1
00:00:01,520 --> 00:00:05,199
Speaker 1: Every day a week. Click your ass up the Breakfast Club.

2
00:00:05,440 --> 00:00:06,720
Speaker 2: Finish for y'all mourning.

3
00:00:06,760 --> 00:00:10,639
Speaker 3: Everybody's thej Envy Jess Hilarious, Charlamagne the Guy.

4
00:00:10,720 --> 00:00:13,120
Speaker 4: We are the Breakfast Club. We got some special guest.

5
00:00:12,960 --> 00:00:14,160
Speaker 5: In the belt Man Legends.

6
00:00:14,160 --> 00:00:14,400
Speaker 1: Man.

7
00:00:14,440 --> 00:00:16,360
Speaker 4: We have the legendary kid from Kidding.

8
00:00:16,200 --> 00:00:21,919
Speaker 6: Play and we have welcome fellas, some legends in.

9
00:00:21,920 --> 00:00:26,400
Speaker 4: The game killing good wait, chilling.

10
00:00:27,600 --> 00:00:32,680
Speaker 7: That's right, y'all celebrating so much Man thirty fifth anniversary

11
00:00:32,680 --> 00:00:35,800
Speaker 7: a house party, and y'all are being inducted into the

12
00:00:35,880 --> 00:00:37,120
Speaker 7: National Hip Hop Museum.

13
00:00:37,200 --> 00:00:38,000
Speaker 5: Kidding Play.

14
00:00:37,960 --> 00:00:41,200
Speaker 2: Yeah, Wow, yeahs in full force.

15
00:00:41,240 --> 00:00:42,200
Speaker 5: You're still getting money.

16
00:00:42,400 --> 00:00:43,080
Speaker 4: Yeah, you.

17
00:00:45,080 --> 00:00:47,879
Speaker 8: Split this six ways because the three of us are

18
00:00:47,880 --> 00:00:50,960
Speaker 8: the full force brothers, Paul Anthony b Fine, then we

19
00:00:51,000 --> 00:00:53,680
Speaker 8: have our three cousins, Baby, Jerry and Kurt.

20
00:00:54,680 --> 00:00:56,360
Speaker 9: Six way collective, full.

21
00:00:56,160 --> 00:00:59,200
Speaker 2: Force except house party royalties except house party.

22
00:00:59,440 --> 00:01:03,000
Speaker 8: Yes, Oh, y'all don't get the three of us is

23
00:01:03,040 --> 00:01:04,360
Speaker 8: just the three of us, and we don't split it

24
00:01:04,400 --> 00:01:07,400
Speaker 8: six My type of hype the song.

25
00:01:07,240 --> 00:01:10,640
Speaker 2: And gotch it's the lines.

26
00:01:10,680 --> 00:01:12,640
Speaker 5: What y'all look younger? Now, y'all did a house party.

27
00:01:12,640 --> 00:01:13,559
Speaker 5: I can't believe they tried.

28
00:01:13,440 --> 00:01:15,120
Speaker 1: To make believe you'll.

29
00:01:17,520 --> 00:01:21,959
Speaker 10: Jesus, I understand that the cafeteria, but you know what,

30
00:01:22,200 --> 00:01:24,360
Speaker 10: in a weird way, it kind of worked. I mean

31
00:01:24,400 --> 00:01:27,400
Speaker 10: the whole movie was kind of over the top, you know,

32
00:01:27,600 --> 00:01:32,080
Speaker 10: all that all that colors. So yeah, I mean, I

33
00:01:32,120 --> 00:01:35,720
Speaker 10: hear more about that now than we did then. People

34
00:01:35,720 --> 00:01:37,440
Speaker 10: weren't really complaining about it, or.

35
00:01:37,440 --> 00:01:40,160
Speaker 1: You didn't noticing it as much, you know what I mean.

36
00:01:40,160 --> 00:01:42,679
Speaker 11: As you guys are celebrating this anniversary, what are some

37
00:01:42,680 --> 00:01:44,360
Speaker 11: of the things that you instantly think back to, because

38
00:01:44,360 --> 00:01:46,640
Speaker 11: I being on set probably was just like an experience.

39
00:01:47,000 --> 00:01:49,400
Speaker 4: But before you're into that house play doings player.

40
00:01:49,800 --> 00:01:56,040
Speaker 10: Uh, they had some how would we classify? Yeah, yeah,

41
00:01:56,120 --> 00:02:00,480
Speaker 10: he had some accommodation difficulties this morning, so shout out

42
00:02:00,480 --> 00:02:01,560
Speaker 10: to play hotel.

43
00:02:01,720 --> 00:02:05,560
Speaker 1: He's here in Spirit. Yeah, his hotel was okay.

44
00:02:05,720 --> 00:02:07,520
Speaker 8: Well, don't give the name in a hotel, but I

45
00:02:07,520 --> 00:02:12,680
Speaker 8: think you told me that there was some here.

46
00:02:17,440 --> 00:02:18,440
Speaker 5: I just saw the tell.

47
00:02:21,520 --> 00:02:22,000
Speaker 4: The airport.

48
00:02:22,320 --> 00:02:24,440
Speaker 11: Then you really have hotel accommodation issues or that was

49
00:02:24,440 --> 00:02:27,000
Speaker 11: a joke play, I.

50
00:02:27,040 --> 00:02:28,000
Speaker 5: Was joking with the mouse.

51
00:02:28,840 --> 00:02:30,239
Speaker 1: I don't know that part is that part?

52
00:02:30,360 --> 00:02:32,880
Speaker 10: That part is real, you know, but you know, I know,

53
00:02:33,639 --> 00:02:35,400
Speaker 10: you know, we all go back a little wat here so,

54
00:02:35,440 --> 00:02:36,880
Speaker 10: but he's definitely.

55
00:02:36,520 --> 00:02:37,360
Speaker 1: A hearing spirit.

56
00:02:37,440 --> 00:02:44,360
Speaker 10: But to your to your question, I guess with each anniversary,

57
00:02:44,520 --> 00:02:47,720
Speaker 10: each milestone, because you get to like it was ten

58
00:02:48,520 --> 00:02:52,400
Speaker 10: twenty twenty five, we're actually at thirty five. Is kind

59
00:02:52,440 --> 00:02:55,040
Speaker 10: of a kind of a bug out, and now you're

60
00:02:55,080 --> 00:02:56,920
Speaker 10: at the point where, okay, well.

61
00:02:57,320 --> 00:03:00,480
Speaker 1: Who's still here? You know what I mean?

62
00:03:01,000 --> 00:03:04,040
Speaker 10: I lost, We didn't lost some of the soldiers and whatnot.

63
00:03:04,960 --> 00:03:08,160
Speaker 10: But I think, but to your point, a lot of

64
00:03:08,160 --> 00:03:09,959
Speaker 10: it and we were talking about this the other guy

65
00:03:10,160 --> 00:03:12,799
Speaker 10: or the other day. Is it's stuff like that happened

66
00:03:12,840 --> 00:03:15,000
Speaker 10: on set. I mean, for a lot of us, it

67
00:03:15,080 --> 00:03:17,680
Speaker 10: was our first film. We wasn't making a lot of money.

68
00:03:17,680 --> 00:03:19,400
Speaker 10: We didn't have a lot of money then or whatever.

69
00:03:19,520 --> 00:03:22,000
Speaker 10: But it was kind of the joy and the camaraderie

70
00:03:22,000 --> 00:03:25,639
Speaker 10: of of doing it and it stood to this day,

71
00:03:25,639 --> 00:03:26,079
Speaker 10: which is.

72
00:03:26,040 --> 00:03:27,799
Speaker 2: A how did that for?

73
00:03:27,960 --> 00:03:30,360
Speaker 3: How did it come together? How did the whole house

74
00:03:30,400 --> 00:03:32,600
Speaker 3: party didn't come together? Y'all were young, y'all were fresh

75
00:03:32,680 --> 00:03:33,440
Speaker 3: that were just kicking off.

76
00:03:33,639 --> 00:03:34,680
Speaker 4: How did they decide we're going.

77
00:03:34,680 --> 00:03:37,160
Speaker 3: To do a movie based on y'all? And how much

78
00:03:37,200 --> 00:03:39,280
Speaker 3: did y'all get paid back then? I'm just kidding well, well,

79
00:03:39,360 --> 00:03:41,280
Speaker 3: DJ and V. You you know how hot kidd and

80
00:03:41,320 --> 00:03:43,760
Speaker 3: play was in the city at that time. Okay, we were,

81
00:03:44,360 --> 00:03:48,160
Speaker 3: but no, we were. We were playing out were hot,

82
00:03:48,160 --> 00:03:48,680
Speaker 3: and not.

83
00:03:48,680 --> 00:03:51,960
Speaker 10: Just just the music, but the videos were really starting

84
00:03:51,960 --> 00:03:54,960
Speaker 10: the bus and our look and sound and vibe. So

85
00:03:55,040 --> 00:03:58,880
Speaker 10: Rezzie had Linda director, one of the producers, used to uh,

86
00:03:59,360 --> 00:04:02,160
Speaker 10: it was his idea. It was his Harvard thesis that

87
00:04:02,200 --> 00:04:06,600
Speaker 10: he turned into a full length feature script, and he

88
00:04:06,640 --> 00:04:08,880
Speaker 10: would occasionally step to us in the clubs because he

89
00:04:08,920 --> 00:04:11,240
Speaker 10: wanted us to do our music. He wanted to do

90
00:04:11,280 --> 00:04:14,240
Speaker 10: our music videos. But we were cool on that. We

91
00:04:14,320 --> 00:04:17,200
Speaker 10: had somebody for that at the time. Then he started

92
00:04:17,200 --> 00:04:21,359
Speaker 10: pushing the script. I read the script. We read the script,

93
00:04:21,640 --> 00:04:23,720
Speaker 10: and it was the first thing that we had gotten

94
00:04:23,720 --> 00:04:26,320
Speaker 10: that had been submitted to us that was really it

95
00:04:26,360 --> 00:04:29,000
Speaker 10: was close. You know, it wasn't one hundred percent, but

96
00:04:29,040 --> 00:04:32,040
Speaker 10: I felt like it was like seventy seventy five, and

97
00:04:32,080 --> 00:04:33,880
Speaker 10: I was like, I thought we could get at the

98
00:04:33,880 --> 00:04:36,599
Speaker 10: rest of the way. And you know, that's the cliff

99
00:04:36,640 --> 00:04:40,240
Speaker 10: notes version. And I think there's a famous story going

100
00:04:40,279 --> 00:04:42,440
Speaker 10: on at that time where it could have been us,

101
00:04:42,520 --> 00:04:46,440
Speaker 10: or it could have been fresh Prince and jazzy Jeff Right.

102
00:04:47,040 --> 00:04:49,680
Speaker 1: Yeah, this is something. There's something to that.

103
00:04:49,960 --> 00:04:52,280
Speaker 5: I feel like y'all predated him just a little bit though, right.

104
00:04:52,440 --> 00:04:54,560
Speaker 10: Not about the same time, though, Charlottage. If you think

105
00:04:54,560 --> 00:04:56,760
Speaker 10: about it, you're talking about eighty seven, eighty eight. Matter

106
00:04:56,760 --> 00:05:00,200
Speaker 10: of fact, Willing then blew up nationally, I think a

107
00:05:00,200 --> 00:05:01,080
Speaker 10: little bit ahead of us.

108
00:05:01,720 --> 00:05:04,000
Speaker 1: Remember they had the party lines and all that kind

109
00:05:04,000 --> 00:05:04,359
Speaker 1: of stuff.

110
00:05:04,360 --> 00:05:08,080
Speaker 10: So yeah, but yeah, definitely, and so we're definitely that

111
00:05:08,120 --> 00:05:11,920
Speaker 10: same era. And guess what, to this day, I'm sure

112
00:05:11,920 --> 00:05:13,920
Speaker 10: they would have did a great job, you know what

113
00:05:13,960 --> 00:05:14,279
Speaker 10: I mean.

114
00:05:14,760 --> 00:05:18,360
Speaker 2: I can't see nah, I mean, I mean, that's kind

115
00:05:18,360 --> 00:05:19,640
Speaker 2: of crazy to say that. In hindsight, I.

116
00:05:19,560 --> 00:05:20,840
Speaker 5: Guess, but I just can't see it.

117
00:05:21,200 --> 00:05:23,080
Speaker 2: The chemistry was crazy. We talked about that.

118
00:05:23,200 --> 00:05:26,560
Speaker 6: We did an online tribute to see a j from

119
00:05:26,600 --> 00:05:29,120
Speaker 6: Africa and t Sha and everybody, and what we talked

120
00:05:29,160 --> 00:05:32,600
Speaker 6: about was the seasoning of the little things that that

121
00:05:33,040 --> 00:05:35,840
Speaker 6: makes it really whole and the chemistry that we all had,

122
00:05:35,880 --> 00:05:39,640
Speaker 6: and everybody spoke of, you know, their parts, like and

123
00:05:40,000 --> 00:05:43,920
Speaker 6: all of us didn't know everybody's journey. Like we started

124
00:05:44,000 --> 00:05:47,000
Speaker 6: asking t Sha, so, teacher, how did you hook up?

125
00:05:47,040 --> 00:05:49,760
Speaker 6: And they was like school days and Jackson, well, what

126
00:05:49,839 --> 00:05:53,360
Speaker 6: made y'all do that dancing? And she said, I didn't

127
00:05:53,360 --> 00:05:56,159
Speaker 6: do that. Be Agent choreographed the whole thing. And then

128
00:05:56,839 --> 00:05:58,360
Speaker 6: it was just so much thing that we were just

129
00:05:58,839 --> 00:06:01,640
Speaker 6: finding out, you know. So to your point, that's in chemistry.

130
00:06:02,120 --> 00:06:06,640
Speaker 10: Yeah, and also to Reggie Huddling, Uh, he had the

131
00:06:06,720 --> 00:06:12,000
Speaker 10: benefit of leaning on all our individual talents.

132
00:06:12,080 --> 00:06:13,640
Speaker 1: You know what I mean. You know that that T

133
00:06:13,920 --> 00:06:15,320
Speaker 1: and AJ could just come up.

134
00:06:15,240 --> 00:06:17,919
Speaker 10: With a you know, with a dance battle routine like

135
00:06:18,000 --> 00:06:20,440
Speaker 10: that to go up against you know, the dances that

136
00:06:20,520 --> 00:06:20,880
Speaker 10: Play and.

