WEBVTT - 9-12: Bobby Cast Ep. 7 (Craig Campbell)

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<v Speaker 1>All right, Welcome to The Bobby Cast, episode number seven,

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<v Speaker 1>and this week, recording artist, singers songwriter Craig Campbell brought

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<v Speaker 1>this week it is it's very catchy. Brought you this

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<v Speaker 1>week by no one yet, but I will say this

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<v Speaker 1>that I went to New York this past week and

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<v Speaker 1>we've been doing this for six episodes. This our seventh episode.

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<v Speaker 1>Craig and we really were just doing it from the

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<v Speaker 1>house because we're like, yeah, we'll put some stuff out

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<v Speaker 1>because people if on a podcast, they don't have to

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<v Speaker 1>listen to it. You can always turn it off. There's

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<v Speaker 1>no ratings involved with the radio. Was like, you got

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<v Speaker 1>to get to the point, and if you're not to

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<v Speaker 1>the point, it's gonna be super compelling with this. We

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<v Speaker 1>can just talk about whatever we want. And so I

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<v Speaker 1>went up to New York and then we're like, dude,

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<v Speaker 1>people are playing the part the Bobby Cast like crazy.

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<v Speaker 1>And so that's when I text you. I was like, dude,

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<v Speaker 1>if you're coming bringing the come on listen to so

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<v Speaker 1>thanks for being here. Thank you. Craig walks in and

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<v Speaker 1>he said, hey, I have a gift for you, and

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<v Speaker 1>I was like, oh, cour it's gonna bring me like

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<v Speaker 1>a a T shirt because I wanted by Craig Campbell

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<v Speaker 1>or president t shirt. Sometimes it's like Craig Campbell for President.

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<v Speaker 1>And so he brings me up McPherson guitar and I

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<v Speaker 1>was like, dang, dude, but I appreciate that's like one

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<v Speaker 1>of the nicest get anyone's giving me. Like I said,

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<v Speaker 1>you know, we we Uh, I'm a part of the

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<v Speaker 1>McPherson family. And I talked to those guys up in

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<v Speaker 1>the Wisconsin and I said, you know Bobby Bones, the

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<v Speaker 1>raging idiot, we need to get them to be part

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<v Speaker 1>of the family nation. How do you get to be

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<v Speaker 1>a part of the family like that? You know, it's funny.

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<v Speaker 1>I I just straight up cold called. I sent an

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<v Speaker 1>email to uh. Well, I I say it was a

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<v Speaker 1>cold call. I got the email from a from a

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<v Speaker 1>mutual friend and I said, Hey, I'm so and so

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<v Speaker 1>i've had you know, Family Man was on the radio,

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<v Speaker 1>so you kind of given me a resonation. I'm an

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<v Speaker 1>artist and I said I'd love to be playing the

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<v Speaker 1>McPherson guitars and and uh. I got a response of

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<v Speaker 1>what's your address? So that this is family Man was

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<v Speaker 1>like what year that was? It came out two thousand

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<v Speaker 1>ten and and peaked April two thole. This is family

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<v Speaker 1>Man here, this is what got to the mc ferson

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<v Speaker 1>guitar deal. Then on the drive had my coming Home

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<v Speaker 1>the Living Mead and reason that I am family Man.

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<v Speaker 1>What I want to do since Craig Campbell's here is

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<v Speaker 1>I want to go. I just want to start with today,

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<v Speaker 1>kind of make a circle and come all the way

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<v Speaker 1>back to today and then just kind of talk about

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<v Speaker 1>life and music and the kind of the revolving door

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<v Speaker 1>that it is. And so so I want to start

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<v Speaker 1>down with out Scarts of Heaven. So this is a

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<v Speaker 1>song now that is your current song, the outscarts where

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<v Speaker 1>there's dirt roads from the fields and fishing and the

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<v Speaker 1>river now to be totally transparent. And I'm not saying

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<v Speaker 1>this because as you're here, I believe on the air

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<v Speaker 1>last week someone had asked me, what song do I

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<v Speaker 1>think doesn't get enough radio play, like of all the songs,

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<v Speaker 1>and I played that song. I don't know if that's

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<v Speaker 1>not ever gets back to you immediately, It really I

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<v Speaker 1>never know, Like I really don't know what I say

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<v Speaker 1>if it gets back to artists, And I don't say

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<v Speaker 1>it so it gets back to artists, if that makes sense.

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<v Speaker 1>I say it because this is how I feel. And

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<v Speaker 1>so they were like, what's the one song that you

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<v Speaker 1>think A listener asked me, isn't getting enough play on

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<v Speaker 1>the radio that you think really cuts through? And so

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<v Speaker 1>I said, it's Craig Campbell out Scripts of Heaven. And

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<v Speaker 1>I didn't tell you I was gonna say that there

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<v Speaker 1>was no It's just such a good song, yea. And

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<v Speaker 1>I can tell you. I ever when you sent it

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<v Speaker 1>to me before it was a single, and you said, hey,

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<v Speaker 1>I played this. I think you're playing around in May.

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<v Speaker 1>I'm just going by memory here and maybe South Carolina

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<v Speaker 1>and so you're and you played it and you were like,

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<v Speaker 1>in the crowd got up and cheered, and I was,

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<v Speaker 1>I listened to it. Can you sent me a live

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<v Speaker 1>version of it? And I was like, I want to

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<v Speaker 1>get up in cheer right now. I'm laying in my bed.

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<v Speaker 1>Um So talking about this Outskirts of Heaven's all because

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<v Speaker 1>I obviously love it, but I want to know from

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<v Speaker 1>you kind of your thoughts you families on the song. Yeah,

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<v Speaker 1>I mean when I wrote, when I wrote Outskirts of Heaven,

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<v Speaker 1>I had I had no intentions at all of all right,

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<v Speaker 1>I never had radio in mind. And it wasn't you know,

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<v Speaker 1>because as a songwriter, we we that's what we're shooting for.

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<v Speaker 1>We're thinking is this gonna be is this gonna be

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<v Speaker 1>good for radio? Is ready gonna like this? Are they

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<v Speaker 1>gonna like it? Do they want to play it? You

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<v Speaker 1>know that kind of thing. But when when I had

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<v Speaker 1>this idea for this song, it was had. I hadn't

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<v Speaker 1>readio nowhere in my mind at all. I was writing

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<v Speaker 1>it for myself. Um, and I have the idea. I

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<v Speaker 1>told my buddy Dave Turnbull about it and he said,

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<v Speaker 1>he says, I want to write that song with you.

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<v Speaker 1>And we we sat down and I had all the

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<v Speaker 1>pieces in my head. Uh, and he helped me put

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<v Speaker 1>it all together and and um, I don't know. I

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<v Speaker 1>started doing it live and just getting a reaction from

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<v Speaker 1>people that I've never gotten before. Speaking of that Charleston Shows,

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<v Speaker 1>the only standing ovation of the night. It was it

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<v Speaker 1>was a a special moment and which tales. I mean,

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<v Speaker 1>the fans even though they'd never heard that song, they

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<v Speaker 1>they they picked it as the single. You know it's

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<v Speaker 1>weird and I tell and you're not a new artist.

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<v Speaker 1>But I tell new artists because I'll ask you what

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<v Speaker 1>I need to do to get on the radio, and

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<v Speaker 1>I say, it's not chase radio, because unless you're one

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<v Speaker 1>of the Big seven and you're automatically going to get

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<v Speaker 1>on the radio, if you're chasing radio, you're never gonna

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<v Speaker 1>catch it because you don't know where it's going. It's

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<v Speaker 1>like technology. You don't know what's gonna be in two years,

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<v Speaker 1>So what do you invest in it when it comes

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<v Speaker 1>to uh music play? You just don't know what it's

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<v Speaker 1>going to be. And so when I heard it, I

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<v Speaker 1>was like, I think my response to you was this

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<v Speaker 1>sounds like a Craig Campbell song. You did that was

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<v Speaker 1>the and that was the greatest compliment you could have

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<v Speaker 1>given me. And so you have it. It is there,

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<v Speaker 1>and it seems like and we knew. I knew it

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<v Speaker 1>would be and I think you did too. You knew

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<v Speaker 1>it would be difficult, especially at first, to get this

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<v Speaker 1>song to cut through because of the pace of the song,

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<v Speaker 1>which is the thing in radio now, and it's not

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<v Speaker 1>that it used to be. When we first started, you

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<v Speaker 1>couldn't get a ballot on the radio to save your life.

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<v Speaker 1>And now there are a lot of ballads, but still

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<v Speaker 1>it's tough to get any sort of song to cut through.

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<v Speaker 1>So what's the biggest issue right now with the song

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<v Speaker 1>that you hear? That the reason that's not climbing as

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<v Speaker 1>fast as you'd want it to because everybody got an excuse. Yeah, hey,

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<v Speaker 1>and I'm getting a lot of a lot of excuses. Uh.

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<v Speaker 1>There's honestly, the radio stations that are playing it at

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<v Speaker 1>a at a good spot, they are getting extremely great feedback,

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<v Speaker 1>and that's what we thought was gonna happen. The stations

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<v Speaker 1>that aren't playing it, they're they're saying, Okay, it's summertime,

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<v Speaker 1>it's too slow. Um, apparally, that's just an excuse. And

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<v Speaker 1>this cold this could be my stations too, that's just

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<v Speaker 1>an excuse. And there's a couple of stations that say,

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<v Speaker 1>you know, we're going for that P one demographic, the

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<v Speaker 1>eighteen to to twenty whatever year old girls. Uh, and

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<v Speaker 1>we don't think this is gonna gonna resonate with those

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<v Speaker 1>girls or that demographic, which I have evidence on that

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<v Speaker 1>that that's false as well. But it's you know, we're

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<v Speaker 1>getting all these kind of excuses. But I feel like

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<v Speaker 1>this song is is tough, it's gonna it's gonna poke through.

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<v Speaker 1>Can I tell you? Just talking about excuses and I'll

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<v Speaker 1>just go to another artist. So, and I've told the

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<v Speaker 1>story before, but it's one of one of my better

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<v Speaker 1>is that your water is this my water? So it's

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<v Speaker 1>one of my better stories of hearing excuses about songs

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<v Speaker 1>and so and it's been written and said buy me

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<v Speaker 1>a hundred times. But for the sake of this, Cam

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<v Speaker 1>came into our studio and she had a different song

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<v Speaker 1>and she they brought a new single to the show,

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<v Speaker 1>and she came in and she like, I want to

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<v Speaker 1>bring this new single and she played it. I know

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<v Speaker 1>what it was. I don't remember the single that she

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<v Speaker 1>came in. And Cam started as our jingle singer on

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<v Speaker 1>our show like she was, and she still sings are

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<v Speaker 1>dingles now just because we've just been Cam so cool.

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<v Speaker 1>I don't know, do you know Cam very well? Yeah,

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<v Speaker 1>we've we've hung out a few times. She's one of them,

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<v Speaker 1>like she's like she's just such a down chick, like

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<v Speaker 1>she's just one of the people. And so she still

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<v Speaker 1>stinks are jingles for us, even though she doesn't have to.

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<v Speaker 1>So she um, she comes in and her first song,

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<v Speaker 1>and I even forget that. What that It was just

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<v Speaker 1>another hubb and dud, just another my mistake. Okay, so

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<v Speaker 1>it didn't do well. Right, she comes in with a

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<v Speaker 1>second song. I don't remember what it was because I

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<v Speaker 1>guess I'm a big jerk and I love cam and

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<v Speaker 1>I was like, hey, play burning House, and so her

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<v Speaker 1>and her band and fantastic they played Burning House and

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<v Speaker 1>I was like, okay, I'm moved, like I'm moving, and

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<v Speaker 1>it's hard for me to be moved because I'm jaded

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<v Speaker 1>by everything because I get to hear everything, and so

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<v Speaker 1>for things to affect me, it's tough because when you

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<v Speaker 1>get to do everything, it's hard to be a But

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<v Speaker 1>I was like, god, so good. So she left, and

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<v Speaker 1>without their knowledge that I was going to do it,

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<v Speaker 1>I played it like four times that day and it

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<v Speaker 1>went to number one on iTunes. So that day. An

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<v Speaker 1>hour later, they switched singles, like they switched. They called

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<v Speaker 1>and said we're switching singles because of what had happened,

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<v Speaker 1>and I was like, oh, that's that's great. But then

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<v Speaker 1>the pressure lies on me. It was like, oh boy,

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<v Speaker 1>I just spade him switched a single. Not really on me,

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<v Speaker 1>but I really love the song, and I just feel like,

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<v Speaker 1>if I can give the audience my honest truth, even

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<v Speaker 1>if it's not the truth, that's what I say. Sometimes

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<v Speaker 1>my truth is not exactly the truth, but it is

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<v Speaker 1>how I feel. And if I can give them my truth,

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<v Speaker 1>then I've done all I can do. And I played it,

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<v Speaker 1>and do you know how many stations said that song

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<v Speaker 1>We're never gonna play it? A ton they said, we're

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<v Speaker 1>never going to play this song. It's it's once female too,

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<v Speaker 1>it's too slow. Three. I mean, the whole station stopped

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<v Speaker 1>because it's too slow. But what happened was the message

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<v Speaker 1>slowly trickled, the sales happened on the verge happened, which,

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<v Speaker 1>by the way, there's another story about you being on

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<v Speaker 1>the birch to talk about later, which is one of

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<v Speaker 1>the craziest stories too. Um. And it happened in burning

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<v Speaker 1>House happened and girl crushed, the same thing happened. And

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<v Speaker 1>that's just what I hope happens with this song. Is

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<v Speaker 1>because Outskirts of Heaven is so good. And I say

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<v Speaker 1>this and I fight with people, a lot of people.

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<v Speaker 1>I was like, well, that ain't country. That is country

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<v Speaker 1>to me. There isn't really a definition of what is

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<v Speaker 1>There isn't country because listen, I grew up in Arkansas

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<v Speaker 1>and when you're our age too, you're influenced by lots

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<v Speaker 1>of different kinds of music, like no doubt about it

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<v Speaker 1>around you. Um Like, I would say, there's newer country,

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<v Speaker 1>and there's more sounding traditional country. But the thing about

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<v Speaker 1>that song is there such a place inside of the

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<v Speaker 1>format for that sounding traditional song. I feel like it.

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<v Speaker 1>I feel like there is. I mean, I don't when

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<v Speaker 1>even when we wrote it, when we when we them

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<v Speaker 1>or went in to track it, make it, you know,

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<v Speaker 1>make the album the song itself. I said, Hey, this

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<v Speaker 1>song is about the lyrics, about the melody, but I

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<v Speaker 1>do want it to hit pretty hard. And I said,

0:10:47.360 --> 0:10:49.640
<v Speaker 1>but it's gonna sound traditional no matter what, just because

0:10:49.679 --> 0:10:52.120
<v Speaker 1>of the song that it is. Um But I feel

0:10:52.120 --> 0:10:55.240
<v Speaker 1>like where we are and or at least I feel

0:10:55.240 --> 0:10:58.720
<v Speaker 1>like the Craig truth is that you know there's room

0:10:58.760 --> 0:11:00.880
<v Speaker 1>for every for for this is what was anything else?

0:11:00.960 --> 0:11:03.720
<v Speaker 1>And also if you fail with it, that's okay too,

0:11:03.800 --> 0:11:06.559
<v Speaker 1>because it's you. Like That's how I feel about my stuff.

0:11:06.679 --> 0:11:08.600
<v Speaker 1>Is I fail a lot. I try a lot of

0:11:08.600 --> 0:11:09.920
<v Speaker 1>things that don't work. Out and some people to know

0:11:09.960 --> 0:11:11.640
<v Speaker 1>about it because it fails and you just don't know.

0:11:12.160 --> 0:11:13.760
<v Speaker 1>But if you put out something in your heart is

0:11:13.840 --> 0:11:16.120
<v Speaker 1>really in it and it doesn't work, at least your

0:11:16.160 --> 0:11:18.120
<v Speaker 1>heart was really in it. Because I know there have

0:11:18.120 --> 0:11:20.680
<v Speaker 1>been things that I've been okay, you know, I'll do it,

0:11:20.920 --> 0:11:22.280
<v Speaker 1>and then it didn't work. I was like, man, I

0:11:22.280 --> 0:11:24.000
<v Speaker 1>just wish I would have done it my way and

0:11:24.120 --> 0:11:27.600
<v Speaker 1>not kind of fall in a certain way because I

0:11:27.600 --> 0:11:30.080
<v Speaker 1>was told that's what I needed to do. You know,

0:11:30.120 --> 0:11:34.960
<v Speaker 1>it happened recently and I'm saving this something really frustrating

0:11:35.000 --> 0:11:39.720
<v Speaker 1>happened in my career. Um in the last no woulds

0:11:39.760 --> 0:11:42.200
<v Speaker 1>a month or so, and I'm holding on to kind

0:11:42.240 --> 0:11:44.800
<v Speaker 1>of see where it falls. But I kind of went

0:11:44.840 --> 0:11:48.240
<v Speaker 1>against my values, not in a like dirty way, but

0:11:48.920 --> 0:11:52.319
<v Speaker 1>I have what I do where I maintained to myself

0:11:52.679 --> 0:11:56.480
<v Speaker 1>and I keep all, uh everything kind of unlock. I

0:11:56.520 --> 0:11:58.440
<v Speaker 1>don't share a lot with people of where I'm gonna

0:11:58.440 --> 0:12:01.199
<v Speaker 1>go and what I'm gonna play. Who I'm in the back. Um.

0:12:01.240 --> 0:12:03.160
<v Speaker 1>I don't go to a lot of social events because

0:12:03.160 --> 0:12:06.160
<v Speaker 1>I don't like to get into the circle of Nashville

0:12:06.240 --> 0:12:08.120
<v Speaker 1>because it's so buddy buddy and who do you know

0:12:08.160 --> 0:12:11.760
<v Speaker 1>about scratchy? And so I don't do all that, and

0:12:11.800 --> 0:12:13.719
<v Speaker 1>I got into it a little bit, but people were like, hey,

0:12:13.760 --> 0:12:15.480
<v Speaker 1>you need to start doing this a bit because this

0:12:15.520 --> 0:12:18.280
<v Speaker 1>is the biggest show and you and I don't like that.

0:12:18.320 --> 0:12:20.240
<v Speaker 1>I got into that, and some thing's happened, and and

0:12:20.240 --> 0:12:22.640
<v Speaker 1>then eventually it'll come out. It's just a little sensitive

0:12:22.679 --> 0:12:24.800
<v Speaker 1>right now because I end up getting a lot of trouble.

0:12:25.480 --> 0:12:27.560
<v Speaker 1>But I hate that about myself, like I really and

0:12:27.679 --> 0:12:30.440
<v Speaker 1>so I hope that if this song were to die tomorrow,

0:12:30.480 --> 0:12:32.240
<v Speaker 1>you would still be like, I'm so proud I put

0:12:32.280 --> 0:12:35.240
<v Speaker 1>that song out. Well, there's no doubt about it. You. Uh, okay,

0:12:35.360 --> 0:12:38.040
<v Speaker 1>let's go back to the initial conversation I had with

0:12:38.080 --> 0:12:43.360
<v Speaker 1>Benny Brown, the who owned your lab, and I said,

0:12:43.760 --> 0:12:47.520
<v Speaker 1>I really need I don't I don't know what all

0:12:47.640 --> 0:12:52.400
<v Speaker 1>this means, like all this like the standing ovations and

0:12:52.440 --> 0:12:54.560
<v Speaker 1>the messages I was getting. I said, I don't know

0:12:54.600 --> 0:12:56.800
<v Speaker 1>what this means, but I don't think it means something.

