1 00:00:00,640 --> 00:00:03,360 Speaker 1: Alright, alright, this is Michael Rappaport and you are now 2 00:00:03,440 --> 00:00:09,000 Speaker 1: listening to the I Am Rappaport podcast. What up? Alright? 3 00:00:09,039 --> 00:00:13,160 Speaker 1: This episode of the Iron Rappaport podcast this week. First 4 00:00:13,200 --> 00:00:14,720 Speaker 1: of all, I want to just thank you people that 5 00:00:14,760 --> 00:00:18,119 Speaker 1: are listening to the podcast. I've had a handful of 6 00:00:18,680 --> 00:00:21,120 Speaker 1: people come up to me on the street, people come 7 00:00:21,160 --> 00:00:25,840 Speaker 1: up to me in Starbucks, Starbucks, Barista's, people coming up 8 00:00:25,840 --> 00:00:28,600 Speaker 1: to me when I'm driving. I had somebody stopped me 9 00:00:28,640 --> 00:00:30,680 Speaker 1: the other day when I was driving at at a 10 00:00:30,680 --> 00:00:32,120 Speaker 1: at a red light and tell me how much they 11 00:00:32,200 --> 00:00:36,000 Speaker 1: like the podcast. I appreciate it. I appreciate it. We're 12 00:00:36,040 --> 00:00:39,040 Speaker 1: doing this for the love of the game. We tried 13 00:00:39,080 --> 00:00:41,760 Speaker 1: to go hard every week and we try to give 14 00:00:41,840 --> 00:00:48,360 Speaker 1: out the best, most insightful, entertaining, non fact checking podcasts 15 00:00:48,400 --> 00:00:50,800 Speaker 1: in the business. See I Am Rapport Podcast. I Am 16 00:00:50,840 --> 00:00:59,120 Speaker 1: Michael Rappaport And we're getting into it right now. All right, 17 00:00:59,160 --> 00:01:02,040 Speaker 1: So this week on the Rapport Podcast, we're giving away ship. 18 00:01:02,640 --> 00:01:06,199 Speaker 1: We're giving away, giving away, giving away ship, giving away, 19 00:01:06,280 --> 00:01:11,360 Speaker 1: giving away, giving away ship. We have soft ass. I 20 00:01:11,400 --> 00:01:15,399 Speaker 1: am wrapping poor podcast t shirts. That's right, So they're 21 00:01:15,440 --> 00:01:20,280 Speaker 1: so soft. If anybody was fortunate enough to win the 22 00:01:20,520 --> 00:01:24,959 Speaker 1: When the Garden Was Eaten t shirts. We are now 23 00:01:25,480 --> 00:01:28,959 Speaker 1: fortunate enough to have a thousand, one thousand I Am 24 00:01:29,080 --> 00:01:32,160 Speaker 1: Rapp Poor Podcast t shirts in all different sizes. And 25 00:01:32,200 --> 00:01:36,080 Speaker 1: I know that the the podcast is probably listened to 26 00:01:36,160 --> 00:01:39,240 Speaker 1: more by men than women. I don't know, but that's 27 00:01:39,240 --> 00:01:41,399 Speaker 1: just my my, my gut, my gut feeling. We don't 28 00:01:41,440 --> 00:01:45,720 Speaker 1: have analytics and and and you know, you know, people gouging, 29 00:01:45,800 --> 00:01:48,600 Speaker 1: engaging who's listening. But I feel like more men listen 30 00:01:48,640 --> 00:01:51,360 Speaker 1: to it than women. But dude, don't be selfish with 31 00:01:51,400 --> 00:01:54,920 Speaker 1: the T shirts. Okay, you know because this week we're 32 00:01:54,920 --> 00:01:57,920 Speaker 1: giving away fifteen T shirts. Okay, this episode we're giving 33 00:01:57,960 --> 00:02:01,320 Speaker 1: away fifteen T shirts. But maybe maybe don't just get 34 00:02:01,360 --> 00:02:03,760 Speaker 1: one for yourself. Maybe get one for your girl this time, 35 00:02:03,880 --> 00:02:06,680 Speaker 1: all right? And and ladies, if you get him, be creative. 36 00:02:06,680 --> 00:02:08,680 Speaker 1: And if you want to keep the sleeves on their fine, 37 00:02:08,720 --> 00:02:10,480 Speaker 1: but you know you could cut them up. You know, 38 00:02:10,560 --> 00:02:12,239 Speaker 1: you can make it like a workout T shirt, a 39 00:02:12,280 --> 00:02:14,799 Speaker 1: sleep t shirt, you know, And send pictures. That's all 40 00:02:14,840 --> 00:02:17,440 Speaker 1: I ask. Send pictures and spread the word of the 41 00:02:17,480 --> 00:02:22,280 Speaker 1: Iron Rapp Porp podcast because it's a fucking worldwide phenomenon. Okay, 42 00:02:22,280 --> 00:02:24,959 Speaker 1: this week on the Iron Rapporp Podcast, I have guests. 43 00:02:25,080 --> 00:02:29,000 Speaker 1: I have two of my first guests because the big, big, big, 44 00:02:29,440 --> 00:02:32,519 Speaker 1: you know, stir. I got two actors, young actors. Dean 45 00:02:32,639 --> 00:02:36,240 Speaker 1: Collins who's probably best known. He played my son on 46 00:02:36,280 --> 00:02:40,240 Speaker 1: the War at Home um and he's been in a 47 00:02:40,240 --> 00:02:42,359 Speaker 1: bunch of ship. It's gonna be in a bunch more ship. 48 00:02:42,800 --> 00:02:46,480 Speaker 1: And his friend who's a big time, big shot actor, 49 00:02:47,360 --> 00:02:50,000 Speaker 1: Logan Lerman, their friends of mine. Logan Learnman was in 50 00:02:50,080 --> 00:02:55,200 Speaker 1: Perks of being a Wallflower fury fucking the Percy Jackson 51 00:02:55,280 --> 00:02:58,639 Speaker 1: Murray movies three ten to Human, which is a really 52 00:02:58,639 --> 00:03:01,600 Speaker 1: good movies work to Christian Ale brad Pitt, he's a 53 00:03:01,639 --> 00:03:03,960 Speaker 1: real fucking big shot Perks of being a Wallflower's kind 54 00:03:04,000 --> 00:03:07,800 Speaker 1: of like the this generation sort of breakfast club, you know, 55 00:03:07,800 --> 00:03:10,520 Speaker 1: the young kids they like. They like this ship. Both 56 00:03:10,560 --> 00:03:14,480 Speaker 1: really good actors. Friends of the show, and uh, we're 57 00:03:14,520 --> 00:03:19,800 Speaker 1: gonna be discussing, amongst other things, the HBO documentary series 58 00:03:19,800 --> 00:03:24,919 Speaker 1: of The Jinks Okay, which which uh cause a lot 59 00:03:24,960 --> 00:03:29,880 Speaker 1: of controversy, stirred up a lot of debates feelings about 60 00:03:29,880 --> 00:03:32,480 Speaker 1: this guy, Robert Durst. It's a it's a it's a 61 00:03:32,600 --> 00:03:36,000 Speaker 1: very very interesting program on HBO. It's a documentary series 62 00:03:36,000 --> 00:03:38,880 Speaker 1: that's kind of treated like a series series. And we're 63 00:03:38,880 --> 00:03:42,240 Speaker 1: gonna be discussing that with Logan Learning and Dean Collins. 64 00:03:42,320 --> 00:03:45,880 Speaker 1: These two little fuckers. They begged me and plead, can 65 00:03:45,880 --> 00:03:47,280 Speaker 1: I come on the show? Can it come on the 66 00:03:47,280 --> 00:03:49,320 Speaker 1: show again? I want to talk about this. I want 67 00:03:49,320 --> 00:03:52,560 Speaker 1: to talk about that. I'm like, look, motherfucker, we've moved on. 68 00:03:52,840 --> 00:03:55,080 Speaker 1: Please can we come on the show. We'll talk about Snapple. 69 00:03:55,360 --> 00:03:58,320 Speaker 1: We want to wear T shirts. All right, motherfucker, listen, listen. 70 00:03:58,600 --> 00:04:01,040 Speaker 1: You could come on like some time, but like not 71 00:04:01,120 --> 00:04:03,680 Speaker 1: every fucking week. So I brought him back to discuss 72 00:04:04,200 --> 00:04:07,680 Speaker 1: the the jinks and Robert Durst and HBO and and 73 00:04:07,680 --> 00:04:11,960 Speaker 1: and and amongst other things. And uh, like I said, 74 00:04:11,960 --> 00:04:15,080 Speaker 1: we're giving away T shirts. I wanted to discuss before 75 00:04:15,080 --> 00:04:19,880 Speaker 1: I bring in the guests. Uh actress writer Lena Dunham, 76 00:04:20,120 --> 00:04:24,719 Speaker 1: who is best probably known for her show, uh groundbreaking 77 00:04:24,760 --> 00:04:29,920 Speaker 1: show on HBO. Girls. She uh you know, she's very funny, 78 00:04:30,200 --> 00:04:34,640 Speaker 1: very talented, very unique, definitely groundbreaking. The show it's uh, 79 00:04:34,680 --> 00:04:36,760 Speaker 1: you know, it's a ground on entity explaining you know 80 00:04:36,800 --> 00:04:39,320 Speaker 1: where you don't know it, but she she's been in 81 00:04:39,400 --> 00:04:42,320 Speaker 1: a little bit of a controversies last few days because 82 00:04:42,320 --> 00:04:45,920 Speaker 1: she wrote an article in the in the Highbrow it's 83 00:04:46,000 --> 00:04:49,120 Speaker 1: very highbrow. It's a highbrow magazine. I've known him my 84 00:04:49,160 --> 00:04:52,400 Speaker 1: whole life, The New Yorker, and she wrote an article about, Uh, 85 00:04:52,440 --> 00:04:55,680 Speaker 1: it's sort of a quiz spoof, you know, tongue in 86 00:04:55,760 --> 00:05:00,960 Speaker 1: cheek article about uh, it's called dog or Jewish boyfriend him, 87 00:05:01,000 --> 00:05:03,320 Speaker 1: and she, you know, goes on about, you know, he's 88 00:05:03,360 --> 00:05:07,080 Speaker 1: crazy for cream cheese, he has asthma, you know, he 89 00:05:07,160 --> 00:05:09,640 Speaker 1: my my my mother says he's a good boy, you know, 90 00:05:09,720 --> 00:05:13,480 Speaker 1: kind of comparing or or or making a spoof thing 91 00:05:13,880 --> 00:05:17,760 Speaker 1: about her boyfriend. Who is this musician Jack Antonof, who 92 00:05:17,760 --> 00:05:21,919 Speaker 1: I've never heard play, But my man looks like he 93 00:05:22,000 --> 00:05:26,160 Speaker 1: puts on a Halloween costume, a hipster halloween kit It's 94 00:05:26,160 --> 00:05:29,159 Speaker 1: not even a costume, it's a kit. This guy, Jack Antonof, 95 00:05:29,160 --> 00:05:33,159 Speaker 1: looks like he puts on a hipster Halloween kit um 96 00:05:33,200 --> 00:05:36,120 Speaker 1: to perform me where it's like this fucking baseball hat. 97 00:05:36,120 --> 00:05:38,200 Speaker 1: He doesn't pull it down. It's like, you know, like hi, 98 00:05:38,520 --> 00:05:40,919 Speaker 1: you know, it's like a bendy fitted baseball hat and 99 00:05:40,920 --> 00:05:43,560 Speaker 1: he wears these horn room glasses and he wears his 100 00:05:43,640 --> 00:05:47,320 Speaker 1: jeans really tight, so apparently she dates him. And she 101 00:05:47,360 --> 00:05:51,280 Speaker 1: wrote this quiz thing on New Yorker magazine, and basically 102 00:05:51,320 --> 00:05:53,919 Speaker 1: I felt like it was funny, but people have felt 103 00:05:53,960 --> 00:05:57,640 Speaker 1: like she was emasculating the Jewish man by doing this, 104 00:05:57,920 --> 00:06:01,240 Speaker 1: and me, being a full blown Jew, I had to 105 00:06:01,320 --> 00:06:04,000 Speaker 1: chime in to say that I don't think she would 106 00:06:04,080 --> 00:06:08,840 Speaker 1: be even writing this, you know, sort of spoofing her boyfriend. 