137
00:06:20,839 --> 00:06:21,480
Speaker 1: I were doing.

138
00:06:21,600 --> 00:06:24,600
Speaker 10: You know that doesn't that doesn't necessarily come in the package.

139
00:06:24,960 --> 00:06:28,520
Speaker 10: You know, you need you need you need a battle rap. Well,

140
00:06:28,680 --> 00:06:31,040
Speaker 10: you know, Kid and Play can provide that. You need

141
00:06:31,040 --> 00:06:33,279
Speaker 10: a big song like ain't my type of hype for

142
00:06:33,400 --> 00:06:36,360
Speaker 10: the dance battle, Well for us can provide that.

143
00:06:36,880 --> 00:06:37,000
Speaker 6: Uh.

144
00:06:37,240 --> 00:06:40,880
Speaker 1: So you know, I think you know, he definitely benefited.

145
00:06:40,360 --> 00:06:43,920
Speaker 10: From our some of our superpowers that we kind of

146
00:06:44,680 --> 00:06:47,720
Speaker 10: brought to the table. But like I said, being so young,

147
00:06:47,760 --> 00:06:51,159
Speaker 10: we were just like you know, we weren't like you know, uh,

148
00:06:51,600 --> 00:06:54,479
Speaker 10: being asked to do something extra. Wasn't like yo, yo,

149
00:06:54,560 --> 00:06:57,200
Speaker 10: I need to get let's just do it. Let's do it,

150
00:06:57,560 --> 00:06:59,400
Speaker 10: and you know, we'll see at the top.

151
00:06:59,680 --> 00:07:03,279
Speaker 8: You know, the original script with me and my brother's

152
00:07:03,320 --> 00:07:06,800
Speaker 8: the original script when Reggie wrote it. It had full

153
00:07:06,920 --> 00:07:10,560
Speaker 8: Force described in the script as descriptions.

154
00:07:10,840 --> 00:07:11,760
Speaker 5: We weren't even cast.

155
00:07:11,800 --> 00:07:15,440
Speaker 8: Then it said something that kidn't play or accosted by

156
00:07:16,000 --> 00:07:17,200
Speaker 8: droopy Jerry Curroll.

157
00:07:17,280 --> 00:07:19,800
Speaker 9: Guys were great physiqus somebody like full force.

158
00:07:19,960 --> 00:07:21,960
Speaker 2: That was literally in the scriptscription.

159
00:07:22,600 --> 00:07:25,720
Speaker 8: So Robert Ford, who used to co produce our music

160
00:07:25,800 --> 00:07:28,280
Speaker 8: with us, it was a good firm of Reggie, said, Reggie,

161
00:07:28,320 --> 00:07:31,000
Speaker 8: why didn't you just get full force? And then that's

162
00:07:31,000 --> 00:07:32,840
Speaker 8: when he made a phone call to my brother Paul.

163
00:07:33,160 --> 00:07:35,440
Speaker 8: The three of us got together. Now in the script,

164
00:07:35,560 --> 00:07:37,160
Speaker 8: I think we were the first ones to start bum

165
00:07:37,280 --> 00:07:40,880
Speaker 8: rushing the script, the original script. After we did the tablew'd,

166
00:07:40,920 --> 00:07:42,600
Speaker 8: I told my brothers and said, man, we're just like

167
00:07:42,680 --> 00:07:46,200
Speaker 8: bullies with no personalities in this. Listen, my brothers was

168
00:07:46,240 --> 00:07:49,280
Speaker 8: supposed to be pee Wee. I said, Pubby pee Wee,

169
00:07:49,440 --> 00:07:50,440
Speaker 8: you're the your stab.

170
00:07:50,880 --> 00:07:52,960
Speaker 12: Now talk like this throughout the whole movie, you know,

171
00:07:53,080 --> 00:07:57,320
Speaker 12: kicking some fucking ass. And then we just create our

172
00:07:57,360 --> 00:08:00,280
Speaker 12: own roles and we created our own scenes, and then

173
00:08:00,280 --> 00:08:02,280
Speaker 12: we showed Reggie and Warrington huddling.

174
00:08:02,640 --> 00:08:03,200
Speaker 9: They came to.

175
00:08:03,120 --> 00:08:05,360
Speaker 8: See the three of us do our things with blood

176
00:08:05,360 --> 00:08:08,120
Speaker 8: brothers anyway, so our chemistry is great. And Warrington as

177
00:08:08,160 --> 00:08:10,600
Speaker 8: soon as he saw did Warrington Hudland say keep it?

178
00:08:10,920 --> 00:08:13,280
Speaker 8: And Reggie Hudland said, you heard my brother keep it?

179
00:08:13,720 --> 00:08:17,160
Speaker 1: And so it wasn't it wasn't no kick your hand,

180
00:08:17,320 --> 00:08:17,760
Speaker 1: there wasn't.

181
00:08:17,760 --> 00:08:25,000
Speaker 13: No, it's not like you should have got.

182
00:08:26,240 --> 00:08:28,320
Speaker 5: You noticed. Man said that randomly for no reason.

183
00:08:29,640 --> 00:08:30,920
Speaker 1: I heard, no reason.

184
00:08:32,040 --> 00:08:35,199
Speaker 2: That happens in the street. That happens everywhere. People that

185
00:08:36,640 --> 00:08:37,080
Speaker 2: all the time.

186
00:08:37,200 --> 00:08:38,720
Speaker 9: Sometimes I say it before they say it.

187
00:08:38,840 --> 00:08:41,800
Speaker 6: Just and on the set, Martin was like a little

188
00:08:41,800 --> 00:08:45,360
Speaker 6: brother everybody. And the best word that describes that whole

189
00:08:45,880 --> 00:08:50,760
Speaker 6: experience was unity. Your smooth segue into while we're here.

190
00:08:51,240 --> 00:08:53,600
Speaker 7: Yeah, So wait a minute, who wrote the jail house rap?

191
00:08:53,640 --> 00:08:57,320
Speaker 7: Because you Reggie? Okay, all right, I'm like, ain't no

192
00:08:57,320 --> 00:08:58,040
Speaker 7: way Reggie wrote that.

193
00:08:58,640 --> 00:09:01,960
Speaker 10: No, no, but this typically, like I said, Reggie would

194
00:09:01,960 --> 00:09:05,280
Speaker 10: come to you, uh, the night before or two nights

195
00:09:05,280 --> 00:09:06,040
Speaker 10: before and say.

196
00:09:05,920 --> 00:09:08,000
Speaker 1: Hey man, we need a rap in the in the jail.

197
00:09:09,160 --> 00:09:12,000
Speaker 1: M You know what I'm saying. You gotta write a

198
00:09:12,080 --> 00:09:12,839
Speaker 1: rap in the jail.

199
00:09:13,720 --> 00:09:16,320
Speaker 10: Herbie did a little beat you know when he said, Yo,

200
00:09:16,400 --> 00:09:18,480
Speaker 10: we need a we need a rap battle.

201
00:09:18,760 --> 00:09:21,640
Speaker 1: Trust me, all that stuff wasn't in the original. But

202
00:09:21,840 --> 00:09:22,360
Speaker 1: it wasn't.

203
00:09:22,640 --> 00:09:25,560
Speaker 10: But but at his credit though no, he recognized it.

204
00:09:25,600 --> 00:09:27,439
Speaker 10: So by the time we into the movie. Now we

205
00:09:27,520 --> 00:09:30,080
Speaker 10: a few weeks into the movie and he's seeing really

206
00:09:30,120 --> 00:09:32,240
Speaker 10: who he's working with. He's like, man, I ain't nothing.

207
00:09:32,280 --> 00:09:34,719
Speaker 10: I can't throw these dudes. These young as is down

208
00:09:34,760 --> 00:09:37,560
Speaker 10: for whatever. Yo, we need a battle rap Okay. So

209
00:09:37,679 --> 00:09:40,040
Speaker 10: that means I have to write it and play gotta

210
00:09:40,120 --> 00:09:43,320
Speaker 10: do excuse me, I have to write it. Play has

211
00:09:43,320 --> 00:09:46,320
Speaker 10: to perform it. Herbie got to do do the beat

212
00:09:46,440 --> 00:09:48,600
Speaker 10: within a within a couple of days.

213
00:09:48,920 --> 00:09:50,920
Speaker 1: So you know, I mean when you look at it now,

214
00:09:50,960 --> 00:09:51,439
Speaker 1: I mean.

215
00:09:51,679 --> 00:09:54,520
Speaker 10: To your to your point, just a lot of times

216
00:09:54,520 --> 00:09:56,160
Speaker 10: people would have been like, all right, well you know

217
00:09:56,400 --> 00:10:00,240
Speaker 10: that's that's that that didn't come with the original, right,

218
00:10:00,280 --> 00:10:01,679
Speaker 10: you know what I mean. But that's just not what

219
00:10:01,720 --> 00:10:04,560
Speaker 10: the mentality was back then. The mentality was like, let's go,

220
00:10:04,720 --> 00:10:06,120
Speaker 10: let's let's just do it.

221
00:10:06,720 --> 00:10:09,160
Speaker 7: I was in here with murderer, murderers and stranglers, you

222
00:10:09,200 --> 00:10:10,920
Speaker 7: got it, just a bunch of romp Wranglers.

223
00:10:14,160 --> 00:10:15,920
Speaker 5: That's wophobia was hilarious.

224
00:10:16,040 --> 00:10:21,560
Speaker 10: Yeah, I will say this that I will say this.

225
00:10:22,200 --> 00:10:22,720
Speaker 1: He got.

226
00:10:25,200 --> 00:10:26,200
Speaker 5: Hilarious when you're.

227
00:10:26,679 --> 00:10:29,520
Speaker 1: I'll say this. The jail rap has not aged.

228
00:10:29,600 --> 00:10:34,559
Speaker 10: Well, wait till the point where one time I was watching,

229
00:10:34,760 --> 00:10:37,240
Speaker 10: I was flipping and I see House Party on v

230
00:10:37,440 --> 00:10:39,800
Speaker 10: H one, and he got to the point where the

231
00:10:39,880 --> 00:10:41,120
Speaker 10: jail rap is supposed.

232
00:10:40,840 --> 00:10:45,280
Speaker 1: To come out. Cut that bitch out.

233
00:10:45,400 --> 00:10:48,119
Speaker 10: It's just like, you know, you know what the executives

234
00:10:48,120 --> 00:10:50,200
Speaker 10: a v H one, Oh no.

235
00:10:51,280 --> 00:10:52,440
Speaker 1: What's funny. When you were young?

236
00:10:52,760 --> 00:10:54,880
Speaker 7: I was twelve, House Party came out. When you were young,

237
00:10:54,920 --> 00:10:57,320
Speaker 7: you're thinking to yourself, and that's what jail is. So

238
00:10:57,360 --> 00:10:59,640
Speaker 7: I just looked at from the perspective of you were

239
00:10:59,679 --> 00:11:09,120
Speaker 7: just trying to take your butt right, that's.

240
00:11:06,200 --> 00:11:07,559
Speaker 1: Number one priority.

241
00:11:10,440 --> 00:11:13,680
Speaker 10: If you remember, there was I think I said one

242
00:11:13,720 --> 00:11:17,000
Speaker 10: line was coming from the heart, from the center, the

243
00:11:17,120 --> 00:11:19,760
Speaker 10: sign on my ass.

244
00:11:18,200 --> 00:11:25,160
Speaker 1: And guess what we did this.

245
00:11:25,320 --> 00:11:27,640
Speaker 10: We shot it at eighty nine. It came out of ninety.

246
00:11:27,840 --> 00:11:31,600
Speaker 10: Nobody better than I. They were like, yeah, man.

247
00:11:32,440 --> 00:11:35,000
Speaker 1: Freaking broke Wranglers.

248
00:11:34,400 --> 00:11:36,679
Speaker 6: You know the only thing we fought for in that

249
00:11:36,800 --> 00:11:40,240
Speaker 6: movie is that new line cinema out of nowhere.

250
00:11:40,400 --> 00:11:42,200
Speaker 2: They wanted to make it PG. Thirteen.

251
00:11:43,559 --> 00:11:45,160
Speaker 4: We went, I couldn't been.

252
00:11:49,120 --> 00:11:50,439
Speaker 1: They would have warded it down.

253
00:11:51,280 --> 00:11:57,600
Speaker 2: Oh my god, you know what you know that didn't happen.

254
00:11:58,280 --> 00:12:00,719
Speaker 10: Yeah, you know what I'm saying because to B. B

255
00:12:00,840 --> 00:12:05,760
Speaker 10: always makes his point and rightly. So you know the vernacular,

256
00:12:05,920 --> 00:12:08,800
Speaker 10: you know, even in the jail rap or I smell pussy,

257
00:12:08,840 --> 00:12:09,560
Speaker 10: the cuss words.

258
00:12:09,760 --> 00:12:12,600
Speaker 1: I mean, that's how that's how we all spoke at that.

259
00:12:12,520 --> 00:12:16,040
Speaker 10: Time in our lives as teenagers, you know what I mean?

260
00:12:16,559 --> 00:12:19,280
Speaker 10: And and that's why that's why it holds up, it

261
00:12:19,320 --> 00:12:22,400
Speaker 10: holds up to this day because it wasn't just about

262
00:12:22,480 --> 00:12:24,720
Speaker 10: kidd and Play. Kid and Play was top line, but

263
00:12:24,800 --> 00:12:27,640
Speaker 10: this became an ensemble movie. So you went from kidd

264
00:12:27,720 --> 00:12:29,920
Speaker 10: and Play, You went to Full Force, You went to

265
00:12:30,000 --> 00:12:33,880
Speaker 10: Robin Harris, you went to John Witherspoon, next Door talking Ship,

266
00:12:34,600 --> 00:12:38,440
Speaker 10: George Clinton, you went to T and AJ showing that

267
00:12:38,600 --> 00:12:43,120
Speaker 10: bond between homegirls and this is that little little rivalry.

268
00:12:42,720 --> 00:12:46,319
Speaker 1: Darald Chill Mill peace right.

269
00:12:46,880 --> 00:12:49,400
Speaker 10: So uh you know, And that's how that's how it evolved,

270
00:12:49,440 --> 00:12:53,439
Speaker 10: and that's how why it's stood so strong to this day.

