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Speaker 1: Nollian, No, doctor, we are back.

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Speaker 2: And that's a fact. Seventy degrees. If you're not in

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Speaker 2: a good mood in New York.

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Speaker 3: City, listen, they're throwing out, but it's on the paxel.

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Speaker 3: They're throwing out, and you know, you know who they are.

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Speaker 3: I don't know who they is, My love legs.

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Speaker 1: The soft legs is throwing out. They throwing out. You're

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Speaker 1: the knees out to their.

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Speaker 4: No our fully covered pants. Okay, yeah, oh it was Ramadan.

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Speaker 4: I'm doing a little lot.

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Speaker 2: Yes, seventy five and.

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Speaker 1: And ice cream Man is back, that is true. Seen

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Speaker 1: mister Softy uptown yesterday. Pause, mister Softy uptown. That might

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Speaker 1: be a poll. That's a Paul. It might be a Poe.

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Speaker 1: That's a legitimate.

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Speaker 3: I'm just saying, how how do we say we say Pauls,

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Speaker 3: mister softy.

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Speaker 4: You could say Pauls mister softy, or you could just

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Speaker 4: say the ice cream man, like we all assume it's

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Speaker 4: mister Softy, Like we don't need you to put a name.

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Speaker 1: The ice creaman is back out, unless you're calling Drake that.

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Speaker 1: Then I'm saying, Pauls.

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Speaker 5: Where has name even come from?

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Speaker 1: Iceman ice Cream man. Nah, like, nah, just leave him,

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Speaker 1: just leave him alone, let him do what he's doing.

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Speaker 2: I'm still trying to get over. I'm calling him the

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Speaker 2: boy Poppy. I'm definitely not moving over on to ice cream.

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Speaker 1: No, no, just Drake. Nobody asked for Drake's name right there.

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Speaker 3: Cut it out, just put a beep. But yes, the

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Speaker 3: ice cream.

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Speaker 1: Man is back. That means baby d times upon us

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Speaker 1: is around the corner.

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Speaker 5: New Yorkers do this every year. It's around the corner

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Speaker 5: and then March come and whoop that ad.

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Speaker 1: That is a fact. No, it's gonna be thirty eight Friday.

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Speaker 2: I just want yeah, yeah, March places with it's gonna

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Speaker 2: be thirty years because if this was seven years ago,

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Speaker 2: we would have been a blockheads and nastiness.

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Speaker 3: So somebody last night with Shortz, and I was just

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Speaker 3: looking at him like fam not yet, not yet, Like

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Speaker 3: come on, shorts, No.

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Speaker 2: I was uptown last night. It looks like Harlem summer

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Speaker 2: in there.

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Speaker 1: Shorts. People had three buttons down. Yeah, come on, come on, yeah,

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Speaker 1: y'all doing too much. Y'all gonna be sick, coughing pneumonia

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Speaker 1: next week this time. Like see, just relax, relax, put

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Speaker 1: the heavy heavy.

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Speaker 3: You could put the heavy, heavy, heavy coats away, but

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Speaker 3: don't put the light little jackets.

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Speaker 1: Don't. Don't put the jackets away yet, keep the jackets

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Speaker 1: in the glove.

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Speaker 2: If you can hear, I am congested. That is because

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Speaker 2: we went from thirty degree blizzard to seventy degrees within

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Speaker 2: one week.

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Speaker 1: Yeah, and my body can't handle that.

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Speaker 4: Man.

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Speaker 1: Just get you some ginger. Get you ginger, my body ginger. Yeah.

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Speaker 1: I mean, eat your own people today and you'll be

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Speaker 1: just fine.

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Speaker 2: Not cannibalism, Yeah, I guess the not a pose. No,

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Speaker 2: that's not a I actually went outside and did something

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Speaker 2: this weekend.

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Speaker 5: I saw Mitch story.

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Speaker 1: What did you do Rory yesterday? Yesterday?

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Speaker 2: I was, I was. I was kind of outside yesterday.

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Speaker 2: It was it was a nice day. Stopped by Marlin,

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Speaker 2: had a video shoot stop by there first. Then I

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Speaker 2: went to c J and Tiana, who are are biggiest kids.

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Speaker 2: They had a taste testing for the restaurant that they're

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Speaker 2: opening called Big Papa's Maya, which was incredible. The food,

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Speaker 2: I'm not just just saying this. The food was incredible

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Speaker 2: West Indian. The steak was great, jerk wings were incredible,

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Speaker 2: curry chicken, was great.

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Speaker 1: It was a good time. It was a good time.

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Speaker 2: All of Junior Mafia was there, even Kim was there,

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Speaker 2: Like it was it was cool to just see everyone

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Speaker 2: get together for biggest Kids. And I hope they opened

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Speaker 2: the restaurant soon. So it was it was a good time.

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Speaker 2: It was a good good hang.

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Speaker 1: Yeah.

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Speaker 2: So Sea's was in there, Ship the lockscept everyone was there.

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Speaker 2: It was it was a really good time.

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Speaker 1: That was dope, man.

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Speaker 5: So what Mitch story. Mitch's story?

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Speaker 1: Oh well, once I left.

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Speaker 2: I mean because Junior ma he is probably the only

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Speaker 2: adults that can out drink me. Like I told you

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Speaker 2: guys on the Rock, the Bells Cruise, I couldn't keep

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Speaker 2: up with Jada kissing little Seas and I can drink

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Speaker 2: for real, for real, I can't drink till six ams

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Speaker 2: so the sun comes up. Yeah, that's just not like

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Speaker 2: Neil could still out drink a thirty five year old

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Speaker 2: man in his prime of drinking. So I had a

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Speaker 2: little little the juice in me. So I was like,

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Speaker 2: let me go uptown to Shark Bar, go see Mitch

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Speaker 2: and Major, And boy did all the steam leave me

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Speaker 2: once I got in there. I can't I can't hang

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Speaker 2: whole car ride.

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Speaker 1: I'm pumped. I'm like, Yo, on my way you called me.

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Speaker 3: I'm like, Sam, I'm in the house, like I'm not

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Speaker 3: going nowhere on a Sunday night, Like I'm chilling. They

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Speaker 3: was in there though. Shock Bars is dope. Shout out

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Speaker 3: to shock Ball, shoutut to Mitch. If you know in

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Speaker 3: hallm on Sundays, go to the shock Ball, Shout out

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Speaker 3: Mitch till her we sent you.

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Speaker 5: Tell her we sent you. Go uptown. Tell him that

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Speaker 5: I sent.

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Speaker 1: You on town to hall them. Tell Mitch I sent you.

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Speaker 1: And Mitch is a hustler.

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Speaker 2: I'm thinking, Yo, it's coworkers friends, Like, of course I'm

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Speaker 2: there to pay.

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Speaker 1: I'm never somebody that shows up somewhere to support.

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Speaker 3: Payn't like when you say that, yeah, because you don't

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Speaker 3: got to say that.

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Speaker 2: No, but there's a lot of people that assume when

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Speaker 2: they go to their friend's spot. Yeah them, I've never

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Speaker 2: been that person.

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Speaker 1: Yeah.

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Speaker 2: I paid for the Russell's album. It's on DSPs. I support.

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Speaker 2: I'm a supporter of my friends. Miss ain't given give

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Speaker 2: a little friend discount somebody and I tipped her on cash.

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Speaker 1: God damn, hey that hey that you know in my podcast.

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Speaker 1: I like that though.

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Speaker 3: I like going to see my friends at work and like, yeah,

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Speaker 3: I'm one of those people like if I go to

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Speaker 3: your job, like you work here, make sure I pay, Like,

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Speaker 3: don't don't give me no discoun I'm gonna pay the

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Speaker 3: full price.

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Speaker 1: Should know it you work here.

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Speaker 2: And then Mitch had had had a few on her

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Speaker 2: story before I got there. She's like, where you want

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Speaker 2: to sit? I was like, sitting next to the people

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Speaker 2: that was on your story just because they seem to

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Speaker 2: be your friends. That's that's the only that's the only

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Speaker 2: reason why I wanted to say. It's like, oh they

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Speaker 2: left that. I was like, that's why I came.

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Speaker 1: Yeah, nothing worse.

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Speaker 3: When you go to the party looking for the girl

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Speaker 3: that's on the fly, she ain't on the fly, like

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Speaker 3: ain't even here.

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Speaker 1: That's like, we don't even know that girl.

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Speaker 2: Like you mean you mean Rihanna's not here?

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Speaker 1: Like Rihanna's not here tonight. Nah.

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Speaker 2: Those used to be the funniest like club and party

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Speaker 2: flyers where they just throw anything.

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Speaker 3: Any pretty model just on this like yo, shorty not here,

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Speaker 3: Like nah, I don't even know who that woman is.

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Speaker 1: But we are Backsponsored by Boost moo unlimited talk, text

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Speaker 1: and data. Absolutely did you do anything this weekend? I

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Speaker 1: kept it like this weekend, I ain't do much this weekend. Man,

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Speaker 1: I was chilling. I was gonna go to the movies

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Speaker 1: to see, Uh, what's that movie? I said, I wanted

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Speaker 1: to see it, not not Scream seven, the other movie.

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Speaker 1: So I think it's another scary movie. I forgot the

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Speaker 1: name of it, but I was gonna go see that.

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Speaker 1: But then I was just chilled in the house and

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Speaker 1: watch a few games. That was it much this weekend.

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Speaker 1: When you called me, I was already like settled in

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Speaker 1: for the night. I was like, get dressed and go

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Speaker 1: uptown and I was like, nah, man, let me sit

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Speaker 1: in the house and chill. So that's what I did.

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Speaker 2: Yeah, I didn't stay too long, but I rarely have

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Speaker 2: time to go out, so I figured i'd go go

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Speaker 2: support and hang out for a little bit.

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Speaker 3: Washington a movie on Netflix, War Machine. I don't know

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Speaker 3: I y'all saw that yet. War Machine good. It's a

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Speaker 3: good movie. Definitely check that out on Netflix.

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Speaker 1: War Machine.

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Speaker 5: What is it about?

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Speaker 1: Uh?

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Speaker 3: So it's just this range this guy he's training to

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Speaker 3: be a ranger Army ranger. But then like some crazy

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Speaker 3: shit happens and they think that they're on like because

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Speaker 3: they initially they were sent into like it was part

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Speaker 3: like the last test to become a ranger, and then

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Speaker 3: some crazy shit ends up happening. They think it's part

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Speaker 3: of like the drilling the test. Come to find out

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Speaker 3: it's like a killing machine that like crash landed on Earth.

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Speaker 1: They happen to run into in the middle of the woods,

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Speaker 1: and like.

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Speaker 3: Now they gotta like like they're not even like real

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Speaker 3: rangers yet, you know what I'm saying.

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Speaker 1: So now they gotta use tactics.

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Speaker 3: They got to become like rangers on the spot for

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Speaker 3: real and like try to get back to the base.

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Speaker 1: Like it's a good movie, though, I see Dennis quad

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Speaker 1: is that it?

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Speaker 2: Yeah, I'm always saying for Dennis Quady always plays a

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Speaker 2: good father figure in every movie.

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Speaker 1: You know, he's the general.

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Speaker 3: Definitely, And Dennis Quady ain't running around doing stunts no

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Speaker 3: more those those days old.

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Speaker 2: He's gonna have a concern while looking at the data

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Speaker 2: entire time exactly, I am caught up with Paradise.

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Speaker 4: Spoiler alert, Please fast forward five minutes if you want

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Speaker 4: to skip talk about Paradise and spoilers.

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Speaker 2: All the way, caught up, all the way caught up. Yes,

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Speaker 2: so you've been what not not including the episode that

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Speaker 2: comes out today?

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Speaker 1: Right last night? Last night? I didn't see that one.

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Speaker 4: So you're on four. You watched up to four? Yeah, okay,

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Speaker 4: you watched the first season?

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Speaker 1: Okay? Yeah.

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Speaker 2: You know what's so funny when you guys talk about Paradise.

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Speaker 2: I completely forgot. I watched the first season okay, and

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Speaker 2: then I went and was like, oh, they keep talk

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Speaker 2: about Paradise. I was like, oh wait, I love the show.

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Speaker 1: Yeah.

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Speaker 2: Yeah, I didn't even know season two came up, but yeah,

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Speaker 2: I've been season two. I was in the beginning. I

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Speaker 2: was like, all right, how many flashbacks are we going

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Speaker 2: to fucking do? But they're they're tying it together with

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Speaker 2: all the flashbacks.

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Speaker 1: Yeah. I like what they're doing. I was a little

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Speaker 1: nervous on episode one. It was like, a right, man,

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Speaker 1: what are we? What are we doing?

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Speaker 5: I knew.

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Speaker 2: I knew Shorty was gonna get pregnant though, Yeah that

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Speaker 2: was the I was like, how irresponsible would it be?

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Speaker 1: The fuck?

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Speaker 4: At a time like this, it's a great, great and

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Speaker 4: not pull out. I feel like you should pull out

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Speaker 4: fucking whatever.

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Speaker 3: But at least the world lead that in there for

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Speaker 3: what pulling off? For what we all about to die for? What?

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Speaker 4: What?

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Speaker 1: What?

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Speaker 4: If I was him, I'd have left that baby with them,

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Speaker 4: with them people.

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Speaker 2: Listen, And I don't care spoilers, you know, pissed off

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Speaker 2: I'd be if I met a stranger and then the

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Speaker 2: next day they dumped a newborn baby on me, like you.

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Speaker 3: Selfish, But I mean in the scheme of what was

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Speaker 3: going on, it makes sense though, like everybody has to

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Speaker 3: like just.

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Speaker 2: Well, throwing a newborn into modern society right now, it

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Speaker 2: can be a monkey wrench what they're going through and

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Speaker 2: try to get to Atlanta.

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Speaker 1: Here's a newborn baby.

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Speaker 4: Well, it's the type of man he is, Like, I

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Speaker 4: don't think they would do that, like with you, because

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Speaker 4: you would obviously not want that. But he even taking

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Speaker 4: the baby with him, like anybody else would have drop

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Speaker 4: that baby off. He like, nah, I got it, that's

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Speaker 4: just the type of due he was. I don't love

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Speaker 4: my baby with him too.

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Speaker 1: He promised he would take the baby to the father.

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Speaker 2: Yeah, yeah, because if the father wasn't going to in Colorado,

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Speaker 2: I'm sure he probably would have left that baby with

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Speaker 2: with the people at the house, because there's no way

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Speaker 2: you're just getting on a horse with a newborn and

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Speaker 2: you can't even provide know.

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Speaker 1: What, we just spoiled it for everybody that has not

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Speaker 1: seen it.

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Speaker 4: We just we're gonna put a big spoiler or peach

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Speaker 4: mark that we're gonna put a spoiler alert before we

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Speaker 4: say that.

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Speaker 1: All right, cool.

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Speaker 2: I mean I do feel like if we put out

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Speaker 2: episodes four times a week, like, just just keep up

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Speaker 2: with the shows. I don't want to wait six weeks

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Speaker 2: to then talk about episode four.

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Speaker 3: Yeah, and they're facing out the drops just like every

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Speaker 3: once a week, so you should be caught up on

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Speaker 3: Paradise by now.

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Speaker 2: But either way, amazing show. And then I like the cliffhanger.

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Speaker 2: Did you guys watch the episode that came out last night?

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Speaker 1: Yeah? I did? No, I didn't, So they left us

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Speaker 1: on a little cliffhanger. Oh wait to wait to watch

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Speaker 1: episode far When when Homie was like your wife's my partner,

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Speaker 1: I was like, oh shit, she has a weird she

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Speaker 1: has a weird range of types.

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Speaker 5: That's what you're thinking about.

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Speaker 4: Oh my god, she's missing this nigga, Like nah, she

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Speaker 4: moved on, Like, don't.

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Speaker 2: If you fucking my wife. Don't call her your partner.

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Speaker 2: I've been fucking your wife though, he was going, what

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Speaker 2: you want for me?

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Speaker 4: That's no. He said it the right way. He said

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Speaker 4: it in the most respectful way he could.

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Speaker 1: Well.

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Speaker 2: I didn't know because the cliffhanger when he was saying partner,

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Speaker 2: I didn't know if he meant like that's my he

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Speaker 2: was my partner, like that's.

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Speaker 1: You gotta watch how you say that, but.

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Speaker 2: That's what I'm saying. It left it open and ended,

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Speaker 2: and I thought because of his appearance, they were trying

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Speaker 2: to make us think like, nah, she wouldn't fuck him,

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Speaker 2: so that must be like that they must be the

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Speaker 2: partner to save the world or something.

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Speaker 5: No, you could tell that that romantically very different times.

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Speaker 1: I can't say is my partner. I can't say that.

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Speaker 1: There has to be context. That's a co hosts. According

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Speaker 1: to the High r S, we.

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Speaker 3: Are No, we're we're business associates, not.

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Speaker 1: Even partners. You can't put partners in him. Tell me,

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Speaker 1: I can't.

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Speaker 2: Believe what are we right now? We are much more

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Speaker 2: than associates associates.

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Speaker 4: We're business associates with teammates.

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Speaker 3: Fit we got teammates Mike and Scotty. Know we're not

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Speaker 3: y'all own Steve Kurt, No.

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Speaker 2: No, damn we we are whoever owned the bulls and

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Speaker 2: whoever had the other fifty percent of it.

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Speaker 5: Okay, y'all are business partners owners.

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Speaker 1: If I'm in a rush, I'm going to say partner

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Speaker 1: a See, it sounds nasty. It's something me and him.

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Speaker 5: But back in the day he said my partner, my patterner.

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Speaker 1: I never said that.

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Speaker 5: Ya, I still says that, Yeah, my partner in them.

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Speaker 2: I still said, like Three Stacks and Big Boy are

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Speaker 2: partners for.

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Speaker 1: Sure, exact those partners right there.

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Speaker 2: But yeah, all right, well, don't spoil that because I

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Speaker 2: do want to watch what I took from that that

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Speaker 2: they like were working on science together, like because he

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Speaker 2: put a bunch of things before, like that's my that's

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Speaker 2: my people, but it's also my partner.

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Speaker 1: Keep watching.

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Speaker 2: It gets also every bold like when a husband comes

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Speaker 2: with a gun, a newborn and a horse at sundown

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Speaker 2: and you just walk out like you know, I'm fucking

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Speaker 2: your wife.

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Speaker 1: He didn't, like, that's not what me. But that's what

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Speaker 1: y'all are saying that. That's what No, that's what you

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Speaker 1: were saying that happened.

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Speaker 2: I think their science lab partners. I don't think they're fucking.

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Speaker 3: I think they're just people who, you know, are relying

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Speaker 3: on each other. When the world was in a.

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Speaker 1: Crazy space fair they were tram about it. Yeah, they

331
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Speaker 1: needed each other to kind of make it through. That's all.

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Speaker 3: But great, great show if you are not watching Paradise.

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Speaker 3: I don't know what you're watching right now, but definitely

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Speaker 3: the best show on TV right now.

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Speaker 2: Should we stay on the TI subject, it's never going

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Speaker 2: to way more, I'm sorry to say.

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Speaker 4: Well, TI movies TV kind of saying it all rolls

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Speaker 4: into one.

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Speaker 5: It's a good segue.

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Speaker 1: T I has beens. He's had his hand in all

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Speaker 1: three of those length right, Yeah.

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Speaker 2: Yeah, for sure. I think I'm gonna answer this question myself.

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Speaker 2: It's kind of a vain question. Do you think the

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Speaker 2: internet hates me or loves Demani?

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Speaker 5: I think they love DEMONI.

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Speaker 1: Okay, I'm just curious. Wait, why did you accep though?

347
00:13:48,040 --> 00:13:50,160
Speaker 1: Because he's young? Love DEMONI this much?

348
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Speaker 5: Is he self centered? That's why we always.

349
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Speaker 2: Played around with a fifty ship. I have a fifty

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Speaker 2: bias and that clip when when sort of viral. I

351
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Speaker 2: did not know that like, what, what's his barbs? Because

352
00:13:59,280 --> 00:14:01,680
Speaker 2: he has barbs? He doesn't unless y'all just really hate

353
00:14:01,720 --> 00:14:09,480
Speaker 2: me that much. No, it's just Domaniacs, Domainiacs. Hilarious, that's

354
00:14:09,520 --> 00:14:12,080
Speaker 2: definitely the Domainian get the Domaniacs.

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Speaker 5: That's so lame.

356
00:14:17,320 --> 00:14:21,200
Speaker 6: Demoniacs is fire walking with the domania But but Rory

357
00:14:21,480 --> 00:14:23,640
Speaker 6: you hate and still like it's like it's in your heart,

358
00:14:23,720 --> 00:14:26,680
Speaker 6: Like you don't even like domani No, you you keep

359
00:14:26,680 --> 00:14:28,000
Speaker 6: trying to convince us of that, Like.

360
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Speaker 2: I'm not quite a Domaniac, but I think he's a

361
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Speaker 2: good rapper.

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00:14:30,480 --> 00:14:32,400
Speaker 1: No, I'm a domaniac. You' jacking you?

363
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Speaker 4: Even you even asking? Does the internet just hate me?

364
00:14:35,240 --> 00:14:37,480
Speaker 4: Like or do they really like DEMONI? Why can't you

365
00:14:37,520 --> 00:14:40,480
Speaker 4: just understand that people disagree with you on his first disk,

366
00:14:40,520 --> 00:14:42,520
Speaker 4: people disagree with you, people hate him.

367
00:14:43,680 --> 00:14:45,120
Speaker 5: That's fine, but that's not what if that.

368
00:14:45,200 --> 00:14:47,960
Speaker 2: Was the response, I would completely I wish we could

369
00:14:48,000 --> 00:14:49,320
Speaker 2: go back to a world where we just go, you

370
00:14:49,320 --> 00:14:52,160
Speaker 2: know what, we disagree on music and then we can continue.

371
00:14:51,760 --> 00:14:54,520
Speaker 1: On with that world. Is that world is long gone.

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00:14:54,720 --> 00:14:59,520
Speaker 2: The Domaniacs are on some kbi ov Ho type ship

373
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Speaker 2: right now. Like I did not expect to get the

374
00:15:02,120 --> 00:15:04,920
Speaker 2: same amount of backlash just by saying it was a

375
00:15:05,000 --> 00:15:06,240
Speaker 2: diet Meet the Crims.

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00:15:06,600 --> 00:15:10,520
Speaker 4: It's not just because you said it was a diet

377
00:15:10,560 --> 00:15:13,320
Speaker 4: Meet the Grahams. You were very obviously hating. Like you

378
00:15:13,320 --> 00:15:15,640
Speaker 4: were very obviously hating, and people called you out on.

379
00:15:15,680 --> 00:15:16,080
Speaker 5: Being a hater.

380
00:15:16,200 --> 00:15:18,440
Speaker 1: Why can't we just like have fun with me? But

381
00:15:18,600 --> 00:15:19,080
Speaker 1: was that really?

382
00:15:19,120 --> 00:15:21,000
Speaker 2: Do you think I was really the way Demani was

383
00:15:21,000 --> 00:15:23,240
Speaker 2: losing sleep? Do you think I was really losing sleep?

384
00:15:23,320 --> 00:15:24,680
Speaker 1: He can't, he can't.

385
00:15:25,320 --> 00:15:27,320
Speaker 3: Is it hating or is it just he hated the song?

386
00:15:27,640 --> 00:15:29,600
Speaker 3: I didn't hate the song, Okay, did you hate the

387
00:15:29,800 --> 00:15:31,480
Speaker 3: type of song? Like the energy of the song? Like

388
00:15:31,720 --> 00:15:33,920
Speaker 3: you said, diet what he was like.

389
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Speaker 4: This is and he didn't just say this is a

390
00:15:35,400 --> 00:15:37,200
Speaker 4: this is you know, it's Meet the Grahams.

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Speaker 5: Ass this some diet Meet the Grahams. Bullshit is a

392
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Speaker 5: direct quote.

393
00:15:40,880 --> 00:15:43,800
Speaker 1: Yeah, no, I said that. No, I don't.

394
00:15:45,360 --> 00:15:48,120
Speaker 2: Hey, but look though, to tips on eggs shells about

395
00:15:48,120 --> 00:15:50,320
Speaker 2: talking about Demani's music, I can't joke.

396
00:15:51,120 --> 00:15:51,800
Speaker 5: You don't have to.

397
00:15:51,720 --> 00:15:54,680
Speaker 4: Tip on eggshells. But he did a good job. He's

398
00:15:54,720 --> 00:15:56,960
Speaker 4: getting eyes that he never had before. And people called

399
00:15:56,960 --> 00:15:59,560
Speaker 4: you out. I'm being a hater, but you're mister pires

400
00:15:59,640 --> 00:16:01,560
Speaker 4: hip hop. They always want some new We have no

401
00:16:01,680 --> 00:16:04,920
Speaker 4: talent new hip hop. Ship you got got some period

402
00:16:05,680 --> 00:16:10,200
Speaker 4: because there's the baby out seventy.

403
00:16:10,240 --> 00:16:12,480
Speaker 2: I don't like to be misrepresented because I said twenty

404
00:16:12,520 --> 00:16:14,040
Speaker 2: twenty five was one of the best years of hip

405
00:16:14,040 --> 00:16:15,120
Speaker 2: hop that we had a really long time.

406
00:16:15,120 --> 00:16:16,440
Speaker 1: I think there's a lot of amazing talent.

407
00:16:16,720 --> 00:16:19,280
Speaker 2: I went through every single verse on the Radar Freestyle

408
00:16:19,400 --> 00:16:21,640
Speaker 2: of the New Generation. I think there's plenty of great

409
00:16:21,640 --> 00:16:23,960
Speaker 2: new hip hop right now. So please, so please, do

410
00:16:24,080 --> 00:16:26,720
Speaker 2: not try to paint me as that person that thinks

411
00:16:26,800 --> 00:16:28,720
Speaker 2: hip hop is in some terrible space right now. I

412
00:16:28,720 --> 00:16:32,080
Speaker 2: think there's plenty of great artists, including Demani. But because

413
00:16:32,240 --> 00:16:34,800
Speaker 2: I think he's talented, he should still be on the

414
00:16:34,840 --> 00:16:37,840
Speaker 2: same fucking level of critique.