107 00:06:09,240 --> 00:06:11,880 Speaker 1: Is he a dog or a Jewish boyfriend? If if 108 00:06:11,880 --> 00:06:16,520 Speaker 1: this dude, Jack Antonoff was tapping that as correctly, okay, 109 00:06:16,520 --> 00:06:22,160 Speaker 1: I don't think that Jack Antonoff is sugar dicking it proper, okay, 110 00:06:22,200 --> 00:06:26,240 Speaker 1: because if if Jack Antonoff was laying that pipe correctly, 111 00:06:26,960 --> 00:06:30,880 Speaker 1: Lena Dunham wouldn't even be thinking about comparing her boyfriend 112 00:06:31,560 --> 00:06:37,799 Speaker 1: whether he's Jewish, Puerto Rican, fucking Christian, Catholic, Roman, whatever, 113 00:06:37,880 --> 00:06:42,040 Speaker 1: I don't know what Italian, Stallion, anything, Irish. If if 114 00:06:42,360 --> 00:06:46,360 Speaker 1: his fuck style was buck wild, you you wouldn't be 115 00:06:46,440 --> 00:06:48,679 Speaker 1: writing ship like this. You would be writing little essays 116 00:06:48,720 --> 00:06:53,200 Speaker 1: about my man. His fun game is insane, Okay, So 117 00:06:53,320 --> 00:06:55,720 Speaker 1: Lena Dunham, I want you to look into that because 118 00:06:55,800 --> 00:06:59,000 Speaker 1: you you you might not be in the right situation 119 00:06:59,040 --> 00:07:02,960 Speaker 1: for you. What I'm saying is that because if this dude, 120 00:07:03,000 --> 00:07:07,279 Speaker 1: Jack Antonof was tapping that ass correctly, you know, like 121 00:07:07,400 --> 00:07:10,160 Speaker 1: raw dog without a bag, that's what I need you 122 00:07:10,240 --> 00:07:13,720 Speaker 1: to start looking at, Okay, because instead of you know, 123 00:07:13,800 --> 00:07:15,760 Speaker 1: going at him and you know, making light of him 124 00:07:15,800 --> 00:07:18,480 Speaker 1: and you know, kind of emasculating him, that's what people 125 00:07:18,480 --> 00:07:22,760 Speaker 1: have said. Then you know, if if he's if he's 126 00:07:22,800 --> 00:07:27,280 Speaker 1: sugar dicking it, Okay, if Jack Antonoff was sugar sugar 127 00:07:27,360 --> 00:07:31,040 Speaker 1: dicking you, then you'd be writing all sorts of different things. 128 00:07:31,960 --> 00:07:34,560 Speaker 1: But I'm a fan. I like the show, I like 129 00:07:34,640 --> 00:07:37,280 Speaker 1: what you're doing, but I'm just concerned that you might 130 00:07:37,320 --> 00:07:40,600 Speaker 1: not have a boyfriend who's Fox style is buck Wald. 131 00:07:40,680 --> 00:07:44,400 Speaker 1: And we are advocates of people's fuck styles men, women, 132 00:07:44,920 --> 00:07:47,200 Speaker 1: We we we want everybody's Fox style to be buck Waled. 133 00:07:47,240 --> 00:07:49,960 Speaker 1: Here at the I M Rappa Poor Podcast, I get nasty, 134 00:07:50,080 --> 00:07:59,320 Speaker 1: like you want to luck chow because the short to 135 00:07:59,520 --> 00:08:06,280 Speaker 1: water the last checking that's like, I'm just get what else? 136 00:08:07,600 --> 00:08:09,440 Speaker 1: This is the I wrap co Partnis. We're here to 137 00:08:09,480 --> 00:08:13,440 Speaker 1: discuss a show that the country seems to be obsessed 138 00:08:13,480 --> 00:08:17,600 Speaker 1: with and we're obsessed with. It was a documentary series 139 00:08:17,640 --> 00:08:20,960 Speaker 1: on HBO called The Jinks. I don't know if hashtag 140 00:08:20,960 --> 00:08:25,000 Speaker 1: The Jins HBO. Hashtag The Jinks on HBC, and it's 141 00:08:25,000 --> 00:08:28,000 Speaker 1: a six part documentary series by a guy named Robert 142 00:08:28,040 --> 00:08:32,040 Speaker 1: Jarecki who Andrew direct and direct. I was thinking, Robert 143 00:08:32,200 --> 00:08:36,360 Speaker 1: mckis you know Robert Durst? Sorry, thank you for billing 144 00:08:36,360 --> 00:08:38,880 Speaker 1: me out of that. And I don't know if you 145 00:08:38,880 --> 00:08:42,400 Speaker 1: know this. You know that he co founded movie Phone. Correct. Yeah, 146 00:08:42,400 --> 00:08:45,280 Speaker 1: he made his movie Phone, which was a big deal. 147 00:08:45,400 --> 00:08:46,800 Speaker 1: If you know the name of the movie, you'd like 148 00:08:46,800 --> 00:08:49,520 Speaker 1: to see press. Well, now he started all that ship. Yeah, 149 00:08:49,520 --> 00:08:52,319 Speaker 1: he sold that and then financed his own documentaries. He's 150 00:08:52,360 --> 00:08:56,320 Speaker 1: a great filmmaker. He sold that. Yeah, a lot of money, right, 151 00:08:56,320 --> 00:08:58,960 Speaker 1: I don't know how much money, but enough to live 152 00:08:58,960 --> 00:09:01,720 Speaker 1: comfortably probably. And he directed a really good dog called 153 00:09:01,760 --> 00:09:05,199 Speaker 1: Capturing the free Capturing the Freeman is a great document documentary, 154 00:09:05,400 --> 00:09:08,040 Speaker 1: really really good documentary. And then he did a film 155 00:09:08,280 --> 00:09:10,880 Speaker 1: that was actually based on the life of Robert Durst 156 00:09:10,960 --> 00:09:13,720 Speaker 1: or the cases of Robert Durst, called All Good Things 157 00:09:13,920 --> 00:09:17,440 Speaker 1: with Ryan Gosling and somebody else and does Heirson Dunce 158 00:09:17,480 --> 00:09:19,520 Speaker 1: Good thanks for the information, because we don't fact check 159 00:09:19,520 --> 00:09:21,000 Speaker 1: here at the I M don't know. That's what makes 160 00:09:21,000 --> 00:09:23,719 Speaker 1: it special, like we don't have from that movie. From 161 00:09:23,800 --> 00:09:26,960 Speaker 1: that movie. Robert Durst himself saw the film and then 162 00:09:27,120 --> 00:09:30,840 Speaker 1: contacted Andrew Direcky and said, let's do an interview or 163 00:09:30,840 --> 00:09:33,800 Speaker 1: how did he how did he say it? Well, how 164 00:09:33,840 --> 00:09:35,400 Speaker 1: am I going to do my impression? Just don't do 165 00:09:35,400 --> 00:09:39,360 Speaker 1: your impression? But he said that No, But he said, um, 166 00:09:39,640 --> 00:09:41,040 Speaker 1: let's do an interview. I want to do it. Tell 167 00:09:41,040 --> 00:09:43,080 Speaker 1: he said you, he goes, I saw the film. I 168 00:09:43,120 --> 00:09:45,480 Speaker 1: had an emotional reaction to it, and I think that 169 00:09:45,559 --> 00:09:49,520 Speaker 1: you know Robert Durst more than everybody else knows Robert Durst. 170 00:09:49,559 --> 00:09:52,000 Speaker 1: And what do you say that? We just have an 171 00:09:52,000 --> 00:09:54,679 Speaker 1: open line and and a little, you know, some communication 172 00:09:54,720 --> 00:09:56,760 Speaker 1: of doing an interview, togain. That was the genesis of 173 00:09:56,760 --> 00:10:00,719 Speaker 1: this wonderful documentary called The Jinks. Now, let's con sexualized 174 00:10:01,160 --> 00:10:04,440 Speaker 1: Robert Durst. You guys, explain who Robert Durst is to 175 00:10:04,679 --> 00:10:07,160 Speaker 1: the general public who is not seeing the Jinks quickly 176 00:10:07,280 --> 00:10:10,559 Speaker 1: in ninety seconds, go logan. He is the son of 177 00:10:10,600 --> 00:10:14,280 Speaker 1: a real estate uh mogul in New York City. Yes, 178 00:10:14,360 --> 00:10:17,880 Speaker 1: billionaire owns a lot of New York City with and 179 00:10:17,880 --> 00:10:20,480 Speaker 1: he's got a lot of fucking problems. This guy, he's 180 00:10:20,520 --> 00:10:23,080 Speaker 1: a he's a he's a he's a sociopath. You know, 181 00:10:23,160 --> 00:10:27,280 Speaker 1: he has no emotion. This guy is completely apathetic towards 182 00:10:27,360 --> 00:10:31,720 Speaker 1: anything that now now his his his father, Seymour Durst, 183 00:10:31,880 --> 00:10:34,960 Speaker 1: when they were kids, um Robert and his and his 184 00:10:35,040 --> 00:10:39,400 Speaker 1: younger brother Douglas. Um Robert thought he was in lyne 185 00:10:39,520 --> 00:10:43,319 Speaker 1: to take over the family business. And anyway, that didn't happen. 186 00:10:43,360 --> 00:10:46,720 Speaker 1: It went to the second eldest son, which was Douglas Durst, right, 187 00:10:46,880 --> 00:10:51,520 Speaker 1: which was the downfall of Robert Durst and his beginning 188 00:10:51,679 --> 00:10:54,840 Speaker 1: beginning of the uh of the downfall. And in the 189 00:10:54,920 --> 00:10:57,080 Speaker 1: in the eighties or was it the nineties? It was 190 00:10:57,559 --> 00:11:00,200 Speaker 1: what year was his first he's accuser's wife his first 191 00:11:00,240 --> 00:11:05,720 Speaker 1: wife in the seventies. We don't fact check here, but 192 00:11:05,760 --> 00:11:08,599 Speaker 1: it was the eighties, but it was it wasn't the 193 00:11:08,640 --> 00:11:11,600 Speaker 1: seven I think it was late seventies. And he disappeared, Okay, 194 00:11:11,720 --> 00:11:13,880 Speaker 1: well it might be. We don't fact Okay, we're not. 195 00:11:14,040 --> 00:11:20,840 Speaker 1: His first wife disappeared out of the fucking blue and 196 00:11:21,400 --> 00:11:24,400 Speaker 1: was was was gone, and and and and and that 197 00:11:24,480 --> 00:11:27,000 Speaker 1: was the beginning of what is I guess it's a 198 00:11:27,080 --> 00:11:31,840 Speaker 1: killing spree because my opinion, and this isn't this isn't proven, 199 00:11:32,240 --> 00:11:35,880 Speaker 1: but my opinion is that he's guilty of killing three people, 200 00:11:36,520 --> 00:11:40,959 Speaker 1: his first wife, his friend Susan Berman, and then his roommate, 201 00:11:41,080 --> 00:11:46,320 Speaker 1: who he admitted best his best that he admitted. No, people, 202 00:11:46,440 --> 00:11:48,040 Speaker 1: if you're if you haven't seen this, you're gonna be like, 203 00:11:48,120 --> 00:11:52,120 Speaker 1: what the funk? He admitted. He admitted, I'm saying it again, 204 00:11:52,400 --> 00:11:58,400 Speaker 1: to dismembering the guy's body and accidentally killing him. He now, 205 00:11:58,480 --> 00:12:04,480 Speaker 1: just think about that, admitted on trial. Cutting in court, 206 00:12:04,520 --> 00:12:09,240 Speaker 1: he admitted, and he was acquitted. Now, before we go backwards, 207 00:12:09,280 --> 00:12:11,480 Speaker 1: I just wanted to think about name one thing off 208 00:12:11,520 --> 00:12:15,360 Speaker 1: the top of your head, less than dismembering a person 209 00:12:15,400 --> 00:12:17,959 Speaker 1: that could let get you guaranteed in jail. You could 210 00:12:18,160 --> 00:12:22,880 Speaker 1: you could be taken to jail for driving without a license. Yeah, 211 00:12:23,120 --> 00:12:26,720 Speaker 1: you could be taken to jail. Logan, what else? Uh? 212 00:12:27,080 --> 00:12:29,440 Speaker 1: What else? I mean I've never gone to jail, But 213 00:12:29,480 --> 00:12:35,720 Speaker 1: I mean I'm talking about like you could officer exactly. 