271
00:12:53,520 --> 00:12:55,079
Speaker 11: And all the writing that you did, did you write

272
00:12:55,120 --> 00:12:57,360
Speaker 11: for play as well, or did he write things that

273
00:12:57,400 --> 00:12:59,360
Speaker 11: he did and himself well?

274
00:12:59,400 --> 00:13:03,480
Speaker 10: And that the movie In terms of the battle, I

275
00:13:03,520 --> 00:13:07,720
Speaker 10: wrote both parts because and early on that that would

276
00:13:07,720 --> 00:13:08,840
Speaker 10: happen from time to time.

277
00:13:09,520 --> 00:13:10,319
Speaker 1: He and I were so.

278
00:13:10,400 --> 00:13:14,440
Speaker 10: Tight that I knew I knew how to write for him,

279
00:13:14,559 --> 00:13:16,719
Speaker 10: to put him in the best position possible, you know

280
00:13:16,760 --> 00:13:19,040
Speaker 10: what I mean. And obviously we're together all the time.

281
00:13:19,080 --> 00:13:21,520
Speaker 10: I know how he thinks and stuff like that. And

282
00:13:21,600 --> 00:13:24,280
Speaker 10: also too, you can't just think of the rap battle

283
00:13:24,320 --> 00:13:26,640
Speaker 10: as a battle per se. You have to think of

284
00:13:26,679 --> 00:13:30,160
Speaker 10: it in terms of it, you know, theatrically and and

285
00:13:30,200 --> 00:13:33,240
Speaker 10: how you're writing it. You know, Play has to he

286
00:13:33,360 --> 00:13:34,160
Speaker 10: has to take.

287
00:13:34,000 --> 00:13:34,800
Speaker 1: The early lead.

288
00:13:35,240 --> 00:13:36,840
Speaker 10: He has to be you know, he has to be

289
00:13:36,880 --> 00:13:40,080
Speaker 10: whipping my ass basically the first part of the of

290
00:13:40,120 --> 00:13:40,640
Speaker 10: the battle.

291
00:13:40,920 --> 00:13:42,480
Speaker 1: And then in the end, you know what I mean,

292
00:13:42,559 --> 00:13:43,120
Speaker 1: I come.

293
00:13:43,000 --> 00:13:45,199
Speaker 10: When I come riding in on the horse to kind

294
00:13:45,200 --> 00:13:46,640
Speaker 10: of take it in the end, you know what I'm saying.

295
00:13:46,720 --> 00:13:48,400
Speaker 9: Yeah, But she didn't ask about the chemistry.

296
00:13:48,480 --> 00:13:51,520
Speaker 8: She just basically said, so all this time in your career,

297
00:13:51,640 --> 00:13:53,240
Speaker 8: you've been the ghost writer for Play.

298
00:13:53,480 --> 00:13:55,760
Speaker 1: No, no, no, that's that that would be, that would

299
00:13:55,760 --> 00:13:57,720
Speaker 1: be That is not.

300
00:13:57,600 --> 00:13:59,960
Speaker 11: What I specifically what I was going to go back.

301
00:14:00,000 --> 00:14:01,360
Speaker 11: I can ask a second question because I didn't. I

302
00:14:01,360 --> 00:14:02,720
Speaker 11: want to know that was down.

303
00:14:02,760 --> 00:14:05,360
Speaker 1: That would be inaccurate. I mean, somebody did a lot,

304
00:14:05,480 --> 00:14:06,160
Speaker 1: a lot. I didn't.

305
00:14:06,200 --> 00:14:10,240
Speaker 10: But if you're talking about that particular thing, yeah, I mean, look,

306
00:14:10,360 --> 00:14:15,760
Speaker 10: we all between myself, Play and Herbie Lovebug, we were

307
00:14:15,760 --> 00:14:18,480
Speaker 10: all together. We were a team, but everybody had their

308
00:14:18,520 --> 00:14:22,080
Speaker 10: own kind of superpowers. My thing was the lyrics, you

309
00:14:22,080 --> 00:14:25,720
Speaker 10: know on the music. Tip plays genius was. You know,

310
00:14:25,760 --> 00:14:28,040
Speaker 10: He's the reason we looked the way we looked. He's

311
00:14:28,080 --> 00:14:31,320
Speaker 10: the reason why we look cool. He's the reason why

312
00:14:31,440 --> 00:14:33,480
Speaker 10: we dressed the way we dressed. He's the reason why

313
00:14:33,560 --> 00:14:36,320
Speaker 10: the album covers, which were very important at that time,

314
00:14:36,800 --> 00:14:39,480
Speaker 10: were styled the way they were. He's the one with

315
00:14:39,560 --> 00:14:43,200
Speaker 10: the concepts of the music videos. Herbie oversaw everything. Herbie

316
00:14:43,200 --> 00:14:46,040
Speaker 10: made the beats. Herbie was the one that you brought.

317
00:14:46,640 --> 00:14:48,440
Speaker 10: You brought the record to him when you thought it

318
00:14:48,520 --> 00:14:50,840
Speaker 10: was done, and he's like, no, it's not done. I mean,

319
00:14:50,920 --> 00:14:55,200
Speaker 10: Herbie was Diddy before Diddy, you know, musically and creatively.

320
00:14:55,840 --> 00:14:57,080
Speaker 1: So that's the thing.

321
00:14:57,200 --> 00:15:00,600
Speaker 10: So when so when it was time for each one

322
00:15:00,680 --> 00:15:02,720
Speaker 10: of us to kind of lean into those our little

323
00:15:02,720 --> 00:15:06,760
Speaker 10: special power. You know, we did that as long as

324
00:15:06,800 --> 00:15:07,520
Speaker 10: we win in the end.

325
00:15:07,600 --> 00:15:10,840
Speaker 3: What you asked, what your flat top? Right, you didn't

326
00:15:10,840 --> 00:15:13,200
Speaker 3: have a typical flat tip. That he was like foot

327
00:15:13,240 --> 00:15:15,640
Speaker 3: long pause. Right when you got that flat tip and

328
00:15:15,680 --> 00:15:17,600
Speaker 3: you came home with that, what did your mother say

329
00:15:17,600 --> 00:15:18,080
Speaker 3: at that time?

330
00:15:18,200 --> 00:15:18,280
Speaker 1: Like?

331
00:15:18,720 --> 00:15:20,000
Speaker 4: Right, what did your family say?

332
00:15:20,120 --> 00:15:22,680
Speaker 10: Well, well, my mother had passed by then, God rest

333
00:15:22,720 --> 00:15:26,040
Speaker 10: his sword, so I would have gave that white woman

334
00:15:26,080 --> 00:15:30,200
Speaker 10: a heart attack. Okay, but no, my my I was

335
00:15:30,240 --> 00:15:33,320
Speaker 10: raised by my Jamaican father, so he was none too pleased.

336
00:15:33,680 --> 00:15:36,880
Speaker 10: He's like, your air looked like ebra. I'm Lincoln's hot,

337
00:15:40,280 --> 00:15:42,640
Speaker 10: and my father was He was not. He was Jamaican

338
00:15:42,640 --> 00:15:45,120
Speaker 10: and he was not a proponent of the hip hop life.

339
00:15:45,240 --> 00:15:50,520
Speaker 10: You just love this black life, don't you.

340
00:15:53,760 --> 00:15:56,200
Speaker 1: You're He never called it hip hop music. He said,

341
00:15:56,280 --> 00:16:00,600
Speaker 1: y'all just love this, y'all got y'all got mulesic. And

342
00:16:00,680 --> 00:16:03,520
Speaker 1: then after everything blows up, you know, he retired.

343
00:16:03,640 --> 00:16:06,440
Speaker 10: I took him to the dealership to buy him a car.

344
00:16:06,640 --> 00:16:08,200
Speaker 1: He was like, I always believed in.

345
00:16:08,200 --> 00:16:16,200
Speaker 10: You give me that black legs us.

346
00:16:19,520 --> 00:16:21,120
Speaker 1: Throw some DS on nothing.

347
00:16:25,400 --> 00:16:27,880
Speaker 10: No, I just you know what I had to I

348
00:16:27,960 --> 00:16:31,560
Speaker 10: wanted to use the same instinct that told me to

349
00:16:31,600 --> 00:16:34,520
Speaker 10: do the high top in the first place. I always

350
00:16:34,560 --> 00:16:37,640
Speaker 10: trusted that the same instinct would tell me when it

351
00:16:37,680 --> 00:16:41,600
Speaker 10: was time to move off. So we had an opportunity

352
00:16:41,640 --> 00:16:44,800
Speaker 10: when we started doing the movie Class Act, where I

353
00:16:44,880 --> 00:16:48,000
Speaker 10: knew there was gonna be an opportunity to move to

354
00:16:48,400 --> 00:16:50,960
Speaker 10: a different hairstyle, being the twist or dreads or what

355
00:16:51,040 --> 00:16:54,680
Speaker 10: it eventually became. And uh so that's when I made

356
00:16:54,720 --> 00:16:57,600
Speaker 10: the move, and I almost got in trouble for it.

357
00:16:57,680 --> 00:16:59,880
Speaker 10: We always got in trouble when Warner Brothers signed us

358
00:17:00,040 --> 00:17:01,840
Speaker 10: of that film and they heard I was thinking about

359
00:17:01,960 --> 00:17:06,119
Speaker 10: changing the hot top, they threatened to sue us because

360
00:17:06,160 --> 00:17:07,960
Speaker 10: they felt like, we're buying everything.

361
00:17:08,160 --> 00:17:11,960
Speaker 1: Nigga, we're getting all that, you know what I mean.

362
00:17:12,400 --> 00:17:14,879
Speaker 10: So we went back and forth when we compromised in

363
00:17:14,960 --> 00:17:18,160
Speaker 10: terms of I would start the movie with the high

364
00:17:18,200 --> 00:17:21,359
Speaker 10: top and then and then go to the twist, and

365
00:17:21,400 --> 00:17:24,680
Speaker 10: then I never went back. And so this is shooting

366
00:17:24,720 --> 00:17:26,920
Speaker 10: in like ninety one ninety two, so I haven't worn

367
00:17:27,000 --> 00:17:30,440
Speaker 10: it since then, but it's still ever present. I think

368
00:17:30,560 --> 00:17:34,120
Speaker 10: I think someone's working on a tombstone.

369
00:17:33,440 --> 00:17:37,640
Speaker 1: That looked like a hot time. I will eventually be buried,

370
00:17:38,280 --> 00:17:38,960
Speaker 1: but that's one.

371
00:17:38,880 --> 00:17:41,919
Speaker 10: Of those things you can't you can't anticipate that either,

372
00:17:42,119 --> 00:17:45,240
Speaker 10: that that's gonna resonate so many years.

373
00:17:45,040 --> 00:17:47,280
Speaker 7: Going after brothers the full force. You know, y'all always

374
00:17:47,320 --> 00:17:51,439
Speaker 7: noticed producers and musicians. Right when y'all started playing the

375
00:17:51,520 --> 00:17:54,160
Speaker 7: villains comedic Villains and House Party? When did you realize

376
00:17:54,160 --> 00:17:57,320
Speaker 7: that you had to have versatility in entertainment?

377
00:18:00,119 --> 00:18:02,480
Speaker 10: You up, but that's kind of think that's kind of

378
00:18:02,480 --> 00:18:04,359
Speaker 10: what you did in House Party because you kind of

379
00:18:04,400 --> 00:18:06,000
Speaker 10: you kind of played that role in Cross.

380
00:18:05,800 --> 00:18:06,879
Speaker 2: Groove right right.

381
00:18:06,880 --> 00:18:08,880
Speaker 1: You know what I mean groove.

382
00:18:09,080 --> 00:18:11,800
Speaker 6: A lot of people don't know is that from kids.

383
00:18:12,240 --> 00:18:16,120
Speaker 6: You know, we were always acting, always doing skits, making

384
00:18:16,119 --> 00:18:20,399
Speaker 6: our parents watch and lou like for five Christmases in

385
00:18:20,440 --> 00:18:23,399
Speaker 6: a row sometime he was twelve, he would get the

386
00:18:23,400 --> 00:18:27,280
Speaker 6: same thing for Christmas. Canna give a show projector so

387
00:18:27,400 --> 00:18:29,760
Speaker 6: he was always like filming and making us. I mean,

388
00:18:29,800 --> 00:18:33,080
Speaker 6: he was making us do these plays. So when we

389
00:18:33,560 --> 00:18:36,840
Speaker 6: when we started acting and doing it as we got older,

390
00:18:37,640 --> 00:18:39,560
Speaker 6: people didn't know. But for us it was like nothing

391
00:18:39,680 --> 00:18:42,800
Speaker 6: like if you remember the scene with us in the

392
00:18:42,880 --> 00:18:48,840
Speaker 6: lunch room and I'm punching kid and then Luis goes, wait, wait, wait, okay, no, no, no, no,

393
00:18:48,840 --> 00:18:50,679
Speaker 6: none of that's in the script. Matter of fact, a

394
00:18:50,720 --> 00:18:52,960
Speaker 6: lot of things we did happen right there on set

395
00:18:53,720 --> 00:18:56,159
Speaker 6: and we're just winging it the wrap all all of that.

396
00:18:56,320 --> 00:18:59,960
Speaker 6: But that's because us, as kids doing it, we kind

397
00:19:00,200 --> 00:19:02,679
Speaker 6: to know what you're gonna say, or if we don't,

398
00:19:02,720 --> 00:19:03,560
Speaker 6: we play off of it.

399
00:19:03,760 --> 00:19:06,040
Speaker 5: So y'all always understood the power of versatility.

400
00:19:06,119 --> 00:19:09,600
Speaker 2: Yes, yeah, and it was a natural progression for us.

401
00:19:09,640 --> 00:19:13,159
Speaker 6: That's why Hollywood looked for so many rappers because you

402
00:19:13,200 --> 00:19:14,080
Speaker 6: were so authentic.

403
00:19:14,160 --> 00:19:18,120
Speaker 2: My dad always tell us, don't you know, don't sing

404
00:19:18,160 --> 00:19:19,880
Speaker 2: the song become the song.

405
00:19:19,960 --> 00:19:22,560
Speaker 6: When I was producing, when I'm doing volks with Payla

406
00:19:22,640 --> 00:19:25,880
Speaker 6: Bell or LaToya Jackson Lisa, I always say, don't sing

407
00:19:25,920 --> 00:19:28,280
Speaker 6: the song become the song. So I think it was

408
00:19:28,320 --> 00:19:30,600
Speaker 6: the same thing. It was just a natural progression for us.