0:12:57.880 --> 0:12:59.680
<v Speaker 1>And I said, I truly don't know that. I could

0:12:59.679 --> 0:13:01.960
<v Speaker 1>sleep not knowing that we had this song right here

0:13:02.360 --> 0:13:04.160
<v Speaker 1>and we didn't go with it, we didn't run with it.

0:13:04.760 --> 0:13:08.120
<v Speaker 1>And and ever since then it's proven itself and I'm

0:13:08.120 --> 0:13:11.440
<v Speaker 1>getting messages listen to this, this is crazy. I had

0:13:11.480 --> 0:13:13.800
<v Speaker 1>a guy Facebook. Man, I get these at least two

0:13:13.880 --> 0:13:17.880
<v Speaker 1>or three times a week, pretty much the same same

0:13:18.480 --> 0:13:19.880
<v Speaker 1>I don't know what you would call it, but the

0:13:20.200 --> 0:13:23.319
<v Speaker 1>same subject matter. Had a guy told me. He started

0:13:23.320 --> 0:13:26.880
<v Speaker 1>out by saying, you don't know me, but I need

0:13:26.920 --> 0:13:31.240
<v Speaker 1>you to know that a couple of days ago, I

0:13:31.280 --> 0:13:35.040
<v Speaker 1>was thinking about killing myself. He said, I just lost

0:13:35.080 --> 0:13:38.280
<v Speaker 1>my dad and I didn't like being in this world

0:13:38.280 --> 0:13:42.559
<v Speaker 1>without him. And he said, I heard Outskirts of Heaven

0:13:43.320 --> 0:13:48.800
<v Speaker 1>and it was immediate peace. I knew that my dad

0:13:48.960 --> 0:13:51.000
<v Speaker 1>was in the place that you were describing and he

0:13:51.040 --> 0:13:55.600
<v Speaker 1>was good. That's for selfish reasons. I want the song

0:13:55.679 --> 0:13:59.600
<v Speaker 1>to succeed because I need you know. This is my career.

0:14:00.000 --> 0:14:04.200
<v Speaker 1>But at the same time, this song is special. Yeah,

0:14:04.360 --> 0:14:05.760
<v Speaker 1>I love it too, and it's not just sit in

0:14:05.880 --> 0:14:07.000
<v Speaker 1>front of me. I said it when you were in

0:14:07.000 --> 0:14:09.760
<v Speaker 1>front of me. So when we could come back to

0:14:09.840 --> 0:14:12.280
<v Speaker 1>that Outskirts, haven't hope you guys download it because you know,

0:14:12.360 --> 0:14:15.000
<v Speaker 1>and here's the thing to radio in general. They look

0:14:15.040 --> 0:14:16.760
<v Speaker 1>at a lot of research and they research songs, but

0:14:16.800 --> 0:14:19.000
<v Speaker 1>you know, it's a big researchers people's money, and when

0:14:19.000 --> 0:14:22.320
<v Speaker 1>people like something, they buy things. People go they're buying it.

0:14:22.320 --> 0:14:24.120
<v Speaker 1>Guess they must like it. There's no more better research

0:14:24.160 --> 0:14:26.040
<v Speaker 1>than buying it. So if you listen to this and

0:14:26.120 --> 0:14:28.800
<v Speaker 1>you like that song downloaded, if you like any song,

0:14:28.840 --> 0:14:31.480
<v Speaker 1>as a matter of fact, down don't, don't stream that crap.

0:14:31.720 --> 0:14:35.400
<v Speaker 1>We artists don't get paid crap or streaming like you don't.

0:14:35.440 --> 0:14:37.240
<v Speaker 1>I mean, listen, that's not that's the big you know,

0:14:37.440 --> 0:14:39.440
<v Speaker 1>one of my buddies and I would you know, I

0:14:39.440 --> 0:14:42.080
<v Speaker 1>have very few people that would call it like real

0:14:42.160 --> 0:14:43.880
<v Speaker 1>friends that I call like and talk to a couple

0:14:43.920 --> 0:14:45.560
<v Speaker 1>of times a weekend. We have four or five in

0:14:45.560 --> 0:14:48.520
<v Speaker 1>our life that we really I have a friend named

0:14:48.600 --> 0:14:51.560
<v Speaker 1>Lee Miller, Lee Thomas Miller's writing name. He's a writing

0:14:52.640 --> 0:14:54.240
<v Speaker 1>we've had a matter of fact, on my second album,

0:14:54.320 --> 0:14:56.960
<v Speaker 1>we had a song, uh called That's Why God Made

0:14:56.960 --> 0:14:59.560
<v Speaker 1>a Front Porch. So you've written like he is my

0:14:59.760 --> 0:15:02.520
<v Speaker 1>due dude, like like one of the best humans I've

0:15:02.560 --> 0:15:05.120
<v Speaker 1>ever met. And he is the guy that goes and

0:15:05.440 --> 0:15:09.160
<v Speaker 1>testify the front of Congress and says, here's why streaming

0:15:09.200 --> 0:15:10.480
<v Speaker 1>we need to be paid for stream here's I need

0:15:10.480 --> 0:15:13.240
<v Speaker 1>to paid for it, and you know we like are

0:15:13.320 --> 0:15:15.960
<v Speaker 1>against each other. I'm not against anybody, but it's like

0:15:16.000 --> 0:15:18.520
<v Speaker 1>I worked for radio and you know we put and

0:15:18.600 --> 0:15:21.160
<v Speaker 1>he's like fighting radio. But then we come and it's

0:15:21.200 --> 0:15:24.560
<v Speaker 1>you know, we have our merry fun ways, but don't

0:15:24.600 --> 0:15:27.600
<v Speaker 1>stream My point hey just by it just wasna, we

0:15:27.600 --> 0:15:29.760
<v Speaker 1>don't make any money. You guys don't make any money. No,

0:15:30.480 --> 0:15:32.360
<v Speaker 1>I've never made and I says, and you're a real

0:15:32.440 --> 0:15:34.440
<v Speaker 1>right you make songs because you're right, ato's your career.

0:15:35.040 --> 0:15:36.480
<v Speaker 1>They I've never made a penny right in a song,

0:15:36.560 --> 0:15:38.880
<v Speaker 1>and I've written some songs. They've got like our raging

0:15:38.880 --> 0:15:41.040
<v Speaker 1>it is. Albums have sold like crazy. I am a

0:15:41.080 --> 0:15:43.480
<v Speaker 1>penny off crap because people don't know what happened to

0:15:43.520 --> 0:15:48.360
<v Speaker 1>the record. You take out a loan basically whenever you

0:15:48.480 --> 0:15:52.400
<v Speaker 1>get directed, Yeah, it's an advance. They give you money.

0:15:52.400 --> 0:15:54.880
<v Speaker 1>Explain this they give They say, okay, Craig Campbell, we're

0:15:54.880 --> 0:15:57.640
<v Speaker 1>gonna give you a record. To what happens. That means

0:15:57.680 --> 0:16:02.000
<v Speaker 1>they're gonna give you the money to make a record. Uh,

0:16:02.080 --> 0:16:04.720
<v Speaker 1>And it's essentially is your money. They're giving it to

0:16:04.760 --> 0:16:07.120
<v Speaker 1>you early. You're gonna give you the money to make

0:16:07.160 --> 0:16:09.560
<v Speaker 1>a record. They're gonna give you the money to pay

0:16:09.680 --> 0:16:11.760
<v Speaker 1>some people to ride around with you and fly around

0:16:11.760 --> 0:16:14.680
<v Speaker 1>with you, to go to radio stations and say, hey,

0:16:14.760 --> 0:16:16.720
<v Speaker 1>we need you to play Craig's News. Cost money. All

0:16:16.760 --> 0:16:19.600
<v Speaker 1>the travel costs money, just like the but like it's

0:16:20.120 --> 0:16:24.040
<v Speaker 1>it's the artist's money in advance. So they're basically loaning

0:16:24.040 --> 0:16:27.880
<v Speaker 1>you your money against yourself and that you eventually have

0:16:27.920 --> 0:16:29.960
<v Speaker 1>to pay back. So any money that you make with

0:16:30.000 --> 0:16:32.400
<v Speaker 1>all of yourselves, it has to all of it goes

0:16:32.440 --> 0:16:34.920
<v Speaker 1>to them first until you're caught up even and then

0:16:34.960 --> 0:16:37.120
<v Speaker 1>you start to get just pieces of it. So for

0:16:37.160 --> 0:16:38.880
<v Speaker 1>you as an artist, I guess you make your money

0:16:38.960 --> 0:16:43.160
<v Speaker 1>tory touring is is our main money money. Uh, but

0:16:43.200 --> 0:16:45.320
<v Speaker 1>if we have songs that do well on the radio

0:16:45.360 --> 0:16:48.640
<v Speaker 1>that we wrote, we make uh we make a decent

0:16:49.440 --> 0:16:51.960
<v Speaker 1>portion of that. We don't get at all, just a

0:16:52.000 --> 0:16:54.040
<v Speaker 1>good piece of it. Are you a guy that do

0:16:54.080 --> 0:16:57.880
<v Speaker 1>you want all of the songs to be your rights

0:16:58.200 --> 0:17:02.280
<v Speaker 1>and you always get them the singles? Or are you

0:17:02.280 --> 0:17:04.000
<v Speaker 1>you know you'll listen for songs you're like like like

0:17:04.080 --> 0:17:05.920
<v Speaker 1>kind of what's your what's your thing? Yeah, I'm I'm

0:17:05.960 --> 0:17:08.160
<v Speaker 1>a I love to hear hit songs no matter who

0:17:08.160 --> 0:17:11.239
<v Speaker 1>wrote him. And I've always had the belief of the

0:17:11.280 --> 0:17:14.360
<v Speaker 1>best songs we'll win. Like shoot, my my two biggest

0:17:14.640 --> 0:17:16.560
<v Speaker 1>two of my biggest songs were songs that I didn't write.

0:17:16.560 --> 0:17:18.040
<v Speaker 1>I didn't ride out of my Head. That's a Cold

0:17:18.040 --> 0:17:27.280
<v Speaker 1>Swindal song that, yeah, I can't get you out of mind.

0:17:27.600 --> 0:17:29.480
<v Speaker 1>So when you get a song like this from Cold Swindel,

0:17:30.000 --> 0:17:32.560
<v Speaker 1>does he sing it? When I got a dem When

0:17:32.600 --> 0:17:34.720
<v Speaker 1>I got the demo, it was him singing yeah. And

0:17:35.440 --> 0:17:38.320
<v Speaker 1>I texted him and said, hey, bro, I said, this

0:17:38.359 --> 0:17:41.040
<v Speaker 1>song is awesome. He's like, how do you How did

0:17:41.040 --> 0:17:42.800
<v Speaker 1>you get it? I said, well, I don't know. It

0:17:42.880 --> 0:17:45.159
<v Speaker 1>just showed up in my email. Is this the Scotty

0:17:45.200 --> 0:17:49.600
<v Speaker 1>mcarry song? Yeah, Okay, this is a crazy story. This

0:17:49.640 --> 0:17:51.679
<v Speaker 1>song was supposed to be sent to Scotty McCarry was

0:17:51.680 --> 0:17:54.240
<v Speaker 1>already on hold with Scott, so Scotty already said I

0:17:54.240 --> 0:17:55.840
<v Speaker 1>would like to put the song at home. Maybe. I mean,

0:17:55.880 --> 0:17:58.000
<v Speaker 1>I'm gonna cut exactly. So you got it in your

0:17:58.040 --> 0:18:01.320
<v Speaker 1>email you weren't supposed to, and you reply back and

0:18:01.359 --> 0:18:04.640
<v Speaker 1>go love it and he's like, he's like when it's

0:18:04.640 --> 0:18:05.840
<v Speaker 1>like we need a text and you don't know the

0:18:05.920 --> 0:18:07.520
<v Speaker 1>name on it. The text. You see a number and

0:18:07.520 --> 0:18:09.720
<v Speaker 1>you're like, who is this? So you reply back and

0:18:09.720 --> 0:18:12.440
<v Speaker 1>you say what No, Me and Cole, we we're really

0:18:12.480 --> 0:18:15.639
<v Speaker 1>good buddies. We've been buddies long way back when. So

0:18:15.640 --> 0:18:18.440
<v Speaker 1>when he knew it was me, so but I told him,

0:18:18.440 --> 0:18:20.240
<v Speaker 1>I says, hey, I promise you, I'm going to cut

0:18:20.240 --> 0:18:22.960
<v Speaker 1>it before Scotty does. Can you do? Is that legal? No?

0:18:23.560 --> 0:18:25.399
<v Speaker 1>But he gave me. He gave me his thumbs up.

0:18:25.400 --> 0:18:27.520
<v Speaker 1>And so what did McCurry say about that? Because you

0:18:27.520 --> 0:18:29.280
<v Speaker 1>you cut a song out underneath them with their little

0:18:29.359 --> 0:18:32.760
<v Speaker 1>tention there. No, no, he our folks reached out to

0:18:32.800 --> 0:18:34.719
<v Speaker 1>his folks and told him this is our situation. We're

0:18:34.760 --> 0:18:37.400
<v Speaker 1>going to cut like next week. We want this song.

0:18:37.760 --> 0:18:39.840
<v Speaker 1>And they were like, you know, we're never cool with it. Yeah,

0:18:39.920 --> 0:18:42.280
<v Speaker 1>they said, we're basically said, we're not going in for

0:18:42.480 --> 0:18:45.040
<v Speaker 1>another while now, so we're not gonna hold this song up.

0:18:45.800 --> 0:18:48.520
<v Speaker 1>If you know what, that's night. That's that's really cool

0:18:49.000 --> 0:18:52.120
<v Speaker 1>in this town with fights over songs, for sure. That's

0:18:52.200 --> 0:18:54.960
<v Speaker 1>really cool that Scott and McCurry camp. So here you go.

0:18:55.200 --> 0:19:03.520
<v Speaker 1>It's a it's actually emailed to you. Wow smiling. Yeah. Yeah,

0:19:06.080 --> 0:19:08.120
<v Speaker 1>when you cut this. Do you know it's good? Well,

0:19:08.119 --> 0:19:11.240
<v Speaker 1>here's here's a whole another story. When we went into

0:19:11.320 --> 0:19:14.119
<v Speaker 1>the studio to cut for the new single from the

0:19:14.160 --> 0:19:17.840
<v Speaker 1>new album, it was the single from the previous album,

0:19:17.920 --> 0:19:21.520
<v Speaker 1>had Died. We needed it, we needed something new, something fresh.

0:19:22.000 --> 0:19:24.040
<v Speaker 1>We had a song that we had found that Cole

0:19:24.119 --> 0:19:28.639
<v Speaker 1>Swindell wrote, uh called My Baby's Daddy, and we were

0:19:28.680 --> 0:19:32.200
<v Speaker 1>Everybody at my previous record label was extremely pumped about it.

0:19:32.960 --> 0:19:35.160
<v Speaker 1>So we went in cut that song first. We cut

0:19:35.280 --> 0:19:38.040
<v Speaker 1>four more songs. We had time to do one more

0:19:38.119 --> 0:19:40.119
<v Speaker 1>song and Keith steak All, my producer, he said, what

0:19:40.119 --> 0:19:42.240
<v Speaker 1>do you want to cut? I said, I want to

0:19:42.280 --> 0:19:44.960
<v Speaker 1>do out of my head, you know, this is that's

0:19:45.000 --> 0:19:48.760
<v Speaker 1>what I want. The last minute, very last second. Let's

0:19:48.760 --> 0:19:50.760
<v Speaker 1>just throw it on here. Let's see, you know. And

0:19:50.800 --> 0:19:53.480
<v Speaker 1>we were tracking it and it started happening and Keith,

0:19:53.560 --> 0:19:55.919
<v Speaker 1>you know, he looked at me and he said, this

0:19:56.040 --> 0:19:59.639
<v Speaker 1>might be the one. Yeah, just just like that. I

0:19:59.680 --> 0:20:01.440
<v Speaker 1>want to asked about that because a lot of artists say,

0:20:01.440 --> 0:20:03.080
<v Speaker 1>you know what, it was the last thing that I heard.

0:20:03.520 --> 0:20:05.840
<v Speaker 1>And I started to think, Okay, this isn't a coincidence.

0:20:05.920 --> 0:20:08.960
<v Speaker 1>It must just be. There's a lot of good stuff

0:20:08.960 --> 0:20:12.000
<v Speaker 1>out there, and it's just the right time when it's

0:20:12.040 --> 0:20:14.240
<v Speaker 1>about to wrap, and you get something good right at

0:20:14.280 --> 0:20:16.760
<v Speaker 1>the right time. More so than it's just lucky that

0:20:16.840 --> 0:20:19.440
<v Speaker 1>it's just the last thing. What's your thought about? Because

0:20:19.440 --> 0:20:21.400
<v Speaker 1>I hear a lot of artists go, man, we weren't

0:20:21.400 --> 0:20:22.920
<v Speaker 1>gonna cut the song, and all of a sudden, it's

0:20:23.080 --> 0:20:24.520
<v Speaker 1>right before we finished up. We wrapped it up and

0:20:24.520 --> 0:20:26.359
<v Speaker 1>it was the big hit. What's the what's the what

0:20:26.520 --> 0:20:29.879
<v Speaker 1>in your mind? Why did that happen? Well, songwriters they

0:20:29.960 --> 0:20:32.880
<v Speaker 1>there's a strategy too. If they know when you're going

0:20:32.880 --> 0:20:35.320
<v Speaker 1>in to cut, they'll send you songs the day before.

0:20:35.760 --> 0:20:39.520
<v Speaker 1>Is that right? I had no idea. They'll send it

0:20:39.680 --> 0:20:41.639
<v Speaker 1>right before you going to cut, just because they know.

0:20:42.280 --> 0:20:44.639
<v Speaker 1>Sometimes you hear a song and you'll get excited about

0:20:44.640 --> 0:20:51.160
<v Speaker 1>it and you do that to people. Of course that's crazy.

0:20:51.280 --> 0:20:53.879
<v Speaker 1>That's so smart too. It's like, because I get that

0:20:53.880 --> 0:20:56.240
<v Speaker 1>way about anything. Like if I'm like, oh, if something

0:20:56.320 --> 0:20:58.400
<v Speaker 1>comes to my head to have this segment idea and

0:20:59.440 --> 0:21:01.600
<v Speaker 1>it's hard from me, if it's I know, I need

0:21:01.640 --> 0:21:04.080
<v Speaker 1>to wait till Friday for it, and and it's like, oh,

0:21:04.160 --> 0:21:05.680
<v Speaker 1>I gotta it tomorrow. I just got this great idea,

0:21:06.200 --> 0:21:09.160
<v Speaker 1>that's such a great freaking player. Out of my head.

0:21:09.240 --> 0:21:12.680
<v Speaker 1>Out of my head was not that case. I loved it.

0:21:12.680 --> 0:21:14.760
<v Speaker 1>It was getting my people over a bigger picture to

0:21:14.960 --> 0:21:18.359
<v Speaker 1>love it. So Keith he he wasn't so hip on

0:21:18.400 --> 0:21:20.560
<v Speaker 1>it as much as I was. It wasn't like that

0:21:20.600 --> 0:21:23.720
<v Speaker 1>song was sent to me last second. They just kept

0:21:23.760 --> 0:21:25.480
<v Speaker 1>pushing it to the side. Oh you know, it's an

0:21:25.480 --> 0:21:28.000
<v Speaker 1>okay song. It's an okay song. Will well. And then

0:21:28.040 --> 0:21:30.280
<v Speaker 1>finally there was some time left on the session, I said,

0:21:30.359 --> 0:21:32.639
<v Speaker 1>I want to cut this song. Was that your first

0:21:32.680 --> 0:21:34.920
<v Speaker 1>song that really popped for you to where people were like, okay,

0:21:35.000 --> 0:21:36.479
<v Speaker 1>I know that song from the radio. Well, family Man

0:21:36.520 --> 0:21:38.639
<v Speaker 1>went to number twelve. It was, oh, it's okay, that

0:21:41.200 --> 0:21:48.560
<v Speaker 1>around my favorite piece. Und it gives me strange to stay.

