WEBVTT - Ep 95: Tim Burgess

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<v Speaker 1>So I just grabbed a pen and walked over and

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<v Speaker 1>asked him for good zhotograph, and he said, if I fucking.

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<v Speaker 2>Must, we will find out who Tim Burgess is talking

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<v Speaker 2>about in the course of this episode of Midnight Chat's

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<v Speaker 2>Number ninety five. Thank you for listening. My name is

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<v Speaker 2>Stuart Stubbs. I am tonight's host. It was Greg's turn

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<v Speaker 2>last week when he spoke to idols. This week is

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<v Speaker 2>myself and Tim Burgess, who you will know as the

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<v Speaker 2>lead singer of the Charlatans as well as a solo

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<v Speaker 2>musician in his own right, or maybe you know Tim

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<v Speaker 2>Burgess as that Twitter guy. Tim has become a bit

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<v Speaker 2>of a Twitter celebrity thanks to his listening parties that

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<v Speaker 2>have been running over Lockdown have been very successful. He's

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<v Speaker 2>called it Tim's Twitter Listening Party. It's not the most

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<v Speaker 2>imaginative title, but it is very good. I've got some

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<v Speaker 2>links below to some info about that, but also to

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<v Speaker 2>some of the other things we talk about. In particular,

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<v Speaker 2>there's a song called A Man Needs to Be Told

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<v Speaker 2>down there. It's the track that we allude to when

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<v Speaker 2>we're talking about Tim singing in a falsetto voice. Tim

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<v Speaker 2>doesn't mention the name of the song itself, but that

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<v Speaker 2>is the name of it. As a man needs to

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<v Speaker 2>be told, so I put a link for that down there.

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<v Speaker 2>And there are two other important links. One is our

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<v Speaker 2>episode ninety five the podcast. This is Midnight Chat with

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<v Speaker 2>Tim Burgess.

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<v Speaker 1>I've only been to London once since since Lockdown Agown

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<v Speaker 1>and that was last week, but I was, you know,

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<v Speaker 1>kind of it wasn't really for a length of time.

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<v Speaker 1>So I fan spending spending a day in the city,

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<v Speaker 1>which is you know, quite a neat well not a

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<v Speaker 1>new thing for you know, definitely a thing for me

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<v Speaker 1>these days.

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<v Speaker 2>So you're out in Norfolk, right in Norfolk?

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<v Speaker 1>Yeah, it's kind of a small village near the sea,

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<v Speaker 1>but in kind of wooded kind of area. So it's

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<v Speaker 1>sounds really a lot. It's amazing, but.

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<v Speaker 2>I do make it sound good, but you've you've been

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<v Speaker 2>there a long time. This is the thing? Is it like?

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<v Speaker 2>It doesn't in a weird way, the whole lockdown thing.

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<v Speaker 2>It just like levels everything, doesn't it even if you

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<v Speaker 2>live in paradise. Yeah, lockdown has just made everybody sick

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<v Speaker 2>of where they are.

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<v Speaker 1>Yeah, right, yeah, I think I don't think I could

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<v Speaker 1>have been anywhere better. It's it was a fine place

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<v Speaker 1>to spend lockdown, but I'm excited to be in London.

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<v Speaker 2>Did you deal with the situation, well, generally speaking, the

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<v Speaker 2>lockdown thing, Yeah, I think it did. You've got through it.

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<v Speaker 1>Oh yeah, I've had moments, you know, I think, but

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<v Speaker 1>I feel very very lucky.

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<v Speaker 2>What's the thing that you missed.

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<v Speaker 1>Things that I missed. Well, I realized that I'm I

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<v Speaker 1>really like spending time with people, sharing, sharing things, and

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<v Speaker 1>so I missed that. I also realized that I really

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<v Speaker 1>missed the gym, and I got because I go to

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<v Speaker 1>the gym pretty much every day, and that's where I

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<v Speaker 1>listen to music, and it's I do the same thing.

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<v Speaker 1>It's like forty five minutes on the treadmill with some

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<v Speaker 1>headphones on. That's it, okay, right, no more, no less, right,

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<v Speaker 1>and then I get to go about my day, which

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<v Speaker 1>is usually involves playing records, writing songs, and doing just

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<v Speaker 1>doing things revolved around you know what I've always wanted

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<v Speaker 1>to do, which is like making music and listening to music.

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<v Speaker 2>So how long have you been a gym guy?

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<v Speaker 1>I've been a gym guy for about well since Los

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<v Speaker 1>Angeles got me into being a gym guy, because it

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<v Speaker 1>was it was the alternative to the lifestyle that I

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<v Speaker 1>was leading before the gym, the complete opposite. Because you

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<v Speaker 1>lived in LA for like about thirteen year yeah yeah,

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<v Speaker 1>twelve years yeah wow, and that's from like what years

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<v Speaker 1>are we talking for that? So ninety eight until twenty ten?

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<v Speaker 2>Wow, it's a stint. Yeah, how how did you. I mean,

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<v Speaker 2>obviously you liked Obviously you liked it. Oh yay, that long.

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<v Speaker 1>I liked it. I liked it more than probably any

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<v Speaker 1>other place that I've ever lived. But with that we're

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<v Speaker 1>sort of like, you know, things that I didn't make

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<v Speaker 1>it very easy. For the bar and being in a

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<v Speaker 1>band from the UK, I I enjoyed myself maybe a

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<v Speaker 1>little too much in some for for a while. But

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<v Speaker 1>you know, it was the place that kept me. It

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<v Speaker 1>was the actual place that kept me there because I

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<v Speaker 1>love it so much.

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<v Speaker 2>You know, what was it that made you want to

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<v Speaker 2>move there?

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<v Speaker 1>I've been going to this one part of Los Angeles

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<v Speaker 1>and it was it was It's Hollywood and it's by

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<v Speaker 1>the Capitol Records Building, and there's some bars there and

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<v Speaker 1>some you know, cinemas and places, you know, and I've

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<v Speaker 1>kind of found like a center and I'd been gravitating

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<v Speaker 1>towards it since ninety two and we played, you know,

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<v Speaker 1>we played some big shows there and always went to

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<v Speaker 1>after parties in this place called the Cat and Fiddle,

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<v Speaker 1>which is like an English pub in the count Boulevard.

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<v Speaker 1>And so with the show, Allison's telling stories that come

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<v Speaker 1>out Robert died, it was a big thing, lots of

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<v Speaker 1>changes happening, and in my head, I just felt like

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<v Speaker 1>I felt like that was you know, just needed I

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<v Speaker 1>needed to just deal with what I was going to

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<v Speaker 1>do with my life. I felt, you know, at the time,

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<v Speaker 1>so a big I needed a big move after it's

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<v Speaker 1>such a big event of Rob's death.

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<v Speaker 2>Is it quite? This is just something I've always wondered

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<v Speaker 2>when people moved to and like musicians moved to LA. Yeah,

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<v Speaker 2>is it an easy thing to do in the sense of,

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<v Speaker 2>you know, if I wanted to move to l A,

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<v Speaker 2>I don't know, like, you know, the green card thing

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<v Speaker 2>and all of that. When you're a musician, do you

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<v Speaker 2>kind of get is there an easier way in when

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<v Speaker 2>you're working within entertainment and then you're an entertainment Well.

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<v Speaker 1>Yeah, I mean I just went there and fell in

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<v Speaker 1>with some friends and I got an apartment and I

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<v Speaker 1>didn't have a green card, but just kind of like

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<v Speaker 1>I kept going for appointments for green cards and things

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<v Speaker 1>like that, and appointments and I actually went for I

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<v Speaker 1>actually went to get a citizenship the day that I

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<v Speaker 1>actually left LA because I'd got finally got around to it.

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<v Speaker 1>I thought, you know, I'm going to try and get

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<v Speaker 1>a citizenship. Just before I get on the plane home

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<v Speaker 1>and I went.

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<v Speaker 2>For my past the test.

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<v Speaker 1>But I had not spent enough time in LA because

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<v Speaker 1>you know, I had to do lots of work with

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<v Speaker 1>the band and go on tour and things like that.

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<v Speaker 1>So I missed out by about two or three days

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<v Speaker 1>days a year or something in LA and past the test.

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<v Speaker 1>You know, we had to revise and all that kind

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<v Speaker 1>of stuff.

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<v Speaker 2>Did she what kind of things are on the test?

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<v Speaker 1>I just said on my iPod, it's like, you know,

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<v Speaker 1>about the Fifth Amendment and things like that, and everything

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<v Speaker 1>that I learned I've forgotten because I only learned it

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<v Speaker 1>for that one thing.

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<v Speaker 2>For that moment. Yeah, yeah, yeah yeah. So what was

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<v Speaker 2>it that made you kind of come back after twelve

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<v Speaker 2>years where you did you just feel I kind of

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<v Speaker 2>need to go home now, this is I'm done.

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<v Speaker 1>I felt that I felt that I'd been done for

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<v Speaker 1>a few years before I left. I there's a few

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<v Speaker 1>things that happened. I gave up.

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<v Speaker 2>I gave up.

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<v Speaker 1>You know, the party lifestyle, drinking drugs, and kind of

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<v Speaker 1>had three years.

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<v Speaker 2>In LA going to start. That's where the gym thing came.

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<v Speaker 1>And I just found that no one was really following

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<v Speaker 1>my you know, so I was kind of just on

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<v Speaker 1>my own in a lot of ways. I was just

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<v Speaker 1>kind of like, you know, just spending a lot more

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<v Speaker 1>time on my own and didn't really have any didn't

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<v Speaker 1>really have any people who had the same sort of

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<v Speaker 1>musical tastes as me. I was coming to London a

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<v Speaker 1>lot and just kind of ended up just moving to

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<v Speaker 1>Seven Sisters.