409
00:19:30,640 --> 00:19:33,480
Speaker 6: So we knew that you had to have versatile energy.

410
00:19:33,680 --> 00:19:35,800
Speaker 3: The other thing, music would get back to the time

411
00:19:35,880 --> 00:19:38,879
Speaker 3: where it was fun. Yes, like where y'all were dancing

412
00:19:39,040 --> 00:19:40,960
Speaker 3: like you look at now and you go to the

413
00:19:41,000 --> 00:19:43,160
Speaker 3: club now, you're not gonna see people dancing like the.

414
00:19:43,080 --> 00:19:45,640
Speaker 4: Way you guys did right or the way we dance.

415
00:19:45,480 --> 00:19:47,280
Speaker 3: Like you just don't see it anymore. Do you think

416
00:19:47,280 --> 00:19:48,880
Speaker 3: it could get back to that funness?

417
00:19:49,040 --> 00:19:50,600
Speaker 2: I think I do think so.

418
00:19:50,680 --> 00:19:52,800
Speaker 6: I think I think the first thing is well, I

419
00:19:52,800 --> 00:19:55,000
Speaker 6: think so because I think music is getting back to

420
00:19:55,160 --> 00:19:58,640
Speaker 6: real songs. That's why you hear rapper samples, I hear

421
00:19:58,720 --> 00:20:01,280
Speaker 6: real melodies. I think melo these are coming back, and

422
00:20:01,320 --> 00:20:04,520
Speaker 6: saying has come back. When I do HBCU as appearances,

423
00:20:04,640 --> 00:20:07,040
Speaker 6: I mean they're dressed like us, they're dancing like us,

424
00:20:07,119 --> 00:20:09,560
Speaker 6: and you look for that old flavor and they doing

425
00:20:09,640 --> 00:20:11,720
Speaker 6: some of the old dances and the old vibe and

426
00:20:11,760 --> 00:20:12,399
Speaker 6: old energy.

427
00:20:12,520 --> 00:20:13,960
Speaker 2: But I think it's coming back.

428
00:20:14,000 --> 00:20:17,760
Speaker 6: It's going to be too because technology is just different.

429
00:20:17,880 --> 00:20:20,280
Speaker 6: I mean when we all came up, even you know

430
00:20:20,840 --> 00:20:25,280
Speaker 6: that we are significantly older than some. If you hear

431
00:20:26,040 --> 00:20:28,880
Speaker 6: you might have caught that last wave of like those

432
00:20:28,920 --> 00:20:30,720
Speaker 6: house parties, those.

433
00:20:30,560 --> 00:20:34,680
Speaker 2: Basement jams, yo, those those were real. I mean those

434
00:20:35,359 --> 00:20:37,120
Speaker 2: Rob's Club. I don't think it's going to come back

435
00:20:37,119 --> 00:20:37,720
Speaker 2: in that way.

436
00:20:37,880 --> 00:20:41,280
Speaker 6: I mean, everybody's buried in their phone, even at the parties,

437
00:20:41,320 --> 00:20:43,640
Speaker 6: and you know, and dance was everything.

438
00:20:43,760 --> 00:20:45,720
Speaker 2: You know, even when you had those parties, you had

439
00:20:45,720 --> 00:20:47,760
Speaker 2: the hood rock dudes, you.

440
00:20:47,640 --> 00:20:49,520
Speaker 6: Had the people that you know could dance. You had

441
00:20:49,600 --> 00:20:52,280
Speaker 6: dance battles that I mean, this happened at every party.

442
00:20:52,720 --> 00:20:55,040
Speaker 6: That type of texture is not the same. I remember,

443
00:20:55,119 --> 00:20:56,720
Speaker 6: it's not and I think it's coming.

444
00:20:56,800 --> 00:20:59,080
Speaker 3: Remember the last ten minutes of a party being R

445
00:20:59,119 --> 00:21:00,800
Speaker 3: and B and you go have that girl for the

446
00:21:00,880 --> 00:21:02,480
Speaker 3: last for your.

447
00:21:04,600 --> 00:21:06,600
Speaker 6: When you were like just waiting for the slow jam

448
00:21:06,600 --> 00:21:08,960
Speaker 6: and you ain't not the one you're gonna go to

449
00:21:08,280 --> 00:21:12,440
Speaker 6: the come on yet that that Brothers joint or or

450
00:21:12,480 --> 00:21:12,920
Speaker 6: heat wave.

451
00:21:14,359 --> 00:21:17,800
Speaker 7: To get back to what year y'all talking because the

452
00:21:17,840 --> 00:21:20,640
Speaker 7: reality it could be the early two thousands.

453
00:21:20,320 --> 00:21:23,400
Speaker 5: We used to like dancing has never gone anywhere.

454
00:21:23,480 --> 00:21:26,240
Speaker 4: I think to you, it happn't we go to clubs.

455
00:21:26,040 --> 00:21:29,560
Speaker 7: Now they may not dance in the club, but they

456
00:21:29,680 --> 00:21:32,160
Speaker 7: just dance like TikTok, that's what they dance.

457
00:21:32,760 --> 00:21:35,280
Speaker 5: And then and then in the South, we never stopped dancing.

458
00:21:35,320 --> 00:21:37,080
Speaker 5: In the South, were creating the dances in your New

459
00:21:37,119 --> 00:21:37,840
Speaker 5: York Nigga.

460
00:21:37,600 --> 00:21:40,800
Speaker 13: Was hating on it, but that's where he's saying though,

461
00:21:40,880 --> 00:21:43,480
Speaker 13: Like like the part dancing at a party, people dancing

462
00:21:43,480 --> 00:21:49,720
Speaker 13: front and all that, but actual like the actual feel

463
00:21:49,760 --> 00:21:52,600
Speaker 13: of a house party with nobody in their phone.

464
00:21:52,640 --> 00:21:53,800
Speaker 9: They just all having fun.

465
00:21:54,240 --> 00:21:56,679
Speaker 2: You know what I mean, that's what.

466
00:21:56,480 --> 00:21:57,400
Speaker 5: We need affordable housing.

467
00:21:57,440 --> 00:22:01,480
Speaker 10: Then because people, you know, and then it's and then

468
00:22:01,480 --> 00:22:05,359
Speaker 10: it's about the interaction between people. You know, it's why,

469
00:22:05,640 --> 00:22:08,359
Speaker 10: it's why the kid in Play dance it is still

470
00:22:09,320 --> 00:22:11,720
Speaker 10: people still enjoying that because you got to do it

471
00:22:11,880 --> 00:22:12,480
Speaker 10: with somebody.

472
00:22:12,680 --> 00:22:12,879
Speaker 1: You know what.

473
00:22:13,640 --> 00:22:17,560
Speaker 10: It's a celebratory dance, you know what I mean. You

474
00:22:17,560 --> 00:22:19,600
Speaker 10: you got a new job, do the kid and play?

475
00:22:20,680 --> 00:22:27,960
Speaker 10: You just buzz or ut.

476
00:22:28,440 --> 00:22:31,320
Speaker 6: But to Charlemagne's point, if you go down south, go

477
00:22:31,400 --> 00:22:34,800
Speaker 6: to Virginia, oh yeah, they still rocking, They still dancing,

478
00:22:34,840 --> 00:22:36,800
Speaker 6: They still doing it in the clubs and the schools.

479
00:22:36,800 --> 00:22:37,200
Speaker 1: Everything.

480
00:22:37,440 --> 00:22:39,520
Speaker 2: It all depends on the ground.

481
00:22:39,600 --> 00:22:40,320
Speaker 1: I don't know, I mean.

482
00:22:44,160 --> 00:22:45,760
Speaker 3: And then y'all changed it with the Switch was even

483
00:22:45,840 --> 00:22:47,639
Speaker 3: crazy because now if you get a girl that you

484
00:22:47,680 --> 00:22:48,880
Speaker 3: are like Switch, you're gonna write.

485
00:22:48,680 --> 00:22:51,000
Speaker 4: To that one and you want But I don't.

486
00:22:50,840 --> 00:22:55,400
Speaker 10: Know what happens now because the the the bottle service

487
00:22:55,480 --> 00:22:58,680
Speaker 10: generation kind of moved out the dance generation.

488
00:22:59,080 --> 00:23:01,920
Speaker 1: But all the inf that I'm getting online.

489
00:23:01,480 --> 00:23:04,560
Speaker 10: In social media these days is that that bottle stuff

490
00:23:04,680 --> 00:23:09,840
Speaker 10: is kind So what are people supposed to do now?

491
00:23:09,920 --> 00:23:10,800
Speaker 1: You know, I still.

492
00:23:10,600 --> 00:23:13,879
Speaker 10: Travel around the country either doing kidding play stuff or

493
00:23:13,880 --> 00:23:15,760
Speaker 10: doing stand up so you know, they'll take you around

494
00:23:15,760 --> 00:23:16,880
Speaker 10: to the clubs and whatnot.

495
00:23:16,920 --> 00:23:19,720
Speaker 1: And I don't know, I don't you know, they'll they'll

496
00:23:19,760 --> 00:23:20,600
Speaker 1: put me somewhere.

497
00:23:21,680 --> 00:23:24,080
Speaker 10: I'm just I'm just looking. I feel like I'm a

498
00:23:24,520 --> 00:23:25,200
Speaker 10: head of state.

499
00:23:29,680 --> 00:23:30,600
Speaker 2: You know, you better not.

500
00:23:34,640 --> 00:23:36,240
Speaker 11: You guys know, I don't know what are you talking about?

501
00:23:37,080 --> 00:23:37,440
Speaker 1: You guys?

502
00:23:38,359 --> 00:23:40,320
Speaker 11: I saw uh it was it was some time ago,

503
00:23:40,359 --> 00:23:43,200
Speaker 11: but the least at lisa documentary or biopic, you guys

504
00:23:43,200 --> 00:23:45,280
Speaker 11: not being included, and people were really upset about that.

505
00:23:45,320 --> 00:23:47,720
Speaker 11: How did you guys feel personally though, because you guys

506
00:23:47,720 --> 00:23:49,560
Speaker 11: have been in all the videos and.

507
00:23:50,560 --> 00:23:53,600
Speaker 9: I'll speak on this trying to make it nicely.

508
00:23:53,840 --> 00:23:58,320
Speaker 8: What happened is that at the time, I didn't know

509
00:23:58,359 --> 00:24:02,000
Speaker 8: if there was any type of uh A negativity or

510
00:24:02,040 --> 00:24:05,679
Speaker 8: anything like that until I saw Lisa and Tony Minaj

511
00:24:05,720 --> 00:24:09,800
Speaker 8: who's her manager, do interviews together. I was kind of

512
00:24:09,840 --> 00:24:12,280
Speaker 8: surprised at that. But as far as the movie, we

513
00:24:12,280 --> 00:24:15,479
Speaker 8: weren't in it. You know, it's their movie, Tony and Lisa,

514
00:24:16,000 --> 00:24:19,080
Speaker 8: they executive produced it. Coach Jam now was in it,

515
00:24:19,119 --> 00:24:22,080
Speaker 8: and the coach Jam was mentioned. Col Jam wasn't down

516
00:24:22,080 --> 00:24:24,520
Speaker 8: with all of that. Because nobody came to cult Jam,

517
00:24:24,640 --> 00:24:27,280
Speaker 8: even though in interviews they said, well, you know, Coke

518
00:24:27,400 --> 00:24:28,320
Speaker 8: Jam in full Force.

519
00:24:28,720 --> 00:24:30,680
Speaker 9: It's everybody's confused.

520
00:24:30,720 --> 00:24:33,080
Speaker 8: That was the reasoning they said that they didn't mention

521
00:24:33,160 --> 00:24:35,760
Speaker 8: full Force because people would get confused with Cold Jam

522
00:24:35,920 --> 00:24:39,480
Speaker 8: and full Force, and that's why they kind.

523
00:24:39,359 --> 00:24:42,160
Speaker 6: Of you know, as a collective, we all have different

524
00:24:42,160 --> 00:24:45,520
Speaker 6: personality theorists, but we come together. I'm a little boy,

525
00:24:45,560 --> 00:24:49,320
Speaker 6: more direct in your face, so we want to wed.

526
00:24:49,600 --> 00:24:54,280
Speaker 6: We did a show. We did a show and when

527
00:24:54,320 --> 00:24:56,800
Speaker 6: I when they asked us a question, I said, to.

528
00:24:56,800 --> 00:24:59,480
Speaker 2: Quote my dear brother burning in heaven something. She just

529
00:24:59,480 --> 00:25:00,879
Speaker 2: don't make no sense.

530
00:25:01,359 --> 00:25:04,320
Speaker 6: I said it on stage because it was bullshit. Okay,

531
00:25:04,359 --> 00:25:05,960
Speaker 6: that's what it was. How can you do something like

532
00:25:05,960 --> 00:25:09,080
Speaker 6: that without us? Yeah, okay, but I understand what they did,

533
00:25:09,359 --> 00:25:10,400
Speaker 6: but it was just bullshit.

534
00:25:11,640 --> 00:25:11,800
Speaker 5: You know.

535
00:25:11,880 --> 00:25:14,359
Speaker 8: What it was to was that they wanted to interject

536
00:25:14,440 --> 00:25:18,119
Speaker 8: Tony the manager into the Lisa Lisa and co Jam career,

537
00:25:18,600 --> 00:25:21,320
Speaker 8: to tell her story too. And she's you know, she's

538
00:25:21,359 --> 00:25:24,159
Speaker 8: a nice person, talented also, but at the time in

539
00:25:24,200 --> 00:25:28,000
Speaker 8: the movie that timeline, Tony wasn't there in that timeline.

540
00:25:28,040 --> 00:25:28,879
Speaker 9: It's Cold Jam.

541
00:25:29,320 --> 00:25:31,639
Speaker 8: They you can go on YouTube, and you'll see a

542
00:25:31,800 --> 00:25:34,080
Speaker 8: YouTube to that says Cold Jam sets the record straight

543
00:25:34,320 --> 00:25:36,920
Speaker 8: because they wanted people to know the scenario.

544
00:25:37,119 --> 00:25:38,080
Speaker 9: At that timeline, it.

