WEBVTT - The Beat King Episode

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<v Speaker 1>Get get boys. It's back and reot it all in

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<v Speaker 1>your mind. Yeah, and now deep throating. This is for

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<v Speaker 1>the streets, the real, the relroading, the distant franchise, the

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<v Speaker 1>truth to escape golding and they ain't knowing we speak

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<v Speaker 1>the truth, so they ain't quoted because we wrote it.

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<v Speaker 1>The North South against colds, the g be Mi. We're

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<v Speaker 1>keeping your head bobbing and it ain't no stopping and

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<v Speaker 1>wants to be drives head by. And then the system

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<v Speaker 1>is so corrupted they threw the rock out of their

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<v Speaker 1>heads and then blame it on us. Don't get it

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<v Speaker 1>twisted on code and me and dance it for no

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<v Speaker 1>butterment biscuits. It's Willie d y'all reloaded with another episode

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<v Speaker 1>of information and instructions to help you navigate through this wild, crazy,

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<v Speaker 1>beautiful world. In the studio, Old Love justin Riley Boy,

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<v Speaker 1>hit it with my Facebook name. Hold Love b King

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<v Speaker 1>is in the building, y'ad man. It's good to see you, bro.

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<v Speaker 1>Same here man, It's good to see you man. It's

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<v Speaker 1>good to see your evolution. You appreciate that. Appreciate you

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<v Speaker 1>you brother have come along ways and that is a

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<v Speaker 1>good thing. You know. I'm talking affirmatively, you have come

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<v Speaker 1>along ways in your development as an artist. Show you

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<v Speaker 1>know you put the work in. You put a lot

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<v Speaker 1>of work in. Yeah, I used to be mad at

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<v Speaker 1>my path back in the day, but I appreciate it now,

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<v Speaker 1>you know what I'm saying. People who come out real

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<v Speaker 1>hard in the beginning, they fall real fast too, you know.

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<v Speaker 1>So yeah, mine, I had to at the climb the

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<v Speaker 1>whole time, you know what I'm saying. But we're up now.

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<v Speaker 1>Is there still any doubt? But from others, no, I

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<v Speaker 1>know you never had any doubts. They believe now, I

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<v Speaker 1>wouldn't say it was ever doubt. It was. I think, Um,

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<v Speaker 1>for my generation, it was always a weird error we

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<v Speaker 1>were in. You know what I'm saying. We were right

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<v Speaker 1>after you know, the Slim and Row and you know

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<v Speaker 1>what I'm saying. And you know, my generation is you

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<v Speaker 1>know Propane Kirk, o'bang, just Brittany Dobies. You know, I

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<v Speaker 1>generation was more of the Internet streaming Houston generation. And

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<v Speaker 1>with us, you know, we didn't have all the major

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<v Speaker 1>deals and everything that everybody had before us, you know,

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<v Speaker 1>but not saying that that made that generation. You know,

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<v Speaker 1>Houston to me always been underground city, you know what

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<v Speaker 1>I'm saying. But when you take that underground aspect away,

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<v Speaker 1>the DJ screws the you know, Michael wattson Run. See,

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<v Speaker 1>they still entities, but it wasn't like how the underground

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<v Speaker 1>scene was, you know, with the mixtapes. You know, we

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<v Speaker 1>had to come out through the Internet and streaming and

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<v Speaker 1>Twitter and you know stuff like that. You know. So

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<v Speaker 1>my generation, it was people didn't consider it traditional Houston music,

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<v Speaker 1>you know what I'm saying. So you know with me,

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<v Speaker 1>you know, I don't sip serve, I don't do drugs,

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<v Speaker 1>you know, so in a city where everything slow, I

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<v Speaker 1>was the only motherfucker with energy, you know what I'm saying.

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<v Speaker 1>My music was, you know what I'm saying. So a

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<v Speaker 1>lot of people, you know, they wouldn't consider what I

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<v Speaker 1>did Houston music, you know. But you look at how

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<v Speaker 1>everything sounds today from the city. Everything has energy down.

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<v Speaker 1>Everything's club you know, club based from Houston down. So

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<v Speaker 1>I could say I did that. I did that is

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<v Speaker 1>what it is. Yeah, you know what you know, to

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<v Speaker 1>your point, after Slim and and and Paul Wall and

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<v Speaker 1>everybody you know did that thing, you know, I mean,

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<v Speaker 1>your ass and Mike Jones and all of that. It

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<v Speaker 1>did seem like things kind of kind of like came

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<v Speaker 1>to a halt almost, and so it took a long time,

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<v Speaker 1>like you know, really like get that thing, get that

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<v Speaker 1>thing back. I know, Travis Scott came sometime later, but

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<v Speaker 1>you know, it was pretty much seemed like it really

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<v Speaker 1>wasn't any any real activity except for what you and

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<v Speaker 1>maybe our DJ Chose was doing. Yeah, she had a

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<v Speaker 1>little bit buzz going on. Krit co'bain was doing this thing.

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<v Speaker 1>But as far as consistently hearing stuff out there, uh,

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<v Speaker 1>you were the guy that I heard, you know. And

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<v Speaker 1>of course zero always putting out, but zero is another error,

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<v Speaker 1>but zero is all errors. But you know, shout out

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<v Speaker 1>the man. Yeah, but now for a show man, um consistency.

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<v Speaker 1>That's always been my thing. You know what I'm saying,

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<v Speaker 1>Um um no. Shout out to people like JQ No.

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<v Speaker 1>Nine seventy nine. You know he always helped me, you

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<v Speaker 1>know what I'm saying through the radio. You know what

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<v Speaker 1>I'm sating, helping me pick my singles and making sure

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<v Speaker 1>that they were radio friendly and club you know what

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<v Speaker 1>I'm saying, even to this day, you know what I'm saying,

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<v Speaker 1>So yeah, man, I'm check people all the time. You

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<v Speaker 1>can't compete with the rapper to make his own beats. Man, shit,

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<v Speaker 1>I'm not gonna fall off ever. Huh yeah, let's talk

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<v Speaker 1>about that, man. What's what what is the process like

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<v Speaker 1>to be a rapper and a producer. I've never known

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<v Speaker 1>that process. I've only known one side and the rapping side.

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<v Speaker 1>But what's that process like? And how do you mentally switch?

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<v Speaker 1>You know, Before I get into that, I'll tell you

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<v Speaker 1>the downside of it. The downside of its. People never

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<v Speaker 1>truly respect you as a rapper. When people bring that

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<v Speaker 1>Houston rapper conversation up, they always leave me out when

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<v Speaker 1>I've had most more success than most of them, plaques

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<v Speaker 1>all that, you know what I'm saying. But people are

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<v Speaker 1>never looking at me as a rapper because like probably

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<v Speaker 1>the club music and you know how play on songs

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<v Speaker 1>a lot. But when you are our producers, well, people

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<v Speaker 1>never put doctors ra in their category. Never really put

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<v Speaker 1>Kanye in that category. Even David Banner is another one,

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<v Speaker 1>Juicy Jay, my favorite rapper, they don't put him in

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<v Speaker 1>that category. You know, so you know, but for the

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<v Speaker 1>most part, to answer your question, you know, it's one

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<v Speaker 1>of those things where you hear music so much that

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<v Speaker 1>you know, it's kind of like a Prince and Michael

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<v Speaker 1>Jackson thing. Like Michael Jackson. People love Michael Jackson for

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<v Speaker 1>everything he did, and Michael Jackson my favorite too. But Prince.

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<v Speaker 1>You could put Prince in that studio by himself and

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<v Speaker 1>he's gonna come out with that hit by hisself. He

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<v Speaker 1>made the music, everything, sung it, and everything. You know.

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<v Speaker 1>So for the most part, I think artists like me

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<v Speaker 1>who make the beats the music too. You just you

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<v Speaker 1>hear it from his from the beginning to the end.

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<v Speaker 1>You know, you don't have to look for beat or

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<v Speaker 1>you know, sometimes I had a beat already and then

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<v Speaker 1>the idea come from that. Or sometimes I had an

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<v Speaker 1>idea already from being on a road or something, and

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<v Speaker 1>I'll make the beat for the idea I have. Either

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<v Speaker 1>way it go, it's gonna be a bad motherfucking about

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<v Speaker 1>thirty minutes to beat in the in the rap. Yeah,

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<v Speaker 1>not to beat in the rap. You can't do the

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<v Speaker 1>beat beat in the rap in thirty minutes. Well you

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<v Speaker 1>can it, But to me, they were creating parts easy.

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<v Speaker 1>It's the mixing, Like I'm mixing mask style my music too,

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<v Speaker 1>So that's that's what take a week. You did a batting.

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<v Speaker 1>You you're saying that you have the propencity to make

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<v Speaker 1>the beat and the rap and within thirty minutes. Yeah,

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<v Speaker 1>the beat is the easy part. I can make a

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<v Speaker 1>beat in five minutes. It'll be hard, Yeah, five minutes

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<v Speaker 1>and then wants to beat playing in the loop. The

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<v Speaker 1>idea come to you? The hook? You know, you lay

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<v Speaker 1>that hook down real quick. And you know a club song,

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<v Speaker 1>you don't need more than eight bars in your verse.

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<v Speaker 1>So you know, I don't write that bull shit, I'll

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<v Speaker 1>be saying. So you're going there in freestyle four bars

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<v Speaker 1>and then stop and think she do that three more times? Shit,

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<v Speaker 1>the song done. I got a theory why you don't

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<v Speaker 1>get your respect for being a rapper? Probably I know

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<v Speaker 1>where you're going with that. I know where you're going

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<v Speaker 1>with let me see if you know see if you

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<v Speaker 1>get the lyricism. You know it's intricate and people you

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<v Speaker 1>know it feels you should write it, and it takes

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<v Speaker 1>time a thought process because I can really fucking rap.

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<v Speaker 1>Two people don't understand, like that's what I'm cut from.

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<v Speaker 1>I'm cut from No Lloyd Banks and push the t

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<v Speaker 1>and Joe Button, you know, like the O two is

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<v Speaker 1>show three ish. That's why you know when switchoutse was

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<v Speaker 1>like right before they got their deal, every I was

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<v Speaker 1>talking about Mike Jones. I mean I was on Magno Magnificent,

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<v Speaker 1>you know what I'm saying. That's who I was bumping

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<v Speaker 1>a Switchouts, you know. But what's your theory? Well, I

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<v Speaker 1>you know, I appreciate I appreciate you, you know, giving

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<v Speaker 1>me credit for thinking but being a thinker. But it

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<v Speaker 1>ain't that deep. I think the reason why you don't

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<v Speaker 1>get your respect as a rapper is because your name

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<v Speaker 1>is big King. Well, yeah, you get people think of

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<v Speaker 1>you as a producer, so you're making beats. So maybe

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<v Speaker 1>you change your name to rap king. I don't want

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<v Speaker 1>to smoke with that, and you'll get your get you

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<v Speaker 1>get your credit as a rapper, you know, and then

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<v Speaker 1>and then you know, at the end of the day,

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<v Speaker 1>that's maybe that's maybe that's the name of one of

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<v Speaker 1>your new albums or sucking be King rap King. The

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<v Speaker 1>end of the day, man, I don't give a fuck

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<v Speaker 1>either with it, did I don't? Juicy J is my

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<v Speaker 1>idol and mentor. I always wanted to be just like him.

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<v Speaker 1>You know what ship going on? My curd. You don't

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<v Speaker 1>make beats, Yeah you do. He did, made it all

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<v Speaker 1>all that three six maia. Shit, him and DJ Paul

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<v Speaker 1>were making the beats today. Yeah yeah, no, Dj Paul

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<v Speaker 1>was doing all the ju ja they would make. They

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<v Speaker 1>were doing it together. Oh yeah. Juicy J's j A

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<v Speaker 1>a producer. You know. So a lot of those um

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<v Speaker 1>those big heads, all right, more respect more more more respectful. Man,

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<v Speaker 1>I ain't know. I already have respect from, but more respect.

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<v Speaker 1>You know. It's crazy, Like I say, I see what

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<v Speaker 1>they don't give him, so I can't expect for them

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<v Speaker 1>to give it to me. They just said a top

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<v Speaker 1>fifty rappers lists. Mafia was nowhere on that list when

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<v Speaker 1>the game sounds like them two days even Project Pat

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<v Speaker 1>Winton on that, you know what I'm saying. So I

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<v Speaker 1>was just like, you know, shit, I wasn't on the list, man,

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<v Speaker 1>I wrote, listen bro I wrote most of the GB music.

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<v Speaker 1>But you know it's hold on, hold on, This is

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<v Speaker 1>what I'm saying. Ghetto Boys is in most people's top five, ten, twenty,

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<v Speaker 1>whatever you want to call it. If I wrote most

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<v Speaker 1>of the music, you know, if I wrote most of

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<v Speaker 1>the songs the majority of the music. I gotta be somewhere.

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<v Speaker 1>I got you somewhere, some kind of list or something

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<v Speaker 1>in a fucked up ass way. You probably not don't

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<v Speaker 1>like this, just like how pimp see what's on there?

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<v Speaker 1>But Bun was on there, So we look at it like,

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<v Speaker 1>all right, pimp, see on there's Bun on there. If

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<v Speaker 1>you see Faith on there, you're like, all right, let's

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<v Speaker 1>get a boy. That's the whole conglomerate. That's how I

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<v Speaker 1>looked at it. They couldn't put groups on there. Let

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<v Speaker 1>me get you some goddamn glass. I need my goddamn credit, man,

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<v Speaker 1>I need because we started busting up publishing checks on guard.

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<v Speaker 1>You know what I'm saying, hey, man, that publish in check.

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<v Speaker 1>That that that public check. Brad Jordan, my publishers check

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<v Speaker 1>s W Dennis here c B Jordan. You did what

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<v Speaker 1>I'm saying? Yeah, I need mine, man. You know it

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<v Speaker 1>comes with it. Bro. We just gotta dying ship. That

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<v Speaker 1>should be lame. You know what I'm saying. Once we die,

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<v Speaker 1>they're like, oh, man, Willie Lee was a genius. He

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<v Speaker 1>motherfucking mind playing tricks on yeah, ball head, hold he man,

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<v Speaker 1>why are they doings like that. Man, it'd be like that. Man,

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<v Speaker 1>people don't want to give it to you when you

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<v Speaker 1>hear they gotta stand on that. When you're here, they

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<v Speaker 1>are when you're gone, they'd be like, oh many gone. Man,

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<v Speaker 1>Now I can say it because ain't that something? You

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<v Speaker 1>know what I'm saying. It'd be like that. No, I

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<v Speaker 1>went through that my whole career. It's used to it,

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<v Speaker 1>you know. It's like that wearing shirts also, like if

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<v Speaker 1>you wear the shirts of a deceased rapper, Like when

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<v Speaker 1>a rapper is alive, you would hard to ever, hardly

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<v Speaker 1>ever catch another rapper wearing his shirt hip hop, but

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<v Speaker 1>the moment he dies. Hip hop is masculine, you know.

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<v Speaker 1>It's almost the opposite of hip hop. The word gay.