214 00:12:35,800 --> 00:12:38,120 Speaker 1: I mean, there's so many things, but but but but 215 00:12:38,240 --> 00:12:42,679 Speaker 1: this guy admitted to dismembering a body, cutting off the legs, 216 00:12:42,760 --> 00:12:44,880 Speaker 1: cutting off the arms, cutting off the head. We don't 217 00:12:44,920 --> 00:12:47,280 Speaker 1: have any audio clips of the trial, but if if 218 00:12:47,480 --> 00:12:52,360 Speaker 1: we were to have one, I think a direct quote was, um, 219 00:12:52,559 --> 00:12:55,680 Speaker 1: I did not kill him my best friend. I did 220 00:12:55,800 --> 00:13:01,400 Speaker 1: dismember him. Unquote. That's literally verbatis. Sound exactly like, you 221 00:13:01,440 --> 00:13:05,000 Speaker 1: do a good impression. He does a fantastic impression, and 222 00:13:05,080 --> 00:13:07,680 Speaker 1: you you're if you if you look closely, Dean actually 223 00:13:07,840 --> 00:13:13,800 Speaker 1: resembles a young boy. Those like black eyes, guys, I 224 00:13:13,840 --> 00:13:18,360 Speaker 1: have green eyes there. I can compliment features. I'm gonna 225 00:13:18,360 --> 00:13:20,200 Speaker 1: throw this g at you, guys. I'm gonna throw this 226 00:13:20,240 --> 00:13:22,920 Speaker 1: at you guys. For me. I want to I want 227 00:13:22,920 --> 00:13:24,560 Speaker 1: to hear your opinions. What do you think of the 228 00:13:24,600 --> 00:13:31,319 Speaker 1: credit sequence? Okay? Why uh? It's it's it's entertaining. It's 229 00:13:31,360 --> 00:13:34,640 Speaker 1: it's more than just look. If this was done in 230 00:13:34,640 --> 00:13:37,640 Speaker 1: in a in an aesthetically similar way to let's say 231 00:13:37,800 --> 00:13:40,760 Speaker 1: the first forty eight, it wouldn't be as interesting. So 232 00:13:40,840 --> 00:13:43,559 Speaker 1: it's engaging. It gets you involved. It's entertainment at the 233 00:13:43,640 --> 00:13:45,680 Speaker 1: end of the day too. If they're making a documentary 234 00:13:45,679 --> 00:13:49,360 Speaker 1: about anybody, it's entertainment. You're watching it as a show. 235 00:13:49,600 --> 00:13:54,400 Speaker 1: Isn't for court. This is meant to engage. Now we've 236 00:13:54,559 --> 00:13:56,920 Speaker 1: had we've had a few conversations, and you guys are 237 00:13:56,920 --> 00:13:59,320 Speaker 1: offended by it. No, you guys offended by it. No, 238 00:13:59,320 --> 00:14:01,720 Speaker 1: no, no no, no, Dean, you talk about the credits, and then, 239 00:14:01,880 --> 00:14:03,760 Speaker 1: because you're the guests, I want to hear your opinions, 240 00:14:03,760 --> 00:14:07,000 Speaker 1: and then my opinion is ultimately the one that matters. Well, 241 00:14:07,040 --> 00:14:10,640 Speaker 1: I said, I'm just saying. I'm just saying it is 242 00:14:10,679 --> 00:14:12,959 Speaker 1: the one that ultimately matters. I'll cut out any of 243 00:14:13,000 --> 00:14:16,320 Speaker 1: these and I'll make it. I'll make this show totally 244 00:14:16,400 --> 00:14:19,480 Speaker 1: skewed to me. But do your opinion. Let's just make 245 00:14:19,480 --> 00:14:23,640 Speaker 1: sure we're recording. Yeah, we're recording. We're good. So I 246 00:14:23,760 --> 00:14:28,960 Speaker 1: know you and I, Michael, we've had various discussions about 247 00:14:29,000 --> 00:14:32,360 Speaker 1: the the title sequence of the show and this and that, 248 00:14:32,400 --> 00:14:34,440 Speaker 1: and I have to subscribe the title sequence. It's to 249 00:14:34,520 --> 00:14:36,680 Speaker 1: people who haven't seen it, or people have seen it. 250 00:14:36,920 --> 00:14:39,840 Speaker 1: I guess I would describe it. It's it's it's sexy, 251 00:14:39,960 --> 00:14:43,680 Speaker 1: it's got a fucking great song. It's like cool. You 252 00:14:45,800 --> 00:14:49,240 Speaker 1: know what, True Detective I think set this set this 253 00:14:49,360 --> 00:14:52,600 Speaker 1: up for for for HBO. True Detective title sequence was 254 00:14:52,640 --> 00:14:54,120 Speaker 1: a thing in its own It was a short film 255 00:14:54,120 --> 00:14:56,640 Speaker 1: in its own people loved it so much, people talked 256 00:14:56,680 --> 00:14:59,520 Speaker 1: about it. That's what got people to also watch, you know, 257 00:14:59,560 --> 00:15:02,640 Speaker 1: the show. Maybe a good portion of the audience. We're 258 00:15:02,640 --> 00:15:05,080 Speaker 1: like here, it has a great title sequence, but you know, 259 00:15:05,160 --> 00:15:07,560 Speaker 1: now they're doing it with this it's HBO, it's you know, 260 00:15:07,680 --> 00:15:10,240 Speaker 1: it's the same guys that are you know, part of that. 261 00:15:10,520 --> 00:15:12,440 Speaker 1: Finish your opinion because I want to talk about because 262 00:15:12,440 --> 00:15:14,720 Speaker 1: I haven't articulated my opinion about Okay, I want to 263 00:15:14,720 --> 00:15:17,800 Speaker 1: explain to you what it did to me. So to me, 264 00:15:18,520 --> 00:15:22,480 Speaker 1: when I saw it for the first time, I thought, fun, 265 00:15:22,640 --> 00:15:25,360 Speaker 1: this is this is pretty cool. Like this they like, 266 00:15:25,400 --> 00:15:27,680 Speaker 1: they're making this guy, I don't know this guy just 267 00:15:27,720 --> 00:15:29,560 Speaker 1: based off of the pilot episode, but they're making him 268 00:15:29,600 --> 00:15:32,960 Speaker 1: look really cool. I would say, very uh Brian Cranston 269 00:15:33,080 --> 00:15:38,320 Speaker 1: like Walter White esque, Like he's a badass, bad guy, 270 00:15:38,400 --> 00:15:40,280 Speaker 1: but like you watch it and you like kind of 271 00:15:40,320 --> 00:15:42,720 Speaker 1: like him and you kind of like not want him 272 00:15:42,720 --> 00:15:45,200 Speaker 1: to get away with ship, but like it's you know, 273 00:15:45,640 --> 00:15:49,000 Speaker 1: they make him look like Walter White and breaking bad 274 00:15:49,080 --> 00:15:51,360 Speaker 1: and it's like a show, but it's it's real, it's 275 00:15:51,400 --> 00:15:54,160 Speaker 1: real life. It's people's lives. And this is the thing 276 00:15:54,200 --> 00:15:56,120 Speaker 1: that bothered me. If I don't know if you're aware 277 00:15:56,160 --> 00:15:58,560 Speaker 1: of this. You might be because you're on top of 278 00:15:58,560 --> 00:16:00,960 Speaker 1: your game because we don't fact check here, but you're 279 00:16:01,040 --> 00:16:02,520 Speaker 1: on top of your ship. I don't even need to 280 00:16:02,560 --> 00:16:06,520 Speaker 1: fact him today, Logan, you're you're sharp. The thing about 281 00:16:06,920 --> 00:16:10,360 Speaker 1: the credit sequences at number one, every episode started with 282 00:16:10,400 --> 00:16:14,080 Speaker 1: a cold opening. Every episode started with it with a 283 00:16:14,080 --> 00:16:24,240 Speaker 1: cold opening. If in in Lehman terms, you get that 284 00:16:24,320 --> 00:16:27,960 Speaker 1: because you and then I was saying terms, and like 285 00:16:28,000 --> 00:16:30,640 Speaker 1: the other thing is that was good. You kind of 286 00:16:30,720 --> 00:16:32,480 Speaker 1: was just off the cup and you're like coin that 287 00:16:32,560 --> 00:16:36,840 Speaker 1: kind of right now woman terms you still special show 288 00:16:37,400 --> 00:16:43,000 Speaker 1: the baby domain that ms. But a cold opening is 289 00:16:43,120 --> 00:16:46,480 Speaker 1: like where a show starts where you're there's no title secrets, 290 00:16:46,600 --> 00:16:49,560 Speaker 1: You're in the show. And every episode of the Jinks 291 00:16:49,640 --> 00:16:52,400 Speaker 1: started where you're right into the show. Then it would 292 00:16:52,400 --> 00:16:54,400 Speaker 1: like kind of set up what the episode is about. 293 00:16:54,800 --> 00:17:01,840 Speaker 1: And then this sexy, cool well shot credit sequence fincheresque, 294 00:17:02,080 --> 00:17:05,600 Speaker 1: David Fincheresque. It's got cool music, very similar to the 295 00:17:05,640 --> 00:17:08,760 Speaker 1: Sopranos driving Like yeah, it's like that, it's got like 296 00:17:09,040 --> 00:17:12,320 Speaker 1: and they shot an actual credit sequence like they shot 297 00:17:12,400 --> 00:17:14,720 Speaker 1: Robert Durston like a movie theater and he's in there 298 00:17:14,720 --> 00:17:17,800 Speaker 1: and it's like cutaways and you What it did to 299 00:17:17,960 --> 00:17:22,160 Speaker 1: me is I felt like I knew some some about 300 00:17:22,200 --> 00:17:24,800 Speaker 1: this this this case from being in New York and 301 00:17:24,880 --> 00:17:26,720 Speaker 1: it was like kind of like pop culture was on 302 00:17:26,760 --> 00:17:28,359 Speaker 1: the cover of the Daily News and ship like that, 303 00:17:28,400 --> 00:17:30,760 Speaker 1: and you'd see it on New York One. But I 304 00:17:30,880 --> 00:17:32,600 Speaker 1: and I was always like, this fucking guy is guilty. 