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Speaker 1: I welcome to episode seventy two, Bobby Casting. We're recording

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Speaker 1: this one right after our radio show on Thursday. While

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Speaker 1: everybody still in the room except for Eddie, who's in

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Speaker 1: the bathroom, which everybody goes in the bathroom like it's

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Speaker 1: not a thing. But Eddie's been gone for a long time,

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Speaker 1: and all the guys are debating who's gonna go in

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Speaker 1: and get him? Is he sick? Uh? It smells like

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Speaker 1: he need to know that, Like, we don't need to

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Speaker 1: talk about that on here. No, I don't know. They're

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Speaker 1: just making a big deal and they're giggling about it.

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Speaker 1: How old are you just turned thirty six? It's gross? Okay,

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Speaker 1: Like Reag was trying to think of ways to trick

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Speaker 1: everybody to go in there. Is that why you talk

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Speaker 1: about it? I'm not a big bathroom guy, Like, I

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Speaker 1: don't really think bathroom humors that I'll call him though,

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Speaker 1: what you're going to call him? What if he answers

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Speaker 1: and he's like, okay, this is interesting, Oh, come on,

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Speaker 1: any answer? Hello, I'm coming all right, where are you?

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Speaker 1: I'm walking in Okay, come on, I guess he's all good.

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Speaker 1: There he is. They I didn't know what the big

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Speaker 1: deal was the deal. I don't know. It's okay, we're

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Speaker 1: gonna record a Bobby cast Um and they were like,

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Speaker 1: it is in the bathroom and then rake up front

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Speaker 1: of trick. Everybody go in because apparently you were crushing

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Speaker 1: it as a rough one. Let me ask this question,

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Speaker 1: what's the relationship like with your significant others about the bathroom?

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Speaker 1: Because with my girlfriend, it's not a thing. It doesn't exist.

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Speaker 1: The toilet is not that's out of bounds. It's it's

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Speaker 1: just not the thing. What do you mean, So you

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Speaker 1: have to go to the restroom, you can't go around

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Speaker 1: them like I may. I don't because sometimes doesn't she

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Speaker 1: try to talk to you while she's paying and you

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Speaker 1: can't hear her. Okay, here's the thing about I'll go

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Speaker 1: first with my relation chip. She grew up around all

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Speaker 1: dudes and she was she got a brother, she was

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Speaker 1: in a band. She's been in bands her whole life.

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Speaker 1: It's all dudes. She's a basically a woman in a

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Speaker 1: man's world. She doesn't she does what guys do, plays

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Speaker 1: lead guitar like women can do it. But for the

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Speaker 1: most part, that's a guy. Think people associate that with

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Speaker 1: so it's not a thing to her. For me, I

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Speaker 1: grew up with all women, mom, grandma's sister, all women.

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Speaker 1: Bathroom is just not a thing. Like women aren't proud

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Speaker 1: of their bathrooms, guys are. I never walked in and

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Speaker 1: had a big brother or dad was like, take a

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Speaker 1: look at my crap pile, you know on the toilet.

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Speaker 1: That my whole house, two kids and two boys. Okay,

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Speaker 1: it's a little kid maybe, but I partake in it.

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Speaker 1: We all, all three of us do. And my wife's

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Speaker 1: just like you guys are all disgusting, like that's what

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Speaker 1: we do. It's definitely, as I talked about it out loud,

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Speaker 1: I now see why I'm so not into the bathroom.

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Speaker 1: The farting on people, that all that stuff. That lunchbox

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Speaker 1: loves anything so funny. I just that's why I don't

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Speaker 1: get So my girl will, she'll, you know, Peach will

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Speaker 1: start talking to me. I'm like, no, it doesn't happen anymore.

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Speaker 1: But she knows I don't like to talk. So I

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Speaker 1: walk in. If she comment, she would just stop and

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Speaker 1: let me go to the the bathroom, and then that's it. Yeah,

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Speaker 1: bathroom for me, there there's not a toilet that exists

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Speaker 1: whenever we're together, there is, but you have to go

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Speaker 1: and like it's like a secret layer of dungeon you

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Speaker 1: go into and you shut the door and it doesn't

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Speaker 1: exist for a while. I'm just not a bathroom person,

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Speaker 1: so now it doesn't get talked about at all. That's

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Speaker 1: also to it. I never want to get to the

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Speaker 1: point where bathroom is comfortable because I just don't like

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Speaker 1: the bathroom. Well, I've been married ten years and it's

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Speaker 1: not comfortable for my husband. He does not talk about it.

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Speaker 1: I don't mind talking about anything. He cannot. You also

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Speaker 1: get clonics in your butt. Yeah, Like he doesn't want

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Speaker 1: to hear about it. If I have one of those appointments,

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Speaker 1: I'll be like, I have my special appointment, like it

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Speaker 1: is on the name. If it's my time in the month.

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Speaker 1: You all know how much I love to talk about

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Speaker 1: my time and you do. Oh my, he cannot. He's

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Speaker 1: like that. I don't mind. Yeah, but we don't know.

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Speaker 1: But anything that's like has to do with our bodies.

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Speaker 1: And like if he's sick sometimes whatever the symptoms are,

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Speaker 1: I may never know it if he's got bathroom because

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Speaker 1: he does not talk about it. Because that's how his

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Speaker 1: family grew up, Like, I'm like, you had a mom

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Speaker 1: and his sister. You're telling me they never had periods,

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Speaker 1: and he's like nope, And I'm like, oh my god,

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Speaker 1: we never had toilets. Period we have toilets. Basically, that's

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Speaker 1: how they handled it to like if they had like

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Speaker 1: a stomach bug or an issue where there was stuff

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Speaker 1: going on, they did not address it. So if I

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Speaker 1: have to talk to my husband about it, he can

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Speaker 1: barely handle it. And that sucks because I love talking

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Speaker 1: about it, talking about truly maturely. I like talking about it,

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Speaker 1: not like he could come look at this, but being

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Speaker 1: like medical clinic, because there are like healthy signs to

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Speaker 1: your rush, like your that's all about your jestive system

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Speaker 1: and like what's going on? And I like talking about it.

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Speaker 1: And he cannot handle it. Yeah, it doesn't happen to

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Speaker 1: your girlfriend and I. We can talk about it. We

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Speaker 1: talk about it, I know you do. We text each

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Speaker 1: other about you talk to you, text each other about

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Speaker 1: your like women doing that is weird to me, Like guys,

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Speaker 1: I get it, like making jokes, but women texting each

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Speaker 1: other about their bathroom. But I think there's this more

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Speaker 1: of talking about it. Yeah, and you're talking about it

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Speaker 1: because it's sneaky talking about Like my brother and I

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Speaker 1: we used to one would go upstairs, another one go

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Speaker 1: downstairs at the same time, and boom if you mgate

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Speaker 1: the house, like we even drop ball and my family

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Speaker 1: sitting there for thirty minutes easy, like we are just

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Speaker 1: oh yeah, the guys in the family, we are in

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Speaker 1: their brow you know that lunch box Today still it

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Speaker 1: takes some thirty minutes to poop. I don't like talking

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Speaker 1: about that stuff. Absolutely. We just found out. I don't

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Speaker 1: like talking even about him because he told me because

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Speaker 1: I said, hey, we need to go. He's like, I

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Speaker 1: need thirty minutes. I'm like, thirty man, He's like every time,

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Speaker 1: that's what he does. I can tell you this that

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Speaker 1: just talking him general macro terms from working in radio

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Speaker 1: before it was all computerized. I can use any bathroom

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Speaker 1: in three minutes. Oh yeah, that's not healthy. You mentioned

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Speaker 1: that through song length. Oh yes, so when I first

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Speaker 1: for the first three or four years I worked in radio,

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Speaker 1: it was you took it was switching out CDs and

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Speaker 1: so you put the CD in, you push play on

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Speaker 1: the computer to play like one of the pieces of

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Speaker 1: Like at the time, it was klaz, he go k

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Speaker 1: l A Z. Then you hit the c D again,

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Speaker 1: and so you'd have to pick out long songs and

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Speaker 1: it's this isn't uncommon for people radio in the early

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Speaker 1: two thousands or sixties before I became computerized, and I

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Speaker 1: play Matchbox twenty back Too Good. That was my song.

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Speaker 1: If you heard that on the radio, you knew I

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Speaker 1: was going to the bathroom. The people that knew me,

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Speaker 1: So I'll play I don't even know if you guys, no,

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Speaker 1: Matchbox twenty back too good, Um, it's going back. I'll

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Speaker 1: play it for you, okay, if it wasn't one of

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Speaker 1: their bigger hits, but you'll recognize that whenever you hear it.

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Speaker 1: But no, I don't. I'm not a bathroom guy. Let's

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Speaker 1: about you and your wife. How are you talking about

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Speaker 1: bath My wife doesn't really like it, so I tell

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Speaker 1: I respect her, and I tell her I have to

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Speaker 1: go to the office, and that means I'm going to

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Speaker 1: the bathroom. But what's the difference in a word, I

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Speaker 1: don't know. She just it's just more comfortable for her.

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Speaker 1: And but once I'm in there, we don't communicate, Like

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Speaker 1: there's no talking through the door, none of that I

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Speaker 1: go in there. I go to the office and I'm

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Speaker 1: in there for thirty forty minutes. And I used the

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Speaker 1: squatty potty and it's great, isn't the squatty putty hrs?

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Speaker 1: Though I thought she would like to talk about it

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Speaker 1: since she wanted a squatty potty, Well, I got it

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Speaker 1: for both of us. There's one in each bathroom. We

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Speaker 1: have two bathrooms, and there's a squatty potty in each.

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Speaker 1: And yeah, I call it the office. And that's it.

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Speaker 1: She didn't really say when she's gonna go. She just

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Speaker 1: kind of disappears. She kind of like walks. I'll be

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Speaker 1: in the kitchen. She'll just go somewhere. That's kind of

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Speaker 1: what I do. That's she tries to slink off her

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Speaker 1: try to do it. When the weird thing, it's not

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Speaker 1: even weird for for I know she can hear this

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Speaker 1: and call me on it, because but the weird thing

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Speaker 1: is like if Lindsay and I are somewhere and in

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Speaker 1: a hotel room, there's a bathroom right by the bed

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Speaker 1: or TV hey that because it's just like they were

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Speaker 1: in the same room. I'm like, I'm going to the

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Speaker 1: bathroom in the same room. Basically, So I hate that

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Speaker 1: part of it. Do you go down to the lobby? No,

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Speaker 1: I don't go that far out. Yeah, I don't like

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Speaker 1: it though. Edit, you and your wife were open, I

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Speaker 1: mean literally literally doors sometimes sometimes just like someone standing

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Speaker 1: at the door, you know, the doorway, just like talking

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Speaker 1: while you're the little one in the big one. Yes. Both.

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Speaker 1: The only problem is the only problem that was our

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Speaker 1: kids have seen this and they've just been like, okay,

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Speaker 1: so that's what you do. So they don't even close

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Speaker 1: the door when they go to the bathroom. And then

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Speaker 1: we're trying to teach them like all right, guys, come on,

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Speaker 1: you got that private You'll have a conversation. What we do.

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Speaker 1: We've always done that. You do the big one? Are

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Speaker 1: you talking? Yeah? What is? Sometimes I'm doing the big

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Speaker 1: one and she just things out and something she can't

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Speaker 1: take it because the big ones a little too big,

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Speaker 1: and she's just like I gotta go, Nau, listen it.

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Speaker 1: Just find level one, level two, level three, And I'm

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Speaker 1: disgusted firstly with Amy a little bit, then lunchbox the

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Speaker 1: middle then would any a lot like I'm fighting bows

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Speaker 1: are now on Mario? You Like, yes, I'm at that

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Speaker 1: level right now. Nice reference because when I come out,

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Speaker 1: I'm always like, I always make the joke do not

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Speaker 1: go in there? Yeah, I always literally likes a Centura

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Speaker 1: American pie. The guy doesn't grow up. Literally nothing about

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Speaker 1: lunch box changes. Let me talk about wag Walker for

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Speaker 1: a second. So if you love your dog and your

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Speaker 1: dog's family like my dog is that sometimes you can't

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Speaker 1: be there if they need walked, and sometimes there are

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Speaker 1: just times where you're goying, like what you had somebody.

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Speaker 1: That's why I like wag Walker. It's an on demand app.

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Speaker 1: It's like Uber for dog walkers, and they thoroughly vet

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Speaker 1: these dog walkers quality people, and you can lie gps

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Speaker 1: your dogs walk their notifications when your dog peas or poops?

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Speaker 1: Did you know that? Awesome? Like we'll market you if

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Speaker 1: your sounds on and the apps up. There's a photo

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Speaker 1: report card at the end of each walk. And the

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Speaker 1: best part again, you don't have to be home. You

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Speaker 1: can be home in order somebody come walking, take your

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Speaker 1: dog for a walk if you're busy, or you can

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Speaker 1: be gone and wag will send you a free lock box,

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Speaker 1: or you can leave like alternate home instructions. But wag

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Speaker 1: is awesome. It's a must have app. Just search for

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Speaker 1: Wag in the you know, any of the app stores,

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Speaker 1: or if you can get a free walk too if

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Speaker 1: you text the word bones to two five three to four.