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<v Speaker 1>I'm telling you, like, hip hop is so masculine. It's

0:12:43.040 --> 0:12:47.760
<v Speaker 1>like I could do a show and if it's some

0:12:47.840 --> 0:12:52.200
<v Speaker 1>other rappers in there, they'd be like, as soon as

0:12:52.240 --> 0:12:55.400
<v Speaker 1>I leave, man, nigga be came making them hold and

0:12:55.600 --> 0:12:57.720
<v Speaker 1>I funk with that nigga. Shit. They'll never tell me,

0:12:58.400 --> 0:13:00.199
<v Speaker 1>you know what I'm saying. So it's like in a

0:13:00.280 --> 0:13:04.040
<v Speaker 1>room where everybody want to be alpha and masculine. Shit,

0:13:04.080 --> 0:13:06.480
<v Speaker 1>they they're not gonna wear no shirt or somebody that's alive.

0:13:06.640 --> 0:13:08.959
<v Speaker 1>But if he die, I ain't I gonna wear it now,

0:13:09.120 --> 0:13:12.439
<v Speaker 1>ship because I fucked with that nigga shit just like

0:13:12.720 --> 0:13:16.120
<v Speaker 1>but is that is that masculine? Is that masculinity or

0:13:16.240 --> 0:13:23.400
<v Speaker 1>is that insecurity? It's insecurity? Insecurity. My big sister just

0:13:23.480 --> 0:13:26.240
<v Speaker 1>passed away, Gangster boot, you know what I'm saying. And

0:13:27.040 --> 0:13:30.920
<v Speaker 1>we shouts out to gainst the boost. Beautiful pie Lola,

0:13:31.000 --> 0:13:32.520
<v Speaker 1>that was my dog. You know what I'm saying. We

0:13:32.600 --> 0:13:34.920
<v Speaker 1>talk like every damn week. You know what I'm saying

0:13:35.440 --> 0:13:39.439
<v Speaker 1>together too, right, Yeah, and we always did you work

0:13:39.440 --> 0:13:41.000
<v Speaker 1>on a new album? Sorry to cut you off? Did

0:13:41.000 --> 0:13:43.760
<v Speaker 1>you work on a new album? I don't even know

0:13:43.800 --> 0:13:46.439
<v Speaker 1>if that's real. I'm just being one hunt. I'm seeing

0:13:46.440 --> 0:13:49.160
<v Speaker 1>all these blogs posts, um she got this what's called

0:13:49.160 --> 0:13:51.640
<v Speaker 1>Prometheus Promethea or when they when they have an album

0:13:51.679 --> 0:13:57.240
<v Speaker 1>after they passed some album coming out post postman. Yeah, however,

0:13:57.280 --> 0:14:00.040
<v Speaker 1>you say, I don't know nothing about that, You know

0:14:00.080 --> 0:14:03.560
<v Speaker 1>I'm saying. He's saying, Juicy Jay, Juicy Jay ain't working

0:14:03.559 --> 0:14:06.080
<v Speaker 1>on a gangster Boo album. I'm not working on game.

0:14:06.200 --> 0:14:09.000
<v Speaker 1>I got enough shit in my hard drive to drop

0:14:09.000 --> 0:14:11.280
<v Speaker 1>a whole album. You know what I'm saying, Because she

0:14:11.440 --> 0:14:13.520
<v Speaker 1>we recorded a lot of stuff that never came out,

0:14:14.600 --> 0:14:17.800
<v Speaker 1>you know what I'm saying, but got off topic. Um,

0:14:17.960 --> 0:14:22.640
<v Speaker 1>we talked a lot about respect and everything and how

0:14:22.720 --> 0:14:25.680
<v Speaker 1>people like how she would hear a lot of her

0:14:25.720 --> 0:14:27.800
<v Speaker 1>flow and a lot of the women to day and

0:14:27.840 --> 0:14:30.600
<v Speaker 1>a lot of and a lot of them that they

0:14:30.880 --> 0:14:33.840
<v Speaker 1>never gave credit, never gave credit. And when she passed away,

0:14:33.880 --> 0:14:36.400
<v Speaker 1>I watching all these rappers and say they loved her,

0:14:36.400 --> 0:14:38.080
<v Speaker 1>and I'm like, I just wish she could have saw

0:14:38.120 --> 0:14:40.920
<v Speaker 1>that because we would joke about that shit. You know

0:14:40.960 --> 0:14:44.920
<v Speaker 1>what I'm saying. Because Gangster Boo, she was an asshole.

0:14:45.040 --> 0:14:47.840
<v Speaker 1>Like if you knew her, she was very nice, sweet person,

0:14:47.920 --> 0:14:49.640
<v Speaker 1>but she was an asshole, you know what I'm saying.

0:14:49.680 --> 0:14:52.240
<v Speaker 1>So she would be roasting a lot of these bitches

0:14:52.240 --> 0:14:55.840
<v Speaker 1>and shit, a lot of motherfuckers and you know things

0:14:55.840 --> 0:14:58.120
<v Speaker 1>I never repeat, you know what I'm saying, But you

0:14:58.160 --> 0:15:01.400
<v Speaker 1>know she would, she would. I wish you could see

0:15:01.720 --> 0:15:04.720
<v Speaker 1>how much people fucked with her, you know what I'm saying,

0:15:05.120 --> 0:15:07.360
<v Speaker 1>Like straight up, because her DNA is and a lot

0:15:07.360 --> 0:15:10.280
<v Speaker 1>of the flow for the women, and I feel like

0:15:10.360 --> 0:15:14.400
<v Speaker 1>I'm in a way I'm a female rapper, man, Like,

0:15:14.440 --> 0:15:17.240
<v Speaker 1>let's just be one hundred the music I make. You

0:15:17.280 --> 0:15:20.240
<v Speaker 1>know what I'm saying, how women gravitate toward it and

0:15:21.160 --> 0:15:26.720
<v Speaker 1>all that. You know, it is what it is, female rapper, bro,

0:15:27.040 --> 0:15:29.600
<v Speaker 1>You know what I'm saying. I was just thinking about something.

0:15:33.040 --> 0:15:35.200
<v Speaker 1>You know, when I you know, when I content guys

0:15:35.280 --> 0:15:37.400
<v Speaker 1>get a hold of this thing to put it up

0:15:37.400 --> 0:15:40.760
<v Speaker 1>on social media, that's gonna be a motherfucking became gonna

0:15:40.760 --> 0:15:47.120
<v Speaker 1>be to make them clicking. Female rapper, man, it is

0:15:47.160 --> 0:15:53.160
<v Speaker 1>what it is. Man. You you look at like the

0:15:53.320 --> 0:16:01.000
<v Speaker 1>female rap scene from Texas, it's all club music. They

0:16:01.040 --> 0:16:04.160
<v Speaker 1>always listening to be king when they was fifteen, fourteen,

0:16:04.640 --> 0:16:08.280
<v Speaker 1>sixteen years old. And I ain't gonna say no name.

0:16:08.400 --> 0:16:10.080
<v Speaker 1>When you get the saying name, people take it the

0:16:10.120 --> 0:16:13.080
<v Speaker 1>wrong way and think you're trying to take credit for

0:16:13.120 --> 0:16:15.600
<v Speaker 1>somebody's success. And I never do that. We all work

0:16:15.720 --> 0:16:17.840
<v Speaker 1>real hard to get to where we're at. But it

0:16:17.880 --> 0:16:20.360
<v Speaker 1>is what it is. You know what I'm saying. And

0:16:20.440 --> 0:16:24.480
<v Speaker 1>I know what I influenced, you know so, and I'm

0:16:24.520 --> 0:16:26.080
<v Speaker 1>still here. You know, I ain't like one of niggas

0:16:26.080 --> 0:16:29.160
<v Speaker 1>that fell off, like man, y'all know, y'a always listening.

0:16:29.640 --> 0:16:32.000
<v Speaker 1>I got, I got the money, I got the love

0:16:32.080 --> 0:16:34.520
<v Speaker 1>to respect all that, you know, so I can look

0:16:34.560 --> 0:16:38.160
<v Speaker 1>at the game now and be like, man, that's it, dope,

0:16:39.560 --> 0:16:44.520
<v Speaker 1>that's got a boys, reloaded podcasts. We'll be right back

0:16:44.640 --> 0:16:55.200
<v Speaker 1>after the point. Keen Got the Clubs Too mixtape. You

0:16:55.280 --> 0:16:57.480
<v Speaker 1>put that out with two thousand and ten two two

0:16:57.520 --> 0:17:02.080
<v Speaker 1>thousand uh ten yo. Yeah, so that was pretty much

0:17:02.880 --> 0:17:07.399
<v Speaker 1>our introduction, introduction to you and as a as an artist.

0:17:07.680 --> 0:17:10.600
<v Speaker 1>The year before that, my first hit was with Candy

0:17:10.680 --> 0:17:14.280
<v Speaker 1>Red Independent bitches, get up on It, then work. I

0:17:14.359 --> 0:17:17.679
<v Speaker 1>made that beat and from there people was introduced to

0:17:17.720 --> 0:17:21.480
<v Speaker 1>my sound. Okay, yeah, all right, all right. And for

0:17:21.520 --> 0:17:25.560
<v Speaker 1>a long time, man, you were bubbling and then when

0:17:25.600 --> 0:17:31.640
<v Speaker 1>you dropped that then leave. Yeah, how did that feel? Man?

0:17:32.359 --> 0:17:36.560
<v Speaker 1>It felt like I m everybody was like, oh man,

0:17:37.359 --> 0:17:40.600
<v Speaker 1>this is dope, you finally owned, and I'm just like, man,

0:17:40.720 --> 0:17:45.679
<v Speaker 1>look to me, it was more like an about time feeling,

0:17:47.600 --> 0:17:49.960
<v Speaker 1>and to a lot of people who were just discovering,

0:17:51.200 --> 0:17:54.120
<v Speaker 1>I guess it was celebratory for them. To me, I'm like,

0:17:54.560 --> 0:18:00.360
<v Speaker 1>I've been getting this money, been having big houses, been

0:18:01.480 --> 0:18:05.200
<v Speaker 1>performing at these radio events all around the country, these

0:18:05.320 --> 0:18:08.440
<v Speaker 1>stadium I've been doing this. It's just people didn't put

0:18:08.480 --> 0:18:12.440
<v Speaker 1>the face with the music. I say, when the Cucumbers ship.

0:18:12.680 --> 0:18:16.040
<v Speaker 1>When I came up with that, that started helping my

0:18:16.119 --> 0:18:18.199
<v Speaker 1>likeness and people started knowing what I looked like. I

0:18:18.240 --> 0:18:20.200
<v Speaker 1>had the whole green hair and all. I was real

0:18:20.280 --> 0:18:23.800
<v Speaker 1>retarded with it back then. But when a song like

0:18:23.880 --> 0:18:26.560
<v Speaker 1>that comes out, it puts it all together, you know.

0:18:26.640 --> 0:18:30.359
<v Speaker 1>And for you know a lot of new fans. You know,

0:18:30.400 --> 0:18:32.800
<v Speaker 1>they came around in twenty twenty during the pandemic and

0:18:32.800 --> 0:18:34.720
<v Speaker 1>they was like, Man, this new guy b King, this

0:18:34.840 --> 0:18:37.760
<v Speaker 1>is dope. But I've been out here for ten years

0:18:37.760 --> 0:18:40.240
<v Speaker 1>before that, you know what I'm saying, And it's nothing

0:18:40.280 --> 0:18:42.600
<v Speaker 1>like a fan finding out that late to the party.

0:18:42.680 --> 0:18:45.159
<v Speaker 1>They're like, oh shit. They get on Apple Music, they

0:18:45.160 --> 0:18:48.040
<v Speaker 1>started looking up all the old shit and like, damn

0:18:48.600 --> 0:18:51.760
<v Speaker 1>where he made that? Where he made? Throw that ass?

0:18:52.359 --> 0:18:55.159
<v Speaker 1>Wait he made because a lot of these songs that

0:18:55.320 --> 0:18:59.400
<v Speaker 1>blew up, they just really remix of what I've done already.

0:18:59.440 --> 0:19:02.280
<v Speaker 1>You gotta take a song like then leave Me and

0:19:02.359 --> 0:19:04.679
<v Speaker 1>Queendom Come. We made that already, a song we have

0:19:04.800 --> 0:19:09.440
<v Speaker 1>called yean about their life. Oh same formula, slow ass,

0:19:09.440 --> 0:19:13.359
<v Speaker 1>simple ass beat, Girl on the hook, take a song

0:19:13.480 --> 0:19:16.600
<v Speaker 1>like what me and DJ Chose did with Thick the Thick.

0:19:16.960 --> 0:19:19.440
<v Speaker 1>We made that already. It's called throw that, the hold

0:19:19.520 --> 0:19:23.960
<v Speaker 1>up bitch stow that. You know. So when you're around

0:19:23.960 --> 0:19:27.159
<v Speaker 1>long enough, if you're gonna recycle your shit. And you know,

0:19:27.200 --> 0:19:30.840
<v Speaker 1>when I got popping popping, a lot of those new fans,

0:19:31.600 --> 0:19:33.760
<v Speaker 1>they went to discovering all the older music and they

0:19:33.800 --> 0:19:35.879
<v Speaker 1>put it back on TikTok today and a lot of

0:19:35.880 --> 0:19:39.760
<v Speaker 1>these older songs from my catalog they're turning up today

0:19:39.920 --> 0:19:42.159
<v Speaker 1>and I'm looking at the Spotify numbers and they're going up.

0:19:42.200 --> 0:19:44.800
<v Speaker 1>I'm just like, man, this shit's old as fuck. These

0:19:44.880 --> 0:19:47.200
<v Speaker 1>kids were probably seven years old when these songs first

0:19:47.200 --> 0:19:50.880
<v Speaker 1>came out. Now they twenty years old and it's new

0:19:50.920 --> 0:19:54.080
<v Speaker 1>to them. So it is what it is. When you

0:19:54.080 --> 0:19:56.719
<v Speaker 1>think it's fair to say, is it a fair assessment

0:19:57.000 --> 0:20:02.399
<v Speaker 1>to say that you're Mary Formula? Your main ingredient is

0:20:02.440 --> 0:20:07.959
<v Speaker 1>to keep it simple? Yeah, simplicity sales. Yeah. I learned that, um,

0:20:09.560 --> 0:20:13.040
<v Speaker 1>and that was that wasn't an easy transition either, because

0:20:13.119 --> 0:20:18.000
<v Speaker 1>where I come from, I called myself a young old nigga.