0:21:50.200 --> 0:21:52.600
<v Speaker 1>Did you write family Man? Okay? So when you write

0:21:52.600 --> 0:21:54.119
<v Speaker 1>a song and it ends at twelve, like, what kind

0:21:54.160 --> 0:21:56.439
<v Speaker 1>of money comes from the number twelve song? Enough to

0:21:56.480 --> 0:21:59.880
<v Speaker 1>buy a car? Yeah? Yeah, from it from a number twelve?

0:22:00.000 --> 0:22:02.159
<v Speaker 1>Who'd write with how many people? The three people you

0:22:02.240 --> 0:22:04.200
<v Speaker 1>have the three with a fourth person, right or three

0:22:04.280 --> 0:22:08.000
<v Speaker 1>three people? Three? And that's about normal. That's yeah. I

0:22:08.040 --> 0:22:10.120
<v Speaker 1>mean most of the songs written in Nashville are three ways.

0:22:10.400 --> 0:22:13.360
<v Speaker 1>So if you do family Man and it hits twelve,

0:22:14.760 --> 0:22:17.439
<v Speaker 1>then that's your biggest At that point, where where did

0:22:17.560 --> 0:22:20.840
<v Speaker 1>fish end up? Fish was? It was an anomaly. It

0:22:21.000 --> 0:22:24.359
<v Speaker 1>was we didn't even go for ads. It just people started.

0:22:24.480 --> 0:22:26.479
<v Speaker 1>This song. Was never like a song that you went

0:22:26.520 --> 0:22:28.560
<v Speaker 1>to radio and said, hey, start playing it. This is fish.

0:22:28.920 --> 0:22:32.960
<v Speaker 1>It turns out my baby loves to fish. She won't

0:22:33.080 --> 0:22:35.760
<v Speaker 1>do it all the time, early in the morning and

0:22:35.920 --> 0:22:40.440
<v Speaker 1>the middle of that Jesus, and now she can't get them.

0:22:40.960 --> 0:22:45.240
<v Speaker 1>Man that girls show love to the thing. No radio was.

0:22:45.480 --> 0:22:48.399
<v Speaker 1>Radio was telling us we're playing that song whether you

0:22:48.480 --> 0:22:51.920
<v Speaker 1>like it or not. That's a good problem. It went

0:22:52.320 --> 0:22:53.960
<v Speaker 1>this is no joke. I could show you on emails

0:22:53.960 --> 0:22:55.840
<v Speaker 1>because I kept all the emails. It went from. It

0:22:56.000 --> 0:22:59.800
<v Speaker 1>debuted fifty something and then it went to forty one,

0:23:00.000 --> 0:23:02.600
<v Speaker 1>then went to thirty two. I mean it leaked frog,

0:23:03.560 --> 0:23:06.320
<v Speaker 1>no support, no one going hey, play play, play play.

0:23:07.720 --> 0:23:11.520
<v Speaker 1>The fact that it charted and charted is fifty. If

0:23:11.560 --> 0:23:14.919
<v Speaker 1>he had fifty, that's the fact that it charted accidentally.

0:23:15.000 --> 0:23:17.479
<v Speaker 1>It's crazy where it ended up peaking. It peaked at

0:23:18.200 --> 0:23:21.800
<v Speaker 1>that's crazy. It's my most downloaded song. Fish is your

0:23:21.880 --> 0:23:25.560
<v Speaker 1>most downloaded song, and he was that end of two

0:23:25.640 --> 0:23:28.800
<v Speaker 1>thousand eleven and and five years ago and your most

0:23:28.840 --> 0:23:31.840
<v Speaker 1>downloaded song. Okay, so Fish is there? Yeah, family, man,

0:23:33.040 --> 0:23:34.560
<v Speaker 1>I feel like I think I want to get to now.

0:23:35.040 --> 0:23:37.480
<v Speaker 1>So it was it was. It was like I said,

0:23:37.520 --> 0:23:40.560
<v Speaker 1>it was a strange deal. That song did so well,

0:23:42.160 --> 0:23:45.160
<v Speaker 1>but what didn't do well on the chart? Like, um,

0:23:45.920 --> 0:23:49.080
<v Speaker 1>it was. It was. It's fun. It's it's weird to

0:23:49.160 --> 0:23:52.280
<v Speaker 1>compare Fish to Outskirts of Heaven. It was, but it

0:23:52.400 --> 0:23:55.760
<v Speaker 1>was the same excitement we had Fish. I was doing

0:23:55.800 --> 0:23:57.640
<v Speaker 1>it at the shows, but the album wasn't out yet.

0:23:58.160 --> 0:24:00.520
<v Speaker 1>People were saying, we gotta get our fingers on this song.

0:24:00.680 --> 0:24:05.760
<v Speaker 1>We're in Uh so we we says, well, we gotta,

0:24:05.840 --> 0:24:08.440
<v Speaker 1>we gotta harness this enthusiasm. So we we came with

0:24:08.520 --> 0:24:10.600
<v Speaker 1>it before the album came out. We decided it should

0:24:10.600 --> 0:24:12.200
<v Speaker 1>be the second thing. That's a really cool story, like

0:24:12.280 --> 0:24:14.520
<v Speaker 1>you had no idea. That's like the LFO you say

0:24:14.880 --> 0:24:17.359
<v Speaker 1>with Summer Girls, the LFO song I like girls that

0:24:17.480 --> 0:24:20.080
<v Speaker 1>where I have a Crombie and Fitch. The Station of

0:24:20.280 --> 0:24:22.520
<v Speaker 1>Memphis played at one time. This is before I mean

0:24:22.560 --> 0:24:24.440
<v Speaker 1>I was like a kid and one station played it

0:24:24.440 --> 0:24:25.639
<v Speaker 1>and they were like, well, we gotta play it thing

0:24:26.240 --> 0:24:28.280
<v Speaker 1>all of a sudden every once a while, and each

0:24:28.359 --> 0:24:30.000
<v Speaker 1>format you get one of those songs that do that

0:24:30.920 --> 0:24:34.440
<v Speaker 1>that really like I've done it with songs, but that

0:24:34.520 --> 0:24:35.840
<v Speaker 1>was because I'm a big jerk and I like to

0:24:35.920 --> 0:24:37.520
<v Speaker 1>fight my song just play them over and over again.

0:24:38.000 --> 0:24:41.000
<v Speaker 1>But the fact that just radio, because it's different though,

0:24:41.040 --> 0:24:43.800
<v Speaker 1>because I have an audience of five million people. But

0:24:44.000 --> 0:24:45.600
<v Speaker 1>for this to happen for you with this song, and

0:24:45.720 --> 0:24:47.919
<v Speaker 1>stations were taking a station by stations even better, it's

0:24:47.920 --> 0:24:50.480
<v Speaker 1>even a better story. But when we got to the

0:24:50.680 --> 0:24:55.200
<v Speaker 1>crunch part of the chart, the the I guess you

0:24:55.200 --> 0:24:58.360
<v Speaker 1>would call them the Bible Belt stations says we can't

0:24:58.400 --> 0:25:02.320
<v Speaker 1>play that because because of the double on tundre, the

0:25:03.000 --> 0:25:07.320
<v Speaker 1>what double my missing here? I'm with you, Vagina. Well

0:25:07.440 --> 0:25:10.040
<v Speaker 1>know the whole had everything we needed in the bed

0:25:10.119 --> 0:25:12.960
<v Speaker 1>of my truck. Turns out my baby loves to fish

0:25:13.560 --> 0:25:18.760
<v Speaker 1>on fish. She wants to do it all the time,

0:25:19.040 --> 0:25:22.440
<v Speaker 1>early in the morning, and the man, are you kidding me? Dude,

0:25:22.440 --> 0:25:25.040
<v Speaker 1>I'm telling you, I loved and even then I can

0:25:25.080 --> 0:25:26.520
<v Speaker 1>hear where maybe they could say it was part of it.

0:25:26.560 --> 0:25:30.600
<v Speaker 1>There been like to I would never have thought that though.

0:25:31.240 --> 0:25:33.200
<v Speaker 1>I mean, let me listen more in the morning and

0:25:33.359 --> 0:25:38.600
<v Speaker 1>the middle of that Jesus and now she can't get them. Man,

0:25:38.800 --> 0:25:42.119
<v Speaker 1>that girl shoh loves to the thing. I can't believe

0:25:42.240 --> 0:25:45.920
<v Speaker 1>that if this, if I would have been a brick wall,

0:25:46.760 --> 0:25:48.800
<v Speaker 1>if I would have been alive at this point, in

0:25:48.840 --> 0:25:52.560
<v Speaker 1>this format, I would have been protesting. I've been screaming

0:25:52.640 --> 0:25:55.320
<v Speaker 1>my brains out. I was selling almost twenty thousand a

0:25:55.400 --> 0:25:59.280
<v Speaker 1>week on the charge. I can't believe that's what stopped

0:25:59.359 --> 0:26:02.160
<v Speaker 1>that song. I even got my first piece of hate

0:26:02.160 --> 0:26:05.520
<v Speaker 1>mail over this song, like a real letter. I'm the

0:26:05.600 --> 0:26:08.719
<v Speaker 1>seven and what did what happened? I played it at

0:26:08.760 --> 0:26:12.800
<v Speaker 1>the Opery when we decided it was a single. Obviously,

0:26:12.880 --> 0:26:14.800
<v Speaker 1>you know when you played it. When we played the Opery,

0:26:14.840 --> 0:26:17.680
<v Speaker 1>we played the new the current song and this lady

0:26:18.840 --> 0:26:21.919
<v Speaker 1>and granted, I see what they were saying. As far

0:26:21.960 --> 0:26:28.600
<v Speaker 1>as the difference between family Man and Fish She she said,

0:26:28.680 --> 0:26:30.760
<v Speaker 1>you know, we were a big fan. We we love

0:26:30.880 --> 0:26:33.200
<v Speaker 1>the song family Man. I brought my kids to see you,

0:26:33.880 --> 0:26:38.840
<v Speaker 1>and then you played that filth. She was upset about it. Mike,

0:26:38.920 --> 0:26:42.920
<v Speaker 1>did you catch that now when you have to explain

0:26:43.000 --> 0:26:48.760
<v Speaker 1>it like I but even then that to this day,

0:26:48.800 --> 0:26:52.200
<v Speaker 1>I mean, I was felling my hair out just because

0:26:52.280 --> 0:26:54.640
<v Speaker 1>I said, Okay, you're telling me radio don't or people

0:26:54.800 --> 0:26:56.479
<v Speaker 1>listening to the radio doesn't want to hear this song.

0:26:56.520 --> 0:27:02.160
<v Speaker 1>But a week yeah, wow, okay, So there I want

0:27:02.200 --> 0:27:03.879
<v Speaker 1>here listen to this story, and then I want to

0:27:03.880 --> 0:27:06.240
<v Speaker 1>get into some live stuff. But so you're on a

0:27:06.320 --> 0:27:09.440
<v Speaker 1>label and you have this song called keep Them Kisses Coming,

0:27:09.440 --> 0:27:12.320
<v Speaker 1>and your label the time is called Bigger Picture. Bigger

0:27:12.359 --> 0:27:17.600
<v Speaker 1>Picture doesn't exist anymore, by the way, But what I'm

0:27:17.640 --> 0:27:26.000
<v Speaker 1>doing just rounded up. We got all sentimental little something

0:27:26.400 --> 0:27:30.320
<v Speaker 1>happen to you, just keep them Kisses Coming? Like I

0:27:30.400 --> 0:27:32.000
<v Speaker 1>love it. I love the song. When kind I was like, man,

0:27:32.040 --> 0:27:34.480
<v Speaker 1>this song is fine, stupbeat, it's cool, this country. It's Craig.

0:27:34.720 --> 0:27:36.400
<v Speaker 1>I don't really know you that well. Then, but dude,

0:27:36.400 --> 0:27:38.520
<v Speaker 1>you gotta come to the studio, you know. And so

0:27:39.560 --> 0:27:44.639
<v Speaker 1>your label disappears, and so we have a company, go

0:27:44.800 --> 0:27:47.280
<v Speaker 1>we gotta put Craig. This is an on the Verge song.

0:27:47.520 --> 0:27:51.200
<v Speaker 1>What it means is my company and I'm biased this crap,

0:27:51.440 --> 0:27:54.440
<v Speaker 1>and I chose to work for my company. I love

0:27:54.640 --> 0:27:56.720
<v Speaker 1>I her radio And it was like we had to

0:27:56.760 --> 0:27:59.480
<v Speaker 1>pick something that we think is gonna blow up, so

0:28:00.560 --> 0:28:02.280
<v Speaker 1>let's just get on board with the product. We think

0:28:02.320 --> 0:28:06.200
<v Speaker 1>it's already fantastic, and so boom, that's it. You're on

0:28:06.280 --> 0:28:11.280
<v Speaker 1>the very first one, the first one, and his label

0:28:12.119 --> 0:28:16.000
<v Speaker 1>folds as you're the on the verge artists number thirteen

0:28:16.080 --> 0:28:18.320
<v Speaker 1>on the chart. I get a phone call saying, hey,

0:28:18.520 --> 0:28:22.159
<v Speaker 1>um um, you're gonna see the press release tomorrow, but

0:28:22.520 --> 0:28:25.600
<v Speaker 1>well we're closing our doors. So here you are. And

0:28:25.680 --> 0:28:28.320
<v Speaker 1>he was smoking up the chart and you don't have

0:28:28.320 --> 0:28:30.800
<v Speaker 1>a record label, and I remember going, I ever talked

0:28:30.800 --> 0:28:32.320
<v Speaker 1>to you, like, dude, what are you gonna do? So

0:28:32.400 --> 0:28:35.240
<v Speaker 1>I guess you like hired the outside promoter or someone. Honestly,

0:28:35.320 --> 0:28:38.400
<v Speaker 1>the guys that worked for Bigger Pictures continued to call

0:28:38.480 --> 0:28:42.200
<v Speaker 1>and make calls, as well as myself. I started calling

0:28:42.240 --> 0:28:46.160
<v Speaker 1>people that I knew in radios, yourself included, saying, hey,

0:28:46.720 --> 0:28:48.520
<v Speaker 1>you know, even though the record labels closed, this is

0:28:48.560 --> 0:28:51.080
<v Speaker 1>a hit. You know, I'm still out here working. Let's

0:28:51.160 --> 0:28:54.480
<v Speaker 1>keep it going. And for the most part, radio was

0:28:54.640 --> 0:28:57.040
<v Speaker 1>very receptive to that, like, dude, we got you, and

0:28:57.080 --> 0:28:59.600
<v Speaker 1>it was almost like we wanted you to win because

0:28:59.640 --> 0:29:01.880
<v Speaker 1>we saw something just got swept right after underneath You

0:29:02.720 --> 0:29:06.800
<v Speaker 1>and um the I remember though, getting getting the phone

0:29:06.840 --> 0:29:09.800
<v Speaker 1>call from one of our guys that was working the

0:29:09.880 --> 0:29:14.240
<v Speaker 1>record he he uh. They were not allowed to log

0:29:14.320 --> 0:29:16.480
<v Speaker 1>into media base anymore, so they couldn't see who was

0:29:16.520 --> 0:29:18.520
<v Speaker 1>the media bas What shows the charts by the way, everybody,

0:29:18.560 --> 0:29:20.440
<v Speaker 1>lets think it shows you where songs are ranked and

0:29:20.760 --> 0:29:22.600
<v Speaker 1>how many spins this getting all of it. They can

0:29:22.600 --> 0:29:27.320
<v Speaker 1>look at specific stations and see where if you're losing spins,

0:29:27.360 --> 0:29:29.160
<v Speaker 1>they can find out where they're going, where they're where

0:29:29.160 --> 0:29:32.360
<v Speaker 1>they're getting lost. So they couldn't even see. They were

0:29:32.400 --> 0:29:37.560
<v Speaker 1>flying blind basically. So I was having other record promo

0:29:37.640 --> 0:29:42.360
<v Speaker 1>guys send me screenshots of the ups and down spins

0:29:42.480 --> 0:29:44.640
<v Speaker 1>because I said, you know, if they're down five or more,

0:29:44.920 --> 0:29:47.440
<v Speaker 1>let me know so I can call them and say, man,

0:29:47.480 --> 0:29:51.440
<v Speaker 1>we're still here. Keep let's go and U Fortunately, with

0:29:51.560 --> 0:29:54.320
<v Speaker 1>the help of my the guys that was working the

0:29:54.400 --> 0:29:57.880
<v Speaker 1>song with Bigger Picture, um we we we kept it

0:29:57.920 --> 0:30:00.520
<v Speaker 1>going for another six spots, and so in that peaking

0:30:00.560 --> 0:30:03.720
<v Speaker 1>where seven with no record label. I can remember sitting

0:30:03.720 --> 0:30:05.440
<v Speaker 1>in New York at a table and I remember texting

0:30:05.480 --> 0:30:07.440
<v Speaker 1>you and I'm sitting with Tom Polman, who's the president

0:30:07.480 --> 0:30:11.280
<v Speaker 1>of all of I heard all of the formats, um

0:30:11.520 --> 0:30:13.720
<v Speaker 1>and so like Rod Phillips is my boss, He's the

0:30:13.720 --> 0:30:16.440
<v Speaker 1>head of country and Rod's bosses over all the formats

0:30:16.440 --> 0:30:19.080
<v Speaker 1>I remember seen with home like what are we gonna do?

0:30:19.880 --> 0:30:21.200
<v Speaker 1>Like both of them like what are we gonna do?

0:30:21.280 --> 0:30:23.280
<v Speaker 1>And we'll stay at this charity event. It's like man

0:30:23.480 --> 0:30:25.800
<v Speaker 1>pedal to the metal, like this is our dude, let's

0:30:25.840 --> 0:30:28.040
<v Speaker 1>do it and without a record label for like another

0:30:28.120 --> 0:30:30.560
<v Speaker 1>month and a half. I hope you're proud of that.

0:30:30.640 --> 0:30:32.080
<v Speaker 1>And you know what, I think it's the number one

0:30:32.120 --> 0:30:33.760
<v Speaker 1>song that you just got screwed out of. Oh, I

0:30:33.840 --> 0:30:35.640
<v Speaker 1>believe it. I believe it. It was the dumb the

0:30:35.880 --> 0:30:39.520
<v Speaker 1>metrics on the song that downloads, the the way it

0:30:39.640 --> 0:30:42.080
<v Speaker 1>was moving and people adding it and converting it at radio.

0:30:42.160 --> 0:30:43.960
<v Speaker 1>It was it was moving too fast for it not

0:30:44.160 --> 0:30:47.680
<v Speaker 1>to to peak at number one. Um I. But I

0:30:47.800 --> 0:30:50.080
<v Speaker 1>even sent a text message to Clay Hunkah who was

0:30:50.360 --> 0:30:55.680
<v Speaker 1>uh he was? And because I felt bad that that

0:30:55.840 --> 0:30:59.000
<v Speaker 1>had happened on the very first on the Verge. I

0:30:59.120 --> 0:31:02.800
<v Speaker 1>felt I felt like I let Clay down and he's like, dude,

0:31:02.920 --> 0:31:05.720
<v Speaker 1>you you didn't have you didn't have any You know

0:31:05.840 --> 0:31:08.160
<v Speaker 1>that it wasn't your fault, but I still felt a

0:31:08.240 --> 0:31:10.880
<v Speaker 1>little responsible on behalf of a bigger picture that they,

0:31:12.960 --> 0:31:15.560
<v Speaker 1>for lack of a better, couldn't hold it together long

0:31:15.720 --> 0:31:19.320
<v Speaker 1>enough to see it through on that label at that time.