545
00:25:38,160 --> 00:25:41,240
Speaker 8: Was just salsa, Lisa in Full Force and Cold Jam

546
00:25:41,280 --> 00:25:43,680
Speaker 8: at the time, like Tony didn't come as far as

547
00:25:43,800 --> 00:25:47,520
Speaker 8: managing Lisa by herself until down the line, maybe five

548
00:25:47,640 --> 00:25:50,680
Speaker 8: six years before that, you know. But but after all

549
00:25:50,720 --> 00:25:52,800
Speaker 8: of that, we weren't mad. You know, there was a

550
00:25:52,840 --> 00:25:55,000
Speaker 8: backlash by a lot of fans and stuff like that,

551
00:25:55,080 --> 00:25:56,920
Speaker 8: like how could you do that? My thing is that

552
00:25:57,160 --> 00:26:00,720
Speaker 8: life is too short. Let's have a nice used to Lisa,

553
00:26:00,920 --> 00:26:05,159
Speaker 8: col Jam and Full Force reunion together on the stage, because.

554
00:26:11,520 --> 00:26:14,600
Speaker 2: I know we tried to do it before. It's okay.

555
00:26:15,600 --> 00:26:19,560
Speaker 11: I think to sentiment, it's like when people tell the

556
00:26:19,720 --> 00:26:21,920
Speaker 11: certain stories, there are certain things that you have to mention.

557
00:26:22,800 --> 00:26:25,000
Speaker 2: The oversight was like intention.

558
00:26:25,200 --> 00:26:28,480
Speaker 6: That was blade and I know I know Lisa wasn't

559
00:26:28,520 --> 00:26:30,480
Speaker 6: gonna go to to over the top. Her and I

560
00:26:30,560 --> 00:26:32,520
Speaker 6: always had a special bond. That's why she would have

561
00:26:32,520 --> 00:26:35,360
Speaker 6: headband like me all the time. But I mean, some

562
00:26:35,400 --> 00:26:38,200
Speaker 6: stuff that doesn't make sense. You can still get a point,

563
00:26:38,240 --> 00:26:40,240
Speaker 6: of course, without shoveling the bullshit.

564
00:26:40,480 --> 00:26:42,600
Speaker 2: You know what I mean, so be that as it may.

565
00:26:43,040 --> 00:26:43,399
Speaker 2: Moving on.

566
00:26:43,560 --> 00:26:46,600
Speaker 5: So did they say anything, how did they explain that?

567
00:26:47,359 --> 00:26:52,080
Speaker 6: They apologize nicely after after I know, not to us,

568
00:26:52,080 --> 00:26:54,919
Speaker 6: but we got worried that after the back like they

569
00:26:54,960 --> 00:26:57,680
Speaker 6: were getting they will say yo, they put we love

570
00:26:57,800 --> 00:26:58,960
Speaker 6: them and all that, you know.

571
00:26:59,800 --> 00:27:01,840
Speaker 4: So you know, we talked about it earlier, and I

572
00:27:01,880 --> 00:27:02,439
Speaker 4: was just curious.

573
00:27:02,720 --> 00:27:05,920
Speaker 3: Y'all get tired of the things that people know about

574
00:27:05,920 --> 00:27:07,840
Speaker 3: you the most, right, Like do people come to the

575
00:27:07,840 --> 00:27:09,439
Speaker 3: airport but like, let's do a kid and play kickstap,

576
00:27:09,440 --> 00:27:10,120
Speaker 3: Like do people.

577
00:27:09,880 --> 00:27:12,280
Speaker 4: Come to me I smell? Like do y'all hate that?

578
00:27:12,400 --> 00:27:14,000
Speaker 4: Or is it one of those things that just shows love?

579
00:27:14,119 --> 00:27:16,760
Speaker 6: Yeah, shows love and it never gets I appreciate that

580
00:27:17,320 --> 00:27:19,520
Speaker 6: every time. You know, that's how we're going to extend

581
00:27:19,600 --> 00:27:20,960
Speaker 6: live forever stuff.

582
00:27:20,720 --> 00:27:23,600
Speaker 10: Like yeah, yeah, I mean, if you really think about it,

583
00:27:24,320 --> 00:27:26,439
Speaker 10: you know what I mean, sometimes I'll bug out, you

584
00:27:26,480 --> 00:27:26,960
Speaker 10: know what I mean.

585
00:27:27,040 --> 00:27:29,760
Speaker 1: I remember, I remember.

586
00:27:29,840 --> 00:27:31,679
Speaker 10: I was I was I think I was still in

587
00:27:31,760 --> 00:27:35,280
Speaker 10: college and I was working at this fucked up bank,

588
00:27:35,440 --> 00:27:37,280
Speaker 10: green Point Savings.

589
00:27:36,760 --> 00:27:38,560
Speaker 1: Bank, you know what I mean.

590
00:27:39,400 --> 00:27:44,760
Speaker 10: Business Still, I was just I was just miserable. I

591
00:27:44,800 --> 00:27:47,800
Speaker 10: had a supervisor that was really hawking me. Man she

592
00:27:47,880 --> 00:27:50,800
Speaker 10: was really jocking it. So every time she went to

593
00:27:50,840 --> 00:27:53,800
Speaker 10: the other side of the floor, I'd whip out this

594
00:27:53,960 --> 00:27:56,480
Speaker 10: notebook and that I had all my rhymes in it

595
00:27:56,560 --> 00:27:58,240
Speaker 10: and all a lot of the stuff that became the

596
00:27:58,280 --> 00:28:01,120
Speaker 10: songs on our first album. And I just remember saying

597
00:28:01,119 --> 00:28:03,120
Speaker 10: to myself, I gotta give the fuck.

598
00:28:03,640 --> 00:28:05,640
Speaker 1: Out of here, man, you know what I mean.

599
00:28:05,760 --> 00:28:08,600
Speaker 10: And now to see where stuff like that is gone,

600
00:28:09,000 --> 00:28:12,480
Speaker 10: just words on a page to to you know, to

601
00:28:12,640 --> 00:28:18,360
Speaker 10: conquering the toughest rap environment and most crucial rap environment

602
00:28:18,440 --> 00:28:21,040
Speaker 10: ever existed. You know, we came out to try state

603
00:28:21,480 --> 00:28:25,080
Speaker 10: that wasn't no, that was no small feat back then.

604
00:28:25,119 --> 00:28:27,359
Speaker 10: The envy you know this, y'all know that, y'all y'all

605
00:28:27,359 --> 00:28:27,600
Speaker 10: know this.

606
00:28:28,040 --> 00:28:29,399
Speaker 1: We had to. We had to. You know.

607
00:28:29,520 --> 00:28:32,560
Speaker 10: We we going to and performing at the Latin Quarters

608
00:28:32,640 --> 00:28:33,360
Speaker 10: every weekend.

609
00:28:33,720 --> 00:28:39,880
Speaker 1: It wasn't just a test of your test of your skill.

610
00:28:40,280 --> 00:28:42,800
Speaker 1: It was a test of your manhood. It was a

611
00:28:42,880 --> 00:28:43,520
Speaker 1: test of where.

612
00:28:43,560 --> 00:28:46,840
Speaker 10: You know, going to Union Square you can get stabbed up,

613
00:28:47,040 --> 00:28:50,120
Speaker 10: shot up. But we came back every single weekend and

614
00:28:50,160 --> 00:28:52,200
Speaker 10: this and that. So, yeah, it's the words that that

615
00:28:52,320 --> 00:28:56,560
Speaker 10: took life. It's the dances that that that that people

616
00:28:56,640 --> 00:28:59,600
Speaker 10: still do to this day, it's hairstyles and stuff that

617
00:28:59,640 --> 00:29:00,880
Speaker 10: people still talk about.

618
00:29:00,880 --> 00:29:01,920
Speaker 1: It blows you.

619
00:29:02,080 --> 00:29:05,880
Speaker 10: It blows your mind, to be honest. So so so

620
00:29:05,920 --> 00:29:08,760
Speaker 10: when it gets when those references are made to all

621
00:29:08,800 --> 00:29:11,480
Speaker 10: of us, I think I can speak for the fellas

622
00:29:11,480 --> 00:29:14,760
Speaker 10: and for play. You're like, man, we appreciate it, you

623
00:29:14,800 --> 00:29:17,800
Speaker 10: know what I mean? Timings everything though, when you do.

624
00:29:19,160 --> 00:29:21,680
Speaker 4: I go from the airport, I almost just did the

625
00:29:21,720 --> 00:29:22,520
Speaker 4: kid play because.

626
00:29:22,320 --> 00:29:22,640
Speaker 7: It's just like.

627
00:29:24,520 --> 00:29:24,800
Speaker 2: Coming.

628
00:29:26,720 --> 00:29:29,000
Speaker 1: But then and then just remember.

629
00:29:28,600 --> 00:29:31,800
Speaker 10: That and also to this thing. This thing has been

630
00:29:31,880 --> 00:29:35,320
Speaker 10: so good it gets passed on. I was in Atlanta.

631
00:29:35,320 --> 00:29:39,120
Speaker 10: I'm hanging out with a hurricane takes me to some

632
00:29:39,120 --> 00:29:42,600
Speaker 10: some barbecue. We're out there and this middle aged black

633
00:29:42,680 --> 00:29:45,040
Speaker 10: lady she's running around with this little girl. Grandma's have

634
00:29:45,080 --> 00:29:47,760
Speaker 10: been about five six years old. So we're standing over

635
00:29:47,760 --> 00:29:49,840
Speaker 10: there on the side and the little girl gets a

636
00:29:49,880 --> 00:29:55,360
Speaker 10: look at me. She goes, oh, run all the way

637
00:29:55,480 --> 00:29:58,400
Speaker 10: over to me, and I'm like, yeah, what's going on?

638
00:29:58,640 --> 00:30:05,440
Speaker 10: She said, you you got better than that?

639
00:30:05,640 --> 00:30:08,200
Speaker 1: She said, she said you got old.

640
00:30:09,680 --> 00:30:13,160
Speaker 10: I said, I said, I got a whipping. I said,

641
00:30:13,160 --> 00:30:14,280
Speaker 10: who gave me a whipping?

642
00:30:14,920 --> 00:30:19,400
Speaker 1: Your pops? I said, six year old? No, she said,

643
00:30:19,440 --> 00:30:22,160
Speaker 1: my Auntie don't work. She she watched that movie all

644
00:30:22,200 --> 00:30:22,600
Speaker 1: the time.

645
00:30:27,400 --> 00:30:31,280
Speaker 10: But but this is the gift that getting passed on,

646
00:30:31,760 --> 00:30:35,400
Speaker 10: do you know what I mean? Older brothers to younger siblings,

647
00:30:35,440 --> 00:30:39,920
Speaker 10: parents to their children. And so this is what we're

648
00:30:39,960 --> 00:30:41,680
Speaker 10: a part of and hopefully this is what we will

649
00:30:41,760 --> 00:30:45,720
Speaker 10: be celebrating this weekend. You know, come, come on, come on,

650
00:30:46,360 --> 00:30:47,120
Speaker 10: children's free.

651
00:30:47,240 --> 00:30:48,520
Speaker 3: So what are you doing this weekend for people that

652
00:30:48,520 --> 00:30:50,080
Speaker 3: don't know, but break down what's happening?

653
00:30:50,280 --> 00:30:51,480
Speaker 1: Yeah, go ahead, go ahead.

654
00:30:51,800 --> 00:30:57,520
Speaker 8: Brooklyn Unity Fest and Old Bulls Boys and Girls High

655
00:30:57,520 --> 00:31:00,000
Speaker 8: School or the Old High School. Brooklyn Unity Fest sound

656
00:31:00,000 --> 00:31:03,560
Speaker 8: happening this Saturday, celebrating the thirty five years of House

657
00:31:03,600 --> 00:31:06,240
Speaker 8: Party along with Kidden Play, is going to be.

658
00:31:07,760 --> 00:31:11,160
Speaker 1: Force, is going to be.

659
00:31:11,440 --> 00:31:17,240
Speaker 8: Little Ceas Evans is stopping through and a lot of surprises,

660
00:31:17,240 --> 00:31:20,760
Speaker 8: a lot of local people performing as well, giving man

661
00:31:20,880 --> 00:31:23,760
Speaker 8: and they wanted me to shout to stop the things.

662
00:31:24,960 --> 00:31:27,920
Speaker 8: They wanted to thank Housing Works, the Empress Empire and

663
00:31:27,960 --> 00:31:30,920
Speaker 8: the Brooklyn Nets for helping to give it back this Saturday.

664
00:31:31,080 --> 00:31:34,080
Speaker 8: And for more information go to Brooklyn unity Fest dot

665
00:31:34,080 --> 00:31:37,080
Speaker 8: com for info and you can watch it live stream.

666
00:31:37,240 --> 00:31:38,680
Speaker 8: And we want to give a shout at also to

667
00:31:38,800 --> 00:31:44,080
Speaker 8: mel and Vienna part of the Brooklyn unity.

668
00:31:45,000 --> 00:31:48,600
Speaker 11: How streaming, Uh the impacted you'all eys with House Party

669
00:31:48,600 --> 00:31:50,800
Speaker 11: being on streaming now, Like what's the positive effects and

670
00:31:50,800 --> 00:31:52,120
Speaker 11: negati effects that you guys see?

671
00:31:52,560 --> 00:31:56,120
Speaker 5: Then you just talking about streaming the positive.

672
00:32:05,400 --> 00:32:08,840
Speaker 1: Not a fan music about.

673
00:32:10,680 --> 00:32:13,680
Speaker 2: Like you can sing.

674
00:32:14,520 --> 00:32:17,560
Speaker 6: It's no, honestly, it's a beautiful thing. It's a beautiful

675
00:32:17,560 --> 00:32:21,320
Speaker 6: thing that you know, Uh that it transcends everything.

676
00:32:21,520 --> 00:32:23,720
Speaker 2: You know. My brain is still caught up on the

677
00:32:23,720 --> 00:32:27,200
Speaker 2: whole thing with you guys.

678
00:32:27,960 --> 00:32:31,160
Speaker 6: You want being at Lisa, the whole thing that was

679
00:32:31,360 --> 00:32:33,400
Speaker 6: that was a concept of mine, the whole thing. To

680
00:32:33,440 --> 00:32:38,640
Speaker 6: bring that into prusition, oh yeahsa.