415
00:16:38,240 --> 00:16:41,680
Speaker 5: That's fine, we critique, We just critique Bruno Mars.

416
00:16:41,760 --> 00:16:43,640
Speaker 1: Now we can't critique DEMONI.

417
00:16:43,800 --> 00:16:45,560
Speaker 5: Fine, that's fine.

418
00:16:45,360 --> 00:16:47,160
Speaker 2: Because sorry, should we treat him special? Should we put

419
00:16:47,200 --> 00:16:49,200
Speaker 2: him over here? And he's he's above by any critique.

420
00:16:49,240 --> 00:16:52,240
Speaker 2: He's a body, He's above me cursing, he's above a joke.

421
00:16:52,800 --> 00:16:54,600
Speaker 2: He's above me having a fifty buyers.

422
00:16:54,840 --> 00:16:55,760
Speaker 5: No, it's not has nothing.

423
00:16:55,760 --> 00:16:57,680
Speaker 1: It's because Demi is a neo baby.

424
00:16:57,960 --> 00:17:00,880
Speaker 4: No, it's not even the nigga barely he has fans.

425
00:17:01,160 --> 00:17:05,880
Speaker 4: People said, no, that's not what I said. That's not

426
00:17:05,920 --> 00:17:08,840
Speaker 4: what I said. And that's what you're seeming to misconstrue.

427
00:17:08,920 --> 00:17:11,160
Speaker 4: You're trying to make it out like it's his fans

428
00:17:11,400 --> 00:17:13,800
Speaker 4: calling you a hater and giving him backlash. He doesn't

429
00:17:13,840 --> 00:17:18,040
Speaker 4: even have a big enough fan base. These are casual fans.

430
00:17:19,160 --> 00:17:19,760
Speaker 5: Let me talk.

431
00:17:20,640 --> 00:17:24,119
Speaker 4: These are casual fans of hip hop that are telling

432
00:17:24,160 --> 00:17:26,879
Speaker 4: you that you're hate. Peace is not a Domani fan. Peace,

433
00:17:26,920 --> 00:17:30,359
Speaker 4: come here, the this is fire. Everybody agreed that the

434
00:17:30,400 --> 00:17:32,360
Speaker 4: this is fire. The reason why you got so much

435
00:17:32,400 --> 00:17:34,800
Speaker 4: backlash is because you were one of the only people

436
00:17:34,920 --> 00:17:37,600
Speaker 4: who downplay the this A bunch of casual fans say, oh,

437
00:17:37,720 --> 00:17:39,960
Speaker 4: I didn't know about Demani. This is fire. It's not

438
00:17:40,040 --> 00:17:44,760
Speaker 4: just his super fans critiquing you. It's not I it's

439
00:17:44,760 --> 00:17:48,400
Speaker 4: okay to be on the side of history, just saying history.

440
00:17:56,040 --> 00:18:00,560
Speaker 2: There will be Russia, Ukraine, Palestine and Israel, money and

441
00:18:00,640 --> 00:18:03,439
Speaker 2: Curtis Jackson, What side will you be on at the

442
00:18:03,520 --> 00:18:06,280
Speaker 2: end of the day, The wrong side of what side

443
00:18:06,359 --> 00:18:08,000
Speaker 2: was Lindsay Graham on the.

444
00:18:07,960 --> 00:18:09,520
Speaker 1: Wrong side of history? Is crazy.

445
00:18:09,520 --> 00:18:11,280
Speaker 5: That's okay to be wrong. You hate?

446
00:18:11,359 --> 00:18:13,960
Speaker 2: Okay, See why can't you quote everything? Yes, I did

447
00:18:13,960 --> 00:18:16,119
Speaker 2: say this is some diet meet the grams bullshit. Can

448
00:18:16,119 --> 00:18:18,840
Speaker 2: you also say the other quote where I said the

449
00:18:18,920 --> 00:18:20,080
Speaker 2: money could rap and this is good?

450
00:18:20,240 --> 00:18:23,119
Speaker 3: He did say that. To be fair, he did said

451
00:18:23,640 --> 00:18:25,399
Speaker 3: they only hit and only hit. When you say you

452
00:18:25,440 --> 00:18:27,200
Speaker 3: don't like that.

453
00:18:27,119 --> 00:18:28,120
Speaker 5: Means nothing coming from Rory.

454
00:18:28,119 --> 00:18:30,480
Speaker 4: Because whenever Rory hates or critique something, he starts, because

455
00:18:30,480 --> 00:18:32,439
Speaker 4: he doesn't want to piss everybody off, he starts with, well,

456
00:18:32,520 --> 00:18:34,159
Speaker 4: let me just say that, you know, this is just

457
00:18:34,200 --> 00:18:36,159
Speaker 4: my opinion and they're great, and shout out to them

458
00:18:36,160 --> 00:18:38,240
Speaker 4: and I appreciate everything they do for the culture, but

459
00:18:38,800 --> 00:18:42,120
Speaker 4: followed by hate every time this is my thing.

460
00:18:42,160 --> 00:18:43,840
Speaker 1: Why is it considered hate? Though?

461
00:18:43,920 --> 00:18:48,440
Speaker 4: Now you niggas was hating the way the way Rory

462
00:18:48,480 --> 00:18:49,240
Speaker 4: came in, it was hate.

463
00:18:49,320 --> 00:18:50,640
Speaker 5: Like the ray Rory came in, it was hate.

464
00:18:50,600 --> 00:18:52,639
Speaker 4: And if the money was dissing anybody else, that wouldn't

465
00:18:52,680 --> 00:18:53,840
Speaker 4: have been the tist he chose.

466
00:18:54,160 --> 00:18:56,359
Speaker 1: All right, I do admit my bike. I promise you

467
00:18:56,400 --> 00:18:58,480
Speaker 1: I got money.

468
00:18:57,760 --> 00:19:02,280
Speaker 5: Yeah, yeah, like and that's okay, that's okay.

469
00:19:02,400 --> 00:19:04,800
Speaker 1: He still would have tanked tops did you unit take tops?

470
00:19:04,840 --> 00:19:05,320
Speaker 2: Well, first of.

471
00:19:05,320 --> 00:19:07,240
Speaker 1: All, they fit very well.

472
00:19:08,119 --> 00:19:11,600
Speaker 2: They're great to work out it shits was always ugly, crazy,

473
00:19:11,920 --> 00:19:13,160
Speaker 2: craziest blank of all time?

474
00:19:13,359 --> 00:19:17,359
Speaker 1: Where did they find that white Peter blank? Oh my god,

475
00:19:17,960 --> 00:19:19,480
Speaker 1: I can't believe were talking about the MONI No.

476
00:19:19,880 --> 00:19:23,199
Speaker 2: I honestly, even though I have a fifty buys, my

477
00:19:23,280 --> 00:19:25,880
Speaker 2: biases really don't bleed over into this podcast the way

478
00:19:25,880 --> 00:19:26,280
Speaker 2: you may think.

479
00:19:26,640 --> 00:19:27,760
Speaker 1: He really could have been dissent to anyone.

480
00:19:27,800 --> 00:19:29,160
Speaker 2: I would have said, this is to meet the graham Ship,

481
00:19:29,480 --> 00:19:33,120
Speaker 2: and which Pedge left out of that clip. You even

482
00:19:33,160 --> 00:19:35,199
Speaker 2: agreed what I said, all right, So you think when

483
00:19:35,200 --> 00:19:37,119
Speaker 2: Demani and all his people came in the studio, he

484
00:19:37,160 --> 00:19:38,480
Speaker 2: didn't say yo, I got him on to meet the

485
00:19:38,480 --> 00:19:39,520
Speaker 2: graam shit in his space park.

486
00:19:39,560 --> 00:19:40,560
Speaker 5: No, I did not agree with you.

487
00:19:40,600 --> 00:19:42,679
Speaker 4: I said somebody might in the studio might have compared it,

488
00:19:42,720 --> 00:19:43,960
Speaker 4: but I did not agree that he said that.

489
00:19:44,080 --> 00:19:47,120
Speaker 3: Mal did I mean if meet the Grahams didn't exist?

490
00:19:47,119 --> 00:19:49,439
Speaker 3: When we heard that, it's like, okay, that's hard, but

491
00:19:49,520 --> 00:19:52,919
Speaker 3: meet the Grahams exist. That's the only thing that was

492
00:19:52,960 --> 00:19:54,480
Speaker 3: kind of like, okay, I prefer.

493
00:19:54,400 --> 00:19:55,359
Speaker 5: That over meet the Grahams.

494
00:19:55,359 --> 00:19:58,240
Speaker 4: So meet the Grahams was one of my least favorite

495
00:19:58,240 --> 00:19:59,760
Speaker 4: songs out of that battle.

496
00:20:00,880 --> 00:20:02,359
Speaker 5: I've preferred that over me the grams.

497
00:20:02,520 --> 00:20:05,800
Speaker 4: But anyway, Domani has come. Fifty cent responded right, So

498
00:20:05,840 --> 00:20:07,959
Speaker 4: we lost our bet. We thought fifty cent wasn't gonna respond.

499
00:20:08,119 --> 00:20:10,879
Speaker 3: Yeah, did you respond or was it like a just

500
00:20:10,920 --> 00:20:12,400
Speaker 3: a cool way of kind of like.

501
00:20:13,800 --> 00:20:15,040
Speaker 1: It wasn't a full response.

502
00:20:15,119 --> 00:20:17,760
Speaker 5: No, it wasn't a full response, but he responded.

503
00:20:18,160 --> 00:20:20,480
Speaker 1: He responded the way it was a bar.

504
00:20:21,119 --> 00:20:25,280
Speaker 2: He responded the way fifty would reply, which is something

505
00:20:25,280 --> 00:20:28,120
Speaker 2: that's going to benefit my business. Fifty rights the intros

506
00:20:28,160 --> 00:20:31,600
Speaker 2: for all the Power series. He got Leon Thomas on

507
00:20:31,840 --> 00:20:35,760
Speaker 2: the new Power that's about to come out, and fifty replied,

508
00:20:36,840 --> 00:20:39,199
Speaker 2: you could probably tell that he wrote that, and then

509
00:20:39,320 --> 00:20:40,480
Speaker 2: was like, you know what we're going to add in

510
00:20:41,160 --> 00:20:44,280
Speaker 2: four bars real quick to a song that I already cut.

511
00:20:44,920 --> 00:20:48,600
Speaker 2: He said, your daddy, major Mama eat every box in Atlanta.

512
00:20:48,720 --> 00:20:53,280
Speaker 2: So that is a reply, and in fifty fashion, I

513
00:20:53,320 --> 00:20:58,000
Speaker 2: know he's thinking his disc is going to play every

514
00:20:58,000 --> 00:21:02,240
Speaker 2: week on a even service now. But I mean, we

515
00:21:02,800 --> 00:21:04,800
Speaker 2: know Jamars is gonna go back to the Domani disc

516
00:21:04,840 --> 00:21:06,960
Speaker 2: every day. It'll have a lot of replay value, but

517
00:21:07,200 --> 00:21:09,200
Speaker 2: this will be on TV every week.

518
00:21:09,960 --> 00:21:12,000
Speaker 1: It was a clever, clever way of doing it.

519
00:21:12,000 --> 00:21:15,040
Speaker 3: It wasn't a full song dedicated because I think that

520
00:21:15,080 --> 00:21:18,320
Speaker 3: he even posted something was it yesterday saying that I'm

521
00:21:18,359 --> 00:21:21,560
Speaker 3: never you said I'm not entertaining or making no songs

522
00:21:21,600 --> 00:21:23,960
Speaker 3: or some shit like that whatever fifty posted. So this

523
00:21:24,080 --> 00:21:25,679
Speaker 3: was a clever way of doing it. It was a

524
00:21:25,680 --> 00:21:28,479
Speaker 3: clever way, like y'all gonna power. People gonna watch it

525
00:21:28,520 --> 00:21:30,920
Speaker 3: every every week, you're gonna hit it. The theme song.

526
00:21:30,960 --> 00:21:33,280
Speaker 3: We know when Power first came out, that theme song,

527
00:21:34,119 --> 00:21:36,520
Speaker 3: it was a Joe is a Big CHRISTI I.

528
00:21:36,480 --> 00:21:37,760
Speaker 5: Think it was originally Trey.

529
00:21:37,560 --> 00:21:39,840
Speaker 2: And then and then they put Tray on it. Oh

530
00:21:40,760 --> 00:21:45,280
Speaker 2: that week everyone said no. The following week they put

531
00:21:45,320 --> 00:21:46,200
Speaker 2: Joe back on the ship.

532
00:21:46,520 --> 00:21:49,800
Speaker 3: So people know that the Power intro song is you know,

533
00:21:49,840 --> 00:21:51,160
Speaker 3: everybody's gonna watch a big show.

534
00:21:51,200 --> 00:21:52,280
Speaker 1: Everybody's gonna watch it.

535
00:21:52,359 --> 00:21:55,960
Speaker 3: So this was a very clever way of responding but

536
00:21:56,080 --> 00:22:00,159
Speaker 3: not dedicating an entire like moment and giving somebody at

537
00:22:00,240 --> 00:22:03,320
Speaker 3: light and sharing the stage or somebody. So I liked it.

538
00:22:03,359 --> 00:22:04,639
Speaker 3: I was like, Okay, that was that was clever. I

539
00:22:04,640 --> 00:22:06,800
Speaker 3: didn't anticipate fifty doing that, but that was very clever.

540
00:22:06,960 --> 00:22:09,119
Speaker 2: Here's where I'm gonna prove you guys wrong with my bias.

541
00:22:10,040 --> 00:22:12,680
Speaker 2: I understood Fifty not replying to t I and always

542
00:22:13,200 --> 00:22:16,640
Speaker 2: his kids, Like Fifty has not been thinking about music

543
00:22:16,680 --> 00:22:18,760
Speaker 2: for quite some time. He only pops up to do

544
00:22:18,800 --> 00:22:22,399
Speaker 2: intros and shit. But if you're going to put something,

545
00:22:23,119 --> 00:22:25,680
Speaker 2: we're gonna throw a little shot in your power intro

546
00:22:25,800 --> 00:22:27,520
Speaker 2: and then also put out a record with Max b

547
00:22:27,680 --> 00:22:31,520
Speaker 2: the following day. You're active, You've got seven people shooting

548
00:22:31,520 --> 00:22:32,720
Speaker 2: at you. I don't know if a line is gonna

549
00:22:32,720 --> 00:22:34,560
Speaker 2: get it done. I know Fifty doesn't give a fuck.

550
00:22:34,600 --> 00:22:35,640
Speaker 2: It's me just talking as a fan.

551
00:22:36,440 --> 00:22:36,879
Speaker 1: I'm on the.

552
00:22:36,880 --> 00:22:42,080
Speaker 2: Side of either really reply or just be quiet, or

553
00:22:42,200 --> 00:22:44,159
Speaker 2: just trolling the like, just troll on ig like you

554
00:22:44,200 --> 00:22:47,760
Speaker 2: always do, because now you're rapping. Like Demani put out

555
00:22:47,800 --> 00:22:49,040
Speaker 2: a record right after, and I think he had every

556
00:22:49,119 --> 00:22:50,840
Speaker 2: right pull up fifties.

557
00:22:50,720 --> 00:22:53,320
Speaker 1: Last last post on Instagram. I mean it might not

558
00:22:53,359 --> 00:22:54,080
Speaker 1: be the last post.

559
00:22:54,119 --> 00:22:58,960
Speaker 2: But while I did like his meet Meet the Jackson's

560
00:22:59,880 --> 00:23:01,720
Speaker 2: I did not like Demandi's reply.

561
00:23:03,280 --> 00:23:06,320
Speaker 1: To fifties shot. Demani replied already.

562
00:23:06,880 --> 00:23:10,000
Speaker 2: He replied immediately, as he should though, because Fifty started

563
00:23:10,040 --> 00:23:11,880
Speaker 2: wrapping that one. But at this point, like, don't even

564
00:23:11,880 --> 00:23:14,080
Speaker 2: go halfway step in the ring. I think it's funny

565
00:23:14,080 --> 00:23:15,680
Speaker 2: that this is going to play on TV for weeks

566
00:23:15,680 --> 00:23:19,080
Speaker 2: on weeks on weeks. But and you got Leon Thomas,

567
00:23:19,160 --> 00:23:20,560
Speaker 2: one of the biggest R and B artists right now

568
00:23:20,600 --> 00:23:23,800
Speaker 2: on it like it was a good move. But everyone

569
00:23:23,800 --> 00:23:25,719
Speaker 2: else has been rapping. Man, you can't just throw one

570
00:23:25,760 --> 00:23:26,480
Speaker 2: little shot.

571
00:23:26,760 --> 00:23:27,080
Speaker 1: He said.

572
00:23:27,080 --> 00:23:29,680
Speaker 3: I'm sorry, no response to retarded ass rappers who can't

573
00:23:29,680 --> 00:23:32,160
Speaker 3: write a hit to save their lives. Moving right along,

574
00:23:32,200 --> 00:23:37,320
Speaker 3: short but shorty, So I mean, you know that's what

575
00:23:37,359 --> 00:23:39,119
Speaker 3: fifty He's let you know right there, like I'm not

576
00:23:39,640 --> 00:23:42,920
Speaker 3: I'm not entertaining that. I'm not giving nobody a stage

577
00:23:43,080 --> 00:23:45,320
Speaker 3: to perform on and let them try to stand in

578
00:23:45,359 --> 00:23:48,040
Speaker 3: front of me and battle and all of this, Like

579
00:23:48,520 --> 00:23:49,800
Speaker 3: that's not where fifty is at.

580
00:23:49,960 --> 00:23:52,119
Speaker 1: Like you know, he's making it clear. So this this

581
00:23:52,200 --> 00:23:55,800
Speaker 1: was a clear way of that's hate. What that can't

582
00:23:55,800 --> 00:23:57,760
Speaker 1: write a hit? That's hate. You got to say that

583
00:23:57,880 --> 00:23:59,400
Speaker 1: DEMONI can has it?

584
00:24:01,680 --> 00:24:03,800
Speaker 5: Let it go? Rory, I love.

585
00:24:04,560 --> 00:24:05,720
Speaker 1: I didn't even know what he was talking about, Like

586
00:24:05,760 --> 00:24:06,800
Speaker 1: I was talking like.

587
00:24:06,720 --> 00:24:07,920
Speaker 5: He just won't let it go.

588
00:24:08,400 --> 00:24:10,119
Speaker 2: You're not allowed to know. You got to say Domani

589
00:24:10,280 --> 00:24:13,640
Speaker 2: has a hit. You know that King hit. That's hey,

590
00:24:13,640 --> 00:24:14,640
Speaker 2: you're not allowed to say that.

591
00:24:16,000 --> 00:24:18,680
Speaker 4: Fifties hater Rory hate when people don't agree with him,

592
00:24:18,760 --> 00:24:22,000
Speaker 4: like when the Internet don't him and bother him. He

593
00:24:22,000 --> 00:24:24,359
Speaker 4: can't sleep at night like the money, like when the Internet.

594
00:24:25,320 --> 00:24:27,520
Speaker 1: I think he can't if my opinion died in vain.

595
00:24:27,600 --> 00:24:32,600
Speaker 1: Oh my god, man, wow, I swear to god him

596
00:24:32,640 --> 00:24:35,199
Speaker 1: really just messing the run. No, I know I'm not.

597
00:24:35,280 --> 00:24:38,280
Speaker 1: I don't think none of this shit serious. But yeah,

598
00:24:38,040 --> 00:24:40,600
Speaker 1: I think this is over. I don't.

599
00:24:40,600 --> 00:24:42,600
Speaker 2: I don't think fifty is going to reply. I think

600
00:24:42,640 --> 00:24:44,600
Speaker 2: he said his piece put out a record.

601
00:24:44,440 --> 00:24:46,920
Speaker 1: With Max b. I don't think Demandi is gonna keep going.

602
00:24:47,000 --> 00:24:48,840
Speaker 2: I think King is done even to I didn't t

603
00:24:48,960 --> 00:24:50,879
Speaker 2: I say he had to disciplined his kids and be like yo,

604
00:24:50,880 --> 00:24:52,720
Speaker 2: stop doing that ship with it with his mom on

605
00:24:52,760 --> 00:24:53,159
Speaker 2: the shirts.

606
00:24:53,920 --> 00:24:54,719
Speaker 5: Oh, I didn't see that.

607
00:24:54,800 --> 00:24:57,239
Speaker 1: I was like, I think he did that.

608
00:24:57,280 --> 00:24:57,879
Speaker 5: He didn't know.

609
00:24:57,960 --> 00:25:00,000
Speaker 4: He didn't know that his kids had all these responts.

610
00:25:00,040 --> 00:25:01,679
Speaker 4: Oh Domani said that his dad didn't know that his

611
00:25:01,760 --> 00:25:03,119
Speaker 4: kids had these responses playing.

612
00:25:03,280 --> 00:25:05,520
Speaker 2: And then I saw King that had uh it was

613
00:25:05,560 --> 00:25:08,120
Speaker 2: a weed bran or something with Sabrina's picture on there,

614
00:25:08,119 --> 00:25:10,880
Speaker 2: like whatever, I mean, you're allowed to reply. You didn't

615
00:25:10,880 --> 00:25:13,199
Speaker 2: start the shit, fifty did. So it is what it is.

616
00:25:13,240 --> 00:25:14,720
Speaker 2: But I think this is finally. I think this is

617
00:25:14,760 --> 00:25:16,560
Speaker 2: the last episode we'll be covering.

618
00:25:16,680 --> 00:25:20,359
Speaker 3: I hope this is the last episode that we'll be

619
00:25:20,440 --> 00:25:23,720
Speaker 3: covering from the TI, the Harris family.

620
00:25:23,880 --> 00:25:26,040
Speaker 1: Versus Harris, Harris versus Jackson.

621
00:25:26,160 --> 00:25:27,840
Speaker 3: Yeah, I hope this is the last one. Like, I

622
00:25:27,840 --> 00:25:30,240
Speaker 3: get it. It was a cool you know, that was cool,

623
00:25:30,240 --> 00:25:32,960
Speaker 3: but it's not. People don't really want to see this.

624
00:25:32,960 --> 00:25:34,920
Speaker 5: People really, So who's the real winner at all of this?

625
00:25:35,240 --> 00:25:35,760
Speaker 1: The money?

626
00:25:35,960 --> 00:25:37,640
Speaker 5: The money is I think the money is not true

627
00:25:37,720 --> 00:25:38,320
Speaker 5: And I don't even think.

628
00:25:38,320 --> 00:25:40,000
Speaker 4: I don't When I say winner, I don't mean winner

629
00:25:40,040 --> 00:25:42,560
Speaker 4: because it wasn't really a battle. I mean, like, who

630
00:25:42,680 --> 00:25:44,800
Speaker 4: benefited the most from this? I think it was the money.

631
00:25:44,840 --> 00:25:47,680
Speaker 4: I think it introduced him to a whte people now

632
00:25:47,760 --> 00:25:48,560
Speaker 4: know how dope he is.

633
00:25:48,760 --> 00:25:49,440
Speaker 5: I don't like that.

634
00:25:49,720 --> 00:25:53,800
Speaker 2: Also, Ti, I mean TI has a big record out

635
00:25:53,840 --> 00:25:56,320
Speaker 2: right now. He's about to put out an album. Even

636
00:25:56,320 --> 00:25:58,040
Speaker 2: though he said that he didn't plan on doing this,

637
00:25:58,040 --> 00:26:00,720
Speaker 2: This wasn't part of roll up. It definitely brought more. Yeah,

638
00:26:01,040 --> 00:26:03,720
Speaker 2: So I mean that the Harrises did win, but also

639
00:26:04,480 --> 00:26:06,920
Speaker 2: fifty did too. Even though Leon Thomas is already on

640
00:26:06,960 --> 00:26:08,359
Speaker 2: that record, and of course it was going to be

641
00:26:08,680 --> 00:26:11,720
Speaker 2: somewhat of a thing, it was bigger because he said

642
00:26:11,760 --> 00:26:13,200
Speaker 2: that your daddy majors.

643
00:26:13,280 --> 00:26:15,320
Speaker 4: I would have never heard that song Elsewise, I would

644
00:26:15,359 --> 00:26:17,440
Speaker 4: have never know there was a Power's origins coming out.

645
00:26:17,440 --> 00:26:17,960
Speaker 5: Elsewise.

646
00:26:18,480 --> 00:26:20,719
Speaker 2: Oh, there's a big group of people that do like

647
00:26:20,800 --> 00:26:24,560
Speaker 2: are any power book that comes out. There's power is

648
00:26:24,600 --> 00:26:26,000
Speaker 2: super pop and the intro.

649
00:26:25,880 --> 00:26:28,359
Speaker 1: Is always a really big deal as well, and a

650
00:26:28,440 --> 00:26:30,560
Speaker 1: lord of low t. I can't even respond to that ball.

651
00:26:32,000 --> 00:26:34,280
Speaker 2: I mean, if it's kind of like, if it's conceptual,

652
00:26:34,320 --> 00:26:38,160
Speaker 2: that's to me. No, but I get the if it's

653
00:26:38,160 --> 00:26:39,760
Speaker 2: all consented, No, but.

654
00:26:39,680 --> 00:26:43,080
Speaker 1: Listen, I get it. But he ain't say tr name.