305 00:17:32,640 --> 00:17:34,840 Speaker 1: Obviously I didn't know as much as I knew from 306 00:17:34,880 --> 00:17:39,520 Speaker 1: watching the documentary The Jinks. But what it did to 307 00:17:39,560 --> 00:17:43,280 Speaker 1: me is I went into this show feeling like, this 308 00:17:43,320 --> 00:17:45,600 Speaker 1: is my opinion that this guy was guilty, and somehow 309 00:17:45,680 --> 00:17:48,680 Speaker 1: or another, this fucking guy had gotten away from being 310 00:17:48,680 --> 00:17:52,240 Speaker 1: convicted of murder three times. It made me root for 311 00:17:52,320 --> 00:17:54,520 Speaker 1: him like a TV character, like I was rooting for 312 00:17:54,560 --> 00:17:57,000 Speaker 1: Tony Soprano, who you can root for because you know 313 00:17:57,080 --> 00:17:59,679 Speaker 1: it's not a real person, or Walter White like I 314 00:17:59,720 --> 00:18:03,240 Speaker 1: found myself to get away. It just disconnected you from 315 00:18:03,280 --> 00:18:05,399 Speaker 1: from the reality of it all and made it seem 316 00:18:05,440 --> 00:18:09,440 Speaker 1: like fiction, like it is entertainment, but but it's not entertainment, 317 00:18:09,480 --> 00:18:12,679 Speaker 1: Like I'll pride myself and saying the trip Coal Quest 318 00:18:12,720 --> 00:18:18,000 Speaker 1: Documentary I did. It's got sexy shameless there, But I'm 319 00:18:18,000 --> 00:18:19,520 Speaker 1: just saying. I'm just saying, but I'm just saying, like 320 00:18:19,600 --> 00:18:23,080 Speaker 1: we had dope credits because it's amusic. It's on Blue Ray, 321 00:18:23,080 --> 00:18:25,960 Speaker 1: it's on iTunes, it's on it's on It's it's really easy. 322 00:18:26,040 --> 00:18:28,399 Speaker 1: You could. It's been ripped. It's on YouTube if you 323 00:18:28,400 --> 00:18:29,719 Speaker 1: if you don't want to pay your mind if it's 324 00:18:29,800 --> 00:18:32,600 Speaker 1: ripped like you know it before the movie came out. 325 00:18:32,640 --> 00:18:34,280 Speaker 1: So if you want to watch it like that, you know, 326 00:18:34,400 --> 00:18:36,720 Speaker 1: let your soul rock and watch it like that, it's 327 00:18:36,720 --> 00:18:38,760 Speaker 1: no problem. You could. You could steal from me and 328 00:18:38,800 --> 00:18:41,639 Speaker 1: steal from I have not even purchased that I know. 329 00:18:41,840 --> 00:18:43,879 Speaker 1: And that's that's what's gonna you know, that's cold Carmen. 330 00:18:43,920 --> 00:18:45,320 Speaker 1: That's gonna come back to get you and your guys. 331 00:18:45,320 --> 00:18:48,040 Speaker 1: But let's stay focused. But it's true. All the viruses 332 00:18:48,280 --> 00:18:50,840 Speaker 1: want from that ship. Yeah, download it. I hope you have. 333 00:18:52,040 --> 00:18:54,000 Speaker 1: They don't don't don't do it on Netflix, and don't 334 00:18:54,000 --> 00:18:58,320 Speaker 1: do it on iTunes for expensive, Yeah, don't do that. 335 00:18:58,400 --> 00:19:00,200 Speaker 1: But like I hope you download it on you two 336 00:19:00,359 --> 00:19:06,000 Speaker 1: or someplace and your fucking computer gets Viruses want to 337 00:19:06,000 --> 00:19:12,400 Speaker 1: play watch film you spend for breaking Bad Dad movie? 338 00:19:12,400 --> 00:19:14,360 Speaker 1: People are cheap man, Yeah, if they're not, if they're 339 00:19:14,400 --> 00:19:21,480 Speaker 1: not really spend four you would you spend four nine 340 00:19:21,520 --> 00:19:23,720 Speaker 1: on this fucking movie that he made? This documentary? You 341 00:19:23,800 --> 00:19:27,680 Speaker 1: say it's a great document I listen, I love the documentary. 342 00:19:27,720 --> 00:19:31,280 Speaker 1: If I pirated it, have was I the uploader before 343 00:19:31,280 --> 00:19:33,160 Speaker 1: the movie came out? I don't know. I'm just I'm 344 00:19:33,200 --> 00:19:36,720 Speaker 1: just like spit bowling. But you know, I don't believe 345 00:19:36,720 --> 00:19:38,880 Speaker 1: in piracy. But in terms of your films that you make, 346 00:19:38,960 --> 00:19:41,720 Speaker 1: like you think you go out of your way to pirates. Hey, hey, 347 00:19:41,920 --> 00:19:46,280 Speaker 1: would you guys go into a seven eleven, as you say, 348 00:19:46,320 --> 00:19:50,399 Speaker 1: and steal snickers bar? Nope, no, you would product, but 349 00:19:50,440 --> 00:19:53,920 Speaker 1: you want movie. This is a product. This is something 350 00:19:53,960 --> 00:19:57,800 Speaker 1: that you put out there, movies on the internet. I'm 351 00:19:58,200 --> 00:20:00,320 Speaker 1: I'm lying, I'm lying. I'm lying to just want to 352 00:20:00,320 --> 00:20:02,520 Speaker 1: take this time notice say on the cute tip side, 353 00:20:02,600 --> 00:20:04,800 Speaker 1: like I've been on cute tip side between the cute 354 00:20:04,800 --> 00:20:07,359 Speaker 1: tip Mica and there's like any beef And I'm not 355 00:20:07,359 --> 00:20:09,280 Speaker 1: trying to like stir the pot or whatever, but i 356 00:20:09,320 --> 00:20:13,159 Speaker 1: just want to say, like back, like we're getting what 357 00:20:13,240 --> 00:20:15,199 Speaker 1: if Robert Durst ever saw of beach Rumps in life 358 00:20:15,200 --> 00:20:17,400 Speaker 1: the Travels of a Tropical because I think, like, does 359 00:20:17,520 --> 00:20:19,879 Speaker 1: maybe Robert Durst know you as a character actor, like 360 00:20:19,920 --> 00:20:22,200 Speaker 1: you're from New York I guarantee you, but that that 361 00:20:22,280 --> 00:20:26,639 Speaker 1: he does, because after the fact that Bill Clinton knew me, 362 00:20:26,840 --> 00:20:28,600 Speaker 1: I feel like, but what did he know you from? 363 00:20:28,600 --> 00:20:32,800 Speaker 1: For real? Justified for He rattled off a few things, 364 00:20:32,800 --> 00:20:36,400 Speaker 1: and I was like, just like Clinton, Bill Clinton, ex 365 00:20:36,440 --> 00:20:39,200 Speaker 1: President Bill Clinton, and I don't want to get because 366 00:20:39,280 --> 00:20:41,240 Speaker 1: last time we were here, we were talking about mountaintop moments. 367 00:20:41,280 --> 00:20:44,320 Speaker 1: And since you've been here the last time that you 368 00:20:44,359 --> 00:20:47,840 Speaker 1: took Dean to the White House to meet Obama, Oh yeah, 369 00:20:47,960 --> 00:20:52,080 Speaker 1: we haven't even that. I want to say that that's 370 00:20:52,160 --> 00:20:54,800 Speaker 1: fucked up. That's fucked up that that happened. And then 371 00:20:55,200 --> 00:20:56,760 Speaker 1: I felt like you kind of rubbed that in my face. 372 00:20:56,800 --> 00:20:59,000 Speaker 1: But let's say focus on the jinks and the credit sequence. 373 00:20:59,240 --> 00:21:01,640 Speaker 1: Let's say focus on a drinks and credit. What I'm 374 00:21:01,680 --> 00:21:05,080 Speaker 1: saying to you is that knowing me, knowing that I 375 00:21:05,160 --> 00:21:08,400 Speaker 1: have an opinion that I felt like this guy got 376 00:21:08,400 --> 00:21:11,320 Speaker 1: off a murder three times. That credit sequence and some 377 00:21:11,400 --> 00:21:14,439 Speaker 1: of the style and sexiness of the show made me 378 00:21:14,480 --> 00:21:16,199 Speaker 1: be like, let him get away. He seems like a 379 00:21:16,280 --> 00:21:18,320 Speaker 1: charming guy. He seems funny, seems like kind of like 380 00:21:18,359 --> 00:21:20,560 Speaker 1: a New York kind of guy, Like I feel like 381 00:21:20,600 --> 00:21:23,160 Speaker 1: I have a grill cheese sam with with him at 382 00:21:23,160 --> 00:21:26,040 Speaker 1: a diner in New York, like until the end, and 383 00:21:26,080 --> 00:21:30,639 Speaker 1: I was like, Yo, this motherfucker is really fucking batshit crazy. 384 00:21:30,680 --> 00:21:32,800 Speaker 1: You know what, And if if, if your audience right 385 00:21:32,800 --> 00:21:35,879 Speaker 1: now is listening to this like we're allowed to spill shit, like, 386 00:21:36,560 --> 00:21:44,000 Speaker 1: might stop listening to Silers disclaim spoilers did not see 387 00:21:44,080 --> 00:21:49,800 Speaker 1: him or interpret his behavior as being I guess attractive 388 00:21:49,920 --> 00:21:52,679 Speaker 1: or cool or entertaining. I saw him as being rehearsed 389 00:21:53,000 --> 00:21:56,040 Speaker 1: and well thought out, and everything he said just seemed 390 00:21:56,160 --> 00:22:00,359 Speaker 1: very straight up, you know, very apathetic in terms of 391 00:22:00,480 --> 00:22:03,320 Speaker 1: the details. It was just especially when you're talking about 392 00:22:03,680 --> 00:22:09,040 Speaker 1: dismembering his quote unquote best friend's body, like it was 393 00:22:09,080 --> 00:22:12,399 Speaker 1: all very ha It was just straightbward. So I I, 394 00:22:12,480 --> 00:22:15,480 Speaker 1: you know, I took off his arms and what I did, okay, okay, 395 00:22:15,600 --> 00:22:19,720 Speaker 1: I smoked some weeds. I smoked some you know. But 396 00:22:19,720 --> 00:22:21,600 Speaker 1: but I I can agree with wed. I think that 397 00:22:21,640 --> 00:22:24,280 Speaker 1: in a lot of the interviews he came off his charming. 398 00:22:24,359 --> 00:22:26,280 Speaker 1: I kind of was like, hey, like I want to 399 00:22:26,680 --> 00:22:30,880 Speaker 1: Bobby Durst maybe yeah, maybe Why then they dismember Himan 400 00:22:30,920 --> 00:22:33,080 Speaker 1: came and I'm like, fuck, I locked my doors at 401 00:22:33,119 --> 00:22:37,080 Speaker 1: night for Bobby Durst. Bobby Durst is is buck wild, 402 00:22:37,400 --> 00:22:40,320 Speaker 1: and I guarantee his fuck styles also buck wild. And 403 00:22:40,320 --> 00:22:42,760 Speaker 1: I don't even know about that said we always got 404 00:22:42,760 --> 00:22:47,159 Speaker 1: to throw that in there. We're gonna wild fu style 405 00:22:47,240 --> 00:22:50,320 Speaker 1: being buck style is buck wild. What is buck wild? 406 00:22:50,560 --> 00:22:53,720 Speaker 1: Like your fuck style is buck wild? Essentially would mean 407 00:22:53,760 --> 00:22:57,360 Speaker 1: like explain with buck I'll explain what it means. That's 408 00:22:57,359 --> 00:22:59,040 Speaker 1: a good question because you know what, I assume that 409 00:22:59,080 --> 00:23:02,600 Speaker 1: everybody knows what then buck wild means, like yo, that 410 00:23:02,720 --> 00:23:06,480 Speaker 1: ship like Robert Durst, he's buck wild, like like he's 411 00:23:06,520 --> 00:23:09,440 Speaker 1: fucking wild. Or you could be like, yo, that new 412 00:23:09,520 --> 00:23:12,080 Speaker 1: song by what's the what's the latest song you like? 413 00:23:12,280 --> 00:23:17,439 Speaker 1: The newest song you like? Alabama Shakes Alabama Alabama wild. 414 00:23:18,520 --> 00:23:20,000 Speaker 1: It's more from a hip hop thing, So it would 415 00:23:20,000 --> 00:23:24,720 Speaker 1: be like, but that Alabama Shake song is actually buck wild. 416 00:23:24,160 --> 00:23:27,400 Speaker 1: But you could say yo, like it's fucking great, it's 417 00:23:28,200 --> 00:23:31,159 Speaker 1: or you could or could be or it's crazy or 418 00:23:31,200 --> 00:23:33,440 Speaker 1: it's like on the loose the fact that Robert Durst 419 00:23:33,560 --> 00:23:36,200 Speaker 1: is walking the streets in New York City right now 420 00:23:36,320 --> 00:23:39,679 Speaker 1: after dismembering his quote unquote best friend. That's buck wild. 421 00:23:39,760 --> 00:23:42,800 Speaker 1: The fact that Robert Durst's lawyers are comfortable getting him 422 00:23:42,840 --> 00:23:45,159 Speaker 1: off just because they have a lot of money and resources. 