1 00:00:00,760 --> 00:00:03,040 Speaker 1: I am all in. 2 00:00:07,800 --> 00:00:17,520 Speaker 2: I's you, I am. 3 00:00:17,360 --> 00:00:20,600 Speaker 3: All in with Scott Patterson and iHeart Radio Podcast. 4 00:00:20,800 --> 00:00:23,480 Speaker 1: Hey everybody, Scott Patterson, I am all in Podcast, one 5 00:00:23,520 --> 00:00:27,520 Speaker 1: of them productions, iHeart Radio Pop Culture, Season six, Episode three, 6 00:00:27,960 --> 00:00:33,120 Speaker 1: The Ungraduate. I am joined by my intrepid crew and 7 00:00:33,440 --> 00:00:40,800 Speaker 1: Sugarman Tara Sued and the newly minted Queen Susan French. 8 00:00:40,760 --> 00:00:45,240 Speaker 2: Getting good reviews. Suzanne getting getting good reviews. Thank you everyone, 9 00:00:45,440 --> 00:00:46,279 Speaker 2: some good reviews. 10 00:00:46,720 --> 00:00:47,440 Speaker 1: Welcome back. 11 00:00:47,600 --> 00:00:49,360 Speaker 2: They'll turn on you don't worry. 12 00:00:50,960 --> 00:00:52,160 Speaker 4: We one episode. 13 00:00:54,520 --> 00:00:56,280 Speaker 2: We love you guys. They won't. 14 00:00:56,720 --> 00:01:01,800 Speaker 1: They won't anyway. Laurel I, serving of the workers breakfast, lourelized, 15 00:01:01,840 --> 00:01:07,039 Speaker 1: Flow's got coffee? Who needs a jolt? Laurelize referring to 16 00:01:07,080 --> 00:01:10,120 Speaker 1: the character Flow from the nineteen seventy four Alice Doesn't 17 00:01:10,160 --> 00:01:14,240 Speaker 1: live here Anymore. Flow is a hardened sharp to what 18 00:01:15,000 --> 00:01:19,600 Speaker 1: sharp tongued? Sharp tongued? Because the boxes are blocking that 19 00:01:20,040 --> 00:01:22,840 Speaker 1: waitress at mel and Ruby's cafe. 20 00:01:23,319 --> 00:01:29,119 Speaker 2: Now, I would assume, knowing Lorelei, that she is referencing Flow, 21 00:01:29,319 --> 00:01:33,360 Speaker 2: but from the TV version of this Alice, because I 22 00:01:33,400 --> 00:01:35,320 Speaker 2: don't know that she watched the movie. But I think 23 00:01:35,360 --> 00:01:38,320 Speaker 2: she kissed my Grits and watched the TV. 24 00:01:38,160 --> 00:01:44,360 Speaker 5: Show, which I thought it too. Yeah, I watched it. 25 00:01:44,400 --> 00:01:49,160 Speaker 5: I'm old enough, Susan. Let's have you step up and 26 00:01:49,280 --> 00:01:50,960 Speaker 5: do a Luke tidbit. 27 00:01:51,040 --> 00:01:52,040 Speaker 1: Go ahead, all right. 28 00:01:53,000 --> 00:01:55,520 Speaker 6: Luke is complaining about how much they're spending on TJ 29 00:01:55,680 --> 00:01:59,120 Speaker 6: as their pretend contractor, and he says, you should hire 30 00:01:59,160 --> 00:02:00,960 Speaker 6: Blake Edwards as your contractor. 31 00:02:01,760 --> 00:02:03,040 Speaker 2: Blake Edwards began. 32 00:02:02,840 --> 00:02:05,040 Speaker 6: His career in the nineteen forties as an actor, but 33 00:02:05,080 --> 00:02:08,600 Speaker 6: he soon began writing screenplays and radio scripts before turning 34 00:02:08,639 --> 00:02:12,360 Speaker 6: to producing and directing and television in films. His best 35 00:02:12,360 --> 00:02:16,320 Speaker 6: known films include Breakfast to Tiffany's Days of One in Roses, 36 00:02:16,320 --> 00:02:18,680 Speaker 6: A Shot in the Dark, All from the sixties, and 37 00:02:18,760 --> 00:02:22,560 Speaker 6: the hugely successful Pink Panther film series. He was married 38 00:02:22,560 --> 00:02:25,480 Speaker 6: to Julie Andrews for forty one years until his death 39 00:02:25,560 --> 00:02:28,959 Speaker 6: in twenty ten. And Luke is using this reference because 40 00:02:29,000 --> 00:02:32,679 Speaker 6: LORELEI could hire a professional actor to be her pretend pot. 41 00:02:33,919 --> 00:02:37,399 Speaker 1: I tell you those films, the Blake Edwards films were 42 00:02:37,520 --> 00:02:40,240 Speaker 1: just some of my favorite films of all time. All 43 00:02:40,320 --> 00:02:46,200 Speaker 1: that Pink Panther stuff, Oh yeah, oh wow, just brilliant. Anyway, Amy, 44 00:02:46,560 --> 00:02:47,640 Speaker 1: you're welcome. 45 00:02:47,560 --> 00:02:50,280 Speaker 2: Thank you, Michelle complaining about Paris and how she treats 46 00:02:50,320 --> 00:02:52,840 Speaker 2: them at the end. Very funny, by the way. She 47 00:02:52,880 --> 00:02:56,400 Speaker 2: has a tough exterior, but on the inside, she's Tokyo Rose. 48 00:02:56,919 --> 00:02:59,760 Speaker 2: Tokyo Rose was a name given by Allaied troops in 49 00:02:59,760 --> 00:03:03,120 Speaker 2: the South Pacific during World War Two to all female 50 00:03:03,160 --> 00:03:07,320 Speaker 2: English speaking radio broadcasters of Japanese propaganda. The programs were 51 00:03:07,320 --> 00:03:10,720 Speaker 2: broadcast in the South Pacific and North America to demoralize 52 00:03:10,760 --> 00:03:14,400 Speaker 2: Allied forces abroad and their families at home by emphasizing troops, 53 00:03:14,440 --> 00:03:20,680 Speaker 2: wartime difficulties, and military losses. I had never heard that before. 54 00:03:21,120 --> 00:03:24,040 Speaker 2: Really a little history lesson for everybody here to that. 55 00:03:28,160 --> 00:03:31,160 Speaker 4: Tara, You're up, kid, all right, so Michelle says. 56 00:03:31,720 --> 00:03:34,160 Speaker 3: Michelle is saying it's creepy that Laurel is having lunch 57 00:03:34,240 --> 00:03:38,800 Speaker 3: with Paris twice a week. Michelle, Michelle says, yeah, creepy. 58 00:03:38,840 --> 00:03:41,320 Speaker 3: The next thing you know, you'll be carrying Emmanuel Lewis 59 00:03:41,360 --> 00:03:45,480 Speaker 3: around on your shoulders. Emanuel Lewis is an American actor 60 00:03:45,560 --> 00:03:48,000 Speaker 3: best known for playing the title character in the nineteen 61 00:03:48,040 --> 00:03:52,120 Speaker 3: eighties TV sitcom Webster Michelle is making a Joe that 62 00:03:52,200 --> 00:03:55,440 Speaker 3: Laurelies spending time with Children, which is a reference to 63 00:03:55,480 --> 00:03:58,960 Speaker 3: Emmanuel Lewis's height. His height was only changed by six 64 00:03:59,000 --> 00:04:02,760 Speaker 3: inches since his child aldhood appearance in Webster, making him 65 00:04:02,800 --> 00:04:06,080 Speaker 3: relatively short, and he has no known condition that would 66 00:04:06,120 --> 00:04:07,040 Speaker 3: explain his height. 