0:20:18.240 --> 0:20:20.720
<v Speaker 1>I'm thirty eight years old, you know, so I know

0:20:20.760 --> 0:20:23.800
<v Speaker 1>all about Ghetto Boys CATALOGU. I know about Willie Dee's catalog,

0:20:24.280 --> 0:20:29.440
<v Speaker 1>but I also know about Kake Carbon out of Memphis

0:20:29.520 --> 0:20:34.440
<v Speaker 1>right now, I know about the Youngest Motherfucker's right now,

0:20:34.760 --> 0:20:38.119
<v Speaker 1>and I know about the ogs. So it's like the

0:20:38.200 --> 0:20:43.840
<v Speaker 1>shit I'm cut from. I know what real music is,

0:20:44.600 --> 0:20:47.520
<v Speaker 1>you know what I'm saying. So when I'm making beats,

0:20:47.920 --> 0:20:50.480
<v Speaker 1>I want to pack it full of shit, let people

0:20:50.560 --> 0:20:53.400
<v Speaker 1>know that I'm just that nigga. And I had to

0:20:53.480 --> 0:20:56.399
<v Speaker 1>learn that people don't give a fuck. Make what's appeas

0:20:56.440 --> 0:20:59.040
<v Speaker 1>into the ear and where people can listen to and

0:20:59.119 --> 0:21:03.480
<v Speaker 1>feel good, and it hits the brain quickly, you know

0:21:03.480 --> 0:21:07.720
<v Speaker 1>what I'm saying. So I started making these simple ass beats. Hey,

0:21:07.760 --> 0:21:09.760
<v Speaker 1>I just start taking all the sounds out and just

0:21:09.800 --> 0:21:13.040
<v Speaker 1>putting drums in that mother's and that's then leave you

0:21:13.119 --> 0:21:16.320
<v Speaker 1>number of drums. You know what I'm saying, Just switch

0:21:16.400 --> 0:21:20.320
<v Speaker 1>the drums up for the verse. Doom doom doom, you

0:21:20.320 --> 0:21:24.919
<v Speaker 1>know yeah, you know. So with the beats I had,

0:21:25.000 --> 0:21:28.119
<v Speaker 1>that wasn't an easy transition. And I'm a lyrical person.

0:21:28.160 --> 0:21:30.760
<v Speaker 1>I can really rap if I want to, but I

0:21:30.800 --> 0:21:33.200
<v Speaker 1>had to learn that bitches don't want to learn triggerometry

0:21:33.240 --> 0:21:36.520
<v Speaker 1>in the club. Just make a simple beat that a

0:21:36.600 --> 0:21:39.040
<v Speaker 1>drunk bitch you like and put a hook on it,

0:21:39.080 --> 0:21:41.399
<v Speaker 1>that a drunk bitch you like, and you're gonna win

0:21:41.520 --> 0:21:45.959
<v Speaker 1>every summer. Huh man, let's go back to the early

0:21:46.080 --> 0:21:52.399
<v Speaker 1>summers when man, what does beat keen originate? Like? At?

0:21:52.520 --> 0:21:56.240
<v Speaker 1>What where did you grow up? I'm from study wood

0:21:56.480 --> 0:22:00.760
<v Speaker 1>student offside, right next to right next to exisome okay, uh,

0:22:01.240 --> 0:22:07.280
<v Speaker 1>Houston area side. It's Houston Area. Yeah, And I got

0:22:07.280 --> 0:22:09.800
<v Speaker 1>a pot in that named Swift. He's a lawyer. We

0:22:09.840 --> 0:22:13.040
<v Speaker 1>call him Swift. That was his hood named Swift. But

0:22:13.160 --> 0:22:16.320
<v Speaker 1>he's a lawyer now. And every time we talk about

0:22:16.600 --> 0:22:19.879
<v Speaker 1>fifth Ward and Studio Ward, I always called it. I

0:22:19.880 --> 0:22:24.240
<v Speaker 1>always say, no, no, good studio Wood man and motherfucker

0:22:24.680 --> 0:22:27.400
<v Speaker 1>let me jump, you asked? Fifth War? God damn ship

0:22:27.880 --> 0:22:31.399
<v Speaker 1>y'all motherfucker coming book of trying to jump niggas and

0:22:31.400 --> 0:22:34.000
<v Speaker 1>ship man, we're not going for that ship. We don't

0:22:34.040 --> 0:22:35.800
<v Speaker 1>come to. Uh what's the what's the high school with

0:22:35.880 --> 0:22:42.520
<v Speaker 1>big Ward? Start with with W. Not No, it's with

0:22:42.640 --> 0:22:46.320
<v Speaker 1>a W. I can't trying. I went to high school

0:22:46.359 --> 0:22:48.199
<v Speaker 1>in Fifth War. It was an altern of school. I

0:22:48.200 --> 0:22:50.520
<v Speaker 1>went there for like two years. What area on the

0:22:51.440 --> 0:22:56.560
<v Speaker 1>right off the freeway. Where's that fucking weekly? Oh? Weekly? Yeah,

0:22:56.600 --> 0:22:59.080
<v Speaker 1>we didn't come to weekly with smoking ship. You know

0:22:59.119 --> 0:23:02.920
<v Speaker 1>what I'm saying. But one time, one time, I'm gonna

0:23:02.960 --> 0:23:06.520
<v Speaker 1>change a quick story. We get back on track. But uh,

0:23:06.680 --> 0:23:10.199
<v Speaker 1>one time we ride in the car and uh, you

0:23:10.240 --> 0:23:14.200
<v Speaker 1>know he was little cheap dude, right, So he wanted

0:23:14.240 --> 0:23:17.000
<v Speaker 1>me to pay him for gas to go get my car.

0:23:17.400 --> 0:23:19.440
<v Speaker 1>I had to go pick up my car from the shot.

0:23:20.080 --> 0:23:25.880
<v Speaker 1>So he wanted me to give him some gas suck.

0:23:26.800 --> 0:23:28.840
<v Speaker 1>So I was like, man, you try to me for gas.

0:23:28.880 --> 0:23:31.080
<v Speaker 1>He's like yeah, Man, I say, okay, all right, So

0:23:31.200 --> 0:23:34.160
<v Speaker 1>I put you did something that's and asspit for war ship.

0:23:37.200 --> 0:23:40.399
<v Speaker 1>So I put twenty dollars on the corsole. So I

0:23:40.480 --> 0:23:43.080
<v Speaker 1>put twenty dollars on the console and at twenty dollars,

0:23:43.200 --> 0:23:46.080
<v Speaker 1>he left it down right. So when I got out

0:23:46.119 --> 0:23:48.919
<v Speaker 1>the car to go get in my car, take the

0:23:48.960 --> 0:23:54.520
<v Speaker 1>twenty back. I took the twenty back. Man, that's how

0:23:54.560 --> 0:23:57.840
<v Speaker 1>I don't I drive off right. So once I get

0:23:57.880 --> 0:24:02.600
<v Speaker 1>down the street, he called me. He say, man, fifth

0:24:02.640 --> 0:24:05.960
<v Speaker 1>water and shit, you just bro I'm the same way.

0:24:06.000 --> 0:24:08.960
<v Speaker 1>It don't matter how much how successful I may get

0:24:09.000 --> 0:24:12.560
<v Speaker 1>a money I may make. I'm still cheap, my nigga, Like,

0:24:13.000 --> 0:24:15.680
<v Speaker 1>I still go to the club. I hate paying a park.

0:24:15.720 --> 0:24:19.280
<v Speaker 1>That's my pet pee. I hate giving you. I hate

0:24:19.520 --> 0:24:21.960
<v Speaker 1>I feel like I'm paying to cut my car off. Man,

0:24:22.040 --> 0:24:23.560
<v Speaker 1>let's just hate my hand in a park, you know.

0:24:23.640 --> 0:24:25.400
<v Speaker 1>So I go to Valet, I give them what they

0:24:25.400 --> 0:24:27.880
<v Speaker 1>fifty dollars whatever, and go to the club. Come back

0:24:27.880 --> 0:24:30.120
<v Speaker 1>and I'm like, man, they didn't let me in, man,

0:24:30.560 --> 0:24:33.000
<v Speaker 1>dress code. Man, so I can get a refund back. Man,

0:24:33.280 --> 0:24:37.359
<v Speaker 1>I just hate paying the park. Yeah, but why do

0:24:37.440 --> 0:24:40.560
<v Speaker 1>you think they get away with that? Dude? Hey man,

0:24:40.600 --> 0:24:43.240
<v Speaker 1>everybody got to eat. I respect it, you respect it.

0:24:43.240 --> 0:24:45.760
<v Speaker 1>It's just I'm a hustler too, So I feel like

0:24:45.960 --> 0:24:48.120
<v Speaker 1>you trying to charge me to cut my car off.

0:24:49.000 --> 0:24:50.760
<v Speaker 1>You know what I don't like. I don't like man.

0:24:50.960 --> 0:24:54.920
<v Speaker 1>I don't like the fact that they do it two

0:24:54.960 --> 0:24:58.800
<v Speaker 1>black people, Like. I think that's a bias because I

0:24:58.960 --> 0:25:01.640
<v Speaker 1>go to white the staff wishments also and they don't

0:25:01.720 --> 0:25:04.720
<v Speaker 1>do that. They don't gouge like that. Like you go

0:25:04.760 --> 0:25:09.119
<v Speaker 1>to the white establishment in Houston, at least game on

0:25:09.280 --> 0:25:12.160
<v Speaker 1>you Like, Yeah, I get to the parking lot, I'll

0:25:12.200 --> 0:25:14.560
<v Speaker 1>be like, now I'm cool with the owner. Well, the

0:25:14.600 --> 0:25:17.080
<v Speaker 1>owner doesn't run the parking lots. It's two different entities,

0:25:17.119 --> 0:25:19.120
<v Speaker 1>so that the parking lot is owned by somebody how

0:25:19.520 --> 0:25:23.240
<v Speaker 1>how but it is what it is, and they're gonna

0:25:23.240 --> 0:25:25.000
<v Speaker 1>eat off of that. And if you if you're driving

0:25:25.000 --> 0:25:29.040
<v Speaker 1>them cars, them real cards, you're gonna you're going back.

0:25:29.320 --> 0:25:31.440
<v Speaker 1>I just let me finish my point I was gonna

0:25:31.480 --> 0:25:35.360
<v Speaker 1>make first, but I was saying that you know, uh,

0:25:35.440 --> 0:25:39.840
<v Speaker 1>you go to these uh you go to these uh

0:25:40.000 --> 0:25:42.960
<v Speaker 1>white establishments or any other establishment. You know, the most

0:25:43.000 --> 0:25:47.560
<v Speaker 1>you probably pay the park is primarily white established, but

0:25:47.720 --> 0:25:52.240
<v Speaker 1>it's probably twenty bucks. But when it comes to a

0:25:52.359 --> 0:25:57.200
<v Speaker 1>spot that's primarily black patrons, man, you're talking twenty to

0:25:57.280 --> 0:26:00.840
<v Speaker 1>park in the back, you know. And so everything is

0:26:01.000 --> 0:26:04.120
<v Speaker 1>depending on your car. The car that you're driving depends

0:26:04.119 --> 0:26:06.959
<v Speaker 1>on how high they go put up. So I just

0:26:07.040 --> 0:26:10.960
<v Speaker 1>bought my son a wagon, right, uh huh. So I

0:26:11.080 --> 0:26:13.000
<v Speaker 1>told my seed dropping a hundred if you're going to

0:26:13.080 --> 0:26:15.600
<v Speaker 1>the club, yeah, I told him, I say, But I say,

0:26:15.680 --> 0:26:18.119
<v Speaker 1>you know, I said, you got your valet, your money ready,

0:26:18.560 --> 0:26:22.439
<v Speaker 1>because uh, they gonna hit you up every time you

0:26:22.560 --> 0:26:25.280
<v Speaker 1>valet you finn to pay a hundred dollars at least

0:26:25.320 --> 0:26:28.080
<v Speaker 1>one hundred dollars and that's Houston price. Yeah, Atlanta, you're

0:26:28.080 --> 0:26:32.280
<v Speaker 1>getting hit. Yeah, man, I said, like All Stars happening

0:26:32.359 --> 0:26:36.800
<v Speaker 1>or something, some game or something something going on. In time,

0:26:36.840 --> 0:26:39.560
<v Speaker 1>I'll be feeling disrespected, though, bro I feel different. I

0:26:39.560 --> 0:26:43.479
<v Speaker 1>hate paying the part. You know, I have thousands of

0:26:43.480 --> 0:26:47.040
<v Speaker 1>dollars in my pocket when I try to talk them down.

0:26:47.119 --> 0:26:49.680
<v Speaker 1>But what I don't like. What I don't like, dog,

0:26:49.840 --> 0:26:53.720
<v Speaker 1>is that the fact that they that they bias. Like

0:26:53.840 --> 0:26:56.119
<v Speaker 1>I said, I go to the other establishments and they

0:26:56.119 --> 0:26:58.760
<v Speaker 1>don't do that, but they do it to us. And

0:26:58.800 --> 0:27:01.399
<v Speaker 1>I you know, you know, hey, man, back when I

0:27:01.480 --> 0:27:03.840
<v Speaker 1>was broke, I used to get them counterfeit money, you know,

0:27:05.040 --> 0:27:07.520
<v Speaker 1>so you feel like facts change ain't robbery. They're trying

0:27:07.520 --> 0:27:11.919
<v Speaker 1>to get you like everybody on YouTube. Yeah, and I

0:27:11.960 --> 0:27:14.199
<v Speaker 1>guess you know, I guess you can't can't blame them

0:27:14.280 --> 0:27:17.080
<v Speaker 1>right back at my club eight Mile Days, Yeah, I

0:27:17.119 --> 0:27:19.639
<v Speaker 1>guess you can't blame them. If if black people are

0:27:19.680 --> 0:27:22.400
<v Speaker 1>dumb enough to pay the price, then you know, hey,

0:27:22.560 --> 0:27:25.960
<v Speaker 1>it is what it is. Huh Man's At the end

0:27:26.000 --> 0:27:30.800
<v Speaker 1>of the day, niggas is gonna pay that shit because

0:27:30.840 --> 0:27:33.360
<v Speaker 1>they want their car in the front anyway so they

0:27:33.359 --> 0:27:36.040
<v Speaker 1>can get them bitches. You know, I think it's bigger

0:27:36.040 --> 0:27:38.760
<v Speaker 1>than that. I know that when like when I valet,

0:27:39.359 --> 0:27:41.320
<v Speaker 1>I valet because I want my car to be safe.

0:27:41.320 --> 0:27:43.080
<v Speaker 1>I valet for safe to you know what I'm saying.

0:27:43.400 --> 0:27:46.800
<v Speaker 1>I don't want to come out and some my window

0:27:47.359 --> 0:27:50.439
<v Speaker 1>and I gotta I got the inconvenience of pain, even

0:27:50.480 --> 0:27:53.000
<v Speaker 1>though it's not it's it's it's a little money just

0:27:53.040 --> 0:27:57.919
<v Speaker 1>to fix a window, but the hal it's the inconvenience.

0:27:58.000 --> 0:28:00.119
<v Speaker 1>And they know that and ain't gonna be nothing. Then

0:28:00.119 --> 0:28:02.080
<v Speaker 1>they ain't gonna steal nothing out of the car. I

0:28:02.760 --> 0:28:05.360
<v Speaker 1>never keep any valuables in my car, so that never

0:28:05.400 --> 0:28:08.480
<v Speaker 1>get anything out of it. But it's just inconvenienced. But

0:28:08.640 --> 0:28:12.679
<v Speaker 1>see that's just niggas and not niggas, it's just black people.

