 1:13:00.160
<v Speaker 2>stay on a hard drive and he won't put it out.

1:13:00.560 --> 1:13:01.160
<v Speaker 1>I don't know if this.

1:13:01.200 --> 1:13:05.200
<v Speaker 2>Gets him to actively put out like packs. I'm fine

1:13:05.240 --> 1:13:07.519
<v Speaker 2>with it because there's not a skip on this entire thing,

1:13:07.920 --> 1:13:11.799
<v Speaker 2>like Leading with Mischutuo, with Leon Thomas, I understand Leon's

1:13:11.840 --> 1:13:14.240
<v Speaker 2>on fire. Any one of these records could have let

1:13:14.840 --> 1:13:17.080
<v Speaker 2>like it's it's a really really good EP.

1:13:17.240 --> 1:13:19.800
<v Speaker 3>I don't know if y'all notice, but we're getting back

1:13:19.840 --> 1:13:24.120
<v Speaker 3>to short projects. It was EP No, not that even

1:13:24.200 --> 1:13:28.400
<v Speaker 3>Yeba's out that's only forty minutes. Yeah, but that, I mean,

1:13:28.520 --> 1:13:30.719
<v Speaker 3>Hemmy gave us eighteen got out of there. Y're gonna

1:13:30.720 --> 1:13:32.160
<v Speaker 3>get you out these eighteen minutes, and I gotta go.

1:13:32.800 --> 1:13:35.560
<v Speaker 3>Yeba gave us forty minutes. The Naws Barkley album I

1:13:35.600 --> 1:13:38.160
<v Speaker 3>think is only like forty minutes, but.

1:13:38.280 --> 1:13:41.400
<v Speaker 2>That's we knew that was gonna come back because when

1:13:41.439 --> 1:13:44.519
<v Speaker 2>everyone was doing the forty track projects or twenty three

1:13:44.680 --> 1:13:48.240
<v Speaker 2>records to try to trick the algorithm and streaming.

1:13:48.680 --> 1:13:50.160
<v Speaker 1>Everybody's not Chris Brown, though.

1:13:50.800 --> 1:13:54.400
<v Speaker 2>Yeah, like yes, that works for Chris because people love

1:13:54.520 --> 1:13:56.960
<v Speaker 2>Chris Brown and are going to listen to forty records

1:13:57.000 --> 1:13:58.439
<v Speaker 2>from Chris Brown because he's Chris Brown.

1:13:59.600 --> 1:14:02.920
<v Speaker 1>You a little xanax Molly, what wop?

1:14:03.680 --> 1:14:05.559
<v Speaker 2>No one wants to hear forty records from you, though,

1:14:06.240 --> 1:14:09.759
<v Speaker 2>the world can only handle forty minutes of music, especially

1:14:09.800 --> 1:14:12.040
<v Speaker 2>when we have microwave brains right now, I think you

1:14:12.080 --> 1:14:14.479
<v Speaker 2>could have long albums in this time because Chris Brown

1:14:14.560 --> 1:14:15.599
<v Speaker 2>knows how to trick an algorithm.

1:14:15.920 --> 1:14:17.040
<v Speaker 1>Is the dumbest fucking thing ever.

1:14:17.080 --> 1:14:19.760
<v Speaker 3>Pimy is supposed to give us thirty minutes. You still

1:14:19.880 --> 1:14:23.799
<v Speaker 3>like fam that project is so dope in eighteen minutes.

1:14:25.120 --> 1:14:25.880
<v Speaker 5>I know she had a.

1:14:27.360 --> 1:14:28.920
<v Speaker 4>One phone call with that nigga. We could have got

1:14:28.960 --> 1:14:31.080
<v Speaker 4>another twenty minutes. I know you have more in the

1:14:31.160 --> 1:14:32.680
<v Speaker 4>time I got.

1:14:33.040 --> 1:14:33.720
<v Speaker 1>She definitely got.

1:14:33.800 --> 1:14:37.840
<v Speaker 3>She definitely cut All of those are Lucy's will be

1:14:37.880 --> 1:14:40.160
<v Speaker 3>dope though, not to cut you off. What would be dope, though,

1:14:41.120 --> 1:14:43.000
<v Speaker 3>is if that was the album right, she gave us

1:14:43.000 --> 1:14:46.080
<v Speaker 3>to eighteen minutes and then that her shows the songs

1:14:46.080 --> 1:14:48.840
<v Speaker 3>are longer that got a live show.

1:14:49.040 --> 1:14:50.439
<v Speaker 1>Yeah, but that would be hard.

1:14:50.560 --> 1:14:52.840
<v Speaker 2>But there's also a good way to test markets, like

1:14:52.920 --> 1:14:55.720
<v Speaker 2>to do live shows like that. Seventeen minutes. I think

1:14:55.840 --> 1:14:58.400
<v Speaker 2>is a perfect strategy for her, Yeah, because coming out

1:14:58.439 --> 1:15:00.880
<v Speaker 2>the gate when you're not proving to give a full

1:15:00.960 --> 1:15:04.040
<v Speaker 2>project can fail very easily. I don't care how talented

1:15:04.120 --> 1:15:06.040
<v Speaker 2>you are, Like, you got to ease people into ship

1:15:06.240 --> 1:15:09.880
<v Speaker 2>eighteen minutes. God damn, I think that's perfect for that.

1:15:10.080 --> 1:15:11.880
<v Speaker 5>Did you guys listen to the Narls Barkley album.

1:15:12.160 --> 1:15:16.040
<v Speaker 2>I love Narls Barkley, I love Coelo, and I love

1:15:16.120 --> 1:15:20.360
<v Speaker 2>Danger Mouse and so let's ad So I love Narls Barkley,

1:15:20.400 --> 1:15:20.880
<v Speaker 2>I love Selo.

1:15:21.520 --> 1:15:24.400
<v Speaker 1>It's not ass It's just not it's not it's it's

1:15:24.439 --> 1:15:27.280
<v Speaker 1>all over the place. It's it's the music is very

1:15:27.520 --> 1:15:30.200
<v Speaker 1>like over the place. Yeah, but it's not ass though.

