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Speaker 1: Get get boys. It's back and reot it all in

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Speaker 1: your mind. Yeah, and now deep throating. This is for

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Speaker 1: the streets, the real, the relroading, the distant franchise, the

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Speaker 1: truth to escape golding and they ain't knowing we speak

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Speaker 1: the truth, so they ain't quoted because we wrote it.

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Speaker 1: The North South against colds, the g be Mi. We're

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Speaker 1: keeping your head bobbing and it ain't no stopping and

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Speaker 1: wants to be drives head by. And then the system

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Speaker 1: is so corrupted they threw the rock out of their

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Speaker 1: heads and then blame it on us. Don't get it

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Speaker 1: twisted on code and me and dance it for no

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Speaker 1: butterment biscuits. It's Willie d y'all reloaded with another episode

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Speaker 1: of information and instructions to help you navigate through this wild, crazy,

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Speaker 1: beautiful world. In the studio, Old Love justin Riley Boy,

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Speaker 1: hit it with my Facebook name. Hold Love b King

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Speaker 1: is in the building, y'ad man. It's good to see you, bro.

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Speaker 1: Same here man, It's good to see you man. It's

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Speaker 1: good to see your evolution. You appreciate that. Appreciate you

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Speaker 1: you brother have come along ways and that is a

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Speaker 1: good thing. You know. I'm talking affirmatively, you have come

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Speaker 1: along ways in your development as an artist. Show you

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Speaker 1: know you put the work in. You put a lot

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Speaker 1: of work in. Yeah, I used to be mad at

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Speaker 1: my path back in the day, but I appreciate it now,

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Speaker 1: you know what I'm saying. People who come out real

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Speaker 1: hard in the beginning, they fall real fast too, you know.

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Speaker 1: So yeah, mine, I had to at the climb the

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Speaker 1: whole time, you know what I'm saying. But we're up now.

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Speaker 1: Is there still any doubt? But from others, no, I

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Speaker 1: know you never had any doubts. They believe now, I

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Speaker 1: wouldn't say it was ever doubt. It was. I think, Um,

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Speaker 1: for my generation, it was always a weird error we

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Speaker 1: were in. You know what I'm saying. We were right

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Speaker 1: after you know, the Slim and Row and you know

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Speaker 1: what I'm saying. And you know, my generation is you

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Speaker 1: know Propane Kirk, o'bang, just Brittany Dobies. You know, I

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Speaker 1: generation was more of the Internet streaming Houston generation. And

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Speaker 1: with us, you know, we didn't have all the major

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Speaker 1: deals and everything that everybody had before us, you know,

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Speaker 1: but not saying that that made that generation. You know,

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Speaker 1: Houston to me always been underground city, you know what

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Speaker 1: I'm saying. But when you take that underground aspect away,

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Speaker 1: the DJ screws the you know, Michael wattson Run. See,

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Speaker 1: they still entities, but it wasn't like how the underground

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Speaker 1: scene was, you know, with the mixtapes. You know, we

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Speaker 1: had to come out through the Internet and streaming and

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Speaker 1: Twitter and you know stuff like that. You know. So

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Speaker 1: my generation, it was people didn't consider it traditional Houston music,

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Speaker 1: you know what I'm saying. So you know with me,

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Speaker 1: you know, I don't sip serve, I don't do drugs,

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Speaker 1: you know, so in a city where everything slow, I

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Speaker 1: was the only motherfucker with energy, you know what I'm saying.

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Speaker 1: My music was, you know what I'm saying. So a

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Speaker 1: lot of people, you know, they wouldn't consider what I

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Speaker 1: did Houston music, you know. But you look at how

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Speaker 1: everything sounds today from the city. Everything has energy down.

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Speaker 1: Everything's club you know, club based from Houston down. So

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Speaker 1: I could say I did that. I did that is

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Speaker 1: what it is. Yeah, you know what you know, to

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Speaker 1: your point, after Slim and and and Paul Wall and

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Speaker 1: everybody you know did that thing, you know, I mean,

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Speaker 1: your ass and Mike Jones and all of that. It

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Speaker 1: did seem like things kind of kind of like came

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Speaker 1: to a halt almost, and so it took a long time,

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Speaker 1: like you know, really like get that thing, get that

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Speaker 1: thing back. I know, Travis Scott came sometime later, but

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Speaker 1: you know, it was pretty much seemed like it really

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Speaker 1: wasn't any any real activity except for what you and

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Speaker 1: maybe our DJ Chose was doing. Yeah, she had a

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Speaker 1: little bit buzz going on. Krit co'bain was doing this thing.

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Speaker 1: But as far as consistently hearing stuff out there, uh,

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Speaker 1: you were the guy that I heard, you know. And

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Speaker 1: of course zero always putting out, but zero is another error,

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Speaker 1: but zero is all errors. But you know, shout out

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Speaker 1: the man. Yeah, but now for a show man, um consistency.

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Speaker 1: That's always been my thing. You know what I'm saying,

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Speaker 1: Um um no. Shout out to people like JQ No.

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Speaker 1: Nine seventy nine. You know he always helped me, you

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Speaker 1: know what I'm saying through the radio. You know what

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Speaker 1: I'm sating, helping me pick my singles and making sure

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Speaker 1: that they were radio friendly and club you know what

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Speaker 1: I'm saying, even to this day, you know what I'm saying,

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Speaker 1: So yeah, man, I'm check people all the time. You

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Speaker 1: can't compete with the rapper to make his own beats. Man, shit,

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Speaker 1: I'm not gonna fall off ever. Huh yeah, let's talk

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Speaker 1: about that, man. What's what what is the process like

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Speaker 1: to be a rapper and a producer. I've never known

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Speaker 1: that process. I've only known one side and the rapping side.

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Speaker 1: But what's that process like? And how do you mentally switch?

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Speaker 1: You know, Before I get into that, I'll tell you

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Speaker 1: the downside of it. The downside of its. People never

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Speaker 1: truly respect you as a rapper. When people bring that

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Speaker 1: Houston rapper conversation up, they always leave me out when

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Speaker 1: I've had most more success than most of them, plaques

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Speaker 1: all that, you know what I'm saying. But people are

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Speaker 1: never looking at me as a rapper because like probably

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Speaker 1: the club music and you know how play on songs

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Speaker 1: a lot. But when you are our producers, well, people

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Speaker 1: never put doctors ra in their category. Never really put

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Speaker 1: Kanye in that category. Even David Banner is another one,

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Speaker 1: Juicy Jay, my favorite rapper, they don't put him in

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Speaker 1: that category. You know, so you know, but for the

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Speaker 1: most part, to answer your question, you know, it's one

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Speaker 1: of those things where you hear music so much that

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Speaker 1: you know, it's kind of like a Prince and Michael

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Speaker 1: Jackson thing. Like Michael Jackson. People love Michael Jackson for

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Speaker 1: everything he did, and Michael Jackson my favorite too. But Prince.

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Speaker 1: You could put Prince in that studio by himself and

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Speaker 1: he's gonna come out with that hit by hisself. He

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Speaker 1: made the music, everything, sung it, and everything. You know.

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Speaker 1: So for the most part, I think artists like me

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Speaker 1: who make the beats the music too. You just you

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Speaker 1: hear it from his from the beginning to the end.

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Speaker 1: You know, you don't have to look for beat or

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Speaker 1: you know, sometimes I had a beat already and then

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Speaker 1: the idea come from that. Or sometimes I had an

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Speaker 1: idea already from being on a road or something, and

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Speaker 1: I'll make the beat for the idea I have. Either

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Speaker 1: way it go, it's gonna be a bad motherfucking about

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Speaker 1: thirty minutes to beat in the in the rap. Yeah,

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Speaker 1: not to beat in the rap. You can't do the

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Speaker 1: beat beat in the rap in thirty minutes. Well you

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Speaker 1: can it, But to me, they were creating parts easy.

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Speaker 1: It's the mixing, Like I'm mixing mask style my music too,

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Speaker 1: So that's that's what take a week. You did a batting.

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Speaker 1: You you're saying that you have the propencity to make

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Speaker 1: the beat and the rap and within thirty minutes. Yeah,

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Speaker 1: the beat is the easy part. I can make a

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Speaker 1: beat in five minutes. It'll be hard, Yeah, five minutes

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Speaker 1: and then wants to beat playing in the loop. The

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Speaker 1: idea come to you? The hook? You know, you lay

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Speaker 1: that hook down real quick. And you know a club song,

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Speaker 1: you don't need more than eight bars in your verse.

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Speaker 1: So you know, I don't write that bull shit, I'll

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Speaker 1: be saying. So you're going there in freestyle four bars

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Speaker 1: and then stop and think she do that three more times? Shit,

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Speaker 1: the song done. I got a theory why you don't

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Speaker 1: get your respect for being a rapper? Probably I know

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Speaker 1: where you're going with that. I know where you're going

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Speaker 1: with let me see if you know see if you

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Speaker 1: get the lyricism. You know it's intricate and people you

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Speaker 1: know it feels you should write it, and it takes

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Speaker 1: time a thought process because I can really fucking rap.

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Speaker 1: Two people don't understand, like that's what I'm cut from.

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Speaker 1: I'm cut from No Lloyd Banks and push the t

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Speaker 1: and Joe Button, you know, like the O two is

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Speaker 1: show three ish. That's why you know when switchoutse was

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Speaker 1: like right before they got their deal, every I was

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Speaker 1: talking about Mike Jones. I mean I was on Magno Magnificent,

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Speaker 1: you know what I'm saying. That's who I was bumping

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Speaker 1: a Switchouts, you know. But what's your theory? Well, I

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Speaker 1: you know, I appreciate I appreciate you, you know, giving

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Speaker 1: me credit for thinking but being a thinker. But it

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Speaker 1: ain't that deep. I think the reason why you don't

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Speaker 1: get your respect as a rapper is because your name

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Speaker 1: is big King. Well, yeah, you get people think of

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Speaker 1: you as a producer, so you're making beats. So maybe

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Speaker 1: you change your name to rap king. I don't want

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Speaker 1: to smoke with that, and you'll get your get you

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Speaker 1: get your credit as a rapper, you know, and then

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Speaker 1: and then you know, at the end of the day,

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Speaker 1: that's maybe that's maybe that's the name of one of

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Speaker 1: your new albums or sucking be King rap King. The

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Speaker 1: end of the day, man, I don't give a fuck

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Speaker 1: either with it, did I don't? Juicy J is my

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Speaker 1: idol and mentor. I always wanted to be just like him.

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Speaker 1: You know what ship going on? My curd. You don't

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Speaker 1: make beats, Yeah you do. He did, made it all

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Speaker 1: all that three six maia. Shit, him and DJ Paul

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Speaker 1: were making the beats today. Yeah yeah, no, Dj Paul

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Speaker 1: was doing all the ju ja they would make. They

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Speaker 1: were doing it together. Oh yeah. Juicy J's j A

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Speaker 1: a producer. You know. So a lot of those um

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Speaker 1: those big heads, all right, more respect more more more respectful. Man,

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Speaker 1: I ain't know. I already have respect from, but more respect.

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Speaker 1: You know. It's crazy, Like I say, I see what

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Speaker 1: they don't give him, so I can't expect for them

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Speaker 1: to give it to me. They just said a top

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Speaker 1: fifty rappers lists. Mafia was nowhere on that list when

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Speaker 1: the game sounds like them two days even Project Pat

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Speaker 1: Winton on that, you know what I'm saying. So I

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Speaker 1: was just like, you know, shit, I wasn't on the list, man,

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Speaker 1: I wrote, listen bro I wrote most of the GB music.

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Speaker 1: But you know it's hold on, hold on, This is

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Speaker 1: what I'm saying. Ghetto Boys is in most people's top five, ten, twenty,

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Speaker 1: whatever you want to call it. If I wrote most

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Speaker 1: of the music, you know, if I wrote most of

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Speaker 1: the songs the majority of the music. I gotta be somewhere.

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Speaker 1: I got you somewhere, some kind of list or something

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Speaker 1: in a fucked up ass way. You probably not don't

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Speaker 1: like this, just like how pimp see what's on there?

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Speaker 1: But Bun was on there, So we look at it like,

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Speaker 1: all right, pimp, see on there's Bun on there. If

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Speaker 1: you see Faith on there, you're like, all right, let's

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Speaker 1: get a boy. That's the whole conglomerate. That's how I

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Speaker 1: looked at it. They couldn't put groups on there. Let

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Speaker 1: me get you some goddamn glass. I need my goddamn credit, man,

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Speaker 1: I need because we started busting up publishing checks on guard.

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Speaker 1: You know what I'm saying, hey, man, that publish in check.

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Speaker 1: That that that public check. Brad Jordan, my publishers check

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Speaker 1: s W Dennis here c B Jordan. You did what

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Speaker 1: I'm saying? Yeah, I need mine, man. You know it

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Speaker 1: comes with it. Bro. We just gotta dying ship. That

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Speaker 1: should be lame. You know what I'm saying. Once we die,

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Speaker 1: they're like, oh, man, Willie Lee was a genius. He

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Speaker 1: motherfucking mind playing tricks on yeah, ball head, hold he man,

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Speaker 1: why are they doings like that. Man, it'd be like that. Man,

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Speaker 1: people don't want to give it to you when you

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Speaker 1: hear they gotta stand on that. When you're here, they

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Speaker 1: are when you're gone, they'd be like, oh many gone. Man,

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Speaker 1: Now I can say it because ain't that something? You

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Speaker 1: know what I'm saying. It'd be like that. No, I

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Speaker 1: went through that my whole career. It's used to it,

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Speaker 1: you know. It's like that wearing shirts also, like if

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Speaker 1: you wear the shirts of a deceased rapper, Like when

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Speaker 1: a rapper is alive, you would hard to ever, hardly

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Speaker 1: ever catch another rapper wearing his shirt hip hop, but

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Speaker 1: the moment he dies. Hip hop is masculine, you know.

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Speaker 1: It's almost the opposite of hip hop. The word gay.

