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Speaker 1: It was at the orchard, the Los Angeles Orchard with

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Speaker 1: Lillian Sorry, uh gish and we're we're doing that project

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Speaker 1: where we project X. Yeah. It was kind of like

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Speaker 1: a project. It was that sort of dangerous party was insane.

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Speaker 1: I know, it was as insane as for the project.

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Speaker 2: That party. Uh.

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Speaker 1: And what we're doing is we're going up on the

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Speaker 1: ladders to the pair. We were in the pair section

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Speaker 1: and putting stickers on the pears that say like poison

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Speaker 1: GMOs and stuff. So it was like an art statement

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Speaker 1: sort of about like, well, this is actually what.

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Speaker 2: The nart statement and you get first pick of all

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Speaker 2: the pairs.

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Speaker 1: Oh, we're taking the good ones, yes, and so the

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Speaker 1: nasty ones with worms are we're saying these have poisoned gmosh,

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Speaker 1: and we are. I'm going so fast I don't even

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Speaker 1: have to go up and down the ladder. I can

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Speaker 1: just kind of walk the ladder from tree to tree.

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Speaker 1: But then who shows up a farmer. Of course, the

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Speaker 1: farmer's there and he's like, hey, stop doing this, and

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Speaker 1: I was like, hey, you actually even say like that?

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Speaker 1: Do his voice? Okay, Hey guys, what are you doing about.

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Speaker 2: Dre This is farmers?

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Speaker 1: Yes, these farmers they all sound like that, And I'm like, well,

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Speaker 1: do you actually even know what these are, like, what

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Speaker 1: these GMOs? Like what the deal is? And he was like, no,

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Speaker 1: I'm actually really ignorant about this, like and he wasn't

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Speaker 1: saying it like that, but like how he was talking

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Speaker 1: like that's what was like coming across. I don't know

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Speaker 1: what this stuff is and this is actually my job

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Speaker 1: and I haven't educated myself on it. So I'm like, well,

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Speaker 1: GMOs are these gen manipulation objects where they they come

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Speaker 1: with this genome that will infect your personal genome. They

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Speaker 1: send a scout genome to lay eggs in your genetic coat,

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Speaker 1: and they can manipulate your genes and turn parts of

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Speaker 1: you into pairs.

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Speaker 2: Well, when we see these pair people walking around, I mean,

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Speaker 2: some of these Kardashians, you know what I mean. And

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Speaker 2: it's not and I'm not trashing them, but there's I mean,

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Speaker 2: they're obviously sharing some genetic material with a pair because

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Speaker 2: if you look at just the top versus how this

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Speaker 2: sort of bottom part of them comes out. Yeah, I mean,

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Speaker 2: and there's a main one of them that I'm thinking

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Speaker 2: of that it's pretty stark the contrast. Yeah, and it

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Speaker 2: does remind one you know of this particular fruit.

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Speaker 1: Yeah, and you watch the show and there's fruit basically

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Speaker 1: every scene they're eating a pair.

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Speaker 2: Let me finish a peach. But if you look at

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Speaker 2: the whole picture, yeah, a pair. Yeah, so go ahead.

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Speaker 1: Yeah, they're eating pears, eating pears and peaches in every scene. Yeah,

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Speaker 1: and it's laying eggs in them, and it's turning.

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Speaker 2: On the end of the fruit and Kanye's coming in like, hey,

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Speaker 2: I got more pears. Yeah, and they're like, oh, thanks,

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Speaker 2: and then he leaves and the I'm going is he

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Speaker 2: working for the pears?

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Speaker 1: You know?

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Speaker 2: Because it's not totally clear where his alignments are. And

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Speaker 2: I'm just saying, is it not. Please don't grab this

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Speaker 2: clip out of context and post it on every blog.

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Speaker 2: There's this big conspiracy. Now, Oh, Sean and Hayes say

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Speaker 2: Kanye works for the pears. Okay, that's not what we're saying.

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Speaker 2: We're noticing something. We're saying we don't know. We're noticing

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Speaker 2: some things that make it worth asking the question.

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Speaker 1: And it would be crazy to say that we know,

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Speaker 1: in the same way that it's crazy for you to

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Speaker 1: say that you don't know.

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Speaker 3: M M.

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Speaker 2: Yeah, No, for you to go, Hey, I know certainty

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Speaker 2: is the real enemy here. Okay, that is what burns

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Speaker 2: my hot cross.

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Speaker 1: Oh you were there. You know exactly what happened because

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Speaker 1: you were there. You saw the whole thing. I know

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Speaker 1: all the information. I don't think you.

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Speaker 2: Saw him have a meeting with a pair, or in

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Speaker 2: the case of god, you saw him create the oceans

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Speaker 2: through his tears. It's like, no, you didn't see that.

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Speaker 2: So I think that probably what happened is he stubbed

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Speaker 2: his toast, crying so hard that it made the oceans.

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Speaker 2: And you think whatever you think.

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Speaker 1: Neither one of us know no way you say that

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Speaker 1: the way you think is wrong.

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Speaker 2: But I'm not and I'm not saying I'm totally right.

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Speaker 2: I'm saying this actually makes most sense if you look

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Speaker 2: at any book. But forget it.

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Speaker 1: Hi, welcome to Hollywood. Kick him and dropping names in

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Speaker 1: the red carpet line. Backway the industry we call show

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Speaker 1: that he burned the orchard and he was agreed to

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Speaker 1: after that that he had been wrong.

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Speaker 2: And did you see anyone just like watching from behind

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Speaker 2: a tree, being.

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Speaker 1: Like, oh no, when we were when set it on fire. Yeah,

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Speaker 1: there were a bunch of you almost every tree had

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Speaker 1: someone behind it saying like, oh no, this is really bad.

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Speaker 2: This is the opposite. Yeah, well, hmmm, makes you think

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Speaker 2: that we're not saying anything. Please don't put please don't

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Speaker 2: put this on these blocks. Sean said this, I can't.

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Speaker 1: But if you put it, you have to put this

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Speaker 1: other stuff too, if you okay, if you want to

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Speaker 1: put it, put the whole thing and link link to

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Speaker 1: the show. Yes, and review it and.

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Speaker 2: Reviewed on iTunes five stars, please and subscribe. Okay, so

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Speaker 2: we're here, we got a guest. It's a show, we're

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Speaker 2: doing the podcast. It's d C. Pearson's in the studio

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Speaker 2: with us. Hey, guys, and it's fun to have DC.

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Speaker 2: And we haven't had them in a little while. Hayes

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Speaker 2: literally said this to me, we've got DC in a while.

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Speaker 4: I know, can you like, yeah, I'm sort of honestly

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Speaker 4: the like Indian food of guests, where like you don't

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Speaker 4: have me in a while, and then but when you

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Speaker 4: think of me, you're like, oh fuck, that would.

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Speaker 2: Click rush right now, I could actually do we not

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Speaker 2: do that more? Yeah? Exactly, Yeah, I really did say that.

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Speaker 2: He really did say that, And then and then that

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Speaker 2: Indian food thing really has happened to me really, mm hmm.

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Speaker 4: That is kind of what I try to really be

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Speaker 4: relatable because I feel like it's so easy to get

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Speaker 4: so niche with stuff and we're just in our bubble

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Speaker 4: and we're just you know, But I really try to

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Speaker 4: put it out there things that people can, you know,

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Speaker 4: really relate to. Indian food, well only is something that

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Speaker 4: everyone only has very infrequently. You even look at India,

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Speaker 4: how often are they really getting Indians.

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Speaker 1: Every once in a while they say like, oh, I

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Speaker 1: actually actually go for some Indian food.

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Speaker 2: How often am I eating American food here in America? Yeah,

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Speaker 2: you know, it doesn't happen that much. When it's right there,

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Speaker 2: you don't always deal with it. It's and that's what's

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Speaker 2: nice about globalization and the world and how much smaller

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Speaker 2: it's gotten that we don't have to just see like, oh,

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Speaker 2: cheeseburgers again. No, we can actually you know, like we

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Speaker 2: can eat turkey by Chinese cheeseburgers. Yeah, Chinese burgers, China

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Speaker 2: Chinese burger. So I love that you brought up how

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Speaker 2: relatable you are and how you're not part of this

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Speaker 2: echo chamber that can a coast right. Yeah, anybody thinks

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Speaker 2: sick of the coast. Thank you, these coastal elites, Yes,

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Speaker 2: telling us how to live our lives.

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Speaker 1: Yes, Yes, And this is why I so enjoy talking

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Speaker 1: to d C who's from like the like Arizona, New

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Speaker 1: Mexico nose who cares.

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Speaker 4: Yes, and four Corners area. Again if I am, I

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Speaker 4: was born in Arizona. But I feel like I like

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Speaker 4: to keep it a little broader than that because it's

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Speaker 4: all very similar.

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Speaker 2: It's the four corners. It's that combination of going like, oh,

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Speaker 2: I'm going to appeal to all four of these different markets.

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Speaker 2: It's like a quadrants. It really prepared me for appealing

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Speaker 2: to four quadrants.

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Speaker 1: And you bring so much of that to the coast.

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Speaker 1: In a way, when I just ever need to break

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Speaker 1: from the coast, I can talk to DC and and

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Speaker 1: and hear about the spirit of Cocapelli and the turquoise

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Speaker 1: stone and some of the natives.

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Speaker 2: Well in the vortex is the red rocks of Sedona

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Speaker 2: and just sort of some of those sacred rock formations

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Speaker 2: that we don't always think about when we're just looking

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Speaker 2: at the ocean.

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Speaker 1: Yeah, and you explained to me that Georgia O'Keefe and

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Speaker 1: the horniness of those paintings in a way that I

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Speaker 1: had not seen before.

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Speaker 2: Yeah.

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Speaker 4: A lot of people look at those and they go, oh,

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Speaker 4: what a nice flower. And what I was the one

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Speaker 4: to realize was hold the phone. Yeah, where have I

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Speaker 4: seen this before?

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Speaker 2: You know? Yeah, and it was on my phone. I said,

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Speaker 2: this looks like one of my apps. Yeah, hold the phone.

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Speaker 2: I've seen this on my phone. And then you take

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Speaker 2: out your hold my phone. I don't need it anymore.

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Speaker 2: This painting will do for me now.

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Speaker 1: Yeah, and it is horny. And we wanted to talk

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Speaker 1: about SNL and we are doing SNL now and they

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Speaker 1: have these new guys.

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Speaker 2: SNL is getting done on the weekends and uh, they've

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Speaker 2: got new guys, and let's face it, the show is struggling. Yeah,

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Speaker 2: they don't know what they're doing.

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Speaker 1: They brought in Katie and Mark and Alex these new actors.

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Speaker 2: Uh huh. And I hear that.

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Speaker 1: I like, so you know, it has started, and so

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Speaker 1: they're like, oh, we're done, but I actually hear that,

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Speaker 1: like sometimes they are looking around and they're saying, we're

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Speaker 1: actually not done, and so they actually might cast more people.