67 00:04:07,320 --> 00:04:10,680 Speaker 2: It's also a reference to that Michael Jackson used to 68 00:04:10,680 --> 00:04:17,320 Speaker 2: carry Emmanuel Lewis around on his shoulder. Oh okay, yeah, 69 00:04:17,440 --> 00:04:23,039 Speaker 2: I mean most of the photos he's sort of like 70 00:04:23,960 --> 00:04:27,200 Speaker 2: it's you know, he's kind of holding him. But yes, 71 00:04:27,360 --> 00:04:28,839 Speaker 2: I can show you this. 72 00:04:30,200 --> 00:04:32,400 Speaker 4: Oh, I know what you're talking about. Okay, Yes, I. 73 00:04:32,400 --> 00:04:36,520 Speaker 2: Don't know if you guys can see it. Yep. I 74 00:04:36,520 --> 00:04:39,080 Speaker 2: think there was an award show maybe one that I 75 00:04:39,120 --> 00:04:42,760 Speaker 2: think Michael Jackson went with Brooke shield right yep. And 76 00:04:42,800 --> 00:04:48,880 Speaker 2: then the pictures are very famous with this. There's also 77 00:04:48,920 --> 00:04:51,920 Speaker 2: another one with Brook Shields. 78 00:04:53,000 --> 00:04:58,039 Speaker 1: So there you go, Suzan, Why don't you do another one. 79 00:04:58,160 --> 00:05:04,280 Speaker 1: We're getting great feedback already. Yeah all right. 80 00:05:04,560 --> 00:05:07,760 Speaker 6: Uh, Larela I can't go out to see Paris when 81 00:05:07,760 --> 00:05:11,400 Speaker 6: she returns because she is still drinking her coffee. Laurla says, 82 00:05:11,400 --> 00:05:14,359 Speaker 6: good to the last drop. Lourai is referring to a 83 00:05:14,360 --> 00:05:17,320 Speaker 6: slogan used by Maxwell House, an American brand of coffee 84 00:05:17,440 --> 00:05:21,039 Speaker 6: originally manufactured by the cheek Needle Coffee Company. 85 00:05:21,279 --> 00:05:26,159 Speaker 2: Why did they get rid of that? 86 00:05:23,560 --> 00:05:28,839 Speaker 1: Well, they're all good sayings, right, and they just move 87 00:05:28,880 --> 00:05:33,839 Speaker 1: on from It's like why did Ford redesign the Mustang 88 00:05:34,160 --> 00:05:38,960 Speaker 1: in the seventies. It's like they have this, they have this, 89 00:05:39,160 --> 00:05:42,200 Speaker 1: like what is that? Sales died? So who knows? 90 00:05:42,360 --> 00:05:45,200 Speaker 2: Why did Wagoneer not put the wood paneling on their 91 00:05:45,720 --> 00:05:48,000 Speaker 2: car when they brought it back? Right now, it's like 92 00:05:48,680 --> 00:05:50,679 Speaker 2: wood paneling is the best part of that old. 93 00:05:51,000 --> 00:05:52,800 Speaker 1: Man bring the station wagon back? 94 00:05:54,560 --> 00:05:59,240 Speaker 2: So a coffee sidebar. But do you guys remember the 95 00:05:59,240 --> 00:06:05,119 Speaker 2: coffee commercial? Probably folders and like the sister wakes up 96 00:06:05,800 --> 00:06:08,960 Speaker 2: and she opens the door and it's Brian the soldier 97 00:06:09,279 --> 00:06:12,400 Speaker 2: and he's come home or whatever, and they go into 98 00:06:12,440 --> 00:06:19,440 Speaker 2: the kitchen. There's a whole spoof of that commercial that 99 00:06:19,600 --> 00:06:23,000 Speaker 2: things are a little too close between the sister and 100 00:06:23,080 --> 00:06:29,960 Speaker 2: the brother in the Oh TikTok. It's like a Saturday 101 00:06:30,000 --> 00:06:32,039 Speaker 2: Night Live sketch. But I don't I think it's just 102 00:06:32,120 --> 00:06:34,960 Speaker 2: somebody did it. 103 00:06:34,960 --> 00:06:38,480 Speaker 1: It really goes against Madison's Avenue narrative that's a siblings 104 00:06:38,480 --> 00:06:45,000 Speaker 1: should hate each other. Oh gosh, you go scus you 105 00:06:45,040 --> 00:06:48,480 Speaker 1: want me to go? Can I go? All right? Rory 106 00:06:48,640 --> 00:06:53,000 Speaker 1: telling Emily she has new gossip on the women at 107 00:06:53,160 --> 00:06:58,200 Speaker 1: d A. R Emily, my own little Valerie Plain Valerie 108 00:06:58,240 --> 00:07:03,320 Speaker 1: Planning is an American writers by, novelist and former CIA officer. 109 00:07:03,680 --> 00:07:07,000 Speaker 1: As the subject of the two thousand and three plainm affair, 110 00:07:07,120 --> 00:07:11,240 Speaker 1: also known as the CIA leak scandal, blames identity as 111 00:07:11,240 --> 00:07:14,840 Speaker 1: a CIA officer, was leaked to and subsequently published by 112 00:07:14,960 --> 00:07:20,000 Speaker 1: Robert Novak of The Washington Post. Very very, very controversial 113 00:07:21,320 --> 00:07:27,760 Speaker 1: thing to do. Oh you don't remember that nothing. She 114 00:07:27,800 --> 00:07:32,040 Speaker 1: became a political football. Oh my god. And they they 115 00:07:32,080 --> 00:07:35,120 Speaker 1: outed her. I think they were angry at her husband 116 00:07:35,200 --> 00:07:35,600 Speaker 1: for some. 117 00:07:35,520 --> 00:07:39,120 Speaker 2: Reason, maybe maybe coming back to me now. 118 00:07:38,880 --> 00:07:42,440 Speaker 1: They outed her. It's just something that had never been 119 00:07:42,520 --> 00:07:43,160 Speaker 1: done before. 120 00:07:43,200 --> 00:07:45,320 Speaker 2: This is coming back to me and the. 121 00:07:45,320 --> 00:07:48,160 Speaker 1: Husband was furious and everybody was furious, like, how could 122 00:07:48,200 --> 00:07:51,040 Speaker 1: you do this? Now You've risked her life and. 123 00:07:52,560 --> 00:07:55,600 Speaker 6: Worked with her, and it was it was tight into 124 00:07:55,600 --> 00:07:58,000 Speaker 6: the We talked about this last week too, and with 125 00:07:58,080 --> 00:07:58,840 Speaker 6: Scooter Libby. 126 00:07:58,880 --> 00:08:02,920 Speaker 2: It was all tight in em Oh, Suzanne with the 127 00:08:03,520 --> 00:08:07,920 Speaker 2: good historical knowledge and a Gilmore girl's reference. 128 00:08:09,120 --> 00:08:13,040 Speaker 1: That's why she's here, ladies. Literally impressive the audition was 129 00:08:13,160 --> 00:08:16,840 Speaker 1: very impressive. She linked all kinds of things together with 130 00:08:17,320 --> 00:08:19,360 Speaker 1: stuff that we're just like we. 131 00:08:19,320 --> 00:08:22,120 Speaker 2: Need her eat pop tarts. We made all kinds of it. 132 00:08:23,920 --> 00:08:24,920 Speaker 2: Emily talking. 133 00:08:28,040 --> 00:08:30,520 Speaker 1: Having con so sorry. 134 00:08:29,920 --> 00:08:34,680 Speaker 2: Emily talking about Constance's drama cover up. That's good, that's 135 00:08:34,720 --> 00:08:38,240 Speaker 2: what took Nixon down. Emily is referring to the Watergate scandal, 136 00:08:38,320 --> 00:08:41,080 Speaker 2: a major political scandal in the United States involving the 137 00:08:41,120 --> 00:08:44,320 Speaker 2: administration of President Richard Nixon from nineteen seventy two to 138 00:08:44,360 --> 00:08:48,680 Speaker 2: seventy four that led to Nixon's resignation. The scandal stemmed 139 00:08:48,679 --> 00:08:51,880 Speaker 2: from the Nixon administration's attempts to cover up its involvement 140 00:08:52,240 --> 00:08:55,360 Speaker 2: in the nineteen seventy two June seventeenth break in of 141 00:08:55,400 --> 00:08:59,520 Speaker 2: the Democratic National Committee headquarters in Washington at the Watergate 142 00:08:59,640 --> 00:09:00,640 Speaker 2: office building. 