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Speaker 1: I'm telling you, like, hip hop is so masculine. It's

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Speaker 1: like I could do a show and if it's some

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Speaker 1: other rappers in there, they'd be like, as soon as

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Speaker 1: I leave, man, nigga be came making them hold and

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Speaker 1: I funk with that nigga. Shit. They'll never tell me,

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Speaker 1: you know what I'm saying. So it's like in a

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Speaker 1: room where everybody want to be alpha and masculine. Shit,

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Speaker 1: they they're not gonna wear no shirt or somebody that's alive.

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Speaker 1: But if he die, I ain't I gonna wear it now,

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Speaker 1: ship because I fucked with that nigga shit just like

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Speaker 1: but is that is that masculine? Is that masculinity or

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Speaker 1: is that insecurity? It's insecurity? Insecurity. My big sister just

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Speaker 1: passed away, Gangster boot, you know what I'm saying. And

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Speaker 1: we shouts out to gainst the boost. Beautiful pie Lola,

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Speaker 1: that was my dog. You know what I'm saying. We

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Speaker 1: talk like every damn week. You know what I'm saying

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Speaker 1: together too, right, Yeah, and we always did you work

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Speaker 1: on a new album? Sorry to cut you off? Did

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Speaker 1: you work on a new album? I don't even know

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Speaker 1: if that's real. I'm just being one hunt. I'm seeing

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Speaker 1: all these blogs posts, um she got this what's called

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Speaker 1: Prometheus Promethea or when they when they have an album

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Speaker 1: after they passed some album coming out post postman. Yeah, however,

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Speaker 1: you say, I don't know nothing about that, You know

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Speaker 1: I'm saying. He's saying, Juicy Jay, Juicy Jay ain't working

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Speaker 1: on a gangster Boo album. I'm not working on game.

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Speaker 1: I got enough shit in my hard drive to drop

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Speaker 1: a whole album. You know what I'm saying, Because she

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Speaker 1: we recorded a lot of stuff that never came out,

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Speaker 1: you know what I'm saying, but got off topic. Um,

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Speaker 1: we talked a lot about respect and everything and how

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Speaker 1: people like how she would hear a lot of her

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Speaker 1: flow and a lot of the women to day and

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Speaker 1: a lot of and a lot of them that they

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Speaker 1: never gave credit, never gave credit. And when she passed away,

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Speaker 1: I watching all these rappers and say they loved her,

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Speaker 1: and I'm like, I just wish she could have saw

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Speaker 1: that because we would joke about that shit. You know

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Speaker 1: what I'm saying. Because Gangster Boo, she was an asshole.

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Speaker 1: Like if you knew her, she was very nice, sweet person,

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Speaker 1: but she was an asshole, you know what I'm saying.

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Speaker 1: So she would be roasting a lot of these bitches

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Speaker 1: and shit, a lot of motherfuckers and you know things

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Speaker 1: I never repeat, you know what I'm saying, But you

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Speaker 1: know she would, she would. I wish you could see

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Speaker 1: how much people fucked with her, you know what I'm saying,

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Speaker 1: Like straight up, because her DNA is and a lot

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Speaker 1: of the flow for the women, and I feel like

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Speaker 1: I'm in a way I'm a female rapper, man, Like,

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Speaker 1: let's just be one hundred the music I make. You

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Speaker 1: know what I'm saying, how women gravitate toward it and

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Speaker 1: all that. You know, it is what it is, female rapper, bro,

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Speaker 1: You know what I'm saying. I was just thinking about something.

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Speaker 1: You know, when I you know, when I content guys

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Speaker 1: get a hold of this thing to put it up

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Speaker 1: on social media, that's gonna be a motherfucking became gonna

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Speaker 1: be to make them clicking. Female rapper, man, it is

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Speaker 1: what it is. Man. You you look at like the

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Speaker 1: female rap scene from Texas, it's all club music. They

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Speaker 1: always listening to be king when they was fifteen, fourteen,

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Speaker 1: sixteen years old. And I ain't gonna say no name.

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Speaker 1: When you get the saying name, people take it the

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Speaker 1: wrong way and think you're trying to take credit for

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Speaker 1: somebody's success. And I never do that. We all work

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Speaker 1: real hard to get to where we're at. But it

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Speaker 1: is what it is. You know what I'm saying. And

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Speaker 1: I know what I influenced, you know so, and I'm

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Speaker 1: still here. You know, I ain't like one of niggas

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Speaker 1: that fell off, like man, y'all know, y'a always listening.

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Speaker 1: I got, I got the money, I got the love

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Speaker 1: to respect all that, you know, so I can look

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Speaker 1: at the game now and be like, man, that's it, dope,

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Speaker 1: that's got a boys, reloaded podcasts. We'll be right back

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Speaker 1: after the point. Keen Got the Clubs Too mixtape. You

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Speaker 1: put that out with two thousand and ten two two

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Speaker 1: thousand uh ten yo. Yeah, so that was pretty much

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Speaker 1: our introduction, introduction to you and as a as an artist.

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Speaker 1: The year before that, my first hit was with Candy

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Speaker 1: Red Independent bitches, get up on It, then work. I

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Speaker 1: made that beat and from there people was introduced to

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Speaker 1: my sound. Okay, yeah, all right, all right. And for

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Speaker 1: a long time, man, you were bubbling and then when

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Speaker 1: you dropped that then leave. Yeah, how did that feel? Man?

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Speaker 1: It felt like I m everybody was like, oh man,

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Speaker 1: this is dope, you finally owned, and I'm just like, man,

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Speaker 1: look to me, it was more like an about time feeling,

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Speaker 1: and to a lot of people who were just discovering,

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Speaker 1: I guess it was celebratory for them. To me, I'm like,

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Speaker 1: I've been getting this money, been having big houses, been

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Speaker 1: performing at these radio events all around the country, these

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Speaker 1: stadium I've been doing this. It's just people didn't put

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Speaker 1: the face with the music. I say, when the Cucumbers ship.

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Speaker 1: When I came up with that, that started helping my

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Speaker 1: likeness and people started knowing what I looked like. I

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Speaker 1: had the whole green hair and all. I was real

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Speaker 1: retarded with it back then. But when a song like

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Speaker 1: that comes out, it puts it all together, you know.

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Speaker 1: And for you know a lot of new fans. You know,

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Speaker 1: they came around in twenty twenty during the pandemic and

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Speaker 1: they was like, Man, this new guy b King, this

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Speaker 1: is dope. But I've been out here for ten years

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Speaker 1: before that, you know what I'm saying, And it's nothing

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Speaker 1: like a fan finding out that late to the party.

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Speaker 1: They're like, oh shit. They get on Apple Music, they

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Speaker 1: started looking up all the old shit and like, damn

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Speaker 1: where he made that? Where he made? Throw that ass?

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Speaker 1: Wait he made because a lot of these songs that

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Speaker 1: blew up, they just really remix of what I've done already.

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Speaker 1: You gotta take a song like then leave Me and

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Speaker 1: Queendom Come. We made that already, a song we have

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Speaker 1: called yean about their life. Oh same formula, slow ass,

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Speaker 1: simple ass beat, Girl on the hook, take a song

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Speaker 1: like what me and DJ Chose did with Thick the Thick.

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Speaker 1: We made that already. It's called throw that, the hold

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Speaker 1: up bitch stow that. You know. So when you're around

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Speaker 1: long enough, if you're gonna recycle your shit. And you know,

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00:19:27,200 --> 00:19:30,840
Speaker 1: when I got popping popping, a lot of those new fans,

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00:19:31,600 --> 00:19:33,760
Speaker 1: they went to discovering all the older music and they

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Speaker 1: put it back on TikTok today and a lot of

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Speaker 1: these older songs from my catalog they're turning up today

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Speaker 1: and I'm looking at the Spotify numbers and they're going up.

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00:19:42,200 --> 00:19:44,800
Speaker 1: I'm just like, man, this shit's old as fuck. These

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00:19:44,880 --> 00:19:47,200
Speaker 1: kids were probably seven years old when these songs first

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Speaker 1: came out. Now they twenty years old and it's new

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Speaker 1: to them. So it is what it is. When you

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Speaker 1: think it's fair to say, is it a fair assessment

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Speaker 1: to say that you're Mary Formula? Your main ingredient is

347
00:20:02,440 --> 00:20:07,959
Speaker 1: to keep it simple? Yeah, simplicity sales. Yeah. I learned that, um,

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00:20:09,560 --> 00:20:13,040
Speaker 1: and that was that wasn't an easy transition either, because

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Speaker 1: where I come from, I called myself a young old nigga.

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Speaker 1: I'm thirty eight years old, you know, so I know

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Speaker 1: all about Ghetto Boys CATALOGU. I know about Willie Dee's catalog,

352
00:20:24,280 --> 00:20:29,440
Speaker 1: but I also know about Kake Carbon out of Memphis

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Speaker 1: right now, I know about the Youngest Motherfucker's right now,

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Speaker 1: and I know about the ogs. So it's like the

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Speaker 1: shit I'm cut from. I know what real music is,

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Speaker 1: you know what I'm saying. So when I'm making beats,

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Speaker 1: I want to pack it full of shit, let people

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Speaker 1: know that I'm just that nigga. And I had to

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Speaker 1: learn that people don't give a fuck. Make what's appeas

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Speaker 1: into the ear and where people can listen to and

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Speaker 1: feel good, and it hits the brain quickly, you know

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Speaker 1: what I'm saying. So I started making these simple ass beats. Hey,

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Speaker 1: I just start taking all the sounds out and just

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00:21:09,800 --> 00:21:13,040
Speaker 1: putting drums in that mother's and that's then leave you

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00:21:13,119 --> 00:21:16,320
Speaker 1: number of drums. You know what I'm saying, Just switch

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Speaker 1: the drums up for the verse. Doom doom doom, you

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Speaker 1: know yeah, you know. So with the beats I had,

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Speaker 1: that wasn't an easy transition. And I'm a lyrical person.

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Speaker 1: I can really rap if I want to, but I

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Speaker 1: had to learn that bitches don't want to learn triggerometry

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Speaker 1: in the club. Just make a simple beat that a

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Speaker 1: drunk bitch you like and put a hook on it,

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Speaker 1: that a drunk bitch you like, and you're gonna win

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Speaker 1: every summer. Huh man, let's go back to the early

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Speaker 1: summers when man, what does beat keen originate? Like? At?

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Speaker 1: What where did you grow up? I'm from study wood

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Speaker 1: student offside, right next to right next to exisome okay, uh,

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00:22:01,240 --> 00:22:07,280
Speaker 1: Houston area side. It's Houston Area. Yeah, And I got

379
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Speaker 1: a pot in that named Swift. He's a lawyer. We

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00:22:09,840 --> 00:22:13,040
Speaker 1: call him Swift. That was his hood named Swift. But

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00:22:13,160 --> 00:22:16,320
Speaker 1: he's a lawyer now. And every time we talk about

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Speaker 1: fifth Ward and Studio Ward, I always called it. I

383
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Speaker 1: always say, no, no, good studio Wood man and motherfucker

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Speaker 1: let me jump, you asked? Fifth War? God damn ship

385
00:22:27,880 --> 00:22:31,399
Speaker 1: y'all motherfucker coming book of trying to jump niggas and

386
00:22:31,400 --> 00:22:34,000
Speaker 1: ship man, we're not going for that ship. We don't

387
00:22:34,040 --> 00:22:35,800
Speaker 1: come to. Uh what's the what's the high school with

388
00:22:35,880 --> 00:22:42,520
Speaker 1: big Ward? Start with with W. Not No, it's with

389
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Speaker 1: a W. I can't trying. I went to high school

390
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Speaker 1: in Fifth War. It was an altern of school. I

391
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Speaker 1: went there for like two years. What area on the

392
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Speaker 1: right off the freeway. Where's that fucking weekly? Oh? Weekly? Yeah,

393
00:22:56,600 --> 00:22:59,080
Speaker 1: we didn't come to weekly with smoking ship. You know

394
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Speaker 1: what I'm saying. But one time, one time, I'm gonna

395
00:23:02,960 --> 00:23:06,520
Speaker 1: change a quick story. We get back on track. But uh,

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00:23:06,680 --> 00:23:10,199
Speaker 1: one time we ride in the car and uh, you

397
00:23:10,240 --> 00:23:14,200
Speaker 1: know he was little cheap dude, right, So he wanted

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Speaker 1: me to pay him for gas to go get my car.

399
00:23:17,400 --> 00:23:19,440
Speaker 1: I had to go pick up my car from the shot.

400
00:23:20,080 --> 00:23:25,880
Speaker 1: So he wanted me to give him some gas suck.

401
00:23:26,800 --> 00:23:28,840
Speaker 1: So I was like, man, you try to me for gas.

402
00:23:28,880 --> 00:23:31,080
Speaker 1: He's like yeah, Man, I say, okay, all right, So

403
00:23:31,200 --> 00:23:34,160
Speaker 1: I put you did something that's and asspit for war ship.

404
00:23:37,200 --> 00:23:40,399
Speaker 1: So I put twenty dollars on the corsole. So I

405
00:23:40,480 --> 00:23:43,080
Speaker 1: put twenty dollars on the console and at twenty dollars,

406
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Speaker 1: he left it down right. So when I got out

407
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Speaker 1: the car to go get in my car, take the

408
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Speaker 1: twenty back. I took the twenty back. Man, that's how

409
00:23:54,560 --> 00:23:57,840
Speaker 1: I don't I drive off right. So once I get

410
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Speaker 1: down the street, he called me. He say, man, fifth

411
00:24:02,640 --> 00:24:05,960
Speaker 1: water and shit, you just bro I'm the same way.

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Speaker 1: It don't matter how much how successful I may get

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Speaker 1: a money I may make. I'm still cheap, my nigga, Like,

414
00:24:13,000 --> 00:24:15,680
Speaker 1: I still go to the club. I hate paying a park.

415
00:24:15,720 --> 00:24:19,280
Speaker 1: That's my pet pee. I hate giving you. I hate

416
00:24:19,520 --> 00:24:21,960
Speaker 1: I feel like I'm paying to cut my car off. Man,

417
00:24:22,040 --> 00:24:23,560
Speaker 1: let's just hate my hand in a park, you know.