423 00:23:45,280 --> 00:23:48,639 Speaker 1: You could say, Robert Durst, your lawyers are buck wild. 424 00:23:49,000 --> 00:23:51,639 Speaker 1: So you see what I'm saying. That's the transition to 425 00:23:51,680 --> 00:23:55,159 Speaker 1: the to the fu style. Well, so in a runway 426 00:23:55,200 --> 00:23:58,439 Speaker 1: we have how so so you cauld say so you 427 00:23:58,480 --> 00:24:01,840 Speaker 1: could say it came from a rhyme like a friend 428 00:24:01,880 --> 00:24:04,239 Speaker 1: of mine man cousin Jonah, he's an m C from 429 00:24:04,480 --> 00:24:06,199 Speaker 1: really good. Never came out with some ship, but like 430 00:24:06,280 --> 00:24:09,000 Speaker 1: really really good, doubt good with words he said in 431 00:24:09,040 --> 00:24:11,520 Speaker 1: the thing. And my fox style is buck Waal, meaning 432 00:24:11,600 --> 00:24:15,800 Speaker 1: that his his when he when he beds a young lady, 433 00:24:15,880 --> 00:24:19,280 Speaker 1: that his fun game is essentially insane. See that's a 434 00:24:19,320 --> 00:24:21,280 Speaker 1: pun on its like saying like he has a good 435 00:24:21,320 --> 00:24:24,840 Speaker 1: fun game. So you say my fox style is buck wild. 436 00:24:24,920 --> 00:24:30,240 Speaker 1: I can't imagine anybody fucking that guy. But if but 437 00:24:30,359 --> 00:24:32,760 Speaker 1: logan you want to say, but if you have to 438 00:24:32,800 --> 00:24:37,040 Speaker 1: answer the question yes or no, is your fox style 439 00:24:37,119 --> 00:24:39,240 Speaker 1: buck wild? And it really just means is your fox 440 00:24:39,280 --> 00:24:41,199 Speaker 1: style good or not good? So I'm gonna ask you 441 00:24:41,200 --> 00:24:44,040 Speaker 1: the question, Logan as a man, is your fox style 442 00:24:44,080 --> 00:24:47,000 Speaker 1: buck wild? Yes? No, you have to say yes, my 443 00:24:47,000 --> 00:24:51,080 Speaker 1: fox style is style is so buck wild? Okay? Now, 444 00:24:51,160 --> 00:24:54,480 Speaker 1: right after I heard that, I think that Logan Lehman's 445 00:24:54,560 --> 00:25:01,040 Speaker 1: fox style is just dogshit because he didn't sound that's right, 446 00:25:01,200 --> 00:25:03,600 Speaker 1: you know. He let me ask you a question. Do 447 00:25:03,640 --> 00:25:07,440 Speaker 1: you think after the Beverly Hills in the Susan Berman case, 448 00:25:08,320 --> 00:25:10,640 Speaker 1: Now we we can't feel we have to assume people 449 00:25:10,640 --> 00:25:16,040 Speaker 1: have seen it. He explain the Susan Berman cadaver letter, Logan, 450 00:25:16,080 --> 00:25:21,600 Speaker 1: because you seem like the most articulate out of the group. No, 451 00:25:22,200 --> 00:25:26,760 Speaker 1: we just did. No, let's not, don't let him talk. Well, basically, 452 00:25:28,000 --> 00:25:32,600 Speaker 1: after the murderer, there was a well, let's go back further. 453 00:25:32,800 --> 00:25:36,800 Speaker 1: Susan Berman was the best friend of Robert Durst, and 454 00:25:37,000 --> 00:25:42,520 Speaker 1: she uh was currently residing in Los Angeles and in 455 00:25:42,640 --> 00:25:45,000 Speaker 1: Menedict Canyon, and a lot of people feel like she 456 00:25:45,160 --> 00:25:49,960 Speaker 1: knows a lot about the disappearance of Kathleen his his 457 00:25:49,960 --> 00:25:52,840 Speaker 1: his first wife. Yes, and she was going to speak 458 00:25:52,840 --> 00:25:54,760 Speaker 1: to the police and she was going to see to 459 00:25:54,760 --> 00:25:59,120 Speaker 1: speak to the police about it. And and and she 460 00:25:59,560 --> 00:26:03,320 Speaker 1: was one night someone broken her home, or actually didn't 461 00:26:03,320 --> 00:26:05,480 Speaker 1: break in. She opened up the door, there was no 462 00:26:05,920 --> 00:26:08,760 Speaker 1: break in, there was no entry, there was no forced entry. 463 00:26:09,119 --> 00:26:11,880 Speaker 1: And she was murdered. She was shot. And a lot 464 00:26:11,880 --> 00:26:15,600 Speaker 1: of picks feel that it was Robert Durst and and 465 00:26:15,600 --> 00:26:18,720 Speaker 1: and and the police. A few days later, Yeah, they 466 00:26:18,760 --> 00:26:22,960 Speaker 1: received a letter from an anonymous person in this person, 467 00:26:23,480 --> 00:26:27,280 Speaker 1: uh say, with with with her address in block letters 468 00:26:27,280 --> 00:26:30,080 Speaker 1: and very distinct blocked you know, you know, capital letters, 469 00:26:30,160 --> 00:26:32,800 Speaker 1: and it said cadaver at the bottom of it. For 470 00:26:32,840 --> 00:26:35,040 Speaker 1: those who don't know what that means, a cadaver in 471 00:26:35,160 --> 00:26:38,000 Speaker 1: the medical field. If you guys know what a cadaver, 472 00:26:38,560 --> 00:26:43,480 Speaker 1: don't don't overestimated alright, alright, a lot of people listen 473 00:26:43,600 --> 00:26:49,080 Speaker 1: and don't come down. The audience talked out. If you 474 00:26:49,119 --> 00:26:51,520 Speaker 1: don't know this, No, it's condescending to have to explain 475 00:26:51,520 --> 00:26:53,399 Speaker 1: what a candaver is. You have to just assume that 476 00:26:53,480 --> 00:26:56,840 Speaker 1: they know. I didn't know. I'll be totally honestly have 477 00:26:56,880 --> 00:27:00,040 Speaker 1: to explain it. Sorry, childhood actor right there. Sorry, I 478 00:27:00,080 --> 00:27:02,359 Speaker 1: didn't know what a cadaver was. And they say, most 479 00:27:02,400 --> 00:27:04,400 Speaker 1: people in the dock and they say, most people don't 480 00:27:04,400 --> 00:27:08,000 Speaker 1: know what a cadaver is because this play in this 481 00:27:08,040 --> 00:27:12,639 Speaker 1: whole situation that happened though, but basically uh in a 482 00:27:12,760 --> 00:27:19,560 Speaker 1: box of Susan Berman's Uh. Years later, twenty years later, 483 00:27:19,600 --> 00:27:25,600 Speaker 1: her her stepson discovered a letter from Robert durst Uh 484 00:27:25,880 --> 00:27:30,440 Speaker 1: that had the same exact block letters and misspelling of 485 00:27:30,440 --> 00:27:33,080 Speaker 1: of of the word Beverly and and and the director 486 00:27:33,240 --> 00:27:36,320 Speaker 1: and the filmmakers of The Jinks foulness and this seems 487 00:27:36,359 --> 00:27:42,400 Speaker 1: to be the thing that is, it's incriminating. And then 488 00:27:42,560 --> 00:27:46,320 Speaker 1: at the end of episode six of The Jinks with 489 00:27:46,320 --> 00:27:50,800 Speaker 1: with a mic that's stole on. I've heard he said, 490 00:27:51,720 --> 00:27:57,080 Speaker 1: do the do the thing he said, after an interview 491 00:27:57,080 --> 00:28:01,360 Speaker 1: where they confronted Robert Durston showed him this letter, this 492 00:28:01,440 --> 00:28:04,400 Speaker 1: letter that was found with the same exact misspelling of Beverly. 493 00:28:04,680 --> 00:28:08,120 Speaker 1: He said, what Robert on the toilet? On the toilet 494 00:28:08,160 --> 00:28:09,879 Speaker 1: and he said, we have Robert here with us to 495 00:28:09,880 --> 00:28:13,520 Speaker 1: actually say it again. So here we go. There it is, 496 00:28:15,160 --> 00:28:20,200 Speaker 1: You're caught. What did you do? What the hell did 497 00:28:20,280 --> 00:28:24,920 Speaker 1: I do? Kill them all? Killed them all of course, 498 00:28:25,600 --> 00:28:30,679 Speaker 1: good good, good stuff. And since they Saturday before the 499 00:28:30,760 --> 00:28:35,720 Speaker 1: last episode episode six air last weekend on HBO, Robert 500 00:28:35,840 --> 00:28:41,360 Speaker 1: Durst was found in New Orleans or Louisiana. That is Louisiana. No, 501 00:28:41,400 --> 00:28:44,480 Speaker 1: but I'm saying, was it in New Orleans? I didn't 502 00:28:46,160 --> 00:28:48,160 Speaker 1: see that. He kind of sent to me. This is 503 00:28:48,200 --> 00:28:50,480 Speaker 1: something that you you don't know about him. Louisiana is a state, 504 00:28:50,520 --> 00:28:53,920 Speaker 1: New Orleans. But you love to do that? What do 505 00:28:54,000 --> 00:29:00,200 Speaker 1: we love to do that? He seems like he's a 506 00:29:00,240 --> 00:29:03,160 Speaker 1: little bit more well read than definitely you for sure. Listen, 507 00:29:03,240 --> 00:29:06,440 Speaker 1: I'm not fucking sane. I'm mr well ready. He prides 508 00:29:06,520 --> 00:29:08,840 Speaker 1: himself on being Jesus. It's not a bad thing to 509 00:29:08,880 --> 00:29:12,800 Speaker 1: pride yourself at sometime. Well, you know, I go, you too. 510 00:29:12,880 --> 00:29:15,160 Speaker 1: Motherfucker's just not too decause you know that I just 511 00:29:15,160 --> 00:29:18,040 Speaker 1: turned forty five. That's very cool, happy birthday. But you 512 00:29:18,080 --> 00:29:22,440 Speaker 1: show up with nothing. I texted you, Yes, I'm bringing 513 00:29:22,480 --> 00:29:26,640 Speaker 1: you something. I'm mother. We're here, you're here, We're here. 514 00:29:27,080 --> 00:29:33,080 Speaker 1: You're in my house drinking my You'm drinking a raspberry teeth. 515 00:29:33,120 --> 00:29:35,320 Speaker 1: Now I'm drinking a peach one. What do you ring 516 00:29:35,480 --> 00:29:37,400 Speaker 1: a peacht? And? Oh my god, on a hot day 517 00:29:37,440 --> 00:29:39,320 Speaker 1: like this is the second day of spring, it is 518 00:29:39,360 --> 00:29:42,479 Speaker 1: so refreshing that snapples fucking good. But Logan, you're just like, oh, 519 00:29:42,640 --> 00:29:44,360 Speaker 1: just show up, you got I didn't wish you a 520 00:29:44,360 --> 00:29:47,520 Speaker 1: happy birthday, and I don't need texts, motherfucker. He wish 521 00:29:47,760 --> 00:29:55,160 Speaker 1: I called you. I think yesterday certain age, you stopped 522 00:29:55,160 --> 00:29:57,800 Speaker 1: getting birthday, stopped getting birthday, you stopped counting your b 523 00:29:58,080 --> 00:30:00,200 Speaker 1: because what happens, I mean, not your third This is 524 00:30:00,200 --> 00:30:02,680 Speaker 1: a great let's celebrate. Whoa, you're forty, You're getting little older. 