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<v Speaker 2>And it feels like now there's a lot of people

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<v Speaker 2>kind of within our world, like within independent music. Yeah,

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<v Speaker 2>who are like musicians who are going out going out

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<v Speaker 2>there now to work on like TV and film stuff

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<v Speaker 2>like I think like Graham Coxon's just moved out there

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<v Speaker 2>to like write for TV and stuff. Right, it's so great.

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<v Speaker 2>So is that something like did you do any of

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<v Speaker 2>that while you're there? Do you have any interest in

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<v Speaker 2>like writing for no? I didn't.

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<v Speaker 1>I mean there was opportunities, but you know, I mean

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<v Speaker 1>things like, you know, I get things like that kind

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<v Speaker 1>of often, you know, and it's it's and I respond

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<v Speaker 1>to the emails and then there's response, and then lots

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<v Speaker 1>of things fall to nothing, you know, and you know,

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<v Speaker 1>people just like to sort to me an email, and

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<v Speaker 1>so lots of things like that did come and didn't come,

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<v Speaker 1>and I made a solo album out there. I made

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<v Speaker 1>it at Sharlison's album out there that I think is

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<v Speaker 1>possibly one of our better one, well best one. I

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<v Speaker 1>think it's our best one. Yeah, in my opinion, is

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<v Speaker 1>that Wonderland, Yeah, your best I think it's I think

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<v Speaker 1>it's I think it's like sort of like whatever that

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<v Speaker 1>is kind of like diving out. It's sort of superhero stuff,

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<v Speaker 1>you know.

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<v Speaker 2>And the listeners Tim is putting his arm high in

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<v Speaker 2>the Wonderland is great. I think, like you know that

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<v Speaker 2>that album. I was at university when that album came out.

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<v Speaker 2>I came to see you play. You played it at

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<v Speaker 2>Wembley Arena we did on that tour. I came to

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<v Speaker 2>that and it was, yeah, I love that record. I'm glad.

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<v Speaker 2>It's nice to hear that that's your favorite record.

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<v Speaker 1>I just think it's kind of like, I think it's crazy,

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<v Speaker 1>crazy record. And it was like, you know, we didn't

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<v Speaker 1>have master tapes, you know, it was all you know,

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<v Speaker 1>WAVs and and and and we did it on Aida,

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<v Speaker 1>I think, but you know, we were literally kind of

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<v Speaker 1>moving from one studio to the next and being locked

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<v Speaker 1>out of studios until we paid bills.

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<v Speaker 2>And things like that.

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<v Speaker 1>It was a real kind of ramshackleie thing. Yeah, it

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<v Speaker 1>was just amazing. And we worked we've done any saber

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<v Speaker 1>and we did some stuff you know, downtown La and

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<v Speaker 1>and and then we finished a lot of it off

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<v Speaker 1>in in our own studio in Cheshire and it was

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<v Speaker 1>there's lots of like you know, and we just managed

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<v Speaker 1>to piece it all together and and it just sounds fantastic.

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<v Speaker 2>Yeah. It was also the record where you started that

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<v Speaker 2>the Falsetto singing came in. Yeah, and that's kind of

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<v Speaker 2>like I've not you've not done that much on records since.

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<v Speaker 2>Have you done it at all on records?

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<v Speaker 1>I think I think I have since bits and pieces.

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<v Speaker 2>Yeah.

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<v Speaker 1>But I so I had this idea mark about the

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<v Speaker 1>idea of you know, men needing to be told what

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<v Speaker 1>to do. I thought it was quite a good, you know,

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<v Speaker 1>quite quite a good idea. And I sang it, and

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<v Speaker 1>I sang it in falsetto because I wanted to sound

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<v Speaker 1>like I was saying, you know, we're talking about Neil

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<v Speaker 1>Young and it.

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<v Speaker 2>Was kind of like the opposite of a man needs made. Yeah,

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<v Speaker 2>but I wanted to.

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<v Speaker 1>Sing it in the Neil Young kind of way, and

0:12:28.000 --> 0:12:30.240
<v Speaker 1>then we had that song for a while and we

0:12:30.320 --> 0:12:31.560
<v Speaker 1>just kind of left it, and then I wanted to

0:12:31.559 --> 0:12:34.280
<v Speaker 1>sing everything in falset after that because that's kind of

0:12:34.640 --> 0:12:36.400
<v Speaker 1>you know, naturally, I'm kind of a bit like that.

0:12:36.880 --> 0:12:38.400
<v Speaker 1>Quite get really excited, and.

0:12:39.080 --> 0:12:41.320
<v Speaker 2>That is the sound of that record. There's like, you

0:12:41.360 --> 0:12:43.520
<v Speaker 2>know loads where you're in, which is what I think

0:12:43.600 --> 0:12:45.559
<v Speaker 2>makes it. If you did you meet Neil Young when

0:12:45.559 --> 0:12:47.760
<v Speaker 2>you were out there? Have you met that guy? I haven't.

0:12:47.880 --> 0:12:51.320
<v Speaker 2>I haven't. Now he might be one of those that

0:12:51.760 --> 0:12:54.040
<v Speaker 2>it's maybe best not to me, do you know. I've

0:12:54.080 --> 0:12:54.880
<v Speaker 2>just got that feeling.

0:12:55.880 --> 0:12:58.080
<v Speaker 1>I'd love to see him across the road.

0:12:58.360 --> 0:13:01.959
<v Speaker 2>Yeah, watch it, just watch him. Would you approach him?

0:13:02.360 --> 0:13:03.840
<v Speaker 2>It ends? I mean a lot of the time I

0:13:03.880 --> 0:13:06.560
<v Speaker 2>do approach people. Yeah, I think that's a good rule

0:13:06.600 --> 0:13:10.120
<v Speaker 2>to have. I know some people who would don't at all.

0:13:10.280 --> 0:13:15.040
<v Speaker 2>H a rule don't meet the people you admire. And

0:13:15.080 --> 0:13:16.760
<v Speaker 2>I know some people who are just like, this is

0:13:16.800 --> 0:13:20.280
<v Speaker 2>my only chance. I kind of like that. I'm more

0:13:20.320 --> 0:13:22.760
<v Speaker 2>of the other way because I've always I understand that

0:13:22.800 --> 0:13:25.480
<v Speaker 2>put them on a pedestal. But I do like the

0:13:25.520 --> 0:13:27.440
<v Speaker 2>idea of being like, well, that's Neil Young. It's my

0:13:27.480 --> 0:13:28.880
<v Speaker 2>one chance. I'm going to go meet to him, and

0:13:28.920 --> 0:13:30.800
<v Speaker 2>if he swears at me, then that's fine.

0:13:30.800 --> 0:13:33.360
<v Speaker 1>Oh yeah, yeah, I mean I spoke to lou Reed.

0:13:33.600 --> 0:13:38.240
<v Speaker 2>Did you. I bet he's worry. What did you what

0:13:38.440 --> 0:13:41.120
<v Speaker 2>was your what was okay? Where did you see him?

0:13:41.200 --> 0:13:45.000
<v Speaker 2>And what was your opening way in? What did you

0:13:45.000 --> 0:13:45.640
<v Speaker 2>say to him?

0:13:45.679 --> 0:13:48.600
<v Speaker 1>So it was around about the time of set the

0:13:48.600 --> 0:13:53.120
<v Speaker 1>Twilight Reeling album, so it's like nineties. He was sitting

0:13:53.120 --> 0:13:55.160
<v Speaker 1>on his own in Manchester Piccadilly train.

0:13:55.000 --> 0:13:58.040
<v Speaker 2>Station, wow, about to catch a train, about to.

0:13:57.960 --> 0:14:00.960
<v Speaker 1>Catch a train, and know what, you know, I was

0:14:00.960 --> 0:14:02.679
<v Speaker 1>looking at him for a while and thinking, no one,

0:14:02.880 --> 0:14:04.200
<v Speaker 1>no one knows, but that's Neil.

0:14:05.360 --> 0:14:06.720
<v Speaker 2>That's certainly read.

0:14:07.240 --> 0:14:11.880
<v Speaker 1>And so I just grabbed a pen and walked over

0:14:11.920 --> 0:14:13.960
<v Speaker 1>and asked him I could have a photograph and he

0:14:14.000 --> 0:14:19.960
<v Speaker 1>said if I fucking must, He said yeah, and it

0:14:20.080 --> 0:14:22.560
<v Speaker 1>was grumping, you know, made a few noises and things

0:14:22.600 --> 0:14:24.840
<v Speaker 1>like that, and then passed me the pen back and

0:14:24.880 --> 0:14:27.240
<v Speaker 1>then was kind of like nice then a little bit

0:14:27.280 --> 0:14:29.960
<v Speaker 1>you know, okay, yeah, because I was just like, yeah,

0:14:31.280 --> 0:14:32.800
<v Speaker 1>do you mind, you know, because I was all kind

0:14:32.800 --> 0:14:34.240
<v Speaker 1>of you know, I built it up a little bit.

0:14:34.200 --> 0:14:38.000
<v Speaker 2>And he just have you still got the signature? Yeah?

0:14:38.080 --> 0:14:40.680
<v Speaker 2>Who else have you got? Or is he? Is he

0:14:40.720 --> 0:14:42.760
<v Speaker 2>an anomally? Is there not many people you've told that?

0:14:45.320 --> 0:14:50.000
<v Speaker 1>Col Barrett I've got, I've got cor Barretts, got cow Barretts.

0:14:51.480 --> 0:14:55.000
<v Speaker 2>That one's worth that's worth a lot. That's the one

0:14:55.040 --> 0:14:56.320
<v Speaker 2>that you can retire on. Yeah.