0:28:13.400 --> 0:28:17.959
<v Speaker 1>Because you'll go to a black restaurant and four wings

0:28:18.240 --> 0:28:24.879
<v Speaker 1>and a soda. It's eighty dollars plus at tax, and

0:28:25.040 --> 0:28:30.800
<v Speaker 1>you just fifty to park and tax gratuity and extra gratuity.

0:28:30.920 --> 0:28:32.840
<v Speaker 1>And you didn't pay the hundred to park. You didn't

0:28:32.880 --> 0:28:35.879
<v Speaker 1>drop two hundred dollars for three wings. It's like trying

0:28:35.880 --> 0:28:38.840
<v Speaker 1>to support black people. Just it is what it is.

0:28:38.920 --> 0:28:42.400
<v Speaker 1>You know, so that's a cold game right there. Man.

0:28:42.600 --> 0:28:45.280
<v Speaker 1>I wouldn't know anything about chicken wings though. I've just

0:28:45.320 --> 0:28:51.280
<v Speaker 1>lost thirty three pounds, so yeah, thirty three pounds, Yeah

0:28:51.760 --> 0:28:58.680
<v Speaker 1>on guard thirty three pounds man, So what what's your

0:28:58.720 --> 0:29:01.840
<v Speaker 1>what's your weight target? I ain't trying to be skinny, man,

0:29:01.880 --> 0:29:04.200
<v Speaker 1>I wouldn't even be attractive skinny. I ain't. I couldn't

0:29:04.200 --> 0:29:06.800
<v Speaker 1>even be skinny. I'm trying to lose by thirty more

0:29:06.800 --> 0:29:09.440
<v Speaker 1>pounds and I'll be good. Yeah, I'll be good, man.

0:29:09.480 --> 0:29:13.160
<v Speaker 1>I just I just want to be healthier. Man. Shit, Man,

0:29:13.360 --> 0:29:16.240
<v Speaker 1>I feel better. You know I can perform on stage.

0:29:16.280 --> 0:29:20.880
<v Speaker 1>You're better, confident, more confident. Um, you know, you start

0:29:21.200 --> 0:29:24.880
<v Speaker 1>knocking on that forty door, your body start doing weird shit,

0:29:25.040 --> 0:29:30.080
<v Speaker 1>your chief start falling out. Uh yeah, your cheeth not

0:29:30.120 --> 0:29:32.600
<v Speaker 1>gonna fall out for no reason? Well yeah, if you

0:29:32.840 --> 0:29:35.560
<v Speaker 1>ate candy your whole life, like you know what I'm saying,

0:29:35.720 --> 0:29:38.560
<v Speaker 1>Like you ate candy and drink soda and all that,

0:29:38.760 --> 0:29:42.960
<v Speaker 1>and you know you, um, you start getting these high

0:29:43.000 --> 0:29:46.680
<v Speaker 1>blood pressure headaches for no reason, and your heart start

0:29:46.720 --> 0:29:49.240
<v Speaker 1>doing a little jumping bullshit and you laying down. You

0:29:49.280 --> 0:29:51.959
<v Speaker 1>ain't even doing nothing. You just laying down and your

0:29:52.000 --> 0:29:55.560
<v Speaker 1>heart beating fast. You like, know, man, I ain't get

0:29:55.560 --> 0:29:59.080
<v Speaker 1>to this point and this success to die. What was

0:29:59.080 --> 0:30:02.320
<v Speaker 1>it for? You know what I'm saying. So it's like,

0:30:02.400 --> 0:30:04.440
<v Speaker 1>let me try to do something about it, you know. So, Um,

0:30:05.560 --> 0:30:07.560
<v Speaker 1>I hate going to the gym, so I bought everything

0:30:07.600 --> 0:30:11.320
<v Speaker 1>in the garage. So I live weights three times a

0:30:11.360 --> 0:30:15.360
<v Speaker 1>week and I try to walk for an hour every day,

0:30:15.520 --> 0:30:17.400
<v Speaker 1>you know what I'm saying. And I changed my eating

0:30:17.440 --> 0:30:22.760
<v Speaker 1>habits too, and that's how I did it. How were

0:30:22.800 --> 0:30:25.280
<v Speaker 1>you growing up? Like you grew up with your mom

0:30:25.320 --> 0:30:29.440
<v Speaker 1>and dad? Where was the family? Me and my mom? Um?

0:30:30.280 --> 0:30:33.640
<v Speaker 1>My little brother came when I was around nine, you know,

0:30:33.880 --> 0:30:36.160
<v Speaker 1>but I was the only child till like nine years old,

0:30:36.760 --> 0:30:41.680
<v Speaker 1>and we stayed in study Wood, small ass house, um

0:30:43.400 --> 0:30:47.680
<v Speaker 1>in the hood. Uh that's probably why I am scared

0:30:47.680 --> 0:30:50.440
<v Speaker 1>of roaches to this day. You know, I'm saying, don't

0:30:50.440 --> 0:30:52.640
<v Speaker 1>matter how I clean your house was, if your house

0:30:52.720 --> 0:30:55.080
<v Speaker 1>was on bricks, like you was gonna see roaches and rats.

0:30:55.720 --> 0:31:01.760
<v Speaker 1>There's no way around that shit. But yeah, but I

0:31:02.120 --> 0:31:05.640
<v Speaker 1>said I wouldn't know gangster though. Like, um, my mom

0:31:05.880 --> 0:31:08.040
<v Speaker 1>was a good person. She raised me the right way.

0:31:08.120 --> 0:31:12.160
<v Speaker 1>You know so all my partners that was gangster and shit,

0:31:13.280 --> 0:31:15.760
<v Speaker 1>our people going to their house and seeing how their

0:31:15.800 --> 0:31:19.200
<v Speaker 1>mama was, their daddy was. And that's why I ain't

0:31:19.280 --> 0:31:22.880
<v Speaker 1>like y'all ain't hating nothing because we're gonna beat somebody

0:31:22.920 --> 0:31:26.160
<v Speaker 1>up together, you know. But yeah, y'all, nigga savage, I'm

0:31:26.200 --> 0:31:32.600
<v Speaker 1>not say like, you know, you need to be in

0:31:32.640 --> 0:31:36.520
<v Speaker 1>the movies, right man, you got you got that persona

0:31:36.600 --> 0:31:43.160
<v Speaker 1>man like seas all that. I'm a hood nigga. I

0:31:43.560 --> 0:31:46.640
<v Speaker 1>ain't know gangster though, Like you know, it ain't that

0:31:46.720 --> 0:31:49.320
<v Speaker 1>wrong with being a gangster. You know, some people ain't

0:31:49.320 --> 0:31:51.760
<v Speaker 1>got they just gonna be a gangster. That's what they

0:31:51.880 --> 0:31:54.400
<v Speaker 1>have to be. I don't know. I think I think

0:31:54.440 --> 0:31:57.000
<v Speaker 1>a better message. It is something wrong with being a

0:31:57.000 --> 0:32:00.880
<v Speaker 1>gangster because to get a good gangster lifestyle, you know,

0:32:00.920 --> 0:32:03.320
<v Speaker 1>and I've been a gangster, you know, like the gangster

0:32:03.400 --> 0:32:07.920
<v Speaker 1>lifestyle doesn't have a great retirement plan. But you know

0:32:07.960 --> 0:32:10.440
<v Speaker 1>what you're speaking from, nigga that made it to the

0:32:10.480 --> 0:32:16.480
<v Speaker 1>retirement plan. See, when you're younger, the the bitches only

0:32:16.480 --> 0:32:21.000
<v Speaker 1>want the gangster is younger women. You know what I'm saying,

0:32:21.000 --> 0:32:23.160
<v Speaker 1>that nice guy is not getting no pussy at all.

0:32:24.040 --> 0:32:27.800
<v Speaker 1>But that gangster that's going to juvenile and shit, no,

0:32:28.240 --> 0:32:31.320
<v Speaker 1>he's fucking all the bitches in the apartments. What's about

0:32:31.360 --> 0:32:35.280
<v Speaker 1>being rebellious? I think, yeah, you think young people, the

0:32:35.400 --> 0:32:40.800
<v Speaker 1>youth wants just by nature rebellious. And that's no matter

0:32:40.880 --> 0:32:44.600
<v Speaker 1>what generation that is. Its transcends generations. You know. For sure.

0:32:44.960 --> 0:32:48.920
<v Speaker 1>Young people are just like rebellion. And that's why when

0:32:48.960 --> 0:32:51.320
<v Speaker 1>they get to be a certain age, they go trying

0:32:51.320 --> 0:32:54.280
<v Speaker 1>to clean up everything because that shit got they got

0:32:54.280 --> 0:32:56.160
<v Speaker 1>a time limit on it. Man. You can't do that

0:32:56.200 --> 0:32:59.760
<v Speaker 1>ship forever, man, and then you're gonna run to a nigga.

0:32:59.800 --> 0:33:03.320
<v Speaker 1>That's about that, just like you. You know what I'm saying.

0:33:03.360 --> 0:33:09.120
<v Speaker 1>What happened then because your reputation procedes you. Also, so

0:33:09.160 --> 0:33:13.239
<v Speaker 1>it's somebody why you being active. It's somebody watching you

0:33:13.320 --> 0:33:16.520
<v Speaker 1>being active, and they're thinking, like, yeah, sooner or later,

0:33:16.600 --> 0:33:18.680
<v Speaker 1>he's gonna try me. Soon or later, I'm gonna have

0:33:18.720 --> 0:33:20.600
<v Speaker 1>to deal with that guy. And they already not already

0:33:20.640 --> 0:33:22.760
<v Speaker 1>not a deal, they're already plotting on you, Yeah, because

0:33:22.800 --> 0:33:27.040
<v Speaker 1>they've been watching you be active. Yeah. Man, So you

0:33:27.200 --> 0:33:30.520
<v Speaker 1>did you get into any fights as a kid, Yeah,

0:33:30.600 --> 0:33:32.520
<v Speaker 1>I got um, I got into a lot of fights

0:33:32.560 --> 0:33:35.720
<v Speaker 1>as a kid. Um and what were these fights? Primarily

0:33:35.760 --> 0:33:44.880
<v Speaker 1>over these fights, Man, disrespect the number one thing for niggas.

0:33:44.880 --> 0:33:51.480
<v Speaker 1>Somebody somebody playing as you know people, you know, niggas

0:33:51.520 --> 0:33:54.040
<v Speaker 1>just gonna fuck with you. They're gonna try you. Maybe

0:33:54.880 --> 0:33:58.080
<v Speaker 1>we ain't got money like that. And everybody got Jordan's

0:33:58.120 --> 0:34:03.520
<v Speaker 1>but I got George ash Or you know everybody. You

0:34:03.520 --> 0:34:06.680
<v Speaker 1>know what I'm saying. Their mama taking them to the

0:34:06.720 --> 0:34:09.080
<v Speaker 1>mall to get their school clothes. And then I had

0:34:09.120 --> 0:34:12.040
<v Speaker 1>to go to Winners. You know what I'm saying, Shit

0:34:12.200 --> 0:34:14.400
<v Speaker 1>like that. You know what I'm saying, better than we

0:34:14.440 --> 0:34:16.680
<v Speaker 1>had to go. We had to Winners was lit. So

0:34:17.000 --> 0:34:19.920
<v Speaker 1>we we had Winners sometimes, but other times and for

0:34:19.960 --> 0:34:22.040
<v Speaker 1>those who you don't know, Winners was a department store.

0:34:22.080 --> 0:34:25.640
<v Speaker 1>But uh but you know that was other times. We

0:34:25.680 --> 0:34:28.960
<v Speaker 1>had to use vouchers. Man, we had these vouchers and

0:34:29.040 --> 0:34:32.000
<v Speaker 1>go to like Salvation Army, that kind of stuff. I

0:34:32.000 --> 0:34:35.960
<v Speaker 1>went through that that you'd be lucky you find some something,

0:34:36.200 --> 0:34:38.879
<v Speaker 1>some night shoes and Salvation Army, but they have brand

0:34:38.920 --> 0:34:42.239
<v Speaker 1>new things now. It's lit. Nah. It's just like how

0:34:43.560 --> 0:34:46.400
<v Speaker 1>how food samp City is today. Back in the day,

0:34:46.719 --> 0:34:49.440
<v Speaker 1>you cannot get no name brand shit. Yeah. Before we

0:34:49.480 --> 0:34:51.239
<v Speaker 1>had to get that shit at the bottom, we had

0:34:51.239 --> 0:34:53.640
<v Speaker 1>to get appleed apples and not apple jacks. You know

0:34:53.680 --> 0:34:57.080
<v Speaker 1>what I'm saying. But today you can ball out with

0:34:57.120 --> 0:35:00.200
<v Speaker 1>the motherfucker with food stamps. Today you could buy anything. Man.

0:35:00.239 --> 0:35:01.800
<v Speaker 1>I was. I was in the store a couple of

0:35:01.840 --> 0:35:04.120
<v Speaker 1>weeks ago, and I saw what it is the EBT

0:35:04.320 --> 0:35:08.359
<v Speaker 1>card where it was showing that you could buy like

0:35:08.520 --> 0:35:13.120
<v Speaker 1>lobster and oh ship, that kind of stuff. I'm like, yeah,

0:35:13.200 --> 0:35:16.839
<v Speaker 1>shit different, I remember. I don't know how it is now,

0:35:16.960 --> 0:35:20.480
<v Speaker 1>but I remember them food sound like that. The one

0:35:20.520 --> 0:35:23.120
<v Speaker 1>dollar food stamp was great, or the five dollar one

0:35:23.200 --> 0:35:26.160
<v Speaker 1>was brown and shit and it should have liked Monopoly money.

0:35:26.200 --> 0:35:27.839
<v Speaker 1>To me, I thought the ship was actually flying. I said,

0:35:27.840 --> 0:35:29.480
<v Speaker 1>we don't, we don't need real money. We could use

0:35:29.520 --> 0:35:32.719
<v Speaker 1>this ship, all right. But when she was like, we

0:35:32.760 --> 0:35:35.319
<v Speaker 1>can't get craft cheese, we have to get this this

0:35:36.000 --> 0:35:38.160
<v Speaker 1>trash ass ship, I was like, Okay, I don't like

0:35:38.239 --> 0:35:41.320
<v Speaker 1>this ship. Did you? Were you ever in the store

0:35:42.200 --> 0:35:44.759
<v Speaker 1>with with the food stamps and waited to somebody to lead,

0:35:45.120 --> 0:35:48.000
<v Speaker 1>waited to other people left my mom. She didn't care

0:35:48.080 --> 0:35:50.439
<v Speaker 1>like that, you know what I'm saying. You you never

0:35:50.760 --> 0:35:53.200
<v Speaker 1>went to the store food stamps. Well I would. I

0:35:53.239 --> 0:35:55.319
<v Speaker 1>would stand next to her when she did it. You

0:35:55.320 --> 0:35:58.919
<v Speaker 1>know what I'm saying, Um, Yeah, I ain't you got

0:35:58.960 --> 0:36:02.040
<v Speaker 1>off easy. My mama used to send us to the

0:36:02.160 --> 0:36:05.279
<v Speaker 1>store with the food stamps, and so we got the

0:36:05.280 --> 0:36:09.279
<v Speaker 1>food stamps and we're waiting like so we try to

0:36:09.280 --> 0:36:12.120
<v Speaker 1>spend the food stamps quickly before somebody comes in the

0:36:12.120 --> 0:36:16.680
<v Speaker 1>store who recognizes us. I think my mama tried. They

0:36:16.840 --> 0:36:19.799
<v Speaker 1>later on they wouldn't let kids do it. Yeah, I

0:36:19.840 --> 0:36:22.000
<v Speaker 1>think my mama tried. They had me do that Croakers

0:36:22.040 --> 0:36:25.000
<v Speaker 1>one time. Now, what was the sh Apple tree back then?