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Speaker 1: Text the word bones to T five three two four,

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Speaker 1: or if you don't wanna do that, you want to

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Speaker 1: check out Wags, download wag It's a wag Walker. You're

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Speaker 1: gonna love it. Especial link to download the app. Get

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Speaker 1: the first dog walk absolutely free right there. So there

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Speaker 1: is there's that, and there's the bathroom talk, which should

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Speaker 1: also bring up since it's been a while since we've

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Speaker 1: done an in studio Bobby cast. The last one we

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Speaker 1: did a big fight when not I was working here.

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Speaker 1: It's not here, but Moregan number two, which who we

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Speaker 1: still haven't really named anything yet. Um is doing digital

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Speaker 1: now and I guess women spent a lot of time

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Speaker 1: on the air introduce seeing her to people, But I

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Speaker 1: don't know a whole lot about her, do you guys?

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Speaker 1: I know a lot about her? Yeah, like what, Yeah,

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Speaker 1: she's got a lot of sisters. Morgan, how are you

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Speaker 1: by the way, Why is that? Why does that? Mike

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Speaker 1: no work? Sounds weird? Can you go get on here

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Speaker 1: come share D's Mike. Yeah, like our stuff is so

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Speaker 1: old and crappy. If our studio was in New York,

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Speaker 1: we could have all new stuff because we're just not

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Speaker 1: near the people that make the decisions. If the studio

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Speaker 1: was in New York, we'd have legitimate, awesome stuff. I'm

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Speaker 1: in the kitchen there. I spilled something and someone appeared

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Speaker 1: up nowhere and wiped it up. Yeah. I was like, like,

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Speaker 1: if our executives and from New York because I always

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Speaker 1: have to go up there. If I if they came

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Speaker 1: in our studio and saw like how crappy our equipment

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Speaker 1: is and our floors and stuff, I do think things

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Speaker 1: would change. So what's the good dude to get them

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Speaker 1: down here? I don't know. I don't know. But Morgan

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Speaker 1: number too hello, Like I know to Morgan's and they

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Speaker 1: both happen to work for me now, which kind of

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Speaker 1: sucks because her name can't be Morgan in any form.

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Speaker 1: It can't be digital Morgan. So eventually something's gonna come

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Speaker 1: from it. But okay, so you're how old and you're

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Speaker 1: from which when'd you graduate college in? Two years ago?

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Speaker 1: That's crazy? Right? What was your goal in life? Like?

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Speaker 1: What do you want to be when you went to college,

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Speaker 1: I mean I studied journalism. I wanted to do something

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Speaker 1: in the journalism realm. But honestly, working on a on

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Speaker 1: a show like this was the dream job. I just

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Speaker 1: never really thought it would happen as fast as it did.

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Speaker 1: Whenever not it was that was happening, and it was like, Okay,

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Speaker 1: she's not coming back. Pulled Morgan in the office and

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Speaker 1: I was like, hey, uh, I just needed to fill

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Speaker 1: in because I didn't have anything to hire you at first.

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Speaker 1: I didn't have to hire anybody. Nobody expected that to happen,

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Speaker 1: and so I'll pull Morgan. I was like, um, I

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Speaker 1: just needed to like show up and if you if

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Speaker 1: you don't mind for like a week or so, and

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Speaker 1: then we turned into two weeks. In two weeks, now

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Speaker 1: you're a full time with the show. But you never

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Speaker 1: thought this would actually be a job. No, I mean

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Speaker 1: I never thought that would happen. You just don't expect

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Speaker 1: something like that to open up like it did. And

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Speaker 1: this is a dream job for her. Dad listens your

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Speaker 1: dad still listen? You stopped listening for Do you listened

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Speaker 1: as a kid? How old were you when you're listening?

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Speaker 1: To our shaw. Oh, it was like middle school, freshman,

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Speaker 1: new year of high school. Up until then when you

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Speaker 1: guys were on top forty, you think we were cool? Yeah?

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Speaker 1: Like how cool? Like really cool? Do you still think

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Speaker 1: we're cool? Yeah? Hold on, still were pretty cool. So

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Speaker 1: you would listen to the show. And so then you

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Speaker 1: went off to college where you go to school for

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Speaker 1: college Kansas State? So you went to Kansas State. We

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Speaker 1: weren't on there were we? But your dad kept listening.

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Speaker 1: Would he fill you in what the show was up to? Oh?

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Speaker 1: He would call me every day and tell me Amy's

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Speaker 1: joke every single day. I love it, shout out. It

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Speaker 1: kept you and your dad close. Yeah, oh yeah, even

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Speaker 1: if I didn't answer, you'd live a voice smell and

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Speaker 1: tell me it and then I listened to it the

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Speaker 1: next day. It was like our way of keeping in

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Speaker 1: touch everything that the little things. You know, So your

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Speaker 1: family is who who'd you grow up with? I have

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Speaker 1: three older sisters, so I'm the youngest um and my parents.

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Speaker 1: I mean, we were close family. We still are. Everybody's

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Speaker 1: still together and everybody's back home in which stuff besides me?

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Speaker 1: Do they think it's cool that you're on this show? Yes? Yeah.

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Speaker 1: My My older sisters both listened to you guys too.

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Speaker 1: So do they ask you stuff like what's so? I

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Speaker 1: really like, oh yeah all the time, and I just

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Speaker 1: kind of laugh and I'm like, it's what you would expect.

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Speaker 1: It's normal. If you say, they say, what's Eddie really like? What?

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Speaker 1: What would you tell them? Annoying ly? What would you

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Speaker 1: tell them? Um? I'd say he's really nice. He's like

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Speaker 1: a brother, honestly, Like that's how he acts. There's a

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Speaker 1: lot like a brother and so, but what's he like

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Speaker 1: to hang around? He's just nice and he gives me

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Speaker 1: crap a lot of the time. So that's kind of

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Speaker 1: why he's more of the brother gard to me, your sister,

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Speaker 1: I've playing your sister. He's flirting, I don't think so.

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Speaker 1: I mean he smiles a lot. So if you if

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Speaker 1: you think it smiles, it's learning. Yeah, I can go

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Speaker 1: with that good answer. What about lunchbox? What's he likes?

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Speaker 1: He's like the jokester, like the guy that plays pranks

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Speaker 1: on everybody. That's him. Is he nice? Yeah? Very nice?

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Speaker 1: Like it's all everything you see on the show is

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Speaker 1: not who he is. Like, he's really sweet and he's

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Speaker 1: really quiet. With that's always say all the time he

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Speaker 1: plays some character, he like turns it about quiet. You

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Speaker 1: can't be like when these shows go off, you're not

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Speaker 1: as loud, Like you're really loud on the show, but

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Speaker 1: during the songs, I mean where there's not a bunch

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Speaker 1: of stuff to you know, yak about I just got

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Speaker 1: to sit over here, and I don't know what she's

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Speaker 1: trying to say. Do you think that she's saying the

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Speaker 1: same thing that we always say, you going to this character?

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Speaker 1: There is no character. I am loud out and proud

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Speaker 1: and awesome, and I do it. I mean, which is

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Speaker 1: because we know when you come on the air, you

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Speaker 1: turn it way up. No, I just am talking like

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Speaker 1: I'm here to entertain. When it's during commercial, I need

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Speaker 1: a break. You know. It's sort of like when you

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Speaker 1: go on your break. It when I worked at Sam's Club.

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Speaker 1: You get a little fift team in a break. I'm

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Speaker 1: on my break during solid you are trying to sell

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Speaker 1: TVs during break TV selling time, I'm selling you know

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Speaker 1: what You know what I mean when you're on your

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Speaker 1: on when you're on break, you're on break. You want

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Speaker 1: to relax and vegg out and like whoa why don't

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Speaker 1: you let us talk about like some of the real

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Speaker 1: life stuff, like the nice things that you do. We do.

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Speaker 1: We can talk about it all you want, but you

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Speaker 1: always say that, but then you always get off, like

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Speaker 1: what do you want to talk about? I do a

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Speaker 1: lot of nice things, like go ahead and name them,

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Speaker 1: you know what I'm talking about. I'm like, well, you're

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Speaker 1: talking about it, you know. Y's like, no, I do it.

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Speaker 1: They're kids and we weren't stuff I do. I'm wearing

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Speaker 1: my kid Power shirt today kid Power mentor two fifty.

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Speaker 1: What do you think that? Okay, so you know, just

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Speaker 1: for a brief bit, what do you what? What is

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Speaker 1: he about? That's hard? Yeah, Like I couldn't him point

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Speaker 1: what he's about. But I mean I met him in

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Speaker 1: Whitchedho a few times when he came down, and he's

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Speaker 1: always been really nice, Like I know he likes to

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Speaker 1: have a good time. He does like to have a

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Speaker 1: good time, yeah for sure, but life the life of

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Speaker 1: the party if you let him. He's gotten whimpier with age, though,

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Speaker 1: what do you mean whip yeah, drink as much? You know,

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Speaker 1: he's my pizza no, no, no, hold on, huh. The

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Speaker 1: pizza was never a thing and I don't drink as

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Speaker 1: much because man, no one goes out and I don't

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Speaker 1: go out as much. It's just she does. She's out

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Speaker 1: every weekend that party. No, and he doesn't go out with.

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Speaker 1: The people I would go out with don't go out,

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Speaker 1: and he doesn't go out him older. But have you

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Speaker 1: ever texted me to say, hey, are you going out?

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Speaker 1: You don't even have each other's number. Yeah, I got

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Speaker 1: her number. Well, I mean, and you're married now a

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Speaker 1: lot of you. I got her number, saying him in

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Speaker 1: my phone. Yeah, yeah, say there's Morgan Webb. She's digital

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Speaker 1: Morgan in my phone. So I can type of difference

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Speaker 1: to yours. So with lunchbox, you can't really pinpoint what's real.

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Speaker 1: And I want to not and I I don't understand what

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Speaker 1: you mean what I'm about those that vibe to me

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Speaker 1: a bit too. Sometimes it's like I know that's Ray,

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Speaker 1: but I'm just like, I don't like, I don't know

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Speaker 1: is mysterious, Like there's just something he's so over the ticket.

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Speaker 1: Here it's in the classroom, but he's so over the top.

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Speaker 1: But it's all the time for years where it's got

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Speaker 1: to be true because he just you just don't live

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Speaker 1: in that character, He's consistent where Lunchbox isn't always consisted.

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Speaker 1: I'm more consistent than Ray. Are you kidding me? No,

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Speaker 1: I'm not. I'm not kidding. Oh so if you're house Lunchbox,

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Speaker 1: you would say he's a jokester. He's a good time.

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Speaker 1: It's a good That's what I want to if any

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Speaker 1: woman ever touched you, you're a good time. So okay,

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Speaker 1: your sister, says Morgan number two. What do what do

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Speaker 1: they call you? By the ways? Yeah? What about Amy? Yeah?

385
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Speaker 1: Really sweet and kind and she kind of like is

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Speaker 1: the glue that holds everybody together. She's kind of like

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Speaker 1: the mom of the show. It's her world. Morgan still

388
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Speaker 1: knew she hasn't seen that real breakdown yet. She little

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Speaker 1: a little bit sas sometimes right, Yeah, you got it

390
00:19:32,840 --> 00:19:37,880
Speaker 1: in there for sure. Yeah yeah, what are you talking about?

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Speaker 1: You mean, like an emotional breakdown? Well, that will come.

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Speaker 1: She's probably heard it on the air before. I mean

393
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Speaker 1: we had Shark week. What was that That was a

394
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Speaker 1: light one though it was lightlow stop. But I mean, okay,

395
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Speaker 1: why why is she sitting about me? And You're like, please,

396
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Speaker 1: you haven't seen the real heart yet? All three of

397
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Speaker 1: you act like I'm picking on her. Yeah, what would

398
00:20:09,280 --> 00:20:14,040
Speaker 1: you say Amy's about? Can you pinpoint that? Oh? I

399
00:20:14,040 --> 00:20:15,919
Speaker 1: mean right now, I think it's really about her kids.

400
00:20:15,960 --> 00:20:19,200
Speaker 1: Like that's kind of the biggest thing in health. What

401
00:20:19,280 --> 00:20:20,760
Speaker 1: does she do on her computer the whole time you're

402
00:20:20,760 --> 00:20:23,640
Speaker 1: over there with her? I really actually don't look at all.

403
00:20:24,560 --> 00:20:29,280
Speaker 1: I can't see it shop me. I'm just asking. Morgan

404
00:20:29,359 --> 00:20:30,880
Speaker 1: and I have been working on my blog, like doing

405
00:20:30,920 --> 00:20:33,120
Speaker 1: it every day, so we're just sometimes we're working. I've

406
00:20:33,119 --> 00:20:34,639
Speaker 1: been done a good job with the bo I've been.