681
00:32:36,720 --> 00:32:40,480
Speaker 8: Period, yes, to bring a Spanish girl to be We

682
00:32:40,520 --> 00:32:42,760
Speaker 8: already had the song written already take you Home.

683
00:32:44,680 --> 00:32:45,200
Speaker 2: No, I had.

684
00:32:46,000 --> 00:32:49,760
Speaker 6: I wrote that song, and then I knew that there

685
00:32:49,800 --> 00:32:52,760
Speaker 6: was no Hispanic type of hero nothing at that time.

686
00:32:52,760 --> 00:32:57,160
Speaker 6: It's just menudo and the Hispanic community for me was

687
00:32:57,280 --> 00:32:59,160
Speaker 6: just like I used to see Hispanish people. It's just

688
00:32:59,240 --> 00:33:03,040
Speaker 6: light skinned black people. They were so engulfed in our community,

689
00:33:03,120 --> 00:33:03,280
Speaker 6: you know.

690
00:33:03,360 --> 00:33:04,320
Speaker 2: So when I see.

691
00:33:08,120 --> 00:33:13,160
Speaker 6: That watch y'all lost thirty short though, it's just that

692
00:33:13,320 --> 00:33:16,440
Speaker 6: a shame that they did a story that didn't show

693
00:33:16,600 --> 00:33:20,400
Speaker 6: how Lisa came to be at all, you know, why

694
00:33:20,520 --> 00:33:23,520
Speaker 6: there was no Hispanic type of influence out there at all.

695
00:33:23,680 --> 00:33:27,200
Speaker 6: For me, I grew up with a lot of Hispanic

696
00:33:27,240 --> 00:33:30,560
Speaker 6: people that were you know, from playing on the handbog chords,

697
00:33:30,640 --> 00:33:33,400
Speaker 6: we played ball together. When there was always a dance crew,

698
00:33:33,440 --> 00:33:35,320
Speaker 6: there was always a Hispanic brother in there. When there

699
00:33:35,360 --> 00:33:38,520
Speaker 6: was a Hispanic crew, there's always black brother in there.

700
00:33:39,120 --> 00:33:41,600
Speaker 6: So my you know, being in New York, the Hispanic

701
00:33:41,680 --> 00:33:44,960
Speaker 6: population with us was like this melting pot, and I

702
00:33:44,960 --> 00:33:48,240
Speaker 6: don't feel like it really showed that. It didn't showed

703
00:33:48,280 --> 00:33:50,640
Speaker 6: that type of culmination on how Lisa was picked and

704
00:33:50,680 --> 00:33:53,360
Speaker 6: why she was picking and how important she is to

705
00:33:53,600 --> 00:33:58,600
Speaker 6: these young Hispanic girls. Before Jennifer Lopez, before expos, before

706
00:33:58,600 --> 00:34:02,120
Speaker 6: all this was Lisa. But that was intentional because there

707
00:34:02,200 --> 00:34:03,840
Speaker 6: was nothing out at that time. I would tease my

708
00:34:03,840 --> 00:34:06,480
Speaker 6: friends about Yo Manudo and they would get mad, that's.

709
00:34:06,360 --> 00:34:10,279
Speaker 2: My little sister. The Hispanic people that I've grown up.

710
00:34:10,200 --> 00:34:15,080
Speaker 6: With were just like us and style, flavor and everything.

711
00:34:15,200 --> 00:34:19,120
Speaker 7: So so it's even it's beyond safe to say there

712
00:34:19,160 --> 00:34:23,440
Speaker 7: would be no Lisa Lisa without not just you picking her.

713
00:34:23,680 --> 00:34:26,280
Speaker 5: The songs y'all wrote.

714
00:34:29,000 --> 00:34:29,680
Speaker 1: We already had.

715
00:34:29,760 --> 00:34:32,000
Speaker 6: We already had the sound. Now we're just looking for

716
00:34:32,040 --> 00:34:34,000
Speaker 6: the right artists to put in it. You know, Be

717
00:34:34,080 --> 00:34:37,239
Speaker 6: had that rating, we had all cried out bare Kenny,

718
00:34:37,520 --> 00:34:39,360
Speaker 6: So we already had the sound the right artist. But

719
00:34:39,400 --> 00:34:42,080
Speaker 6: once again, that lends to the question of why.

720
00:34:41,960 --> 00:34:44,759
Speaker 2: To leave us out of it. It doesn't make sense

721
00:34:44,920 --> 00:34:46,319
Speaker 2: of the move of the documentary.

722
00:34:46,320 --> 00:34:48,400
Speaker 6: At one point, it was a great It was a

723
00:34:48,400 --> 00:34:52,480
Speaker 6: great vehicle to be inspire other young girls on how

724
00:34:52,560 --> 00:34:54,719
Speaker 6: she came to be for real, you know.

725
00:34:54,960 --> 00:34:55,959
Speaker 2: And that's why, you know what.

726
00:34:56,239 --> 00:34:58,600
Speaker 10: I don't like And I know you guys have these

727
00:34:58,760 --> 00:35:02,040
Speaker 10: these arguments in these discs cushion sometimes. Uh and it

728
00:35:02,080 --> 00:35:04,480
Speaker 10: seems to be a hot topic these days, talking about

729
00:35:05,200 --> 00:35:08,839
Speaker 10: black and latinos and their particular contributions to hip hop

730
00:35:08,880 --> 00:35:11,560
Speaker 10: and stuff like that. Yeah, that and and I'm one

731
00:35:11,600 --> 00:35:13,840
Speaker 10: of those people like I agree with with B one

732
00:35:13,920 --> 00:35:15,200
Speaker 10: hundred percent like that.

733
00:35:15,320 --> 00:35:16,120
Speaker 1: And that's what I think.

734
00:35:16,120 --> 00:35:18,759
Speaker 10: That's what made the music resonate when it did, because

735
00:35:18,800 --> 00:35:21,200
Speaker 10: these are coming out of real relationships. I mean, you

736
00:35:21,239 --> 00:35:21,719
Speaker 10: know what I'm saying.

737
00:35:21,760 --> 00:35:22,360
Speaker 1: I grew up with it.

738
00:35:22,440 --> 00:35:25,120
Speaker 10: I grew up with a gang of Latinos just like

739
00:35:25,200 --> 00:35:28,520
Speaker 10: black people. I'm half white, nobody had to be one

740
00:35:28,560 --> 00:35:31,920
Speaker 10: particular thing. People were examining your psyche and your soul.

741
00:35:32,360 --> 00:35:34,960
Speaker 10: That's that's what it was about. Can you dance? Can

742
00:35:35,040 --> 00:35:37,760
Speaker 10: you rap? Can you sing? And and and and we

743
00:35:37,760 --> 00:35:40,960
Speaker 10: were living side by side with each other. So yeah,

744
00:35:41,160 --> 00:35:44,080
Speaker 10: that that had been a much more interesting story. And

745
00:35:44,120 --> 00:35:46,200
Speaker 10: I know that's what the real story is, you know,

746
00:35:46,480 --> 00:35:49,200
Speaker 10: I know, I know, I know black, black and brown

747
00:35:49,239 --> 00:35:52,719
Speaker 10: people build hip hop. I know it because I was there,

748
00:35:52,840 --> 00:35:55,040
Speaker 10: So I'm always I'm interested in that.

749
00:35:55,120 --> 00:35:59,640
Speaker 1: I'm just like, what are we doing? Who's who? Who's poisoning?

750
00:36:00,160 --> 00:36:02,000
Speaker 1: We've built all of this to this point.

751
00:36:02,480 --> 00:36:04,880
Speaker 10: And and and I don't know what I don't I

752
00:36:04,880 --> 00:36:05,440
Speaker 10: don't get that.

753
00:36:05,480 --> 00:36:06,880
Speaker 1: And yeah, and I would appreciate it.

754
00:36:08,480 --> 00:36:10,320
Speaker 5: Y'all had all of those records done already.

755
00:36:10,600 --> 00:36:14,759
Speaker 2: Oh yeah, all of them had head came late. That

756
00:36:14,800 --> 00:36:18,919
Speaker 2: was on the second album. But we had Taken Home.

757
00:36:19,640 --> 00:36:22,880
Speaker 2: I had taken Home and can you feel to be okay?

758
00:36:23,560 --> 00:36:28,200
Speaker 6: We had that before we had the artists because in

759
00:36:28,200 --> 00:36:29,000
Speaker 6: the sound.

760
00:36:29,520 --> 00:36:31,560
Speaker 2: I knew what I but I wanted.

761
00:36:31,600 --> 00:36:34,120
Speaker 6: I knew that, you know, I wanted a Hispanic young

762
00:36:34,200 --> 00:36:38,360
Speaker 6: lady who echoed New York, you know, because addition to

763
00:36:38,400 --> 00:36:39,359
Speaker 6: quite a few people, and I.

764
00:36:39,320 --> 00:36:41,440
Speaker 2: Was like nah, nah no.

765
00:36:42,320 --> 00:36:45,480
Speaker 6: And then Mike from Culture you know, he rang my

766
00:36:45,480 --> 00:36:46,880
Speaker 6: bell one day and said, be man, I heard you're

767
00:36:46,920 --> 00:36:49,640
Speaker 6: looking for a Hispanic young lady that could sing. You know,

768
00:36:49,719 --> 00:36:52,719
Speaker 6: I think I got this girl. And he said, and

769
00:36:52,760 --> 00:36:55,160
Speaker 6: you know, I'm thinking, maybe, you know, if you like her,

770
00:36:55,600 --> 00:36:58,080
Speaker 6: maybe we could like be like a group.

771
00:36:58,160 --> 00:36:58,319
Speaker 5: You know.

772
00:36:58,360 --> 00:37:01,200
Speaker 6: I got out, you know, out Yeah, no, Al and

773
00:37:01,280 --> 00:37:04,520
Speaker 6: me and called Cult Jam. Now the deal is, I

774
00:37:04,560 --> 00:37:07,320
Speaker 6: never was going to use the group called Cult Jam,

775
00:37:07,600 --> 00:37:10,920
Speaker 6: but our call manager said, well, how about if it works,

776
00:37:11,000 --> 00:37:14,839
Speaker 6: we use you know, Lisa and Cult Jam. And he

777
00:37:14,880 --> 00:37:17,560
Speaker 6: came up with the name, how about we call Lisa Lisa?

778
00:37:17,680 --> 00:37:18,760
Speaker 6: And I went nuts.

779
00:37:19,000 --> 00:37:25,080
Speaker 2: Who he came up with that name? We got out

780
00:37:25,080 --> 00:37:27,480
Speaker 2: the call we started south Side and said it sounds

781
00:37:27,480 --> 00:37:29,440
Speaker 2: so Spanish like Lisa, Lisa Lisa.

782
00:37:29,480 --> 00:37:30,120
Speaker 4: And it was right.

783
00:37:30,200 --> 00:37:33,600
Speaker 6: It was perfect, And that's what you want a lot

784
00:37:33,600 --> 00:37:36,480
Speaker 6: of people lost track of what artist development is because

785
00:37:36,520 --> 00:37:39,239
Speaker 6: what would happened. It was intentional that when people went

786
00:37:39,239 --> 00:37:40,960
Speaker 6: to the clubs. Because I remember that the record came on

787
00:37:41,000 --> 00:37:43,800
Speaker 6: the Bentley's, I couldn't believe it. I mean, you know,

788
00:37:44,840 --> 00:37:48,000
Speaker 6: people would say, yo play that Lisa Lisa record and

789
00:37:48,120 --> 00:37:50,520
Speaker 6: that's what you want. They wouldn't even say, yo play

790
00:37:50,520 --> 00:37:54,319
Speaker 6: take you Home records and then identify the brand and

791
00:37:54,480 --> 00:37:56,520
Speaker 6: you know, be fine as legit.

792
00:37:57,040 --> 00:37:58,239
Speaker 1: You know he really does.

793
00:37:58,280 --> 00:38:08,680
Speaker 10: There's there's history because he's still they're using the word Hispanic.

794
00:38:09,440 --> 00:38:11,400
Speaker 9: They came up with I wonder if I take You Home?

795
00:38:11,680 --> 00:38:13,720
Speaker 4: Right, and the song was already done.

796
00:38:14,000 --> 00:38:18,480
Speaker 8: He was so adamant that it must be a Latino

797
00:38:18,800 --> 00:38:22,200
Speaker 8: girl to do it. So yeah, full Force. It wasn't

798
00:38:22,200 --> 00:38:24,279
Speaker 8: for full Force. There wouldn't be no least Lisa, but

799
00:38:24,440 --> 00:38:28,239
Speaker 8: be right from the jump. Knew that he wanted girl.

800
00:38:28,320 --> 00:38:30,880
Speaker 10: And look, I think I don't think Full Force gets

801
00:38:31,120 --> 00:38:34,360
Speaker 10: enough credit. And this look, like I said, this stuff

802
00:38:34,400 --> 00:38:38,680
Speaker 10: comes organically, the list of Lisa vibe. It's organic. Look

803
00:38:38,719 --> 00:38:41,560
Speaker 10: at another big hit they had, Thanks for My Child

804
00:38:41,800 --> 00:38:44,520
Speaker 10: ryl Pepsi Riley. You remember how big that record was.

805
00:38:44,840 --> 00:38:46,919
Speaker 10: Who makes no record with with a girl they're about

806
00:38:46,960 --> 00:38:49,560
Speaker 10: to have a baby. This is before Brenda got a baby.

807
00:38:49,680 --> 00:38:52,959
Speaker 10: All this and that they they they're writing records, even

808
00:38:52,960 --> 00:38:57,080
Speaker 10: slow jams that were speaking to to the streets. They

809
00:38:57,120 --> 00:39:01,000
Speaker 10: ran slow jams. So I'm always I'm always the biggest

810
00:39:01,440 --> 00:39:02,279
Speaker 10: Full Force fan.

811
00:39:02,960 --> 00:39:05,400
Speaker 1: Their versatility was was incredible.

812
00:39:05,640 --> 00:39:09,600
Speaker 10: They're working with Backstreet, They're working with a man the Fox.

813
00:39:10,960 --> 00:39:13,040
Speaker 4: White people liked.

814
00:39:15,239 --> 00:39:17,200
Speaker 3: Or did somebody ever get y'all? Did y'all get everything?