655
00:26:45,160 --> 00:26:47,080
Speaker 3: He just said your mamma, your daddy had your mamma

656
00:26:47,080 --> 00:26:49,639
Speaker 3: eat every box in Atlanta. So he said, well, who

657
00:26:49,680 --> 00:26:51,560
Speaker 3: do you think he was referring to? It don't matter

658
00:26:51,600 --> 00:26:53,200
Speaker 3: who I think he was referring to. If I'm t

659
00:26:53,400 --> 00:26:57,199
Speaker 3: I can't be like hey now I say, now, I

660
00:26:57,240 --> 00:27:00,000
Speaker 3: can't go oh yeah, yeah, it's got a bulletproof of

661
00:27:00,200 --> 00:27:03,400
Speaker 3: like yeah, yeah, it's like the way fifty bar Dad,

662
00:27:03,400 --> 00:27:05,399
Speaker 3: it was like, bro, if you jump out there and

663
00:27:05,440 --> 00:27:08,560
Speaker 3: respond to that like you just it's like you waiting

664
00:27:08,840 --> 00:27:11,440
Speaker 3: anything that may be directed towards you jumping on it

665
00:27:12,040 --> 00:27:12,560
Speaker 3: like he didn't.

666
00:27:12,560 --> 00:27:15,840
Speaker 1: That wasn't like tailor for that could be anything.

667
00:27:15,520 --> 00:27:17,800
Speaker 5: That was that was that could be part of the

668
00:27:17,880 --> 00:27:19,080
Speaker 5: Power Orange.

669
00:27:20,560 --> 00:27:20,760
Speaker 1: Show.

670
00:27:20,840 --> 00:27:22,960
Speaker 4: Yet that ship had nothing to do with the rest

671
00:27:22,960 --> 00:27:24,640
Speaker 4: of the song. Like he threw that ship and there

672
00:27:24,640 --> 00:27:24,879
Speaker 4: we all.

673
00:27:26,600 --> 00:27:28,880
Speaker 1: I'm just saying, I'm just saying, you don't we don't know.

674
00:27:29,040 --> 00:27:30,720
Speaker 5: We do know, ma, and that could be a.

675
00:27:30,760 --> 00:27:32,480
Speaker 1: Character in Power Origins.

676
00:27:32,880 --> 00:27:35,840
Speaker 3: They could be in Power Origins that you know was

677
00:27:35,880 --> 00:27:36,960
Speaker 3: moving wait in Atlanta.

678
00:27:37,560 --> 00:27:40,399
Speaker 1: We don't know yet the show didn't come out, So

679
00:27:40,640 --> 00:27:40,879
Speaker 1: that's what.

680
00:27:40,880 --> 00:27:44,040
Speaker 3: I'm saying, you gotta be That's like, that's why that's

681
00:27:44,160 --> 00:27:46,439
Speaker 3: very like slick, very witty of fifty to do it

682
00:27:46,480 --> 00:27:48,239
Speaker 3: that way, because it's like if you jump out there

683
00:27:48,280 --> 00:27:51,960
Speaker 3: and jump at that bar, you just you just itching

684
00:27:52,080 --> 00:27:54,600
Speaker 3: for for a moment. Like now it's looking like, I FM,

685
00:27:54,600 --> 00:27:56,840
Speaker 3: you just thirsty for a moment now, because that that

686
00:27:56,840 --> 00:27:59,760
Speaker 3: could be for anybody. I get the optics of it,

687
00:27:59,840 --> 00:28:02,960
Speaker 3: but that could be right now. But come on, I'm

688
00:28:02,960 --> 00:28:04,320
Speaker 3: just saying it could be though it's not.

689
00:28:04,359 --> 00:28:06,840
Speaker 1: He didn't. I'm just saying, we don't know. If I'm

690
00:28:06,920 --> 00:28:08,000
Speaker 1: t I wouldn't jump in that.

691
00:28:08,080 --> 00:28:09,879
Speaker 2: No, I'm with you on the point of its kind

692
00:28:09,920 --> 00:28:12,120
Speaker 2: of if you apply to it that it's like, okay, so.

693
00:28:12,800 --> 00:28:15,760
Speaker 4: Yeah, there's no point, there's no point in replying. But

694
00:28:15,840 --> 00:28:18,240
Speaker 4: we all know who he's talking. That isn't like some

695
00:28:18,320 --> 00:28:22,080
Speaker 4: hidden rumors that people don't know. That's a well known document,

696
00:28:22,200 --> 00:28:23,880
Speaker 4: legally documented.

697
00:28:23,320 --> 00:28:23,879
Speaker 5: Thing like that.

698
00:28:24,080 --> 00:28:26,480
Speaker 3: Just saying he can't jump out the in respond to

699
00:28:27,160 --> 00:28:29,920
Speaker 3: said he was chilling. I don't double everything, all right, Well, and.

700
00:28:29,800 --> 00:28:31,879
Speaker 5: The bar wasn't to t The bar was to the money.

701
00:28:31,920 --> 00:28:32,560
Speaker 5: It was a distance.

702
00:28:32,640 --> 00:28:34,760
Speaker 4: But it's about his da. It's about his dad. But

703
00:28:34,800 --> 00:28:37,000
Speaker 4: it's it wasn't he wasn't addressing.

704
00:28:37,600 --> 00:28:40,080
Speaker 2: But yeah, I get it, But no, I think they

705
00:28:40,120 --> 00:28:43,400
Speaker 2: were the winners out of this entire thing of who

706
00:28:43,480 --> 00:28:44,880
Speaker 2: got the most notoriety.

707
00:28:45,440 --> 00:28:46,680
Speaker 1: I'm with you there, but.

708
00:28:46,720 --> 00:28:50,280
Speaker 2: I mean now followed with some music and King can

709
00:28:50,280 --> 00:28:52,200
Speaker 2: follow for some i G videos like.

710
00:28:54,120 --> 00:28:56,239
Speaker 4: Yeah, the money, we want to we want to hear

711
00:28:56,280 --> 00:28:57,720
Speaker 4: from you. I can't speak for the rest of these

712
00:28:57,720 --> 00:28:59,800
Speaker 4: hating ass niggas, but we want to hear.

713
00:28:59,840 --> 00:29:00,720
Speaker 5: We want to hear more from you.

714
00:29:00,800 --> 00:29:02,040
Speaker 1: Who's these hating nigs?

715
00:29:02,560 --> 00:29:04,280
Speaker 5: If you not to hate as nigga, don't jump out

716
00:29:04,280 --> 00:29:04,640
Speaker 5: at that bar.

717
00:29:04,720 --> 00:29:06,640
Speaker 1: I'm not jumping. I have a question. I said, who's

718
00:29:06,640 --> 00:29:07,600
Speaker 1: these hating as niggas?

719
00:29:08,200 --> 00:29:09,880
Speaker 5: Asked niggas? Anybody?

720
00:29:10,600 --> 00:29:12,720
Speaker 1: Okay? I thought you sound like he was tailor suiting.

721
00:29:12,920 --> 00:29:15,240
Speaker 5: No, no, anybody power universe.

722
00:29:15,440 --> 00:29:18,200
Speaker 3: That's what got a lot of haters out here and

723
00:29:18,280 --> 00:29:19,880
Speaker 3: a lot of fake supporters. A lot of fake supporters

724
00:29:19,880 --> 00:29:21,000
Speaker 3: want to hear you to the money.

725
00:29:22,280 --> 00:29:24,520
Speaker 2: That's the other thing everyone that was in all right,

726
00:29:24,560 --> 00:29:28,120
Speaker 2: when he dropped a single, I better see his ship.

727
00:29:28,160 --> 00:29:30,880
Speaker 1: Better go platinum. Your niggas better be streaming that ship

728
00:29:31,120 --> 00:29:37,920
Speaker 1: soon as too soon as the money dropping. Your niggas waiting. No,

729
00:29:38,040 --> 00:29:39,479
Speaker 1: we want to hear. We want to hear what Demani

730
00:29:39,560 --> 00:29:41,080
Speaker 1: is doing, all right. See, I can be honest with

731
00:29:41,200 --> 00:29:41,680
Speaker 1: with my hat.

732
00:29:42,400 --> 00:29:44,400
Speaker 2: If King drops something, yeah, I would be sitting there

733
00:29:44,440 --> 00:29:46,160
Speaker 2: waiting he because King makes me laugh.

734
00:29:46,240 --> 00:29:46,560
Speaker 1: Demani.

735
00:29:46,600 --> 00:29:47,960
Speaker 2: I think it's a good rapper. I'm not waiting to hate.

736
00:29:48,640 --> 00:29:51,400
Speaker 2: I hope it's good. King is funny to me, like

737
00:29:51,480 --> 00:29:53,280
Speaker 2: I want to see. I want to see King give us.

738
00:29:53,240 --> 00:29:55,040
Speaker 1: Some more Major.

739
00:29:56,680 --> 00:29:56,880
Speaker 5: Yeah.

740
00:29:57,280 --> 00:30:00,920
Speaker 4: Major is a Major makes like so old school like

741
00:30:01,000 --> 00:30:04,640
Speaker 4: soul country music. No, that's no, Sorry, wrong brother. They

742
00:30:04,680 --> 00:30:07,400
Speaker 4: have an older brother that makes Buddy Red. Buddy Red

743
00:30:07,520 --> 00:30:10,920
Speaker 4: makes like soul. That's the sole last name is Major?

744
00:30:11,080 --> 00:30:12,240
Speaker 1: Is Major making music to us?

745
00:30:12,320 --> 00:30:13,760
Speaker 5: No, I don't think Major makes music.

746
00:30:15,360 --> 00:30:18,120
Speaker 3: He in real estate with something something like that. Hopefully

747
00:30:18,200 --> 00:30:19,800
Speaker 3: you know he's good, and shout out to the entire

748
00:30:19,800 --> 00:30:21,720
Speaker 3: Harris family. Hopefully all of them will do well as well.

749
00:30:22,840 --> 00:30:24,920
Speaker 1: Yet Maul.

750
00:30:24,960 --> 00:30:27,760
Speaker 2: Boost Mobile is proving that you don't have to overpay

751
00:30:27,840 --> 00:30:29,360
Speaker 2: for great wireless. I don't know why you do that

752
00:30:29,440 --> 00:30:31,760
Speaker 2: to yourself. I do do that as a friend. I'm

753
00:30:31,760 --> 00:30:33,480
Speaker 2: sitting here. This is an intervention to tell you don't

754
00:30:33,480 --> 00:30:34,200
Speaker 2: need to do that anymore.

755
00:30:34,280 --> 00:30:34,560
Speaker 1: Help me.

756
00:30:34,800 --> 00:30:38,080
Speaker 2: You can unlock savings with boost Mobile right now twenty

757
00:30:38,120 --> 00:30:40,680
Speaker 2: five dollars a month for the unlimited plan. It's a

758
00:30:40,720 --> 00:30:43,880
Speaker 2: permanent price with no contracts, no price hikes. You keep

759
00:30:44,160 --> 00:30:46,800
Speaker 2: your phone and your number, but you save up to

760
00:30:46,960 --> 00:30:50,760
Speaker 2: six hundred dollars a year compared to any other major carrier.

761
00:30:51,280 --> 00:30:53,680
Speaker 3: Stop overpaying and switch to a fair price at boostmobile

762
00:30:53,680 --> 00:30:55,880
Speaker 3: dot com today Based on the average annual single line

763
00:30:55,920 --> 00:30:58,160
Speaker 3: payment of AT and T, Verizon and T Mobile customers

764
00:30:58,200 --> 00:31:00,560
Speaker 3: compared to twelve months of the boot Mobile Limited plan

765
00:31:00,640 --> 00:31:03,280
Speaker 3: as of January twenty twenty sixth. For full off of details,

766
00:31:03,360 --> 00:31:04,479
Speaker 3: visit boostmobile dot com.

767
00:31:11,720 --> 00:31:15,680
Speaker 2: Continuing on to more family beef, we got a almost

768
00:31:15,760 --> 00:31:19,600
Speaker 2: seven minute record from Sahai The Good Music Breakup, where

769
00:31:19,600 --> 00:31:24,200
Speaker 2: he broke down the entire lineage history, every single member

770
00:31:24,440 --> 00:31:25,600
Speaker 2: and his relationship with them.

771
00:31:26,040 --> 00:31:28,520
Speaker 1: Elite bars the last m.

772
00:31:28,640 --> 00:31:32,320
Speaker 2: Seeing the last three records least penmanship put out is

773
00:31:32,480 --> 00:31:35,200
Speaker 2: the greatest example of elite rapping that I've seen in

774
00:31:35,280 --> 00:31:37,880
Speaker 2: quite sometime. It's a different level of you don't even

775
00:31:37,920 --> 00:31:39,320
Speaker 2: realize how good he's rapping on us.

776
00:31:39,680 --> 00:31:43,520
Speaker 3: It's different, man. There's difference levels to m seeing. It's

777
00:31:43,600 --> 00:31:46,440
Speaker 3: levels to right and it's levels to rapping. Saha is

778
00:31:46,480 --> 00:31:48,320
Speaker 3: right there. I just hate that's my nigga. I just

779
00:31:48,360 --> 00:31:51,200
Speaker 3: hate he don't put out enough material to be in

780
00:31:51,320 --> 00:31:53,680
Speaker 3: the rest of these conversations because a lot of these

781
00:31:53,760 --> 00:31:57,520
Speaker 3: niggas that y'all be seeing is dope and nice. These

782
00:31:57,600 --> 00:32:00,480
Speaker 3: niggas is not that they just got material and you

783
00:32:00,720 --> 00:32:04,080
Speaker 3: understand it that they putting out work. But shah is

784
00:32:04,160 --> 00:32:06,200
Speaker 3: definitely a lot better than all of these rappers that

785
00:32:06,320 --> 00:32:06,640
Speaker 3: y'all love.

786
00:32:07,200 --> 00:32:08,880
Speaker 2: I noticed your chin got a little tight when we

787
00:32:08,960 --> 00:32:12,480
Speaker 2: were complimenting the wrappability of side.

788
00:32:12,920 --> 00:32:16,560
Speaker 5: No, I didn't. I have nothing agase. He's a really

789
00:32:16,600 --> 00:32:18,520
Speaker 5: good writer. Did you the record?

790
00:32:19,040 --> 00:32:19,360
Speaker 4: Mm hm?

791
00:32:20,600 --> 00:32:22,160
Speaker 2: Not that. Yeah.

792
00:32:22,240 --> 00:32:26,680
Speaker 4: No, y'all keep trying to make me hate. Seventy degrees

793
00:32:26,720 --> 00:32:29,680
Speaker 4: we called I'm not hating outside y'all keep trying to

794
00:32:29,680 --> 00:32:31,200
Speaker 4: make me. Y'all I'm not, y'all like, I'm not a hater.

795
00:32:32,960 --> 00:32:35,600
Speaker 4: You hated, They got you big hating last year they

796
00:32:35,680 --> 00:32:36,880
Speaker 4: called for HD.

797
00:32:37,440 --> 00:32:39,160
Speaker 5: No, I was being a good producer and making y'all

798
00:32:39,200 --> 00:32:43,760
Speaker 5: show better. I wasn't hating. I wasn't hating. Let's be real,

799
00:32:44,000 --> 00:32:46,320
Speaker 5: that's really been around around here. I took the fall,

800
00:32:46,960 --> 00:32:48,960
Speaker 5: but I did what I had to do in a moment.

801
00:32:50,600 --> 00:32:50,840
Speaker 1: Better.

802
00:32:51,040 --> 00:32:53,360
Speaker 5: I'm just let's just be honest.

803
00:32:54,320 --> 00:32:57,520
Speaker 2: I'll get I'll allow some of some of that, but

804
00:32:57,640 --> 00:32:59,360
Speaker 2: let's not act like peace didn't take you out of

805
00:32:59,400 --> 00:33:01,360
Speaker 2: context to make it go viral exactly.

806
00:33:01,640 --> 00:33:02,280
Speaker 5: But I hate that.

807
00:33:03,560 --> 00:33:05,320
Speaker 1: I hate that what else? What are you supposed to do?

808
00:33:05,440 --> 00:33:07,400
Speaker 1: But I hate that it was already what could you do?

809
00:33:09,240 --> 00:33:12,520
Speaker 5: I hate that even though niggas giggled and laughed, you gotta.

810
00:33:12,320 --> 00:33:15,160
Speaker 1: Laugh that I went to defend you and then really

811
00:33:15,200 --> 00:33:17,080
Speaker 1: fell on the social niggas.

812
00:33:17,600 --> 00:33:20,880
Speaker 4: Niggas giggle and laugh even though they knew it was

813
00:33:20,920 --> 00:33:22,720
Speaker 4: out of context, you know, laugh.

814
00:33:22,560 --> 00:33:23,520
Speaker 5: At Moji's times.

815
00:33:23,920 --> 00:33:28,520
Speaker 2: But we will clearly we moved back about the laughing

816
00:33:29,040 --> 00:33:29,840
Speaker 2: no moments fout that.

817
00:33:30,120 --> 00:33:30,880
Speaker 5: We moved past that.

818
00:33:31,960 --> 00:33:33,800
Speaker 2: You was laughing like that, I was.

819
00:33:33,960 --> 00:33:36,320
Speaker 1: I'm laughing again, like we moved.

820
00:33:36,120 --> 00:33:39,520
Speaker 5: Past that as a family. But you know, I'm at

821
00:33:40,760 --> 00:33:41,760
Speaker 5: yo behind closes.

822
00:33:41,920 --> 00:33:43,680
Speaker 1: We're like the Harrison. We got to move to the

823
00:33:43,800 --> 00:33:48,840
Speaker 1: unit in the public eye. Yo, that's mad fuddy. Oh

824
00:33:49,000 --> 00:33:49,280
Speaker 1: my bad.

825
00:33:49,320 --> 00:33:51,240
Speaker 2: I'm sorry, I'm back, but no, I feel like sometimes

826
00:33:51,240 --> 00:33:53,400
Speaker 2: it's a little side. I hate the last two records

827
00:33:53,400 --> 00:33:54,959
Speaker 2: we talked about. You kind of was like, all right,

828
00:33:56,440 --> 00:33:58,000
Speaker 2: I'm sorry. Would you like me to like hit my

829
00:33:58,080 --> 00:33:59,520
Speaker 2: knees like it's good?

830
00:34:00,080 --> 00:34:00,320
Speaker 3: I'm not.

831
00:34:01,640 --> 00:34:03,040
Speaker 5: I don't. I like Hi is good.

832
00:34:03,040 --> 00:34:06,240
Speaker 2: I've never said he was past good. Where do we

833
00:34:06,280 --> 00:34:08,240
Speaker 2: want to start? We're gonna start with with me popping

834
00:34:08,280 --> 00:34:08,520
Speaker 2: it off?

835
00:34:10,400 --> 00:34:12,200
Speaker 5: Yo, Hey, Yo, that was crazy.

836
00:34:13,280 --> 00:34:14,520
Speaker 1: I popped I popped the record off.

837
00:34:15,440 --> 00:34:17,000
Speaker 5: M h it's pauseworthy.

838
00:34:17,080 --> 00:34:19,520
Speaker 2: It's definitely pauseworthy. I got I got, I got Hi

839
00:34:19,760 --> 00:34:21,080
Speaker 2: in that mode. I don't even think he was going

840
00:34:21,160 --> 00:34:21,960
Speaker 2: to do this until I asked that.

841
00:34:22,040 --> 00:34:26,440
Speaker 5: Question for sure. No, yeah, definitely.

842
00:34:26,920 --> 00:34:29,719
Speaker 2: You want to know how stupid I am. It took

843
00:34:29,800 --> 00:34:31,440
Speaker 2: me to the third listen to realize that I was

844
00:34:31,480 --> 00:34:34,360
Speaker 2: on the intro. I listened to it three times and

845
00:34:34,360 --> 00:34:35,400
Speaker 2: didn't realize that that was me.

846
00:34:36,320 --> 00:34:38,360
Speaker 1: I can see that on the on the unlocked and

847
00:34:38,400 --> 00:34:40,040
Speaker 1: listening like that to just talking.

848
00:34:41,160 --> 00:34:43,839
Speaker 2: On the on the first one. I heard me ask

849
00:34:43,960 --> 00:34:46,439
Speaker 2: that question and thought to myself, that's a good question

850
00:34:49,200 --> 00:34:53,040
Speaker 2: I would ask that, idiot, I'm not making it. I

851
00:34:53,160 --> 00:34:55,879
Speaker 2: was like, I wonder what's top five albums are good?

852
00:34:55,880 --> 00:34:57,480
Speaker 1: Because that's funny.

853
00:34:57,800 --> 00:35:01,040
Speaker 2: Yeah, that was from from our interview BT Awards, probably

854
00:35:02,360 --> 00:35:04,640
Speaker 2: when we were in Atlanta maybe two three years ago

855
00:35:05,520 --> 00:35:06,200
Speaker 2: we interviewed Hi.

856
00:35:07,680 --> 00:35:09,080
Speaker 1: No, I didn't call that one in. That was from

857
00:35:09,200 --> 00:35:14,520
Speaker 1: a New roy Mall episode. Oh yeah, yeah, yes, funny.

858
00:35:14,680 --> 00:35:16,600
Speaker 1: I remember that. Yes, yes, good conversation.

859
00:35:18,080 --> 00:35:20,040
Speaker 2: But I mean he he starts it out with before

860
00:35:20,080 --> 00:35:21,880
Speaker 2: you go down this lane, make sure your soul is trained.

861
00:35:22,360 --> 00:35:22,759
Speaker 5: Mm hmm.

862
00:35:24,040 --> 00:35:24,520
Speaker 1: It's one of the.

863
00:35:24,520 --> 00:35:29,200
Speaker 2: Hardest bars I've heard. Started the record with that was like,

864
00:35:30,080 --> 00:35:36,040
Speaker 2: I see what time' on? So Gina asked questions about

865
00:35:36,040 --> 00:35:38,399
Speaker 2: each artist, but the first verse is more so I think,

866
00:35:38,520 --> 00:35:41,080
Speaker 2: just given kind of a bad history. I never knew

867
00:35:41,120 --> 00:35:42,439
Speaker 2: that he was supposed to go to Watch the Throne.

868
00:35:43,320 --> 00:35:45,560
Speaker 2: I can understand why he was taken off of it.

869
00:35:46,000 --> 00:35:47,799
Speaker 2: He's allowed to feel a way. But I can see

870
00:35:47,840 --> 00:35:52,440
Speaker 2: them going like, listen, it's Frank and Beyonce and we

871
00:35:52,480 --> 00:35:54,279
Speaker 2: don't really want any rapt features. It's supposed to be

872
00:35:54,400 --> 00:35:57,800
Speaker 2: Jay and Kanye. I can see that one and be like,

873
00:35:58,040 --> 00:36:01,160
Speaker 2: I get it. If there's some other rap, yeah, that

874
00:36:01,200 --> 00:36:04,640
Speaker 2: makes sense, but it's b and Frank. We're just not

875
00:36:04,800 --> 00:36:07,080
Speaker 2: doing that right now. Because if that's the case, we

876
00:36:07,160 --> 00:36:08,520
Speaker 2: got to get Sean, we got to get all this.

877
00:36:09,400 --> 00:36:11,359
Speaker 2: I would like to know more about him being taken

878
00:36:11,400 --> 00:36:17,160
Speaker 2: off of Detroit too, yeah, which he does get into

879
00:36:18,000 --> 00:36:20,480
Speaker 2: his relationship with Sean. But to me that that was

880
00:36:20,640 --> 00:36:22,279
Speaker 2: that was very odd because I highly doubt it was

881
00:36:22,320 --> 00:36:22,839
Speaker 2: a bad verse.

882
00:36:23,440 --> 00:36:25,919
Speaker 1: Noah does not is not give me a bad verse,

883
00:36:26,840 --> 00:36:27,520
Speaker 1: but he was.

884
00:36:28,320 --> 00:36:31,880
Speaker 2: He was a little vague on the Sean relationship, because

885
00:36:31,880 --> 00:36:34,399
Speaker 2: even even Gina came in after and say, I didn't

886
00:36:34,400 --> 00:36:34,719
Speaker 2: think you.

887
00:36:34,760 --> 00:36:37,719
Speaker 1: And Big Sean got along very well. But I don't know.

888
00:36:38,080 --> 00:36:40,879
Speaker 2: That's a weird relationship that I would actually like to ask,

889
00:36:41,080 --> 00:36:43,160
Speaker 2: that's the only one I left this song not being

890
00:36:43,200 --> 00:36:45,560
Speaker 2: clear on of really where he was at with Sean

891
00:36:45,600 --> 00:36:47,680
Speaker 2: and that entire thing, because why the fuck would you

892
00:36:47,680 --> 00:36:51,319
Speaker 2: be left off Detroit too? Yeah, like you're just pulling

893
00:36:51,400 --> 00:36:55,360
Speaker 2: my verse off that ship. Then he gets into Travis

894
00:36:56,080 --> 00:36:58,480
Speaker 2: on the second verse, and this is where I fuck

895
00:36:58,520 --> 00:37:04,320
Speaker 2: with Sah his loyalty to shit that he even disagrees with.

896
00:37:05,880 --> 00:37:08,160
Speaker 2: I highly respect when you're with somebody, 're with somebody.

897
00:37:08,600 --> 00:37:11,200
Speaker 2: Travis did develop a habit of letting everyone diss them.

898
00:37:13,120 --> 00:37:16,839
Speaker 3: That's hard, like Barney like that, my nigga, Travis somehow

899
00:37:16,920 --> 00:37:19,799
Speaker 3: developed the habit of let niggas diss us. I've never

900
00:37:19,880 --> 00:37:22,640
Speaker 3: heard of rapper say that, Like you developed a habit

901
00:37:22,680 --> 00:37:23,680
Speaker 3: of let niggas diss us?

902
00:37:23,760 --> 00:37:25,440
Speaker 1: Like rappers don't even like that.

903
00:37:26,120 --> 00:37:27,800
Speaker 3: That's what I'm saying with Sayha, like the way he

904
00:37:28,719 --> 00:37:32,120
Speaker 3: like pins shit, like just simple shit like that is

905
00:37:32,160 --> 00:37:33,560
Speaker 3: what makes this niggas so ill.

906
00:37:34,360 --> 00:37:34,560
Speaker 1: Now.