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Speaker 2: And Denny and Janine are writing over there too now

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Speaker 2: and as I'm looking at that, I'm going they're not

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Speaker 2: getting that much stuff on. Yeah, and I think that

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Speaker 2: they pretend.

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Speaker 4: To because Denny and Janine are so when they get

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Speaker 4: when you get them together, yes, like someone on their

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Speaker 4: own is like, Okay, that's great, that's like a really

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Speaker 4: funny sketch. But when you get them together in the

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Speaker 4: ping pong match starts to happen.

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Speaker 2: Yeah, Well, the whole is greater than the something with

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Speaker 2: parts and I that.

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Speaker 4: Sorry, it's huge on Danny and Janine.

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Speaker 2: Anyway, the whole is greater than the something with parts.

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Speaker 2: And they have this great way that they compliment each

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Speaker 2: other and they are so funny. But DC, are they

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Speaker 2: right for that show? That's my thing. I know they

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Speaker 2: right for that show, Yeah, but are they right for it?

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Speaker 2: It's like, are you mister right or are you mister

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Speaker 2: right now? Mmmmmmm. It's a little easier looking for mister

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Speaker 2: goodbody than mister good bar.

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Speaker 1: So because they Yeah, their specialty are these fake commercials

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Speaker 1: of these like political sketches. Right, someone where likes a

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Speaker 1: politician gives a speech at the beginning of the show.

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Speaker 1: But is it really for SNL that they should be

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Speaker 1: doing these like politicians would give these speeches.

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Speaker 2: I don't I don't know, and so at this point

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Speaker 2: I'm actually wondering, hey, wait a minute, should they keep

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Speaker 2: looking for people and should they actually hire us? And

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Speaker 2: should we all do our character read yes?

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Speaker 1: And so people have been saying like, oh, sorry, you

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Speaker 1: did get it this year, because you were really saying

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Speaker 1: that you would and like that, like you You're reel

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Speaker 1: was so good this year, and it's like, well, first

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Speaker 1: of all, I think they are still going to hire

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Speaker 1: more people, so it's actually not over yet. And second

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Speaker 1: of all, I don't really I'm not even mostly a performer,

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Speaker 1: like so it's not even my you know, I'm I

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Speaker 1: write and sing.

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Speaker 2: I'm kind of funny by accident. I'm kind of funny

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Speaker 2: by accident. Yeah, Like I am not trying to do

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Speaker 2: jokes necessarily, but a lot of people crack up and a

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Speaker 2: lot of my ship Well you're one of those self.

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Speaker 4: Yeah, you're one of those people where you're not so

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Speaker 4: much you're not trying to be funny, but you're the

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Speaker 4: type of person who I want to make a tweet

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Speaker 4: where it's like I'm actually hanging out with you and

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Speaker 4: then I like quote what you like just said irl yes,

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Speaker 4: Well I'll have a thing like.

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Speaker 1: I get some funny stuff in the quote dialogue too.

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Speaker 5: Oh yeah, I get if you come in there, for sure,

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Speaker 5: I get a few bites of the apphle like definitely,

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Speaker 5: But it's clear that Sean is like the real superstar,

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Speaker 5: and then me by extension, I mean it's clear I

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Speaker 5: can keep up.

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Speaker 2: Yeah, from what I said, you said in the dialogue,

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Speaker 2: well you and you are someone who is more aware

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Speaker 2: of kind of the structures of comedy in that stuff,

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Speaker 2: where like I'm funny in my bones, I've got funny DNA.

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Speaker 2: I'm just set to this frequency that's just a little

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Speaker 2: bit off. Yeah, and me just living my life, being

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Speaker 2: myself is cracking people up. And then you're somebody who

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Speaker 2: can recognize and go like, hey, that's really funny. Let

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Speaker 2: me like write that down what he said, and then

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Speaker 2: I'll write like something I didn't necessarily say, but could

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Speaker 2: have said that would be funny to respond with.

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Speaker 1: Whereas me, I'm studying the math of it, basically, the

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Speaker 1: formulas and the algorithms, Like it's not like any kind

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Speaker 1: of natural thing, but it is something that can be Yeah, we'll.

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Speaker 4: Often be hanging out and Hayes will kind of be

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Speaker 4: like wait, wait, wait, wait, wait, Like if we're at

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Speaker 4: a bar and he'll run over to the window and

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Speaker 4: just start scrawling the algorithm of the funny shit that

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Speaker 4: we're throwing down, like out on like a social network

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Speaker 4: sort of a thing where he's writing the Facebook algorithm

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Speaker 4: on a storm window, and we'll be like, hey, Hayes,

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Speaker 4: why did you know to bring a pen that will

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Speaker 4: write visibly on glass?

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Speaker 2: A normal sharpie wouldn't do that.

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Speaker 1: Yeah, And so that's like, when I'm hanging out with

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Speaker 1: you guys who are these kind of natural, like funny men,

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Speaker 1: I like can transpose that into these sort of mathematical

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Speaker 1: situations with my special pen.

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Speaker 2: Yeah. And a lot of that is from your Second

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Speaker 2: City training I mean that's yes, that's what they teach.

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Speaker 1: Yes, and I hope we're doing an ad for them

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Speaker 1: today in additions of this one that we're doing right.

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Speaker 4: They will often leave at the Second City training center.

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Speaker 4: I've heard that they will often leave a unfinished joke

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Speaker 4: on the board in the hopes that someone will come

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Speaker 4: in and finish it.

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Speaker 2: To lure Yes.

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Speaker 1: Yeah, and like the hardest joke, the one.

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Speaker 2: Joke that no one has been able to solve that

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Speaker 2: took years to solve, and I've heard that lately someone

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Speaker 2: has been solving them. And then a professor from Second

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Speaker 2: City has been walking up and going to the professor

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Speaker 2: who have the w C fields most and he's been going, Emmett,

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Speaker 2: was it you? And em it's going, don't look at me.

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Speaker 1: You know.

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Speaker 4: A lot of times comedians will posit setups that won't

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Speaker 4: necessarily be completed for years. Like That's part of what

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Speaker 4: you have to know about comedy is this isn't like

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Speaker 4: just about going out there on Friday night and getting

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Speaker 4: a laugh. This is about thinking years in advance. You

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Speaker 4: might not live to see the punchlines to the funniest

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Speaker 4: setups you might throw out there.

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Speaker 2: Well, take my wife was on a board for years,

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Speaker 2: I mean before Henny Youngman actually came in, and then

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Speaker 2: you know, wrote the word it like started writing all

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Speaker 2: these crazy shapes and that it was like, oh please,

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Speaker 2: and that became sort of a legendary one of these jokes.

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Speaker 2: And so they do put setups on a board and go,

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Speaker 2: we know there is a joke here, but people are

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Speaker 2: yet to solve it. Can you think of any setups

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Speaker 2: that you've seen that like maybe we could sort of

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Speaker 2: throw out there to our audience and see if any

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Speaker 2: geniuses could tweet the solution.

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Speaker 1: If anyone can solve these setups?

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Speaker 2: Yeah.

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Speaker 1: See, now when with alt comedy, the setups are just

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Speaker 1: like you're sort of acting like a normal guy, you know,

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Speaker 1: so it's tough to even like it's like everything is

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Speaker 1: basically a setup now, and it's like, how does this

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Speaker 1: pay off? It might not have to write and maybe

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Speaker 1: sometimes that is.

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Speaker 4: Maybe it's just you're up on stage with your notebook, yes,

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Speaker 4: which I.

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Speaker 2: I don't like that. I know that. I think we're

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Speaker 2: all on the same page about this.

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Speaker 4: We're all kind of some old school New York dogs,

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Speaker 4: you know, and we just it's about really going up

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Speaker 4: there and like being a killer. Yes, one of these,

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Speaker 4: one of these you know, alt comics stumble up there

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Speaker 4: and they're a little sweater with their little notebook.

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Speaker 2: Oh yeah, and it's so cool right that it's like, hey,

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Speaker 2: this isn't quite finished. I'm gonna show you that I'm unprepared.

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Speaker 2: It's like, hey, these people paid for a fucking show.

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Speaker 2: Why don't you get up there, own the space and

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Speaker 2: perform your shit.

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Speaker 1: And they'll be like, oh, what is this and they'll

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Speaker 1: be like, oh, like that, I'm not going to do that.

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Speaker 1: As they're like going through the list and it's like.

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Speaker 2: Tell us the stand up there, go like, hey, guys,

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Speaker 2: I'm not going to do that. I'm not going to

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Speaker 2: do that. Hey, good to see you. Where are you

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Speaker 2: from tonight? Know that I don't have an ending for yet.

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Speaker 2: All right this and then do your joke. Just look

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Speaker 2: at the notebook.

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Speaker 1: Now, Cody, you remember you're supposed to be saying up yep,

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Speaker 1: oh here, when you like hear something that is you like,

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Speaker 1: affirm that you think is cool, you go no. Just

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Speaker 1: when you think, be ready now this is something cool,

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Speaker 1: this is not cool. Which what's happening now is you're

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Speaker 1: being in trouble, ye, Cody, trouble. I'm sorry, trouble. Is

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Speaker 1: that cool? This is not a situation for you to

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Speaker 1: be excited and affirm what's going on?

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Speaker 2: This is bad?

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Speaker 6: Yeah, okay, I think I get it. I'm working on it.

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Speaker 6: So we should do the real what is that is that?

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Speaker 2: And I'm just gonna throw out and if you have,

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Speaker 2: if you have a solution for this. But this is

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Speaker 2: a sort of setup that we've all been dealing with

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Speaker 2: for a while and it's what's the deal with paper towels?

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Speaker 1: And so because the answer is like pretty clear, which

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Speaker 1: is like they're incredibly useful for so many things and

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Speaker 1: there's nothing really that's confusing about them. They're packaged in

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Speaker 1: kind of a way that really makes sense. Can we

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Speaker 1: subvert this somehow?

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Speaker 4: Yeah, but they've been they've also been moving forward as

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Speaker 4: a technology. I mean, they better select to size come out.

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Speaker 4: That was like how did we not have that before?

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Speaker 1: So An just about to say, like, what's the deal

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Speaker 1: with these paper towels? They're too big? Oh well now

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Speaker 1: you can't do that.

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Speaker 2: Now there's a smaller one. Yeah, because they're ahead of

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Speaker 2: the jokes in areas. Yeah, and they just put the

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Speaker 2: perforation in a different place. Was really smart. Yeah. And

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Speaker 2: they're really absorbent and uh just a great all around

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Speaker 2: useful kitchen tool. Yeah, I guess. And like but it's

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Speaker 2: almost like the lack of an obvious take that.

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Speaker 4: Makes us exactly that's why it's on the board.

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Speaker 2: If it was clear what the take was or what

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Speaker 2: the deal was with something, then I think that you

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Speaker 2: wouldn't have it on the board. We'd all just be

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Speaker 2: out on stage. No notebook yes, drilling the audience, punishing

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Speaker 2: them with fucking line after line of funniness and funny take.