143 00:09:00,880 --> 00:09:03,760 Speaker 1: Boy, thank god, we live in an age where there 144 00:09:03,880 --> 00:09:07,760 Speaker 1: are no scandals anymore. I mean, so we figured it out. 145 00:09:07,840 --> 00:09:11,920 Speaker 1: It's scandal free. It's a wonderful place to be. 146 00:09:12,320 --> 00:09:12,680 Speaker 2: Total. 147 00:09:14,120 --> 00:09:18,000 Speaker 1: We learned our lesson from Watergate, didn't we. We sure did. 148 00:09:19,280 --> 00:09:22,320 Speaker 1: Thanks Washington, Thank you anyway, go ahead. 149 00:09:25,120 --> 00:09:31,960 Speaker 3: Hello, Gil is saying that the av room is decorated. Well, 150 00:09:32,040 --> 00:09:35,079 Speaker 3: Gil says, I've played the Whiskey before. Man, it's got 151 00:09:35,080 --> 00:09:38,320 Speaker 3: a similar vibe, it does. Gill is referring to the 152 00:09:38,520 --> 00:09:43,480 Speaker 3: historic nightclub The Whiskey at Go Go, which is informally 153 00:09:43,559 --> 00:09:46,600 Speaker 3: nicknamed The Whiskey in West Hollywood, California. The club has 154 00:09:46,600 --> 00:09:50,040 Speaker 3: been the host for musicians and bands including Taj mahal 155 00:09:50,160 --> 00:09:57,040 Speaker 3: Otis Redding, Hugh What Is It Mess, Masekela, Hugh Masekela, 156 00:09:57,280 --> 00:10:01,280 Speaker 3: Alice Cooper, who all recorded live albums there between nineteen 157 00:10:01,360 --> 00:10:04,800 Speaker 3: sixty six and nineteen sixty nine. 158 00:10:05,200 --> 00:10:09,840 Speaker 1: Yeah, and Johnny Depp's places. Uh yeah, right across the 159 00:10:09,880 --> 00:10:12,760 Speaker 1: street from in West. 160 00:10:12,480 --> 00:10:15,520 Speaker 2: Hall, the Viper Room. It's not the whoa Viper Room. 161 00:10:15,840 --> 00:10:17,760 Speaker 4: I was at the Roxy the other day, which. 162 00:10:17,520 --> 00:10:20,080 Speaker 1: Is what was going on there. 163 00:10:20,480 --> 00:10:23,440 Speaker 4: There was a show the Band of nineteen seventy five, 164 00:10:23,480 --> 00:10:23,680 Speaker 4: so I. 165 00:10:24,120 --> 00:10:25,319 Speaker 2: Wow, it's a cool band. 166 00:10:25,880 --> 00:10:26,960 Speaker 4: Yeah, it was fun. 167 00:10:27,600 --> 00:10:28,960 Speaker 1: Roxy is a great place. 168 00:10:29,160 --> 00:10:33,280 Speaker 2: Yeah, like the Roxbury that was right there too, wasn't 169 00:10:33,280 --> 00:10:35,800 Speaker 2: it Roxbury? 170 00:10:34,800 --> 00:10:34,959 Speaker 3: Yeah? 171 00:10:35,960 --> 00:10:37,120 Speaker 2: And then above. 172 00:10:37,000 --> 00:10:38,240 Speaker 4: Above the Roxy the. 173 00:10:40,480 --> 00:10:42,719 Speaker 2: Rainbow Room, and what was Carlos and Charlie's. I never 174 00:10:42,720 --> 00:10:43,160 Speaker 2: heard of that. 175 00:10:43,240 --> 00:10:45,840 Speaker 1: Carlos and Charlie's was a big place in the eighties. 176 00:10:47,400 --> 00:10:50,440 Speaker 2: Yeah, man, I hated all those places. Every time I 177 00:10:50,480 --> 00:10:53,559 Speaker 2: had to go, I literally I'm not meant for that. Well, 178 00:10:53,640 --> 00:10:55,520 Speaker 2: by the way, I had to go there for anything, 179 00:10:55,520 --> 00:10:57,360 Speaker 2: I'd be like, oh. 180 00:10:57,160 --> 00:11:00,079 Speaker 1: Well, it's a great roxy. The Roxy's fun, and the 181 00:11:00,120 --> 00:11:02,840 Speaker 1: Rainbow Room is really fun. Those are smaller, more intimate 182 00:11:02,880 --> 00:11:03,520 Speaker 1: places in there. 183 00:11:03,880 --> 00:11:06,040 Speaker 4: It's fun until you have to drive there. 184 00:11:08,440 --> 00:11:13,800 Speaker 1: And five o'clock. Yeah, the trap, Now, really you got 185 00:11:13,840 --> 00:11:16,760 Speaker 1: to take a motorcycle or like take it from the. 186 00:11:16,679 --> 00:11:22,240 Speaker 2: West, from the West side to Sunday. Get it like 187 00:11:22,320 --> 00:11:25,400 Speaker 2: that sketchule we're like to sketch on SML the four 188 00:11:25,480 --> 00:11:28,000 Speaker 2: or five of the water. Want to take a lamp back, 189 00:11:30,240 --> 00:11:31,240 Speaker 2: take the canyon. 190 00:11:31,720 --> 00:11:33,520 Speaker 1: Really, all you need to do is get out of 191 00:11:33,559 --> 00:11:35,760 Speaker 1: the car and just walk across. 192 00:11:35,400 --> 00:11:40,160 Speaker 2: The make it literally literally Brad Pitt could be like, 193 00:11:40,520 --> 00:11:42,160 Speaker 2: I would go for Brad Pitt. But if he was like, 194 00:11:42,200 --> 00:11:44,280 Speaker 2: do you want to make me for dinner? It's five 195 00:11:44,320 --> 00:11:48,400 Speaker 2: o'clock on the in West Hollywood and I'm coming from Brentwood, 196 00:11:48,400 --> 00:11:48,760 Speaker 2: It's like. 197 00:11:50,880 --> 00:11:54,160 Speaker 1: You'd be there at five am when sleeping. 198 00:11:54,240 --> 00:11:56,200 Speaker 2: I'd be like, can we do eleven? 199 00:11:56,040 --> 00:11:59,320 Speaker 1: And you probably wake me up because I'd be there 200 00:11:59,320 --> 00:12:07,480 Speaker 1: at four am. 201 00:12:07,600 --> 00:12:11,600 Speaker 2: Suki showing Lourlai Her s'moor's wedding cake. By the way, 202 00:12:12,120 --> 00:12:16,040 Speaker 2: I know we talked about it earlier. That's my dream 203 00:12:16,240 --> 00:12:20,560 Speaker 2: wedding cake cake totally and telling her how it came 204 00:12:20,600 --> 00:12:23,720 Speaker 2: to her in a dream. And then of course Katie 205 00:12:23,720 --> 00:12:25,600 Speaker 2: Holmes and Tom Cruise come leaping out of the cake 206 00:12:25,640 --> 00:12:28,280 Speaker 2: screaming about how amazing it is. So that made the 207 00:12:28,280 --> 00:12:31,800 Speaker 2: whole thing a little creepy, but until then, So this 208 00:12:31,920 --> 00:12:37,760 Speaker 2: is a reference to Tom cruise couch jumping moment on 209 00:12:37,800 --> 00:12:40,600 Speaker 2: the Oprah Winfrey shoot. So for those that don't know, 210 00:12:40,679 --> 00:12:43,959 Speaker 2: Tom Cruise is a actor known for such films as 211 00:12:44,040 --> 00:12:50,920 Speaker 2: Risky Business to Mission Impossible, Jerry Maguire, one of my favorites. 