907
00:37:35,360 --> 00:37:38,160
Speaker 2: I remember when everyone was killing Push during the Clips

908
00:37:38,400 --> 00:37:42,399
Speaker 2: run because he dissed Travis on the Clips album. Then

909
00:37:42,520 --> 00:37:44,799
Speaker 2: on interviews was talking about it and was talking about

910
00:37:44,800 --> 00:37:46,760
Speaker 2: when they were in Paris, he came to play the album,

911
00:37:47,040 --> 00:37:50,240
Speaker 2: but didn't play Drake's verse, which I thought was unfair

912
00:37:50,280 --> 00:37:52,360
Speaker 2: because we found out later that that Drake Verse was

913
00:37:52,480 --> 00:37:55,200
Speaker 2: recorded the day before Travis's album came out. There was

914
00:37:55,360 --> 00:37:57,520
Speaker 2: no verse when he played that for Pharrell in the

915
00:37:57,560 --> 00:38:04,439
Speaker 2: clips in Paris. But being somebody like Saha and Push,

916
00:38:05,440 --> 00:38:07,560
Speaker 2: I can see them feeling a way of you playing

917
00:38:07,640 --> 00:38:10,040
Speaker 2: both sides a little way, like too much. I can

918
00:38:10,160 --> 00:38:13,720
Speaker 2: understand being like this is not my beef, but you'd

919
00:38:13,880 --> 00:38:18,279
Speaker 2: be polying crazy with both sides. This added even more

920
00:38:18,320 --> 00:38:19,680
Speaker 2: to it because I thought Push was being you know,

921
00:38:19,880 --> 00:38:22,759
Speaker 2: a little a little extra on it, but I understood it.

922
00:38:23,200 --> 00:38:25,680
Speaker 2: But now that I can see sighs like you just

923
00:38:25,760 --> 00:38:30,560
Speaker 2: keep letting people diss us on records with you, Like

924
00:38:30,640 --> 00:38:33,320
Speaker 2: what the fuck are we doing at this point? Like

925
00:38:33,680 --> 00:38:36,520
Speaker 2: how your biggest record? You got Drake talking about pulling

926
00:38:36,600 --> 00:38:40,560
Speaker 2: up to our man's crib. He dropped, No, that's your

927
00:38:40,600 --> 00:38:43,480
Speaker 2: brother in law, like your kids are cousins, Like what

928
00:38:43,560 --> 00:38:44,920
Speaker 2: are we doing right now?

929
00:38:45,239 --> 00:38:46,920
Speaker 3: He dropped out the school of Donda and went left

930
00:38:46,960 --> 00:38:49,160
Speaker 3: with the grassy correct what he did in fashion, but

931
00:38:49,200 --> 00:38:51,920
Speaker 3: she just looks hell at tacky. When I helped him

932
00:38:51,920 --> 00:38:53,759
Speaker 3: with his album, went like eleven platinum but I still

933
00:38:53,800 --> 00:38:55,720
Speaker 3: didn't get my swap, and he mad that I'm even asking.

934
00:38:58,160 --> 00:38:59,000
Speaker 1: Yeah, man, I get it.

935
00:39:00,640 --> 00:39:03,880
Speaker 2: It's sickle mode, Travis's biggest word. I don't know the stats,

936
00:39:04,080 --> 00:39:06,840
Speaker 2: but I would assume definitely. I mean Travis has a

937
00:39:06,880 --> 00:39:12,040
Speaker 2: lot of there's a goosebump. I'm sure there's a lot,

938
00:39:12,320 --> 00:39:16,320
Speaker 2: But Mode is like Diamond if I did all that

939
00:39:16,400 --> 00:39:20,080
Speaker 2: writing for you because Astra Worlds. I remember when as

940
00:39:20,160 --> 00:39:21,600
Speaker 2: the World came out, you and I both could pick

941
00:39:21,640 --> 00:39:24,600
Speaker 2: the songs that we knew Sahi penns, and then we

942
00:39:24,680 --> 00:39:26,239
Speaker 2: looked at the credits and we're writing about everything, like

943
00:39:26,280 --> 00:39:28,279
Speaker 2: you could tell that Sahai was writing the ship.

944
00:39:29,000 --> 00:39:29,160
Speaker 3: Yeah.

945
00:39:29,160 --> 00:39:30,880
Speaker 2: I think it's a little weird because I've seen Travis

946
00:39:30,960 --> 00:39:35,160
Speaker 2: give versus beats swaps to a lot of artists that

947
00:39:35,320 --> 00:39:38,080
Speaker 2: have done nothing for him or aren't even at a

948
00:39:38,200 --> 00:39:41,000
Speaker 2: level that they could get a Travis verse. So to

949
00:39:41,120 --> 00:39:43,799
Speaker 2: not give Sahai one, I would I would definitely feel away.

950
00:39:45,440 --> 00:39:48,800
Speaker 2: And I'm writing a record for you. And then you

951
00:39:48,920 --> 00:39:54,960
Speaker 2: get Drake on the ship to diss us. That's fucking

952
00:39:55,280 --> 00:39:56,920
Speaker 2: like you're being playing, Like Drake is playing you right

953
00:39:56,960 --> 00:40:00,239
Speaker 2: now or he's not, And that's your man's and you're

954
00:40:00,520 --> 00:40:01,279
Speaker 2: giggling with him.

955
00:40:02,320 --> 00:40:04,360
Speaker 1: Yeah, I mean that's in that type of scenario.

956
00:40:04,400 --> 00:40:06,719
Speaker 3: In that situation, they can get a little like a

957
00:40:06,760 --> 00:40:09,440
Speaker 3: little sticky because it's like, obviously he's just just the

958
00:40:09,520 --> 00:40:13,920
Speaker 3: home team, and you know, Drake and Yay have a

959
00:40:14,040 --> 00:40:16,880
Speaker 3: little back and forth. So if he's throwing shots at

960
00:40:16,960 --> 00:40:22,520
Speaker 3: Yay on your song, it does look crazy. But what

961
00:40:22,600 --> 00:40:24,480
Speaker 3: you're gonna say, like, nah, Drake, don't say that.

962
00:40:24,640 --> 00:40:24,759
Speaker 1: Well.

963
00:40:24,800 --> 00:40:26,799
Speaker 2: I mean that's why I think syd kill it. If

964
00:40:26,840 --> 00:40:28,920
Speaker 2: I got a verse from Drake shit, I'd be hella happy.

965
00:40:29,480 --> 00:40:31,120
Speaker 2: But I can't let him just bro on the ship.

966
00:40:31,880 --> 00:40:32,799
Speaker 2: It would probably never happen.

967
00:40:33,000 --> 00:40:37,160
Speaker 4: Travis Mighty say, that's sighs. Loyalty is what has been

968
00:40:37,280 --> 00:40:40,320
Speaker 4: keeping his career down, which.

969
00:40:39,800 --> 00:40:42,279
Speaker 2: Which he gets to with when he gets to the

970
00:40:42,800 --> 00:40:45,239
Speaker 2: Push verse of just how they grew up and that's

971
00:40:45,320 --> 00:40:47,520
Speaker 2: the only ship. When we sat with pusha t we

972
00:40:47,719 --> 00:40:49,320
Speaker 2: questioned some of that and he said, I don't this

973
00:40:49,400 --> 00:40:51,359
Speaker 2: is how I was raised. My loyalty just doesn't move

974
00:40:51,560 --> 00:40:56,640
Speaker 2: the way maybe some of y'all's does. But again, I understand, Travis,

975
00:40:57,560 --> 00:41:02,480
Speaker 2: it's not my beef, but not like we're spending Thanksgiving

976
00:41:02,480 --> 00:41:05,719
Speaker 2: together like our kids are cousins. This isn't just like

977
00:41:06,280 --> 00:41:08,080
Speaker 2: like Yo, we see each other at the club like that.

978
00:41:08,200 --> 00:41:11,120
Speaker 2: That's a different level of family in my opinion. But

979
00:41:12,080 --> 00:41:15,200
Speaker 2: I know Travis doesn't really speak, but he's been accused

980
00:41:15,280 --> 00:41:18,279
Speaker 2: of this by so many people within that circle. I

981
00:41:18,320 --> 00:41:20,920
Speaker 2: would like to hear his side of it. Not that

982
00:41:21,000 --> 00:41:25,279
Speaker 2: we're old that, but yeah, yeah, why does everyone in

983
00:41:25,440 --> 00:41:28,080
Speaker 2: that crew feel like you have been playing not even

984
00:41:28,120 --> 00:41:30,640
Speaker 2: both sides, just that side, and you were supposed to

985
00:41:30,680 --> 00:41:33,360
Speaker 2: be with us and we've all helped your shit to

986
00:41:33,480 --> 00:41:36,920
Speaker 2: the best of our ability, That's.

987
00:41:36,760 --> 00:41:40,800
Speaker 1: All has Travis. Has he ever spoke about this?

988
00:41:42,400 --> 00:41:44,920
Speaker 3: No, not really, like just like in general, just like

989
00:41:45,840 --> 00:41:49,480
Speaker 3: you know, doing songs with Drake when obviously Drake and Yay.

990
00:41:50,520 --> 00:41:51,920
Speaker 5: I don't think he's ever spoken on it.

991
00:41:53,680 --> 00:41:56,320
Speaker 2: I mean, I think I think Travis is kind of

992
00:41:56,360 --> 00:41:59,520
Speaker 2: even though he is associated with good music and that,

993
00:41:59,840 --> 00:42:02,560
Speaker 2: I mean, he does have his own crew. I don't

994
00:42:02,560 --> 00:42:04,200
Speaker 2: know if he sits and hangs out with good music

995
00:42:04,320 --> 00:42:06,880
Speaker 2: like that. I think Kanye, I think Kanye was an

996
00:42:06,920 --> 00:42:09,680
Speaker 2: idol of his and he definitely wanted to work with him.

997
00:42:09,719 --> 00:42:11,040
Speaker 2: But I mean, you know, he has his circle of

998
00:42:11,040 --> 00:42:12,480
Speaker 2: the kids he grew up with, Chase and everybody like,

999
00:42:12,520 --> 00:42:15,040
Speaker 2: he has his crew, So I don't. Maybe he's viewing

1000
00:42:15,080 --> 00:42:19,400
Speaker 2: it like we're like music. So maybe I just think

1001
00:42:19,440 --> 00:42:21,120
Speaker 2: it's a little different when our kids are cousins. But

1002
00:42:22,040 --> 00:42:24,680
Speaker 2: maybe he's viewing it that way. Yeah, Like, Okay, so

1003
00:42:26,000 --> 00:42:28,120
Speaker 2: I paid you, you got your pub like, I don't

1004
00:42:28,120 --> 00:42:30,600
Speaker 2: know if I owe you. Well, actually no, so I

1005
00:42:30,640 --> 00:42:31,120
Speaker 2: said he didn't.

1006
00:42:31,160 --> 00:42:32,400
Speaker 1: It was a swap. It was a swap. Yeah, he

1007
00:42:32,400 --> 00:42:33,239
Speaker 1: didn't even get any money.

1008
00:42:33,760 --> 00:42:33,920
Speaker 3: Yeah.

1009
00:42:33,920 --> 00:42:35,239
Speaker 2: If I didn't get paid for Cicle Mode and you're

1010
00:42:35,239 --> 00:42:36,600
Speaker 2: not giving me a swap, I'm in a field way,

1011
00:42:37,320 --> 00:42:40,279
Speaker 2: I know, I'm losing my mind like Phil, Like, of

1012
00:42:40,360 --> 00:42:41,839
Speaker 2: course he got pub on but if you didn't even

1013
00:42:42,080 --> 00:42:44,440
Speaker 2: give me an upfront fee and we yeah, no, no, no,

1014
00:42:44,840 --> 00:42:46,839
Speaker 2: I can't write Sickle Moe for you and you don't

1015
00:42:46,880 --> 00:42:47,480
Speaker 2: give me a swap.

1016
00:42:47,960 --> 00:42:50,240
Speaker 4: I'm not writing Sicle Mode and trying to get no swap.

1017
00:42:50,280 --> 00:42:51,600
Speaker 4: I want the money from that shit.

1018
00:42:51,640 --> 00:42:53,879
Speaker 2: I don't know how he got he got pub yeah,

1019
00:42:54,239 --> 00:42:55,800
Speaker 2: no matter like legally he has to get pub no

1020
00:42:55,840 --> 00:42:57,400
Speaker 2: matter what. He didn't like ghost write it, he wrote it.

1021
00:42:58,040 --> 00:43:01,759
Speaker 2: But shit, and you not even give me some of

1022
00:43:01,840 --> 00:43:02,440
Speaker 2: the master on it.

1023
00:43:02,800 --> 00:43:05,200
Speaker 1: Yeah, I ain't.

1024
00:43:06,920 --> 00:43:08,560
Speaker 3: Yeah, we might have a little issue though, I ain't

1025
00:43:08,560 --> 00:43:10,160
Speaker 3: gonna lie a big issue, fuck a little one.

1026
00:43:10,280 --> 00:43:12,800
Speaker 1: Yeah, I need my I need my verse homie.

1027
00:43:13,440 --> 00:43:15,480
Speaker 2: And that's that's where this ship is is kind of

1028
00:43:15,520 --> 00:43:19,480
Speaker 2: fucked up because you're probably in creative mode, like, yeah,

1029
00:43:19,520 --> 00:43:22,640
Speaker 2: I just gave him. I shouldn't even have to ask you,

1030
00:43:22,760 --> 00:43:24,319
Speaker 2: just thinking like, no matter what, when I need something

1031
00:43:24,360 --> 00:43:25,719
Speaker 2: travels to be right.

1032
00:43:25,640 --> 00:43:29,000
Speaker 3: There, you would think so I know, and you would

1033
00:43:29,040 --> 00:43:31,879
Speaker 3: think so yeah, But unfortunately we notice not how this game,

1034
00:43:32,080 --> 00:43:34,120
Speaker 3: how this game goes in the industry, don't work like

1035
00:43:34,160 --> 00:43:36,160
Speaker 3: that all the time. No matter what your relationship is

1036
00:43:36,280 --> 00:43:38,800
Speaker 3: with people, you know, it's it's not gonna be the

1037
00:43:38,880 --> 00:43:43,520
Speaker 3: way you anticipated going. It's always gonna be some funck

1038
00:43:43,560 --> 00:43:46,280
Speaker 3: ship going on. Yeah, It's just that's just the music industry.

1039
00:43:46,760 --> 00:43:49,279
Speaker 2: How did you feel about the Cuddy verse verse three?

1040
00:43:50,400 --> 00:43:54,320
Speaker 2: Gina asked, And what about the man on the moon side,

1041
00:43:54,400 --> 00:43:57,080
Speaker 2: not really speaking to his relationship with with Cuddy, but

1042
00:43:57,160 --> 00:43:59,560
Speaker 2: more so Kanye and Kid Cuddy. If you guys do

1043
00:43:59,680 --> 00:44:03,560
Speaker 2: remember when Pete Davison was dating Kim Kardashian. Pete and

1044
00:44:03,600 --> 00:44:06,359
Speaker 2: Cuddy are close and it appeared like Cuddy had taken

1045
00:44:06,760 --> 00:44:11,000
Speaker 2: Pete's side in that entire thing. And so I said,

1046
00:44:11,040 --> 00:44:12,440
Speaker 2: what if a dope fiend was around one of his

1047
00:44:12,520 --> 00:44:15,000
Speaker 2: kids buddies and they Mama good hoo hooked on it.

1048
00:44:15,880 --> 00:44:21,040
Speaker 2: I mean, I want to say that's not fair to say,

1049
00:44:21,200 --> 00:44:23,920
Speaker 2: but Pete Davison has been very open with his drug abuse,

1050
00:44:25,080 --> 00:44:27,640
Speaker 2: and I don't think. I don't know Kim Kardashian, but

1051
00:44:27,680 --> 00:44:30,799
Speaker 2: I highly doubt that Kim was allowing drugs around her kids.

1052
00:44:32,640 --> 00:44:35,879
Speaker 2: But I see that at that point, and I could

1053
00:44:35,880 --> 00:44:40,640
Speaker 2: see Kanye even in not excusing the mental state he

1054
00:44:40,760 --> 00:44:43,000
Speaker 2: was in at the time, and I think he was

1055
00:44:43,080 --> 00:44:46,160
Speaker 2: just mad that Pete was fucking his wife. But yeah,

1056
00:44:46,160 --> 00:44:49,960
Speaker 2: I'd feel a way if someone openly is talking about

1057
00:44:50,000 --> 00:44:52,279
Speaker 2: their their drug use and is around my kids and

1058
00:44:52,400 --> 00:44:54,719
Speaker 2: you're getting my kids tattooed on you after a week,

1059
00:44:55,480 --> 00:44:56,719
Speaker 2: who's the mentally ill one here?

1060
00:44:57,239 --> 00:44:57,399
Speaker 1: Right?

1061
00:44:58,400 --> 00:45:01,840
Speaker 2: Granted, I think a objectively Kanye was also filled with

1062
00:45:01,960 --> 00:45:03,680
Speaker 2: jealous rage, which a lot of men would be, and

1063
00:45:03,719 --> 00:45:05,400
Speaker 2: he wouldn't handle that well. And I don't know if

1064
00:45:05,440 --> 00:45:08,040
Speaker 2: it's great to have somebody that is in a mentally

1065
00:45:08,040 --> 00:45:10,319
Speaker 2: ill state around their own children at certain times. I'm

1066
00:45:10,320 --> 00:45:12,360
Speaker 2: not saying Kanye was a sainting that, but no, I

1067
00:45:12,400 --> 00:45:15,040
Speaker 2: would feel a fucking way that my man cutties my

1068
00:45:15,120 --> 00:45:18,200
Speaker 2: man's and you hanging with somebody's getting my kids tattooed

1069
00:45:18,239 --> 00:45:20,080
Speaker 2: on their skin after a week of meeting them.

1070
00:45:21,520 --> 00:45:26,680
Speaker 1: It's a little weird, A little it's weird. I guess

1071
00:45:26,760 --> 00:45:30,319
Speaker 1: I view that drastically different. I like that that say.

1072
00:45:30,400 --> 00:45:34,040
Speaker 2: I kept that very brief throughout the entire thing, because, yeah,

1073
00:45:34,440 --> 00:45:35,600
Speaker 2: how would you feel.

1074
00:45:36,320 --> 00:45:39,000
Speaker 5: Going into the Push averse? How did you feel about that?

1075
00:45:40,760 --> 00:45:42,880
Speaker 1: It was kind of what I expected, I suppose.

1076
00:45:43,960 --> 00:45:47,680
Speaker 2: I mean again, us sitting with Pushing and questioning him

1077
00:45:47,680 --> 00:45:50,120
Speaker 2: about good music stuff, and him talking about his pedigree

1078
00:45:50,120 --> 00:45:52,360
Speaker 2: and how he was raised, how he moves within that

1079
00:45:53,000 --> 00:45:55,680
Speaker 2: he he doesn't expect everyone to move the same way

1080
00:45:55,719 --> 00:45:58,880
Speaker 2: he does based off the morals that were giving to

1081
00:45:58,960 --> 00:46:01,360
Speaker 2: him in the situations that he was in. It didn't

1082
00:46:01,360 --> 00:46:04,839
Speaker 2: shock me that that Saha and Push got together after

1083
00:46:04,920 --> 00:46:07,479
Speaker 2: the first three verses are nothing but artistry mess.

1084
00:46:07,920 --> 00:46:09,879
Speaker 1: We get to Push. He's like, that's my man, Yes,

1085
00:46:11,360 --> 00:46:11,960
Speaker 1: But that's.

1086
00:46:13,640 --> 00:46:16,600
Speaker 4: I feel like when it comes to artists and them

1087
00:46:16,680 --> 00:46:19,800
Speaker 4: being weird and creative, people be weird sometimes, and especially

1088
00:46:19,800 --> 00:46:23,320
Speaker 4: if they weren't raised in street ronment environments. Their loyalty

1089
00:46:23,400 --> 00:46:25,280
Speaker 4: and their outlooks on LIKEE do be weird and different.

1090
00:46:25,480 --> 00:46:27,799
Speaker 4: That's why the entertainment industry is so fucking weird because

1091
00:46:27,800 --> 00:46:31,080
Speaker 4: it's full of people who were never raised in certain

1092
00:46:31,120 --> 00:46:33,239
Speaker 4: ways that people like me and you are maw or

1093
00:46:33,320 --> 00:46:35,560
Speaker 4: Push your Tea and were raised.

1094
00:46:36,160 --> 00:46:38,399
Speaker 3: When they spoke about that, they said, our loyalty came from,

1095
00:46:38,800 --> 00:46:40,880
Speaker 3: you know, just being in the streets, Like that's what

1096
00:46:40,960 --> 00:46:43,360
Speaker 3: they learned about loyalty. So, I mean they share that,

1097
00:46:43,440 --> 00:46:46,239
Speaker 3: they share a lot of the same you know, outlooks

1098
00:46:46,280 --> 00:46:49,239
Speaker 3: and views on certain things and certain things as men.

1099
00:46:49,320 --> 00:46:52,880
Speaker 1: We just don't you know, sway on and you know,

1100
00:46:52,960 --> 00:46:56,280
Speaker 1: it's just loyalty. It's just honor, it's respect, its integrity,

1101
00:46:56,800 --> 00:46:59,239
Speaker 1: morals and things like that. So, I mean, I wasn't

1102
00:46:59,280 --> 00:47:02,320
Speaker 1: expecting him to rap about Push and be saying anything

1103
00:47:02,400 --> 00:47:04,400
Speaker 1: other than not, we still we still with each other.

1104
00:47:04,440 --> 00:47:06,560
Speaker 1: We're still cool. I did laugh though at.

1105
00:47:08,200 --> 00:47:11,200
Speaker 2: Saha having like a fisherman sees another fisherman moment on

1106
00:47:11,360 --> 00:47:14,000
Speaker 2: tour when he realized Push Your Tea was bending his

1107
00:47:14,920 --> 00:47:17,120
Speaker 2: his hangers like he was cooking up coke.

1108
00:47:18,560 --> 00:47:20,400
Speaker 1: That just being in the green room and like okay,

1109
00:47:22,239 --> 00:47:22,960
Speaker 1: all right, yeah.

1110
00:47:26,320 --> 00:47:29,000
Speaker 5: Yeah, but I'm happy to know that they do still

1111
00:47:29,080 --> 00:47:31,120
Speaker 5: have like a strong relationship.

1112
00:47:31,200 --> 00:47:32,560
Speaker 1: Yeah, and again that was surprising me.

1113
00:47:32,640 --> 00:47:35,840
Speaker 2: I would never think that Push ever charged for his

1114
00:47:36,000 --> 00:47:37,799
Speaker 2: verse on No Dope point, Like I would never even

1115
00:47:37,800 --> 00:47:39,959
Speaker 2: think Push would would do that with the home team,

1116
00:47:40,239 --> 00:47:42,320
Speaker 2: Like yeah, all that, it's just funny. It was like

1117
00:47:42,360 --> 00:47:44,040
Speaker 2: a breath of fresh air halfway through the thing, like

1118
00:47:44,160 --> 00:47:48,440
Speaker 2: oh this is supposed to go, y'all good, cool somebody,

1119
00:47:48,480 --> 00:47:50,480
Speaker 2: because because when Gina said, I know you can't put

1120
00:47:50,480 --> 00:47:52,120
Speaker 2: your tea of a good relationship right, I was like.

1121
00:47:52,160 --> 00:47:57,520
Speaker 1: Oh god, no, we're about to hear Listen, Saha, this

1122
00:47:57,640 --> 00:47:58,560
Speaker 1: is this is fire.

1123
00:47:59,400 --> 00:48:01,359
Speaker 3: I like the visual for like you know what I mean,

1124
00:48:01,480 --> 00:48:04,120
Speaker 3: like breaking that, like every bar, giving the visual of

1125
00:48:04,239 --> 00:48:06,399
Speaker 3: the bar, you know, going whether it's a loaf of bread,

1126
00:48:06,520 --> 00:48:07,040
Speaker 3: whatever it is.

1127
00:48:07,440 --> 00:48:10,160
Speaker 1: I love that all of that is fired. Sahai, you

1128
00:48:10,280 --> 00:48:11,279
Speaker 1: my nigga. You know I love you.

1129
00:48:11,400 --> 00:48:15,160
Speaker 3: If we don't get a fucking album, like come on, man,

1130
00:48:15,200 --> 00:48:17,400
Speaker 3: we need to, I'm telling you this is just a

1131
00:48:17,520 --> 00:48:21,200
Speaker 3: glimpse of what Sahai does. This is this is easy

1132
00:48:21,239 --> 00:48:24,480
Speaker 3: for sah This is nothing. This is like Saha is

1133
00:48:24,520 --> 00:48:27,840
Speaker 3: really one of the greatest pins and greatest rappers. That

1134
00:48:27,920 --> 00:48:30,080
Speaker 3: we have, Like, I'm just mad he don't have the

1135
00:48:30,200 --> 00:48:34,480
Speaker 3: material to back that No Dope on Sundays to me.

1136
00:48:34,880 --> 00:48:37,880
Speaker 3: To me, I'm not speaking for you. To me classic I.

1137
00:48:37,920 --> 00:48:40,080
Speaker 1: Said, just the last episode of it's a personal classic.

1138
00:48:40,120 --> 00:48:43,279
Speaker 1: To me, if he had if he had two more

1139
00:48:43,360 --> 00:48:45,640
Speaker 1: albums out that, let's not even say they was better

1140
00:48:45,680 --> 00:48:47,440
Speaker 1: than No Dope on Sundays. Let's say they was just

1141
00:48:48,280 --> 00:48:51,040
Speaker 1: either on par or a little less than No Dope

1142
00:48:51,080 --> 00:48:54,440
Speaker 1: on some he would be in the same conversations with

1143
00:48:54,600 --> 00:48:56,680
Speaker 1: a lot of these other rappers and mcs as being

1144
00:48:57,000 --> 00:48:57,799
Speaker 1: the best out right now.