407
00:20:34,760 --> 00:20:37,440
Speaker 1: We've been every day right more. Yeah, by the way,

408
00:20:37,680 --> 00:20:40,159
Speaker 1: you're new, Like you can see now that I wouldn't

409
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Speaker 1: have anybody on this show that I didn't think was

410
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Speaker 1: a really great person or get along with. Like do

411
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Speaker 1: you get that now? Yeah? For sure, Like all these

412
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Speaker 1: people I punch them on the face, but they're all

413
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Speaker 1: like my best friends. Yeah, you have a very tight

414
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Speaker 1: in her circle, which is a good thing. Yeah, one

415
00:20:51,760 --> 00:20:54,960
Speaker 1: day you'll get in there one day, hopefully if you

416
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Speaker 1: last long enough. All right, so we'll come to me. Now,

417
00:20:56,600 --> 00:20:57,879
Speaker 1: what if they say, hey, what's Bobby? Like, what do

418
00:20:57,880 --> 00:21:01,960
Speaker 1: you say? Um, that's hard, you're complex. I think that's

419
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Speaker 1: the best word I can use go ahead, but they

420
00:21:04,800 --> 00:21:06,720
Speaker 1: ask you, so you have to answer yeah. Like I

421
00:21:06,880 --> 00:21:08,600
Speaker 1: would say, you're very complex. You have a lot of

422
00:21:08,840 --> 00:21:12,600
Speaker 1: different personalities insides to you, And I think it just

423
00:21:12,640 --> 00:21:15,040
Speaker 1: depends on what you're going through that time in your

424
00:21:15,040 --> 00:21:20,840
Speaker 1: life of my life, well like a month. It depends

425
00:21:20,880 --> 00:21:22,240
Speaker 1: on the day, like if you came back from a

426
00:21:22,280 --> 00:21:24,320
Speaker 1: long weekend, you know, like what are you going through

427
00:21:24,320 --> 00:21:26,840
Speaker 1: that day? Or if you had a comedy show that

428
00:21:26,880 --> 00:21:29,359
Speaker 1: went really well, you're probably really high on life at

429
00:21:29,359 --> 00:21:34,280
Speaker 1: that moment. Or if something happened like a controversy like

430
00:21:34,280 --> 00:21:36,399
Speaker 1: with the Lindsay l thing, you came in really fired up.

431
00:21:36,480 --> 00:21:38,320
Speaker 1: It just kind of depends on what happens, and you

432
00:21:38,400 --> 00:21:41,879
Speaker 1: kind of your actions go off of what happens in

433
00:21:41,880 --> 00:21:43,639
Speaker 1: your life, which is really cool. Not a lot of

434
00:21:43,680 --> 00:21:47,000
Speaker 1: people are like that. She's so onto something ahead and

435
00:21:47,080 --> 00:21:50,080
Speaker 1: most of the time we don't know what happened. But

436
00:21:50,359 --> 00:21:52,600
Speaker 1: I'll talk to the guys sometimes to be like, man, bones,

437
00:21:52,600 --> 00:21:54,280
Speaker 1: isn't a good day to day. Something happened and we

438
00:21:54,320 --> 00:21:55,879
Speaker 1: all try to guess what happened, but we don't know.

439
00:21:55,960 --> 00:21:58,000
Speaker 1: Can I tell you what happened? Yes? I got sleep,

440
00:21:58,560 --> 00:22:00,760
Speaker 1: That's all it is that it. If got sleep, I

441
00:22:00,800 --> 00:22:03,879
Speaker 1: come in like a million freaking bucks. If I didn't,

442
00:22:04,359 --> 00:22:08,240
Speaker 1: I come in like we're always wrong guys. Yeah, I

443
00:22:08,280 --> 00:22:12,080
Speaker 1: don't really let life affect me too much. Yeah, I

444
00:22:12,119 --> 00:22:14,880
Speaker 1: know it's sometimes it's sleep or sometimes Yeah, I see

445
00:22:14,880 --> 00:22:16,959
Speaker 1: what we're saying, Like you can be I don't think

446
00:22:16,960 --> 00:22:21,440
Speaker 1: it's necessarily, but that's never not been a thing we've

447
00:22:21,480 --> 00:22:24,000
Speaker 1: said that. I say that, but in this room with us,

448
00:22:24,119 --> 00:22:26,480
Speaker 1: especially since you're your friends, you have different hats that

449
00:22:26,520 --> 00:22:30,760
Speaker 1: you wear. So sometimes you're like boss hats on. Sometimes

450
00:22:30,800 --> 00:22:33,920
Speaker 1: you're you know, not even just boss, but like go mode,

451
00:22:33,960 --> 00:22:36,560
Speaker 1: work mode, we're here to get this done hat is on.

452
00:22:36,760 --> 00:22:38,680
Speaker 1: And then other times you have more of a playful hat.

453
00:22:38,720 --> 00:22:41,480
Speaker 1: So I can see where you know, there's some days

454
00:22:41,520 --> 00:22:43,640
Speaker 1: I could do the exact same thing something and it's

455
00:22:43,680 --> 00:22:45,879
Speaker 1: really not going to affect you, And then the exact

456
00:22:45,920 --> 00:22:47,480
Speaker 1: same thing I may do it a different day and

457
00:22:47,520 --> 00:22:49,280
Speaker 1: depending on your mood or where it's at, like it

458
00:22:49,359 --> 00:22:53,639
Speaker 1: might be like so I forget to tell you the

459
00:22:53,680 --> 00:22:56,800
Speaker 1: same thing with me, I know, I say in the

460
00:22:56,880 --> 00:22:58,960
Speaker 1: same way, like sometimes you may say something to me

461
00:22:59,040 --> 00:23:00,760
Speaker 1: and it may roll off my shoulder, like no, we

462
00:23:00,840 --> 00:23:03,320
Speaker 1: deal and other days it may make me cry. Yes,

463
00:23:03,400 --> 00:23:06,920
Speaker 1: Like one day you'll say, Amy, this god, I just

464
00:23:06,960 --> 00:23:12,600
Speaker 1: suck yesterday. I mean yesterday he just said improve your

465
00:23:12,640 --> 00:23:15,680
Speaker 1: tease or something like that, and you were like, I suck. Okay,

466
00:23:15,680 --> 00:23:20,080
Speaker 1: I get just as I had done a couple of

467
00:23:20,080 --> 00:23:22,320
Speaker 1: other things wrong that day. But the days he won't

468
00:23:22,359 --> 00:23:24,359
Speaker 1: say anything. In other days, it'll just be like a

469
00:23:24,400 --> 00:23:26,240
Speaker 1: couple of things in a row, and I'm like, oh,

470
00:23:26,400 --> 00:23:30,000
Speaker 1: I suck today. No, That's how I happened. There were

471
00:23:30,040 --> 00:23:33,080
Speaker 1: like four things, and I'm never like Amy usually have

472
00:23:33,080 --> 00:23:35,120
Speaker 1: to do is better. I was like, hey, hit this better,

473
00:23:35,160 --> 00:23:37,359
Speaker 1: hit the better. And sometimes you say it in a

474
00:23:37,359 --> 00:23:39,440
Speaker 1: way more disappointed in me tone like you are. I

475
00:23:39,480 --> 00:23:41,720
Speaker 1: can take it that way, you know, you say it

476
00:23:41,720 --> 00:23:44,320
Speaker 1: to me, and I'm like, at least they heard you react,

477
00:23:44,320 --> 00:23:45,919
Speaker 1: because this is the one thing that's true, is they

478
00:23:45,960 --> 00:23:50,320
Speaker 1: heard you go I suck today. Just suck. Like the

479
00:23:50,359 --> 00:23:52,200
Speaker 1: times where I was like, okay, Morgan saw me come

480
00:23:52,200 --> 00:23:55,320
Speaker 1: with sass a little bit because if here, yeah, but

481
00:23:55,400 --> 00:23:59,120
Speaker 1: she was here. She witnessed me be like And I'm

482
00:23:59,119 --> 00:24:01,200
Speaker 1: not saying that that was the reaction I should have had.

483
00:24:01,440 --> 00:24:03,560
Speaker 1: And I don't think I was saying you suck. But

484
00:24:03,640 --> 00:24:06,480
Speaker 1: this I was taking it. But who was talking about

485
00:24:06,480 --> 00:24:10,359
Speaker 1: me sucking today? Who was who was talking about me

486
00:24:10,440 --> 00:24:16,679
Speaker 1: sucking today? She has like because she brought it up

487
00:24:16,720 --> 00:24:20,200
Speaker 1: to me. Who was talking about me sucking? Who was

488
00:24:20,200 --> 00:24:23,680
Speaker 1: disappointed in me today? Out loud? You yourself? I know,

489
00:24:24,119 --> 00:24:28,600
Speaker 1: and I know, I know, I know you're the hardest know,

490
00:24:28,680 --> 00:24:31,800
Speaker 1: but it's true. He's like he has expectations for himself

491
00:24:31,800 --> 00:24:34,160
Speaker 1: and he has them for us. I was talking aboutself

492
00:24:34,160 --> 00:24:35,840
Speaker 1: and I was like, you gotta do and she heard

493
00:24:35,880 --> 00:24:38,879
Speaker 1: me doing it. She was like, what are you doing?

494
00:24:39,200 --> 00:24:40,960
Speaker 1: I was like, oh, you suck. You got to do

495
00:24:41,040 --> 00:24:43,000
Speaker 1: better at that because I messed up like a little

496
00:24:43,920 --> 00:24:47,879
Speaker 1: technical thing. You were like, what I sucked? Dude? Together, No,

497
00:24:48,040 --> 00:24:49,960
Speaker 1: I tried to encourage you and I said, you don't suck.

498
00:24:50,920 --> 00:24:54,400
Speaker 1: You don't. But I I just feel like the last

499
00:24:54,400 --> 00:24:56,280
Speaker 1: thing any of us want to do is lay you down.

500
00:24:56,520 --> 00:24:58,800
Speaker 1: There's no well, last thing I want to do is

501
00:24:58,880 --> 00:25:02,440
Speaker 1: let me down. Like I'm doing rocket science over here.

502
00:25:02,520 --> 00:25:04,760
Speaker 1: So I should be able to do everything that you

503
00:25:04,800 --> 00:25:06,760
Speaker 1: need me to do and do it well. And so

504
00:25:06,880 --> 00:25:10,760
Speaker 1: I'm like, go so stupid. But I don't say it

505
00:25:10,800 --> 00:25:12,359
Speaker 1: to you like that. I don't say like, Amy, you

506
00:25:12,440 --> 00:25:14,520
Speaker 1: gotta do better. Then that's how I hear it. But

507
00:25:14,560 --> 00:25:15,960
Speaker 1: this is what I say, Hey, I'm that right there.

508
00:25:16,000 --> 00:25:17,359
Speaker 1: We gotta get that baby, and then it's onto the

509
00:25:17,440 --> 00:25:19,560
Speaker 1: next thing. Now you move on. I don't. We don't

510
00:25:19,560 --> 00:25:24,520
Speaker 1: look back in the four Agreements, which I didn't end

511
00:25:24,600 --> 00:25:26,080
Speaker 1: up reading that whole book, I think I got how

512
00:25:26,080 --> 00:25:27,639
Speaker 1: do you not read the whole They didn't like it?

513
00:25:27,760 --> 00:25:30,399
Speaker 1: She did to an alf agreement and checked out. My

514
00:25:30,480 --> 00:25:33,040
Speaker 1: husband read the whole thing. It's fantastic, right, I read

515
00:25:33,080 --> 00:25:35,240
Speaker 1: like the agreement where you're not supposed to be offended

516
00:25:35,320 --> 00:25:39,120
Speaker 1: or whatever in business, in business like don't ever get offended?

517
00:25:39,200 --> 00:25:43,679
Speaker 1: And I'm like, what, oh, I do get offended no

518
00:25:43,800 --> 00:25:46,600
Speaker 1: matter what? So like, how could I? How can I

519
00:25:46,640 --> 00:25:51,520
Speaker 1: work on that? I think? Also, you can judge someone's

520
00:25:51,520 --> 00:25:53,639
Speaker 1: purpose when they say it. I don't say it to

521
00:25:53,720 --> 00:25:57,000
Speaker 1: knock you down. No, never, I say it to go, hey,

522
00:25:57,200 --> 00:25:59,360
Speaker 1: that wasn't there. We gotta make that better. Boom, I'm

523
00:25:59,359 --> 00:26:01,360
Speaker 1: onto the next thing. Okay, see, But I don't hear

524
00:26:01,400 --> 00:26:04,320
Speaker 1: it to think I hear it to think like, shoot,

525
00:26:04,320 --> 00:26:06,920
Speaker 1: I just I'm gonna picture I say it now should

526
00:26:06,920 --> 00:26:09,080
Speaker 1: be taking the new say back? How you take it okay,

527
00:26:09,240 --> 00:26:11,840
Speaker 1: like just how we take it real, meaning both both

528
00:26:11,880 --> 00:26:13,960
Speaker 1: of us though, because it's always somewhere in the middle.