1:15:30.240 --> 1:15:33.400
<v Speaker 3>It's just you gotta be in a certain headspace to

1:15:33.479 --> 1:15:34.920
<v Speaker 3>kind of like listen to that project.

1:15:35.280 --> 1:15:38.720
<v Speaker 1>Ah there there's like joints, there's a few. No, it's

1:15:38.840 --> 1:15:39.320
<v Speaker 1>music on it.

1:15:39.400 --> 1:15:41.680
<v Speaker 3>It's good music on it, but it's just it's not

1:15:41.800 --> 1:15:44.000
<v Speaker 3>what I was expecting. Like, it's definitely not what I

1:15:44.080 --> 1:15:46.080
<v Speaker 3>was expecting. It's like oh this is Oh they went

1:15:46.120 --> 1:15:48.360
<v Speaker 3>in hand, was jamming like they was in the studio

1:15:49.280 --> 1:15:51.719
<v Speaker 3>putting music. Yeah, it's just like okay, like I gotta

1:15:52.640 --> 1:15:54.439
<v Speaker 3>like hold on not right now. You can't go off

1:15:54.479 --> 1:15:58.200
<v Speaker 3>of Pimmy, Yeah, but and go Gnarls on them. You

1:15:58.280 --> 1:16:00.640
<v Speaker 3>can't go off after Penny and yes, like nah, fan,

1:16:00.720 --> 1:16:03.160
<v Speaker 3>we on a whole different frequency right now.

1:16:04.400 --> 1:16:10.680
<v Speaker 2>And like even the lyrical content, like Selo, it was

1:16:10.800 --> 1:16:12.960
<v Speaker 2>just a lot of weird content on there too, things

1:16:13.040 --> 1:16:16.519
<v Speaker 2>I've never heard Selo say, Like what, it's just the

1:16:16.640 --> 1:16:20.519
<v Speaker 2>whole album itself is very chaotic all over the place.

1:16:20.680 --> 1:16:23.280
<v Speaker 2>Like there's joints that feel like old Narls Barkley that

1:16:23.400 --> 1:16:25.840
<v Speaker 2>like bring you back down to earth and calm, and

1:16:25.920 --> 1:16:29.240
<v Speaker 2>then it goes in the most chaotic space ever sonically,

1:16:29.800 --> 1:16:31.720
<v Speaker 2>like one of the albums.

1:16:31.360 --> 1:16:33.400
<v Speaker 1>That I'm gonna need, like ye, you need some months,

1:16:33.439 --> 1:16:35.880
<v Speaker 1>you gotta win silk. You gotta put some silk on

1:16:35.960 --> 1:16:36.760
<v Speaker 1>to listen to this album.

1:16:37.160 --> 1:16:39.559
<v Speaker 2>But also was it like was it really dark too?

1:16:41.439 --> 1:16:45.400
<v Speaker 2>Were you listening to what Selo was saying? Like the

1:16:45.560 --> 1:16:49.120
<v Speaker 2>first record really even starts out with take cover All

1:16:49.160 --> 1:16:51.400
<v Speaker 2>God's Children, Even the sun has gone to hide, the

1:16:51.520 --> 1:16:54.600
<v Speaker 2>sky is raining bullets. I'll never forget the day that

1:16:54.680 --> 1:16:58.320
<v Speaker 2>Tomorrow died. We're all the same in death. Then it

1:16:58.360 --> 1:17:00.759
<v Speaker 2>goes to amnesia, a nervous break down on the seizure,

1:17:00.760 --> 1:17:03.040
<v Speaker 2>suspending this sweet nothing has been such a friend to me,

1:17:03.120 --> 1:17:05.240
<v Speaker 2>I said, amnesia, I'm still a believer. If I come

1:17:05.320 --> 1:17:08.000
<v Speaker 2>back alive, will anyone remember me? Like it's like the

1:17:08.120 --> 1:17:09.760
<v Speaker 2>first two records are suicide notes.

1:17:11.600 --> 1:17:14.280
<v Speaker 1>Yeah, it was like the vibe was. I was in

1:17:14.360 --> 1:17:16.800
<v Speaker 1>a car, like, does then even have Selo's number? I

1:17:16.880 --> 1:17:17.479
<v Speaker 1>hope he's okay.

1:17:17.640 --> 1:17:20.000
<v Speaker 3>The vibe was totally different, Like coming off of that Pemmy,

1:17:20.160 --> 1:17:24.040
<v Speaker 3>that beautiful Pemmy tone and those lyrics, and then hearing

1:17:24.080 --> 1:17:25.479
<v Speaker 3>that I was just like, I wasn't.

1:17:25.320 --> 1:17:28.160
<v Speaker 1>Expecting this is that's that's just not what I was

1:17:28.240 --> 1:17:29.080
<v Speaker 1>expecting from.

1:17:29.560 --> 1:17:35.560
<v Speaker 2>Yeah, and I mean I mean Danger Mouse, I absolutely

1:17:36.280 --> 1:17:39.920
<v Speaker 2>love I'm curious with Space season too. I don't mean

1:17:39.920 --> 1:17:41.600
<v Speaker 2>that in a bad way. It's just it's not what

1:17:41.680 --> 1:17:42.280
<v Speaker 2>I was expecting.

1:17:42.280 --> 1:17:42.920
<v Speaker 1>I guess at all.

1:17:43.560 --> 1:17:45.519
<v Speaker 2>I see why they did no rollout. I see why

1:17:45.520 --> 1:17:47.200
<v Speaker 2>they literally just said we're putting an album out here.

1:17:47.280 --> 1:17:49.840
<v Speaker 2>You go, this is gonna take some time. I feel

1:17:49.880 --> 1:17:52.120
<v Speaker 2>like I'm gonna give its proper listens because these are

1:17:52.160 --> 1:17:55.320
<v Speaker 2>two legends. But out the gate, it's not a bunch

1:17:55.360 --> 1:17:56.479
<v Speaker 2>of Who's gonna save my souls?

1:17:56.520 --> 1:18:00.920
<v Speaker 1>Now? M hm, that's not this album. No, totally different vibe.