0:31:19.480 --> 0:31:22.600
<v Speaker 1>Who else was on Bigger Picture? We know Lucy hell

0:31:22.760 --> 0:31:26.480
<v Speaker 1>was there, but that was a Disney partnership because I

0:31:26.520 --> 0:31:28.920
<v Speaker 1>remember her coming in and her being, um, who else

0:31:28.960 --> 0:31:35.520
<v Speaker 1>was on Bigger Picture? Jansen? Chris Jansen? Right? I think

0:31:35.720 --> 0:31:38.760
<v Speaker 1>Chris Cagle had already been had already separated, went his

0:31:38.840 --> 0:31:45.239
<v Speaker 1>own way. Um, they were developing smith Field. Yeah, um,

0:31:45.640 --> 0:31:48.240
<v Speaker 1>but now they're they're starting to kind of pop up again.

0:31:50.200 --> 0:31:51.680
<v Speaker 1>I think that's it. But it was it was you.

0:31:52.480 --> 0:31:54.920
<v Speaker 1>You were the leader of that label, and then Jansen

0:31:55.000 --> 0:31:58.160
<v Speaker 1>had um better I don't and it had done okay,

0:31:58.360 --> 0:31:59.800
<v Speaker 1>and then he got dropped for a long time, and

0:32:00.480 --> 0:32:02.240
<v Speaker 1>the whole buy Me a Boat stories a whole different

0:32:02.320 --> 0:32:06.160
<v Speaker 1>anomaly of of of what happened there. Wow, that that

0:32:06.800 --> 0:32:08.800
<v Speaker 1>losing your record label at the high end of your

0:32:08.880 --> 0:32:11.760
<v Speaker 1>career is a crazy story. It was. It was a

0:32:12.040 --> 0:32:15.200
<v Speaker 1>very deflating. I didn't I didn't see it coming at all. Well,

0:32:15.200 --> 0:32:19.600
<v Speaker 1>I mean, in retrospect, I saw signs of struggles, you know,

0:32:20.600 --> 0:32:23.840
<v Speaker 1>financial struggles. I knew something was something was shaky. I

0:32:23.920 --> 0:32:26.520
<v Speaker 1>didn't know it was enough to shut down those especially

0:32:27.680 --> 0:32:29.920
<v Speaker 1>knowing the seeing the finish line, you know what I'm saying,

0:32:29.960 --> 0:32:34.120
<v Speaker 1>Like you could actually see the big success webbing up

0:32:34.200 --> 0:32:37.240
<v Speaker 1>front and the and obviously having a hit song and

0:32:37.400 --> 0:32:39.760
<v Speaker 1>following it up with another song. We felt like the

0:32:39.840 --> 0:32:42.640
<v Speaker 1>momentum the train was strong. So I was I was

0:32:42.680 --> 0:32:45.880
<v Speaker 1>super shocked. So I do know for a while, Like

0:32:46.160 --> 0:32:48.960
<v Speaker 1>as we get away from music for a second, you

0:32:49.040 --> 0:32:51.040
<v Speaker 1>used to work in a jail or there's different a

0:32:51.080 --> 0:32:54.280
<v Speaker 1>jail of prison. Which did you work prison? You worked

0:32:54.280 --> 0:32:58.040
<v Speaker 1>in the real deal as what I was a correctional officer,

0:32:59.000 --> 0:33:03.600
<v Speaker 1>So you were correctional officer for a mail president. Which

0:33:03.960 --> 0:33:06.959
<v Speaker 1>which president? The first prison I worked at was down

0:33:07.040 --> 0:33:11.320
<v Speaker 1>in Glennville, Georgia. How did you get that job? Um? My,

0:33:11.720 --> 0:33:17.880
<v Speaker 1>my stepdad. He he was he was very uh connected

0:33:18.360 --> 0:33:21.000
<v Speaker 1>with the Georgia Department of Corrections. He was he was

0:33:21.120 --> 0:33:23.360
<v Speaker 1>the maintenance farm and basically took care of all the

0:33:23.920 --> 0:33:27.240
<v Speaker 1>trooper vehicles, the farm, the tractors, and he was he

0:33:27.360 --> 0:33:29.560
<v Speaker 1>was a fairly big deal at the at the prison

0:33:30.280 --> 0:33:32.640
<v Speaker 1>not far from my house. And then my also my uncle,

0:33:33.760 --> 0:33:37.440
<v Speaker 1>my daddy's brother. Um, he was head of security, like

0:33:38.320 --> 0:33:41.360
<v Speaker 1>head of training for the whole entire state to Georgia.

0:33:42.160 --> 0:33:45.080
<v Speaker 1>So it was a it was a they were hiring

0:33:45.160 --> 0:33:47.000
<v Speaker 1>like crazy anyways, but it was it was cool to

0:33:47.040 --> 0:33:49.040
<v Speaker 1>go in and say, hey, I'm I'm Wayne Campbell's son.

0:33:49.840 --> 0:33:54.760
<v Speaker 1>Uh so I got I got um stationed at a

0:33:54.840 --> 0:33:56.800
<v Speaker 1>prison about thirty miles from my house. What's it like

0:33:56.880 --> 0:33:59.280
<v Speaker 1>your first day going into a prison? Oh, it's it's

0:34:00.360 --> 0:34:03.640
<v Speaker 1>Is it intimidating anything? Very especially I was eighteen years old,

0:34:04.200 --> 0:34:06.560
<v Speaker 1>So you're going at eighteen, you're a prison guard, you're

0:34:06.560 --> 0:34:10.600
<v Speaker 1>automatically hated. No, honestly, I mean there's a there's a

0:34:10.640 --> 0:34:15.840
<v Speaker 1>misconception with with prison. There's I mean the inmates have

0:34:16.040 --> 0:34:19.160
<v Speaker 1>a job and have a role, as well as the

0:34:19.640 --> 0:34:23.359
<v Speaker 1>correctional officers. For the most part, I would say nine

0:34:23.920 --> 0:34:27.080
<v Speaker 1>of the people in prison they just want to They

0:34:27.160 --> 0:34:30.200
<v Speaker 1>just want to have a smooth existence. They don't want

0:34:30.239 --> 0:34:32.520
<v Speaker 1>to cause any trouble. Where is there any trouble while

0:34:32.520 --> 0:34:35.520
<v Speaker 1>you're working? I never saw any hardcore trouble. Um. I

0:34:35.640 --> 0:34:39.120
<v Speaker 1>did see a few fights, um, which is probably natural

0:34:39.160 --> 0:34:41.680
<v Speaker 1>when together a bunch of dudes that lived together and

0:34:42.560 --> 0:34:44.840
<v Speaker 1>to see each other every day. And there's there's not

0:34:45.000 --> 0:34:47.720
<v Speaker 1>many resources or no you know, no outlets or whatever,

0:34:47.840 --> 0:34:50.000
<v Speaker 1>but so you would. I mean, it's just things are

0:34:50.000 --> 0:34:52.680
<v Speaker 1>gonna come to a head where they're like shanks and

0:34:52.719 --> 0:34:55.239
<v Speaker 1>stuff all around. Oh yeah, yeah, we we found those.

0:34:55.320 --> 0:34:59.720
<v Speaker 1>But after after working there for a while, I realized

0:34:59.760 --> 0:35:03.840
<v Speaker 1>that most of the things that we found during searches

0:35:03.880 --> 0:35:06.640
<v Speaker 1>and whatnot, we're there for us to find, so that

0:35:06.719 --> 0:35:11.640
<v Speaker 1>we wouldn't find the big stuff exactly. We'd find a

0:35:11.840 --> 0:35:15.920
<v Speaker 1>we'd foind a what we call buck. It was basically

0:35:15.960 --> 0:35:20.040
<v Speaker 1>a milk jug or a bladder full of homemade whiskey.

0:35:20.719 --> 0:35:22.960
<v Speaker 1>But that was just to throw you off so you

0:35:23.000 --> 0:35:26.279
<v Speaker 1>wouldn't find the big stash. Was there ever a time

0:35:26.320 --> 0:35:28.440
<v Speaker 1>where you felt, as you were working inside the prison

0:35:29.239 --> 0:35:32.520
<v Speaker 1>where you were really vulnerable, maybe put yourself into a

0:35:32.520 --> 0:35:34.879
<v Speaker 1>position it was too vulnerable for being there at that time?

0:35:35.040 --> 0:35:37.640
<v Speaker 1>There was one guy that I wouldn't say I was

0:35:37.880 --> 0:35:40.560
<v Speaker 1>his friend, but he was. He was. He was in

0:35:40.600 --> 0:35:42.480
<v Speaker 1>the R and B. He loved to sing. He was

0:35:42.520 --> 0:35:45.440
<v Speaker 1>singing all the time, and I loved it. So we

0:35:45.520 --> 0:35:49.560
<v Speaker 1>would we'd sing in the hallways. We go out into

0:35:49.560 --> 0:35:52.480
<v Speaker 1>the hallway and just shoot, you know. He'd sing some

0:35:52.560 --> 0:35:54.520
<v Speaker 1>boys the men, and I joined in sing harmony with him,

0:35:54.880 --> 0:35:56.920
<v Speaker 1>so we hit it off. I think I think there

0:35:57.000 --> 0:36:00.120
<v Speaker 1>might have the relationship might have been too close for

0:36:00.280 --> 0:36:05.000
<v Speaker 1>inmate officer, you know, because I I liked him. I mean,

0:36:05.040 --> 0:36:06.920
<v Speaker 1>he was in there, he was it was a very

0:36:06.960 --> 0:36:09.359
<v Speaker 1>low security prison, so he couldn't have been in there

0:36:09.400 --> 0:36:12.719
<v Speaker 1>for nothing too bad. So my guard was down and

0:36:12.920 --> 0:36:15.120
<v Speaker 1>and but I enjoyed. I enjoyed hanging out with him.

0:36:15.640 --> 0:36:19.279
<v Speaker 1>You never were, did anyone like corner you or no?

0:36:19.520 --> 0:36:21.640
<v Speaker 1>I have one guy one time, and this is I

0:36:21.680 --> 0:36:24.000
<v Speaker 1>remember this because it was the only time he was

0:36:24.320 --> 0:36:26.560
<v Speaker 1>he was being disrespectful to me. And that's and that's

0:36:26.680 --> 0:36:28.880
<v Speaker 1>the whole key. I feel like when you work at

0:36:28.880 --> 0:36:30.960
<v Speaker 1>a prison, just got a maintained respect for those guys

0:36:31.640 --> 0:36:34.800
<v Speaker 1>that respect you because of the badge. But there was

0:36:34.880 --> 0:36:36.879
<v Speaker 1>one guy he was he was giving me all kinds

0:36:36.920 --> 0:36:38.960
<v Speaker 1>of grief and and just wouldn't do what he was

0:36:38.960 --> 0:36:42.280
<v Speaker 1>supposed to be doing. And I and and out. Man. Honestly,

0:36:42.440 --> 0:36:45.280
<v Speaker 1>back eighteen nineteen years old, I was a DW five pounds,

0:36:47.160 --> 0:36:50.399
<v Speaker 1>just this five eight, you know, a little bitty dude.

0:36:51.040 --> 0:36:54.959
<v Speaker 1>I barely could grow a mustache, uh, and I vowed

0:36:55.040 --> 0:36:56.759
<v Speaker 1>up at him. I says, man, if you for one

0:36:56.800 --> 0:37:01.440
<v Speaker 1>minute think that I can't handle myself, you're mistaken. And

0:37:01.520 --> 0:37:03.560
<v Speaker 1>from that point forward we have we had the greatest

0:37:03.719 --> 0:37:09.000
<v Speaker 1>We had the greatest relationship because because I mean, I

0:37:09.200 --> 0:37:12.960
<v Speaker 1>was honestly, I was scared to death, right, But I've

0:37:13.120 --> 0:37:16.680
<v Speaker 1>separated him from them, from the general population. Obviously, you don't.

0:37:16.800 --> 0:37:19.600
<v Speaker 1>You don't confront a man in front of his friends,

0:37:20.360 --> 0:37:23.200
<v Speaker 1>because then you know he's not gonna have that. So

0:37:23.520 --> 0:37:25.600
<v Speaker 1>I said, let's follow me, and we talked, and I said,

0:37:25.640 --> 0:37:27.120
<v Speaker 1>and that's when I said, I said, if you if,

0:37:27.320 --> 0:37:29.080
<v Speaker 1>if you don't, if you think I can handle this,

0:37:29.800 --> 0:37:32.239
<v Speaker 1>you that's the biggest mistake you're gonna make. So at

0:37:32.280 --> 0:37:34.120
<v Speaker 1>eighteen years old, and how long did you work at

0:37:34.120 --> 0:37:37.279
<v Speaker 1>the prison, I would say two and a half years.

0:37:37.360 --> 0:37:41.040
<v Speaker 1>Were you playing music to make money as the beginning

0:37:41.120 --> 0:37:43.080
<v Speaker 1>part of a career then, or was that still just

0:37:43.200 --> 0:37:45.640
<v Speaker 1>kind of a dream that you wanted to try later.

0:37:45.800 --> 0:37:48.160
<v Speaker 1>I wasn't playing music yet, so no music, No I was.

0:37:48.280 --> 0:37:51.080
<v Speaker 1>I was basically just on the weekends, I'd go to

0:37:51.160 --> 0:37:52.799
<v Speaker 1>a bar and try to find a band I could

0:37:52.800 --> 0:37:54.799
<v Speaker 1>sit in with. But the thing is for you, because

0:37:54.840 --> 0:37:58.799
<v Speaker 1>I know you started playing young, like you played playing piano,

0:37:58.920 --> 0:38:01.000
<v Speaker 1>but nineteen years althing like that. Well, I played piano

0:38:01.080 --> 0:38:02.800
<v Speaker 1>for my church from the time I was I don't know,

0:38:03.560 --> 0:38:06.480
<v Speaker 1>nine years old. And how at nine do you start

0:38:06.520 --> 0:38:08.799
<v Speaker 1>playing piano for your church? They didn't have anybody else.

0:38:09.239 --> 0:38:11.000
<v Speaker 1>And so did you start taking lessons when you're away

0:38:11.080 --> 0:38:14.640
<v Speaker 1>young grandma? You know I took lessons for a minute,

0:38:14.920 --> 0:38:18.120
<v Speaker 1>and uh, the story my mama tells me is that

0:38:19.000 --> 0:38:22.000
<v Speaker 1>the the teacher came to them after about three or

0:38:22.040 --> 0:38:24.520
<v Speaker 1>four lessons and said, listen, this is you're wasting your money.

0:38:25.480 --> 0:38:29.080
<v Speaker 1>He's not learning anything. He's memorizing it, so I would

0:38:29.400 --> 0:38:32.520
<v Speaker 1>remember where my hands go as opposed to knowing what

0:38:32.640 --> 0:38:36.360
<v Speaker 1>I'm reading. So she said, all he wants to do

0:38:36.480 --> 0:38:38.640
<v Speaker 1>is learn how to play songs. She said, I'm gonna

0:38:38.640 --> 0:38:41.759
<v Speaker 1>teach him three or four songs to play at church.

0:38:42.640 --> 0:38:45.840
<v Speaker 1>And that was it. And then the church the piano

0:38:45.880 --> 0:38:48.040
<v Speaker 1>player quit and I was the closest thing they had

0:38:48.120 --> 0:38:50.319
<v Speaker 1>to a piano player. So so you're ten years old

0:38:50.560 --> 0:38:56.400
<v Speaker 1>and the church Sunday morning, Sunday night, Wednesday, vacation, Bible school.

0:38:56.600 --> 0:38:58.440
<v Speaker 1>I was I mean, now, I was the guy so

0:38:58.600 --> 0:39:01.680
<v Speaker 1>you are you learning though at ten eleven, twelve years old,

0:39:02.239 --> 0:39:04.680
<v Speaker 1>So that was the real learning for you. It went

0:39:04.760 --> 0:39:09.279
<v Speaker 1>from hunting and picking you to literally, you know, being

0:39:09.360 --> 0:39:13.239
<v Speaker 1>able to carry on the full services. And I've said

0:39:13.280 --> 0:39:15.400
<v Speaker 1>this about you before because I've seen you play and

0:39:15.520 --> 0:39:18.040
<v Speaker 1>a lot, and I think it's it's something. If I'm wrong,

0:39:18.040 --> 0:39:19.200
<v Speaker 1>I mean it's a couple of things. I think you

0:39:19.800 --> 0:39:21.680
<v Speaker 1>were grinding a long time and as you grind, you

0:39:21.840 --> 0:39:24.600
<v Speaker 1>learn and you pick up. And on top of that,

0:39:24.760 --> 0:39:27.960
<v Speaker 1>there's some sort of musical intuition inside of you too

0:39:28.080 --> 0:39:29.960
<v Speaker 1>that you can figure things out as you go. And

0:39:30.320 --> 0:39:32.560
<v Speaker 1>they really great ones of a combination of both. And

0:39:32.680 --> 0:39:35.120
<v Speaker 1>I think as far as musician wise, you're one of

0:39:35.160 --> 0:39:36.719
<v Speaker 1>the really great ones. And I'll talk about why coming

0:39:36.800 --> 0:39:40.080
<v Speaker 1>up in a bit. But when you sit down and

0:39:40.160 --> 0:39:41.839
<v Speaker 1>you hear a song, how do you figure it out?

0:39:41.840 --> 0:39:44.800
<v Speaker 1>Do you see colors? Do you do your hand? Do

0:39:44.920 --> 0:39:48.319
<v Speaker 1>your hands fall to a certain place? Because every artist

0:39:48.400 --> 0:39:50.319
<v Speaker 1>is a different way, they go, Okay, I'm hearing this song.

0:39:50.480 --> 0:39:55.560
<v Speaker 1>Let me let me chase colors. He sees colors. I

0:39:55.600 --> 0:40:00.279
<v Speaker 1>don't see colors at all. I do here no umbers

0:40:00.360 --> 0:40:03.360
<v Speaker 1>or see numbers like I can. I can hear it

0:40:03.400 --> 0:40:05.279
<v Speaker 1>and say, oh, that's a six minor or two minor,

0:40:05.600 --> 0:40:07.360
<v Speaker 1>you know, and that's the national You can hear it

0:40:07.920 --> 0:40:09.719
<v Speaker 1>and go, I know what that is. That's as long

0:40:09.719 --> 0:40:11.360
<v Speaker 1>as you tell me what kids and I could I

0:40:11.440 --> 0:40:17.600
<v Speaker 1>could play it by the number system. So you're learning

0:40:17.800 --> 0:40:21.560
<v Speaker 1>to play piano through these years. At what point you're ten,

0:40:21.640 --> 0:40:23.840
<v Speaker 1>you're playing through church. You never think this is what

0:40:23.920 --> 0:40:26.080
<v Speaker 1>I want to do or I'm going to really do it.

0:40:26.160 --> 0:40:27.560
<v Speaker 1>Is that because of where you live and there's wren

0:40:27.560 --> 0:40:28.840
<v Speaker 1>a lot of people that were doing it. Because I

0:40:28.840 --> 0:40:30.319
<v Speaker 1>know for me, that's why I never thought I could

0:40:30.320 --> 0:40:32.279
<v Speaker 1>do anything. Nobody else did it. Yeah, when I when

0:40:32.320 --> 0:40:34.960
<v Speaker 1>I graduated high school, that the prison, that was it.