525 00:30:03,400 --> 00:30:06,400 Speaker 1: It's like, yo, this dude's about to die. I mean, Michael, Michael, 526 00:30:06,800 --> 00:30:10,040 Speaker 1: you're almost my grandfather's age. You're kind of like grandpa age. 527 00:30:10,040 --> 00:30:13,000 Speaker 1: And that's not true. How old is Papa? How old 528 00:30:13,000 --> 00:30:19,040 Speaker 1: is eighty? When when you're twenty? How old are you 529 00:30:20,080 --> 00:30:22,760 Speaker 1: when you're twenty three? It's like all foreign, right, yeah no, 530 00:30:22,840 --> 00:30:26,320 Speaker 1: because I'm just it's just five and old. But you 531 00:30:26,360 --> 00:30:30,840 Speaker 1: know it, Wow, Yeah, you know that's fucking that is well. 532 00:30:30,880 --> 00:30:34,360 Speaker 1: I just think like yeah, but no, but but butt 533 00:30:34,800 --> 00:30:37,360 Speaker 1: forty six doesn't make a difference. How are your hips? 534 00:30:37,560 --> 00:30:41,000 Speaker 1: My hips are fine. My hips are fine. You eat 535 00:30:41,360 --> 00:30:43,880 Speaker 1: and then you're like laughing at how are you hips? Oh, 536 00:30:44,320 --> 00:30:48,000 Speaker 1: my hips are fine. What I'm saying is my hips 537 00:30:48,000 --> 00:30:51,120 Speaker 1: stole line. But you little pricks showed show up your 538 00:30:51,120 --> 00:30:54,360 Speaker 1: empty handed. I don't get like a Snapple or a 539 00:30:54,400 --> 00:30:58,960 Speaker 1: Snap gift card, A starus col right here talking about 540 00:30:59,720 --> 00:31:02,160 Speaker 1: but don't get nothing like a candy bar. Talk about 541 00:31:02,160 --> 00:31:04,440 Speaker 1: my cooler, Michael Press, where you were with my snap 542 00:31:04,520 --> 00:31:07,280 Speaker 1: we're in the IRA. Really have been happy if I 543 00:31:07,320 --> 00:31:12,800 Speaker 1: brought you a candy bars where headquarters and we take 544 00:31:12,880 --> 00:31:16,920 Speaker 1: up with gas or some ship. Um, you know, just's 545 00:31:16,920 --> 00:31:19,640 Speaker 1: like a hundred dollars. That's like a hundred dollars, you 546 00:31:19,640 --> 00:31:23,600 Speaker 1: know what. That's not a bad idea though. Gas gift cards, well, 547 00:31:23,640 --> 00:31:26,600 Speaker 1: come on, man, that's a known thing. They don't have that. 548 00:31:26,640 --> 00:31:29,040 Speaker 1: Of course they do. Are you crazy? Gift card for gas? 549 00:31:29,560 --> 00:31:33,280 Speaker 1: They have to have that. Maybe I've never seen that. 550 00:31:34,840 --> 00:31:37,360 Speaker 1: Of course they got au. I mean they have those 551 00:31:37,400 --> 00:31:40,520 Speaker 1: like you know, you know, credit cards or whatever you like. 552 00:31:40,760 --> 00:31:43,440 Speaker 1: You know, they have gift cards. But anyway, ask your question. 553 00:31:43,560 --> 00:31:45,160 Speaker 1: Let me ask you guys a question. Let me ask 554 00:31:45,160 --> 00:31:46,560 Speaker 1: you a question. At the end of the day. Since 555 00:31:46,600 --> 00:31:50,000 Speaker 1: this isn't all jinx, I am wrappingport podcast. Do you 556 00:31:50,080 --> 00:31:52,160 Speaker 1: think here? Make your predictions, and then we're gonna go 557 00:31:52,200 --> 00:31:54,000 Speaker 1: to another subject. I want to throw a couple of 558 00:31:54,000 --> 00:31:56,840 Speaker 1: things that you guys. Do you think Robert Durst is 559 00:31:56,880 --> 00:32:00,360 Speaker 1: going to be found guilty or not guilty of these crimes? Yes? 560 00:32:00,440 --> 00:32:05,000 Speaker 1: Or no, Dean. As much as I would like him 561 00:32:05,040 --> 00:32:07,720 Speaker 1: to be found guilty of these crimes, because he did 562 00:32:07,880 --> 00:32:11,880 Speaker 1: commit at least three that we know of, I think 563 00:32:12,720 --> 00:32:17,240 Speaker 1: typically rich people like him, like O. J. Tend to 564 00:32:17,240 --> 00:32:20,040 Speaker 1: get off. So you think he's going to think there's 565 00:32:20,680 --> 00:32:24,240 Speaker 1: a very high chance that he could get off during 566 00:32:24,240 --> 00:32:27,720 Speaker 1: this case. Yes, Logan, No, I think he's gonna spend 567 00:32:27,720 --> 00:32:30,600 Speaker 1: the rest of his life in prison. And uh, I 568 00:32:30,720 --> 00:32:34,040 Speaker 1: just hope. My real question is what's going to happen now? 569 00:32:34,600 --> 00:32:37,160 Speaker 1: And and personally, my theory is everybody has their own 570 00:32:37,200 --> 00:32:39,760 Speaker 1: fucking theories right now about what's going what's going on, 571 00:32:39,920 --> 00:32:46,160 Speaker 1: what's happening. I think Robert Durst's brother Douglas was involved 572 00:32:46,240 --> 00:32:49,480 Speaker 1: in the disappearance of Kathleen, the first one I do 573 00:32:49,560 --> 00:32:52,520 Speaker 1: I really believe. So the time can you say that 574 00:32:52,640 --> 00:32:56,400 Speaker 1: the time period between when Kathleen disappeared and when he 575 00:32:56,440 --> 00:33:01,120 Speaker 1: reported her missing is several days went by, and in 576 00:33:01,120 --> 00:33:04,320 Speaker 1: that period of time, he said he gave three different statements, 577 00:33:04,360 --> 00:33:07,640 Speaker 1: but he claimed that right after he sent her off 578 00:33:07,680 --> 00:33:11,520 Speaker 1: to on the train quote unquote train. Uh that he 579 00:33:11,640 --> 00:33:15,000 Speaker 1: called his his brother and his father and uh and 580 00:33:15,080 --> 00:33:17,160 Speaker 1: checked in with them. I think that he got the 581 00:33:17,160 --> 00:33:20,520 Speaker 1: advice from them, criminal attorney advice, whatever it is, what 582 00:33:20,560 --> 00:33:23,360 Speaker 1: he had to do. He got advice which station to 583 00:33:23,480 --> 00:33:25,720 Speaker 1: go down to, who to talk to to report it. 584 00:33:25,760 --> 00:33:28,680 Speaker 1: And I think Douglas was involved, disturbed by the fact 585 00:33:28,920 --> 00:33:31,400 Speaker 1: that he runs the Freedom to you know, the least 586 00:33:31,400 --> 00:33:33,240 Speaker 1: thing for the for the Freedom Tower. And I think 587 00:33:33,680 --> 00:33:35,880 Speaker 1: I hope, now this is what I think will happen, 588 00:33:36,440 --> 00:33:38,120 Speaker 1: or what I hope will happen. I just think there's 589 00:33:38,160 --> 00:33:42,320 Speaker 1: a point in which he'll be royally fucked, you know, 590 00:33:42,440 --> 00:33:45,360 Speaker 1: Robert Thurst, and he'll admit to everything, and then the 591 00:33:45,400 --> 00:33:48,200 Speaker 1: best revenge for him to his brother, who he hates 592 00:33:48,240 --> 00:33:52,280 Speaker 1: so much. I'd like to admit that he was involved 593 00:33:52,520 --> 00:33:54,600 Speaker 1: and get his family involved and say you know what 594 00:33:54,960 --> 00:33:57,200 Speaker 1: I hate because he obviously if you've seen the show, 595 00:33:57,800 --> 00:34:00,440 Speaker 1: have you seen the program, brother, he hates his brother. 596 00:34:00,680 --> 00:34:03,200 Speaker 1: He hates his brother, he hates Doug, and I feel 597 00:34:03,200 --> 00:34:06,200 Speaker 1: like the best revenge for him would be to say, 598 00:34:06,280 --> 00:34:08,480 Speaker 1: you know what, I did it all. I murdered them 599 00:34:08,520 --> 00:34:12,040 Speaker 1: all and Douglas helped me do it. Holy, that's that's 600 00:34:12,080 --> 00:34:15,200 Speaker 1: just your whole thing that you think that's a graduation's 601 00:34:15,320 --> 00:34:18,480 Speaker 1: that's my great and I think I think that's once 602 00:34:18,520 --> 00:34:21,719 Speaker 1: he's royally fucked and he's like, I have nothing else 603 00:34:21,719 --> 00:34:23,520 Speaker 1: that I can do, and you know what, I'm gonna 604 00:34:23,560 --> 00:34:25,480 Speaker 1: tell everything. It's gonna be a tell all. I mean, 605 00:34:25,480 --> 00:34:27,600 Speaker 1: I really's not going away from the king. I really 606 00:34:27,640 --> 00:34:29,800 Speaker 1: hope that there is going to be a tell. But 607 00:34:29,840 --> 00:34:31,840 Speaker 1: don't put that on Douglass man, like, I don't know 608 00:34:31,920 --> 00:34:36,560 Speaker 1: that's prediction. I don't know. I think he's gonna I 609 00:34:36,560 --> 00:34:40,120 Speaker 1: think he's gonna get off enough. Why suffered. The guy 610 00:34:40,160 --> 00:34:42,439 Speaker 1: wouldn't even talk to anybody about it. He wouldn't even 611 00:34:42,440 --> 00:34:45,440 Speaker 1: communicate with the family about it. You know, Kathleen's family. 612 00:34:45,680 --> 00:34:50,080 Speaker 1: It's all very seedy, all really weird stuff. And I 613 00:34:50,200 --> 00:34:54,000 Speaker 1: don't know that's that. Everybody has their own theories instead 614 00:34:54,000 --> 00:34:56,080 Speaker 1: of just coming off the cuff with some fucking bullshit. 615 00:34:56,800 --> 00:34:58,400 Speaker 1: He told me to say yes or no, That's what 616 00:34:58,520 --> 00:35:00,680 Speaker 1: I mean. But then you can take used to you know, 617 00:35:00,760 --> 00:35:03,239 Speaker 1: say something like you know, like I said it, take 618 00:35:03,480 --> 00:35:05,840 Speaker 1: yes or no because I didn't want to get digressive 619 00:35:05,880 --> 00:35:10,520 Speaker 1: like you know, listen, every way I turn, I lose. Okay, 620 00:35:10,520 --> 00:35:13,160 Speaker 1: this is two against fucking one on this podcast. I'm 621 00:35:13,200 --> 00:35:15,080 Speaker 1: just gonna go on Tinder. You tell me when you 622 00:35:15,080 --> 00:35:17,600 Speaker 1: want me to come back into this ship and give 623 00:35:17,760 --> 00:35:20,120 Speaker 1: some fucking good. I also feel like, I also feel 624 00:35:20,160 --> 00:35:22,880 Speaker 1: like there should be like forensic accountants or whatever you know, 625 00:35:23,000 --> 00:35:26,480 Speaker 1: doing doing audits of all the people involved with all 626 00:35:26,480 --> 00:35:28,959 Speaker 1: of the trials to see if there was money being 627 00:35:29,000 --> 00:35:31,879 Speaker 1: tossed around to the jurors to you know, I mean, 628 00:35:31,960 --> 00:35:35,080 Speaker 1: especially in Galveston, you know, who are obviously like the 629 00:35:35,120 --> 00:35:37,600 Speaker 1: most stupid people I've ever seen in my life. I mean, 630 00:35:38,440 --> 00:35:44,600 Speaker 1: have you seen the dismembering the body again. I'm gonna 631 00:35:44,640 --> 00:35:48,440 Speaker 1: say that again, maybe the tenth time. It's just nuts 632 00:35:48,760 --> 00:35:51,880 Speaker 1: to me. So so all right, that's our predictions. I 633 00:35:51,920 --> 00:35:53,680 Speaker 1: think that he's gonna be found not guilty. In Los 634 00:35:53,719 --> 00:35:55,520 Speaker 1: Angeles said this because I feel like the evidence from 635 00:35:55,560 --> 00:35:58,960 Speaker 1: the jinx is not enough and and um, I'm gonna 636 00:35:59,000 --> 00:36:02,400 Speaker 1: say uh that, uh we're so that's the end of 637 00:36:02,440 --> 00:36:05,719 Speaker 1: the Jinks thing. I hope you all of you thousands 638 00:36:05,760 --> 00:36:10,160 Speaker 1: and thousands, almost millions and hundreds of thousand people's logans 639 00:36:10,160 --> 00:36:12,160 Speaker 1: trying to get the funk out of I gotta go no, no, 640 00:36:12,160 --> 00:36:14,640 Speaker 1: no, no no, no no. I'm gonna ask one more question alright, okay, 641 00:36:14,960 --> 00:36:16,680 Speaker 1: because I want to ask your opinions about this because 642 00:36:16,680 --> 00:36:18,239 Speaker 1: it's going to be discussed on the Iron Wrap or 643 00:36:18,320 --> 00:36:26,040 Speaker 1: podcast in detail. Um, the gals, what is it? Gastonbury? Galstonbury? Man? 644 00:36:26,080 --> 00:36:28,200 Speaker 1: You need you need me here? I don't know how 645 00:36:28,200 --> 00:36:33,520 Speaker 1: this noms totally changing the subject on you, not Gavelston. 