0:14:56.560 --> 0:14:59.960
<v Speaker 1>But I mean I like to see people, and I've

0:15:01.560 --> 0:15:03.840
<v Speaker 1>now I always I always speak to Neil Tenant. I

0:15:03.920 --> 0:15:05.760
<v Speaker 1>make a point of seeing it. If CM I always

0:15:06.240 --> 0:15:10.360
<v Speaker 1>I always go and say it's Tim. Remember, only pick

0:15:10.440 --> 0:15:11.280
<v Speaker 1>up his glasses and go.

0:15:11.440 --> 0:15:16.640
<v Speaker 2>So it t is one one person I know you

0:15:16.680 --> 0:15:19.280
<v Speaker 2>met in La or actually I don't know this. This

0:15:19.360 --> 0:15:22.840
<v Speaker 2>is a Wikipedia fact. This might be completely untrue. Is

0:15:22.880 --> 0:15:27.160
<v Speaker 2>Joaquin Phoenix? Oh yeah, did you? Did you record a

0:15:27.200 --> 0:15:29.400
<v Speaker 2>record with him? For? Like his record?

0:15:29.640 --> 0:15:34.479
<v Speaker 1>It was it was a very strange ten days.

0:15:34.400 --> 0:15:37.880
<v Speaker 2>Okay, this is like how long have you been in

0:15:38.000 --> 0:15:39.280
<v Speaker 2>La at this point?

0:15:40.080 --> 0:15:43.760
<v Speaker 1>Well, I'm thinking that it was probably about two thousand.

0:15:43.400 --> 0:15:49.280
<v Speaker 2>And eight okay, And he was making a record himself

0:15:49.560 --> 0:15:52.280
<v Speaker 2>which hasn't come out right, this is recording yees.

0:15:52.520 --> 0:15:56.640
<v Speaker 1>So Anthony Langdon it's in a bun called space Hog,

0:15:57.400 --> 0:16:02.200
<v Speaker 1>all right, And so he's from Les right, and Joaquin

0:16:02.520 --> 0:16:08.080
<v Speaker 1>was writing lyrics and they were both kind of collaborating

0:16:08.080 --> 0:16:13.800
<v Speaker 1>on music for an album that Anthony was singing. But

0:16:13.840 --> 0:16:16.640
<v Speaker 1>Joaquin was writing all the lyrics and you could tell, okay,

0:16:16.800 --> 0:16:22.400
<v Speaker 1>it's kind of everything. His whole life was in these lyrics.

0:16:23.000 --> 0:16:26.760
<v Speaker 1>And I did some fucking vocals, and well, the reason

0:16:26.800 --> 0:16:31.840
<v Speaker 1>how a mutual friend drove us up to this house

0:16:32.480 --> 0:16:35.560
<v Speaker 1>saying I can't tell you who it is, and but

0:16:35.680 --> 0:16:37.720
<v Speaker 1>it's a you know, it's a great friend of mine.

0:16:37.960 --> 0:16:41.760
<v Speaker 2>We got there and it was so at that point,

0:16:41.760 --> 0:16:46.000
<v Speaker 2>did you know you were going around there to like, yeah,

0:16:46.320 --> 0:16:47.880
<v Speaker 2>I think he liked britpop.

0:16:48.240 --> 0:16:53.160
<v Speaker 1>Okay, okay, some you know kind of.

0:16:53.920 --> 0:16:57.000
<v Speaker 2>Bring me, bring me a britpop, bring.

0:16:56.800 --> 0:17:02.160
<v Speaker 1>Me someone from britpop. So I went to this house

0:17:02.520 --> 0:17:08.560
<v Speaker 1>and and and then to a studio where they were

0:17:08.600 --> 0:17:11.720
<v Speaker 1>mixing and and dismantling it. It went from being quite heavy,

0:17:12.320 --> 0:17:17.320
<v Speaker 1>kind of kind of very very very Bowie right and Book,

0:17:17.440 --> 0:17:23.080
<v Speaker 1>you know, Book probably also, but kind of more American

0:17:23.160 --> 0:17:26.000
<v Speaker 1>rock as well, I suppose, But and then it became

0:17:26.080 --> 0:17:30.840
<v Speaker 1>really stripped down acoustic, ye kind of Bowie style, and

0:17:31.080 --> 0:17:35.200
<v Speaker 1>you know, Anthony's vocals were amazing as well. Five songs

0:17:35.200 --> 0:17:38.440
<v Speaker 1>where I did bucking vocals on a few other people

0:17:38.520 --> 0:17:39.720
<v Speaker 1>came in and out, and then there was a few

0:17:39.720 --> 0:17:46.480
<v Speaker 1>other recording sessions. Joaquin would drive me home and then

0:17:47.320 --> 0:17:50.159
<v Speaker 1>he was going away to film and he lent me

0:17:50.200 --> 0:17:54.440
<v Speaker 1>his car. I didn't didn't do anything with it because

0:17:54.440 --> 0:17:57.040
<v Speaker 1>it didn't really it was just like, yeah, I think

0:17:57.760 --> 0:18:01.200
<v Speaker 1>he didn't want to look for a parking space. And

0:18:01.880 --> 0:18:03.520
<v Speaker 1>it was just like he would sort of tell me

0:18:03.600 --> 0:18:07.639
<v Speaker 1>stories and you know, like he is when he collects

0:18:07.640 --> 0:18:13.160
<v Speaker 1>his awards, you know, handing his hair and yeah, I

0:18:13.200 --> 0:18:16.280
<v Speaker 1>was in this film and I played Johnny Cash and

0:18:16.280 --> 0:18:20.320
<v Speaker 1>I was like, I know, so it's just stuff like

0:18:20.359 --> 0:18:22.040
<v Speaker 1>that while I was driving, while I was driving and

0:18:22.080 --> 0:18:24.400
<v Speaker 1>things like that. But it was a really great time.

0:18:24.520 --> 0:18:28.560
<v Speaker 1>And then nothing, you know, and then the film where

0:18:28.840 --> 0:18:31.960
<v Speaker 1>he is you don't know whether it's a film or

0:18:32.000 --> 0:18:33.000
<v Speaker 1>whether it's real life.

0:18:33.320 --> 0:18:38.840
<v Speaker 2>Is that I'm not I'm not here. Yeah, look it up.

0:18:39.600 --> 0:18:44.959
<v Speaker 1>We'll get and and and that. And Anthony's in that film,

0:18:45.119 --> 0:18:46.720
<v Speaker 1>and I.

0:18:46.640 --> 0:18:49.800
<v Speaker 2>Don't know if i'd meet him. Actually, he's quite He

0:18:49.800 --> 0:18:52.080
<v Speaker 2>strikes me as quite an intimidating guy because he's obviously

0:18:52.160 --> 0:18:53.360
<v Speaker 2>so quite intense.

0:18:53.840 --> 0:18:55.720
<v Speaker 1>He likes to blend it. He likes to blend in

0:18:55.880 --> 0:19:00.120
<v Speaker 1>or disappear possibly, say so you see him on a

0:19:00.240 --> 0:19:02.280
<v Speaker 1>on the street and he's almost hiding.

0:19:02.640 --> 0:19:02.840
<v Speaker 2>You know.

0:19:03.080 --> 0:19:07.320
<v Speaker 1>It's a little bit like right, okay, and always kind of.

0:19:08.920 --> 0:19:12.360
<v Speaker 2>Yeah, definitely definitely.

0:19:12.040 --> 0:19:16.040
<v Speaker 1>Doesn't want to stand out. But then we went to

0:19:16.040 --> 0:19:19.159
<v Speaker 1>a club and they weren't going to let us in,

0:19:19.200 --> 0:19:21.600
<v Speaker 1>and he whispered something to this guy into this guy

0:19:21.880 --> 0:19:25.520
<v Speaker 1>marketing Phoenix, and then he said, man, don't maybe do this,

0:19:27.119 --> 0:19:31.160
<v Speaker 1>do this, And then we went in and then within

0:19:31.440 --> 0:19:36.720
<v Speaker 1>minutes it was like just everyone was around our table

0:19:36.880 --> 0:19:42.040
<v Speaker 1>right the whole building, and it was like, yeah, it

0:19:42.080 --> 0:19:43.040
<v Speaker 1>was well, did.

0:19:42.920 --> 0:19:45.800
<v Speaker 2>You enjoy that? Like, because I think one of the

0:19:45.840 --> 0:19:48.200
<v Speaker 2>things I love about la I've only been a couple

0:19:48.280 --> 0:19:50.399
<v Speaker 2>of times, but one of the things I like about

0:19:50.440 --> 0:19:53.320
<v Speaker 2>it is that you can sense that that world's there.

0:19:53.400 --> 0:19:56.320
<v Speaker 2>I mean I didn't get anywhere near it, you know,

0:19:56.400 --> 0:20:00.680
<v Speaker 2>but like there's such something so allure about it. I

0:20:00.720 --> 0:20:02.720
<v Speaker 2>know it's ridiculous. I know I should be I know

0:20:02.800 --> 0:20:05.640
<v Speaker 2>I should be like, I know it's not called s out.

0:20:05.640 --> 0:20:08.520
<v Speaker 2>I should just be more like dismissive of it, But

0:20:08.840 --> 0:20:11.840
<v Speaker 2>there is something quite being in it. Did you find

0:20:11.880 --> 0:20:16.800
<v Speaker 2>it like quite an alluring, attractive world or was it strange?