0:36:26.360 --> 0:36:28.920
<v Speaker 1>Now for any of you out there now, for any

0:36:28.960 --> 0:36:31.239
<v Speaker 1>of you out there who might be on some bs.

0:36:31.320 --> 0:36:35.960
<v Speaker 1>My mama worked, so we had web fast to subsidize

0:36:36.040 --> 0:36:39.200
<v Speaker 1>or income. My mama worked five days a week for

0:36:39.239 --> 0:36:42.040
<v Speaker 1>the for the Houston Independent School District as a cook.

0:36:44.880 --> 0:36:48.759
<v Speaker 1>My mom was a teacher. She worked for HUD. Yeah,

0:36:48.880 --> 0:36:52.120
<v Speaker 1>we were still bro That's what it would hit me.

0:36:52.360 --> 0:36:56.160
<v Speaker 1>I remember being like in middle school, like college Jane

0:36:56.200 --> 0:37:01.480
<v Speaker 1>all that, it's dope if it's a two income household.

0:37:01.680 --> 0:37:06.440
<v Speaker 1>But my mama got two kids, a master's degree and

0:37:06.520 --> 0:37:11.760
<v Speaker 1>as a teacher, and we still broke. Well, y'all broke.

0:37:12.320 --> 0:37:19.000
<v Speaker 1>We wouldn't we wasn't I say this because she she

0:37:20.120 --> 0:37:24.360
<v Speaker 1>worked her ass off. She would teach during the week,

0:37:25.880 --> 0:37:30.760
<v Speaker 1>she was a real estate agent. She played piano at church,

0:37:30.800 --> 0:37:33.920
<v Speaker 1>three different churches on Sundays to get through different checks

0:37:33.920 --> 0:37:37.520
<v Speaker 1>from through different churches. You know. So she brought a

0:37:37.560 --> 0:37:43.160
<v Speaker 1>lot of money in, but it just wasn't enough like that,

0:37:43.800 --> 0:37:46.560
<v Speaker 1>you know what I'm saying. She always Now I'm like,

0:37:46.680 --> 0:37:50.080
<v Speaker 1>I know she had a drug habit. She wasn't shrink,

0:37:50.880 --> 0:37:53.320
<v Speaker 1>she been doing nothing of that. But for the most

0:37:53.360 --> 0:37:59.560
<v Speaker 1>part she she always and with my child support money,

0:37:59.680 --> 0:38:02.360
<v Speaker 1>my my little brother, charl support money. It was just

0:38:02.480 --> 0:38:05.200
<v Speaker 1>always just enough for the bills and a car note

0:38:05.480 --> 0:38:10.239
<v Speaker 1>and a light bill. And you know, yeah, did any

0:38:10.280 --> 0:38:14.839
<v Speaker 1>of the utilities ever get turned off? No, did y'all

0:38:14.840 --> 0:38:20.399
<v Speaker 1>ever get evicted? No shit, y'all rich by y'all y'all

0:38:20.480 --> 0:38:22.960
<v Speaker 1>was good? You did you know? Mamma did good? How

0:38:22.960 --> 0:38:24.800
<v Speaker 1>many how many of you are? Was it? It was

0:38:24.840 --> 0:38:28.279
<v Speaker 1>too It was too like I never I never tried

0:38:28.280 --> 0:38:32.160
<v Speaker 1>to credit her like we was just fucked up. But

0:38:32.280 --> 0:38:34.719
<v Speaker 1>I think my mama understood the system. She was like

0:38:34.760 --> 0:38:39.719
<v Speaker 1>all right, Well, I can get these food stamps over here,

0:38:39.800 --> 0:38:42.320
<v Speaker 1>said that freeze up this money for this. If I

0:38:42.480 --> 0:38:45.279
<v Speaker 1>played piano piano at these churches, then that would be

0:38:45.280 --> 0:38:48.479
<v Speaker 1>the food money for the week. If I can sell

0:38:48.520 --> 0:38:53.000
<v Speaker 1>a house in there, then maybe he can get some

0:38:53.120 --> 0:38:56.440
<v Speaker 1>Jordans or something. You know what I'm saying, Like we

0:38:56.480 --> 0:38:58.680
<v Speaker 1>would be in the hood, but I had Nintendo Super,

0:38:58.719 --> 0:39:03.680
<v Speaker 1>Nincendo Genesis and all that. Man, what you headed here,

0:39:03.680 --> 0:39:07.760
<v Speaker 1>everybody came to you got it the good life meals,

0:39:07.880 --> 0:39:10.560
<v Speaker 1>y'all didn't get the phone turned off. That's why I

0:39:10.600 --> 0:39:13.480
<v Speaker 1>tell people that there are good people in that that

0:39:13.640 --> 0:39:18.080
<v Speaker 1>are in the hood, who are law abiding citizens, who

0:39:18.080 --> 0:39:22.920
<v Speaker 1>work every day and who are just genuinely good people.

0:39:23.280 --> 0:39:25.759
<v Speaker 1>I know a lot of any more people. There are

0:39:25.960 --> 0:39:29.200
<v Speaker 1>more of those type of people in the hood than

0:39:29.280 --> 0:39:32.160
<v Speaker 1>that are, not for sure, but you know how they

0:39:32.239 --> 0:39:35.520
<v Speaker 1>like to spend the narrative. Yeah, that that should always

0:39:35.520 --> 0:39:38.000
<v Speaker 1>been good for to me. Like my thing is, I'm

0:39:38.000 --> 0:39:43.120
<v Speaker 1>from the hood. We we were broke, but my mom

0:39:43.200 --> 0:39:46.880
<v Speaker 1>made sure that I didn't notice. You know what I'm saying,

0:39:46.960 --> 0:39:50.520
<v Speaker 1>like it, I know we'd be moving from here to here,

0:39:50.680 --> 0:39:53.400
<v Speaker 1>and you know what I'm saying, and certain things that

0:39:53.520 --> 0:39:56.400
<v Speaker 1>happen and all that, But for the most part, she

0:39:56.600 --> 0:39:59.960
<v Speaker 1>tried to make sure I had things that I wanted,

0:40:00.360 --> 0:40:03.160
<v Speaker 1>you know what I'm saying. So I gotta say, Um,

0:40:04.560 --> 0:40:08.719
<v Speaker 1>you know, I hadn't been through hard times, but I

0:40:08.800 --> 0:40:11.479
<v Speaker 1>know it's people who've had a way it worse. Way

0:40:11.480 --> 0:40:15.319
<v Speaker 1>it worse. People who didn't have parents who had it

0:40:15.360 --> 0:40:17.080
<v Speaker 1>all together, you know what I'm saying. So they had

0:40:17.120 --> 0:40:19.839
<v Speaker 1>to go outside and do shit, you know what I'm saying. So,

0:40:20.480 --> 0:40:23.080
<v Speaker 1>like I say, it's um, I always come in my

0:40:23.120 --> 0:40:26.759
<v Speaker 1>mama for that I'm saying, because that's probably ain't no,

0:40:26.760 --> 0:40:28.840
<v Speaker 1>Probably that's why I got all my musical talent from

0:40:29.080 --> 0:40:32.160
<v Speaker 1>I'm saying. She would play the piano. Now I was

0:40:32.239 --> 0:40:34.400
<v Speaker 1>just watching, just watch. It was always a piano in

0:40:34.400 --> 0:40:37.359
<v Speaker 1>the house, an old piano from her grandma, you know.

0:40:37.440 --> 0:40:39.719
<v Speaker 1>So she would play the piano at the church. I'll

0:40:39.719 --> 0:40:45.640
<v Speaker 1>play the drums, you know what I'm saying. Okay, all right, yeah,

0:40:45.880 --> 0:40:48.080
<v Speaker 1>that followed me all the way to the band. That

0:40:48.200 --> 0:40:50.280
<v Speaker 1>Book of T I'm playing the drums in the band

0:40:51.120 --> 0:40:56.040
<v Speaker 1>and yo Book of T. Yeah, we smash y'all on

0:40:56.120 --> 0:40:59.839
<v Speaker 1>that Battle of the Band. Never say nobody could fuck

0:40:59.840 --> 0:41:03.880
<v Speaker 1>with us nobody but the Yates. Yates and Yates couldn't

0:41:03.880 --> 0:41:06.640
<v Speaker 1>even see us. You know what. You know you came

0:41:06.680 --> 0:41:09.799
<v Speaker 1>at way after me. But that's the only reason why.

0:41:10.160 --> 0:41:13.200
<v Speaker 1>But but go look up the history of farrest Brook.

0:41:13.760 --> 0:41:19.000
<v Speaker 1>That band y'all went on. But I get to see.

0:41:19.000 --> 0:41:21.640
<v Speaker 1>I'm gonna say what made far As Forest brooklet. Y'all

0:41:21.680 --> 0:41:28.200
<v Speaker 1>were very loud. So y'all weren't the best players, hell no, man,

0:41:28.400 --> 0:41:31.560
<v Speaker 1>but y'all were so loud that y'all soul that ship.

0:41:31.920 --> 0:41:35.000
<v Speaker 1>So if motherfucker's come out on the field, you just

0:41:35.040 --> 0:41:38.040
<v Speaker 1>like how I feel that shit. Y'all loud and the

0:41:38.160 --> 0:41:41.880
<v Speaker 1>motherfucker y'all can't see me though I can't see me.

0:41:42.360 --> 0:41:46.920
<v Speaker 1>But you know, y'all, y'all loud. Far As Brook was

0:41:47.040 --> 0:41:51.480
<v Speaker 1>loud and and and we had man fars Brook was

0:41:51.560 --> 0:41:55.920
<v Speaker 1>nice though they came girls. I'm talking about the baddest

0:41:56.000 --> 0:42:02.560
<v Speaker 1>girls man Farest Brook. We had so many fine girls.

0:42:02.840 --> 0:42:06.480
<v Speaker 1>Like the girls who were petitue we had wasn't but

0:42:06.719 --> 0:42:10.319
<v Speaker 1>like nines and dimes on the Chili the team, if

0:42:10.320 --> 0:42:14.160
<v Speaker 1>they had a woman body, they were jaguars, you know, y'all.

0:42:14.200 --> 0:42:16.719
<v Speaker 1>And red the little schools y'all called them majors, but

0:42:17.040 --> 0:42:18.440
<v Speaker 1>you know, it was on a different level. So we

0:42:18.440 --> 0:42:20.160
<v Speaker 1>called it. We was a Jaguars, So we called our

0:42:20.200 --> 0:42:22.839
<v Speaker 1>girls the jaguar Ets. You know what's crazy. I went

0:42:22.880 --> 0:42:27.560
<v Speaker 1>to so many high schools because I like, when I

0:42:27.600 --> 0:42:30.960
<v Speaker 1>turned sixteen, I knew I wanted to be who I

0:42:31.040 --> 0:42:34.680
<v Speaker 1>ended up being, and I dropped out so many times.

0:42:35.040 --> 0:42:36.680
<v Speaker 1>I just didn't want to go to school nomore. I

0:42:36.760 --> 0:42:38.640
<v Speaker 1>just wanted to make beats and wrap and just do that,

0:42:39.600 --> 0:42:43.000
<v Speaker 1>and I dropped out somebody side. I would never do

0:42:43.080 --> 0:42:45.000
<v Speaker 1>my work. I would when I got there, I did

0:42:45.000 --> 0:42:48.520
<v Speaker 1>my work. I just didn't want to go. I started

0:42:48.520 --> 0:42:50.319
<v Speaker 1>making beats when I was sixteen. I would be up

0:42:50.320 --> 0:42:53.080
<v Speaker 1>to like six seven in the morning. My mom would

0:42:53.080 --> 0:42:54.879
<v Speaker 1>go to work before I had to leave. So I'm

0:42:54.880 --> 0:42:57.600
<v Speaker 1>not gonna stay up to six am and didn't get

0:42:57.680 --> 0:42:59.719
<v Speaker 1>dressed and go to school. I'm just gonna not go,

0:43:00.320 --> 0:43:02.160
<v Speaker 1>you know what I'm saying, Like the fuck? You know?

0:43:02.280 --> 0:43:07.040
<v Speaker 1>So I would my mom because she worked at HID,

0:43:07.160 --> 0:43:09.719
<v Speaker 1>she could if I'm feeling at this school, take me

0:43:09.719 --> 0:43:11.520
<v Speaker 1>out of there, put me in another one, you know

0:43:11.560 --> 0:43:13.120
<v Speaker 1>what I'm saying. So I went to so many different

0:43:13.200 --> 0:43:17.319
<v Speaker 1>high schools, and then when I moved to Titwell. That's

0:43:17.360 --> 0:43:20.279
<v Speaker 1>when I went to Jersey Village and that was side

0:43:20.320 --> 0:43:24.520
<v Speaker 1>Fair District, and I was just like, whoa, the bitches

0:43:24.560 --> 0:43:29.040
<v Speaker 1>over here way better. So it hit me that you

0:43:29.120 --> 0:43:32.600
<v Speaker 1>had bitches that was hood bad, and then you had

0:43:32.640 --> 0:43:36.440
<v Speaker 1>these bitches that had money. These bitches looked a little

0:43:36.480 --> 0:43:38.400
<v Speaker 1>badder than the hood bitches. And I don't get it

0:43:38.440 --> 0:43:41.560
<v Speaker 1>sucked up. I love my hood bitches, but this bitch

0:43:41.600 --> 0:43:44.640
<v Speaker 1>look a little better getting out this bins man, you

0:43:44.680 --> 0:43:47.560
<v Speaker 1>know what I'm saying. I was like, it's a different

0:43:47.880 --> 0:43:50.799
<v Speaker 1>level of hood, different level of bad bitch over here,

0:43:51.520 --> 0:43:53.279
<v Speaker 1>you know what I'm saying. But maybe I'm just used

0:43:53.320 --> 0:43:58.319
<v Speaker 1>to I always felt like the hood schools made me

0:43:58.400 --> 0:44:05.320
<v Speaker 1>like ugly bitches, the hood schools because in the hood,

0:44:07.239 --> 0:44:10.360
<v Speaker 1>most of these bitches was ugly, but they had fat asses,

0:44:11.840 --> 0:44:14.040
<v Speaker 1>so you'd be like, damn that bitch bad to their

0:44:14.120 --> 0:44:16.399
<v Speaker 1>motherfucker when she she really just had a nice as

0:44:16.520 --> 0:44:21.160
<v Speaker 1>body and shit. And in hood schools, a sprinkle of

0:44:21.200 --> 0:44:24.080
<v Speaker 1>them are pretty, and they either fucking with the bass,

0:44:24.440 --> 0:44:27.120
<v Speaker 1>the basketball or the football. Niggas or some nigga in

0:44:27.160 --> 0:44:30.560
<v Speaker 1>college or some other ship, or some old ass nigga

0:44:30.600 --> 0:44:33.239
<v Speaker 1>they have no business fucking with you know what I'm saying.