418
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Speaker 1: So I go to Valet, I give them what they

419
00:24:25,400 --> 00:24:27,880
Speaker 1: fifty dollars whatever, and go to the club. Come back

420
00:24:27,880 --> 00:24:30,120
Speaker 1: and I'm like, man, they didn't let me in, man,

421
00:24:30,560 --> 00:24:33,000
Speaker 1: dress code. Man, so I can get a refund back. Man,

422
00:24:33,280 --> 00:24:37,359
Speaker 1: I just hate paying the park. Yeah, but why do

423
00:24:37,440 --> 00:24:40,560
Speaker 1: you think they get away with that? Dude? Hey man,

424
00:24:40,600 --> 00:24:43,240
Speaker 1: everybody got to eat. I respect it, you respect it.

425
00:24:43,240 --> 00:24:45,760
Speaker 1: It's just I'm a hustler too, So I feel like

426
00:24:45,960 --> 00:24:48,120
Speaker 1: you trying to charge me to cut my car off.

427
00:24:49,000 --> 00:24:50,760
Speaker 1: You know what I don't like. I don't like man.

428
00:24:50,960 --> 00:24:54,920
Speaker 1: I don't like the fact that they do it two

429
00:24:54,960 --> 00:24:58,800
Speaker 1: black people, Like. I think that's a bias because I

430
00:24:58,960 --> 00:25:01,640
Speaker 1: go to white the staff wishments also and they don't

431
00:25:01,720 --> 00:25:04,720
Speaker 1: do that. They don't gouge like that. Like you go

432
00:25:04,760 --> 00:25:09,119
Speaker 1: to the white establishment in Houston, at least game on

433
00:25:09,280 --> 00:25:12,160
Speaker 1: you Like, Yeah, I get to the parking lot, I'll

434
00:25:12,200 --> 00:25:14,560
Speaker 1: be like, now I'm cool with the owner. Well, the

435
00:25:14,600 --> 00:25:17,080
Speaker 1: owner doesn't run the parking lots. It's two different entities,

436
00:25:17,119 --> 00:25:19,120
Speaker 1: so that the parking lot is owned by somebody how

437
00:25:19,520 --> 00:25:23,240
Speaker 1: how but it is what it is, and they're gonna

438
00:25:23,240 --> 00:25:25,000
Speaker 1: eat off of that. And if you if you're driving

439
00:25:25,000 --> 00:25:29,040
Speaker 1: them cars, them real cards, you're gonna you're going back.

440
00:25:29,320 --> 00:25:31,440
Speaker 1: I just let me finish my point I was gonna

441
00:25:31,480 --> 00:25:35,360
Speaker 1: make first, but I was saying that you know, uh,

442
00:25:35,440 --> 00:25:39,840
Speaker 1: you go to these uh you go to these uh

443
00:25:40,000 --> 00:25:42,960
Speaker 1: white establishments or any other establishment. You know, the most

444
00:25:43,000 --> 00:25:47,560
Speaker 1: you probably pay the park is primarily white established, but

445
00:25:47,720 --> 00:25:52,240
Speaker 1: it's probably twenty bucks. But when it comes to a

446
00:25:52,359 --> 00:25:57,200
Speaker 1: spot that's primarily black patrons, man, you're talking twenty to

447
00:25:57,280 --> 00:26:00,840
Speaker 1: park in the back, you know. And so everything is

448
00:26:01,000 --> 00:26:04,120
Speaker 1: depending on your car. The car that you're driving depends

449
00:26:04,119 --> 00:26:06,959
Speaker 1: on how high they go put up. So I just

450
00:26:07,040 --> 00:26:10,960
Speaker 1: bought my son a wagon, right, uh huh. So I

451
00:26:11,080 --> 00:26:13,000
Speaker 1: told my seed dropping a hundred if you're going to

452
00:26:13,080 --> 00:26:15,600
Speaker 1: the club, yeah, I told him, I say, But I say,

453
00:26:15,680 --> 00:26:18,119
Speaker 1: you know, I said, you got your valet, your money ready,

454
00:26:18,560 --> 00:26:22,439
Speaker 1: because uh, they gonna hit you up every time you

455
00:26:22,560 --> 00:26:25,280
Speaker 1: valet you finn to pay a hundred dollars at least

456
00:26:25,320 --> 00:26:28,080
Speaker 1: one hundred dollars and that's Houston price. Yeah, Atlanta, you're

457
00:26:28,080 --> 00:26:32,280
Speaker 1: getting hit. Yeah, man, I said, like All Stars happening

458
00:26:32,359 --> 00:26:36,800
Speaker 1: or something, some game or something something going on. In time,

459
00:26:36,840 --> 00:26:39,560
Speaker 1: I'll be feeling disrespected, though, bro I feel different. I

460
00:26:39,560 --> 00:26:43,479
Speaker 1: hate paying the part. You know, I have thousands of

461
00:26:43,480 --> 00:26:47,040
Speaker 1: dollars in my pocket when I try to talk them down.

462
00:26:47,119 --> 00:26:49,680
Speaker 1: But what I don't like. What I don't like, dog,

463
00:26:49,840 --> 00:26:53,720
Speaker 1: is that the fact that they that they bias. Like

464
00:26:53,840 --> 00:26:56,119
Speaker 1: I said, I go to the other establishments and they

465
00:26:56,119 --> 00:26:58,760
Speaker 1: don't do that, but they do it to us. And

466
00:26:58,800 --> 00:27:01,399
Speaker 1: I you know, you know, hey, man, back when I

467
00:27:01,480 --> 00:27:03,840
Speaker 1: was broke, I used to get them counterfeit money, you know,

468
00:27:05,040 --> 00:27:07,520
Speaker 1: so you feel like facts change ain't robbery. They're trying

469
00:27:07,520 --> 00:27:11,919
Speaker 1: to get you like everybody on YouTube. Yeah, and I

470
00:27:11,960 --> 00:27:14,199
Speaker 1: guess you know, I guess you can't can't blame them

471
00:27:14,280 --> 00:27:17,080
Speaker 1: right back at my club eight Mile Days, Yeah, I

472
00:27:17,119 --> 00:27:19,639
Speaker 1: guess you can't blame them. If if black people are

473
00:27:19,680 --> 00:27:22,400
Speaker 1: dumb enough to pay the price, then you know, hey,

474
00:27:22,560 --> 00:27:25,960
Speaker 1: it is what it is. Huh Man's At the end

475
00:27:26,000 --> 00:27:30,800
Speaker 1: of the day, niggas is gonna pay that shit because

476
00:27:30,840 --> 00:27:33,360
Speaker 1: they want their car in the front anyway so they

477
00:27:33,359 --> 00:27:36,040
Speaker 1: can get them bitches. You know, I think it's bigger

478
00:27:36,040 --> 00:27:38,760
Speaker 1: than that. I know that when like when I valet,

479
00:27:39,359 --> 00:27:41,320
Speaker 1: I valet because I want my car to be safe.

480
00:27:41,320 --> 00:27:43,080
Speaker 1: I valet for safe to you know what I'm saying.

481
00:27:43,400 --> 00:27:46,800
Speaker 1: I don't want to come out and some my window

482
00:27:47,359 --> 00:27:50,439
Speaker 1: and I gotta I got the inconvenience of pain, even

483
00:27:50,480 --> 00:27:53,000
Speaker 1: though it's not it's it's it's a little money just

484
00:27:53,040 --> 00:27:57,919
Speaker 1: to fix a window, but the hal it's the inconvenience.

485
00:27:58,000 --> 00:28:00,119
Speaker 1: And they know that and ain't gonna be nothing. Then

486
00:28:00,119 --> 00:28:02,080
Speaker 1: they ain't gonna steal nothing out of the car. I

487
00:28:02,760 --> 00:28:05,360
Speaker 1: never keep any valuables in my car, so that never

488
00:28:05,400 --> 00:28:08,480
Speaker 1: get anything out of it. But it's just inconvenienced. But

489
00:28:08,640 --> 00:28:12,679
Speaker 1: see that's just niggas and not niggas, it's just black people.

490
00:28:13,400 --> 00:28:17,959
Speaker 1: Because you'll go to a black restaurant and four wings

491
00:28:18,240 --> 00:28:24,879
Speaker 1: and a soda. It's eighty dollars plus at tax, and

492
00:28:25,040 --> 00:28:30,800
Speaker 1: you just fifty to park and tax gratuity and extra gratuity.

493
00:28:30,920 --> 00:28:32,840
Speaker 1: And you didn't pay the hundred to park. You didn't

494
00:28:32,880 --> 00:28:35,879
Speaker 1: drop two hundred dollars for three wings. It's like trying

495
00:28:35,880 --> 00:28:38,840
Speaker 1: to support black people. Just it is what it is.

496
00:28:38,920 --> 00:28:42,400
Speaker 1: You know, so that's a cold game right there. Man.

497
00:28:42,600 --> 00:28:45,280
Speaker 1: I wouldn't know anything about chicken wings though. I've just

498
00:28:45,320 --> 00:28:51,280
Speaker 1: lost thirty three pounds, so yeah, thirty three pounds, Yeah

499
00:28:51,760 --> 00:28:58,680
Speaker 1: on guard thirty three pounds man, So what what's your

500
00:28:58,720 --> 00:29:01,840
Speaker 1: what's your weight target? I ain't trying to be skinny, man,

501
00:29:01,880 --> 00:29:04,200
Speaker 1: I wouldn't even be attractive skinny. I ain't. I couldn't

502
00:29:04,200 --> 00:29:06,800
Speaker 1: even be skinny. I'm trying to lose by thirty more

503
00:29:06,800 --> 00:29:09,440
Speaker 1: pounds and I'll be good. Yeah, I'll be good, man.

504
00:29:09,480 --> 00:29:13,160
Speaker 1: I just I just want to be healthier. Man. Shit, Man,

505
00:29:13,360 --> 00:29:16,240
Speaker 1: I feel better. You know I can perform on stage.

506
00:29:16,280 --> 00:29:20,880
Speaker 1: You're better, confident, more confident. Um, you know, you start

507
00:29:21,200 --> 00:29:24,880
Speaker 1: knocking on that forty door, your body start doing weird shit,

508
00:29:25,040 --> 00:29:30,080
Speaker 1: your chief start falling out. Uh yeah, your cheeth not

509
00:29:30,120 --> 00:29:32,600
Speaker 1: gonna fall out for no reason? Well yeah, if you

510
00:29:32,840 --> 00:29:35,560
Speaker 1: ate candy your whole life, like you know what I'm saying,

511
00:29:35,720 --> 00:29:38,560
Speaker 1: Like you ate candy and drink soda and all that,

512
00:29:38,760 --> 00:29:42,960
Speaker 1: and you know you, um, you start getting these high

513
00:29:43,000 --> 00:29:46,680
Speaker 1: blood pressure headaches for no reason, and your heart start

514
00:29:46,720 --> 00:29:49,240
Speaker 1: doing a little jumping bullshit and you laying down. You

515
00:29:49,280 --> 00:29:51,959
Speaker 1: ain't even doing nothing. You just laying down and your

516
00:29:52,000 --> 00:29:55,560
Speaker 1: heart beating fast. You like, know, man, I ain't get

517
00:29:55,560 --> 00:29:59,080
Speaker 1: to this point and this success to die. What was

518
00:29:59,080 --> 00:30:02,320
Speaker 1: it for? You know what I'm saying. So it's like,

519
00:30:02,400 --> 00:30:04,440
Speaker 1: let me try to do something about it, you know. So, Um,

520
00:30:05,560 --> 00:30:07,560
Speaker 1: I hate going to the gym, so I bought everything

521
00:30:07,600 --> 00:30:11,320
Speaker 1: in the garage. So I live weights three times a

522
00:30:11,360 --> 00:30:15,360
Speaker 1: week and I try to walk for an hour every day,

523
00:30:15,520 --> 00:30:17,400
Speaker 1: you know what I'm saying. And I changed my eating

524
00:30:17,440 --> 00:30:22,760
Speaker 1: habits too, and that's how I did it. How were

525
00:30:22,800 --> 00:30:25,280
Speaker 1: you growing up? Like you grew up with your mom

526
00:30:25,320 --> 00:30:29,440
Speaker 1: and dad? Where was the family? Me and my mom? Um?

527
00:30:30,280 --> 00:30:33,640
Speaker 1: My little brother came when I was around nine, you know,

528
00:30:33,880 --> 00:30:36,160
Speaker 1: but I was the only child till like nine years old,

529
00:30:36,760 --> 00:30:41,680
Speaker 1: and we stayed in study Wood, small ass house, um

530
00:30:43,400 --> 00:30:47,680
Speaker 1: in the hood. Uh that's probably why I am scared

531
00:30:47,680 --> 00:30:50,440
Speaker 1: of roaches to this day. You know, I'm saying, don't

532
00:30:50,440 --> 00:30:52,640
Speaker 1: matter how I clean your house was, if your house

533
00:30:52,720 --> 00:30:55,080
Speaker 1: was on bricks, like you was gonna see roaches and rats.

534
00:30:55,720 --> 00:31:01,760
Speaker 1: There's no way around that shit. But yeah, but I

535
00:31:02,120 --> 00:31:05,640
Speaker 1: said I wouldn't know gangster though. Like, um, my mom

536
00:31:05,880 --> 00:31:08,040
Speaker 1: was a good person. She raised me the right way.