1145
00:48:57,880 --> 00:48:59,879
Speaker 2: But in listening to this whole record, do you kind

1146
00:48:59,880 --> 00:49:02,200
Speaker 2: of see why he hasn't had the output that he's

1147
00:49:02,239 --> 00:49:04,760
Speaker 2: put on. Sometimes I felt like maybe it's something Shi

1148
00:49:04,880 --> 00:49:07,400
Speaker 2: didn't want and he preferred because we mess out. He

1149
00:49:07,440 --> 00:49:10,000
Speaker 2: definitely has a I want to be behind like he

1150
00:49:10,080 --> 00:49:12,040
Speaker 2: doesn't want to be in the line.

1151
00:49:12,200 --> 00:49:13,759
Speaker 1: I want to deal with the mess. Yeah, like he

1152
00:49:13,960 --> 00:49:19,839
Speaker 1: he he wants to do his Own't.

1153
00:49:17,480 --> 00:49:18,520
Speaker 4: Say you don't want to deal with the mess of

1154
00:49:18,520 --> 00:49:20,200
Speaker 4: the music business and then you dress you dropped.

1155
00:49:20,280 --> 00:49:20,799
Speaker 1: I know what I'm saying.

1156
00:49:20,800 --> 00:49:23,520
Speaker 2: More of the mess of fame and being out there constantly,

1157
00:49:23,560 --> 00:49:25,839
Speaker 2: being on the road, like I think sometimes he likes

1158
00:49:25,920 --> 00:49:28,160
Speaker 2: to just lay low make his money. But you can

1159
00:49:28,320 --> 00:49:31,160
Speaker 2: see now all the insane shit that was happening behind

1160
00:49:31,200 --> 00:49:32,160
Speaker 2: the scenes that we could all assume.

1161
00:49:32,200 --> 00:49:32,680
Speaker 1: We just didn't know.

1162
00:49:33,080 --> 00:49:35,560
Speaker 2: No one ever thought that Good Music was some well

1163
00:49:35,600 --> 00:49:38,920
Speaker 2: oiled working machine. We always knew there was some bullshit there,

1164
00:49:39,239 --> 00:49:43,480
Speaker 2: but I never knew exactly why Sahai was not having

1165
00:49:43,560 --> 00:49:46,080
Speaker 2: the output that I felt that he should. Yeah, and

1166
00:49:46,719 --> 00:49:49,960
Speaker 2: I mean it also goes back to being signed to

1167
00:49:50,600 --> 00:49:53,759
Speaker 2: somebody that's in the peak of their career, like you,

1168
00:49:53,920 --> 00:49:55,840
Speaker 2: going through the gifts and the curve, all the albums

1169
00:49:55,840 --> 00:49:58,160
Speaker 2: and artists that he's talking about. Look at this timeline

1170
00:49:59,680 --> 00:50:02,759
Speaker 2: watch thrown my people. Dards was a fantasy astro world like,

1171
00:50:02,840 --> 00:50:05,560
Speaker 2: look at the projects that he's working on at this time.

1172
00:50:06,480 --> 00:50:09,520
Speaker 2: And I don't think Good Music had the biggest of staffs,

1173
00:50:10,320 --> 00:50:12,000
Speaker 2: and def Jam got cut in half at that time.

1174
00:50:12,040 --> 00:50:15,000
Speaker 2: I'm like, nah, I don't. I don't know if if

1175
00:50:15,440 --> 00:50:20,160
Speaker 2: anyone was putting Sihi as a priority outside of helping

1176
00:50:20,239 --> 00:50:21,280
Speaker 2: them with their shit.

1177
00:50:22,000 --> 00:50:26,719
Speaker 4: Which goes back to my conversation about how I might

1178
00:50:26,960 --> 00:50:29,560
Speaker 4: understand Travis's disloyalty.

1179
00:50:29,760 --> 00:50:33,000
Speaker 2: He had I believe a pub deal with with good music,

1180
00:50:33,239 --> 00:50:37,200
Speaker 2: which again he was helping Kanye, helping people out, but

1181
00:50:37,280 --> 00:50:39,680
Speaker 2: he put everything out through Sony like he was never

1182
00:50:40,400 --> 00:50:44,040
Speaker 2: He was never common Big Sean, Saiahi Tiana like that.

1183
00:50:44,239 --> 00:50:46,080
Speaker 1: That was never a thing.

1184
00:50:46,840 --> 00:50:49,880
Speaker 2: So my on the loyalty side, to your point, I

1185
00:50:49,960 --> 00:50:52,640
Speaker 2: think it's more loyalty on friendship than it is loyalty

1186
00:50:52,800 --> 00:50:53,319
Speaker 2: because I'm.

1187
00:50:53,280 --> 00:50:58,560
Speaker 1: Signed to good music, like I've helped you on this.

1188
00:50:59,080 --> 00:51:00,360
Speaker 1: That's if your kids like.

1189
00:51:00,560 --> 00:51:03,160
Speaker 2: To me, it's more of a loyalty friendship thing rather

1190
00:51:03,280 --> 00:51:04,960
Speaker 2: than anything good music related.

1191
00:51:06,800 --> 00:51:08,440
Speaker 1: I thought the Virgil.

1192
00:51:09,840 --> 00:51:12,000
Speaker 2: The Virgil verse was interesting, and I don't want this

1193
00:51:12,120 --> 00:51:16,560
Speaker 2: to be a defend Kanye moment the way that some

1194
00:51:16,680 --> 00:51:19,600
Speaker 2: of this this record came across. But one of my

1195
00:51:19,680 --> 00:51:23,719
Speaker 2: favorite Drake bars in w freestyle is I'd never have

1196
00:51:23,800 --> 00:51:26,200
Speaker 2: a Virgil in my circle and holding back because he

1197
00:51:26,280 --> 00:51:29,239
Speaker 2: makes me nervous. While that is just a battlebar, that

1198
00:51:29,400 --> 00:51:31,040
Speaker 2: is kind of how a lot of us felt when

1199
00:51:31,160 --> 00:51:34,320
Speaker 2: Virgil got the LV deal and how Kanye reacted to it,

1200
00:51:34,840 --> 00:51:36,680
Speaker 2: Whereas we were assuming he was about to be really

1201
00:51:36,680 --> 00:51:39,920
Speaker 2: happy for his man's and it came across as some.

1202
00:51:40,120 --> 00:51:43,040
Speaker 1: Jealousy shit, did it not?

1203
00:51:43,480 --> 00:51:46,759
Speaker 2: Ye definitely and I think Kanye, and again not excusing him,

1204
00:51:47,000 --> 00:51:51,680
Speaker 2: but Kanye has I think some difficulty ironically coming across

1205
00:51:51,760 --> 00:51:54,719
Speaker 2: the way he's thinking in his brain. This did give

1206
00:51:54,840 --> 00:51:59,080
Speaker 2: some insight of maybe how Kanye actually felt. He felt

1207
00:51:59,200 --> 00:52:04,480
Speaker 2: like LV may have been using Virgil in that instance

1208
00:52:04,680 --> 00:52:09,279
Speaker 2: when he was beefing with them, also with Nike when

1209
00:52:09,320 --> 00:52:10,640
Speaker 2: off White happened. And I don't know any of this,

1210
00:52:10,680 --> 00:52:13,400
Speaker 2: and I'm not gonna ever speak, especially for somebody that

1211
00:52:13,440 --> 00:52:16,920
Speaker 2: has passed, rest in peace to Virgil. Maybe this was

1212
00:52:16,960 --> 00:52:18,759
Speaker 2: really Kanye's point of view and it did not come

1213
00:52:18,800 --> 00:52:23,759
Speaker 2: across that way. It was it'll end way differently that Nah,

1214
00:52:23,840 --> 00:52:27,319
Speaker 2: they're using my friend. The anger is more towards LV

1215
00:52:28,040 --> 00:52:30,400
Speaker 2: than it would be too Virgil.

1216
00:52:30,160 --> 00:52:30,840
Speaker 1: In that instance.

1217
00:52:30,920 --> 00:52:32,480
Speaker 2: And if I was Virgil in that time, I would

1218
00:52:32,480 --> 00:52:34,120
Speaker 2: feel like, aren't you supposed to be one of my

1219
00:52:34,200 --> 00:52:36,320
Speaker 2: best friends? You help me, but you're not even happy

1220
00:52:37,239 --> 00:52:40,120
Speaker 2: for me? Like this is Chris I get announced as

1221
00:52:40,160 --> 00:52:42,279
Speaker 2: the first black man of what was his exact title,

1222
00:52:42,520 --> 00:52:46,839
Speaker 2: It was head of y Louis Vuitton Creative Right has

1223
00:52:46,920 --> 00:52:51,000
Speaker 2: no Yeah. I always thought Kanye looked insane for that,

1224
00:52:51,320 --> 00:52:53,880
Speaker 2: but maybe this is really how he felt that they

1225
00:52:53,920 --> 00:52:57,320
Speaker 2: were using Virgil while he was beefing with them and

1226
00:52:57,480 --> 00:52:59,960
Speaker 2: just placed him there instead. And the same with Nike.

1227
00:53:00,080 --> 00:53:01,440
Speaker 2: We've heard his his his back and forth of that.

1228
00:53:01,480 --> 00:53:03,000
Speaker 2: I'm not saying, Kanye, this is right, It's just a

1229
00:53:03,040 --> 00:53:03,720
Speaker 2: different perspective.

1230
00:53:03,920 --> 00:53:07,399
Speaker 1: This is how I say. That is how that said.

1231
00:53:07,480 --> 00:53:10,680
Speaker 3: Uh, Kanye tell you that you hate your sofa and

1232
00:53:10,760 --> 00:53:13,480
Speaker 3: then help you like decorate, decorate your house, decorate your

1233
00:53:15,560 --> 00:53:16,600
Speaker 3: That's funny though, but.

1234
00:53:17,000 --> 00:53:20,000
Speaker 2: And this is why I'm getting some push back to Sahai,

1235
00:53:20,920 --> 00:53:23,400
Speaker 2: I do hate the Kanye says things that none of

1236
00:53:23,480 --> 00:53:24,719
Speaker 2: y'all won't like.

1237
00:53:25,040 --> 00:53:26,919
Speaker 1: He says the things you're thinking. No, that's not true.

1238
00:53:28,320 --> 00:53:30,279
Speaker 2: Everything Kanye said I wasn't thinking in my head. And

1239
00:53:30,360 --> 00:53:32,320
Speaker 2: it was like, but I'm too scared to say it.

1240
00:53:32,400 --> 00:53:34,000
Speaker 3: But see that goes back to what we was told

1241
00:53:34,040 --> 00:53:36,480
Speaker 3: about at the top with with if you don't agree

1242
00:53:36,520 --> 00:53:38,600
Speaker 3: with something to considered hate. You see what I'm saying,

1243
00:53:38,600 --> 00:53:40,400
Speaker 3: It's like, is it considered hating? Like why can't I

1244
00:53:40,520 --> 00:53:41,440
Speaker 3: just be like, nah, I don't.

1245
00:53:41,360 --> 00:53:41,959
Speaker 1: Like your couch.

1246
00:53:42,200 --> 00:53:46,160
Speaker 3: Oh, I'm gonna help you, koo, that's the couch you like.

1247
00:53:46,400 --> 00:53:48,040
Speaker 3: But then you gotta put this in here, you gotta

1248
00:53:48,280 --> 00:53:50,240
Speaker 3: you gotta dress up. You gotta have this type of carpet,

1249
00:53:50,320 --> 00:53:52,400
Speaker 3: this type of these type of arts on your walls,

1250
00:53:52,440 --> 00:53:54,960
Speaker 3: you gotta put this type of lamp and like, so

1251
00:53:55,120 --> 00:53:58,120
Speaker 3: it's not it may come across like this nigga hating

1252
00:53:58,120 --> 00:54:01,359
Speaker 3: on my couch. Okay, but the nigga also did help

1253
00:54:01,440 --> 00:54:04,440
Speaker 3: you just deck your whole spot out. Now, the whole

1254
00:54:04,480 --> 00:54:07,160
Speaker 3: shit looked different than look, yeah it's flying, it's not hey,

1255
00:54:07,280 --> 00:54:10,200
Speaker 3: it's it's I want to help you. Yeah, I don't

1256
00:54:10,320 --> 00:54:12,480
Speaker 3: like that as I don't like what you just did

1257
00:54:12,560 --> 00:54:15,279
Speaker 3: with this couch. But all right, cool, that's what you're

1258
00:54:15,280 --> 00:54:17,279
Speaker 3: going with. Let me let me help you out there.

1259
00:54:17,320 --> 00:54:21,360
Speaker 2: But that sounds that sounds good. But like then you

1260
00:54:21,480 --> 00:54:23,600
Speaker 2: get to genus saying, what do you say about jay Z?

1261
00:54:23,960 --> 00:54:24,400
Speaker 1: I'm with you.

1262
00:54:24,680 --> 00:54:27,320
Speaker 2: If Kanye's some about tastes are certain things cool, but

1263
00:54:27,480 --> 00:54:31,560
Speaker 2: Kanye's also said some insane things for sure about Ja

1264
00:54:31,600 --> 00:54:35,879
Speaker 2: and Beyonce's kids, so things he could never come back from. Yeah,

1265
00:54:37,040 --> 00:54:40,680
Speaker 2: and this was the only verse seven. I let the

1266
00:54:40,680 --> 00:54:43,359
Speaker 2: ship slide with the couch thing. And I know say

1267
00:54:43,640 --> 00:54:47,799
Speaker 2: obviously sees Kanye West in a way different space than

1268
00:54:47,880 --> 00:54:49,799
Speaker 2: all of us. He really knows him. We only see

1269
00:54:49,840 --> 00:54:54,040
Speaker 2: what we see. I've been around people deemed lunatics. I'm like, no,

1270
00:54:54,080 --> 00:54:54,960
Speaker 2: if you get to know that, I problem.

1271
00:54:55,000 --> 00:54:56,759
Speaker 1: They not even like that. That's just what you see.

1272
00:54:57,200 --> 00:54:59,160
Speaker 1: I can identify with that. So I'm cool. I let

1273
00:54:59,239 --> 00:54:59,600
Speaker 1: this lie.

1274
00:55:00,160 --> 00:55:02,160
Speaker 2: But then when Gina asked about the jay Z shit,

1275
00:55:03,360 --> 00:55:05,320
Speaker 2: he said, yeah, I'm not a fan of it, but

1276
00:55:05,360 --> 00:55:06,680
Speaker 2: you see the way they was. They were shitting on

1277
00:55:06,760 --> 00:55:11,399
Speaker 2: him back in the day. Nah, those things don't at them. No, No, Noah,

1278
00:55:12,080 --> 00:55:13,799
Speaker 2: I appreciate this. So I said, I'm not a fan

1279
00:55:13,840 --> 00:55:15,600
Speaker 2: of what he did to Jay. I don't think I

1280
00:55:15,680 --> 00:55:20,480
Speaker 2: ever would be calling their kids. What Kanye said is

1281
00:55:20,960 --> 00:55:24,000
Speaker 2: there's no defense on that. But Noah that I didn't

1282
00:55:24,040 --> 00:55:27,920
Speaker 2: watch the what was it, the not Yeesus, the thing

1283
00:55:28,000 --> 00:55:30,719
Speaker 2: on Netflix that creative controlled him.

1284
00:55:30,800 --> 00:55:32,680
Speaker 1: It was the genius genius.

1285
00:55:32,920 --> 00:55:34,640
Speaker 2: I didn't watch that and go, you know what what

1286
00:55:34,760 --> 00:55:38,120
Speaker 2: he said about jay Z's kids is okay, yeah, no, no,

1287
00:55:38,400 --> 00:55:40,080
Speaker 2: because Sherry was on a call, I didn't think, like,

1288
00:55:40,120 --> 00:55:41,320
Speaker 2: you know what he's allowed to say that about you.

1289
00:55:42,120 --> 00:55:44,360
Speaker 5: Do you think this whole song kind of comes across

1290
00:55:44,480 --> 00:55:47,120
Speaker 5: as a like Kanye like.

1291
00:55:47,520 --> 00:55:52,839
Speaker 2: Defense, Uh yeah, with understanding, Like with context.

1292
00:55:54,520 --> 00:55:55,520
Speaker 1: Said Kanye defense.

1293
00:55:55,560 --> 00:55:59,080
Speaker 3: I think he's given context to things that happened from

1294
00:55:59,360 --> 00:56:02,120
Speaker 3: a perspective that none of us have because obviously he

1295
00:56:02,239 --> 00:56:04,520
Speaker 3: was there, so he knows a lot of the nuances

1296
00:56:04,560 --> 00:56:06,839
Speaker 3: on certain things and why things played out the way

1297
00:56:06,880 --> 00:56:09,799
Speaker 3: he did. So I mean, if it feels like it's

1298
00:56:10,080 --> 00:56:12,640
Speaker 3: in defense of Kanye, I understand, but it really is

1299
00:56:12,719 --> 00:56:15,520
Speaker 3: just given insight to and given information that we didn't

1300
00:56:15,600 --> 00:56:19,759
Speaker 3: have on why certain things played out, why certain things

1301
00:56:19,840 --> 00:56:23,200
Speaker 3: didn't play out. So yeah, I mean I wouldn't say

1302
00:56:23,360 --> 00:56:25,600
Speaker 3: Kanye like, I don't think he's defending Yeah. I think

1303
00:56:25,640 --> 00:56:29,840
Speaker 3: he's just given more context and information and then you

1304
00:56:30,080 --> 00:56:31,480
Speaker 3: are you can do what you want with that.

1305
00:56:32,080 --> 00:56:37,920
Speaker 1: Like, he's just given more detailed events that happened. And

1306
00:56:38,000 --> 00:56:40,480
Speaker 1: then you know, as a fan, as a listeners, if

1307
00:56:40,520 --> 00:56:42,960
Speaker 1: you come across like, oh right, I kind of understand

1308
00:56:43,560 --> 00:56:46,719
Speaker 1: Kanye wasn't He wasn't wrong as I thought he was.

1309
00:56:46,840 --> 00:56:48,560
Speaker 3: Like if you feel like that, cool, But I don't

1310
00:56:48,560 --> 00:56:51,480
Speaker 3: think that's but Sahai is trying to I think he's

1311
00:56:51,480 --> 00:56:53,000
Speaker 3: trying to defend Kanye in any way.

1312
00:56:53,440 --> 00:56:56,760
Speaker 2: Yeah, I think he's really just given context to everything

1313
00:56:56,800 --> 00:57:00,839
Speaker 2: that happened over the last decade. Yeah, And I mean

1314
00:57:00,880 --> 00:57:02,640
Speaker 2: he said that's his man's and he's disagreed with them.

1315
00:57:02,680 --> 00:57:04,360
Speaker 1: But what you're supposed to do.

1316
00:57:04,440 --> 00:57:06,560
Speaker 3: You gotta have a friend of your homie and disagree

1317
00:57:06,560 --> 00:57:08,320
Speaker 3: with him, Like, Yo, I wouldn't have I wouldn't have

1318
00:57:08,360 --> 00:57:10,919
Speaker 3: said that, you wild and for saying that you're still

1319
00:57:11,000 --> 00:57:13,239
Speaker 3: my man, But that was crazy, Like that's that's what

1320
00:57:13,360 --> 00:57:15,600
Speaker 3: friendships and relationships are. It's like, Yo, I'm not gonna

1321
00:57:15,600 --> 00:57:17,600
Speaker 3: agree with I don't want to agree with everything my

1322
00:57:17,720 --> 00:57:20,000
Speaker 3: homie says or does. Yeah, like I want to have

1323
00:57:20,720 --> 00:57:23,120
Speaker 3: some discourse and some you know, back and forth and

1324
00:57:23,240 --> 00:57:24,920
Speaker 3: arguing a little bit, Like, Yo, that was whack, Like

1325
00:57:25,160 --> 00:57:28,440
Speaker 3: you shouldn't have did that, Like that's what makes friendships friendships,

1326
00:57:28,520 --> 00:57:31,240
Speaker 3: Like we can disagree, but we can still respect each

1327
00:57:31,280 --> 00:57:35,760
Speaker 3: other's perspective and stance on certain things. And you know

1328
00:57:35,760 --> 00:57:38,280
Speaker 3: what I mean, Like, I think that's what makes great friendships,

1329
00:57:38,320 --> 00:57:40,880
Speaker 3: Like we can agree and disagree at the same time.

1330
00:57:40,960 --> 00:57:43,560
Speaker 3: And I think that's what Saha basically was saying throughout

1331
00:57:44,040 --> 00:57:47,400
Speaker 3: most of this this record, like, yeah, I didn't agree

1332
00:57:47,400 --> 00:57:49,400
Speaker 3: with a lot of that shit, but you know, I

1333
00:57:49,600 --> 00:57:52,000
Speaker 3: know him in a different way as well. I've seen

1334
00:57:52,160 --> 00:57:54,920
Speaker 3: things that he's done that was great for people and

1335
00:57:55,000 --> 00:57:57,440
Speaker 3: how he helped people at the same time, even though

1336
00:57:57,480 --> 00:58:00,200
Speaker 3: he says off the wall, crazy shit that you can

1337
00:58:00,320 --> 00:58:03,080
Speaker 3: never come back from, he's also done a lot of

1338
00:58:03,200 --> 00:58:04,640
Speaker 3: good things for people at the same time.

1339
00:58:04,760 --> 00:58:07,880
Speaker 2: So the biggest leftdout in this record was was really

1340
00:58:07,920 --> 00:58:10,880
Speaker 2: the end. He did all that amazing rapping, put out

1341
00:58:10,880 --> 00:58:13,040
Speaker 2: the last two joints, all for Gina to say, what

1342
00:58:13,120 --> 00:58:16,480
Speaker 2: are we getting story of mister Egott, And I thought, okay,

1343
00:58:17,000 --> 00:58:19,040
Speaker 2: we got to poose you here date he about to say,

1344
00:58:19,120 --> 00:58:21,320
Speaker 2: March fifteenth, he said.

1345
00:58:22,120 --> 00:58:26,680
Speaker 3: Soon, love he Now, we don't add these talks personally,

1346
00:58:26,800 --> 00:58:29,480
Speaker 3: like I need to fuck if you ain't gonna put

1347
00:58:29,480 --> 00:58:31,760
Speaker 3: it out, send it to my phone. I ain't, but

1348
00:58:31,880 --> 00:58:33,480
Speaker 3: I need to hear the music man, because like this,

1349
00:58:33,880 --> 00:58:35,960
Speaker 3: you can't give us no dope on Sundays and just

1350
00:58:37,080 --> 00:58:38,200
Speaker 3: like all right, I'm cool.

1351
00:58:38,040 --> 00:58:39,440
Speaker 1: Like I don't know when I'm gonna put out my

1352
00:58:39,480 --> 00:58:42,120
Speaker 1: next year like that, that's just that's insane.

1353
00:58:42,200 --> 00:58:45,360
Speaker 3: To give us the album like that rap that was rap, Yeah,

1354
00:58:45,400 --> 00:58:47,880
Speaker 3: like a real rap, real high level mceing.

1355
00:58:48,280 --> 00:58:50,960
Speaker 1: And then we don't get the follow up to that,

1356
00:58:51,320 --> 00:58:54,080
Speaker 1: like come on, so you gotta give us the album, bro. Yeah.

1357
00:58:54,760 --> 00:58:57,280
Speaker 2: I and a I'm curious who's produced, Like, who's producing

1358
00:58:57,320 --> 00:58:57,520
Speaker 2: all that?

1359
00:58:58,240 --> 00:59:00,520
Speaker 3: Well, I put him in touch with a certain producer

1360
00:59:00,600 --> 00:59:03,760
Speaker 3: that he said he wanted to work with. And then

1361
00:59:03,800 --> 00:59:06,800
Speaker 3: I saw that producer and I asked, was like, yeah,

1362
00:59:06,880 --> 00:59:10,200
Speaker 3: but it ain't really I ain't spoke to him a lot.

1363
00:59:10,200 --> 00:59:13,040
Speaker 1: I was like, all right, man, all right, okay.

1364
00:59:14,000 --> 00:59:15,480
Speaker 2: I mean as much as I would love to see

1365
00:59:15,920 --> 00:59:18,880
Speaker 2: the Kanye West producer album, I mean, I has been

1366
00:59:19,080 --> 00:59:21,960
Speaker 2: running around for twenty years. I know he knows his

1367
00:59:22,040 --> 00:59:25,480
Speaker 2: sound and has his relationships. So if Kanye is not

1368
00:59:25,560 --> 00:59:27,600
Speaker 2: on it, it is what it is. But I still

1369
00:59:28,880 --> 00:59:31,760
Speaker 2: in that seven I would have liked to see Saha

1370
00:59:31,920 --> 00:59:34,560
Speaker 2: added to that when they were doing every.

1371
00:59:34,480 --> 00:59:36,160
Speaker 1: Yeah, let me let me text Alchemists and see if

1372
00:59:36,160 --> 00:59:36,520
Speaker 1: he hit them.

1373
00:59:36,560 --> 00:59:39,560
Speaker 4: Man, not you letting us know who the producer was.

1374
00:59:39,680 --> 00:59:40,840
Speaker 4: Not you dropping bombs.

1375
00:59:40,960 --> 00:59:42,600
Speaker 1: But I don't think it's a bomb. I mean I

1376
00:59:42,640 --> 00:59:45,680
Speaker 1: don't about working with Alchemists.

1377
00:59:46,280 --> 00:59:47,880
Speaker 3: I think he's he might have said that with us

1378
00:59:47,920 --> 00:59:49,640
Speaker 3: like that was like one producer that he's always been

1379
00:59:49,640 --> 00:59:52,080
Speaker 3: wanting to work with, and I couldn't believe that he

1380
00:59:52,240 --> 00:59:56,160
Speaker 3: never him and Alchemist never even like touched connected.