0:40:35.120 --> 0:40:36.839
<v Speaker 1>That was it was like a sawmill in my town.

0:40:36.880 --> 0:40:39.040
<v Speaker 1>Like you worked at the sawmill when you finished high school?

0:40:39.080 --> 0:40:40.920
<v Speaker 1>And and I was. I had a I had a girlfriend.

0:40:41.120 --> 0:40:45.000
<v Speaker 1>We we uh we were high school sweethearts. Um. I

0:40:45.080 --> 0:40:46.719
<v Speaker 1>got the job at the prison. The first thing I

0:40:46.800 --> 0:40:49.359
<v Speaker 1>did was going by an engagement ring. So we were

0:40:49.440 --> 0:40:52.480
<v Speaker 1>engaged because it was the thing to do. And um,

0:40:53.640 --> 0:40:57.800
<v Speaker 1>but whenever the prison, whenever I quit that that was

0:40:58.040 --> 0:41:00.719
<v Speaker 1>that was when I said you know what, because there

0:41:00.760 --> 0:41:03.160
<v Speaker 1>was a club in my hometown that UM that I

0:41:03.239 --> 0:41:07.960
<v Speaker 1>went to often, South Georgia, little town called Lions, Georgia. Lions, Georgia,

0:41:08.360 --> 0:41:11.360
<v Speaker 1>there's a little club called Carrigan's Country and it was

0:41:11.400 --> 0:41:15.399
<v Speaker 1>a six night a week, full live band, six nights

0:41:15.440 --> 0:41:18.520
<v Speaker 1>a week, so there was music playing. Or for you,

0:41:18.680 --> 0:41:20.520
<v Speaker 1>there was a six night a week gig. No, no,

0:41:20.800 --> 0:41:23.319
<v Speaker 1>there was music. There was a live band Monday through

0:41:23.360 --> 0:41:25.640
<v Speaker 1>Saturday every week, so you could I could go at

0:41:25.640 --> 0:41:28.000
<v Speaker 1>any time and see live music. And that's when I say,

0:41:28.120 --> 0:41:30.120
<v Speaker 1>like when I would leave the prison, I would go

0:41:30.239 --> 0:41:33.239
<v Speaker 1>to town and and who, I don't care who it was,

0:41:33.719 --> 0:41:35.200
<v Speaker 1>I was gonna ask can I get up to sing

0:41:35.239 --> 0:41:38.800
<v Speaker 1>a song? I became buddies with the owner UM, and

0:41:38.880 --> 0:41:40.840
<v Speaker 1>I told him. I says, hey, if I put a

0:41:40.880 --> 0:41:42.960
<v Speaker 1>band together, will you will you let me play her?

0:41:43.520 --> 0:41:45.879
<v Speaker 1>And he said yeah. He said, just you have to come.

0:41:46.320 --> 0:41:47.799
<v Speaker 1>You have to come show me what you got first.

0:41:47.880 --> 0:41:50.600
<v Speaker 1>I'm not just gonna clear my schedule. So we came up.

0:41:50.640 --> 0:41:53.960
<v Speaker 1>We practiced for about four weeks and UM came in

0:41:54.080 --> 0:41:56.319
<v Speaker 1>on a Thursday night and he he told the band

0:41:56.400 --> 0:41:58.920
<v Speaker 1>and let us get up and play all our instruments.

0:41:59.080 --> 0:42:00.920
<v Speaker 1>Who's with you? By the way, the band, like, what

0:42:01.120 --> 0:42:03.040
<v Speaker 1>did you grab some friends from home? Yeaheah, I know

0:42:03.120 --> 0:42:07.879
<v Speaker 1>we were all local. Um, there's a guy playing guitar.

0:42:07.920 --> 0:42:10.200
<v Speaker 1>His name is James Watkins. He lives here now. I

0:42:10.320 --> 0:42:13.400
<v Speaker 1>think the last I heard he was playing for Steve Holly.

0:42:13.640 --> 0:42:15.239
<v Speaker 1>It was a few years ago. So these are guys

0:42:15.280 --> 0:42:17.040
<v Speaker 1>so that you kind of just knew around towns and hey,

0:42:17.080 --> 0:42:18.879
<v Speaker 1>let's get together and go at least make a little

0:42:18.880 --> 0:42:20.560
<v Speaker 1>bit of money. And then the bass player, he was

0:42:21.000 --> 0:42:22.840
<v Speaker 1>just a buddy. We knew. Chris O'Neil. He was he

0:42:22.920 --> 0:42:28.040
<v Speaker 1>lived in Videlia. Um, he he knew a drummer. So

0:42:28.280 --> 0:42:31.440
<v Speaker 1>he's like, let's do this, and so yeah, we put

0:42:31.520 --> 0:42:33.520
<v Speaker 1>together a little set list and we came in and

0:42:33.600 --> 0:42:36.480
<v Speaker 1>played that night and and the owner Gary, he said,

0:42:36.840 --> 0:42:40.960
<v Speaker 1>all right, all right, back be back Monday morning. So

0:42:41.080 --> 0:42:44.360
<v Speaker 1>you go back Monday thinking what we had made it.

0:42:44.880 --> 0:42:46.239
<v Speaker 1>You had made it as what like you're gonna just

0:42:46.280 --> 0:42:49.000
<v Speaker 1>play Monday or you were gonna be that band cleared

0:42:49.040 --> 0:42:51.040
<v Speaker 1>his schedule and why did it? Said the other band?

0:42:51.120 --> 0:42:55.160
<v Speaker 1>You got fired? He different different bands every week. Okay,

0:42:55.200 --> 0:42:57.320
<v Speaker 1>so you went in and you had one week then yeah,

0:42:57.520 --> 0:42:59.160
<v Speaker 1>so he played for a week and then he gave

0:42:59.200 --> 0:43:00.960
<v Speaker 1>me the next week, and and you gave me what

0:43:01.200 --> 0:43:05.279
<v Speaker 1>ended up being thirteen solid straight weeks of playing six nights. Man,

0:43:05.480 --> 0:43:08.480
<v Speaker 1>I bet that was just heaven, right man, because you

0:43:08.520 --> 0:43:13.680
<v Speaker 1>were actually making money even the thing you love. And

0:43:13.800 --> 0:43:15.880
<v Speaker 1>I can relate on to a level. And it's funny

0:43:15.880 --> 0:43:18.160
<v Speaker 1>because I was talking about some friends. We played a

0:43:18.200 --> 0:43:21.520
<v Speaker 1>show and we like played spring Filmssouri and then play Tulsa,

0:43:21.960 --> 0:43:23.759
<v Speaker 1>and we were gonna fly back from Tulison. We're like, scirt,

0:43:23.800 --> 0:43:25.480
<v Speaker 1>let's just get a car, will just drive back ten hours.

0:43:25.640 --> 0:43:28.440
<v Speaker 1>And the great thing about having people in a band

0:43:28.480 --> 0:43:31.400
<v Speaker 1>that you enjoy is that the enjoyment of just the

0:43:31.480 --> 0:43:36.120
<v Speaker 1>fellowship and inside of our group. I get to have

0:43:36.280 --> 0:43:38.200
<v Speaker 1>people that I really enjoy because I get to control

0:43:38.239 --> 0:43:40.200
<v Speaker 1>it and listen. We're not winning, We're not Craig Campbell.

0:43:40.239 --> 0:43:42.839
<v Speaker 1>We're not good, but we put on a really entertaining show.

0:43:43.760 --> 0:43:47.520
<v Speaker 1>It's nuts whatever you you can say that, but I've heard,

0:43:47.719 --> 0:43:49.480
<v Speaker 1>I'm I can't not wait to see you guys. I've

0:43:49.520 --> 0:43:51.920
<v Speaker 1>heard it is a blast and I'm looking forward to it.

0:43:52.000 --> 0:43:54.239
<v Speaker 1>It's like a dumpster fire with fireworks, Like I can't

0:43:54.239 --> 0:43:57.000
<v Speaker 1>stop looking at it and listen, We've gotten better. But

0:43:57.320 --> 0:44:00.760
<v Speaker 1>my point is, even with the morning show, surrounded myself

0:44:00.800 --> 0:44:02.839
<v Speaker 1>with people that I enjoy being around, the same thing

0:44:02.880 --> 0:44:06.120
<v Speaker 1>with this band, and I'm talking with I don't know

0:44:06.160 --> 0:44:08.719
<v Speaker 1>if you know Brandon Ray at all. Okay, so he's

0:44:08.960 --> 0:44:11.600
<v Speaker 1>a new artist and he's been playing a few songs

0:44:11.680 --> 0:44:13.880
<v Speaker 1>with this and we were talking and I was like,

0:44:14.520 --> 0:44:18.160
<v Speaker 1>you know, for me, I grew up super humble, like

0:44:18.719 --> 0:44:21.360
<v Speaker 1>like a lot of us did. I grew up you know,

0:44:21.560 --> 0:44:23.800
<v Speaker 1>and I mean money. It was a welfare kid, of

0:44:23.840 --> 0:44:26.680
<v Speaker 1>food stamp kid. You know, I didn't have a dad.

0:44:26.840 --> 0:44:28.800
<v Speaker 1>Why why? I have told the story hundred times. But

0:44:28.960 --> 0:44:30.640
<v Speaker 1>I was like, in a way, I look at that

0:44:30.719 --> 0:44:33.520
<v Speaker 1>as a blessing because I knew how to be poor

0:44:34.520 --> 0:44:36.239
<v Speaker 1>and for me to do what I loved to do,

0:44:36.640 --> 0:44:38.880
<v Speaker 1>I had to be poor for a long time. So

0:44:38.960 --> 0:44:40.600
<v Speaker 1>when I got my first radio job and I was

0:44:40.640 --> 0:44:43.359
<v Speaker 1>a teenager and I was making I don't even think

0:44:43.360 --> 0:44:45.960
<v Speaker 1>it was minimum wage, frankly, because you know, sometimes you

0:44:45.960 --> 0:44:48.200
<v Speaker 1>just didn't pay minimum wage. It was just a radio

0:44:48.239 --> 0:44:51.680
<v Speaker 1>station that I already knew how to be poor. But

0:44:51.800 --> 0:44:55.200
<v Speaker 1>I loved what I was doing so much that I

0:44:55.440 --> 0:44:56.960
<v Speaker 1>was able to be poor and do what I loved

0:44:57.000 --> 0:44:59.480
<v Speaker 1>and that's all that mattered. And because I loved it

0:44:59.719 --> 0:45:02.800
<v Speaker 1>so much, I worked so much harder at it, and

0:45:02.880 --> 0:45:06.560
<v Speaker 1>that allowed me to slowly climb that ladder. And I

0:45:06.640 --> 0:45:09.759
<v Speaker 1>wonder as you tell the story, it's almost like I'm

0:45:09.880 --> 0:45:11.800
<v Speaker 1>if it makes this listening to a mirror, because I

0:45:11.840 --> 0:45:14.040
<v Speaker 1>know you're not making any money really playing these weekly.

0:45:14.280 --> 0:45:16.480
<v Speaker 1>You make a little money, you can tell money, but

0:45:16.600 --> 0:45:18.160
<v Speaker 1>it's not like you're making money that you can do

0:45:18.320 --> 0:45:20.600
<v Speaker 1>this to your fifty years old at this point. But

0:45:20.719 --> 0:45:22.279
<v Speaker 1>you have to be loving it, right, you have to,

0:45:23.040 --> 0:45:25.759
<v Speaker 1>And that's you know, I've even even to the to

0:45:25.880 --> 0:45:28.759
<v Speaker 1>where I am today. I have people ask me all

0:45:28.760 --> 0:45:32.319
<v Speaker 1>the times, like, man, Um, they get so frustrated by

0:45:32.400 --> 0:45:35.279
<v Speaker 1>calls they haven't made it, And I'm like, okay, well

0:45:35.920 --> 0:45:39.880
<v Speaker 1>are you having fun? You know, playing morder on Lower Broadway?

0:45:39.920 --> 0:45:42.160
<v Speaker 1>Are you having fun doing it? Man? It's just you know,

0:45:42.200 --> 0:45:43.960
<v Speaker 1>I'll get tired of playing every night. Well, well don't

0:45:43.960 --> 0:45:45.480
<v Speaker 1>do it if you don't, if you're not having a

0:45:45.520 --> 0:45:49.360
<v Speaker 1>good time. They see other people doing other things and

0:45:49.440 --> 0:45:52.440
<v Speaker 1>they wish they could do that instead of just and

0:45:52.520 --> 0:45:56.120
<v Speaker 1>we're all guilty of this at some point, um. But

0:45:56.239 --> 0:45:59.000
<v Speaker 1>if they see people around them doing bigger things and

0:45:59.040 --> 0:46:00.920
<v Speaker 1>think why can't that mean me? But you know what,

0:46:01.040 --> 0:46:03.040
<v Speaker 1>those people who are making it now at one point

0:46:03.080 --> 0:46:05.640
<v Speaker 1>where the same person looking at other people going why

0:46:05.680 --> 0:46:08.080
<v Speaker 1>can't that be me? And it's really rare that that

0:46:08.239 --> 0:46:12.080
<v Speaker 1>doesn't happen to someone. So back to you. You're playing

0:46:12.280 --> 0:46:15.360
<v Speaker 1>thirteen weeks in a row, and you gotta be like,

0:46:15.680 --> 0:46:18.040
<v Speaker 1>this is it? This is awesome? Like I'm playing music

0:46:18.239 --> 0:46:21.840
<v Speaker 1>and I'm paying my bills, Like what greater thrill to

0:46:21.880 --> 0:46:24.600
<v Speaker 1>do something that you love and to support yourself by

0:46:24.640 --> 0:46:27.399
<v Speaker 1>doing Because most people were lucky, dude, Most people hate

0:46:27.400 --> 0:46:30.440
<v Speaker 1>their jobs. Most people in life hate I believe that

0:46:30.960 --> 0:46:33.160
<v Speaker 1>my my stiddad hated job worked and so hated his

0:46:33.239 --> 0:46:34.759
<v Speaker 1>job every day came home was always like I hate

0:46:34.800 --> 0:46:36.520
<v Speaker 1>this job, but he did it so we could eat.

0:46:37.400 --> 0:46:38.840
<v Speaker 1>And he hated a job, but he did it for us.

0:46:39.800 --> 0:46:41.600
<v Speaker 1>I never hated my job like I had jobs and

0:46:41.680 --> 0:46:44.200
<v Speaker 1>I was younger when I golf force maintenance or you know,

0:46:44.239 --> 0:46:48.239
<v Speaker 1>when I worked at the marina. But I loved my

0:46:48.360 --> 0:46:50.000
<v Speaker 1>job even when I was like, now you're loving your

0:46:50.040 --> 0:46:52.120
<v Speaker 1>job and you're playing music every night, and so when

0:46:52.160 --> 0:46:55.200
<v Speaker 1>do you go, Okay? I think I'm ready to try

0:46:55.320 --> 0:46:59.920
<v Speaker 1>something a little bigger than this. We had get to

0:47:00.000 --> 0:47:03.279
<v Speaker 1>our player. He quit once and then he went to

0:47:03.360 --> 0:47:07.560
<v Speaker 1>another regional band and then he um. He came back

0:47:07.640 --> 0:47:11.040
<v Speaker 1>to us and we did that um and then he

0:47:11.840 --> 0:47:14.600
<v Speaker 1>he quit again. And when the when a band member

0:47:14.680 --> 0:47:17.440
<v Speaker 1>quits in this situation wherever you're you're doing a regional

0:47:17.480 --> 0:47:19.480
<v Speaker 1>stuff and you're playing six nights a week, it's very

0:47:20.520 --> 0:47:24.960
<v Speaker 1>it's very uh rehearsed. Like the sets you play five

0:47:25.040 --> 0:47:27.719
<v Speaker 1>sets a night, forty minutes sets. You each set has

0:47:27.760 --> 0:47:30.640
<v Speaker 1>its transitions and this and that. And I said, you

0:47:30.680 --> 0:47:32.800
<v Speaker 1>know what, I don't want to have to learn. I

0:47:32.840 --> 0:47:34.040
<v Speaker 1>don't wanna have to teach you to get to our

0:47:34.080 --> 0:47:35.680
<v Speaker 1>player of the set. I just don't want to do it.

0:47:36.000 --> 0:47:41.040
<v Speaker 1>So I called my buddy Um and he said he

0:47:41.239 --> 0:47:42.840
<v Speaker 1>he was going through a hard time. He was already

0:47:42.840 --> 0:47:46.239
<v Speaker 1>living in Nashville. I said, hey, uh, do you have

0:47:46.320 --> 0:47:48.640
<v Speaker 1>any room? He says, man, I'm I'm sorry. I can't

0:47:48.960 --> 0:47:53.520
<v Speaker 1>nothing right now. He said, but um, if I can

0:47:53.560 --> 0:47:56.040
<v Speaker 1>get you a job, will you will you move? And

0:47:56.120 --> 0:48:00.040
<v Speaker 1>I was like, shoot, Chester. He was working Maine. It

0:48:00.120 --> 0:48:03.040
<v Speaker 1>sat an apartment complex. He says, I think I know

0:48:03.160 --> 0:48:06.680
<v Speaker 1>somebody across the way that that is looking for maintenance

0:48:06.800 --> 0:48:12.200
<v Speaker 1>slash groundskeeper. I said, dude, hook me up for ye.

0:48:13.080 --> 0:48:15.120
<v Speaker 1>So I came to town on a Thursday. My interview

0:48:15.200 --> 0:48:20.240
<v Speaker 1>was on Friday three. You come in town to Nashville

0:48:20.440 --> 0:48:22.040
<v Speaker 1>with music in your head, but you know you have

0:48:22.120 --> 0:48:24.279
<v Speaker 1>steps to before you can get to the music. Okay,

0:48:24.320 --> 0:48:26.839
<v Speaker 1>So you so you're gonna work for lack of every time,

0:48:26.920 --> 0:48:28.680
<v Speaker 1>just maintenance, Like I said, So you gotta work mance

0:48:28.719 --> 0:48:32.320
<v Speaker 1>in apartment complex. You go, you interview, I interview. She

0:48:32.480 --> 0:48:35.840
<v Speaker 1>calls me back that that afternoon and says, uh, we

0:48:35.920 --> 0:48:38.040
<v Speaker 1>want to hire you. She said, I know you don't

0:48:38.080 --> 0:48:39.919
<v Speaker 1>know much about maintenance. Because I was honest, I said,

0:48:39.920 --> 0:48:42.000
<v Speaker 1>I've never done this, she said, but I can tell

0:48:42.040 --> 0:48:45.160
<v Speaker 1>that you want this job, she says, So I want

0:48:45.200 --> 0:48:47.600
<v Speaker 1>you to. I want you to have this job like eight.

0:48:50.719 --> 0:48:53.520
<v Speaker 1>But I did get, you know, thirty percent off my rent,

0:48:53.880 --> 0:48:57.040
<v Speaker 1>which was a big deal. Um, So I did that

0:48:57.200 --> 0:49:01.239
<v Speaker 1>probably fifteen months really. And so at that time, are

0:49:01.320 --> 0:49:03.720
<v Speaker 1>you playing the Broadway gigs? No, I haven't started Broadway.