529
00:26:14,520 --> 00:26:16,800
Speaker 1: I picture it like this, Hey, we can get a

530
00:26:16,800 --> 00:26:20,320
Speaker 1: lot better at that. Let's go the next thing, and

531
00:26:20,359 --> 00:26:24,320
Speaker 1: how do you take it? I like out louder in

532
00:26:24,359 --> 00:26:27,080
Speaker 1: my head. In my head, I'm like, God, I freaking

533
00:26:27,119 --> 00:26:28,840
Speaker 1: let him down. I suck, Like, no, what do you

534
00:26:28,880 --> 00:26:32,600
Speaker 1: hear though Bobby's words? How do you hear? I hear

535
00:26:32,720 --> 00:26:41,600
Speaker 1: like you suck? Faure He's already moved on, And in

536
00:26:41,680 --> 00:26:44,359
Speaker 1: my head, I'm like, I'm like, basically, he just said

537
00:26:44,920 --> 00:26:46,560
Speaker 1: I'm finding a new co host if you don't get

538
00:26:46,600 --> 00:26:49,320
Speaker 1: it together. Yeah, I think it's on us a lot.

539
00:26:49,880 --> 00:26:52,879
Speaker 1: I think because I look back at like how Bobby

540
00:26:52,920 --> 00:26:55,400
Speaker 1: says things, and I get I see it as like, dang,

541
00:26:55,480 --> 00:26:57,719
Speaker 1: he's so upset at me or whatever, and then like

542
00:26:57,800 --> 00:26:59,879
Speaker 1: after two weeks later, I'm like, no, he really wasn't.

543
00:27:00,160 --> 00:27:01,600
Speaker 1: But it's like when I see that to Amy, you

544
00:27:01,600 --> 00:27:03,439
Speaker 1: hear me say it to Amy just like I said it,

545
00:27:03,560 --> 00:27:05,000
Speaker 1: and you're like normal to it. But when I say

546
00:27:05,040 --> 00:27:06,280
Speaker 1: the same thing to you the same way, you don't

547
00:27:06,280 --> 00:27:07,760
Speaker 1: hear it how I said it to her. No, I

548
00:27:07,800 --> 00:27:11,600
Speaker 1: hear it as like you I'm not alone yet, but

549
00:27:11,640 --> 00:27:13,800
Speaker 1: I thought what I'm saying is it's our fault. We're

550
00:27:13,840 --> 00:27:16,760
Speaker 1: taking it the wrong way. If I'm super consistent about something,

551
00:27:17,160 --> 00:27:19,400
Speaker 1: super consistent, and I'm always consistent in that way, like hey,

552
00:27:19,440 --> 00:27:21,680
Speaker 1: this is this, this is this, this is this, super consistent.

553
00:27:22,280 --> 00:27:24,200
Speaker 1: If I wasn't, I could understand that where you'd feel

554
00:27:24,200 --> 00:27:27,200
Speaker 1: differently about it. I'm always consistent with, hey, this is good,

555
00:27:27,359 --> 00:27:29,680
Speaker 1: this has got to get better. This is this, this, this, this,

556
00:27:30,080 --> 00:27:32,399
Speaker 1: it's just blocks, blocks, build the blocks, build the blocks.

557
00:27:32,440 --> 00:27:35,280
Speaker 1: It's never like that was a merry thing or damn

558
00:27:35,440 --> 00:27:40,680
Speaker 1: freaking shocked. It's never emotional. So there's nothing more I

559
00:27:40,720 --> 00:27:43,960
Speaker 1: can do because be consistent, so we need or I

560
00:27:43,960 --> 00:27:45,919
Speaker 1: will speak for myself and need to remove some of

561
00:27:45,920 --> 00:27:47,720
Speaker 1: the emotions, Like I could be better at being like

562
00:27:47,720 --> 00:27:49,200
Speaker 1: super positive about it, but then I got to get

563
00:27:49,200 --> 00:27:52,000
Speaker 1: better being super negative like you, because then it's not

564
00:27:52,040 --> 00:27:55,200
Speaker 1: worth it. Like if I'm super positive about things, no,

565
00:27:55,359 --> 00:27:59,080
Speaker 1: just say the way you are, Like we're figuring moving

566
00:27:59,119 --> 00:28:01,480
Speaker 1: together eleven year, saying like I don't think I can

567
00:28:01,480 --> 00:28:03,840
Speaker 1: handle if you change. I'm can be so confused. The

568
00:28:03,920 --> 00:28:07,359
Speaker 1: most important thing to me period is consistency, whatever it is.

569
00:28:07,400 --> 00:28:09,280
Speaker 1: If you know what you're what you're going to get,

570
00:28:09,960 --> 00:28:13,280
Speaker 1: that's the most important communication. Do you think we're consistent

571
00:28:14,680 --> 00:28:18,439
Speaker 1: in your own ways? Like I know I'm consistently not

572
00:28:18,480 --> 00:28:23,960
Speaker 1: consistent consistent. I consistently have to figure you out every day.

573
00:28:24,440 --> 00:28:27,760
Speaker 1: And I can tell about one and a half breaks

574
00:28:27,760 --> 00:28:29,879
Speaker 1: into the show. Sometimes I can tell him in the

575
00:28:30,520 --> 00:28:32,640
Speaker 1: office beforehand, but always wanted that breaks into the show.

576
00:28:32,640 --> 00:28:35,280
Speaker 1: How you snap at me or how or if I'm

577
00:28:35,320 --> 00:28:39,640
Speaker 1: too nice? He finds that annoying. If you're too nice,

578
00:28:39,640 --> 00:28:41,280
Speaker 1: that means something really bad is happening in your life

579
00:28:41,280 --> 00:28:43,000
Speaker 1: and you're trying to overcome and say it and be

580
00:28:43,080 --> 00:28:45,880
Speaker 1: so stupid. Time he sent me a note what's wrong?

581
00:28:45,960 --> 00:28:47,959
Speaker 1: And I was like nothing? And he's like, and this

582
00:28:48,040 --> 00:28:50,800
Speaker 1: is during the commercial break. He's like texting me, He's like,

583
00:28:50,840 --> 00:28:54,480
Speaker 1: what's wrong? Nothing? Okay? Are you sure? I'm like, no,

584
00:28:54,600 --> 00:28:56,800
Speaker 1: nothing's wrong. I'm like, why why would you say that?

585
00:28:56,840 --> 00:28:59,840
Speaker 1: He's like, you're just being way too nice, which is weird,

586
00:29:00,080 --> 00:29:07,400
Speaker 1: and something's wrong. Yeah, That's what I'm saying. So and

587
00:29:07,400 --> 00:29:10,000
Speaker 1: when she's all super sweet, I know that she's doing

588
00:29:10,040 --> 00:29:12,640
Speaker 1: that because something's like hurting inside of her, and so

589
00:29:12,720 --> 00:29:15,240
Speaker 1: she's just trying to go like balance it out. Yeah,

590
00:29:15,240 --> 00:29:17,760
Speaker 1: I'm overcompensating with the sweetness. And it is like, I

591
00:29:17,760 --> 00:29:20,160
Speaker 1: think back up sometimes when you've brought that to my attention,

592
00:29:20,160 --> 00:29:21,560
Speaker 1: and I think back to like things I said or

593
00:29:21,560 --> 00:29:23,520
Speaker 1: how he's acting for my reaction to you, It's like

594
00:29:23,720 --> 00:29:27,320
Speaker 1: it was so not really genuine. It's like, and that's

595
00:29:27,320 --> 00:29:29,640
Speaker 1: all you're seeing. That's all you really want is genuine.

596
00:29:29,720 --> 00:29:32,520
Speaker 1: I know, but I mean, I'm just trying to I yeah,

597
00:29:32,560 --> 00:29:35,920
Speaker 1: I mean, I mean, if you prick me, I bleed.

598
00:29:35,960 --> 00:29:38,400
Speaker 1: I'm just human. That's right, You're the most human of

599
00:29:38,440 --> 00:29:46,120
Speaker 1: everyone here. I bleed a lot like that, and it

600
00:29:46,240 --> 00:29:53,040
Speaker 1: was very I don't know, I'm a hot mess whatever. Okay,

601
00:29:53,040 --> 00:29:56,000
Speaker 1: back to do you think that she's so new do

602
00:29:56,040 --> 00:29:57,800
Speaker 1: you think she still gets star struck with us? Because

603
00:29:57,840 --> 00:30:02,640
Speaker 1: I do know. I never actually can because I'm so

604
00:30:02,800 --> 00:30:06,600
Speaker 1: I don't she works here. Hold on, let me go first.

605
00:30:06,640 --> 00:30:07,760
Speaker 1: You asked me a question. Let me ask you a

606
00:30:07,800 --> 00:30:12,160
Speaker 1: question that's never once crossed my mind. I didn't even

607
00:30:12,160 --> 00:30:13,400
Speaker 1: know if she listened to the show when I met her.

608
00:30:13,400 --> 00:30:16,400
Speaker 1: I had no idea, so I never knew her as

609
00:30:16,680 --> 00:30:20,840
Speaker 1: the listener and My first impression is always a big

610
00:30:21,640 --> 00:30:24,239
Speaker 1: like it sets in you hard. I just knew her

611
00:30:24,280 --> 00:30:27,120
Speaker 1: as because she's the first person that I've ever hired

612
00:30:27,160 --> 00:30:30,160
Speaker 1: that I didn't have like lined up like I didn't

613
00:30:30,160 --> 00:30:34,080
Speaker 1: have everybody else that it's all seven other people. They're

614
00:30:34,120 --> 00:30:36,440
Speaker 1: all people that have been friends or interns of people

615
00:30:36,480 --> 00:30:38,720
Speaker 1: have brought in, have held have been like, we just

616
00:30:38,720 --> 00:30:42,160
Speaker 1: wait for your shot. You'll move up with Morgan. Then

617
00:30:42,240 --> 00:30:44,600
Speaker 1: not a thing wasn't expected, so I was like, well, crap.

618
00:30:45,400 --> 00:30:47,800
Speaker 1: And it was like everyone's like, she's good. She's young,

619
00:30:47,840 --> 00:30:50,000
Speaker 1: but she's good, And I was like, I don't care

620
00:30:50,040 --> 00:30:51,680
Speaker 1: how young she is. I mean, I went to the

621
00:30:51,720 --> 00:30:54,000
Speaker 1: same struggle people penalizing me for being young doing stuff,

622
00:30:54,360 --> 00:30:56,400
Speaker 1: So I never I never thought about that. So my

623
00:30:56,440 --> 00:30:59,280
Speaker 1: answer is no, But I can see where you would

624
00:30:59,280 --> 00:31:01,440
Speaker 1: think that, because if I got put into even a

625
00:31:01,440 --> 00:31:04,320
Speaker 1: show that I listened to growing up right now, and like,

626
00:31:04,400 --> 00:31:06,920
Speaker 1: let's say Tommy Smith, who's on a little rock, who's

627
00:31:06,920 --> 00:31:08,280
Speaker 1: a real douche to me later in life. So I

628
00:31:08,280 --> 00:31:10,760
Speaker 1: don't want to give them too much credit, but I

629
00:31:10,840 --> 00:31:12,120
Speaker 1: let'ten that's you all the time, And if I got

630
00:31:12,120 --> 00:31:13,440
Speaker 1: put in a room with him, I probably like just

631
00:31:13,560 --> 00:31:15,560
Speaker 1: so cool, like this is what I grew up listening to,

632
00:31:16,000 --> 00:31:18,720
Speaker 1: So the human part of me would still geek out

633
00:31:18,720 --> 00:31:21,640
Speaker 1: a bit. Es Actually, if he was nice, he may

634
00:31:21,680 --> 00:31:23,200
Speaker 1: have had a bad day the day too, that one

635
00:31:23,200 --> 00:31:24,640
Speaker 1: of the things that ran into him. But yeah, it's

636
00:31:24,640 --> 00:31:26,040
Speaker 1: a good question. So but I'm gonna go no, But

637
00:31:26,040 --> 00:31:28,360
Speaker 1: I would understand a bit, yeah, because I think she does,

638
00:31:28,520 --> 00:31:31,080
Speaker 1: because she's real quiet, and I think she's just sitting

639
00:31:31,080 --> 00:31:34,800
Speaker 1: in here mesmerized, like, man, I'm actually working with these

640
00:31:34,840 --> 00:31:37,320
Speaker 1: guys that I idolized when I was a kid, Like

641
00:31:37,360 --> 00:31:39,120
Speaker 1: I listened to him every morning and they were my

642
00:31:39,200 --> 00:31:41,280
Speaker 1: morning and like they were the coolest people in the

643
00:31:41,280 --> 00:31:43,640
Speaker 1: world there, And now that she's in the same room

644
00:31:43,640 --> 00:31:45,840
Speaker 1: with us every morning, I think she has those eyes

645
00:31:45,880 --> 00:31:49,640
Speaker 1: like wow, like she's still getting over the whole holy

646
00:31:49,680 --> 00:31:51,880
Speaker 1: crap eyes, Like I think it's a cold job, even

647
00:31:51,960 --> 00:31:55,760
Speaker 1: if you don't, like, aren't mesmerized by the exact people,

648
00:31:55,800 --> 00:31:56,960
Speaker 1: Like even if she didn't listen to the show, I

649
00:31:57,000 --> 00:31:59,080
Speaker 1: think could be, but the fact that she did. We're

650
00:31:59,080 --> 00:32:02,760
Speaker 1: a response to this moran in um, No, I don't

651
00:32:02,840 --> 00:32:05,600
Speaker 1: lunch box. I'm just really quiet because I'm just working,

652
00:32:05,640 --> 00:32:07,680
Speaker 1: like I'm I'm so focused on trying to make sure

653
00:32:07,720 --> 00:32:10,560
Speaker 1: I do the job really well that I I'm centered

654
00:32:10,720 --> 00:32:12,800
Speaker 1: on that. But that first week that I came in here,

655
00:32:12,840 --> 00:32:14,960
Speaker 1: I was a little like, Okay, this is really cool.