1:18:01.120 --> 1:18:03.439
<v Speaker 2>But but there's there's joints on there. I'm curious. Give

1:18:03.479 --> 1:18:07.240
<v Speaker 2>it a listening and text to let me really Barkley

1:18:07.280 --> 1:18:08.639
<v Speaker 2>fl really.

1:18:08.920 --> 1:18:10.960
<v Speaker 4>Never a big big Narles Barkley fan. I'll give it

1:18:11.000 --> 1:18:12.600
<v Speaker 4>a try, but I was never Bigles.

1:18:12.600 --> 1:18:15.200
<v Speaker 2>Sorry why I always love Norles Barkleys because they tricked

1:18:15.200 --> 1:18:17.640
<v Speaker 2>the masses with crazy and fuck you, and then you

1:18:17.720 --> 1:18:19.800
<v Speaker 2>got to their albums and it was like, nah, this

1:18:20.120 --> 1:18:23.360
<v Speaker 2>ain't that. Yeah, we're not this pop group that you

1:18:23.439 --> 1:18:26.800
<v Speaker 2>think we are. See Lo and Danger Mouse. We can

1:18:26.840 --> 1:18:29.360
<v Speaker 2>stay on music before we get out of here. Did

1:18:29.400 --> 1:18:31.679
<v Speaker 2>you see that they've been killing Hebro for the past week?

1:18:31.880 --> 1:18:32.080
<v Speaker 1>Yes?

1:18:32.240 --> 1:18:36.600
<v Speaker 5>Before what exactly I've seen? I get it, I get it.

1:18:36.640 --> 1:18:38.960
<v Speaker 1>I guess on hebro ass?

1:18:39.080 --> 1:18:39.920
<v Speaker 5>Yeah, hebro ass?

1:18:40.200 --> 1:18:41.200
<v Speaker 1>What hero do now? Man?

1:18:43.040 --> 1:18:43.800
<v Speaker 5>But is he lying?

1:18:44.479 --> 1:18:45.000
<v Speaker 1>He's lying?

1:18:45.640 --> 1:18:45.840
<v Speaker 5>Lying?

1:18:45.960 --> 1:18:49.240
<v Speaker 2>Oh? Well, well ten years ago and I'm paraphrasing here

1:18:49.320 --> 1:18:53.240
<v Speaker 2>some apologies Hebro Ten years ago. Uzzie went on Hot

1:18:53.360 --> 1:18:57.320
<v Speaker 2>ninety seven and Lake Drama. Everyone that told him like no,

1:18:57.479 --> 1:18:59.720
<v Speaker 2>USI he raps real, which Uzi does rap when he

1:18:59.720 --> 1:19:02.560
<v Speaker 2>feels like rapper. Wuz he can rap when he wants to,

1:19:02.840 --> 1:19:04.439
<v Speaker 2>not saying that happens all the time, but UZI can

1:19:04.520 --> 1:19:05.000
<v Speaker 2>rap when he wants.

1:19:05.080 --> 1:19:06.400
<v Speaker 1>I can rap him when I want to know, I

1:19:06.479 --> 1:19:11.080
<v Speaker 1>mean like like actually rap, yeah, my bad? All right,

1:19:11.200 --> 1:19:12.200
<v Speaker 1>even to fucking do you? And Sade?

1:19:12.200 --> 1:19:12.800
<v Speaker 5>How I get in there?

1:19:14.680 --> 1:19:17.280
<v Speaker 2>So he was on there and Ero wanted him to

1:19:17.360 --> 1:19:19.360
<v Speaker 2>rap over some boom bad beat and Uzi was like,

1:19:19.400 --> 1:19:21.880
<v Speaker 2>I don't rap on this type of shit and I

1:19:22.000 --> 1:19:25.680
<v Speaker 2>remember that, and Ebro again paraphrasing, was like, well that's

1:19:25.720 --> 1:19:28.760
<v Speaker 2>what rappers can rap it anytime on any beat. If

1:19:28.800 --> 1:19:31.240
<v Speaker 2>you're just trying to pick and choose, that's why you

1:19:31.360 --> 1:19:34.519
<v Speaker 2>may not be here. I'll still be here in ten years,

1:19:35.720 --> 1:19:37.599
<v Speaker 2>meaning I'll still be a hot the radio station will

1:19:37.600 --> 1:19:40.439
<v Speaker 2>be here, I'll be here everything in that regardless how

1:19:40.439 --> 1:19:44.519
<v Speaker 2>everyone interpreted that. Ten years later, the anniversary pops up

1:19:44.840 --> 1:19:47.000
<v Speaker 2>and they start comparing what happened to Ebro in ten

1:19:47.080 --> 1:19:50.000
<v Speaker 2>years and where Uzi's at, because Uzi said he was

1:19:50.000 --> 1:19:51.560
<v Speaker 2>a rock star, and he was like, you're not a

1:19:51.640 --> 1:19:53.679
<v Speaker 2>rock star. You're not gonna be here in ten years.

1:19:55.320 --> 1:19:56.639
<v Speaker 1>And now ten years later.

1:19:56.840 --> 1:19:59.240
<v Speaker 4>Okay, and so Ebro's direct quote is I think they're

1:19:59.280 --> 1:20:02.160
<v Speaker 4>celebrating that. He's referring to Uzi still around. I lost

1:20:02.200 --> 1:20:04.240
<v Speaker 4>a job and he got more money and he's still here.

1:20:04.680 --> 1:20:06.599
<v Speaker 4>But I ask you, while his hit song is going

1:20:06.640 --> 1:20:09.200
<v Speaker 4>around right now, are you guys highly anticipating in Uzi

1:20:09.320 --> 1:20:09.640
<v Speaker 4>vert out?

1:20:09.720 --> 1:20:10.320
<v Speaker 1>I love e Bro.