212 00:12:51,320 --> 00:12:54,120 Speaker 2: Katie Holmes, who I Love, is an American actress who 213 00:12:54,160 --> 00:12:57,160 Speaker 2: first achieved fame as Joey Potter on the television series 214 00:12:57,240 --> 00:13:01,319 Speaker 2: Dawson's Creek. Also a big fan of radios jingle Ball. 215 00:13:01,320 --> 00:13:03,280 Speaker 2: We love Kittie Holmes always comes to our jingle Ball. 216 00:13:03,600 --> 00:13:06,520 Speaker 2: But in two thousand and five, Cruise publicly declared his 217 00:13:06,600 --> 00:13:09,240 Speaker 2: love for Holmes on the Oprah Winfrey Show as he 218 00:13:09,360 --> 00:13:12,600 Speaker 2: jumped on Winfrey's yellow couch and stood there to make 219 00:13:12,640 --> 00:13:15,040 Speaker 2: the announcement. They were married from two thousand and six 220 00:13:15,080 --> 00:13:18,600 Speaker 2: to twenty twelve, and sometimes I rewatch it. I don't 221 00:13:18,720 --> 00:13:22,040 Speaker 2: know that it was as like horrifying as everybody made 222 00:13:22,080 --> 00:13:25,880 Speaker 2: it out to be. Later it was a little hyper, 223 00:13:26,200 --> 00:13:28,559 Speaker 2: I would say. 224 00:13:27,760 --> 00:13:29,599 Speaker 4: Like, but it wasn't like horrified any watch it. 225 00:13:29,720 --> 00:13:32,880 Speaker 2: It wasn't like everybody really talks about it as like 226 00:13:33,160 --> 00:13:35,840 Speaker 2: a moment of downfall for Tom Cruise, and it's like 227 00:13:36,440 --> 00:13:38,760 Speaker 2: it was a little over the top, right, but people 228 00:13:38,800 --> 00:13:41,679 Speaker 2: do that stuff on talk shows all the time if 229 00:13:41,720 --> 00:13:44,040 Speaker 2: you really watch it. I think the jump is what's 230 00:13:44,120 --> 00:13:46,600 Speaker 2: kind of amazing. Like I think he went from the 231 00:13:46,679 --> 00:13:49,679 Speaker 2: floor to the couch where I'm like I had have 232 00:13:49,720 --> 00:13:51,000 Speaker 2: to climb up there. 233 00:13:51,480 --> 00:13:54,560 Speaker 1: It was an amazingly athletic move I thought, a good 234 00:13:54,640 --> 00:13:59,680 Speaker 1: balance and not a lot of actors could pull that off. 235 00:14:00,080 --> 00:14:02,360 Speaker 2: That whole thing was crazy, though, because then he makes 236 00:14:02,400 --> 00:14:05,600 Speaker 2: her come out. She's sort of behind the scene. It 237 00:14:05,679 --> 00:14:07,520 Speaker 2: was like it's worth the rewatch. 238 00:14:07,640 --> 00:14:10,520 Speaker 1: I was like, Wow, do you think it was scripted 239 00:14:10,600 --> 00:14:11,560 Speaker 1: or spontaneous? 240 00:14:12,000 --> 00:14:16,679 Speaker 2: M I think the bringing of her out was known 241 00:14:16,760 --> 00:14:17,679 Speaker 2: that he was going to do. 242 00:14:17,720 --> 00:14:19,760 Speaker 1: That, But do you think the couch jumping. 243 00:14:19,880 --> 00:14:22,160 Speaker 2: I think the couch jumping was spontaneous. 244 00:14:22,920 --> 00:14:37,040 Speaker 1: Burstings of Heart Love live for a live audience. I 245 00:14:37,160 --> 00:14:40,720 Speaker 1: take ahead. I know, I take aheader and go down 246 00:14:40,760 --> 00:14:43,200 Speaker 1: and I'd be unconscious for a little while. I'd work up, 247 00:14:43,240 --> 00:14:45,520 Speaker 1: but think I was in another planet. 248 00:14:45,680 --> 00:14:48,000 Speaker 2: It is the jump that's pretty amazing. 249 00:14:48,600 --> 00:14:53,680 Speaker 1: I was quite impressed. I thought, there, that's a gymnastics background, 250 00:14:53,880 --> 00:14:57,920 Speaker 1: totally right there, totally with the balance the power. 251 00:14:58,760 --> 00:15:05,080 Speaker 2: Love him or love him back. Guy is aggressively in 252 00:15:05,240 --> 00:15:07,560 Speaker 2: amazing shape. And I don't want to. 253 00:15:07,520 --> 00:15:11,320 Speaker 1: Say not love Tom Cruise. 254 00:15:11,520 --> 00:15:13,040 Speaker 2: I do love him. 255 00:15:13,520 --> 00:15:15,120 Speaker 1: He's incredible. 256 00:15:15,640 --> 00:15:19,520 Speaker 2: I do. Some people might not, that's up to them. 257 00:15:20,440 --> 00:15:23,880 Speaker 2: And Top Gun to whateverick. 258 00:15:24,280 --> 00:15:25,560 Speaker 4: I watched it so many times. 259 00:15:25,800 --> 00:15:28,000 Speaker 1: You know, there aren't a lot of actors out there 260 00:15:28,040 --> 00:15:32,560 Speaker 1: that just really have it. You know, he's got everything, 261 00:15:32,840 --> 00:15:36,160 Speaker 1: He's got everything once he hits the screen. Can you 262 00:15:36,200 --> 00:15:37,400 Speaker 1: take your eyes off that guy? 263 00:15:37,640 --> 00:15:40,720 Speaker 2: No, I'm obsessed. I love him. You can't speaking. I 264 00:15:40,760 --> 00:15:44,720 Speaker 2: think mission impossible. The latest version is out on streaming 265 00:15:44,920 --> 00:15:48,880 Speaker 2: like now or this sometime soon. I need to watch that. 266 00:15:48,960 --> 00:15:50,800 Speaker 2: I did not go to the theater for that one. 267 00:15:50,840 --> 00:15:51,720 Speaker 2: I did for Top Gun. 268 00:15:51,800 --> 00:15:53,640 Speaker 1: And you know he did a Michael Mann film with 269 00:15:53,760 --> 00:15:55,200 Speaker 1: Jamie Fox where he played. 270 00:15:54,960 --> 00:15:57,000 Speaker 2: It oh yeah, yeah, and he was. 271 00:15:56,960 --> 00:16:00,240 Speaker 1: Great in that. Yeah, he can do anything, and he's 272 00:16:00,320 --> 00:16:04,520 Speaker 1: like he you know, he lost all the smiley smiley stuff, right, 273 00:16:04,560 --> 00:16:09,440 Speaker 1: because he's got that mega smile. That right. But I mean, 274 00:16:09,480 --> 00:16:11,520 Speaker 1: if you've got a great smile, sure use it, and 275 00:16:11,560 --> 00:16:14,120 Speaker 1: he does and it's natural, it feels great and that's 276 00:16:14,280 --> 00:16:17,800 Speaker 1: part of his charm. But he did that that that character, 277 00:16:18,000 --> 00:16:21,040 Speaker 1: he did not lose his charisma because he's just like 278 00:16:21,080 --> 00:16:24,920 Speaker 1: it's it's like bursting out of his pores. God, what 279 00:16:25,000 --> 00:16:29,720 Speaker 1: was the name of that film? Jamie Fox and who 280 00:16:29,720 --> 00:16:38,440 Speaker 1: else was in that? Javier Bardam was in that. Oh remember, yeah. 281 00:16:37,960 --> 00:16:40,440 Speaker 2: You mean the Jamie Fox one another. 282 00:16:41,600 --> 00:16:46,160 Speaker 1: No, Jamie Fox was a cab driver who yeah, no, no, 283 00:16:46,240 --> 00:16:51,560 Speaker 1: Javier Bardem was the cartel leader or representative of the 284 00:16:51,600 --> 00:16:56,440 Speaker 1: cartel that was waiting for Jamie Fox or the person Collateral. Yes, 285 00:16:56,760 --> 00:17:00,920 Speaker 1: what a great film. Great film, and Cruz was one 286 00:17:00,920 --> 00:17:04,359 Speaker 1: of my favorite cruise performances, one of my favorites. So 287 00:17:04,680 --> 00:17:07,879 Speaker 1: check it out, everybody. If you like Hitman running around. 