646 00:36:34,080 --> 00:36:37,799 Speaker 1: I'm talking about that that that rock and roll guy. 647 00:36:38,480 --> 00:36:47,120 Speaker 1: This isis Yeah, No, Gallagher has said that he doesn't 648 00:36:47,160 --> 00:36:49,719 Speaker 1: think he said this before about what's that concert out 649 00:36:49,760 --> 00:36:53,719 Speaker 1: the Gastonbury Glastonbury? Glastonbury? Thank you? We're not talking about 650 00:36:54,040 --> 00:36:57,399 Speaker 1: did you ever heard about this? What about? What are 651 00:36:57,440 --> 00:37:02,160 Speaker 1: you talking? You don't know what you're talking? Ninety thousand 652 00:37:02,239 --> 00:37:06,480 Speaker 1: people and no, Noel Gallagher's at his name. It's one song, 653 00:37:06,560 --> 00:37:10,279 Speaker 1: No Liam brothers, one of them whatever. Probably they don't 654 00:37:10,280 --> 00:37:13,360 Speaker 1: get along. They don't. They're British, they're British. Okay. A 655 00:37:13,400 --> 00:37:16,200 Speaker 1: few years ago they said that rappers shouldn't perform at 656 00:37:16,239 --> 00:37:20,879 Speaker 1: this concert what's it called gaston Kanye thing? Yes? Wait, 657 00:37:20,920 --> 00:37:23,520 Speaker 1: and then jay Z performed there and had the most 658 00:37:23,560 --> 00:37:25,960 Speaker 1: crowds ever, and then he named checked him in the song. 659 00:37:26,239 --> 00:37:28,600 Speaker 1: Hip hop phrase name check means like he dropped his name. 660 00:37:28,600 --> 00:37:32,440 Speaker 1: He said, he kind of talked about him. And I've 661 00:37:32,440 --> 00:37:34,640 Speaker 1: been name dropped in and a handful of hip hop 662 00:37:34,719 --> 00:37:40,080 Speaker 1: songs and you're talking about a lot of good rappers. Right, 663 00:37:40,120 --> 00:37:42,160 Speaker 1: So we're gonna go. So so this guy this year, 664 00:37:42,200 --> 00:37:45,440 Speaker 1: So Kanye West has been put as the headline of 665 00:37:45,480 --> 00:37:49,719 Speaker 1: the concert and this guy, no Gallagher, he's saying, and 666 00:37:49,760 --> 00:37:54,440 Speaker 1: he's and ninety he started over. The sixty thousand signatures 667 00:37:54,440 --> 00:37:58,080 Speaker 1: have been signed to remove Kanye West from the Glastonbury 668 00:37:58,239 --> 00:38:00,959 Speaker 1: gives a ship with this guy? Has is this fucking guy? 669 00:38:01,040 --> 00:38:04,480 Speaker 1: I know? Right? I mean, look, Oasis is great, wonderfully, 670 00:38:04,680 --> 00:38:07,160 Speaker 1: freedom of speech, you can say whatever you want. Who 671 00:38:07,200 --> 00:38:16,520 Speaker 1: really cares, you know, artists musician and his shows and wonderful. Yeah, 672 00:38:16,640 --> 00:38:18,080 Speaker 1: we we're talking a right now because I wanted to 673 00:38:18,120 --> 00:38:21,160 Speaker 1: see what your opinions were always. I don't know there 674 00:38:21,160 --> 00:38:22,920 Speaker 1: I know that one is there is that a relevant 675 00:38:22,960 --> 00:38:26,480 Speaker 1: group right now? Okay, so waste is broke up um 676 00:38:26,880 --> 00:38:30,360 Speaker 1: years ago. But because they're too are are they too drunken? 677 00:38:30,560 --> 00:38:33,640 Speaker 1: The British guys to fight each other brothers. They fight. 678 00:38:33,800 --> 00:38:36,239 Speaker 1: They're those dudes that like, we'll get in fights on 679 00:38:36,360 --> 00:38:40,800 Speaker 1: stage and they will like leave the stage fight. Very outspoken. Okay, 680 00:38:41,440 --> 00:38:45,560 Speaker 1: they're they're incredible musicians, incredible and there's album their first 681 00:38:45,560 --> 00:38:49,000 Speaker 1: outspoken what's the story Morning Glory? I don't know, that's 682 00:38:49,000 --> 00:38:51,560 Speaker 1: not their first album. We don't whatever it could be. 683 00:38:52,480 --> 00:38:55,719 Speaker 1: Glory is one of the greatest albums of all time. 684 00:38:55,880 --> 00:38:58,960 Speaker 1: It's rock and roll album. Yeah, I don't know. It 685 00:38:58,960 --> 00:39:02,920 Speaker 1: never fits. It's pop. It Champaigne, Supernose. I don't know 686 00:39:02,960 --> 00:39:05,879 Speaker 1: if we call rock and roll. It's pop music. It's 687 00:39:05,880 --> 00:39:09,360 Speaker 1: what pop pop. But it is pop. That's pop. What 688 00:39:09,440 --> 00:39:12,600 Speaker 1: pop music is now is not what pop music really is. 689 00:39:12,719 --> 00:39:15,080 Speaker 1: But this is like it's fifteen years ago, ten years ago, 690 00:39:16,080 --> 00:39:18,600 Speaker 1: years ago, but the relevant for a couple of years. 691 00:39:18,640 --> 00:39:21,920 Speaker 1: But then Leah Noel Gallagher, one of the brothers, did 692 00:39:22,080 --> 00:39:24,560 Speaker 1: his own side project and that's probably why he's good. 693 00:39:25,239 --> 00:39:27,880 Speaker 1: It's it is both of them have their side projects. 694 00:39:27,960 --> 00:39:32,400 Speaker 1: But there it's not Oasis. It's not like the Oasis. Okay, 695 00:39:32,400 --> 00:39:34,440 Speaker 1: so what is your opinion on this fucking whole thing, 696 00:39:34,440 --> 00:39:37,680 Speaker 1: because they're trying to I don't like it. Because number one, 697 00:39:38,400 --> 00:39:41,200 Speaker 1: I think that when he tried to do it to 698 00:39:41,280 --> 00:39:45,279 Speaker 1: jay Z, jay Z shut down that concert, like he 699 00:39:45,400 --> 00:39:48,120 Speaker 1: shut it down crazy and and and I don't think 700 00:39:48,120 --> 00:39:52,399 Speaker 1: that anybody like like like you're not relevant. What's his name, 701 00:39:52,480 --> 00:39:55,600 Speaker 1: Galla Old Gallagher? No, anybody really listened to what the 702 00:39:55,640 --> 00:40:01,440 Speaker 1: Gallaghers have to say. Everybody motherfucker's did it? Gray Alright, alright, 703 00:40:02,239 --> 00:40:06,560 Speaker 1: but it's like, dude, you're not running Glastonbury. First of all, headline. 704 00:40:06,600 --> 00:40:08,920 Speaker 1: This guy is an opinion about everything, though doesn't of 705 00:40:09,000 --> 00:40:13,759 Speaker 1: course there's always controversial ship with and then and may 706 00:40:13,800 --> 00:40:16,480 Speaker 1: I remind you he's a wonderful musician, but it's just, 707 00:40:16,880 --> 00:40:19,120 Speaker 1: you know, he doesn't need to have an opinion about everything, 708 00:40:19,160 --> 00:40:23,400 Speaker 1: but it seems like he does. And it's like headlining. 709 00:40:23,600 --> 00:40:26,919 Speaker 1: Let Kanye go headline. And if they hate him, let 710 00:40:26,920 --> 00:40:29,560 Speaker 1: the fucking crowd speak for themselves, let them boo. You 711 00:40:29,560 --> 00:40:32,680 Speaker 1: don't need to fucking Kanye petition and performer though he 712 00:40:32,719 --> 00:40:34,800 Speaker 1: really is a great perform He's a really good performance 713 00:40:35,480 --> 00:40:38,000 Speaker 1: on Kanye. On this show. Everyone went at him hard, 714 00:40:38,160 --> 00:40:41,120 Speaker 1: yeah about the fashion stuff, because you know you YouTube. 715 00:40:41,320 --> 00:40:43,200 Speaker 1: I mean, I could just say one thing about Dean 716 00:40:43,239 --> 00:40:48,200 Speaker 1: Collins and Logan learmities. You have zero fashion consciousness. Really 717 00:40:48,280 --> 00:40:55,200 Speaker 1: hope you're homeless poking really very conscious. Looks like he 718 00:40:55,360 --> 00:41:01,200 Speaker 1: just came from fashion. Dean is MR Fashion and songs too. 719 00:41:01,200 --> 00:41:04,600 Speaker 1: Bit you're wearing the socks. Those are my socks I 720 00:41:04,640 --> 00:41:06,960 Speaker 1: got gifted with the other day. But but I'm not 721 00:41:07,120 --> 00:41:11,040 Speaker 1: rocking those like you just came from a shelter, so 722 00:41:11,120 --> 00:41:12,879 Speaker 1: that I'm just gonna leave it, thank you. I don't 723 00:41:12,880 --> 00:41:16,320 Speaker 1: mind that. Actually I like that. That's ok that's okay. 724 00:41:16,400 --> 00:41:19,640 Speaker 1: I have one in a Cashmire shorts, so nobody could 725 00:41:19,640 --> 00:41:22,760 Speaker 1: tell me Ship. These are real cashmir and they're real shorts, 726 00:41:22,800 --> 00:41:25,239 Speaker 1: so you can't say a fucking word to me, either 727 00:41:25,239 --> 00:41:27,400 Speaker 1: one to you because these Cashimer shorts could buy and 728 00:41:27,480 --> 00:41:29,879 Speaker 1: se fucking legs are white as ship and I don't 729 00:41:29,920 --> 00:41:31,360 Speaker 1: want to look at it. So I don't want to 730 00:41:31,360 --> 00:41:34,000 Speaker 1: look at it. It's it's rude, it's for eating. Mike. 731 00:41:34,040 --> 00:41:36,360 Speaker 1: I have to say, I think we have similar taste 732 00:41:36,520 --> 00:41:38,600 Speaker 1: in fashion. Yeah, I mean you like the new Bees. 733 00:41:39,360 --> 00:41:41,440 Speaker 1: I love the new Bees. They're great. You just call 734 00:41:41,560 --> 00:41:45,080 Speaker 1: them homeless and you guys got similar tastes balances. I 735 00:41:45,120 --> 00:41:49,160 Speaker 1: mean you were Nike. I don't know like I wear clothes. 