656
00:32:15,040 --> 00:32:18,480
Speaker 1: This is like taking in the moment. But I wasn't

657
00:32:18,520 --> 00:32:21,000
Speaker 1: like starstruck. It was more of like the time of

658
00:32:21,040 --> 00:32:22,800
Speaker 1: my life and everything that happened. I was like, this

659
00:32:22,840 --> 00:32:25,440
Speaker 1: is really awesome. Let's compare it to an artist lunchbox.

660
00:32:25,480 --> 00:32:28,400
Speaker 1: We get to know these artists a bit. At first,

661
00:32:29,280 --> 00:32:31,840
Speaker 1: we're like, wow, this is pretty cool. Freaking Keith Urban's here,

662
00:32:32,360 --> 00:32:35,920
Speaker 1: and you're like, wow, it's neat. Then it's like cool,

663
00:32:36,000 --> 00:32:40,040
Speaker 1: Keith Urbans here, Like you're not as affected by it. Right,

664
00:32:40,080 --> 00:32:42,400
Speaker 1: So eventually she'll get there, Oh she's not there yet.

665
00:32:42,600 --> 00:32:44,920
Speaker 1: She's not there yet, and she'll open up and she'll

666
00:32:44,960 --> 00:32:46,960
Speaker 1: we'll get to know her more and she'll be like wow, okay,

667
00:32:46,960 --> 00:32:48,840
Speaker 1: and then she'll just look at herself as an equal.

668
00:32:48,880 --> 00:32:51,320
Speaker 1: But right now I feel like she's like I just

669
00:32:51,360 --> 00:32:55,960
Speaker 1: cannot I'm so honored to be here. Yeah, a honor. Okay,

670
00:32:56,240 --> 00:32:58,360
Speaker 1: let me talk about Blue Apron for a second. For

671
00:32:58,480 --> 00:33:00,600
Speaker 1: less than ten dollars per person per male, Blue Apron

672
00:33:00,640 --> 00:33:03,920
Speaker 1: deliver seasonal recipes, you do the commercial lunchbox. You go ahead,

673
00:33:03,920 --> 00:33:05,480
Speaker 1: go ahead, Oh, it's easy. All you do is go

674
00:33:05,520 --> 00:33:07,480
Speaker 1: online to blue apron dot com and they have all

675
00:33:07,480 --> 00:33:10,200
Speaker 1: these recipes to choose from, and you choose three meals

676
00:33:10,200 --> 00:33:11,760
Speaker 1: out of the ones, and they send him right to

677
00:33:11,800 --> 00:33:13,440
Speaker 1: your front. The way he doesn't have anything to read

678
00:33:13,440 --> 00:33:15,280
Speaker 1: off of. He's gonna buy's hard, Go ahead, it's great,

679
00:33:15,280 --> 00:33:17,160
Speaker 1: And so you pick your schedule. Let's say you want

680
00:33:17,160 --> 00:33:19,400
Speaker 1: to get your meals on Thursday. When you get home,

681
00:33:19,560 --> 00:33:21,640
Speaker 1: they will be on your porch on that Thursday, and

682
00:33:21,680 --> 00:33:25,360
Speaker 1: it gives you the recipe, step by step exactly what

683
00:33:25,440 --> 00:33:27,760
Speaker 1: you need and how to make it. So it's hard

684
00:33:27,800 --> 00:33:30,000
Speaker 1: because you use ingredients you've never heard of. But that's

685
00:33:30,000 --> 00:33:32,320
Speaker 1: the cool part. If you need a quarter cup of cinnamon,

686
00:33:32,480 --> 00:33:34,440
Speaker 1: there's a coreter cup of cinnamon, so you don't have

687
00:33:34,480 --> 00:33:36,720
Speaker 1: to buy six out you know, six leaders of sentiment.

688
00:33:37,360 --> 00:33:42,080
Speaker 1: Sentiment leaders needferent But that's why blue Apron is so

689
00:33:42,120 --> 00:33:44,480
Speaker 1: amazing and so awesome and so easy. Check out this

690
00:33:44,480 --> 00:33:46,640
Speaker 1: week's menu and get your first three meals for free

691
00:33:46,760 --> 00:33:49,280
Speaker 1: free shipping too, if you go to blue apron dot com.

692
00:33:49,320 --> 00:33:52,760
Speaker 1: Slash Bobby cast three meals free. You should you already

693
00:33:52,760 --> 00:33:55,320
Speaker 1: get a phrase now? You did now and it is

694
00:33:55,360 --> 00:33:58,200
Speaker 1: so good. Blue Apron dot com slash Bobby Cash. You

695
00:33:58,280 --> 00:34:00,719
Speaker 1: love how get it feels and tastes Blue Apron dot

696
00:34:00,760 --> 00:34:05,440
Speaker 1: com slash Bobby cast Blue Apron a better way to cook? Uh, Morgan?

697
00:34:06,200 --> 00:34:08,000
Speaker 1: Do you have any questions? This is a good time

698
00:34:08,040 --> 00:34:10,440
Speaker 1: to ask them. I don't think so. I do want to.

699
00:34:10,440 --> 00:34:13,000
Speaker 1: I do want to say one other thing though about you.

700
00:34:13,000 --> 00:34:15,879
Speaker 1: You asked what you know people ask about you? I say,

701
00:34:15,960 --> 00:34:18,319
Speaker 1: the biggest thing is that you have a really big heart,

702
00:34:18,360 --> 00:34:20,239
Speaker 1: and not a lot of people know that. Like I

703
00:34:20,280 --> 00:34:22,880
Speaker 1: can tell just from monitoring socials, how big of a

704
00:34:22,880 --> 00:34:24,640
Speaker 1: heart you have, because do you monitor? How do you

705
00:34:24,640 --> 00:34:27,759
Speaker 1: tell you about monitoring socials? Like all the listeners that

706
00:34:27,880 --> 00:34:30,759
Speaker 1: engage with you, how you respond to the listeners. You know,

707
00:34:30,800 --> 00:34:34,719
Speaker 1: when you're out in a city and you're engaging with listeners,

708
00:34:35,000 --> 00:34:37,520
Speaker 1: and how you post the pictures and stuff. It may

709
00:34:37,520 --> 00:34:40,239
Speaker 1: be a front. I could be total. I go with that.

710
00:34:40,600 --> 00:34:43,880
Speaker 1: It's front front. I think, I think, I don't feel comfortable.

711
00:34:44,040 --> 00:34:46,839
Speaker 1: I feel comfortable with this conversation. It's not a front.

712
00:34:47,480 --> 00:34:49,319
Speaker 1: Is a total front, And don't believe anything you see

713
00:34:49,400 --> 00:34:52,560
Speaker 1: know there's stuff that you don't even see. I don't

714
00:34:52,640 --> 00:34:55,719
Speaker 1: don't believe it. I'm handing. I'll just know. I mean,

715
00:34:55,880 --> 00:34:58,080
Speaker 1: we've known you long enough, and I think people know.

716
00:34:58,280 --> 00:35:01,280
Speaker 1: There's stuff that is put out there and and and

717
00:35:01,400 --> 00:35:03,000
Speaker 1: it's good that it's out there because hopefully it can

718
00:35:03,080 --> 00:35:06,200
Speaker 1: encourage others to do something out there in the world,

719
00:35:06,280 --> 00:35:08,480
Speaker 1: whatever that may be big or small. And there's other

720
00:35:08,520 --> 00:35:10,520
Speaker 1: things you do that are so quiet nobody ever knows about.

721
00:35:11,520 --> 00:35:16,160
Speaker 1: All right, that's the wrap of the right real Yeah,

722
00:35:16,200 --> 00:35:18,359
Speaker 1: I know, I don't. I don't feel comfortable. I don't

723
00:35:18,360 --> 00:35:21,560
Speaker 1: like talking about when I like when you did that

724
00:35:21,640 --> 00:35:24,160
Speaker 1: one thing for the one person. And I like to

725
00:35:24,200 --> 00:35:27,719
Speaker 1: control my own narrative, good and bad. I'm a control freak,

726
00:35:27,800 --> 00:35:30,120
Speaker 1: Yes you are. I mean, for sure control freak. I

727
00:35:30,120 --> 00:35:33,200
Speaker 1: still run my own board at this stage of my career.

728
00:35:33,360 --> 00:35:36,640
Speaker 1: There should be a producer pushing all the buttons that

729
00:35:36,800 --> 00:35:39,000
Speaker 1: there's that's normal at this point that that would just

730
00:35:39,000 --> 00:35:42,480
Speaker 1: be weird. The host, the host of like big shows

731
00:35:42,480 --> 00:35:44,080
Speaker 1: for the most part, sit and they have maybe a

732
00:35:44,080 --> 00:35:47,799
Speaker 1: small board, and they let a producer push all the

733
00:35:47,840 --> 00:35:52,399
Speaker 1: sounds and buttons and they'd hit something here, like they

734
00:35:52,480 --> 00:35:54,480
Speaker 1: put me. I'm such a control freak. I need to

735
00:35:54,480 --> 00:35:58,160
Speaker 1: have everything, always have, And I also like to control

736
00:35:58,960 --> 00:36:02,439
Speaker 1: the good things i'd saying myself and the bad things

737
00:36:02,520 --> 00:36:05,120
Speaker 1: like saying myself. And it's a weird place people will go.

738
00:36:05,680 --> 00:36:07,279
Speaker 1: But the people will say both things. Why do you

739
00:36:07,320 --> 00:36:09,040
Speaker 1: beat up on yourself so much? It's so annoying? And

740
00:36:09,080 --> 00:36:11,120
Speaker 1: why do you talk so good about yourself? It's so annoying.

741
00:36:11,320 --> 00:36:13,200
Speaker 1: And I get both sides to come at me, But

742
00:36:13,280 --> 00:36:16,080
Speaker 1: I can control it. And the only thing control is

743
00:36:16,120 --> 00:36:21,239
Speaker 1: fear itself. That's what I'm saying. Give me fear, give

744
00:36:21,280 --> 00:36:25,640
Speaker 1: me death. No, no, no, the one small fear for man,

745
00:36:25,800 --> 00:36:30,600
Speaker 1: one fear for diet mankind close but crash. I really

746
00:36:30,640 --> 00:36:35,319
Speaker 1: screwed that up. Well, Morgan, welcome. Did you sign a contract? No,

747
00:36:35,360 --> 00:36:39,480
Speaker 1: not yet. We're still up in the air right now. Well,

748
00:36:39,480 --> 00:36:42,640
Speaker 1: so not welcome? Is that we take that back? Well? No,

749
00:36:42,760 --> 00:36:45,680
Speaker 1: I don't think my d has either, might be so

750
00:36:45,840 --> 00:36:50,719
Speaker 1: I think it's you guys can be cut at any time. No, see,

751
00:36:50,800 --> 00:36:53,400
Speaker 1: there's such a huge important part of this team, you know,

752
00:36:53,400 --> 00:36:54,759
Speaker 1: why would you want to cut them right away? Your

753
00:36:55,680 --> 00:36:58,040
Speaker 1: she her job is important. Lunchbox. Oh yeah, no, no,

754
00:36:58,040 --> 00:37:02,239
Speaker 1: no, no no, no, because you would tell you had a

755
00:37:02,280 --> 00:37:04,000
Speaker 1: little bit was you just you not just to not

756
00:37:04,080 --> 00:37:09,160
Speaker 1: get along? I didn't like that girl. But aside from that,

757
00:37:10,000 --> 00:37:13,160
Speaker 1: you would say thinks about her job. Do you feel

758
00:37:13,200 --> 00:37:16,600
Speaker 1: the same way about her job? I mean she doesn't

759
00:37:16,680 --> 00:37:20,080
Speaker 1: like when I look at her and I think she

760
00:37:20,320 --> 00:37:25,040
Speaker 1: is more tuned in and she's more about promoting the show,

761
00:37:25,239 --> 00:37:29,839
Speaker 1: and you know it's interest instead of promoting and we're

762
00:37:29,880 --> 00:37:33,240
Speaker 1: not going instead of No, that's not what you understand

763
00:37:33,320 --> 00:37:34,879
Speaker 1: what I'm saying, like, I feel like she's all I'm

764
00:37:34,880 --> 00:37:37,759
Speaker 1: asking if you think her job supported I think it's important.