0:49:03.800 --> 0:49:05.480
<v Speaker 1>So you were in Nashville for a year and you

0:49:05.560 --> 0:49:08.000
<v Speaker 1>hadn't started playing music yet, driving you crazy. It was

0:49:08.160 --> 0:49:10.200
<v Speaker 1>just because I didn't know anybody. I was I was

0:49:10.360 --> 0:49:14.400
<v Speaker 1>very secluded, but I would go downtown to Lower Broadway

0:49:14.440 --> 0:49:16.640
<v Speaker 1>into Printer's Alley and I would watch bands and and

0:49:17.360 --> 0:49:19.719
<v Speaker 1>just think, man, I want to do this, and there's

0:49:19.920 --> 0:49:23.000
<v Speaker 1>another level of making it, you know. Um, so's they're

0:49:23.000 --> 0:49:24.759
<v Speaker 1>intimidating for you because if people come to this town,

0:49:24.760 --> 0:49:27.320
<v Speaker 1>they always think I'm good. And then you look, you

0:49:27.360 --> 0:49:30.040
<v Speaker 1>look around, you go, holy crap. These are people playing

0:49:30.080 --> 0:49:32.960
<v Speaker 1>bars and they're fantastic because this is the melting this

0:49:33.080 --> 0:49:38.279
<v Speaker 1>is the concentration of amazing nous. So this as as

0:49:38.400 --> 0:49:40.560
<v Speaker 1>luck would have it. I was at a showcase one

0:49:40.680 --> 0:49:44.239
<v Speaker 1>night at Douglas Corner and there was a guy, um

0:49:45.200 --> 0:49:47.920
<v Speaker 1>he was he had the Saturday night tend to two

0:49:48.120 --> 0:49:52.480
<v Speaker 1>spot at the stage, which was the big place to

0:49:52.560 --> 0:49:55.319
<v Speaker 1>go down, and the tender two spot on Saturday night

0:49:55.480 --> 0:49:59.120
<v Speaker 1>was the spot you wanted. I mean, it's shoulder shoulder.

0:49:59.320 --> 0:50:01.840
<v Speaker 1>So I'm at him and he's like, what do you do?

0:50:01.880 --> 0:50:05.040
<v Speaker 1>I said, I'm a piano player. He said, really, so

0:50:05.239 --> 0:50:07.160
<v Speaker 1>that's what you were at the time. You were the

0:50:07.280 --> 0:50:09.319
<v Speaker 1>keys player. Well, it's just easier for me to say

0:50:09.360 --> 0:50:11.400
<v Speaker 1>that than to say a singer, because I mean, or

0:50:11.480 --> 0:50:14.680
<v Speaker 1>even a guitar player, because everybody does both. So he says,

0:50:15.560 --> 0:50:17.759
<v Speaker 1>what are you doing Saturday? I said, man, I nothing

0:50:17.800 --> 0:50:21.440
<v Speaker 1>to do. He said, come down Saturday night. Said up,

0:50:21.600 --> 0:50:24.319
<v Speaker 1>that's interesting because you were a singer and you did

0:50:24.400 --> 0:50:27.000
<v Speaker 1>play guitar, but you knew that there was to get

0:50:27.040 --> 0:50:29.760
<v Speaker 1>my foot in the door. That yeah, that your piece

0:50:30.719 --> 0:50:33.040
<v Speaker 1>was to play the keys because there were no piano players.

0:50:33.080 --> 0:50:36.520
<v Speaker 1>Downtwn wow. So okay, there are no piano players. You

0:50:36.600 --> 0:50:38.040
<v Speaker 1>go and he says, come play. So what happened? So

0:50:38.080 --> 0:50:41.120
<v Speaker 1>halfway through the night he his name is Josh Brister,

0:50:41.239 --> 0:50:44.400
<v Speaker 1>he said, He said, the gig is yours if you

0:50:44.440 --> 0:50:47.279
<v Speaker 1>wanted every Saturday night. So you you played halfway. You

0:50:47.320 --> 0:50:48.960
<v Speaker 1>played half a set and he comes here and says, hey,

0:50:49.360 --> 0:50:51.800
<v Speaker 1>you're in And is it a thrilled for you to

0:50:51.840 --> 0:50:54.680
<v Speaker 1>be playing in Nashville? My goodness, man, to be able

0:50:54.719 --> 0:50:58.240
<v Speaker 1>to play music and make a hundred dollars or however

0:50:58.360 --> 0:51:00.440
<v Speaker 1>much you make on a Saturday night. I tend to

0:51:00.600 --> 0:51:03.560
<v Speaker 1>spot singing harmony with with a with a rock and crowd.

0:51:03.719 --> 0:51:06.759
<v Speaker 1>It's it was. It was the best thing ever. Were

0:51:06.800 --> 0:51:09.680
<v Speaker 1>you still doing the main it's of the daytime I was,

0:51:09.880 --> 0:51:12.800
<v Speaker 1>and I was on the on call every other weekend.

0:51:12.840 --> 0:51:15.279
<v Speaker 1>So Sometimes I would be on Broadway with my page

0:51:15.360 --> 0:51:21.719
<v Speaker 1>or on sweating thinking if I could, yeah, I would

0:51:21.719 --> 0:51:25.120
<v Speaker 1>have to go make sure and the normally nothing. Most

0:51:25.200 --> 0:51:27.719
<v Speaker 1>times I could talk people out of it. You could

0:51:27.760 --> 0:51:29.560
<v Speaker 1>give them instruction on how to save them. So I

0:51:29.600 --> 0:51:32.320
<v Speaker 1>could just say, hey, can it wait till tomorrow. The

0:51:32.400 --> 0:51:34.840
<v Speaker 1>only thing I couldn't say wait is if it was

0:51:35.560 --> 0:51:37.680
<v Speaker 1>like a one bedroom and there was a clog toilet.

0:51:38.680 --> 0:51:40.400
<v Speaker 1>I had that was did you ever have to leave

0:51:40.440 --> 0:51:44.680
<v Speaker 1>a gig? Nope? You never. I did have to make

0:51:44.680 --> 0:51:46.759
<v Speaker 1>a few phone calls, but never had to leave a gig.

0:51:47.120 --> 0:51:49.239
<v Speaker 1>So you do that that that you're playing keys on

0:51:49.280 --> 0:51:52.719
<v Speaker 1>the stage for how at the stage for how long? Um?

0:51:53.000 --> 0:51:55.239
<v Speaker 1>I did that for three or four years. Three or

0:51:55.280 --> 0:51:58.360
<v Speaker 1>four years I played. I played piano. That was It

0:51:58.480 --> 0:52:01.600
<v Speaker 1>was like a domino effect. I played for him, and

0:52:01.680 --> 0:52:06.600
<v Speaker 1>then the Friday, the Saturday night six to ten guy said, hey,

0:52:06.800 --> 0:52:09.320
<v Speaker 1>I need a piano player. So I would come in

0:52:09.440 --> 0:52:11.279
<v Speaker 1>on Saturday, set up at six o'clock and play both

0:52:11.320 --> 0:52:12.960
<v Speaker 1>shifts and wouldn't even have to tear my stuff down.

0:52:13.000 --> 0:52:16.360
<v Speaker 1>I just play both shifts. And then that went that

0:52:16.760 --> 0:52:20.440
<v Speaker 1>Friday night, and then at one time I was playing

0:52:20.520 --> 0:52:25.719
<v Speaker 1>six nights, uh and two shifts on Friday Saturday. So

0:52:25.840 --> 0:52:28.080
<v Speaker 1>I was making I was honestly making about a grand

0:52:28.200 --> 0:52:32.920
<v Speaker 1>week cash. Okay, so you're making good money, did you?

0:52:32.960 --> 0:52:35.160
<v Speaker 1>Were you able to quite your maintenance job at that point?

0:52:35.880 --> 0:52:40.440
<v Speaker 1>So you and you were just playing piano, keys, key whatever. Um,

0:52:41.360 --> 0:52:43.080
<v Speaker 1>so that's what you're doing. You're think you're the keys?

0:52:43.320 --> 0:52:46.759
<v Speaker 1>Now do you feel like okay, now I can really sing? No? No? Yeah.

0:52:46.840 --> 0:52:49.200
<v Speaker 1>That that was my whole goal, the whole time, or

0:52:49.280 --> 0:52:53.040
<v Speaker 1>my plan. I became, you know, buddy buddy with the

0:52:53.200 --> 0:52:55.080
<v Speaker 1>with the owner at the stage. And I kept every

0:52:55.120 --> 0:52:57.560
<v Speaker 1>time I see you might say when you're gonna give

0:52:57.560 --> 0:52:59.000
<v Speaker 1>me a shift? When you're gonna give me a shift?

0:52:59.040 --> 0:53:02.040
<v Speaker 1>Because during sounds I would sing to check and make

0:53:02.040 --> 0:53:06.440
<v Speaker 1>sure everything's working. And and they knew, they I mean

0:53:06.480 --> 0:53:13.200
<v Speaker 1>they they recognized. And so one night I overheard him saying, man,

0:53:13.200 --> 0:53:15.719
<v Speaker 1>I don't have a I don't have a tended to

0:53:15.920 --> 0:53:20.920
<v Speaker 1>for Sunday. And I'm like here, I'm here. He's like

0:53:21.000 --> 0:53:24.880
<v Speaker 1>you sure, I said yes, So he gave me tended

0:53:24.880 --> 0:53:27.920
<v Speaker 1>to on a Sunday, which is very No, it's it's

0:53:28.040 --> 0:53:30.400
<v Speaker 1>not the most, it's not the most. It's not the

0:53:30.480 --> 0:53:35.880
<v Speaker 1>best light at night on a Sunday. But I showed

0:53:35.960 --> 0:53:38.760
<v Speaker 1>up with a seven piece band. I was so excited

0:53:38.880 --> 0:53:42.680
<v Speaker 1>I had even though I was a piano player. I

0:53:42.960 --> 0:53:47.560
<v Speaker 1>I hired a piano player, bass fiddle, steel drums, guitar.

0:53:47.840 --> 0:53:51.640
<v Speaker 1>I had the whole thing. And it was just another

0:53:51.719 --> 0:53:55.360
<v Speaker 1>one of those I've made it situations. Um, but I

0:53:55.520 --> 0:53:57.400
<v Speaker 1>never got my shift. I never got my own shift,

0:53:58.320 --> 0:54:00.040
<v Speaker 1>uh till a good bit after that. That was just

0:54:00.120 --> 0:54:02.600
<v Speaker 1>the one off. But I just kept on and on,

0:54:02.719 --> 0:54:06.680
<v Speaker 1>and finally he said, he said he had he needed

0:54:06.719 --> 0:54:08.960
<v Speaker 1>somebody for Tuesday night six to ten at the stage.

0:54:09.320 --> 0:54:12.200
<v Speaker 1>It's not a permanent thing, but I want you to

0:54:12.320 --> 0:54:15.000
<v Speaker 1>you know, whenever they're out, I'm gonna give you the call.

0:54:15.120 --> 0:54:17.440
<v Speaker 1>First I said, thank you. It eventually turned into those

0:54:17.480 --> 0:54:21.239
<v Speaker 1>guys and they would kept canceling, so he gave the

0:54:21.280 --> 0:54:23.359
<v Speaker 1>shift to me and I did that for another three

0:54:23.440 --> 0:54:26.440
<v Speaker 1>or four years a year. So, as you're working at stage,

0:54:26.800 --> 0:54:29.839
<v Speaker 1>were there people that came through and you saw come

0:54:29.920 --> 0:54:33.920
<v Speaker 1>through and then go up, meaning can you think back

0:54:33.960 --> 0:54:35.879
<v Speaker 1>to anyone and you're like, Okay, this guy's really good.

0:54:35.880 --> 0:54:38.320
<v Speaker 1>And they ended up being something that came through. Dirk's

0:54:38.360 --> 0:54:40.080
<v Speaker 1>was down there. He would Dirk would come and place

0:54:40.200 --> 0:54:42.440
<v Speaker 1>day he played the stage for a little bit. Was

0:54:42.560 --> 0:54:45.799
<v Speaker 1>he at that point special or did he become special later?

0:54:45.920 --> 0:54:49.160
<v Speaker 1>Do you think I never really got to see him play.

0:54:49.360 --> 0:54:51.880
<v Speaker 1>I do know. I just would hear stories about this

0:54:52.239 --> 0:54:54.719
<v Speaker 1>Dirk's Bentley guy. And he wasn't there long. He was

0:54:54.920 --> 0:54:56.959
<v Speaker 1>in and out like he They gave him a shift

0:54:57.000 --> 0:54:59.000
<v Speaker 1>and then I think he signed his record deal. So

0:54:59.680 --> 0:55:01.480
<v Speaker 1>you play of keys, and at one point you started

0:55:01.480 --> 0:55:04.160
<v Speaker 1>playing keys for Luke now before we had looked did

0:55:04.200 --> 0:55:05.439
<v Speaker 1>you play? Did you go on the road and travel

0:55:05.480 --> 0:55:07.520
<v Speaker 1>with anybody before Luke Brian or was look still so

0:55:07.640 --> 0:55:09.640
<v Speaker 1>young and knew that he was just a guy just

0:55:09.719 --> 0:55:11.719
<v Speaker 1>before he had his record deal? Yeah, okay, so you

0:55:11.800 --> 0:55:14.320
<v Speaker 1>were playing with Luke before a record deal. By So,

0:55:14.520 --> 0:55:17.040
<v Speaker 1>how did you guys even meet? Who set you guys up?

0:55:17.120 --> 0:55:21.320
<v Speaker 1>We had a mutual songwriting friends, um and he his

0:55:21.440 --> 0:55:24.160
<v Speaker 1>name was Galen Griffin and and uh he had told

0:55:24.400 --> 0:55:26.200
<v Speaker 1>or he had overheard Luke saying they needed a piano

0:55:26.239 --> 0:55:29.400
<v Speaker 1>player for some weekend stuff and he threw my name

0:55:29.400 --> 0:55:32.040
<v Speaker 1>in the hat. I met, you know, I met Michael Carter,

0:55:32.120 --> 0:55:35.279
<v Speaker 1>who was Luke's guitar player, was also now he's col

0:55:35.320 --> 0:55:40.759
<v Speaker 1>Swindell's producer and songwriter. UM. And we talked on the

0:55:40.840 --> 0:55:42.360
<v Speaker 1>phone and he says, hey, let's do this and then

0:55:42.400 --> 0:55:44.360
<v Speaker 1>and they were like, hey, you guys will hit it

0:55:44.400 --> 0:55:47.759
<v Speaker 1>off there from Georgia. You're gonna love each other. So UM.

0:55:48.760 --> 0:55:51.319
<v Speaker 1>So they hired me without even ever hearing me play

0:55:52.440 --> 0:55:54.880
<v Speaker 1>went down and it was, you know, a couple of

0:55:54.960 --> 0:55:58.960
<v Speaker 1>college towns. Um, but that was that was one of

0:55:59.000 --> 0:56:01.719
<v Speaker 1>those When I got to do the shows with Luke,

0:56:02.000 --> 0:56:05.960
<v Speaker 1>I knew immediately that he was he was, he was

0:56:06.040 --> 0:56:08.040
<v Speaker 1>on his way. So you could tell with Luke even

0:56:08.120 --> 0:56:10.680
<v Speaker 1>earlier that he was special. Why because I mean we

0:56:10.960 --> 0:56:13.239
<v Speaker 1>he first of all, his his stage presence is is

0:56:13.280 --> 0:56:14.640
<v Speaker 1>the same as it's always been. I mean, he's just

0:56:14.880 --> 0:56:17.640
<v Speaker 1>he is that guy. And we would do these shows

0:56:17.680 --> 0:56:20.880
<v Speaker 1>in these college towns and I was blown away, like

0:56:20.960 --> 0:56:22.640
<v Speaker 1>I'm I mean, I'm they give me a CD to

0:56:22.719 --> 0:56:25.840
<v Speaker 1>learn these songs and and I've never heard these songs before.

0:56:26.239 --> 0:56:28.440
<v Speaker 1>But we'd go down and play Milledgeville, and we'd go

0:56:28.520 --> 0:56:31.800
<v Speaker 1>down and play Statesboro, Georgia, and we play Athens, Georgia,

0:56:31.880 --> 0:56:35.720
<v Speaker 1>and it would be completely sold out. Everybody's singing every

0:56:35.840 --> 0:56:38.080
<v Speaker 1>single word to every song he's singing. I'm talking about

0:56:38.080 --> 0:56:41.080
<v Speaker 1>all of his all of his original songs. I'm like,

0:56:41.160 --> 0:56:43.800
<v Speaker 1>how's he doing this? How did he do this? But

0:56:43.920 --> 0:56:46.400
<v Speaker 1>it was it was a big deal back then. The

0:56:46.480 --> 0:56:48.800
<v Speaker 1>thing about Luke Too, and I like Luke, and I

0:56:49.080 --> 0:56:50.800
<v Speaker 1>just the preface is that he's a good dude. And

0:56:50.920 --> 0:56:53.120
<v Speaker 1>you expect someone to that big, maybe not to be that,

0:56:53.480 --> 0:56:55.200
<v Speaker 1>you know, to kind of lose it a bit. Looks

0:56:55.200 --> 0:56:57.879
<v Speaker 1>a good dude. He's always I mean, he's a good

0:56:57.960 --> 0:57:02.920
<v Speaker 1>dude and so um, you just wouldn't expect Luke Too.

0:57:03.040 --> 0:57:05.839
<v Speaker 1>And I've seen him do it before alone, sit down

0:57:05.880 --> 0:57:09.719
<v Speaker 1>at a piano and just and and people will give

0:57:09.840 --> 0:57:11.600
<v Speaker 1>Luke craps of times because he gets up of dances

0:57:11.640 --> 0:57:15.040
<v Speaker 1>and help dance. They'll do some mack lamore. But set

0:57:15.200 --> 0:57:18.360
<v Speaker 1>that guy down at a piano and have him play.

0:57:19.040 --> 0:57:21.880
<v Speaker 1>It's beautiful. Next time you have, you have him on

0:57:22.000 --> 0:57:24.480
<v Speaker 1>a piano, tell him to render you some gospel songs.

0:57:24.840 --> 0:57:28.640
<v Speaker 1>And he's played gospel. It's and it's everything that you

0:57:29.200 --> 0:57:31.160
<v Speaker 1>want him to be, but don't expect him to be.

0:57:31.280 --> 0:57:35.560
<v Speaker 1>And then he is and you're like, wow, So you

0:57:35.640 --> 0:57:37.080
<v Speaker 1>play with Luke now? Were you with him when he

0:57:37.120 --> 0:57:39.919
<v Speaker 1>got a deal or were you gone by that point?

0:57:40.400 --> 0:57:44.000
<v Speaker 1>Had he we had already he had already decided, Um,

0:57:44.600 --> 0:57:48.160
<v Speaker 1>I didn't need to be aside man. So he decided

0:57:48.160 --> 0:57:50.600
<v Speaker 1>did he fire you in a way and in a

0:57:50.680 --> 0:57:52.760
<v Speaker 1>good way or a back? It was great, he said,

0:57:52.920 --> 0:57:57.120
<v Speaker 1>He says, man, I want to help you. Did you

0:57:57.200 --> 0:58:00.040
<v Speaker 1>believe him? I mean, I had no other reason. I

0:58:00.120 --> 0:58:01.880
<v Speaker 1>had no reason not to because someone has to me, Hey,

0:58:01.920 --> 0:58:04.920
<v Speaker 1>I'm gonna fire you, but like I'll come on. It

0:58:05.040 --> 0:58:07.040
<v Speaker 1>was it was all I mean immediately. I mean one

0:58:07.080 --> 0:58:08.360
<v Speaker 1>of them is like, hey, I want to help you.