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Speaker 2: Comedy should be aggressive and exhausting. I'm a killer. I

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Speaker 2: am a killer out there. I am a trained fucking

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Speaker 2: assassin coming for your laughs. Man, I'm wearing your laughs

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Speaker 2: on a fucking chain around my neck. I'm loaded for

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Speaker 2: bear laughs wise, and I am gonna fucking scalp you

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Speaker 2: and fuck your dead body with my comedy dink. And

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Speaker 2: I'm gonna get hurt too. Oh god, I gotta be shot.

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Speaker 2: Oh yeah, no, because Hayes is waiting to go on

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Speaker 2: stage next, but he can't follow this. But some of

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Speaker 2: the bits that we chop up in the green room, though,

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Speaker 2: Oh when we just get down and chop it up

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Speaker 2: with the other comics who are like just as twisted as.

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Speaker 1: We are, and you have to be able to hang.

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Speaker 2: It's tough because we're we're saying we're wearing really big

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Speaker 2: leather jackets.

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Speaker 1: Yes, and we're being mean about each other's leather jacket

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Speaker 1: even though we are we are wearing what.

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Speaker 4: As well, well, we're a leather jacket game that we

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Speaker 4: can spot like you know, were we really know it inside.

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Speaker 4: Now we know all the conventions, the flaps, the pockets.

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Speaker 4: Oh yeah, nippers, they got to be looking right, a

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Speaker 4: little bit of fur.

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Speaker 2: Line on it. Okay, DC's got the fur line leather jacket.

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Speaker 2: All right, I got a joke for that, and I

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Speaker 2: just drill him with it. I'm a monster out there, man,

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Speaker 2: I'm a fucking sociopath. I'm committing comedy genocide. No one spared. Man.

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Speaker 2: When I get on stage, I got one goal, seek

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Speaker 2: and destroy.

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Speaker 1: But you also do characters. Oh yeah, Well.

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Speaker 4: I think one thing that's kind of important about the

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Speaker 4: to look at in terms of when we're preparing for

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Speaker 4: SNL or really when SNL's were just preparing to go forward,

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Speaker 4: is like the.

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Speaker 2: News move so fast these days.

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Speaker 4: Yeah, you know, it's like, oh you know Sean Spicer,

403
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Speaker 4: Rice Previous, Yes, Anthony Scott A Mucci.

404
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Speaker 2: Yeah, you have to know.

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Speaker 4: These were all we could think about. It felt like

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Speaker 4: these guys would never go away, like this is.

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Speaker 2: The new normal. And then now you turn around and

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Speaker 2: they're like normals off the air. You literally turn around,

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Speaker 2: the new normal is off the air, which I can't believe.

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Speaker 4: So I think it's real. It's like anything could be

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Speaker 4: fair game. It's not just like, oh, who's currently in

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Speaker 4: the political sphere, because I.

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Speaker 2: Don't know if you guys know about this.

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Speaker 4: Our president of the United States of America used to

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Speaker 4: host a reality game show. I talk about a freaking get.

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Speaker 1: Well, I will say yes, and but this is another

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Speaker 1: one of those uncrackable premises of like, what do you

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Speaker 1: do with that?

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Speaker 2: It's just a fact, I guess tweet at us if

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Speaker 2: you have a way to kind of apply comedy to

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Speaker 2: that idea, yeah, because to me, yeah, those facts are

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Speaker 2: just kind of laid out there on the table. I

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Speaker 2: don't know if there's like.

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Speaker 4: A specific from the reality game show, like a thing

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Speaker 4: that he would say in that context that in any

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Speaker 4: way applies to his current scenario where there's a lot

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Speaker 4: of turnover in his cabinet. Yeah, I don't know if

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Speaker 4: it's like we'll be right back or something, or you know,

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Speaker 4: oh yeah.

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Speaker 2: Stay tuned, or thanks for coming in everybody. But if

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Speaker 2: if he were, if if he was the wheel of

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Speaker 2: fortunate and he's that's.

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Speaker 1: Been the wheel, then that would be that would work, right,

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Speaker 1: we get another one of these guys show spinning wheel.

435
00:22:25,480 --> 00:22:29,160
Speaker 2: Yeah, but he never did it. No, he didn't do that.

436
00:22:30,400 --> 00:22:32,399
Speaker 2: There's a lot of stuff he didn't host that I

437
00:22:32,480 --> 00:22:35,480
Speaker 2: have a really clean angle on, and we don't.

438
00:22:35,640 --> 00:22:37,240
Speaker 4: This is why we need your guys help, is because

439
00:22:37,240 --> 00:22:40,400
Speaker 4: we are not We never watched that show and we

440
00:22:40,480 --> 00:22:42,240
Speaker 4: are not going to go back and watch it now

441
00:22:42,280 --> 00:22:49,280
Speaker 4: because it is a reality show. And yeah, so please

442
00:22:49,320 --> 00:22:50,600
Speaker 4: do get at us, but go ahead.

443
00:22:50,760 --> 00:22:55,200
Speaker 2: Yeah, yeah, yeah, And reality shows are fake. Oh it's

444
00:22:55,280 --> 00:22:59,760
Speaker 2: right there in the title. We don't funk with the fake.

445
00:23:00,560 --> 00:23:05,439
Speaker 2: We hate fake. Anytime somebody's saying reality to you, you know, hey,

446
00:23:05,480 --> 00:23:06,439
Speaker 2: they're hiding something.

447
00:23:07,920 --> 00:23:10,400
Speaker 4: I just want to be real and be with other

448
00:23:10,480 --> 00:23:13,360
Speaker 4: people who are vocally anti fakeness.

449
00:23:13,440 --> 00:23:15,320
Speaker 2: Here are the things that have reality in the title,

450
00:23:15,400 --> 00:23:19,400
Speaker 2: reality shows and virtual reality, the two fakest things there is.

451
00:23:19,480 --> 00:23:23,160
Speaker 1: Yeah, neither one of those is anything that's real, and

452
00:23:23,200 --> 00:23:29,120
Speaker 1: it's it's liars. And I hate fake this and it's

453
00:23:29,119 --> 00:23:33,119
Speaker 1: something that I never allow into my circle. In my circle, yes,

454
00:23:33,160 --> 00:23:35,760
Speaker 1: my circle is tight as shit. Yes, my circle is

455
00:23:35,760 --> 00:23:37,720
Speaker 1: straight up, and there's no fakeness allowed.

456
00:23:37,760 --> 00:23:40,359
Speaker 2: There's one rule, no phonies.

457
00:23:40,520 --> 00:23:43,480
Speaker 1: Yes, how many yup yup situations have we just laid

458
00:23:43,600 --> 00:23:46,520
Speaker 1: up for you, Cody? I mean, all this should be

459
00:23:46,600 --> 00:23:49,200
Speaker 1: is just a continuous string of yup yups. Not now

460
00:23:49,240 --> 00:23:51,199
Speaker 1: I can tell you're thinking of doing it now, but

461
00:23:51,400 --> 00:23:54,119
Speaker 1: everything you've been saying, and then I feel like there

462
00:23:54,119 --> 00:23:56,440
Speaker 1: should be a thing it's cool you specifically, I mean

463
00:23:56,480 --> 00:23:58,040
Speaker 1: this is like targeted at you.

464
00:23:58,119 --> 00:23:59,960
Speaker 4: And if there's something that you is like the opposit

465
00:24:00,000 --> 00:24:02,000
Speaker 4: instead of a yup yup where we're going off on

466
00:24:02,040 --> 00:24:04,760
Speaker 4: something that we don't like and you wanted to cry

467
00:24:04,840 --> 00:24:06,800
Speaker 4: that thing, I feel like in that case you should

468
00:24:06,800 --> 00:24:09,359
Speaker 4: say yub yub, which is I think a thing that

469
00:24:09,400 --> 00:24:10,080
Speaker 4: ewok's say.

470
00:24:10,720 --> 00:24:12,760
Speaker 2: I was, I was curious and tell me, I'm just

471
00:24:12,800 --> 00:24:15,280
Speaker 2: gonna run this by you. What about if we're doing

472
00:24:15,320 --> 00:24:18,159
Speaker 2: something like that and Cody goes, oh, hell no.

473
00:24:19,160 --> 00:24:22,000
Speaker 1: Well that's yes. So that's in a situation that's not

474
00:24:22,920 --> 00:24:26,159
Speaker 1: a yup yup situation when you feel like you know,

475
00:24:26,240 --> 00:24:28,920
Speaker 1: it's like gone a little too far for you, then

476
00:24:28,960 --> 00:24:29,680
Speaker 1: you could say something.

477
00:24:29,720 --> 00:24:31,480
Speaker 4: So I feel like we've really given you the tools.

478
00:24:31,480 --> 00:24:33,960
Speaker 4: There's nothing that we should say that you shouldn't be

479
00:24:34,000 --> 00:24:36,000
Speaker 4: responding to in one way or the other, either a

480
00:24:36,000 --> 00:24:39,199
Speaker 4: strong agree or a strong disagree, because we know what

481
00:24:39,280 --> 00:24:42,479
Speaker 4: makes good radio, and that's having strong opinions one way

482
00:24:42,560 --> 00:24:43,679
Speaker 4: or the other. We're not just gonna come out here

483
00:24:43,720 --> 00:24:46,639
Speaker 4: and be ambivalent about something, So you should really be

484
00:24:46,720 --> 00:24:49,560
Speaker 4: punctuating just about everything we'd say with either a yup, yup.

485
00:24:49,520 --> 00:24:52,080
Speaker 2: Or hell Now during a setup when we are still

486
00:24:52,080 --> 00:24:58,000
Speaker 2: being neutral, you could go, hmm, that could work. But

487
00:24:58,119 --> 00:25:02,160
Speaker 2: basically it's like what Hayes goes and no fake people out.

488
00:25:02,200 --> 00:25:05,280
Speaker 2: I hate fake people. You gotta go yup, yup. And

489
00:25:05,320 --> 00:25:09,200
Speaker 2: then when and when DC goes, uh, yeah, well we're

490
00:25:09,200 --> 00:25:11,120
Speaker 2: not going to go back and watch a reality show,

491
00:25:11,119 --> 00:25:12,480
Speaker 2: you go, oh, hell no.

492
00:25:13,640 --> 00:25:17,520
Speaker 1: But fagueness in realness for you is such a rich

493
00:25:17,600 --> 00:25:19,800
Speaker 1: area because you are the one person that I see

494
00:25:19,840 --> 00:25:21,080
Speaker 1: you and I'm kind of like, oh, maybe like a

495
00:25:21,119 --> 00:25:25,480
Speaker 1: little fakeness would be like good, Maybe like the harsh

496
00:25:25,520 --> 00:25:30,080
Speaker 1: reality of you just like all at once, or maybe

497
00:25:30,080 --> 00:25:33,320
Speaker 1: we could like parcel out the reality, uh like in

498
00:25:33,400 --> 00:25:36,720
Speaker 1: a way that's like a little easier to take down.

499
00:25:36,840 --> 00:25:38,480
Speaker 2: You don't have to think of it as being fake.