1:20:10.479 --> 1:20:13.200
<v Speaker 2>That's a fucking dodge. Come on, man, you know they're

1:20:13.240 --> 1:20:16.040
<v Speaker 2>not celebrating that clip because Uzi's still here in ten

1:20:16.120 --> 1:20:19.000
<v Speaker 2>years that everyone's not going yo, Uzi still here a

1:20:19.040 --> 1:20:21.719
<v Speaker 2>decade later. No, they're laughing that you said you would

1:20:21.760 --> 1:20:24.840
<v Speaker 2>still be here and Uzi wouldn't and you're not there,

1:20:25.160 --> 1:20:28.679
<v Speaker 2>and Uzi is still an A to B list artist

1:20:28.720 --> 1:20:34.160
<v Speaker 2>when he drops. Uzi still does crazy tickets. Am I

1:20:34.320 --> 1:20:37.280
<v Speaker 2>anticipating in Uzi album? That was such an unfair question

1:20:37.320 --> 1:20:38.920
<v Speaker 2>because everyone that he was talking to in that room,

1:20:39.560 --> 1:20:44.760
<v Speaker 2>like myself included, is not Uzi's audience. There's so many

1:20:44.800 --> 1:20:47.400
<v Speaker 2>people still anticipating in Uzi vert album.

1:20:47.560 --> 1:20:51.280
<v Speaker 1>We out of our fucking minds. Though true huge fan base, even.

1:20:51.160 --> 1:20:52.920
<v Speaker 2>Though one of his his albums was a bit of

1:20:52.960 --> 1:20:55.120
<v Speaker 2>a dud to his own fans, all of our favorite

1:20:55.160 --> 1:20:58.680
<v Speaker 2>rappers sometimes have a dud. If you are sitting here

1:20:58.760 --> 1:21:00.800
<v Speaker 2>saying I think they're celebrating he's still around.

1:21:00.920 --> 1:21:03.680
<v Speaker 1>But yo, are y'all even in just like no, I'm not.

1:21:05.080 --> 1:21:08.080
<v Speaker 2>But his family there's one hundred thousand kids that are

1:21:08.360 --> 1:21:09.920
<v Speaker 2>anticipating a little UZI ver.

1:21:09.960 --> 1:21:11.320
<v Speaker 1>Out, Like what do you talk about right show?

1:21:11.680 --> 1:21:12.800
<v Speaker 5>We're not the audience for that.

1:21:14.000 --> 1:21:14.160
<v Speaker 3>Man.

1:21:14.280 --> 1:21:16.479
<v Speaker 1>See, this is why I love it.

1:21:16.520 --> 1:21:22.680
<v Speaker 2>Hebro hero Hebro is really really good at at like

1:21:22.800 --> 1:21:25.880
<v Speaker 2>pr He knows how to word things very well because

1:21:25.880 --> 1:21:27.639
<v Speaker 2>he's been in this business for forty years.

1:21:29.080 --> 1:21:31.439
<v Speaker 1>I think they're celebrating that he's still around. No, you don't, Hebro.

1:21:31.800 --> 1:21:33.240
<v Speaker 2>Ebro is one of the smartest people. I bet you

1:21:33.280 --> 1:21:34.720
<v Speaker 2>don't think that. You know, you get in clown for

1:21:34.760 --> 1:21:35.360
<v Speaker 2>that and you diverted.

1:21:36.360 --> 1:21:38.000
<v Speaker 1>Oh he know, he got to know he get killed

1:21:38.040 --> 1:21:39.960
<v Speaker 1>for that, like that what he thought was gonna happen,

1:21:40.040 --> 1:21:42.000
<v Speaker 1>Like and that's what they're supposed to do. Now that

1:21:42.120 --> 1:21:45.120
<v Speaker 1>what is it ten years since she said that? Oh yeah,

1:21:45.120 --> 1:21:47.439
<v Speaker 1>they're supposed to kill him for that twenty sixteen. Yeah,

1:21:47.640 --> 1:21:50.200
<v Speaker 1>as they should kill Ebro.

1:21:51.720 --> 1:21:53.360
<v Speaker 5>Oh my god, I'm joking.

1:21:53.400 --> 1:21:56.479
<v Speaker 2>Man said, I don't think UZI has set out to

1:21:56.520 --> 1:21:59.519
<v Speaker 2>be the quintessential rapper. What a quintessential rapper is. I

1:21:59.560 --> 1:22:01.280
<v Speaker 2>don't think that's what he's been trying to do. I

1:22:01.320 --> 1:22:03.080
<v Speaker 2>think that's the part where it's fan base and people

1:22:03.280 --> 1:22:05.320
<v Speaker 2>who love what he does really love him because he's

1:22:05.320 --> 1:22:07.960
<v Speaker 2>the con try to do other things and said, but

1:22:08.040 --> 1:22:09.400
<v Speaker 2>that's what he was trying to explain to you in

1:22:09.439 --> 1:22:14.320
<v Speaker 2>twenty sixteen. But that Yeah, yeah, you explaining what he

1:22:14.400 --> 1:22:16.000
<v Speaker 2>tried to explain to you in twenty sixteen that you

1:22:16.080 --> 1:22:21.719
<v Speaker 2>didn't understand is fucking hilarious. Yeah, yeah, And I'm with ero,

1:22:22.200 --> 1:22:24.840
<v Speaker 2>especially in twenty sixteen. We all come from that clause.

1:22:24.880 --> 1:22:26.360
<v Speaker 2>If you say you could rap and I throw on

1:22:26.400 --> 1:22:28.720
<v Speaker 2>a beat, you don't. You shouldn't be able to pick

1:22:28.760 --> 1:22:30.640
<v Speaker 2>what beat or what sound A rapper should be able

1:22:30.680 --> 1:22:32.280
<v Speaker 2>to do. That sounds of shange, though, UZI was trying

1:22:32.280 --> 1:22:33.360
<v Speaker 2>to explain to you that's not what I do.

1:22:33.720 --> 1:22:36.519
<v Speaker 3>And part of the reason why Ouzie is still popping

1:22:36.600 --> 1:22:40.120
<v Speaker 3>is because he didn't try to just be the quintessential rapper. Yeah,

1:22:40.120 --> 1:22:41.760
<v Speaker 3>because he definitely would have been out of here if

1:22:41.760 --> 1:22:44.160
<v Speaker 3>he was trying to do that, Like, ain't nobody, No,

1:22:44.720 --> 1:22:48.080
<v Speaker 3>he had to be as colorful as an artist as different.

1:22:48.600 --> 1:22:51.080
<v Speaker 3>He had to be that artist to still be relevant

1:22:51.120 --> 1:22:52.679
<v Speaker 3>and just still have the fan base he has today.