537
00:31:08,120 --> 00:31:12,160
Speaker 1: You know so all my partners that was gangster and shit,

538
00:31:13,280 --> 00:31:15,760
Speaker 1: our people going to their house and seeing how their

539
00:31:15,800 --> 00:31:19,200
Speaker 1: mama was, their daddy was. And that's why I ain't

540
00:31:19,280 --> 00:31:22,880
Speaker 1: like y'all ain't hating nothing because we're gonna beat somebody

541
00:31:22,920 --> 00:31:26,160
Speaker 1: up together, you know. But yeah, y'all, nigga savage, I'm

542
00:31:26,200 --> 00:31:32,600
Speaker 1: not say like, you know, you need to be in

543
00:31:32,640 --> 00:31:36,520
Speaker 1: the movies, right man, you got you got that persona

544
00:31:36,600 --> 00:31:43,160
Speaker 1: man like seas all that. I'm a hood nigga. I

545
00:31:43,560 --> 00:31:46,640
Speaker 1: ain't know gangster though, Like you know, it ain't that

546
00:31:46,720 --> 00:31:49,320
Speaker 1: wrong with being a gangster. You know, some people ain't

547
00:31:49,320 --> 00:31:51,760
Speaker 1: got they just gonna be a gangster. That's what they

548
00:31:51,880 --> 00:31:54,400
Speaker 1: have to be. I don't know. I think I think

549
00:31:54,440 --> 00:31:57,000
Speaker 1: a better message. It is something wrong with being a

550
00:31:57,000 --> 00:32:00,880
Speaker 1: gangster because to get a good gangster lifestyle, you know,

551
00:32:00,920 --> 00:32:03,320
Speaker 1: and I've been a gangster, you know, like the gangster

552
00:32:03,400 --> 00:32:07,920
Speaker 1: lifestyle doesn't have a great retirement plan. But you know

553
00:32:07,960 --> 00:32:10,440
Speaker 1: what you're speaking from, nigga that made it to the

554
00:32:10,480 --> 00:32:16,480
Speaker 1: retirement plan. See, when you're younger, the the bitches only

555
00:32:16,480 --> 00:32:21,000
Speaker 1: want the gangster is younger women. You know what I'm saying,

556
00:32:21,000 --> 00:32:23,160
Speaker 1: that nice guy is not getting no pussy at all.

557
00:32:24,040 --> 00:32:27,800
Speaker 1: But that gangster that's going to juvenile and shit, no,

558
00:32:28,240 --> 00:32:31,320
Speaker 1: he's fucking all the bitches in the apartments. What's about

559
00:32:31,360 --> 00:32:35,280
Speaker 1: being rebellious? I think, yeah, you think young people, the

560
00:32:35,400 --> 00:32:40,800
Speaker 1: youth wants just by nature rebellious. And that's no matter

561
00:32:40,880 --> 00:32:44,600
Speaker 1: what generation that is. Its transcends generations. You know. For sure.

562
00:32:44,960 --> 00:32:48,920
Speaker 1: Young people are just like rebellion. And that's why when

563
00:32:48,960 --> 00:32:51,320
Speaker 1: they get to be a certain age, they go trying

564
00:32:51,320 --> 00:32:54,280
Speaker 1: to clean up everything because that shit got they got

565
00:32:54,280 --> 00:32:56,160
Speaker 1: a time limit on it. Man. You can't do that

566
00:32:56,200 --> 00:32:59,760
Speaker 1: ship forever, man, and then you're gonna run to a nigga.

567
00:32:59,800 --> 00:33:03,320
Speaker 1: That's about that, just like you. You know what I'm saying.

568
00:33:03,360 --> 00:33:09,120
Speaker 1: What happened then because your reputation procedes you. Also, so

569
00:33:09,160 --> 00:33:13,239
Speaker 1: it's somebody why you being active. It's somebody watching you

570
00:33:13,320 --> 00:33:16,520
Speaker 1: being active, and they're thinking, like, yeah, sooner or later,

571
00:33:16,600 --> 00:33:18,680
Speaker 1: he's gonna try me. Soon or later, I'm gonna have

572
00:33:18,720 --> 00:33:20,600
Speaker 1: to deal with that guy. And they already not already

573
00:33:20,640 --> 00:33:22,760
Speaker 1: not a deal, they're already plotting on you, Yeah, because

574
00:33:22,800 --> 00:33:27,040
Speaker 1: they've been watching you be active. Yeah. Man, So you

575
00:33:27,200 --> 00:33:30,520
Speaker 1: did you get into any fights as a kid, Yeah,

576
00:33:30,600 --> 00:33:32,520
Speaker 1: I got um, I got into a lot of fights

577
00:33:32,560 --> 00:33:35,720
Speaker 1: as a kid. Um and what were these fights? Primarily

578
00:33:35,760 --> 00:33:44,880
Speaker 1: over these fights, Man, disrespect the number one thing for niggas.

579
00:33:44,880 --> 00:33:51,480
Speaker 1: Somebody somebody playing as you know people, you know, niggas

580
00:33:51,520 --> 00:33:54,040
Speaker 1: just gonna fuck with you. They're gonna try you. Maybe

581
00:33:54,880 --> 00:33:58,080
Speaker 1: we ain't got money like that. And everybody got Jordan's

582
00:33:58,120 --> 00:34:03,520
Speaker 1: but I got George ash Or you know everybody. You

583
00:34:03,520 --> 00:34:06,680
Speaker 1: know what I'm saying. Their mama taking them to the

584
00:34:06,720 --> 00:34:09,080
Speaker 1: mall to get their school clothes. And then I had

585
00:34:09,120 --> 00:34:12,040
Speaker 1: to go to Winners. You know what I'm saying, Shit

586
00:34:12,200 --> 00:34:14,400
Speaker 1: like that. You know what I'm saying, better than we

587
00:34:14,440 --> 00:34:16,680
Speaker 1: had to go. We had to Winners was lit. So

588
00:34:17,000 --> 00:34:19,920
Speaker 1: we we had Winners sometimes, but other times and for

589
00:34:19,960 --> 00:34:22,040
Speaker 1: those who you don't know, Winners was a department store.

590
00:34:22,080 --> 00:34:25,640
Speaker 1: But uh but you know that was other times. We

591
00:34:25,680 --> 00:34:28,960
Speaker 1: had to use vouchers. Man, we had these vouchers and

592
00:34:29,040 --> 00:34:32,000
Speaker 1: go to like Salvation Army, that kind of stuff. I

593
00:34:32,000 --> 00:34:35,960
Speaker 1: went through that that you'd be lucky you find some something,

594
00:34:36,200 --> 00:34:38,879
Speaker 1: some night shoes and Salvation Army, but they have brand

595
00:34:38,920 --> 00:34:42,239
Speaker 1: new things now. It's lit. Nah. It's just like how

596
00:34:43,560 --> 00:34:46,400
Speaker 1: how food samp City is today. Back in the day,

597
00:34:46,719 --> 00:34:49,440
Speaker 1: you cannot get no name brand shit. Yeah. Before we

598
00:34:49,480 --> 00:34:51,239
Speaker 1: had to get that shit at the bottom, we had

599
00:34:51,239 --> 00:34:53,640
Speaker 1: to get appleed apples and not apple jacks. You know

600
00:34:53,680 --> 00:34:57,080
Speaker 1: what I'm saying. But today you can ball out with

601
00:34:57,120 --> 00:35:00,200
Speaker 1: the motherfucker with food stamps. Today you could buy anything. Man.

602
00:35:00,239 --> 00:35:01,800
Speaker 1: I was. I was in the store a couple of

603
00:35:01,840 --> 00:35:04,120
Speaker 1: weeks ago, and I saw what it is the EBT

604
00:35:04,320 --> 00:35:08,359
Speaker 1: card where it was showing that you could buy like

605
00:35:08,520 --> 00:35:13,120
Speaker 1: lobster and oh ship, that kind of stuff. I'm like, yeah,

606
00:35:13,200 --> 00:35:16,839
Speaker 1: shit different, I remember. I don't know how it is now,

607
00:35:16,960 --> 00:35:20,480
Speaker 1: but I remember them food sound like that. The one

608
00:35:20,520 --> 00:35:23,120
Speaker 1: dollar food stamp was great, or the five dollar one

609
00:35:23,200 --> 00:35:26,160
Speaker 1: was brown and shit and it should have liked Monopoly money.

610
00:35:26,200 --> 00:35:27,839
Speaker 1: To me, I thought the ship was actually flying. I said,

611
00:35:27,840 --> 00:35:29,480
Speaker 1: we don't, we don't need real money. We could use

612
00:35:29,520 --> 00:35:32,719
Speaker 1: this ship, all right. But when she was like, we

613
00:35:32,760 --> 00:35:35,319
Speaker 1: can't get craft cheese, we have to get this this

614
00:35:36,000 --> 00:35:38,160
Speaker 1: trash ass ship, I was like, Okay, I don't like

615
00:35:38,239 --> 00:35:41,320
Speaker 1: this ship. Did you? Were you ever in the store

616
00:35:42,200 --> 00:35:44,759
Speaker 1: with with the food stamps and waited to somebody to lead,

617
00:35:45,120 --> 00:35:48,000
Speaker 1: waited to other people left my mom. She didn't care

618
00:35:48,080 --> 00:35:50,439
Speaker 1: like that, you know what I'm saying. You you never

619
00:35:50,760 --> 00:35:53,200
Speaker 1: went to the store food stamps. Well I would. I

620
00:35:53,239 --> 00:35:55,319
Speaker 1: would stand next to her when she did it. You

621
00:35:55,320 --> 00:35:58,919
Speaker 1: know what I'm saying, Um, Yeah, I ain't you got

622
00:35:58,960 --> 00:36:02,040
Speaker 1: off easy. My mama used to send us to the

623
00:36:02,160 --> 00:36:05,279
Speaker 1: store with the food stamps, and so we got the

624
00:36:05,280 --> 00:36:09,279
Speaker 1: food stamps and we're waiting like so we try to

625
00:36:09,280 --> 00:36:12,120
Speaker 1: spend the food stamps quickly before somebody comes in the

626
00:36:12,120 --> 00:36:16,680
Speaker 1: store who recognizes us. I think my mama tried. They

627
00:36:16,840 --> 00:36:19,799
Speaker 1: later on they wouldn't let kids do it. Yeah, I

628
00:36:19,840 --> 00:36:22,000
Speaker 1: think my mama tried. They had me do that Croakers

629
00:36:22,040 --> 00:36:25,000
Speaker 1: one time. Now, what was the sh Apple tree back then?

630
00:36:26,360 --> 00:36:28,920
Speaker 1: Now for any of you out there now, for any

631
00:36:28,960 --> 00:36:31,239
Speaker 1: of you out there who might be on some bs.

632
00:36:31,320 --> 00:36:35,960
Speaker 1: My mama worked, so we had web fast to subsidize

633
00:36:36,040 --> 00:36:39,200
Speaker 1: or income. My mama worked five days a week for

634
00:36:39,239 --> 00:36:42,040
Speaker 1: the for the Houston Independent School District as a cook.

635
00:36:44,880 --> 00:36:48,759
Speaker 1: My mom was a teacher. She worked for HUD. Yeah,

636
00:36:48,880 --> 00:36:52,120
Speaker 1: we were still bro That's what it would hit me.

637
00:36:52,360 --> 00:36:56,160
Speaker 1: I remember being like in middle school, like college Jane

638
00:36:56,200 --> 00:37:01,480
Speaker 1: all that, it's dope if it's a two income household.

639
00:37:01,680 --> 00:37:06,440
Speaker 1: But my mama got two kids, a master's degree and

640
00:37:06,520 --> 00:37:11,760
Speaker 1: as a teacher, and we still broke. Well, y'all broke.

641
00:37:12,320 --> 00:37:19,000
Speaker 1: We wouldn't we wasn't I say this because she she

642
00:37:20,120 --> 00:37:24,360
Speaker 1: worked her ass off. She would teach during the week,

643
00:37:25,880 --> 00:37:30,760
Speaker 1: she was a real estate agent. She played piano at church,

644
00:37:30,800 --> 00:37:33,920
Speaker 1: three different churches on Sundays to get through different checks

645
00:37:33,920 --> 00:37:37,520
Speaker 1: from through different churches. You know. So she brought a

646
00:37:37,560 --> 00:37:43,160
Speaker 1: lot of money in, but it just wasn't enough like that,

647
00:37:43,800 --> 00:37:46,560
Speaker 1: you know what I'm saying. She always Now I'm like,

648
00:37:46,680 --> 00:37:50,080
Speaker 1: I know she had a drug habit. She wasn't shrink,

649
00:37:50,880 --> 00:37:53,320
Speaker 1: she been doing nothing of that. But for the most

650
00:37:53,360 --> 00:37:59,560
Speaker 1: part she she always and with my child support money,

651
00:37:59,680 --> 00:38:02,360
Speaker 1: my my little brother, charl support money. It was just

652
00:38:02,480 --> 00:38:05,200
Speaker 1: always just enough for the bills and a car note

653
00:38:05,480 --> 00:38:10,239
Speaker 1: and a light bill. And you know, yeah, did any

654
00:38:10,280 --> 00:38:14,839
Speaker 1: of the utilities ever get turned off? No, did y'all

655
00:38:14,840 --> 00:38:20,399
Speaker 1: ever get evicted? No shit, y'all rich by y'all y'all

656
00:38:20,480 --> 00:38:22,960
Speaker 1: was good? You did you know? Mamma did good? How

657
00:38:22,960 --> 00:38:24,800
Speaker 1: many how many of you are? Was it? It was

658
00:38:24,840 --> 00:38:28,279
Speaker 1: too It was too like I never I never tried

659
00:38:28,280 --> 00:38:32,160
Speaker 1: to credit her like we was just fucked up. But

660
00:38:32,280 --> 00:38:34,719
Speaker 1: I think my mama understood the system. She was like

661
00:38:34,760 --> 00:38:39,719
Speaker 1: all right, Well, I can get these food stamps over here,

662
00:38:39,800 --> 00:38:42,320
Speaker 1: said that freeze up this money for this. If I

663
00:38:42,480 --> 00:38:45,279
Speaker 1: played piano piano at these churches, then that would be

664
00:38:45,280 --> 00:38:48,479
Speaker 1: the food money for the week. If I can sell

665
00:38:48,520 --> 00:38:53,000
Speaker 1: a house in there, then maybe he can get some

666
00:38:53,120 --> 00:38:56,440
Speaker 1: Jordans or something. You know what I'm saying, Like we

667
00:38:56,480 --> 00:38:58,680
Speaker 1: would be in the hood, but I had Nintendo Super,

668
00:38:58,719 --> 00:39:03,680
Speaker 1: Nincendo Genesis and all that. Man, what you headed here,

669
00:39:03,680 --> 00:39:07,760
Speaker 1: everybody came to you got it the good life meals,

670
00:39:07,880 --> 00:39:10,560
Speaker 1: y'all didn't get the phone turned off. That's why I

671
00:39:10,600 --> 00:39:13,480
Speaker 1: tell people that there are good people in that that

672
00:39:13,640 --> 00:39:18,080
Speaker 1: are in the hood, who are law abiding citizens, who

673
00:39:18,080 --> 00:39:22,920
Speaker 1: work every day and who are just genuinely good people.