0:44:33.320 --> 0:44:35.919
<v Speaker 1>But nine times out of tea in the hood, man,

0:44:35.920 --> 0:44:39.640
<v Speaker 1>they just from the high school I went to and

0:44:39.680 --> 0:44:43.799
<v Speaker 1>ship the Book of T. It wasn't pretty like that. See,

0:44:43.960 --> 0:44:45.640
<v Speaker 1>some of them was so you called Book of T

0:44:45.880 --> 0:44:48.279
<v Speaker 1>at the end of their glory. Now Book of T

0:44:48.440 --> 0:44:50.120
<v Speaker 1>has some bad ones. I don't get it. Sucked up

0:44:50.320 --> 0:44:54.800
<v Speaker 1>every in the hood you got pretty bitches, but most

0:44:54.840 --> 0:44:59.280
<v Speaker 1>of them just pretty girls, pretty girls, pretty women, pretty girls,

0:44:59.320 --> 0:45:03.080
<v Speaker 1>pretty women. This is be keen, y'all. The show is

0:45:03.200 --> 0:45:07.520
<v Speaker 1>y'all know I'm no, but in my older age, I

0:45:07.560 --> 0:45:09.919
<v Speaker 1>do give a fuck now, and I want to talk

0:45:09.960 --> 0:45:11.520
<v Speaker 1>to the black women. I don't want you to think

0:45:11.560 --> 0:45:16.360
<v Speaker 1>that just because you in the hood, or you're living situation,

0:45:17.239 --> 0:45:21.280
<v Speaker 1>or you may not have as much as the other people,

0:45:21.400 --> 0:45:24.280
<v Speaker 1>that that affects your beauty or you look any less

0:45:24.280 --> 0:45:26.480
<v Speaker 1>than the other ones. All I'm saying is just what

0:45:26.719 --> 0:45:31.120
<v Speaker 1>I observed as a seventeen year old. I peep that

0:45:31.239 --> 0:45:38.080
<v Speaker 1>in the hood you have females with gold teeth. You

0:45:38.200 --> 0:45:41.279
<v Speaker 1>have females that was tatted the fun up, fuck up

0:45:41.440 --> 0:45:44.600
<v Speaker 1>all that hood ass bitches, and that looked good to

0:45:44.680 --> 0:45:47.680
<v Speaker 1>me too. But when I went over here to Side

0:45:47.760 --> 0:45:51.600
<v Speaker 1>Falls in Jersey Village. They wasn't tattered up. They had

0:45:51.719 --> 0:45:55.040
<v Speaker 1>gold teeth. These bitches talked like white girls and they

0:45:55.120 --> 0:45:57.000
<v Speaker 1>was just as thick as the hood bitches. And I

0:45:57.080 --> 0:46:02.520
<v Speaker 1>was just just dip. So let me rephrase that they're

0:46:02.560 --> 0:46:08.239
<v Speaker 1>not batter. Your voice reloaded. Podcasts will be right back

0:46:08.360 --> 0:46:18.839
<v Speaker 1>after the point. Let's let's talk about uh. Let's talk

0:46:18.880 --> 0:46:25.720
<v Speaker 1>about one of your favorite words, bitch m Now, how

0:46:26.120 --> 0:46:30.759
<v Speaker 1>do you reconcile loving using that word so much? I

0:46:30.800 --> 0:46:33.520
<v Speaker 1>mean that word is one of your favorite words. I

0:46:33.560 --> 0:46:36.160
<v Speaker 1>mean it has a dear place in your heart, a

0:46:36.239 --> 0:46:39.600
<v Speaker 1>special place in your heart. How do you reconcile using

0:46:39.640 --> 0:46:43.000
<v Speaker 1>that word and raising two daughters? What? What if? What

0:46:43.000 --> 0:46:45.880
<v Speaker 1>what if? What if? What if? What do you go

0:46:45.960 --> 0:46:50.839
<v Speaker 1>to question? They ask? What if? What if somebody put

0:46:50.840 --> 0:46:54.440
<v Speaker 1>a queue coming your daughter? If your daughters your daughters

0:46:54.440 --> 0:46:58.120
<v Speaker 1>are what nine ten, eleven, eleven, sooner to be eleven

0:46:58.160 --> 0:47:01.440
<v Speaker 1>and twelve eleven twelve, your daughters having in twelve? What

0:47:01.600 --> 0:47:05.400
<v Speaker 1>if your daughter came home and said, chance called me

0:47:05.440 --> 0:47:12.080
<v Speaker 1>a bat? Where you do it? Don't have to be

0:47:12.120 --> 0:47:21.680
<v Speaker 1>a situation where are you hanging around this nigga? Let's

0:47:21.719 --> 0:47:23.440
<v Speaker 1>just be one hunt because like, if a nigga just

0:47:23.520 --> 0:47:27.120
<v Speaker 1>called you a bitch for no reason, why you just

0:47:27.200 --> 0:47:29.400
<v Speaker 1>eating in the cafeteria, I'm gonna have to come to

0:47:29.440 --> 0:47:33.120
<v Speaker 1>the school. But if you are all in this nigga

0:47:33.239 --> 0:47:37.719
<v Speaker 1>face and you know, all on this nigga dick and

0:47:37.760 --> 0:47:41.680
<v Speaker 1>shit and he don't value women, and you notice and

0:47:41.840 --> 0:47:44.200
<v Speaker 1>he called you a bitch, you're talking abody living in

0:47:44.239 --> 0:47:47.440
<v Speaker 1>twelve man. That's when it saw it going down in

0:47:47.480 --> 0:47:53.239
<v Speaker 1>middle school. Shit shit at middle school. I went to

0:47:53.360 --> 0:47:56.719
<v Speaker 1>black middle school on the North Side. I mean, it

0:47:56.800 --> 0:48:04.880
<v Speaker 1>was bitches pregnant in that bitch thirteen twel But anyway, um,

0:48:04.920 --> 0:48:07.640
<v Speaker 1>it would have to be I'd have to know what's

0:48:07.640 --> 0:48:10.239
<v Speaker 1>going on behind it, because if you all on this

0:48:10.320 --> 0:48:17.800
<v Speaker 1>nigga face, you you gotta respect yourself. If this nigga

0:48:17.840 --> 0:48:20.080
<v Speaker 1>calling all the girls around him bitches and you want

0:48:20.080 --> 0:48:22.640
<v Speaker 1>to still hang around this nigga, you're gonna be a

0:48:22.680 --> 0:48:28.920
<v Speaker 1>bit soon. Okay. So see Heaven b King is a daddy,

0:48:28.920 --> 0:48:30.800
<v Speaker 1>You're gonna look at the world a whole lot different.

0:48:30.840 --> 0:48:33.400
<v Speaker 1>You know what I'm saying, Like I put my daughters

0:48:33.440 --> 0:48:36.239
<v Speaker 1>on I talked to him like street niggas from a

0:48:36.400 --> 0:48:40.280
<v Speaker 1>very young age. So nothing. They're not impressed by no nigga,

0:48:40.400 --> 0:48:42.080
<v Speaker 1>none of that shit. You know what I'm saying, Like,

0:48:42.320 --> 0:48:45.640
<v Speaker 1>if your dad is being club guard, you're gonna know

0:48:45.640 --> 0:48:47.920
<v Speaker 1>what the fuck going on at a very young age.

0:48:48.600 --> 0:48:51.480
<v Speaker 1>All these songs I made, they were there. They was

0:48:51.600 --> 0:48:57.319
<v Speaker 1>hearing this ship they were they were there holding one,

0:48:57.400 --> 0:49:03.640
<v Speaker 1>were making the beat the little one. Uh yeah, yeah,

0:49:05.120 --> 0:49:09.440
<v Speaker 1>I'm sitting there saying this. You know. So when they

0:49:09.480 --> 0:49:12.120
<v Speaker 1>get a little older day day, you know, question is

0:49:12.160 --> 0:49:14.680
<v Speaker 1>gonna be asked. And I always explained to them. But

0:49:15.239 --> 0:49:18.200
<v Speaker 1>I tell you what though, you know, uh, I'll be

0:49:18.320 --> 0:49:24.800
<v Speaker 1>a suicide man. And just watching you, like watching watching

0:49:24.880 --> 0:49:29.560
<v Speaker 1>you interact with your daughter, both of them, watching you

0:49:29.600 --> 0:49:32.399
<v Speaker 1>just interact with them, let me know that you were,

0:49:32.800 --> 0:49:36.360
<v Speaker 1>at the very minimum a good dad. You know that

0:49:36.520 --> 0:49:39.400
<v Speaker 1>right there. I'm always impressed by good fathers, you know,

0:49:39.440 --> 0:49:42.319
<v Speaker 1>Like I'm always suppressed by by guys who spend time

0:49:42.360 --> 0:49:45.640
<v Speaker 1>with their children, like quality time with their children. And

0:49:45.719 --> 0:49:48.920
<v Speaker 1>you can tell the ones who really are into their children,

0:49:49.000 --> 0:49:51.359
<v Speaker 1>like like crazy, I could tell. I could tell that.

0:49:51.520 --> 0:49:53.520
<v Speaker 1>I feel like the best dads are the people who

0:49:53.520 --> 0:49:58.120
<v Speaker 1>didn't have one. Oftentimes they are like, yeah, you want

0:49:58.160 --> 0:50:02.400
<v Speaker 1>to be that guy. I'm just like I. I couldn't

0:50:02.400 --> 0:50:04.600
<v Speaker 1>imagine not being in their lives, you know what I'm saying.

0:50:04.640 --> 0:50:08.280
<v Speaker 1>Like my dad, we got cool before he passed away,

0:50:08.320 --> 0:50:11.399
<v Speaker 1>like in um oh three, but he wasn't there at all.

0:50:11.680 --> 0:50:15.000
<v Speaker 1>I say, probably my whole life. I probably seeing this

0:50:15.040 --> 0:50:18.400
<v Speaker 1>guy probably maybe two or three weeks out of my

0:50:18.440 --> 0:50:20.879
<v Speaker 1>whole life if you add up all the different time

0:50:21.000 --> 0:50:23.560
<v Speaker 1>we saw each other, you know what I'm saying. So

0:50:24.239 --> 0:50:26.480
<v Speaker 1>I wasn't feeling that nigga like that. I ain't gonna lie,

0:50:26.560 --> 0:50:30.800
<v Speaker 1>you know. But when um, when I turned eighteen, he

0:50:31.960 --> 0:50:35.400
<v Speaker 1>just he tried to come in my life more and

0:50:36.080 --> 0:50:37.560
<v Speaker 1>talk to me, and I couldn't do num but of of

0:50:37.600 --> 0:50:40.319
<v Speaker 1>respect that, you know, I ain't gonna be no whole

0:50:40.320 --> 0:50:42.880
<v Speaker 1>ass nigga, no nigga fuck you know. You know it

0:50:43.040 --> 0:50:45.759
<v Speaker 1>was you know, I let him try to, you know,

0:50:46.040 --> 0:50:48.880
<v Speaker 1>and we got cool before he passed away, you know

0:50:48.920 --> 0:50:51.520
<v Speaker 1>what I'm saying. But I couldn't. I couldn't put my

0:50:51.600 --> 0:50:54.920
<v Speaker 1>daughters through that and this fucked up ass world we

0:50:55.000 --> 0:50:58.000
<v Speaker 1>in now. Man, you need some male figure to let

0:50:58.080 --> 0:51:02.040
<v Speaker 1>you know what the fuck is going on. Like it's

0:51:02.120 --> 0:51:05.040
<v Speaker 1>it's it's it's rough out here. It was rough back

0:51:05.080 --> 0:51:08.520
<v Speaker 1>in the day. But today man, with them phones. Man,

0:51:08.840 --> 0:51:11.000
<v Speaker 1>you take an ell man. Back in the day, man,

0:51:11.040 --> 0:51:13.120
<v Speaker 1>you can just switch schools. But today man, it's on

0:51:13.160 --> 0:51:17.640
<v Speaker 1>the internet. Man, so you can't run from no l today.

0:51:17.880 --> 0:51:21.480
<v Speaker 1>So you gotta teach them values and things. You know

0:51:21.520 --> 0:51:25.160
<v Speaker 1>what I'm saying, Just like, don't embarrass yourself. You know

0:51:25.200 --> 0:51:28.560
<v Speaker 1>what I'm saying, Like, just you know, because if you

0:51:28.640 --> 0:51:31.200
<v Speaker 1>embarrass yourself, I'm gonna make a song about you, like

0:51:31.239 --> 0:51:35.000
<v Speaker 1>I don't even know you, and it's gonna be on

0:51:35.000 --> 0:51:37.800
<v Speaker 1>the radio. Your kids and your friend's gonna be tiktoking

0:51:37.840 --> 0:51:43.080
<v Speaker 1>to that shit. All that shit. Okay, hypothetically speaking, hypothetically speaking,

0:51:44.520 --> 0:51:50.719
<v Speaker 1>Your daughter comes home, she's I don't know, sixteen years old,

0:51:51.719 --> 0:51:56.799
<v Speaker 1>and she has a guy right behind her. She says, Dad,

0:51:57.600 --> 0:52:01.799
<v Speaker 1>this is my boyfriend. And you look the guy up

0:52:01.880 --> 0:52:06.920
<v Speaker 1>and down. You know, he smelled like weed. He tagged

0:52:06.960 --> 0:52:10.840
<v Speaker 1>it up and his pants are hanging off his ass,

0:52:11.400 --> 0:52:16.960
<v Speaker 1>and he tell you, what's up? Nigga? How you how

0:52:17.000 --> 0:52:19.000
<v Speaker 1>do you respond to that? This is nothing. I wouldn't

0:52:19.040 --> 0:52:21.040
<v Speaker 1>even judge it from his pants hanging out or weed.

0:52:21.040 --> 0:52:23.560
<v Speaker 1>I wouldn't even judge him from that. But what's up? Nigga?

0:52:23.640 --> 0:52:26.399
<v Speaker 1>And get the bitch o what get the fuck out

0:52:26.400 --> 0:52:30.160
<v Speaker 1>of Nigga? What the But then I can't do that

0:52:30.239 --> 0:52:33.960
<v Speaker 1>with women because they will rebel. They will go see it,

0:52:34.120 --> 0:52:37.439
<v Speaker 1>see this nigga and fuck him next week behind your back.

0:52:37.719 --> 0:52:40.320
<v Speaker 1>So it's like you have to instill it in your daughters,

0:52:40.360 --> 0:52:45.280
<v Speaker 1>like I am not. I can't sit here and say

0:52:46.320 --> 0:52:50.000
<v Speaker 1>that my daughters are exempt from any of this. It

0:52:50.080 --> 0:52:51.960
<v Speaker 1>can happen to any of us. You can be the

0:52:52.000 --> 0:52:55.040
<v Speaker 1>best dad and he can still happen to you. All

0:52:55.080 --> 0:52:59.279
<v Speaker 1>I know is that I did everything I could instill.