1:22:52.720 --> 1:22:54.160
<v Speaker 2>Like he had to do that, And I mean that's

1:22:54.160 --> 1:22:58.479
<v Speaker 2>where I give Drama Lake Cannon the most credit. Like

1:22:58.520 --> 1:23:02.000
<v Speaker 2>they built their labeled with Jack and other artists. The

1:23:02.080 --> 1:23:04.840
<v Speaker 2>fact that they heard Uzi because they got old ass

1:23:04.880 --> 1:23:08.040
<v Speaker 2>ears like me. The fact that they heard Uzi and

1:23:08.240 --> 1:23:11.400
<v Speaker 2>saw that vision and fully understood it, to me makes

1:23:11.439 --> 1:23:16.040
<v Speaker 2>them the best execs of generation. Like the name of

1:23:16.120 --> 1:23:19.360
<v Speaker 2>the fucking label, y'all are from the era of mixtapes

1:23:19.400 --> 1:23:21.519
<v Speaker 2>and rappers. How did you see this kid in a

1:23:21.560 --> 1:23:23.519
<v Speaker 2>fucking kilt and go, you know what?

1:23:23.720 --> 1:23:24.760
<v Speaker 1>I get it? We got something?

1:23:24.760 --> 1:23:27.160
<v Speaker 2>And clearly they were fucking rich. No, for sure, because

1:23:27.160 --> 1:23:28.760
<v Speaker 2>I would have heard that and be like, I mean,

1:23:28.760 --> 1:23:30.559
<v Speaker 2>it's not for me. I don't know if I could

1:23:30.560 --> 1:23:32.920
<v Speaker 2>sit and find your vision. You should find someone that can.

1:23:33.560 --> 1:23:37.040
<v Speaker 2>But yeah, you just gotta you gotta take that one

1:23:37.040 --> 1:23:37.360
<v Speaker 2>on the chick.

1:23:37.400 --> 1:23:40.240
<v Speaker 3>I am with Ebro though I'm not anticipating no UZI album,

1:23:40.439 --> 1:23:43.240
<v Speaker 3>Well you wouldn't. Yeah, like I sold, That's what I'm saying.

1:23:43.280 --> 1:23:45.400
<v Speaker 3>I understand Ebro and that Like it's.

1:23:45.320 --> 1:23:47.400
<v Speaker 2>Like that's such a cop, all right, if you're telling

1:23:47.439 --> 1:23:48.960
<v Speaker 2>someone they're not going to be here and I will

1:23:49.000 --> 1:23:51.120
<v Speaker 2>be and I'm not there anymore. And ten years later,

1:23:51.160 --> 1:23:52.880
<v Speaker 2>you're asking a room full of people that are not

1:23:53.040 --> 1:23:54.599
<v Speaker 2>Uzy fans if they're anticipating something.

1:23:54.640 --> 1:23:55.559
<v Speaker 1>It's the biggest cop out ever.

1:23:55.960 --> 1:23:59.360
<v Speaker 2>Yeah, go ask Twitters, Twitter, are you anticipating at Uzi album?

1:24:00.280 --> 1:24:02.000
<v Speaker 2>Outside of the actual trolls that would just be there

1:24:02.040 --> 1:24:04.400
<v Speaker 2>to tatrol, You're going to get a bunch of Uzi

1:24:04.439 --> 1:24:05.439
<v Speaker 2>fans saying, yeah.

1:24:06.840 --> 1:24:08.639
<v Speaker 5>The kids are into pain and Uzi album.

1:24:09.080 --> 1:24:09.760
<v Speaker 1>He's there, They're not.

1:24:10.439 --> 1:24:10.760
<v Speaker 5>He's there.

1:24:10.880 --> 1:24:16.400
<v Speaker 2>J Cole facts Like, I've seen Uzi perform multiple times

1:24:16.760 --> 1:24:17.560
<v Speaker 2>at festivals.

1:24:18.240 --> 1:24:20.559
<v Speaker 1>It's a different level of fan base.

1:24:20.479 --> 1:24:20.640
<v Speaker 2>You know.

1:24:20.720 --> 1:24:22.400
<v Speaker 1>It's it's definitely not it's not for me.

1:24:22.520 --> 1:24:25.200
<v Speaker 2>Bro When he hits them shoulders, people think, but he's

1:24:25.360 --> 1:24:26.000
<v Speaker 2>his hips.

1:24:27.120 --> 1:24:30.040
<v Speaker 3>There's no denying his star power. Though, there's no denying

1:24:30.080 --> 1:24:31.559
<v Speaker 3>that he's definitely a star.

1:24:32.479 --> 1:24:35.160
<v Speaker 2>Yeah, and he wanted to do other things, Yeah, he Bro.

1:24:35.280 --> 1:24:38.599
<v Speaker 2>He tried to explain that to you. He's a whole

1:24:38.680 --> 1:24:40.840
<v Speaker 2>office at Rock Nation that's just dedicated to cutting.

1:24:40.920 --> 1:24:43.760
<v Speaker 5>So is Ebra having a rough years, like a rough year?

1:24:44.200 --> 1:24:44.600
<v Speaker 1>You think so?

1:24:45.520 --> 1:24:47.400
<v Speaker 2>I think it was a blessing that that they got

1:24:47.439 --> 1:24:51.160
<v Speaker 2>out of Hot ninety seven. Probably, I definitely think We're

1:24:51.200 --> 1:24:53.120
<v Speaker 2>Hot was going. I think that was perfect for that.

1:24:53.160 --> 1:24:55.800
<v Speaker 2>I actually think Ebro's probably having an amazing year to

1:24:55.920 --> 1:24:58.599
<v Speaker 2>get out of that something that was a burden at

1:24:58.640 --> 1:25:00.720
<v Speaker 2>that point for you. Hebro's doing great.

1:25:00.960 --> 1:25:03.559
<v Speaker 1>I like to add ons with their show as well

1:25:03.960 --> 1:25:04.439
<v Speaker 1>at Apple.