674
00:39:23,280 --> 00:39:25,759
Speaker 1: I know a lot of any more people. There are

675
00:39:25,960 --> 00:39:29,200
Speaker 1: more of those type of people in the hood than

676
00:39:29,280 --> 00:39:32,160
Speaker 1: that are, not for sure, but you know how they

677
00:39:32,239 --> 00:39:35,520
Speaker 1: like to spend the narrative. Yeah, that that should always

678
00:39:35,520 --> 00:39:38,000
Speaker 1: been good for to me. Like my thing is, I'm

679
00:39:38,000 --> 00:39:43,120
Speaker 1: from the hood. We we were broke, but my mom

680
00:39:43,200 --> 00:39:46,880
Speaker 1: made sure that I didn't notice. You know what I'm saying,

681
00:39:46,960 --> 00:39:50,520
Speaker 1: like it, I know we'd be moving from here to here,

682
00:39:50,680 --> 00:39:53,400
Speaker 1: and you know what I'm saying, and certain things that

683
00:39:53,520 --> 00:39:56,400
Speaker 1: happen and all that, But for the most part, she

684
00:39:56,600 --> 00:39:59,960
Speaker 1: tried to make sure I had things that I wanted,

685
00:40:00,360 --> 00:40:03,160
Speaker 1: you know what I'm saying. So I gotta say, Um,

686
00:40:04,560 --> 00:40:08,719
Speaker 1: you know, I hadn't been through hard times, but I

687
00:40:08,800 --> 00:40:11,479
Speaker 1: know it's people who've had a way it worse. Way

688
00:40:11,480 --> 00:40:15,319
Speaker 1: it worse. People who didn't have parents who had it

689
00:40:15,360 --> 00:40:17,080
Speaker 1: all together, you know what I'm saying. So they had

690
00:40:17,120 --> 00:40:19,839
Speaker 1: to go outside and do shit, you know what I'm saying. So,

691
00:40:20,480 --> 00:40:23,080
Speaker 1: like I say, it's um, I always come in my

692
00:40:23,120 --> 00:40:26,759
Speaker 1: mama for that I'm saying, because that's probably ain't no,

693
00:40:26,760 --> 00:40:28,840
Speaker 1: Probably that's why I got all my musical talent from

694
00:40:29,080 --> 00:40:32,160
Speaker 1: I'm saying. She would play the piano. Now I was

695
00:40:32,239 --> 00:40:34,400
Speaker 1: just watching, just watch. It was always a piano in

696
00:40:34,400 --> 00:40:37,359
Speaker 1: the house, an old piano from her grandma, you know.

697
00:40:37,440 --> 00:40:39,719
Speaker 1: So she would play the piano at the church. I'll

698
00:40:39,719 --> 00:40:45,640
Speaker 1: play the drums, you know what I'm saying. Okay, all right, yeah,

699
00:40:45,880 --> 00:40:48,080
Speaker 1: that followed me all the way to the band. That

700
00:40:48,200 --> 00:40:50,280
Speaker 1: Book of T I'm playing the drums in the band

701
00:40:51,120 --> 00:40:56,040
Speaker 1: and yo Book of T. Yeah, we smash y'all on

702
00:40:56,120 --> 00:40:59,839
Speaker 1: that Battle of the Band. Never say nobody could fuck

703
00:40:59,840 --> 00:41:03,880
Speaker 1: with us nobody but the Yates. Yates and Yates couldn't

704
00:41:03,880 --> 00:41:06,640
Speaker 1: even see us. You know what. You know you came

705
00:41:06,680 --> 00:41:09,799
Speaker 1: at way after me. But that's the only reason why.

706
00:41:10,160 --> 00:41:13,200
Speaker 1: But but go look up the history of farrest Brook.

707
00:41:13,760 --> 00:41:19,000
Speaker 1: That band y'all went on. But I get to see.

708
00:41:19,000 --> 00:41:21,640
Speaker 1: I'm gonna say what made far As Forest brooklet. Y'all

709
00:41:21,680 --> 00:41:28,200
Speaker 1: were very loud. So y'all weren't the best players, hell no, man,

710
00:41:28,400 --> 00:41:31,560
Speaker 1: but y'all were so loud that y'all soul that ship.

711
00:41:31,920 --> 00:41:35,000
Speaker 1: So if motherfucker's come out on the field, you just

712
00:41:35,040 --> 00:41:38,040
Speaker 1: like how I feel that shit. Y'all loud and the

713
00:41:38,160 --> 00:41:41,880
Speaker 1: motherfucker y'all can't see me though I can't see me.

714
00:41:42,360 --> 00:41:46,920
Speaker 1: But you know, y'all, y'all loud. Far As Brook was

715
00:41:47,040 --> 00:41:51,480
Speaker 1: loud and and and we had man fars Brook was

716
00:41:51,560 --> 00:41:55,920
Speaker 1: nice though they came girls. I'm talking about the baddest

717
00:41:56,000 --> 00:42:02,560
Speaker 1: girls man Farest Brook. We had so many fine girls.

718
00:42:02,840 --> 00:42:06,480
Speaker 1: Like the girls who were petitue we had wasn't but

719
00:42:06,719 --> 00:42:10,319
Speaker 1: like nines and dimes on the Chili the team, if

720
00:42:10,320 --> 00:42:14,160
Speaker 1: they had a woman body, they were jaguars, you know, y'all.

721
00:42:14,200 --> 00:42:16,719
Speaker 1: And red the little schools y'all called them majors, but

722
00:42:17,040 --> 00:42:18,440
Speaker 1: you know, it was on a different level. So we

723
00:42:18,440 --> 00:42:20,160
Speaker 1: called it. We was a Jaguars, So we called our

724
00:42:20,200 --> 00:42:22,839
Speaker 1: girls the jaguar Ets. You know what's crazy. I went

725
00:42:22,880 --> 00:42:27,560
Speaker 1: to so many high schools because I like, when I

726
00:42:27,600 --> 00:42:30,960
Speaker 1: turned sixteen, I knew I wanted to be who I

727
00:42:31,040 --> 00:42:34,680
Speaker 1: ended up being, and I dropped out so many times.

728
00:42:35,040 --> 00:42:36,680
Speaker 1: I just didn't want to go to school nomore. I

729
00:42:36,760 --> 00:42:38,640
Speaker 1: just wanted to make beats and wrap and just do that,

730
00:42:39,600 --> 00:42:43,000
Speaker 1: and I dropped out somebody side. I would never do

731
00:42:43,080 --> 00:42:45,000
Speaker 1: my work. I would when I got there, I did

732
00:42:45,000 --> 00:42:48,520
Speaker 1: my work. I just didn't want to go. I started

733
00:42:48,520 --> 00:42:50,319
Speaker 1: making beats when I was sixteen. I would be up

734
00:42:50,320 --> 00:42:53,080
Speaker 1: to like six seven in the morning. My mom would

735
00:42:53,080 --> 00:42:54,879
Speaker 1: go to work before I had to leave. So I'm

736
00:42:54,880 --> 00:42:57,600
Speaker 1: not gonna stay up to six am and didn't get

737
00:42:57,680 --> 00:42:59,719
Speaker 1: dressed and go to school. I'm just gonna not go,

738
00:43:00,320 --> 00:43:02,160
Speaker 1: you know what I'm saying, Like the fuck? You know?

739
00:43:02,280 --> 00:43:07,040
Speaker 1: So I would my mom because she worked at HID,

740
00:43:07,160 --> 00:43:09,719
Speaker 1: she could if I'm feeling at this school, take me

741
00:43:09,719 --> 00:43:11,520
Speaker 1: out of there, put me in another one, you know

742
00:43:11,560 --> 00:43:13,120
Speaker 1: what I'm saying. So I went to so many different

743
00:43:13,200 --> 00:43:17,319
Speaker 1: high schools, and then when I moved to Titwell. That's

744
00:43:17,360 --> 00:43:20,279
Speaker 1: when I went to Jersey Village and that was side

745
00:43:20,320 --> 00:43:24,520
Speaker 1: Fair District, and I was just like, whoa, the bitches

746
00:43:24,560 --> 00:43:29,040
Speaker 1: over here way better. So it hit me that you

747
00:43:29,120 --> 00:43:32,600
Speaker 1: had bitches that was hood bad, and then you had

748
00:43:32,640 --> 00:43:36,440
Speaker 1: these bitches that had money. These bitches looked a little

749
00:43:36,480 --> 00:43:38,400
Speaker 1: badder than the hood bitches. And I don't get it

750
00:43:38,440 --> 00:43:41,560
Speaker 1: sucked up. I love my hood bitches, but this bitch

751
00:43:41,600 --> 00:43:44,640
Speaker 1: look a little better getting out this bins man, you

752
00:43:44,680 --> 00:43:47,560
Speaker 1: know what I'm saying. I was like, it's a different

753
00:43:47,880 --> 00:43:50,799
Speaker 1: level of hood, different level of bad bitch over here,

754
00:43:51,520 --> 00:43:53,279
Speaker 1: you know what I'm saying. But maybe I'm just used

755
00:43:53,320 --> 00:43:58,319
Speaker 1: to I always felt like the hood schools made me

756
00:43:58,400 --> 00:44:05,320
Speaker 1: like ugly bitches, the hood schools because in the hood,

757
00:44:07,239 --> 00:44:10,360
Speaker 1: most of these bitches was ugly, but they had fat asses,

758
00:44:11,840 --> 00:44:14,040
Speaker 1: so you'd be like, damn that bitch bad to their

759
00:44:14,120 --> 00:44:16,399
Speaker 1: motherfucker when she she really just had a nice as

760
00:44:16,520 --> 00:44:21,160
Speaker 1: body and shit. And in hood schools, a sprinkle of

761
00:44:21,200 --> 00:44:24,080
Speaker 1: them are pretty, and they either fucking with the bass,

762
00:44:24,440 --> 00:44:27,120
Speaker 1: the basketball or the football. Niggas or some nigga in

763
00:44:27,160 --> 00:44:30,560
Speaker 1: college or some other ship, or some old ass nigga

764
00:44:30,600 --> 00:44:33,239
Speaker 1: they have no business fucking with you know what I'm saying.

765
00:44:33,320 --> 00:44:35,919
Speaker 1: But nine times out of tea in the hood, man,

766
00:44:35,920 --> 00:44:39,640
Speaker 1: they just from the high school I went to and

767
00:44:39,680 --> 00:44:43,799
Speaker 1: ship the Book of T. It wasn't pretty like that. See,

768
00:44:43,960 --> 00:44:45,640
Speaker 1: some of them was so you called Book of T

769
00:44:45,880 --> 00:44:48,279
Speaker 1: at the end of their glory. Now Book of T

770
00:44:48,440 --> 00:44:50,120
Speaker 1: has some bad ones. I don't get it. Sucked up

771
00:44:50,320 --> 00:44:54,800
Speaker 1: every in the hood you got pretty bitches, but most

772
00:44:54,840 --> 00:44:59,280
Speaker 1: of them just pretty girls, pretty girls, pretty women, pretty girls,

773
00:44:59,320 --> 00:45:03,080
Speaker 1: pretty women. This is be keen, y'all. The show is

774
00:45:03,200 --> 00:45:07,520
Speaker 1: y'all know I'm no, but in my older age, I

775
00:45:07,560 --> 00:45:09,919
Speaker 1: do give a fuck now, and I want to talk

776
00:45:09,960 --> 00:45:11,520
Speaker 1: to the black women. I don't want you to think

777
00:45:11,560 --> 00:45:16,360
Speaker 1: that just because you in the hood, or you're living situation,

778
00:45:17,239 --> 00:45:21,280
Speaker 1: or you may not have as much as the other people,

779
00:45:21,400 --> 00:45:24,280
Speaker 1: that that affects your beauty or you look any less

780
00:45:24,280 --> 00:45:26,480
Speaker 1: than the other ones. All I'm saying is just what

781
00:45:26,719 --> 00:45:31,120
Speaker 1: I observed as a seventeen year old. I peep that

782
00:45:31,239 --> 00:45:38,080
Speaker 1: in the hood you have females with gold teeth. You

783
00:45:38,200 --> 00:45:41,279
Speaker 1: have females that was tatted the fun up, fuck up

784
00:45:41,440 --> 00:45:44,600
Speaker 1: all that hood ass bitches, and that looked good to

785
00:45:44,680 --> 00:45:47,680
Speaker 1: me too. But when I went over here to Side

786
00:45:47,760 --> 00:45:51,600
Speaker 1: Falls in Jersey Village. They wasn't tattered up. They had

787
00:45:51,719 --> 00:45:55,040
Speaker 1: gold teeth. These bitches talked like white girls and they

788
00:45:55,120 --> 00:45:57,000
Speaker 1: was just as thick as the hood bitches. And I

789
00:45:57,080 --> 00:46:02,520
Speaker 1: was just just dip. So let me rephrase that they're

790
00:46:02,560 --> 00:46:08,239
Speaker 1: not batter. Your voice reloaded. Podcasts will be right back

791
00:46:08,360 --> 00:46:18,839
Speaker 1: after the point. Let's let's talk about uh. Let's talk

792
00:46:18,880 --> 00:46:25,720
Speaker 1: about one of your favorite words, bitch m Now, how

793
00:46:26,120 --> 00:46:30,759
Speaker 1: do you reconcile loving using that word so much? I

794
00:46:30,800 --> 00:46:33,520
Speaker 1: mean that word is one of your favorite words. I