765
00:37:38,000 --> 00:37:45,759
Speaker 1: Want skelet wonder if you're if if okay, but if

766
00:37:45,760 --> 00:37:48,440
Speaker 1: i'm that scale, what would a ten and you're an eight? Okay,

767
00:37:48,440 --> 00:37:51,879
Speaker 1: I'm an eight. Yeah, it's not bad if I'm a chance,

768
00:37:52,400 --> 00:37:56,120
Speaker 1: but whatever, I'm ten, amies nine, you're eight eight nine.

769
00:37:57,719 --> 00:38:00,920
Speaker 1: So where would Morrigan fall on that in the scale

770
00:38:01,000 --> 00:38:04,080
Speaker 1: number her job, her job and how she does. Go ahead,

771
00:38:04,520 --> 00:38:07,200
Speaker 1: I'd say four and a half. That's pretty crappy, that's

772
00:38:07,200 --> 00:38:11,719
Speaker 1: below average. I mean it adds to the show rank.

773
00:38:11,760 --> 00:38:17,600
Speaker 1: Everybody's job like from importance from importance to supportance. So

774
00:38:17,640 --> 00:38:21,000
Speaker 1: go ahead, okay, Well, obviously Bobby's number one. Okay, did

775
00:38:21,040 --> 00:38:22,919
Speaker 1: you like that? Go one, Bobby one, go ahead, okay,

776
00:38:23,239 --> 00:38:26,080
Speaker 1: Amy and I tune. I'll say you gotta go there

777
00:38:26,080 --> 00:38:30,719
Speaker 1: are no ties okay, then me yeah, okay, Then Amy okay. Three.

778
00:38:31,880 --> 00:38:38,399
Speaker 1: Then I will say Ray four yeah, and then Eddie five. Oh.

779
00:38:38,520 --> 00:38:42,640
Speaker 1: Then we get down to this, I'll say, here's the

780
00:38:42,760 --> 00:38:45,719
Speaker 1: here's the one common denominator. These are three jobs. He

781
00:38:45,719 --> 00:38:48,560
Speaker 1: has no idea what they do. Oh yeah, that's true. Okay.

782
00:38:48,680 --> 00:38:50,799
Speaker 1: Next would two of them in their glass room and

783
00:38:50,800 --> 00:38:53,680
Speaker 1: one of them he doesn't understand the internet. So that's

784
00:38:53,719 --> 00:38:57,160
Speaker 1: where these three are. Whim go ahead, No, I understand

785
00:38:57,200 --> 00:39:03,480
Speaker 1: the Internet. And then I would say New Morgan, you're

786
00:39:03,560 --> 00:39:05,840
Speaker 1: leaving the head producer, and Mike de and then I

787
00:39:05,840 --> 00:39:09,440
Speaker 1: would go Old Morgan, and then i'd go Mike d

788
00:39:10,480 --> 00:39:15,120
Speaker 1: at last. Yeah, wow, yeah, Hey, I just think you

789
00:39:15,160 --> 00:39:17,880
Speaker 1: don't know the contributions that are being made. And that's okay. No, No,

790
00:39:18,200 --> 00:39:20,800
Speaker 1: you said rank them. There has to be a rank.

791
00:39:21,800 --> 00:39:27,000
Speaker 1: There has I'm just going off rank. Listen. I'm just

792
00:39:27,080 --> 00:39:31,319
Speaker 1: using the data that I made for myself. Someone was

793
00:39:31,320 --> 00:39:34,480
Speaker 1: gonna be last, no matter what, and so you no

794
00:39:34,520 --> 00:39:37,360
Speaker 1: matter who I put last, you would say my sources me,

795
00:39:38,160 --> 00:39:41,320
Speaker 1: you would say, you just don't know what I'm just saying.

796
00:39:41,320 --> 00:39:43,680
Speaker 1: I'm just saying that was something in common with the

797
00:39:43,680 --> 00:39:45,879
Speaker 1: people you got at the bottom, was that you don't

798
00:39:45,920 --> 00:39:48,600
Speaker 1: know their job. No, I know their job. I know

799
00:39:48,680 --> 00:39:52,560
Speaker 1: exactly what they do. You know exactly what what is? Yeah?

800
00:39:52,560 --> 00:39:54,680
Speaker 1: What is? Mike? Mike d says thanks for calling the

801
00:39:54,719 --> 00:39:57,120
Speaker 1: boy Boat Show. And he comes up with some memes

802
00:39:57,160 --> 00:40:00,480
Speaker 1: every once in a while, and he he writes a

803
00:40:00,480 --> 00:40:03,319
Speaker 1: couple of things and he gives you segment ideas. Got it,

804
00:40:04,040 --> 00:40:07,920
Speaker 1: That's what he does. That's what Miken does. Okay, so

805
00:40:08,280 --> 00:40:11,200
Speaker 1: a lot more than that. But okay, no, I mean

806
00:40:11,239 --> 00:40:13,880
Speaker 1: not really, not really, There's not much more else he

807
00:40:13,920 --> 00:40:17,600
Speaker 1: can do. Okay, he he comes up with a lot

808
00:40:17,719 --> 00:40:21,040
Speaker 1: of segments, That's what I'm saying. But that's a big part.

809
00:40:21,080 --> 00:40:22,839
Speaker 1: If you get something on the air, that's a big deal.

810
00:40:23,080 --> 00:40:24,839
Speaker 1: He gets way more on the air than you do,

811
00:40:25,200 --> 00:40:28,600
Speaker 1: way more. I would disagree with. But I know I'm

812
00:40:28,640 --> 00:40:30,799
Speaker 1: the one who I'm the one who's like finding the

813
00:40:30,800 --> 00:40:32,759
Speaker 1: things that are interesting. Like Mike, he actually talked about

814
00:40:32,760 --> 00:40:36,640
Speaker 1: stuff and segments and not games and you know, really

815
00:40:36,680 --> 00:40:38,759
Speaker 1: games because we don't play that many games, so for

816
00:40:38,840 --> 00:40:42,200
Speaker 1: to say that we put he gets a lot of that. Said. Third,

817
00:40:42,320 --> 00:40:45,800
Speaker 1: like segments ideas games. Yeah, but I bring segment ideas

818
00:40:46,239 --> 00:40:49,239
Speaker 1: and those segments don't take off unless we talk about

819
00:40:49,280 --> 00:40:51,279
Speaker 1: him and make him interesting so he can you can

820
00:40:51,280 --> 00:40:53,520
Speaker 1: write them, write them down. And the fact that you

821
00:40:53,520 --> 00:40:58,120
Speaker 1: guys verbally talking that talk just means text. Okay, I

822
00:40:58,200 --> 00:41:02,040
Speaker 1: am not very good at okay, some of my segments

823
00:41:02,040 --> 00:41:04,120
Speaker 1: are gold and I'm like, how do we not talk

824
00:41:04,160 --> 00:41:06,680
Speaker 1: about that? Because you should talk with producing Morgan and

825
00:41:06,719 --> 00:41:10,520
Speaker 1: be and durably talk him out. Doesn't like my ideas either, Mike,

826
00:41:10,640 --> 00:41:13,480
Speaker 1: there's something in common. Nobody likes your ideas but you.

827
00:41:13,880 --> 00:41:18,480
Speaker 1: I'm just telling you. But like, honestly utilizing Morgan or

828
00:41:18,520 --> 00:41:20,600
Speaker 1: Mike in that way has been helpful, Like, Mike, do

829
00:41:20,680 --> 00:41:23,120
Speaker 1: I call or text you some nights like, Hey, we'll

830
00:41:23,120 --> 00:41:26,600
Speaker 1: call me with an idea and we'll work it out. Wow? Really? Yeah?

831
00:41:26,640 --> 00:41:28,920
Speaker 1: Because I like bouncing ideas off of him, and I'll

832
00:41:28,920 --> 00:41:31,840
Speaker 1: feel like I'm close, like I have a prep idea,

833
00:41:31,960 --> 00:41:33,359
Speaker 1: but I'm kind of like, I don't know, it's kind

834
00:41:33,400 --> 00:41:35,640
Speaker 1: of missing something. So I call it. Either run it

835
00:41:35,640 --> 00:41:37,360
Speaker 1: by Mike or see what he thinks or see if

836
00:41:37,360 --> 00:41:39,279
Speaker 1: he has anything to add to it, or how can

837
00:41:39,360 --> 00:41:42,279
Speaker 1: we make this work? And then Bobby may use it,

838
00:41:42,360 --> 00:41:45,560
Speaker 1: or he may never use it, may save it for

839
00:41:45,600 --> 00:41:49,320
Speaker 1: a month and bring it out of nowhere. Sometimes I

840
00:41:49,400 --> 00:41:53,279
Speaker 1: said that Mike d didn't work hard. I mean he's

841
00:41:53,280 --> 00:41:56,720
Speaker 1: a hard worker, guess. But you asked me to rank,

842
00:41:56,920 --> 00:41:59,280
Speaker 1: and that's what happens when you say rank the greatest

843
00:41:59,280 --> 00:42:01,840
Speaker 1: baseball player of all time, Someone's gonna be at the

844
00:42:01,880 --> 00:42:04,719
Speaker 1: bottom no matter what. They're still in the big leagues,

845
00:42:04,800 --> 00:42:06,799
Speaker 1: so they're still really good. But you don't say that.

846
00:42:06,840 --> 00:42:09,800
Speaker 1: You never mentioned that it was really good. But you

847
00:42:10,120 --> 00:42:12,359
Speaker 1: didn't say that you gave her a four and a

848
00:42:12,360 --> 00:42:14,400
Speaker 1: half when you didn't have to rank, or that you

849
00:42:14,440 --> 00:42:16,880
Speaker 1: could have said. And it's your opinion, so I'm not

850
00:42:16,880 --> 00:42:20,040
Speaker 1: saying it's wrong said or something right. What did you

851
00:42:20,040 --> 00:42:21,239
Speaker 1: want me to give her? I'm not going to give

852
00:42:21,239 --> 00:42:26,440
Speaker 1: her a seven because she ain't know my level, all right.

853
00:42:26,840 --> 00:42:29,000
Speaker 1: I mean, that's just true. I respect your opinion. I

854
00:42:29,000 --> 00:42:31,360
Speaker 1: don't agree with differing you say aboutspect your opinions. You

855
00:42:31,960 --> 00:42:35,719
Speaker 1: bring things in other ways, That's what I mean. Like

856
00:42:36,080 --> 00:42:41,160
Speaker 1: what I bring you can't be quantified in physics. What

857
00:42:41,880 --> 00:42:43,279
Speaker 1: does that mean, what does that mean? It can't be

858
00:42:43,360 --> 00:42:46,280
Speaker 1: quantified in physics and he just said it in one word.

859
00:42:47,560 --> 00:42:54,120
Speaker 1: There you go, that's not physics words are you? You

860
00:42:54,120 --> 00:42:57,000
Speaker 1: guys didn't take physics? Yeah we did. Okay, I did too.

861
00:42:57,120 --> 00:42:59,240
Speaker 1: Just because you're using a word doesn't mean that she's properly.

862
00:42:59,440 --> 00:43:04,040
Speaker 1: I think it hippopotamous. Definitely didn't take I just didn't.

863
00:43:04,120 --> 00:43:06,799
Speaker 1: I took like chemistry in the community, which was one

864
00:43:06,800 --> 00:43:14,640
Speaker 1: step below regular chemistry. Okay, I Morgan would say anything else. No,

865
00:43:14,920 --> 00:43:16,840
Speaker 1: I think we close it out on lunchbox and that

866
00:43:16,960 --> 00:43:22,759
Speaker 1: one I have to close it out. But yeah, no way,

867
00:43:22,840 --> 00:43:25,200
Speaker 1: it's nothing bad like that's what I'm saying, is in

868
00:43:25,239 --> 00:43:27,200
Speaker 1: the bad. It's your opinion, actually opinion. You gave it

869
00:43:27,239 --> 00:43:29,760
Speaker 1: to me. Yeah, people get all upset. No one's upset.

870
00:43:29,840 --> 00:43:31,839
Speaker 1: We're just counterpointing you. And then you get upset someone

871
00:43:31,840 --> 00:43:34,040
Speaker 1: has a different opinion than you. That's what it is. No,

872
00:43:34,239 --> 00:43:36,160
Speaker 1: you guys get upset that I have a different opinion

873
00:43:36,160 --> 00:43:38,879
Speaker 1: than you. Guys. So okay, if you want it, let's

874
00:43:38,880 --> 00:43:44,200
Speaker 1: do rankings, Bobby Rankael because someone's gonna be ony one. No, no, no,

875
00:43:44,360 --> 00:43:46,640
Speaker 1: you you have to in clear yourself because remember how

876
00:43:46,640 --> 00:43:52,719
Speaker 1: many times, stop it again? How many times have I

877
00:43:52,760 --> 00:43:58,520
Speaker 1: said that any time? Because you don't agree with this? Notice,

878
00:43:58,840 --> 00:44:01,600
Speaker 1: would you make a list every Why in the world

879
00:44:01,360 --> 00:44:04,960
Speaker 1: would first of all, now this is happening anyone? Why

880
00:44:05,000 --> 00:44:06,959
Speaker 1: would you put me above you? This is your show,

881
00:44:07,040 --> 00:44:08,440
Speaker 1: you put in the most work. Why in the world

882
00:44:08,440 --> 00:44:10,160
Speaker 1: would you lay when we want above you? Because I

883
00:44:10,160 --> 00:44:11,960
Speaker 1: don't think I'd be as good as I am without you.