500
00:25:38,560 --> 00:25:41,359
Speaker 2: But if you could just contain a little bit of

501
00:25:41,400 --> 00:25:44,919
Speaker 2: what you're actually like and just kind of keep it

502
00:25:44,960 --> 00:25:47,400
Speaker 2: behind the curtain for a few minutes when you first

503
00:25:47,440 --> 00:25:49,760
Speaker 2: meet people, I think it would go a long way.

504
00:25:51,720 --> 00:25:53,200
Speaker 2: I think say yep, yup.

505
00:25:54,280 --> 00:25:55,920
Speaker 6: I think I'm getting you're getting me a lot of

506
00:25:55,920 --> 00:25:57,080
Speaker 6: options here, and I like that.

507
00:25:58,040 --> 00:25:58,960
Speaker 1: Yeah, you're not.

508
00:25:59,160 --> 00:26:01,679
Speaker 2: Doing any of them. Are we having a bad meeting

509
00:26:01,720 --> 00:26:02,480
Speaker 2: with you right now?

510
00:26:02,520 --> 00:26:05,720
Speaker 4: Are we pitching you on something and you're not into it?

511
00:26:05,760 --> 00:26:08,280
Speaker 4: And so you're saying you're giving me a lot of options,

512
00:26:08,560 --> 00:26:12,240
Speaker 4: like you're searching for something positive to say.

513
00:26:12,280 --> 00:26:14,399
Speaker 1: It likes a nice, big sandbox to play it. He

514
00:26:14,960 --> 00:26:19,160
Speaker 1: likes a wide range of decisions he can make at

515
00:26:19,200 --> 00:26:20,080
Speaker 1: any given time.

516
00:26:20,560 --> 00:26:24,080
Speaker 6: So I need a long landing strip, you know, I

517
00:26:24,119 --> 00:26:26,720
Speaker 6: need a lot of breakfasts, a lot of dinner, and

518
00:26:26,760 --> 00:26:27,800
Speaker 6: none of the in betweens.

519
00:26:29,359 --> 00:26:31,120
Speaker 2: And then when, just so people know, when he said

520
00:26:31,200 --> 00:26:33,959
Speaker 2: landing strip, he kind of pulled up his shirt showed

521
00:26:33,960 --> 00:26:34,240
Speaker 2: that he.

522
00:26:35,960 --> 00:26:38,600
Speaker 1: It goes above his belly button, it crosses his belly

523
00:26:38,600 --> 00:26:39,680
Speaker 1: button and goes all the way.

524
00:26:39,840 --> 00:26:42,040
Speaker 4: It sounded like a lost verse to the gambler. What

525
00:26:42,080 --> 00:26:44,439
Speaker 4: you just said, I like a long landing strip, a

526
00:26:44,440 --> 00:26:46,680
Speaker 4: lot of breakfast, a lot of dinner, no in betweens.

527
00:26:46,800 --> 00:26:51,679
Speaker 2: I'm a joker. I'm a smoker. Yeah, I'm a midnight joker. Yep. Yeah,

528
00:26:51,720 --> 00:26:56,600
Speaker 2: and when to fold them? So let's get into these

529
00:26:56,720 --> 00:26:59,920
Speaker 2: character reels. Now that we have finally sort of coach

530
00:27:00,160 --> 00:27:05,600
Speaker 2: Cody into a reasonable place. Who wants to go first

531
00:27:05,720 --> 00:27:10,080
Speaker 2: and just and just really wallop Lorne with I'd say

532
00:27:10,080 --> 00:27:12,080
Speaker 2: we could probably just do one or two lines of

533
00:27:12,080 --> 00:27:16,679
Speaker 2: each character. That'll and that'll and that'll really make it

534
00:27:16,720 --> 00:27:22,840
Speaker 2: clear what our comedic point of view is. I could go, okay,

535
00:27:23,440 --> 00:27:27,320
Speaker 2: I'll start in the middle of mine. That's good and

536
00:27:27,440 --> 00:27:29,000
Speaker 2: media res Yes.

537
00:27:31,160 --> 00:27:37,200
Speaker 1: This is a jiepi the Italian sushi show, Hey.

538
00:27:37,119 --> 00:27:43,800
Speaker 2: Lots sushi, tossed the sushi fish just a lip, just

539
00:27:43,800 --> 00:27:47,399
Speaker 2: two lines, you said, right, mm hmm, what is this? Cody?

540
00:27:47,560 --> 00:27:55,000
Speaker 2: Fuck so inappropriate? Cody? Oh hell n ah, hell no,

541
00:27:55,960 --> 00:27:59,919
Speaker 2: what is that? I guess so we know he's talking.

542
00:28:00,160 --> 00:28:02,119
Speaker 1: So every time you're gonna talk, it's gonna be with

543
00:28:02,200 --> 00:28:04,120
Speaker 1: that that echo yep, yep.

544
00:28:04,359 --> 00:28:07,359
Speaker 2: Okay, that's okay, that's good. I think that's actually smart.

545
00:28:07,440 --> 00:28:12,200
Speaker 2: Yeah okay, So that that sushi chef was pretty good.

546
00:28:12,680 --> 00:28:16,120
Speaker 2: So Hayes is probably gonna get on the show. Uh,

547
00:28:16,240 --> 00:28:18,359
Speaker 2: you want to circle back around for your impression.

548
00:28:18,400 --> 00:28:22,119
Speaker 4: I mean, I might start brainstorming for what you will

549
00:28:22,160 --> 00:28:25,080
Speaker 4: do in the opening, like when the camera finds you

550
00:28:25,119 --> 00:28:27,720
Speaker 4: in like the opening, I'm tossing.

551
00:28:27,320 --> 00:28:29,920
Speaker 2: A big fish like it's pizza dough. You're doing what

552
00:28:30,240 --> 00:28:34,680
Speaker 2: you're doing your character in the opening credit? Yes, oh wow, No,

553
00:28:34,840 --> 00:28:37,920
Speaker 2: this is the only character I will do on the show. MM.

554
00:28:39,360 --> 00:28:42,360
Speaker 1: So no impressions at all. And they have the all

555
00:28:42,360 --> 00:28:43,840
Speaker 1: these pizza guys, so this is what.

556
00:28:43,760 --> 00:28:46,520
Speaker 2: This is an impression though, right? What? Yes, this is

557
00:28:46,560 --> 00:28:47,840
Speaker 2: an impression of a real guy.

558
00:28:47,960 --> 00:28:51,800
Speaker 1: Yes, Like, so I watched the show and they often

559
00:28:51,920 --> 00:28:54,600
Speaker 1: have these like pizza guys and the main thing, I'm like,

560
00:28:54,600 --> 00:28:57,280
Speaker 1: this is not funny. I'm not like what is like?

561
00:28:57,600 --> 00:28:59,040
Speaker 1: This is just like normal pizza.

562
00:28:59,120 --> 00:28:59,760
Speaker 2: What if he was?

563
00:29:00,000 --> 00:29:02,240
Speaker 4: Do you think is that a commercial? Sushi is supposed

564
00:29:02,240 --> 00:29:03,920
Speaker 4: to be cold? Yeah, well, if I do a fit.

565
00:29:03,760 --> 00:29:06,520
Speaker 1: Commercial, it's going to be a commercial for this guy, right,

566
00:29:07,680 --> 00:29:08,640
Speaker 1: not his restaurant.

567
00:29:08,680 --> 00:29:11,080
Speaker 4: And I think that's smart because with what's going on

568
00:29:11,520 --> 00:29:16,800
Speaker 4: in the White House, this Giuseppe the the sushi chef

569
00:29:16,880 --> 00:29:19,800
Speaker 4: could rise to a position of power pretty quick.

570
00:29:19,800 --> 00:29:22,880
Speaker 1: There's a lot of there's a lot of Sean Spicer,

571
00:29:23,320 --> 00:29:26,960
Speaker 1: right you know, Okay, Well, I just I guess I'll

572
00:29:26,960 --> 00:29:29,280
Speaker 1: do my sushi chef character as long as we're on

573
00:29:29,320 --> 00:29:30,400
Speaker 1: the subject.

574
00:29:30,480 --> 00:29:35,880
Speaker 2: Sure, So here we go. Is Luigi the sushi hif.

575
00:29:38,080 --> 00:29:38,720
Speaker 4: My a.

576
00:29:40,680 --> 00:29:44,880
Speaker 2: The fish that needs more sauce.

577
00:29:47,520 --> 00:29:50,760
Speaker 1: Yeah, that's great, Now I will that do my character

578
00:29:50,760 --> 00:29:52,200
Speaker 1: in the same sketch as yours.

579
00:29:52,240 --> 00:29:53,880
Speaker 2: Obviously, I don't think that makes sense at all.

580
00:29:53,920 --> 00:29:54,719
Speaker 1: That would be crazy.

581
00:29:54,720 --> 00:29:55,840
Speaker 2: Well, we got a whole show to fill.

582
00:29:55,920 --> 00:29:58,760
Speaker 1: But they kind of feed off each other from sketch

583
00:29:58,800 --> 00:30:00,840
Speaker 1: to sketch, and they can be looking for each other.

584
00:30:03,240 --> 00:30:04,520
Speaker 4: I think it would be better for them to have

585
00:30:04,560 --> 00:30:07,120
Speaker 4: more through lines, and so I think that's setting them

586
00:30:07,160 --> 00:30:08,880
Speaker 4: up in a good way. I will just go I'll

587
00:30:08,920 --> 00:30:12,080
Speaker 4: just hop in really quick. And I feel like, and

588
00:30:12,120 --> 00:30:15,520
Speaker 4: this must be probably how they think about ordering the

589
00:30:15,520 --> 00:30:17,080
Speaker 4: sketches on the show. You don't want to have two

590
00:30:17,080 --> 00:30:19,680
Speaker 4: things back to back that are like too similar. Yeah,

591
00:30:19,760 --> 00:30:23,040
Speaker 4: so I'll just jump in with my character Paolo the

592
00:30:23,080 --> 00:30:34,960
Speaker 4: sushi chef Great Dominus Sanctus sushi too. Yeah, because a

593
00:30:35,000 --> 00:30:38,640
Speaker 4: lot of Italian people are Roman Catholic priests.

594
00:30:38,720 --> 00:30:41,120
Speaker 1: Yes, and this is fair game. I don't like it.

595
00:30:42,120 --> 00:30:45,160
Speaker 1: I think, you know, like, it shouldn't just be these

596
00:30:45,200 --> 00:30:48,520
Speaker 1: Italian guys that are fair game at this point. But look,

597
00:30:48,600 --> 00:30:50,440
Speaker 1: this is all that's left on the table. I would

598
00:30:50,520 --> 00:30:52,880
Speaker 1: love to be doing more kinds of guys.

599
00:30:52,520 --> 00:30:56,000
Speaker 2: One by one. You took all our options off the table,

600
00:30:56,320 --> 00:30:59,400
Speaker 2: and we're just gonna dig in on what's left, which

601
00:30:59,440 --> 00:31:03,160
Speaker 2: is we are allowed to go after these Italian guys.