0:58:08.400 --> 0:58:10.880
<v Speaker 1>Want to introduce you to my publisher. Okay, so he

0:58:11.080 --> 0:58:13.920
<v Speaker 1>really like led to you in a direction that he

0:58:14.320 --> 0:58:17.439
<v Speaker 1>invited me to town. Uh Me and Michael, his guitar

0:58:17.520 --> 0:58:20.000
<v Speaker 1>player at the time. We started writing together and those

0:58:20.040 --> 0:58:22.880
<v Speaker 1>were some of my first co writes. Um. He introduced

0:58:22.920 --> 0:58:27.240
<v Speaker 1>me to a guy named uh John Maybe who was

0:58:27.320 --> 0:58:30.680
<v Speaker 1>married to Connie Harrington. She wrote a bunch of big

0:58:30.760 --> 0:58:34.000
<v Speaker 1>songs Terry Clark, y'all y'all, and then I drive your truck. Um,

0:58:35.320 --> 0:58:38.520
<v Speaker 1>and before I met Connie. Before I met Connie, he

0:58:38.560 --> 0:58:42.920
<v Speaker 1>introduced me to John, and John said, well, it's funny,

0:58:43.640 --> 0:58:45.920
<v Speaker 1>you know, meeting you today. He said, my wife Connie

0:58:46.000 --> 0:58:51.120
<v Speaker 1>needs a demo singer for a song. This is years ago,

0:58:51.720 --> 0:58:55.200
<v Speaker 1>and um, he said, are you available? I said yeah,

0:58:55.480 --> 0:58:58.560
<v Speaker 1>So he hooked me up with Connie. My very first

0:58:58.600 --> 0:59:01.920
<v Speaker 1>paid demo was your What was the song? Remember Somebody's

0:59:02.160 --> 0:59:09.520
<v Speaker 1>Somebody Somebody Somebody? What was that song? It never got

0:59:09.640 --> 0:59:11.280
<v Speaker 1>okay because I'm thinking and I don't want to be

0:59:11.400 --> 0:59:13.280
<v Speaker 1>dominant be here. I just don't know. To be honest,

0:59:13.320 --> 0:59:15.520
<v Speaker 1>I just don't know it. Honestly, there's no songs I've

0:59:15.520 --> 0:59:20.600
<v Speaker 1>ever done gotten cut except for one that. It was

0:59:20.640 --> 0:59:22.440
<v Speaker 1>a song called Braid My Hair that Randy o One

0:59:22.480 --> 0:59:25.360
<v Speaker 1>did for St. Jude Ran. Yeah, I even know the song.

0:59:25.400 --> 0:59:27.400
<v Speaker 1>He sings it whenever I go to Saint Jude and

0:59:27.440 --> 0:59:31.440
<v Speaker 1>he's demoed that song. Wow. Okay, so you're a demo singer.

0:59:31.560 --> 0:59:33.840
<v Speaker 1>So here you are? You moving up the ladder. When

0:59:33.960 --> 0:59:38.200
<v Speaker 1>do you start to get sniffed from labels? Oh that wasn't. Um,

0:59:38.840 --> 0:59:41.800
<v Speaker 1>that wasn't until after the whole Tracy Bird thing. Okay,

0:59:41.880 --> 0:59:44.440
<v Speaker 1>so you play kids for Tracy Bird? So how did

0:59:44.520 --> 0:59:52.440
<v Speaker 1>that end up happening? Um? His tour managers house sitter

0:59:52.960 --> 0:59:56.320
<v Speaker 1>was good friends with my wife and once again It

0:59:56.400 --> 0:59:59.680
<v Speaker 1>was one of those she overheard Tracy needing the piano player,

1:00:00.240 --> 1:00:04.960
<v Speaker 1>and they hired me, gave me a CDs, some CDs

1:00:05.000 --> 1:00:09.120
<v Speaker 1>to learn, and never never auditioned or anything. Just got

1:00:09.200 --> 1:00:11.440
<v Speaker 1>on the bus one night, went to the three shows

1:00:11.480 --> 1:00:13.040
<v Speaker 1>and on the way home, they says, you want the gig,

1:00:13.240 --> 1:00:15.360
<v Speaker 1>it's yours. What was the highlight of your first Tracy

1:00:15.400 --> 1:00:19.680
<v Speaker 1>Bird show? Oh, the highlight was when I messed up

1:00:19.800 --> 1:00:23.000
<v Speaker 1>big time like they they did this Ricky Skaggs song

1:00:23.080 --> 1:00:29.680
<v Speaker 1>and there's a no that it stops, but I let

1:00:29.800 --> 1:00:32.720
<v Speaker 1>us sustain over the entire It was just held it. Yeah,

1:00:32.800 --> 1:00:34.600
<v Speaker 1>I held out and everybody else stopped and then they

1:00:34.640 --> 1:00:37.560
<v Speaker 1>all looked at me and that was That's That's my

1:00:37.840 --> 1:00:40.640
<v Speaker 1>one memory from the very first Tracy Bird show. So

1:00:40.800 --> 1:00:43.520
<v Speaker 1>from Tracy Bird, when do you go, Okay, I want

1:00:43.520 --> 1:00:46.320
<v Speaker 1>to grab a guitar and I want to be artist.

1:00:46.360 --> 1:00:48.760
<v Speaker 1>I'm doing this all on Little Broadway at the same time,

1:00:49.000 --> 1:00:50.600
<v Speaker 1>and this is when you're grinding because you can play.

1:00:50.800 --> 1:00:52.320
<v Speaker 1>The thing with Craig too, by the way, is that

1:00:52.400 --> 1:00:54.040
<v Speaker 1>we did but in the show thing for years is

1:00:54.080 --> 1:00:55.320
<v Speaker 1>that we just throw a song at a mc. Craig

1:00:55.360 --> 1:00:57.080
<v Speaker 1>knows every song because you kind of had to when

1:00:57.080 --> 1:00:59.080
<v Speaker 1>you would play for hours at a time, right, so,

1:00:59.400 --> 1:01:01.560
<v Speaker 1>and if you didn't, had to figure it out really quick. Yeah,

1:01:01.600 --> 1:01:03.560
<v Speaker 1>you do four song, four hours of music, and then

1:01:03.920 --> 1:01:07.400
<v Speaker 1>you know, the occasional twenty dollar tip comes in for

1:01:07.480 --> 1:01:10.080
<v Speaker 1>a song you never heard, you go home and learn

1:01:10.160 --> 1:01:11.560
<v Speaker 1>it just in case it gets caught again, you know,

1:01:11.680 --> 1:01:16.400
<v Speaker 1>or requested. But I'm I'm playing Lower Broadway all the

1:01:16.480 --> 1:01:20.960
<v Speaker 1>while doing the Tracy birth thing too. Um. So there

1:01:21.040 --> 1:01:25.200
<v Speaker 1>was a bartender at the stage where I played. She

1:01:25.400 --> 1:01:30.760
<v Speaker 1>was dating a guy that was in the radio promo business. Um.

1:01:30.960 --> 1:01:32.760
<v Speaker 1>And she invited him down and she said, you need

1:01:32.800 --> 1:01:35.680
<v Speaker 1>to come see this guy. Um. And he came down

1:01:35.720 --> 1:01:37.800
<v Speaker 1>and he he would come down every Tuesday night from

1:01:37.880 --> 1:01:42.920
<v Speaker 1>I mean probably two years, always telling me, Hey, we're

1:01:42.920 --> 1:01:45.840
<v Speaker 1>gonna do something you great, YadA YadA, all that. And

1:01:45.920 --> 1:01:48.400
<v Speaker 1>I had gotten to the point where I'm like, okay,

1:01:48.680 --> 1:01:52.760
<v Speaker 1>put your money where your mouth is. So one night

1:01:52.880 --> 1:01:54.919
<v Speaker 1>he was he came down. He's like, look, we're ready

1:01:54.960 --> 1:01:57.840
<v Speaker 1>to do this. H we want you to be our guy. Um,

1:01:58.800 --> 1:02:01.440
<v Speaker 1>I'm gonna bring Keith Steagall down to see you that.

1:02:01.960 --> 1:02:04.320
<v Speaker 1>He's a producer. He produced all the Alan Jackson stuff,

1:02:04.520 --> 1:02:09.120
<v Speaker 1>all the Zach brown stuff. Um, And honestly, he was

1:02:09.280 --> 1:02:11.400
<v Speaker 1>number one on my list if I could hand pick producers.

1:02:11.440 --> 1:02:13.120
<v Speaker 1>When I first moved to town. He was my guy.

1:02:13.280 --> 1:02:16.240
<v Speaker 1>And so I couldn't believe it. I said, well, give

1:02:16.320 --> 1:02:19.480
<v Speaker 1>me at least give me twenty four hours notice so

1:02:19.560 --> 1:02:22.560
<v Speaker 1>I can prepare. So sure enough, he says, hey, we'll

1:02:22.560 --> 1:02:25.040
<v Speaker 1>be done this date. Um, We're gonna be there from

1:02:25.160 --> 1:02:27.920
<v Speaker 1>seven to eight. I said, all right, I'll be ready.

1:02:28.160 --> 1:02:31.840
<v Speaker 1>So I hit him with forty five minutes of everything

1:02:31.920 --> 1:02:34.800
<v Speaker 1>I had, and Keith said, come by the office tomorrow.

1:02:35.080 --> 1:02:37.800
<v Speaker 1>What's everything you have that your originals? He throw a

1:02:37.840 --> 1:02:40.160
<v Speaker 1>couple of covers. Yeah, I didn't do any coaches. See

1:02:40.160 --> 1:02:43.720
<v Speaker 1>the originals? Originals? Could you tell by his face? Because

1:02:43.960 --> 1:02:46.600
<v Speaker 1>you know, you auditions, and I audition for acting jobs

1:02:46.680 --> 1:02:49.800
<v Speaker 1>and hosting jobs, and he watched the faces. Were you

1:02:49.920 --> 1:02:52.560
<v Speaker 1>watching his mannerisms? And and how are you feeling as

1:02:52.600 --> 1:02:54.840
<v Speaker 1>it was happening? He was. And now that I've known

1:02:54.920 --> 1:02:57.360
<v Speaker 1>him for a little while, he he was as excited

1:02:57.360 --> 1:03:01.000
<v Speaker 1>as he would have ever gotten. Um, which at the

1:03:01.080 --> 1:03:06.280
<v Speaker 1>moment was kind of not the best facial expressions you

1:03:06.320 --> 1:03:08.720
<v Speaker 1>would expect, you know, for somebody that was excited about

1:03:09.000 --> 1:03:11.400
<v Speaker 1>seeing some music that they were wanting to do something with.

1:03:12.160 --> 1:03:14.320
<v Speaker 1>So I didn't know how to take it. But when

1:03:14.360 --> 1:03:16.000
<v Speaker 1>he invited me to the office the next day, that

1:03:16.080 --> 1:03:18.080
<v Speaker 1>was that was a good sign. And and that was

1:03:18.160 --> 1:03:22.600
<v Speaker 1>in August of oh eight. You sign a record deal.

1:03:22.720 --> 1:03:27.600
<v Speaker 1>Signed a deal in September two thousand nine, So it

1:03:27.640 --> 1:03:34.720
<v Speaker 1>took a year to negotiate um and then started the

1:03:34.760 --> 1:03:38.440
<v Speaker 1>record making the record, and then started my radio tour

1:03:38.760 --> 1:03:41.280
<v Speaker 1>July two thousand ten. And then Family Men came out,

1:03:42.520 --> 1:03:45.600
<v Speaker 1>and so your first song was Family Man. They're the

1:03:45.680 --> 1:03:49.440
<v Speaker 1>world excited to hear on the radio the first time?

1:03:49.480 --> 1:03:52.480
<v Speaker 1>My goodness. I mean it's it's not just the first time,

1:03:52.520 --> 1:03:54.959
<v Speaker 1>it's every time I hear my song, but the first

1:03:55.000 --> 1:03:58.520
<v Speaker 1>time you hear your song on an unsolicited you know where,

1:03:58.520 --> 1:04:01.120
<v Speaker 1>it's not like you're about to play I'm into the station. Yeah,

1:04:01.560 --> 1:04:07.040
<v Speaker 1>it was. It was pretty cool. Revolves around It's my

1:04:07.240 --> 1:04:13.880
<v Speaker 1>sacred sting grounds you mentioned earlier. The Cole Swindell think

1:04:14.240 --> 1:04:16.520
<v Speaker 1>is the Cole Swindell link because him and Luke were

1:04:16.560 --> 1:04:19.000
<v Speaker 1>working against he was like working merch for Luke, working

1:04:19.040 --> 1:04:22.080
<v Speaker 1>for Luke or did that did that different? But but

1:04:22.320 --> 1:04:24.600
<v Speaker 1>when Cole moved to town, he wasn't he wasn't doing

1:04:24.680 --> 1:04:30.760
<v Speaker 1>merch for Luke or wait he may he. Okay, I

1:04:30.800 --> 1:04:32.320
<v Speaker 1>don't know the timeline for Cold, but I didn't know

1:04:32.360 --> 1:04:34.200
<v Speaker 1>that when he When Cole first moved to town, we

1:04:34.320 --> 1:04:37.800
<v Speaker 1>met immediately. I think it was through Luke and through

1:04:37.960 --> 1:04:40.880
<v Speaker 1>Michael Carter, and we hit it off and we hung out.

1:04:41.120 --> 1:04:42.600
<v Speaker 1>I mean all that, I mean it was we we

1:04:42.680 --> 1:04:45.200
<v Speaker 1>hung out a lot. So you have a deal. You

1:04:45.240 --> 1:04:48.320
<v Speaker 1>have a song, do you think? And family and peaked

1:04:48.320 --> 1:04:52.080
<v Speaker 1>out of the peak, so it picked the twelve. Do

1:04:52.120 --> 1:04:54.120
<v Speaker 1>you think, Okay, I got this now? Like man, you're

1:04:54.160 --> 1:04:58.560
<v Speaker 1>like I figured it out, Like it's absolutely And as

1:04:58.560 --> 1:05:00.680
<v Speaker 1>I ask you right now, do you think Kevin figured out? No, No,

1:05:01.560 --> 1:05:04.840
<v Speaker 1>that was It's very humbling to see your first song

1:05:04.960 --> 1:05:06.960
<v Speaker 1>do extremely well and then the second song do what

1:05:07.080 --> 1:05:11.440
<v Speaker 1>Fish did and have almost a half million downloads you know, uh,

1:05:11.640 --> 1:05:13.760
<v Speaker 1>and then the third song I do well at all?

1:05:13.960 --> 1:05:19.280
<v Speaker 1>And third song would be when I get it? And

1:05:19.400 --> 1:05:21.280
<v Speaker 1>so the song did not do well. It went to

1:05:21.400 --> 1:05:24.360
<v Speaker 1>thirty eight. So it goes to thirty eight and you

1:05:24.480 --> 1:05:26.640
<v Speaker 1>start to think, man, this is an omaly that I'm

1:05:26.680 --> 1:05:29.520
<v Speaker 1>not hitting it or is it realization of maybe it's

1:05:29.560 --> 1:05:31.600
<v Speaker 1>not as easy as I thought it was. It was

1:05:31.680 --> 1:05:34.400
<v Speaker 1>it was one of those man, you know, because people

1:05:34.400 --> 1:05:35.880
<v Speaker 1>ask me all the time and man, how did you

1:05:35.920 --> 1:05:39.960
<v Speaker 1>get your record deal? And my my response is it's

1:05:40.160 --> 1:05:43.959
<v Speaker 1>that's the easy part keeping it. It is a hard part.

1:05:44.120 --> 1:05:47.280
<v Speaker 1>You know, Are you making money inside your deal to

1:05:47.440 --> 1:05:49.480
<v Speaker 1>live a life where you can actually, like afford a

1:05:49.560 --> 1:05:52.760
<v Speaker 1>truck and a house payment or is it still a struggle.

1:05:52.800 --> 1:05:54.560
<v Speaker 1>It's even more of a struggle because now you've got

1:05:54.600 --> 1:05:56.640
<v Speaker 1>money to pay back. We me and my wife we

1:05:56.720 --> 1:05:59.840
<v Speaker 1>do well. We we um we have we make im

1:05:59.840 --> 1:06:02.600
<v Speaker 1>a enough money for us. She's she's making money too

1:06:02.760 --> 1:06:09.280
<v Speaker 1>with her personal training. But we are able to take

1:06:09.320 --> 1:06:13.600
<v Speaker 1>care of ourselves and our family and the needs we have. UM.

1:06:14.200 --> 1:06:16.200
<v Speaker 1>But if if we if you were to ask me

1:06:16.440 --> 1:06:19.840
<v Speaker 1>or am I already for retirement? I would I would

1:06:20.840 --> 1:06:23.560
<v Speaker 1>say no, you know what I mean? You still love

1:06:23.640 --> 1:06:26.080
<v Speaker 1>going on stage? I love it. I mean it's it's

1:06:26.360 --> 1:06:28.280
<v Speaker 1>because I still love going on the radio, and I

1:06:28.360 --> 1:06:31.840
<v Speaker 1>do it every day like I live for going on

1:06:31.960 --> 1:06:34.200
<v Speaker 1>the air, and I live for going on this stage

1:06:34.240 --> 1:06:37.240
<v Speaker 1>and doing stand up comedy like those I get some.

1:06:37.760 --> 1:06:40.880
<v Speaker 1>I do it all and it's a thrill to everything.

1:06:40.880 --> 1:06:42.440
<v Speaker 1>And that's how I know that's what I'm supposed to

1:06:42.480 --> 1:06:44.400
<v Speaker 1>be doing. I'm the same way, like, I don't. I

1:06:44.560 --> 1:06:50.720
<v Speaker 1>never it. I didn't music chose me. I didn't choose it.

1:06:51.200 --> 1:06:52.760
<v Speaker 1>And that's just how I look at it. It's not

1:06:53.000 --> 1:06:56.160
<v Speaker 1>anything other than it's I feel like this is what

1:06:56.280 --> 1:06:59.400
<v Speaker 1>I was put here to do. I have and you

1:06:59.480 --> 1:07:04.760
<v Speaker 1>have daughters, yes, anymore like you you're gonna try get

1:07:04.760 --> 1:07:07.160
<v Speaker 1>a boy or no, no, no, we're done. I took

1:07:07.200 --> 1:07:10.560
<v Speaker 1>care of that. So having girls, I mean, that's got

1:07:10.720 --> 1:07:13.240
<v Speaker 1>to be. It's you and all women like I grew

1:07:13.320 --> 1:07:15.760
<v Speaker 1>up with all women. All women. We got two girls.

1:07:16.000 --> 1:07:18.439
<v Speaker 1>My wife, my dog, and my cat are both girls.

1:07:18.520 --> 1:07:22.000
<v Speaker 1>It's and your animals are all girls. So, um, which

1:07:22.080 --> 1:07:23.400
<v Speaker 1>daughter did you bring up this thing? Let it go?

1:07:23.960 --> 1:07:26.479
<v Speaker 1>Chris espressly, right, okay, So this is on the show

1:07:26.640 --> 1:07:28.400
<v Speaker 1>a year and a half persod ago. She comes up,

1:07:30.240 --> 1:07:47.800
<v Speaker 1>let go back, andymore, let go turn away and saying yes, stay,

1:07:49.200 --> 1:07:56.480
<v Speaker 1>let the storm never anyway. And I still get I

1:07:56.520 --> 1:07:58.400
<v Speaker 1>remember her singing at the studio, I haven't heard them

1:07:58.480 --> 1:08:01.360
<v Speaker 1>so long's it's so good and I'm gonna tell you now.

1:08:02.160 --> 1:08:04.240
<v Speaker 1>And we were texting back and forth a couple of

1:08:04.280 --> 1:08:06.000
<v Speaker 1>weeks ago and you sent me a video of her sing.