884
00:44:12,719 --> 00:44:24,840
Speaker 1: Amy one, it's my list, any one, Bobby two? Like

885
00:44:24,920 --> 00:44:26,920
Speaker 1: if I'm thinking about had to cut people off for

886
00:44:26,960 --> 00:44:29,560
Speaker 1: a day, Yeah, I couldn't do the show for a week.

887
00:44:29,600 --> 00:44:33,160
Speaker 1: Like where would I a peel from? Oh? Wow? Interesting,

888
00:44:33,239 --> 00:44:35,680
Speaker 1: because that's where that's how I do it. Who you can?

889
00:44:35,880 --> 00:44:37,640
Speaker 1: Who you can? And I'm gonna go a week because

890
00:44:37,640 --> 00:44:39,120
Speaker 1: some things you can do without a day of but

891
00:44:39,160 --> 00:44:41,719
Speaker 1: it's hard to do without a week out it. So

892
00:44:42,040 --> 00:44:48,680
Speaker 1: I go Amy one, Me too, Morrigan, number one, Old

893
00:44:48,719 --> 00:45:00,600
Speaker 1: Morgan three, Ray four, Mike de five, you've been drinking,

894
00:44:57,560 --> 00:45:04,440
Speaker 1: you drink six whatever, Eddie seven And the new more

895
00:45:04,440 --> 00:45:07,759
Speaker 1: against so far is she's the last one you are. No, no, no,

896
00:45:07,840 --> 00:45:10,319
Speaker 1: he doesn't drink. He's slept in a week. I mean

897
00:45:10,440 --> 00:45:14,600
Speaker 1: he must have. This dude has lost hey, can we

898
00:45:14,640 --> 00:45:19,920
Speaker 1: get someone in here to check his mental like, my god,

899
00:45:20,520 --> 00:45:23,440
Speaker 1: like America is gonna be like it's so out of control.

900
00:45:23,680 --> 00:45:25,839
Speaker 1: This is I mean, you need you. We're gonna put

901
00:45:25,880 --> 00:45:27,840
Speaker 1: you on a seven seven hold or whatever it's called.

902
00:45:28,719 --> 00:45:32,320
Speaker 1: I mean, there is no way whatever. It's one of

903
00:45:32,400 --> 00:45:35,279
Speaker 1: physics holes seven and seven, I mean the one where

904
00:45:35,280 --> 00:45:38,080
Speaker 1: you're involved. You can't ask my opinion. Oh I can

905
00:45:38,120 --> 00:45:40,200
Speaker 1: ask her be in. I can criticize it, just like

906
00:45:40,239 --> 00:45:43,920
Speaker 1: you criticize me. That's just unbelievable. That is the most

907
00:45:44,200 --> 00:45:48,719
Speaker 1: I'm surad. I'm certain I didn't say if it wasn't

908
00:45:48,719 --> 00:45:53,920
Speaker 1: imparted like you're all on the big league. He's taking

909
00:45:53,920 --> 00:45:57,840
Speaker 1: your words. I mean everybody gets a plus. He's just

910
00:45:58,000 --> 00:46:00,440
Speaker 1: who's a plus? What I take? Play me? You come

911
00:46:00,480 --> 00:46:02,359
Speaker 1: up with Liz of all the like all the time,

912
00:46:02,360 --> 00:46:04,279
Speaker 1: and some of them were out of control, like Luke

913
00:46:04,320 --> 00:46:06,480
Speaker 1: Bryant's top songs you had like number two at Christmas

914
00:46:06,520 --> 00:46:09,480
Speaker 1: song stop this was the w There were the reason

915
00:46:09,480 --> 00:46:12,320
Speaker 1: why I was number two because you loved it. Because

916
00:46:12,360 --> 00:46:15,600
Speaker 1: so many people have done run Run Routolf. Luke is

917
00:46:15,719 --> 00:46:18,279
Speaker 1: so different and I think as far as his songs go,

918
00:46:18,560 --> 00:46:21,000
Speaker 1: that's my number two favorite Luke song. Oh my goodness

919
00:46:21,080 --> 00:46:23,279
Speaker 1: about the environment. I got it, I got it ye,

920
00:46:24,120 --> 00:46:26,120
Speaker 1: And I mean I'm not needing this environment. So I'm

921
00:46:26,120 --> 00:46:39,879
Speaker 1: out there. You go down any great Okay, Um, we're

922
00:46:39,880 --> 00:46:45,399
Speaker 1: gonna be done. Everybody came. Promote one thing, Amy, promote something. Okay. Well,

923
00:46:45,640 --> 00:46:47,799
Speaker 1: since we're on a podcast, I have a podcast every

924
00:46:47,800 --> 00:46:50,640
Speaker 1: week too. Um it's a love What Matters podcast and

925
00:46:50,680 --> 00:46:52,879
Speaker 1: you can find it love what Matters dot com. Let's

926
00:46:52,880 --> 00:46:55,919
Speaker 1: do it on I Heart or iTunes and you can subscribe.

927
00:46:56,200 --> 00:46:58,799
Speaker 1: And it's, you know, like our tell Me Something Good

928
00:46:58,800 --> 00:47:02,800
Speaker 1: segment on the show. We do about four really feel

929
00:47:02,840 --> 00:47:05,839
Speaker 1: good stories and then normally have an interview every week

930
00:47:05,920 --> 00:47:09,520
Speaker 1: with someone's story that has gone viral. Thank you very much.

931
00:47:10,120 --> 00:47:12,719
Speaker 1: Promote whatever you want. Oh, I'll promote kid Power since

932
00:47:12,719 --> 00:47:14,680
Speaker 1: I'm wearing the shirt today and that's where I volunteer.

933
00:47:14,680 --> 00:47:17,320
Speaker 1: It's an after school organization for the inner city youth.

934
00:47:17,719 --> 00:47:19,200
Speaker 1: And so if you want to send us some school

935
00:47:19,200 --> 00:47:22,000
Speaker 1: supplies here at the station, you know, hey, I'll donate

936
00:47:22,040 --> 00:47:23,799
Speaker 1: them to kid Power and so those kids can have

937
00:47:23,800 --> 00:47:27,520
Speaker 1: backpacks and you know, books and folders for their school

938
00:47:27,920 --> 00:47:30,680
Speaker 1: are addresses. H hold on, there's a problem with this,

939
00:47:30,760 --> 00:47:33,000
Speaker 1: they can find it online. But um, it's not a problem,

940
00:47:33,040 --> 00:47:34,239
Speaker 1: and I hope they do. But if they don't hear

941
00:47:34,280 --> 00:47:35,640
Speaker 1: this in the next couple of a few weeks because

942
00:47:35,640 --> 00:47:39,320
Speaker 1: podcast lasts for like a year. Hey, they can always

943
00:47:39,440 --> 00:47:41,759
Speaker 1: use supplies at kid Power. Let me tell you. That's

944
00:47:41,760 --> 00:47:43,680
Speaker 1: the way to say. If people will go, oh, this

945
00:47:43,760 --> 00:47:47,160
Speaker 1: is in November, so I can't kid Power can always

946
00:47:47,239 --> 00:47:49,920
Speaker 1: use supplies for the kids. I mean, even if you

947
00:47:50,000 --> 00:47:53,239
Speaker 1: have clothes. We give clothes to the kids because they

948
00:47:53,280 --> 00:47:55,640
Speaker 1: have the same outfits a lot of times, day in

949
00:47:55,680 --> 00:48:00,160
Speaker 1: and day out. So anything you can send, we'll take it. Eddie, guy,

950
00:48:00,200 --> 00:48:02,640
Speaker 1: I have nothing to promote, so I'll just promote Bobby cast.

951
00:48:02,680 --> 00:48:06,799
Speaker 1: I think episode twenty two, that's mine. That's pretty that

952
00:48:06,880 --> 00:48:09,520
Speaker 1: was pretty interesting. That was my favorite one. Me on

953
00:48:09,680 --> 00:48:12,640
Speaker 1: social producer Eddie all the way through that some good

954
00:48:12,640 --> 00:48:15,200
Speaker 1: stuff in there. I envy you guys have the same

955
00:48:15,239 --> 00:48:21,400
Speaker 1: social media name and all your stuff because you have show.

956
00:48:21,920 --> 00:48:27,160
Speaker 1: Yeah yeah, so um yeah, just hit that radio lunchbox.

957
00:48:27,239 --> 00:48:36,280
Speaker 1: All sizes are all platforms, not some sizes. I met sites.

958
00:48:36,520 --> 00:48:38,440
Speaker 1: You can come and watch Eddie and I do a

959
00:48:38,440 --> 00:48:39,920
Speaker 1: bunch of shows in the fall. I don't think we've

960
00:48:39,960 --> 00:48:42,759
Speaker 1: announced dates yet for things, but we're gonna go back

961
00:48:42,760 --> 00:48:44,799
Speaker 1: on the road Raging Idiots are and we'll have some

962
00:48:44,840 --> 00:48:46,600
Speaker 1: new song, a couple of new songs. But we're gonna

963
00:48:46,600 --> 00:48:50,080
Speaker 1: go back out and um, we're gonna do Austin show.

964
00:48:50,400 --> 00:48:51,920
Speaker 1: I think I can no, I can't really announce to

965
00:48:51,920 --> 00:48:55,120
Speaker 1: any but Austin. We'll go Ocaouma City probably loved it

966
00:48:55,680 --> 00:48:59,120
Speaker 1: some places. And every ticket there's a donation to musicians

967
00:48:59,120 --> 00:49:01,160
Speaker 1: on call, so become out to that. It's organization and

968
00:49:01,200 --> 00:49:03,719
Speaker 1: I'm with I work with very closely. So you can

969
00:49:03,719 --> 00:49:06,600
Speaker 1: watch Raging Idiots show if you want. Um, just out

970
00:49:06,640 --> 00:49:08,960
Speaker 1: Raging Idiots dot com. It will be the most fun

971
00:49:08,960 --> 00:49:10,759
Speaker 1: concert one of them you've ever been to. Yeah, and

972
00:49:10,760 --> 00:49:12,600
Speaker 1: if they've gone to shows in the past, like, we

973
00:49:12,600 --> 00:49:16,520
Speaker 1: don't say this a lot, but we've gotten way better, debatable,

974
00:49:16,560 --> 00:49:19,120
Speaker 1: but they were always they're always fun, always fun. I

975
00:49:19,160 --> 00:49:21,399
Speaker 1: just know why we've gotten better because we hire better

976
00:49:21,400 --> 00:49:23,120
Speaker 1: people to play with us in the band. Totally, Yeah,

977
00:49:23,160 --> 00:49:25,160
Speaker 1: that's exactly why. But I feel like we're having so

978
00:49:25,239 --> 00:49:27,880
Speaker 1: much more fun too, And like I just I'm loving

979
00:49:27,920 --> 00:49:31,480
Speaker 1: it every minute. I don't. We're not legitly you are.

980
00:49:31,520 --> 00:49:34,759
Speaker 1: I enjoy your concerts a lot. I promise, like, it's

981
00:49:35,040 --> 00:49:38,200
Speaker 1: it's fun watching y'all. Like when people after they see us,

982
00:49:38,239 --> 00:49:40,319
Speaker 1: like Luke Bryan, he's like, you know, he didn't say like, man,

983
00:49:40,360 --> 00:49:42,960
Speaker 1: you guys are awesome. He said, you guys are fun.

984
00:49:43,280 --> 00:49:45,600
Speaker 1: It's almost like saying, how you got a good personality.

985
00:49:45,680 --> 00:49:48,560
Speaker 1: I'll take it like, you guys look like you're having

986
00:49:49,840 --> 00:49:51,480
Speaker 1: after I heart was like, I don't expect that to

987
00:49:51,520 --> 00:49:56,400
Speaker 1: be good good. I love that. Well, um yeah, do

988
00:49:56,440 --> 00:49:59,000
Speaker 1: you want to hear I gotta dude, I gotta ratings

989
00:50:00,160 --> 00:50:03,120
Speaker 1: ratings for what ratings report? I still don't know how

990
00:50:03,160 --> 00:50:05,880
Speaker 1: to read those for the Bobby cast or the Bobby bun.

991
00:50:05,520 --> 00:50:09,160
Speaker 1: Bun was gonna get great reviews, I'll tell you that.

992
00:50:09,400 --> 00:50:11,319
Speaker 1: So when you're in a hunt, it's only one day,

993
00:50:11,360 --> 00:50:14,799
Speaker 1: so they come in all all spotchy, meaning you get

994
00:50:14,840 --> 00:50:17,839
Speaker 1: some one day, twenty, the next day, twenty the next day.