0:20:16.800 --> 0:20:18.800
<v Speaker 2>Because I also drove around One thing I did when

0:20:18.840 --> 0:20:23.080
<v Speaker 2>I was in I drove around bel Air and Beverly

0:20:23.160 --> 0:20:26.479
<v Speaker 2>Hills because I wanted to see it, and I was

0:20:26.720 --> 0:20:30.359
<v Speaker 2>both amazed and just saddened by it because there's no

0:20:30.640 --> 0:20:35.000
<v Speaker 2>sidewalks and it's so weird and it's so quiet and strange,

0:20:35.000 --> 0:20:37.800
<v Speaker 2>and everyone's in these kind of palaces that are kind

0:20:37.800 --> 0:20:39.880
<v Speaker 2>of like prisons because they can't really just walk everywhere,

0:20:40.280 --> 0:20:43.520
<v Speaker 2>and it's just this weird kind of two sides of it,

0:20:43.600 --> 0:20:44.600
<v Speaker 2>Like how did you find it?

0:20:44.960 --> 0:20:49.399
<v Speaker 1>Well? I think living actually, you know, in Hollywood in

0:20:49.480 --> 0:20:51.840
<v Speaker 1>that area, it was pretty good because like Silverlight was

0:20:51.920 --> 0:20:57.840
<v Speaker 1>quite silver Light was closer to Beverly Hills, yeah, you

0:20:57.920 --> 0:21:01.600
<v Speaker 1>know what I mean, And it got Beverly Hills a

0:21:01.600 --> 0:21:03.919
<v Speaker 1>few times. But it's kind of like, you know, that's

0:21:03.960 --> 0:21:08.640
<v Speaker 1>like walking down you know, Regent Street, you know basically,

0:21:08.680 --> 0:21:11.119
<v Speaker 1>so yeah, it's just another world.

0:21:11.760 --> 0:21:12.320
<v Speaker 2>It's a visit.

0:21:13.160 --> 0:21:16.600
<v Speaker 1>Silver Lake was somewhere where I, you know, played with

0:21:16.680 --> 0:21:19.920
<v Speaker 1>other musicians and you know, met Anton from Bran John

0:21:19.960 --> 0:21:23.600
<v Speaker 1>San Massacre and those guys and and uh, you know,

0:21:23.640 --> 0:21:26.360
<v Speaker 1>we'll go to shows there. There's lots of really good

0:21:26.400 --> 0:21:34.320
<v Speaker 1>clubs there, and and and that. Really seeing people film things.

0:21:34.640 --> 0:21:38.399
<v Speaker 1>I didn't find it alluring really, I just but I

0:21:38.520 --> 0:21:41.080
<v Speaker 1>enjoyed it. I just thought, oh, well, look there's there's

0:21:41.119 --> 0:21:43.760
<v Speaker 1>Larry David, you know, and it's like and it's so

0:21:43.840 --> 0:21:46.720
<v Speaker 1>great to just like be driving past and turning around

0:21:46.960 --> 0:21:51.520
<v Speaker 1>and seeing Larry David or being behind you know, I

0:21:51.600 --> 0:21:55.639
<v Speaker 1>can't remember, isn't it not? Jeff the other guy in

0:21:55.920 --> 0:21:59.160
<v Speaker 1>ca of your Enthusiasm, The big the big guys. Jeff

0:21:59.160 --> 0:22:01.480
<v Speaker 1>is the big guys, Jeff for the guy looks like

0:22:01.600 --> 0:22:08.400
<v Speaker 1>Ronni Woolly and and and him sort of like doing

0:22:08.760 --> 0:22:12.720
<v Speaker 1>a whole performance without the cameras and thinking, you know, yeah,

0:22:12.920 --> 0:22:14.680
<v Speaker 1>David Lynch when he makes it, when he makes the

0:22:14.760 --> 0:22:19.040
<v Speaker 1>David Lynch films, it's a film about real life to

0:22:19.160 --> 0:22:23.920
<v Speaker 1>him because these characters they exist or they're all there

0:22:24.200 --> 0:22:27.000
<v Speaker 1>and they're not acting, you know that, it's just it's

0:22:27.040 --> 0:22:28.639
<v Speaker 1>just rolling the cameras.

0:22:28.840 --> 0:22:32.560
<v Speaker 2>So reckon that that record, that work in Phoenix record.

0:22:33.560 --> 0:22:35.200
<v Speaker 2>It might might have come out one day. Might it

0:22:35.280 --> 0:22:37.520
<v Speaker 2>suddenly just arrive? Well, I have no idea.

0:22:37.600 --> 0:22:41.480
<v Speaker 1>I mean what I heard was that they were using

0:22:41.520 --> 0:22:43.560
<v Speaker 1>the bits on the the rap record.

0:22:43.720 --> 0:22:44.360
<v Speaker 2>It was going to come.

0:22:44.840 --> 0:22:47.560
<v Speaker 1>Oh yeah, which didn't come out either, So I have

0:22:47.640 --> 0:22:50.760
<v Speaker 1>no idea. I mean, as far as I'm concerning to me,

0:22:50.840 --> 0:22:57.320
<v Speaker 1>it's there with the the Chaps mythology. Yes, the which

0:22:57.320 --> 0:23:00.760
<v Speaker 1>brings us back to col Barratt Ahotograph's is gonna be

0:23:00.760 --> 0:23:01.280
<v Speaker 1>worth a lot?

0:23:01.600 --> 0:23:04.520
<v Speaker 2>That was the Chaps. Where are we at with the Chaps?

0:23:04.560 --> 0:23:08.600
<v Speaker 2>I feel that we brought it up well Chams, I

0:23:08.640 --> 0:23:12.880
<v Speaker 2>should explain for anyone who is not familiar. Was I'm

0:23:12.920 --> 0:23:16.680
<v Speaker 2>going to use the term supergroups you Cobraratt who else

0:23:16.800 --> 0:23:17.080
<v Speaker 2>was in it?

0:23:17.640 --> 0:23:20.479
<v Speaker 1>And that was this gig and Martin Duffy and then

0:23:21.160 --> 0:23:26.040
<v Speaker 1>that changed quite quickly to Stephan from Clacson's.

0:23:25.960 --> 0:23:29.080
<v Speaker 2>That's it, Yeah, and was Jamie from Claxton Yeah, yeah, yeah.

0:23:29.960 --> 0:23:31.800
<v Speaker 1>We had two drummers for a while as well. But

0:23:31.960 --> 0:23:33.520
<v Speaker 1>I say for a while we only did three gigs.

0:23:33.720 --> 0:23:37.480
<v Speaker 1>But and then you know, we split up very unacrimoniously

0:23:37.640 --> 0:23:39.080
<v Speaker 1>and have not spoken for years.

0:23:39.200 --> 0:23:43.200
<v Speaker 2>You know. Okay, there you go, and that's the story

0:23:43.280 --> 0:23:44.120
<v Speaker 2>of the Chads. Yeah.

0:23:44.119 --> 0:23:48.720
<v Speaker 1>We had a five gig plan to get us from

0:23:49.960 --> 0:23:54.119
<v Speaker 1>the Tapping Tin and Chatter and Chatter That was to

0:23:54.200 --> 0:23:59.320
<v Speaker 1>the Caunugy Hall within five within five gigs and I

0:23:59.520 --> 0:24:02.840
<v Speaker 1>like that drive and we wrote a song that lasted

0:24:02.880 --> 0:24:04.359
<v Speaker 1>for an hour and that's all the hour.

0:24:05.160 --> 0:24:09.720
<v Speaker 2>That's all I can remember. Okay, that's all right, isn't it?

0:24:14.400 --> 0:24:16.119
<v Speaker 2>So I wanted to talk to you about the listening

0:24:16.200 --> 0:24:20.840
<v Speaker 2>parties because that's been a big thing during Lockdown. I

0:24:20.960 --> 0:24:23.240
<v Speaker 2>was saying to Greg, who did this podcast with we

0:24:23.400 --> 0:24:26.080
<v Speaker 2>take turns to interviews, we were saying, we can't make

0:24:26.119 --> 0:24:27.680
<v Speaker 2>We've got to make sure we don't make all of

0:24:27.800 --> 0:24:32.760
<v Speaker 2>this series about COVID and about Lockdown. But essentially we

0:24:32.880 --> 0:24:34.639
<v Speaker 2>have to talk about this because it's been such a

0:24:34.720 --> 0:24:37.920
<v Speaker 2>great success and such a great thing to do. I'll

0:24:38.000 --> 0:24:42.000
<v Speaker 2>let you explain what Tim's listening Twitter listening parties.

0:24:42.359 --> 0:24:47.880
<v Speaker 1>At a certain time, a designated time, people all over

0:24:47.920 --> 0:24:54.640
<v Speaker 1>the world listen to an album and someone who made

0:24:54.720 --> 0:24:57.119
<v Speaker 1>that album, a significant member of the band or an

0:24:57.200 --> 0:25:01.200
<v Speaker 1>artist you know, involved, tweets.

0:25:01.720 --> 0:25:04.920
<v Speaker 2>Tweets a long along as we listen. It's a great

0:25:05.320 --> 0:25:08.840
<v Speaker 2>it's a brilliant idea because it's so simple. Why didn't

0:25:08.880 --> 0:25:10.600
<v Speaker 2>someone else come up with this years ago? But you

0:25:10.720 --> 0:25:12.600
<v Speaker 2>actually did, right, you did. The first time you did

0:25:12.640 --> 0:25:14.720
<v Speaker 2>this was ten about ten years ago.

0:25:15.080 --> 0:25:21.840
<v Speaker 1>Yeah, I was actually watching you know with Twitter, you know,

0:25:22.240 --> 0:25:26.639
<v Speaker 1>I joined up and got a few thousand fans and

0:25:27.400 --> 0:25:30.800
<v Speaker 1>would post about upcoming gigs and things like that and

0:25:31.280 --> 0:25:34.280
<v Speaker 1>didn't really get didn't really know what all the fusses about.