815
00:39:17,239 --> 00:39:19,040
Speaker 3: With all the songs that they written? He just named

816
00:39:19,040 --> 00:39:20,360
Speaker 3: a couple of them. Did y'all get what you're supposed

817
00:39:20,360 --> 00:39:21,640
Speaker 3: to get?

818
00:39:21,760 --> 00:39:24,000
Speaker 2: Pretty much? It's still coming yad.

819
00:39:25,600 --> 00:39:27,600
Speaker 9: Members and I think we got every.

820
00:39:27,480 --> 00:39:33,040
Speaker 6: No, he said, yeah, no, no, no. When when doing

821
00:39:33,120 --> 00:39:37,080
Speaker 6: rock sand Roxanne doing that? You know when you deal

822
00:39:37,120 --> 00:39:39,400
Speaker 6: with independent labels, you know how that.

823
00:39:39,719 --> 00:39:41,160
Speaker 5: Damn you tfo RO.

824
00:39:41,440 --> 00:39:44,400
Speaker 9: That was our first production for RO.

825
00:39:44,440 --> 00:39:48,279
Speaker 1: And we was on that same label. To select that

826
00:39:48,360 --> 00:39:58,480
Speaker 1: means sometimes they select when they paid you the record,

827
00:39:58,880 --> 00:39:59,880
Speaker 1: select you not to.

828
00:40:02,239 --> 00:40:07,360
Speaker 2: That's what That's my favorite.

829
00:40:08,320 --> 00:40:10,839
Speaker 6: But there's always more to that, you know, like basketball,

830
00:40:11,000 --> 00:40:14,000
Speaker 6: we cover a basketball. I'm sure they're still so critician.

831
00:40:14,160 --> 00:40:15,799
Speaker 6: We should get from that too. That was like the

832
00:40:15,800 --> 00:40:16,440
Speaker 6: first first.

833
00:40:16,280 --> 00:40:17,800
Speaker 9: Time, like you know, you talked about the movie.

834
00:40:17,840 --> 00:40:20,160
Speaker 8: The movie left out a song the Lisa Lisa movie,

835
00:40:20,840 --> 00:40:22,680
Speaker 8: which we had nothing to do with, but they left

836
00:40:22,680 --> 00:40:25,520
Speaker 8: out the song. They didn't represent all cried out in there.

837
00:40:25,600 --> 00:40:28,440
Speaker 8: Now we did a duet with Lisa on that Full Force,

838
00:40:28,480 --> 00:40:30,840
Speaker 8: but they could have even did the first verse or

839
00:40:30,840 --> 00:40:33,160
Speaker 8: something cried out, but all cried Out.

840
00:40:33,080 --> 00:40:36,360
Speaker 9: Was mysterically, mysteriously not in the movie.

841
00:40:36,440 --> 00:40:39,440
Speaker 6: And hol was the one that, yeah, that's a true story,

842
00:40:39,600 --> 00:40:40,360
Speaker 6: that's a standard.

843
00:40:40,680 --> 00:40:40,880
Speaker 5: You know.

844
00:40:40,960 --> 00:40:43,240
Speaker 6: So once we had Lisa, it was like, okay, cool,

845
00:40:43,520 --> 00:40:46,399
Speaker 6: we started zeroing internet. So I even told I said,

846
00:40:46,640 --> 00:40:48,120
Speaker 6: some of these songs you're going to be doing thirty

847
00:40:48,160 --> 00:40:50,439
Speaker 6: forty years from now, all cry Out, you know when

848
00:40:50,480 --> 00:40:53,000
Speaker 6: our first time when even Alloyd did it over but

849
00:40:53,000 --> 00:40:54,160
Speaker 6: I heard mariahs saying it.

850
00:40:54,080 --> 00:40:55,920
Speaker 2: It was Mariah's favorite song, you know.

851
00:40:56,040 --> 00:40:58,319
Speaker 6: So you know, all the more reason why when we

852
00:40:58,360 --> 00:41:02,319
Speaker 6: do our documentary, we will braatically include Lisa, everybody who

853
00:41:02,360 --> 00:41:04,960
Speaker 6: impacted our lives, y'all. Everything, it's all connected.

854
00:41:05,600 --> 00:41:10,840
Speaker 3: Fight because y'all got so many different temperament personality, who wins.

855
00:41:11,760 --> 00:41:14,239
Speaker 6: Well, the deal is, it never got physical, you know,

856
00:41:14,320 --> 00:41:18,520
Speaker 6: as we became adults, you know. But yeah, usually it's

857
00:41:18,560 --> 00:41:19,360
Speaker 6: bump aheads with me.

858
00:41:19,960 --> 00:41:22,640
Speaker 2: Yeah and you know something. But here's the deal.

859
00:41:22,680 --> 00:41:25,560
Speaker 6: I'mber me and b last time we had a knockdown argument,

860
00:41:25,640 --> 00:41:28,440
Speaker 6: back and forth everything, and I said, okay, I'm like

861
00:41:28,520 --> 00:41:33,200
Speaker 6: this after that, Okay, cool. Yeah, I'm the type of okay, okay, y'all.

862
00:41:33,840 --> 00:41:36,000
Speaker 6: After that, I'm like, okay, I'm going to I hot be.

863
00:41:36,160 --> 00:41:38,880
Speaker 6: I got you who's buying? Because you know that's me.

864
00:41:39,440 --> 00:41:40,399
Speaker 6: I don't hang on nothing.

865
00:41:40,440 --> 00:41:40,640
Speaker 1: You know.

866
00:41:40,880 --> 00:41:42,600
Speaker 6: That's how it's supposed to be, you know, because at

867
00:41:42,640 --> 00:41:45,400
Speaker 6: the end of the day, we're on three mamas. We're

868
00:41:45,400 --> 00:41:48,200
Speaker 6: coming together for a mom and everything that accounts.

869
00:41:48,280 --> 00:41:54,640
Speaker 10: Let's go to the gym, guys, we're still one time.

870
00:41:54,840 --> 00:41:55,920
Speaker 1: This is back in the days.

871
00:41:55,960 --> 00:41:59,000
Speaker 10: So one time me and play almost had like a

872
00:41:59,239 --> 00:42:01,680
Speaker 10: like a like a fistfight, like.

873
00:42:01,280 --> 00:42:04,040
Speaker 1: Like in public, you know what I mean? Which which

874
00:42:04,280 --> 00:42:07,800
Speaker 1: which is what never happened. So we're flying in from somewhere.

875
00:42:07,800 --> 00:42:08,640
Speaker 1: I think we're flying in.

876
00:42:08,600 --> 00:42:11,239
Speaker 10: From the West coast, and we come in into you know,

877
00:42:11,480 --> 00:42:13,960
Speaker 10: Newark back in the days before they fixed it up.

878
00:42:14,000 --> 00:42:17,080
Speaker 1: It was mad junkie or whatever. I don't know. Yeah,

879
00:42:17,120 --> 00:42:19,719
Speaker 1: you know what I'm saying, but I don't know it was.

880
00:42:19,760 --> 00:42:21,480
Speaker 1: It was something like really really stupid.

881
00:42:21,480 --> 00:42:23,480
Speaker 10: I think we had just gotten off a tour, so

882
00:42:23,520 --> 00:42:27,080
Speaker 10: we've been up on under each other for weeks on end.

883
00:42:27,840 --> 00:42:30,600
Speaker 10: And but the funny part was, you know, we actually

884
00:42:30,640 --> 00:42:33,640
Speaker 10: got up into each other's face and blah blahlah, the

885
00:42:33,760 --> 00:42:36,200
Speaker 10: road manager has to you know, kind of break us apart.

886
00:42:36,239 --> 00:42:38,160
Speaker 10: But the funny part was, you know where by the

887
00:42:38,200 --> 00:42:39,399
Speaker 10: baggage clean and then you.

888
00:42:39,320 --> 00:42:40,600
Speaker 1: Can see the fans.

889
00:42:40,719 --> 00:42:42,240
Speaker 2: Oh my god, didn't playing.

890
00:42:45,280 --> 00:42:49,239
Speaker 10: So yeah, yeah, those those times are rare because you know,

891
00:42:49,360 --> 00:42:51,520
Speaker 10: those those are these are the people that that you

892
00:42:51,640 --> 00:42:53,839
Speaker 10: go to war with, you know, once again, shout out

893
00:42:53,880 --> 00:42:55,800
Speaker 10: to play.

894
00:42:56,280 --> 00:43:00,320
Speaker 7: I wonder how the films impacted how people percee eved

895
00:43:01,000 --> 00:43:04,160
Speaker 7: y'all musical legacy, Like do they know y'all more from

896
00:43:04,160 --> 00:43:06,000
Speaker 7: the films and don't really know how.

897
00:43:07,360 --> 00:43:12,839
Speaker 6: As producers with with the younger jener younger j Yeah, yeah,

898
00:43:13,320 --> 00:43:15,920
Speaker 6: sometimes they're always surprised because when you start writing off

899
00:43:15,960 --> 00:43:19,160
Speaker 6: certain songs and certain things that we've done, you know,

900
00:43:19,160 --> 00:43:22,440
Speaker 6: they're very surprised. But that's the deal with I mean,

901
00:43:22,480 --> 00:43:26,000
Speaker 6: House Party gave us a different kind of life, you know.

902
00:43:26,120 --> 00:43:29,200
Speaker 6: I mean up to this day, all of the HBCU colleges,

903
00:43:29,280 --> 00:43:32,040
Speaker 6: the bands and hearing them play like my type of

904
00:43:32,120 --> 00:43:33,960
Speaker 6: hype you know, and it's.

905
00:43:33,800 --> 00:43:36,640
Speaker 2: So I mean, it's just beyond humbling.

906
00:43:36,840 --> 00:43:41,640
Speaker 13: Yeah, I mean, it's when we had y'all on wild'n Out, Yo,

907
00:43:42,000 --> 00:43:45,359
Speaker 13: everybody was hype. I remember that, Like man when y'all came.

908
00:43:45,440 --> 00:43:48,759
Speaker 13: That was like one of the the most fun episodes

909
00:43:48,960 --> 00:43:52,000
Speaker 13: of the of the season. The crowd that Nick first

910
00:43:52,000 --> 00:43:55,360
Speaker 13: of all, Nick loves Nick's love for y'all was like crazy.

911
00:43:55,440 --> 00:43:58,160
Speaker 13: Then me remember me and Pretty V We did the

912
00:43:59,440 --> 00:44:03,200
Speaker 13: dance t Sha and AJ did.

913
00:44:03,280 --> 00:44:04,479
Speaker 7: We did, Man, it was.

914
00:44:04,440 --> 00:44:08,240
Speaker 13: Just it was amazing doing that. We were so honored

915
00:44:08,239 --> 00:44:09,280
Speaker 13: to have y'all on.

916
00:44:09,680 --> 00:44:12,239
Speaker 9: And it was full force on the Red Team.

917
00:44:12,360 --> 00:44:15,560
Speaker 2: Yeah, yeah, we want.

918
00:44:15,760 --> 00:44:17,239
Speaker 9: We can't freaking in.

919
00:44:19,360 --> 00:44:19,719
Speaker 1: About that.

920
00:44:20,760 --> 00:44:21,279
Speaker 5: Yeah we want.

921
00:44:21,360 --> 00:44:24,040
Speaker 1: Damn it. You did.

922
00:44:24,480 --> 00:44:27,440
Speaker 10: Whenever we do those like hip hop game shows, I'm like,

923
00:44:27,480 --> 00:44:30,040
Speaker 10: I overthink it, you know, you know what I mean,

924
00:44:30,080 --> 00:44:31,920
Speaker 10: so that you answer something to like hip.

925
00:44:31,719 --> 00:44:34,640
Speaker 1: Hop squares or you know what I mean. Whenever I

926
00:44:34,680 --> 00:44:37,319
Speaker 1: go on those things, I'm just thinking too much. We did.

927
00:44:37,520 --> 00:44:40,839
Speaker 10: We did Celebrity Family Feud a couple of years ago

928
00:44:40,960 --> 00:44:43,400
Speaker 10: with with Salt and Pepper, with Salt and Pepper can't play,

929
00:44:43,560 --> 00:44:46,880
Speaker 10: and all I'm thinking is just don't fuck it.

930
00:44:46,719 --> 00:44:48,839
Speaker 2: Off, you know what I mean.

931
00:44:48,920 --> 00:44:51,879
Speaker 10: And then then then the Salt picks me to go

932
00:44:52,000 --> 00:44:55,560
Speaker 10: to do the final whatever like that. Yeah, yeah, the

933
00:44:55,640 --> 00:44:58,399
Speaker 10: rapid fire whatever, and all you're thinking is, oh God,

934
00:44:58,440 --> 00:44:59,800
Speaker 10: I got it, you know what I'm saying.

935
00:44:59,880 --> 00:45:01,040
Speaker 2: I got I gotta get it.

936
00:45:01,080 --> 00:45:03,279
Speaker 10: I gotta get to two hundred, you know what I mean,

937
00:45:03,400 --> 00:45:07,360
Speaker 10: which which we did, and then after that I'm like, yeah,

938
00:45:08,200 --> 00:45:11,560
Speaker 10: but but you know, everything gets magnified and I think

939
00:45:11,600 --> 00:45:12,520
Speaker 10: you can overthink it.

940
00:45:13,080 --> 00:45:16,480
Speaker 13: Did anybody ever tell you look like Michael John White? Yeah,

941
00:45:16,680 --> 00:45:18,319
Speaker 13: Michael John White looks like you.

942
00:45:18,719 --> 00:45:20,239
Speaker 2: Just swear, that's my man.

943
00:45:20,360 --> 00:45:23,439
Speaker 8: You know how did Michael joh White and his wife

944
00:45:23,520 --> 00:45:24,560
Speaker 8: dress up one Halloween?

945
00:45:24,640 --> 00:45:26,399
Speaker 1: Oh? Yeah, they one.

946
00:45:26,480 --> 00:45:30,080
Speaker 6: They won many many Halloween parties. He was dressed up

947
00:45:30,080 --> 00:45:34,040
Speaker 6: as me with a ripped shirt headband. His wife ad

948
00:45:34,080 --> 00:45:37,320
Speaker 6: dressed up ast and he won many many things.

949
00:45:37,480 --> 00:45:38,120
Speaker 2: And even.

950
00:45:39,440 --> 00:45:41,080
Speaker 5: Yeah, look he.