1381
00:59:56,880 --> 00:59:59,160
Speaker 5: I mean touched. I meant to say touched bab I.

1382
00:59:59,160 --> 01:00:01,760
Speaker 1: Hope from the record. I hope. I hope him and

1383
01:00:01,800 --> 01:00:05,360
Speaker 1: Alchemists have never been touched me. I mean, don't do that.

1384
01:00:05,840 --> 01:00:08,120
Speaker 1: Whatever anyone's journey is, I don't think they did. I

1385
01:00:08,160 --> 01:00:10,320
Speaker 1: don't think that's I hope they got in touch, Yeah,

1386
01:00:10,640 --> 01:00:13,800
Speaker 1: in touch, I don't yeah, yeah, But I'm gonna hit

1387
01:00:13,840 --> 01:00:16,640
Speaker 1: that chet because I as a just a fan, I

1388
01:00:16,680 --> 01:00:19,840
Speaker 1: would love to hear with him and uh with Alchemists

1389
01:00:19,880 --> 01:00:20,720
Speaker 1: is how will cook up?

1390
01:00:20,800 --> 01:00:20,960
Speaker 5: Too?

1391
01:00:21,200 --> 01:00:25,680
Speaker 2: So stand on music that Penmmy album came out.

1392
01:00:25,920 --> 01:00:28,760
Speaker 1: Oh my god, y'all know, I'm mad at Pimmy.

1393
01:00:28,560 --> 01:00:30,840
Speaker 5: Man, No, why are you mad? Why are you mad?

1394
01:00:31,240 --> 01:00:34,800
Speaker 3: Pimmy gave us the greatest HR nigga album like that

1395
01:00:34,920 --> 01:00:37,280
Speaker 3: shit was nineteen minutes twenty minutes.

1396
01:00:38,000 --> 01:00:40,480
Speaker 1: Yeah, you know what we're calling the album. I think

1397
01:00:40,560 --> 01:00:41,080
Speaker 1: this was just.

1398
01:00:42,800 --> 01:00:44,880
Speaker 2: A follow up because she had the interlude and had

1399
01:00:44,880 --> 01:00:47,120
Speaker 2: a lot of attention. Let me give them some music,

1400
01:00:47,200 --> 01:00:49,800
Speaker 2: not an EP per se. But I don't like count

1401
01:00:49,800 --> 01:00:53,240
Speaker 2: this as album. It's only seventeen minutes long. To me,

1402
01:00:53,360 --> 01:00:55,360
Speaker 2: this is just here's here's some music.

1403
01:00:55,440 --> 01:00:59,120
Speaker 1: It's five. This is like when you argue with your

1404
01:00:59,160 --> 01:01:01,960
Speaker 1: girl and you hungry and she just whip up a

1405
01:01:02,080 --> 01:01:02,560
Speaker 1: quick meal.

1406
01:01:02,600 --> 01:01:04,880
Speaker 3: That shit fired. But it's like, ain't no left. It

1407
01:01:04,960 --> 01:01:08,160
Speaker 3: was only it was only enough for one plate. It's like, Yo,

1408
01:01:08,200 --> 01:01:11,160
Speaker 3: that shit the nigga, you ain't go shopping. What you

1409
01:01:11,320 --> 01:01:12,320
Speaker 3: mean I ain't go shopping?

1410
01:01:12,760 --> 01:01:12,960
Speaker 1: Order?

1411
01:01:13,040 --> 01:01:16,560
Speaker 4: Like I loved it because it was themed. It was steamed.

1412
01:01:17,080 --> 01:01:19,000
Speaker 4: Don't come home. It's literally don't come home.

1413
01:01:19,960 --> 01:01:23,320
Speaker 1: Yeah, yo, she said, stayed till I hated you. I'm

1414
01:01:23,400 --> 01:01:29,240
Speaker 1: so predictable. That bar stung when I was driving on

1415
01:01:29,280 --> 01:01:31,400
Speaker 1: the West side. Yo.

1416
01:01:31,480 --> 01:01:33,880
Speaker 3: This ship is so yo. This this, this project is

1417
01:01:33,960 --> 01:01:36,920
Speaker 3: so fired. But hemmy, we love you, but you you

1418
01:01:37,000 --> 01:01:37,760
Speaker 3: must not love us.

1419
01:01:37,960 --> 01:01:42,439
Speaker 2: Well, nah, listen. Putting a full project together it's tough

1420
01:01:42,480 --> 01:01:44,560
Speaker 2: and takes time. I think this is great to feed

1421
01:01:45,560 --> 01:01:48,720
Speaker 2: the fans in the meantime while she's putting a proper

1422
01:01:48,800 --> 01:01:51,280
Speaker 2: debut together. If you have the attention you had coming

1423
01:01:51,360 --> 01:01:53,280
Speaker 2: off some sexy songs for you, all of us were like,

1424
01:01:53,280 --> 01:01:53,680
Speaker 2: who is that?

1425
01:01:54,960 --> 01:01:55,880
Speaker 1: That was a year ago.

1426
01:01:56,760 --> 01:01:59,680
Speaker 2: I think this is fine to feed because also it

1427
01:01:59,760 --> 01:02:01,040
Speaker 2: taught me that her pen is crazy.

1428
01:02:01,920 --> 01:02:05,440
Speaker 5: It's still a lyrical break now, like I knew she.

1429
01:02:05,560 --> 01:02:08,080
Speaker 1: Was dope and I like the interlude. But and there

1430
01:02:08,120 --> 01:02:09,600
Speaker 1: was that other other one record.

1431
01:02:09,400 --> 01:02:12,160
Speaker 2: That was on her DSPs page. I didn't know her

1432
01:02:12,200 --> 01:02:14,680
Speaker 2: pen was like this, her pen is crazy.

1433
01:02:14,720 --> 01:02:16,960
Speaker 1: Now she pen me is this this project is so fire.

1434
01:02:17,000 --> 01:02:19,640
Speaker 3: But again, as soon as I was like ooh, like

1435
01:02:19,760 --> 01:02:22,320
Speaker 3: she talking, it went it too because you know, how

1436
01:02:22,320 --> 01:02:23,840
Speaker 3: were you playing the album and just going to like

1437
01:02:24,000 --> 01:02:26,720
Speaker 3: an artist that kind of makes similar music, I think

1438
01:02:26,800 --> 01:02:27,640
Speaker 3: some random ass.

1439
01:02:27,640 --> 01:02:29,120
Speaker 1: So I was like, yo, this ain't pen me. I

1440
01:02:29,240 --> 01:02:31,320
Speaker 1: say yea. But then I look and it was old already.

1441
01:02:32,120 --> 01:02:34,840
Speaker 3: I'm like, God, shouldn't give us this quick, this quick,

1442
01:02:34,960 --> 01:02:36,800
Speaker 3: great all of this great music, and it was like

1443
01:02:36,920 --> 01:02:39,160
Speaker 3: eighteen maybe eight ten tracks eighteen minutes.

1444
01:02:40,800 --> 01:02:44,640
Speaker 2: I mean, I've been critical as to OVO as a

1445
01:02:44,760 --> 01:02:48,440
Speaker 2: label in the past, but I've always appreciated this strategy

1446
01:02:48,520 --> 01:02:51,840
Speaker 2: with their new artists Party did it? We got that

1447
01:02:52,360 --> 01:02:54,800
Speaker 2: Magic Jordan EP, which I think is a classic EP

1448
01:02:55,240 --> 01:02:58,280
Speaker 2: they do when they signed someone, give you a quick

1449
01:02:58,400 --> 01:03:02,400
Speaker 2: representation of who they are while the attention is on

1450
01:03:02,520 --> 01:03:05,600
Speaker 2: them what they've done after. I've disagreed with OVO as

1451
01:03:05,640 --> 01:03:07,960
Speaker 2: a label, but I always think that strategy is perfect.

1452
01:03:08,280 --> 01:03:10,240
Speaker 2: She went the four bat shit like you got some

1453
01:03:10,360 --> 01:03:12,640
Speaker 2: time right now, people are focused on one song that

1454
01:03:12,680 --> 01:03:16,520
Speaker 2: they like with you give them seventeen minutes and it's great.

1455
01:03:16,600 --> 01:03:19,680
Speaker 2: I get it, and this is right, but you might

1456
01:03:19,720 --> 01:03:21,560
Speaker 2: need too soon for a full penny album.

1457
01:03:21,440 --> 01:03:23,960
Speaker 3: Like kisses Way, would you leave the streets for me?

1458
01:03:24,480 --> 01:03:30,480
Speaker 3: And then seventeen minutes later project over, what come on?

1459
01:03:30,640 --> 01:03:32,240
Speaker 1: Would you leave the streets for me? She opened?

1460
01:03:32,280 --> 01:03:36,120
Speaker 3: That was an opening bar Pimmy, this shit is fire.

1461
01:03:36,200 --> 01:03:38,200
Speaker 3: But the guy, we could have let the music play

1462
01:03:38,200 --> 01:03:40,760
Speaker 3: a little longer. You could have gave us another four

1463
01:03:40,920 --> 01:03:43,560
Speaker 3: balls on every joint, like this shit is dope, but

1464
01:03:43,640 --> 01:03:46,760
Speaker 3: it's it's eighteen minutes is crazy.

1465
01:03:47,120 --> 01:03:48,920
Speaker 4: Yeah, I ain't hear my bitch when she said, say

1466
01:03:49,000 --> 01:03:50,600
Speaker 4: last shit, I could do what you do but worse.

1467
01:03:50,680 --> 01:03:52,120
Speaker 4: So damn, what's the point of doing it like this?

1468
01:03:52,320 --> 01:03:54,200
Speaker 4: It was a long session, you know, I'll go, and

1469
01:03:54,280 --> 01:03:55,320
Speaker 4: the traffic was crazy.

1470
01:03:55,360 --> 01:03:55,840
Speaker 1: You know, I go.

1471
01:03:56,200 --> 01:03:58,080
Speaker 5: It was easier to sleep at the studio. See, I

1472
01:03:58,120 --> 01:04:00,440
Speaker 5: could do it to you sound hella slow. Yeah, it

1473
01:04:00,520 --> 01:04:03,560
Speaker 5: was easier for me to sleep, rory.

1474
01:04:03,400 --> 01:04:07,200
Speaker 1: And more stupid. Twenty seconds later, the saul was over,

1475
01:04:07,720 --> 01:04:09,120
Speaker 1: Hey man, that's one point.

1476
01:04:09,200 --> 01:04:11,360
Speaker 5: It's enough. Bet that nigga got the point across.

1477
01:04:12,160 --> 01:04:14,120
Speaker 2: Here's my thing, and I mean it's respectfully to pim me.

1478
01:04:14,920 --> 01:04:18,520
Speaker 2: If I'm the guy she's talking about. After finishing this project,

1479
01:04:18,680 --> 01:04:20,240
Speaker 2: my thoughts are, I can still cheat on you.

1480
01:04:21,440 --> 01:04:22,560
Speaker 1: Nah, you got penny twisted.

1481
01:04:22,840 --> 01:04:23,520
Speaker 5: Penny twisted.

1482
01:04:24,000 --> 01:04:26,600
Speaker 2: Oh here point she didn't finish it. It's just like

1483
01:04:26,720 --> 01:04:27,960
Speaker 2: she's talking, all right.

1484
01:04:28,840 --> 01:04:30,439
Speaker 5: She said, call me when you can. Yeah, I gotta

1485
01:04:30,440 --> 01:04:31,000
Speaker 5: set you free.

1486
01:04:32,200 --> 01:04:33,880
Speaker 4: I gotta set you free when you done at that

1487
01:04:33,960 --> 01:04:35,560
Speaker 4: bitch house, called me so I could break up with you.

1488
01:04:35,760 --> 01:04:38,720
Speaker 2: That's no to me, even on monogamy. When she was saying,

1489
01:04:39,520 --> 01:04:40,800
Speaker 2: you want to have her, but you can't have me.

1490
01:04:41,200 --> 01:04:43,760
Speaker 2: That sounds like a girl that is staying if you cheat, she.

1491
01:04:43,800 --> 01:04:49,240
Speaker 1: Said, fuck whoever, do whatever? Yeah, we do whatever your ego, Yeah, that's.

1492
01:04:49,120 --> 01:04:50,640
Speaker 5: My ship right there. What am I missaying?

1493
01:04:50,800 --> 01:04:53,600
Speaker 1: I put it out my story. Yeah, fuck whatever, do whatever.

1494
01:04:54,480 --> 01:04:54,840
Speaker 5: Do whatever?

1495
01:04:55,000 --> 01:04:57,000
Speaker 4: She said, post whatever, do whatever. It ain't my concern.

1496
01:04:57,080 --> 01:04:59,080
Speaker 4: Fuck whoever, do whatever gets your ego turn. I'd rather

1497
01:04:59,120 --> 01:05:01,040
Speaker 4: be alone and stay down for a whole. So tree,

1498
01:05:01,080 --> 01:05:02,840
Speaker 4: whoever better than the one you got at home, do

1499
01:05:02,960 --> 01:05:04,920
Speaker 4: the most. It doesn't matter, it's not my concern. I'd

1500
01:05:05,000 --> 01:05:07,680
Speaker 4: rather be alone that stay down for a whole.

1501
01:05:09,960 --> 01:05:12,960
Speaker 1: My bad, my bad, I know.

1502
01:05:15,800 --> 01:05:17,600
Speaker 2: Talk that would have hit different.

1503
01:05:17,400 --> 01:05:19,360
Speaker 3: Yo, I ain't gonna lie. This project is dope, man.

1504
01:05:19,400 --> 01:05:23,080
Speaker 3: But it's like Pimmy just was like, huh heah, leave

1505
01:05:23,080 --> 01:05:23,400
Speaker 3: me alone.

1506
01:05:23,440 --> 01:05:24,000
Speaker 1: Stop asking.

1507
01:05:24,520 --> 01:05:26,640
Speaker 2: I think where R and B is at currently, and

1508
01:05:26,760 --> 01:05:28,840
Speaker 2: then you can clearly tell the talent she has.

1509
01:05:28,960 --> 01:05:32,040
Speaker 1: I think I think Ovo has them an artist.

1510
01:05:32,640 --> 01:05:35,520
Speaker 2: No Pimmies like, I think she's the I don't say

1511
01:05:35,520 --> 01:05:37,400
Speaker 2: they got one because that sounds so cliche and corny,

1512
01:05:37,480 --> 01:05:42,000
Speaker 2: but this was a good representation of, Oh, she's actually talented. Yeah,

1513
01:05:42,560 --> 01:05:44,960
Speaker 2: she's dope, and it's it's the perfect time for this

1514
01:05:45,080 --> 01:05:47,800
Speaker 2: type of music. Ironically, we're gonna get to the Yeba album.

1515
01:05:49,680 --> 01:05:51,880
Speaker 2: I kind of felt like this Pimmy's album was if

1516
01:05:51,960 --> 01:05:53,480
Speaker 2: Yeba and Party next Door had a kid.

1517
01:05:54,200 --> 01:05:58,920
Speaker 3: Really, Pimmy's album was if Yeba and Party had a kid.

1518
01:05:59,080 --> 01:06:02,880
Speaker 2: Yes, Throughout the whole hour was like no, I mean,

1519
01:06:03,120 --> 01:06:06,160
Speaker 2: I mean it's strictly, of course Yeba is a better vocalist,

1520
01:06:06,240 --> 01:06:08,280
Speaker 2: but there's very few vocalists on earth that can really

1521
01:06:08,320 --> 01:06:08,960
Speaker 2: touch Yeah.

1522
01:06:08,960 --> 01:06:09,920
Speaker 1: But so I don't mean that it's a just light

1523
01:06:10,000 --> 01:06:12,600
Speaker 1: to Pimmy whatsoever. I think Pimmy is a good vocalist.

1524
01:06:12,840 --> 01:06:17,440
Speaker 2: But it was like a Yeba tone if party was

1525
01:06:17,600 --> 01:06:21,440
Speaker 2: in the room writing everything from a woman's perspective. Okay,

1526
01:06:22,360 --> 01:06:24,080
Speaker 2: did you get a chance to listen to the Yeba album?

1527
01:06:25,360 --> 01:06:27,120
Speaker 5: Absolutely, I didn't get a chance. I'm upset.

1528
01:06:27,200 --> 01:06:29,800
Speaker 1: How is it? Oh, it's some great white soul on there. Yeah,

1529
01:06:30,040 --> 01:06:31,720
Speaker 1: there's some great white soul on there.

1530
01:06:31,760 --> 01:06:33,320
Speaker 3: To me, almost fucked around and it went on a

1531
01:06:33,400 --> 01:06:37,560
Speaker 3: road trip. Almost jumped in the car and just went

1532
01:06:37,600 --> 01:06:39,520
Speaker 3: on a road trip, like listening to that. This is

1533
01:06:39,640 --> 01:06:44,200
Speaker 3: road trip music. You gotta you gotta take her. You

1534
01:06:44,240 --> 01:06:46,400
Speaker 3: gotta just drive, don't you don't know where you're going,

1535
01:06:46,960 --> 01:06:47,400
Speaker 3: just getting the.

1536
01:06:47,400 --> 01:06:50,640
Speaker 1: Car fucking go. Yeah, and like a luxury pickup truck. Yeah.

1537
01:06:51,280 --> 01:06:53,560
Speaker 4: Did she have another Distance on there? Because Distance is

1538
01:06:53,560 --> 01:06:54,439
Speaker 4: one of my favorite songs.

1539
01:06:55,320 --> 01:06:58,720
Speaker 2: I wouldn't say another distance per se, but I do

1540
01:06:58,920 --> 01:07:04,439
Speaker 2: know what what you're saying. It did lean. It leaned

1541
01:07:04,480 --> 01:07:07,120
Speaker 2: more in the white soul than I thought it was

1542
01:07:07,440 --> 01:07:12,840
Speaker 2: going to not so white soul, like, ah, yeah it

1543
01:07:13,040 --> 01:07:16,560
Speaker 2: was because I think she's so scared to have any

1544
01:07:16,640 --> 01:07:20,880
Speaker 2: type of adele comparisons where I think she could do

1545
01:07:21,040 --> 01:07:25,160
Speaker 2: that lane. It's not country esque, but it's a little

1546
01:07:25,240 --> 01:07:27,000
Speaker 2: more popish than I would expect.

1547
01:07:27,080 --> 01:07:27,440
Speaker 1: From yeh.

1548
01:07:27,480 --> 01:07:31,600
Speaker 2: But but I really really did like it. Okay, I mean,

1549
01:07:31,680 --> 01:07:34,720
Speaker 2: but yeah, all right, it's close to that.

1550
01:07:34,800 --> 01:07:39,320
Speaker 3: I guess seven Years though seven years joint. That's the

1551
01:07:39,360 --> 01:07:40,960
Speaker 3: one that almost got me to drive all the way

1552
01:07:41,000 --> 01:07:41,520
Speaker 3: to motherfucker.

1553
01:07:43,560 --> 01:07:43,760
Speaker 1: Yeah.

1554
01:07:44,160 --> 01:07:46,160
Speaker 3: Once seven Years came on, I was like, all, yeah,

1555
01:07:46,160 --> 01:07:47,920
Speaker 3: but you're just gonna make me go, just go take

1556
01:07:47,920 --> 01:07:49,400
Speaker 3: a little road trip. I don't know where I'm going,

1557
01:07:49,480 --> 01:07:49,920
Speaker 3: but I'm out.

1558
01:07:50,240 --> 01:07:52,280
Speaker 2: Did it touch a little into country more than you

1559
01:07:52,320 --> 01:07:55,240
Speaker 2: thought it would? I want to say country, but there

1560
01:07:55,360 --> 01:07:56,440
Speaker 2: is a tone of country in it.

1561
01:07:56,680 --> 01:07:57,280
Speaker 1: Maybe I'm wrong.

1562
01:07:59,120 --> 01:08:02,080
Speaker 2: Yeah, I think it's from the South. So that's that's

1563
01:08:02,120 --> 01:08:05,280
Speaker 2: that's that's just her roots Arkansas. There you go, Yeah,

1564
01:08:05,280 --> 01:08:05,920
Speaker 2: that's her roots.

1565
01:08:06,120 --> 01:08:06,760
Speaker 1: You're gonna hear it.

1566
01:08:06,920 --> 01:08:09,720
Speaker 2: Yeah, and you're gonna hear dabbled in that a bit before,

1567
01:08:09,800 --> 01:08:11,720
Speaker 2: but I think on this album it was a little

1568
01:08:11,720 --> 01:08:11,960
Speaker 2: bit more.

1569
01:08:12,000 --> 01:08:12,960
Speaker 1: But I did like it.

1570
01:08:13,160 --> 01:08:15,680
Speaker 3: No, this was this this this album is incredible, Like

1571
01:08:15,800 --> 01:08:19,040
Speaker 3: it's like it's just it's just it's certain music you

1572
01:08:19,160 --> 01:08:21,760
Speaker 3: hear where you're like, all right, this is not what

1573
01:08:21,840 --> 01:08:25,840
Speaker 3: I would usually listen to, but it's good. It feels good,

1574
01:08:25,880 --> 01:08:29,400
Speaker 3: it sounds good, is well done. And then the lyrics.

1575
01:08:29,479 --> 01:08:31,280
Speaker 3: You know what I'm saying. You can relate, like, okay,

1576
01:08:31,400 --> 01:08:33,600
Speaker 3: like she on here talking to us ship, but the

1577
01:08:33,720 --> 01:08:36,960
Speaker 3: music is not It's not what you probably think it is,

1578
01:08:37,080 --> 01:08:39,280
Speaker 3: because I think it's it's listed as alternative.

1579
01:08:39,520 --> 01:08:43,080
Speaker 1: Yeah, I think so. It's not an R and B project.

1580
01:08:43,120 --> 01:08:44,080
Speaker 5: Yeah, ton't expect that.

1581
01:08:44,280 --> 01:08:49,160
Speaker 1: But the vibe though, the energy is Dawn is under

1582
01:08:49,200 --> 01:08:51,280
Speaker 1: alternative as well, though, is it.

1583
01:08:52,400 --> 01:08:52,599
Speaker 2: Yeah?

1584
01:08:52,600 --> 01:08:54,200
Speaker 1: I would expect that to be under R and B

1585
01:08:54,240 --> 01:08:56,160
Speaker 1: as well. Yeah, but yeah, it is listed. But this

1586
01:08:56,320 --> 01:09:00,200
Speaker 1: feels more alternative though, Oh yeah, it's definitely it's more. Yeah,

1587
01:09:00,200 --> 01:09:02,680
Speaker 1: the music is a little more. Dawn is more R

1588
01:09:02,720 --> 01:09:02,880
Speaker 1: and B.

1589
01:09:03,120 --> 01:09:04,960
Speaker 2: But to matter, she even pops off one record with

1590
01:09:05,400 --> 01:09:06,960
Speaker 2: God is good all the time, all the time, God

1591
01:09:07,040 --> 01:09:10,000
Speaker 2: is good. But I am fucking tired. Like she's not dead,

1592
01:09:11,200 --> 01:09:15,000
Speaker 2: she's in that back you talking like that, fucking tired.

1593
01:09:18,640 --> 01:09:19,599
Speaker 2: I'm tired.

1594
01:09:20,120 --> 01:09:22,560
Speaker 3: I'm trying to listen. I'm trying to be listening. I

1595
01:09:22,680 --> 01:09:25,920
Speaker 3: love the Lord, the Lord he is he heard my cry.

1596
01:09:26,040 --> 01:09:27,000
Speaker 3: You get it to all of that, But.

1597
01:09:27,840 --> 01:09:30,040
Speaker 1: Yo, what we on?

1598
01:09:30,520 --> 01:09:32,240
Speaker 5: Yeah, you gotta ask God what we are?

1599
01:09:32,400 --> 01:09:32,840
Speaker 1: What you on?

1600
01:09:33,040 --> 01:09:33,600
Speaker 5: Sometimes?

1601
01:09:33,840 --> 01:09:36,360
Speaker 3: Hey, that's all right, it's the right to ask God

1602
01:09:36,439 --> 01:09:40,000
Speaker 3: that it's okay, but now this project is project was dope.

1603
01:09:40,120 --> 01:09:42,720
Speaker 1: This was a good music weekend. It was great, great music.

1604
01:09:43,080 --> 01:09:44,160
Speaker 1: This was a good music weekend.

1605
01:09:44,320 --> 01:09:45,920
Speaker 4: Or if you like that type of music, I still

1606
01:09:45,960 --> 01:09:48,000
Speaker 4: advise for you to check out Michael Franks. I still

1607
01:09:48,040 --> 01:09:50,559
Speaker 4: feel that you would love my check out what Michael Franks?

1608
01:09:51,560 --> 01:09:53,479
Speaker 1: That wast my list? Lemit, let me read it. You

1609
01:09:54,040 --> 01:09:59,439
Speaker 1: had Mike's Franks on your list? Did anything else drop?

1610
01:10:05,200 --> 01:10:07,280
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1611
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1628
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1629
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1630
01:10:52,439 --> 01:10:57,559
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1631
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Speaker 3: New Jersey, Ohio, Tennessee, or Virginia to play and conditions applied.

1632
01:11:01,040 --> 01:11:03,519
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1633
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01:11:05,840 --> 01:11:08,080
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1636
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1637
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1638
01:11:21,080 --> 01:11:23,120
Speaker 5: Plenty dropped. But what did you guys listen to that?

1639
01:11:23,240 --> 01:11:25,320
Speaker 3: I didn't listen to Jay Skis and il tone beats

1640
01:11:25,880 --> 01:11:27,400
Speaker 3: they probably got, didn't get to listen to them listening.

1641
01:11:27,400 --> 01:11:29,360
Speaker 3: I'm checking out tonight though, Yeah, I'm definitely checking out

1642
01:11:29,360 --> 01:11:32,360
Speaker 3: this week off Skis. Like we admittedly said that there

1643
01:11:32,439 --> 01:11:34,680
Speaker 3: was so much going on. Oh todd allis Sign Girl

1644
01:11:34,760 --> 01:11:36,479
Speaker 3: Musical Volume one. I did listen to the EP.