0:25:34.280 --> 0:25:36.600
<v Speaker 1>And then I posted something about coffee and it went

0:25:36.840 --> 0:25:41.320
<v Speaker 1>a bit crackers, and so I was just kind of

0:25:41.359 --> 0:25:44.160
<v Speaker 1>like trying to work out what Twitter was all about really,

0:25:45.280 --> 0:25:47.119
<v Speaker 1>and then you you know, started to realize it was

0:25:47.240 --> 0:25:52.080
<v Speaker 1>about engagement and and you know, people just you know,

0:25:52.200 --> 0:25:57.399
<v Speaker 1>really wanted to talk about you know, funny stuff really.

0:25:57.600 --> 0:26:05.560
<v Speaker 1>And I know one of the cast members, at rizamed

0:26:05.920 --> 0:26:10.520
<v Speaker 1>Yes from Four Lions, said, if you watch Four Lions tonight,

0:26:10.600 --> 0:26:14.440
<v Speaker 1>I'm going to tweet along, right okay, and you'll see

0:26:15.200 --> 0:26:19.600
<v Speaker 1>when the fourth take that I get into the car,

0:26:20.119 --> 0:26:22.640
<v Speaker 1>that's the one that I laughed the least, and that's

0:26:22.640 --> 0:26:23.600
<v Speaker 1>the one that they used.

0:26:23.480 --> 0:26:24.560
<v Speaker 2>In the film, right okay.

0:26:24.640 --> 0:26:26.879
<v Speaker 1>And I thought that is amazing. Right, So this is

0:26:26.960 --> 0:26:29.520
<v Speaker 1>years ago, this is like, this is like ten years ago,

0:26:30.720 --> 0:26:33.040
<v Speaker 1>and I thought, I'm going to do a Charlatan's album

0:26:33.840 --> 0:26:35.080
<v Speaker 1>and tweet along.

0:26:36.280 --> 0:26:39.720
<v Speaker 2>And about what you remember from recording I remember from track.

0:26:39.560 --> 0:26:42.560
<v Speaker 1>And yeah, exactly exactly, And it's like, so I put

0:26:42.600 --> 0:26:47.440
<v Speaker 1>it to you know the Twitter, my Twitter followers, and

0:26:47.840 --> 0:26:49.320
<v Speaker 1>they thought it was a good idea, and by the

0:26:49.400 --> 0:26:50.760
<v Speaker 1>end of it, it was like, wow, this is great.

0:26:50.800 --> 0:26:52.440
<v Speaker 1>So I did the next album, and did the next album,

0:26:52.640 --> 0:26:56.399
<v Speaker 1>and you know, I'd done all Charlaton's thirteen albums by

0:26:56.440 --> 0:27:02.000
<v Speaker 1>the Charlaton's five or six times over ten years. But

0:27:03.080 --> 0:27:06.040
<v Speaker 1>so on the pretty much, you know, the first week

0:27:06.280 --> 0:27:09.440
<v Speaker 1>of Lockdown, I just decided to do a listening party

0:27:09.440 --> 0:27:12.160
<v Speaker 1>again for some friendly and then Alex Caprana said, great,

0:27:12.520 --> 0:27:15.040
<v Speaker 1>I'm gonna I can't wait for that. Bought that record

0:27:15.119 --> 0:27:17.560
<v Speaker 1>when I was seventeen years old. It's a big one

0:27:17.600 --> 0:27:20.840
<v Speaker 1>for me, and at that moment, I thought, well, why

0:27:20.840 --> 0:27:21.479
<v Speaker 1>don't you do one?

0:27:22.320 --> 0:27:23.960
<v Speaker 2>So he was the first one that you did of

0:27:24.160 --> 0:27:27.200
<v Speaker 2>some bit of a different artist essentially was Alex Carranos.

0:27:27.240 --> 0:27:29.520
<v Speaker 1>So yeah, and Dave Rowntree was pretty close, you know,

0:27:29.720 --> 0:27:31.560
<v Speaker 1>behind and all of a sudden.

0:27:31.760 --> 0:27:33.359
<v Speaker 2>So were they getting in touch with you saying this

0:27:33.440 --> 0:27:34.679
<v Speaker 2>is I mean, well, you.

0:27:34.720 --> 0:27:39.600
<v Speaker 1>Know, they're quite active on on Twitter anyway, so you know,

0:27:39.720 --> 0:27:42.000
<v Speaker 1>they they saw that I was announcing that I was

0:27:42.040 --> 0:27:46.000
<v Speaker 1>going to do you know, some friendly and they kind

0:27:46.000 --> 0:27:49.840
<v Speaker 1>of were responding, and I thought Dave would choose I

0:27:49.880 --> 0:27:52.760
<v Speaker 1>don't know, I don't know which album we would choose,

0:27:52.760 --> 0:27:55.760
<v Speaker 1>but he wanted to do Part livee okay, and after

0:27:56.040 --> 0:28:01.359
<v Speaker 1>and Alex wanted to do the debut Ferdinand album. This

0:28:01.520 --> 0:28:04.000
<v Speaker 1>is like really great of them to do that, you know.

0:28:06.080 --> 0:28:13.800
<v Speaker 1>Bonad did definitely maybe, and Wendy Smith, Steve McQueen and

0:28:13.920 --> 0:28:17.879
<v Speaker 1>we had like five there. They were just like, you know,

0:28:18.600 --> 0:28:21.520
<v Speaker 1>to me, really got I mean by the time we

0:28:21.560 --> 0:28:24.840
<v Speaker 1>got to Wendy okay, so you know, the first run

0:28:24.960 --> 0:28:27.040
<v Speaker 1>for the Ferdinand album, he was you know, Alex was

0:28:27.080 --> 0:28:30.399
<v Speaker 1>the first, you know, and then Dave Browntree. He had

0:28:30.440 --> 0:28:34.159
<v Speaker 1>all this memorabilia of Part Life that no one had

0:28:34.200 --> 0:28:37.480
<v Speaker 1>ever seen before and and his girlfriend had laminated it.

0:28:38.840 --> 0:28:39.760
<v Speaker 2>So it's like brilliant.

0:28:39.840 --> 0:28:41.480
<v Speaker 1>And by the end of it, he realized that he

0:28:41.760 --> 0:28:43.560
<v Speaker 1>could have a coffee table book if he wanted. Me

0:28:43.640 --> 0:28:45.920
<v Speaker 1>I'm sure, I'm sure he hasn't thought about it again

0:28:45.960 --> 0:28:48.960
<v Speaker 1>since that night, but you know, he just had all

0:28:49.080 --> 0:28:52.800
<v Speaker 1>this like memorabilia and like lyrics that Damon had kind

0:28:52.840 --> 0:28:55.560
<v Speaker 1>of like half written and he was presenting to Phil

0:28:55.760 --> 0:28:58.400
<v Speaker 1>and you know, and then and then Bonet obviously had

0:28:58.480 --> 0:29:01.280
<v Speaker 1>you know, the enormity of kind of like you know,

0:29:01.480 --> 0:29:04.720
<v Speaker 1>Oasis followers and stuff like that. Liam was going to

0:29:04.800 --> 0:29:10.200
<v Speaker 1>join in and then he didn't, and I was, I

0:29:10.240 --> 0:29:13.480
<v Speaker 1>don't all that kind of stuff, and then Wendy just

0:29:13.640 --> 0:29:16.480
<v Speaker 1>like took it emotionally to to a place that you know,

0:29:17.400 --> 0:29:19.680
<v Speaker 1>I was it was, it's one of my favorite albums anyway,

0:29:19.720 --> 0:29:22.040
<v Speaker 1>but the way she described it all was just it

0:29:22.120 --> 0:29:23.680
<v Speaker 1>was just like it was mad.

0:29:24.200 --> 0:29:27.160
<v Speaker 2>It's amazing the one that there was some really good things,

0:29:27.440 --> 0:29:30.800
<v Speaker 2>some good like facts because by these people being involved

0:29:31.400 --> 0:29:33.640
<v Speaker 2>and sharing the kind of stories about it, there's loads

0:29:33.680 --> 0:29:37.600
<v Speaker 2>of things that you obviously nobody knows because it's not

0:29:37.640 --> 0:29:40.800
<v Speaker 2>come out in interviews or whatever. I liked that Bonet shared.

0:29:41.440 --> 0:29:43.760
<v Speaker 2>I wasn't boned. I think it was the guy who

0:29:43.920 --> 0:29:49.920
<v Speaker 2>designed the sleep Yeah posted what Liam wanted the sleeve

0:29:50.000 --> 0:29:52.400
<v Speaker 2>to receive it and it was like a block of

0:29:52.640 --> 0:29:55.640
<v Speaker 2>butter with a knife in it, just said definitely maybe

0:29:55.680 --> 0:29:57.680
<v Speaker 2>on it. I'll put a link to that in the

0:29:57.920 --> 0:30:00.680
<v Speaker 2>in the base of this podcast. It's yeah, it's such

0:30:00.680 --> 0:30:03.720
<v Speaker 2>a it actually looks like a real britpop album. Is

0:30:03.920 --> 0:30:06.600
<v Speaker 2>it the kind of the kind of sleeve that Sleeper

0:30:06.720 --> 0:30:06.960
<v Speaker 2>might have?

0:30:07.480 --> 0:30:10.000
<v Speaker 1>Actually, well, he would never get asked that question.

0:30:10.480 --> 0:30:12.680
<v Speaker 2>Yeah, Yeah, what was that picture going to be yeah,

0:30:12.760 --> 0:30:14.760
<v Speaker 2>and and and that.