1:25:04.840 --> 1:25:06.439
<v Speaker 2>I like the guys that they added in. I think

1:25:06.479 --> 1:25:09.800
<v Speaker 2>that that just brings more conversation everything. Yeah, Bro, Ebro

1:25:11.120 --> 1:25:14.759
<v Speaker 2>likes to be hated, which he's admitted, and he's extremely

1:25:14.880 --> 1:25:17.960
<v Speaker 2>good at talking. Ebro will always be fine. Hebro actually

1:25:17.960 --> 1:25:20.479
<v Speaker 2>has talent, he has perspective. Ebro will always be fine.

1:25:21.080 --> 1:25:22.599
<v Speaker 2>And people don't know what he does behind the scenes

1:25:22.640 --> 1:25:24.240
<v Speaker 2>for Apple too. He's not just a talking head.

1:25:24.800 --> 1:25:25.040
<v Speaker 5>Yeah.

1:25:25.320 --> 1:25:27.800
<v Speaker 1>So no, I'm I think Ebro's I think he is

1:25:27.840 --> 1:25:28.360
<v Speaker 1>doing just fun.

1:25:28.600 --> 1:25:30.240
<v Speaker 4>You know I didn't when I said a tough year,

1:25:30.280 --> 1:25:32.639
<v Speaker 4>I didn't mean not financially. No, no, no, of course,

1:25:32.640 --> 1:25:36.320
<v Speaker 4>of course you're saying like puperception. Yeah, yeah, public perception.

1:25:36.439 --> 1:25:41.040
<v Speaker 1>May shout out to Ebro. Laurel Styles and Rosenberg.

1:25:41.120 --> 1:25:43.040
<v Speaker 2>They had Ero's daughter on their show, told about her

1:25:43.080 --> 1:25:45.439
<v Speaker 2>flag football league, like that was like the fly shit

1:25:45.479 --> 1:25:48.880
<v Speaker 2>ever to me. Have your daughter plugged her flag football

1:25:48.920 --> 1:25:51.640
<v Speaker 2>league on your podcast. Amar is gonna come here and

1:25:51.720 --> 1:25:54.000
<v Speaker 2>just paint for two hours right while we're recording. One day,

1:25:55.880 --> 1:25:58.000
<v Speaker 2>all the kids are coming on you. Hurry up, have

1:25:58.080 --> 1:25:59.639
<v Speaker 2>some kids. We're doing the kids' cast.

1:26:00.040 --> 1:26:02.320
<v Speaker 5>I'm having him in two years, two three, three years?

1:26:03.520 --> 1:26:06.960
<v Speaker 1>Do we know we know the father yet? Do you

1:26:07.080 --> 1:26:07.439
<v Speaker 1>know him?

1:26:08.240 --> 1:26:08.920
<v Speaker 5>I don't know him?

1:26:10.640 --> 1:26:13.519
<v Speaker 1>Like what we talking about? We don't know? You don't

1:26:13.560 --> 1:26:14.000
<v Speaker 1>know him yet?

1:26:14.080 --> 1:26:15.519
<v Speaker 5>Well, I don't know. I might know him, might not,

1:26:16.800 --> 1:26:21.600
<v Speaker 5>I don't know Whoever. The yellow brick road leads me.

1:26:21.640 --> 1:26:23.760
<v Speaker 3>I'm gonna treat you like this, UZI e bro in

1:26:24.200 --> 1:26:27.519
<v Speaker 3>ten years, I'll be like, y'all, I thought you ain't

1:26:27.560 --> 1:26:27.880
<v Speaker 3>noticed it.

1:26:30.080 --> 1:26:30.720
<v Speaker 1>I can't wait.

1:26:31.080 --> 1:26:32.560
<v Speaker 3>I can't wait till I see you you have a

1:26:32.640 --> 1:26:34.599
<v Speaker 3>baby with Yeah, I'm bla in the marriage. I thought

1:26:34.640 --> 1:26:36.160
<v Speaker 3>you said you ain't noticed. You're gonna be a god

1:26:36.240 --> 1:26:41.559
<v Speaker 3>dad for sure? Okay for sure? I mean I could

1:26:41.560 --> 1:26:43.880
<v Speaker 3>be the Godfather. I want me to dress up as

1:26:43.880 --> 1:26:46.240
<v Speaker 3>a godfather too, like on the whole, like, what do

1:26:46.280 --> 1:26:49.200
<v Speaker 3>you mean god followed the movie? I got to wear

1:26:49.280 --> 1:26:52.680
<v Speaker 3>like that suit, that hat, oh cold on over this? Nah,

1:26:53.200 --> 1:26:55.640
<v Speaker 3>the God's fine, the silks golf. I gotta have the

1:26:55.680 --> 1:26:56.320
<v Speaker 3>silkscf on.

1:26:56.800 --> 1:26:59.879
<v Speaker 2>Do the suit with the burbon, he said to godspeed

1:27:00.920 --> 1:27:01.320
<v Speaker 2>the gods.

1:27:01.439 --> 1:27:04.000
<v Speaker 1>The gods met Father, I am the God's feet Father. Yeah,

1:27:04.080 --> 1:27:06.760
<v Speaker 1>put that on it. Put the silk scarf on, right. No,

1:27:06.960 --> 1:27:07.960
<v Speaker 1>you wouldn't want me to do that.

1:27:08.200 --> 1:27:10.400
<v Speaker 5>No, I just want you to, you know, train him

1:27:10.479 --> 1:27:11.160
<v Speaker 5>up in the way of men.

1:27:11.560 --> 1:27:13.519
<v Speaker 1>Gotcha. Oh yeah, that's easy. I got you. I cankay

1:27:13.960 --> 1:27:16.439
<v Speaker 1>Prince to Rihanna. Yeah, thank thank god she was.

1:27:16.479 --> 1:27:19.280
<v Speaker 3>Thank god thing got her. Family is safe. Rihanna's home

1:27:19.400 --> 1:27:21.800
<v Speaker 3>was shot up. A woman shot at Rihanna's home, and

1:27:21.920 --> 1:27:25.479
<v Speaker 3>I think Beverly Hills, right, yeah, she was how Rihanna

1:27:25.640 --> 1:27:25.920
<v Speaker 3>was home?