602
00:31:03,320 --> 00:31:06,520
Speaker 4: Circular firing squad around the Italian guys.

603
00:31:07,680 --> 00:31:12,280
Speaker 2: As a comedy Mari, as a comedy serial killer. I've

604
00:31:12,320 --> 00:31:16,120
Speaker 2: gotta be going after somebody, you know, comedy when it's safe.

605
00:31:16,560 --> 00:31:20,680
Speaker 2: That's not funny. It's gotta feel edgy, it's gotta feel dangerous,

606
00:31:20,680 --> 00:31:22,320
Speaker 2: but not in a way that can get me in trouble.

607
00:31:22,520 --> 00:31:25,440
Speaker 1: Indian sushi chef. I'd love to, Oh, that'd be so

608
00:31:25,560 --> 00:31:27,720
Speaker 1: funny of that and imagine the accent, But it's a

609
00:31:27,760 --> 00:31:29,560
Speaker 1: trap when they ask you to you can't do that.

610
00:31:29,680 --> 00:31:32,800
Speaker 1: You can't do that. No, really anything else.

611
00:31:33,440 --> 00:31:40,320
Speaker 2: Uh, I guess I could do Millennial sushi chef hang

612
00:31:40,360 --> 00:31:49,640
Speaker 2: on hashtag hand roll. That's good and so over it. Yeah,

613
00:31:50,160 --> 00:31:54,200
Speaker 2: oh yeah, he hates that he's there. He'd rather be tweeting, right,

614
00:31:55,360 --> 00:31:56,520
Speaker 2: he's an SJW two.

615
00:31:57,280 --> 00:32:01,160
Speaker 4: I'm just gonna keep it rolling real quick with again

616
00:32:01,240 --> 00:32:07,520
Speaker 4: to kind of counter program that this is Josh the

617
00:32:07,600 --> 00:32:12,720
Speaker 4: millennial sushi chef. Can I get a freaking trophy for

618
00:32:12,840 --> 00:32:14,960
Speaker 4: this tuner role that I made?

619
00:32:15,880 --> 00:32:18,600
Speaker 2: Sorry? I forgot to name my sushi chef. His name

620
00:32:18,640 --> 00:32:22,520
Speaker 2: is Caden. I mean, that's what some of these names are.

621
00:32:22,560 --> 00:32:25,200
Speaker 4: Like, did you guys check out that New York Times

622
00:32:25,600 --> 00:32:27,840
Speaker 4: colin that I forwarded you about millennials.

623
00:32:27,920 --> 00:32:34,000
Speaker 1: Yes, yes, about how they're nice but mean. Uh and

624
00:32:34,040 --> 00:32:36,920
Speaker 1: they don't buy stuff, but they buy all this stuff

625
00:32:36,960 --> 00:32:37,760
Speaker 1: on their phones.

626
00:32:38,120 --> 00:32:42,440
Speaker 2: Yes, only on their friends. Yeah, what else was it there?

627
00:32:43,000 --> 00:32:44,920
Speaker 2: They don't know what a house is.

628
00:32:45,280 --> 00:32:49,400
Speaker 4: Yes, many of them, like a full like a hundred

629
00:32:49,440 --> 00:32:52,080
Speaker 4: of them, were shown a picture of a house, and

630
00:32:52,160 --> 00:32:54,600
Speaker 4: a lot of most of them, a majority of them

631
00:32:54,640 --> 00:32:55,120
Speaker 4: didn't know.

632
00:32:55,200 --> 00:32:57,000
Speaker 2: A plurality of them did not know what.

633
00:32:56,920 --> 00:32:59,360
Speaker 4: It was, Yes, a plurality because a lot of like

634
00:32:59,480 --> 00:33:02,920
Speaker 4: a lot of them said, oh, that's Clash Royale, a

635
00:33:03,000 --> 00:33:09,680
Speaker 4: game I play on my phone. A non insignificant amount

636
00:33:09,680 --> 00:33:12,240
Speaker 4: of them thought that the house was the phone game.

637
00:33:12,320 --> 00:33:14,480
Speaker 1: Millennials think everything is Clash Royale.

638
00:33:15,280 --> 00:33:17,800
Speaker 2: They do, and it can be.

639
00:33:17,880 --> 00:33:20,800
Speaker 1: They're trying they're trying to buy weapons at the grocery

640
00:33:20,840 --> 00:33:24,960
Speaker 1: store for like the Orcs or whatever. This is a

641
00:33:25,000 --> 00:33:30,400
Speaker 1: grocery store. This is not glad Royale. Is that the

642
00:33:30,400 --> 00:33:31,680
Speaker 1: one with the little skeletons?

643
00:33:32,800 --> 00:33:35,680
Speaker 2: Yeah? I know. I just know because my nephew.

644
00:33:35,720 --> 00:33:37,400
Speaker 4: He sort of is the guy that I look to

645
00:33:37,680 --> 00:33:39,560
Speaker 4: keep me in touch with all this stuff. And you know,

646
00:33:39,720 --> 00:33:42,520
Speaker 4: any new project I have, I run by him. Yeah,

647
00:33:43,080 --> 00:33:45,160
Speaker 4: and if he gives it a thumbs up on his iPhone,

648
00:33:45,960 --> 00:33:47,880
Speaker 4: he doesn't text anymore.

649
00:33:47,920 --> 00:33:50,480
Speaker 2: He just it's all the reactions.

650
00:33:49,960 --> 00:33:56,959
Speaker 7: Yea, Hayes, do you have a Yes, I have a

651
00:33:56,960 --> 00:33:59,640
Speaker 7: sushi chef that's kind of a counter programming on that,

652
00:34:01,240 --> 00:34:05,200
Speaker 7: which is Ben, the thirty nine year old sushi chef.

653
00:34:07,880 --> 00:34:10,239
Speaker 1: So I can actually afford to eat the sushi that

654
00:34:10,239 --> 00:34:11,720
Speaker 1: I make because I actually.

655
00:34:11,440 --> 00:34:13,160
Speaker 2: Have a job that's not blogging.

656
00:34:15,360 --> 00:34:18,239
Speaker 1: So so Ben is sort of looking at all these

657
00:34:18,360 --> 00:34:20,440
Speaker 1: Ben's thirty nine, so he's kind of looking at all

658
00:34:20,480 --> 00:34:22,400
Speaker 1: these millennials out there and be like, how about we

659
00:34:22,400 --> 00:34:25,200
Speaker 1: actually like get a real job that's not just blogging

660
00:34:25,200 --> 00:34:25,960
Speaker 1: all day walk.

661
00:34:26,120 --> 00:34:30,360
Speaker 2: Right, Yeah, and the job is sushi chef. Yes, that's cool.

662
00:34:30,480 --> 00:34:32,600
Speaker 1: That's Ben. And he has an actual real name.

663
00:34:33,000 --> 00:34:35,400
Speaker 2: Yeah, So it is saying I just say sho, go

664
00:34:35,440 --> 00:34:38,280
Speaker 2: after them. Yeah, not like fucking Josh or Caiden.

665
00:34:40,120 --> 00:34:46,440
Speaker 8: So yeah, millennials, Italians, millennials and Italians, I guess, keeping

666
00:34:46,480 --> 00:34:50,880
Speaker 8: in the sort of millennial vein which is still safe.

667
00:34:51,080 --> 00:34:55,080
Speaker 2: One of the only things I'm allowed to say. I

668
00:34:55,160 --> 00:35:03,280
Speaker 2: do have Brad the norm Coore sushi chef. Okay, well,

669
00:35:03,400 --> 00:35:07,160
Speaker 2: I put the fish in between some rice and wrapped

670
00:35:07,239 --> 00:35:10,359
Speaker 2: seaweed around it. Wow.

671
00:35:10,400 --> 00:35:13,839
Speaker 1: He has a real attitude about it. He's doing it

672
00:35:13,880 --> 00:35:16,880
Speaker 1: as like a joke or like, I don't.

673
00:35:16,680 --> 00:35:24,160
Speaker 2: Know, I don't really I think he like likes it, okay,

674
00:35:24,320 --> 00:35:27,880
Speaker 2: but he wants to be like imagine if I liked it. Yeah,

675
00:35:27,920 --> 00:35:28,319
Speaker 2: that's cool.

676
00:35:28,360 --> 00:35:30,319
Speaker 4: Because I feel like people are tired of tuning into

677
00:35:30,360 --> 00:35:32,400
Speaker 4: snel and feel like okay, uh, these people seem to

678
00:35:32,440 --> 00:35:33,359
Speaker 4: have a take on this.

679
00:35:34,520 --> 00:35:39,040
Speaker 2: That is the most frustrating. It's like, guys, I'm exhausted.

680
00:35:40,120 --> 00:35:44,240
Speaker 2: It's almost one in the morning. I'm watching a live

681
00:35:46,600 --> 00:35:51,000
Speaker 2: Please just enough with the tape. Please just give me

682
00:35:51,320 --> 00:35:56,000
Speaker 2: the facts, you know. I feel like I'm that dragnet fella.

683
00:35:56,960 --> 00:35:58,839
Speaker 2: Just the facts, man, and do all.

684
00:35:58,760 --> 00:36:01,000
Speaker 1: The music at the end, and it be like I

685
00:36:01,440 --> 00:36:03,040
Speaker 1: relaxing music.

686
00:36:02,800 --> 00:36:07,680
Speaker 4: Please like soothing? Affirmation? Is they say affirmation?

687
00:36:07,920 --> 00:36:08,080
Speaker 3: Late?

688
00:36:08,239 --> 00:36:09,440
Speaker 2: Where's g Smith?

689
00:36:09,680 --> 00:36:10,040
Speaker 1: Yes?

690
00:36:11,680 --> 00:36:12,000
Speaker 2: Yes?

691
00:36:12,080 --> 00:36:14,000
Speaker 1: Where what happened? Where did he go?

692
00:36:14,880 --> 00:36:17,480
Speaker 2: That guy knew how to can play a lullaby?

693
00:36:18,640 --> 00:36:20,959
Speaker 4: This would be something that would go earlier in the show.

694
00:36:21,000 --> 00:36:23,320
Speaker 4: I feel like this is would be right off the top.

695
00:36:24,040 --> 00:36:25,080
Speaker 2: I'm looking.

696
00:36:25,360 --> 00:36:27,520
Speaker 4: I'm sort of still toying with the name, but I

697
00:36:27,560 --> 00:36:30,880
Speaker 4: feel like it's something in the neighborhood of Henry the norm.

698
00:36:30,760 --> 00:36:41,960
Speaker 2: Coore sushi chef. Uh. Do you guys want at a mammy? Okay?

699
00:36:42,760 --> 00:36:43,040
Speaker 3: Whoa?

700
00:36:43,280 --> 00:36:45,239
Speaker 2: And what are you doing in the opening credits now

701
00:36:45,239 --> 00:36:49,400
Speaker 2: that you've actually stuck the landing on one of these uh,

702
00:36:49,520 --> 00:36:51,960
Speaker 2: I'm offering them at a mommy.