0:30:15.480 --> 0:30:19.120
<v Speaker 1>You know, that's a really great thing to bring up

0:30:19.120 --> 0:30:20.640
<v Speaker 1>because you know, people ask me all this and what

0:30:20.800 --> 0:30:21.480
<v Speaker 1>is it that makes it?

0:30:21.640 --> 0:30:23.040
<v Speaker 2>You know, and I always think that.

0:30:25.120 --> 0:30:28.120
<v Speaker 1>This time passed, you know, between the making of the

0:30:28.160 --> 0:30:31.320
<v Speaker 1>album and musicians open up a lot more, you know,

0:30:31.440 --> 0:30:34.640
<v Speaker 1>as time goes on, I think. But you know, that's

0:30:35.120 --> 0:30:36.680
<v Speaker 1>a really good point, you know, bringing in up the

0:30:36.720 --> 0:30:39.560
<v Speaker 1>other people like who you know, the people who had

0:30:39.640 --> 0:30:42.720
<v Speaker 1>significant roles but maybe weren't asking any questions at the time.

0:30:43.920 --> 0:30:46.400
<v Speaker 2>And I also didn't realize one of the things that

0:30:46.640 --> 0:30:49.040
<v Speaker 2>that Bonead said, this is just a g I think

0:30:49.080 --> 0:30:51.600
<v Speaker 2>this is a great nerdy fact. I didn't know this,

0:30:51.840 --> 0:30:58.400
<v Speaker 2>but like Morning Glory is over too vinyls because it's

0:30:58.480 --> 0:31:01.440
<v Speaker 2>too loud to go on to one and that's because

0:31:01.520 --> 0:31:04.400
<v Speaker 2>the grooves. I didn't realize this. But the louder song,

0:31:04.800 --> 0:31:06.400
<v Speaker 2>the wider the groove on a record, right.

0:31:06.520 --> 0:31:06.720
<v Speaker 1>Wow.

0:31:06.880 --> 0:31:10.640
<v Speaker 2>Wow that I feel like I've been educated by Bonhead

0:31:10.720 --> 0:31:15.480
<v Speaker 2>here in a big way. He's been incredible. He's quite

0:31:15.520 --> 0:31:17.880
<v Speaker 2>a Twitter guy is and he's quite active on Twitter.

0:31:18.320 --> 0:31:21.080
<v Speaker 1>He's been he's been really fantastic and and you know,

0:31:21.160 --> 0:31:24.160
<v Speaker 1>really got it and and then and then finally did

0:31:24.280 --> 0:31:25.360
<v Speaker 1>help with the liam on as well.

0:31:25.520 --> 0:31:28.400
<v Speaker 2>Yeah, so how is so? So how does it like

0:31:28.600 --> 0:31:31.000
<v Speaker 2>work now? In terms of oh, one thing I was

0:31:31.000 --> 0:31:35.240
<v Speaker 2>gonna ask, is anyone as like, is there anything what's

0:31:35.280 --> 0:31:37.560
<v Speaker 2>the most surprising thing that you that you can remember

0:31:37.600 --> 0:31:40.480
<v Speaker 2>that someone said? Is there anything that stands out like that?

0:31:40.680 --> 0:31:42.560
<v Speaker 2>Like a record? The record groove thing.

0:31:42.560 --> 0:31:45.320
<v Speaker 1>Or someone said that I headline reading and I didn't

0:31:45.320 --> 0:31:46.120
<v Speaker 1>believe them until they.

0:31:46.080 --> 0:31:52.320
<v Speaker 2>Put you're just gonna remember that. What year is that?

0:31:55.480 --> 0:31:57.800
<v Speaker 1>I know, we didn't we didn't, we didn't, I didn't

0:31:57.800 --> 0:31:58.240
<v Speaker 1>didn't do that.

0:31:59.240 --> 0:31:59.560
<v Speaker 2>I don't know.

0:31:59.680 --> 0:32:03.160
<v Speaker 1>I mean, it's just everything is that, everything's a surprise

0:32:03.240 --> 0:32:06.000
<v Speaker 1>to me. It's just like, yeah, I mean it's three

0:32:06.080 --> 0:32:07.360
<v Speaker 1>hundred and fifteen hour of them.

0:32:07.920 --> 0:32:10.080
<v Speaker 2>Wow, and did you do didn't you do one day?

0:32:10.080 --> 0:32:12.080
<v Speaker 2>Where you did like loads in one day? Yeah?

0:32:12.200 --> 0:32:15.000
<v Speaker 1>We're done festivals. Yeah yeah, yeah, And it's starting at

0:32:15.040 --> 0:32:18.160
<v Speaker 1>eleven and finishing eleven. Yeah.

0:32:18.400 --> 0:32:20.280
<v Speaker 2>It's such a great, as I say, it's so great

0:32:20.320 --> 0:32:24.440
<v Speaker 2>because it's so it's kind of so beautifully simplar. The

0:32:24.480 --> 0:32:27.040
<v Speaker 2>best ideas are normally like the simplest ideas and stuff.

0:32:27.440 --> 0:32:29.320
<v Speaker 2>But do you where are you now with it? Like

0:32:29.800 --> 0:32:33.320
<v Speaker 2>the people, the prs get in touch and say hey,

0:32:33.400 --> 0:32:35.920
<v Speaker 2>can you do yeah next can you Oh yeah, you're

0:32:36.000 --> 0:32:38.560
<v Speaker 2>now part of like people's promotional campaigns.

0:32:38.640 --> 0:32:44.280
<v Speaker 1>Well yeah, I mean that's that's definitely been an increasing

0:32:44.400 --> 0:32:48.920
<v Speaker 1>thing and and I think that's I think that's fine.

0:32:49.080 --> 0:32:53.280
<v Speaker 1>But I also like the idea that someone would do

0:32:53.400 --> 0:32:58.040
<v Speaker 1>it for because they like the listening party and because

0:32:58.080 --> 0:33:00.640
<v Speaker 1>they because they follow what's going on because they're fans

0:33:00.680 --> 0:33:03.360
<v Speaker 1>of it. So even if even if they do want

0:33:03.400 --> 0:33:06.440
<v Speaker 1>to do their new album, I try and encourage them

0:33:06.480 --> 0:33:09.240
<v Speaker 1>to do an older album first, you know, because I

0:33:09.320 --> 0:33:12.680
<v Speaker 1>think then it doesn't you know, it's just more it's

0:33:12.760 --> 0:33:16.880
<v Speaker 1>just more realistic, I think. And I think it's it's

0:33:16.920 --> 0:33:21.400
<v Speaker 1>a very you know, it's evolved from a very natural place.

0:33:21.440 --> 0:33:24.000
<v Speaker 2>And I keep it like that really and it's kind

0:33:24.040 --> 0:33:25.440
<v Speaker 2>of no, no, sorry, I was just gonna say, it's

0:33:25.520 --> 0:33:27.520
<v Speaker 2>kind of almost key that it's an old album in

0:33:27.600 --> 0:33:30.080
<v Speaker 2>a way, because, as you say, with that distance from

0:33:30.120 --> 0:33:32.040
<v Speaker 2>the record, they're maybe a bit more open about it.

0:33:32.240 --> 0:33:35.880
<v Speaker 2>They remember different things. I suppose when someone's talking about

0:33:35.920 --> 0:33:40.000
<v Speaker 2>their new record that's still in like I'm in promotion

0:33:40.160 --> 0:33:42.360
<v Speaker 2>mode and I'm saying the things I need to be

0:33:42.480 --> 0:33:44.320
<v Speaker 2>saying at this point to sell this record.

0:33:45.240 --> 0:33:48.480
<v Speaker 1>That's true, that is true. I mean it was great.

0:33:49.480 --> 0:33:55.320
<v Speaker 1>You know, most people have got into that, have got

0:33:55.360 --> 0:33:59.280
<v Speaker 1>into that spirit, you know, and and every and everyone

0:33:59.320 --> 0:34:02.360
<v Speaker 1>loves and everyone loves it after they've done it and

0:34:02.480 --> 0:34:06.760
<v Speaker 1>can't believe how exciting it it actually is. And you know,

0:34:07.240 --> 0:34:11.120
<v Speaker 1>Kevin Rowland has been a huge advocate of person, you know,

0:34:11.320 --> 0:34:14.680
<v Speaker 1>and just you know, he's doing doing all his all

0:34:14.760 --> 0:34:18.040
<v Speaker 1>his records. But I think, you know, it's it's an

0:34:18.160 --> 0:34:20.320
<v Speaker 1>organic thing. It's like you say, it's very simple. And

0:34:20.840 --> 0:34:23.879
<v Speaker 1>people have wanted to turn it into TV shows, people

0:34:23.920 --> 0:34:26.400
<v Speaker 1>have wanted to do you know, everything with it, and

0:34:26.480 --> 0:34:28.440
<v Speaker 1>it's like, you know, fine, and you know, I'm getting

0:34:28.680 --> 0:34:31.360
<v Speaker 1>you know, do a lot of correspondence with people on

0:34:31.440 --> 0:34:37.600
<v Speaker 1>emails and and people have offered, you know, suggested the

0:34:37.719 --> 0:34:41.359
<v Speaker 1>suggestions of things like you know, Instagram live while it's

0:34:41.360 --> 0:34:42.880
<v Speaker 1>all going on, but I don't really know what they

0:34:42.920 --> 0:34:44.680
<v Speaker 1>would see. It would just be me on my computer

0:34:44.880 --> 0:34:47.640
<v Speaker 1>and and kind of like putting a record, I probably

0:34:47.760 --> 0:34:49.839
<v Speaker 1>you know, might pose the record putting the record bit

0:34:49.920 --> 0:34:51.520
<v Speaker 1>on a bit more. But most of the time, I

0:34:51.680 --> 0:34:54.279
<v Speaker 1>just like, you know, press and and go. You know,

0:34:54.520 --> 0:34:57.880
<v Speaker 1>sometimes they have some prepared tweets you know already, you

0:34:57.960 --> 0:34:59.840
<v Speaker 1>know that are prepared in the afternoon after.