288 00:17:07,680 --> 00:17:09,480 Speaker 2: La I randomly was watching that one with. 289 00:17:10,920 --> 00:17:12,800 Speaker 1: Witnesses that and you'll love that film. 290 00:17:13,400 --> 00:17:17,800 Speaker 2: There's one with Cameron Diaz like suddenly, I don't know, 291 00:17:17,840 --> 00:17:22,440 Speaker 2: they like meet and suddenly she's involved in his life. 292 00:17:22,480 --> 00:17:24,880 Speaker 2: I forget what it's day or night or night and day? 293 00:17:25,119 --> 00:17:28,800 Speaker 2: Oh sure, sure, yes that was I stumbled on that there. 294 00:17:28,680 --> 00:17:30,040 Speaker 1: And they had to rescue her and it was a 295 00:17:30,080 --> 00:17:30,560 Speaker 1: big thri. 296 00:17:31,040 --> 00:17:33,760 Speaker 2: Like somehow he roped her into his Shenanigans. I don't 297 00:17:33,800 --> 00:17:34,880 Speaker 2: exactly remember the plant. 298 00:17:34,920 --> 00:17:37,560 Speaker 1: I don't know, but this guy, I mean, he's been 299 00:17:38,240 --> 00:17:40,840 Speaker 1: you know, watch the taps, the first thing that he. 300 00:17:40,880 --> 00:17:45,439 Speaker 2: Was in Jerry tap fire taps. Though, Who's coming with me? 301 00:17:45,720 --> 00:17:49,280 Speaker 2: Who's coming with me? I will go with you? Jerry? 302 00:17:49,480 --> 00:17:51,280 Speaker 1: I love Joey said that you're talking. You're on the 303 00:17:51,359 --> 00:17:56,080 Speaker 1: Jerry McBrien. You want me to do the line? Of 304 00:17:56,119 --> 00:17:57,359 Speaker 1: course you want to do the line. 305 00:17:57,880 --> 00:18:02,320 Speaker 2: Definitely, it's almost I am all in show me the money. 306 00:18:02,400 --> 00:18:05,720 Speaker 2: Come on, that's the girl in me that thought you 307 00:18:05,720 --> 00:18:09,760 Speaker 2: were going to say you had me at hello, Because 308 00:18:09,760 --> 00:18:11,160 Speaker 2: that's almost I am all in. 309 00:18:11,320 --> 00:18:13,200 Speaker 1: Well, I'm a guy. All I think about is money, 310 00:18:13,240 --> 00:18:17,119 Speaker 1: you know, that's what guys are like, show me the money. 311 00:18:17,720 --> 00:18:31,280 Speaker 1: Very relatable line. Anyway, our Tom Cruise tribute hour Pepto Bismo. 312 00:18:34,320 --> 00:18:38,359 Speaker 1: All right, Who's who's doing this one? Laurel I joking 313 00:18:38,440 --> 00:18:42,600 Speaker 1: she wants a disastrous wedding. Well she didn't get any wedding. 314 00:18:46,400 --> 00:18:51,560 Speaker 1: Geta what okay, Laurel I joking, No, I'm not going 315 00:18:51,600 --> 00:18:53,000 Speaker 1: to do that line again. That was a great line, 316 00:18:53,720 --> 00:18:57,160 Speaker 1: Laurel I. And then later at the reception, Lucas found 317 00:18:57,720 --> 00:19:01,679 Speaker 1: in the co check room Judel it with one of 318 00:19:01,680 --> 00:19:06,840 Speaker 1: the bridesmaids. Jude Law is an English actor. Some of 319 00:19:06,880 --> 00:19:11,880 Speaker 1: his early success was Gadica nineteen ninety seven, The Talented 320 00:19:11,920 --> 00:19:17,880 Speaker 1: Mister Ripley, which was really terrific film, Sherlock Holmes two 321 00:19:17,920 --> 00:19:21,359 Speaker 1: thousand and nine, Hugo twenty eleven, The Holiday two thousand 322 00:19:21,400 --> 00:19:25,240 Speaker 1: and six, not in that order obviously. Two thousand and three, 323 00:19:25,480 --> 00:19:28,680 Speaker 1: Law began dating co star Sienna Miller, and the two 324 00:19:28,680 --> 00:19:30,920 Speaker 1: were engaged in two thousand and What did you say? 325 00:19:31,720 --> 00:19:32,000 Speaker 1: You say? 326 00:19:32,480 --> 00:19:37,600 Speaker 2: I said yep, two thousand and four. 327 00:19:37,720 --> 00:19:41,280 Speaker 1: July two thousand and five, Law issued a public apology 328 00:19:41,280 --> 00:19:46,600 Speaker 1: to Miller for having an affair with his children's nanny day. 329 00:19:47,119 --> 00:19:50,879 Speaker 2: I remember it all. 330 00:19:51,840 --> 00:19:54,520 Speaker 1: The movie I did not love, which one. 331 00:19:55,880 --> 00:19:58,840 Speaker 2: I think it was called AI and. 332 00:19:59,119 --> 00:20:00,399 Speaker 1: What the Spielberg film? 333 00:20:00,600 --> 00:20:00,879 Speaker 2: Yeah? 334 00:20:01,080 --> 00:20:03,679 Speaker 1: That it was kind of stark, wasn't it was? 335 00:20:03,760 --> 00:20:08,560 Speaker 2: It was very stark and the end was horrible, Like, 336 00:20:10,480 --> 00:20:13,440 Speaker 2: oh my god, what was that guy's name? From sixth cents? 337 00:20:13,600 --> 00:20:16,840 Speaker 2: What's that guy's name? He's in it? 338 00:20:17,359 --> 00:20:18,200 Speaker 1: Bruce Willis. 339 00:20:18,440 --> 00:20:24,880 Speaker 2: No, the young kid was in a I and I yes, 340 00:20:25,080 --> 00:20:27,840 Speaker 2: and then I literally I don't. I did not like it. 341 00:20:28,640 --> 00:20:32,800 Speaker 2: I think he was a robot boy right, not good? No, 342 00:20:33,000 --> 00:20:37,840 Speaker 2: that was not good, creepy. It's just the ending like 343 00:20:37,960 --> 00:20:40,840 Speaker 2: left me feeling empty inside. 344 00:20:41,640 --> 00:20:44,240 Speaker 4: H but the holidays, just. 345 00:20:44,160 --> 00:20:46,600 Speaker 1: Not the purpose, just. 346 00:20:47,520 --> 00:20:57,520 Speaker 4: That I watch it all holiday season, the holiday. 347 00:20:57,720 --> 00:21:00,360 Speaker 1: Who's starring in it? Oh? 348 00:21:00,480 --> 00:21:05,040 Speaker 2: Okay and John Black, Jude Law and Kate Blanchett. 349 00:21:05,119 --> 00:21:07,679 Speaker 4: No, no, no, no, Kate Winslet. 350 00:21:07,840 --> 00:21:09,679 Speaker 2: Kate Winslet, sorry. 351 00:21:10,520 --> 00:21:15,240 Speaker 1: All you know? Both great actresses. Yeah, Like, did you 352 00:21:15,240 --> 00:21:18,480 Speaker 1: you got to see Kate Blanchette's new film. I think 353 00:21:18,520 --> 00:21:21,720 Speaker 1: it's called what was it not? Maestro? That's Bradley Cooper. 354 00:21:21,800 --> 00:21:27,480 Speaker 1: She plays a conductor Tar Tar Todd Todd Field wrote 355 00:21:27,480 --> 00:21:33,760 Speaker 1: and directed. He researched the hellas. Yeah, like kind of 356 00:21:34,160 --> 00:21:37,160 Speaker 1: at the end of it. But it's a great, great film, 357 00:21:37,160 --> 00:21:39,960 Speaker 1: great actress. I'll watch anything. If she's reading the phone Book, 358 00:21:40,000 --> 00:21:46,840 Speaker 1: I'll watch that, all right. 