1:27:26.320 --> 1:27:28.000
<v Speaker 1>Wouldn't have it happen? Oh she was. I'm sorry.

1:27:28.040 --> 1:27:31.000
<v Speaker 2>I thought she wasn't home. She's christ Thank God.

1:27:31.160 --> 1:27:32.960
<v Speaker 5>I think her her, the kids, I think they were

1:27:33.000 --> 1:27:33.360
<v Speaker 5>all home.

1:27:33.760 --> 1:27:37.920
<v Speaker 1>Yeah, but the woman was. She was uh apprehended.

1:27:37.960 --> 1:27:40.720
<v Speaker 3>She was arrested and she's booked on the tempted murder

1:27:40.840 --> 1:27:45.839
<v Speaker 3>charges and that carries a thirty five year sentence if convicted.

1:27:45.960 --> 1:27:48.599
<v Speaker 1>So hopefully that woman is convicted and gets thirty five

1:27:48.680 --> 1:27:49.240
<v Speaker 1>years in prison.

1:27:50.280 --> 1:27:52.760
<v Speaker 3>Just shooting at anybody's home is crazy, like, I don't

1:27:53.400 --> 1:27:57.280
<v Speaker 3>you know, obviously this woman is not mentally you know there,

1:27:57.960 --> 1:27:58.799
<v Speaker 3>But either way.

1:27:58.840 --> 1:28:00.559
<v Speaker 1>I mean, there's no sympathy for that. You shoot at

1:28:00.560 --> 1:28:03.960
<v Speaker 1>somebody's house, you should face the maximum penalty. So glad

1:28:04.040 --> 1:28:05.360
<v Speaker 1>Rihan and her family are safe.

1:28:05.680 --> 1:28:07.680
<v Speaker 3>I'm glad anybody else that was in that area is

1:28:07.760 --> 1:28:12.200
<v Speaker 3>safe because we did see years ago mister Clarence Avon

1:28:12.320 --> 1:28:14.720
<v Speaker 3>when his home was invaded, his wife was killed in

1:28:14.800 --> 1:28:18.080
<v Speaker 3>their kitchen. Ram person just broke into the house and

1:28:18.560 --> 1:28:22.240
<v Speaker 3>shot us. So sit like this is scary, but you know,

1:28:22.479 --> 1:28:24.479
<v Speaker 3>this is the world we live in. So gras to

1:28:24.560 --> 1:28:26.240
<v Speaker 3>Rihanna her family and thank god that did safe.

1:28:26.360 --> 1:28:28.280
<v Speaker 1>I don't want to speak anything into existence.

1:28:28.360 --> 1:28:32.000
<v Speaker 2>I'm just observing how the internet works now, how the

1:28:32.120 --> 1:28:33.200
<v Speaker 2>stand world works now.

1:28:33.320 --> 1:28:33.840
<v Speaker 1>It's crazy.

1:28:33.960 --> 1:28:36.160
<v Speaker 2>I hope we don't start to see more of this,

1:28:37.280 --> 1:28:39.519
<v Speaker 2>And in my head, I'm thinking We're going to start

1:28:39.560 --> 1:28:41.160
<v Speaker 2>to see more of this. But I'm trying not to

1:28:41.200 --> 1:28:43.960
<v Speaker 2>be pessimistic or speak anything negative in the world. But

1:28:44.200 --> 1:28:47.360
<v Speaker 2>the way people are moving, how accessible celebrities are, how

1:28:47.439 --> 1:28:49.720
<v Speaker 2>easy it is to get the address and know where

1:28:49.800 --> 1:28:52.559
<v Speaker 2>people are, and how sick in the head. Social media

1:28:52.560 --> 1:28:56.000
<v Speaker 2>has made some of these stand groups. It would not

1:28:56.120 --> 1:28:58.599
<v Speaker 2>shock me if this does not become more of a thing.

1:28:59.439 --> 1:29:01.280
<v Speaker 1>No, but that's want this. I want her to get

1:29:01.320 --> 1:29:02.439
<v Speaker 1>thirty five years. You got to set the.

1:29:02.400 --> 1:29:04.800
<v Speaker 2>Example if you should even throw a book at her,

1:29:04.880 --> 1:29:06.960
<v Speaker 2>If you shoot into a house with kids in it,

1:29:07.120 --> 1:29:11.120
<v Speaker 2>I understand that's not a murder charge. That with carry's life,

1:29:11.120 --> 1:29:13.160
<v Speaker 2>but it should be more than thirty five years. I

1:29:13.240 --> 1:29:15.360
<v Speaker 2>don't know if therapy is gonna if this woman's gonna

1:29:15.360 --> 1:29:16.519
<v Speaker 2>come out in thirty five.

1:29:16.439 --> 1:29:19.439
<v Speaker 1>Years and be rehabilitating that therapy shit. No that I

1:29:19.439 --> 1:29:19.680
<v Speaker 1>don't know.

1:29:19.720 --> 1:29:21.559
<v Speaker 3>I don't think that this woman with thirty five years

1:29:21.600 --> 1:29:24.120
<v Speaker 3>of therapy go sit in that cell for thirty five years.

1:29:24.160 --> 1:29:26.679
<v Speaker 1>No, I'm saying in jail when she's doing her thirty

1:29:26.720 --> 1:29:27.120
<v Speaker 1>five years.

1:29:27.680 --> 1:29:32.439
<v Speaker 2>Usually when people are arrested and face insanity, they maybe

1:29:32.520 --> 1:29:34.719
<v Speaker 2>end up in certain jails where they'll have a therapist

1:29:34.840 --> 1:29:37.920
<v Speaker 2>or something because they're mentally insane. I'm saying, fuck all that.

1:29:38.280 --> 1:29:40.040
<v Speaker 2>I don't think therapy is going to change this woman

1:29:40.080 --> 1:29:41.960
<v Speaker 2>in thirty five years. I don't think she's gonna come

1:29:41.960 --> 1:29:44.439
<v Speaker 2>out rehabilitated. I think that's still a danger to society.