736 00:41:49,200 --> 00:41:51,760 Speaker 1: I wear things that are comfortable, and I wear things 737 00:41:51,760 --> 00:41:54,560 Speaker 1: that that I you know, are most of the time. 738 00:41:54,640 --> 00:41:57,200 Speaker 1: Actually a lot of brands right now, I don't really 739 00:41:57,239 --> 00:41:59,719 Speaker 1: like to, you know, advertise in my clothes. I hear 740 00:41:59,760 --> 00:42:04,239 Speaker 1: you final question boxers briefs or boxer briefs logan The 741 00:42:04,280 --> 00:42:06,560 Speaker 1: people want to know I don't wear boxers anymore. I 742 00:42:06,680 --> 00:42:08,719 Speaker 1: used to, like as a teenage, but then you get 743 00:42:08,760 --> 00:42:11,160 Speaker 1: you get what I like to support. You need to 744 00:42:11,200 --> 00:42:15,240 Speaker 1: support boxer brief. Okay, so boxer brief because I find 745 00:42:15,239 --> 00:42:17,480 Speaker 1: that when I used to wear boxers, I would get 746 00:42:17,680 --> 00:42:22,520 Speaker 1: severe swamp ass, like severe swamp ass. I don't know 747 00:42:22,520 --> 00:42:30,200 Speaker 1: what swap ship. Okay. And then I've never heard the 748 00:42:30,239 --> 00:42:32,719 Speaker 1: words swamp ass before. Okay, you have you never heard 749 00:42:32,760 --> 00:42:37,120 Speaker 1: the word buck wild? You know this guy I told you. 750 00:42:37,120 --> 00:42:38,239 Speaker 1: I don't know if we already said this on the 751 00:42:38,280 --> 00:42:41,279 Speaker 1: last podcast, but some dude went over to logan and 752 00:42:41,440 --> 00:42:43,959 Speaker 1: was like, yo, man, you're grinding. You could like you 753 00:42:43,960 --> 00:42:46,399 Speaker 1: you're sucking, hustling, man, you're grinding these days. Great, he's 754 00:42:46,400 --> 00:42:50,560 Speaker 1: like grinding like a skateboard And that actually happened. It's like, dude, 755 00:42:50,560 --> 00:42:53,360 Speaker 1: this is my friend. I'm a white but when I 756 00:42:53,400 --> 00:42:56,759 Speaker 1: got a roll with this guy who's whiter than I'm 757 00:42:56,760 --> 00:43:00,560 Speaker 1: gonna hook you up with some learning. He's Will Ferrell 758 00:43:00,560 --> 00:43:02,719 Speaker 1: in this new Kevin. No, no, no, no, I am me. 759 00:43:03,160 --> 00:43:05,919 Speaker 1: That's the thing I'm not. You know what, everybody else 760 00:43:06,040 --> 00:43:12,759 Speaker 1: respect respect respects, respects. But but but but dean underwear? 761 00:43:13,280 --> 00:43:20,239 Speaker 1: Are you tidy Whitey's boxers briefs or box of briefs? Um, 762 00:43:20,640 --> 00:43:23,839 Speaker 1: there's one that you left out? What banana hammocks? Right? 763 00:43:23,880 --> 00:43:28,760 Speaker 1: You got a banana hamic tit. I rocked the boxer briefs. 764 00:43:29,000 --> 00:43:30,719 Speaker 1: I like that. I like to funk with the Calvin Closs. 765 00:43:30,760 --> 00:43:32,040 Speaker 1: I like to funk with my Haynes. I'll funck with 766 00:43:32,080 --> 00:43:36,160 Speaker 1: through to the loom brands. Yeah, I know what we're 767 00:43:36,160 --> 00:43:39,120 Speaker 1: talking about. Haynes makes boxers and the box of briefs? 768 00:43:39,120 --> 00:43:42,600 Speaker 1: Which box of briefs? So I rocked the boxer briefs. 769 00:43:42,840 --> 00:43:48,560 Speaker 1: But I also go commando. Now you don't commando is 770 00:43:48,760 --> 00:43:50,360 Speaker 1: is swamp as for dats. But let me tell you. 771 00:43:50,440 --> 00:43:52,279 Speaker 1: I don't. I don't want no, no, no, I don't 772 00:43:52,280 --> 00:43:54,520 Speaker 1: do it. No no no, no, listen to me, Listen 773 00:43:54,520 --> 00:43:56,319 Speaker 1: to me. I don't go on the streets and put 774 00:43:56,400 --> 00:43:58,920 Speaker 1: my jeans on. I like to go in my bed 775 00:43:59,000 --> 00:44:01,239 Speaker 1: when I go to sleep, I'm my fucking I don't 776 00:44:01,360 --> 00:44:03,120 Speaker 1: know where when you're out in the like Toget, I 777 00:44:03,200 --> 00:44:05,640 Speaker 1: like to sleep naked. We didn't see. You're telling that 778 00:44:05,719 --> 00:44:08,799 Speaker 1: I just wanted to, but I'm saying I didn't even 779 00:44:08,840 --> 00:44:11,560 Speaker 1: go into that. That's why it's getting weird. Sorry, I didn't. 780 00:44:11,560 --> 00:44:14,080 Speaker 1: I don't want to know what to answer your question. 781 00:44:15,760 --> 00:44:18,160 Speaker 1: Are you commando like in the streets like? No, no, no, 782 00:44:18,360 --> 00:44:20,279 Speaker 1: only nude. I sleep in the nude do you? Okay, 783 00:44:20,320 --> 00:44:22,279 Speaker 1: here's my second question, and I'll bring it back to Logan. 784 00:44:22,280 --> 00:44:24,480 Speaker 1: Then we're gonna end this. I am wrap Pocket. Do 785 00:44:24,640 --> 00:44:27,839 Speaker 1: you or do you not suffer from chronic swamp ass? 786 00:44:27,960 --> 00:44:32,560 Speaker 1: Yes or no? Just yes or no question? Absolutely no, okay, Logan? 787 00:44:32,760 --> 00:44:36,440 Speaker 1: Do you or do you not know? Okay? I I 788 00:44:36,960 --> 00:44:40,839 Speaker 1: will say that I do get swamp ass. Everybody does, 789 00:44:40,960 --> 00:44:43,680 Speaker 1: but like you're talking chronic like, And I actually have 790 00:44:43,680 --> 00:44:46,360 Speaker 1: a great brand for you. Gold Bond makes a great 791 00:44:46,600 --> 00:44:50,360 Speaker 1: you put it. It's great sees or with a Z 792 00:44:51,520 --> 00:44:54,800 Speaker 1: the best ship sees orb with a Z sounds it 793 00:44:54,840 --> 00:44:56,960 Speaker 1: sounds like chemically. No, no, no, it's just it's just 794 00:44:57,080 --> 00:44:58,840 Speaker 1: it's just a little bit better than gold bonds. No 795 00:44:58,920 --> 00:45:01,080 Speaker 1: disrespect to gold bonds, and if gold bonds, if you 796 00:45:01,200 --> 00:45:04,359 Speaker 1: want to, I will wear I will use gold bonds 797 00:45:04,400 --> 00:45:06,920 Speaker 1: and all because he's got major swamp ass gold bonds 798 00:45:06,920 --> 00:45:08,920 Speaker 1: and we really need to get that up in here. Yeah. 799 00:45:08,920 --> 00:45:11,840 Speaker 1: I've suffered from swamps in the past. But but the 800 00:45:12,080 --> 00:45:14,600 Speaker 1: but the caesor his help helps it, especially this time 801 00:45:14,600 --> 00:45:16,239 Speaker 1: of year when it starts to get warmer. So if 802 00:45:16,239 --> 00:45:18,600 Speaker 1: any of you out there have have have swamp ass 803 00:45:18,800 --> 00:45:23,719 Speaker 1: sieves orb caesor Z E A S B O RB, 804 00:45:24,200 --> 00:45:27,239 Speaker 1: I don't You can't end the podcast like that? Why not? 805 00:45:27,360 --> 00:45:29,399 Speaker 1: Because I don't want to end it on like hey 806 00:45:29,480 --> 00:45:31,640 Speaker 1: guys and like to plug the swamp ass guys like 807 00:45:31,680 --> 00:45:34,440 Speaker 1: I don't want to end it and be like swamp as. 808 00:45:34,640 --> 00:45:38,640 Speaker 1: It's good, you know. Let's do the movie of the week, Okay, 809 00:45:38,680 --> 00:45:40,560 Speaker 1: because all right, here's the movie of the week, Dying 810 00:45:40,600 --> 00:45:43,080 Speaker 1: Round Movie the Week. I'm gonna I'm gonna talk about 811 00:45:43,120 --> 00:45:45,520 Speaker 1: a movie I saw this week that Dean told me 812 00:45:45,600 --> 00:45:47,640 Speaker 1: to see. Now, I will preface this by saying this 813 00:45:47,760 --> 00:45:51,320 Speaker 1: movie is not for everybody. It was very there's another 814 00:45:51,560 --> 00:45:54,680 Speaker 1: lighthearted about it. It's a documentary called Dear Zachary. It 815 00:45:54,920 --> 00:46:01,319 Speaker 1: is on Netflix, and it's it's it's very disturbing. It's 816 00:46:01,560 --> 00:46:06,080 Speaker 1: very very well done, but it literally almost made me 817 00:46:06,200 --> 00:46:09,080 Speaker 1: throw up. It's a true crime documentary about a very 818 00:46:09,200 --> 00:46:13,279 Speaker 1: serious subject that took you know, but it's it's real, 819 00:46:13,760 --> 00:46:17,600 Speaker 1: it's true. It's it's hard to watch. It's ultimately very 820 00:46:17,800 --> 00:46:20,920 Speaker 1: very well done, but it was a tough pill to swallow. 821 00:46:20,960 --> 00:46:23,920 Speaker 1: I can't say you know what it's about or what 822 00:46:24,080 --> 00:46:26,080 Speaker 1: it's not about, or you know it's just watch it. 823 00:46:26,200 --> 00:46:30,239 Speaker 1: Go to Netflix. Just watch it. If you're into the 824 00:46:30,400 --> 00:46:34,560 Speaker 1: true crime, true dogs. My girlfriend killed me kind of 825 00:46:34,640 --> 00:46:36,960 Speaker 1: ship and like the parents are finding out why she 826 00:46:37,040 --> 00:46:39,880 Speaker 1: did it. Check this out. It's heavy as fun, but 827 00:46:40,200 --> 00:46:42,839 Speaker 1: it's it's it's it's not for the faint of heart. 828 00:46:43,000 --> 00:46:46,520 Speaker 1: It's not at all. You gotta have a strong literally literally. 829 00:46:46,560 --> 00:46:48,120 Speaker 1: I've never had a reaction to a movie like that 830 00:46:48,200 --> 00:46:51,359 Speaker 1: where I all, honestly like I was gonna vomit told 831 00:46:51,400 --> 00:46:54,440 Speaker 1: you look, it's it's set. So that was I'll say 832 00:46:54,520 --> 00:46:56,480 Speaker 1: that's the movie of the week. But I'm giving a preface. 833 00:46:56,520 --> 00:46:58,400 Speaker 1: I'm not I'm not celebrating it or saying it's a 834 00:46:58,480 --> 00:47:02,560 Speaker 1: lighthearted movie. It's called Deer's Agreed. It's on Netflix. I'm 835 00:47:02,600 --> 00:47:04,880 Speaker 1: sure you could steal it, you thieves. I'm sure it's 836 00:47:04,920 --> 00:47:06,840 Speaker 1: on YouTube you could. And I was joking about the 837 00:47:06,880 --> 00:47:10,520 Speaker 1: whole pirate ing Michael's tribe. Dog. I love the tribe, dog. 838 00:47:10,840 --> 00:47:15,719 Speaker 1: Do you want to come behind it? Want to on iTunes? Yeah? 839 00:47:16,000 --> 00:47:18,960 Speaker 1: You hard copy? I got that shot I gave you. 840 00:47:19,800 --> 00:47:22,160 Speaker 1: You don't even gave it to me. God man, this 841 00:47:22,239 --> 00:47:25,080 Speaker 1: is I AM Rapport podcast. We're signing off and we 842 00:47:25,360 --> 00:47:26,040 Speaker 1: we we out