0:34:59.719 --> 0:35:04.560
<v Speaker 2>Listen, because obviously it started, I mean, it started so

0:35:04.800 --> 0:35:07.080
<v Speaker 2>long ago, but then Lockdown has kind of given it

0:35:07.160 --> 0:35:09.160
<v Speaker 2>this new lease of life and super charged.

0:35:09.200 --> 0:35:10.960
<v Speaker 1>It is the longest Silver Knight sensation.

0:35:12.800 --> 0:35:15.000
<v Speaker 2>Do you intend to just carry on doing it? Now?

0:35:15.160 --> 0:35:18.920
<v Speaker 2>Is there like we're in this weird world, aren't we now?

0:35:19.560 --> 0:35:22.080
<v Speaker 2>I mean just in the sense that Lockdown is ending

0:35:22.200 --> 0:35:24.680
<v Speaker 2>and things will eventually get back to normal. And I

0:35:24.719 --> 0:35:26.440
<v Speaker 2>think there's all these things that have been set up

0:35:26.760 --> 0:35:29.160
<v Speaker 2>that people are like, is this my life? Do I

0:35:29.360 --> 0:35:29.960
<v Speaker 2>is this my thing?

0:35:30.120 --> 0:35:30.160
<v Speaker 1>Like?

0:35:30.400 --> 0:35:31.800
<v Speaker 2>What? Like? How do you feel about it? Do you

0:35:31.880 --> 0:35:32.600
<v Speaker 2>think I feel it?

0:35:32.640 --> 0:35:34.680
<v Speaker 1>It's my thing in some in some ways, you know,

0:35:34.880 --> 0:35:37.800
<v Speaker 1>I meant at the time I jokes on on on

0:35:37.880 --> 0:35:41.160
<v Speaker 1>Twitter that you know, you know, I am the Twitter guy.

0:35:42.040 --> 0:35:42.840
<v Speaker 1>You know, now.

0:35:45.480 --> 0:35:46.600
<v Speaker 2>You're a Twitter celebrity.

0:35:47.440 --> 0:35:53.759
<v Speaker 1>But some people met two guys both called Liam, who

0:35:53.880 --> 0:35:57.880
<v Speaker 1>never met each other before, fans of what I do,

0:35:58.200 --> 0:36:05.480
<v Speaker 1>and and they helped to do the replay thing, which

0:36:05.520 --> 0:36:09.120
<v Speaker 1>I think was an amazing really helped with everything. So

0:36:09.160 --> 0:36:10.840
<v Speaker 1>if you miss it, you can actually like listen to

0:36:10.960 --> 0:36:13.879
<v Speaker 1>it in real time on your on your own, which

0:36:13.880 --> 0:36:16.839
<v Speaker 1>I just think is an amazing thing. And they also

0:36:16.960 --> 0:36:20.279
<v Speaker 1>helped me with the diary because at first I had, like,

0:36:20.360 --> 0:36:23.000
<v Speaker 1>you know, people, five people booked in the same spot.

0:36:23.160 --> 0:36:25.160
<v Speaker 1>You know, it was just like, it's not my thing,

0:36:25.239 --> 0:36:30.080
<v Speaker 1>you know, it's like trying to you know, trying, you know,

0:36:30.280 --> 0:36:33.800
<v Speaker 1>just like people coming in and me asking and all that.

0:36:34.480 --> 0:36:37.719
<v Speaker 1>But anyway, I'm trying to get it to one a day,

0:36:38.320 --> 0:36:42.200
<v Speaker 1>but so far I had none yesterday and I've got

0:36:42.280 --> 0:36:42.880
<v Speaker 1>three tomorrow.

0:36:45.280 --> 0:36:48.000
<v Speaker 2>But you know, I love it really.

0:36:48.040 --> 0:36:50.640
<v Speaker 1>I love the complicatedness and craziness.

0:36:50.840 --> 0:36:53.719
<v Speaker 2>Yeah, it's great. Yeah, it's great, and I think it's yeah,

0:36:54.000 --> 0:36:56.920
<v Speaker 2>you're right, like I feel like the format it's in

0:36:58.360 --> 0:37:01.000
<v Speaker 2>is the format it should be in. Yeah, it's like

0:37:01.160 --> 0:37:04.960
<v Speaker 2>it's it's complicated. Yeah, yeah, don't mess with success, you know,

0:37:06.800 --> 0:37:09.279
<v Speaker 2>leave it alone. One of the other things that you've

0:37:09.320 --> 0:37:11.600
<v Speaker 2>had to that you and lots of artis have had

0:37:11.640 --> 0:37:15.040
<v Speaker 2>to do, You've released a record in lockdown, which is like,

0:37:15.360 --> 0:37:18.400
<v Speaker 2>how was that? Because obviously I felt really bad for

0:37:18.480 --> 0:37:21.680
<v Speaker 2>anyone having to release a debut during lockdown, because I

0:37:21.760 --> 0:37:24.400
<v Speaker 2>just thought, if you're especially if you're a young musician

0:37:24.520 --> 0:37:27.560
<v Speaker 2>and you you just you dream of this moment and

0:37:27.640 --> 0:37:30.560
<v Speaker 2>then your the day your record comes out, you're in

0:37:30.640 --> 0:37:32.759
<v Speaker 2>isolation still and you're like in your house on your own.

0:37:32.760 --> 0:37:32.880
<v Speaker 1>EA.

0:37:32.920 --> 0:37:35.040
<v Speaker 2>I always thought that's rough, you know, to have to

0:37:35.280 --> 0:37:38.600
<v Speaker 2>be in that position. But equally, I think it's probably

0:37:38.640 --> 0:37:41.359
<v Speaker 2>been tough for returning musicians, doesn't matter how long you've

0:37:41.360 --> 0:37:43.399
<v Speaker 2>been releasing records, Like you put all this effort into

0:37:43.440 --> 0:37:47.440
<v Speaker 2>making something and then you have to kind of release

0:37:47.520 --> 0:37:50.200
<v Speaker 2>it now because it's we don't know when we're coming

0:37:50.239 --> 0:37:51.919
<v Speaker 2>out of this and all of those sorts of things.

0:37:52.239 --> 0:37:54.120
<v Speaker 2>How did you find it was it? Was it tough?

0:37:54.440 --> 0:37:57.919
<v Speaker 2>Were you just okay with with doing it that way?

0:37:58.000 --> 0:38:01.920
<v Speaker 1>And yeah, I mean I didn't want it to not

0:38:02.080 --> 0:38:08.080
<v Speaker 1>come out because I recorded it and finished it and

0:38:09.120 --> 0:38:13.800
<v Speaker 1>started the process. In October, we were going to go

0:38:13.840 --> 0:38:17.720
<v Speaker 1>to south By Southwest, and obviously that got pulled first,

0:38:18.719 --> 0:38:24.240
<v Speaker 1>one of the first festivals to to to to not happen.

0:38:25.560 --> 0:38:31.359
<v Speaker 1>But we booked tickets and there's a festival in New

0:38:31.440 --> 0:38:33.719
<v Speaker 1>York that was still going ahead. So we went to

0:38:33.840 --> 0:38:37.120
<v Speaker 1>that and did five shows there and then came back

0:38:37.160 --> 0:38:40.400
<v Speaker 1>and then it was lockdown, and I wasn't kind of

0:38:40.440 --> 0:38:43.200
<v Speaker 1>ready for it to stop, and I was asked if

0:38:43.360 --> 0:38:45.920
<v Speaker 1>it was still going to come out in May, and

0:38:46.000 --> 0:38:49.759
<v Speaker 1>I thought, yeah, you know, and I think it became.

0:38:51.200 --> 0:38:56.600
<v Speaker 2>An album for the Lockdown, you know. I mean, I

0:38:56.680 --> 0:39:00.440
<v Speaker 2>think it a strange I think maybe in like his history,

0:39:01.000 --> 0:39:04.600
<v Speaker 2>I think certain people will remember certain records as being

0:39:04.640 --> 0:39:06.560
<v Speaker 2>the thing that helped them get through Lockdown. That sounds

0:39:06.640 --> 0:39:09.799
<v Speaker 2>kind of cheesy, but there were records that came out

0:39:09.800 --> 0:39:13.880
<v Speaker 2>in Lockdown that I loved, and I probably listened to

0:39:13.920 --> 0:39:16.040
<v Speaker 2>them more because I was in Lockdown, and I've got

0:39:16.120 --> 0:39:18.960
<v Speaker 2>a certain I'll always have that connection to them that

0:39:19.080 --> 0:39:21.080
<v Speaker 2>maybe I wouldn't have if it had come out when

0:39:21.120 --> 0:39:23.040
<v Speaker 2>I was running all over the place and getting on

0:39:23.120 --> 0:39:26.360
<v Speaker 2>with normal things. And it's kind of been date stamped

0:39:26.400 --> 0:39:29.560
<v Speaker 2>in that way, So there is I mean, that's kind

0:39:29.600 --> 0:39:32.920
<v Speaker 2>of maybe a very thin silver lining for artists to

0:39:33.040 --> 0:39:36.640
<v Speaker 2>think that way, but I think there is. I'm glad

0:39:36.760 --> 0:39:37.680
<v Speaker 2>records came out in that.