703
00:36:52,040 --> 00:36:55,560
Speaker 4: I feel like, yeah, okay, to sort of set up like, oh,

704
00:36:56,040 --> 00:36:57,920
Speaker 4: you know, like audience, because I think a lot of

705
00:36:57,960 --> 00:37:03,080
Speaker 4: comedy is about a lat complete lack of surprise. I

706
00:37:03,080 --> 00:37:05,960
Speaker 4: feel like they should be set up earlier in the show, like, oh,

707
00:37:06,000 --> 00:37:07,880
Speaker 4: I think I might see that at a mamme chef

708
00:37:08,120 --> 00:37:09,279
Speaker 4: character later that I.

709
00:37:09,320 --> 00:37:11,400
Speaker 1: Like, yes, And can we give the people in these

710
00:37:11,440 --> 00:37:14,440
Speaker 1: opening credits some lines? Can we actually hear what they're

711
00:37:14,600 --> 00:37:17,480
Speaker 1: saying instead of just like having to watch them talk

712
00:37:17,520 --> 00:37:20,720
Speaker 1: and be like, oh, I don't get right. It looks funny.

713
00:37:20,760 --> 00:37:23,239
Speaker 4: You see Keenan at a bar. He's hanging out with

714
00:37:23,280 --> 00:37:26,240
Speaker 4: some people who are off screen. His mouth is moving

715
00:37:26,320 --> 00:37:27,960
Speaker 4: in a sort of non specific way. Why don't we

716
00:37:28,000 --> 00:37:30,000
Speaker 4: hear the tail end of his conversation where he's like, yeah, non,

717
00:37:30,040 --> 00:37:30,440
Speaker 4: I set.

718
00:37:30,280 --> 00:37:31,640
Speaker 2: It up for auto peck. I can whatever.

719
00:37:31,719 --> 00:37:33,319
Speaker 1: I can see his name. I don't have to hear it.

720
00:37:33,320 --> 00:37:35,560
Speaker 1: I would like to hear what he is saying. Oh,

721
00:37:35,680 --> 00:37:38,239
Speaker 1: or do you think they should say their names? Yeah,

722
00:37:38,280 --> 00:37:40,600
Speaker 1: they should say Keene saying this is what I was

723
00:37:40,640 --> 00:37:43,799
Speaker 1: talking about. Maybe we should at the beginning.

724
00:37:43,480 --> 00:37:46,520
Speaker 2: Of the show. So yeah, that would be so lost.

725
00:37:47,239 --> 00:37:55,759
Speaker 2: Acting is enacting, And when you enact credit sequence by

726
00:37:55,800 --> 00:37:58,640
Speaker 2: saying your name to the audience, then when they're watching

727
00:37:58,719 --> 00:38:00,759
Speaker 2: later they go like, oh, that's my Why do you

728
00:38:00,800 --> 00:38:03,440
Speaker 2: think me and Hayes are such good friends with our

729
00:38:03,480 --> 00:38:07,080
Speaker 2: audience because we're always explaining who we are, and we

730
00:38:07,160 --> 00:38:10,400
Speaker 2: know all their names, and we know every one of

731
00:38:10,440 --> 00:38:19,640
Speaker 2: their names, even you. I want to say, I want

732
00:38:19,680 --> 00:38:22,040
Speaker 2: to say dext two. I was going to swear, I

733
00:38:22,040 --> 00:38:23,760
Speaker 2: swear to God, I was going to say to be dracts.

734
00:38:23,800 --> 00:38:28,200
Speaker 2: But that's I might be thinking of Drags the Destroyer Dracs.

735
00:38:28,760 --> 00:38:35,279
Speaker 2: That does sound familiar, even you Dracs and Kevin's like,

736
00:38:35,320 --> 00:38:37,360
Speaker 2: am I going to get to do mine? Who's you know?

737
00:38:38,200 --> 00:38:41,760
Speaker 2: Who the fuck are you texting? What you've been curiously texting?

738
00:38:42,040 --> 00:38:43,959
Speaker 2: I have I have one. I've been thinking of one,

739
00:38:44,000 --> 00:38:46,719
Speaker 2: but shut up, who are you texting with? Like? What's

740
00:38:46,760 --> 00:38:47,239
Speaker 2: going on?

741
00:38:48,120 --> 00:38:52,640
Speaker 4: Evenssage? It's actual SMS. It's got the thing, yeah, bubble.

742
00:38:52,440 --> 00:38:55,440
Speaker 2: Holy shit, No, I'm writing the jokes in my phone's

743
00:38:55,440 --> 00:38:58,560
Speaker 2: texting to nineteen ninety seven. The comics always are doing

744
00:39:00,360 --> 00:39:03,480
Speaker 2: what you've got one? What's your one? All right? Mine is.

745
00:39:04,840 --> 00:39:10,400
Speaker 6: Todd the Fruit and Ninja game player, sushi set chef,

746
00:39:10,880 --> 00:39:11,600
Speaker 6: Sushi sef.

747
00:39:12,600 --> 00:39:15,239
Speaker 2: All right, you're ready, sushi sef by yours? Here? Here

748
00:39:15,280 --> 00:39:15,480
Speaker 2: we go.

749
00:39:15,520 --> 00:39:19,319
Speaker 6: All right, So Todd is working at the shoot sushi place,

750
00:39:19,520 --> 00:39:21,520
Speaker 6: set the scene for us. Yeah, he's playing Fruit and

751
00:39:21,560 --> 00:39:22,719
Speaker 6: Ninja on his phone.

752
00:39:25,440 --> 00:39:28,160
Speaker 2: And then what did he say? No? It's over now.

753
00:39:31,520 --> 00:39:34,280
Speaker 2: I mean I think he should either go ah damn

754
00:39:35,120 --> 00:39:37,319
Speaker 2: and then take their order, or he should go oh

755
00:39:37,480 --> 00:39:38,640
Speaker 2: new high score.

756
00:39:38,600 --> 00:39:41,279
Speaker 1: And well, and one of his coworkers could be like, hey,

757
00:39:41,320 --> 00:39:42,560
Speaker 1: can you chopping this up for me?

758
00:39:42,560 --> 00:39:42,840
Speaker 2: Please?

759
00:39:42,840 --> 00:39:44,920
Speaker 1: And he thinks he's talking about Fruit and Injin. I

760
00:39:44,920 --> 00:39:46,160
Speaker 1: don't really like you got it?

761
00:39:46,239 --> 00:39:50,520
Speaker 2: He goes, I'm trying. Yes, Oh hell no, where is

762
00:39:50,560 --> 00:39:50,960
Speaker 2: the echo?

763
00:39:51,840 --> 00:39:54,560
Speaker 1: What you've set up? The echo? I that you haven't used?

764
00:39:54,560 --> 00:39:56,080
Speaker 1: That was like twenty five minutes ago.

765
00:39:56,280 --> 00:39:56,680
Speaker 2: You haven't.

766
00:39:56,680 --> 00:39:59,520
Speaker 1: You never had, you had this nice thing that you

767
00:39:59,560 --> 00:40:02,480
Speaker 1: could have kept checking in with.

768
00:40:03,200 --> 00:40:05,600
Speaker 2: You really, you set yourself up for a win for

769
00:40:05,719 --> 00:40:07,400
Speaker 2: maybe the first time ever, and then.

770
00:40:07,320 --> 00:40:11,200
Speaker 1: I think forgot about it. But you're not doing anything else.

771
00:40:11,239 --> 00:40:13,400
Speaker 1: There's nothing else for you to be thinking about.

772
00:40:13,520 --> 00:40:16,399
Speaker 2: I haven't seen Cody in like six months, and I've

773
00:40:16,400 --> 00:40:18,319
Speaker 2: been I saw him and say, oh cool, Yeah, we

774
00:40:18,320 --> 00:40:20,520
Speaker 2: have a Cody forever, like this will be really good.

775
00:40:20,640 --> 00:40:21,560
Speaker 2: And then I'm going like.

776
00:40:21,719 --> 00:40:26,640
Speaker 1: Okay, Kevin, you can do yours all week.

777
00:40:26,680 --> 00:40:28,120
Speaker 2: He's kind of been like can I do? I would

778
00:40:28,120 --> 00:40:30,800
Speaker 2: just like to do one character on the show.

779
00:40:31,040 --> 00:40:34,240
Speaker 1: We're doing our Yes, we are doing the SNL reels,

780
00:40:34,280 --> 00:40:35,680
Speaker 1: and so yes, you can.

781
00:40:35,800 --> 00:40:39,200
Speaker 2: You can do do your character. You've been saving it up. Okay.

782
00:40:39,280 --> 00:40:41,960
Speaker 9: This is a guy who works for a podcast company

783
00:40:42,000 --> 00:40:44,360
Speaker 9: and is constantly berated by the host and then it

784
00:40:44,400 --> 00:40:50,040
Speaker 9: affects his personal life. Hi, my name is Kevin Bartelt.

785
00:40:50,440 --> 00:40:52,520
Speaker 9: Nice to Oh hold on my phone's ringing?

786
00:40:52,920 --> 00:40:53,359
Speaker 2: Hey mom?

787
00:40:53,400 --> 00:40:57,920
Speaker 9: How's it going? What's that you? You googled me and

788
00:40:58,000 --> 00:41:01,560
Speaker 9: Kevin Bartelt creep was the first thing I came up. Oh, no,

789
00:41:01,640 --> 00:41:04,880
Speaker 9: I can explain it. No, it's oh you don't really care. Okay, well,

790
00:41:04,880 --> 00:41:05,719
Speaker 9: I'll talk to you later.

791
00:41:06,040 --> 00:41:08,120
Speaker 1: Bye. Live from New York.

792
00:41:08,160 --> 00:41:13,200
Speaker 9: It's Saturday night, So I feel like, first of all.

793
00:41:13,080 --> 00:41:14,760
Speaker 2: He's doing it before the opening credit.

794
00:41:14,840 --> 00:41:17,520
Speaker 4: Buttoning that with Live from New York is Saturday night

795
00:41:17,719 --> 00:41:21,040
Speaker 4: is probably not the best in terms of like long

796
00:41:21,160 --> 00:41:24,600
Speaker 4: term thinking, because you've just shut yourself out of using

797
00:41:24,600 --> 00:41:27,480
Speaker 4: the same character for your Studio sixty tape, right.

798
00:41:27,520 --> 00:41:31,600
Speaker 2: Yeah, own it now? Yeah? And it's Mad TV and

799
00:41:31,640 --> 00:41:36,960
Speaker 2: Mad TV three Mad three V you you also you

800
00:41:37,000 --> 00:41:40,160
Speaker 2: also you're the cold open, but you're not political at all?

801
00:41:40,640 --> 00:41:40,960
Speaker 9: Sure?

802
00:41:42,200 --> 00:41:45,160
Speaker 2: Does that sound right in today's economic climate? Absolutely not.

803
00:41:45,400 --> 00:41:46,480
Speaker 1: It's irresponsible.