1:29:44.720 --> 1:29:46.519
<v Speaker 2>If you're sick in the head, enough to go in

1:29:46.640 --> 1:29:48.680
<v Speaker 2>front of someone's house that you do not know, but

1:29:48.800 --> 1:29:50.960
<v Speaker 2>because they're a celebrity and start shooting into their house

1:29:51.000 --> 1:29:51.360
<v Speaker 2>with kids.

1:29:51.600 --> 1:29:53.479
<v Speaker 1>Yeah, that's crazy. I don't know if you're.

1:29:53.360 --> 1:29:54.560
<v Speaker 2>Gonna come out in thirty five and be like, you

1:29:54.600 --> 1:29:55.840
<v Speaker 2>know what, that was a different I.

1:29:55.920 --> 1:29:58.760
<v Speaker 1>Learned my lesson. Yeah, nah, give them thirty five years.

1:29:58.840 --> 1:30:01.400
<v Speaker 3>Keep people like that off the streets because, like you said,

1:30:01.520 --> 1:30:04.400
<v Speaker 3>innocent people just in their home and somebody shooting at them.

1:30:04.640 --> 1:30:06.120
<v Speaker 1>You need to make an example out of that person.

1:30:06.400 --> 1:30:09.400
<v Speaker 2>Yeah, before we get out of here. Also, speaking of Ero,

1:30:09.560 --> 1:30:13.040
<v Speaker 2>Stove God was on Apple talking about his project he

1:30:13.120 --> 1:30:15.599
<v Speaker 2>has pushing t in Westside Gun are the only features

1:30:16.280 --> 1:30:20.200
<v Speaker 2>completely produced by Swizz Beats. I love Swizz front of

1:30:20.240 --> 1:30:23.719
<v Speaker 2>the show, our brother in arms. I will be honest,

1:30:23.800 --> 1:30:26.200
<v Speaker 2>I think this is either going to be absolutely amazing

1:30:26.560 --> 1:30:27.360
<v Speaker 2>or completely missed.

1:30:27.360 --> 1:30:28.679
<v Speaker 1>I don't think they'll be a middle ground.

1:30:30.400 --> 1:30:32.439
<v Speaker 2>I don't know how like I feel, you understand what

1:30:32.439 --> 1:30:34.840
<v Speaker 2>you're saying. I love Swizz a lot, one of the

1:30:34.840 --> 1:30:38.120
<v Speaker 2>greatest producers ever. If he's not locked in and Stove

1:30:38.200 --> 1:30:42.240
<v Speaker 2>God is his only priority in focus, it would make

1:30:42.320 --> 1:30:45.679
<v Speaker 2>me nervous. But I do think Stove God is really

1:30:45.720 --> 1:30:49.840
<v Speaker 2>great at picking beats, so I hope that off.

1:30:50.000 --> 1:30:54.599
<v Speaker 3>Great at picking beats, great at writing hooks, so great

1:30:54.640 --> 1:31:00.360
<v Speaker 3>at melodies, great melodies, great at bars. I hope he's

1:31:00.600 --> 1:31:02.719
<v Speaker 3>just as involved in the production.

1:31:03.760 --> 1:31:06.160
<v Speaker 1>I hope it's not. Here's ten beats I made you

1:31:06.320 --> 1:31:06.800
<v Speaker 1>rap on them?

1:31:06.840 --> 1:31:09.040
<v Speaker 3>Now what a song that they put out the Swiss

1:31:09.120 --> 1:31:13.240
<v Speaker 3>joint the first record, so we got ten more of those?

1:31:14.240 --> 1:31:16.960
<v Speaker 1>Yeah, all all's good. Alls, Well, I do.

1:31:17.120 --> 1:31:20.719
<v Speaker 2>Hope Swizz is heavily involved with the visuals and directing

1:31:20.760 --> 1:31:24.160
<v Speaker 2>the music, the artistic creativity, artistic direction of it all. Yeah,

1:31:24.160 --> 1:31:26.679
<v Speaker 2>because Swizz Swiss is great at that stuff. But yeah,

1:31:26.800 --> 1:31:27.560
<v Speaker 2>I'm excited for that.

1:31:27.800 --> 1:31:29.800
<v Speaker 1>All right, Well, good to see you guys. Good to

1:31:29.880 --> 1:31:31.400
<v Speaker 1>be back with the Gang Gang Gang.

1:31:31.920 --> 1:31:35.479
<v Speaker 3>Yes, sir baby, check out that Yeba project. Check it

1:31:35.520 --> 1:31:38.000
<v Speaker 3>out some joints on there. Just don't end up in Montana.

1:31:38.760 --> 1:31:40.080
<v Speaker 3>You might just end up in a car and just

1:31:40.840 --> 1:31:41.400
<v Speaker 3>you know what I'm saying.

1:31:41.400 --> 1:31:42.960
<v Speaker 5>I like to go for walks with music like that.

1:31:43.240 --> 1:31:44.360
<v Speaker 1>Walks you're about to.

1:31:45.880 --> 1:31:46.559
<v Speaker 5>Want to eat crib.

1:31:46.640 --> 1:31:48.680
<v Speaker 1>You're about to be in Rhode Island, So don't worry

1:31:48.680 --> 1:31:49.760
<v Speaker 1>about it. You walk, get roade out.

1:31:50.000 --> 1:31:52.639
<v Speaker 2>Yeah, but it's a good nature, walk on. You could

1:31:52.640 --> 1:31:55.640
<v Speaker 2>walk to Rhode Island on it definitely put Just go

1:31:55.760 --> 1:31:59.240
<v Speaker 2>to Central Park. Yeah good yeah, sixty five seventy degrees out,

1:31:59.320 --> 1:32:01.200
<v Speaker 2>perfect time. Just listen to Yether and go to Central

1:32:01.240 --> 1:32:03.439
<v Speaker 2>Park and just walk around. You might see Kevin McAllister,

1:32:03.520 --> 1:32:07.840
<v Speaker 2>who knows you might who knows it's nice out.

1:32:08.120 --> 1:32:10.879
<v Speaker 1>All right, we'll talk to y'all soon. Be safe, be blessed.

1:32:11.160 --> 1:32:15.920
<v Speaker 1>I'm that nigga. He's just Ginger. That's baby d No

1:32:16.400 --> 1:32:17.160
<v Speaker 1>willian No