795
00:46:33,560 --> 00:46:36,160
Speaker 1: mean it has a dear place in your heart, a

796
00:46:36,239 --> 00:46:39,600
Speaker 1: special place in your heart. How do you reconcile using

797
00:46:39,640 --> 00:46:43,000
Speaker 1: that word and raising two daughters? What? What if? What

798
00:46:43,000 --> 00:46:45,880
Speaker 1: what if? What if? What if? What do you go

799
00:46:45,960 --> 00:46:50,839
Speaker 1: to question? They ask? What if? What if somebody put

800
00:46:50,840 --> 00:46:54,440
Speaker 1: a queue coming your daughter? If your daughters your daughters

801
00:46:54,440 --> 00:46:58,120
Speaker 1: are what nine ten, eleven, eleven, sooner to be eleven

802
00:46:58,160 --> 00:47:01,440
Speaker 1: and twelve eleven twelve, your daughters having in twelve? What

803
00:47:01,600 --> 00:47:05,400
Speaker 1: if your daughter came home and said, chance called me

804
00:47:05,440 --> 00:47:12,080
Speaker 1: a bat? Where you do it? Don't have to be

805
00:47:12,120 --> 00:47:21,680
Speaker 1: a situation where are you hanging around this nigga? Let's

806
00:47:21,719 --> 00:47:23,440
Speaker 1: just be one hunt because like, if a nigga just

807
00:47:23,520 --> 00:47:27,120
Speaker 1: called you a bitch for no reason, why you just

808
00:47:27,200 --> 00:47:29,400
Speaker 1: eating in the cafeteria, I'm gonna have to come to

809
00:47:29,440 --> 00:47:33,120
Speaker 1: the school. But if you are all in this nigga

810
00:47:33,239 --> 00:47:37,719
Speaker 1: face and you know, all on this nigga dick and

811
00:47:37,760 --> 00:47:41,680
Speaker 1: shit and he don't value women, and you notice and

812
00:47:41,840 --> 00:47:44,200
Speaker 1: he called you a bitch, you're talking abody living in

813
00:47:44,239 --> 00:47:47,440
Speaker 1: twelve man. That's when it saw it going down in

814
00:47:47,480 --> 00:47:53,239
Speaker 1: middle school. Shit shit at middle school. I went to

815
00:47:53,360 --> 00:47:56,719
Speaker 1: black middle school on the North Side. I mean, it

816
00:47:56,800 --> 00:48:04,880
Speaker 1: was bitches pregnant in that bitch thirteen twel But anyway, um,

817
00:48:04,920 --> 00:48:07,640
Speaker 1: it would have to be I'd have to know what's

818
00:48:07,640 --> 00:48:10,239
Speaker 1: going on behind it, because if you all on this

819
00:48:10,320 --> 00:48:17,800
Speaker 1: nigga face, you you gotta respect yourself. If this nigga

820
00:48:17,840 --> 00:48:20,080
Speaker 1: calling all the girls around him bitches and you want

821
00:48:20,080 --> 00:48:22,640
Speaker 1: to still hang around this nigga, you're gonna be a

822
00:48:22,680 --> 00:48:28,920
Speaker 1: bit soon. Okay. So see Heaven b King is a daddy,

823
00:48:28,920 --> 00:48:30,800
Speaker 1: You're gonna look at the world a whole lot different.

824
00:48:30,840 --> 00:48:33,400
Speaker 1: You know what I'm saying, Like I put my daughters

825
00:48:33,440 --> 00:48:36,239
Speaker 1: on I talked to him like street niggas from a

826
00:48:36,400 --> 00:48:40,280
Speaker 1: very young age. So nothing. They're not impressed by no nigga,

827
00:48:40,400 --> 00:48:42,080
Speaker 1: none of that shit. You know what I'm saying, Like,

828
00:48:42,320 --> 00:48:45,640
Speaker 1: if your dad is being club guard, you're gonna know

829
00:48:45,640 --> 00:48:47,920
Speaker 1: what the fuck going on at a very young age.

830
00:48:48,600 --> 00:48:51,480
Speaker 1: All these songs I made, they were there. They was

831
00:48:51,600 --> 00:48:57,319
Speaker 1: hearing this ship they were they were there holding one,

832
00:48:57,400 --> 00:49:03,640
Speaker 1: were making the beat the little one. Uh yeah, yeah,

833
00:49:05,120 --> 00:49:09,440
Speaker 1: I'm sitting there saying this. You know. So when they

834
00:49:09,480 --> 00:49:12,120
Speaker 1: get a little older day day, you know, question is

835
00:49:12,160 --> 00:49:14,680
Speaker 1: gonna be asked. And I always explained to them. But

836
00:49:15,239 --> 00:49:18,200
Speaker 1: I tell you what though, you know, uh, I'll be

837
00:49:18,320 --> 00:49:24,800
Speaker 1: a suicide man. And just watching you, like watching watching

838
00:49:24,880 --> 00:49:29,560
Speaker 1: you interact with your daughter, both of them, watching you

839
00:49:29,600 --> 00:49:32,399
Speaker 1: just interact with them, let me know that you were,

840
00:49:32,800 --> 00:49:36,360
Speaker 1: at the very minimum a good dad. You know that

841
00:49:36,520 --> 00:49:39,400
Speaker 1: right there. I'm always impressed by good fathers, you know,

842
00:49:39,440 --> 00:49:42,319
Speaker 1: Like I'm always suppressed by by guys who spend time

843
00:49:42,360 --> 00:49:45,640
Speaker 1: with their children, like quality time with their children. And

844
00:49:45,719 --> 00:49:48,920
Speaker 1: you can tell the ones who really are into their children,

845
00:49:49,000 --> 00:49:51,359
Speaker 1: like like crazy, I could tell. I could tell that.

846
00:49:51,520 --> 00:49:53,520
Speaker 1: I feel like the best dads are the people who

847
00:49:53,520 --> 00:49:58,120
Speaker 1: didn't have one. Oftentimes they are like, yeah, you want

848
00:49:58,160 --> 00:50:02,400
Speaker 1: to be that guy. I'm just like I. I couldn't

849
00:50:02,400 --> 00:50:04,600
Speaker 1: imagine not being in their lives, you know what I'm saying.

850
00:50:04,640 --> 00:50:08,280
Speaker 1: Like my dad, we got cool before he passed away,

851
00:50:08,320 --> 00:50:11,399
Speaker 1: like in um oh three, but he wasn't there at all.

852
00:50:11,680 --> 00:50:15,000
Speaker 1: I say, probably my whole life. I probably seeing this

853
00:50:15,040 --> 00:50:18,400
Speaker 1: guy probably maybe two or three weeks out of my

854
00:50:18,440 --> 00:50:20,879
Speaker 1: whole life if you add up all the different time

855
00:50:21,000 --> 00:50:23,560
Speaker 1: we saw each other, you know what I'm saying. So

856
00:50:24,239 --> 00:50:26,480
Speaker 1: I wasn't feeling that nigga like that. I ain't gonna lie,

857
00:50:26,560 --> 00:50:30,800
Speaker 1: you know. But when um, when I turned eighteen, he

858
00:50:31,960 --> 00:50:35,400
Speaker 1: just he tried to come in my life more and

859
00:50:36,080 --> 00:50:37,560
Speaker 1: talk to me, and I couldn't do num but of of

860
00:50:37,600 --> 00:50:40,319
Speaker 1: respect that, you know, I ain't gonna be no whole

861
00:50:40,320 --> 00:50:42,880
Speaker 1: ass nigga, no nigga fuck you know. You know it

862
00:50:43,040 --> 00:50:45,759
Speaker 1: was you know, I let him try to, you know,

863
00:50:46,040 --> 00:50:48,880
Speaker 1: and we got cool before he passed away, you know

864
00:50:48,920 --> 00:50:51,520
Speaker 1: what I'm saying. But I couldn't. I couldn't put my

865
00:50:51,600 --> 00:50:54,920
Speaker 1: daughters through that and this fucked up ass world we

866
00:50:55,000 --> 00:50:58,000
Speaker 1: in now. Man, you need some male figure to let

867
00:50:58,080 --> 00:51:02,040
Speaker 1: you know what the fuck is going on. Like it's

868
00:51:02,120 --> 00:51:05,040
Speaker 1: it's it's it's rough out here. It was rough back

869
00:51:05,080 --> 00:51:08,520
Speaker 1: in the day. But today man, with them phones. Man,

870
00:51:08,840 --> 00:51:11,000
Speaker 1: you take an ell man. Back in the day, man,

871
00:51:11,040 --> 00:51:13,120
Speaker 1: you can just switch schools. But today man, it's on

872
00:51:13,160 --> 00:51:17,640
Speaker 1: the internet. Man, so you can't run from no l today.

873
00:51:17,880 --> 00:51:21,480
Speaker 1: So you gotta teach them values and things. You know

874
00:51:21,520 --> 00:51:25,160
Speaker 1: what I'm saying, Just like, don't embarrass yourself. You know

875
00:51:25,200 --> 00:51:28,560
Speaker 1: what I'm saying, Like, just you know, because if you

876
00:51:28,640 --> 00:51:31,200
Speaker 1: embarrass yourself, I'm gonna make a song about you, like

877
00:51:31,239 --> 00:51:35,000
Speaker 1: I don't even know you, and it's gonna be on

878
00:51:35,000 --> 00:51:37,800
Speaker 1: the radio. Your kids and your friend's gonna be tiktoking

879
00:51:37,840 --> 00:51:43,080
Speaker 1: to that shit. All that shit. Okay, hypothetically speaking, hypothetically speaking,

880
00:51:44,520 --> 00:51:50,719
Speaker 1: Your daughter comes home, she's I don't know, sixteen years old,

881
00:51:51,719 --> 00:51:56,799
Speaker 1: and she has a guy right behind her. She says, Dad,

882
00:51:57,600 --> 00:52:01,799
Speaker 1: this is my boyfriend. And you look the guy up

883
00:52:01,880 --> 00:52:06,920
Speaker 1: and down. You know, he smelled like weed. He tagged

884
00:52:06,960 --> 00:52:10,840
Speaker 1: it up and his pants are hanging off his ass,

885
00:52:11,400 --> 00:52:16,960
Speaker 1: and he tell you, what's up? Nigga? How you how

886
00:52:17,000 --> 00:52:19,000
Speaker 1: do you respond to that? This is nothing. I wouldn't

887
00:52:19,040 --> 00:52:21,040
Speaker 1: even judge it from his pants hanging out or weed.

888
00:52:21,040 --> 00:52:23,560
Speaker 1: I wouldn't even judge him from that. But what's up? Nigga?

889
00:52:23,640 --> 00:52:26,399
Speaker 1: And get the bitch o what get the fuck out

890
00:52:26,400 --> 00:52:30,160
Speaker 1: of Nigga? What the But then I can't do that

891
00:52:30,239 --> 00:52:33,960
Speaker 1: with women because they will rebel. They will go see it,

892
00:52:34,120 --> 00:52:37,439
Speaker 1: see this nigga and fuck him next week behind your back.

893
00:52:37,719 --> 00:52:40,320
Speaker 1: So it's like you have to instill it in your daughters,

894
00:52:40,360 --> 00:52:45,280
Speaker 1: like I am not. I can't sit here and say

895
00:52:46,320 --> 00:52:50,000
Speaker 1: that my daughters are exempt from any of this. It

896
00:52:50,080 --> 00:52:51,960
Speaker 1: can happen to any of us. You can be the

897
00:52:52,000 --> 00:52:55,040
Speaker 1: best dad and he can still happen to you. All

898
00:52:55,080 --> 00:52:59,279
Speaker 1: I know is that I did everything I could instill.

899
00:53:00,440 --> 00:53:05,000
Speaker 1: Like you hear my songs, so you know in a

900
00:53:05,040 --> 00:53:09,719
Speaker 1: way whatnot to be, like, don't be like my lyrics.

901
00:53:10,840 --> 00:53:13,160
Speaker 1: You know I'm saying in a fucked up ass way.

902
00:53:13,800 --> 00:53:15,880
Speaker 1: You know what I'm saying. Whatever I'm wrapping about, I

903
00:53:16,000 --> 00:53:18,719
Speaker 1: don't do that shit, you know what I'm saying. Like

904
00:53:18,760 --> 00:53:21,280
Speaker 1: it just it is what it is, you know. But

905
00:53:21,320 --> 00:53:25,640
Speaker 1: I um, I never judge a young man for being young.

906
00:53:25,920 --> 00:53:29,399
Speaker 1: You know what I'm saying. Nigga's gonna smoke, They're gonna

907
00:53:29,560 --> 00:53:33,200
Speaker 1: you know, they're gonna sack, They're gonna do all that. Hell,

908
00:53:33,280 --> 00:53:37,040
Speaker 1: you're sixteen, man. It is what it is. What it is.

909
00:53:37,080 --> 00:53:40,279
Speaker 1: But um, certain people you you you know when they

910
00:53:40,440 --> 00:53:42,279
Speaker 1: in the streets. Though, you can look at some of

911
00:53:42,280 --> 00:53:45,360
Speaker 1: them little niggas and be like, let me see this

912
00:53:45,400 --> 00:53:49,120
Speaker 1: nigga Instagram and here holding pistols. Never picture now, Nah,

913
00:53:49,200 --> 00:53:53,760
Speaker 1: that's not no nigga you've been with. You have a

914
00:53:53,840 --> 00:53:56,280
Speaker 1: humorous side of you, but you also have a serious

915
00:53:56,320 --> 00:54:00,279
Speaker 1: side of you. Most people know the humorous out of

916
00:54:00,320 --> 00:54:02,800
Speaker 1: you when you make from making the beats and stuff

917
00:54:02,800 --> 00:54:06,000
Speaker 1: and just being this jolly guy, right, just you know,

918
00:54:06,120 --> 00:54:10,280
Speaker 1: happy gold like a guy. Uh, how do you respond

919
00:54:10,400 --> 00:54:15,839
Speaker 1: when people take you for a joke. Let's say, let's

920
00:54:15,840 --> 00:54:19,440
Speaker 1: say it's a situation you know where you know, I

921
00:54:19,520 --> 00:54:23,280
Speaker 1: don't know you just it's you know, it's a serious

922
00:54:23,280 --> 00:54:28,240
Speaker 1: situation that somebody think thinking that because of what they've

923
00:54:28,320 --> 00:54:30,920
Speaker 1: heard you in the music, they thinking that, you know,

924
00:54:30,960 --> 00:54:33,560
Speaker 1: on the personal side, that's who you are, who you

925
00:54:33,600 --> 00:54:38,200
Speaker 1: know what I don't. I'm not saying it can't happen,

926
00:54:38,280 --> 00:54:41,840
Speaker 1: but I don't have problems like that. I think for

927
00:54:41,920 --> 00:54:46,120
Speaker 1: two reasons. Um. Number one, when you see me in person,

928
00:54:46,239 --> 00:54:49,239
Speaker 1: you see I'm sixty three, you were like, oh man,

929
00:54:49,239 --> 00:54:52,279
Speaker 1: I thought I can whoop that little jolly ass nigga. Man, shit, man,

930
00:54:53,280 --> 00:54:57,960
Speaker 1: I gotta shoot him down man, like the little jolly nigga.