359 00:21:47,119 --> 00:21:50,160 Speaker 6: So this is when Paris comes back to the Inn 360 00:21:50,200 --> 00:21:55,040 Speaker 6: and all the servers are running away from and Lorelei 361 00:21:55,119 --> 00:21:59,560 Speaker 6: says the eagle has landed. Morlai is referring to Apollo eleven, 362 00:22:00,160 --> 00:22:03,760 Speaker 6: the American spaceflight that lasted from July sixteenth through twenty four, 363 00:22:04,240 --> 00:22:07,480 Speaker 6: nineteen sixty nine. The first landed humans on the Moon. 364 00:22:08,400 --> 00:22:12,520 Speaker 6: Commander Neil Armstrong and Lunar Module pilot Buzz Aldrin landed 365 00:22:12,520 --> 00:22:16,480 Speaker 6: the Apollo Lunar Module Eagle on July twentieth, nineteen sixty nine, 366 00:22:16,760 --> 00:22:19,199 Speaker 6: and Armstrong became the first person to step onto the 367 00:22:19,240 --> 00:22:19,960 Speaker 6: Moon's surface. 368 00:22:22,680 --> 00:22:27,160 Speaker 2: What is it one giant step for one. 369 00:22:27,000 --> 00:22:29,000 Speaker 1: Giant giant lead for mankind. 370 00:22:29,200 --> 00:22:31,679 Speaker 2: That's a great line. If he just made that up 371 00:22:31,680 --> 00:22:32,240 Speaker 2: on the spot. 372 00:22:32,359 --> 00:22:35,560 Speaker 1: Way to go, Neil, No, I think he was prepared. 373 00:22:35,680 --> 00:22:37,720 Speaker 2: I think he knew he was going to do that. 374 00:22:38,200 --> 00:22:40,000 Speaker 2: He had a writers working on that one. 375 00:22:39,840 --> 00:22:42,200 Speaker 1: I mean Holly when they were filming it. Anyway, So. 376 00:22:47,119 --> 00:22:51,040 Speaker 6: Armstrong acknowledged Aldren's completion of the post landing checklist with 377 00:22:51,240 --> 00:22:55,320 Speaker 6: engine arm is off, before responding to the capcom Charles 378 00:22:55,400 --> 00:22:58,719 Speaker 6: Duke with the words Houston Tranquility Base. Here the eagle 379 00:22:58,800 --> 00:22:59,440 Speaker 6: has landed. 380 00:23:00,240 --> 00:23:00,760 Speaker 2: Kind of hap. 381 00:23:01,440 --> 00:23:03,280 Speaker 1: And that's when they brought out their golf clubs and 382 00:23:03,320 --> 00:23:06,800 Speaker 1: they started hitting. Oh yeah, they did do that five 383 00:23:06,920 --> 00:23:13,920 Speaker 1: miles you know whoa yeah, yeah, Sara, you want to go? Sure? 384 00:23:16,520 --> 00:23:18,119 Speaker 4: Rory's working at the nursing home. 385 00:23:18,680 --> 00:23:22,080 Speaker 3: During a dance session, Logan says, Logan says, so you're 386 00:23:22,200 --> 00:23:22,879 Speaker 3: Arthur Murray. 387 00:23:22,920 --> 00:23:23,120 Speaker 1: Now. 388 00:23:23,440 --> 00:23:26,640 Speaker 3: Arthur Murray was an American ballroom dancer and businessman whose 389 00:23:26,720 --> 00:23:30,040 Speaker 3: name is most often associated with the dance studio chain 390 00:23:30,119 --> 00:23:31,760 Speaker 3: that Arthur Murray Studios. 391 00:23:32,080 --> 00:23:35,639 Speaker 1: Oh yeah, m hmmm. I think I actually went to 392 00:23:35,680 --> 00:23:36,399 Speaker 1: one of those ones. 393 00:23:37,520 --> 00:23:40,919 Speaker 2: Really, I know I didn't, but they were pretty like famous. 394 00:23:41,040 --> 00:23:41,600 Speaker 4: I've seen that. 395 00:23:42,000 --> 00:23:43,120 Speaker 1: I had to learn something. 396 00:23:43,440 --> 00:23:44,320 Speaker 4: Are they still around? 397 00:23:44,640 --> 00:23:47,639 Speaker 1: No, I don't think. Maybe maybe some of them. 398 00:23:47,800 --> 00:23:50,520 Speaker 2: They were from Dancing with the Stars, started out as 399 00:23:50,560 --> 00:23:53,560 Speaker 2: like an Arthur Murray, Yeah, instructor. I don't want to 400 00:23:53,600 --> 00:23:55,600 Speaker 2: say Derek Huff, but I feel like it might have been. 401 00:23:55,640 --> 00:23:59,359 Speaker 2: But I don't some of them maybe don't quote me. 402 00:23:59,440 --> 00:24:02,120 Speaker 2: It wasn't dar Cup, but it was like somebody like. 403 00:24:02,160 --> 00:24:04,280 Speaker 4: One of the ogs, is what you're saying. 404 00:24:04,560 --> 00:24:09,320 Speaker 2: Somebody somebody we know was like an instructor there. 405 00:24:09,800 --> 00:24:14,560 Speaker 1: Right right, wait there, I learned. I learned a couple 406 00:24:14,560 --> 00:24:17,480 Speaker 1: of steps. You know, they had the footprints on the floor. 407 00:24:17,200 --> 00:24:18,280 Speaker 2: And oh is that what they do? 408 00:24:18,720 --> 00:24:20,119 Speaker 1: Well? They did it with me. I don't know if 409 00:24:20,119 --> 00:24:21,119 Speaker 1: they did it because. 410 00:24:20,840 --> 00:24:22,760 Speaker 4: There's one by my house and it opens at one 411 00:24:22,800 --> 00:24:23,439 Speaker 4: pm today. 412 00:24:24,040 --> 00:24:29,760 Speaker 1: No, let's go take a lesson. Come on the I 413 00:24:29,920 --> 00:24:36,320 Speaker 1: am a dance team. We call ourselves four left feet. 414 00:24:36,960 --> 00:24:38,680 Speaker 2: Oh my god? Wait should I go? 415 00:24:39,560 --> 00:24:39,919 Speaker 1: Sure? 416 00:24:40,560 --> 00:24:48,200 Speaker 2: Gil comparing the gas pump dial Dan, I don't want 417 00:24:48,240 --> 00:24:51,600 Speaker 2: to go to Arthur today. You'll comparing the gas pump 418 00:24:51,640 --> 00:24:55,800 Speaker 2: dial numbers to people dying all over the world. You'll 419 00:24:55,880 --> 00:25:03,000 Speaker 2: comparing the gas people dying around the Yes says every 420 00:25:03,080 --> 00:25:05,200 Speaker 2: day with him is like being on Meet the Press. 421 00:25:06,040 --> 00:25:09,320 Speaker 2: Meet the Press is a weekly American television Sunday morning 422 00:25:09,359 --> 00:25:12,199 Speaker 2: talk show on NBC. It's the longest running program on 423 00:25:12,240 --> 00:25:15,919 Speaker 2: American television. Meet the Press specializes in interviews with leaders 424 00:25:15,920 --> 00:25:19,320 Speaker 2: in Washington, DC, across the country around the world on politics. 425 00:25:21,440 --> 00:25:23,399 Speaker 1: Good, easy for you to say, you need to go 426 00:25:23,440 --> 00:25:24,000 Speaker 1: to Arthur. 427 00:25:23,840 --> 00:25:26,400 Speaker 2: Marion's economics, foreign policy? 428 00:25:26,600 --> 00:25:28,840 Speaker 1: Are you taking a dance class with your tongue? What's 429 00:25:28,880 --> 00:25:29,480 Speaker 1: going on. 430 00:25:31,280 --> 00:25:36,800 Speaker 2: Other public affairs? Along with panel discussions with opinions and analysis. Okay, 431 00:25:36,840 --> 00:25:39,760 Speaker 2: I will give five dollars to any of you. The 432 00:25:39,840 --> 00:25:42,800 Speaker 2: three of you if we can name the host of 433 00:25:42,840 --> 00:25:44,960 Speaker 2: Meet the Press without googling. 