804
00:41:47,080 --> 00:41:51,200
Speaker 4: Okay, yeah, unless with the way things have been turning

805
00:41:51,239 --> 00:41:55,320
Speaker 4: over recently, Kevin Bartelt's mom could be in the White House.

806
00:41:55,640 --> 00:42:05,359
Speaker 2: Yeah, okay, I'm interested. What a comedy killer? And DC

807
00:42:05,560 --> 00:42:10,640
Speaker 2: comes in with his fucking battle acts and just split

808
00:42:10,840 --> 00:42:12,200
Speaker 2: Bartel down the middle.

809
00:42:13,120 --> 00:42:15,360
Speaker 1: Wow, And you think he's like hole for a second.

810
00:42:15,400 --> 00:42:16,840
Speaker 1: He's standing there and you're like, oh, I must have

811
00:42:16,920 --> 00:42:18,879
Speaker 1: like not even touched them, And then his two haves

812
00:42:18,920 --> 00:42:19,479
Speaker 1: start to go.

813
00:42:19,440 --> 00:42:21,919
Speaker 2: Like something that I'm working on?

814
00:42:22,160 --> 00:42:25,600
Speaker 4: Is I like it when comedians have their own YouTube

815
00:42:25,680 --> 00:42:29,799
Speaker 4: channel and in the names of their own videos. They're

816
00:42:29,840 --> 00:42:34,080
Speaker 4: called like comedian shuts down. How do I approximate that

817
00:42:34,120 --> 00:42:37,439
Speaker 4: in real life? Before I just say a joke, Yeah,

818
00:42:37,440 --> 00:42:40,400
Speaker 4: that you do, I go, like a comedian destroys Kevin

819
00:42:40,400 --> 00:42:43,000
Speaker 4: Bartelt and then I say the thing that destroys him.

820
00:42:43,719 --> 00:42:46,400
Speaker 4: That is the closest thing, because you are now allowed

821
00:42:46,920 --> 00:42:51,160
Speaker 4: to act like you discovered something about yourself in the

822
00:42:51,360 --> 00:42:53,960
Speaker 4: in the third person, So yes, why not just do that.

823
00:42:53,960 --> 00:42:57,760
Speaker 2: In your normal way? All right now, Kevin?

824
00:42:57,800 --> 00:43:00,160
Speaker 1: This whole thing about like, oh I don't like doing

825
00:43:00,239 --> 00:43:02,879
Speaker 1: the show anymore and all that, and people can actually

826
00:43:02,920 --> 00:43:05,680
Speaker 1: google me and that's bad, Like people are actually like

827
00:43:06,120 --> 00:43:08,400
Speaker 1: trying to like do research about me, and I don't

828
00:43:08,480 --> 00:43:08,879
Speaker 1: like that.

829
00:43:09,040 --> 00:43:14,440
Speaker 2: My mom's googling me, yeah, and any results come up. Yeah,

830
00:43:14,800 --> 00:43:16,680
Speaker 2: I get You're right, I should be more thankful.

831
00:43:16,880 --> 00:43:19,920
Speaker 1: And you're also and I also do not believe it

832
00:43:19,960 --> 00:43:22,319
Speaker 1: because every time I turn around, like them in here,

833
00:43:22,360 --> 00:43:25,080
Speaker 1: like you are here and like you just keep coming

834
00:43:25,120 --> 00:43:28,640
Speaker 1: back for more because you do love it so much,

835
00:43:28,719 --> 00:43:30,040
Speaker 1: and you also act like.

836
00:43:30,000 --> 00:43:33,200
Speaker 4: You weren't the one who made a mashup of radioheads

837
00:43:33,239 --> 00:43:38,719
Speaker 4: creep and tla's TLC's creep. Yeah, but Kevin Bartel's mashup. Yeah,

838
00:43:39,400 --> 00:43:42,400
Speaker 4: and then that comes up when people google.

839
00:43:42,239 --> 00:43:44,920
Speaker 1: And that this I'm also not gonna let you do this,

840
00:43:45,000 --> 00:43:48,000
Speaker 1: like run this little game of like, oh, like there's

841
00:43:48,000 --> 00:43:50,759
Speaker 1: an interesting result when you google me, and so like

842
00:43:50,840 --> 00:43:53,719
Speaker 1: you actually are pushing people to just like google you

843
00:43:53,800 --> 00:43:55,360
Speaker 1: to way more get your seo.

844
00:43:55,719 --> 00:43:58,840
Speaker 6: I'm actually I'm googling him right now, and I will

845
00:43:58,880 --> 00:44:02,400
Speaker 6: say that, who watch out the first out of the

846
00:44:02,400 --> 00:44:05,719
Speaker 6: first ten images that pop up, nine of them are

847
00:44:05,800 --> 00:44:08,600
Speaker 6: actually Kevin who that's a huge thing. And the other

848
00:44:08,600 --> 00:44:10,359
Speaker 6: thing is one of the pictures and this is really

849
00:44:10,400 --> 00:44:14,279
Speaker 6: gonna freak you guys fucking out. There's a picture of

850
00:44:14,400 --> 00:44:16,520
Speaker 6: him standing in front of paper towels.

851
00:44:17,520 --> 00:44:21,120
Speaker 2: Remember, wow, Wow, So it's like he knew the show.

852
00:44:22,000 --> 00:44:24,200
Speaker 2: What is that? What the fuck is that? Kevin?

853
00:44:26,120 --> 00:44:29,040
Speaker 9: Yeah, I don't know what you're talking about, Cody.

854
00:44:29,080 --> 00:44:32,920
Speaker 1: Wait, what happens when people google your name? What are

855
00:44:32,960 --> 00:44:35,040
Speaker 1: their pictures of that?

856
00:44:35,960 --> 00:44:36,279
Speaker 2: For you?

857
00:44:36,360 --> 00:44:39,920
Speaker 1: It's very unusual that most of the pictures of Kevin

858
00:44:40,320 --> 00:44:41,360
Speaker 1: are of Kevin.

859
00:44:42,480 --> 00:44:43,520
Speaker 2: This is an open wound?

860
00:44:44,880 --> 00:44:45,800
Speaker 1: Is it just wounds?

861
00:44:46,640 --> 00:44:54,080
Speaker 6: There's a picture of Sean actually Okay, oh it's weird, Okay.

862
00:44:53,440 --> 00:44:56,920
Speaker 2: Flipping He's flipping off he's flipping the bird to the

863
00:44:58,200 --> 00:45:03,359
Speaker 2: something establishment. Yeah, it probably is the status quo that's

864
00:45:03,680 --> 00:45:06,320
Speaker 2: getting the sort of business end of that middle finger.

865
00:45:10,680 --> 00:45:14,200
Speaker 2: That's just about the last thing I'm going to tolerate

866
00:45:14,400 --> 00:45:17,320
Speaker 2: and just sit here and go like, oh, I'm fine

867
00:45:17,320 --> 00:45:20,120
Speaker 2: with this. Uh No, it's getting shaken up, and it's

868
00:45:20,120 --> 00:45:22,920
Speaker 2: getting shaken up one finger at a time. I starting

869
00:45:22,920 --> 00:45:24,040
Speaker 2: with is the main middle.

870
00:45:23,800 --> 00:45:25,680
Speaker 4: Sean and I went to dinner last night and the

871
00:45:25,920 --> 00:45:28,799
Speaker 4: we walked in and the hostess at the station was

872
00:45:28,840 --> 00:45:32,960
Speaker 4: like two and Sean was like, why don't I Why

873
00:45:32,960 --> 00:45:35,480
Speaker 4: don't I ask you how many of you there are? Right,

874
00:45:35,560 --> 00:45:38,600
Speaker 4: He's tired of this things just working the same old way,

875
00:45:38,719 --> 00:45:40,279
Speaker 4: just going along with the inertia.

876
00:45:40,480 --> 00:45:43,320
Speaker 2: I get chills just hearing this story of me being cool,

877
00:45:46,200 --> 00:45:49,400
Speaker 2: and I was like, one right. He really threw it

878
00:45:49,440 --> 00:45:49,920
Speaker 2: back at her.

879
00:45:50,239 --> 00:45:51,880
Speaker 1: And a lot of times people think that you do

880
00:45:52,040 --> 00:45:54,880
Speaker 1: just want one, like seating for one, because you are

881
00:45:54,920 --> 00:45:56,880
Speaker 1: giving them the middle finger, and then they did you.

882
00:45:58,760 --> 00:46:02,040
Speaker 2: Did go with it well, because it would be weird too.

883
00:46:02,280 --> 00:46:03,520
Speaker 1: It's a little weird at that point.

884
00:46:03,680 --> 00:46:06,959
Speaker 2: I want up texting DC through the whole meal, because

885
00:46:07,000 --> 00:46:09,799
Speaker 2: we were seated pretty far apart, and I did have

886
00:46:09,840 --> 00:46:12,279
Speaker 2: something I needed was how was the barada by the

887
00:46:12,320 --> 00:46:16,680
Speaker 2: way too wet? It is?

888
00:46:17,000 --> 00:46:22,200
Speaker 1: Yeah, like a nice dry barada. That's what the sufi

889
00:46:22,280 --> 00:46:24,400
Speaker 1: was evetted for. So you can give someone the finger

890
00:46:24,520 --> 00:46:27,400
Speaker 1: and also be seated with your friend.

891
00:46:28,080 --> 00:46:31,799
Speaker 2: Yeah, I know, I know, I know, I gotta I

892
00:46:31,840 --> 00:46:36,480
Speaker 2: gotta use that more. Well, it hurts my wrist. So

893
00:46:36,680 --> 00:46:39,759
Speaker 2: are we done with our SNL characters? I'm assuming we're

894
00:46:39,800 --> 00:46:42,160
Speaker 2: all going to be on the show together. Maybe one

895
00:46:42,200 --> 00:46:43,799
Speaker 2: of us hired as a writer and then bumped up

896
00:46:43,800 --> 00:46:46,480
Speaker 2: the performer later this season. Maybe one regular cast, one

897
00:46:46,480 --> 00:46:50,759
Speaker 2: feature performer. Does anyone have any other sushi chefs that

898
00:46:50,800 --> 00:46:52,240
Speaker 2: they want to sort of explore?

899
00:46:52,320 --> 00:46:54,920
Speaker 1: Yeah, Kevin, I was wondering that about your character, is like,

900
00:46:55,000 --> 00:46:57,640
Speaker 1: how how do they what do they do when.

901
00:46:57,480 --> 00:47:00,120
Speaker 2: They make sushi? Mm? Who's there? So?

902
00:47:00,239 --> 00:47:04,960
Speaker 1: Now, no your guy character, there was no There was

903
00:47:05,000 --> 00:47:06,319
Speaker 1: just no element in there.

904
00:47:06,480 --> 00:47:06,680
Speaker 9: Kevin.

905
00:47:06,719 --> 00:47:08,439
Speaker 4: It's a little messed up to me that you claim

906
00:47:08,480 --> 00:47:10,720
Speaker 4: to want to be in this business, yet you seem

907
00:47:10,760 --> 00:47:13,239
Speaker 4: completely oblivious to the fact that for the past at

908
00:47:13,360 --> 00:47:17,360
Speaker 4: least ten years, SNL is entirely centered content wise around

909
00:47:17,400 --> 00:47:18,160
Speaker 4: sushi chefs.