1:08:06.400 --> 1:08:08.920
<v Speaker 1>By the way, she's got some swagger now like she

1:08:09.480 --> 1:08:11.280
<v Speaker 1>like it looks like that might be what she wants

1:08:11.320 --> 1:08:14.920
<v Speaker 1>to do. As as as bad as I hate to

1:08:14.960 --> 1:08:19.080
<v Speaker 1>admit it, I think it's chosen her. She sings and

1:08:19.439 --> 1:08:22.240
<v Speaker 1>she demands the room. How old is she now? She

1:08:22.760 --> 1:08:25.400
<v Speaker 1>she just she's eight and a half. Okay, so she's

1:08:25.439 --> 1:08:27.479
<v Speaker 1>eight and a half years old, And I'm so correct?

1:08:27.560 --> 1:08:30.679
<v Speaker 1>Is me a video? And I look at the video

1:08:30.800 --> 1:08:32.880
<v Speaker 1>and I think this is Craig my body sending me

1:08:32.880 --> 1:08:34.840
<v Speaker 1>a video And I've watched your kids grow up in

1:08:34.840 --> 1:08:36.640
<v Speaker 1>the last two years, and so I don't post it

1:08:36.640 --> 1:08:38.640
<v Speaker 1>anymore anything because I think this is just the thing.

1:08:39.360 --> 1:08:42.519
<v Speaker 1>And then I see other places if you put it

1:08:42.520 --> 1:08:44.240
<v Speaker 1>out a couple I was like, dude, I had to

1:08:44.280 --> 1:08:47.320
<v Speaker 1>put that out. I thought it was so good she did,

1:08:47.840 --> 1:08:49.519
<v Speaker 1>and it's up on the internet. I ended up not

1:08:49.600 --> 1:08:51.320
<v Speaker 1>putting it up because other people have put it up.

1:08:51.560 --> 1:08:54.559
<v Speaker 1>But if you want to see and you're playing guitar,

1:08:57.640 --> 1:08:59.760
<v Speaker 1>was okay, that's what it was. She was playing guitar

1:08:59.840 --> 1:09:02.600
<v Speaker 1>and perstially singing, and what was the song? She was

1:09:03.920 --> 1:09:08.400
<v Speaker 1>Kelsey's song Peter Ben And I'm just like man like,

1:09:08.600 --> 1:09:15.000
<v Speaker 1>I've watched this girl girl from in kindergarten. So that

1:09:15.160 --> 1:09:18.840
<v Speaker 1>was those three years. Uh yeah, three solid years ago.

1:09:19.600 --> 1:09:22.400
<v Speaker 1>You're proud. I'm very proud. I mean, is it Yeah,

1:09:22.880 --> 1:09:27.120
<v Speaker 1>she's she's uh, you know, we get asked all the time,

1:09:27.160 --> 1:09:29.519
<v Speaker 1>if if, if she's gonna follow in our steps because

1:09:29.600 --> 1:09:33.559
<v Speaker 1>her mom is a great singer to um and if if,

1:09:33.800 --> 1:09:37.200
<v Speaker 1>if she wants to, but it's it's up to her.

1:09:37.680 --> 1:09:39.439
<v Speaker 1>I'm definitely gonna make it available for her. If she

1:09:39.600 --> 1:09:41.559
<v Speaker 1>I'm gonna help her out. Do you teach her music?

1:09:42.120 --> 1:09:44.880
<v Speaker 1>Where we just started last week and she's got piano lessons,

1:09:46.240 --> 1:09:50.120
<v Speaker 1>I don't want to teach her. She sings on She's

1:09:50.200 --> 1:09:53.759
<v Speaker 1>on pitch already, her her pitch and listen, I'm I'm bragging.

1:09:53.880 --> 1:09:57.920
<v Speaker 1>But at the same time, I recognize she's around it

1:09:58.040 --> 1:10:02.240
<v Speaker 1>too as well talent. I mean, her pitch is incredible.

1:10:02.360 --> 1:10:04.080
<v Speaker 1>Like sometimes I'm driving down the road in my truck

1:10:04.120 --> 1:10:06.599
<v Speaker 1>and she's in the back just doing acapella stuff, working

1:10:06.640 --> 1:10:10.240
<v Speaker 1>on licks, doing these Megan Trainer licks, and I'm like, wow, yeah,

1:10:10.880 --> 1:10:12.519
<v Speaker 1>she one gets to be around people who can sing

1:10:12.600 --> 1:10:15.840
<v Speaker 1>a wall and two when your parents sing. I mean,

1:10:16.800 --> 1:10:21.040
<v Speaker 1>I believe that there's there's a connection between being in

1:10:21.120 --> 1:10:24.320
<v Speaker 1>the womb too, like men. Mendy her mom had an

1:10:24.360 --> 1:10:28.920
<v Speaker 1>acoustic gig every Monday at Legends Corner from two to six,

1:10:30.560 --> 1:10:32.400
<v Speaker 1>and it got to where Mindy was having to hold

1:10:32.439 --> 1:10:37.479
<v Speaker 1>her guitar sideways for her belly. So the resonation Lord,

1:10:37.560 --> 1:10:42.080
<v Speaker 1>the resonance of the guitar on her belly and hearing

1:10:42.200 --> 1:10:45.920
<v Speaker 1>us sing every you know, every Monday. I feel like

1:10:46.000 --> 1:10:48.080
<v Speaker 1>that had a lot to do with her having music

1:10:48.520 --> 1:10:53.360
<v Speaker 1>when she was born. Why does Mendy not play? She

1:10:53.479 --> 1:10:57.880
<v Speaker 1>moved to Nashville to pursue music. She um it, you know,

1:10:59.520 --> 1:11:03.160
<v Speaker 1>her didn't get drawn. That's and that's the does she

1:11:03.280 --> 1:11:06.320
<v Speaker 1>still hope? No, she's and she's okay with it. You know,

1:11:06.800 --> 1:11:09.120
<v Speaker 1>she h for the longest time. And we wrote songs together.

1:11:09.120 --> 1:11:10.479
<v Speaker 1>A matter of fact, we had a song together on

1:11:10.560 --> 1:11:16.400
<v Speaker 1>my second album called topless Um. And she's she is

1:11:17.640 --> 1:11:21.280
<v Speaker 1>the superwoman of all superwomen. She takes care of them

1:11:21.320 --> 1:11:23.320
<v Speaker 1>girls because I mean, honestly, when I'm gone, I'm and

1:11:23.400 --> 1:11:28.840
<v Speaker 1>she's a single mom. Uh, it's dance, it's school, it's uh,

1:11:30.080 --> 1:11:34.760
<v Speaker 1>she trains, you know, it's so she's happy. She's happy

1:11:34.840 --> 1:11:37.479
<v Speaker 1>with with whe where her life is. The road has

1:11:37.760 --> 1:11:39.840
<v Speaker 1>has led her now. She she does love music, don't

1:11:39.840 --> 1:11:42.479
<v Speaker 1>get me wrong. And we we still play as a family,

1:11:42.560 --> 1:11:44.519
<v Speaker 1>like we'll we'll play music and we'll sit around the

1:11:44.600 --> 1:11:48.040
<v Speaker 1>campfire and do stuff, and and the occasional songwriters around

1:11:48.160 --> 1:11:50.080
<v Speaker 1>that she gets invited to, you know, we'll I'll go

1:11:50.200 --> 1:11:51.960
<v Speaker 1>in and you know, she'll call me and it's it's

1:11:52.000 --> 1:11:54.400
<v Speaker 1>a lot of fun. I do miss I do miss

1:11:54.439 --> 1:11:58.400
<v Speaker 1>playing just me and her on Lord Broadway that I

1:11:58.479 --> 1:12:00.840
<v Speaker 1>brought you to together. Yeah, she hired me to play

1:12:00.880 --> 1:12:04.560
<v Speaker 1>piano for she was one of my six Knights of

1:12:04.920 --> 1:12:07.880
<v Speaker 1>playing piano. Man. That's crazy. And we've been together ever since.

1:12:07.920 --> 1:12:11.360
<v Speaker 1>Are you grateful just in general at this point in

1:12:11.400 --> 1:12:13.960
<v Speaker 1>your life right now, as as anybody can ever be.

1:12:14.280 --> 1:12:17.639
<v Speaker 1>I mean, I get to, I get to I get

1:12:17.760 --> 1:12:21.320
<v Speaker 1>I get frustrated a lot with my line of work.

1:12:22.320 --> 1:12:25.920
<v Speaker 1>But I still get to wake up knowing that I'm

1:12:25.960 --> 1:12:29.639
<v Speaker 1>going to go be on stage and sing country music

1:12:30.760 --> 1:12:32.920
<v Speaker 1>and get and get paid to do it. It's a

1:12:34.040 --> 1:12:38.000
<v Speaker 1>it's a it's a surreal thing right now. His song

1:12:38.240 --> 1:12:53.160
<v Speaker 1>is Outskirts of Heaven. When I outskirts Heaven where there's roads,

1:12:53.320 --> 1:13:11.680
<v Speaker 1>fields and fishing, where Trees and Blues, Guys and dreams.

1:13:17.160 --> 1:13:29.200
<v Speaker 1>Lord when I die, the oscars him. I believe you

1:13:29.240 --> 1:13:30.920
<v Speaker 1>when you tell me this, I'll say it again, though.

1:13:30.960 --> 1:13:32.680
<v Speaker 1>I hope that you're so proud of that song, even

1:13:32.720 --> 1:13:34.960
<v Speaker 1>if it were to stop tomorrow. I am. And I

1:13:35.080 --> 1:13:37.519
<v Speaker 1>tell that every time I'm with with anybody, when it

1:13:37.560 --> 1:13:41.920
<v Speaker 1>comes to me trying to convince them to play the song,

1:13:42.000 --> 1:13:44.800
<v Speaker 1>I'm like, you know, what if if it all went

1:13:44.880 --> 1:13:48.600
<v Speaker 1>away tomorrow? The messages that I get on Facebook and

1:13:48.640 --> 1:13:50.880
<v Speaker 1>Twitter and Instagram and all that about how this song

1:13:50.960 --> 1:13:54.479
<v Speaker 1>has helped them deal with certain situations, That's That's all

1:13:54.520 --> 1:13:57.479
<v Speaker 1>that matters to me. Mike, anything like that's Craig. After

1:13:57.560 --> 1:14:00.280
<v Speaker 1>the interview, Mike call, he has a couple of questions, lingering, Yeah,

1:14:00.400 --> 1:14:03.160
<v Speaker 1>well is your daughter? Does she gravitate towards country? Men

1:14:03.880 --> 1:14:07.679
<v Speaker 1>want to know she's she's a huge Megan Trainer fan, which,

1:14:07.720 --> 1:14:11.360
<v Speaker 1>by the way, Megan Trainer heavy country, like we're talking

1:14:11.360 --> 1:14:13.800
<v Speaker 1>about I think last week, like Kaylyn Smith was in

1:14:14.080 --> 1:14:17.840
<v Speaker 1>and Caitlin and Meghan wrote Megan Trainer's song um like

1:14:17.920 --> 1:14:20.080
<v Speaker 1>I'm Gonna lose you. I'm gonna love you like I'm

1:14:20.120 --> 1:14:23.600
<v Speaker 1>gonna lose you. That's Morton Pressley's most viral video on

1:14:23.680 --> 1:14:29.200
<v Speaker 1>Facebook together Together. But yeah, she but she loves Kelsey.

1:14:29.720 --> 1:14:31.720
<v Speaker 1>You know, I'm not saying she don't like country music

1:14:31.800 --> 1:14:35.280
<v Speaker 1>at all. She she just her friends. They you know,

1:14:35.360 --> 1:14:39.960
<v Speaker 1>they lean more towards pop with the stuff they listened to. Cool.

1:14:40.479 --> 1:14:42.320
<v Speaker 1>Is that your first tattoo right there? I've been kind

1:14:42.320 --> 1:14:46.960
<v Speaker 1>of staring at it the whole time. You got Colorada? No,

1:14:47.160 --> 1:14:51.040
<v Speaker 1>this is this is my fifth tattoo. And but what

1:14:51.200 --> 1:14:53.439
<v Speaker 1>is that? Because it's the coloring is new one. It's

1:14:53.479 --> 1:14:57.559
<v Speaker 1>an American flag, Okay, and I've had it about a month,

1:14:57.680 --> 1:14:59.160
<v Speaker 1>but I went back and had the red put in

1:14:59.240 --> 1:15:02.960
<v Speaker 1>the ripes so that it would be very I don't know,

1:15:03.040 --> 1:15:06.760
<v Speaker 1>pop a little better, looks awesome anything else? Mike, what

1:15:06.920 --> 1:15:08.559
<v Speaker 1>was the first song you learned how to playing guitar?

1:15:08.920 --> 1:15:17.040
<v Speaker 1>On guitar? Yeah? Um? What was it? Oh? Today started

1:15:17.200 --> 1:15:22.000
<v Speaker 1>loving you again? Was that? Basically? Ge chords and dye

1:15:23.080 --> 1:15:27.519
<v Speaker 1>back where I really always been. I got over you

1:15:27.800 --> 1:15:32.439
<v Speaker 1>just long enough to let my hearty man, and a

1:15:32.560 --> 1:15:36.840
<v Speaker 1>day I started loving you. My uncle was a guitar player.

1:15:37.160 --> 1:15:41.439
<v Speaker 1>He he had a band. They were my mom's brother

1:15:41.520 --> 1:15:44.640
<v Speaker 1>had a had a Kiss tribute band. He was a

1:15:44.720 --> 1:15:49.680
<v Speaker 1>league talk. So yeah, he's so he That's the very

1:15:49.680 --> 1:15:52.439
<v Speaker 1>first song I ever learned how to play. I really

1:15:52.520 --> 1:15:55.080
<v Speaker 1>enjoyed the chat. No think I'm I have had a

1:15:55.120 --> 1:15:57.360
<v Speaker 1>great time. This is that. This is cool And obviously

1:15:57.439 --> 1:16:00.680
<v Speaker 1>you know I'm a fan and a friend and not

1:16:00.920 --> 1:16:05.439
<v Speaker 1>maybe that order, I think, but if but friend first,

1:16:06.360 --> 1:16:10.760
<v Speaker 1>because I think, yeah, I listen, I'd never listen to you.

1:16:11.000 --> 1:16:13.400
<v Speaker 1>I hate let people bring songs go ahead and play

1:16:13.439 --> 1:16:15.200
<v Speaker 1>for you in front of your face. And I think

1:16:15.200 --> 1:16:16.760
<v Speaker 1>You're probably the only person I've ever let that happen

1:16:16.760 --> 1:16:18.240
<v Speaker 1>to it in my history. I don't know if you

1:16:18.240 --> 1:16:20.800
<v Speaker 1>remember coming into the studio and I was like, I

1:16:20.880 --> 1:16:22.280
<v Speaker 1>was like, I don't wanna do this because I gotta

1:16:22.280 --> 1:16:23.200
<v Speaker 1>because I have to do the thing where I have

1:16:23.240 --> 1:16:24.439
<v Speaker 1>to act like I'm loving it, and I don't know

1:16:24.439 --> 1:16:26.479
<v Speaker 1>if I want to hear it. And it's just like, oh,

1:16:27.680 --> 1:16:29.760
<v Speaker 1>you might be the only person I've ever let that

1:16:29.840 --> 1:16:33.280
<v Speaker 1>happen with because I just don't do I hate it

1:16:33.360 --> 1:16:35.320
<v Speaker 1>and I'm glad you did. I but at the same time,

1:16:36.000 --> 1:16:39.200
<v Speaker 1>that was not my idea. And you know what's funny.

1:16:39.280 --> 1:16:42.360
<v Speaker 1>You came in and with Mary Forest, who's my managers,

1:16:43.040 --> 1:16:45.679
<v Speaker 1>and like she she's I called her my babysitter because

1:16:45.680 --> 1:16:47.680
<v Speaker 1>she managed everything that I do from you know, the

1:16:47.720 --> 1:16:51.840
<v Speaker 1>books and the music and she and she by the way,

1:16:51.920 --> 1:16:54.000
<v Speaker 1>she's fantastic. Well she's I love her to death. I

1:16:54.360 --> 1:16:57.479
<v Speaker 1>was even texted her when she came to work for

1:16:57.520 --> 1:17:00.720
<v Speaker 1>you guys or for you, I said, I hate to

1:17:00.720 --> 1:17:03.599
<v Speaker 1>see you go, but I know you're gonna love that gig. Yeah.

1:17:03.720 --> 1:17:06.639
<v Speaker 1>She left a really good job working at your label

1:17:07.080 --> 1:17:11.400
<v Speaker 1>to come and run me. And she's the best human.

1:17:12.360 --> 1:17:16.360
<v Speaker 1>Holy crap. I really have enjoyed this talk. It's fun

1:17:16.400 --> 1:17:17.840
<v Speaker 1>to sit down and just get to talk for hour

1:17:18.040 --> 1:17:21.080
<v Speaker 1>and there'll be no rules and just see what comes out.

1:17:21.240 --> 1:17:24.160
<v Speaker 1>So everybody, if you're listening, you know and you like it,

1:17:24.320 --> 1:17:34.280
<v Speaker 1>supported spend a dollar twenty nine Outskirts of Heaven. When sir,

1:17:37.360 --> 1:17:42.439
<v Speaker 1>please send all my warmth to the family. All right,

1:17:42.479 --> 1:17:46.200
<v Speaker 1>that's Craig Campbell and that's gonna wrap up Elisode seven

1:17:46.320 --> 1:17:49.000
<v Speaker 1>of the Bobby Cast, brought to you by No One Yet,

1:17:49.640 --> 1:17:53.880
<v Speaker 1>No sponsor yet, no sponsor. I think they told me

1:17:53.920 --> 1:17:55.639
<v Speaker 1>I can't get one notes. I need to find a sponsor.

1:17:55.920 --> 1:17:57.280
<v Speaker 1>They're like, hey, go get one. They can buy a

1:17:57.320 --> 1:18:00.240
<v Speaker 1>sponsorship and I was like dang already like yeah, so

1:18:00.320 --> 1:18:02.240
<v Speaker 1>anyway they're listening. He wants to be sponsored the show.

1:18:02.560 --> 1:18:06.360
<v Speaker 1>Let me know Mike d Stro producing the show. That's

1:18:06.439 --> 1:18:09.240
<v Speaker 1>m I K E d E E S t r

1:18:09.280 --> 1:18:12.599
<v Speaker 1>O on Snapchat. Now, Craig Campbell is Craig Campbell TV.

1:18:12.840 --> 1:18:16.599
<v Speaker 1>Why Craig Campbell TV. By the way, short story, Uh,

1:18:17.360 --> 1:18:20.240
<v Speaker 1>Craig Campbell dot com was taken. Craig Campbell dot net

1:18:20.400 --> 1:18:23.960
<v Speaker 1>was taken. They my Bigger Picture family was already working

1:18:24.000 --> 1:18:26.599
<v Speaker 1>with Big Kenny at the time and he had Big

1:18:26.680 --> 1:18:30.760
<v Speaker 1>Kenny dot tv, so dot tv was available. So my

1:18:30.880 --> 1:18:34.360
<v Speaker 1>website is Craig Campbell dot tv. So then we just

1:18:34.439 --> 1:18:40.000
<v Speaker 1>made all the social media Craig Campbell TV. Interesting long

1:18:40.080 --> 1:18:45.479
<v Speaker 1>story short, I appreciate the time, and uh, they'll look

1:18:45.520 --> 1:18:47.920
<v Speaker 1>back at the career and you know, I'm always rooting

1:18:47.920 --> 1:18:49.720
<v Speaker 1>for you, dude. I'm appreciate it. All right, we'll see

1:18:49.760 --> 1:18:52.559
<v Speaker 1>you and next time it's the Bobby Cast. That's another episode,

1:18:52.560 --> 1:18:54.479
<v Speaker 1>another edition. Thank you very much, and until next time,

1:18:54.520 --> 1:18:55.120
<v Speaker 1>good everybody.