434 00:25:44,520 --> 00:25:47,720 Speaker 1: It, Chuck Todd, who just retired? 435 00:25:48,640 --> 00:25:49,360 Speaker 2: Is it was it? 436 00:25:49,840 --> 00:25:50,240 Speaker 1: I think? So? 437 00:25:50,680 --> 00:25:53,919 Speaker 2: Okay, please hold I'm going to look that up. I 438 00:25:54,000 --> 00:25:56,320 Speaker 2: thought you knew the answer. I don't think you get 439 00:25:56,320 --> 00:26:02,720 Speaker 2: the five dollars, but maybe Meet the Press host is 440 00:26:08,200 --> 00:26:11,720 Speaker 2: I knew Tim Russert, I remember that? And then I 441 00:26:11,760 --> 00:26:15,360 Speaker 2: don't know. Oh, I think it's a woman. Kristin Welker, 442 00:26:15,920 --> 00:26:17,240 Speaker 2: what is that possible? 443 00:26:19,560 --> 00:26:21,920 Speaker 1: Who is the I was a bad haircut. 444 00:26:23,160 --> 00:26:25,000 Speaker 2: Don't talk about Chuck Todd like that. 445 00:26:26,560 --> 00:26:26,919 Speaker 1: Haircut? 446 00:26:27,080 --> 00:26:28,040 Speaker 2: Who is the host? 447 00:26:28,359 --> 00:26:32,440 Speaker 1: Look? I thought I had bad hair and. 448 00:26:31,520 --> 00:26:33,440 Speaker 2: I think you're right. I think it is Chuck Todd. 449 00:26:33,680 --> 00:26:35,920 Speaker 1: Well, I think he just did his leg. He's signed off. 450 00:26:36,280 --> 00:26:39,920 Speaker 2: No way, okay, hold on, I'm gonna I'm gonna keep 451 00:26:40,720 --> 00:26:44,720 Speaker 2: I know people. Oh oh yes, Kristin Welker takes over, 452 00:26:45,000 --> 00:26:47,920 Speaker 2: takes over, Yeah you are. Chuck Todd signs off. 453 00:26:47,960 --> 00:26:51,639 Speaker 1: Wow, Scotty, Wow yeah. 454 00:26:51,840 --> 00:26:55,399 Speaker 2: Chuck Todd signs off as moderator of Meet the Press. 455 00:26:56,359 --> 00:26:59,280 Speaker 2: I wonder why he left this morning. 456 00:26:59,359 --> 00:27:07,280 Speaker 1: Gift was a comb really tiny one. 457 00:27:07,560 --> 00:27:09,160 Speaker 4: It was only three weeks ago too. 458 00:27:10,160 --> 00:27:13,520 Speaker 1: Oh, really, it was very recent. I guess they trim 459 00:27:13,640 --> 00:27:15,000 Speaker 1: were trimming the budget. 460 00:27:15,440 --> 00:27:17,359 Speaker 2: I'm never I don't watch Meet the Press because I'm 461 00:27:17,359 --> 00:27:18,640 Speaker 2: a Jake Tapper girl. 462 00:27:18,520 --> 00:27:20,400 Speaker 1: And I'm doing jokes over here. 463 00:27:20,440 --> 00:27:22,600 Speaker 2: You mind, know, I'm focused on the news. 464 00:27:23,160 --> 00:27:29,960 Speaker 1: I'm just delivering the focused on the news. You're you're 465 00:27:29,960 --> 00:27:31,520 Speaker 1: a Jake tapperl. 466 00:27:31,560 --> 00:27:33,640 Speaker 2: Jake Tapper has that other one on CNN. 467 00:27:33,840 --> 00:27:36,879 Speaker 1: They never heard his name used in a sentence that way. 468 00:27:37,920 --> 00:27:39,160 Speaker 1: I'm a Jake Tapper girl. 469 00:27:39,240 --> 00:27:41,040 Speaker 2: I think a lot of people say that, actually do 470 00:27:41,119 --> 00:27:41,760 Speaker 2: they really? 471 00:27:41,920 --> 00:27:42,120 Speaker 1: Yeah? 472 00:27:42,160 --> 00:27:44,359 Speaker 2: I think that's a common phrase. And they all of 473 00:27:44,400 --> 00:27:47,040 Speaker 2: the networks have one. ABC's got one. They've all got 474 00:27:47,080 --> 00:27:54,360 Speaker 2: one of these meetings that's happening right right, right right. Okay, 475 00:27:54,760 --> 00:27:56,320 Speaker 2: you do it, Scott, you bring us home. 476 00:27:56,400 --> 00:27:58,160 Speaker 1: Take I'm gonna do it. 477 00:27:58,320 --> 00:27:58,480 Speaker 2: Uh. 478 00:27:59,400 --> 00:28:01,359 Speaker 6: I have a co to add after this, Scotch. 479 00:28:01,520 --> 00:28:04,080 Speaker 2: Good Suzanne, oh god, doing your own homework. 480 00:28:04,280 --> 00:28:07,639 Speaker 1: Let me get through this, Laurel. I worried about leaving 481 00:28:07,680 --> 00:28:10,199 Speaker 1: Paul Anka alone. Paul Ankle, of course, as you know, 482 00:28:10,359 --> 00:28:12,919 Speaker 1: is dog songwriter. 483 00:28:13,560 --> 00:28:16,160 Speaker 2: As we stated earlier, great face acting in this. 484 00:28:18,000 --> 00:28:21,440 Speaker 1: Oh thank you, thank you? Uh yeah, I felt particularly 485 00:28:21,480 --> 00:28:26,040 Speaker 1: flush that week, Laurl. I I could drop them off 486 00:28:26,040 --> 00:28:27,840 Speaker 1: at a kennel for a few hours. I know there's 487 00:28:27,880 --> 00:28:30,159 Speaker 1: a good one in Woodbridge, twenty miles away. Of course, 488 00:28:30,800 --> 00:28:32,840 Speaker 1: i'd have to leave now and pick up some di 489 00:28:33,000 --> 00:28:36,440 Speaker 1: lithium crystals on the way to fix the warp drive 490 00:28:36,680 --> 00:28:41,600 Speaker 1: on my g But in Star Trek fictional universe, dilithium 491 00:28:41,680 --> 00:28:45,680 Speaker 1: is an invented material which serves as a controlling agent 492 00:28:45,880 --> 00:28:51,120 Speaker 1: in the matter anti matter reactors crystals. And you have 493 00:28:51,160 --> 00:28:52,760 Speaker 1: to say it with like kind of a Scottish action, 494 00:28:54,680 --> 00:28:57,800 Speaker 1: like Scotty, you're right, thanks Scott. 495 00:28:58,480 --> 00:28:59,360 Speaker 2: I can't do an accent. 496 00:28:59,400 --> 00:29:01,120 Speaker 1: No, no, do it, dude. That was good. That was good. 497 00:29:01,720 --> 00:29:04,160 Speaker 1: I can hear him, yeah, go ahead, no, do it? 498 00:29:04,520 --> 00:29:04,760 Speaker 1: Do it? 499 00:29:06,480 --> 00:29:07,680 Speaker 2: Of course I can't do it. 500 00:29:08,000 --> 00:29:09,760 Speaker 1: That's good. No, but it's a good start. 501 00:29:10,160 --> 00:29:12,080 Speaker 2: Try it again because I can hear it in my head. 502 00:29:12,120 --> 00:29:15,080 Speaker 2: But then it comes out in my head it's right. 503 00:29:16,800 --> 00:29:19,480 Speaker 1: Captain Kirk. I'll be Captain Kirk, and can you do it? 504 00:29:19,560 --> 00:29:25,360 Speaker 1: Can you do it? I can't, Shatner, Scotty give us 505 00:29:25,520 --> 00:29:28,000 Speaker 1: an update on the on the warp drive. 506 00:29:28,520 --> 00:29:32,320 Speaker 2: Go ahead, that wasn't perfect, but it was pretty good. 507 00:29:33,000 --> 00:29:34,840 Speaker 2: Oh my, I can't. I can't get it out. But 508 00:29:34,920 --> 00:29:37,800 Speaker 2: in my head I hear him, but let's do the scene. 