0:53:00.440 --> 0:53:05.000
<v Speaker 1>Like you hear my songs, so you know in a

0:53:05.040 --> 0:53:09.719
<v Speaker 1>way whatnot to be, like, don't be like my lyrics.

0:53:10.840 --> 0:53:13.160
<v Speaker 1>You know I'm saying in a fucked up ass way.

0:53:13.800 --> 0:53:15.880
<v Speaker 1>You know what I'm saying. Whatever I'm wrapping about, I

0:53:16.000 --> 0:53:18.719
<v Speaker 1>don't do that shit, you know what I'm saying. Like

0:53:18.760 --> 0:53:21.280
<v Speaker 1>it just it is what it is, you know. But

0:53:21.320 --> 0:53:25.640
<v Speaker 1>I um, I never judge a young man for being young.

0:53:25.920 --> 0:53:29.399
<v Speaker 1>You know what I'm saying. Nigga's gonna smoke, They're gonna

0:53:29.560 --> 0:53:33.200
<v Speaker 1>you know, they're gonna sack, They're gonna do all that. Hell,

0:53:33.280 --> 0:53:37.040
<v Speaker 1>you're sixteen, man. It is what it is. What it is.

0:53:37.080 --> 0:53:40.279
<v Speaker 1>But um, certain people you you you know when they

0:53:40.440 --> 0:53:42.279
<v Speaker 1>in the streets. Though, you can look at some of

0:53:42.280 --> 0:53:45.360
<v Speaker 1>them little niggas and be like, let me see this

0:53:45.400 --> 0:53:49.120
<v Speaker 1>nigga Instagram and here holding pistols. Never picture now, Nah,

0:53:49.200 --> 0:53:53.760
<v Speaker 1>that's not no nigga you've been with. You have a

0:53:53.840 --> 0:53:56.280
<v Speaker 1>humorous side of you, but you also have a serious

0:53:56.320 --> 0:54:00.279
<v Speaker 1>side of you. Most people know the humorous out of

0:54:00.320 --> 0:54:02.800
<v Speaker 1>you when you make from making the beats and stuff

0:54:02.800 --> 0:54:06.000
<v Speaker 1>and just being this jolly guy, right, just you know,

0:54:06.120 --> 0:54:10.280
<v Speaker 1>happy gold like a guy. Uh, how do you respond

0:54:10.400 --> 0:54:15.839
<v Speaker 1>when people take you for a joke. Let's say, let's

0:54:15.840 --> 0:54:19.440
<v Speaker 1>say it's a situation you know where you know, I

0:54:19.520 --> 0:54:23.280
<v Speaker 1>don't know you just it's you know, it's a serious

0:54:23.280 --> 0:54:28.240
<v Speaker 1>situation that somebody think thinking that because of what they've

0:54:28.320 --> 0:54:30.920
<v Speaker 1>heard you in the music, they thinking that, you know,

0:54:30.960 --> 0:54:33.560
<v Speaker 1>on the personal side, that's who you are, who you

0:54:33.600 --> 0:54:38.200
<v Speaker 1>know what I don't. I'm not saying it can't happen,

0:54:38.280 --> 0:54:41.840
<v Speaker 1>but I don't have problems like that. I think for

0:54:41.920 --> 0:54:46.120
<v Speaker 1>two reasons. Um. Number one, when you see me in person,

0:54:46.239 --> 0:54:49.239
<v Speaker 1>you see I'm sixty three, you were like, oh man,

0:54:49.239 --> 0:54:52.279
<v Speaker 1>I thought I can whoop that little jolly ass nigga. Man, shit, man,

0:54:53.280 --> 0:54:57.960
<v Speaker 1>I gotta shoot him down man, like the little jolly nigga.

0:54:58.000 --> 0:54:59.759
<v Speaker 1>I thought like that, you know what I'm saying, So

0:55:00.120 --> 0:55:03.560
<v Speaker 1>people they don't don't play with me like that, not

0:55:03.640 --> 0:55:05.160
<v Speaker 1>saying I can't get played with it. But I don't

0:55:05.200 --> 0:55:08.120
<v Speaker 1>have those problems. And another reason, another thing. I don't

0:55:08.160 --> 0:55:12.200
<v Speaker 1>carry myself like that. I don't with a jury. I

0:55:12.280 --> 0:55:16.839
<v Speaker 1>don't flash money like that. I don't, you know, so

0:55:17.760 --> 0:55:19.680
<v Speaker 1>a lot of people when they meet me, they see

0:55:19.719 --> 0:55:22.319
<v Speaker 1>I'm a real ass person. I don't. I don't feel

0:55:22.360 --> 0:55:24.400
<v Speaker 1>like I'm too big to talk to anybody. I have

0:55:24.440 --> 0:55:30.919
<v Speaker 1>a conversation with anybody. I don't um. And most time

0:55:30.960 --> 0:55:34.080
<v Speaker 1>I had the problems with people, it was they just

0:55:34.120 --> 0:55:37.279
<v Speaker 1>wanted me to fuck with them. They just man, b

0:55:37.440 --> 0:55:40.239
<v Speaker 1>king bro weak. I just want you to fuck with me.

0:55:40.239 --> 0:55:42.640
<v Speaker 1>Just listen to my music, bro, just that's all I wanted.

0:55:42.719 --> 0:55:46.560
<v Speaker 1>Bro ain't handle It's like, you know, like it's I

0:55:46.600 --> 0:55:49.439
<v Speaker 1>don't have issues with nobody, you know what I'm saying.

0:55:49.480 --> 0:55:51.080
<v Speaker 1>And this I think because I care. I know how

0:55:51.120 --> 0:55:52.640
<v Speaker 1>to talk to people, you know what I'm saying, how

0:55:53.680 --> 0:55:56.240
<v Speaker 1>to carry myself, you know, And what is the best

0:55:56.280 --> 0:55:59.239
<v Speaker 1>way for somebody to approach you. Who's trying to get

0:55:59.280 --> 0:56:02.120
<v Speaker 1>you to listen to their music or listen to their sound,

0:56:02.320 --> 0:56:05.040
<v Speaker 1>their wraps. What's the best way for them to get

0:56:05.080 --> 0:56:09.200
<v Speaker 1>at you. How about this to anybody approaching any artists,

0:56:10.360 --> 0:56:12.919
<v Speaker 1>just step outside of your own shoes for a little

0:56:12.960 --> 0:56:17.480
<v Speaker 1>while and just put yourself in that position. If somebody

0:56:17.560 --> 0:56:19.799
<v Speaker 1>is taking the ship, they don't want to have a

0:56:19.840 --> 0:56:22.799
<v Speaker 1>conversation with nobody. That just happened to me two weeks ago.

0:56:23.480 --> 0:56:26.879
<v Speaker 1>I was in a restaurant taking the ship. Dude came

0:56:26.880 --> 0:56:30.799
<v Speaker 1>in there, bking B Can I know that I know

0:56:30.840 --> 0:56:32.560
<v Speaker 1>that you up in there? Huh, I saw you walk

0:56:32.680 --> 0:56:35.160
<v Speaker 1>up in there. Bro. You know what I'm saying, Man,

0:56:35.200 --> 0:56:36.919
<v Speaker 1>I just want to let you know now I really

0:56:36.920 --> 0:56:39.400
<v Speaker 1>fuck with what you do for the city, dog, and

0:56:39.480 --> 0:56:41.600
<v Speaker 1>I want you to fuck with my music. I'm not

0:56:41.680 --> 0:56:46.680
<v Speaker 1>saying nothing. I'm just like I'm taking the ship. You know,

0:56:46.680 --> 0:56:49.160
<v Speaker 1>when somebody walk in the bathroom, you you clutch your

0:56:49.160 --> 0:56:51.399
<v Speaker 1>ass cheeks tight. You stop, you stop taking that ship

0:56:51.440 --> 0:56:54.120
<v Speaker 1>because you don't want to hear that bed. So I'm

0:56:54.280 --> 0:56:56.520
<v Speaker 1>already sitting there trying not to let this shit out.

0:56:57.200 --> 0:57:01.640
<v Speaker 1>This nigga talking to me, I'm just like this nigga

0:57:01.719 --> 0:57:07.480
<v Speaker 1>is still When the nigga started to wrap, that's I said.

0:57:07.480 --> 0:57:10.799
<v Speaker 1>I said, I say, say, my nigga, I say, I say,

0:57:10.840 --> 0:57:14.680
<v Speaker 1>I'm trying to take a ship my nigga. All right, man,

0:57:14.800 --> 0:57:18.200
<v Speaker 1>all right, all right, And then he just walked out,

0:57:19.160 --> 0:57:23.400
<v Speaker 1>and I'm just like, but I remember when I was

0:57:23.440 --> 0:57:26.240
<v Speaker 1>a new artist and it was like two thousand nine

0:57:26.440 --> 0:57:29.720
<v Speaker 1>or ten, I probably would have said something made n't

0:57:29.760 --> 0:57:31.720
<v Speaker 1>want to do something when I kind of got out

0:57:31.720 --> 0:57:35.240
<v Speaker 1>the stall or something. You know. So I'm growing too

0:57:37.560 --> 0:57:40.840
<v Speaker 1>saying like but it come with it. It comes with it. Man.

0:57:40.880 --> 0:57:43.960
<v Speaker 1>You can't go to Walmart, man, you can't do normal shit.

0:57:45.000 --> 0:57:46.920
<v Speaker 1>If you go to Walmart, you gotta take pictures with

0:57:47.040 --> 0:57:50.720
<v Speaker 1>damn there everybody in that hole. You gotta you know shit.

0:57:50.880 --> 0:57:54.600
<v Speaker 1>And you start going to Target because it's not as

0:57:54.680 --> 0:57:58.920
<v Speaker 1>ranche I go to Target, Man, start start going to

0:57:59.000 --> 0:58:03.480
<v Speaker 1>some whole food, um, grocery stores. It's the one all

0:58:03.560 --> 0:58:08.920
<v Speaker 1>they you said, whatever, But yeah, man, you know, but people,

0:58:09.040 --> 0:58:11.320
<v Speaker 1>I'm a real approach, approachable person. Man, I'm not an

0:58:11.400 --> 0:58:13.800
<v Speaker 1>ass So how I sit there and have a conversation.

0:58:13.880 --> 0:58:18.120
<v Speaker 1>I ain't with that touching ship though, No, because that

0:58:18.120 --> 0:58:22.080
<v Speaker 1>that that almost escalated Um, I say, around January, I'm

0:58:22.160 --> 0:58:25.800
<v Speaker 1>up in Walgreens and um, a guy walked up on him.

0:58:25.840 --> 0:58:29.120
<v Speaker 1>He was a fan, but he walked up to me,

0:58:29.240 --> 0:58:32.040
<v Speaker 1>touching me. He put his arm around me. What's up?

0:58:32.080 --> 0:58:35.040
<v Speaker 1>Bee king niggat, fuck with you the fuck off of me?

0:58:35.720 --> 0:58:37.760
<v Speaker 1>He's nigga, what the fuck you want to do? I say, Nigga,

0:58:37.880 --> 0:58:41.120
<v Speaker 1>I don't know you. Nigga. You put your arm around me.

0:58:41.880 --> 0:58:45.600
<v Speaker 1>He was like, shit, man, I fuck with your ship though. Man,

0:58:45.720 --> 0:58:48.960
<v Speaker 1>I say, nigga, say that, then you can't just be

0:58:49.080 --> 0:58:53.960
<v Speaker 1>touching people like that so she can escalate quick. You

0:58:54.000 --> 0:58:55.240
<v Speaker 1>know what I'm saying. If you don't know how to

0:58:55.760 --> 0:59:00.280
<v Speaker 1>talk to people and de escalate the situations, how to

0:59:00.320 --> 0:59:04.480
<v Speaker 1>talk to people, you know what I'm saying, because miscommunication,

0:59:04.840 --> 0:59:06.840
<v Speaker 1>it can go left quick. Man. A lot of these

0:59:06.880 --> 0:59:09.840
<v Speaker 1>people that don't like you, they were when they were

0:59:09.840 --> 0:59:12.160
<v Speaker 1>getting dressed to go to the club, they was your fan,

0:59:12.680 --> 0:59:14.800
<v Speaker 1>putting on these shirts and shit, they was your fan.

0:59:14.840 --> 0:59:17.680
<v Speaker 1>They loved you until they walked up to you and

0:59:17.720 --> 0:59:21.840
<v Speaker 1>said the wrong thing and not. He instantly want to

0:59:21.960 --> 0:59:25.240
<v Speaker 1>kill you because you killed the whole perception to you,

0:59:25.240 --> 0:59:27.919
<v Speaker 1>you know what I'm saying. So it's like I try

0:59:27.960 --> 0:59:30.240
<v Speaker 1>to stop that shit. You know what I'm saying, Like,

0:59:31.080 --> 0:59:32.760
<v Speaker 1>I try to stop for it. Get there. You know

0:59:32.800 --> 0:59:35.000
<v Speaker 1>what I'm saying. It's been times I've been the clubs

0:59:35.000 --> 0:59:40.000
<v Speaker 1>and you know what I'm saying. Niggas they mugging you

0:59:40.040 --> 0:59:42.560
<v Speaker 1>and shit. And you know what I'm saying, You get

0:59:42.560 --> 0:59:45.400
<v Speaker 1>through doing your show because you in the city, they

0:59:45.400 --> 0:59:46.920
<v Speaker 1>can get to you. You know what I'm saying, They

0:59:46.920 --> 0:59:49.960
<v Speaker 1>get right past them security niggas and all that. What'

0:59:50.040 --> 0:59:51.600
<v Speaker 1>so b king And I want you to fuck with

0:59:51.680 --> 0:59:54.800
<v Speaker 1>my ship and I say, man, look, I'm gonna be

0:59:54.800 --> 0:59:58.760
<v Speaker 1>one hunter with you. We're in a club. It ain't

0:59:58.760 --> 1:00:05.280
<v Speaker 1>nothing I could do anything. You say that wasn't listening

1:00:05.320 --> 1:00:09.360
<v Speaker 1>to their music. They're ready to go left now because

1:00:09.360 --> 1:00:11.720
<v Speaker 1>you you fucked up the plan they had. They were

1:00:11.720 --> 1:00:14.160
<v Speaker 1>gonna rap to you and you were gonna fuck with

1:00:14.320 --> 1:00:17.320
<v Speaker 1>and he was gonna be like hustling flow and the ship.