0:39:37.719 --> 0:39:44.399
<v Speaker 1>Time me too, and I think for for that concentrated time,

0:39:44.440 --> 0:39:47.879
<v Speaker 1>I think records became very important, you know, to people,

0:39:47.920 --> 0:39:50.359
<v Speaker 1>And I think that's why the listening party works as well,

0:39:50.400 --> 0:39:53.439
<v Speaker 1>because people were the most common thing that was said

0:39:53.560 --> 0:39:55.640
<v Speaker 1>was that I've not listened to another minutes in Taris

0:39:55.760 --> 0:39:58.279
<v Speaker 1>for years. Yeah, you know, because it's all you know,

0:39:58.960 --> 0:40:01.279
<v Speaker 1>you know, ye street things, don't you or you listen

0:40:01.400 --> 0:40:04.440
<v Speaker 1>to one track and things like that. And and I

0:40:04.680 --> 0:40:07.160
<v Speaker 1>was very pleased that my album came down. I came

0:40:07.200 --> 0:40:11.040
<v Speaker 1>out during lockdown because it was an album. I mean,

0:40:11.280 --> 0:40:15.320
<v Speaker 1>I make albums to sound like albums, yeah, yeah, And

0:40:15.400 --> 0:40:18.360
<v Speaker 1>I like the artistry that goes on in that, you know,

0:40:19.160 --> 0:40:21.520
<v Speaker 1>you know, it's something that you think about, you know,

0:40:22.000 --> 0:40:23.040
<v Speaker 1>what's truck are you going to be?

0:40:23.160 --> 0:40:23.200
<v Speaker 2>Like?

0:40:23.239 --> 0:40:24.400
<v Speaker 1>You know, it's got to be good, and you know

0:40:24.440 --> 0:40:26.200
<v Speaker 1>it's got to be like one of the most important ones.

0:40:26.280 --> 0:40:29.440
<v Speaker 1>And you know track four Yeah, that's you know.

0:40:29.760 --> 0:40:32.680
<v Speaker 2>There your two numbers for well, you know, they're all

0:40:33.280 --> 0:40:37.880
<v Speaker 2>important over track one, right, yeah, track one's always good.

0:40:40.880 --> 0:40:42.200
<v Speaker 2>If it's not good at track one.

0:40:42.200 --> 0:40:45.120
<v Speaker 1>Track is important because if it fails, it too you like,

0:40:45.320 --> 0:40:47.560
<v Speaker 1>what's the point that's true?

0:40:47.680 --> 0:40:47.879
<v Speaker 2>Yeah?

0:40:48.480 --> 0:40:48.640
<v Speaker 1>Yeah.

0:40:48.680 --> 0:40:51.279
<v Speaker 2>And then there's like there was a time when like

0:40:52.200 --> 0:40:56.799
<v Speaker 2>this is maybe like mid nineties early nineties thing, which

0:40:56.840 --> 0:40:59.120
<v Speaker 2>is when I guess I really started getting really into

0:40:59.200 --> 0:41:02.040
<v Speaker 2>music and hold bands. I guess where I don't know

0:41:02.080 --> 0:41:03.759
<v Speaker 2>what track it will, maybe it would be track four

0:41:03.800 --> 0:41:07.440
<v Speaker 2>would always be the acoustic number. And they would be like, well,

0:41:07.440 --> 0:41:09.920
<v Speaker 2>we need an acoustic one, No needs his song. Now

0:41:10.440 --> 0:41:12.319
<v Speaker 2>I think maybe it was an old thing. No, maybe

0:41:12.400 --> 0:41:16.000
<v Speaker 2>started that actually for everybody did that. But yeah, four

0:41:16.080 --> 0:41:18.960
<v Speaker 2>and eight okay, so that but no, okay, so sorry

0:41:18.960 --> 0:41:21.440
<v Speaker 2>I interrupted you at all. No, I mean, I mean,

0:41:21.560 --> 0:41:24.319
<v Speaker 2>and you know, I'm kind of like just pulling out

0:41:24.320 --> 0:41:25.880
<v Speaker 2>the numbers. Really it could be.

0:41:26.040 --> 0:41:29.160
<v Speaker 1>I mean I just think, you know, I like the

0:41:29.280 --> 0:41:33.359
<v Speaker 1>idea of making an album and and and the thought

0:41:33.640 --> 0:41:36.440
<v Speaker 1>process that goes with the INN album. So for it

0:41:36.520 --> 0:41:39.359
<v Speaker 1>to come out during lockdown when people were actually giving

0:41:39.400 --> 0:41:41.240
<v Speaker 1>albums mhm.

0:41:41.920 --> 0:41:45.880
<v Speaker 2>And before we finished, can ask you one question about

0:41:46.719 --> 0:41:51.640
<v Speaker 2>an interview I read with you about posting drugs back

0:41:51.719 --> 0:41:56.680
<v Speaker 2>to yourself in Jamerico Records, because this is what I

0:41:56.760 --> 0:42:01.600
<v Speaker 2>loved about this that if you were caught, you could say,

0:42:01.640 --> 0:42:03.400
<v Speaker 2>well I don't listen to Yeah, yeah, well that was

0:42:03.480 --> 0:42:07.520
<v Speaker 2>then can you can you take can you just do

0:42:07.600 --> 0:42:11.319
<v Speaker 2>you mind telling this story? I think it's great? Yeah?

0:42:11.920 --> 0:42:19.359
<v Speaker 2>So uh yeah, I mean I would post.

0:42:24.640 --> 0:42:31.600
<v Speaker 1>Things that I needed and uh, envelopes that had you know,

0:42:32.920 --> 0:42:38.279
<v Speaker 1>Jamerica his name on on it, because when I received it,

0:42:38.640 --> 0:42:41.480
<v Speaker 1>if someone would kind of like, you know, catch me,

0:42:42.680 --> 0:42:48.160
<v Speaker 1>I could. In my head, I could. I was thinking

0:42:48.239 --> 0:42:50.840
<v Speaker 1>that they would believe me because I wouldn't listen to

0:42:51.880 --> 0:42:52.440
<v Speaker 1>his music.

0:42:54.160 --> 0:42:55.040
<v Speaker 2>I told it very badly.

0:42:55.120 --> 0:42:56.840
<v Speaker 1>But I kind of don't feel the same as I

0:42:56.880 --> 0:43:00.480
<v Speaker 1>did when I wrote that thing, and and I thought

0:43:00.520 --> 0:43:01.240
<v Speaker 1>it was legit.

0:43:01.440 --> 0:43:05.000
<v Speaker 2>You know, would would you? You'd buy the record?

0:43:05.719 --> 0:43:08.600
<v Speaker 1>I still have the record. I still have the record, right, okay, right,

0:43:08.640 --> 0:43:11.240
<v Speaker 1>there's a recurring thing. Oh so you just take the Okay,

0:43:11.280 --> 0:43:14.560
<v Speaker 1>I get you take right, that makes more sense. So

0:43:14.640 --> 0:43:16.759
<v Speaker 1>you take the record with you and you post it

0:43:16.880 --> 0:43:19.640
<v Speaker 1>back to you as the decoy record.

0:43:20.400 --> 0:43:22.320
<v Speaker 2>Record. Yeah, record, Yeah, and I still have it.

0:43:22.360 --> 0:43:24.759
<v Speaker 1>I still have it at the Sallaton studio just in

0:43:24.920 --> 0:43:26.560
<v Speaker 1>case I relapse.

0:43:28.800 --> 0:43:32.120
<v Speaker 2>It's also a brilliant defense. Yeah, that would stand. I

0:43:32.160 --> 0:43:34.520
<v Speaker 2>think it would stand up being caught. Well, they can't.

0:43:34.600 --> 0:43:36.000
<v Speaker 2>They can't be mine saying that.

0:43:36.040 --> 0:43:37.960
<v Speaker 1>I would love your Miqui to do a listening part.

0:43:38.400 --> 0:43:42.720
<v Speaker 2>Okay, JK, if you're listening Tim takes that back about

0:43:42.760 --> 0:43:46.680
<v Speaker 2>the record, that'd be a good listening part.

0:43:48.400 --> 0:43:50.680
<v Speaker 1>I mean, you know, the thing is with the listening

0:43:50.719 --> 0:43:55.840
<v Speaker 1>part is that everyone who's done it, you know, an

0:43:56.360 --> 0:44:00.840
<v Speaker 1>eternal fun because it's really it really did help people

0:44:00.960 --> 0:44:05.080
<v Speaker 1>through you know, a very very difficult time and and

0:44:05.760 --> 0:44:08.560
<v Speaker 1>I feel, I feel really, you know, quite passionate about that.

0:44:08.800 --> 0:44:11.840
<v Speaker 2>Great it should it's a it's a brilliant thing. And

0:44:12.800 --> 0:44:15.560
<v Speaker 2>thanks for coming on the podcast. Has that been all right?

0:44:15.640 --> 0:44:18.120
<v Speaker 2>I've been I'm rusty. And it's hot in here, isn't it.

0:44:18.280 --> 0:44:19.200
<v Speaker 1>It's really hot in here.

0:44:19.320 --> 0:44:24.560
<v Speaker 2>And I hope it was good for you. It was

0:44:24.600 --> 0:44:25.000
<v Speaker 2>good for me.

0:44:25.239 --> 0:44:29.080
<v Speaker 1>I mean, I always say too many ers and I

0:44:29.120 --> 0:44:32.440
<v Speaker 1>always have a few vacant marriage staring space.

0:44:32.920 --> 0:44:35.680
<v Speaker 2>That's all right, we can close those gaps. Thanks y,

0:44:36.120 --> 0:44:46.640
<v Speaker 2>you know, but you can keep that bit if you want. Anyway,

0:44:46.960 --> 0:44:47.399
<v Speaker 2>good night,