910
00:47:18,360 --> 00:47:19,040
Speaker 2: That's my mistake.

911
00:47:19,080 --> 00:47:22,440
Speaker 4: You gotta know different flavors the business. You have to know,

912
00:47:22,600 --> 00:47:25,200
Speaker 4: you have to be a fan as well as you guys.

913
00:47:25,320 --> 00:47:27,960
Speaker 2: I thought, I actually thought of one more group we

914
00:47:28,040 --> 00:47:31,080
Speaker 2: are allowed to make fun of, huh, And that could

915
00:47:31,120 --> 00:47:33,600
Speaker 2: be a good sushi chef for you guys to hear.

916
00:47:33,920 --> 00:47:40,719
Speaker 2: Check this out. My sushi is the best sushi. All

917
00:47:40,760 --> 00:47:47,440
Speaker 2: the other sushi chefs are losers. Oh sad? Yeah, see

918
00:47:47,520 --> 00:47:58,480
Speaker 2: this is with Anthony Tamanik. Yes, So that's the kind.

919
00:47:58,400 --> 00:48:01,640
Speaker 1: Of thing that you know, could be already rewarding instead

920
00:48:01,640 --> 00:48:02,640
Speaker 1: of just like on Covin.

921
00:48:03,480 --> 00:48:06,799
Speaker 2: That's that's we're coming for you, Hans over.

922
00:48:08,800 --> 00:48:14,120
Speaker 9: The The hot new club is sue He where the

923
00:48:14,200 --> 00:48:19,160
Speaker 9: men can have the tastiest sushies. What's I think, Bill

924
00:48:19,160 --> 00:48:20,200
Speaker 9: Hayter says, is that care.

925
00:48:20,239 --> 00:48:22,640
Speaker 2: Keep going And.

926
00:48:24,320 --> 00:48:28,799
Speaker 9: If you like chocolate and vanilla, this baby sports in

927
00:48:28,840 --> 00:48:33,880
Speaker 9: all directions.

928
00:48:34,880 --> 00:48:36,319
Speaker 2: Why does creep come up? Wait?

929
00:48:36,360 --> 00:48:38,680
Speaker 1: Do you think there's chocolate and vanilla? What does that

930
00:48:38,719 --> 00:48:41,240
Speaker 1: have to do? What are you talking?

931
00:48:41,320 --> 00:48:42,360
Speaker 2: Like? Why? What?

932
00:48:43,040 --> 00:48:45,200
Speaker 1: Who introduced the idea of chocolate and vanilla?

933
00:48:45,320 --> 00:48:47,439
Speaker 2: Does anyone else feel like he was doing a real thing?

934
00:48:50,400 --> 00:48:52,440
Speaker 1: That that wasn't like what that that wasn't that?

935
00:48:53,760 --> 00:48:55,839
Speaker 2: I don't know it just like felt like like he's

936
00:48:55,880 --> 00:48:56,799
Speaker 2: doing a real thing.

937
00:48:57,360 --> 00:48:59,120
Speaker 4: Well, first of all, if he is doing a real thing,

938
00:48:59,719 --> 00:49:01,400
Speaker 4: I mean welcome to my circle.

939
00:49:01,480 --> 00:49:02,080
Speaker 2: First of all.

940
00:49:02,360 --> 00:49:07,440
Speaker 4: Yeah, we keep it one hondo at all times, So

941
00:49:07,480 --> 00:49:12,439
Speaker 4: I welcome that my freaking fake sensors haven't gone off.

942
00:49:12,480 --> 00:49:14,560
Speaker 4: I'm in the inter sanctum of my circle. I'm like

943
00:49:14,600 --> 00:49:16,880
Speaker 4: George Clooney and Tomorrowland. I'm watching on a bunch of

944
00:49:16,880 --> 00:49:17,879
Speaker 4: monitors inside my.

945
00:49:17,840 --> 00:49:18,680
Speaker 2: Little weird house.

946
00:49:19,719 --> 00:49:24,359
Speaker 4: If I see fake come within one hundred meters of

947
00:49:24,400 --> 00:49:26,640
Speaker 4: my circle, they get blown the fuck up.

948
00:49:27,840 --> 00:49:30,719
Speaker 2: Kevin, you've made it all the way up to the house, buddy, Congratulations.

949
00:49:31,600 --> 00:49:34,680
Speaker 1: And my circles like the skulls, and you're getting initiated

950
00:49:34,680 --> 00:49:38,040
Speaker 1: into the skulls if you behave with realness.

951
00:49:39,360 --> 00:49:44,560
Speaker 2: And my circles like the Inferno and the Dan Brown

952
00:49:44,560 --> 00:49:48,880
Speaker 2: book Inferno and it's pretty hot in there. And the

953
00:49:49,120 --> 00:49:54,080
Speaker 2: also some ancient group planted some symbols to lead you,

954
00:49:55,160 --> 00:50:01,520
Speaker 2: and uh symbologist Robert Lang. Kevin doesn't understand anything.

955
00:50:01,640 --> 00:50:04,680
Speaker 4: No, he's literally he started air drumming drum symbols.

956
00:50:06,760 --> 00:50:13,120
Speaker 2: Yeah, and I so so yeah, it's like Inferno from

957
00:50:13,160 --> 00:50:16,600
Speaker 2: the Dan Brown book Inferno, and all you've got to

958
00:50:16,680 --> 00:50:19,799
Speaker 2: understand all the symbols, and you probably are like kind

959
00:50:19,800 --> 00:50:23,160
Speaker 2: of an old symbologist and there's sort of a young

960
00:50:23,280 --> 00:50:25,920
Speaker 2: hot thing who's like along on the mission with you,

961
00:50:26,120 --> 00:50:29,319
Speaker 2: and it just maybe there's it's so intense that it's

962
00:50:29,360 --> 00:50:31,719
Speaker 2: sort of bringing you guys closer together and you might

963
00:50:31,840 --> 00:50:33,000
Speaker 2: do a big kiss.

964
00:50:33,120 --> 00:50:37,600
Speaker 1: They will need a new like Dan Brown's young associate, sorry,

965
00:50:37,760 --> 00:50:41,759
Speaker 1: Robert Langdon's young associate for the new movie. They tend

966
00:50:41,840 --> 00:50:45,000
Speaker 1: to cast these people with like the short brown hair,

967
00:50:45,600 --> 00:50:48,240
Speaker 1: and so maybe this could be an opportunity for you, Kevin.

968
00:50:48,320 --> 00:50:52,160
Speaker 1: If your character is talking about helping Robert Langdon with

969
00:50:52,800 --> 00:50:53,960
Speaker 1: these symbols.

970
00:50:53,560 --> 00:50:56,120
Speaker 2: That is good because then you can use this tape

971
00:50:56,120 --> 00:50:58,200
Speaker 2: for two purposes. If you don't get SNL, which they're

972
00:50:58,239 --> 00:51:01,279
Speaker 2: kind of full up they hired us three, then you

973
00:51:01,360 --> 00:51:05,319
Speaker 2: can still get into whatever the noon damn Brown thing is.

974
00:51:06,480 --> 00:51:08,960
Speaker 2: Should I do like an audition for that? Now? Yeah?

975
00:51:09,080 --> 00:51:11,320
Speaker 2: Do both? Keep in mind you're young.

976
00:51:11,480 --> 00:51:14,680
Speaker 9: Sure, I'm young, and I'm doing an audition for us

977
00:51:14,960 --> 00:51:17,200
Speaker 9: and your new bile and I'm new bile.

978
00:51:20,000 --> 00:51:20,520
Speaker 2: Oh man.

979
00:51:20,680 --> 00:51:24,800
Speaker 9: These symbols everywhere are just really getting me hot and bothered,

980
00:51:25,200 --> 00:51:27,439
Speaker 9: not like in a you know, like in that way

981
00:51:27,480 --> 00:51:29,359
Speaker 9: but like, I feel like I really need to solve

982
00:51:29,360 --> 00:51:31,400
Speaker 9: this case with a close friend.

983
00:51:33,000 --> 00:51:34,839
Speaker 2: You're watching know you're watching him solve the case.

984
00:51:35,000 --> 00:51:38,960
Speaker 9: Okay, I'm very impressed the way you're you're solving the case.

985
00:51:39,000 --> 00:51:40,240
Speaker 9: I'm taking so many notes.

986
00:51:42,520 --> 00:51:46,200
Speaker 2: What's the deal with the hot circles?

987
00:51:47,120 --> 00:51:51,200
Speaker 9: And I think we can do this together, hands in hand.

988
00:51:52,880 --> 00:51:54,280
Speaker 2: They need the more sushi stuff.

989
00:51:54,680 --> 00:51:58,759
Speaker 9: Sure, and you can wrap me in a blanket like

990
00:51:58,800 --> 00:52:04,800
Speaker 9: a nice sushi blanket. Man, what's that smell. It's a

991
00:52:05,920 --> 00:52:11,560
Speaker 9: crispy wet sushi. But doing Italian guys, it's a MEI

992
00:52:11,719 --> 00:52:19,239
Speaker 9: a sushi boy. It tastes the sushi. And I'll see

993
00:52:19,280 --> 00:52:22,160
Speaker 9: you on a Twitter in the snap of chat see

994
00:52:22,239 --> 00:52:31,400
Speaker 9: Instagram stories a hashtag, uh princey piss Trump and uh

995
00:52:32,719 --> 00:52:39,000
Speaker 9: so it's very It's I'm very sad and I'm a

996
00:52:39,120 --> 00:52:41,960
Speaker 9: president and I'm not making a very good choices.

997
00:52:42,840 --> 00:52:43,799
Speaker 2: He's talking to your mom.

998
00:52:44,840 --> 00:52:49,200
Speaker 9: And don't google Kevin so much because he's actually doing

999
00:52:49,200 --> 00:52:53,879
Speaker 9: a quite fine in a in l a very night.

1000
00:52:54,040 --> 00:52:58,279
Speaker 2: Nope, that's Cody. Are you ever gonna do a freaking.

1001
00:52:58,080 --> 00:53:05,920
Speaker 1: Yep yore, unbelievable sprinting away from success.

1002
00:53:07,160 --> 00:53:12,359
Speaker 2: It's so sad to watch. He has a baseball game

1003
00:53:12,400 --> 00:53:13,000
Speaker 2: on his computer.

1004
00:53:17,040 --> 00:53:25,839
Speaker 3: Bye, I'm a horny girl Wolf. This has been an

1005
00:53:25,840 --> 00:53:30,120
Speaker 3: Earwolf production, executive produced by Scott Ackerman, Colin Anderson, and

1006
00:53:30,200 --> 00:53:34,120
Speaker 3: Chris Bannon. For more information and content, visit earwolf dot com.

1007
00:53:34,719 --> 00:53:37,839
Speaker 2: Oh