509 00:29:37,880 --> 00:29:39,640 Speaker 1: Let's do the scene. I'll be I'll be I'll be 510 00:29:39,680 --> 00:29:45,880 Speaker 1: Bill Shatner, I'll be I'll be Captain Kirk Scotty report 511 00:29:45,920 --> 00:29:47,200 Speaker 1: on warp drive. 512 00:29:48,320 --> 00:29:55,560 Speaker 2: I let the crystals. But I love that. I love 513 00:29:55,640 --> 00:30:02,600 Speaker 2: start starting, Start four is so good when William Shatner says, everybody, 514 00:30:02,680 --> 00:30:06,600 Speaker 2: remember where we parked, because he lands they're not even 515 00:30:06,640 --> 00:30:09,080 Speaker 2: in the Enterprise. They had to take like some other 516 00:30:09,240 --> 00:30:13,440 Speaker 2: ship and it had a cloaking device and they land 517 00:30:13,480 --> 00:30:16,280 Speaker 2: it in Golden Gate Park and then they cloak it 518 00:30:16,360 --> 00:30:22,200 Speaker 2: and then everybody remember, mm hmmm, I tell you, man, 519 00:30:22,240 --> 00:30:24,000 Speaker 2: how do you guys? They go back in time. 520 00:30:26,120 --> 00:30:28,480 Speaker 1: I had the pleasure of sitting in a green room 521 00:30:28,520 --> 00:30:31,400 Speaker 1: a couple of times with William Shatner. 522 00:30:32,080 --> 00:30:35,080 Speaker 2: His aka Bill, right. 523 00:30:34,880 --> 00:30:40,120 Speaker 1: There telling stories the guys. He's a magnet. He's a magnet. First, 524 00:30:40,440 --> 00:30:43,080 Speaker 1: Star Trek is just such a huge anyway. Delithium crystals 525 00:30:43,120 --> 00:30:46,040 Speaker 1: are a crucial part of the science of Star Trek. 526 00:30:46,120 --> 00:30:50,160 Speaker 1: Warp drive technology doesn't work without di lithium. Remember, we 527 00:30:50,240 --> 00:30:52,320 Speaker 1: need the crystals, and it's on They get the crystals 528 00:30:52,320 --> 00:30:54,760 Speaker 1: from another planet, right, I don't know, And no warp 529 00:30:54,840 --> 00:30:59,560 Speaker 1: drive means no space battles, no federation, and basically no 530 00:30:59,680 --> 00:31:06,440 Speaker 1: fun it all. Anyway, something has some additions. 531 00:31:07,080 --> 00:31:10,240 Speaker 6: Yeah, I just had two quick ones that I noticed 532 00:31:10,920 --> 00:31:15,760 Speaker 6: while I was watching so in the scene where there 533 00:31:15,920 --> 00:31:20,920 Speaker 6: were Rory's picking up trash and Liza I think is 534 00:31:20,920 --> 00:31:23,720 Speaker 6: the other girl's name, she asks, She says, Oh, you've 535 00:31:23,720 --> 00:31:26,280 Speaker 6: got so much community service, so many hours. 536 00:31:26,280 --> 00:31:27,000 Speaker 1: What did you do? 537 00:31:27,400 --> 00:31:32,800 Speaker 6: And Rory says, I shot a man in Reno's that's 538 00:31:32,800 --> 00:31:34,760 Speaker 6: a line from a Johnny Cash song. 539 00:31:34,960 --> 00:31:36,320 Speaker 2: Some prison blues from. 540 00:31:37,800 --> 00:31:40,480 Speaker 1: Watch Him exactly. 541 00:31:40,960 --> 00:31:45,480 Speaker 6: And the other one was when Paris comes back to 542 00:31:46,840 --> 00:31:51,800 Speaker 6: the inn and Michelle comes in and he starts humming 543 00:31:51,920 --> 00:31:54,640 Speaker 6: the tune from with the Wicked. 544 00:31:54,320 --> 00:31:58,920 Speaker 2: Witch, and he's saying a couple of times that. 545 00:31:58,920 --> 00:32:01,320 Speaker 6: Was that was from Wizard of so I Wizard of 546 00:32:01,320 --> 00:32:03,080 Speaker 6: Oz is one of my favorite stories, so I always 547 00:32:03,160 --> 00:32:03,560 Speaker 6: catch those. 548 00:32:04,840 --> 00:32:07,160 Speaker 2: Really scared me as a kid. Really. 549 00:32:07,360 --> 00:32:10,600 Speaker 3: Oh yeah, I feel like it's mentioned like every ten 550 00:32:10,640 --> 00:32:12,200 Speaker 3: episodes of Gilmore Girls. 551 00:32:12,520 --> 00:32:13,800 Speaker 2: I have been trying to count. 552 00:32:13,840 --> 00:32:16,600 Speaker 6: I have counted at least nine different references to Wizard 553 00:32:16,640 --> 00:32:18,880 Speaker 6: of Oz that I just happened to notice. 554 00:32:19,040 --> 00:32:21,480 Speaker 4: And Charlie in the chocolate factory. 555 00:32:21,400 --> 00:32:25,120 Speaker 2: Yeah, yeah, yeah, good work, today. 556 00:32:25,240 --> 00:32:29,920 Speaker 1: Guys, look at that French coming in with the contributions 557 00:32:30,000 --> 00:32:34,720 Speaker 1: ladies and gentlemen. She's basically out valued her multi year Yeah, 558 00:32:34,960 --> 00:32:36,840 Speaker 1: we're going to I think we're going to have to 559 00:32:36,840 --> 00:32:40,840 Speaker 1: start renegotiating. No, man, here we go, We're gonna get 560 00:32:41,320 --> 00:32:44,640 Speaker 1: We're just gonna get fleeced. Your people call my people 561 00:32:46,520 --> 00:32:51,239 Speaker 1: of yours. We're intimidated. They are really intimidated. I mean 562 00:32:51,280 --> 00:32:53,280 Speaker 1: that guy gets on the phone and it just screams, 563 00:32:53,360 --> 00:32:58,640 Speaker 1: it's just man. But we love them, we love give 564 00:32:58,720 --> 00:32:59,160 Speaker 1: our best. 565 00:33:00,560 --> 00:33:03,720 Speaker 2: Not only should you watch Gilmore Girls and Sullivan's Crossing. 566 00:33:03,960 --> 00:33:09,280 Speaker 1: You know, Sullivan's Crossing. We're hoping for good results. I hope. 567 00:33:09,320 --> 00:33:12,680 Speaker 1: I wow you. And on the twenty third anniversary of 568 00:33:12,720 --> 00:33:14,440 Speaker 1: the debut of Gilmore. 569 00:33:14,040 --> 00:33:16,200 Speaker 2: Girls, that's right, oh, I know. 570 00:33:17,560 --> 00:33:20,360 Speaker 1: So shout out to the fans. Thanks, best fans on 571 00:33:20,400 --> 00:33:25,480 Speaker 1: the planet, celebrating twenty three years the greatest show on Earth, 572 00:33:25,560 --> 00:33:31,440 Speaker 1: and slide on into Sullivan's Crossing because it's going to 573 00:33:31,520 --> 00:33:35,480 Speaker 1: be a perennial as well. Next episode, season six episode 574 00:33:35,480 --> 00:33:40,200 Speaker 1: for always a Godmother, Never a God that's gonna do it. 575 00:33:40,240 --> 00:33:42,960 Speaker 1: Best funds on the planet, Thanks with downloads, Keep those 576 00:33:43,040 --> 00:33:47,440 Speaker 1: cards and letters coming. We love y'all until next time, 577 00:33:47,640 --> 00:34:20,560 Speaker 1: Remember we I am all in. Stay safe everyone, Thanks, Hey, 578 00:34:20,560 --> 00:34:24,319 Speaker 1: everybody off forget Follow us on Instagram at I Am 579 00:34:24,400 --> 00:34:29,320 Speaker 1: All In Podcast, and email us at Gilmore at iHeartRadio 580 00:34:29,640 --> 00:34:38,800 Speaker 1: dot com