951
00:45:41,040 --> 00:45:41,600
Speaker 4: Looks like you.

952
00:45:41,960 --> 00:45:43,319
Speaker 1: That is man.

953
00:45:44,560 --> 00:45:46,279
Speaker 4: Appreciate your brothers.

954
00:45:46,600 --> 00:45:49,919
Speaker 1: It's always funny you shout out shout somebody.

955
00:45:50,520 --> 00:45:52,399
Speaker 2: Well, let me just say this before we go.

956
00:45:53,920 --> 00:45:57,120
Speaker 6: All the acts that we've produced and worked with, from Lisa,

957
00:45:57,920 --> 00:46:02,239
Speaker 6: even U, t Fo Shell, Pepsi, Riley, we.

958
00:46:02,239 --> 00:46:03,200
Speaker 2: Still love all of them.

959
00:46:03,560 --> 00:46:06,279
Speaker 6: You know that little Lisa movie thing has nothing to

960
00:46:06,280 --> 00:46:09,120
Speaker 6: do with how much we love them still, you know, right, I.

961
00:46:09,080 --> 00:46:12,759
Speaker 7: Mean a little little little Lisa movie. You know, the

962
00:46:12,800 --> 00:46:27,840
Speaker 7: Black Persons.

963
00:46:21,160 --> 00:46:23,600
Speaker 6: Dealer is not it's still loving. I mean I mean

964
00:46:23,680 --> 00:46:25,400
Speaker 6: that because I'm the type of person I'm not going

965
00:46:25,480 --> 00:46:25,920
Speaker 6: to say it.

966
00:46:26,080 --> 00:46:27,080
Speaker 2: I don't mean it, And I.

967
00:46:27,080 --> 00:46:29,000
Speaker 6: Would just like to mention all love to all our

968
00:46:29,040 --> 00:46:32,080
Speaker 6: families and mothers, y'alls, including my mom. She's still hanging

969
00:46:32,080 --> 00:46:34,680
Speaker 6: in there strong, but you know, we rally around her

970
00:46:35,040 --> 00:46:37,040
Speaker 6: and then we have a We're finally getting around to

971
00:46:37,080 --> 00:46:39,839
Speaker 6: doing our podcast also House of Soul.

972
00:46:39,880 --> 00:46:40,719
Speaker 2: It's going to be fun.

973
00:46:40,960 --> 00:46:43,000
Speaker 6: I'm finally getting around to do my book. It's going

974
00:46:43,080 --> 00:46:46,120
Speaker 6: to be called Priceless Private Moments. In time, you'll get

975
00:46:46,120 --> 00:46:49,040
Speaker 6: the periorities at kingminded dot org. I'm going to talk

976
00:46:49,080 --> 00:46:51,520
Speaker 6: about certain things that you may see and not seeing

977
00:46:51,520 --> 00:46:53,640
Speaker 6: a podcast, certain things in the pocket you may not seeing.

978
00:46:53,719 --> 00:46:54,040
Speaker 1: The book.

979
00:46:54,239 --> 00:46:56,960
Speaker 6: My Private Times is beating through cancers in the streets

980
00:46:56,960 --> 00:46:59,959
Speaker 6: of bes Flatbush with doctor Sebby, with Queen a Fool,

981
00:47:00,480 --> 00:47:03,960
Speaker 6: Michael Jordan's certain things that were never shared before.

982
00:47:06,719 --> 00:47:09,200
Speaker 2: Yeah really, yeah, that's family of it.

983
00:47:09,280 --> 00:47:09,640
Speaker 5: This weekend.

984
00:47:09,920 --> 00:47:12,640
Speaker 6: Yeah, she married my my young my uncle, my mother's

985
00:47:12,680 --> 00:47:16,000
Speaker 6: younger brother. So one Kingmidi dot org. That's the site

986
00:47:16,000 --> 00:47:17,120
Speaker 6: for the preorders, y'all.

987
00:47:16,880 --> 00:47:21,440
Speaker 8: Come on, and recently we're having the Criterion Collection is

988
00:47:21,440 --> 00:47:24,520
Speaker 8: doing a house party. Uh, they're doing a lot of extras.

989
00:47:24,560 --> 00:47:27,760
Speaker 8: We got together that's going to add to it. Then

990
00:47:27,840 --> 00:47:31,520
Speaker 8: extra a reissue of House Party, a lot of different

991
00:47:31,520 --> 00:47:32,040
Speaker 8: things in it.

992
00:47:32,239 --> 00:47:35,839
Speaker 14: And we did a reunion, a Zoom reunion of Didn't Play,

993
00:47:36,600 --> 00:47:40,960
Speaker 14: Wool Force, Cisha Campbell, A j and down Till Mitchell

994
00:47:41,320 --> 00:47:42,799
Speaker 14: on there, which was really really fun.

995
00:47:42,840 --> 00:47:43,919
Speaker 9: That was just a few days ago.

996
00:47:44,080 --> 00:47:45,680
Speaker 8: And I just want to give a shout out real

997
00:47:45,760 --> 00:47:48,719
Speaker 8: quick too, because for all these years, I just never

998
00:47:48,760 --> 00:47:53,360
Speaker 8: thought Hitman Howie T never got the never got the

999
00:47:53,360 --> 00:47:54,759
Speaker 8: true credit he has.

1000
00:47:54,800 --> 00:47:55,800
Speaker 9: He's a great producer.

1001
00:47:56,080 --> 00:47:58,480
Speaker 8: But one of our first big hit records is Full

1002
00:47:58,520 --> 00:48:00,759
Speaker 8: Force was a song called Ali I Want You Just

1003
00:48:00,840 --> 00:48:03,720
Speaker 8: for Me, which was written and produced by Full Force

1004
00:48:03,920 --> 00:48:05,759
Speaker 8: and Hitman Howie Tea.

1005
00:48:06,120 --> 00:48:08,200
Speaker 9: I always want that out there because Howie.

1006
00:48:07,960 --> 00:48:12,000
Speaker 6: T, Hitman, Hitman Howie Tea and Herbie Lovebug to Me

1007
00:48:12,560 --> 00:48:16,240
Speaker 6: are two of the most unsung hip hop producers period.

1008
00:48:16,640 --> 00:48:17,040
Speaker 1: I agree.

1009
00:48:17,239 --> 00:48:19,279
Speaker 10: Big shout out to Herbie, big shout out to play,

1010
00:48:19,320 --> 00:48:21,280
Speaker 10: big shout out to my man on the West Coast.

1011
00:48:21,400 --> 00:48:25,000
Speaker 10: My man Dante had Golden Artists Entertainment. Uh, it's it's

1012
00:48:25,040 --> 00:48:27,680
Speaker 10: always great to come back to New York. We don't

1013
00:48:27,680 --> 00:48:29,880
Speaker 10: get to come here often enough. One of my daughters

1014
00:48:29,880 --> 00:48:33,000
Speaker 10: still lives here, holding it down in Brooklyn. And you

1015
00:48:33,040 --> 00:48:35,680
Speaker 10: know what, I follow you guys. You know the breakfast

1016
00:48:35,719 --> 00:48:36,840
Speaker 10: club is important.

1017
00:48:37,160 --> 00:48:38,799
Speaker 1: I like you. I know when you'll go through your

1018
00:48:38,800 --> 00:48:40,520
Speaker 1: little kerfuffles.

1019
00:48:40,080 --> 00:48:43,759
Speaker 10: You know what's going to happen. It don't matter if

1020
00:48:44,800 --> 00:48:48,000
Speaker 10: it and going through something or whatever like that. But

1021
00:48:48,360 --> 00:48:52,000
Speaker 10: one of the things I've been noticing lately is you

1022
00:48:52,080 --> 00:48:56,759
Speaker 10: guys always seem to stay the course. And there's some

1023
00:48:56,880 --> 00:48:59,920
Speaker 10: days when things look kind of cloudy or kind of

1024
00:49:00,080 --> 00:49:02,680
Speaker 10: ad or things that y'all might not be able to

1025
00:49:02,719 --> 00:49:07,040
Speaker 10: recover for recover from. Excuse me, but I don't know what.

1026
00:49:07,120 --> 00:49:08,719
Speaker 10: I don't know what that is. Maybe that's the bond

1027
00:49:08,760 --> 00:49:12,359
Speaker 10: you guys have to gather, the chemistry, the chemistry absolutely,

1028
00:49:12,680 --> 00:49:15,760
Speaker 10: but but but you know what y'all, y'all never seem

1029
00:49:15,840 --> 00:49:19,480
Speaker 10: to get get upset or perturbed by whatever that initial

1030
00:49:19,560 --> 00:49:23,280
Speaker 10: wave is because everybody coming at you for whatever particular reason.

1031
00:49:23,920 --> 00:49:24,520
Speaker 1: I like that.

1032
00:49:24,520 --> 00:49:27,360
Speaker 10: That's slow. That's slow and steady, everybody. That's why, I

1033
00:49:27,400 --> 00:49:27,759
Speaker 10: don't think.

1034
00:49:27,760 --> 00:49:30,440
Speaker 2: And he gets enough credit with his sense of humor.

1035
00:49:31,200 --> 00:49:37,080
Speaker 6: You could take it, man taking it.

1036
00:49:41,239 --> 00:49:42,760
Speaker 4: I don't know what it is. And I'll be honest,

1037
00:49:42,800 --> 00:49:45,359
Speaker 4: I've been at first. I couldn't pause, right, I don't know.

1038
00:49:45,880 --> 00:49:47,200
Speaker 5: But a few golf bodies.

1039
00:49:49,400 --> 00:49:52,600
Speaker 3: But you gotta realize what you're securing yourself, because I

1040
00:49:52,600 --> 00:49:54,279
Speaker 3: remember the first one we started working with each other.

1041
00:49:54,480 --> 00:49:56,319
Speaker 4: It wasn't funny. It wasn't funny at me. At first.

1042
00:49:56,360 --> 00:49:58,319
Speaker 3: It was funny, but it was one of those things

1043
00:49:58,320 --> 00:50:00,280
Speaker 3: like it's funny here, but I don't want to aybody

1044
00:50:00,280 --> 00:50:02,040
Speaker 3: else to hear that for you, and you start feeling

1045
00:50:02,080 --> 00:50:03,680
Speaker 3: the way, and then when you work with him, he

1046
00:50:03,719 --> 00:50:04,280
Speaker 3: doesn't stop.

1047
00:50:04,280 --> 00:50:05,000
Speaker 4: He keeps pounding.

1048
00:50:05,600 --> 00:50:14,000
Speaker 13: Yeah, because he's he's a catcher too, you know, answer

1049
00:50:14,000 --> 00:50:14,440
Speaker 13: your question.

1050
00:50:14,920 --> 00:50:18,319
Speaker 4: I love these groups. I love these people. I think

1051
00:50:18,320 --> 00:50:19,319
Speaker 4: we want the best for each other.

1052
00:50:21,200 --> 00:50:25,480
Speaker 2: In the chemistry, I mean seamlessly, I give all credit.

1053
00:50:27,040 --> 00:50:28,600
Speaker 5: I feel like God is engineering all of this.

1054
00:50:28,960 --> 00:50:30,520
Speaker 6: And the last thing I just want to say that

1055
00:50:30,560 --> 00:50:33,319
Speaker 6: nobody knows, is that the last time we was here,

1056
00:50:34,160 --> 00:50:36,200
Speaker 6: saying this last time we was here.

1057
00:50:37,640 --> 00:50:38,959
Speaker 2: The energy was so good.

1058
00:50:39,280 --> 00:50:41,360
Speaker 6: It was just so because we didn't know what to expect,

1059
00:50:41,560 --> 00:50:44,680
Speaker 6: you know, the energy was so so positive, and we

1060
00:50:44,760 --> 00:50:48,200
Speaker 6: loved y'all for this man. And when we left here

1061
00:50:48,320 --> 00:50:50,640
Speaker 6: we felt so good. We went to see my father,

1062
00:50:50,680 --> 00:50:53,120
Speaker 6: who had Parkinson's at that time, and that was the

1063
00:50:53,200 --> 00:50:57,359
Speaker 6: last time all three of us saw him together. And

1064
00:50:57,480 --> 00:51:01,680
Speaker 6: every time but I see it, and when I see

1065
00:51:01,960 --> 00:51:04,360
Speaker 6: you guys, I think my father empty light was the

1066
00:51:04,400 --> 00:51:07,400
Speaker 6: first person to work no empty light. My father was

1067
00:51:07,440 --> 00:51:09,160
Speaker 6: the first person to work with empty light. When she

1068
00:51:09,320 --> 00:51:13,120
Speaker 6: was younger, Yeah, she always talked about that. So every

1069
00:51:13,120 --> 00:51:15,319
Speaker 6: time I see you guys, every time, and I watch

1070
00:51:15,320 --> 00:51:17,080
Speaker 6: you guys all the time, and every time I see like,

1071
00:51:17,080 --> 00:51:17,640
Speaker 6: I always.

1072
00:51:17,440 --> 00:51:18,040
Speaker 2: Think my father.

1073
00:51:18,080 --> 00:51:20,799
Speaker 3: Man, I always got you guys in a positive thank you.

1074
00:51:22,040 --> 00:51:24,799
Speaker 8: And I just want to say I was born in the

1075
00:51:24,840 --> 00:51:28,000
Speaker 8: same Thomas Virgin Allen's and Charlemagne also comes from one

1076
00:51:28,040 --> 00:51:30,000
Speaker 8: of the islands Rikers.

1077
00:51:30,040 --> 00:51:35,719
Speaker 1: Okay, he goes back all the time.

1078
00:51:37,840 --> 00:51:44,000
Speaker 4: I appreciate you, you know you.

1079
00:51:45,239 --> 00:51:47,359
Speaker 3: One time it was like I need help with look,

1080
00:51:47,480 --> 00:51:52,600
Speaker 3: I said, if I have to buy your tickets for you, like,

1081
00:51:52,760 --> 00:51:53,279
Speaker 3: I love you man.

1082
00:51:53,360 --> 00:51:54,600
Speaker 9: Thanks.

1083
00:51:54,760 --> 00:51:56,400
Speaker 4: It's the breakfast Club, Good morning.

1084
00:51:57,680 --> 00:52:01,040
Speaker 1: Every day. The Breakfast Club.

1085
00:52:01,320 --> 00:52:02,520
Speaker 2: You're finished for y'all dumb