1:00:17.480 --> 1:00:20.919
<v Speaker 1>You know what I'm saying. But I had to get

1:00:20.960 --> 1:00:22.920
<v Speaker 1>close to the nigga. I got real close to him,

1:00:22.920 --> 1:00:24.520
<v Speaker 1>so you know I wasn't those like no bitch of

1:00:24.560 --> 1:00:27.000
<v Speaker 1>ass nigga. I said, Hey, I'm gonna be one honey

1:00:27.000 --> 1:00:32.320
<v Speaker 1>with you. My nigga, you don't need to be rapping

1:00:32.360 --> 1:00:36.240
<v Speaker 1>your ship to these rappers anyway, me saying this ain't

1:00:36.280 --> 1:00:38.280
<v Speaker 1>the right time. This to me saying it's not the

1:00:38.360 --> 1:00:40.720
<v Speaker 1>right time, because it ain't. You need to stop saying

1:00:40.720 --> 1:00:42.840
<v Speaker 1>your ship to these rappers anyway, because you're saying your

1:00:42.840 --> 1:00:45.240
<v Speaker 1>ship to these rappers and in six months you hear

1:00:45.280 --> 1:00:48.480
<v Speaker 1>your ship on their ship. Stop rapping to these rappers

1:00:48.520 --> 1:00:52.880
<v Speaker 1>in the club. He goes steal your ship. However, he

1:00:52.960 --> 1:00:55.600
<v Speaker 1>was like, he was like, no, I respected, I respected,

1:00:55.680 --> 1:00:58.120
<v Speaker 1>I appreciate you. You know what I'm saying, fucking with me?

1:00:58.160 --> 1:01:03.160
<v Speaker 1>And shit, I fuck with your ship, Charlotte. For a guy,

1:01:03.360 --> 1:01:06.440
<v Speaker 1>for a guy who meets his idol in the club,

1:01:07.360 --> 1:01:10.520
<v Speaker 1>who is does what that idol does, if he raps,

1:01:10.560 --> 1:01:12.800
<v Speaker 1>if he makes beats. Let's just say he raps, and

1:01:12.880 --> 1:01:17.280
<v Speaker 1>he has an opportunity to approach you. And what is

1:01:17.280 --> 1:01:19.880
<v Speaker 1>the alternative if he can't walk up to you. Because

1:01:19.880 --> 1:01:22.760
<v Speaker 1>a lot of rappers have heard rappers got on by

1:01:22.800 --> 1:01:26.160
<v Speaker 1>walking up to jay Z or this person and spitting

1:01:26.200 --> 1:01:30.880
<v Speaker 1>their bars, what is the best way for them? If

1:01:30.920 --> 1:01:33.880
<v Speaker 1>they can't get you, get at you right there on

1:01:33.920 --> 1:01:36.000
<v Speaker 1>the spot, what's the best way for them? To get

1:01:36.040 --> 1:01:39.520
<v Speaker 1>at you or anybody. When rappers come up to me,

1:01:40.400 --> 1:01:47.320
<v Speaker 1>i'd tell them, real nigga, shit, it's nothing I can

1:01:47.360 --> 1:01:50.040
<v Speaker 1>do for you right now now. If you want to

1:01:50.120 --> 1:01:54.560
<v Speaker 1>picture something that's cool, but you spitting to me and

1:01:54.680 --> 1:01:57.960
<v Speaker 1>all that. This ain't the nineties, bro, ain't no guy

1:01:58.000 --> 1:01:59.760
<v Speaker 1>in the back of the bar and gonna sign you

1:02:00.040 --> 1:02:02.880
<v Speaker 1>had a lack of records, and like this ain't now.

1:02:02.960 --> 1:02:04.880
<v Speaker 1>If they want to make if they if they want

1:02:04.880 --> 1:02:07.440
<v Speaker 1>to get some production that's different. Now. My thing is,

1:02:07.440 --> 1:02:09.120
<v Speaker 1>if y'all want to get a feature or be to

1:02:09.240 --> 1:02:13.040
<v Speaker 1>something that's different, take my number down. Let's get it popping.

1:02:13.760 --> 1:02:16.000
<v Speaker 1>But all that walking up thinking of that I'm going

1:02:16.040 --> 1:02:20.320
<v Speaker 1>to change your life tonight like that, It's not possible,

1:02:20.480 --> 1:02:21.960
<v Speaker 1>you know what I'm saying. Even if I like what

1:02:22.080 --> 1:02:25.160
<v Speaker 1>you're gonna spit, what can I do right now? You

1:02:25.200 --> 1:02:27.640
<v Speaker 1>know what I'm saying, Like I'll be like, man, look,

1:02:28.560 --> 1:02:30.920
<v Speaker 1>don't give your song to me. Give it to a

1:02:31.040 --> 1:02:34.800
<v Speaker 1>DJ that can do something with it. That DJ right

1:02:34.840 --> 1:02:37.680
<v Speaker 1>up there in that booth. Take your song to him,

1:02:38.880 --> 1:02:43.000
<v Speaker 1>you know what I'm saying. Take that song. Get all

1:02:43.040 --> 1:02:46.520
<v Speaker 1>your little nieces and cousins and everything, make all of

1:02:46.560 --> 1:02:50.240
<v Speaker 1>them do tiktoks to this song. A lot of niggas

1:02:50.240 --> 1:02:52.320
<v Speaker 1>they don't want to do the work of this one instant,

1:02:52.640 --> 1:02:54.760
<v Speaker 1>you know what I'm saying. And anything that you tell

1:02:54.840 --> 1:02:57.760
<v Speaker 1>them outside the instant, they take it as Hayden. The

1:02:57.800 --> 1:03:02.040
<v Speaker 1>flip side of that is the women. What's the most

1:03:02.080 --> 1:03:08.200
<v Speaker 1>memorable escalation that you had with a woman in the

1:03:08.240 --> 1:03:12.280
<v Speaker 1>club or just anywhere out in public? The escalation and

1:03:12.360 --> 1:03:16.840
<v Speaker 1>you're like, damn that that changed quick. That The first thing,

1:03:17.240 --> 1:03:19.960
<v Speaker 1>the first thing came in my brain was, Um, two

1:03:20.000 --> 1:03:23.760
<v Speaker 1>thousand and twelve, my manager is my baby mama. You

1:03:23.760 --> 1:03:27.720
<v Speaker 1>know what I'm saying, shot Tatasha. You know what I'm saying, Um,

1:03:27.800 --> 1:03:32.120
<v Speaker 1>she's very club guards sensitive. Because we have children together,

1:03:32.800 --> 1:03:35.880
<v Speaker 1>we protect them and we protect the money. I trust

1:03:36.640 --> 1:03:39.160
<v Speaker 1>and because she would not fuck over me because we

1:03:39.240 --> 1:03:43.000
<v Speaker 1>got kids. We're gonna get this money forever. You know

1:03:43.040 --> 1:03:45.760
<v Speaker 1>what I'm saying. We gotta understand it. We're not together,

1:03:46.320 --> 1:03:48.840
<v Speaker 1>you know what I'm saying, But we have a respect

1:03:48.920 --> 1:03:51.920
<v Speaker 1>for each other, you know what I'm saying. And in

1:03:51.960 --> 1:03:55.560
<v Speaker 1>two thou twelve we were together though, and I was

1:03:55.600 --> 1:03:59.000
<v Speaker 1>in Onyx just when Onyx was still in Dallas, and

1:03:59.040 --> 1:04:04.280
<v Speaker 1>it was it was either Super Bowl or All Star something,

1:04:05.000 --> 1:04:09.360
<v Speaker 1>but Honyx was packed, and I guess this little bit

1:04:09.520 --> 1:04:13.640
<v Speaker 1>wasn't making no money in there, and she was mad.

1:04:13.680 --> 1:04:15.960
<v Speaker 1>So she was just walking through the crowd of people,

1:04:16.000 --> 1:04:19.680
<v Speaker 1>just pushing everybody and pushing them. And I had this

1:04:19.760 --> 1:04:21.840
<v Speaker 1>coca cola because I don't drink. I had this Coca

1:04:21.840 --> 1:04:25.440
<v Speaker 1>cola in my hand. She shoved into me, and the

1:04:25.520 --> 1:04:29.240
<v Speaker 1>ship just spelled all over my damn outfit. I said,

1:04:29.280 --> 1:04:32.160
<v Speaker 1>may need to watch where the fuck you going, nigga.

1:04:32.200 --> 1:04:34.000
<v Speaker 1>Shut the fuck up. I gotta watch where the fuck

1:04:34.080 --> 1:04:36.080
<v Speaker 1>I'm going, nigga. This is my club, nigga. Fuck. She

1:04:36.120 --> 1:04:40.880
<v Speaker 1>put her hand in my face. Before I could even retaliate,

1:04:42.160 --> 1:04:45.280
<v Speaker 1>Tasha just threw her drink in the bitch space boof

1:04:46.040 --> 1:04:49.680
<v Speaker 1>and jump jumped on her and beat her ass. And

1:04:49.920 --> 1:04:53.960
<v Speaker 1>I was just like, that was one of the situations

1:04:53.960 --> 1:04:56.120
<v Speaker 1>I was glad she was there because it was like,

1:04:57.920 --> 1:05:00.520
<v Speaker 1>I'm glad she was there to do something because I couldn't.

1:05:00.560 --> 1:05:02.960
<v Speaker 1>I'm a man. All I could do is yell out

1:05:03.000 --> 1:05:05.120
<v Speaker 1>there and make me look lame. I'm giving this bitch

1:05:05.120 --> 1:05:09.520
<v Speaker 1>attention and shit. But she beat the bitch ass. So

1:05:09.640 --> 1:05:11.760
<v Speaker 1>that was a time in the club where escalated with

1:05:11.800 --> 1:05:16.000
<v Speaker 1>a woman shoutside Tasha. I do not condone violence, but

1:05:16.080 --> 1:05:21.920
<v Speaker 1>I do condone self defense, let retaliation. Let me get

1:05:21.920 --> 1:05:25.840
<v Speaker 1>Atasha her flowers though, because I don't, I don't do interviews.

1:05:26.120 --> 1:05:30.000
<v Speaker 1>You you really do you hit me? So I did this? Yeah,

1:05:30.120 --> 1:05:32.680
<v Speaker 1>my manager Tasha, she won't get a lot of respect

1:05:32.920 --> 1:05:37.360
<v Speaker 1>as she should. We came from the bottom with this shit,

1:05:38.120 --> 1:05:41.360
<v Speaker 1>you know what I'm saying. Nobody gave us a template.

1:05:42.320 --> 1:05:46.520
<v Speaker 1>Nobody sounded like me in oh nine, and we made

1:05:46.520 --> 1:05:49.320
<v Speaker 1>it all the way to the top. I've watched her

1:05:49.400 --> 1:05:55.000
<v Speaker 1>beat up promoters, DJ's strippers and anybody that's played with

1:05:55.040 --> 1:05:57.800
<v Speaker 1>this ship that we built. You know what I'm saying.

1:05:58.400 --> 1:06:03.400
<v Speaker 1>She's a psycho bitch, you know I'm saying. But she's

1:06:03.440 --> 1:06:05.200
<v Speaker 1>one of the only women that I trust, you know

1:06:05.200 --> 1:06:09.960
<v Speaker 1>what I'm saying. And a lot of artists don't get that, managers,

1:06:10.200 --> 1:06:13.280
<v Speaker 1>you know what I'm saying, love and respect, man, They

1:06:13.360 --> 1:06:15.440
<v Speaker 1>just people think it's just the artists and all that

1:06:16.000 --> 1:06:19.840
<v Speaker 1>contracts have to be read. Tasha's Lokia fucking lawyer. When

1:06:19.880 --> 1:06:22.320
<v Speaker 1>I was finding sign to Columbia, you know what I'm saying,

1:06:22.320 --> 1:06:24.400
<v Speaker 1>I had my lawyer looking over the contract and I

1:06:24.400 --> 1:06:27.560
<v Speaker 1>had Tasha looking over the contract. Tasha finished, She finished

1:06:27.560 --> 1:06:32.440
<v Speaker 1>the contract before the lawyer, and the lawyer was like, Tasha,

1:06:32.480 --> 1:06:36.720
<v Speaker 1>you really should practice law because you comb through that

1:06:36.800 --> 1:06:41.520
<v Speaker 1>before and understood everything and brought points and things to

1:06:41.640 --> 1:06:44.600
<v Speaker 1>me before I could finish it. You know what I'm saying,

1:06:44.640 --> 1:06:47.960
<v Speaker 1>So shot to Tasha, man like she's the best manager.

1:06:48.160 --> 1:06:51.960
<v Speaker 1>You know what I'm saying. She was a rapper. She

1:06:52.080 --> 1:06:55.280
<v Speaker 1>quit rapping the manage me. You know what I'm saying,

1:06:55.320 --> 1:06:57.720
<v Speaker 1>So shot to Tasha. Shout out to Tasha and shout

1:06:57.720 --> 1:06:59.680
<v Speaker 1>out to be king for John and to get old

1:06:59.720 --> 1:07:03.080
<v Speaker 1>boys reloaded podcasts. Yes, sir, Yes sir, it's been a thriller.

1:07:03.200 --> 1:07:06.360
<v Speaker 1>Brother's been a thrill. Ain't number leve on my n man.

1:07:06.520 --> 1:07:10.000
<v Speaker 1>You know what I'm saying, Big og, triple og, salute

1:07:10.400 --> 1:07:12.560
<v Speaker 1>to you to get all boys all that. You know

1:07:12.600 --> 1:07:14.480
<v Speaker 1>what I'm saying. You know what, Scott Bet you probably

1:07:14.520 --> 1:07:19.320
<v Speaker 1>remember this my first time ever meeting you. I think

1:07:19.320 --> 1:07:21.360
<v Speaker 1>it's before you had went to jail a little bit

1:07:21.400 --> 1:07:28.000
<v Speaker 1>before that. We was in co Jack Studio. Coajack. Yeah, Coajack.

1:07:28.040 --> 1:07:30.400
<v Speaker 1>You had on like this white dress shirt or something.

1:07:31.120 --> 1:07:34.120
<v Speaker 1>I think we we we were we at his studio

1:07:34.200 --> 1:07:36.520
<v Speaker 1>or was he at my or where were at my studio?

1:07:36.840 --> 1:07:38.480
<v Speaker 1>You know, Jake used to work out of my studio.

1:07:38.560 --> 1:07:41.000
<v Speaker 1>Maybe we was at yours. I know he had this

1:07:41.280 --> 1:07:47.680
<v Speaker 1>purple MPC four thousand and he was saying he had

1:07:47.760 --> 1:07:52.200
<v Speaker 1>these drums from koc Shott to Koca by the prom

1:07:52.240 --> 1:07:54.640
<v Speaker 1>and I remember you. You were sitting on a couch

1:07:56.560 --> 1:07:58.680
<v Speaker 1>and that's the first time I ever saw you and

1:07:58.800 --> 1:08:01.280
<v Speaker 1>met you. I know you. I don't remember that, but

1:08:01.480 --> 1:08:04.120
<v Speaker 1>I don't know who studio it was, but yeah it was.

1:08:04.800 --> 1:08:07.080
<v Speaker 1>I can't remember exactly what. I know it was Cojack there,

1:08:07.320 --> 1:08:14.840
<v Speaker 1>Okaya mog Potner say on them beats going down memory,

1:08:14.920 --> 1:08:18.120
<v Speaker 1>laying on our way out of the door, No more talk.

1:08:20.560 --> 1:08:23.280
<v Speaker 1>This episode was produced by Aking and brought to you

1:08:23.400 --> 1:08:28.160
<v Speaker 1>by The Black Effect Podcast Network and I Heart Radio.