1645
01:11:38,479 --> 01:11:42,559
Speaker 2: It's great, and my issue is I wish he didn't

1646
01:11:42,560 --> 01:11:47,960
Speaker 2: give us this EP and took these six records and

1647
01:11:48,120 --> 01:11:51,519
Speaker 2: gave us six more us because then this is we

1648
01:11:51,640 --> 01:11:54,519
Speaker 2: had talked last episode. For those that did listen, I

1649
01:11:54,640 --> 01:11:57,200
Speaker 2: think Tie is an icon, but I also put him

1650
01:11:57,280 --> 01:11:59,360
Speaker 2: kind of in the Chris Brown category of you haven't

1651
01:11:59,360 --> 01:12:01,240
Speaker 2: given me the class. I think Free TC is a

1652
01:12:01,240 --> 01:12:04,400
Speaker 2: classic to me, but Tie and what he means to

1653
01:12:04,560 --> 01:12:10,320
Speaker 2: this generation has not given us that fucking classic. And like,

1654
01:12:11,000 --> 01:12:14,519
Speaker 2: you can't just throw intentions with Brandy on an EP.

1655
01:12:17,479 --> 01:12:21,599
Speaker 2: That song is so fucking good. I just like these records,

1656
01:12:23,200 --> 01:12:26,320
Speaker 2: the featuring tide alas Sign album. I think all six

1657
01:12:26,400 --> 01:12:28,840
Speaker 2: of these records are better than that whole album. And

1658
01:12:28,960 --> 01:12:31,479
Speaker 2: it's like, why can't we focus this type of sound

1659
01:12:32,439 --> 01:12:35,040
Speaker 2: and expand it to a twelve track project.

1660
01:12:35,880 --> 01:12:36,760
Speaker 1: It's no, it's fine.

1661
01:12:36,760 --> 01:12:39,559
Speaker 2: I mean clearly, it says Volume one, so I'm sure

1662
01:12:39,600 --> 01:12:41,920
Speaker 2: he has Volume two with six records. But I know

1663
01:12:42,000 --> 01:12:43,640
Speaker 2: once we get to Volume three, we're all gonna come

1664
01:12:43,640 --> 01:12:45,280
Speaker 2: in here and say, man, it would have been nice

1665
01:12:45,320 --> 01:12:46,800
Speaker 2: if you just put all these volumes together. And made

1666
01:12:46,800 --> 01:12:49,120
Speaker 2: it a Tide Ali sign album. Yeah, I just know

1667
01:12:49,160 --> 01:12:52,200
Speaker 2: we're gonna get into that realm. But I can appreciate

1668
01:12:52,240 --> 01:12:54,719
Speaker 2: that because Ta is one of those artists that records

1669
01:12:54,760 --> 01:12:57,599
Speaker 2: seventy five songs a day, most of which that will

1670
01:12:57,920 --> 01:13:00,160
Speaker 2: stay on a hard drive and he won't put it out.

1671
01:13:00,560 --> 01:13:01,160
Speaker 1: I don't know if this.

1672
01:13:01,200 --> 01:13:05,200
Speaker 2: Gets him to actively put out like packs. I'm fine

1673
01:13:05,240 --> 01:13:07,519
Speaker 2: with it because there's not a skip on this entire thing,

1674
01:13:07,920 --> 01:13:11,799
Speaker 2: like Leading with Mischutuo, with Leon Thomas, I understand Leon's

1675
01:13:11,840 --> 01:13:14,240
Speaker 2: on fire. Any one of these records could have let

1676
01:13:14,840 --> 01:13:17,080
Speaker 2: like it's it's a really really good EP.

1677
01:13:17,240 --> 01:13:19,800
Speaker 3: I don't know if y'all notice, but we're getting back

1678
01:13:19,840 --> 01:13:24,120
Speaker 3: to short projects. It was EP No, not that even

1679
01:13:24,200 --> 01:13:28,400
Speaker 3: Yeba's out that's only forty minutes. Yeah, but that, I mean,

1680
01:13:28,520 --> 01:13:30,719
Speaker 3: Hemmy gave us eighteen got out of there. Y're gonna

1681
01:13:30,720 --> 01:13:32,160
Speaker 3: get you out these eighteen minutes, and I gotta go.

1682
01:13:32,800 --> 01:13:35,560
Speaker 3: Yeba gave us forty minutes. The Naws Barkley album I

1683
01:13:35,600 --> 01:13:38,160
Speaker 3: think is only like forty minutes, but.

1684
01:13:38,280 --> 01:13:41,400
Speaker 2: That's we knew that was gonna come back because when

1685
01:13:41,439 --> 01:13:44,519
Speaker 2: everyone was doing the forty track projects or twenty three

1686
01:13:44,680 --> 01:13:48,240
Speaker 2: records to try to trick the algorithm and streaming.

1687
01:13:48,680 --> 01:13:50,160
Speaker 1: Everybody's not Chris Brown, though.

1688
01:13:50,800 --> 01:13:54,400
Speaker 2: Yeah, like yes, that works for Chris because people love

1689
01:13:54,520 --> 01:13:56,960
Speaker 2: Chris Brown and are going to listen to forty records

1690
01:13:57,000 --> 01:13:58,439
Speaker 2: from Chris Brown because he's Chris Brown.

1691
01:13:59,600 --> 01:14:02,920
Speaker 1: You a little xanax Molly, what wop?

1692
01:14:03,680 --> 01:14:05,559
Speaker 2: No one wants to hear forty records from you, though,

1693
01:14:06,240 --> 01:14:09,759
Speaker 2: the world can only handle forty minutes of music, especially

1694
01:14:09,800 --> 01:14:12,040
Speaker 2: when we have microwave brains right now, I think you

1695
01:14:12,080 --> 01:14:14,479
Speaker 2: could have long albums in this time because Chris Brown

1696
01:14:14,560 --> 01:14:15,599
Speaker 2: knows how to trick an algorithm.

1697
01:14:15,920 --> 01:14:17,040
Speaker 1: Is the dumbest fucking thing ever.

1698
01:14:17,080 --> 01:14:19,760
Speaker 3: Pimy is supposed to give us thirty minutes. You still

1699
01:14:19,880 --> 01:14:23,799
Speaker 3: like fam that project is so dope in eighteen minutes.

1700
01:14:25,120 --> 01:14:25,880
Speaker 5: I know she had a.

1701
01:14:27,360 --> 01:14:28,920
Speaker 4: One phone call with that nigga. We could have got

1702
01:14:28,960 --> 01:14:31,080
Speaker 4: another twenty minutes. I know you have more in the

1703
01:14:31,160 --> 01:14:32,680
Speaker 4: time I got.

1704
01:14:33,040 --> 01:14:33,720
Speaker 1: She definitely got.

1705
01:14:33,800 --> 01:14:37,840
Speaker 3: She definitely cut All of those are Lucy's will be

1706
01:14:37,880 --> 01:14:40,160
Speaker 3: dope though, not to cut you off. What would be dope, though,

1707
01:14:41,120 --> 01:14:43,000
Speaker 3: is if that was the album right, she gave us

1708
01:14:43,000 --> 01:14:46,080
Speaker 3: to eighteen minutes and then that her shows the songs

1709
01:14:46,080 --> 01:14:48,840
Speaker 3: are longer that got a live show.

1710
01:14:49,040 --> 01:14:50,439
Speaker 1: Yeah, but that would be hard.

1711
01:14:50,560 --> 01:14:52,840
Speaker 2: But there's also a good way to test markets, like

1712
01:14:52,920 --> 01:14:55,720
Speaker 2: to do live shows like that. Seventeen minutes. I think

1713
01:14:55,840 --> 01:14:58,400
Speaker 2: is a perfect strategy for her, Yeah, because coming out

1714
01:14:58,439 --> 01:15:00,880
Speaker 2: the gate when you're not proving to give a full

1715
01:15:00,960 --> 01:15:04,040
Speaker 2: project can fail very easily. I don't care how talented

1716
01:15:04,120 --> 01:15:06,040
Speaker 2: you are, Like, you got to ease people into ship

1717
01:15:06,240 --> 01:15:09,880
Speaker 2: eighteen minutes. God damn, I think that's perfect for that.

1718
01:15:10,080 --> 01:15:11,880
Speaker 5: Did you guys listen to the Narls Barkley album.

1719
01:15:12,160 --> 01:15:16,040
Speaker 2: I love Narls Barkley, I love Coelo, and I love

1720
01:15:16,120 --> 01:15:20,360
Speaker 2: Danger Mouse and so let's ad So I love Narls Barkley,

1721
01:15:20,400 --> 01:15:20,880
Speaker 2: I love Selo.

1722
01:15:21,520 --> 01:15:24,400
Speaker 1: It's not ass It's just not it's not it's it's

1723
01:15:24,439 --> 01:15:27,280
Speaker 1: all over the place. It's it's the music is very

1724
01:15:27,520 --> 01:15:30,200
Speaker 1: like over the place. Yeah, but it's not ass though.

1725
01:15:30,240 --> 01:15:33,400
Speaker 3: It's just you gotta be in a certain headspace to

1726
01:15:33,479 --> 01:15:34,920
Speaker 3: kind of like listen to that project.

1727
01:15:35,280 --> 01:15:38,720
Speaker 1: Ah there there's like joints, there's a few. No, it's

1728
01:15:38,840 --> 01:15:39,320
Speaker 1: music on it.

1729
01:15:39,400 --> 01:15:41,680
Speaker 3: It's good music on it, but it's just it's not

1730
01:15:41,800 --> 01:15:44,000
Speaker 3: what I was expecting. Like, it's definitely not what I

1731
01:15:44,080 --> 01:15:46,080
Speaker 3: was expecting. It's like oh this is Oh they went

1732
01:15:46,120 --> 01:15:48,360
Speaker 3: in hand, was jamming like they was in the studio

1733
01:15:49,280 --> 01:15:51,719
Speaker 3: putting music. Yeah, it's just like okay, like I gotta

1734
01:15:52,640 --> 01:15:54,439
Speaker 3: like hold on not right now. You can't go off

1735
01:15:54,479 --> 01:15:58,200
Speaker 3: of Pimmy, Yeah, but and go Gnarls on them. You

1736
01:15:58,280 --> 01:16:00,640
Speaker 3: can't go off after Penny and yes, like nah, fan,

1737
01:16:00,720 --> 01:16:03,160
Speaker 3: we on a whole different frequency right now.

1738
01:16:04,400 --> 01:16:10,680
Speaker 2: And like even the lyrical content, like Selo, it was

1739
01:16:10,800 --> 01:16:12,960
Speaker 2: just a lot of weird content on there too, things

1740
01:16:13,040 --> 01:16:16,519
Speaker 2: I've never heard Selo say, Like what, it's just the

1741
01:16:16,640 --> 01:16:20,519
Speaker 2: whole album itself is very chaotic all over the place.

1742
01:16:20,680 --> 01:16:23,280
Speaker 2: Like there's joints that feel like old Narls Barkley that

1743
01:16:23,400 --> 01:16:25,840
Speaker 2: like bring you back down to earth and calm, and

1744
01:16:25,920 --> 01:16:29,240
Speaker 2: then it goes in the most chaotic space ever sonically,

1745
01:16:29,800 --> 01:16:31,720
Speaker 2: like one of the albums.

1746
01:16:31,360 --> 01:16:33,400
Speaker 1: That I'm gonna need, like ye, you need some months,

1747
01:16:33,439 --> 01:16:35,880
Speaker 1: you gotta win silk. You gotta put some silk on

1748
01:16:35,960 --> 01:16:36,760
Speaker 1: to listen to this album.

1749
01:16:37,160 --> 01:16:39,559
Speaker 2: But also was it like was it really dark too?

1750
01:16:41,439 --> 01:16:45,400
Speaker 2: Were you listening to what Selo was saying? Like the

1751
01:16:45,560 --> 01:16:49,120
Speaker 2: first record really even starts out with take cover All

1752
01:16:49,160 --> 01:16:51,400
Speaker 2: God's Children, Even the sun has gone to hide, the

1753
01:16:51,520 --> 01:16:54,600
Speaker 2: sky is raining bullets. I'll never forget the day that

1754
01:16:54,680 --> 01:16:58,320
Speaker 2: Tomorrow died. We're all the same in death. Then it

1755
01:16:58,360 --> 01:17:00,759
Speaker 2: goes to amnesia, a nervous break down on the seizure,

1756
01:17:00,760 --> 01:17:03,040
Speaker 2: suspending this sweet nothing has been such a friend to me,

1757
01:17:03,120 --> 01:17:05,240
Speaker 2: I said, amnesia, I'm still a believer. If I come

1758
01:17:05,320 --> 01:17:08,000
Speaker 2: back alive, will anyone remember me? Like it's like the

1759
01:17:08,120 --> 01:17:09,760
Speaker 2: first two records are suicide notes.

1760
01:17:11,600 --> 01:17:14,280
Speaker 1: Yeah, it was like the vibe was. I was in

1761
01:17:14,360 --> 01:17:16,800
Speaker 1: a car, like, does then even have Selo's number? I

1762
01:17:16,880 --> 01:17:17,479
Speaker 1: hope he's okay.

1763
01:17:17,640 --> 01:17:20,000
Speaker 3: The vibe was totally different, Like coming off of that Pemmy,

1764
01:17:20,160 --> 01:17:24,040
Speaker 3: that beautiful Pemmy tone and those lyrics, and then hearing

1765
01:17:24,080 --> 01:17:25,479
Speaker 3: that I was just like, I wasn't.

1766
01:17:25,320 --> 01:17:28,160
Speaker 1: Expecting this is that's that's just not what I was

1767
01:17:28,240 --> 01:17:29,080
Speaker 1: expecting from.

1768
01:17:29,560 --> 01:17:35,560
Speaker 2: Yeah, and I mean I mean Danger Mouse, I absolutely

1769
01:17:36,280 --> 01:17:39,920
Speaker 2: love I'm curious with Space season too. I don't mean

1770
01:17:39,920 --> 01:17:41,600
Speaker 2: that in a bad way. It's just it's not what

1771
01:17:41,680 --> 01:17:42,280
Speaker 2: I was expecting.

1772
01:17:42,280 --> 01:17:42,920
Speaker 1: I guess at all.

1773
01:17:43,560 --> 01:17:45,519
Speaker 2: I see why they did no rollout. I see why

1774
01:17:45,520 --> 01:17:47,200
Speaker 2: they literally just said we're putting an album out here.

1775
01:17:47,280 --> 01:17:49,840
Speaker 2: You go, this is gonna take some time. I feel

1776
01:17:49,880 --> 01:17:52,120
Speaker 2: like I'm gonna give its proper listens because these are

1777
01:17:52,160 --> 01:17:55,320
Speaker 2: two legends. But out the gate, it's not a bunch

1778
01:17:55,360 --> 01:17:56,479
Speaker 2: of Who's gonna save my souls?

1779
01:17:56,520 --> 01:18:00,920
Speaker 1: Now? M hm, that's not this album. No, totally different vibe.

1780
01:18:01,120 --> 01:18:03,439
Speaker 2: But but there's there's joints on there. I'm curious. Give

1781
01:18:03,479 --> 01:18:07,240
Speaker 2: it a listening and text to let me really Barkley

1782
01:18:07,280 --> 01:18:08,639
Speaker 2: fl really.

1783
01:18:08,920 --> 01:18:10,960
Speaker 4: Never a big big Narles Barkley fan. I'll give it

1784
01:18:11,000 --> 01:18:12,600
Speaker 4: a try, but I was never Bigles.

1785
01:18:12,600 --> 01:18:15,200
Speaker 2: Sorry why I always love Norles Barkleys because they tricked

1786
01:18:15,200 --> 01:18:17,640
Speaker 2: the masses with crazy and fuck you, and then you

1787
01:18:17,720 --> 01:18:19,800
Speaker 2: got to their albums and it was like, nah, this

1788
01:18:20,120 --> 01:18:23,360
Speaker 2: ain't that. Yeah, we're not this pop group that you

1789
01:18:23,439 --> 01:18:26,800
Speaker 2: think we are. See Lo and Danger Mouse. We can

1790
01:18:26,840 --> 01:18:29,360
Speaker 2: stay on music before we get out of here. Did

1791
01:18:29,400 --> 01:18:31,679
Speaker 2: you see that they've been killing Hebro for the past week?

1792
01:18:31,880 --> 01:18:32,080
Speaker 1: Yes?

1793
01:18:32,240 --> 01:18:36,600
Speaker 5: Before what exactly I've seen? I get it, I get it.

1794
01:18:36,640 --> 01:18:38,960
Speaker 1: I guess on hebro ass?

1795
01:18:39,080 --> 01:18:39,920
Speaker 5: Yeah, hebro ass?

1796
01:18:40,200 --> 01:18:41,200
Speaker 1: What hero do now? Man?

1797
01:18:43,040 --> 01:18:43,800
Speaker 5: But is he lying?

1798
01:18:44,479 --> 01:18:45,000
Speaker 1: He's lying?

1799
01:18:45,640 --> 01:18:45,840
Speaker 5: Lying?

1800
01:18:45,960 --> 01:18:49,240
Speaker 2: Oh? Well, well ten years ago and I'm paraphrasing here

1801
01:18:49,320 --> 01:18:53,240
Speaker 2: some apologies Hebro Ten years ago. Uzzie went on Hot

1802
01:18:53,360 --> 01:18:57,320
Speaker 2: ninety seven and Lake Drama. Everyone that told him like no,

1803
01:18:57,479 --> 01:18:59,720
Speaker 2: USI he raps real, which Uzi does rap when he

1804
01:18:59,720 --> 01:19:02,560
Speaker 2: feels like rapper. Wuz he can rap when he wants to,

1805
01:19:02,840 --> 01:19:04,439
Speaker 2: not saying that happens all the time, but UZI can

1806
01:19:04,520 --> 01:19:05,000
Speaker 2: rap when he wants.

1807
01:19:05,080 --> 01:19:06,400
Speaker 1: I can rap him when I want to know, I

1808
01:19:06,479 --> 01:19:11,080
Speaker 1: mean like like actually rap, yeah, my bad? All right,

1809
01:19:11,200 --> 01:19:12,200
Speaker 1: even to fucking do you? And Sade?

1810
01:19:12,200 --> 01:19:12,800
Speaker 5: How I get in there?

1811
01:19:14,680 --> 01:19:17,280
Speaker 2: So he was on there and Ero wanted him to

1812
01:19:17,360 --> 01:19:19,360
Speaker 2: rap over some boom bad beat and Uzi was like,

1813
01:19:19,400 --> 01:19:21,880
Speaker 2: I don't rap on this type of shit and I

1814
01:19:22,000 --> 01:19:25,680
Speaker 2: remember that, and Ebro again paraphrasing, was like, well that's

1815
01:19:25,720 --> 01:19:28,760
Speaker 2: what rappers can rap it anytime on any beat. If

1816
01:19:28,800 --> 01:19:31,240
Speaker 2: you're just trying to pick and choose, that's why you

1817
01:19:31,360 --> 01:19:34,519
Speaker 2: may not be here. I'll still be here in ten years,

1818
01:19:35,720 --> 01:19:37,599
Speaker 2: meaning I'll still be a hot the radio station will

1819
01:19:37,600 --> 01:19:40,439
Speaker 2: be here, I'll be here everything in that regardless how

1820
01:19:40,439 --> 01:19:44,519
Speaker 2: everyone interpreted that. Ten years later, the anniversary pops up

1821
01:19:44,840 --> 01:19:47,000
Speaker 2: and they start comparing what happened to Ebro in ten

1822
01:19:47,080 --> 01:19:50,000
Speaker 2: years and where Uzi's at, because Uzi said he was

1823
01:19:50,000 --> 01:19:51,560
Speaker 2: a rock star, and he was like, you're not a

1824
01:19:51,640 --> 01:19:53,679
Speaker 2: rock star. You're not gonna be here in ten years.

1825
01:19:55,320 --> 01:19:56,639
Speaker 1: And now ten years later.

1826
01:19:56,840 --> 01:19:59,240
Speaker 4: Okay, and so Ebro's direct quote is I think they're

1827
01:19:59,280 --> 01:20:02,160
Speaker 4: celebrating that. He's referring to Uzi still around. I lost

1828
01:20:02,200 --> 01:20:04,240
Speaker 4: a job and he got more money and he's still here.

1829
01:20:04,680 --> 01:20:06,599
Speaker 4: But I ask you, while his hit song is going

1830
01:20:06,640 --> 01:20:09,200
Speaker 4: around right now, are you guys highly anticipating in Uzi

1831
01:20:09,320 --> 01:20:09,640
Speaker 4: vert out?

1832
01:20:09,720 --> 01:20:10,320
Speaker 1: I love e Bro.

1833
01:20:10,479 --> 01:20:13,200
Speaker 2: That's a fucking dodge. Come on, man, you know they're

1834
01:20:13,240 --> 01:20:16,040
Speaker 2: not celebrating that clip because Uzi's still here in ten

1835
01:20:16,120 --> 01:20:19,000
Speaker 2: years that everyone's not going yo, Uzi still here a

1836
01:20:19,040 --> 01:20:21,719
Speaker 2: decade later. No, they're laughing that you said you would

1837
01:20:21,760 --> 01:20:24,840
Speaker 2: still be here and Uzi wouldn't and you're not there,

1838
01:20:25,160 --> 01:20:28,679
Speaker 2: and Uzi is still an A to B list artist

1839
01:20:28,720 --> 01:20:34,160
Speaker 2: when he drops. Uzi still does crazy tickets. Am I

1840
01:20:34,320 --> 01:20:37,280
Speaker 2: anticipating in Uzi album? That was such an unfair question

1841
01:20:37,320 --> 01:20:38,920
Speaker 2: because everyone that he was talking to in that room,

1842
01:20:39,560 --> 01:20:44,760
Speaker 2: like myself included, is not Uzi's audience. There's so many

1843
01:20:44,800 --> 01:20:47,400
Speaker 2: people still anticipating in Uzi vert album.

1844
01:20:47,560 --> 01:20:51,280
Speaker 1: We out of our fucking minds. Though true huge fan base, even.

1845
01:20:51,160 --> 01:20:52,920
Speaker 2: Though one of his his albums was a bit of

1846
01:20:52,960 --> 01:20:55,120
Speaker 2: a dud to his own fans, all of our favorite

1847
01:20:55,160 --> 01:20:58,680
Speaker 2: rappers sometimes have a dud. If you are sitting here

1848
01:20:58,760 --> 01:21:00,800
Speaker 2: saying I think they're celebrating he's still around.

1849
01:21:00,920 --> 01:21:03,680
Speaker 1: But yo, are y'all even in just like no, I'm not.

1850
01:21:05,080 --> 01:21:08,080
Speaker 2: But his family there's one hundred thousand kids that are

1851
01:21:08,360 --> 01:21:09,920
Speaker 2: anticipating a little UZI ver.

1852
01:21:09,960 --> 01:21:11,320
Speaker 1: Out, Like what do you talk about right show?

1853
01:21:11,680 --> 01:21:12,800
Speaker 5: We're not the audience for that.

1854
01:21:14,000 --> 01:21:14,160
Speaker 3: Man.

1855
01:21:14,280 --> 01:21:16,479
Speaker 1: See, this is why I love it.

1856
01:21:16,520 --> 01:21:22,680
Speaker 2: Hebro hero Hebro is really really good at at like

1857
01:21:22,800 --> 01:21:25,880
Speaker 2: pr He knows how to word things very well because

1858
01:21:25,880 --> 01:21:27,639
Speaker 2: he's been in this business for forty years.

1859
01:21:29,080 --> 01:21:31,439
Speaker 1: I think they're celebrating that he's still around. No, you don't, Hebro.

1860
01:21:31,800 --> 01:21:33,240
Speaker 2: Ebro is one of the smartest people. I bet you

1861
01:21:33,280 --> 01:21:34,720
Speaker 2: don't think that. You know, you get in clown for

1862
01:21:34,760 --> 01:21:35,360
Speaker 2: that and you diverted.

1863
01:21:36,360 --> 01:21:38,000
Speaker 1: Oh he know, he got to know he get killed

1864
01:21:38,040 --> 01:21:39,960
Speaker 1: for that, like that what he thought was gonna happen,

1865
01:21:40,040 --> 01:21:42,000
Speaker 1: Like and that's what they're supposed to do. Now that

1866
01:21:42,120 --> 01:21:45,120
Speaker 1: what is it ten years since she said that? Oh yeah,

1867
01:21:45,120 --> 01:21:47,439
Speaker 1: they're supposed to kill him for that twenty sixteen. Yeah,

1868
01:21:47,640 --> 01:21:50,200
Speaker 1: as they should kill Ebro.

1869
01:21:51,720 --> 01:21:53,360
Speaker 5: Oh my god, I'm joking.

1870
01:21:53,400 --> 01:21:56,479
Speaker 2: Man said, I don't think UZI has set out to

1871
01:21:56,520 --> 01:21:59,519
Speaker 2: be the quintessential rapper. What a quintessential rapper is. I

1872
01:21:59,560 --> 01:22:01,280
Speaker 2: don't think that's what he's been trying to do. I

1873
01:22:01,320 --> 01:22:03,080
Speaker 2: think that's the part where it's fan base and people

1874
01:22:03,280 --> 01:22:05,320
Speaker 2: who love what he does really love him because he's

1875
01:22:05,320 --> 01:22:07,960
Speaker 2: the con try to do other things and said, but

1876
01:22:08,040 --> 01:22:09,400
Speaker 2: that's what he was trying to explain to you in

1877
01:22:09,439 --> 01:22:14,320
Speaker 2: twenty sixteen. But that Yeah, yeah, you explaining what he

1878
01:22:14,400 --> 01:22:16,000
Speaker 2: tried to explain to you in twenty sixteen that you

1879
01:22:16,080 --> 01:22:21,719
Speaker 2: didn't understand is fucking hilarious. Yeah, yeah, And I'm with ero,

1880
01:22:22,200 --> 01:22:24,840
Speaker 2: especially in twenty sixteen. We all come from that clause.