995
00:50:17,840 --> 00:50:19,880
Speaker 1: So these are the ones that just I mean, this

996
00:50:19,920 --> 00:50:22,040
Speaker 1: email was from this is a day late last night.

997
00:50:22,120 --> 00:50:26,359
Speaker 1: No no, no, it's for a quarter okay, year over

998
00:50:26,520 --> 00:50:34,120
Speaker 1: year up eleven up three down for this one day,

999
00:50:34,280 --> 00:50:37,719
Speaker 1: which is a good a good number to have up.

1000
00:50:37,880 --> 00:50:47,920
Speaker 1: Little rock baton Rouge, Bilexi, Oklahoma City, Fort Smith, Fort Myers, Tucson, Tulsa, Dayton, Fresno, Albuquerque,

1001
00:50:47,920 --> 00:50:54,680
Speaker 1: El Paso, not up Tuscaloosa, New Orleans, Charleston, New Orleans.

1002
00:50:54,719 --> 00:50:57,960
Speaker 1: What is happening? You can't look, dude, when you have

1003
00:50:58,120 --> 00:51:01,200
Speaker 1: fifteen or whatever. You can't look at the three that aren't.

1004
00:51:01,200 --> 00:51:04,880
Speaker 1: You can look at them, but it's like everything doesn't

1005
00:51:04,880 --> 00:51:07,279
Speaker 1: go up. Do you sit there and wonder like, what

1006
00:51:07,360 --> 00:51:09,799
Speaker 1: am I doing wrong? Oh? I think about that for

1007
00:51:09,800 --> 00:51:11,680
Speaker 1: the show, but never, never for this because sometimes you

1008
00:51:11,680 --> 00:51:13,719
Speaker 1: have stage managers that are really tuned in the show

1009
00:51:13,760 --> 00:51:16,120
Speaker 1: and do a lot of inside of it. Sometimes they're

1010
00:51:16,120 --> 00:51:18,440
Speaker 1: technical issues, the crap out. Sometimes we're just not doing

1011
00:51:18,480 --> 00:51:20,319
Speaker 1: as good as shows over periods of time. There are

1012
00:51:20,320 --> 00:51:24,600
Speaker 1: lots of variables. But if you can go about ten

1013
00:51:24,719 --> 00:51:28,520
Speaker 1: and four, eleven and three, that's success. But do you say, like, oh,

1014
00:51:28,600 --> 00:51:31,560
Speaker 1: New Orleans is down, let's talk about oysters. No, I

1015
00:51:31,600 --> 00:51:34,239
Speaker 1: don't know that, And then it's like boom, you want

1016
00:51:34,440 --> 00:51:38,080
Speaker 1: this up again? No, I don't do that anyway. That's it.

1017
00:51:38,360 --> 00:51:41,000
Speaker 1: I gotta go appreciate you being here. This is what

1018
00:51:41,080 --> 00:51:44,360
Speaker 1: might seventy two Bobby cast are you probe? Might be

1019
00:51:44,560 --> 00:51:50,520
Speaker 1: your favorite or something. Snapchat movie reeves, Snapchat movie reviews.

1020
00:51:50,640 --> 00:51:54,000
Speaker 1: Name is at Mike D stro d E E S

1021
00:51:54,040 --> 00:51:56,279
Speaker 1: t R. Oh yeah, what is this one going up?

1022
00:51:56,400 --> 00:51:59,000
Speaker 1: Right now? Okay? Good? Why? I just want to get

1023
00:51:59,040 --> 00:52:01,520
Speaker 1: I want to get promoting it because people are gonna

1024
00:52:01,560 --> 00:52:05,799
Speaker 1: love it like it's it's going to get up there

1025
00:52:05,880 --> 00:52:07,399
Speaker 1: like the next fIF team as soon as it's done

1026
00:52:07,640 --> 00:52:11,279
Speaker 1: the media. You know who does that, Mike D do

1027
00:52:11,560 --> 00:52:14,000
Speaker 1: you know who produces? And it doesn't matter. I don't

1028
00:52:14,000 --> 00:52:18,799
Speaker 1: get started. Has about seven jobs. Here's the thing. It's

1029
00:52:18,840 --> 00:52:25,279
Speaker 1: a separate, separate entity. And yes, you're valuable in different ways,

1030
00:52:25,320 --> 00:52:28,120
Speaker 1: but but I'm so valuable to the show. Do you

1031
00:52:28,200 --> 00:52:32,520
Speaker 1: ask me what he does for the show? The shows

1032
00:52:32,560 --> 00:52:34,560
Speaker 1: all all everything. The show is not just what goes

1033
00:52:34,600 --> 00:52:37,480
Speaker 1: over the transmitter into the cars during the morning. The

1034
00:52:37,480 --> 00:52:40,400
Speaker 1: shows everything. Right now, we are the show. The app

1035
00:52:40,600 --> 00:52:42,920
Speaker 1: goes back into the show, the web goes back into

1036
00:52:42,960 --> 00:52:45,920
Speaker 1: the show, and that's the radio show. I understand the web,

1037
00:52:46,440 --> 00:52:49,560
Speaker 1: all of it. This is the show, this part of

1038
00:52:49,600 --> 00:52:51,520
Speaker 1: the show. Yeah, of course it does. Why people listen

1039
00:52:51,520 --> 00:52:53,080
Speaker 1: to this because of the show? Why why will they

1040
00:52:53,120 --> 00:52:54,959
Speaker 1: listen and learn more about it and listen to the show.

1041
00:52:54,960 --> 00:52:57,879
Speaker 1: More of this, all of it goes. Maybe I look

1042
00:52:57,920 --> 00:53:01,160
Speaker 1: at it wrong because I consider this a separate business.

1043
00:53:01,280 --> 00:53:03,879
Speaker 1: It's all like a separate show, like a separate show.

1044
00:53:03,920 --> 00:53:07,320
Speaker 1: But you can it's all the show. Okay, Hey, I

1045
00:53:07,320 --> 00:53:09,720
Speaker 1: always said hey, So he gets it now. Yeah. Usually

1046
00:53:09,719 --> 00:53:12,480
Speaker 1: if he just says okay, confirm his value, like we

1047
00:53:12,520 --> 00:53:13,799
Speaker 1: need it right now. I feel like you need to

1048
00:53:13,800 --> 00:53:19,560
Speaker 1: like you. I know. I don't think he doesn't care

1049
00:53:19,640 --> 00:53:23,400
Speaker 1: right now. I am at so you don't need We

1050
00:53:23,640 --> 00:53:26,080
Speaker 1: think you're all valuable. I know it, like I know

1051
00:53:26,200 --> 00:53:31,320
Speaker 1: you're part of the show. Only two people got, for

1052
00:53:31,400 --> 00:53:33,359
Speaker 1: sure invited to the Hall of Fame, and I'm going

1053
00:53:33,520 --> 00:53:35,600
Speaker 1: and I'm number six on the list, so who cares?

1054
00:53:35,719 --> 00:53:38,200
Speaker 1: Those other guys can be higher. I'm more. I'm no.

1055
00:53:38,440 --> 00:53:40,360
Speaker 1: I guess that doesn't work. I said, I'm hired, but

1056
00:53:40,360 --> 00:53:42,120
Speaker 1: I'm lower, but I'm more important. But I'm going to

1057
00:53:42,120 --> 00:53:45,200
Speaker 1: the Hall of Fame, So I don't care. So I

1058
00:53:45,280 --> 00:53:53,919
Speaker 1: know what he said, talking beautiful beautiful. When he said

1059
00:53:53,920 --> 00:53:56,719
Speaker 1: that on the air, it didn't sound appropriate, and he

1060
00:53:56,719 --> 00:53:58,799
Speaker 1: didn't give any context that it was from a movie

1061
00:53:58,880 --> 00:54:03,040
Speaker 1: or they met his neck. He just said, you know, Casanova,

1062
00:54:03,280 --> 00:54:06,960
Speaker 1: suck me people and Eddie I went what and Edie goes,

1063
00:54:07,120 --> 00:54:12,400
Speaker 1: that doesn't sound appropriate. It was from American Pie and

1064
00:54:12,440 --> 00:54:14,960
Speaker 1: it was about a neck, a movie that came out

1065
00:54:15,000 --> 00:54:18,040
Speaker 1: twenty years ago about it doesn't sound like me about

1066
00:54:18,040 --> 00:54:20,600
Speaker 1: a neck man. That's a good movie. You've never seen

1067
00:54:20,600 --> 00:54:22,839
Speaker 1: American Pie. Get that one. That was a good one.

1068
00:54:23,040 --> 00:54:25,680
Speaker 1: Some days you're like around two or three for sure.

1069
00:54:26,160 --> 00:54:27,759
Speaker 1: Oh yeah, some days I'm a two or three, But

1070
00:54:27,800 --> 00:54:29,839
Speaker 1: some days I'm a ten. It just depends. We're all

1071
00:54:29,880 --> 00:54:31,439
Speaker 1: we all have our ups and down. There aren't ten

1072
00:54:31,440 --> 00:54:35,040
Speaker 1: people on the list. Although you're saying like rating, Oh no,

1073
00:54:35,200 --> 00:54:37,480
Speaker 1: you're never a two on the rating list. Oh, I

1074
00:54:37,480 --> 00:54:39,560
Speaker 1: mean I sometimes I have a two day where I'm like,

1075
00:54:39,719 --> 00:54:41,839
Speaker 1: it wasn't that good today? But then something while you're

1076
00:54:41,840 --> 00:54:45,759
Speaker 1: amitting that, Yeah, you're not money all the time. Well,

1077
00:54:45,800 --> 00:54:49,440
Speaker 1: I mean I can. Money can only when you let it. Pa. Hey,

1078
00:54:49,480 --> 00:54:52,680
Speaker 1: I always take that beat when those wheels turned, that's on. Hey,

1079
00:54:53,200 --> 00:54:56,319
Speaker 1: He's like, I'm that's like with us Snickers. You need

1080
00:54:56,360 --> 00:54:59,239
Speaker 1: a minute, you know, you put the Snickers and his hey,

1081
00:54:59,440 --> 00:55:01,680
Speaker 1: and he what is it I want to get? No? No, no,

1082
00:55:01,719 --> 00:55:05,440
Speaker 1: it's like you're not yourself when you're hungry. No, exactly

1083
00:55:05,800 --> 00:55:07,640
Speaker 1: when you eat it and you need a second to like,

1084
00:55:08,960 --> 00:55:14,319
Speaker 1: take a break it, break of the bar, give me

1085
00:55:14,400 --> 00:55:21,440
Speaker 1: a break, We're done. Break bar. Not an ad, definitely

1086
00:55:21,440 --> 00:55:24,560
Speaker 1: not an ad. Stuff we don't we do, We're not ads.

1087
00:55:25,120 --> 00:55:29,319
Speaker 1: I feel like people will say that's the wrap up

1088
00:55:29,360 --> 00:55:33,799
Speaker 1: music gaming. Yeah, hold on a second, I'm gonna put

1089
00:55:33,800 --> 00:55:39,280
Speaker 1: this on the Instagram to Okay, we're taking a Bobby

1090
00:55:39,320 --> 00:55:46,000
Speaker 1: cast in the studio right now. We just finished it studio,

1091
00:55:46,120 --> 00:55:48,000
Speaker 1: but it's after the show right now, and there's that

1092
00:55:48,400 --> 00:55:51,759
Speaker 1: brand new Bobby What episode is episode seventy two where

1093
00:55:51,760 --> 00:55:54,839
Speaker 1: we talked to our new girl Morgan and get her

1094
00:55:54,880 --> 00:55:56,879
Speaker 1: thoughts about working with the show for the first time,

1095
00:55:57,160 --> 00:56:01,000
Speaker 1: and then Lunchbox tells us how what what was this about? Basically,

1096
00:56:01,280 --> 00:56:03,200
Speaker 1: it was about life and about how important we are

1097
00:56:03,280 --> 00:56:09,920
Speaker 1: to the show. Not really, we talked about toilets. Yeah,

1098
00:56:09,920 --> 00:56:14,840
Speaker 1: my god, going up, boo boo. Alright, so it's a

1099
00:56:14,880 --> 00:56:18,840
Speaker 1: new Bobby cast up episode number seventy two. It's up

1100
00:56:18,920 --> 00:56:20,680
Speaker 1: right now. Go to our Heart radio search Bobby Cast,

1101
00:56:20,800 --> 00:56:23,399
Speaker 1: or you can go to iTunes search Bodycast, and that's it.

1102
00:56:23,760 --> 00:56:25,480
Speaker 1: There's music in my ears that you guys can't hear

1103
00:56:25,520 --> 00:56:28,279
Speaker 1: the music, so it's kind of weird that they can't

1104
00:56:28,280 --> 00:56:30,080
Speaker 1: hear all Right, thank you answer, got new Bobby cast

1105
00:56:30,160 --> 00:56:34,760
Speaker 1: is out. Everybody say bye by