931
00:54:58,000 --> 00:54:59,759
Speaker 1: I thought like that, you know what I'm saying, So

932
00:55:00,120 --> 00:55:03,560
Speaker 1: people they don't don't play with me like that, not

933
00:55:03,640 --> 00:55:05,160
Speaker 1: saying I can't get played with it. But I don't

934
00:55:05,200 --> 00:55:08,120
Speaker 1: have those problems. And another reason, another thing. I don't

935
00:55:08,160 --> 00:55:12,200
Speaker 1: carry myself like that. I don't with a jury. I

936
00:55:12,280 --> 00:55:16,839
Speaker 1: don't flash money like that. I don't, you know, so

937
00:55:17,760 --> 00:55:19,680
Speaker 1: a lot of people when they meet me, they see

938
00:55:19,719 --> 00:55:22,319
Speaker 1: I'm a real ass person. I don't. I don't feel

939
00:55:22,360 --> 00:55:24,400
Speaker 1: like I'm too big to talk to anybody. I have

940
00:55:24,440 --> 00:55:30,919
Speaker 1: a conversation with anybody. I don't um. And most time

941
00:55:30,960 --> 00:55:34,080
Speaker 1: I had the problems with people, it was they just

942
00:55:34,120 --> 00:55:37,279
Speaker 1: wanted me to fuck with them. They just man, b

943
00:55:37,440 --> 00:55:40,239
Speaker 1: king bro weak. I just want you to fuck with me.

944
00:55:40,239 --> 00:55:42,640
Speaker 1: Just listen to my music, bro, just that's all I wanted.

945
00:55:42,719 --> 00:55:46,560
Speaker 1: Bro ain't handle It's like, you know, like it's I

946
00:55:46,600 --> 00:55:49,439
Speaker 1: don't have issues with nobody, you know what I'm saying.

947
00:55:49,480 --> 00:55:51,080
Speaker 1: And this I think because I care. I know how

948
00:55:51,120 --> 00:55:52,640
Speaker 1: to talk to people, you know what I'm saying, how

949
00:55:53,680 --> 00:55:56,240
Speaker 1: to carry myself, you know, And what is the best

950
00:55:56,280 --> 00:55:59,239
Speaker 1: way for somebody to approach you. Who's trying to get

951
00:55:59,280 --> 00:56:02,120
Speaker 1: you to listen to their music or listen to their sound,

952
00:56:02,320 --> 00:56:05,040
Speaker 1: their wraps. What's the best way for them to get

953
00:56:05,080 --> 00:56:09,200
Speaker 1: at you. How about this to anybody approaching any artists,

954
00:56:10,360 --> 00:56:12,919
Speaker 1: just step outside of your own shoes for a little

955
00:56:12,960 --> 00:56:17,480
Speaker 1: while and just put yourself in that position. If somebody

956
00:56:17,560 --> 00:56:19,799
Speaker 1: is taking the ship, they don't want to have a

957
00:56:19,840 --> 00:56:22,799
Speaker 1: conversation with nobody. That just happened to me two weeks ago.

958
00:56:23,480 --> 00:56:26,879
Speaker 1: I was in a restaurant taking the ship. Dude came

959
00:56:26,880 --> 00:56:30,799
Speaker 1: in there, bking B Can I know that I know

960
00:56:30,840 --> 00:56:32,560
Speaker 1: that you up in there? Huh, I saw you walk

961
00:56:32,680 --> 00:56:35,160
Speaker 1: up in there. Bro. You know what I'm saying, Man,

962
00:56:35,200 --> 00:56:36,919
Speaker 1: I just want to let you know now I really

963
00:56:36,920 --> 00:56:39,400
Speaker 1: fuck with what you do for the city, dog, and

964
00:56:39,480 --> 00:56:41,600
Speaker 1: I want you to fuck with my music. I'm not

965
00:56:41,680 --> 00:56:46,680
Speaker 1: saying nothing. I'm just like I'm taking the ship. You know,

966
00:56:46,680 --> 00:56:49,160
Speaker 1: when somebody walk in the bathroom, you you clutch your

967
00:56:49,160 --> 00:56:51,399
Speaker 1: ass cheeks tight. You stop, you stop taking that ship

968
00:56:51,440 --> 00:56:54,120
Speaker 1: because you don't want to hear that bed. So I'm

969
00:56:54,280 --> 00:56:56,520
Speaker 1: already sitting there trying not to let this shit out.

970
00:56:57,200 --> 00:57:01,640
Speaker 1: This nigga talking to me, I'm just like this nigga

971
00:57:01,719 --> 00:57:07,480
Speaker 1: is still When the nigga started to wrap, that's I said.

972
00:57:07,480 --> 00:57:10,799
Speaker 1: I said, I say, say, my nigga, I say, I say,

973
00:57:10,840 --> 00:57:14,680
Speaker 1: I'm trying to take a ship my nigga. All right, man,

974
00:57:14,800 --> 00:57:18,200
Speaker 1: all right, all right, And then he just walked out,

975
00:57:19,160 --> 00:57:23,400
Speaker 1: and I'm just like, but I remember when I was

976
00:57:23,440 --> 00:57:26,240
Speaker 1: a new artist and it was like two thousand nine

977
00:57:26,440 --> 00:57:29,720
Speaker 1: or ten, I probably would have said something made n't

978
00:57:29,760 --> 00:57:31,720
Speaker 1: want to do something when I kind of got out

979
00:57:31,720 --> 00:57:35,240
Speaker 1: the stall or something. You know. So I'm growing too

980
00:57:37,560 --> 00:57:40,840
Speaker 1: saying like but it come with it. It comes with it. Man.

981
00:57:40,880 --> 00:57:43,960
Speaker 1: You can't go to Walmart, man, you can't do normal shit.

982
00:57:45,000 --> 00:57:46,920
Speaker 1: If you go to Walmart, you gotta take pictures with

983
00:57:47,040 --> 00:57:50,720
Speaker 1: damn there everybody in that hole. You gotta you know shit.

984
00:57:50,880 --> 00:57:54,600
Speaker 1: And you start going to Target because it's not as

985
00:57:54,680 --> 00:57:58,920
Speaker 1: ranche I go to Target, Man, start start going to

986
00:57:59,000 --> 00:58:03,480
Speaker 1: some whole food, um, grocery stores. It's the one all

987
00:58:03,560 --> 00:58:08,920
Speaker 1: they you said, whatever, But yeah, man, you know, but people,

988
00:58:09,040 --> 00:58:11,320
Speaker 1: I'm a real approach, approachable person. Man, I'm not an

989
00:58:11,400 --> 00:58:13,800
Speaker 1: ass So how I sit there and have a conversation.

990
00:58:13,880 --> 00:58:18,120
Speaker 1: I ain't with that touching ship though, No, because that

991
00:58:18,120 --> 00:58:22,080
Speaker 1: that that almost escalated Um, I say, around January, I'm

992
00:58:22,160 --> 00:58:25,800
Speaker 1: up in Walgreens and um, a guy walked up on him.

993
00:58:25,840 --> 00:58:29,120
Speaker 1: He was a fan, but he walked up to me,

994
00:58:29,240 --> 00:58:32,040
Speaker 1: touching me. He put his arm around me. What's up?

995
00:58:32,080 --> 00:58:35,040
Speaker 1: Bee king niggat, fuck with you the fuck off of me?

996
00:58:35,720 --> 00:58:37,760
Speaker 1: He's nigga, what the fuck you want to do? I say, Nigga,

997
00:58:37,880 --> 00:58:41,120
Speaker 1: I don't know you. Nigga. You put your arm around me.

998
00:58:41,880 --> 00:58:45,600
Speaker 1: He was like, shit, man, I fuck with your ship though. Man,

999
00:58:45,720 --> 00:58:48,960
Speaker 1: I say, nigga, say that, then you can't just be

1000
00:58:49,080 --> 00:58:53,960
Speaker 1: touching people like that so she can escalate quick. You

1001
00:58:54,000 --> 00:58:55,240
Speaker 1: know what I'm saying. If you don't know how to

1002
00:58:55,760 --> 00:59:00,280
Speaker 1: talk to people and de escalate the situations, how to

1003
00:59:00,320 --> 00:59:04,480
Speaker 1: talk to people, you know what I'm saying, because miscommunication,

1004
00:59:04,840 --> 00:59:06,840
Speaker 1: it can go left quick. Man. A lot of these

1005
00:59:06,880 --> 00:59:09,840
Speaker 1: people that don't like you, they were when they were

1006
00:59:09,840 --> 00:59:12,160
Speaker 1: getting dressed to go to the club, they was your fan,

1007
00:59:12,680 --> 00:59:14,800
Speaker 1: putting on these shirts and shit, they was your fan.

1008
00:59:14,840 --> 00:59:17,680
Speaker 1: They loved you until they walked up to you and

1009
00:59:17,720 --> 00:59:21,840
Speaker 1: said the wrong thing and not. He instantly want to

1010
00:59:21,960 --> 00:59:25,240
Speaker 1: kill you because you killed the whole perception to you,

1011
00:59:25,240 --> 00:59:27,919
Speaker 1: you know what I'm saying. So it's like I try

1012
00:59:27,960 --> 00:59:30,240
Speaker 1: to stop that shit. You know what I'm saying, Like,

1013
00:59:31,080 --> 00:59:32,760
Speaker 1: I try to stop for it. Get there. You know

1014
00:59:32,800 --> 00:59:35,000
Speaker 1: what I'm saying. It's been times I've been the clubs

1015
00:59:35,000 --> 00:59:40,000
Speaker 1: and you know what I'm saying. Niggas they mugging you

1016
00:59:40,040 --> 00:59:42,560
Speaker 1: and shit. And you know what I'm saying, You get

1017
00:59:42,560 --> 00:59:45,400
Speaker 1: through doing your show because you in the city, they

1018
00:59:45,400 --> 00:59:46,920
Speaker 1: can get to you. You know what I'm saying, They

1019
00:59:46,920 --> 00:59:49,960
Speaker 1: get right past them security niggas and all that. What'

1020
00:59:50,040 --> 00:59:51,600
Speaker 1: so b king And I want you to fuck with

1021
00:59:51,680 --> 00:59:54,800
Speaker 1: my ship and I say, man, look, I'm gonna be

1022
00:59:54,800 --> 00:59:58,760
Speaker 1: one hunter with you. We're in a club. It ain't

1023
00:59:58,760 --> 01:00:05,280
Speaker 1: nothing I could do anything. You say that wasn't listening

1024
01:00:05,320 --> 01:00:09,360
Speaker 1: to their music. They're ready to go left now because

1025
01:00:09,360 --> 01:00:11,720
Speaker 1: you you fucked up the plan they had. They were

1026
01:00:11,720 --> 01:00:14,160
Speaker 1: gonna rap to you and you were gonna fuck with

1027
01:00:14,320 --> 01:00:17,320
Speaker 1: and he was gonna be like hustling flow and the ship.

1028
01:00:17,480 --> 01:00:20,919
Speaker 1: You know what I'm saying. But I had to get

1029
01:00:20,960 --> 01:00:22,920
Speaker 1: close to the nigga. I got real close to him,

1030
01:00:22,920 --> 01:00:24,520
Speaker 1: so you know I wasn't those like no bitch of

1031
01:00:24,560 --> 01:00:27,000
Speaker 1: ass nigga. I said, Hey, I'm gonna be one honey

1032
01:00:27,000 --> 01:00:32,320
Speaker 1: with you. My nigga, you don't need to be rapping

1033
01:00:32,360 --> 01:00:36,240
Speaker 1: your ship to these rappers anyway, me saying this ain't

1034
01:00:36,280 --> 01:00:38,280
Speaker 1: the right time. This to me saying it's not the

1035
01:00:38,360 --> 01:00:40,720
Speaker 1: right time, because it ain't. You need to stop saying

1036
01:00:40,720 --> 01:00:42,840
Speaker 1: your ship to these rappers anyway, because you're saying your

1037
01:00:42,840 --> 01:00:45,240
Speaker 1: ship to these rappers and in six months you hear

1038
01:00:45,280 --> 01:00:48,480
Speaker 1: your ship on their ship. Stop rapping to these rappers

1039
01:00:48,520 --> 01:00:52,880
Speaker 1: in the club. He goes steal your ship. However, he

1040
01:00:52,960 --> 01:00:55,600
Speaker 1: was like, he was like, no, I respected, I respected,

1041
01:00:55,680 --> 01:00:58,120
Speaker 1: I appreciate you. You know what I'm saying, fucking with me?