1881
01:22:24,880 --> 01:22:26,360
Speaker 2: If you say you could rap and I throw on

1882
01:22:26,400 --> 01:22:28,720
Speaker 2: a beat, you don't. You shouldn't be able to pick

1883
01:22:28,760 --> 01:22:30,640
Speaker 2: what beat or what sound A rapper should be able

1884
01:22:30,680 --> 01:22:32,280
Speaker 2: to do. That sounds of shange, though, UZI was trying

1885
01:22:32,280 --> 01:22:33,360
Speaker 2: to explain to you that's not what I do.

1886
01:22:33,720 --> 01:22:36,519
Speaker 3: And part of the reason why Ouzie is still popping

1887
01:22:36,600 --> 01:22:40,120
Speaker 3: is because he didn't try to just be the quintessential rapper. Yeah,

1888
01:22:40,120 --> 01:22:41,760
Speaker 3: because he definitely would have been out of here if

1889
01:22:41,760 --> 01:22:44,160
Speaker 3: he was trying to do that, Like, ain't nobody, No,

1890
01:22:44,720 --> 01:22:48,080
Speaker 3: he had to be as colorful as an artist as different.

1891
01:22:48,600 --> 01:22:51,080
Speaker 3: He had to be that artist to still be relevant

1892
01:22:51,120 --> 01:22:52,679
Speaker 3: and just still have the fan base he has today.

1893
01:22:52,720 --> 01:22:54,160
Speaker 2: Like he had to do that, And I mean that's

1894
01:22:54,160 --> 01:22:58,479
Speaker 2: where I give Drama Lake Cannon the most credit. Like

1895
01:22:58,520 --> 01:23:02,000
Speaker 2: they built their labeled with Jack and other artists. The

1896
01:23:02,080 --> 01:23:04,840
Speaker 2: fact that they heard Uzi because they got old ass

1897
01:23:04,880 --> 01:23:08,040
Speaker 2: ears like me. The fact that they heard Uzi and

1898
01:23:08,240 --> 01:23:11,400
Speaker 2: saw that vision and fully understood it, to me makes

1899
01:23:11,439 --> 01:23:16,040
Speaker 2: them the best execs of generation. Like the name of

1900
01:23:16,120 --> 01:23:19,360
Speaker 2: the fucking label, y'all are from the era of mixtapes

1901
01:23:19,400 --> 01:23:21,519
Speaker 2: and rappers. How did you see this kid in a

1902
01:23:21,560 --> 01:23:23,519
Speaker 2: fucking kilt and go, you know what?

1903
01:23:23,720 --> 01:23:24,760
Speaker 1: I get it? We got something?

1904
01:23:24,760 --> 01:23:27,160
Speaker 2: And clearly they were fucking rich. No, for sure, because

1905
01:23:27,160 --> 01:23:28,760
Speaker 2: I would have heard that and be like, I mean,

1906
01:23:28,760 --> 01:23:30,559
Speaker 2: it's not for me. I don't know if I could

1907
01:23:30,560 --> 01:23:32,920
Speaker 2: sit and find your vision. You should find someone that can.

1908
01:23:33,560 --> 01:23:37,040
Speaker 2: But yeah, you just gotta you gotta take that one

1909
01:23:37,040 --> 01:23:37,360
Speaker 2: on the chick.

1910
01:23:37,400 --> 01:23:40,240
Speaker 3: I am with Ebro though I'm not anticipating no UZI album,

1911
01:23:40,439 --> 01:23:43,240
Speaker 3: Well you wouldn't. Yeah, like I sold, That's what I'm saying.

1912
01:23:43,280 --> 01:23:45,400
Speaker 3: I understand Ebro and that Like it's.

1913
01:23:45,320 --> 01:23:47,400
Speaker 2: Like that's such a cop, all right, if you're telling

1914
01:23:47,439 --> 01:23:48,960
Speaker 2: someone they're not going to be here and I will

1915
01:23:49,000 --> 01:23:51,120
Speaker 2: be and I'm not there anymore. And ten years later,

1916
01:23:51,160 --> 01:23:52,880
Speaker 2: you're asking a room full of people that are not

1917
01:23:53,040 --> 01:23:54,599
Speaker 2: Uzy fans if they're anticipating something.

1918
01:23:54,640 --> 01:23:55,559
Speaker 1: It's the biggest cop out ever.

1919
01:23:55,960 --> 01:23:59,360
Speaker 2: Yeah, go ask Twitters, Twitter, are you anticipating at Uzi album?

1920
01:24:00,280 --> 01:24:02,000
Speaker 2: Outside of the actual trolls that would just be there

1921
01:24:02,040 --> 01:24:04,400
Speaker 2: to tatrol, You're going to get a bunch of Uzi

1922
01:24:04,439 --> 01:24:05,439
Speaker 2: fans saying, yeah.

1923
01:24:06,840 --> 01:24:08,639
Speaker 5: The kids are into pain and Uzi album.

1924
01:24:09,080 --> 01:24:09,760
Speaker 1: He's there, They're not.

1925
01:24:10,439 --> 01:24:10,760
Speaker 5: He's there.

1926
01:24:10,880 --> 01:24:16,400
Speaker 2: J Cole facts Like, I've seen Uzi perform multiple times

1927
01:24:16,760 --> 01:24:17,560
Speaker 2: at festivals.

1928
01:24:18,240 --> 01:24:20,559
Speaker 1: It's a different level of fan base.

1929
01:24:20,479 --> 01:24:20,640
Speaker 2: You know.

1930
01:24:20,720 --> 01:24:22,400
Speaker 1: It's it's definitely not it's not for me.

1931
01:24:22,520 --> 01:24:25,200
Speaker 2: Bro When he hits them shoulders, people think, but he's

1932
01:24:25,360 --> 01:24:26,000
Speaker 2: his hips.

1933
01:24:27,120 --> 01:24:30,040
Speaker 3: There's no denying his star power. Though, there's no denying

1934
01:24:30,080 --> 01:24:31,559
Speaker 3: that he's definitely a star.

1935
01:24:32,479 --> 01:24:35,160
Speaker 2: Yeah, and he wanted to do other things, Yeah, he Bro.

1936
01:24:35,280 --> 01:24:38,599
Speaker 2: He tried to explain that to you. He's a whole

1937
01:24:38,680 --> 01:24:40,840
Speaker 2: office at Rock Nation that's just dedicated to cutting.

1938
01:24:40,920 --> 01:24:43,760
Speaker 5: So is Ebra having a rough years, like a rough year?

1939
01:24:44,200 --> 01:24:44,600
Speaker 1: You think so?

1940
01:24:45,520 --> 01:24:47,400
Speaker 2: I think it was a blessing that that they got

1941
01:24:47,439 --> 01:24:51,160
Speaker 2: out of Hot ninety seven. Probably, I definitely think We're

1942
01:24:51,200 --> 01:24:53,120
Speaker 2: Hot was going. I think that was perfect for that.

1943
01:24:53,160 --> 01:24:55,800
Speaker 2: I actually think Ebro's probably having an amazing year to

1944
01:24:55,920 --> 01:24:58,599
Speaker 2: get out of that something that was a burden at

1945
01:24:58,640 --> 01:25:00,720
Speaker 2: that point for you. Hebro's doing great.

1946
01:25:00,960 --> 01:25:03,559
Speaker 1: I like to add ons with their show as well

1947
01:25:03,960 --> 01:25:04,439
Speaker 1: at Apple.

1948
01:25:04,840 --> 01:25:06,439
Speaker 2: I like the guys that they added in. I think

1949
01:25:06,479 --> 01:25:09,800
Speaker 2: that that just brings more conversation everything. Yeah, Bro, Ebro

1950
01:25:11,120 --> 01:25:14,759
Speaker 2: likes to be hated, which he's admitted, and he's extremely

1951
01:25:14,880 --> 01:25:17,960
Speaker 2: good at talking. Ebro will always be fine. Hebro actually

1952
01:25:17,960 --> 01:25:20,479
Speaker 2: has talent, he has perspective. Ebro will always be fine.

1953
01:25:21,080 --> 01:25:22,599
Speaker 2: And people don't know what he does behind the scenes

1954
01:25:22,640 --> 01:25:24,240
Speaker 2: for Apple too. He's not just a talking head.

1955
01:25:24,800 --> 01:25:25,040
Speaker 5: Yeah.

1956
01:25:25,320 --> 01:25:27,800
Speaker 1: So no, I'm I think Ebro's I think he is

1957
01:25:27,840 --> 01:25:28,360
Speaker 1: doing just fun.

1958
01:25:28,600 --> 01:25:30,240
Speaker 4: You know I didn't when I said a tough year,

1959
01:25:30,280 --> 01:25:32,639
Speaker 4: I didn't mean not financially. No, no, no, of course,

1960
01:25:32,640 --> 01:25:36,320
Speaker 4: of course you're saying like puperception. Yeah, yeah, public perception.

1961
01:25:36,439 --> 01:25:41,040
Speaker 1: May shout out to Ebro. Laurel Styles and Rosenberg.

1962
01:25:41,120 --> 01:25:43,040
Speaker 2: They had Ero's daughter on their show, told about her

1963
01:25:43,080 --> 01:25:45,439
Speaker 2: flag football league, like that was like the fly shit

1964
01:25:45,479 --> 01:25:48,880
Speaker 2: ever to me. Have your daughter plugged her flag football

1965
01:25:48,920 --> 01:25:51,640
Speaker 2: league on your podcast. Amar is gonna come here and

1966
01:25:51,720 --> 01:25:54,000
Speaker 2: just paint for two hours right while we're recording. One day,

1967
01:25:55,880 --> 01:25:58,000
Speaker 2: all the kids are coming on you. Hurry up, have

1968
01:25:58,080 --> 01:25:59,639
Speaker 2: some kids. We're doing the kids' cast.

1969
01:26:00,040 --> 01:26:02,320
Speaker 5: I'm having him in two years, two three, three years?

1970
01:26:03,520 --> 01:26:06,960
Speaker 1: Do we know we know the father yet? Do you

1971
01:26:07,080 --> 01:26:07,439
Speaker 1: know him?

1972
01:26:08,240 --> 01:26:08,920
Speaker 5: I don't know him?

1973
01:26:10,640 --> 01:26:13,519
Speaker 1: Like what we talking about? We don't know? You don't

1974
01:26:13,560 --> 01:26:14,000
Speaker 1: know him yet?

1975
01:26:14,080 --> 01:26:15,519
Speaker 5: Well, I don't know. I might know him, might not,

1976
01:26:16,800 --> 01:26:21,600
Speaker 5: I don't know Whoever. The yellow brick road leads me.

1977
01:26:21,640 --> 01:26:23,760
Speaker 3: I'm gonna treat you like this, UZI e bro in

1978
01:26:24,200 --> 01:26:27,519
Speaker 3: ten years, I'll be like, y'all, I thought you ain't

1979
01:26:27,560 --> 01:26:27,880
Speaker 3: noticed it.

1980
01:26:30,080 --> 01:26:30,720
Speaker 1: I can't wait.

1981
01:26:31,080 --> 01:26:32,560
Speaker 3: I can't wait till I see you you have a

1982
01:26:32,640 --> 01:26:34,599
Speaker 3: baby with Yeah, I'm bla in the marriage. I thought

1983
01:26:34,640 --> 01:26:36,160
Speaker 3: you said you ain't noticed. You're gonna be a god

1984
01:26:36,240 --> 01:26:41,559
Speaker 3: dad for sure? Okay for sure? I mean I could

1985
01:26:41,560 --> 01:26:43,880
Speaker 3: be the Godfather. I want me to dress up as

1986
01:26:43,880 --> 01:26:46,240
Speaker 3: a godfather too, like on the whole, like, what do

1987
01:26:46,280 --> 01:26:49,200
Speaker 3: you mean god followed the movie? I got to wear

1988
01:26:49,280 --> 01:26:52,680
Speaker 3: like that suit, that hat, oh cold on over this? Nah,

1989
01:26:53,200 --> 01:26:55,640
Speaker 3: the God's fine, the silks golf. I gotta have the

1990
01:26:55,680 --> 01:26:56,320
Speaker 3: silkscf on.

1991
01:26:56,800 --> 01:26:59,879
Speaker 2: Do the suit with the burbon, he said to godspeed

1992
01:27:00,920 --> 01:27:01,320
Speaker 2: the gods.

1993
01:27:01,439 --> 01:27:04,000
Speaker 1: The gods met Father, I am the God's feet Father. Yeah,

1994
01:27:04,080 --> 01:27:06,760
Speaker 1: put that on it. Put the silk scarf on, right. No,

1995
01:27:06,960 --> 01:27:07,960
Speaker 1: you wouldn't want me to do that.

1996
01:27:08,200 --> 01:27:10,400
Speaker 5: No, I just want you to, you know, train him

1997
01:27:10,479 --> 01:27:11,160
Speaker 5: up in the way of men.

1998
01:27:11,560 --> 01:27:13,519
Speaker 1: Gotcha. Oh yeah, that's easy. I got you. I cankay

1999
01:27:13,960 --> 01:27:16,439
Speaker 1: Prince to Rihanna. Yeah, thank thank god she was.

2000
01:27:16,479 --> 01:27:19,280
Speaker 3: Thank god thing got her. Family is safe. Rihanna's home

2001
01:27:19,400 --> 01:27:21,800
Speaker 3: was shot up. A woman shot at Rihanna's home, and

2002
01:27:21,920 --> 01:27:25,479
Speaker 3: I think Beverly Hills, right, yeah, she was how Rihanna

2003
01:27:25,640 --> 01:27:25,920
Speaker 3: was home?

2004
01:27:26,320 --> 01:27:28,000
Speaker 1: Wouldn't have it happen? Oh she was. I'm sorry.

2005
01:27:28,040 --> 01:27:31,000
Speaker 2: I thought she wasn't home. She's christ Thank God.

2006
01:27:31,160 --> 01:27:32,960
Speaker 5: I think her her, the kids, I think they were

2007
01:27:33,000 --> 01:27:33,360
Speaker 5: all home.

2008
01:27:33,760 --> 01:27:37,920
Speaker 1: Yeah, but the woman was. She was uh apprehended.

2009
01:27:37,960 --> 01:27:40,720
Speaker 3: She was arrested and she's booked on the tempted murder

2010
01:27:40,840 --> 01:27:45,839
Speaker 3: charges and that carries a thirty five year sentence if convicted.

2011
01:27:45,960 --> 01:27:48,599
Speaker 1: So hopefully that woman is convicted and gets thirty five

2012
01:27:48,680 --> 01:27:49,240
Speaker 1: years in prison.

2013
01:27:50,280 --> 01:27:52,760
Speaker 3: Just shooting at anybody's home is crazy, like, I don't

2014
01:27:53,400 --> 01:27:57,280
Speaker 3: you know, obviously this woman is not mentally you know there,

2015
01:27:57,960 --> 01:27:58,799
Speaker 3: But either way.

2016
01:27:58,840 --> 01:28:00,559
Speaker 1: I mean, there's no sympathy for that. You shoot at

2017
01:28:00,560 --> 01:28:03,960
Speaker 1: somebody's house, you should face the maximum penalty. So glad

2018
01:28:04,040 --> 01:28:05,360
Speaker 1: Rihan and her family are safe.

2019
01:28:05,680 --> 01:28:07,680
Speaker 3: I'm glad anybody else that was in that area is

2020
01:28:07,760 --> 01:28:12,200
Speaker 3: safe because we did see years ago mister Clarence Avon

2021
01:28:12,320 --> 01:28:14,720
Speaker 3: when his home was invaded, his wife was killed in

2022
01:28:14,800 --> 01:28:18,080
Speaker 3: their kitchen. Ram person just broke into the house and

2023
01:28:18,560 --> 01:28:22,240
Speaker 3: shot us. So sit like this is scary, but you know,

2024
01:28:22,479 --> 01:28:24,479
Speaker 3: this is the world we live in. So gras to

2025
01:28:24,560 --> 01:28:26,240
Speaker 3: Rihanna her family and thank god that did safe.

2026
01:28:26,360 --> 01:28:28,280
Speaker 1: I don't want to speak anything into existence.

2027
01:28:28,360 --> 01:28:32,000
Speaker 2: I'm just observing how the internet works now, how the

2028
01:28:32,120 --> 01:28:33,200
Speaker 2: stand world works now.

2029
01:28:33,320 --> 01:28:33,840
Speaker 1: It's crazy.

2030
01:28:33,960 --> 01:28:36,160
Speaker 2: I hope we don't start to see more of this,

2031
01:28:37,280 --> 01:28:39,519
Speaker 2: And in my head, I'm thinking We're going to start

2032
01:28:39,560 --> 01:28:41,160
Speaker 2: to see more of this. But I'm trying not to

2033
01:28:41,200 --> 01:28:43,960
Speaker 2: be pessimistic or speak anything negative in the world. But

2034
01:28:44,200 --> 01:28:47,360
Speaker 2: the way people are moving, how accessible celebrities are, how

2035
01:28:47,439 --> 01:28:49,720
Speaker 2: easy it is to get the address and know where

2036
01:28:49,800 --> 01:28:52,559
Speaker 2: people are, and how sick in the head. Social media

2037
01:28:52,560 --> 01:28:56,000
Speaker 2: has made some of these stand groups. It would not

2038
01:28:56,120 --> 01:28:58,599
Speaker 2: shock me if this does not become more of a thing.

2039
01:28:59,439 --> 01:29:01,280
Speaker 1: No, but that's want this. I want her to get

2040
01:29:01,320 --> 01:29:02,439
Speaker 1: thirty five years. You got to set the.

2041
01:29:02,400 --> 01:29:04,800
Speaker 2: Example if you should even throw a book at her,

2042
01:29:04,880 --> 01:29:06,960
Speaker 2: If you shoot into a house with kids in it,

2043
01:29:07,120 --> 01:29:11,120
Speaker 2: I understand that's not a murder charge. That with carry's life,

2044
01:29:11,120 --> 01:29:13,160
Speaker 2: but it should be more than thirty five years. I

2045
01:29:13,240 --> 01:29:15,360
Speaker 2: don't know if therapy is gonna if this woman's gonna

2046
01:29:15,360 --> 01:29:16,519
Speaker 2: come out in thirty five.

2047
01:29:16,439 --> 01:29:19,439
Speaker 1: Years and be rehabilitating that therapy shit. No that I

2048
01:29:19,439 --> 01:29:19,680
Speaker 1: don't know.

2049
01:29:19,720 --> 01:29:21,559
Speaker 3: I don't think that this woman with thirty five years

2050
01:29:21,600 --> 01:29:24,120
Speaker 3: of therapy go sit in that cell for thirty five years.

2051
01:29:24,160 --> 01:29:26,679
Speaker 1: No, I'm saying in jail when she's doing her thirty

2052
01:29:26,720 --> 01:29:27,120
Speaker 1: five years.

2053
01:29:27,680 --> 01:29:32,439
Speaker 2: Usually when people are arrested and face insanity, they maybe

2054
01:29:32,520 --> 01:29:34,719
Speaker 2: end up in certain jails where they'll have a therapist

2055
01:29:34,840 --> 01:29:37,920
Speaker 2: or something because they're mentally insane. I'm saying, fuck all that.

2056
01:29:38,280 --> 01:29:40,040
Speaker 2: I don't think therapy is going to change this woman

2057
01:29:40,080 --> 01:29:41,960
Speaker 2: in thirty five years. I don't think she's gonna come

2058
01:29:41,960 --> 01:29:44,439
Speaker 2: out rehabilitated. I think that's still a danger to society.

2059
01:29:44,720 --> 01:29:46,519
Speaker 2: If you're sick in the head, enough to go in

2060
01:29:46,640 --> 01:29:48,680
Speaker 2: front of someone's house that you do not know, but

2061
01:29:48,800 --> 01:29:50,960
Speaker 2: because they're a celebrity and start shooting into their house

2062
01:29:51,000 --> 01:29:51,360
Speaker 2: with kids.

2063
01:29:51,600 --> 01:29:53,479
Speaker 1: Yeah, that's crazy. I don't know if you're.

2064
01:29:53,360 --> 01:29:54,560
Speaker 2: Gonna come out in thirty five and be like, you

2065
01:29:54,600 --> 01:29:55,840
Speaker 2: know what, that was a different I.

2066
01:29:55,920 --> 01:29:58,760
Speaker 1: Learned my lesson. Yeah, nah, give them thirty five years.

2067
01:29:58,840 --> 01:30:01,400
Speaker 3: Keep people like that off the streets because, like you said,

2068
01:30:01,520 --> 01:30:04,400
Speaker 3: innocent people just in their home and somebody shooting at them.

2069
01:30:04,640 --> 01:30:06,120
Speaker 1: You need to make an example out of that person.

2070
01:30:06,400 --> 01:30:09,400
Speaker 2: Yeah, before we get out of here. Also, speaking of Ero,

2071
01:30:09,560 --> 01:30:13,040
Speaker 2: Stove God was on Apple talking about his project he

2072
01:30:13,120 --> 01:30:15,599
Speaker 2: has pushing t in Westside Gun are the only features

2073
01:30:16,280 --> 01:30:20,200
Speaker 2: completely produced by Swizz Beats. I love Swizz front of

2074
01:30:20,240 --> 01:30:23,719
Speaker 2: the show, our brother in arms. I will be honest,

2075
01:30:23,800 --> 01:30:26,200
Speaker 2: I think this is either going to be absolutely amazing

2076
01:30:26,560 --> 01:30:27,360
Speaker 2: or completely missed.

2077
01:30:27,360 --> 01:30:28,679
Speaker 1: I don't think they'll be a middle ground.

2078
01:30:30,400 --> 01:30:32,439
Speaker 2: I don't know how like I feel, you understand what

2079
01:30:32,439 --> 01:30:34,840
Speaker 2: you're saying. I love Swizz a lot, one of the

2080
01:30:34,840 --> 01:30:38,120
Speaker 2: greatest producers ever. If he's not locked in and Stove

2081
01:30:38,200 --> 01:30:42,240
Speaker 2: God is his only priority in focus, it would make

2082
01:30:42,320 --> 01:30:45,679
Speaker 2: me nervous. But I do think Stove God is really

2083
01:30:45,720 --> 01:30:49,840
Speaker 2: great at picking beats, so I hope that off.

2084
01:30:50,000 --> 01:30:54,599
Speaker 3: Great at picking beats, great at writing hooks, so great

2085
01:30:54,640 --> 01:31:00,360
Speaker 3: at melodies, great melodies, great at bars. I hope he's

2086
01:31:00,600 --> 01:31:02,719
Speaker 3: just as involved in the production.

2087
01:31:03,760 --> 01:31:06,160
Speaker 1: I hope it's not. Here's ten beats I made you

2088
01:31:06,320 --> 01:31:06,800
Speaker 1: rap on them?

2089
01:31:06,840 --> 01:31:09,040
Speaker 3: Now what a song that they put out the Swiss

2090
01:31:09,120 --> 01:31:13,240
Speaker 3: joint the first record, so we got ten more of those?

2091
01:31:14,240 --> 01:31:16,960
Speaker 1: Yeah, all all's good. Alls, Well, I do.

2092
01:31:17,120 --> 01:31:20,719
Speaker 2: Hope Swizz is heavily involved with the visuals and directing

2093
01:31:20,760 --> 01:31:24,160
Speaker 2: the music, the artistic creativity, artistic direction of it all. Yeah,

2094
01:31:24,160 --> 01:31:26,679
Speaker 2: because Swizz Swiss is great at that stuff. But yeah,

2095
01:31:26,800 --> 01:31:27,560
Speaker 2: I'm excited for that.

2096
01:31:27,800 --> 01:31:29,800
Speaker 1: All right, Well, good to see you guys. Good to

2097
01:31:29,880 --> 01:31:31,400
Speaker 1: be back with the Gang Gang Gang.

2098
01:31:31,920 --> 01:31:35,479
Speaker 3: Yes, sir baby, check out that Yeba project. Check it

2099
01:31:35,520 --> 01:31:38,000
Speaker 3: out some joints on there. Just don't end up in Montana.

2100
01:31:38,760 --> 01:31:40,080
Speaker 3: You might just end up in a car and just

2101
01:31:40,840 --> 01:31:41,400
Speaker 3: you know what I'm saying.

2102
01:31:41,400 --> 01:31:42,960
Speaker 5: I like to go for walks with music like that.

2103
01:31:43,240 --> 01:31:44,360
Speaker 1: Walks you're about to.

2104
01:31:45,880 --> 01:31:46,559
Speaker 5: Want to eat crib.

2105
01:31:46,640 --> 01:31:48,680
Speaker 1: You're about to be in Rhode Island, So don't worry

2106
01:31:48,680 --> 01:31:49,760
Speaker 1: about it. You walk, get roade out.

2107
01:31:50,000 --> 01:31:52,639
Speaker 2: Yeah, but it's a good nature, walk on. You could

2108
01:31:52,640 --> 01:31:55,640
Speaker 2: walk to Rhode Island on it definitely put Just go

2109
01:31:55,760 --> 01:31:59,240
Speaker 2: to Central Park. Yeah good yeah, sixty five seventy degrees out,

2110
01:31:59,320 --> 01:32:01,200
Speaker 2: perfect time. Just listen to Yether and go to Central

2111
01:32:01,240 --> 01:32:03,439
Speaker 2: Park and just walk around. You might see Kevin McAllister,

2112
01:32:03,520 --> 01:32:07,840
Speaker 2: who knows you might who knows it's nice out.

2113
01:32:08,120 --> 01:32:10,879
Speaker 1: All right, we'll talk to y'all soon. Be safe, be blessed.

2114
01:32:11,160 --> 01:32:15,920
Speaker 1: I'm that nigga. He's just Ginger. That's baby d No

2115
01:32:16,400 --> 01:32:17,160
Speaker 1: willian No