1042
01:00:58,160 --> 01:01:03,160
Speaker 1: And shit, I fuck with your ship, Charlotte. For a guy,

1043
01:01:03,360 --> 01:01:06,440
Speaker 1: for a guy who meets his idol in the club,

1044
01:01:07,360 --> 01:01:10,520
Speaker 1: who is does what that idol does, if he raps,

1045
01:01:10,560 --> 01:01:12,800
Speaker 1: if he makes beats. Let's just say he raps, and

1046
01:01:12,880 --> 01:01:17,280
Speaker 1: he has an opportunity to approach you. And what is

1047
01:01:17,280 --> 01:01:19,880
Speaker 1: the alternative if he can't walk up to you. Because

1048
01:01:19,880 --> 01:01:22,760
Speaker 1: a lot of rappers have heard rappers got on by

1049
01:01:22,800 --> 01:01:26,160
Speaker 1: walking up to jay Z or this person and spitting

1050
01:01:26,200 --> 01:01:30,880
Speaker 1: their bars, what is the best way for them? If

1051
01:01:30,920 --> 01:01:33,880
Speaker 1: they can't get you, get at you right there on

1052
01:01:33,920 --> 01:01:36,000
Speaker 1: the spot, what's the best way for them? To get

1053
01:01:36,040 --> 01:01:39,520
Speaker 1: at you or anybody. When rappers come up to me,

1054
01:01:40,400 --> 01:01:47,320
Speaker 1: i'd tell them, real nigga, shit, it's nothing I can

1055
01:01:47,360 --> 01:01:50,040
Speaker 1: do for you right now now. If you want to

1056
01:01:50,120 --> 01:01:54,560
Speaker 1: picture something that's cool, but you spitting to me and

1057
01:01:54,680 --> 01:01:57,960
Speaker 1: all that. This ain't the nineties, bro, ain't no guy

1058
01:01:58,000 --> 01:01:59,760
Speaker 1: in the back of the bar and gonna sign you

1059
01:02:00,040 --> 01:02:02,880
Speaker 1: had a lack of records, and like this ain't now.

1060
01:02:02,960 --> 01:02:04,880
Speaker 1: If they want to make if they if they want

1061
01:02:04,880 --> 01:02:07,440
Speaker 1: to get some production that's different. Now. My thing is,

1062
01:02:07,440 --> 01:02:09,120
Speaker 1: if y'all want to get a feature or be to

1063
01:02:09,240 --> 01:02:13,040
Speaker 1: something that's different, take my number down. Let's get it popping.

1064
01:02:13,760 --> 01:02:16,000
Speaker 1: But all that walking up thinking of that I'm going

1065
01:02:16,040 --> 01:02:20,320
Speaker 1: to change your life tonight like that, It's not possible,

1066
01:02:20,480 --> 01:02:21,960
Speaker 1: you know what I'm saying. Even if I like what

1067
01:02:22,080 --> 01:02:25,160
Speaker 1: you're gonna spit, what can I do right now? You

1068
01:02:25,200 --> 01:02:27,640
Speaker 1: know what I'm saying, Like I'll be like, man, look,

1069
01:02:28,560 --> 01:02:30,920
Speaker 1: don't give your song to me. Give it to a

1070
01:02:31,040 --> 01:02:34,800
Speaker 1: DJ that can do something with it. That DJ right

1071
01:02:34,840 --> 01:02:37,680
Speaker 1: up there in that booth. Take your song to him,

1072
01:02:38,880 --> 01:02:43,000
Speaker 1: you know what I'm saying. Take that song. Get all

1073
01:02:43,040 --> 01:02:46,520
Speaker 1: your little nieces and cousins and everything, make all of

1074
01:02:46,560 --> 01:02:50,240
Speaker 1: them do tiktoks to this song. A lot of niggas

1075
01:02:50,240 --> 01:02:52,320
Speaker 1: they don't want to do the work of this one instant,

1076
01:02:52,640 --> 01:02:54,760
Speaker 1: you know what I'm saying. And anything that you tell

1077
01:02:54,840 --> 01:02:57,760
Speaker 1: them outside the instant, they take it as Hayden. The

1078
01:02:57,800 --> 01:03:02,040
Speaker 1: flip side of that is the women. What's the most

1079
01:03:02,080 --> 01:03:08,200
Speaker 1: memorable escalation that you had with a woman in the

1080
01:03:08,240 --> 01:03:12,280
Speaker 1: club or just anywhere out in public? The escalation and

1081
01:03:12,360 --> 01:03:16,840
Speaker 1: you're like, damn that that changed quick. That The first thing,

1082
01:03:17,240 --> 01:03:19,960
Speaker 1: the first thing came in my brain was, Um, two

1083
01:03:20,000 --> 01:03:23,760
Speaker 1: thousand and twelve, my manager is my baby mama. You

1084
01:03:23,760 --> 01:03:27,720
Speaker 1: know what I'm saying, shot Tatasha. You know what I'm saying, Um,

1085
01:03:27,800 --> 01:03:32,120
Speaker 1: she's very club guards sensitive. Because we have children together,

1086
01:03:32,800 --> 01:03:35,880
Speaker 1: we protect them and we protect the money. I trust

1087
01:03:36,640 --> 01:03:39,160
Speaker 1: and because she would not fuck over me because we

1088
01:03:39,240 --> 01:03:43,000
Speaker 1: got kids. We're gonna get this money forever. You know

1089
01:03:43,040 --> 01:03:45,760
Speaker 1: what I'm saying. We gotta understand it. We're not together,

1090
01:03:46,320 --> 01:03:48,840
Speaker 1: you know what I'm saying, But we have a respect

1091
01:03:48,920 --> 01:03:51,920
Speaker 1: for each other, you know what I'm saying. And in

1092
01:03:51,960 --> 01:03:55,560
Speaker 1: two thou twelve we were together though, and I was

1093
01:03:55,600 --> 01:03:59,000
Speaker 1: in Onyx just when Onyx was still in Dallas, and

1094
01:03:59,040 --> 01:04:04,280
Speaker 1: it was it was either Super Bowl or All Star something,

1095
01:04:05,000 --> 01:04:09,360
Speaker 1: but Honyx was packed, and I guess this little bit

1096
01:04:09,520 --> 01:04:13,640
Speaker 1: wasn't making no money in there, and she was mad.

1097
01:04:13,680 --> 01:04:15,960
Speaker 1: So she was just walking through the crowd of people,

1098
01:04:16,000 --> 01:04:19,680
Speaker 1: just pushing everybody and pushing them. And I had this

1099
01:04:19,760 --> 01:04:21,840
Speaker 1: coca cola because I don't drink. I had this Coca

1100
01:04:21,840 --> 01:04:25,440
Speaker 1: cola in my hand. She shoved into me, and the

1101
01:04:25,520 --> 01:04:29,240
Speaker 1: ship just spelled all over my damn outfit. I said,

1102
01:04:29,280 --> 01:04:32,160
Speaker 1: may need to watch where the fuck you going, nigga.

1103
01:04:32,200 --> 01:04:34,000
Speaker 1: Shut the fuck up. I gotta watch where the fuck

1104
01:04:34,080 --> 01:04:36,080
Speaker 1: I'm going, nigga. This is my club, nigga. Fuck. She

1105
01:04:36,120 --> 01:04:40,880
Speaker 1: put her hand in my face. Before I could even retaliate,

1106
01:04:42,160 --> 01:04:45,280
Speaker 1: Tasha just threw her drink in the bitch space boof

1107
01:04:46,040 --> 01:04:49,680
Speaker 1: and jump jumped on her and beat her ass. And

1108
01:04:49,920 --> 01:04:53,960
Speaker 1: I was just like, that was one of the situations

1109
01:04:53,960 --> 01:04:56,120
Speaker 1: I was glad she was there because it was like,

1110
01:04:57,920 --> 01:05:00,520
Speaker 1: I'm glad she was there to do something because I couldn't.

1111
01:05:00,560 --> 01:05:02,960
Speaker 1: I'm a man. All I could do is yell out

1112
01:05:03,000 --> 01:05:05,120
Speaker 1: there and make me look lame. I'm giving this bitch

1113
01:05:05,120 --> 01:05:09,520
Speaker 1: attention and shit. But she beat the bitch ass. So

1114
01:05:09,640 --> 01:05:11,760
Speaker 1: that was a time in the club where escalated with

1115
01:05:11,800 --> 01:05:16,000
Speaker 1: a woman shoutside Tasha. I do not condone violence, but

1116
01:05:16,080 --> 01:05:21,920
Speaker 1: I do condone self defense, let retaliation. Let me get

1117
01:05:21,920 --> 01:05:25,840
Speaker 1: Atasha her flowers though, because I don't, I don't do interviews.

1118
01:05:26,120 --> 01:05:30,000
Speaker 1: You you really do you hit me? So I did this? Yeah,

1119
01:05:30,120 --> 01:05:32,680
Speaker 1: my manager Tasha, she won't get a lot of respect

1120
01:05:32,920 --> 01:05:37,360
Speaker 1: as she should. We came from the bottom with this shit,

1121
01:05:38,120 --> 01:05:41,360
Speaker 1: you know what I'm saying. Nobody gave us a template.

1122
01:05:42,320 --> 01:05:46,520
Speaker 1: Nobody sounded like me in oh nine, and we made

1123
01:05:46,520 --> 01:05:49,320
Speaker 1: it all the way to the top. I've watched her

1124
01:05:49,400 --> 01:05:55,000
Speaker 1: beat up promoters, DJ's strippers and anybody that's played with

1125
01:05:55,040 --> 01:05:57,800
Speaker 1: this ship that we built. You know what I'm saying.

1126
01:05:58,400 --> 01:06:03,400
Speaker 1: She's a psycho bitch, you know I'm saying. But she's

1127
01:06:03,440 --> 01:06:05,200
Speaker 1: one of the only women that I trust, you know

1128
01:06:05,200 --> 01:06:09,960
Speaker 1: what I'm saying. And a lot of artists don't get that, managers,

1129
01:06:10,200 --> 01:06:13,280
Speaker 1: you know what I'm saying, love and respect, man, They

1130
01:06:13,360 --> 01:06:15,440
Speaker 1: just people think it's just the artists and all that

1131
01:06:16,000 --> 01:06:19,840
Speaker 1: contracts have to be read. Tasha's Lokia fucking lawyer. When

1132
01:06:19,880 --> 01:06:22,320
Speaker 1: I was finding sign to Columbia, you know what I'm saying,

1133
01:06:22,320 --> 01:06:24,400
Speaker 1: I had my lawyer looking over the contract and I

1134
01:06:24,400 --> 01:06:27,560
Speaker 1: had Tasha looking over the contract. Tasha finished, She finished

1135
01:06:27,560 --> 01:06:32,440
Speaker 1: the contract before the lawyer, and the lawyer was like, Tasha,

1136
01:06:32,480 --> 01:06:36,720
Speaker 1: you really should practice law because you comb through that

1137
01:06:36,800 --> 01:06:41,520
Speaker 1: before and understood everything and brought points and things to

1138
01:06:41,640 --> 01:06:44,600
Speaker 1: me before I could finish it. You know what I'm saying,

1139
01:06:44,640 --> 01:06:47,960
Speaker 1: So shot to Tasha, man like she's the best manager.

1140
01:06:48,160 --> 01:06:51,960
Speaker 1: You know what I'm saying. She was a rapper. She

1141
01:06:52,080 --> 01:06:55,280
Speaker 1: quit rapping the manage me. You know what I'm saying,

1142
01:06:55,320 --> 01:06:57,720
Speaker 1: So shot to Tasha. Shout out to Tasha and shout

1143
01:06:57,720 --> 01:06:59,680
Speaker 1: out to be king for John and to get old

1144
01:06:59,720 --> 01:07:03,080
Speaker 1: boys reloaded podcasts. Yes, sir, Yes sir, it's been a thriller.

1145
01:07:03,200 --> 01:07:06,360
Speaker 1: Brother's been a thrill. Ain't number leve on my n man.

1146
01:07:06,520 --> 01:07:10,000
Speaker 1: You know what I'm saying, Big og, triple og, salute

1147
01:07:10,400 --> 01:07:12,560
Speaker 1: to you to get all boys all that. You know

1148
01:07:12,600 --> 01:07:14,480
Speaker 1: what I'm saying. You know what, Scott Bet you probably

1149
01:07:14,520 --> 01:07:19,320
Speaker 1: remember this my first time ever meeting you. I think

1150
01:07:19,320 --> 01:07:21,360
Speaker 1: it's before you had went to jail a little bit

1151
01:07:21,400 --> 01:07:28,000
Speaker 1: before that. We was in co Jack Studio. Coajack. Yeah, Coajack.

1152
01:07:28,040 --> 01:07:30,400
Speaker 1: You had on like this white dress shirt or something.

1153
01:07:31,120 --> 01:07:34,120
Speaker 1: I think we we we were we at his studio

1154
01:07:34,200 --> 01:07:36,520
Speaker 1: or was he at my or where were at my studio?

1155
01:07:36,840 --> 01:07:38,480
Speaker 1: You know, Jake used to work out of my studio.

1156
01:07:38,560 --> 01:07:41,000
Speaker 1: Maybe we was at yours. I know he had this

1157
01:07:41,280 --> 01:07:47,680
Speaker 1: purple MPC four thousand and he was saying he had

1158
01:07:47,760 --> 01:07:52,200
Speaker 1: these drums from koc Shott to Koca by the prom

1159
01:07:52,240 --> 01:07:54,640
Speaker 1: and I remember you. You were sitting on a couch

1160
01:07:56,560 --> 01:07:58,680
Speaker 1: and that's the first time I ever saw you and

1161
01:07:58,800 --> 01:08:01,280
Speaker 1: met you. I know you. I don't remember that, but

1162
01:08:01,480 --> 01:08:04,120
Speaker 1: I don't know who studio it was, but yeah it was.

1163
01:08:04,800 --> 01:08:07,080
Speaker 1: I can't remember exactly what. I know it was Cojack there,

1164
01:08:07,320 --> 01:08:14,840
Speaker 1: Okaya mog Potner say on them beats going down memory,

1165
01:08:14,920 --> 01:08:18,120
Speaker 1: laying on our way out of the door, No more talk.

1166
01:08:20,560 --> 01:08:23,280
Speaker 1: This episode was produced by Aking and brought to you

1167
01:08:23,400 --> 01:08:28,160
Speaker 1: by The Black Effect Podcast Network and I Heart Radio.